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[ DRAMATIC MUSIC PLAYS ]
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>> HEY, EVERYBODY.
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I'M JEFF PROBST, AND WELCOME
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BACK...TO THIS.
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I DON'T KNOW WHAT TO SAY.
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I-I'M STARTING TO FEEL LIKE A
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REAL BUTTHOLE HERE.
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WHY AM I FEELING LIKE A
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BUTTHOLE?
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WELL, WE'VE DONE A COUPLE OF
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THESE SPECIALS WHERE WE KEEP
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PROMISING THE GREATEST EVENT IN
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TELEVISION HISTORY, AND WE'VE
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YET TO DELIVER ON THAT PROMISE.
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HOWEVER, TONIGHT IS GONNA BE
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DIFFERENT, WHICH IS WHY WE'RE
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CHANGING THE TITLE TO SOMETHING
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MORE APPROPRIATE.
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>> LIVE FROM HOLLYWOOD,
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CALIFORNIA, IT'S THE LIVE
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COUNTDOWN TO...
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AND NOW YOUR HOST, JEFF PROBST.
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>> THIS TIME, THE SITCOM
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"TOO CLOSE FOR COMFORT" WAS
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CHOSEN FOR OUR INSPIRATION.
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WE WERE FAIRLY CERTAIN THAT A
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SHOT-FOR-SHOT RECREATION OF THIS
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PARTICULAR SHOW COULD NEVER BE
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CONSIDERED AS THE GREATEST EVENT
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IN TELEVISION HISTORY, BUT TO
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FIND OUT FOR SURE, WE VISITED
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THE TALLEST BEARDED MAN IN
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LOS ANGELES.
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>> DO YOU THINK IT'S POSSIBLE
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FOR TH TO BE THE GREATEST
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EVENT?
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>> NO.
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>> NONETHELESS, A TOP-SHELF CAST
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WAS SELECTED.
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LEGENDARY COMEDIC ACTRESS
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CATHERINE O'HARA, ACCLAIMED
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MULTIHYPHENATE JON GLASER,
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UP-AND-COMING COMEDY STARS
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KATHRYN HAHN AND
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CHELSEA PERETTI, AND PERSON
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ADAM SCOTT WERE ALL BROUGHT ON
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BOARD.
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LET'S START THE CLOCK...
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AGAIN.
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>> I...REMEMBER WATCHING
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"TOO CLOSE FOR COMFORT," UM,
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AS A KID.
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>> "TOO CLOSE"!
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[ LAUGHS ]
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M-MY F-- IT MEANT A LOT TO MY
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FAMILY THAT I BRANG UP THIS
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SHOW.
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>> UH, "TOO CLOSE FOR COMFORT"
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DIDN'T MEAN [BLEEP] [BLEEP] TO
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ME.
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UH, THAT FLIP LOOKED FUN.
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SO, UH, I WAS KIND OF LOOKING
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FORWARD TO THAT.
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THAT SEEMED FUNNY.
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>> BEFORE SHOOTING BEGAN, THE
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CAST GATHERED FOR SOME ON-SET
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BONDAGE -- I MEAN BONDING.
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>> NO, THIS IS, LIKE, GREAT!
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>> I AM SUPER-PSYCHED TO GO OVER
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THE COUCH.
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>> OH, MAN.
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>> LIKE, WHEN I LOOK AT THE
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FOOTAGE, I'M LIKE, "OH, MY GOD,
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YEAH."
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>> [ WHISTLES ]
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>> THE DIRECTOR'S --
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>> YOU GUYS ALL GETTING ALONG
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GREAT?
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MAKING NEW FRIENDS?
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OH, THIS IS A GUN.?
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>> AND, AS DIRECTOR, ACTION
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MAESTRO JASON MANTZOUKAS WAS
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SELECTED.
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>> HERE'S THE NEWS FLASH.
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I'M NOT [BLEEP] AROUND.
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I DON'T [BLEEP] AROUND.
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I NEVER [BLEEP] AROUND.
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AND IF I DO [BLEEP] AROUND, LIKE
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A REAL SUBTLE [BLEEP] AROUND,
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YOU'RE NOT EVEN GONNA [BLEEP]
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KNOW ABOUT IT, OKAY?
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I'M GONNA BLOW YOUR MIND WITH
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[BLEEP] AROUND.
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IT'S LOADED.
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THERE IS NO SAFETY ON IT, AND I
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AM NOT AFRAID TO SHOOT SOMEONE.
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YOU SCARED?
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>> All: YEAH.
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>> GOOD.
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BRING IT TO WHAT WE'RE DOING.
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YOU SHOU BE SCARED.
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>> I'M OKAY WITH IT.
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>> YOU'RE MY FAVORITE.
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>> I'M OKAY WITH IT, TOO.
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>> SHUT THE [BLEEP] UP.
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I'M SERIOUS.
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>> OKAY.
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>> SHUT UP.
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I'M DEAD SERIOUS WITH YOU, MAN.
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I DIDN'T WANT TO CAST YOU.
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I DON'T LIKE YOU.
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>> WHO DID YOU WANT?
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>> JASON BATEMAN.
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I WANTED JASON BATEMAN TO PLAY
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THIS PART.
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>> OH, HE WOULD HAVE BEEN GREAT!
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>> RIGHT? AM I RIGHT?
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>> JASON MANTZOUKAS IS A -- HE'S
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A BIG PERSONALITY, UM, BUT, YOU
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KNOW, HE'S A GENIUS, SO...
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>> WE'RE TAKING SOMETHING OLD...
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AND WE'RE TURNING IT INTO
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SOMETHING NEW AGAIN -- A NEW
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VERSION OF SOMETHING CLASSIC.
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>> MY AGENT CALLED AND SAID
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THERE WAS SOMETHING REALLY BIG
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HAPPENING.
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THAT'S AS MUCH AS I KNEW ABOUT
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IT, BUT NOW I'M HERE.
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THANK GOODNESS I LISTENED TO
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HER, BECAUSE I'M REALLY EXCITED
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TO BE PART OF
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"TOO CLOSE FOR COMFORT."
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[ MOANS ]E FOR COMFORT."
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I'VE GOT TO TELL YOU SOMETHING!
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WHEN THEY WERE MAKING, UM,
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"RETURN WITH THE JEDI"...
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>> UH-HUH?
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>> ...THEY -- THEY HAD EVERYBODY
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CONVINCED THAT THEY WERE MAKING
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THIS LITTLE MOVIE CALLED
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"BLUE HARVEST."
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EVERYONE BELIEVED IT.
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I THINK "TOO CLOSE FOR COMFORT"
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IS CODE...FOR THE NEXT
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"STAR WARS" MOVIE.
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>> OH, MY GOD! OH, MY GOD!
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>> [ CHUCKLES ]
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>> ARE YOU SERIOUS?
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>> I THINK -- YEAH.
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>> [ GASPS ]
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ARE WE DOING "STAR WARS"?!
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>> DON'T -- DON'T -- DON'T TELL!
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DON'T TELL, 'CAUSE I THINK --
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JUST KEEP IT TO YOURSELVES.
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I DON'T THINK ANYONE KNOWS YET.
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>> LIKE, ON MOVIES, WHEN THEY DO
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THAT, THEY'RE USUALLY TRYING TO,
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LIKE, TRICK THE MEDIA...
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>> NO.
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>> ...NOT THE PEOPLE IN IT.
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>> I'M SORRY.
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I THINK THAT THIS CATHERINE IS
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RIGHT.
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>> SHE SEEMS TO THINK SHE'S IN
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"STAR WARS," WHICH IS, LIKE,
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KIND OF LIKE, "ALL RIGHT."
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LIKE, I'M FULL-ON BAT[BLEEP]
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CRAZY, BUT I CAN TELL THAT'S
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CRAZY, YOU KNOW WHAT I MEAN?
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>> DO YOU THINK THEY'LL C.G. OUR
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HEADS?
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>> I WANT TO GET, LIKE, 12 TITS.
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NO, TASTEFUL!
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>> HEY, JIM!
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>> THERE HE IS.
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>> A LITTLE WORKOUT?
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>> YEAH.
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>> RIGHT?
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>> HOW'S IT GOING?
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>> WORK THE BODY, FREE UP THE
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MIND, I LOVE IT!
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>> IT'S NOT JUST A WORKOUT WE'RE
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HERE FOR, YOU KNOW.
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WE'RE PREPARING FOR THE STUNT.
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>> WHAT STUNT?
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WHAT ARE YOU TALKING ABOUT?
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>> THE COUCH FLIP?
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HEARD OF IT?
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NOT A LOT OF OPENINGS HAVE
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STUNTS THIS DIFFICULT AND THIS
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POTENTIALLY DEADLY.
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IF I'M GONNA COMMIT TO THIS
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PROJECT, TO RE-CREATE SOMETHING
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SO ICONIC, I'M GONNA NEED THE
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BEST STUNTMAN IN THE BUSINESS --
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CHANNON FLOWERS.
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>> I AM CHANNON FLOWERS.
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I'M THE LEAD STUNT COORDINATOR
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HERE ON THIS PROJECT.
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I DON'T KNOW IF YOU KNOW THIS,
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BUT JASON MANTZOUKAS DOES NOT
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LIKE TO [BLEEP] AROUND.
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UM, I'VE BEEN WORKING WITH THIS
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GUY A LONG TIME.
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IN THE STUNT WORLD, THERE'S THE
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BOULDER SCENE FROM "RAIDERS,"
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THERE'S THE TOWER DROP FROM
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"SHARKY'S MACHINE," AND THERE'S
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THE COUCH FLIP FROM
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"TOO CLOSE FOR COMFORT."
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>> THINK WE CAN DO IT?
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>> [ INHALES DEEPLY ]
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DOES TOM CRUISE DO HIS OWN
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STUNTS?
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>> WHAT? [ LAUGHS ]
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>> [ LAUGHS ]
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[ Laughing ] "WHAT?"
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I DID -- [ LAUGHS ]
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>> [ Laughing ] STUPID!
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>> [ Laughing ] I'M SORRY.
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>> BUT SERIOUSLY, DO YOU THINK
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WE CAN DO THIS?
224
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>> I DON'T KNOW.
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>> THE COUCH FLIP REQUIRED A
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FULL WEEK OF STUNT TRAINING FOR
227
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JON GLASER.
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>> UH, MY JOB AS A STUNT
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COORDINATOR IS TO GET JON IN
230
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PEAK PHYSICAL CONDITION.
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>> [ PANTING ]CONDITION.
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PUSH ON THE BALL.
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HEX, EX, HEX, HEX, HEX, HEX, EX.
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EX, THAT'S GOOD.
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>> YOU KNOW, I KIND OF TOOK THIS
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AS A SIDE GIG.
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FOR ME, RIGHT NOW, MONEY IS,
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UH...IT'S AN ISSUE.
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IT'S, UH...
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IT'S A LITTLE TIGHT...
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IF YOU CATCH MY DRIFT.
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[ SIGHS ]
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Cocaine.
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I'M ADDICTED TO COCAINE RIGHT
245
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NOW AND, UH, IT MAKES ME FEEL
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GOOD, SO I'M SPENDING A LOT OF
247
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MY MONEY...ON COCAINE.
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>> OH, NO, NO, NO, NO, NO, NO.
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AS ACTORS, THERE ARE CHALLENGES
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THAT WE ALL FACE.
251
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THINGS THAT KIND OF YANK YOU
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OUT OF YOUR COMFORT ZONE.
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I MEAN, FOR SOME PEOPLE, IT'S
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NUDITY.
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FOR SOME PEOPLE IT'S, UH -- IT'S
256
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CRYING.
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FOR ME...IT'S SITTING.
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EVEN WHEN I AM SUPPOSED TO BE
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SITTING IN A TV SHOW OR A MOVIE,
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IT'S -- I -- I'VE HAD A SPECIAL
261
00:06:18,779 --> 00:06:20,279
CHAIR DEVELOPED, WHERE IT
262
00:06:20,280 --> 00:06:21,920
APPEARS THAT I'M SITTING, BUT
263
00:06:21,915 --> 00:06:23,345
I'M ACTUALLY STANDING, OR
264
00:06:23,350 --> 00:06:25,020
SOMETIMES EVEN KNEELING.
265
00:06:25,018 --> 00:06:25,688
I DON'T KNOW.
266
00:06:25,686 --> 00:06:26,846
LOOKING AT THIS JIM. J. BULLOCK
267
00:06:26,854 --> 00:06:28,224
SHOT, THOUGH, I -- I DON'T THINK
268
00:06:28,221 --> 00:06:29,391
THERE'S ANY WAY AROUND IT.
269
00:06:29,389 --> 00:06:30,889
I'M GONNA HAVE TO SIT.
270
00:06:30,891 --> 00:06:32,591
THIS IS ESPECIALLY HARD BECAUSE
271
00:06:32,593 --> 00:06:34,233
OF WHAT HAPPENED TO MY FRIEND
272
00:06:34,227 --> 00:06:36,057
JON IN THE "SIMON AND SIMON"
273
00:06:36,063 --> 00:06:36,903
EPISODE.
274
00:06:36,897 --> 00:06:38,397
>> [ Echoing ] JON HAMM DIED
275
00:06:38,398 --> 00:06:41,068
THAT NIGHT.
276
00:06:41,068 --> 00:06:42,398
>> I JUST DON'T KNOW IF I CAN DO
277
00:06:42,402 --> 00:06:43,402
IT.
278
00:06:43,403 --> 00:06:44,743
>> ARE YOU LITERALLY ASKING
279
00:06:44,738 --> 00:06:45,738
ABOUT SITTING?
280
00:06:45,739 --> 00:06:46,969
>> I'M JUST...I DON'T CARE.
281
00:06:46,974 --> 00:06:47,814
I'M JUST CURIOUS.
282
00:06:47,808 --> 00:06:48,908
>> WHAT'S UP, CATHERINE?
283
00:06:48,909 --> 00:06:50,179
>> I'M SURE YOU'RE GOOD WITH
284
00:06:50,177 --> 00:06:51,337
THIS, BUT SOMEONE SAID THAT I
285
00:06:51,344 --> 00:06:52,514
SHOULD -- A LOT OF PEOPLE SAID I
286
00:06:52,513 --> 00:06:53,683
SHOULD RUN THIS BY YOU.
287
00:06:53,681 --> 00:06:55,851
>> UH...YEAH, NO.
288
00:06:55,849 --> 00:06:57,179
>> IS THIS NOT THE HAIRDO YOU'RE
289
00:06:57,184 --> 00:06:59,024
LOOKING FOR?
290
00:06:59,019 --> 00:07:00,019
>> WHAT?
291
00:07:00,020 --> 00:07:03,190
>> HA HA!
292
00:07:03,190 --> 00:07:04,360
NOW, WHY DO I EVEN CARE?
293
00:07:04,357 --> 00:07:05,687
I NEVER EVEN WATCHED THOSE
294
00:07:05,693 --> 00:07:08,033
OTHERS.
295
00:07:08,028 --> 00:07:09,358
THE OTHER ONES [Laughing] I
296
00:07:09,362 --> 00:07:10,862
DIDN'T EVEN WATCH, SO -- BUT I
297
00:07:10,864 --> 00:07:13,204
HEAR THEY'RE REALLY BIG...SO...
298
00:07:13,200 --> 00:07:15,370
[ SPEAKING GIBBERISH ]
299
00:07:15,368 --> 00:07:16,198
>> OKAY.
300
00:07:16,203 --> 00:07:19,373
>> [ SPEAKING GIBBERISH ]
301
00:07:19,372 --> 00:07:20,672
IS THERE SOMEONE ELSE WE CAN ASK
302
00:07:20,674 --> 00:07:21,544
ABOUT THIS, PLEASE?
303
00:07:21,542 --> 00:07:22,212
>> WOW.
304
00:07:22,209 --> 00:07:23,539
>> WELL, I GOT TO GET MY HAIR
305
00:07:23,544 --> 00:07:25,214
UNDONE.
306
00:07:25,212 --> 00:07:26,482
>> I LIKE THE RISKS SHE'S
307
00:07:26,480 --> 00:07:26,980
TAKING.
308
00:07:26,980 --> 00:07:28,180
>> HEY, CAN WE CIRCLE BACK ABOUT
309
00:07:28,181 --> 00:07:28,921
THE SITTING THING?
310
00:07:28,916 --> 00:07:30,746
>> NO! WE CAN'T, MAN! OKAY?
311
00:07:30,751 --> 00:07:32,421
YOU'RE FIRED. GET OFF MY SET.
312
00:07:32,419 --> 00:07:33,549
>> BUT WHAT HE DIDN'T READ FIRST
313
00:07:33,587 --> 00:07:35,087
WAS ADAM'S CONTRACT.
314
00:07:35,088 --> 00:07:36,258
>> YOU CAN'T FIRE MY BOY!
315
00:07:36,256 --> 00:07:38,086
I GOT THAT SHIZNIT IN WRITING,
316
00:07:38,091 --> 00:07:38,931
BRO!
317
00:07:38,926 --> 00:07:40,426
CHECK THE CONTRACT!
318
00:07:40,427 --> 00:07:41,697
THAT'S HOW I DO.
319
00:07:41,729 --> 00:07:44,399
[ FART! ]
320
00:07:44,397 --> 00:07:45,997
>> HEY, UH, JASON, I JUST WANTED
321
00:07:45,999 --> 00:07:47,499
TO SHOW YOU THIS REALLY QUICK.
322
00:07:47,501 --> 00:07:48,501
YOU GOOD WITH THIS?
323
00:07:48,502 --> 00:07:49,502
>> WHAT AM I LOOKING AT?
324
00:07:49,503 --> 00:07:50,673
>> THIS IS WHAT WE TALKED ABOUT
325
00:07:50,671 --> 00:07:52,341
TO COVER MY BEARD.
326
00:07:52,339 --> 00:07:54,009
PRODUCTION ASKED ME TO SHAVE MY
327
00:07:54,007 --> 00:07:55,677
BEARD, UH, AND IT'S NOT
328
00:07:55,676 --> 00:07:57,176
SOMETHING I CAN DO, JUST 'CAUSE
329
00:07:57,177 --> 00:07:58,677
I HAVE A FEW PROJECTS COMING UP
330
00:07:58,679 --> 00:08:00,209
THAT I, UH, NEED THE BEARD FOR,
331
00:08:00,213 --> 00:08:01,213
SO I CAN'T SHAVE.
332
00:08:01,214 --> 00:08:02,254
BECAUSE IT'S COME UP IN THE
333
00:08:02,249 --> 00:08:03,419
PAST, I HAD A PRETTY -- WHAT I
334
00:08:03,416 --> 00:08:04,346
THOUGHT IS A PRETTY GOOD
335
00:08:04,351 --> 00:08:05,291
SOLUTION, A PRETTY GOOD
336
00:08:05,285 --> 00:08:07,115
COMPROMISE, WHICH IS MY SKEARD,
337
00:08:07,120 --> 00:08:08,290
WHICH IS A SKIN BEARD.
338
00:08:08,288 --> 00:08:09,788
I HAD A REALLY GOOD PROSTHETICS
339
00:08:09,790 --> 00:08:11,120
GUY MAKE THIS FOR ME.
340
00:08:11,124 --> 00:08:12,294
UH, YOU KNOW, WE WENT THROUGH,
341
00:08:12,292 --> 00:08:13,562
PROBABLY, A FEW DIFFERENT
342
00:08:13,561 --> 00:08:14,961
VERSIONS UNTIL WE SETTLED ON
343
00:08:14,962 --> 00:08:15,632
THIS.
344
00:08:15,629 --> 00:08:16,799
I THINK THEY'LL BE PRETTY HAPPY
345
00:08:16,797 --> 00:08:17,297
WITH IT.
346
00:08:17,297 --> 00:08:18,627
IT'S WORKED FOR OTHERS JOBS.
347
00:08:18,632 --> 00:08:20,102
>> I'VE SEEN A LOT OF YOUR WORK,
348
00:08:20,100 --> 00:08:21,300
AND I'VE NEVER SEEN THIS.
349
00:08:21,301 --> 00:08:22,101
>> THIS IS THE COMPROMISE WE
350
00:08:22,102 --> 00:08:22,542
TALKED ABOUT.
351
00:08:22,536 --> 00:08:23,296
>> I'LL BE HONEST WITH YOU,
352
00:08:23,303 --> 00:08:24,473
JON -- I DON'T REMEMBER THAT.
353
00:08:24,471 --> 00:08:26,271
I DON'T LIKE AT ALL WHAT YOU'RE
354
00:08:26,273 --> 00:08:27,473
PRESENTING ME WITH.
355
00:08:27,474 --> 00:08:28,244
IT IS VERY OBVIOUS.
356
00:08:28,241 --> 00:08:29,311
>> I'M A BEARDED ACTOR, AND I
357
00:08:29,309 --> 00:08:30,509
DON'T LIKE TO SHAVE, AND THIS IS
358
00:08:30,510 --> 00:08:31,610
THE COMPROMISE, AND IT'S NEVER
359
00:08:31,612 --> 00:08:32,212
BEEN AN ISSUE.
360
00:08:32,212 --> 00:08:32,952
>> KEEP THE BEARD.
361
00:08:32,946 --> 00:08:33,506
>> THANK YOU.
362
00:08:33,513 --> 00:08:34,213
>> ARE YOU HAPPY?
363
00:08:34,214 --> 00:08:35,284
KEEP THE BEARD, BUT TAKE THIS
364
00:08:35,282 --> 00:08:36,382
CONDOM OFF OF YOUR FACE, OKAY?
365
00:08:36,383 --> 00:08:37,183
>> IT'S NOT A CONDOM.
366
00:08:37,184 --> 00:08:37,854
IT'S A SKEARD.
367
00:08:37,851 --> 00:08:39,221
>> WHILE SOME OF THE CAST HAD
368
00:08:39,219 --> 00:08:40,719
THEIR WORRIES ABOUT WORKING WITH
369
00:08:40,721 --> 00:08:41,991
JASON, HAHN AND O'HARA HAD TO
370
00:08:41,989 --> 00:08:43,289
FIGURE OUT WHAT THEIR NEXT MOVE
371
00:08:43,290 --> 00:08:43,620
WAS.
372
00:08:43,624 --> 00:08:44,734
>> [ BREATHING HEAVILY ]
373
00:08:44,725 --> 00:08:45,885
I'M STARTING TO THINK THAT,
374
00:08:45,893 --> 00:08:46,733
MAYBE...
375
00:08:46,727 --> 00:08:47,727
>> WHAT?
376
00:08:47,728 --> 00:08:49,628
>> DO YOU S-- REALLY STILL THINK
377
00:08:49,630 --> 00:08:51,360
THAT WE'RE DOING "STAR WARS"?
378
00:08:51,364 --> 00:08:52,774
MY BRAIN IS DIVIDED INTO TWO
379
00:08:52,766 --> 00:08:53,266
HALVES.
380
00:08:53,266 --> 00:08:54,766
ONE SIDE ON MY BRAIN IS SAYING,
381
00:08:54,768 --> 00:08:57,268
"STAR WARS"!
382
00:08:57,270 --> 00:08:58,440
Oh, my God!
383
00:08:58,438 --> 00:08:59,938
AND THEN THE RATIONAL PART OF MY
384
00:08:59,940 --> 00:09:01,780
BRAIN IS SAYING, "MAYBE SHE'S
385
00:09:01,775 --> 00:09:02,605
MENTALLY ILL."
386
00:09:02,610 --> 00:09:03,780
>> DO YOU THINK HARRISON FORD
387
00:09:03,777 --> 00:09:05,007
EVER SAID, "HEY, WAIT A MINUTE.
388
00:09:05,012 --> 00:09:06,352
THIS ISN'T 'STAR WARS'"?
389
00:09:06,346 --> 00:09:07,676
>> WELL, NO, HE DID NOT.
390
00:09:07,681 --> 00:09:09,451
BECAUSE, UH, HE KNEW THAT HE WAS
391
00:09:09,449 --> 00:09:10,419
IN "STAR WARS."
392
00:09:10,417 --> 00:09:11,077
>> EXACTLY!
393
00:09:11,084 --> 00:09:11,754
>> I DON'T UNDE--
394
00:09:11,752 --> 00:09:13,122
>> FOCUS! WE CAME THIS FAR!
395
00:09:13,120 --> 00:09:13,950
>> [ WHIMPERS ]
396
00:09:13,954 --> 00:09:15,494
>> DON'T BLOW IT NOW!
397
00:09:16,556 --> 00:09:18,086
>> I'M NERVOUS, YOU KNOW?
398
00:09:18,091 --> 00:09:19,761
UH, IT'S MY JOB, AS THE STUNT
399
00:09:19,760 --> 00:09:21,260
COORDINATOR, TO MAKE SURE
400
00:09:21,261 --> 00:09:22,361
EVERYBODY'S SAFE.
401
00:09:22,362 --> 00:09:24,202
UM, I'M NOT A MIRACLE WORKER.
402
00:09:24,197 --> 00:09:25,697
I CAN'T PROMISE THINGS.
403
00:09:25,699 --> 00:09:27,029
UH, AND I DO NOT HAVE A GOOD
404
00:09:27,034 --> 00:09:28,044
TRACK RECORD.
405
00:09:28,035 --> 00:09:28,895
>> YOU READY, CHANNON?
406
00:09:28,902 --> 00:09:29,342
>> YEAH.
407
00:09:29,336 --> 00:09:29,996
>> OKAY. YOU GUYS READY?
408
00:09:30,003 --> 00:09:31,503
>> I'VE BEEN WATCHING THE CLIP
409
00:09:31,504 --> 00:09:32,844
OVER AND OVER AGAIN, AND I
410
00:09:32,840 --> 00:09:35,010
REALLY AM GONNA FOCUS ON TRYING
411
00:09:35,008 --> 00:09:36,178
TO MAKE IT AS ELEGANT AS
412
00:09:36,176 --> 00:09:37,646
TED KNIGHT DID, SO, UH -- BUT I
413
00:09:37,645 --> 00:09:39,045
WAS MOSTLY JUST REALLY LOOKING
414
00:09:39,046 --> 00:09:40,546
FORWARD TO WRAPPING SO I CAN GET
415
00:09:40,547 --> 00:09:41,877
PAID AND GO BUY COKE.
416
00:09:41,882 --> 00:09:43,882
>> AND...ACTION!
417
00:09:43,884 --> 00:09:44,554
[ MACHINERY WHIRS ]
418
00:09:44,551 --> 00:09:46,721
AAH! WHAT?!
419
00:09:46,720 --> 00:09:48,720
NO! GET IT DOWN!
420
00:09:48,722 --> 00:09:50,562
LET'S TRY IT AGAIN!
421
00:09:50,557 --> 00:09:51,557
>> THERE IS NO "TRY."
422
00:09:51,558 --> 00:09:52,728
THERE'S ONLY "DO."
423
00:09:52,726 --> 00:09:53,786
>> SOMEBODY GET A MEDIC UP TO
424
00:09:53,794 --> 00:09:54,064
HER.
425
00:09:54,061 --> 00:09:55,101
I THINK SOMETHING'S GOING ON
426
00:09:55,095 --> 00:09:55,525
WITH HER.
427
00:09:55,528 --> 00:09:56,228
SEE IF SHE'S OKAY.
428
00:09:56,229 --> 00:09:56,799
>> HEY, DUDE.
429
00:09:56,797 --> 00:09:57,797
WE'VE BEEN UP HERE A WHILE.
430
00:09:57,798 --> 00:09:58,528
ARE WE GONNA BREAK?
431
00:09:58,531 --> 00:09:59,871
I NEED SOME MORE COCAINE.
432
00:09:59,867 --> 00:10:00,867
I MEAN GATORADE.
433
00:10:00,868 --> 00:10:01,368
>> NO.
434
00:10:01,368 --> 00:10:03,368
>> CAN I HAVE 12 BOOBS?
435
00:10:03,370 --> 00:10:04,040
>> WHAT?
436
00:10:04,037 --> 00:10:05,267
>> LIKE, WHY ARE WE ON WIRES
437
00:10:05,272 --> 00:10:06,512
WHEN JON'S THE ONE DOING THE
438
00:10:06,506 --> 00:10:06,906
STUNT?
439
00:10:06,907 --> 00:10:08,877
>> [ MOANS ]
440
00:10:08,909 --> 00:10:10,409
>> YOU HAVING A LITTLE ORGASM?
441
00:10:10,410 --> 00:10:11,480
I DON'T WANT YOU TO STRAIN YOUR
442
00:10:11,478 --> 00:10:11,778
BACK.
443
00:10:11,779 --> 00:10:12,679
JUST BREATHE THROUGH IT.
444
00:10:12,680 --> 00:10:13,580
>> NO, I'M GOOD. I'M GOOD.
445
00:10:13,580 --> 00:10:14,610
>> IT'S CALLED A "SWING GUSH."
446
00:10:14,648 --> 00:10:15,318
>> OH, GOD, SHUT UP!
447
00:10:15,315 --> 00:10:16,475
>> OKAY. YOU GUYS READY?
448
00:10:16,483 --> 00:10:19,153
AND...ACTION!
449
00:10:19,152 --> 00:10:20,152
[ MACHINERY WHIRS ]
450
00:10:20,153 --> 00:10:21,663
>> WITH THE STUNT LOCKED IN,
451
00:10:21,655 --> 00:10:23,555
MANTZOUKAS AND HIS CAST WERE
452
00:10:23,556 --> 00:10:24,686
READY TO SHOOT.
453
00:10:24,692 --> 00:10:26,532
BUT FIRST, ADAM WAS RUNNING OUT
454
00:10:26,526 --> 00:10:28,326
OF TIME TO PERFECT HIS SITTING
455
00:10:28,328 --> 00:10:29,158
MOVE.
456
00:10:29,162 --> 00:10:31,002
>> I FEEL LIKE I'VE LITERALLY
457
00:10:30,998 --> 00:10:32,168
TRIED EVERYTHING.
458
00:10:32,165 --> 00:10:33,995
I'VE REALLY GONE ON A JOURNEY
459
00:10:34,001 --> 00:10:36,671
HERE -- JUST ME AND A CHAIR,
460
00:10:36,670 --> 00:10:38,510
GOING TO THE ENDS OF THE EARTH,
461
00:10:38,505 --> 00:10:42,005
TRYING TO MAKE THIS WORK, AND...
462
00:10:42,009 --> 00:10:43,009
IT HASN'T.
463
00:10:43,010 --> 00:10:45,850
AND THEN I GO SOMEWHERE ELSE,
464
00:10:45,846 --> 00:10:47,176
THINKING A CHANGE OF ENVIRONMENT
465
00:10:47,180 --> 00:10:49,180
WILL HELP, AND I TRY AGAIN, AND
466
00:10:49,182 --> 00:10:51,182
IT DOESN'T WORK.
467
00:10:51,184 --> 00:10:52,454
IF I CAN'T DO THIS, I DON'T KNOW
468
00:10:52,452 --> 00:10:53,252
WHAT I'M GONNA DO.
469
00:10:53,253 --> 00:10:54,763
I DON'T HAVE MY SPECIAL CHAIR.
470
00:10:54,755 --> 00:10:56,415
[ GROANS ]
471
00:10:56,423 --> 00:10:58,263
GOD!
472
00:10:58,258 --> 00:11:05,268
[ HUMMING ]
473
00:11:05,265 --> 00:11:07,425
JON?
474
00:11:07,434 --> 00:11:08,604
>> HEY, ADAM.
475
00:11:08,601 --> 00:11:10,141
>> W-W-W-WHAT ARE YOU DOING
476
00:11:10,170 --> 00:11:10,670
HERE?
477
00:11:10,670 --> 00:11:12,010
>> UH [SIGHS] APPARENTLY, I'M
478
00:11:12,005 --> 00:11:14,665
HERE TO HELP YOU...SIT.
479
00:11:14,674 --> 00:11:16,514
>> I CAN'T DO IT, MAN.
480
00:11:16,509 --> 00:11:17,849
I JUST...I-I CA--
481
00:11:17,845 --> 00:11:20,845
>> SHUT UP!
482
00:11:20,848 --> 00:11:22,278
SIT DOWN!
483
00:11:28,756 --> 00:11:31,756
>> OH, WOW. HOLY [BLEEP]
484
00:11:31,759 --> 00:11:32,889
>> YEAH. THERE YOU GO.
485
00:11:32,926 --> 00:11:34,256
ALL RIGHT. LATER, IDIOT.
486
00:11:34,261 --> 00:11:35,601
>> BYE, JON!
487
00:11:35,595 --> 00:11:36,925
>> WITH ADAM FINALLY BUILDING UP
488
00:11:36,930 --> 00:11:39,100
THE CONFIDENCE TO SIT, JON WAS
489
00:11:39,099 --> 00:11:40,769
BUILDING...A DIFFERENT KIND OF
490
00:11:40,768 --> 00:11:41,298
CONFIDENCE.
491
00:11:41,301 --> 00:11:42,341
>> I DON'T THINK THE WIRE'S
492
00:11:42,335 --> 00:11:42,795
NECESSARY.
493
00:11:42,836 --> 00:11:43,866
LET'S DO IT WITH NO WIRES.
494
00:11:43,871 --> 00:11:45,541
>> WHOA, WHOA, WHOA, WHOA, WHOA.
495
00:11:45,538 --> 00:11:47,038
NO. THAT'S -- THAT CAN'T WORK.
496
00:11:47,040 --> 00:11:47,880
>> I DON'T KNOW.
497
00:11:47,875 --> 00:11:48,875
I KIND OF LIKE WHERE HE'S GOING
498
00:11:48,876 --> 00:11:49,276
WITH THIS.
499
00:11:49,276 --> 00:11:50,036
>> W-WHAT ABOUT ALL OUR
500
00:11:50,043 --> 00:11:50,713
METICULOUS PLANNING?
501
00:11:50,710 --> 00:11:51,340
WHAT ABOUT ALL THE
502
00:11:51,344 --> 00:11:52,114
TAPE-MEASURING WE DID?
503
00:11:52,112 --> 00:11:52,482
>> BUT --
504
00:11:52,479 --> 00:11:53,409
>> IF YOU'RE GONNA GO THROUGH
505
00:11:53,413 --> 00:11:54,413
WITH THIS, THAT MEANS YOU'RE --
506
00:11:54,414 --> 00:11:55,424
YOU'VE -- YOU'VE LOST YOUR MIND.
507
00:11:55,415 --> 00:11:57,415
I QUIT!
508
00:11:57,417 --> 00:11:58,087
>> WOW.
509
00:11:58,085 --> 00:11:59,415
[ LAUGHS ]
510
00:11:59,419 --> 00:12:00,919
>> I-I CAN'T...ACTUALLY QUIT.
511
00:12:00,921 --> 00:12:02,761
CAN I, UH...LET ME JUST REWIND
512
00:12:02,756 --> 00:12:03,556
AND TAKE THAT BACK.
513
00:12:03,590 --> 00:12:04,760
CAN I STAY ON THE PROJECT?
514
00:12:04,758 --> 00:12:06,588
>> WITH EVERYONE ON BOARD, THEY
515
00:12:06,593 --> 00:12:08,433
WERE READY TO SHOOT THE SEMINAL
516
00:12:08,428 --> 00:12:09,428
COUCH FLIP.
517
00:12:09,429 --> 00:12:10,759
>> REALLY APPRECIATE YOU GIVING
518
00:12:10,764 --> 00:12:11,934
ME YOUR FOCUS, YOUR ATTENTION
519
00:12:11,932 --> 00:12:12,432
RIGHT NOW.
520
00:12:12,432 --> 00:12:14,272
WE'RE GONNA DO THE COUCH FLIP.
521
00:12:14,267 --> 00:12:15,797
AND WE'RE GONNA DO IT WITHOUT
522
00:12:15,803 --> 00:12:16,303
WIRES.
523
00:12:16,303 --> 00:12:17,103
[ MURMURING ]
524
00:12:17,104 --> 00:12:18,444
ALL RIGHT, NOW, WHAT THAT MEANS
525
00:12:18,438 --> 00:12:19,968
IS, FOR THIS TO WORK, I NEED
526
00:12:20,007 --> 00:12:21,707
YOUR TOTAL FOCUS AND ATTENTION.
527
00:12:21,708 --> 00:12:23,378
MS. O'HARA, YOU'LL BE IN THEON.
528
00:12:23,376 --> 00:12:24,536
FRONT, OKAY?
529
00:12:24,544 --> 00:12:26,114
MS. HAHN, YOU'LL BE POSITIONED
530
00:12:26,113 --> 00:12:26,813
ABOUT HERE.
531
00:12:26,814 --> 00:12:27,854
MS. PERETTI, YOU'LL BE
532
00:12:27,848 --> 00:12:28,918
POSITIONED ABOUT HERE.
533
00:12:28,916 --> 00:12:31,576
MR. GLASER WILL BE SEATED RIGHT
534
00:12:31,584 --> 00:12:32,924
ABOUT HERE, ALL RIGHT?
535
00:12:32,920 --> 00:12:35,660
I WILL POSITION MR. GLASER,
536
00:12:35,655 --> 00:12:36,515
OKAY?
537
00:12:36,523 --> 00:12:38,363
AND I WILL STAY WITH MR. GLASER
538
00:12:38,358 --> 00:12:41,358
UNTIL OUR DIRECTOR CALLS ACTION,
539
00:12:41,361 --> 00:12:43,161
AT WHICH POINT I'M GONNA MOVE
540
00:12:43,163 --> 00:12:44,803
OUT OF THE WAY, ALL RIGHT?
541
00:12:44,798 --> 00:12:46,698
I'M GONNA CALL A SECOND ACTION,
542
00:12:46,699 --> 00:12:48,599
AT WHICH POINT, MR. GLASER WILL
543
00:12:48,601 --> 00:12:51,271
BEGIN...THE MOVE.
544
00:12:51,271 --> 00:12:52,271
OKAY?
545
00:12:52,272 --> 00:12:54,142
AT THAT POINT, IT'S CRITICAL TO
546
00:12:54,141 --> 00:12:55,881
REALLY PAY ATTENTION TO WHERE
547
00:12:55,876 --> 00:12:57,006
YOU ARE IN SPACE.
548
00:12:57,010 --> 00:12:58,180
YOU'LL BE MOVING IN TOWARDS
549
00:12:58,178 --> 00:13:00,848
ANOTHER MOVING BODY, OKAY?
550
00:13:00,848 --> 00:13:02,018
YEAH, JON.
551
00:13:02,015 --> 00:13:03,745
>> UH, WHAT IF I HAVE TO TAKE A
552
00:13:03,750 --> 00:13:04,250
LEAK?
553
00:13:04,251 --> 00:13:05,091
[ LAUGHTER ]
554
00:13:05,085 --> 00:13:06,085
>> [ Laughing ] STOP IT.
555
00:13:06,086 --> 00:13:07,746
>> OKAY. OKAY.
556
00:13:07,754 --> 00:13:08,924
THAT'S REALLY FUNNY.
557
00:13:08,922 --> 00:13:10,422
THAT'S REALLY, REALLY FUNNY, AND
558
00:13:10,423 --> 00:13:11,863
I APPRECIATE THE JOKING AROUND,
559
00:13:11,859 --> 00:13:14,529
BUT RIGHT NOW WE NEED FOCUS AND
560
00:13:14,527 --> 00:13:16,197
SERIOUSNESS SO THAT NOBODY GETS
561
00:13:16,196 --> 00:13:16,856
HURT.
562
00:13:16,864 --> 00:13:18,204
>> ALL RIGHT. SORRY.
563
00:13:18,198 --> 00:13:19,368
COULDN'T RESIST.
564
00:13:19,366 --> 00:13:20,566
>> REALLY, REALLY FUNNY.
565
00:13:20,567 --> 00:13:21,297
>> THANK YOU.
566
00:13:21,301 --> 00:13:22,741
>> AND AFTER THIS IS OVER, NOT
567
00:13:22,735 --> 00:13:24,195
ONLY IS IT OKAY, I LOOK FORWARD
568
00:13:24,204 --> 00:13:25,514
TO JOSHING AROUND WITH YOU.
569
00:13:25,505 --> 00:13:26,105
>> GREAT. ME TOO.
570
00:13:26,106 --> 00:13:27,066
I-I APPRECIATE IT. THANK YOU.
571
00:13:27,074 --> 00:13:27,944
>> OKAY. GREAT. THANK YOU.
572
00:13:27,941 --> 00:13:29,441
WE GOT EMTs STANDING BY.
573
00:13:29,442 --> 00:13:30,782
EVERYBODY, POSITIONS PLEASE,
574
00:13:30,777 --> 00:13:32,107
AND, UH, HAVE SOME FUN.
575
00:13:32,112 --> 00:13:32,582
OKAY.
576
00:13:32,612 --> 00:13:34,952
[ CLAPPING ]
577
00:13:34,948 --> 00:13:36,648
>> I'M REALLY...FEELING VERY
578
00:13:36,649 --> 00:13:38,349
GOOD ABOUT DOING THIS STUNT.
579
00:13:38,351 --> 00:13:39,291
I'M GONNA FALL BACK.
580
00:13:39,286 --> 00:13:40,116
I'M GONNA BE FINE.
581
00:13:40,120 --> 00:13:41,490
I'M GONNA GO BACK TO MY DRESSING
582
00:13:41,488 --> 00:13:42,288
ROOM AND DO COKE.
583
00:13:42,289 --> 00:13:43,659
>> NO, I'M NOT WORRIED ABOUT THE
584
00:13:43,656 --> 00:13:44,986
COUCH FLIP AT ALL, 'CAUSE JASON
585
00:13:44,992 --> 00:13:46,992
IS A PRO, CATHERINE IS A PRO,
586
00:13:46,994 --> 00:13:49,334
CHELSEA IS A PRO, SO WE ARE IN
587
00:13:49,329 --> 00:13:50,159
GOOD HANDS.
588
00:13:50,163 --> 00:13:51,333
AND, ALSO, WHAT'S THE WORST THAT
589
00:13:51,331 --> 00:13:54,001
CAN HAPPEN?
590
00:13:54,001 --> 00:13:55,171
>> JASON, WE'RE ALL READY.
591
00:13:55,168 --> 00:13:56,338
>> ALL RIGHT, EVERYBODY.
592
00:13:56,336 --> 00:13:58,166
HERE WE GO.
593
00:13:58,171 --> 00:14:00,671
AND...ACTION!
594
00:14:00,673 --> 00:14:05,013
>> STUNT ACTION!
595
00:14:05,012 --> 00:14:05,682
[ CRACK! ]
596
00:14:05,678 --> 00:14:06,448
>> [ GROANS ]
597
00:14:06,446 --> 00:14:07,916
>> JESUS CHRI-- HE BROKE HIS
598
00:14:07,915 --> 00:14:08,345
NECK!
599
00:14:08,348 --> 00:14:12,688
[ INDISTINCT SHOUTING ]
600
00:14:12,685 --> 00:14:13,185
>> ALL RIGHT.
601
00:14:13,186 --> 00:14:15,516
WE'RE GONNA ROLL YOU, JON.
602
00:14:15,522 --> 00:14:15,992
>> READY?
603
00:14:15,989 --> 00:14:17,089
>> I'M GONNA ROLL YOU TO YOUR
604
00:14:17,090 --> 00:14:18,760
RIGHT -- YOUR LEFT.
605
00:14:18,758 --> 00:14:23,758
[ MURMURING ]
606
00:14:23,763 --> 00:14:24,933
>> WAIT, GUYS. HOLD ON, GUYS.
607
00:14:24,932 --> 00:14:26,672
HOLD ON. JASON.
608
00:14:26,666 --> 00:14:28,866
DID WE GET THE SHOT?
609
00:14:28,868 --> 00:14:30,198
>> DID WE GET THE SHOT?
610
00:14:30,203 --> 00:14:32,043
OKAY, HOLD ON. LET ME SEE.
611
00:14:32,039 --> 00:14:33,369
EVERYBODY, QUIET FOR A SECOND.
612
00:14:33,373 --> 00:14:34,713
CAN I GET PLAYBACK ON
613
00:14:34,707 --> 00:14:37,477
"A" CAMERA?
614
00:14:46,419 --> 00:14:48,589
YEAH. WE GOT THE SHOT.
615
00:14:48,588 --> 00:14:53,758
[ CHEERS AND APPLAUSE ]
616
00:14:53,760 --> 00:14:55,600
YOU SEE THAT, JON?
617
00:14:55,595 --> 00:14:57,355
HIGH FIVE.
618
00:14:57,364 --> 00:14:59,174
HIGH FIVE.
619
00:14:59,166 --> 00:15:01,666
DID IT.
620
00:15:01,668 --> 00:15:03,498
>> WE GOT THE SHOT!
621
00:15:03,503 --> 00:15:05,173
>> WE GOT THE SHOT!
622
00:15:05,172 --> 00:15:06,312
>> WE GOT THE SHOT!
623
00:15:06,339 --> 00:15:08,179
>> * WE GOT THE SHOT
624
00:15:08,175 --> 00:15:09,835
>> WE GOT THE SHOT.T *
625
00:15:09,842 --> 00:15:11,682
>> THEY GOT THE SHOT...
626
00:15:11,678 --> 00:15:13,178
WHICH IS GREAT, BUT I'VE GOT TO
627
00:15:13,180 --> 00:15:15,020
SAY, NOT NEARLY AS AMAZING AS
628
00:15:15,015 --> 00:15:16,675
THE FACT THAT WE NOW HAVE PROOF
629
00:15:16,683 --> 00:15:19,023
OF A GHOST ON VIDEO.
630
00:15:19,019 --> 00:15:21,019
WE HAVE FOOTAGE OF A [BLEEP]
631
00:15:21,021 --> 00:15:22,861
GHOST, Y'ALL.
632
00:15:22,855 --> 00:15:24,515
NOW, IF YOU'RE THINKING WHAT I'M
633
00:15:24,524 --> 00:15:26,664
THINKING, THIS CAN ONLY MEAN ONE
634
00:15:26,659 --> 00:15:28,599
THING -- THAT WE ARE READY TO
635
00:15:28,595 --> 00:15:31,095
REINSTATE THE TITLE OF "THE
636
00:15:31,098 --> 00:15:33,098
GREATEST EVENT IN TELEVISION
637
00:15:33,100 --> 00:15:34,430
HISTORY."
638
00:15:34,434 --> 00:15:35,404
ARE YOU READY?
639
00:15:35,435 --> 00:15:36,435
HERE WE GO.
640
00:15:36,436 --> 00:15:39,266
10...9...8...
641
00:15:39,272 --> 00:15:42,112
7...6...5...
642
00:15:42,109 --> 00:15:44,579
4...3...2...
643
00:15:44,577 --> 00:15:45,577
1.
644
00:15:45,578 --> 00:15:46,848
[ CROWD CHEERING ]
645
00:15:48,315 --> 00:15:50,245
[ THEME SONG PLAYS ]
646
00:16:27,454 --> 00:16:29,294
ALSO, I'M PLEASED TO ANNOUNCE
647
00:16:29,289 --> 00:16:30,289
THAT, BECAUSE OF THIS
648
00:16:30,290 --> 00:16:31,960
RECREATION, HOLLYWOOD PRODUCERS
649
00:16:31,958 --> 00:16:33,088
IMMEDIATELY CAST
650
00:16:33,093 --> 00:16:34,393
CATHERINE O'HARA AND
651
00:16:34,394 --> 00:16:36,064
KATHRYN HAHN IN THE LATEST
652
00:16:36,063 --> 00:16:37,233
"STAR WARS" FILM.
653
00:16:37,230 --> 00:16:38,570
I'M SORRY. THAT'S RIDICULOUS.
654
00:16:38,565 --> 00:16:40,165
THAT DIDN'T HAPPEN.
655
00:17:06,959 --> 00:17:08,899
[ THEME SONG PLAYS ]
40622
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