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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:36,875 --> 00:00:41,709 - IT WAS THE FOLLY OF OUR SUMMER THAT LEAD US TO THIS PLACE. 4 00:00:41,834 --> 00:00:44,000 TO BE AS ONE IN THIS WORLD WHERE-- 5 00:00:44,125 --> 00:00:49,208 WHERE CHAOS AND VIOLENCE ENSUES, WE MUST... 6 00:00:51,000 --> 00:00:54,625 THIS OPPORTUNITY-- UH, THIS OPPORTUNITY-- 7 00:00:54,750 --> 00:00:59,500 WE MUST... 8 00:00:59,625 --> 00:01:01,542 WHEN IT PRESENTS ITSELF. 9 00:01:01,667 --> 00:01:04,166 AND, UH, WE MUST ACKNOWLEDGE THIS OPPORTUNITY 10 00:01:04,291 --> 00:01:05,709 AS A GATEWAY TO-- 11 00:01:05,834 --> 00:01:08,333 - I NEED A NEW PENCIL. 12 00:01:13,041 --> 00:01:14,542 WHAT IS THAT? WHAT IS SHE DOING? 13 00:01:14,667 --> 00:01:16,375 - I THINK SHE FORGOT HER LINES AGAIN. 14 00:01:21,000 --> 00:01:23,417 - MINDI, IS THERE A PROBLEM? 15 00:01:23,542 --> 00:01:24,458 - I'M SORRY, VERA. 16 00:01:24,667 --> 00:01:26,875 I KNOW THE LINE. I JUST LOST MY PLACE. 17 00:01:27,000 --> 00:01:29,208 - WELL, MAYBE YOU SHOULD SPEND A LITTLE LESS TIME 18 00:01:29,333 --> 00:01:30,500 DOING INTERVIEWS WITH TEEN MAGAZINES 19 00:01:30,625 --> 00:01:32,625 AND A LITTLE MORE TIME REHEARSING. 20 00:01:32,750 --> 00:01:33,792 - I'M SORRY. 21 00:01:33,917 --> 00:01:38,208 - "SORRY" DOESN'T MAKE IT BETTER. 22 00:01:42,375 --> 00:01:45,125 - EVERYBODY KEEP WORKING! 23 00:01:45,250 --> 00:01:47,000 - UM... 24 00:01:47,125 --> 00:01:48,000 - VERA? 25 00:01:48,125 --> 00:01:49,500 VERA... - UGH. 26 00:01:49,625 --> 00:01:51,000 - WE HAVE TO TALK. - NOT NOW, ALAN. 27 00:01:51,125 --> 00:01:53,000 NO, NO, RIGHT NOW, WE NEED TO TALK, 28 00:01:53,125 --> 00:01:56,792 YOU SEE, BECAUSE I WAS WATCHING THE REHEARSAL, 29 00:01:56,917 --> 00:01:59,500 AND YOU TOOK OUT KEY PARTS OF MY DIALOGUE. 30 00:01:59,625 --> 00:02:01,667 - I TOOK OUT PARTS THAT WEREN'T WORKING. 31 00:02:01,792 --> 00:02:05,417 - NOW, LOOK HERE, I WRITE MY PLAYS VERY SPECIFICALLY. 32 00:02:05,542 --> 00:02:06,667 EVERY WORD HAS A MEANING. 33 00:02:06,792 --> 00:02:10,834 - LIKE WHAT? 34 00:02:10,959 --> 00:02:12,041 - WELL, LIKE PAGE EIGHT. 35 00:02:12,166 --> 00:02:14,500 THE CHARACTER IS SUPPOSED TO SAY, 36 00:02:14,625 --> 00:02:17,667 "WE MAY NOT GET THERE, BUT AT THE VERY LEAST, 37 00:02:17,792 --> 00:02:19,500 THEY'LL KNOW WE TRIED." 38 00:02:19,625 --> 00:02:21,750 AND YOU CHANGED IT TO "AT LEAST." 39 00:02:21,875 --> 00:02:23,959 "AT LEAST--AT LEAST THEY'LL KNOW WE TRIED." 40 00:02:24,083 --> 00:02:25,333 - YOU'RE JOKING. 41 00:02:25,458 --> 00:02:27,291 - NO. NO, I'M NOT. 42 00:02:27,417 --> 00:02:29,041 - UGH, I DON'T HAVE TIME FOR THIS, ALAN. 43 00:02:29,166 --> 00:02:30,834 - NO, YOU WILL MAKE TIME! - ALAN, PLEASE. 44 00:02:30,959 --> 00:02:32,458 - THIS IS INCREDIBLY IMPORTANT-- - OH! 45 00:02:32,583 --> 00:02:33,667 - AAH! AAH! - OH! 46 00:02:33,792 --> 00:02:36,500 - UNH! - OH, GOSH. 47 00:02:36,625 --> 00:02:39,375 - YOU STRUCK ME. SHE STRUCK ME. YOU ALL SAW IT. 48 00:02:39,500 --> 00:02:41,834 - NO, I DIDN'T, BUT IF YOU SAY IT AGAIN, I WILL. 49 00:02:41,959 --> 00:02:46,166 - SHE'S THREATENING ME. 50 00:02:46,291 --> 00:02:48,291 - I'M FIRED? 51 00:02:48,417 --> 00:02:50,709 LEO... 52 00:02:50,834 --> 00:02:52,625 - I'M SORRY, VERA, BUT IF I DON'T GIVE YOU THE BOOT, 53 00:02:52,750 --> 00:02:54,041 I'LL HAVE THE UNION ON MY BACK. 54 00:02:54,166 --> 00:02:57,125 NOW, ALAN HAS AGREED NOT TO FILE A LEGAL ACTION 55 00:02:57,250 --> 00:02:58,333 IF I LET YOU GO. 56 00:02:58,458 --> 00:03:00,834 - I SEE. SO YOU'RE CAVING IN TO THREATS. 57 00:03:00,959 --> 00:03:04,333 - VERA, YOU'VE BEEN UNHAPPY SINCE WE CAST MINDI IN THE PLAY. 58 00:03:04,458 --> 00:03:06,542 - BECAUSE SHE CAN'T ACT. 59 00:03:06,667 --> 00:03:07,792 - BE THAT AS IT MAY, 60 00:03:07,917 --> 00:03:09,709 I PLAN TO SELL A COUPLE THOUSAND 61 00:03:09,834 --> 00:03:11,041 MINDI BRACE T-SHIRTS IN THE LOBBY 62 00:03:11,166 --> 00:03:12,917 BY JANUARY 1. 63 00:03:13,041 --> 00:03:15,208 AND THAT MORE THAN MAKES UP FOR THE TENDER REGRET 64 00:03:15,333 --> 00:03:17,667 I FEEL ABOUT HER ACTING TALENT. 65 00:03:17,792 --> 00:03:19,792 I HAVE NO CHOICE. 66 00:03:23,417 --> 00:03:25,417 - VERA, THIS IS THE THIRD JOB 67 00:03:25,542 --> 00:03:26,750 YOU'VE BEEN FIRED FROM THIS YEAR. 68 00:03:26,875 --> 00:03:28,500 - WELL, YOU MAKE IT SOUND LIKE FOUR. 69 00:03:28,625 --> 00:03:30,542 - GOOD. THAT'S GOOD. MAKE JOKES. 70 00:03:30,667 --> 00:03:32,250 - CAN'T YOU JUST GET ME ANOTHER JOB? 71 00:03:32,375 --> 00:03:33,875 - JUST LIKE THAT? 72 00:03:34,000 --> 00:03:38,166 - YOU SAID, "VERA, I AM VERY GOOD AT MY JOB. 73 00:03:38,291 --> 00:03:39,458 "LEAVE IT TO ME. 74 00:03:39,583 --> 00:03:41,583 THINK OF ME AS YOUR OLDER BROTHER." 75 00:03:41,709 --> 00:03:43,750 OR DID YOU SAY "UNCLE"? 76 00:03:43,875 --> 00:03:45,583 - I'LL LINE UP SOME JOBS FOR YOU TOMORROW. 77 00:03:45,709 --> 00:03:47,375 BYE. 78 00:03:51,709 --> 00:03:54,125 - THANK YOU, CARMEN. I'LL LOOK AT IT LATER. 79 00:03:54,250 --> 00:03:55,625 - THANKS FOR MEETING WITH ME, REBECCA. 80 00:03:55,750 --> 00:03:58,125 - OH, VERA, WE HAD SUCH A BLAST THE LAST TIME 81 00:03:58,250 --> 00:03:59,458 WE WORKED TOGETHER. 82 00:03:59,625 --> 00:04:01,250 IT'S HARD TO BELIEVE THAT WAS OVER TWO YEARS AGO. 83 00:04:01,375 --> 00:04:03,875 - WELL, I AM VERY EXCITED ABOUT YOUR NEW SEASON. 84 00:04:04,000 --> 00:04:06,417 - UH, VERA, ABOUT THAT... 85 00:04:06,542 --> 00:04:08,959 I CAN'T HIRE YOU. - I-I DON'T UNDERSTAND. 86 00:04:09,083 --> 00:04:12,750 - AS A FRIEND, I WANTED TO TELL YOU THIS IN PERSON. 87 00:04:12,875 --> 00:04:14,291 PEOPLE ARE SAYING TERRIBLE THINGS ABOUT YOU. 88 00:04:14,417 --> 00:04:16,625 - WHAT HAVE I DONE THAT IS SO WRONG? 89 00:04:16,750 --> 00:04:18,750 - IT'S NOT WHAT YOU'VE DONE, DEAR. 90 00:04:18,875 --> 00:04:20,291 IT'S HOW YOU'VE DONE IT. 91 00:04:20,417 --> 00:04:22,291 - OKAY, SO I CAN BE A LITTLE ABRASIVE. 92 00:04:22,417 --> 00:04:23,542 - DICTATORIAL. 93 00:04:23,667 --> 00:04:25,458 - OPINIONATED. - INSULTING. 94 00:04:25,583 --> 00:04:28,041 - EVERY SHIP NEEDS A STRONG CAPTAIN. 95 00:04:28,166 --> 00:04:31,792 - UNLESS THAT CAPTAIN STEERS THAT SHIP INTO SHARP ROCKS. 96 00:04:31,917 --> 00:04:33,667 - UGH. 97 00:04:33,792 --> 00:04:36,917 - YOU'RE A SMART GIRL. YOU'LL FIND YOUR WAY BACK. 98 00:04:39,750 --> 00:04:42,500 - YES, ALAN, I HAVE THE CONTRACT RIGHT HERE. 99 00:04:42,625 --> 00:04:44,667 I WILL--I WILL MENTION THE OFFER TO MY CLIENT, 100 00:04:44,792 --> 00:04:46,792 AND AS SOON AS I GET AN ANSWER, I'LL GET BACK TO YOU. 101 00:04:46,917 --> 00:04:47,959 OKAY. 102 00:04:48,083 --> 00:04:50,125 TALK TO YOU LATER. BYE. 103 00:04:50,250 --> 00:04:52,166 GOOD MORNING, VERA. - WHY AM I HERE? 104 00:04:52,291 --> 00:04:54,375 - JUST SIT DOWN. - I DON'T WANT TO SIT DOWN. 105 00:04:54,500 --> 00:04:56,166 I WANT A JOB. - AND YOU GOT ONE. 106 00:04:56,291 --> 00:04:58,166 AND IT'S A PRETTY SOLID OFFER. 107 00:04:58,291 --> 00:04:59,625 THE BALL'S IN YOUR COURT. 108 00:04:59,750 --> 00:05:00,959 - SHUT UP. 109 00:05:01,083 --> 00:05:02,792 - YEAH, IT'S--I MEAN, IT'S AN UNUSUAL JOB. 110 00:05:02,917 --> 00:05:04,208 - DETAILS? 111 00:05:04,333 --> 00:05:07,500 - WELL, IT'S A VERY SMALL THEATER COMPANY UPSTATE, 112 00:05:07,625 --> 00:05:09,667 AND THEY'RE PUTTING ON A PLAY. 113 00:05:09,792 --> 00:05:11,834 AND THEY NEED A DIRECTOR. 114 00:05:11,959 --> 00:05:14,125 AND IT'S A SUBSTANTIAL CHECK. 115 00:05:14,250 --> 00:05:15,709 - WELL, I'LL TAKE IT. 116 00:05:15,834 --> 00:05:17,375 - WAIT A MINUTE. WAIT A MINUTE. THERE'S MORE. 117 00:05:17,500 --> 00:05:18,792 - A JOB IS A JOB. WHEN DO I START? 118 00:05:18,917 --> 00:05:20,709 - RIGHT AWAY, IF YOU WANT TO, BUT HEAR ME OUT. 119 00:05:20,834 --> 00:05:21,959 LISTEN TO ME, OKAY? 120 00:05:22,083 --> 00:05:26,291 IT'S A SMALL COMMUNITY COMPANY OF PLAYERS 121 00:05:26,417 --> 00:05:31,166 AND THEY WANT TO PUT ON, UH, AN ANNUAL... 122 00:05:31,291 --> 00:05:33,041 CHRISTMAS PAGEANT. 123 00:05:33,166 --> 00:05:34,917 - CHRISTMAS PAGEANT? 124 00:05:35,041 --> 00:05:37,166 - CHRISTMAS PAGEANT. - NO, NO, NO. 125 00:05:37,291 --> 00:05:39,625 I-I HAVE DIRECTED BROADWAY. 126 00:05:39,750 --> 00:05:40,875 I HAVE DIRECTED OFF-BROADWAY. 127 00:05:41,000 --> 00:05:43,375 I HAVE DIRECTED OFF-OFF-OFF-OFF-BROADWAY. 128 00:05:43,500 --> 00:05:45,083 BUT THIS IS CRAZY. 129 00:05:45,208 --> 00:05:46,875 VERA, IT'S A GOOD JOB. 130 00:05:47,000 --> 00:05:48,709 THE MONEY IS GOOD. 131 00:05:48,834 --> 00:05:52,792 AND BESIDES, NOBODY ELSE IS INTERESTED IN YOU. 132 00:05:52,917 --> 00:05:54,542 CALL IT CAREER THERAPY, 133 00:05:54,667 --> 00:05:56,625 PERFORMANCE GESTALT, 134 00:05:56,750 --> 00:06:00,417 CHAPTER TEN OF YOUR INEVITABLE BEST-SELLING AUTOBIOGRAPHY. 135 00:06:00,542 --> 00:06:03,083 BUT FOR THE LOVE OF MARY MARTIN, TAKE THE JOB. 136 00:06:03,208 --> 00:06:04,417 IT'S JUST A FEW WEEKS. 137 00:06:04,542 --> 00:06:07,083 - ALL RIGHT, I'LL DO IT. 138 00:06:22,667 --> 00:06:24,375 - THERE WAS ANOTHER CAB COMPANY IN TOWN. 139 00:06:24,500 --> 00:06:27,083 THEY WENT OUT OF BUSINESS. NOW IT'S ONLY ME. 140 00:06:31,667 --> 00:06:32,750 TOWN'S GEARING UP 141 00:06:32,875 --> 00:06:34,250 FOR THE ANNUAL CHRISTMAS PAGEANT. 142 00:06:34,375 --> 00:06:35,709 - SO I'VE HEARD. 143 00:06:35,834 --> 00:06:37,875 - THIS YEAR WE'RE DOING SOMETHING REALLY SPECIAL, 144 00:06:38,000 --> 00:06:40,792 BRINGING IN A REAL DIRECTOR FROM NEW YORK CITY. 145 00:06:40,917 --> 00:06:42,625 - IS THAT RIGHT? 146 00:06:51,417 --> 00:06:54,959 - GOOD AFTERNOON. 147 00:06:55,083 --> 00:06:57,250 - GOOD AFTERNOON. - HELLO, THERE. 148 00:06:57,375 --> 00:06:59,542 LOVELY DAY. 149 00:06:59,667 --> 00:07:00,583 HEAR YE, HEAR YE, 150 00:07:00,750 --> 00:07:02,125 CITY COUNCIL MEET-UP THIS EVENING. 151 00:07:02,250 --> 00:07:06,000 - WHAT IS THIS-- PERKY MCHAPPY TOWN? 152 00:07:16,125 --> 00:07:19,083 UH, I CAN'T STAY HERE. 153 00:07:19,208 --> 00:07:21,834 - OOH! 154 00:07:21,959 --> 00:07:24,250 YOU MUST BE VERA. WELCOME! 155 00:07:24,375 --> 00:07:27,000 - WELL, YOU PICKED A HONEY OF A DAY TO COME SEE US. 156 00:07:27,125 --> 00:07:28,333 LOOK AT THAT SUNSHINE. 157 00:07:28,458 --> 00:07:29,750 - MY GOODNESS! - OH. 158 00:07:29,875 --> 00:07:31,083 - WHAT A SMART OUTFIT. 159 00:07:31,208 --> 00:07:33,333 WHO WOULD HAVE THOUGHT TO USE ALL THOSE COLORS 160 00:07:33,458 --> 00:07:34,917 ALL AT THE SAME TIME? 161 00:07:35,041 --> 00:07:36,125 UNIQUE. 162 00:07:36,250 --> 00:07:37,959 THAT'S WHAT IT IS, UNIQUE. 163 00:07:38,083 --> 00:07:39,500 - ISN'T SHE A BUNCH OF PEACHES? 164 00:07:39,625 --> 00:07:41,333 - I DON'T KNOW WHAT YOU MEAN BY THAT. 165 00:07:41,458 --> 00:07:44,125 - WELL, YOU WILL. YOU WILL. 166 00:07:44,250 --> 00:07:45,458 - OH, COME ON, LET'S GET YOU INTO THE KITCHEN. 167 00:07:45,583 --> 00:07:47,083 YOU MUST BE HUNGRY... - WELL-- 168 00:07:47,208 --> 00:07:48,166 - AND CRAVING FOOD. 169 00:07:48,458 --> 00:07:49,959 - ACTUALLY, I ATE ON THE TRAIN, SO I CAN-- 170 00:07:50,083 --> 00:07:51,750 - NO, NOW SIT YOURSELF DOWN. 171 00:07:51,875 --> 00:07:53,333 WOULD YOU LIKE A SNICKERDOODLE? 172 00:07:53,458 --> 00:07:55,792 - NO, NO, I DON'T-- THANK YOU. 173 00:07:55,917 --> 00:07:57,333 - YOU'RE A CHAMOMILE GIRL, RIGHT? 174 00:07:57,458 --> 00:07:59,000 - ACTUALLY, I'M A PEPP-- 175 00:07:59,125 --> 00:08:00,291 - YOU SURE ABOUT THE SNICKERDOODLE? 176 00:08:00,417 --> 00:08:02,500 - NO, I DON'T WANT IT. 177 00:08:02,625 --> 00:08:05,500 - SO, TELL US ALL ABOUT NEW YORK CITY. 178 00:08:05,625 --> 00:08:07,458 - MM. 179 00:08:07,583 --> 00:08:11,041 - I'M GONNA JUST CHECK ON MY ROOM AND MAYBE FRESHEN UP. 180 00:08:11,166 --> 00:08:13,083 - OH, IT'S THE TOP OF THE STAIRS, 181 00:08:13,208 --> 00:08:14,417 ROOM AT THE END OF THE HALL. 182 00:08:14,542 --> 00:08:17,208 - I'LL GET YOUR LUGGAGE. - OH, NO, I'LL MANAGE. 183 00:08:17,333 --> 00:08:19,709 - I'LL SAVE YOU A SNICKERDOODLE. 184 00:08:19,834 --> 00:08:21,500 - THANKS. 185 00:08:30,500 --> 00:08:33,000 ALL RIGHT, TO START, WHY DON'T YOU TELL ME YOUR NAMES 186 00:08:33,125 --> 00:08:35,208 AND A LITTLE SOMETHING ABOUT YOURSELVES? 187 00:08:35,333 --> 00:08:38,000 - WELL, UH, MAYOR NOAH HUMPHREY, AND I'M ALSO PRESIDENT 188 00:08:38,125 --> 00:08:40,166 OF THE ASHTON FALLS CITY PLAYERS. 189 00:08:40,291 --> 00:08:41,959 - PLEASURE TO MEET YOU, MAYOR. 190 00:08:42,125 --> 00:08:44,750 - BEVERLY SIMMONS, I LOVE TRADITIONAL CHRISTMASES. 191 00:08:44,875 --> 00:08:47,542 I DON'T SEE WHY A CHRISTMAS TREE HAS TO BE ANYTHING OTHER THAN 192 00:08:47,667 --> 00:08:50,333 TRADITIONAL GREEN WITH TRADITIONAL WHITE LIGHTS. 193 00:08:50,458 --> 00:08:51,917 - THAT'S VERY INFORMATIVE. 194 00:08:52,041 --> 00:08:54,542 - EDDIE FLEMING. I'M ASHTON FALLS' MAIL CARRIER. 195 00:08:54,667 --> 00:08:56,875 - WELL, THERE'S ONLY ONE? 196 00:08:57,000 --> 00:08:59,083 - WHY USE TWO WHEN ONE WILL DO? 197 00:08:59,208 --> 00:09:01,834 - WELL, I HAVE AN ASSISTANT. - AH. 198 00:09:01,959 --> 00:09:03,875 - SHERRY GUMM, AS IN BUBBLE GUM. 199 00:09:04,000 --> 00:09:05,083 BUT WITH TWO "M"s. 200 00:09:05,208 --> 00:09:07,375 I'M ACTUALLY A POET. 201 00:09:07,500 --> 00:09:09,959 BUT MOST PEOPLE THINK OF ME AS AN ARTS-AND-CRAFTS DEALER. 202 00:09:10,083 --> 00:09:11,417 - YOU WRITE POETRY? 203 00:09:11,542 --> 00:09:12,583 ARE YOU PUBLISHED? 204 00:09:12,792 --> 00:09:15,125 - OH, HEAVENS, YES! I OWN MY OWN BUSINESS. 205 00:09:15,250 --> 00:09:17,041 IT'S CALLED "IT COULD BE VERSE." 206 00:09:17,166 --> 00:09:18,583 - MY GOODNESS. 207 00:09:18,709 --> 00:09:20,458 - WELL, YOU LET ME KNOW IF THERE'S ANYTHING I CAN DO 208 00:09:20,583 --> 00:09:22,208 TO HELP YOU. - I WILL. 209 00:09:22,333 --> 00:09:25,917 - BECAUSE MY TIME IS YOUR TIME. - YES, THANK YOU... 210 00:09:26,041 --> 00:09:27,458 SHERRY. 211 00:09:27,583 --> 00:09:29,250 - UH, ZACH WILSON-- 212 00:09:29,375 --> 00:09:31,709 I'M THE EDITOR OF THE ASHTON FALLS DISPATCH. 213 00:09:31,834 --> 00:09:34,625 UM, PERHAPS, MS. PARKS, IF YOU HAVE TIME, 214 00:09:34,750 --> 00:09:36,417 MAYBE WE COULD SIT DOWN FOR AN INTERVIEW. 215 00:09:36,542 --> 00:09:38,625 I PROMISE A FRONT-PAGE STORY. 216 00:09:38,750 --> 00:09:41,041 - THERE'S ONLY ONE PAGE. 217 00:09:47,417 --> 00:09:51,750 - AND YOU ARE? 218 00:09:51,875 --> 00:09:56,083 - UH, ANITA...CORNING. 219 00:09:57,291 --> 00:10:00,291 I HAVE TO GO SOMEPLACE. 220 00:10:02,417 --> 00:10:04,166 SHE'S, UM... 221 00:10:04,291 --> 00:10:06,333 SHE'S A LITTLE SHY. 222 00:10:06,458 --> 00:10:09,083 - YEAH, YOU THINK? - YEAH. 223 00:10:09,208 --> 00:10:12,166 - YOU KNOW, I'LL GET TO KNOW THE REST OF YOU AS WE GO ALONG, 224 00:10:12,291 --> 00:10:15,000 BUT WE REALLY SHOULD START REHEARSING, SO... 225 00:10:15,125 --> 00:10:16,917 WHERE IS THE THEATER? 226 00:10:17,041 --> 00:10:19,417 - THIS IS THE THEATER. 227 00:10:19,542 --> 00:10:21,458 - UM, I KNOW WE'RE REHEARSING HERE, 228 00:10:21,583 --> 00:10:24,291 BUT REALLY, WHERE IS THE THEATER? 229 00:10:24,417 --> 00:10:27,125 - OH, THOSE FOLDING CHAIRS ARE THE SEATS, 230 00:10:27,250 --> 00:10:31,959 AND THAT PLATFORM WILL BECOME THE STAGE RIGHT THERE. 231 00:10:32,083 --> 00:10:35,291 - PROPS, COSTUMES-- ARE THERE... 232 00:10:35,417 --> 00:10:36,458 ANY? 233 00:10:36,583 --> 00:10:37,917 - OF COURSE! RIGHT THIS WAY. 234 00:10:38,041 --> 00:10:41,291 - YEARS WORTH. COME ALONG. WE'LL SHOW YOU. 235 00:10:42,583 --> 00:10:44,291 - TA-DA! 236 00:10:49,125 --> 00:10:51,583 - OH. 237 00:10:55,458 --> 00:10:58,208 WHY DON'T YOU TELL ME WHAT YOU HAVE IN MIND FOR THE SHOW? 238 00:10:58,333 --> 00:11:01,375 - UM, ASHTON FALLS' PAGEANT DATES BACK TO 1893, 239 00:11:01,500 --> 00:11:03,375 WHEN PRESIDENT GROVER CLEVELAND 240 00:11:03,500 --> 00:11:05,959 WAS SCHEDULED TO PASS THROUGH ASHTON FALLS 241 00:11:06,083 --> 00:11:07,333 THE WEEK BEFORE CHRISTMAS. 242 00:11:07,542 --> 00:11:11,208 THE TOWNSFOLK PUT TOGETHER A HOLIDAY PAGEANT FOR HIM. 243 00:11:11,333 --> 00:11:12,875 - IT WAS A SHAME, THOUGH. 244 00:11:13,000 --> 00:11:14,208 UH, HE RAN BEHIND SCHEDULE, 245 00:11:14,333 --> 00:11:17,959 SO HIS TRAIN DIDN'T ACTUALLY STOP. 246 00:11:19,500 --> 00:11:21,208 - ALTHOUGH THEY SAY HE DID WAVE TO THE GOOD PEOPLE 247 00:11:21,333 --> 00:11:23,875 OF ASHTON FALLS FROM THE WINDOW. 248 00:11:24,000 --> 00:11:25,500 - AND SINCE THE SHOW MUST GO ON, 249 00:11:25,625 --> 00:11:27,208 THEY PERFORMED THE PAGEANT ANYWAY, 250 00:11:27,333 --> 00:11:29,500 AND THEY'VE BEEN DOING THE SAME SHOW EVER SINCE. 251 00:11:29,625 --> 00:11:31,625 - THE--THE SAME... 252 00:11:31,750 --> 00:11:33,333 PAGEANT SINCE... 253 00:11:33,458 --> 00:11:35,542 1893. 254 00:11:35,667 --> 00:11:39,000 - OH, DOWN TO THE LAST DETAIL. 255 00:11:39,125 --> 00:11:42,917 - OH, UH, SO BASICALLY IT'S THE NATIVITY. 256 00:11:43,041 --> 00:11:45,291 - IS THAT A PROBLEM? 257 00:11:45,417 --> 00:11:46,917 - NOTHING THAT CAN'T BE SOLVED. 258 00:11:47,041 --> 00:11:50,417 - "SOLVED"? 259 00:11:50,542 --> 00:11:52,750 - WELL, I'M THE DIRECTOR THAT YOU HIRED. 260 00:11:52,875 --> 00:11:54,917 I'M GONNA DIRECT THE PAGEANT. 261 00:11:58,083 --> 00:11:59,917 - WELL, I AM SURE THERE'S BUSINESS 262 00:12:00,041 --> 00:12:01,250 THAT WE CAN ALL ATTEND TO. 263 00:12:01,375 --> 00:12:02,709 IN WHICH CASE, SHALL WE CALL IT A DAY 264 00:12:02,834 --> 00:12:05,667 AND, UH, WHAT, START FRESH TOMORROW MORNING? 265 00:12:05,792 --> 00:12:09,583 - I'M GONNA TAKE THIS HOME AND-- AND, UH, STUDY IT IN DETAIL, 266 00:12:09,709 --> 00:12:11,625 AND I THINK WE SHOULD GET BACK TOGETHER 267 00:12:11,750 --> 00:12:14,583 TOMORROW MORNING AT, UM, SAY, 9:00. 268 00:12:14,709 --> 00:12:17,458 - 9:00. 269 00:12:17,583 --> 00:12:19,625 - OKAY. 270 00:12:25,166 --> 00:12:26,542 IF I DIDN'T NEED THE MONEY SO BAD, 271 00:12:26,667 --> 00:12:29,041 I WOULD BE ON A TRAIN SO FAST, 272 00:12:29,166 --> 00:12:31,375 IT WOULD MAKE THEIR HEADS SPIN. 273 00:12:31,500 --> 00:12:33,417 - I'M NOT SURE THIS WAS SUCH A GREAT IDEA. 274 00:12:33,542 --> 00:12:34,959 - NOW, BEVERLY, GIVE HER A CHANCE. 275 00:12:35,083 --> 00:12:36,291 - WELL, IF SHE THINKS SHE'S GONNA COME HERE 276 00:12:36,417 --> 00:12:37,625 AND START CHANGING EVERYTHING, 277 00:12:37,750 --> 00:12:39,375 SHE'LL HAVE ME TO DEAL WITH. 278 00:12:39,500 --> 00:12:42,834 - I'M HUNGRY. 279 00:12:54,500 --> 00:12:55,542 - WHAT DO YOU WANT TO BET 280 00:12:55,750 --> 00:12:58,917 THEY HAVEN'T EVEN HEARD OF PEPPERMINT TEA? 281 00:13:05,250 --> 00:13:07,959 HI, THERE. 282 00:13:08,083 --> 00:13:11,417 YOU WOULDN'T BY ANY CHANCE-- 283 00:13:11,542 --> 00:13:14,583 - SAM, THAT'LL BE ONE PEPPERMINT TEA WITH HONEY. 284 00:13:18,667 --> 00:13:21,250 - JACK? 285 00:13:21,375 --> 00:13:24,291 JACK HARMON. 286 00:13:24,417 --> 00:13:27,125 - SURPRISE. 287 00:13:28,709 --> 00:13:31,792 WHAT ARE YOU DOING HERE? 288 00:13:31,917 --> 00:13:35,375 - THIS IS HOME FOR TEN YEARS NOW. 289 00:13:37,125 --> 00:13:40,208 PLEASE HAVE A SEAT. - RIGHT. 290 00:13:40,333 --> 00:13:41,291 OOH. 291 00:13:41,417 --> 00:13:42,917 - SORRY. THERE'S A... 292 00:13:46,500 --> 00:13:50,792 - UH, WOW. I-I CAN'T BELIEVE IT'S YOU. 293 00:13:50,917 --> 00:13:53,208 UH, HOW ARE YOU? 294 00:13:53,333 --> 00:13:54,417 - I'M GOOD. OH, THANKS, SAM. 295 00:13:54,667 --> 00:13:57,375 UM, SO I WAS RIGHT, PEPPERMINT TEA WITH HONEY. 296 00:13:57,500 --> 00:14:01,041 - YEAH. YEP. GOOD MEMORY. 297 00:14:01,166 --> 00:14:02,333 - THANKS. 298 00:14:02,500 --> 00:14:04,667 - I AM SORRY. I CAN'T, UH, PUT THIS TOGETHER. 299 00:14:04,792 --> 00:14:07,542 JACK HARMON, TITAN OF INDUSTRY... 300 00:14:07,667 --> 00:14:09,625 WORKING IN A COFFEE SHOP. 301 00:14:09,750 --> 00:14:11,208 - WELL, I'M ACTUALLY THE OWNER. 302 00:14:11,333 --> 00:14:13,208 AND I ALSO BAKE. 303 00:14:13,333 --> 00:14:16,375 UM, YOU LOOK GREAT. I HAVEN'T SEEN YOU SINCE... 304 00:14:16,500 --> 00:14:18,583 - SINCE YOU BROKE UP WITH ME. 305 00:14:18,709 --> 00:14:21,083 - SO I HEAR YOU'RE IN TOWN TO DIRECT THE CHRISTMAS PAGEANT. 306 00:14:21,208 --> 00:14:24,166 - IT'S NOT GOING VERY WELL. 307 00:14:24,291 --> 00:14:25,250 - WHY DO YOU SAY THAT? 308 00:14:25,417 --> 00:14:27,250 - THEY JUST WANT TO DO THE SAME SHOW 309 00:14:27,375 --> 00:14:28,417 THEY'VE BEEN DOING FOR YEARS. 310 00:14:28,542 --> 00:14:29,750 I DON'T KNOW WHY THEY HIRED ME. 311 00:14:29,875 --> 00:14:32,583 - OH, UM, THE GUY USED TO DIRECT THE PAGEANT-- 312 00:14:32,709 --> 00:14:35,917 HE SOLD HIS HARDWARE STORE, AND HE MOVED DOWN SOUTH. 313 00:14:36,041 --> 00:14:38,417 - WELL, I HAVE NO IDEA HOW THEY FOUND ME. 314 00:14:38,542 --> 00:14:42,083 - WELL, I KIND OF RECOMMENDED YOU. 315 00:14:42,208 --> 00:14:43,333 - I'M SORRY. WHAT? 316 00:14:43,458 --> 00:14:45,750 - I-I-I KIND OF RECOMMENDED YOU. 317 00:14:45,875 --> 00:14:49,250 - YOU KIND OF RECOMMENDED ME. 318 00:14:55,417 --> 00:14:59,583 - UH, I WAS THINKING MAYBE WE COULD GO OVER THERE. 319 00:15:07,041 --> 00:15:09,917 - HELLO? - I'M IN DOILY HELL, PETER. 320 00:15:10,041 --> 00:15:12,417 - WELL, IF IT ISN'T MISS SUZY SUNSHINE. 321 00:15:12,542 --> 00:15:15,041 - I DON'T THINK THIS JOB IS GOING TO WORK OUT AFTER ALL. 322 00:15:15,166 --> 00:15:17,208 - SO YOU JUST, UH, WANT TO THROW AWAY 323 00:15:17,333 --> 00:15:18,834 A PERFECTLY GOOD PAYCHECK. 324 00:15:18,959 --> 00:15:21,291 LISTEN, VERA, YOU'RE THERE ALREADY. 325 00:15:21,417 --> 00:15:23,625 DO THE JOB, AND YOU COME BACK TO THE CITY. 326 00:15:23,750 --> 00:15:24,917 WE'LL KICK SOME BUTT, OKAY? 327 00:15:25,083 --> 00:15:29,125 - THINGS HAVE GOTTEN A LITTLE MORE COMPLICATED. 328 00:15:29,250 --> 00:15:32,125 - WHEN HASN'T ANYTHING YOU'VE EVER DONE 329 00:15:32,250 --> 00:15:34,375 BECOME MORE COMPLICATED? 330 00:15:34,500 --> 00:15:36,500 - TRUE. - OKAY, I'LL TELL YOU WHAT-- 331 00:15:36,625 --> 00:15:38,458 YOU JUST DON'T MAKE ANY RASH DECISIONS, 332 00:15:38,583 --> 00:15:40,625 AND TOMORROW MORNING YOU MIGHT WAKE UP 333 00:15:40,750 --> 00:15:42,291 WITH A WHOLE NEW LEASE ON LIFE, OKAY? 334 00:15:42,417 --> 00:15:43,625 - I DOUBT THAT. 335 00:15:43,750 --> 00:15:45,709 - OKAY, BABY. BYE. 336 00:15:53,792 --> 00:15:56,458 - NOW, PLEASE, I'VE ASKED YOU ALL HERE THIS MORNING-- 337 00:15:56,583 --> 00:15:57,583 THANK YOU FOR COMING-- 338 00:15:57,709 --> 00:16:00,000 SO THAT WE CAN HASH THIS THING OUT 339 00:16:00,125 --> 00:16:02,333 BEFORE OUR NEW DIRECTOR JOINS US. 340 00:16:02,458 --> 00:16:04,000 - I DON'T LIKE HER. 341 00:16:04,125 --> 00:16:06,500 - SHE'S NOT GOING TO CHANGE THE PAGEANT, BEVERLY. 342 00:16:06,625 --> 00:16:08,375 - THEN WHY DO WE NEED HER? 343 00:16:08,500 --> 00:16:09,875 - PLEASE. 344 00:16:10,000 --> 00:16:11,917 - WELL, ATTENDANCE HAS BEEN DOWN THE LAST FEW YEARS. 345 00:16:12,041 --> 00:16:13,500 MAYBE WE NEED SOMETHING NEW. 346 00:16:13,625 --> 00:16:16,333 - I THINK IT'S WONDERFUL HAVING SOMEONE FROM BROADWAY 347 00:16:16,458 --> 00:16:17,333 DIRECT US. 348 00:16:17,458 --> 00:16:18,792 WHO KNOWS WHERE THIS COULD LEAD? 349 00:16:18,917 --> 00:16:21,083 WHY, THIS COULD SPREAD THE WORD ABOUT OUR PAGEANT. 350 00:16:21,208 --> 00:16:23,208 WE MAY END UP ON THE PAGES OF PEOPLE MAGAZINE. 351 00:16:23,333 --> 00:16:24,750 - THE POINT IS, 352 00:16:24,875 --> 00:16:26,375 ARE WE PREPARED TO LET THIS NEW YORKER 353 00:16:26,500 --> 00:16:28,208 SWOOP DOWN AND RUIN EVERYTHING? 354 00:16:28,333 --> 00:16:30,166 - BEVERLY, SHE'S NOT GOING TO RUIN EVERYTHING. 355 00:16:30,291 --> 00:16:31,625 - HOW DO YOU KNOW THAT? 356 00:16:31,750 --> 00:16:32,959 - HOW DO YOU KNOW THAT SHE-- 357 00:16:33,083 --> 00:16:35,542 - JUST GIVE HER A CHANCE, BEVERLY. 358 00:16:35,667 --> 00:16:39,750 - MAYBE NONE OF YOU CARE, BUT I AM GONNA MAKE IT MY BUSINESS 359 00:16:39,875 --> 00:16:43,750 TO KEEP AN EYE ON MS. BIG CITY DIRECTOR. 360 00:16:49,542 --> 00:16:52,000 - WHAT'S UP WITH HER? - I DON'T KNOW. 361 00:17:01,291 --> 00:17:03,083 - HI, IS THIS GEORGE? 362 00:17:03,208 --> 00:17:07,500 I NEED A TAXI CAB FROM THE B&B TO THE TRAIN STATION, PLEASE. 363 00:17:07,625 --> 00:17:10,250 RIGHT NOW. I'LL BE WAITING OUT FRONT. 364 00:17:10,375 --> 00:17:12,750 OKAY. 365 00:17:34,083 --> 00:17:36,625 - ARE YOU THE LADY FROM NEW YORK? 366 00:17:36,750 --> 00:17:38,083 - YES, I AM. 367 00:17:38,208 --> 00:17:39,917 - THIS IS FOR YOU. 368 00:17:40,041 --> 00:17:43,083 DAISIES ARE HARD TO COME BY THIS TIME OF YEAR. 369 00:17:43,208 --> 00:17:45,709 - WELL, THANK YOU VERY MUCH. - YOU'RE VERY WELCOME. 370 00:17:45,834 --> 00:17:48,333 I'M KRISTEN. 371 00:17:48,458 --> 00:17:51,125 - DID YOU COME HERE JUST TO GIVE ME THIS FLOWER, KRISTEN? 372 00:17:51,250 --> 00:17:54,834 - ACTUALLY, I HAVE A QUESTION. 373 00:17:54,959 --> 00:17:56,959 - ALL RIGHT, SO WHAT IS YOUR QUESTION? 374 00:17:57,083 --> 00:18:00,625 - WELL, I THOUGHT SINCE YOU COME FROM NEW YORK CITY, 375 00:18:00,750 --> 00:18:02,959 WHICH IS A BIG CITY WITH LOTS OF PEOPLE, 376 00:18:03,083 --> 00:18:05,417 YOU MUST KNOW LOTS OF THINGS. 377 00:18:05,542 --> 00:18:06,959 - I GUESS SO. 378 00:18:07,083 --> 00:18:09,625 - AND YOU PROBABLY KNOW IF THERE'S A REAL SANTA CLAUS 379 00:18:09,750 --> 00:18:11,125 OR NOT, RIGHT? 380 00:18:11,250 --> 00:18:14,542 I DON'T THINK PEOPLE HAVE BEEN TELLING ME THE TRUTH. 381 00:18:14,667 --> 00:18:16,625 I DON'T THINK SANTA IS SOMETHING PEOPLE SHOULD JOKE ABOUT. 382 00:18:16,750 --> 00:18:17,834 DO YOU? 383 00:18:17,959 --> 00:18:20,125 - NO, I DON'T THINK PEOPLE SHOULD JOKE 384 00:18:20,250 --> 00:18:21,583 ABOUT ANYTHING THAT SERIOUS. 385 00:18:21,709 --> 00:18:25,709 - SO IS THERE A SANTA CLAUS? 386 00:18:25,834 --> 00:18:28,583 - WELL... 387 00:18:28,709 --> 00:18:32,208 HERE'S THE WAY I SEE IT. 388 00:18:32,333 --> 00:18:33,792 AT CHRISTMASTIME, 389 00:18:33,917 --> 00:18:37,333 BELIEVING IN THINGS MAKES THEM REAL. 390 00:18:37,458 --> 00:18:41,166 THAT'S HOW CHRISTMAS WISHES COME TRUE. 391 00:18:41,291 --> 00:18:43,417 DOES THAT MAKE SENSE? 392 00:18:43,542 --> 00:18:45,834 - OH, THAT'S THE PERFECT ANSWER! 393 00:18:45,959 --> 00:18:48,125 - OH! OH, GOODNESS. 394 00:18:48,250 --> 00:18:49,750 - I KNEW YOU'D KNOW THE ANSWER. 395 00:18:49,875 --> 00:18:51,500 THANK YOU. - SURE. 396 00:18:51,625 --> 00:18:53,750 - OH, AND DON'T FORGET TO PUT YOUR DAISY IN SOME WATER. 397 00:18:53,875 --> 00:18:57,500 - NO, I-I-I WON'T. THANK YOU, KRISTEN. 398 00:19:07,834 --> 00:19:10,792 - OH, HELLO, VERA. 399 00:19:10,917 --> 00:19:13,667 I'M JUST, UH, TAKING THIS, UH, PACKAGE 400 00:19:13,792 --> 00:19:15,709 TO SEND IT TO ONE OF MY DAUGHTERS-- 401 00:19:15,834 --> 00:19:18,041 LIVES OUT IN NEW MEXICO. 402 00:19:18,166 --> 00:19:20,792 THAT'S WAY OUT WEST FROM HERE. 403 00:19:20,917 --> 00:19:22,500 YOU GOING SOMEWHERE? 404 00:19:22,625 --> 00:19:25,000 - UM, WELL, ACTUALLY, I-- 405 00:19:25,125 --> 00:19:27,709 - OH, YEAH, I UNDERSTAND. - YOU DO? 406 00:19:27,834 --> 00:19:30,875 - NO, NO, I... 407 00:19:31,000 --> 00:19:34,333 BELIEVE ME, I UNDERSTAND. I CAN SEE IT IN YOUR EYES. 408 00:19:34,458 --> 00:19:35,542 OH, I CAN-- 409 00:19:35,667 --> 00:19:39,709 DON'T DENY IT. I CAN SEE IT IN YOUR EYES. 410 00:19:39,834 --> 00:19:43,291 YOU KNOW, WHENEVER I'M SCARED, 411 00:19:43,417 --> 00:19:46,542 I DO SOMETHING THAT CALMS ME DOWN. 412 00:19:59,250 --> 00:20:01,083 YOU SEE? 413 00:20:01,208 --> 00:20:03,417 YOU CAN'T BE SCARED IF YOU'RE--IF YOU'RE WHISTLING. 414 00:20:03,542 --> 00:20:04,959 TRY IT. 415 00:20:05,083 --> 00:20:07,417 - OH, GARRETT, I DON'T FEEL LIKE WHISTLING-- 416 00:20:07,542 --> 00:20:09,250 - OH, NO, NO, I'M NOT GONNA LET YOU LEAVE 417 00:20:09,375 --> 00:20:10,917 UNLESS YOU TRY IT. 418 00:20:11,041 --> 00:20:14,250 GO ON NOW. 419 00:20:14,375 --> 00:20:16,917 PLEASE? - YES. 420 00:20:30,834 --> 00:20:31,792 - YOU SEE? 421 00:20:31,917 --> 00:20:33,458 SEE, NOW DON'T YOU FEEL BETTER? 422 00:20:33,583 --> 00:20:35,709 - ACTUALLY, IT DOES. 423 00:20:35,834 --> 00:20:39,709 - YEAH, WELL, NOW, THERE YOU GO. 424 00:20:53,417 --> 00:20:55,917 - ALL ABOARD FOR THE TRAIN STATION. 425 00:20:56,041 --> 00:20:57,250 - WELL, AM I GONNA SAY GOOD-BYE, 426 00:20:57,375 --> 00:21:00,959 OR ARE YOU GONNA STAY AND FACE YOUR FEAR? 427 00:21:01,083 --> 00:21:03,291 - THERE WILL BE OTHER TRAINS. 428 00:21:20,583 --> 00:21:22,083 - WHAT EXPLODED? 429 00:21:22,208 --> 00:21:24,333 - OH, NO, HONEY, THAT WAS JUST GARRETT 430 00:21:24,458 --> 00:21:26,750 GREETING THE DAWN. 431 00:21:26,875 --> 00:21:28,583 - GREETING THE WHAT? 432 00:21:28,709 --> 00:21:31,750 - AHH, WELL, YOU TWO MISSED A HONEY OF A SUNRISE. 433 00:21:31,875 --> 00:21:35,500 - YEAH. GARRETT LEANS OUT A WINDOW EVERY MORNING 434 00:21:35,625 --> 00:21:38,750 AND BANGS THOSE CYMBALS TOGETHER WHEN THE SUN RISES. 435 00:21:38,875 --> 00:21:40,208 - WHY? 436 00:21:40,333 --> 00:21:43,417 - WELL, TO CELEBRATE. 437 00:21:43,542 --> 00:21:46,500 - FINE. GOING BACK TO SLEEP. 438 00:21:46,625 --> 00:21:48,542 - AW, SHE'S... 439 00:21:57,166 --> 00:22:00,375 - GOT IT? - YEAH, MAN. 440 00:22:00,500 --> 00:22:01,875 EASY. 441 00:22:02,000 --> 00:22:04,083 HEY, YOU KNOW WHAT? 442 00:22:04,208 --> 00:22:06,583 - SO I THOUGHT WE SHOULD HAVE A TABLE READ, 443 00:22:06,709 --> 00:22:08,250 SO I CAN GET AN IDEA OF HOW THE WORDS FLOW. 444 00:22:08,375 --> 00:22:10,542 - WE ALREADY KNOW HOW THE WORDS FLOW. 445 00:22:10,667 --> 00:22:12,542 - HOW NICE FOR YOU, BEVERLY. 446 00:22:12,667 --> 00:22:15,041 ALL RIGHT, LET'S START THE TABLE READ. 447 00:22:15,166 --> 00:22:17,208 UH, EDDIE, IT SAYS HERE YOU USUALLY PLAY 448 00:22:17,333 --> 00:22:18,667 ONE OF THE THREE WISE MEN. 449 00:22:18,792 --> 00:22:20,208 - YEAH, THAT'S RIGHT. 450 00:22:20,333 --> 00:22:22,083 - GREAT, LET'S START WITH THE MONOLOGUE 451 00:22:22,208 --> 00:22:25,000 ON THE TOP OF, UH, PAGE THREE. 452 00:22:28,083 --> 00:22:30,041 - IN THE NIGHT... 453 00:22:30,166 --> 00:22:33,375 IN THE NIGHT SKY... 454 00:22:33,500 --> 00:22:34,750 UH... 455 00:22:34,875 --> 00:22:36,417 THERE CAME-- 456 00:22:36,542 --> 00:22:40,583 IN THE NIGHT SKY, THERE CAME A BRILLIANT LIGHT... 457 00:22:40,709 --> 00:22:42,625 THE LIGHT FROM A STAR... 458 00:22:42,750 --> 00:22:45,500 - I'M GONNA STOP YOU RIGHT THERE. 459 00:22:45,625 --> 00:22:46,917 YOU'VE PLAYED THIS ROLE BEFORE? 460 00:22:47,041 --> 00:22:48,375 - UH, FOUR YEARS NOW. 461 00:22:48,500 --> 00:22:51,125 - I THINK WE'RE GONNA GO A DIFFERENT WAY THIS YEAR. 462 00:22:51,250 --> 00:22:53,166 - I DON'T-- I DON'T UNDERSTAND. 463 00:22:53,291 --> 00:22:56,792 - I THINK WE NEED TO GO WITH A SMOOTHER PRESENTATION. 464 00:22:58,750 --> 00:23:00,208 - I-I CAN'T BE A WISE MAN? 465 00:23:00,333 --> 00:23:03,417 - I THINK YOU SHOULD MAYBE JUST SKIP IT, 466 00:23:03,542 --> 00:23:07,125 JUST FOR THIS YEAR. 467 00:23:07,250 --> 00:23:09,208 - DID SHE JUST FIRE ME? 468 00:23:09,333 --> 00:23:11,792 - I THINK SO. 469 00:23:11,917 --> 00:23:14,917 - IT'S ALL RIGHT, EDDIE. 470 00:23:19,333 --> 00:23:21,667 - WE'LL FIGURE OUT CASTING LATER. 471 00:23:21,792 --> 00:23:24,709 LET'S JUST BEGIN WITH THE NARRATOR FOR SPEECH, 472 00:23:24,834 --> 00:23:25,709 PAGE FOUR, NOAH. 473 00:23:25,875 --> 00:23:27,917 - AH. OF COURSE. 474 00:23:28,041 --> 00:23:32,875 MARY'S TIME WAS NEAR. 475 00:23:36,667 --> 00:23:38,792 - I'M SORRY, BUT THERE ARE NO ROOMS AVAILABLE! 476 00:23:38,917 --> 00:23:40,834 IF YOU LIKE, YOU CAN STAY IN THE STABLE 477 00:23:40,959 --> 00:23:42,875 WITH THE COWS AND THE SHEEP! 478 00:23:43,000 --> 00:23:45,375 I CAN BE BETTER. 479 00:23:45,500 --> 00:23:47,375 I CAN BE LESS MEAN. 480 00:23:47,500 --> 00:23:49,166 - LET'S TALK ABOUT THIS SCENE FOR A MINUTE. 481 00:23:49,291 --> 00:23:51,542 ALL RIGHT, WE HAVE A VERY PREGNANT WOMAN 482 00:23:51,667 --> 00:23:52,917 AND HER LOVING HUSBAND, 483 00:23:53,166 --> 00:23:56,333 WHO IS TRYING TO FIND THEM A PLACE TO SPEND THE NIGHT. 484 00:23:58,166 --> 00:24:01,625 INSTEAD OF DOING IT THE SAME OLD WAY IT'S BEEN DONE, 485 00:24:01,750 --> 00:24:04,500 LET'S DO IT IN SILHOUETTE, WITH SHADOWS. 486 00:24:04,625 --> 00:24:07,792 WE'LL CAST GIANT IMAGES ACROSS THIS BACKDROP, RIGHT? 487 00:24:07,917 --> 00:24:11,500 MARY AND JOSEPH ARE GOING FROM PLACE TO PLACE. 488 00:24:11,625 --> 00:24:13,875 AND THEY'RE GETTING TURNED AWAY SILENTLY. 489 00:24:14,000 --> 00:24:19,208 THE ONLY SOUND THE AUDIENCE HEARS IS THEIR SAD FOOTSTEPS 490 00:24:19,333 --> 00:24:21,375 ECHOING THROUGHOUT THE THEATER. 491 00:24:21,500 --> 00:24:23,417 - WHAT DO YOU HAVE AGAINST THE BABY JESUS? 492 00:24:23,542 --> 00:24:24,875 - WHAT? 493 00:24:25,125 --> 00:24:28,500 - WELL, YOU JUST SEEM TO BE STEPPING ALL OVER HIS HOLIDAY. 494 00:24:28,625 --> 00:24:32,125 - I'M JUST TRYING TO THROW OUT IDEAS 495 00:24:32,250 --> 00:24:33,834 TO FRESHEN UP THIS PAGEANT. 496 00:24:33,959 --> 00:24:36,250 I MEAN, LOOK, LOOK AT THIS THING, RIGHT? 497 00:24:36,375 --> 00:24:37,291 - NO, NO, NO, NO. 498 00:24:37,417 --> 00:24:39,291 - WE DON'T NEED A TIN-FOIL STAR. 499 00:24:39,417 --> 00:24:43,041 WE CAN USE A LIGHT TO SYMBOLIZE THE LIGHT FROM THE STAR 500 00:24:43,166 --> 00:24:44,959 AND HAVE IT SPILL OUT OVER THE ENTIRE AUDIENCE. 501 00:24:45,083 --> 00:24:48,166 - YOU DON'T WANT TO USE OUR STAR? 502 00:24:48,291 --> 00:24:51,166 - OH, WELL, I MEAN, LOOK, IT IS KIND OF OLD, 503 00:24:51,291 --> 00:24:52,417 DON'T YOU THINK? 504 00:24:52,583 --> 00:24:55,291 - MY MOTHER TOLD ME THAT DURING WORLD WAR II, 505 00:24:55,417 --> 00:24:56,917 THERE WAS A METAL SHORTAGE, 506 00:24:57,041 --> 00:25:00,083 AND WE HAD TO MAKE DO WITH A CONSTRUCTION-PAPER STAR. 507 00:25:01,542 --> 00:25:04,250 AFTER V.E. DAY, THE VERY FIRST ROLL 508 00:25:04,375 --> 00:25:06,625 OF ALUMINUM FOIL WAS DELIVERED TO THE GROCERY STORE 509 00:25:06,750 --> 00:25:08,083 AND CARRIED HERE TO THIS THEATER, 510 00:25:08,208 --> 00:25:10,458 SO WE COULD HAVE 511 00:25:10,583 --> 00:25:14,667 THE FIRST TRULY SHINY STAR IN FIVE YEARS. 512 00:25:14,792 --> 00:25:17,834 - THERE WAS A FLOOD IN '88. OH, WHAT A MESS THAT WAS. 513 00:25:17,959 --> 00:25:21,709 IT LEFT MOLD ON ALMOST EVERYTHING EXCEPT THIS STAR. 514 00:25:23,375 --> 00:25:26,000 IT KIND OF MAKES YOU THINK, DOESN'T IT? 515 00:25:26,125 --> 00:25:28,875 - I'M NOT--I'M NOT TRYING TO CHANGE THINGS 516 00:25:29,000 --> 00:25:30,291 JUST TO CHANGE THEM. 517 00:25:30,417 --> 00:25:34,000 I MEAN, I HAVE YEARS OF THEATER EXPERIENCE. 518 00:25:34,125 --> 00:25:35,333 - LET ME SAVE YOU A LOT OF TIME, MISSY. 519 00:25:36,709 --> 00:25:38,083 - NOW, YOU'RE FREE TO LIE IN BED AT NIGHT 520 00:25:38,208 --> 00:25:41,291 AND IMAGINE ANY SHOW YOUR LITTLE HEART DESIRES. 521 00:25:41,417 --> 00:25:44,458 BUT ON THIS STAGE, IN THIS AUDITORIUM, 522 00:25:44,583 --> 00:25:45,917 ALL WE WANT 523 00:25:46,041 --> 00:25:50,417 IS AN ASHTON FALLS PLAYERS' CHRISTMAS PAGEANT! 524 00:25:54,500 --> 00:25:58,000 - HI, VERA. REMEMBER ME? 525 00:25:58,125 --> 00:25:59,834 - OF COURSE I DO. 526 00:25:59,959 --> 00:26:02,250 WE'RE HERE TO BE FITTED TO PLAY ANGELS. 527 00:26:02,375 --> 00:26:04,333 - THAT--THAT'S NICE. 528 00:26:04,458 --> 00:26:06,542 - YOU LOOK SAD. 529 00:26:06,667 --> 00:26:08,709 - NO, I'M-- 530 00:26:08,834 --> 00:26:11,792 - ARE THEY GIVING YOU A HARD TIME IN THERE? 531 00:26:11,917 --> 00:26:14,750 - AS A MATTER OF FACT, THEY ARE. 532 00:26:14,875 --> 00:26:18,000 - WHEN KIDS ARE MISBEHAVING, MY TEACHER ALWAYS LET'S US DO 533 00:26:18,125 --> 00:26:20,542 THE CHORES WE LIKE BEST. 534 00:26:20,667 --> 00:26:23,333 THAT WAY, EVERYBODY FEELS IMPORTANT. 535 00:26:23,458 --> 00:26:25,625 - YOU KNOW, I THINK YOU'RE RIGHT. 536 00:26:25,750 --> 00:26:27,375 I CAN DO THAT. 537 00:26:27,500 --> 00:26:29,583 - OF COURSE. 538 00:26:29,709 --> 00:26:32,417 AND YOU'RE WELCOME. 539 00:26:32,542 --> 00:26:33,834 - ALL RIGHT, GIRLS. 540 00:26:33,959 --> 00:26:36,208 I'M READY FOR YOUR FITTING. 541 00:26:36,333 --> 00:26:37,875 - GOT TO GO. 542 00:26:38,000 --> 00:26:42,166 - THANKS AGAIN. 543 00:26:42,291 --> 00:26:44,583 - GOOD LUCK WITH THE PAGEANT, VERA. 544 00:26:44,709 --> 00:26:45,917 - EDDIE... 545 00:26:46,166 --> 00:26:49,500 DON'T TAKE ANOTHER STEP. - DID I DO SOMETHING WRONG? 546 00:26:49,625 --> 00:26:54,041 - SOMETIMES PEOPLE HAVE GREATNESS THRUST UPON THEM. 547 00:26:54,166 --> 00:26:56,959 TODAY YOU ARE THE "THRUSTEE." 548 00:26:57,083 --> 00:26:58,500 - I AM? 549 00:26:58,625 --> 00:27:03,000 - HOW WOULD YOU LIKE TO BE MY ASSISTANT DIRECTOR? 550 00:27:03,125 --> 00:27:05,333 - OH, YOU BET. 551 00:27:05,458 --> 00:27:07,333 - GREAT. 552 00:27:07,458 --> 00:27:10,250 I'LL NEED TEN COPIES OF THAT, COLLATED AND STAPLED, 553 00:27:10,375 --> 00:27:12,875 FIVE SHARPENED NUMBER-TWO PENCILS, 554 00:27:13,000 --> 00:27:16,792 AND A CUP OF HOT PEPPERMINT TEA WITH HONEY. 555 00:27:16,917 --> 00:27:19,542 - I'M ON IT. 556 00:27:19,667 --> 00:27:23,583 - I CAN DO THIS. 557 00:27:31,375 --> 00:27:34,000 - THE DIRECTOR'S HERE. 558 00:27:34,125 --> 00:27:38,208 - EDDIE! 559 00:27:38,333 --> 00:27:40,542 - WE'RE STARTING WITH THE WISE MEN SCENE. 560 00:27:40,667 --> 00:27:43,625 GOT THE NEW SCRIPT RIGHT HERE. 561 00:27:44,917 --> 00:27:46,625 - WELCOME BACK. - GREAT TO BE BACK. 562 00:27:46,750 --> 00:27:50,500 - THANKS, EDDIE. - YOU'RE WELCOME. 563 00:27:50,625 --> 00:27:52,375 YOU'RE WELCOME. 564 00:27:52,500 --> 00:27:54,834 - THANKS. - NO "PROBLEMO." 565 00:27:57,417 --> 00:27:59,208 - NOAH... - OH. 566 00:27:59,333 --> 00:28:00,834 - GO. 567 00:28:00,959 --> 00:28:03,709 - AND LO, THE THREE WISE MEN 568 00:28:03,834 --> 00:28:06,125 GAZED UP AT THE NIGHT SKY 569 00:28:06,250 --> 00:28:10,500 AND BEHELD A MOST GLORIOUS SIGHT. 570 00:28:10,625 --> 00:28:12,125 - WAIT, WAIT, WAIT. HOLD ON A SECOND. 571 00:28:12,250 --> 00:28:13,208 - TOO FAST? 572 00:28:13,333 --> 00:28:15,125 - NO, NO, NO, NO. - IT WAS TOO SLOW. 573 00:28:15,250 --> 00:28:17,709 - NO, NO, NOTHING LIKE THAT. 574 00:28:17,834 --> 00:28:19,917 IT SAYS IN THE SCRIPT THAT YOU DO THIS NARRATION 575 00:28:20,041 --> 00:28:21,583 FROM OFFSTAGE? 576 00:28:21,709 --> 00:28:22,917 - NO, RIGHT. 577 00:28:23,166 --> 00:28:26,250 I MEAN, I ALWAYS READ THIS PART, UH, FROM BACKSTAGE. 578 00:28:26,375 --> 00:28:29,000 MAYOR, YOU'RE A PUBLIC FIGURE. 579 00:28:29,125 --> 00:28:30,083 YOU'RE USED TO SPEAKING 580 00:28:30,291 --> 00:28:32,709 IN FRONT OF LARGE GROUPS OF PEOPLE, RIGHT? 581 00:28:32,834 --> 00:28:33,750 - WELL, YES, OF COURSE. 582 00:28:33,959 --> 00:28:35,750 I MEAN, I MAKE SEVERAL SPEECHES A YEAR. 583 00:28:35,875 --> 00:28:38,417 - WHY DON'T YOU DO THE NARRATION FROM RIGHT THERE, 584 00:28:38,542 --> 00:28:40,583 JUST A LITTLE BIT OVER ON THE STAGE, 585 00:28:40,709 --> 00:28:41,709 IN FRONT OF THE AUDIENCE? 586 00:28:41,834 --> 00:28:43,583 - REALLY? 587 00:28:43,709 --> 00:28:46,125 LIKE MY OWN SPECIAL PLACE? 588 00:28:46,250 --> 00:28:50,583 - YEAH, YEAH, AND MAYBE EVEN YOUR OWN BABY SPOTLIGHT 589 00:28:50,709 --> 00:28:52,458 AND A LITTLE SOFT PIANO MUSIC IN THE BACKGROUND. 590 00:28:52,583 --> 00:28:54,500 - COULD I WEAR A TUXEDO? 591 00:28:54,625 --> 00:28:56,458 - I DON'T SEE WHY NOT. 592 00:28:56,583 --> 00:28:58,417 - OH, I THINK I JUST HAD A CHILL DOWN MY LEG. 593 00:28:58,542 --> 00:28:59,583 - NOW, HANG ON. 594 00:28:59,750 --> 00:29:02,125 THE NARRATOR IS NEVER SEEN BY THE AUDIENCE. 595 00:29:02,250 --> 00:29:04,667 - OH, BEVERLY, IT'S REALLY SUCH A SMALL CHANGE, 596 00:29:04,792 --> 00:29:08,834 AND IT FEELS SO RIGHT TO ME. 597 00:29:08,959 --> 00:29:11,125 - I NEVER MET A POLITICIAN THAT DIDN'T MIND 598 00:29:11,250 --> 00:29:12,875 BEING ON A MICROPHONE. 599 00:29:13,000 --> 00:29:15,375 - I DON'T KNOW, BEVERLY. I KIND OF LIKE IT. 600 00:29:15,500 --> 00:29:16,709 - YEAH. - ME TOO. 601 00:29:16,834 --> 00:29:18,917 IT FEELS FRESH AND NEW. - GOOD. 602 00:29:19,041 --> 00:29:20,250 - THAT'S TWO-TO-ONE FOR. 603 00:29:20,375 --> 00:29:22,583 - THEN LET'S TRY IT THIS WAY. 604 00:29:22,709 --> 00:29:25,417 - YES. - THANK YOU. 605 00:29:26,792 --> 00:29:28,750 - STAGE RIGHT A LITTLE. 606 00:29:28,875 --> 00:29:32,542 THAT WAY, THAT WAY, OKAY. 607 00:29:32,667 --> 00:29:35,125 - AND LO, THE THREE WISE MEN GAZED UP AT THE NIGHT SKY 608 00:29:35,250 --> 00:29:39,500 AND BEHELD A MOST GLORIOUS SIGHT. 609 00:29:49,333 --> 00:29:52,375 - MORE PIE, DEAR? 610 00:29:52,500 --> 00:29:55,000 - OH, NO. NO, NO, NO, NO. NO MORE ROOM. 611 00:29:57,333 --> 00:29:59,166 - I'M SO SORRY. 612 00:29:59,291 --> 00:30:02,041 - YOU'RE WELCOME, DEAR. 613 00:30:02,166 --> 00:30:04,166 - HEY, WE BETTER GET MOVING. IT'S ALMOST TIME FOR THE BAKE. 614 00:30:04,291 --> 00:30:05,709 - OH, YES. 615 00:30:05,834 --> 00:30:07,709 - I HOPE YOU'RE TALKING ABOUT GETTING A SUNTAN. 616 00:30:07,834 --> 00:30:09,333 - OH, GOODNESS, NO. 617 00:30:09,458 --> 00:30:12,250 HE MEANS THE ANNUAL CHRISTMAS CAKE AND COOKIE BAKE. 618 00:30:12,375 --> 00:30:14,875 EVERYONE IN ASHTON FALLS PITCHES IN 619 00:30:15,041 --> 00:30:17,375 TO MAKE THE-- OH, THE MOST DELICIOUS GOODIES 620 00:30:17,500 --> 00:30:19,709 FOR TREE-LIGHTING NIGHT ON WEDNESDAY. 621 00:30:19,834 --> 00:30:21,417 - THAT'S THE FIRST OFFICIAL DAY OF CHRISTMAS SEASON. 622 00:30:21,542 --> 00:30:23,667 - OH, WOULD YOU LIKE TO COME? OH, WOULDN'T YOU, DEAR? 623 00:30:23,792 --> 00:30:26,166 I'M SURE YOU'D LIKE TO SHOW OFF YOUR BAKING SKILLS. 624 00:30:26,291 --> 00:30:28,000 WOULDN'T YOU, DEAR? 625 00:30:28,125 --> 00:30:29,792 - MAYBE NEXT TIME. 626 00:30:29,917 --> 00:30:31,166 - WELL, THERE WON'T BE ANOTHER TIME 627 00:30:31,291 --> 00:30:32,333 UNTIL NEXT YEAR, YOUNG LADY. 628 00:30:32,458 --> 00:30:34,834 - AND IT'S GOOD FOR THE PUBLIC RELATIONS 629 00:30:34,959 --> 00:30:36,375 FOR THE PAGEANT... 630 00:30:36,500 --> 00:30:39,625 AND THAT CREW YOU'RE WORKING WITH. 631 00:30:39,750 --> 00:30:40,959 - HMM? 632 00:30:41,083 --> 00:30:43,417 - HMM? 633 00:30:43,542 --> 00:30:44,583 - UGH. 634 00:30:50,250 --> 00:30:52,834 - IT SMELLS JUST LIKE LA PATISSERIE. 635 00:30:52,959 --> 00:30:54,959 - HONEY... 636 00:30:55,083 --> 00:30:56,917 WE'RE IN A CHURCH. WATCH YOUR LANGUAGE. 637 00:30:57,083 --> 00:30:58,583 - OH, NO, NO. 638 00:30:58,709 --> 00:31:00,875 THAT'S THE NAME OF MY FAVORITE BAKERY IN PARIS. 639 00:31:01,000 --> 00:31:02,500 I-I... 640 00:31:02,625 --> 00:31:04,959 I'LL JUST WATCH MY LANGUAGE. 641 00:31:05,083 --> 00:31:06,417 - GARRETT, ETHEL! 642 00:31:06,542 --> 00:31:07,458 - WELL, HELLO. HELLO, NOAH. 643 00:31:07,667 --> 00:31:09,625 NOW, YOU JUST MAKE YOURSELF AT HOME. 644 00:31:11,125 --> 00:31:13,583 - HAPPIEST OF HAPPYS. 645 00:31:13,709 --> 00:31:16,583 THANK YOU. THANK YOU. - GREETINGS, GREETINGS. 646 00:31:16,709 --> 00:31:18,083 - HI, VERA. PUNCH? 647 00:31:18,208 --> 00:31:20,667 - OH, NO, THANKS. 648 00:31:25,000 --> 00:31:27,125 - OH, THANK YOU VERY MUCH. 649 00:31:27,250 --> 00:31:29,625 - OH, HEY, BOSS. 650 00:31:29,750 --> 00:31:30,834 - HI. 651 00:31:34,333 --> 00:31:36,375 - HI. - HI, KRISTEN. 652 00:31:36,500 --> 00:31:38,125 - ARE YOU GONNA HELP US BAKE A CAKE? 653 00:31:38,250 --> 00:31:39,375 - WELL, DON'T TELL ANYBODY, 654 00:31:39,542 --> 00:31:41,291 BUT I'M NOT VERY GOOD AT THIS SORT OF THING. 655 00:31:41,417 --> 00:31:42,750 - DON'T WORRY. I'LL TEACH YOU. 656 00:31:42,875 --> 00:31:43,959 - OKAY. 657 00:31:44,125 --> 00:31:45,625 - JUST TAKE THE FLOUR AND PUT IT IN HERE. 658 00:31:45,750 --> 00:31:47,125 - PUT THIS THING-- - YES. 659 00:31:47,250 --> 00:31:49,166 - OKAY. 660 00:31:49,291 --> 00:31:50,166 IN THERE. - YES. 661 00:31:50,291 --> 00:31:52,458 - LIKE THAT, OKAY. - PERFECT. 662 00:31:52,583 --> 00:31:53,792 - ANOTHER? - JUST ONE MORE. 663 00:31:53,917 --> 00:31:55,583 - JUST ONE MORE, OKAY. 664 00:31:55,709 --> 00:31:57,083 ALL RIGHT, NOW-- 665 00:31:57,208 --> 00:31:58,792 - NOW, TAKE THE MIXER... - MM-HMM. 666 00:31:58,917 --> 00:32:00,208 - AND MIX IT UP. 667 00:32:01,917 --> 00:32:04,125 - OH, HEY. 668 00:32:04,250 --> 00:32:06,542 THIS IS NOT AS HARD AS I THOUGHT IT WOULD BE. 669 00:32:06,667 --> 00:32:08,333 - AND YOU'RE NOT SO BAD. 670 00:32:08,458 --> 00:32:10,959 - WELL, THANK YOU, YOUNG LADY. 671 00:32:11,083 --> 00:32:13,917 - YOU'RE WELCOME. 672 00:32:14,041 --> 00:32:15,125 - HEY. 673 00:32:15,250 --> 00:32:17,208 - LOOK, DADDY, WE'RE MAKING A CAKE. 674 00:32:18,792 --> 00:32:21,333 - "DADDY"? 675 00:32:21,458 --> 00:32:23,875 - OH, OH! 676 00:32:27,125 --> 00:32:29,709 - OOH, CAREFUL. 677 00:32:29,834 --> 00:32:32,000 - I'M GONNA GO GET CLEANED UP RIGHT NOW. 678 00:32:32,125 --> 00:32:33,583 AAH! 679 00:32:33,709 --> 00:32:35,959 - OOH. 680 00:32:38,792 --> 00:32:41,125 - I AM SO SORRY. OH, MY GOSH. 681 00:32:41,250 --> 00:32:43,375 - YOU THINK THIS IS FUNNY? 682 00:32:43,500 --> 00:32:45,834 - YOU LOOK LIKE A MELTING CANDLE. 683 00:32:49,625 --> 00:32:50,834 - YES, I DO. 684 00:32:51,000 --> 00:32:54,166 - YOU LOOK, UM--WE SHOULD GO AND FIND THE KITCHEN 685 00:32:54,291 --> 00:32:56,000 AND GET YOU CLEANED UP. 686 00:32:56,125 --> 00:32:57,667 - OKAY. - AW. 687 00:32:57,792 --> 00:32:59,625 THEY MAKE SUCH A SNAZZY COUPLE. 688 00:32:59,750 --> 00:33:02,333 - OH, NOW, ETHEL, DON'T START. 689 00:33:02,458 --> 00:33:04,291 - AW, IT'S SO CUTE. 690 00:33:12,333 --> 00:33:15,959 - AND WHEN DO I GET TO MEET HER MOTHER? 691 00:33:16,083 --> 00:33:17,750 - HEY, KRISTEN, WHY DON'T YOU GO SEE 692 00:33:17,875 --> 00:33:19,375 IF THEY NEED HELP DECORATING? 693 00:33:19,500 --> 00:33:21,083 - BUT-- - GO. 694 00:33:21,208 --> 00:33:22,458 - UGH. 695 00:33:22,583 --> 00:33:23,959 WHENEVER I GET SENT OUT OF THE ROOM, 696 00:33:24,083 --> 00:33:25,792 I MISS ALL THE GOOD STUFF. 697 00:33:31,583 --> 00:33:35,083 - I HEARD THAT YOU HAD GOTTEN MARRIED. 698 00:33:35,208 --> 00:33:38,834 - YEAH, AFTER YOU AND I ENDED OUR ENGAGEMENT, 699 00:33:38,959 --> 00:33:41,333 I KIND OF DRIFTED FOR A WHILE. 700 00:33:41,458 --> 00:33:42,625 THEN I GOT MARRIED TO LIZ. 701 00:33:42,750 --> 00:33:44,250 SHE WAS A BROKER AT THE FIRM. 702 00:33:44,375 --> 00:33:46,250 - YOU JUMPED INTO THAT RELATIONSHIP RATHER QUICKLY, 703 00:33:46,375 --> 00:33:47,875 DIDN'T YOU? 704 00:33:48,000 --> 00:33:49,208 - VERA... 705 00:33:49,458 --> 00:33:52,667 YOU AND I WERE ALWAYS SO CONSUMED WITH OUR CAREERS THAT-- 706 00:33:52,792 --> 00:33:55,083 - ISN'T THAT WHAT YOUNG PEOPLE IN NEW YORK ARE SUPPOSED TO DO? 707 00:33:55,208 --> 00:33:57,458 - SOMETIMES I THINK WE FORGOT WHAT WAS REALLY IMPORTANT. 708 00:33:57,583 --> 00:33:59,667 - LIKE? - LIKE US, FOR EXAMPLE. 709 00:33:59,792 --> 00:34:02,125 - WELL, I DON'T KNOW--I THOUGHT WE WERE PRETTY GOOD TOGETHER, 710 00:34:02,250 --> 00:34:05,583 RIGHT UP UNTIL YOU LEFT ME. 711 00:34:05,709 --> 00:34:07,208 WHY DID YOU LEAVE? 712 00:34:07,333 --> 00:34:08,625 - WELL, I... 713 00:34:08,917 --> 00:34:11,250 REMEMBER WHEN WE WERE SUPPOSED TO GO TO PARIS ON VACATION? 714 00:34:11,375 --> 00:34:15,250 - WE TALKED ABOUT THAT, LIKE, A THOUSAND TIMES. 715 00:34:15,375 --> 00:34:18,000 - YOU KNEW HOW IMPORTANT THAT JOB WAS TO MY CAREER. 716 00:34:18,125 --> 00:34:19,625 - I KNOW THAT, BUT WE PLANNED THAT TRIP 717 00:34:19,750 --> 00:34:21,166 FOR OVER A YEAR. 718 00:34:21,291 --> 00:34:22,792 AND AFTER ALL THE MISSED DINNERS 719 00:34:22,917 --> 00:34:26,792 AND THE ARGUMENTS OVER SCHEDULES, I... 720 00:34:26,917 --> 00:34:31,667 IT WAS KIND OF THE LAST STRAW FOR ME. 721 00:34:31,792 --> 00:34:34,834 - WELL, I HOPE YOU AND LIZ ARE HAPPY. 722 00:34:34,959 --> 00:34:39,458 - VERA... 723 00:34:39,583 --> 00:34:42,917 LIZ PASSED AWAY A FEW YEARS AGO. 724 00:34:43,041 --> 00:34:45,166 - I AM SO SORRY. 725 00:34:45,291 --> 00:34:48,000 - NO, IT'S ALL RIGHT. 726 00:34:48,125 --> 00:34:51,583 YOU KNOW, I THOUGHT ABOUT, UM, SELLING THE PLACE 727 00:34:51,709 --> 00:34:55,750 AND GOING BACK TO THE CITY, BUT YOU KNOW HOW IT IS. 728 00:34:55,875 --> 00:34:58,500 YOU GET A LITTLE BIT OLDER, AND IT'S HARD TO LEAVE 729 00:34:58,625 --> 00:35:01,458 A PLACE THAT STARTS TO FEEL LIKE HOME. 730 00:35:01,583 --> 00:35:06,041 - MM, YEAH, T-THAT'S A FEELING THAT I CAN'T QUITE RELATE TO. 731 00:35:06,166 --> 00:35:09,083 - WELL, YOU'RE TOO BUSY SLAYING DRAGONS ALL THE TIME. 732 00:35:09,208 --> 00:35:11,834 - SOMETHING LIKE THAT, YEAH. 733 00:35:11,959 --> 00:35:16,083 - OH, VERA, I AM... 734 00:35:16,208 --> 00:35:19,000 - I HAVE TO HIT THE HAY EARLY. 735 00:35:19,125 --> 00:35:21,250 I HAVE A REALLY BIG DAY TOMORROW WITH MY CAST AND CREW. 736 00:35:21,375 --> 00:35:23,625 - OH, RIGHT. WELL, GOOD LUCK WITH THAT-- 737 00:35:23,750 --> 00:35:26,375 OR BREAK A LEG. - MM. 738 00:35:26,500 --> 00:35:27,667 - WELL, LISTEN, UM, 739 00:35:27,959 --> 00:35:29,500 YOU KNOW, THE FOLKS IN THIS TOWN THEY KIND OF COME ACROSS 740 00:35:29,625 --> 00:35:33,041 A LITTLE OLD-FASHIONED, BUT THEY'RE REALLY GREAT PEOPLE. 741 00:35:33,166 --> 00:35:35,291 THEY'D GIVE YOU THE SHIRT OFF THEIR BACK. 742 00:35:35,417 --> 00:35:39,834 - WELL, I'LL REMEMBER THAT IN CASE I NEED A SHIRT. 743 00:35:42,667 --> 00:35:44,041 WELL, MAYBE I'LL, UM-- 744 00:35:44,166 --> 00:35:45,834 I'LL JUST COME BY THE COFFEE SHOP 745 00:35:45,959 --> 00:35:47,667 FOR ANOTHER CUP OF TEA. 746 00:35:47,792 --> 00:35:50,792 - I'D LIKE THAT. 747 00:35:57,875 --> 00:36:00,583 OH, THESE ALWAYS GO OVER REAL BIG WITH THE AUDIENCE. 748 00:36:00,709 --> 00:36:04,208 - I DON'T KNOW, EDDIE. IT'S KIND OF OLD AND DATED. 749 00:36:04,333 --> 00:36:06,750 - I THOUGHT THEY WERE SUPPOSED TO BE OLD AND DATED. 750 00:36:06,875 --> 00:36:09,041 - YOU KNOW, THEY CAN BE CORRECT 751 00:36:09,166 --> 00:36:11,291 FOR THE PERIOD AND STILL BE FRESH, 752 00:36:11,417 --> 00:36:14,083 WITH DIFFERENT PATTERNS, NEW FABRICS, COLORS. 753 00:36:14,208 --> 00:36:15,709 I'M GONNA MEET WITH ANITA ABOUT THAT. 754 00:36:15,834 --> 00:36:17,542 REMIND ME, WILL YOU? 755 00:36:17,667 --> 00:36:19,458 NOW, SHOW ME THE NEXT... 756 00:36:19,583 --> 00:36:22,291 OKAY, AND BRING IT DOWNSTAGE, DOWNSTAGE, DOWN... 757 00:36:22,417 --> 00:36:25,208 AND STAGE RIGHT. 758 00:36:25,333 --> 00:36:26,917 - OKAY, RIGHT HERE? 759 00:36:27,041 --> 00:36:29,542 - A LITTLE BIT MORE... 760 00:36:29,667 --> 00:36:31,625 OKAY, PUT IT THERE. 761 00:36:31,750 --> 00:36:32,792 - UNH... 762 00:36:32,917 --> 00:36:35,291 - WHAT DO YOU THINK? 763 00:36:35,417 --> 00:36:37,834 - UH... 764 00:36:37,959 --> 00:36:41,625 IT--IT'S DIFFERENT FROM LAST YEAR? 765 00:36:41,750 --> 00:36:42,875 - GOOD JOB. 766 00:36:43,041 --> 00:36:47,291 JUST MARK IT AND JUST TAKE IT OFF THE STAGE. 767 00:36:47,417 --> 00:36:49,125 LIGHTING. 768 00:36:52,125 --> 00:36:53,166 MM... 769 00:36:53,291 --> 00:36:55,542 MM-MM. MM-MM. NO, THAT'S TOO BOLD. 770 00:36:55,667 --> 00:36:58,667 LET'S TRY THE OTHER ONE. 771 00:37:01,583 --> 00:37:02,750 OH, I LIKE THAT. 772 00:37:02,875 --> 00:37:04,125 YEAH, ALL RIGHT, SO IT'S THE BLUE 773 00:37:04,250 --> 00:37:05,875 FOR THE OVERHEAD, 774 00:37:06,000 --> 00:37:08,417 THE GOLDEN YELLOW FOR THE BABY SPOT ON THE MANGER, 775 00:37:08,542 --> 00:37:10,667 AND THE MELLOW RED FOR THE WISE MEN'S ENTRANCE. 776 00:37:10,792 --> 00:37:12,333 AM I GOING TOO FAST, EDDIE? 777 00:37:12,458 --> 00:37:14,000 - NO, I'M GETTING IT ALL. 778 00:37:14,125 --> 00:37:16,041 - YOU KNOW, I'M STILL THINKING 779 00:37:16,166 --> 00:37:18,583 ABOUT DOING THAT ONE SCENE IN HARSH SILHOUETTE. 780 00:37:18,709 --> 00:37:20,500 - OH... 781 00:37:20,625 --> 00:37:24,417 THAT'LL REALLY RAISE A HACKLE ON BEVERLY. 782 00:37:24,542 --> 00:37:27,625 - THERE'S ONLY ONE DIRECTOR ON THIS SHOW. 783 00:37:30,667 --> 00:37:31,834 - ALL RIGHT, EVERYONE, 784 00:37:32,000 --> 00:37:35,083 THANK YOU, THANK YOU ALL FOR AGREEING TO BE JUDGES 785 00:37:35,208 --> 00:37:38,166 IN THE HOLIDAY LIGHTS DISPLAY CONTEST. 786 00:37:38,291 --> 00:37:40,333 AND A SPECIAL THANK-YOU 787 00:37:40,458 --> 00:37:42,542 TO OUR VISITING PAGEANT DIRECTOR, 788 00:37:42,667 --> 00:37:46,792 VERA PARKS, FOR GRACIOUSLY GIVING US HER TIME. 789 00:37:46,917 --> 00:37:49,291 - OH, HONEY, YOU'RE GONNA CATCH COLD WITHOUT A HAT. 790 00:37:49,417 --> 00:37:51,041 - OH, THAT'S ALL RIGHT. I'M NOT REALLY MUCH OF A HAT-- 791 00:37:51,166 --> 00:37:53,083 - OH, HERE, I BROUGHT AN EXTRA. 792 00:37:53,208 --> 00:37:55,834 I KNITTED IT MYSELF. ISN'T IT A BEAUT? 793 00:37:55,959 --> 00:37:57,083 - IT-- - AW. 794 00:37:57,208 --> 00:37:59,125 - I'M SPEECHLESS. 795 00:37:59,250 --> 00:38:00,417 - I HAVE MATCHING MITTENS HERE. 796 00:38:00,542 --> 00:38:01,917 - NO, THAT'S FINE-- I'LL JUST PUT MY HANDS 797 00:38:02,041 --> 00:38:03,542 IN MY POCKETS BUT THANK--THANK YOU. 798 00:38:03,667 --> 00:38:06,333 - AW, YOU'RE WELCOME. 799 00:38:06,458 --> 00:38:09,208 - NOW, YOU ALL HAVE A LIST OF PARTICIPATING HOMES. 800 00:38:09,333 --> 00:38:12,208 JUST BE SURE TO STROLL THROUGH TOWN AT YOUR LEISURE 801 00:38:12,333 --> 00:38:14,041 AND BE SURE TO BE BACK HERE, SHALL WE SAY... 802 00:38:14,166 --> 00:38:15,583 YES, 8:00. 803 00:38:15,709 --> 00:38:17,500 AND THERE WILL BE HOT COCOA WAITING FOR EVERYONE 804 00:38:17,625 --> 00:38:18,667 IN THE CITY HALL LOBBY. 805 00:38:24,208 --> 00:38:25,709 - YOU DID IT LAST YEAR. - NO, I DIDN'T. 806 00:38:25,834 --> 00:38:27,041 - YES, YOU DID. - NO, I DIDN'T. 807 00:38:27,166 --> 00:38:30,333 I'VE NEVER DONE IT, I'VE NEVER DONE IT. 808 00:38:41,959 --> 00:38:44,417 - ARE YOU LOST? 809 00:38:44,542 --> 00:38:46,291 NO. 810 00:38:46,417 --> 00:38:48,709 BUT I AM CONFUSED. 811 00:38:48,834 --> 00:38:52,792 I'M SUPPOSED TO BE JUDGING THIS CHRISTMAS LIGHTS CONTEST, 812 00:38:52,917 --> 00:38:55,208 BUT THIS HOUSE HAS JUST ONE CANDLE IN A WINDOW. 813 00:38:55,333 --> 00:38:58,458 - OH. THAT'S BEVERLY'S HOUSE. 814 00:38:58,583 --> 00:39:00,417 I'M SURPRISED--SHE USUALLY GOES ALL-OUT FOR THE CONTEST. 815 00:39:00,542 --> 00:39:01,959 - THAT IS BEVERLY'S HOUSE. 816 00:39:02,083 --> 00:39:04,917 - YEAH. I'M SURPRISED TO SEE IT SO BARE. 817 00:39:05,041 --> 00:39:06,417 MAYBE SHE'S BUSY THIS YEAR. 818 00:39:06,542 --> 00:39:09,583 - YEAH, SHE'S BUSY GIVING ME A HARD TIME. 819 00:39:09,709 --> 00:39:11,208 - OOH. 820 00:39:11,333 --> 00:39:12,834 AH, SHE'S ALL BARK AND NO BITE. 821 00:39:12,959 --> 00:39:16,917 YOU KNOW, SHE HASN'T BEEN HERSELF LATELY. 822 00:39:17,083 --> 00:39:20,834 CAN I WALK YOU TO THE NEXT HOUSE? 823 00:39:20,959 --> 00:39:22,250 - I WOULD APPRECIATE THAT. 824 00:39:22,375 --> 00:39:24,458 - YEAH? - MM-HMM. 825 00:39:24,583 --> 00:39:26,333 - ALL RIGHT. 826 00:39:31,667 --> 00:39:35,000 - OKAY, HERE'S THE PAGEANT PERFORMANCE SCHEDULE. 827 00:39:35,125 --> 00:39:36,875 I THOUGHT YOU MIGHT LIKE TO LOOK IT OVER 828 00:39:37,000 --> 00:39:38,500 AND CHECK FOR MISTAKES. 829 00:39:38,625 --> 00:39:40,417 - I AM SURE THERE ARE NO MISTAKES. 830 00:39:40,542 --> 00:39:42,834 YOU ARE DOING A VERY GOOD JOB, EDDIE. 831 00:39:42,959 --> 00:39:46,709 - OH, THANK YOU. - MM-HMM. 832 00:39:46,834 --> 00:39:48,583 - I GOT TO GO CHECK ON THE MANGER AND LET EVERYONE KNOW 833 00:39:48,709 --> 00:39:49,792 WHAT TIME TO BE HERE TOMORROW. 834 00:39:49,917 --> 00:39:52,583 - GREAT. - OH-HO! GREAT OUTFIT, NOAH. 835 00:39:52,709 --> 00:39:55,250 RUNNING FOR RE-ELECTION? - THANK YOU. TA-DA! 836 00:39:55,375 --> 00:39:58,291 WHAT DO YOU THINK? - I LIKE IT. 837 00:39:58,417 --> 00:40:00,208 BUT, YOU KNOW, I THINK THE HAT 838 00:40:00,333 --> 00:40:03,917 MIGHT BE A BIT TOO MUCH. 839 00:40:04,041 --> 00:40:05,208 - DO YOU? 840 00:40:05,333 --> 00:40:06,458 - MM-HMM. 841 00:40:06,583 --> 00:40:09,041 - OH, REALLY? YOU THINK SO? 842 00:40:09,166 --> 00:40:10,125 - YEAH. 843 00:40:10,250 --> 00:40:12,083 BUT... 844 00:40:12,208 --> 00:40:15,166 A RED ROSE ON THE LAPEL WOULD BE PERFECT. 845 00:40:15,291 --> 00:40:16,750 - WELL, THEN... 846 00:40:16,875 --> 00:40:20,291 A RED ROSE ON THE LAPEL IT IS. 847 00:40:53,458 --> 00:40:55,542 I DIDN'T KNOW ANYONE WAS HERE. 848 00:40:55,667 --> 00:40:59,125 - DON'T STOP SINGING. 849 00:40:59,250 --> 00:41:02,458 - I WASN'T REALLY SINGING. 850 00:41:02,583 --> 00:41:03,834 - NO, YOU WERE. 851 00:41:03,959 --> 00:41:08,000 AND IT WAS WONDERFUL. 852 00:41:08,125 --> 00:41:11,375 - UM... 853 00:41:11,500 --> 00:41:14,333 I HAVE TO FINISH SEWING THESE COSTUMES. 854 00:41:14,458 --> 00:41:17,125 - ANITA, YOUR VOICE-- 855 00:41:17,250 --> 00:41:20,125 IT'S SO PURE. 856 00:41:20,250 --> 00:41:23,083 WOULDN'T IT BE NICE TO JUST SHARE IT WITH EVERYONE? 857 00:41:26,417 --> 00:41:30,417 - UH, I... 858 00:41:30,542 --> 00:41:34,500 I REALLY CAN'T DO THAT. 859 00:41:34,625 --> 00:41:37,458 - I KNOW HOW SCARY IT CAN BE TO GET UP AND SING 860 00:41:37,583 --> 00:41:40,000 IN FRONT OF PEOPLE. 861 00:41:40,125 --> 00:41:43,875 BUT WE REALLY COULD USE YOUR VOICE IN THE PAGEANT. 862 00:41:45,333 --> 00:41:48,083 - EXCUSE ME. 863 00:41:48,208 --> 00:41:50,083 I HAVE TO FINISH THIS WORK. 864 00:41:58,583 --> 00:42:00,625 - DADDY, DO YOU MISS MOMMY? 865 00:42:00,750 --> 00:42:03,458 - YES, I DO. 866 00:42:03,583 --> 00:42:06,709 - ME TOO. 867 00:42:06,834 --> 00:42:08,667 - I KNOW YOU DO, SWEETIE. 868 00:42:08,792 --> 00:42:11,583 - I THINK ABOUT HER AT BREAKFAST AND AT NIGHT 869 00:42:11,709 --> 00:42:14,625 AND ON THE PLAYGROUND. 870 00:42:14,750 --> 00:42:17,250 - YOU KNOW THAT'S OKAY. 871 00:42:17,375 --> 00:42:19,208 WHEN WE MISS SOMEONE WHO'S NOT HERE, 872 00:42:19,333 --> 00:42:21,000 WE KEEP THEIR MEMORY ALIVE IN OUR HEARTS. 873 00:42:21,125 --> 00:42:22,667 - THAT'S RIGHT. 874 00:42:22,792 --> 00:42:25,583 BUT WHAT IF YOU MEET A LADY SOMEDAY 875 00:42:25,709 --> 00:42:26,583 AND YOU LIKE HER A LOT? 876 00:42:26,709 --> 00:42:30,000 WOULD THAT BE A BAD THING? 877 00:42:30,125 --> 00:42:32,458 - NO. 878 00:42:32,583 --> 00:42:35,709 IT'S NATURAL TO WANT TO BE WITH SOMEONE. 879 00:42:35,834 --> 00:42:37,667 - AND IF YOU LIKE SOMEONE 880 00:42:37,792 --> 00:42:39,583 THAT DOESN'T MEAN YOU STOP LOVING MOMMY? 881 00:42:39,709 --> 00:42:41,542 - OF COURSE NOT. 882 00:42:41,667 --> 00:42:43,375 SHE'LL ALWAYS BE YOUR MOMMY. 883 00:42:43,500 --> 00:42:45,333 AND I'LL ALWAYS LOVE HER. 884 00:42:45,458 --> 00:42:49,250 THOSE THINGS DON'T END JUST BECAUSE SHE'S NOT HERE. 885 00:42:49,375 --> 00:42:51,041 - THAT'S WHAT I THOUGHT. 886 00:42:51,166 --> 00:42:53,166 - WELL, YOU THOUGHT RIGHT. 887 00:42:53,291 --> 00:42:56,041 I LOVE YOU. - I LOVE YOU. 888 00:42:56,166 --> 00:42:57,291 WANT TO HOPSCOTCH ALL THE WAY HOME? 889 00:42:57,458 --> 00:42:58,709 - WELL, I DON'T KNOW ABOUT ALL THE WAY HOME. 890 00:42:58,834 --> 00:43:00,250 WANT TO SEE HOW FAR WE CAN GET? - OKAY. 891 00:43:00,375 --> 00:43:02,458 - OKAY. 892 00:43:07,125 --> 00:43:11,041 OH, I'M TOO OLD FOR THIS. 893 00:44:05,583 --> 00:44:06,667 - YOU HAVE A VISITOR, VERA. 894 00:44:06,792 --> 00:44:10,417 I HAVE SOME CHORES TO DO UPSTAIRS. 895 00:44:14,625 --> 00:44:18,166 - THIS IS FOR YOU. 896 00:44:18,291 --> 00:44:20,083 BYE. 897 00:44:20,208 --> 00:44:23,625 I HOPE YOU CAN COME. 898 00:44:30,583 --> 00:44:34,208 "DEAR VERA, CAN YOU PLEASE COME TO MY HOUSE FOR TEA? 899 00:44:34,333 --> 00:44:35,709 "THERE WILL BE FOOD, TOO. 900 00:44:35,834 --> 00:44:37,417 "ALSO, HONEY WILL BE AVAILABLE. 901 00:44:37,542 --> 00:44:39,959 "GIVE ME TEN MINUTES TO SET THE TABLE 902 00:44:40,083 --> 00:44:41,583 "AND THEN COME TO MY HOUSE FOR TEA. 903 00:44:41,709 --> 00:44:43,125 "I HOPE YOU LIKE TEA. 904 00:44:43,250 --> 00:44:45,083 "SINCERELY, KRISTEN. 905 00:44:45,208 --> 00:44:48,750 P.S., I HOPE YOU ARE HAVING A NICE DAY." 906 00:45:10,000 --> 00:45:11,583 YOU CAME! - OF COURSE. 907 00:45:11,709 --> 00:45:15,208 - COME IN. 908 00:45:15,333 --> 00:45:16,875 MAY I TAKE YOUR COAT? 909 00:45:17,000 --> 00:45:19,375 - YES, YOU MAY. 910 00:45:21,333 --> 00:45:23,166 - BEAUTIFUL WEATHER, DON'T YOU THINK? 911 00:45:23,291 --> 00:45:25,000 - YES, IT IS. 912 00:45:25,125 --> 00:45:27,625 - WE HAVEN'T FINISHED DECORATING FOR CHRISTMAS YET. 913 00:45:27,750 --> 00:45:28,959 YOU CAN SIT HERE. 914 00:45:29,083 --> 00:45:30,834 - ALL RIGHT. 915 00:45:33,458 --> 00:45:36,917 WHA--KRISTEN, AREN'T YOU GONNA JOIN ME? 916 00:45:38,667 --> 00:45:39,875 - OH. 917 00:45:40,000 --> 00:45:43,500 - APPARENTLY THAT'S MY CHAIR. 918 00:45:43,625 --> 00:45:47,375 - I SEE. 919 00:45:50,917 --> 00:45:54,208 - I PROMISE YOU I HAD NOTHING TO DO WITH THIS. 920 00:45:54,333 --> 00:45:56,417 - AND YET YOU'VE MANAGED TO GET DRESSED... 921 00:45:56,542 --> 00:45:59,792 OR SOME SEMBLANCE THEREOF. 922 00:45:59,917 --> 00:46:03,542 - OH, WELL, KRISTEN PICKED OUT MY ENSEMBLE. 923 00:46:03,667 --> 00:46:06,750 - WELL, SHE HAS A UNIQUE EYE. 924 00:46:06,875 --> 00:46:08,166 - UH-HUH. 925 00:46:08,291 --> 00:46:10,250 SHE DOES. 926 00:46:10,375 --> 00:46:12,875 - WHO WANTS APPETIZERS? 927 00:46:13,000 --> 00:46:14,375 - MM. - AND YOUR TEA. 928 00:46:14,500 --> 00:46:17,375 I WILL BE IN THE KITCHEN MINDING MY OWN BUSINESS. 929 00:46:17,500 --> 00:46:20,750 OH, I ALMOST FORGOT. 930 00:46:22,583 --> 00:46:24,083 - CHRISTMAS MUSIC. 931 00:46:24,208 --> 00:46:26,083 - OH. - VERY NICE. 932 00:46:26,208 --> 00:46:27,125 - NICE. 933 00:46:27,250 --> 00:46:30,166 MY DAUGHTER HAS BIG IDEAS. 934 00:46:30,291 --> 00:46:32,625 - WELL, I THINK IT'S ADORABLE. 935 00:46:32,750 --> 00:46:34,875 - HMM, YOU MUST REALLY RATE HIGHLY WITH HER, 936 00:46:35,000 --> 00:46:37,500 BECAUSE I USUALLY GET PLAIN OYSTER CRACKERS 937 00:46:37,625 --> 00:46:41,125 AND YOU GOT HER PEANUT BUTTER ONES. 938 00:46:42,709 --> 00:46:45,709 - DAD, I'M SURE GLAD YOU BROUGHT VERA TO TOWN. 939 00:46:49,959 --> 00:46:51,250 - DID... 940 00:46:51,375 --> 00:46:52,959 DID SHE JUST SAY "BROUGHT," 941 00:46:53,083 --> 00:46:57,125 BECAUSE YOU TOLD ME THAT YOU KIND OF RECOMMENDED ME. 942 00:46:57,250 --> 00:46:59,417 - YEAH, WELL... 943 00:46:59,542 --> 00:47:02,083 DON'T BE ANGRY WITH ME. 944 00:47:03,667 --> 00:47:04,792 - NO. 945 00:47:04,917 --> 00:47:06,667 I'M CONFUSED. 946 00:47:06,792 --> 00:47:10,208 I'M GONNA--I'M GONNA SAVE ANGRY FOR LATER, THOUGH. 947 00:47:10,333 --> 00:47:13,458 - OKAY. 948 00:47:13,583 --> 00:47:16,125 WELL, THE THEATER COMPANY NEEDED A DIRECTOR, 949 00:47:16,250 --> 00:47:19,458 AND THEY COULDN'T AFFORD TO BRING ONE IN. 950 00:47:19,583 --> 00:47:22,500 AND I'VE BEEN KIND OF FOLLOWING YOUR CAREER. 951 00:47:22,625 --> 00:47:24,000 BOY... 952 00:47:24,125 --> 00:47:26,041 AND I, UM, KNEW THAT YOU NEEDED A JOB, 953 00:47:26,166 --> 00:47:29,917 SO I SORT OF OFFERED TO PAY FOR YOUR SALARY. 954 00:47:33,208 --> 00:47:35,000 - I DON'T NEED CHARITY. - I KNOW. 955 00:47:35,125 --> 00:47:36,500 I'M SORRY. 956 00:47:36,625 --> 00:47:39,500 IT WASN'T HONEST. I DON'T--YOU KNOW, UH... 957 00:47:39,625 --> 00:47:43,625 THE TRUTH IS, I JUST REALLY WANTED TO SEE YOU. 958 00:47:46,750 --> 00:47:48,125 - PFFT. 959 00:47:48,250 --> 00:47:52,667 WELL, NOW I DON'T KNOW WHETHER TO BE ANGRY OR FLATTERED. 960 00:47:52,792 --> 00:47:54,166 - YOU KNOW, I WAS AFRAID IF I JUST PICKED UP THE PHONE 961 00:47:54,291 --> 00:47:55,500 AND CALLED YOU THAT YOU'D JUST SAY NO. 962 00:47:55,625 --> 00:47:56,750 - SO YOU TRICKED ME. 963 00:47:56,875 --> 00:47:59,250 - NO, I DIDN'T. - YES, YOU DID. 964 00:47:59,375 --> 00:48:02,417 - YOU KNOW WHAT? I'M SORRY. IT WAS DUMB. 965 00:48:02,542 --> 00:48:03,834 IT WAS REALLY STUPID. 966 00:48:03,959 --> 00:48:07,291 AND, UM... 967 00:48:07,417 --> 00:48:09,875 I DON'T KNOW WHAT TO SAY. 968 00:48:13,375 --> 00:48:15,458 - IT'S OKAY. 969 00:48:17,375 --> 00:48:20,208 TRUTH IS, I NEEDED THE JOB. 970 00:48:20,333 --> 00:48:24,041 AND THOUGH THE PAGEANT IS NO RESUME BOOSTER... 971 00:48:25,875 --> 00:48:29,500 THIS IS A NICE PLACE TO SPEND DECEMBER. 972 00:48:32,041 --> 00:48:34,375 - SO YOU'RE NOT ANGRY WITH ME? 973 00:48:34,500 --> 00:48:36,834 - WHA--ANGER? 974 00:48:36,959 --> 00:48:39,417 WHAT ANGER? 975 00:48:39,542 --> 00:48:41,291 - ANGER. - NO ANGER. 976 00:48:41,417 --> 00:48:45,625 ANGER JUST BREEDS REVENGE, YOU KNOW? 977 00:48:45,750 --> 00:48:49,834 AND REVENGE SORT OF-- - WHAT ARE YOU DOING? 978 00:48:49,959 --> 00:48:51,417 - IT JUST REARS ITS... 979 00:48:51,542 --> 00:48:53,542 - WHAT ARE YOU DOING WITH THE CRACKER? 980 00:48:53,667 --> 00:48:54,875 - UGLY HEAD. 981 00:48:55,125 --> 00:48:56,750 - PUT THE--PUT THE CRACKER-- VERA, DON'T THROW THAT. 982 00:48:56,875 --> 00:48:58,959 - AND SOMETIMES... - NO, YOU'RE NOT-- 983 00:48:59,083 --> 00:49:03,834 - YOU JUST FIND REVENGE STARING YOU RIGHT IN THE FACE! 984 00:49:05,667 --> 00:49:07,458 OH, DO YOU SURRENDER? 985 00:49:07,583 --> 00:49:10,583 - OH, ABSOLUTELY. 986 00:49:15,041 --> 00:49:18,375 MY DAUGHTER IS PROBABLY WATCHING US. 987 00:49:26,750 --> 00:49:29,750 - OH... - UM... 988 00:49:30,750 --> 00:49:33,166 THIS IS GOOD. 989 00:49:40,750 --> 00:49:42,834 - OH, HELLO, DEAR. DID YOU HAVE A NICE DAY? 990 00:49:42,959 --> 00:49:46,125 - I DID. 991 00:49:46,250 --> 00:49:49,959 ETHEL, MAY I ASK YOU FOR SOME ADVICE? 992 00:49:50,083 --> 00:49:51,667 - OF COURSE. 993 00:49:54,208 --> 00:49:57,291 - IT'S ABOUT-- - IS IT ABOUT A BOY? 994 00:49:57,417 --> 00:49:59,041 - WELL, A MAN. 995 00:49:59,166 --> 00:50:02,500 I MEAN-- YOU KNOW WHAT I MEAN. 996 00:50:02,625 --> 00:50:03,959 - COME HERE. 997 00:50:12,208 --> 00:50:15,625 - YOU KNOW, IT CAN BE HARD TO KNOW WHAT TO FEEL 998 00:50:15,750 --> 00:50:18,125 WHEN YOU HAVEN'T FELT ANYTHING IN A WHILE. 999 00:50:18,250 --> 00:50:21,792 - OH, THAT'S EXACTLY RIGHT. HOW DID YOU KNOW? 1000 00:50:21,917 --> 00:50:25,250 - RAISE FOUR GIRLS, 1001 00:50:25,375 --> 00:50:27,667 STAY MARRIED FOR 43 YEARS... 1002 00:50:27,792 --> 00:50:31,959 YOU PICK UP A THING OR TWO. 1003 00:50:32,083 --> 00:50:34,500 - I JUST--I DON'T WANT TO LET MY GUARD DOWN. 1004 00:50:34,625 --> 00:50:36,125 I'M ONLY HERE FOR A FEW WEEKS. 1005 00:50:36,250 --> 00:50:38,333 I REALLY DON'T WANT A RELATIONSHIP. 1006 00:50:38,458 --> 00:50:41,709 - YOU CAN'T THINK YOUR WAY OUT OF IT, VERA. 1007 00:50:41,834 --> 00:50:44,709 YOU HAVE TO FEEL YOUR WAY THROUGH. 1008 00:50:44,834 --> 00:50:48,333 YOU MAY BE UPSET BECAUSE YOUR HEART'S TELLING YOU 1009 00:50:48,458 --> 00:50:52,166 SOMETHING YOUR MIND DOESN'T WANT TO HEAR. 1010 00:50:55,458 --> 00:50:57,667 - YOU AND GARRETT SEEM SO HAPPY. 1011 00:50:57,792 --> 00:50:59,667 HOW DO YOU DO IT? 1012 00:50:59,792 --> 00:51:01,709 - OH, WE HAVE OUR MOMENTS. 1013 00:51:01,834 --> 00:51:03,709 EVERY COUPLE DOES. 1014 00:51:03,834 --> 00:51:06,709 BUT THE DIFFERENCE IS THAT WE'RE NOT WORKING ON SOMETHING 1015 00:51:06,834 --> 00:51:08,834 ON THE OUTSIDE, 1016 00:51:08,959 --> 00:51:11,166 WE AGREED TO DO THIS TOGETHER, COME WHAT MAY. 1017 00:51:11,291 --> 00:51:13,250 AND I'LL TELL YOU SOMETHING. 1018 00:51:13,375 --> 00:51:17,417 IT MAY BE FUN TO CLIMB A MOUNTAIN ALL BY YOURSELF. 1019 00:51:17,542 --> 00:51:20,500 BUT WHEN YOU GET TO THE TOP... 1020 00:51:20,625 --> 00:51:23,625 IT'S SO MUCH NICER TO SHARE THAT VIEW 1021 00:51:23,750 --> 00:51:26,417 WITH SOMEONE YOU LOVE. 1022 00:51:28,041 --> 00:51:29,208 - THANK YOU. 1023 00:51:29,333 --> 00:51:30,625 - ANYTIME, DEAR. 1024 00:51:35,375 --> 00:51:38,125 GOOD EVENING, LADIES! 1025 00:51:38,250 --> 00:51:41,625 WHAT ARE YOU TWO CONSPIRING ABOUT? 1026 00:51:41,750 --> 00:51:42,625 - UH... 1027 00:51:42,750 --> 00:51:45,583 MOUNTAIN CLIMBING. 1028 00:51:45,709 --> 00:51:46,792 - MOUNTAIN...? 1029 00:51:46,917 --> 00:51:49,250 - CLIMBING. - MM. 1030 00:51:49,375 --> 00:51:51,583 - HUH? 1031 00:52:00,458 --> 00:52:04,125 - VERA, CAN I TALK TO YOU? 1032 00:52:04,250 --> 00:52:06,000 - HI, BEVERLY. 1033 00:52:06,125 --> 00:52:08,291 - WHAT IS GOING ON? - WHAT DO YOU MEAN? 1034 00:52:08,417 --> 00:52:10,750 - WELL, THIS ANGEL COSTUME HAS NO HALO. 1035 00:52:10,875 --> 00:52:14,125 - OH, YEAH, THAT, WELL-- - ANGELS NEED HALOS-- 1036 00:52:14,250 --> 00:52:16,125 WINGS AND HALOS, HALOS AND WINGS. 1037 00:52:16,250 --> 00:52:17,792 THEY GO TOGETHER LIKE BREAD AND BUTTER. 1038 00:52:17,917 --> 00:52:20,625 - YES, I KNOW THAT, BUT WE TRIED USING THE HALOS, 1039 00:52:20,750 --> 00:52:23,083 AND THEY KEPT DROOPING DOWN, SO I DECIDED TO USE 1040 00:52:23,208 --> 00:52:24,750 A REALLY NICE LIGHTING EFFECT-- 1041 00:52:24,875 --> 00:52:28,125 - NO! 1042 00:52:28,250 --> 00:52:30,375 - EXCUSE ME? 1043 00:52:30,500 --> 00:52:32,208 - ANGELS HAVE HALOS! 1044 00:52:32,333 --> 00:52:34,458 WHY DID YOU HAVE TO COME HERE AND CHANGE EVERYTHING? 1045 00:52:34,583 --> 00:52:37,875 - I'M NOT TRYING TO CHANGE EVERYTHING. 1046 00:52:38,000 --> 00:52:41,000 I'M JUST THROWING OUT IDEAS TO FRESHEN THINGS UP. 1047 00:52:41,125 --> 00:52:42,834 THAT'S ALL. 1048 00:52:42,959 --> 00:52:44,583 - OKAY, FIRST YOU TRIED TO GET RID OF THE ALUMINUM STAR. 1049 00:52:44,709 --> 00:52:46,333 THEN YOU TRIED TO FIRE EDDIE. 1050 00:52:46,458 --> 00:52:49,458 AND THEN YOU SAID, "LET'S DO THE SCENE AT THE INN IN SHADOW." 1051 00:52:49,583 --> 00:52:52,709 NOW YOU'RE TRYING TO TELL ME THAT ANGELS DON'T NEED HALOS. 1052 00:52:52,834 --> 00:52:54,041 WELL, LET ME TELL YOU SOMETHING. 1053 00:52:54,166 --> 00:52:55,917 ANGELS NEED HALOS, 1054 00:52:56,041 --> 00:52:57,959 OR ELSE THEY'RE JUST A BUNCH OF TODDLERS IN CHIFFON. 1055 00:52:58,083 --> 00:53:00,625 - LISTEN, BEVERLY, 1056 00:53:00,750 --> 00:53:02,875 IT'S OBVIOUS THAT YOU DON'T WANT ME HERE, 1057 00:53:03,000 --> 00:53:04,208 BUT I AM HERE, 1058 00:53:04,458 --> 00:53:07,583 AND I AM THE DIRECTOR, AND IN MY JOB AS THE DIRECTOR, 1059 00:53:07,709 --> 00:53:10,041 I WILL MAKE WHATEVER DECISIONS I HAVE TO MAKE 1060 00:53:10,166 --> 00:53:12,792 REGARDLESS OF WHETHER YOU LIKE THEM OR NOT. 1061 00:53:12,917 --> 00:53:15,542 GOT IT? 1062 00:53:15,667 --> 00:53:19,667 NOW, IF YOU'LL EXCUSE ME, I HAVE A JOB TO DO. 1063 00:53:24,834 --> 00:53:28,750 - WELCOME, WELCOME ALL TO THE ANNUAL ASHTON FALLS 1064 00:53:28,875 --> 00:53:31,250 TREE-LIGHTING CEREMONY. 1065 00:53:31,375 --> 00:53:34,333 MM, AND AFTERWARDS WE CAN ALL TASTE THOSE CAKES AND COOKIES 1066 00:53:34,458 --> 00:53:35,583 AT CITY HALL. 1067 00:53:35,709 --> 00:53:37,375 - YUM! 1068 00:53:37,500 --> 00:53:39,375 - AW! 1069 00:53:39,500 --> 00:53:41,375 - NOW, BEFORE WE BEGIN AND THROW THE SWITCH, 1070 00:53:41,500 --> 00:53:43,208 I WOULD LIKE TO SAY A FEW WORDS. 1071 00:53:43,333 --> 00:53:45,250 - OH? WELL, THERE'S NOTHING SURPRISING ABOUT THAT. 1072 00:53:45,375 --> 00:53:47,834 - IT'S TRUE! 1073 00:53:49,667 --> 00:53:52,583 - NO LONG-WINDED SPEECHES, I PROMISE, IT'S JUST... 1074 00:53:52,709 --> 00:53:55,083 WELL, THIS HOLIDAY SEASON WE HAVE WITH US 1075 00:53:55,208 --> 00:53:58,000 A VERY SPECIAL GUEST, AND I WONDER IF YOU ALL WOULD MIND 1076 00:53:58,125 --> 00:54:01,250 IF WE LET VERA PARKS THROW THE SWITCH. 1077 00:54:01,375 --> 00:54:03,083 - OH, WHAT A GOOD IDEA. - OH, THAT'S NICE. 1078 00:54:03,208 --> 00:54:04,917 - NO. NO, NO, NO. IT'S YOUR CEREMONY. 1079 00:54:05,041 --> 00:54:06,583 - NONSENSE, VERA, PLEASE. 1080 00:54:06,709 --> 00:54:09,291 YOU'RE ONE OF US NOW. 1081 00:54:09,417 --> 00:54:11,834 - GO ON NOW. - COME ON. 1082 00:54:11,959 --> 00:54:15,208 - ALL RIGHT. - MS. GUMM? 1083 00:54:15,333 --> 00:54:18,250 - BUT--KRISTEN, WILL YOU HELP ME? 1084 00:54:18,375 --> 00:54:20,333 - YES, PLEASE. - AW. 1085 00:54:20,458 --> 00:54:22,583 - OKAY, LET'S DO IT. - ALL RIGHT. 1086 00:54:22,709 --> 00:54:25,041 - THREE, TWO, ONE... 1087 00:54:25,166 --> 00:54:26,166 GO! 1088 00:54:28,375 --> 00:54:30,333 - LET THE SEASON OF GOODWILL BEGIN. 1089 00:54:30,458 --> 00:54:32,458 - I LOVE CHRISTMASTIME. 1090 00:54:32,583 --> 00:54:34,375 EVERYBODY'S SO NICE TO EACH OTHER. 1091 00:54:34,500 --> 00:54:36,458 I WISH IT CAN ALWAYS BE LIKE THAT. 1092 00:54:36,583 --> 00:54:38,792 - HEAR, HEAR. 1093 00:54:41,500 --> 00:54:42,875 all: 1094 00:55:07,792 --> 00:55:10,000 - MORNING, VERA. 1095 00:55:10,125 --> 00:55:11,792 - MORNING, BOSS. 1096 00:55:11,917 --> 00:55:14,083 - I JUST LOVE POINSETTIAS... 1097 00:55:14,208 --> 00:55:17,542 REAL OR NOT. 1098 00:55:17,667 --> 00:55:19,625 - WHERE IS BEVERLY? 1099 00:55:19,750 --> 00:55:21,333 - OH, SHE CALLED. 1100 00:55:21,458 --> 00:55:23,333 UH, WON'T BE COMING. 1101 00:55:23,458 --> 00:55:26,500 SHE SOUNDED OUT OF SORTS. 1102 00:55:47,834 --> 00:55:49,375 - OH, BEVERLY... 1103 00:55:49,500 --> 00:55:51,500 I THOUGHT MAYBE WE COULD TALK TO SEE IF THERE'S A WAY-- 1104 00:55:51,625 --> 00:55:53,792 - VERA... 1105 00:55:53,917 --> 00:55:57,250 - WHAT'S WRONG? 1106 00:55:57,375 --> 00:55:59,291 - THEY DID SOME TESTS. 1107 00:55:59,417 --> 00:56:01,542 - WHAT DO YOU-- WHAT DO YOU MEAN? 1108 00:56:01,667 --> 00:56:03,792 - A FEW WEEKS AGO, I HAD MY ANNUAL PHYSICAL, 1109 00:56:03,917 --> 00:56:06,542 AND THEY FOUND SOMETHING, 1110 00:56:06,667 --> 00:56:09,041 AND, UH, I HAD TO GO IN FOR A BIOPSY. 1111 00:56:09,166 --> 00:56:10,125 - OH, NO. 1112 00:56:10,250 --> 00:56:12,625 - AND NOW I'M IN THE WAITING GAME, 1113 00:56:12,750 --> 00:56:16,709 AND IT'S DRIVING ME CRAZY. 1114 00:56:20,959 --> 00:56:25,458 - OH, I AM SO SORRY YOU HAVE TO GO THROUGH ALL OF THIS. 1115 00:56:41,750 --> 00:56:43,750 - HELLO. - HI. 1116 00:56:43,875 --> 00:56:45,208 - PEPPERMINT TEA WITH HONEY COMING UP. 1117 00:56:45,458 --> 00:56:47,583 - ACTUALLY, I WAS HOPING YOU MIGHT BE ABLE TO COME WITH ME. 1118 00:56:47,709 --> 00:56:48,917 - YEAH, IS EVERYTHING OKAY? 1119 00:56:49,125 --> 00:56:52,083 - YEAH, I JUST NEED YOUR OPINION ABOUT SOMETHING. 1120 00:56:52,208 --> 00:56:54,500 - SURE, NO PROBLEM. 1121 00:56:54,625 --> 00:56:56,667 HEY, SAM, WILL YOU MIND THE STORE? 1122 00:56:56,792 --> 00:56:58,750 COOL. 1123 00:56:58,875 --> 00:57:00,667 WHAT'S UP? 1124 00:57:00,792 --> 00:57:02,417 - OH, YOU'RE GONNA HAVE TO WAIT AND SEE. 1125 00:57:02,542 --> 00:57:04,458 - OOH, SOUNDS MYSTERIOUS. 1126 00:57:04,583 --> 00:57:08,375 NOW, NO PEEKING. 1127 00:57:08,500 --> 00:57:10,125 OH, WAIT. OKAY. 1128 00:57:10,250 --> 00:57:12,083 - IF YOU'RE GOING TO MUG ME, 1129 00:57:12,208 --> 00:57:14,000 I DON'T CARRY MUCH CASH, SO... 1130 00:57:14,125 --> 00:57:15,250 - WELL, THAT IS A GOOD THING, 1131 00:57:15,375 --> 00:57:18,792 BECAUSE YOU DON'T NEED MONEY HERE IN PARIS. 1132 00:57:18,917 --> 00:57:21,125 - PARIS? 1133 00:57:21,250 --> 00:57:23,125 - YOU CAN LOOK NOW. - YOU SURE? 1134 00:57:23,250 --> 00:57:25,625 - MM-HMM. 1135 00:57:25,750 --> 00:57:28,750 VOILA. 1136 00:57:48,583 --> 00:57:51,333 - I FIGURED I OWED YOU A PICNIC IN PARIS, 1137 00:57:51,458 --> 00:57:52,959 AT THE VERY LEAST. 1138 00:57:53,083 --> 00:57:54,792 - DID YOU MAKE ALL THIS? 1139 00:57:54,917 --> 00:57:58,291 - WELL, ETHEL PUT IT TOGETHER, BUT I WAS STANDING THERE 1140 00:57:58,417 --> 00:58:00,375 THE WHOLE TIME OFFERING LOTS OF ENCOURAGEMENT. 1141 00:58:00,500 --> 00:58:02,959 - OOH. WELL, HERE'S BETTER LATE THAN NEVER. 1142 00:58:03,125 --> 00:58:04,125 - MM. 1143 00:58:04,250 --> 00:58:05,500 - A VOTRE SANTE. 1144 00:58:05,625 --> 00:58:08,041 - I WILL DRINK TO THAT. 1145 00:58:08,166 --> 00:58:10,667 - MMM. - MMM. 1146 00:58:13,834 --> 00:58:16,667 ACTUALLY, I AM. 1147 00:58:16,792 --> 00:58:18,458 AND YOU WERE RIGHT. 1148 00:58:18,583 --> 00:58:19,709 THE PEOPLE HERE ARE REALLY NICE, 1149 00:58:19,834 --> 00:58:21,291 AND THEY'VE BEEN SO SUPPORTIVE, 1150 00:58:21,417 --> 00:58:25,208 AND I AM HAVING FUN DIRECTING THE PAGEANT. 1151 00:58:25,333 --> 00:58:26,667 I'M HAVING A BLAST. 1152 00:58:26,792 --> 00:58:28,834 - WOW. YOU KNOW, I DON'T THINK I'VE EVER HEARD YOU TALK 1153 00:58:28,959 --> 00:58:31,875 ABOUT A JOB LIKE THAT, EVEN BACK IN THE DAY, NEVER. 1154 00:58:32,000 --> 00:58:33,333 - WELL, I LOVE DIRECTING. 1155 00:58:33,583 --> 00:58:36,583 I JUST THINK I'VE BEEN DOING IT FOR ALL THE WRONG REASONS. 1156 00:58:36,709 --> 00:58:41,166 - WELL, MAYBE YOU NEED A CHANGE. 1157 00:58:41,291 --> 00:58:43,583 - YOU MEAN... 1158 00:58:43,709 --> 00:58:45,166 MOVE HERE? 1159 00:58:45,291 --> 00:58:47,166 - WHY NOT? 1160 00:58:47,291 --> 00:58:49,834 YOU'D BE GUARANTEED A JOB EVERY DECEMBER, 1161 00:58:49,959 --> 00:58:51,250 AND YOU ALREADY KNOW THE GUY 1162 00:58:51,375 --> 00:58:53,583 THAT MAKES THE BEST POT OF TEA IN TOWN... 1163 00:58:53,709 --> 00:58:55,542 ME. 1164 00:59:03,542 --> 00:59:05,083 - BEVERLY... - THANK YOU FOR COMING. 1165 00:59:05,208 --> 00:59:06,417 I'M SORRY TO BOTHER YOU, 1166 00:59:06,542 --> 00:59:08,417 BUT THE DOCTOR IS SUPPOSED TO CALL ANY MINUTE. 1167 00:59:10,458 --> 00:59:12,083 - YOU WANT ME TO ANSWER THAT? 1168 00:59:12,208 --> 00:59:13,667 - NO, I'LL DO IT. 1169 00:59:17,291 --> 00:59:20,583 - BEVERLY, THE PHONE. 1170 00:59:20,709 --> 00:59:23,333 - HELLO? 1171 00:59:23,458 --> 00:59:25,583 YES. 1172 00:59:25,709 --> 00:59:28,625 I SEE. 1173 00:59:28,750 --> 00:59:31,959 FINE. 1174 00:59:32,083 --> 00:59:34,083 SEE YOU THEN. 1175 00:59:37,917 --> 00:59:41,375 - SO? - I'M FINE. 1176 00:59:41,500 --> 00:59:43,625 - WHA--WHAT? - THE BIOPSY WAS NEGATIVE. 1177 00:59:43,750 --> 00:59:45,875 I'M AS HEALTHY AS A HORSE. 1178 00:59:46,000 --> 00:59:50,291 WHOO! 1179 00:59:50,417 --> 00:59:52,125 - I AM GONNA DECORATE THIS WHOLE PLACE 1180 00:59:52,250 --> 00:59:53,375 UNTIL I PASS OUT! 1181 00:59:53,500 --> 00:59:55,333 WHOO! 1182 01:00:00,750 --> 01:00:02,291 - GOOD AFTERNOON. BEAUTIFUL DAY. 1183 01:00:02,417 --> 01:00:04,542 - HI, VERA. - HELLO. 1184 01:00:04,667 --> 01:00:07,500 HAPPY ALMOST CHRISTMAS. - MERRY CHRISTMAS. 1185 01:00:13,792 --> 01:00:15,208 - NOW, REMEMBER, A KRIS KRINGLE GIFT 1186 01:00:15,333 --> 01:00:16,583 ISN'T ABOUT THE MONEY YOU SPEND. 1187 01:00:16,709 --> 01:00:19,333 IT'S ABOUT THE THOUGHT THAT GOES BEHIND IT. 1188 01:00:19,458 --> 01:00:22,625 I HAVE CREATED THIS HANDY LIST ALPHABETIZED AND BY CATEGORY 1189 01:00:22,750 --> 01:00:26,750 OF SOME GIFTS YOU MIGHT LIKE TO CONSIDER. 1190 01:00:26,875 --> 01:00:28,291 - ALL RIGHT, EVERYBODY, 1191 01:00:28,417 --> 01:00:30,583 WE ARE GETTING VERY CLOSE TO THE BIG NIGHT. 1192 01:00:30,709 --> 01:00:32,625 SO, FIRST THING TOMORROW, 1193 01:00:32,750 --> 01:00:35,458 WE'RE GONNA RUN THROUGH THE ENTIRE SHOW 1194 01:00:35,583 --> 01:00:38,333 FROM BEGINNING TO END TO GET A SENSE OF THE TIMING. 1195 01:00:38,458 --> 01:00:40,375 - HEY! 1196 01:00:40,500 --> 01:00:42,792 YOU HEARD OUR DIRECTOR. 1197 01:00:42,917 --> 01:00:45,542 THIS IS GONNA BE THE BEST PAGEANT EVER. 1198 01:00:45,667 --> 01:00:47,542 - IT'S TRUE. 1199 01:00:47,667 --> 01:00:49,875 - OKAY, CREW, MAKE SURE YOU GO OVER THAT CHECKLIST 1200 01:00:50,041 --> 01:00:51,709 THAT I GAVE YOU FOR TOMORROW, OKAY? 1201 01:00:51,834 --> 01:00:53,875 HEY, I GOT NOAH! 1202 01:00:54,000 --> 01:00:57,375 - BUT, I... 1203 01:01:07,750 --> 01:01:10,458 - KNOCK, KNOCK. - OH. 1204 01:01:10,583 --> 01:01:14,000 HI, VERA. 1205 01:01:14,125 --> 01:01:16,375 - CAN I BOTHER YOU FOR A MINUTE? 1206 01:01:16,500 --> 01:01:17,792 WOW. 1207 01:01:17,917 --> 01:01:20,917 OH, THAT IS REALLY NICE. 1208 01:01:21,041 --> 01:01:22,375 - IT'S NOTHING, REALLY. 1209 01:01:22,500 --> 01:01:24,125 - OH, THAT'S WHAT YOU THINK. 1210 01:01:24,250 --> 01:01:25,667 YOU KNOW, IN NEW YORK, YOU COULD CHARGE 1211 01:01:25,792 --> 01:01:28,208 AN ARM AND A LEG FOR THAT KIND OF WORK. 1212 01:01:28,333 --> 01:01:29,709 - REALLY? - OH, YEAH. 1213 01:01:29,834 --> 01:01:31,667 YOU HAVE NO IDEA. 1214 01:01:31,792 --> 01:01:33,875 PEOPLE THINK IT'S JUST STITCH WORK. 1215 01:01:34,000 --> 01:01:36,792 THEY HAVE NO IDEA WHAT IT TAKES TO PULL IT ALL TOGETHER. 1216 01:01:36,917 --> 01:01:38,750 - ACTUALLY, THAT'S TRUE. 1217 01:01:38,875 --> 01:01:42,250 YOU HAVE TO THINK OF THE FEEL OF THE FABRIC 1218 01:01:42,375 --> 01:01:46,250 AND THE SWAY OF THE CLOTH. 1219 01:01:46,375 --> 01:01:49,000 - COULD YOU TEACH ME? 1220 01:01:49,125 --> 01:01:52,208 - YOU WANT ME TO TEACH YOU? 1221 01:01:52,333 --> 01:01:55,333 - HOW COULD I GO WRONG LEARNING FROM AN EXPERT? 1222 01:01:55,458 --> 01:01:58,417 - I... 1223 01:01:58,542 --> 01:02:01,208 YES, THAT WOULD BE FINE. 1224 01:02:01,333 --> 01:02:04,750 - GREAT. - IT'S ACTUALLY PRETTY EASY. 1225 01:02:04,875 --> 01:02:06,291 - ABOUT THE PAGEANT... 1226 01:02:06,417 --> 01:02:09,750 ANITA, I-- - I'LL DO IT. 1227 01:02:09,875 --> 01:02:12,583 - EXCUSE ME? - I'LL SING! 1228 01:02:15,959 --> 01:02:18,250 - ALL RIGHT, KEEP BREATHING. 1229 01:02:18,375 --> 01:02:20,583 KEEP BREATHING. 1230 01:02:20,709 --> 01:02:22,583 THERE. 1231 01:02:22,709 --> 01:02:26,250 IT'S VERY BRAVE OF YOU TO GET UP ON THE STAGE LIKE THIS. 1232 01:02:26,375 --> 01:02:28,291 - I CAN'T DO THIS. 1233 01:02:28,417 --> 01:02:30,709 MY NERVES ARE KILLING ME. - USE THEM. 1234 01:02:30,834 --> 01:02:34,625 NERVES ARE GOOD. EVERYBODY GETS STAGE FRIGHT. 1235 01:02:34,750 --> 01:02:36,750 - EVEN YOU? 1236 01:02:36,875 --> 01:02:40,041 - I HAD A TEACHER WHO ONCE SAID THAT THE DAY 1237 01:02:40,166 --> 01:02:43,000 YOU STOP HAVING STAGE FRIGHT, QUIT. 1238 01:02:45,333 --> 01:02:48,917 - BUT ALL THE PEOPLE WILL BE OUT THERE. 1239 01:02:49,041 --> 01:02:51,417 - DON'T SEE THEM. 1240 01:02:51,542 --> 01:02:53,709 - HOW? 1241 01:02:53,834 --> 01:02:57,709 - CLOSE YOUR EYES. 1242 01:02:57,834 --> 01:03:00,000 OKAY. 1243 01:03:00,125 --> 01:03:03,750 AND TELL ME WHAT YOU SEE. 1244 01:03:03,875 --> 01:03:05,417 - NOTHING. 1245 01:03:05,542 --> 01:03:08,583 - NOW JUST IMAGINE THAT YOU'RE AT HOME, 1246 01:03:08,709 --> 01:03:12,875 ALL ALONE, AND YOU'RE SINGING. 1247 01:04:26,000 --> 01:04:27,750 I DID IT. 1248 01:04:27,875 --> 01:04:29,959 - YEP, YOU DID IT. 1249 01:04:30,083 --> 01:04:33,417 - THANK YOU. 1250 01:04:52,166 --> 01:04:54,083 - HELLO? - HELLO. 1251 01:04:54,208 --> 01:04:56,667 ARE YOU SITTING DOWN? - OH, BETTER THAN THAT. 1252 01:04:56,792 --> 01:04:58,875 I AM LAYING DOWN. 1253 01:04:59,000 --> 01:05:01,208 - WELL, I HAVE NEWS. 1254 01:05:01,333 --> 01:05:03,458 I HAVE BIG NEWS. 1255 01:05:03,583 --> 01:05:07,166 I HAVE LIFE-CHANGING NEWS. 1256 01:05:07,291 --> 01:05:09,166 - ALL RIGHT, PETER, STOP PACING IN YOUR OFFICE 1257 01:05:09,291 --> 01:05:10,375 AND TELL ME. 1258 01:05:10,500 --> 01:05:12,083 - I JUST BOOKED YOU A GIG. 1259 01:05:12,208 --> 01:05:16,291 YOU'RE GOING TO DIRECT A NEW, HOT OFF-BROADWAY SHOW. 1260 01:05:17,834 --> 01:05:19,917 - SAY THAT AGAIN. 1261 01:05:20,041 --> 01:05:22,917 - THE PLAY THAT YOU WERE FIRED FROM FOLDED. 1262 01:05:23,041 --> 01:05:25,542 SO A NEW PRODUCER CAME IN TO THAT SAME THEATER 1263 01:05:25,667 --> 01:05:26,542 WITH A NEW PLAY. 1264 01:05:26,667 --> 01:05:29,458 I PITCHED YOU AND HE BOUGHT IT. 1265 01:05:29,583 --> 01:05:32,250 - UH, WAIT, AND NOBODY CRINGED? 1266 01:05:32,375 --> 01:05:34,208 - YEAH, AND GET THIS. 1267 01:05:34,333 --> 01:05:37,583 THEY'VE ALREADY CAST FRANK BALDWIN. 1268 01:05:37,709 --> 01:05:42,125 - WHA--OSCAR-WINNER FRANK BALDWIN? 1269 01:05:42,250 --> 01:05:44,125 WHO HASN'T DONE A PLAY IN 30 YEARS. 1270 01:05:44,250 --> 01:05:46,417 THAT'S HUGE. - I KNOW, I KNOW, I KNOW. 1271 01:05:46,542 --> 01:05:48,125 - OH, MY GOD, THIS IS AMAZING. 1272 01:05:48,250 --> 01:05:49,125 - I KNOW, AND THIS THING 1273 01:05:49,250 --> 01:05:50,667 IS ALREADY GOING 100 MILES AN HOUR 1274 01:05:50,834 --> 01:05:54,000 AND THEY WANT TO SEE YOU THERE FIRST THING MONDAY MORNING. 1275 01:05:54,125 --> 01:05:56,291 - WAIT, MONDAY-- IN TWO DAYS? 1276 01:05:56,417 --> 01:05:57,667 - YUP, THAT'S OKAY. 1277 01:05:57,959 --> 01:05:59,834 YOU JUST GET YOUR BUTT ON THE FIRST TRAIN OUT OF MAYBERRY 1278 01:05:59,959 --> 01:06:02,417 AND I'LL MEET YOU FOR LUNCH AT THE DINER ON 58TH STREET, 1279 01:06:02,542 --> 01:06:03,458 OKAY? 1280 01:06:03,667 --> 01:06:05,917 I GOT TO RUN, BYE-BYE. 1281 01:06:28,458 --> 01:06:29,375 I CAN DO THIS. 1282 01:06:29,500 --> 01:06:31,417 AHEM. 1283 01:06:31,542 --> 01:06:34,125 I'LL JUST TELL THEM STRAIGHT OUT. 1284 01:06:34,250 --> 01:06:37,041 THEY'LL WISH ME LUCK, I'LL LEAVE FOR NEW YORK, 1285 01:06:37,166 --> 01:06:38,458 SIMPLE. 1286 01:06:38,583 --> 01:06:40,709 - BUT YOU CAN'T GO. 1287 01:06:40,834 --> 01:06:43,959 - WE NEED YOU. 1288 01:06:44,083 --> 01:06:46,792 - THE PAGEANT IS IN GREAT SHAPE. 1289 01:06:46,917 --> 01:06:49,083 YOU ALL HAVE WORKED SO HARD. 1290 01:06:49,208 --> 01:06:51,333 IT'S ALL YOU. IT'S NOT ME. 1291 01:06:51,458 --> 01:06:54,208 - NO, IT'S YOUR PAGEANT TOO. YOU'VE WORKED SO HARD. 1292 01:06:54,333 --> 01:06:56,250 - AND YOU SHOULD BE THERE TO SHARE IT WITH US. 1293 01:06:56,375 --> 01:06:58,458 - WE WANT YOU TO STAY. 1294 01:06:58,583 --> 01:07:03,750 I WANT YOU TO STAY. 1295 01:07:03,875 --> 01:07:07,542 - VERA, I CAN'T DO IT WITHOUT YOU. 1296 01:07:13,667 --> 01:07:15,208 - UH... 1297 01:07:15,333 --> 01:07:17,917 IT BREAKS MY HEART TO LEAVE. IT DOES. 1298 01:07:19,709 --> 01:07:21,750 BUT OPPORTUNITIES LIKE THIS DON'T JUST COME ALONG 1299 01:07:21,875 --> 01:07:22,834 FOR A DIRECTOR. 1300 01:07:23,000 --> 01:07:26,583 I MEAN, THIS IS A ONCE-IN-A-LIFETIME-- 1301 01:07:26,709 --> 01:07:28,417 - HI. 1302 01:07:28,542 --> 01:07:32,917 WHAT'S GOING ON? WHY IS EVERYBODY SO GLUM? 1303 01:07:33,041 --> 01:07:35,333 - VERA IS GOING TO NEW YORK. 1304 01:07:35,458 --> 01:07:37,750 - WHAT? 1305 01:07:37,875 --> 01:07:39,083 - I WAS GONNA TALK TO YOU-- 1306 01:07:39,208 --> 01:07:40,291 - YOU'RE LEAVING? 1307 01:07:40,417 --> 01:07:43,125 BEFORE CHRISTMAS? 1308 01:07:43,250 --> 01:07:45,125 - HONEY... 1309 01:07:45,250 --> 01:07:46,583 WHEN YOU'RE A GROWN-UP, YOU'LL UNDERSTAND. 1310 01:07:46,709 --> 01:07:48,750 - NO, I'LL NEVER UNDERSTAND. 1311 01:07:52,500 --> 01:07:54,000 - UH...JACK? 1312 01:08:09,417 --> 01:08:11,625 ALL RIGHT, I HAVE TO GO PACK. 1313 01:08:11,750 --> 01:08:14,834 AND THE PAGEANT IS GONNA BE REALLY GOOD 1314 01:08:14,959 --> 01:08:17,166 BECAUSE YOU'VE WORKED REALLY HARD. 1315 01:08:17,291 --> 01:08:20,291 AND I WISH I COULD STAY BUT I HAVE TO GO. 1316 01:08:34,709 --> 01:08:37,709 - THEY LOOK BEAUTIFUL. - THANK YOU. 1317 01:08:47,583 --> 01:08:50,458 - WELL, WE'RE GONNA MISS YOU, VERA. 1318 01:08:50,583 --> 01:08:53,041 - I'LL MISS YOU TOO. 1319 01:08:53,166 --> 01:08:54,750 - UH, I WAS GONNA GIVE YOU THIS FOR CHRISTMAS 1320 01:08:54,875 --> 01:08:56,709 BUT, UH, SINCE YOU'RE LEAVING AND ALL, 1321 01:08:56,834 --> 01:08:58,375 UM... 1322 01:08:58,500 --> 01:09:01,417 UH, THIS WAS ON YOUR NIGHTSTAND AND, UH, I SAW IT WAS WILTING 1323 01:09:01,542 --> 01:09:04,417 SO I PRESSED IT AND HAD IT FRAMED. 1324 01:09:04,542 --> 01:09:07,875 IT'S JUST A LITTLE SOMETHIN', YOU KNOW. 1325 01:09:14,291 --> 01:09:17,333 - THANK YOU SO MUCH. 1326 01:09:17,458 --> 01:09:21,959 YOU HAVE NO IDEA HOW MUCH THIS MEANS TO ME. 1327 01:09:22,083 --> 01:09:24,959 - WELL, YOU MEAN A... 1328 01:09:25,083 --> 01:09:29,458 YOU MEAN A LOT TO, UH, ALL OF US. 1329 01:09:30,792 --> 01:09:31,959 AHEM. 1330 01:09:32,250 --> 01:09:37,792 UH, WELL, NOW I BETTER GET AFTER THAT HOT WATER HEATER. 1331 01:10:01,875 --> 01:10:04,667 - AREN'T YOU GONNA SAY GOODBYE? 1332 01:10:04,792 --> 01:10:07,750 NOT EVEN A "SEE YOU LATER?" 1333 01:10:11,166 --> 01:10:13,583 KRISTEN, HONEY... 1334 01:10:14,709 --> 01:10:16,500 I LOVE... 1335 01:10:16,625 --> 01:10:17,875 DIRECTING. 1336 01:10:18,000 --> 01:10:19,709 AND THIS JOB IS GONNA GIVE ME A CHANCE 1337 01:10:19,834 --> 01:10:22,917 TO DO WHAT I LOVE. 1338 01:10:23,041 --> 01:10:25,500 - I THOUGHT THAT'S WHAT YOU WERE DOING HERE. 1339 01:10:25,625 --> 01:10:28,041 - WELL, IT IS. 1340 01:10:28,166 --> 01:10:29,834 - THEN WHY DO YOU NEED AN EVEN BIGGER JOB? 1341 01:10:29,959 --> 01:10:32,750 SO YOU CAN LOVE IT EVEN MORE? 1342 01:10:32,875 --> 01:10:34,875 - NO. 1343 01:10:35,000 --> 01:10:36,208 - THEN YOU'RE NOT MAKING ANY SENSE 1344 01:10:36,333 --> 01:10:39,166 AND I DON'T WANT TO TALK TO YOU ANYMORE. 1345 01:10:39,291 --> 01:10:42,375 - KRISTEN, PLEASE DON'T LEAVE LIKE THIS. 1346 01:10:44,542 --> 01:10:46,625 I'M NOT HUGGING YOU GOOD-BYE. 1347 01:10:46,750 --> 01:10:49,709 I'M JUST HUGGING YOU BECAUSE I FEEL LIKE IT. 1348 01:11:03,875 --> 01:11:05,709 - JACK, I'M TORN. 1349 01:11:05,834 --> 01:11:09,667 I MEAN, THIS REALLY IS A VERY IMPORTANT JOB. 1350 01:11:09,792 --> 01:11:11,583 BUT I-- - I KNOW. 1351 01:11:11,709 --> 01:11:15,500 YOU HAVE ANOTHER DRAGON TO SLAY IN NEW YORK. 1352 01:11:15,625 --> 01:11:17,875 GOOD LUCK. 1353 01:11:18,000 --> 01:11:20,166 COME ON, HONEY. 1354 01:11:34,750 --> 01:11:37,333 ARE YOU LOOKING FORWARD TO SCHOOL AFTER THE NEW YEAR? 1355 01:11:37,458 --> 01:11:38,667 - YEAH, I GUESS. 1356 01:11:38,792 --> 01:11:40,417 SORT OF. 1357 01:11:40,542 --> 01:11:44,542 - WHAT DO YOU MEAN, "SORT OF?" I THOUGHT YOU LIKED SCHOOL. 1358 01:11:44,667 --> 01:11:47,667 - YOU THINK I'LL EVER SEE VERA AGAIN? 1359 01:11:47,792 --> 01:11:51,333 - I DON'T KNOW, HONEY. 1360 01:11:51,458 --> 01:11:54,000 - I HOPE SO. 1361 01:11:54,125 --> 01:11:57,458 - WELL, SOMETIMES OUR HOPES LET US DOWN. 1362 01:11:57,583 --> 01:12:02,291 - THEN I WISH-- I MAKE IT MY BIG CHRISTMAS WISH. 1363 01:12:09,125 --> 01:12:10,625 - YOU REALLY LIKED THE SHOW? 1364 01:12:10,750 --> 01:12:12,625 I DON'T KNOW. - YEAH. 1365 01:12:29,291 --> 01:12:31,750 - COME ON, EVERYBODY, DON'T BE SO DOWN. 1366 01:12:31,875 --> 01:12:33,750 - I DON'T THINK I CAN SING WITHOUT VERA. 1367 01:12:33,875 --> 01:12:35,417 - SURE YOU CAN. 1368 01:12:35,542 --> 01:12:37,125 - I FEEL THE SAME, SHE GAVE ME THE CONFIDENCE 1369 01:12:37,250 --> 01:12:39,041 TO BE A GREAT ASSISTANT DIRECTOR. 1370 01:12:39,166 --> 01:12:40,709 AND WITHOUT HER, I FEEL LIKE 1371 01:12:40,834 --> 01:12:42,792 I CAN ONLY BE A MEDIOCRE ASSISTANT DIRECTOR. 1372 01:12:42,917 --> 01:12:45,625 - EDDIE, PEOPLE! 1373 01:12:45,750 --> 01:12:49,041 WE'VE BEEN THROUGH FLOODS AND WARS AND DEPRESSIONS-- 1374 01:12:49,166 --> 01:12:52,792 - IT'S JUST NOT THE SAME. - I DON'T KNOW WHAT TO DO. 1375 01:12:52,917 --> 01:12:55,834 - I KNOW WHAT I'M GONNA DO. 1376 01:13:08,500 --> 01:13:10,625 - ALL RIGHT, THAT WAS GREAT, 1377 01:13:10,750 --> 01:13:12,333 BUT I WANTED TO DO IT AGAIN. 1378 01:13:12,458 --> 01:13:13,834 I WANT YOU TO KEEP THE INTENSITY, 1379 01:13:13,959 --> 01:13:15,000 BUT DO IT A LITTLE SLOWER. 1380 01:13:15,125 --> 01:13:16,625 ESPECIALLY AFTER THE PHONE CALL. 1381 01:13:16,750 --> 01:13:20,333 - NO, WE CANNOT TRY THAT SCENE AGAIN! 1382 01:13:20,458 --> 01:13:21,750 JUST TELL ME WHAT YOU'RE LOOKING FOR 1383 01:13:21,917 --> 01:13:23,792 AND I'LL GIVE IT TO YOU, BUT THIS ENDLESS NITPICKING 1384 01:13:23,917 --> 01:13:25,834 HAS GOT TO STOP! 1385 01:13:25,959 --> 01:13:28,333 - LET ME TELL YOU SOMETHING. 1386 01:13:28,458 --> 01:13:31,375 YOU... 1387 01:13:32,750 --> 01:13:35,750 LOOK... 1388 01:13:35,875 --> 01:13:38,291 WHAT I'M TRYING TO DO IS JUST TO HELP YOU 1389 01:13:38,417 --> 01:13:40,750 FIND AN EASIER PATHWAY FOR YOUR CHARACTER 1390 01:13:40,875 --> 01:13:42,667 THROUGH THE SCENE. 1391 01:13:42,792 --> 01:13:44,625 - DON'T LECTURE ME, YOUNG LADY. 1392 01:13:44,750 --> 01:13:48,083 IN CASE YOU HAVEN'T NOTICED, I'M THE BIG FISH IN THIS POND. 1393 01:13:53,709 --> 01:13:56,417 - WHA--? 1394 01:14:10,083 --> 01:14:12,083 OH. 1395 01:14:12,208 --> 01:14:13,917 I'M SORRY. 1396 01:14:14,041 --> 01:14:16,417 EVERYBODY TAKE TEN. 1397 01:14:16,542 --> 01:14:19,917 - WHAT'D I MISS? 1398 01:14:20,041 --> 01:14:21,750 - UGH! 1399 01:14:24,917 --> 01:14:30,166 - WHAT ARE YOU DOING HERE? 1400 01:14:30,291 --> 01:14:32,667 - WE'RE HERE TO ASK YOU TO COME BACK WITH US. 1401 01:14:32,792 --> 01:14:34,083 - WE NEED YOU, VERA. - PLEASE COME BACK. 1402 01:14:34,208 --> 01:14:35,500 - I CAN'T DO IT BY MYSELF, VERA. 1403 01:14:35,625 --> 01:14:37,959 - OH... 1404 01:14:38,083 --> 01:14:40,417 - YOU SAID AT CHRISTMASTIME BELIEVING IN THINGS 1405 01:14:40,542 --> 01:14:41,542 MAKES THEM REAL. 1406 01:14:41,667 --> 01:14:42,917 REMEMBER? 1407 01:14:47,291 --> 01:14:48,959 - I REMEMBER. 1408 01:14:49,083 --> 01:14:50,625 - I BELIEVE YOU'RE GONNA COME BACK AND SHARE 1409 01:14:50,750 --> 01:14:52,959 THE CHRISTMAS PAGEANT WITH US. 1410 01:14:56,625 --> 01:14:59,125 - HONEY, IT DOESN'T WORK THAT WAY. 1411 01:14:59,250 --> 01:15:02,000 - YOU SAID IT DID. 1412 01:15:02,125 --> 01:15:04,875 - I KNOW. 1413 01:15:05,000 --> 01:15:08,625 - AND I BELIEVED YOU. 1414 01:15:13,041 --> 01:15:16,792 - SOMETIMES, GROWN-UPS DON'T-- 1415 01:15:16,917 --> 01:15:20,208 - CAN WE PLEASE GET RID OF THESE TOURISTS 1416 01:15:20,333 --> 01:15:21,208 AND GET ON WITH THE REHEARSAL? 1417 01:15:21,333 --> 01:15:22,583 - THEY ARE NOT TOURISTS! 1418 01:15:22,709 --> 01:15:24,750 THEY HAPPEN TO BE FRIENDS OF MINE! 1419 01:15:24,875 --> 01:15:26,875 - WE DON'T HAVE TIME FOR YOU TO MAKE CHIT-CHAT 1420 01:15:27,000 --> 01:15:30,667 WITH AUNT JOAN FROM ST. LOUIS! 1421 01:15:41,917 --> 01:15:44,792 WHERE ARE YOU GOING? 1422 01:15:44,917 --> 01:15:48,375 ARE YOU GOING TO DIRECT THIS PLAY OR NOT? 1423 01:15:48,500 --> 01:15:51,667 - NOT. 1424 01:15:54,583 --> 01:15:56,000 I QUIT. 1425 01:15:56,125 --> 01:15:57,125 - AH! - YES! 1426 01:15:57,250 --> 01:15:58,583 - I KNEW SHE WOULD! 1427 01:16:00,166 --> 01:16:01,667 - YAAY! 1428 01:16:11,041 --> 01:16:12,333 - SHE QUIT. 1429 01:16:12,458 --> 01:16:14,083 NO ONE QUITS ON ME. 1430 01:16:34,041 --> 01:16:35,959 - HEY, ETHEL. - HIYA. 1431 01:16:36,083 --> 01:16:39,834 - IS MY DATE READY? - OH, I BELIEVE SO. 1432 01:16:39,959 --> 01:16:41,125 VERA! 1433 01:16:41,250 --> 01:16:44,583 YOUR GENTLEMAN CALLER IS HERE. 1434 01:16:59,208 --> 01:17:01,291 - WOW, YOU LOOK BEAUTIFUL. 1435 01:17:01,417 --> 01:17:02,875 - THANK YOU. 1436 01:17:03,000 --> 01:17:07,291 - CAN I ESCORT YOU TO THE CHRISTMAS PAGEANT? 1437 01:17:07,417 --> 01:17:11,083 - I THOUGHT YOU'D NEVER ASK. 1438 01:17:18,083 --> 01:17:19,417 - GARRETT? 1439 01:17:19,542 --> 01:17:21,125 WE'RE GONNA BE LATE. 1440 01:17:21,250 --> 01:17:23,625 - COMING. I AM COMING. 1441 01:17:23,750 --> 01:17:25,625 AH, EXCUSE ME. 1442 01:17:25,750 --> 01:17:28,458 MADAME. - YES, DEAR. 1443 01:17:28,583 --> 01:17:30,709 THANK YOU. 1444 01:17:48,792 --> 01:17:51,166 - READY TO GO. 1445 01:17:51,291 --> 01:17:53,041 NOW. - I CAN'T BELIEVE THAT. 1446 01:17:53,166 --> 01:17:54,125 HM. 1447 01:18:02,875 --> 01:18:04,000 - WELCOME TO THE ASHTON FALLS 1448 01:18:04,125 --> 01:18:06,709 CHRISTMAS PAGEANT. 1449 01:18:06,834 --> 01:18:08,917 DIRECTED BY VERA PARKS. 1450 01:18:19,375 --> 01:18:21,959 AND ASSISTED BY EDDIE FLEMING. 1451 01:18:24,625 --> 01:18:28,375 - ALL RIGHT, EDDIE! 1452 01:18:32,500 --> 01:18:34,041 - LADIES AND GENTLEMEN... 1453 01:18:34,166 --> 01:18:37,000 SHERRY GUMM. 1454 01:18:57,542 --> 01:18:59,041 - AHEM. 1455 01:19:01,875 --> 01:19:05,041 SING ME A SONG OF CHRISTMAS PAST. 1456 01:19:05,166 --> 01:19:09,125 OF GOLDEN MEMORIES THAT LAST, 1457 01:19:09,250 --> 01:19:13,000 OF SHINING STARS THAT LIT THE WAY. 1458 01:19:13,125 --> 01:19:17,291 OF LOVE WE SHARED ON CHRISTMAS DAY. 1459 01:19:17,417 --> 01:19:20,542 GRANT EVERY CHILD'S WISH WITHOUT DELAY. 1460 01:19:22,083 --> 01:19:25,000 CHRISTMAS COMES BUT ONCE A YEAR. 1461 01:19:25,125 --> 01:19:30,417 IT IS OUR JOB TO CONTINUE THE JOY AND CHEER. 1462 01:19:42,208 --> 01:19:44,750 - I'M SORRY, BUT THERE ARE NO ROOMS AVAILABLE. 1463 01:19:44,875 --> 01:19:45,959 IF YOU'D LIKE YOU CAN 1464 01:19:46,208 --> 01:19:49,083 STAY IN THE STABLE WITH THE COWS AND THE SHEEP. 1465 01:19:55,625 --> 01:19:57,250 - WHAT ARE THEY DOING? 1466 01:19:57,375 --> 01:19:58,792 THAT WASN'T IN THE SCRIPT. 1467 01:19:58,917 --> 01:20:01,917 - SHH, JUST WATCH. - ALL RIGHT. 1468 01:20:33,291 --> 01:20:36,750 - OH, IT'S BEAUTIFUL. 1469 01:20:36,875 --> 01:20:39,458 - EDDIE CAME UP WITH THAT IDEA. 1470 01:20:39,583 --> 01:20:40,667 - HE DID? 1471 01:20:40,792 --> 01:20:44,166 - YEAH, HE SAID HE LEARNED IT FROM YOU. 1472 01:20:58,583 --> 01:21:01,500 - THAT'S GREAT! THAT WAS GREAT! 1473 01:21:20,959 --> 01:21:24,959 - AND NOW, IN HER VERY FIRST PUBLIC PERFORMANCE, 1474 01:21:25,083 --> 01:21:28,959 MISS ANITA CORNING. 1475 01:21:53,667 --> 01:21:55,542 - VERA... 1476 01:21:55,667 --> 01:21:59,208 THIS SONG'S FOR YOU. 1477 01:23:56,333 --> 01:23:59,208 - OH, YOU MAKE A BEAUTIFUL ANGEL, KRISTEN. 1478 01:23:59,333 --> 01:24:00,417 - THANKS. 1479 01:24:00,625 --> 01:24:03,375 AND I WISH I COULD SING LIKE YOU, MISS ANITA. 1480 01:24:03,500 --> 01:24:06,458 - OH, THANK YOU, KRISTEN. 1481 01:24:07,625 --> 01:24:09,000 - COME ON, LET'S GO. 1482 01:24:09,125 --> 01:24:10,667 - YOU WERE SO GOOD. 1483 01:24:10,792 --> 01:24:14,333 - I WAS SO NERVOUS BUT I JUST USED MY NERVES, 1484 01:24:14,458 --> 01:24:17,667 JUST LIKE YOU TOLD ME. 1485 01:24:17,792 --> 01:24:19,667 - WELL, THE PERFORMANCES WERE ALL JUST SPECTACULAR. 1486 01:24:19,792 --> 01:24:22,875 SHERRY, YOUR POEM WAS AMAZING. 1487 01:24:23,000 --> 01:24:28,458 AND EDDIE, OH, THAT SCENE, IT WAS WONDERFUL. 1488 01:24:28,583 --> 01:24:31,875 - WELL, YOU TAUGHT ME EVERYTHING I KNOW, VERA. 1489 01:24:32,000 --> 01:24:34,166 - WELL, I COULDN'T BE MORE PROUD. 1490 01:24:34,291 --> 01:24:38,959 THE WHOLE PAGEANT WAS JUST--IT WAS BEAUTIFUL. 1491 01:24:39,083 --> 01:24:43,041 - I PICKED YOUR NAME OUT OF THE BASKET. 1492 01:24:47,333 --> 01:24:48,792 - OH! 1493 01:24:48,917 --> 01:24:49,834 - OH. - OH. 1494 01:24:51,834 --> 01:24:55,208 - OH, I LOVE IT. 1495 01:24:55,333 --> 01:24:58,041 - I HAVE A BONE TO PICK WITH YOU. 1496 01:24:58,166 --> 01:24:59,834 - OH. 1497 01:24:59,959 --> 01:25:02,250 - WHAT NOW? 1498 01:25:02,375 --> 01:25:04,792 - WHERE'S MY CHRISTMAS HUG? 1499 01:25:16,333 --> 01:25:18,917 - JACK... 1500 01:25:19,041 --> 01:25:21,417 I PICKED YOUR NAME BUT I FORGOT TO GET YOU A GIFT. 1501 01:25:21,542 --> 01:25:25,250 - THAT'S OKAY. 1502 01:25:35,375 --> 01:25:40,917 JACK HARMON... 1503 01:25:41,041 --> 01:25:44,792 I LOVE YOU. 1504 01:25:44,917 --> 01:25:48,417 - I LOVE YOU TOO. 1505 01:25:59,291 --> 01:26:04,625 - IT LOOKS LIKE CHRISTMAS WISHES DO COME TRUE. 1506 01:26:04,750 --> 01:26:06,458 - I KNEW IT WOULD WORK OUT. 1507 01:26:06,500 --> 01:26:09,375 - OH, NOW, ETHEL. 99015