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[CHEERING]
2
00:00:11,052 --> 00:00:13,930
HEY, BRINGSTON UNIVERSITY,
Y'ALL, MAKE SOME NOISE!
3
00:00:13,972 --> 00:00:15,765
[LOUDER CHEERING]
4
00:00:15,807 --> 00:00:17,100
UH! LET'S GO.
5
00:00:17,142 --> 00:00:19,436
WHOA, WHOA, WHOA, UH!
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00:00:19,477 --> 00:00:21,146
♪ SWEET LORD,
PLEASE HAVE MERCY ♪
7
00:00:21,187 --> 00:00:22,856
♪ BABY JESUS, PLEASE SAVE US ♪
8
00:00:22,897 --> 00:00:24,566
♪ I KNOW I USED UP
MY THREE FAVORS ♪
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00:00:24,607 --> 00:00:26,526
♪ BACK TO SINNING,
LIKE, A WEEK LATER ♪
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00:00:26,568 --> 00:00:28,069
♪ NEW CAR, SPEED RACER ♪
11
00:00:28,111 --> 00:00:29,904
♪ COP A CRIB, NEED ACRES ♪
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00:00:29,946 --> 00:00:31,364
♪ MOST OF ALL,
WE ALL NEED PRAYER ♪
13
00:00:31,406 --> 00:00:33,199
♪ KARMA COMING, BEWARE... ♪
14
00:00:33,241 --> 00:00:35,035
WOW. I BET PRINCETON
15
00:00:35,076 --> 00:00:36,578
ISN'T DOING ALL THIS
FOR THEIR HOMECOMING.
16
00:00:36,619 --> 00:00:38,121
PRINCETON WHO?
17
00:00:38,163 --> 00:00:40,081
SPENCER: EXACTLY.
LOOK, IF THEY
18
00:00:40,123 --> 00:00:42,125
TOO WACK TO ACCEPT
YOU, FORGET THEM.
19
00:00:42,167 --> 00:00:44,502
LOOK, GUYS, I THOUGHT
THE WHOLE POINT
OF THIS TRIP WAS
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00:00:44,544 --> 00:00:46,921
TO HELP CHEER ME UP
AND TAKE MY MIND
OFF THAT SCHOOL.
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00:00:46,963 --> 00:00:49,591
OLIVIA: WELL, YEAH,
AND TO SCOPE OUT
THE HBCU EXPERIENCE.
22
00:00:49,632 --> 00:00:52,343
JORDAN: YOU'RE
THE ONLY ONE WITH HBCUs
ON YOUR LIST, LIV.
23
00:00:52,385 --> 00:00:54,846
WELL, AT LEAST
SHE HAS A LIST.
I AIN'T GOT NADA.
24
00:00:54,888 --> 00:00:57,015
ALL RIGHT. OK. STOP
THE COLLEGE TALK, ALL RIGHT?
25
00:00:57,057 --> 00:00:58,641
THIS WEEKEND IS ABOUT
VISITING YOUR AUNT
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00:00:58,683 --> 00:01:00,477
AND HAVING SOME G.A.F.
AM I RIGHT? GROWN-ASS FUN.
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00:01:00,518 --> 00:01:01,811
COME ON, GUYS.
28
00:01:01,853 --> 00:01:03,313
[CHUCKLES]
HOLD UP. HOLD UP.
29
00:01:03,354 --> 00:01:04,939
IS THAT REALLY CORDAE
ON THE STAGE?
30
00:01:04,981 --> 00:01:06,399
CORDAE: ♪ ALL GAS
AND THE BRAKE'S SLOWER ♪
31
00:01:06,441 --> 00:01:08,443
♪ TOOK A TRIP OUT TO TOKYO ♪
32
00:01:08,485 --> 00:01:10,487
♪ NOW I'M HERE IN PARIS
FOR THE LAYOVER... ♪
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00:01:10,528 --> 00:01:11,821
SIMONE: ALL RIGHT, Y'ALL.
34
00:01:11,863 --> 00:01:14,240
WELCOME
TO BRINGSTON UNIVERSITY.
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00:01:14,282 --> 00:01:16,743
IT'S TIME TO TURN UP.
36
00:01:16,785 --> 00:01:18,495
CORDAE: ♪ LIFE WILL HIT YOU
WITH A LIGHT JAB ♪
37
00:01:18,536 --> 00:01:20,163
♪ MIKE TYSON, STRIKE BACK ♪
38
00:01:20,205 --> 00:01:21,998
♪ YOU GO ON NOW, SLIGHT SAD ♪
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00:01:22,040 --> 00:01:23,708
♪ KNOW I'M ALL ABOUT MY BAG ♪
40
00:01:23,750 --> 00:01:25,502
♪ NEW DRIP, I GRAB ♪
41
00:01:25,543 --> 00:01:27,587
♪ I JUST WANNA GET
MY LIFE BACK ♪
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00:01:29,547 --> 00:01:32,592
IT'S JUST LIKE
IN ANY OTHER SPACE.
43
00:01:32,634 --> 00:01:34,052
AS BLACK JOURNALISTS,
44
00:01:34,094 --> 00:01:35,678
YOU WILL BE HELD
TO A HIGHER STANDARD.
45
00:01:35,720 --> 00:01:37,722
THERE'S A LARGER,
UNREALISTIC BURDEN
46
00:01:37,764 --> 00:01:39,641
ON BLACK JOURNALISTS.
47
00:01:39,682 --> 00:01:42,852
AND IF YOU TAKE SOMEONE LIKE ME,
WHO LIES IN THE INTERSECTION
48
00:01:42,894 --> 00:01:45,522
OF JOURNALISM AND ACTIVISM,
THAT BURDEN IS EVEN GREATER.
49
00:01:45,563 --> 00:01:47,565
OLIVIA: IS THAT YOUR AUNT?
PROFESSOR: KEISHA?
50
00:01:47,607 --> 00:01:50,276
KEISHA: SO HOW CAN YOU MAINTAIN
JOURNALISTIC OBJECTIVITY?
51
00:01:50,318 --> 00:01:51,402
STUDENT: THE SAME WAY
WHITE REPORTERS DO.
52
00:01:51,444 --> 00:01:53,196
KEISHA: EXCEPT, DO THEY?
53
00:01:53,238 --> 00:01:55,240
JUST BECAUSE THE VIEWS OF
WHITENESS ARE NORMALIZED
54
00:01:55,281 --> 00:01:56,908
TO BE THE OBJECTIVE
NEUTRAL DOESN'T MEAN
THAT THEY ACTUALLY ARE.
55
00:01:56,950 --> 00:01:58,451
ALL RIGHT.
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00:01:58,493 --> 00:02:01,246
FORGET ABOUT JOURNALISTIC
OBJECTIVITY, KEISHA.
57
00:02:01,287 --> 00:02:03,206
I INSTEAD BELIEVE IN BEING
58
00:02:03,248 --> 00:02:04,624
ETHICAL, FAIR,
AND TELLING THE TRUTH.
59
00:02:04,666 --> 00:02:05,917
THERE'S A DIFFERENCE.
60
00:02:05,959 --> 00:02:07,752
AND AS FOR ETHICS,
MY PHILOSOPHY IS
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00:02:07,794 --> 00:02:10,255
IF IT DOESN'T CROSS
YOUR LINE IN THE SAND,
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00:02:10,296 --> 00:02:12,715
THERE IS NO SHAME
IN WALKING AWAY.
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00:02:12,757 --> 00:02:15,969
BUT IF IT DOES,
YOU PURSUE IT
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00:02:16,010 --> 00:02:19,889
UNTIL YOU HAVE IT RIGHT,
AND THEN BRING IT
ALL TO THE LIGHT.
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00:02:19,931 --> 00:02:22,934
OK. YAS, POETRY!
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00:02:22,976 --> 00:02:24,561
[LAUGHTER,
STUDENTS SNAPPING FINGERS]
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00:02:24,602 --> 00:02:26,604
PROFESSOR: ALL RIGHT.
SEE YOU ALL TUESDAY.
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00:02:26,646 --> 00:02:29,274
KEISHA, YOU'RE A MESS.
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00:02:29,315 --> 00:02:30,859
HOOTIE HOO!
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00:02:30,900 --> 00:02:33,653
HOOTIE HOO! HA HA!
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00:02:33,695 --> 00:02:35,238
HI, AUNTIE.
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00:02:35,280 --> 00:02:37,907
OH, MY BABY GIRL.
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00:02:37,949 --> 00:02:39,492
I CAN'T BELIEVE YOU'RE
REALLY HERE. HA HA!
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00:02:39,534 --> 00:02:42,120
I KNOW.
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00:02:42,162 --> 00:02:45,206
OLIVIA, WHICH MAKES
YOU SPENCER.
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00:02:45,248 --> 00:02:47,458
AND YOU MUST BE
NEPHEW-IN-LAW.
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00:02:47,500 --> 00:02:48,918
SOMETHING LIKE THAT.
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00:02:48,960 --> 00:02:50,837
UH, BY THE WAY,
THANK YOU SO MUCH
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00:02:50,879 --> 00:02:52,172
FOR LETTING US
STAY THIS WEEKEND,
MS. PATTERSON.
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00:02:52,213 --> 00:02:53,423
DEAR GOD. CALL ME AMARA.
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00:02:53,464 --> 00:02:55,633
I AM NOT THAT OLD.
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00:02:55,675 --> 00:02:56,968
SO WHAT YOU GOT
GOING ON?
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00:02:57,010 --> 00:02:58,636
WHAT DO YOU MEAN?
TEACHING.
84
00:02:58,678 --> 00:03:00,638
YOU ARE NEVER JUST TEACHING.
85
00:03:00,680 --> 00:03:02,640
I KNOW YOU GOT SOME
AMAZING ARTICLE BREWING
86
00:03:02,682 --> 00:03:04,309
SOMEWHERE UP IN THERE.
87
00:03:04,350 --> 00:03:06,436
I'M STILL PUTTING
THE PIECES TOGETHER.
88
00:03:06,477 --> 00:03:08,438
IN THE MEANTIME,
IT'S HOMECOMING.
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00:03:08,479 --> 00:03:10,481
YEAH, Y'ALL SEEM
TO TAKE THAT REAL
SERIOUS OUT HERE.
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00:03:10,523 --> 00:03:12,108
OH, HONEY,
YOU HAVE NO IDEA.
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00:03:12,150 --> 00:03:13,943
KEISHA HAS OFFERED TO BE
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00:03:13,985 --> 00:03:16,112
YOUR UNOFFICIAL AMBASSADOR
FOR THE WEEKEND.
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00:03:16,154 --> 00:03:17,822
SO LEAVE YOUR BAGS WITH ME.
HAVE SOME FUN.
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00:03:17,864 --> 00:03:19,365
I'LL CATCH YOU LATER.
95
00:03:19,407 --> 00:03:20,491
WAIT. ARE YOU SURE?
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00:03:20,533 --> 00:03:22,285
GIRL, DON'T ASK TWICE.
97
00:03:22,327 --> 00:03:24,621
♪ I MADE THE LONG CLIMB
FOR THE FIRST TIME ♪
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00:03:24,662 --> 00:03:26,831
♪ I'M ON TOP
FOR THE THIRD TIME... ♪
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00:03:26,873 --> 00:03:30,543
KEISHA: YOU MADE IT JUST
IN TIME FOR THE BEST PART
OF HOMECOMING.
100
00:03:30,585 --> 00:03:32,253
OLIVIA: WHAT'S THAT?
101
00:03:32,295 --> 00:03:34,672
TONIGHT'S FASHION SHOW,
CHOREOGRAPHED BY MOI.
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00:03:34,714 --> 00:03:38,259
OH. SO YOU'RE A JOURNALISM
MAJOR/CHOREOGRAPHER?
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00:03:38,301 --> 00:03:40,386
PREMED, ACTUALLY,
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00:03:40,428 --> 00:03:43,848
AND PROUD CAPTAIN
OF THE UNDEFEATED
BRINGSTON DANCE SQUAD.
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00:03:43,890 --> 00:03:45,391
HEY.
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00:03:45,433 --> 00:03:46,601
WHAT ARE YOU THINKING
ABOUT APPLYING HERE FOR?
107
00:03:46,643 --> 00:03:47,894
OH, NO, I'M NOT
APPLYING HERE.
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00:03:47,936 --> 00:03:49,270
I'M JUST VISITING
WITH MY FAMILY.
109
00:03:49,312 --> 00:03:50,688
MORE LIKE HIDING
FROM FAMILY.
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00:03:50,730 --> 00:03:52,523
SIMONE'S MOM IS,
LIKE, A LOT.
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00:03:52,565 --> 00:03:54,943
KEISHA: SO WHERE
ARE YOU APPLYING?
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00:03:54,984 --> 00:03:56,736
HONESTLY, I DON'T KNOW.
113
00:03:56,778 --> 00:03:58,238
GIRL, TICK-TOCK.
114
00:03:58,279 --> 00:03:59,739
YOU'RE KIND OF
RUNNING OUT OF TIME.
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00:03:59,781 --> 00:04:00,949
WHAT'S YOUR THING?
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00:04:00,990 --> 00:04:02,158
TENNIS.
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00:04:02,200 --> 00:04:03,409
-TENNIS.
-MM-HMM.
118
00:04:03,451 --> 00:04:06,120
-OK. YOU ANY GOOD?
-YEAH.
119
00:04:06,162 --> 00:04:07,914
KEISHA: OK.
SIMONE: I AM.
120
00:04:07,956 --> 00:04:10,416
YO, IS EVERYONE IN
ATLANTA HERE THIS WEEKEND?
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00:04:10,458 --> 00:04:12,252
THIS IS BANANAS.
122
00:04:12,293 --> 00:04:14,629
GIRL, HBCUs ARE
HOT RIGHT NOW,
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00:04:14,671 --> 00:04:16,714
ESPECIALLY WITH 3
OF OUR GRADS OUT HERE
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00:04:16,756 --> 00:04:18,758
SAVING THE COUNTRY
FROM ITSELF.
125
00:04:18,800 --> 00:04:19,759
THANK YOU, MADAM V.P.
126
00:04:19,801 --> 00:04:21,386
AND THANK YOU,
127
00:04:21,427 --> 00:04:25,431
MS. STACEY "NOBEL PEACE
PRIZE NOMINEE" ABRAMS.
128
00:04:25,473 --> 00:04:27,517
HEY. I LIKE THE WAY
YOU SAY THAT.
129
00:04:27,558 --> 00:04:29,519
WAIT. WHO'S
THE THIRD ONE, THOUGH?
130
00:04:29,560 --> 00:04:32,063
BOTH: MAYOR
KEISHA LANCE BOTTOMS.
131
00:04:34,774 --> 00:04:39,654
OK, SO WHAT'S THE REAL
ON THE TWO SEXIES BEHIND US?
132
00:04:39,696 --> 00:04:41,739
WELL, ONE OF THEM
IS MY HUSBAND.
133
00:04:41,781 --> 00:04:45,576
HUSBAND? OK, WELL, THAT'S
A STORY THAT I NEED TO HEAR,
134
00:04:45,618 --> 00:04:48,037
BUT PLEASE TELL ME IT'S
NOT THE DARK CHOCOLATE ONE.
135
00:04:48,079 --> 00:04:50,581
OH, NO. SPENCER
IS ALL LIV'S.
136
00:04:50,623 --> 00:04:54,294
UM, NO. SPENCER AND I
ARE NOT TOGETHER.
137
00:04:54,335 --> 00:04:55,628
WE'RE JUST FRIENDS.
138
00:04:55,670 --> 00:04:58,381
WELL, THEN,
HEH, YAY, ME.
139
00:04:58,423 --> 00:04:59,966
["WOBBLE" BY V.I.C. PLAYING]
140
00:05:00,008 --> 00:05:02,093
KEISHA: ALL RIGHT. SO, UM,
WHO'S HUNGRY?
141
00:05:02,135 --> 00:05:03,219
♪ WOBBLE, BABY, WOBBLE,
BABY, WOBBLE ♪
142
00:05:03,261 --> 00:05:04,846
♪ YEAH... ♪
143
00:05:04,887 --> 00:05:06,306
♪ WOBBLE, BABY, WOBBLE, BABY,
WOBBLE ♪
144
00:05:06,347 --> 00:05:08,016
♪ YEAH... ♪
145
00:05:08,057 --> 00:05:09,017
♪ WOBBLE, BABY, WOBBLE, BABY,
WOBBLE... ♪
146
00:05:09,058 --> 00:05:10,977
♪ YEAH... ♪
147
00:05:11,019 --> 00:05:12,228
♪ GET IN THERE! ♪
148
00:05:12,270 --> 00:05:13,479
♪ YEAH, YEAH ♪
149
00:05:13,521 --> 00:05:14,647
♪ GET IN THERE ♪
150
00:05:14,689 --> 00:05:15,898
♪ YEAH, YEAH ♪
151
00:05:15,940 --> 00:05:17,734
♪ GET IN THERE... ♪
152
00:05:17,775 --> 00:05:19,152
♪ YEAH, YEAH... ♪
153
00:05:19,193 --> 00:05:22,113
ALL RIGHT. SO WHO
GONNA WOBBLE WITH ME?
154
00:05:22,155 --> 00:05:23,906
OH, I'M GOOD.
155
00:05:23,948 --> 00:05:26,159
I'M NOT REALLY IN
A GROUP DANCE KIND OF MOOD.
156
00:05:26,200 --> 00:05:28,369
WHATEVER DRAMA
YOU GOT BACK HOME,
FORGET ABOUT IT.
157
00:05:28,411 --> 00:05:31,456
JUST FOR THE WEEKEND,
GIVE IN TO THE FUN
158
00:05:31,497 --> 00:05:34,625
OF A BEAUTIFULLY
MELANATED
HBCU EXPERIENCE.
159
00:05:34,667 --> 00:05:36,461
ALL RIGHT. SO I'M
GONNA BE REAL MAD
160
00:05:36,502 --> 00:05:38,546
IF WE DON'T GET OUT THERE
BEFORE MY SONG ENDS, SO...
161
00:05:38,588 --> 00:05:40,631
WELL, I'LL COME.
162
00:05:40,673 --> 00:05:43,259
NEXT SONG, I PROMISE.
163
00:05:43,301 --> 00:05:44,927
OK?
164
00:05:44,969 --> 00:05:46,512
♪ GET IN THERE! ♪
165
00:05:46,554 --> 00:05:48,097
♪ YEAH, YEAH ♪
166
00:05:48,139 --> 00:05:49,807
♪ HEY, BIG GIRL,
MAKE 'EM BACK IT UP ♪
167
00:05:49,849 --> 00:05:51,059
♪ YEAH... ♪
168
00:05:51,100 --> 00:05:52,935
♪ MAKE 'EM BACK IT UP ♪
169
00:05:52,977 --> 00:05:55,605
[STUDENTS CHEERING,
OLIVIA LAUGHING]
170
00:05:55,646 --> 00:05:58,775
♪ MAKE 'EM BACK IT UP... ♪
171
00:05:58,816 --> 00:06:01,778
[DEADPAN]
GIVING IN TO THE FUN.
172
00:06:01,819 --> 00:06:03,363
♪ MAKE 'EM
BACK IT UP ♪
173
00:06:03,404 --> 00:06:05,615
♪ HEY, BIG GIRL, MAKE 'EM
BACK IT UP ♪
174
00:06:05,656 --> 00:06:07,116
♪ YEAH... ♪
175
00:06:07,158 --> 00:06:08,868
[ECHOING]
♪ MAKE 'EM BACK IT UP ♪
176
00:06:08,910 --> 00:06:11,746
♪ GIRL, WOBBLE IT,
AND I'MMA GOBBLE IT... ♪
177
00:06:11,788 --> 00:06:13,331
YO, CAN YOU NOT?
178
00:06:13,373 --> 00:06:15,666
ARE YOU CRAZY?!
179
00:06:15,708 --> 00:06:17,251
LOOK, LOOK. I'M JUST
NOT TRYING TO DO
180
00:06:17,293 --> 00:06:18,544
THE WHOLE PICTURE THING
THIS WEEKEND, ALL RIGHT?
181
00:06:18,586 --> 00:06:20,380
LOOK, I JUST WANT
SOME PRIVACY.
182
00:06:20,421 --> 00:06:22,548
WAIT. I DON'T KNOW
WHO YOU ARE,
NOR DO I CARE.
183
00:06:22,590 --> 00:06:25,385
I WAS TAKING A VIDEO
OF MY FRIENDS
DANCING BEHIND YOU.
184
00:06:26,928 --> 00:06:29,180
[CHUCKLES]
OH. OH, MY BAD.
185
00:06:29,222 --> 00:06:31,766
YOUR BAD? ARE YOU SERIOUS?
186
00:06:31,808 --> 00:06:35,603
IF YOU EVER TOUCH ME
OR MY PROPERTY
AGAIN, I--
187
00:06:35,645 --> 00:06:37,355
WHY ARE YOU AMUSED
RIGHT NOW?
188
00:06:37,397 --> 00:06:39,440
I'M SORRY. LOOK, UH,
PLEASE CONTINUE.
189
00:06:39,482 --> 00:06:41,442
OH. SO YOU THINK
YOU'RE CUTE.
190
00:06:41,484 --> 00:06:43,694
OK, WELL, UH,
LET'S SEE HOW FUNNY
YOU THINK THIS IS
191
00:06:43,736 --> 00:06:46,656
WHEN YOU GO VIRAL FOR
GETTING YOUR ASS HANDED
TO YOU BY A WOMAN.
192
00:06:46,697 --> 00:06:48,616
JORDAN: HEY, EVERYTHING
GOOD, BABE?
193
00:06:48,658 --> 00:06:51,369
SIMONE: YEAH.
JORDAN: YOU SURE?
194
00:06:51,411 --> 00:06:53,287
YEAH. MAN.
JUST A, UH--
195
00:06:53,329 --> 00:06:55,748
JUST A LITTLE
MISUNDERSTANDING.
196
00:06:58,584 --> 00:07:00,169
FORGET HIM.
197
00:07:00,211 --> 00:07:01,212
♪ BIG GIRL, MAKE 'EM
BACK IT UP ♪
198
00:07:01,254 --> 00:07:02,422
♪ YEAH ♪
199
00:07:02,463 --> 00:07:04,090
♪ MAKE 'EM BACK IT UP ♪
200
00:07:04,132 --> 00:07:05,925
♪ HEY, BIG GIRL, MAKE 'EM
BACK IT UP ♪
201
00:07:05,967 --> 00:07:07,427
♪ YEAH... ♪
202
00:07:07,468 --> 00:07:09,137
[ECHOING]
♪ MAKE 'EM BACK IT UP ♪
203
00:07:09,178 --> 00:07:10,930
MAN: WHOO!
204
00:07:10,972 --> 00:07:13,266
MAN 2: YOU KNOW,
IF YOU REALLY DON'T
WANT FOLKS TO KNOW
205
00:07:13,307 --> 00:07:15,268
YOU'RE HERE THIS WEEKEND,
THIS IS THE LAST PLACE
YOU SHOULD BE.
206
00:07:15,309 --> 00:07:17,270
I JUST WANTED TO SEE
THE FIELD
207
00:07:17,311 --> 00:07:18,813
WHERE HANK DAWSON
BROKE THE RECORD
FOR STOLEN BASES.
208
00:07:18,855 --> 00:07:22,692
MM! GREATEST TO EVER DO IT
IN THE NEGRO LEAGUE.
209
00:07:22,733 --> 00:07:24,360
YEAH.
210
00:07:24,402 --> 00:07:26,028
YOU ALL RIGHT?
211
00:07:27,530 --> 00:07:28,865
YEAH, MAN. I'M COOL.
212
00:07:28,906 --> 00:07:32,368
JUST WISH I
COULD'VE MET HIM.
213
00:07:32,410 --> 00:07:35,079
SO WHAT'S IT LIKE
TO PLAY FOR THE GREAT
LEONARD SHAW?
214
00:07:35,121 --> 00:07:37,165
CRAZY INTIMIDATING.
215
00:07:37,206 --> 00:07:38,916
THEY KEEP ME ON THE BENCH
MOST OF THE TIME, THOUGH.
216
00:07:38,958 --> 00:07:40,668
MAN, YOUR TIME
WILL COME.
217
00:07:40,710 --> 00:07:43,129
ALL RIGHT?
218
00:07:43,171 --> 00:07:44,964
YOU SEE YOURSELF COMING
TO SCHOOL IN THE SOUTH?
219
00:07:45,006 --> 00:07:47,967
COME ON, MAN. THE DREAM'S
TO PLAY IN CALI.
220
00:07:48,009 --> 00:07:50,178
WHAT IF SIMONE DON'T
WANT TO STAY IN CALI?
221
00:07:50,219 --> 00:07:52,763
SHE DOES, OK, NOW
THAT PRINCETON'S
OFF THE TABLE,
222
00:07:52,805 --> 00:07:56,225
SO EVERYTHING'S
GONNA BE A-OK.
223
00:07:56,267 --> 00:07:59,395
SPENCER: I KNEW IT.
I KNEW THAT CAT
LOOKED FAMILIAR.
224
00:07:59,437 --> 00:08:01,105
WHO IS HE?
225
00:08:01,147 --> 00:08:02,899
DAMON SIMS.
226
00:08:02,940 --> 00:08:04,650
HE ONE OF THE TOP
RECRUITS IN THE COUNTRY.
227
00:08:04,692 --> 00:08:06,986
THAT BOY'S A SURE THING
TO GO FIRST ROUND TO THE MLB
228
00:08:07,028 --> 00:08:09,197
STRAIGHT OUT OF
HIGH SCHOOL THIS YEAR.
229
00:08:09,238 --> 00:08:11,365
MLB. THEN,
WELL, WHY IS HE HERE
230
00:08:11,407 --> 00:08:12,909
CHECKING OUT BRINGSTON'S
BASEBALL PROGRAM,
231
00:08:12,950 --> 00:08:14,410
TRYING TO BE
ALL INCOGNITO?
232
00:08:14,452 --> 00:08:16,496
I'M GONNA CATCH YOU
AFTER PRACTICE.
233
00:08:17,788 --> 00:08:21,626
-HEY, YO, IS THAT DAMON SIMS?
-WHAT?
234
00:08:21,667 --> 00:08:24,295
MAN: HEY, GUYS, CHECK IT
OUT. DAMON SIMS IS HERE.
235
00:08:24,337 --> 00:08:26,339
I TOLD YOU.
236
00:08:30,801 --> 00:08:32,386
OLIVIA:
WHO KNEW THERE WAS
237
00:08:32,428 --> 00:08:33,930
A WHOLE MINI-WIMBLEDON
GOING ON BACK HERE?
238
00:08:33,971 --> 00:08:35,598
KEISHA:
THEA'S PARENTS INSIST
239
00:08:35,640 --> 00:08:37,850
ON NOTHING BUT THE BEST
FOR THEIR BABY GIRL.
240
00:08:37,892 --> 00:08:40,228
THEY ARE MAJOR DONORS.
241
00:08:40,269 --> 00:08:42,522
SIMONE: DAMN. SHE IS RIDICULOUS.
242
00:08:42,563 --> 00:08:44,774
DO YOU SEE HOW AGGRESSIVE
SHE IS FROM THE BASELINE?
243
00:08:44,815 --> 00:08:46,526
OLIVIA: OK, CALM DOWN.
SHE'S NOT BEYONCE.
244
00:08:46,567 --> 00:08:48,444
KEISHA: CAME UP ON
THE JUNIOR CIRCUIT,
245
00:08:48,486 --> 00:08:50,655
AND THE 2020 NATIONAL
WOMEN'S HBCU CHAMPION.
246
00:08:50,696 --> 00:08:52,490
SO, YEAH, SHE'S
KIND OF OUR QUEEN BEY,
247
00:08:52,532 --> 00:08:54,075
JUST NOT AS NICE.
248
00:08:54,116 --> 00:08:56,452
[GROANS]
249
00:08:56,494 --> 00:08:57,787
ARE YOU GUYS DONE?
250
00:08:57,828 --> 00:08:59,330
LIKE, IS THERE
ANYWHERE ELSE
251
00:08:59,372 --> 00:09:00,831
YOU CAN HANG OUT
AND BE DISRUPTIVE?
252
00:09:00,873 --> 00:09:02,083
OR IT HAS TO BE HERE?
253
00:09:02,124 --> 00:09:03,751
OH, UH, SORRY.
254
00:09:03,793 --> 00:09:06,087
WE, LIKE, WEREN'T TRYING
TO DISTRACT YOU OR ANYTHING.
255
00:09:06,128 --> 00:09:08,297
AND YET HERE YOU ARE
EVEN CLOSER.
256
00:09:08,339 --> 00:09:12,343
OH. UH, I'M TRYING
TO GIVE YOU A COMPLIMENT,
257
00:09:12,385 --> 00:09:15,096
BUT I GUESS I'LL JUST
MIND MY BUSINESS.
258
00:09:15,137 --> 00:09:18,057
-YOU PLAY?
-EXCUSE ME?
259
00:09:18,099 --> 00:09:21,394
OH, YEAH. I CAME UP
JUNIOR CIRCUIT LIKE YOU.
260
00:09:21,435 --> 00:09:23,688
OH, LIKE ME?
LET'S SEE WHAT YOU GOT.
261
00:09:23,729 --> 00:09:25,064
YOU CAN HELP
WARM ME UP.
262
00:09:25,106 --> 00:09:27,149
BECCA.
263
00:09:27,191 --> 00:09:30,027
WAIT. YOU MEAN,
LIKE, RIGHT NOW?
264
00:09:30,069 --> 00:09:33,281
OH, YEAH. UH, OK, COOL.
265
00:09:36,867 --> 00:09:39,036
ALL RIGHT. GOOD LUCK
THIS SEASON, Y'ALL.
266
00:09:39,078 --> 00:09:40,830
HEY, HOW ABOUT IT?
267
00:09:40,871 --> 00:09:42,582
[CHUCKLES WEAKLY]
268
00:09:42,623 --> 00:09:44,917
THANKS, BUT I'M GOOD.
I DON'T WANT TO INTERRUPT.
269
00:09:44,959 --> 00:09:47,837
INTERRUPT? DUDE, WE'RE ALL
DYING TO SEE THAT VELOCITY.
270
00:09:47,878 --> 00:09:50,006
WHAT'D YOU CLOCK
AT THE ALL-STAR
FUTURES GAME, 101?
271
00:09:50,047 --> 00:09:51,507
102.1, ACTUALLY.
272
00:09:51,549 --> 00:09:53,342
HEY, WE GOT TIME
BEFORE COACH GET HERE.
273
00:09:53,384 --> 00:09:54,552
LET'S TOSS A FEW.
274
00:09:54,594 --> 00:09:56,637
REALLY, I'M--I'M GOOD, MAN.
275
00:09:56,679 --> 00:09:59,140
Y'ALL REALLY GONNA
MAKE HIM SAY IT?
276
00:09:59,181 --> 00:10:01,309
MILLION-DOLLAR BABY OVER
HERE CAN'T WASTE HIS ARM
ON LITTLE OLD US.
277
00:10:01,350 --> 00:10:02,351
DON'T PUT WORDS
IN MY BOY'S MOUTH.
278
00:10:02,393 --> 00:10:04,645
MY BAD.
279
00:10:04,687 --> 00:10:09,692
AM I WRONG, THOUGH?
CORRECT ME, PLEASE.
280
00:10:09,734 --> 00:10:11,193
ALL RIGHT.
281
00:10:11,235 --> 00:10:12,820
WHO'S GOT
A PITCHER'S GLOVE?
282
00:10:16,574 --> 00:10:17,867
♪ YOU GONNA ♪
283
00:10:21,412 --> 00:10:23,205
♪ YOU GONNA ♪
284
00:10:25,708 --> 00:10:28,419
♪ YOU GONNA ♪
285
00:10:28,461 --> 00:10:30,379
GET READY.
286
00:10:30,421 --> 00:10:32,173
WOMAN: ♪ HEY! ♪
287
00:10:32,214 --> 00:10:34,050
MAN: ♪ 'CAUSE YOU GOT TO
FEEL IT IN YOUR SOUL ♪
288
00:10:34,091 --> 00:10:35,926
♪ 'CAUSE YOU GOT TO BELIEVE
IT, YOU GOT TO KNOW ♪
289
00:10:35,968 --> 00:10:38,095
♪ 'CAUSE YOU GOT TO WAKE UP
AND DREAM AND GO GET IT ♪
290
00:10:38,137 --> 00:10:40,264
♪ A VISIONARY KNOWS NO LIMIT ♪
291
00:10:40,306 --> 00:10:41,766
♪ DO IT BIG SO YOUR NAME
BE REMEMBERED ♪
292
00:10:41,807 --> 00:10:43,517
OLIVIA: I THOUGHT THIS
WAS A FRIENDLY MATCH.
293
00:10:43,559 --> 00:10:45,269
THOSE DON'T EXIST
FOR THEA.
294
00:10:46,646 --> 00:10:48,064
♪ YOU GONNA DREAM BIG... ♪
295
00:10:48,105 --> 00:10:49,607
PLAYERS: WHOO!
296
00:10:49,649 --> 00:10:51,442
PLAYER: THAT'S WHAT
I'M TALKING ABOUT.
297
00:10:51,484 --> 00:10:53,819
WOMAN: ♪ CALLING SHOTS
'CAUSE YOU'RE IN CHARGE ♪
298
00:10:53,861 --> 00:10:56,072
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
299
00:10:56,113 --> 00:10:58,699
♪ YOU WANNA LIVE LIFE
LIKE A RENEGADE ♪
300
00:10:58,741 --> 00:11:00,201
♪ CLIMB TO THE TOP
FOR YOUR PIECE OF FAME... ♪
301
00:11:00,242 --> 00:11:02,119
PLAYER: LET'S GO, BOYS.
302
00:11:02,161 --> 00:11:03,829
♪ CALLING SHOTS 'CAUSE
YOU'RE IN CHARGE ♪
303
00:11:03,871 --> 00:11:07,625
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
304
00:11:07,667 --> 00:11:08,751
♪ IF YOU
GONNA... ♪
305
00:11:08,793 --> 00:11:10,544
♪ MM ♪
306
00:11:10,586 --> 00:11:13,172
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
307
00:11:13,214 --> 00:11:14,965
♪ MM MM ♪
308
00:11:15,007 --> 00:11:17,551
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
309
00:11:17,593 --> 00:11:19,387
♪ OOH ♪
310
00:11:19,428 --> 00:11:22,098
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
311
00:11:22,139 --> 00:11:23,808
♪ MM MM ♪
312
00:11:23,849 --> 00:11:26,811
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
313
00:11:26,852 --> 00:11:29,522
♪ YOU SAY YOU WANNA BE FAMOUS ♪
314
00:11:29,563 --> 00:11:31,774
♪ STAND 10 FEET TALL ♪
315
00:11:33,984 --> 00:11:35,778
TAKE IT EASY
ON ME, MAN.
316
00:11:35,820 --> 00:11:37,446
WOULDN'T KNOW HOW.
317
00:11:37,488 --> 00:11:39,824
♪ YOU GONNA ♪
318
00:11:39,865 --> 00:11:41,909
♪ YOU GONNA ♪
319
00:11:41,951 --> 00:11:44,412
♪ UH! THIS IS THE TIME OF YOUR
LIFE, THE MOMENT TO LIVE ♪
320
00:11:44,453 --> 00:11:46,163
♪ THE MOMENT TO SHINE ♪
321
00:11:46,205 --> 00:11:47,998
♪ THE MOMENT TO RISE
AND TAKE OVER THE WORLD ♪
322
00:11:48,040 --> 00:11:49,834
♪ I'M ON TOP OF EVERYTHING,
ON TOP OF MY GAME ♪
323
00:11:49,875 --> 00:11:51,419
♪ UH! ♪
324
00:11:53,921 --> 00:11:55,005
UH!
325
00:12:00,720 --> 00:12:04,265
YOU ALWAYS WARM UP
THAT INTENSELY?
326
00:12:04,306 --> 00:12:06,559
SORRY. I THOUGHT
YOU COULD HANG.
327
00:12:15,443 --> 00:12:18,320
MAN: HEY, WHAT THE HELL
Y'ALL DOING? HUH?
328
00:12:18,362 --> 00:12:20,406
SO Y'ALL JUST GOT
TIME TO WASTE?
329
00:12:20,448 --> 00:12:22,241
DAMON: UH, LOOK, I'M SORRY.
THIS WAS--THIS WAS MY FAULT.
330
00:12:22,283 --> 00:12:24,160
LAPS AROUND THE FIELD NOW.
[PLAYERS GROANING]
331
00:12:24,201 --> 00:12:26,412
LOOK, YOU DON'T STOP
TILL I TELL YOU TO STOP.
332
00:12:26,454 --> 00:12:29,248
LET'S GO. LET'S GO!
MOVE IT, NOW.
333
00:12:29,290 --> 00:12:31,083
YOU PLAY HOW
YOU PRACTICE. GO!
334
00:12:31,125 --> 00:12:32,877
UH, DAMON SIMS, SIR.
335
00:12:37,465 --> 00:12:40,009
MAN. YOU MUST BE
PROUD OF THIS TEAM.
336
00:12:40,050 --> 00:12:42,303
I MEAN, THEY'RE TIGHT,
A WELL-OILED MACHINE.
337
00:12:42,344 --> 00:12:43,971
I KNOW. I OILED THEM.
338
00:12:44,013 --> 00:12:45,347
AND NEXT TIME YOU WANT
TO SHOW OFF,
339
00:12:45,389 --> 00:12:47,391
YOU DO IT ELSEWHERE, SON.
340
00:12:47,433 --> 00:12:49,810
I APOLOGIZED.
341
00:12:49,852 --> 00:12:52,354
YEAH, I HEARD YOU.
IT'S NOTHING PERSONAL, KID.
342
00:12:52,396 --> 00:12:55,274
I JUST DON'T LIKE
MY PRACTICES BEING
INTERRUPTED.
343
00:12:55,316 --> 00:12:58,694
FUNNY, 'CAUSE IT FEELS
PRETTY PERSONAL, COACH.
344
00:12:58,736 --> 00:13:00,696
I JUST DON'T TAKE TO PLAYERS
345
00:13:00,738 --> 00:13:02,531
WHO ALL ABOUT THEMSELVES
AND NOT THE TEAM.
346
00:13:02,573 --> 00:13:03,741
YOU DON'T EVEN
KNOW ME.
347
00:13:03,783 --> 00:13:05,576
AREN'T YOU THE STAR PITCHER
348
00:13:05,618 --> 00:13:07,244
WHO'S CURRENTLY SITTING OUT OF
HIS HIGH-SCHOOL BASEBALL GAMES
349
00:13:07,286 --> 00:13:09,538
WHEN HIS TEAM
NEEDS HIM THE MOST,
350
00:13:09,580 --> 00:13:11,415
BECAUSE HE'S SAVING
HIS ARM FOR THE PROS?
351
00:13:11,457 --> 00:13:13,751
SEE, I'VE WATCHED A LOT
OF TAPE ON YOU, SON,
352
00:13:13,793 --> 00:13:15,336
AND HERE'S
WHAT I DON'T GET.
353
00:13:15,377 --> 00:13:18,464
WHY DO YOU PLAY THE GAME
IN THE FIRST PLACE, SON?
354
00:13:18,506 --> 00:13:20,341
'CAUSE IT'S CLEAR
YOU DON'T ENJOY IT.
355
00:13:20,382 --> 00:13:22,843
YOU LECTURING OUR
SURPRISE GUEST, MARCUS?
356
00:13:22,885 --> 00:13:25,471
JUST HAVING AN HONEST
CONVERSATION, COACH.
357
00:13:25,513 --> 00:13:27,681
HEH HEH! WELL, COACH TURNER
IS KNOWN
358
00:13:27,723 --> 00:13:29,475
FOR HIS
HONEST CONVERSATION.
359
00:13:29,517 --> 00:13:31,769
LEONARD SHAW, HEAD COACH.
360
00:13:31,811 --> 00:13:33,145
MARCUS TURNER,
ASSISTANT HEAD.
361
00:13:33,187 --> 00:13:35,272
NICE TO MEET YOU, SIR.
362
00:13:35,314 --> 00:13:38,442
I'VE HAD MY EYE ON YOU
SINCE FIRST YEAR VARSITY.
363
00:13:38,484 --> 00:13:40,402
MOM CAME DOWN ON ME
PRETTY HARD, THOUGH.
364
00:13:40,444 --> 00:13:43,531
COACH TURNER, THEM BOYS
LOOK PLENTY WARM.
365
00:13:43,572 --> 00:13:45,658
WHY DON'T YOU GO AHEAD
AND GET THINGS STARTED?
366
00:13:45,699 --> 00:13:48,577
[LAUGHTER]
367
00:13:48,619 --> 00:13:50,913
[MUSIC PLAYING,
CELL PHONE RINGS]
368
00:13:50,955 --> 00:13:53,082
AMARA: SHE'S PROBABLY
CHECKING TO MAKE SURE
369
00:13:53,123 --> 00:13:54,667
I HAVEN'T CORRUPTED
YOU YET.
370
00:13:54,708 --> 00:13:55,918
MM-HMM.
371
00:13:55,960 --> 00:13:57,795
SHE DOES KNOW YOU'RE
HERE, RIGHT?
372
00:13:59,547 --> 00:14:01,257
-DAD KNOWS.
-SIMONE.
373
00:14:01,298 --> 00:14:02,758
AUNTIE, I NEED
TO FIGURE OUT
374
00:14:02,800 --> 00:14:04,552
WHAT MY COLLEGE FUTURE
LOOKS LIKE,
375
00:14:04,593 --> 00:14:05,886
FIGURE OUT
WHAT'S BEST FOR ME,
376
00:14:05,928 --> 00:14:08,013
WHAT'S BEST FOR US.
377
00:14:09,557 --> 00:14:11,475
AND I CAN'T DO THAT
AT HOME.
378
00:14:11,517 --> 00:14:14,270
IT'S EITHER TINA HICKS'
WAY OR NO WAY.
379
00:14:14,311 --> 00:14:16,063
I WON'T BLOW UP
YOUR SPOT UNDER
ONE CONDITION.
380
00:14:16,105 --> 00:14:19,817
YOU GIVE BRINGSTON
SOME CAREFUL THOUGHT
THIS WEEKEND.
381
00:14:19,859 --> 00:14:22,945
I KNOW YOU DIDN'T COME
TO SCOUT THE SCHOOL,
BUT JUST CONSIDER IT.
382
00:14:22,987 --> 00:14:26,365
I THINK IT COULD BE
A GOOD FIT...
383
00:14:28,033 --> 00:14:30,035
FOR BOTH OF YOU,
FOR ALL OF YOU,
ACTUALLY.
384
00:14:30,077 --> 00:14:31,620
SPENCER: ALL RIGHT.
I'LL BITE.
385
00:14:31,662 --> 00:14:33,914
WHAT MAKES HBCUs
SO SPECIAL?
386
00:14:33,956 --> 00:14:37,626
IT'S A CONNECTION TO OUR
HISTORY, OUR CULTURE.
387
00:14:37,668 --> 00:14:39,628
OLIVIA: BLACK EXCELLENCE.
AMARA: EXACTLY.
388
00:14:39,670 --> 00:14:42,006
AND THE TENNIS PROGRAM
IS REALLY GOOD.
389
00:14:42,047 --> 00:14:45,009
YEAH, JUST MAYBE
DON'T PUT ALL YOUR EGGS
390
00:14:45,050 --> 00:14:46,635
IN THE ATHLETIC BASKET.
391
00:14:46,677 --> 00:14:49,388
[CELL PHONE VIBRATES,
AMARA CHUCKLES]
392
00:14:49,430 --> 00:14:51,724
KEISHA, SHOULDN'T YOU BE
GETTING READY FOR--
393
00:14:51,765 --> 00:14:54,602
DAMN. OK. I'M ON MY WAY.
394
00:14:54,643 --> 00:14:58,188
BIG FASHION SHOW
EMERGENCY. COME ON.
395
00:14:58,230 --> 00:15:00,608
IT'S A FASHION SHOW. HOW BIG
OF AN EMERGENCY CAN IT BE?
396
00:15:00,649 --> 00:15:04,904
♪ THIS IS THE STORY OF MY REIGN
AND MY ARRIVAL... ♪
397
00:15:04,945 --> 00:15:07,197
LISTEN, I'M A MIRACLE WORKER
398
00:15:07,239 --> 00:15:09,116
WITH COVER-UP
AND A CONTOUR BRUSH,
399
00:15:09,158 --> 00:15:12,202
BUT EVEN I CAN'T FIX
THIS CRAZINESS.
400
00:15:12,244 --> 00:15:13,454
AMARA AND SIMONE: OOH.
401
00:15:13,495 --> 00:15:14,830
WE ARE NOT PUTTING HER
402
00:15:14,872 --> 00:15:16,749
ON THE STAGE LIKE THAT.
403
00:15:16,790 --> 00:15:18,375
NOT MY FASHION SHOW.
404
00:15:18,417 --> 00:15:20,169
KEISHA: DR. PATTERSON,
YOU'RE OUR ADVISOR.
405
00:15:20,210 --> 00:15:21,754
YOU KNOW THE ROUTINE.
SO, LIKE--
406
00:15:21,795 --> 00:15:25,174
AMARA: OH, NO, NO, NO.
BUT, SIMONE,
407
00:15:25,215 --> 00:15:28,302
YOU USED TO DANCE.
408
00:15:28,344 --> 00:15:29,970
UH, OLIVIA STILL DANCES.
409
00:15:30,012 --> 00:15:31,764
UH, NO ONE ASKED ME.
410
00:15:31,805 --> 00:15:33,849
OK, YOU KNOW WHAT?
YOU'RE BOTH DOING IT.
411
00:15:33,891 --> 00:15:36,226
SYMMETRY.
YOU'LL BE FINE.
412
00:15:36,268 --> 00:15:38,479
AND YOU HAVE AN HOUR
UNTIL CURTAIN.
413
00:15:38,520 --> 00:15:40,022
THAT'S LIKE A YEAR
IN DANCER TIME.
414
00:15:40,064 --> 00:15:41,732
OK. BUT I DIDN'T SAY YES.
415
00:15:41,774 --> 00:15:44,360
YOU DID. YOU SAID,
"NEXT SONG...PROMISE."
416
00:15:44,401 --> 00:15:47,071
WELL, THE NEXT SONG'S
HERE, SWEETIE,
SO LET'S GO. COME ON.
417
00:15:47,112 --> 00:15:48,364
AMARA: YOU'LL BE FINE.
OLIVIA: I...
418
00:15:48,405 --> 00:15:50,532
-YOU'RE OK.
-COME--
419
00:15:50,574 --> 00:15:53,118
DAMON: HEY, WHAT'S THE DEAL
WITH COACH TURNER ANYWAY?
420
00:15:53,160 --> 00:15:54,703
I THOUGHT COACH SHAW
WOULD BE THE ONE WITH
THE STICK UP HIS ASS.
421
00:15:54,745 --> 00:15:56,705
HEH. COACH TURNER'S
THE REAL DEAL.
422
00:15:56,747 --> 00:15:58,749
THAT DUDE'S JUST
MAD STRESSED LATELY.
423
00:15:58,791 --> 00:16:01,043
WHY? YOU ALL ARE
A CHAMPIONSHIP TEAM.
424
00:16:01,085 --> 00:16:02,878
I DON'T KNOW.
425
00:16:02,920 --> 00:16:06,590
EMCEE: B.U., ARE Y'ALL BITCHES
READY FOR A FASHION SHOW?
426
00:16:06,632 --> 00:16:08,759
[APPLAUSE]
427
00:16:08,801 --> 00:16:14,473
[VOCAL SAMPLES]
428
00:16:14,515 --> 00:16:16,934
BEYONCE: ♪ DRIVER, ROLL UP
THE PARTITION, PLEASE ♪
429
00:16:16,976 --> 00:16:19,269
LOOK OUT.
430
00:16:19,311 --> 00:16:22,231
♪ DRIVER, ROLL UP
THE PARTITION, PLEASE ♪
431
00:16:22,272 --> 00:16:24,692
♪ I DON'T NEED YOU SEEING
'YONCE ON HER KNEES ♪
432
00:16:24,733 --> 00:16:27,319
♪ TOOK 45 MINUTES TO GET
ALL DRESSED UP ♪
433
00:16:27,361 --> 00:16:30,155
♪ WE AIN'T EVEN GONNA
MAKE IT TO THIS CLUB ♪
434
00:16:30,197 --> 00:16:32,825
[CHEERING]
435
00:16:32,866 --> 00:16:35,077
♪ OH, HE SO HORNY,
YEAH, HE WANT TO, MM ♪
436
00:16:35,119 --> 00:16:37,913
♪ HE BUCKED ALL MY BUTTONS,
AND HE RIPPED MY BLOUSE ♪
437
00:16:37,955 --> 00:16:40,374
♪ HE MONICA LEWINSKI'D
ALL ON MY GOWN ♪
438
00:16:40,416 --> 00:16:42,710
♪ OH, THERE, DADDY, DADDY
DIDN'T BRING THE TOWEL ♪
439
00:16:42,751 --> 00:16:45,295
♪ OH, BABY, BABY, WE
BETTER SLOW IT DOWN ♪
440
00:16:45,337 --> 00:16:47,965
♪ TOOK 45 MINUTES TO GET
ALL DRESSED UP ♪
441
00:16:48,007 --> 00:16:50,384
♪ AND WE AIN'T EVEN GONNA
MAKE IT TO THIS CLUB ♪
442
00:16:50,426 --> 00:16:52,511
♪ TAKE ALL, TAKE ALL ♪
443
00:16:52,553 --> 00:16:54,513
♪ OF ME, OF ME ♪
444
00:16:54,555 --> 00:16:58,058
♪ I JUST WANNA BE THE GIRL
YOU LIKE, GIRL YOU LIKE ♪
445
00:16:58,100 --> 00:17:00,477
♪ TAKE ALL, TAKE ALL ♪
446
00:17:00,519 --> 00:17:02,938
♪ OF ME, OF ME,
I JUST WANNA BE... ♪
447
00:17:02,980 --> 00:17:04,648
WOW. SHE IS STUNNING.
448
00:17:04,690 --> 00:17:08,235
YEAH. YEAH, SHE IS.
449
00:17:08,277 --> 00:17:10,195
♪ ...IS RIGHT HERE WITH ME ♪
450
00:17:10,237 --> 00:17:12,239
♪ RIGHT HERE WITH ME,
RIGHT HERE WITH ME ♪
451
00:17:12,281 --> 00:17:13,949
♪ RIGHT HERE WITH ME ♪
452
00:17:13,991 --> 00:17:16,201
♪ DRIVER, ROLL UP
THE PARTITION FAST ♪
453
00:17:16,243 --> 00:17:18,704
♪ OVER THERE, I SWEAR I SAW
THEM CAMERAS FLASH ♪
454
00:17:18,746 --> 00:17:21,206
♪ HANDPRINTS AND FOOTPRINTS
ON MY GLASS ♪
455
00:17:21,248 --> 00:17:24,043
♪ HANDPRINTS AND GOOD
GRIPS ALL ON MY... ♪
456
00:17:24,084 --> 00:17:26,420
♪ PRIVATE SHOW
WITH THE MUSIC BLASTING ♪
457
00:17:26,462 --> 00:17:29,256
♪ HE LIKE TO CALL ME PEACHES
WHEN WE GET THIS NASTY ♪
458
00:17:29,298 --> 00:17:31,633
♪ RED WINE DRIP,
WE'LL TALK THAT TRASH ♪
459
00:17:31,675 --> 00:17:34,511
♪ CHAUFFEUR EAVESDROPPING,
TRYING NOT TO CRASH ♪
460
00:17:34,553 --> 00:17:36,847
♪ OH, THERE DADDY, DADDY,
NOW YOU RIPPED MY FUR ♪
461
00:17:36,889 --> 00:17:39,308
♪ OH, BABY, BABY BE
SWEATING OUT MY HAIR ♪
462
00:17:39,349 --> 00:17:41,769
♪ TOOK 45 MINUTES TO GET
ALL DRESSED UP ♪
463
00:17:41,810 --> 00:17:44,605
♪ AND WE AIN'T EVEN GONNA
MAKE IT TO THIS CLUB ♪
464
00:17:44,646 --> 00:17:46,940
♪ TAKE ALL, TAKE ALL ♪
465
00:17:46,982 --> 00:17:48,901
♪ OF ME, OF ME ♪
466
00:17:48,942 --> 00:17:52,279
♪ I JUST WANNA BE THE GIRL
YOU LIKE, GIRL YOU LIKE ♪
467
00:17:52,321 --> 00:17:55,199
♪ THE KIND OF GIRL YOU LIKE
IS RIGHT HERE WITH ME ♪
468
00:17:55,240 --> 00:17:57,701
♪ RIGHT HERE WITH ME,
RIGHT HERE WITH ME ♪
469
00:17:57,743 --> 00:18:01,997
[OVERLAPPING VOCALS]
470
00:18:02,039 --> 00:18:03,791
PERSON ON RECORDING: HELLO!
471
00:18:03,832 --> 00:18:06,919
[CHEERING AND APPLAUSE]
472
00:18:15,385 --> 00:18:17,137
OH, MY GOD.
473
00:18:17,179 --> 00:18:18,639
SO THEY JUST BREED Y'ALL
DIFFERENT OUT IN
474
00:18:18,680 --> 00:18:19,890
BEVERLY HILLS, HUH?
475
00:18:19,932 --> 00:18:21,391
I CANNOT BELIEVE
I JUST DID THAT.
476
00:18:21,433 --> 00:18:22,893
LIKE, WE JUST DID THAT.
477
00:18:22,935 --> 00:18:24,103
OH, MY GOSH. THAT WAS SO--
478
00:18:24,144 --> 00:18:25,896
SEXY.
479
00:18:25,938 --> 00:18:27,981
THE WORD YOU'RE LOOKING
FOR IS SEXY, SEXY...
480
00:18:28,023 --> 00:18:29,858
-OK.
-SEXY!
481
00:18:29,900 --> 00:18:32,528
NOW, COME ON WITH YOUR
FINE SELVES,
482
00:18:32,569 --> 00:18:34,822
AND LET'S GET YOU OUT OF
THESE HELLA EXPENSIVE DRESSES
483
00:18:34,863 --> 00:18:36,323
SO I CAN RETURN THEM.
484
00:18:36,365 --> 00:18:37,783
OLIVIA: OH, OH, OK.
485
00:18:37,825 --> 00:18:40,661
KEISHA: SERIOUS.
I WAS GONNA SAY. COME ON.
486
00:18:47,626 --> 00:18:49,461
OOH. HA HA.
487
00:18:51,130 --> 00:18:52,965
THAT WAS FIRE.
488
00:18:54,716 --> 00:18:57,136
I'M GOOD. THANKS.
489
00:18:57,177 --> 00:19:00,764
UH, LISTEN,
ABOUT EARLIER,
490
00:19:00,806 --> 00:19:02,933
UM, THERE'S BEEN JUST,
LIKE, A LOT MORE
ATTENTION LATELY,
491
00:19:02,975 --> 00:19:06,395
SO I'M STILL GETTING
USED TO THE WHOLE
LOSS OF PRIVACY THING.
492
00:19:07,771 --> 00:19:11,150
OH, THAT'S IT.
THAT'S YOUR APOLOGY.
493
00:19:11,191 --> 00:19:13,235
UH, NAH. OF--
OF COURSE NOT.
494
00:19:13,277 --> 00:19:15,529
WHAT I MEANT WAS,
LIKE, I'M SORRY
THAT I WAS A LITTLE--
495
00:19:15,571 --> 00:19:19,116
OBNOXIOUS? OVER THE TOP?
OPINIONATED?
496
00:19:19,158 --> 00:19:20,784
YOU WANT ME
TO PICK ONE?
497
00:19:20,826 --> 00:19:24,496
OK, YES, ALL RIGHT.
ALL THE ABOVE.
498
00:19:24,538 --> 00:19:26,832
NOW, CAN I GET
A DO-OVER FOR REAL
THIS TIME?
499
00:19:26,874 --> 00:19:28,876
I'M DAMON SIMS.
500
00:19:32,754 --> 00:19:33,964
SIMONE HICKS.
501
00:19:34,006 --> 00:19:36,842
OK, SIMONE HICKS.
502
00:19:36,884 --> 00:19:38,468
[BOTH CHUCKLE]
503
00:19:40,053 --> 00:19:41,597
SO WHAT ARE THE CHANCES
I CAN TALK YOU
504
00:19:41,638 --> 00:19:42,806
INTO SHOWING ME AROUND
CAMPUS TOMORROW?
505
00:19:42,848 --> 00:19:44,308
SHE SAYS SHE'S NOT
INTERESTED.
506
00:19:44,349 --> 00:19:46,059
JORDAN, I GOT IT.
507
00:19:46,101 --> 00:19:49,188
LOOK, MAN, I DON'T CARE
HOW FAMOUS YOU ARE.
508
00:19:49,229 --> 00:19:51,231
YOU KEEP BOTHERING MY GIRL,
WE'RE GONNA HAVE A PROBLEM.
509
00:19:51,273 --> 00:19:53,525
I JUST CAME BACK HERE TO
COMPLIMENT HER ON THE SHOW.
510
00:19:53,567 --> 00:19:55,527
OK.
511
00:19:59,531 --> 00:20:01,283
I KNOW YOU, RIGHT?
512
00:20:01,325 --> 00:20:02,659
I DON'T THINK SO.
513
00:20:02,701 --> 00:20:04,036
JUSTICE FOR TAMIKA, RIGHT?
514
00:20:04,077 --> 00:20:05,412
YOU'RE THE FOOTBALL CAT
THAT SET OFF
515
00:20:05,454 --> 00:20:07,122
THE CHAIN OF FORFEITS.
516
00:20:07,164 --> 00:20:08,707
MADE NATIONAL NEWS.
517
00:20:08,749 --> 00:20:10,834
I'M DAMON SIMS.
518
00:20:10,876 --> 00:20:12,961
I'M SPENCER JAMES.
519
00:20:14,963 --> 00:20:16,673
LOOK,
NO DISRESPECT, MAN.
520
00:20:16,715 --> 00:20:18,800
BASEBALL PLAYER: HEY, BRO,
I'VE BEEN CALLING YOU.
521
00:20:18,842 --> 00:20:20,469
CHECK YOUR DAMN PHONE.
522
00:20:22,304 --> 00:20:24,973
YOU'RE THE TOP STORY ON
EVERY SPORTS NEWS FEED.
523
00:20:34,566 --> 00:20:35,609
STUDENT: 5, 6, 7, 8...
[STUDENTS CHANT]
524
00:20:35,651 --> 00:20:39,780
1, 2, 3, 4, 5, 6, 7, 8.
525
00:20:39,821 --> 00:20:43,200
1, 2, 3, 4, 5, 6...
526
00:20:49,289 --> 00:20:51,708
MOM, I SWEAR
I DIDN'T KNOW IT
WAS GONNA GO VIRAL.
527
00:20:51,750 --> 00:20:53,210
LOOK, I CAN EXPLAIN.
528
00:20:53,252 --> 00:20:54,920
I BET YOU CAN. FUNNY.
529
00:20:54,962 --> 00:20:56,505
THIS DOESN'T LOOK LIKE
CAMPING WITH CHASE.
530
00:20:56,546 --> 00:20:58,590
I JUST WANTED A WEEKEND,
ONE WEEKEND TO--
531
00:20:58,632 --> 00:20:59,841
TO WHAT?
532
00:20:59,883 --> 00:21:01,593
TO JUST BE NORMAL.
533
00:21:01,635 --> 00:21:04,096
WE'VE WORKED SO HARD
TO GET HERE, RIGHT?
534
00:21:04,137 --> 00:21:06,682
TO HAVE THE MLB
AT OUR FINGERTIPS,
535
00:21:06,723 --> 00:21:09,977
AND YOU'RE READY TO RISK
INJURY THIS WEEKEND FOR WHAT?
536
00:21:10,018 --> 00:21:12,104
A CHANCE TO CHUG FRUIT PUNCH
OUT OF A TRASH CAN
537
00:21:12,145 --> 00:21:13,730
AND SWAG SURF
WITH MEDIOCRITY?
538
00:21:13,772 --> 00:21:16,608
HEY, MS. SIMS. LOOK,
IT'S KIND OF MY FAULT.
539
00:21:16,650 --> 00:21:18,485
MOM, YOU REMEMBER J.R.,
RIGHT?
540
00:21:18,527 --> 00:21:21,196
WE WERE ON THE 15U
NATIONAL TEAM TOGETHER.
541
00:21:28,078 --> 00:21:31,081
THERE'S A WAY FOR ALL THIS
TO ACTUALLY WORK IN OUR FAVOR.
542
00:21:31,123 --> 00:21:33,208
NO, WE DON'T HAVE
TO SPIN THIS ONE.
543
00:21:33,250 --> 00:21:35,002
IT WORKED FOR KUMAR.
544
00:21:35,043 --> 00:21:38,005
HE CHOSE A TOP D1 SCHOOL
IN PLACE OF A LOWER DRAFT.
545
00:21:38,046 --> 00:21:39,715
AND NOW HE'S
EXPECTED TO BE
546
00:21:39,756 --> 00:21:41,717
THE NUMBER ONE PICK
OUT OF COLLEGE THIS YEAR.
547
00:21:41,758 --> 00:21:43,302
SO WHAT, YOU WANT
THE MLB TO THINK THAT
548
00:21:43,343 --> 00:21:45,012
I'M CONSIDERING
ENROLLING HERE?
549
00:21:45,053 --> 00:21:47,139
IT'LL CREATE MORE HYPE
AROUND YOU. YEAH.
550
00:21:47,180 --> 00:21:49,808
YOU KNOW WHAT? GO SHOWER.
PUT SOMETHING NICE ON.
551
00:21:49,850 --> 00:21:51,435
YOU'RE DOING INTERVIEWS.
552
00:21:51,476 --> 00:21:52,769
NO.
553
00:21:52,811 --> 00:21:54,187
EXCUSE ME?
554
00:21:54,229 --> 00:21:57,149
I SAID, NO, MOM.
555
00:21:57,190 --> 00:21:59,359
YOU KEEP SAYING "WE,"
BUT I'M THE ONE
WHO'S OUT THERE
556
00:21:59,401 --> 00:22:01,028
ON THAT FIELD, MA. ME.
557
00:22:01,069 --> 00:22:03,405
I'M THE ONE WHO HAS
TO PLAY HURT OR HEALTHY.
558
00:22:03,447 --> 00:22:05,782
I'M THE ONE WHO HAS TO DEAL
WITH DISAPPOINTED TEAMMATES
559
00:22:05,824 --> 00:22:08,243
BECAUSE YOU INSIST THAT
I SAVE MY ARM FOR THE PROS.
560
00:22:08,285 --> 00:22:11,580
I'M THE ONE WHO HAS
TO MISS CLASS
561
00:22:11,621 --> 00:22:13,332
SO THAT I CAN SHOW UP
AND SHOW OUT
562
00:22:13,373 --> 00:22:16,376
AND GET ANOTHER UNNECESSARY
SHOWCASE, MA. ME.
563
00:22:16,418 --> 00:22:17,878
OH, REALLY?
564
00:22:17,919 --> 00:22:20,797
SO WHO WAS IT WHO
GAVE UP EVERYTHING
565
00:22:20,839 --> 00:22:23,592
SO THAT YOU COULD BE
OUT ON THOSE FIELDS
SHOWING UP AND SHOWING OUT?
566
00:22:23,633 --> 00:22:25,677
YOUR CAREER DOESN'T
HAPPEN WITHOUT ME.
567
00:22:25,719 --> 00:22:28,055
AND YOURS DOESN'T HAPPEN
WITHOUT ME.
568
00:22:28,096 --> 00:22:32,726
BOY, EVERYTHING I DO
IS FOR YOU.
569
00:22:32,768 --> 00:22:35,896
AND ONE DAY,
YOU'LL THANK ME.
570
00:22:38,065 --> 00:22:39,941
NOW, GET DRESSED.
571
00:22:41,610 --> 00:22:42,652
DAMON.
572
00:22:42,694 --> 00:22:44,529
Y--YES, MA'AM.
573
00:23:01,963 --> 00:23:03,632
UH, EXCUSE ME.
574
00:23:03,673 --> 00:23:05,842
I'M SORRY. I'M LOOKING
FOR LIV AND SIMONE.
575
00:23:05,884 --> 00:23:07,469
THEY SAID THEY WERE
MEETING YOU HERE.
576
00:23:07,511 --> 00:23:09,763
UH, YEAH, CHANGE OF PLANS.
577
00:23:09,805 --> 00:23:11,640
THEY SAID THEY'D MEET
YOU AND JORDAN AT
THE TAILGATE.
578
00:23:11,681 --> 00:23:13,016
OK, BET.
579
00:23:14,726 --> 00:23:16,812
IS THAT THE STORY
YOU'RE WORKING ON?
580
00:23:16,853 --> 00:23:18,980
COLLEGE ATHLETIC SCANDALS?
581
00:23:20,774 --> 00:23:23,193
IS SOMETHING HAPPENING
HERE AT BRINGSTON?
582
00:23:23,235 --> 00:23:25,070
MY BAD. LAST NIGHT,
YOU WAS MAD CAGEY ABOUT
583
00:23:25,112 --> 00:23:26,613
THE WHOLE ATHLETICS
THING HERE.
584
00:23:26,655 --> 00:23:28,657
NOTHING GETS
PAST YOU, HUH?
585
00:23:28,698 --> 00:23:30,826
IS THAT FOR ME?
586
00:23:30,867 --> 00:23:33,787
YEAH. YEAH. IT WAS TAPED
TO YOUR DOOR OUTSIDE.
587
00:23:33,829 --> 00:23:34,788
I'LL SEE YOU LATER.
588
00:23:34,830 --> 00:23:36,164
MM-HMM.
589
00:23:42,504 --> 00:23:44,923
YEAH. THIS IS DR. PATTERSON.
590
00:23:44,965 --> 00:23:47,050
I NEED TO PULL
SOME TRANSCRIPTS.
591
00:23:50,929 --> 00:23:52,889
DID YOU KNOW
MARIAN WRIGHT EDELMAN WAS
592
00:23:52,931 --> 00:23:54,808
THE FIRST WOMAN
IN MISSISSIPPI
TO PASS THE BAR EXAM?
593
00:23:54,850 --> 00:23:57,727
SHE WAS A LAWYER
FOR THE NAACP,
594
00:23:57,769 --> 00:24:01,565
A SPELMAN GRAD, GOT
THE PRESIDENTIAL MEDAL
OF FREEDOM IN 2000.
595
00:24:01,606 --> 00:24:03,525
SHE'S A BADASS.
596
00:24:03,567 --> 00:24:05,193
I MEAN, CLEARLY.
597
00:24:05,235 --> 00:24:08,029
SO THEN WHY ISN'T SHE
IN OUR HISTORY BOOKS?
598
00:24:08,071 --> 00:24:10,574
WHY ISN'T TONI MORRISON
599
00:24:10,615 --> 00:24:12,868
A PART OF OUR ENGLISH LIT
REQUIRED READING?
600
00:24:12,909 --> 00:24:15,287
THIS PLACE IS GROWING
ON YOU, ISN'T IT?
601
00:24:15,328 --> 00:24:18,415
LIV, I GUESS I JUST DIDN'T
EXPECT TO COME TO THIS PLACE
602
00:24:18,457 --> 00:24:22,502
AND--I DON'T KNOW--
FEEL SO FULL.
603
00:24:22,544 --> 00:24:25,464
[CELL PHONE CHIMES]
604
00:24:25,505 --> 00:24:28,300
IT'S KEISHA. SHE'S WITH
SPENCER AND JORDAN ALREADY.
605
00:24:28,341 --> 00:24:30,886
OH, AND SHE SAYS,
"YOU BETTER HAUL ASS."
606
00:24:30,927 --> 00:24:33,722
OK, STOP. KEISHA IS COOL.
607
00:24:33,763 --> 00:24:35,348
I JUST, UH...
608
00:24:35,390 --> 00:24:37,434
I'M NOT SURPRISED THAT
SHE'S ALREADY WITH SPENCER.
609
00:24:37,476 --> 00:24:39,394
OK, WELL, IF YOU'RE
NOT GOING TO GO
AFTER WHAT YOU WANT,
610
00:24:39,436 --> 00:24:41,480
YOU CAN'T GET MAD
WHEN SOMEBODY ELSE DOES.
611
00:24:41,521 --> 00:24:44,566
WELL, IT LOOKS LIKE SOMEBODY
NEEDS TO TAKE HER OWN ADVICE.
612
00:24:53,366 --> 00:24:55,202
MARCUS: KIDS LIKE DAMON SIMS
JUST DON'T WALK AWAY
613
00:24:55,243 --> 00:24:57,078
FROM A CHANCE AT
PLAYING PRO BALL.
614
00:24:57,120 --> 00:24:58,580
WOMAN: DR. PATTERSON, PLEASE...
615
00:24:58,622 --> 00:25:00,165
I'M SORRY. I JUST
NEED A MINUTE.
616
00:25:00,207 --> 00:25:01,833
DR. ALLEN,
IT'S URGENT.
617
00:25:01,875 --> 00:25:03,376
I'M IN THE MIDDLE OF
A MEETING.
618
00:25:03,418 --> 00:25:05,420
OH, IT'S ALL RIGHT.
WE ALL DONE HERE.
619
00:25:16,681 --> 00:25:18,391
THAT'S YOUR
HEAD BASEBALL COACH
620
00:25:18,433 --> 00:25:20,143
AND YOUR ANTHROPOLOGY
DEPARTMENT CHAIR.
621
00:25:20,185 --> 00:25:21,853
ALLEN: OK.
622
00:25:21,895 --> 00:25:24,105
AND THESE ARE THE ACADEMIC
TRANSCRIPTS I PULLED
623
00:25:24,147 --> 00:25:26,483
FOR EVERY BASEBALL PLAYER
ENROLLED IN
624
00:25:26,525 --> 00:25:29,819
AND ACING
ANTHROPOLOGY 404 AND 406
OVER THE LAST 2 YEARS.
625
00:25:29,861 --> 00:25:31,738
GET TO THE POINT, AMARA.
626
00:25:31,780 --> 00:25:34,074
ANTHROPOLOGY 406
ISN'T A REAL CLASS.
627
00:25:34,115 --> 00:25:36,826
IT'S A PAPER CLASS.
NO REAL PROFESSORIAL
OVERSIGHT,
628
00:25:36,868 --> 00:25:38,662
NO ACTUAL CLASS TIME.
629
00:25:38,703 --> 00:25:41,414
IT'S A SHAM TO KEEP THESE
BASEBALL PLAYERS ELIGIBLE.
630
00:25:43,875 --> 00:25:46,044
YOU'RE TELLING ME
LEONARD SHAW CHEATED
631
00:25:46,086 --> 00:25:48,046
TO WIN AT BASEBALL GAMES?
632
00:25:53,343 --> 00:25:56,596
HE'S CHEATING THESE BOYS
OUT OF A REAL EDUCATION.
633
00:25:56,638 --> 00:25:58,723
AND ARE THESE...
634
00:25:58,765 --> 00:26:00,559
THESE, UH, PAPER CLASSES,
635
00:26:00,600 --> 00:26:02,227
ARE THEY OPEN
TO ALL STUDENTS?
636
00:26:02,269 --> 00:26:04,563
I MEAN, YES, BUT THAT
DOESN'T CHANGE ANYTHING.
637
00:26:04,604 --> 00:26:06,481
TO THE NCAA, IT WILL.
638
00:26:06,523 --> 00:26:09,442
MEANS IT'S NOT SOLELY
AN ATHLETIC PRIVILEGE.
639
00:26:09,484 --> 00:26:11,361
SO BECAUSE THEY
WON'T CARE, WHAT?
640
00:26:11,403 --> 00:26:14,281
THAT MEANS YOU'RE JUST
GONNA SWEEP THE CHEATING
UNDER THE RUG?
641
00:26:14,322 --> 00:26:16,992
LOOK, I GET THIS STORY
IS A BIG BREAK FOR YOU.
642
00:26:17,033 --> 00:26:19,286
STORY? YOU THINK THIS IS
ABOUT A DAMN STORY?
643
00:26:19,327 --> 00:26:20,954
SCREW THE STORY.
644
00:26:20,996 --> 00:26:22,914
THIS IS ABOUT
DOING RIGHT BY
645
00:26:22,956 --> 00:26:25,375
AN INSTITUTION
THAT I LOVE,
646
00:26:25,417 --> 00:26:27,961
A SCHOOL THAT SHAPED
WHO I WAS AS A STUDENT,
WHO I AM TODAY,
647
00:26:28,003 --> 00:26:30,380
A PLACE OF EXCELLENCE.
648
00:26:30,422 --> 00:26:33,508
YOU NEED TO GET
AHEAD OF THIS, ZEKE.
649
00:26:33,550 --> 00:26:36,094
YOU NEED TO SHOW EVERYONE
THAT SELFISH BASTARD
650
00:26:36,136 --> 00:26:37,846
DOES NOT DEFINE BRINGSTON,
651
00:26:37,887 --> 00:26:39,598
THAT WE ARE STILL
ABOVE REPROACH,
652
00:26:39,639 --> 00:26:41,766
BECAUSE WHEN THIS KIND OF
FLAGRANT CRAP HAPPENS,
653
00:26:41,808 --> 00:26:44,185
WE CLEAN OUT OUR
OWN DAMN CLOSETS.
654
00:26:49,232 --> 00:26:51,318
[HEAVY SIGH]
655
00:26:53,695 --> 00:26:56,489
[SIGHS]
656
00:26:56,531 --> 00:26:58,491
REMEMBER, WHEN SHE ASKS
YOU ABOUT RUMORS
657
00:26:58,533 --> 00:27:00,910
THAT PLAYING AT
COLLEGE IS BACK ON
THE TABLE FOR YOU,
658
00:27:00,952 --> 00:27:02,746
KEEP IT VAGUE
BUT HUMBLE.
659
00:27:02,787 --> 00:27:04,289
I KNOW, MOM. I'M PREPARED.
660
00:27:04,331 --> 00:27:06,625
OK. AND IF SHE
BRINGS UP...
661
00:27:06,666 --> 00:27:08,752
WAIT. WHAT THE HELL?
662
00:27:08,793 --> 00:27:11,004
-WHAT'S GOING ON?
-SHH, SHH.
663
00:27:11,046 --> 00:27:12,589
REPORTER ON VIDEO: IN
A STATEMENT JUST RELEASED
BY PRESIDENT ALLEN,
664
00:27:12,631 --> 00:27:14,299
AN INTERNAL INVESTIGATION
HAS BEEN LAUNCHED,
665
00:27:14,341 --> 00:27:16,843
LOOKING INTO ALLEGED
ACADEMIC FRAUD BY
666
00:27:16,885 --> 00:27:19,054
SOME PROMINENT MEMBERS
OF THE BASEBALL TEAM.
667
00:27:19,095 --> 00:27:22,057
COACH LEONARD SHAW IS RESIGNING,
EFFECTIVE IMMEDIATELY.
668
00:27:22,098 --> 00:27:23,975
MORE TO COME.
669
00:27:24,017 --> 00:27:26,811
DAMN. WE JUST
LOST OUR LEVERAGE.
670
00:27:26,853 --> 00:27:30,357
LEVERAGE? IS THAT
REALLY WHAT YOU'RE
FOCUSED ON RIGHT NOW?
671
00:27:30,398 --> 00:27:32,192
WHAT ELSE SHOULD I
BE FOCUSED ON?
672
00:27:32,233 --> 00:27:34,861
MOM, A TEAM
JUST GOT DECIMATED,
673
00:27:34,903 --> 00:27:36,738
PEOPLE'S LIVELIHOODS
DESTROYED.
674
00:27:36,780 --> 00:27:38,865
WHAT IS WITH YOU
AND THIS SCHOOL?
675
00:27:38,907 --> 00:27:41,576
AND WHY ARE YOU SO
OBSESSED WITH THIS TEAM
676
00:27:41,618 --> 00:27:44,621
YOU'VE SPENT ALL OF
2 SECONDS WITH?
677
00:27:44,663 --> 00:27:47,540
FORGET IT.
678
00:27:47,582 --> 00:27:49,584
ALL RIGHT?
IT'S NOTHING.
679
00:27:49,626 --> 00:27:52,087
I'M WALKING BACK TO CAMPUS,
ALL RIGHT, MA?
680
00:28:02,430 --> 00:28:05,183
HOW COULD YOU DO IT?
681
00:28:05,225 --> 00:28:08,645
IT WAS TWO SEASONS OF
A COUPLE OF GHOST CLASSES.
682
00:28:08,687 --> 00:28:10,188
SPARE ME THE LECTURE.
683
00:28:10,230 --> 00:28:12,440
IN FACT, I DARE YOU
TO FIND ME A COLLEGE COACH
684
00:28:12,482 --> 00:28:14,025
THAT ISN'T GAMING
THE SYSTEM.
685
00:28:14,067 --> 00:28:15,985
IF YOU DO, IT'S 'CAUSE
THEY HAVEN'T BEEN CAUGHT.
686
00:28:16,027 --> 00:28:17,779
ME, OK? BECAUSE I DON'T
COACH LIKE THAT.
687
00:28:17,821 --> 00:28:20,198
WELL, THAT'S WHY YOU COULDN'T
EVEN MAKE IT IN THE MINORS.
688
00:28:20,240 --> 00:28:23,159
BUT I'M PREPARED TO DO
WHAT IT TAKES TO GAIN
THE COMPETITIVE ADVANTAGE.
689
00:28:23,201 --> 00:28:25,453
WHAT ABOUT YOUR
RESPONSIBILITY
TO THESE BOYS, HUH?
690
00:28:25,495 --> 00:28:28,498
MY JOB IS TO GET THEM
READY FOR THE PROS.
691
00:28:28,540 --> 00:28:30,333
AND THAT'S WHAT
I'VE BEEN DOING.
692
00:28:31,918 --> 00:28:33,878
I WON'T APOLOGIZE FOR THAT.
693
00:28:33,920 --> 00:28:36,798
I GUESS THAT'S
WHERE YOU AND I
FUNDAMENTALLY DIFFER.
694
00:28:39,384 --> 00:28:41,469
YOU'LL LEARN.
695
00:28:48,309 --> 00:28:50,562
[HIP-HOP MUSIC PLAYING]
696
00:28:55,608 --> 00:28:57,360
[JORDAN CHUCKLES]
697
00:28:57,402 --> 00:28:59,320
JORDAN: NOW WE'RE TALKING.
SIMONE: I KNOW, BABE.
698
00:28:59,362 --> 00:29:01,448
YOU'VE BEEN WANTING TO PARTY
ALL WEEKEND.
699
00:29:01,489 --> 00:29:05,368
I'VE BEEN WANTING
TO GRIND ON MY WIFE
A LITTLE BIT. MWAH.
700
00:29:05,410 --> 00:29:08,580
KEISHA: YAY, Y'ALL
HERE. LET'S GO!
701
00:29:08,621 --> 00:29:10,373
SPENCER: OK!
702
00:29:10,415 --> 00:29:12,333
KEISHA: HEY, YO, NATE,
K.E.K. PUNCH FOR EVERYBODY.
703
00:29:12,375 --> 00:29:15,086
OLIVIA: OH, ACTUALLY, NO
PUNCH FOR ME. I'M SOBER, SO...
704
00:29:15,128 --> 00:29:17,046
GOOD FOR YOU, GIRL.
705
00:29:18,548 --> 00:29:20,842
SPENCER: DEAR GOD, TELL ME
THAT'S NOT A TRASH CAN.
706
00:29:20,884 --> 00:29:22,927
IT'S THE CLEANEST
THING IN HERE. TRUST.
707
00:29:22,969 --> 00:29:25,180
HERE Y'ALL GO.
708
00:29:25,221 --> 00:29:27,432
CHEERS, BITCHES.
709
00:29:27,474 --> 00:29:30,185
[ALL CHEER]
710
00:29:30,226 --> 00:29:32,228
[MUSIC CONTINUES]
711
00:29:59,964 --> 00:30:03,009
[SLOWLY]
SIMONE HICKS.
712
00:30:03,051 --> 00:30:07,055
WHY DO YOU KEEP SAYING
MY NAME LIKE THAT?
713
00:30:07,096 --> 00:30:08,556
'CAUSE IT'S DOPE.
714
00:30:08,598 --> 00:30:09,724
[DEADPAN]
OK.
715
00:30:09,766 --> 00:30:11,810
[CHUCKLES]
716
00:30:13,394 --> 00:30:17,148
OH, OK. SO ATHLETE.
717
00:30:17,190 --> 00:30:18,650
THAT'S THE VIBE?
718
00:30:18,691 --> 00:30:21,528
OR ARE YOU JUST A BIG
NAOMI OSAKA FAN?
719
00:30:21,569 --> 00:30:23,279
MM. IT'S BOTH.
720
00:30:23,321 --> 00:30:26,825
I'VE BEEN TRYING TO GET
MY WAY BACK TO ATHLETE,
721
00:30:26,866 --> 00:30:29,077
FIND MY MOJO AGAIN.
722
00:30:29,118 --> 00:30:31,079
AND HOW'S THAT GOING?
723
00:30:31,120 --> 00:30:32,831
LET'S JUST SAY
THE COMPETITION'S
A LITTLE STIFF.
724
00:30:32,872 --> 00:30:34,958
SO USE IT.
725
00:30:34,999 --> 00:30:37,544
DON'T LET IT SHAKE YOU.
COMPETITION
IS JUST MOTIVATION.
726
00:30:37,585 --> 00:30:39,379
HMM.
727
00:30:39,420 --> 00:30:42,924
SO IS THAT HOW YOU
KICK ASS IN BASEBALL?
728
00:30:42,966 --> 00:30:44,592
I HEARD ABOUT
THE SCANDAL.
729
00:30:44,634 --> 00:30:47,470
BUT THAT DOESN'T AFFECT
YOU, THOUGH, RIGHT?
730
00:30:47,512 --> 00:30:49,305
NAH. NOT AT ALL.
731
00:30:49,347 --> 00:30:51,766
STUDENT: YO, YOU SEEN J.R.?
732
00:30:51,808 --> 00:30:54,143
HE'S BEEN M.I.A. SINCE
THAT BASEBALL NONSENSE HIT.
733
00:30:54,185 --> 00:30:55,937
MAN, I THOUGHT
HE WAS IN THERE.
734
00:31:03,778 --> 00:31:06,322
OK, OK, HEY. HEY. I DON'T KNOW
WHERE KEISHA IS,
735
00:31:06,364 --> 00:31:08,116
BUT YOU GOT TO DANCE WITH ME
BEFORE SHE COMES BACK.
736
00:31:08,157 --> 00:31:10,743
WELL, YOU KNOW
YOU CAN JUST SAY NO.
737
00:31:10,785 --> 00:31:13,413
SO IS NOW A GOOD TIME
TO TELL HIM
738
00:31:13,454 --> 00:31:15,665
KEISHA AIN'T
REALLY INTO HIM?
739
00:31:15,707 --> 00:31:18,167
UH, YEAH, SHE IS. WHAT
ARE YOU TALKING ABOUT?
740
00:31:18,209 --> 00:31:20,253
NO. SHE JUST NEEDED
SOMEONE TO HELP MAKE
741
00:31:20,295 --> 00:31:22,171
HER EX, TERRELL, JEALOUS.
742
00:31:26,092 --> 00:31:27,594
WORKS EVERY TIME.
743
00:31:27,635 --> 00:31:29,262
OH.
744
00:31:29,304 --> 00:31:32,098
♪ ...EH, EVERYTHING
IS GONNA HEAT UP ♪
745
00:31:32,140 --> 00:31:34,183
♪ I CAN FEEL THAT FEVER ♪
746
00:31:34,225 --> 00:31:36,811
♪ WIND IS BLOWING
FAST UNDERNEATH US, EH ♪
747
00:31:36,853 --> 00:31:39,272
♪ JUST TURN UP
THE SPEAKERS, EH ♪
748
00:31:39,314 --> 00:31:41,816
♪ WE, WE MAKE
IT THROUGH IT ALL ♪
749
00:31:41,858 --> 00:31:43,860
♪ WE, WE BREAKIN' THROUGH
THE WALL ♪
750
00:31:43,902 --> 00:31:45,028
♪ WAY UP IN THE TOP ♪
751
00:31:45,069 --> 00:31:46,321
♪ RISE, DON'T STOP ♪
752
00:31:46,362 --> 00:31:47,572
♪ TAKE YOUR SHOT ♪
753
00:31:47,614 --> 00:31:49,407
♪ WHEN YOU HEAR ME KNOCK ♪
754
00:31:49,449 --> 00:31:50,742
♪ GOT TO WAKE UP, WAKE UP,
WAKE UP THE PARTY ♪
755
00:31:50,783 --> 00:31:52,368
♪ WAKE UP, WAKE UP, WAKE UP ♪
756
00:31:52,410 --> 00:31:54,162
♪ THE NIGHT! ♪
757
00:31:54,203 --> 00:31:55,997
♪ WAKE UP, WAKE UP, WAKE UP
THE PARTY... ♪
758
00:31:56,039 --> 00:31:57,916
WHAT'D I MISS?
759
00:31:57,957 --> 00:32:01,169
JUST, GROSS.
760
00:32:03,296 --> 00:32:06,591
SHE'S GOING AFTER
WHAT SHE WANTS.
761
00:32:22,315 --> 00:32:26,027
UM, UH, MY BAD.
I'M LOOKING FOR J.R.
762
00:32:26,069 --> 00:32:28,529
I HAVEN'T SEEN HIM.
763
00:32:30,782 --> 00:32:33,034
I'M SAYING MY GOOD-BYES
TO THE FIELD.
764
00:32:35,495 --> 00:32:38,748
THEY'RE BROOMING OUT
THE WHOLE COACHING STAFF.
765
00:32:38,790 --> 00:32:42,251
I'M SORRY. UM, I'LL
GIVE YOU SOME PRIVACY.
766
00:32:42,293 --> 00:32:46,339
SIMS, WHEN YOU'RE
OUT THERE PLAYING
FOR THE PROS,
767
00:32:46,381 --> 00:32:50,093
I WANT YOU TO ALWAYS
REMEMBER ONE THING:
768
00:32:50,134 --> 00:32:52,178
INTEGRITY.
769
00:32:52,220 --> 00:32:55,181
THAT'S THE MOST IMPORTANT
THING AN ATHLETE,
770
00:32:55,223 --> 00:32:56,724
A TEAMMATE, A MAN HAS.
771
00:32:56,766 --> 00:32:58,476
AND WITHOUT IT,
NOTHING ELSE MATTERS.
772
00:32:58,518 --> 00:33:01,020
I GUESS COACH SHAW
SAW THINGS DIFFERENTLY.
773
00:33:01,062 --> 00:33:03,064
THIS TEAM'S FINALLY
RID OF HIM.
774
00:33:03,106 --> 00:33:05,191
NOW, NEXT SEASON, THOSE
BOYS CAN GO OUT THERE
775
00:33:05,233 --> 00:33:08,194
AND SHOW THE WHOLE WORLD
WHAT THEY CAN REALLY DO
776
00:33:08,236 --> 00:33:10,154
UNDER AN HONEST PROGRAM.
777
00:33:12,991 --> 00:33:14,993
IT WAS YOU, WASN'T IT?
778
00:33:15,034 --> 00:33:18,663
YOU TIPPED SOMEONE OFF.
IT COST YOU YOUR JOB.
779
00:33:18,705 --> 00:33:20,498
THOSE BOYS NEEDED A CHANCE
780
00:33:20,540 --> 00:33:22,500
TO REBUILD SOMETHING
PURE AND GREAT.
781
00:33:22,542 --> 00:33:24,961
LOOK, I DID
WHAT I HAD TO DO.
782
00:33:25,003 --> 00:33:28,756
SOMETIMES YOU JUST GOT
TO TAKE ONE FOR THE TEAM.
783
00:33:31,634 --> 00:33:34,262
I'LL LEAVE YOU TO
YOUR GOOD-BYES, COACH.
784
00:33:46,065 --> 00:33:47,608
I UNDERESTIMATED YOU.
785
00:33:47,650 --> 00:33:49,986
BUT NONE OF THAT
SKILL MATTERS
786
00:33:50,028 --> 00:33:52,613
IF YOU CAN'T PERFORM
LIKE THAT
787
00:33:52,655 --> 00:33:54,490
WHEN EYES ARE WATCHING
AND THE PRESSURE'S ON.
788
00:33:54,532 --> 00:33:56,200
I WAS HOPING
FOR SOME PRIVACY.
789
00:33:56,242 --> 00:33:58,870
ON MY COURTS?
YOU'RE THE VISITOR.
790
00:33:58,911 --> 00:34:00,288
[CHUCKLES SOFTLY]
791
00:34:00,329 --> 00:34:01,914
FINE, GIRL. YOU GOT IT.
792
00:34:01,956 --> 00:34:03,499
THEA: YOU KNOW,
TENNIS IS A GAME
793
00:34:03,541 --> 00:34:05,668
OF BOTH MENTAL
AND PHYSICAL FITNESS.
794
00:34:05,710 --> 00:34:08,296
YOU'LL NEVER MAKE IT
IF YOU KEEP BEING
SO EASILY PSYCHED OUT.
795
00:34:08,337 --> 00:34:11,049
WHAT IS YOUR PROBLEM?
YOU DON'T KNOW ME.
YOU HAVE NO IDEA.
796
00:34:11,090 --> 00:34:12,633
I'M NOT A QUITTER.
797
00:34:12,675 --> 00:34:14,802
OK. WHATEVER.
798
00:34:14,844 --> 00:34:16,554
JUST WATCH
YOUR BACK RIGHT FOOT
799
00:34:16,596 --> 00:34:18,056
ON YOUR
FOREHAND VOLLEY.
800
00:34:18,097 --> 00:34:19,682
TRY STEPPING FORWARD
WITH YOUR LEFT INSTEAD.
801
00:34:19,724 --> 00:34:22,852
IT'LL GIVE YOU MORE
FORWARD MOMENTUM AND POWER.
802
00:34:22,894 --> 00:34:25,354
AND WHY ARE YOU
HELPING ME?
803
00:34:25,396 --> 00:34:28,775
I'M NOT. I'M HELPING
THE SPORT I LOVE.
804
00:34:28,816 --> 00:34:31,194
SEE, DON'T LET SERENA AND
NAOMI'S SUCCESS FOOL YOU.
805
00:34:31,235 --> 00:34:33,237
EVERY TIME WE WALK OUT
ON THAT COURT
806
00:34:33,279 --> 00:34:36,908
AS BLACK WOMEN,
WE'RE BEING JUDGED
807
00:34:36,949 --> 00:34:39,118
ON EVERYTHING.
808
00:34:39,160 --> 00:34:41,871
YOU HAVE ONE JOB
WHEN YOU PLAY--
809
00:34:41,913 --> 00:34:46,667
BRING EXCELLENCE
OR DON'T PLAY AT ALL.
810
00:34:53,466 --> 00:34:56,427
YOU WERE RIGHT,
YOU KNOW?
811
00:34:56,469 --> 00:34:59,972
THIS TRIP, THIS PLACE.
812
00:35:00,014 --> 00:35:02,683
IT WAS EVERYTHING
I WASN'T EVEN EXPECTING.
813
00:35:02,725 --> 00:35:05,895
AND IT'S JUST--
IT'S AMAZING TO BE
814
00:35:05,937 --> 00:35:09,190
SOMEPLACE THAT'S
FOR US, BY US,
815
00:35:09,232 --> 00:35:12,276
WHERE EXCELLENCE
IS EXPECTED,
816
00:35:12,318 --> 00:35:14,487
EVEN BY
YOUR FRENEMIES.
817
00:35:14,529 --> 00:35:16,781
IT'S NOT TOO LATE TO APPLY.
818
00:35:19,117 --> 00:35:21,494
BABY SHAY IS IN L.A.
819
00:35:21,536 --> 00:35:24,080
AND I HAVE SUCH
A GREAT RELATIONSHIP
820
00:35:24,122 --> 00:35:25,915
WITH HIS ADOPTED FAMILY.
821
00:35:25,957 --> 00:35:28,126
I CAN'T JUST UP AND MOVE
CLEAR ACROSS THE COUNTRY.
822
00:35:28,167 --> 00:35:31,629
AND WHAT WERE YOU GONNA DO
IF YOU GOT INTO PRINCETON?
823
00:35:31,671 --> 00:35:33,673
EXACTLY.
YOU'D HAVE FIGURED IT OUT
824
00:35:33,714 --> 00:35:36,259
BECAUSE IT'S JUST
THE EAST COAST,
SWEETIE, NOT MARS.
825
00:35:36,300 --> 00:35:38,010
COME ON, AUNTIE.
826
00:35:38,052 --> 00:35:39,846
YOU KNOW MY MOM WOULD
NEVER LET ME COME HERE.
827
00:35:39,887 --> 00:35:42,348
MM-MM. DON'T GET ME
STARTED ON YOUR MOTHER.
828
00:35:42,390 --> 00:35:44,600
IT'S WAY PAST TIME
YOU STOOD UP TO HER
829
00:35:44,642 --> 00:35:47,019
FOR WHAT YOU WANT.
830
00:35:47,061 --> 00:35:49,313
YOU DON'T HAVE TO MAKE
A DECISION TODAY,
831
00:35:49,355 --> 00:35:51,274
BUT AS YOU ARE
THINKING ABOUT IT,
832
00:35:51,315 --> 00:35:53,109
JUST REMEMBER,
IN ORDER TO BE
833
00:35:53,151 --> 00:35:56,028
THE BEST VERSION
OF YOURSELF FOR JORDAN
834
00:35:56,070 --> 00:35:58,906
AND SHAY
AND EVERYONE ELSE
YOU LOVE,
835
00:35:58,948 --> 00:36:02,326
YOU MAY NEED TO CHOOSE
YOURSELF FIRST, SIMONE.
836
00:36:11,878 --> 00:36:13,588
SPENCER:
AND I THOUGHT I'D BE
THE ONLY TEEN AT COLLEGE
837
00:36:13,629 --> 00:36:15,673
UP AT THE CRACK OF DAWN.
838
00:36:15,715 --> 00:36:17,842
LOOK, I KNOW
WE DON'T REALLY KNOW
EACH OTHER LIKE THAT,
839
00:36:17,884 --> 00:36:20,178
BUT I KNOW WHAT
IT LOOKS LIKE
840
00:36:20,219 --> 00:36:22,847
WHEN SOMEBODY'S CARRYING
TOO MUCH WEIGHT
ON THEIR SHOULDERS.
841
00:36:26,392 --> 00:36:30,563
WERE YOU SCARED WHEN
YOU FORFEITED THAT
GAME IN PROTEST
842
00:36:30,605 --> 00:36:34,150
AND FOOTBALL AND EVERYTHING
COULD JUST GO AWAY?
843
00:36:34,192 --> 00:36:36,277
MAN, OF COURSE.
844
00:36:36,319 --> 00:36:38,112
IT DON'T CHANGE
THE FACT THAT IT WAS
THE RIGHT THING TO DO.
845
00:36:41,490 --> 00:36:43,117
[SIGHS]
846
00:36:43,159 --> 00:36:45,036
THIS WEEKEND DIDN'T GO AT
ALL HOW I PLANNED IT, MAN.
847
00:36:45,077 --> 00:36:46,704
OH, WHAT,
YOU WEREN'T PLANNING
848
00:36:46,746 --> 00:36:48,831
ON A CHAMPIONSHIP-WINNING
BASEBALL PROGRAM
849
00:36:48,873 --> 00:36:51,375
GETTING DEMOLISHED
WHILE YOU WERE VISITING
FOR THE WEEKEND?
850
00:36:51,417 --> 00:36:53,544
I KNOW, RIGHT?
851
00:36:53,586 --> 00:36:55,796
GO FIGURE.
852
00:36:58,466 --> 00:37:01,177
IN A FEW MONTHS,
I'LL BE DRAFTED,
853
00:37:02,970 --> 00:37:05,097
AND LIFE WILL NEVER
BE THE SAME.
854
00:37:07,391 --> 00:37:09,101
I GUESS I JUST
WANTED A WEEKEND
855
00:37:09,143 --> 00:37:11,854
TO REALLY CONNECT TO
WHO I WAS BEFORE IT CHANGED.
856
00:37:13,856 --> 00:37:15,691
FOR SOMEBODY ABOUT
TO GET THEIR DREAM, MAN,
857
00:37:15,733 --> 00:37:16,859
YOU DON'T SEEM TOO HAPPY.
858
00:37:16,901 --> 00:37:19,570
YEAH. I'M STARTING
TO REALIZE
859
00:37:19,612 --> 00:37:22,114
THAT THE MLB IS MORE
OF MY MOM'S DREAM.
860
00:37:24,867 --> 00:37:26,535
SHE'S JUST
DONE SO MUCH FOR ME,
861
00:37:26,577 --> 00:37:28,162
I DON'T WANT
TO LET HER DOWN.
862
00:37:32,250 --> 00:37:34,627
SHE'S NOT GONNA BE
THE ONE OUT ON
THAT FIELD, THOUGH.
863
00:37:34,669 --> 00:37:37,463
MAN. YOU DON'T GET IT.
864
00:37:37,505 --> 00:37:40,216
SHE SAVED MY LIFE.
865
00:37:40,258 --> 00:37:44,553
YEAH. ADOPTED ME
OUT THE SYSTEM.
866
00:37:44,595 --> 00:37:47,181
RAISED ME, LOVES ME.
867
00:37:47,223 --> 00:37:49,767
I KNOW SHE'S JUST TRYING
TO DO HER BEST BY ME.
868
00:37:51,894 --> 00:37:54,272
MY BIRTH PARENTS
ARE ACTUALLY FROM
HERE IN ATLANTA.
869
00:37:54,313 --> 00:37:56,065
AND ALL I KNOW IS THAT
18 YEARS AGO,
870
00:37:56,107 --> 00:37:59,860
THEY WENT TO SCHOOL HERE
AT BRINGSTON.
871
00:37:59,902 --> 00:38:03,281
IS THAT WHY YOU'RE HERE?
YOU TRYING TO FIND 'EM?
872
00:38:03,322 --> 00:38:05,116
I REALLY DON'T KNOW.
873
00:38:06,742 --> 00:38:09,370
THIS SCHOOL'S THE ONLY
CONNECTION THAT I HAVE TO 'EM.
874
00:38:10,997 --> 00:38:14,083
I GUESS I JUST WANTED
TO FEEL IT.
875
00:38:14,125 --> 00:38:16,919
I DON'T KNOW WHY I JUST
TOLD YOU ALL OF THAT, MAN.
876
00:38:16,961 --> 00:38:18,838
CLEARLY YOU NEEDED
TO TELL SOMEBODY.
877
00:38:18,879 --> 00:38:23,301
LOOK, MAN, I KNOW YOU FEEL
LIKE YOU OWE YOUR MOMS,
878
00:38:23,342 --> 00:38:25,636
BUT IT SOUNDS LIKE
SHE LOVES YOU.
879
00:38:25,678 --> 00:38:28,639
AND THAT DON'T COME
WITH A FEE.
880
00:38:28,681 --> 00:38:30,933
SO WHATEVER IT IS
THAT YOU DECIDE TO DO,
881
00:38:30,975 --> 00:38:33,352
IT'S GOT TO BE THE RIGHT
THING FOR YOU.
882
00:38:37,106 --> 00:38:39,317
[EXHALES]
883
00:39:05,885 --> 00:39:07,553
THANK YOU.
884
00:39:09,847 --> 00:39:12,433
THANKS FOR AGREEING
TO SEE ME, SIR.
885
00:39:19,815 --> 00:39:21,525
WHERE'S MY SON?
886
00:39:25,738 --> 00:39:27,281
[CAMERA SHUTTERS CLICKING]
887
00:39:27,323 --> 00:39:29,033
ALLEN: THANK YOU ALL FOR COMING.
888
00:39:30,368 --> 00:39:31,952
IT IS NEVER EASY TO DISCOVER
889
00:39:31,994 --> 00:39:33,496
SOMETHING'S GONE WRONG
IN YOUR HOUSE,
890
00:39:33,537 --> 00:39:35,706
UNDER YOUR LEADERSHIP.
891
00:39:35,748 --> 00:39:37,583
IT'S MY HOPE THAT WE WILL NOT
BE JUDGED
892
00:39:37,625 --> 00:39:39,460
BY THE POOR CHOICES OF A FEW
893
00:39:39,502 --> 00:39:42,296
BUT BY HOW WE RESPONDED
TO RECTIFY IT.
894
00:39:42,338 --> 00:39:45,800
IT IS MY HOPE THAT INTEGRITY
WILL BE OUR LEGACY.
895
00:39:45,841 --> 00:39:49,095
I'D LIKE TO GIVE DAMON SIMS
THE OPPORTUNITY
896
00:39:49,136 --> 00:39:50,763
TO SAY A FEW WORDS.
897
00:39:50,805 --> 00:39:53,099
[CAMERA SHUTTERS CLICKING]
898
00:39:53,140 --> 00:39:55,601
DAMON: UH, THANK YOU,
DR. ALLEN.
899
00:39:55,643 --> 00:39:57,978
[EXHALES]
900
00:39:58,020 --> 00:40:00,940
UH, THERE'S BEEN A LOT OF
DISCUSSION ABOUT
901
00:40:00,981 --> 00:40:02,983
WHAT MY FUTURE WILL HOLD
IN THESE NEXT FEW MONTHS.
902
00:40:03,025 --> 00:40:06,695
DR. ALLEN TALKED ABOUT LEGACY.
903
00:40:06,737 --> 00:40:09,198
AND I WANT MY LEGACY
IN THIS SPORT TO BE
904
00:40:09,240 --> 00:40:11,117
THAT I MADE A DIFFERENCE.
905
00:40:13,411 --> 00:40:15,704
AND THAT'S WHY I WON'T BE
PARTICIPATING
906
00:40:15,746 --> 00:40:18,040
IN THE 2021 MLB DRAFT.
907
00:40:18,082 --> 00:40:20,334
[SPECTATORS MURMURING]
908
00:40:20,376 --> 00:40:24,380
INSTEAD, I WILL BE COMMITTING
TO PLAYING BASEBALL
909
00:40:24,422 --> 00:40:27,508
HERE AT BRINGSTON
910
00:40:27,550 --> 00:40:31,262
WITH COACH MARCUS TURNER
AS OUR HEAD COACH.
911
00:40:31,303 --> 00:40:33,514
WE WILL REBUILD BASEBALL
TOGETHER
912
00:40:33,556 --> 00:40:35,474
OUT THERE ON THAT FIELD.
913
00:40:35,516 --> 00:40:38,769
WE WILL BRING CHAMPIONSHIP
BASEBALL BACK TO B.U.,
914
00:40:38,811 --> 00:40:42,523
BACK TO US THE RIGHT WAY,
THE HONORABLE WAY...
915
00:40:44,233 --> 00:40:46,360
WITH INTEGRITY.
916
00:40:48,696 --> 00:40:50,781
THANK YOU FOR YOUR TIME.
917
00:40:50,823 --> 00:40:52,366
[APPLAUSE]
918
00:41:04,044 --> 00:41:07,256
[J.R. CHUCKLING]
919
00:41:07,298 --> 00:41:08,591
YOU KNOW, WHEN
I INVITED YOU DOWN,
920
00:41:08,632 --> 00:41:09,717
I DID NOT KNOW
IT WOULD ACTUALLY END
921
00:41:09,758 --> 00:41:10,968
IN YOU COMMITTING HERE.
922
00:41:11,010 --> 00:41:12,970
I KNOW, RIGHT?
923
00:41:14,805 --> 00:41:16,098
IT FEELS LIKE HOME.
924
00:41:16,140 --> 00:41:18,642
HOME. YEAH.
925
00:41:18,684 --> 00:41:21,103
I GUESS BRINGSTON BASEBALL
HAS FOUND ITS STAR.
926
00:41:21,145 --> 00:41:23,856
NO STARS, MAN.
JUST BALLPLAYERS...
927
00:41:23,898 --> 00:41:25,649
ALL OF US.
928
00:41:25,691 --> 00:41:27,776
WE'LL DO THIS
TOGETHER, ALL RIGHT?
929
00:41:30,196 --> 00:41:33,324
REBUILD HANK'S
LEGACY HERE, MAN.
930
00:41:33,365 --> 00:41:34,867
MAKE HIM PROUD.
931
00:41:34,909 --> 00:41:36,494
[CHUCKLES]
932
00:41:38,829 --> 00:41:41,081
HEY, LOOK, MAN,
I GOT TO GET GOING.
933
00:41:41,123 --> 00:41:42,833
MY FRAT BROTHERS ARE
WAITING ON ME.
934
00:41:42,875 --> 00:41:45,002
OH. FOR SURE.
935
00:41:45,044 --> 00:41:49,340
I GUESS I'LL SEE YOU
THIS FALL, BROTHER.
936
00:41:52,051 --> 00:41:54,762
SIMONE:
CONGRATULATIONS.
937
00:41:54,803 --> 00:41:57,306
I GUESS THAT BASEBALL
THING DID HAVE
938
00:41:57,348 --> 00:41:58,933
SOME EFFECT ON YOU, HUH?
939
00:41:58,974 --> 00:42:02,228
YEAH. SOMETHING
LIKE THAT.
940
00:42:02,269 --> 00:42:07,900
WELL, YOU SEEM AT PEACE,
SO GOOD FOR YOU.
941
00:42:11,070 --> 00:42:13,280
I SHOULD, UH, GET GOING.
942
00:42:13,322 --> 00:42:15,282
MY HUSBAND'S WAITING
OUTSIDE FOR ME.
943
00:42:15,324 --> 00:42:17,034
HUSBAND?
944
00:42:19,995 --> 00:42:21,830
OH, OK.
945
00:42:24,124 --> 00:42:25,543
WHAT ABOUT YOU?
946
00:42:27,044 --> 00:42:29,046
FIND YOUR MOJO?
947
00:42:31,423 --> 00:42:33,259
YEAH.
948
00:42:33,300 --> 00:42:36,762
SOMETHING LIKE THAT.
949
00:42:36,804 --> 00:42:38,514
GOOD.
950
00:42:41,600 --> 00:42:43,978
TAKE CARE OF YOURSELF,
SIMONE HICKS.
951
00:42:54,905 --> 00:42:57,908
RHYS LEWIS:
♪ I DON'T READ THE HEADLINES ♪
952
00:42:57,950 --> 00:43:00,744
♪ AND I DON'T WATCH THE NEWS ♪
953
00:43:00,786 --> 00:43:03,163
♪ 'CAUSE I LOSE FAITH
IN SOMETHING ♪
954
00:43:03,205 --> 00:43:06,000
♪ EVERY TIME I DO ♪
955
00:43:06,041 --> 00:43:08,460
♪ WELL, I DON'T NEED
TO BURY MY HEAD... ♪
956
00:43:08,502 --> 00:43:09,545
WHAT?
957
00:43:09,587 --> 00:43:12,006
NOTHING. YOU JUST--
958
00:43:12,047 --> 00:43:14,341
YOU SEEM HAPPY.
959
00:43:14,383 --> 00:43:15,467
LEWIS: ♪ ...TRYIN'
TO LIVE THIS LIFE ♪
960
00:43:15,509 --> 00:43:17,678
♪ AS BEST AS I CAN ♪
961
00:43:17,720 --> 00:43:20,556
♪ SO LET'S KEEP SEARCHING
FOR SOMEWHERE ♪
962
00:43:20,598 --> 00:43:23,225
♪ WE'RE GONNA FIND A WAY ♪
963
00:43:23,267 --> 00:43:25,311
♪ TO MAKE TOMORROW ♪
964
00:43:25,352 --> 00:43:29,231
♪ TOMORROW BETTER THAN TODAY ♪
965
00:43:29,273 --> 00:43:31,317
♪ LET'S MAKE TOMORROW ♪
966
00:43:31,358 --> 00:43:36,655
♪ TOMORROW BETTER THAN TODAY ♪
967
00:43:59,053 --> 00:44:00,596
GREG, MOVE YOUR HEAD.
66619
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