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[CHEERING]
2
00:00:09,760 --> 00:00:13,138
HEY, BRINGSTON UNIVERSITY,
Y'ALL, MAKE SOME NOISE!
3
00:00:13,138 --> 00:00:16,225
[LOUDER CHEERING]
4
00:00:16,225 --> 00:00:18,268
UH! LET'S GO.
5
00:00:18,268 --> 00:00:19,853
WHOA, WHOA, WHOA, UH!
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00:00:19,853 --> 00:00:21,939
♪ SWEET LORD,
PLEASE HAVE MERCY ♪
7
00:00:21,939 --> 00:00:23,941
♪ BABY JESUS, PLEASE SAVE US ♪
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00:00:23,941 --> 00:00:25,609
♪ I KNOW I USED UP
MY THREE FAVORS ♪
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00:00:25,609 --> 00:00:26,944
♪ BACK TO SINNING,
LIKE, A WEEK LATER ♪
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00:00:26,944 --> 00:00:28,987
♪ NEW CAR, SPEED RACER ♪
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00:00:28,987 --> 00:00:30,906
♪ COP A CRIB, NEED ACRES ♪
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00:00:30,906 --> 00:00:32,324
♪ MOST OF ALL,
WE ALL NEED PRAYER ♪
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00:00:32,324 --> 00:00:33,659
♪ KARMA COMING, BEWARE... ♪
14
00:00:33,659 --> 00:00:36,036
WOW. I BET PRINCETON
15
00:00:36,036 --> 00:00:37,120
ISN'T DOING ALL THIS
FOR THEIR HOMECOMING.
16
00:00:37,120 --> 00:00:39,206
PRINCETON WHO?
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00:00:39,206 --> 00:00:40,707
SPENCER: EXACTLY.
LOOK, IF THEY
18
00:00:40,707 --> 00:00:43,126
TOO WACK TO ACCEPT
YOU, FORGET THEM.
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00:00:43,126 --> 00:00:45,128
LOOK, GUYS, I THOUGHT
THE WHOLE POINT OF THIS TRIP WAS
20
00:00:45,128 --> 00:00:47,381
TO HELP CHEER ME UP
AND TAKE MY MIND OFF THAT SCHOOL.
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00:00:47,381 --> 00:00:49,925
OLIVIA: WELL, YEAH,
AND TO SCOPE OUT THE HBCU EXPERIENCE.
22
00:00:49,925 --> 00:00:52,302
JORDAN: YOU'RE
THE ONLY ONE WITH HBCUs ON YOUR LIST, LIV.
23
00:00:52,302 --> 00:00:55,055
WELL, AT LEAST
SHE HAS A LIST. I AIN'T GOT NADA.
24
00:00:55,055 --> 00:00:57,516
ALL RIGHT. OK. STOP
THE COLLEGE TALK, ALL RIGHT?
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00:00:57,516 --> 00:00:59,810
THIS WEEKEND IS ABOUT
VISITING YOUR AUNT
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00:00:59,810 --> 00:01:00,769
AND HAVING SOME G.A.F.
AM I RIGHT? GROWN-ASS FUN.
27
00:01:00,769 --> 00:01:03,021
COME ON, GUYS.
28
00:01:03,021 --> 00:01:04,481
[CHUCKLES]
HOLD UP. HOLD UP.
29
00:01:04,481 --> 00:01:06,149
IS THAT REALLY CORDAE
ON THE STAGE?
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00:01:06,149 --> 00:01:07,359
CORDAE: ♪ ALL GAS
AND THE BRAKE'S SLOWER ♪
31
00:01:07,359 --> 00:01:09,361
♪ TOOK A TRIP OUT TO TOKYO ♪
32
00:01:09,361 --> 00:01:10,654
♪ NOW I'M HERE IN PARIS
FOR THE LAYOVER... ♪
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00:01:10,654 --> 00:01:13,073
SIMONE: ALL RIGHT, Y'ALL.
34
00:01:13,073 --> 00:01:14,116
WELCOME TO BRINGSTON UNIVERSITY.
35
00:01:14,116 --> 00:01:17,286
IT'S TIME TO TURN UP.
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00:01:17,286 --> 00:01:19,204
CORDAE: ♪ LIFE WILL HIT YOU
WITH A LIGHT JAB ♪
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00:01:19,204 --> 00:01:21,039
♪ MIKE TYSON, STRIKE BACK ♪
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00:01:21,039 --> 00:01:22,791
♪ YOU GO ON NOW, SLIGHT SAD ♪
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00:01:22,791 --> 00:01:24,251
♪ KNOW I'M ALL ABOUT MY BAG ♪
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00:01:24,251 --> 00:01:26,378
♪ NEW DRIP, I GRAB ♪
41
00:01:26,378 --> 00:01:28,172
♪ I JUST WANNA GET
MY LIFE BACK ♪
42
00:01:28,172 --> 00:01:29,464
IT'S JUST LIKE
IN ANY OTHER SPACE.
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00:01:31,842 --> 00:01:35,304
AS BLACK JOURNALISTS,
44
00:01:35,304 --> 00:01:36,680
YOU WILL BE HELD
TO A HIGHER STANDARD.
45
00:01:36,680 --> 00:01:38,015
THERE'S A LARGER,
UNREALISTIC BURDEN
46
00:01:38,015 --> 00:01:40,851
ON BLACK JOURNALISTS.
47
00:01:40,851 --> 00:01:42,561
AND IF YOU TAKE SOMEONE LIKE ME,
WHO LIES IN THE INTERSECTION
48
00:01:42,561 --> 00:01:45,689
OF JOURNALISM AND ACTIVISM,
THAT BURDEN IS EVEN GREATER.
49
00:01:45,689 --> 00:01:48,650
OLIVIA: IS THAT YOUR AUNT?
PROFESSOR: KEISHA?
50
00:01:48,650 --> 00:01:50,194
KEISHA: SO HOW CAN YOU MAINTAIN
JOURNALISTIC OBJECTIVITY?
51
00:01:50,194 --> 00:01:52,529
STUDENT: THE SAME WAY
WHITE REPORTERS DO.
52
00:01:52,529 --> 00:01:54,448
KEISHA: EXCEPT, DO THEY?
53
00:01:54,448 --> 00:01:56,325
JUST BECAUSE THE VIEWS OF
WHITENESS ARE NORMALIZED
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00:01:56,325 --> 00:01:57,159
TO BE THE OBJECTIVE
NEUTRAL DOESN'T MEAN THAT THEY ACTUALLY ARE.
55
00:01:57,159 --> 00:01:59,870
ALL RIGHT.
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00:01:59,870 --> 00:02:00,871
FORGET ABOUT JOURNALISTIC
OBJECTIVITY, KEISHA.
57
00:02:00,871 --> 00:02:03,957
I INSTEAD BELIEVE IN BEING
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00:02:03,957 --> 00:02:05,584
ETHICAL, FAIR,
AND TELLING THE TRUTH.
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00:02:05,584 --> 00:02:07,211
THERE'S A DIFFERENCE.
60
00:02:07,211 --> 00:02:08,629
AND AS FOR ETHICS,
MY PHILOSOPHY IS
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00:02:08,629 --> 00:02:10,297
IF IT DOESN'T CROSS
YOUR LINE IN THE SAND,
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00:02:10,297 --> 00:02:12,841
THERE IS NO SHAME
IN WALKING AWAY.
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00:02:12,841 --> 00:02:16,011
BUT IF IT DOES,
YOU PURSUE IT
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00:02:16,011 --> 00:02:17,930
UNTIL YOU HAVE IT RIGHT,
AND THEN BRING IT ALL TO THE LIGHT.
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00:02:17,930 --> 00:02:22,768
OK. YAS, POETRY!
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00:02:22,768 --> 00:02:25,729
[LAUGHTER,
STUDENTS SNAPPING FINGERS]
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00:02:25,729 --> 00:02:26,897
PROFESSOR: ALL RIGHT.
SEE YOU ALL TUESDAY.
68
00:02:26,897 --> 00:02:28,732
KEISHA, YOU'RE A MESS.
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HOOTIE HOO! HA HA!
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HI, AUNTIE.
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00:02:36,073 --> 00:02:38,158
OH, MY BABY GIRL.
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00:02:38,158 --> 00:02:39,868
I CAN'T BELIEVE YOU'RE
REALLY HERE. HA HA!
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00:02:39,868 --> 00:02:42,162
I KNOW.
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00:02:42,162 --> 00:02:44,623
OLIVIA, WHICH MAKES
YOU SPENCER.
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00:02:44,623 --> 00:02:47,334
AND YOU MUST BE
NEPHEW-IN-LAW.
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00:02:47,334 --> 00:02:50,170
SOMETHING LIKE THAT.
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00:02:50,170 --> 00:02:51,880
UH, BY THE WAY,
THANK YOU SO MUCH
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00:02:51,880 --> 00:02:53,131
FOR LETTING US
STAY THIS WEEKEND, MS. PATTERSON.
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00:02:53,131 --> 00:02:54,508
DEAR GOD. CALL ME AMARA.
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00:02:54,508 --> 00:02:55,884
I AM NOT THAT OLD.
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00:02:55,884 --> 00:02:58,178
SO WHAT YOU GOT
GOING ON?
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00:02:58,178 --> 00:02:59,346
WHAT DO YOU MEAN?
TEACHING.
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00:02:59,346 --> 00:03:01,431
YOU ARE NEVER JUST TEACHING.
84
00:03:01,431 --> 00:03:02,933
I KNOW YOU GOT SOME
AMAZING ARTICLE BREWING
85
00:03:02,933 --> 00:03:05,310
SOMEWHERE UP IN THERE.
86
00:03:05,310 --> 00:03:07,020
I'M STILL PUTTING
THE PIECES TOGETHER.
87
00:03:07,020 --> 00:03:09,606
IN THE MEANTIME,
IT'S HOMECOMING.
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00:03:09,606 --> 00:03:10,732
YEAH, Y'ALL SEEM
TO TAKE THAT REAL SERIOUS OUT HERE.
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00:03:10,732 --> 00:03:12,860
OH, HONEY,
YOU HAVE NO IDEA.
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00:03:12,860 --> 00:03:15,028
KEISHA HAS OFFERED TO BE
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00:03:15,028 --> 00:03:16,738
YOUR UNOFFICIAL AMBASSADOR
FOR THE WEEKEND.
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00:03:16,738 --> 00:03:18,365
SO LEAVE YOUR BAGS WITH ME.
HAVE SOME FUN.
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00:03:18,365 --> 00:03:20,033
I'LL CATCH YOU LATER.
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00:03:20,033 --> 00:03:21,785
WAIT. ARE YOU SURE?
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00:03:21,785 --> 00:03:23,453
GIRL, DON'T ASK TWICE.
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00:03:23,453 --> 00:03:24,913
♪ I MADE THE LONG CLIMB
FOR THE FIRST TIME ♪
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00:03:24,913 --> 00:03:27,916
♪ I'M ON TOP
FOR THE THIRD TIME... ♪
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00:03:27,916 --> 00:03:28,876
KEISHA: YOU MADE IT JUST
IN TIME FOR THE BEST PART OF HOMECOMING.
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00:03:28,876 --> 00:03:33,505
OLIVIA: WHAT'S THAT?
100
00:03:33,505 --> 00:03:34,965
TONIGHT'S FASHION SHOW,
CHOREOGRAPHED BY MOI.
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00:03:34,965 --> 00:03:36,884
OH. SO YOU'RE A JOURNALISM
-MAJOR/ -CHOREOGRAPHER?
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PREMED, ACTUALLY,
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00:03:41,597 --> 00:03:42,181
AND PROUD CAPTAIN
OF THE UNDEFEATED BRINGSTON DANCE SQUAD.
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HEY.
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00:03:46,852 --> 00:03:47,769
WHAT ARE YOU THINKING
ABOUT APPLYING HERE FOR?
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00:03:47,769 --> 00:03:49,229
OH, NO, I'M NOT
APPLYING HERE.
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00:03:49,229 --> 00:03:50,314
I'M JUST VISITING
WITH MY FAMILY.
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00:03:50,314 --> 00:03:51,815
MORE LIKE HIDING
FROM FAMILY.
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00:03:51,815 --> 00:03:53,275
SIMONE'S MOM IS,
LIKE, A LOT.
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00:03:53,275 --> 00:03:54,902
KEISHA: SO WHERE
ARE YOU APPLYING?
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00:03:54,902 --> 00:03:57,070
HONESTLY, I DON'T KNOW.
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00:03:57,070 --> 00:03:59,323
GIRL, TICK-TOCK.
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00:03:59,323 --> 00:04:00,407
YOU'RE KIND OF
RUNNING OUT OF TIME.
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00:04:00,407 --> 00:04:01,742
WHAT'S YOUR THING?
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00:04:01,742 --> 00:04:03,327
TENNIS.
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00:04:03,327 --> 00:04:04,745
-TENNIS.
-MM-HMM.
117
00:04:04,745 --> 00:04:05,996
-OK. YOU ANY GOOD?
-YEAH.
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00:04:05,996 --> 00:04:08,916
KEISHA: OK.
SIMONE: I AM.
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00:04:08,916 --> 00:04:10,042
YO, IS EVERYONE IN
ATLANTA HERE THIS WEEKEND?
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00:04:10,042 --> 00:04:13,086
THIS IS BANANAS.
121
00:04:13,086 --> 00:04:14,922
GIRL, HBCUs ARE
HOT RIGHT NOW,
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00:04:14,922 --> 00:04:17,257
ESPECIALLY WITH 3
OF OUR GRADS OUT HERE
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SAVING THE COUNTRY
FROM ITSELF.
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00:04:19,009 --> 00:04:20,886
THANK YOU, MADAM V.P.
125
00:04:20,886 --> 00:04:22,596
AND THANK YOU,
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00:04:22,596 --> 00:04:23,931
MS. STACEY "NOBEL PEACE
PRIZE NOMINEE" ABRAMS.
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00:04:23,931 --> 00:04:27,893
HEY. I LIKE THE WAY
YOU SAY THAT.
128
00:04:27,893 --> 00:04:30,229
WAIT. WHO'S
THE THIRD ONE, THOUGH?
129
00:04:30,229 --> 00:04:31,313
BOTH: MAYOR
KEISHA LANCE BOTTOMS.
130
00:04:32,606 --> 00:04:33,899
OK, SO WHAT'S THE REAL
ON THE TWO SEXIES BEHIND US?
131
00:04:37,569 --> 00:04:42,741
WELL, ONE OF THEM
IS MY HUSBAND.
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00:04:42,741 --> 00:04:44,576
HUSBAND? OK, WELL, THAT'S
A STORY THAT I NEED TO HEAR,
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00:04:44,576 --> 00:04:47,913
BUT PLEASE TELL ME IT'S
NOT THE DARK CHOCOLATE ONE.
134
00:04:47,913 --> 00:04:50,791
OH, NO. SPENCER
IS ALL LIV'S.
135
00:04:50,791 --> 00:04:52,709
UM, NO. SPENCER AND I
ARE NOT TOGETHER.
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00:04:52,709 --> 00:04:56,880
WE'RE JUST FRIENDS.
137
00:04:56,880 --> 00:04:58,131
WELL, THEN,
HEH, YAY, ME.
138
00:04:58,131 --> 00:05:01,260
["WOBBLE" BY V.I.C. PLAYING]
139
00:05:01,260 --> 00:05:02,719
KEISHA: ALL RIGHT. SO, UM,
WHO'S HUNGRY?
140
00:05:02,719 --> 00:05:04,179
♪ WOBBLE, BABY, WOBBLE,
BABY, WOBBLE ♪
141
00:05:04,179 --> 00:05:06,098
♪ YEAH... ♪
142
00:05:06,098 --> 00:05:06,974
♪ WOBBLE, BABY, WOBBLE, BABY,
WOBBLE ♪
143
00:05:06,974 --> 00:05:09,226
♪ YEAH... ♪
144
00:05:09,226 --> 00:05:10,102
♪ WOBBLE, BABY, WOBBLE, BABY,
WOBBLE... ♪
145
00:05:10,102 --> 00:05:11,436
♪ YEAH... ♪
146
00:05:11,436 --> 00:05:13,146
♪ GET IN THERE! ♪
147
00:05:13,146 --> 00:05:14,565
♪ YEAH, YEAH ♪
148
00:05:14,565 --> 00:05:15,774
♪ GET IN THERE ♪
149
00:05:15,774 --> 00:05:17,025
♪ YEAH, YEAH ♪
150
00:05:17,025 --> 00:05:18,193
♪ GET IN THERE... ♪
151
00:05:18,193 --> 00:05:20,445
♪ YEAH, YEAH... ♪
152
00:05:20,445 --> 00:05:21,196
ALL RIGHT. SO WHO
GONNA WOBBLE WITH ME?
153
00:05:21,196 --> 00:05:25,158
OH, I'M GOOD.
154
00:05:25,158 --> 00:05:26,952
I'M NOT REALLY IN
A GROUP DANCE KIND OF MOOD.
155
00:05:26,952 --> 00:05:28,871
WHATEVER DRAMA
YOU GOT BACK HOME, FORGET ABOUT IT.
156
00:05:28,871 --> 00:05:31,164
JUST FOR THE WEEKEND,
GIVE IN TO THE FUN
157
00:05:31,164 --> 00:05:34,042
OF A BEAUTIFULLYMELANATED HBCU EXPERIENCE.
158
00:05:34,042 --> 00:05:37,713
ALL RIGHT. SO I'M
GONNA BE REAL MAD
159
00:05:37,713 --> 00:05:38,505
IF WE DON'T GET OUT THERE
BEFORE MY SONG ENDS, SO...
160
00:05:38,505 --> 00:05:40,883
WELL, I'LL COME.
161
00:05:40,883 --> 00:05:42,634
NEXT SONG, I PROMISE.
162
00:05:42,634 --> 00:05:45,637
OK?
163
00:05:45,637 --> 00:05:47,097
♪ GET IN THERE! ♪
164
00:05:47,097 --> 00:05:49,349
♪ YEAH, YEAH ♪
165
00:05:49,349 --> 00:05:50,184
♪ HEY, BIG GIRL,
MAKE 'EM BACK IT UP ♪
166
00:05:50,184 --> 00:05:52,227
♪ YEAH... ♪
167
00:05:52,227 --> 00:05:53,729
♪ MAKE 'EM BACK IT UP ♪
168
00:05:53,729 --> 00:05:55,397
[STUDENTS CHEERING,
OLIVIA LAUGHING]
169
00:05:55,397 --> 00:05:58,275
♪ MAKE 'EM BACK IT UP... ♪
170
00:05:58,275 --> 00:06:01,278
[DEADPAN]
GIVING IN TO THE FUN.
171
00:06:01,278 --> 00:06:04,531
♪ MAKE 'EM
BACK IT UP ♪
172
00:06:04,531 --> 00:06:05,407
♪ HEY, BIG GIRL, MAKE 'EM
BACK IT UP ♪
173
00:06:05,407 --> 00:06:08,327
♪ YEAH... ♪
174
00:06:08,327 --> 00:06:09,953
[ECHOING]
♪ MAKE 'EM BACK IT UP ♪
175
00:06:09,953 --> 00:06:11,038
♪ GIRL, WOBBLE IT,
AND I'MMA GOBBLE IT... ♪
176
00:06:11,038 --> 00:06:13,999
YO, CAN YOU NOT?
177
00:06:13,999 --> 00:06:16,084
ARE YOU CRAZY?!
178
00:06:16,084 --> 00:06:18,587
LOOK, LOOK. I'M JUST
NOT TRYING TO DO
179
00:06:18,587 --> 00:06:19,713
THE WHOLE PICTURE THING
THIS WEEKEND, ALL RIGHT?
180
00:06:19,713 --> 00:06:21,590
LOOK, I JUST WANT
SOME PRIVACY.
181
00:06:21,590 --> 00:06:23,342
WAIT. I DON'T KNOW
WHO YOU ARE, NOR DO I CARE.
182
00:06:23,342 --> 00:06:24,843
I WAS TAKING A VIDEO
OF MY FRIENDS DANCING BEHIND YOU.
183
00:06:24,843 --> 00:06:27,387
[CHUCKLES]
OH. OH, MY BAD.
184
00:06:29,306 --> 00:06:31,975
YOUR BAD? ARE YOU SERIOUS?
185
00:06:31,975 --> 00:06:34,353
IF YOU EVER TOUCH ME
OR MY PROPERTY AGAIN, I--
186
00:06:34,353 --> 00:06:38,273
WHY ARE YOU AMUSED
RIGHT NOW?
187
00:06:38,273 --> 00:06:39,733
I'M SORRY. LOOK, UH,
PLEASE CONTINUE.
188
00:06:39,733 --> 00:06:42,653
OH. SO YOU THINK
YOU'RE CUTE.
189
00:06:42,653 --> 00:06:44,696
OK, WELL, UH,
LET'S SEE HOW FUNNY YOU THINK THIS IS
190
00:06:44,696 --> 00:06:46,240
WHEN YOU GO VIRAL FOR
GETTING YOUR ASS HANDED TO YOU BY A WOMAN.
191
00:06:46,240 --> 00:06:49,284
JORDAN: HEY, EVERYTHING
GOOD, BABE?
192
00:06:49,284 --> 00:06:50,994
SIMONE: YEAH.
JORDAN: YOU SURE?
193
00:06:50,994 --> 00:06:54,039
YEAH. MAN.
JUST A, UH--
194
00:06:54,039 --> 00:06:54,957
JUST A LITTLE
MISUNDERSTANDING.
195
00:06:56,500 --> 00:06:57,668
FORGET HIM.
196
00:07:01,338 --> 00:07:02,172
♪ BIG GIRL, MAKE 'EM
BACK IT UP ♪
197
00:07:02,172 --> 00:07:03,757
♪ YEAH ♪
198
00:07:03,757 --> 00:07:05,259
♪ MAKE 'EM BACK IT UP ♪
199
00:07:05,259 --> 00:07:06,176
♪ HEY, BIG GIRL, MAKE 'EM
BACK IT UP ♪
200
00:07:06,176 --> 00:07:08,595
♪ YEAH... ♪
201
00:07:08,595 --> 00:07:09,429
[ECHOING]
♪ MAKE 'EM BACK IT UP ♪
202
00:07:09,429 --> 00:07:13,934
MAN: WHOO!
203
00:07:13,934 --> 00:07:15,686
MAN 2: YOU KNOW,
IF YOU REALLY DON'T WANT FOLKS TO KNOW
204
00:07:15,686 --> 00:07:18,313
I JUST WANTED TO SEE
THE FIELD
205
00:07:18,313 --> 00:07:20,023
WHERE HANK DAWSON
BROKE THE RECORD FOR STOLEN BASES.
206
00:07:20,023 --> 00:07:20,816
MM! GREATEST TO EVER DO IT
IN THE NEGRO LEAGUE.
207
00:07:20,816 --> 00:07:24,862
YEAH.
208
00:07:24,862 --> 00:07:26,738
YOU ALL RIGHT?
209
00:07:26,738 --> 00:07:27,906
YEAH, MAN. I'M COOL.
210
00:07:30,158 --> 00:07:32,035
JUST WISH I
COULD'VE MET HIM.
211
00:07:32,035 --> 00:07:34,538
SO WHAT'S IT LIKE
TO PLAY FOR THE GREAT LEONARD SHAW?
212
00:07:34,538 --> 00:07:38,000
CRAZY INTIMIDATING.
213
00:07:38,000 --> 00:07:39,585
THEY KEEP ME ON THE BENCH
MOST OF THE TIME, THOUGH.
214
00:07:39,585 --> 00:07:41,003
MAN, YOUR TIME
WILL COME.
215
00:07:41,003 --> 00:07:43,589
ALL RIGHT?
216
00:07:43,589 --> 00:07:45,924
YOU SEE YOURSELF COMING
TO SCHOOL IN THE SOUTH?
217
00:07:45,924 --> 00:07:47,718
COME ON, MAN. THE DREAM'S
TO PLAY IN CALI.
218
00:07:47,718 --> 00:07:51,013
WHAT IF SIMONE DON'T
WANT TO STAY IN CALI?
219
00:07:51,013 --> 00:07:52,723
SHE DOES, OK, NOW
THAT PRINCETON'S OFF THE TABLE,
220
00:07:52,723 --> 00:07:55,809
SO EVERYTHING'S
GONNA BE A-OK.
221
00:07:55,809 --> 00:07:58,270
SPENCER: I KNEW IT.
I KNEW THAT CAT LOOKED FAMILIAR.
222
00:07:58,270 --> 00:08:01,607
WHO IS HE?
223
00:08:01,607 --> 00:08:04,026
DAMON SIMS.
224
00:08:04,026 --> 00:08:05,861
HE ONE OF THE TOP
RECRUITS IN THE COUNTRY.
225
00:08:05,861 --> 00:08:07,196
THAT BOY'S A SURE THING
TO GO FIRST ROUND TO THE MLB
226
00:08:07,196 --> 00:08:09,489
STRAIGHT OUT OF
HIGH SCHOOL THIS YEAR.
227
00:08:09,489 --> 00:08:11,909
MLB. THEN,
WELL, WHY IS HE HERE
228
00:08:11,909 --> 00:08:13,785
CHECKING OUT BRINGSTON'S
BASEBALL PROGRAM,
229
00:08:13,785 --> 00:08:15,537
TRYING TO BE
ALL INCOGNITO?
230
00:08:15,537 --> 00:08:17,039
I'M GONNA CATCH YOU
AFTER PRACTICE.
231
00:08:17,039 --> 00:08:18,498
-HEY, YO, IS THAT DAMON SIMS?
-WHAT?
232
00:08:20,667 --> 00:08:23,629
MAN: HEY, GUYS, CHECK IT
OUT. DAMON SIMS IS HERE.
233
00:08:23,629 --> 00:08:26,173
I TOLD YOU.
234
00:08:28,842 --> 00:08:33,555
OLIVIA:
WHO KNEW THERE WAS
235
00:08:33,555 --> 00:08:34,806
A WHOLE MINI-WIMBLEDON
GOING ON BACK HERE?
236
00:08:34,806 --> 00:08:36,725
KEISHA:
THEA'S PARENTS INSIST
237
00:08:36,725 --> 00:08:37,768
ON NOTHING BUT THE BEST
FOR THEIR BABY GIRL.
238
00:08:37,768 --> 00:08:40,395
THEY ARE MAJOR DONORS.
239
00:08:40,395 --> 00:08:43,148
SIMONE: DAMN. SHE IS RIDICULOUS.
240
00:08:43,148 --> 00:08:45,317
DO YOU SEE HOW AGGRESSIVE
SHE IS FROM THE BASELINE?
241
00:08:45,317 --> 00:08:47,361
OLIVIA: OK, CALM DOWN.
SHE'S NOT BEYONCÉ
242
00:08:47,361 --> 00:08:49,321
KEISHA: CAME UP ON
THE JUNIOR CIRCUIT,
243
00:08:49,321 --> 00:08:51,114
AND THE 2020 NATIONAL
WOMEN'S HBCU CHAMPION.
244
00:08:51,114 --> 00:08:52,741
SO, YEAH, SHE'S
KIND OF OUR QUEEN BEY,
245
00:08:52,741 --> 00:08:54,618
JUST NOT AS NICE.
246
00:08:54,618 --> 00:08:56,537
[GROANS]
247
00:08:56,537 --> 00:08:59,122
ARE YOU GUYS DONE?
248
00:08:59,122 --> 00:09:00,499
LIKE, IS THERE
ANYWHERE ELSE
249
00:09:00,499 --> 00:09:01,625
YOU CAN HANG OUT
AND BE DISRUPTIVE?
250
00:09:01,625 --> 00:09:03,001
OR IT HAS TO BE HERE?
251
00:09:03,001 --> 00:09:06,171
OH, UH, SORRY.
252
00:09:06,171 --> 00:09:08,882
WE, LIKE, WEREN'T TRYING
TO DISTRACT YOU OR ANYTHING. AND YET HERE YOU ARE
253
00:09:08,882 --> 00:09:10,968
OH. UH, I'M TRYING
TO GIVE YOU A COMPLIMENT,
254
00:09:10,968 --> 00:09:14,721
BUT I GUESS I'LL JUST
MIND MY BUSINESS.
255
00:09:14,721 --> 00:09:17,891
-YOU PLAY?
-EXCUSE ME?
256
00:09:17,891 --> 00:09:20,769
OH, YEAH. I CAME UP
JUNIOR CIRCUIT LIKE YOU.
257
00:09:20,769 --> 00:09:23,689
OH, LIKE ME?
LET'S SEE WHAT YOU GOT.
258
00:09:23,689 --> 00:09:25,774
YOU CAN HELP
WARM ME UP.
259
00:09:25,774 --> 00:09:27,818
BECCA.
260
00:09:27,818 --> 00:09:29,486
WAIT. YOU MEAN,
LIKE, RIGHT NOW?
261
00:09:29,486 --> 00:09:31,780
OH, YEAH. UH, OK, COOL.
262
00:09:34,533 --> 00:09:35,117
ALL RIGHT. GOOD LUCK
THIS SEASON, Y'ALL.
263
00:09:38,912 --> 00:09:41,248
HEY, HOW ABOUT IT?
264
00:09:41,248 --> 00:09:43,834
[CHUCKLES WEAKLY]
265
00:09:43,834 --> 00:09:45,502
THANKS, BUT I'M GOOD.
I DON'T WANT TO INTERRUPT.
266
00:09:45,502 --> 00:09:47,713
INTERRUPT? DUDE, WE'RE ALL
DYING TO SEE THAT VELOCITY.
267
00:09:47,713 --> 00:09:49,882
WHAT'D YOU CLOCK
AT THE ALL-STAR FUTURES GAME, 101?
268
00:09:49,882 --> 00:09:52,676
102.1, ACTUALLY.
269
00:09:52,676 --> 00:09:53,677
HEY, WE GOT TIME
BEFORE COACH GET HERE.
270
00:09:53,677 --> 00:09:55,971
LET'S TOSS A FEW.
271
00:09:55,971 --> 00:09:57,347
REALLY, I'M--I'M GOOD, MAN.
272
00:09:57,347 --> 00:09:59,933
Y'ALL REALLY GONNA
MAKE HIM SAY IT?
273
00:09:59,933 --> 00:10:01,602
MILLION-DOLLAR BABY OVER
HERE CAN'T WASTE HIS ARM ON LITTLE OLD US.
274
00:10:01,602 --> 00:10:03,312
DON'T PUT WORDS
IN MY BOY'S MOUTH.
275
00:10:03,312 --> 00:10:05,314
MY BAD.
276
00:10:05,314 --> 00:10:06,273
AM I WRONG, THOUGH?
CORRECT ME, PLEASE.
277
00:10:07,649 --> 00:10:12,321
ALL RIGHT.
278
00:10:12,321 --> 00:10:12,946
WHO'S GOT
A PITCHER'S GLOVE?
279
00:10:14,531 --> 00:10:14,781
♪ YOU GONNA ♪
280
00:10:19,411 --> 00:10:19,786
♪ YOU GONNA ♪
281
00:10:23,749 --> 00:10:25,083
♪ YOU GONNA ♪
282
00:10:27,794 --> 00:10:30,797
GET READY.
283
00:10:30,797 --> 00:10:33,300
WOMAN: ♪ HEY! ♪
284
00:10:33,300 --> 00:10:35,177
MAN: ♪ 'CAUSE YOU GOT TO
FEEL IT IN YOUR SOUL ♪
285
00:10:35,177 --> 00:10:36,929
♪ 'CAUSE YOU GOT TO BELIEVE
IT, YOU GOT TO KNOW ♪
286
00:10:36,929 --> 00:10:38,263
♪ 'CAUSE YOU GOT TO WAKE UP
AND DREAM AND GO GET IT ♪
287
00:10:38,263 --> 00:10:40,891
♪ A VISIONARY KNOWS NO LIMIT ♪
288
00:10:40,891 --> 00:10:43,018
♪ DO IT BIG SO YOUR NAME
BE REMEMBERED ♪
289
00:10:43,018 --> 00:10:44,186
OLIVIA: I THOUGHT THIS
WAS A FRIENDLY MATCH.
290
00:10:44,186 --> 00:10:45,896
THOSE DON'T EXIST
FOR THEA.
291
00:10:45,896 --> 00:10:47,147
♪ YOU GONNA DREAM BIG... ♪
292
00:10:48,690 --> 00:10:50,817
PLAYERS: WHOO!
293
00:10:50,817 --> 00:10:52,486
PLAYER: THAT'S WHAT
I'M TALKING ABOUT.
294
00:10:52,486 --> 00:10:54,321
WOMAN: ♪ CALLING SHOTS
'CAUSE YOU'RE IN CHARGE ♪
295
00:10:54,321 --> 00:10:56,448
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
296
00:10:56,448 --> 00:10:59,034
♪ YOU WANNA LIVE LIFE
LIKE A RENEGADE ♪
297
00:10:59,034 --> 00:11:00,911
♪ CLIMB TO THE TOP
FOR YOUR PIECE OF FAME... ♪
298
00:11:00,911 --> 00:11:03,080
PLAYER: LET'S GO, BOYS.
299
00:11:03,080 --> 00:11:04,831
♪ CALLING SHOTS 'CAUSE
YOU'RE IN CHARGE ♪
300
00:11:04,831 --> 00:11:06,124
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
301
00:11:06,124 --> 00:11:09,545
♪ IF YOU
GONNA... ♪
302
00:11:09,545 --> 00:11:11,797
♪ MM ♪
303
00:11:11,797 --> 00:11:12,548
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
304
00:11:12,548 --> 00:11:16,134
♪ MM MM ♪
305
00:11:16,134 --> 00:11:16,885
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
306
00:11:16,885 --> 00:11:20,639
♪ OOH ♪
307
00:11:20,639 --> 00:11:21,431
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
308
00:11:21,431 --> 00:11:25,018
♪ MM MM ♪
309
00:11:25,018 --> 00:11:26,270
♪ YOU GONNA DREAM BIG,
YOU BETTER DREAM LARGE ♪
310
00:11:26,270 --> 00:11:29,273
♪ YOU SAY YOU WANNA BE FAMOUS ♪
311
00:11:29,273 --> 00:11:31,191
♪ STAND 10 FEET TALL ♪
312
00:11:31,859 --> 00:11:33,735
TAKE IT EASY
ON ME, MAN.
313
00:11:36,196 --> 00:11:38,073
WOULDN'T KNOW HOW.
314
00:11:38,073 --> 00:11:43,120
♪ YOU GONNA ♪
315
00:11:43,120 --> 00:11:44,204
♪ UH! THIS IS THE TIME OF YOUR
LIFE, THE MOMENT TO LIVE ♪
316
00:11:44,204 --> 00:11:47,291
♪ THE MOMENT TO SHINE ♪
317
00:11:47,291 --> 00:11:48,917
♪ THE MOMENT TO RISE
AND TAKE OVER THE WORLD ♪
318
00:11:48,917 --> 00:11:49,918
♪ I'M ON TOP OF EVERYTHING,
ON TOP OF MY GAME ♪
319
00:11:49,918 --> 00:11:51,837
♪ UH! ♪
320
00:11:51,837 --> 00:11:53,255
UH!
321
00:11:58,468 --> 00:12:03,140
YOU ALWAYS WARM UP
THAT INTENSELY?
322
00:12:03,140 --> 00:12:06,018
SORRY. I THOUGHT
YOU COULD HANG.
323
00:12:15,694 --> 00:12:16,904
MAN: HEY, WHAT THE HELL
Y'ALL DOING? HUH?
324
00:12:16,904 --> 00:12:20,365
SO Y'ALL JUST GOT
TIME TO WASTE?
325
00:12:20,365 --> 00:12:22,159
DAMON: UH, LOOK, I'M SORRY.
THIS WAS--THIS WAS MY FAULT.
326
00:12:22,159 --> 00:12:24,036
LAPS AROUND THE FIELD NOW.
[PLAYERS GROANING]
327
00:12:24,036 --> 00:12:25,746
LOOK, YOU DON'T STOP
TILL I TELL YOU TO STOP.
328
00:12:25,746 --> 00:12:27,873
LET'S GO. LET'S GO!
MOVE IT, NOW.
329
00:12:27,873 --> 00:12:30,501
YOU PLAY HOW
YOU PRACTICE. GO!
330
00:12:30,501 --> 00:12:31,877
UH, DAMON SIMS, SIR.
331
00:12:34,713 --> 00:12:39,259
MAN. YOU MUST BE
PROUD OF THIS TEAM.
332
00:12:39,259 --> 00:12:41,136
I MEAN, THEY'RE TIGHT,
A WELL-OILED MACHINE.
333
00:12:41,136 --> 00:12:43,889
I KNOW. I OILED THEM.
334
00:12:43,889 --> 00:12:45,390
AND NEXT TIME YOU WANT
TO SHOW OFF,
335
00:12:45,390 --> 00:12:46,517
YOU DO IT ELSEWHERE, SON.
336
00:12:46,517 --> 00:12:49,394
I APOLOGIZED.
337
00:12:49,394 --> 00:12:51,605
YEAH, I HEARD YOU.
IT'S NOTHING PERSONAL, KID.
338
00:12:51,605 --> 00:12:54,274
I JUST DON'T LIKE
MY PRACTICES BEING INTERRUPTED.
339
00:12:54,274 --> 00:12:56,693
FUNNY, 'CAUSE IT FEELS
PRETTY PERSONAL, COACH.
340
00:12:56,693 --> 00:13:00,572
I JUST DON'T TAKE TO PLAYERS
341
00:13:00,572 --> 00:13:02,032
WHO ALL ABOUT THEMSELVES
AND NOT THE TEAM.
342
00:13:02,032 --> 00:13:03,909
YOU DON'T EVEN
KNOW ME.
343
00:13:03,909 --> 00:13:05,994
AREN'T YOU THE STAR PITCHER
344
00:13:05,994 --> 00:13:07,120
WHO'S CURRENTLY SITTING OUT OF
HIS HIGH-SCHOOL BASEBALL GAMES
345
00:13:07,120 --> 00:13:08,997
WHEN HIS TEAM
NEEDS HIM THE MOST,
346
00:13:08,997 --> 00:13:11,291
BECAUSE HE'S SAVING
HIS ARM FOR THE PROS?
347
00:13:11,291 --> 00:13:12,835
SEE, I'VE WATCHED A LOT
OF TAPE ON YOU, SON,
348
00:13:12,835 --> 00:13:15,754
AND HERE'S
WHAT I DON'T GET.
349
00:13:15,754 --> 00:13:17,005
WHY DO YOU PLAY THE GAME
IN THE FIRST PLACE, SON?
350
00:13:17,005 --> 00:13:20,217
'CAUSE IT'S CLEAR
YOU DON'T ENJOY IT.
351
00:13:20,217 --> 00:13:22,177
YOU LECTURING OUR
SURPRISE GUEST, MARCUS?
352
00:13:22,177 --> 00:13:24,388
JUST HAVING AN HONEST
CONVERSATION, COACH.
353
00:13:24,388 --> 00:13:26,974
HEH HEH! WELL, COACH TURNER
IS KNOWN
354
00:13:26,974 --> 00:13:28,976
FOR HIS
HONEST CONVERSATION.
355
00:13:28,976 --> 00:13:30,936
LEONARD SHAW, HEAD COACH.
356
00:13:30,936 --> 00:13:33,230
MARCUS TURNER,
ASSISTANT HEAD.
357
00:13:33,230 --> 00:13:35,065
NICE TO MEET YOU, SIR.
358
00:13:35,065 --> 00:13:36,984
I'VE HAD MY EYE ON YOU
SINCE FIRST YEAR VARSITY.
359
00:13:36,984 --> 00:13:40,153
MOM CAME DOWN ON ME
PRETTY HARD, THOUGH.
360
00:13:40,153 --> 00:13:42,239
COACH TURNER, THEM BOYS
LOOK PLENTY WARM.
361
00:13:42,239 --> 00:13:44,575
WHY DON'T YOU GO AHEAD
AND GET THINGS STARTED?
362
00:13:44,575 --> 00:13:47,411
[LAUGHTER]
363
00:13:47,411 --> 00:13:50,330
[MUSIC PLAYING,
CELL PHONE RINGS]
364
00:13:50,330 --> 00:13:52,332
AMARA: SHE'S PROBABLY
CHECKING TO MAKE SURE
365
00:13:52,332 --> 00:13:54,126
I HAVEN'T CORRUPTED
YOU YET.
366
00:13:54,126 --> 00:13:56,336
MM-HMM.
367
00:13:56,336 --> 00:13:57,337
SHE DOES KNOW YOU'RE
HERE, RIGHT?
368
00:13:57,337 --> 00:13:58,589
-DAD KNOWS.
-SIMONE.
369
00:14:00,924 --> 00:14:02,843
AUNTIE, I NEED
TO FIGURE OUT
370
00:14:02,843 --> 00:14:04,178
WHAT MY COLLEGE FUTURE
LOOKS LIKE,
371
00:14:04,178 --> 00:14:05,804
FIGURE OUT
WHAT'S BEST FOR ME,
372
00:14:05,804 --> 00:14:07,514
WHAT'S BEST FOR US.
373
00:14:07,514 --> 00:14:08,974
AND I CAN'T DO THAT
AT HOME.
374
00:14:11,226 --> 00:14:13,437
IT'S EITHER TINA HICKS'
WAY OR NO WAY.
375
00:14:13,437 --> 00:14:16,106
I WON'T BLOW UP
YOUR SPOT UNDER ONE CONDITION.
376
00:14:16,106 --> 00:14:18,317
YOU GIVE BRINGSTON
SOME CAREFUL THOUGHT THIS WEEKEND.
377
00:14:18,317 --> 00:14:21,195
I KNOW YOU DIDN'T COME
TO SCOUT THE SCHOOL, BUT JUST CONSIDER IT.
378
00:14:21,195 --> 00:14:23,572
I THINK IT COULD BE
A GOOD FIT...
379
00:14:24,740 --> 00:14:27,242
FOR BOTH OF YOU,
FOR ALL OF YOU, ACTUALLY.
380
00:14:29,453 --> 00:14:31,580
SPENCER: ALL RIGHT.
I'LL BITE.
381
00:14:31,580 --> 00:14:33,498
WHAT MAKES HBCUs
SO SPECIAL?
382
00:14:33,498 --> 00:14:35,542
IT'S A CONNECTION TO OUR
HISTORY, OUR CULTURE.
383
00:14:35,542 --> 00:14:39,254
OLIVIA: BLACK EXCELLENCE.
AMARA: EXACTLY.
384
00:14:39,254 --> 00:14:41,381
AND THE TENNIS PROGRAM
IS REALLY GOOD.
385
00:14:41,381 --> 00:14:43,258
YEAH, JUST MAYBE
DON'T PUT ALL YOUR EGGS
386
00:14:43,258 --> 00:14:46,845
IN THE ATHLETIC BASKET.
387
00:14:46,845 --> 00:14:48,472
[CELL PHONE VIBRATES,
AMARA CHUCKLES]
388
00:14:48,472 --> 00:14:50,724
KEISHA, SHOULDN'T YOU BE
GETTING READY FOR--
389
00:14:50,724 --> 00:14:53,560
DAMN. OK. I'M ON MY WAY.
390
00:14:53,560 --> 00:14:56,563
BIG FASHION SHOW
EMERGENCY. COME ON.
391
00:14:56,563 --> 00:15:00,067
IT'S A FASHION SHOW. HOW BIG
OF AN EMERGENCY CAN IT BE?
392
00:15:00,067 --> 00:15:01,985
♪ THIS IS THE STORY OF MY REIGN
AND MY ARRIVAL... ♪
393
00:15:01,985 --> 00:15:06,657
LISTEN, I'M A MIRACLE WORKER
394
00:15:06,657 --> 00:15:08,951
WITH COVER-UP
AND A CONTOUR BRUSH,
395
00:15:08,951 --> 00:15:10,285
BUT EVEN I CAN'T FIX
THIS CRAZINESS.
396
00:15:10,285 --> 00:15:13,539
AMARA AND SIMONE: OOH.
397
00:15:13,539 --> 00:15:14,790
WE ARE NOT PUTTING HER
398
00:15:14,790 --> 00:15:16,250
ON THE STAGE LIKE THAT.
399
00:15:16,250 --> 00:15:18,710
NOT MY FASHION SHOW.
400
00:15:18,710 --> 00:15:20,003
KEISHA: DR. PATTERSON,
YOU'RE OUR ADVISOR.
401
00:15:20,003 --> 00:15:21,880
YOU KNOW THE ROUTINE.
SO, LIKE--
402
00:15:21,880 --> 00:15:22,923
AMARA: OH, NO, NO, NO.
BUT, SIMONE,
403
00:15:22,923 --> 00:15:26,552
YOU USED TO DANCE.
404
00:15:26,552 --> 00:15:29,596
UH, OLIVIA STILL DANCES.
405
00:15:29,596 --> 00:15:31,849
UH, NO ONE ASKED ME.
406
00:15:31,849 --> 00:15:33,183
OK, YOU KNOW WHAT?
YOU'RE BOTH DOING IT.
407
00:15:33,183 --> 00:15:35,352
SYMMETRY.
YOU'LL BE FINE.
408
00:15:35,352 --> 00:15:37,938
AND YOU HAVE AN HOUR
UNTIL CURTAIN.
409
00:15:37,938 --> 00:15:39,857
THAT'S LIKE A YEAR
IN DANCER TIME.
410
00:15:39,857 --> 00:15:41,900
OK. BUT I DIDN'T SAY YES.
411
00:15:41,900 --> 00:15:43,944
YOU DID. YOU SAID,
"NEXT SONG...PROMISE."
412
00:15:43,944 --> 00:15:45,863
WELL, THE NEXT SONG'S
HERE, SWEETIE, SO LET'S GO. COME ON.
413
00:15:45,863 --> 00:15:48,323
AMARA: YOU'LL BE FINE.
OLIVIA: I...
414
00:15:48,323 --> 00:15:50,450
-YOU'RE OK.
-COME--
415
00:15:50,450 --> 00:15:52,703
DAMON: HEY, WHAT'S THE DEAL
WITH COACH TURNER ANYWAY?
416
00:15:52,703 --> 00:15:54,580
I THOUGHT COACH SHAW
WOULD BE THE ONE WITH THE STICK UP HIS ASS.
417
00:15:54,580 --> 00:15:56,290
HEH. COACH TURNER'S
THE REAL DEAL.
418
00:15:56,290 --> 00:15:58,292
THAT DUDE'S JUST
MAD STRESSED LATELY.
419
00:15:58,292 --> 00:15:59,835
WHY? YOU ALL ARE
A CHAMPIONSHIP TEAM.
420
00:15:59,835 --> 00:16:03,213
I DON'T KNOW.
421
00:16:03,213 --> 00:16:03,881
EMCEE: B.U., ARE Y'ALL BITCHES
READY FOR A FASHION SHOW?
422
00:16:03,881 --> 00:16:07,968
[APPLAUSE]
423
00:16:07,968 --> 00:16:09,636
[VOCAL SAMPLES]
424
00:16:11,138 --> 00:16:15,309
BEYONCÉ♪ DRIVER, ROLL UP
THE PARTITION, PLEASE ♪
425
00:16:15,309 --> 00:16:18,854
LOOK OUT.
426
00:16:18,854 --> 00:16:21,023
♪ DRIVER, ROLL UP
THE PARTITION, PLEASE ♪
427
00:16:21,023 --> 00:16:23,859
♪ I DON'T NEED YOU SEEING
'YONCE ON HER KNEES ♪
428
00:16:23,859 --> 00:16:26,570
♪ TOOK 45 MINUTES TO GET
ALL DRESSED UP ♪
429
00:16:26,570 --> 00:16:28,238
♪ WE AIN'T EVEN GONNA
MAKE IT TO THIS CLUB ♪
430
00:16:28,238 --> 00:16:32,117
[CHEERING]
431
00:16:32,117 --> 00:16:34,786
♪ OH, HE SO HORNY,
YEAH, HE WANT TO, MM ♪
432
00:16:34,786 --> 00:16:36,747
♪ HE BUCKED ALL MY BUTTONS,
AND HE RIPPED MY BLOUSE ♪
433
00:16:36,747 --> 00:16:39,791
♪ HE MONICA LEWINSKI'D
ALL ON MY GOWN ♪
434
00:16:39,791 --> 00:16:42,085
♪ OH, THERE, DADDY, DADDY
DIDN'T BRING THE TOWEL ♪
435
00:16:42,085 --> 00:16:44,463
♪ OH, BABY, BABY, WE
BETTER SLOW IT DOWN ♪
436
00:16:44,463 --> 00:16:47,090
♪ TOOK 45 MINUTES TO GET
ALL DRESSED UP ♪
437
00:16:47,090 --> 00:16:49,259
♪ AND WE AIN'T EVEN GONNA
MAKE IT TO THIS CLUB ♪
438
00:16:49,259 --> 00:16:51,637
♪ TAKE ALL, TAKE ALL ♪
439
00:16:51,637 --> 00:16:54,598
♪ OF ME, OF ME ♪
440
00:16:54,598 --> 00:16:55,682
♪ I JUST WANNA BE THE GIRL
YOU LIKE, GIRL YOU LIKE ♪
441
00:16:55,682 --> 00:16:59,895
♪ TAKE ALL, TAKE ALL ♪
442
00:16:59,895 --> 00:17:01,772
♪ OF ME, OF ME,
I JUST WANNA BE... ♪
443
00:17:01,772 --> 00:17:04,358
WOW. SHE IS STUNNING.
444
00:17:04,358 --> 00:17:06,109
YEAH. YEAH, SHE IS.
445
00:17:06,109 --> 00:17:10,155
♪ ...IS RIGHT HERE WITH ME ♪
446
00:17:10,155 --> 00:17:11,448
♪ RIGHT HERE WITH ME,
RIGHT HERE WITH ME ♪
447
00:17:11,448 --> 00:17:14,034
♪ RIGHT HERE WITH ME ♪
448
00:17:14,034 --> 00:17:15,869
♪ DRIVER, ROLL UP
THE PARTITION FAST ♪
449
00:17:15,869 --> 00:17:17,913
♪ OVER THERE, I SWEAR I SAW
THEM CAMERAS FLASH ♪
450
00:17:17,913 --> 00:17:20,541
♪ HANDPRINTS AND FOOTPRINTS
ON MY GLASS ♪
451
00:17:20,541 --> 00:17:22,876
♪ HANDPRINTS AND GOOD
GRIPS ALL ON MY... ♪
452
00:17:22,876 --> 00:17:26,046
♪ PRIVATE SHOW
WITH THE MUSIC BLASTING ♪
453
00:17:26,046 --> 00:17:28,048
♪ HE LIKE TO CALL ME PEACHES
WHEN WE GET THIS NASTY ♪
454
00:17:28,048 --> 00:17:31,134
♪ RED WINE DRIP,
WE'LL TALK THAT TRASH ♪
455
00:17:31,134 --> 00:17:33,387
♪ CHAUFFEUR EAVESDROPPING,
TRYING NOT TO CRASH ♪
456
00:17:33,387 --> 00:17:36,181
♪ OH, THERE DADDY, DADDY,
NOW YOU RIPPED MY FUR ♪
457
00:17:36,181 --> 00:17:38,600
♪ OH, BABY, BABY BE
SWEATING OUT MY HAIR ♪
458
00:17:38,600 --> 00:17:41,103
♪ TOOK 45 MINUTES TO GET
ALL DRESSED UP ♪
459
00:17:41,103 --> 00:17:43,105
♪ AND WE AIN'T EVEN GONNA
MAKE IT TO THIS CLUB ♪
460
00:17:43,105 --> 00:17:45,816
♪ TAKE ALL, TAKE ALL ♪
461
00:17:45,816 --> 00:17:49,152
♪ OF ME, OF ME ♪
462
00:17:49,152 --> 00:17:50,863
♪ I JUST WANNA BE THE GIRL
YOU LIKE, GIRL YOU LIKE ♪
463
00:17:50,863 --> 00:17:54,032
♪ THE KIND OF GIRL YOU LIKE
IS RIGHT HERE WITH ME ♪
464
00:17:54,032 --> 00:17:56,368
♪ RIGHT HERE WITH ME,
RIGHT HERE WITH ME ♪
465
00:17:56,368 --> 00:17:59,121
[OVERLAPPING VOCALS]
466
00:17:59,121 --> 00:18:03,500
PERSON ON RECORDING: HELLO!
467
00:18:03,500 --> 00:18:04,501
[CHEERING AND APPLAUSE]
468
00:18:12,259 --> 00:18:17,097
OH, MY GOD.
469
00:18:17,097 --> 00:18:18,307
SO THEY JUST BREED Y'ALL
DIFFERENT OUT IN
470
00:18:18,307 --> 00:18:20,184
BEVERLY HILLS, HUH?
471
00:18:20,184 --> 00:18:21,185
I CANNOT BELIEVE
I JUST DID THAT.
472
00:18:21,185 --> 00:18:22,811
LIKE, WE JUST DID THAT.
473
00:18:22,811 --> 00:18:24,021
OH, MY GOSH. THAT WAS SO--
474
00:18:24,021 --> 00:18:26,064
SEXY.
475
00:18:26,064 --> 00:18:27,024
THE WORD YOU'RE LOOKING
FOR IS SEXY, SEXY...
476
00:18:27,024 --> 00:18:29,776
-OK.
-SEXY!
477
00:18:29,776 --> 00:18:31,862
NOW, COME ON WITH YOUR
FINE SELVES,
478
00:18:31,862 --> 00:18:33,697
AND LET'S GET YOU OUT OF
THESE HELLA EXPENSIVE DRESSES
479
00:18:33,697 --> 00:18:36,074
SO I CAN RETURN THEM.
480
00:18:36,074 --> 00:18:38,118
OLIVIA: OH, OH, OK.
481
00:18:38,118 --> 00:18:38,493
KEISHA: SERIOUS.
I WAS GONNA SAY. COME ON.
482
00:18:44,458 --> 00:18:48,754
OOH. HA HA.
483
00:18:48,754 --> 00:18:50,380
THAT WAS FIRE.
484
00:18:52,424 --> 00:18:53,800
I'M GOOD. THANKS.
485
00:18:56,178 --> 00:18:59,264
UH, LISTEN,
ABOUT EARLIER,
486
00:18:59,264 --> 00:19:02,851
UM, THERE'S BEEN JUST,
LIKE, A LOT MORE ATTENTION LATELY,
487
00:19:02,851 --> 00:19:03,435
SO I'M STILL GETTING
USED TO THE WHOLE LOSS OF PRIVACY THING.
488
00:19:04,603 --> 00:19:07,314
OH, THAT'S IT.
THAT'S YOUR APOLOGY.
489
00:19:09,274 --> 00:19:13,278
UH, NAH. OF--
OF COURSE NOT.
490
00:19:13,278 --> 00:19:14,738
WHAT I MEANT WAS,
LIKE, I'M SORRY THAT I WAS A LITTLE--
491
00:19:14,738 --> 00:19:16,949
OBNOXIOUS? OVER THE TOP?
OPINIONATED?
492
00:19:16,949 --> 00:19:20,911
YOU WANT ME
TO PICK ONE?
493
00:19:20,911 --> 00:19:22,663
OK, YES, ALL RIGHT.
ALL THE ABOVE.
494
00:19:22,663 --> 00:19:25,541
NOW, CAN I GET
A DO-OVER FOR REAL THIS TIME?
495
00:19:25,541 --> 00:19:27,751
I'M DAMON SIMS.
496
00:19:30,087 --> 00:19:34,174
SIMONE HICKS.
497
00:19:34,174 --> 00:19:35,259
OK, SIMONE HICKS.
498
00:19:35,259 --> 00:19:38,762
[BOTH CHUCKLE]
499
00:19:38,762 --> 00:19:39,388
SO WHAT ARE THE CHANCES
I CAN TALK YOU
500
00:19:41,682 --> 00:19:43,100
INTO SHOWING ME AROUND
CAMPUS TOMORROW?
501
00:19:43,100 --> 00:19:44,017
SHE SAYS SHE'S NOT
INTERESTED.
502
00:19:44,017 --> 00:19:46,186
JORDAN, I GOT IT.
503
00:19:46,186 --> 00:19:48,021
LOOK, MAN, I DON'T CARE
HOW FAMOUS YOU ARE.
504
00:19:48,021 --> 00:19:51,149
YOU KEEP BOTHERING MY GIRL,
WE'RE GONNA HAVE A PROBLEM.
505
00:19:51,149 --> 00:19:52,025
I JUST CAME BACK HERE TO
COMPLIMENT HER ON THE SHOW.
506
00:19:52,025 --> 00:19:54,528
OK.
507
00:19:56,446 --> 00:20:00,784
I KNOW YOU, RIGHT?
508
00:20:00,784 --> 00:20:02,744
I DON'T THINK SO.
509
00:20:02,744 --> 00:20:04,288
JUSTICE FOR TAMIKA, RIGHT?
510
00:20:04,288 --> 00:20:05,247
YOU'RE THE FOOTBALL CAT
THAT SET OFF
511
00:20:05,247 --> 00:20:06,707
THE CHAIN OF FORFEITS.
512
00:20:06,707 --> 00:20:08,417
MADE NATIONAL NEWS.
513
00:20:08,417 --> 00:20:09,960
I'M DAMON SIMS.
514
00:20:09,960 --> 00:20:12,296
I'M SPENCER JAMES.
515
00:20:12,296 --> 00:20:13,797
LOOK,
NO DISRESPECT, MAN.
516
00:20:16,842 --> 00:20:17,801
BASEBALL PLAYER: HEY, BRO,
I'VE BEEN CALLING YOU.
517
00:20:17,801 --> 00:20:20,762
CHECK YOUR DAMN PHONE.
518
00:20:20,762 --> 00:20:21,388
YOU'RE THE TOP STORY ON
EVERY SPORTS NEWS FEED.
519
00:20:33,901 --> 00:20:34,943
STUDENT: 5, 6, 7, 8...
[STUDENTS CHANT]
520
00:20:34,943 --> 00:20:35,944
1, 2, 3, 4, 5, 6, 7, 8.
521
00:20:35,944 --> 00:20:39,531
1, 2, 3, 4, 5, 6...
522
00:20:45,037 --> 00:20:49,416
MOM, I SWEAR
I DIDN'T KNOW IT WAS GONNA GO VIRAL.
523
00:20:49,416 --> 00:20:52,002
LOOK, I CAN EXPLAIN.
524
00:20:52,002 --> 00:20:54,087
I BET YOU CAN. FUNNY.
525
00:20:54,087 --> 00:20:55,672
THIS DOESN'T LOOK LIKE
CAMPING WITH CHASE.
526
00:20:55,672 --> 00:20:56,340
I JUST WANTED A WEEKEND,
ONE WEEKEND TO--
527
00:20:56,340 --> 00:20:58,884
TO WHAT?
528
00:20:58,884 --> 00:21:00,552
TO JUST BE NORMAL.
529
00:21:00,552 --> 00:21:02,221
WE'VE WORKED SO HARD
TO GET HERE, RIGHT?
530
00:21:02,221 --> 00:21:05,015
TO HAVE THE MLB
AT OUR FINGERTIPS,
531
00:21:05,015 --> 00:21:07,351
AND YOU'RE READY TO RISK
INJURY THIS WEEKEND FOR WHAT?
532
00:21:07,351 --> 00:21:10,437
A CHANCE TO CHUG FRUIT PUNCH
OUT OF A TRASH CAN
533
00:21:10,437 --> 00:21:12,856
AND SWAG SURF
WITH MEDIOCRITY?
534
00:21:12,856 --> 00:21:14,316
HEY, MS. SIMS. LOOK,
IT'S KIND OF MY FAULT.
535
00:21:14,316 --> 00:21:17,402
MOM, YOU REMEMBER J.R.,
RIGHT?
536
00:21:17,402 --> 00:21:18,278
-WE WERE ON THE 15
-U NATIONAL TEAM TOGETHER.
537
00:21:23,867 --> 00:21:28,622
THERE'S A WAY FOR ALL THIS
TO ACTUALLY WORK IN OUR FAVOR.
538
00:21:28,622 --> 00:21:31,291
NO, WE DON'T HAVE
TO SPIN THIS ONE.
539
00:21:31,291 --> 00:21:34,336
IT WORKED FOR KUMAR.
540
00:21:34,336 --> 00:21:35,462
HE CHOSE A TOP D1 SCHOOL
IN PLACE OF A LOWER DRAFT.
541
00:21:35,462 --> 00:21:38,882
AND NOW HE'S
EXPECTED TO BE
542
00:21:38,882 --> 00:21:40,259
THE NUMBER ONE PICK
OUT OF COLLEGE THIS YEAR.
543
00:21:40,259 --> 00:21:42,261
SO WHAT, YOU WANT
THE MLB TO THINK THAT
544
00:21:42,261 --> 00:21:44,179
I'M CONSIDERING
ENROLLING HERE?
545
00:21:44,179 --> 00:21:45,931
IT'LL CREATE MORE HYPE
AROUND YOU. YEAH.
546
00:21:45,931 --> 00:21:47,391
YOU KNOW WHAT? GO SHOWER.
PUT SOMETHING NICE ON.
547
00:21:47,391 --> 00:21:49,726
YOU'RE DOING INTERVIEWS.
548
00:21:49,726 --> 00:21:51,603
NO.
549
00:21:51,603 --> 00:21:52,938
EXCUSE ME?
550
00:21:52,938 --> 00:21:55,357
I SAID, NO, MOM.
551
00:21:55,357 --> 00:21:57,359
YOU KEEP SAYING "WE,"
BUT I'M THE ONE WHO'S OUT THERE
552
00:21:57,359 --> 00:22:00,237
ON THAT FIELD, MA. ME.
553
00:22:00,237 --> 00:22:02,030
I'M THE ONE WHO HAS
TO PLAY HURT OR HEALTHY.
554
00:22:02,030 --> 00:22:04,241
I'M THE ONE WHO HAS TO DEAL
WITH DISAPPOINTED TEAMMATES
555
00:22:04,241 --> 00:22:06,368
BECAUSE YOU INSIST THAT
I SAVE MY ARM FOR THE PROS.
556
00:22:06,368 --> 00:22:08,745
I'M THE ONE WHO HAS
TO MISS CLASS
557
00:22:08,745 --> 00:22:12,457
SO THAT I CAN SHOW UP
AND SHOW OUT
558
00:22:12,457 --> 00:22:13,375
AND GET ANOTHER UNNECESSARY
SHOWCASE, MA. ME.
559
00:22:13,375 --> 00:22:17,171
OH, REALLY?
560
00:22:17,171 --> 00:22:19,339
SO WHO WAS IT WHO
GAVE UP EVERYTHING
561
00:22:19,339 --> 00:22:21,341
SO THAT YOU COULD BE
OUT ON THOSE FIELDS SHOWING UP AND SHOWING OUT?
562
00:22:21,341 --> 00:22:24,052
YOUR CAREER DOESN'T
HAPPEN WITHOUT ME.
563
00:22:24,052 --> 00:22:26,263
AND YOURS DOESN'T HAPPEN
WITHOUT ME.
564
00:22:26,263 --> 00:22:27,764
BOY, EVERYTHING I DO
IS FOR YOU.
565
00:22:28,640 --> 00:22:32,519
AND ONE DAY,
YOU'LL THANK ME.
566
00:22:33,854 --> 00:22:35,772
NOW, GET DRESSED.
567
00:22:37,941 --> 00:22:39,818
DAMON.
568
00:22:41,737 --> 00:22:42,446
Y--YES, MA'AM.
569
00:22:58,003 --> 00:23:02,883
UH, EXCUSE ME.
570
00:23:02,883 --> 00:23:04,343
I'M SORRY. I'M LOOKING
FOR LIV AND SIMONE.
571
00:23:04,343 --> 00:23:06,261
THEY SAID THEY WERE
MEETING YOU HERE.
572
00:23:06,261 --> 00:23:08,722
UH, YEAH, CHANGE OF PLANS.
573
00:23:08,722 --> 00:23:09,598
THEY SAID THEY'D MEET
YOU AND JORDAN AT THE TAILGATE.
574
00:23:09,598 --> 00:23:12,309
OK, BET.
575
00:23:12,309 --> 00:23:12,893
IS THAT THE STORY
YOU'RE WORKING ON?
576
00:23:15,103 --> 00:23:17,523
COLLEGE ATHLETIC SCANDALS?
577
00:23:17,523 --> 00:23:18,857
IS SOMETHING HAPPENING
HERE AT BRINGSTON?
578
00:23:21,568 --> 00:23:23,695
MY BAD. LAST NIGHT,
YOU WAS MAD CAGEY ABOUT
579
00:23:23,695 --> 00:23:25,531
THE WHOLE ATHLETICS
THING HERE.
580
00:23:25,531 --> 00:23:26,865
NOTHING GETS
PAST YOU, HUH?
581
00:23:26,865 --> 00:23:29,535
IS THAT FOR ME?
582
00:23:29,535 --> 00:23:31,078
YEAH. YEAH. IT WAS TAPED
TO YOUR DOOR OUTSIDE.
583
00:23:31,078 --> 00:23:33,872
I'LL SEE YOU LATER.
584
00:23:33,872 --> 00:23:34,581
MM-HMM.
585
00:23:38,418 --> 00:23:43,131
YEAH. THIS IS DR. PATTERSON.
586
00:23:43,131 --> 00:23:44,675
I NEED TO PULL
SOME TRANSCRIPTS.
587
00:23:46,760 --> 00:23:46,927
DID YOU KNOW
MARIAN WRIGHT EDELMAN WAS
588
00:23:52,015 --> 00:23:53,267
THE FIRST WOMAN
IN MISSISSIPPI TO PASS THE BAR EXAM?
589
00:23:53,267 --> 00:23:56,186
SHE WAS A LAWYER
FOR THE NAACP,
590
00:23:56,186 --> 00:23:57,771
A SPELMAN GRAD, GOT
THE PRESIDENTIAL MEDAL OF FREEDOM IN 2000.
591
00:23:57,771 --> 00:24:01,817
SHE'S A BADASS.
592
00:24:01,817 --> 00:24:04,486
I MEAN, CLEARLY.
593
00:24:04,486 --> 00:24:05,529
SO THEN WHY ISN'T SHE
IN OUR HISTORY BOOKS?
594
00:24:05,529 --> 00:24:08,907
WHY ISN'T TONI MORRISON
595
00:24:08,907 --> 00:24:11,159
A PART OF OUR ENGLISH LIT
REQUIRED READING?
596
00:24:11,159 --> 00:24:13,871
THIS PLACE IS GROWING
ON YOU, ISN'T IT?
597
00:24:13,871 --> 00:24:15,873
LIV, I GUESS I JUST DIDN'T
EXPECT TO COME TO THIS PLACE
598
00:24:15,873 --> 00:24:18,625
AND--I DON'T KNOW--
FEEL SO FULL.
599
00:24:18,625 --> 00:24:23,630
[CELL PHONE CHIMES]
600
00:24:23,630 --> 00:24:26,175
IT'S KEISHA. SHE'S WITH
SPENCER AND JORDAN ALREADY.
601
00:24:26,175 --> 00:24:28,635
OH, AND SHE SAYS,
"YOU BETTER HAUL ASS."
602
00:24:28,635 --> 00:24:31,013
OK, STOP. KEISHA IS COOL.
603
00:24:31,013 --> 00:24:34,683
I JUST, UH...
604
00:24:34,683 --> 00:24:36,351
I'M NOT SURPRISED THAT
SHE'S ALREADY WITH SPENCER.
605
00:24:36,351 --> 00:24:38,103
OK, WELL, IF YOU'RE
NOT GOING TO GO AFTER WHAT YOU WANT,
606
00:24:38,103 --> 00:24:40,397
YOU CAN'T GET MAD
WHEN SOMEBODY ELSE DOES.
607
00:24:40,397 --> 00:24:41,148
WELL, IT LOOKS LIKE SOMEBODY
NEEDS TO TAKE HER OWN ADVICE.
608
00:24:49,114 --> 00:24:53,911
MARCUS: KIDS LIKE DAMON SIMS
JUST DON'T WALK AWAY
609
00:24:53,911 --> 00:24:55,662
FROM A CHANCE AT
PLAYING PRO BALL.
610
00:24:55,662 --> 00:24:57,706
WOMAN: DR. PATTERSON, PLEASE...
611
00:24:57,706 --> 00:24:58,874
I'M SORRY. I JUST
NEED A MINUTE.
612
00:24:58,874 --> 00:25:00,626
DR. ALLEN,
IT'S URGENT.
613
00:25:00,626 --> 00:25:02,628
I'M IN THE MIDDLE OF
A MEETING.
614
00:25:02,628 --> 00:25:03,045
OH, IT'S ALL RIGHT.
WE ALL DONE HERE.
615
00:25:12,387 --> 00:25:17,309
THAT'S YOUR
HEAD BASEBALL COACH
616
00:25:17,309 --> 00:25:18,352
AND YOUR ANTHROPOLOGY
DEPARTMENT CHAIR.
617
00:25:18,352 --> 00:25:21,230
ALLEN: OK.
618
00:25:21,230 --> 00:25:22,439
AND THESE ARE THE ACADEMIC
TRANSCRIPTS I PULLED
619
00:25:22,439 --> 00:25:25,192
FOR EVERY BASEBALL PLAYER
ENROLLED IN
620
00:25:25,192 --> 00:25:26,735
AND ACING
ANTHROPOLOGY 404 AND 406 OVER THE LAST 2 YEARS.
621
00:25:26,735 --> 00:25:30,572
GET TO THE POINT, AMARA.
622
00:25:30,572 --> 00:25:32,574
ANTHROPOLOGY 406
ISN'T A REAL CLASS.
623
00:25:32,574 --> 00:25:34,409
IT'S A PAPER CLASS.
NO REAL PROFESSORIAL OVERSIGHT,
624
00:25:34,409 --> 00:25:37,913
NO ACTUAL CLASS TIME.
625
00:25:37,913 --> 00:25:38,288
IT'S A SHAM TO KEEP THESE
BASEBALL PLAYERS ELIGIBLE.
626
00:25:39,748 --> 00:25:41,208
YOU'RE TELLING ME
LEONARD SHAW CHEATED
627
00:25:44,253 --> 00:25:45,796
TO WIN AT BASEBALL GAMES?
628
00:25:51,844 --> 00:25:52,427
HE'S CHEATING THESE BOYS
OUT OF A REAL EDUCATION.
629
00:25:52,427 --> 00:25:56,056
AND ARE THESE...
630
00:25:56,056 --> 00:25:58,308
THESE, UH, PAPER CLASSES,
631
00:25:58,308 --> 00:26:00,477
ARE THEY OPEN
TO ALL STUDENTS?
632
00:26:00,477 --> 00:26:01,478
I MEAN, YES, BUT THAT
DOESN'T CHANGE ANYTHING.
633
00:26:01,478 --> 00:26:04,439
TO THE NCAA, IT WILL.
634
00:26:04,439 --> 00:26:06,066
MEANS IT'S NOT SOLELY
AN ATHLETIC PRIVILEGE.
635
00:26:06,066 --> 00:26:09,528
SO BECAUSE THEY
WON'T CARE, WHAT?
636
00:26:09,528 --> 00:26:11,154
THAT MEANS YOU'RE JUST
GONNA SWEEP THE CHEATING UNDER THE RUG?
637
00:26:11,154 --> 00:26:14,032
LOOK, I GET THIS STORY
IS A BIG BREAK FOR YOU.
638
00:26:14,032 --> 00:26:16,159
STORY? YOU THINK THIS IS
ABOUT A DAMN STORY?
639
00:26:16,159 --> 00:26:18,996
SCREW THE STORY.
640
00:26:18,996 --> 00:26:20,497
THIS IS ABOUT
DOING RIGHT BY
641
00:26:20,497 --> 00:26:23,250
AN INSTITUTION
THAT I LOVE,
642
00:26:23,250 --> 00:26:24,459
A SCHOOL THAT SHAPED
WHO I WAS AS A STUDENT, WHO I AM TODAY,
643
00:26:24,459 --> 00:26:27,629
A PLACE OF EXCELLENCE.
644
00:26:27,629 --> 00:26:30,257
YOU NEED TO GET
AHEAD OF THIS, ZEKE.
645
00:26:30,257 --> 00:26:32,843
YOU NEED TO SHOW EVERYONE
THAT SELFISH BASTARD
646
00:26:32,843 --> 00:26:35,762
DOES NOT DEFINE BRINGSTON,
647
00:26:35,762 --> 00:26:37,848
THAT WE ARE STILL
ABOVE REPROACH,
648
00:26:37,848 --> 00:26:39,183
BECAUSE WHEN THIS KIND OF
FLAGRANT CRAP HAPPENS,
649
00:26:39,183 --> 00:26:40,392
WE CLEAN OUT OUR
OWN DAMN CLOSETS.
650
00:26:44,229 --> 00:26:48,108
[HEAVY SIGH]
651
00:26:48,609 --> 00:26:50,152
[SIGHS]
652
00:26:53,530 --> 00:26:56,533
REMEMBER, WHEN SHE ASKS
YOU ABOUT RUMORS
653
00:26:56,533 --> 00:26:57,826
THAT PLAYING AT
COLLEGE IS BACK ON THE TABLE FOR YOU,
654
00:26:57,826 --> 00:27:00,329
KEEP IT VAGUE
BUT HUMBLE.
655
00:27:00,329 --> 00:27:02,331
I KNOW, MOM. I'M PREPARED.
656
00:27:02,331 --> 00:27:03,498
OK. AND IF SHE
BRINGS UP...
657
00:27:03,498 --> 00:27:06,210
WAIT. WHAT THE HELL?
658
00:27:06,210 --> 00:27:09,171
-WHAT'S GOING ON?
-SHH, SHH.
659
00:27:09,171 --> 00:27:10,672
REPORTER ON VIDEO: IN
A STATEMENT JUST RELEASED BY PRESIDENT ALLEN,
660
00:27:10,672 --> 00:27:12,216
AN INTERNAL INVESTIGATION
HAS BEEN LAUNCHED,
661
00:27:12,216 --> 00:27:14,134
LOOKING INTO ALLEGED
ACADEMIC FRAUD BY
662
00:27:14,134 --> 00:27:16,762
SOME PROMINENT MEMBERS
OF THE BASEBALL TEAM.
663
00:27:16,762 --> 00:27:18,055
COACH LEONARD SHAW IS RESIGNING,
EFFECTIVE IMMEDIATELY.
664
00:27:18,055 --> 00:27:21,683
MORE TO COME.
665
00:27:21,683 --> 00:27:24,144
DAMN. WE JUST
LOST OUR LEVERAGE.
666
00:27:24,144 --> 00:27:26,313
LEVERAGE? IS THAT
REALLY WHAT YOU'RE FOCUSED ON RIGHT NOW?
667
00:27:26,313 --> 00:27:29,858
WHAT ELSE SHOULD I
BE FOCUSED ON?
668
00:27:29,858 --> 00:27:31,693
MOM, A TEAM
JUST GOT DECIMATED,
669
00:27:31,693 --> 00:27:34,530
PEOPLE'S LIVELIHOODS
DESTROYED.
670
00:27:34,530 --> 00:27:36,448
WHAT IS WITH YOU
AND THIS SCHOOL?
671
00:27:36,448 --> 00:27:38,450
AND WHY ARE YOU SO
OBSESSED WITH THIS TEAM
672
00:27:38,450 --> 00:27:40,577
YOU'VE SPENT ALL OF
2 SECONDS WITH?
673
00:27:40,577 --> 00:27:44,122
FORGET IT.
674
00:27:44,122 --> 00:27:47,417
ALL RIGHT?
IT'S NOTHING.
675
00:27:47,417 --> 00:27:48,252
I'M WALKING BACK TO CAMPUS,
ALL RIGHT, MA?
676
00:27:57,427 --> 00:28:02,432
HOW COULD YOU DO IT?
677
00:28:02,432 --> 00:28:04,476
IT WAS TWO SEASONS OF
A COUPLE OF GHOST CLASSES.
678
00:28:04,476 --> 00:28:08,605
SPARE ME THE LECTURE.
679
00:28:08,605 --> 00:28:09,690
IN FACT, I DARE YOU
TO FIND ME A COLLEGE COACH
680
00:28:09,690 --> 00:28:12,276
THAT ISN'T GAMING
THE SYSTEM.
681
00:28:12,276 --> 00:28:13,861
IF YOU DO, IT'S 'CAUSE
THEY HAVEN'T BEEN CAUGHT.
682
00:28:13,861 --> 00:28:15,904
ME, OK? BECAUSE I DON'T
COACH LIKE THAT.
683
00:28:15,904 --> 00:28:18,031
WELL, THAT'S WHY YOU COULDN'T
EVEN MAKE IT IN THE MINORS.
684
00:28:18,031 --> 00:28:20,075
BUT I'M PREPARED TO DO
WHAT IT TAKES TO GAIN THE COMPETITIVE ADVANTAGE.
685
00:28:20,075 --> 00:28:22,703
WHAT ABOUT YOURRESPONSIBILITY TO THESE BOYS, HUH?
686
00:28:22,703 --> 00:28:24,955
MY JOB IS TO GET THEM
READY FOR THE PROS.
687
00:28:24,955 --> 00:28:27,875
AND THAT'S WHAT
I'VE BEEN DOING.
688
00:28:27,875 --> 00:28:29,209
I WON'T APOLOGIZE FOR THAT.
689
00:28:32,087 --> 00:28:32,504
I GUESS THAT'S
WHERE YOU AND I FUNDAMENTALLY DIFFER.
690
00:28:34,381 --> 00:28:35,757
YOU'LL LEARN.
691
00:28:43,140 --> 00:28:47,019
[HIP-HOP MUSIC PLAYING]
692
00:28:50,564 --> 00:28:55,652
[JORDAN CHUCKLES]
693
00:28:55,652 --> 00:28:57,112
JORDAN: NOW WE'RE TALKING.
SIMONE: I KNOW, BABE.
694
00:28:57,112 --> 00:28:59,448
YOU'VE BEEN WANTING TO PARTY
ALL WEEKEND.
695
00:28:59,448 --> 00:29:01,074
I'VE BEEN WANTING
TO GRIND ON MY WIFE A LITTLE BIT. MWAH.
696
00:29:01,074 --> 00:29:04,453
KEISHA: YAY, Y'ALL
HERE. LET'S GO!
697
00:29:04,453 --> 00:29:08,707
SPENCER: OK!
698
00:29:08,707 --> 00:29:10,375
KEISHA: HEY, YO, NATE,
K.E.K. PUNCH FOR EVERYBODY.
699
00:29:10,375 --> 00:29:11,585
OLIVIA: OH, ACTUALLY, NO
PUNCH FOR ME. I'M SOBER, SO...
700
00:29:11,585 --> 00:29:15,130
GOOD FOR YOU, GIRL.
701
00:29:15,130 --> 00:29:15,964
SPENCER: DEAR GOD, TELL ME
THAT'S NOT A TRASH CAN.
702
00:29:18,175 --> 00:29:19,843
IT'S THE CLEANEST
THING IN HERE. TRUST.
703
00:29:19,843 --> 00:29:22,221
HERE Y'ALL GO.
704
00:29:22,221 --> 00:29:24,306
CHEERS, BITCHES.
705
00:29:24,306 --> 00:29:26,808
[ALL CHEER]
706
00:29:26,808 --> 00:29:28,936
[MUSIC CONTINUES]
707
00:29:54,878 --> 00:29:59,800
[SLOWLY]
SIMONE HICKS.
708
00:29:59,800 --> 00:30:02,094
WHY DO YOU KEEP SAYING
MY NAME LIKE THAT?
709
00:30:02,094 --> 00:30:06,348
'CAUSE IT'S DOPE.
710
00:30:06,348 --> 00:30:07,558
[DEADPAN]
OK.
711
00:30:07,558 --> 00:30:09,101
[CHUCKLES]
712
00:30:09,101 --> 00:30:10,811
OH, OK. SO ATHLETE.
713
00:30:12,521 --> 00:30:16,859
THAT'S THE VIBE?
714
00:30:16,859 --> 00:30:17,734
OR ARE YOU JUST A BIG
NAOMI OSAKA FAN?
715
00:30:17,734 --> 00:30:21,655
MM. IT'S BOTH.
716
00:30:21,655 --> 00:30:22,364
I'VE BEEN TRYING TO GET
MY WAY BACK TO ATHLETE,
717
00:30:22,364 --> 00:30:26,201
FIND MY MOJO AGAIN.
718
00:30:26,201 --> 00:30:29,162
AND HOW'S THAT GOING?
719
00:30:29,162 --> 00:30:29,955
LET'S JUST SAY
THE COMPETITION'S A LITTLE STIFF.
720
00:30:29,955 --> 00:30:33,000
SO USE IT.
721
00:30:33,000 --> 00:30:33,792
DON'T LET IT SHAKE YOU.COMPETITION IS JUST MOTIVATION.
722
00:30:33,792 --> 00:30:37,504
HMM.
723
00:30:37,504 --> 00:30:38,881
SO IS THAT HOW YOU
KICK ASS IN BASEBALL?
724
00:30:38,881 --> 00:30:42,885
I HEARD ABOUT
THE SCANDAL.
725
00:30:42,885 --> 00:30:43,719
BUT THAT DOESN'T AFFECT
YOU, THOUGH, RIGHT?
726
00:30:43,719 --> 00:30:47,097
NAH. NOT AT ALL.
727
00:30:47,097 --> 00:30:49,308
STUDENT: YO, YOU SEEN J.R.?
728
00:30:49,308 --> 00:30:51,185
HE'S BEEN M.I.A. SINCE
THAT BASEBALL NONSENSE HIT.
729
00:30:51,185 --> 00:30:52,936
MAN, I THOUGHT
HE WAS IN THERE.
730
00:30:58,525 --> 00:31:03,572
OK, OK, HEY. HEY. I DON'T KNOW
WHERE KEISHA IS,
731
00:31:03,572 --> 00:31:05,991
BUT YOU GOT TO DANCE WITH ME
BEFORE SHE COMES BACK.
732
00:31:05,991 --> 00:31:07,743
WELL, YOU KNOW
YOU CAN JUST SAY NO.
733
00:31:07,743 --> 00:31:10,120
SO IS NOW A GOOD TIME
TO TELL HIM
734
00:31:10,120 --> 00:31:13,290
KEISHA AIN'T
REALLY INTO HIM?
735
00:31:13,290 --> 00:31:15,334
UH, YEAH, SHE IS. WHAT
ARE YOU TALKING ABOUT?
736
00:31:15,334 --> 00:31:17,586
NO. SHE JUST NEEDED
SOMEONE TO HELP MAKE
737
00:31:17,586 --> 00:31:19,046
HER EX, TERRELL, JEALOUS.
738
00:31:21,006 --> 00:31:21,089
WORKS EVERY TIME.
739
00:31:25,093 --> 00:31:27,554
OH.
740
00:31:27,554 --> 00:31:28,514
♪ ...EH, EVERYTHING
IS GONNA HEAT UP ♪
741
00:31:28,514 --> 00:31:31,934
♪ I CAN FEEL THAT FEVER ♪
742
00:31:31,934 --> 00:31:33,727
♪ WIND IS BLOWING
FAST UNDERNEATH US, EH ♪
743
00:31:33,727 --> 00:31:36,396
♪ JUST TURN UP
THE SPEAKERS, EH ♪
744
00:31:36,396 --> 00:31:39,024
♪ WE, WE MAKE
IT THROUGH IT ALL ♪
745
00:31:39,024 --> 00:31:41,109
♪ WE, WE BREAKIN' THROUGH
THE WALL ♪
746
00:31:41,109 --> 00:31:43,320
♪ WAY UP IN THE TOP ♪
747
00:31:43,320 --> 00:31:44,404
♪ RISE, DON'T STOP ♪
748
00:31:44,404 --> 00:31:45,781
♪ TAKE YOUR SHOT ♪
749
00:31:45,781 --> 00:31:47,491
♪ WHEN YOU HEAR ME KNOCK ♪
750
00:31:47,491 --> 00:31:48,742
♪ GOT TO WAKE UP, WAKE UP,
WAKE UP THE PARTY ♪
751
00:31:48,742 --> 00:31:49,826
♪ WAKE UP, WAKE UP, WAKE UP ♪
752
00:31:49,826 --> 00:31:52,246
♪ THE NIGHT! ♪
753
00:31:52,246 --> 00:31:53,163
♪ WAKE UP, WAKE UP, WAKE UP
THE PARTY... ♪
754
00:31:53,163 --> 00:31:55,207
WHAT'D I MISS?
755
00:31:55,207 --> 00:31:56,750
JUST, GROSS.
756
00:31:58,168 --> 00:32:00,087
SHE'S GOING AFTER
WHAT SHE WANTS.
757
00:32:16,186 --> 00:32:20,607
UM, UH, MY BAD.
I'M LOOKING FOR J.R.
758
00:32:20,607 --> 00:32:24,862
I HAVEN'T SEEN HIM.
759
00:32:24,862 --> 00:32:26,405
I'M SAYING MY GOOD-BYES
TO THE FIELD.
760
00:32:29,616 --> 00:32:30,993
THEY'RE BROOMING OUT
THE WHOLE COACHING STAFF.
761
00:32:34,204 --> 00:32:37,666
I'M SORRY. UM, I'LL
GIVE YOU SOME PRIVACY.
762
00:32:37,666 --> 00:32:40,794
SIMS, WHEN YOU'RE
OUT THERE PLAYING FOR THE PROS,
763
00:32:40,794 --> 00:32:44,464
I WANT YOU TO ALWAYS
REMEMBER ONE THING:
764
00:32:44,464 --> 00:32:49,052
INTEGRITY.
765
00:32:49,052 --> 00:32:50,387
THAT'S THE MOST IMPORTANT
THING AN ATHLETE,
766
00:32:50,387 --> 00:32:53,974
A TEAMMATE, A MAN HAS.
767
00:32:53,974 --> 00:32:55,434
AND WITHOUT IT,
NOTHING ELSE MATTERS.
768
00:32:55,434 --> 00:32:57,102
I GUESS COACH SHAW
SAW THINGS DIFFERENTLY.
769
00:32:57,102 --> 00:32:59,813
THIS TEAM'S FINALLY
RID OF HIM.
770
00:32:59,813 --> 00:33:01,815
NOW, NEXT SEASON, THOSE
BOYS CAN GO OUT THERE
771
00:33:01,815 --> 00:33:03,400
AND SHOW THE WHOLE WORLD
WHAT THEY CAN REALLY DO
772
00:33:03,400 --> 00:33:05,986
UNDER AN HONEST PROGRAM.
773
00:33:06,945 --> 00:33:08,113
IT WAS YOU, WASN'T IT?
774
00:33:11,909 --> 00:33:13,327
YOU TIPPED SOMEONE OFF.
IT COST YOU YOUR JOB.
775
00:33:13,327 --> 00:33:17,247
THOSE BOYS NEEDED A CHANCE
776
00:33:17,247 --> 00:33:19,082
TO REBUILD SOMETHING
PURE AND GREAT.
777
00:33:19,082 --> 00:33:21,460
LOOK, I DID
WHAT I HAD TO DO.
778
00:33:21,460 --> 00:33:22,628
SOMETIMES YOU JUST GOT
TO TAKE ONE FOR THE TEAM.
779
00:33:25,464 --> 00:33:26,590
I'LL LEAVE YOU TO
YOUR GOOD-BYES, COACH.
780
00:33:39,978 --> 00:33:44,608
I UNDERESTIMATED YOU.
781
00:33:44,608 --> 00:33:46,109
BUT NONE OF THAT
SKILL MATTERS
782
00:33:46,109 --> 00:33:48,904
IF YOU CAN'T PERFORM
LIKE THAT
783
00:33:48,904 --> 00:33:51,198
WHEN EYES ARE WATCHING
AND THE PRESSURE'S ON.
784
00:33:51,198 --> 00:33:53,075
I WAS HOPING
FOR SOME PRIVACY.
785
00:33:53,075 --> 00:33:54,535
ON MY COURTS?
YOU'RE THE VISITOR.
786
00:33:54,535 --> 00:33:57,371
[CHUCKLES SOFTLY]
787
00:33:57,371 --> 00:33:58,872
FINE, GIRL. YOU GOT IT.
788
00:33:58,872 --> 00:34:00,541
THEA: YOU KNOW,
TENNIS IS A GAME
789
00:34:00,541 --> 00:34:02,793
OF BOTH MENTAL
AND PHYSICAL FITNESS.
790
00:34:02,793 --> 00:34:04,711
YOU'LL NEVER MAKE IT
IF YOU KEEP BEING SO EASILY PSYCHED OUT.
791
00:34:04,711 --> 00:34:06,380
WHAT IS YOUR PROBLEM?
YOU DON'T KNOW ME. YOU HAVE NO IDEA.
792
00:34:06,380 --> 00:34:09,299
I'M NOT A QUITTER.
793
00:34:09,299 --> 00:34:11,134
OK. WHATEVER.
794
00:34:11,134 --> 00:34:13,136
JUST WATCH
YOUR BACK RIGHT FOOT
795
00:34:13,136 --> 00:34:15,347
ON YOUR
FOREHAND VOLLEY.
796
00:34:15,347 --> 00:34:16,849
TRY STEPPING FORWARD
WITH YOUR LEFT INSTEAD.
797
00:34:16,849 --> 00:34:18,183
IT'LL GIVE YOU MORE
FORWARD MOMENTUM AND POWER.
798
00:34:18,183 --> 00:34:21,478
AND WHY ARE YOU
HELPING ME?
799
00:34:21,478 --> 00:34:24,356
I'M NOT. I'M HELPING
THE SPORT I LOVE.
800
00:34:24,356 --> 00:34:27,359
SEE, DON'T LET SERENA AND
NAOMI'S SUCCESS FOOL YOU.
801
00:34:27,359 --> 00:34:29,862
EVERY TIME WE WALK OUT
ON THAT COURT
802
00:34:29,862 --> 00:34:31,446
AS BLACK WOMEN,
WE'RE BEING JUDGED
803
00:34:31,446 --> 00:34:35,576
ON EVERYTHING.
804
00:34:35,576 --> 00:34:37,870
YOU HAVE ONE JOB
WHEN YOU PLAY--
805
00:34:37,870 --> 00:34:39,580
BRING EXCELLENCE
OR DON'T PLAY AT ALL.
806
00:34:47,337 --> 00:34:51,800
YOU WERE RIGHT,
YOU KNOW?
807
00:34:51,800 --> 00:34:55,220
THIS TRIP, THIS PLACE.
808
00:34:55,220 --> 00:34:58,473
IT WAS EVERYTHING
I WASN'T EVEN EXPECTING.
809
00:34:58,473 --> 00:35:01,185
AND IT'S JUST--
IT'S AMAZING TO BE
810
00:35:01,185 --> 00:35:04,313
SOMEPLACE THAT'S
FOR US, BY US,
811
00:35:04,313 --> 00:35:07,733
WHERE EXCELLENCE
IS EXPECTED,
812
00:35:07,733 --> 00:35:10,777
EVEN BY
YOUR FRENEMIES.
813
00:35:10,777 --> 00:35:12,279
IT'S NOT TOO LATE TO APPLY.
814
00:35:13,071 --> 00:35:14,615
BABY SHAY IS IN L.A.
815
00:35:17,826 --> 00:35:19,870
AND I HAVE SUCH
A GREAT RELATIONSHIP
816
00:35:19,870 --> 00:35:23,207
WITH HIS ADOPTED FAMILY.
817
00:35:23,207 --> 00:35:24,833
I CAN'T JUST UP AND MOVE
CLEAR ACROSS THE COUNTRY.
818
00:35:24,833 --> 00:35:26,627
AND WHAT WERE YOU GONNA DO
IF YOU GOT INTO PRINCETON?
819
00:35:26,627 --> 00:35:30,631
EXACTLY.
YOU'D HAVE FIGURED IT OUT
820
00:35:30,631 --> 00:35:31,882
BECAUSE IT'S JUST
THE EAST COAST, SWEETIE, NOT MARS.
821
00:35:31,882 --> 00:35:35,260
COME ON, AUNTIE.
822
00:35:35,260 --> 00:35:36,720
YOU KNOW MY MOM WOULD
NEVER LET ME COME HERE.
823
00:35:36,720 --> 00:35:38,472
MM-MM. DON'T GET ME
STARTED ON YOUR MOTHER.
824
00:35:38,472 --> 00:35:40,599
IT'S WAY PAST TIME
YOU STOOD UP TO HER
825
00:35:40,599 --> 00:35:43,310
FOR WHAT YOU WANT.
826
00:35:43,310 --> 00:35:45,479
YOU DON'T HAVE TO MAKE
A DECISION TODAY,
827
00:35:45,479 --> 00:35:47,856
BUT AS YOU ARE
THINKING ABOUT IT,
828
00:35:47,856 --> 00:35:50,025
JUST REMEMBER,
IN ORDER TO BE
829
00:35:50,025 --> 00:35:51,693
THE BEST VERSION
OF YOURSELF FOR JORDAN
830
00:35:51,693 --> 00:35:54,780
AND SHAY
AND EVERYONE ELSE YOU LOVE,
831
00:35:54,780 --> 00:35:56,615
YOU MAY NEED TO CHOOSE
YOURSELF FIRST, SIMONE.
832
00:36:05,666 --> 00:36:10,128
SPENCER:
AND I THOUGHT I'D BE THE ONLY TEEN AT COLLEGE
833
00:36:10,128 --> 00:36:12,756
UP AT THE CRACK OF DAWN.
834
00:36:12,756 --> 00:36:14,049
LOOK, I KNOW
WE DON'T REALLY KNOW EACH OTHER LIKE THAT,
835
00:36:14,049 --> 00:36:16,969
BUT I KNOW WHAT
IT LOOKS LIKE
836
00:36:16,969 --> 00:36:17,845
WHEN SOMEBODY'S CARRYING
TOO MUCH WEIGHT ON THEIR SHOULDERS.
837
00:36:20,097 --> 00:36:20,681
WERE YOU SCARED WHEN
YOU FORFEITED THAT GAME IN PROTEST
838
00:36:25,102 --> 00:36:28,814
AND FOOTBALL AND EVERYTHING
COULD JUST GO AWAY?
839
00:36:28,814 --> 00:36:33,527
MAN, OF COURSE.
840
00:36:33,527 --> 00:36:33,902
IT DON'T CHANGE
THE FACT THAT IT WAS THE RIGHT THING TO DO.
841
00:36:35,362 --> 00:36:35,904
[SIGHS]
842
00:36:40,450 --> 00:36:41,535
THIS WEEKEND DIDN'T GO AT
ALL HOW I PLANNED IT, MAN.
843
00:36:41,535 --> 00:36:43,787
OH, WHAT,
YOU WEREN'T PLANNING
844
00:36:43,787 --> 00:36:45,956
ON A CHAMPIONSHIP-WINNING
BASEBALL PROGRAM
845
00:36:45,956 --> 00:36:46,748
GETTING DEMOLISHED
WHILE YOU WERE VISITING FOR THE WEEKEND?
846
00:36:46,748 --> 00:36:49,501
I KNOW, RIGHT?
847
00:36:49,501 --> 00:36:51,336
GO FIGURE.
848
00:36:52,337 --> 00:36:53,672
IN A FEW MONTHS,
I'LL BE DRAFTED,
849
00:36:57,009 --> 00:36:58,969
AND LIFE WILL NEVER
BE THE SAME.
850
00:37:01,388 --> 00:37:02,890
I GUESS I JUST
WANTED A WEEKEND
851
00:37:06,310 --> 00:37:07,769
TO REALLY CONNECT TO
WHO I WAS BEFORE IT CHANGED.
852
00:37:07,769 --> 00:37:09,730
FOR SOMEBODY ABOUT
TO GET THEIR DREAM, MAN,
853
00:37:12,232 --> 00:37:14,151
YOU DON'T SEEM TOO HAPPY.
854
00:37:14,151 --> 00:37:15,485
YEAH. I'M STARTING
TO REALIZE
855
00:37:15,485 --> 00:37:17,362
THAT THE MLB IS MORE
OF MY MOM'S DREAM.
856
00:37:18,697 --> 00:37:19,907
SHE'S JUST
DONE SO MUCH FOR ME,
857
00:37:23,285 --> 00:37:24,328
I DON'T WANT
TO LET HER DOWN.
858
00:37:27,331 --> 00:37:30,417
SHE'S NOT GONNA BE
THE ONE OUT ON THAT FIELD, THOUGH.
859
00:37:30,417 --> 00:37:32,878
MAN. YOU DON'T GET IT.
860
00:37:32,878 --> 00:37:36,048
SHE SAVED MY LIFE.
861
00:37:36,048 --> 00:37:37,883
YEAH. ADOPTED ME
OUT THE SYSTEM.
862
00:37:38,467 --> 00:37:43,430
RAISED ME, LOVES ME.
863
00:37:43,430 --> 00:37:46,058
I KNOW SHE'S JUST TRYING
TO DO HER BEST BY ME.
864
00:37:46,058 --> 00:37:47,643
MY BIRTH PARENTS
ARE ACTUALLY FROM HERE IN ATLANTA.
865
00:37:50,479 --> 00:37:52,856
AND ALL I KNOW IS THAT
18 YEARS AGO,
866
00:37:52,856 --> 00:37:54,900
THEY WENT TO SCHOOL HERE
AT BRINGSTON.
867
00:37:54,900 --> 00:37:58,111
IS THAT WHY YOU'RE HERE?
YOU TRYING TO FIND 'EM?
868
00:37:58,111 --> 00:38:02,324
I REALLY DON'T KNOW.
869
00:38:02,324 --> 00:38:02,950
THIS SCHOOL'S THE ONLY
CONNECTION THAT I HAVE TO 'EM.
870
00:38:05,285 --> 00:38:07,329
I GUESS I JUST WANTED
TO FEEL IT.
871
00:38:09,831 --> 00:38:12,751
I DON'T KNOW WHY I JUST
TOLD YOU ALL OF THAT, MAN.
872
00:38:12,751 --> 00:38:15,879
CLEARLY YOU NEEDED
TO TELL SOMEBODY.
873
00:38:15,879 --> 00:38:17,464
LOOK, MAN, I KNOW YOU FEEL
LIKE YOU OWE YOUR MOMS,
874
00:38:17,464 --> 00:38:21,844
BUT IT SOUNDS LIKE
SHE LOVES YOU.
875
00:38:21,844 --> 00:38:24,471
AND THAT DON'T COME
WITH A FEE.
876
00:38:24,471 --> 00:38:27,349
SO WHATEVER IT IS
THAT YOU DECIDE TO DO,
877
00:38:27,349 --> 00:38:28,642
IT'S GOT TO BE THE RIGHT
THING FOR YOU.
878
00:38:31,103 --> 00:38:31,311
[EXHALES]
879
00:38:58,714 --> 00:39:03,552
THANK YOU.
880
00:39:03,552 --> 00:39:04,511
THANKS FOR AGREEING
TO SEE ME, SIR.
881
00:39:12,644 --> 00:39:16,523
WHERE'S MY SON?
882
00:39:19,151 --> 00:39:23,238
[CAMERA SHUTTERS CLICKING]
883
00:39:23,238 --> 00:39:24,865
ALLEN: THANK YOU ALL FOR COMING.
884
00:39:24,865 --> 00:39:25,866
IT IS NEVER EASY TO DISCOVER
885
00:39:28,160 --> 00:39:29,286
SOMETHING'S GONE WRONG
IN YOUR HOUSE,
886
00:39:29,286 --> 00:39:31,330
UNDER YOUR LEADERSHIP.
887
00:39:31,330 --> 00:39:33,207
IT'S MY HOPE THAT WE WILL NOT
BE JUDGED
888
00:39:33,207 --> 00:39:35,375
BY THE POOR CHOICES OF A FEW
889
00:39:35,375 --> 00:39:37,294
BUT BY HOW WE RESPONDED
TO RECTIFY IT.
890
00:39:37,294 --> 00:39:40,088
IT IS MY HOPE THAT INTEGRITY
WILL BE OUR LEGACY.
891
00:39:40,088 --> 00:39:43,091
I'D LIKE TO GIVE DAMON SIMS
THE OPPORTUNITY
892
00:39:43,091 --> 00:39:46,470
TO SAY A FEW WORDS.
893
00:39:46,470 --> 00:39:48,430
[CAMERA SHUTTERS CLICKING]
894
00:39:48,430 --> 00:39:50,098
DAMON: UH, THANK YOU,
DR. ALLEN.
895
00:39:50,098 --> 00:39:53,393
[EXHALES]
896
00:39:53,393 --> 00:39:55,896
UH, THERE'S BEEN A LOT OF
DISCUSSION ABOUT
897
00:39:55,896 --> 00:39:58,440
WHAT MY FUTURE WILL HOLD
IN THESE NEXT FEW MONTHS.
898
00:39:58,440 --> 00:40:00,776
DR. ALLEN TALKED ABOUT LEGACY.
899
00:40:00,776 --> 00:40:03,904
AND I WANT MY LEGACY
IN THIS SPORT TO BE
900
00:40:03,904 --> 00:40:07,074
THAT I MADE A DIFFERENCE.
901
00:40:07,074 --> 00:40:07,950
AND THAT'S WHY I WON'T BE
PARTICIPATING
902
00:40:10,619 --> 00:40:13,080
IN THE 2021 MLB DRAFT.
903
00:40:13,080 --> 00:40:15,999
[SPECTATORS MURMURING]
904
00:40:15,999 --> 00:40:17,459
INSTEAD, I WILL BE COMMITTING
TO PLAYING BASEBALL
905
00:40:17,459 --> 00:40:22,297
HERE AT BRINGSTON
906
00:40:22,297 --> 00:40:24,925
WITH COACH MARCUS TURNER
AS OUR HEAD COACH.
907
00:40:24,925 --> 00:40:28,512
WE WILL REBUILD BASEBALL
TOGETHER
908
00:40:28,512 --> 00:40:31,557
OUT THERE ON THAT FIELD.
909
00:40:31,557 --> 00:40:33,225
WE WILL BRING CHAMPIONSHIP
BASEBALL BACK TO B.U.,
910
00:40:33,225 --> 00:40:35,352
BACK TO US THE RIGHT WAY,
THE HONORABLE WAY...
911
00:40:37,229 --> 00:40:39,481
WITH INTEGRITY.
912
00:40:41,692 --> 00:40:43,151
THANK YOU FOR YOUR TIME.
913
00:40:45,779 --> 00:40:47,573
[APPLAUSE]
914
00:40:56,874 --> 00:41:01,587
[J.R. CHUCKLING]
915
00:41:01,587 --> 00:41:04,840
YOU KNOW, WHEN
I INVITED YOU DOWN,
916
00:41:04,840 --> 00:41:06,008
I DID NOT KNOW
IT WOULD ACTUALLY END
917
00:41:06,008 --> 00:41:06,925
IN YOU COMMITTING HERE.
918
00:41:06,925 --> 00:41:08,260
I KNOW, RIGHT?
919
00:41:08,260 --> 00:41:09,845
IT FEELS LIKE HOME.
920
00:41:11,930 --> 00:41:14,099
HOME. YEAH.
921
00:41:14,099 --> 00:41:16,185
I GUESS BRINGSTON BASEBALL
HAS FOUND ITS STAR.
922
00:41:16,185 --> 00:41:18,145
NO STARS, MAN.
JUST BALLPLAYERS...
923
00:41:18,145 --> 00:41:21,481
ALL OF US.
924
00:41:21,481 --> 00:41:23,275
WE'LL DO THIS
TOGETHER, ALL RIGHT?
925
00:41:23,275 --> 00:41:24,693
REBUILD HANK'S
LEGACY HERE, MAN.
926
00:41:27,279 --> 00:41:30,532
MAKE HIM PROUD.
927
00:41:30,532 --> 00:41:32,534
[CHUCKLES]
928
00:41:32,534 --> 00:41:33,493
HEY, LOOK, MAN,
I GOT TO GET GOING.
929
00:41:36,413 --> 00:41:38,248
MY FRAT BROTHERS ARE
WAITING ON ME.
930
00:41:38,248 --> 00:41:40,584
OH. FOR SURE.
931
00:41:40,584 --> 00:41:41,752
I GUESS I'LL SEE YOU
THIS FALL, BROTHER.
932
00:41:44,880 --> 00:41:46,173
SIMONE:
CONGRATULATIONS.
933
00:41:49,635 --> 00:41:52,137
I GUESS THAT BASEBALL
THING DID HAVE
934
00:41:52,137 --> 00:41:54,932
SOME EFFECT ON YOU, HUH?
935
00:41:54,932 --> 00:41:56,642
YEAH. SOMETHING
LIKE THAT.
936
00:41:56,642 --> 00:41:58,936
WELL, YOU SEEM AT PEACE,
SO GOOD FOR YOU.
937
00:42:03,899 --> 00:42:04,816
I SHOULD, UH, GET GOING.
938
00:42:08,654 --> 00:42:10,280
MY HUSBAND'S WAITING
OUTSIDE FOR ME.
939
00:42:10,280 --> 00:42:12,199
HUSBAND?
940
00:42:12,824 --> 00:42:13,909
OH, OK.
941
00:42:17,162 --> 00:42:18,747
WHAT ABOUT YOU?
942
00:42:21,291 --> 00:42:22,543
FIND YOUR MOJO?
943
00:42:24,378 --> 00:42:25,921
YEAH.
944
00:42:28,757 --> 00:42:30,425
SOMETHING LIKE THAT.
945
00:42:30,425 --> 00:42:34,513
GOOD.
946
00:42:34,513 --> 00:42:35,305
TAKE CARE OF YOURSELF,
SIMONE HICKS.
947
00:42:47,568 --> 00:42:52,239
RHYS LEWIS:
♪ I DON'T READ THE HEADLINES ♪
948
00:42:52,239 --> 00:42:55,701
♪ AND I DON'T WATCH THE NEWS ♪
949
00:42:55,701 --> 00:42:57,953
♪ 'CAUSE I LOSE FAITH
IN SOMETHING ♪
950
00:42:57,953 --> 00:43:01,039
♪ EVERY TIME I DO ♪
951
00:43:01,039 --> 00:43:02,791
♪ WELL, I DON'T NEED
TO BURY MY HEAD... ♪
952
00:43:02,791 --> 00:43:05,836
WHAT?
953
00:43:05,836 --> 00:43:06,837
NOTHING. YOU JUST--
954
00:43:06,837 --> 00:43:09,798
YOU SEEM HAPPY.
955
00:43:09,798 --> 00:43:11,633
LEWIS: ♪ ...TRYIN'
TO LIVE THIS LIFE ♪
956
00:43:11,633 --> 00:43:13,385
♪ AS BEST AS I CAN ♪
957
00:43:13,385 --> 00:43:15,012
♪ SO LET'S KEEP SEARCHING
FOR SOMEWHERE ♪
958
00:43:15,012 --> 00:43:17,806
♪ WE'RE GONNA FIND A WAY ♪
959
00:43:17,806 --> 00:43:20,684
♪ TO MAKE TOMORROW ♪
960
00:43:20,684 --> 00:43:22,686
♪ TOMORROW BETTER THAN TODAY ♪
961
00:43:22,686 --> 00:43:26,732
♪ LET'S MAKE TOMORROW ♪
962
00:43:26,732 --> 00:43:28,025
♪ TOMORROW BETTER THAN TODAY ♪
963
00:43:51,757 --> 00:43:55,636
GREG, MOVE YOUR HEAD.
964
00:43:55,686 --> 00:44:00,236
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