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1
00:00:06,570 --> 00:00:09,000
PREVIOUSLY ON "BUNHEADS"...
2
00:00:09,000 --> 00:00:10,700
MICHELLE, PRINCE CHARMING'S
HERE FOR YOU AGAIN.
3
00:00:10,700 --> 00:00:13,300
- WHAT? OH!
- COME ON, HE'S SWEET
AND HARMLESS.
4
00:00:13,300 --> 00:00:15,330
EVERY TIME HE COMES TO TOWN,
HE BRINGS YOU PRESENTS,
5
00:00:15,330 --> 00:00:17,070
- HE BUYS YOU DINNER.
- MARRY ME.
6
00:00:17,070 --> 00:00:20,170
- WELL, THIS IS IT-- OUR HOME.
- OH, I COULD STAND
HERE FOREVER.
7
00:00:20,170 --> 00:00:21,770
- THAT'S MY PLAN.
- WHO'S THIS?
8
00:00:21,770 --> 00:00:23,770
- MOM.
- YES-- MOM.
9
00:00:23,770 --> 00:00:26,030
HUBBELL WAS
IN A CAR ACCIDENT
LAST NIGHT.
10
00:00:26,030 --> 00:00:27,600
- MADAME FANNY'S HUBBELL?
- YUP.
11
00:00:27,600 --> 00:00:29,130
- BAD?
- YUP.
12
00:00:29,130 --> 00:00:30,600
- AND...?
- HE'S...
13
00:00:32,200 --> 00:00:34,270
- WHAT? HE'S WHAT?
- YOU KNOW.
14
00:00:34,270 --> 00:00:36,200
- I DON'T KNOW.
- OH MY GOD, HE'S DEAD?
15
00:00:36,200 --> 00:00:38,300
- PAPERWORK?
- JUST SOME SIGNATURES.
16
00:00:38,300 --> 00:00:40,670
- SIGNATURE FOR WHAT?
- FOR THE WILL TRANSFER.
17
00:00:40,670 --> 00:00:43,600
I THOUGHT HE TOLD YOU.
HE CALLED ME ON THE WAY
BACK FROM VEGAS.
18
00:00:43,600 --> 00:00:45,670
- HE LEFT EVERYTHING TO YOU.
- Fanny: HOMELESS?
19
00:00:45,670 --> 00:00:47,630
- YOU'RE NOT HOMELESS.
- TALK ABOUT THE FACT
THAT I'M JOBLESS?
20
00:00:47,630 --> 00:00:50,700
- YOU'RE NOT JOBLESS!
- Fanny: AS OF TODAY,
YOU OWN THE BALLET SCHOOL.
21
00:00:50,700 --> 00:00:53,230
NO, YOU OWN THE SCHOOL.
I JUST OWN THE BUILDING
22
00:00:53,230 --> 00:00:54,700
AND THE LAND THE SCHOOL
IS SITTING ON.
23
00:00:54,700 --> 00:00:56,370
ARE YOU LEAVING?
24
00:00:56,370 --> 00:00:58,630
I DON'T KNOW.
25
00:00:58,630 --> 00:01:00,530
THIS IS
YOUR HOME, FANNY.
26
00:01:00,530 --> 00:01:02,370
YOU ARE GONNA LIVE HERE
27
00:01:02,370 --> 00:01:05,230
AND I'M GOING TO MOVE
INTO THE GUEST HOUSE.
28
00:01:06,530 --> 00:01:08,770
- ( birds chirping )
- ( distant barking )
29
00:01:28,000 --> 00:01:29,500
( shakily exhales )
30
00:01:32,030 --> 00:01:34,400
( whispers ) OH MY.
31
00:01:38,600 --> 00:01:41,100
( cellphone dials )
32
00:01:45,130 --> 00:01:47,130
( whispers )
THERE'S SOMETHING
IN MY BED.
33
00:01:47,130 --> 00:01:49,600
WHAT? SPEAK UP.
I CAN'T HEAR YOU.
34
00:01:49,600 --> 00:01:52,600
( softly )
THERE'S SOMETHING
IN MY BED.
35
00:01:52,600 --> 00:01:55,370
OH. WELL, JUST GIVE HIM
SOME CAB FARE
36
00:01:55,370 --> 00:01:57,430
- AND CHANGE THE LOCKS.
- IT'S NOT A MAN.
37
00:01:57,430 --> 00:01:59,470
- IT'S A THING.
- A THING?
38
00:01:59,470 --> 00:02:01,270
- A nature thing.
- LIKE A TSUNAMI?
39
00:02:01,270 --> 00:02:04,370
NO, LIKE A POINTY,
FURRY, LONG-TAILED THING
40
00:02:04,370 --> 00:02:06,370
- WITH LITTLE HAND-CLAWS.
- LIKE A RAT?
41
00:02:06,370 --> 00:02:09,030
- Oh my God, is it a rat?
- I DON'T KNOW WHAT IT IS.
42
00:02:09,030 --> 00:02:11,300
- I'M ASKING YOU
IF IT'S A RAT.
- I hate rats.
43
00:02:11,300 --> 00:02:13,630
- JUST GET OUT OF BED.
- I CAN'T. I CAN'T MOVE.
44
00:02:13,630 --> 00:02:16,270
- Michelle.
- I'M PARALYZED
WITH RAT FEAR.
45
00:02:16,270 --> 00:02:18,700
- JUST TAKE A PICTURE.
- FOR POSTERITY?!
46
00:02:18,700 --> 00:02:21,630
TAKE A PICTURE OF THE THING
WITH YOUR CELLPHONE
47
00:02:21,630 --> 00:02:23,670
AND SEND IT TO ME
SO I CAN SEE WHAT IT IS
48
00:02:23,670 --> 00:02:26,730
- AND END THIS CONVERSATION.
- OH. O-O-O-- OKAY,
THAT'S A GOOD IDEA.
49
00:02:26,730 --> 00:02:29,070
- SHOULD I SAY "CHEESE"?
- NOW YOU'RE MAKING JOKES?
50
00:02:29,070 --> 00:02:31,070
SORRY, I TOURED
WITH DAVID BRENNER
FOR A YEAR.
51
00:02:31,070 --> 00:02:32,700
- ( softly ) OKAY.
- ( beeps )
52
00:02:37,470 --> 00:02:39,430
- ( camera shutter clicks )
- UGH.
53
00:02:39,430 --> 00:02:41,470
( beeps )
54
00:02:41,470 --> 00:02:42,730
OKAY, I JUST
SENT IT TO YOU.
55
00:02:42,730 --> 00:02:44,430
( beeps )
56
00:02:46,000 --> 00:02:47,770
- IT'S NOT A RAT.
- OH GOOD.
57
00:02:47,770 --> 00:02:49,700
- IT'S A POSSUM...
- Oh.
58
00:02:49,700 --> 00:02:51,630
...WHICH IS BASICALLY
A REALLY BIG RAT.
59
00:02:51,630 --> 00:02:53,730
OKAY, HAVE YOU EVER WORKED
AT A CRISIS HOTLINE BEFORE?
60
00:02:53,730 --> 00:02:56,630
- 'CAUSE YOU GOT
MAD PEOPLE SKILLS.
- IT WON'T HURT YOU.
61
00:02:56,630 --> 00:02:58,600
THEY ONLY ATTACK
IF THEY'RE IN HEAT.
62
00:02:58,600 --> 00:03:00,400
OR IS THAT BEARS?
63
00:03:00,400 --> 00:03:02,300
I DON'T KNOW.
I'M NOT JACK HANNA.
64
00:03:02,300 --> 00:03:04,400
GRAB A FRYING PAN
AND BANG IT ON THE HEAD.
65
00:03:04,400 --> 00:03:06,570
OKAY, FIRST OF ALL,
I DON'T COOK.
66
00:03:06,570 --> 00:03:08,730
AND SECOND OF ALL,
I'M NOT BANGING IT
ON ITS HEAD,
67
00:03:08,730 --> 00:03:11,670
'CAUSE IF I DO
AND HIS GIANT RAT FRIENDS
GET WIND OF IT,
68
00:03:11,670 --> 00:03:15,230
THEY'LL START CIRCULATING
GIANT RAT WANTED POSTERS
WITH MY FACE ON 'EM,
69
00:03:15,230 --> 00:03:17,600
AND I COULD WAKE UP
ONE MORNING AND FIND
MYSELF SURROUNDED
70
00:03:17,600 --> 00:03:19,330
BY A GIANT RAT POSSE.
COME SAVE ME.
71
00:03:19,330 --> 00:03:21,600
- I'M HANGING UP NOW.
- TO COME SAVE ME?
72
00:03:21,600 --> 00:03:23,000
YES, I'LL BE RIGHT THERE.
73
00:03:24,430 --> 00:03:25,730
( beeps )
74
00:03:25,730 --> 00:03:27,430
SHE'S NOT COMING
TO SAVE ME.
75
00:03:27,430 --> 00:03:29,730
- ( hissing )
- AH! AH.
76
00:03:34,130 --> 00:03:36,400
( theme music playing )
77
00:03:54,200 --> 00:03:57,100
- Fanny: FALLON MEATS, 724.
- Truly: 724.
78
00:03:57,100 --> 00:04:00,770
BOX 1.
FRITZY'S CLEANERS, 162.
79
00:04:00,770 --> 00:04:03,230
- 162.
- IT MOVED AND I FLED.
80
00:04:03,230 --> 00:04:05,230
- BOX 2.
- DO YOU HAVE
ANY PEANUT BUTTER?
81
00:04:05,230 --> 00:04:07,530
HANDYMAN, 88.14.
82
00:04:07,530 --> 00:04:09,430
- WE NEED
A CHEAPER HANDYMAN.
- I WAS THINKING
83
00:04:09,430 --> 00:04:11,070
IF I PUT SOME PEANUT BUTTER
ON SOME CRACKERS
84
00:04:11,070 --> 00:04:12,600
AND THEN STICK IT
JUST OUTSIDE THE FRONT DOOR,
85
00:04:12,600 --> 00:04:14,500
I COULD COAX HIM OUT AND HAVE
A PLACE TO LIVE AGAIN.
86
00:04:14,500 --> 00:04:16,730
- STATIONARY STORE...
- YOU DON'T HAVE ANY
PEANUT BUTTER...
87
00:04:16,730 --> 00:04:18,770
- ...99.75.
- ...OR CRACKERS.
88
00:04:18,770 --> 00:04:21,730
- NO, WAIT-- 76.
- OR FOOD.
89
00:04:21,730 --> 00:04:24,200
NO. 75.
90
00:04:24,200 --> 00:04:26,070
I'M SORRY.
IS THAT A FIVE OR A SIX?
91
00:04:26,070 --> 00:04:29,400
- IT'S A THREE.
- OH. 99.73.
92
00:04:29,400 --> 00:04:31,170
YOU THINK A POSSUM
WOULD LIKE POWDERED YEAST?
93
00:04:31,170 --> 00:04:33,330
- WHAT ARE YOU DOING
IN MY KITCHEN?
- I TOLD YOU.
94
00:04:33,330 --> 00:04:35,670
- OOH, NUTS.
DO THEY LIKE NUTS?
- WHO?
95
00:04:35,670 --> 00:04:38,670
- MICHELLE HAS A VISITOR
IN HER BEDROOM.
- ALREADY?
96
00:04:38,670 --> 00:04:40,370
IT'S A POSSUM.
HE'S IN MY BED.
97
00:04:40,370 --> 00:04:43,070
OH. OH, THAT'S HORRIFYING.
98
00:04:43,070 --> 00:04:44,730
IT IS HORRIFYING.
YOU KNOW, TRULY,
99
00:04:44,730 --> 00:04:46,600
I CAN'T GO BACK IN THERE
UNTIL HE'S GONE.
100
00:04:46,600 --> 00:04:48,470
MAYBE I COULD BUNK
WITH YOU TONIGHT?
WHAT DO YOU SAY?
101
00:04:48,470 --> 00:04:50,100
WE COULD PRACTICE
KISSING OUR PILLOWS,
102
00:04:50,100 --> 00:04:52,400
PULL A "FAST TIMES
AT RIDGEMONT HIGH"
WITH SOME CARROT STICKS.
103
00:04:52,400 --> 00:04:54,530
I NEVER KNOW WHAT
YOU'RE TALKING ABOUT.
104
00:04:54,530 --> 00:04:57,300
- NEITHER DOES SHE.
- HEY, WHAT'S GOING ON?
105
00:04:57,300 --> 00:05:00,230
- IT'S PAYING SEASON.
- WHAT'S PAYING SEASON?
106
00:05:00,230 --> 00:05:03,630
TWICE A YEAR,
TRULY AND I GO
THROUGH MY BILLS,
107
00:05:03,630 --> 00:05:07,270
ADD UP WHAT'S OWED,
SORT OUT WHO GETS WHAT,
108
00:05:07,270 --> 00:05:09,470
BALANCE THE BOOKS,
WRITE THE CHECKS
109
00:05:09,470 --> 00:05:12,200
- AND SETTLE
ALL MY BUSINESS ACCOUNTS.
- I'M SORRY. CLARIFY:
110
00:05:12,200 --> 00:05:14,330
YOU ONLY PAY
YOUR BILLS TWICE A YEAR?
111
00:05:14,330 --> 00:05:15,670
THAT'S THE WAY
WE DO IT IN PARADISE.
112
00:05:15,670 --> 00:05:18,330
EVERYONE HAS
A PAYING SEASON.
DON'T THEY, TRULY?
113
00:05:18,330 --> 00:05:21,200
UH-HUH. MINE IS WHEN
THE BILLS COME IN,
114
00:05:21,200 --> 00:05:23,430
BUT FANNY'S SYSTEM
WORKS GREAT TOO.
115
00:05:23,430 --> 00:05:27,370
I DIVIDE ALL MY BILLS
INTO FOUR HATBOXES.
116
00:05:27,370 --> 00:05:31,100
BOX #1 IS FOR PEOPLE
WHO HAVE TO GET PAID,
LIKE ELECTRIC.
117
00:05:31,100 --> 00:05:33,730
YOU ONLY PAY
YOUR ELECTRIC BILL
TWICE A YEAR?
118
00:05:33,730 --> 00:05:35,670
WELL, I'VE KNOWN
FRED FOREVER.
119
00:05:35,670 --> 00:05:38,570
BOX #2 IS FOR PEOPLE
WHO SHOULD GET PAID.
120
00:05:38,570 --> 00:05:40,130
THEY'VE EARNED IT,
THEY'VE WAITED,
121
00:05:40,130 --> 00:05:43,130
SO THEY GET FIRST SHOT
AFTER PEOPLE IN BOX #1,
122
00:05:43,130 --> 00:05:45,730
- THE ONES THAT HAVE
TO GET PAID.
- HUH.
123
00:05:45,730 --> 00:05:49,330
NOW BOX #3 IS FOR PEOPLE
WHO MIGHT GET PAID.
124
00:05:49,330 --> 00:05:53,100
MAYBE THEY WERE TOO AGGRESSIVE
IN THEIR BILLING PRACTICES
OR RUDE TO DEAL WITH.
125
00:05:53,100 --> 00:05:55,100
WHATEVER THE REASON,
THEY NEED TO WAIT
126
00:05:55,100 --> 00:05:56,730
UNTIL THE OTHER ACCOUNTS
ARE SETTLED,
127
00:05:56,730 --> 00:05:59,500
AND THEN IF THERE'S
ANYTHING LEFT OVER,
WE'LL SEE WHAT WE CAN DO.
128
00:05:59,500 --> 00:06:02,670
NOW THIS LAST BOX--
WE'RE NOT SURE WHAT'S IN HERE.
129
00:06:02,670 --> 00:06:04,600
THERE ARE A LOT OF THINGS
THAT MIGHT BE RECEIPTS
130
00:06:04,600 --> 00:06:07,130
OR THEY MIGHT BE TRASH,
BUT WE'RE KEEPING THEM
131
00:06:07,130 --> 00:06:09,530
IN CASE WE GET AUDITED.
132
00:06:09,530 --> 00:06:12,270
EVERY DAY IN YOUR HOUSE IS
LIKE A KRISTEN WIIG
FILM FESTIVAL.
133
00:06:12,270 --> 00:06:13,600
GO AWAY NOW.
WE'RE BUSY.
134
00:06:13,600 --> 00:06:15,470
OKAY FINE,
BUT I'M TAKING THE NUTS.
135
00:06:15,470 --> 00:06:17,470
THESE NUTS.
YOU TWO CAN STAY
WHERE YOU ARE.
136
00:06:22,370 --> 00:06:23,770
TWO-TOPS SHALL
REMAIN TWO-TOPS.
137
00:06:23,770 --> 00:06:25,070
FOUR-TOPS SHALL REMAIN
FOUR-TOPS.
138
00:06:25,070 --> 00:06:26,470
NO TWO AT A FOUR,
NO FOUR AT A TWO--
139
00:06:26,470 --> 00:06:28,130
MAINLY 'CAUSE
THERE AREN'T ENOUGH CHAIRS.
140
00:06:28,130 --> 00:06:30,070
- DID YOU GET THAT JOKE?
- GOT IT.
141
00:06:30,070 --> 00:06:32,270
GOOD. NOW MOST PLACES TELL
THEIR EMPLOYEES THEY MUST
WASH THEIR HANDS
142
00:06:32,270 --> 00:06:34,000
EVERY TIME THEY USE
THE BATHROOM. NOT ME.
143
00:06:34,000 --> 00:06:36,370
I'M MORE OF
AN EVERY-20-MINUTES GUY
MYSELF. SEE THIS?
144
00:06:36,370 --> 00:06:38,770
- OUCH.
- YUP, CHAPPED RAW.
BLEED AT NIGHT.
145
00:06:38,770 --> 00:06:40,670
AND THAT'S NOT
FROM PLOWING FIELDS,
MY FRIEND.
146
00:06:40,670 --> 00:06:42,670
- YOU KNOW WHAT THAT'S FROM?
- FREQUENT HAND WASHING.
147
00:06:42,670 --> 00:06:44,100
FREQUENT HAND WASHING.
EXACTLY.
148
00:06:44,100 --> 00:06:45,600
NOW I CAN'T VOUCH
FOR THE GUYS BACK THERE
IN THE KITCHEN,
149
00:06:45,600 --> 00:06:47,600
BUT UP HERE I PROMISE
YOU CAN EAT RIGHT
OFF OUR HANDS.
150
00:06:47,600 --> 00:06:50,170
- OR WITH THEM.
- I'LL HANDLE THE JOKES FOR NOW.
151
00:06:50,170 --> 00:06:52,430
- SORRY.
- LISTEN, WIPE THAT TABLE,
WILL YOU?
152
00:06:52,430 --> 00:06:54,500
I DON'T WIPE TABLES NOW
THAT I'M A SENIOR MANAGER.
153
00:06:54,500 --> 00:06:57,330
NOW EACH TABLE IS
NAMED AFTER A COLLEGE
I WANT TO GO TO.
154
00:06:57,330 --> 00:06:59,670
THE BIGGER THE TABLE,
THE MORE I WANT TO GO
TO THAT COLLEGE.
155
00:06:59,670 --> 00:07:01,670
AMHERST.
THIS IS BERKELEY.
156
00:07:01,670 --> 00:07:04,070
YOU SEE THAT TABLE
OVER THERE? TABLE SIX?
157
00:07:04,070 --> 00:07:06,370
SEATS EIGHT. HARVARD.
158
00:07:06,370 --> 00:07:08,700
I REALLY WANT
TO GO TO HARVARD.
159
00:07:08,700 --> 00:07:10,670
GROUPS OF THREE,
MY SECTION.
160
00:07:10,670 --> 00:07:12,770
BE RIGHT WITH YOU GUYS.
GROUPS OF TWO, YOUR SECTION;
161
00:07:12,770 --> 00:07:14,630
UNLESS IT LOOKS LIKE
THEY'RE ON THEIR FIRST DATE,
162
00:07:14,630 --> 00:07:16,200
THEN THAT'S GONNA
BE MY SECTION.
163
00:07:16,200 --> 00:07:18,030
ANY GROUP OF KIDS THAT LOOK
LIKE THEY'RE COMING IN
164
00:07:18,030 --> 00:07:20,170
TO SHARE A PLATE OF FRIES--
YOUR SECTION.
165
00:07:20,170 --> 00:07:22,470
ANYONE WITH YOGA PANTS--
YOUR SECTION.
166
00:07:22,470 --> 00:07:24,530
ANY WOMEN COMING IN
WITH SHOPPING BAGS
167
00:07:24,530 --> 00:07:26,170
AND LOOK LIKE THEY'RE SETTLING
IN FOR THE AFTERNOON
168
00:07:26,170 --> 00:07:28,000
TO HAVE SOME DRINKS,
COMPLAIN ABOUT THEIR HUSBANDS--
169
00:07:28,000 --> 00:07:29,730
- YOUR SECTION.
- YOU'RE LEARNING.
170
00:07:29,730 --> 00:07:33,670
NOW PART OF YOUR JOB--
THE DUMPSTER JUMP.
171
00:07:33,670 --> 00:07:36,270
I'M SORRY. WHAT?
172
00:07:38,270 --> 00:07:39,600
IF THE TRASH IS UP
TOO HIGH,
173
00:07:39,600 --> 00:07:41,770
THE TOP WON'T CLOSE
AND THE GARBAGE TRUCK
WON'T PICK IT UP,
174
00:07:41,770 --> 00:07:44,270
SO SOMEONE HAS TO GO INSIDE
AND SQUASH THE TRASH,
175
00:07:44,270 --> 00:07:46,770
WHICH IS BEST ACCOMPLISHED
BY A REPETITIVE JUMPING MOTION.
176
00:07:46,770 --> 00:07:50,770
- UP AND DOWN.
- YOU WANT ME TO GET IN
THE DUMPSTER?
177
00:07:50,770 --> 00:07:53,170
NO, I DON'T WANT YOU TO.
IT'S JUST PART OF THE JOB.
178
00:07:53,170 --> 00:07:55,170
- NOW?
- YEAH.
179
00:07:55,170 --> 00:07:58,230
OH. OKAY.
180
00:08:13,630 --> 00:08:15,300
- COULD YOU--
- WHAT IF I'M NOT HERE?
181
00:08:15,300 --> 00:08:17,330
WHAT IF I'M
OFF AT HARVARD?
WHAT THEN?
182
00:08:18,370 --> 00:08:20,170
RIGHT.
183
00:08:20,170 --> 00:08:22,100
( grunts )
184
00:08:22,100 --> 00:08:23,730
( shrieks )
185
00:08:23,730 --> 00:08:26,670
GOOD. NOW JUMP.
186
00:08:32,530 --> 00:08:35,400
YEAH. NO,
GIVE IT SOME OOMPH.
187
00:08:37,730 --> 00:08:39,230
MORE OOMPH. COME ON.
YOU'RE A DANCER, RIGHT?
188
00:08:39,230 --> 00:08:41,130
JUST GIVE IT SOME HEIGHT.
189
00:08:43,670 --> 00:08:46,430
YEAH, THERE YOU GO.
AH.
190
00:08:47,600 --> 00:08:49,700
SO DO YOU HAVE
A BOYFRIEND?
191
00:08:54,730 --> 00:08:58,530
- OOH, SO CUTE. AIDS?
- WHALES.
192
00:08:58,530 --> 00:09:00,170
- NICE.
- YEAH, "SAVE THE WHALES."
193
00:09:00,170 --> 00:09:02,700
IT'S MY CAUSE, MY THING.
IT DEFINES ME.
194
00:09:02,700 --> 00:09:04,770
SO YOU'RE
SHOWING YOUR SUPPORT
FOR THE ENVIRONMENT
195
00:09:04,770 --> 00:09:07,100
BY WEARING
SYNTHETIC RUBBER BANDS
MADE FROM PETROLEUM--
196
00:09:07,100 --> 00:09:09,270
A VALUABLE NATURAL RESOURCE
THAT YOU'RE WASTING--
197
00:09:09,270 --> 00:09:11,630
- TO MAKE A STATEMENT?
- WELL, THEY'RE PINK.
198
00:09:11,630 --> 00:09:14,470
- WHAT'S THAT SMELL?
- I KNOW, ALL OF A SUDDEN
IT TOTALLY STINKS.
199
00:09:14,470 --> 00:09:16,670
- ARE THERE HORSES
ON THE PROPERTY?
- NO, IT'S NOT THAT.
200
00:09:16,670 --> 00:09:18,700
- DID THE SEPTIC TANK BACK UP?
- NO, IT'S MORE OF A SMELL
201
00:09:18,700 --> 00:09:20,700
- LIKE WHEN MY MOM MAKES CHILI.
- OH, YOU'RE RIGHT.
202
00:09:20,700 --> 00:09:23,200
- IT SMELLS LIKE
A SUPER BOWL PARTY.
- BUT AN OLD SUPER BOWL PARTY
203
00:09:23,200 --> 00:09:26,400
FROM THE FIRST SUPER BOWL
AND IT'S ALL COVERED IN
BURNT MICROWAVE POPCORN.
204
00:09:26,400 --> 00:09:28,330
I TOOK
FOUR SHOWERS, OKAY?
205
00:09:28,330 --> 00:09:30,700
- IT WON'T COME OUT.
- OH MY GOD, IT'S YOU?
206
00:09:30,700 --> 00:09:33,030
YES, IT'S ME. IT'S ME.
THE SMELL IS ME.
207
00:09:33,030 --> 00:09:36,600
- BUT WHAT HAPPENED?
- I GOT A JOB AT THE OYSTER BAR.
208
00:09:36,600 --> 00:09:38,530
PEOPLE HAVE TO WORK.
THE ECONOMY IS BAD.
209
00:09:38,530 --> 00:09:40,230
- WATCH THE NEWS.
- ( girls cough )
210
00:09:40,230 --> 00:09:42,030
I'LL GO CHANGE DOWNWIND.
211
00:09:42,030 --> 00:09:44,200
- ( sprays )
- ( girls gag )
212
00:09:44,200 --> 00:09:46,400
- OH GOD.
- ( coughs )
213
00:09:50,770 --> 00:09:52,330
- HEY!
- GOD!
214
00:09:52,330 --> 00:09:53,730
- WHAT'S GOING ON
IN THERE?
- I--
215
00:09:53,730 --> 00:09:55,770
WAIT.
SORRY, MANNERS.
216
00:09:55,770 --> 00:09:58,670
SAL RUSSANO,
PROPRIETOR OF THE LOCAL
DANCEWEAR STORE--
217
00:09:58,670 --> 00:10:01,070
- "SAL'S DANCY PANTS."
NICE TO MEET YOU.
- NICE TO--
218
00:10:01,070 --> 00:10:04,330
I'M AWARE THAT FANNY'S
PAYING SEASON STARTS TODAY,
219
00:10:04,330 --> 00:10:06,000
AND I JUST WANNA KNOW
WHAT BOX I'M IN...
220
00:10:06,000 --> 00:10:08,030
- OH.
- ...BECAUSE FOR THE LAST
THREE YEARS I'VE BEEN
221
00:10:08,030 --> 00:10:10,430
IN THE MIGHT-GET-PAID BOX.
AS IT TURNS OUT,
I NEVER GOT PAID.
222
00:10:10,430 --> 00:10:12,570
WELL, TO BE FAIR, YOU WERE
IN THE MIGHT-GET-PAID BOX.
223
00:10:12,570 --> 00:10:15,670
I'M JUST SAYING
IF I GET PUT INTO
THE MIGHT-GET-PAID BOX AGAIN,
224
00:10:15,670 --> 00:10:18,330
- I HAVE TO BE PAID.
- THEN YOU'LL BE IN
THE HAVE-TO-GET-PAID BOX.
225
00:10:18,330 --> 00:10:20,300
LOOK, I DON'T CARE
HOW THE SYSTEM WORKS.
226
00:10:20,300 --> 00:10:22,270
I WANT MY MONEY.
I HAVE EXPENSES.
227
00:10:22,270 --> 00:10:24,370
AND I SWEAR TO GOD
IF I DON'T GET PAID THIS YEAR,
228
00:10:24,370 --> 00:10:27,000
SOMETHING'S GONNA HAPPEN.
YOU HEAR ME? YOU TELL FANNY
229
00:10:27,000 --> 00:10:29,570
IF I WIND UP IN THE WRONG BOX,
I'M GONNA COME DOWN THERE
230
00:10:29,570 --> 00:10:32,430
AND I'M GONNA RIP
THE TOE SHOES RIGHT OFF
THOSE LITTLE GIRLS.
231
00:10:32,430 --> 00:10:34,770
- WOW.
- MID-JETE,
THEY'RE COMING OFF.
232
00:10:34,770 --> 00:10:37,670
OKAY, WILL DO.
I'LL TELL HER
RIGHT AFTER I CALL 911.
233
00:10:37,670 --> 00:10:40,230
- YOU'RE A DANCER.
- WHAT?
234
00:10:40,230 --> 00:10:43,130
- YOU LOOK LIKE
A DANCER FROM THE BACK.
- UH, YEAH, I AM.
235
00:10:43,130 --> 00:10:46,200
I CAN ALWAYS TELL
BY THE TUSH. DANCERS HAVE
A VERY SPECIFIC TUSH,
236
00:10:46,200 --> 00:10:48,400
AND DIFFERENT KINDS OF DANCERS
HAVE DIFFERENT KINDS OF TUSHES.
237
00:10:48,400 --> 00:10:51,300
- REALLY?
- OH YEAH, TAP DANCER'S TUSH
IS ALWAYS HIGHER,
238
00:10:51,300 --> 00:10:53,200
'CAUSE THEY KEEP JUMPING
UP AND DOWN ALL THE TIME.
239
00:10:53,200 --> 00:10:55,670
BALLET DANCERS HAVE
A NICE CENTERED TUSH.
240
00:10:55,670 --> 00:10:58,230
FOSSE'S GOT
A VERY CONTOURED TUSH--
241
00:10:58,230 --> 00:11:00,330
A LOT OF SIDE INDENTATION.
242
00:11:00,330 --> 00:11:04,400
BUT YOU-- YOU HAVE
A SORT OF MULTI-TUSH.
243
00:11:04,400 --> 00:11:08,000
I SEE SOME BALLET,
A LITTLE TAP,
244
00:11:08,000 --> 00:11:12,330
MAYBE SOME MODERN.
THAT'S A GOOD TRAINED TUSH.
245
00:11:12,330 --> 00:11:14,730
- THANK YOU.
- WHAT ARE YOU GONNA DO
WITH THAT TUSH?
246
00:11:14,730 --> 00:11:17,100
- RENT IT OUT FOR FUNCTIONS?
- YOU LIVE HERE NOW.
247
00:11:17,100 --> 00:11:18,470
- YES.
- NO DANCE COMPANIES HERE.
248
00:11:18,470 --> 00:11:20,470
- I KNOW.
- NO BROADWAY, NO REGIONAL.
249
00:11:20,470 --> 00:11:23,270
WE HAD "STOMP" HERE ONCE,
BUT THAT'S A VERY
SPECIFIC THING.
250
00:11:23,270 --> 00:11:25,030
EVER DANCE
WITH A TRASH-CAN COVER?
251
00:11:25,030 --> 00:11:27,470
- NO.
- WELL, THEN UNLESS
THAT TUSH CAN TYPE,
252
00:11:27,470 --> 00:11:29,600
- YOU SHOULD BE DANCING.
- I NEVER SAID I WASN'T.
253
00:11:29,600 --> 00:11:31,370
YOU'RE NOT GONNA HAVE
THAT TUSH FOREVER.
254
00:11:31,370 --> 00:11:33,070
CAN WE TALK ABOUT
MY KNEES FOR A WHILE?
255
00:11:33,070 --> 00:11:37,100
OH, AND I SENSE
SOME FRUSTRATION WITH THIS
TOPIC OF CONVERSATION.
256
00:11:37,100 --> 00:11:39,230
- DO YA?
- I'M DONE.
257
00:11:39,230 --> 00:11:41,100
BUT JUST REMEMBER--
258
00:11:41,100 --> 00:11:43,370
A TUSH IS
A TERRIBLE THING TO WASTE.
259
00:11:44,400 --> 00:11:46,330
COME BY THE STORE.
260
00:11:46,330 --> 00:11:48,330
FIRST TIME, 50% OFF.
261
00:11:48,330 --> 00:11:50,570
- THANKS.
- SURE.
262
00:11:50,570 --> 00:11:53,500
- REMEMBER TO TEL FANNY.
- MID-JETE,
263
00:11:53,500 --> 00:11:55,230
SHOES RIPPED OFF.
GOT IT.
264
00:11:57,270 --> 00:11:59,300
FANNY, THERE'S AN ASS-MAN
IN YOUR BUSHES
265
00:11:59,300 --> 00:12:01,370
WHO WANTS TO KNOW
WHAT BOX HE'S IN.
266
00:12:01,370 --> 00:12:03,000
COULD THAT SOUND
ANY DIRTIER?
267
00:12:03,000 --> 00:12:05,000
( wind gusts )
268
00:12:06,630 --> 00:12:08,470
I FOUND YOUR PHONE BILL.
269
00:12:08,470 --> 00:12:10,530
I CAN'T REACH IT.
IS IT IMPORTANT?
270
00:12:10,530 --> 00:12:12,300
IT'S ALL IMPORTANT.
THEY'RE BILLS.
271
00:12:12,300 --> 00:12:15,000
I TOLD YOU WE SHOULD
START PUTTING THIS ALL
ON A COMPUTER.
272
00:12:15,000 --> 00:12:17,600
OH, SO NOW THIS IS MY FAULT?
WHO OPENED THE DOOR?
273
00:12:17,600 --> 00:12:20,430
IT'S HOT AND YOU WON'T
PUT ON THE AIR CONDITIONING!
274
00:12:20,430 --> 00:12:23,330
- ( wind gusts )
- OH! OH, GRAB 'EM!
275
00:12:23,330 --> 00:12:26,500
OH! OH, FOR GOD'S SAKE.
276
00:12:26,500 --> 00:12:28,630
HALF OF MARCH IS
BEHIND THE TV.
277
00:12:28,630 --> 00:12:31,300
I'M STARTING
TO WONDER HOW YOU EVER MADE
A PROFIT AT SPARKLES.
278
00:12:31,300 --> 00:12:34,130
( angrily )
I HAVE A COMPUTER
AT SPARKLES.
279
00:12:34,130 --> 00:12:35,330
CALM DOWN, I'LL HELP.
280
00:12:35,330 --> 00:12:37,130
JUST REMIND ME
WHAT GOES IN WHICH HATBOX
281
00:12:37,130 --> 00:12:39,530
AND WE'LL HAVE THIS SYSTEM UP
AND NOT WORKING IN NO TIME.
282
00:12:39,530 --> 00:12:41,430
- WHAT TIME IS IT?
- PLEASE SAY TIME
FOR YOUR MEDS.
283
00:12:41,430 --> 00:12:43,000
I HAVE TO GO.
I HAVE A CLASS TO TEACH.
284
00:12:44,270 --> 00:12:45,670
- WHAT?
- YOU CAN'T JUST LEAVE.
285
00:12:45,670 --> 00:12:48,200
- TRULY CAN HANDLE THIS.
- THE PLACE IS A WRECK.
286
00:12:48,200 --> 00:12:50,470
SHE'S FINE.
YOU'RE FINE.
287
00:12:50,470 --> 00:12:53,300
- SEE? SHE'S FINE.
- SHE'S NOT FINE!
288
00:12:53,300 --> 00:12:56,330
- LOOK AT HER EYES.
SHE'S THE GIRL WHO HIDES...
- ( door opens )
289
00:12:56,330 --> 00:12:58,400
- ...THE CHICKEN UNDER HER BED
IN "GIRL, INTERRUPTED."
- ( door closes )
290
00:12:58,400 --> 00:13:02,100
THERE'S TOO MANY.
THERE'S TOO MANY!
291
00:13:02,100 --> 00:13:06,070
OH, TO STAY, TO GO?
TO STAY, TO GO--
GOTTA GO.
292
00:13:07,230 --> 00:13:10,370
YO, FLOWERS,
THESE ARE YOUR FINANCES.
293
00:13:10,370 --> 00:13:12,230
YOU NEED TO START
TAKING THINGS SERIOUSLY.
294
00:13:12,230 --> 00:13:14,370
SINCE WHEN DO YOU HAVE
SUCH BUSINESS ACUMEN?
295
00:13:14,370 --> 00:13:17,130
SINCE SOME GUY
NAMED SAL THREATENED
TO RIP THE TOE SHOES
296
00:13:17,130 --> 00:13:18,600
OFF YOUR STUDENTS
IF HE DOESN'T GET PAID.
297
00:13:18,600 --> 00:13:21,370
SAL'S NOT GONNA DO THAT.
SAL'S NIECE IS IN MY CLASS.
298
00:13:21,370 --> 00:13:23,670
- SAL'S A PUSSYCAT.
- WELL, PUSSYCAT'S MAD.
299
00:13:23,670 --> 00:13:25,370
IN FACT,
HALF THIS TOWN IS MAD.
300
00:13:25,370 --> 00:13:27,400
GILDA AT THE MINI-MART
WON'T SELL ME A SLUSHEE
301
00:13:27,400 --> 00:13:29,700
TILL SHE FINDS OUT IF SHE'S
A MUST, A MIGHT OR A MAYBE.
302
00:13:29,700 --> 00:13:32,470
- JUST PAY PEOPLE, FANNY.
- IT'LL ALL GET SORTED OUT.
303
00:13:32,470 --> 00:13:35,000
- FANNY, HOW MUCH DO YOU OWE?
- THAT'S WHAT I'M FIGURING OUT.
304
00:13:35,000 --> 00:13:37,200
- HOW MUCH IN YOUR ACCOUNT?
- BEFORE OR AFTER?
305
00:13:37,200 --> 00:13:40,400
- BEFORE OR AFTER WHAT?
- BEFORE OR AFTER I PAY
SOME OF THE PEOPLE I OWE.
306
00:13:40,400 --> 00:13:42,470
- OR ALL THE PEOPLE YOU OWE.
- THAT'S NOT GONNA HAPPEN.
307
00:13:42,470 --> 00:13:44,500
- THAT'S WHY I HAVE HAT BOXES.
- OKAY, THAT'S IT.
308
00:13:44,500 --> 00:13:47,300
I'M GOING TO GO IN THERE
RIGHT NOW AND I'M GOING
TO FIND AN ACCOUNTANT--
309
00:13:47,300 --> 00:13:51,130
A REAL ONE WITH
A DESK AND A DEGREE
WHO YOU CAN'T MAKE CRY.
310
00:13:51,130 --> 00:13:53,200
OH, TRULY CRIES
OVER CLOUD COVER.
311
00:13:53,200 --> 00:13:55,200
- YOU HAVE TO IGNORE HER.
- GO TEACH, FANNY.
312
00:13:55,200 --> 00:13:57,700
- I GOT THIS.
- I'M NOT GOING
TO AN ACCOUNTANT.
313
00:13:57,700 --> 00:13:59,630
I'M NOT GIVING UP
MY HATBOXES.
314
00:14:05,400 --> 00:14:07,400
SO THE PARENTS SAID
IT'S COOL IF YOU COME OVER
SATURDAY NIGHT.
315
00:14:07,400 --> 00:14:09,100
- I'M THERE. GINNY?
- SOUNDS GREAT.
316
00:14:09,100 --> 00:14:11,600
- JUST LET ME CHECK
WITH MY MOM.
- GINNY.
317
00:14:11,600 --> 00:14:13,730
- HMM?
- WE ALL KNOW
THAT'S NOT YOUR MOM.
318
00:14:13,730 --> 00:14:17,130
- YES, IT IS.
- THERE'S A RED HEART
EMOTICON NEXT TO "HIYA."
319
00:14:17,130 --> 00:14:20,100
SERIOUSLY?
YOU HAVE TO CHECK
EVERYTHING WITH JOSH?
320
00:14:20,100 --> 00:14:22,470
- NOT EVERYTHING.
- EVERYTHING. EVERY SINGLE
DAMN THING.
321
00:14:22,470 --> 00:14:24,430
WELL, SATURDAY IS
A BIG DAY FOR US, OKAY?
322
00:14:24,430 --> 00:14:27,770
WE HAVE TO DO CHORES,
PICK UP POTTING SOIL
FOR MY MOM'S SHED,
323
00:14:27,770 --> 00:14:29,670
GET STAMPS, TAKE GRANDMA
TO THE BUTTON STORE.
324
00:14:29,670 --> 00:14:33,670
- YOU ARE 100.
- BOO, YOUR TABLE.
325
00:14:33,670 --> 00:14:36,270
OKAY, WE'RE GOOD.
WE'LL DO OUR "C.S.I."s
ON SUNDAY.
326
00:14:36,270 --> 00:14:38,600
YOU GUYS HAVE BEEN TOGETHER
SINCE, WHAT, THIRD GRADE?
327
00:14:38,600 --> 00:14:40,270
SECOND--
MISS MARSH'S CLASS.
328
00:14:40,270 --> 00:14:42,730
FIRST DAY HE SAT NEXT TO ME
AND BY LUNCH THAT WAS IT.
329
00:14:42,730 --> 00:14:44,570
- WE WERE SOULMATES.
- IN SECOND GRADE?
330
00:14:44,570 --> 00:14:46,470
SO WHAT IF I FOUND MY SOULMATE
IN THE SECOND GRADE?
331
00:14:46,470 --> 00:14:48,370
IT'S ROMANTIC.
AND CONVENIENT.
332
00:14:48,370 --> 00:14:50,700
VERY PRACTICAL.
ONE LESS THING FOR ME
TO WORRY ABOUT.
333
00:14:50,700 --> 00:14:52,700
- IT'S SO WEIRD.
- YOU LIKE JOSH.
334
00:14:52,700 --> 00:14:54,300
I DO LIKE JOSH.
IT'S STILL WEIRD.
335
00:14:54,300 --> 00:14:57,070
YEAH, WHO STICKS
WITH A DECISION THEY MADE
IN THE SECOND GRADE?
336
00:14:57,070 --> 00:14:59,070
I CAN'T EVEN
STICK WITH DECISIONS
I MADE YESTERDAY.
337
00:14:59,070 --> 00:15:01,370
- ISN'T THAT MY SHIRT?
- YOU GAVE IT TO ME.
338
00:15:01,370 --> 00:15:03,130
- I WANT IT BACK. SEE?
- ( bell dings )
339
00:15:03,130 --> 00:15:05,400
- ALL RIGHT,
LET'S HEAR IT.
- HEAR WHAT?
340
00:15:05,400 --> 00:15:08,730
YES, THE JEANS HAVE PLEATS
AND I'M WEARING A BUTTON
THE SIZE OF MY HEAD.
341
00:15:08,730 --> 00:15:11,330
- WE'RE JUST HERE
TO BE SUPPORTIVE.
- YEAH, AND AS PLEATS GO,
342
00:15:11,330 --> 00:15:13,300
THEY'RE NOT
THAT PLEATY.
343
00:15:13,300 --> 00:15:15,270
- MM-HMM.
- SERIOUSLY, BOO,
344
00:15:15,270 --> 00:15:16,770
IT'S NOT THAT BIG A DEAL.
YOU LOOK FINE.
345
00:15:16,770 --> 00:15:18,770
PLUS THE WHOLE PLACE SMELLS
LIKE RANCID ONIONS, ANYWAY,
346
00:15:18,770 --> 00:15:21,430
- SO YOU TOTALLY BLEND IN.
- UH, THANKS.
347
00:15:21,430 --> 00:15:24,100
YOU'RE WELCOME.
NOW THAT THAT'S BEHIND US,
348
00:15:24,100 --> 00:15:27,170
LET'S TALK.
THIS LITTLE JOB OF YOURS--
349
00:15:27,170 --> 00:15:29,000
- WHAT'S IN IT FOR US?
- MEANING?
350
00:15:29,000 --> 00:15:31,300
WE ARE YOUNG WOMEN
WITH NO MONETARY STABILITY
AT THE MOMENT
351
00:15:31,300 --> 00:15:33,600
AND YET ARE SO SO HUNGRY.
352
00:15:33,600 --> 00:15:35,670
ALYSSA MILANO CRIES
WHEN SHE SEES US.
353
00:15:35,670 --> 00:15:38,170
I CAN PROBABLY
SNEAK YOU GUYS SOME FRIES.
354
00:15:38,170 --> 00:15:40,070
- ONION RINGS?
- JEFF COUNTS THE RINGS
IN THE BACK.
355
00:15:40,070 --> 00:15:42,570
- WHAT ABOUT
THE MOZZARELLA STICKS?
- POSSIBILITY.
356
00:15:42,570 --> 00:15:45,070
- WHAT ABOUT THE CLAMS?
- ( whispers ) YOU SO DO NOT
WANT THE CLAMS.
357
00:15:45,070 --> 00:15:48,100
HOW'S THIS? FRIES,
BREADSTICKS AND HIDE SOME
CHICKEN STRIPS IN THERE.
358
00:15:48,100 --> 00:15:51,100
Ginny:
NO CHICKEN FOR ME.
WE'RE VEGETARIANS NOW.
359
00:15:51,100 --> 00:15:54,000
- "WE"?
- YES, ME AND JOSH--
WE'RE VEGETARIANS.
360
00:15:54,000 --> 00:15:56,030
- SINCE WHEN?
- SINCE JOSH'S
CHOLESTEROL WENT UP.
361
00:15:56,030 --> 00:15:57,770
WAIT, JOSH HAS
HIGH CHOLESTEROL?
362
00:15:57,770 --> 00:16:00,170
- HE'S 15.
- IT'S NOT HIGH HIGH,
363
00:16:00,170 --> 00:16:02,470
BUT IT TICKED UP SLIGHTLY
AND HE DOES HAVE A FAMILY
HISTORY OF IT.
364
00:16:02,470 --> 00:16:04,570
MY MISTAKE.
YOU'RE 200.
365
00:16:08,230 --> 00:16:10,470
OH MY GOD.
366
00:16:10,470 --> 00:16:13,100
( Melanie gasps )
WHOA!
367
00:16:13,100 --> 00:16:15,470
NO WAY.
BOO, WHEN DID GODOT
GET BACK FROM COSTA RICA?
368
00:16:15,470 --> 00:16:17,230
- YESTERDAY.
- AND YOU DIDN'T TELL US?
369
00:16:17,230 --> 00:16:19,070
I DIDN'T KNOW
I WAS SUPPOSED TO.
370
00:16:19,070 --> 00:16:21,100
Melanie:
OH, HE'S EVEN CUTER
THAN LAST YEAR, ISN'T HE?
371
00:16:21,100 --> 00:16:22,530
WAY CUTER.
GINNY, LOOK.
372
00:16:22,530 --> 00:16:24,200
- NO THANKS.
- OH, COME ON.
373
00:16:24,200 --> 00:16:26,530
JUST 'CAUSE YOU HAVE
A BOYFRIEND, YOU CAN'T
EVEN LOOK AT A CUTE GUY?
374
00:16:26,530 --> 00:16:29,170
THAT HAS
NOTHING TO DO WITH IT.
I DON'T THINK HE'S THAT CUTE.
375
00:16:29,170 --> 00:16:31,130
YOU ARE THE WORST LIAR
IN THE WORLD.
376
00:16:31,130 --> 00:16:33,170
Melanie:
MUST BE NICE TO HAVING
YOUR PARENTS OWN A RESTAURANT
377
00:16:33,170 --> 00:16:35,170
SO YOU CAN JUST COME
AND GO WHENEVER YOU WANT.
378
00:16:35,170 --> 00:16:37,070
- FOR GOD'S SAKE, GINNY.
- WHAT?
379
00:16:37,070 --> 00:16:38,430
I MEAN, WHAT'S THERE
TO LOOK AT, ANYWAY?
380
00:16:38,430 --> 00:16:40,130
HE'S PROBABLY
JUST STANDING THERE
WITH HIS SHIRT OFF.
381
00:16:40,130 --> 00:16:43,330
- IS HIS SHIRT OFF?
- YEAH.
382
00:16:48,470 --> 00:16:51,670
HIS SHIRT IS OFF.
THAT'S A GOD. HE'S A GOD.
383
00:16:51,670 --> 00:16:53,400
NOBODY TELL JOSH
I JUST SAW GOD.
384
00:16:53,400 --> 00:16:55,230
BUT I THOUGHT YOU
AND JOSH WERE SOULMATES.
385
00:16:55,230 --> 00:16:56,770
I MET HIM IN THE SECOND GRADE.
HOW THE HELL AM I SUPPOSED
386
00:16:56,770 --> 00:16:58,470
TO KNOW IF JOSH
IS MY SOULMATE,
FOR CHRISTMAS'S SAKE?
387
00:16:58,470 --> 00:17:01,630
GIRLS, I HATE
TO INTERRUPT THIS INSTALLMENT
OF OCCUPY OYSTER BAR,
388
00:17:01,630 --> 00:17:04,070
BUT, BOO...
( snaps fingers )
389
00:17:04,070 --> 00:17:07,600
- WHAT'S HE SNAPPING ABOUT?
- YOU DON'T WANT TO KNOW.
390
00:17:13,130 --> 00:17:15,030
ALTHOUGH THE BOOKKEEPING
IS UNCONVENTIONAL,
391
00:17:15,030 --> 00:17:17,470
THERE'S ENOUGH RAW DATA
TO ALLOW ME TO ANALYZE
THE CAPITAL ALLOWANCES.
392
00:17:17,470 --> 00:17:20,700
NOW IF I COULD JUST FIND
THE B2C DEBITS OR THE B3Cs.
393
00:17:20,700 --> 00:17:22,430
HEY. YOU MADE ME COME HERE.
394
00:17:22,430 --> 00:17:24,730
SORRY, I'M BACK.
CONTINUE WITH THE--
395
00:17:24,730 --> 00:17:27,200
OKAY, NOW AS FOR
THE ALL-IMPORTANT
CAPITAL EXPENDITURES,
396
00:17:27,200 --> 00:17:29,130
I'VE BROKEN IT
INTO TWO PARTS.
WE CAN'T IGNORE
397
00:17:29,130 --> 00:17:31,100
THE SIGNIFICANCE
OF THESE EXPENDITURES
ON THE NET LOSSES.
398
00:17:31,100 --> 00:17:33,330
( crunching )
399
00:17:33,330 --> 00:17:35,530
- VERY CLASSY.
- DON'T YOU AGREE?
400
00:17:35,530 --> 00:17:38,100
- I'M SORRY.
- AM I TALKING
TO FAST FOR YOU?
401
00:17:38,100 --> 00:17:40,400
NO, NOT AT ALL.
IF ANYTHING I WISH
HE'D TALK FASTER.
402
00:17:40,400 --> 00:17:42,770
I MEAN, I'M JUST SO BORED.
AREN'T YOU BORED?
403
00:17:42,770 --> 00:17:45,570
I HAVEN'T UNDERSTOOD
A WORD HE SAID SINCE,
"HI, MY NAME IS BOB."
404
00:17:45,570 --> 00:17:47,430
ERIC.
MY NAME IS ERIC.
405
00:17:47,430 --> 00:17:50,200
- OH.
- OKAY.
406
00:17:50,200 --> 00:17:52,100
LET'S JUST CUT
TO THE CHASE.
407
00:17:52,100 --> 00:17:54,430
( sighs )
I'VE GONE THROUGH EVERYTHING
408
00:17:54,430 --> 00:17:57,330
AND YOUR PROBLEM
ISN'T JUST THIS LUDICROUS
ORGANIZATIONAL SYSTEM.
409
00:17:57,330 --> 00:17:59,130
- YOUR PROBLEM IS INCOME.
- MEANING?
410
00:17:59,130 --> 00:18:02,070
YOU NEED SOME.
I MEAN, HAVE YOU TWO SAT DOWN
411
00:18:02,070 --> 00:18:04,130
AND THOUGHT ABOUT HOW
ALL THIS IS GOING TO WORK?
412
00:18:05,530 --> 00:18:07,370
OKAY, LET'S START
WITH MICHELLE.
413
00:18:07,370 --> 00:18:08,700
WAIT, HOW DID
I GET INTO TROUBLE?
414
00:18:08,700 --> 00:18:10,530
YOUR HUSBAND
LEFT YOU PROPERTY,
415
00:18:10,530 --> 00:18:14,000
TWO CARS--
ONE THAT WORKS--
TWO SMALL C.D.s,
416
00:18:14,000 --> 00:18:16,200
A BANK ACCOUNT THAT
IF YOU MANAGE VERY VERY WISELY
417
00:18:16,200 --> 00:18:18,000
WILL KEEP EVERYTHING
GOING FOR A WHILE,
418
00:18:18,000 --> 00:18:20,430
BUT NOT FOREVER.
YOU NEED SOME INCOME.
419
00:18:20,430 --> 00:18:22,070
THE BALLET SCHOOL
HELPS, RIGHT?
420
00:18:22,070 --> 00:18:23,530
Eric:
IT WOULD IF THEY HAD
ANY STUDENTS.
421
00:18:23,530 --> 00:18:25,400
WHOA, WHAT ARE
YOU TALKING ABOUT?
422
00:18:25,400 --> 00:18:28,230
THAT PLACE IS
LOUSY WITH STUDENTS.
HER CLASSES ARE PACKED.
423
00:18:28,230 --> 00:18:30,370
SORRY, PAYING STUDENTS,
424
00:18:30,370 --> 00:18:33,230
AND ACCORDING TO THESE RECORDS,
MOST OF THE STUDENTS DO NOT PAY.
425
00:18:33,230 --> 00:18:36,000
THEY DON'T?
IS HE RIGHT
ABOUT THIS, FANNY?
426
00:18:36,000 --> 00:18:39,170
I GUESS SO.
I'M ASSUMING YOU GOT US
A DECENT ACCOUNTANT.
427
00:18:39,170 --> 00:18:40,430
I'M SORRY.
WHY DON'T THEY ALL PAY?
428
00:18:40,430 --> 00:18:42,370
WELL, THERE ARE
SCHOLARSHIPS.
429
00:18:42,370 --> 00:18:44,470
- HOW MANY SCHOLARSHIPS?
- I DON'T KNOW EXACTLY.
430
00:18:44,470 --> 00:18:47,130
- HOW MANY KIDS
IN THE SCHOOL?
- 75.
431
00:18:47,130 --> 00:18:49,130
- AND HOW MANY STUDENTS PAY?
- NINE.
432
00:18:49,130 --> 00:18:50,730
- NINE?!
- NINE.
433
00:18:50,730 --> 00:18:53,370
- NINE? NINE?
- YOU SOUND LIKE A GERMAN.
434
00:18:53,370 --> 00:18:55,270
- NINE?
- ARE WE DONE HERE?
435
00:18:55,270 --> 00:18:57,530
- NINE?
- COME ON.
436
00:18:57,530 --> 00:19:01,130
- NINE?
- SAY AUF WIEDERSEHEN
437
00:19:01,130 --> 00:19:03,670
- TO THE NICE ACCOUNTANT MAN.
- NINE?
438
00:19:05,030 --> 00:19:06,100
NINE?
439
00:19:13,770 --> 00:19:15,730
- FANNY.
- ( snaps fingers )
440
00:19:15,730 --> 00:19:17,130
FANNY!
441
00:19:20,030 --> 00:19:23,000
- FANNY.
- OW! OW!
442
00:19:23,000 --> 00:19:24,400
I'M SORRY,
BUT THE WHOLE WAY HOME
443
00:19:24,400 --> 00:19:26,270
YOU WERE LISTENING TO--
REALLY?
444
00:19:26,270 --> 00:19:29,170
- I'M GONNA MAKE SOME TEA.
- YOU WEREN'T LISTENING
TO ANYTHING.
445
00:19:29,170 --> 00:19:32,000
- THERE'S NO MUSIC ON THIS.
- I HAVEN'T HAD A CHANCE
TO FILL IT YET.
446
00:19:32,000 --> 00:19:35,170
THE ENTIRE CAR RIDE
YOU SAT THERE LISTENING
TO NOTHING
447
00:19:35,170 --> 00:19:37,330
LIKE YOU'RE 15
AND NO ONE ASKED YOU TO PROM.
448
00:19:37,330 --> 00:19:39,030
I WASN'T IN THE MOOD
FOR A LECTURE.
449
00:19:39,030 --> 00:19:40,330
WE NEED
TO TALK ABOUT THIS.
450
00:19:40,330 --> 00:19:41,730
AND I'M STILL
NOT IN THE MOOD.
451
00:19:41,730 --> 00:19:44,670
LOOK, AS FAR AS I CAN TELL,
THE WOO TWINS ARE
452
00:19:44,670 --> 00:19:46,730
THE ONLY FAMILY
REGULARLY PAYING FOR LESSONS.
453
00:19:46,730 --> 00:19:49,170
I'M AN ARTIST, OKAY?
454
00:19:49,170 --> 00:19:51,170
I DON'T THINK ABOUT MONEY.
455
00:19:51,170 --> 00:19:54,230
I'M HERE TO CREATE ART
AND TO CREATE OTHER ARTISTS.
456
00:19:54,230 --> 00:19:57,230
ANY CHILD WHO WANTS
TO DANCE SHOULD BE ABLE
TO DANCE, PERIOD.
457
00:19:57,230 --> 00:20:00,670
I RESPECT THAT, I DO,
BUT GIVEN THE FACT THAT
HARDLY ANYONE PAYS,
458
00:20:00,670 --> 00:20:02,730
THEY'RE TECHNICALLY
NOT DANCERS, THEY'RE SQUATTERS.
459
00:20:02,730 --> 00:20:05,430
SQUATTERS WHO DANCE--
SOUND VERY PINA BAUSCH.
460
00:20:05,430 --> 00:20:08,030
YOU MUST LIKE HER--
SHE'S GERMAN TOO.
461
00:20:08,030 --> 00:20:11,030
YOU'RE IN THE BUSINESS
OF TEACHING AND SHOULD
BE PAID FOR IT.
462
00:20:11,030 --> 00:20:13,000
THAT'S KIND OF HOW THE WHOLE
CAPITALIST THING WORKS.
463
00:20:13,000 --> 00:20:14,730
WELL, HOW ABOUT
A GIRL LIKE SARAH?
464
00:20:14,730 --> 00:20:17,030
SARAH'S FATHER LOST
HIS JOB LAST MONTH.
465
00:20:17,030 --> 00:20:18,700
IF SARAH STOPS
GOING TO CLASSES,
466
00:20:18,700 --> 00:20:21,600
- SHE MOVES
STRAIGHT TO CRACK.
- REALLY? CRACK?
467
00:20:21,600 --> 00:20:23,730
THERE'S NOTHING BETWEEN
TOE SHOES AND CRACK?
468
00:20:23,730 --> 00:20:26,330
- NOT EVEN
A GRATEFUL DEAD ALBUM?
- IT'S MY BUSINESS.
469
00:20:26,330 --> 00:20:29,530
I KNOW,
BUT IT'S OUR PLACE,
OUR HOME,
470
00:20:29,530 --> 00:20:31,470
AND WE NEED
TO BE ABLE TO PAY FOR IT.
471
00:20:31,470 --> 00:20:33,670
THE DANCE STUDIO SIMPLY
CAN'T SURVIVE LIKE IT IS.
472
00:20:33,670 --> 00:20:36,330
HUBBELL'S NOT AROUND
TO SAVE THE DAY ANYMORE.
473
00:20:40,070 --> 00:20:41,700
FOR EITHER OF US.
474
00:20:41,700 --> 00:20:44,430
SO WE NEED TO START
THINKING OUTSIDE THE BOX.
475
00:20:44,430 --> 00:20:47,630
- ( kettle whistling )
- HOW ABOUT WE ADD SOME MORE
CLASSES? WHAT ABOUT TAP?
476
00:20:47,630 --> 00:20:50,630
I DON'T KNOW.
IT'S SO LOUD WHEN
THEY TAP AROUND.
477
00:20:50,630 --> 00:20:53,030
- IT'S TAP.
- NO TAP.
478
00:20:53,030 --> 00:20:55,700
OKAY, FINE.
THEN HOW ABOUT
SOME NON-DANCE CLASSES,
479
00:20:55,700 --> 00:20:57,770
LIKE ZUMBA
OR TODDLER CLASSES?
480
00:20:57,770 --> 00:20:59,630
PEOPLE LOVE TO SPEND
MONEY ON TODDLERS.
481
00:20:59,630 --> 00:21:02,670
OR DOGS. YOU COULD
TEACH ONE OF THOSE
DANCING DOG CLASSES,
482
00:21:02,670 --> 00:21:05,600
LIKE ON "LETTERMAN"
WHERE PEOPLE BALLROOM DANCE
WITH THEIR DALMATIANS?
483
00:21:05,600 --> 00:21:07,770
I JUST LOST
THE MATURE PERSON'S
UPPER HAND, DIDN'T I?
484
00:21:07,770 --> 00:21:11,000
- BIG TIME.
- OKAY, FINE. NO DOGS.
BUT THE OTHER IDEA--
485
00:21:11,000 --> 00:21:12,370
THE ONE ABOUT
THE MORE CLASSES--
486
00:21:12,370 --> 00:21:13,670
THAT SHOULD
BE A START, RIGHT?
487
00:21:13,670 --> 00:21:15,730
SURE, I'LL JUST ADD
SOME BABY CLASSES...
488
00:21:15,730 --> 00:21:17,630
- GOOD.
- ...AND SOME TAP CLASSES
489
00:21:17,630 --> 00:21:20,170
AND SOME ZUMBA CLASSES
AND SOME JAZZERCISE
490
00:21:20,170 --> 00:21:22,630
AND DANCING WITH THE OLDIES.
AND I'LL DO ALL OF THIS
491
00:21:22,630 --> 00:21:24,700
BECAUSE I HAVE SO MUCH
SPARE TIME AND ENERGY
492
00:21:24,700 --> 00:21:27,030
AFTER TEACHING
30 CLASSES A WEEK.
493
00:21:27,030 --> 00:21:29,170
UNLESS YOU WERE THINKING
OF HELPING OUT.
494
00:21:29,170 --> 00:21:31,100
- ME?
- YOU COULD TEACH.
495
00:21:31,100 --> 00:21:33,100
ME? TEACH?
NO NO NO NO NO.
496
00:21:33,100 --> 00:21:35,770
- WHY NOT?
- NO NO NO NO.
I DON'T TEACH.
497
00:21:35,770 --> 00:21:37,730
OH, I SEE.
498
00:21:37,730 --> 00:21:40,100
SO YOUR PLAN WAS TO DRAG ME
TO THE ACCOUNTANT
499
00:21:40,100 --> 00:21:42,030
TO SHOW ME HOW MUCH
MONEY WE DON'T HAVE
500
00:21:42,030 --> 00:21:44,070
AND THEN DO ABSOLUTELY
NOTHING ABOUT IT.
501
00:21:44,070 --> 00:21:46,330
YOU WANT ME TO DO
SOMETHING ABOUT IT?
502
00:21:46,330 --> 00:21:48,330
I WILL. I'LL GET
YOUR STUDENTS TO PAY.
503
00:21:48,330 --> 00:21:51,170
- WHAT?
- YOU DON'T WANT
TO ASK THEM, I WILL.
504
00:21:51,170 --> 00:21:53,630
I CAN BE THE BAD COP.
YOU DON'T BELIEVE ME?
505
00:21:53,630 --> 00:21:55,230
ASK TIA DELANO.
506
00:21:55,230 --> 00:21:57,770
TIA AND I WERE
WORKING TOGETHER
ON THE CELINE DION SHOW
507
00:21:57,770 --> 00:22:00,730
AND SHE OWED ME $50.
EVERY WEEK SHE SAID
SHE DIDN'T HAVE IT.
508
00:22:00,730 --> 00:22:03,430
SHE HAD ALL THESE EXCUSES
AS TO WHY SHE COULDN'T GET IT.
509
00:22:03,430 --> 00:22:05,600
SHE SPRAINED AN ANKLE, RENT,
KIDNEY, BLAH BLAH BLAH.
510
00:22:05,600 --> 00:22:07,630
I WOUND UP HAVING TO STEAL
HER SHOES AND KEY HER CAR,
511
00:22:07,630 --> 00:22:08,770
BUT THAT WAS
A WHOLE BOYFRIEND THING.
512
00:22:08,770 --> 00:22:11,030
ANYHOW GUESS WHO GOT
HER 50 BUCKS BACK?
513
00:22:11,030 --> 00:22:13,070
AND BOOM!
THAT'S HOW IT'S DONE!
514
00:22:13,070 --> 00:22:14,570
SO WHAT DO YOU THINK?
515
00:22:14,570 --> 00:22:17,330
I THINK YOU'D BE
A VERY GOOD TEACHER.
516
00:22:18,630 --> 00:22:20,630
SORRY, I CAN'T HEAR YOU
OVER THE MUSIC.
517
00:22:20,630 --> 00:22:22,700
- MICHELLE--
- OOH, IT'S A GOOD SONG.
518
00:22:29,530 --> 00:22:31,370
- ( whispers ) DO YOU SEE HIM?
- NO, DO YOU?
519
00:22:31,370 --> 00:22:33,170
- SHH, NOT SO LOUD.
- SORRY.
520
00:22:33,170 --> 00:22:35,430
- ( whispers ) I'M SORRY.
- SIT.
521
00:22:35,430 --> 00:22:37,470
ACT CASUAL.
522
00:22:38,670 --> 00:22:40,670
SO HOW DO I LOOK?
523
00:22:40,670 --> 00:22:42,400
- GOOD.
HOW DO I LOOK?
- GOOD.
524
00:22:42,400 --> 00:22:44,530
- NOT AS GOOD AS ME,
BUT GOOD.
- THANKS.
525
00:22:44,530 --> 00:22:47,170
- SURE.
- WILL YOU TWO PLEASE
STOP ACTING SO OBVIOUS?
526
00:22:48,270 --> 00:22:50,430
WHAT HAPPENED
TO HAVING A BOYFRIEND?
527
00:22:50,430 --> 00:22:52,200
I HAVE NO IDEA
WHAT YOU'RE TALKING ABOUT.
528
00:22:52,200 --> 00:22:54,130
I AM JUST HERE
TO HANG OUT WITH YOU GUYS.
529
00:22:54,130 --> 00:22:55,730
- IN THAT?
- WHAT?
530
00:22:55,730 --> 00:22:58,700
OH THIS?
I'M SEEING JOSH LATER.
THIS IS FOR JOSH.
531
00:22:58,700 --> 00:23:01,200
THIS IS ALL FOR JOSH.
532
00:23:01,200 --> 00:23:03,170
EXCEPT FOR HE ONLY GETS
TO TOUCH 20% OF IT.
533
00:23:03,170 --> 00:23:05,530
- PSHAW.
- Man: HEY, LADIES.
534
00:23:05,530 --> 00:23:07,530
IT'S HIM, 3:00.
535
00:23:07,530 --> 00:23:10,470
OH, HE'S TALLER
AND BETTER-LOOKING
THAN YESTERDAY.
536
00:23:10,470 --> 00:23:13,470
- BASTARD!
- I'M JUST HAPPY HE'S
FINALLY WEARING A SHIRT.
537
00:23:13,470 --> 00:23:15,300
SO WHAT'S THE PLAN?
538
00:23:15,300 --> 00:23:17,770
YEAH, WHAT ARE WE GOING
TO DO BESIDES SIT HERE
AND STARE AT HIM?
539
00:23:17,770 --> 00:23:21,330
WHICH, BY THE WAY, IS EXACTLY
WHAT THAT TABLE OVER THERE
IS ALREADY DOING.
540
00:23:22,730 --> 00:23:24,570
WELCOME
TO THE OYSTER BAR.
541
00:23:24,570 --> 00:23:27,630
HERE ARE YOUR FRENCH FRIES
THAT YOU ORDERED BEFORE
COMING IN.
542
00:23:27,630 --> 00:23:30,200
NOW I'M GOING TO TELL YOU
ABOUT TODAY'S SPECIALS.
543
00:23:30,200 --> 00:23:31,470
BOO, YOU DON'T NEED
TO DO THAT.
544
00:23:31,470 --> 00:23:33,570
WOULD YOU LIKE ME TO START
WITH THE APPETIZERS FIRST?
545
00:23:33,570 --> 00:23:36,430
- NOT REALLY.
- WE CAN'T EVEN AFFORD
THE FREE FRIES.
546
00:23:36,430 --> 00:23:39,530
MY MANAGER'S WATCHING,
SO I AM GOING TO ACT
LIKE YOU ARE ALL
547
00:23:39,530 --> 00:23:43,000
SUPER INTERESTED IN HEARING
EVERY ONE OF TODAY'S
DELICIOUS SPECIALS.
548
00:23:43,000 --> 00:23:46,270
'KAY?
TODAY WE HAVE SHRIMP PARMESAN,
549
00:23:46,270 --> 00:23:49,330
EGGPLANT DIABLO, CLAMS CASINO
AND BLACKENED MAHI MAHI.
550
00:23:49,330 --> 00:23:51,270
HOW ABOUT SOME WATERS
TO GO WITH THE FRIES?
551
00:23:51,270 --> 00:23:53,000
- MMM.
- AND MORE KETCHUP.
552
00:23:53,000 --> 00:23:54,570
COMING RIGHT UP!
553
00:23:56,600 --> 00:23:58,770
- YOU DONE?
- I'M GOOD. THANKS, BRO.
554
00:23:58,770 --> 00:24:01,000
OKAY, WE CAN TAKE
A BREAK FROM STARING.
555
00:24:01,000 --> 00:24:03,570
SO WHAT? WE'RE GONNA
SIT HERE, NOT STARING
UNTIL HE COMES OVER?
556
00:24:03,570 --> 00:24:05,400
'CAUSE THEN I'M NOT SURE
WHAT'S GONNA BRING HIM OVER.
557
00:24:05,400 --> 00:24:07,330
AT LEAST IF WE DO STARE,
THERE'S A CHANCE
558
00:24:07,330 --> 00:24:09,300
HE'LL COME OVER TO TELL US
NOT TO BE SO CREEPY.
559
00:24:16,230 --> 00:24:19,300
I'M JUST HAVING
ONE OF THOSE DAYS THAT
FEELS LIKE A LIFETIME.
560
00:24:19,300 --> 00:24:22,470
EVER HAVE ONE OF THOSE
LIFETIME DAYS FILLED WITH CRAZY
PEOPLE WHO DON'T MAKE ANY SENSE?
561
00:24:22,470 --> 00:24:24,070
- UH--
- WELL--
562
00:24:24,070 --> 00:24:26,470
NOW I DON'T WANT
TO BADMOUTH ANYONE--
LIKE FANNY--
563
00:24:26,470 --> 00:24:29,000
BUT SOME PEOPLE ARE SO CRAZY--
LIKE FANNY--
564
00:24:29,000 --> 00:24:32,300
THAT THEY CAN'T EVEN SEE THAT
THEY NEED TO TAKE RESPONSIBILITY
FOR THEIR ACTIONS--
565
00:24:32,300 --> 00:24:34,630
LIKE FANNY FANNY FANNY
FANNY FANNY, YOU KNOW?
566
00:24:34,630 --> 00:24:37,630
- WHY ARE YOU
HANGING OUT WITH US?
- 'CAUSE YOU HAVE FRIES.
567
00:24:37,630 --> 00:24:40,600
AND FANNY MAKES ME WANT FRIES--
NO, NEED FRIES.
568
00:24:40,600 --> 00:24:42,600
BELIEVE ME, YOU WOULD BE
WILLING TO HANG OUT WITH KIDS
569
00:24:42,600 --> 00:24:44,700
15 YEARS YOUNGER THAN YOU
IF YOU HAD MY LIFE LATELY.
570
00:24:44,700 --> 00:24:48,030
- 20 YEARS YOUNGER.
- LET'S SAY 17 AND SPLIT
THE DIFFERENCE.
571
00:24:48,030 --> 00:24:50,530
MM, THESE ARE SO GOOD.
572
00:24:53,400 --> 00:24:56,170
WHY ARE YOU GUYS ALL DRESSED
FOR A QUINCEANERA?
573
00:24:56,170 --> 00:24:58,500
- WE'RE NOT.
- AND YOU SMELL LIKE ORANGES.
574
00:24:58,500 --> 00:25:01,170
WE HAVE FRUIT IN OUR BAGS.
WE'RE DANCERS, WE EAT FRUIT.
575
00:25:01,170 --> 00:25:04,170
OH, COME ON, YOU CAN TELL ME,
I JUST SHARED.
576
00:25:05,600 --> 00:25:07,630
WAIT, WHAT ARE
YOU LOOKING--
577
00:25:07,630 --> 00:25:09,500
OH HEY, WHAT DO YOU NEED?
578
00:25:09,500 --> 00:25:11,430
AHA.
HELLO, MOONDOGGY!
579
00:25:11,430 --> 00:25:13,670
WOULD YOU STOP
BEING SO OBVIOUS?!
TURN AROUND!
580
00:25:13,670 --> 00:25:15,430
OKAY.
WHO IS HE?
581
00:25:15,430 --> 00:25:19,070
- HIS NAME IS GODOT.
- SO YOU'RE ALL "WAITING
FOR GODOT"?
582
00:25:20,400 --> 00:25:22,070
YOU'RE SO LUCKY
YOU HAVE FRIES.
583
00:25:22,070 --> 00:25:24,470
- HE'S RICO AND NINA'S SON.
- HE'S BACK IN TOWN.
584
00:25:24,470 --> 00:25:27,270
HE'S BEEN GONE FOR MONTHS
TRAVELING THE WORLD TO SURF.
585
00:25:27,270 --> 00:25:29,570
- AND HE'S GORGEOUS.
- ( sniffs )
586
00:25:29,570 --> 00:25:32,430
- OH HI, BOO.
- HOW DID YOU KNOW
IT WAS ME?
587
00:25:32,430 --> 00:25:36,130
- UH, YOU KNOW, YOU HAVE
A DISTINCTIVE... WALK.
- SMELL.
588
00:25:36,130 --> 00:25:39,570
- NO OFFENSE.
- I THOUGHT I BLENDED IN HERE!
589
00:25:41,470 --> 00:25:43,370
SO WHAT'S YOUR ANGLE
WITH THIS GUY?
590
00:25:43,370 --> 00:25:45,400
- WHAT ARE YOUR MOVES?
- WE DON'T REALLY HAVE ANY.
591
00:25:45,400 --> 00:25:47,100
OH, SO YOU NEED ME TO HELP?
COOL.
592
00:25:47,100 --> 00:25:49,270
OKAY, FIRST THING TO KNOW
ABOUT GUYS LIKE THAT
593
00:25:49,270 --> 00:25:52,530
IS KEEP YOUR SENTENCES SHORT.
DON'T MENTION TOLSTOY OR MATH,
594
00:25:52,530 --> 00:25:56,070
IT WILL JUST MAKE YOU SAD.
OH, AND IT REALLY HELPS IF
YOU HAVE A CAR AND AN INCOME,
595
00:25:56,070 --> 00:25:58,030
- 'CAUSE THAT GUY'S GOT NOTHIN'.
- THANKS.
596
00:25:58,030 --> 00:26:01,400
AND HE NEVER WILL.
NO MONEY, NO CAR, NO THOUGHTS
OF MONEY OR A CAR.
597
00:26:01,400 --> 00:26:04,430
TRUST ME, IF THERE'S A SECOND
SET OF SHORTS AT HOME,
YOU'VE HIT THE JACKPOT.
598
00:26:04,430 --> 00:26:08,270
- GOT IT.
- GOOD. OH, AND HE WON'T
START SHOWERING TILL HE'S 30.
599
00:26:08,270 --> 00:26:11,000
OR HE'S BEEN SKUNKED.
DON'T KNOW WHY.
IT'S A THING.
600
00:26:11,000 --> 00:26:13,470
YOUNG PRETTY GUYS LIKE THAT
WILL DO ANYTHING TO GET
OUT OF BATHING.
601
00:26:13,470 --> 00:26:15,630
- JOHNNY DEPP MOVED TO FRANCE.
- COULD YOU PLEASE JUST GO?
602
00:26:15,630 --> 00:26:17,530
OH RIGHT YEAH,
I'M CRAMPING YOUR STYLE.
603
00:26:17,530 --> 00:26:19,270
HERE, I'M GONNA--
I'M JUST GONNA--
604
00:26:20,430 --> 00:26:22,070
ALL RIGHT, SURF'S UP!
ROCK ON!
605
00:26:22,070 --> 00:26:23,470
- WEAR SUNSCREEN.
- LEAVE!
606
00:26:24,530 --> 00:26:26,300
( laughs )
607
00:26:30,000 --> 00:26:32,200
THIS IS STUPID.
I FEEL STUPID.
608
00:26:32,200 --> 00:26:33,570
YOU'RE RIGHT.
WE SHOULD JUST GO.
609
00:26:33,570 --> 00:26:36,000
- WE CAN'T GO.
- WELL THEN, WHAT ARE
WE GONNA DO?
610
00:26:36,000 --> 00:26:38,700
'CAUSE I DON'T WANT
TO JUST KEEP SITTING HERE.
611
00:26:40,330 --> 00:26:42,130
I BET I CAN GET HIM
TO GIVE ME A DRINK.
612
00:26:42,130 --> 00:26:44,470
- YOU CAN NOT.
- JUST WATCH.
613
00:27:02,700 --> 00:27:05,100
( sighs )
WHOOPS.
614
00:27:05,100 --> 00:27:07,030
CAN'T TAKE ME ANYWHERE.
615
00:27:15,570 --> 00:27:18,570
WHAT DO I WANT?
616
00:27:21,500 --> 00:27:24,230
SUCH A GOOD
SELECTION HERE.
617
00:27:24,230 --> 00:27:26,770
THE PLACE
ACROSS THE STREET,
618
00:27:26,770 --> 00:27:30,600
THEY ONLY HAVE HALF
AS MANY BOTTLES AS
THIS PLACE DOES,
619
00:27:30,600 --> 00:27:33,670
MAYBE EVEN FEWER BOTTLES
AT THAT OTHER BAR
I'VE BEEN TO
620
00:27:33,670 --> 00:27:37,470
WHERE THEY HAVE
ALMOST NO BOTTLES
621
00:27:37,470 --> 00:27:39,630
ON THE BOTTLE SHELF.
622
00:27:41,730 --> 00:27:45,100
YOU, HOWEVER,
HAVE A LOT OF BOTTLES.
623
00:27:52,070 --> 00:27:53,530
YEP.
624
00:27:55,330 --> 00:27:57,070
SO DO YOU LIKE
BARTENDING?
625
00:28:00,230 --> 00:28:01,400
DO YOU WANT SOMETHING
FROM THE BAR?
626
00:28:01,400 --> 00:28:06,400
SURE,
I'LL HAVE A, UH, A...
627
00:28:06,400 --> 00:28:09,070
A TEMPLE GRANDIN.
628
00:28:09,070 --> 00:28:11,570
A WHAT?
629
00:28:11,570 --> 00:28:13,730
JUST A CUP OF CHERRIES,
PLEASE.
630
00:28:21,070 --> 00:28:23,500
- GOOD?
- THANKS.
631
00:28:36,030 --> 00:28:38,630
- THOSE ARE CHERRIES.
- I KNOW, RIGHT?
632
00:28:38,630 --> 00:28:40,400
HE'S A LOT OF WORK.
633
00:28:52,400 --> 00:28:54,170
( yelps )
634
00:28:55,570 --> 00:28:57,630
EW.
635
00:28:57,630 --> 00:28:59,470
- ( groans )
- WHAT ARE YOU DOING?
636
00:28:59,470 --> 00:29:03,170
- DUMPSTER JUMPING.
- FOR, LIKE, A CONTEST?
637
00:29:03,170 --> 00:29:05,530
NO.
IT'S PART OF MY JOB.
638
00:29:05,530 --> 00:29:07,530
- WHAT JOB?
- MY JOB.
639
00:29:07,530 --> 00:29:11,700
SO YOU'RE LIKE
THE TRASH-COMPACTOR GIRL
OR SOMETHING?
640
00:29:11,700 --> 00:29:13,530
WAITRESS.
641
00:29:13,530 --> 00:29:15,630
ARE THERE CUSTOMERS
IN THERE?
642
00:29:15,630 --> 00:29:18,070
NO, JUST TRASH.
643
00:29:18,070 --> 00:29:20,500
OKAY, I'M SORRY,
I'M JUST TRYING TO
644
00:29:20,500 --> 00:29:22,470
GRASP THE WHOLE
CONCEPT HERE.
645
00:29:22,470 --> 00:29:24,770
WHY ARE YOU DOING THAT?
646
00:29:24,770 --> 00:29:27,470
- WELL, JEFF SAID--
- ( mimics buzzer )
647
00:29:27,470 --> 00:29:29,430
I'M SORRY.
JEFF MADE YOU DO THAT?
648
00:29:29,430 --> 00:29:31,570
- DOUCHE.
- NO, NO DOUCHE.
649
00:29:31,570 --> 00:29:33,500
- DOUCHEBAG. OUT.
- BUT--
650
00:29:33,500 --> 00:29:36,100
- GET OUT
OF THE TRASH, SENORITA.
- BUT JEFF'S THE SENIOR MANAGER.
651
00:29:36,100 --> 00:29:38,370
THERE IS
NO SENIOR MANAGER
652
00:29:38,370 --> 00:29:40,530
OR JUNIOR MANAGER
OR MANAGER.
653
00:29:40,530 --> 00:29:42,470
THE PARENTS AREN'T
REALLY INTO LABELS. OUT.
654
00:29:44,370 --> 00:29:47,670
RELAX, I'LL HANDLE JEFF--
TELL HIM HARVARD BURNED DOWN
AND WATCH HIM CRY.
655
00:29:47,670 --> 00:29:51,100
- HE'D CRY REALLY HARD.
- YEAH. YOU KNOW ABOUT
TABLE SIX, RIGHT?
656
00:29:51,100 --> 00:29:52,530
- OOH YES.
- OH YEAH.
657
00:29:52,530 --> 00:29:55,500
OOH.
THANKS.
658
00:29:57,270 --> 00:29:59,430
- GNARLY.
- OH YEAH.
659
00:29:59,430 --> 00:30:02,530
- THERE'S A LOT
OF SAUCES IN THERE.
- HERE, WEAR THIS, IT'S CLEAN.
660
00:30:02,530 --> 00:30:04,570
REALLY?
THANKS.
661
00:30:07,070 --> 00:30:10,200
OH MY GOD!
HAVE YOU BEEN HERE ALL DAY?
662
00:30:10,200 --> 00:30:13,030
- YES MA'AM.
- WORKING?
663
00:30:13,030 --> 00:30:16,430
IN THE KITCHEN?
THE SAME KITCHEN I WORK IN?
664
00:30:16,430 --> 00:30:20,400
- WHY?
- 'CAUSE MY SHIRT
SMELLS LIKE HOARDERS,
665
00:30:20,400 --> 00:30:22,300
BUT THIS-- THIS--
666
00:30:22,300 --> 00:30:24,170
SMELLS LIKE A COCONUT
SNICKERDOODLE.
667
00:30:25,470 --> 00:30:28,630
SPEND A YEAR SURFING
CRYSTAL WAVES,
668
00:30:28,630 --> 00:30:31,400
HIKING UP INSANE MOUNTAINS
ABOVE THE CARIBBEAN,
669
00:30:31,400 --> 00:30:33,770
WATCHING DAZZLING
COSTA RICAN SUNSETS--
670
00:30:33,770 --> 00:30:36,530
THAT WILL CHANGE YOUR SMELL.
671
00:30:36,530 --> 00:30:38,570
- COMPLETELY.
- WOW.
672
00:30:38,570 --> 00:30:42,100
WELL, I SHOULD GET
BACK TO WORK,
673
00:30:42,100 --> 00:30:45,100
- BUT THANKS FOR THE SHIRT.
- IT'S ALL JUST FABRIC TO ME.
674
00:30:45,100 --> 00:30:46,600
- BYE.
- BYE.
675
00:30:51,670 --> 00:30:53,500
WEAR DARK GREEN TIGHTS
WITH THE DAISY,
676
00:30:53,500 --> 00:30:55,130
LIGHT GREEN WITH THE TULIP.
677
00:30:56,430 --> 00:30:58,370
NO TRADING!
678
00:30:58,370 --> 00:31:00,270
THEY TRY THAT EVERY YEAR
AND IT NEVER WORKS.
679
00:31:00,270 --> 00:31:01,630
- KIDS.
- YOU SAID IT.
680
00:31:01,630 --> 00:31:04,270
THAT'S A WEEPING WILLOW,
NOT A PEEPING WILLOW, DARLA.
681
00:31:04,270 --> 00:31:06,000
BACK DOWN WHERE IT WAS.
682
00:31:06,000 --> 00:31:09,530
MAKE SURE ALL YOUR FRIENDS
AND FAMILY BUY THEIR
TICKETS SOON.
683
00:31:09,530 --> 00:31:12,370
THE SPRING FLOWER FESTIVAL
IS VERY POPULAR
684
00:31:12,370 --> 00:31:16,300
AND THIS YEAR WE HAVE
THAT FLOWER THAT ONLY
BLOOMS ONCE A YEAR
685
00:31:16,300 --> 00:31:20,000
AND SMELLS TERRIBLE,
TICKETS ARE GOING FAST.
686
00:31:20,000 --> 00:31:22,400
IF YOU NEED ALTERATIONS,
687
00:31:22,400 --> 00:31:24,230
TAKE YOUR COSTUMES
TO SPARKLES.
688
00:31:24,230 --> 00:31:27,000
TRULY IS DOING
FITTINGS EVERY AFTERNOON
689
00:31:27,000 --> 00:31:28,500
FROM 4:00 TO 6:00.
690
00:31:28,500 --> 00:31:31,100
NOW WE'LL NEED EXTRA
REHEARSAL TIME THIS WEEK,
691
00:31:31,100 --> 00:31:33,400
SO ALL ADAGIO CLASSES
WILL BE RUNNING LATE.
692
00:31:33,400 --> 00:31:37,200
EXTRA-LONG CLASSES FOR THE SAME
PRICE AS REGULAR CLASSES?
693
00:31:37,200 --> 00:31:39,730
WOW, WHAT A BARGAIN!
I'LL SAY ONE THING
ABOUT BALANCHINE,
694
00:31:39,730 --> 00:31:42,730
HE NEVER GAVE YOU A BREAK.
CHARGED EIGHT BUCKS
FOR A SANDWICH TOO.
695
00:31:42,730 --> 00:31:46,570
IF YOU HAVE YOUR COSTUMES
AND YOUR INSTRUCTIONS,
YOU CAN GO.
696
00:31:46,570 --> 00:31:48,670
EXCUSE ME A SEC.
THAT'S MY CUE.
697
00:31:48,670 --> 00:31:52,570
OKAY HELLO, PEOPLE,
HELLO HELLO HELLO.
A MOMENT PLEASE!
698
00:31:52,570 --> 00:31:56,430
PLENTY OF TIME LATER TO DISCUSS
HOW ADORABLE LITTLE TIMMY'S
GONNA BE AS A PETUNIA.
699
00:31:56,430 --> 00:31:59,530
AND HE IS. BUT RIGHT NOW
I HAVE SOMETHING ELSE THAT
NEEDS TO BE DISCUSSED.
700
00:31:59,530 --> 00:32:01,270
- WHAT ARE YOU DOING?
- BAD COP.
701
00:32:01,270 --> 00:32:02,730
- WHAT?
- CHIKLIS.
702
00:32:02,730 --> 00:32:05,200
HEAR YE,
HEAR YE, HEAR YE...
703
00:32:05,200 --> 00:32:07,570
- Fanny: MICHELLE.
- HOW'S EVERYBODY DOING TONIGHT?
704
00:32:07,570 --> 00:32:11,130
AREN'T THOSE
FLOWER COSTUMES GREAT?
A HAND FOR FANNY.
705
00:32:11,130 --> 00:32:14,000
DOES THIS WOMAN DO
A HELL OF A JOB OR WHAT?
706
00:32:14,000 --> 00:32:18,430
SHE IS DA BOMB
AT MAKING SURE YOUR KIDS
DON'T BOMB, AM I RIGHT?
707
00:32:18,430 --> 00:32:22,000
- PLEASE STOP.
- OKAY, SO AS EVERYONE KNOWS,
708
00:32:22,000 --> 00:32:24,200
THE FIRST OF THE MONTH
IS NEXT WEEK.
709
00:32:24,200 --> 00:32:26,470
AND YOU ALL KNOW WHAT HAPPENS
ON THE FIRST OF THE MONTH?
710
00:32:26,470 --> 00:32:29,030
WELL, IN MOST
PARTS OF THE WORLD,
PAYMENT IS DUE.
711
00:32:29,030 --> 00:32:31,500
THAT'S RIGHT.
NOW I KNOW IN THE PAST
712
00:32:31,500 --> 00:32:34,730
PARADISE DANCE ACADEMY'S
POLICY ON PAYING HAS BEEN
A LITTLE LAX,
713
00:32:34,730 --> 00:32:37,000
BUT TIMES,
THEY ARE A CHANGIN'.
714
00:32:37,000 --> 00:32:40,670
SO STARTING NOW,
EVERYONE NEEDS TO PAY
FOR LESSONS.
715
00:32:40,670 --> 00:32:43,600
COSTUMES LIKE THESE
DON'T GROW ON TREES.
716
00:32:43,600 --> 00:32:47,000
EVEN THE TREE COSTUMES
DO NOT GROW ON TREES.
WE ARE RUNNING A BUSINESS.
717
00:32:47,000 --> 00:32:50,230
YOU BRING
YOUR KIDS HERE TO LEARN.
YOU WANT THEM TO DANCE?
718
00:32:50,230 --> 00:32:52,100
YOU WANT FAME?
WELL, FAME COSTS.
719
00:32:52,100 --> 00:32:54,370
AND RIGHT HERE'S WHERE
YOU START PAYING.
720
00:32:54,370 --> 00:32:57,430
IN MONEY!
I KNOW YOU THOUGHT I WAS
GOING TO SAY "SWEAT,"
721
00:32:57,430 --> 00:33:00,300
BUT WE DON'T NEED
SWEAT, WE NEED MONEY!
YOU HEAR ME?
722
00:33:00,300 --> 00:33:02,430
THE GRAVY TRAIN IS OVER.
723
00:33:02,430 --> 00:33:05,030
THE BUS OF FREELOADING HAS
REACHED ITS DESTINATION.
724
00:33:05,030 --> 00:33:07,000
IT'S TIME TO GET OFF
AND OPEN A PURSE!
725
00:33:07,000 --> 00:33:09,770
NOTHING, AND I MEAN
NOTHING IN LIFE IS FREE!
726
00:33:09,770 --> 00:33:12,270
YES, OF COURSE
IT'S ALL STILL FREE.
727
00:33:12,270 --> 00:33:15,430
WHAT I MEANT WAS IS, UH,
I'M HEAVILY MEDICATED
728
00:33:15,430 --> 00:33:19,230
AND... YES, FANNY WAS JUST
AS SURPRISED AS ANYBODY.
729
00:33:19,230 --> 00:33:23,300
ANYWAY, SO I'M REALLY SORRY
THAT I MADE LITTLE LUCY CRY
730
00:33:23,300 --> 00:33:27,500
AND I HOPE YOU'LL CONSIDER
BRINGING HER BACK SO SHE CAN
REHEARSE FOR NEXT WEEKEND.
731
00:33:27,500 --> 00:33:30,300
YES, MY DOCTORS
ARE DISCUSSING
732
00:33:30,300 --> 00:33:32,500
A DOSAGE INCREASE
AS WE SPEAK.
733
00:33:32,500 --> 00:33:35,130
- ( phone ringing )
- CAN YOU HOLD ON A SEC?
734
00:33:35,130 --> 00:33:37,470
PARADISE DANCE ACADEMY.
735
00:33:37,470 --> 00:33:41,400
THANK YOU SO MUCH
FOR GETTING BACK TO ME, KATIE.
736
00:33:41,400 --> 00:33:44,470
MS. WILLIAMS, OF COURSE.
737
00:33:44,470 --> 00:33:46,700
I JUST WANTED TO APOLOGIZE
FOR GOING INTO YOUR PURSE
738
00:33:46,700 --> 00:33:49,700
AND GRABBING
YOUR WALLET LIKE THAT.
IT WAS MORE FOR DRAMATIC EFFECT
739
00:33:49,700 --> 00:33:51,500
THAN ANYTHING ELSE.
YOU UNDERSTAND.
740
00:33:51,500 --> 00:33:54,770
HAD I ANY IDEA THAT YOU HAD
THAT ARRANGEMENT WITH FANNY...
741
00:33:54,770 --> 00:33:57,530
FOUR MORTGAGES?
WOW, THAT'S A LOT OF MORTGAGE.
742
00:33:57,530 --> 00:34:01,200
OKAY, CAN WE COUNT
ON SEEING PAM SATURDAY?
743
00:34:02,600 --> 00:34:05,100
20 FEET AWAY FROM YOU
AND YOUR FAMILY.
744
00:34:05,100 --> 00:34:07,470
I DO UNDERSTAND.
745
00:34:07,470 --> 00:34:09,270
THANK YOU.
746
00:34:09,270 --> 00:34:11,600
( phones ringing )
747
00:34:15,430 --> 00:34:18,000
HELLO?
HI, MRS. WOO.
748
00:34:19,130 --> 00:34:20,770
YES, I KNOW IT SEEMS LIKE
749
00:34:20,770 --> 00:34:23,500
YOU'RE THE ONLY FAMILY
PAYING FULL PRICE FOR LESSONS,
750
00:34:23,500 --> 00:34:26,070
BUT THAT'S JUST BECAUSE FANNY
LOVES YOUR GIRLS THE BEST.
751
00:34:26,070 --> 00:34:28,600
YUP YUP, OKAY,
THAT'LL WORK.
752
00:34:28,600 --> 00:34:30,570
SEE YOU SATURDAY.
753
00:34:30,570 --> 00:34:33,430
WELL, THE GOOD NEWS IS
754
00:34:33,430 --> 00:34:36,530
I MANAGED TO GET BACK THE BEES,
A TULIP AND ONE WEEPING WILLOW.
755
00:34:36,530 --> 00:34:39,370
THE BAD NEWS--
THE WOO TWINS GET HALF OFF
FOR TWO MONTHS
756
00:34:39,370 --> 00:34:41,230
AND WE HAVE TO BUY
THEIR GAS FOR A YEAR.
757
00:34:41,230 --> 00:34:43,200
HOW PROUD CHIKLIS
MUST BE RIGHT NOW.
758
00:34:43,200 --> 00:34:46,370
- I'M SO SORRY.
- SIX MONTHS OF REHEARSING
FOR THIS SHOW
759
00:34:46,370 --> 00:34:48,430
AND I HAVE
HALF A FLOWER GARDEN
TO DEAL WITH.
760
00:34:48,430 --> 00:34:51,530
I'M SORRY, I'M TRYING, FANNY.
BUT THE SNAPDRAGONS WON'T
EVEN CALL ME BACK
761
00:34:51,530 --> 00:34:53,430
AND THE PUSSY WILLOW'S MOM
IS A SNOT!
762
00:34:53,430 --> 00:34:56,770
YOU BETTER FIGURE SOMETHING OUT,
BECAUSE IF WE DON'T HAVE
ENOUGH PEOPLE FOR THAT SHOW,
763
00:34:56,770 --> 00:34:59,330
- YOU'LL BE WEARING THIS.
- I'M TRYING.
764
00:34:59,330 --> 00:35:01,500
- WHAT'S PLAN "B"?
- I'LL KEEP MAKING CALLS
765
00:35:01,500 --> 00:35:03,530
- UNTIL I HAVE EVERYONE BACK.
- AND THEN WHAT?
766
00:35:03,530 --> 00:35:06,170
- AND THEN I'LL
HAVE EVERYONE BACK.
- THEN WE'RE BACK TO SQUARE ONE.
767
00:35:06,170 --> 00:35:08,470
ACTUALLY, SQUARE -1
SINCE THE WOO TWINS
768
00:35:08,470 --> 00:35:11,200
- ARE NOW HALF OFF.
- I DON'T KNOW WHAT
YOU WANT ME TO DO.
769
00:35:11,200 --> 00:35:13,430
- I WANT YOU TO SAY
YOU'LL TEACH.
- NO.
770
00:35:13,430 --> 00:35:16,100
I CAN ADD MORE CLASSES,
WE CAN GROW THE BUSINESS.
771
00:35:16,100 --> 00:35:18,000
- I DON'T TEACH.
- YOU'VE NEVER TRIED.
772
00:35:18,000 --> 00:35:21,570
- I DON'T TEACH.
- THEN WHAT DO YOU DO
SINCE LEAVING VEGAS,
773
00:35:21,570 --> 00:35:25,500
EXCEPT SLEEP WITH POSSUMS
AND FILL THE RECYCLE BIN
WITH TRASHY MAGAZINES?
774
00:35:25,500 --> 00:35:28,570
- I HAVE CALLS TO MAKE.
- I'VE SEEN YOU WITH THOSE KIDS,
YOU'RE GOOD.
775
00:35:28,570 --> 00:35:29,670
THERE ARE A LOT
OF GOOD TEACHERS.
776
00:35:29,670 --> 00:35:31,530
THAT DANCE YOU HAD THEM
DO FOR ME?
777
00:35:31,530 --> 00:35:35,300
YOU PUT THAT TOGETHER IN HOURS.
AND THAT NIGHT YOU SHOWED UP
WITH HUBBELL--
778
00:35:35,300 --> 00:35:37,700
- THAT DANCE AUDITION--
YOU'RE A NATURAL.
- SO WHAT?
779
00:35:37,700 --> 00:35:39,470
THEY LIKE YOU.
THEY CONNECT WITH YOU.
780
00:35:39,470 --> 00:35:42,230
I DON'T WANT
THEM TO GET TOO CONNECTED.
I MAY NOT STAY HERE FOREVER.
781
00:35:42,230 --> 00:35:44,430
- THEN TEACH TEMPORARILY.
- I DON'T DO ANYTHING
HALF-ASSED.
782
00:35:44,430 --> 00:35:46,530
- CURRENTLY YOU DON'T
DO ANYTHING AT ALL.
- ENOUGH, FANNY.
783
00:35:46,530 --> 00:35:48,570
- TRY, JUST TRY!
- NO!
784
00:35:48,570 --> 00:35:52,130
NOW I'M SORRY THAT
I SCREWED UP YOUR SHOW
785
00:35:52,130 --> 00:35:54,770
BUT I DON'T TEACH!
YOU TEACH! THAT'S YOU!
NOT ME!
786
00:36:04,170 --> 00:36:06,000
HEY.
787
00:36:10,070 --> 00:36:13,130
- TELL BOO TO HURRY UP.
WE'RE ALREADY LATE.
- YOU'RE NOT COMING IN?
788
00:36:13,130 --> 00:36:15,270
I DON'T FEEL THE NEED
TO SMELL LIKE BURNT
GARBAGE AT THE MOMENT.
789
00:36:15,270 --> 00:36:17,330
- YOU'RE NOT EVEN GOING
TO TURN OFF THE CAR?
- NO. WHY?
790
00:36:17,330 --> 00:36:19,130
IT'S WEIRD.
IT'S LIKE WE'RE
ROBBING THE PLACE.
791
00:36:19,130 --> 00:36:20,670
- BOO COULD'VE BEEN
IN THE CAR BY NOW.
- FINE.
792
00:36:20,670 --> 00:36:23,770
- DON'T ABANDON US HERE.
- I'LL WEIGH MY DECISION
CAREFULLY.
793
00:36:23,770 --> 00:36:25,770
OH, THERE SHE IS.
794
00:36:25,770 --> 00:36:27,530
Godot: BETTINA!
795
00:36:27,530 --> 00:36:29,500
- WHO'S BETTINA?
- THAT'S BOO.
796
00:36:29,500 --> 00:36:31,670
YOU'RE KIDDING.
I THOUGHT HER NAME WAS BOO.
797
00:36:31,670 --> 00:36:33,730
- BOO IS SHORT
FOR BETTINA.
- OH.
798
00:36:33,730 --> 00:36:36,170
HOW IS BOO SHORT
FOR BETTINA?
799
00:36:38,000 --> 00:36:39,470
WHEN DID THOSE TWO
BECOME FRIENDS?
800
00:36:39,470 --> 00:36:42,730
LOOK HOW CLOSE
TO HIM SHE IS--
INCHES.
801
00:36:42,730 --> 00:36:44,670
- SO LUCKY.
- Sasha: YES.
802
00:36:44,670 --> 00:36:47,530
STANDING INCHES
FROM A BARTENDER IS
INCREDIBLY LUCKY.
803
00:36:47,530 --> 00:36:51,100
THERE'S NO OTHER SITUATION
IN THE ENTIRE WORLD WHERE
YOU COULD POSSIBLY DO THAT.
804
00:36:51,100 --> 00:36:54,700
EXCEPT FOR EVERY
HAPPY HOUR IN THE WORLD.
SHE JUST PEAKED.
805
00:36:54,700 --> 00:36:57,600
- THIS IS LIKE A DRIVE-IN MOVIE.
- A REALLY BAD ONE.
806
00:36:57,600 --> 00:36:59,670
YEAH, A REALLY GOOD
BAD DRIVE-IN MOVIE.
807
00:36:59,670 --> 00:37:01,670
GIVE IT A LISTEN,
LET ME KNOW WHAT YOU THINK.
808
00:37:01,670 --> 00:37:04,070
BUT I'M BETTING A BLOWN MIND
IS COMING YOUR WAY.
809
00:37:04,070 --> 00:37:06,770
- SOUNDS DANGEROUS.
- PEOPLE SAY HE'S THE FATHER
OF SURF MUSIC.
810
00:37:06,770 --> 00:37:09,570
DUDE PRACTICALLY INVENTED
THE REVERB SOUND
811
00:37:09,570 --> 00:37:12,200
- ON THE STRINGS
OF HIS STRATOCASTER.
- AWESOME.
812
00:37:12,200 --> 00:37:15,600
- I'LL GIVE IT LISTEN
THE MINUTE I GET HOME.
- I WANT A FULL REPORT TOMORROW.
813
00:37:15,600 --> 00:37:17,530
AYE AYE, CAPTAIN.
814
00:37:21,670 --> 00:37:24,700
HEY!
READY?
815
00:37:26,370 --> 00:37:28,370
SO WHAT WAS
THAT ALL ABOUT?
816
00:37:28,370 --> 00:37:30,130
- WHAT?
- YOU AND GODOT?
817
00:37:30,130 --> 00:37:32,730
- LOOKED COZY.
- LIKE ALL THAT WAS MISSING
WAS A SLOW JAM.
818
00:37:32,730 --> 00:37:35,300
PLEASE.
HE'S A FRIEND.
819
00:37:35,300 --> 00:37:37,670
- A FRIENDLY FRIEND?
- WE WERE JUST TALKING.
820
00:37:37,670 --> 00:37:41,270
YEAH? WHAT HAPPENED
AFTER YOU USED UP THE 10 WORDS
IN HIS VOCABULARY?
821
00:37:41,270 --> 00:37:44,400
WE WERE TALKING ABOUT MUSIC.
HE GAVE ME THIS CD
822
00:37:44,400 --> 00:37:46,670
- TO LISTEN TO. SEE?
- COOL.
823
00:37:46,670 --> 00:37:48,630
A CD?
THAT'S CURRENT.
824
00:37:48,630 --> 00:37:51,730
HEY...
HOW COME YOU DON'T SMELL?
825
00:37:51,730 --> 00:37:54,700
EVER SINCE
HE GAVE ME HIS SHIRT,
826
00:37:54,700 --> 00:37:56,630
IT'S LIKE I TOTALLY
DON'T SMELL ANYMORE.
827
00:37:56,630 --> 00:37:59,530
IT'S LIKE I HAVE
THIS SMELL FORCE FIELD.
828
00:37:59,530 --> 00:38:01,700
- HE GAVE YOU HIS SHIRT?
- MM-HMM, YEAH.
829
00:38:04,670 --> 00:38:06,770
- WHAT?
- NOTHING.
830
00:38:06,770 --> 00:38:10,500
NICE TARTAR SAUCE
ON YOUR PANTS.
831
00:38:12,600 --> 00:38:15,600
- ( soft rock music playing )
- ( vocalizing )
832
00:38:27,700 --> 00:38:29,500
WELCOME WELCOME, EVERYONE.
833
00:38:34,430 --> 00:38:36,630
AND NOW TO KICK OFF
THE FLOWER SHOW,
834
00:38:36,630 --> 00:38:39,470
THE ADVANCED CLASS
OF THE PARADISE DANCE ACADEMY
835
00:38:39,470 --> 00:38:41,500
WILL PERFORM THEIR
TRIBUTE TO SPRING--
836
00:38:41,500 --> 00:38:44,600
AN ORIGINAL BALLET
THAT TELLS THE STORY
837
00:38:44,600 --> 00:38:48,330
OF NATURE'S STRUGGLE
AGAINST THE FORCES
OF INDUSTRIALISM.
838
00:38:48,330 --> 00:38:51,600
IT'S ENTITLED
"PAPER OR PLASTIC."
839
00:38:51,600 --> 00:38:53,230
I HOPE YOU ENJOY IT.
840
00:38:59,070 --> 00:39:01,770
- SO YOU GOT THEM ALL BACK.
- ALL BUT TWO.
841
00:39:01,770 --> 00:39:05,300
I HAD TO PAY
THOSE TWO CONCESSION CHICKS
FIVE BUCKS TO STAND THERE.
842
00:39:05,300 --> 00:39:08,230
- "PAPER OR PLASTIC"?
- MM-HMM.
843
00:39:09,430 --> 00:39:12,330
( music playing )
844
00:39:20,030 --> 00:39:23,630
Fanny: SEE,
IT STARTS WITH NATURE,
FREE AND HAPPY.
845
00:39:31,270 --> 00:39:33,630
THEN THE FORCES
OF EVIL ENTER.
846
00:39:33,630 --> 00:39:36,130
- Michelle:
THE SUPERMARKET CASHIER?
- THAT'S RIGHT.
847
00:39:36,130 --> 00:39:39,170
A FORCE IGNORANT
OF THE EVIL SHE'S DOING,
848
00:39:39,170 --> 00:39:41,200
BLINDED BY MONEY
AND CORRUPTION.
849
00:39:41,200 --> 00:39:43,370
A SUPERMARKET CASHIER
BLINDED BY MONEY?
850
00:39:43,370 --> 00:39:45,170
WHAT SUPERMARKET
DO YOU SHOP IN?
851
00:39:47,130 --> 00:39:50,130
THEN COMES THE MOMENT
THE FATAL QUESTION
IS ASKED...
852
00:39:50,130 --> 00:39:52,670
PAPER
853
00:39:52,670 --> 00:39:55,000
OR PLASTIC?
854
00:39:55,000 --> 00:39:57,170
( laughing )
THIS IS NUTS.
855
00:40:00,600 --> 00:40:02,700
A VICIOUS BATTLE ENSUES.
856
00:40:05,470 --> 00:40:07,300
THE HERO ENTERS.
857
00:40:07,300 --> 00:40:09,230
- THE CANVAS TOTE!
- THE CANVAS TOTE!
858
00:40:09,230 --> 00:40:11,330
I ALWAYS FORGET
THAT CANVAS TOTE.
859
00:40:16,200 --> 00:40:18,130
ITS MOTIVES ARE PURE,
860
00:40:18,130 --> 00:40:21,000
BUT IT'S JUST ONE FORCE
AGAINST AN ARMY
861
00:40:21,000 --> 00:40:23,330
OF NONRENEWABLE
RESOURCES.
862
00:40:38,300 --> 00:40:40,670
THE BATTLE ENDS.
THE DIE IS CAST.
863
00:40:40,670 --> 00:40:43,730
THE CASHIER LOOKS AROUND
AT THE UTTER DESTRUCTION
864
00:40:43,730 --> 00:40:45,570
SHE'S WROUGHT...
865
00:40:49,070 --> 00:40:51,000
AND GOES ON BREAK.
866
00:40:53,370 --> 00:40:56,300
I'M SORRY,
SO NATURE DIES?
867
00:40:56,300 --> 00:40:57,330
YEP.
868
00:41:02,330 --> 00:41:05,470
SO IT'S A HAPPY ENDING?
YOU'RE DIABOLICAL.
869
00:41:05,470 --> 00:41:08,330
- IT IS ONE OF MY BEST.
- THAT WAS AWESOME!
870
00:41:08,330 --> 00:41:11,270
IT WAS.
AND IT WAS FUN--
871
00:41:11,270 --> 00:41:14,230
PUTTING IT TOGETHER,
WORKING WITH THE KIDS.
872
00:41:16,600 --> 00:41:19,770
YOU KNOW,
JUST BECAUSE YOU TEACH,
DOESN'T MEAN IT'S OVER.
873
00:41:19,770 --> 00:41:22,070
FANNY, THAT WAS AMAZING.
YOUR BEST YET.
874
00:41:22,070 --> 00:41:25,170
- THANK YOU, SAL.
- I KNOW. WHEN THE ECOSYSTEM
BROKE DOWN,
875
00:41:25,170 --> 00:41:26,730
- SO DID I.
- I'M GLAD.
876
00:41:26,730 --> 00:41:29,300
SCREW MARTHA GRAHAM!
SCREW HER.
877
00:41:29,300 --> 00:41:31,270
HONEY, GO GET A PRETZEL.
878
00:41:31,270 --> 00:41:33,570
OH, AND I WANT TO THANK YOU
LADIES FOR THE SHOUT OUT.
879
00:41:33,570 --> 00:41:35,270
REALLY BIG OF YOU.
880
00:41:35,270 --> 00:41:37,700
SO THAT MAKES US SQUARE
UNTIL NEXT PAYING SEASON,
RIGHT, SAL?
881
00:41:37,700 --> 00:41:39,430
ABSOLUTELY.
882
00:41:39,430 --> 00:41:41,630
- YOU'RE AN ICE SKATER, RIGHT?
- DON'T LOOK AT MY TUSH.
883
00:41:41,630 --> 00:41:44,300
YOU'VE GOT A LITTLE
OKSANA BAIUL THING
GOING ON.
884
00:41:44,300 --> 00:41:46,270
IT'S CREEPY, SAL.
IT'S CREEPY.
885
00:41:46,270 --> 00:41:48,500
DOES HE REALIZE THAT HE
STILL HASN'T GOTTEN PAID?
886
00:41:48,500 --> 00:41:49,500
NOPE.
AND HE NEVER WILL.
72370
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