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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,592 --> 00:00:09,592 Subtitles by explosiveskull www.OpenSubtitles.org M_I_SForEver 2 00:00:21,780 --> 00:00:24,740 -What's so funny? -You are. 3 00:00:24,900 --> 00:00:28,820 You think I'm funny? Finally someone believes it! 4 00:00:40,420 --> 00:00:43,420 Do we have the video or not? 5 00:00:43,580 --> 00:00:45,940 I don't get what's going on tonight. 6 00:00:46,100 --> 00:00:49,660 You're making them nervous. Oh, here we go. 7 00:00:49,820 --> 00:00:51,460 Your son's awake. 8 00:00:51,620 --> 00:00:55,060 Did you feel this feminine when you were a man? 9 00:00:55,220 --> 00:00:57,340 Yes, exactly the same. 10 00:00:57,500 --> 00:01:01,740 -Since when do you feel like a woman? -Since I was born. 11 00:01:01,900 --> 00:01:04,420 I used to dress up in my mother's clothes. 12 00:01:04,580 --> 00:01:07,140 -So you were sure about it then? -Completely sure. 13 00:01:07,300 --> 00:01:10,940 -But the village where I grew up... -Hey, what're you doing up? 14 00:01:11,100 --> 00:01:13,660 -You have school tomorrow. -didn't understand this, 15 00:01:13,820 --> 00:01:17,060 so I moved to Madrid, where I made a good friend, 16 00:01:17,220 --> 00:01:19,580 and that's when I said: "Let's do this". 17 00:01:20,020 --> 00:01:21,860 THIS STORY IS BASED ON THE MEMOIR WRITTEN 18 00:01:22,020 --> 00:01:23,660 BY CRISTINA ORTIZ, LA VENENO, 19 00:01:23,820 --> 00:01:28,020 AND ON THE ACCOUNTS OF THE PEOPLE WHOSE LIVES SHE CHANGED. 20 00:01:28,180 --> 00:01:33,780 AS A STORY PRODUCT OF THE MEMORY, IT HAS A BIT OF REALITY AND FICTION. 21 00:01:33,940 --> 00:01:38,420 AND, AS IN ALL FICTIONAL STORIES, IT HAS SOMETHING PROFOUNDLY TRUE. 22 00:01:41,420 --> 00:01:42,780 Oh! Man. 23 00:01:46,540 --> 00:01:50,380 -Aw man, I lost again! -Here, lemme try, it's my turn. 24 00:01:50,540 --> 00:01:52,700 No. I wanna go again, my finger just slipped. 25 00:01:52,860 --> 00:01:55,940 You are totally addicted, Amparo. 26 00:01:56,100 --> 00:01:58,140 -Addicted? -Yeah. 27 00:01:58,300 --> 00:02:00,660 You're addicted to weed, and I don't say anything, RubĂ©n. 28 00:02:00,820 --> 00:02:02,660 Yes you do, every day. 29 00:02:04,220 --> 00:02:05,980 Come on, gimme a turn. 30 00:02:07,380 --> 00:02:08,860 -Here. -Thanks. 31 00:02:16,220 --> 00:02:18,580 -Hey, RubĂ©n. -What? 32 00:02:18,740 --> 00:02:21,220 Have you ever noticed that this game is like life? 33 00:02:21,380 --> 00:02:25,100 -What are you saying? -It is, totally. Check it out. 34 00:02:25,260 --> 00:02:27,300 You start out small, 35 00:02:27,460 --> 00:02:29,860 but the more you eat, the bigger you get. 36 00:02:30,020 --> 00:02:33,620 And the bigger you get, the harder things get, 37 00:02:33,780 --> 00:02:36,620 because the space doesn't change, 38 00:02:36,780 --> 00:02:38,900 it's always the same four walls. 39 00:02:39,060 --> 00:02:43,860 And suddenly one day, you notice that you've changed, 40 00:02:45,060 --> 00:02:48,580 you're completely different, and you don't fit anymore. 41 00:02:48,740 --> 00:02:53,020 Until your ass smacks you in the face, and then you die. 42 00:02:54,300 --> 00:02:57,620 -Geez, you're making me all paranoid. -Why wouldn't you be paranoid? 43 00:02:57,780 --> 00:03:00,940 Life is rough, RubĂ©n. You have to think sometimes. 44 00:03:02,420 --> 00:03:05,100 -Hey, honey. Got a light? -He does. 45 00:03:19,780 --> 00:03:21,900 Whoa! Nice schlong. 46 00:03:22,060 --> 00:03:23,860 -I can tell you mean business. -No. 47 00:03:24,020 --> 00:03:25,820 Thanks, bad boy. 48 00:03:25,980 --> 00:03:29,780 Do you know who that was? Did you see? No way! 49 00:03:29,940 --> 00:03:32,740 -Did you see...? -Excuse me. You... 50 00:03:32,900 --> 00:03:35,740 -You're La Veneno. -Of course I'm La Veneno, honey. 51 00:03:35,900 --> 00:03:38,100 World famous. 52 00:03:38,260 --> 00:03:41,220 -What're you doing in Valencia? -I've got some gigs. 53 00:03:41,380 --> 00:03:42,700 Awesome! 54 00:03:50,220 --> 00:03:53,740 -You saw her grab my dick, right? -Of course she did! 55 00:03:53,900 --> 00:03:57,260 It was the least she could do, RubĂ©n. Do you know who that was? 56 00:04:13,620 --> 00:04:16,180 GUESS WHO I JUST SAW 57 00:04:16,340 --> 00:04:17,660 URGENT 58 00:04:17,820 --> 00:04:19,140 WHO, BITCH? 59 00:04:23,380 --> 00:04:24,700 INCREDIBLE! 60 00:04:25,660 --> 00:04:26,980 WHO? 61 00:04:31,620 --> 00:04:32,940 LA VENENO! 62 00:04:59,220 --> 00:05:04,420 CHAPTER 1 THE NIGHT WE CROSSED THE MISSISSIPPI 63 00:05:04,580 --> 00:05:06,340 With this bombshell of a woman, 64 00:05:06,500 --> 00:05:09,820 "Being young" is another look at the dark side of the American dream. 65 00:05:09,980 --> 00:05:12,900 Are we in the presence of a new talent or not? 66 00:05:13,060 --> 00:05:18,100 The truth is when it comes to looks, they aren't always deceiving. 67 00:05:27,980 --> 00:05:29,340 -Hey girl! -Hi. 68 00:05:29,500 --> 00:05:31,500 -What're you doing here? -Just visiting. 69 00:05:31,660 --> 00:05:33,620 What a surprise. If you'd let us know, 70 00:05:33,780 --> 00:05:36,060 -we'd have brought you a little gift. -No, it's fine. 71 00:05:36,220 --> 00:05:37,860 -Hey, congratulations. -Thank you. 72 00:05:38,020 --> 00:05:40,740 -ETA continues to kill. -Love you. 73 00:05:42,220 --> 00:05:44,060 -Sonia. -Hey girl! 74 00:05:44,220 --> 00:05:48,060 How are you, sweetie? Lemme see. You look great. 75 00:05:48,220 --> 00:05:50,860 I can't wait to meet your baby. I'm sorry I couldn't come visit. 76 00:05:51,020 --> 00:05:52,980 -I sleep all morning. -No worries. 77 00:05:53,140 --> 00:05:55,260 It's hard work at night. I just can't wake up. 78 00:05:55,420 --> 00:05:57,580 -Don't worry. -I have to tell you about Romario. 79 00:05:57,740 --> 00:05:59,620 -What happened? -Sonia Monroy, first call. 80 00:05:59,780 --> 00:06:03,820 -Really? -Yep... Look who's here. No way. 81 00:06:05,540 --> 00:06:10,140 No, no. Look, I even have a video. I'm willing to tell you everything. 82 00:06:10,300 --> 00:06:13,460 -Absolutely everything! -Keep your voice down. 83 00:06:13,620 --> 00:06:17,100 -Faela, what're you doing here? -Mari! 84 00:06:17,260 --> 00:06:20,660 -I'm so happy to see you. -How are you? 85 00:06:20,820 --> 00:06:22,700 -Come with me. -How's it going? 86 00:06:22,860 --> 00:06:25,500 I've beem the last two hours in the dressing room with Mario Conde. 87 00:06:25,660 --> 00:06:27,980 Looks like he wants to sing with one of Los Brincos. 88 00:06:28,140 --> 00:06:30,900 Out of the blue, and with the mess he's in. 89 00:06:31,060 --> 00:06:34,340 -I tell you, this place... -No, no, I'm following you guys. 90 00:06:34,500 --> 00:06:37,860 -And it's really turning out... -It's good, yeah. 91 00:06:38,020 --> 00:06:40,980 You shoulda seen Carlotti yesterday with two huge cured hams, 92 00:06:41,140 --> 00:06:44,740 coming through the crowd to greet us. Listen, I've to go. 93 00:06:44,900 --> 00:06:47,380 Hey, how's the new girl? 94 00:06:47,540 --> 00:06:49,260 MachĂșs? 95 00:06:49,420 --> 00:06:51,780 She's OK, but not like you. 96 00:06:51,940 --> 00:06:53,260 See you. 97 00:07:04,420 --> 00:07:05,740 You jerk! 98 00:07:06,820 --> 00:07:09,780 -What's up? -I can't stand her. 99 00:07:09,940 --> 00:07:13,300 -She'd put Judas to shame. -Video's up in 15 seconds. 100 00:07:13,460 --> 00:07:16,900 Let's go to the story. Cut to camera. Hurry up, guys. 101 00:07:17,060 --> 00:07:21,220 -Have you seen her segments? -She's not a journalist. 102 00:07:21,380 --> 00:07:22,780 Of course she's not. 103 00:07:22,940 --> 00:07:26,260 She's like Mama Chicho or something, but she's no journalist. 104 00:07:26,420 --> 00:07:30,060 And now, let's hear it for MachĂșs Osinaga. 105 00:07:30,220 --> 00:07:33,180 -What? -The ones upstairs want her onscreen. 106 00:07:33,340 --> 00:07:35,940 The girl's easy on the eyes, so... 107 00:07:39,740 --> 00:07:41,300 What've you got today? 108 00:07:41,460 --> 00:07:45,260 Well, today I've got a man with a Super Dick! 109 00:07:46,620 --> 00:07:50,220 -Yep, that's right. -We'll have to wait a few minutes, 110 00:07:50,380 --> 00:07:52,300 we've gotta cut to commercial. 111 00:07:52,460 --> 00:07:54,740 Then, Juan Ignacio Blanco with new passwords. 112 00:07:54,900 --> 00:07:56,780 Don't touch that dial. 113 00:08:00,700 --> 00:08:03,180 And, we're out. Juan Ignacio, first call. 114 00:08:03,340 --> 00:08:04,660 Makeup please. 115 00:08:08,980 --> 00:08:12,500 -Faela! What're you doing here? -I wanted to see you. 116 00:08:14,620 --> 00:08:17,380 I can't stay locked up in my house all day, right? 117 00:08:17,540 --> 00:08:20,380 -I want to talk about... -I'm listening. 118 00:08:21,620 --> 00:08:24,660 -Let me introduce you. -How's it going? Nice to meet you. 119 00:08:24,820 --> 00:08:27,900 Yeah, we've already... Pleasure. Great. 120 00:08:28,060 --> 00:08:31,420 How amazing, right? Man, it's gotta be incredible. 121 00:08:31,580 --> 00:08:33,180 What? 122 00:08:33,340 --> 00:08:35,460 -Being a mom. -Oh, yeah, it's incredible. 123 00:08:35,620 --> 00:08:39,140 -And a surprise, right? -Could we have a moment, please? 124 00:08:39,300 --> 00:08:41,260 Yeah sure, of course. 125 00:08:41,420 --> 00:08:42,820 Two minutes, guys. 126 00:08:42,980 --> 00:08:45,100 -What? -Reporters on set? 127 00:08:45,260 --> 00:08:46,860 Since when? 128 00:08:47,020 --> 00:08:49,740 I can see that motherhood suits you. 129 00:08:49,900 --> 00:08:53,580 Tell me about it. No, seriously. The new girl on set? 130 00:08:53,740 --> 00:08:56,740 -Anything you'd like to share? -Yes, Faela. 131 00:08:56,900 --> 00:09:00,220 We've got a show every single day and we need to try new things. 132 00:09:00,380 --> 00:09:04,900 Next time I'll run it by you so you can give me the OK. 133 00:09:05,060 --> 00:09:09,020 Alright, we're coming up on the end of the break. 134 00:09:09,180 --> 00:09:11,540 -Places, everyone. -Faela. 135 00:09:13,540 --> 00:09:14,860 Faela. 136 00:09:15,820 --> 00:09:18,620 Good seeing you, I miss you. 137 00:09:20,060 --> 00:09:22,300 -Here, sweetie. -Alright, and in... 138 00:09:23,780 --> 00:09:27,180 -Five, four... -Hey, I'm on my way, OK? 139 00:09:27,340 --> 00:09:29,220 Great. 140 00:09:29,380 --> 00:09:30,780 How's Lucas? 141 00:09:34,100 --> 00:09:35,500 Alright. 142 00:09:35,660 --> 00:09:37,220 Is he sleeping? 143 00:09:38,900 --> 00:09:41,340 Great, that's perfect. 144 00:09:41,500 --> 00:09:42,860 Hey, Mom? 145 00:09:45,340 --> 00:09:46,700 Thank you. 146 00:09:56,980 --> 00:09:59,340 Look out, bitch! You almost run me over! 147 00:09:59,500 --> 00:10:01,980 -What's your deal? -Sorry, I'm sorry. 148 00:10:03,860 --> 00:10:06,820 Look, I'm sorry. I didn't see you. 149 00:11:13,820 --> 00:11:17,580 In her book "The Spiral of Silence", Elisabeth Noelle-Neumann 150 00:11:17,740 --> 00:11:20,500 examines public opinion as a form of social control 151 00:11:20,660 --> 00:11:24,660 in which individuals shape their behavior to the prevailing 152 00:11:24,820 --> 00:11:27,660 attitudes about what is acceptable and what is not. 153 00:11:27,820 --> 00:11:32,300 Neumann theorizes that society threatens individuals with isolation 154 00:11:32,460 --> 00:11:35,060 if they express positions that stand in contrast to the majority. 155 00:11:35,220 --> 00:11:37,620 Let me clarify so you all understand. 156 00:11:37,780 --> 00:11:40,740 As individuals, we are trained to perceive 157 00:11:40,900 --> 00:11:43,460 the dominant climate of opinion, 158 00:11:43,620 --> 00:11:45,700 and we base our responses on that climate. 159 00:11:47,940 --> 00:11:50,820 U SURE IT WAS HER? 160 00:11:50,980 --> 00:11:53,380 TOTALLY! 161 00:11:53,540 --> 00:11:56,100 U HAFTA TELL ME EVERYTHING 162 00:11:56,260 --> 00:11:59,780 There is a theory in the book, that it's wonderful. 163 00:11:59,940 --> 00:12:02,500 SURE, COME WHEN YOU WANT. 164 00:12:02,660 --> 00:12:03,980 OK! 165 00:12:04,140 --> 00:12:05,780 C U, LUV 166 00:12:07,460 --> 00:12:08,780 Sorry. 167 00:12:11,700 --> 00:12:14,340 -It's just my friend saw La Veneno. -Who? 168 00:12:14,500 --> 00:12:17,780 Cristina, La Veneno. Here, in Valencia. I'm freaking out. 169 00:12:17,940 --> 00:12:20,820 What're you talking about? Who cares? We're in class. 170 00:12:20,980 --> 00:12:23,900 Silence please, if you would. Thank you. 171 00:12:25,220 --> 00:12:28,020 Just a minute, listen up. 172 00:12:28,180 --> 00:12:31,300 This book is an extremely important sociological keystone. 173 00:12:31,460 --> 00:12:34,380 It poses an essential question for you, as journalists. 174 00:12:34,540 --> 00:12:37,900 Just a moment! There is a question here that is really important, 175 00:12:38,060 --> 00:12:42,180 about the role that the media plays in our society. 176 00:12:42,340 --> 00:12:45,300 Read the book and write an outline for next week. 177 00:12:45,460 --> 00:12:49,140 A journalistic one, I don't want it simple. 178 00:12:49,300 --> 00:12:51,340 Don't make it boring, alright? 179 00:12:51,500 --> 00:12:53,580 That's it, you're free to go. 180 00:12:55,220 --> 00:12:58,180 -What's she like? -Enjoy, guys. 181 00:12:58,340 --> 00:13:02,300 Fat, but beautiful. She was fat, but so beautiful. 182 00:13:02,460 --> 00:13:05,780 Like a cross between a superhero and a virgin. 183 00:13:05,940 --> 00:13:10,220 -Come on, girl, a virgin... -Like an apparition of the Virgin. 184 00:13:10,380 --> 00:13:14,260 And lemme tell you, she has gigantic tits. 185 00:13:14,420 --> 00:13:16,740 Oh my god, Cristina, La Veneno. 186 00:13:16,900 --> 00:13:18,820 -But she was in jail. -Yeah. 187 00:13:18,980 --> 00:13:21,580 -La Veneno? From TV? -One and the same. 188 00:13:21,740 --> 00:13:23,620 That's right, from TV. 189 00:13:23,780 --> 00:13:28,620 I ran straight into her. We're this close, like you and me. 190 00:13:28,780 --> 00:13:30,940 What's she doing here, Amparo? I don't get it. 191 00:13:31,100 --> 00:13:33,700 -She said she had some gigs. -Gigs? 192 00:13:33,860 --> 00:13:35,700 Gigs? No way. 193 00:13:35,860 --> 00:13:37,900 -She's with the La Fe girls. -The what now? 194 00:13:38,060 --> 00:13:40,140 -The girls from the Hospital. -Those hookers? 195 00:13:40,300 --> 00:13:42,100 Hey, who asked you? 196 00:13:42,260 --> 00:13:44,580 Just because she's trans, you assume she's a prostitute? 197 00:13:44,740 --> 00:13:49,740 -She's had lots of gigs in Valencia. -Honey, I live around there, 198 00:13:49,900 --> 00:13:53,260 and she's always stopping cars. 199 00:13:53,420 --> 00:13:55,660 But I'm a big fan, I love her. 200 00:13:58,340 --> 00:14:00,380 Peace out! See ya. 201 00:14:00,540 --> 00:14:04,220 Geez, I knew he was gay. I just knew it. 202 00:14:04,380 --> 00:14:06,340 If his mom finds out, she'll have a heart attack. 203 00:14:06,500 --> 00:14:08,780 Complete gay. You know, like you. 204 00:14:08,940 --> 00:14:10,540 -Amparo. -What? 205 00:14:10,700 --> 00:14:12,060 Can we go to hospital? 206 00:14:12,220 --> 00:14:15,780 -Why all the screaming? -They're supposed to be here by now! 207 00:14:15,940 --> 00:14:19,300 We've been here since 6:00 and they're still not here. 208 00:14:19,460 --> 00:14:21,860 -Who's still not here? -Take That. 209 00:14:22,020 --> 00:14:26,260 If they're not coming, then they should just say so. 210 00:14:26,420 --> 00:14:29,340 -Right. Why all the tears? -I'm fed up! 211 00:14:29,500 --> 00:14:31,020 My nerves are shot. 212 00:14:34,180 --> 00:14:36,700 All running around: "They're coming this way". 213 00:14:36,860 --> 00:14:38,940 "No, over here". Stepping all over each other, 214 00:14:39,100 --> 00:14:41,660 -dropping their purses... -I think they'll be here soon. 215 00:14:41,820 --> 00:14:45,340 -And what if they're not? -I'll just kill myself, cause... 216 00:14:45,500 --> 00:14:48,420 -No... -Aren't we enough fans form them? 217 00:14:55,020 --> 00:14:57,420 Gary, I love you! 218 00:14:57,580 --> 00:14:59,580 They're fucking crazy. 219 00:14:59,740 --> 00:15:03,820 Some came with their moms, and they were worse than the girls. 220 00:15:03,980 --> 00:15:06,020 -Incredible. -I can't even, honestly. 221 00:15:06,180 --> 00:15:08,140 -Great job, MachĂșs. -Thanks. 222 00:15:08,300 --> 00:15:10,340 -We'll edit it and use it tonight. -Great. 223 00:15:10,500 --> 00:15:14,460 We'll put it between TristĂĄn Braker, from the Vallecas scandal, 224 00:15:14,620 --> 00:15:16,580 -and Beatriz Rico. -OK. 225 00:15:16,740 --> 00:15:19,260 And tonight we've also got "The Half Lemon". 226 00:15:20,780 --> 00:15:23,260 How many lemons is that now? 227 00:15:23,420 --> 00:15:26,740 For those of you who don't know, Faela, our supermommy 228 00:15:26,900 --> 00:15:29,620 is back early from her maternity leave. 229 00:15:29,780 --> 00:15:31,460 Welcome back! 230 00:15:32,940 --> 00:15:35,860 You take your time and when you've got a story, let us know. 231 00:15:36,020 --> 00:15:38,580 -I've already got a story. -Is that right? 232 00:15:38,740 --> 00:15:40,660 Well, I don't know if... 233 00:15:40,820 --> 00:15:44,100 Well, I've got a source in LavapiĂ©s who does whatever I want. 234 00:15:44,260 --> 00:15:47,580 One of these weirdo sex workers. We'll spend the day together, 235 00:15:47,740 --> 00:15:50,540 -and I'll report on the experience. -MachĂșs did that a few days ago. 236 00:15:50,700 --> 00:15:52,860 -Yeah, but... -At the Sex Fair, in Barcelona. 237 00:15:53,020 --> 00:15:55,580 But it wouldn't be organized and clean like that. 238 00:15:55,740 --> 00:15:58,220 Faela, we need some new stuff. What else do we have? 239 00:15:58,380 --> 00:16:02,020 -Can we have the mime on tomorrow? -No, not the mime. No. 240 00:16:02,180 --> 00:16:04,780 He does that bit you like about Felipe GonzĂĄlez 241 00:16:04,940 --> 00:16:07,700 -and the English classes. -No, please, not the mime. 242 00:16:07,860 --> 00:16:11,340 And we'll compare Felipe GonzĂĄlez's dick to Bill Clinton's. 243 00:16:11,500 --> 00:16:13,220 -No. -The police in Galicia 244 00:16:13,380 --> 00:16:16,900 are looking into some satanic rituals in an abandoned church. 245 00:16:17,060 --> 00:16:18,380 No. Doesn't anybody...? 246 00:16:18,540 --> 00:16:22,860 We have a father and daughter who think they were abducted and... 247 00:16:23,020 --> 00:16:26,780 -Don't we have anything...? -I think I've got something... 248 00:16:26,940 --> 00:16:28,260 for Faela. 249 00:16:29,340 --> 00:16:32,220 I've two lesbian friends who have got a bar in Chueca 250 00:16:32,380 --> 00:16:35,180 and they're having a protest wedding. Tonight. 251 00:16:35,340 --> 00:16:38,500 We've got the "Barb Wire" premiere, and we've got Pamela, 252 00:16:38,660 --> 00:16:40,220 -so I can't go. -Yeah, but that's... 253 00:16:40,380 --> 00:16:44,140 You take it, Faela, OK? I think that'll do it, right, Mari? 254 00:16:44,300 --> 00:16:45,620 Yes, it's done. 255 00:16:45,780 --> 00:16:50,500 And come in prepared tomorrow, cause today was a bit dull, OK? 256 00:16:56,420 --> 00:16:59,660 -Pepe, the auditions. -Hope you called in some good ones. 257 00:16:59,820 --> 00:17:02,460 -Pepe, more lesbians? Really? -Yes. 258 00:17:02,620 --> 00:17:04,220 What's so special about them? 259 00:17:04,380 --> 00:17:07,900 You just said we need something new. Jesus, my sister is a lesbian. 260 00:17:08,060 --> 00:17:09,940 -But it's a wedding. -It's just a sham. 261 00:17:10,100 --> 00:17:14,460 -You should've stayed home. I'm not gonna do a shitty story. 262 00:17:14,620 --> 00:17:17,260 -I have lots of ideas. -I haven't slept in three days. 263 00:17:17,420 --> 00:17:19,260 Your kid might be perfect, but mine isn't. 264 00:17:19,420 --> 00:17:23,860 I've gotta watch 2000 auditions tapes and I'm starting to get tired. 265 00:17:24,020 --> 00:17:26,460 -You sure you're ready to come back? -Yes. 266 00:17:26,620 --> 00:17:30,020 Then you're doing the lesbian wedding, my friend. 267 00:17:30,180 --> 00:17:31,860 Now if you don't mind. 268 00:18:02,620 --> 00:18:05,900 -We're drawing attention. -My boyfrind likes this music. 269 00:18:06,060 --> 00:18:09,820 -Turn the music off. -Don't touch anything, it's a mess. 270 00:18:09,980 --> 00:18:13,580 You push that button, it starts to smoke, then it starts flashing. 271 00:18:13,740 --> 00:18:16,140 Quite a place, isn't it? Jesus 272 00:18:19,220 --> 00:18:20,820 -This is it. -Here? 273 00:18:21,940 --> 00:18:23,260 Look, look, look. 274 00:18:27,020 --> 00:18:30,460 -Do you think they're all trans? -I don't know. 275 00:18:30,620 --> 00:18:34,060 I'll go ask them, if you like. Geez... 276 00:19:02,940 --> 00:19:07,060 Who are these little hotties? Newbies to the back of the line. 277 00:19:07,220 --> 00:19:10,020 And if you don't have boobs yet, go with the transformers. 278 00:19:10,180 --> 00:19:13,500 The internet is fucking up our entire business. 279 00:19:13,660 --> 00:19:16,020 Here we go again, you're so annoying. 280 00:19:16,180 --> 00:19:18,540 Go up and down, and stop cars. 281 00:19:18,700 --> 00:19:20,020 -Hey. -Hi. 282 00:19:24,660 --> 00:19:26,940 -What you want? -We're looking for Cristina. 283 00:19:27,100 --> 00:19:29,380 -From Huelva? -No, La Veneno. 284 00:19:31,620 --> 00:19:33,580 Paca knows about that. 285 00:19:33,740 --> 00:19:35,860 -Chesca! -What? 286 00:19:36,020 --> 00:19:38,180 +-Where's Paca? -The Piranha? 287 00:19:38,340 --> 00:19:40,620 -Yeah. -She's tied up. 288 00:19:40,780 --> 00:19:43,220 -Yeah, she's busy. -OK, well... 289 00:19:43,380 --> 00:19:45,540 -Thanks anyway. -Just wait. 290 00:19:45,700 --> 00:19:47,900 She'll be right back. Just relax. 291 00:19:48,060 --> 00:19:50,460 What's the big hurry? We don't bite. 292 00:19:50,620 --> 00:19:53,180 So what was I saying? Leave your nails alone. 293 00:19:53,340 --> 00:19:56,260 -Oh my God... -Have you read the book "The Secret"? 294 00:19:56,420 --> 00:20:00,740 -The secret of your coochie maybe. -Hats, chips, beer, Coca-Cola... 295 00:20:00,900 --> 00:20:03,740 Manolito, you look like a Christmas tree. Cutie! 296 00:20:06,260 --> 00:20:09,180 -He's adorable. -I can't believe him. 297 00:20:13,300 --> 00:20:16,020 -What're you staring at? Want a picture or what? 298 00:20:16,180 --> 00:20:17,660 No. Sorry... 299 00:20:18,980 --> 00:20:21,420 -I love your bag. -Oh yeah? It's "TELVA". 300 00:20:21,580 --> 00:20:24,500 -"TELVA"? -Look, "TELVA". 301 00:20:24,660 --> 00:20:29,060 It's perfect for two condoms, four wipes, two lipsticks... 302 00:20:29,220 --> 00:20:30,900 Just leave your nails alone! 303 00:20:31,060 --> 00:20:35,260 -You're driving me crazy. -Vane, here comes Paca. 304 00:20:35,420 --> 00:20:36,740 Paca! 305 00:20:38,060 --> 00:20:41,900 -What? -They're looking for La Veneno. 306 00:20:42,060 --> 00:20:43,380 I'm coming. 307 00:20:55,660 --> 00:20:58,020 -Look. -Who are these outsiders? 308 00:20:58,180 --> 00:20:59,780 -I don't know. -Hello. 309 00:20:59,940 --> 00:21:02,740 Hello. Good evening. Who are you looking for? 310 00:21:02,900 --> 00:21:06,500 -We wanted to meet La Veneno. -Oh honey, there's no Veneno here. 311 00:21:06,660 --> 00:21:09,300 -Who told you she was here? -I saw her the other day. 312 00:21:09,460 --> 00:21:13,340 The other day? You must been drunk, ain't no Veneno here. 313 00:21:13,500 --> 00:21:16,460 -Of course I saw her, man. -"Man"? Got my pussy in the back, 314 00:21:16,620 --> 00:21:20,060 but take a look at my rack. Now get outta here. 315 00:21:20,220 --> 00:21:23,860 -I swear to God I saw her. -Amparo, let it go. 316 00:21:24,020 --> 00:21:27,380 Good night now. Take care and drive safe. 317 00:21:27,540 --> 00:21:31,220 -Who are them? Is there a fight? -They're... No, honey. 318 00:21:31,380 --> 00:21:34,140 -Fight! Fight! -Listen here. 319 00:21:34,300 --> 00:21:37,700 The things I have to put up with. Stop with the nails! 320 00:21:37,860 --> 00:21:39,300 Fine, geez. 321 00:21:41,340 --> 00:21:44,260 -You didn't say anything, right? -I didn't make a peep. 322 00:21:44,420 --> 00:21:48,980 I hope so. If they come asking about La Veneno, she's not here. 323 00:21:50,340 --> 00:21:53,260 I'm gonna deliver her cigarettes and her magazine. 324 00:21:53,420 --> 00:21:55,580 -Girl smokes like a chimney. -May God bless you. 325 00:21:55,740 --> 00:21:58,700 If those two come back, silence. Over and out. 326 00:22:02,140 --> 00:22:04,540 -Ugh, forget it. -The bar's closed. 327 00:22:04,700 --> 00:22:07,820 I know girls like this. You have no idea. 328 00:22:08,860 --> 00:22:11,780 -Dykes can be really intense. -No, come on, MachĂșs. 329 00:22:11,940 --> 00:22:14,340 I'm talking about MachĂșs. She's yanking my chain, 330 00:22:14,500 --> 00:22:17,540 this whole thing is a set-up. Know who I saw her with today? 331 00:22:17,700 --> 00:22:19,900 -Who? -Rober. 332 00:22:20,060 --> 00:22:23,620 -And what were they up to? -Don't you know the story? 333 00:22:23,780 --> 00:22:27,100 There once was an actress so dumb, she hooked up with the writer. 334 00:22:27,260 --> 00:22:28,580 Really? 335 00:22:29,260 --> 00:22:33,780 -What're you doing? Smoking? -I've already had my baby. 336 00:22:33,940 --> 00:22:35,540 True. 337 00:22:35,700 --> 00:22:38,780 What do we do? Want a drink? A beer or two? 338 00:22:38,940 --> 00:22:42,020 No, forget it. I need... I need a story. 339 00:22:45,060 --> 00:22:47,700 -Well, you're the boss. -Come on. 340 00:22:48,940 --> 00:22:50,260 Come on, let's go. 341 00:22:54,540 --> 00:22:56,540 I know that face. 342 00:23:00,300 --> 00:23:03,660 -No, Faela, we can't record here. -Why not? 343 00:23:03,820 --> 00:23:06,500 Not even the cops come here. 344 00:23:12,340 --> 00:23:13,660 Oh my god. 345 00:23:16,860 --> 00:23:19,580 -Let's go. -For crying out loud. 346 00:23:30,940 --> 00:23:32,860 Oh shit, the mic. Here. 347 00:23:34,340 --> 00:23:36,380 The camera, someone's coming. 348 00:23:36,540 --> 00:23:39,460 Sound check. Everything OK? Turn it on, turn it on. 349 00:23:39,620 --> 00:23:42,300 Hello. Excuse me. Stop, please. 350 00:23:42,460 --> 00:23:46,380 Good evening. Are you hoping to hire a prostitute? 351 00:23:46,540 --> 00:23:49,860 Do you know what kind of prostitution goes on here, sir? 352 00:23:52,220 --> 00:23:53,540 Let's go. 353 00:23:53,700 --> 00:23:58,060 -We're not gonna get anything. -Wait, wait. We got this, come on. 354 00:23:58,220 --> 00:24:00,100 -Hello. -Don't film me! 355 00:24:00,260 --> 00:24:03,860 -Don't go. You look amazing. -Fuck off. 356 00:24:04,020 --> 00:24:05,900 -And you look like shit. -Wow. 357 00:24:07,940 --> 00:24:11,820 -No one's gonna talk. -Wait. Look, look. 358 00:24:11,980 --> 00:24:13,540 Stop, stop, stop! 359 00:24:14,540 --> 00:24:16,780 What a jerk. 360 00:24:16,940 --> 00:24:19,540 -Faela, let's go. That's enough. -Just a second. 361 00:24:19,700 --> 00:24:24,100 Do you know what time it is? It's dangerous around here. 362 00:24:24,260 --> 00:24:26,020 People get killed. 363 00:24:26,180 --> 00:24:28,940 Please. Do you want that to happen to us? 364 00:24:30,580 --> 00:24:32,580 Calm down, please. 365 00:24:35,220 --> 00:24:37,780 -Pablo. -No, stop ignoring me. 366 00:24:37,940 --> 00:24:40,060 Ever since you got back, I was excited to see you, 367 00:24:40,220 --> 00:24:43,580 -but you're being impossible. -Pablo, will you look? 368 00:24:45,100 --> 00:24:46,420 Jesus! 369 00:24:49,860 --> 00:24:51,660 Roll. 370 00:24:51,820 --> 00:24:55,620 -Hello. Mind if we ask some questions? -Of course not, honey. 371 00:24:55,780 --> 00:24:58,020 -Go ahead and ask. -You look amazing. 372 00:24:58,180 --> 00:25:01,300 Well, I like the good life, high fashion. 373 00:25:01,460 --> 00:25:06,060 -Different outfit every night? -Yes, like the bombshell I am. 374 00:25:06,220 --> 00:25:08,780 -What are you: a man or a woman? -What am I? 375 00:25:08,940 --> 00:25:11,100 -I'm a blinking light, honey. -Ahat are you dressed as? 376 00:25:11,260 --> 00:25:13,700 -A sultan? -I dunno what I am, honestly. 377 00:25:13,860 --> 00:25:17,980 Sultan, courtesan, Indian... Like Pocahontas, 378 00:25:18,140 --> 00:25:21,180 -but with a shark. -What's this about a shark? 379 00:25:21,340 --> 00:25:22,940 What's the shark? 380 00:25:23,100 --> 00:25:26,700 The shark is coming. 381 00:25:26,860 --> 00:25:30,020 It's what's between my legs. What else would the shark be? 382 00:25:30,180 --> 00:25:31,940 -How much? -I'm expensive. 383 00:25:32,100 --> 00:25:35,180 I don't even wanna say, cause... 384 00:25:35,340 --> 00:25:37,020 Hang on, sweetie. 385 00:25:37,180 --> 00:25:38,980 -Get the car. -On it. 386 00:25:41,460 --> 00:25:43,900 It's 10,000. Wadda you say, honey? 387 00:25:45,500 --> 00:25:49,260 -Well fuck you very much. -How much did that tightwad offer? 388 00:25:49,420 --> 00:25:52,780 5,000. 5,000 for a BJ, I'm worth way more than that. 389 00:25:52,940 --> 00:25:55,660 -What's a BJ? -You don't know what a BJ is? 390 00:25:57,060 --> 00:25:58,660 It's pretty intense. 391 00:25:58,820 --> 00:26:00,500 -How about going bareback? -No. 392 00:26:00,660 --> 00:26:01,980 You're clueless. 393 00:26:02,140 --> 00:26:04,380 Well imagine 394 00:26:04,540 --> 00:26:07,660 this is a spicy lollypop. 395 00:26:07,820 --> 00:26:11,140 So you put on the condom 396 00:26:11,300 --> 00:26:14,380 so you don't spill, so everything stays inside. 397 00:26:14,540 --> 00:26:18,100 -And then where do you put it? -Where do I put it? 398 00:26:18,260 --> 00:26:20,940 In my pussy. Clear as day. 399 00:26:21,100 --> 00:26:22,620 Hang on a sec. 400 00:26:22,780 --> 00:26:24,780 -What do I do? -Roll, roll. 401 00:26:26,580 --> 00:26:27,980 You wanna do it? 402 00:26:29,900 --> 00:26:33,020 -She's leaving. -See ya, sweetie. 403 00:26:33,180 --> 00:26:36,700 And practice your BJ, it's gonna change your life. 404 00:26:38,580 --> 00:26:42,060 -That was amazing. -Unbelievable. 405 00:26:43,220 --> 00:26:46,860 -Let's get some b-roll, c'mon. -I cannot believe this. 406 00:26:47,020 --> 00:26:48,700 -How about here? -This is good. 407 00:26:48,860 --> 00:26:50,580 -But all these cars... -Hurry. 408 00:26:51,700 --> 00:26:53,900 -You say the word. -I got you. Whenever you're ready. 409 00:26:54,060 --> 00:26:55,780 -We're... -Rolling. 410 00:26:55,940 --> 00:27:00,460 We're standing in Madrid's West Side Park, 411 00:27:00,620 --> 00:27:05,300 where every night things happen that no one ever talks about. 412 00:27:05,460 --> 00:27:07,860 Wait. Keep rolling, just in case. 413 00:27:08,020 --> 00:27:09,460 -Turn that off. -Calm down. 414 00:27:09,620 --> 00:27:11,940 -Turn that off! -Careful with the camera! 415 00:27:12,100 --> 00:27:14,780 -Hey, get Norma. Tamara! -What's wrong? 416 00:27:14,940 --> 00:27:16,860 -Go get Manuela. -What happens? 417 00:27:17,020 --> 00:27:19,220 -Gimme the tape. -It's just b-roll. 418 00:27:19,380 --> 00:27:22,340 -Don't touch the camera. -What b-roll you fucking bitch? 419 00:27:22,500 --> 00:27:26,180 We're all shopping our pussies off so you can come laugh at us? 420 00:27:26,340 --> 00:27:29,340 -We're working too, just like you. -Just calm down, OK? 421 00:27:29,500 --> 00:27:33,460 -What is this? Gimme the tape. -We're not recording you. 422 00:27:33,620 --> 00:27:37,180 -It's just about the park. -We'll give you the tape. 423 00:27:37,340 --> 00:27:39,780 -Give it to her now! -Dude, gimme the tape. 424 00:27:39,940 --> 00:27:43,020 -But what're you doing? -Don't, you'll make it worse. 425 00:27:43,180 --> 00:27:47,900 -You're making me do this. -What? What's going on? 426 00:27:48,060 --> 00:27:51,500 -This bitch is recording us. -What're you doing here? 427 00:27:51,660 --> 00:27:54,180 What are you, deaf? Fuck you all to hell. 428 00:27:54,340 --> 00:27:56,940 I'm gonna kick your ass. -Hey! 429 00:27:57,100 --> 00:27:59,140 -You shut your mouth. Hey! 430 00:27:59,300 --> 00:28:02,100 Wadda you mean, "hey"? Now gimme the tape 431 00:28:02,260 --> 00:28:04,500 -or I'll tear your eyes out. -What's going on here? 432 00:28:04,660 --> 00:28:07,140 -They're filming all of us. -What're you doing here? 433 00:28:07,300 --> 00:28:10,180 -We weren't filming them. -Then what were you recording? 434 00:28:10,340 --> 00:28:13,980 -You can't film here. We're working. -Give her the tape and let's go. 435 00:28:14,140 --> 00:28:16,940 -Yeah, give it and leave -Give it to her, Jesus. 436 00:28:18,300 --> 00:28:20,260 -Go get Tito. -That's right, get Tito. 437 00:28:20,420 --> 00:28:23,620 -Tito! Tito! -Wait, Tito's coming. 438 00:28:23,780 --> 00:28:26,380 -Let's see the tape. -You can't film here. 439 00:28:26,540 --> 00:28:29,860 -Let me have her, I'll kill her! -Here comes Tito. 440 00:28:30,020 --> 00:28:33,140 -Gimme the tape. -You'll pay for this, you bitch. 441 00:28:33,300 --> 00:28:37,140 Give us the tape or you're gonna regret it. 442 00:28:38,460 --> 00:28:40,020 What the fuck is going on? 443 00:28:40,180 --> 00:28:44,220 Tito, they were filming us, they're gonna play it on TV. 444 00:28:44,380 --> 00:28:46,500 What're you recording? 445 00:28:46,660 --> 00:28:49,300 -We weren't filming them. -Liar! 446 00:28:49,460 --> 00:28:53,020 -They filmed us, and La Veneno. -We didn't record them. 447 00:28:53,180 --> 00:28:55,100 -What did you record then? -The park. 448 00:28:55,260 --> 00:28:58,700 -It's better to give him the tape. -Gimme the tape. 449 00:29:00,420 --> 00:29:02,500 I'm sorry, but I can't. 450 00:29:05,140 --> 00:29:06,740 -You can't? -Give him the tape. 451 00:29:06,900 --> 00:29:09,100 -Gimme the fucking tape. -Faela! 452 00:29:09,260 --> 00:29:12,740 .-OK, fine. -Give him the tape and let's go 453 00:29:12,900 --> 00:29:16,460 Fine, fine, I'll give it to you. Just calm down, please. 454 00:29:16,620 --> 00:29:20,780 -Get down on your knees. -OK, OK, give him the tape. 455 00:29:21,820 --> 00:29:26,140 There's the tape. Let him go. Let him go, we're leaving. 456 00:29:26,300 --> 00:29:27,620 Smash it! 457 00:29:29,260 --> 00:29:32,860 -We're leaving. -My wife works down there, 458 00:29:33,020 --> 00:29:34,900 and nobody films her. 459 00:29:35,060 --> 00:29:38,220 Tito, not your wife or anyone else, alright? 460 00:29:39,460 --> 00:29:42,740 -We're leaving. -Oh, you're leaving? 461 00:29:42,900 --> 00:29:45,580 -You're not going anywhere. -No! No, please. 462 00:29:45,740 --> 00:29:48,020 -Come here, slut! -No. 463 00:29:48,180 --> 00:29:51,420 -No, not in the car! Ow! -Here we go. 464 00:29:51,580 --> 00:29:53,740 -Fuck her up. -Bitch. 465 00:29:53,900 --> 00:29:57,540 I'm in charge here, you hear me? And no one films my wife! 466 00:29:57,700 --> 00:30:01,100 Wait, just listen, I'm begging you. Listen to me. 467 00:30:01,260 --> 00:30:03,780 Please, listen to me. 468 00:30:03,940 --> 00:30:06,820 We're leaving. I have a baby at home. 469 00:30:06,980 --> 00:30:11,540 Please, don't kill me, I beg you. I am so freaked out. 470 00:30:12,740 --> 00:30:15,660 -Let her go, come on. -Let her go, Tito. 471 00:30:15,820 --> 00:30:18,700 If I ever see you again, or this asshole over here, 472 00:30:18,860 --> 00:30:23,140 -I'll kill you both, you hear me? -Tito, Jesus, let her go. 473 00:30:23,300 --> 00:30:26,140 -I'm going, I'm going, come on. -That's enough now. 474 00:30:26,300 --> 00:30:28,700 -Let go of her. Now leave. -Go on now, faggot. 475 00:30:28,860 --> 00:30:32,380 -Go on, bitch. -Get out of here! Fuck you! 476 00:30:32,540 --> 00:30:36,380 -And everyone you know! -Come on, back to work. 477 00:30:36,540 --> 00:30:38,100 Forget about her. 478 00:30:38,260 --> 00:30:39,740 Holy shit! 479 00:30:41,620 --> 00:30:43,220 Mother fucker. 480 00:30:44,780 --> 00:30:48,060 Are you OK? Jesus Christ, I'm shaking. 481 00:30:49,500 --> 00:30:53,980 Come on, let's go. You alright? Let's go. 482 00:30:54,140 --> 00:30:55,460 -Look. -What? 483 00:30:56,700 --> 00:30:58,700 -What's that? -The tape, asshole. 484 00:30:59,820 --> 00:31:01,460 Jesus Christ... 485 00:31:01,620 --> 00:31:03,180 Let's go now! 486 00:31:04,420 --> 00:31:07,860 For the love of god. What're you waiting for? 487 00:31:09,860 --> 00:31:13,660 AMPARO- U HOME YET? IT WAS CRAZY 488 00:31:13,820 --> 00:31:17,180 I BOUGHT THE TELVA BAG 489 00:31:17,340 --> 00:31:19,780 COMES IN YELLOW TOO, HAHA 490 00:31:26,860 --> 00:31:28,620 SO CRAZY, GIRL 491 00:31:30,020 --> 00:31:31,340 HOW R U? 492 00:32:04,260 --> 00:32:07,300 WADDA U C WHEN U LOOK AT ME? 493 00:32:13,740 --> 00:32:15,740 DUNNO, I C U 494 00:32:25,020 --> 00:32:27,420 Pepe, I'm sorry, 495 00:32:27,580 --> 00:32:30,500 but we don't have anything ready to go. 496 00:32:30,660 --> 00:32:34,340 -Something you must have. -Llast night was complicated. 497 00:32:34,500 --> 00:32:37,900 -The Chueca story didn't work out. -I know, I'm sorry. 498 00:32:38,060 --> 00:32:41,540 So all we've got is this, but it's pretty rough. 499 00:32:42,780 --> 00:32:45,380 -Well let's see what you got. -Well this is great. 500 00:32:54,060 --> 00:32:55,620 Know who I saw her with today? 501 00:32:55,780 --> 00:32:57,100 -Who? -Rober. 502 00:32:57,260 --> 00:32:59,260 -And what were they up to? -Don't you know this story? 503 00:32:59,420 --> 00:33:02,060 There once was an actress so dumb she hooked up with the writer. 504 00:33:02,220 --> 00:33:05,140 Fast forward, fast forward the tape. 505 00:33:09,220 --> 00:33:12,020 Wait a second. Look, look. 506 00:33:12,180 --> 00:33:15,260 Stop, stop, stop! 507 00:33:15,420 --> 00:33:20,020 -Hi! Mind if we ask some questions? -Of course not, honey. 508 00:33:20,180 --> 00:33:21,620 You look amazing. 509 00:33:21,780 --> 00:33:24,860 Well I like the good life, high fashion. 510 00:33:25,020 --> 00:33:29,180 -Different outfit every night? -Yes, like the bombshell I am. 511 00:33:29,340 --> 00:33:31,620 See? This part... 512 00:33:31,780 --> 00:33:33,980 What am I? I'm a blinking light, honey. 513 00:33:34,140 --> 00:33:37,860 -What're you dressed as, a sultan? -I dunno what I am, honestly. 514 00:33:38,020 --> 00:33:42,100 Sultan, courtesan, Indian... Like Pocahontas, 515 00:33:42,260 --> 00:33:45,260 -but with a shark. -What's this about a shark? 516 00:33:45,420 --> 00:33:47,060 What's the shark? 517 00:33:47,220 --> 00:33:50,860 The shark is coming. 518 00:33:51,020 --> 00:33:54,180 It's what's between my legs. What else would the shark be? 519 00:33:54,340 --> 00:33:56,060 -How much? -I'm expensive. 520 00:33:56,220 --> 00:33:58,380 I don't even wanna say, cause... 521 00:33:59,460 --> 00:34:00,780 Hang on, sweetie. 522 00:34:02,540 --> 00:34:06,820 Hats off, Faela, this is exactly what I've been looking for. 523 00:34:06,980 --> 00:34:09,140 I knew you'd come through. 524 00:34:09,300 --> 00:34:11,260 Thank you. Really. 525 00:34:11,420 --> 00:34:14,620 -Great, so this runs tonight. -Perfect. 526 00:34:14,780 --> 00:34:17,540 -And tomorrow I want her here. -What? 527 00:34:17,700 --> 00:34:20,700 Go back to the park, and bring her on the show. 528 00:34:20,860 --> 00:34:23,340 Pepe, you have no idea how dangerous it is there. 529 00:34:23,500 --> 00:34:27,900 I reported from Iran. Take Pablo. He'll protect you. 530 00:34:28,060 --> 00:34:29,540 Who, me? 531 00:34:29,700 --> 00:34:33,580 -I can't. I'll be on set. -Can't you switch with someone? 532 00:34:33,740 --> 00:34:35,100 No. 533 00:34:35,260 --> 00:34:37,460 I'll go with her. 534 00:34:37,620 --> 00:34:40,220 I love you girls together. 535 00:34:40,380 --> 00:34:42,060 You'll go as a pair. 536 00:34:42,220 --> 00:34:47,860 Faela, you never shoulda crossed the Mississippi, pilgrim. 537 00:34:48,020 --> 00:34:49,660 -Alright, let's go. -That's right... 538 00:34:49,820 --> 00:34:51,300 -Have you had breakfast? -No. 539 00:34:53,980 --> 00:34:55,300 Let's see. 540 00:34:59,980 --> 00:35:01,300 Faela. 541 00:35:02,500 --> 00:35:06,020 What? What the fuck do you want? 542 00:35:06,180 --> 00:35:08,140 I'm sorry for what happened yesterday. 543 00:35:08,300 --> 00:35:10,420 I got the day wrong, I already told Pepe. 544 00:35:10,580 --> 00:35:14,860 Look, MachĂșs, you can't fool me, OK? 545 00:35:16,020 --> 00:35:17,700 Yesterday you screwed me. 546 00:35:17,860 --> 00:35:20,620 And now you wanna come with me to take the credit. 547 00:35:20,780 --> 00:35:24,860 I don't mind if you wanna come, but you can cut the shit. 548 00:35:25,020 --> 00:35:27,220 -You're totally wrong about me. -I don't think so. 549 00:35:27,380 --> 00:35:28,700 You are. 550 00:35:29,900 --> 00:35:32,660 You don't remember me, right? 551 00:35:32,820 --> 00:35:37,180 I was an intern on "Todo va bien" a couple of months before it ended. 552 00:35:37,340 --> 00:35:39,860 I really wanted to work with you. 553 00:35:40,900 --> 00:35:43,500 Because I've always been a big fan. 554 00:35:45,420 --> 00:35:46,740 Yoy might be right. 555 00:35:46,900 --> 00:35:50,580 I'm so stupid that I've fallen in love with the writer. 556 00:35:50,740 --> 00:35:54,980 But it is what it is. I worked hard to get where I am. 557 00:35:55,140 --> 00:35:59,100 And if you don't believe it, that's your problem. 558 00:35:59,260 --> 00:36:02,060 RocĂ­o Jurado's health is getting worse and worse. 559 00:36:02,220 --> 00:36:04,980 She is always accompanied by her husband, 560 00:36:05,140 --> 00:36:08,100 the bullfighter JosĂ© Ortega Cano, and their daughter, RocĂ­o Carrasco. 561 00:36:08,260 --> 00:36:11,900 And now La Veneno, Spain's most famous prostitute. 562 00:36:12,060 --> 00:36:13,940 Mom, could you turn that up? 563 00:36:14,100 --> 00:36:16,620 ...on the darkest of nights, she is back. 564 00:36:16,780 --> 00:36:18,940 Her image, so different from 10 years ago, 565 00:36:19,100 --> 00:36:21,980 and her time behind bars has left us perplexed." 566 00:36:22,140 --> 00:36:24,660 -Hey, that's Valencia. -Looks like the new part. 567 00:36:24,820 --> 00:36:27,180 ...leaving behind a life of ups and downs. 568 00:36:27,340 --> 00:36:29,180 Is La Veneno from here? 569 00:36:30,220 --> 00:36:32,500 -Where are you going? -I have to run, Mom. 570 00:36:32,660 --> 00:36:35,340 -Will you be home for dinner? -I don't know. 571 00:36:35,500 --> 00:36:37,380 Take your key. 572 00:36:37,540 --> 00:36:41,340 I finally get a day off, and here we are like tourists in Valencia. 573 00:36:41,500 --> 00:36:46,140 I'd have preferred the City of Arts and Sciences, not Marchalenes. 574 00:36:46,300 --> 00:36:51,380 - I know where we are. -I've only been here once before. 575 00:36:51,540 --> 00:36:53,620 It was a party. 576 00:36:53,780 --> 00:36:57,100 -You can imagine. -Wait. Hang on a sec. 577 00:36:59,580 --> 00:37:02,140 -It has to be one of these. -Right. One of these. 578 00:37:02,300 --> 00:37:04,860 Or one of those, or those. There are tons of buildings! 579 00:37:05,020 --> 00:37:09,380 Amparo, if you wanna leave, then go, but stop complaining. 580 00:37:09,540 --> 00:37:12,300 No, I wanna help. I wanna be here with you. 581 00:37:12,460 --> 00:37:14,340 But we've been walking around for the last two hours. 582 00:37:14,500 --> 00:37:16,020 I know that, Amparo. 583 00:37:16,180 --> 00:37:19,260 Well I honestly don't know how we're gonna find her. 584 00:37:34,380 --> 00:37:36,380 -Good afternoon. -Hello. 585 00:37:40,100 --> 00:37:41,420 Excuse me. 586 00:37:42,460 --> 00:37:46,060 -Do you know where La Veneno lives? -Second floor on the left. 587 00:37:47,940 --> 00:37:49,260 Thank you. 588 00:37:52,580 --> 00:37:55,260 -Come on, let's do this. 589 00:37:55,420 --> 00:37:56,740 Let's go. 590 00:38:00,380 --> 00:38:02,380 -Yes? -Hello. 591 00:38:02,540 --> 00:38:05,820 -Hello. Who's there? -We're looking for La Veneno. 592 00:38:05,980 --> 00:38:09,460 La Veneno? No, honey, this is Paqui the Piranha's house. 593 00:38:09,620 --> 00:38:13,100 -We were told she lived here. -No, you were told wrong. 594 00:38:13,260 --> 00:38:14,940 I'm sorry, who's calling? 595 00:38:16,660 --> 00:38:18,900 -We're fans of hers. -Oh, fans. 596 00:38:19,060 --> 00:38:23,220 Well, she doesn't live here, alright? 597 00:38:23,380 --> 00:38:26,740 -OK, bye now. -Goodbye. 598 00:38:26,900 --> 00:38:31,540 -Bye. -Fuck her and her fucking fans. 599 00:38:31,700 --> 00:38:35,460 -Who was it, Paca? -Nobody, hon. 600 00:38:35,620 --> 00:38:39,460 -No need to know every little thing. -Nobody? Musta been somebody. 601 00:38:39,620 --> 00:38:43,780 It was just one of my clients but I told him I'm not available, 602 00:38:43,940 --> 00:38:48,140 -told him to come back later. -Don't lie, I heard you. 603 00:38:48,300 --> 00:38:51,020 Then look, I'm gonna tell you. 604 00:38:51,180 --> 00:38:54,940 They said: "We're fans of La Veneno". 605 00:38:55,100 --> 00:38:57,780 -What do you mean, fans? -That's right, fans of La Veneno. 606 00:38:57,940 --> 00:38:59,500 -My fans? -Fans of La Veneno. 607 00:38:59,660 --> 00:39:02,740 -And you didn't say anything? -I told them you weren't here. 608 00:39:02,900 --> 00:39:06,820 Where are you going? I told them you don't live here. 609 00:39:06,980 --> 00:39:09,340 C'mere, what are you, nuts? 610 00:39:12,260 --> 00:39:14,180 Hey, are you my fan? 611 00:39:21,700 --> 00:39:23,020 I am. 612 00:39:27,660 --> 00:39:28,980 Come on up. 613 00:39:31,340 --> 00:39:32,660 Let's go. 614 00:39:35,620 --> 00:39:37,980 -Are you trans? -No, I'm goth. 615 00:39:44,700 --> 00:39:46,020 Come on up. 616 00:39:47,380 --> 00:39:49,220 Paca, Paca. 617 00:39:50,380 --> 00:39:51,860 -Look. -Who is it? 618 00:39:52,020 --> 00:39:53,380 -My fans. -Hello. 619 00:39:53,540 --> 00:39:55,820 -Well how are you? -Hi. 620 00:39:55,980 --> 00:39:58,380 I know these two, from the other night. 621 00:39:58,540 --> 00:40:02,220 I saw them on the street when I went to buy your cigarettes. 622 00:40:02,380 --> 00:40:06,020 -They were asking about you. -Why don't you fix something? 623 00:40:06,180 --> 00:40:10,340 Do you want some coffee or...? Want a pastry, you sweet thing? 624 00:40:10,500 --> 00:40:12,380 -I do. -Look at her. 625 00:40:12,540 --> 00:40:14,820 She looks like that girl from "Star Wars". 626 00:40:14,980 --> 00:40:19,460 -That one that looks like Chenoa. -Go on now, fix us something. 627 00:40:19,620 --> 00:40:21,300 Oh calm down, I'm going. 628 00:40:21,460 --> 00:40:24,660 -So you're fans of mine? -Ever since I can remember. 629 00:40:24,820 --> 00:40:27,580 I'm a little overweight now, but I'm slimming down. 630 00:40:27,740 --> 00:40:31,660 -Oh stop, you look great. -And you still have that essence. 631 00:40:31,820 --> 00:40:35,140 Before I got locked up, I weighed 63 kilos. 632 00:40:35,300 --> 00:40:36,940 I was like a doll with perky little tits. 633 00:40:37,100 --> 00:40:39,580 -Right, Paca? -Look, let's be honest. 634 00:40:39,740 --> 00:40:42,940 She had a wasp-waist, looked just like Betty Boop. 635 00:40:43,100 --> 00:40:45,260 But now looks like the bride of King Kong. 636 00:40:45,420 --> 00:40:48,300 Oh shut up, stop it. Get out the picture albums. 637 00:40:48,460 --> 00:40:52,260 Look how happy you are now, with your long drooling face. 638 00:40:52,420 --> 00:40:55,940 You're about to see what the Spanish bombshell was like. 639 00:40:56,100 --> 00:40:59,380 More like a stink bomb. Ugh, this one. 640 00:40:59,540 --> 00:41:03,100 Here, sweetie, look at these gorgeous pics. 641 00:41:04,420 --> 00:41:06,940 -Look, look how scandalous. -Gorgeous! 642 00:41:07,100 --> 00:41:10,380 Look at that face, that body. And those boobs! 643 00:41:10,540 --> 00:41:14,780 That dress is by Pepe Rubio, he made me scandalous outfits. 644 00:41:14,940 --> 00:41:17,820 -And here, Marilyn Monroe. -That was at the Joy Eslava, 645 00:41:17,980 --> 00:41:22,060 they put on a fashion show for me and it was crawling with press. 646 00:41:22,220 --> 00:41:26,140 -Gorgeous. -Here you look like a supermodel. 647 00:41:26,300 --> 00:41:27,980 That was at the Illa FantasĂ­a, 648 00:41:28,140 --> 00:41:31,420 on the same night Ricky Martin played there. 649 00:41:31,580 --> 00:41:34,380 -Really? -My pussy was pretty happy. 650 00:41:34,540 --> 00:41:38,380 -Here comes the dirty stories. -You're just jealous, Paca. 651 00:41:38,540 --> 00:41:43,100 Jealous of what? My type is more that Jean Claude Van Damme guy. 652 00:41:43,260 --> 00:41:45,900 -Look. -You're a total goddess. 653 00:41:46,060 --> 00:41:48,060 I was on hormones for three months there. 654 00:41:48,220 --> 00:41:50,140 -Look at those tits. -Just three months? 655 00:41:50,300 --> 00:41:52,380 Yes, and look how gorgeous. 656 00:41:53,900 --> 00:41:55,220 And you? 657 00:41:56,620 --> 00:41:58,660 -What about me? -When do you start? 658 00:41:58,820 --> 00:42:01,460 -Start what? -It's good to talk about things. 659 00:42:01,620 --> 00:42:04,500 He's still young, don't fill his head with that. 660 00:42:04,660 --> 00:42:07,540 -I'm lost. What's going on? -Wadda you think? 661 00:42:07,700 --> 00:42:11,220 Your friend here has a secret. And the cops aren't stupid. 662 00:42:11,380 --> 00:42:12,940 He's one of us. 663 00:42:14,260 --> 00:42:17,220 I just don't know when the right moment would be. 664 00:42:17,380 --> 00:42:21,540 Look, listen to me, I became a woman at the age of 30. 665 00:42:21,700 --> 00:42:23,940 That's when I became a bombshell. 666 00:42:24,100 --> 00:42:26,260 You take your time, 667 00:42:26,420 --> 00:42:30,100 and when the time is right, go for it. 668 00:42:30,260 --> 00:42:33,900 You'll leave everyone slack-jawed. Because if this is who you are, 669 00:42:34,060 --> 00:42:37,740 it's who you'll always be, baby. Understand? Always. 670 00:42:37,900 --> 00:42:40,900 It's something you carry inside from the time you're born. 671 00:42:41,060 --> 00:42:44,860 Now, you take your time, and choose a spectacular name. 672 00:42:45,020 --> 00:42:47,700 Vanessa, Penelope... 673 00:42:47,860 --> 00:42:50,980 -Victoria. -Or you could go with Natasha. 674 00:42:51,140 --> 00:42:53,820 -Or Scheherezade. -Whatever you want, honey, 675 00:42:53,980 --> 00:42:57,900 but don't forget who you are, if you do, you'll lose your beauty. 676 00:42:58,060 --> 00:43:02,980 Like Marta from Asturias, who looked like the father from "Pocahontas". 677 00:43:03,140 --> 00:43:05,780 Sweetie, stop it, don't go on about that stuff. 678 00:43:05,940 --> 00:43:09,060 -What're you talking about? -Let her do whatever she wants. 679 00:43:09,220 --> 00:43:13,020 How can you even argue with that face? She can't go wrong. 680 00:43:13,180 --> 00:43:16,580 You're so tall and so beautiful, you could be like Vanessa Estilo. 681 00:43:16,740 --> 00:43:20,060 -Vanessa Estilo? -Poor thing, may she rest in peace. 682 00:43:20,220 --> 00:43:22,980 -Honey, she got killed by a client. -Get the other albums, 683 00:43:23,140 --> 00:43:26,540 -where I'm working on the street. -Will you cool it with the albums, 684 00:43:26,700 --> 00:43:28,820 -finish that one up first. -You like that one? 685 00:43:28,980 --> 00:43:30,300 I love it. 686 00:43:32,260 --> 00:43:35,500 -Here honey, this one's for you. -Thank you so much. 687 00:43:40,180 --> 00:43:43,860 -Very inconspicuous. -This way I'll blend in, right? 688 00:43:44,020 --> 00:43:46,300 You're something else, MachĂșs. 689 00:43:50,060 --> 00:43:53,140 Now listen to me good, alright? 690 00:43:53,300 --> 00:43:56,460 If get out of, they'll kill me, so when you I see her, I'll say: 691 00:43:56,620 --> 00:44:01,180 "That one". Then you jump out and get her in the car super fast, OK? 692 00:44:01,340 --> 00:44:03,940 Super fast. Got it? 693 00:44:04,100 --> 00:44:06,980 MachĂșs, this is really dangerous. 694 00:44:07,140 --> 00:44:09,900 MachĂșs, get back in the car right now! 695 00:44:11,420 --> 00:44:12,740 Are you crazy? 696 00:44:16,260 --> 00:44:18,780 Jesus Christ, I can't believe this. 697 00:44:20,260 --> 00:44:23,060 Hey lover, how are you? So happy to see you. 698 00:44:23,220 --> 00:44:26,220 -Who's that? -Me. La MachĂșs, who do you think? 699 00:44:27,300 --> 00:44:31,260 -I know I owe you 2,000 pesetas. -Well come on. 700 00:44:31,420 --> 00:44:33,500 -You look gorgeous. -Hey there. 701 00:44:35,100 --> 00:44:38,500 Good evening, gentlemen. How are you tonight, good? 702 00:44:38,660 --> 00:44:40,820 See you later. 703 00:44:40,980 --> 00:44:42,300 Chiqui. 704 00:44:43,660 --> 00:44:46,740 Listen, quick question. I'm looking for this tall girl... 705 00:44:46,900 --> 00:44:48,460 Son of a bitch. 706 00:44:50,220 --> 00:44:53,420 Hey, gorgeous. What sounds good for dinner? 707 00:44:53,580 --> 00:44:54,900 -No, no. -A threesome? 708 00:44:55,060 --> 00:44:58,340 -Dynamic lesbian duo, you and me? -No, really, no. 709 00:44:58,500 --> 00:45:01,940 If you change your mind, I'm at your service, beautiful. 710 00:45:07,660 --> 00:45:09,380 I cannot believe this. 711 00:45:11,460 --> 00:45:14,620 -Can't you see I'm peeing here? -Sorry. 712 00:45:16,740 --> 00:45:21,540 -MachĂșs, MachĂșs, that's her! -Why am I on TV? 713 00:45:21,700 --> 00:45:24,660 -I just wanna talk to you. -But your friend 714 00:45:24,820 --> 00:45:27,860 -from yesterday put me on TV. -But I'm not gonna do that. 715 00:45:28,020 --> 00:45:32,580 -What would you think if... -Cristina, isn't that the reporter? 716 00:45:33,900 --> 00:45:37,740 -That's her. You bitch, c'mere. -Cristina. 717 00:45:37,900 --> 00:45:40,580 -Show your face. -Please, just calm down. 718 00:45:40,740 --> 00:45:43,700 -You little bitch. -I'm just here to talk to you. 719 00:45:43,860 --> 00:45:46,860 -Cristina, please, calm down. -What? What? 720 00:45:47,020 --> 00:45:48,980 -Veneno, I saw you on TV. -What? 721 00:45:49,140 --> 00:45:52,220 And I saw you on Roots, you fag. Step aside. 722 00:45:52,380 --> 00:45:54,820 -Faela! -You ruined my life! 723 00:45:54,980 --> 00:45:56,860 -You bitch! -I just want to talk! 724 00:45:57,020 --> 00:45:59,900 Can you get in the car so we can talk? 725 00:46:00,060 --> 00:46:02,580 -Hey you, from the TV! -Who's that? 726 00:46:02,740 --> 00:46:05,580 -What you want?! -Come on, let's go! 727 00:46:05,740 --> 00:46:07,340 Are you kidnapping me? 728 00:46:07,500 --> 00:46:09,700 I told you never to show your face here again! 729 00:46:09,860 --> 00:46:12,140 -Go, just go! -Stop the car. 730 00:46:13,140 --> 00:46:16,580 -Why the screaming? -Go, Jesus! 731 00:46:16,740 --> 00:46:20,340 -Which way do I go? -Tito, they took her! 732 00:46:20,500 --> 00:46:22,540 -Stop that car! 733 00:46:22,700 --> 00:46:26,420 -I'll have your heads! -Where are you taking me? 734 00:46:26,580 --> 00:46:28,460 Tito, they're getting away! 735 00:46:31,300 --> 00:46:33,620 -Veneno, listen to me. -Stop saying my name! 736 00:46:33,780 --> 00:46:35,820 What is going on here? You ruined my life! 737 00:46:35,980 --> 00:46:39,260 Ever since you put me on TV, little boys ask for my autograph. 738 00:46:39,420 --> 00:46:41,860 Pepe Navarro wants you to work on his show, "Mississippi". 739 00:46:42,020 --> 00:46:43,540 -I'm not gonna... -Oh, baby! 740 00:46:43,700 --> 00:46:46,940 -What a scandal, the "Mississippi". -Just leave me alone. 741 00:46:47,100 --> 00:46:50,660 -Why wouldn't you want to? -It's my turf and I call the shots. 742 00:46:50,820 --> 00:46:52,380 -Veneno. -What? 743 00:46:52,540 --> 00:46:53,940 -How much do you charge? -A lot. 744 00:46:54,100 --> 00:46:56,340 -How much? Tell me. -More than 50,000 a night. 745 00:46:56,500 --> 00:46:58,660 Fine, on TV you'll be making more than 100,000. 746 00:46:58,820 --> 00:47:01,900 And if you do both, you can make 200,000, come on! 747 00:47:02,060 --> 00:47:05,820 -That's a whole mess of money! -And what do I want with a mess? 748 00:47:05,980 --> 00:47:08,420 Now will you just pull over and let me be! 749 00:47:08,580 --> 00:47:10,620 -Stop the car! -Fine, OK, I'm stopping! 750 00:47:22,380 --> 00:47:25,340 -It's alright, don't worry. -I suck at this. 751 00:47:25,500 --> 00:47:28,700 No, that's not true, you're doing fine. 752 00:47:28,860 --> 00:47:32,020 Come on now, Camille. 753 00:47:32,180 --> 00:47:35,540 Honey, you didn't do anything wrong, you just plowed on through 754 00:47:35,700 --> 00:47:38,460 like we're all animals you're looking at on safari. 755 00:47:38,620 --> 00:47:40,660 You didn't even introduce yourselves. 756 00:47:40,820 --> 00:47:43,660 I'm Paca The Piranha, close friend of La Veneno. 757 00:47:43,820 --> 00:47:46,380 You didn't introduce yourselves, you just bulldozed your way in, 758 00:47:46,540 --> 00:47:49,660 driving off the clients. Of course she got mad, 759 00:47:49,820 --> 00:47:52,820 of course the other day Tito came close to killing you. 760 00:47:54,260 --> 00:47:58,100 Gimme some paper. Come on, a piece of paper. 761 00:47:59,220 --> 00:48:01,260 -Some paper, bitch. -There. 762 00:48:03,500 --> 00:48:04,820 And here's a pen. 763 00:48:05,860 --> 00:48:07,340 No, I've got my own pen. 764 00:48:09,940 --> 00:48:14,460 I mean, honestly. You really made a mess of things. 765 00:48:15,620 --> 00:48:19,940 Here, this is Cristina's address, you can speak with her in peace. 766 00:48:20,100 --> 00:48:22,380 And please, next time a little more tact. 767 00:48:22,540 --> 00:48:23,900 -I promise. -Thank you. 768 00:48:24,060 --> 00:48:25,500 -Good night. -Thanks. 769 00:48:29,660 --> 00:48:32,860 Come here! Come here. 770 00:48:33,020 --> 00:48:36,020 -We did it, girl! -Jesus. 771 00:48:37,020 --> 00:48:39,260 -Come on! -Come on, let's go. 772 00:48:40,580 --> 00:48:45,380 Hey there, you feel like doing it? Wanna spend some time together? 773 00:48:45,540 --> 00:48:49,780 Come on then, you're gonna bring out the beast inside of me. 774 00:48:49,940 --> 00:48:52,820 Paca, what happened? I was taking a shit. 775 00:48:52,980 --> 00:48:55,500 Our little girl is gonna be a star. 776 00:48:56,580 --> 00:48:59,340 I knew it, honey, I always knew she would. 777 00:49:04,340 --> 00:49:07,660 -You like it, hon? -I love it. RocĂ­o Jurado. 778 00:49:07,820 --> 00:49:09,660 It's a pretty altar, right? 779 00:49:09,820 --> 00:49:11,980 I set it all up, because she's been sick, 780 00:49:12,140 --> 00:49:15,980 so the Lord will heal her. I do her, you know? 781 00:49:16,140 --> 00:49:19,020 -I do a really good RocĂ­o Jurado. -She's the best. 782 00:49:19,180 --> 00:49:21,460 I'm a huge fan, her biggest fan. 783 00:49:21,620 --> 00:49:24,780 -Should we go? -You're not staying for dinner? 784 00:49:24,940 --> 00:49:27,420 No, they can't stay. I don't have enough food. 785 00:49:27,580 --> 00:49:29,940 I've got enough for her, but that's it. 786 00:49:30,100 --> 00:49:32,620 -Then come back another day. -Tomorrow I'll run to the market. 787 00:49:32,780 --> 00:49:35,180 -OK. -It was a pleasure. 788 00:49:35,340 --> 00:49:39,580 -I know. We'll see you soon. -Come back again, 789 00:49:39,740 --> 00:49:43,540 -I've got tons of photo albums. -See you, Princess Sheila. 790 00:49:43,700 --> 00:49:45,220 Chenoa. -Bye. 791 00:49:45,380 --> 00:49:47,980 Be careful out there with the bad guys. 792 00:49:54,580 --> 00:49:56,820 She can really talk, can't she? 793 00:49:58,140 --> 00:50:01,020 -She talked non-stop. -She does talk a lot. 794 00:50:02,220 --> 00:50:04,460 A little too much, if you ask me. 795 00:50:17,140 --> 00:50:19,220 I'm gonna get going. 796 00:50:19,380 --> 00:50:22,460 I've got a paper to write. I'll be up all night working on it. 797 00:50:22,620 --> 00:50:25,020 -I'll text you when I get home. -OK. 798 00:50:42,900 --> 00:50:44,740 A really smart girl. 799 00:50:45,740 --> 00:50:47,300 What? 800 00:50:47,460 --> 00:50:49,620 That's what I see when I look at you. 801 00:50:49,780 --> 00:50:51,660 A really smart girl. 802 00:50:52,860 --> 00:50:55,100 You do? Yeah. 803 00:50:56,140 --> 00:50:59,100 Look, I'm like the snake in my game, 804 00:50:59,260 --> 00:51:01,260 locked up inside four walls. 805 00:51:01,420 --> 00:51:04,260 I go out through one door, and come back in through another. 806 00:51:04,420 --> 00:51:07,380 And I keep going til I've eaten so much I can't fit. 807 00:51:07,540 --> 00:51:09,100 But not you. 808 00:51:09,260 --> 00:51:13,020 One day, you'll go out through a door but youwon't come back. 809 00:51:13,180 --> 00:51:15,620 And I'm gonna miss you so much, 810 00:51:16,940 --> 00:51:20,380 but you're so much bigger than these four walls. 811 00:51:20,540 --> 00:51:22,700 Because your game hasn't been invented yet. 812 00:51:22,860 --> 00:51:25,540 Because your game is the coolest ever. 813 00:51:25,700 --> 00:51:27,820 -Amparo. -What? 814 00:51:27,980 --> 00:51:31,460 -You're addicted. -I'm totally addicted. 815 00:51:31,620 --> 00:51:32,940 But anyway... 816 00:51:33,740 --> 00:51:36,620 Gotta run, girl. 817 00:51:36,780 --> 00:51:38,940 I love you so much, and I'll text you tonight, OK? 818 00:51:39,100 --> 00:51:40,420 OK. Love you. 819 00:51:57,940 --> 00:51:59,620 Fortunately or unfortunately, 820 00:51:59,780 --> 00:52:02,620 I didn't meet Cristina in the mid-90s. 821 00:52:05,940 --> 00:52:09,460 I mean, I knew her like everyone else in my generation 822 00:52:09,620 --> 00:52:12,260 whose parents sent them to bed at midnight 823 00:52:12,420 --> 00:52:14,580 when it was time for Mississippi. 824 00:52:15,740 --> 00:52:18,540 I'm trans? Yes, I am. 825 00:52:18,700 --> 00:52:21,380 A prostitute? That too. But I've got quite a pair. 826 00:52:21,540 --> 00:52:24,580 And we were dying to see that impressive woman, 827 00:52:24,740 --> 00:52:27,100 who was something from another planet. 828 00:52:27,260 --> 00:52:28,900 -She's funny. -I know, right? 829 00:52:29,060 --> 00:52:30,860 -And she's gorgeous too. -Beautiful. 830 00:52:31,020 --> 00:52:33,900 Nocturnal and treacherous, she entered into our homes 831 00:52:34,060 --> 00:52:37,940 to give voice and body to a subject that, up until then 832 00:52:38,100 --> 00:52:39,780 had been a huge taboo. 833 00:52:42,100 --> 00:52:46,660 A reality that society had decided to look away from. 834 00:52:49,940 --> 00:52:51,900 That was a rough start. 835 00:52:52,060 --> 00:52:55,220 My name is Faela Sainz and I work at "Mississippi". 836 00:52:55,380 --> 00:52:58,260 I had a baby recently, 837 00:52:58,420 --> 00:53:01,220 and I need to prove I'm still good at my job. 838 00:53:01,380 --> 00:53:03,740 I'd love it if you'd come with me. 839 00:53:03,900 --> 00:53:06,740 And I think it could be an incredible opportunity for you. 840 00:53:06,900 --> 00:53:09,980 If I didn't, I wouldn't say so, I swear. 841 00:53:10,140 --> 00:53:12,740 It's nice to meet you, Faela. 842 00:53:12,900 --> 00:53:15,420 But I can't be on TV. 843 00:53:15,580 --> 00:53:16,900 Why not? 844 00:53:18,740 --> 00:53:21,580 Because my mother has never seen me like this. 845 00:53:21,740 --> 00:53:23,940 -Like what? -Like... 846 00:53:24,100 --> 00:53:27,020 As a woman. She doesn't know me. 847 00:53:28,460 --> 00:53:32,260 She doesn't know who I am now. 848 00:53:32,420 --> 00:53:33,900 Do you understand? 849 00:53:35,140 --> 00:53:36,460 Completely. 850 00:53:40,460 --> 00:53:43,100 In case you change your mind. 851 00:53:45,260 --> 00:53:48,220 -Thank you. -No, thank you. 852 00:53:48,380 --> 00:53:49,780 -Bye, Faela. -Bye. 853 00:53:52,140 --> 00:53:54,780 It was clear that Cristina wasn't perfect, 854 00:53:54,940 --> 00:53:56,940 but then, who is? 855 00:53:57,100 --> 00:53:58,540 Is the TV perfect? 856 00:53:58,700 --> 00:54:01,780 -No, I said I'm not going on TV. -Is that your final answer? 857 00:54:01,940 --> 00:54:03,260 -Yes. -Fine. 858 00:54:03,420 --> 00:54:06,780 I'm not gonna fight with you anymore, it's not worth it. 859 00:54:06,940 --> 00:54:10,460 You just keep suffering, living in the past for your mother. 860 00:54:10,620 --> 00:54:13,660 Keep doing what you've always done. It's working for you. 861 00:54:13,820 --> 00:54:16,980 But this is a huge opportunity that's gonna pass you by, 862 00:54:17,140 --> 00:54:20,780 just because you care about someone who doesn't care about you. 863 00:54:27,060 --> 00:54:30,020 RocĂ­o Jurado passed away at 5:15 this morning. 864 00:54:30,180 --> 00:54:32,900 Oh, my RocĂ­o, such a shame. 865 00:54:33,060 --> 00:54:35,380 Next time those girls come, 866 00:54:35,540 --> 00:54:38,940 I'm gonna show them all the gowns I've got in there. 867 00:54:39,100 --> 00:54:41,260 The black one, the polka dots, 868 00:54:42,380 --> 00:54:45,260 the red one... They won't believe their eyes. 869 00:54:45,420 --> 00:54:48,020 My sweet Cristina, 870 00:54:48,180 --> 00:54:50,500 you were so relaxed... 871 00:54:50,660 --> 00:54:53,220 -You're just jealous. -No, not jealous. 872 00:54:53,380 --> 00:54:56,140 But I've seen that look in your eyes before. 873 00:54:56,300 --> 00:54:58,380 And it never led to anything good. 874 00:54:58,540 --> 00:55:00,340 And now that I've lost my RocĂ­o Jurado, 875 00:55:00,500 --> 00:55:04,260 I don't want anything to happen to you, hon. 876 00:55:04,420 --> 00:55:06,820 Did those shows take advantage of her vulnerability 877 00:55:06,980 --> 00:55:10,140 just so they could turn her drama into higher ratings? 878 00:55:10,300 --> 00:55:13,260 Profession: prostitute. Price: more than 100,000 per night. 879 00:55:13,420 --> 00:55:17,420 Or did they save her, by giving her the opportunity of a lifetime?" 880 00:55:17,580 --> 00:55:22,860 Ladies and gentlemen, here with us tonight, live, 881 00:55:23,020 --> 00:55:25,300 it's Cristina, La Veneno. 882 00:55:34,260 --> 00:55:37,700 Elisabeth Noelle-Neumann argues in "The Spiral of Silence" 883 00:55:37,860 --> 00:55:40,580 that the responsibility lies with the media, 884 00:55:40,740 --> 00:55:42,100 because they draw the line between 885 00:55:42,260 --> 00:55:44,860 what's socially accepted and what's not. 886 00:55:46,220 --> 00:55:48,500 Because they can transform prejudice 887 00:55:51,820 --> 00:55:53,140 into empathy. 888 00:55:57,140 --> 00:55:58,460 Darkness 889 00:56:01,860 --> 00:56:03,460 into light. 890 00:56:07,140 --> 00:56:09,500 And make visible what is invisible. 891 00:56:09,660 --> 00:56:12,620 -Should I call you Cristina? -Yes, call me Cristina, 892 00:56:12,780 --> 00:56:15,540 because La Veneno is just a nickname. 893 00:56:15,700 --> 00:56:18,980 -Is it because you're deadly? -No, no... 894 00:56:19,140 --> 00:56:20,500 -Great job. -Thank you. 895 00:56:21,500 --> 00:56:23,500 What do you have for tomorrow? 896 00:56:29,020 --> 00:56:30,340 Nothing. 897 00:56:34,300 --> 00:56:36,740 I'm gonna finish my maternity leave. 898 00:56:37,740 --> 00:56:40,140 I wanna spend time with my son. 899 00:56:41,580 --> 00:56:43,660 What will we do without you? 900 00:56:43,820 --> 00:56:47,900 You've got MachĂșs, she's an excellent reporter. 901 00:56:48,060 --> 00:56:50,820 -I'm laughing at you. -Oh, you're laughing at me? 902 00:56:50,980 --> 00:56:54,340 Finally, someone who laughs at what I don't say. 903 00:56:55,820 --> 00:56:59,500 -You've always been like this? -She's special. 904 00:57:00,900 --> 00:57:02,540 Of course she is. 905 00:57:13,500 --> 00:57:15,380 Nobody's perfect, 906 00:57:15,540 --> 00:57:18,140 but if Cristina hadn't appeared on TV, 907 00:57:18,300 --> 00:57:21,940 many others might have remained in the shadows. 908 00:57:22,100 --> 00:57:25,220 What you don't talk about it, doesn't exist. 909 00:57:25,380 --> 00:57:29,260 And what doesn't exist, is marginalized. 910 00:57:29,420 --> 00:57:30,740 Hello. 911 00:57:32,420 --> 00:57:33,940 This is not an outline. 912 00:57:34,100 --> 00:57:38,380 -I didn't know what approach to take. -It's better than an outline. 913 00:57:39,580 --> 00:57:40,900 Really? 914 00:57:44,260 --> 00:57:47,060 -Did you really meet her? -Yes. 915 00:57:51,900 --> 00:57:54,100 -I've made up my mind. -About what? 916 00:57:54,260 --> 00:57:55,580 My name. 917 00:57:56,540 --> 00:57:57,860 Valeria. 918 00:58:01,220 --> 00:58:04,780 Come on in. Paca, Paca, her name's Valeria. 919 00:58:06,340 --> 00:58:09,180 There's no doubt she saved me. 920 00:58:11,780 --> 00:58:14,460 Because she made me see I wasn't alone. 921 00:58:14,620 --> 00:58:19,140 And meeting her was the beginning of the adventure of a lifetime. 922 00:58:20,900 --> 00:58:23,860 Have you ever thought about writing a book? 923 00:58:25,620 --> 00:58:29,060 -A book? -Yes. A book. 924 00:58:32,777 --> 00:58:37,777 Subtitles by explosiveskull www.OpenSubtitles.org 73264

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