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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,250 --> 00:00:02,250 ( theme music playing) 2 00:00:02,959 --> 00:00:05,209 EVERYONE ALWAYS WANTS TO BE "RESPONSIBLE." 3 00:00:05,291 --> 00:00:07,041 BUT WHAT IS "RE" "SPONSIBLE"? 4 00:00:07,125 --> 00:00:08,995 ARE YOU BEING "SPONSIBLE" FOR A SECOND TIME? 5 00:00:10,000 --> 00:00:12,420 OOH, I WISH I HAD THOUGHT OF THAT IN MY OLD STAND-UP DAYS. 6 00:00:12,500 --> 00:00:14,290 ( Seinfeld-like music ) 7 00:00:14,375 --> 00:00:16,415 WHAT IS THE DEAL WITH DOG BISCUITS? 8 00:00:16,500 --> 00:00:19,290 THEY'RE NOT MADE OUT OF DOGS, AND THEY'RE NOT BISCUITS. 9 00:00:19,834 --> 00:00:23,334 Man: THEY ARE BISCUITS! AND THEY'RE FOR DOGS! 10 00:00:23,417 --> 00:00:27,037 OH. THEN I GUESS MY NEXT 20 MINUTES AREN'T GOING TO MAKE ANY SENSE. 11 00:00:28,834 --> 00:00:30,634 BUT WHEN PEOPLE GET RESPONSIBILITY, 12 00:00:30,709 --> 00:00:31,919 THEY DON'T ALWAYS FOLLOW THROUGH. 13 00:00:32,000 --> 00:00:35,130 YOU'RE SUPPOSED TO WIPE YOUR HAIR OUT OF THE SHOWER DRAIN! 14 00:00:35,208 --> 00:00:37,288 DO YOU KNOW HOW GROSS THAT IS? 15 00:00:37,375 --> 00:00:39,375 IT'S LIKE A SECOND LITTLE HEAD DOWN THERE. 16 00:00:40,583 --> 00:00:42,133 I SAID I'D DO IT FOR A DOLLAR. 17 00:00:42,208 --> 00:00:44,498 WHY WON'T YOU DO ANYTHING UNLESS SOMEONE PAYS YOU FOR IT? 18 00:00:44,583 --> 00:00:46,713 I'LL ANSWER THAT QUESTION FOR 50 CENTS. 19 00:00:47,917 --> 00:00:48,787 COME ON, AVERY. 20 00:00:48,875 --> 00:00:50,495 I'M SAVING UP FOR A BMX BIKE. 21 00:00:50,583 --> 00:00:53,213 THEN WHY'D YOU BLOW ALL YOUR MONEY ON A FIFTH HAIR DRYER? 22 00:00:53,291 --> 00:00:55,791 WHY'D YOU BLOW ALL YOUR MONEY ON OIL PAINT AND BRUSHES? 23 00:00:55,875 --> 00:00:56,875 I'M MAKING ART! 24 00:00:56,959 --> 00:00:58,539 WHAT DO YOU CALL THIS? 25 00:00:59,166 --> 00:01:01,956 AHH. HEARING THE TWO OF YOU FIGHT ALMOST MAKES ME GLAD 26 00:01:02,041 --> 00:01:03,251 MOTHER'S YEARS OF BODY BUILDING 27 00:01:03,333 --> 00:01:05,423 KEPT HER TOO BUSY TO HAVE A SECOND CHILD. 28 00:01:06,500 --> 00:01:09,170 KARL, GO... AWAY. 29 00:01:10,333 --> 00:01:11,423 HE'S SO WEIRD. 30 00:01:11,500 --> 00:01:13,040 ALWAYS SPYING ON US. 31 00:01:13,125 --> 00:01:14,785 WHAT DO YOU MEAN "ALWAYS SPYING"? 32 00:01:16,041 --> 00:01:17,751 KARL, WHAT ARE YOU DOING HERE? 33 00:01:18,166 --> 00:01:20,076 JUST WONDERING IF YOU HAD AN EXTRA SEAT IN YOUR CAR 34 00:01:20,166 --> 00:01:22,246 FOR YOUR FAMILY'S TRIP TO THE WATERPARK NEXT WEEKEND. 35 00:01:22,333 --> 00:01:23,883 HOW'D YOU KNOW WE WERE GOING TO THE WATERPARK? 36 00:01:23,959 --> 00:01:25,749 SOMETIMES YOUR MOTHER AND I HAVE TEA. 37 00:01:27,166 --> 00:01:28,206 IT'S NOT WEIRD. 38 00:01:29,333 --> 00:01:31,883 WE'RE NOT TAKING YOU TO THE WATERPARK, OKAY? 39 00:01:31,959 --> 00:01:32,879 GO WITH YOUR OWN FAMILY. 40 00:01:32,959 --> 00:01:35,579 I DID... ONCE. 41 00:01:36,208 --> 00:01:37,328 PICTURE MY MOTHER. 42 00:01:37,417 --> 00:01:41,457 HER MASSIVE SHOT PUTTER'S FRAME TRAPPED INSIDE THE FLUME. 43 00:01:41,542 --> 00:01:43,632 THE PRESSURE OF THOUSANDS OF GALLONS OF WATER 44 00:01:43,709 --> 00:01:45,379 BUILDING BEHIND HER TO FINALLY VOOM! 45 00:01:45,458 --> 00:01:46,998 SHE SHOOTS THROUGH LIKE A ROCKET. 46 00:01:47,083 --> 00:01:49,333 NOW IMAGINE THE POOR CHILD AT THE BOTTOM OF THE SLIDE 47 00:01:49,417 --> 00:01:50,627 WAITING TO TAKE A PICTURE. 48 00:01:51,792 --> 00:01:53,422 SLOW DOWN MOTHER. 49 00:01:53,500 --> 00:01:54,540 SLOW DOWN. 50 00:01:56,959 --> 00:01:58,289 FORGET IT, KARL. 51 00:01:58,542 --> 00:02:00,252 WOULD THAT I COULD. 52 00:02:01,917 --> 00:02:03,167 THIS IS THE PICTURE. 53 00:02:03,709 --> 00:02:05,879 WHY WOULD YOU HAVE THAT AS YOUR WALLPAPER? 54 00:02:08,583 --> 00:02:12,333 WHY IS MY FLYER FOR THE CLASSICAL CONCERT IN THE PARK IN THE TRASH? 55 00:02:12,417 --> 00:02:13,667 BECAUSE THE SHREDDER WAS BROKEN. 56 00:02:13,750 --> 00:02:14,750 ARE WE DONE HERE? 57 00:02:15,625 --> 00:02:17,955 THEY'RE HONORING NORWEGIAN COMPOSER EDVARD GRIEG. 58 00:02:18,041 --> 00:02:19,251 IT'S CALLED "GRIEG IN THE GRASS." 59 00:02:19,333 --> 00:02:20,293 WE HAVE TO GO. 60 00:02:20,375 --> 00:02:22,535 I'M SO SORRY. I'M BUSY ON... 61 00:02:22,875 --> 00:02:24,415 TODAY. 62 00:02:25,166 --> 00:02:26,706 WE CAN'T MISS THIS! 63 00:02:26,792 --> 00:02:30,252 IT'S A... OPPORTUNITY TO EXPOSE THE KIDS TO SOME REAL CULTURE. 64 00:02:30,333 --> 00:02:33,003 HONEY, DIDN'T WE LEARN OUR LESSON AT "BACH ON THE DOCK"? 65 00:02:33,208 --> 00:02:34,378 DON'T WORRY, HONEY. 66 00:02:34,458 --> 00:02:36,208 THERE'S NO DOCK THIS TIME. 67 00:02:36,291 --> 00:02:38,001 AND YOU CAN'T FALL OFF THE GRASS. 68 00:02:38,709 --> 00:02:42,079 EVEN IF DO SAY YES, WHAT MAKES YOU THINK YOU CAN CONVINCE THE KIDS? 69 00:02:42,291 --> 00:02:43,291 PLEASE. 70 00:02:43,375 --> 00:02:46,455 I CAN MAKE THIS SOUND LIKE THE MOST EXCITING THING IN THE WORLD. 71 00:02:47,041 --> 00:02:49,251 WHO WANTS TO BASK IN THE SWEET SOUNDS 72 00:02:49,333 --> 00:02:52,753 OF "FUNERAL MARCH AND MEMORY OF NICARD NORDREG"? 73 00:02:54,333 --> 00:02:56,043 SO WHAT IF THE SHREDDER'S BROKEN? 74 00:02:56,125 --> 00:02:57,625 COULDN'T YOU HAVE JUST EATEN IT? 75 00:02:58,375 --> 00:03:00,705 HEY, WHY DON'T YOU TWO GO TO THE CONCERT YOURSELVES? 76 00:03:00,792 --> 00:03:02,752 YOU'RE ALWAYS COMPLAINING ABOUT HOW YOU DON'T HAVE ENOUGH 77 00:03:02,834 --> 00:03:04,924 "HUSBAND AND WIFE" TIME, WHATEVER THAT MEANS. 78 00:03:05,000 --> 00:03:06,210 WELL, I THINK IT MEANS-- 79 00:03:06,291 --> 00:03:07,831 I KNOW WHAT IT MEANS, I JUST DON'T WANT TO THINK ABOUT IT. 80 00:03:08,750 --> 00:03:10,290 HEY, HE MAKES A POINT. 81 00:03:10,375 --> 00:03:13,285 WHY DON'T WE SHOW THE KIDS WHAT A HEALTHY RELATIONSHIP IS? 82 00:03:13,583 --> 00:03:16,173 HONEY, WILL YOU GO ON A DATE WITH ME? 83 00:03:16,417 --> 00:03:18,127 FINE, IF I HAVE TO. 84 00:03:18,917 --> 00:03:20,577 JUST LIKE WHEN I PROPOSED. 85 00:03:21,500 --> 00:03:22,540 HEY! YOU PACK A PICNIC. 86 00:03:22,625 --> 00:03:25,665 I'LL GO GET MY GRIEG SHEET MUSIC SO WE CAN FOLLOW ALONG! 87 00:03:25,750 --> 00:03:26,960 GREAT IDEA! 88 00:03:27,375 --> 00:03:28,825 I KNOW WHERE YOU LIVE. 89 00:03:31,458 --> 00:03:33,538 HOW COULD YOU GUYS PASS UP GOING TO THE PARK? 90 00:03:33,625 --> 00:03:35,955 IT'S NORWEGIAN CLASSICAL MUSIC. 91 00:03:36,041 --> 00:03:36,881 EXACTLY! 92 00:03:36,959 --> 00:03:38,999 IT'S OLD PEOPLE EATING ON THE GROUND. 93 00:03:39,083 --> 00:03:41,253 DO YOU KNOW HOW EASY IT IS TO WRESTLE A WHEEL OF CHEESE 94 00:03:41,333 --> 00:03:43,003 FROM AN 82-YEAR-OLD WOMAN? 95 00:03:44,166 --> 00:03:46,456 UNFORTUNATELY, I DO. 96 00:03:47,834 --> 00:03:50,254 I'M TELLING YOU, THIS IS MY CHEESE! 97 00:03:50,333 --> 00:03:51,713 YOUR BLANKET'S OVER THERE! 98 00:04:14,959 --> 00:04:16,289 WE'LL ONLY BE GONE A COUPLE HOURS. 99 00:04:16,375 --> 00:04:17,325 A COUPLE HOURS? 100 00:04:17,417 --> 00:04:19,037 AREN'T THEY JUST PLAYING HIS HITS? 101 00:04:19,959 --> 00:04:21,249 AVERY, YOU'RE IN CHARGE. 102 00:04:21,333 --> 00:04:23,213 WHAT? I WANT TO BE IN CHARGE. 103 00:04:23,291 --> 00:04:25,291 ( all laughing ) 104 00:04:26,750 --> 00:04:28,000 THIS ISN'T FUNNY. 105 00:04:29,375 --> 00:04:30,575 WHAT DID I MISS? 106 00:04:30,667 --> 00:04:32,247 TYLER WANTS TO BE IN CHARGE. 107 00:04:34,709 --> 00:04:36,039 CLASSIC! 108 00:04:37,583 --> 00:04:39,423 WHY IS THAT SO FUNNY? I'M OLDER. 109 00:04:39,500 --> 00:04:44,170 I CAN REACT, ON A DIME, TO ANY PROBLEM WITH A VARIETY OF SOLUTIONS. 110 00:04:45,166 --> 00:04:46,376 I'M OLDER. 111 00:04:47,542 --> 00:04:48,502 YOU KNOW WHAT? 112 00:04:48,583 --> 00:04:50,003 TYLER, YOU ARE THE OLDEST. 113 00:04:50,083 --> 00:04:50,963 YOU'RE IN CHARGE. 114 00:04:51,041 --> 00:04:52,501 JUST KEEP AN EYE ON CHLOE. 115 00:04:52,583 --> 00:04:53,673 YES! 116 00:04:53,750 --> 00:04:55,210 I HAVE FAITH THAT YOU CAN HANDLE THIS. 117 00:04:55,291 --> 00:04:57,381 AVERY, KEEP AN E-Y-E ON HIM. 118 00:04:57,458 --> 00:04:59,248 THAT'S FINE WITH ME. 119 00:04:59,333 --> 00:05:01,583 AS LONG AS I'M THE ONE WHO'S GETTING PAID TO BABYSIT. 120 00:05:01,667 --> 00:05:03,247 YOU KNOW, I'M SAVING UP FOR A NEW BMX BIKE. 121 00:05:03,333 --> 00:05:05,883 THEN WHY'D YOU BLOW ALL YOUR MONEY ON THAT CRAZY CARDBOARD CUT-OUT? 122 00:05:06,625 --> 00:05:07,785 LOOK WHAT I GOT! 123 00:05:13,542 --> 00:05:15,962 CHLOE IS NOT TO GO OUTSIDE UNSUPERVISED, 124 00:05:16,041 --> 00:05:16,881 AND NO EATING CANDY. 125 00:05:16,959 --> 00:05:17,919 WHAT? 126 00:05:18,000 --> 00:05:19,040 CHLOE, WHERE WERE YOU? 127 00:05:19,125 --> 00:05:20,625 OUTSIDE EATING CANDY. 128 00:05:21,709 --> 00:05:23,079 WE'VE BEEN OVER THIS, SWEETHEART. 129 00:05:23,166 --> 00:05:25,076 IT'S NOT GOOD FOR YOU TO EAT SO MUCH SUGAR. 130 00:05:25,166 --> 00:05:28,746 DON'T YOU WANT TO GROW UP TO BIG AND STRONG LIKE KARL'S MOM? 131 00:05:29,000 --> 00:05:30,710 YES. 132 00:05:31,250 --> 00:05:32,580 COME ON, HONEY. 133 00:05:32,667 --> 00:05:33,877 WE'RE GOING TO BE LATE FOR THE CONCERT. 134 00:05:33,959 --> 00:05:35,419 ISN'T THERE SOMEPLACE ELSE WE CAN GO? 135 00:05:35,500 --> 00:05:36,460 LIKE MEXICO! 136 00:05:36,542 --> 00:05:37,462 THEY HAVE MUSIC. 137 00:05:37,542 --> 00:05:39,582 ( humming "Mexican Hat" song ) 138 00:05:42,250 --> 00:05:44,460 WHOA! YOU HEARD MOM AND DAD. 139 00:05:44,542 --> 00:05:45,962 NO EATING CANDY. 140 00:05:46,041 --> 00:05:47,961 WELL, HOLD ON A SECOND, AVERY. I'M IN CHARGE. 141 00:05:48,041 --> 00:05:49,961 -YEAH! -CHLOE, NO MORE CANDY. 142 00:05:50,041 --> 00:05:52,291 AW! I THOUGHT WE WERE COOL. 143 00:05:52,458 --> 00:05:53,788 HAND IT OVER. 144 00:05:55,208 --> 00:05:56,248 IS THAT ALL? 145 00:05:58,500 --> 00:05:59,790 AND...? 146 00:06:02,959 --> 00:06:04,289 THANK YOU. 147 00:06:04,375 --> 00:06:05,415 THIS STINKS. 148 00:06:05,500 --> 00:06:07,290 ( doorbell ) 149 00:06:07,375 --> 00:06:12,125 WELL, IT'S NOT AS BAD AS THAT STUPID CLASSICAL MUSIC CONCERT IN THE PARK. 150 00:06:12,208 --> 00:06:14,128 HEY, NIKKI, WHAT'S UP? 151 00:06:14,208 --> 00:06:16,748 I CAME BY TO GET THE JACKET I LEFT HERE. 152 00:06:16,834 --> 00:06:18,924 I'M ON MY WAY TO SEE "GRIEG IN THE GRASS." 153 00:06:19,000 --> 00:06:20,540 YOU'RE A GRIEG FAN TOO? 154 00:06:20,625 --> 00:06:21,915 I WAS JUST HEADING OVER THERE! 155 00:06:22,000 --> 00:06:23,630 I THOUGHT I WAS THE ONLY ONE WHO LOVED HER. 156 00:06:23,709 --> 00:06:24,669 HIM. 157 00:06:26,417 --> 00:06:28,077 YOU LIKE CLASSICAL MUSIC? 158 00:06:28,166 --> 00:06:29,536 OH, I LOVE IT. 159 00:06:29,625 --> 00:06:32,785 GRIEG, AND, UH, UH, THE GUY WITH THE WHITE HAIR, 160 00:06:32,875 --> 00:06:34,415 AND THE GUY WHO CUT HIS EAR OFF. 161 00:06:34,500 --> 00:06:35,790 VAN GOUGH? 162 00:06:35,875 --> 00:06:36,955 YEAH, MY PARENTS TOOK IT, WE'LL HAVE TO WALK. 163 00:06:37,041 --> 00:06:38,211 JUST GIVE ME A SECOND. 164 00:06:39,500 --> 00:06:41,460 WHOA! WHAT HAPPENED TO YOU BEING IN CHARGE? 165 00:06:41,542 --> 00:06:43,882 YOU'RE SUPPOSED TO BE HERE ALL AFTERNOON! 166 00:06:43,959 --> 00:06:44,879 Tyler: I WILL BE. 167 00:06:44,959 --> 00:06:46,959 KEEP AN EYE ON THINGS, DUDE. 168 00:06:49,041 --> 00:06:51,791 IF I LOOKED LIKE THAT, I'D BE SMILING, TOO. 169 00:06:56,792 --> 00:06:58,292 YOU KNOW, THAT REMOTE DOESN'T WORK. 170 00:06:58,375 --> 00:06:59,285 I KNOW. 171 00:06:59,375 --> 00:07:00,575 THIS IS WHERE I KEEP MY JELLY BEANS. 172 00:07:00,834 --> 00:07:02,384 NO! 173 00:07:02,458 --> 00:07:04,208 WHY YOU TAKING MY BEANS? 174 00:07:05,959 --> 00:07:08,879 HEY, TYLER. LOOKING GOOD, BUDDY. 175 00:07:09,750 --> 00:07:12,880 I KNOW WE WANTED FLATTER ABS, BUT THIS IS RIDICULOUS. 176 00:07:12,959 --> 00:07:14,879 OOH, I GOT TO USE THAT! 177 00:07:14,959 --> 00:07:16,419 AND THEN I SAID, 178 00:07:16,500 --> 00:07:19,790 "I KNOW WE WANTED FLATTER ABS, BUT THIS IS RIDICULOUS!" 179 00:07:19,875 --> 00:07:21,035 Man: YOU STINK! 180 00:07:21,125 --> 00:07:22,995 THAT'S 'CAUSE I ROLL IN MY OWN POO. 181 00:07:23,083 --> 00:07:24,633 WHAT'S YOUR EXCUSE? 182 00:07:25,959 --> 00:07:27,129 ( phone ringing ) 183 00:07:27,208 --> 00:07:28,998 I CAN'T BELIEVE HOW IRRESPONSIBLE TYLER WAS, 184 00:07:29,083 --> 00:07:29,963 BAILING LIKE THIS. 185 00:07:30,083 --> 00:07:31,423 HEY, LINDSAY! 186 00:07:31,500 --> 00:07:33,670 HE'S AT THE BOOKSTORE? 187 00:07:33,750 --> 00:07:34,670 RIGHT NOW? 188 00:07:34,750 --> 00:07:36,330 ( gasps ) 189 00:07:36,417 --> 00:07:38,997 LOOK, I'D REALLY LOVE A SIGNED COPY OF MECROPOLIS HIGH, 190 00:07:39,083 --> 00:07:40,753 BUT I'M BEING RESPONSIBLE, 191 00:07:40,834 --> 00:07:42,924 AND BABYSITTING MY LITTLE SISTER. 192 00:07:51,083 --> 00:07:52,503 OKAY, STAN! YOU WATCH CHLOE! 193 00:07:52,583 --> 00:07:53,883 THIS IS NOT IRRESPONSIBLE. 194 00:07:53,959 --> 00:07:55,209 IT HAS TO DO WITH BOOKS! 195 00:08:01,041 --> 00:08:02,131 UH-UH! 196 00:08:02,208 --> 00:08:03,458 I'M IN CHARGE NOW, 197 00:08:03,542 --> 00:08:05,042 AND I DON'T THINK YOU SHOULD BE EATING STUFFING. 198 00:08:05,125 --> 00:08:07,325 IT'S NOT STUFFING, IT'S COTTON CANDY. 199 00:08:09,792 --> 00:08:11,792 ( spitting ) 200 00:08:13,166 --> 00:08:14,456 WRONG PILLOW. 201 00:08:16,083 --> 00:08:19,083 ( classical music playing ) 202 00:08:22,959 --> 00:08:24,669 ( snoring ) 203 00:08:24,750 --> 00:08:26,380 AHH! IT'S NOT MY PENGUIN! 204 00:08:26,458 --> 00:08:28,038 All: SHH! 205 00:08:29,208 --> 00:08:30,538 BENNETT, YOU'RE SLEEPING! 206 00:08:30,625 --> 00:08:31,785 LET'S JUST GO HOME. 207 00:08:31,875 --> 00:08:33,535 NO! I WASN'T SLEEPING. 208 00:08:33,625 --> 00:08:35,375 I WAS... TRANSPORTED. 209 00:08:35,458 --> 00:08:37,788 THIS KIND OF MUSIC JUST SENDS ME SOMEWHERE. 210 00:08:37,875 --> 00:08:39,705 SOMEWHERE WITH PENGUINS? 211 00:08:39,792 --> 00:08:43,382 HONEY, WE'RE HAVING HUSBAND-WIFE TIME. 212 00:08:43,458 --> 00:08:46,038 IT'S A RARE CHANCE FOR US TO BE AWAY FROM THE KIDS. 213 00:08:56,041 --> 00:08:58,751 CHLOE, THERE ARE TWO KINDS OF DOGS IN THIS WORLD: 214 00:08:58,834 --> 00:09:02,044 THE RESPONSIBLE KIND AND SCHNAUZERS. 215 00:09:02,125 --> 00:09:05,245 AND I AM NO SCHNAUZER. 216 00:09:05,333 --> 00:09:08,333 THEY COULD NOT HAVE PICKED A BETTER BABYSITTER, HUH, CHLOE? 217 00:09:08,417 --> 00:09:09,707 CHLOE? 218 00:09:12,500 --> 00:09:14,330 CHLOE? 219 00:09:14,417 --> 00:09:15,327 CHLOE! 220 00:09:15,625 --> 00:09:17,125 OH, NO! I'VE LOST CHLOE. 221 00:09:17,208 --> 00:09:19,038 WHAT A SCHNAUZER MOVE. 222 00:09:20,834 --> 00:09:23,634 OH, PLEASE TELL ME YOU'RE CHLOE DRESSED IN AN AVERY COSTUME. 223 00:09:23,709 --> 00:09:26,499 OH, PLEASE TELL ME YOU HAVEN'T LOST CHLOE. 224 00:09:26,583 --> 00:09:29,543 WELL, WE'VE BOTH DISAPPOINTED EACH OTHER, HAVEN'T WE? 225 00:09:35,417 --> 00:09:36,417 THAT'S IT. 226 00:09:36,500 --> 00:09:38,580 CHLOE'S NOWHERE IN THIS HOUSE. 227 00:09:38,667 --> 00:09:40,957 ( sighs ) I TRUSTED YOU, STAN. 228 00:09:41,041 --> 00:09:44,711 YOU'RE THE MOST IRRESPONSIBLE TALKING DOG I'VE EVER KNOWN. 229 00:09:45,083 --> 00:09:46,833 I KNOW, I KNOW! 230 00:09:46,917 --> 00:09:48,377 AND I'M 1/8 SHEPARD. 231 00:09:48,458 --> 00:09:51,248 IT'S MY JOB TO KEEP THE FLOCK TOGETHER, AND I BLEW IT! 232 00:09:51,333 --> 00:09:53,333 NOW MY SHEEP IS ON THE LAM. 233 00:09:53,417 --> 00:09:54,877 SHE'S "A-WOOL." 234 00:09:54,959 --> 00:09:57,789 THIS IS "BAAAAD." 235 00:09:59,208 --> 00:10:00,668 WE'VE GOT TO FIND CHLOE. 236 00:10:00,750 --> 00:10:03,540 AND WE'VE GOT TO FIND ME AN OPEN-MIC NIGHT. 237 00:10:03,625 --> 00:10:06,955 LOOK, WE NEED TO FIND CHLOE BEFORE MOM AND DAD GET BACK. 238 00:10:07,041 --> 00:10:08,541 AND WE NEED ALL THE HELP WE CAN GET. 239 00:10:08,625 --> 00:10:09,625 I CALL TYLER. 240 00:10:09,709 --> 00:10:10,919 I'LL GET CHLOE. 241 00:10:11,000 --> 00:10:12,880 OH, RIGHT. 242 00:10:14,500 --> 00:10:16,500 SHE'S GONE? 243 00:10:16,583 --> 00:10:18,463 WHAT DO YOU MEAN YOU LEFT? 244 00:10:18,542 --> 00:10:19,962 WHAT KIND OF PERSON LEAVES 245 00:10:20,041 --> 00:10:22,331 WHEN THEY'RE IN CHARGE OF WATCHING SOMEONE? 246 00:10:22,417 --> 00:10:24,377 FINE, I'LL BE RIGHT THERE. 247 00:10:25,583 --> 00:10:27,083 WHAT'S "IRONY"? 248 00:10:27,166 --> 00:10:29,206 IN ART OR LITERATURE-- 249 00:10:29,291 --> 00:10:30,541 NEVER MIND, MY SISTER'S MISSING. 250 00:10:30,625 --> 00:10:33,455 ( gasps ) THAT'S HORRIBLE! 251 00:10:34,125 --> 00:10:35,825 YEAH, IT REALLY IS HORRIBLE. 252 00:10:35,917 --> 00:10:37,077 SHOULDN'T YOU RUSH HOME? 253 00:10:37,166 --> 00:10:38,826 IN A MINUTE. 254 00:10:38,917 --> 00:10:40,627 DO YOU WANT ME TO COME WITH YOU AND HELP? 255 00:10:40,709 --> 00:10:41,999 NO, STAY HERE. 256 00:10:42,083 --> 00:10:43,083 WE LOSE MY SISTER ALL THE TIME. 257 00:10:43,166 --> 00:10:44,166 IT'S NO BIG DEAL. 258 00:10:44,250 --> 00:10:47,330 -BUT IT'S HORRIBLE! -OH! 259 00:10:50,250 --> 00:10:51,500 EXCUSE ME. 260 00:10:51,583 --> 00:10:53,633 PARDON ME. 261 00:10:53,709 --> 00:10:54,959 WHOA! 262 00:10:58,625 --> 00:10:59,955 YOU LIKE THAT, HONEY? 263 00:11:00,041 --> 00:11:01,211 LIKE WHAT? 264 00:11:04,667 --> 00:11:07,037 OH, YEAH. THAT'S NICE, HONEY. 265 00:11:07,125 --> 00:11:09,035 I COULD STAY LIKE THIS FOREVER. 266 00:11:14,083 --> 00:11:15,633 Avery: WHAT TOOK YOU SO LONG? 267 00:11:15,709 --> 00:11:17,539 I WAS THE VICTIM OF A SENSELESS HUGGING. 268 00:11:18,834 --> 00:11:20,084 I TOLD YOU TO WATCH HER. 269 00:11:20,166 --> 00:11:22,036 AND I TOLD STAN TO WATCH HER. 270 00:11:22,125 --> 00:11:23,125 I DON'T KNOW WHAT HAPPENED. 271 00:11:23,208 --> 00:11:24,828 I LOST A MEMBER OF THE PACK. 272 00:11:24,917 --> 00:11:26,417 BUT I CAN FIND HER. 273 00:11:26,500 --> 00:11:27,920 I'M 1/8 BLOODHOUND. 274 00:11:28,000 --> 00:11:29,250 I'VE GOT HER SCENT. 275 00:11:29,333 --> 00:11:30,383 I'M ON IT. 276 00:11:30,458 --> 00:11:31,788 ( sniffing ) CHLOE? 277 00:11:33,250 --> 00:11:34,960 1/8 IS REALLY NOT THAT MUCH. 278 00:11:36,208 --> 00:11:37,828 IT'S ALL RIGHT, STAN. HEY, GUYS! 279 00:11:37,917 --> 00:11:40,127 LET'S SPLIT UP, AND WE'LL SCOUR THE NEIGHBORHOOD. 280 00:11:40,250 --> 00:11:41,540 AND IF WE CAN'T FIND HER, 281 00:11:41,625 --> 00:11:43,785 I PUT ON A RED WIG, WALK AROUND SAYING, 282 00:11:43,875 --> 00:11:44,875 "WHY YOU TAKING MY BEANS?" 283 00:11:52,458 --> 00:11:56,828 WHOA. SO, THAT'S A SUGAR CRASH. 284 00:11:59,125 --> 00:12:01,325 CHLOE! CHLOE? 285 00:12:04,083 --> 00:12:06,543 NO TIME. NO TIME. 286 00:12:06,625 --> 00:12:08,035 CHLOE'S NOT HERE. 287 00:12:08,125 --> 00:12:09,705 BETTER CHECK THE PLAYGROUND. 288 00:12:10,041 --> 00:12:11,581 HE'S MY MASTER. 289 00:12:11,667 --> 00:12:12,877 I CAN'T HELP IT. 290 00:12:13,625 --> 00:12:16,575 HONEY, WE'RE IN PUBLIC. 291 00:12:20,959 --> 00:12:22,039 KARL, CHLOE'S MISSING. 292 00:12:22,125 --> 00:12:23,745 WE'VE LOOKED EVERYWHERE, 293 00:12:23,834 --> 00:12:26,004 AND OBVIOUSLY WE WOULDN'T BE HERE IF WE WEREN'T DESPERATE. 294 00:12:26,083 --> 00:12:28,753 I WOULDN'T WANT YOU HERE UNLESS YOU WERE DESPERATE. 295 00:12:29,500 --> 00:12:31,040 ARE THOSE MY GYM SOCKS? 296 00:12:31,125 --> 00:12:32,125 YOU CAN HAVE THEM BACK 297 00:12:32,250 --> 00:12:34,960 AS SOON AS I'VE DISTILLED THE PHEROMONES FROM YOUR SWEAT. 298 00:12:35,041 --> 00:12:37,881 I'M GOING TO DISCOVER WHY YOU ATTRACT GIRLS, AND I DON'T. 299 00:12:37,959 --> 00:12:39,829 BECAUSE YOU BOIL SOCKS. 300 00:12:41,667 --> 00:12:43,627 LOOK, YOU SPY ON EVERYONE IN THE NEIGHBORHOOD, 301 00:12:43,709 --> 00:12:45,169 JUST TELL US IF YOU'VE SEEN CHLOE. 302 00:12:45,250 --> 00:12:46,500 IT'S GOING TO COST YOU. 303 00:12:46,583 --> 00:12:48,833 WHAT DO YOU WANT, MY DIRTY GYM SHORTS? 304 00:12:48,917 --> 00:12:50,917 WHY WOULD I WANT ANOTHER PAIR OF YOUR DIRTY GYM SHORTS? 305 00:12:51,000 --> 00:12:53,420 WHERE ARE YOU GETTING ALL MY STUFF? 306 00:12:54,792 --> 00:12:56,962 KARL, THIS HAS BEEN A NICE VISIT, BUT TELL ME, 307 00:12:57,041 --> 00:13:00,291 DO YOU HAVE TEA WITH THE OTHER MOTHERS ON THE BLOCK? 308 00:13:00,375 --> 00:13:03,165 YES, BUT JOAN'S AND TRACY'S FINGER SANDWICHES 309 00:13:03,250 --> 00:13:04,790 DON'T HOLD A CANDLE TO YOURS. 310 00:13:04,875 --> 00:13:06,575 AND LOUISE JUST CRIES. 311 00:13:07,709 --> 00:13:10,079 WELL, I HAVE A LOT OF LAUNDRY TO DO, SO... 312 00:13:10,166 --> 00:13:11,706 YES, I CAN SEE THAT. 313 00:13:11,792 --> 00:13:13,422 ALL RIGHT. 314 00:13:13,500 --> 00:13:15,540 THANKS FOR COMING BY, KARL. TAKE CARE. 315 00:13:15,625 --> 00:13:17,075 TOODLE-LOO! 316 00:13:18,291 --> 00:13:21,081 THERE IS ONE THING I DO WANT, THOUGH, THE WATERPARK. 317 00:13:21,166 --> 00:13:23,456 TAKE ME WITH YOU AND I'LL TELL YOU EVERYTHING I KNOW ABOUT CHLOE. 318 00:13:23,542 --> 00:13:24,752 YOU'RE BLUFFING. 319 00:13:24,834 --> 00:13:25,884 YOU KNOW NOTHING ABOUT CHLOE. 320 00:13:25,959 --> 00:13:26,919 HOW DID YOU KNOW? 321 00:13:27,000 --> 00:13:28,670 I DIDN'T, UNTIL JUST NOW. 322 00:13:28,750 --> 00:13:30,210 I WALKED RIGHT INTO THAT. 323 00:13:31,041 --> 00:13:33,711 THESE TYLER PHEROMONES MUST BE DULLING MY SENSES. 324 00:13:33,792 --> 00:13:35,922 THAT'S HOW IT WORKS ON GIRLS! 325 00:13:36,000 --> 00:13:37,960 ( sighs ) WE'RE LEAVING! 326 00:13:38,041 --> 00:13:39,791 YOU'RE PATHETIC, KARL. 327 00:13:39,875 --> 00:13:42,665 I FEEL THE SAME WAY ABOUT YOU AND YOUR WHOLE DESPICABLE FAMILY. 328 00:13:42,750 --> 00:13:45,380 TELL ELLEN I'LL BRING MY CRANBERRY SCONES TOMORROW. 329 00:13:45,458 --> 00:13:47,128 IT'S NOT WEIRD. 330 00:13:49,792 --> 00:13:52,002 CANDY. CANDY! 331 00:13:53,041 --> 00:13:54,961 COME ON! COME ON! 332 00:13:55,834 --> 00:13:57,044 CANDY? 333 00:13:58,583 --> 00:14:01,583 CANDY! CANDY! 334 00:14:01,667 --> 00:14:02,827 CANDY! AHH! 335 00:14:04,959 --> 00:14:06,499 I DON'T KNOW WHAT ELSE TO DO. 336 00:14:06,583 --> 00:14:08,083 WE LOOKED EVERYWHERE! 337 00:14:08,166 --> 00:14:09,416 I KNOW. 338 00:14:09,500 --> 00:14:11,130 I THINK WE NEED TO CALL THE POLICE. 339 00:14:12,709 --> 00:14:15,629 HI. UH, YES, I'D LIKE TO REPORT A MISSING CHILD. 340 00:14:16,500 --> 00:14:19,380 OF COURSE WE'VE LOOKED EVERYWHERE, WE'RE NOT IDIOTS. 341 00:14:21,083 --> 00:14:22,293 ( doorbell ) 342 00:14:22,375 --> 00:14:25,075 -MAYBE THAT'S HER! -OHH! 343 00:14:26,208 --> 00:14:27,958 OH, IT'S YOU. 344 00:14:28,041 --> 00:14:32,881 WOW. THAT IS THE FIRST TIME ANYONE'S EVER BEEN DISAPPOINTED TO SEE ME. 345 00:14:32,959 --> 00:14:34,459 I'M NOT! 346 00:14:34,542 --> 00:14:36,462 BUT WE STILL HAVEN'T FOUND CHLOE. 347 00:14:36,542 --> 00:14:37,832 I'M REALLY WORRIED. 348 00:14:37,917 --> 00:14:39,827 OHH! 349 00:14:39,917 --> 00:14:41,537 HEY, THAT WAS MINE! 350 00:14:41,625 --> 00:14:42,825 SO, WHAT ARE YOU DOING BACK HERE? 351 00:14:42,917 --> 00:14:44,127 THE CONCERT JUST ENDED. 352 00:14:44,208 --> 00:14:46,748 OHH! MOM AND DAD WILL BE HOME ANY SECOND! 353 00:14:46,834 --> 00:14:49,754 NIKKI, CAN YOU GO STALL OUR PARENTS UNTIL WE FIND CHLOE? 354 00:14:49,834 --> 00:14:52,924 UH, I DON'T FEEL COMFORTABLE BEING DECEPTIVE. 355 00:14:53,000 --> 00:14:54,750 I UNDERSTAND IF IT MAKES YOU FEEL UNCOMFORTABLE-- 356 00:14:54,834 --> 00:14:55,884 HA! I GOT YOU! 357 00:14:55,959 --> 00:14:57,079 I WAS BEING DECEPTIVE RIGHT THEN. 358 00:14:57,166 --> 00:14:58,956 I LOVE BEING DECEPTIVE! 359 00:14:59,041 --> 00:15:01,041 IT'S MY FAVORITE THING, NEXT TO TELLING THE TRUTH. 360 00:15:04,333 --> 00:15:05,293 Both: AHH! 361 00:15:05,375 --> 00:15:06,915 OH! BRAVO! BRAVO! 362 00:15:09,166 --> 00:15:10,166 WELL, UH... 363 00:15:10,375 --> 00:15:12,375 THAT WAS EMBARRASSING. 364 00:15:12,458 --> 00:15:13,918 YOU KIDDING? 365 00:15:14,000 --> 00:15:15,960 THAT'S THE BEST SLEEP I'VE HAD SINCE AVERY WAS BORN. 366 00:15:16,041 --> 00:15:17,331 WE SHOULD DO THIS AGAIN. 367 00:15:17,417 --> 00:15:19,287 YEAH, WE DON'T EVEN HAVE TO REPACK. 368 00:15:19,375 --> 00:15:20,875 WE BARELY TOUCHED OUR PICNIC. 369 00:15:24,083 --> 00:15:25,213 OH, MY! 370 00:15:25,291 --> 00:15:26,291 GOODNESS! 371 00:15:26,375 --> 00:15:28,285 WE LET THAT OLD WOMAN STEAL OUR CHEESE? 372 00:15:28,375 --> 00:15:30,375 SHE CLEARLY WANTED IT MORE. 373 00:15:32,500 --> 00:15:34,830 OH! I'M SO GLAD TO SEE YOU BOTH! 374 00:15:34,917 --> 00:15:36,627 OH! NIKKI. HI! 375 00:15:36,709 --> 00:15:38,579 DR. JAMES, I NEED YOUR HELP. 376 00:15:38,667 --> 00:15:40,377 I'VE BEEN HAVING THIS CRAZY DREAM, 377 00:15:40,458 --> 00:15:41,748 AND IT'S REALLY DISTURBING ME. 378 00:15:41,834 --> 00:15:43,584 OH, I'M SORRY TO HEAR THAT. 379 00:15:43,667 --> 00:15:45,957 WELL, WHY DON'T WE TALK ABOUT IT TOMORROW IN MY OFFICE? 380 00:15:46,041 --> 00:15:48,131 BUT WHAT IF I HAVE THE DREAM AGAIN TONIGHT? 381 00:15:48,208 --> 00:15:50,578 OKAY. WE'LL GO BACK TO MY OFFICE RIGHT NOW. 382 00:15:50,667 --> 00:15:52,037 NO! 383 00:15:52,125 --> 00:15:54,125 THE DREAM HAPPENS IN AN OFFICE. 384 00:15:54,208 --> 00:15:56,998 IT'S FILLED WITH... GEESE. 385 00:15:57,875 --> 00:16:00,245 WELL, THERE'S REALLY NO REASON I HAVE TO HURRY BACK. 386 00:16:00,375 --> 00:16:01,875 ALL RIGHT, THEN. THEN, I'LL SEE YOU AT HOME. 387 00:16:01,959 --> 00:16:03,499 NO, STAY! 388 00:16:03,583 --> 00:16:07,633 I FIND YOUR SOOTHING MATERNAL NATURE... SO COMFORTING. 389 00:16:07,709 --> 00:16:10,169 OH, AREN'T YOU A DEAR! 390 00:16:10,250 --> 00:16:12,170 HELP THIS GIRL, BENNETT. 391 00:16:16,959 --> 00:16:20,379 REMEMBER HOW CHLOE USED TO WEAR THE SALAD BOWL LIKE A HAT? 392 00:16:20,458 --> 00:16:23,578 REMEMBER HOW SHE USED TO CALL HER FEET HER "WALKING HANDS"? 393 00:16:24,959 --> 00:16:28,169 AND HOW I USED TO CALL MY EYES MY "LOOKING BALLS"? 394 00:16:29,583 --> 00:16:32,003 CHLOE, IS THAT REALLY YOU? 395 00:16:32,083 --> 00:16:33,883 IT'S NOT STAN IN A RED WIG. 396 00:16:33,959 --> 00:16:35,039 THAT'S OVER THERE. 397 00:16:36,125 --> 00:16:37,955 WHY YOU TAKING MY BEANS? 398 00:16:38,959 --> 00:16:40,129 OH, SHE'S HERE. 399 00:16:40,208 --> 00:16:41,998 SOMEONE COULD HAVE TOLD ME. 400 00:16:43,583 --> 00:16:45,003 THANK GOODNESS YOU'RE BACK! 401 00:16:45,083 --> 00:16:47,133 I'LL TEXT NIKKI THAT WE FOUND HER. 402 00:16:47,458 --> 00:16:50,918 AND THEN I LOOKED DOWN AND I HAD ORANGE WEBBED FEET 403 00:16:51,000 --> 00:16:55,380 AND AN ELEPHANT TRUNK, AND I COULD ONLY MAKE DONKEY SOUNDS. 404 00:16:55,458 --> 00:16:58,668 HEE-HAW, HEE-HAW. 405 00:16:58,750 --> 00:16:59,880 I'M SENSING SOME DEEP-SEATED TURMOIL. 406 00:16:59,959 --> 00:17:00,789 ( phone beeps ) 407 00:17:00,875 --> 00:17:01,995 IT MAY TAKE MANY YEARS OF THERAPY-- 408 00:17:02,083 --> 00:17:03,133 THAT'S IT! 409 00:17:03,208 --> 00:17:06,168 THANK YOU, DR. JAMES. YOU'RE BRILLIANT! 410 00:17:06,250 --> 00:17:07,210 HEY, HONEY. WAKE UP. 411 00:17:07,291 --> 00:17:08,711 I CURED HER. 412 00:17:11,417 --> 00:17:13,667 ( raspy ) I WAS SLEEPING WITH MY MOUTH OPEN. 413 00:17:13,750 --> 00:17:15,130 MY THROAT IS FULL OF ANTS. 414 00:17:15,208 --> 00:17:19,208 ( coughing ) 415 00:17:19,291 --> 00:17:21,041 WHERE WERE YOU THIS WHOLE TIME, CHLOE? 416 00:17:21,125 --> 00:17:22,665 NOT EATING CANDY. 417 00:17:22,750 --> 00:17:24,040 ( doorbell ) 418 00:17:24,125 --> 00:17:25,285 THAT'S PROBABLY THE POLICE. 419 00:17:25,375 --> 00:17:28,035 YOU REALLY HAD US SCARED, YOU LITTLE CANDY THIEF. 420 00:17:28,125 --> 00:17:31,205 YOU DO ANYTHING LIKE THAT AGAIN, YOU'LL BE IN BIG TROUBLE. 421 00:17:31,291 --> 00:17:33,001 HI. WE'RE HERE ABOUT THE LITTLE GIRL. 422 00:17:34,166 --> 00:17:35,166 BUSTED! 423 00:17:36,667 --> 00:17:38,997 THANK YOU, FOR COMING SO QUICKLY, OFFICERS. 424 00:17:39,083 --> 00:17:41,423 WE DID HAVE A PROBLEM WITH HER TODAY, BUT WE FOUND HER. 425 00:17:41,500 --> 00:17:42,380 SO IT'S OKAY. 426 00:17:42,458 --> 00:17:43,878 IT'S GOOD THAT YOU CALLED. 427 00:17:43,959 --> 00:17:44,959 YOU DID THE RIGHT THING. 428 00:17:45,041 --> 00:17:46,131 I ALWAYS DO. 429 00:17:48,959 --> 00:17:49,999 I GOT TO GO! 430 00:17:50,083 --> 00:17:51,833 THE COPS ARE AFTER ME FOR BEING A CANDY THIEF! 431 00:17:51,917 --> 00:17:52,827 UH-UH! 432 00:17:52,917 --> 00:17:54,127 YOU'RE NOT GETTING BY ME! 433 00:17:54,208 --> 00:17:55,458 AGAIN. 434 00:17:55,542 --> 00:17:56,922 YOU'RE PART OF MY PACK, CHLOE. 435 00:17:57,000 --> 00:17:58,040 AND I LOVE YOU. 436 00:17:58,125 --> 00:18:00,205 AND IT'S MY JOB TO MAKE SURE-- BALL! 437 00:18:07,458 --> 00:18:11,078 WHAT WERE YOU DOING OUTSIDE BY YOURSELF, YOUNG LADY? 438 00:18:11,166 --> 00:18:14,416 JUST THINKING ABOUT HOW MUCH I "WUV" YOU. 439 00:18:15,208 --> 00:18:17,078 DID YOU JUST SAY "WUV"? 440 00:18:17,166 --> 00:18:19,916 THAT'S TOO CUTE TO PUNISH, RIGHT? 441 00:18:20,667 --> 00:18:21,917 NO. 442 00:18:22,000 --> 00:18:24,080 DID TYLER AND AVERY KNOW YOU WERE OUTSIDE? 443 00:18:24,166 --> 00:18:25,286 NO. 444 00:18:25,375 --> 00:18:27,535 WE'RE GOING TO TEACH TYLER AND AVERY A LESSON. 445 00:18:27,625 --> 00:18:29,495 I CANNOT BELIEVE THEY WERE SO IRRESPONSIBLE. 446 00:18:29,583 --> 00:18:32,003 AND YOU, CHLOE, ARE NOT ALLOWED OUTSIDE UNSUPERVISED! 447 00:18:32,083 --> 00:18:33,673 DID I MISS SOMETHING? 448 00:18:34,375 --> 00:18:37,375 CHLOE, WAIT HERE. WE'LL DEAL WITH YOU IN A MINUTE. 449 00:18:37,458 --> 00:18:40,248 THERE'S GOING TO BE SOME BIG PUNISHMENT HANDED DOWN HERE. 450 00:18:41,792 --> 00:18:43,672 I DON'T WANT BIG PUNISHMENT. 451 00:18:43,750 --> 00:18:44,920 WHOA WHOA WHOA. 452 00:18:45,000 --> 00:18:47,290 I AM NOT LETTING YOU LEAVE AGAIN. 453 00:18:47,375 --> 00:18:48,495 AGAIN. 454 00:18:48,959 --> 00:18:51,039 I HAVE A RESPONSIBILITY HERE, AND I TAKE MY RESPONSIBILITY... 455 00:18:51,125 --> 00:18:54,125 -( squeaking ) -...VERY, VERY-- TOY! 456 00:18:55,583 --> 00:18:58,543 SO, YOU'VE BEEN WATCHING CHLOE THIS WHOLE TIME, HAVE YOU? 457 00:18:58,625 --> 00:19:00,375 YEAH, SHE'S UPSTAIRS. 458 00:19:00,458 --> 00:19:01,828 UPSTAIRS, IS SHE? 459 00:19:01,917 --> 00:19:02,997 YEAH, I THINK SO. 460 00:19:03,083 --> 00:19:04,503 THINK SO, DO YOU? 461 00:19:06,083 --> 00:19:07,133 WHAT IF I WERE TO TELL YOU 462 00:19:07,208 --> 00:19:10,248 WE FOUND HER OUTSIDE BY HERSELF WALKING IN THE STREET? 463 00:19:10,333 --> 00:19:11,583 IN THE STREET, WAS SHE? 464 00:19:13,125 --> 00:19:15,455 THERE'S GOING TO BE SOME BIG PUNISHMENT FOR THIS. 465 00:19:15,542 --> 00:19:17,672 FOR ONE THING, NO WATERPARK NEXT WEEKEND. 466 00:19:17,750 --> 00:19:18,880 NO, NOT THE WATERPARK. 467 00:19:18,959 --> 00:19:20,329 I REALLY WANT TO GO TO THE WATERPARK. 468 00:19:21,208 --> 00:19:22,918 I REALLY WANT TO GO TO THE WATERPARK, TOO. 469 00:19:23,000 --> 00:19:24,080 I DON'T KNOW WHY I JUST SAID THAT. 470 00:19:24,166 --> 00:19:25,706 WE'RE GOING TO THE WATERPARK. 471 00:19:26,667 --> 00:19:29,877 BUT NO SCREEN TIME FOR A WEEK, BECAUSE YOU WERE IRRESPONSIBLE. 472 00:19:29,959 --> 00:19:33,669 SO, HOPEFULLY YOU'VE LEARNED YOUR LESSON AND CAN LEARN A LITTLE SOMETHING FROM US. 473 00:19:33,750 --> 00:19:35,880 BECAUSE WE KNOW HOW TO LOOK AFTER SOMEONE. 474 00:19:35,959 --> 00:19:38,829 WE KNOW WHAT IT MEANS TO KEEP YOUR EYE ON SOMEONE. 475 00:19:38,917 --> 00:19:41,827 IT MEANS NEVER LET THEM LEAVE YOUR SIGHT. 476 00:19:43,250 --> 00:19:45,170 ANYONE COULD LOSE SOMEONE. 477 00:19:45,250 --> 00:19:46,670 IT HAPPENS. 478 00:19:47,792 --> 00:19:49,832 YES, I'D LIKE TO REPORT A LOST CHILD. 479 00:19:50,542 --> 00:19:53,542 OF COURSE WE'VE LOOKED EVERYWHERE, WE'RE NOT IDIOTS. 480 00:19:53,625 --> 00:19:55,375 ON SECOND THOUGHT, WE ARE IDIOTS! 481 00:19:56,250 --> 00:19:57,210 CHLOE! 482 00:19:57,291 --> 00:20:00,461 CHLOE! DO NOT WANDER OFF LIKE THAT. 483 00:20:00,542 --> 00:20:03,002 HELLO, BLENDED FAMILY. 484 00:20:03,083 --> 00:20:05,753 I FOUND LITTLE RED WANDERING DOWN THE SIDEWALK. 485 00:20:05,834 --> 00:20:06,964 EATING THIS. 486 00:20:07,041 --> 00:20:10,381 MY FOOD BOX REALLY HURTS. 487 00:20:12,166 --> 00:20:13,956 WELL, THAT'S WHY WE HAVE A RULE 488 00:20:14,041 --> 00:20:16,921 ABOUT HOW MUCH CANDY YOU CAN PUT IN YOUR EATIN' HOLE! 489 00:20:18,291 --> 00:20:20,831 RAISINS ARE A HEALTHY SWEET ALTERNATIVE. 490 00:20:20,917 --> 00:20:23,457 ACCORDING TO MOTHER'S SPARRING PARTNER, GREGOR. 491 00:20:24,291 --> 00:20:26,711 WELL, THANK YOU, KARL. HOW CAN WE REPAY YOU? 492 00:20:26,792 --> 00:20:28,922 OH, THE LITTLE GIRL'S SAFETY IS ALL I CARE-- 493 00:20:29,000 --> 00:20:31,630 I WOULD LOVE TO JOIN YOU FOR THE WATERPARK NEXT WEEKEND. 494 00:20:32,417 --> 00:20:34,417 OKAY. SOUNDS GREAT. 495 00:20:34,500 --> 00:20:35,670 Avery and Tyler: NO! 496 00:20:36,166 --> 00:20:38,376 WE CAN DISCUSS THE DETAILS TOMORROW, OVER TEA. 497 00:20:38,458 --> 00:20:39,458 WHAT? 498 00:20:39,542 --> 00:20:41,462 OH, SOMETIMES KARL AND I HAVE TEA. 499 00:20:41,542 --> 00:20:42,962 IT'S NOT WEIRD. 500 00:20:44,667 --> 00:20:46,917 SO, I STILL GET PAID FOR BABYSITTING, RIGHT? 501 00:20:47,000 --> 00:20:49,170 ( all laughing ) 502 00:20:50,792 --> 00:20:52,042 CLASSIC! 503 00:20:57,291 --> 00:21:00,171 I GUESS NONE OF US WERE VERY RESPONSIBLE THAT DAY. 504 00:21:00,291 --> 00:21:03,381 BUT WE PUT THAT BEHIND US THE NEXT WEEKEND AT THE WATERPARK, 505 00:21:03,458 --> 00:21:05,418 AND WE ALL HAD FUN! 506 00:21:07,542 --> 00:21:10,132 EXCEPT FOR TYLER AND AVERY. 507 00:21:11,375 --> 00:21:13,995 AND WE WERE VERY RESPONSIBLE, TOO. 508 00:21:14,083 --> 00:21:15,583 UNTIL WE LOST CHLOE. 509 00:21:17,709 --> 00:21:20,129 THANK GOODNESS FOR THE GONZALEZ FAMILY. 510 00:21:20,208 --> 00:21:23,958 NOW THEY KNOW HOW TO BE RESPONSIBLE. 511 00:21:25,375 --> 00:21:27,205 ( music playing ) 512 00:21:31,083 --> 00:21:32,463 ( boing ) 35908

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