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These are the user uploaded subtitles that are being translated: 1 00:00:02,162 --> 00:00:06,041 [♪] 2 00:00:06,875 --> 00:00:08,502 [WOMAN GASPINGAND SOBBING IN PAIN] 3 00:00:12,589 --> 00:00:15,884 [GASPING AND GROANING] 4 00:00:21,182 --> 00:00:23,893 [MAN BARKING IN DARI] 5 00:00:43,746 --> 00:00:45,916 SALAAM. 6 00:00:54,758 --> 00:00:57,052 [SPEAKS DARI] 7 00:00:57,052 --> 00:00:59,179 [♪] 8 00:01:04,810 --> 00:01:07,646 SHE HAS BEEN IN LABOR15 HOURS. 9 00:01:24,748 --> 00:01:26,833 [GUARD SHOUTS IN DARI] 10 00:01:29,044 --> 00:01:30,754 YOU SPEAK ENGLISH. 11 00:01:30,754 --> 00:01:32,714 WE HAVE A TELEVISION 12 00:01:32,757 --> 00:01:34,174 IN OUR VILLAGE. 13 00:01:37,177 --> 00:01:38,804 I KNOW WHO YOU ARE. 14 00:01:38,804 --> 00:01:41,265 YOU BROUGHT MEDICINETO OUR VILLAGE ONCE. 15 00:01:42,558 --> 00:01:45,270 [SUDDEN PAINED GASPING] 16 00:01:49,315 --> 00:01:51,442 HOLD ON TIGHT. 17 00:01:51,484 --> 00:01:54,445 [PANTING] 18 00:01:54,445 --> 00:01:55,655 WHAT'S HER NAME? 19 00:01:55,696 --> 00:01:58,617 MY DAUGHTER IS NILOFER. 20 00:01:58,617 --> 00:02:00,368 I AM ASAD. 21 00:02:00,410 --> 00:02:02,746 AND HER HUSBAND? 22 00:02:02,746 --> 00:02:05,957 THE FATHER WANTS A SON. 23 00:02:05,999 --> 00:02:08,627 A GIRL CAN ACCOMPLISHGREAT THINGS 24 00:02:08,669 --> 00:02:11,172 WHEN SHE'S FREE TO DO THEM. 25 00:02:15,634 --> 00:02:17,469 [PRAYING SILENTLY] 26 00:02:19,847 --> 00:02:21,432 FREEDOM... 27 00:02:21,473 --> 00:02:23,643 IS NOT IMPOSSIBLE... 28 00:02:25,144 --> 00:02:28,022 BUT IT MAY TAKE TIME 29 00:02:28,064 --> 00:02:30,650 AND YOU DO NOT HAVE MUCH. 30 00:02:35,530 --> 00:02:36,990 [BAG THUDS] 31 00:02:55,843 --> 00:02:58,637 [NEWBORN BAWLING] 32 00:03:22,037 --> 00:03:23,788 [SHOUTS IN DARI] 33 00:03:29,378 --> 00:03:32,089 ♪ AH-HAH! ♪ 34 00:03:32,131 --> 00:03:34,174 ♪ OH, YEAH, BABY ♪ 35 00:03:35,259 --> 00:03:38,304 ♪ LIKE A FOOLI WENT AND STAYED TOO LONG ♪ 36 00:03:39,930 --> 00:03:43,309 ♪ NOW I'M WONDERINGIF YOUR LOVE'S STILL STRONG ♪ 37 00:03:43,351 --> 00:03:44,852 ♪ OOH, BABY ♪ 38 00:03:44,894 --> 00:03:46,479 ♪ HERE I AM ♪ 39 00:03:46,479 --> 00:03:48,231 ♪ SIGNED, SEALED, DELIVERED ♪ 40 00:03:48,231 --> 00:03:50,566 ♪ I'M YOURS ♪ 41 00:03:50,566 --> 00:03:51,693 ♪ SIGNED, S♪ OOH ♪DELIVERED ♪ 42 00:03:53,153 --> 00:03:56,698 ♪ THEN THAT TIMEI WENT AND SAID GOODBYE ♪ 43 00:03:57,783 --> 00:04:00,869 ♪ NOW I'M BACKAND NOT ASHAMED TO CRY ♪ 44 00:04:00,911 --> 00:04:03,079 ♪ OOH, BABY ♪ 45 00:04:03,122 --> 00:04:05,207 ♪ HERE I AMSIGNED, SEALED, DELIVERED... ♪ 46 00:04:05,249 --> 00:04:06,167 ALL RISE. 47 00:04:06,208 --> 00:04:09,378 ♪ ...I'M YOURS ♪ 48 00:04:09,420 --> 00:04:11,756 [HUSHED]:THIS BETTER BE GOOD. 49 00:04:12,799 --> 00:04:15,092 MADAME CHAIRMAN, THIS COMMITTEEIS CALLED INTO EMERGENCY SESSION 50 00:04:15,092 --> 00:04:17,970 IN LIGHT OF NEWAND TIME-SENSITIVE INFORMATION 51 00:04:18,012 --> 00:04:20,765 MADAME THAT MAY INVOLVEOMMITTEEIS CALLEMILITARY ACTION. SESSION 52 00:04:20,765 --> 00:04:22,267 THANK YOU, SENATOR. 53 00:04:22,267 --> 00:04:23,851 BEFORE WE BEGIN, 54 00:04:23,893 --> 00:04:25,061 LET ME REITERATE 55 00:04:25,102 --> 00:04:28,440 THAT THIS IS A CLOSED SESSIONREGARDING NATIONAL SECURITY, 56 00:04:28,481 --> 00:04:31,609 AND ALL TESTIMONYGIVEN HERE TODAY IS SEALED. 57 00:04:31,609 --> 00:04:32,735 LET'S SEE... 58 00:04:33,946 --> 00:04:36,406 AND ALL TESTIMONYGIVEN MR... O'TOOLE?SEALED. 59 00:04:36,406 --> 00:04:38,617 YES. I'M OLIVER O'TOOLE. 60 00:04:38,659 --> 00:04:41,078 THESE ARE MY COLLEAGUES,YMS. McINERNEY, O'TOOLE?SEALED. 61 00:04:41,119 --> 00:04:43,288 MS. HAYWITH,MR. DORMAN. 62 00:04:43,288 --> 00:04:47,335 AND I UNDERSTAND YOU COMPRISEA TASK FORCE FROM... 63 00:04:47,376 --> 00:04:49,128 THE D.L.O.? 64 00:04:49,128 --> 00:04:50,504 THAT IS CORRECT. 65 00:04:50,546 --> 00:04:53,632 IS THIS C.I.A., F.B.I.,OR N.S.A.? 66 00:04:55,718 --> 00:04:58,054 U.S.P.S. 67 00:04:59,430 --> 00:05:02,934 WE WORK AT THE POST OFFICE. 68 00:05:07,314 --> 00:05:08,648 [REPORTER]:THAT'S RIGHT, BOB. 69 00:05:08,648 --> 00:05:10,484 THIS WAS THE IMAGE WE SAW NEARLY TWO YEARS AGO, 70 00:05:10,484 --> 00:05:13,988 WHEN 12-YEAR-OLD PHOEBE AMIDON TIED A YELLOW RIBBON 71 00:05:14,029 --> 00:05:16,406 AROUND THE TREE IN HER GRANDFATHER'S YARD, 72 00:05:16,406 --> 00:05:17,657 AWAITING NEWS OF HER MOTHER. 73 00:05:17,657 --> 00:05:19,659 LIEUTENANT RANDILYNN AMIDON IN HER WENT MISSINGS YARD, 74 00:05:19,701 --> 00:05:21,328 AWAITI WHILE SERVING MOTHER. WITH AMERICAN TROOPS 75 00:05:21,370 --> 00:05:23,080 IN AFGHANISTAN, NEAR THE PAKISTAN BORDER. 76 00:05:23,122 --> 00:05:25,082 BUT NOW, 22 MONTHS LATER, 77 00:05:25,124 --> 00:05:26,375 WITH AMIDON STILL MISSING 78 00:05:26,416 --> 00:05:29,587 AND THE CIRCUMSTANCES OF HER DISAPPEARANCE STILL SKETCHY, 79 00:05:29,629 --> 00:05:31,756 AND NO ANSWERS IN SIGHT, 80 00:05:31,797 --> 00:05:33,048 THIS "WELCOME BACK" RIBBON 81 00:05:33,090 --> 00:05:34,634 IS A SAD REMINDER OF THE REPUTATION 82 00:05:34,675 --> 00:05:37,762 LIEUTENANT AMIDON MAY NEVER RETURN HOME TO DEFEND. 83 00:05:40,181 --> 00:05:42,350 I WOULD LIKETO KNOW WHAT BEARING 84 00:05:42,392 --> 00:05:45,186 FOUR POSTAL EMPLOYEESFROM DENVER 85 00:05:45,186 --> 00:05:46,688 HAVE ON THE STATUS 86 00:05:46,688 --> 00:05:50,233 OF A MISSING AMERICAN SOLDIERIN AFGHANISTAN. 87 00:05:50,275 --> 00:05:51,693 [OLIVER]: YES, WELL. 88 00:05:51,693 --> 00:05:52,694 SEVERAL MONTHS AGO, 89 00:05:52,736 --> 00:05:55,197 IN THE COURSE OFPERFORMING OUR DUTIES 90 00:05:55,197 --> 00:05:58,575 AS POSTAL DETECTIVESIN THE DEAD LETTER OFFICE, 91 00:05:58,617 --> 00:06:00,827 WE BECAME ACQUAINTED 92 00:06:00,827 --> 00:06:02,038 WITH A PHOEBE AMIDON, 93 00:06:02,038 --> 00:06:04,498 THE 14-YEAR-OLD DAUGHTEROF LIEUTENANT RANDILYNN AMIDON, 94 00:06:04,540 --> 00:06:07,543 AS WELL AS HER GRANDFATHER,MR. HARPER FERGUSON. 95 00:06:08,670 --> 00:06:09,754 WE CAME TO BELIEVE 96 00:06:09,796 --> 00:06:13,174 THAT LIEUTENANT AMIDONDID NOT ABANDON HER DUTIES 97 00:06:13,215 --> 00:06:14,216 THE NIGHT SHE WENT MISSING, 98 00:06:14,258 --> 00:06:18,221 AND, IN FACT,SHE CONDUCTED HERSELF HEROICALLY 99 00:06:18,221 --> 00:06:19,722 AND YET, UH, SADLY, 100 00:06:19,722 --> 00:06:24,519 MOST LIKELY,WAS, UH, PROBABLY NOT LIVING. 101 00:06:24,561 --> 00:06:26,814 AND TO THAT, OF COURSE,WE HAVE NO COMMENT. 102 00:06:26,855 --> 00:06:27,730 OF COURSE. 103 00:06:27,773 --> 00:06:31,109 HOWEVER, WE NOW HAVEINFORMATION TO SUGGEST 104 00:06:31,151 --> 00:06:33,195 THAT LIEUTENANT AMIDONMAY WELL BE ALIVE 105 00:06:33,236 --> 00:06:36,323 AND URGENTLY IN NEEDOF YOUR ASSISTANCE. 106 00:06:36,323 --> 00:06:38,284 AND THAT IS BASEDON THE CONTENTS 107 00:06:38,326 --> 00:06:40,118 OF THE LETTERENTLY IN NEEDWE HAVE HERE?R ASSISTANCE. 108 00:06:40,160 --> 00:06:41,078 YES. 109 00:06:41,119 --> 00:06:43,414 AND YOU CAME TO THIS CONCLUSIONLAST NIGHT? 110 00:06:43,456 --> 00:06:47,085 YES, AND IF I MAY,I NEED TO GO BACK A FEW DAYS. 111 00:06:47,085 --> 00:06:48,669 PLEASE. 112 00:06:48,711 --> 00:06:49,879 YES, AND IF I MAY,I NEED LAST THURSDAY,EW DAYS. 113 00:06:49,921 --> 00:06:52,048 WE WERE PREPARING TO TRAVELTO WASHINGTON, D.C., 114 00:06:52,090 --> 00:06:55,426 FOR THE NATIONALMISS SPECIAL DELIVERY PAGEANT. 115 00:06:55,468 --> 00:06:57,345 IS THATA REAL THING? 116 00:06:57,386 --> 00:07:01,725 I WAS FINALIZING SOME PAPERWORKBEFORE OUR TRIP... 117 00:07:01,766 --> 00:07:04,769 ♪ ONE OF THESE DAYSMY TIME WILL COME... ♪ 118 00:07:04,769 --> 00:07:06,855 I UNDERSTAND YOU HAVESOMETHING VERY UNIQUE 119 00:07:06,896 --> 00:07:08,107 PLANNED FOR THE PAGEANT. 120 00:07:08,107 --> 00:07:12,611 OH, WELL, THIS YEAR'S THEMEIS "DELIVERING INSPIRATION." 121 00:07:12,611 --> 00:07:14,113 PLANNED FOAND FOR MY TALENT, 122 00:07:14,113 --> 00:07:16,616 I WILL BE DOINGA DRAMATIC READING 123 00:07:16,616 --> 00:07:19,326 FROM MY UNPUBLISHEDHISTORICAL ROMANCE NOVEL 124 00:07:19,368 --> 00:07:22,287 RENITA HAYWEATHER: FRONTIER DUCHESS. 125 00:07:22,287 --> 00:07:24,749 A DRAMATIC NOVELIST! 126 00:07:24,790 --> 00:07:26,125 AMAZING!BRILLIANT. 127 00:07:26,167 --> 00:07:27,502 NO ONE CANCOMPETE WITH THAT. 128 00:07:27,543 --> 00:07:29,129 WE'LL ALL BECROSSING OUR FINGERS 129 00:07:29,170 --> 00:07:31,422 FOR YOU THIS SATURDAY. 130 00:07:31,464 --> 00:07:33,133 THANK YOU, RAMON. 131 00:07:33,133 --> 00:07:35,301 THAT WAS VERY NICE, 132 00:07:35,301 --> 00:07:38,013 MISS RITA. 133 00:07:38,054 --> 00:07:39,305 -[SMOOCHING]THAT WAS VE-THANK YOU. 134 00:07:39,305 --> 00:07:42,100 [♪] 135 00:07:42,142 --> 00:07:43,852 [NERVOUS CHUCKLE] 136 00:07:45,479 --> 00:07:48,232 TIME FOR US TO GOON OUR TRIP TO WASHINGTON, D.C., 137 00:07:48,274 --> 00:07:49,233 TOGETHER. 138 00:07:49,275 --> 00:07:50,526 -OH, YEAH, OKAY.-GOODBYE! 139 00:07:50,567 --> 00:07:53,988 AS ALWAYS, MISS RITA...A PLEASURE. 140 00:07:53,988 --> 00:07:55,489 [GIGGLING] 141 00:07:55,531 --> 00:07:56,657 [CHUCKLING] 142 00:07:56,698 --> 00:07:59,744 OH, IT MUST BEVERY HARD TO SAY GOODBYE. 143 00:07:59,786 --> 00:08:02,079 OH, NOT REALLY. 144 00:08:03,455 --> 00:08:05,792 NO, NOT TO ME, MY FRIEND. 145 00:08:05,792 --> 00:08:07,377 GOODBYE TO MISS RITA. 146 00:08:07,419 --> 00:08:09,671 SHE WILL WIN,OF COURSE,T TO ME, MY FRIEND. 147 00:08:09,712 --> 00:08:12,340 AND THEN SHE'S OFFTRAVELING THE WORLD 148 00:08:12,340 --> 00:08:15,010 ON HER TRIUMPHANTGOODWILL TOUR. 149 00:08:15,052 --> 00:08:16,511 [CHUCKLES] 150 00:08:16,511 --> 00:08:19,472 JUST IMAGINE ALL THE PLACESSHE WILL GO... 151 00:08:20,432 --> 00:08:23,476 ALL THE PEOPLESHE WILL MEET... 152 00:08:24,519 --> 00:08:25,688 TSK, TSK, TSK. 153 00:08:25,688 --> 00:08:28,356 [♪] 154 00:08:28,356 --> 00:08:30,526 JUST A COUPLE MORE THINGS TO SIGN, 155 00:08:30,526 --> 00:08:33,070 THEN IT'S ALL YOURS. 156 00:08:33,111 --> 00:08:34,655 I AM SORRY FOR YOUR LOSS. 157 00:08:36,157 --> 00:08:37,575 BUT AT LEASTYOUR FATHER MADE SURE 158 00:08:37,616 --> 00:08:38,993 THAT YOU'D BE WELLTAKEN CARE OF. 159 00:08:38,993 --> 00:08:40,703 MY BIOLOGICAL FATHER. 160 00:08:40,703 --> 00:08:42,705 THAT YOU'D BE WELLTAKEN CAI NEVER KNEW HIM. 161 00:08:42,705 --> 00:08:44,415 I HAVE YOUR SKINNY CARAMELMY STEAMER COMING,ER. 162 00:08:44,457 --> 00:08:45,416 JUST THE WAY YOU LIKE IT. 163 00:08:45,458 --> 00:08:47,586 OH, THAT'SSO SWEET, NORMAN. 164 00:08:47,627 --> 00:08:50,296 WHO'S OLIVERTALKING TO? 165 00:08:50,338 --> 00:08:52,131 [NORMAN]: HIS LAWYER. 166 00:08:52,173 --> 00:08:54,008 HE INHERITED SO MUCH MONEY,SHE COMES TO SEE HIM NOW. 167 00:08:54,008 --> 00:08:55,969 WITH ALLOF THIS MONEY, 168 00:08:56,010 --> 00:08:59,013 I SUPPOSE YOU WILL WANT TO STARTTALKING ABOUT EARLY RETIREMENT. 169 00:08:59,055 --> 00:09:00,890 AND QUIT THE POST OFFICE? 170 00:09:00,890 --> 00:09:01,850 WELL, WHY NOT? 171 00:09:01,891 --> 00:09:04,561 YOU'RE YOUNG, YOU'RE SINGLE,AND AND YOU'RE RICH.FICE? 172 00:09:04,561 --> 00:09:05,604 MS. BULLOCK, 173 00:09:05,604 --> 00:09:08,023 THE ONLY THINGHARVEY SCHMIDTZ GAVE ME, 174 00:09:08,065 --> 00:09:09,316 BESIDES THIS INHERITANCE,CK, 175 00:09:09,358 --> 00:09:10,442 WAS A PIECE OF ADVICE. 176 00:09:10,484 --> 00:09:15,531 "YOU NEVER HAVE ENOUGH MONEYIF ALL YOU HAVE IS MONEY." 177 00:09:15,573 --> 00:09:18,409 WHAT DOES THAT MEAN, ANYWAY? 178 00:09:23,414 --> 00:09:24,874 IT MEANS... 179 00:09:24,915 --> 00:09:27,002 IT'S TIMETO GET BACK TO WORK. 180 00:09:31,089 --> 00:09:33,842 HAVE YOU SEEN YOUR ITINERARY,MS. McINERNEY? 181 00:09:34,801 --> 00:09:36,928 I'M SORRY. WHAT? 182 00:09:36,928 --> 00:09:38,263 [OLIVER]: WELL, I MADECOPIES FOR ALL OF US 183 00:09:38,263 --> 00:09:39,264 AND HIGHLIGHTED 184 00:09:39,264 --> 00:09:41,099 [THE EVENTS PERTINENTECOPITO EACH OF US US 185 00:09:41,141 --> 00:09:43,101 IN CORRESPONDING COLORS. 186 00:09:43,101 --> 00:09:44,145 YOU'RE YELLOW. 187 00:09:44,186 --> 00:09:46,397 [LAUGHS] YELLOW! HUH. 188 00:09:46,438 --> 00:09:48,274 WE ARRIVE AT 3:56. 189 00:09:48,315 --> 00:09:49,942 CHECK IN THE HOTEL AT 5:10, 190 00:09:49,942 --> 00:09:52,319 ARRIVE AT THE CAPITOL GRILLAT 6:45 FOR A QUIET DINNER 191 00:09:52,361 --> 00:09:53,612 BEFORE CURFEW AT 10:30. 192 00:09:53,612 --> 00:09:56,616 AND TOMORROW MORNING, RITA--RIGHT HERE IN PINK-- 193 00:09:56,616 --> 00:09:58,951 REGISTERS FOR THE PAGEANTBEFORE AT 9:00,T 10:30. 194 00:09:58,993 --> 00:10:01,788 AND YOU AND I AND NORMANLEAVE AT 9:30 195 00:10:01,788 --> 00:10:03,540 TO TAKE A TOUROF THE LIBRARY OF CONGRESS, 196 00:10:03,581 --> 00:10:07,210 FORD'S THEATER, AND, UH,THE NATIONAL POSTAL MUSEUM. 197 00:10:07,252 --> 00:10:09,504 POSTAL MUSEUM? 198 00:10:09,546 --> 00:10:11,882 UH, THINK YOU'RE READYTO GO BACK THERE? 199 00:10:11,924 --> 00:10:13,050 IT'S TIME. 200 00:10:13,091 --> 00:10:15,385 I'D LIKE TO GET IT OVER WITH. 201 00:10:15,427 --> 00:10:16,804 OF COURSE. 202 00:10:16,804 --> 00:10:20,140 AND THEN I CAN SHOW YOUAROUND MY OLD STOMPING GROUNDS. 203 00:10:20,140 --> 00:10:22,601 OH. I-IS THERE A MUSEUMYOU'D LIKE TO ADD? 204 00:10:22,643 --> 00:10:27,105 OR-- OR... WOULD YOU LIKEATO VISIT OLD POSTAL FRIENDS?S. 205 00:10:27,105 --> 00:10:28,982 WELL, REBECCA STARKWELL 206 00:10:29,024 --> 00:10:30,818 OR-WAS MY ONLY FRIENDLIKEATO VIAT THE D.C. OFFICE,NDS?S. 207 00:10:30,859 --> 00:10:32,695 AND SHE'S ON HER HONEYMOON. 208 00:10:32,736 --> 00:10:34,238 OH. IS THERE AN OLD BOYFRIEND 209 00:10:34,238 --> 00:10:37,158 TO VISITAT THE POST OFFICE? 210 00:10:37,158 --> 00:10:41,204 I'M NOT IN THE HABITOF CALLING UP OLD BOYFRIENDS. 211 00:10:42,163 --> 00:10:43,414 AND EVEN IF I WERE, 212 00:10:43,456 --> 00:10:45,917 HIS WORK IS... 213 00:10:45,917 --> 00:10:48,002 WELL, HE'S HARDLY EVER IN TOWN. 214 00:10:48,002 --> 00:10:49,045 HIS WORK IS...GREAT! 215 00:10:49,087 --> 00:10:51,673 WELL, HE'S HAIT'S SETTLED THEN. 216 00:10:51,673 --> 00:10:54,593 TAXI SHOULD BE ARRIVINGANY MINUTE. 217 00:10:54,634 --> 00:10:56,636 ALMOST FORGOT! 218 00:10:56,678 --> 00:10:58,222 WHAT? 219 00:10:58,263 --> 00:11:00,474 DON'T ASK. CAN'T TELL.IT'S A SURPRISE. 220 00:11:00,515 --> 00:11:01,516 AHH! 221 00:11:01,516 --> 00:11:02,601 FIELD KIT! 222 00:11:02,601 --> 00:11:04,269 NORMAN! WE'REGOING ON HOLIDAY. 223 00:11:04,269 --> 00:11:06,230 ALL YOU NEED IS YOUR SUITCASE. 224 00:11:07,773 --> 00:11:09,442 NORMAN! WE'REUH-OH.GOING ON HOLIDAY. 225 00:11:12,653 --> 00:11:14,780 I KNOWIT'S A HORRIBLE THOUGHT, 226 00:11:14,822 --> 00:11:18,368 VEERING OFF YOUR BLUE ITINERARYINTO MY YELLOW ITINERARY, 227 00:11:18,368 --> 00:11:19,494 BUT I WAS WONDERING 228 00:11:19,535 --> 00:11:24,207 IF WE COULD MAKE A TINY DETOURYON OUR WAY TO THE HOTEL?, 229 00:11:24,249 --> 00:11:27,002 A DETOUR? 230 00:11:27,043 --> 00:11:28,545 I WANTED TO... 231 00:11:28,545 --> 00:11:30,547 DRIVE BY THE HOUSEWHERE I GREW UP, 232 00:11:30,547 --> 00:11:32,383 FOR OLD TIME'S SAKE. 233 00:11:32,424 --> 00:11:33,884 DRIVE BY THE HOUSEWHERE I GREW PLEASE? 234 00:11:33,925 --> 00:11:36,470 [EXHALING] 235 00:11:36,512 --> 00:11:37,471 [NORMAN]: OKAY! 236 00:11:37,513 --> 00:11:39,931 ALL SET.LET'S DO D.C. 237 00:11:39,973 --> 00:11:42,726 HAS ANYONESEEN MY CROWN? 238 00:11:42,726 --> 00:11:45,229 OH! AH. 239 00:11:45,229 --> 00:11:48,149 [♪] 240 00:12:08,670 --> 00:12:12,257 [RITA]:WHERE'S YOUR HOUSE? 241 00:12:12,257 --> 00:12:14,426 IT'S GONE. 242 00:12:14,468 --> 00:12:17,262 ARE YOU SURE THISIS THE RIGHT STREET? 243 00:12:17,262 --> 00:12:20,098 OF COURSE I'M SURE. 244 00:12:20,098 --> 00:12:22,935 THAT'S THE TREEI USED TO CLIMB. 245 00:12:23,977 --> 00:12:27,106 THE GARDENWHERE WE PLANTED THE... 246 00:12:31,277 --> 00:12:32,361 THOSE BRICKS WERE 247 00:12:32,403 --> 00:12:35,782 THE FIREPLACE WHERE MY MOTHERAND I ALWAYS... 248 00:12:35,782 --> 00:12:37,408 [DEEP BREATH] 249 00:12:39,619 --> 00:12:41,455 18 YEARS... 250 00:12:41,455 --> 00:12:44,583 AND NOW IT'S LIKEWE WERE NEVER HERE. 251 00:12:47,461 --> 00:12:50,089 DID YOUPLANT THOSE? 252 00:12:50,089 --> 00:12:52,382 [SHANE]: FOR MOTHER'S DAY. 253 00:12:52,424 --> 00:12:54,301 DID YOU[QUIET CHUCKLE]PLANT THOSE? 254 00:12:54,301 --> 00:12:57,304 EVERY FALL, AFTER ALLTHE OTHER BLOOMS WOULD DIE, 255 00:12:57,346 --> 00:13:00,766 MY MOM... MY MOMYOU[QUIWOULD TAKE THE LAST ONE,OSE? 256 00:13:00,766 --> 00:13:03,143 AND PUT IN A VASE AND SAY, 257 00:13:03,143 --> 00:13:06,314 MY MO"LOOK.Y MOMYOU[QIT'S THE LAST ROSE OF SUMMER.? 258 00:13:06,314 --> 00:13:08,191 STILL HOLDING ON." 259 00:13:08,233 --> 00:13:09,984 [CHUCKLES SOFTLY] 260 00:13:09,984 --> 00:13:13,488 THEN, EVERY FALL... 261 00:13:13,529 --> 00:13:16,199 EVEN AFTERI WENT AWAY TO COLLEGE,TLY] 262 00:13:16,241 --> 00:13:19,995 AND EVERY SEPTEMBER AFTER THAT,UNTIL SHE MOVED AWAY, 263 00:13:20,036 --> 00:13:22,539 I WOULD GETAN ENVELOPE IN THE MAIL 264 00:13:22,581 --> 00:13:25,667 WITH THE LAST ROSE OF SUMMER 265 00:13:25,709 --> 00:13:30,256 WRAPPED IN WET PAPER TOWELS,IN A PLASTIC BAG. 266 00:13:32,633 --> 00:13:35,011 SHE WAS SENDINGYOU A MESSAGE. 267 00:13:36,846 --> 00:13:37,889 "PAY ATTENTION 268 00:13:37,889 --> 00:13:42,309 "TO THE SIMPLE, LITTLE THINGSRIGHT IN FRONT OF YOU... 269 00:13:43,519 --> 00:13:46,481 ...OR THEY COULD BE GONEBEFORE YOU KNOW IT." 270 00:13:50,527 --> 00:13:52,111 FORGIVE ME, MR. O'TOOLE, 271 00:13:52,153 --> 00:13:55,407 BUT OTHER THAN THE SAD TRUTHTHAT WE CAN'T GO HOME AGAIN, 272 00:13:55,448 --> 00:13:58,243 WE'VE STILL HEARD NOTHINGTO SHED ANY LIGHT 273 00:13:58,285 --> 00:14:00,245 ON THE LETTER THAT I HOLD HERE, 274 00:14:00,287 --> 00:14:02,455 ADDRESSED TOTHE SECRETARY OF DEFENSE 275 00:14:02,455 --> 00:14:05,292 OF THE UNITED STATES OF AMERICA. 276 00:14:05,333 --> 00:14:07,085 ADDRESWITH RESPECT,THE SECRETARMADAME CHAIRMAN, 277 00:14:07,127 --> 00:14:09,505 UH, IT WAS STOPPING 278 00:14:09,547 --> 00:14:11,632 AT THE SITE OFMS. McINERNEY'S FORMER HOME 279 00:14:11,674 --> 00:14:14,427 THAT PUT US IN THE LOBBYOF THE FRANKLIN ADAMS HOTEL 280 00:14:14,468 --> 00:14:16,262 AT THE EXACT MOMENTWE CROSSED PATHS 281 00:14:16,304 --> 00:14:17,971 WITH PHOEBE AMIDONAND HER GRANDFATHER. 282 00:14:18,013 --> 00:14:20,183 IF THAT LETTERIS WHAT WE THINK IT IS, 283 00:14:20,224 --> 00:14:24,145 THEN IT'S COMPELLING USTO PAY ATTENTION TO THE DETAILS, 284 00:14:24,187 --> 00:14:26,605 OR THE CHANCE TO BRINGLIEUTENANT AMIDON HOME AGAIN 285 00:14:26,648 --> 00:14:28,567 WILL ALSO BE GONEBEFORE WE KNOW IT. 286 00:14:28,608 --> 00:14:32,111 SO YOUR PRESENCEHERE TODAY, MR. O'TOOLE, 287 00:14:32,153 --> 00:14:34,489 IS THE RESULT OFA PRIOR RELATIONSHIP 288 00:14:34,531 --> 00:14:37,201 WITH PHOEBE AMIDONAND HER GRANDFATHER? 289 00:14:37,242 --> 00:14:38,618 WELL, THAT, 290 00:14:38,660 --> 00:14:41,871 AND THE PRIOR RELATIONSHIPOF MS. McINERNEY WITH, UH... 291 00:14:41,913 --> 00:14:46,001 ACTUALLY, I'D LIKE TO TURNTHIS PART OVER TO HER NOW. 292 00:14:46,919 --> 00:14:48,628 MY NAME IS SHANE McINERNEY. 293 00:14:48,670 --> 00:14:49,922 I PROVIDE I.T. SERVICES 294 00:14:49,964 --> 00:14:52,174 FOR THE DEAD LETTER OFFICEIN DENVER. 295 00:14:52,216 --> 00:14:54,885 I USED TO WORK RIGHT HEREIN WASHINGTON 296 00:14:54,885 --> 00:14:56,554 IN DIRECT LINE OPERATIONS. 297 00:14:56,596 --> 00:14:59,432 WHEN WE ARRIVED AT THE HOTELON THURSDAY,N 298 00:14:59,474 --> 00:15:00,850 WE WERE CHECKING IN AND... 299 00:15:00,891 --> 00:15:01,934 RITA WAS REGISTERING 300 00:15:01,934 --> 00:15:03,936 FOR THE MISS SPECIAL DELIVERY PAGEANT. 301 00:15:03,978 --> 00:15:06,231 RITA OH, WAIT.TERING 302 00:15:08,441 --> 00:15:10,902 [♪] 303 00:15:11,987 --> 00:15:13,029 MS. McINERNEY. 304 00:15:13,071 --> 00:15:15,115 MM? 305 00:15:15,115 --> 00:15:16,533 UH, I WAS THINKING, 306 00:15:16,575 --> 00:15:17,701 PERHAPS THIS WEEK 307 00:15:17,701 --> 00:15:19,828 MIGHT PRESENTAN OPPORTUNITY FOR... 308 00:15:19,870 --> 00:15:23,249 FOR... FOR AN EVENING OUT. 309 00:15:24,666 --> 00:15:26,960 WE'RE IN WASHINGTON, D.C.,OLIVER. 310 00:15:26,960 --> 00:15:29,255 WE'RE ALREADY SPENDINGTHE WHOLE WEEK OUT. 311 00:15:29,255 --> 00:15:31,298 YES, BUT I WAS THINKING, 312 00:15:31,298 --> 00:15:34,468 WEUM, YOU AND I MIGHTGHAVE DINNER TOGETHER, 313 00:15:34,468 --> 00:15:35,803 JUST US, TO-- 314 00:15:35,845 --> 00:15:38,305 TO TALK AND... 315 00:15:38,305 --> 00:15:40,517 PERHAPS I CAN OFFERSOME PERSPECTIVE 316 00:15:40,558 --> 00:15:43,770 ON THE RECENT LOSSOF YOUR CHILDHOOD HOME. 317 00:15:45,146 --> 00:15:47,482 YOU'RE ASKING ME... 318 00:15:47,482 --> 00:15:49,317 OUT... 319 00:15:49,317 --> 00:15:52,029 FOR DINNER? 320 00:15:52,070 --> 00:15:53,363 YES.OUT... 321 00:15:53,363 --> 00:15:55,157 YES! 322 00:15:56,283 --> 00:15:58,827 I'LL PUT ITIN THE SCHEDULE.OUT... 323 00:15:58,827 --> 00:15:59,828 DO THAT. 324 00:15:59,828 --> 00:16:01,830 IN YELLOW. 325 00:16:02,831 --> 00:16:04,750 OF COURSE.DO THAT. 326 00:16:07,378 --> 00:16:10,173 [HOST]:NEXT... MISS OKLAHOMA! 327 00:16:11,465 --> 00:16:13,842 [CONTESTANT MINDY]:OH, NO, NO, NO, NO, NO, NO, NO! 328 00:16:13,842 --> 00:16:15,136 [PERTURBED HUFF] 329 00:16:15,178 --> 00:16:16,345 ARE YOU OKAY? 330 00:16:16,345 --> 00:16:18,389 WELL, THEY'VE GOT ME SCHEDULEDFOR MY TALENT REHEARSAL 331 00:16:18,431 --> 00:16:19,683 AT THE SAME TIME I'M SUPPOSED TOGET MY NAILS DONE, 332 00:16:19,683 --> 00:16:21,726 BUT IF I MOVE THE NAILS,THEN THERE'S NO TIME 333 00:16:21,768 --> 00:16:23,728 FOR SOME FITTINGTHEY'VE GOT ME DOWN FOR. 334 00:16:23,770 --> 00:16:25,188 OR MAYBEI SHOULDN'T DO MY NAILS. 335 00:16:25,188 --> 00:16:27,231 MAYBE I SHOULDN'T REHEARSE,BUT IF I DON'T, THEN... OH! 336 00:16:27,273 --> 00:16:29,609 THIS IS WORSETHAN A STAMPEDE ON SUNDAY. 337 00:16:29,651 --> 00:16:32,404 NO. NO! THISIS WONDERFUL. 338 00:16:32,446 --> 00:16:33,530 YOU'RE MISS... 339 00:16:33,530 --> 00:16:34,531 WYOMING. 340 00:16:34,531 --> 00:16:36,200 YOU'RE MISS WYOMING! 341 00:16:36,241 --> 00:16:37,659 AND LOOK WHERE YOU ARE. 342 00:16:37,701 --> 00:16:39,036 WELL, THAT'STHE PROBLEM! 343 00:16:39,036 --> 00:16:40,913 THERE ARE MOREPEOPLE IN THIS HOTEL 344 00:16:40,955 --> 00:16:42,039 THAN THERE AREIN BIG PINEY. 345 00:16:42,039 --> 00:16:44,333 OH, BIG PINEY, WYOMING.POPULATION 576. 346 00:16:44,333 --> 00:16:46,001 HOW DO YOU KNOW THAT? 347 00:16:46,043 --> 00:16:48,170 OH, I HAVENEY, WYOMING.A PHOTOGRAPHIC MEMORY. 348 00:16:48,212 --> 00:16:49,755 I REMEMBEREVERYTHING I READ. 349 00:16:49,797 --> 00:16:52,132 WELL, AS LONG ASI REMEMBER TO REMEMBER. 350 00:16:52,132 --> 00:16:53,551 [LAUGHS]IT'S HARD TO REMEMBER 351 00:16:53,593 --> 00:16:55,553 ANYTHING INNG ASA PLACE LIKE THIS.MBER. 352 00:16:55,595 --> 00:16:56,929 I'M AFRAID,WHEN I GET UP TO SING, 353 00:16:56,929 --> 00:16:58,348 THERE'LL BE SO MANYPEOPLE IN THE ROOM, 354 00:16:58,389 --> 00:17:00,058 I'M AFRAID,I'LL FORGET THE WORDS. 355 00:17:00,058 --> 00:17:01,809 AND THE NOTES. 356 00:17:01,852 --> 00:17:03,311 AND THE SONG. 357 00:17:03,353 --> 00:17:04,229 LOOK. 358 00:17:04,229 --> 00:17:05,856 I DON'T HAVE TOREHEARSE TOMORROW. 359 00:17:05,897 --> 00:17:07,733 WHY DON'T YOUTAKE MY TIME? 360 00:17:07,733 --> 00:17:08,692 I DON'T MIND. 361 00:17:08,734 --> 00:17:10,235 -REALLY?-YEAH! 362 00:17:10,276 --> 00:17:12,070 MISS COLORADO. 363 00:17:12,112 --> 00:17:15,574 WE'RE PRACTICALLYNEIGHBORS, RIGHT? 364 00:17:15,616 --> 00:17:17,909 OKAY, MS. McINERNEY,YOU ARE ON THE EIGHTH FLOOR. 365 00:17:17,909 --> 00:17:18,785 THANK YOU. 366 00:17:18,827 --> 00:17:21,663 NORMAN, YOU ARE ON THE SIXTH. 367 00:17:22,623 --> 00:17:24,959 OH, MY GOODNESS. 368 00:17:25,918 --> 00:17:26,919 [MAN]: THANK YOUVERY MUCH. 369 00:17:26,961 --> 00:17:28,254 OH! 370 00:17:28,254 --> 00:17:29,922 IT'S PHOEBE. 371 00:17:29,964 --> 00:17:31,508 HEY! WHATOH!A SURPRISE. 372 00:17:31,549 --> 00:17:32,467 I CAN'T BELIEVE IT! 373 00:17:32,509 --> 00:17:33,468 -FOR HEAVEN'S SAKE.-HI! 374 00:17:33,510 --> 00:17:36,095 HARPER.OLIVER O'TOOLE. 375 00:17:36,095 --> 00:17:37,054 FOR HEAVEN'S SAKE, 376 00:17:37,096 --> 00:17:38,180 WHAT ARE YOUGUYS DOING HERE? 377 00:17:38,180 --> 00:17:40,099 -ARE YOU STAYING HERE?-YEAH. 378 00:17:40,099 --> 00:17:42,394 WHAT ARE YOUWHERE'S RITA?ING HERE? 379 00:17:42,435 --> 00:17:43,645 OH, SHE'S IN THE PAGEANT. 380 00:17:43,686 --> 00:17:44,646 WE CAMETO CHEER HER ON. 381 00:17:44,646 --> 00:17:46,106 AND WHAT BRINGS YOUTO THE CAPITOL? 382 00:17:46,106 --> 00:17:48,984 WE CAOH, WE'RE TRYING TO GETTOSOME ANSWERS ABOUT RANDILYNN. 383 00:17:49,026 --> 00:17:51,111 SEE IF THERE'SANY... 384 00:17:51,153 --> 00:17:52,445 RESOLUTION. 385 00:17:52,487 --> 00:17:54,031 WE HAD AN APPOINTMENT 386 00:17:54,072 --> 00:17:55,949 WITH SOMEONE FROMTHE STATE DEPARTMENT TOMORROW, 387 00:17:55,991 --> 00:17:59,287 BUT IT LOOKS LIKETHEY'VE HAD TO POSTPONE. 388 00:17:59,287 --> 00:18:00,579 NOT AGAIN. 389 00:18:00,621 --> 00:18:02,290 [NORMAN]: WELL, THAT'S A SHAME. 390 00:18:02,290 --> 00:18:04,083 [HARPER]:WELL, THAT'S WASHINGTON. 391 00:18:04,125 --> 00:18:06,460 WE'VE SPENT TWO YEARS, 392 00:18:06,460 --> 00:18:07,962 BUT WE ALWAYS SEEM TO KNOCKON THE WRONG DOORS. 393 00:18:08,004 --> 00:18:11,090 ISN'T THERE ANYONE ELSETHAT YOU CAN MEET WITH? 394 00:18:11,132 --> 00:18:13,259 MM, WE'VE RUN OUT OF IDEAS. 395 00:18:13,301 --> 00:18:15,469 I'VE GOT A STANDING APPOINTMENT 396 00:18:15,511 --> 00:18:17,263 WITH A DIALYSIS MACHINEBACK HOME, 397 00:18:17,305 --> 00:18:18,807 SO WE CAN'T EXTEND THE TRIP. 398 00:18:18,807 --> 00:18:20,349 [OLIVER]: OF COURSE. 399 00:18:20,349 --> 00:18:23,144 WOULD YOU EXCUSE MEFOR JUST A MINUTE? 400 00:18:23,186 --> 00:18:25,605 [OLIVER][♪]F COURSE. 401 00:18:25,647 --> 00:18:27,023 SO, WE HAVEYOU PENCILED IN 402 00:18:27,066 --> 00:18:28,900 TO JOIN USAT 9:30 TOMORROW. 403 00:18:28,942 --> 00:18:29,818 EXCELLENT. 404 00:18:29,859 --> 00:18:31,236 CAN'T HAVE YOUHEADING BACK 405 00:18:31,278 --> 00:18:32,404 WITHOUT HAVINGAT LEAST 406 00:18:32,404 --> 00:18:34,489 SOME GOOD MEMORIESIN WASHINGTON. 407 00:18:34,489 --> 00:18:35,490 WITHOUT HAVINGSOUNDS LIKE A PLAN!T LEAST 408 00:18:35,490 --> 00:18:38,118 OKAY, WELL, WE'LL SEEYOU GUYS TOMORROW, THEN. 409 00:18:38,160 --> 00:18:39,704 -OKAY, GREAT.-BYE. 410 00:18:39,704 --> 00:18:41,288 BYE. 411 00:18:44,542 --> 00:18:45,501 -OKAY, GREAT.WOW.-BYE. 412 00:18:45,543 --> 00:18:47,545 WHAT A COINCIDENCE, HUH? 413 00:18:47,587 --> 00:18:50,131 I DON'T REALLYBELIEVE IN THEM, NORMAN. 414 00:18:50,131 --> 00:18:52,133 [CHUCKLING BREATHLESSLY] 415 00:18:52,133 --> 00:18:53,634 IS THATI DON'T REALLYWHO I THINK IT IS?M, NORMAN. 416 00:18:53,634 --> 00:18:55,345 [CHUYEAH! IT'S PHOEBE AMIDON. 417 00:18:55,345 --> 00:18:56,346 IS THATI DON'T REALLYNO WAY!HINK IT IS?M, NORMAN. 418 00:18:56,346 --> 00:18:57,848 YOU'VE CHECKED IN? 419 00:18:57,889 --> 00:18:59,515 OH, YEAH,I'VE GOT MY ROOM KEY 420 00:18:59,515 --> 00:19:00,934 AND MY ROOMMATE--MISS LOUISIANA. 421 00:19:00,976 --> 00:19:04,354 IT SOUNDS LIKE YOU HAVESOME PRETTY SERIOUS COMPETITION. 422 00:19:04,354 --> 00:19:05,689 OH, I DON'T MIND. 423 00:19:05,731 --> 00:19:07,608 THERE'S MORE TO LIFEAVETHAN WINNING, RIGHT?COMPETITION. 424 00:19:07,649 --> 00:19:10,026 RIGHT. UM, SPEAKING OF WHICH, 425 00:19:10,068 --> 00:19:11,695 I WAS THINKING THAT,BEFORE DINNER, 426 00:19:11,737 --> 00:19:13,447 UM, YOU AND ICOULD-- 427 00:19:13,489 --> 00:19:14,406 [MINDY]: RITA! 428 00:19:14,448 --> 00:19:16,200 WE'RE GOING OUT FOR YOGURT.YOU WANNA COME? 429 00:19:16,200 --> 00:19:17,952 OH! UM... 430 00:19:17,994 --> 00:19:19,536 WE'RE GOING OUT FOR YOGURT.YEAH! [GIGGLES]NNA COME? 431 00:19:19,578 --> 00:19:20,662 BYE, GUYS! 432 00:19:23,708 --> 00:19:25,376 SHE SEEMS HAPPY. 433 00:19:25,376 --> 00:19:26,377 YES. SHE DOES. 434 00:19:26,418 --> 00:19:29,213 I SUPPOSE IT'S JUSTTHE THREE OF US FOR DINNER.APPY. 435 00:19:29,213 --> 00:19:30,465 YEAH. YEAH. 436 00:19:30,507 --> 00:19:33,760 WHERE ISE IT'S JUSTMS. McINERNEY?S FOR DINNER.APPY. 437 00:19:38,723 --> 00:19:41,101 HI. IT'S SHANE. 438 00:19:41,143 --> 00:19:44,813 I'M IN TOWNAT THE FRANKLIN ADAMS AND... 439 00:19:44,855 --> 00:19:46,356 [TAKES A BREATH] 440 00:19:46,398 --> 00:19:49,276 STEVE, I-I NEED TO SEE YOU. 441 00:19:59,328 --> 00:20:01,080 I'D LIKE ANOTHER ARNOLD PALMER. 442 00:20:01,122 --> 00:20:04,708 A LITTLE MORE ARNOLD THAN PALMERTHIS TIME, PLEASE. 443 00:20:04,750 --> 00:20:06,460 WHY DO THEY PUTTINY UMBRELLAS IN DRINKS? 444 00:20:06,502 --> 00:20:08,504 WHY NOT TINY CARS? 445 00:20:08,546 --> 00:20:09,714 OR TINY CATS? 446 00:20:09,756 --> 00:20:12,133 SOMETHING ON YOUR MIND? 447 00:20:12,175 --> 00:20:15,929 I JUST KEEP THINKING ABOUTPHOEBE COMING ALL THE WAY HERE 448 00:20:15,929 --> 00:20:19,808 TO FIND OUT IF ANYONE KNOWSWHAT HAPPENED TO HER MOTHER. 449 00:20:20,767 --> 00:20:25,272 EVERYTHING ELSE JUST SEEMS SO...TRIVIAL COMPARED TO THAT. 450 00:20:25,272 --> 00:20:28,317 THE MISS SPECIAL DELIVERYPAGEANT 451 00:20:28,317 --> 00:20:31,779 IS PERHAPS NOT AN EVENTOF GREAT IMPORT 452 00:20:31,821 --> 00:20:33,948 THE MISS SPECIAL DELIVERYTO THE WORLD AT LARGE, NORMAN, 453 00:20:33,989 --> 00:20:36,867 BUT THE WORLDIS A TERRIBLY COMPLICATED PLACE, 454 00:20:36,909 --> 00:20:38,494 AND SO MUCH OF IT CAN BE UGLY. 455 00:20:38,494 --> 00:20:42,415 THAT'S WHY WHAT IS GENTLEAND BEAUTIFUL 456 00:20:42,457 --> 00:20:46,336 AND JOYFULIS WORTH FIGHTING TO PRESERVE. 457 00:20:46,336 --> 00:20:50,131 AND IT'S ALSO WHY WE HONORTHOSE WHO FIGHT. 458 00:20:50,131 --> 00:20:51,257 AND JOYFULIS WORTH FIGHTING TO PRESEYEAH. 459 00:20:55,345 --> 00:20:57,347 AND IT'S ALSO WHY WE HONORSO, NORMAN... WHO FIGHT. 460 00:20:58,974 --> 00:21:00,892 WHAT'S INTHE ENVELOPE? HMM? 461 00:21:00,934 --> 00:21:02,811 WELL, IT'S A SURPRISE F-- 462 00:21:02,811 --> 00:21:04,480 [HEELS CLOPPING] 463 00:21:04,521 --> 00:21:06,565 WELL, I[♪] A SURPRISE F-- 464 00:21:06,607 --> 00:21:08,609 MS. McINERNEY. 465 00:21:09,485 --> 00:21:11,112 HELLO, BEAUTIFUL! 466 00:21:13,447 --> 00:21:14,907 -OOH!-OH-- 467 00:21:18,202 --> 00:21:19,662 LOOK AT YOU! 468 00:21:19,662 --> 00:21:21,247 WHOO. LOOK AT YOU... 469 00:21:21,288 --> 00:21:22,540 LOOK AI GOT YOUR CALL. 470 00:21:22,540 --> 00:21:24,334 YES, AND I THOUGHTYOU WERE GOING TO 471 00:21:24,334 --> 00:21:26,002 LOOK AI GCALL ME BACK. 472 00:21:26,002 --> 00:21:27,170 [STEVE]: I WAS JUSTHOUGHTRIGHT AROUND THE CORNER. TO 473 00:21:27,170 --> 00:21:28,838 I COULDN'T WAIT,SO I STAKED OUT YOUR HOTEL, 474 00:21:28,838 --> 00:21:30,507 FIGURED YOU'D SHOW UPOUGHTRIGHSOONER OR LATER.NER. TO 475 00:21:30,507 --> 00:21:32,842 [SHANE, AWKWARDLY]:YES, WELL, GOOD TIMING. 476 00:21:32,842 --> 00:21:34,219 UH, STEVE MAREK, 477 00:21:34,261 --> 00:21:36,346 THESE ARE MY CO-WORKERS-- 478 00:21:36,346 --> 00:21:37,681 MY BOSS, ACTUALLY... 479 00:21:37,681 --> 00:21:39,642 OLIVER O'TOOLE 480 00:21:39,683 --> 00:21:41,101 AND NORMAN DORMAN. 481 00:21:42,019 --> 00:21:43,311 DENVER D.L.O., RIGHT? 482 00:21:43,353 --> 00:21:44,688 YES. 483 00:21:44,688 --> 00:21:47,024 I HEARD ABOUT YOU GUYS.YOU DO GREAT WORK. 484 00:21:47,024 --> 00:21:48,025 OH, THANK YOU. 485 00:21:48,025 --> 00:21:50,611 I HEAND WHAT IS ITGUYS.YOU DO FOR THE POST OFFICE? 486 00:21:50,653 --> 00:21:52,863 OLIVER, NORMAN,WOULD IT BE OKAY 487 00:21:52,905 --> 00:21:56,200 IF I BEGGED OFFOF DINNER TONIGHT? UM... 488 00:21:56,200 --> 00:21:58,912 STEVE AND I HAVE... 489 00:21:58,953 --> 00:22:00,621 IF I BEGGED OFFOSOME CATCHING UP TO DO. 490 00:22:01,539 --> 00:22:03,374 I CAN SEE THAT. 491 00:22:03,416 --> 00:22:06,420 BUT PERHAPSWE COULD MEET LATER? 492 00:22:06,420 --> 00:22:07,796 LATER? 493 00:22:10,382 --> 00:22:12,133 TONIGHT?BUT PERHAPSA-AFTER MR. MAREK?T LATER? 494 00:22:13,218 --> 00:22:16,680 FOR A NIGHTCAP?IN THE LOUNGE? 495 00:22:16,721 --> 00:22:19,058 YES. ALL RIGHT. 496 00:22:20,851 --> 00:22:21,894 [♪] 497 00:22:21,936 --> 00:22:23,729 NORMAN. 498 00:22:23,729 --> 00:22:25,940 SHALL WE DINE? 499 00:22:26,941 --> 00:22:28,067 NORMAN.YES. DINING. 500 00:22:28,108 --> 00:22:29,193 STARVING. 501 00:22:33,072 --> 00:22:34,199 MR. MAREK. 502 00:22:35,241 --> 00:22:37,743 [♪] 503 00:22:44,918 --> 00:22:47,462 SO THATWAS OLIVER O'TOOLE? 504 00:22:47,462 --> 00:22:49,089 YES. 505 00:22:50,090 --> 00:22:51,550 SO THATWAS DOES HE KNOW?E? 506 00:22:51,592 --> 00:22:53,051 NO. 507 00:22:53,093 --> 00:22:55,220 BUT AFTER TONIGHT... 508 00:22:55,220 --> 00:22:58,349 WE MAY HAVE TO TELL HIM. 509 00:23:00,226 --> 00:23:02,686 BU[♪]FTER TONIGHT... 510 00:23:02,728 --> 00:23:04,438 [MINDY]:AND ONE, TWO, THREE... 511 00:23:04,438 --> 00:23:06,774 [CONTESTANTS]:♪ DOWN BY THE OLD ♪ 512 00:23:06,774 --> 00:23:09,944 ♪ MILL STREAM ♪ 513 00:23:09,944 --> 00:23:11,278 -♪ WHERE I FIRST ♪-[KNOCKING] 514 00:23:11,278 --> 00:23:12,572 OH! THE PIZZA! 515 00:23:12,614 --> 00:23:14,866 -♪ WHERE I FIRST ♪[EXCITED CHATTER] 516 00:23:17,410 --> 00:23:18,620 OH! 517 00:23:18,661 --> 00:23:19,954 HI. 518 00:23:19,954 --> 00:23:21,373 HI. IT'S NORMAN. 519 00:23:21,414 --> 00:23:23,458 [OVERLAPPING]: HI, NORMAN! 520 00:23:23,458 --> 00:23:24,626 HE'S CUTE. 521 00:23:24,626 --> 00:23:26,044 THANK YOU! 522 00:23:26,086 --> 00:23:28,588 UH, RITA,SORRY TO INTERRUPT. 523 00:23:28,630 --> 00:23:31,383 OH, YOU'RE NOT! WE WERE JUSTSITTING AROUND AND STUFF. 524 00:23:31,424 --> 00:23:33,636 I-I DIDN'T KNOWTHAT YOU PLAYED THAT. 525 00:23:33,636 --> 00:23:36,805 WELL, MY PARENTSWERE FLOWER CHILDREN. 526 00:23:36,805 --> 00:23:37,765 RIGHT. 527 00:23:37,806 --> 00:23:39,808 I WAS BORNUNDER THE PEPSI CHALLENGE TENT 528 00:23:39,808 --> 00:23:42,060 IN SEDONA, REMEMBER? 529 00:23:42,102 --> 00:23:44,188 [RITA CHUCKLES] 530 00:23:49,152 --> 00:23:51,487 [WHISPERS] WAS THERESOMETHING YOU NEEDED? 531 00:23:51,487 --> 00:23:53,907 OH. UH... 532 00:23:53,948 --> 00:23:55,199 NO. 533 00:23:55,241 --> 00:23:57,076 AWW. 534 00:23:57,118 --> 00:23:58,828 [AWKWARD CHUCKLING] 535 00:23:58,828 --> 00:24:00,497 SEE YA TOMORROW. 536 00:24:00,497 --> 00:24:01,540 OKAY. 537 00:24:04,000 --> 00:24:05,794 SLEEP TIGHT! 538 00:24:05,835 --> 00:24:07,421 [LADIES]: BYE, NORMAN! 539 00:24:07,462 --> 00:24:09,839 [ALL GIGGLING] 540 00:24:09,839 --> 00:24:12,051 [LAUGHTER AND CHATTERCARRYING] 541 00:24:12,051 --> 00:24:14,053 [WOMAN]: AW, HE LOOKS LIKEA TEDDY BEAR! 542 00:24:16,055 --> 00:24:18,473 [LAUGHTER AND CHATTERCA[♪]ING] 543 00:24:22,186 --> 00:24:24,564 I THINKTHAT WAS OUR SONG. 544 00:24:24,605 --> 00:24:27,024 WE NEVER HAD A SONG. 545 00:24:27,066 --> 00:24:29,068 WE SHOULD HAVE HAD ONE. 546 00:24:30,027 --> 00:24:32,697 SO WHY'DYOU LEAVE D.C.? 547 00:24:32,738 --> 00:24:34,365 TO GET AWAY FROM YOU. 548 00:24:34,365 --> 00:24:35,867 MM. OUCH. 549 00:24:35,867 --> 00:24:38,578 I ALWAYS KNOW WHEREI STAND WITH YOU. 550 00:24:40,038 --> 00:24:44,626 BUT I NEVER KNEWWHERE I STOOD WITH YOU, STEVE. 551 00:24:46,712 --> 00:24:50,757 AND THEN I FINALLY REALIZEDTHAT'S BAD FOR RELATIONSHIPS. 552 00:24:51,925 --> 00:24:55,512 BUT IT'S WHAT MAKES YOUSO GOOD AT YOUR JOB. 553 00:24:56,430 --> 00:24:59,350 BETRAYED BY MY OWN EXCELLENCE. 554 00:24:59,391 --> 00:25:01,352 AND YOUR HUMILITY. 555 00:25:01,393 --> 00:25:03,020 BUT YOU CAME BACK. 556 00:25:03,062 --> 00:25:05,523 ON VACATION. 557 00:25:05,565 --> 00:25:08,192 I WASN'T GOING TO CALL YOU. 558 00:25:09,318 --> 00:25:11,488 BUT NOW... 559 00:25:11,529 --> 00:25:13,656 I GUESS I NEED YOU. 560 00:25:13,698 --> 00:25:15,742 GOOD. 561 00:25:17,535 --> 00:25:20,873 I'LL SEE WHAT I CAN DO. 562 00:25:22,415 --> 00:25:25,418 AM I... EARLY? 563 00:25:28,421 --> 00:25:31,008 NO. NO, I WAS JUST LEAVING. 564 00:25:31,049 --> 00:25:32,676 HOW WAS DINNER? 565 00:25:33,636 --> 00:25:36,054 FINE, THANK YOU. 566 00:25:36,096 --> 00:25:38,599 OKAY. 567 00:25:40,601 --> 00:25:42,770 I'LL SEE YOU TOMORROW? 568 00:25:42,770 --> 00:25:44,772 OKAY. 569 00:25:48,777 --> 00:25:50,111 TOMORROW? 570 00:25:50,111 --> 00:25:50,945 OLIVER. 571 00:25:50,987 --> 00:25:53,615 I WILL JUSTADJUST MY ITINERARY 572 00:25:53,657 --> 00:25:55,325 TO REFLECTTHAT YOU WILL NOT 573 00:25:55,367 --> 00:25:56,785 BE JOINING US 574 00:25:56,826 --> 00:25:59,246 FOR OUR TOURIN THE MORNING. 575 00:25:59,288 --> 00:26:01,206 NO, I WILL.I'M COMING. 576 00:26:01,248 --> 00:26:05,419 WE JUST HAVE TO ADJUSTOUR PLANS FOR THE AFTERNOON. 577 00:26:06,753 --> 00:26:07,838 I COULDN'T BEAR 578 00:26:07,880 --> 00:26:11,425 TO SEE HOW DISAPPOINTED PHOEBEAND HER GRANDFATHER WERE. 579 00:26:11,466 --> 00:26:14,011 SHE'S LOST HER MOTHER, 580 00:26:14,053 --> 00:26:16,055 HE'S LOST A DAUGHTER... 581 00:26:16,096 --> 00:26:18,474 AND I GUESS... 582 00:26:18,474 --> 00:26:20,560 AFTER SEEING-- 583 00:26:20,601 --> 00:26:24,147 OR NOT SEEING MY HOUSE TODAY-- 584 00:26:24,189 --> 00:26:25,190 [SIGHS] 585 00:26:25,231 --> 00:26:27,943 I JUST FELT LIKE,AT LEAST-- AT LEAST, WITH THEM, 586 00:26:27,984 --> 00:26:28,860 MAYBE-- 587 00:26:28,902 --> 00:26:30,904 MAYBE THEREWAS SOMETHING THAT I COULD DO, 588 00:26:30,946 --> 00:26:33,448 MAYBE I COULD... 589 00:26:33,489 --> 00:26:35,450 HELP THEMIN SOME WAY. 590 00:26:35,450 --> 00:26:37,661 WELL, THAT'S ADMIRABLE, 591 00:26:37,703 --> 00:26:40,246 BUT I'M AFRAIDP THEMLIEUTENANT AMIDON'S SITUATION. 592 00:26:40,246 --> 00:26:41,373 DOES NOT FALL UNDER THE PURVIEW 593 00:26:41,415 --> 00:26:43,750 OF THE UNITED STATESHEMLIEUTENPOSTAL SYSTEM.ITUATION. 594 00:26:43,792 --> 00:26:46,170 I DON'T SEE HOW YOU OR I 595 00:26:46,170 --> 00:26:48,672 OR YOUR FRIEND, STEVE,CAN HOPE TO MAKE A DIFFERENCE. 596 00:26:48,714 --> 00:26:50,799 I DON'T SWELL...YOU OR I 597 00:26:51,758 --> 00:26:54,678 YOU OR I CAN'T, BUT... 598 00:26:57,014 --> 00:26:59,016 OLIVER, I HAVEN'T BEEN 599 00:26:59,058 --> 00:27:02,144 COMPLETELY HONEST WITH YOUABOUT STEVE. 600 00:27:03,396 --> 00:27:05,607 HE'S NOT EXACTLY 601 00:27:05,648 --> 00:27:07,900 WITH THE POST OFFICE. 602 00:27:09,527 --> 00:27:10,695 SO, MS. McINERNEY, 603 00:27:10,695 --> 00:27:13,448 IT WAS YOU WHO MADE THE INITIALCONTACT WITH AGENT MAREK? 604 00:27:13,490 --> 00:27:14,699 SO[SHANE]: YES.EY, 605 00:27:14,699 --> 00:27:16,994 AND IT'S NOT SOMETHINGTHAT I DID LIGHTLY, 606 00:27:17,035 --> 00:27:18,954 BUT NOW I'M GLAD THAT I DID. 607 00:27:20,122 --> 00:27:24,167 SIR, CAN I ASSUMETHAT YOU ARE AGENT MAREK? 608 00:27:25,378 --> 00:27:26,712 YES, I AM, SENATOR. 609 00:27:26,754 --> 00:27:27,713 AND HASTHE TESTIMONY 610 00:27:27,755 --> 00:27:30,132 YOU'VE HEARD SO FARBEEN ACCURATE? 611 00:27:30,174 --> 00:27:31,759 YES, MA'AM. 612 00:27:32,885 --> 00:27:35,554 ALL RIGHT.CONTINUE, MS. McINERNEY. 613 00:27:35,554 --> 00:27:36,890 [SHANE]: THANK YOU. 614 00:27:36,931 --> 00:27:38,391 WELL, NEEDLESS TO SAY, 615 00:27:38,432 --> 00:27:40,601 THIS WAS ALL NEWSTO MR. O'TOOLE. 616 00:27:43,730 --> 00:27:45,231 THE CLANDESTINESERVICES? 617 00:27:45,231 --> 00:27:47,484 ONE OF THEM. YES. 618 00:27:47,526 --> 00:27:50,487 YOU... [SCOFFS]YOU DATED A SPY? 619 00:27:50,529 --> 00:27:53,740 AN INTELLIGENCE ANALYST. 620 00:27:53,782 --> 00:27:56,243 OFFICER. 621 00:27:56,243 --> 00:27:58,578 AGENT. 622 00:27:58,578 --> 00:28:00,080 KIND OF A SPY, YEAH. 623 00:28:00,080 --> 00:28:01,415 YOU LIED TO ME. 624 00:28:01,415 --> 00:28:02,332 I DIDN'T LIE TO YOU. 625 00:28:02,332 --> 00:28:03,583 I LIKE TO THINKTHAT YOU WERE ON 626 00:28:03,583 --> 00:28:06,253 A NEED-TO-KNOW BASIS,AND NOW YOU NEED TO KNOW.OU. 627 00:28:06,295 --> 00:28:09,757 AND WHAT ELSEDO I NEED TO KNOW, HMM? 628 00:28:09,757 --> 00:28:13,218 THAT STEVE HAS AGREEDTO MEET WITH HARPER AND PHOEBE 629 00:28:13,261 --> 00:28:15,388 IF WE TAKE THEMTO THE PENTAGON TOMORROW. 630 00:28:15,430 --> 00:28:17,432 IT SEEMS HE'DAGREE TO ANYTHING 631 00:28:17,432 --> 00:28:20,977 IF IT MEANT RE-IGNITINGTHE FLAMES OF... 632 00:28:21,019 --> 00:28:22,938 YOU KNOW, WHATEVER,WITH YOU. 633 00:28:23,939 --> 00:28:26,149 FIRST OF ALL, OLIVER, 634 00:28:26,191 --> 00:28:28,276 MY FLAMESARE NONE OF YOUR BUSINESS. 635 00:28:29,861 --> 00:28:32,322 AND SECOND,YOU DON'T HAVE TO LIKE HIM, 636 00:28:32,363 --> 00:28:33,449 BUT HE'S A GOOD MAN, 637 00:28:33,490 --> 00:28:36,743 AND WHATEVER HE MAY HAVEMEANT TO ME IN THE PAST, 638 00:28:36,785 --> 00:28:40,706 ALL HE MEANS NOWIS A CHANCE TO HELP PHOEBE. 639 00:28:43,334 --> 00:28:45,377 REALLY. 640 00:28:46,963 --> 00:28:49,048 [♪] 641 00:28:50,341 --> 00:28:51,676 REALLY. 642 00:28:52,969 --> 00:28:54,971 [♪] 643 00:28:59,392 --> 00:29:00,477 [MADAME CHAIRMAN]:MR. O'TOOLE, 644 00:29:00,477 --> 00:29:03,646 I AM DUE AT THE SENATEWAYS AND MEANS COMMITTEE 645 00:29:03,646 --> 00:29:04,606 IN AN HOUR. 646 00:29:04,606 --> 00:29:06,149 I AM DUE AT THE SENATENOW, CAN I BEGIN TO HOPE 647 00:29:06,149 --> 00:29:10,362 THAT THERE IS A WAY OR A MEANINGWITH THIS STORY OF YOURS? 648 00:29:10,403 --> 00:29:11,404 HMM? 649 00:29:11,446 --> 00:29:13,490 OH, ABSOLUTELY. 650 00:29:13,531 --> 00:29:14,449 [FLASH POPS] 651 00:29:14,491 --> 00:29:15,492 -THE NEXT DAY---HI! 652 00:29:15,492 --> 00:29:16,785 ...WE TOOK PHOEBE 653 00:29:16,785 --> 00:29:18,203 AND HER GRANDFATHER TO THE NATIONAL POSTAL MUSEUM, 654 00:29:18,245 --> 00:29:19,538 WHERE RITA AND THE OTHER CONTESTANTS 655 00:29:19,580 --> 00:29:21,206 WERE MAKING AN APPEARANCE 656 00:29:21,248 --> 00:29:22,500 AND I WAS... 657 00:29:22,500 --> 00:29:25,211 WELL, I WAS ON SOMETHING OF A SENTIMENTAL JOURNEY. 658 00:29:25,253 --> 00:29:28,131 [FLASH POPPING,CONTESTANTS GIGGLING] 659 00:29:29,966 --> 00:29:32,551 [♪] 660 00:29:35,847 --> 00:29:38,182 [TAKES A SHAKY, DEEP BREATH] 661 00:29:38,224 --> 00:29:40,477 [SIGHING] 662 00:29:40,519 --> 00:29:41,603 YOU SEEM... 663 00:29:41,645 --> 00:29:44,689 DEEP IN THOUGHT. 664 00:29:46,691 --> 00:29:47,859 THREE YEARS AGO, 665 00:29:47,859 --> 00:29:51,446 I, UH, STOOD ON THIS VERY SPOTWITH MY WIFE... 666 00:29:52,572 --> 00:29:57,995 EXPOUNDING ON THE EARLY DAYSOF THE PONY EXPRESS. 667 00:29:59,955 --> 00:30:02,667 I TURNED AROUND AND, UH... 668 00:30:02,708 --> 00:30:04,544 SHE WASN'T THERE. 669 00:30:04,585 --> 00:30:09,048 I STOOD HERE WAITING AND WAITINGUNTIL THEY CLOSED, 670 00:30:09,048 --> 00:30:10,383 BUT, BY THEN, 671 00:30:10,383 --> 00:30:14,387 I STOOSHE'D ALREADY LEFT MEITINGAND CAUGHT A PLANE TO PARIS. 672 00:30:14,387 --> 00:30:16,973 THAT MUST HAVE BEENVERY PAINFUL. 673 00:30:19,017 --> 00:30:21,645 WHY DID YOU COME BACK HERETODAY? 674 00:30:25,941 --> 00:30:28,276 CLOSURE. 675 00:30:29,611 --> 00:30:32,656 YOU REMIND ME OF RANDILYNN. 676 00:30:33,532 --> 00:30:36,202 WHEN SHE WAS...NOT EVEN TWO, 677 00:30:36,243 --> 00:30:38,913 SHE COULD BARELY TALK,BUT SHE COULD WALK. 678 00:30:38,955 --> 00:30:41,332 WE COULDN'T KEEP UP WITH HER. 679 00:30:41,373 --> 00:30:44,085 ONE DAY, I TURNED AROUNDAND SHE WAS GONE, 680 00:30:44,126 --> 00:30:47,254 THEN I HEARD THIS HUGE BANG. 681 00:30:47,296 --> 00:30:50,174 I WENT RUNNING INTO THE BEDROOMAND THERE SHE IS, 682 00:30:50,216 --> 00:30:51,593 ON THE FLOOR, SOBBING. 683 00:30:51,634 --> 00:30:53,761 I SAID,"HONEY, WHAT HAPPENED?" 684 00:30:53,761 --> 00:30:56,806 WELL, SHE WAS CRYING SO HARD,SHE COULDN'T TELL ME, 685 00:30:56,848 --> 00:30:58,475 SO SHE-- SHE CLIMBED UP"HONEYON THE BEDPENED?" 686 00:30:58,516 --> 00:31:01,228 AND ROLLED OFF AGAINJUST TO SHOW ME. 687 00:31:01,269 --> 00:31:02,770 [BOTH LAUGHING] 688 00:31:02,813 --> 00:31:03,814 THAT KID... 689 00:31:03,856 --> 00:31:05,816 SHE WAS ALWAYS GOING BACK 690 00:31:05,816 --> 00:31:08,777 TO THE MOST PAINFUL PLACESIN HER LIFE 691 00:31:08,777 --> 00:31:11,489 TO MAKE SOME SENSESHE WAS ALOF THE PAIN.ACK 692 00:31:14,658 --> 00:31:16,660 ALL FOUR VERSES? 693 00:31:16,702 --> 00:31:18,787 YEAH. AND IFTHAT DIDN'T WORK, 694 00:31:18,787 --> 00:31:19,788 SHE'D DO EVERY VERSE 695 00:31:19,788 --> 00:31:21,040 OF THE STAR-SPANGLED BANNER, TOO. 696 00:31:21,082 --> 00:31:23,292 WOW. THATIS PRETTY PATRIOTIC. 697 00:31:23,292 --> 00:31:26,254 SHE WAS. 698 00:31:26,295 --> 00:31:29,048 HEY! PHOEBE!HOW ARE YOU? 699 00:31:29,090 --> 00:31:30,091 -I'M GOOD.-HOW'S LIB? 700 00:31:30,133 --> 00:31:31,134 -SHE'S GETTING FAT.-OH! 701 00:31:31,175 --> 00:31:33,052 I MADE THE NEIGHBORSPROMISE TO WALK HER 702 00:31:33,094 --> 00:31:34,429 TWICE A DAYWHILE WE WERE GONE. 703 00:31:35,304 --> 00:31:36,305 I LOVE YOUR CROWN. 704 00:31:36,305 --> 00:31:37,307 OH, THANK YOU! 705 00:31:37,349 --> 00:31:39,017 I HAVE TOWEAR IT EVERYWHERE.E YOUR CROWN. 706 00:31:39,058 --> 00:31:40,352 PHOTO SHOOTS, INTERVIEWS, 707 00:31:40,394 --> 00:31:43,147 EVEN A LECTUREON SPORTSMANSHIP 708 00:31:43,188 --> 00:31:45,024 BY LAST YEAR'SMISS SPECIAL HANDLING... 709 00:31:45,065 --> 00:31:46,316 WHAT'S THAT? 710 00:31:46,358 --> 00:31:49,236 OH, IT'S LIKEMISS CONGENIALITY, ONLY POSTAL. 711 00:31:49,278 --> 00:31:50,279 [RITA]: ANYWAYS, 712 00:31:50,320 --> 00:31:53,198 I AM FREE AS A BIRDFOR THE REST OF THE DAY. 713 00:31:53,240 --> 00:31:54,158 GREAT, UH, BECAUSE 714 00:31:54,158 --> 00:31:55,993 I HAVE SOMETHING BACKAT THE HOTEL THAT-- 715 00:31:55,993 --> 00:31:56,994 [SHANE]: PHOEBE! BECAUSE 716 00:31:56,994 --> 00:31:58,037 I HAVE SOMETHING BACK[SHANE RUSHES UP]HAT-- 717 00:31:58,078 --> 00:31:59,497 [SAFTER LUNCH,E! BECAUSE 718 00:31:59,497 --> 00:32:01,707 I WOULD LIKE TO TAKE YOUAND YOUR GRANDFATHER 719 00:32:01,749 --> 00:32:02,750 TO MEET A FRIEND OF MINE. 720 00:32:02,792 --> 00:32:05,753 I CAN'T PROMISE ANYTHING, BUT... 721 00:32:05,795 --> 00:32:07,297 [OLIVER]: MS. McINERNEY. 722 00:32:07,338 --> 00:32:08,506 [QUIET GASPING] 723 00:32:08,548 --> 00:32:11,217 GRANDPA!ARE YOU ALL RIGHT? 724 00:32:12,427 --> 00:32:14,054 GRANDPA? 725 00:32:15,055 --> 00:32:16,848 [DOOR BANGS] 726 00:32:16,890 --> 00:32:18,475 I THINK HE JUSTOVERDID IT A BIT, 727 00:32:18,517 --> 00:32:20,268 BUT WE'LL HAVE HIMCHECKED OUT JUST IN CASE. 728 00:32:20,310 --> 00:32:22,479 THANKS, NORMAN. 729 00:32:24,356 --> 00:32:26,775 GET SOME REST, HARPER. 730 00:32:27,901 --> 00:32:30,279 WELL, I GUESSIT'S UP TO US 731 00:32:30,321 --> 00:32:31,405 TO KEEPTHAT APPOINTMENT. 732 00:32:31,447 --> 00:32:33,240 WHAT APPOINTMENT? 733 00:32:33,240 --> 00:32:36,368 SO YOU ATTENDEDTHIS MEETING YESTERDAY 734 00:32:36,410 --> 00:32:38,204 AS WELL, MS. HAYWORTH?MENT? 735 00:32:38,245 --> 00:32:41,708 UH, IT'S "HAYWITH,"WITH AN "I". 736 00:32:42,667 --> 00:32:44,377 OH. 737 00:32:44,377 --> 00:32:46,045 YES, I DID. 738 00:32:46,045 --> 00:32:48,756 I HAD A FREE AFTERNOON OFF,SO I WENT ALONG. 739 00:32:48,798 --> 00:32:50,883 AND I AM VERY GLAD THAT I DID. 740 00:32:52,552 --> 00:32:55,388 I THINK. [NERVOUS CHUCKLE] 741 00:32:55,388 --> 00:32:57,725 AM I IN TROUBLE? 742 00:32:57,725 --> 00:33:00,227 JUST GIVE US THE FACTS,MS. HAYWITH. 743 00:33:00,268 --> 00:33:01,311 OH, OKAY. 744 00:33:01,353 --> 00:33:02,605 WELL, FIRST OF ALL, 745 00:33:02,646 --> 00:33:04,857 I HAD TO LEAVE MY CROWNAT THE DOOR. 746 00:33:05,816 --> 00:33:07,443 OH... 747 00:33:07,485 --> 00:33:09,987 I FEEL SO NAKEDWITHOUT IT. 748 00:33:13,282 --> 00:33:14,700 HERE HE COMES. 749 00:33:14,742 --> 00:33:16,702 OH. 750 00:33:16,702 --> 00:33:19,747 [FOOTSTEPS APPROACHING] 751 00:33:20,749 --> 00:33:21,958 OHI DID SOME DIGGING. 752 00:33:22,000 --> 00:33:24,002 I GOT AHOLD OF THE FILE-- 753 00:33:24,043 --> 00:33:26,254 IT'S AN ACTIVE, WORKING CASE. 754 00:33:26,295 --> 00:33:27,631 NOW, WE NEVER GIVE UPON OUR OWN, 755 00:33:27,672 --> 00:33:28,923 NO MATTER HOW LONG IT TAKES, 756 00:33:28,923 --> 00:33:32,761 BUT, AFTER READING THROUGH THIS,WE MIGHT BE RUNNING OUT OF TIME. 757 00:33:32,761 --> 00:33:36,306 SO YOU DON'T BELIEVESHE WAS KILLED IN THE MISSION? 758 00:33:38,767 --> 00:33:41,436 LOOK, I CAN'T READ YOUINTO THE FILE, 759 00:33:41,436 --> 00:33:43,773 BUT I CAN SAY THAT,AS OF SIX MONTHS AGO, 760 00:33:43,814 --> 00:33:46,275 I PERSONALLY BELIEVELIEUTENANT AMIDON WAS ALIVE 761 00:33:46,275 --> 00:33:49,487 AND BEING HELDSOMEWHERE NEAR PAKISTAN. 762 00:33:50,613 --> 00:33:53,032 LIKELY BY THE INSURGENTSTHAT ATTACKED HER TEAM 763 00:33:53,073 --> 00:33:54,950 WHEN SHE DISAPPEARED. 764 00:33:54,950 --> 00:33:56,911 THEN YOU THINKSHE WAS CAPTURED? 765 00:33:56,952 --> 00:33:58,621 OFF THE RECORD? 766 00:33:58,663 --> 00:34:01,416 [SHANE]:GO ON, PLEASE. 767 00:34:02,333 --> 00:34:04,961 [EXHALING DEEPLY] WELL,LIEUTENANT AMIDON WAS A MEDIC. 768 00:34:04,961 --> 00:34:07,756 SHE TRAINED FORTHE CULTURAL SUPPORT TEAMS, 769 00:34:07,798 --> 00:34:09,675 WHO INTERFACE WITH THE AFGHANS, 770 00:34:09,716 --> 00:34:10,759 COLLECTED INTELLIGENCE. 771 00:34:10,801 --> 00:34:11,718 SEE, THE MALE SOLDIERS 772 00:34:11,718 --> 00:34:13,136 COULDN'T TALK TO AFGHAN WOMEN, 773 00:34:13,178 --> 00:34:14,971 BUT THE FEMALE SOLDIERS COULD. 774 00:34:15,013 --> 00:34:17,266 WHAT SEEMED LIKE SUSPICIOUS ACTIVITY-- 775 00:34:17,308 --> 00:34:19,351 GOING OFF-BASE, CONSORTING WITH THE LOCALS-- 776 00:34:19,393 --> 00:34:22,563 HAD ACTUALLY BEEN COVERTLY SANCTIONED BY THE ARMY. 777 00:34:22,604 --> 00:34:25,942 SEE, WE CAN'T ALWAYSANSWER ALLEGATIONS 778 00:34:25,983 --> 00:34:27,651 WITHOUT PUTTINGOTHER PEOPLE IN DANGER, 779 00:34:27,651 --> 00:34:29,946 SO THE WHOLE TRUTHABOUT LIEUTENANT AMIDON 780 00:34:29,987 --> 00:34:31,864 IS, REALLY, YET TO BE TOLD. 781 00:34:31,906 --> 00:34:35,076 IS SHE ALIVE, STEVE? 782 00:34:36,661 --> 00:34:38,162 [SETS GLASSES DOWN] 783 00:34:38,204 --> 00:34:40,498 SHE WENT BACKFOR TWO OF OUR OWN, 784 00:34:40,540 --> 00:34:42,209 WHO WERE CUT DOWNIN A FIREFIGHT. 785 00:34:42,250 --> 00:34:45,128 NOW, THE INSURGENTSHAD WITHDRAWN, 786 00:34:45,170 --> 00:34:46,338 BUT THEY WAITED, AS THEY DO, 787 00:34:46,338 --> 00:34:48,215 FOR THE RESCUE TEAMTO COME BACK FOR THE WOUNDED. 788 00:34:48,256 --> 00:34:50,508 AND THENTHEY AMBUSHED THEM? 789 00:34:50,508 --> 00:34:52,010 [GUNFIRE EXCHANGING] 790 00:34:53,386 --> 00:34:54,680 HANG IN THERE, COSTAS!YOU HEAR ME? 791 00:34:54,722 --> 00:34:56,974 WE'RE GONNA GET YOU OUT OF HERE! 792 00:34:58,016 --> 00:34:59,101 EVAC! 793 00:35:02,020 --> 00:35:03,856 [SHOUTING] 794 00:35:06,024 --> 00:35:07,693 MOVE OUT! MOVE OUT! 795 00:35:18,496 --> 00:35:20,749 [ROTORS BEATING,GUNFIRE CONTINUING] 796 00:35:28,548 --> 00:35:30,592 [ROCKET EXPLODING] 797 00:35:30,634 --> 00:35:33,220 RANDI! 798 00:35:33,220 --> 00:35:34,596 RANDI! 799 00:35:34,638 --> 00:35:37,057 GET UP! RANDILYNN! 800 00:35:37,057 --> 00:35:39,184 [♪] 801 00:35:41,854 --> 00:35:43,981 AND THEN SHE WAS WOUNDED? 802 00:35:44,023 --> 00:35:45,400 AND CAPTURED. 803 00:35:45,441 --> 00:35:47,360 BUT NOT BY ANY CENTRAL GROUP, 804 00:35:47,402 --> 00:35:49,445 OTHERWISE WE WOULD'VEKNOWN MORE BY NOW. 805 00:35:50,946 --> 00:35:54,200 THERE WAS A RESCUE ATTEMPTLAST YEAR. 806 00:35:55,451 --> 00:35:56,494 AFTER THAT, 807 00:35:56,536 --> 00:35:57,871 IT APPEARSTHAT SHE WAS MOVED. 808 00:35:57,913 --> 00:35:59,873 THE DRONES HAVEN'T BEEN ABLETO FIND HER. 809 00:35:59,915 --> 00:36:02,751 WE FOLLOWED UP ON A SIGHTING,BUT THAT DIDN'T PAN OUT. 810 00:36:02,793 --> 00:36:04,628 THEN THERE'S THIS LETTER,WHICH MAY OR MAY NOT 811 00:36:04,628 --> 00:36:06,087 HAVE BEEN WRITTENBY LIEUTENANT AMIDON, 812 00:36:06,129 --> 00:36:07,923 THBUT THAT'S GONNA TAKER,SOME TIME TO CONFIRM. 813 00:36:07,964 --> 00:36:10,426 I'M SORRY,DID YOU SAY A LETTER? 814 00:36:11,760 --> 00:36:13,304 A LETTER. YEAH. 815 00:36:21,062 --> 00:36:22,897 A POINT OFCLARIFICATION, 816 00:36:22,939 --> 00:36:24,231 PLEASE, MADAME CHAIRMAN. 817 00:36:24,273 --> 00:36:26,400 MS. HAYWITH,HAVE WE FINALLY 818 00:36:26,442 --> 00:36:29,153 COME TO THE REASON FORTHIS HEARING THIS MORNING? 819 00:36:29,195 --> 00:36:30,488 YOU MEAN THE LETTER? 820 00:36:30,488 --> 00:36:32,574 YES. 821 00:36:32,615 --> 00:36:34,617 OH, YES. THAT'S WHENYMR. MAREK SHOWED US THE LETTER. 822 00:36:34,617 --> 00:36:35,910 WELL, HE ACTUALLYDIDN'T SHOW US THE LETTER, 823 00:36:35,952 --> 00:36:37,036 THAT WAS THE PROBLEM. 824 00:36:38,580 --> 00:36:40,623 THAT'S WHENI DID THE BAD THING. 825 00:36:40,623 --> 00:36:43,460 GO ON. 826 00:36:48,256 --> 00:36:50,593 THIS ARRIVEDALMOST TWO WEEKS AGO 827 00:36:50,634 --> 00:36:51,677 FROM AFGHANISTAN, 828 00:36:51,719 --> 00:36:53,053 MADE ITS WAY TO US. 829 00:36:53,095 --> 00:36:54,012 IT'S NOT IN AN ENVELOPE. 830 00:36:54,012 --> 00:36:55,138 IT'S ALL JERRY-RIGGED TOGETHERWITH TAPE, 831 00:36:55,138 --> 00:36:56,307 IT'S IT'S ADDRESSEDLOPE. 832 00:36:56,349 --> 00:36:58,100 IT'S ALL JERRY-RIGGED TOGETHER"F-E-E-B." 833 00:36:58,142 --> 00:37:00,603 "BY THE AMERICAN SECRETARYOF THE MILITARY EMBASSY, 834 00:37:00,603 --> 00:37:01,645 "WASHINGTON, D.C., U.S.A., 835 00:37:01,687 --> 00:37:03,022 "BY THE AMERICAN SECRETARYOFFROM SOLDIER FEMALE.", 836 00:37:03,064 --> 00:37:05,649 NOW, THE HANDWRITINGON THE OUTSIDE IS DIFFERENT 837 00:37:05,649 --> 00:37:06,985 FROM THE INSIDE. 838 00:37:07,026 --> 00:37:08,402 NOLIEUTENANT AMIDONGONMAY HAVE WRITTEN THIS,ENT 839 00:37:08,444 --> 00:37:10,947 BUT SOMEBODY ELSE MAILED ITAND ROUTED IT THROUGH KABUL. 840 00:37:10,989 --> 00:37:12,699 KABUL HAS MAIL? 841 00:37:12,741 --> 00:37:14,117 AH. YOU'D BE SURPRISED. 842 00:37:14,117 --> 00:37:17,329 THEY HAVE QUITE AN EFFICIENTPOSTAL SYSTEM IN AFGHANISTAN. 843 00:37:17,329 --> 00:37:18,455 AH. YOU'D BE SUR[RITA]: OH. 844 00:37:18,497 --> 00:37:20,999 TAND WITH ALL THE CELLPHONESPOSTAL SYAND LAPTOPSHANISTAN. 845 00:37:21,040 --> 00:37:22,542 BEING HACKED SO OFTENOUT THERE, 846 00:37:22,584 --> 00:37:24,336 THIS MAY HAVE BEEN A GOOD WAY 847 00:37:24,336 --> 00:37:26,588 TO GET A MESSAGE THROUGHUNMONITORED. 848 00:37:26,630 --> 00:37:27,840 I HAVE ALWAYS MAINTAINED THAT 849 00:37:27,840 --> 00:37:32,219 MAIL IS STILL THE GOLD STANDARDOF HUMAN COMMUNICATION. 850 00:37:33,512 --> 00:37:35,014 I HAVE ALWARIGHT.NTAINED THAT 851 00:37:35,014 --> 00:37:36,015 THE PROBLEM IS, 852 00:37:36,056 --> 00:37:37,391 I MEAN,EXCEPT FOR SOMETHING IN HERET 853 00:37:37,433 --> 00:37:38,643 ABOUT THE FOURTH OF JULY, 854 00:37:38,684 --> 00:37:40,686 IT ALL REALLY JUST APPEARSTO BE GIBBERISH. 855 00:37:40,686 --> 00:37:42,688 BUT THAT'S WHAT WE DOEVERY DAY-- 856 00:37:42,730 --> 00:37:45,858 WE FIGURE OUT LETTERSTHAT DON'T MAKE SENSE. 857 00:37:45,858 --> 00:37:46,859 LET'S SEE. 858 00:37:46,901 --> 00:37:48,653 OH, I-I CAN'T LET YOUTHAT LOOK AT THAT.NSE. 859 00:37:48,653 --> 00:37:52,866 OH, FOR HEAVEN'S SAKE, STEVE.WE'RE ALL ON THE SAME SIDE! 860 00:37:52,908 --> 00:37:55,702 OHIT'S CLASSIFIED.YOUI'VE SHOWN YOU TOO MUCH ALREADY. 861 00:37:55,702 --> 00:37:57,538 [OLIVER]: WELL, NOT TO PUTTOO FINE A POINT ON THIS, 862 00:37:57,579 --> 00:37:58,580 THAT WAS NOT ADDRESSED 863 00:37:58,622 --> 00:38:02,167 TO THE SECRETARY,BUT SOMEONE NAMED "F-E-E-B," 864 00:38:02,208 --> 00:38:04,545 WHICH I SUBMIT IS SOMEONE'SIDEA OF HOW TO SPELL "PHOEBE," 865 00:38:04,545 --> 00:38:06,963 AND, THEREFORE,STILL HAS YET TO BE DELIVERED 866 00:38:07,005 --> 00:38:08,424 WHICH I SUBMIT IS SOMEONE'SIDTO ITS INTENDED RECIPIENT,," 867 00:38:08,465 --> 00:38:09,716 AND, THEREFORE,FALLS CLEARLY UNDER 868 00:38:09,716 --> 00:38:12,469 THE JURISDICTION OF THE UNITEDSTATES POSTAL SERVICE. 869 00:38:13,554 --> 00:38:15,056 AND, THEREFORE,FAIS HE KIDDING?DER 870 00:38:15,056 --> 00:38:17,558 I'M SORRY, HE'S NOT. 871 00:38:17,558 --> 00:38:18,434 [SIGHS] 872 00:38:18,475 --> 00:38:20,562 WELL, THAT'SJUST NOT GONNA HAPPEN. 873 00:38:20,603 --> 00:38:22,605 THERE'S TOO MUCH ANALYSIS AHEAD. 874 00:38:22,647 --> 00:38:24,816 THERE'S HANDWRITING,DNA, CRYPTOGRAPHY. 875 00:38:24,816 --> 00:38:26,401 YOU THINKIT'S A CODED MESSAGE? 876 00:38:26,443 --> 00:38:28,278 T[STEVE]: I HOPE SO,OTHERWISE, LIKE I SAID, 877 00:38:28,320 --> 00:38:30,071 IT JUST DOESN'T MAKE ANY SENSE. 878 00:38:30,113 --> 00:38:31,156 I KNOW. 879 00:38:31,198 --> 00:38:34,284 I MEAN... I BET! 880 00:38:34,326 --> 00:38:35,911 [RITA CHUCKLES NERVOUSLY] 881 00:38:35,911 --> 00:38:37,745 WE SHOULD GO! 882 00:38:37,745 --> 00:38:39,748 I HAVE A BIG TAP DANCE[RITNUMBER TO LEARN TONIGHT. 883 00:38:43,586 --> 00:38:44,795 [SHANE]: STEVE... 884 00:38:44,837 --> 00:38:48,591 I THINK I SHOULD TELL YOU THATRITA HAS A PHOTOGRAPHIC MEMORY 885 00:38:48,591 --> 00:38:50,008 AND THERE'SA PRETTY GOOD CHANCE 886 00:38:50,050 --> 00:38:52,303 THAT SHE CAN REMEMBER EVERYTHINGTHAT LETTER SAID. 887 00:38:52,345 --> 00:38:54,012 AH, GIVE OR TAKE A FEWWORDS HERE AND THERE. 888 00:38:54,055 --> 00:38:56,057 YOUR THUMB WASCOVERING SOME OF IT. 889 00:38:56,099 --> 00:38:56,975 SORRY. 890 00:38:57,016 --> 00:38:58,935 WELL, LET'S JUST PRETENDI DIDN'T HEAR THAT. 891 00:38:58,977 --> 00:39:00,895 FAIR ENOUGH. 892 00:39:00,937 --> 00:39:01,855 IF YOU COME UPWITH ANYTHING, 893 00:39:01,896 --> 00:39:03,189 I'D LIKETO HEAR ABOUT IT. 894 00:39:03,231 --> 00:39:06,109 I DIDN'T KNOWTHE "DEPARTMENT OF AGRICULTURE" 895 00:39:06,109 --> 00:39:07,777 WAS SO CLANDESTINE. 896 00:39:07,777 --> 00:39:09,738 YOU'D BE SURPRISED. 897 00:39:17,621 --> 00:39:18,705 DON'T FORGET YOUR CROWN. 898 00:39:18,747 --> 00:39:20,624 OH, RIGHT. 899 00:39:22,417 --> 00:39:25,254 [NORMAN]: WOW.A REAL SPY. STEVE? 900 00:39:25,295 --> 00:39:27,339 ANALYST. 901 00:39:27,381 --> 00:39:29,634 A MINOR COG IN THE WHEEL. 902 00:39:29,634 --> 00:39:31,260 HOW IS HARPER? 903 00:39:31,301 --> 00:39:33,971 [NORMAN]: OH, WELL, I WANTEDTO TAKE HIM TO SEE A DOCTOR, 904 00:39:33,971 --> 00:39:36,807 BUT HE INSISTED ON GOING BACKTO THE HOTEL WITH PHOEBE. 905 00:39:36,807 --> 00:39:40,686 HARPER'S A TOUGH GUY,BUT HE COULD USE SOME GOOD NEWS. 906 00:39:40,686 --> 00:39:43,814 BUT HE INSITHEN WE NEED TOACKTO THE HOFIND HIM SOME, HMM? 907 00:39:43,814 --> 00:39:44,774 HARPER'S A TOUGH GUY,BUT HE COULWELL, HOW? GOOD NEWS. 908 00:39:44,816 --> 00:39:47,068 WE ONLY HAD ONE... COG. 909 00:39:47,861 --> 00:39:50,321 WE ARE AN ELITE POSTALTASK FORCE, NORMAN. 910 00:39:50,363 --> 00:39:52,491 WIDE POWERSOF POSTAL DISCRETION. 911 00:39:52,491 --> 00:39:55,494 I THINK IT'S TIMEWE USED THEM. 912 00:39:56,870 --> 00:39:58,664 [RITA]: OKAY, THERE WASONLY SIX LINES. 913 00:39:58,664 --> 00:40:02,334 THE FIRST ONE WAS, UM,"THE DAY WILL END FAST." 914 00:40:02,376 --> 00:40:03,710 AND THEN"THE BIRTHDAY OF LIBERTY," 915 00:40:03,752 --> 00:40:07,840 WHICH IS THE FOURTH OF JULY CLUETHAT STEVE WAS TALKING ABOUT. 916 00:40:07,840 --> 00:40:09,759 GO ON. 917 00:40:09,759 --> 00:40:11,510 WHICH IS THEN THERE WASJULY CLUETHAT THIS WEIRD THING--ABOUT. 918 00:40:11,552 --> 00:40:13,012 "RETURN TO THE FOUR-POSTER." 919 00:40:13,012 --> 00:40:15,014 WHAT? 920 00:40:15,973 --> 00:40:18,059 SOME KIND OFARMY POST, MAYBE? 921 00:40:18,100 --> 00:40:20,312 HMM. 922 00:40:20,353 --> 00:40:22,272 THEN THERE WAS, LET ME SEE, 923 00:40:22,314 --> 00:40:24,232 "SONG 5-9-1-6" 924 00:40:24,274 --> 00:40:27,194 AND "PROVERBIAL 1-8-1-0." 925 00:40:28,862 --> 00:40:30,072 ANYTHING ELSE? 926 00:40:30,113 --> 00:40:32,700 NO, JUST HALF A WORD OR TWO. 927 00:40:32,700 --> 00:40:34,868 "GRIM FEET." 928 00:40:34,910 --> 00:40:35,869 NO, JUST HALF A GRIM FEET?O. 929 00:40:35,869 --> 00:40:36,870 THAT'S WHAT IT SAID. 930 00:40:36,870 --> 00:40:40,332 THAT'S THE PART WHEREHIS THUMB WAS COVERING IT. 931 00:40:40,374 --> 00:40:44,086 STEVE'S RIGHT.NONE OF THIS MAKES ANY SENSE. 932 00:40:44,086 --> 00:40:47,256 EVERYTHING SEEMS LIKESOME SORT OF CLUE, 933 00:40:47,256 --> 00:40:50,343 SO IT MUST MEAN SOMETHINGNONE OF TTO SOMEONE.NY SENSE. 934 00:40:50,384 --> 00:40:52,095 EVERYTHING SEEMS LIKESOME SMM-HMM.CLUE, 935 00:40:52,136 --> 00:40:53,888 WELL, IF IT WASADDRESSED TO PHOEBE, 936 00:40:53,930 --> 00:40:55,682 SHOULDN'T SHE KNOWWHAT IT MEANS? 937 00:40:55,724 --> 00:40:57,809 SOMEONE ELSEWROTE THAT ON THE ENVELOPE, 938 00:40:57,851 --> 00:40:59,936 AND I WOULD HATETO GIVE PHOEBE FALSE HOPE 939 00:40:59,978 --> 00:41:01,270 IF WE DON'T HAVE TO. 940 00:41:01,312 --> 00:41:03,231 WE ARE PROFESSIONALS. 941 00:41:03,231 --> 00:41:06,568 WE SHOULD BE ABLETO BREAK THIS CODE. 942 00:41:06,568 --> 00:41:08,737 [♪] 943 00:41:22,459 --> 00:41:23,628 I HATE TO SAY THIS, 944 00:41:23,669 --> 00:41:25,045 BUT I REALLY DO NEED 945 00:41:25,087 --> 00:41:26,922 TO LEARN TO TAP DANCE,BUT I PROMISE YOU, 946 00:41:26,922 --> 00:41:29,717 WHILE MY FEET ARE TAPPING,MY MIND WILL BE THINKING. 947 00:41:29,717 --> 00:41:31,261 DO YOU WANNA COME, NORMAN? 948 00:41:32,262 --> 00:41:33,263 WHILE MY FEET ARE TAPPING,MY MIND OH, SURE!HINKING. 949 00:41:33,263 --> 00:41:34,930 OKAY. 950 00:41:34,930 --> 00:41:38,351 UM, WHAT WASTHAT LAST CLUE AGAIN? 951 00:41:38,351 --> 00:41:39,936 IT WAS A PARTIAL."GRIM FEET." 952 00:41:39,936 --> 00:41:41,271 UM, WHAT WASTHAT LAST CLUE AGAIN?[SIGHING] 953 00:41:41,271 --> 00:41:44,775 WE MAY BE IN OVERRTIAL.OUR HEADS HERE, OLIVER. 954 00:41:44,816 --> 00:41:45,942 I MEAN, 955 00:41:45,984 --> 00:41:49,279 THE ONLY THING THAT WE HAVEIS THE FOURTH OF JULY CLUE. 956 00:41:49,321 --> 00:41:50,572 THE FOURTH HAS COME AND GONE. 957 00:41:50,614 --> 00:41:56,662 IF THAT DAY IS IMPORTANT,THEN THIS COULD ALL BE TOO LATE. 958 00:42:00,291 --> 00:42:02,126 ♪ BY PLANES, TRAINSBUS, MULE, OR LIVERY ♪ 959 00:42:02,126 --> 00:42:05,212 ♪ YOU BET SHE'LL GETTHOSE LETTERS THROUGH ♪ 960 00:42:05,212 --> 00:42:07,757 ♪ BY ♪ SO HAILRAINSMISS SPECIAL DELIVERY ♪ 961 00:42:07,799 --> 00:42:10,134 ♪ YOU BET SHE'LL GET♪ AND ALL THINGS COASTAL ♪ 962 00:42:10,134 --> 00:42:11,469 ♪ FROM COAST TO COAST'LL SING ♪ 963 00:42:11,511 --> 00:42:12,470 ♪ SHE'S THE DAMSEL ♪ 964 00:42:12,512 --> 00:42:13,846 ♪ WE STAMP AND CANCEL ♪ 965 00:42:13,888 --> 00:42:16,391 ♪ THE HOLY GRAILOF FIRST-CLASS MAIL ♪ 966 00:42:16,433 --> 00:42:20,103 ♪ MISS SPECIAL DELIVERY ♪ 967 00:42:20,145 --> 00:42:22,981 ♪ THAT'S YOU! ♪ 968 00:42:22,981 --> 00:42:24,232 YEAH! 969 00:42:24,274 --> 00:42:26,819 OKAY. HOLD ON.♪ 970 00:42:26,819 --> 00:42:27,986 [WEARY GASP] 971 00:42:28,028 --> 00:42:30,447 MISS LOUISIANA,SLIDE YOU OVER HERE... 972 00:42:32,825 --> 00:42:33,992 [DANCERS PANTING] 973 00:42:33,992 --> 00:42:35,661 SO MUCH HARDERTHAN YOU'D THINK! 974 00:42:35,661 --> 00:42:38,747 YEAH. EVERYBODY'SOUT OF STEP BUT YOU. 975 00:42:40,333 --> 00:42:42,251 HOW MANY PEOPLE DO YOUTHINK ARE GONNA BE THERE? 976 00:42:42,293 --> 00:42:43,544 OH, LIKE 500. 977 00:42:43,544 --> 00:42:47,131 I CAN'T SINGIN FRONT OF 500 PEOPLE! 978 00:42:47,173 --> 00:42:48,132 OH, YOU'LL BE OKAY.OH, LIKE 500. 979 00:42:48,174 --> 00:42:49,217 IN RITA'S BOOK, 980 00:42:49,258 --> 00:42:50,969 RENITA HAYWEATHER: FRONTIER DUCHESS, 981 00:42:51,010 --> 00:42:53,012 RENITA HAS TO SING "MOON RIVER" 982 00:42:53,012 --> 00:42:55,056 WHILE SITTINGON TOP OF A WURLITZER ORGAN 983 00:42:55,098 --> 00:42:56,057 RENIN THE LAST CHANCE SALOONER" 984 00:42:56,099 --> 00:42:58,352 WHILE A BUNCH OF COWBOYSEAT PISTACHIOS. 985 00:42:58,393 --> 00:43:00,562 BUT SHE KNOWSTHAT IT'LL INSPIRE MR. D'LORMAN 986 00:43:00,604 --> 00:43:02,147 BEFORE THE BIG SHOOT-OUT, 987 00:43:02,189 --> 00:43:03,815 SO SHE DOES IT. 988 00:43:03,857 --> 00:43:06,318 WOW! I WANNAREAD THAT BOOK. 989 00:43:06,360 --> 00:43:09,363 [DIRECTOR]: OKAY, LADIES,LET'S GO BACK TO FIFTH POSITION. 990 00:43:09,363 --> 00:43:10,280 FIFTH? 991 00:43:10,280 --> 00:43:11,448 MY DOGS AREBARKIN' SO BAD, 992 00:43:11,490 --> 00:43:12,700 I CAN'T GET BACKTO FIRST.FIFTH? 993 00:43:12,742 --> 00:43:15,327 "MY DOGS ARE BARKING." 994 00:43:15,327 --> 00:43:17,079 DON'T YOU JUST LOVE HER? 995 00:43:17,121 --> 00:43:19,374 -[RITA LAUGHING]"MY DOGS-YEAH.ARKING." 996 00:43:20,875 --> 00:43:23,043 FIVE, SIX, SEVEN, EIGHT... 997 00:43:23,043 --> 00:43:25,546 ♪ SHE'S MISS SPECIAL DELIVERY ♪ 998 00:43:25,588 --> 00:43:28,549 ♪ YES, SHE'SOUR POST OFFICE QUEEN ♪ 999 00:43:28,591 --> 00:43:29,634 "MY DOGS"? 1000 00:43:29,634 --> 00:43:32,262 ♪ FROM ROCKY MOUNTAINTO FIELD AND FOUNTAIN... ♪ 1001 00:43:32,303 --> 00:43:33,722 "DOG.OGS"? 1002 00:43:33,722 --> 00:43:35,265 DOGS? DOGS! 1003 00:43:35,306 --> 00:43:36,892 LIBERTY! LET'S GO! 1004 00:43:36,892 --> 00:43:39,394 ♪ YOU BET SHE'LL GETTHOSE LETTERS THROUGH ♪ 1005 00:43:39,394 --> 00:43:43,064 ♪ SO HAILMISS SPECIAL DELIVERY ♪S GO! 1006 00:43:43,106 --> 00:43:44,608 "LIBERTY"? 1007 00:43:44,650 --> 00:43:45,651 YES, MA'AM. 1008 00:43:45,692 --> 00:43:48,154 RANDILYNN WASN'T TALKINGABOUT THE FOURTH OF JULY. 1009 00:43:48,195 --> 00:43:50,489 SHE WAS TALKING ABOUT LIB. 1010 00:43:50,531 --> 00:43:52,366 THEIR DOG'S NAMEIS "LIBERTY." 1011 00:43:52,408 --> 00:43:53,910 ARE YOU TELLING ME 1012 00:43:53,910 --> 00:43:57,163 THAT THIS COMMITTEE CONVENEDA SPECIAL EMERGENCY SESSION 1013 00:43:57,204 --> 00:44:01,918 BECAUSE OF THE BIRTHDATEARE YOU OF SOMEONE'S PET? 1014 00:44:01,918 --> 00:44:05,087 THE BIRTHDATE OFPHOEBE AMIDON'S GERMAN SHEPHERD 1015 00:44:05,087 --> 00:44:07,757 IS OF UTMOST IMPORTANCE,ARE YOU MADAME CHAIRMAN.? 1016 00:44:07,757 --> 00:44:09,842 IT TURNED OUT TO BETHE CODE-BREAKER, 1017 00:44:09,884 --> 00:44:10,927 THE ROSETTA STONE... 1018 00:44:11,803 --> 00:44:16,558 AND THE KEY TO SAVINGRANDILYNN AMIDON'S LIFE. 1019 00:44:20,771 --> 00:44:22,522 "THE DAY WILL END FAST," 1020 00:44:22,564 --> 00:44:23,566 "THE BIRTHDAY OF LIBERTY," 1021 00:44:23,607 --> 00:44:25,400 "RETURN TO THE FOUR-POSTER," 1022 00:44:25,443 --> 00:44:26,777 "SONG 5-9-1-6." 1023 00:44:26,819 --> 00:44:29,863 "PROVERBIAL 1-8-1-0," 1024 00:44:29,905 --> 00:44:31,699 AND "GRIM FEET." 1025 00:44:31,740 --> 00:44:35,036 GRIM... FEET. 1026 00:44:36,120 --> 00:44:38,331 ABRAHAM LINCOLNSLEPT IN THIS HOTEL 1027 00:44:38,372 --> 00:44:39,415 AFTER HIS ELECTION, 1028 00:44:39,457 --> 00:44:40,959 BEFORE HE MOVED INTOTHE WHITE HOUSE IN 1860. 1029 00:44:40,959 --> 00:44:43,127 I WONDER WHAT THEY CALLEDTHE LINCOLN BEDROOM 1030 00:44:43,127 --> 00:44:46,172 BEFORE IT WASTHE LINCOLN BEDROOM. 1031 00:44:52,637 --> 00:44:53,722 HUH. 1032 00:44:54,639 --> 00:44:56,558 MAY I USE THIS? 1033 00:44:57,809 --> 00:44:59,603 [RITA]: GUESS WHAT! 1034 00:44:59,644 --> 00:45:01,771 ROOM 1201, PLEASE. 1035 00:45:01,813 --> 00:45:03,023 OLIVER. 1036 00:45:03,065 --> 00:45:05,067 HARPER.OLIVER O'TOOLE. 1037 00:45:05,109 --> 00:45:06,485 WHEN YOU TOLD METHAT STORY 1038 00:45:06,485 --> 00:45:08,320 ABOUT YOUR DAUGHTERFALLING OFF THE BED. 1039 00:45:08,362 --> 00:45:10,531 UH, WAS ITA FOUR-POSTER BED? 1040 00:45:10,573 --> 00:45:13,200 AND ASK HIM WHENLIBERTY'S BIRTHDAY IS! 1041 00:45:14,910 --> 00:45:18,123 HARPER, UH, I BELIEVEWE NEED TO TALK. 1042 00:45:23,962 --> 00:45:25,839 [HARPER]: WELL, I'M GLAD 1043 00:45:25,881 --> 00:45:27,673 SOMEBODY'S GOING TOSLEEP TONIGHT. 1044 00:45:27,673 --> 00:45:28,717 [DOOR SHUTS] 1045 00:45:28,759 --> 00:45:30,051 SOMEBODY'S GOING TOSLEEP TONIGHWELL, SO... 1046 00:45:30,093 --> 00:45:31,803 [OLIVER]: HARPER,WHEN RANDILYNN FELL OUT 1047 00:45:31,803 --> 00:45:32,846 OF THAT FOUR-POSTER BED, 1048 00:45:32,846 --> 00:45:33,764 [OLIVER]: HARPER,WHEN SHE WAS TWO.LL OUT 1049 00:45:33,764 --> 00:45:36,517 DO YOU THINKOF SHE REMEMBERS THAT?D, 1050 00:45:36,558 --> 00:45:38,184 [OLIVER]: HARPER,IT WAS A FAMILY JOKE, YES. 1051 00:45:38,184 --> 00:45:39,144 AND YOU'RE SURE 1052 00:45:39,185 --> 00:45:41,647 [OTHAT PHOEBE'S PUPPYIT WAS WAS BORN ON JULY 21st? 1053 00:45:41,647 --> 00:45:43,732 YEAH, CAN'T FORGET THAT. 1054 00:45:44,942 --> 00:45:48,695 DO THE WORDS "GRIM FEET"PUPPYMEAN ANYTHING TO YOU? JULY 21st? 1055 00:45:48,695 --> 00:45:51,157 GRIM FEET? 1056 00:45:51,198 --> 00:45:52,033 DO THE WORDS "GRIM FEET"PUPPYMEAN ANYTHING TNO.OU? JULY 21st? 1057 00:45:52,074 --> 00:45:54,911 AND HOW ABOUT"THE DAY WILL END FAST"? 1058 00:45:54,952 --> 00:45:56,037 FAST,"IN A HURRY," 1059 00:45:56,078 --> 00:45:58,039 OR FAST AS IN "NOT EATING"? 1060 00:45:58,039 --> 00:46:00,958 HMM! GOOD POINT. 1061 00:46:02,126 --> 00:46:05,463 UM, "PROVERBIAL SONG"? 1062 00:46:05,505 --> 00:46:07,465 PROVERBIAL... 1063 00:46:07,507 --> 00:46:09,217 OH, MY GOODNESS. 1064 00:46:09,259 --> 00:46:10,928 RITA, WE NEED A BIBLE. 1065 00:46:10,969 --> 00:46:12,054 THERE'S ONEIN THE DRAWER THERE. 1066 00:46:12,054 --> 00:46:15,390 PROVERBS AND SONG--"SONG" IS THE MODERN VERSION 1067 00:46:15,390 --> 00:46:16,391 THERE'S ONEOF THE WORD "PSALM."THERE. 1068 00:46:16,433 --> 00:46:17,267 THANK YOU. 1069 00:46:17,309 --> 00:46:19,728 SIR, IS YOUR DAUGHTERA WOMAN OF FAITH? 1070 00:46:19,728 --> 00:46:20,896 OH, YES. [CHUCKLES] 1071 00:46:20,896 --> 00:46:22,981 SIR, IS YSHE EVEN TAUGHTA SOME BIBLE STUDY AT THE BASE. 1072 00:46:23,023 --> 00:46:24,149 SO SHE KNOWSHER BIBLE? YES. [CHUCKLES] 1073 00:46:24,191 --> 00:46:25,401 OH, CHAPTER AND VERSE. 1074 00:46:25,443 --> 00:46:29,322 [RITA]: PROVERBS,CHAPTER 18, VERSE 10. 1075 00:46:29,363 --> 00:46:32,491 PSALMS 59:16... 1076 00:46:33,910 --> 00:46:35,703 THEY BOTH TALK ABOUT... 1077 00:46:35,745 --> 00:46:36,663 OH, WOW! 1078 00:46:36,705 --> 00:46:38,582 OLIVER--"THE DAY WILL END FAST." 1079 00:46:38,623 --> 00:46:39,874 I THINK I KNOW WHAT IT MEANS. 1080 00:46:39,874 --> 00:46:41,084 [RITA]: OH! HERE WE GO. 1081 00:46:41,084 --> 00:46:44,421 "THE NAME OF THE LORDI THINIS A HIGH TOWER. MEANS. 1082 00:46:44,463 --> 00:46:47,674 THE JUST RUN TO IT,AND ARE SAFE." 1083 00:46:47,716 --> 00:46:49,926 I NEED TO CALL STEVE. 1084 00:46:51,010 --> 00:46:52,262 WHO'S STEVE? 1085 00:46:52,262 --> 00:46:53,138 WELL, HE'S NOT 1086 00:46:53,138 --> 00:46:54,932 WITH THE DEPARTMENTOF AGRICULTURE.EVE? 1087 00:46:54,932 --> 00:46:58,685 MR. O'TOOLE AND HIS TEAMCONTACTED ME LAST NIGHT, NOT 1088 00:46:58,728 --> 00:46:59,812 THEY SUGGESTED 1089 00:46:59,812 --> 00:47:02,481 THE LETTERWAS SOME FORM OF ESCAPE PLAN 1090 00:47:02,481 --> 00:47:05,150 AND THEY MADEA RATHER PERSUASIVE CASE. 1091 00:47:05,192 --> 00:47:07,570 THBUT NOTRWAS SOA CONCLUSIVE ONE. PLAN 1092 00:47:07,612 --> 00:47:09,947 NO. BUT I FELT THERE WASENOUGH INFORMATION 1093 00:47:09,989 --> 00:47:10,990 TO BRING IT TO YOUR ATTENTION, 1094 00:47:10,990 --> 00:47:14,160 ESPECIALLY CONSIDERINGTHE DEADLINE. 1095 00:47:14,202 --> 00:47:17,580 TWELL, GO AHEAD, MR. O'TOOLE., 1096 00:47:17,622 --> 00:47:19,124 MAKE YOUR CASE. 1097 00:47:19,124 --> 00:47:21,042 ACTUALLY, I'D LIKE TOTURN THAT OVER 1098 00:47:21,042 --> 00:47:22,711 TO MY COLLEAGUE,MR. DORMAN. 1099 00:47:27,924 --> 00:47:30,886 ACTUALLY, I'D LIKE TOTHANK YOU, MR. O'TOOLE. 1100 00:47:31,803 --> 00:47:35,141 UH, AS MS. HAYWITH EXPLAINED,THE SECOND CLUE, 1101 00:47:35,141 --> 00:47:40,646 "THE BIRTHDAY OF LIBERTY"IS IN REFERENCE TO JULY 21st, 1102 00:47:40,646 --> 00:47:43,149 WHICH HAPPENS TO BE TOMORROWAND, NOT COINCIDENTALLY, 1103 00:47:43,149 --> 00:47:46,611 IS ALSO THE BIRTHDATEOF THE AMIDON FAMILY DOG. 1104 00:47:46,653 --> 00:47:51,032 AND THAT DATE IS SOME SORT OF"KEY" TO THE CODE, YOU SAY? 1105 00:47:51,073 --> 00:47:53,785 YES, WHEN PAIREDWITH THE FIRST CLUE-- 1106 00:47:53,785 --> 00:47:55,703 "THE DAY WILL END FAST." 1107 00:47:55,745 --> 00:47:57,372 YIN AFGHANISTAN,AND AROUND THE WORLD, 1108 00:47:57,414 --> 00:48:01,126 THE HOLY MONTH OF RAMADANIS OBSERVED, UH, 1109 00:48:01,168 --> 00:48:04,546 WITH PRAYER, ACTS OF CHARITY,AND FASTING. 1110 00:48:04,587 --> 00:48:06,799 THIS YEAR, THOSE 30 DAYSOF FASTING ENDED 1111 00:48:06,799 --> 00:48:09,885 WITH A TRADITIONAL FESTIVALOF FAST-BREAKING FOUR DAYS AGO, 1112 00:48:09,927 --> 00:48:11,679 THIAND WE SUGGEST THATYSOTHAT IS THE DAY 1113 00:48:11,679 --> 00:48:14,139 THAT LIEUTENANT AMIDONCHOSE TO ESCAPE. 1114 00:48:14,181 --> 00:48:17,184 [LOCALS CHEERINGAND CELEBRATING] 1115 00:48:18,185 --> 00:48:21,189 [CELEBRATORY GUNFIRE POPPING] 1116 00:48:26,527 --> 00:48:29,197 [SHOUTING IN DARI] 1117 00:48:30,990 --> 00:48:33,451 [♪] 1118 00:48:40,834 --> 00:48:42,669 [MAN]: IT IS TIME. 1119 00:49:07,945 --> 00:49:10,406 [♪] 1120 00:49:33,764 --> 00:49:36,683 [SPEAKING DARI] 1121 00:49:41,606 --> 00:49:42,815 IF SHE'S ACTUALLY ESCAPED, 1122 00:49:42,815 --> 00:49:44,817 IT'S LIKELY SHE HAD HELPFROM A LOCAL, 1123 00:49:44,817 --> 00:49:46,986 SOMEONE WILLINGIF STO RISK THEIR LIFE,ED, 1124 00:49:47,028 --> 00:49:48,571 IT'S LIKELY SHE HAD HELPMOST LIKELY A PASHTUN-- 1125 00:49:48,613 --> 00:49:50,072 THEY HAVE A GREAT RESPECT 1126 00:49:50,114 --> 00:49:52,950 FOR THEIR TRADITIONSAND HOSPITALITY AND CHARITY. 1127 00:49:52,950 --> 00:49:54,244 EVEN SO, 1128 00:49:54,244 --> 00:49:55,453 IT'S HARD TO IMAGINE, 1129 00:49:55,453 --> 00:49:58,081 BECAUSE THE PUNISHMENTFOR HELPING AN AMERICAN 1130 00:49:58,123 --> 00:49:59,124 IT'S HIS DEATH.AGINE, 1131 00:49:59,124 --> 00:50:01,334 ASSUMING SHE DIDESCAPE FOUR DAYS AGO, 1132 00:50:01,376 --> 00:50:02,961 WHERE IS SHE GOING? 1133 00:50:02,961 --> 00:50:05,798 WELL, THAT'S THE THIRD CLUE."RETURN TO THE FOUR-POSTER." 1134 00:50:05,798 --> 00:50:08,592 [OLIVER]: A REFERENCETO AN AMIDON FAMILY JOKE-- 1135 00:50:08,634 --> 00:50:11,512 WELL, A FOUR-POSTER BEDCLUE."RWHERE SHE FELL AS A CHILD" 1136 00:50:11,554 --> 00:50:13,764 AND RETURNEDTO RE-ENACT HER FALL. 1137 00:50:13,806 --> 00:50:16,517 [STEVE]: WHICH WOULD SUGGESTTHE VILLAGE OF DARAKHT, 1138 00:50:16,559 --> 00:50:18,769 IT WAS THE SITEOF THE ORIGINAL FIREFIGHT 1139 00:50:18,811 --> 00:50:21,105 AND THE LOCATION WHERELIEUTENANT AMIDON WAS SEEN LAST, 1140 00:50:21,147 --> 00:50:22,606 FALLING OUT OF A HELICOPTER. 1141 00:50:22,648 --> 00:50:23,817 ACCORDINGTO MR. MAREK, 1142 00:50:23,858 --> 00:50:26,485 DARAKHT ALSO HASA DISTINCTIVE HIGH TOWER, 1143 00:50:26,485 --> 00:50:29,322 AND TWICE IN HER LETTER,IN CLUES FOUR AND FIVE, 1144 00:50:29,363 --> 00:50:32,326 RANDILYNN REFERSTO A BIBLICAL TOWER OR FORTRESS 1145 00:50:32,326 --> 00:50:36,663 AS A PLACE OF SAFETYAND REFUGE. 1146 00:50:36,663 --> 00:50:37,789 WHEREVER SHE IS, 1147 00:50:37,831 --> 00:50:40,125 WE KNOW SHE WASN'T TRAINEDIN NAVIGATION 1148 00:50:40,167 --> 00:50:42,419 OR ADVANCED SURVIVAL. 1149 00:50:42,461 --> 00:50:45,422 HOW CAN SHE POSSIBLYMAKE HER WAY BACK TO DARAKHT? 1150 00:50:45,464 --> 00:50:47,007 [SHANE]: LIEUTENANT AMIDON 1151 00:50:47,049 --> 00:50:49,176 IS THE DAUGHTEROF AN AIR FORCE CAPTAIN. 1152 00:50:49,176 --> 00:50:51,345 HER HUSBANDWAS KILLED IN ACTION IN KABUL. 1153 00:50:51,386 --> 00:50:53,681 SHE IS AN AMERICAN SOLDIER, 1154 00:50:53,723 --> 00:50:55,808 BUT SHE IS ALSOAN AMERICAN MOTHER, 1155 00:50:55,850 --> 00:50:59,145 AND NOTHING IS GONNA KEEPA WOMAN LIKE THAT 1156 00:50:59,187 --> 00:51:00,730 FROM DOING WHATEVER IT TAKES 1157 00:51:00,730 --> 00:51:03,984 TO FIND HER WAY BACKTO HER LITTLE GIRL. 1158 00:51:05,026 --> 00:51:07,403 FROM DOING W[♪]EVER IT TAKES 1159 00:51:43,566 --> 00:51:45,152 WE CANNOT GO ON. 1160 00:51:45,193 --> 00:51:46,819 THERE ISA ROADBLOCK AHEAD. 1161 00:51:46,861 --> 00:51:48,238 COME. 1162 00:51:49,239 --> 00:51:50,157 IT'S TOO DANGEROUS 1163 00:51:50,157 --> 00:51:51,741 FOR YOU TO STAYIN THE TRUCK. 1164 00:51:51,741 --> 00:51:53,911 I MUST GO ONIT'S TBEFORE THEY FIND YOU. 1165 00:51:53,911 --> 00:51:55,871 IT'S OKAY. 1166 00:51:55,913 --> 00:51:56,955 I MUST GO ONIT'S TBWAIT FOR ME THERE.U. 1167 00:51:56,997 --> 00:52:00,626 I WILL TRY AND RETURN TOMORROWAND TAKE YOU TO DARAKHT. 1168 00:52:01,627 --> 00:52:02,920 I AM SORRY. 1169 00:52:02,920 --> 00:52:05,256 I HAVE ONLY A LITTLE FOODTO LEAVE WITH YOU. 1170 00:52:05,256 --> 00:52:06,257 PLEASE, NO. 1171 00:52:06,257 --> 00:52:07,383 I HAVE ONLY A LITTLE FOODYOU TAKE IT.AVE WITH YOU. 1172 00:52:07,425 --> 00:52:09,343 YOU'VE DONESO MUCH ALREADY. 1173 00:52:09,385 --> 00:52:10,886 NO. THE FAST IS OVER. 1174 00:52:10,928 --> 00:52:12,596 WE MUST ALL CELEBRATE. 1175 00:52:12,596 --> 00:52:14,640 THANK YOU. 1176 00:52:14,682 --> 00:52:17,601 IF I AM NOT BACK IN TWO DAYS, 1177 00:52:17,643 --> 00:52:19,646 PLEASE KNOW THAT I HAVE TRIED,BUT I COULD NOT, 1178 00:52:19,688 --> 00:52:22,816 THEN YOU MUST WALKTHE REST OF THE WAY. 1179 00:52:22,857 --> 00:52:24,943 ALWAYS KEEP THE MOUNTAINSON YOUR RIGHT, 1180 00:52:24,943 --> 00:52:25,819 AND AT NIGHT, 1181 00:52:25,860 --> 00:52:29,281 ALWAYS KEETHE BRIGHTEST STARON YOOVER THAT PEAK. 1182 00:52:31,366 --> 00:52:34,661 IT IS VERY DANGEROUS...BUT GOD IS GOOD. 1183 00:52:34,703 --> 00:52:36,746 YES. 1184 00:52:36,746 --> 00:52:39,124 BUT PEOPLE, NOT ALWAYS. 1185 00:52:39,124 --> 00:52:41,126 I THINK WE ARE. 1186 00:52:41,126 --> 00:52:42,962 BUT YOU... AND ME.WAYS. 1187 00:52:44,171 --> 00:52:46,716 I THI[♪]WE ARE. 1188 00:52:50,678 --> 00:52:52,930 HOLD ON TIGHT. 1189 00:52:54,807 --> 00:52:56,726 [♪] 1190 00:52:56,767 --> 00:52:58,186 [QUIET SOB ESCAPES] 1191 00:53:03,650 --> 00:53:08,113 [♪] 1192 00:53:10,657 --> 00:53:11,742 [GASPS] 1193 00:53:16,247 --> 00:53:18,124 AH! 1194 00:53:18,165 --> 00:53:20,459 [GROANS] OH! 1195 00:53:31,053 --> 00:53:33,139 [♪] 1196 00:53:41,982 --> 00:53:44,401 [♪] 1197 00:54:07,383 --> 00:54:09,510 [SIGHS] 1198 00:54:16,726 --> 00:54:18,102 [WINCING] 1199 00:54:20,897 --> 00:54:23,733 [OLIVER]: THE LETTERWRITTEN BY LIEUTENANT AMIDON 1200 00:54:23,733 --> 00:54:26,195 IS, IN FACT, A ROADMAPFOR A RESCUE MISSION 1201 00:54:26,236 --> 00:54:27,529 [OLIVER]: THE LETTERWRTHAT BEGAN FOUR DAYS AGO,N 1202 00:54:27,571 --> 00:54:29,949 AND WE HOPEWILL END TOMORROW 1203 00:54:29,949 --> 00:54:31,366 IN A RENDEZVOUSWITH AMERICAN TROOPS 1204 00:54:31,408 --> 00:54:34,954 IN THE VERY SAME PLACEWHERE SHE WAS FIRST CAPTURED-- 1205 00:54:34,995 --> 00:54:37,915 THE "HIGH TOWER"IN THE VILLAGE OF DARAKHT, 1206 00:54:37,957 --> 00:54:40,167 AS INDICATED BY THE CLUESSHE GAVE US. 1207 00:54:40,209 --> 00:54:43,003 FIVE OUT OF SIXSO-CALLED CLUES, MR. O'TOOLE. 1208 00:54:43,045 --> 00:54:44,630 [OLIVER]: YES, WELL, UH, 1209 00:54:44,630 --> 00:54:46,299 THE LAST CLUEWAS PARTIALLY OBSCURED 1210 00:54:46,341 --> 00:54:47,925 WHEN MS. HAYWITH[GLANCED AT THE LETTER,, 1211 00:54:47,925 --> 00:54:50,803 BUT SHE WAS ABLE TO MAKE OUTTHE WORDS "GRIM FEET." 1212 00:54:50,803 --> 00:54:54,140 WE RESPECTFULLY REQUEST[GLANTHE OPPORTUNITYER,, 1213 00:54:54,182 --> 00:54:55,976 BUT SHE WTO INSPECT MAKE OUTTHETHE ACTUAL LETTER." 1214 00:54:56,017 --> 00:54:58,519 IN ORDER TO DECODETHE FINAL CLUE. 1215 00:54:58,561 --> 00:54:59,688 MS. HAYWITH IS FORTUNATE 1216 00:54:59,730 --> 00:55:02,357 SHE HASN'T BEEN INDICTEDFOR READING AND DISSEMINATING 1217 00:55:02,399 --> 00:55:04,610 THE INFORMATIONSHE HAS ALREADY SEEN. 1218 00:55:04,651 --> 00:55:07,696 AND MR. MAREK MAY VERY WELLBE DISCIPLINED FOR ALLOWING HER, 1219 00:55:07,738 --> 00:55:08,655 OR ANY OF YOU, 1220 00:55:08,697 --> 00:55:11,367 TO EVEN BECOME AWAREOF ITS EXISTENCE. 1221 00:55:11,408 --> 00:55:13,119 WHATEVER "GRIM FEET" MAY MEAN, 1222 00:55:13,119 --> 00:55:14,078 THAT IS A MATTER 1223 00:55:14,120 --> 00:55:16,622 FOR OUR OWN INTELLIGENCE SERVICETO DETERMINE. 1224 00:55:16,622 --> 00:55:17,957 [NORMAN]:BUT THERE ISN'T TIME! 1225 00:55:17,957 --> 00:55:20,126 SHE TOOK A HUGE CHANCESENDING THAT LETTER. 1226 00:55:20,167 --> 00:55:21,586 AND HERE WE ARE,MAYBE THE ONLY PEOPLE 1227 00:55:21,628 --> 00:55:23,671 WHO COULD SOLVE THAT MESSAGEIN TIME TO SAVE HER. 1228 00:55:23,671 --> 00:55:26,799 WHY WOULD A SOLDIERHOPING FOR RESCUE 1229 00:55:26,799 --> 00:55:29,302 WHO COUPURPOSELY WRITEESSAGEINSOMETHING OBSCURE. 1230 00:55:29,344 --> 00:55:31,846 AND RUN THE CHANCETHAT IT WOULDN'T BE DECODED? 1231 00:55:31,846 --> 00:55:34,641 TO PROTECT ANYONECOMING TO HELP HER. 1232 00:55:34,641 --> 00:55:37,227 HAVING SPENT QUITE A BITEOF TIME IN THE MILITARY,CODED? 1233 00:55:37,269 --> 00:55:38,270 MADAME CHAIRMAN, 1234 00:55:38,311 --> 00:55:39,813 I CAN ATTEST 1235 00:55:39,813 --> 00:55:42,149 THAT LIEUTENANT AMIDONWOULD KNOW 1236 00:55:42,149 --> 00:55:45,277 THAT SHOULD SOMEONE INTERCEPTA MORE SPECIFIC LETTER, 1237 00:55:45,318 --> 00:55:49,490 THAT THEY COULD SIMPLY ALLOW HERTO REACH HER RENDEZVOUS POINT 1238 00:55:49,532 --> 00:55:52,493 AND THEN WAIT TO AMBUSHTHE ENTIRE RESCUE PARTY. 1239 00:55:52,493 --> 00:55:54,995 IT'S WHAT HAPPENEDTHE NIGHT SHE WAS CAPTURED. 1240 00:55:55,037 --> 00:55:57,456 SHE WOULDN'TALLOW IT TO HAPPEN AGAIN. 1241 00:55:59,583 --> 00:56:02,670 WE'LL TAKEA FIVE-MINUTE BREAK. 1242 00:56:03,922 --> 00:56:05,882 I CAN'T GOTO PRISON, NORMAN. 1243 00:56:05,924 --> 00:56:07,300 I THINK SHE WAS JUSTSAYING THAT YOU COULD, 1244 00:56:07,341 --> 00:56:08,843 BUT YOU WON'T. 1245 00:56:08,885 --> 00:56:10,595 THAT'S WHAT I GOTOUT OF IT, ANYWAYS. 1246 00:56:10,637 --> 00:56:11,596 I MEAN, IFANYONE'S IN TROUBLE, 1247 00:56:11,638 --> 00:56:13,973 IT'S PROBABLYTHAT STEVE GUY. 1248 00:56:14,015 --> 00:56:16,017 I HAD YOU VETTED. 1249 00:56:16,059 --> 00:56:18,353 IT'S WHAT WE DOAROUND HERE. 1250 00:56:18,353 --> 00:56:19,854 AS IT TURNS OUT, 1251 00:56:19,854 --> 00:56:22,066 YOU'RE WHAT WE CALL"A SOLID CITIZEN." 1252 00:56:22,107 --> 00:56:25,778 OH, WELL, I TAKE THATAS A COMPLIMENT. 1253 00:56:25,820 --> 00:56:27,612 I'M COMING TO SUSPECT 1254 00:56:27,612 --> 00:56:29,949 THAT PERHAPS YOU ARE ONE,AS WELL. 1255 00:56:31,408 --> 00:56:34,161 MAYBE SHANE HAS GOOD TASTE. 1256 00:56:35,204 --> 00:56:36,914 HMM. [CHUCKLES] 1257 00:56:36,914 --> 00:56:40,042 I MUST CONFESS, AT FIRST,I WAS, UM... 1258 00:56:40,042 --> 00:56:43,504 SUSPICIOUS OF YOUR MOTIVESFOR HELPING US. 1259 00:56:45,423 --> 00:56:47,092 I MUSTLOOK, I KNOW FIRST,IT SOUNDS KIND OF CORNY, 1260 00:56:47,133 --> 00:56:48,551 BUT I STILL BELIEVEIN ALL THAT STUFF 1261 00:56:48,551 --> 00:56:50,053 WE USED TO SINGWHEN WE WERE KIDS-- 1262 00:56:50,053 --> 00:56:52,681 THE GRAND OLD FLAG,AMBER WAVES OF GRAIN, 1263 00:56:52,681 --> 00:56:54,140 "THE HALLS OF MONTEZUMA." 1264 00:56:54,140 --> 00:56:56,393 THE GRAND OLD FLAG,[SHANE]: EXCUSE ME, GENTLEMEN. 1265 00:56:56,393 --> 00:56:59,062 HATE TO INTERRUPT,BUT THEY'RE GOING BACK IN. 1266 00:56:59,104 --> 00:57:03,234 WE WERE JUST, UH,DISCUSSING PATRIOTISM. 1267 00:57:03,234 --> 00:57:04,276 [CHUCKLES] 1268 00:57:04,276 --> 00:57:06,028 [NORMAN]: PHOEBE WASTELLING ME YESTERDAY 1269 00:57:06,070 --> 00:57:08,364 HER MOM WAS SO PATRIOTIC THAT,INSTEAD OF LULLABIES, 1270 00:57:08,405 --> 00:57:10,867 SHE'D SING ALL THE VERSESTO "THE STAR-SPANGLED BANNER" 1271 00:57:10,908 --> 00:57:13,077 AND "AMERICA THE BEAUTIFUL"EVERY NIGHT. 1272 00:57:14,411 --> 00:57:16,413 ALL THE VERSES? 1273 00:57:16,413 --> 00:57:18,916 [♪] 1274 00:57:20,835 --> 00:57:22,295 IT IS THE CONCLUSIONOF THIS COMMITTEE, 1275 00:57:22,337 --> 00:57:23,630 THAT ALTHOUGH YOU FOLKS 1276 00:57:23,671 --> 00:57:25,965 HAVE PAINTEDA VERY ENTERTAINING STORY, 1277 00:57:26,007 --> 00:57:28,176 WE ARE UNWILLINGTO SEE AMERICAN TROOPS 1278 00:57:28,218 --> 00:57:30,470 PUT IN HARM'S WAY AT THIS TIME 1279 00:57:30,512 --> 00:57:31,804 FOR A RESCUE MISSION 1280 00:57:31,847 --> 00:57:33,766 BASED ON A LOOSE INTERPRETATION 1281 00:57:33,807 --> 00:57:36,393 OF FIVE SO-CALLED CLUESIN A LETTER. 1282 00:57:36,434 --> 00:57:37,811 MADAME CHAIRMAN-- 1283 00:57:37,853 --> 00:57:40,397 IF YOU CAN'T TELL USWHAT "GRIM FEET" MEANS, 1284 00:57:40,439 --> 00:57:41,440 MR. O'TOOLE, 1285 00:57:41,440 --> 00:57:43,859 IT RENDERS THE RESTOF YOUR CONJECTURES USELESS. 1286 00:57:43,901 --> 00:57:48,947 A FEW DATES AND A REFERENCETO AN OLD OUTPOST WITH A TOWER 1287 00:57:48,947 --> 00:57:51,700 IS NO INDICATIONOF INTENT TO ESCAPE. 1288 00:57:51,742 --> 00:57:53,036 -BUT WE HAVE IT!-MR. O'TOOLE-- 1289 00:57:53,077 --> 00:57:54,662 IF MR. MAREKWOULD JUST CONFIRM 1290 00:57:54,703 --> 00:57:56,164 THE COMPLETE PHRASEIN THAT LETTER-- 1291 00:57:56,205 --> 00:57:58,374 THE WORDS ENDING IN GRIM FEET--WE CAN GIVE YOU 1292 00:57:58,416 --> 00:58:00,418 LIEUTENANT AMIDON'SPROMISE TO ESCAPE. 1293 00:58:00,459 --> 00:58:02,546 YOU'VE SHARED ENOUGH ALREADY,MR. MAREK. 1294 00:58:02,587 --> 00:58:04,255 DO NOT RESPOND. 1295 00:58:04,297 --> 00:58:07,091 STEVE, THE CLUETHAT RITA COULDN'T READ-- 1296 00:58:07,133 --> 00:58:10,011 WAS IT "PILGRIM FEET?" 1297 00:58:10,053 --> 00:58:11,763 THE TRUTH, NOW, PLEASE. 1298 00:58:11,763 --> 00:58:13,390 ANSWER THAT,MR. MAREK... 1299 00:58:13,432 --> 00:58:15,976 AND YOU MAY LIVE TO REGRET IT. 1300 00:58:15,976 --> 00:58:18,228 [♪] 1301 00:58:22,942 --> 00:58:26,529 ONLY IF HE'S WRONG,MADAME CHAIRMAN. 1302 00:58:28,364 --> 00:58:30,616 MR. MAREK... THAT LAST CLUE-- 1303 00:58:32,785 --> 00:58:35,580 WAS IT "PILGRIM FEET?" 1304 00:58:43,463 --> 00:58:44,505 YES. 1305 00:58:44,505 --> 00:58:47,050 [STOMPS FOOT]RANDILYNN AMIDON... 1306 00:58:48,552 --> 00:58:51,096 RANDILYNN AMIDONSANG EVERY VERSE 1307 00:58:51,137 --> 00:58:52,931 OF "AMERICA THE BEAUTIFUL"EVERY NIGHT 1308 00:58:52,931 --> 00:58:55,392 AS A LULLABYTO HER LITTLE GIRL. 1309 00:58:55,434 --> 00:58:56,602 OF "AMERICA THE BEAUTIFUL"EVERY VERSE, INCLUDING, 1310 00:58:56,602 --> 00:58:58,937 "OH, BEAUTIFULFOR PILGRIM FEET 1311 00:58:58,980 --> 00:59:02,733 "WHOSE STERN IMPASSIONED STRESSA THOROUGHFARE FOR FREEDOM 1312 00:59:02,774 --> 00:59:04,110 BEAT CROSS THE WILDERNESS." 1313 00:59:04,151 --> 00:59:05,695 LADIES AND GENTLEMEN, 1314 00:59:05,695 --> 00:59:09,532 RANDILYNN AMIDON IS SOMEWHEREIN AFGHANISTAN TONIGHT, 1315 00:59:09,574 --> 00:59:11,868 BEATING A THOROUGHFAREACROSS THE WILDERNESS 1316 00:59:11,909 --> 00:59:13,620 IN SEARCH OF THAT TOWER, 1317 00:59:13,661 --> 00:59:15,622 IN SEARCH OF EVERYTHINGWE STAND FOR, 1318 00:59:15,663 --> 00:59:16,664 IN SEARCH-- IN SEARCH OF 1319 00:59:16,706 --> 00:59:20,918 THE FREEDOMTHAT SHE WAS WILLING TO DIE FOR. 1320 00:59:20,960 --> 00:59:24,256 AND SOMEWHERENEAR THAT SAME WILDERNESS 1321 00:59:24,297 --> 00:59:25,715 IS A BAND OF HER BROTHERS 1322 00:59:25,757 --> 00:59:28,301 WITH THE COURAGETO DIE FOR HER, FOR US, 1323 00:59:28,343 --> 00:59:29,803 TO BRING RANDILYNN HOME... 1324 00:59:32,430 --> 00:59:34,975 [♪] 1325 00:59:36,226 --> 00:59:40,606 IF YOU WILL JUSTHAVE THE COURAGE TO SEND THEM. 1326 00:59:43,942 --> 00:59:46,320 [♪] 1327 00:59:59,543 --> 01:00:01,920 [♪] 1328 01:00:06,883 --> 01:00:08,385 HAVE YOU HEARDANYTHING? 1329 01:00:08,427 --> 01:00:09,887 [SHANE]: NOTHING. 1330 01:00:09,929 --> 01:00:10,804 I WISH WE COULD 1331 01:00:10,804 --> 01:00:13,640 TELL HARPER AND PHOEBEWHAT WAS GOING ON. 1332 01:00:13,682 --> 01:00:16,561 [SHANE]: YOU KNOWWE'RE SWORN TO SECRECY, NORMAN. 1333 01:00:16,602 --> 01:00:18,103 HOW IS HE? 1334 01:00:18,145 --> 01:00:19,104 HE'S FINE. 1335 01:00:19,104 --> 01:00:21,607 WE'LL ALL BE ONTHE SAME FLIGHT TOMORROW. 1336 01:00:21,607 --> 01:00:23,734 WE EVEN MADE PLANS TOGET TOGETHER IN DENVER. 1337 01:00:23,776 --> 01:00:26,446 THINK WE'LL HAVE ANYTHINGTO TELL THEM BY THEN? 1338 01:00:26,487 --> 01:00:28,448 I DON'T IMAGINEWE'LL EVER HEAR 1339 01:00:28,489 --> 01:00:30,450 WHAT THE COMMITTEEDECIDES TO DO-- 1340 01:00:30,450 --> 01:00:33,786 UNLESS, UH...UNLESS THE NEWS IS GOOD. 1341 01:00:33,829 --> 01:00:36,456 BUT FOR NOW, HOWEVER, 1342 01:00:36,497 --> 01:00:39,209 WE MUST TURN TO THE PRESENT. 1343 01:00:39,250 --> 01:00:40,919 VERY BEST OF LUCK, RITA. 1344 01:00:40,961 --> 01:00:42,463 OH, THANK YOU. 1345 01:00:42,463 --> 01:00:43,964 YES, AND HAVE FUN! 1346 01:00:43,964 --> 01:00:45,299 I WILL. 1347 01:00:45,341 --> 01:00:47,092 I THINK... 1348 01:00:47,092 --> 01:00:48,635 YOU MIGHT HAVE A FRIEND 1349 01:00:48,677 --> 01:00:50,762 THAT NEEDS TO BEI THREMINDED OF THAT. 1350 01:00:50,804 --> 01:00:53,390 [RITA]: OH! OH, MY GOODNESS. 1351 01:00:53,390 --> 01:00:56,102 OKAY. I BETTER GET GOING, GUYS. 1352 01:00:56,143 --> 01:00:57,603 UH, I'LL SEE[RITA]: OH! OH, MYYOU LATER. 1353 01:00:57,644 --> 01:00:59,021 UM... RITA? 1354 01:00:59,063 --> 01:01:01,398 I'LL BE RIGHT BACK. 1355 01:01:04,026 --> 01:01:05,737 [HEAVY SIGH] 1356 01:01:05,778 --> 01:01:08,698 NORMAN?YOU ALL RIGHT? 1357 01:01:09,824 --> 01:01:12,910 I HAVE A PRESENTFOR RITA. 1358 01:01:12,910 --> 01:01:15,830 I JUST WANTED HERTO KNOW... 1359 01:01:16,999 --> 01:01:17,916 I HAVE A PRESENTFOR IF SHE WINS, 1360 01:01:17,916 --> 01:01:20,335 SHE'LL BE GONEFOR A WHOLE YEAR, 1361 01:01:20,377 --> 01:01:23,213 TRAVELING AROUND,PRESENTGIVING SPEECHES...E WINS, 1362 01:01:24,339 --> 01:01:27,425 SHAKING HANDS WITH PEOPLE, 1363 01:01:27,468 --> 01:01:29,595 OTHER PEOPLE... 1364 01:01:29,595 --> 01:01:32,390 ARE YOU AFRAIDSHE'LL FORGET... 1365 01:01:32,431 --> 01:01:33,641 US?HER PEOPLE... 1366 01:01:35,601 --> 01:01:38,062 THERE ARE A LOT MORE THINGSON THIS EARTH 1367 01:01:38,062 --> 01:01:40,814 THAN BEINGMISS SPECIAL DELIVERY, YOU KNOW. 1368 01:01:40,814 --> 01:01:42,275 I THINK, ARE A LOT MORE THINGSAFTER THIS WEEK,S EARTH 1369 01:01:42,316 --> 01:01:45,194 WE ALL KNOW THAT,EINGNORMAN.ECIAL DELIVERY, YOU KNOW. 1370 01:01:46,362 --> 01:01:48,865 [♪] 1371 01:01:59,334 --> 01:02:02,087 OH, NORMAN,THANK GOODNESS! 1372 01:02:02,129 --> 01:02:03,964 WE'VE MISSED THE BUS 1373 01:02:04,006 --> 01:02:07,677 AND MINDY'S HAVINGA LITTLE TROUBLE WALKING... 1374 01:02:08,969 --> 01:02:10,763 FORWARD. 1375 01:02:12,640 --> 01:02:13,641 OH! 1376 01:02:18,979 --> 01:02:22,650 SO ARE THEY GOING TOCHARGE YOU WITH ANYTHING? 1377 01:02:22,692 --> 01:02:23,901 PROBABLY NOT. 1378 01:02:23,901 --> 01:02:25,820 BUT IF I DO GET ARRESTED,YOU'LL BAIL ME OUT, RIGHT? 1379 01:02:25,861 --> 01:02:28,865 I HEARD THAT OLIVERCAME INTO A GOOD SUM OF MONEY. 1380 01:02:28,907 --> 01:02:30,909 HOW DO YOU KNOW THAT? 1381 01:02:30,909 --> 01:02:32,535 OH, NEVER MIND. 1382 01:02:32,578 --> 01:02:35,914 I DON'T THINK ALL THAT MONEY'SGONNA CHANGE HIM, THOUGH. 1383 01:02:35,956 --> 01:02:37,082 WELL, THAT'S TOO BAD. 1384 01:02:37,123 --> 01:02:39,293 I WAS HOPING YOU WERE GOING TOGIVE ME ANOTHER CHANCE. 1385 01:02:39,335 --> 01:02:40,627 AH. 1386 01:02:40,669 --> 01:02:43,880 WELL, THERE'SNOTHING ACTUALLY OFFICIAL 1387 01:02:43,922 --> 01:02:46,175 BETWEEN-- 1388 01:02:53,599 --> 01:02:56,644 ...BETWEENOLIVER AND ME. 1389 01:02:58,438 --> 01:02:59,606 BUT UNOFFICIALLY? 1390 01:02:59,647 --> 01:03:01,941 STEVE, WE'RE FRIENDS. 1391 01:03:02,942 --> 01:03:04,902 AND A SOLID FRIENDSHIPIS A GOOD WAY 1392 01:03:04,944 --> 01:03:07,864 TO START ANYTHING. 1393 01:03:09,074 --> 01:03:12,244 YOU WERE ALWAYSSO UNAVAILABLE, 1394 01:03:12,285 --> 01:03:15,622 FOR THAT-- WITH ALL THAT"AGRICULTURAL" WORK 1395 01:03:15,622 --> 01:03:17,582 THAT TOOK YOU AWAYALL THE TIME. 1396 01:03:17,582 --> 01:03:19,793 I'M BACK.I LIVE HERE NOW. 1397 01:03:19,793 --> 01:03:23,255 [SHANE]: IT'S NOT ABOUTWHERE YOU LIVE, STEVE. 1398 01:03:24,214 --> 01:03:26,467 HOME IS MORE THANJUST AN ADDRESS. 1399 01:03:26,467 --> 01:03:28,302 IT'S... 1400 01:03:28,302 --> 01:03:31,805 IT'S ROSES THAT YOU STICK AROUNDTO WATCH GROW. 1401 01:03:33,474 --> 01:03:36,477 IT'S A PORCH SWING... 1402 01:03:36,477 --> 01:03:37,854 AND... 1403 01:03:37,896 --> 01:03:40,106 TAKING THE TIME TO SWING ON IT. 1404 01:03:40,148 --> 01:03:41,983 I CAN GET YOU A PORCH SWING. 1405 01:03:41,983 --> 01:03:43,818 [LAUGHING] 1406 01:03:43,818 --> 01:03:45,820 I CAN GET YO[♪] PORCH SWING. 1407 01:03:47,155 --> 01:03:50,033 I'VE ALREADY GOT ONE. 1408 01:03:51,535 --> 01:03:53,870 MR. MAREK. 1409 01:03:53,912 --> 01:03:54,871 [CELLPHONEVIBRATES] 1410 01:03:54,913 --> 01:03:56,748 YEAH.HEY, OLIVER. 1411 01:03:56,790 --> 01:03:59,168 YOU, UH...HEARD ANY NEWS? 1412 01:04:00,335 --> 01:04:02,504 [EXHALING DEEPLY] 1413 01:04:02,504 --> 01:04:03,673 WELL... 1414 01:04:03,714 --> 01:04:05,090 OF COURSE. 1415 01:04:05,132 --> 01:04:07,092 YOU CAN NEITHERCONFIRM NOR DENY. 1416 01:04:07,092 --> 01:04:08,469 I CAN NEITHERCONFIRM NOR DENY 1417 01:04:08,511 --> 01:04:09,679 YOU CAN NTHAT, BASED ONCONFIRM A RECOMMENDATION 1418 01:04:09,679 --> 01:04:12,765 FROM THE SENATE SUBCOMMITTEEFOR MILITARY ACTIONS, 1419 01:04:12,807 --> 01:04:14,392 YOU CAN NTHAT, BASED ONCONTHE PRESIDENT HAS APPROVED 1420 01:04:14,434 --> 01:04:16,519 A PLAN FORA SPECIAL OPERATIONS MISSION 1421 01:04:16,561 --> 01:04:19,355 THAT COMMENCED AT 1600 HOURSWASHINGTON TIME 1422 01:04:19,355 --> 01:04:20,648 WITH THE OBJECTIVE 1423 01:04:20,690 --> 01:04:23,860 OF RECOVERINGA LIEUTENANT RANDILYNN AMIDON. 1424 01:04:23,860 --> 01:04:26,863 SO IT'S A GO? 1425 01:04:26,863 --> 01:04:28,574 [LAUGHS] 1426 01:04:30,867 --> 01:04:32,118 [EXHALING DEEPLY] 1427 01:04:35,163 --> 01:04:36,415 [RAMON]:THAT'S RIGHT, JENNIFER. 1428 01:04:36,457 --> 01:04:38,834 WE ARE HEREIN THE NATION'S CAPITOL 1429 01:04:38,875 --> 01:04:42,004 AS HISTORY IS BEING MADEBY DENVER'S OWN RITA HAYWITH, 1430 01:04:42,046 --> 01:04:43,881 THE FIRST COLORADOMISS SPECIAL DELIVERY 1431 01:04:43,881 --> 01:04:46,258 TO MAKE ITTO THE FINAL TALENT COMPETITION 1432 01:04:46,300 --> 01:04:47,551 THE FIRST COLORADOFOR THE NATIONAL CROWN. 1433 01:04:47,593 --> 01:04:51,556 [RITA]: TAKE A DEEP BREATHAND TRUST ME, MINDY. 1434 01:04:51,556 --> 01:04:55,310 I SWEAR, THERE ARE NOT500 PEOPLE OUT THERE 1435 01:04:55,310 --> 01:04:57,979 [VOICE SHAKING]:DEEP BREATHHOW... MANY...ME, MINDY. 1436 01:04:58,020 --> 01:05:00,190 I SWEAR, THERE ARE NOTARE... THERE?UT THERE 1437 01:05:01,399 --> 01:05:04,194 473? [CHUCKLES] 1438 01:05:04,236 --> 01:05:06,154 OH! IT'S OKAY, MINDY! 1439 01:05:06,196 --> 01:05:08,490 JUST THINKABOUT BIG PINEY. 1440 01:05:08,490 --> 01:05:10,075 JUST PRETENDYOU'RE SINGING 1441 01:05:10,075 --> 01:05:11,827 JUST THINKTO YOUR FRIENDS, 1442 01:05:11,827 --> 01:05:14,079 AND YOUR NEIGHBORS,AND, UH...E SINGING 1443 01:05:14,079 --> 01:05:16,457 JUST THINKAND YOUR LIVESTOCK. 1444 01:05:19,042 --> 01:05:21,170 WE SHOULD TAKE OUR SEATS. 1445 01:05:21,212 --> 01:05:22,755 I CAN'T SIT. 1446 01:05:22,796 --> 01:05:25,258 I KEEP THINKINGABOUT THE MISSION. 1447 01:05:25,258 --> 01:05:26,759 WHAT TIME IS IT? 1448 01:05:26,759 --> 01:05:28,094 EIGHT. 1449 01:05:28,094 --> 01:05:30,304 IT'S HAPPENING. 1450 01:05:31,765 --> 01:05:34,726 NOW, IN JUST A FEW MINUTES, 1451 01:05:34,768 --> 01:05:36,603 SHE WILL STEP OUT 1452 01:05:36,603 --> 01:05:38,104 ONTO THAT STAGE 1453 01:05:38,104 --> 01:05:40,148 AND HOPEFULLY INTOTHE HEARTS OF THE JUDGES, 1454 01:05:40,189 --> 01:05:42,317 AND THEN PERHAPS, TOMORROW,INTO THE HEADLINES. 1455 01:05:42,359 --> 01:05:44,569 WE'LL HAVE THOSE FINAL RESULTSFOR YOU 1456 01:05:44,611 --> 01:05:46,071 TONIGHT AT 11:00. 1457 01:05:46,071 --> 01:05:47,281 [EMCEE]:AND WE'RE BACK. 1458 01:05:47,322 --> 01:05:49,783 AND NEXT,IN THE TALENT COMPETITION, 1459 01:05:49,783 --> 01:05:53,078 MISS LOUISIANA,PEGGY RHODES. 1460 01:05:53,120 --> 01:05:55,164 [APPLAUDING] 1461 01:06:01,962 --> 01:06:04,590 [♪] 1462 01:06:07,718 --> 01:06:09,470 RITA? 1463 01:06:09,512 --> 01:06:11,097 NORMAN! 1464 01:06:11,097 --> 01:06:12,974 I JUST WANTED TO SAY-- 1465 01:06:12,974 --> 01:06:15,560 WELL, I, UM, WANTEDNTO GIVE YOU SOMETHING 1466 01:06:15,601 --> 01:06:17,270 BEFORE YOU GO ON. 1467 01:06:17,312 --> 01:06:19,898 TSK! OH!THANK YOU, NORMAN. 1468 01:06:21,525 --> 01:06:24,570 I SENT CHAPTER 14OFRENITA HAYWEATHER 1469 01:06:24,611 --> 01:06:26,154 INTO THEPOSTAL LIVING QUARTERLY 1470 01:06:26,154 --> 01:06:28,699 AND THEY PRINTED IT! 1471 01:06:28,740 --> 01:06:32,703 THIS IS A COPYOF THEIR NEXT EDITION. 1472 01:06:35,164 --> 01:06:37,083 YOU'RE A PUBLISHEDWRITER, RITA! 1473 01:06:37,124 --> 01:06:39,711 SEE? UM, THEY WANTED A PHOTO, 1474 01:06:39,752 --> 01:06:41,170 SO I SENT THAT PICTURETHAT I TOOK 1475 01:06:41,212 --> 01:06:43,214 AT LAST YEAR'SSAFETY INSPECTION. 1476 01:06:43,255 --> 01:06:47,009 I HAD TO PHOTOSHOP ITA LITTLE. OH! 1477 01:06:47,009 --> 01:06:48,470 AND YOU GETA YEAR'S SUBSCRIPTION 1478 01:06:48,511 --> 01:06:51,348 AND A CHECK FOR $500! 1479 01:06:51,348 --> 01:06:54,726 NORMAN...WH-WHAT HAVE YOU DONE? 1480 01:06:54,767 --> 01:06:57,104 OH, I JUST THOUGHT,IN CASE YOU WIN, 1481 01:06:57,104 --> 01:06:59,439 I DIDN'T WANTYOU TO FORGET 1482 01:06:59,439 --> 01:07:02,317 OH, I JUSTTHAT YOU'REIN CASE YA GREAT WRITER, 1483 01:07:02,359 --> 01:07:03,276 I DIDN'T WANTAND A POSTABLE.O FORGET 1484 01:07:03,318 --> 01:07:05,445 [TAKES A DEEP BREATH]AND YOU'RE MY, UM... 1485 01:07:06,404 --> 01:07:07,573 YOU'RE MY-- 1486 01:07:07,615 --> 01:07:09,032 BUT I CAN'T WIN NOW. 1487 01:07:09,032 --> 01:07:11,201 I CAN'T COMPETEWITHOUT A TALENT, 1488 01:07:11,243 --> 01:07:14,372 AND Y-Y-YOU JUST GOTMY TALENT DISQUALIFIED. 1489 01:07:14,372 --> 01:07:15,414 WHAT? 1490 01:07:15,456 --> 01:07:16,665 "NO CONTESTANTSHALL PERFORM 1491 01:07:16,707 --> 01:07:17,875 "USING A TALENT 1492 01:07:17,875 --> 01:07:20,628 FOR WHICH SHE HAS RECEIVEDPREVIOUS COMPENSATION." 1493 01:07:20,669 --> 01:07:21,963 BUT-- 1494 01:07:22,005 --> 01:07:23,714 I'M IN PRINT! 1495 01:07:23,714 --> 01:07:25,591 AND THEY'VE PAID ME. 1496 01:07:25,633 --> 01:07:27,719 I'M NOT AN AMATEUR ANYMORE. 1497 01:07:27,761 --> 01:07:30,472 NORMAN...WHAT WERE YOU THINKING? 1498 01:07:34,726 --> 01:07:37,479 [CROWD APPLAUDS] 1499 01:07:38,397 --> 01:07:40,315 [RITA]:NORMAN, THIS IS A DISASTER. 1500 01:07:40,357 --> 01:07:41,275 CAN'T YOU SEE? 1501 01:07:41,316 --> 01:07:42,985 [APPLAUSE CONTINUES] 1502 01:07:43,027 --> 01:07:45,195 ARE WE HAVINGOUR FIRST FIGHT? 1503 01:07:45,237 --> 01:07:46,238 [SIGHS] 1504 01:07:46,238 --> 01:07:49,116 [EMCEE]:MISS WYOMING-- MINDY MALONEY! 1505 01:07:49,158 --> 01:07:50,159 [APPLAUDING] 1506 01:07:50,200 --> 01:07:51,911 GO ON, MINDY! 1507 01:07:51,911 --> 01:07:54,038 YOU CAN DO IT! GO! 1508 01:08:06,092 --> 01:08:07,760 [APPLAUSE SUBSIDES] 1509 01:08:10,430 --> 01:08:12,432 [ORCHESTRA BEGINS PLAYING] 1510 01:08:12,432 --> 01:08:15,060 [WORDS FAIL MINDY] 1511 01:08:15,101 --> 01:08:18,021 [MUSIC CONTINUES] 1512 01:08:18,063 --> 01:08:20,106 [ORCHESTRA HALTS] 1513 01:08:20,106 --> 01:08:21,650 [SILENCE FALLS] 1514 01:08:21,692 --> 01:08:22,734 [RITA]: NO, NO, NO, NO! 1515 01:08:22,776 --> 01:08:25,362 EVERYTHING IS FALLING APART. 1516 01:08:25,362 --> 01:08:26,989 I'M SORRY, RITA.I'M SO SORRY. 1517 01:08:27,031 --> 01:08:29,450 N-- IT'S OKAY, NORMAN.EVERYTHINNEVER MIND.G APART. 1518 01:08:36,624 --> 01:08:38,459 [RITA CHUCKLES NERVOUSLY] 1519 01:08:38,501 --> 01:08:40,753 [WHISPERING]:IT'S OKAY. IT'S OKAY. 1520 01:08:40,795 --> 01:08:41,754 UM, UH... 1521 01:08:41,796 --> 01:08:43,423 [RITA CHUCKLES AWKWARDLY] 1522 01:08:43,465 --> 01:08:45,467 LADIES AND GENTLEMEN-- HEH. 1523 01:08:45,467 --> 01:08:48,845 MY FRIENDAND CO-CONTESTANT, MINDY, 1524 01:08:48,845 --> 01:08:51,514 JUST NEEDS...SHE JUST NEEDS A MOMENT. 1525 01:08:52,682 --> 01:08:56,019 THIS YEAR'S THEMEIS "DELIVERING INSPIRATION" 1526 01:08:56,061 --> 01:08:58,313 AND... WELL, LET'S FACE IT, 1527 01:08:58,313 --> 01:09:03,444 SOMETIMES, INSPIRATIONTAKES A LITTLE... TIME. 1528 01:09:03,486 --> 01:09:04,445 AND... WELLSO...'S FACE IT, 1529 01:09:04,487 --> 01:09:07,781 I THOUGHTI WOULD GO FIRST. 1530 01:09:07,823 --> 01:09:10,284 YOU KNOW, FOR MY TALENT, 1531 01:09:10,326 --> 01:09:11,452 I WAS GOING TO DO 1532 01:09:11,494 --> 01:09:14,830 A DRAMATIC READINGFROM MY UNPUBLISHED NOVEL, 1533 01:09:14,873 --> 01:09:17,250 RENITA HAYWEATHER: FRONTIER DUCHESS, 1534 01:09:17,291 --> 01:09:21,379 BUT IT TURNS OUTTHAT I'M... 1535 01:09:21,420 --> 01:09:23,507 WELL, I'M PUBLISHED AFTER ALL... 1536 01:09:23,507 --> 01:09:24,841 [CHUCKLES] 1537 01:09:24,883 --> 01:09:26,217 WHICH IS REALLY TOO BAD, 1538 01:09:26,259 --> 01:09:27,844 BECAUSE I REALLY LIKE THE PART 1539 01:09:27,844 --> 01:09:31,097 WHERE A MYSTERIOUSCATTLE-BEARING MR. D'LORMAN 1540 01:09:31,097 --> 01:09:33,892 GIVES HERBECHIS TRUSTY STEED, ZEPHYR,RT 1541 01:09:33,933 --> 01:09:34,851 WHERE A MYSTERIOUSCATTTO PULL HER WAGON!ORMAN 1542 01:09:34,851 --> 01:09:36,811 YOU KNOW, AT FIRST,SHE DOESN'T UNDERSTAND 1543 01:09:36,853 --> 01:09:39,148 WHY HE WOULD GIVE AWAYHIS FAVORITE HORSE LIKE THAT, 1544 01:09:39,189 --> 01:09:42,401 BUT THEN SHE REALIZESHE DID IT BECAUSE, 1545 01:09:42,442 --> 01:09:44,737 NO MATTER WHERE SHE WENT, 1546 01:09:44,779 --> 01:09:47,364 ZEPHYR WOULD ALWAYSFIND THE WAY HOME. 1547 01:09:47,364 --> 01:09:51,411 WHICH IS REALLY HIS WAYOF SAYING 1548 01:09:51,452 --> 01:09:53,454 THAT HE IS IN LOVE WITH HER! 1549 01:09:56,791 --> 01:09:59,002 OH... 1550 01:10:04,549 --> 01:10:06,176 HE'S IN LOVE WITH HER? 1551 01:10:09,220 --> 01:10:10,722 OH! [GASPS] 1552 01:10:13,725 --> 01:10:15,269 [RELIEVED LAUGHING] 1553 01:10:15,311 --> 01:10:16,520 OH, THAT'S SO COOL! 1554 01:10:16,520 --> 01:10:17,771 [RITA LAUGHING HARDER] 1555 01:10:17,813 --> 01:10:20,316 [SCATTERED CHUCKLINGAMONGST CROWD] SO COOL! 1556 01:10:20,357 --> 01:10:23,194 OH! [WHISPERS]YOU READY? OKAY. 1557 01:10:23,235 --> 01:10:25,905 LADIES AND GENTLEMEN... 1558 01:10:25,905 --> 01:10:28,032 MISS WYOMING 1559 01:10:28,074 --> 01:10:30,577 LIS READY TO SING NOW.. 1560 01:10:30,618 --> 01:10:33,746 AND FOR MY NEW TALENT,I... 1561 01:10:33,746 --> 01:10:38,585 WELL, I GUESS WE'RE JUST GONNAHAVE TO DO THIS TOGETHER. 1562 01:10:39,544 --> 01:10:41,879 PEGGY, CAN I BORROWYOUR GUITAR? 1563 01:10:43,423 --> 01:10:44,424 THANKS. 1564 01:10:47,845 --> 01:10:50,472 [WHISPERS]: YOU STILLHAVE A SHOT, MINDY. 1565 01:10:50,513 --> 01:10:52,265 TAKE IT. 1566 01:11:04,278 --> 01:11:05,279 [TAKES A SHAKY BREATH] 1567 01:11:05,279 --> 01:11:11,786 [SHAKILY]: ♪ TO DREAMTHE IMPOSSIBLE DREAM ♪ 1568 01:11:12,704 --> 01:11:15,414 [GAINING CONFIDENCE]:[TAKE♪ TO FIGHT ♪EATH] 1569 01:11:15,414 --> 01:11:19,961 ♪ THE UNBEATABLE FOE ♪ 1570 01:11:20,003 --> 01:11:26,760 [GAINI♪ TO BEARENCE]:WITH UNBEARABLE SORROW ♪ 1571 01:11:26,801 --> 01:11:28,553 ♪ TO RUN ♪ 1572 01:11:28,595 --> 01:11:33,392 ♪ WHERE THE BRAVEDARE NOT GO ♪ 1573 01:11:33,433 --> 01:11:35,728 ♪ TO RIGHT ♪ 1574 01:11:35,770 --> 01:11:40,357 ♪ THE UNRIGHTABLE WRONG ♪ 1575 01:11:40,399 --> 01:11:46,781 ♪ TO LOVEPURE AND CHASTE FROM AFAR ♪ 1576 01:11:47,698 --> 01:11:49,575 ♪ TO TRY ♪ 1577 01:11:49,575 --> 01:11:53,163 ♪ WHEN YOUR ARMSARE TOO WEARY ♪ 1578 01:11:53,204 --> 01:11:59,502 ♪ TO REACHTHE UNREACHABLE STAR ♪ 1579 01:11:59,544 --> 01:12:01,838 ♪ THIS IS MY QUEST ♪ 1580 01:12:01,880 --> 01:12:05,133 ♪ TO FOLLOW THAT STAR ♪ 1581 01:12:05,175 --> 01:12:07,719 ♪ NO MATTER HOW HOPELESS ♪ 1582 01:12:07,761 --> 01:12:10,806 ♪ NO MATTER HOW FAR ♪ 1583 01:12:10,847 --> 01:12:16,228 ♪ TO FIGHT FOR THE RIGHTWITHOUT QUESTION OR PAUSE ♪ 1584 01:12:16,270 --> 01:12:19,565 ♪ TO BE WILLINGTO MARCH INTO HELL ♪ 1585 01:12:19,606 --> 01:12:23,027 ♪ FOR A HEAVENLY CAUSE ♪ 1586 01:12:24,320 --> 01:12:26,072 ♪ AND I KNOW ♪ 1587 01:12:26,113 --> 01:12:28,825 ♪ IF I'LL ONLY BE TRUE ♪ 1588 01:12:28,866 --> 01:12:32,204 ♪ TO THIS GLORIOUS QUEST ♪ 1589 01:12:32,204 --> 01:12:37,459 ♪ THAT MY HEARTWILL LIE PEACEFUL AND CALM ♪ 1590 01:12:37,459 --> 01:12:42,965 ♪ WHEN I'M LAID TO MY REST ♪ 1591 01:12:45,050 --> 01:12:48,804 ♪ THAT MY HEARTWILL L♪ AND THE WORLD ♪ALM ♪ 1592 01:12:48,846 --> 01:12:51,432 ♪ WILL BE BETTER FOR THIS ♪ 1593 01:12:51,474 --> 01:12:53,016 [RANDILYNN WHIMPERS AND SOBS] 1594 01:12:53,058 --> 01:12:56,229 ♪ THAT ONE SOUL ♪ 1595 01:12:56,270 --> 01:12:59,523 ♪ SCORNEDAND COVERED WITH SCARS ♪ 1596 01:12:59,565 --> 01:13:02,276 ♪ STILL STROVE ♪ 1597 01:13:02,318 --> 01:13:06,239 ♪ WITH HER LAST OUNCEOF COURAGE ♪ 1598 01:13:06,239 --> 01:13:11,661 ♪ TO REACH... ♪ 1599 01:13:11,703 --> 01:13:15,582 ♪ THE UNREACHABLE ♪ 1600 01:13:15,582 --> 01:13:25,050 [BELTING IT OUT]:♪ STAR... ♪ 1601 01:13:26,760 --> 01:13:29,596 [APPLAUSE ERUPTS] 1602 01:13:32,725 --> 01:13:35,853 [♪] 1603 01:13:42,067 --> 01:13:45,405 [CHEERING AND APPLAUSECONTINUES] 1604 01:13:54,289 --> 01:13:55,123 THERE SHE IS! 1605 01:13:55,165 --> 01:13:56,374 MISS SPECIAL DELIVERY! 1606 01:13:56,416 --> 01:13:58,960 ONLY BECAUSE OFTHIS LADY RIGHT HERE. 1607 01:13:59,002 --> 01:14:00,421 MISS SPECIAL HANDLING! 1608 01:14:00,462 --> 01:14:01,547 OH! NO. 1609 01:14:01,588 --> 01:14:02,756 THANK YOU, RITA. 1610 01:14:02,756 --> 01:14:04,300 OH, MINDY.YOU DESERVE IT! 1611 01:14:04,300 --> 01:14:06,635 THE WAY YOU SANG...RITA. 1612 01:14:06,635 --> 01:14:07,970 WELL... 1613 01:14:07,970 --> 01:14:09,221 THE WAY YOU'LL NEVER KNOW 1614 01:14:09,263 --> 01:14:12,433 HOW MUCH SOME OF USWELNEEDED TO HEAR IT TONIGHT. 1615 01:14:13,935 --> 01:14:16,395 WELL, I GUESSI'LL BE SEEING YOU. 1616 01:14:16,437 --> 01:14:20,107 YOU REALLY ARE "SPECIAL,"RITA. 1617 01:14:21,150 --> 01:14:23,695 OH, THANK YOU. 1618 01:14:29,367 --> 01:14:31,203 I'M SO SORRYFOR EVERYTHING. 1619 01:14:31,203 --> 01:14:33,663 I REALLY DON'T KNOWWHAT I WAS THINKING. 1620 01:14:33,663 --> 01:14:35,958 I'M SO SORRYOH...FOR EVERYTHING. 1621 01:14:35,999 --> 01:14:37,793 WELL, I THINK 1622 01:14:37,835 --> 01:14:40,378 YOU WERE THINKING THAT... 1623 01:14:40,420 --> 01:14:42,422 YOU LOVE ME? 1624 01:14:43,507 --> 01:14:46,510 YEAH. I WAS DEFINITELYTHINKING THAT! 1625 01:14:46,510 --> 01:14:48,596 [QUIET CHUCKLE] 1626 01:14:51,849 --> 01:14:53,059 YEAH. I WAS DEFINITELYOH-- [CHUCKLES] 1627 01:14:54,268 --> 01:14:55,478 AWW. 1628 01:14:55,519 --> 01:14:57,188 -I'LL---MM-HMM. 1629 01:14:57,188 --> 01:14:58,606 OKAY. 1630 01:15:04,028 --> 01:15:06,030 [CHUCKLING] 1631 01:15:07,782 --> 01:15:09,242 YEAH. 1632 01:15:09,284 --> 01:15:12,204 WE'LL GET IT. 1633 01:15:13,205 --> 01:15:14,248 [SHANE]:WHEN YOU ASKED ME 1634 01:15:14,289 --> 01:15:15,790 TO HAVE DINNER WITH YOUIN WASHINGTON, 1635 01:15:15,832 --> 01:15:20,129 I WAS HOPING FORA LITTLE MORE. 1636 01:15:20,129 --> 01:15:23,548 YOU KNOW, CHIPSAND POTATO SALAD 1637 01:15:23,590 --> 01:15:25,718 I WAS HOPING FORA LITO GO WITH THE SANDWICH. 1638 01:15:25,718 --> 01:15:27,386 [BOTH LAUGHING] 1639 01:15:27,386 --> 01:15:28,971 I WAS HOPING FORA LITO GO WITH THEI OWE YOU ONE. 1640 01:15:29,013 --> 01:15:31,265 YOU OWE MENOTHING, OLIVER. 1641 01:15:32,558 --> 01:15:34,394 WHATEVER HAPPENS NOW, 1642 01:15:34,394 --> 01:15:38,606 YOU GAVE ME SOMETHING TODAYTHAT I'LL NEVER FORGET. 1643 01:15:40,025 --> 01:15:41,902 WHATEVER HAPPE[♪]NOW, 1644 01:15:41,943 --> 01:15:44,654 A LITTLE HOPEFOR THIS WORLD AGAIN. 1645 01:15:50,410 --> 01:15:51,453 BELIEVE IT OR NOT, 1646 01:15:51,495 --> 01:15:55,832 I USED TO KNOW ALL THE VERSESTO THAT SONG, TOO. 1647 01:15:55,874 --> 01:15:57,168 MM. 1648 01:15:57,209 --> 01:16:00,879 "THINE ALABASTER CITIES GLEAM, 1649 01:16:00,921 --> 01:16:04,466 UNDIMMED BY HUMAN TEARS." 1650 01:16:08,304 --> 01:16:09,305 HARPER TOLD ME 1651 01:16:09,346 --> 01:16:11,933 THAT PHOEBE PUTS UPA GOOD FRONT, 1652 01:16:11,933 --> 01:16:13,851 BUT... 1653 01:16:13,851 --> 01:16:18,523 SHE STILL CRIES HERSELFTO SLEEP 1654 01:16:18,565 --> 01:16:21,067 ALMOST EVERY NIGHT. 1655 01:16:24,279 --> 01:16:25,822 [EXHALING HEAVILY] 1656 01:16:25,863 --> 01:16:26,907 OLIVER, WHEN I THINK 1657 01:16:26,949 --> 01:16:28,366 ABOUT WHAT'S HAPPENINGOVER THERE RIGHT NOW, 1658 01:16:28,366 --> 01:16:30,994 I JUST HOPE WE DIDTHE RIGHT THING. 1659 01:16:31,036 --> 01:16:33,121 ABOUT WHAT'S HAPPENINGOVER THERE RIOH, I THINK WE DID. 1660 01:16:33,121 --> 01:16:35,123 I THINK... 1661 01:16:35,123 --> 01:16:36,917 WE WERE CALLED 1662 01:16:36,959 --> 01:16:39,962 TO BE A PART OF... 1663 01:16:40,003 --> 01:16:41,672 A LOT OF LITTLE MIRACLES 1664 01:16:41,714 --> 01:16:44,342 THAT HAD TO HAPPENTO GET THIS FAR. 1665 01:16:46,385 --> 01:16:49,555 WELL, NOW WE JUSTNEED ONE MORE. 1666 01:16:53,852 --> 01:16:56,855 [SIGHS DEEPLY] 1667 01:16:58,356 --> 01:16:59,566 [♪] 1668 01:16:59,608 --> 01:17:01,401 "IN THE MORNING, 1669 01:17:01,401 --> 01:17:04,028 I WILL SING OF YOUR MERCY..." 1670 01:17:04,070 --> 01:17:06,490 "FOR YOU ARE MY FORTRESS, 1671 01:17:06,490 --> 01:17:09,243 "MY REFUGE, 1672 01:17:09,284 --> 01:17:11,661 "FOR "MY HIGH TOWERTRESS, 1673 01:17:11,703 --> 01:17:13,413 IN TIMES OF TROUBLE." 1674 01:17:13,455 --> 01:17:15,665 [ROTORS BEATING] 1675 01:17:15,665 --> 01:17:18,002 [♪] 1676 01:17:19,754 --> 01:17:22,632 [HELICOPTER APPROACHING] 1677 01:17:25,009 --> 01:17:27,428 ♪ O, BEAUTIFUL ♪ 1678 01:17:27,470 --> 01:17:29,930 DELTA BRAVO, WE HAVE EYES ON SOUL SISTER. 1679 01:17:29,972 --> 01:17:31,682 I REPEAT. WE HAVE SOUL SISTER. 1680 01:17:31,724 --> 01:17:38,690 ♪ FOR AMBER WAVES OF GRAIN ♪ 1681 01:17:41,359 --> 01:17:49,117 ♪ FOR PURPLE MOUNTAINMAJESTIES ♪ 1682 01:17:49,117 --> 01:17:55,624 ♪ ABOVE THE FRUITED PLAIN ♪ 1683 01:18:03,090 --> 01:18:05,134 ♪ FOR PURPLE MOUNTAIN♪ AMERICA ♪ 1684 01:18:06,719 --> 01:18:09,055 ♪ AMERICA ♪ 1685 01:18:09,055 --> 01:18:13,560 ♪ GOD SHED HIS GRACEON THEE ♪ 1686 01:18:15,562 --> 01:18:23,236 ♪ AND CROWN THY GOODWITH BROTHERHOOD ♪ 1687 01:18:23,278 --> 01:18:31,078 ♪ FROM SEA TO SHINING SEA ♪ 1688 01:18:35,291 --> 01:18:37,751 [♪] 1689 01:19:00,859 --> 01:19:02,902 WHERE'S OUR TAXI GOING? 1690 01:19:02,944 --> 01:19:05,865 OH, YOU WON'TBE NEEDING IT. 1691 01:19:09,284 --> 01:19:10,410 YOU MUST BE PHOEBE. 1692 01:19:10,452 --> 01:19:11,328 YEAH. 1693 01:19:11,370 --> 01:19:12,622 HELLO, SIR. 1694 01:19:12,622 --> 01:19:13,914 STEVEN MAREK. 1695 01:19:13,956 --> 01:19:15,666 DEPARTMENT OF DEFENSE. 1696 01:19:17,418 --> 01:19:18,419 FORMER AIR FORCE? 1697 01:19:18,461 --> 01:19:20,004 -YEAH. THAT'S RIGHT.-I THOUGHT YOU AND PHOEBE-- 1698 01:19:20,004 --> 01:19:21,797 ...WOULD LIKE TO SEEWHAT ARMY RANGERS 1699 01:19:21,839 --> 01:19:23,466 ARE FLYING AROUND IN-I THOUGTHESE DAYS.PHOEBE-- 1700 01:19:23,508 --> 01:19:26,511 [♪] 1701 01:19:32,893 --> 01:19:34,310 MOM! 1702 01:19:35,311 --> 01:19:36,271 MOMMY! 1703 01:19:36,312 --> 01:19:38,273 OH, MAMA! 1704 01:19:38,273 --> 01:19:40,484 [LAUGHING AND CRYING] 1705 01:19:42,986 --> 01:19:45,281 OH[♪]AMA! 1706 01:19:58,502 --> 01:20:01,380 [PHOEBE KEEPS SOBBING] 1707 01:20:03,090 --> 01:20:06,511 -HI, DADDY!-OH! OH... 1708 01:20:06,511 --> 01:20:09,181 [♪] 1709 01:20:23,195 --> 01:20:26,031 [♪] 1710 01:20:38,252 --> 01:20:40,797 [♪] 1711 01:20:43,883 --> 01:20:45,677 WE'RE HEADINGTO THE AIRPORT, 1712 01:20:45,677 --> 01:20:47,929 WITH ONE STOPON THE WAY. 1713 01:20:48,930 --> 01:20:52,184 WE'RE HEADINGTO THE AIRPORT[♪] 1714 01:21:08,408 --> 01:21:10,828 WHAT'S THIS? 1715 01:21:11,829 --> 01:21:12,913 UH... 1716 01:21:12,913 --> 01:21:16,209 THIS ISTHE FIRST ACQUISITION 1717 01:21:16,251 --> 01:21:19,504 BY THE NEWLY-FORMEDO'TOOLE FOUNDATION. 1718 01:21:20,463 --> 01:21:22,298 YOU BOUGHT THIS LOT? 1719 01:21:22,298 --> 01:21:23,967 I DID. 1720 01:21:23,967 --> 01:21:25,927 AND YOU'RE BUILDINGYOU BOURETIREMENT HOMES? 1721 01:21:25,969 --> 01:21:28,555 OH... ALL SORTSOF THINGS. 1722 01:21:28,597 --> 01:21:31,057 MAYBE A... SCHOOL 1723 01:21:31,099 --> 01:21:33,309 OR A LIBRARYIN AFGHANISTAN. 1724 01:21:33,352 --> 01:21:35,271 WE'RE STARTING SMALL. 1725 01:21:35,312 --> 01:21:37,689 I ASSUME YOU CAN USEYOUR COMPUTER TO TRACK DOWN 1726 01:21:37,731 --> 01:21:40,401 THE ORIGINAL BLUEPRINTSFOR YOUR ANCESTRAL HOME? 1727 01:21:43,279 --> 01:21:45,447 [LAUGHING] 1728 01:21:45,447 --> 01:21:46,615 PROBABLY! 1729 01:21:46,657 --> 01:21:49,035 IT WAS A PRETTY SMALL HOUSE,THOUGH.[LAUGHING] 1730 01:21:49,076 --> 01:21:50,411 OH. 1731 01:21:50,452 --> 01:21:53,956 WELL, WE'LL JUSTMAKE IT BIGGER. 1732 01:21:53,956 --> 01:21:55,667 THERE'LL BE A PORCH... 1733 01:21:55,708 --> 01:21:59,170 UH, AND A SWING,TOF COURSE.IGGER. 1734 01:22:00,713 --> 01:22:01,756 ROSES. 1735 01:22:01,798 --> 01:22:04,634 OH, THAT REMINDS ME. 1736 01:22:04,634 --> 01:22:06,136 AHEM. 1737 01:22:06,178 --> 01:22:08,263 OH, THAT REMINDS ME.WHAT'S THIS? 1738 01:22:11,058 --> 01:22:12,475 IS IT... 1739 01:22:12,475 --> 01:22:15,729 I TOOK A CUTTING FROMYOUR ROSEBUSH OVER THERE. 1740 01:22:16,814 --> 01:22:18,315 IF YOU TAKE IT HOME,PLANT IT, 1741 01:22:18,356 --> 01:22:20,108 NEXT YEAR,YOU'LL HAVE THE... 1742 01:22:20,150 --> 01:22:22,445 FIRST ROSE OF SUMMER. 1743 01:22:23,904 --> 01:22:26,657 YES. 1744 01:22:26,657 --> 01:22:28,993 [♪] 1745 01:22:29,035 --> 01:22:31,620 ARE WE ALLSUPPOSED TO MOVE HERE? 1746 01:22:31,662 --> 01:22:32,496 [LAUGHING] 1747 01:22:32,496 --> 01:22:34,040 NOT FOR A LONG TIMEYET, NORMAN. 1748 01:22:34,040 --> 01:22:36,167 WE ALL HAVE A LOT LEFT TO DO.BESIDES... 1749 01:22:36,167 --> 01:22:39,087 IT'S NICE TO HAVE SOMETHINGTO LOOK FORWARD TO, HMM? 1750 01:22:39,128 --> 01:22:40,672 WOW, SHANE! IT'S SO COOL-- 1751 01:22:40,672 --> 01:22:43,592 YOUR FIRST HOUSEWILL BE YOUR LAST HOUSE. 1752 01:22:43,633 --> 01:22:46,178 AH, THE GREAT CIRCLE OF LIFE. 1753 01:22:46,220 --> 01:22:47,887 [CHUCKLING] 1754 01:22:47,929 --> 01:22:49,639 CAN I HAVE A WORKSHOP?AND A LABORATORY? 1755 01:22:49,681 --> 01:22:50,557 MAYBE A LITTLE... 1756 01:22:50,557 --> 01:22:53,018 MINI-ANTI-MATTER CYCLOTRONIN THE GARAGE? 1757 01:22:53,018 --> 01:22:54,269 NO, NORMAN.BE A LITTLE... 1758 01:22:54,311 --> 01:22:55,437 NO CYCLOTRON. 1759 01:22:55,479 --> 01:22:56,689 IT'S TIME TO GO. 1760 01:22:56,731 --> 01:22:59,358 [♪] 1761 01:23:02,570 --> 01:23:04,780 WHAT A FAMILY. 1762 01:23:05,740 --> 01:23:07,367 THE FEW... 1763 01:23:07,367 --> 01:23:08,868 THE PROUD... 1764 01:23:08,909 --> 01:23:10,077 THE POSTAL. 1765 01:23:10,120 --> 01:23:13,664 ♪ AND CROWN THY GOOD ♪ 1766 01:23:13,706 --> 01:23:15,291 ♪ WITH BROTHERHOOD ♪ 1767 01:23:15,291 --> 01:23:20,505 ♪ FROM SEA TO SHINING SEA ♪ 1768 01:23:24,551 --> 01:23:26,803 ♪ WITH B[♪]HERHOOD ♪ 114591

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