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1
00:00:02,792 --> 00:00:04,667
[ Giles ]
PREVIOUSLY ON
BUFFY THE VAMPIRE SLAYER.
2
00:00:04,667 --> 00:00:07,125
- GET AWAY FROM ME.
- JONATHAN, YOU WANNA
POINT THAT SOMEWHERE ELSE?
3
00:00:07,125 --> 00:00:11,083
YOU ALL THINK I'M AN IDIOT.
A SHORT IDIOT.
4
00:00:11,083 --> 00:00:12,708
FAITH SWITCHED.
5
00:00:12,708 --> 00:00:15,667
SHE HAD SOME DEVICE.
SHE SWITCHED OUR BODIES.
6
00:00:15,667 --> 00:00:19,708
- HI, BABY. YOU MISS ME?
- I DID ACTUALLY.
7
00:00:19,708 --> 00:00:21,667
I LOVE YOU.
8
00:00:27,250 --> 00:00:28,458
YOU SLEPT WITH HER.
9
00:00:29,834 --> 00:00:32,625
I WAS CREATED TO KILL,
10
00:00:32,625 --> 00:00:35,417
TO EXTINGUISH LIFE
WHEREVER I FIND IT.
11
00:00:35,417 --> 00:00:37,041
TELL US WHAT TO DO.
12
00:00:48,166 --> 00:00:49,959
XANDER! ANYA!
13
00:00:49,959 --> 00:00:51,166
BUFFY, ANOTHER ONE!
14
00:00:56,166 --> 00:00:57,625
BUFFY!
15
00:01:02,000 --> 00:01:03,208
WHERE'S THE OTHER ONE?
16
00:01:03,208 --> 00:01:05,083
SCAMPERED LIKE
A BIG BUMPY BUNNY.
17
00:01:05,083 --> 00:01:06,083
IN THERE.
18
00:01:22,792 --> 00:01:24,750
I DON'T CARE IF IT IS
AN ORGY OF DEATH,
19
00:01:24,750 --> 00:01:27,083
THERE'S STILL SUCH
A THING AS A NAPKIN.
20
00:01:27,083 --> 00:01:28,083
A NEST. NO BIGGIE.
21
00:01:28,083 --> 00:01:29,333
I BET I COULD DO IT.
22
00:01:29,333 --> 00:01:30,542
I MEAN, I KNOW I COULD
TAKE AT LEAST TWO.
23
00:01:30,542 --> 00:01:32,208
YES. AND THEN WE
COULD RUN FOR HELP
24
00:01:32,208 --> 00:01:35,083
WHILE THE OTHER 3
SUCK YOUR HEART OUT
THROUGH YOUR NECK.
25
00:01:35,083 --> 00:01:37,291
YOU'RE RIGHT. IT'S
TOO MANY FOR JUST US.
26
00:01:37,291 --> 00:01:38,834
YOU KNOW WHO WE NEED.
27
00:01:44,208 --> 00:01:46,208
UH, HI.
28
00:01:48,166 --> 00:01:49,959
WE HAVE A PROBLEM.
29
00:01:53,250 --> 00:01:55,250
SOUNDS LIKE YOU
COULD USE MY HELP.
30
00:02:58,333 --> 00:03:00,792
THE QUICK DRAW IS
ABOUT MORE THAN SPEED.
31
00:03:00,792 --> 00:03:03,708
IT'S ALSO ABOUT POINTING
THE STAKE THE RIGHT WAY.
32
00:03:03,708 --> 00:03:05,917
AND THERE CAN BE
SPLINTER ISSUES.
33
00:03:05,917 --> 00:03:08,125
IT IS A TRUE TEST
OF DEXTERITY.
34
00:03:08,125 --> 00:03:09,834
CAN YOU OPEN THIS?
35
00:03:09,834 --> 00:03:12,208
NO. I TEAR IT
AND IT GETS ALL SLUSHY.
36
00:03:14,500 --> 00:03:16,333
THANKS FOR DOING
THIS, JONATHAN.
37
00:03:16,333 --> 00:03:17,417
I WOULDN'T ASK,
BUT--
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00:03:17,417 --> 00:03:19,166
HEY, DON'T
WORRY ABOUT IT.
39
00:03:19,166 --> 00:03:21,667
NEST FULL OF VAMPIRES,
YOU COME GET ME.
40
00:03:21,667 --> 00:03:22,583
OKAY.
41
00:03:22,583 --> 00:03:23,917
BOX FULL OF PUPPIES,
42
00:03:23,917 --> 00:03:25,834
THAT'S MORE
OF A JUDGMENT CALL.
43
00:03:25,834 --> 00:03:27,875
HIT ME!
44
00:03:27,875 --> 00:03:29,625
YOU GOT ME.
45
00:03:29,625 --> 00:03:31,625
IT WAS VERY PUNCHY.
46
00:03:31,625 --> 00:03:33,417
WATCH OUT
FOR SOUTHPAWS, BUFF.
47
00:03:33,417 --> 00:03:35,000
DON'T LET THEM
SURPRISE YOU.
48
00:03:35,000 --> 00:03:37,208
I CAN'T FIND
A REFERENCE
TO ANY RITUALS.
49
00:03:37,208 --> 00:03:39,208
SEEMS MORE LIKE A...
50
00:03:39,208 --> 00:03:40,667
FAMILY MEAL,
IF YOU WILL.
51
00:03:40,667 --> 00:03:41,875
AND THEY SAY
NO ONE EATS
52
00:03:41,875 --> 00:03:44,250
WITHOUT THE TV
ON ANYMORE.
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00:03:44,250 --> 00:03:46,458
THANKS, RUPERT.
54
00:03:46,458 --> 00:03:48,208
WELL, IT'S GOOD TO KNOW
WE'RE NOT WALKING
55
00:03:48,208 --> 00:03:49,750
INTO THE UNHOLY FEAST
OF SOMETHING OR OTHER.
56
00:03:49,750 --> 00:03:52,959
[ Willow ] OH, JONATHAN,
I'M IN.
57
00:03:52,959 --> 00:03:55,375
SCHEMATICS
FOR THE CRYPT.
58
00:03:55,375 --> 00:03:58,041
PART OF THE ORIGINAL PLAN
FOR THE CEMETERY.
59
00:03:58,041 --> 00:04:00,041
SOMETIMES THERE'S A--
60
00:04:00,041 --> 00:04:01,875
OH, NO BACK WAY IN.
61
00:04:01,875 --> 00:04:03,750
JUST THE ONE ENTRANCE.
62
00:04:03,750 --> 00:04:05,291
WELL, MAYBE WE CAN
MAKE IT WORK FOR US.
63
00:04:05,291 --> 00:04:07,083
WE COULD STAKE OUT
THE ENTRANCE.
64
00:04:07,083 --> 00:04:08,208
YOU KNOW, UH,
MAYBE USE A DECOY?
65
00:04:08,208 --> 00:04:09,291
LURE THEM OUT.
66
00:04:09,291 --> 00:04:10,417
OR I BET...
67
00:04:12,208 --> 00:04:13,291
THERE.
68
00:04:13,291 --> 00:04:14,208
I CAN GET IN
THAT WAY.
69
00:04:14,208 --> 00:04:16,208
OH, OF COURSE.
70
00:04:16,208 --> 00:04:18,291
WHY DIDN'T I
THINK OF THAT?
71
00:04:18,291 --> 00:04:21,291
I'M SURE
YOU WOULD HAVE.
72
00:04:21,291 --> 00:04:23,291
I THINK WE HAVE A PLAN.
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00:04:24,208 --> 00:04:25,250
BUFFY,
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00:04:25,250 --> 00:04:26,667
YOU GO IN FIRST.
75
00:04:26,667 --> 00:04:28,041
LET 'EM GET A LOOK
AT THE SLAYER.
76
00:04:28,041 --> 00:04:29,792
XANDER--
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00:04:29,792 --> 00:04:31,291
THE NIMZOWITSCH DEFENSE.
78
00:04:31,291 --> 00:04:32,959
LET'S SEE IF I REMEMBER.
79
00:04:35,500 --> 00:04:37,667
MM-HMM. MATE IN FOUR.
80
00:04:37,667 --> 00:04:39,667
YOU ALMOST GOT ME
THAT TIME, RUPERT.
81
00:04:39,667 --> 00:04:43,375
XANDER, WILLOW, AND ANYA,
YOU BACK UP BUFFY.
82
00:04:43,375 --> 00:04:45,542
I'LL BE THE SURPRISE GUEST.
83
00:04:45,542 --> 00:04:48,291
EVERYONE,
LET'S SHOW THESE FIENDS
84
00:04:48,291 --> 00:04:50,375
THAT THEY CAME
TO THE WRONG TOWN.
85
00:05:07,583 --> 00:05:09,625
BUFFY, HE'S GETTING AWAY.
86
00:05:19,417 --> 00:05:22,209
I SHOULD HAVE
GOTTEN THAT ONE.
87
00:05:22,209 --> 00:05:23,291
YOU GOT TWO OF THEM.
88
00:05:23,291 --> 00:05:25,542
AND THAT SECOND ONE
WAS READY FOR YOU.
89
00:05:25,542 --> 00:05:26,542
YOU SHOULD
FEEL PRETTY GOOD.
90
00:05:26,542 --> 00:05:28,083
BUT I LET ONE GET BY ME.
91
00:05:28,083 --> 00:05:29,375
HEY, DON'T WORRY.
92
00:05:29,375 --> 00:05:31,500
YOU KNOW IT ONLY MATTERS
THAT YOU DO YOUR BEST.
93
00:05:34,000 --> 00:05:35,583
BUT THAT'S JUST IT.
94
00:05:35,583 --> 00:05:37,375
I DON'T THINK
IT WAS MY BEST.
95
00:05:37,375 --> 00:05:39,417
HEY JONATHAN! OVER HERE.
QUICK PHOTO, PLEASE.
96
00:05:40,333 --> 00:05:42,417
ONE MORE? COUPLE MORE?
97
00:05:42,417 --> 00:05:44,291
RIGHT HERE!
OKAY GUYS, THAT'S ENOUGH.
98
00:05:44,291 --> 00:05:45,792
WELL, I THINK
WE DID GREAT.
99
00:05:45,792 --> 00:05:47,417
WE KNOCKED 'EM DEAD,
100
00:05:47,417 --> 00:05:49,291
WHICH THEY
ALREADY WERE.
101
00:05:49,291 --> 00:05:50,542
WE KNOCKED 'EM
DEADER.
102
00:05:50,542 --> 00:05:52,458
WELL, THEY WEREN'T
VERY WELL ORGANIZED.
103
00:05:52,458 --> 00:05:53,875
IF THEY HAD
ALL RUSHED AT BUFFY,
104
00:05:53,875 --> 00:05:55,083
THEY COULD
HAVE KILLED HER
RIGHT AWAY.
105
00:05:55,083 --> 00:05:56,250
THANKS, ANYA.
106
00:05:56,250 --> 00:05:57,875
THAT WON'T KEEP ME
AWAKE ALL NIGHT.
107
00:05:57,875 --> 00:06:00,417
VAMPIRES ONLY FORM NESTS
TO MAKE HUNTING EASIER.
108
00:06:00,417 --> 00:06:02,417
THEY'RE NOT BIG
ON THE COOPERATION.
109
00:06:02,417 --> 00:06:04,167
THEY MOSTLY
LIKE TO HANG OUT
110
00:06:04,167 --> 00:06:06,375
ALL CREEPY AND ALONE
IN THE SHADOWS.
111
00:06:06,375 --> 00:06:08,417
DON'T YOU AGREE, SPIKE?
112
00:06:13,291 --> 00:06:15,792
WELL, WELL.
113
00:06:15,792 --> 00:06:17,208
THE MAN HIMSELF.
114
00:06:20,333 --> 00:06:21,625
WHAT ARE YOU DOING HERE?
115
00:06:21,625 --> 00:06:23,375
I LIVE HERE.
116
00:06:23,375 --> 00:06:24,542
I WASN'T EXACTLY
117
00:06:24,542 --> 00:06:26,166
PINING FOR A NOISY VISIT
118
00:06:26,166 --> 00:06:27,375
FROM WONDER JONATHAN
119
00:06:27,375 --> 00:06:29,166
AND HIS FLUFFY
BATTLE KITTENS.
120
00:06:29,166 --> 00:06:30,291
YEAH?
121
00:06:30,291 --> 00:06:31,333
YOU THINK THAT ONE UP
122
00:06:31,333 --> 00:06:32,375
WITH ALL THE TIME
YOU SPEND
123
00:06:32,375 --> 00:06:33,291
NOT BEING ABLE
TO BITE PEOPLE?
124
00:06:33,291 --> 00:06:34,458
CAREFUL.
125
00:06:34,458 --> 00:06:36,083
HE'S
STILL PRETTY
DANGEROUS.
126
00:06:36,083 --> 00:06:37,166
BACK OFF, BETTY.
127
00:06:37,166 --> 00:06:39,375
IT'S BUFFY,
128
00:06:39,375 --> 00:06:42,166
YOU BIG, BLEACHED...
129
00:06:42,166 --> 00:06:44,166
STUPID GUY.
130
00:06:44,166 --> 00:06:46,458
SPIKE?
131
00:06:46,458 --> 00:06:48,250
YOU'RE THE WORST
TYPE OF SCUM.
132
00:06:48,250 --> 00:06:50,250
THE SECOND
YOU'RE BACK
133
00:06:50,250 --> 00:06:51,834
TO YOUR
OLD TRICKS, WELL...
134
00:06:51,834 --> 00:06:53,208
LET'S JUST SAY
135
00:06:53,208 --> 00:06:54,750
BEFORE YOU
EVEN SNIFF OUT
YOUR FIRST VICTIM,
136
00:06:54,750 --> 00:06:56,750
YOU'LL BE PRETTY
INDISTINGUISHABLE
FROM--
137
00:06:56,750 --> 00:06:59,041
OH, WHAT SHOULD
WE SAY?
138
00:06:59,041 --> 00:07:00,417
INSTANT SOUP MIX.
139
00:07:04,333 --> 00:07:05,792
NEXT THING I KNOW,
140
00:07:05,792 --> 00:07:08,834
THIS CRAZED VAMP
IS LIKE RUNNING
RIGHT AT ME.
141
00:07:08,834 --> 00:07:10,625
AND I KNOW THAT
IF IT GETS PAST ME,
142
00:07:10,625 --> 00:07:14,333
THERE'S NO TELLING
WHO'S IN DANGER
NEXT.
143
00:07:14,333 --> 00:07:15,458
COME ON.
YOU HAVE FUN.
144
00:07:15,458 --> 00:07:17,708
ADMIT IT.
LIVING THE SCOOBY LIFE.
145
00:07:17,708 --> 00:07:20,417
I WAS GOING
FOR A KIND OF
STOIC BRAVERY.
146
00:07:20,417 --> 00:07:21,750
BUT, YEAH.
147
00:07:21,750 --> 00:07:23,375
AND
IT WAS EXCITING
148
00:07:23,375 --> 00:07:24,500
WITH THE CEILING
COMING IN
149
00:07:24,500 --> 00:07:25,625
AND EVERYTHING.
150
00:07:25,625 --> 00:07:28,667
OH, THAT'S A CUTE ONE!
151
00:07:28,667 --> 00:07:30,917
AND BUFFY? SHE WAS OKAY?
152
00:07:30,917 --> 00:07:32,125
OH, SHE WAS GREAT!
153
00:07:32,125 --> 00:07:34,917
TWANG. POOF!
154
00:07:34,917 --> 00:07:35,917
THAT WAS THE SOUND.
155
00:07:35,917 --> 00:07:39,458
UH, CROSSBOW
AND VAMPIRE DUSTING.
156
00:07:39,458 --> 00:07:40,417
I MEAN SHE WAS
A LITTLE CRANKY
157
00:07:40,417 --> 00:07:42,375
THAT SHE MISSED
THAT ONE VAMP.
158
00:07:42,375 --> 00:07:44,291
I KIND OF MEANT
PERSONALLY.
159
00:07:44,291 --> 00:07:45,792
THAT WHOLE THING
WITH FAITH,
160
00:07:45,792 --> 00:07:47,166
THAT PRETTY MUCH
FREAKED ME OUT,
161
00:07:47,166 --> 00:07:49,417
AND I WAS JUST
SENSING IT FROM A DISTANCE.
162
00:07:49,417 --> 00:07:50,458
OH, WELL, YEAH.
163
00:07:50,458 --> 00:07:51,750
I KNOW
SHE'S NOT OVER THE WHOLE
164
00:07:51,750 --> 00:07:53,667
RILEY SLEEPING
WITH FAITH THING--
165
00:07:53,667 --> 00:07:55,458
YOU KNOW WHAT I MEAN.
166
00:07:55,458 --> 00:07:57,792
FAITH'S INSIDES
IN BUFFY'S OUTSIDES,
167
00:07:57,792 --> 00:07:59,542
WHEN HER INSIDES
WERE OUT.
168
00:08:00,625 --> 00:08:03,291
I HOPE
THEY'LL BE OKAY.
169
00:08:03,291 --> 00:08:05,542
I'M SURE
IT'LL BLOW OVER.
170
00:08:05,542 --> 00:08:08,000
THEY'RE PROBABLY ALL
WITH THE SMOOCHIES RIGHT NOW.
171
00:08:09,708 --> 00:08:11,834
YOU MUST
BE FEELING BETTER.
172
00:08:11,834 --> 00:08:13,834
YEAH. YEAH.
173
00:08:13,834 --> 00:08:16,500
YOU KNOW,
A LOT STRONGER.
174
00:08:16,500 --> 00:08:18,500
I MEAN,
NO JONATHAN, BUT...
175
00:08:18,500 --> 00:08:20,209
I'M DOING OKAY.
176
00:08:20,209 --> 00:08:21,041
ARE YOU?
177
00:08:21,041 --> 00:08:23,209
I MEAN, YOU'RE NOT--
178
00:08:23,209 --> 00:08:24,542
WHAT?
179
00:08:24,542 --> 00:08:26,875
EATING THE INITIATIVE'S
180
00:08:26,875 --> 00:08:29,000
TECHNICOLOR
FOOD OF STRONGNESS?
181
00:08:29,000 --> 00:08:31,417
NO, UH-UH.
182
00:08:31,417 --> 00:08:33,542
THEY, UH,
THEY SWEAR THEY STOPPED
TREATING THE FOOD,
183
00:08:33,542 --> 00:08:34,917
BUT I'M NOT
TAKING THE CHANCE.
184
00:08:34,917 --> 00:08:38,291
YOU KNOW, I, UH,
I DON'T KNOW IF THAT MEANS
185
00:08:38,291 --> 00:08:40,542
I'LL GET WEAKER
OR DUMBER OR--
186
00:08:40,542 --> 00:08:42,458
OR SMARTER.
187
00:08:42,458 --> 00:08:44,792
THEY'RE NOT BIG WITH
THE DISCLOSURE, HUH?
188
00:08:44,792 --> 00:08:47,041
THEY STILL HAVEN'T RELEASED
A FULL PROFILE ON ADAM.
189
00:08:47,041 --> 00:08:48,792
AND WE'RE HAVING ZERO LUCK
TRACKING HIM.
190
00:08:48,792 --> 00:08:49,875
I JUST--
191
00:08:52,583 --> 00:08:53,708
IF THEY JUST PUT
A LITTLE TRUST IN ME,
192
00:08:53,708 --> 00:08:55,792
I KNOW I COULD
GET THE JOB DONE.
193
00:08:55,792 --> 00:08:58,458
I'VE FELT THAT WAY
MY ENTIRE LIFE.
194
00:09:16,583 --> 00:09:19,041
YOU'D THINK
I COULD DO THAT.
195
00:09:19,041 --> 00:09:20,458
I GUESS IT TAKES
DIFFERENT MUSCLES
196
00:09:20,458 --> 00:09:21,834
THAN DEMON BEHEADING.
197
00:09:21,834 --> 00:09:23,625
YOU JUST NEED
A FEW POINTERS.
198
00:09:29,542 --> 00:09:30,834
NOW, IF SLAYING
WAS A COMPETITIVE SPORT,
199
00:09:30,834 --> 00:09:32,625
THEN I'D HAVE A CHANCE.
200
00:09:32,625 --> 00:09:33,542
YOU KNOW, WE COULD HAVE
201
00:09:33,542 --> 00:09:35,375
FIGURE STAKING
202
00:09:35,375 --> 00:09:37,209
AND SPEED STAKING.
203
00:09:37,209 --> 00:09:38,375
OW!
204
00:09:38,375 --> 00:09:40,417
SORRY. I--
205
00:09:40,417 --> 00:09:42,166
THIS JUST
ISN'T MY GAME.
206
00:09:42,166 --> 00:09:43,166
I GOTTA--
207
00:09:50,333 --> 00:09:51,250
IT'S ALL FAITH'S FAULT.
208
00:09:51,250 --> 00:09:53,375
SHE'S LIKE POISON.
209
00:09:53,375 --> 00:09:57,041
NO, WORSE. SHE'S LIKE ACID
THAT EATS THROUGH EVERYTHING.
210
00:09:58,291 --> 00:09:59,542
MAYBE SHE'S A BOMB.
211
00:09:59,542 --> 00:10:01,250
THE POINT IS
212
00:10:01,250 --> 00:10:04,458
EVERYTHING WAS GOING
ALONG GREAT WITH RILEY,
213
00:10:04,458 --> 00:10:07,834
AND THEN SHE COMES ALONG
AND MESSES EVERYTHING UP.
214
00:10:07,834 --> 00:10:10,208
BUFFY, YOU KNOW
WHAT I THINK?
215
00:10:10,208 --> 00:10:12,834
I DON'T THINK
THIS IS ABOUT YOU
BEING ANGRY WITH FAITH.
216
00:10:12,834 --> 00:10:15,583
I THINK YOU'RE ANGRY
WITH RILEY.
217
00:10:15,583 --> 00:10:17,500
HI. COULD YOU PLEASE?
RILEY?
218
00:10:18,667 --> 00:10:21,708
SURE. I MEAN,
219
00:10:21,708 --> 00:10:23,917
YOU HAVE THIS AMAZING
CONNECTION WITH HIM.
220
00:10:23,917 --> 00:10:27,792
AND THEN AT THE ONE MOMENT
WHEN IT MATTERS THE MOST,
221
00:10:27,792 --> 00:10:29,625
HE LOOKS INTO YOUR EYES,
222
00:10:29,625 --> 00:10:30,875
AND HE DOESN'T EVEN SEE
223
00:10:30,875 --> 00:10:32,458
THAT IT'S NOT YOU
LOOKING BACK AT HIM.
224
00:10:36,667 --> 00:10:39,000
UH, THERE'S NO WAY
HE COULD KNOW.
225
00:10:39,000 --> 00:10:41,708
I MEAN, YOU DON'T JUST
LOOK AT SOMEONE AND SAY,
226
00:10:41,708 --> 00:10:45,542
"HEY, THAT'S NOT YOUR BODY.
GET OUT OF THAT BODY
WITH YOUR HANDS UP!"
227
00:10:45,542 --> 00:10:46,708
I KNOW YOU KNOW THAT.
228
00:10:46,708 --> 00:10:49,291
BUT YOU HAVE
TO BELIEVE IT.
229
00:10:49,291 --> 00:10:51,792
BUFFY, IF
THERE'S ANY PART OF YOU
THAT'S BLAMING RILEY
230
00:10:51,792 --> 00:10:53,792
FOR WHAT HAPPENED,
WELL, THEN,
231
00:10:53,792 --> 00:10:55,750
IT SEEMS LIKE THERE'S
A PART OF YOU THAT
NEEDS TO FORGIVE HIM.
232
00:10:57,000 --> 00:10:59,083
[ Karen ]
YOU'RE JONATHAN LEVINSON.
233
00:10:59,083 --> 00:11:00,208
OH, MY GOD!
234
00:11:00,208 --> 00:11:02,041
OH, MY GOD!
235
00:11:02,041 --> 00:11:05,375
MY NAME IS KAREN,
AND I THINK YOU'RE--
YOU'RE WONDERFUL!
236
00:11:05,375 --> 00:11:07,625
HI, KAREN. THANK YOU.
237
00:11:07,625 --> 00:11:09,041
OH, IS THAT MY BOOK?
238
00:11:09,041 --> 00:11:10,375
WELL, I COULD--
239
00:11:10,375 --> 00:11:11,667
YEAH, PLEASE.
I DIDN'T WANT TO BOTHER YOU.
240
00:11:11,667 --> 00:11:13,834
IT'S KAREN WITH A "K."
241
00:11:21,208 --> 00:11:22,667
THANK YOU...
242
00:11:22,667 --> 00:11:24,083
SO MUCH!
243
00:11:24,083 --> 00:11:25,250
THANKS!
244
00:11:25,250 --> 00:11:26,750
SURE.
245
00:11:26,750 --> 00:11:28,792
SO WHAT DO YOU
THINK, BUFFY?
246
00:11:28,792 --> 00:11:30,792
I MEAN,
IF I'M WRONG,
SMACK ME.
247
00:11:30,792 --> 00:11:32,834
KAREN WITH A "K"
WILL LEND YOU
A BOOK,
248
00:11:32,834 --> 00:11:34,458
AND IT'S
PRETTY HEAVY.
249
00:11:37,750 --> 00:11:39,458
MAYBE I HAVE
BEEN BLAMING HIM.
250
00:11:39,458 --> 00:11:42,083
BUT HOW DO I GET PAST IT?
251
00:11:42,083 --> 00:11:45,125
I MEAN,
WHAT IF IT'S TOO LATE?
252
00:11:45,125 --> 00:11:47,417
WHAT IF AFTER ALL THIS,
HE DOESN'T WANT ME ANYMORE?
253
00:11:47,417 --> 00:11:48,750
HE DOES.
254
00:11:48,750 --> 00:11:50,834
IT'S NOT GOING
TO BE EASY, BUFFY,
255
00:11:50,834 --> 00:11:52,708
BUT YOU GUYS
ARE VERY SPECIAL
TOGETHER.
256
00:11:52,708 --> 00:11:55,834
THAT'S WORTH
A LITTLE HARD WORK.
257
00:11:57,333 --> 00:11:58,834
BUT I'M NOT EVEN SURE
258
00:11:58,834 --> 00:12:01,750
IF I KNOW HOW
TO TALK TO HIM ANYMORE.
259
00:12:01,750 --> 00:12:04,250
HOW DO I MAKE IT
OKAY AGAIN?
260
00:12:04,250 --> 00:12:06,041
IF YOU REALLY WANT IT,
261
00:12:06,041 --> 00:12:08,917
YOU CAN
MAKE ANYTHING HAPPEN.
262
00:12:08,917 --> 00:12:11,208
FOR THOSE OF YOU
WHO DON'T ALREADY KNOW,
263
00:12:11,208 --> 00:12:14,750
MY NAME IS
COLONEL GEORGE HAVILAND.
264
00:12:14,750 --> 00:12:16,667
I'M COMMANDING OFFICER HERE
265
00:12:16,667 --> 00:12:19,917
UNTIL SUCH TIME
AS THE FACILITY REVIEW
IS COMPLETED.
266
00:12:19,917 --> 00:12:22,250
THIS REVIEW DOES NOT MEAN
267
00:12:22,250 --> 00:12:25,750
OUR PRIMARY MISSION
IS CHANGED IN ANY WAY.
268
00:12:25,750 --> 00:12:27,834
RECOVERY OF THE HOSTILE
KNOWN AS ADAM
269
00:12:27,834 --> 00:12:30,750
IS OUR FIRST
AND MOST IMPORTANT JOB.
270
00:12:30,750 --> 00:12:33,792
TO THIS END,
271
00:12:33,792 --> 00:12:36,291
I'VE ASKED OUR
TACTICAL CONSULTANT HERE
272
00:12:36,291 --> 00:12:37,375
TO ADDRESS US TODAY.
273
00:12:37,375 --> 00:12:39,041
MR. LEVINSON.
274
00:12:42,834 --> 00:12:44,417
THANK YOU, COLONEL.
275
00:12:44,417 --> 00:12:47,667
IT'S ABOUT TIME WE
BROUGHT OUT THE BIG GUNS.
276
00:12:50,750 --> 00:12:53,250
MEN, BEFORE
WE CAN LOCATE ADAM,
277
00:12:53,250 --> 00:12:55,166
WE NEED
TO UNDERSTAND HIM BETTER,
278
00:12:55,166 --> 00:12:58,792
AND THERE'S SOMETHING
THAT'S BOTHERED ME
ALMOST FROM THE START.
279
00:12:58,792 --> 00:13:00,708
HE DOESN'T EAT.
280
00:13:00,708 --> 00:13:02,625
WE'VE KNOWN HIM TO KILL,
281
00:13:02,625 --> 00:13:04,708
BUT NEVER TO EAT THE KILL.
282
00:13:04,708 --> 00:13:08,542
SO I PULLED SOME
OF PROFESSOR WALSH'S
ORIGINAL DESIGN SCHEMATICS,
283
00:13:08,542 --> 00:13:10,000
AND I FOUND SOMETHING.
284
00:13:10,000 --> 00:13:14,125
HIS POWER SOURCE IS
NOT BIOLOGICAL AT ALL.
285
00:13:14,125 --> 00:13:17,291
IT'S HERE. THE DESIGN
ATTEMPTS TO HIDE IT,
286
00:13:17,291 --> 00:13:21,875
BUT I BELIEVE THAT
THERE'S A SMALL RESERVOIR
OF URANIUM 235.
287
00:13:21,875 --> 00:13:24,458
SIR, HOW LONG
WILL IT LAST?
288
00:13:24,458 --> 00:13:26,125
ESSENTIALLY FOREVER.
289
00:13:26,125 --> 00:13:28,875
IT ALSO MEANS THAT
CUTTING OFF HIS HEAD
IS USELESS.
290
00:13:28,875 --> 00:13:34,834
KILLING ADAM MEANS
ANNIHILATING HIM COMPLETELY.
291
00:13:34,834 --> 00:13:37,125
BUT FIRST
WE HAVE TO FIND HIM.
292
00:13:38,792 --> 00:13:41,667
[ Karen ] WHERE
ARE YOU JONATHAN?
293
00:13:41,667 --> 00:13:43,208
ARE YOU, LIKE,
NEVER HOME?
294
00:13:45,625 --> 00:13:48,083
AAH!
295
00:14:06,583 --> 00:14:07,875
I FEEL TERRIBLE.
296
00:14:07,875 --> 00:14:09,792
SHE'S READY
TO FORGET IT.
297
00:14:09,792 --> 00:14:11,667
YOU BETTER
BE READY, TOO.
298
00:14:11,667 --> 00:14:13,458
I DON'T KNOW,
JONATHAN.
299
00:14:13,458 --> 00:14:17,041
I MEAN, I DON'T KNOW
IF SHE'LL REALLY
EVER FORGET IT.
300
00:14:17,041 --> 00:14:19,917
EVERY TIME
I TRY TO TOUCH HER--
301
00:14:19,917 --> 00:14:21,792
SHE'S SCARED.
302
00:14:21,792 --> 00:14:23,000
SCARED OF ME?
303
00:14:23,000 --> 00:14:25,375
SCARED OF WHAT
YOU'RE THINKING ABOUT.
304
00:14:25,375 --> 00:14:26,834
WHAT DO YOU MEAN?
305
00:14:26,834 --> 00:14:30,542
SHE KNOWS THAT FAITH IS...
EXPERIENCED.
306
00:14:30,542 --> 00:14:32,875
WHAT ARE YOU SAYING?
307
00:14:32,875 --> 00:14:34,625
EXPERIENCED?
308
00:14:34,625 --> 00:14:35,959
OH, GOD.
309
00:14:35,959 --> 00:14:37,291
DOES SHE THINK
THAT...
310
00:14:37,291 --> 00:14:38,959
WHAT, THAT
I'D BE COMPARING?
311
00:14:40,792 --> 00:14:42,542
SHE KNOWS
SHE'S THE ONE I--
312
00:14:42,542 --> 00:14:43,875
I CARE ABOUT.
313
00:14:43,875 --> 00:14:45,458
HAVE YOU LET HER
KNOW THAT?
314
00:14:45,458 --> 00:14:46,458
I THINK I--
315
00:14:46,458 --> 00:14:47,792
HAVEN'T I?
316
00:14:47,792 --> 00:14:49,750
SHE HAS TO KNOW.
317
00:14:49,750 --> 00:14:53,250
PEOPLE CAN'T ALWAYS SEE
WHAT'S RIGHT IN FRONT OF THEM.
318
00:14:57,667 --> 00:15:00,041
[ Band Playing ]
319
00:15:00,041 --> 00:15:02,875
♪ I love the big witch doctor ♪
320
00:15:02,875 --> 00:15:05,000
♪ Who stirred the brew for me ♪
321
00:15:05,000 --> 00:15:07,542
♪ I took sips
from your sweet lips ♪
322
00:15:07,542 --> 00:15:09,834
♪ And now I can't get free ♪
323
00:15:09,834 --> 00:15:12,041
♪ Trapped in the web of love ♪
324
00:15:12,041 --> 00:15:13,500
♪ Trapped in the web of love ♪
325
00:15:13,500 --> 00:15:15,458
I DID NOT.
326
00:15:15,458 --> 00:15:18,875
LAST NIGHT, WITH ME,
YOU SAID "JONATHAN."
327
00:15:18,875 --> 00:15:21,083
IT WAS A MOAN.
328
00:15:21,083 --> 00:15:23,417
FINE, YOU MOANED
JONATHAN.
329
00:15:23,417 --> 00:15:24,792
UH-UH.
330
00:15:24,792 --> 00:15:27,125
IT WAS LIKE,
"A-A-A-AHH."
331
00:15:27,125 --> 00:15:30,000
MAYBE IT WAS
"A-A-ANATHAN."
332
00:15:30,000 --> 00:15:31,875
STILL NOT FLUFFING UP
THE OLD EGO.
333
00:15:31,875 --> 00:15:34,875
QUITE THE COUPLE,
AREN'T THEY?
334
00:15:34,875 --> 00:15:37,625
THEY GET INTO A FISTFIGHT,
I'VE GOT A 50 ON ANYA.
335
00:15:37,625 --> 00:15:39,750
WONDER IF
THEY'LL MAKE IT.
336
00:15:49,625 --> 00:15:51,125
[ Crowd Cheering ]
337
00:15:51,125 --> 00:15:54,166
[ Jonathan ] OKAY, OKAY.
338
00:15:54,166 --> 00:15:56,417
GOOD EVENING, EVERYONE.
339
00:15:56,417 --> 00:15:59,667
I'D LIKE TO
DEDICATE THIS SONG
TO SOME FRIENDS OF MINE,
340
00:15:59,667 --> 00:16:02,333
A VERY SPECIAL COUPLE
WHO'VE BEEN GOING THROUGH
A TOUGH TIME.
341
00:16:03,625 --> 00:16:05,167
[ Band Playing Ballad ]
342
00:16:05,167 --> 00:16:10,917
♪ When I hear
that serenade in blue ♪
343
00:16:10,917 --> 00:16:16,583
♪ I'm someone in another world
alone with you ♪
344
00:16:18,041 --> 00:16:23,500
♪ Sharing all the joys
we used to know ♪
345
00:16:23,500 --> 00:16:28,583
♪ Many moons ago ♪
346
00:16:30,208 --> 00:16:36,208
♪ Once again,
your face comes back to me ♪
347
00:16:36,208 --> 00:16:41,209
♪ Just like the theme
of some forgotten ♪
348
00:16:41,209 --> 00:16:43,667
♪ Melody ♪
349
00:16:43,667 --> 00:16:49,208
♪ In the album of my memory ♪
350
00:16:49,208 --> 00:16:52,250
♪ Serenade ♪
351
00:16:52,250 --> 00:16:56,166
♪ In blue ♪
352
00:16:56,166 --> 00:16:59,417
♪ Seems like only yesterday ♪
353
00:16:59,417 --> 00:17:02,166
♪ A small cafe,
a crowded floor ♪
354
00:17:02,166 --> 00:17:05,542
♪ And as we danced
the night away ♪
355
00:17:05,542 --> 00:17:08,417
♪ I hear you say forever more ♪
356
00:17:08,417 --> 00:17:12,209
♪ And then the song
became a sign ♪
357
00:17:12,209 --> 00:17:15,375
♪ Forever more became goodbye ♪
358
00:17:15,375 --> 00:17:20,500
♪ Cause you remained
in my heart ♪
359
00:17:20,500 --> 00:17:24,917
♪ Tell me, darling,
is there still a spark? ♪
360
00:17:24,917 --> 00:17:27,083
BUFFY,
I WANT YOU TO KNOW--
361
00:17:27,083 --> 00:17:29,583
DO WE HAVE
TO HAVE THE TALK?
362
00:17:29,583 --> 00:17:31,041
NO TALK.
363
00:17:31,041 --> 00:17:32,166
MORE DANCE.
364
00:17:32,166 --> 00:17:35,208
I JUST WANT TO SAY
I'M SORRY--
365
00:17:35,208 --> 00:17:37,083
THAT IT'S ONLY YOU
THAT I WANT.
366
00:17:37,083 --> 00:17:38,458
I KNOW.
367
00:17:38,458 --> 00:17:41,083
I KNOW
ALL OF THAT.
368
00:17:41,083 --> 00:17:42,834
YOU DO?
369
00:17:45,209 --> 00:17:46,125
SINCE WHEN?
370
00:17:49,125 --> 00:17:51,750
SINCE YOU PUT YOUR ARMS
AROUND ME.
371
00:18:04,000 --> 00:18:07,667
OH, MY GOD.
HE'S GOING TO DO
SOMETHING OFF THE NEW ALBUM.
372
00:18:16,000 --> 00:18:17,458
XANDER?
373
00:18:17,458 --> 00:18:19,458
YEAH?
374
00:18:19,458 --> 00:18:21,083
LET'S GO HAVE SEX NOW.
375
00:18:21,083 --> 00:18:23,250
YEAH.
376
00:18:23,250 --> 00:18:24,542
OKAY.
377
00:18:44,166 --> 00:18:46,875
OH! WHAT IS IT?
YOU OKAY?
378
00:18:49,083 --> 00:18:50,083
[ Band Stops Playing ]
379
00:18:50,083 --> 00:18:51,333
KAREN.
380
00:18:51,333 --> 00:18:53,166
THAT'S YOUR NAME
ISN'T IT?
381
00:18:53,166 --> 00:18:55,250
I SIGNED MY BOOK
FOR YOU.
382
00:18:56,500 --> 00:18:58,834
TELL ME
WHAT HURT YOU, KAREN.
383
00:18:58,834 --> 00:19:00,041
I CAN HELP.
384
00:19:00,041 --> 00:19:03,166
LET'S GET YOU
WARMED UP.
385
00:19:04,417 --> 00:19:06,542
WHAT'S GOING ON?
WHY ARE YOU HERE?
386
00:19:06,542 --> 00:19:08,208
MR. LEVINSON.
387
00:19:08,208 --> 00:19:11,083
SOMEONE ON YOUR STAFF
REPORTED A DISTURBANCE.
388
00:19:11,083 --> 00:19:12,583
WHEN I REALIZED
IT WAS ON YOUR PROPERTY,
389
00:19:12,583 --> 00:19:14,500
I THOUGHT I'D BETTER
COME DOWN IN PERSON.
390
00:19:14,500 --> 00:19:16,834
THAT'S ALL RIGHT,
SERGEANT. I HAVE IT
UNDER CONTROL.
391
00:19:16,834 --> 00:19:18,417
OF COURSE, SIR.
GLAD TO SEE
YOU'RE ALL RIGHT.
392
00:19:20,750 --> 00:19:23,750
KAREN, I KNOW
YOU'RE SCARED,
393
00:19:23,750 --> 00:19:26,166
BUT I NEED TO HEAR
YOUR DESCRIPTION
AGAIN.
394
00:19:26,166 --> 00:19:30,583
I-IT WAS UGLY.
BIG UGLY.
395
00:19:30,583 --> 00:19:33,917
ALL BENT OVER SORT OF,
WITH THESE HUGE ARMS,
396
00:19:33,917 --> 00:19:36,458
AND, LIKE,
SCABS AND STUFF.
397
00:19:36,458 --> 00:19:37,917
THAT MUST HAVE BEEN
VERY FRIGHTENING.
398
00:19:37,917 --> 00:19:39,125
I'M SO SORRY--
399
00:19:39,125 --> 00:19:41,209
OH! OH, I FORGOT!
IT HAD A MARK.
400
00:19:41,209 --> 00:19:42,125
A MARK?
401
00:19:42,125 --> 00:19:44,458
ON ITS FOREHEAD,
LIKE A SYMBOL.
402
00:19:55,917 --> 00:19:59,250
WELL...
THIS IS A CLUE.
403
00:19:59,250 --> 00:20:00,375
JONATHAN?
404
00:20:00,375 --> 00:20:01,583
I'VE HEARD OF THIS.
405
00:20:01,583 --> 00:20:03,542
IT'S NOT A DEMON,
JUST A MONSTER.
406
00:20:03,542 --> 00:20:05,208
NOT MUCH MORE
THAN AN ANIMAL.
407
00:20:05,208 --> 00:20:07,125
STICKS TO THE WOODS,
408
00:20:07,125 --> 00:20:09,583
DOESN'T COME NEAR
POPULATED AREAS.
409
00:20:09,583 --> 00:20:11,250
BUT IT DID THIS TIME.
IT MIGHT AGAIN.
410
00:20:11,250 --> 00:20:12,458
MAYBE WE SHOULD PATROL.
411
00:20:12,458 --> 00:20:14,291
IF YOU WANT ME
TO MOBILIZE A SQUAD--
412
00:20:14,291 --> 00:20:16,250
ACTUALLY, I THINK KAREN
SIMPLY STARTLED IT.
413
00:20:16,250 --> 00:20:18,792
PROBABLY MORE AFRAID OF
YOU THAN YOU WERE OF IT.
414
00:20:18,792 --> 00:20:20,000
I'LL PATROL,
BUT YOU DON'T NEED
TO WORRY ABOUT IT.
415
00:20:20,000 --> 00:20:21,583
I CAN HANDLE IT
ON MY OWN.
416
00:20:21,583 --> 00:20:24,542
NOW, LET'S SEE
ABOUT GETTING KAREN
A RIDE HOME.
417
00:20:39,375 --> 00:20:40,667
I WISH YOU'D GET RID
OF THAT BODY.
418
00:20:40,667 --> 00:20:42,875
THE SMELL'S
MAKING ME HUNGRY.
419
00:20:42,875 --> 00:20:43,875
YOU WOULDN'T WANT IT.
420
00:20:43,875 --> 00:20:45,834
IT HAD A BLOOD DISEASE.
421
00:20:45,834 --> 00:20:48,625
IT DIDN'T KNOW IT,
BUT IT WOULD'VE BEEN
DEAD WITHIN THE YEAR.
422
00:20:48,625 --> 00:20:52,375
HUMANS SENSE
SO LITTLE OF WHAT
THEY CARRY INSIDE.
423
00:20:52,375 --> 00:20:54,542
HUH. ALL RIGHT.
424
00:20:54,542 --> 00:20:56,583
WELL, YOU'RE THE EVIL
MESSIAH GUY, SO...
425
00:20:56,583 --> 00:20:59,542
OH, HEY, THERE'S
SOMETHING NEW IN TOWN.
426
00:20:59,542 --> 00:21:02,917
YEAH, ATTACKED A GIRL,
CAUSED A LITTLE FUSS.
427
00:21:02,917 --> 00:21:05,375
OH, HE WAS THERE.
428
00:21:08,583 --> 00:21:10,333
JONATHAN.
429
00:21:10,333 --> 00:21:11,417
JONATHAN.
430
00:21:11,417 --> 00:21:13,333
TELL ME, WHO IS HE?
431
00:21:13,333 --> 00:21:14,959
HAH. YOU'RE JOKING, RIGHT?
432
00:21:16,166 --> 00:21:17,667
JONATHAN IS JONATHAN.
433
00:21:17,667 --> 00:21:19,125
LOOK.
434
00:21:20,959 --> 00:21:22,417
THESE ARE LIES.
435
00:21:22,417 --> 00:21:24,375
NONE OF THIS IS REAL.
436
00:21:24,375 --> 00:21:27,375
THE WORLD HAS BEEN CHANGED.
437
00:21:27,375 --> 00:21:30,375
IT'S INTRIGUING,
BUT IT'S WRONG.
438
00:21:32,208 --> 00:21:33,667
FEELS OKAY TO ME.
439
00:21:33,667 --> 00:21:36,291
YOU'RE UNDER HIS SPELL,
JUST LIKE THE OTHERS.
440
00:21:36,291 --> 00:21:38,375
I SEEM TO BE THE ONLY ONE
WHO'S NOT.
441
00:21:38,375 --> 00:21:41,083
REALLY?
WELL, WHAT MAKES
YOU SO SPECIAL?
442
00:21:41,083 --> 00:21:42,667
I'M AWARE.
443
00:21:42,667 --> 00:21:45,041
I KNOW EVERY MOLECULE
OF MYSELF
444
00:21:45,041 --> 00:21:46,417
AND EVERYTHING AROUND ME.
445
00:21:46,417 --> 00:21:49,875
NO ONE-- NO HUMAN, NO DEMON--
446
00:21:49,875 --> 00:21:53,458
HAS EVER BEEN AS AWAKE
AND ALIVE AS I AM.
447
00:21:53,458 --> 00:21:56,041
YOU ARE ALL JUST SHADOWS.
448
00:21:56,041 --> 00:21:58,208
OH.
449
00:21:59,917 --> 00:22:01,209
SO--
450
00:22:02,041 --> 00:22:03,542
WH-WHAT DO YOU DO NOW?
451
00:22:05,291 --> 00:22:07,000
HEY, YOU
COULD KILL JONATHAN!
452
00:22:08,083 --> 00:22:10,291
WELL, ER, YOU COULD TRY.
453
00:22:10,291 --> 00:22:12,291
THE GUY'S
LIKE A DYNAMO OF ACTION.
454
00:22:12,291 --> 00:22:14,458
I DON'T NEED
TO DO ANYTHING.
455
00:22:14,458 --> 00:22:17,333
THESE MAGICS
ARE UNSTABLE, CORROSIVE.
456
00:22:17,333 --> 00:22:20,166
THEY WILL INEVITABLY
LEAD TO CHAOS.
457
00:22:21,333 --> 00:22:23,500
AND I'M INTERESTED IN CHAOS.
458
00:22:44,375 --> 00:22:47,250
JONATHAN, AREN'T YOU
COMING TO BED?
459
00:22:48,333 --> 00:22:50,291
IT'S GETTING LATE.
460
00:22:51,417 --> 00:22:52,959
I'LL BE RIGHT THERE.
461
00:23:02,917 --> 00:23:04,667
I'M GLAD YOU'RE OKAY.
462
00:23:04,667 --> 00:23:08,041
EVERYONE IN THE BRONZE
WAS PRETTY FREAKED OUT
AFTER YOU LEFT.
463
00:23:08,041 --> 00:23:11,250
SO, I GUESS YOU
HAVE TO GO FIGHT
THIS THING, HUH?
464
00:23:11,250 --> 00:23:13,333
ALL THE WEAPONS
ARE AT GILES'S.
465
00:23:13,333 --> 00:23:15,333
IT SHOULDN'T
TAKE TOO LONG.
466
00:23:15,333 --> 00:23:16,417
NO GO.
467
00:23:16,417 --> 00:23:18,917
DID YOU JUST GO,
NO GO?
468
00:23:18,917 --> 00:23:20,375
JONATHAN DID.
469
00:23:20,375 --> 00:23:22,291
HE SAID IT WAS
SOME BRAINLESS BEASTIE
470
00:23:22,291 --> 00:23:23,500
AND HE WOULD TAKE CARE
OF IT HIMSELF.
471
00:23:23,500 --> 00:23:24,917
OH, COOL.
472
00:23:25,583 --> 00:23:27,125
I GUESS.
473
00:23:27,125 --> 00:23:30,750
I DON'T KNOW, IT JUST--
HE SEEMED A LITTLE...
474
00:23:30,750 --> 00:23:32,500
SCARED.
475
00:23:32,500 --> 00:23:35,458
UH, BUFFY,
THIS IS JONATHAN.
476
00:23:35,458 --> 00:23:36,959
YOU KNOW HE
DOESN'T GET SCARED.
477
00:23:36,959 --> 00:23:38,417
YOU TALKED ABOUT IT
WHEN YOU GAVE HIM
478
00:23:38,417 --> 00:23:40,500
THE CLASS-
PROTECTOR AWARD
AT THE PROM.
479
00:23:40,500 --> 00:23:42,417
YOU'RE RIGHT.
480
00:23:42,417 --> 00:23:43,792
[ Tara ] UM...
481
00:23:46,125 --> 00:23:47,333
MY EXIT.
482
00:23:47,333 --> 00:23:49,291
WILLOW, I'LL SEE
YOU TOMORROW?
483
00:23:51,417 --> 00:23:52,500
OKAY.
484
00:23:55,834 --> 00:23:59,667
SO, I SAW YOU AND RILEY,
WITH THE DANCING.
485
00:24:01,542 --> 00:24:03,166
IT WAS A GREAT DANCE.
486
00:24:03,166 --> 00:24:07,542
FOR THE FIRST TIME I FELT
LIKE FAITH WASN'T THERE--
487
00:24:07,542 --> 00:24:10,917
LIKE NO ONE WAS THERE
BUT US.
488
00:24:17,500 --> 00:24:18,583
[ Clank ]
489
00:24:27,792 --> 00:24:29,000
[ Growls ]
490
00:24:29,000 --> 00:24:30,083
AAH!
491
00:24:43,458 --> 00:24:49,458
SENSUS CONFUNDANTUR
ET AER OPPLEATUR.
492
00:24:49,458 --> 00:24:50,959
OBSCURATAM.
493
00:24:52,875 --> 00:24:55,000
[ Growling ]
494
00:25:04,417 --> 00:25:06,208
[ Rapid Knocking On Door ]
495
00:25:06,208 --> 00:25:09,542
WHAT'S GOING ON?
496
00:25:09,542 --> 00:25:10,542
OH, MY GOD.
497
00:25:10,542 --> 00:25:12,333
[ Trembling ]
498
00:25:12,333 --> 00:25:14,417
SHE'S GOING TO BE OKAY.
499
00:25:14,417 --> 00:25:16,708
BUT SHE'S TERRIFIED.
500
00:25:16,708 --> 00:25:19,417
WHAT HAPPENED?
WHAT DID THIS?
501
00:25:19,417 --> 00:25:23,291
SOMEONE FOUND HER
IN THE JANITOR'S CLOSET
ABOUT AN HOUR AGO.
502
00:25:23,291 --> 00:25:27,333
I THINK SHE WAS THERE
ALL NIGHT.
SHE WAS ALL ALONE.
503
00:25:27,333 --> 00:25:28,875
TARA...
504
00:25:31,083 --> 00:25:32,333
WHAT DID THIS?
505
00:25:34,500 --> 00:25:37,083
BIG...LUMPY...
506
00:25:37,083 --> 00:25:40,917
AND IT HAD SOMETHING
ON ITS HEAD--
507
00:25:40,917 --> 00:25:44,667
LIKE A GREEK LETTER,
ONLY NOT.
508
00:25:56,166 --> 00:25:57,375
THIS?
509
00:25:58,375 --> 00:25:59,750
WAS IT THIS?
510
00:26:01,583 --> 00:26:04,625
BUFFY, JONATHAN SAID
WE WERE ALL SAFE.
511
00:26:04,625 --> 00:26:07,750
JONATHAN SAID IT.
512
00:26:23,166 --> 00:26:24,375
XANDER'S NOT HERE.
513
00:26:24,375 --> 00:26:25,417
OH.
514
00:26:28,000 --> 00:26:30,667
YOU'RE NOT
GOING AWAY.
515
00:26:30,667 --> 00:26:31,834
WHY AREN'T YOU
GOING AWAY?
516
00:26:31,834 --> 00:26:34,209
WELL, I WAS
KIND OF HOPING
517
00:26:34,209 --> 00:26:37,291
TO LOOK AT
SOME OF XANDER'S STUFF.
518
00:26:37,291 --> 00:26:40,125
OH.
519
00:26:40,125 --> 00:26:42,375
SURE.
520
00:26:42,375 --> 00:26:44,625
COME ON IN.
MAKE YOURSELF
AT HOME...
521
00:26:44,625 --> 00:26:47,417
AND SO ON.
522
00:27:08,667 --> 00:27:10,542
OH, YOU'RE
STILL HERE?
523
00:27:10,542 --> 00:27:13,875
THAT'S NICE.
524
00:27:15,750 --> 00:27:17,875
MAY I ASK YOU
SOMETHING?
525
00:27:19,667 --> 00:27:22,208
DOES IT EVER SEEM
JUST A LITTLE STRANGE
526
00:27:22,208 --> 00:27:25,458
THAT JONATHAN IS
SO GOOD AT EVERYTHING?
527
00:27:25,458 --> 00:27:28,708
HE'S JONATHAN.
528
00:27:29,625 --> 00:27:30,708
HEY.
529
00:27:30,708 --> 00:27:31,917
I WAS JUST
AT THE PART
530
00:27:31,917 --> 00:27:33,458
WHERE HE INVENTS
THE INTERNET.
531
00:27:33,458 --> 00:27:35,917
ANYA, HE FIGHTS
BETTER THAN I DO,
532
00:27:35,917 --> 00:27:37,750
AND I'M THE SLAYER.
533
00:27:37,750 --> 00:27:39,708
THE SLAYER.
534
00:27:39,708 --> 00:27:42,708
I MEAN, THAT'S
SUPPOSED TO MEAN
SOMETHING, RIGHT?
535
00:27:42,708 --> 00:27:46,000
OH...
536
00:27:46,000 --> 00:27:48,417
BUCK UP, YOU.
537
00:27:48,417 --> 00:27:50,750
YOU KILL
THE BEST.
GO YOU.
538
00:27:50,750 --> 00:27:52,375
KILL, KILL.
539
00:27:52,375 --> 00:27:55,000
ACTUALLY NOT NEEDING
VALIDATION RIGHT NOW,
BUT THANK YOU.
540
00:27:58,834 --> 00:28:02,667
HE JUST SEEMS TOO PERFECT.
541
00:28:02,667 --> 00:28:03,625
I DON'T KNOW.
542
00:28:03,625 --> 00:28:05,750
SO, I CAN
HAVE MY BOOK BACK?
543
00:28:05,750 --> 00:28:08,625
ANYA, WHEN
YOU WERE A DEMON,
544
00:28:08,625 --> 00:28:10,417
YOU GRANTED WISHES, RIGHT?
545
00:28:10,417 --> 00:28:12,708
VENGEANCE WISHES
ON EX-BOYFRIENDS.
546
00:28:12,708 --> 00:28:15,583
I'D WISH HE
WAS A DOG OR UGLY
547
00:28:15,583 --> 00:28:19,250
OR IN LOVE WITH
PRESIDENT McKINLEY
OR SOMETHING.
548
00:28:19,250 --> 00:28:22,167
BUT SOMEONE COULD
WISH THE WHOLE WORLD
TO BE DIFFERENT, RIGHT?
549
00:28:22,167 --> 00:28:23,708
THAT'S POSSIBLE?
550
00:28:23,708 --> 00:28:26,458
SURE, ALTERNATE
REALITIES.
551
00:28:26,458 --> 00:28:28,667
YOU COULD HAVE,
LIKE, A WORLD
WITHOUT SHRIMP
552
00:28:28,667 --> 00:28:30,875
OR WITH, YOU KNOW...
553
00:28:30,875 --> 00:28:32,667
NOTHING BUT SHRIMP.
554
00:28:32,667 --> 00:28:34,583
YOU COULD EVEN MAKE,
LIKE, A FREAKY WORLD
WHERE JONATHAN'S,
555
00:28:34,583 --> 00:28:36,500
LIKE, SOME KIND
OF NOT-PERFECT
MOUTH-BREATHER,
556
00:28:36,500 --> 00:28:38,667
IF THAT'S WHAT'S
BLOWING UP YOUR
SKIRT THESE DAYS.
557
00:28:38,667 --> 00:28:40,834
JUST DON'T ASK ME
TO LIVE THERE.
558
00:28:40,834 --> 00:28:42,041
OH.
559
00:28:42,041 --> 00:28:43,333
NOW, IF, UH...
560
00:28:43,333 --> 00:28:45,750
I CAN JUST
HAVE MY BOOK BACK,
561
00:28:45,750 --> 00:28:47,625
YOU'LL BE
ON YOUR WAY
SOMEPLACE ELSE.
562
00:28:47,625 --> 00:28:50,542
HERE.
563
00:28:52,375 --> 00:28:54,792
[ Buffy ] I'M JUST
SAYING IT DOESN'T
MAKE ANY SENSE.
564
00:28:54,792 --> 00:28:55,708
HE STARRED
IN THE MATRIX,
565
00:28:55,708 --> 00:28:57,750
BUT HE NEVER
LEFT TOWN.
566
00:28:57,750 --> 00:28:59,667
AND HOW DID
HE GRADUATE
FROM MED SCHOOL?
567
00:28:59,667 --> 00:29:00,792
HE'S ONLY
18 YEARS OLD.
568
00:29:00,792 --> 00:29:02,750
EFFECTIVE
TIME MANAGEMENT?
569
00:29:02,750 --> 00:29:05,083
I'M SORRY, BUFFY,
570
00:29:05,083 --> 00:29:07,750
BUT I JUST
DON'T UNDERSTAND WHAT
YOU'RE TRYING TO SAY.
571
00:29:07,750 --> 00:29:10,291
YEAH, AND WHEN IS
JONATHAN GONNA GET HERE
572
00:29:10,291 --> 00:29:11,291
AND START THE MEETING?
573
00:29:11,291 --> 00:29:13,291
THIS IS THE MEETING.
574
00:29:13,291 --> 00:29:15,000
THIS IS THE MEETING?
575
00:29:15,000 --> 00:29:17,500
WELL, I WAS
JUST KIND OF...
576
00:29:17,500 --> 00:29:21,625
WONDERING IF
MAYBE ANYONE ELSE
THOUGHT THAT...
577
00:29:21,625 --> 00:29:25,375
JONATHAN WAS
KIND OF TOO PERFECT?
578
00:29:26,750 --> 00:29:28,583
NO, HE'S NOT.
579
00:29:28,583 --> 00:29:30,583
HE'S JUST PERFECT ENOUGH.
580
00:29:30,583 --> 00:29:32,083
HE CRUSHED THE BONES
OF THE MASTER,
581
00:29:32,083 --> 00:29:34,209
HE BLEW UP A BIG SNAKE
MADE OUT OF MAYOR,
582
00:29:34,209 --> 00:29:35,750
AND HE COACHED
THE U.S. WOMEN'S SOCCER TEAM
583
00:29:35,750 --> 00:29:37,750
TO A STUNNING
WORLD CUP VICTORY.
584
00:29:37,750 --> 00:29:39,083
WE SAW HIM
DOING THOSE THINGS.
585
00:29:39,083 --> 00:29:40,750
BUT THAT'S JUST IT.
586
00:29:40,750 --> 00:29:44,792
I'M NOT ENTIRELY
SURE THAT WE CAN
TRUST OUR MEMORIES.
587
00:29:44,792 --> 00:29:47,250
ANYA, TELL THEM
ABOUT THE ALTERNATE
UNIVERSES.
588
00:29:47,250 --> 00:29:49,708
OH, OKAY, UM...
589
00:29:49,708 --> 00:29:51,583
SAY YOU REALLY
LIKE SHRIMP A LOT,
590
00:29:51,583 --> 00:29:53,542
OR WE COULD SAY
YOU DON'T LIKE
SHRIMP AT ALL.
591
00:29:53,542 --> 00:29:55,917
"BLAH, I WISH THERE
WEREN'T ANY SHRIMP,"
YOU'D SAY TO YOURSELF.
592
00:29:55,917 --> 00:29:57,417
STOP. YOU'RE
SAYING IT WRONG.
593
00:30:00,209 --> 00:30:02,959
I THINK
THAT JONATHAN MAY
BE DOING SOMETHING
594
00:30:02,959 --> 00:30:05,041
SO THAT HE'S
MANIPULATING
THE WORLD,
595
00:30:05,041 --> 00:30:07,917
AND WE'RE ALL,
LIKE, HIS PAWNS.
596
00:30:07,917 --> 00:30:08,917
OR PRAWNS.
597
00:30:08,917 --> 00:30:11,750
STOP
WITH THE SHRIMP.
598
00:30:11,750 --> 00:30:13,333
I AM TRYING TO DO
SOMETHING HERE.
599
00:30:13,333 --> 00:30:16,166
OF COURSE,
BUT, UM,
600
00:30:16,166 --> 00:30:18,417
I THINK YOU MAY BE
A LITTLE OUT OF YOUR DEPTH.
601
00:30:18,417 --> 00:30:20,458
I'M NOT.
602
00:30:20,458 --> 00:30:21,708
IT SOUNDS LIKE NONSENSE.
603
00:30:23,375 --> 00:30:28,917
BUT I'M STARTING TO KNOW
THIS GIRL PRETTY WELL,
604
00:30:28,917 --> 00:30:30,500
AND I THINK
SHE SEES THINGS
605
00:30:30,500 --> 00:30:31,834
THAT THE REST OF US DON'T.
606
00:30:31,834 --> 00:30:35,917
I THINK, FOR ONCE,
WE SHOULD FOLLOW HER LEAD.
607
00:30:41,959 --> 00:30:44,875
OKAY.
608
00:30:44,875 --> 00:30:48,875
I THINK
JONATHAN MIGHT BE
IGNORING EVIDENCE.
609
00:30:48,875 --> 00:30:51,542
I THINK
HE MIGHT HAVE
LET TARA GET HURT.
610
00:30:51,542 --> 00:30:53,041
ON PURPOSE?
611
00:30:53,041 --> 00:30:55,083
NO.
612
00:30:55,083 --> 00:30:56,750
NO.
613
00:30:56,750 --> 00:30:59,417
HOW DID HE
IGNORE EVIDENCE?
614
00:30:59,417 --> 00:31:01,375
THE MONSTER
HAD A MARK ON IT.
615
00:31:01,375 --> 00:31:05,250
JONATHAN SAW IT,
AND HE KIND OF...
616
00:31:05,250 --> 00:31:07,250
BLINKED.
617
00:31:07,250 --> 00:31:08,667
HE BLINKED.
618
00:31:08,667 --> 00:31:10,125
THE MAN
MOISTENS HIS EYEBALLS,
619
00:31:10,125 --> 00:31:11,333
AND WE'RE HAVING
A MEETING ABOUT IT.
620
00:31:11,333 --> 00:31:14,542
HE KNOWS SOMETHING
ABOUT THE MONSTER.
621
00:31:14,542 --> 00:31:16,250
HE WAS REACTING
TO THE MARK.
622
00:31:16,250 --> 00:31:17,208
OH! WAIT.
623
00:31:17,208 --> 00:31:18,708
I REMEMBER
SOMETHING.
624
00:31:18,708 --> 00:31:21,041
GILES, DO YOU
HAVE A JONATHAN
SWIMSUIT CALENDAR?
625
00:31:21,041 --> 00:31:22,959
NO.
626
00:31:24,000 --> 00:31:25,875
YES.
627
00:31:25,875 --> 00:31:27,959
IT WAS A GIFT.
628
00:31:33,667 --> 00:31:35,125
NO.
629
00:31:35,125 --> 00:31:37,583
NO.
630
00:31:37,583 --> 00:31:38,917
WHOA.
631
00:31:38,917 --> 00:31:41,250
NO.
632
00:31:41,250 --> 00:31:42,458
[ Gasps ]
633
00:31:42,458 --> 00:31:43,542
THERE.
634
00:31:45,041 --> 00:31:45,959
OH.
635
00:31:45,959 --> 00:31:49,125
YEAH, PRETTY
DARN LICKABLE.
636
00:31:49,125 --> 00:31:51,125
THE OTHER KIND OF OH.
637
00:31:51,125 --> 00:31:53,250
THAT'S IT.
THAT'S WHAT TARA SAW.
638
00:31:53,250 --> 00:31:56,667
WHY WOULD JONATHAN
HAVE THE SAME MARK
AS THE MONSTER?
639
00:31:56,667 --> 00:31:58,125
I DON'T KNOW,
640
00:31:58,125 --> 00:31:59,625
BUT HE'S DEFINITELY
KEEPING THIS--
641
00:31:59,625 --> 00:32:01,125
[ Jonathan ]
IS THIS A PRIVATE
CONVERSATION?
642
00:32:01,125 --> 00:32:03,708
OR CAN
MR. JULY SIT IN?
643
00:32:03,708 --> 00:32:04,834
JONATHAN.
644
00:32:04,834 --> 00:32:07,000
HI. BUFFY
WAS JUST SAYING
645
00:32:07,000 --> 00:32:09,208
HOW YOU HAD
A MONSTER CUT UP
WILLOW'S FRIEND, AND--
646
00:32:10,458 --> 00:32:13,209
BUFFY?
647
00:32:13,209 --> 00:32:14,375
NO.
648
00:32:20,792 --> 00:32:22,417
IT'S JUST--
649
00:32:22,417 --> 00:32:24,083
THE MARK.
650
00:32:24,083 --> 00:32:28,166
YOU SAID IT WAS SAFE
AND IT WASN'T.
651
00:32:30,041 --> 00:32:33,125
I'M SORRY. I JUST
DON'T UNDERSTAND.
652
00:32:34,959 --> 00:32:36,667
THEN I'LL EXPLAIN.
653
00:32:42,041 --> 00:32:43,166
BUFFY IS RIGHT.
654
00:32:46,750 --> 00:32:47,875
NO.
655
00:32:47,875 --> 00:32:49,959
I DO HAVE A HISTORY
WITH THE CREATURE.
656
00:32:49,959 --> 00:32:52,083
THE MONSTER.
657
00:32:52,083 --> 00:32:53,542
THE PROBLEM IS
EVERY TIME I FACE IT,
658
00:32:53,542 --> 00:32:56,000
MY MIND BECOMES
SORT OF CONFUSED.
659
00:32:56,000 --> 00:32:58,917
THERE'S SOME KIND
OF POWER IT POSSESSES.
660
00:32:58,917 --> 00:33:01,625
OH, OH!
HE'S LIKE
YOUR KRYPTONITE.
661
00:33:01,625 --> 00:33:03,458
MAYBE.
662
00:33:03,458 --> 00:33:05,667
I JUST KNOW THAT
IT TAKES ALL MY ENERGY
663
00:33:05,667 --> 00:33:07,291
TO TRY AND FIGHT
THE CONFUSION.
664
00:33:07,291 --> 00:33:09,708
THAT'S WHY I HAD
HIS MARK TATTOOED ON ME,
665
00:33:09,708 --> 00:33:12,041
SO THAT I WOULDN'T
UNDERESTIMATE IT
NEXT TIME.
666
00:33:14,125 --> 00:33:16,583
THIS DOES EXPLAIN EVERYTHING.
667
00:33:16,583 --> 00:33:18,125
I KNEW HE WOULDN'T
DO ANYTHING
ON PURPOSE.
668
00:33:18,125 --> 00:33:19,834
ME, TOO,
669
00:33:19,834 --> 00:33:23,166
AND THAT WHOLE
ALTERNATE UNIVERSE
THING WAS TOO FREAKY.
670
00:33:24,583 --> 00:33:26,125
JONATHAN...
671
00:33:26,125 --> 00:33:27,708
LET'S GO AFTER
THE MONSTER.
672
00:33:27,708 --> 00:33:29,000
RIGHT NOW.
YOU AND ME.
673
00:33:29,000 --> 00:33:30,500
WELL, I'M SURE
IT'S LEFT TOWN BY NOW.
674
00:33:30,500 --> 00:33:32,083
THAT'S BEEN ITS PATTERN.
675
00:33:32,083 --> 00:33:34,041
WE CAN TRY.
676
00:33:34,041 --> 00:33:36,917
SURE.
677
00:33:36,917 --> 00:33:39,250
LET'S DO THAT.
678
00:33:42,166 --> 00:33:44,291
GOOD-BYE, JONATHAN.
GOOD-BYE.
679
00:33:51,583 --> 00:33:53,291
OH, LOOK.
680
00:33:53,291 --> 00:33:54,750
JONATHAN.
681
00:33:54,750 --> 00:33:58,834
TAKING THE LITTLE SIDEKICK
OUT FOR A WALK, ARE WE?
682
00:33:58,834 --> 00:34:00,041
SHUT UP, SPIKE.
683
00:34:00,041 --> 00:34:02,333
OOH, SEMI-HARSH
LANGUAGE FROM BETTY.
684
00:34:04,041 --> 00:34:07,083
YOU'RE FEISTY
WHEN THE BIG GUY'S
STANDING BESIDE YOU.
685
00:34:09,750 --> 00:34:10,917
SOMEDAY...
686
00:34:10,917 --> 00:34:14,083
SWEET SLAYER...
687
00:34:14,083 --> 00:34:18,000
I WOULD LOVE
TO TAKE YOU ON,
688
00:34:18,000 --> 00:34:21,500
SEE YOU FACE THE EVIL
ALONE FOR ONCE.
689
00:34:24,834 --> 00:34:27,041
THAT'S ENOUGH
OF THE CREEPY
SMALL TALK.
690
00:34:27,041 --> 00:34:28,834
WE'RE LOOKING
FOR A MONSTER.
691
00:34:28,834 --> 00:34:30,875
WHY WOULD I
KNOW ABOUT THAT?
692
00:34:30,875 --> 00:34:31,875
EVERY DEMON
IN THIS TOWN
693
00:34:31,875 --> 00:34:33,041
IS GUNNING
FOR YOU RIGHT NOW,
694
00:34:33,041 --> 00:34:34,083
SO I FIGURE
YOU'RE PROBABLY
695
00:34:34,083 --> 00:34:35,375
KEEPING PRETTY GOOD
TRACK OF THEM.
696
00:34:35,375 --> 00:34:38,125
BIG ARMS,
MARK ON ITS HEAD.
697
00:34:38,125 --> 00:34:39,458
HAVE YOU SEEN IT?
698
00:34:39,458 --> 00:34:42,875
NO, BUT THEN AGAIN,
I'M PROBABLY LYING.
699
00:34:47,083 --> 00:34:49,917
WE'RE NOT GETTING
ANYTHING OUT OF HIM.
700
00:34:51,250 --> 00:34:53,750
UNH! HEY,
WHAT ARE YOU DOING?
701
00:34:53,750 --> 00:34:55,708
YOU'RE NOT
SUPPOSED TO DO THAT.
702
00:34:55,708 --> 00:34:58,166
YOU'RE PRETTY MUCH
RELYING ON BUTCHER'S
BLOOD THESE DAYS,
703
00:34:58,166 --> 00:34:59,083
RIGHT, SPIKE?
704
00:34:59,083 --> 00:35:01,000
WHAT ARE YOU SAYING?
705
00:35:01,000 --> 00:35:02,125
JUST THAT THE
BUTCHERS IN THIS TOWN
706
00:35:02,125 --> 00:35:04,500
RESPECT JONATHAN.
707
00:35:04,500 --> 00:35:07,667
THEY DO HIM
A FAVOR, AND YOU
MIGHT FIND YOURSELF
708
00:35:07,667 --> 00:35:09,291
GETTING KIND OF THIRSTY.
709
00:35:16,417 --> 00:35:20,291
WELL, LOOK,
I DON'T KNOW MUCH, OKAY?
710
00:35:20,291 --> 00:35:22,542
SOME VAMPIRES
GOT KICKED OUT
OF A CAVE IN THE HILLS
711
00:35:22,542 --> 00:35:23,917
BEHIND BROOKSIDE PARK.
712
00:35:25,250 --> 00:35:26,917
I DON'T KNOW WHAT
DID THE KICKING OUT,
713
00:35:26,917 --> 00:35:28,667
BUT IT WAS PROBABLY
PRETTY BIG.
714
00:35:31,000 --> 00:35:33,083
THAT WAS VERY GOOD.
715
00:35:33,083 --> 00:35:34,792
VERY GOOD.
716
00:35:37,166 --> 00:35:38,166
THESE SPELLS.
717
00:35:38,166 --> 00:35:39,875
THESE REALLY WORK?
718
00:35:39,875 --> 00:35:44,166
I MEAN, CAN YOU REALLY
TURN YOUR ENEMIES
INSIDE OUT
719
00:35:44,166 --> 00:35:47,875
OR LEARN TO
EXCRETE GOLD COINS?
720
00:35:47,875 --> 00:35:49,417
THAT ONE'S
NOT SO MUCH FUN.
721
00:35:49,417 --> 00:35:52,208
THEY WORK, RILEY,
BUT THEY TAKE
CONCENTRATION,
722
00:35:52,208 --> 00:35:55,083
BEING ATTUNED
WITH THE FORCES
OF THE UNIVERSE.
723
00:35:55,083 --> 00:35:56,625
RIGHT,
YOU CAN'T JUST GO
724
00:35:56,625 --> 00:36:00,250
"LIBRUM INCENDERE"
AND EXPECT--
725
00:36:03,083 --> 00:36:05,667
XANDER, DON'T SPEAK LATIN
IN FRONT OF THE BOOKS.
726
00:36:07,166 --> 00:36:09,125
HEY! I FOUND
THE MARK.
727
00:36:09,125 --> 00:36:12,625
IT'S PART OF
AN AUGMENTATION
SPELL.
728
00:36:12,625 --> 00:36:15,291
JONATHAN DID
AN AUGMENTATION
SPELL.
729
00:36:17,208 --> 00:36:20,458
WHAT, UM,
DID HE HAVE--
UH, YOU KNOW.
730
00:36:20,458 --> 00:36:23,500
HIM AND
HOW WE SEE HIM.
731
00:36:23,500 --> 00:36:26,917
THIS SPELL TURNS
THE SORCERER INTO
A SORT OF PARAGON--
732
00:36:26,917 --> 00:36:28,250
THE BEST OF
EVERYTHING,
733
00:36:28,250 --> 00:36:30,208
EVERYONE'S IDEAL.
734
00:36:30,208 --> 00:36:32,208
BUT THERE'S
A DRAWBACK.
735
00:36:32,208 --> 00:36:33,333
A DRAWBACK?
736
00:36:33,333 --> 00:36:35,166
THAT HAPPENS A LOT.
737
00:36:35,166 --> 00:36:37,208
IN ORDER TO BALANCE
THE NEW FORCE OF GOOD,
738
00:36:37,208 --> 00:36:40,250
THE SPELL HAS TO CREATE
THE OPPOSING FORCE OF EVIL--
739
00:36:40,250 --> 00:36:42,375
THE WORST OF EVERYTHING,
EVERYONE'S NIGHTMARE.
740
00:36:42,375 --> 00:36:45,041
HE CREATED
THE MONSTER.
741
00:36:45,041 --> 00:36:46,500
SO WE'RE SAYING
HE DID A SPELL
742
00:36:46,500 --> 00:36:48,708
JUST TO MAKE US
THINK HE WAS COOL?
743
00:36:48,708 --> 00:36:50,208
YES.
744
00:36:50,208 --> 00:36:53,583
THAT IS SO COOL.
745
00:36:53,583 --> 00:36:56,208
GILES, BUFFY AND JONATHAN
ARE GOING AFTER
THIS NIGHTMARE THING.
746
00:36:56,208 --> 00:36:58,417
ARE THEY GOING TO BE OKAY?
747
00:36:58,417 --> 00:37:00,125
WELL, IT SEEMS
THAT THE WELL-BEING
OF THIS CREATURE
748
00:37:00,125 --> 00:37:01,125
IS LINKED TO JONATHAN.
749
00:37:01,125 --> 00:37:03,208
IT DIES,
THE SPELL IS BROKEN,
750
00:37:03,208 --> 00:37:06,375
JONATHAN REVERTS TO
WHATEVER HE WAS BEFORE.
751
00:37:08,041 --> 00:37:12,209
JONATHAN ISN'T
GOING TO WANT BUFFY
TO GET VERY FAR.
752
00:37:28,583 --> 00:37:30,208
WOW.
753
00:37:30,208 --> 00:37:32,583
FALL DOWN THERE
AND BE DEAD
FOR A WHILE.
754
00:37:32,583 --> 00:37:34,417
YEAH.
755
00:37:36,000 --> 00:37:38,083
DON'T WANT THAT TO HAPPEN.
756
00:37:45,792 --> 00:37:48,000
COME ON.
757
00:37:48,000 --> 00:37:49,125
WE'VE GOT
A MONSTER TO--
758
00:37:58,333 --> 00:38:00,250
BUFFY WAS RIGHT.
759
00:38:00,250 --> 00:38:03,167
BUFFY WAS RIGHT.
760
00:38:03,167 --> 00:38:04,750
DOESN'T SOUND
VERY LIKELY, DOES IT?
761
00:38:04,750 --> 00:38:06,834
[ Riley ] SO IF THIS
IS THE WORLD HE CREATED,
762
00:38:06,834 --> 00:38:08,125
WHAT'S
THE REAL WORLD LIKE?
763
00:38:08,125 --> 00:38:09,291
I'M SCARED.
764
00:38:09,291 --> 00:38:11,291
EVERYTHING'S
GONNA CHANGE.
765
00:38:11,291 --> 00:38:14,542
WELL,
ACTUALLY, IT'LL REMAIN
PRETTY MUCH THE SAME,
766
00:38:14,542 --> 00:38:17,083
EXCEPT THAT JONATHAN
WON'T BE JONATHAN.
767
00:38:17,083 --> 00:38:19,041
WELL, NOT
OUR JONATHAN, ANYWAY.
768
00:38:19,041 --> 00:38:20,542
[ Xander ] NO, NO, NO.
769
00:38:20,542 --> 00:38:22,208
WORLD WITHOUT SUNSHINE.
770
00:38:22,208 --> 00:38:23,583
WORLD WITHOUT JOY.
771
00:38:23,583 --> 00:38:25,291
[ Riley ] BUT WAIT.
772
00:38:25,291 --> 00:38:27,333
IT ONLY CHANGES BACK
IF BUFFY KILLS
THIS THING.
773
00:38:27,333 --> 00:38:28,792
I MEAN, IF SHE LOSES,
774
00:38:28,792 --> 00:38:31,667
THEN WE COULD
BE STUCK IN THIS
WRONG WORLD FOREVER.
775
00:38:31,667 --> 00:38:33,125
THINGS LOOKING UP.
776
00:38:33,125 --> 00:38:36,417
I MEAN, WE'RE
ALL HAPPY HERE, RIGHT?
777
00:38:36,417 --> 00:38:38,834
YOU KNOW, IF
SHE DOESN'T GET KILLED.
778
00:38:38,834 --> 00:38:41,375
GILES,
CAN BUFFY DO IT?
779
00:38:41,375 --> 00:38:44,000
I HONESTLY DON'T KNOW.
780
00:38:44,000 --> 00:38:47,375
SHE'S NEVER STOOD ALONE
AGAINST SOMETHING
LIKE THIS BEFORE.
781
00:38:48,375 --> 00:38:50,667
[ Monster ] AAARGH!
782
00:39:03,000 --> 00:39:04,667
JONATHAN, WHAT DO I DO?
783
00:39:04,667 --> 00:39:05,583
I THINK YOU'RE
GOING TO HAVE TO
HANDLE THIS ONE SOLO.
784
00:39:05,583 --> 00:39:07,333
WHAT? BUT HOW?
785
00:39:07,333 --> 00:39:09,208
YOU'LL KNOW.
YOU USED TO.
786
00:39:09,208 --> 00:39:12,708
AND THE MORE
YOU HURT IT,
THE MORE I'LL LOSE MY--
787
00:39:12,708 --> 00:39:14,167
WHAT? LOSE YOUR--
788
00:39:28,291 --> 00:39:30,625
I REMEMBER THIS.
789
00:39:30,625 --> 00:39:32,166
THIS IS GOOD.
790
00:40:14,333 --> 00:40:16,667
[ Willow ] I CAN'T BELIEVE
WE BELIEVED IT.
791
00:40:16,667 --> 00:40:18,083
IT SEEMED
SO REAL.
792
00:40:18,083 --> 00:40:20,500
WELL, IN
THAT WORLD,
IT WAS REAL.
793
00:40:20,500 --> 00:40:22,875
ALTERNATE REALITIES
ARE NEAT.
794
00:40:22,875 --> 00:40:24,500
YOU KNOW WHAT
I'LL ALWAYS
REMEMBER?
795
00:40:24,500 --> 00:40:27,375
WELL, THE SWIMSUIT
CALENDAR'S STICKING
IN MY MIND.
796
00:40:27,375 --> 00:40:30,041
NOT IN A GOOD WAY.
797
00:40:30,041 --> 00:40:33,750
I'LL ALWAYS REMEMBER
THE WAY HE MADE ME
FEEL ABOUT ME--
798
00:40:33,750 --> 00:40:35,708
VALUED AND RESPECTED,
799
00:40:35,708 --> 00:40:37,583
SORT OF TINGLY,
800
00:40:37,583 --> 00:40:40,250
AND NOW I'M JUST...
801
00:40:40,250 --> 00:40:41,375
EMPTY.
802
00:40:41,375 --> 00:40:43,333
POOR XANDER.
803
00:40:43,333 --> 00:40:45,125
I GUESS
JONATHAN HURT
YOU MOST OF ALL.
804
00:40:45,125 --> 00:40:46,291
UM...
805
00:40:46,291 --> 00:40:48,083
EXCEPT,
OF COURSE,
AFTER TARA.
806
00:40:48,083 --> 00:40:51,458
DID ANYONE ELSE
FEEL WAY TOO TALL?
807
00:40:51,458 --> 00:40:53,125
I FELT WAY TOO TALL.
808
00:40:53,125 --> 00:40:54,250
[ Xander ] I LIKED
HIS CLOTHES.
809
00:40:54,250 --> 00:40:56,959
HE HAD REALLY
COOL CLOTHES.
810
00:40:56,959 --> 00:40:58,708
[ Willow ] I STILL
DON'T UNDERSTAND
811
00:40:58,708 --> 00:41:00,166
HOW HE GOT THE HOUSE
AND EVERYTHING.
812
00:41:00,166 --> 00:41:02,125
[ Anya ] AND WHO REALLY DID
STAR IN THE MATRIX?
813
00:41:02,125 --> 00:41:05,125
[ Riley ] WAIT, THAT
WASN'T REAL EITHER?
814
00:41:06,750 --> 00:41:10,125
I WASN'T SURE
YOU'D COME OVER.
815
00:41:10,125 --> 00:41:12,417
EVERYONE'S
MOSTLY FORGETTING,
816
00:41:12,417 --> 00:41:16,125
BUT I THINK SOME PEOPLE
ARE KIND OF ANGRY.
817
00:41:16,125 --> 00:41:19,250
YEAH.
818
00:41:19,250 --> 00:41:21,500
NOBODY'S
EVEN TALKING TO ME,
819
00:41:21,500 --> 00:41:24,500
AND THE TWINS MOVED OUT.
820
00:41:24,500 --> 00:41:26,375
WHY DID YOU
DO IT, ANYWAY?
821
00:41:26,375 --> 00:41:29,500
NO, I GET WHY.
HOW?
822
00:41:29,500 --> 00:41:32,583
AFTER THE THING
WITH THE BELL TOWER
AND THE GUN,
823
00:41:32,583 --> 00:41:33,959
I WENT TO COUNSELING.
824
00:41:33,959 --> 00:41:35,667
YOU KNOW, OTHER KIDS
WITH PROBLEMS,
825
00:41:35,667 --> 00:41:38,583
AND ONE OF THEM
HAD THIS SPELL.
826
00:41:38,583 --> 00:41:40,500
HE GLOSSED
RIGHT OVER THE MONSTER.
827
00:41:40,500 --> 00:41:44,625
WELL, ANYWAY,
I JUST--
828
00:41:44,625 --> 00:41:46,875
I JUST WANTED
TO APOLOGIZE.
829
00:41:46,875 --> 00:41:48,542
NOBODY WAS SUPPOSED
TO GET HURT.
830
00:41:48,542 --> 00:41:52,625
JONATHAN, YOU GET WHY
EVERYONE IS ANGRY,
THOUGH, RIGHT?
831
00:41:52,625 --> 00:41:54,375
IT'S NOT
JUST THE MONSTER.
832
00:41:54,375 --> 00:41:57,834
PEOPLE DIDN'T LIKE BEING
THE LITTLE ACTORS
833
00:41:57,834 --> 00:41:59,166
IN YOUR SOCK PUPPET
THEATER.
834
00:41:59,166 --> 00:42:01,250
YOU WEREN'T.
835
00:42:01,250 --> 00:42:02,875
YOU WEREN'T SOCKS.
836
00:42:02,875 --> 00:42:04,834
WE WERE FRIENDS.
837
00:42:04,834 --> 00:42:08,166
JONATHAN, YOU CAN'T
KEEP TRYING TO MAKE
EVERYTHING WORK OUT
838
00:42:08,166 --> 00:42:11,000
WITH SOME BIG GESTURE
ALL AT ONCE.
839
00:42:11,000 --> 00:42:12,834
THINGS ARE COMPLICATED.
840
00:42:12,834 --> 00:42:15,209
THEY TAKE TIME AND WORK.
841
00:42:16,750 --> 00:42:18,542
YEAH.
842
00:42:18,542 --> 00:42:21,208
RIGHT.
843
00:42:22,792 --> 00:42:25,125
HEY, BUFFY.
844
00:42:25,125 --> 00:42:27,542
YOU REMEMBER
I GAVE YOU SOME ADVICE?
845
00:42:27,542 --> 00:42:29,375
WATCH OUT FOR SOUTHPAWS?
846
00:42:29,375 --> 00:42:31,542
NO. ABOUT YOU AND RILEY.
847
00:42:31,542 --> 00:42:35,250
I MEAN,
THINGS ARE KIND
OF STARTING TO BLUR,
848
00:42:35,250 --> 00:42:37,333
BUT THIS COOL THING I SAID,
849
00:42:37,333 --> 00:42:40,500
UM, THAT I DON'T
REALLY REMEMBER,
850
00:42:40,500 --> 00:42:43,375
I THINK IT'S RIGHT.
851
00:42:43,375 --> 00:42:45,417
I THINK IT'S
KIND OF THE SAME THING
852
00:42:45,417 --> 00:42:46,500
YOU JUST SAID TO ME.
853
00:42:50,375 --> 00:42:51,708
ABOUT THINGS TAKING WORK.
854
00:42:53,750 --> 00:42:55,583
YEAH.
855
00:42:55,583 --> 00:42:56,583
I REMEMBER.
856
00:42:56,583 --> 00:42:58,625
GOOD.
857
00:42:58,625 --> 00:43:01,041
BECAUSE IT'S TRUE.
858
00:43:01,041 --> 00:43:03,291
WHAT YOU HAVE
IS REALLY COMPLICATED,
859
00:43:03,291 --> 00:43:05,458
BUT IT'S WORTH IT.
860
00:43:07,875 --> 00:43:10,625
I THINK THAT'S WHAT I SAID.
861
00:43:26,375 --> 00:43:29,041
I'M GLAD WE TALKED
THIS ALL OUT.
862
00:43:30,625 --> 00:43:33,792
WE HAVEN'T
TALKED AT ALL.
863
00:43:33,792 --> 00:43:35,708
OH.
864
00:43:35,708 --> 00:43:39,166
WELL, WHATEVER
WE'RE DOING,
WE'RE DOING IT GREAT.
865
00:43:44,959 --> 00:43:48,000
MMM, JONATHAN.
866
00:44:25,166 --> 00:44:27,083
GRR! ARRGH!
58732
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