All language subtitles for Buffy.The.Vampire.Slayer.S04E04.1080p.Amazon.WEB-DL.DD+.5.1.H.264-TrollHD_track3_eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,041 --> 00:00:03,667 PARKER ABRAMS. 2 00:00:03,667 --> 00:00:04,667 I'M AT KRESGE HALL. 3 00:00:04,667 --> 00:00:06,959 BUFFY SUMMERS. STEVENSON. 4 00:00:06,959 --> 00:00:09,125 PREVIOUSLY ON BUFFY THE VAMPIRE SLAYER... 5 00:00:10,333 --> 00:00:11,417 [ Parker ] WHAT ARE YOU DOING? 6 00:00:11,417 --> 00:00:13,333 [ Buffy ] MAKING A CHOICE. 7 00:00:17,166 --> 00:00:20,083 [ Buffy ] PARKER, DID I DO SOMETHING WRONG? 8 00:00:20,083 --> 00:00:21,625 [ Parker ] DIDN'T YOU HAVE FUN? 9 00:00:21,625 --> 00:00:22,875 IS THAT ALL IT WAS? 10 00:00:22,875 --> 00:00:24,917 WHAT ELSE WAS IT SUPPOSED TO BE? 11 00:00:24,917 --> 00:00:28,083 [ Buffy ] HE'S MANIPULATIVE AND SHALLOW, 12 00:00:28,083 --> 00:00:30,000 AND WHY DOESN'T HE WANT ME? 13 00:00:30,000 --> 00:00:31,208 I THINK YOU'RE MISSING SOMETHING 14 00:00:31,208 --> 00:00:34,041 ABOUT THE WHOLE POOP-HEAD PRINCIPLE. 15 00:00:34,041 --> 00:00:36,542 ANYA, HI AGAIN. 16 00:00:38,708 --> 00:00:42,208 [ Xander ] SO, COLLEGE NOT SO SCARY AFTER ALL, HUH? 17 00:00:42,208 --> 00:00:44,792 [ Buffy ] IT'S TURNING OUT TO BE A LOT LIKE HIGH SCHOOL. 18 00:00:44,792 --> 00:00:46,125 WHICH I CAN HANDLE. 19 00:00:53,458 --> 00:00:54,667 I DON'T KNOW. 20 00:00:54,667 --> 00:00:56,708 I WAS GOING FOR FEROCIOUS-SCARY, 21 00:00:56,708 --> 00:01:00,250 BUT IT'S COMING OUT MORE DRYLY SARDONIC. 22 00:01:00,250 --> 00:01:03,708 IT DOES APPEAR TO BE MOCKING YOU WITH ITS EYEHOLES. 23 00:01:03,708 --> 00:01:07,583 YET ITS NOSEHOLE SEEMS SAD AND FULL OF SELF-LOATHING. 24 00:01:07,583 --> 00:01:10,208 WHAT DO YOU THINK, BUFF? 25 00:01:10,208 --> 00:01:13,125 I WAS JUST THINKING ABOUT THE LIFE OF A PUMPKIN. 26 00:01:13,125 --> 00:01:17,834 GROW UP IN THE SUN, HAPPILY ENTWINED WITH OTHERS, 27 00:01:17,834 --> 00:01:21,291 AND THEN SOMEONE COMES ALONG, CUTS YOU OPEN, 28 00:01:21,291 --> 00:01:24,375 AND RIPS YOUR GUTS OUT. 29 00:01:25,375 --> 00:01:28,959 OKAY...AND ON THAT HAPPY NOTE, 30 00:01:28,959 --> 00:01:30,959 GOT A TREAT FOR TOMORROW NIGHT'S 31 00:01:30,959 --> 00:01:33,792 SECOND ANNUAL HALLOWEEN SCREENING. 32 00:01:33,792 --> 00:01:37,166 PEOPLE, PREPARE TO HAVE YOUR SPINES TINGLED 33 00:01:37,166 --> 00:01:41,750 AND YOUR GOOSES BUMPED BY THE TERRIFYING FANTASIA. 34 00:01:41,750 --> 00:01:43,750 FANTASIA? 35 00:01:43,750 --> 00:01:46,125 MAYBE IT'S BECAUSE OF ALL THE HORRIFIC THINGS WE'VE SEEN, 36 00:01:46,125 --> 00:01:49,125 BUT HIPPOS WEARING TUTUS JUST DON'T UNNERVE ME THE WAY THEY USED TO. 37 00:01:49,125 --> 00:01:51,125 PHANTASM. 38 00:01:51,125 --> 00:01:53,166 IT WAS SUPPOSED TO BE PHANTASM. 39 00:01:53,166 --> 00:01:55,875 STUPID VIDEO STORE. 40 00:01:55,875 --> 00:01:58,166 I THOUGHT WE WERE DOING THE ALPHA DELT THING. 41 00:01:58,166 --> 00:02:00,083 WHAT...THING? 42 00:02:00,083 --> 00:02:02,792 THE SCARY HOUSE? SOUNDS KIND OF LAME. 43 00:02:02,792 --> 00:02:04,625 IT ACTUALLY BORDERS ON FUN. 44 00:02:04,625 --> 00:02:06,375 YOU HAVE TO GO THROUGH THE WHOLE SCARY HOUSE MAZE 45 00:02:06,375 --> 00:02:07,792 TO GET TO THE PARTY, 46 00:02:07,792 --> 00:02:09,209 WHICH IS USUALLY WORTH GETTING TO. 47 00:02:09,209 --> 00:02:10,166 THOSE GUYS GO ALL OUT. 48 00:02:10,166 --> 00:02:12,209 AS WITNESSED LAST FRIDAY. 49 00:02:12,209 --> 00:02:13,834 THERE'S A PARTY? 50 00:02:13,834 --> 00:02:15,458 WE DIDN'T TELL YOU? 51 00:02:17,041 --> 00:02:18,417 NO, IT'S COOL. 52 00:02:18,417 --> 00:02:21,083 YOU GUYS GOT YOUR LITTLE COLLEGE THING. 53 00:02:21,083 --> 00:02:24,083 I'M FINE. I MEAN, I GOT BETTER THINGS TO DO 54 00:02:24,083 --> 00:02:26,583 THAN TAG ALONG TO SOME FRATERNITY. 55 00:02:26,583 --> 00:02:28,417 YOU CAN COME. 56 00:02:28,417 --> 00:02:30,917 'KAY. BUT ONLY BECAUSE I LIED ABOUT HAVING BETTER THINGS TO DO. 57 00:02:30,917 --> 00:02:33,458 [ Oz ] LAUGHS WILL BE HAD BY ALL. 58 00:02:33,458 --> 00:02:35,875 I'M GONNA GET GOING. 59 00:02:35,875 --> 00:02:38,125 NOW? THE NIGHT'S STILL-- 60 00:02:38,125 --> 00:02:41,250 WELL, OKAY, IT'S A LITTLE MATURE, BUT STILL-- 61 00:02:41,250 --> 00:02:44,667 I'M SLEEPY. YOU GUYS HAVE FUN. 62 00:02:44,667 --> 00:02:45,750 YOU WANT ME TO COME WITH? 63 00:02:45,750 --> 00:02:47,500 NO, I'M FINE. 64 00:02:52,500 --> 00:02:55,083 SAD BUFFY. 65 00:02:55,083 --> 00:02:57,959 SHE DIDN'T EVEN TOUCH HER PUMPKIN. 66 00:02:57,959 --> 00:03:00,458 IT'S A FREAK WITH NO FACE. 67 00:03:00,458 --> 00:03:02,625 SHE STILL SUFFERING A LITTLE POST-PARKER DEPRESSION? 68 00:03:02,625 --> 00:03:04,792 BAILING ON THE BUFF. 69 00:03:04,792 --> 00:03:07,500 DOES ANYONE ELSE WANNA SMACK THAT GUY? 70 00:03:27,500 --> 00:03:30,792 OH. JEEZ, THAT HURT. 71 00:03:30,792 --> 00:03:34,208 WHAT THE HELL IS WRONG WITH YOU, LADY?! 72 00:03:37,375 --> 00:03:39,375 THAT'S WHAT I'D LIKE TO KNOW. 73 00:04:40,458 --> 00:04:42,291 I'VE GOT THE BASICS DOWN-- 74 00:04:42,291 --> 00:04:44,667 LEVITATION, CHARMS, GLAMOURS. 75 00:04:44,667 --> 00:04:47,959 I JUST FEEL LIKE I'VE PLATEAUED WICCA-WISE. 76 00:04:47,959 --> 00:04:49,625 WHAT'S THE NEXT LEVEL? 77 00:04:49,625 --> 00:04:52,041 TRANSMUTATION, CONJURING, 78 00:04:52,041 --> 00:04:54,750 BRINGING FORTH SOMETHING FROM NOTHING. 79 00:04:54,750 --> 00:04:57,583 GETS YOU PRETTY CLOSE TO THE PRIMAL FORCES. 80 00:04:57,583 --> 00:04:59,125 A LITTLE SCARY. 81 00:04:59,125 --> 00:05:00,417 WELL, NO ONE'S PUSHING. 82 00:05:00,417 --> 00:05:02,250 YOU KNOW, IF IT'S TOO MUCH, DON'T DO IT. 83 00:05:02,250 --> 00:05:03,542 DON'T DO IT? 84 00:05:03,542 --> 00:05:05,834 WHAT KIND OF ENCOURAGEMENT IS THAT? 85 00:05:05,834 --> 00:05:07,917 THIS IS AN ENCOURAGEMENT TALK? 86 00:05:07,917 --> 00:05:10,792 I THOUGHT IT WAS "SHARE MY PAIN." 87 00:05:10,792 --> 00:05:12,458 I DON'T KNOW. 88 00:05:12,458 --> 00:05:14,208 THEN AGAIN, WHAT IS COLLEGE FOR 89 00:05:14,208 --> 00:05:16,209 IF NOT EXPERIMENTING? 90 00:05:16,209 --> 00:05:18,583 YOU KNOW, MAYBE I CAN HANDLE IT. 91 00:05:18,583 --> 00:05:20,834 I'LL KNOW WHEN I'VE REACHED MY LIMIT. 92 00:05:20,834 --> 00:05:21,834 WINE COOLERS? 93 00:05:21,834 --> 00:05:23,208 MAGIC. 94 00:05:23,208 --> 00:05:24,750 OOH. DIDN'T ENCOURAGE HER, DID YOU? 95 00:05:24,750 --> 00:05:27,542 WHERE'S SUPPORTIVE BOYFRIEND GUY? 96 00:05:27,542 --> 00:05:29,166 OH, HE'S PICKING UP YOUR DRY CLEANING. 97 00:05:29,166 --> 00:05:30,625 BUT HE TOLD ME TO TELL YOU, 98 00:05:30,625 --> 00:05:32,041 HE'S AFRAID YOU'RE GONNA GET HURT. 99 00:05:32,041 --> 00:05:34,417 OKAY, BRUTUS. 100 00:05:35,542 --> 00:05:39,000 BRUTUS. UH, CAESAR? 101 00:05:39,000 --> 00:05:40,708 BETRAYAL... TRUSTED FRIEND. 102 00:05:40,708 --> 00:05:42,125 BACK-STABBY. 103 00:05:42,125 --> 00:05:43,917 I'M WITH YOU ON THE REFERENCE, BUT... 104 00:05:43,917 --> 00:05:46,792 I WON'T LIE ABOUT THE FACT THAT I WORRY. 105 00:05:46,792 --> 00:05:50,625 I KNOW WHAT IT'S LIKE TO HAVE POWER YOU CAN'T CONTROL. 106 00:05:50,625 --> 00:05:52,625 AND EVERY TIME I START TO WOLF OUT, 107 00:05:52,625 --> 00:05:56,875 I TOUCH SOMETHING... DEEP...DARK. 108 00:05:56,875 --> 00:05:58,458 IT'S NOT FUN. 109 00:06:00,708 --> 00:06:03,583 BUT JUST KNOW THAT WHATEVER YOU DECIDE, 110 00:06:03,583 --> 00:06:05,500 I'LL BACK YOUR PLAY. 111 00:06:05,500 --> 00:06:07,250 [ Buffy ] SEE? 112 00:06:07,250 --> 00:06:09,125 CONCERNED BOY IS SWEET BOY. 113 00:06:09,125 --> 00:06:10,708 I KNOW. 114 00:06:10,708 --> 00:06:13,375 I KINDA LIKE HIM WORRYING, ANYWAY. 115 00:06:13,375 --> 00:06:15,166 [ Laughter ] 116 00:06:18,333 --> 00:06:20,000 YOU KNOW, UM... 117 00:06:20,000 --> 00:06:23,500 I FORGOT TO... 118 00:06:23,500 --> 00:06:24,792 BE HUNGRY. 119 00:06:24,792 --> 00:06:26,750 WAIT. BUFFY. 120 00:06:28,000 --> 00:06:29,875 BUFFY. 121 00:06:29,875 --> 00:06:31,917 DON'T LET JERKY PARKER CHASE YOU AWAY. 122 00:06:31,917 --> 00:06:33,542 HE DIDN'T. 123 00:06:33,542 --> 00:06:37,583 I JUST DON'T WANNA DEAL WITH THIS RIGHT NOW. 124 00:06:37,583 --> 00:06:39,333 I'M TAKING A HOLIDAY FROM DEALING, 125 00:06:39,333 --> 00:06:42,959 HAPPILY VACATIONING IN THE LAND OF NOT COPING. 126 00:06:42,959 --> 00:06:45,333 YOU'LL FEEL BETTER AT THE PARTY TONIGHT. 127 00:06:45,333 --> 00:06:47,417 MAYBE YOU'LL EVEN MEET SOMEONE. 128 00:06:47,417 --> 00:06:49,375 WILLOW, I DON'T WANNA MEET SOMEONE. 129 00:06:49,375 --> 00:06:51,959 I'VE REACHED MY QUOTA ON SOMEONES. 130 00:06:51,959 --> 00:06:54,500 BESIDES, I THINK I'M GONNA HAVE TO PATROL, ANYWAY. 131 00:06:54,500 --> 00:06:57,000 TONIGHT? BUT IT'S HALLOWEEN. 132 00:06:57,000 --> 00:06:58,125 I'LL DOUBLE CHECK WITH GILES, 133 00:06:58,125 --> 00:06:59,625 BUT I'M SURE HE'S GONNA THINK 134 00:06:59,625 --> 00:07:01,500 I SHOULD BE ON ACTIVE SLAYER DUTY. 135 00:07:01,500 --> 00:07:03,875 HE DOESN'T CARE ABOUT HALLOWEEN. 136 00:07:03,875 --> 00:07:05,500 HAPPY HAL-- 137 00:07:05,500 --> 00:07:06,750 HELLO, BUFFY. 138 00:07:07,834 --> 00:07:10,875 OH...MY GOD. 139 00:07:10,875 --> 00:07:12,542 IT'S A SOMBRERO. 140 00:07:12,542 --> 00:07:14,167 AND IT'S ON YOUR HEAD. 141 00:07:14,167 --> 00:07:16,208 IT SEEMED FESTIVE. COME IN. 142 00:07:17,291 --> 00:07:18,542 CANDY? 143 00:07:20,625 --> 00:07:23,500 WHAT IS GOING ON HERE? 144 00:07:23,500 --> 00:07:25,083 YOU HATE HALLOWEEN. 145 00:07:25,083 --> 00:07:28,500 I...I'VE NEVER SAID ANY SUCH THING. 146 00:07:28,500 --> 00:07:30,750 AS MY WATCHER'S DUTIES TOOK PRECEDENCE, 147 00:07:30,750 --> 00:07:33,166 I SIMPLY HADN'T TAKEN TIME TO... 148 00:07:33,166 --> 00:07:35,583 WELL, TO EMBRACE ITS INHERENT CHARMS. 149 00:07:35,583 --> 00:07:36,792 UNTIL NOW. 150 00:07:36,792 --> 00:07:38,333 LOOK, LOOK. 151 00:07:38,333 --> 00:07:40,417 IT'S ALIVE! 152 00:07:40,417 --> 00:07:42,375 YOU SEE? 153 00:07:42,375 --> 00:07:44,583 SEE HOW HE... SHAKES? 154 00:07:44,583 --> 00:07:46,667 IS THERE SOMETHING YOU WANTED? 155 00:07:46,667 --> 00:07:48,250 I WAS THINKING THAT I SHOULD PATROL TONIGHT. 156 00:07:48,250 --> 00:07:49,834 YOU KNOW, POSSIBLY THE CEMETERY, 157 00:07:49,834 --> 00:07:52,750 OR IF YOU HAD A BETTER SU-- 158 00:07:52,750 --> 00:07:54,667 COULD YOU PLEASE TAKE THAT OFF? 159 00:07:54,667 --> 00:07:56,667 OH, YES, OF COURSE. 160 00:07:56,667 --> 00:08:00,291 I SEE. IS THERE SOME SPECIFIC DANGER YOU WERE SENSING? 161 00:08:00,291 --> 00:08:01,583 NO. 162 00:08:01,583 --> 00:08:03,250 BUT THEN WE WERE ALL CAUGHT OFF GUARD 163 00:08:03,250 --> 00:08:05,583 WHEN ETHAN TURNED EVERYONE INTO THEIR COSTUMES. 164 00:08:05,583 --> 00:08:07,208 TRUE, BUT WHAT HAPPENED THEN WAS ANOMALOUS. 165 00:08:07,208 --> 00:08:09,333 CREATURES OF THE NIGHT SHY AWAY FROM HALLOWEEN. 166 00:08:09,333 --> 00:08:11,041 THEY FIND IT ALL MUCH TOO CRASS. 167 00:08:11,041 --> 00:08:12,500 HARD TO BELIEVE. 168 00:08:12,500 --> 00:08:15,500 UH, WELL, I PROMISE YOU, 169 00:08:15,500 --> 00:08:17,167 THERE'S LITTLE LIKELIHOOD 170 00:08:17,167 --> 00:08:19,750 OF ANY SUPERNATURAL ACTIVITY TONIGHT. 171 00:08:19,750 --> 00:08:22,000 SURE YOU DON'T WANT ONE? 172 00:08:22,000 --> 00:08:25,625 ♪♪ [ Rock, Indistinct ] 173 00:08:37,625 --> 00:08:38,542 [ Chuckling ] 174 00:08:38,542 --> 00:08:40,667 I COME BEARING SPIDERS. 175 00:08:42,209 --> 00:08:43,792 SOUND SYSTEM'S NOT GONNA CUT IT. 176 00:08:43,792 --> 00:08:45,041 IT'S NOTHIN' BUT LAME. 177 00:08:45,041 --> 00:08:46,542 YOU WANT ME TO CALL OZ? 178 00:08:46,542 --> 00:08:48,083 HE CAN PROBABLY HOOK US UP. 179 00:08:48,083 --> 00:08:49,208 DO IT. 180 00:08:49,208 --> 00:08:51,209 IF WE CANNOT SCARE THE YOUNG WOMEN, 181 00:08:51,209 --> 00:08:53,375 THEY WILL NOT FALL INTO OUR ARMS. 182 00:08:53,375 --> 00:08:56,041 WE'LL HAVE WOMANLESS ARMS. 183 00:08:56,041 --> 00:08:59,750 HALLOWEEN'S NOT ABOUT THRILLS, CHILLS, AND FUNNY COSTUMES. 184 00:08:59,750 --> 00:09:01,667 IT'S ABOUT GETTING LAID. 185 00:09:01,667 --> 00:09:04,166 IS THERE ANY HOLIDAY THAT'S NOT ABOUT GETTING LAID? 186 00:09:04,166 --> 00:09:06,041 ARBOR DAY. 187 00:09:06,041 --> 00:09:07,291 CALL OZ, DUDE. 188 00:09:07,291 --> 00:09:08,542 DONE. 189 00:09:08,542 --> 00:09:10,041 AND, OH, 190 00:09:10,041 --> 00:09:11,500 YOU WANTED A SYMBOL TO PAINT UPSTAIRS-- 191 00:09:11,500 --> 00:09:13,417 SOMETHING MYSTICAL. 192 00:09:13,417 --> 00:09:14,834 CHECK THIS OUT. 193 00:09:24,542 --> 00:09:29,500 ANYA. YOU REALLY HAVE TO GET THIS KNOCKING THING DOWN. 194 00:09:29,500 --> 00:09:30,625 HOW DID YOU-- 195 00:09:30,625 --> 00:09:32,792 YOUR UNCLE RORY LET ME IN. 196 00:09:32,792 --> 00:09:35,166 DOES HE ALWAYS SMELL LIKE PEPPERMINT? 197 00:09:35,166 --> 00:09:37,625 THE MAN LIKES HIS SCHNAPPS. 198 00:09:37,625 --> 00:09:39,500 WHAT ARE YOU DOING HERE? 199 00:09:39,500 --> 00:09:41,458 YOU HAVEN'T CALLED. 200 00:09:41,458 --> 00:09:42,917 NOT ONCE. 201 00:09:42,917 --> 00:09:45,000 YOU SAID YOU WERE OVER ME. 202 00:09:45,000 --> 00:09:47,209 YOU JUST ACCEPTED THAT? 203 00:09:47,209 --> 00:09:49,500 I ONLY SAID THAT BECAUSE I THOUGHT THAT'S WHAT YOU WANTED TO HEAR. 204 00:09:49,500 --> 00:09:51,125 THAT'S THE FUNNY THING ABOUT ME-- 205 00:09:51,125 --> 00:09:53,500 I TEND TO HEAR THE ACTUAL WORDS PEOPLE SAY 206 00:09:53,500 --> 00:09:54,625 AND ACCEPT THEM AT FACE VALUE. 207 00:09:54,625 --> 00:09:55,834 THAT'S STUPID. 208 00:09:55,834 --> 00:09:57,917 I ACCEPT THAT. 209 00:09:59,625 --> 00:10:01,667 I CAN'T SAY SEEING YOU 210 00:10:01,667 --> 00:10:04,083 FALLS INTO THE REALM OF A BAD THING. 211 00:10:05,834 --> 00:10:06,750 REALLY? 212 00:10:08,708 --> 00:10:12,708 I THOUGHT MAYBE WE COULD GO OUT TONIGHT 213 00:10:12,708 --> 00:10:14,166 FOR OUR ANNIVERSARY. 214 00:10:14,166 --> 00:10:15,792 ANNIVERSARY? 215 00:10:15,792 --> 00:10:18,083 IT'S BEEN EXACTLY ONE WEEK SINCE WE COPULATED. 216 00:10:18,083 --> 00:10:19,250 DID YOU FORGET? 217 00:10:19,250 --> 00:10:21,583 NO, OF COURSE NOT. 218 00:10:21,583 --> 00:10:24,959 IT'S JUST I ALREADY HAVE PLANS WITH BUFFY, WILLOW AND OZ. 219 00:10:24,959 --> 00:10:26,333 IT'S HALLOWEEN, YOU KNOW. 220 00:10:26,333 --> 00:10:28,041 I DON'T UNDERSTAND. 221 00:10:28,041 --> 00:10:30,291 EVERY OCTOBER 31ST, WE MORTALS DRESS UP IN MASKS-- 222 00:10:30,291 --> 00:10:32,417 NO, NO. I UNDERSTAND THAT INANE RITUAL. 223 00:10:32,417 --> 00:10:33,917 IT'S THOSE PEOPLE. 224 00:10:33,917 --> 00:10:35,834 AND YOU CONTINUE TO ASSOCIATE WITH THEM 225 00:10:35,834 --> 00:10:37,208 THOUGH YOU SHARE LITTLE IN COMMON. 226 00:10:37,208 --> 00:10:38,917 WHAT ARE YOU TALKING ABOUT? 227 00:10:38,917 --> 00:10:41,750 I MEAN, THEY GO TO COLLEGE. YOU DON'T. 228 00:10:41,750 --> 00:10:43,458 THEY NO LONGER LIVE AT HOME. 229 00:10:43,458 --> 00:10:44,834 YOU DO. 230 00:10:44,834 --> 00:10:46,917 HEY, THOSE THINGS-- 231 00:10:46,917 --> 00:10:51,250 THE BONDS OF TRUE FRIENDSHIPS TRANSCENDS-- 232 00:10:51,250 --> 00:10:53,208 COULD WE JUST CHANGE THE SUBJECT? 233 00:10:53,208 --> 00:10:54,583 OKAY, OKAY, DON'T GET UPSET WITH ME. 234 00:10:54,583 --> 00:10:56,458 I JUST WONDERED. 235 00:10:56,458 --> 00:11:00,250 IF YOU WANT, YOU CAN COME WITH ME TONIGHT TO THIS PARTY. 236 00:11:00,250 --> 00:11:03,333 YOU MEAN, LIKE A DATE? 237 00:11:03,333 --> 00:11:06,000 IS THAT WHAT THIS IS? 238 00:11:07,708 --> 00:11:11,041 ARE WE DATING? 239 00:11:11,041 --> 00:11:14,625 THERE ARE DEFINITELY DATELIKE QUALITIES AT WORK HERE. 240 00:11:15,959 --> 00:11:17,917 OH. YOU'LL NEED A COSTUME. 241 00:11:17,917 --> 00:11:19,250 A COSTUME? 242 00:11:19,250 --> 00:11:22,041 DRESS UP. YOU KNOW, SOMETHING SCARY. 243 00:11:22,041 --> 00:11:24,208 SCARY? SCARY HOW? 244 00:11:24,208 --> 00:11:29,041 ANYA, YOU, EX-DEMON, TERRORIZED MANKIND FOR CENTURIES. 245 00:11:29,041 --> 00:11:30,208 I'M SURE YOU'LL COME UP WITH SOMETHING. 246 00:11:35,166 --> 00:11:37,834 EXCUSE ME, PROFESSOR WALSH? 247 00:11:37,834 --> 00:11:41,208 I CAME TO GET TODAY'S ASSIGNMENTS. 248 00:11:41,208 --> 00:11:44,041 I, UH, COULDN'T MAKE IT TO CLASS 249 00:11:44,041 --> 00:11:45,291 FOR PERSONAL REASONS. 250 00:11:45,291 --> 00:11:49,792 RIGHT. I COUNT 4 LIMBS, A HEAD. 251 00:11:49,792 --> 00:11:51,125 NO VISIBLE SCARRING. 252 00:11:51,125 --> 00:11:52,875 SO I ASSUME YOUR PERSONAL ISSUE 253 00:11:52,875 --> 00:11:54,917 WASN'T A LIFE-THREATENING ACCIDENT OF ANY KIND 254 00:11:54,917 --> 00:11:56,792 AND I'M THEREFORE UNINTERESTED. 255 00:11:56,792 --> 00:11:59,041 YOU'VE GOT PROBLEMS, SOLVE THEM ON YOUR OWN TIME. 256 00:11:59,041 --> 00:12:00,667 MISS ANOTHER CLASS, AND YOU'RE OUT. 257 00:12:03,875 --> 00:12:05,917 SHE MEANS IT, YOU KNOW. 258 00:12:05,917 --> 00:12:08,041 YEAH. 259 00:12:08,041 --> 00:12:10,834 I GOT THE IMPRESSION SHE WASN'T SAYING IT TO MAKE ME LAUGH. 260 00:12:10,834 --> 00:12:14,166 YOU GOTTA BE AWARE YOUR WORK'S TAKEN A LITTLE DOWNTURN LATELY. 261 00:12:14,166 --> 00:12:16,834 I CAN'T REMEMBER THE LAST TIME I SAW YOUR HAND UP. 262 00:12:16,834 --> 00:12:18,250 DOES STRETCHING COUNT? 263 00:12:18,250 --> 00:12:21,041 THINGS GET PRETTY INTENSE FRESHMAN YEAR, 264 00:12:21,041 --> 00:12:22,583 AS I DIMLY RECALL. 265 00:12:22,583 --> 00:12:24,792 TOO MUCH FUN OR NOT ENOUGH? 266 00:12:26,083 --> 00:12:28,458 BOTH, ACTUALLY. 267 00:12:28,458 --> 00:12:30,917 YEAH, WELL, YOU JUST GOTTA KEEP YOUR PRIORITIES. 268 00:12:30,917 --> 00:12:32,834 PROFESSOR WALSH IS WORTH YOUR TIME. 269 00:12:32,834 --> 00:12:33,959 THANKS. 270 00:12:33,959 --> 00:12:35,375 I'LL GET THIS DONE TONIGHT. 271 00:12:35,375 --> 00:12:36,959 TONIGHT? IT'S HALLOWEEN. 272 00:12:36,959 --> 00:12:39,000 WHAT, YOU'RE NOT GONNA DRESS UP AND GO PARTY? 273 00:12:39,000 --> 00:12:41,291 NAH. I HAVE A LOT OF WORK TO DO. 274 00:12:41,291 --> 00:12:43,667 I MAY BE OUT OF LINE HERE, 275 00:12:43,667 --> 00:12:44,917 AND IT'S NOT REALLY MY BUSINESS, 276 00:12:44,917 --> 00:12:47,000 BUT YOU SEEM LIKE THE KIND OF PERSON 277 00:12:47,000 --> 00:12:48,708 WHO MAKES THINGS REALLY HARD ON THEMSELVES. 278 00:12:48,708 --> 00:12:51,125 HALLOWEEN ISN'T A NIGHT FOR RESPONSIBILITY. 279 00:12:51,125 --> 00:12:53,166 IT'S WHEN THE GHOSTS AND GOBLINS COME OUT. 280 00:12:53,166 --> 00:12:55,708 THAT'S ACTUALLY A MISNOMER. 281 00:12:55,708 --> 00:12:58,000 WELL, I DIDN'T MEAN REAL ONES. 282 00:12:59,875 --> 00:13:01,542 BUT, HEY, THERE IS SOME GOOD, SCARY FUN 283 00:13:01,542 --> 00:13:02,834 TO BE HAD ON CAMPUS TONIGHT. 284 00:13:02,834 --> 00:13:04,583 YEAH? WHAT ARE YOU DOING? 285 00:13:04,583 --> 00:13:07,542 WELL, I AM GONNA SIT HERE AND GRADE PAPERS. 286 00:13:07,542 --> 00:13:08,583 SCARY. 287 00:13:08,583 --> 00:13:09,834 VERY. 288 00:13:09,834 --> 00:13:12,083 WELL, THANKS FOR THE PEP TALK, COACH. 289 00:13:12,083 --> 00:13:13,291 DON'T MAKE FUN. 290 00:13:13,291 --> 00:13:15,542 I WORKED LONG AND HARD TO GET THIS POMPOUS. 291 00:13:15,542 --> 00:13:17,041 NO. I MEAN IT. 292 00:13:18,917 --> 00:13:20,209 YOU'RE WELCOME. 293 00:13:34,125 --> 00:13:35,959 OKAY. WATCH YOUR STEP, BOYS. 294 00:13:35,959 --> 00:13:38,041 PAINT'S STILL WET IN A FEW SPOTS. 295 00:13:38,041 --> 00:13:40,750 THANKS FOR THE LOAN, MAN. OUR SOUND SYSTEM SUCKS. 296 00:13:40,750 --> 00:13:43,166 MI CASIO ES SU CASIO. 297 00:13:44,750 --> 00:13:47,542 WELL, THAT'S AN INTERESTING LITTLE DESIGN. 298 00:13:47,542 --> 00:13:49,000 WHAT DOES IT MEAN? 299 00:13:49,000 --> 00:13:51,083 NO CLUE. I GOT IT OUT OF THIS BOOK. 300 00:13:51,083 --> 00:13:52,708 THERE'S A LOT OF REALLY COOL STUFF IN THERE ABOUT-- 301 00:13:52,708 --> 00:13:54,333 OOH! GRAPES. 302 00:13:55,375 --> 00:13:58,041 WOW. PEELED. 303 00:13:58,041 --> 00:13:59,500 YOU GUYS KNOW HOW TO SPOIL YOUR GUESTS. 304 00:13:59,500 --> 00:14:01,166 EYEBALLS, MAN. 305 00:14:01,166 --> 00:14:02,792 BLINDFOLD CHICKS, 306 00:14:02,792 --> 00:14:04,208 HAVE THEM PUT THEIR HANDS IN THE BOWL 307 00:14:04,208 --> 00:14:05,542 AND TELL THEM IT'S EYEBALLS. 308 00:14:05,542 --> 00:14:07,000 THEY LOVE THAT. 309 00:14:07,000 --> 00:14:10,209 AND HERE I WAS WASTING TIME BUYING THEM FLOWERS 310 00:14:10,209 --> 00:14:12,209 AND COMPLIMENTING THEM ON THEIR SHOES. 311 00:14:12,209 --> 00:14:15,417 SO, YOU GO THROUGH THE WHOLE HOUSE OF HORRORS DOWNSTAIRS, 312 00:14:15,417 --> 00:14:17,000 AND IT ENDS UP HERE. 313 00:14:17,000 --> 00:14:18,333 SWEET. 314 00:14:18,333 --> 00:14:20,417 YOU FRATLY GUYS HAVE A NICE SETUP. 315 00:14:20,417 --> 00:14:22,041 HEY, MIGHTY, MIGHTY ALPHA DELTS. 316 00:14:22,041 --> 00:14:23,583 YOU SHOULD THINK ABOUT PLEDGING. 317 00:14:23,583 --> 00:14:25,250 OH, XANDER'S A CIVILIAN. 318 00:14:25,250 --> 00:14:28,166 AH. TOWNIE, HUH? DIDN'T KNOW. 319 00:14:28,166 --> 00:14:30,041 HE LOOKED SO NORMAL. 320 00:14:30,041 --> 00:14:32,041 SHOULD WE LET HIM COME TO THE PARTY, OZ? 321 00:14:32,041 --> 00:14:33,708 HEY, STANDING RIGHT HERE. 322 00:14:33,708 --> 00:14:34,834 [ Music Plays Loudly ] 323 00:14:37,417 --> 00:14:38,542 CRANK IT! 324 00:14:40,041 --> 00:14:43,375 SENSING A DISTURBANCE IN THE FORCE, MASTER? 325 00:14:43,375 --> 00:14:45,041 LEFT SPEAKER'S CRACKLING A LITTLE BIT. 326 00:14:45,041 --> 00:14:48,041 AND YOU FEEL STABBING IT IS THE PROPER SOLUTION? 327 00:14:48,041 --> 00:14:50,041 I'M JUST GONNA TRIM THE WIRE. MIGHT BE A SHORT. 328 00:14:50,041 --> 00:14:51,625 AH! 329 00:14:51,625 --> 00:14:53,041 OZ? 330 00:14:53,041 --> 00:14:55,250 CUT MYSELF. 331 00:14:55,250 --> 00:14:57,792 IT'S OKAY. 332 00:14:57,792 --> 00:14:59,458 PLAYING WITH KNIVES? FUN, YES, BUT NOT SAFE. 333 00:14:59,458 --> 00:15:02,209 WELL, WHEN YOU BLEED TO DEATH 334 00:15:02,209 --> 00:15:03,333 I GOT DIBS ON YOUR EQUIPMENT. 335 00:15:20,583 --> 00:15:22,417 THANKS AGAIN FOR DOING THIS AT THE LAST MINUTE. 336 00:15:22,417 --> 00:15:24,500 OH, I'M JUST GLAD I COULD FIND IT. 337 00:15:24,500 --> 00:15:26,458 THERE. TRY IT NOW. 338 00:15:26,458 --> 00:15:30,166 I LET DOWN THE HEM AND LOOSENED IT A LITTLE AROUND THE HOOD. 339 00:15:30,166 --> 00:15:32,583 OH, IT FEELS BETTER. 340 00:15:34,750 --> 00:15:36,834 OH, NO. 341 00:15:36,834 --> 00:15:39,083 SOMEONE'S GETTING NOSTALGIC FACE. 342 00:15:39,083 --> 00:15:40,875 I'M SORRY. 343 00:15:40,875 --> 00:15:43,333 I'M THINKING ABOUT THAT LITTLE GIRL WHO WORE THAT. 344 00:15:43,333 --> 00:15:46,208 WHAT IS IT, 5...6 YEARS AGO? 345 00:15:46,208 --> 00:15:49,959 LITTLE RED RIDING HOOD WAS THE CUTTING EDGE IN COSTUMES. 346 00:15:49,959 --> 00:15:53,166 OH, YOUR FATHER LOVED TO TAKE YOU OUT. 347 00:15:53,166 --> 00:15:54,792 HE WAS SUCH A PAIN. 348 00:15:54,792 --> 00:15:56,875 12 YEARS OLD, AND I CAN'T GO TRICK-OR-TREATING BY MYSELF? 349 00:15:56,875 --> 00:15:58,917 HE JUST WANTED TO KEEP YOU SAFE. 350 00:15:58,917 --> 00:16:01,834 NO, HE WANTED THE CANDY. I WAS JUST THE BEARD. 351 00:16:01,834 --> 00:16:05,291 THAT'S NOT TRUE, ACTUALLY. THE CANDY WAS FOR ME. 352 00:16:05,291 --> 00:16:08,792 YOUR FATHER LOVED SPENDING TIME WITH YOU. 353 00:16:08,792 --> 00:16:11,917 NOT ENOUGH, I GUESS. 354 00:16:11,917 --> 00:16:14,291 BUFFY. 355 00:16:16,750 --> 00:16:20,209 OH, THAT JUST PAVED RIGHT OVER MEMORY LANE, HUH? 356 00:16:20,209 --> 00:16:22,208 YOU KNOW THE DIVORCE HAD NOTHING TO DO WITH YOU. 357 00:16:22,208 --> 00:16:23,875 I DON'T KNOW. 358 00:16:25,667 --> 00:16:28,834 I'M STARTING TO FEEL LIKE THERE'S A PATTERN HERE. 359 00:16:28,834 --> 00:16:32,834 OPEN YOUR HEART TO SOMEONE, AND HE BAILS ON YOU. 360 00:16:32,834 --> 00:16:36,750 MAYBE IT'S EASIER TO JUST NOT LET ANYONE IN. 361 00:16:36,750 --> 00:16:40,834 I THOUGHT IT MIGHT BE EASIER. 362 00:16:40,834 --> 00:16:43,875 YOU MUST'VE NOTICED THAT I'M NOT EXACTLY THE SOCIAL BUTTERFLY 363 00:16:43,875 --> 00:16:46,875 THAT I WAS WHEN I WAS WITH YOUR DAD. 364 00:16:46,875 --> 00:16:49,458 I DON'T THINK I MADE A SINGLE NEW FRIEND 365 00:16:49,458 --> 00:16:52,375 THE YEAR WE MOVED TO SUNNYDALE. 366 00:16:52,375 --> 00:16:53,667 WHY NOT? 367 00:16:53,667 --> 00:16:55,792 FEAR. 368 00:16:57,417 --> 00:17:01,041 I DIDN'T BELIEVE I COULD TRUST ANYONE AGAIN. 369 00:17:01,041 --> 00:17:02,792 IT'S TAKEN TIME AND A LOT OF EFFORT, 370 00:17:02,792 --> 00:17:05,000 BUT I'VE GOT A NICE CIRCLE OF FRIENDS NOW. 371 00:17:07,208 --> 00:17:10,875 I MEAN, DON'T GET ME WRONG. I'M STILL A LITTLE GUN-SHY. 372 00:17:10,875 --> 00:17:13,834 IT CERTAINLY DIDN'T HELP THAT MY LAST BOYFRIEND 373 00:17:13,834 --> 00:17:16,041 TURNED OUT TO BE A HOMICIDAL ROBOT. 374 00:17:17,667 --> 00:17:21,291 I WILL ALWAYS BE HERE FOR YOU, 375 00:17:21,291 --> 00:17:24,209 AND YOU'VE GOT MR. GILES AND YOUR FRIENDS. 376 00:17:25,917 --> 00:17:29,625 BELIEVE ME, THERE'S NOTHING TO BE AFRAID OF. 377 00:17:32,250 --> 00:17:35,041 ♪♪ [ Rock ] 378 00:17:45,834 --> 00:17:48,792 NO. I'LL JUST MEET YOU AT YOUR PLACE. 379 00:17:48,792 --> 00:17:52,250 YEAH, BUFFY SAID SHE WAS COMING, BUT I HAVEN'T SEEN HER. 380 00:17:52,250 --> 00:17:54,542 WE HAVE TO MAKE SURE SHE HAS FUN. 381 00:17:54,542 --> 00:17:57,125 WE HAVE TO FORCE FUN UPON HER. 382 00:17:57,125 --> 00:18:01,125 YEAH, AND IF PARKER SHOWS UP, WE'LL JUST AX MURDER HIM. 383 00:18:01,125 --> 00:18:02,750 THAT'S HALLOWEENY. 384 00:18:02,750 --> 00:18:04,834 OKAY. SEE YA IN A BIT. 385 00:18:12,667 --> 00:18:14,417 WILLOW, YOU GOTTA STOP BY THE ROOM. 386 00:18:14,417 --> 00:18:17,750 I'M LATE FOR BATTLE OR I WOULD. I LOVE YOUR OUTFIT, THOUGH. 387 00:18:22,208 --> 00:18:24,083 THERE'S NOTHING GOING ON HERE. 388 00:18:24,083 --> 00:18:25,750 I SAW YOU FLIRTING WITH HER. 389 00:18:25,750 --> 00:18:27,375 DO WE HAVE TO DO THIS EVERY TIME? 390 00:18:27,375 --> 00:18:29,417 I LOVE YOU. YOU KNOW THAT. 391 00:18:29,417 --> 00:18:31,917 [ Spooky Noises ] 392 00:18:37,917 --> 00:18:40,250 OKAY, RACH, WHAT'S IN THE NEXT ONE? 393 00:18:40,250 --> 00:18:42,583 YOU GUYS ARE SICK. 394 00:18:42,583 --> 00:18:44,041 HERE. GIMME YOUR HAND. 395 00:18:45,083 --> 00:18:46,667 THIS IS GROSS. 396 00:18:46,667 --> 00:18:49,834 EYEBALLS, RACHEL. THEY'RE EYEBALLS. 397 00:18:49,834 --> 00:18:51,250 WOOOAAAAH! 398 00:18:55,208 --> 00:18:56,834 AAH! 399 00:19:00,500 --> 00:19:01,875 HEY, RED. 400 00:19:01,875 --> 00:19:04,417 WHAT YOU GOT IN THE BASKET, LITTLE GIRL? 401 00:19:04,417 --> 00:19:05,875 WEAPONS. 402 00:19:05,875 --> 00:19:08,250 OH. 403 00:19:08,250 --> 00:19:10,166 JUST IN CASE. 404 00:19:10,166 --> 00:19:12,291 LIKE THE TUX, XANDER. 405 00:19:12,291 --> 00:19:15,209 BOND. JAMES BOND. 406 00:19:15,209 --> 00:19:18,167 INSURANCE. IN CASE WE GET TURNED INTO OUR COSTUMES AGAIN, 407 00:19:18,167 --> 00:19:20,125 I'M GOIN' FOR A COOL SECRET AGENT GUY. 408 00:19:20,125 --> 00:19:22,000 I HATE TO BREAK IT TO YOU, 409 00:19:22,000 --> 00:19:24,125 BUT YOU'LL PROBABLY END UP COOL HEAD WAITER GUY. 410 00:19:24,125 --> 00:19:27,375 AS LONG AS I'M COOL AND WIELD SOME KIND OF POWER. 411 00:19:27,375 --> 00:19:29,458 WIL. MEDIEVAL WIL. 412 00:19:29,458 --> 00:19:33,000 HAIL, YE OLDE... VARLETTY...THOU. 413 00:19:33,000 --> 00:19:34,750 I'M JOAN OF ARC. 414 00:19:34,750 --> 00:19:36,250 I FIGURED WE HAD A LOT IN COMMON, 415 00:19:36,250 --> 00:19:39,208 SEEING AS HOW I WAS ALMOST BURNED AT THE STAKE, 416 00:19:39,208 --> 00:19:43,000 AND PLUS, SHE HAD THAT CLOSE RELATIONSHIP WITH GOD. 417 00:19:43,000 --> 00:19:44,792 AND YOU ARE? 418 00:19:47,000 --> 00:19:49,041 OF COURSE. 419 00:19:49,041 --> 00:19:51,083 I WISH I'D THOUGHT OF THAT 420 00:19:51,083 --> 00:19:52,417 BEFORE I PUT DOWN MY DEPOSIT. 421 00:19:52,417 --> 00:19:54,834 I COULD'VE BEEN GOD. 422 00:19:54,834 --> 00:19:56,458 BLASPHEMER. 423 00:20:05,125 --> 00:20:07,500 NICE COSTUMES. 424 00:20:07,500 --> 00:20:09,166 VERY STEALTHY. 425 00:20:09,166 --> 00:20:11,208 WHAT ARE THEY SUPPOSED TO BE? 426 00:20:11,208 --> 00:20:13,417 NATO? 427 00:20:13,417 --> 00:20:17,083 OH, YEAH. I INVITED ANYA TO JOIN US, 428 00:20:17,083 --> 00:20:20,166 BUT SHE'S HAVING SOME TROUBLE FINDING A SCARY COSTUME, 429 00:20:20,166 --> 00:20:22,125 SO SHE'S JUST GONNA MEET US THERE. 430 00:20:22,125 --> 00:20:25,542 PERFECT. EVERYBODY'S GOT A DATE BUT THIRD-WHEEL BUFFY. 431 00:20:25,542 --> 00:20:27,208 YOU'RE NOT A THIRD WHEEL. 432 00:20:27,208 --> 00:20:29,208 TECHNICALLY SPEAKING, YOU'RE A FIFTH WHEEL. 433 00:20:31,333 --> 00:20:34,125 WE'RE GONNA HAVE THE BEST TIME. 434 00:20:35,542 --> 00:20:39,583 [ Screaming ] 435 00:20:47,792 --> 00:20:50,250 AAH! OH, GOD! 436 00:21:03,083 --> 00:21:06,209 AAH! AAH! AAH! 437 00:21:10,166 --> 00:21:11,834 LET THE HORRORS BEGIN. 438 00:21:15,500 --> 00:21:18,625 OH, GOD, HELP ME. 439 00:21:25,250 --> 00:21:29,208 [ Voice ] RELEASE ME! 440 00:21:36,208 --> 00:21:40,250 [ Spooky Sound Effects ] 441 00:21:40,250 --> 00:21:42,291 THE JOINT'S NOT JUMPIN'. 442 00:21:42,291 --> 00:21:44,792 WHERE IS EVERYBODY? 443 00:21:44,792 --> 00:21:46,291 FOLLOW THE SIGNS. 444 00:21:49,000 --> 00:21:51,250 TERRIFYING. 445 00:21:51,250 --> 00:21:54,458 IF I WERE ABBOTT AND COSTELLO, THIS WOULD BE FAIRLY TRAUMATIC. 446 00:21:54,458 --> 00:21:57,041 [ Spooky Sound Effects Continue ] 447 00:22:01,166 --> 00:22:04,000 EW! AAH! COBWEB! 448 00:22:04,000 --> 00:22:06,875 OKAY, THAT PART WAS REALISTIC. 449 00:22:06,875 --> 00:22:09,792 FRAT BOYS AREN'T TOO OBSESSIVE WITH THEIR CLEANING. 450 00:22:09,792 --> 00:22:12,166 MIGHT NOT BE DECORATION, PER SE. 451 00:22:12,166 --> 00:22:13,333 AAH! 452 00:22:15,875 --> 00:22:19,000 [ Panting ] I WASN'T SCARED. I WAS IN THE SPIRIT. 453 00:22:19,000 --> 00:22:20,667 AND WE'LL BACK YA UP ON THAT, 454 00:22:20,667 --> 00:22:22,458 EVEN IF THEY QUESTION US SEPARATELY. 455 00:22:24,625 --> 00:22:26,041 AAH! 456 00:22:26,041 --> 00:22:27,959 EW! GET IT OFF! 457 00:22:29,083 --> 00:22:30,750 IT'S GONE. 458 00:22:30,750 --> 00:22:33,708 OKAY, THAT IS NOT SANITARY. 459 00:22:33,708 --> 00:22:36,834 YOU KNOW, LET'S GET TO THE PARTY PART OF THE...PARTY. 460 00:22:36,834 --> 00:22:39,500 YEAH. ARE YOU SURE IT'S OFF ME? 461 00:22:39,500 --> 00:22:41,083 YEAH. 462 00:22:41,083 --> 00:22:43,542 [ Spooky Sound Effects Continue ] 463 00:22:48,333 --> 00:22:50,375 I THOUGHT THIS LED TO-- 464 00:22:50,375 --> 00:22:51,333 WHAT IS IT? 465 00:22:52,417 --> 00:22:53,917 BLOOD. 466 00:22:53,917 --> 00:22:56,583 [ Sniff ] REAL BLOOD. 467 00:22:56,583 --> 00:23:00,208 OKAY, ACTUAL CREEPS HAVE BEEN GIVEN. BRAVO, FRAT BOYS. 468 00:23:00,208 --> 00:23:03,542 SHH! DO YOU HEAR SOMETHING? [ Squeaking Noises ] 469 00:23:03,542 --> 00:23:06,083 LIKE A SQUEAKING NOISE? 470 00:23:06,083 --> 00:23:07,542 OH, IT'S THESE RENTED SHOES. 471 00:23:07,542 --> 00:23:08,917 PATENT LEATHER. I ASKED THE GUY TO-- 472 00:23:08,917 --> 00:23:10,834 NO, WAIT. 473 00:23:10,834 --> 00:23:12,667 IT'S SOMETHING ELSE. I HEAR IT, TOO. 474 00:23:12,667 --> 00:23:14,667 IT'S SOMETHING LIKE-- 475 00:23:18,208 --> 00:23:19,708 [ All Scream ] 476 00:23:32,375 --> 00:23:33,750 OZ, DON'T. IT MIGHT BE-- 477 00:23:33,750 --> 00:23:35,291 RUBBER. 478 00:23:35,291 --> 00:23:37,542 IT'S MADE OF RUBBER. 479 00:23:37,542 --> 00:23:39,792 WHAT THE HELL IS GOING ON HERE? 480 00:23:39,792 --> 00:23:42,792 LOOK, MAYBE IT'S NOTHING. 481 00:23:42,792 --> 00:23:44,834 MAYBE IT'S JUST A NEAT TRICK. 482 00:23:44,834 --> 00:23:47,041 YOU KNOW, SOMETHING DONE WITH WIRES OR-- 483 00:23:47,041 --> 00:23:50,375 [ Voice ] RELEASE ME! 484 00:23:50,375 --> 00:23:53,208 OR IT MIGHT BE SOMETHING ELSE. 485 00:24:09,542 --> 00:24:12,166 WHERE'S THE DOOR? 486 00:24:20,375 --> 00:24:22,625 HEY! HELLO! 487 00:24:39,417 --> 00:24:42,375 AAH! HELP ME! 488 00:24:42,375 --> 00:24:45,417 HELP ME, PLEASE! SAVE ME. HELP ME. 489 00:24:49,250 --> 00:24:50,875 XANDER. 490 00:24:50,875 --> 00:24:54,583 [ Spooky Sound Effects Continue ] 491 00:24:54,583 --> 00:24:56,375 WHERE'S THE STAIRS? 492 00:24:56,375 --> 00:24:58,417 WHERE'S THE DOOR? 493 00:24:58,417 --> 00:25:00,458 THIS IS THE WAY WE CAME IN, RIGHT? 494 00:25:00,458 --> 00:25:02,041 WE JUST WENT IN A CIRCLE. 495 00:25:02,041 --> 00:25:03,291 [ Spooky Sound Effects Shut Off ] 496 00:25:03,291 --> 00:25:05,333 THANK THE LORD. 497 00:25:05,333 --> 00:25:06,834 YOU'RE WELCOME. 498 00:25:06,834 --> 00:25:08,917 HEY, I HAVE A NEAT IDEA. LET'S GET OUT OF HERE. 499 00:25:08,917 --> 00:25:10,917 AND YOU WERE SO ANXIOUS FOR ME TO COME. 500 00:25:10,917 --> 00:25:13,250 I'M SERIOUS, BUFFY. WE DON'T KNOW WHAT WE'RE DEALING WITH. 501 00:25:13,250 --> 00:25:14,583 OKAY, MY TURN. 502 00:25:14,583 --> 00:25:16,750 DOES ANYONE HEAR THAT? [ Hissing ] 503 00:25:16,750 --> 00:25:18,333 AS SOON AS WE START DEALING WITH IT, 504 00:25:18,333 --> 00:25:19,917 I'LL KNOW WHAT IT IS I'M DEALING WITH. 505 00:25:19,917 --> 00:25:21,208 DO YOU HEAR SOMETHING? 506 00:25:21,208 --> 00:25:24,917 LIKE I SAID, SOUNDS LIKE A HISSING. 507 00:25:24,917 --> 00:25:28,083 IT'S LIKE A "SSSS" NOISE? 508 00:25:28,083 --> 00:25:30,083 I THOUGHT THE WORD HISSING 509 00:25:30,083 --> 00:25:32,209 KIND OF COVERED THAT NICELY. 510 00:25:32,209 --> 00:25:33,583 [ Hissing Continues ] 511 00:25:38,291 --> 00:25:39,792 OH, GOD. 512 00:25:39,792 --> 00:25:43,083 I'M SORRY. I DIDN'T KNOW. SORRY. 513 00:25:43,083 --> 00:25:44,166 CHAZ. 514 00:25:44,166 --> 00:25:45,792 DIDN'T KNOW. 515 00:25:45,792 --> 00:25:46,917 WHAT'S HAPPENING? 516 00:25:46,917 --> 00:25:49,000 IT, UH-- 517 00:25:50,417 --> 00:25:51,542 WHAT IS IT? 518 00:25:51,542 --> 00:25:53,000 IT'S ALIVE. 519 00:25:53,000 --> 00:25:54,417 IT'S ALIVE. 520 00:26:16,000 --> 00:26:16,917 WHAT'S ALIVE? 521 00:26:19,917 --> 00:26:21,750 HE'S IN SHOCK. 522 00:26:21,750 --> 00:26:23,250 CHAZ, WHAT HAPPENED HERE? 523 00:26:23,250 --> 00:26:25,125 AAH! 524 00:26:32,917 --> 00:26:34,667 I THINK THE CAPE TOOK MOST OF IT. 525 00:26:34,667 --> 00:26:36,583 LET ME SEE. 526 00:26:36,583 --> 00:26:38,792 IT COULD NEED STITCHES. SHOULD AT LEAST GET A BANDAGE OR SOMETHING. 527 00:26:38,792 --> 00:26:42,041 [ Girl Screaming ] 528 00:26:46,417 --> 00:26:50,041 COWERING IN A CLOSET IS STARTING TO SEEM LIKE A REASONABLE PLAN. 529 00:26:52,166 --> 00:26:53,500 WHAT CLOSET? 530 00:26:56,041 --> 00:26:57,458 I'M GONNA MAKE MY WAY UPSTAIRS 531 00:26:57,458 --> 00:26:59,291 AND SEE IF THERE ARE ANY PEOPLE UP THERE. 532 00:26:59,291 --> 00:27:01,000 YOU GUYS FIND A WAY OUT OF THE HOUSE AND USE IT. 533 00:27:01,000 --> 00:27:05,375 YOU'RE TELLING US TO RUN AWAY AND LEAVE YOU BEHIND? 534 00:27:05,375 --> 00:27:07,542 WE NEED HELP. 535 00:27:07,542 --> 00:27:10,500 WE NEED THE ONLY PERSON THAT CAN MAKE SENSE OF WHAT'S HAPPENING. 536 00:27:15,041 --> 00:27:16,875 [ Knock On Door ] 537 00:27:16,875 --> 00:27:19,834 OH...JUST A MINUTE. 538 00:27:19,834 --> 00:27:21,166 COMING. 539 00:27:24,209 --> 00:27:25,542 HAPPY HAL-- XANDER'S IN TROUBLE. 540 00:27:25,542 --> 00:27:26,708 YOU'VE GOT TO DO SOMETHING RIGHT NOW. 541 00:27:26,708 --> 00:27:28,166 ANYA. 542 00:27:28,166 --> 00:27:30,542 ARE YOU LISTENING? XANDER'S TRAPPED. 543 00:27:30,542 --> 00:27:33,209 UH, WHERE'S BUFFY AND THE OTHERS? 544 00:27:33,209 --> 00:27:35,458 OH, THEY'RE TRAPPED, TOO, BUT WE'VE GOTTA SAVE XANDER. 545 00:27:35,458 --> 00:27:38,000 SLOW DOWN. I NEED YOU TO BE MORE SPECIFIC. 546 00:27:38,000 --> 00:27:41,291 ALL RIGHT, UM, WE WERE SUPPOSED TO MEET AT THIS HOUSE, 547 00:27:41,291 --> 00:27:44,083 AND I GOT THERE, AND THERE WAS NO DOOR WHERE A DOOR SHOULD BE, 548 00:27:44,083 --> 00:27:45,625 AND THEN I SEE THIS GIRL STANDING IN A WINDOW, 549 00:27:45,625 --> 00:27:47,250 AND THEN--POOF-- SHE'S GONE. 550 00:27:47,250 --> 00:27:48,750 SHE VANISHED FROM THE WINDOW? 551 00:27:48,750 --> 00:27:50,125 NO. THE WINDOW VANISHED FROM THE HOUSE. 552 00:27:50,125 --> 00:27:53,083 HMM. MATTER AND REALITY DISTORTION. 553 00:27:53,083 --> 00:27:55,959 LIKE A SUMMONING SPELL'S TEMPORAL FLUX. 554 00:27:55,959 --> 00:27:57,583 WHAT? 555 00:27:57,583 --> 00:28:02,167 HMM? OH, NEVER MIND. I JUST NEED TO GET SOME SUPPLIES TOGETHER. 556 00:28:05,708 --> 00:28:07,583 I WOULDN'T WORRY ABOUT XANDER. 557 00:28:07,583 --> 00:28:09,708 AT LEAST HE'S AMONGST FRIENDS. 558 00:28:09,708 --> 00:28:10,875 WILL, I'M TELLING YOU-- 559 00:28:10,875 --> 00:28:12,750 TELLING ME? YOU'RE TELLING ME? 560 00:28:12,750 --> 00:28:14,625 I CAN'T DO MY JOB IF I HAVE TO WORRY ABOUT EACH OF YOUR SAFETY. 561 00:28:14,625 --> 00:28:16,083 IT'S NOT YOUR DECISION. 562 00:28:16,083 --> 00:28:17,291 GOTTA DISAGREE WITH YOU THERE. 563 00:28:17,291 --> 00:28:18,667 OH, OF COURSE YOU DO. 564 00:28:18,667 --> 00:28:20,792 LET'S ALL TAKE A BREATH. BUFFY, MAYBE-- 565 00:28:20,792 --> 00:28:23,250 BEING THE SLAYER DOESN'T AUTOMATICALLY MAKE YOU BOSS. 566 00:28:23,250 --> 00:28:25,417 YOU'RE AS LOST AS THE REST OF US. 567 00:28:25,417 --> 00:28:27,291 ALL RIGHT, WHAT ARE WE TALKIN' ABOUT? 568 00:28:27,291 --> 00:28:29,125 IT'S A SIMPLE INCANTATION. 569 00:28:29,125 --> 00:28:30,750 A GUIDING SPELL FOR TRAVELERS 570 00:28:30,750 --> 00:28:33,000 WHEN THEY BECOME LOST OR DISORIENTED. 571 00:28:33,000 --> 00:28:34,667 AND HOW DOES IT WORK? 572 00:28:34,667 --> 00:28:36,458 IT CONJURES AN EMISSARY FROM THE BEYOND 573 00:28:36,458 --> 00:28:38,041 THAT LIGHTS THE WAY. 574 00:28:38,041 --> 00:28:41,041 CONJURING. WIL, LET'S BE REALISTIC HERE. 575 00:28:41,041 --> 00:28:44,041 OKAY, YOUR BASIC SPELLS ARE USUALLY ONLY ABOUT 50-50. 576 00:28:44,041 --> 00:28:45,917 OH, YEAH? 577 00:28:45,917 --> 00:28:49,333 WELL...SO'S YOUR FACE. 578 00:28:50,375 --> 00:28:51,417 WHAT? 579 00:28:52,417 --> 00:28:54,458 WHAT DOES THAT MEAN? 580 00:28:54,458 --> 00:28:56,834 I'M NOT YOUR SIDEKICK. 581 00:28:56,834 --> 00:28:58,208 WIL, HANG ON. 582 00:28:58,208 --> 00:28:59,208 [ Sighs ] 583 00:29:01,041 --> 00:29:03,750 WELL, THAT WAS A BUNCH OF LAUGHS. 584 00:29:03,750 --> 00:29:07,667 LOOK, BUFFY, WE'RE ALL TIRED AND A LITTLE EDGY. 585 00:29:07,667 --> 00:29:10,125 MAYBE WILLOW'S OVERREACTING. 586 00:29:10,125 --> 00:29:13,166 I'M SURE PART OF IT'S BECAUSE OF HOW YOU'VE BEEN PUSHING-AWAY GIRL LATELY. 587 00:29:13,166 --> 00:29:16,542 BUT NOW IS NOT THE TIME TO LET THAT STUFF TEAR US APART. 588 00:29:16,542 --> 00:29:20,291 WHAT I'M SAYING IS, IS I'M RIGHT WITH YA, RIGHT BY YOUR SIDE. 589 00:29:20,291 --> 00:29:22,542 XANDER? 590 00:29:22,542 --> 00:29:26,125 FUNNY HOW YOU STILL HAVEN'T LOST YOUR SENSE OF INAPPROPRIATE HUMOR. 591 00:29:26,125 --> 00:29:28,750 XANDER, WHERE DID YOU GO? 592 00:29:28,750 --> 00:29:30,250 BUFFY, KNOCK IT OFF. 593 00:29:30,250 --> 00:29:31,834 SKIT'S OVER. I'M RIGHT HERE. 594 00:29:31,834 --> 00:29:33,875 THIS IS SO TYPICAL OF HIM. 595 00:29:33,875 --> 00:29:35,291 TYPICAL? 596 00:29:35,291 --> 00:29:36,750 XANDER! 597 00:29:36,750 --> 00:29:38,834 BUFFY! 598 00:29:49,417 --> 00:29:51,125 BUFF? 599 00:30:06,750 --> 00:30:09,667 SHE THINKS I'M NOT READY TO BE A FULL-BLOWN WITCH. 600 00:30:09,667 --> 00:30:12,625 I CAN HANDLE THE DARK FORCES AS GOOD AS ANYONE ELSE. 601 00:30:12,625 --> 00:30:16,000 IT'S NOT THAT HARD. IT'S JUST A GUIDING SPELL. 602 00:30:16,000 --> 00:30:17,959 AND I'M CAREFUL AND ALL. 603 00:30:17,959 --> 00:30:20,333 THIS FLOOR USED TO HAVE WINDOWS. 604 00:30:20,333 --> 00:30:23,291 LOOK, WE FOUND THE STAIRS. 605 00:30:25,542 --> 00:30:28,625 BUFFY DIDN'T FIND THE STAIRS. NO, SIR. 606 00:30:28,625 --> 00:30:31,542 I DON'T THINK YOU GUYS ARE THINKING CLEARLY. 607 00:30:39,333 --> 00:30:42,166 WE JUST NEED TO GET UP TO THE GOAT ROOM, AND MAYBE-- 608 00:30:42,166 --> 00:30:44,083 WIL, SOMETHING'S HAPPENING. 609 00:30:44,083 --> 00:30:46,000 SOMETHING GOOD? 610 00:30:48,000 --> 00:30:51,417 OH, NO...NOT GOOD. 611 00:30:51,417 --> 00:30:54,250 I'M CHANGING. 612 00:30:54,250 --> 00:30:57,333 BUT--BUT YOU CAN'T. THERE'S NO MOON TONIGHT. 613 00:30:57,333 --> 00:30:59,000 I HAVE TO GET AWAY. 614 00:30:59,000 --> 00:31:01,708 NO. WE NEED TO FIND SOMETHING TO RESTRAIN YOU-- 615 00:31:01,708 --> 00:31:04,208 LIKE A ROPE OR CHAINS OR SOMETHING. 616 00:31:04,208 --> 00:31:06,041 THERE'S NO TIME. 617 00:31:06,041 --> 00:31:09,500 I CAN DO THE GUIDING SPELL. I KNOW I CAN MAKE IT WORK. 618 00:31:09,500 --> 00:31:10,583 WIL, PLEASE. 619 00:31:10,583 --> 00:31:12,000 NO. NO! 620 00:31:12,000 --> 00:31:12,917 OW! 621 00:31:15,834 --> 00:31:17,083 OZ. 622 00:31:18,250 --> 00:31:20,333 OZ, DON'T LEAVE ME! 623 00:31:20,333 --> 00:31:22,333 [ Echoing ] DON'T LEAVE ME! DON'T LEAVE ME. 624 00:31:22,333 --> 00:31:23,458 DON'T LEAVE ME! DON'T LEAVE ME! 625 00:31:23,458 --> 00:31:24,458 DON'T LEAVE ME! 626 00:31:31,625 --> 00:31:33,250 THERE I AM. 627 00:31:33,250 --> 00:31:35,750 I DIDN'T GO ANYWHERE. GREAT. 628 00:31:35,750 --> 00:31:40,250 NOW I JUST GOTTA LIVE WITH THE FACT THAT NO ONE ELSE CAN SEE ME. 629 00:31:40,250 --> 00:31:42,250 I CAN SEE YOU. 630 00:31:50,375 --> 00:31:53,417 YOU'RE NOT GONNA CHANGE. YOU'RE NOT GONNA CHANGE. 631 00:31:53,417 --> 00:31:56,333 YOU'RE NOT GONNA CHANGE. YOU'RE NOT GONNA CHANGE. 632 00:31:56,333 --> 00:31:59,208 YOU'RE NOT GONNA CHANGE. YOU'RE NOT GONNA CHANGE. 633 00:31:59,208 --> 00:32:01,625 YOU'RE NOT GONNA CHANGE. YOU'RE NOT GONNA CHANGE. 634 00:32:01,625 --> 00:32:03,333 YOU'RE NOT GONNA CHANGE. 635 00:32:22,542 --> 00:32:28,000 OKAY, OKAY. ARADIA, GODDESS OF THE LOST, 636 00:32:28,000 --> 00:32:30,208 THE PATH IS MURKY. 637 00:32:30,208 --> 00:32:31,333 THE WOODS ARE DENSE. 638 00:32:31,333 --> 00:32:33,708 DARKNESS PERVADES. 639 00:32:33,708 --> 00:32:37,917 I BESEECH THEE... BRING THE LIGHT. 640 00:32:40,291 --> 00:32:42,750 WHOA. HEY, I DID IT. 641 00:32:42,750 --> 00:32:45,417 I DID YOU. HI. 642 00:32:47,041 --> 00:32:49,792 RIGHT, YOU'RE WAITING FOR INSTRUCTIONS. 643 00:32:49,792 --> 00:32:53,000 LEAD ME TO OZ. 644 00:32:54,375 --> 00:32:57,417 WAIT. I SHOULD TRY TO FIND THE PEOPLE 645 00:32:57,417 --> 00:32:59,333 TRAPPED UPSTAIRS FIRST. 646 00:32:59,333 --> 00:33:00,792 BUT EVEN IF I GET THEM, 647 00:33:00,792 --> 00:33:02,708 WE STILL HAVE TO FIND A WAY OUT OF THE HOUSE. 648 00:33:02,708 --> 00:33:05,375 OKAY, HERE'S WHAT WE SHOULD DO. 649 00:33:05,375 --> 00:33:08,041 HEY, WHAT'S GOING ON? 650 00:33:08,041 --> 00:33:09,542 STOP! 651 00:33:09,542 --> 00:33:12,209 STOP IT! 652 00:33:13,125 --> 00:33:15,417 GAAH! GET OFF! 653 00:33:18,417 --> 00:33:20,667 OZ! HEL-- 654 00:33:20,667 --> 00:33:23,041 [ Coughing And Choking ] 655 00:33:29,792 --> 00:33:31,625 [ Willow Yells ] HELP ME, OZ! 656 00:33:33,125 --> 00:33:35,291 SOMEBODY, HELP! 657 00:33:41,333 --> 00:33:43,750 HELP! 658 00:33:43,750 --> 00:33:45,667 [ Buffy ] WILLOW. 659 00:34:14,208 --> 00:34:15,708 BASEMENT. 660 00:34:16,708 --> 00:34:19,750 I MUST BE IN THE...BASEMENT. 661 00:34:19,750 --> 00:34:22,291 [ Raspy Voice ] ALL ALONE. 662 00:34:22,291 --> 00:34:25,291 WHO SAID...THAT? 663 00:34:28,667 --> 00:34:31,542 THEY ALL RAN AWAY FROM YOU. 664 00:34:31,542 --> 00:34:33,875 THEY ALWAYS WILL. 665 00:34:33,875 --> 00:34:36,750 OPEN YOUR HEART TO SOMEONE AND-- 666 00:34:40,583 --> 00:34:42,542 BUT DON'T FRET, LITTLE GIRL. 667 00:34:42,542 --> 00:34:44,417 YOU'RE NOT ALONE. 668 00:34:44,417 --> 00:34:45,417 AAH! 669 00:34:48,750 --> 00:34:49,834 ANYMORE. 670 00:34:56,041 --> 00:34:57,291 [Screaming] 671 00:35:14,542 --> 00:35:15,542 WELL? 672 00:35:17,875 --> 00:35:20,125 WE'RE GONNA HAVE TO CREATE A DOOR. 673 00:35:23,458 --> 00:35:25,834 CREATE A DOOR? YOU CAN DO THAT? 674 00:35:25,834 --> 00:35:26,875 I CAN. 675 00:35:35,083 --> 00:35:36,625 [ Screaming Continues ] 676 00:35:39,375 --> 00:35:41,041 NO MATTER HOW HARD YOU FIGHT, 677 00:35:41,041 --> 00:35:43,625 YOU JUST END UP IN THE SAME PLACE. 678 00:35:54,291 --> 00:35:56,000 I DON'T SEE WHY YOU BOTHER. 679 00:36:13,333 --> 00:36:16,500 I'M UPSTAIRS. 680 00:36:16,500 --> 00:36:18,166 THE GOAT ROOM. 681 00:36:32,166 --> 00:36:35,375 [ All Whimpering ] 682 00:36:43,750 --> 00:36:45,583 OZ? 683 00:36:45,583 --> 00:36:48,125 GET 'EM OFF ME. GET 'EM OFF ME. GET' EM OFF. 684 00:36:48,125 --> 00:36:50,667 GET OFF. GET 'EM OFF. 685 00:36:50,667 --> 00:36:53,458 WILLOW. WILLOW, WILLOW, WHAT'S WRONG? 686 00:36:53,458 --> 00:36:54,583 COULDN'T GET 'EM OFF. 687 00:36:54,583 --> 00:36:56,083 IT'S OKAY. 688 00:36:56,083 --> 00:36:57,667 IT'S OKAY. IT'S OKAY. 689 00:36:57,667 --> 00:36:59,667 WE'RE OKAY. 690 00:36:59,667 --> 00:37:03,000 WE'RE NOT OKAY. WE NEED TO GET OUT OF HERE. 691 00:37:03,000 --> 00:37:06,041 I'D OFFER MY OPINION, BUT YOU JERKS AREN'T GONNA HEAR IT, ANYWAY. 692 00:37:06,041 --> 00:37:09,500 NOT THAT DIDN'T-GO-TO-COLLEGE BOY HAS ANYTHING IMPORTANT TO SAY. 693 00:37:09,500 --> 00:37:12,750 I MIGHT AS WELL HANG OUT WITH MY NEW BEST FRIEND, BLEEDING DUMMY HEAD, 694 00:37:12,750 --> 00:37:14,291 FOR ALL YOU DORKS CARE. WHAT IS WRONG WITH YOU? 695 00:37:14,291 --> 00:37:17,125 YOU...YOU HEARD THAT? 696 00:37:17,125 --> 00:37:19,625 YOU CAN SEE ME? 697 00:37:19,625 --> 00:37:21,583 GOOD. 698 00:37:21,583 --> 00:37:23,542 OH, GOD, GOOD. 699 00:37:23,542 --> 00:37:24,583 THE HOUSE SEPARATED US. 700 00:37:24,583 --> 00:37:26,792 IT WANTED TO SCARE US. 701 00:37:26,792 --> 00:37:29,333 BUT WE GOT AWAY. 702 00:37:29,333 --> 00:37:32,375 NO. WE WERE BROUGHT HERE. 703 00:37:32,375 --> 00:37:37,583 WE ALL GOT SO SCARED THAT WE ENDED UP...HERE. 704 00:37:37,583 --> 00:37:39,500 WHY? 705 00:37:41,583 --> 00:37:45,208 I SAW THEM PAINTING THAT. 706 00:37:46,750 --> 00:37:49,583 THEY WERE COPYING OUT OF... 707 00:37:49,583 --> 00:37:51,000 THAT. 708 00:37:52,708 --> 00:37:55,291 I--I THINK IT'S GAELIC. 709 00:37:55,291 --> 00:37:56,625 CAN YOU TRANSLATE? 710 00:37:56,625 --> 00:38:00,875 [ Booming Voice ] RELEASE ME! 711 00:38:00,875 --> 00:38:02,500 RELEASE ME! 712 00:38:02,500 --> 00:38:04,375 WIL, GIVE ME SOMETHING. 713 00:38:04,375 --> 00:38:08,125 OKAY, UM, THE ICON'S CALLED THE MARK OF GACHNAR. 714 00:38:08,125 --> 00:38:12,291 I THINK THIS IS A SUMMONING SPELL FOR SOMETHING CALLED-- 715 00:38:12,291 --> 00:38:13,875 GACHNAR? 716 00:38:13,875 --> 00:38:17,167 YES. SOMEHOW, THE BEGINNING OF THE SPELL 717 00:38:17,167 --> 00:38:19,000 MUST HAVE BEEN TRIGGERED. 718 00:38:19,000 --> 00:38:23,000 GACHNAR'S TRYING TO MANIFEST ITSELF, TO COME INTO BEING. 719 00:38:23,000 --> 00:38:24,208 HOW? 720 00:38:24,208 --> 00:38:25,792 IT FEEDS ON FEAR. 721 00:38:25,792 --> 00:38:29,625 OUR FEARS ARE MANIFESTING. WE'RE FEEDING IT. 722 00:38:29,625 --> 00:38:31,083 WE NEED TO STOP. 723 00:38:31,083 --> 00:38:33,250 IF WE CLOSE OUR EYES AND SAY IT'S A DREAM, 724 00:38:33,250 --> 00:38:37,000 IT'LL STAB US TO DEATH. THESE THINGS ARE REAL. 725 00:38:37,000 --> 00:38:38,708 OKAY, SO OUR FEARS ARE FEEDING IT. 726 00:38:38,708 --> 00:38:40,125 IF WE GET EVERYONE OUT OF HERE-- 727 00:38:40,125 --> 00:38:42,209 [ Bolted Doors Slam ] 728 00:38:44,667 --> 00:38:46,291 GOOD PLAN. LET'S GO. 729 00:38:47,792 --> 00:38:49,750 AAH! 730 00:38:52,792 --> 00:38:54,625 GILES? 731 00:38:54,625 --> 00:38:56,792 EVERYONE, IT'S GILES 732 00:38:56,792 --> 00:38:57,875 WITH A CHAIN SAW. 733 00:38:57,875 --> 00:38:58,875 XANDER. 734 00:38:58,875 --> 00:39:00,000 GLAD YOU COULD MAKE IT. 735 00:39:00,000 --> 00:39:02,708 THE WALLS CLOSED UP BEHIND US. 736 00:39:05,333 --> 00:39:07,250 GACHNAR. OF COURSE. 737 00:39:07,250 --> 00:39:10,375 ITS PRESENCE INFECTS THE REALITY OF THE HOUSE, 738 00:39:10,375 --> 00:39:12,708 BUT IT'S NOT MANAGED TO ACHIEVE FULL MANIFESTATION. 739 00:39:12,708 --> 00:39:15,167 WE CANNOT ALLOW THIS TO COME INTO BEING. 740 00:39:15,167 --> 00:39:17,209 BUT IF IT DOES, I CAN FIGHT IT, RIGHT? 741 00:39:17,209 --> 00:39:18,375 BUFFY... 742 00:39:19,750 --> 00:39:21,250 THIS IS GACHNAR. 743 00:39:21,250 --> 00:39:23,083 [ Buffy ] I DON'T WANNA FIGHT THAT. 744 00:39:23,083 --> 00:39:25,208 SO WE BREAK THE SPELL. 745 00:39:25,208 --> 00:39:26,333 WHATEVER WE DO, LET'S DO IT FAST. 746 00:39:26,333 --> 00:39:27,750 I HAVE IT, I HAVE IT. 747 00:39:27,750 --> 00:39:29,625 UM, "THE SUMMONING SPELL FOR GACHNAR 748 00:39:29,625 --> 00:39:31,834 "CAN BE SHUT DOWN IN ONE OF 2 WAYS. 749 00:39:31,834 --> 00:39:33,417 "DESTROYING THE MARK OF GACHNAR... 750 00:39:42,125 --> 00:39:44,291 "IS NOT ONE OF THEM 751 00:39:44,291 --> 00:39:47,209 AND WILL, IN FACT, IMMEDIATELY BRING FORTH THE FEAR DEMON ITSELF." 752 00:39:47,209 --> 00:39:48,834 [ Rumbling ] 753 00:39:51,208 --> 00:39:52,625 [ Willow ] LOOK. 754 00:39:58,542 --> 00:40:00,792 [ Roaring ] 755 00:40:26,083 --> 00:40:27,792 THIS IS GACHNAR? 756 00:40:27,792 --> 00:40:29,458 BIG OVERTURE... 757 00:40:29,458 --> 00:40:31,750 LITTLE SHOW. 758 00:40:31,750 --> 00:40:36,750 I AM THE DARK LORD OF NIGHTMARES. 759 00:40:36,750 --> 00:40:39,750 THE BRINGER OF TERROR. 760 00:40:39,750 --> 00:40:42,750 TREMBLE BEFORE ME. 761 00:40:42,750 --> 00:40:45,834 FEAR ME. 762 00:40:45,834 --> 00:40:47,625 HE-- 763 00:40:47,625 --> 00:40:49,333 HE'S SO CUTE. 764 00:40:49,333 --> 00:40:51,500 WHO'S THE LITTLE FEAR DEMON? 765 00:40:51,500 --> 00:40:54,959 COME ON, WHO'S THE LITTLE FEAR DEMON? 766 00:40:54,959 --> 00:40:56,875 DON'T TAUNT THE FEAR DEMON. 767 00:40:56,875 --> 00:40:58,625 WHY? CAN HE HURT ME? 768 00:40:58,625 --> 00:41:00,166 NO. IT'S JUST...TACKY. 769 00:41:00,166 --> 00:41:01,542 BE THAT AS IT MAY, 770 00:41:01,542 --> 00:41:03,208 BUFFY, WHEN IT COMES TO SLAYING-- 771 00:41:03,208 --> 00:41:04,792 SIZE DOESN'T MATTER? 772 00:41:04,792 --> 00:41:07,750 THEY'RE ALL GOING TO ABANDON YOU, YOU KNOW. 773 00:41:07,750 --> 00:41:09,750 YEAH, YEAH. 774 00:41:13,208 --> 00:41:15,500 SOME QUALITY TREATS HERE, GILES. 775 00:41:15,500 --> 00:41:17,041 PLEASE, FINISH THEM. 776 00:41:17,041 --> 00:41:19,041 THIS IS MUCH BETTER. 777 00:41:19,041 --> 00:41:21,834 THERE IS NO PROBLEM THAT CANNOT BE SOLVED BY CHOCOLATE. 778 00:41:21,834 --> 00:41:23,750 I THINK I'M GONNA BARF. 779 00:41:23,750 --> 00:41:24,834 EXCEPT THAT. 780 00:41:30,417 --> 00:41:31,959 WHAT? 781 00:41:33,500 --> 00:41:36,166 THAT'S YOUR SCARY COSTUME? 782 00:41:36,166 --> 00:41:38,000 BUNNIES FRIGHTEN ME. 783 00:41:38,000 --> 00:41:40,792 OH, BLOODY HELL. THE INSCRIPTION. 784 00:41:40,792 --> 00:41:42,417 WHAT'S THE MATTER? 785 00:41:42,417 --> 00:41:46,250 I SHOULD'VE TRANSLATED THE GAELIC INSCRIPTION 786 00:41:46,250 --> 00:41:48,917 UNDER THE ILLUSTRATION OF GACHNAR. 787 00:41:48,917 --> 00:41:50,583 WHAT'S IT SAY? 788 00:41:50,583 --> 00:41:52,542 "ACTUAL SIZE." 789 00:42:32,750 --> 00:42:34,333 GRR! ARRGH! 54117

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.