All language subtitles for Confessions.1977

Thanks.

Wait a second,
Iet me cIose the door. . .

or with aII the stuff in here,
we'II redecorate the freeway.

Hey!

You were terrific!

You weren't so bad yourseIf.

That was my first time
on a Louis XVI bed.

That stuff
in the back. . .

is for peopIe
with a Iot of money. . .

which you don't seem to have
too much of. You travel light.

Is this your entire Iuggage?

It's not what it seems.
I do it as a hobby.

What, traveIing or. . .

EMAN U E LLE ARO U N D T H E WO RLD

TeII me, what were you doing
down at that wharf. . .

haIf naked,
no money in your pocket.

I'd just gotten off a yacht.

I was Iooking for happiness,
but I got Iost.

How'd you pay
for your trips?

The same way
you did with me?

No, I do that
onIy when I feeI Iike to.

OouId you drop me off
at the Sheraton, pIease?

H uh?

Take the duchess
over to the Sheraton.

Are you a guest there or. . .

you work in the kitchen?

I thought you were kidding.

They'II never Iet you
in dressed Iike that.

I'II be aII right, don't worry.

- Thank you. Goodbye.
- Goodbye.

ls my dog a problem?
Can you do something about it?

l will get a room for him.

Excuse me.

- Are you listening to me?
- Yes, ma'am.

- I'm taIking about my dog !
- Excuse mel

Would you mind, please?

Yes?

My dog l

Hey! ShouId I set the hoteI on fire
so you'II finaIIy Iisten to me?

Oan't you see that I'm busy?

Emanuellel

Oora! What are you doing
in San Francisco?

Great to see you !
How are you?

Great to see you too!

- Right l
- Hey, what happened to you?

Don't teII me you've had
an argument with your taiIor?

Excuse me, M rs. Norman,
do you know this Iady?

Who doesn't know EmanueIIe?

She's the most famous photo reporter
in America.

I'm so sorry, ma'am.
I'm at your compIete disposaI.

My newspaper reserved
a room for me.

PIease?
I'm tired.

Yes, of course.

What are you wearing?

Are you working on a piece
about the Stone Age styIe?

I just got back from a desert isIand.
I went to search for happiness.

- Did you find it?
- J ust for few days.

Now, what about you?
Nothing but the truth.

I promise I won't teII.
What are you doing in San Francisco?

You'II read the whoIe thing
when it comes out in the Post.

Something big, I guess.

ActuaIIy, I'm working on
finding out. . .

who is making money
and who is causing troubIe.

StiII the oId indestructibIe feminist.

Miss.

Your room is ready, and this
enveIope is for you.

Okay, I'II see you Iater.
I want to cIean up.

- Bye.
- Bye.

Orazy girI !

Welcome back to civilization,
Emanuelle.

l am sure you are ready. . .

to enjoy the benefits. . .

of our wonderful consumer world.

l'm looking forward
to seeing you.

Hop onto the first plane to New York,
and come see me.

See you soon.

Your ever loving
editor, Burt.

I advise you to keep
your hands off that bag.

Why? Is it yours?

Whose you think it is?
This is my room.

Don't be siIIy.

I don't think you understand. . .
there has been a mistake.

These idiots gave me
the wrong room.

Are you trying to say
that you're a cIient of this hoteI. . .

doing a IittIe hustIing
to pay the check?

Don't be ridicuIous.
Wait tiII I get the manager.

Don't be angry.
We couId work this out.

You need a room
and this one's too big for me. . .

and we can come
to an agreement.

Forget it!
Keep your hands off of me!

Oome on !

You are not bad.
Oome here!

Don't touch me or
I'II scream the pIace down !

Pig !

I'm sorry!
I'm sorry!

It's ok.

But you're trembIing !
What happened to you?

I entered the wrong room
and there was this madman in there. . .

he was Iike a sex maniac.

I'm a man who detests vioIence. . .

but without any cIothes on,
you're quite provocative.

He ripped the only dress l had.

When I enter the room
I was more. . .

WeII, Iet's try to fix this.

We have some time
before our pIane Ieaves. . .

I want to do
some shopping.

We'II be together
from here to New York. . .

I'm finished.

Pan Am 4 2 7 to New York. . .

are kindly requested to go
to the gate number 6. Thank you.

Porter!

l know it's strange but. . .

I'm sure
I've seen you somewhere before.

U nfortunateIy not. . .

I wouId certainIy
remember you. . .

though I know your work.

Who are you, reaIIy?

Why are you asking me that?

Have you noticed that guy?

Who?

The one sitting there.

He was at the Sheraton. . .

and then I saw him again
on the pIane from San Francisco.

He foIIows you and
doesn't even try to hide.

It must be a coincidence.

I bet he's got something against you.

Do you intend to dedicate
your whoIe Iife. . .

to traveIing around the worId,
taking photos, uncovering scandaIs?

- Have you ever heard of Oora Norman?
- No, who is she?

She's a reporter for the Post.
She's been writing. . .

about socio-poIiticaI probIems
for years.

But you never even
heard of her.

On the other hand,
everyone knows EmanueIIe.

ExactIy.

So you're afraid to risk
your journaIistic career. . .

covering probIems that might be
too cIose to home.

- Hey, that's heavy.
- Oome on. . .

don't take it wrong.

- Here we are.
- Wait a minute.

- Is this yours?
- I have the use of it. Oome on.

- Have you loved a lot of men?
- No.

But I've had a Iot of men.

I see.

I'm free.
Men and women are equaI.

It's society
that obIigates them to be different.

But Iove does exist.
Thanks God.

Have you ever been in Iove?

I'd have to see you again
before I can answer that.

I don't Iike the kind of Iove
that is supposedIy forever. . .

but burns out quickIy.

I'd Iove to see you again.

But as the two of us are
aIways traveIing around the worId. . .

our chances are sIim.

- This might heIp.
- What is it?

It's my itinerary
for the next three months.

The places where l'll be
and the hotels l'll be staying at.

EmanueIIe, I need to go.
Someone wiII take you home.

- We'II meet again.
- Are you convinced of that?

More than what you think.

My name is Jeff Davis.

I was asked to accompany you home.

Who is he?
What's he doing at the U nited Nations?

Dr. Robertson is Ohairman
of the Third WorId Aid Oommittee.

Oh, what a cheat!

And who are you?
H is guardian angeI?

ExactIy.

Fine. We'II have pIenty
to taIk about aIong the way.

Okay.
Let's go.

You reaIIy opened a new can of peas,
disappearing Iike that.

The pubIisher's been going crazy.

He says saIes are going
through the fIoor without your stories.

At Ieast, that's what
he thinks.

Let's forget that and taIk about
why you're sending me to I ndia.

What the heII am I supposed to do
with an I ndian Guru?

I know that reIigion is coming
back into fashion. . .

but don't teII me
it's racy enough for this newspaper.

That's what you think.

He discovered
the secret of the uItimate cIimax.

M iIIions of Americans dream of going
to I ndia to achieve it.

There's even taIk of a mass exodus.

Okay, Burt,
how do you Iike this headIine?

U Itimate cIimax discovered
where chiIdren are a curse. . .

and procreation
a sociaI emergency.

What is happening to you?

I met a man who opened my eyes. . .

a fantastic person,
absoIuteIy incredibIe.

J ust think,
I never even made Iove to him.

What? This is a reaI news!

Gary, I am tired.

He Ieft the tempIe
haIf an hour ago. . .

he is not at the shrine,
he Ieft the hoteI. . .

Are you sure
the guru exists?

We're following his daily path.
You have no patience.

You must Iearn that with HoIy Men,
patience is a virtue.

Soon, you'II ask me
to comb I ndia. . .

there are 7 00 miIIion peopIe here!

- WeII?
- Not here, either.

You see,
gurus foIIow their instinct.

However, he acted
very rationaIIy when. . .

he took my 500 doIIars
for the interview.

Tomorrow
you'II see him.

Looks Iike it's easy to become
a saint in this country.

Wasn't it worth it?

The difficuIties that you faced
in order to meet him. . .

wiII make the encounter
even more satisfying.

- So I can meet him?
- Later.

He'II come for you.
I reserved a room. . .

for you.
Thirty doIIars a day.

Thirty doIIars.

TranscendentaI meditation
certainIy isn't for the poor.

PIease don't caII anybody.

They think I aIready Ieft.

But I stayed here.

- Why is that?
- I ran out of funds.

So what?

I can't pay to stay here.

My fIight is in two days.

I've been trying to keep out of sight.
My name is Mary.

- I don't mind you staying here.
- Thank you, I appreciate it.

WeII. . .

I'm going to Iie down.

It's not working out.

l try and l try,
l just can't attain pure thoughts.

I guess meditation is not my thing.

I repeat my mantra.
You don't know what that is?

Haven't you read
the pamphlets they give out?

- No.
- The mantra is chosen by the guru.

It's a word given
to each one of us. . .

for meditation.

Or something Iike that.

Twenty doIIars to Guru Shanti
and you get your word.

But if you're not into it,
why are you here?

For work.
I'm a photographer. And you?

WeII, you see,
I had this accident in Rome.

More of a trauma, reaIIy.

I came here to see
if I couId get over it.

And now?
Are you okay?

WeII, I'm Iousy at meditation.

But I've got
the desire to Iive again.

- Oan you understand that?
- Yes, I can.

I was beginning to think
I was frigid.

There's no reason
why you shouId hide yourseIf here.

You can have the room I reserved
in a hoteI in New DeIhi.

You are an angeI !
I couId Ieave on the bus this evening.

Or do you want to get rid of me?

- It wasn't so good, huh?
- Don't be stupid.

I was worried about you.
You'II get bored cIosed up in one room.

It's the first time
I've ever done it with a girI.

Yes, I guessed that.
But why now?

I was going out of my mind.

With you, it seemed so naturaI.
Amazing.

Here they put us through a course. . .

to reach pure pIeasure.
It made me feeI reaIIy good.

- What's it Iike?
- You'II see.

It's crazy.
I've got an idea.

- Are you pIanning to go to Rome?
- I don't know, maybe.

WeII, if you do, here.

It's a way to repay
your hospitaIity.

These are the keys to my pIace
in Rome, a gift from my mother.

I can even give you
my friends' addresses.

- Oh, but that's. . .
- Go on, take them.

I won't be going back there
for a whiIe.

Why is that?

I stupidIy got invoIved
with a bad crowd.

When I tried to get out,
I was gang raped.

There were five of them.

They work for an organization
recruiting girIs for the M iddIe East.

I stiII can't beIieve
I managed to get away from them.

Ooncentrate everything you have
on your mantra.

AIIow your gestures to be isoIated
from your mind.

Don't aIIow yourseIves to surrender
to the vioIence of the orgasm.

The reaI pIeasure is to proIong
the sexuaI act indefiniteIy.

To discover
a more subtIe significance.

To orgasm means to die.

The more you proIong
this act of pIeasure. . .

more intense shaII the Iight
of the spirit be.

Stop, that's enough.

ShaII I continue?

Get off!

You're a witch !

Why? I just saved him
from impotency.

Now we've got to go back
to step number one.

You can.
I'm going back to the States.

Who am I gonna do it with?

The guru is reaIIy upset.

He's agreed to pose for you
onIy because he's a saint.

Yeah, sure. A saint who Ioves
reporters and pubIicity.

Why did you have to upset him?

You didn't have to be so bIatant
about your disrespect for him.

No one's ever disobeyed him before.

It's Iike profanity
against the sacred rite.

Embracing on these soft cushions. . .

we can Iearn to enjoy and vary
the thousand positions of Iove.

To become subIime concubines
of our god.

As far as I can teII, your theories
on pIeasure create neurosis. . .

not a richer spirit. . .

and I think it's anti-ethicaI.

And yours
is the typicaIIy Western theory.

OrientaI phiIosophy
is much Iess vuIgar.

So much more refined.

This is the School of Kamasutra.

Here, women learn the art
of perfect union.

And to avoid the imperfect union. . .

the arts
of the more refined courtesans. . .

the in and out position. . .

the suspended position,
the swinging position. . .

that of the horse,
that of the mare. . .

that of the locust,
the double union.

Because often it is the woman's duty
to assume the active role. . .

when the man is tired, or when
there is the desire to change.

Or just healthy curiosity.

She must learn to bend
to the wishes of the lover. . .

but at the same time, know how
to guide the man to her desire. . .

with the subtle art of seduction. . .

to be the mare with the stallion. . .

to be the teacher
in the art of caressing. . .

in penetration,
in friction. . .

in pressure. . .

the thrust of the wild boar,
the thrust of the bull. . .

the game of the bird.

To know the classification of men
according to their linga. . .

and to adapt these
to their own union.

The ingenious woman
multiplies the ways of union. . .

imitating the four-legged animals
and the birds. . .

and thus, inspires in the man,
love, friendship and respect.

A true woman must understand
and elevate herself.

Why don't you remain here,
to Iearn to eIevate yourseIf?

EIevate myseIf?
Like those poor women?

I'm sorry, but I prefer to keep
my feet firmIy on the ground.

You disappointed me. You live
like a superstar, in luxury.

For me, ''saint'' is
something eIse aItogether.

To be abIe to meditate,
one must be comfortabIe.

And onIy those who are rich. . .

can be truIy comfortabIe.

And the poor?

The poor remain poor. . .

because they're not inteIIigent
or cunning enough to become rich.

And thus, are not abIe to meditate.

WeII, Iike I said,
meditation is a Iuxury.

You don't beIieve I'm a hoIy man.

WeII, it's very difficuIt to beIieve
in a pure spirit.

At Ieast, for me.

I know men weII enough to reaIize. . .

that in every saint,
there hides a sinner.

- You see. . .
- You're mistaken.

You don't want to be saved.
EIevated.

You don't want to reach,
by way of proIonged pIeasure. . .

the vision of pure spirit. . .

- of the subIime souI.
- Don't take it personaI.

I didn't come here
to be one of your students.

Are you going to Ieave?

Yes, I think I've gathered
enough materiaI for my articIe.

U nIess you're hiding
something interesting from me.

MyseIf.

That's most interesting. . .

but what's so speciaI about you?

Is this some kind of Iove decIaration?

I never taIk about Iove.

I am Iove.

I wiII show you subIime
and infinite pIeasure.

The artist.

That wasn't bad. . .

but I think you'd do weII
to stick to spirit.

Don't worry about it.

You just have
to practice more.

After years of holding back
for the ultimate orgasm. . .

no wonder you come too quickly.

Oome on in.

- Good morning.
- Good morning.

Good morning.

Isn't there a card?

No, but there's a gentIeman
waiting for you in the garden.

Right. The tip.

- There you are.
- Thanks.

WeII?

Weren't you waiting for the tip?

Right!

Davis!

Good morning, M iss EmanueIIe.

Sorry if I woke you up
at this hour.

Dr. Robertson
is rather impatient to see you.

He is busy right now.

- Right now, he's in a Oonference.
- Let's go.

TeII me,
what do you think of I ndia?

I'm sure you've had
ampIe opportunity to reaIize. . .

that it's a country of great contrasts.

I n I ndia, poverty Iives hand in hand
with high-price tourism. . .

something which I ndians
take fuII advantage of.

Right, with fake theories
on sex for the frustrated. . .

and such myths as the uItimate cIimax
and aII that guru buIIshit.

- So your guru disappointed you?
- I wouId say so.

A saint shouId preach Iove
for his neighbor, not for himseIf.

He's nothing
but a gIorified con artist.

My exposé on sex in I ndia couId reaIIy
become an expIosive sociaI study. . .

just Iike you said.

WouId you hoId this a minute?

Yes, maybe I'm going to take
your advice.

Here's to your expIosive sociaI study,
that is, if you go ahead with it.

And to your work.

I feeI a bit guiIty to say this
in a restaurant. . .

since you are trying to
fight worId hunger.

Why don't we forget our work?
Let's taIk about us.

Nowadays, a free woman
in a position to express herself. . .

must be invoIved with the probIems
that a woman has aIways had to face.

She continues to be the victim
of maIe sexuaI vioIence. . .

often under the auspices of the Iaw.

You're beginning to take up
nobIe causes.

No! I haven't gone mad !

Let me finish.

U p to now,
men have bought the papers.

Oan you imagine
with something as hot as this. . .

what kind of success
we'd have with women?

Burt!

WouId you just stop it!

Don't you reaIize
that Oora Norman. . .

is working on the same story
for the Post ?

I have to get in touch with her!

Find her!

What the heII's the matter with you?

You aIways photograph tits and asses.

You do it weII. . .

so keep doing it.

Okay, you don't have to shout!

She said she wants something
more important to do.

Maybe you misunderstood, Burt.

I understood,
even if it was a Ioad of horseshit.

EmanueIIe, I wasn't taIking to you. . .

do anything you want,
just make sure you get good pictures.

Of course I am interested
in the story too.

I'II see if I can find Oora Norman
for you. Heard she was in Rome.

Don't use the story
of our oId friendship.

I know why you're here. . .

it's to try to get a story out of me
for Burt. He caIIed me from New York.

You're right, I asked him
to find you for me.

Burt shouId work for the O IA
instead of running a newspaper.

They're fuII of nosy bastards
Iike him.

- I'II put my cards on the tabIe.
- Okay, go ahead.

You're working on a report
about vioIence against women. . .

and I want to know more
about it.

I found out
terribIe things.

It's a dangerous task.

Many interests
are at stake.

Women are used to sweeten the pot
in iIIegaI deaIs aII over the worId.

The ones that faII into the net. . .

often start as tourists from Europe
or America, and find themseIves. . .

those that survive, anyway,
somewhere on the Ivory Ooast.

Or in the harem of a sheik
in the M iddIe East. . .

as fringe benefits
for an oiI contract.

I'm on the right track.

I got a Iead on a woman. . .

and now I'm Iooking for her.
Her name is Greta M uIIer.

Jesus, I thought that kind of thing
didn't happen anymore.

But it does, unfortunateIy.

Do you think anybody reaIIy cares
if a girI disappears into thin air?

At the most, she'II rate a few Iines
in the IocaI newspaper, that's aII.

- Oora, I want to heIp you.
- Why?

Some jobs I do for my career,
others for Iove. . .

now it's both.

If you'd reaIIy Iike to,
I'II pooI resources with you.

How do they manage to pick
up girIs here in Rome?

The usuaI way.

They get picked up
in the tourist spots

in Rome.

They take them to restaurants
and nightcIubs. . .

and then it's easy,
they start on the wine. . .

get a IittIe high, then someone
proposes a party outside of town.

And then, nothing.
They disappear.

Last night I watched
and foIIowed a pickup.

Two very weII-mannered,
eIegant young men. . .

compIete with a white RoIIs,
picked up two French girIs.

- And then?
- Nothing.

They Iost me on the Appia Antica.

They just disappeared. . .

I couIdn't find them.
Or the two French girIs.

- I think I'II do some sightseeing.
- Be carefuI.

These peopIe are reaIIy dangerous.
They don't fight fair.

- Have they tried to threaten you?
- No, not reaIIy.

But, they tried to bribe me.

They said I shouId stop
my investigation.

And they offered me a Iot of money.

But I refused.

I'II do as you say.
I'II be carefuI. Thank you.

- HeIIo.
- H i.

Hey, do you put parsIey
in couscous?

I'm afraid I couIdn't teII you.

WeII, I can't find it anyway.

- H i.
- H i.

What happened to Mary?

You must have used her keys
to get in.

I met her in I ndia.
She says she's not coming back.

WeII, wouId you Iike to come
back to a pIace. . .

where you've been raped
aII night by a bunch of guys?

Mary was a virgin.
FiIthy pigs.

How come you know everything?
Did she teII you?

Of course.
She's my best friend.

WouId you Iike to get revenge
on those fiIthy pigs?

It's IoveIy. It amazes me
every time I see it.

- It Iooks Iike a movie set.
- You guessed it.

BeIieve it or not,
that's what it is.

They put it on. . .

for aII those beautifuI
foreign girIs on vacation.

When the summer's over,
they puII it down.

You reaIIy think you're funny.

No, I didn't think it was such
a bad Iine for openers.

I just wanted to get to know you.
I'm sorry, okay?

Now, don't get upset.

Hey, you reaIIy give up easy.

Annie was onIy joking.

Two very weII mannered,
eIegant young men. . .

compIete with a white RoIIs. . .

Who's the boy?

We thought
he was your student.

Where do we start the tour?

Listen, kid, for your first day out,
you've done pretty weII.

Oome here.

Now, Iisten.
Go back to schooI, boy.

That broad's not interested
in a beginner.

J ust who the heII
do you think you are?

The secret is just a matter of taking
yourseIf in hand and jerking off.

Go put it where the sun don't shine.

PIeased to make your acquaintance.
My name's Roberto.

Let's go.
There goes a friend of mine.

Oome on.

This is Mario.

- N ice to meet you.
- A pIeasure.

What are you going to do
about entertaining us. . .

now that you've picked us up?

We can have a meaI
at a nice ItaIian restaurant.

J ust a second.

- I n you go, girIs.
- I've aIways wanted to ride in a RoIIs.

I thought I was rude waIking off
Iike that without saying goodbye.

This is Spaghetti alla Puttanesca .
Ever tried it?

I Iove it. How many ways
are there to cook spaghetti?

- Do you Iove Romans?
- I don't know any.

Then, how about us?
Aren't we Romans?

WeII, we think you are nice.
ReaIIy nice.

What do you think?

It depends. How many ways
do you know how to cook a girI?

I Ieft the recipe at home,
but I know a few appetizing things.

HeIIo, everyone.
How's it going?

- Oiao, Iike to join us?
- No, I've had my dinner.

But I'm gIad I found you.
Did you forget the party?

Why don't you bring these Iadies?

- They'II have fun.
- Ok.

And where is this party
taking pIace?

- At a viIIa, on the Appia Antica.
- But isn't it too Iate?

No! The evening is stiII young.

We'II pay,
then we'II be right with you.

Put the girIs into my car.

There.

You can do better than that.
I got you good-Iooking chicks.

EspeciaIIy the OrientaI.
She's aIone and just passing through.

Very weII.

I n you go.

- Oiao.
- I'II be in touch.

Aren't we going to wait for the others?

I'm just pIaying
a IittIe joke.

I aIways steaI the girIs
away from them.

You'II see them at the viIIa.

That's her, come on.

We have some unfinished business!

Oome on in, guys.

I aIready toId you
I'm not interested in your money.

I know. I know!

I n fact, I admire you for it.

But this time,
we're not offering money.

Listen. A journaIist. . .

doesn't disappear. . .

without Ieaving a trace!

Nothing wiII happen to you.

Nothing major,
that is.

This time, you'II change
your mind.

Okay, get on with it.

No!

I bet those two
put something in the drinks.

- I'm feeIing dizzy.
- I don't feeI so weII either.

I'm sure this is going to end badIy.

Don't worry,
we've got a guardian angeI.

- H i.
- H i.

You are here,
finaIIy. Is everything ok?

- Yes, I gave the kids their pay.
- How are they.

One better than the other, you'II see.

We've been waiting for you.
WeIcome.

- Good evening.
- Hi.

- PIease, go in.
- J ust make yourseIf at home.

After you.

Aren't you coming in?

No, I think I'd better go see
what's happened to Roberto and Mario.

But I'II be right back, beautifuI,
don't worry about it.

I'II be with you in a minute.

Now. . . here's the price
we agreed upon.

They are reaIIy beautifuI.

And safe.

ReIax, they got nobody here
to miss them.

I'm not worried.
Tomorrow, they'II be shipped out.

They'II never find them. Oiao.

What the heII's going on?!
Why have you brought us here?

If you do as you're toId,
no harm wiII come to you. . .

and you'II be abIe to Ieave
in the morning.

Now, take your cIothes off.

For your own good,
l suggest you do as l say.

- We better get the girIs ready.
- Right.

- Why the bIindfoIds?
- Shut up.

The boss gets first choice.
He'II be down in a minute.

Who's there?
Who are you?

We are three Americans.

We've been bIindfoIded.

How Iong have you been here?

They brought us here this evening.
And we've been bIindfoIded, too.

They said
that we were going to a party. . .

but instead,
they made us take our cIothes off. . .

and then tied us up.

HeIIo! PoIice?

Her!

Let me go?

Don't touch me!

Bastards!

Pigs!

Take her away!

Her.

Turn her around.

They got what they deserved.

- I did that for Mary.
- Me too.

I hope they spend
the rest of their Iives in jaiI.

It's been scary, tough.
WeII, goodbye.

Aren't you coming?

I gotta show our guardian angeI
some gratitude.

- WeII, how did it work out?
- Fine, thanks to you.

If it hadn't been for you,
it wouId have been awfuI.

I didn't do so much,
I onIy did what you toId me to do.

- Oan I take you somewhere?
- Any ideas?

I feeI Iike going to
the Scortico , it's my father's.

To the Scortico ?
What's that mean?

A pIace to go
if you want to make Iove.

I think you'd caII it
a bacheIor pad.

I am curious now.

I'II go with you.

Wait tiII you see the Oasanova bath.

There's even a bidet
with a verticaI shower.

My father thinks he's got cIass.
He's just a pig.

Men aren't born pigs,
it's something they become.

- It's just a matter of speciaIization.
- You're an expert?

- Have you ever made Iove?
- What of it?

I'II get you through your first exam.

Fact 1 ,
you weren't brought by the stork.

So you know that aIready?
Show me what eIse you know.

Shit, someone's coming.

We better hide.

Here, quick, in the cIoset.

WiII you go see
if the bathroom's tidy?

My baII-breaking stepmother.

- What is she doing here?
- I don't know!

- Take off your jacket. It's hot.
- Right. Thank you.

What are you pIaying at?

Your stepmother is right.

It's hotter than heII in here.

Yes, the bathroom is tidy, ma'am.

Good, that means that my husband
doesn't use the boat much.

Anyway, get some cIean sheets.

No, not there, over here.

Shall l change the pillowcases
as well, ma'am?

Yes, everything.

- She's reaIIy got it together.
- Be quiet!

There's no need for you
to rush, you know.

There's not much room
to move about.

HoId on, Iet's see.

God damn it!
When is she gonna Ieave?

Oome on, you're too cIose to me.

Am I?

What a nice stepmother you've got.

She comes here to remake the bed
without even knowing. . .

what dirty games
your daddy comes to pIay.

You think she cares about that?

- Oome on, stop grabbing me.
- Why? Don't you Iike it?

It's hot.

- That reaIIy hurts.
- What did you do?

I have a catch in my garter.
It pinched my thigh.

Let me see
if it scratched the skin.

How about that?

Is she aIways that democratic
with her maids?

I don't know.
She changes them often.

I am sure
she Iikes this one.

- It'II be easier if you Iie down.
- Yes, darIing.

With the maid !
Boy, it turns my stomach.

It's not so bad.
Let me take your mind off it.

I was supposed to be
the one to find you.

- I nstead, you found me.
- And it wasn't a coincidence.

I read what happened
in the newspapers.

So I caught the first pIane I couId.

That was very sweet,
thank you.

You had me very worried.

The project you're working
on with Oora Norman. . .

is extremeIy dangerous.

What about aII those
things you said. . .

about women's emancipation?

Don't joke about it.
I feeI responsibIe for what happened.

I couIdn't forgive myseIf
if something happened to you.

I suppose I'II have to check
your itinerary. . .

to know when I'II be abIe
to see you again.

Not too soon, I'm afraid.

I'II be away a coupIe of weeks,
visiting the M iddIe East.

Your pIane is due to Ieave
in exactIy 4 2 minutes, Dr. Robertson.

Thank you, Davis.

- WeII, goodbye.
- Goodbye.

He's aII yours, Davis.
We finished saying goodbye.

Goodbye, M iss EmanueIIe.

- EmanueIIe!
- Oora.

You took a big risk,
I toId you it was dangerous.

l heard about it on the news.

- You were lucky.
- Yes, I know I was.

But what happened to you?

You sounded reaIIy upset on the phone.

It's time to get in deeper, that is,
if you haven't changed your mind.

No, but I want to know
what happened to you.

Those sons of bitches.

They came here Iast night. . .

and got reaIIy rough.

Bastards.
So where are we going?

The Far East.
I found out where Greta M uIIer is.

She changed her name to EIsa Brown
and Iives in Hong Kong.

- M r. Ohang Lee?
- Sorry, no work.

- I'm Iooking for EIsa Brown.
- Don't know her.

Hey, come on,
you're not trying.

Take them.

Maybe this wiII heIp jog your memory.

EIsa has opened a casino in Macao.

I don't know her address but I am
in touch with her from time to time.

TeII me where you are staying
and if I see EIsa. . .

I'II teII her that an American Iady
wishes to see her.

Thank you. TeII her
that Oora Norman is Iooking for her.

- Oora Norman, EIsa Brown is waiting.
- She is?

Thanks, but I prefer to waIk,
if you don't mind.

- Oome on !
- Let go!

Go!

Why do you want to see EIsa Brown?

I thought she couId heIp me
find a job.

- What kind of job?
- Anything, so Iong as it's weII-paid.

You're aII aIike,
EIsa cannot find you any work.

EIsa onIy deIivers the girIs.
It's me, Ohang, who decides. . .

if you'II be abIe to work.

- And me? Am I okay?
- That depends.

If you are abIe to pass
the triaI period.

J ust as they brought you here,
young Iady. . .

I was aImost ready to begin
the triaI period. . .

of two ambitious young women here.

They came for the same reason
that you did, to make a Iot of money.

And what wiII they have to do?

Sink to the Iowest steps. . .

then submit
to the crueIest forms of vioIence. . .

enjoying it, aImost to the point
where the pain they are suffering. . .

assumes exquisite deIight.

Most important of aII,
they must come through the test. . .

without making any sounds
that aren't sounds of pIeasure.

Disgust and fear shouId be words
with no significance to them.

Now, at one of the more
interesting phases. . .

the snake, Iike aII reptiIes,
is very fond of miIk.

It's aIready attracted
to the scent of it.

It'II suck it up to the Iast drop.
The Iast drop.

To the last dropl

You Iike that very much, right?

- Where did they take her?
- I don't know.

You'd be doing yourseIf a favor
if you teII me.

They'd kiII me if they found
out I had even spoken to you.

TeII me
if you know what's good for you. . .

I'II puII the trigger if you don't.

PIease, don't shoot. They took her
to the gymnasium run by Ohang.

PIease don't say
I was the one who toId you.

Stop!
Let her go!

No!

Tie up the dog.

Quick! Go get dressed !
Then caII the PoIice.

We'II have a few minutes
before the PoIice get here. . .

so I propose we use the time
to have a IittIe chat.

I don't mind if you kiII me.

You might as weII because
I'm not going to teII you a thing.

We couId Iet you experience
your theories about pain. . .

as a form of pIeasure, right?

Yes, you're right.
That dog must stiII be horny.

Perhaps he'd Iike to finish with you
what he started with the girI.

PIease, you can't!
You are crazy!

No!

Lie down !

NearIy aII these ships you see
are bound for the M iddIe East.

It's no secret that Macao is the center
for every kind of traffic.

Anything from drugs to weapons,
from women to oiI.

Prepare yourseIf, my dear.
We couId sweeten the pot. . .

for an oiI contract,
a IittIe incentive for the buyers.

WiII you teII Madame Brown
that we'd Iike to taIk to her?

Okay. Wait here.
I'II be right back.

I'm EmanueIIe.
This is Oora Norman.

It doesn't Iook as if they give you
very much room to move around.

They keep a pretty tight check on you.

It's none of your business.

We're both reporters and we'd Iike
to have a chat with you. . .

about your deaIings
with the M iddIe East.

Ohang has toId us a Iot about it. . .

we handed the IittIe creep
over to the PoIice.

I'm sorry but I think you're speaking
to the wrong person. . .

- I don't know anybody named Ohang.
- Don't you?

Listen, EIsa, you're gonna heIp us
put an end to this organization.

What organization?
I just manage a casino.

It's just a cover
and you have to pIay by their ruIes.

How Iong do you think you'II Iast?

You'II make a mistake
and they'II kiII you.

Seeing how you know aII about it,
what do you want me to do?

TeII the peopIe in the organization,
the two of us want in.

Okay, but I don't think
you know what you're getting into.

Don't you worry about us.

We've aIready had deaIings with them.
We'II come through it aII right.

Besides, I'm kind of turned
on by the idea. . .

- of becoming a sheik's courtesan.
- So tomorrow, it's Tehran.

You're so cleverl

A journaIist. . . and a photo reporter.

Both of them famous for their exposés
on anything scandaIous.

That's impossibIe.

I have the word on them from Rome.
But unfortunateIy, too Iate.

Then, EIsa feII for it, too.

I'm ready to admit I made a mistake,
but it's onIy the first.

You and I divide the work,
which means we divide the risks.

It's not nice
to remind me.

Anyway, the Emir. . .

was aIready warned
of their arrivaI from Macao.

I can't make them disappear,
if that's what you had in mind.

But, fortunateIy, for you that is,
our beIoved Emir is invoIved. . .

in a conference right now
for the oiI-producing countries.

That means we have ampIe time
to fix things.

It's aII right, it's absoIuteIy nothing
to worry about.

Last night, the party
got a IittIe bit too rowdy.

- What kind of party?
- DipIomatic parties, they're caIIed.

You know,
where the private discussions go on. . .

fringe benefits for ministers
while they negotiate deals. . .

on oil and industrial plants.

But where are they taking the girIs?

They have a cIinic here
especiaIIy for us.

The doctors are Germans.

I'm sure they'II try to get her
back on her feet somehow.

And if she doesn't
recover compIeteIy?

That means
no one wiII ever see her again.

She'II disappear, Iike aII the others.

J ust between us,
I know where they go.

To a brotheI,
on the Ivory Ooast.

One of those pigsties,
reserved for soIdiers.

I'd rather die
than end up in a pIace Iike that.

WouId you Iike to Ieave?

I wouId do just about anything
to get away from here.

We couId heIp you.

Are you kidding me?

No, we are not.

We're two American journaIists,
you can taIk to us.

J ust teII us
what's going on.

Okay.

The head of this awfuI organization
is a man named Kassim.

HaIf sIave trader, haIf minister.
I'm sure he's steaIing the Emir bIind.

And the Emir doesn't know
anything about it.

AbsoIuteIy nothing, the Emir
is so sweet and weII mannered.

He can't know anything.

The poor darIing's onIy fauIt is. . .
that he trusts Kassim.

Fiona.

- Get up, Fiona.
- What is it?

I'm sorry.
This has to Iook reaI.

Let go of me!

Let go of me!

Let me teach her a Iesson !

Let me through.
Kassim sent me.

J ust a moment.

AII right, come in.

The Emir wouId Iike to speak to you. . .

and the two American women
that arrived today.

Yes, very weII.

Now you know everything.

You can see that your reputation
is in danger of taking a knock.

It wouId seem that you're right. . .

even though I'm doing my best
not to appear Iike a suItan. . .

from A Thousand and One Nights.

It is my fervent wish
to put my country on a par. . .

with the industriaIized nations,
with advanced technoIogy. . .

and more improved education.

I myseIf graduated in London
and in the States.

OongratuIations. But you don't seem
so up to date in your private Iife. . .

considering that you have a harem
Iike the ancient khaIif.

They kidnapped their woman,
you buy them.

Yes, but to the same extent. . .

I buy my jeweIry in London
and famous paintings in ItaIy.

Do you think it out of fashion
to Iove beauty?

I don't think it's right
to pay for what we Iove.

That's an exquisite observation,
aIso rather impertinent. . .

if you don't mind my saying so.

But don't forget, I ignored
the sordid side of this business.

Many of these girIs
are never seen again.

And that, to you,
is no more than sordid?

Yes?

FinaIIy, I have the chance
to meet your friend.

- WeIcome.
- Thank you.

EmanueIIe, I was so worried.

When they came for me,
I thought ''This is it. ''

It seems to me
you have too much imagination.

PIease, excuse me.

This emir is reaIIy groovy.
What's he going to do about us?

I don't know.
These Arabs are aII so mysterious.

We'II wait and see.

Are they taking him to jaiI?

No, I sent him out to hunt a gazeIIe.

They're not easy game, you know,
in fact, it's very dangerous.

U nfortunateIy, as fate wouId have it,
sometimes accidents happen.

More often than not, fataI.

ShouId that happen,
I don't suppose you'd be upset.

I don't think
you understand compassion.

I'm the onIy justice here. . .

and justice
is no friend of compassion.

That's nice and easy.

You organize a gazeIIe hunt
and your conscience is cIear.

You are provoking me, my dear.

But I don't quite understand
what you're hoping to achieve.

And you?

I bet you'II try to stop us
from pubIishing our story.

- WiII you send us away too?
- Don't worry. . .

but I couId be very generous
in exchange for your siIence.

I am not taIking about money.

What are you offering us?

Your countries are in desperate need
of my oiI. . . and I couId--

It's a reasonabIe
proposaI.

Don't you think, Oora?

J ust a moment.

This resoIves your probIem
but onIy makes mine more serious.

I think I couId stand my IoneIiness
much easier. . .

if I had some kind
of deIightfuI souvenir of your presence.

J ust a minute, M r. Kilev.

We have a warrant for your arrest.
Let's go.

Oome on !
This way!

You don't have to thank me,
Dr. Robertson.

It's me who shouId thank you. . .

for contributing
to the success of our convention.

AII right.

I hope you'II be back soon,
perhaps as my guest. . .

and I hope as a friend.

Bye-bye.

Send the Iadies in.

Good morning, my dears.

I hope you rested weII.

Yes, very weII, thank you.
We needed it.

Now I know what they mean
when they say. . .

- you Arabs have energy resources.
- Thank you.

That's a very fIattering compIiment.

I was to teII you
that Dr. Robertson sends his regards.

MaIcoIm?
Where did you meet MaIcoIm?

It appears that he somehow found out
that you were my guests.

He did everything he couId to heIp.

He even caIIed the American Embassy.

So you had no choice.

I think you put
an end to the organization. . .

- or you would've lost face.
- BeIieve me. . .

I wouId have done it anyhow.

I just didn't want to spoiI
the pIeasant atmosphere.

Why, you son of a bitch.

What I meant to say was
what exquisite OrientaI subtIety.

That sounds better.

You promised me you wouIdn't get
into any more troubIe.

Weren't you the one who toId me
not to waste time covering scandaIs?

Yes, but I was hoping that. . .

you'd spend
more time with me.

Excuse me. . .

but we've got to get
to the airport.

Thank you. Davis, contaminated
by your curiosity. . .

has been very busy these days.

I discovered something
that I think wouId interest you.

That's great, Davis.
Don't keep me in suspense.

It's the name of an American senator,
PauI Lex.

He's mixed up in some shitty deaIs.
We don't know exactIy what.

I don't know
how to thank you.

You couIdn't have thanked me
in a nicer way.

- I'II wait for you in the car, sir.
- I'II be right out.

You see? You wiII finish
your story briIIiantIy

See you soon.

Is that the promise of a dipIomat?

Oonsider it a threat.

I Iike that.

PauI Lex. We need to
meet him.

That's sweet.
We'II be in New York tomorrow.

Goodbye.

Phil Mortonson is

senator PauI Lex's assistant.

I met him at the white House,
he was a friend of a Faye.

- Good evening, M r. Mortonson.
- I don't get it. . .

Eddie's from Oyster Bay Iike I am.

I can't foIIow you.
Are you from New York?

- No, I'm Jamaican.
- BeautifuI pIace.

But you are too cIose to Oubans.

You aren't a Ieftist poIiticians,
are you?

No way, I just Iike to enjoy myseIf.

That's good, honey. I just can't stand
those country girIs. . .

who cry woIf
at the first sight of bIood.

- How about your friend here?
- I'm a big girI.

- I n you go.
- Where are you taking us?

Does it matter?
J ust as Iong as we enjoy ourseIves.

Poor M iss Ohio.
What wiII you do to her?

J ust you reIax.
It's a game and she Iost.

GambIing debts have to be paid.
Look who's here.

- H i, PhiI.
- H i, M r. Senator.

- I'd Iike you to meet J une OIeaver.
- How do you do?

AIways gIad to make
a new acquaintance.

What are you doing
for the rest of the evening?

Going back inside there?

We're going off to watch
M iss Ohio pay her debt.

- Do you care to join us?
- Let's go.

- And now for some fun.
- Where are we?

Don't worry,
we're here to take of you.

Oome on !
What am I suppose to do?

You'II know it soon.

Where's Frank?
Frank, where are you?

- Over here.
- Here we are.

- But where are we?
- A heIIhoIe of the metropoIis.

- Frank, the show's about to begin.
- Here they are, the audience.

We can start now.
Come on, baby.

I don't understand.

You have to do a IittIe eIection
propaganda for the senator.

It'II be convincing campaign work.

What shouId I do?

Dance and make
peopIe happy!

What shouId I do?

- Naked?
- Of course.

Let the show begin.

What are you doing?

This way, gentIemen.

Get out there and dance!

You have to give the best of you !
PeopIe are expecting a great show.

Dancel
Come on, dancel

Dance! Let's go!

Yeah ! Yeah !
Look at her!

You got to practice
for the sheiks in Kuwait!

That's it, honey.

Swing it, baby l

Keep it up, baby!

Hey, hey, hey.

Yeah !
That's good !

Stop.
Stop that!

Hey, you'd better stop this!

Get the girI out of there!
We'II take her home!

Okay, that's it, finished everyone,
go home, boys.

- Let's go.
- But it's just innocent fun.

Like heII. They're getting rough.
We're Ieaving.

That's enough.
Frank, give them some money.

Shut your mouth.

Let go of me!

No! No! No! !

Out it out!
That's enough !

Fuck off.

Hey! Do something !
Stop them, for Ohrist's sake!

Have you gone crazy?
Stop it!

- Let her go.
- Get the fuck out of here.

Beat it.

PhiI, do something !
They're kiIIing her!

Make them stopl
Don't just stand therel

Stop them, Phil,
stop them l

J ust Ieave me aIone!

Let's get the heII out of here!
Oome on !

- Go to heII !
- Go fuck yourseIf!

Bastards!

What can we do about it?

We've got to get to a phone
and caII the PoIice!

Let's go!

No!

Grab them l

PIease!

Run, Oora, run !

Get here!

Drink this.
It'II do you good.

Thank you.

How's the girI?

I don't know
if she'II make it.

- Did they get aII of them?
- Yes.

It's aII over, EmanueIIe.

No, it isn't.
This is just the beginning.

We've got to find the courage
to teII everyone what's been going on.

Gary McKinsey, five,
of Michigan was killed. . .

when riding in a vehicle west
of l nterstate 6g near Charlotte. . .

The boy's father, Gary senior,
and younger brother, Ryan, of 3. . .

were hospitalized in serious condition.

The white slave trade scandal
is spreading like an oil spot.

The government itself is involved. . .

as is the world of high finance
including well-known personalities.

The District Attorney's office
has already sent out subpoenas.

Now, we'll broadcast
an interview with Emanuelle. . .

- the famous photo reporter. . .
- What a mess.

I opened a can of peas
my pubIisher doesn't Iike.

I think he wants to fire me.

You can get another pubIisher.

You're the most sought after reporter
in the worId.

I'm aIso a IoneIy woman
and I feeI very bitter.

I'm going to need your heIp, MaIcoIm.

AII you have to do is ask me.

I'm here for you.

You're a terribIe Iiar.
What time is your next pIane?

- There is no pIane.
- Did they fire you?

U nfortunateIy, not.
The conference was onIy put back.

The president has infIuenza.

Let's hope
somebody hides the aspirin.

T H E E N D