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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,812 --> 00:00:08,812 - Michele: FIVE, SIX, SEVEN, EIGHT. - ( tapping ) 2 00:00:11,877 --> 00:00:13,877 CLEAN UP THOSE SHUFFLES. 3 00:00:13,879 --> 00:00:15,879 MAKE SURE YOU REALLY CHANGE YOUR WEIGHT ON YOUR FEET. 4 00:00:18,885 --> 00:00:20,885 ( music playing ) 5 00:00:31,868 --> 00:00:33,398 ALL RIGHT. GREAT JOB, EVERYONE. 6 00:00:33,400 --> 00:00:35,870 CLAP FOR YOURSELVES, PLEASE. 7 00:00:35,873 --> 00:00:37,953 AND THE GHOST OF DONALD O'CONNOR 8 00:00:37,945 --> 00:00:39,675 APPLAUDS YOU AS WELL. 9 00:00:39,677 --> 00:00:41,007 DON'T SAY THAT NAME. 10 00:00:41,008 --> 00:00:43,548 DON'T EVER SAY THAT NAME. 11 00:00:45,753 --> 00:00:48,363 WOW, WHAT'S WITH MAYBIN? SHE JUST BIT MY HEAD OFF. 12 00:00:48,356 --> 00:00:49,886 YOU DIDN'T MENTION DONALD O'CONNOR, DID YOU? 13 00:00:49,888 --> 00:00:51,558 - YEAH. - BIG MISTAKE. 14 00:00:51,559 --> 00:00:54,019 HEY, QUESTION-- WHEN IS THE ADULT TAP CLASS DOING A RECITAL? 15 00:00:54,022 --> 00:00:55,562 WELL, I'D SAY PROBABLY NEVER. 16 00:00:55,564 --> 00:00:57,034 WHAT? WHY? 17 00:00:57,025 --> 00:00:58,895 THE SHORTIES DO RECITALS ALL THE TIME. 18 00:00:58,897 --> 00:01:00,767 YEAH, BUT THE SHORTIES HAVE A BUILT IN AUDIENCE. 19 00:01:00,769 --> 00:01:01,899 YOU GUYS DON'T. 20 00:01:01,900 --> 00:01:02,770 ARE YOU SAYING PEOPLE WOULDN'T COME 21 00:01:02,771 --> 00:01:04,431 TO AN ADULT TAP RECITAL? 22 00:01:04,433 --> 00:01:07,513 THEY MIGHT IF IT WAS AN ADULT FILM STAR TAP RECITAL. 23 00:01:07,506 --> 00:01:08,976 WELL, THEN MAYBE NOT A RECITAL, 24 00:01:08,978 --> 00:01:10,338 BUT WE HAVE TO DO SOMETHING. 25 00:01:10,339 --> 00:01:12,479 OH, I KNOW. HOW ABOUT A TAP DANCE FLASH MOB? 26 00:01:12,482 --> 00:01:13,682 A TAP DANCE FLASH MOB? 27 00:01:13,683 --> 00:01:14,883 YEAH YEAH. 28 00:01:14,884 --> 00:01:16,354 LIKE WE RUN INTO NORDSTROMS WITHOUT WARNING 29 00:01:16,346 --> 00:01:18,016 AND WE SURROUND THAT DUDE PLAYING THE PIANO, 30 00:01:18,018 --> 00:01:19,488 AND THEN WE DO A SHUFFLE STEP, 31 00:01:19,489 --> 00:01:20,949 A COUPLE OF STAMPS, ADD A FLAP HEEL, 32 00:01:20,951 --> 00:01:21,951 AND THEN WE THROW SHOES AT HIM. 33 00:01:21,952 --> 00:01:23,692 WHY WOULD YOU THROW SHOES AT HIM? 34 00:01:23,694 --> 00:01:25,034 I DON'T KNOW. 'CAUSE WE'RE MAD AT HIM FOR SOME REASON. 35 00:01:25,025 --> 00:01:26,895 MAYBE WE COULD SET UP SOME SORT OF 36 00:01:26,897 --> 00:01:29,757 PERFORMANCE IN TOWN THAT WOULDN'T INCLUDE AN ASSAULT. 37 00:01:29,760 --> 00:01:31,560 WELL, I'M OPEN. 38 00:01:31,562 --> 00:01:32,562 SEE YOU. 39 00:01:32,563 --> 00:01:34,043 HEY. 40 00:01:34,035 --> 00:01:36,035 WHAT HAPPENED WITH MAYBIN AND DONALD O'CONNOR? 41 00:01:36,037 --> 00:01:37,907 OH, IT'S DARK. REALLY DARK. 42 00:01:37,909 --> 00:01:39,909 OH, AND DON'T MENTION FIORELLO LAGUARDIA 43 00:01:39,911 --> 00:01:41,841 OR BOB BARKER AROUND HER EITHER. 44 00:01:41,843 --> 00:01:43,853 - TRUST ME. - ( crickets chirping ) 45 00:01:53,626 --> 00:01:56,026 - ( switch clicks ) - ( door shuts ) 46 00:02:01,033 --> 00:02:03,043 HEY, MICHELLE. 47 00:02:03,036 --> 00:02:04,896 - HI. - HEY. 48 00:02:04,898 --> 00:02:05,898 WHAT ARE YOU DOING HERE? 49 00:02:05,899 --> 00:02:07,569 I TOTALLY BLEW AT CLASS TODAY. 50 00:02:07,570 --> 00:02:08,900 I JUST COULDN'T NAIL THAT MOVE YOU SHOWED US-- 51 00:02:08,902 --> 00:02:10,902 THAT FOUETTE INTO THE ATTITUDE TURN. 52 00:02:10,904 --> 00:02:12,514 YEAH, IT'S TRICKY. 53 00:02:12,506 --> 00:02:15,046 YEAH, SO I THOUGHT I'D COME DOWN AND REHEARSE A LITTLE. 54 00:02:15,048 --> 00:02:17,378 I LIKE IT WHEN IT'S EMPTY AND QUIET. 55 00:02:17,381 --> 00:02:18,751 DIDN'T MEAN TO INTERRUPT ANYTHING. 56 00:02:18,752 --> 00:02:20,582 NO, I WAS JUST TAKING OFF. THE PLACE IS ALL YOURS. 57 00:02:20,584 --> 00:02:21,924 JUST LOCK UP WHEN YOU'RE DONE, OKAY? 58 00:02:21,916 --> 00:02:23,016 SURE, THANKS. 59 00:02:23,017 --> 00:02:24,687 HOW ARE THINGS AT HOME? 60 00:02:24,689 --> 00:02:25,859 PARENTS STILL FIGHTING? 61 00:02:25,860 --> 00:02:28,060 AT THE MOMENT, THEY'RE JUST NOT SPEAKING, 62 00:02:28,062 --> 00:02:30,802 SO WE'RE GOING THROUGH A MUCH-NEEDED QUIET PERIOD. 63 00:02:30,795 --> 00:02:32,795 WELL, I'M PROUD OF YOU. 64 00:02:32,797 --> 00:02:33,867 I HOPE YOU KNOW THAT. 65 00:02:33,868 --> 00:02:35,028 PROUD OF WHAT? 66 00:02:35,030 --> 00:02:36,470 JUST MAKING IT THROUGH JOFFREY, 67 00:02:36,471 --> 00:02:37,931 BEING BACK HERE WITH EVERYTHING GOING ON. 68 00:02:37,933 --> 00:02:38,973 IT'S BEEN A LONG ROAD. 69 00:02:38,974 --> 00:02:40,114 VERY. 70 00:02:40,105 --> 00:02:41,575 AND I HOPE YOU KNOW THAT IF YOU EVER 71 00:02:41,577 --> 00:02:42,577 NEED SOMEONE TO TALK TO, 72 00:02:42,578 --> 00:02:44,708 OR JUST A PLACE TO HANG... 73 00:02:44,710 --> 00:02:45,710 I'M HERE. 74 00:02:46,912 --> 00:02:48,142 THANKS. 75 00:02:49,585 --> 00:02:51,045 SO IS HE OUTSIDE OR STILL ON HIS WAY? 76 00:02:51,047 --> 00:02:52,587 - WHO? - DUDE. 77 00:02:52,588 --> 00:02:54,148 - OUTSIDE. - YO, ROMAN! 78 00:02:57,423 --> 00:02:59,203 - HELLO, ROMAN. - HELLO, MICHELLE. 79 00:02:59,195 --> 00:03:01,495 - YOU GETTING TALLER? - MAYBE. 80 00:03:01,498 --> 00:03:03,128 - YOU'RE GETTING TALLER. - HOW DID YOU KNOW? 81 00:03:03,130 --> 00:03:04,600 OH, LITTLE ONE, I HAVE DONE 82 00:03:04,601 --> 00:03:06,731 ALL THAT YOU HAVE DONE OR SHALL DO, 83 00:03:06,733 --> 00:03:08,943 THOUGHT OF ALL YOU'VE THOUGHT OR SHALL THINK. 84 00:03:08,936 --> 00:03:10,936 I AM ALL-KNOWING. 85 00:03:10,938 --> 00:03:12,068 I AM MICHELLE. 86 00:03:12,069 --> 00:03:13,769 - Roman: CAN I GO? - YES. 87 00:03:15,142 --> 00:03:16,912 ( door closes ) 88 00:03:16,914 --> 00:03:18,654 GOT LEFTOVERS AT MY PLACE, 89 00:03:18,646 --> 00:03:19,916 - YOU HUNGRY? - I CAN ALWAYS EAT. 90 00:03:19,917 --> 00:03:21,577 I SWEAR HE'S GETTING TALLER. 91 00:03:21,579 --> 00:03:23,049 - MAYBE. - HE'S DEFINITELY NOT GETTING SHORTER. 92 00:03:25,523 --> 00:03:26,633 ( switch clicks ) 93 00:03:29,758 --> 00:03:31,788 ( theme music playing ) 94 00:03:50,951 --> 00:03:52,951 ( piano playing ) 95 00:04:06,067 --> 00:04:07,527 NOT BAD. 96 00:04:09,270 --> 00:04:10,930 LADIES, USE YOUR CENTER. 97 00:04:10,932 --> 00:04:12,132 PARTNERING IS NOT JUST ON THE GUYS, 98 00:04:12,133 --> 00:04:13,683 IT'S 50-50. 99 00:04:18,910 --> 00:04:20,910 - VERY MEDIOCRE. - ( exhales sharply ) 100 00:04:23,085 --> 00:04:25,615 ERIC, EDGAR, YOU'RE LOSING STEAM. 101 00:04:26,719 --> 00:04:28,989 GUYS, SWAN LAKE, THREE HOURS LONG. 102 00:04:28,991 --> 00:04:30,821 REMEMBER THAT. 103 00:04:30,823 --> 00:04:32,633 GETTING WORSE. 104 00:04:32,625 --> 00:04:35,095 GETTING WORSE. 105 00:04:35,098 --> 00:04:36,898 OKAY. LET'S DO IT AGAIN. 106 00:04:36,899 --> 00:04:38,029 COME ON! 107 00:04:38,031 --> 00:04:39,601 OKAY, OKAY. ALL RIGHT. 108 00:04:39,602 --> 00:04:41,602 - ( music stops ) - NICE WORK, EVERYBODY. 109 00:04:41,604 --> 00:04:42,914 NICE WORK. I'LL SEE YOU TOMORROW. 110 00:04:42,906 --> 00:04:44,606 APOLOGIES TO THE GUYS. 111 00:04:44,608 --> 00:04:46,938 GUYS? WHAT, YOU'RE NOT EVEN TALKING TO ME? 112 00:04:46,940 --> 00:04:49,210 IS THIS IT? IS OUR RELATIONSHIP OVER? 113 00:04:49,213 --> 00:04:51,223 ( cellphone ringing ) 114 00:04:53,948 --> 00:04:55,948 - TALIA, HEY. - OPEN THE E-MAIL I JUST SENT YOU. 115 00:04:55,950 --> 00:04:57,020 That's a fine how do you do. 116 00:04:57,021 --> 00:04:58,221 JUST OPEN IT NOW. IT'S TOP PRIORITY 117 00:04:58,222 --> 00:04:59,622 AND TIME SENSITIVE. 118 00:04:59,624 --> 00:05:02,764 ALL RIGHT. HOLD YOUR HORSES, CLAIRE DANES. 119 00:05:02,757 --> 00:05:04,027 WHAT AM I LOOKING AT? 120 00:05:04,028 --> 00:05:05,728 OUR FRIEND, MARION. 121 00:05:05,730 --> 00:05:07,760 OH, SO IT'S A PHOTO. IT'S FUZZY. 122 00:05:07,762 --> 00:05:09,092 It's the best photo we had of him. 123 00:05:09,094 --> 00:05:11,104 - IT'S A HIM? - OF COURSE IT'S A HIM. 124 00:05:11,096 --> 00:05:12,296 His name's Marion? 125 00:05:12,297 --> 00:05:13,837 JOHN WAYNE'S GIVEN NAME WAS MARION, 126 00:05:13,839 --> 00:05:15,299 AT LEAST ACCORDING TO MARION. 127 00:05:15,300 --> 00:05:17,670 - IT'S A VERY FUZZY PHOTO. - IT'S NOT THE BEST, 128 00:05:17,673 --> 00:05:20,013 - I'll grant you that. - IS MARION BEING ATTACKED BY A GIANT MOTH? 129 00:05:20,005 --> 00:05:22,205 - THAT'S HIS BEARD. - HIS BEARD HAS WINGS? 130 00:05:22,208 --> 00:05:23,978 - Michelle! - WHY AM I LOOKING AT THIS? 131 00:05:23,980 --> 00:05:25,110 'CAUSE YOU'RE GOING OUT WITH HIM. 132 00:05:25,111 --> 00:05:26,811 - TALIA, NO. - Yes. 133 00:05:26,813 --> 00:05:28,083 HE'S GOING TO BE IN THE PARADISE AREA 134 00:05:28,084 --> 00:05:29,624 AND I TOLD HIM ALL ABOUT YOU. 135 00:05:29,616 --> 00:05:30,956 YOU KNOW I DON'T DO BLIND DATES. 136 00:05:30,957 --> 00:05:32,087 It's not blind. You've got a picture. 137 00:05:32,088 --> 00:05:33,788 OF A WOMAN WITH A MOTH EATING HER FACE. 138 00:05:33,790 --> 00:05:35,290 HE'S ACTUALLY A VERY ATTRACTIVE 139 00:05:35,292 --> 00:05:36,762 REAL ESTATE DEVELOPER. 140 00:05:36,763 --> 00:05:37,763 And where do you know Marion from? 141 00:05:37,764 --> 00:05:38,904 HE'S A FRIEND OF RICK'S. 142 00:05:38,896 --> 00:05:40,826 YOUR BOYFRIEND RICK? RICK IS IN HIS 60s. 143 00:05:40,828 --> 00:05:43,868 - HOW OLD IS MARION? - RICK SAID HE'S WAY YOUNGER THAN HIM. 144 00:05:43,871 --> 00:05:45,031 HAVE YOU SEEN MARION IN PERSON? 145 00:05:45,032 --> 00:05:46,972 I'm trusting my Ricky on this. 146 00:05:46,974 --> 00:05:48,114 NOTHING ABOUT THIS SMELLS GOOD. 147 00:05:48,105 --> 00:05:49,305 GIVE IT A SHOT. WHAT CAN IT HURT? 148 00:05:51,309 --> 00:05:53,809 - DOES HE HAVE TEETH? - RICK'S FRIENDS HAVE TEETH. 149 00:05:53,811 --> 00:05:55,811 Maybe not the ones they were born with. 150 00:05:57,986 --> 00:05:59,946 MARION. 151 00:05:59,948 --> 00:06:02,148 ( groans ) I'M SO RIDICULOUSLY STRESSED. 152 00:06:02,150 --> 00:06:03,820 SHH! TRYING TO READ A BOOK HERE. 153 00:06:03,822 --> 00:06:05,222 WHY ARE YOU STARING AT ME? 154 00:06:05,224 --> 00:06:06,864 JUST DRINKING IN THE PICTURE. 155 00:06:06,855 --> 00:06:08,955 AND SWEATY. LOOK HOW SWEATY I AM. 156 00:06:08,958 --> 00:06:10,828 I'M PRACTICALLY DRIPPING. 157 00:06:10,830 --> 00:06:12,800 I MEAN IT. SUPER TRYING TO FOCUS. 158 00:06:12,802 --> 00:06:15,002 SHOOT. IS GEORGE WILSON MYRTLE'S HUSBAND OR BROTHER? 159 00:06:15,004 --> 00:06:16,774 HE WAS SUPPOSED TO ARRIVE TONIGHT. 160 00:06:16,766 --> 00:06:17,966 CARL? 161 00:06:17,967 --> 00:06:20,237 I HAD HIS HOMECOMING PERFECTLY TIMED OUT. 162 00:06:20,240 --> 00:06:21,640 THEN HE WENT WAY OUT OF HIS WAY 163 00:06:21,641 --> 00:06:22,971 TO CATCH AN EARLY TRAIN 164 00:06:22,973 --> 00:06:25,323 BECAUSE HE WANTED TO GET HOME TO ME 165 00:06:25,315 --> 00:06:26,915 AS SOON AS POSSIBLE. 166 00:06:26,917 --> 00:06:28,177 BOO, THAT'S SWEET. 167 00:06:28,178 --> 00:06:29,718 CARL WAS AWAY AT CAMP ALL SUMMER 168 00:06:29,720 --> 00:06:31,320 AND HE MISSED YOU. 169 00:06:31,321 --> 00:06:33,021 ( camera clicks ) 170 00:06:33,023 --> 00:06:34,263 THAT'S INSULTING. 171 00:06:34,255 --> 00:06:36,855 WHEN AM I EVER GOING TO GET ANOTHER OPPORTUNITY? 172 00:06:36,857 --> 00:06:38,127 COMING HOME EARLY TOTALLY MESSED UP 173 00:06:38,129 --> 00:06:39,929 ALL OF MY PERFECT PLANNING. 174 00:06:39,931 --> 00:06:41,991 I WAS GONNA GET A MANICURE. 175 00:06:41,993 --> 00:06:43,333 I WAS GONNA HAVE ONE OF THOSE BATHS 176 00:06:43,334 --> 00:06:45,104 WITH THE SCENTED BATH BOMB. 177 00:06:45,096 --> 00:06:47,296 AND I WAS GONNA GET MY HAIR DONE, 178 00:06:47,298 --> 00:06:48,968 AND I WAS GONNA-- 179 00:06:48,970 --> 00:06:51,240 - NEVER MIND. - YOU WERE GONNA WHAT? 180 00:06:51,243 --> 00:06:53,113 I DON'T WANT TO SAY. 181 00:06:53,105 --> 00:06:55,805 IS IT SOME SORT OF DOWN-THERE GROOMING? 182 00:06:55,807 --> 00:06:57,107 MATISSE! 183 00:06:57,109 --> 00:07:00,149 SHUT UP. YOU DO NOT KNOW ABOUT THINGS LIKE THAT. 184 00:07:00,152 --> 00:07:02,392 WELL, CLEARLY I DO. 185 00:07:02,385 --> 00:07:03,955 Melanie: BROTHER-- GEORGE IS THE BROTHER. 186 00:07:03,956 --> 00:07:05,116 I KNEW THAT. 187 00:07:05,117 --> 00:07:06,787 I DON'T EVEN KNOW WHAT TO WEAR. 188 00:07:06,789 --> 00:07:08,259 I BROUGHT A COUPLE OF OPTIONS. 189 00:07:08,261 --> 00:07:09,861 I NEED YOUR OPINION. 190 00:07:09,862 --> 00:07:11,692 THIS ONE'S CUTE BUT SUMMERY, 191 00:07:11,694 --> 00:07:13,074 THIS ONE'S A LITTLE SEXIER. 192 00:07:13,066 --> 00:07:14,726 NATALIE PORTMAN'S MY ROLE MODEL. 193 00:07:14,728 --> 00:07:15,928 WHICH ONE WOULD NATALIE WEAR? 194 00:07:15,929 --> 00:07:17,469 - I LIKE THE FIRST ONE. - SO DO I. 195 00:07:17,471 --> 00:07:19,001 AND I THINK NATALIE WOULD TOO. 196 00:07:19,002 --> 00:07:20,002 SUMMERY IT IS. 197 00:07:20,003 --> 00:07:21,283 MELANIE! 198 00:07:21,275 --> 00:07:23,005 - ARE YOU WELL? - YES. 199 00:07:23,006 --> 00:07:25,006 SHE FELL BEHIND IN HER SUMMER READING LIST FOR SCHOOL. 200 00:07:25,009 --> 00:07:25,979 AND THE BOOKS AREN'T HELPING. 201 00:07:25,980 --> 00:07:27,310 I'M HALFWAY THROUGH THIS THING 202 00:07:27,311 --> 00:07:29,241 AND THE STUPID WHALE HASN'T EVEN SHOWN UP YET. 203 00:07:29,243 --> 00:07:31,993 THERE'S NO WHALE IN "THE GREAT GATSBY." 204 00:07:31,986 --> 00:07:33,446 ARE YOU JOKING? 205 00:07:33,448 --> 00:07:34,718 WHERE THE HELL IS THIS STINKER GOING 206 00:07:34,719 --> 00:07:35,989 IF THERE'S NO WHALE? 207 00:07:35,990 --> 00:07:37,250 MANY'S A NIGHT F. SCOTT PONDERED 208 00:07:37,252 --> 00:07:39,122 THAT VERY SAME QUESTION. 209 00:07:39,124 --> 00:07:40,464 ( chuckles ) 210 00:07:40,455 --> 00:07:41,995 OH, SHOOT. 211 00:07:41,997 --> 00:07:44,127 I LEFT THE BAG WITH ALL MY MAKEUP DOWNSTAIRS. 212 00:07:44,129 --> 00:07:45,999 I'LL JUST GET CHANGED AT HOME. 213 00:07:46,001 --> 00:07:47,901 WAIT, BOO. 214 00:07:47,903 --> 00:07:49,413 WHAT WERE YOU TALKING ABOUT BEFORE 215 00:07:49,405 --> 00:07:52,065 WITH MATISSE? 216 00:07:52,067 --> 00:07:54,407 SHAVING ABOVE MY KNEES. 217 00:07:56,012 --> 00:07:57,142 OH, BOO. 218 00:07:57,143 --> 00:07:58,143 LATER. 219 00:08:03,219 --> 00:08:05,019 - SURPRISE! - CARL! 220 00:08:05,021 --> 00:08:06,351 WHAT ARE YOU DOING HERE? 221 00:08:06,353 --> 00:08:08,463 I GOT LUCKY AND CAUGHT THE SUPER EARLY TRAIN. 222 00:08:08,455 --> 00:08:10,185 ACTUALLY GOT UP BEFORE REVEILLE. 223 00:08:10,187 --> 00:08:11,987 - COME HERE. - NO. 224 00:08:11,989 --> 00:08:13,059 WHAT ARE YOU DOING? 225 00:08:13,060 --> 00:08:14,990 - I'M GROSS. - PUT THOSE DOWN. 226 00:08:14,992 --> 00:08:16,392 - NO. - I WANT TO HUG YOU. 227 00:08:16,393 --> 00:08:18,343 - NO. - BOO, STOP. COME ON. 228 00:08:18,335 --> 00:08:19,995 CARL, I JUST FINISHED CLASS 229 00:08:19,997 --> 00:08:21,867 AND I CAME STRAIGHT HERE FROM THE OYSTER BAR. 230 00:08:21,869 --> 00:08:23,069 I WAS MANNING THE VATS. 231 00:08:23,070 --> 00:08:25,070 - I DON'T CARE. - I SMELL LIKE ZUCCHINI STICKS. 232 00:08:25,073 --> 00:08:26,473 THIS IS RIDICULOUS. 233 00:08:26,474 --> 00:08:28,414 IT'S NOT FAIR TO LIE ABOUT A TRAIN. 234 00:08:28,406 --> 00:08:30,006 WAIT WAIT. HOLD ON HERE. 235 00:08:30,008 --> 00:08:32,378 IS THERE SOMETHING ELSE. SOMETHING YOU'RE NOT TELLING ME? 236 00:08:32,380 --> 00:08:33,880 I SWITCHED DEODORANTS. 237 00:08:33,882 --> 00:08:35,282 I'M VERY UNSURE ABOUT THIS NEW DEODORANT. 238 00:08:35,283 --> 00:08:38,293 NO, BOO. WE WERE APART FOR SIX WEEKS. 239 00:08:38,287 --> 00:08:40,487 IS THERE ANYTHING YOU NEED TO SAY TO ME? 240 00:08:40,489 --> 00:08:41,919 - LIKE WHAT? - YOU KNOW WHAT. 241 00:08:41,921 --> 00:08:44,521 LOOK, I HAVE NOTHING TO CONFESS TO. 242 00:08:44,523 --> 00:08:46,373 I WAS GOOD. NOT THAT CAMP WANNAPAMOTHPA 243 00:08:46,365 --> 00:08:48,165 IS A HOT BED OF SEXUAL ACTIVITY, 244 00:08:48,167 --> 00:08:50,797 BUT THE GIRLS' CAMP IS JUST A QUICK SWIM ACROSS THAT LAKE. 245 00:08:50,800 --> 00:08:53,130 AND GUYS WERE SWIMMING ACROSS THAT LAKE AT NIGHT. 246 00:08:53,133 --> 00:08:55,483 IT'S NOT SAFE. BUT I NEVER DID. 247 00:08:57,137 --> 00:08:59,477 SO WHAT ABOUT YOU? 248 00:08:59,479 --> 00:09:01,939 NO, NOTHING. 249 00:09:01,942 --> 00:09:02,982 BOO. 250 00:09:04,815 --> 00:09:06,215 I SAW "MAGIC MIKE" TWICE. 251 00:09:06,216 --> 00:09:08,486 THAT'S IT? REALLY? 252 00:09:08,489 --> 00:09:09,949 ALL THIS IS BECAUSE YOU SMELL? 253 00:09:09,950 --> 00:09:10,990 YES? 254 00:09:10,992 --> 00:09:13,292 GREAT. AND I TOTALLY GET IT. 255 00:09:13,294 --> 00:09:15,564 CHANNING TATUM IS A FINE ACTOR. 256 00:09:15,556 --> 00:09:17,096 KISS ME QUICK THEN STEP AWAY. 257 00:09:17,098 --> 00:09:18,828 COOL. 258 00:09:18,830 --> 00:09:19,960 WAIT, DON'T BREATHE IN. 259 00:09:22,163 --> 00:09:23,443 THERE WILL BE BETTER KISSING 260 00:09:23,435 --> 00:09:24,565 AFTER THE BATH BOMB. 261 00:09:24,566 --> 00:09:26,036 EXCELLENT. 262 00:09:26,038 --> 00:09:27,968 OH, AND HEY, THURSDAY NIGHT'S STILL GOOD, RIGHT? 263 00:09:27,970 --> 00:09:29,170 MY MOM NEEDS TO KNOW. 264 00:09:29,171 --> 00:09:30,871 YOUR MOM? FOR WHAT? 265 00:09:30,873 --> 00:09:32,413 FOR DINNER. YOU'RE MEETING THE PARENTS. 266 00:09:32,414 --> 00:09:34,154 DID WE MAKE THAT PLAN? 267 00:09:34,146 --> 00:09:36,016 BEFORE I LEFT. IT'S THE PERFECT TIME-- 268 00:09:36,018 --> 00:09:37,618 BEFORE SCHOOL GETS TOO CRAZY. 269 00:09:37,620 --> 00:09:39,080 AND I WAS GONNA MEET YOUR PARENTS. 270 00:09:39,081 --> 00:09:40,321 IS NONE OF THIS RINGING A BELL? 271 00:09:40,323 --> 00:09:42,033 NO NO NO. IT'S RINGING A BELL. 272 00:09:42,025 --> 00:09:43,925 MY MOTHER'S BEEN TALKING ABOUT THIS FOR WEEKS, 273 00:09:43,927 --> 00:09:44,957 SO ARE WE ON? 274 00:09:44,958 --> 00:09:46,288 SURE. 275 00:09:46,289 --> 00:09:47,959 GOOD. IT'LL BE FUN. 276 00:09:47,961 --> 00:09:50,161 AND TAKE THIS WITH YOU. 277 00:09:50,163 --> 00:09:52,503 WHILE EVERYONE ELSE WAS SWIMMING AND FORNICATING, 278 00:09:52,496 --> 00:09:53,896 I CARVED THIS FOR YOU BECAUSE YOU LIKE 279 00:09:53,897 --> 00:09:55,497 "THE HUNGER GAMES" SO MUCH. 280 00:09:55,499 --> 00:09:57,499 IT'S CRUDE, BUT IT'LL DO SOME DAMAGE. 281 00:09:59,373 --> 00:10:00,373 THANKS. 282 00:10:02,146 --> 00:10:04,276 I'M GLAD YOU'RE BACK. 283 00:10:04,278 --> 00:10:06,278 ME TOO. 284 00:10:07,452 --> 00:10:08,452 I'LL SEE YOU WHEN I'M CLEAN. 285 00:10:10,054 --> 00:10:11,094 Boo: BYE. 286 00:10:19,024 --> 00:10:21,574 Truly: HELP! MICHELLE, HELP. 287 00:10:21,567 --> 00:10:23,167 TRULY? TRULY, WHAT ARE YOU DOING, 288 00:10:23,168 --> 00:10:24,498 SELLING THINGS DOOR TO DOOR? 289 00:10:24,500 --> 00:10:26,170 IT'S A LONG STORY. CAN I COME IN, PLEASE? 290 00:10:26,172 --> 00:10:27,432 YEAH YEAH YEAH. IT'S OPEN. 291 00:10:27,433 --> 00:10:29,183 DID YOU JUST SEE KATNISS RUN BY? 292 00:10:29,175 --> 00:10:30,375 OH, WITH A BOW AND ARROW? YEAH. 293 00:10:30,376 --> 00:10:31,436 WILL YOU GRAB THAT, PLEASE? 294 00:10:33,439 --> 00:10:36,109 - WHAT A NIGHTMARE. - DID YOU NOT THINK IT'S STRANGE 295 00:10:36,112 --> 00:10:37,382 THAT KATNISS RAN BY? 296 00:10:37,384 --> 00:10:39,194 NO. THIS IS A NIGHTMARE. 297 00:10:39,186 --> 00:10:40,446 TRULY, WHAT'S GOING ON HERE? 298 00:10:40,447 --> 00:10:42,047 WELL, I WENT TO TAKE ALL THIS TO THE SHOP. 299 00:10:42,049 --> 00:10:43,249 IT'S MY NEW FALL LINE. 300 00:10:43,250 --> 00:10:44,250 AND YOU'RE LIKING THE POLKA DOTS THIS YEAR. 301 00:10:44,251 --> 00:10:45,521 VERY MUCH. AND I WENT TO PUT 302 00:10:45,522 --> 00:10:47,392 MY KEY IN THE DOOR, AND IT DOESN'T FIT. 303 00:10:47,394 --> 00:10:49,934 WHOA. THAT'S A RECURRING DREAM I HAVE. 304 00:10:49,927 --> 00:10:51,197 THAT I GO UP TO MY PLACE, 305 00:10:51,198 --> 00:10:53,058 BUT IT'S ONLY SORTA KINDA MY PLACE, 306 00:10:53,060 --> 00:10:55,230 ALL MY STUFF'S THERE BUT IT'S GOT 80-FOOT CEILINGS 307 00:10:55,233 --> 00:10:56,503 AND WEIRD WALLPAPER, 308 00:10:56,504 --> 00:10:58,044 AND I GO TO PUT MY KEY IN THE LOCK, 309 00:10:58,036 --> 00:10:59,506 ONLY IT'S TOTALLY THE WRONG SHAPE. 310 00:10:59,507 --> 00:11:01,507 DO YOU WANT TO HEAR ABOUT MY STORY OR NOT? 311 00:11:01,509 --> 00:11:03,439 - YES, GO ON. - IT'S MY STUPID LANDLADY. 312 00:11:03,441 --> 00:11:05,041 - SHE LOCKED ME OUT. - WHAT? WHY? 313 00:11:05,043 --> 00:11:07,023 NO REASON EXCEPT THAT SHE HATES ME. 314 00:11:07,015 --> 00:11:08,715 BUT SHE CAN'T DO THAT. YOU HAVE A LEASE. 315 00:11:08,717 --> 00:11:10,247 YES-SSS. 316 00:11:10,249 --> 00:11:12,349 TRULY, DO YOU HAVE A LEASE? 317 00:11:12,351 --> 00:11:14,051 NO. 318 00:11:14,053 --> 00:11:15,723 SO YOU'RE PAYING HER MONTH-TO-MONTH? 319 00:11:15,724 --> 00:11:18,064 YEP. 320 00:11:18,057 --> 00:11:19,587 I MEAN, WHEN I WAS PAYING HER. 321 00:11:19,589 --> 00:11:20,729 YOU HAVEN'T BEEN PAYING HER? 322 00:11:20,730 --> 00:11:22,130 THIS IS NOT THE TIME FOR JUDGING, 323 00:11:22,131 --> 00:11:23,561 THIS IS THE TIME FOR HUGS. 324 00:11:23,563 --> 00:11:25,543 - FACTS FIRST, HUGS LATER. - I HAD A LEASE, 325 00:11:25,535 --> 00:11:26,665 FOR FIVE FULL YEARS, 326 00:11:26,666 --> 00:11:27,736 AND THEN SHE SENT ME THE NEW LEASE 327 00:11:27,737 --> 00:11:29,197 AND SHE HAD RAISED THE RENT SO MUCH 328 00:11:29,199 --> 00:11:31,539 I GOT MAD AND I THREW IT INTO THE FIRE. 329 00:11:31,541 --> 00:11:33,171 YOU WERE READING IT NEXT TO A FIRE? 330 00:11:33,173 --> 00:11:35,113 NO, I LIT A FIRE AND I THREW THE LEASE IN. 331 00:11:35,105 --> 00:11:37,045 WOW, YOU REALLY WANTED TO BURN THAT THING. 332 00:11:37,047 --> 00:11:39,247 VERY VERY MUCH. I KNOW I DON'T HAVE A FIREPLACE, 333 00:11:39,250 --> 00:11:40,450 SO I HAD TO FIND AN IRISH PUB. 334 00:11:40,451 --> 00:11:42,011 AND THEN I HAD TO BUY A PINT, 335 00:11:42,012 --> 00:11:43,712 'CAUSE IT'S RUDE NOT TO AFTER YOU USE THEIR FIREPLACE 336 00:11:43,714 --> 00:11:46,664 TO BURN YOUR LEASE-- AND IT'S SEXUAL BY THE WAY. 337 00:11:46,657 --> 00:11:48,517 - WHAT IS? - YOUR DREAM ABOUT THE KEY. 338 00:11:48,519 --> 00:11:49,719 - BLATANTLY. - LOOK, TRULY, 339 00:11:49,721 --> 00:11:51,061 FOCUS FOR ME HERE. 340 00:11:51,062 --> 00:11:52,062 YOUR BEHIND ON YOUR RENT, 341 00:11:52,063 --> 00:11:53,063 YOU DON'T HAVE A LEASE, 342 00:11:53,064 --> 00:11:54,074 - THIS IS NOT GOOD. - I KNOW. 343 00:11:54,065 --> 00:11:55,195 IT'S VERY BAD. 344 00:11:55,197 --> 00:11:57,067 I TRIED TO TALK TO MY LANDLADY ABOUT IT, 345 00:11:57,069 --> 00:11:58,599 BUT SHE'S NOT ANSWERING MY PHONE CALLS 346 00:11:58,600 --> 00:12:01,070 AND I CAN'T GET AN APPOINTMENT UNTIL MARCH. 347 00:12:01,073 --> 00:12:03,413 SO YOU WANT TO LEAVE YOUR STUFF HERE FOR AWHILE? 348 00:12:03,405 --> 00:12:04,535 CAN I? 349 00:12:04,536 --> 00:12:06,536 I JUST NEED SOMETIME TO THINK AND REGROUP 350 00:12:06,539 --> 00:12:08,009 AND FIGURE OUT HOW I'M GOING TO COME UP WITH 351 00:12:08,010 --> 00:12:09,740 AN EXTRA $1200 A MONTH. 352 00:12:09,742 --> 00:12:11,142 ABSOLUTELY. 353 00:12:11,143 --> 00:12:13,093 I HAVE A LITTLE ROOM IN MY ARMOIRE. 354 00:12:13,086 --> 00:12:15,216 WE'LL HANG THEM UP NICE, AND WE'LL FIGURE THIS OUT. 355 00:12:15,218 --> 00:12:17,018 - THANKS. - THIS IS REALLY CUTE. 356 00:12:17,020 --> 00:12:18,750 I LOVE THE COLOR. HOW MUCH IS THIS? 357 00:12:18,752 --> 00:12:21,192 $1200 A MONTH? 358 00:12:23,056 --> 00:12:24,056 LET ME THINK ABOUT IT. 359 00:12:28,632 --> 00:12:30,662 - ( bell rings ) - Boo: ALL THE FRESHMEN LOOK SO YOUNG. 360 00:12:30,664 --> 00:12:32,214 WERE WE EVER THAT YOUNG? 361 00:12:32,206 --> 00:12:34,306 LOOKS LIKE A PARTICULARLY STUPID CROP THIS YEAR TOO. 362 00:12:34,308 --> 00:12:36,168 IT'S THAT DEER IN THE HEADLIGHTS THING. 363 00:12:36,170 --> 00:12:37,310 - IT'S UNATTRACTIVE. - HEY, WHAT ARE YOU LISTENING TO? 364 00:12:37,311 --> 00:12:39,171 - HEY DON'T. - SHE GOT THROUGH "GATSBY," 365 00:12:39,173 --> 00:12:41,523 AND NOW SHE'S LISTENING TO THE AUDIO BOOK OF "THE SCARLET LETTER" 366 00:12:41,516 --> 00:12:43,516 WHILE SHE READS "FAHRENHEIT 451." 367 00:12:43,518 --> 00:12:46,178 YEAH, "FAHRENHEIT 451," THE BOOK BURNING THING. 368 00:12:46,181 --> 00:12:48,181 RAY BRADBURY WAS ONTO SOMETHING THERE. 369 00:12:50,656 --> 00:12:53,186 ♪ SING A SONG FOR THE WORLD TODAY ♪ 370 00:12:53,188 --> 00:12:54,458 ♪ I FEEL GOOD IN A BRAND NEW WAY... ♪ 371 00:12:54,460 --> 00:12:56,130 - WHAT ARE THEY? - NEWBIES. 372 00:12:56,131 --> 00:12:57,461 BUT NOT FRESHMEN. 373 00:12:57,463 --> 00:12:59,143 EVERYBODY'S STARING AT THEM. 374 00:13:06,172 --> 00:13:07,842 ♪ FEEL LUCKY LIKE I SAID I WOULD... ♪ 375 00:13:07,844 --> 00:13:11,184 WOW. SHE SHOOK HER HAIR JUST LIKE IN A SHAMPOO COMMERCIAL. 376 00:13:11,177 --> 00:13:13,647 ♪ SMILING IN THE NEIGHBORHOOD... ♪ 377 00:13:13,650 --> 00:13:15,480 WHAT'S WITH THE FLOWERS? 378 00:13:15,482 --> 00:13:17,712 ♪ OH OH OH OH OH OH ♪ 379 00:13:17,714 --> 00:13:20,124 ♪ OH OH OH OH OH OH ♪ 380 00:13:20,117 --> 00:13:22,187 ♪ OH OH OH OH OH OH... ♪ 381 00:13:22,189 --> 00:13:24,189 THEY DIDN'T EVEN BRING PEE-CHEES. 382 00:13:24,191 --> 00:13:25,121 ♪ I FEEL SUPER GOOD. ♪ 383 00:13:25,122 --> 00:13:27,672 ( rapping on door ) 384 00:13:27,665 --> 00:13:28,665 TRULY? 385 00:13:30,128 --> 00:13:31,468 SORRY, I COULDN'T WAIT ANY LONGER. 386 00:13:31,469 --> 00:13:32,669 YOU SLEEP SO LATE. 387 00:13:32,670 --> 00:13:33,870 WELL, I'M GENERALLY UP LATE. 388 00:13:33,872 --> 00:13:35,132 WAIT, YOU DON'T HAVE A MORNING SHOW? 389 00:13:35,133 --> 00:13:37,213 - A WHAT? - A MORNING SHOW. 390 00:13:37,205 --> 00:13:38,335 I USED TO WATCH MATT AND KATIE 391 00:13:38,336 --> 00:13:39,406 AND AL AND ANNE, AND THEN 392 00:13:39,408 --> 00:13:40,878 MATT AND MEREDITH AND AL AND ANNE, 393 00:13:40,879 --> 00:13:42,579 AND THEN MATT AND ANNE AND AL AND NATALIE, 394 00:13:42,581 --> 00:13:44,581 AND THEN I TRIED CHARLIE AND GALE AND SETH AND NORA, 395 00:13:44,583 --> 00:13:46,653 BUT WHEN I FOUND GEORGE AND ROBIN AND JOSH AND SAM, 396 00:13:46,645 --> 00:13:49,185 I FELT LIKE I WAS HOME. 397 00:13:49,188 --> 00:13:50,518 WHAT CAN I DO FOR YOU, TRULY? 398 00:13:50,519 --> 00:13:52,189 I HAVE A BIG FAVOR TO ASK YOU. 399 00:13:52,191 --> 00:13:54,521 I HAVE A VALUED CUSTOMER. HER NAME IS JILL 400 00:13:54,524 --> 00:13:56,464 AND EVERY YEAR I GIVE HER A SPECIAL PRE-PEEK 401 00:13:56,456 --> 00:13:58,126 AT MY FALL LINE. AND IF THERE WAS ANY WAY 402 00:13:58,127 --> 00:13:59,727 I COULD BRING HER BY, IT WOULD BE SO GREAT. 403 00:13:59,729 --> 00:14:01,129 YEAH, SURE. BRING HER BY. 404 00:14:01,131 --> 00:14:02,661 GREAT. COME ON IN, JILL. 405 00:14:02,662 --> 00:14:04,462 OH, SHE'S HERE WITH YOU NOW. OKAY. 406 00:14:04,464 --> 00:14:06,614 SO, HERE WE ARE, JILL. 407 00:14:06,607 --> 00:14:09,407 IT'S A LITTLE UNUSUAL. 408 00:14:09,410 --> 00:14:11,210 ECLECTIC AS WE SAY 409 00:14:11,211 --> 00:14:12,671 WHAT WITH THE UNMADE BED. 410 00:14:12,673 --> 00:14:15,353 BUT YOU ARE THE FIRST TO SEE THESE, 411 00:14:15,346 --> 00:14:16,346 AND OF COURSE I CAN TAILOR 412 00:14:16,347 --> 00:14:17,547 ANYTHING JUST FOR YOU. 413 00:14:17,548 --> 00:14:19,548 TRULY, I AM LOVING THE COLORS HERE. 414 00:14:19,550 --> 00:14:21,350 THE COLORS ARE GORGEOUS. 415 00:14:21,352 --> 00:14:23,422 WILL YOU EXCUSE ME JUST A SECOND. 416 00:14:23,424 --> 00:14:26,664 ( whispering ) SHE'S NOT REALLY INTO THE HARD SELL. 417 00:14:26,658 --> 00:14:27,728 ( whispering ) I WASN'T HARD SELLING HER. 418 00:14:27,729 --> 00:14:29,329 I THINK THE COLORS ARE GORGEOUS. 419 00:14:29,331 --> 00:14:31,191 THE COLORS WILL SPEAK FOR THEMSELVES. 420 00:14:31,193 --> 00:14:32,873 SO THE COLORS DO THE HARD SELLING. 421 00:14:32,865 --> 00:14:36,195 THIS IS MY BUSINESS. PLEASE RESPECT IT. 422 00:14:36,198 --> 00:14:37,398 OKAY. 423 00:14:37,399 --> 00:14:40,339 SO, JILL. I WILL LEAVE YOU TO BROWSE IN PEACE. 424 00:14:40,342 --> 00:14:42,352 AND JUST LET ME KNOW IF THERE'S ANYTHING YOU NEED. 425 00:14:42,345 --> 00:14:44,205 I'D LOVE COFFEE IF YOU HAVE SOME. 426 00:14:48,351 --> 00:14:49,351 CREAM OR SUGAR, JILL? 427 00:14:49,352 --> 00:14:50,682 BOTH, PLEASE. 428 00:14:53,757 --> 00:14:54,757 SORRY. 429 00:14:56,490 --> 00:14:58,220 SORRY. 430 00:14:58,222 --> 00:14:59,362 SORRY. 431 00:14:59,363 --> 00:15:02,373 ( speaking French ) 432 00:15:03,697 --> 00:15:05,227 IT'S THE NEW GIRL AGAIN. 433 00:15:05,229 --> 00:15:07,199 SO SHE'S FRENCH. 434 00:15:07,201 --> 00:15:09,331 SHE'S SPEAKING FRENCH. 435 00:15:09,333 --> 00:15:11,343 DOES THAT MAKE HER FRENCH? 436 00:15:11,336 --> 00:15:13,336 I SWEAR I SAW HER SPEAKING JAPANESE 437 00:15:13,338 --> 00:15:15,338 TO MR. YAMIMOTO EARLIER TODAY. 438 00:15:15,340 --> 00:15:17,680 SHE EVEN LOOKED A LITTLE JAPANESE WHEN SHE WAS DOING IT. 439 00:15:17,682 --> 00:15:19,682 WEIRD. 440 00:15:19,684 --> 00:15:21,224 VERY WEIRD. 441 00:15:21,216 --> 00:15:23,216 ( bell ringing ) 442 00:15:25,220 --> 00:15:27,220 ( piano playing ) 443 00:15:46,243 --> 00:15:47,673 SHE CHANGED HER CLOTHES. 444 00:15:47,674 --> 00:15:49,684 - HER NAME'S COZETTE. - INTERESTING. 445 00:15:49,676 --> 00:15:51,546 AND HER BROTHER'S NAME IS FRANKIE. 446 00:15:51,548 --> 00:15:52,678 FRANNY AND ZOE. 447 00:15:52,680 --> 00:15:54,750 NO, FRANKIE AND COZETTE. 448 00:15:54,752 --> 00:15:56,352 KEEP GOING, BOO. 449 00:15:56,353 --> 00:15:58,833 HE'S SUPPOSED TO BE A BRILLIANT VIOLINIST. 450 00:15:58,826 --> 00:15:59,956 GINNY SAW HIM PLAYING PIANO. 451 00:16:02,030 --> 00:16:03,690 HE WASN'T WEARING THAT TIE BEFORE. 452 00:16:03,691 --> 00:16:05,031 OR THOSE PANTS. 453 00:16:05,033 --> 00:16:07,043 ( speaking Spanish ) 454 00:16:11,700 --> 00:16:13,370 AND SHE SPEAKS SPANISH? 455 00:16:13,372 --> 00:16:15,502 AND JAPANESE AND FRENCH. 456 00:16:15,504 --> 00:16:18,054 AND HE PLAYS THE PIANO AND THE VIOLIN. 457 00:16:18,047 --> 00:16:19,907 I THINK I NEED TO SIT FOR AWHILE 458 00:16:19,909 --> 00:16:21,879 AND CLEAR MY HEAD. 459 00:16:27,056 --> 00:16:29,056 THAT ONLY HAPPENS IN THE MOVIES. 460 00:16:38,899 --> 00:16:40,899 TODAY'S A GOOD DAY TO ORDER THE FRIED CHICKEN. 461 00:16:40,901 --> 00:16:42,371 WE CHANGE THE GREASE THE FIRST OF THE MONTH. 462 00:16:42,373 --> 00:16:43,873 OH, BUT I LIKE THE TASTE OF OLD GREASE. 463 00:16:43,874 --> 00:16:45,344 IT'S GOT WESSONALITY. 464 00:16:45,336 --> 00:16:46,876 - SORRY. - THIS'LL DO. 465 00:16:46,877 --> 00:16:48,837 HEY, TAKE A LOOK AT THIS FOR ME, WILL YOU? 466 00:16:48,839 --> 00:16:50,579 I'M NOT GONNA SAY ANY MORE ABOUT IT, 467 00:16:50,581 --> 00:16:52,381 JUST GIVE ME YOUR THOUGHTS. 468 00:16:52,383 --> 00:16:55,023 - WELL, IT'S A CAR. - IT'S A HUMAN. 469 00:16:55,016 --> 00:16:57,016 - THOSE AREN'T HEADLIGHTS? - THOSE ARE EYEBALLS. 470 00:16:57,018 --> 00:16:58,718 - SHE'S CUTE. - IT'S A MAN. 471 00:16:58,720 --> 00:17:00,550 IS SOMETHING EATING HIS FACE? 472 00:17:00,552 --> 00:17:01,622 THIS IS HAPPENING, YES. 473 00:17:01,623 --> 00:17:02,653 WHO IS THIS? 474 00:17:02,654 --> 00:17:03,964 IT'S A POTENTIAL BLIND DATE. 475 00:17:03,956 --> 00:17:05,796 A CLOSE FRIEND OF MINE IS TRYING TO SET ME UP WITH HIM 476 00:17:05,797 --> 00:17:07,797 AND SHE KNOWS ME, SO HE MIGHT BE GREAT, 477 00:17:07,800 --> 00:17:10,800 BUT I GET NERVOUS AROUND NEW PEOPLE, YOU KNOW? 478 00:17:10,803 --> 00:17:13,913 - ABSOLUTELY. - I EITHER CLAM UP OR I TALK TOO MUCH. 479 00:17:13,906 --> 00:17:15,436 THAT'S A TOUGH BALANCING ACT. 480 00:17:15,438 --> 00:17:16,638 BUT I'M NOT MEETING ENOUGH PEOPLE. 481 00:17:16,639 --> 00:17:18,839 I SHOULD PROBABLY BE GOING OUT MORE, RIGHT? 482 00:17:18,841 --> 00:17:20,511 YOU KNOW, TAKING MORE CHANCES. 483 00:17:20,513 --> 00:17:22,723 I'M SOLICITING DATING ADVICE FROM A 16-YEAR-OLD, AREN'T I? 484 00:17:22,715 --> 00:17:24,345 I'M 17 NOW. 485 00:17:24,347 --> 00:17:26,017 OH, WELL, HAPPY BIRTHDAY. 486 00:17:26,019 --> 00:17:28,019 COULD I ASK YOU FOR SOME ADVICE? 487 00:17:28,021 --> 00:17:29,751 UH... I-- 488 00:17:29,753 --> 00:17:31,933 CARL WANTS ME TO MEET HIS PARENTS. 489 00:17:31,925 --> 00:17:33,425 YEAH, I DIDN'T QUITE SAY YES. 490 00:17:33,427 --> 00:17:34,987 - I DON'T KNOW WHAT TO DO. - WELL... 491 00:17:34,989 --> 00:17:36,129 I'M FREAKING OUT A LITTLE. 492 00:17:36,130 --> 00:17:37,790 OKAY OKAY. LET'S SEE. 493 00:17:37,792 --> 00:17:40,132 MEETING THE PARENTS. 494 00:17:40,134 --> 00:17:41,804 WELL, BOO, 495 00:17:41,796 --> 00:17:43,766 MY FIRST PIECE OF ADVICE WOULD BE "DON'T GO." 496 00:17:43,768 --> 00:17:45,038 - I HAVE TO. - OH. 497 00:17:45,039 --> 00:17:47,069 WELL THEN, MY SECOND PIECE OF ADVICE 498 00:17:47,071 --> 00:17:48,971 - WOULD BE "DON'T GO." - I HAVE TO. 499 00:17:48,973 --> 00:17:52,513 OH, WELL THEN, MY THIRD, FOURTH AND FIFTH PIECE OF ADVICE WOULD BE-- 500 00:17:52,507 --> 00:17:54,607 I GOT IT, THANKS. BUT I HAVE TO GO. 501 00:17:54,609 --> 00:17:55,849 ALL RIGHT, ALL RIGHT. 502 00:17:55,851 --> 00:17:58,451 WELL, LET ME JUST SAY THIS. 503 00:17:58,454 --> 00:18:00,594 THE KEY TO GETTING ALONG WITH CARL'S PARENTS... 504 00:18:00,586 --> 00:18:03,416 - IS TO BE MYSELF. - WHAT ARE YOU, HIGH? NO. 505 00:18:03,419 --> 00:18:06,159 THE TRICK IS TO BE WHOEVER IT IS YOU THINK THEY WANT YOU TO BE. 506 00:18:06,162 --> 00:18:08,122 - OH. - AND TO SAY WHATEVER IT IS 507 00:18:08,124 --> 00:18:09,534 YOU THINK THEY WANT YOU TO SAY. 508 00:18:09,525 --> 00:18:10,995 TRUST ME. IT'S THE ONLY WAY. 509 00:18:10,997 --> 00:18:13,397 - SO, DON'T BE MYSELF? - RIGHT. 510 00:18:13,399 --> 00:18:16,499 WELL, THAT'S GOOD, BECAUSE I REALLY DON'T KNOW WHO I AM. 511 00:18:16,503 --> 00:18:17,473 WELL, THERE YOU GO. 512 00:18:17,474 --> 00:18:18,884 OH, AND KEEP AN EYE ON YOUR WATCH 513 00:18:18,875 --> 00:18:20,675 BECAUSE I'M TELLING YOU, 90 MINUTES IN 514 00:18:20,677 --> 00:18:21,877 TO THE SECOND, 515 00:18:21,879 --> 00:18:23,709 EVENINGS LIKE THIS GO SOUTH FAST. 516 00:18:23,710 --> 00:18:25,010 HOW SO? 517 00:18:25,012 --> 00:18:27,412 WELL, YOU COULD SLIP AND TELL AN OFF-COLOR JOKE. 518 00:18:27,414 --> 00:18:28,554 I DID THAT ONCE. 519 00:18:28,546 --> 00:18:29,686 OR YOU COULD GET DRUNK 520 00:18:29,687 --> 00:18:31,547 AND CALL YOUR BOYFRIEND'S DAD A PICKLE-PUSS. 521 00:18:31,549 --> 00:18:33,489 I DID THAT ONCE. OR YOU COULD THINK IT'S FUNNY 522 00:18:33,491 --> 00:18:35,851 TO MOVE THE DOG'S MOUTH AROUND AND MAKE HIM SAY DIRTY THINGS. 523 00:18:35,853 --> 00:18:37,133 I DID THAT ONCE. 524 00:18:37,125 --> 00:18:38,455 YOU'RE NOT DRINKING, SO THAT'LL HELP, 525 00:18:38,456 --> 00:18:40,526 BUT AT THAT 90-MINUTE MARK CUT IF OFF. 526 00:18:40,528 --> 00:18:41,598 I DON'T HAVE A WATCH. 527 00:18:41,600 --> 00:18:43,200 OH. 528 00:18:43,201 --> 00:18:44,531 IT'S GOT A TIMER. 529 00:18:44,533 --> 00:18:46,003 USE IT. 530 00:18:46,004 --> 00:18:48,014 THANKS. I'VE GOTTA GET BACK THERE. 531 00:18:49,468 --> 00:18:51,668 HE'S ONLY GOT ONE NOSE, RIGHT? 532 00:18:53,472 --> 00:18:54,512 I HOPE. 533 00:18:56,545 --> 00:18:57,475 HI. 534 00:19:03,022 --> 00:19:04,952 - PASS THE STRING BEANS. - WE'RE OUT OF STRING BEANS. 535 00:19:04,954 --> 00:19:06,564 WE'RE OUT OF STRING BEANS? 536 00:19:06,556 --> 00:19:07,626 AND NOW IT BEGINS. 537 00:19:07,627 --> 00:19:09,487 I KNEW WE WOULD RUN OUT OF STRING BEANS. 538 00:19:09,489 --> 00:19:10,559 EXCUSE ME, KIND SIR? 539 00:19:10,560 --> 00:19:12,230 IT'S A CRAMER FAMILY TRADITION. 540 00:19:12,232 --> 00:19:14,092 FIRST, WE NEVER ORDER ENOUGH FOOD... 541 00:19:14,094 --> 00:19:15,544 - THREE ORDERS OF STRING BEANS. - THREE? 542 00:19:15,536 --> 00:19:17,236 ( whispers ) ...THEN ORDER TOO MUCH. 543 00:19:17,238 --> 00:19:18,868 - Man: SWEETIE, WHY THREE? - Sweetie: BECAUSE THEY'RE SMALL. 544 00:19:18,869 --> 00:19:20,669 - I DON'T WANT THE LEFTOVERS. - THEY HEAT UP NICE. 545 00:19:20,671 --> 00:19:23,001 - WHATEVER WE ORDER, WE EAT. - CARL HAS A GUEST. 546 00:19:23,004 --> 00:19:25,154 NO DOGGIE BAGS. IF I SEE ONE OF THOSE TIN FOIL ANIMALS, 547 00:19:25,146 --> 00:19:26,546 IT GOES STRAIGHT IN THE TRASH. 548 00:19:26,547 --> 00:19:27,547 BOO, YOU'LL EAT MORE FOOD, RIGHT? 549 00:19:27,549 --> 00:19:29,209 UH, YES, MRS. CRAMER. 550 00:19:29,210 --> 00:19:31,180 CALL ME SWEETIE. EVERYONE CALLS ME SWEETIE. 551 00:19:31,182 --> 00:19:33,562 YOU DON'T HAVE TO CALL HER ANYTHING IF YOU DON'T WANT. 552 00:19:33,555 --> 00:19:34,755 ONE ORANGE CHICKEN, 553 00:19:34,756 --> 00:19:36,186 HAPPY FAMILY IN A BIRD'S NEST. 554 00:19:36,188 --> 00:19:38,158 FIND A HAPPY FAMILY TO EAT IT, WILL YOU? 555 00:19:38,160 --> 00:19:39,820 SCALLION PANCAKES. 556 00:19:39,822 --> 00:19:41,262 DO YOU LIKE PORK, HONEY? 557 00:19:41,263 --> 00:19:42,263 YES. 558 00:19:42,264 --> 00:19:44,074 OH, 'CAUSE I DO NOT. 559 00:19:44,066 --> 00:19:45,496 NEITHER DO I. 560 00:19:45,498 --> 00:19:46,968 WELL, WHICH IS IT? YOU LIKE PORK OR YOU DON'T? 561 00:19:46,969 --> 00:19:49,699 WELL, I USED TO LIKE IT, 562 00:19:49,702 --> 00:19:51,832 BUT JUST NOW WHEN I SAID I DID, 563 00:19:51,834 --> 00:19:53,714 I WAS REMEMBERING THE TIME THAT I DID... 564 00:19:53,706 --> 00:19:55,236 LIKE IT, BUT I DON'T ANYMORE. 565 00:19:55,238 --> 00:19:57,038 UNLESS SOMEONE ELSE WANTS SOME AND THEN I-- 566 00:19:57,040 --> 00:19:58,280 JUST ORDER THE PORK, MOM. 567 00:19:58,281 --> 00:19:59,781 THIS IS WHY THE WHOLE WORLD HATES US. 568 00:19:59,783 --> 00:20:01,143 NOBODY HATES US. 569 00:20:01,144 --> 00:20:03,024 MU SHU PORK. 570 00:20:03,016 --> 00:20:04,286 - AND THAT'LL DO US? - THAT'LL DO US. 571 00:20:04,288 --> 00:20:06,218 OH, THAT'LL DO US. AND THEM. 572 00:20:06,220 --> 00:20:07,750 AND THOSE PEOPLE OVER THERE, 573 00:20:07,751 --> 00:20:09,251 AND THE WAITERS IN THE BACK AND THEIR FAMILIES. 574 00:20:09,253 --> 00:20:11,303 - AND FOUR BLOCKS IN SOLVANG-- - Sweetie: JUST IGNORE HIM. 575 00:20:11,295 --> 00:20:13,025 HE'S HAVING A STROKE. THANK YOU. 576 00:20:15,029 --> 00:20:17,029 SO, BOO. 577 00:20:17,031 --> 00:20:18,701 WHAT DO YOU GOT GOING ON HERE? 578 00:20:18,703 --> 00:20:20,273 - WHAT IS THIS? - MY FACE? 579 00:20:20,265 --> 00:20:22,705 - ARE YOU JEWISH? - I COULD BE. 580 00:20:22,707 --> 00:20:23,937 SHE'S NOT JEWISH, MOM. 581 00:20:23,939 --> 00:20:25,709 BUT WHAT IS GOING ON THERE? 582 00:20:25,710 --> 00:20:27,910 I'M SEEING A LOT OF EASTERN EUROPE? 583 00:20:27,913 --> 00:20:29,313 MAYBE POLAND, HUNGARY? 584 00:20:29,314 --> 00:20:30,884 DO YOU LIKE EASTERN EUROPE? 585 00:20:30,876 --> 00:20:32,146 DEPENDS ON THE ERA. 586 00:20:32,147 --> 00:20:33,647 HEY, DID I TELL YOU ABOUT THE FIRST 587 00:20:33,649 --> 00:20:35,579 HIKING TRIP I DID IN MAINE? 588 00:20:35,581 --> 00:20:37,921 THERE WAS A BUNCH OF US, AND WE WERE JUST GETTING TO THE PEAK OF FIRST RIDGE-- 589 00:20:37,923 --> 00:20:41,233 CARL, I HAVE HEARD THE STORY OF YOU AND THE BEAR 590 00:20:41,227 --> 00:20:42,687 AND THE RUNNING DOWN THE HILL. 591 00:20:42,689 --> 00:20:44,089 I DO NOT NEED TO HEAR THE STORY OF YOU AND THE BEAR 592 00:20:44,090 --> 00:20:45,690 AND THE RUNNING DOWN THE HILL AGAIN. 593 00:20:45,692 --> 00:20:47,562 NEITHER DOES YOUR LITTLE GIRLFRIEND. 594 00:20:47,564 --> 00:20:49,044 NOW I AM HERE TO GET TO KNOW HER. 595 00:20:49,035 --> 00:20:50,965 NOT YOU. SO, BOO, 596 00:20:50,967 --> 00:20:52,097 DOES YOUR FAMILY SKI? 597 00:20:52,099 --> 00:20:54,869 UH... YES. 598 00:20:54,872 --> 00:20:55,872 REALLY? 599 00:20:55,873 --> 00:20:57,273 GOD, I HATE SKIERS. 600 00:20:57,274 --> 00:20:58,854 I MEAN, NO. 601 00:20:58,846 --> 00:21:00,576 OH, REALLY? 'CAUSE I WAS GONNA SAY 602 00:21:00,578 --> 00:21:02,308 I HATE THEM BECAUSE THEY GET TO SKI. 603 00:21:02,309 --> 00:21:04,049 I WOULD LOVE TO SKI. 604 00:21:04,051 --> 00:21:06,581 - I NEVER LEARNED HOW. - OH, WELL, WE SKI. 605 00:21:06,584 --> 00:21:08,064 AND WE LOVE IT. 606 00:21:08,056 --> 00:21:10,586 I LOVE IT. SKIING. 607 00:21:10,588 --> 00:21:11,618 WELL THEN MAYBE YOU COULD TEACH ME. 608 00:21:11,619 --> 00:21:12,919 NO. 609 00:21:12,921 --> 00:21:13,991 OKAY. 610 00:21:13,992 --> 00:21:16,122 - WHAT DID YOU DO? - WASHED MY HANDS. 611 00:21:16,124 --> 00:21:18,274 - YOU CANCELED THE STRING BEANS. - I DON'T WANT LEFTOVERS. 612 00:21:18,266 --> 00:21:20,066 BOO WANTED THOSE BEANS, DIDN'T YOU, BOO? 613 00:21:20,068 --> 00:21:21,598 YOU KNOW, MOM, YOU PROBABLY DON'T REMEMBER 614 00:21:21,600 --> 00:21:24,030 BUT YOU'VE SEEN BOO AT A COUPLE OF MY DANCE RECITALS. 615 00:21:24,033 --> 00:21:26,243 SHE WAS THE GIRL MOPPING THE FLOOR WITH THE REST OF US. 616 00:21:26,235 --> 00:21:28,275 CARL RAVES ABOUT YOUR DANCING. 617 00:21:28,277 --> 00:21:29,807 I'M NOT THAT GOOD. 618 00:21:29,809 --> 00:21:30,879 SHE'S GREAT. 619 00:21:30,880 --> 00:21:32,280 WHO'S YOUR FAVORITE BALLERINA? 620 00:21:34,043 --> 00:21:35,393 SHE LOVES A BUNCH OF THEM. 621 00:21:35,385 --> 00:21:36,845 THE LIST IS LONG. 622 00:21:36,846 --> 00:21:38,386 IS YOUR NAME BOO? 623 00:21:38,388 --> 00:21:40,148 SO WHO DO YOU LIKE? GELSEY KIRKLAND? 624 00:21:40,150 --> 00:21:41,150 YES. 625 00:21:41,151 --> 00:21:43,821 TERRIBLE COCAINE PROBLEM. 626 00:21:43,824 --> 00:21:45,034 NO. 627 00:21:45,025 --> 00:21:47,725 NO? SHE DIDN'T HAVE A TERRIBLE COCAINE PROBLEM? 628 00:21:47,728 --> 00:21:48,998 MAYBE. 629 00:21:48,999 --> 00:21:50,929 SHE WROTE A BOOK-- A WHOLE BOOK ABOUT COCAINE, 630 00:21:50,931 --> 00:21:53,261 ABOUT SNORTING COCAINE, ABOUT QUITTING COCAINE. 631 00:21:53,264 --> 00:21:54,914 MOM, PLEASE? 632 00:21:54,906 --> 00:21:57,266 SHUSH. NOW COME ON, HONEY, YOU'RE A BALLERINA, 633 00:21:57,268 --> 00:21:59,238 SURELY YOU HAVE A FAVORITE. WHO'S YOUR FAVORITE? 634 00:21:59,240 --> 00:22:01,010 - ( beeps ) - 90 MINUTES. 635 00:22:01,012 --> 00:22:02,172 WHAT? 636 00:22:02,173 --> 00:22:04,423 TIME FOR ME TO GO TO THE BATHROOM. 637 00:22:04,416 --> 00:22:06,716 YOU SET AN ALARM TO REMIND YOU TO GO TO THE BATHROOM? 638 00:22:06,718 --> 00:22:07,978 YOU OKAY? YOU NEED TO GO HOME? 639 00:22:07,979 --> 00:22:10,049 - LET ME TAKE YOU HOME. - I'M FINE. 640 00:22:10,052 --> 00:22:12,152 I'LL BE RIGHT BACK. 641 00:22:13,385 --> 00:22:14,855 WHAT KIND OF A PERSON SETS AN ALARM 642 00:22:14,857 --> 00:22:16,257 TO REMIND HER TO GO TO THE BATHROOM? 643 00:22:16,258 --> 00:22:18,388 MOM, CAN YOU BACK OFF? YOU'RE MAKING HER NERVOUS. 644 00:22:18,391 --> 00:22:20,061 OH PLEASE, SHE SHOWED UP NERVOUS. 645 00:22:20,062 --> 00:22:21,132 WELL, YOU'RE NOT HELPING. 646 00:22:21,133 --> 00:22:23,203 CARL, THIS GIRL, SHE'S VERY NICE. 647 00:22:23,196 --> 00:22:24,396 DON'T DO THIS. 648 00:22:24,397 --> 00:22:26,067 SHE'S LIKE A LOAF OF UNBAKED BREAD. 649 00:22:26,069 --> 00:22:27,069 THAT'S NOT FAIR. 650 00:22:27,070 --> 00:22:28,400 THIS WOMAN HAS NO OPINIONS. 651 00:22:28,401 --> 00:22:30,201 - STOP. - SHE SKIS, SHE DOESN'T SKI. 652 00:22:30,203 --> 00:22:31,953 SHE'S FROM POLAND, SHE'S NOT FROM POLAND. 653 00:22:31,945 --> 00:22:33,275 SHE NEVER SAID SHE WAS FROM POLAND 654 00:22:33,276 --> 00:22:34,876 AND YOU DON'T KNOW HER. 655 00:22:34,878 --> 00:22:35,878 BUT YOU BETTER GET TO KNOW HER 656 00:22:35,879 --> 00:22:37,279 BECAUSE SHE'S THE ONE I LIKE. 657 00:22:37,281 --> 00:22:39,151 MORE THAN LIKE. I COULD MARRY THIS GIRL. 658 00:22:39,153 --> 00:22:40,813 GET A GOOD JOB. SHE EATS A LOT OF BEANS. 659 00:22:40,814 --> 00:22:42,764 WHAT ARE YOU TALKING ABOUT, MARRY THIS GIRL? 660 00:22:42,757 --> 00:22:43,787 YOU'RE IN HIGH SCHOOL. 661 00:22:54,129 --> 00:22:55,969 WHAT THE HELL IS GOING ON IN THERE? 662 00:22:57,132 --> 00:22:58,732 I'M NOT TALKING TO MYSELF, DUDE. 663 00:22:58,734 --> 00:23:00,284 ANY IDEA WHAT'S GOING ON IN MY HOUSE? 664 00:23:00,275 --> 00:23:02,005 I HAVE NO IDEA. 665 00:23:02,007 --> 00:23:04,137 OKAY, AND SASHA'S NOT HERE, SO SCRAM. 666 00:23:04,139 --> 00:23:05,139 YEP. 667 00:23:08,013 --> 00:23:12,753 - ( piano playing ) - JUST A 24-HOUR TURNAROUND ON ALL ALTERATIONS, LADIES. 668 00:23:12,748 --> 00:23:15,348 YOU ARE RUNNING DANGEROUSLY LOW THERE, JILL. 669 00:23:15,351 --> 00:23:16,821 OH, WELL, YOU KNOW WHAT TO DO. 670 00:23:16,823 --> 00:23:18,023 - DO I? - TRULY. 671 00:23:18,024 --> 00:23:19,164 SUCH A CHARMING SPACE. 672 00:23:19,155 --> 00:23:20,955 IT'S A WORK IN PROGRESS, 673 00:23:20,957 --> 00:23:22,257 BUT IT'S REALLY GETTING THERE. 674 00:23:22,259 --> 00:23:23,499 SUE, THAT BLOUSE IS SO YOU, 675 00:23:23,500 --> 00:23:24,900 I DON'T WANT IT ON ANYBODY ELSE. 676 00:23:24,901 --> 00:23:26,761 - TRULY! - WOULD YOU LADIES EXCUSE ME 677 00:23:26,763 --> 00:23:27,813 FOR JUST A MOMENT. 678 00:23:29,136 --> 00:23:30,736 DON'T I AT LEAST GET A GLASS OF WINE? 679 00:23:30,738 --> 00:23:32,008 WINE IS FOR CUSTOMERS. 680 00:23:32,009 --> 00:23:34,139 SO, DID I KNOW ABOUT THIS? 681 00:23:34,141 --> 00:23:36,341 ABOUT MY FALL OPEN HOUSE? I MEANT TO GIVE YOU A FLYER. 682 00:23:36,344 --> 00:23:38,484 HERE. ON THE BACK IS INFORMATION ABOUT 683 00:23:38,476 --> 00:23:40,816 A WINTER HOT CHOCOLATE PARTY I'M HOSTING IN DECEMBER. 684 00:23:40,818 --> 00:23:42,218 BRING THE KIDS, 'CAUSE THERE'S CAROLING. 685 00:23:42,220 --> 00:23:43,820 TRULY, THIS IS NOT YOUR SHOP. 686 00:23:43,822 --> 00:23:45,182 LUCY, I HAVE AN AUDREY HEPBURN HAT 687 00:23:45,183 --> 00:23:47,033 THAT WOULD LOOK SIN CITY-SATIONAL WITH THAT SKIRT. 688 00:23:48,156 --> 00:23:49,426 WHEN ARE YOU GOING TO TALK TO YOUR LANDLORD? 689 00:23:49,428 --> 00:23:50,958 MMM, NEVER. 690 00:23:50,959 --> 00:23:53,289 NEVER? BUT, TRULY, THIS THING WE GOT GOING HERE, 691 00:23:53,292 --> 00:23:54,762 IT'S GOTTA END SOON. 692 00:23:54,763 --> 00:23:56,503 OH, GREAT, I WENT FROM ONE MEAN LANDLORD TO ANOTHER? 693 00:23:56,495 --> 00:23:57,835 I'M NOT YOUR LANDLORD. 694 00:23:57,837 --> 00:23:59,037 - TRULY. - AAH. 695 00:23:59,038 --> 00:24:00,838 HOW'S THAT SIZE WORKING FOR YOU, NANCY? 696 00:24:00,840 --> 00:24:02,300 - IT'S TOO BIG. - TOO BIG? 697 00:24:02,301 --> 00:24:04,971 NANCY, SKINNY GIRL, YOU ARE NOW OFFICIALLY A SIX. 698 00:24:04,974 --> 00:24:05,984 - NO. - YES. 699 00:24:05,975 --> 00:24:07,005 - NO. - YES. 700 00:24:07,006 --> 00:24:08,176 - NO! - YES! NANCY, YOU'RE A SIX! 701 00:24:08,178 --> 00:24:09,278 ACCEPT IT! 702 00:24:09,279 --> 00:24:11,949 I WILL GET YOU THAT SIX TOMORROW, NANCY. 703 00:24:11,952 --> 00:24:15,022 - SHE'S A SIX. - TRULY. 704 00:24:15,015 --> 00:24:16,115 I MEAN IT HERE. 705 00:24:16,116 --> 00:24:17,486 OKAY. 706 00:24:17,487 --> 00:24:18,957 OKAY, I KNOW I NEED TO TALK TO HER, 707 00:24:18,959 --> 00:24:20,819 BUT SHE'S JUST SO INTIMIDATING, 708 00:24:20,821 --> 00:24:22,291 AND I HATE THAT SCARY OFFICE OF HERS. 709 00:24:22,293 --> 00:24:23,963 AND IF I HAVE TO LOOK AT THAT STUPID PICTURE OF HER 710 00:24:23,964 --> 00:24:26,034 PLAYING GOLF WITH CONDOLEEZZA RICE ONE MORE TIME... 711 00:24:26,027 --> 00:24:28,027 WELL, HOW ABOUT YOU MEET HER ON NEUTRAL TERRITORY? 712 00:24:28,029 --> 00:24:29,269 LIKE THE OYSTER BAR? 713 00:24:29,270 --> 00:24:31,000 - MAYBE. - AND I'LL GO WITH YOU 714 00:24:31,002 --> 00:24:32,832 FOR MORAL SUPPORT. HOW ABOUT THAT? 715 00:24:32,834 --> 00:24:34,444 - REALLY? - ANYTHING TO GET MY PLACE BACK. 716 00:24:34,436 --> 00:24:36,576 I'M NOT SURE IF THIS IS APPROPRIATE, 717 00:24:36,578 --> 00:24:38,038 BUT HOW MUCH FOR THIS? 718 00:24:38,039 --> 00:24:39,039 I'M SORRY, BUT YOU'RE RIGHT. 719 00:24:39,040 --> 00:24:39,980 THAT'S NOT APPROPRIATE. 720 00:24:39,981 --> 00:24:40,981 I'LL TAKE 50 BUCKS. 721 00:24:44,987 --> 00:24:46,587 WHAT'S THE MATTER WITH YOU, BOO? 722 00:24:46,588 --> 00:24:48,048 YOU SEEM PENSIVE. 723 00:24:48,050 --> 00:24:50,520 CARL IS GOING TO ASK ME TO MARRY HIM. 724 00:24:50,523 --> 00:24:51,953 WHAT? 725 00:24:51,954 --> 00:24:54,034 HOW DO YOU KNOW? 726 00:24:54,026 --> 00:24:55,156 I HEARD HIM TALKING TO HIS MOM 727 00:24:55,158 --> 00:24:57,028 WHEN I MET THE PARENTS LAST NIGHT. 728 00:24:57,030 --> 00:24:59,030 HOLY CRAP. THIS IS BIG. 729 00:24:59,032 --> 00:25:00,232 HE'S GOING TO HAVE TO WEAR LIFTS AT THE WEDDING 730 00:25:00,233 --> 00:25:01,363 OR ELSE THE KISS WILL LOOK STUPID. 731 00:25:01,364 --> 00:25:02,614 SO YOU'VE HAD SEX WITH HIM? 732 00:25:02,606 --> 00:25:04,306 NO, SASHA! 733 00:25:04,307 --> 00:25:06,267 IF I HAD, I'D HAVE TOLD YOU. 734 00:25:06,269 --> 00:25:08,169 WHY IN THE WORLD WOULD YOU TELL ME? 735 00:25:08,171 --> 00:25:09,841 ARE YOU FORGETTING THE PACT? 736 00:25:09,843 --> 00:25:12,523 THE EIGHTH GRADE PACT? 737 00:25:12,516 --> 00:25:14,046 WE ALL VOWED TO CALL EACH OTHER 738 00:25:14,048 --> 00:25:15,518 AFTER IT HAPPENED. 739 00:25:15,519 --> 00:25:17,849 YOU VOWED TO CALL US WHILE IT HAPPENED. 740 00:25:17,852 --> 00:25:19,052 THAT SOUNDS LIKE ME. 741 00:25:19,053 --> 00:25:20,323 BOO, WHATEVER THAT PACT WAS, 742 00:25:20,324 --> 00:25:22,064 IT WAS TWO AND A HALF YEARS AGO. 743 00:25:22,056 --> 00:25:23,056 WE WERE BABIES. 744 00:25:23,057 --> 00:25:24,457 I WAS STILL TALLER THAN MELANIE. 745 00:25:24,459 --> 00:25:27,059 I THOUGHT IT WAS NICE, 746 00:25:27,062 --> 00:25:29,462 MADE IT LESS OF A SCARY THING. 747 00:25:29,464 --> 00:25:31,204 IT WAS NICE, BOO. 748 00:25:31,196 --> 00:25:33,036 WE'LL TELL EACH OTHER, I PROMISE. 749 00:25:33,038 --> 00:25:35,338 WHAT IS GOING ON HERE? 750 00:25:37,503 --> 00:25:38,573 Boo: WHAT IS SHE CARRYING? 751 00:25:38,574 --> 00:25:40,184 I THINK IT'S A PICNIC BASKET. 752 00:25:41,507 --> 00:25:43,447 SHE RODE UP TO SCHOOL IN A SCOOTER. 753 00:25:43,449 --> 00:25:45,249 WHERE DID SHE GET THE PICNIC BASKET? 754 00:25:45,251 --> 00:25:46,951 AND SHE'S WEARING A SUEDE DRESS. 755 00:25:46,953 --> 00:25:48,183 SHE WAS NOT WEARING THAT THIS MORNING. 756 00:25:48,184 --> 00:25:49,994 OR THIS AFTERNOON WHEN SHE CHANGED. 757 00:25:49,986 --> 00:25:51,556 IT'S HER THIRD OUTFIT. 758 00:25:53,520 --> 00:25:56,120 ( sighs ) BEAUTIFUL SPREAD. 759 00:25:56,123 --> 00:25:57,223 THAT'S WINE. 760 00:25:57,224 --> 00:25:59,074 I MEAN, IS THAT LEGAL? 761 00:25:59,066 --> 00:26:00,196 ISN'T SHE 16? 762 00:26:00,197 --> 00:26:01,927 Sasha: MITCH ALVARADO. 763 00:26:01,929 --> 00:26:03,369 Melanie: HE GAVE HER A PECK ON THE CHEEK. 764 00:26:03,370 --> 00:26:06,070 HOW IN THE WORLD DOES SHE ALREADY KNOW MITCH ALVARADO? 765 00:26:06,073 --> 00:26:08,943 I'VE BEEN GOING TO SCHOOL WITH MITCH ALVARADO SINCE KINDERGARTEN. 766 00:26:08,936 --> 00:26:11,336 I STILL HAVEN'T MET MITCH ALVARADO. 767 00:26:12,680 --> 00:26:14,210 THIS IS SO URBAN AND SOPHISTICATED. 768 00:26:14,212 --> 00:26:15,542 I'M GONNA PUKE. 769 00:26:17,045 --> 00:26:18,645 GINNY, WE NEED INFORMATION. GO GRILL THE BROTHER. 770 00:26:18,647 --> 00:26:21,047 - ME? WHY ME? - BECAUSE WE VOTED AND YOU WON. 771 00:26:21,049 --> 00:26:23,189 - YOU DIDN'T VOTE. - WHO WANTS GINNY TO GO TALK TO THE BROTHER? 772 00:26:27,196 --> 00:26:29,526 ( sighs ) ALL RIGHT. 773 00:26:40,069 --> 00:26:41,069 HELLO, VIRGINIA. 774 00:26:41,070 --> 00:26:42,540 HOW DID YOU KNOW MY NAME? 775 00:26:42,542 --> 00:26:44,072 HOW DID YOU KNOW MINE? 776 00:26:44,074 --> 00:26:46,224 HOW DO YOU KNOW I KNOW YOUR NAME? 777 00:26:46,216 --> 00:26:48,546 I DIDN'T. I DO NOW. 778 00:26:51,081 --> 00:26:54,561 SO, YOU AND YOUR SISTER. NEW KIDS IN TOWN, HUH? 779 00:26:54,555 --> 00:26:57,385 'CAUSE WE NOTICE WHEN NEW PEOPLE MOVE IN. 780 00:26:57,388 --> 00:26:59,728 WE'RE PERPETUALLY BORED, SO... 781 00:26:59,730 --> 00:27:01,490 - THIS IS GOING IN THE GARBAGE. - WHAT IS? 782 00:27:01,492 --> 00:27:03,032 THIS. 783 00:27:03,034 --> 00:27:04,344 I CAN'T QUITE SEE-- 784 00:27:04,335 --> 00:27:06,065 BUT YOU WOULD IF I LET IT SURVIVE. 785 00:27:06,067 --> 00:27:08,997 IS THAT BAD, SEEING A PICTURE? 786 00:27:09,000 --> 00:27:11,140 ISN'T THAT THE POINT? 787 00:27:13,004 --> 00:27:14,554 SO WHERE ARE YOU GUYS FROM? 788 00:27:14,546 --> 00:27:16,446 WE'RE NOMADS. WE'RE JUST IN FROM BAVARIA. 789 00:27:16,448 --> 00:27:18,748 BAVARIA, REALLY? 790 00:27:18,751 --> 00:27:20,551 THAT'S WHERE MAD LUDWIG'S CASTLE IS. 791 00:27:20,553 --> 00:27:22,463 I'VE ALWAYS WANTED TO SEE THAT. 792 00:27:22,455 --> 00:27:25,755 THE WAY HE SAW IT, OR THE WAY IT IS? 793 00:27:25,758 --> 00:27:27,518 UH... 794 00:27:27,520 --> 00:27:29,060 YOU'LL SEE SOON. 795 00:27:34,567 --> 00:27:36,227 THAT'S ME. THAT'S US. 796 00:27:39,533 --> 00:27:41,073 IT'S WARMER TODAY THAN I THOUGHT. 797 00:27:49,113 --> 00:27:51,593 WHY DOESN'T MY PAELLA LOOK LIKE THE PAELLA IN THE BOOK? 798 00:27:51,586 --> 00:27:53,116 YOU SHOULD HAVE JUST KEPT IT SIMPLE. 799 00:27:53,117 --> 00:27:55,117 IT'S JUST RICE, ONIONS, GARLIC, SAUSAGE, SHRIMP, 800 00:27:55,119 --> 00:27:56,189 CHICKEN, MUSCLES, AND SAFFRON STOCK. 801 00:27:56,190 --> 00:27:57,190 WHAT'S SIMPLER THAN THAT? 802 00:27:57,192 --> 00:27:58,522 SHE'S SUPPOSED TO BE ON BED REST. 803 00:27:58,523 --> 00:28:00,133 I'M ON STOOL REST. JUST AS GOOD. 804 00:28:00,125 --> 00:28:01,325 PLUS WE HAVE A SPECIAL GUEST. 805 00:28:01,326 --> 00:28:02,526 I'M NOT A SPECIAL GUEST. 806 00:28:02,527 --> 00:28:04,127 ARE YOU KIDDING? THIS IS HISTORIC. 807 00:28:04,129 --> 00:28:05,529 BOO HAS NEVER BROUGHT A BOY HOME 808 00:28:05,530 --> 00:28:06,730 EXCEPT WHEN SHE WAS SIX AND SHE BROUGHT HOME 809 00:28:06,732 --> 00:28:08,062 LITTLE MAXIE RUCKER. 810 00:28:08,063 --> 00:28:09,543 WITHOUT INFORMING MAXIE'S PARENTS. 811 00:28:09,535 --> 00:28:11,205 AND THEY ARRESTED RUSTY AND ME 812 00:28:11,206 --> 00:28:12,736 BECAUSE WE WERE RESPONSIBLE FOR BOO'S ACTIONS 813 00:28:12,738 --> 00:28:14,168 OR SOMETHING. 814 00:28:14,170 --> 00:28:15,270 IT WAS HYSTERICAL. 815 00:28:15,271 --> 00:28:16,341 YOU KIDNAPPED A KID? 816 00:28:16,342 --> 00:28:18,212 HEY, HOW ABOUT WE NOT BRING UP ANECDOTES 817 00:28:18,214 --> 00:28:19,424 FROM MY CHILDHOOD TONIGHT, OKAY? 818 00:28:19,415 --> 00:28:20,575 THE PAELLA IN THE BOOK IS BROWN. 819 00:28:20,576 --> 00:28:22,176 WHY IS MINE GREEN? 820 00:28:22,178 --> 00:28:23,448 PLEASE, LET'S JUST ORDER PIZZAS. 821 00:28:23,450 --> 00:28:25,320 NO, THAT'S SURRENDERING. NEVER SURRENDER! 822 00:28:25,322 --> 00:28:27,122 Boys: NEVER SURRENDER! NEVER SURRENDER! 823 00:28:27,123 --> 00:28:29,393 ( yelling ) 824 00:28:29,386 --> 00:28:32,126 I DIDN'T KNOW BEEZ WOULD HAVE HIS TWO BOOBS WITH HIM TONIGHT. 825 00:28:32,129 --> 00:28:33,329 WE HAD NO CHOICE. WHEN IT'S MY TURN 826 00:28:33,330 --> 00:28:34,660 TO WATCH WINKLEBURN KIDS, 827 00:28:34,661 --> 00:28:36,661 THEN IT'S MY TURN TO WATCH THE WINKLEBURN KIDS. 828 00:28:36,664 --> 00:28:38,474 DO YOU BOIL IT INSIDE THE POUCH, 829 00:28:38,466 --> 00:28:40,536 OR DO YOU OPEN THE POUCH AND DUMP IT IN? 830 00:28:40,538 --> 00:28:42,338 I THINK YOU KEEP IT IN THE POUCH 831 00:28:42,340 --> 00:28:43,700 AND DROP IT IN THE BOILING WATER. 832 00:28:43,701 --> 00:28:45,471 THANK YOU, YOUNG MAN. 833 00:28:45,473 --> 00:28:47,083 RUSTY, YOU'RE WATCHING TV. 834 00:28:47,075 --> 00:28:48,475 - I'M NOT WATCHING TV. - THEN TURN IT OFF. 835 00:28:48,476 --> 00:28:50,606 - THE KIDS WILL START CRYING. - YOU'LL START CRYING. 836 00:28:50,608 --> 00:28:51,608 MOM, LET'S GET THIS DINNER MOVING. 837 00:28:51,610 --> 00:28:52,810 WE ARE LOSING MOMENTUM. 838 00:28:52,811 --> 00:28:54,081 OH, I'LL PUT BARBEQUE SAUCE ON IT. 839 00:28:54,082 --> 00:28:55,212 THAT'LL MAKE IT BROWN. 840 00:28:55,213 --> 00:28:56,493 - YES. - I LOVE BARBEQUE SAUCE. 841 00:28:56,485 --> 00:28:57,815 YOU KNOW, IF THERE'S NOT GONNA BE ENOUGH, 842 00:28:57,816 --> 00:28:59,616 I CAN JUST EAT DOWN AT THE FIREHOUSE. 843 00:28:59,618 --> 00:29:02,118 CHICKEN PARM NIGHT. IT'S A GOOD NIGHT. 844 00:29:02,121 --> 00:29:03,721 DAD, WE ARE HAVING DINNER WITH CARL. 845 00:29:03,722 --> 00:29:04,862 WELL, CARL CAN COME WITH ME. 846 00:29:04,864 --> 00:29:06,474 I LIKE CARL. 847 00:29:06,465 --> 00:29:09,195 IT'S BARBEQUED PAELLA I'M NOT TOO CRAZY ABOUT. 848 00:29:09,198 --> 00:29:12,168 ( crashing ) 849 00:29:14,334 --> 00:29:16,214 DID-- 850 00:29:16,206 --> 00:29:17,636 DID ANYONE ELSE HEAR THAT? 851 00:29:17,637 --> 00:29:18,837 THAT WAS JUST BOO'S BROTHER. 852 00:29:18,839 --> 00:29:21,209 AND THE WINKLEBURNS. THEY GET INTO IT. 853 00:29:21,211 --> 00:29:22,341 THEY SURE DO. 854 00:29:22,342 --> 00:29:24,792 THERE. BROWN PAELLA. DISH THAT UP. 855 00:29:24,785 --> 00:29:26,715 I'M GONNA PEE. 856 00:29:26,717 --> 00:29:28,717 ( country music playing ) 857 00:29:34,495 --> 00:29:36,225 ♪ I LIVE OUT WEST ♪ 858 00:29:36,227 --> 00:29:37,697 ♪ WHERE LIFE IS BEST ♪ 859 00:29:37,699 --> 00:29:40,229 ♪ AND THE CREATURES STILL RUN WILD ♪ 860 00:29:42,233 --> 00:29:45,343 ♪ WHERE STETSON HATS AND SHOTGUN CHAPS ♪ 861 00:29:45,337 --> 00:29:47,307 ♪ AND SPURS ARE STILL IN STYLE... ♪ 862 00:29:48,740 --> 00:29:50,310 ( mouths ) 863 00:29:50,312 --> 00:29:52,512 ♪ DON'T EARN MUCH PAY BUT THAT'S OKAY ♪ 864 00:29:52,514 --> 00:29:55,424 ♪ 'CAUSE I'M HAPPY WITH WHO I AM ♪ 865 00:29:57,280 --> 00:30:00,350 ♪ I'M A ROOTIN' TOOTIN', SIX-GUN SHOOTIN' ♪ 866 00:30:00,353 --> 00:30:04,693 ♪ YODELING COWHAND. ♪ 867 00:30:04,687 --> 00:30:06,457 ( yodeling ) 868 00:30:06,459 --> 00:30:08,229 - OH. - ( music stops ) 869 00:30:08,231 --> 00:30:10,831 SO EXCITING. YOU NEVER KNOW WHEN IT'S GONNA END. 870 00:30:10,834 --> 00:30:12,274 WHOO. 871 00:30:12,265 --> 00:30:14,565 YOU KNOW, I CAN'T BELIEVE YOU JUST WHIPPED UP 872 00:30:14,568 --> 00:30:15,898 THIS DESSERT, CARL. WHAT'S IT CALLED AGAIN? 873 00:30:15,899 --> 00:30:17,239 BANANAS FOSTER. 874 00:30:17,241 --> 00:30:19,171 IT'S JUST BANANAS, BROWN SUGAR, BUTTER, 875 00:30:19,173 --> 00:30:20,783 AND VANILLA ICE CREAM. IT'S NOTHING. 876 00:30:20,775 --> 00:30:22,645 NOTHING! I'VE GOT RACHEL RAY MAKING ME DESSERT HERE, 877 00:30:22,647 --> 00:30:23,707 AND HE SAYS IT'S NOTHING. 878 00:30:23,708 --> 00:30:24,848 RACHEL RAY IS A GIRL. 879 00:30:24,849 --> 00:30:26,779 PROOF. I WANT PROOF! ( laughs ) 880 00:30:26,781 --> 00:30:27,851 HEY, MOM, WHERE'S DAD? 881 00:30:27,852 --> 00:30:29,312 HE WENT TO THE BATHROOM 20 MINUTES AGO. 882 00:30:29,314 --> 00:30:30,494 I SHOULD PROBABLY CHECK ON HIM. 883 00:30:30,485 --> 00:30:31,885 SOMETIMES HE'S SO TIRED HE PULLS AN ELVIS 884 00:30:31,886 --> 00:30:33,356 AND FALLS ASLEEP ON THE THRONE. 885 00:30:33,358 --> 00:30:36,818 LET'S HOPE HE'S NOT PULLING A FULL ELVIS. 886 00:30:36,822 --> 00:30:39,292 LET'S HELP YOUR MOTHER CLEAN UP. 887 00:30:46,972 --> 00:30:48,232 YOU'RE A SAINT. 888 00:30:48,234 --> 00:30:49,844 ( scoffs ) 889 00:30:49,836 --> 00:30:52,376 THE BANANA FOSTER WAS REALLY GOOD. 890 00:30:52,378 --> 00:30:53,778 I HOPE SO. 891 00:30:53,780 --> 00:30:54,910 I DIDN'T USE QUITE AS MUCH BUTTER 892 00:30:54,911 --> 00:30:56,381 AS I'D LIKE. I THOUGHT IT WOULD BE 893 00:30:56,382 --> 00:30:57,712 A GOOD IDEA TO CUT OFF THE PART OF THE CUBE 894 00:30:57,714 --> 00:30:58,924 THAT HAD TEETH MARKS ON IT. 895 00:30:58,915 --> 00:31:00,245 YEAH. 896 00:31:00,247 --> 00:31:01,587 I CAN SHOW YOUR MOM HOW TO MAKE IT. 897 00:31:01,588 --> 00:31:03,248 YOUR DAD WAS REALLY INTO IT. 898 00:31:03,250 --> 00:31:04,320 EVEN BEEZ SEEMED TO-- 899 00:31:04,321 --> 00:31:05,321 OKAY, I'LL MARRY YOU. 900 00:31:07,695 --> 00:31:08,725 - WHAT? - LET'S DO IT. 901 00:31:08,726 --> 00:31:09,956 LET'S GET MARRIED. 902 00:31:09,957 --> 00:31:11,227 THE SOONER THE BETTER. 903 00:31:11,228 --> 00:31:12,498 MARRIED? 904 00:31:12,500 --> 00:31:14,630 I JUST NEED TO FINISH HIGH SCHOOL FIRST, OKAY? 905 00:31:14,632 --> 00:31:16,232 AND YOU SHOULD TOO. 906 00:31:16,234 --> 00:31:17,644 THEN WE'LL GET MARRIED AND GO TO COLLEGE. 907 00:31:17,635 --> 00:31:18,835 PEOPLE HAVE DONE THAT. 908 00:31:18,836 --> 00:31:20,966 THERE'S SPECIAL HOUSING FOR MARRIED COUPLES. 909 00:31:20,969 --> 00:31:22,939 I THINK I SAW THAT SOMEWHERE IN A MOVIE ONCE. 910 00:31:22,941 --> 00:31:24,871 "LOVE STORY." "PORKY'S." 911 00:31:24,873 --> 00:31:26,273 - BOO. - AND WHO KNOWS, 912 00:31:26,274 --> 00:31:27,984 AFTER I LOSE THOSE LAST FEW POUNDS 913 00:31:27,976 --> 00:31:29,976 AND GET A LITTLE MORE TRAINING, 914 00:31:29,978 --> 00:31:32,248 I CAN MAKE IT INTO A GOOD DANCE COMPANY, 915 00:31:32,251 --> 00:31:33,021 MAYBE NEW YORK. 916 00:31:33,022 --> 00:31:34,922 WE'LL LIVE IN NEW YORK. 917 00:31:34,924 --> 00:31:36,264 THAT'S WHERE YOU'LL GO TO SCHOOL. 918 00:31:36,255 --> 00:31:38,385 THERE ARE SOME GREAT SCHOOLS IN NEW YORK. 919 00:31:38,387 --> 00:31:40,727 OR WE COULD JUST BE ENGAGED AND LIVE IN NEW YORK 920 00:31:40,730 --> 00:31:42,660 WHILE I'M DANCING AND YOU'RE GOING TO COLLEGE, 921 00:31:42,662 --> 00:31:44,862 BUT THAT PUTS ME IN THE WHY-BUY-THE-COW- 922 00:31:44,864 --> 00:31:46,944 WHEN-YOU-CAN-GET- THE-MILK-FOR-FREE CATEGORY, 923 00:31:46,936 --> 00:31:49,936 SO WE'RE JUST GOING TO HAVE TO BIT THE BULLET AND GET MARRIED. 924 00:31:49,940 --> 00:31:51,400 WHOA, WHOA, BOO-- 925 00:31:51,401 --> 00:31:53,441 I KNOW I'M JUST A LOAF OF UNBAKED BREAD, CARL, 926 00:31:53,443 --> 00:31:55,053 BUT I MAKE A GOOD WIFE. 927 00:31:55,045 --> 00:31:57,445 AND A GOOD MOTHER TO YOUR CHILDREN, 928 00:31:57,448 --> 00:31:59,708 IF YOU WANT CHILDREN. I'M TORN. 929 00:31:59,710 --> 00:32:01,710 IF I GIVE BIRTH TO THE WINKLEBURN KIDS, 930 00:32:01,712 --> 00:32:03,452 I AM SENDING THEM BACK. 931 00:32:03,454 --> 00:32:04,864 BOO, LET ME SAY SOMETHING. 932 00:32:04,855 --> 00:32:05,985 OKAY, BUT HURRY BECAUSE WE HAVE 933 00:32:05,987 --> 00:32:07,587 A LOT OF PLANNING TO DO. 934 00:32:07,588 --> 00:32:08,588 WHERE IS THIS COMING FROM? 935 00:32:08,589 --> 00:32:10,589 I HEARD YOU TALKING TO SWEETIE. 936 00:32:10,592 --> 00:32:14,032 - OH, BOO-- - SAYING THAT I'M THE GIRL YOU'RE GOING TO MARRY. 937 00:32:14,025 --> 00:32:15,725 I WAS TOUCHED. 938 00:32:15,727 --> 00:32:17,397 AND NAUSEOUS, 939 00:32:17,399 --> 00:32:19,399 BUT MOSTLY TOUCHED. 940 00:32:19,401 --> 00:32:20,931 BOO, LISTEN. WHAT I SAID THAT NIGHT 941 00:32:20,933 --> 00:32:22,403 ABOUT US GETTING MARRIED? 942 00:32:22,404 --> 00:32:24,314 I DIDN'T MEAN IT LITERALLY. 943 00:32:24,306 --> 00:32:25,536 YOU DIDN'T? 944 00:32:25,537 --> 00:32:26,537 MY MOTHER, I LOVE HER, 945 00:32:26,539 --> 00:32:28,009 BUT SHE YAPS 946 00:32:28,010 --> 00:32:29,410 AND DOESN'T LISTEN. 947 00:32:29,412 --> 00:32:30,542 THE ONLY WAY I CAN GET HER TO HEAR ME 948 00:32:30,543 --> 00:32:31,943 IS TO BE RIDICULOUSLY DRAMATIC. 949 00:32:31,944 --> 00:32:34,924 SO YOU DON'T WANT TO GET MARRIED. 950 00:32:34,917 --> 00:32:37,947 WELL, IT'S A LITTLE EARLY DON'T YOU THINK? 951 00:32:37,951 --> 00:32:39,621 WELL, YEAH. 952 00:32:39,622 --> 00:32:41,732 NOT THAT I DON'T THINK YOU'RE GREAT MARRIAGE MATERIAL, 953 00:32:41,725 --> 00:32:43,725 BUT I KIND OF 954 00:32:43,727 --> 00:32:45,727 DON'T WANT TO MISS MY LAST YEAR OF SUMMER CAMP. 955 00:32:45,729 --> 00:32:47,529 IT COMES WITH HOT DOG PRIVILEGES. 956 00:32:48,732 --> 00:32:51,072 - YEAH. - YEAH. 957 00:32:51,065 --> 00:32:52,735 YEAH. 958 00:32:52,736 --> 00:32:57,606 SO, I'M NOT JUST A LOAF OF UNBAKED BREAD? 959 00:32:57,612 --> 00:33:00,072 NAH, YOU'RE FULLY BAKED. 960 00:33:02,076 --> 00:33:04,416 AND BY THE WAY, YOU'RE DAD'S NOT ON THE THRONE. 961 00:33:04,419 --> 00:33:06,949 HE SNUCK DOWN TO THE FIREHOUSE FOR SOME CHICKEN PARM. 962 00:33:06,952 --> 00:33:09,352 HE CONFIDED IN ME MAN-TO-MAN. 963 00:33:09,354 --> 00:33:10,694 IT WAS COOL. 964 00:33:10,686 --> 00:33:12,026 HE'S EVEN BRINGING ME ONE BACK. 965 00:33:18,634 --> 00:33:21,544 ( foot tapping ) 966 00:33:21,537 --> 00:33:22,867 TURN OFF YOUR MOTOR THERE, SPEEDY. 967 00:33:22,869 --> 00:33:24,669 MY LEG ALWAYS JIGGLES WHEN I'M NERVOUS. 968 00:33:24,670 --> 00:33:26,400 JUST TAKE A DEEP BREATH. 969 00:33:26,402 --> 00:33:28,142 MY NIECE ISN'T EVEN ALLOWED TO SIT ON MY LAP ANYMORE. 970 00:33:28,144 --> 00:33:30,154 NOT SINCE I CATAPULTED HER INTO A WALL. 971 00:33:30,146 --> 00:33:32,406 GOD, THAT'S HER. 972 00:33:32,409 --> 00:33:33,679 HELLO, TRULY. 973 00:33:33,680 --> 00:33:34,750 HELLO, MILLY. 974 00:33:34,751 --> 00:33:35,881 THIS IS MY FRIEND, MICHELLE. 975 00:33:35,882 --> 00:33:37,152 - NICE TO MEET YOU. - OH. 976 00:33:37,154 --> 00:33:38,694 IF I HAD KNOWN YOU WERE BRINGING A FRIEND, 977 00:33:38,685 --> 00:33:40,085 - I'D HAVE BROUGHT LEONARD. - WHO'S LEONARD? 978 00:33:40,087 --> 00:33:41,557 LEONARD'S A GOOD FRIEND OF MINE. 979 00:33:41,558 --> 00:33:43,888 HE HAS A SAILBOAT, AND SOMETIMES WE PLAY SQUASH. 980 00:33:43,891 --> 00:33:45,561 HE'S GOING TO BE SORRY HE MISSED THIS. 981 00:33:47,565 --> 00:33:50,765 SO, SHALL WE PRETEND WE'RE REALLY HERE FOR A PLEASANT LUNCH 982 00:33:50,768 --> 00:33:52,428 OR SAVE OURSELVES THE CALORIES? 983 00:33:52,430 --> 00:33:54,030 WE NEED TO TALK ABOUT THE LEASE. 984 00:33:54,032 --> 00:33:55,432 SIGN IT AND WE'RE GOOD TO GO. 985 00:33:55,433 --> 00:33:57,413 YOU RAISED THE RENT 40%. 986 00:33:57,405 --> 00:33:58,935 IT REFLECTS CURRENT MARKET COMPS. 987 00:33:58,937 --> 00:34:02,407 IF I KNEW WHAT THAT MEANT, I'M SURE I WOULD DISAGREE WITH IT. 988 00:34:02,411 --> 00:34:04,511 MILLY, I THINK WHAT TRULY IS WONDERING 989 00:34:04,513 --> 00:34:07,423 IS DOES THE RENT INCREASE NEED TO BE THAT STEEP? 990 00:34:07,416 --> 00:34:08,586 WELL, MICHELLE, 991 00:34:08,587 --> 00:34:10,547 NORMALLY I WOULD DEFER TO LEONARD ON THIS, 992 00:34:10,549 --> 00:34:13,089 BUT I'LL HAVE YOU KNOW THAT I'M DOING TRULY A BIG FAVOR. 993 00:34:13,092 --> 00:34:15,022 I'VE GOT A NATIONAL LUBE AND TUNE COMPANY 994 00:34:15,024 --> 00:34:16,104 BEGGING ME FOR THAT SPACE, 995 00:34:16,095 --> 00:34:17,695 AND THEY PAY MORE. 996 00:34:17,697 --> 00:34:19,057 I CAN'T SAY WHICH COMPANY IT IS, 997 00:34:19,058 --> 00:34:21,128 BUT YOU HAVE BOTH GOTTEN LUBED THERE. 998 00:34:21,131 --> 00:34:23,161 WELL, WHAT ABOUT THE IMPROVEMENTS 999 00:34:23,163 --> 00:34:24,843 I'VE MADE TO THE SPACE? 1000 00:34:24,835 --> 00:34:27,105 A GLITTERY TOILET SEAT WITH BARRY GIBBS' FACE ON IT 1001 00:34:27,107 --> 00:34:28,837 DOES NOT CONSTITUTE AN IMPROVEMENT. 1002 00:34:28,839 --> 00:34:32,509 BUT MAYBE WE COULD FIND A MIDDLE GROUND HERE. 1003 00:34:32,513 --> 00:34:34,453 HUH? SOMETHING THAT WE COULD ALL LIVE WITH? 1004 00:34:34,445 --> 00:34:37,675 WELL, IF BY "WE" YOU MEAN YOU, ME, TRULY AND LEONARD, 1005 00:34:37,678 --> 00:34:39,618 WELL, OF COURSE I'D HAVE TO CONSULT WITH LEONARD ON THIS, 1006 00:34:39,620 --> 00:34:41,150 BUT NO, THERE IS NO MIDDLE GROUND. 1007 00:34:41,152 --> 00:34:42,682 IT'S THE MARKET RATE OR NOTHING. 1008 00:34:42,684 --> 00:34:44,494 MILLY, I HAVE INVESTED ALL OF MY MONEY INTO SPARKLES. 1009 00:34:44,486 --> 00:34:46,656 I CAN'T BELIEVE YOU'RE WILLING TO DESTROY IT LIKE THIS. 1010 00:34:46,658 --> 00:34:48,788 YOUR MONEY? REALLY? 1011 00:34:48,790 --> 00:34:50,860 - DON'T START. - YOU'RE GONNA PRETEND IT'S NOT MOM'S MONEY? 1012 00:34:50,862 --> 00:34:52,132 SO I BORROWED MONEY FROM MOM. 1013 00:34:52,134 --> 00:34:53,244 - SO WHAT? - MOM? 1014 00:34:53,235 --> 00:34:54,695 SO SHE DIPPED INTO HER 401K 1015 00:34:54,696 --> 00:34:56,036 TO BUY YOU A BUNCH OF DRESSES. 1016 00:34:56,038 --> 00:34:57,038 SHE NEVER DID ANYTHING FOR ME. 1017 00:34:57,039 --> 00:34:58,769 OH, YOU ARE SO HER FAVORITE, 1018 00:34:58,771 --> 00:34:59,971 WITH YOUR FANCY HOLIDAY PARTIES 1019 00:34:59,972 --> 00:35:01,242 AND YOUR PERFECT LITTLE DAUGHTER. 1020 00:35:01,243 --> 00:35:02,513 SHE'S NOT PERFECT ANYMORE. 1021 00:35:02,505 --> 00:35:04,045 NOT SINCE YOU GAVE HER THAT CONCUSSION. 1022 00:35:04,046 --> 00:35:05,776 HOLD ON A SECOND. QUICK QUESTION-- 1023 00:35:05,778 --> 00:35:07,478 - ARE YOU TWO SISTERS? - YES. 1024 00:35:07,480 --> 00:35:08,780 UNFORTUNATELY. 1025 00:35:08,781 --> 00:35:10,251 WHY DIDN'T YOU MENTION THIS BEFORE? 1026 00:35:10,253 --> 00:35:12,193 IT WASN'T RELEVANT. 1027 00:35:12,185 --> 00:35:13,815 YOU'RE SISTERS. IT'S RELEVANT. 1028 00:35:13,817 --> 00:35:15,017 IT'S BECAUSE SHE HATES ME. 1029 00:35:15,018 --> 00:35:16,188 THAT'S WHY SHE DIDN'T MENTION IT. 1030 00:35:16,189 --> 00:35:17,719 SHE HATES ME. 1031 00:35:17,721 --> 00:35:19,491 OKAY, TRULY, GO GET A SODA OR SOMETHING. 1032 00:35:19,493 --> 00:35:20,693 LET ME TALK TO MILLY FOR A SECOND. 1033 00:35:20,694 --> 00:35:21,834 REALLY, GO. 1034 00:35:26,170 --> 00:35:29,170 SO... SISTERS. 1035 00:35:29,173 --> 00:35:30,273 IT HAPPENS. 1036 00:35:30,274 --> 00:35:33,014 BUT IT'S ONLY HAPPENED ONCE TO YOU, MILLY. 1037 00:35:33,007 --> 00:35:34,977 YOU HAVE ONE SWEET, SPECIAL PERSON 1038 00:35:34,979 --> 00:35:36,909 YOU CAN CALL SISTER. 1039 00:35:36,911 --> 00:35:39,241 IS IT REALLY WORTH A FEW LOUSY BUCKS 1040 00:35:39,244 --> 00:35:40,724 TO RUIN THAT? 1041 00:35:40,715 --> 00:35:42,045 WE HAVE TWO OTHER SISTERS. 1042 00:35:42,047 --> 00:35:44,647 ONE'S OKAY. THE OTHER ONE'S AN ACTRESS. 1043 00:35:44,650 --> 00:35:46,590 BUT HOW CAN TRULY NOT BE YOUR FAVORITE? 1044 00:35:46,592 --> 00:35:47,922 SHE'S GOT SO MUCH SPUNK. 1045 00:35:47,923 --> 00:35:49,933 SPUNK IS WHAT GOT MY ABBA CD'S TURNED INTO 1046 00:35:49,925 --> 00:35:51,195 A SUPER-CUTE PROM DRESS. 1047 00:35:51,197 --> 00:35:53,257 BUT MILLY, YOU'RE A BUSINESSWOMAN. 1048 00:35:53,259 --> 00:35:56,129 YOUR FAMILY RELATIONSHIP SHOULD NOT AFFECT YOUR BUSINESS. 1049 00:35:56,132 --> 00:35:57,162 SHOULD IT? 1050 00:35:58,605 --> 00:36:01,235 WELL, THERE'S MORE. 1051 00:36:01,237 --> 00:36:03,067 SHE... 1052 00:36:03,069 --> 00:36:04,769 SHE WHAT? 1053 00:36:04,771 --> 00:36:08,251 LOOK, TRULY DID SOMETHING AWFUL TO ME ONCE. 1054 00:36:08,245 --> 00:36:10,015 BUT CONCUSSIONS HEAL, DON'T THEY? 1055 00:36:10,017 --> 00:36:12,217 OH, WHO CARES ABOUT THAT? SHE STOLE MY BOYFRIEND. 1056 00:36:12,219 --> 00:36:13,779 OH, OUCH. 1057 00:36:13,781 --> 00:36:16,151 AND IT WAS A MAN I CARED FOR VERY DEEPLY. 1058 00:36:16,153 --> 00:36:17,153 AND SHE KNEW THAT. 1059 00:36:17,154 --> 00:36:19,034 BUT DON'T YOU THINK IT'S TIME 1060 00:36:19,026 --> 00:36:20,186 TO REMOVE ALL THAT FROM THE EQUATION 1061 00:36:20,188 --> 00:36:22,258 AND JUST LET TRULY STAY IN HER SHOP 1062 00:36:22,260 --> 00:36:24,790 THAT SHE LOVES SO MUCH. 1063 00:36:24,792 --> 00:36:26,662 FORGET THE PAST AND MOVE ON? 1064 00:36:26,664 --> 00:36:30,004 BUT TRULY KNEW THAT IT WAS LEADING TO SOMETHING MORE SERIOUS. 1065 00:36:29,998 --> 00:36:32,838 AND SHE WENT AHEAD AND SEDUCED HUBBELL AWAY FROM ME ANYWAY. 1066 00:36:32,841 --> 00:36:35,071 AM I JUST SUPPOSED TO FORGET ABOUT ALL THAT? 1067 00:36:35,073 --> 00:36:36,913 I'M SORRY, DID YOU JUST SAY HUBBELL? 1068 00:36:38,347 --> 00:36:40,607 DO YOU KNOW WHO I AM? 1069 00:36:40,609 --> 00:36:42,649 YOU'RE TRULY'S FRIEND. 1070 00:36:42,651 --> 00:36:45,111 I'M MICHELLE SIMMS. I MARRIED HUBBELL. 1071 00:36:45,114 --> 00:36:46,264 YOU'RE THE MADAME? 1072 00:36:46,255 --> 00:36:47,655 SHOWGIRL. 1073 00:36:52,262 --> 00:36:54,262 SO... 1074 00:36:54,264 --> 00:36:55,604 DO WE HAVE A DEAL? 1075 00:36:59,600 --> 00:37:02,070 TRULY, MI AMIGO, WE HAVE GOT OURSELVES A GAME PLAN. 1076 00:37:02,072 --> 00:37:03,202 I GET MY SHOP BACK? 1077 00:37:03,203 --> 00:37:04,273 NO, YOU KEEP USING MY PLACE 1078 00:37:04,274 --> 00:37:05,344 UNTIL WE FIGURE SOMETHING ELSE OUT. 1079 00:37:05,336 --> 00:37:06,936 THAT'S OUR GAME PLAN? 1080 00:37:06,937 --> 00:37:08,207 THAT'S ALL WE GOT. AND I'M GIVING YOUR NIECE 1081 00:37:08,209 --> 00:37:09,809 TWO YEARS OF FREE TAP CLASS 1082 00:37:09,810 --> 00:37:12,210 ONCE SHE GETS THAT PROTECTIVE HELMET OFF. 1083 00:37:12,213 --> 00:37:13,953 THAT WOMAN IS ROUGH. 1084 00:37:16,317 --> 00:37:19,617 HE'S A MARTIAL ARTS EXPERT AND A MASTER MECHANIC. 1085 00:37:19,621 --> 00:37:21,951 AND SHE SPEAKS FRENCH, AND SPANISH, AND JAPANESE, 1086 00:37:21,953 --> 00:37:23,263 AND LATIN, AND FARSI AND URDU. 1087 00:37:23,255 --> 00:37:24,795 - COME ON. - I HEARD IT FROM A GOOD SOURCE. 1088 00:37:24,796 --> 00:37:26,126 FLUENT URDU. 1089 00:37:26,128 --> 00:37:27,798 THEY'RE DEFINITELY THE MOST POPULAR KIDS IN SCHOOL. 1090 00:37:27,800 --> 00:37:29,260 IN JUST TWO DAYS? HOW? 1091 00:37:29,261 --> 00:37:31,131 NETWORKING. MULTI-LINGUAL NETWORKING. 1092 00:37:31,133 --> 00:37:32,813 HEY, WATCH IT, ROOKIE. 1093 00:37:32,805 --> 00:37:34,735 ALL THE GIRLS ARE IN LOVE WITH HIM. 1094 00:37:34,737 --> 00:37:35,937 - REALLY? - NOT ME. 1095 00:37:35,938 --> 00:37:37,408 AND ALL THE GUYS ARE IN LOVE WITH HER. 1096 00:37:37,410 --> 00:37:39,270 SOME OF THE GIRLS TOO. NOT ME. 1097 00:37:39,272 --> 00:37:40,942 OKAY. STOP. ENOUGH ABOUT HER. 1098 00:37:40,944 --> 00:37:42,954 - I AGREE. - LET'S GET INSIDE. WE'RE GONNA BE LATE. 1099 00:37:45,078 --> 00:37:47,078 ( music playing ) 1100 00:37:47,080 --> 00:37:50,050 ♪ Cuckoo, cuckoo ♪ 1101 00:37:50,053 --> 00:37:54,933 ♪ What do you do? ♪ 1102 00:37:56,090 --> 00:38:00,290 ♪ In April, I open my bill ♪ 1103 00:38:00,294 --> 00:38:04,204 ♪ In May, I sing night and day ♪ 1104 00:38:04,198 --> 00:38:08,998 ♪ In June, I change my tune ♪ 1105 00:38:09,003 --> 00:38:11,783 ♪ In July, far far I fly... ♪ 1106 00:38:11,776 --> 00:38:13,276 ISN'T SHE INCREDIBLE? 1107 00:38:13,278 --> 00:38:14,408 HER NAME'S COZETTE. 1108 00:38:14,409 --> 00:38:16,949 SHE'S REALLY GONNA RAISE THE BAR FOR US. 1109 00:38:19,955 --> 00:38:21,955 ( music continues ) 1110 00:38:21,957 --> 00:38:25,157 ♪ Cuckoo, cuckoo ♪ 1111 00:38:25,161 --> 00:38:29,201 ♪ Cuckoo, cuckoo ♪ 1112 00:38:29,195 --> 00:38:32,295 ♪ Cuckoo, cuckoo ♪ 1113 00:38:32,298 --> 00:38:37,298 ♪ What do you do? ♪ 1114 00:38:38,705 --> 00:38:42,805 ♪ In April, I open my bill ♪ 1115 00:38:42,809 --> 00:38:46,739 ♪ In May, I sing night and day ♪ 1116 00:38:46,744 --> 00:38:51,294 ♪ In June, I change my tune ♪ 1117 00:38:51,289 --> 00:38:54,989 ♪ In July, far far I fly ♪ 1118 00:38:54,992 --> 00:39:03,402 ♪ In August, away... ♪ 1119 00:39:03,401 --> 00:39:07,911 ♪ I must ♪ 1120 00:39:07,906 --> 00:39:11,966 ♪ Cuckoo, cuckoo ♪ 1121 00:39:11,971 --> 00:39:17,951 ♪ Cuckoo, cuckoo... ♪ 1122 00:39:20,219 --> 00:39:22,179 ( applause ) 1123 00:39:24,324 --> 00:39:26,334 TRIPPY SONG, HUH? 1124 00:39:26,326 --> 00:39:27,926 ALL RIGHT, EVERYONE. LET'S GET THE BAR CENTERED 1125 00:39:27,928 --> 00:39:29,188 AND LET'S GET STARTED. 1126 00:39:29,189 --> 00:39:30,959 QUICK ANNOUNCEMENT, EVERYONE. 1127 00:39:30,961 --> 00:39:32,961 WE'RE STARTING 15 MINUTES LATER TOMORROW. 1128 00:39:34,434 --> 00:39:36,444 YOU CAN STILL COME, STRETCH, RELAX... 1129 00:40:03,996 --> 00:40:05,996 ( crickets chirping ) 1130 00:40:12,005 --> 00:40:14,005 ( clicking ) 1131 00:40:20,514 --> 00:40:22,224 - ( beeps ) - ( door opens ) 1132 00:40:24,318 --> 00:40:26,218 ( sighs ) 1133 00:40:32,456 --> 00:40:34,326 WE'VE GOT TO STOP MEETING LIKE THIS. 1134 00:40:34,328 --> 00:40:36,198 OR TAKE IT TO THE NEXT STEP. 1135 00:40:36,200 --> 00:40:37,860 MARRY, HAVE A COUPLE OF KIDS. 1136 00:40:37,862 --> 00:40:39,302 WHO BEARS THE CHILDREN? 1137 00:40:39,304 --> 00:40:40,474 HOW ABOUT WE ALTERNATE? 1138 00:40:40,465 --> 00:40:42,005 THAT'LL WORK. 1139 00:40:42,006 --> 00:40:43,306 I THOUGHT YOU HAD A DATE TONIGHT. 1140 00:40:43,308 --> 00:40:45,008 I ENDED IT EARLY. 1141 00:40:45,010 --> 00:40:46,470 MARION WAS DEFINITELY NOT MY TYPE. 1142 00:40:46,471 --> 00:40:47,911 YOU WENT OUT WITH A CHICK? 1143 00:40:47,913 --> 00:40:49,043 IT WAS A GUY. 1144 00:40:49,044 --> 00:40:51,224 NOW FOR SOME REASON I FEEL WEIRDLY COMPELLED 1145 00:40:51,216 --> 00:40:52,246 TO DEFEND HIM. 1146 00:40:52,247 --> 00:40:53,917 JOHN WAYNE'S REAL NAME WAS MARION. 1147 00:40:53,919 --> 00:40:55,379 AND HE CHANGED IT TO JOHN. 1148 00:40:55,381 --> 00:40:57,381 TRUE. 1149 00:40:57,383 --> 00:40:58,993 POOR MARION. 1150 00:40:58,985 --> 00:41:00,925 SO, LET ME GUESS-- YOU'RE HERE REHEARSING 1151 00:41:00,927 --> 00:41:02,387 THE TURN, TWIST, SLIDE, KICK 1152 00:41:02,388 --> 00:41:04,328 YOU SAW BARYSHNIKOV DO IN "WHITE NIGHTS" 1153 00:41:04,330 --> 00:41:05,460 AND YOU'RE NOT LEAVING TILL YOU NAIL IT? 1154 00:41:05,461 --> 00:41:06,591 I WAS MEETING ROMAN. 1155 00:41:06,593 --> 00:41:08,063 - SASHA-- - RELAX. 1156 00:41:08,064 --> 00:41:09,604 - I JUST CANCELED IT. - BUT WHY HERE? 1157 00:41:09,596 --> 00:41:10,896 WHY NOT YOUR HOUSE? 1158 00:41:10,897 --> 00:41:13,867 MY HOUSE IS A DISASTER ZONE. 1159 00:41:13,870 --> 00:41:15,340 THERE'S NO WAY I'M TALKING HIM THERE. 1160 00:41:15,342 --> 00:41:16,872 SO IT'S HERE? IN A PLACE THAT 1161 00:41:16,874 --> 00:41:18,284 SMELLS LIKE SWEATY TIGHTS, 1162 00:41:18,275 --> 00:41:20,005 BECAUSE THAT'LL REALLY GET YOU IN THE MOOD. 1163 00:41:20,007 --> 00:41:21,477 IT'S NOTHING THAT CALLS FOR MOOD. 1164 00:41:21,479 --> 00:41:23,349 WE JUST WANT A PLACE TO TALK AND HANG 1165 00:41:23,351 --> 00:41:24,181 AND LISTEN TO MUSIC. 1166 00:41:24,181 --> 00:41:25,181 WHAT ABOUT SCHOOL? 1167 00:41:25,182 --> 00:41:26,652 I'M WITH MY FRIENDS AT SCHOOL. 1168 00:41:26,654 --> 00:41:28,364 OH, SASHA, YOU DON'T KNOW THE FIRST THING ABOUT DATING. 1169 00:41:28,356 --> 00:41:30,356 AS SOON AS YOU MEET A BOY, YOU DUMP YOUR FRIENDS. 1170 00:41:30,358 --> 00:41:31,288 THAT'S WHAT BOYS ARE FOR. 1171 00:41:31,289 --> 00:41:32,419 I DID NOT KNOW THAT. 1172 00:41:32,420 --> 00:41:34,960 SO YOU DON'T NEED THE TALK. 1173 00:41:34,963 --> 00:41:35,963 THE TALK? 1174 00:41:35,964 --> 00:41:37,334 THE TALK. 1175 00:41:37,325 --> 00:41:38,495 THE TALK. 1176 00:41:38,497 --> 00:41:40,927 NO... 1177 00:41:40,929 --> 00:41:42,329 BUT YOU CAN GIVE IT ANYWAY. 1178 00:41:42,331 --> 00:41:43,971 I'D LOVE TO HEAR YOUR VERSION. 1179 00:41:43,973 --> 00:41:45,203 WELL, IT'S A GOOD ONE. YOU'LL NEVER USE 1180 00:41:45,204 --> 00:41:46,614 A PUBLIC TOILET SEAT AGAIN. 1181 00:41:46,605 --> 00:41:48,605 ( footsteps approach ) 1182 00:41:51,010 --> 00:41:52,340 I TOLD HIM TO ABORT. 1183 00:41:52,341 --> 00:41:53,911 MUST HAVE BEEN TOO LATE. 1184 00:41:56,346 --> 00:41:57,316 IT'S NOT ROMAN. 1185 00:42:01,151 --> 00:42:02,421 ARE YOU KIDDING? 1186 00:42:02,422 --> 00:42:04,352 I'VE BEEN TRYING TO GET A HOLD OF YOU ALL DAY. 1187 00:42:04,354 --> 00:42:06,134 - WHAT'S UP? - YOU DON'T ANSWER TEXTS, 1188 00:42:06,126 --> 00:42:07,356 PHONE CALLS, E-MAILS. 1189 00:42:07,357 --> 00:42:08,627 I'VE BEEN DRIVING AROUND. 1190 00:42:08,629 --> 00:42:10,129 I FINALLY SPOTTED YOUR CAR OUT FRONT. 1191 00:42:10,130 --> 00:42:12,330 ALL THOSE "ROCKFORD FILES" FINALLY PAID OFF. 1192 00:42:12,333 --> 00:42:14,113 ENOUGH MOUTH, SASHA. 1193 00:42:17,008 --> 00:42:18,208 YOU ARE TOUGH, KID. 1194 00:42:18,209 --> 00:42:20,939 FINE. I JUST THOUGHT YOU'D WANT TO KNOW 1195 00:42:20,942 --> 00:42:22,342 HE'S LEAVING. 1196 00:42:22,343 --> 00:42:24,383 - WHO? - YOUR DAD. 1197 00:42:24,376 --> 00:42:26,276 - AGAIN? - NO, NOT AGAIN. 1198 00:42:26,278 --> 00:42:29,218 HE'S REALLY LEAVING. IT'S OVER WITH US. 1199 00:42:29,221 --> 00:42:31,021 YOUR FATHER HAS A SPECIAL SOMEONE 1200 00:42:31,023 --> 00:42:33,263 AND HE'S MOVING IN WITH HIM. 1201 00:42:33,255 --> 00:42:36,355 I DID NOT THINK THIS WAS GONNA BE MY LIFE. 1202 00:42:36,358 --> 00:42:37,488 ANYWAY, HE'S MOVING OUT NOW. 1203 00:42:37,490 --> 00:42:39,060 - I'M GOING NEXT WEEK. - GOING? 1204 00:42:39,061 --> 00:42:40,161 WHERE ARE YOU GOING? 1205 00:42:40,162 --> 00:42:42,172 BACK TO L.A. I MISS IT. 1206 00:42:42,165 --> 00:42:44,435 I MISS ENCINO. SUE ME. 1207 00:42:44,437 --> 00:42:45,497 WELL, WHAT ABOUT ME? 1208 00:42:45,498 --> 00:42:46,668 YOU HAVE A CHOICE, SOPHIE. 1209 00:42:46,669 --> 00:42:49,099 YOU COULD EITHER GO WITH YOUR DAD TO SAN JOSE 1210 00:42:49,102 --> 00:42:50,372 OR YOU CAN COME WITH ME. 1211 00:42:50,373 --> 00:42:52,513 JUST LET ME KNOW QUICK SO I CAN MAKE PLANS. 1212 00:42:52,506 --> 00:42:54,046 WHAT ABOUT THE HOUSE? 1213 00:42:54,047 --> 00:42:55,247 OH, I'M DUMPING THAT HOUSE. 1214 00:42:55,248 --> 00:42:56,248 I HATE THAT HOUSE. 1215 00:42:56,250 --> 00:42:58,010 SO THAT'S MY CHOICE? 1216 00:42:58,011 --> 00:42:59,011 TO MOVE AWAY? 1217 00:42:59,012 --> 00:43:00,652 - YES. - NO! 1218 00:43:00,654 --> 00:43:02,224 - WHAT? - I'M NOT GOING. 1219 00:43:02,216 --> 00:43:04,386 - I'M STAYING HERE. - THAT IS NOT AN OPTION. 1220 00:43:04,388 --> 00:43:07,018 MY FRIENDS ARE HERE. MY SCHOOL IS HERE. 1221 00:43:07,021 --> 00:43:08,191 MY BALLET IS HERE. 1222 00:43:08,192 --> 00:43:09,692 IF I'M GOING TO GET INTO JOFFREY, 1223 00:43:09,694 --> 00:43:11,374 I CAN'T DISRUPT MY TRAINING NOW. 1224 00:43:11,366 --> 00:43:12,366 FORGET IT. 1225 00:43:12,367 --> 00:43:14,327 YOU'RE 16, SASHA. 1226 00:43:14,329 --> 00:43:15,269 I'M NOT LEAVING. 1227 00:43:18,403 --> 00:43:19,743 I'M NOT LEAVING. 86919