All language subtitles for Hot.Package.S01E05_English

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,135 --> 00:00:02,895 >> O'Brien: TONIGHT ON 2 00:00:02,903 --> 00:00:04,973 "HOT PACKAGE" -- OUCH! 3 00:00:04,972 --> 00:00:07,842 TRAGEDY ON SET -- "HOT PACKAGE" 4 00:00:07,841 --> 00:00:10,681 HAS THE HEART-BREAKING FOOTAGE. 5 00:00:10,678 --> 00:00:11,608 >> YOU'RE ASKING ME. 6 00:00:11,612 --> 00:00:12,782 I'M GETTING A NERVOUS BREAKDOWN. 7 00:00:12,780 --> 00:00:13,980 >> Roark: DON COSTELLO, 8 00:00:13,981 --> 00:00:15,481 AMERICA'S FAVORITE FUNNY MAN. 9 00:00:15,483 --> 00:00:16,723 >> Beckles: CONCERNS ABOUT HIS 10 00:00:16,717 --> 00:00:17,617 IMMEDIATE HEALTH. 11 00:00:17,618 --> 00:00:18,888 >> O'Brien: WE'LL PROVIDE 12 00:00:18,886 --> 00:00:20,146 UP-TO-THE-MINUTE COVERAGE. 13 00:00:20,154 --> 00:00:21,494 IT'S AN "H.P."... 14 00:00:23,624 --> 00:00:25,564 OKAY. 15 00:00:25,559 --> 00:00:26,889 >> Beckles: "HOT PACKAGE" DIGS 16 00:00:26,894 --> 00:00:29,564 UP MORE RAP CLASSICS. 17 00:00:29,563 --> 00:00:30,333 >> Roark: DRUGS. 18 00:00:30,331 --> 00:00:31,631 >> Beckles: HE WAS ON A "ROID" 19 00:00:31,632 --> 00:00:32,232 TO NOWHERE. 20 00:00:32,233 --> 00:00:33,903 I SIT DOWN WITH GREGG VALENTINO 21 00:00:33,901 --> 00:00:36,401 AND HIS ARMS IN A VERY SPECIAL 22 00:00:36,404 --> 00:00:37,114 "ONES ON ONE." 23 00:00:37,105 --> 00:00:38,365 >> WELL, I [BLEEP] ALL OVER HIS 24 00:00:38,372 --> 00:00:38,772 FEET. 25 00:00:38,772 --> 00:00:39,642 >> O'Brien: THEN... 26 00:00:39,640 --> 00:00:40,740 >> MY PHONE'S LOSING BATTERY. 27 00:00:40,741 --> 00:00:41,741 >> Roark: STAR OF "TRUNK," 28 00:00:41,742 --> 00:00:43,742 JENNIFER DAY DROPS BY THE STUDIO 29 00:00:43,744 --> 00:00:45,514 WITH A SPECIAL SONG FOR DON. 30 00:00:45,513 --> 00:00:47,323 >> O'Brien: MAKEOVER MADNESS, 31 00:00:47,315 --> 00:00:48,975 FROM BORING BEFORES TO AWESOME 32 00:00:48,982 --> 00:00:49,782 EVER-AFTERS. 33 00:00:49,783 --> 00:00:51,393 >> Beckles: AND THE WOMAN WHO 34 00:00:51,385 --> 00:00:52,245 EVERYONE THOUGHT WAS 35 00:00:52,253 --> 00:00:53,393 SYLVESTER STALLONE'S MOTHER, 36 00:00:53,387 --> 00:00:55,517 JACKIE STALLONE, BUT ISN'T, SETS 37 00:00:55,523 --> 00:00:56,923 THE RECORD STRAIGHT. 38 00:00:56,924 --> 00:00:57,964 ALL THOSE STORIES AND MORE 39 00:00:57,958 --> 00:01:00,428 TONIGHT ON "HOT PACKAGE." 40 00:01:00,428 --> 00:01:01,698 >> HOT. 41 00:01:01,695 --> 00:01:02,925 >> O'Brien: YOU'RE WATCHING 42 00:01:02,930 --> 00:01:05,100 "HOT PACKAGE," THE BEST AND ONLY 43 00:01:05,099 --> 00:01:06,969 AND CURRENT ENTERTAINMENT-NEWS 44 00:01:07,000 --> 00:01:08,140 PROGRAMMING. 45 00:01:08,136 --> 00:01:09,136 >> Beckles: WELCOME BACK, 46 00:01:09,137 --> 00:01:09,597 EVERYONE. 47 00:01:09,603 --> 00:01:10,843 I'M DERRICK BECKLES, AND THIS IS 48 00:01:10,871 --> 00:01:11,511 "HOT PACKAGE." 49 00:01:11,505 --> 00:01:12,835 >> O'Brien: WOW, WHAT A GREAT 50 00:01:12,840 --> 00:01:14,140 SHOW, AND IF WE'RE LUCKY, DON 51 00:01:14,175 --> 00:01:15,205 DOESN'T DIE. 52 00:01:15,209 --> 00:01:16,809 >> Roark: INDEED, PAT. 53 00:01:16,810 --> 00:01:17,410 ALL RIGHT. 54 00:01:17,411 --> 00:01:18,811 TIME FOR SOME HOLLYWOOD HEALTH 55 00:01:18,812 --> 00:01:20,252 TIPS, AND WHO BETTER TO TELL -- 56 00:01:20,248 --> 00:01:21,678 >> Beckles: ACTUALLY, LET'S GET 57 00:01:21,682 --> 00:01:23,782 TO THIS UNFORTUNATE NEWS FIRST. 58 00:01:23,784 --> 00:01:25,294 "HOT PACKAGE" RECEIVED THIS 59 00:01:25,286 --> 00:01:26,946 EXCLUSIVE FOOTAGE OF A MISSING 60 00:01:26,954 --> 00:01:28,194 CELLPHONE -- THE OWNER, 61 00:01:28,189 --> 00:01:29,359 AWARD-WINNING ACTRESS 62 00:01:29,357 --> 00:01:29,917 TANNER MAYES. 63 00:01:29,923 --> 00:01:30,693 >> O'Brien: IT'S AN 64 00:01:30,691 --> 00:01:32,291 "H.P. EXCLUSIVE." 65 00:01:32,293 --> 00:01:34,133 CELLPHONE MISSING, HER ATTEMPTS 66 00:01:34,128 --> 00:01:35,958 TO RETRIEVE HER PROPERTY LAUGHED 67 00:01:35,963 --> 00:01:36,333 OFF. 68 00:01:36,330 --> 00:01:37,530 >> Beckles: THE VIDEO SHOWS THE 69 00:01:37,531 --> 00:01:39,131 LEADING LADY PATIENTLY PLEADING 70 00:01:39,133 --> 00:01:40,733 FOR PEOPLE TO HELP HER FIND HER 71 00:01:40,734 --> 00:01:41,144 PHONE. 72 00:01:41,135 --> 00:01:41,695 >> REALLY? 73 00:01:41,702 --> 00:01:42,842 >> AND MAYBE SOMEONE WOULD 74 00:01:42,836 --> 00:01:43,636 [BLEEP] HELP YOU! 75 00:01:43,637 --> 00:01:44,607 >> REALLY?! REALLY?! 76 00:01:44,605 --> 00:01:45,135 REALLY? 77 00:01:45,139 --> 00:01:46,109 >> YEAH, REALLY. 78 00:01:46,106 --> 00:01:46,766 >> REALLY? 79 00:01:46,774 --> 00:01:48,144 >> ARROGANCE IS THE SAME THING. 80 00:01:48,142 --> 00:01:51,152 >> REALLY?! REALLY?! REALLY?! 81 00:01:51,145 --> 00:01:51,705 REALLY?! 82 00:01:51,712 --> 00:01:53,012 >> O'Brien: FINALLY, THE 83 00:01:53,013 --> 00:01:54,683 EMOTIONALLY BRUISED AND BATTERED 84 00:01:54,682 --> 00:01:56,852 STARLET, SEEN HERE, IS FORCED TO 85 00:01:56,850 --> 00:01:58,550 LEAVE THE SET, UNABLE TO 86 00:01:58,552 --> 00:02:00,592 COMMUNICATE HER ADDRESS IN 87 00:02:00,588 --> 00:02:01,518 CHINESE. 88 00:02:09,630 --> 00:02:10,900 >> Beckles: WELL, WE'LL BE 89 00:02:10,898 --> 00:02:12,198 KEEPING A CLOSE EYE ON THIS 90 00:02:12,233 --> 00:02:13,603 STORY. 91 00:02:13,601 --> 00:02:15,371 YO, TIME FOR A RAP CLASSIC. 92 00:02:15,403 --> 00:02:17,343 >> * [ Rapping ] IN COMPETITION, 93 00:02:17,338 --> 00:02:18,668 I'M THE BEST * 94 00:02:18,672 --> 00:02:21,072 * THE OTHERS CAN'T WITHSTAND MY 95 00:02:21,074 --> 00:02:21,844 TEST * 96 00:02:21,842 --> 00:02:24,142 * I ALWAYS HAVE MY HEAD HELD 97 00:02:24,144 --> 00:02:24,914 HIGH * 98 00:02:24,912 --> 00:02:26,352 * THE DECK IS STACKED, 99 00:02:26,347 --> 00:02:28,017 AND SO AM I * 100 00:02:28,015 --> 00:02:30,115 >> THE KNOCKOUTS! 101 00:02:30,117 --> 00:02:31,247 >> I'M GETTING A NERVOUS 102 00:02:31,252 --> 00:02:31,822 BREAKDOWN. 103 00:02:31,819 --> 00:02:33,089 >> Roark: LET'S CHECK IN AS 104 00:02:33,086 --> 00:02:34,286 CELEBRITIES WISH DON WELL. 105 00:02:34,288 --> 00:02:36,658 >> DON COSTELLO, YOU'RE AMAZING, 106 00:02:36,657 --> 00:02:38,957 AND I WISH YOU ARE BACK TO YOUR 107 00:02:38,959 --> 00:02:40,959 NORMAL 100% SELF SO WE CAN ALL 108 00:02:40,961 --> 00:02:43,101 CONTINUE LAUGHING AND LOVING YOU 109 00:02:43,096 --> 00:02:44,666 EVERMORE. 110 00:02:44,665 --> 00:02:46,595 >> Beckles: AN EXCLUSIVE DEBUT 111 00:02:46,600 --> 00:02:48,500 OF JENNIFER'S GET-WELL SONG TO 112 00:02:48,502 --> 00:02:50,942 DON. 113 00:02:50,938 --> 00:02:52,808 LET'S DO THIS -- TIME FOR A 114 00:02:52,806 --> 00:02:54,536 HOLLYWOOD MAKEOVER. 115 00:02:54,542 --> 00:02:55,882 >> O'Brien: WHAT WILL OUR 116 00:02:55,876 --> 00:02:57,446 MACHIAVELLI OF MAKEOVER PULL OFF 117 00:02:57,445 --> 00:02:57,905 TONIGHT? 118 00:02:57,911 --> 00:02:58,781 >> Beckles: [ CHUCKLES ] 119 00:02:58,779 --> 00:02:59,649 I LIKE THAT ONE, PAT. 120 00:02:59,647 --> 00:03:00,677 HERE'S STEWART. 121 00:03:00,681 --> 00:03:02,451 STEWART NEEDED A NEW LOOK -- 122 00:03:02,450 --> 00:03:02,950 STAT. 123 00:03:02,950 --> 00:03:04,750 WHAT TO DO? CONSULT THE VAULT. 124 00:03:04,752 --> 00:03:06,052 STEWART LOOKED THROUGH TAPE 125 00:03:06,053 --> 00:03:07,263 AFTER TAPE OF MY HUNK 126 00:03:07,255 --> 00:03:08,655 COLLECTION, BUT HE COULDN'T MAKE 127 00:03:08,656 --> 00:03:09,316 UP HIS MIND. 128 00:03:09,323 --> 00:03:10,563 HE WANTED TO BE THIS HUNK... 129 00:03:10,558 --> 00:03:11,388 >> YOU KNOW, YOU'RE RIGHT. 130 00:03:11,392 --> 00:03:12,362 >> Beckles: THEN HE WANTED TO BE 131 00:03:12,360 --> 00:03:13,030 THIS HUNK... 132 00:03:13,026 --> 00:03:14,426 >> TURN HIM INTO A HUMAN PIÑATA. 133 00:03:14,428 --> 00:03:15,858 >> Beckles: ...THEN THIS HUNK... 134 00:03:15,863 --> 00:03:16,733 >> [ GRUNTING ] 135 00:03:16,730 --> 00:03:18,130 >> Beckles: TAPE AFTER TAPE, 136 00:03:18,131 --> 00:03:19,971 HUNK AFTER HUNK, STEWART STILL 137 00:03:19,967 --> 00:03:21,567 COULDN'T MAKE UP HIS MIND. 138 00:03:21,569 --> 00:03:22,869 STAY TUNED FOR INDECISIVE 139 00:03:22,870 --> 00:03:24,910 STEWART'S MAKEOVER RESULTS. 140 00:03:24,905 --> 00:03:25,705 >> O'Brien: STICK AROUND. 141 00:03:25,706 --> 00:03:26,966 YOU'RE NOT GOING ANYWHERE. 142 00:03:26,974 --> 00:03:28,544 "HOT PACKAGE'S" TROUBADOUR OF 143 00:03:28,542 --> 00:03:30,042 TRUTH, FASCIST OF FACTS, AND 144 00:03:30,043 --> 00:03:31,213 DICTATOR OF DETAILS, 145 00:03:31,211 --> 00:03:33,551 DERRICK BECKLES DOES IT AGAIN. 146 00:03:33,547 --> 00:03:36,017 IT'S TIME FOR "ONES ON ONE." 147 00:03:36,016 --> 00:03:37,546 >> Beckles: HERE'S AMERICA'S 148 00:03:37,551 --> 00:03:39,221 MOST NOTORIOUS ARMS DEALER, BUT 149 00:03:39,219 --> 00:03:40,849 THE ARMS HE DEALT WERE ATTACHED 150 00:03:40,854 --> 00:03:41,664 TO HIS BODY. 151 00:03:41,655 --> 00:03:42,715 HE WAS ARRESTED FOR SELLING 152 00:03:42,723 --> 00:03:44,833 STEROIDS, AND THEN HIS ARMS 153 00:03:44,825 --> 00:03:45,755 EXPLODED. 154 00:03:45,759 --> 00:03:46,729 I SAT DOWN WITH MY MAN 155 00:03:46,727 --> 00:03:48,327 GREGG VALENTINO, AND IN TYPICAL 156 00:03:48,329 --> 00:03:50,229 GREGG FASHION, WE COVERED GIRLS, 157 00:03:50,230 --> 00:03:52,600 DRUGS, AND THE DISABLED. 158 00:03:52,600 --> 00:03:54,000 YOUR ARMS EXPLODED. 159 00:03:54,001 --> 00:03:55,271 >> WELL, BASICALLY, I GOT HIT 160 00:03:55,269 --> 00:03:56,569 WITH A BAT, AND MY ARM BLEW UP 161 00:03:56,570 --> 00:03:57,970 LIKE A BALLOON, SO I DRAINED IT. 162 00:03:57,971 --> 00:03:59,241 AND I FILM MYSELF DOING IT. 163 00:03:59,239 --> 00:04:00,669 AND I JUST DRAINED IT OF BLOOD. 164 00:04:00,674 --> 00:04:02,114 I MEAN, I HAD LIKE A FREAKING 165 00:04:02,109 --> 00:04:02,879 LITER. 166 00:04:02,876 --> 00:04:04,006 I WAS A PINCUSHION AS IT WAS. 167 00:04:04,011 --> 00:04:05,151 >> Beckles: HOW BIG WERE YOUR 168 00:04:05,145 --> 00:04:06,245 ARMS AT THEIR BIGGEST POINT? 169 00:04:06,246 --> 00:04:07,076 >> 27 INCHES. 170 00:04:07,080 --> 00:04:08,580 I HOLD THE WORLD'S RECORD -- 171 00:04:08,582 --> 00:04:09,282 BIGGEST ARMS EVER. 172 00:04:09,283 --> 00:04:10,183 >> Beckles: HOW BIG ARE YOUR 173 00:04:10,183 --> 00:04:10,683 ARMS NOW? 174 00:04:10,684 --> 00:04:11,754 >> THEY'RE NOT -- THEY'RE NOT 175 00:04:11,752 --> 00:04:12,652 REALLY THAT BIG ANYMORE. 176 00:04:12,653 --> 00:04:14,023 I MEAN, UH, YOU KNOW, I'M NOT 177 00:04:14,021 --> 00:04:14,791 JUICED UP ANYMORE. 178 00:04:14,788 --> 00:04:15,858 >> Beckles: AND SPEAKING OF 179 00:04:15,856 --> 00:04:17,456 JUICE, GREGG TOLD US ABOUT THE 180 00:04:17,458 --> 00:04:19,058 DAY THE COPS PUT THE SQUEEZE ON 181 00:04:19,092 --> 00:04:19,532 HIM. 182 00:04:19,527 --> 00:04:20,787 >> WELL, I WAS SELLING STEROIDS, 183 00:04:20,828 --> 00:04:21,998 AND I GOT ARRESTED FOR THAT. 184 00:04:21,995 --> 00:04:23,325 >> Beckles: EXPLAIN WHEN YOU GOT 185 00:04:23,331 --> 00:04:23,831 ARRESTED. 186 00:04:23,831 --> 00:04:24,671 WHAT WAS THAT LIKE? 187 00:04:24,665 --> 00:04:25,865 >> ONE DAY, I'M WORKING OUT, 188 00:04:25,866 --> 00:04:27,226 AND, YOU KNOW, IT'S AFTER HOURS. 189 00:04:27,234 --> 00:04:28,544 THE NEXT THING I KNOW, THE GYM 190 00:04:28,536 --> 00:04:30,096 DOOR KICKS IN, AND THERE'S LIKE 191 00:04:30,103 --> 00:04:31,473 COPS EVERYWHERE, YOU KNOW? 192 00:04:31,472 --> 00:04:32,742 AND THEY'RE PUTTING GUNS TO MY 193 00:04:32,740 --> 00:04:33,840 HEAD, AND I'M LIKE, "HOLY 194 00:04:33,841 --> 00:04:34,311 [BLEEP]" 195 00:04:34,308 --> 00:04:35,508 I'M IN THE MIDDLE OF DOING A 196 00:04:35,509 --> 00:04:36,209 SET, YOU KNOW? 197 00:04:36,209 --> 00:04:37,279 YOU KNOW, THERE'S NO REASON FOR 198 00:04:37,277 --> 00:04:37,677 THAT. 199 00:04:37,678 --> 00:04:38,708 >> Beckles: THEN I ASK GREGG THE 200 00:04:38,712 --> 00:04:41,112 QUESTION ON EVERYONE'S MIND. 201 00:04:41,114 --> 00:04:42,324 DO YOU THINK ALYSSA MILANO IS 202 00:04:42,316 --> 00:04:42,876 ATTRACTIVE? 203 00:04:42,883 --> 00:04:43,953 >> DUDE, LET ME TELL YOU 204 00:04:43,951 --> 00:04:45,321 SOMETHING -- I THINK SHE'S 205 00:04:45,319 --> 00:04:45,819 GORGEOUS. 206 00:04:45,819 --> 00:04:46,949 >> Beckles: AND WHAT ABOUT 207 00:04:46,954 --> 00:04:48,124 TRANSVESTITES? 208 00:04:48,121 --> 00:04:49,961 DO YOU ENJOY TRANSVESTITES? 209 00:04:49,957 --> 00:04:52,857 >> UH...LET'S PUT IT THIS WAY -- 210 00:04:52,860 --> 00:04:55,230 I'VE DONE THINGS THAT, UM, MOST 211 00:04:55,228 --> 00:04:56,398 PEOPLE WOULDN'T DO. 212 00:04:56,397 --> 00:04:58,597 YOU KNOW WHAT I'M SAYING? 213 00:04:58,599 --> 00:04:59,569 "BEND OVER, I'LL DRIVE." 214 00:04:59,567 --> 00:05:00,467 >> Beckles: [ LAUGHS ] 215 00:05:00,468 --> 00:05:02,038 LIKE WHEN GREGG WAS DRIVING 216 00:05:02,035 --> 00:05:03,665 THOSE KIDS HOME, BUT THERE WAS 217 00:05:03,671 --> 00:05:05,111 NO BATHROOM ON THE BUS. 218 00:05:05,105 --> 00:05:09,235 YOU WERE A DRIVER FOR MENTALLY 219 00:05:09,276 --> 00:05:10,036 DISABLED PEOPLE. 220 00:05:10,043 --> 00:05:11,143 >> HOLY GOD -- HOW DID YOU KNOW 221 00:05:11,144 --> 00:05:11,554 THAT? 222 00:05:11,545 --> 00:05:12,575 THAT'S AWESOME. 223 00:05:12,580 --> 00:05:13,780 YOU KNOW, THEY WERE -- YOU KNOW, 224 00:05:13,781 --> 00:05:14,951 I DON'T WANT TO MOCK THEM, BUT, 225 00:05:14,948 --> 00:05:16,118 YOU KNOW, THEY DIDN'T KNOW WHAT 226 00:05:16,116 --> 00:05:17,176 THE [BLEEP] WAS GOING ON. 227 00:05:17,184 --> 00:05:18,294 SO, I WOULD TAKE THESE BIG 228 00:05:18,285 --> 00:05:19,585 PROTEIN SHAKES, AND I'D STICK A 229 00:05:19,587 --> 00:05:21,287 BIG FREAKING, LIKE, CHUNK OF, 230 00:05:21,288 --> 00:05:23,158 LIKE, THIS SIX-LAYER CAKE, AND 231 00:05:23,156 --> 00:05:24,456 I'D BLEND IT, AND I'D EAT IT. 232 00:05:24,458 --> 00:05:25,758 AND BEFORE YOU KNOW IT, I WOULD 233 00:05:25,759 --> 00:05:26,459 PARK THE BUS. 234 00:05:26,460 --> 00:05:27,830 I'D RUN IN THE BACK OF THE BUS, 235 00:05:27,828 --> 00:05:29,128 THROW A NEWSPAPER DOWN ON THE 236 00:05:29,129 --> 00:05:30,529 FLOOR, AND "BRRPT" LIKE THIS AND 237 00:05:30,531 --> 00:05:31,831 THEN THROW IT OUT THE WINDOW. 238 00:05:31,832 --> 00:05:32,502 THEY HAD NO IDEA. 239 00:05:32,500 --> 00:05:33,470 THEY'D BE SITTING THERE, AND 240 00:05:33,501 --> 00:05:34,231 THEY'D HAVE NO CLUE. 241 00:05:34,234 --> 00:05:35,044 >> Beckles: [ LAUGHS ] 242 00:05:35,035 --> 00:05:36,065 >> I GOT A BETTER ONE FOR YOU, 243 00:05:36,069 --> 00:05:36,639 THOUGH. 244 00:05:36,637 --> 00:05:37,737 >> Beckles: HE SURE DOES -- 245 00:05:37,738 --> 00:05:39,738 COMING UP, "H.P." FITNESS GURU 246 00:05:39,740 --> 00:05:41,410 GREGG VALENTINO SHARES SOME 247 00:05:41,409 --> 00:05:42,109 HEALTH TIPS. 248 00:05:42,109 --> 00:05:43,439 >> Roark: LET'S CHECK IN ON 249 00:05:43,444 --> 00:05:44,754 ANOTHER TOUCHING MOMENT AS 250 00:05:44,745 --> 00:05:47,075 CELEBRITIES REMEMBER DON. 251 00:05:47,080 --> 00:05:48,950 >> WHO'S DON COSTELLO? 252 00:05:51,619 --> 00:05:53,219 >> Beckles: YO, TIME FOR A RAP 253 00:05:53,253 --> 00:05:54,053 CLASSIC. 254 00:05:54,054 --> 00:05:55,364 >> * [ Rapping ] MY NAME IS 255 00:05:55,355 --> 00:05:57,455 BROOKLYN, AND I'VE PERFECTED * 256 00:05:57,458 --> 00:05:59,688 * THE WAY TO GET BIG THINGS 257 00:05:59,693 --> 00:06:00,563 ERECTED * 258 00:06:00,561 --> 00:06:03,001 * I DO MY WORK, NO IFs AND 259 00:06:02,996 --> 00:06:03,456 BUTs * 260 00:06:03,464 --> 00:06:05,834 * BUT, BABY, I'M BEST WITH BOLTS 261 00:06:05,833 --> 00:06:07,003 AND NUTS * 262 00:06:07,000 --> 00:06:09,070 >> KNOCKOUTS! 263 00:06:09,069 --> 00:06:10,399 >> Roark: AND NOW THE WOMAN 264 00:06:10,404 --> 00:06:11,414 EVERYONE THOUGHT WAS 265 00:06:11,405 --> 00:06:12,905 JACKIE STALLONE SETS THE RECORD 266 00:06:12,906 --> 00:06:13,466 STRAIGHT. 267 00:06:13,474 --> 00:06:14,484 >> O'Brien: IT'S AN 268 00:06:14,475 --> 00:06:15,705 "H.P. EXCLUSIVE." 269 00:06:15,709 --> 00:06:17,649 >> Beckles: BUBBLY, VIVACIOUS, 270 00:06:17,645 --> 00:06:19,645 BURDENED WITH POISE -- EVERYONE 271 00:06:19,647 --> 00:06:20,607 IN HOLLYWOOD THOUGHT SHE WAS 272 00:06:20,614 --> 00:06:21,884 JACKIE STALLONE. 273 00:06:21,882 --> 00:06:23,322 [ WIND BLOWS LOUDLY ] 274 00:06:23,316 --> 00:06:25,446 SHH! SHH! 275 00:06:25,453 --> 00:06:27,463 DID YOU HEAR THAT? SHH! 276 00:06:35,863 --> 00:06:37,003 >> [ GASPS ] 277 00:06:36,997 --> 00:06:37,897 OH, GOD! 278 00:06:37,898 --> 00:06:38,928 [ PANTING ] 279 00:06:38,966 --> 00:06:40,296 >> AAH! 280 00:06:40,300 --> 00:06:42,540 >> [ Crying ] ME WHINE, AND ME 281 00:06:42,536 --> 00:06:44,136 CRY! 282 00:06:44,137 --> 00:06:45,237 ME WHINING AND CRYING! 283 00:06:45,272 --> 00:06:45,842 [ MOANS ] 284 00:06:45,839 --> 00:06:46,909 >> UH-OH. 285 00:06:46,907 --> 00:06:47,937 BETTER GET A CLOSER LOOK AT 286 00:06:47,975 --> 00:06:49,005 THIS. 287 00:06:49,009 --> 00:06:50,339 >> ME WHINING AND CRYING! 288 00:06:50,343 --> 00:06:50,983 [ MOANS ] 289 00:06:50,978 --> 00:06:52,448 AND THERE'S CATACLYSM IN THE 290 00:06:52,446 --> 00:06:53,506 BLOGDOMS. 291 00:06:53,514 --> 00:06:56,484 I DON'T WANT TO SURVIVE! 292 00:06:56,484 --> 00:06:57,924 BUT WHEN THE 293 00:06:57,951 --> 00:07:01,121 [Echoing] BLOGDOMS... 294 00:07:01,121 --> 00:07:02,421 >> [ GASPS ] 295 00:07:02,422 --> 00:07:03,322 OH, GOD! 296 00:07:03,356 --> 00:07:05,056 [ PANTING ] 297 00:07:05,058 --> 00:07:07,528 >> ...THEY'RE THE FIRST ONES TO 298 00:07:07,528 --> 00:07:10,698 COME KNOCKING AT YOUR FALLOUT 299 00:07:10,698 --> 00:07:11,468 SHELTER! 300 00:07:11,499 --> 00:07:12,799 [ SHOUTS INDISTINCTLY ] 301 00:07:12,800 --> 00:07:14,000 [ MACHINERY BEEPING ] 302 00:07:14,001 --> 00:07:15,041 >> [ GASPS ] 303 00:07:15,035 --> 00:07:17,435 >> I AM NOT JACKIE STALLONE. 304 00:07:17,437 --> 00:07:19,407 >> OH. 305 00:07:19,406 --> 00:07:20,406 >> Roark: ALL RIGHT. 306 00:07:20,407 --> 00:07:21,807 TIME FOR SOME HOLLYWOOD HEALTH 307 00:07:21,809 --> 00:07:22,209 TIPS. 308 00:07:22,209 --> 00:07:23,839 AND WHO BETTER TO TELL US ALL 309 00:07:23,844 --> 00:07:25,114 ABOUT THEM THAN GRE-- 310 00:07:25,112 --> 00:07:27,112 [ UPBEAT ROCK MUSIC PLAYS ] 311 00:07:32,352 --> 00:07:33,992 >> Beckles: [ LAUGHS ] 312 00:07:33,987 --> 00:07:35,117 I'M HERE WITH MY MAN 313 00:07:35,122 --> 00:07:36,662 GREGG VALENTINO, AND HE'S GONNA 314 00:07:36,657 --> 00:07:38,157 TELL US A FEW THINGS ABOUT HOW 315 00:07:38,158 --> 00:07:39,728 TO STAY IN SHAPE, BUT FIRST, 316 00:07:39,727 --> 00:07:41,897 LET'S WATCH SOME CLASSIC FRAMES. 317 00:07:41,895 --> 00:07:44,695 [ CLASSICAL MUSIC PLAYS ] 318 00:07:50,971 --> 00:07:52,711 [ LAUGHS ] 319 00:07:52,706 --> 00:07:53,306 CLASSIC. 320 00:07:53,306 --> 00:07:54,876 LET'S JUST GET THIS JACKET OFF 321 00:07:54,875 --> 00:07:56,205 AND GET DOWN TO BUSINESS. 322 00:07:56,209 --> 00:07:57,909 I HAVE A LOT OF QUESTIONS FOR 323 00:07:57,911 --> 00:07:59,781 YOU -- CAKE, FRUITS, VEGETABLES. 324 00:07:59,780 --> 00:08:01,380 BUT LET'S START WITH BLOOD. 325 00:08:01,381 --> 00:08:02,951 I HAVE SO MUCH BLOOD IN MY BODY, 326 00:08:02,950 --> 00:08:03,450 AS WELL. 327 00:08:03,450 --> 00:08:04,650 YOU HAD THE SAME PROBLEM. 328 00:08:04,652 --> 00:08:06,152 WHAT'S THE BEST WAY TO DEAL WITH 329 00:08:06,153 --> 00:08:06,553 THAT? 330 00:08:06,554 --> 00:08:07,154 >> WELL -- 331 00:08:07,154 --> 00:08:08,164 [ ELECTRONIC DANCE MUSIC PLAYS ] 332 00:08:08,155 --> 00:08:09,115 >> Beckles: UH-OH. 333 00:08:09,122 --> 00:08:10,492 YOU KNOW WHAT THAT MUSIC MEANS. 334 00:08:10,490 --> 00:08:11,390 [ DRAMATIC MUSIC PLAYS ] 335 00:08:11,391 --> 00:08:12,391 [ BEEPING RHYTHMICALLY ] 336 00:08:12,392 --> 00:08:13,532 >> Roark: ALWAYS JUBILANT AND ON 337 00:08:13,527 --> 00:08:15,197 TOP OF THE WORLD, AMERICA'S 338 00:08:15,195 --> 00:08:17,055 FAVORITE CROSS-EYED COMPANION, 339 00:08:17,064 --> 00:08:18,574 WHO SHARED HIMSELF WITH 340 00:08:18,566 --> 00:08:20,396 GENERATIONS, HAS PASSED AWAY. 341 00:08:20,400 --> 00:08:21,300 [ FLATLINE ] 342 00:08:21,301 --> 00:08:22,771 >> O'Brien: OH [BLEEP] 343 00:08:22,770 --> 00:08:23,840 I MEAN, AM I ON A TWO-SHOT? 344 00:08:23,837 --> 00:08:24,337 >> YES. 345 00:08:24,337 --> 00:08:25,437 >> Beckles: AND NOW HERE'S THE 346 00:08:25,438 --> 00:08:26,938 STAR OF "TRUNK," JENNIFER DAY, 347 00:08:26,940 --> 00:08:28,340 WITH AN IMMEDIATELY CLASSIC 348 00:08:28,341 --> 00:08:29,711 TRIBUTE TO ENTERTAINMENT'S 349 00:08:29,710 --> 00:08:31,440 FAVORITE SON, DON COSTELLO. 350 00:08:31,444 --> 00:08:33,214 >> THIS ONE GOES OUT TO DON. 351 00:08:33,213 --> 00:08:34,623 [ FUNKY MUSIC PLAYS ] 352 00:08:34,615 --> 00:08:35,975 >> * GIVING ME, GIVING ME, 353 00:08:35,983 --> 00:08:37,423 GIVING ME, GIVING ME * 354 00:08:37,417 --> 00:08:40,347 >> * I WANT YOU HERE WITH ME 355 00:08:40,353 --> 00:08:42,523 * GIVING ME ALL YOUR LOVE 356 00:08:42,522 --> 00:08:45,332 * I WANT YOU HERE WITH ME 357 00:08:45,325 --> 00:08:47,955 * OOH! WHOA! 358 00:08:47,961 --> 00:08:49,601 * YOU'RE WORKING IT, 359 00:08:49,597 --> 00:08:52,027 YOU'RE GIVING IT * 360 00:08:52,032 --> 00:08:54,742 * YOU'RE MAKING ME SWEAT 361 00:08:54,735 --> 00:08:56,665 * YOU'RE MAKING ME SWEAT, 362 00:08:56,670 --> 00:08:59,170 OH, BABY * 363 00:08:59,172 --> 00:09:02,342 * YOU KNOW WHAT I LIKE 364 00:09:02,342 --> 00:09:04,482 * YOU'RE WORKING IT 365 00:09:04,477 --> 00:09:08,977 * YOU'RE MAKING ME SWEAT 366 00:09:08,982 --> 00:09:11,452 [ MUSIC ENDS ] 367 00:09:11,451 --> 00:09:12,921 [ SIGHS ] THAT WAS FUN. 368 00:09:12,920 --> 00:09:13,490 [ LAUGHS ] 369 00:09:13,486 --> 00:09:14,656 >> Beckles: TIME FOR ANOTHER 370 00:09:14,655 --> 00:09:15,855 TRIBUTE TO DON. 371 00:09:15,856 --> 00:09:16,986 >> YOU'RE NOT TELLING ME -- 372 00:09:16,990 --> 00:09:17,760 YOU'RE ASKING ME. 373 00:09:17,758 --> 00:09:19,058 I'M GETTING A NERVOUS BREAKDOWN. 374 00:09:19,059 --> 00:09:20,329 >> Beckles: LET'S ALL BID DON A 375 00:09:20,327 --> 00:09:22,727 FAREWELL WITH HIS BELOVED 376 00:09:22,730 --> 00:09:24,600 TRADEMARK CATCHPHRASE, "I'M 377 00:09:24,598 --> 00:09:27,268 GETTING A NERVOUS BREAKDOWN." 378 00:09:27,267 --> 00:09:28,167 >> I'M GETTING A NERVOUS 379 00:09:28,168 --> 00:09:30,468 BREAKDOWN. 380 00:09:30,470 --> 00:09:31,670 >> Roark: I'M GETTING A NERVOUS 381 00:09:31,672 --> 00:09:34,042 BREAKDOWN. 382 00:09:34,041 --> 00:09:35,281 >> I AM GETTING A NERVOUS 383 00:09:35,275 --> 00:09:37,905 BREAKDOWN. 384 00:09:37,911 --> 00:09:39,051 >> I'M GETTING A NERVOUS 385 00:09:39,046 --> 00:09:41,206 BREAKDOWN. 386 00:09:41,214 --> 00:09:42,324 >> Beckles: I'M GETTING A 387 00:09:42,315 --> 00:09:45,345 NERVOUS BREAKDOWN. 388 00:09:45,352 --> 00:09:46,422 >> I'M GETTING A NERVOUS 389 00:09:46,419 --> 00:09:48,759 BREAKDOWN. 390 00:09:48,756 --> 00:09:49,716 >> O'Brien: I'M GETTING A 391 00:09:49,723 --> 00:09:50,463 NERVOUS BREAKDOWN. 392 00:09:50,457 --> 00:09:52,157 MY PATIENC IS GETTING A NERVOUS 393 00:09:52,159 --> 00:09:53,629 BREAKDOWN WONDERING HOW THE 394 00:09:53,627 --> 00:09:55,097 "H.P." HOLLYWOOD MAKEOVER HAS 395 00:09:55,095 --> 00:09:55,755 TURNED OUT. 396 00:09:55,763 --> 00:09:56,403 DERRICK? 397 00:09:56,396 --> 00:09:58,096 >> Beckles: REMEMBER STEWART? 398 00:09:58,098 --> 00:09:59,798 HIS INABILITY TO PICK A HUNK 399 00:09:59,800 --> 00:10:01,270 FROM THE VIDEO VAULT WAS 400 00:10:01,268 --> 00:10:02,498 DOWNRIGHT PUZZLING. 401 00:10:02,502 --> 00:10:03,642 THEN I STEPPED IN WITH A 402 00:10:03,637 --> 00:10:05,107 "HOT PACKAGE" MAKEOVER TEAM, AND 403 00:10:05,105 --> 00:10:07,135 WE FOUND ALL THE RIGHT PIECES TO 404 00:10:07,140 --> 00:10:08,710 PUT THIS GUY'S LOOK BACK 405 00:10:08,709 --> 00:10:09,809 TOGETHER AGAIN. 406 00:10:09,810 --> 00:10:11,680 HERE'S STEWART! 407 00:10:11,679 --> 00:10:12,779 WE PIERCED HIS EARS... 408 00:10:12,780 --> 00:10:13,250 >> HOT. 409 00:10:13,246 --> 00:10:14,446 >> Beckles: ...TRIPLED THE 410 00:10:14,447 --> 00:10:15,577 ETHNICITY OF HIS HAIR... 411 00:10:15,582 --> 00:10:16,022 >> HOT. 412 00:10:16,016 --> 00:10:17,146 >> Beckles: ...TOUSLED HIS 413 00:10:17,150 --> 00:10:17,620 BEARD... 414 00:10:17,617 --> 00:10:18,217 >> HOT. 415 00:10:18,218 --> 00:10:19,888 >> Beckles: ...AND SAID ADIóS TO 416 00:10:19,887 --> 00:10:21,117 THOSE EYEBROWS. 417 00:10:21,121 --> 00:10:21,551 >> HOT. 418 00:10:21,554 --> 00:10:22,364 >> O'Brien: WOW. 419 00:10:22,355 --> 00:10:23,715 BY THE WAY, THOSE HOOPS -- HOT. 420 00:10:23,724 --> 00:10:25,894 LOOKS LIKE A GREEK MODEL -- 421 00:10:25,893 --> 00:10:27,333 UNNERVINGLY HANDSOME. 422 00:10:27,360 --> 00:10:29,700 WOW! 423 00:10:29,697 --> 00:10:31,097 >> Beckles: LOOKS LIKE ANASTASIA 424 00:10:31,098 --> 00:10:32,368 PULLED THE TRIGGER TOO SOON. 425 00:10:32,365 --> 00:10:33,625 WORD JUST IN -- DON IS DOING 426 00:10:33,633 --> 00:10:35,543 JUST FINE, AND ONLY WE CAN 427 00:10:35,535 --> 00:10:36,095 CONFIRM. 428 00:10:36,103 --> 00:10:37,243 >> O'Brien: YEAH, THE 429 00:10:37,237 --> 00:10:38,837 "HOT PACKAGE" FAMILY OFFERS OUR 430 00:10:38,839 --> 00:10:42,039 EXCLUSIVE, HEARTFELT APOLOGY FOR 431 00:10:42,042 --> 00:10:44,112 ANASTASIA'S UNFORGIVABLE 432 00:10:44,111 --> 00:10:44,581 MISTAKE. 433 00:10:44,577 --> 00:10:45,677 >> Beckles: UNFORGIVABLE, 434 00:10:45,679 --> 00:10:46,109 INDEED. 435 00:10:46,113 --> 00:10:48,153 BUT, THANKFULLY, DON IS DOING 436 00:10:48,148 --> 00:10:48,678 AWESOME. 437 00:10:48,682 --> 00:10:49,952 SO, FROM EVERYONE HERE AT 438 00:10:49,950 --> 00:10:50,620 "HOT PACKAGE"... 439 00:10:50,617 --> 00:10:51,447 >> O'Brien: DREAM BIG... 440 00:10:51,451 --> 00:10:53,491 >> Both: AND SMILE BIGGER. 441 00:10:56,156 --> 00:10:57,516 >> * [ Rapping ] KNOCKOUTS LIKE 442 00:10:57,524 --> 00:10:59,364 THEIR ACTION HOT * 443 00:10:59,359 --> 00:11:01,389 * THEY'LL GIVE YOU EVERYTHING 444 00:11:01,394 --> 00:11:02,504 THEY'VE GOT * 445 00:11:02,495 --> 00:11:04,025 * THEY'LL GIVE YOU LEFTS, 446 00:11:04,031 --> 00:11:05,671 THEY'LL GIVE YOU RIGHTS * 447 00:11:05,665 --> 00:11:07,835 * THEY'RE GONNA GIVE YOU ACTION 448 00:11:07,835 --> 00:11:08,465 FIGHTS * 449 00:11:08,468 --> 00:11:08,898 HOT. 450 00:11:08,902 --> 00:11:09,742 >> [ GASPS ] 27950

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.