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These are the user uploaded subtitles that are being translated: 1 00:00:25,532 --> 00:00:29,581 Welcome to the tenth anniversary celebrations of Call The Midwife, 2 00:00:29,606 --> 00:00:34,195 full of love stories, crime, comedy, tragedy, 3 00:00:34,196 --> 00:00:38,905 all fired by the ties between family, friends and community. 4 00:00:38,906 --> 00:00:40,915 With nursing at its core, Call The Midwife 5 00:00:40,916 --> 00:00:42,915 depends on human interaction 6 00:00:42,916 --> 00:00:45,635 more than most shows. 7 00:00:45,636 --> 00:00:49,355 SHE SOBS Oh, lass. 8 00:00:49,356 --> 00:00:52,445 Since the series launched in 2012, 9 00:00:52,446 --> 00:00:55,916 millions around the world have taken our characters to their hearts. 10 00:01:00,816 --> 00:01:03,445 Hello, I'm Jennifer Lee. 11 00:01:03,446 --> 00:01:06,245 We are the Sisters of St Raymond Nonnatus, 12 00:01:06,246 --> 00:01:09,875 midwives and district nurses, present at life's commencement 13 00:01:09,876 --> 00:01:11,976 and at its end. 14 00:01:11,977 --> 00:01:14,525 The name's Turner, patient's GP. 15 00:01:14,526 --> 00:01:16,846 Sister Bernadette, this is Nurse Lee. 16 00:01:16,847 --> 00:01:18,195 Oh, greetings. 17 00:01:18,196 --> 00:01:22,185 I understand you qualified by a whisker, 18 00:01:22,186 --> 00:01:26,255 Nurse Fortescue-Cholmeley-Browne. I did pass. 19 00:01:26,256 --> 00:01:27,956 It was a bit of a scrape. 20 00:01:27,957 --> 00:01:30,985 Call The Midwife is a little bit like a watch. 21 00:01:30,986 --> 00:01:32,245 If you take the back off it, 22 00:01:32,246 --> 00:01:34,946 you see all these tiny individual wheels and cogs, 23 00:01:34,947 --> 00:01:37,515 and not only does each have a role of real importance, 24 00:01:37,516 --> 00:01:39,235 but it works in conjunction 25 00:01:39,236 --> 00:01:40,805 with other wheels and cogs. 26 00:01:40,806 --> 00:01:43,565 So every character in the drama has a particular relationship 27 00:01:43,566 --> 00:01:45,075 with another one. 28 00:01:45,076 --> 00:01:48,885 Nurse Gilbert? Welcome. I'm Sister julienne. 29 00:01:48,886 --> 00:01:52,485 I'm Patience Mount, but people call me Patsy. 30 00:01:52,486 --> 00:01:54,356 This is Fred, our handyman. 31 00:01:58,326 --> 00:02:00,195 Phyllis Crane, SRN, SCM. 32 00:02:00,196 --> 00:02:01,635 Hello! 33 00:02:01,636 --> 00:02:04,555 One of the things that makes the job special, 34 00:02:04,556 --> 00:02:06,195 is that it's an ensemble cast 35 00:02:06,196 --> 00:02:09,926 and they're all wonderful and it's a joy to act with them. 36 00:02:10,996 --> 00:02:12,076 Nurse calling. 37 00:02:16,556 --> 00:02:20,175 Valerie Dyer, I'm a nurse. Queen Alexandra's Army Corps. 38 00:02:20,176 --> 00:02:22,126 BELL RINGS, DOOR CLOSES 39 00:02:24,196 --> 00:02:25,685 Oh, hello, Reggie, love. 40 00:02:25,686 --> 00:02:27,196 Hello, Mum. 41 00:02:29,246 --> 00:02:33,215 We're going to go straight ahead and then turn right into Lisbon Street. 42 00:02:33,216 --> 00:02:34,976 Don't forget your hand signals. 43 00:02:34,977 --> 00:02:37,966 I just stick out my arm, don't I? 44 00:02:37,967 --> 00:02:40,486 - Slow down now, Chum. - How? 45 00:02:41,926 --> 00:02:43,245 Lean in as you turn. 46 00:02:43,246 --> 00:02:46,485 I don't know how to turn! I've forgotten how to turn! 47 00:02:46,486 --> 00:02:48,995 THEY SHRIEK 48 00:02:48,996 --> 00:02:52,805 Brake! Brake, Nurse! BIKE BELLS RING, CRASHING 49 00:02:52,806 --> 00:02:54,996 What happened? They were going too fast! 50 00:02:59,646 --> 00:03:03,485 I think the success of the show really is down to the fact that 51 00:03:03,486 --> 00:03:06,485 Heidi Thomas is still writing for us. 52 00:03:06,486 --> 00:03:09,765 The programme has showcased the life and work of a midwife 53 00:03:09,766 --> 00:03:13,205 and the essential humanity of the role. 54 00:03:13,206 --> 00:03:15,405 Absolutely beautiful. 55 00:03:15,406 --> 00:03:19,175 You say that as if you've never heard it before. 56 00:03:19,176 --> 00:03:21,765 I haven't, for a while. 57 00:03:21,766 --> 00:03:24,846 That's it, Carrie, put another one behind you. 58 00:03:24,847 --> 00:03:26,966 I think, Call the Midwife has 59 00:03:26,967 --> 00:03:30,966 really brought midwifery into people's minds. 60 00:03:30,967 --> 00:03:33,045 It's become a sort of household name in a way that 61 00:03:33,046 --> 00:03:34,976 perhaps it wasn't before. 62 00:03:34,977 --> 00:03:37,555 It's discussed more, it's become 63 00:03:37,556 --> 00:03:41,275 a career possibility for many women and men. 64 00:03:41,276 --> 00:03:45,196 The word midwife means "with woman". 65 00:03:46,356 --> 00:03:49,895 A woman in that situation needs somebody by her side, 66 00:03:49,896 --> 00:03:53,125 whatever mistakes or choices brought her to our door. 67 00:03:53,126 --> 00:03:56,155 That's it. That's it. Keep it coming. 68 00:03:56,156 --> 00:03:58,205 SHE GROANS 69 00:03:58,206 --> 00:04:00,515 Gravity can do amazing things. 70 00:04:00,516 --> 00:04:04,056 It keeps our feet on the ground and bring babies down to earth. 71 00:04:06,646 --> 00:04:08,335 You have to remain 72 00:04:08,336 --> 00:04:12,976 calm and measured in your responses 73 00:04:12,977 --> 00:04:14,565 and you have to be 74 00:04:14,566 --> 00:04:16,566 kind and empathetic. 75 00:04:19,046 --> 00:04:23,846 BABY CRIES You're unbelievably brave 76 00:04:23,847 --> 00:04:25,727 and I wish we all had your courage. 77 00:04:34,366 --> 00:04:35,575 Thank you. 78 00:04:35,576 --> 00:04:39,885 I thought I deserved all manner of medals. Up all night, 79 00:04:39,886 --> 00:04:41,765 cycling for miles, 80 00:04:41,766 --> 00:04:44,885 a wall of wimples at every single mealtime. 81 00:04:44,886 --> 00:04:47,976 Ain't you ever heard of a mother's instincts before?! 82 00:04:47,977 --> 00:04:50,625 I need him to come! 83 00:04:50,626 --> 00:04:54,795 Blondes have more fun, they do. 84 00:04:54,796 --> 00:04:56,796 Ain't that right, Nurse? 85 00:04:59,646 --> 00:05:00,936 Absolutely. 86 00:05:02,806 --> 00:05:05,925 I didn't expect glamour when I came into nursing, 87 00:05:05,926 --> 00:05:08,565 but I had hoped for something more than a nice hymn, 88 00:05:08,566 --> 00:05:11,695 discussing square dancing and drinking Horlicks. 89 00:05:11,696 --> 00:05:14,525 We are midwives. 90 00:05:14,526 --> 00:05:18,856 And we're also nurses and we're your friends. 91 00:05:18,857 --> 00:05:23,925 While we're looking after you, we'll be whichever of those you need most. 92 00:05:23,926 --> 00:05:25,606 SHE SOBS 93 00:05:25,607 --> 00:05:28,205 SHE LAUGHS Ah! 94 00:05:28,206 --> 00:05:34,376 You mark my words, the joy of midwifery never dims. 95 00:05:36,696 --> 00:05:39,815 With music you can somehow express things that 96 00:05:39,816 --> 00:05:41,956 go beyond what you can say with words. 97 00:05:41,957 --> 00:05:46,225 We're here in Abbey Road Studios, where we have just recorded an 98 00:05:46,226 --> 00:05:47,806 episode of season ten. 99 00:05:53,866 --> 00:05:57,985 The most important instrument in the palette of sounds is actually 100 00:05:57,986 --> 00:06:01,875 the, the dialogue, the script of Heidi Thomas 101 00:06:01,876 --> 00:06:06,555 and the music is written in counterpoint with the, with the story. 102 00:06:06,556 --> 00:06:12,675 What happens in the story resonates in the, in the music 103 00:06:12,676 --> 00:06:15,726 and creates an avid language. 104 00:06:15,727 --> 00:06:19,126 It is just a universal human language. 105 00:06:29,326 --> 00:06:32,776 Some of the scenes I like to score the most are the birth scenes. 106 00:06:35,136 --> 00:06:37,945 It's the mystery of the creation of life, 107 00:06:37,946 --> 00:06:41,576 and the music can go beyond what we see in the visuals. 108 00:06:59,376 --> 00:07:03,955 A receiver for the placenta, please, Pupil Midwife Corrigan. 109 00:07:03,956 --> 00:07:05,576 Yes, Mrs Turner. 110 00:07:24,096 --> 00:07:26,775 Playing the part of a competent midwife 111 00:07:26,776 --> 00:07:28,736 is not the same as being one. 112 00:07:28,737 --> 00:07:32,945 Confronted by the reality, could any of us really handle it? 113 00:07:32,946 --> 00:07:35,225 I could deliver a baby. 114 00:07:35,226 --> 00:07:38,885 Absolutely not! I think I'd probably run the other way! 115 00:07:38,886 --> 00:07:40,095 SHE LAUGHS 116 00:07:40,096 --> 00:07:43,135 Because it's not like it is on TV in real life. 117 00:07:43,136 --> 00:07:46,025 If I see someone who is quite largely pregnant 118 00:07:46,026 --> 00:07:48,135 and likely to have a baby any time, 119 00:07:48,136 --> 00:07:51,175 I move very far away, so that I am not spotted 120 00:07:51,176 --> 00:07:53,095 because the idea of being asked 121 00:07:53,096 --> 00:07:54,935 whether I could do anything... SHE LAUGHS 122 00:07:54,936 --> 00:07:56,606 Yeah, I, I'd sort of think, 123 00:07:56,607 --> 00:07:59,495 oh, I'd know what maybe some of the stages were. 124 00:07:59,496 --> 00:08:04,215 Erm, not really. No, I think, I think I'd rather, 125 00:08:04,216 --> 00:08:06,325 erm, leave it to the experts. 126 00:08:06,326 --> 00:08:09,225 In terms of my favourite birth, gosh, there have been so many. 127 00:08:09,226 --> 00:08:11,895 I'd like to know how many I've done on the show. 128 00:08:11,896 --> 00:08:14,935 There's been some really incredible ones and I think, 129 00:08:14,936 --> 00:08:18,146 each time it's an emotional bubble that bursts. 130 00:08:19,607 --> 00:08:22,816 Even though it's acting, it somehow feels real. 131 00:08:25,936 --> 00:08:27,376 She says, I love you. 132 00:08:28,936 --> 00:08:31,146 And your father loves you. 133 00:08:32,096 --> 00:08:35,455 And if you never hear his voice, 134 00:08:35,456 --> 00:08:38,026 or if I never hear yours... 135 00:08:40,336 --> 00:08:43,515 ...just know that we love you... 136 00:08:43,516 --> 00:08:45,476 "from the bottom of our hearts. 137 00:08:56,956 --> 00:09:01,915 I never stop being moved every time I see a baby born. 138 00:09:01,916 --> 00:09:05,555 It doesn't matter how many times. 139 00:09:05,556 --> 00:09:09,515 And I think that's what the audience love too, it's fresh life. 140 00:09:09,516 --> 00:09:11,515 And if you're suggesting that a few deep breaths 141 00:09:11,516 --> 00:09:14,846 and not thinking about what's for dinner is all there is to labour, 142 00:09:14,847 --> 00:09:17,666 you are leading your patients up the fairy way. 143 00:09:21,456 --> 00:09:24,747 SHE EXHALES, MOANS That's it. 144 00:09:26,816 --> 00:09:30,016 SHE GASPS, BABY CRIES 145 00:09:31,406 --> 00:09:33,306 Congratulations! 146 00:09:38,296 --> 00:09:39,885 One baby. 147 00:09:39,886 --> 00:09:42,455 Babies come along when they feel inclined. 148 00:09:42,456 --> 00:09:44,976 We can only prepare, we can never predict! 149 00:09:46,376 --> 00:09:48,597 SHIP'S HORN BLARES 150 00:09:53,236 --> 00:09:55,736 Oh, Lord, if I've ever given you 151 00:09:55,737 --> 00:09:59,125 the impression that I don't believe in you, 152 00:09:59,126 --> 00:10:01,296 I absolutely promise that I do now. 153 00:10:07,166 --> 00:10:09,226 Oh! I did it! 154 00:10:12,316 --> 00:10:15,586 It's a little boy, Noelle. Oh, he's beautiful! 155 00:10:15,587 --> 00:10:17,395 But that dress is ruined. 156 00:10:17,396 --> 00:10:20,395 That dress just had the best day of its life. 157 00:10:20,396 --> 00:10:23,206 I want to be glad but I don't know how. 158 00:10:25,166 --> 00:10:27,945 Let him hold your finger. 159 00:10:27,946 --> 00:10:30,046 Let him know you're here. 160 00:10:33,976 --> 00:10:35,256 You have a son. 161 00:10:41,676 --> 00:10:42,696 Hello. 162 00:10:47,747 --> 00:10:51,487 Call The Midwife has not shied away from difficult subjects. 163 00:10:53,826 --> 00:10:55,136 What is it? 164 00:10:56,656 --> 00:10:59,775 Baby's had some complications, Ruby. 165 00:10:59,776 --> 00:11:01,025 Spina bifida... 166 00:11:01,026 --> 00:11:02,895 It's a problem with his back. 167 00:11:02,896 --> 00:11:03,975 ...tuberculosis... 168 00:11:03,976 --> 00:11:05,265 Yes. 169 00:11:05,266 --> 00:11:07,705 The lesions are small. 170 00:11:07,706 --> 00:11:09,975 ...female genital mutilation... 171 00:11:09,976 --> 00:11:11,415 But there is more than one. 172 00:11:11,416 --> 00:11:14,085 There's nothing there but a scar from front to back. 173 00:11:14,086 --> 00:11:15,285 - Are you sure? - ..abortion... 174 00:11:15,286 --> 00:11:18,115 This is England and we do not give out abortions to any woman 175 00:11:18,116 --> 00:11:20,005 who demands one. 176 00:11:20,006 --> 00:11:21,166 ...racism. 177 00:11:23,366 --> 00:11:26,885 One as necessary, just as you've been taking them. 178 00:11:26,886 --> 00:11:30,035 I tell you what, every woman in the family way is going to be 179 00:11:30,036 --> 00:11:31,635 banging your doors down for these. 180 00:11:31,636 --> 00:11:33,325 What's that magic stuff in them again? 181 00:11:33,326 --> 00:11:36,085 The tablets are known as Distaval 182 00:11:36,086 --> 00:11:39,085 and the magic ingredient is called thalidomide. 183 00:11:39,086 --> 00:11:42,726 Well, better get some more in. I'm going to spread the word! 184 00:11:42,727 --> 00:11:44,765 Shall we? 185 00:11:44,766 --> 00:11:49,005 I think one of my favourite moments 186 00:11:49,006 --> 00:11:52,726 has to be series five and thalidomide, 187 00:11:52,727 --> 00:11:56,915 and the reason being that, I was old enough to remember these kids 188 00:11:56,916 --> 00:11:59,365 playing in the street, they were a bit older than I was. 189 00:11:59,366 --> 00:12:02,487 Catch your breath for now. SHE MOANS 190 00:12:12,006 --> 00:12:14,497 What is it, a boy or a girl? 191 00:12:19,846 --> 00:12:23,476 It also affected the character personally. 192 00:12:23,477 --> 00:12:25,746 It's a daughter. 193 00:12:25,747 --> 00:12:28,805 It involved fantastic special effects 194 00:12:28,806 --> 00:12:34,035 and enormous commitment to accuracy and authenticity in the script. 195 00:12:34,036 --> 00:12:37,276 BABY CRIES 196 00:12:39,996 --> 00:12:42,546 Bring her over, I want to look at her. 197 00:12:53,497 --> 00:12:54,965 My favourite 198 00:12:54,966 --> 00:12:59,445 Call The Midwife scene is probably the scene in that episode. 199 00:12:59,446 --> 00:13:03,465 An ordinary mum has the baby in her arms and she uncovers 200 00:13:03,466 --> 00:13:06,766 for the first time that this, this child is four—limb deficient. 201 00:13:08,727 --> 00:13:10,376 BREATH QUIVERS 202 00:13:11,886 --> 00:13:13,276 Oh, love. 203 00:13:16,186 --> 00:13:18,607 What a mess. 204 00:13:22,406 --> 00:13:24,607 What a mess, eh? 205 00:13:30,136 --> 00:13:33,606 We'll sort something out. 206 00:13:33,607 --> 00:13:35,656 I promise. 207 00:13:37,296 --> 00:13:38,966 Cos you're mine. 208 00:13:39,966 --> 00:13:41,206 Mine. 209 00:13:42,246 --> 00:13:44,466 And I'm not bailing out on you. 210 00:13:53,526 --> 00:13:56,685 But me and Laura worked a lot 211 00:13:56,686 --> 00:14:00,915 with the wonderful animatronic model which we called Baby Susan, 212 00:14:00,916 --> 00:14:03,045 that's her character's name. 213 00:14:03,046 --> 00:14:06,925 She can hold a rattle in them, Dr Turner, and a spoon! 214 00:14:06,926 --> 00:14:09,445 She can't get it in her mouth yet, but... 215 00:14:09,446 --> 00:14:12,305 Most children can't feed themselves until they're a wee bit older. 216 00:14:12,306 --> 00:14:14,195 One of the most important prosthetics 217 00:14:14,196 --> 00:14:16,275 we had made was for baby Susan 218 00:14:16,276 --> 00:14:21,095 and we had loads of research material from Heidi 219 00:14:21,096 --> 00:14:25,396 and we worked with really brilliant prosthetic technicians. 220 00:14:27,686 --> 00:14:31,325 We were also talking to grown-up thalidomiders, 221 00:14:31,326 --> 00:14:34,165 who hadn't seen themselves as babies, 222 00:14:34,166 --> 00:14:37,476 so it was really moving for them. 223 00:14:37,477 --> 00:14:40,295 That's it, lift it off there, go on. 224 00:14:40,296 --> 00:14:43,045 Look at that! Yay! Susan, that's for you! 225 00:14:43,046 --> 00:14:45,565 And at that time, observing those things 226 00:14:45,566 --> 00:14:47,925 and being proud to play a part in that 227 00:14:47,926 --> 00:14:51,436 is possibly my proudest moment on Call The Midwife. 228 00:14:52,446 --> 00:14:56,535 Come along, Sally. You can bring your mother with you. 229 00:14:56,536 --> 00:15:00,135 My favourite story was incredibly moving. 230 00:15:00,136 --> 00:15:02,075 It was me and Cynthia, Chummy 231 00:15:02,076 --> 00:15:05,366 and Cynthia, that did the birth for that scene and that was... 232 00:15:05,367 --> 00:15:07,135 ...incredibly tough to do 233 00:15:07,136 --> 00:15:11,915 acting-wise and just sort of being in the moment of that story. 234 00:15:11,916 --> 00:15:16,405 That's an example of a Heidi Thomas genius script. 235 00:15:16,406 --> 00:15:18,256 I thought it was amazing, incredibly moving. 236 00:15:36,006 --> 00:15:37,816 I haven't heard it cry yet. 237 00:15:41,306 --> 00:15:43,186 Is it hurt? 238 00:15:44,487 --> 00:15:46,776 Baby's just very, very little, Sally. 239 00:15:56,226 --> 00:15:58,766 SALLY MOANS It's just the placenta, Sally. 240 00:16:06,046 --> 00:16:07,617 Can I go home now? 241 00:16:09,106 --> 00:16:11,965 We do deal with the harsher realities of being 242 00:16:11,966 --> 00:16:15,085 a young black woman in white British society at that time. 243 00:16:15,086 --> 00:16:17,125 The midwife's here. 244 00:16:17,126 --> 00:16:20,285 Nurse Anderson, this is Marjory Chivvers. 245 00:16:20,286 --> 00:16:21,445 Hello, Mrs Chivvers. 246 00:16:21,446 --> 00:16:23,166 Textbook pregnancy this time too. 247 00:16:24,497 --> 00:16:27,055 Known Marjory since school. 248 00:16:27,056 --> 00:16:30,645 Biggest complication is likely to be the mother — bit of a character. 249 00:16:30,646 --> 00:16:33,855 I meet the mother of the expectant mother, called Mae Stanton, 250 00:16:33,856 --> 00:16:36,255 who's probably not so pleased to see me. 251 00:16:36,256 --> 00:16:37,335 I need to examine you. 252 00:16:37,336 --> 00:16:39,045 Who died and made her the boss? 253 00:16:39,046 --> 00:16:41,205 Look, if you're going to be funny you can clear off! 254 00:16:41,206 --> 00:16:42,975 Can't no-one take a joke these days? 255 00:16:42,976 --> 00:16:44,685 Right, Mae, why don't you get back down... 256 00:16:44,686 --> 00:16:46,255 She doesn't want a foreign 257 00:16:46,256 --> 00:16:49,155 midwife to, you know, look after her daughter. 258 00:16:49,156 --> 00:16:50,886 Hello, girls! 259 00:16:52,416 --> 00:16:55,515 And how's little... Hands off! 260 00:16:55,516 --> 00:16:57,056 Mrs Stanton! 261 00:17:00,436 --> 00:17:04,255 Come on, girls. Come with me. 262 00:17:04,256 --> 00:17:07,165 I don't want you lot anywhere near my family! 263 00:17:07,166 --> 00:17:09,846 And especially not her! 264 00:17:11,566 --> 00:17:13,086 Come on, girls. 265 00:17:20,686 --> 00:17:23,845 I did an episode about FGM. 266 00:17:23,846 --> 00:17:27,055 And people couldn't believe that it was, 267 00:17:27,056 --> 00:17:28,645 sort of, went as far back as that, 268 00:17:28,646 --> 00:17:31,735 that people were addressing it that far back, but they were and 269 00:17:31,736 --> 00:17:35,125 that was sort of when we were first starting to see it in this country. 270 00:17:35,126 --> 00:17:39,565 My name is not Mrs Farah. 271 00:17:39,566 --> 00:17:42,445 In my country, a woman does not take her husband's name. 272 00:17:42,446 --> 00:17:47,435 She is her own person, called after her own family line. 273 00:17:47,436 --> 00:17:51,006 My name is Nadifa Ghedi Jama! 274 00:17:52,136 --> 00:17:54,935 And no man would dare cut me or my sisters. 275 00:17:54,936 --> 00:17:58,655 The person who holds a knife is a woman. 276 00:17:58,656 --> 00:18:02,335 The person who calls Deka back to be cut is a woman. 277 00:18:02,336 --> 00:18:05,335 Her own mother who loves her! 278 00:18:05,336 --> 00:18:09,405 Who wants her to be respected, to be clean and to find a good husband! 279 00:18:09,406 --> 00:18:10,986 And to be those things... 280 00:18:13,856 --> 00:18:15,726 ...she must be cut. 281 00:18:17,776 --> 00:18:19,445 She will not be scared. 282 00:18:19,446 --> 00:18:21,056 She is braver than me. 283 00:18:34,806 --> 00:18:37,605 Call The Midwife does address some of the issues 284 00:18:37,606 --> 00:18:39,335 that we have today, I think. 285 00:18:39,336 --> 00:18:43,455 There's a real focus about abortion and people's opinions on that. 286 00:18:43,456 --> 00:18:48,376 Obviously it was still illegal at the time, so people were going to 287 00:18:48,377 --> 00:18:52,145 desperate measures to reach their end goals. 288 00:18:52,146 --> 00:18:55,616 Gran... Gran, has someone been doing an abortion? 289 00:18:56,886 --> 00:18:58,086 Yes. 290 00:18:59,416 --> 00:19:00,776 Me. 291 00:19:08,696 --> 00:19:11,225 You know it goes on all over. 292 00:19:11,226 --> 00:19:13,805 Just like everybody else does. 293 00:19:13,806 --> 00:19:15,496 She ain't never had this happen before. 294 00:19:15,497 --> 00:19:17,785 Not once! You wanted towels. 295 00:19:17,786 --> 00:19:21,005 Don't you bring those filthy articles anywhere near my patient! 296 00:19:21,006 --> 00:19:23,705 Throw them on the floor, please, so I don't slip in this mess! 297 00:19:23,706 --> 00:19:25,855 Thank you. 298 00:19:25,856 --> 00:19:28,525 Can you put some gloves on, Nurse Dyer, in case I need you 299 00:19:28,526 --> 00:19:30,085 to prepare some ergometrine? 300 00:19:30,086 --> 00:19:31,965 Sweetheart, can you tell me your name? 301 00:19:31,966 --> 00:19:33,815 It's Teresa. SHE GROANS 302 00:19:33,816 --> 00:19:37,055 I'm just going to take a little look down below, Teresa. 303 00:19:37,056 --> 00:19:39,815 I send them home to bed, usually. 304 00:19:39,816 --> 00:19:41,295 They lose it at night or the next day. 305 00:19:41,296 --> 00:19:42,886 Move your knees apart for me. 306 00:19:47,976 --> 00:19:50,525 I've never seen anything like this. Good girl. 307 00:19:50,526 --> 00:19:52,855 We're going to sort this out. 308 00:19:52,856 --> 00:19:56,486 I reckon there was already something wrong with her. 309 00:19:56,487 --> 00:19:59,496 It's the haemorrhage she's having now that concerns me. 310 00:19:59,497 --> 00:20:01,686 - Did you use instruments? - Yes. 311 00:20:05,526 --> 00:20:07,376 Thank you. 312 00:20:07,377 --> 00:20:10,865 Nurse Dyer. I need sterile pads. 313 00:20:10,866 --> 00:20:14,085 And I need you to call for an ambulance. I can't do that. 314 00:20:14,086 --> 00:20:17,856 You know I can't. It's why we sent for her. 315 00:20:19,656 --> 00:20:21,775 You can and you will, 316 00:20:21,776 --> 00:20:24,455 because if either Nurse Dyer or I have to leave this poor girl's 317 00:20:24,456 --> 00:20:27,295 side to do it, we'll be coming back here with a police officer. 318 00:20:27,296 --> 00:20:28,785 Won't we? 319 00:20:28,786 --> 00:20:30,795 Yes. 320 00:20:30,796 --> 00:20:33,585 I don't want my mum and dad to know. 321 00:20:33,586 --> 00:20:35,325 I promise, Teresa, right now 322 00:20:35,326 --> 00:20:37,936 nobody in this room is thinking about anyone but you. 323 00:20:41,886 --> 00:20:43,945 The sets in Call The Midwife are carefully 324 00:20:43,946 --> 00:20:45,736 built around the stories. 325 00:20:47,306 --> 00:20:49,045 Working with elaborate props, 326 00:20:49,046 --> 00:20:52,656 actors sometimes feel drawn to the objects around them. 327 00:20:54,576 --> 00:20:57,305 If I were to steal something from 328 00:20:57,306 --> 00:21:00,965 a set on Call The Midwife, I'm afraid that there are two 329 00:21:00,966 --> 00:21:02,685 main places of focus and one is my office. 330 00:21:02,686 --> 00:21:07,605 I absolutely love... all the props in my office. 331 00:21:07,606 --> 00:21:09,266 I'd like to take my uniform home. 332 00:21:09,267 --> 00:21:12,256 I love this building and I would... 333 00:21:12,257 --> 00:21:14,185 Every time I have an idle moment, 334 00:21:14,186 --> 00:21:15,945 I stroll around it and imagine it 335 00:21:15,946 --> 00:21:18,585 as a fabulous house that I could live in. 336 00:21:18,586 --> 00:21:22,405 And this room that we are in is actually my en-suite bathroom. 337 00:21:22,406 --> 00:21:24,095 Armchairs. They're not comfy 338 00:21:24,096 --> 00:21:25,815 but they look fantastic. 339 00:21:25,816 --> 00:21:27,945 Yeah, I'd like an armchair. 340 00:21:27,946 --> 00:21:29,145 I'd want to take home that. 341 00:21:29,146 --> 00:21:31,585 Well, I think contractually it's going to follow me 342 00:21:31,586 --> 00:21:33,095 on every job I do 343 00:21:33,096 --> 00:21:34,965 and I might take it home. 344 00:21:34,966 --> 00:21:37,386 WHISPERS: Don't tell anyone. 345 00:21:37,387 --> 00:21:39,615 There's a few costumes that I really want to take home. 346 00:21:39,616 --> 00:21:43,535 I've got this beautiful, bright blue, suede coat, which is 347 00:21:43,536 --> 00:21:46,465 a gorgeous sort of '60s vibrant colour 348 00:21:46,466 --> 00:21:47,965 and I really want to take it home. 349 00:21:47,966 --> 00:21:53,885 I have been eyeing up the clock in Dr Turner's surgery. 350 00:21:53,886 --> 00:21:57,096 I really would quite like that on, on my kitchen wall. 351 00:21:58,336 --> 00:22:00,466 I'd probably take my cross. 352 00:22:01,616 --> 00:22:03,765 And the other thing I'd like to steal, if I may steal 353 00:22:03,766 --> 00:22:06,615 something else, is a tea set from the tea table, because so much 354 00:22:06,616 --> 00:22:10,535 of our lives are placed around that and they're so much of the period. 355 00:22:10,536 --> 00:22:13,405 If there is something I'm allowed to take home from the set, 356 00:22:13,406 --> 00:22:16,585 it would be an enamel bucket with a lid. 357 00:22:16,586 --> 00:22:20,405 If Laura Main doesn't bring her lucky handbag to the set 358 00:22:20,406 --> 00:22:23,815 containing her script, she freaks out. 359 00:22:23,816 --> 00:22:27,615 So, if there's anything I'd like to take home, it's the handbag. 360 00:22:27,616 --> 00:22:33,465 I, Georgie, would like the donkey from the first nativity play. 361 00:22:33,466 --> 00:22:36,575 That was my, I think it was my very first scene. 362 00:22:36,576 --> 00:22:38,975 There are one or two young men I wouldn't mind taking home, 363 00:22:38,976 --> 00:22:42,225 but apart from that, no. 364 00:22:42,226 --> 00:22:46,315 In a scene, I may be opening a letter and when I open it, 365 00:22:46,316 --> 00:22:50,136 someone's taken the trouble to write the letter to Sister julienne 366 00:22:50,137 --> 00:22:52,386 and it will be about a problem they're having. 367 00:22:52,387 --> 00:22:54,376 And it's not a letter that's being seen, 368 00:22:54,377 --> 00:22:57,136 it's not a part of the story, but that's what the prop department do 369 00:22:57,137 --> 00:22:58,846 and I might steal one of those. 370 00:23:00,976 --> 00:23:04,976 This is the prop store and we hold thousands of items here. 371 00:23:06,466 --> 00:23:08,745 I've been to South Africa with this show 372 00:23:08,746 --> 00:23:10,236 and we've been to Scotland. 373 00:23:13,776 --> 00:23:15,585 South Africa probably was 374 00:23:15,586 --> 00:23:19,846 the hardest challenge I had, because we were in the heat. 375 00:23:21,296 --> 00:23:23,986 So, we were up against all the elements. 376 00:23:29,056 --> 00:23:32,126 There've been so many wonderful scenes over the last ten years. 377 00:23:32,127 --> 00:23:34,855 I think one of my favourite ones was 378 00:23:34,856 --> 00:23:38,105 when we were in South Africa and we were travelling back 379 00:23:38,106 --> 00:23:41,055 on the back of a truck that 380 00:23:41,056 --> 00:23:44,465 Dr Turner was driving. SHE GIGGLES 381 00:23:44,466 --> 00:23:46,976 Quite badly, I have to say. 382 00:23:49,306 --> 00:23:52,465 But we had this wonderful moment, myself and the ladies, where we 383 00:23:52,466 --> 00:23:58,465 just sort of watched the sunset and sang. I think we sang Amazing Grace 384 00:23:58,466 --> 00:24:00,675 and it was just this really peaceful moment. 385 00:24:00,676 --> 00:24:02,335 I don't think we were even being filmed, 386 00:24:02,336 --> 00:24:04,256 it was just a wonderful moment. 387 00:24:04,257 --> 00:24:09,415 I had huge resistance in me to going to the Outer Hebrides, 388 00:24:09,416 --> 00:24:11,315 looking at these pictures of what seemed 389 00:24:11,316 --> 00:24:14,266 to be a very grey and difficult place, 390 00:24:14,267 --> 00:24:17,056 and I loved the experience of being there. 391 00:24:22,306 --> 00:24:24,895 There was that inexplicable 392 00:24:24,896 --> 00:24:29,495 scene of following Sister Monica Joan across the moorside 393 00:24:29,496 --> 00:24:32,775 and then having her see a white stag. 394 00:24:32,776 --> 00:24:37,025 It's part of the magic of the way Heidi writes. 395 00:24:37,026 --> 00:24:40,535 I think that she does write imaginatively. 396 00:24:40,536 --> 00:24:44,066 You can't help but be touched by something like that. 397 00:24:57,056 --> 00:24:59,166 SHE GASPS 398 00:25:10,296 --> 00:25:11,836 Oh! 399 00:25:32,446 --> 00:25:34,656 I knew Him at once... 400 00:25:35,836 --> 00:25:39,826 "from the love in his glance. 401 00:25:41,576 --> 00:25:44,035 He came... 402 00:25:44,036 --> 00:25:47,615 He looked... 403 00:25:47,616 --> 00:25:49,576 ...and He departed. 404 00:25:52,216 --> 00:25:56,465 In that case, we will accept His blessing 405 00:25:56,466 --> 00:25:59,576 and go to seek Him in another place. 406 00:26:05,076 --> 00:26:07,946 Love has been a key element in Call The Midwife. 407 00:26:09,116 --> 00:26:11,785 The turmoil, excitement and quiet comfort 408 00:26:11,786 --> 00:26:14,656 of relationships have all played out here. 409 00:26:15,766 --> 00:26:20,276 Falling in love with Dr Turner in series two 410 00:26:20,277 --> 00:26:24,475 and, you know, that dilemma, leaving the order. 411 00:26:24,476 --> 00:26:27,276 I'll never forget being told 412 00:26:27,277 --> 00:26:29,295 what was planned in that series, 413 00:26:29,296 --> 00:26:34,215 because it just felt like such a gift of a story line and 414 00:26:34,216 --> 00:26:37,695 suddenly the job was even more 415 00:26:37,696 --> 00:26:40,115 greater than I thought it was going to be. 416 00:26:40,116 --> 00:26:42,865 So all of that series and those moments 417 00:26:42,866 --> 00:26:45,195 I'm really fond of, looking back. 418 00:26:45,196 --> 00:26:46,545 Dad! 419 00:26:46,546 --> 00:26:50,116 There's a woman in the wrong clothes and I think it's her! 420 00:27:15,516 --> 00:27:18,585 What if it had started raining? 421 00:27:18,586 --> 00:27:20,375 What if you'd got lost? 422 00:27:20,376 --> 00:27:21,625 I was lost. 423 00:27:21,626 --> 00:27:23,856 I got the wrong bus. 424 00:27:31,126 --> 00:27:33,896 - I was on the right road. - Yes. 425 00:27:36,976 --> 00:27:39,946 I know you so little, but I couldn't be more certain. 426 00:27:41,476 --> 00:27:43,416 I am completely certain. 427 00:27:45,196 --> 00:27:47,175 I don't even know your name. 428 00:27:47,176 --> 00:27:48,925 Shelagh. 429 00:27:48,926 --> 00:27:50,086 Patrick. 430 00:27:52,007 --> 00:27:54,335 There. 431 00:27:54,336 --> 00:27:55,856 We've made a start. 432 00:28:00,696 --> 00:28:03,046 I can't, Jimmy! 433 00:28:12,226 --> 00:28:16,486 I believe in the films, they say, "Your place or mine?" 434 00:28:18,046 --> 00:28:19,925 I'd live in a ditch if it was with you. 435 00:28:19,926 --> 00:28:21,945 Will you just let me love you 436 00:28:21,946 --> 00:28:24,277 and accept this blade of grass? 437 00:28:25,277 --> 00:28:27,345 Yes, I will. 438 00:28:27,346 --> 00:28:30,336 Barbara Gilbert, will you marry me? 439 00:28:31,356 --> 00:28:32,686 Oh! 440 00:28:37,516 --> 00:28:39,785 If I may quote a poem. 441 00:28:39,786 --> 00:28:43,705 "For love of you, the air, it hurts, 442 00:28:43,706 --> 00:28:47,586 "and my heart, and my hat, they hurt me. 443 00:28:49,226 --> 00:28:53,775 "Who would buy it from me, this ribbon I am holding, 444 00:28:53,776 --> 00:28:59,107 "and this sadness of cotton, white, for making handkerchiefs with? 445 00:29:00,266 --> 00:29:05,336 "Ay, the pain it costs me to love you as I love you." 446 00:29:07,036 --> 00:29:10,036 Not my words but those of Garcia Lorca. 447 00:29:11,186 --> 00:29:15,625 I'm not one for Spanish poetry, give me Tennyson any day, 448 00:29:15,626 --> 00:29:19,555 but...| find his words move me. 449 00:29:19,556 --> 00:29:21,756 And if I may... 450 00:29:22,987 --> 00:29:28,169 ...the pain it costs, to love... 451 00:29:28,170 --> 00:29:31,190 I believe it is always worth it. 452 00:29:32,360 --> 00:29:34,310 And wherever I go next... 453 00:29:35,800 --> 00:29:37,330 ...you're coming with me. 454 00:29:39,360 --> 00:29:41,540 I love you, Nurse Anderson. 455 00:29:45,037 --> 00:29:47,746 Over ten years of powerful drama... 456 00:29:47,747 --> 00:29:49,036 Hello, bambino. 457 00:29:49,037 --> 00:29:52,836 ...particular scenes touch us in a special way. 458 00:29:52,837 --> 00:29:54,877 I'm your dad. 459 00:29:54,878 --> 00:29:57,676 I thought it was a wonderful scene when the nuns 460 00:29:57,677 --> 00:30:02,346 went through the trunk load of dresses that they had had for their 461 00:30:02,347 --> 00:30:05,316 marriage to Christ, 462 00:30:05,317 --> 00:30:09,266 and gave a revelation as to who they were and what they'd felt 463 00:30:09,267 --> 00:30:10,767 and their commitment. 464 00:30:10,768 --> 00:30:11,997 ...Until| had blisters. 465 00:30:11,998 --> 00:30:14,038 And this one's mine. 466 00:30:14,039 --> 00:30:15,957 It was almost thrown out 467 00:30:15,958 --> 00:30:18,617 because there was silver embroidery on the sleeves. 468 00:30:18,618 --> 00:30:21,777 In the end, I had to unpick every stitch. 469 00:30:21,778 --> 00:30:23,497 I felt rather sorry for the bride 470 00:30:23,498 --> 00:30:25,038 that donated it. SHE GIGGLES 471 00:30:25,039 --> 00:30:28,887 I was quite sad when I was told I'd be making my vows in my habit. 472 00:30:28,888 --> 00:30:32,307 I hadn't realised the order had given up the custom until then. 473 00:30:32,308 --> 00:30:36,877 Sister, the expression on your face was worth a thousand frills 474 00:30:36,878 --> 00:30:38,318 and folderols. 475 00:30:39,358 --> 00:30:43,647 I don't mind telling you, I felt like an absolute sideshow in my big 476 00:30:43,648 --> 00:30:45,028 white frock. 477 00:30:45,029 --> 00:30:47,187 I'm sure you looked lovely. 478 00:30:47,188 --> 00:30:49,908 It was just a load of nonsense! 479 00:30:49,909 --> 00:30:53,437 I'd never had any dreams of a wedding day. 480 00:30:53,438 --> 00:30:57,187 When Sister Evangelina died and the coffin is at the entrance 481 00:30:57,188 --> 00:31:02,517 to Nonnatus House and Sister Monica Joan brings out her shoes 482 00:31:02,518 --> 00:31:06,517 and puts them on the coffin lid, lthought 483 00:31:06,518 --> 00:31:11,117 that was the most brilliant thought on Heidi's part, 484 00:31:11,118 --> 00:31:16,046 because it was so emotive. It sums up the character. 485 00:31:30,510 --> 00:31:32,860 HORSE SHOES CLATTER 486 00:31:44,021 --> 00:31:49,499 I think my favourite story was the one where we rescued 487 00:31:49,500 --> 00:31:52,989 a young mother from an abusive husband. 488 00:31:52,990 --> 00:31:54,439 Her mother was also a bully, 489 00:31:54,440 --> 00:31:56,479 so she was having a very bad time. 490 00:31:56,480 --> 00:31:58,999 She had a little son as well as the baby. 491 00:31:59,000 --> 00:32:03,750 Mickey... Mickey, run and bang on the door. Bang on it. 492 00:32:05,146 --> 00:32:07,305 Help! Help! 493 00:32:07,306 --> 00:32:09,755 SHE SOBS Come inside. 494 00:32:09,756 --> 00:32:11,225 Come inside, where we can help you. 495 00:32:11,226 --> 00:32:13,395 We got her away. 496 00:32:13,396 --> 00:32:16,585 There was a lovely scene at the end of them getting on the bus, going 497 00:32:16,586 --> 00:32:18,485 off to a better home life 498 00:32:18,486 --> 00:32:20,915 and the little boy holding his balloon as he went off 499 00:32:20,916 --> 00:32:22,145 and waving bye-bye. 500 00:32:22,146 --> 00:32:24,565 Yes, I liked that story. Bye! Thank you! 501 00:32:24,566 --> 00:32:25,726 Bye! 502 00:32:35,658 --> 00:32:40,077 One make-up that I really did enjoy doing was a few series ago now, 503 00:32:40,078 --> 00:32:42,019 but it was on Sister Cynthia. 504 00:32:42,968 --> 00:32:47,019 And she'd unfortunately, in the story line, been badly beaten up. 505 00:32:50,159 --> 00:32:52,557 We didn't really go overboard with it, 506 00:32:52,558 --> 00:32:56,607 so it wasn't absolutely excruciating to look at her, 507 00:32:56,608 --> 00:33:01,044 but it was enough to make her look really vulnerable and frail. 508 00:33:05,694 --> 00:33:12,065 It's very important that we create just the right support. 509 00:33:12,066 --> 00:33:15,256 I think it can really help an actor. 510 00:33:20,147 --> 00:33:22,786 Sister. What happened? 511 00:33:27,176 --> 00:33:28,887 I wasn't raped. 512 00:33:30,786 --> 00:33:33,335 Before you ask me, I can say that, I wasn't raped. 513 00:33:33,336 --> 00:33:35,785 You were viciously attacked. 514 00:33:35,786 --> 00:33:37,255 Just now the details don't matter. 515 00:33:37,256 --> 00:33:39,226 I don't want you to come near me, I just... 516 00:33:40,416 --> 00:33:42,736 ...| don't want anybody to touch me at all. 517 00:33:44,966 --> 00:33:46,506 I'll call Sergeant Noakes. 518 00:33:47,897 --> 00:33:50,386 Bryony was so brilliant in that part. 519 00:33:51,386 --> 00:33:52,546 Thank you. 520 00:33:54,176 --> 00:33:58,535 There was a little bit of prosthetic on her eye, but not too much, 521 00:33:58,536 --> 00:34:01,166 but I think it really worked actually. 522 00:34:07,897 --> 00:34:11,856 There is a time for us to mortify our flesh. 523 00:34:15,027 --> 00:34:18,455 And a time to cherish it... 524 00:34:18,456 --> 00:34:20,897 ...and marvel at its strength. 525 00:34:26,826 --> 00:34:29,615 My entrance, coming in and the big freeze, 526 00:34:29,616 --> 00:34:33,295 trudging through the fake snow, meeting Val 527 00:34:33,296 --> 00:34:35,016 and the rest of the cast, 528 00:34:35,017 --> 00:34:37,616 that's probably my favourite moment. 529 00:34:40,586 --> 00:34:42,406 Ah! 530 00:34:50,897 --> 00:34:54,336 BANGING 531 00:34:57,056 --> 00:34:59,975 Come in! Quick, out of the snow! 532 00:34:59,976 --> 00:35:03,176 Do you need to see a midwife? I am a midwife. 533 00:35:05,176 --> 00:35:08,295 I'm Nurse Anderson. L—Lucille Anderson. 534 00:35:08,296 --> 00:35:10,495 Ah! Course you are! 535 00:35:10,496 --> 00:35:12,695 And I just fell over. 536 00:35:12,696 --> 00:35:16,026 Oh! I'm sorry we're in the middle of a power cut. 537 00:35:16,027 --> 00:35:18,975 I'm sorry I'm late. I've been travelling for two days. 538 00:35:18,976 --> 00:35:20,865 Have you bought a suitcase or anything? 539 00:35:20,866 --> 00:35:22,776 I bought two but I had to leave them behind 540 00:35:22,777 --> 00:35:24,745 when we were forced to evacuate the train. 541 00:35:24,746 --> 00:35:26,216 Oh! 542 00:35:29,096 --> 00:35:30,535 A poetess?! 543 00:35:30,536 --> 00:35:32,615 Oh! 544 00:35:32,616 --> 00:35:35,385 One dabbles, Sergeant Woolf. 545 00:35:35,386 --> 00:35:39,465 I'd had a romantic liaison with Sergeant Woolf 546 00:35:39,466 --> 00:35:44,055 and I'd allowed myself to get a bit silly and romantic about it all. 547 00:35:44,056 --> 00:35:48,386 I feel it would be unfair of me to continue with our relationship. 548 00:35:53,946 --> 00:35:59,255 It ended badly and tragically and I felt embarrassed and silly about it. 549 00:35:59,256 --> 00:36:01,625 Nurse Crane offered 550 00:36:01,626 --> 00:36:03,026 a hand of friendship 551 00:36:03,027 --> 00:36:07,495 and we had a little scene where we sat in the allotments. 552 00:36:07,496 --> 00:36:09,705 And it was a very special moment, 553 00:36:09,706 --> 00:36:11,906 because I think it was the first time Miss Higgins had 554 00:36:11,907 --> 00:36:17,405 actually allowed herself to let down her defences and realise 555 00:36:17,406 --> 00:36:22,265 there was someone there who was offering some sort of friendship 556 00:36:22,266 --> 00:36:25,055 and she could really speak openly, 557 00:36:25,056 --> 00:36:27,486 and I found that that was quite an important moment for me. 558 00:36:29,436 --> 00:36:34,359 |...fear I have made myself look rather foolish. 559 00:36:34,360 --> 00:36:36,279 Not in the least. 560 00:36:36,280 --> 00:36:39,950 One becomes so starved of companionship. 561 00:36:43,060 --> 00:36:45,980 I let myself imagine it was something more than it was. 562 00:36:47,620 --> 00:36:50,379 You've been disappointed in love, 563 00:36:50,380 --> 00:36:53,060 it doesn't mean there wasn't love there to begin with. 564 00:36:57,980 --> 00:37:00,139 I have many favourite moments but one that 565 00:37:00,140 --> 00:37:01,619 sticks in my head is when 566 00:37:01,620 --> 00:37:05,450 Cyril picks up Lucille in the motorbike and the side car. 567 00:37:07,660 --> 00:37:09,389 I just fixed it up. 568 00:37:09,390 --> 00:37:11,330 You're the first person to ride in it. 569 00:37:12,660 --> 00:37:15,669 - And how do I get in? - Just climb in. 570 00:37:15,670 --> 00:37:17,060 There's nothing to it. 571 00:37:21,200 --> 00:37:22,330 Come on, let's go. 572 00:37:26,100 --> 00:37:28,129 It just lit that kind of excitement 573 00:37:28,130 --> 00:37:30,740 about this new relationship that's forming. 574 00:37:45,660 --> 00:37:48,900 And he hasn't rode this bike again, so definitely that, 575 00:37:48,901 --> 00:37:51,910 that was a memorable moment for me. 576 00:37:51,911 --> 00:37:55,829 What makes me feel so happy in fittings is when that 577 00:37:55,830 --> 00:37:58,020 actor actually feels the characters that 578 00:37:58,021 --> 00:38:00,470 they're playing and you can just see it in their face. 579 00:38:03,620 --> 00:38:06,180 Beautiful. You know, I know that I've done my job then. 580 00:38:07,380 --> 00:38:10,709 A favourite outfit would be Trixie's return. 581 00:38:10,710 --> 00:38:11,859 Taxi! 582 00:38:11,860 --> 00:38:14,690 Everybody watches what Trixie's wearing. 583 00:38:16,661 --> 00:38:19,419 So there was quite a lot of pressure 584 00:38:19,420 --> 00:38:21,099 to make sure we had an outfit 585 00:38:21,100 --> 00:38:23,219 that was eye-catching. 586 00:38:23,220 --> 00:38:25,499 Nurse Franklin. Trixie, you look wonderful! 587 00:38:25,500 --> 00:38:28,770 I dare say you'll be wanting a decent cup of tea! 588 00:38:28,771 --> 00:38:31,579 Yes! And if it comes with cake, yes, please! 589 00:38:31,580 --> 00:38:34,099 The good thing with Trixie is that we do have the, er, 590 00:38:34,100 --> 00:38:36,780 the rich aunt from Portofino, so we do have a little bit of 591 00:38:36,781 --> 00:38:40,289 artistic licence on giving her a wardrobe that's slightly more 592 00:38:40,290 --> 00:38:42,299 sophisticated and glamorous than 593 00:38:42,300 --> 00:38:45,269 perhaps would be for a normal midwife's wage. 594 00:38:45,270 --> 00:38:47,570 APPLAUSE AUDIENCE: Oh! 595 00:38:51,210 --> 00:38:54,900 Family bonds are especially important here. 596 00:38:54,901 --> 00:38:58,349 They are the beating heart of the drama. 597 00:38:58,350 --> 00:39:00,780 People write in all the time saying how much 598 00:39:00,781 --> 00:39:03,819 they enjoy watching functioning, growing families. 599 00:39:03,820 --> 00:39:05,700 Are you sad, Dad? 600 00:39:07,460 --> 00:39:09,791 How could I be sad when I've got you? 601 00:39:20,010 --> 00:39:25,499 There's only t-two things that I want now... 602 00:39:25,500 --> 00:39:28,380 ...a minister of religion... 603 00:39:29,620 --> 00:39:33,340 ...and to see you in your Nonnatus uniform again. 604 00:39:35,290 --> 00:39:36,781 I'm HAPPY- 605 00:39:38,180 --> 00:39:42,499 Well, that's a good thing, isn't it, to be happy? 606 00:39:42,500 --> 00:39:46,140 Not if my mum's angry. 607 00:39:47,470 --> 00:39:48,989 Why would she be angry? 608 00:39:48,990 --> 00:39:51,570 Because she's not here. 609 00:39:54,640 --> 00:39:59,009 Your mum would be delighted. 610 00:39:59,010 --> 00:40:02,860 All she ever wanted was for you to be happy. 611 00:40:04,781 --> 00:40:07,470 And Fred and I are going to make sure that you are. 612 00:40:10,350 --> 00:40:12,860 Don't worry, Auntie Vi. 613 00:40:17,470 --> 00:40:19,500 I'm not sad, I'm happy. 614 00:40:45,480 --> 00:40:46,990 Put this on. 615 00:40:47,940 --> 00:40:49,210 It's Mater's. 616 00:40:54,940 --> 00:40:56,730 SHE WHEEZES 617 00:41:04,300 --> 00:41:05,700 I love you. 618 00:41:10,180 --> 00:41:11,990 SHE SOBS 619 00:41:15,630 --> 00:41:18,549 The family, to the Turners, 620 00:41:18,550 --> 00:41:20,449 it should feel like home. 621 00:41:20,450 --> 00:41:22,910 HE LAUGHS 622 00:41:22,911 --> 00:41:25,219 I sent you a Dundee so it would last. 623 00:41:25,220 --> 00:41:26,739 We have Tim, 624 00:41:26,740 --> 00:41:28,089 a widower's son, 625 00:41:28,090 --> 00:41:29,349 and we have Angela, 626 00:41:29,350 --> 00:41:33,790 we have May, we have baby Teddy, we have a number of rabbits. 627 00:41:33,791 --> 00:41:36,299 Well done, Timothy. 628 00:41:36,300 --> 00:41:39,459 To have a family at the centre of a drama like this, a family that grows 629 00:41:39,460 --> 00:41:41,660 like other families who watch the programme... 630 00:41:41,661 --> 00:41:44,670 Oh! You've grown a whole inch! 631 00:41:44,671 --> 00:41:50,019 ...that is more true to more people out there than, say, 632 00:41:50,020 --> 00:41:51,499 a serial killer drama 633 00:41:51,500 --> 00:41:55,729 or, you know, a spy mystery that you can have a hundred of. 634 00:41:55,730 --> 00:41:58,429 This is more of a real thing. 635 00:41:58,430 --> 00:42:00,559 We just have to check if you're 636 00:42:00,560 --> 00:42:02,510 tall enough to drink beer. 637 00:42:03,791 --> 00:42:05,219 THEY GIGGLE Oh! 638 00:42:05,220 --> 00:42:06,450 It seems you are. 639 00:42:12,860 --> 00:42:17,939 The Bishop said that BBC Television want to film a carol service 640 00:42:17,940 --> 00:42:22,650 in an ordinary London church and broadcast it on Christmas Day. 641 00:42:22,651 --> 00:42:25,939 Filming, Mr Hereward? In a church? 642 00:42:25,940 --> 00:42:30,230 My sentiments exactly. Is nothing sacred?! 643 00:42:31,640 --> 00:42:35,430 Call The Midwife deals with births, marriages and deaths. 644 00:42:39,270 --> 00:42:41,709 All major life events that have traditionally 645 00:42:41,710 --> 00:42:43,030 been mediated by faith. 646 00:42:46,940 --> 00:42:49,749 And grant that this day we fall into no sin, 647 00:42:49,750 --> 00:42:52,469 neither run into any kind of danger. 648 00:42:52,470 --> 00:42:55,019 That all our doings, 649 00:42:55,020 --> 00:42:59,989 in order by thy governance, may be righteous in thy sight. 650 00:42:59,990 --> 00:43:02,579 Everyone always says I sound like I'm from a different time 651 00:43:02,580 --> 00:43:04,429 and so it fits perfectly for this, 652 00:43:04,430 --> 00:43:06,460 so it's nice to have a little sing, actually. 653 00:43:10,100 --> 00:43:13,069 It's very soothing doing those psalms. 654 00:43:13,070 --> 00:43:15,589 There's something that comes over you when you're doing it, 655 00:43:15,590 --> 00:43:16,989 it's a really nice thing 656 00:43:16,990 --> 00:43:19,860 to do with the other nuns when we get to do those scenes. 657 00:43:35,220 --> 00:43:40,739 I would be a little bit fed up with you if I was the man upstairs. 658 00:43:40,740 --> 00:43:44,740 The man upstairs knows my reasoning. 659 00:43:45,791 --> 00:43:49,600 In which case, he also knows you're scared. 660 00:43:54,430 --> 00:44:00,671 Yea though I walk through the valley of the shadow... 661 00:44:08,160 --> 00:44:12,259 Yea though I walk through the valley of the shadow of death, 662 00:44:12,260 --> 00:44:17,439 I will fear no evil, for thou art with me, 663 00:44:17,440 --> 00:44:21,000 thy rod and thy staff, they comfort me. 664 00:44:21,950 --> 00:44:29,029 ♪ I once was lost 665 00:44:29,030 --> 00:44:36,469 ♪ But now I'm found 666 00:44:36,470 --> 00:44:40,269 ♪ Was blind 667 00:44:40,270 --> 00:44:46,560 ♪ But now I see. ♪ 668 00:44:48,040 --> 00:44:52,511 We are, none of us, cast adrift if we have faith. 669 00:44:55,631 --> 00:45:00,039 Our location, Poplar, has developed through each series. 670 00:45:00,040 --> 00:45:01,349 Morning, Reverend. 671 00:45:01,350 --> 00:45:04,269 Over ten years, housing and fashions change. 672 00:45:04,270 --> 00:45:06,579 We're all girls together, aren't we? 673 00:45:06,580 --> 00:45:08,559 The abiding element 674 00:45:08,560 --> 00:45:10,580 has been a sense of community. 675 00:45:16,910 --> 00:45:18,840 Smile for Mother Mildred. 676 00:45:19,780 --> 00:45:23,939 All islands are like this. All islands have a boundary 677 00:45:23,940 --> 00:45:25,949 and you live your life within it, 678 00:45:25,950 --> 00:45:30,299 and you love it or you break out and make a life elsewhere. 679 00:45:30,300 --> 00:45:34,989 And on every island in the world, no matter how magnificent, 680 00:45:34,990 --> 00:45:37,560 there are those who cannot leave and those who cannot stay. 681 00:45:39,300 --> 00:45:41,400 And I was one of those who could not stay. 682 00:45:43,270 --> 00:45:45,669 We have always helped our neighbours where we can 683 00:45:45,670 --> 00:45:48,269 and the people in this district are our neighbours not 684 00:45:48,270 --> 00:45:50,751 objects of charity or pity. 685 00:45:52,560 --> 00:45:55,309 So, why do you think they chose to come to you? 686 00:45:55,310 --> 00:45:58,860 Because they want to stay in the community. 687 00:46:00,150 --> 00:46:03,029 They want the midwives who saw them through their pregnancy 688 00:46:03,030 --> 00:46:05,310 and they want their families close at hand. 689 00:46:07,120 --> 00:46:09,919 Without the maternity home, many of our patients would have the 690 00:46:09,920 --> 00:46:16,069 choice between giving birth in damp overcrowded housing or a bus ride, 691 00:46:16,070 --> 00:46:19,850 while in labour, to a hospital where their children couldn't visit. 692 00:46:21,790 --> 00:46:24,400 Personally, I don't think that's any choice at all. 693 00:46:27,120 --> 00:46:30,669 Babies are not statistics at Nonnatus House. 694 00:46:30,670 --> 00:46:33,879 We know when they are wanted or unwanted, 695 00:46:33,880 --> 00:46:36,580 whether they are cherished or deprived. 696 00:46:38,521 --> 00:46:42,640 We see when they're in with a chance in life or stand no chance at all. 697 00:46:42,641 --> 00:46:46,641 We value every infant and every mother equally. 698 00:46:48,350 --> 00:46:52,069 We are part of their world and they are part of ours because that is 699 00:46:52,070 --> 00:46:55,659 what happens when you enter people's homes. 700 00:46:55,660 --> 00:46:58,069 Beautiful bunch, eh? 701 00:46:58,070 --> 00:47:03,299 The power of the stories lies in their essential truth. 702 00:47:03,300 --> 00:47:07,350 Joined the Great War and... and never come home. 703 00:47:08,950 --> 00:47:11,919 And my Sally. Yeah. 704 00:47:11,920 --> 00:47:13,630 Circumstances change 705 00:47:13,631 --> 00:47:17,070 but people are much the same from one generation to the next. 706 00:47:19,350 --> 00:47:21,150 - I'm sorry. - Don't be. 707 00:47:22,560 --> 00:47:26,030 I love them. They loved me. 708 00:47:28,720 --> 00:47:32,719 One of my own personal favourites is a story 709 00:47:32,720 --> 00:47:35,909 of a couple called the Gelins, who lived in Poplar, 710 00:47:35,910 --> 00:47:40,069 and Mrs Gelin was dying and there is one particular scene where 711 00:47:40,070 --> 00:47:44,749 he tells his wife how much he loves her, how much he misses her 712 00:47:44,750 --> 00:47:49,749 and how much he wishes he had told her all these things. 713 00:47:49,750 --> 00:47:51,669 And every time I see that scene, 714 00:47:51,670 --> 00:47:56,149 it makes me cry because it reminds me of my own parents 715 00:47:56,150 --> 00:47:58,109 and how they felt for each other. 716 00:47:58,110 --> 00:48:00,560 SHE BREATH ES HEAVI LY 717 00:48:02,000 --> 00:48:05,160 If I never said I was grateful to you... 718 00:48:06,511 --> 00:48:08,360 ...| say it now. 719 00:48:09,641 --> 00:48:14,641 If I never said I was proud of the home that you kept... 720 00:48:15,670 --> 00:48:17,521 ...| say it now. 721 00:48:21,391 --> 00:48:25,559 If I didn't tell you that you were beautiful 722 00:48:25,560 --> 00:48:29,109 when your face grew lined... 723 00:48:29,110 --> 00:48:33,289 when you didn't have a new blouse from one summer's end to the next, 724 00:48:33,290 --> 00:48:35,790 I say it now. 725 00:48:36,900 --> 00:48:39,280 And if I didn't tell you that I loved you... 726 00:48:42,200 --> 00:48:43,930 ...| say it now. 727 00:48:52,560 --> 00:48:55,479 Missing you, 728 00:48:55,480 --> 00:48:57,370 I will talk about tomorrow. 729 00:49:12,080 --> 00:49:16,279 Even though our stories took place perhaps 70, 730 00:49:16,280 --> 00:49:18,109 60, 70 years ago, 731 00:49:18,110 --> 00:49:20,180 they're still true today. 732 00:49:28,480 --> 00:49:33,029 Because it's honest and because it deals with periods of time, 733 00:49:33,030 --> 00:49:35,299 very particular periods of time, 734 00:49:35,300 --> 00:49:39,419 one's able to see the effect of the changes in society. 735 00:49:39,420 --> 00:49:42,371 THEY SING 736 00:49:51,860 --> 00:49:55,419 My own sense is that people in a way don't change that much 737 00:49:55,420 --> 00:49:58,929 emotionally, but our lives are run by what happens around us, 738 00:49:58,930 --> 00:50:00,929 which we felt very much with Covid. 739 00:50:00,930 --> 00:50:05,309 I mean, we've all had to adapt to a very different way of life 740 00:50:05,310 --> 00:50:09,799 and I think it's a wonderful opportunity doing this 741 00:50:09,800 --> 00:50:12,809 to address all of those things, all of those problems, the frailties, 742 00:50:12,810 --> 00:50:16,719 the vulnerability, the humour, the resilience of people. 743 00:50:16,720 --> 00:50:19,521 This way, Doctor. He's just round here. 744 00:50:21,720 --> 00:50:24,299 We need an ambulance right away. 745 00:50:24,300 --> 00:50:26,109 And bring something to keep him warm. 746 00:50:26,110 --> 00:50:28,309 Every year, when I start to plan my stories, 747 00:50:28,310 --> 00:50:30,069 I go into medical archives. 748 00:50:30,070 --> 00:50:32,500 One of the things I find very interesting is 749 00:50:32,501 --> 00:50:35,809 when I started writing Call The Midwife, we would have TB stories, 750 00:50:35,810 --> 00:50:37,849 we would have polio stories. 751 00:50:37,850 --> 00:50:41,419 Now I can't tell polio stories and I can't tell TB stories, 752 00:50:41,420 --> 00:50:45,299 because they did not exist at that time, they were being stamped out. 753 00:50:45,300 --> 00:50:46,590 CAMERA WHIRS Timer's on! 754 00:50:55,990 --> 00:50:57,429 The Christmas special 755 00:50:57,430 --> 00:51:02,659 is, as always with Heidi, she creates a really 756 00:51:02,660 --> 00:51:05,581 exciting and different story. 757 00:51:05,582 --> 00:51:09,031 And it's also very measured in terms of bringing in all 758 00:51:09,032 --> 00:51:11,292 of the characters because in a way, it's an introduction 759 00:51:11,293 --> 00:51:13,851 each year to the series, so that you 760 00:51:13,852 --> 00:51:15,331 remember where everybody is 761 00:51:15,332 --> 00:51:17,652 and what they're about and what they're doing. 762 00:51:22,472 --> 00:51:25,293 EXCITED SHRIEKING 763 00:51:28,502 --> 00:51:30,251 So we are in the Turners' house 764 00:51:30,252 --> 00:51:33,911 and it's our most contemporary set. 765 00:51:33,912 --> 00:51:36,502 Very '60s, the kitchen and furniture. 766 00:51:38,662 --> 00:51:41,381 We're celebrating Christmas here at the moment and the important 767 00:51:41,382 --> 00:51:45,851 thing about Christmas is the decorations the children do. 768 00:51:45,852 --> 00:51:48,831 Last year they made Father Christmases, 769 00:51:48,832 --> 00:51:53,101 so they will recognise things that they did last year, 770 00:51:53,102 --> 00:51:55,591 which I think gives the charm 771 00:51:55,592 --> 00:51:58,323 and the reality to their Christmas tree. 772 00:52:02,599 --> 00:52:04,279 Happy Christmas, Nurse. TRIXIE GASPS 773 00:52:04,280 --> 00:52:06,759 Liqueur chocolates! How decadent! 774 00:52:08,579 --> 00:52:10,409 And a urine sample. 775 00:52:11,500 --> 00:52:15,590 Sister Monica Joan has arranged the figurines in what she calls, 776 00:52:15,591 --> 00:52:18,590 "conversational groupings". 777 00:52:18,591 --> 00:52:20,551 What, in the name of goodness, 778 00:52:20,552 --> 00:52:24,001 is the Angel Gabriel going to say to the ass?! 779 00:52:26,641 --> 00:52:30,790 '62 going into '63, there's something that obviously 780 00:52:30,791 --> 00:52:32,670 presented itself to us straight away 781 00:52:32,671 --> 00:52:35,390 and that was something known as the Big Freeze. 782 00:52:35,391 --> 00:52:36,580 00h! 783 00:52:36,581 --> 00:52:40,360 Fred! A long time since we've seen anything like this! 784 00:52:40,361 --> 00:52:43,510 Morning, Nurse Crane, or should I say, er, 785 00:52:43,511 --> 00:52:45,431 baby, it's cold outside. 786 00:52:45,432 --> 00:52:48,390 It was quite astonishing with icicles hanging off the roof 787 00:52:48,391 --> 00:52:50,660 and it affected a lot of things, people's travel, 788 00:52:50,661 --> 00:52:52,640 the milk floats didn't arrive, 789 00:52:52,641 --> 00:52:54,760 people aren't getting heat at home. 790 00:52:54,761 --> 00:52:57,361 That'll teach you to snub complimentary thermals. 791 00:52:59,251 --> 00:53:02,069 Babies being born again without electricity... 792 00:53:02,070 --> 00:53:04,340 all the problems that that brings. 793 00:53:20,680 --> 00:53:22,959 Put that in with him. 794 00:53:22,960 --> 00:53:27,880 Don't seem right, sending a bubby out into the cold. 795 00:53:43,271 --> 00:53:47,440 WHIMPERING 796 00:53:52,700 --> 00:53:53,829 SHE GASPS 797 00:53:53,830 --> 00:53:56,330 BABY CRIES 798 00:54:03,800 --> 00:54:07,639 Help! Help! Quickly! 799 00:54:07,640 --> 00:54:11,429 He's alive! I thought he was stillborn! 800 00:54:11,430 --> 00:54:14,829 We, as ever, at Christmas, tell stories which are 801 00:54:14,830 --> 00:54:16,919 quite emotional and challenging at times, 802 00:54:16,920 --> 00:54:19,400 but resolve in an incredibly 803 00:54:19,401 --> 00:54:21,960 joyful, positive, loving way. 804 00:54:24,710 --> 00:54:28,349 I can't allow that on the premises until it's passed a fire test. 805 00:54:28,350 --> 00:54:31,280 Aluminium trees are highly inflammable. 806 00:54:31,281 --> 00:54:34,280 Good donkey. No, you're not going to go. 807 00:54:34,281 --> 00:54:36,560 DONKEY BRAYS Please. 808 00:54:38,240 --> 00:54:40,630 Look at you! 809 00:54:57,470 --> 00:54:59,520 ALL: Absent friends! 810 00:54:59,521 --> 00:55:01,150 Merry Christmas, everybody! 811 00:55:01,151 --> 00:55:03,709 The first time that we sang with 812 00:55:03,710 --> 00:55:09,099 the choir, and it was at night and they came into the chapel, 813 00:55:09,100 --> 00:55:11,109 it wasn't their first scene 814 00:55:11,110 --> 00:55:14,270 but it was the first time we'd all been there and it was sublime. 815 00:55:14,271 --> 00:55:17,549 We sang Hark The Herald Angels Sing 816 00:55:17,550 --> 00:55:22,039 and it was very, very uplifting. Wonderful! 817 00:55:22,040 --> 00:55:28,959 ♪ Glory to the newborn king. ♪ 818 00:55:28,960 --> 00:55:30,880 Hallelujah! 819 00:55:33,630 --> 00:55:36,919 Characters are sometimes severely tested, 820 00:55:36,920 --> 00:55:41,249 but there are moments too, of sheer joy and abandon. 821 00:55:41,250 --> 00:55:42,400 The love and energy 822 00:55:42,401 --> 00:55:46,190 of these scenes are vital to the success of Call The Midwife. 823 00:55:53,600 --> 00:55:55,690 Open for business. 824 00:55:58,200 --> 00:56:00,000 FIREWORKS BANG 825 00:56:13,510 --> 00:56:16,560 ALL CHEER 826 00:56:30,720 --> 00:56:33,319 BELLS RING, CHEERING 827 00:56:33,320 --> 00:56:36,120 APPLAUSE 828 00:56:52,800 --> 00:56:54,919 SHE GASPS 829 00:56:54,920 --> 00:56:57,080 Did you do all of this for me? 830 00:56:59,680 --> 00:57:01,840 I do everything for you... 831 00:57:03,230 --> 00:57:05,570 ...always. 832 00:57:16,320 --> 00:57:17,669 We would like to thank all of 833 00:57:17,670 --> 00:57:21,839 the actors and the thousands of crew members who have helped us 834 00:57:21,840 --> 00:57:24,989 and supported us over the last ten years. 835 00:57:24,990 --> 00:57:28,999 But most of all, we would like to thank you, our audience, 836 00:57:29,000 --> 00:57:31,150 but hopefully, we will see you very soon. 837 00:57:31,151 --> 00:57:35,209 Thank you so much for watching over ten years and if you're new to the 838 00:57:35,210 --> 00:57:38,919 show, you've got loads of episodes to watch, so get watching! 839 00:57:38,920 --> 00:57:41,849 Thank you for watching but thank you for supporting us, 840 00:57:41,850 --> 00:57:45,639 because there's no way a show could do that for ten seasons 841 00:57:45,640 --> 00:57:47,410 without that really loyal fan base. 842 00:57:47,411 --> 00:57:52,280 We love all fans of Call The Midwife but there's an extra special 843 00:57:52,281 --> 00:57:55,639 thank you to fans who've been with us from the beginning. 844 00:57:55,640 --> 00:57:58,079 That is why we're still here. 845 00:57:58,080 --> 00:58:00,429 It's very, very special, this show. 846 00:58:00,430 --> 00:58:02,479 It's not like any other job I've ever done. 847 00:58:02,480 --> 00:58:05,759 We're sincere, we believe it's something beautiful, 848 00:58:05,760 --> 00:58:07,879 that it's about life and love and death 849 00:58:07,880 --> 00:58:09,959 and all those important things 850 00:58:09,960 --> 00:58:12,519 and we absolutely mean it. 851 00:58:12,520 --> 00:58:15,569 As long as you still want to watch us, we will still 852 00:58:15,570 --> 00:58:18,439 try giving you the best we can, that's all we can say. 853 00:58:18,440 --> 00:58:20,049 And thank you for watching. 854 00:58:20,050 --> 00:58:23,209 Stay with us. We've more to do! 855 00:58:23,210 --> 00:58:24,560 CHEERING 856 00:58:55,680 --> 00:58:58,680 We are the sisters of St Raymond Nonnatus, 66900

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