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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,040 --> 00:00:11,150 SONG: ♪ I see you comin' up roses. ♪ 2 00:00:15,130 --> 00:00:19,050 SONG: ♪ We're heading out for good times 3 00:00:19,070 --> 00:00:23,059 ♪ We're going where the light shines brighter. ♪ 4 00:00:23,079 --> 00:00:27,030 I just want them to, like, pop out. 5 00:00:27,050 --> 00:00:29,070 (ALL EXCLAIM) 6 00:00:29,089 --> 00:00:31,170 Popped out from nowhere! 7 00:00:32,189 --> 00:00:34,060 They all seem so excited! 8 00:00:34,079 --> 00:00:36,060 So excited. They're high fiving. 9 00:00:36,079 --> 00:00:39,149 CANAAN: Oh, my God! 10 00:00:39,170 --> 00:00:42,020 ANTONIO: Looks like a fairy tale. 11 00:00:43,210 --> 00:00:47,159 Welcome to another Full Bloom day! 12 00:00:47,179 --> 00:00:49,149 (ALL APPLAUD) 13 00:00:49,170 --> 00:00:53,009 Today you will be saddled with a new team challenge 14 00:00:53,030 --> 00:00:56,039 and the winning team will be still in the game 15 00:00:56,060 --> 00:00:59,000 to win $100,000. 16 00:00:59,020 --> 00:01:01,189 - Whoo! - Yes! 17 00:01:03,119 --> 00:01:05,010 For today's challenge, 18 00:01:05,030 --> 00:01:09,069 we have selected Ron to captain the blue team 19 00:01:09,090 --> 00:01:12,150 and Melissa to captain the red team. 20 00:01:12,170 --> 00:01:14,200 Yay, team captains! 21 00:01:14,219 --> 00:01:17,180 SIMON: Hello, captains. 22 00:01:17,200 --> 00:01:19,219 Ron, what's your game plan? 23 00:01:20,000 --> 00:01:22,180 To really depend on my team 24 00:01:22,200 --> 00:01:25,180 for us to push together and come up with great ideas. 25 00:01:25,200 --> 00:01:27,019 OK. 26 00:01:27,039 --> 00:01:30,049 So, Melissa, you've been on the losing team twice now 27 00:01:30,069 --> 00:01:33,020 so is today the day you're gonna taste victory? 28 00:01:33,039 --> 00:01:36,079 That's the plan. I think I've picked a fantastic team. 29 00:01:36,099 --> 00:01:37,150 I think I know strengths 30 00:01:37,170 --> 00:01:39,099 and I think I can put them in key places 31 00:01:39,120 --> 00:01:42,009 and together, as a team, we can go to victory. 32 00:01:42,030 --> 00:01:46,159 Each team will have to design two horse-jumping hurdles... 33 00:01:48,049 --> 00:01:51,079 ..brought to life with floral elements 34 00:01:51,099 --> 00:01:53,109 using jumping idioms... 35 00:01:53,129 --> 00:01:55,049 I can jump on that bandwagon! 36 00:01:55,069 --> 00:01:56,150 (LAUGHTER) 37 00:01:56,170 --> 00:01:58,079 ..as the theme. 38 00:02:00,209 --> 00:02:04,219 So in addition to the "jumping on the bandwagon" idiom 39 00:02:05,000 --> 00:02:07,230 we also have "jumping off the page", 40 00:02:08,009 --> 00:02:09,129 "jumping through hoops" 41 00:02:09,150 --> 00:02:11,229 and "jumping ship". 42 00:02:12,009 --> 00:02:15,050 Melissa, you get your first pick of idioms. 43 00:02:15,069 --> 00:02:17,170 This is "jumping ship" and "jumping through hoops"? 44 00:02:17,189 --> 00:02:19,090 MAURICE: It sure is. 45 00:02:19,110 --> 00:02:20,129 There we go. 46 00:02:20,150 --> 00:02:23,120 Alright! Fabulous. 47 00:02:23,139 --> 00:02:25,189 Ron, how do you feel about your two? 48 00:02:25,210 --> 00:02:28,099 I'm excited about "jumping off the page". 49 00:02:28,120 --> 00:02:31,129 "Jumping off the bandwagon" I mean, you know. 50 00:02:31,150 --> 00:02:32,139 Come on! 51 00:02:32,159 --> 00:02:34,110 That's gonna be really fun to tackle. 52 00:02:34,129 --> 00:02:35,210 - Fabulous. - I love that. 53 00:02:35,229 --> 00:02:37,210 Can't wait to see. 54 00:02:37,229 --> 00:02:41,009 Your equestrian obstacles will be judged 55 00:02:41,030 --> 00:02:44,099 on how you florally interpret the idioms 56 00:02:44,120 --> 00:02:46,189 so you really need to give a sense of movement 57 00:02:46,210 --> 00:02:50,139 but that also has to be beautiful from any angle. 58 00:02:50,159 --> 00:02:52,219 ELIZABETH: Unfortunately, the losing team 59 00:02:53,000 --> 00:02:58,020 will have to compete tomorrow and someone will be eliminated. 60 00:02:58,039 --> 00:03:04,039 Florists, you have four hours to cross the finish line 61 00:03:04,060 --> 00:03:06,169 and your time starts... 62 00:03:08,009 --> 00:03:10,020 ..now! 63 00:03:12,159 --> 00:03:15,009 OK, you guys. "Jumping through hoops". 64 00:03:16,039 --> 00:03:17,199 What if we create a phoenix, 65 00:03:17,219 --> 00:03:19,159 like we're rising up as we jump through the hoops? 66 00:03:19,180 --> 00:03:21,060 I think red is so rich 67 00:03:21,079 --> 00:03:23,050 and I would love to take these birds of paradise 68 00:03:23,069 --> 00:03:24,139 and have them spray-painted gold, 69 00:03:24,159 --> 00:03:25,219 and then on the "jumping ship" 70 00:03:26,000 --> 00:03:28,210 I feel so strongly on this boat I think I want it to look like 71 00:03:29,000 --> 00:03:30,170 it's kind of sloshing through the waves. 72 00:03:30,189 --> 00:03:33,039 It's been a rough year and we have ridden these waves... 73 00:03:33,060 --> 00:03:34,180 KIARA: Ridden the waves, for sure. 74 00:03:34,199 --> 00:03:37,039 Lutfi, I think your strong suit is solid design ideas 75 00:03:37,060 --> 00:03:39,020 so I want you guys to help me talk through that. 76 00:03:39,039 --> 00:03:43,219 "Jumping off the page", this is what I'm kind of envisioning. 77 00:03:44,000 --> 00:03:46,050 What if we do some kind of bird? 78 00:03:46,069 --> 00:03:47,120 What kind of bird? 79 00:03:47,139 --> 00:03:50,180 A peacock because then the feathers go all the way down. 80 00:03:50,199 --> 00:03:52,000 SARAH: What are you thinking for the wagon 81 00:03:52,020 --> 00:03:54,210 to give the concept of "jumping on the bandwagon"? 82 00:03:54,229 --> 00:03:56,050 It's musical, 83 00:03:56,069 --> 00:04:00,080 it has that old stagecoach, you know, cowboy kind of thing. 84 00:04:00,099 --> 00:04:03,039 Do you think it's stupid to make a giant guitar here? 85 00:04:03,060 --> 00:04:04,229 I love the idea of the guitar 86 00:04:05,009 --> 00:04:07,199 and I think, like, the idea of these boots, 87 00:04:07,219 --> 00:04:09,159 like, kind of like when you're like... 88 00:04:09,180 --> 00:04:11,009 Jumping on. 89 00:04:11,030 --> 00:04:12,169 Oh, that's a good idea. 90 00:04:12,189 --> 00:04:15,129 I own a small event design company 91 00:04:15,150 --> 00:04:17,050 in Harlem, New York City, 92 00:04:17,069 --> 00:04:20,199 and I've been involved with parties and events flowers 93 00:04:20,220 --> 00:04:22,060 for over 30 years. 94 00:04:22,079 --> 00:04:25,149 My typical client is celebrity oriented 95 00:04:25,170 --> 00:04:27,180 and parties all over the world. 96 00:04:27,199 --> 00:04:30,060 I'm definitely a very competitive person. 97 00:04:30,079 --> 00:04:32,090 Of course I want to win! 98 00:04:34,139 --> 00:04:37,050 This is going to be such a fun challenge, you guys. 99 00:04:37,069 --> 00:04:41,120 Four hours to do four large pieces on each of these jumps 100 00:04:41,139 --> 00:04:43,199 and they've got to have some scale to them. 101 00:04:43,220 --> 00:04:45,189 - This is huge, this space. - Yeah. 102 00:04:45,209 --> 00:04:48,120 SIMON: It looks like Ron's blue team 103 00:04:48,139 --> 00:04:51,079 is starting on the "jumping off the page" idiom. 104 00:04:51,100 --> 00:04:54,170 Comin' in hot with the staple gun! 105 00:04:54,189 --> 00:04:56,009 SIMON: I'm hoping this will have 106 00:04:56,029 --> 00:04:57,110 the scale we're looking for. 107 00:04:57,129 --> 00:04:58,230 Let's get the chicken wire on the body. 108 00:04:59,009 --> 00:05:00,060 OK. That's perfect. 109 00:05:00,079 --> 00:05:03,029 - That way I have the wire... - Security? I love security. 110 00:05:04,129 --> 00:05:08,139 RON: We are going to wrap with OASIS and chicken wire 111 00:05:08,160 --> 00:05:11,129 as the base of the body for the peacock. 112 00:05:11,149 --> 00:05:15,050 It's gonna be so pretty. I'm so excited. 113 00:05:15,069 --> 00:05:18,199 Right now, we're all kind of working on the constructions 114 00:05:18,220 --> 00:05:20,009 'cause that's gonna be really important 115 00:05:20,029 --> 00:05:22,089 to support the design that we're doing 116 00:05:22,110 --> 00:05:23,170 because we're gonna go big 117 00:05:23,189 --> 00:05:26,230 'cause if you don't go big you might end up going home. 118 00:05:27,230 --> 00:05:30,050 - Hello, blue team. - Hey, Simon. 119 00:05:30,069 --> 00:05:33,199 Captain Ron, tell me what is your game plan? 120 00:05:33,220 --> 00:05:35,149 For the "jumping off the page" 121 00:05:35,170 --> 00:05:38,009 what we're doing is a fabulous peacock. 122 00:05:38,029 --> 00:05:40,209 What plant material are you going to use? 123 00:05:40,230 --> 00:05:43,220 I think for the body of this it's gonna be about the roses, 124 00:05:44,000 --> 00:05:45,110 pinks and peaches, 125 00:05:45,129 --> 00:05:48,009 and then we also have those beautiful phalaenopsis. 126 00:05:48,029 --> 00:05:52,129 SIMON: Those apricot phalaenopsis - incredible! 127 00:05:52,149 --> 00:05:53,209 The first hour's frustrating 128 00:05:53,230 --> 00:05:56,019 because it almost feels like nothing has been achieved... 129 00:05:56,040 --> 00:05:58,000 - Exactly. - ..but it's the golden hour 130 00:05:58,019 --> 00:06:01,110 because you are going to be absolutely reliant 131 00:06:01,129 --> 00:06:02,139 on those mechanics 132 00:06:02,160 --> 00:06:04,199 to make sure that whatever you create 133 00:06:04,220 --> 00:06:06,209 looks fabulous for us to judge. 134 00:06:06,230 --> 00:06:09,149 I agree 100%. 135 00:06:09,170 --> 00:06:12,180 LUTFI: The monsteras could be a good idea for the waves. 136 00:06:12,199 --> 00:06:14,040 Tell me. Tell me, tell me. 137 00:06:14,060 --> 00:06:16,009 What do you want done with that? Spray-paint? 138 00:06:16,029 --> 00:06:18,189 Yes! I love it! 139 00:06:18,209 --> 00:06:21,000 MELISSA: Lutfi is such an artistic 140 00:06:21,019 --> 00:06:22,089 and incredible florist 141 00:06:22,110 --> 00:06:24,110 so he's going to help oversee the vision 142 00:06:24,129 --> 00:06:26,230 and have it come to life. 143 00:06:27,009 --> 00:06:28,180 So right now, immediately, 144 00:06:28,199 --> 00:06:31,050 I gravitated to the tropical leaves. 145 00:06:31,069 --> 00:06:34,170 They're very hardy, they have like really graphic shapes, 146 00:06:34,189 --> 00:06:37,069 perfect for waves jumping off the boat. 147 00:06:37,090 --> 00:06:40,110 Usually three colors is, like, a really good idea, 148 00:06:40,129 --> 00:06:41,230 you know, more dimension. 149 00:06:42,009 --> 00:06:44,060 It's gonna be amazing. I can't wait. 150 00:06:46,029 --> 00:06:49,149 I really want to see it, like, the boat is going really fast. 151 00:06:49,170 --> 00:06:51,060 Yes. Huge waves. 152 00:06:51,079 --> 00:06:52,139 And you just see water jetting out. 153 00:06:52,159 --> 00:06:54,069 You have to be thinking about motion. 154 00:06:54,090 --> 00:06:57,050 - The motion in the ocean. - ..in the ocean. 155 00:06:57,069 --> 00:07:00,089 Ahhh! I got it! 156 00:07:05,060 --> 00:07:07,089 For this "jumping off the page" 157 00:07:07,110 --> 00:07:09,199 we're doing a peacock made of flowers. 158 00:07:09,220 --> 00:07:11,069 We're gonna be using these carnations 159 00:07:11,089 --> 00:07:12,170 but we're doing them in clusters 160 00:07:12,189 --> 00:07:13,180 and then more rows on top 161 00:07:13,199 --> 00:07:15,170 and have this peeking out in between 162 00:07:15,189 --> 00:07:17,069 so it becomes almost like frills 163 00:07:17,089 --> 00:07:19,050 and sort of like the feathering of a bird. 164 00:07:19,069 --> 00:07:21,060 This OASIS in here was a good idea. 165 00:07:21,079 --> 00:07:23,079 Oh, my goodness, OASIS in that is like everything 166 00:07:23,100 --> 00:07:25,110 because we're here in the hot sun 167 00:07:25,129 --> 00:07:27,050 and, I mean, you want it to look beautiful 168 00:07:27,069 --> 00:07:30,089 but it's gotta last for the judges to be able to judge it. 169 00:07:34,129 --> 00:07:36,040 Whoop! 170 00:07:38,090 --> 00:07:42,170 So I'm using apricot-colored phalaenopsis. 171 00:07:42,189 --> 00:07:44,220 The stems, they're really pretty. 172 00:07:45,000 --> 00:07:46,220 We just have to finish it off with a beak 173 00:07:47,000 --> 00:07:48,120 so my wheels are turning, 174 00:07:48,139 --> 00:07:50,220 thinking what I can do to create a beak 175 00:07:51,000 --> 00:07:53,230 and I remember seeing these beautiful white anthurium. 176 00:07:55,170 --> 00:07:56,230 - Guys. - Yes. 177 00:07:57,009 --> 00:07:58,230 - Beak. - Oh, beautiful. 178 00:07:59,009 --> 00:08:00,040 RACHEL: Yes! 179 00:08:00,060 --> 00:08:02,050 SARAH: The tail looks amazing. RACHEL: You like it? 180 00:08:02,069 --> 00:08:03,160 SARAH: Yeah, I think it's good. RACHEL: OK. 181 00:08:03,180 --> 00:08:07,019 I love using dried flowers mixed with fresh flowers 182 00:08:07,040 --> 00:08:10,040 so on the feathers we used a ton of pampas grass 183 00:08:10,060 --> 00:08:14,180 which gave it that difference in textures and consistencies. 184 00:08:16,069 --> 00:08:18,069 - Almost done with the head. - OK. 185 00:08:18,089 --> 00:08:21,060 I would say we need to get off the peacock, dude. 186 00:08:21,079 --> 00:08:24,040 We're making it stunning but look at the whole other side. 187 00:08:24,060 --> 00:08:25,180 RACHEL: I know, I know, I know. 188 00:08:31,089 --> 00:08:33,059 LUTFI: The white is so important 189 00:08:33,080 --> 00:08:37,059 because it gives that, you know, foamy feeling 190 00:08:37,080 --> 00:08:39,100 of the sea waves. 191 00:08:39,120 --> 00:08:43,059 It seems like the foundation of what I'm seeing as water 192 00:08:43,080 --> 00:08:44,149 is actually really beautiful, 193 00:08:44,169 --> 00:08:46,120 it has a lot of movement and it's super great 194 00:08:46,139 --> 00:08:51,019 but Lutfi is, like, struggling with time management. 195 00:08:51,039 --> 00:08:51,220 ELIZABETH: Yeah. 196 00:08:52,000 --> 00:08:53,059 Actually, on both teams 197 00:08:53,080 --> 00:08:58,100 it seems like there's a lot of focus on one of the idioms 198 00:08:58,120 --> 00:09:00,090 and not the other. 199 00:09:06,230 --> 00:09:09,159 Knock, knock. Can I come in? How's it going? 200 00:09:09,179 --> 00:09:10,179 We're focused the most on showing 201 00:09:10,200 --> 00:09:12,149 the choppy waters and the boat going 202 00:09:12,169 --> 00:09:13,230 and then over here, "jumping through hoops", 203 00:09:14,009 --> 00:09:18,070 we're really doing kind of the rising from the flames 204 00:09:18,090 --> 00:09:20,149 into, you know, the phoenix. 205 00:09:20,169 --> 00:09:25,029 How does the phoenix tie in to the theme 206 00:09:25,049 --> 00:09:26,230 of "jumping through hoops"? 207 00:09:27,009 --> 00:09:29,029 Well, I can't tell you everything yet. 208 00:09:29,049 --> 00:09:32,029 Don't! Look, surprise me. I love a secret. 209 00:09:32,049 --> 00:09:33,179 You're doing the ship first 210 00:09:33,200 --> 00:09:36,029 and then moving to the ring of fire? 211 00:09:36,049 --> 00:09:37,019 Yes. 212 00:09:37,039 --> 00:09:38,149 You know, really make sure 213 00:09:38,169 --> 00:09:41,139 that you direct some of your team to the other one. 214 00:09:41,159 --> 00:09:44,019 - Time management! - Yeah. 215 00:09:50,059 --> 00:09:55,039 Right now, Melissa gave me ten minutes to finish this piece. 216 00:09:55,059 --> 00:09:56,210 I'm not upset about it 217 00:09:56,230 --> 00:10:00,009 because I get to come back whenever she's not looking 218 00:10:00,029 --> 00:10:02,220 and maybe pluck a couple of flowers. 219 00:10:03,000 --> 00:10:06,049 - I've got it going but I... - I'd better get him moved. 220 00:10:06,070 --> 00:10:09,049 I... I need him... I need him pulled away from... 221 00:10:09,070 --> 00:10:11,070 CANAAN: I got it. MELISSA: Thank you, Canaan. 222 00:10:15,059 --> 00:10:17,029 (PANTS) 223 00:10:17,049 --> 00:10:19,039 Melissa told me to tell you to move over. 224 00:10:19,059 --> 00:10:19,230 OK. 225 00:10:20,009 --> 00:10:22,059 - OK? - Yes. I'm coming. 226 00:10:22,080 --> 00:10:23,129 I'm leaving. 227 00:10:23,149 --> 00:10:26,149 How are you gonna be late to your own arrangement? 228 00:10:26,169 --> 00:10:29,080 You know I'm, like, late every day to the bus. 229 00:10:32,230 --> 00:10:35,009 MELISSA: Lutfi. - I'm coming. 230 00:10:35,029 --> 00:10:36,009 Come on, you guys. 231 00:10:36,029 --> 00:10:37,110 MELISSA, V/O: I am on this show, really, 232 00:10:37,129 --> 00:10:40,019 because I'm taking a chance on myself. 233 00:10:40,039 --> 00:10:42,149 My mom passed away when I was 16 234 00:10:42,169 --> 00:10:46,120 and I ended up raising my little sisters as my own. 235 00:10:48,070 --> 00:10:50,149 My wife, 236 00:10:50,169 --> 00:10:53,100 my sister-daughters, our little one, 237 00:10:53,120 --> 00:10:56,120 I've just got so many people who really encouraged me 238 00:10:56,139 --> 00:11:00,049 to put myself first and just give it all I have. 239 00:11:06,110 --> 00:11:08,100 RACHEL: This is painful! 240 00:11:08,120 --> 00:11:11,149 - That's why I let you do it. - Thanks, yeah, sure. 241 00:11:11,169 --> 00:11:12,179 SARAH: You got this! 242 00:11:12,200 --> 00:11:16,049 Taking one for the team here with this. 243 00:11:16,070 --> 00:11:18,080 RACHEL: We're really focused on adding greenery 244 00:11:18,100 --> 00:11:20,129 to "jumping off the page", you know, 245 00:11:20,149 --> 00:11:23,059 like keep making it lavish and making it lush. 246 00:11:23,080 --> 00:11:25,220 It's a big guitar! 247 00:11:26,000 --> 00:11:27,110 Nice. That's beautiful. 248 00:11:27,129 --> 00:11:29,190 Ready? One, two, three. 249 00:11:30,200 --> 00:11:33,000 We're gonna screw this into the box. 250 00:11:33,019 --> 00:11:34,210 - Right into the box. - Yeah. 251 00:11:36,220 --> 00:11:38,000 RON: Rachel and Sarah 252 00:11:38,019 --> 00:11:41,159 are just finishing off the book side of the idiom. 253 00:11:41,179 --> 00:11:45,179 Antonio is with me, working on the guitar. 254 00:11:48,059 --> 00:11:54,039 I'm reflexing the stems and trying to reshape the tulip 255 00:11:54,059 --> 00:11:56,120 and make it look prettier. 256 00:11:58,000 --> 00:11:59,070 Antonio. 257 00:11:59,090 --> 00:12:01,059 - How's it going over here? - Oh, doing alright. 258 00:12:01,080 --> 00:12:04,039 Just trying to get things covered. 259 00:12:04,059 --> 00:12:05,200 Is this guitar gonna have any strings? 260 00:12:05,220 --> 00:12:09,029 Um, if I get a branch that maybe I even just suggest it 261 00:12:09,049 --> 00:12:10,139 but we're pushing through it to get it done. 262 00:12:10,159 --> 00:12:14,169 See, I'm almost thinking guitar stringage... 263 00:12:14,190 --> 00:12:15,190 Mm. 264 00:12:15,210 --> 00:12:19,149 - ..could be as simple as... - Sure could. 265 00:12:19,169 --> 00:12:21,090 RON: Uh-huh. 266 00:12:25,000 --> 00:12:29,009 ELIZABETH: I'm worried. There's not a lot of direction. 267 00:12:29,029 --> 00:12:33,100 Melissa perhaps doesn't have the experience 268 00:12:33,120 --> 00:12:35,019 to do large scale 269 00:12:35,039 --> 00:12:38,110 so I asked her if anyone was going to be working on 270 00:12:38,129 --> 00:12:40,039 the "jumping through hoops". 271 00:12:40,059 --> 00:12:43,139 She then explained to me that at some point someone would. 272 00:12:43,159 --> 00:12:47,179 I see Lutfi has made his way over there now. 273 00:12:47,200 --> 00:12:50,220 I just want to know where the first wave should come from. 274 00:12:51,000 --> 00:12:53,120 I think maybe here and I'll wave it through here. 275 00:12:53,139 --> 00:12:55,149 - Perfect! - Gorgeous. 276 00:12:55,169 --> 00:12:58,230 I asked Lutfi to take the lead on the hoops. 277 00:12:59,009 --> 00:13:01,129 However, time management isn't always on his side 278 00:13:01,149 --> 00:13:04,059 and at this point I realise that time management 279 00:13:04,080 --> 00:13:05,139 isn't on anyone's side. 280 00:13:05,159 --> 00:13:09,000 Like we're struggling to get anything completed. 281 00:13:10,169 --> 00:13:12,110 So Melissa has an idea 282 00:13:12,129 --> 00:13:16,049 to incorporate a piece about hope for the hoops 283 00:13:16,070 --> 00:13:18,149 so yellow is a color that I always think of 284 00:13:18,169 --> 00:13:20,000 when it comes to hope. 285 00:13:20,019 --> 00:13:21,110 I love tulips. 286 00:13:21,129 --> 00:13:23,090 We have this lovely yellow parrot tulip 287 00:13:23,110 --> 00:13:26,190 but on the inside it has these lovely orange lines 288 00:13:26,210 --> 00:13:29,149 so that ties in with the rest of the piece. 289 00:13:37,029 --> 00:13:40,039 We're running out of time and there's nothing on this cart 290 00:13:40,059 --> 00:13:42,009 - which is making me nervous... RACHEL: Ron. 291 00:13:42,029 --> 00:13:43,080 He's getting the boot. 292 00:13:43,100 --> 00:13:45,000 RACHEL: Yes! Giddy up! RON: Giddy up! 293 00:13:45,019 --> 00:13:46,149 RACHEL: Giddy up! RON: Yee-ha! 294 00:13:46,169 --> 00:13:48,169 - Boot city, baby. - Boot-scootin' buggy. 295 00:13:48,190 --> 00:13:51,110 RON: I'm a little nervous about time, yes. 296 00:13:51,129 --> 00:13:52,210 I'm shaking in my boots. 297 00:13:52,230 --> 00:13:55,009 Yee-ha. OK. 298 00:13:55,029 --> 00:13:57,070 I'm like, "Kick it back, kick it back!" 299 00:13:57,090 --> 00:14:01,100 We have this wagon that is empty... 300 00:14:01,120 --> 00:14:04,200 Hey, what's going in the truck? Buckets of flowers? 301 00:14:04,220 --> 00:14:07,159 Yeah, I feel like that's what's gotta happen. 302 00:14:10,000 --> 00:14:12,200 It's all about the galvanized ones, right? 303 00:14:17,049 --> 00:14:19,200 I need somebody to tell me what's happening because... 304 00:14:19,220 --> 00:14:22,000 - OK, just keep going. - ..I'm obviously blind here. 305 00:14:22,019 --> 00:14:28,019 I was working on the hoops but I jumped back into the boat. 306 00:14:28,039 --> 00:14:31,179 We're trying to shove some baby's breath up there. 307 00:14:31,200 --> 00:14:33,159 I don't know if I like this. 308 00:14:33,179 --> 00:14:34,230 - Hello. - How's it going? 309 00:14:35,009 --> 00:14:36,149 What is happening up here? 310 00:14:36,169 --> 00:14:40,139 We're trying to have, like, a smokestack coming out. 311 00:14:40,159 --> 00:14:41,190 How does it look from the bottom? 312 00:14:41,210 --> 00:14:43,200 Do you think I should stop and pull back? 313 00:14:43,220 --> 00:14:45,210 I think you should build it 314 00:14:45,230 --> 00:14:50,059 so that then we get the idea of smoke as opposed to like... 315 00:14:50,080 --> 00:14:51,230 MELISSA: A plume. LUTFI: Say no more. 316 00:14:52,009 --> 00:14:53,159 - Good luck. - Thank you. 317 00:14:53,179 --> 00:14:54,179 OK. 318 00:14:54,200 --> 00:14:56,230 We need that ladder. Where's the ladder? 319 00:14:57,009 --> 00:14:58,230 RACHEL: It's over here. Where do you need it? 320 00:14:59,009 --> 00:15:01,029 - Is there any orchids? - Yes. 321 00:15:01,049 --> 00:15:03,120 - Lutfi. - Yes. 322 00:15:06,129 --> 00:15:09,049 Florists, you have five minutes left. 323 00:15:09,070 --> 00:15:11,169 LUTFI: Is this crazy? MELISSA: No, it looks cool. 324 00:15:11,190 --> 00:15:13,049 RON: Is there any more of that moss here? 325 00:15:13,070 --> 00:15:14,210 RACHEL: Moss? Over here. What do you need? 326 00:15:14,230 --> 00:15:18,029 RON: Come and moss me here. RACHEL: Coming, coming, coming. 327 00:15:18,049 --> 00:15:20,080 LUTFI: We didn't cover the zip ties up there. 328 00:15:20,100 --> 00:15:22,200 - I need more. I need more. - OK. 329 00:15:24,220 --> 00:15:29,070 JUDGES: Five, four, three, two, one. 330 00:15:29,090 --> 00:15:31,100 (BELL RINGS) MAURICE: Time's up. 331 00:15:31,120 --> 00:15:32,179 SIMON: Time is up! 332 00:15:32,200 --> 00:15:35,059 CONTESTANT: I am OK with what we did. 333 00:15:36,100 --> 00:15:38,049 Thank you for everything. 334 00:15:38,070 --> 00:15:41,120 ♪ I take you higher 335 00:15:41,139 --> 00:15:45,190 ♪ Yeah, we could set this place on fire 336 00:15:45,210 --> 00:15:47,159 ♪ Yeah, on fire 337 00:15:47,179 --> 00:15:50,220 ♪ Higher and higher 338 00:15:51,000 --> 00:15:55,000 ♪ Can't see the stars We're burning brighter 339 00:15:55,019 --> 00:15:58,169 ♪ We're on fire. ♪ 340 00:15:58,190 --> 00:16:02,039 Before we get started there's one special judge 341 00:16:02,059 --> 00:16:04,000 who has to clear your hurdles. 342 00:16:04,019 --> 00:16:05,120 What? 343 00:16:05,139 --> 00:16:09,149 Let's move back to a safe distance to enjoy this part. 344 00:16:09,169 --> 00:16:11,049 (CONTESTANTS LAUGH) 345 00:16:11,070 --> 00:16:13,070 Ah! What's gonna happen? 346 00:16:15,029 --> 00:16:17,080 Oh, my God, look! 347 00:16:17,100 --> 00:16:19,080 (ALL EXCLAIM) 348 00:16:19,100 --> 00:16:22,120 The guest judge is the horse! 349 00:16:28,029 --> 00:16:30,009 (CONTESTANTS EXCLAIM AND APPLAUD) 350 00:16:39,029 --> 00:16:41,100 (ALL CHEER) 351 00:16:41,120 --> 00:16:44,039 - Hey, guys. ALL: Hi! 352 00:16:44,059 --> 00:16:46,059 What's that magnificent animal's name? 353 00:16:46,080 --> 00:16:48,200 - Kingston. ALL: Hi, Kingston! 354 00:16:48,220 --> 00:16:50,190 - Look at him! - Thank you very much. 355 00:16:50,210 --> 00:16:52,149 - Thank you! - Bye! 356 00:16:52,169 --> 00:16:54,120 (ALL CHEER AND APPLAUD) 357 00:16:59,169 --> 00:17:02,179 Flower friends, in this challenge 358 00:17:02,200 --> 00:17:05,140 we were looking for the distinct story 359 00:17:05,160 --> 00:17:08,170 displayed in each of your idioms. 360 00:17:08,190 --> 00:17:10,099 Melissa, you led the red team. 361 00:17:10,119 --> 00:17:14,039 Tell us about your vision and how it came to life. 362 00:17:14,059 --> 00:17:18,059 We had "jumping ship" and "jumping through hoops". 363 00:17:18,079 --> 00:17:20,180 "Jumping ship" I was trying to tell the story 364 00:17:20,200 --> 00:17:22,079 of how rough 2020 had been 365 00:17:22,099 --> 00:17:26,130 so tried to really create the choppy waters. 366 00:17:26,150 --> 00:17:31,029 Everything was stressing me all the way out 367 00:17:31,049 --> 00:17:35,160 but what you finally ended up with looks beautiful. 368 00:17:39,019 --> 00:17:41,230 The way that you guys have used the monsteras, 369 00:17:42,009 --> 00:17:44,130 very, very successful. 370 00:17:44,150 --> 00:17:49,029 For me, the smokestack, the chimney, became a chimney 371 00:17:49,049 --> 00:17:54,009 when you did that inspired little pooft of baby's breath 372 00:17:54,029 --> 00:17:55,059 and phalaenopsis 373 00:17:55,079 --> 00:17:59,150 but as I'm looking at your "jumping through hoops" 374 00:17:59,170 --> 00:18:02,089 the one thing that I find extraordinary 375 00:18:02,109 --> 00:18:06,180 is you didn't put anything through a hoop. 376 00:18:06,200 --> 00:18:10,019 I'd have made a sinewy garland the same as you've made 377 00:18:10,039 --> 00:18:12,099 but I would've threaded it through those hoops 378 00:18:12,119 --> 00:18:15,130 so it was literally passing through the hoops. 379 00:18:15,150 --> 00:18:18,079 So your work is exquisite 380 00:18:18,099 --> 00:18:20,210 but I'm not sure that they combine 381 00:18:20,230 --> 00:18:26,000 to tell me the tale of the idioms you were given. 382 00:18:26,019 --> 00:18:30,119 Captain Ron, tell us about your jumping idiom. 383 00:18:32,180 --> 00:18:35,230 My jumping idioms are "jumping off the page" 384 00:18:36,009 --> 00:18:39,130 and "onto the bandwagon". 385 00:18:39,150 --> 00:18:41,079 "Jumping off the page", 386 00:18:41,099 --> 00:18:44,170 we wanted to create the garden creeping around the page. 387 00:18:44,190 --> 00:18:47,089 On the far end, we have the peacock 388 00:18:47,109 --> 00:18:49,089 that is really beautiful and dramatic 389 00:18:49,109 --> 00:18:53,160 because of the brilliance and the magic moment of triumph. 390 00:18:53,180 --> 00:18:58,049 For "jumping on the bandwagon", you know, cowboy, 391 00:18:58,069 --> 00:19:01,190 your best friend is your guitar and your boots 392 00:19:01,210 --> 00:19:03,029 and that's sort of what we were creating 393 00:19:03,049 --> 00:19:05,230 with the monstera leaves and the moss coming through them 394 00:19:06,009 --> 00:19:08,069 'cause, you know, those boots have been lived in. 395 00:19:08,089 --> 00:19:10,130 Dang, Ron, way to tell a story, man! 396 00:19:10,150 --> 00:19:13,029 MAURICE: Right? That was like, sign me up! 397 00:19:13,049 --> 00:19:14,190 I know, I'm like "OK!" 398 00:19:16,140 --> 00:19:19,130 So, for me, the peacock, well, that palette 399 00:19:19,150 --> 00:19:20,210 is so me. 400 00:19:20,230 --> 00:19:25,119 Those peach phalaenopsis, the color, the beak - genius. 401 00:19:25,140 --> 00:19:26,200 So beautiful. 402 00:19:26,220 --> 00:19:30,220 The only thing, I'm literally, like, WTF are those boots? 403 00:19:31,000 --> 00:19:34,230 - It was like, "Rrrrrrow". (MUSIC INDICATES FAILURE) 404 00:19:35,009 --> 00:19:36,099 Unfortunately, from back here, 405 00:19:36,119 --> 00:19:38,170 that does not translate as a boot. 406 00:19:38,190 --> 00:19:44,200 What I love the most is you built a guitar! 407 00:19:44,220 --> 00:19:49,029 I love the guitar. I think the boots are ugly as hell 408 00:19:49,049 --> 00:19:52,130 but I like the concept of where you were going with it. 409 00:19:52,150 --> 00:19:55,140 Your "jumping off the page" idiom 410 00:19:55,160 --> 00:19:57,180 is speaking to me. 411 00:19:57,200 --> 00:20:02,099 As I wander round, your peacock is perfection. 412 00:20:02,119 --> 00:20:06,059 I love the way you filled your wagon with buckets of blooms. 413 00:20:06,079 --> 00:20:09,210 Clever. Congratulations. 414 00:20:10,000 --> 00:20:12,009 - Elizabeth, Maurice. - Yes? 415 00:20:12,029 --> 00:20:16,119 Which team's hurdles have had you jumping for joy? 416 00:20:18,039 --> 00:20:22,210 My favorite pair of hurdles belongs to the... 417 00:20:26,130 --> 00:20:27,210 ..blue team. 418 00:20:30,200 --> 00:20:33,130 My favorite hurdles belong to... 419 00:20:35,059 --> 00:20:37,150 - ..the blue team. - Blue team. 420 00:20:37,170 --> 00:20:40,069 - Oh, my gosh! - Oh, my gosh. 421 00:20:40,089 --> 00:20:42,109 Congratulations. 422 00:20:42,130 --> 00:20:44,190 Oh, my gosh. Thank you so much. 423 00:20:44,210 --> 00:20:48,220 Sarah, Ron, Rachel and Antonio, 424 00:20:49,000 --> 00:20:51,160 you are all safe from elimination. 425 00:20:51,180 --> 00:20:53,109 Thank you. 426 00:20:53,130 --> 00:20:56,049 Red team, unfortunately you lost 427 00:20:56,069 --> 00:21:01,049 which means Lutfi, Canaan, Kiara and Melissa, 428 00:21:01,069 --> 00:21:04,119 we will be seeing you tomorrow for the solo challenge 429 00:21:04,140 --> 00:21:07,230 and, unfortunately, we will be sending one of you 430 00:21:08,009 --> 00:21:10,180 riding off into the sunset. 431 00:21:10,200 --> 00:21:15,099 So get some rest and we will see you tomorrow. 432 00:21:15,119 --> 00:21:18,089 Bye. Thank you. 433 00:21:18,109 --> 00:21:20,000 CANAAN: Y'all did a great job. 434 00:21:20,019 --> 00:21:22,220 CONTESTANT: So good! Congratulations! 435 00:21:23,000 --> 00:21:25,130 RACHEL: Show 'em what you've got tomorrow. 436 00:21:35,160 --> 00:21:37,190 We'll get through it. We're gonna get through it. 437 00:21:39,190 --> 00:21:42,019 This is my third time going into the solo challenge. 438 00:21:42,039 --> 00:21:45,009 I have competed in every competition so far 439 00:21:45,029 --> 00:21:46,210 so I'm just trying to stay focused 440 00:21:46,230 --> 00:21:49,019 and hopefully not go home today. 441 00:21:49,039 --> 00:21:50,039 Here we go. 442 00:21:50,059 --> 00:21:53,130 - Welcome, welcome, welcome! - Hi, guys. 443 00:21:53,150 --> 00:21:55,130 MAURICE: How are you? 444 00:21:57,150 --> 00:21:59,049 It's a little different in here, would you say? 445 00:21:59,069 --> 00:22:00,130 - Yeah. - Just a little bit. 446 00:22:00,150 --> 00:22:01,200 We've got some accessories. 447 00:22:01,220 --> 00:22:04,130 I thought you were talking about me. I don't know. 448 00:22:04,150 --> 00:22:06,130 (MAURICE LAUGHS) 449 00:22:06,150 --> 00:22:09,190 Hopefully you are all very well rested 450 00:22:09,210 --> 00:22:13,009 because we are done horsing around 451 00:22:13,029 --> 00:22:15,230 and it's back to business. 452 00:22:16,009 --> 00:22:19,200 Canaan, this is your first time in an elimination challenge. 453 00:22:19,220 --> 00:22:21,009 It is. 454 00:22:21,029 --> 00:22:23,099 We have not had the pleasure of getting to know you 455 00:22:23,119 --> 00:22:24,170 through your flowers yet. 456 00:22:24,190 --> 00:22:28,150 I'm so excited because I'm ready to bring it. 457 00:22:29,170 --> 00:22:31,099 ELIZABETH: OK. 458 00:22:31,119 --> 00:22:33,059 Kiara, last time, 459 00:22:33,079 --> 00:22:36,180 you were in the bottom two in our solo challenge 460 00:22:36,200 --> 00:22:40,079 so what's your strategy to change that today? 461 00:22:40,099 --> 00:22:42,170 I think last time I got into my head a little bit 462 00:22:42,190 --> 00:22:45,140 so this time I'm working with some big, confident energy. 463 00:22:45,160 --> 00:22:48,049 That's my plan. I belong here, I have a place here, 464 00:22:48,069 --> 00:22:49,180 and I'm ready to show it. 465 00:22:49,200 --> 00:22:50,230 Yay! 466 00:22:51,009 --> 00:22:55,160 In today's solo challenge you will be designing 467 00:22:55,180 --> 00:23:00,000 a pleasing, pop-up flower shop presentation 468 00:23:00,019 --> 00:23:06,099 that reflects your personal style and persona. 469 00:23:06,119 --> 00:23:07,220 Your flower factory on wheels 470 00:23:08,000 --> 00:23:10,069 should fit any customer's budget 471 00:23:10,089 --> 00:23:13,049 so you must feature two signature bouquets 472 00:23:13,069 --> 00:23:16,029 that cater to two different price points. 473 00:23:16,049 --> 00:23:17,170 One is the grab-and-go 474 00:23:17,190 --> 00:23:21,190 and the other is, you know, "spoil yourself". 475 00:23:21,210 --> 00:23:23,029 This mobile cart 476 00:23:23,049 --> 00:23:25,190 should have your floral stamp on it from top to bottom. 477 00:23:25,210 --> 00:23:30,160 You will have two hours to complete this challenge. 478 00:23:30,180 --> 00:23:34,029 And the time...starts... 479 00:23:34,049 --> 00:23:35,190 ..now! 480 00:23:35,210 --> 00:23:38,190 (CONTESTANTS LAUGH) 481 00:23:38,210 --> 00:23:40,059 MAURICE: Excuse me, pardon me... 482 00:23:40,079 --> 00:23:42,049 - Excuse I. - ..excuse me, pardon me. 483 00:23:42,069 --> 00:23:43,200 Coming through. 484 00:23:45,029 --> 00:23:50,000 Melissa is going in for the papyrus and grasses. 485 00:23:50,019 --> 00:23:53,059 And Canaan's been in the garden. 486 00:23:53,079 --> 00:23:55,089 - Excuse me. - Excuse me. 487 00:23:55,109 --> 00:23:59,079 I want to see each of the florists' personality, 488 00:23:59,099 --> 00:24:03,079 like building a brand is so, so personal. 489 00:24:03,099 --> 00:24:05,099 That's not helpful. 490 00:24:10,059 --> 00:24:12,039 Lutfi, in a team challenge, 491 00:24:12,059 --> 00:24:13,170 is really struggling with time management. 492 00:24:13,190 --> 00:24:16,210 Truth be told, I think time got in the way 493 00:24:16,230 --> 00:24:19,000 of the last two team challenges 494 00:24:19,019 --> 00:24:21,170 but he got saved by his chinny-chin-chin 495 00:24:21,190 --> 00:24:23,019 and he hasn't been at the bottom 496 00:24:23,039 --> 00:24:26,109 so he knows that everything is on the line right now... 497 00:24:26,130 --> 00:24:27,119 - Yeah. - Mm-hm. 498 00:24:27,140 --> 00:24:29,029 ..if he wants to stay in this competition. 499 00:24:31,160 --> 00:24:33,069 My vision for today's challenge 500 00:24:33,089 --> 00:24:36,079 is like essentially bringing that sexy sunshine 501 00:24:36,099 --> 00:24:39,079 in a tropical, like, landscape. 502 00:24:40,109 --> 00:24:42,130 The first thing that I want to work on 503 00:24:42,150 --> 00:24:43,210 is the branding of the cart. 504 00:24:43,230 --> 00:24:45,180 It's a lot of the bulk of the work 505 00:24:45,200 --> 00:24:48,180 so I just want to make sure that I'm comfortable there 506 00:24:48,200 --> 00:24:50,039 and then after the cart is done 507 00:24:50,059 --> 00:24:52,210 I'm gonna start working on my bouquets. 508 00:24:54,099 --> 00:24:55,170 Get my best side! 509 00:24:55,190 --> 00:24:58,099 (KIARA LAUGHS) So I kind of have an idea. 510 00:24:58,119 --> 00:25:01,079 You know, we've been in lockdown for so long. 511 00:25:01,099 --> 00:25:03,150 So my overall vision for the cart 512 00:25:03,170 --> 00:25:07,180 is this is a flower cart for people who are leaving a club 513 00:25:07,200 --> 00:25:09,019 at 2am 514 00:25:09,039 --> 00:25:11,019 and you want to buy that person you're with some flowers. 515 00:25:11,039 --> 00:25:15,000 So this is just a piece of old driftwood. 516 00:25:15,019 --> 00:25:17,099 This is going to be my disco ball 517 00:25:17,119 --> 00:25:20,079 but really it's about bringing joy to people. 518 00:25:20,099 --> 00:25:24,039 And I'm also missing a little bit of that joy myself so... 519 00:25:24,059 --> 00:25:25,089 (LAUGHS) 520 00:25:25,109 --> 00:25:28,059 ..that's probably playing into my design as well. 521 00:25:31,190 --> 00:25:34,029 I'm almost 40 years old, 522 00:25:34,049 --> 00:25:36,009 I have two kids and a husband, 523 00:25:36,029 --> 00:25:37,160 and it feels like the floral industry 524 00:25:37,180 --> 00:25:40,099 was something that was out of reach for me for so long 525 00:25:40,119 --> 00:25:42,109 and I don't want to discount myself anymore 526 00:25:42,130 --> 00:25:45,109 and that's important as a woman, 527 00:25:45,130 --> 00:25:47,069 it's important as a black woman 528 00:25:47,089 --> 00:25:51,109 to be seen and, like, represent other black people. 529 00:25:51,130 --> 00:25:53,029 And I'm ready. 530 00:25:59,059 --> 00:26:01,119 I ain't got time to think about what everyone else is doing. 531 00:26:01,140 --> 00:26:02,180 I gotta get my stuff. 532 00:26:02,200 --> 00:26:06,230 A general brand, I do a lot with dried blooms 533 00:26:07,009 --> 00:26:08,150 and things that are... 534 00:26:08,170 --> 00:26:10,140 Truly, they're more Australian blooms, 535 00:26:10,160 --> 00:26:12,210 like this is a version of a protea 536 00:26:12,230 --> 00:26:14,029 and they're an Australian native 537 00:26:14,049 --> 00:26:16,109 but they tend to lend really well to the desert 538 00:26:16,130 --> 00:26:18,089 where I'm from. 539 00:26:18,109 --> 00:26:19,170 I want to be sure 540 00:26:19,190 --> 00:26:22,079 that my cart doesn't start to look too heavy or cluttered 541 00:26:22,099 --> 00:26:23,130 so I'm going to keep it minimal 542 00:26:23,150 --> 00:26:26,119 and I'm going to hope that I nail the challenge. 543 00:26:33,140 --> 00:26:36,130 She is long, honey. 544 00:26:39,059 --> 00:26:42,119 They were given a brief to show us who you are 545 00:26:42,140 --> 00:26:44,210 through this, like, how you decorate your cart. 546 00:26:44,230 --> 00:26:49,089 Let's be honest, our personalities show in our work 547 00:26:49,109 --> 00:26:51,049 and so what are you selling 548 00:26:51,069 --> 00:26:54,130 and how is it being displayed for me to want to buy it? 549 00:26:54,150 --> 00:26:57,049 - Things are for sale. - Pop-up shop. 550 00:26:59,220 --> 00:27:01,200 Ooh, Canaan, that vase! 551 00:27:01,220 --> 00:27:03,190 - You love the vase, boo? - I do! 552 00:27:03,210 --> 00:27:06,000 I love it larging and charging. 553 00:27:08,089 --> 00:27:09,099 MAURICE: Lutfi. 554 00:27:09,119 --> 00:27:11,119 - Buenas. - Hello. 555 00:27:11,140 --> 00:27:13,049 So tell me about your vision. 556 00:27:13,069 --> 00:27:15,210 I want you to be lying on that beach with a margarita 557 00:27:15,230 --> 00:27:18,220 and feeling that hot, like, exotic weather of Honduras, 558 00:27:19,000 --> 00:27:20,150 like that tropical moment, 559 00:27:20,170 --> 00:27:25,009 so my hero flowers was like the anthurium, the proteas, 560 00:27:25,029 --> 00:27:27,180 everything that takes you to a tropical feel. 561 00:27:27,200 --> 00:27:29,049 What is your attraction to tropicals, 562 00:27:29,069 --> 00:27:30,160 where did that come from? 563 00:27:30,180 --> 00:27:32,000 You know, I'm from Honduras. 564 00:27:32,019 --> 00:27:35,089 I grew up in a place where I would see outside my window 565 00:27:35,109 --> 00:27:38,039 nothing but pure lush green 566 00:27:38,059 --> 00:27:40,089 and I want to be able to communicate that 567 00:27:40,109 --> 00:27:41,140 and share that feeling. 568 00:27:41,160 --> 00:27:43,130 So does still your whole family live in Honduras? 569 00:27:43,150 --> 00:27:44,210 My entire family is back at home. 570 00:27:44,230 --> 00:27:47,039 Do you get to see them often? 571 00:27:47,059 --> 00:27:50,150 No, I don't. They're very dear to me. 572 00:27:51,200 --> 00:27:54,019 I just want to make them proud. 573 00:27:55,089 --> 00:27:57,029 I've been in New York for eight years 574 00:27:57,049 --> 00:27:59,069 and it's been really hard for me. 575 00:27:59,089 --> 00:28:01,220 I had to leave my whole family and friends behind. 576 00:28:02,000 --> 00:28:04,200 If you're gay in Honduras it's not safe 577 00:28:04,220 --> 00:28:06,160 so I had to essentially escape. 578 00:28:06,180 --> 00:28:08,140 We're a really tight-knit family 579 00:28:08,160 --> 00:28:11,140 and... (SNIFFS) ..and I miss them very much 580 00:28:11,160 --> 00:28:14,069 every single day, every morning. 581 00:28:20,009 --> 00:28:23,059 - Hey, florists, hi. - Hi. 582 00:28:23,079 --> 00:28:26,220 One hour's gone. You have one hour remaining. 583 00:28:27,000 --> 00:28:29,230 KIARA: Oh, my God. Focus. 584 00:28:31,150 --> 00:28:36,109 I have flowers around but, you know what, 585 00:28:36,130 --> 00:28:38,190 I might have to skip some of it 586 00:28:38,210 --> 00:28:40,190 'cause I'm running out of time. 587 00:28:40,210 --> 00:28:42,039 KIARA, V/O: There's an hour left. 588 00:28:42,059 --> 00:28:44,099 I'm definitely feeling the time crunch now. 589 00:28:44,119 --> 00:28:46,150 I really need to finish up this cart 590 00:28:46,170 --> 00:28:49,210 and move on to those bouquets. 591 00:28:49,230 --> 00:28:51,170 - Kiara, good morning. - Hi. 592 00:28:51,190 --> 00:28:55,069 Tell me, where are you thinking of going 593 00:28:55,089 --> 00:28:57,099 with regards to your two bouquets? 594 00:28:57,119 --> 00:29:00,119 I want it to feel like you just came out of a bar 595 00:29:00,140 --> 00:29:02,099 and you're a little bit tipsy 596 00:29:02,119 --> 00:29:04,190 and there's all these fun, funky things going on 597 00:29:04,210 --> 00:29:05,200 that are playing with your eye. 598 00:29:05,220 --> 00:29:07,150 - OK. - That's what I'm going for. 599 00:29:07,170 --> 00:29:08,230 So the grab-and-go, 600 00:29:09,009 --> 00:29:12,000 that's going to be something that's the curbside appeal 601 00:29:12,019 --> 00:29:14,079 that someone's eye falls upon and they just want to buy it 602 00:29:14,099 --> 00:29:17,019 and then the spoil yourself or someone else, 603 00:29:17,039 --> 00:29:19,130 - that needs to be... - Taken up a notch. 604 00:29:19,150 --> 00:29:22,009 Definitely taken up a notch. 605 00:29:22,029 --> 00:29:23,190 Can't wait to see it all. 606 00:29:23,210 --> 00:29:27,130 - Thank you. Have a great day. - See you later. 607 00:29:27,150 --> 00:29:31,029 You like... Yes, orgasmic! 608 00:29:33,180 --> 00:29:36,140 This color palette that Canaan is working with 609 00:29:36,160 --> 00:29:40,000 with the yellow, the orange, to that fuchsia, 610 00:29:40,019 --> 00:29:41,079 is actually kind of interesting 611 00:29:41,099 --> 00:29:44,200 and he's tying it together with the butterfly ranunculus. 612 00:29:44,220 --> 00:29:47,069 Mm-hm. I'm not 100% sold on it yet. We'll see. 613 00:29:47,089 --> 00:29:52,029 I need a third tie-in or two to soften the blow. 614 00:29:52,049 --> 00:29:54,039 (BLOWS) 615 00:29:54,059 --> 00:29:56,029 So I just open my roses up 616 00:29:56,049 --> 00:29:58,109 'cause I want them to be at their full potential. 617 00:29:58,130 --> 00:30:00,180 Mm! Gorgeous! 618 00:30:00,200 --> 00:30:04,119 So I'm from Georgia and we like to use our surroundings, 619 00:30:04,140 --> 00:30:08,089 what we have, greenery, like, Magnolia Small X. 620 00:30:08,109 --> 00:30:13,160 I am very...quiet, unassuming 621 00:30:13,180 --> 00:30:16,039 but over-the-top when I need to be. 622 00:30:17,119 --> 00:30:18,210 I was raised by my grandmother 623 00:30:18,230 --> 00:30:21,029 and she taught me, "Don't shame this family. 624 00:30:21,049 --> 00:30:24,039 "Do what you gotta do and show that you can do it." 625 00:30:25,170 --> 00:30:28,170 That represents who I am and I'm a Southern gentleman 626 00:30:28,190 --> 00:30:32,029 so therefore you know I'm gonna give you the best quality. 627 00:30:36,230 --> 00:30:38,230 In addition to dressing their cart, 628 00:30:39,009 --> 00:30:41,220 we want them to create two signature bouquets, 629 00:30:42,000 --> 00:30:43,140 one that's the grab-and-go 630 00:30:43,160 --> 00:30:48,230 and then one that's a really lovely, lavish, spoil yourself. 631 00:30:49,009 --> 00:30:52,079 Hey, florists, where are those bouquets? 632 00:30:52,099 --> 00:30:53,099 I'd better see 'em. 633 00:30:53,119 --> 00:30:56,079 SIMON: Is your grab-and-go gorgeous? 634 00:30:56,099 --> 00:31:00,079 Is your spoil yourself spectacular? 635 00:31:05,150 --> 00:31:07,220 One of the biggest mistakes that folks make 636 00:31:08,000 --> 00:31:10,019 when they're trying to hand tie a bouquet 637 00:31:10,039 --> 00:31:12,190 is they hold the stems tight. 638 00:31:12,210 --> 00:31:14,220 The way to make a successful hand tie 639 00:31:15,000 --> 00:31:17,000 is to hold it as loosely as possible. 640 00:31:17,019 --> 00:31:19,160 So you're using your hand as a vase. 641 00:31:19,180 --> 00:31:21,000 That's exactly right. 642 00:31:21,019 --> 00:31:23,230 And you just loosen a little bit to get different stems in. 643 00:31:24,009 --> 00:31:25,190 Keep it loose, goose. 644 00:31:25,210 --> 00:31:27,190 You're gonna need to tie it up somehow. 645 00:31:27,210 --> 00:31:31,190 I like to use this Bind Wire. It's super easy. 646 00:31:31,210 --> 00:31:32,230 That's gorgeous. 647 00:31:33,009 --> 00:31:34,180 Then you're done. 648 00:31:39,170 --> 00:31:41,109 OK, I'm coming back. 649 00:31:41,130 --> 00:31:43,049 The way I'm trying to make a difference 650 00:31:43,069 --> 00:31:46,210 between my two price points is mainly about quantity. 651 00:31:48,109 --> 00:31:49,170 - Whoo! - Whoo! 652 00:31:49,190 --> 00:31:52,019 MELISSA: She goin'! CANAAN: I've gotta, girl! 653 00:31:52,039 --> 00:31:53,140 (MELISSA LAUGHS) 654 00:31:53,160 --> 00:31:56,140 I'm already loving what Lutfi's doing. 655 00:31:56,160 --> 00:31:58,170 It's like the perfect kiss of each thing. 656 00:31:58,190 --> 00:32:02,049 Right now, I'm working on my first hand wrap. 657 00:32:02,069 --> 00:32:03,170 This is my fancier bouquet. 658 00:32:03,190 --> 00:32:06,190 You know, I think my flower choices are pretty on-brand. 659 00:32:06,210 --> 00:32:08,220 You can, like, feel the warmth, you know, 660 00:32:09,000 --> 00:32:13,029 you can, like, see that tropical environment. 661 00:32:15,160 --> 00:32:18,230 These are pincushion proteas, these are anthuriums. 662 00:32:19,009 --> 00:32:23,079 Pampas grass, dried, another dried palm. 663 00:32:23,099 --> 00:32:25,200 So I think a lot of people look and they think like, 664 00:32:25,220 --> 00:32:29,000 "Oh, this is one flower. It should be really inexpensive," 665 00:32:29,019 --> 00:32:31,200 and anthuriums are notoriously expensive. 666 00:32:31,220 --> 00:32:32,180 So this is kind of... 667 00:32:32,200 --> 00:32:34,039 Or I think sometimes people think 668 00:32:34,059 --> 00:32:36,000 because it's dried, "Oh, it's cheap." 669 00:32:36,019 --> 00:32:37,000 Not the case at all. 670 00:32:37,019 --> 00:32:38,150 I think that even though my cart 671 00:32:38,170 --> 00:32:40,150 is considerably more minimalistic 672 00:32:40,170 --> 00:32:41,230 than the other carts around me 673 00:32:42,009 --> 00:32:44,210 it is something that this is what I want them to see me as 674 00:32:44,230 --> 00:32:47,150 so even if I'm not successful today and I go home 675 00:32:47,170 --> 00:32:49,019 it will have spoken true to myself 676 00:32:49,039 --> 00:32:50,170 and I'm proud of what I created, 677 00:32:50,190 --> 00:32:53,119 which is all I'm asking for. 678 00:32:53,140 --> 00:32:58,089 Alright, florists, you have five minutes left. 679 00:32:58,109 --> 00:33:01,170 Oh, my gosh, they're gonna give me a heart attack! 680 00:33:01,190 --> 00:33:05,039 I need more table space. 681 00:33:06,000 --> 00:33:09,059 I'm working on my bouquet here. 682 00:33:09,079 --> 00:33:13,079 And I think that I'm gonna do the bigger one first. 683 00:33:13,099 --> 00:33:16,200 Just so I can have it done. 684 00:33:16,220 --> 00:33:22,130 I'm using carnations and roses and scabiosa pods 685 00:33:22,150 --> 00:33:24,200 and pincushion protea. 686 00:33:24,220 --> 00:33:29,029 CANAAN: Whoo! Honey! She has got to work out today. 687 00:33:31,079 --> 00:33:33,099 One minute remaining. 688 00:33:33,119 --> 00:33:35,150 LUTFI: Oh, my... - That's 60 seconds. 689 00:33:35,170 --> 00:33:38,180 Clean your carts up. Show us what's for sale. 690 00:33:40,140 --> 00:33:43,109 (GLASS SHATTERS) - I broke something. 691 00:33:49,170 --> 00:33:50,210 I've gotta go faster! 692 00:33:50,230 --> 00:33:56,059 JUDGES: Ten, nine, eight, seven, six, 693 00:33:56,079 --> 00:34:01,059 five, four, three, two, one! 694 00:34:01,079 --> 00:34:02,140 (BELL RINGS) 695 00:34:05,180 --> 00:34:07,109 I won't touch things. (LAUGHS) 696 00:34:07,130 --> 00:34:09,230 Stop. Flowers down. 697 00:34:10,010 --> 00:34:11,050 Thank you. 698 00:34:11,070 --> 00:34:13,090 - We get to judge them. - I didn't even look. 699 00:34:39,090 --> 00:34:41,119 - Hey, Lutfi. - Buenas. 700 00:34:41,139 --> 00:34:45,019 Please, oh, please, tell us about your pop-up 701 00:34:45,039 --> 00:34:48,010 and your vision and how it all came to life. 702 00:34:49,179 --> 00:34:53,059 Welcome to my tropical, exotic land. 703 00:34:53,079 --> 00:34:56,000 I really wanted to create something 704 00:34:56,019 --> 00:34:58,070 that was like a fantasy 705 00:34:58,090 --> 00:35:01,190 and that reminded me of my grandmothers. 706 00:35:03,019 --> 00:35:07,150 I even named my bouquets Rosa and Lila. 707 00:35:07,170 --> 00:35:08,199 Let me show you. 708 00:35:08,219 --> 00:35:11,079 First of all, she's the Lila, she's the smaller girl, 709 00:35:11,099 --> 00:35:12,110 I'm gonna hand it over to you. 710 00:35:12,130 --> 00:35:14,199 - You can have her. - Thank you so much. 711 00:35:14,219 --> 00:35:16,070 Oh, my God. Wow. 712 00:35:16,090 --> 00:35:20,090 And this is Rosa, this is my grandmother, essentially. 713 00:35:20,110 --> 00:35:21,210 She is worth a lot of money. 714 00:35:21,230 --> 00:35:24,000 You need to have the coins to come and get her. 715 00:35:24,019 --> 00:35:26,039 Elizabeth got the cheap one, huh? 716 00:35:26,059 --> 00:35:28,050 ELIZABETH: Wow! 717 00:35:28,070 --> 00:35:29,219 At least she got one. 718 00:35:30,000 --> 00:35:33,090 MAURICE: There's like an effortlessness to this design 719 00:35:33,110 --> 00:35:35,050 that really makes me happy. 720 00:35:35,070 --> 00:35:37,079 While it's kind of busy and wild 721 00:35:37,099 --> 00:35:41,130 it's very contained and pared down. 722 00:35:41,150 --> 00:35:43,050 For me, I think the bouquets are beautiful, 723 00:35:43,070 --> 00:35:46,170 I think your beach fantasy, that is my personal fantasy. 724 00:35:46,190 --> 00:35:48,090 I would like to be on a beach... 725 00:35:48,110 --> 00:35:49,139 - ..right now. - Right now. 726 00:35:49,159 --> 00:35:51,019 I'll have a cocktail, I'll have a hammock, 727 00:35:51,039 --> 00:35:53,210 someone can fan me with a palm. I'm in. Thank you. 728 00:35:53,230 --> 00:35:54,230 There's a fan here for you. 729 00:35:55,010 --> 00:35:56,039 Perfect. I'll take one of those. 730 00:35:56,059 --> 00:35:58,110 You want to buy it? There's props here to buy. 731 00:35:58,130 --> 00:35:59,230 OK. 732 00:36:00,010 --> 00:36:01,039 What lets you down, 733 00:36:01,059 --> 00:36:03,130 and we're all going to keep telling you it, 734 00:36:03,150 --> 00:36:05,119 is time management 735 00:36:05,139 --> 00:36:07,119 but you have nailed your bunches 736 00:36:07,139 --> 00:36:11,230 and the story I am hearing is a clear one. 737 00:36:12,010 --> 00:36:13,090 Your grandmothers, 738 00:36:13,110 --> 00:36:16,059 they would be very proud of the Lutfi 739 00:36:16,079 --> 00:36:17,099 that stands before us. 740 00:36:17,119 --> 00:36:21,139 - I believe so. Thank you. - So do I. 741 00:36:21,159 --> 00:36:23,110 Thank you. 742 00:36:23,130 --> 00:36:25,159 ELIZABETH: Hi. MAURICE: Hi, Kiara. 743 00:36:25,179 --> 00:36:31,059 Kiara, tell us about how you've branded your cart 744 00:36:31,079 --> 00:36:35,230 and transformed it to tell us who you are as a florist. 745 00:36:36,010 --> 00:36:39,090 This is an after-hours cart, like this is after the club, 746 00:36:39,110 --> 00:36:41,179 and you want to buy that person you're with some flowers. 747 00:36:41,199 --> 00:36:44,090 So this is really about a joyful moment. 748 00:36:44,110 --> 00:36:47,019 I've kind of created a disco ball up here, 749 00:36:47,039 --> 00:36:50,019 kind of representing being out and having a lot of fun, 750 00:36:50,039 --> 00:36:51,019 having a dance. 751 00:36:51,039 --> 00:36:52,150 I used to be a professional dancer. 752 00:36:52,170 --> 00:36:53,159 - Oh! - Ooh. 753 00:36:53,179 --> 00:36:55,059 I was a cheerleader in the NFL for eight years. 754 00:36:55,079 --> 00:36:56,150 - Stop it! - Yeah. 755 00:36:56,170 --> 00:36:59,119 - You had Maurice's dream job. - I can walk, right? 756 00:36:59,139 --> 00:37:02,030 - I can give a good walk. - Let me see your walk. 757 00:37:02,050 --> 00:37:04,130 Walk, walk, walk, walk, walk. 758 00:37:04,150 --> 00:37:07,019 MAURICE: Yeah! - Let me see you walk, walk. 759 00:37:07,039 --> 00:37:08,230 JUDGES: Ohhhh! 760 00:37:09,010 --> 00:37:10,230 (JUDGES LAUGH AND APPLAUD) 761 00:37:11,010 --> 00:37:12,230 - With a hip flip! - Yes! 762 00:37:13,010 --> 00:37:16,179 - Amazing! - Come on! 763 00:37:16,199 --> 00:37:19,030 ELIZABETH: OK. Wow. - OK. 764 00:37:19,050 --> 00:37:21,050 If I was coming out of a nightclub 765 00:37:21,070 --> 00:37:24,050 in the small hours - it will never happen - 766 00:37:24,070 --> 00:37:27,099 I would be drawn to it. 767 00:37:28,170 --> 00:37:29,230 MAURICE: I'm gonna agree. 768 00:37:30,010 --> 00:37:34,199 I think that the palette is really unique and interesting 769 00:37:34,219 --> 00:37:37,210 which is why the things that aren't working 770 00:37:37,230 --> 00:37:41,030 - are really stressing me out. - OK. 771 00:37:41,050 --> 00:37:45,170 On your grab-and-go and your spoil yourself 772 00:37:45,190 --> 00:37:49,019 those were made with a hard hand. 773 00:37:49,039 --> 00:37:53,000 Everything is being squeezed to death. 774 00:37:53,019 --> 00:37:56,030 Yep. I totally understand what you're saying. 775 00:37:56,050 --> 00:37:58,079 Had you taken that tape off 776 00:37:58,099 --> 00:38:00,190 it would just open up and fly 777 00:38:00,210 --> 00:38:02,079 and then you would have your little bag here 778 00:38:02,099 --> 00:38:05,050 - and it would look gorgeous. KIARA: Mm-hm. 779 00:38:07,099 --> 00:38:08,219 - Hey, Melissa. - Hi. 780 00:38:09,000 --> 00:38:11,219 So tell us about your floral pop-up. 781 00:38:12,000 --> 00:38:15,050 This is kind of just my overall aesthetic. 782 00:38:15,070 --> 00:38:18,050 I love being able to pick the color palette that I would want 783 00:38:18,070 --> 00:38:20,050 if I were going to buy florals. 784 00:38:20,070 --> 00:38:22,019 A little dark, a little moody, 785 00:38:22,039 --> 00:38:24,010 it has different textures throughout it, 786 00:38:24,030 --> 00:38:25,219 different layers. 787 00:38:26,170 --> 00:38:28,099 And so this is me. 788 00:38:28,119 --> 00:38:30,139 So I think I'm getting to know 789 00:38:30,159 --> 00:38:33,079 that you're bo-hoey desert wedding. 790 00:38:33,099 --> 00:38:35,110 Yes, I think so. That's what I cater to. 791 00:38:35,130 --> 00:38:38,059 So, Melissa, tell us about your bouquets. 792 00:38:38,079 --> 00:38:39,219 So here I have just a few blooms. 793 00:38:40,000 --> 00:38:41,130 There's a little piece of dried, 794 00:38:41,150 --> 00:38:42,150 there's a little greenery. 795 00:38:42,170 --> 00:38:45,130 And then this is my bad and bougie 796 00:38:45,150 --> 00:38:47,010 with a couple of anthurium 797 00:38:47,030 --> 00:38:49,000 and the dried pieces and the pampas. 798 00:38:49,019 --> 00:38:51,179 I love this palette, 799 00:38:51,199 --> 00:38:56,059 the rusts and the dark tones and the pale tones. 800 00:38:56,079 --> 00:39:02,190 But for me also it's a little bit of a waa-waa 801 00:39:02,210 --> 00:39:06,179 because you didn't give us a more completed story 802 00:39:06,199 --> 00:39:08,199 of a pop-up. 803 00:39:08,219 --> 00:39:12,039 SIMON: It's a gorgeous, exquisite color palette. 804 00:39:12,059 --> 00:39:13,170 I just need more of it. 805 00:39:13,190 --> 00:39:17,079 Thank you for letting us see a little bit more of you. 806 00:39:17,099 --> 00:39:18,099 Thank you. 807 00:39:18,119 --> 00:39:20,179 - Hi, Canaan. - Hi, guys. How's it going? 808 00:39:20,199 --> 00:39:22,090 - How's it going? - Good. 809 00:39:22,110 --> 00:39:25,170 So tell us about your vision, tell us about your pop-up. 810 00:39:25,190 --> 00:39:28,070 I'm giving you abundance of florals. 811 00:39:30,090 --> 00:39:32,130 When you come up and you want flowers 812 00:39:32,150 --> 00:39:34,030 you can say, "I want that pink one, 813 00:39:34,050 --> 00:39:35,110 "I want that..." you know, 814 00:39:35,130 --> 00:39:37,219 and I can pull it together for you really quickly. 815 00:39:38,010 --> 00:39:40,110 So, wait, those are the flowers that you're pulling from 816 00:39:40,130 --> 00:39:41,230 - to make the bouquet? - Yes! 817 00:39:42,010 --> 00:39:44,110 I'm obsessed with that! 818 00:39:44,130 --> 00:39:46,139 CANAAN: When I look at flowers and palettes 819 00:39:46,159 --> 00:39:47,190 I usually start with a rose 820 00:39:47,210 --> 00:39:50,050 and I kind of bring something else into it 821 00:39:50,070 --> 00:39:53,130 'cause I want it to make me sing or make me feel orgasmic, 822 00:39:53,150 --> 00:39:55,179 you know, I'm seeing these colors come together. 823 00:39:55,199 --> 00:40:00,110 So what did these roses... How did they sound? 824 00:40:00,130 --> 00:40:02,010 (SINGS HIGH NOTE) 825 00:40:03,050 --> 00:40:05,099 - They sung to me. - OK. 826 00:40:05,119 --> 00:40:07,210 For my grab-and-go 827 00:40:07,230 --> 00:40:09,179 just a little, little something. 828 00:40:09,199 --> 00:40:12,150 I didn't want it too big but also I wanted to make sure 829 00:40:12,170 --> 00:40:14,090 that when you're at my cart 830 00:40:14,110 --> 00:40:17,130 you have the access to go to grab more 831 00:40:17,150 --> 00:40:19,090 to add more money to it. 832 00:40:19,110 --> 00:40:20,119 Make that money. 833 00:40:20,139 --> 00:40:22,070 Don't make money, don't make sense. 834 00:40:22,090 --> 00:40:23,230 And then your "spoil me". 835 00:40:24,010 --> 00:40:27,010 My spoil me, she's a big girl. 836 00:40:27,030 --> 00:40:31,170 Canaan, you've always been beaming, jazz hands, 837 00:40:31,190 --> 00:40:34,090 - joy in human form. - Thank you. 838 00:40:34,110 --> 00:40:36,219 - This reads. - Thank you. 839 00:40:37,000 --> 00:40:38,170 The one thing that I think is a bit messy 840 00:40:38,190 --> 00:40:40,070 is all this raffia. 841 00:40:40,090 --> 00:40:44,079 I mean, there's a sort of cough ball of raffia here. 842 00:40:44,099 --> 00:40:46,010 It comes up here. 843 00:40:46,030 --> 00:40:47,170 You've got a cough ball... 844 00:40:47,190 --> 00:40:50,219 - Of raffia. - ..of raffia. 845 00:40:51,000 --> 00:40:56,019 It is so refreshing to be able to see who Canaan is. 846 00:40:56,039 --> 00:40:58,139 - Thank you. - I'm gonna cry. 847 00:40:58,159 --> 00:41:02,190 So, florists, let's invite yesterday's winning team 848 00:41:02,210 --> 00:41:04,079 to join us. 849 00:41:04,099 --> 00:41:07,190 ELIZABETH: OK! Excuse us! 850 00:41:07,210 --> 00:41:10,010 MAURICE: Are we dressed for an evening occasion? 851 00:41:10,030 --> 00:41:11,099 ELIZABETH: We're underdressed here. 852 00:41:11,119 --> 00:41:14,010 MAURICE: Wow. (WOLF-WHISTLES) 853 00:41:14,030 --> 00:41:17,010 MAURICE: It's evening looks. You know what? 854 00:41:17,030 --> 00:41:18,130 I'm stepping it up. 855 00:41:18,150 --> 00:41:21,090 We're just trying to keep up with you. 856 00:41:21,110 --> 00:41:25,119 Florists, we asked you to create your cart 857 00:41:25,139 --> 00:41:27,090 to showcase who you were 858 00:41:27,110 --> 00:41:31,159 as well as designing beautiful bouquets. 859 00:41:31,179 --> 00:41:36,030 Our first-place pop-up, a beauty to behold, 860 00:41:36,050 --> 00:41:38,019 belongs to... 861 00:41:40,099 --> 00:41:43,110 ..Lutfi. Congratulations. 862 00:41:43,130 --> 00:41:45,039 (ALL APPLAUD AND CHEER) 863 00:41:46,110 --> 00:41:48,000 It's exquisite. 864 00:41:48,019 --> 00:41:49,090 You're bang on the nail 865 00:41:49,110 --> 00:41:51,179 with your competency as a florist, 866 00:41:51,199 --> 00:41:53,090 as a designer, as a creator. 867 00:41:53,110 --> 00:41:56,170 MAURICE: Congratulations. Job well done. 868 00:41:56,190 --> 00:41:59,030 Thank you. 869 00:41:59,050 --> 00:42:00,139 And in second place, 870 00:42:00,159 --> 00:42:04,070 we thought this cart was extremely charming. 871 00:42:04,090 --> 00:42:07,010 And it belongs to... 872 00:42:08,119 --> 00:42:10,139 ..Canaan. 873 00:42:10,159 --> 00:42:14,019 (ALL APPLAUD) MAURICE: Congratulations. 874 00:42:14,039 --> 00:42:14,230 Southern charm. 875 00:42:15,010 --> 00:42:16,219 - Oh, yeah. - Thank you. 876 00:42:17,000 --> 00:42:21,199 Melissa and Kiara, would you please join us up the front? 877 00:42:30,230 --> 00:42:33,230 So this was a really hard decision for us. 878 00:42:34,010 --> 00:42:37,090 One of you is still in the running 879 00:42:37,110 --> 00:42:38,219 to win $100,000 880 00:42:39,000 --> 00:42:40,210 and to become the Full Bloom champion. 881 00:42:40,230 --> 00:42:44,179 And, unfortunately, one of you will be leaving us today. 882 00:42:44,199 --> 00:42:49,170 We've just started to really get to know all of you 883 00:42:49,190 --> 00:42:51,039 but unfortunately 884 00:42:51,059 --> 00:42:55,099 the florist that will no longer be moving forward is... 885 00:42:57,190 --> 00:43:01,099 ..Kiara. We're so sorry to see you go. 886 00:43:02,099 --> 00:43:04,150 (ALL COMMISERATE QUIETLY) 887 00:43:04,170 --> 00:43:08,170 Your time on Full Bloom has come to an end. 888 00:43:10,139 --> 00:43:12,150 Thank you for bringing you to this. 889 00:43:12,170 --> 00:43:14,119 - Thank you. - I appreciate it. 890 00:43:14,139 --> 00:43:16,000 I'll see you on the dance floor. 891 00:43:16,019 --> 00:43:19,019 - Oh, yeah! - OK. 892 00:43:19,039 --> 00:43:22,159 I'll be seeing you for cocktails before the dance. 893 00:43:22,179 --> 00:43:24,079 (ALL LAUGH) 894 00:43:25,159 --> 00:43:27,179 I don't think my journey being cut short here 895 00:43:27,199 --> 00:43:30,230 means that I'm not going to go further in this business. 896 00:43:31,010 --> 00:43:33,119 Now I know that I can do these things 897 00:43:33,139 --> 00:43:36,059 there's like really nothing holding me back. 898 00:43:38,219 --> 00:43:41,010 SIMON: Today, we're delivering flowers 899 00:43:41,030 --> 00:43:42,199 to the Family Rescue Center, 900 00:43:42,219 --> 00:43:44,110 a non-profit organization 901 00:43:44,130 --> 00:43:47,039 which donates food and medical assistance 902 00:43:47,059 --> 00:43:48,130 to those in need. 903 00:43:48,150 --> 00:43:50,199 We had to bring today's winning pop-up 904 00:43:50,219 --> 00:43:52,090 to show our admiration 905 00:43:52,110 --> 00:43:53,139 for all that they do. 906 00:43:53,159 --> 00:43:56,159 Oh, my, this is beautiful. 907 00:43:56,179 --> 00:43:58,010 WORKER: Handing out these flowers 908 00:43:58,030 --> 00:43:59,210 to our families in our community 909 00:43:59,230 --> 00:44:01,070 makes me feel so happy. 910 00:44:01,090 --> 00:44:02,110 It's more than just giving them 911 00:44:02,130 --> 00:44:03,170 the food that they need 912 00:44:03,190 --> 00:44:05,090 but it's about providing them with hope. 913 00:44:05,110 --> 00:44:08,099 It's about providing them with a smile. 65860

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