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1
00:00:01,135 --> 00:00:04,165
(sirens wailing,
helicopter whirring)
2
00:00:05,772 --> 00:00:08,712
(police radio chatter)
3
00:00:17,184 --> 00:00:18,594
(man)
WE'VE JUST RECEIVED A REPORT
4
00:00:18,585 --> 00:00:20,315
THAT THE VICTIM
HAS BEEN IDENTIFIED
5
00:00:20,321 --> 00:00:22,991
BY THE SAN FRANCISCO LOCALS
AS NATALIE GIBECKI,
6
00:00:22,989 --> 00:00:25,789
ALTHOUGH POLICE ARE KEEPING
THE NATURE OF HER DEATH
7
00:00:25,792 --> 00:00:28,202
UNDER WRAPS FOR THE MOMENT.
8
00:00:28,196 --> 00:00:32,866
HER NAME'S NATALIE GIBECKI.
27 YEARS OLD.
9
00:00:32,865 --> 00:00:34,795
IN A YOUTH PROBATION FACILITY
A FEW BLOCKS OVER.
10
00:00:34,801 --> 00:00:36,801
THE MAYOR SERVES ON THE BOARD,
SO WE GOT THE CALL.
11
00:00:36,804 --> 00:00:38,074
(sighs)
12
00:00:38,072 --> 00:00:39,742
PETECHIAL HEMORRHAGING
IN THE EYES
13
00:00:39,740 --> 00:00:42,480
AND THE MARKS AROUND THE NECK
INDICATE THAT SHE WAS STRANGLED.
14
00:00:42,475 --> 00:00:46,805
MM. WHERE'S LISBON?
15
00:00:46,814 --> 00:00:48,954
APPARENTLY, SHE WAS ON HER WAY
TO SEE A MOVIE WITH FRIENDS.
16
00:00:48,948 --> 00:00:51,478
NOT LIKELY.
17
00:00:51,484 --> 00:00:53,354
WELL, SHE'S WEARING
A BLACK LACE CAMISOLE.
18
00:00:53,353 --> 00:00:56,363
SHE WAS PLANNING ON CHANGING
HER FLATS TO HEELS.
19
00:00:56,356 --> 00:00:58,886
HER MAKEUP IS
FRESHLY APPLIED.
20
00:00:58,892 --> 00:01:01,762
SHE'S WEARING A VERY...
(sniffs) VERY FLOWERY PERFUME--
21
00:01:01,762 --> 00:01:04,232
J'ADORE,
IF I'M NOT MISTAKEN.
22
00:01:04,231 --> 00:01:06,431
SHE WAS GOING TO MEET
A LOVER.
23
00:01:06,433 --> 00:01:10,043
MARRIED, I'D GUESS,
BASED ON THE DECEPTION.
24
00:01:10,037 --> 00:01:11,497
(cell phone rings)
25
00:01:11,504 --> 00:01:14,174
EXCUSE ME. (clears throat)
26
00:01:14,174 --> 00:01:16,844
(ring)
27
00:01:16,843 --> 00:01:19,053
Hello, Patrick.
It's Erica Flynn.
28
00:01:19,045 --> 00:01:22,375
ERICA FLYNN.
WOW, THIS IS A SURPRISE.
29
00:01:22,382 --> 00:01:24,852
PLEASANT, I HOPE.
30
00:01:24,852 --> 00:01:27,492
I BET YOU'RE WONDERING
WHY I'M CALLING.
31
00:01:27,487 --> 00:01:29,387
YEAH.
THOUGHT CROSSED MY MIND.
32
00:01:29,390 --> 00:01:31,460
WHAT IF I SAID I WANTED
TO HEAR YOUR VOICE?
33
00:01:31,459 --> 00:01:33,329
I'd say you were lying.
34
00:01:33,326 --> 00:01:35,456
NOT ENTIRELY.
35
00:01:35,462 --> 00:01:39,202
NATALIE GIBECKI--
I KNEW HER PERSONALLY.
36
00:01:39,200 --> 00:01:41,400
SHE WAS A CLIENT
OF MY MATCHMAKING COMPANY.
37
00:01:41,402 --> 00:01:44,812
I'M SORRY FOR YOUR LOSS.
38
00:01:44,805 --> 00:01:48,075
WE GREW VERY CLOSE
DURING OUR SESSIONS TOGETHER,
39
00:01:48,075 --> 00:01:50,135
BUT THEN YOU KNOW
HOW THAT CAN HAPPEN.
40
00:01:50,144 --> 00:01:51,754
WHAT DO YOU WANT, ERICA?
41
00:01:51,745 --> 00:01:54,875
YES, I HAVEN'T SAID,
HAVE I?
42
00:01:54,882 --> 00:01:59,022
I'M CALLING BECAUSE I CAN
HELP YOU FIND HER KILLER.
43
00:01:59,019 --> 00:02:01,519
If you want the answer,
you know where to find me.
44
00:02:01,522 --> 00:02:03,892
IT WAS NICE TO HEAR
YOUR VOICE AGAIN, PATRICK.
45
00:02:03,891 --> 00:02:04,831
YOURS, TOO.
46
00:02:10,364 --> 00:02:11,734
THANK YOU, DENNIS.
47
00:02:11,731 --> 00:02:13,701
OF COURSE, MS. FLYNN.
48
00:02:15,502 --> 00:02:16,502
WHO WAS THAT?
(cell phone snaps shut)
49
00:02:16,503 --> 00:02:18,843
UH, THAT WAS ERICA FLYNN.
50
00:02:18,838 --> 00:02:21,438
SHE WANTS TO HELP OUT
WITH THE INVESTIGATION.
51
00:02:21,442 --> 00:02:24,652
GREAT. WE SHOULD FAX OVER
THE CASE FILE AND GET HER A GUN.
52
00:02:24,645 --> 00:02:26,145
WELL, GETTING HER A GUN'S
A BIT MUCH,
53
00:02:26,146 --> 00:02:28,846
BUT, UH, I THINK
THE CASE FILE MAY HELP.
54
00:02:28,848 --> 00:02:29,848
I WAS KIDDING.
55
00:02:29,849 --> 00:02:30,849
(chuckles) YEAH.
56
00:02:30,850 --> 00:02:33,390
(chuckles)
YOU'RE KIDDING, RIGHT?
57
00:02:36,590 --> 00:02:38,860
PLEASE TELL ME
YOU'RE KIDDING.
58
00:02:38,859 --> 00:02:41,659
**
59
00:02:41,662 --> 00:02:45,632
Captioned by
Closed Captioning Services, Inc.
60
00:02:56,276 --> 00:02:58,006
HELLO, PATRICK.
61
00:02:58,010 --> 00:03:01,150
ERICA. YOU LOOK GOOD.
62
00:03:01,147 --> 00:03:02,647
ORANGE SUITS YOU.
63
00:03:02,650 --> 00:03:05,190
WELL, I SUPPOSE I HAVE YOU
TO THANK FOR MY WARDROBE.
64
00:03:05,185 --> 00:03:06,845
I DIDN'T KILL YOUR HUSBAND.
65
00:03:06,854 --> 00:03:10,064
NEITHER DID I. MANSLAUGHTER.
BIG DIFFERENCE.
66
00:03:10,056 --> 00:03:11,456
WHAT IS THIS ABOUT?
67
00:03:11,459 --> 00:03:13,329
I KNOW
WHO KILLED NATALIE GIBECKI.
68
00:03:13,326 --> 00:03:14,656
HOW IS THAT POSSIBLE?
69
00:03:14,662 --> 00:03:17,562
WE GREW CLOSE
DURING OUR SESSIONS TOGETHER.
70
00:03:17,564 --> 00:03:20,434
NATALIE TOLD ME THINGS THAT
SHE DIDN'T TELL ANYONE ELSE,
71
00:03:20,433 --> 00:03:22,603
LIKE THE FACT THAT SHE WAS
SEEING SOMEONE IN SECRET.
72
00:03:22,603 --> 00:03:24,343
WHY WOULD SHE NEED
A DATING SERVICE
73
00:03:24,337 --> 00:03:26,207
IF SHE WAS ALREADY
SEEING SOMEONE?
74
00:03:26,205 --> 00:03:28,205
SHE MET HIM
DURING OUR SESSIONS TOGETHER.
75
00:03:28,207 --> 00:03:31,007
THAT MUST HAVE BEEN
SOME TIME AGO.
76
00:03:31,010 --> 00:03:34,780
BUT NATALIE WAS STILL SEEING HIM
WHEN SHE DIED.
77
00:03:34,781 --> 00:03:35,821
I'M SURE OF IT.
78
00:03:35,816 --> 00:03:36,616
HOW?
79
00:03:36,616 --> 00:03:39,016
I KNOW TRUE LOVE
WHEN I SEE IT.
80
00:03:39,019 --> 00:03:40,849
THEN WHY THE SECRECY?
81
00:03:40,853 --> 00:03:43,723
THE MAN NATALIE WAS SEEING
WAS MARRIED.
82
00:03:43,723 --> 00:03:45,493
SHE KEPT THE AFFAIR
FROM EVERYONE.
83
00:03:45,492 --> 00:03:46,962
EVERYONE EXCEPT YOU.
84
00:03:46,960 --> 00:03:48,960
YES.
85
00:03:51,932 --> 00:03:53,502
WHY ARE YOU DOING THIS?
86
00:03:53,501 --> 00:03:56,871
I CARED DEEPLY
ABOUT NATALIE.
87
00:03:56,870 --> 00:03:57,670
HER DEATH IS A TRAGEDY,
88
00:03:57,670 --> 00:03:59,510
AND HER KILLER SHOULD BE
PUNISHED.
89
00:03:59,507 --> 00:04:02,807
THAT WAS A NICE TRY.
90
00:04:02,810 --> 00:04:05,410
(lowered voice) ALL RIGHT.
I WANT OUT OF HERE.
91
00:04:05,413 --> 00:04:07,653
TEMPORARILY, OF COURSE.
92
00:04:07,647 --> 00:04:11,117
YOU HAVE NO IDEA
WHAT THIS IS LIKE, PATRICK,
93
00:04:11,117 --> 00:04:13,287
LIVING IN A CAGE,
94
00:04:13,287 --> 00:04:17,557
KNOWING I'LL BE HERE
FOR YEARS.
95
00:04:17,557 --> 00:04:20,687
THE TRUTH IS, THIS MAY BE
MY LAST CHANCE AT FREEDOM
96
00:04:20,694 --> 00:04:23,434
WHILE I'M YOUNG ENOUGH
TO ENJOY IT.
97
00:04:23,430 --> 00:04:25,430
I JUST WANT TO GO
TO THE SPA,
98
00:04:25,432 --> 00:04:28,042
EAT
AT MY FAVORITE RESTAURANT,
99
00:04:28,035 --> 00:04:29,295
A FEW HARMLESS INDULGENCES
100
00:04:29,302 --> 00:04:31,872
IN RETURN FOR HELPING YOU
CATCH A KILLER.
101
00:04:31,872 --> 00:04:33,772
WHAT IF YOU'RE LYING?
102
00:04:33,774 --> 00:04:37,114
YOU ONCE SAID YOU COULD SEE
RIGHT THROUGH ME.
103
00:04:37,110 --> 00:04:40,450
"TRANSPARENT AS GLASS,"
I BELIEVE, WAS HOW YOU PUT IT,
104
00:04:40,447 --> 00:04:43,677
SO TELL ME, AM I LYING NOW?
105
00:04:45,952 --> 00:04:49,322
NATALIE GIBECKI LEFT
THE YOUTH FACILITY AT 8:14 P.M.
106
00:04:49,322 --> 00:04:52,262
A COMMUTER FOUND HER BODY
AT 8:33,
107
00:04:52,259 --> 00:04:55,299
FOR THE MURDER
TO HAVE BEEN COMMITTED.
108
00:04:55,295 --> 00:04:57,695
WELL, THERE'S NOTHING MISSING
FROM NATALIE'S BODY,
109
00:04:57,697 --> 00:05:00,397
NO SIGN OF SEXUAL ASSAULT,
EITHER.
110
00:05:00,401 --> 00:05:03,101
FROM A 5-DAY TRIP
TO PUERTO VALLARTA.
111
00:05:03,103 --> 00:05:06,473
WHAT ABOUT JANE'S THEORY
ABOUT A BOYFRIEND?
112
00:05:06,473 --> 00:05:08,943
FRIENDS ALL SAY
NATALIE WASN'T SEEING ANYONE.
113
00:05:08,942 --> 00:05:10,982
ONLY CHILD.
PARENTS DIED YEARS AGO.
114
00:05:10,978 --> 00:05:13,378
ALL RIGHT.
HEAD TO THE YOUTH FACILITY
115
00:05:13,380 --> 00:05:15,720
THAT WERE WORKING
ON NATALIE'S SHIFTS.
116
00:05:15,716 --> 00:05:17,846
UH, BOSS, ANY WAY I CAN SKIP
THIS AND WORK THE PHONES?
117
00:05:17,850 --> 00:05:20,050
I HAVE AN APPOINTMENT
IN AN HOUR I CAN'T MISS.
118
00:05:20,052 --> 00:05:21,952
ARE YOU ALL RIGHT?
119
00:05:21,954 --> 00:05:23,264
IT'S JUST, UH, SOMETHING
I HAVE TO DO.
120
00:05:23,255 --> 00:05:25,055
SURE. VAN PELT?
121
00:05:25,057 --> 00:05:26,727
SURE. ON IT.
122
00:05:26,726 --> 00:05:27,526
(sighs)
123
00:05:27,528 --> 00:05:29,058
(telephone rings in distance)
124
00:05:29,062 --> 00:05:33,302
HI. I'M AGENT VAN PELT.
THIS IS AGENT CHO.
125
00:05:33,300 --> 00:05:35,740
WE'RE HERE INVESTIGATING
NATALIE GIBECKI'S MURDER.
126
00:05:35,735 --> 00:05:38,535
I DON'T KNOW HOW
WE'RE GONNA TELL THE BOYS.
(sighs)
127
00:05:38,538 --> 00:05:40,338
DO YOU GUYS HAVE ANY IDEA
WHO DID THIS?
128
00:05:40,340 --> 00:05:43,580
WE'RE STILL IN THE EARLY STAGES
OF THE INVESTIGATION.
129
00:05:43,576 --> 00:05:45,606
ROMANTICALLY INVOLVED
WITH SOMEONE.
130
00:05:45,612 --> 00:05:48,282
EITHER OF YOU KNOW ANYTHING
ABOUT THAT?
131
00:05:48,281 --> 00:05:50,021
YEAH, NO. I THOUGHT
SHE WAS SINGLE.
132
00:05:50,016 --> 00:05:51,686
HEY, KEVIN! KEEP THAT UP,
133
00:05:51,685 --> 00:05:53,845
YOU'LL BE DOING PUSH-UPS
UNTIL YOU PUKE.
134
00:05:53,853 --> 00:05:56,093
THE RELATIONSHIP COULD HAVE
BEEN WITH A CO-WORKER.
135
00:05:56,088 --> 00:05:58,228
WELL, DON'T LOOK AT ME.
136
00:05:58,225 --> 00:05:59,355
YOU DIDN'T LIKE HER?
137
00:05:59,358 --> 00:06:00,358
NO, I DIDN'T SAY THAT.
SHE--
138
00:06:00,360 --> 00:06:01,360
SHE JUST WASN'T MY TYPE.
139
00:06:01,360 --> 00:06:03,760
KEVIN! WHAT DID I JUST SAY?
140
00:06:03,764 --> 00:06:07,904
NOW DROP
AND GIVE ME 50. NOW!
141
00:06:07,901 --> 00:06:09,901
CAN YOU THINK OF ANYONE WHO MAY
HAVE WANTED TO HARM NATALIE?
142
00:06:09,903 --> 00:06:12,973
NO, BUT... WE DID HAVE
A KID GO MISSING
143
00:06:12,973 --> 00:06:14,613
FROM THE FACILITY
LAST NIGHT.
144
00:06:14,608 --> 00:06:16,638
HEY, TRENT DIDN'T HAVE
ANYTHING TO DO WITH THIS.
145
00:06:16,644 --> 00:06:17,644
HIS NAME WAS TRENT?
146
00:06:17,644 --> 00:06:19,184
TRENT MATTHEWS. HE'S 17.
147
00:06:19,178 --> 00:06:21,108
WAS IN HERE FOR DRUG POSSESSION
AND ASSAULT.
148
00:06:21,113 --> 00:06:22,783
WHAT TIME DID HE GO MISSING?
149
00:06:22,783 --> 00:06:25,023
I SAW HIM AT DINNER,
SO SOMETIME AFTER 7:00.
150
00:06:25,018 --> 00:06:27,788
YEAH, BUT LIKE I SAID, HE DIDN'T
HAVE ANYTHING TO DO WITH THIS.
151
00:06:27,788 --> 00:06:29,518
WE'RE GONNA NEED TO SEE
HIS FILE.
152
00:06:29,523 --> 00:06:31,323
(boys shouting indistinctly)
153
00:06:31,324 --> 00:06:32,534
KEEP GOING.
154
00:06:34,995 --> 00:06:36,995
YOU WANT TO LET HER OUT
OF PRISON?
155
00:06:36,997 --> 00:06:39,197
WELL, NO, I JUST THINK
ERICA COULD HELP US.
156
00:06:39,199 --> 00:06:41,739
SHE KNOWS DETAILS
OF THE VICTIM'S LIFE.
157
00:06:41,735 --> 00:06:43,095
SHE MAY EVEN KNOW
THE KILLER.
158
00:06:43,103 --> 00:06:45,743
SHE SAYS SHE DOES.
159
00:06:45,738 --> 00:06:47,938
EVEN SO, IT DOESN'T MEAN
WE NEED HER HELP.
160
00:06:47,941 --> 00:06:49,741
NO, I DIDN'T SAY THAT.
I SAID SHE COULD BE USEFUL.
161
00:06:49,742 --> 00:06:51,442
WHAT DO YOU THINK, LUTHER?
162
00:06:52,612 --> 00:06:53,812
I'M INTRIGUED.
163
00:06:53,814 --> 00:06:55,224
SIR.
I THINK...
164
00:06:55,215 --> 00:06:56,815
IT'S JUST THE KIND
OF INNOVATIVE THINKING
165
00:06:56,817 --> 00:06:58,817
THE CBI NEEDS MORE OF.
166
00:06:58,819 --> 00:07:03,089
USING A CONVICT TO CATCH
A KILLER--
167
00:07:03,089 --> 00:07:05,089
EXACTLY.
SIR, THIS ISN'T EVEN
OUR JURISDICTION.
168
00:07:05,091 --> 00:07:08,731
WE COULDN'T GET HER RELEASED
IF WE TRIED.
169
00:07:08,728 --> 00:07:12,968
BUT THE WARDEN
AT GOLDEN VALLEY STATE PRISON
170
00:07:12,966 --> 00:07:16,396
THE REHABILITATION PROGRAM
THAT THE GOVERNOR INSTITUTED.
171
00:07:16,403 --> 00:07:17,703
APPARENTLY,
SHE'S A MODEL INMATE.
172
00:07:17,704 --> 00:07:19,544
SHE'S A CONVICTED MURDERER.
173
00:07:19,540 --> 00:07:22,440
CONVICTED MANSLAUGHTERER,
ACTUALLY.
174
00:07:22,442 --> 00:07:24,212
OH, WELL, IN THAT CASE...
SO YOU AGREE?
175
00:07:24,211 --> 00:07:27,211
NO. SHE'S A DANGEROUS KILLER,
AND SHE'S A FLIGHT RISK.
176
00:07:27,213 --> 00:07:29,183
WELL, WHICH IS EXACTLY WHY
I'LL BE ASSIGNING TWO AGENTS
177
00:07:29,182 --> 00:07:30,852
TO GUARD HER AT ALL TIMES.
178
00:07:30,850 --> 00:07:33,390
SEE, LISBON?
WHAT COULD POSSIBLY GO WRONG?
179
00:07:33,386 --> 00:07:36,056
EXCUSE ME.
180
00:07:36,055 --> 00:07:37,055
SYNERGY.
181
00:07:37,057 --> 00:07:38,257
(mouths word)
182
00:07:38,257 --> 00:07:40,187
(blinds rattle)
183
00:07:40,192 --> 00:07:43,202
(indistinct conversations)
184
00:07:43,196 --> 00:07:46,926
(sighs)
185
00:07:46,933 --> 00:07:48,073
(clatter)
186
00:07:48,067 --> 00:07:50,267
(exhales deeply)
187
00:07:50,269 --> 00:07:51,469
(cell phone rings)
(clears throat)
188
00:07:51,471 --> 00:07:53,611
(cap clatters)
189
00:07:53,606 --> 00:07:55,606
(lowered voice) HEY, CHO.
190
00:07:55,608 --> 00:07:58,478
WHAT'S UP?
YOU CALLED ME.
191
00:07:58,478 --> 00:08:00,578
I GOT SOME BACKGROUND
ON TRENT MATTHEWS.
192
00:08:00,581 --> 00:08:02,311
HE WAS ATTENDING
SEQUOIA VALLEY HIGH SCHOOL
193
00:08:02,314 --> 00:08:04,854
BEFORE HE WAS BUSTED
FOR POSSESSION AND ASSAULT.
194
00:08:04,851 --> 00:08:06,691
IT'S NOT THAT FAR
FROM THE YOUTH FACILITY.
195
00:08:06,687 --> 00:08:09,717
YOU THINK HE MIGHT HEAD
BACK THERE?
WELL, HE'S ALONE.
196
00:08:09,723 --> 00:08:11,223
HE'S PROBABLY JUST LOOKING
FOR SOME CASH
197
00:08:11,223 --> 00:08:12,363
AND A PLACE TO STAY.
198
00:08:12,358 --> 00:08:13,958
MIGHT TRY OLD FRIENDS
FOR HELP.
199
00:08:13,961 --> 00:08:16,461
ALL RIGHT. VAN PELT AND I
WILL GET ON IT.
200
00:08:16,463 --> 00:08:18,463
WAYNE, YOU READY?
CLASS IS ABOUT TO START.
201
00:08:18,464 --> 00:08:21,374
OH, YEAH, YEAH. ALL SET.
202
00:08:21,367 --> 00:08:24,607
WELCOME, MOMMIES AND DADDIES.
203
00:08:24,605 --> 00:08:26,165
MY NAME IS ATOOSA,
204
00:08:26,173 --> 00:08:28,843
AND I WILL BE LEADING
YOUR CLASS TODAY.
205
00:08:28,841 --> 00:08:33,351
WELCOME TO THE FIRST STEP
ON YOUR AMAZING JOURNEY
206
00:08:33,346 --> 00:08:35,046
OF PARENTHOOD.
207
00:08:35,048 --> 00:08:38,748
NOW BEFORE WE BEGIN,
I WOULD LIKE EACH OF YOU
208
00:08:38,751 --> 00:08:40,751
TO GO AROUND THE ROOM
209
00:08:40,754 --> 00:08:44,224
AND OFFER SOMETHING
ABOUT YOURSELVES.
210
00:08:48,128 --> 00:08:50,598
HI. (chuckles)
211
00:08:50,597 --> 00:08:52,467
(chuckles) OH.
212
00:08:52,465 --> 00:08:53,795
WOULD YOU LIKE TO START?
213
00:08:53,801 --> 00:08:58,001
SURE. UM, HI.
MY NAME IS SARAH.
214
00:08:58,004 --> 00:08:59,914
WELCOME, SARAH.
215
00:08:59,907 --> 00:09:00,907
(laughs)
216
00:09:00,908 --> 00:09:03,038
OH, HI. I'M WAYNE.
217
00:09:03,043 --> 00:09:04,543
(chuckles)
WELCOME, WAYNE.
218
00:09:04,543 --> 00:09:08,083
UM... OKAY, I'M 28 WEEKS.
219
00:09:08,081 --> 00:09:12,891
UH, THIS IS MY FIRST CHILD.
WAIT. OUR FIRST CHILD?
220
00:09:12,885 --> 00:09:16,685
WELL, ALTHOUGH "OUR" MIGHT BE
A LITTLE MISLEADING.
221
00:09:16,690 --> 00:09:17,990
NO, NOT THAT
THIS ISN'T HIS BABY.
222
00:09:17,990 --> 00:09:20,460
I AM NOT SOME KIND OF FLOOZY
OR ANYTHING,
223
00:09:20,460 --> 00:09:22,830
AND, GOSH, NOT THAT ANYONE
IN THIS ROOM IS, UH, YOU KNOW--
224
00:09:22,830 --> 00:09:27,900
NO, I--THAT IS--
I JUST MEANT, UM--
225
00:09:27,900 --> 00:09:29,440
(chuckles) THAT--THAT WAS IT,
THAT WE'RE NOT MARRIED.
226
00:09:29,436 --> 00:09:31,896
NO. I MEAN, YES. (laughs)
227
00:09:36,610 --> 00:09:38,110
ACCORDING
TO THE YOUTH FACILITY,
228
00:09:38,110 --> 00:09:40,050
TRENT MATTHEWS WAS BUSTED
FOR POSSESSION
229
00:09:40,047 --> 00:09:43,477
AT THIS HIGH SCHOOL
THREE MONTHS AGO.
230
00:09:43,482 --> 00:09:45,282
(clatters)
231
00:09:45,284 --> 00:09:47,654
YOU KNOW, KIDS USED
TO CALL ME "BRACEY GRACIE"
232
00:09:47,654 --> 00:09:50,324
BECAUSE I WORE BRACES
UNTIL I WAS 17.
233
00:09:50,322 --> 00:09:51,592
WHAT DID PEOPLE CALL YOU?
234
00:09:51,591 --> 00:09:52,731
CHO.
235
00:09:57,496 --> 00:09:58,796
(thuds)
236
00:09:58,798 --> 00:10:01,398
THAT'S HIM.
237
00:10:01,400 --> 00:10:03,540
(girls, chanting) FIGHT! FIGHT!
FIGHT! FIGHT! FIGHT!
(boys shouting indistinctly)
238
00:10:03,535 --> 00:10:05,395
(punches landing)
FIGHT! FIGHT! FIGHT! FIGHT!
239
00:10:05,404 --> 00:10:07,414
(students shouting indistinctly)
HEY, BREAK IT UP!
240
00:10:07,407 --> 00:10:09,107
COME ON! GET OFF ME, MAN!
(grunts)
241
00:10:09,109 --> 00:10:10,309
(girl) OH, YEAH!
242
00:10:10,309 --> 00:10:11,409
HEY, GET OFF, MAN.
243
00:10:11,410 --> 00:10:13,280
TRENT MATTHEWS?
WHAT?
244
00:10:13,279 --> 00:10:14,649
CBI. WE NEED A WORD.
245
00:10:14,648 --> 00:10:16,918
SCREW YOUR WORD, MAN.
246
00:10:20,352 --> 00:10:22,362
(sighs)
247
00:10:22,355 --> 00:10:24,285
(sighs)
248
00:10:26,058 --> 00:10:28,158
YOU NEEDN'T LOOK
SO GLUM, LISBON.
249
00:10:28,161 --> 00:10:31,031
IF ANYTHING HAPPENS, YOU'RE NOT
GONNA BE HELD RESPONSIBLE.
250
00:10:31,030 --> 00:10:33,900
BECAUSE THAT'S
WHAT I'M WORRIED ABOUT.
251
00:10:33,900 --> 00:10:36,700
(lowered voice) YOU KNOW
WHY SHE'S DOING THIS.
252
00:10:36,703 --> 00:10:38,473
TO TRY AND ESCAPE,
MOST LIKELY.
253
00:10:38,471 --> 00:10:41,571
YET YOU'RE GOING THROUGH
WITH IT ANYWAY.
254
00:10:41,573 --> 00:10:43,183
ARE YOU DOING THIS
255
00:10:43,176 --> 00:10:46,446
BECAUSE YOU NEED ERICA'S HELP
OR BECAUSE YOU WANT IT?
256
00:10:46,446 --> 00:10:48,146
(door opens)
257
00:10:50,216 --> 00:10:52,276
(sighs)
258
00:10:52,284 --> 00:10:54,254
(man)
YOU'LL HAVE TO SIGN FOR CUSTODY.
259
00:10:54,254 --> 00:10:55,994
THANK YOU.
260
00:10:59,658 --> 00:11:02,128
HELLO, PATRICK.
261
00:11:02,129 --> 00:11:06,399
INMATE ERICA MARIE FLYNN IS
NOW IN YOUR CUSTODY.
262
00:11:06,399 --> 00:11:07,629
TAKE GOOD CARE OF HER.
263
00:11:07,634 --> 00:11:09,204
THANKS.
264
00:11:15,808 --> 00:11:17,108
(Lisbon sighs)
265
00:11:18,812 --> 00:11:21,482
ALL RIGHT. WHO IS HE?
266
00:11:21,480 --> 00:11:24,150
NATALIE'S KILLER.
DON'T BE CUTE.
267
00:11:24,150 --> 00:11:26,950
OH, I DON'T KNOW HIS NAME.
IT'S ALL IN MY SYMPHONY FILES.
268
00:11:26,953 --> 00:11:28,623
DID I NOT MAKE THAT CLEAR?
269
00:11:28,620 --> 00:11:29,620
NO, YOU DIDN'T.
270
00:11:29,621 --> 00:11:30,791
MUST HAVE SLIPPED HER MIND.
271
00:11:30,791 --> 00:11:32,231
(sighs)
WHERE ARE THE FILES?
272
00:11:32,225 --> 00:11:34,825
MY LAWYER IS HAVING THEM SENT
TO YOUR OFFICES NOW.
273
00:11:34,827 --> 00:11:36,697
GOOD.
LET'S GET THIS OVER WITH.
274
00:11:36,696 --> 00:11:37,696
YOU GOT HER?
275
00:11:37,697 --> 00:11:38,697
WE GOT HER.
276
00:11:38,697 --> 00:11:41,467
MS. FLYNN, I'M AGENT McCLAY.
277
00:11:41,467 --> 00:11:45,837
WE'LL BE SUPERVISING YOU
DURING YOUR FURLOUGH.
278
00:11:45,838 --> 00:11:48,308
AND HAS OFFERED ME
TRANSPORTATION WHILE I'M OUT.
279
00:11:48,307 --> 00:11:50,037
HOW THOUGHTFUL.
280
00:11:52,379 --> 00:11:55,249
PATRICK, ARE YOU COMING?
281
00:12:05,524 --> 00:12:06,534
(door closes)
282
00:12:06,525 --> 00:12:07,585
(sighs)
283
00:12:07,594 --> 00:12:09,804
(footsteps approach)
284
00:12:09,797 --> 00:12:11,327
(door opens)
285
00:12:13,332 --> 00:12:15,472
(door closes)
(whispers) YEAH.
286
00:12:15,467 --> 00:12:17,037
(sighs)
287
00:12:17,037 --> 00:12:18,667
THIS SHOULD BE FUN.
288
00:12:18,671 --> 00:12:19,871
(sighs)
289
00:12:24,778 --> 00:12:26,378
(telephone ringing in distance)
290
00:12:26,379 --> 00:12:27,649
HERE'S YOUR TEA.
291
00:12:27,647 --> 00:12:30,417
THANKS SO MUCH. OH, RON?
292
00:12:30,417 --> 00:12:31,917
YES, MS. FLYNN.
293
00:12:31,918 --> 00:12:33,848
WOULD YOU MIND GETTING ME
SOME LEMON FOR THAT?
294
00:12:33,854 --> 00:12:36,124
OF COURSE.
295
00:12:40,659 --> 00:12:43,199
I CHECKED OUT THAT TRIP
NATALIE TOOK TO PUERTO VALLARTA.
296
00:12:43,196 --> 00:12:44,596
IT SEEMS
SHE TRAVELED ALONE.
297
00:12:44,596 --> 00:12:47,896
SHE MEET ANYBODY THERE?
298
00:12:47,900 --> 00:12:51,040
BUT NATALIE DID UPLOAD
TRAVEL PHOTOS ON TO A WEB SITE,
299
00:12:51,038 --> 00:12:53,138
SO I'M HAVING THOSE
PRINTED OUT NOW.
300
00:12:53,139 --> 00:12:54,739
OKAY.
301
00:12:54,740 --> 00:12:57,910
(dish clatters)
302
00:12:57,911 --> 00:12:59,981
UH, SHE CAN GET MEN TO DO
WHATEVER SHE WANTS,
303
00:12:59,980 --> 00:13:02,950
AND I CAN'T FOR THE LIFE OF ME
FIGURE OUT WHY.
304
00:13:02,950 --> 00:13:05,150
REALLY?
305
00:13:05,152 --> 00:13:07,722
I GET IT.
I MEAN, IF I WERE A GUY.
306
00:13:07,720 --> 00:13:11,420
(under breath) WOW.
307
00:13:13,360 --> 00:13:15,760
(sighs and chuckles)
308
00:13:15,761 --> 00:13:18,071
MAN, THAT DUDE WAS
A SNITCH.
309
00:13:19,566 --> 00:13:21,766
IS THAT WHY YOU WERE
SMASHING HIS FACE IN?
310
00:13:21,768 --> 00:13:23,298
HELL, YEAH.
HE'S THE REASON WHY
311
00:13:23,302 --> 00:13:25,172
I GOT SENT TO JUVIE
IN THE FIRST FRICKIN' PLACE.
312
00:13:25,172 --> 00:13:27,572
SO YOU RAN AWAY
FROM THE YOUTH FACILITY
313
00:13:27,573 --> 00:13:30,313
NO, MAN.
I LEFT 'CAUSE I HAD TO.
314
00:13:30,309 --> 00:13:32,009
I WASN'T ABOUT
TO GET JACKED UP.
315
00:13:32,011 --> 00:13:33,711
YOU HAD A BEEF
WITH ONE OF THE OTHER KIDS?
316
00:13:33,712 --> 00:13:38,022
JUST ONE OF MY COUNSELORS--
BIG DUDE NAMED DANNY.
317
00:13:38,018 --> 00:13:39,388
DANNY VARGAS?
318
00:13:39,385 --> 00:13:40,845
YEAH.
319
00:13:40,854 --> 00:13:43,064
WHAT HAPPENED?
320
00:13:43,056 --> 00:13:46,786
I MEAN, WELL, THE NIGHT
I TOOK OFF, HE, UH...
321
00:13:46,793 --> 00:13:49,233
HE AND NATALIE WERE
FIGHTING.
322
00:13:49,229 --> 00:13:50,899
I MEAN, LIKE, FOR REAL,
YOU KNOW?
323
00:13:50,898 --> 00:13:53,398
UM, SHE--
SHE WAS YELLING AT HIM
324
00:13:53,399 --> 00:13:56,769
LIKE CRAZY, MAN,
ALL UP IN HIS FACE,
325
00:13:56,769 --> 00:13:58,169
BUT, UH, SEE, DANNY--
326
00:13:58,171 --> 00:14:01,041
UH, HE'S REAL HARD
WITH US KIDS.
327
00:14:01,041 --> 00:14:03,711
HE, UH,
I MEAN, HE PUSHES US,
328
00:14:03,710 --> 00:14:06,050
SMACKS US AROUND
WHEN NO ONE'S LOOKIN'...
329
00:14:07,214 --> 00:14:10,324
EXCEPT THIS TIME
NATALIE SAW IT GO DOWN.
330
00:14:10,317 --> 00:14:11,917
SHE WASN'T TOO HAPPY
ABOUT IT, YOU KNOW?
331
00:14:11,918 --> 00:14:13,448
I MEAN, THE GIRL...
(chuckles)
332
00:14:13,452 --> 00:14:15,362
THE GIRL JUST STARTED
FLIPPIN' OUT ON HIM.
333
00:14:15,355 --> 00:14:17,085
DID THINGS GET PHYSICAL
BETWEEN THEM?
334
00:14:17,090 --> 00:14:19,690
OH, WELL, IT WAS ABOUT TO,
UNTIL I STEPPED IN.
335
00:14:19,692 --> 00:14:22,392
I MEAN... (sighs)
I MEAN, Y-YOU CAN'T LAY
336
00:14:22,394 --> 00:14:24,634
I DON'T GIVE A DAMN
WHO YOU ARE.
337
00:14:24,630 --> 00:14:30,600
BUT, ANYWAY, I MEAN,
DANNY GOT MAD, REAL MAD,
338
00:14:30,602 --> 00:14:33,112
SO I TOOK OFF BEFORE HE COULD
DO SOMETHING ABOUT IT.
339
00:14:33,105 --> 00:14:35,665
YOU THINK DANNY WOULD HAVE
HURT YOU IN RETALIATION?
340
00:14:35,674 --> 00:14:37,384
I KNOW HE WOULD HAVE.
341
00:14:37,376 --> 00:14:39,076
THE DUDE HAS
FRICKIN' ISSUES, MAN.
342
00:14:39,078 --> 00:14:41,248
HE--HE SHOULD BE THE ONE
SITTING HERE, NOT ME.
343
00:14:41,248 --> 00:14:44,078
LISTEN,
WITH ALL BULL ASIDE,
344
00:14:44,084 --> 00:14:47,094
LET ME TELL YOU SOMETHING,
ALL RIGHT?
345
00:14:47,086 --> 00:14:50,916
I WOULD NEVER HURT
NATALIE, EVER.
346
00:14:50,923 --> 00:14:52,993
I-I GOT NO REASON TO.
347
00:14:52,993 --> 00:14:55,633
I MEAN, SHE--SHE WAS
ONE OF THE ONLY ADULTS
348
00:14:55,628 --> 00:14:58,098
WHO EVER TREATED ME LIKE
A PERSON, YOU KNOW?
349
00:14:58,097 --> 00:15:00,927
YEAH, I DO.
350
00:15:03,235 --> 00:15:06,365
(woman speaking indistinctly
over P.A.)
351
00:15:09,176 --> 00:15:11,606
HEY. YOU OKAY?
352
00:15:11,610 --> 00:15:13,910
OH. OH, YEAH. YEAH.
353
00:15:13,913 --> 00:15:16,923
UH, NO. (sighs)
THAT VIDEO WAS...
354
00:15:16,916 --> 00:15:18,816
OH, GOD. IT WAS HORRIBLE.
355
00:15:18,817 --> 00:15:20,987
(chuckles) I HAD NO IDEA THAT
CHILDBIRTH COULD BE SO...
OH.
356
00:15:20,988 --> 00:15:22,888
WELL, SO SCARY.
357
00:15:22,889 --> 00:15:26,359
OH, IT WASN'T THAT BAD.
358
00:15:26,359 --> 00:15:30,159
BUT THAT, UH, NOTHING
PREPARED ME FOR THAT.
359
00:15:30,163 --> 00:15:33,333
HOW DO YOU THINK I FEEL?
I HAVE TO GO THROUGH IT.
360
00:15:33,332 --> 00:15:35,172
(sighs)
361
00:15:35,168 --> 00:15:37,868
WAYNE, YOU'RE GONNA BE OKAY
WITH THIS, RIGHT?
362
00:15:37,870 --> 00:15:39,840
YEAH, I THINK SO.
363
00:15:39,838 --> 00:15:40,838
OHH.
I-I MEAN, YES.
364
00:15:40,840 --> 00:15:41,910
Y-YES. (chuckles)
365
00:15:41,908 --> 00:15:43,178
ALL RIGHT. GOOD.
BECAUSE I...
366
00:15:43,176 --> 00:15:45,976
(sighs)
I CAN'T DO THIS ON MY OWN.
367
00:15:45,979 --> 00:15:47,209
I KNOW.
368
00:15:49,316 --> 00:15:51,046
(Erica) WHAT ARE
YOU LOOKING FOR IN A MAN?
369
00:15:51,051 --> 00:15:53,521
(Natalie)
WELL, SOMEONE GENEROUS...
370
00:15:53,519 --> 00:15:54,949
AND CARING.
371
00:15:54,953 --> 00:15:58,193
SOMEONE WHO PUTS THE NEEDS
OF OTHERS BEFORE THEMSELVES.
372
00:15:58,191 --> 00:16:01,191
I WANT A MAN
I CAN GROW OLD WITH,
373
00:16:01,193 --> 00:16:03,303
A BEST FRIEND.
374
00:16:03,296 --> 00:16:04,896
(beeps, static hissing)
375
00:16:04,897 --> 00:16:06,067
PROBLEM?
(remote clatters)
376
00:16:06,066 --> 00:16:07,726
THIS IS SO FRUSTRATING.
377
00:16:07,734 --> 00:16:12,974
ONE OF NATALIE'S INTERVIEWS
IS MISSING.
378
00:16:12,971 --> 00:16:16,411
I KNOW WHAT YOU'RE THINKING,
BUT I HAD NOTHING TO DO WITH IT.
379
00:16:16,408 --> 00:16:19,208
IT'S NOT MY PROBLEM
IF YOUR PEOPLE MISPLACE THINGS.
380
00:16:19,211 --> 00:16:20,611
"MY PEOPLE"?
381
00:16:20,613 --> 00:16:22,353
ALL RIGHT.
THAT'S ENOUGH. LET'S GO.
382
00:16:22,349 --> 00:16:24,019
WHERE?
BACK TO PRISON.
383
00:16:24,017 --> 00:16:25,947
YOU SHOULDN'T BE OUT
IF YOU CAN'T ACTUALLY HELP
384
00:16:25,951 --> 00:16:29,821
WITH THE INVESTIGATION.
WELL, JUST HANG ON
A SECOND.
385
00:16:29,822 --> 00:16:32,962
DOESN'T MEAN SHE CAN'T HELP FIND
NATALIE'S LOVER, RIGHT?
386
00:16:32,959 --> 00:16:36,629
ABSOLUTELY.
IT'S ALL RIGHT HERE.
387
00:16:36,629 --> 00:16:39,099
SHE DEDICATED HER LIFE
TO HELPING OTHERS.
388
00:16:39,099 --> 00:16:40,769
THE FACT THAT SHE FOUND LOVE
WITHOUT MY SERVICE
389
00:16:40,767 --> 00:16:42,197
CAN ONLY MEAN ONE THING--
390
00:16:42,201 --> 00:16:46,311
THE MAN SHE WAS SEEING
WAS A CO-WORKER.
391
00:16:46,306 --> 00:16:49,036
THAT'S BECAUSE SHE WASN'T
WORKING AT THE YOUTH FACILITY
392
00:16:49,042 --> 00:16:51,042
THIS WAS TEN MONTHS AGO,
REMEMBER?
393
00:16:51,043 --> 00:16:52,313
MM.
YOU MEAN WHEN SHE WAS WORKING
394
00:16:52,312 --> 00:16:54,782
AT THE NONPROFIT, CASA ENCANTAR?
395
00:16:54,780 --> 00:16:57,050
EXACTLY.
396
00:16:57,049 --> 00:16:58,449
SHALL WE?
397
00:16:58,451 --> 00:16:59,751
WE SHALL.
398
00:17:04,990 --> 00:17:06,930
(indistinct conversations)
399
00:17:06,925 --> 00:17:09,355
(telephone ringing in distance)
400
00:17:09,362 --> 00:17:12,072
WELCOME TO CASA ENCANTAR.
CAN I HELP YOU?
401
00:17:12,065 --> 00:17:13,525
YES. MY FIANCÉ AND I ARE LOOKING
402
00:17:13,532 --> 00:17:17,172
FOR A NONPROFIT
TO VOLUNTEER FOR.
403
00:17:17,170 --> 00:17:21,340
WE'RE NOT USUALLY THIS BUSY,
BUT WE'RE THROWING
404
00:17:21,340 --> 00:17:23,510
A FUND-RAISING EVENT
TOMORROW NIGHT.
405
00:17:23,509 --> 00:17:25,279
IT'S ACTUALLY
A RELEASE PARTY
406
00:17:25,278 --> 00:17:28,078
FOR A BOOK THAT
OUR C.E.O. HAS WRITTEN.
407
00:17:28,080 --> 00:17:29,220
HERE HE IS NOW.
408
00:17:29,215 --> 00:17:33,615
HI. I'M GREG RELIN. WELCOME.
409
00:17:33,619 --> 00:17:36,759
THANK YOU. SINCE WE STARTED,
WE'VE BEEN LUCKY ENOUGH
410
00:17:36,756 --> 00:17:40,226
TO BUILD SIX SCHOOLS,
FOUR CLINICS, TWO ORPHANAGES
411
00:17:40,227 --> 00:17:43,357
THROUGHOUT MEXICO,
ALL IN SMALL RURAL VILLAGES,
412
00:17:43,363 --> 00:17:45,573
SOME WITHOUT ELECTRICITY
OR RUNNING WATER.
413
00:17:45,565 --> 00:17:47,365
MM.
414
00:17:47,366 --> 00:17:49,896
WE HOPE TO HAVE
FOUR MORE JUST LIKE IT
415
00:17:49,902 --> 00:17:52,142
IF WE RAISE ENOUGH SUPPORT
TOMORROW NIGHT.
416
00:17:52,138 --> 00:17:54,268
SO EVAN'S TOLD YOU
ABOUT OUR GALA?
417
00:17:54,273 --> 00:17:56,013
THERE WILL BE PLENTY
OF FOOD AND DRINK,
418
00:17:56,008 --> 00:17:57,308
EVEN SOME ENTERTAINMENT.
419
00:17:57,309 --> 00:17:59,309
YOU'RE BOTH WELCOME
TO COME.
420
00:17:59,311 --> 00:18:02,751
SEE--SEE WHAT A DIFFERENCE
YOU CAN MAKE.
421
00:18:02,749 --> 00:18:06,319
TELL ME, WHEN DID YOU
LAST SEE NATALIE GIBECKI?
422
00:18:06,318 --> 00:18:08,818
I'M SORRY?
423
00:18:08,820 --> 00:18:12,020
YOU SAID YOU WERE LOOKING
TO VOLUNTEER.
424
00:18:12,023 --> 00:18:15,603
AND SHE ALSO SAID I WAS
HER FIANCÉ. CHEEKY.
425
00:18:15,595 --> 00:18:17,695
I'M PATRICK JANE.
I'M A CONSULTANT WITH THE CBI.
426
00:18:17,696 --> 00:18:19,596
I'M INVESTIGATING
NATALIE'S MURDER.
427
00:18:19,598 --> 00:18:22,168
SHE WAS SEEING SOMEONE HERE,
YES?
428
00:18:22,169 --> 00:18:25,469
NOT THAT I KNOW OF. EVAN?
429
00:18:25,471 --> 00:18:30,081
OH, OF COURSE. IT'S A SECRET,
SO YOU WOULDN'T TELL ME ANYWAY.
430
00:18:30,076 --> 00:18:31,236
DO YOU MIND
IF I TAKE A LOOK AROUND,
431
00:18:31,243 --> 00:18:34,583
TALK TO SOME OF YOUR EMPLOYEES?
432
00:18:34,580 --> 00:18:36,850
THANK YOU VERY MUCH.
GOOD LUCK WITH THE BOOK.
433
00:18:41,052 --> 00:18:42,892
(Patrick) WHAT ABOUT HIM?
434
00:18:42,888 --> 00:18:47,628
HANDSOME BUT DIM,
LIKE A GOLDEN RETRIEVER.
435
00:18:47,626 --> 00:18:49,126
NATALIE WOULD NEVER BE
INTERESTED IN SOMEONE LIKE THAT.
436
00:18:49,127 --> 00:18:50,827
WHO WOULD SHE BE
INTERESTED IN?
437
00:18:50,829 --> 00:18:56,069
SOMEONE ATTRACTIVE, WITTY,
COMPASSIONATE, 25 TO 35,
438
00:18:56,067 --> 00:18:59,207
FIT, GOOD HAIR,
AND A ROMANTIC AT HEART.
439
00:18:59,205 --> 00:19:00,665
OH, THAT'S ALL?
440
00:19:00,673 --> 00:19:03,613
NO WONDER SHE ENLISTED
THE HELP OF A PROFESSIONAL.
441
00:19:03,609 --> 00:19:05,779
GOOD ONES ARE OUT THERE,
IF YOU KNOW WHERE TO LOOK.
442
00:19:05,778 --> 00:19:08,908
NATALIE WAS A COLLEGE GIRL.
SHE READ VORACIOUSLY.
443
00:19:08,914 --> 00:19:11,784
SHE WAS INQUISITIVE,
INTELLIGENT, AND IDEALISTIC.
444
00:19:11,784 --> 00:19:13,994
SHE WOULD NEED TO BE
WITH SOMEBODY WHO WAS THE SAME.
445
00:19:13,986 --> 00:19:16,516
HIM.
446
00:19:18,023 --> 00:19:20,233
YOU BUY ME DINNER
AT MY RESTAURANT OF CHOICE
447
00:19:20,227 --> 00:19:21,487
IF I'M RIGHT.
448
00:19:21,493 --> 00:19:24,363
NO BET. YOU'RE RIGHT.
449
00:19:24,364 --> 00:19:27,234
HE'S THE ONLY MAN
THAT DIDN'T LOOK AT YOU.
450
00:19:27,233 --> 00:19:29,943
IF YOU CAN GET HIM
TO CONFESS RIGHT NOW.
451
00:19:29,935 --> 00:19:32,805
OOH. BET.
452
00:19:32,805 --> 00:19:34,235
DO YOUR THING.
453
00:19:36,843 --> 00:19:37,843
(clears throat)
454
00:19:37,844 --> 00:19:38,814
HI.
455
00:19:39,878 --> 00:19:40,878
HI.
456
00:19:40,880 --> 00:19:42,750
UH, YOU MUST BE...
457
00:19:42,749 --> 00:19:45,679
UH, RICHARD.
CAN I HELP YOU?
458
00:19:45,684 --> 00:19:48,624
I'M SORRY. IS THIS A BAD TIME?
I CAN SEE YOU'RE UPSET.
459
00:19:48,621 --> 00:19:51,961
WHAT? NO. NO, I...
I'M--I'M FINE.
460
00:19:51,958 --> 00:19:54,788
UH, BAD TIME FOR--FOR WHAT?
461
00:19:54,794 --> 00:19:58,234
(lowered voice) IT'S OKAY.
NATALIE TOLD ME ALL ABOUT YOU.
462
00:19:58,230 --> 00:20:00,530
I'M... SORRY. NATALIE?
463
00:20:00,532 --> 00:20:01,902
YOU WERE HAVING AN AFFAIR
WITH HER.
464
00:20:01,901 --> 00:20:05,241
THAT'S RIDICULOUS.
465
00:20:05,238 --> 00:20:09,738
(whispers) HEY, DON'T WORRY.
I WON'T TELL ANYONE.
466
00:20:09,741 --> 00:20:12,741
HER PASSING HAS BEEN
DEVASTATING FOR ME.
467
00:20:12,744 --> 00:20:16,324
I CAN'T BEGIN TO IMAGINE
HOW YOU MUST FEEL RIGHT NOW.
468
00:20:16,316 --> 00:20:17,876
THERE'S NO GREATER LOSS
THAN THE LOSS
469
00:20:17,884 --> 00:20:21,194
OF THE PERSON YOU LOVE.
470
00:20:21,186 --> 00:20:26,086
(voice breaks) I DIDN'T THINK
THAT SHE HAD TOLD ANYONE.
471
00:20:26,092 --> 00:20:28,032
SO THERE'S THIS
GREAT LITTLE PLACE DOWNTOWN.
472
00:20:28,027 --> 00:20:29,727
SICILIAN CHEF. MMM.
473
00:20:29,729 --> 00:20:33,429
HE DOES WONDERS WITH FISH--
FRESH, SIMPLE.
474
00:20:33,432 --> 00:20:35,032
I'M SUDDENLY HUNGRY.
MM. MM!
475
00:20:35,034 --> 00:20:36,344
HI, RICHARD.
476
00:20:36,336 --> 00:20:38,266
(Danny)
YES, WE HAD AN ARGUMENT,
477
00:20:38,270 --> 00:20:40,170
YOU LIED ABOUT IT.
THAT MAKES IT A BIG DEAL.
478
00:20:40,172 --> 00:20:41,742
I DIDN'T THINK
IT WAS RELEVANT.
479
00:20:41,740 --> 00:20:44,440
YOUR SHIFT ENDED AT 8:00,
THE SAME TIME AS NATALIE'S.
480
00:20:44,443 --> 00:20:45,883
WHERE'D YOU GO AFTER WORK?
481
00:20:45,877 --> 00:20:47,477
TO DINNER WITH A FRIEND.
482
00:20:47,480 --> 00:20:48,910
RIGHT AFTERWARDS?
483
00:20:48,914 --> 00:20:50,124
YES, ABOUT 8:30.
484
00:20:50,115 --> 00:20:51,775
THIS FRIEND HAVE A NAME?
485
00:20:51,784 --> 00:20:53,794
JIM CLARK.
486
00:20:53,786 --> 00:20:56,146
YOU DON'T THINK I HAD SOMETHING
TO DO WITH THIS, DO YOU?
487
00:20:56,154 --> 00:20:58,364
THIS IS INSANE.
I DIDN'T KILL NATALIE.
488
00:20:58,357 --> 00:20:59,957
WHAT WERE YOU TWO
ARGUING ABOUT?
489
00:20:59,959 --> 00:21:02,459
SHE DIDN'T LIKE THE WAY
I HANDLED A SITUATION
490
00:21:02,461 --> 00:21:04,331
SHE THOUGHT YOU WERE
ABUSING HIM?
491
00:21:04,330 --> 00:21:05,800
I GOT IN HIS FACE,
492
00:21:05,798 --> 00:21:08,198
MAYBE PUSHED HIM
A LITTLE BIT, OKAY?
493
00:21:08,200 --> 00:21:09,840
THAT'S IT. IT WASN'T ABUSE.
494
00:21:09,836 --> 00:21:12,466
NATALIE CAME IN HERE ALL
BRIGHT-EYED AND BUSHY-TAILED,
495
00:21:12,471 --> 00:21:14,141
THINKING SHE WAS GONNA
CONNECT WITH THESE KIDS,
496
00:21:14,140 --> 00:21:17,510
AND IT'S A GREAT IDEA,
BUT IT DOESN'T WORK.
497
00:21:17,509 --> 00:21:19,349
SOMETIMES GETTING PHYSICAL
IS THE ONLY THING
498
00:21:19,346 --> 00:21:22,746
THESE ANIMALS RESPOND TO,
YOU UNDERSTAND?
499
00:21:22,749 --> 00:21:25,119
(smacks chest)
ABUSING KIDS IS AGAINST
THE LAW.
500
00:21:25,116 --> 00:21:26,846
DO YOU UNDERSTAND?
501
00:21:26,853 --> 00:21:28,253
YEAH.
502
00:21:28,253 --> 00:21:29,793
GOOD.
503
00:21:38,565 --> 00:21:40,625
(Patrick)
OKAY. THANK YOU. BYE.
504
00:21:40,633 --> 00:21:42,073
(cell phone snaps shut)
WELL, RICHARD ELDRIDGE
505
00:21:42,067 --> 00:21:43,767
WILL BE SPEAKING
WITH ONE OF MY COLLEAGUES
506
00:21:43,769 --> 00:21:45,639
FIRST THING
TOMORROW MORNING.
507
00:21:45,637 --> 00:21:48,267
WE MAKE A GOOD TEAM,
DON'T WE?
508
00:21:48,273 --> 00:21:49,813
Y-YOU SAID YOU HAD
A QUESTION.
509
00:21:49,808 --> 00:21:51,538
OH, YES. THAT.
510
00:21:51,544 --> 00:21:54,354
WOULD YOU HATE ME
IF I TOLD YOU I WAS LYING?
511
00:21:54,346 --> 00:21:57,616
IT'S JUST THESE DAYS
I DON'T GET TO SPEND MUCH TIME
512
00:21:57,616 --> 00:21:59,286
WELL, THERE'S A REASON
FOR THAT--
513
00:21:59,285 --> 00:22:01,145
SO YOU DON'T KILL THEM.
514
00:22:01,153 --> 00:22:02,723
WE ALL HAVE OUR BAGGAGE.
515
00:22:03,923 --> 00:22:05,563
I'VE BEEN THINKING
ABOUT YOU A LOT
516
00:22:05,557 --> 00:22:07,427
OVER THE PAST FEW MONTHS.
517
00:22:07,426 --> 00:22:09,496
I OFTEN WONDER
HOW THINGS WOULD BE,
518
00:22:09,496 --> 00:22:11,226
HAD WE MET UNDER
DIFFERENT CIRCUMSTANCES.
519
00:22:11,230 --> 00:22:14,900
THINKING ABOUT WHAT MIGHT HAVE
BEEN WILL DRIVE YOU CRAZY.
520
00:22:14,901 --> 00:22:17,841
MUCH BETTER TO THINK ABOUT
WHAT WILL HAPPEN IN THE FUTURE.
521
00:22:17,836 --> 00:22:19,266
ERICA.
522
00:22:19,270 --> 00:22:21,840
I LIKE YOU, PATRICK.
523
00:22:21,840 --> 00:22:25,180
I HOPE MY DIRECTNESS DOESN'T
MAKE YOU UNCOMFORTABLE.
524
00:22:25,176 --> 00:22:26,576
I KNOW WHAT YOU'RE DOING.
525
00:22:26,578 --> 00:22:27,948
WHAT AM I DOING?
526
00:22:27,946 --> 00:22:32,046
SEDUCING ME TO CONCEAL
YOUR TRUE PURPOSE,
527
00:22:32,050 --> 00:22:33,320
WHICH IS TO ESCAPE.
528
00:22:33,318 --> 00:22:34,448
AM I?
529
00:22:35,922 --> 00:22:37,892
SEDUCING YOU?
530
00:22:37,890 --> 00:22:40,330
NO.
531
00:22:40,326 --> 00:22:43,726
I'M NOT TRYING
TO ESCAPE, PATRICK.
532
00:22:43,730 --> 00:22:46,630
IN FACT, YOU DON'T ACTUALLY
BELIEVE I AM.
533
00:22:46,633 --> 00:22:49,073
NO?
534
00:22:49,067 --> 00:22:55,067
THOSE AGENTS OUTSIDE THE DOOR
AREN'T TO KEEP ME FROM ESCAPING.
535
00:22:55,074 --> 00:22:58,814
THEY'RE TO KEEP YOU
AND I APART.
536
00:22:58,810 --> 00:23:02,150
I KNOW YOU HAVE FEELINGS
FOR ME.
537
00:23:02,147 --> 00:23:04,547
THIS WHOLE ESCAPE NONSENSE
IS JUST YOUR WAY
538
00:23:04,550 --> 00:23:06,420
OF AVOIDING THOSE FEELINGS.
539
00:23:06,419 --> 00:23:08,149
NO, ACTUALLY,
I'M FAIRLY CONCERNED
540
00:23:08,153 --> 00:23:10,063
YOU MIGHT TRY TO ESCAPE.
541
00:23:10,056 --> 00:23:12,826
THEN ASK YOURSELF THIS.
542
00:23:12,825 --> 00:23:14,885
IF THOSE AGENTS WEREN'T
OUTSIDE THE DOOR RIGHT NOW,
543
00:23:14,894 --> 00:23:16,464
WHAT WOULD YOU DO?
544
00:23:19,330 --> 00:23:21,870
WHAT WILL YOU DO?
545
00:23:34,513 --> 00:23:37,783
(inhales deeply)
546
00:23:49,127 --> 00:23:50,657
(sighs)
547
00:23:59,371 --> 00:24:01,941
(door closes)
548
00:24:05,877 --> 00:24:07,777
(indistinct conversations)
549
00:24:07,779 --> 00:24:10,179
(telephone rings in distance)
550
00:24:11,851 --> 00:24:14,651
(ring)
551
00:24:20,792 --> 00:24:24,962
PICTURES NATALIE GIBECKI TOOK
WHEN SHE WAS ON VACATION
552
00:24:24,963 --> 00:24:27,003
I WAS CHECKING THEM TO SEE
IF SHE MET ANYONE...
553
00:24:26,999 --> 00:24:28,929
(clatters)
WHEN SHE WAS DOWN THERE.
554
00:24:28,934 --> 00:24:29,744
DID SHE?
555
00:24:29,736 --> 00:24:30,936
DOESN'T LOOK LIKE IT.
556
00:24:36,675 --> 00:24:39,805
I GUESS I WAS DONE
WITH THOSE.
557
00:24:45,183 --> 00:24:48,393
(voice breaks) NATALIE AND I
STARTED SEEING EACH OTHER
558
00:24:48,386 --> 00:24:49,516
ABOUT A YEAR AGO.
559
00:24:49,521 --> 00:24:52,021
YOU WERE HAVING AN AFFAIR.
560
00:24:52,023 --> 00:24:54,533
YES...
561
00:24:54,527 --> 00:24:56,527
BUT I WASN'T JUST
STRINGING HER ALONG.
562
00:24:56,528 --> 00:24:59,198
UH, I PLANNED TO LEAVE
MY WIFE.
563
00:24:59,198 --> 00:25:03,398
IT'S JUST... (sighs)
YOU KNOW, IT'S COMPLICATED.
564
00:25:03,402 --> 00:25:04,972
COMPLICATED?
565
00:25:04,971 --> 00:25:07,211
BECAUSE YOUR WIFE'S FAMILY
HAS MILLIONS OF DOLLARS
566
00:25:07,205 --> 00:25:11,805
AND YOU MAKE MINIMUM WAGE
AT A NONPROFIT?
567
00:25:11,810 --> 00:25:14,550
WHAT DID NATALIE THINK
ABOUT YOUR BEING MARRIED?
568
00:25:14,547 --> 00:25:16,277
(sighs)
569
00:25:16,281 --> 00:25:18,851
SHE WAS PATIENT AT FIRST.
570
00:25:18,851 --> 00:25:21,591
SHE KNEW
THAT I WAS UNHAPPY.
571
00:25:21,587 --> 00:25:23,687
RECENTLY, SHE GOT TIRED
OF WAITING,
572
00:25:23,690 --> 00:25:25,420
SO SHE BROKE THINGS OFF.
573
00:25:25,423 --> 00:25:26,733
WHEN WAS THAT?
574
00:25:26,726 --> 00:25:28,826
TWO WEEKS AGO.
575
00:25:28,827 --> 00:25:30,557
WE HARDLY SPOKE
DURING THE ENTIRE TIME.
576
00:25:30,563 --> 00:25:32,703
I CALLED HER.
I ASKED HER TO SEE ME.
577
00:25:32,699 --> 00:25:33,799
SHE WOULDN'T.
578
00:25:33,799 --> 00:25:36,739
SHE SAID SHE NEEDED
TO GET AWAY,
579
00:25:36,736 --> 00:25:38,136
CLEAR HER HEAD.
580
00:25:38,136 --> 00:25:40,336
AND IS THAT WHY SHE WENT
TO PUERTO VALLARTA?
581
00:25:40,338 --> 00:25:42,838
YES.
582
00:25:42,842 --> 00:25:47,512
I JUST ASSUMED THAT
THAT WAS THE END.
583
00:25:47,512 --> 00:25:51,222
THEN A FEW DAYS AGO,
SHE CALLED.
584
00:25:51,217 --> 00:25:55,187
SHE WAS GOING TO MEET YOU
THE NIGHT SHE WAS KILLED?
585
00:25:55,186 --> 00:25:56,916
YES.
586
00:25:56,923 --> 00:26:01,363
9:00. THE SAME LITTLE BAR
WE ALWAYS GO TO.
587
00:26:01,359 --> 00:26:03,659
I WAITED AN HOUR.
588
00:26:03,663 --> 00:26:05,933
WHEN SHE DIDN'T SHOW,
I JUST...
589
00:26:05,932 --> 00:26:08,672
UH, I ASSUMED THAT
SHE HAD CHANGED HER MIND.
590
00:26:08,667 --> 00:26:11,667
(sighs and swallows)
591
00:26:11,671 --> 00:26:13,671
I-I KNOW THAT--
THAT YOU'RE JUST--
592
00:26:13,673 --> 00:26:17,813
YOU'RE DOING YOUR JOB,
AGENT LISBON.
593
00:26:18,944 --> 00:26:23,684
I WOULD NEVER DO THIS
TO NATALIE.
594
00:26:23,682 --> 00:26:26,022
I COULDN'T.
595
00:26:26,018 --> 00:26:29,488
NATALIE WAS GOING TO MEET YOU
THE NIGHT SHE WAS KILLED--
596
00:26:29,488 --> 00:26:31,618
A MARRIED MAN SHE WAS
ROMANTICALLY INVOLVED WITH
597
00:26:31,624 --> 00:26:34,964
WHO DOESN'T HAVE AN ALIBI
FOR THE NIGHT OF HER MURDER.
598
00:26:34,961 --> 00:26:38,131
YOU'LL FORGIVE ME
IF I'M A LITTLE SKEPTICAL.
599
00:26:40,666 --> 00:26:43,466
(people speaking indistinctly)
600
00:26:43,469 --> 00:26:44,669
HE SAID HE WAS GOING
TO MEET NATALIE
601
00:26:44,671 --> 00:26:47,671
THE NIGHT SHE WAS KILLED.
602
00:26:47,673 --> 00:26:50,583
SEE IF ANYBODY REMEMBERS
SEEING HIM.
603
00:26:50,576 --> 00:26:52,806
WHERE'S ERICA,
GETTING A MANI-PEDI?
604
00:26:52,811 --> 00:26:54,411
HOW'D YOU KNOW?
605
00:26:54,413 --> 00:26:57,823
ALL RIGHT.
THIS IS GETTING RIDICULOUS.
606
00:26:57,817 --> 00:26:59,547
IT'S TIME TO BRING HER BACK
TO PRISON.
607
00:26:59,550 --> 00:27:01,020
OH, WE CAN'T DO THAT.
608
00:27:01,019 --> 00:27:02,289
WHY NOT?
609
00:27:02,288 --> 00:27:03,258
I NEED HER.
610
00:27:04,691 --> 00:27:06,291
(telephone rings in distance)
611
00:27:08,559 --> 00:27:10,859
(ring)
612
00:27:15,634 --> 00:27:18,944
(indistinct conversations)
613
00:27:21,573 --> 00:27:24,313
MR. JANE, MS. FLYNN,
HOW NICE TO SEE YOU.
614
00:27:24,309 --> 00:27:25,579
YOU ARE HERE AS GUESTS?
615
00:27:25,576 --> 00:27:27,446
UH, WELL, NOT--
616
00:27:27,445 --> 00:27:28,775
NOT EXACTLY.
617
00:27:28,780 --> 00:27:30,120
I HOPE THERE'S NOT
SOME PROBLEM.
618
00:27:30,115 --> 00:27:32,645
MR. RELIN DIDN'T TELL YOU?
619
00:27:32,651 --> 00:27:35,251
ERICA AND I ARE PERFORMING
TONIGHT.
620
00:27:35,253 --> 00:27:37,593
JUST A LITTLE SOMETHING
WE'VE BEEN WORKING ON.
621
00:27:37,588 --> 00:27:38,918
IT'S ALL BEEN ARRANGED.
622
00:27:38,924 --> 00:27:41,734
UM... HOW FANTASTIC.
623
00:27:41,728 --> 00:27:43,328
WELL, LET'S HOPE.
624
00:27:47,532 --> 00:27:49,802
OKAY.
625
00:27:52,070 --> 00:27:54,010
(amplified voice) THANK YOU.
626
00:27:54,006 --> 00:27:55,406
GOOD EVENING,
LADIES AND GENTLEMEN.
627
00:27:55,406 --> 00:27:57,006
MY NAME IS PATRICK JANE.
628
00:27:57,009 --> 00:27:59,439
FOR TONIGHT
AND FOR A VERY GOOD CAUSE,
629
00:27:59,444 --> 00:28:03,784
LET'S ALL IMAGINE THAT
THIS, UH, TAWDRY HOTEL BALLROOM
630
00:28:03,782 --> 00:28:07,822
IS, IN FACT, THE CASA ENCANTAR,
631
00:28:07,819 --> 00:28:10,489
THE ENCHANTED HOUSE.
632
00:28:10,489 --> 00:28:14,189
LADIES AND GENTLEMEN,
MY LOVELY ASSISTANT ERICA.
633
00:28:15,294 --> 00:28:17,934
ERICA AND I WILL
CONJURE UP SPIRITS
634
00:28:17,930 --> 00:28:20,170
THAT WILL AWE AND AMAZE YOU,
635
00:28:20,165 --> 00:28:24,035
AND THEN WE WILL TURN
THAT AWED AMAZEMENT
636
00:28:24,036 --> 00:28:27,236
THAT WILL HELP FEED, CLOTHE,
AND EDUCATE
637
00:28:27,239 --> 00:28:30,179
THOUSANDS OF HOMELESS ORPHANS.
638
00:28:32,644 --> 00:28:38,124
AS YOU CAN SEE, ERICA HAS SET
THE STAGE WITH FOUR BOXES.
639
00:28:38,116 --> 00:28:40,086
NOW IN ORDER
FOR THIS PERFORMANCE TO WORK,
640
00:28:40,086 --> 00:28:43,186
WE NEED FOUR WILLING VOLUNTEERS.
641
00:28:43,189 --> 00:28:46,129
ONCE YOU'RE CHOSEN, PLEASE MAKE
YOUR WAY PROMPTLY TO THE STAGE.
642
00:28:46,125 --> 00:28:49,225
DON'T BE SHY. THIS SHOULDN'T
HURT ONE LITTLE BIT.
643
00:28:49,228 --> 00:28:51,458
(murmuring)
644
00:28:51,462 --> 00:28:54,532
A QUICK HAND
FOR THESE BRAVE SOULS.
645
00:28:54,532 --> 00:28:55,932
(applause)
646
00:28:55,934 --> 00:28:57,144
THANK YOU, ERICA.
647
00:28:57,135 --> 00:28:59,465
LOOKING FETCHING IN GREEN.
648
00:28:59,471 --> 00:29:01,071
NOW, LADIES AND GENTLEMEN,
649
00:29:01,073 --> 00:29:03,813
PLEASE PAY CLOSE ATTENTION.
(sighs)
650
00:29:03,809 --> 00:29:05,479
YOU'RE ABOUT
TO WITNESS SOMETHING
651
00:29:05,477 --> 00:29:09,247
THAT I CAN PRETTY MUCH GUARANTEE
YOU'VE NEVER SEEN BEFORE.
652
00:29:09,248 --> 00:29:10,948
(applause)
653
00:29:12,018 --> 00:29:14,488
SOMETHING CLOUDED IN THE UNKNOWN
654
00:29:14,486 --> 00:29:19,626
IN A WORLD OF CLAIRVOYANTS
AND DIVINATION,
655
00:29:19,625 --> 00:29:21,625
NOW I KNOW
SOME OF YOU DON'T BELIEVE
656
00:29:21,626 --> 00:29:23,426
THAT SPIRITS EXIST,
657
00:29:23,429 --> 00:29:27,469
BUT TRUST ME WHEN I TELL YOU
THEY ARE VERY REAL.
658
00:29:27,465 --> 00:29:30,235
THEY'RE HERE IN THIS ROOM
RIGHT NOW SPEAKING TO ME,
659
00:29:30,236 --> 00:29:32,466
JUST AS I AM SPEAKING TO YOU,
660
00:29:32,471 --> 00:29:36,211
AND THEY'RE TELLING ME THAT
ONE OF THESE INDIVIDUALS HERE
661
00:29:36,208 --> 00:29:38,978
IS HARBORING
A DEEP, DARK SECRET.
662
00:29:38,978 --> 00:29:40,578
(guests murmuring)
663
00:29:40,578 --> 00:29:42,778
HUH? DON'T BELIEVE ME?
664
00:29:42,780 --> 00:29:46,180
FANTASTIC. THAT GIVES ME
THE CHANCE TO PROVE IT TO YOU.
665
00:29:46,184 --> 00:29:50,324
YOU, SIR. WHAT'S YOUR NAME?
666
00:29:50,322 --> 00:29:51,862
RICHARD.
667
00:29:51,857 --> 00:29:54,457
RICHARD, ARE YOU HERE ALONE?
668
00:29:54,460 --> 00:29:55,730
YES.
669
00:29:55,727 --> 00:29:57,257
THANK YOU.
WOULD YOU STEP FORWARD?
670
00:29:57,262 --> 00:29:59,662
INSIDE ONE OF THESE BOXES
671
00:29:59,664 --> 00:30:02,404
IS AN ITEM THAT HOLDS
GREAT SIGNIFICANCE TO YOU.
672
00:30:02,401 --> 00:30:05,471
I DON'T KNOW WHICH BOX IT'S IN,
AND NEITHER DO YOU.
673
00:30:05,471 --> 00:30:09,341
AM I CORRECT?
674
00:30:09,340 --> 00:30:11,980
I NEED YOU TO CONCENTRATE
AND CLEAR YOUR MIND
675
00:30:11,978 --> 00:30:14,248
OF ANY DISTRACTIONS.
676
00:30:14,246 --> 00:30:17,276
I WOULD LIKE YOU TO CHOOSE
TWO BOXES.
677
00:30:17,282 --> 00:30:19,622
TWO BOXES,
EITHER ON THE LEFT SIDE
678
00:30:19,617 --> 00:30:23,117
OR THE RIGHT SIDE, PLEASE.
679
00:30:24,222 --> 00:30:26,262
ERICA.
680
00:30:28,094 --> 00:30:29,904
THERE'S TWO BOXES LEFT.
681
00:30:29,895 --> 00:30:32,295
I'D LIKE YOU
TO CHOOSE ONE, RICHARD.
682
00:30:39,305 --> 00:30:43,705
NOW YOU MADE YOUR CHOICE ONLY
WITH THE SPIRITS AS YOUR GUIDE?
683
00:30:43,709 --> 00:30:45,409
YES.
684
00:30:45,411 --> 00:30:49,181
ERICA, IF YOU WOULD,
OPEN THE BOX, PLEASE.
685
00:30:54,452 --> 00:30:57,392
DOES THIS NECKLACE MEAN
ANYTHING TO YOU, RICHARD?
686
00:30:59,157 --> 00:31:01,327
(voice breaks) YES.
687
00:31:01,326 --> 00:31:03,926
TELL THE AUDIENCE
WHAT IT MEANS, RICHARD.
688
00:31:05,797 --> 00:31:08,967
(crying)
689
00:31:08,968 --> 00:31:11,068
(clears throat, voice breaking)
IT'S THE NECKLACE THAT I GAVE
690
00:31:11,069 --> 00:31:12,199
TO NATALIE.
691
00:31:12,203 --> 00:31:15,013
WHY DID YOU GIVE IT TO HER?
692
00:31:15,007 --> 00:31:18,207
(guests murmuring)
693
00:31:18,210 --> 00:31:22,510
IT WAS A SYMBOL
OF MY DEEP AND ABIDING...
694
00:31:22,513 --> 00:31:25,183
(cries) LOVE... FOR HER.
695
00:31:25,183 --> 00:31:29,563
IT'S OKAY. IT'S OKAY.
696
00:31:29,555 --> 00:31:31,585
THANK YOU, RICHARD.
697
00:31:31,589 --> 00:31:34,689
IF YOU'LL MAKE YOUR WAY BACK
TO YOUR SEAT. THAT'S OKAY.
698
00:31:34,692 --> 00:31:37,762
WAIT! THE SPIRITS ARE SENDING ME
ANOTHER MESSAGE.
699
00:31:37,762 --> 00:31:41,472
THEY'RE TELLING ME THAT
SOMEONE ELSE ON THIS STAGE
700
00:31:41,467 --> 00:31:42,897
HAS A SECRET.
701
00:31:44,336 --> 00:31:45,596
MR. RELIN.
702
00:31:46,704 --> 00:31:47,874
(Greg) THANK YOU.
703
00:31:47,873 --> 00:31:49,383
A CROWD FAVORITE.
704
00:31:49,375 --> 00:31:52,305
YOU'RE HARBORING
A DEEP, DARK SECRET, AREN'T YOU?
705
00:31:52,310 --> 00:31:55,010
I DON'T THINK SO.
706
00:31:55,013 --> 00:31:57,223
OH, REALLY?
707
00:31:57,215 --> 00:32:00,085
WELL, LET'S CHECK, SHALL WE?
STEP FORWARD, PLEASE.
708
00:32:00,086 --> 00:32:04,456
CLEAR YOUR MIND
AND CHOOSE TWO BOXES.
709
00:32:06,625 --> 00:32:07,955
ERICA.
710
00:32:10,162 --> 00:32:13,372
NOW YOU KNOW THE DRILL. ONE BOX.
711
00:32:15,267 --> 00:32:17,837
(guests murmuring)
712
00:32:17,836 --> 00:32:20,406
THANK YOU.
713
00:32:20,405 --> 00:32:25,705
NOW YOU CHOSE THIS BOX
OF YOUR OWN FREE WILL, YES?
714
00:32:25,711 --> 00:32:29,981
ERICA, PLEASE DO THE HONORS.
OPEN THE BOX.
715
00:32:32,218 --> 00:32:36,288
IS THIS PHOTOGRAPH
OF ANY SIGNIFICANCE TO YOU?
716
00:32:36,288 --> 00:32:38,618
NO.
ARE YOU CERTAIN?
717
00:32:38,624 --> 00:32:40,764
WELL, PERHAPS
IF YOU SAW IT BIGGER.
718
00:32:40,759 --> 00:32:45,059
ERICA?
719
00:32:45,064 --> 00:32:49,234
IT LOOKS LIKE THE SITE YOU CLAIM
TO HAVE BUILT AN ORPHANAGE ON,
720
00:32:49,234 --> 00:32:51,804
ONLY THERE'S NO ORPHANAGE.
721
00:32:51,802 --> 00:32:54,042
I DON'T... I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
722
00:32:54,039 --> 00:32:55,639
WHAT ABOUT NOW?
723
00:32:55,641 --> 00:32:59,111
(murmuring continues)
724
00:32:59,111 --> 00:33:02,351
THERE IS NO ORPHANAGE, GREG,
725
00:33:02,347 --> 00:33:05,117
ONLY A DOCTORED PHOTOGRAPH
YOU'VE BEEN PASSING OFF AS REAL.
726
00:33:05,116 --> 00:33:08,316
EVERYTHING YOU'VE SAID
YOU'VE DONE IS A LIE, GREG.
727
00:33:08,319 --> 00:33:09,319
YOU DON'T UNDERSTAND.
728
00:33:09,320 --> 00:33:11,290
OH, BUT I THINK THEY DO.
729
00:33:11,289 --> 00:33:15,289
(all shouting at once)
730
00:33:18,963 --> 00:33:23,343
UH, THANK YOU.
YOU'VE BEEN A LOVELY AUDIENCE.
731
00:33:23,335 --> 00:33:25,895
THANK YOU AND GOOD NIGHT.
732
00:33:25,903 --> 00:33:29,513
(shouting continues)
733
00:33:31,942 --> 00:33:35,482
YOU EMBEZZLED MILLIONS
OF DOLLARS MEANT FOR CHARITY
734
00:33:35,480 --> 00:33:40,590
AND SIPHONED THE MONEY
INTO YOUR OWN POCKETS.
735
00:33:40,586 --> 00:33:43,356
UNTIL NATALIE TOOK THAT TRIP
TO MEXICO.
736
00:33:46,023 --> 00:33:48,763
NATALIE CALLED ME,
SAID SHE NEEDED
737
00:33:48,759 --> 00:33:51,429
TO SPEAK WITH ME
ABOUT SOMETHING IMPORTANT,
738
00:33:51,430 --> 00:33:54,930
SO I MET HER AFTER WORK
AT THE SUBWAY STATION.
739
00:33:54,932 --> 00:33:57,072
I OFFERED HER A RIDE.
740
00:34:00,439 --> 00:34:03,039
SHE TOLD ME SHE HAD VISITED
741
00:34:03,040 --> 00:34:05,240
ONE OF THE ORPHANAGES
THAT WE BUILT.
742
00:34:05,243 --> 00:34:07,413
AND SHE ACCUSED YOU
OF LYING.
743
00:34:07,413 --> 00:34:09,113
NO.
744
00:34:09,114 --> 00:34:10,824
NOT AT FIRST.
745
00:34:10,815 --> 00:34:12,175
SHE TRUSTED ME.
746
00:34:12,184 --> 00:34:14,654
(both speak inaudibly)
747
00:34:14,652 --> 00:34:19,722
SHE WANTED AN EXPLANATION,
BUT...
748
00:34:19,724 --> 00:34:22,264
I DIDN'T HAVE ONE.
WHAT COULD I SAY?
749
00:34:22,260 --> 00:34:23,560
SHE HAD THE PHOTOS.
750
00:34:26,063 --> 00:34:28,473
(swallows)
751
00:34:28,467 --> 00:34:30,697
MY WHOLE WORLD WAS
THREATENED.
752
00:34:30,702 --> 00:34:32,842
EVERYTHING I HAD BUILT
WOULD BE GONE.
753
00:34:34,539 --> 00:34:36,109
(whispers)
I COULDN'T LET THAT HAPPEN.
754
00:34:43,081 --> 00:34:46,491
(inhales deeply)
755
00:34:46,485 --> 00:34:48,215
(sighs)
756
00:34:48,219 --> 00:34:50,559
OKAY. I'M COMING.
(panting)
757
00:34:50,556 --> 00:34:52,016
WAYNE.
(lowered voice) IN HERE.
758
00:34:52,023 --> 00:34:55,163
OHH.
WHAT IS GOING ON WITH YOU?
759
00:34:55,161 --> 00:34:57,161
TAKE A SEAT.
760
00:34:57,163 --> 00:34:59,703
TAKE A... (sighs)
761
00:35:03,768 --> 00:35:05,838
SARAH, I, UH...
762
00:35:05,836 --> 00:35:07,766
THERE'S SOMETHING I HAVE
TO SAY TO YOU.
763
00:35:07,773 --> 00:35:09,183
(chuckles) OKAY.
764
00:35:09,175 --> 00:35:10,305
SO I'VE BEEN THINKING
A LOT ABOUT US
765
00:35:10,309 --> 00:35:11,439
THESE LAST FEW DAYS...
(sighs)
766
00:35:11,443 --> 00:35:13,183
AND, UH...
(sighs)
767
00:35:13,179 --> 00:35:14,309
OUR SITUATION.
768
00:35:14,313 --> 00:35:15,653
"OUR SITUATION"?
769
00:35:15,646 --> 00:35:16,646
YEAH...
770
00:35:16,648 --> 00:35:17,778
OHH.
AND, UH...
771
00:35:17,782 --> 00:35:19,052
I WANT IT TO CHANGE.
772
00:35:19,050 --> 00:35:20,790
ARE YOU BREAKING UP
WITH ME?
773
00:35:20,786 --> 00:35:23,656
THE OPPOSITE. (sighs)
774
00:35:23,655 --> 00:35:26,055
(gasps)
775
00:35:26,056 --> 00:35:27,786
(inhales deeply)
776
00:35:27,793 --> 00:35:30,403
WILL YOU MARRY ME?
777
00:35:30,396 --> 00:35:32,656
OHH.
778
00:35:32,664 --> 00:35:35,074
OH, NO. (sighs)
779
00:35:35,065 --> 00:35:38,265
I DON'T WANT TO GET MARRIED
LIKE THIS.
780
00:35:38,269 --> 00:35:39,699
WAYNE, I DON'T WANT YOU
TO PROPOSE TO ME
781
00:35:39,704 --> 00:35:40,944
JUST BECAUSE I'M PREGNANT.
782
00:35:40,938 --> 00:35:42,208
IT'S--IT'S--
783
00:35:42,208 --> 00:35:45,438
IT'S SO NOT FAIR TO YOU
OR TO ME.
784
00:35:45,443 --> 00:35:48,583
(sighs) I DON'T WANT
TO LIVE THE REST OF MY LIFE
785
00:35:48,579 --> 00:35:51,649
CONSTANTLY WONDERING
WHETHER MY HUSBAND LOVES ME.
786
00:35:51,650 --> 00:35:53,620
OH.
787
00:35:53,619 --> 00:35:56,449
WAYNE. (sighs)
GOSH, YOU ARE...
788
00:35:56,454 --> 00:35:58,494
YOU ARE A GREAT MAN.
789
00:35:58,489 --> 00:36:01,359
NO, AND YOU ARE GOING TO BE
790
00:36:01,360 --> 00:36:03,200
THE MOST AMAZING FATHER...
(chuckles)
791
00:36:03,195 --> 00:36:06,725
(laughs)
REALLY, BUT... (sighs)
792
00:36:06,731 --> 00:36:09,931
GOSH, WE ARE JUST NOT READY
FOR THIS.
793
00:36:09,934 --> 00:36:11,874
(sighs)
794
00:36:15,340 --> 00:36:17,740
(sighs)
795
00:36:19,577 --> 00:36:21,577
(sighs)
796
00:36:26,952 --> 00:36:27,952
(chuckles)
797
00:36:27,952 --> 00:36:28,952
(box snaps shut)
798
00:36:28,954 --> 00:36:32,664
(sighs)
799
00:36:32,657 --> 00:36:35,157
(indistinct conversations)
800
00:36:35,159 --> 00:36:37,299
THANK YOU, PATRICK.
801
00:36:37,295 --> 00:36:40,795
YOU HAVE NO IDEA HOW MUCH
THIS MEANT TO ME.
802
00:36:40,798 --> 00:36:44,798
YOU KNOW, YOU DIDN'T HAVE
TO LEAVE THE OTHER NIGHT.
803
00:36:44,802 --> 00:36:47,612
WE CAN'T HAVE
EVERYTHING WE WANT.
804
00:36:47,606 --> 00:36:49,236
SINCE WHEN?
805
00:36:53,244 --> 00:36:54,854
I'M GONNA GO FRESHEN UP
BEFORE THE CAR RIDE.
806
00:36:54,846 --> 00:36:58,516
DON'T BOTHER.
I KNOW ABOUT YOUR LAWYER.
807
00:36:58,516 --> 00:36:59,986
LAWYER? WHAT LAWYER?
808
00:37:02,019 --> 00:37:04,789
WE FOUND HIM A BLOCK AWAY
809
00:37:04,789 --> 00:37:08,229
WITH TWO SUITCASES, CASH,
AND A FORGED PASSPORT.
810
00:37:08,226 --> 00:37:10,826
(man) I'M SORRY, ERICA.
811
00:37:10,829 --> 00:37:14,269
I LOVE YOU!
I'LL WAIT FOR YOU!
812
00:37:14,266 --> 00:37:15,726
TOUCHING.
813
00:37:17,969 --> 00:37:19,639
SO IT'S OVER.
814
00:37:19,637 --> 00:37:20,937
(sighs)
815
00:37:20,938 --> 00:37:23,538
YOU CAN'T BLAME A GIRL
FOR TRYING.
816
00:37:23,541 --> 00:37:25,341
I'D EXPECT NOTHING LESS.
817
00:37:29,179 --> 00:37:32,779
(sighs) IT WAS NICE
TO SEE YOU, PATRICK.
818
00:37:32,784 --> 00:37:34,454
I HAD A LOVELY TIME.
819
00:37:36,121 --> 00:37:37,861
ME, TOO.
820
00:37:40,791 --> 00:37:42,661
GOOD-BYE.
821
00:37:42,661 --> 00:37:44,931
IT MAKES IT SOUND
LIKE FOREVER.
822
00:37:46,063 --> 00:37:48,473
JUST 15 TO 20.
823
00:37:53,070 --> 00:37:55,210
YES, SIR.
BOTTOM OF THE PAGE.
824
00:37:55,206 --> 00:37:58,336
(scribbling)
825
00:38:00,177 --> 00:38:02,177
TIME TO GO, MA'AM.
826
00:38:02,179 --> 00:38:03,479
OF COURSE.
827
00:38:26,237 --> 00:38:27,667
(engine starts)
828
00:38:32,811 --> 00:38:34,081
(door closes)
829
00:38:43,021 --> 00:38:46,061
(Wainright)
GLAD THAT ALL WORKED OUT.
830
00:38:46,056 --> 00:38:47,316
YEAH.
831
00:38:50,862 --> 00:38:53,062
(sniffles)
832
00:38:53,063 --> 00:38:54,473
(closes door)
UH...
833
00:38:54,465 --> 00:38:55,765
SPECIAL AGENT LUTHER WAINRIGHT?
834
00:38:55,766 --> 00:38:57,596
I'M OFFICER HOPKINS
835
00:38:57,603 --> 00:39:00,543
FROM GOLDEN VALLEY
STATE CORRECTIONAL INSTITUTION.
836
00:39:00,539 --> 00:39:02,669
WE'RE HERE TO TAKE CUSTODY
OF ERICA FLYNN.
837
00:39:02,673 --> 00:39:04,213
I'M SORRY. I'M CONFUSED.
838
00:39:04,208 --> 00:39:07,808
I JUST SIGNED CUSTODY...
839
00:39:07,813 --> 00:39:09,353
SIR?
840
00:39:18,088 --> 00:39:21,628
(footsteps approach)
841
00:39:21,626 --> 00:39:24,696
THE U.S. MARSHALS ARE HELPING
WITH THE SEARCH.
842
00:39:24,695 --> 00:39:26,155
SHE'S BEEN FLAGGED
ON FLIGHT LISTS
843
00:39:26,164 --> 00:39:27,804
AND ALL BORDER CROSSINGS.
844
00:39:27,798 --> 00:39:30,168
YOU'RE WASTING YOUR TIME.
845
00:39:30,168 --> 00:39:31,838
THANKS FOR YOUR OPTIMISM.
846
00:39:35,373 --> 00:39:37,783
I HAVE TO ASK, JANE.
847
00:39:37,775 --> 00:39:40,445
DID YOU KNOW ERICA WAS
GONNA DO THIS?
848
00:39:40,445 --> 00:39:42,375
TRY TO ESCAPE?
849
00:39:42,380 --> 00:39:45,820
OF COURSE.
I MEAN, WHO WOULDN'T?
850
00:39:45,817 --> 00:39:48,447
YOU DIDN'T ANSWER
MY QUESTION.
851
00:39:48,454 --> 00:39:51,394
NO, I DIDN'T...
852
00:39:51,389 --> 00:39:53,629
ANSWER YOUR QUESTION.
853
00:40:01,666 --> 00:40:03,796
(cell phone rings)
854
00:40:05,003 --> 00:40:06,543
(ring)
855
00:40:06,538 --> 00:40:08,138
(clears throat)
856
00:40:08,139 --> 00:40:10,309
**
857
00:40:10,307 --> 00:40:12,737
HELLO?
858
00:40:12,744 --> 00:40:15,114
I wanted to thank you
for dinner the other night.
859
00:40:15,112 --> 00:40:18,352
IT WAS THE BEST DATE
I'VE HAD IN YEARS.
860
00:40:18,349 --> 00:40:20,219
IT WASN'T A DATE.
861
00:40:20,217 --> 00:40:22,217
IF YOU SAY SO.
862
00:40:22,219 --> 00:40:24,019
Where are you?
863
00:40:24,021 --> 00:40:27,431
(seagulls crying)
WHY? DO YOU MISS ME?
864
00:40:27,425 --> 00:40:30,155
(chuckles)
SOMETHING LIKE THAT.
865
00:40:30,161 --> 00:40:33,401
YOU KNOW, PATRICK, WE'D HAVE
BEEN GOOD TOGETHER.
866
00:40:33,398 --> 00:40:34,868
WOULD BE GOOD TOGETHER.
867
00:40:34,865 --> 00:40:38,965
I WILL FIND YOU.
IT'S ONLY A MATTER OF TIME.
868
00:40:38,969 --> 00:40:40,169
OH, PATRICK.
869
00:40:40,170 --> 00:40:43,370
I'M ALMOST LOOKING FORWARD
TO IT.
870
00:40:43,373 --> 00:40:45,183
(beeps and snaps shut)
871
00:40:45,175 --> 00:40:48,105
**
58097
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