All language subtitles for Framed.For.Murder.A.Fixer.Upper.Mystery.2017.1080p.WEBRip.x264.AAC-[YTS.MX]

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:05,875 [♪♪] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:24,792 --> 00:00:29,083 [♪♪] 5 00:00:55,792 --> 00:00:57,625 [COUNTDOWN BEEPING] 6 00:01:03,291 --> 00:01:06,750 [♪♪] 7 00:01:06,834 --> 00:01:08,792 [SHIP'S HORN HONKING] 8 00:01:14,041 --> 00:01:18,000 [♪♪] 9 00:01:18,083 --> 00:01:19,250 [BEEPING] 10 00:01:24,959 --> 00:01:27,083 [ENGINE REVVING] 11 00:01:33,000 --> 00:01:34,542 [BEEPING] 12 00:01:45,917 --> 00:01:49,959 [♪♪] 13 00:02:08,709 --> 00:02:09,625 ALL RIGHT. 14 00:02:11,041 --> 00:02:12,667 THANKS, GUYS. APPRECIATE IT. 15 00:02:15,333 --> 00:02:17,333 MOMENT OF TRUTH... 16 00:02:17,417 --> 00:02:19,333 THERE! WHAT DO YOU THINK? 17 00:02:19,417 --> 00:02:21,417 OH, SHANNON... 18 00:02:21,500 --> 00:02:23,000 IT'S GORGEOUS! 19 00:02:23,083 --> 00:02:24,500 THANK YOU SO MUCH FOR COMING 20 00:02:24,583 --> 00:02:25,750 AND HELPING ME INSTALL IT LAST MINUTE. 21 00:02:25,834 --> 00:02:27,333 I AM SO GLAD THE CHANDELIER SHOWED UP 22 00:02:27,417 --> 00:02:28,250 IN TIME FOR THE OPENING. 23 00:02:28,333 --> 00:02:29,125 YEAH. 24 00:02:30,417 --> 00:02:33,125 I KNEW IT'D GIVE THIS ROOM A NICE WARM GLOW. 25 00:02:35,834 --> 00:02:37,250 HEY, HEY, HEY! 26 00:02:37,333 --> 00:02:38,792 [LAUGHS] SORRY, I'M STARVING. 27 00:02:38,875 --> 00:02:40,834 WAIT A MINUTE, I THOUGHT THAT WHAT'S-HIS-NAME, 28 00:02:40,917 --> 00:02:41,875 MY LOAN OFFICER, 29 00:02:41,959 --> 00:02:42,834 HE ASKED YOU OUT FOR LUNCH. 30 00:02:42,917 --> 00:02:44,375 OH, YEAH. HE ASKED. 31 00:02:46,000 --> 00:02:47,083 WHAT? 32 00:02:47,166 --> 00:02:48,166 I TOLD YOU, 33 00:02:48,250 --> 00:02:49,917 I'M DONE WITH DATING FOR A WHILE. 34 00:02:50,000 --> 00:02:51,834 I MIGHT BE GREAT AT FIXING UP OLD HOUSES, 35 00:02:51,917 --> 00:02:53,875 BUT MEN? 36 00:02:53,959 --> 00:02:54,959 HMM, NOT SO MUCH. 37 00:02:55,041 --> 00:02:56,333 WELL, YOU KNOW, I WOULDN'T MIND A GUY 38 00:02:56,417 --> 00:02:57,583 THAT NEEDED A LITTLE FIXING UP, 39 00:02:57,667 --> 00:02:58,625 SO LONG AS HE WAS NICE. 40 00:02:58,709 --> 00:03:00,792 WELL, NOW THAT YOU HAVE THIS PLACE, 41 00:03:00,875 --> 00:03:02,583 I KNOW A NICE GUY IS GOING TO WALK THROUGH THE DOOR, 42 00:03:02,667 --> 00:03:04,625 HE'LL RENT A ROOM FROM YOU-- 43 00:03:04,709 --> 00:03:07,125 JUST MAKE SURE MR. NICE GUY PASSES MUSTER WITH ME 44 00:03:07,208 --> 00:03:08,667 BEFORE YOU LET HIM SWEEP YOU OFF YOUR FEET. 45 00:03:09,667 --> 00:03:11,500 UNCLE JESSE! 46 00:03:11,583 --> 00:03:13,333 I'M SO GLAD YOU MADE IT. 47 00:03:13,417 --> 00:03:15,625 AND YOU, YOU MUST BE THE YOGA TEACHER 48 00:03:15,709 --> 00:03:16,875 I'VE BEEN HEARING SO MUCH ABOUT. 49 00:03:16,959 --> 00:03:17,750 MAKE THAT THE "YOGI." 50 00:03:17,834 --> 00:03:19,041 ALTHEA KEEPS TELLING ME 51 00:03:19,125 --> 00:03:21,959 THE PROPER TERM IS "YOGI," NOT "YOGA TEACHER." 52 00:03:22,041 --> 00:03:22,834 SORRY. 53 00:03:22,917 --> 00:03:24,083 SEE? I'M LEARNING. 54 00:03:24,166 --> 00:03:25,458 [CHUCKLING] 55 00:03:25,542 --> 00:03:28,333 SO GLAD TO FINALLY MEET YOU, JENNIFER. 56 00:03:28,417 --> 00:03:29,333 THESE ARE FOR YOU. 57 00:03:29,417 --> 00:03:30,709 OH, THANK YOU. 58 00:03:30,792 --> 00:03:32,041 THESE ARE BEAUTIFUL. 59 00:03:32,125 --> 00:03:33,917 JUST LIKE THIS PLACE. 60 00:03:34,000 --> 00:03:36,000 NICEST BED AND BREAKFAST IN TOWN. 61 00:03:36,083 --> 00:03:39,208 YOU MUST HAVE HIRED YOURSELF ONE TALENTED CONTRACTOR. 62 00:03:39,291 --> 00:03:40,875 OH, YOU KNOW I DID. 63 00:03:40,959 --> 00:03:43,208 UM, ALTHEA, THIS IS, LIKE, MY BEST FRIEND 64 00:03:43,291 --> 00:03:44,458 SINCE... FOREVER? 65 00:03:44,542 --> 00:03:45,834 THIS IS SHANNON HUGHES. 66 00:03:45,917 --> 00:03:47,250 SHANNON ALSO BUILT THOSE CABINETS YOU LIKE SO MUCH 67 00:03:47,333 --> 00:03:48,208 IN MY KITCHEN. 68 00:03:48,291 --> 00:03:49,625 WELL THEN, YOU'RE A MARVEL. 69 00:03:50,959 --> 00:03:52,458 I TAKE ALL THE CREDIT FOR HER CARPENTRY SKILLS. 70 00:03:52,542 --> 00:03:54,667 WELL, I THINK I HAD SOMETHING TO DO WITH IT. 71 00:03:54,750 --> 00:03:56,458 I DID TAKE HER TO WORK WITH ME EVERY SUMMER. 72 00:03:56,542 --> 00:03:58,542 AW, HEY... YES, DAD. 73 00:03:58,625 --> 00:03:59,875 HEY, WHERE'S THE THIRD MUSKETEER? 74 00:03:59,959 --> 00:04:00,959 I KNOW WHEREVER YOU TWO ARE, 75 00:04:01,041 --> 00:04:02,417 NED CAN'T BE FAR BEHIND. 76 00:04:02,500 --> 00:04:04,125 OH, SHANNON, REMEMBER THAT... 77 00:04:04,208 --> 00:04:06,291 NED ISN'T REALLY TALKING TO JESSE RIGHT NOW... 78 00:04:09,959 --> 00:04:11,709 [PARTY CONVERSATION HUMMING] 79 00:04:16,125 --> 00:04:19,291 JENNIFER USED TO COME VISIT ME EVERY SUMMER, 80 00:04:19,375 --> 00:04:20,625 AND I'D TAKE HER OUT ON MY BOAT. 81 00:04:20,709 --> 00:04:22,250 WE WERE ON THE LOOKOUT FOR MERMAIDS, OF COURSE... 82 00:04:22,333 --> 00:04:23,625 [LAUGHTER] 83 00:04:23,709 --> 00:04:25,291 OH, YOU LAUGH, YOU LAUGH, 84 00:04:25,375 --> 00:04:26,959 BUT I SAW ONE, OUT PAST PINE POINT, 85 00:04:27,041 --> 00:04:28,375 BACK IN '95. 86 00:04:28,458 --> 00:04:31,041 A MERMAID GLIDING THROUGH THE WAVES, 87 00:04:31,125 --> 00:04:32,750 SUN GLINTING OFF HER FINS, 88 00:04:32,834 --> 00:04:33,959 IT WAS BEAUTIFUL. 89 00:04:34,041 --> 00:04:35,417 THAT'S WHEN YOU NEED A SMARTPHONE-- 90 00:04:35,500 --> 00:04:37,417 JESSE'S STILL TELLING HIS TALL TALES, I SEE. 91 00:04:37,500 --> 00:04:38,709 STEPHEN, HEY. 92 00:04:38,792 --> 00:04:40,375 NICE TO SEE YOU. 93 00:04:40,458 --> 00:04:41,625 I DIDN'T KNOW YOU WERE BACK IN TOWN. 94 00:04:41,709 --> 00:04:43,083 YEAH, I ROLLED IN LAST NIGHT. 95 00:04:43,166 --> 00:04:45,375 IS YOUR DAD WITH YOU? 96 00:04:45,458 --> 00:04:47,333 NO, HE IS AT HOME, 97 00:04:47,417 --> 00:04:50,125 SULKING OVER YOGA LADY PICKING JESSE OVER HIM. 98 00:04:50,208 --> 00:04:51,375 OH, IT REALLY IS SERIOUS. 99 00:04:51,458 --> 00:04:53,291 YEAH. SPEAKING OF WHICH-- 100 00:04:53,375 --> 00:04:54,166 HEY, JESSE! 101 00:04:54,250 --> 00:04:55,375 TELL THE STORY 102 00:04:55,458 --> 00:04:56,291 ABOUT HOW YOU FOUND BLACKBEARD'S TREASURE 103 00:04:56,375 --> 00:04:57,250 ON ONE OF YOUR DIVES, HUH? 104 00:04:57,333 --> 00:04:58,208 ONE AT A TIME-- 105 00:04:58,291 --> 00:04:59,625 NO, NO, NO, 106 00:04:59,709 --> 00:05:00,542 I WANT TO HEAR THE ONE WHERE YOU FOUND THE NECKLACE, 107 00:05:00,625 --> 00:05:01,667 THE ONE THAT BELONGED 108 00:05:01,750 --> 00:05:02,750 TO THE SPANISH PRINCESS! 109 00:05:02,834 --> 00:05:04,125 HEY, HEY, HEY, I THOUGHT 110 00:05:04,208 --> 00:05:05,709 THAT WE WERE SUPPOSED TO BE TALKING ABOUT ME. 111 00:05:05,792 --> 00:05:07,125 THAT'S RIGHT, THAT'S RIGHT. 112 00:05:07,208 --> 00:05:09,458 THIS IS ALL MY WAY OF SAYING 113 00:05:09,542 --> 00:05:11,959 THAT JENNIFER HAS ALWAYS TRIED TO MAKE HER GUESTS 114 00:05:12,041 --> 00:05:13,375 FEEL COMFORTABLE AND HAPPY, 115 00:05:13,458 --> 00:05:15,583 AND I KNOW ANYONE WHO STAYS AT THE HENNESSEY MANOR 116 00:05:15,667 --> 00:05:17,166 IS GONNA LEAVE WITH A SMILE ON THEIR FACE, 117 00:05:17,250 --> 00:05:19,375 SO HERE'S TO MY WONDERFUL NIECE, JENNY, 118 00:05:19,458 --> 00:05:21,083 AND HER NEW ENTERPRISE. 119 00:05:21,166 --> 00:05:22,458 [EVERYONE]: HEAR, HEAR! 120 00:05:30,583 --> 00:05:31,542 SO, I DIDN'T REALIZE 121 00:05:31,625 --> 00:05:33,792 THAT STEPHEN WAS BACK IN TOWN. 122 00:05:33,875 --> 00:05:34,834 HMM? 123 00:05:34,917 --> 00:05:35,959 WHAT ARE YOU LOOKING AT? 124 00:05:37,208 --> 00:05:38,166 WHO IS THAT GUY? 125 00:05:38,250 --> 00:05:39,000 HE LOOKS FAMILIAR. 126 00:05:39,083 --> 00:05:40,000 REALLY? 127 00:05:40,083 --> 00:05:41,625 YEAH. 128 00:05:41,709 --> 00:05:43,291 I DON'T THINK I'VE EVER SEEN HIM BEFORE. 129 00:05:43,375 --> 00:05:45,875 AND WHY DOES HE LOOK LIKE HE'S CASING THE PLACE? 130 00:05:45,959 --> 00:05:47,667 THAT'S A GOOD QUESTION. 131 00:05:48,709 --> 00:05:50,083 [WHISPERING] SHANNON! 132 00:05:54,041 --> 00:05:55,500 CAN I HELP YOU? 133 00:05:55,583 --> 00:05:57,250 YOU SEEM TO BE LOOKING FOR SOMETHING. 134 00:05:57,333 --> 00:05:59,041 UH, LOOKING FOR SOMEONE. 135 00:05:59,125 --> 00:06:00,458 UH, THE OWNER OF HUGHES RESTORATION. 136 00:06:00,542 --> 00:06:01,375 IS HE HERE? 137 00:06:01,458 --> 00:06:02,542 WELL, I DON'T KNOW. 138 00:06:02,625 --> 00:06:04,208 WHO SHOULD I TELL "HIM" IS ASKING? 139 00:06:04,291 --> 00:06:06,333 WELL, WHO AM I TALKING WITH? 140 00:06:06,417 --> 00:06:07,417 ARE YOU HIS ASSISTANT? 141 00:06:07,500 --> 00:06:09,041 CAREFUL. 142 00:06:09,125 --> 00:06:10,250 DON'T DIG THE HOLE TOO DEEP. 143 00:06:10,333 --> 00:06:12,333 OH, RIGHT, NOT HIS ASSISTANT, CLEARLY. 144 00:06:12,417 --> 00:06:13,458 [LAUGHS] 145 00:06:13,542 --> 00:06:14,875 UM... 146 00:06:14,959 --> 00:06:16,125 BODYGUARD. 147 00:06:16,208 --> 00:06:17,500 I'LL TELL YOU WHAT, 148 00:06:17,583 --> 00:06:18,875 WHY DON'T YOU GIVE ME YOUR INFORMATION, 149 00:06:18,959 --> 00:06:21,125 AND I WILL DO MY VERY BEST TO PASS IT ALONG? 150 00:06:21,208 --> 00:06:22,208 I HAVE THE NUMBER OF THE COMPANY. 151 00:06:22,291 --> 00:06:23,500 I'LL CALL IT IF I NEED IT. 152 00:06:23,583 --> 00:06:25,041 UH, I'LL JUST... 153 00:06:25,125 --> 00:06:26,000 LET MYSELF OUT. 154 00:06:26,083 --> 00:06:27,375 THANK YOU FOR... 155 00:06:27,458 --> 00:06:30,250 UM, SORTA... HELPING ME. 156 00:06:33,375 --> 00:06:34,375 IT'S, UH... TRICKY. 157 00:06:34,458 --> 00:06:35,291 GOOD LUCK. 158 00:06:37,125 --> 00:06:38,542 OH NO, IS HE GONE? 159 00:06:38,625 --> 00:06:40,125 I KNOW WHERE I'VE SEEN HIM. 160 00:06:42,333 --> 00:06:43,959 MACKINTYRE SULLIVAN, 161 00:06:44,041 --> 00:06:45,250 INVESTIGATIVE REPORTER. 162 00:06:45,333 --> 00:06:46,375 YEAH, OKAY, 163 00:06:46,458 --> 00:06:47,792 SO THIS BOOK IS ABOUT A BIG MURDER CASE 164 00:06:47,875 --> 00:06:49,583 THAT HAPPENED LAST YEAR IN IDAHO. 165 00:06:49,667 --> 00:06:50,834 SHANNON, IT GAVE ME CHILLS. 166 00:06:50,917 --> 00:06:51,792 REALLY? 167 00:06:51,875 --> 00:06:53,583 YEAH. 168 00:06:53,667 --> 00:06:54,750 WELL, YOU MET THE WRITER. 169 00:06:54,834 --> 00:06:56,625 RAN INTO HIM AT THE HARDWARE STORE. 170 00:06:56,709 --> 00:06:57,792 HE JUST BOUGHT THE OLD CRADDOCK HOUSE, 171 00:06:57,875 --> 00:06:59,083 WANTS TO RENOVATE IT. 172 00:06:59,166 --> 00:07:00,000 I GAVE HIM YOUR CARD, SHANNON, 173 00:07:00,083 --> 00:07:01,083 TOLD HIM TO COME DOWN, 174 00:07:01,166 --> 00:07:02,625 AND CHECK OUT YOUR WORK. 175 00:07:02,709 --> 00:07:04,500 SHANNON, THAT COULD BE A HUGE JOB. 176 00:07:04,583 --> 00:07:07,458 YEAH... YEAH. 177 00:07:07,542 --> 00:07:09,083 IT WOULD HAVE BEEN. 178 00:07:09,166 --> 00:07:11,333 PRETTY SURE I JUST LOST IT. 179 00:07:11,417 --> 00:07:14,291 [♪♪] 180 00:07:28,166 --> 00:07:29,792 I SEE JENNY SENT YOU HOME 181 00:07:29,875 --> 00:07:31,375 WITH LEFTOVERS, TOO! 182 00:07:31,458 --> 00:07:32,333 YEAH. 183 00:07:32,417 --> 00:07:33,542 AS ALWAYS. 184 00:07:42,542 --> 00:07:43,500 HEY, DAD. 185 00:07:45,291 --> 00:07:46,041 WHATCHA LOOKIN' AT? 186 00:07:48,250 --> 00:07:49,667 YOU NEED TO GET OVER IT, 187 00:07:49,750 --> 00:07:50,917 START SHOWING UP AGAIN. 188 00:07:51,000 --> 00:07:51,875 I SENT YOU, DIDN'T I? 189 00:07:55,208 --> 00:07:57,125 OKAY, I AM GOING OUT, 190 00:07:57,208 --> 00:07:58,750 I WILL SEE YOU IN THE MORNING. 191 00:08:10,125 --> 00:08:13,375 [♪♪] 192 00:09:04,166 --> 00:09:05,041 [GROANS, BODY THUDS HEAVILY] 193 00:09:10,959 --> 00:09:14,208 [CHURCH BELLS TOLLING] 194 00:09:16,250 --> 00:09:17,625 OKAY, LET'S GO! 195 00:09:18,959 --> 00:09:20,083 LOOK AT YOU GUYS, 196 00:09:20,166 --> 00:09:22,041 WHAT, DID YOU GET YOUR FATHER'S HAND-ME-DOWNS? 197 00:09:27,583 --> 00:09:28,291 HEY, DAD. 198 00:09:29,500 --> 00:09:30,750 HEY, DARLIN'. 199 00:09:30,834 --> 00:09:32,083 I THOUGHT YOU WEREN'T GOING FISHING TILL FRIDAY. 200 00:09:32,166 --> 00:09:34,417 AH, JESSE MADE OTHER PLANS, 201 00:09:34,500 --> 00:09:36,625 SO NED CALLED ME AT 5:00 THIS MORNING, 202 00:09:36,709 --> 00:09:38,125 AND SAID WE MIGHT AS WELL GO. 203 00:09:38,208 --> 00:09:38,959 AND THEN HE WOKE ME UP 204 00:09:39,041 --> 00:09:40,333 AND TALKED ME INTO GOING, TOO. 205 00:09:40,417 --> 00:09:41,500 YEAH, 206 00:09:41,583 --> 00:09:42,709 I GOTTA KEEP A CLOSE EYE ON HIM, 207 00:09:42,792 --> 00:09:45,208 MAKE SURE HE'S STILL SANE. 208 00:09:45,291 --> 00:09:46,250 OH, UH, 209 00:09:46,333 --> 00:09:49,250 I QUIT MY FINANCE JOB. 210 00:09:49,333 --> 00:09:51,333 I WANT TO BE A CHEF, 211 00:09:51,417 --> 00:09:53,000 AND DAD'S NOT EXACTLY THRILLED ABOUT IT. 212 00:09:53,083 --> 00:09:54,041 WELL, I AM. 213 00:09:54,125 --> 00:09:55,458 LOVE YOUR JOB, 214 00:09:55,542 --> 00:09:56,375 AND YOU NEVER HAVE TO WORK ANOTHER DAY IN YOUR LIFE. 215 00:09:56,458 --> 00:09:57,625 OH, SURE, SURE, YOU CAN SAY THAT. 216 00:09:57,709 --> 00:09:59,792 YOUR DAUGHTER HASN'T QUIT HER JOB. 217 00:09:59,875 --> 00:10:01,417 OH, YEAH, WHICH REMINDS ME, 218 00:10:01,500 --> 00:10:04,041 I'M GOING TO GO FINISH MRS. WALLACE'S CATIO. 219 00:10:04,125 --> 00:10:04,959 [TOGETHER]: "CATIO?" 220 00:10:05,041 --> 00:10:05,959 WHAT'S THAT? 221 00:10:06,041 --> 00:10:06,917 IT'S THIS PATIO, 222 00:10:07,000 --> 00:10:08,500 IT'S ENCLOSED, BUT IT'S FOR CATS. 223 00:10:08,583 --> 00:10:10,250 IT HAS PERCHES, AND RAMPS. 224 00:10:10,333 --> 00:10:11,166 HEY, YOU CAN'T SAY 225 00:10:11,250 --> 00:10:13,583 I DON'T GET INTERESTING WORK. 226 00:10:13,667 --> 00:10:15,333 [SIGHING] I FORGOT MY LURES. 227 00:10:15,417 --> 00:10:16,709 I'M GOING TO GO ASK JESSE FOR SOME-- 228 00:10:16,792 --> 00:10:17,750 NO, PETE, PETE, COME ON, I GOT LOTS, 229 00:10:17,834 --> 00:10:19,041 LET'S GO. 230 00:10:19,125 --> 00:10:19,750 YEAH, PETE, LET'S JUST GET THIS SHOW ON THE ROAD. 231 00:10:22,875 --> 00:10:23,959 SEE YOU LATER. 232 00:10:24,041 --> 00:10:25,333 [CHUCKLING FONDLY] HAVE FUN. 233 00:10:25,417 --> 00:10:27,166 [CAR STEREO PLAYING] 234 00:10:29,291 --> 00:10:32,291 [♪♪] 235 00:10:41,875 --> 00:10:44,041 OH, NO... 236 00:10:44,125 --> 00:10:46,125 SO YOU'RE HUGHES RESTORATION? 237 00:10:46,208 --> 00:10:47,667 SHANNON HUGHES. [CHUCKLING] THAT'S ME. 238 00:10:49,041 --> 00:10:50,250 AND YOU'RE MACKINTYRE SULLIVAN, 239 00:10:50,333 --> 00:10:52,208 FAMOUS CRIME REPORTER. 240 00:10:52,291 --> 00:10:53,333 WELL, STILL GETTING USED TO THE "FAMOUS" PART, 241 00:10:53,417 --> 00:10:54,333 BUT, YEAH. 242 00:10:54,417 --> 00:10:55,291 CALL ME MAC. 243 00:10:56,250 --> 00:10:58,000 FLAT TIRE? 244 00:10:58,083 --> 00:10:59,083 YEAH. YEAH, I HAVE TRIPLE-A. 245 00:10:59,166 --> 00:11:01,125 THEY'LL BE AN HOUR OR SO. 246 00:11:01,208 --> 00:11:02,333 POP YOUR TRUNK. 247 00:11:02,417 --> 00:11:03,500 I'LL HAVE A SPARE ON IN, LIKE, FIVE MINUTES. 248 00:11:03,583 --> 00:11:05,417 UH, NO. 249 00:11:05,500 --> 00:11:06,917 I APPRECIATE THE OFFER, 250 00:11:07,000 --> 00:11:09,959 BUT I CAN'T STAND THERE AND WATCH YOU CHANGE MY TIRE. 251 00:11:10,041 --> 00:11:12,000 'CAUSE I... MIGHT BREAK A NAIL? 252 00:11:14,458 --> 00:11:16,291 [SIGHS] 253 00:11:16,375 --> 00:11:18,041 YOU'RE KILLING ME. 254 00:11:18,125 --> 00:11:20,166 IT'S NOT LIKE I DON'T KNOW HOW TO CHANGE A TIRE, 255 00:11:20,250 --> 00:11:21,500 IT'S JUST, I DIDN'T WANT TO MESS UP MY SUIT. 256 00:11:21,583 --> 00:11:23,667 I GOT A MEETING IN THE CITY THIS MORNING. 257 00:11:23,750 --> 00:11:25,125 YEAH, NO, I GET IT. 258 00:11:25,208 --> 00:11:26,375 THIS IS AWFUL. 259 00:11:26,458 --> 00:11:29,959 YOU WOULDN'T WANT TO WRECK THAT SNAZZY SUIT. 260 00:11:30,041 --> 00:11:31,208 NO, IT'S JUST MY EGO GETTING WRECKED. 261 00:11:32,834 --> 00:11:35,208 SO, JESSE TELLS ME THAT YOU BOUGHT THE CRADDOCK ESTATE. 262 00:11:35,291 --> 00:11:37,166 YEAH. YEAH, 263 00:11:37,250 --> 00:11:39,917 MAYBE NOT THE WISEST REAL-ESTATE PURCHASE. 264 00:11:40,000 --> 00:11:42,500 NO, IT'S A REALLY BEAUTIFUL MANSION. 265 00:11:42,583 --> 00:11:44,500 NO, IT IS, IT IS. 266 00:11:44,583 --> 00:11:47,417 AND IT MATCHES THIS IMAGE I HAVE OF MYSELF AS A WRITER. 267 00:11:47,500 --> 00:11:50,250 YOU KNOW, IT'S A SURPRISING THING 268 00:11:50,333 --> 00:11:51,875 WHEN YOUR BOOK SUDDENLY HITS THE BESTSELLER LIST, 269 00:11:51,959 --> 00:11:53,542 AND YOU CAN AFFORD ALL SORTS OF THINGS. 270 00:11:54,750 --> 00:11:57,417 I HAD NO IDEA I WANTED A DRAFTY OLD MANOR 271 00:11:57,500 --> 00:11:58,709 THAT NEEDS MAJOR WORK, 272 00:11:58,792 --> 00:12:00,000 WHICH IS WHY I WENT LOOKING FOR YOU YESTERDAY. 273 00:12:00,083 --> 00:12:02,000 [WINCES] YEAH, 274 00:12:02,083 --> 00:12:03,125 AND I CHASED YOU AWAY. 275 00:12:03,208 --> 00:12:04,125 I'M SORRY ABOUT THAT. 276 00:12:04,208 --> 00:12:06,041 NAH... 277 00:12:08,417 --> 00:12:10,291 YOU KNOW, THE WORK YOU DID ON THE B&B WAS STELLAR. 278 00:12:10,375 --> 00:12:11,834 THANK YOU. 279 00:12:11,917 --> 00:12:14,000 MAYBE YOU COULD COME BY THE HOUSE THIS AFTERNOON, 280 00:12:14,083 --> 00:12:15,625 AND TELL ME HOW YOU COULD RETURN IT 281 00:12:15,709 --> 00:12:17,041 TO ITS FORMER GLORY? 282 00:12:19,709 --> 00:12:21,667 I WOULD LOVE THE CHANCE TO WORK ON THAT HOUSE, 283 00:12:21,750 --> 00:12:23,458 THAT WOULD BE AMAZING. 284 00:12:24,625 --> 00:12:25,583 IT'S A DATE-- APPOINTMENT! 285 00:12:25,667 --> 00:12:28,166 IT'S AN APPOINTMENT. 286 00:12:32,250 --> 00:12:34,583 GUESS YOU CAN'T MEET ME IF YOU CAN'T GET HOME. 287 00:12:34,667 --> 00:12:35,667 [CHUCKLING] RIGHT. 288 00:12:35,750 --> 00:12:36,959 [CHUCKLING] 289 00:12:37,041 --> 00:12:38,667 I KNOW. 290 00:12:38,750 --> 00:12:39,875 I CHANGED HIS TIRE. 291 00:12:39,959 --> 00:12:41,458 I'M GOING TO HIS HOUSE LATER TODAY 292 00:12:41,542 --> 00:12:42,709 TO GIVE HIM AN ESTIMATE. 293 00:12:42,792 --> 00:12:43,750 SHANNON, THAT'S AMAZING, 294 00:12:43,834 --> 00:12:45,083 THAT HOUSE, IT'S HUGE. 295 00:12:45,166 --> 00:12:47,250 HE SAID HE WANTS TO RESTORE THE WHOLE THING. 296 00:12:47,333 --> 00:12:48,875 HE SAID MONEY IS NO OBJECT. 297 00:12:48,959 --> 00:12:50,417 YOU'RE KIDDING? 298 00:12:50,500 --> 00:12:51,750 [CHUCKLES] 299 00:12:51,834 --> 00:12:54,083 THIS IS GONNA BE THE BIGGEST JOB I HAVE EVER HAD, 300 00:12:54,166 --> 00:12:56,166 THE MOST CHALLENGING JOB I'VE EVER HAD. 301 00:12:56,250 --> 00:12:57,458 [KNOCKING] 302 00:12:57,542 --> 00:12:58,500 YEAH, AND YOU KNOW WHAT, 303 00:12:58,583 --> 00:12:59,417 YOU'RE GONNA DO A GREAT JOB FOR HIM, 304 00:12:59,500 --> 00:13:00,250 JUST LIKE YOU DID FOR ME-- 305 00:13:00,333 --> 00:13:01,542 [YELPS] 306 00:13:01,625 --> 00:13:03,291 YOU OKAY? 307 00:13:03,375 --> 00:13:05,000 YEAH, I JUST DROPPED MY SPOON. 308 00:13:05,083 --> 00:13:05,917 I'M TRYING TO BAKE. 309 00:13:07,125 --> 00:13:08,792 [KNOCKING] JESSE! IT'S SHANNON! 310 00:13:08,875 --> 00:13:10,166 YOU'RE AT UNCLE JESSE'S? 311 00:13:10,250 --> 00:13:13,000 YEAH, I STOPPED BY TO THANK HIM 312 00:13:13,083 --> 00:13:14,792 FOR GIVING MY CARD TO MAC, BUT HE'S NOT ANSWERING. 313 00:13:14,875 --> 00:13:16,542 WELL, YOU KNOW WHAT, I TRIED CALLING HIM THIS MORNING. 314 00:13:16,625 --> 00:13:17,792 HE'S PROBABLY WITH ALTHEA. 315 00:13:17,875 --> 00:13:20,417 I DON'T THINK SO, HIS CAR IS IN THE DRIVEWAY. 316 00:13:22,125 --> 00:13:24,500 YOU KNOW WHAT, UM, DO ME A FAVOR. 317 00:13:24,583 --> 00:13:26,375 THERE'S A KEY UNDERNEATH THE FLOWER POT, 318 00:13:26,458 --> 00:13:27,583 CAN YOU GO IN, AND CHECK ON HIM FOR ME? 319 00:13:27,667 --> 00:13:28,667 REALLY? 320 00:13:28,750 --> 00:13:30,041 IT SEEMS KINDA WEIRD JUST TO WALK IN. 321 00:13:30,125 --> 00:13:32,625 NO, IT-IT'S FINE, TELL HIM I WAS WORRIED. 322 00:13:32,709 --> 00:13:33,792 ALL RIGHT. 323 00:13:33,875 --> 00:13:35,333 OKAY, BYE. 324 00:13:46,041 --> 00:13:47,959 JESSE! 325 00:13:56,166 --> 00:13:57,875 JESSE, IT'S SHANNON! 326 00:13:59,417 --> 00:14:00,333 [GASPS] 327 00:14:04,208 --> 00:14:05,375 OH, NO... JESSE. 328 00:14:10,709 --> 00:14:12,792 NO... 329 00:14:12,875 --> 00:14:15,291 JESSE. 330 00:14:30,041 --> 00:14:31,208 HEY. 331 00:14:31,291 --> 00:14:33,792 I JUST GOTTA SAY AGAIN HOW SORRY I AM. 332 00:14:33,875 --> 00:14:35,709 I KNOW HOW CLOSE YOU WERE TO JESSE. 333 00:14:37,542 --> 00:14:41,083 YESTERDAY, HE WAS MAKING EVERYBODY LAUGH 334 00:14:41,166 --> 00:14:42,208 AT JENNIFER'S GRAND OPENING, 335 00:14:42,291 --> 00:14:44,208 AND NOW IT'S LIKE... 336 00:14:44,291 --> 00:14:46,083 [GURNEY CLANKING] 337 00:14:46,166 --> 00:14:47,625 WHAT ARE THEY DOING? 338 00:14:50,458 --> 00:14:52,625 AREN'T YOU GUYS SUPPOSED TO CALL A FORENSICS TEAM 339 00:14:52,709 --> 00:14:54,250 BEFORE THEY MOVE THE BODY? 340 00:14:54,333 --> 00:14:55,792 THAT'S ONLY IF WE SUSPECT FOUL PLAY. 341 00:14:57,125 --> 00:14:58,542 YOU MEAN YOU DON'T? 342 00:14:58,625 --> 00:15:00,375 YOU MEAN YOU DO? 343 00:15:00,458 --> 00:15:03,291 WELL, I JUST... 344 00:15:05,041 --> 00:15:06,959 SOMETHING FEELS WRONG. 345 00:15:07,041 --> 00:15:07,959 HEY... 346 00:15:08,041 --> 00:15:10,166 IT IS WRONG. 347 00:15:10,250 --> 00:15:13,041 FOR HIM TO GO IN THAT KIND OF A FREAK ACCIDENT. 348 00:15:13,125 --> 00:15:14,917 YOU'RE SURE IT WAS AN ACCIDENT? 349 00:15:15,000 --> 00:15:16,959 WELL... THE MEDICAL EXAMINER, 350 00:15:17,041 --> 00:15:18,583 SHE WAS IN THERE WITH CHIEF JENSEN, 351 00:15:18,667 --> 00:15:21,417 AND SHE SAID IT WAS OBVIOUSLY A SLIP AND FALL. 352 00:15:22,834 --> 00:15:24,166 OKAY... 353 00:15:26,041 --> 00:15:26,959 COME HERE. 354 00:15:31,333 --> 00:15:32,709 I NOTICED THIS EARLIER. 355 00:15:32,792 --> 00:15:34,250 LOOK AT THIS. 356 00:15:36,500 --> 00:15:37,500 THESE DIVOTS IN THE CARPET, 357 00:15:37,583 --> 00:15:40,000 IT'S LIKE THE COUCH HAS BEEN MOVED. 358 00:15:40,083 --> 00:15:42,291 OH, AND THE SCREWS... 359 00:15:44,291 --> 00:15:45,291 THIS GRATE HAS BEEN TAKEN OFF 360 00:15:45,375 --> 00:15:46,291 AND PUT BACK ON. 361 00:15:47,667 --> 00:15:48,917 WHAT DO YOU MAKE OF THIS, CHIEF? 362 00:15:49,000 --> 00:15:51,083 WELL, IT LOOKS LIKE JESSE HAD HIS FURNACE FIXED. 363 00:15:51,166 --> 00:15:53,250 HE COMES TO ME FOR REPAIRS. 364 00:15:53,333 --> 00:15:55,041 NO, THIS GRATE HAS DEFINITELY BEEN TAKEN OFF 365 00:15:55,125 --> 00:15:56,375 AND PUT BACK ON. 366 00:15:56,458 --> 00:15:57,959 I'M A CONTRACTOR. 367 00:15:58,041 --> 00:16:00,125 IT'S MY JOB TO NOTICE THESE THINGS. 368 00:16:00,208 --> 00:16:01,625 I'M STILL NOT CLEAR AS TO WHY 369 00:16:01,709 --> 00:16:03,667 THE STATE OF THE FURNACE GRATE 370 00:16:03,750 --> 00:16:05,083 MATTERS, YOU KNOW, RIGHT NOW. 371 00:16:05,166 --> 00:16:06,500 WELL, DOESN'T IT SEEM ODD TO YOU? 372 00:16:06,583 --> 00:16:07,542 YEAH, SHE WAS WONDERING 373 00:16:07,625 --> 00:16:08,792 WHY WE'RE NOT BRINGING FORENSICS IN. 374 00:16:09,875 --> 00:16:10,750 FORENSICS? 375 00:16:10,834 --> 00:16:11,917 WELL, WE WOULD 376 00:16:12,000 --> 00:16:13,333 IF THERE WERE SIGNS OF FORCED ENTRY, 377 00:16:13,417 --> 00:16:15,375 OR A STRUGGLE NEAR THE BODY, 378 00:16:15,458 --> 00:16:16,625 BUT WE DON'T SEE ANY OF THAT HERE. 379 00:16:16,709 --> 00:16:18,709 NOW, IF THE AUTOPSY SHOWS US ANYTHING DIFFERENT, 380 00:16:18,792 --> 00:16:20,875 WE'LL LET YOU KNOW. 381 00:16:29,000 --> 00:16:30,333 BACK IN SCHOOL, 382 00:16:30,417 --> 00:16:31,583 YOU WERE ALWAYS THE GIRL WITH HER HAND UP, 383 00:16:31,667 --> 00:16:33,375 NEVER SATISFIED WITH THE ANSWERS IN THE BOOK. 384 00:16:33,458 --> 00:16:35,000 THAT'S NOT WHAT THIS IS ABOUT, TOMMY. 385 00:16:36,333 --> 00:16:37,709 IS THIS ABOUT WHAT HAPPENED TO YOUR MOM? 386 00:16:40,959 --> 00:16:42,667 SHANNON... 387 00:16:42,750 --> 00:16:43,709 I PROMISE, 388 00:16:43,792 --> 00:16:45,083 I'LL ASK THE CORONER 389 00:16:45,166 --> 00:16:46,000 ALL THE RIGHT QUESTIONS. 390 00:16:46,083 --> 00:16:47,959 OKAY? 391 00:16:48,041 --> 00:16:51,125 BUT FIRST, UM... 392 00:16:51,208 --> 00:16:52,917 DO YOU WANT TO BE THE ONE TO TELL JENNIFER, 393 00:16:53,000 --> 00:16:53,875 OR SHOULD I? 394 00:16:55,250 --> 00:16:57,125 OH... [SIGHING] 395 00:16:57,208 --> 00:16:58,417 I WILL. 396 00:17:11,542 --> 00:17:15,500 [CRYING] 397 00:17:17,375 --> 00:17:19,458 I DON'T GET IT, IT'S SO UNFAIR, YOU KNOW? 398 00:17:19,542 --> 00:17:20,834 I KNOW, IT'S SENSELESS. 399 00:17:20,917 --> 00:17:22,583 LIKE, HE WAS... 400 00:17:22,667 --> 00:17:25,750 HE WAS THE BEST MAN IN THE WHOLE WORLD. 401 00:17:25,834 --> 00:17:28,291 AND HE'S BEEN SO HAPPY LATELY. 402 00:17:28,375 --> 00:17:30,750 IT'S DEVASTATING. I DON'T KNOW WHAT TO SAY. 403 00:17:32,792 --> 00:17:34,458 THERE YOU ARE, JENNIFER. 404 00:17:34,542 --> 00:17:36,583 I WANT TO DROP OFF YOUR DISH. 405 00:17:36,667 --> 00:17:37,959 I'D STAY AND CHAT, 406 00:17:38,041 --> 00:17:39,792 BUT I'M GOING TO GO CHECK ON JESSE. 407 00:17:39,875 --> 00:17:40,709 HE NORMALLY CALLS EVERY MORNING 408 00:17:40,792 --> 00:17:42,375 TO SAY GOOD MORN-- 409 00:17:44,834 --> 00:17:47,667 WHAT IS IT? 410 00:17:47,750 --> 00:17:48,709 WHAT'S WRONG? 411 00:17:48,792 --> 00:17:50,417 ALTHEA... 412 00:17:50,500 --> 00:17:52,083 SOMETHING TERRIBLE HAS HAPPENED. 413 00:17:53,208 --> 00:17:54,709 ALTHEA... 414 00:17:54,792 --> 00:17:56,500 JESSE IS... 415 00:17:56,583 --> 00:17:57,417 JESSE IS DEAD. 416 00:17:59,625 --> 00:18:00,583 [QUIETLY] NO... 417 00:18:01,917 --> 00:18:03,041 THAT CAN'T BE. 418 00:18:03,125 --> 00:18:04,041 MY JESSE? 419 00:18:05,583 --> 00:18:07,208 I FOUND HIM, 420 00:18:07,291 --> 00:18:09,083 IN HIS DEN THIS MORNING. 421 00:18:09,166 --> 00:18:10,583 THEY THINK HE, UH, DIED 422 00:18:10,667 --> 00:18:12,125 SOMETIME IN THE MIDDLE OF THE NIGHT. 423 00:18:14,208 --> 00:18:15,834 I JUST... 424 00:18:15,917 --> 00:18:17,291 I DON'T UNDERSTAND. 425 00:18:17,375 --> 00:18:18,709 I KNOW, I DON'T EITHER. 426 00:18:18,792 --> 00:18:19,750 IT'S AWFUL. 427 00:18:19,834 --> 00:18:21,875 HOW DID HE DIE? 428 00:18:21,959 --> 00:18:24,500 THE POLICE THINK HE FELL AND HIT HIS HEAD. 429 00:18:24,583 --> 00:18:25,333 BUT... 430 00:18:26,542 --> 00:18:28,125 I DON'T KNOW. 431 00:18:28,208 --> 00:18:29,834 [GASPING IN SHOCK] 432 00:18:29,917 --> 00:18:31,583 I... THIS CAN'T BE HAPPENING. 433 00:18:31,667 --> 00:18:32,834 [CELL PHONE RINGS] 434 00:18:35,083 --> 00:18:35,875 -HELLO? -I'M SO SORRY. 435 00:18:35,959 --> 00:18:37,166 THIS IS SHANNON. 436 00:18:37,250 --> 00:18:38,667 GLAD TO HEAR IT. THIS IS MAC. 437 00:18:38,750 --> 00:18:40,125 YOU KNOW, 438 00:18:40,208 --> 00:18:41,917 THE GUY WITH THE DILAPIDATED HOUSE 439 00:18:42,000 --> 00:18:43,959 YOU'RE SUPPOSED TO BE GIVING AN ESTIMATE ON RIGHT NOW? 440 00:18:44,041 --> 00:18:45,542 OH. 441 00:18:45,625 --> 00:18:46,875 YES. 442 00:18:46,959 --> 00:18:48,000 HI, UM-- 443 00:18:48,083 --> 00:18:50,250 CAN YOU HANG ON JUST A MINUTE, PLEASE? 444 00:18:50,333 --> 00:18:51,875 IT'S THE WRITER. 445 00:18:51,959 --> 00:18:54,375 I WAS SUPPOSED TO GIVE HIM THAT QUOTE TODAY. 446 00:18:54,458 --> 00:18:56,000 I'M GONNA TELL HIM I CAN'T MAKE IT. 447 00:18:56,083 --> 00:18:58,000 NO, NO, DON'T YOU DARE. 448 00:18:58,083 --> 00:18:59,792 YOU'RE NOT GONNA MISS OUT ON THE BIGGEST JOB YOU'VE EVER HAD. 449 00:18:59,875 --> 00:19:00,792 SHANNON, NO. 450 00:19:00,875 --> 00:19:02,417 I'LL STAY WITH JENNIFER. 451 00:19:02,500 --> 00:19:03,875 NO... 452 00:19:03,959 --> 00:19:05,500 NO, I'LL JUST RESCHEDULE. 453 00:19:05,583 --> 00:19:07,166 SHANNON... 454 00:19:07,250 --> 00:19:09,875 JESSE WOULD WANT YOU TO GO. 455 00:19:09,959 --> 00:19:11,625 JUST GO, OKAY? WE'RE FINE. 456 00:19:16,792 --> 00:19:18,667 UH... 457 00:19:18,750 --> 00:19:20,583 YES, UH... 458 00:19:20,667 --> 00:19:22,959 CAN I STILL MEET YOU A LITTLE BIT LATER? 459 00:19:23,041 --> 00:19:25,000 I CAN BE THERE IN A LITTLE WHILE. 460 00:19:26,875 --> 00:19:28,750 OKAY. 461 00:19:30,834 --> 00:19:32,834 [♪♪] 462 00:19:44,834 --> 00:19:47,458 TELL ME I DIDN'T MAKE A MISTAKE BUYING THIS PLACE. 463 00:19:47,542 --> 00:19:50,041 I MEAN, THIS THING SAT EMPTY FOR 20 YEARS. 464 00:19:50,125 --> 00:19:51,375 I KNOW, MOST PEOPLE CAN'T SEE PAST THE DIRT 465 00:19:51,458 --> 00:19:52,375 AND THE COBWEBS, 466 00:19:52,458 --> 00:19:54,083 BUT THIS PLACE HAS GREAT BONES, 467 00:19:54,166 --> 00:19:56,166 AND IT'S REALLY A BEAUTIFUL LOCATION. 468 00:19:56,250 --> 00:19:57,834 WHEN WE GET DONE, IT'S GONNA BE STUNNING. 469 00:19:57,917 --> 00:19:58,959 I HOPE SO. 470 00:19:59,041 --> 00:20:01,041 OH, LOOK, THAT'S OUR LIGHTHOUSE. 471 00:20:01,125 --> 00:20:03,417 THAT'S WHERE GENERAL CRADDOCK TURNED BACK THE INVADING FRENCH. 472 00:20:03,500 --> 00:20:05,333 CRADDOCK'S THE GUY WHO BUILT THIS PLACE. 473 00:20:05,417 --> 00:20:06,667 YEAH, THAT'S HIM. 474 00:20:06,750 --> 00:20:09,041 I ACTUALLY READ THAT THE FOUNDATION OF THIS HOUSE 475 00:20:09,125 --> 00:20:11,291 IS BUILT OF THE SAME STONE THEY USED TO BUILD THE FORT, 476 00:20:11,375 --> 00:20:12,166 AND IT'S STILL THERE. 477 00:20:12,250 --> 00:20:13,208 HUH... 478 00:20:14,667 --> 00:20:16,166 THIS MOLDING'S REALLY SPECTACULAR. 479 00:20:16,250 --> 00:20:17,375 YEAH, 480 00:20:17,458 --> 00:20:18,750 YOU CAN'T BUY THIS STUFF AT THE HARDWARE STORE. 481 00:20:18,834 --> 00:20:20,083 IT'S JUST A LITTLE BIT OF CRACKING, 482 00:20:20,166 --> 00:20:21,625 BUT NOTHING WE CAN'T REPAIR. 483 00:20:21,709 --> 00:20:22,875 GREAT. 484 00:20:23,875 --> 00:20:24,917 THIS MANTLE. 485 00:20:25,000 --> 00:20:27,333 CLASSIC VICTORIAN. 486 00:20:31,959 --> 00:20:34,792 [SIGHS HEAVILY] 487 00:20:34,875 --> 00:20:36,667 YOU AND THAT ANGEL HAVING A PRIVATE CONVERSATION? 488 00:20:41,250 --> 00:20:42,709 UH... I'M SORRY, 489 00:20:42,792 --> 00:20:44,625 I SHOULD HAVE RESCHEDULED TODAY. 490 00:20:44,709 --> 00:20:46,625 AFTER I CHANGED YOUR TIRE, 491 00:20:46,709 --> 00:20:48,458 I FOUND OUT MY FRIEND, JESSE, 492 00:20:48,542 --> 00:20:49,834 PASSED AWAY. 493 00:20:51,083 --> 00:20:53,458 JESSE HENNESSEY? 494 00:20:53,542 --> 00:20:54,750 HE WAS THE FRIENDLY GUY AT THE HARDWARE STORE 495 00:20:54,834 --> 00:20:55,875 WHO GAVE ME YOUR CARD. 496 00:20:55,959 --> 00:20:58,417 YEAH, THAT'S HIM. 497 00:20:58,500 --> 00:21:00,083 THAT BEAUTIFUL, LOVELY GUY, 498 00:21:00,166 --> 00:21:02,250 AND NOW HE'S GONE, AND I... 499 00:21:02,333 --> 00:21:04,667 I CAN'T GET MYSELF TO BELIEVE IT, 500 00:21:04,750 --> 00:21:06,792 AND I SHOULD PROBABLY JUST GO. 501 00:21:11,333 --> 00:21:12,208 [SIGHS] 502 00:21:20,166 --> 00:21:21,458 UM... 503 00:21:22,792 --> 00:21:23,959 I'M REALLY SORRY. 504 00:21:24,041 --> 00:21:25,208 THANK YOU. 505 00:21:26,375 --> 00:21:28,208 YOU KNOW... 506 00:21:28,291 --> 00:21:31,166 FOR WHAT IT'S WORTH, I THINK THE OLD CLICHE IS TRUE. 507 00:21:31,250 --> 00:21:33,667 THAT THE PEOPLE WE LOVE LIVE ON INSIDE OF US. 508 00:21:33,750 --> 00:21:35,208 ALTHOUGH, I DON'T THINK THAT HELPS 509 00:21:35,291 --> 00:21:37,375 IF YOU'RE MAD YOU CAN'T BE WITH HIM ANYMORE. 510 00:21:38,709 --> 00:21:40,375 THAT'S EXACTLY HOW I FEEL. 511 00:21:42,000 --> 00:21:43,250 YOU WANT SOMEONE TO REALIZE IT'S A MISTAKE, 512 00:21:43,333 --> 00:21:44,959 AND FIX IT. 513 00:21:45,041 --> 00:21:46,750 EXACTLY. 514 00:21:48,291 --> 00:21:50,208 IN MY JOB, I WAS AROUND A LOT OF PEOPLE 515 00:21:50,291 --> 00:21:53,125 AT THE WORST MOMENTS IN THEIR LIVES, 516 00:21:53,208 --> 00:21:56,875 AND I COULD NEVER DECIDE WHAT WAS HARDER TO DEAL WITH, 517 00:21:56,959 --> 00:22:00,041 A PURPOSEFUL CRIME, OR A SENSELESS ACCIDENT. 518 00:22:00,125 --> 00:22:02,875 WHAT IF YOU DON'T KNOW WHICH ONE IT IS? 519 00:22:06,959 --> 00:22:08,375 UM... 520 00:22:08,458 --> 00:22:09,834 YOU KNOW, I SHOULD GET YOUR QUOTE. 521 00:22:11,250 --> 00:22:12,583 IS IT OKAY IF I EMAIL IT TO YOU? 522 00:22:12,667 --> 00:22:13,792 YEAH. 523 00:22:13,875 --> 00:22:15,458 YEAH, I WON'T HAVE INTERNET UP AND RUNNING 524 00:22:15,542 --> 00:22:16,291 FOR A COUPLE DAYS, 525 00:22:16,375 --> 00:22:17,375 BUT I'LL GET-- 526 00:22:17,458 --> 00:22:19,208 OH, NO, YOU DON'T PLAN ON STAYING HERE 527 00:22:19,291 --> 00:22:20,417 WHILE WE RENOVATE, DO YOU? 528 00:22:20,500 --> 00:22:22,041 WELL, LIKE YOU SAID, 529 00:22:22,125 --> 00:22:23,375 SOME OF THE ROOMS ARE IN DECENT SHAPE. 530 00:22:23,458 --> 00:22:25,583 HMM... 531 00:22:25,667 --> 00:22:27,625 HANG ON, LET ME SHOW YOU SOMETHING. 532 00:22:34,750 --> 00:22:37,166 I'M SURE THIS ENTIRE HOUSE IS COVERED IN LEAD PAINT. 533 00:22:37,250 --> 00:22:39,959 WE'LL TEST IT, BUT... 534 00:22:40,041 --> 00:22:42,041 IT WOULD BE A HEALTH HAZARD TO LET YOU STAY HERE 535 00:22:42,125 --> 00:22:43,250 WHILE WE RENOVATE. 536 00:22:43,333 --> 00:22:44,583 I JUST GAVE UP MY PLACE. 537 00:22:44,667 --> 00:22:45,959 I HAVE TO BE OUT BY SATURDAY. 538 00:22:46,041 --> 00:22:48,166 WELL, I KNOW A VERY NICE BED AND BREAKFAST 539 00:22:48,250 --> 00:22:49,875 YOU COULD STAY AT. 540 00:22:49,959 --> 00:22:52,083 UH... NO. 541 00:22:52,166 --> 00:22:53,375 NO, WITH THE TOURISTS COMING AND GOING, 542 00:22:53,458 --> 00:22:55,208 THAT'S NOT A GREAT PLACE FOR A WRITER TO WORK. 543 00:22:56,417 --> 00:22:57,667 UM... 544 00:22:57,750 --> 00:22:58,750 I DO HAVE ANOTHER OPTION. 545 00:23:01,250 --> 00:23:02,417 THIS IS THE FIRST STRUCTURE 546 00:23:02,500 --> 00:23:04,291 I EVER PUT UP BY MYSELF, 547 00:23:04,375 --> 00:23:05,333 TO PROVE TO MY DAD, 548 00:23:05,417 --> 00:23:07,208 AND ME, I GUESS, 549 00:23:07,291 --> 00:23:09,083 THAT I WAS READY TO STRIKE OUT ON MY OWN. 550 00:23:09,166 --> 00:23:11,083 RIGHT HERE IN MY OWN BACKYARD. 551 00:23:11,166 --> 00:23:12,917 THIS WAS YOUR STARTER PROJECT? 552 00:23:13,000 --> 00:23:14,542 IT'S NOT BIG, BUT IT'S COZY. 553 00:23:14,625 --> 00:23:17,083 I LIVED HERE WHEN I WAS RENOVATING MY PLACE. 554 00:23:17,166 --> 00:23:18,917 DO YOU THINK YOU CAN WORK HERE? 555 00:23:19,000 --> 00:23:20,208 YEAH. 556 00:23:20,291 --> 00:23:22,166 YEAH, I CAN FEEL THE SENTENCES FORMING ALREADY. 557 00:23:22,250 --> 00:23:23,709 UM... HOW MUCH IS RENT? 558 00:23:23,792 --> 00:23:24,834 NO RENT. 559 00:23:24,917 --> 00:23:26,250 NO RENT? 560 00:23:26,333 --> 00:23:28,583 NO, NOT IF MY WORKING ON YOUR HOUSE 561 00:23:28,667 --> 00:23:30,041 IS THE REASON YOU CAN'T BE THERE. 562 00:23:30,125 --> 00:23:31,166 WHY DON'T YOU GO IN, 563 00:23:31,250 --> 00:23:32,250 CHECK IT OUT, 564 00:23:32,333 --> 00:23:33,542 SEE IF IT'S UP TO YOUR STANDARDS. 565 00:23:33,625 --> 00:23:34,792 OH, I'M SURE IT'LL BE FINE. 566 00:23:45,959 --> 00:23:47,041 ARE YOU OKAY? 567 00:23:47,125 --> 00:23:49,208 NO, NOT REALLY. 568 00:23:49,291 --> 00:23:50,375 YOU KNOW WHAT, 569 00:23:50,458 --> 00:23:52,166 I STILL HAVE TO DEAL WITH THE MORTUARY, AND-- 570 00:23:52,250 --> 00:23:54,625 THEY NEED INSTRUCTIONS ON WHAT TO DO 571 00:23:54,709 --> 00:23:56,375 WITH JESSE'S BODY, 572 00:23:56,458 --> 00:23:58,750 AND JENNIFER THOUGHT HIS WISHES MIGHT BE IN HIS WILL, 573 00:23:58,834 --> 00:24:00,333 SO I BROUGHT HER OVER TO HELP HER LOOK 574 00:24:00,417 --> 00:24:01,291 BEFORE I HEAD HOME. 575 00:24:02,333 --> 00:24:03,959 I'LL HELP, TOO. 576 00:24:04,041 --> 00:24:05,375 -COME ON. -THANKS, SHANNON. 577 00:24:25,125 --> 00:24:27,125 I LOVE THIS PICTURE. 578 00:24:31,208 --> 00:24:33,291 LOOK AT JESSE AND NED, 579 00:24:33,375 --> 00:24:36,458 SO PLEASED WITH THEMSELVES. 580 00:24:36,542 --> 00:24:38,125 THE SEXTANT THEY FOUND ON THAT SALVAGE DIVE, 581 00:24:38,208 --> 00:24:40,083 IT'S IN THE MARITIME MUSEUM. 582 00:24:40,166 --> 00:24:41,166 I KNOW. 583 00:24:41,250 --> 00:24:43,208 THAT'S WHERE I MET THE TWO OF THEM. 584 00:24:43,291 --> 00:24:45,000 THEY MADE ME LAUGH UNTIL I CRIED 585 00:24:45,083 --> 00:24:46,625 WITH THEIR STORIES. 586 00:24:46,709 --> 00:24:48,125 [CHUCKLING FONDLY] 587 00:24:48,208 --> 00:24:50,917 I HEARD IT WAS NED WHO ASKED YOU OUT FIRST. 588 00:24:51,000 --> 00:24:52,917 YEAH, 589 00:24:53,000 --> 00:24:55,333 BUT IT WAS JESSE 590 00:24:55,417 --> 00:24:57,208 WHO SIGNED UP FOR MY YOGA CLASS. 591 00:24:57,291 --> 00:25:00,667 AND HE TRIED SO HARD, JUST TO IMPRESS ME, 592 00:25:00,750 --> 00:25:04,166 THAT'S HOW HE STOLE MY HEART. 593 00:25:11,625 --> 00:25:13,667 HI! 594 00:25:15,583 --> 00:25:16,583 CAN I HELP YOU? 595 00:25:16,667 --> 00:25:17,458 [STARTING ENGINE HASTILY] 596 00:25:17,542 --> 00:25:19,166 HUH? 597 00:25:19,250 --> 00:25:20,250 HEY! HEY! 598 00:25:45,792 --> 00:25:47,333 THESE CUPBOARDS... 599 00:25:47,417 --> 00:25:49,458 THEY'RE A MESS. 600 00:25:49,542 --> 00:25:51,375 THAT'S A MAN FOR YOU. 601 00:25:51,458 --> 00:25:53,166 NOT JESSE. 602 00:25:53,250 --> 00:25:56,542 I USED TO TEASE HIM HE WAS PRACTICALLY OCD. 603 00:25:56,625 --> 00:25:58,125 HE KEPT THINGS REALLY TIDY. 604 00:25:59,709 --> 00:26:00,834 SHANNON... 605 00:26:00,917 --> 00:26:03,875 GUYS, LOOK WHAT I FOUND. 606 00:26:03,959 --> 00:26:05,125 ALTHEA, LOOKS LIKE 607 00:26:05,208 --> 00:26:08,250 JESSE WAS PLANNING ON ASKING YOU TO MARRY HIM. 608 00:26:08,333 --> 00:26:11,333 OH, IT'S BEAUTIFUL. 609 00:26:11,417 --> 00:26:13,083 HE SAID HE HAD A SPECIAL NIGHT PLANNED 610 00:26:13,166 --> 00:26:14,750 FOR FRIDAY. 611 00:26:14,834 --> 00:26:16,333 OH, ALTHEA... 612 00:26:16,417 --> 00:26:17,792 OH, MY GOODNESS. 613 00:26:17,875 --> 00:26:19,959 [CAR ALARM BLARING] 614 00:26:20,041 --> 00:26:22,041 OH, MY GOODNESS, THAT SOUNDS LIKE MY CAR. 615 00:26:25,583 --> 00:26:26,917 [CAR ALARM BLARING] 616 00:26:27,000 --> 00:26:28,500 WHAT IS GOING ON? 617 00:26:28,583 --> 00:26:29,542 I KNEW IT WAS MY CAR. 618 00:26:31,166 --> 00:26:32,917 [BEEPS ALARM OFF] 619 00:26:33,000 --> 00:26:34,291 ALTHEA-- 620 00:26:34,375 --> 00:26:35,875 SOMEONE BROKE INTO YOUR CAR. 621 00:26:35,959 --> 00:26:37,333 [GROANING] 622 00:26:37,417 --> 00:26:38,583 OH, NO... 623 00:26:38,667 --> 00:26:39,709 OH, WOW. 624 00:26:39,792 --> 00:26:41,166 WE NEED TO CALL THE POLICE. 625 00:26:41,250 --> 00:26:43,375 NOTHING'S MISSING BUT MY TOTE BAG 626 00:26:43,458 --> 00:26:45,083 AND A YOGA MAT. 627 00:26:45,166 --> 00:26:46,959 NOTHING IMPORTANT. 628 00:26:47,041 --> 00:26:48,333 WE SHOULD STILL CALL THE POLICE. 629 00:26:48,417 --> 00:26:49,959 AND TAKE A PHOTO FOR THE INSURANCE. 630 00:26:50,041 --> 00:26:51,917 HOW CAN I CARE ABOUT POLICE REPORTS 631 00:26:52,000 --> 00:26:54,458 AND INSURANCE CLAIMS RIGHT NOW? 632 00:26:54,542 --> 00:26:56,625 THE MAN I LOVED JUST DIED... 633 00:26:56,709 --> 00:26:58,542 YOU'RE RIGHT, YOU SHOULDN'T WORRY ABOUT ANY OF THIS. 634 00:26:58,625 --> 00:27:00,458 YOU KNOW WHAT, SHANNON, I'M GONNA TAKE ALTHEA INSIDE. 635 00:27:00,542 --> 00:27:01,834 AND DON'T WORRY, 636 00:27:01,917 --> 00:27:02,917 I'LL TAKE PICTURES JUST IN CASE. 637 00:27:04,000 --> 00:27:05,750 OKAY. 638 00:27:05,834 --> 00:27:06,709 I DON'T BELIEVE THIS. 639 00:27:08,333 --> 00:27:09,417 [SHUTTER CLICKS] 640 00:27:09,500 --> 00:27:10,583 [CELL PHONE RINGS] 641 00:27:10,667 --> 00:27:11,709 DAD, HEY. 642 00:27:11,792 --> 00:27:14,208 HEY, DARLIN', BACK IN CELL-PHONE RANGE. 643 00:27:14,291 --> 00:27:16,000 I SAW THAT YOU CALLED. EVERYTHING OKAY? 644 00:27:17,667 --> 00:27:19,333 SOMETHING TERRIBLE HAS HAPPENED. 645 00:27:19,417 --> 00:27:20,625 JESSE IS DEAD. 646 00:27:20,709 --> 00:27:21,875 WHAT? 647 00:27:24,583 --> 00:27:25,959 NO, I-I CAN'T HAVE HEARD THAT RIGHT. 648 00:27:26,041 --> 00:27:27,250 TELL ME I DIDN'T HEAR THAT RIGHT. 649 00:27:27,333 --> 00:27:28,583 EVERYTHING OKAY? 650 00:27:28,667 --> 00:27:29,458 I'M SO SORRY. 651 00:27:29,542 --> 00:27:30,917 WHAT HAPPENED? 652 00:27:31,000 --> 00:27:33,875 I FOUND HIM, IN HIS DEN. 653 00:27:33,959 --> 00:27:36,917 THE POLICE THINK THAT HE FELL AND HIT HIS HEAD. 654 00:27:38,667 --> 00:27:39,458 JESSE'S DEAD? 655 00:27:44,917 --> 00:27:46,792 IT'S AWFUL. 656 00:27:46,875 --> 00:27:47,875 OH, SWEETHEART, 657 00:27:47,959 --> 00:27:49,709 I'LL BE HOME AS SOON AS I CAN. 658 00:27:49,792 --> 00:27:50,709 YOU GONNA BE OKAY? 659 00:27:50,792 --> 00:27:51,959 I THINK SO. 660 00:27:52,041 --> 00:27:54,208 I DON'T KNOW WHAT I FEEL ANYMORE. 661 00:28:14,250 --> 00:28:17,000 [DARK BARKING OUTSIDE] 662 00:28:36,834 --> 00:28:38,417 YES, I'D LIKE TO REPORT A BREAK-IN 663 00:28:38,500 --> 00:28:40,375 HAPPENING RIGHT NOW, 1120 AMBLESIDE. 664 00:28:47,792 --> 00:28:48,792 [TIRES SCREECHING] 665 00:28:49,750 --> 00:28:51,208 SHANNON! 666 00:28:51,291 --> 00:28:52,500 YOU OKAY? 667 00:28:52,583 --> 00:28:53,792 YEAH. 668 00:28:53,875 --> 00:28:55,083 I THINK SO. 669 00:28:55,166 --> 00:28:56,250 WHAT ARE YOU DOING? 670 00:28:56,333 --> 00:28:57,208 WHY ARE YOU IN THE MIDDLE OF THE STREET? 671 00:28:57,291 --> 00:28:59,500 THERE'S SOMEONE IN JESSE'S HOUSE. 672 00:29:01,166 --> 00:29:01,834 OKAY, UH, BETTER CALL THE POLICE-- 673 00:29:01,917 --> 00:29:02,959 I CALLED THEM. 674 00:29:03,041 --> 00:29:04,000 I'M NOT LETTING THIS GUY GET AWAY. 675 00:29:04,083 --> 00:29:05,208 SHANNON! 676 00:29:07,792 --> 00:29:09,959 I DON'T LIKE THIS IDEA. 677 00:29:12,917 --> 00:29:14,125 I DON'T SEE ANYTHING, DO YOU? 678 00:29:14,208 --> 00:29:15,583 NO, IT'S TOO DARK. 679 00:29:19,750 --> 00:29:20,792 THE KEY IS MISSING. 680 00:29:21,834 --> 00:29:22,709 [CRASHING] 681 00:29:22,792 --> 00:29:23,709 WHAT WAS THAT? 682 00:29:24,834 --> 00:29:26,291 HE'S GETTING OUT THE BACK. 683 00:29:26,375 --> 00:29:28,041 STAY HERE. I GOT THIS. 684 00:29:32,709 --> 00:29:34,166 [SIRENS WAILING] 685 00:29:42,375 --> 00:29:43,583 THEY WENT OUT BACK. 686 00:29:43,667 --> 00:29:45,417 ALL RIGHT, YOU STAY HERE, WE'LL TAKE CARE OF THIS. 687 00:29:51,458 --> 00:29:52,375 HEY! 688 00:29:58,417 --> 00:29:59,959 HE JUMPED THE FENCE! 689 00:30:03,750 --> 00:30:06,083 POLICE! FREEZE! 690 00:30:06,166 --> 00:30:07,458 YOU'VE GOT THE WRONG GUY. 691 00:30:07,542 --> 00:30:08,583 GET DOWN, 692 00:30:08,667 --> 00:30:10,417 AND PUT YOUR HANDS UP WHERE I CAN SEE THEM! 693 00:30:10,500 --> 00:30:11,375 [GRUMBLING] 694 00:30:14,917 --> 00:30:16,458 THE GUY YOU WANT JUST WENT OVER THE FENCE. 695 00:30:16,542 --> 00:30:17,417 DO IT! 696 00:30:17,500 --> 00:30:18,583 OKAY. 697 00:30:18,667 --> 00:30:20,417 HANDS BEHIND YOUR BACK. 698 00:30:24,417 --> 00:30:26,291 THAT'S NOT THE GUY THAT BROKE INTO THE HOUSE! 699 00:30:26,375 --> 00:30:27,125 THAT'S MY TENANT! 700 00:30:29,041 --> 00:30:30,417 AS I SAID, 701 00:30:30,500 --> 00:30:32,417 THE GUY YOU WANT JUST JUMPED OVER THE FENCE. 702 00:30:32,500 --> 00:30:35,542 WHAT ARE YOU WAITING FOR, GET AFTER HIM! 703 00:30:35,625 --> 00:30:37,333 [POLICE RADIO CRACKLING] THIS IS UNIT 17, 704 00:30:37,417 --> 00:30:40,000 WITNESS REPORTS THAT SUSPECT ESCAPED OVER BACK FENCE 705 00:30:40,083 --> 00:30:41,875 1120 AMBLESIDE. 706 00:30:41,959 --> 00:30:44,041 OFFICER NESBITT IS IN PURSUIT. 707 00:30:44,125 --> 00:30:45,667 NOTIFY CHIEF JENSEN. 708 00:30:45,750 --> 00:30:46,709 ARE YOU OKAY? 709 00:30:46,792 --> 00:30:48,000 DID HE HURT YOU? 710 00:30:48,083 --> 00:30:50,500 NO, NOT UNLESS YOU COUNT ANOTHER BRUISE TO MY EGO. 711 00:30:50,583 --> 00:30:54,625 WELL, UM, I'LL TRY AND GET HIM TO TAKE THE HANDCUFFS OFF. 712 00:30:54,709 --> 00:30:57,125 [POLICE RADIO DISPATCH CRACKLING] 713 00:30:59,458 --> 00:31:01,417 NOW, YOU DON'T REMEMBER ANYTHING ELSE ABOUT THIS GUY? 714 00:31:01,500 --> 00:31:02,542 THAT'S ALL I COULD SEE. 715 00:31:02,625 --> 00:31:04,000 MEDIUM HEIGHT. 716 00:31:04,083 --> 00:31:06,458 IT WAS HARD TO TELL THE BUILD WITH THE BULKY BLACK JACKET, 717 00:31:06,542 --> 00:31:07,583 BUT I KNOW HE HAD A BIT OF A HARD TIME 718 00:31:07,667 --> 00:31:08,792 GETTING OVER THE FENCE. 719 00:31:08,875 --> 00:31:10,417 [TOMMY]: YEAH, BY THE TIME OFFICER NESBITT 720 00:31:10,500 --> 00:31:11,375 GOT OVER THE FENCE, 721 00:31:11,458 --> 00:31:12,583 THE SUSPECT HAD FLED. 722 00:31:12,667 --> 00:31:13,709 HE DIDN'T SEE ANYTHING EITHER. 723 00:31:13,792 --> 00:31:14,959 [CHIEF JENSEN]: OKAY, 724 00:31:15,041 --> 00:31:16,417 WE'LL HAVE NESBITT CANVASS THE AREA, 725 00:31:16,500 --> 00:31:18,542 MAYBE ONE OF THE NEIGHBORS SAW SOMETHING. 726 00:31:18,625 --> 00:31:19,625 [MAC]: YOU MIGHT WANT TO START 727 00:31:19,709 --> 00:31:20,667 WITH THE STREETS TO THE SOUTH HERE. 728 00:31:20,750 --> 00:31:22,417 I MEAN, THAT'S WHERE HE WAS GOING. 729 00:31:22,500 --> 00:31:23,458 WHY JESSE'S PLACE? 730 00:31:23,542 --> 00:31:25,250 WE'VE SEEN THIS SORT OF THING BEFORE. 731 00:31:25,333 --> 00:31:26,291 YOU KNOW, WHEN SOMEONE DIES, 732 00:31:26,375 --> 00:31:27,750 THE THIEVES KNOW THE HOUSE IS EMPTY, 733 00:31:27,834 --> 00:31:28,625 SO THEY BREAK IN--- 734 00:31:28,709 --> 00:31:29,750 HE DIDN'T BREAK IN. 735 00:31:31,041 --> 00:31:32,500 HE USED THE KEY FROM UNDER THE FLOWER POT. 736 00:31:32,583 --> 00:31:33,542 IT WAS MISSING, 737 00:31:33,625 --> 00:31:34,917 AND THE FRONT DOOR WAS OPEN. 738 00:31:36,083 --> 00:31:37,208 SO THEN, 739 00:31:37,291 --> 00:31:38,583 IT WAS SOMEONE JESSE KNEW. 740 00:31:38,667 --> 00:31:40,250 OR IT WAS SOMEONE WHO WAS SMART ENOUGH 741 00:31:40,333 --> 00:31:41,583 TO LOOK UNDER THE FLOWER POT. 742 00:31:41,667 --> 00:31:43,208 TO SEARCH 743 00:31:43,291 --> 00:31:44,834 FOR WHAT HE COULDN'T FIND LAST NIGHT. 744 00:31:44,917 --> 00:31:46,166 WAIT, YOU'RE SAYING IT WAS THE SAME PERSON 745 00:31:46,250 --> 00:31:47,834 WHO WAS HERE LAST NIGHT, THE NIGHT THAT JESSE DIED? 746 00:31:49,166 --> 00:31:50,750 I NOTICED SOME THINGS OUT OF PLACE THIS MORNING, 747 00:31:50,834 --> 00:31:52,125 AND THEN LATER THIS AFTERNOON, 748 00:31:52,208 --> 00:31:54,709 WHEN I WAS HERE WITH JENNIFER AND ALTHEA. 749 00:31:54,792 --> 00:31:56,792 LIKE SOMEBODY WAS SEARCHING FOR SOMETHING. 750 00:31:56,875 --> 00:31:59,625 OKAY, A LOOSE FURNACE GRATE OR A FEW THINGS OUT OF PLACE 751 00:31:59,709 --> 00:32:01,291 IS NOT PROOF OF A SEARCH. 752 00:32:01,375 --> 00:32:02,709 NOW, THAT ROOM THAT YOU WERE JUST IN, 753 00:32:02,792 --> 00:32:04,041 THAT'S WHAT A PLACE LOOKS LIKE 754 00:32:04,125 --> 00:32:06,166 WHEN SOMEONE'S TRYING TO FIND SOMETHING TO STEAL. 755 00:32:06,250 --> 00:32:08,709 WHAT IF HE USED THE KEY UNDER THE FLOWER POT, 756 00:32:08,792 --> 00:32:11,291 BUT HAD TO BE MORE CAREFUL BECAUSE JESSE WAS HOME? 757 00:32:11,375 --> 00:32:13,125 WHAT IF JESSE WOKE UP, 758 00:32:13,208 --> 00:32:15,500 HE CAUGHT THE GUY SEARCHING THE DEN? 759 00:32:15,583 --> 00:32:17,625 WHAT IF JESSE DIDN'T FALL, BUT HE WAS ATTACKED? 760 00:32:17,709 --> 00:32:19,750 YOU'RE SUGGESTING JESSE MAY HAVE BEEN MURDERED? 761 00:32:21,291 --> 00:32:23,250 SOMEONE WAS LOOKING FOR SOMETHING TONIGHT, 762 00:32:23,333 --> 00:32:24,875 AND SOMEONE BROKE INTO JESSE'S-- 763 00:32:24,959 --> 00:32:26,542 ALL RIGHT, YOU KNOW WHAT, 764 00:32:26,625 --> 00:32:28,291 LET'S JUST HOP OFF THE SPECULATION TRAIN 765 00:32:28,375 --> 00:32:29,250 RIGHT NOW. 766 00:32:30,709 --> 00:32:32,000 CHIEF, I GOTTA SAY, 767 00:32:32,083 --> 00:32:33,834 I'VE BEEN COVERING CRIME IN THE CITY FOR 20 YEARS. 768 00:32:33,917 --> 00:32:34,959 WHAT SHE'S SAYING SOUNDS PLAUSIBLE. 769 00:32:35,041 --> 00:32:37,166 I'M NOT SAYING IT'S NOT PLAUSIBLE. 770 00:32:37,250 --> 00:32:38,250 I'M SAYING WE HAVE NO EVIDENCE. 771 00:32:38,333 --> 00:32:40,333 YOU HAVEN'T EVEN LOOKED FOR EVIDENCE 772 00:32:40,417 --> 00:32:42,041 AS FAR AS I CAN SEE. 773 00:32:43,709 --> 00:32:44,792 SORRY. 774 00:32:44,875 --> 00:32:46,667 NOW, WHAT I WAS ABOUT TO SAY WAS, 775 00:32:46,750 --> 00:32:48,667 OUT OF AN ABUNDANCE OF CAUTION, 776 00:32:48,750 --> 00:32:49,917 WE WILL SEAL OFF THIS HOUSE, 777 00:32:50,000 --> 00:32:51,750 AND WE WILL PROCESS IT AS A CRIME SCENE... 778 00:32:53,166 --> 00:32:55,542 UNTIL WE GET JESSE'S AUTOPSY RESULTS. 779 00:32:55,625 --> 00:32:57,333 THANK YOU. 780 00:33:21,125 --> 00:33:22,083 NO, YOU'RE RIGHT, IT'S NOT A COINCIDENCE 781 00:33:22,166 --> 00:33:23,208 THIS GUY BROKE INTO JESSE'S HOUSE 782 00:33:23,291 --> 00:33:24,625 ONLY A FEW HOURS 783 00:33:24,709 --> 00:33:27,000 AFTER SOMEONE BROKE INTO HIS GIRLFRIEND'S CAR. 784 00:33:27,083 --> 00:33:28,875 YEAH, HE SMASHED THE WINDOW, STOLE THE BAG 785 00:33:28,959 --> 00:33:30,125 NO MORE THAN 15 MINUTES 786 00:33:30,208 --> 00:33:31,917 AFTER I GAVE YOU THE KEYS TO THE COTTAGE-- 787 00:33:32,000 --> 00:33:33,792 OH, HEY, HANG ON, I HAVE A PICTURE. 788 00:33:33,875 --> 00:33:34,875 OH. 789 00:33:34,959 --> 00:33:35,834 UM... THERE. 790 00:33:35,917 --> 00:33:36,834 HOLD ON. 791 00:33:40,041 --> 00:33:41,583 I SAW THAT BLUE HATCHBACK WHEN I WAS LEAVING. 792 00:33:41,667 --> 00:33:44,166 IT WAS PARKED IN EXACTLY THE SAME SPOT. 793 00:33:44,250 --> 00:33:46,000 THE DRIVER HAD, UH, WHITE HAIR. 794 00:33:46,083 --> 00:33:47,166 HE WAS IN HIS 50S. 795 00:33:47,250 --> 00:33:49,333 WHEN I APPROACHED THE CAR, HE DROVE OFF. 796 00:33:49,417 --> 00:33:51,875 BUT THE CAR'S STILL THERE IN THE PICTURE. 797 00:33:51,959 --> 00:33:53,959 WELL, HE PROBABLY CAME BACK AFTER I LEFT. 798 00:33:54,041 --> 00:33:55,041 AND MAYBE YOU CAME OUT OF THE HOUSE 799 00:33:55,125 --> 00:33:55,875 FASTER THAN EXPECTED 800 00:33:55,959 --> 00:33:57,709 AFTER HE SMASHED THAT WINDOW? 801 00:33:59,083 --> 00:34:00,750 CAN YOU TELL IF THAT WAS THE SAME GUY 802 00:34:00,834 --> 00:34:02,959 YOU SAW JUMPING OVER THE FENCE? 803 00:34:03,041 --> 00:34:04,125 NO. 804 00:34:04,208 --> 00:34:05,250 BUT IT'S GOT TO BE, RIGHT? 805 00:34:05,333 --> 00:34:07,250 I SHOULD HAVE GOTTEN THE LICENSE PLATE. 806 00:34:07,333 --> 00:34:09,709 NORMALLY, I WOULD HAVE DONE THAT. 807 00:34:09,792 --> 00:34:12,583 DOES THAT MEAN THIS GUY HAS BEEN RACKING ALTHEA? 808 00:34:12,667 --> 00:34:14,875 THAT HE FOLLOWED HER TO JENNIFER'S, 809 00:34:14,959 --> 00:34:16,500 AND THEN OVER TO JESSE'S? 810 00:34:16,583 --> 00:34:18,792 POSSIBLY, YEAH. 811 00:34:18,875 --> 00:34:20,625 I'M GOING TO TALK TO ALTHEA FIRST THING IN THE MORNING. 812 00:34:20,709 --> 00:34:22,000 I'LL SHOW HER THE PICTURE, 813 00:34:22,083 --> 00:34:23,792 AND SEE IF SHE KNOWS ANYTHING THAT COULD HELP US. 814 00:34:23,875 --> 00:34:24,792 I'LL COME WITH YOU. 815 00:34:24,875 --> 00:34:26,875 THANK YOU. 816 00:34:26,959 --> 00:34:29,208 BUT DON'T YOU HAVE A MASTERPIECE TO BE WRITING? 817 00:34:29,291 --> 00:34:31,583 YEAH, BUT I'M ALSO AN INVESTIGATIVE REPORTER, 818 00:34:31,667 --> 00:34:32,959 AND I CAN'T RESIST A KNOT 819 00:34:33,041 --> 00:34:35,083 THAT NEEDS UNRAVELING. 820 00:34:35,166 --> 00:34:36,750 THE QUESTION IS, 821 00:34:36,834 --> 00:34:38,709 WHY ARE YOU PUSHING THIS? 822 00:34:40,792 --> 00:34:41,667 I MEAN, WHY NOT WAIT FOR THE POLICE? 823 00:34:43,291 --> 00:34:44,417 WELL... 824 00:34:44,500 --> 00:34:47,667 LET'S JUST SAY THAT I HAVE PAID A HUGE PRICE 825 00:34:47,750 --> 00:34:49,834 WAITING FOR THE POLICE TO TAKE ACTION 826 00:34:49,917 --> 00:34:51,625 WHEN I KNEW SOMETHING WAS WRONG. 827 00:34:54,041 --> 00:34:55,834 NEVER AGAIN. 828 00:34:58,875 --> 00:35:00,709 OH, SHANNON, 829 00:35:00,792 --> 00:35:01,709 GOOD TO SEE YOU. 830 00:35:03,125 --> 00:35:05,208 THIS IS MAC SULLIVAN, THE WRITER. 831 00:35:05,291 --> 00:35:07,041 HELLO, ALTHEA. 832 00:35:07,125 --> 00:35:08,000 I'M SORRY FOR YOUR LOSS. 833 00:35:08,083 --> 00:35:09,375 THANK YOU. 834 00:35:09,458 --> 00:35:11,375 I WISH WE WERE MEETING UNDER BETTER CIRCUMSTANCES. 835 00:35:11,458 --> 00:35:12,834 IT'S BEEN A... 836 00:35:12,917 --> 00:35:16,166 A SAD, SAD TIME FOR ALL OF US. 837 00:35:16,250 --> 00:35:17,625 I CAN ONLY IMAGINE. 838 00:35:17,709 --> 00:35:20,250 ALTHEA, WE WERE WONDERING IF YOU HAD A FEW MOMENTS TO TALK? 839 00:35:20,333 --> 00:35:21,250 SURE. 840 00:35:24,375 --> 00:35:26,792 I'VE NEVER SEEN THIS CAR BEFORE. 841 00:35:26,875 --> 00:35:29,750 I DIDN'T EVEN NOTICE IT YESTERDAY. 842 00:35:29,834 --> 00:35:32,291 I DON'T UNDERSTAND WHY YOU WOULD THINK THIS PERSON 843 00:35:32,375 --> 00:35:34,875 WOULD BE LOOKING FOR SOMETHING OF JESSE'S IN MY CAR. 844 00:35:34,959 --> 00:35:36,834 WELL, WE'RE NOT SURE IF HE IS. 845 00:35:36,917 --> 00:35:38,000 IT'S JUST THAT 846 00:35:38,083 --> 00:35:39,250 YOU'VE BEEN SPENDING THE MOST TIME WITH JESSE 847 00:35:39,333 --> 00:35:40,417 LATELY, SO... 848 00:35:40,500 --> 00:35:42,333 DID HE GIVE YOU ANY PRESENTS RECENTLY, 849 00:35:42,417 --> 00:35:45,125 EVEN SOMETHING THAT DIDN'T SEEM TO HAVE ANY VALUE? 850 00:35:45,208 --> 00:35:47,709 JESSE WASN'T MATERIALISTIC. 851 00:35:47,792 --> 00:35:50,166 HE BELIEVED IN SHARING EXPERIENCES. 852 00:35:50,250 --> 00:35:53,417 HE TOOK ME PLACES, BUT DIDN'T GIVE ME THINGS. 853 00:35:53,500 --> 00:35:55,166 DID HE MENTION ANYTHING HE WAS WORKING ON, 854 00:35:55,250 --> 00:35:56,417 MAYBE A SECRET PROJECT? 855 00:35:57,875 --> 00:35:59,709 JESSE DIDN'T KEEP SECRETS. 856 00:35:59,792 --> 00:36:01,000 THAT'S TRUE. 857 00:36:01,083 --> 00:36:02,166 EVERYTHING JESSE DID 858 00:36:02,250 --> 00:36:04,375 BECAME A STORY HE SHARED WITH EVERYONE. 859 00:36:04,458 --> 00:36:06,458 ESPECIALLY HIS SALVAGE DIVES. 860 00:36:06,542 --> 00:36:08,000 WELL, DID HE TALK TO EITHER ONE OF YOU 861 00:36:08,083 --> 00:36:10,291 ABOUT SOMETHING HE FOUND, SOMETHING HE WAS EXCITED ABOUT? 862 00:36:10,375 --> 00:36:11,542 YOU MEAN, BESIDES A MERMAID? 863 00:36:13,083 --> 00:36:14,709 OR BLACKBEARD'S TREASURE... 864 00:36:14,792 --> 00:36:15,959 LET'S SEE, THERE WAS THE ONE 865 00:36:16,041 --> 00:36:17,125 ABOUT THE LOST NECKLACE OF THE SPANISH PRINCESS. 866 00:36:17,208 --> 00:36:18,208 ALL HIS STORIES 867 00:36:18,291 --> 00:36:20,000 WERE ABOUT ENTERTAINING US. 868 00:36:20,083 --> 00:36:21,417 ANYWAY, HE TOLD ME 869 00:36:21,500 --> 00:36:23,041 HE DONATED ANYTHING WORTHWHILE 870 00:36:23,125 --> 00:36:25,834 TO THE MARITIME MUSEUM HERE IN LIGHTHOUSE COVE. 871 00:36:25,917 --> 00:36:26,834 [DOORBELL BUZZES] 872 00:36:26,917 --> 00:36:28,208 OH. THAT MUST BE A DELIVERY. 873 00:36:28,291 --> 00:36:29,709 WOULD YOU EXCUSE ME FOR A MINUTE? 874 00:36:32,750 --> 00:36:34,959 I GUESS ALTHEA IS A DEAD END. 875 00:36:35,041 --> 00:36:35,917 WELL... 876 00:36:38,917 --> 00:36:40,500 THERE'S NO SUCH THING AS A DEAD END. 877 00:36:40,583 --> 00:36:41,667 WE KEEP LOOKING 878 00:36:41,750 --> 00:36:43,041 UNTIL WE FIND ANOTHER WAY, 879 00:36:43,125 --> 00:36:44,792 AND I KNOW EXACTLY WHERE TO LOOK NEXT. 880 00:36:46,000 --> 00:36:48,333 THE MARITIME MUSEUM. 881 00:36:48,417 --> 00:36:49,583 HERE WE GO, 882 00:36:49,667 --> 00:36:51,792 THE JESSE HENNESSEY COLLECTION. 883 00:36:51,875 --> 00:36:53,875 WE HAVE THE SHIP'S WHEEL FROM THE LARAINA, 884 00:36:53,959 --> 00:36:55,667 WHICH SANK IN 1943, 885 00:36:55,750 --> 00:36:58,041 NOT FAR FROM OUR VERY OWN LIGHTHOUSE. 886 00:36:58,125 --> 00:37:00,917 WE HAVE A TURN-OF-THE-CENTURY DIVER'S BOOT, 887 00:37:01,000 --> 00:37:02,583 AND A LOVELY CAPTAIN'S TEA SERVICE 888 00:37:02,667 --> 00:37:04,834 FROM A SHIP THAT SANK IN 1901. 889 00:37:04,917 --> 00:37:07,375 YOU HARDLY EVER SEE A FULL SET INTACT LIKE THIS. 890 00:37:08,583 --> 00:37:09,875 AND HERE IT IS, 891 00:37:09,959 --> 00:37:12,041 THE PRIDE AND JOY OF THE MUSEUM, 892 00:37:12,125 --> 00:37:13,250 OUR OLDEST PIECE. 893 00:37:13,333 --> 00:37:15,959 IT'S A SEXTANT FROM THE SAN MATEO, 894 00:37:16,041 --> 00:37:17,667 A SPANISH SHIP WHICH SANK OFF THE COAST OF FLORIDA 895 00:37:17,750 --> 00:37:19,834 IN 1788. 896 00:37:19,917 --> 00:37:21,333 IT TOOK TWO YEARS 897 00:37:21,417 --> 00:37:23,417 FOR JESSE TO BE GRANTED HIS CLAIM ON THIS. 898 00:37:23,500 --> 00:37:25,333 THE GOVERNMENT OF SPAIN TOOK EVERYTHING HE FOUND, 899 00:37:25,417 --> 00:37:28,041 BUT LET HIM KEEP THIS AS PAYMENT. 900 00:37:28,125 --> 00:37:30,125 THE DAY HE GOT THE PAPERS, HE SIGNED THEM OVER TO US. 901 00:37:30,208 --> 00:37:33,333 CAROL, DID JESSE FIND ANYTHING NEW? 902 00:37:33,417 --> 00:37:35,041 I MEAN, I KNOW HE HADN'T BEEN ON ANY DIVES LATELY, BUT... 903 00:37:35,125 --> 00:37:37,875 NO, NOTHING NEW. 904 00:37:37,959 --> 00:37:40,417 AND BELIEVE ME, I ASKED HIM EVERY TIME I SAW HIM. 905 00:37:40,500 --> 00:37:41,917 UH, THE LAST TIME YOU ASKED HIM, 906 00:37:42,000 --> 00:37:44,458 DID HE SAY HE WAS PLANNING ON MAKING A NEW DONATION? 907 00:37:44,542 --> 00:37:46,375 NO, HE JUST KEPT SAYING 908 00:37:46,458 --> 00:37:48,375 THE SAME THING HE'S BEEN SAYING FOR THE PAST YEAR. 909 00:37:48,458 --> 00:37:49,667 WHAT WAS THAT? 910 00:37:49,750 --> 00:37:53,083 "I GOT SOMETHING BIG COMING FOR YOU, CAROL. 911 00:37:53,166 --> 00:37:54,750 SOMETHING THAT'LL MAKE THIS MUSEUM FAMOUS." 912 00:37:58,208 --> 00:38:00,083 BUT AFTER WHAT CAROL JUST TOLD US-- 913 00:38:00,166 --> 00:38:02,750 OKAY, NOW, FIRST OFF, JESSE WAS FULL OF FICTIONS. 914 00:38:02,834 --> 00:38:04,458 BUT EVEN IF HE DID HAVE SOMETHING BIG TO DONATE, 915 00:38:04,542 --> 00:38:05,709 THAT'D ONLY GIVE US A REASONS 916 00:38:05,792 --> 00:38:07,917 AS TO WHY SOMEONE MAY WANT TO ROB JESSE'S HOUSE, 917 00:38:08,000 --> 00:38:09,542 NOT A REASON TO SUSPECT MURDER. 918 00:38:09,625 --> 00:38:11,041 BUT WHAT ABOUT THE BLUE HATCHBACK, 919 00:38:11,125 --> 00:38:12,583 THE PICTURE WE JUST SHOWED YOU? 920 00:38:12,667 --> 00:38:14,000 YEAH, I EVEN GAVE YOU A DESCRIPTION OF THE DRIVER. 921 00:38:14,083 --> 00:38:15,041 ALL RIGHT, LOOK, 922 00:38:15,125 --> 00:38:16,250 NOW, THE AUTOPSY CONFIRMED 923 00:38:16,333 --> 00:38:18,041 THAT JESSE TOOK A FALL AND STRUCK HIS HEAD, 924 00:38:18,125 --> 00:38:19,875 PROBABLY ON THE EDGE OF THE FIREPLACE IN THE DEN. 925 00:38:19,959 --> 00:38:23,709 HOW CAN ANYONE KNOW IF HE FELL OR WAS PUSHED-- 926 00:38:23,792 --> 00:38:25,583 SHANNON, THE CORONER FOUND PRESCRIPTION SLEEPING MEDICATION 927 00:38:25,667 --> 00:38:26,625 IN HIS BLOOD. 928 00:38:26,709 --> 00:38:28,083 A DRUG THAT WOULD MAKE ANYONE GROGGY, 929 00:38:28,166 --> 00:38:30,667 OR UNSURE OF THEIR FOOTING IN THE MIDDLE OF THE NIGHT. 930 00:38:30,750 --> 00:38:32,083 OH. 931 00:38:32,166 --> 00:38:34,625 SO YOU DON'T MIND HOPPING ON THE SPECULATION TRAIN 932 00:38:34,709 --> 00:38:37,250 AS LONG AS IT'S HEADING THE OTHER DIRECTION. 933 00:38:37,333 --> 00:38:39,750 ALL RIGHT, LISTEN. 934 00:38:39,834 --> 00:38:42,625 ALL RIGHT, NOW, JESSE DIED, AND YOU WANT A REASON, 935 00:38:42,709 --> 00:38:44,583 YOU WANT SOMEONE TO BLAME. 936 00:38:44,667 --> 00:38:46,041 BUT THERE'S NO ONE TO BLAME HERE, SHANNON. 937 00:38:46,125 --> 00:38:47,959 THERE HASN'T BEEN A CRIME. 938 00:38:48,041 --> 00:38:49,417 SO DO ME A FAVOR. 939 00:38:49,500 --> 00:38:52,208 JUST... GO HOME, 940 00:38:52,291 --> 00:38:55,166 MOURN THE PASSING OF A GOOD MAN. 941 00:38:55,250 --> 00:38:56,542 GO ON WITH YOUR LIFE. 942 00:39:06,125 --> 00:39:07,166 [SIGHING] 943 00:39:07,250 --> 00:39:09,208 MAYBE CHIEF JENSEN'S RIGHT. 944 00:39:09,291 --> 00:39:10,834 MAYBE I'M TRYING TOO HARD 945 00:39:10,917 --> 00:39:13,250 TO MAKE SENSE OF SOMETHING THAT'LL NEVER MAKE SENSE, 946 00:39:13,333 --> 00:39:14,750 AND I SHOULD JUST QUIT OBSESSING 947 00:39:14,834 --> 00:39:16,041 AND FOCUS ON YOUR RENOVATION, AND-- 948 00:39:16,125 --> 00:39:18,333 WHAT ARE YOU DOING? YOU'RE NOT LISTENING TO ME. 949 00:39:18,417 --> 00:39:19,375 WHERE'S MY PHONE? 950 00:39:19,458 --> 00:39:20,250 WHY DO YOU NEED YOUR PHONE? 951 00:39:20,333 --> 00:39:21,250 I SEE THE HATCHBACK GUY. 952 00:39:21,333 --> 00:39:22,583 THAT'S HIM. 953 00:39:22,667 --> 00:39:23,667 THAT'S HIM, 954 00:39:23,750 --> 00:39:24,500 AND HE'S LEAVING THE MUSEUM. 955 00:39:24,583 --> 00:39:26,000 [SHANNON]: HEY! 956 00:39:26,083 --> 00:39:27,000 -SHANNON-- -HEY, WAIT! 957 00:39:27,083 --> 00:39:27,959 [TIRES SQUEALING] 958 00:39:32,208 --> 00:39:33,291 DID YOU GET THE NUMBER! 959 00:39:33,375 --> 00:39:34,709 NO. 960 00:39:34,792 --> 00:39:37,041 BUT I KNOW ONE THING FOR SURE, 961 00:39:37,125 --> 00:39:38,041 IF THE POLICE AREN'T GOING TO FIND OUT 962 00:39:38,125 --> 00:39:38,875 IF JESSE WAS MURDERED, 963 00:39:38,959 --> 00:39:40,250 THEN I WILL. 964 00:39:47,166 --> 00:39:49,583 [♪♪] 965 00:39:49,667 --> 00:39:51,166 SO, EVERY CHRISTMAS, 966 00:39:51,250 --> 00:39:54,041 JESSE, HE WOULD-- HE WOULD SEND A CALENDAR, 967 00:39:54,125 --> 00:39:56,417 AND EVERY NIGHT, I WOULD MARK OFF ANOTHER BOX, 968 00:39:56,500 --> 00:39:58,542 BECAUSE I KNEW THAT IN JUNE, 969 00:39:58,625 --> 00:40:00,417 I WOULD BE HEADING TO LIGHTHOUSE COVE 970 00:40:00,500 --> 00:40:02,875 TO SPEND THE SUMMER WITH... 971 00:40:02,959 --> 00:40:05,458 WITH MY FAVORITE PERSON IN THE WORLD, 972 00:40:05,542 --> 00:40:06,667 UNCLE JESSE. 973 00:40:06,750 --> 00:40:10,208 HE WAS ALWAYS TELLING HIS FUNNY STORIES, 974 00:40:10,291 --> 00:40:11,667 AND SINGING, 975 00:40:11,750 --> 00:40:14,792 AND I REMEMBER THAT WE WOULD ALWAYS SING IN HIS TRUCK 976 00:40:14,875 --> 00:40:16,166 WHEN I'D GO WITH MY SUMMERTIME FRIEND 977 00:40:16,250 --> 00:40:18,291 ON FISHING TRIPS. 978 00:40:18,375 --> 00:40:20,250 SO I'VE ASKED THAT REALLY AMAZING GIRL 979 00:40:20,333 --> 00:40:22,417 FROM ACROSS THE STREET 980 00:40:22,500 --> 00:40:25,667 TO COME UP HERE TODAY AND TO SING A SONG FOR JESSE. 981 00:40:25,750 --> 00:40:27,583 I KNOW THAT HE WOULD HAVE LOVED IT. 982 00:40:27,667 --> 00:40:28,417 SHANNON? 983 00:40:33,750 --> 00:40:34,625 THANK YOU. 984 00:40:39,500 --> 00:40:40,375 THANK YOU. 985 00:40:41,583 --> 00:40:45,792 [♪♪] 986 00:40:45,875 --> 00:40:50,834 ♪ THERE'S A HOLE IN MY HEART ♪ 987 00:40:50,917 --> 00:40:58,333 ♪ SO I'LL CARRY IT WHEREVER I GO ♪ 988 00:40:58,417 --> 00:41:02,917 ♪ LIKE A TREASURE THAT TRAVELS WITH ME ♪ 989 00:41:03,000 --> 00:41:06,333 ♪ DOWN EVERY ROAD ♪ 990 00:41:06,417 --> 00:41:09,000 ♪ THERE'S THIS LONGING AND IT'S LONESOME ♪ 991 00:41:09,083 --> 00:41:11,875 ♪ AND IT'S DEEP ♪ 992 00:41:11,959 --> 00:41:13,834 ♪ KIND OF BITTER ♪ 993 00:41:13,917 --> 00:41:17,458 ♪ BUT IT'S KIND OF SWEET ♪ 994 00:41:17,542 --> 00:41:23,375 ♪ THERE'S A HOLE IN MY HEART ♪ 995 00:41:23,458 --> 00:41:26,333 ♪ THERE'S A HOLE ♪ 996 00:41:26,417 --> 00:41:28,792 ♪ IN MY HEART ♪ 997 00:41:28,875 --> 00:41:33,083 ♪ THERE'S A HOLE ♪ 998 00:41:33,166 --> 00:41:36,709 ♪ IN MY HEART ♪ 999 00:41:36,792 --> 00:41:41,417 ♪ BUT IT'S IN THE SHAPE OF... ♪ 1000 00:41:41,500 --> 00:41:43,709 ♪ YOU... ♪ 1001 00:41:43,792 --> 00:41:45,333 [♪♪] 1002 00:41:48,583 --> 00:41:50,250 [BUSTLE OF CROWD] 1003 00:41:52,583 --> 00:41:53,667 THAT WAS BEAUTIFUL. 1004 00:41:53,750 --> 00:41:54,625 THANK YOU. 1005 00:41:54,709 --> 00:41:56,375 EVERYONE WAS SO TOUCHED. 1006 00:41:56,458 --> 00:41:57,375 WELL... 1007 00:41:58,375 --> 00:41:59,709 EXCEPT FOR STEPHEN. 1008 00:41:59,792 --> 00:42:01,625 [MAC]: WELL, WHAT ABOUT NED? 1009 00:42:03,375 --> 00:42:05,750 [SHANNON]: WELL, HE ALWAYS DID LIKE ALTHEA. 1010 00:42:05,834 --> 00:42:07,667 ENOUGH TO WANT JESSE OUT OF THE WAY? 1011 00:42:07,750 --> 00:42:09,041 STOP. 1012 00:42:09,125 --> 00:42:11,208 NED WAS JESSE'S BEST FRIEND. 1013 00:42:11,291 --> 00:42:13,250 HE WAS THE ONLY ONE JESSE EVER TOOK ON ANY OF HIS DIVES. 1014 00:42:13,333 --> 00:42:14,542 NOT EVEN MY DAD GOT THAT. 1015 00:42:14,625 --> 00:42:15,750 STATISTICALLY SPEAKING, 1016 00:42:15,834 --> 00:42:18,667 80% OF MURDER VICTIMS KNOW THE KILLER. 1017 00:42:18,750 --> 00:42:20,709 AND THEN THERE'S THE MISSING KEY 1018 00:42:20,792 --> 00:42:21,667 UNDER THE FLOWER POT. 1019 00:42:21,750 --> 00:42:23,000 YEAH, WHICH WAS PROBABLY TAKEN 1020 00:42:23,083 --> 00:42:24,709 BY THE GUY IN THE BLUE HATCHBACK. 1021 00:42:24,792 --> 00:42:26,625 THE GUY THAT DID NOT KNOW JESSE. 1022 00:42:26,709 --> 00:42:28,500 MAYBE THE GUY WHO HIRED HIM DID. 1023 00:42:28,583 --> 00:42:29,709 A HIRED KILLER? 1024 00:42:29,792 --> 00:42:31,625 OR A HIRED THIEF. 1025 00:42:31,709 --> 00:42:34,000 YOU KNOW, WHO KILLED TO STOP FROM GETTING CAUGHT. 1026 00:42:35,583 --> 00:42:37,500 ANYWAY, UM... 1027 00:42:37,583 --> 00:42:39,667 THE MAN IN THE CAR, ANY SIGN OF HIM HERE? 1028 00:42:39,750 --> 00:42:40,959 NO, 1029 00:42:41,041 --> 00:42:42,166 AND I'VE BEEN LOOKING. 1030 00:42:42,250 --> 00:42:44,125 I WISH CAROL HAD SEEN HIM THE OTHER DAY. 1031 00:42:44,208 --> 00:42:46,792 I'D LOVE TO KNOW WHAT HE WAS LOOKING AT. 1032 00:42:46,875 --> 00:42:49,208 MY GUESS IS, SOMETHING JESSE DONATED. 1033 00:42:49,291 --> 00:42:50,750 [♪♪] 1034 00:42:56,083 --> 00:42:57,208 WAIT, MAC... 1035 00:42:58,625 --> 00:43:01,041 THIS PHOTO IS IN JESSE'S HOUSE, TOO. 1036 00:43:01,125 --> 00:43:03,333 IT WAS HANGING CROOKED AFTER THE BREAK-IN. 1037 00:43:03,417 --> 00:43:05,583 HOW WOULD IT GET THAT WAY, 1038 00:43:05,667 --> 00:43:06,875 UNLESS THE THIEF TOUCHED IT, 1039 00:43:06,959 --> 00:43:08,000 OR TOOK IT OFF THE WALL TO LOOK AT IT? 1040 00:43:09,709 --> 00:43:11,458 WHAT IF THE THIEF IS LOOKING FOR SOMETHING 1041 00:43:11,542 --> 00:43:14,125 JESSE FOUND ON THE SAN MATEO? 1042 00:43:14,208 --> 00:43:15,875 THAT'S THE PATH WE FOLLOW. 1043 00:43:15,959 --> 00:43:17,750 WE HAVE TO TALK TO CAROL AGAIN. 1044 00:43:17,834 --> 00:43:21,250 WELL, LET'S LET HER FINISH TALKING TO EVERYONE FIRST. 1045 00:43:21,333 --> 00:43:23,875 AND LOSE THE CHANCE TO SEE HOW THE OTHERS REACT? 1046 00:43:26,458 --> 00:43:28,083 OH, SHANNON... 1047 00:43:28,166 --> 00:43:29,750 STEPHEN'S OFFERED TO HELP ME 1048 00:43:29,834 --> 00:43:30,959 WITH THE MENU AT THE HENNESSEY MANOR. 1049 00:43:31,041 --> 00:43:32,792 NO WAY. THAT'S AMAZING. 1050 00:43:32,875 --> 00:43:34,041 [TOGETHER] YEAH. 1051 00:43:34,125 --> 00:43:35,458 GREAT. IS THAT A PAYING JOB? 1052 00:43:35,542 --> 00:43:36,834 WELL, OF COURSE, I'M GOING TO PAY HIM. 1053 00:43:36,917 --> 00:43:38,875 WELL, BE CAREFUL WITH YOUR MONEY. 1054 00:43:38,959 --> 00:43:40,125 A NEW BUSINESS TAKES TIME TO BECOME PROFITABLE. 1055 00:43:40,208 --> 00:43:41,500 HE'S RIGHT. 1056 00:43:41,583 --> 00:43:44,667 I STILL HAVEN'T TURNED A PROFIT ON MY STUDIO. 1057 00:43:44,750 --> 00:43:45,917 OH, I DON'T THINK SHE HAS TO WORRY ABOUT THAT. 1058 00:43:46,000 --> 00:43:49,291 I MEAN, JESSE'S ONLY CLOSE LIVING RELATIVE? 1059 00:43:49,375 --> 00:43:51,041 YOU'LL INHERIT THE WHOLE KIT AND CABOODLE, RIGHT? 1060 00:43:51,125 --> 00:43:52,250 [QUIETLY] NED... 1061 00:43:52,333 --> 00:43:53,542 I'M NOT EVEN THINKING ABOUT THAT RIGHT NOW, 1062 00:43:53,625 --> 00:43:55,000 AND BESIDES, 1063 00:43:55,083 --> 00:43:56,417 THE WILL-READING, IT'S NOT TILL NEXT WEEK. 1064 00:43:56,500 --> 00:43:58,667 WELL, IF THE DISPLAY BACK THERE IS ANY INDICATION, 1065 00:43:58,750 --> 00:44:01,542 THE MUSEUM MIGHT BE THE BENEFICIARY. 1066 00:44:01,625 --> 00:44:02,834 WHAT DO YOU THINK, CAROL? 1067 00:44:02,917 --> 00:44:04,583 THINK THERE'S ANYTHING MORE FROM THE SAN MATEO 1068 00:44:04,667 --> 00:44:06,125 COMING YOUR WAY? 1069 00:44:06,208 --> 00:44:08,000 MAYBE THE "SOMETHING BIG" JESSE USED TO TALK ABOUT? 1070 00:44:08,083 --> 00:44:09,458 I DOUBT THERE'S ANYTHING NEW 1071 00:44:09,542 --> 00:44:10,667 COMING FROM THE SAN MATEO. 1072 00:44:10,750 --> 00:44:12,542 THE SPANISH GOVERNMENT CLAIMED EVERYTHING 1073 00:44:12,625 --> 00:44:14,125 EXCEPT THE SEXTANT. 1074 00:44:14,208 --> 00:44:16,583 WELL, MAYBE JESSE KEPT A LITTLE SOMETHING ON THE DOWN-LOW. 1075 00:44:16,667 --> 00:44:17,709 JESSE WOULDN'T DO THAT. 1076 00:44:17,792 --> 00:44:18,959 HE ALWAYS PLAYED BY THE RULES. 1077 00:44:19,041 --> 00:44:20,041 IF HE DIDN'T GET THE LEGAL RIGHT 1078 00:44:20,125 --> 00:44:21,375 FOR SOMETHING HE SALVAGED, 1079 00:44:21,458 --> 00:44:23,041 IT WOULD BE WORTHLESS TO HIM ANYWAY. 1080 00:44:23,125 --> 00:44:24,834 TO THE MUSEUM AS WELL. 1081 00:44:24,917 --> 00:44:25,834 THAT'S WHY WE KEPT THE LAW FIRM 1082 00:44:25,917 --> 00:44:26,834 THAT HANDLED JESSE'S SALVAGE RIGHTS 1083 00:44:26,917 --> 00:44:27,875 ON SPEED DIAL. 1084 00:44:27,959 --> 00:44:29,291 HEY, WHAT DO YOU THINK 1085 00:44:29,417 --> 00:44:30,792 ABOUT THIS AS AN APPETIZER? 1086 00:44:30,875 --> 00:44:32,208 OH, IT LOOKS DELICIOUS. 1087 00:44:32,291 --> 00:44:35,625 -HERE, LET ME SEE. -NICE! 1088 00:44:36,959 --> 00:44:41,083 THANKS. I APPRECIATE IT. 1089 00:44:41,166 --> 00:44:42,875 WELL, UM... 1090 00:44:42,959 --> 00:44:44,875 THE LAWYER SAID THAT CAROL WAS RIGHT, 1091 00:44:44,959 --> 00:44:46,166 EVERYTHING THAT JESSE SALVAGED 1092 00:44:46,250 --> 00:44:47,125 FROM THE SAN MATEO 1093 00:44:47,208 --> 00:44:48,208 IS ACCOUNTED FOR, 1094 00:44:48,291 --> 00:44:50,500 SO UNLESS JESSE BROKE SOME RULES, 1095 00:44:50,583 --> 00:44:52,709 THAT WRECK ISN'T GOING TO LEAD US ANYWHERE. 1096 00:44:52,792 --> 00:44:53,625 THAT'S TOO BAD. 1097 00:44:53,709 --> 00:44:54,625 YEAH. 1098 00:44:54,709 --> 00:44:56,500 HMM. 1099 00:44:56,583 --> 00:44:58,291 GUESS I'LL GO UP AND GET CHANGED. 1100 00:44:58,375 --> 00:44:59,333 OKAY. 1101 00:45:04,375 --> 00:45:06,834 HEY, DID YOU NOTICE HOW, UM, YOUR FRIEND, STEPHEN, 1102 00:45:06,917 --> 00:45:08,041 AVOIDED THE WHOLE 1103 00:45:08,125 --> 00:45:11,083 WHO-INHERITED-WHAT-FROM-JESSE CONVERSATION? 1104 00:45:11,166 --> 00:45:13,583 THAT'S A BIG RED FLAG RIGHT THERE. 1105 00:45:13,667 --> 00:45:14,667 AND THEN, ON THE OTHER SIDE OF THINGS, 1106 00:45:14,750 --> 00:45:15,917 NED? 1107 00:45:16,000 --> 00:45:18,125 WAS UNUSUALLY INTERESTED. 1108 00:45:18,208 --> 00:45:20,083 EVEN VIOLATED THE RULES OF POLITE CONVERSATION 1109 00:45:20,166 --> 00:45:21,625 BY ASKING JENNIFER A DIRECT QUESTION 1110 00:45:21,709 --> 00:45:23,083 ABOUT HER INHERITANCE. 1111 00:45:23,166 --> 00:45:24,667 WELL, HE WAS HIS BEST FRIEND. 1112 00:45:24,750 --> 00:45:27,709 MAYBE HE THOUGHT JESSE LEFT SOMETHING FOR HIM. 1113 00:45:27,792 --> 00:45:28,875 YOU TOLD ME 1114 00:45:28,959 --> 00:45:30,875 NED WENT ON SOME OTHER SALVAGE DIVES, TOO, 1115 00:45:30,959 --> 00:45:32,083 WITH JESSE, RIGHT? 1116 00:45:32,166 --> 00:45:34,250 LIKE, NOT JUST THE SPANISH SHIP? 1117 00:45:34,333 --> 00:45:37,166 SO HE MIGHT KNOW IF JESSE FOUND SOMETHING BIG. 1118 00:45:37,250 --> 00:45:38,583 PLUS, HE KNOWS WHERE THE SPARE KEY IS, 1119 00:45:38,667 --> 00:45:40,000 AND DIDN'T YOU SAY THAT IT WAS HIS IDEA 1120 00:45:40,083 --> 00:45:42,542 TO GO ON THE FISHING TRIP THE MORNING YOU FOUND JESSE? 1121 00:45:43,959 --> 00:45:45,000 MY GUT TELLS ME 1122 00:45:45,083 --> 00:45:46,917 THAT NED DAVISON IS HIDING SOMETHING. 1123 00:45:47,000 --> 00:45:48,333 I SAY WE GO NEXT DOOR, 1124 00:45:48,417 --> 00:45:49,917 AND WE SEE IF WE CAN MAKE HIM CRACK. 1125 00:45:50,000 --> 00:45:51,375 WE'RE NOT GOING TO GO OVER THERE 1126 00:45:51,458 --> 00:45:52,959 AND BROWBEAT NED. 1127 00:45:53,041 --> 00:45:55,291 IT'S THE NEXT LOGICAL STEP. 1128 00:45:56,583 --> 00:45:57,709 MAC... 1129 00:45:57,792 --> 00:45:59,667 THESE ARE PEOPLE I KNOW, AND LOVE, 1130 00:45:59,750 --> 00:46:00,834 AND RESPECT. 1131 00:46:00,917 --> 00:46:04,000 PEOPLE THAT WERE WITH ME WHEN MY MOM DIED. 1132 00:46:04,083 --> 00:46:05,959 IT'S HARD FOR ME TO WATCH YOU GRILL THEM-- 1133 00:46:06,041 --> 00:46:06,917 LIKE I'M SOME 1134 00:46:07,000 --> 00:46:09,375 BULLDOG REPORTER. 1135 00:46:09,458 --> 00:46:11,375 YEAH, I GET IT. 1136 00:46:11,458 --> 00:46:13,667 SO, MAYBE, UM... 1137 00:46:13,750 --> 00:46:14,917 YOU SHOULD GO OVER AND TALK TO NED? 1138 00:46:16,250 --> 00:46:17,208 THANK YOU. 1139 00:46:22,417 --> 00:46:23,792 OH. 1140 00:46:23,875 --> 00:46:26,041 I KEEP FORGETTING TO GIVE YOU THIS. 1141 00:46:26,125 --> 00:46:28,000 IT'S THE ESTIMATE FOR THE RENOVATION. 1142 00:46:28,083 --> 00:46:29,000 OH. 1143 00:46:30,875 --> 00:46:32,291 I'LL BE RIGHT BACK. 1144 00:46:32,375 --> 00:46:33,792 [COUGHING] 1145 00:46:36,709 --> 00:46:38,875 [INHALING] MM-HMM... 1146 00:46:38,959 --> 00:46:40,500 [KNOCKS] 1147 00:46:44,875 --> 00:46:46,500 HEY, NED. 1148 00:46:46,583 --> 00:46:47,458 HOPE IT'S OKAY I STOPPED BY. 1149 00:46:47,542 --> 00:46:49,250 UM... CAN I COME IN? 1150 00:46:49,333 --> 00:46:51,250 UH... 1151 00:46:51,333 --> 00:46:53,583 NO, IT'S NOT A GOOD TIME. 1152 00:46:53,667 --> 00:46:55,250 NED, I HAVE THIS TERRIBLE FEELING 1153 00:46:55,333 --> 00:46:56,750 JESSE'S DEATH WASN'T AN ACCIDENT. 1154 00:46:57,959 --> 00:47:00,542 YOU KNOW ABOUT THE BREAK-IN THE OTHER NIGHT. 1155 00:47:00,625 --> 00:47:03,250 I THINK SOMEBODY'S BEEN SEARCHING HIS HOUSE. 1156 00:47:03,333 --> 00:47:05,667 THEY EVEN BROKE INTO ALTHEA'S CAR. 1157 00:47:05,750 --> 00:47:08,291 AND I JUST WANT TO KNOW IF, YOU KNOW, 1158 00:47:08,375 --> 00:47:09,667 YOU KNOW ANYTHING 1159 00:47:09,750 --> 00:47:11,750 THAT COULD HELP THE POLICE FIGURE OUT WHAT'S GOING ON. 1160 00:47:11,834 --> 00:47:13,542 CAN I PLEASE COME IN? 1161 00:47:20,417 --> 00:47:21,792 -NED? -SORRY. 1162 00:47:27,959 --> 00:47:29,583 [DOOR OPENS] 1163 00:47:36,041 --> 00:47:37,291 THAT DIDN'T TAKE LONG. 1164 00:47:38,542 --> 00:47:40,542 HE WOULDN'T LET ME IN. 1165 00:47:40,625 --> 00:47:42,458 HE BARELY EVEN LOOKED AT ME. 1166 00:47:42,542 --> 00:47:43,917 [SIGHS] YOU WERE RIGHT. 1167 00:47:44,000 --> 00:47:46,250 NED IS HIDING SOMETHING. 1168 00:47:47,583 --> 00:47:50,792 AND NOW YOU'VE TIPPED HIM OFF THAT YOU KNOW IT. 1169 00:47:56,583 --> 00:47:57,458 SHANNON... 1170 00:47:57,542 --> 00:47:59,875 YOU COULD BE IN DANGER. 1171 00:47:59,959 --> 00:48:00,959 [SCOFFS] 1172 00:48:09,458 --> 00:48:11,500 [♪♪] 1173 00:48:21,959 --> 00:48:23,625 [GASPS] WHAT! WHAT HAPPENED? 1174 00:48:23,709 --> 00:48:25,125 [CHUCKLING] SOME WATCHDOG YOU ARE. 1175 00:48:25,208 --> 00:48:27,542 I ALREADY LEFT THE HOUSE AND CAME BACK AGAIN, SO... 1176 00:48:28,750 --> 00:48:29,917 I GOT YOU SOME COFFEE. 1177 00:48:31,083 --> 00:48:31,875 I SAID I WAS A BULLDOG, 1178 00:48:31,959 --> 00:48:33,041 NOT A WATCHDOG. 1179 00:48:33,125 --> 00:48:35,208 TOTALLY DIFFERENT ANIMAL. 1180 00:48:35,291 --> 00:48:36,667 WHERE'D YOU GO? 1181 00:48:36,750 --> 00:48:38,250 I TOLD YOU LAST NIGHT, 1182 00:48:38,333 --> 00:48:39,458 IT IS SILLY OF YOU 1183 00:48:39,542 --> 00:48:41,667 TO SPEND YOUR TIME KEEPING AN EYE ON ME. 1184 00:48:41,750 --> 00:48:42,917 NOT THAT I DON'T APPRECIATE THE CHIVALRY. 1185 00:48:44,750 --> 00:48:46,417 IT'S NOT CHIVALROUS. IT'S SELF-INTEREST. 1186 00:48:46,500 --> 00:48:47,417 I MEAN, WHO'S GONNA RENOVATE MY PLACE 1187 00:48:47,500 --> 00:48:48,333 IF SOMETHING HAPPENS TO YOU? 1188 00:48:48,417 --> 00:48:49,875 NICE. 1189 00:48:49,959 --> 00:48:51,458 [LAUGHS] WELL... 1190 00:48:51,542 --> 00:48:53,500 LUCKILY, I DON'T THINK I'M IN DANGER FROM NED DAVISON, 1191 00:48:53,583 --> 00:48:55,291 EVEN IF HE IS HIDING SOMETHING. 1192 00:48:55,375 --> 00:48:58,583 BUT I DO THINK IT'S A GOOD IDEA 1193 00:48:58,667 --> 00:49:00,333 IF WE KEEP AN EYE ON JESSE'S HOUSE, 1194 00:49:00,417 --> 00:49:01,709 IN CASE THE THIEF COMES BACK. 1195 00:49:01,792 --> 00:49:02,917 SO... 1196 00:49:06,166 --> 00:49:07,709 I BOUGHT A SECURITY CAMERA. 1197 00:49:07,792 --> 00:49:09,792 [DRILL WHIRRING] 1198 00:49:13,458 --> 00:49:15,000 ALL RIGHT, I HAVE 'EM UP. 1199 00:49:15,083 --> 00:49:16,041 ALL RIGHT, NOT YET! 1200 00:49:16,125 --> 00:49:16,959 HOLD ON A SEC! 1201 00:49:20,458 --> 00:49:22,000 OKAY, UM, 1202 00:49:22,083 --> 00:49:23,125 PICTURE'S UP! 1203 00:49:23,208 --> 00:49:24,875 BUT YOU'RE GONNA HAVE TO MOVE THE CAMERA 1204 00:49:24,959 --> 00:49:26,500 A LITTLE TO YOUR LEFT! 1205 00:49:28,500 --> 00:49:30,333 YOUR OTHER LEFT! 1206 00:49:36,750 --> 00:49:39,041 WHATCHA DOING? 1207 00:49:39,125 --> 00:49:40,083 [GASPS] OH, STEPHEN. 1208 00:49:40,166 --> 00:49:41,917 YOU SCARED ME. 1209 00:49:42,000 --> 00:49:43,208 UH... 1210 00:49:43,291 --> 00:49:45,625 INSTALLING A SECURITY SYSTEM. 1211 00:49:45,709 --> 00:49:47,291 THOUGHT IT'D BE A GOOD IDEA 1212 00:49:47,375 --> 00:49:48,709 AFTER WHAT HAPPENED AT JESSE'S. 1213 00:49:48,792 --> 00:49:50,166 HUH. 1214 00:49:50,250 --> 00:49:51,750 MAYBE WE SHOULD INSTALL ONE. 1215 00:49:53,625 --> 00:49:55,000 I THINK WE'RE GOOD. 1216 00:49:55,083 --> 00:49:56,458 YEAH, ANYONE COMES 1217 00:49:56,542 --> 00:49:58,083 WITHIN A HUNDRED FEET OF THOSE CAMERAS, 1218 00:49:58,166 --> 00:49:59,917 WE'RE GONNA SEE THE WHITES OF THEIR EYES. 1219 00:50:08,083 --> 00:50:09,834 YOU AND THE WRITER ARE HANGING OUT A LOT NOW. 1220 00:50:09,917 --> 00:50:11,166 YOU TWO DATING? 1221 00:50:11,250 --> 00:50:12,458 WHAT? 1222 00:50:12,542 --> 00:50:13,583 NO. 1223 00:50:13,667 --> 00:50:15,542 NO, NO, HE'S MY CLIENT. 1224 00:50:15,625 --> 00:50:17,125 AND MY TENANT. 1225 00:50:17,208 --> 00:50:18,000 RIGHT. 1226 00:50:19,250 --> 00:50:20,291 WHATEVER YOU SAY. 1227 00:50:28,291 --> 00:50:30,792 SO, I'M GOING TO SET IT TO CONTINUOUS RECORD. 1228 00:50:30,875 --> 00:50:32,041 GREAT. 1229 00:50:32,125 --> 00:50:33,250 MAYBE WE'LL FIND THE CRIMINAL 1230 00:50:33,333 --> 00:50:34,500 RETURNING TO THE SCENE OF THE CRIME. 1231 00:50:34,583 --> 00:50:35,792 [CHUCKLING] I HOPE SO. 1232 00:50:35,875 --> 00:50:38,542 ALL RIGHT, I AM OFF TO THAT HOUSE OF YOURS. 1233 00:50:38,625 --> 00:50:39,792 I'M GOING TO GO MEET MY CREW, 1234 00:50:39,875 --> 00:50:41,959 WE'RE GOING TO GET THAT BAD PAINT OFF. 1235 00:50:42,041 --> 00:50:45,417 UM, ABOUT WHAT, UH, STEPHEN WAS ASKING, 1236 00:50:45,500 --> 00:50:47,208 ASKING IF WE'RE DATING? 1237 00:50:47,291 --> 00:50:48,333 OH, UH... 1238 00:50:48,417 --> 00:50:49,875 JUST NOT REALLY DATING RIGHT NOW. 1239 00:50:49,959 --> 00:50:52,750 NOT THAT YOU ARE NOT PRIME DATING MATERIAL. 1240 00:50:52,834 --> 00:50:53,709 [CHUCKLES] 1241 00:50:53,792 --> 00:50:55,250 YOU ARE... SMART, 1242 00:50:55,333 --> 00:50:56,458 AND HANDSOME. 1243 00:50:56,542 --> 00:50:58,083 AND RELATIVELY FUNNY. 1244 00:50:58,166 --> 00:50:59,208 YOU FORGOT RICH. 1245 00:50:59,291 --> 00:51:00,583 SUPER RICH. 1246 00:51:00,667 --> 00:51:02,542 [LAUGHS] LUCKILY, RICH WAS NEVER HIGH ON MY LIST. 1247 00:51:02,625 --> 00:51:03,959 GOOD, 1248 00:51:04,041 --> 00:51:06,083 'CAUSE I JUST GOT AN ESTIMATE FROM MY CONTRACTOR... 1249 00:51:06,166 --> 00:51:07,458 I WON'T BE RICH FOR VERY LONG. 1250 00:51:07,542 --> 00:51:09,583 AND I WILL GO GET TO WORK. 1251 00:51:09,667 --> 00:51:10,667 [CHUCKLING AWKWARDLY] 1252 00:51:10,750 --> 00:51:11,834 AND I'M GOING TO GO TO THE COTTAGE 1253 00:51:11,917 --> 00:51:12,959 AND DO THE SAME. 1254 00:51:13,041 --> 00:51:14,500 YES. 1255 00:51:14,583 --> 00:51:15,875 WORK IS GOOD. 1256 00:51:15,959 --> 00:51:16,959 [CHUCKLING] RIGHT. 1257 00:51:17,041 --> 00:51:18,375 LOCK THE DOOR ON YOUR WAY OUT. 1258 00:51:28,000 --> 00:51:30,041 [TOOLS WHINING AND DRONING] 1259 00:51:34,417 --> 00:51:37,000 WELL, FOUR OR FIVE LAYERS OF PAINT, 1260 00:51:37,083 --> 00:51:38,291 A HOUSE THIS SIZE WILL BE AT LEAST A MONTH, 1261 00:51:38,375 --> 00:51:39,291 SO I'LL GET YOU A FEW MORE GUYS. 1262 00:51:40,417 --> 00:51:42,125 HELLO! 1263 00:51:42,208 --> 00:51:43,083 HEY! DAD! 1264 00:51:44,291 --> 00:51:45,667 COFFEE BREAK. 1265 00:51:45,750 --> 00:51:47,125 YAY. I COULD USE SOME. 1266 00:51:48,208 --> 00:51:49,542 WELL, IF YOU GOT ME OUT HERE 1267 00:51:49,625 --> 00:51:51,959 TO TALK ME INTO HELPING YOU WITH THIS JOB... 1268 00:51:52,041 --> 00:51:53,333 I JUST MIGHT CONSIDER IT. 1269 00:51:53,417 --> 00:51:54,875 THIS IS QUITE THE PLACE. 1270 00:51:54,959 --> 00:51:56,166 THANKS, BUT... 1271 00:51:56,250 --> 00:51:57,709 I ACTUALLY WANTED TO TALK WITH YOU ABOUT NED. 1272 00:51:57,792 --> 00:51:59,333 HE DOESN'T SEEM HIMSELF LATELY. 1273 00:51:59,417 --> 00:52:01,250 HE JUST SEEMS VERY CLOSED OFF. 1274 00:52:01,333 --> 00:52:02,959 YOU NOTICED. 1275 00:52:03,041 --> 00:52:04,875 WAS HE LIKE THAT ON YOUR FISHING TRIP? 1276 00:52:04,959 --> 00:52:05,875 WORSE. 1277 00:52:05,959 --> 00:52:06,792 REALLY? 1278 00:52:06,875 --> 00:52:07,834 MORE LIKE BLOWING A GASKET. 1279 00:52:07,917 --> 00:52:10,083 HE WAS YELLING AT STEPHEN. 1280 00:52:10,166 --> 00:52:12,959 I GATHER STEPHEN GOT HIMSELF INTO DEBT. 1281 00:52:13,041 --> 00:52:14,834 I DON'T KNOW IF IT WAS GAMBLING OR WHAT, 1282 00:52:14,917 --> 00:52:16,542 BUT NED WAS NOT INCLINED TO HELP HIM OUT. 1283 00:52:17,959 --> 00:52:19,458 WHAT'S THIS ALL ABOUT? 1284 00:52:21,125 --> 00:52:23,792 WELL, I'M WONDERING ABOUT THE BREAK-IN AT JESSE'S. 1285 00:52:23,875 --> 00:52:26,875 THE PLACE HAD BEEN RANSACKED, 1286 00:52:26,959 --> 00:52:29,291 AND I'M WONDERING WHAT THE THIEF WAS LOOKING FOR. 1287 00:52:29,375 --> 00:52:30,458 MAYBE IT WAS THAT "SOMETHING BIG" 1288 00:52:30,542 --> 00:52:33,000 JESSE TOLD CAROL WAS COMING. 1289 00:52:33,083 --> 00:52:34,625 JESSE WAS USUALLY ALL TALK. 1290 00:52:34,709 --> 00:52:36,083 I KNOW, 1291 00:52:36,166 --> 00:52:38,000 BUT MAYBE HE DID FIND SOMETHING, 1292 00:52:38,083 --> 00:52:39,542 AND HE WAS HIDING IT 1293 00:52:39,625 --> 00:52:40,834 UNTIL HE GOT THE RIGHTS TO IT. 1294 00:52:40,917 --> 00:52:42,709 WELL, I DOUBT IT WAS THE FUSELAGE 1295 00:52:42,792 --> 00:52:43,917 OF AMELIA EARHART'S PLANE 1296 00:52:44,000 --> 00:52:45,125 TUCKED AWAY IN HIS HOUSE. 1297 00:52:45,208 --> 00:52:46,375 [LAUGHING TOGETHER] 1298 00:52:46,458 --> 00:52:48,583 THAT WAS HIS BIG STORY A FEW YEARS BACK. 1299 00:52:48,667 --> 00:52:51,041 YEAH, I FORGOT ABOUT THAT ONE. 1300 00:52:51,125 --> 00:52:52,834 I CAN'T IMAGINE WHICH JURISDICTION 1301 00:52:52,917 --> 00:52:54,792 WOULD GIVE HIM THE RIGHTS TO BLACKBEARD'S TREASURE. 1302 00:52:56,083 --> 00:52:57,291 I DON'T SUPPOSE IT COULD BE THE LOST NECKLACE 1303 00:52:57,375 --> 00:52:59,250 OF THE SPANISH PRINCESS. 1304 00:52:59,333 --> 00:53:01,625 I KNOW HE ALREADY GOT EVERYTHING SPAIN WAS WILLING TO GIVE HIM. 1305 00:53:01,709 --> 00:53:04,709 YOU MEAN THE LOST NECKLACE OF THE PORTUGUESE PRINCESS. 1306 00:53:04,792 --> 00:53:07,208 WAIT, SAY THAT AGAIN? 1307 00:53:07,291 --> 00:53:08,834 NOBODY EVER GETS THAT STORY RIGHT. 1308 00:53:08,917 --> 00:53:11,291 IT WAS THE LOST NECKLACE OF THE PRINCESS FROM PORTUGAL. 1309 00:53:11,375 --> 00:53:12,834 A PRINCESS SONJA OR-- 1310 00:53:12,917 --> 00:53:13,834 SOPHIA! 1311 00:53:13,917 --> 00:53:14,917 THAT'S IT. 1312 00:53:15,000 --> 00:53:16,250 OH, MY GOSH, HOW COULD I FORGET? 1313 00:53:16,333 --> 00:53:18,625 JESSE TOLD US THAT STORY AT DINNER, 1314 00:53:18,709 --> 00:53:20,709 ABOUT HOE HE FOUND THE JEWELRY BOX 1315 00:53:20,792 --> 00:53:21,917 HALF BURIED IN THE MUD. 1316 00:53:22,000 --> 00:53:24,500 IT WAS THE PRINCESS SOPHIA OF PORTUGAL! 1317 00:53:24,583 --> 00:53:26,166 DAD... THANK YOU. 1318 00:53:27,291 --> 00:53:28,208 I GOTTA GO. 1319 00:53:28,291 --> 00:53:30,208 UH, YOU'RE WELCOME. 1320 00:53:30,291 --> 00:53:31,500 I THINK. 1321 00:53:33,083 --> 00:53:34,375 [KNOCKING BRISKLY] HEY! 1322 00:53:34,458 --> 00:53:35,542 -HEY! -I'M HERE! 1323 00:53:35,625 --> 00:53:37,166 COME HERE. 1324 00:53:37,250 --> 00:53:38,333 LOOK AT THIS. 1325 00:53:38,417 --> 00:53:39,917 SO, WHAT IS IT? WHAT'S SO URGENT? 1326 00:53:40,000 --> 00:53:41,291 [SIGHS] LOOK AT THIS, 1327 00:53:41,375 --> 00:53:43,041 THIS IS PRINCESS SOPHIA OF PORTUGAL. 1328 00:53:43,125 --> 00:53:44,959 THIS IS URGENT, HOW? 1329 00:53:45,041 --> 00:53:45,834 WAIT TILL I TELL YOU HER STORY. 1330 00:53:45,917 --> 00:53:46,959 OKAY. 1331 00:53:47,041 --> 00:53:49,417 OKAY, WHEN SOPHIA WAS 16, 1332 00:53:49,500 --> 00:53:51,458 SHE FELL IN LOVE WITH A SPICE MERCHANT. 1333 00:53:51,542 --> 00:53:53,625 SHE BEGGED HER DAD TO LET HER MARRY HIM, 1334 00:53:53,709 --> 00:53:55,083 BUT THE KING HAD ALREADY BETROTHED HER 1335 00:53:55,166 --> 00:53:56,625 TO PRINCE FERDINAND OF SPAIN. 1336 00:53:56,709 --> 00:53:58,083 NEAT-- 1337 00:53:58,166 --> 00:53:59,667 TO CONVINCE HIS DAUGHTER TO GO THROUGH WITH THE WEDDING, 1338 00:53:59,750 --> 00:54:00,959 HE MADE HER A NECKLACE. 1339 00:54:01,041 --> 00:54:02,750 IT WAS AN EXTRAVAGANT NECKLACE. 1340 00:54:02,834 --> 00:54:04,834 IT WAS MADE OF GOLD, AND DIAMONDS, AND EMERALDS. 1341 00:54:04,917 --> 00:54:06,667 A NECKLACE THAT, TODAY, 1342 00:54:06,750 --> 00:54:08,583 THEY THINK WOULD BE WORTH ABOUT $10 MILLION. 1343 00:54:08,667 --> 00:54:10,291 THAT'S A LOT OF MILLIONS. 1344 00:54:10,375 --> 00:54:11,709 HE GAVE IT TO HER THE MORNING OF THE WEDDING, 1345 00:54:11,792 --> 00:54:14,291 BUT SOPHIA NEVER SHOWED. 1346 00:54:14,375 --> 00:54:15,625 IT WAS RUMORED 1347 00:54:15,709 --> 00:54:17,583 THAT SHE ELOPED WITH THE SPICE MERCHANT. 1348 00:54:17,667 --> 00:54:19,917 NOW... GUESS WHICH YEAR THIS HAPPENED? 1349 00:54:20,000 --> 00:54:21,250 TELL ME. 1350 00:54:21,333 --> 00:54:22,917 1788. 1351 00:54:23,000 --> 00:54:25,875 IT'S THE SAME YEAR THE SAN MATEO SANK. 1352 00:54:25,959 --> 00:54:29,250 I THINK SOPHIA AND THE NECKLACE WENT DOWN WITH THE SHIP, 1353 00:54:29,333 --> 00:54:31,667 AND I THINK JESSE FOUND THIS NECKLACE ON THAT WRECK. 1354 00:54:31,750 --> 00:54:34,250 BUT THEN WHY DIDN'T IT GO BACK TO SPAIN 1355 00:54:34,333 --> 00:54:35,250 ALONG WITH EVERYTHING ELSE? 1356 00:54:35,333 --> 00:54:36,375 BECAUSE... 1357 00:54:36,458 --> 00:54:37,875 THE NECKLACE BELONGED TO PORTUGAL, 1358 00:54:37,959 --> 00:54:39,041 AND NOT SPAIN. 1359 00:54:39,125 --> 00:54:40,834 I REACHED OUT TO THE LAW FIRM 1360 00:54:40,917 --> 00:54:42,417 THAT YOU SPOKE TO THE OTHER DAY. 1361 00:54:42,500 --> 00:54:45,625 THEY SAID THAT THEY DON'T DEAL WITH THE PORTUGUESE GOVERNMENT. 1362 00:54:45,709 --> 00:54:49,250 THERE'S ONLY ONE LAW FIRM IN THE ENTIRE STATE THAT DOES, 1363 00:54:49,333 --> 00:54:50,709 AND THEY'RE ONLY ABOUT THREE HOURS FROM HERE. 1364 00:54:50,792 --> 00:54:52,542 SO... 1365 00:54:52,625 --> 00:54:54,709 DO YOU WANT TO DRIVE, OR SHALL I? 1366 00:54:54,792 --> 00:54:56,291 UH... YOU CAN. 1367 00:54:56,375 --> 00:54:57,875 WOW, UM... 1368 00:54:57,959 --> 00:55:00,709 THOUGHT I WAS THE BULLDOG. 1369 00:55:03,792 --> 00:55:05,542 I DON'T SHOW ANY JESSE HENNESSEY 1370 00:55:05,625 --> 00:55:06,834 THAT'S EVER BEEN A CLIENT OF OUR FIRM. 1371 00:55:06,917 --> 00:55:08,333 ARE YOU SURE? 1372 00:55:08,417 --> 00:55:10,417 DID YOU TRY DIFFERENT SPELLINGS OF HIS LAST NAME? 1373 00:55:10,500 --> 00:55:11,458 YES. 1374 00:55:11,542 --> 00:55:12,792 I TRIED IT WITH ONE "N", ONE "S"... 1375 00:55:13,959 --> 00:55:15,166 IF YOU KNEW THE NAME 1376 00:55:15,250 --> 00:55:16,417 OF THE SPECIFIC ATTORNEY THAT YOUR FRIEND SAW, 1377 00:55:16,500 --> 00:55:17,458 THAT MIGHT HELP. 1378 00:55:17,542 --> 00:55:18,625 [SIGHS] WE DON'T. 1379 00:55:18,709 --> 00:55:20,208 WE WERE HOPING YOU COULD TELL US. 1380 00:55:20,291 --> 00:55:21,709 SORRY. 1381 00:55:21,792 --> 00:55:23,083 OKAY, WELL, THIS WAS A SHOT IN THE DARK ANYWAY. 1382 00:55:23,166 --> 00:55:23,959 WE APPRECIATE YOUR HELP. 1383 00:55:24,041 --> 00:55:25,166 SURE. 1384 00:55:27,125 --> 00:55:29,208 I WAS SO SURE WE WERE ON THE RIGHT TRACK. 1385 00:55:29,291 --> 00:55:30,834 I KNOW-- 1386 00:55:30,917 --> 00:55:32,583 WE WERE ON THE RIGHT TRACK. 1387 00:55:35,875 --> 00:55:37,000 WAIT, THAT'S THE-- 1388 00:55:37,083 --> 00:55:38,250 THE GUY WITH THE BLUE CAR. 1389 00:55:40,709 --> 00:55:41,542 OH, THAT'S... 1390 00:55:42,834 --> 00:55:44,458 THIS IS OUR FRIEND'S ATTORNEY. 1391 00:55:44,542 --> 00:55:45,500 CAN YOU TELL US HIS NAME? 1392 00:55:45,583 --> 00:55:47,041 UH... 1393 00:55:47,125 --> 00:55:48,500 WELL, THAT'S ANDREW GOSIN-- 1394 00:55:48,583 --> 00:55:50,583 WE WOULD LIKE TO TALK TO HIM AS SOON AS WE CAN. 1395 00:55:50,667 --> 00:55:52,375 I'M AFRAID THAT'S IMPOSSIBLE. 1396 00:55:52,458 --> 00:55:55,083 MR. GOSIN DIED TWO MONTHS AGO. 1397 00:56:02,291 --> 00:56:03,375 I DON'T UNDERSTAND. 1398 00:56:03,458 --> 00:56:05,959 YOU'RE SAYING THAT THIS MAN DIED MONTHS AGO? 1399 00:56:06,041 --> 00:56:06,917 YES. 1400 00:56:07,000 --> 00:56:08,458 SAME DAY AS MR. DUARTE, 1401 00:56:08,542 --> 00:56:10,166 THE FOUNDER OF OUR FIRM. 1402 00:56:10,250 --> 00:56:12,375 THERE WAS AN EXPLOSION ON MR. DUARTE'S BOAT. 1403 00:56:12,458 --> 00:56:14,458 THE WHOLE THING SANK. 1404 00:56:14,542 --> 00:56:17,041 THE COAST GUARD COULD FIND HARDLY ANY OF THE REMAINS. 1405 00:56:17,125 --> 00:56:19,166 WE WERE... DEVASTATED. 1406 00:56:19,250 --> 00:56:20,792 UH... NO. 1407 00:56:20,875 --> 00:56:22,250 NO, NO, NO, THAT'S IMPOSSIBLE-- 1408 00:56:22,333 --> 00:56:23,750 WOULD YOU EXCUSE US? 1409 00:56:23,834 --> 00:56:25,417 WE'LL HANG THIS BACK UP FOR YOU. 1410 00:56:25,500 --> 00:56:26,500 SO SORRY. 1411 00:56:32,542 --> 00:56:34,375 UM... 1412 00:56:34,458 --> 00:56:36,166 I DON'T GET IT. 1413 00:56:36,250 --> 00:56:37,583 HOW DOES A LAWYER WHO'S SUPPOSED TO BE DEAD 1414 00:56:37,667 --> 00:56:38,500 NOT REALLY BE DEAD? 1415 00:56:38,583 --> 00:56:39,583 I DON'T KNOW. 1416 00:56:39,667 --> 00:56:41,041 [WHISPERING] MAYBE HE FAKED HIS DEATH? 1417 00:56:42,166 --> 00:56:44,417 BUT WHAT ABOUT HIS BOSS, DUARTE? 1418 00:56:44,500 --> 00:56:46,625 OKAY, IF HE'S REALLY DEAD, 1419 00:56:46,709 --> 00:56:48,834 IT'S EITHER AN ACCIDENT, OR... 1420 00:56:48,917 --> 00:56:50,041 MURDER? 1421 00:56:51,417 --> 00:56:53,333 WHAT IF ANDREW GOSIN MURDERED HIS BOSS, 1422 00:56:53,417 --> 00:56:54,458 AND THEN JESSE, 1423 00:56:54,542 --> 00:56:55,667 JUST TO GET HIS HANDS ON THAT NECKLACE? 1424 00:56:55,750 --> 00:56:57,208 THAT'S ONE EXPLANATION. 1425 00:56:59,542 --> 00:57:01,625 SO, DO WE TELL HER THAT HE'S STILL ALIVE? 1426 00:57:01,709 --> 00:57:02,875 AND PUT TARGETS ON OUR BACK? 1427 00:57:02,959 --> 00:57:04,709 NO. NO, WE TAKE WHAT WE HAVE TO CHIEF JENSEN. 1428 00:57:06,250 --> 00:57:08,667 [SIGHING HEAVILY] YOU'RE RIGHT. 1429 00:57:08,750 --> 00:57:10,000 ALL RIGHT, WE SHOULD GET A PHOTO. 1430 00:57:10,083 --> 00:57:11,542 I GOT IT. 1431 00:57:11,625 --> 00:57:12,291 [SHUTTER CLICKS] 1432 00:57:17,875 --> 00:57:19,667 SO, LET ME GET THIS STRAIGHT. 1433 00:57:19,750 --> 00:57:21,792 YOU THINK JESSE FOUND A FAMOUS NECKLACE 1434 00:57:21,875 --> 00:57:22,792 OF A SPANISH PRINCESS-- 1435 00:57:22,875 --> 00:57:24,667 IT'S A PORTUGUESE PRINCESS-- 1436 00:57:24,750 --> 00:57:26,000 AND HE HIRED A LAWYER 1437 00:57:26,083 --> 00:57:27,542 TO HELP HIM GET THE RIGHTS TO THIS, 1438 00:57:27,625 --> 00:57:30,291 AND THIS LAWYER SUPPOSEDLY DIED IN SOME SORT OF EXPLOSION, 1439 00:57:30,375 --> 00:57:31,291 BUT HE DIDN'T ACTUALLY DIE. 1440 00:57:31,375 --> 00:57:33,041 YES. 1441 00:57:33,125 --> 00:57:35,000 I SAW HIM ONCE, MAC SAW HIM TWICE, 1442 00:57:35,083 --> 00:57:36,542 AND HE DRIVES A BLUE HATCHBACK. 1443 00:57:36,625 --> 00:57:38,917 CAN WE TALK TO WHATEVER DETECTIVE 1444 00:57:39,000 --> 00:57:40,166 IS INVESTIGATING JESSE'S DEATH? 1445 00:57:40,250 --> 00:57:42,291 NO, THAT'S A CASE CLOSED SITUATION. 1446 00:57:42,375 --> 00:57:44,000 THE DEATH WAS RULED ACCIDENTAL. 1447 00:57:44,083 --> 00:57:45,166 AFTER THE BREAK-IN? 1448 00:57:45,250 --> 00:57:47,000 AND NOW EVERYTHING WE'VE JUST TOLD YOU? 1449 00:57:49,250 --> 00:57:51,083 I'LL TALK TO THE CHIEF FIRST THING TOMORROW, 1450 00:57:51,166 --> 00:57:52,792 BUT I KNOW WHAT HE'S GONNA SAY. 1451 00:57:52,875 --> 00:57:54,458 UNLESS WE HAVE HARD EVIDENCE OF CRIMINAL ACTIVITY... 1452 00:57:56,000 --> 00:57:58,375 I HAVE THIS. HANG ON. 1453 00:57:58,458 --> 00:58:00,750 I TOOK THIS PICTURE OF ALTHEA'S BROKEN WINDOW. 1454 00:58:00,834 --> 00:58:03,166 THAT'S ANDREW GOSIN'S CAR PARKED ACROSS THE STREET. 1455 00:58:03,250 --> 00:58:04,834 DO YOU THINK WE'RE MAKING THIS UP? 1456 00:58:04,917 --> 00:58:07,125 NO. 1457 00:58:07,208 --> 00:58:09,750 IN FACT, I SAW A BLUE HATCHBACK JUST LIKE THIS YESTERDAY. 1458 00:58:09,834 --> 00:58:11,458 WAIT, YOU SAW THAT CAR? 1459 00:58:11,542 --> 00:58:12,750 WHERE DID YOU SEE IT, TOMMY? 1460 00:58:14,583 --> 00:58:17,250 SHANNON, YOU KNOW I CAN'T TELL YOU THAT. 1461 00:58:17,333 --> 00:58:18,375 WHY DON'T YOU JUST WAIT 1462 00:58:18,458 --> 00:58:20,500 UNTIL I GET IN TOUCH WITH THE CHIEF, OKAY? 1463 00:58:20,583 --> 00:58:21,875 YES. DO THAT, BUT IN THE MEANTIME, 1464 00:58:21,959 --> 00:58:23,417 TELL US WHERE YOU SAW THAT CAR. 1465 00:58:23,542 --> 00:58:25,458 OR DO I HAVE TO REMIND YOU OF ALL THE TIMES 1466 00:58:25,542 --> 00:58:27,500 I LET YOU COPY OFF MY HOMEWORK? 1467 00:58:27,583 --> 00:58:29,375 UM... 1468 00:58:34,500 --> 00:58:36,709 THE CLERK SAYS YEAH, OUR GUY IS STAYING HERE, 1469 00:58:36,792 --> 00:58:38,667 AND YEAH, HE DRIVES A BLUE HATCHBACK. 1470 00:58:38,750 --> 00:58:40,000 ROOM 25. 1471 00:58:40,083 --> 00:58:41,875 HOW DID YOU GET ALL THAT INFORMATION OUT OF HER? 1472 00:58:41,959 --> 00:58:43,417 'CAUSE I'M CHARMING. 1473 00:58:43,500 --> 00:58:44,917 ALSO, GAVE HER 20 BUCKS. 1474 00:58:45,000 --> 00:58:46,041 [CHUCKLES] 1475 00:58:46,125 --> 00:58:47,000 HEY, WAIT, WHERE ARE YOU GOING? 1476 00:58:47,083 --> 00:58:48,333 HIS CAR ISN'T HERE. 1477 00:58:48,417 --> 00:58:50,250 OH, HE MAY HAVE LEFT A KEY UNDER THE FLOWER POT. 1478 00:58:54,375 --> 00:58:58,125 HEY, I CAN SEE IN THE WINDOW. 1479 00:58:58,208 --> 00:58:59,709 WHAT HAVE WE GOT? 1480 00:58:59,792 --> 00:59:02,750 [MAC]: UH, MESSY BED, BINOCULARS, 1481 00:59:02,834 --> 00:59:04,166 A BOX-- WONDER WHAT'S IN THAT-- 1482 00:59:04,250 --> 00:59:05,875 AND A BAG WITH A BLUE... 1483 00:59:05,959 --> 00:59:07,583 THAT'S A YOGA MAT. 1484 00:59:07,667 --> 00:59:11,375 I BET THAT'S THE ONE STOLEN OUT OF ALTHEA'S CAR. 1485 00:59:11,458 --> 00:59:12,166 I'M GOING TO GO TALK TO HER. 1486 00:59:12,250 --> 00:59:13,291 OKAY. 1487 00:59:13,375 --> 00:59:14,542 UM, CAN YOU DROP ME BACK AT THE HOUSE? 1488 00:59:14,625 --> 00:59:15,792 I'M GOING TO COME BACK 1489 00:59:15,875 --> 00:59:19,000 AND SEE IF THE NOT-QUITE-DEAD LAWYER WILL TURN UP. 1490 00:59:22,542 --> 00:59:24,417 I CAN TELL BY YOUR FACE YOU RECOGNIZE HIM. 1491 00:59:24,500 --> 00:59:26,542 I DO, I... 1492 00:59:26,625 --> 00:59:28,125 JUST I CAN'T SEEM TO PLACE HIM. 1493 00:59:28,208 --> 00:59:30,208 I THINK HE'S BEEN FOLLOWING YOU. 1494 00:59:31,709 --> 00:59:33,542 WHY WOULD YOU THINK THAT? 1495 00:59:33,625 --> 00:59:36,500 BECAUSE THIS IS THE MAN WHO BROKE INTO YOUR CAR. 1496 00:59:36,583 --> 00:59:39,291 MAC SULLIVAN SAW HIM OUTSIDE JESSE'S HOUSE, 1497 00:59:39,375 --> 00:59:40,959 JUST BEFORE YOUR WINDOW WAS SMASHED. 1498 00:59:41,041 --> 00:59:42,375 YOUR WRITER FRIEND, HE SAW HIM? 1499 00:59:42,458 --> 00:59:44,542 HIS NAME IS ANDREW GOSIN. 1500 00:59:44,625 --> 00:59:45,792 HE'S A LAWYER JESSE HIRED 1501 00:59:45,875 --> 00:59:48,375 TO HELP HIM GET CLAIM TO A FAMOUS NECKLACE THAT... 1502 00:59:48,458 --> 00:59:50,583 I THINK HE FOUND. 1503 00:59:50,667 --> 00:59:52,750 DID JESSE EVER TELL YOU ANYTHING ABOUT IT? 1504 00:59:52,834 --> 00:59:54,834 WELL, HE... 1505 00:59:54,917 --> 00:59:57,750 TOLD ME THAT STORY ABOUT THE SPANISH PRINCESS. 1506 00:59:57,834 --> 01:00:00,417 IT'S ACTUALLY A PORTUGUESE PRINCESS. 1507 01:00:00,500 --> 01:00:03,000 SO, YOU REALLY THINK THIS MAN IS FOLLOWING ME? 1508 01:00:03,083 --> 01:00:04,667 WHY? 1509 01:00:04,750 --> 01:00:06,291 HE MIGHT THINK YOU HAVE THE NECKLACE, 1510 01:00:06,375 --> 01:00:07,750 OR MAYBE YOU KNOW WHERE IT IS. 1511 01:00:07,834 --> 01:00:09,667 WELL, I DON'T KNOW ANYTHING ABOUT IT. 1512 01:00:09,750 --> 01:00:10,834 I'M SORRY. 1513 01:00:10,917 --> 01:00:12,041 I DIDN'T COME HERE TO TRY AND SCARE YOU. 1514 01:00:12,125 --> 01:00:13,083 WELL, YOU DID. 1515 01:00:13,166 --> 01:00:14,834 I JUST... 1516 01:00:14,917 --> 01:00:16,417 DON'T KNOW HOW I'M GOING TO FEEL SAFE 1517 01:00:16,500 --> 01:00:17,542 ALL ALONE HERE AT NIGHT. 1518 01:00:17,625 --> 01:00:19,667 MAYBE YOU COULD STAY WITH JENNIFER 1519 01:00:19,750 --> 01:00:21,125 AT HENNESSEY MANOR, 1520 01:00:21,208 --> 01:00:23,125 JUST UNTIL I CAN GET ALL THIS SORTED OUT. 1521 01:00:23,208 --> 01:00:25,000 SHANNON... 1522 01:00:25,083 --> 01:00:26,542 HOW ARE YOU GOING TO DO THAT? 1523 01:00:26,625 --> 01:00:28,333 I'M GOING TO DO WHATEVER IT TAKES 1524 01:00:28,417 --> 01:00:30,041 TO FIND THIS NECKLACE. 1525 01:00:31,041 --> 01:00:35,125 [♪♪] 1526 01:00:45,750 --> 01:00:49,417 IF YOU'RE HERE TO WIND ME UP ABOUT JESSE AGAIN, DON'T-- 1527 01:00:49,500 --> 01:00:51,208 NED, I KNOW ABOUT THE NECKLACE. 1528 01:00:51,291 --> 01:00:53,709 I KNOW IT'S NOT JUST ANOTHER CRAZY JESSE STORY, 1529 01:00:53,792 --> 01:00:54,959 AND I KNOW YOU WERE PROBABLY THERE, 1530 01:00:55,041 --> 01:00:56,500 AND YOU MUST HAVE SEEN IT. 1531 01:00:58,041 --> 01:00:59,041 YEAH, I SAW IT. 1532 01:00:59,125 --> 01:01:01,250 WHY HAVEN'T YOU SAID ANYTHING? 1533 01:01:01,333 --> 01:01:04,333 BECAUSE HE ASKED ME NOT TO, THAT'S WHY. 1534 01:01:04,417 --> 01:01:06,291 NOT UNTIL HE GOT LEGAL RIGHT TO IT. 1535 01:01:06,375 --> 01:01:07,333 DO YOU KNOW WHERE IT IS? 1536 01:01:07,417 --> 01:01:08,250 LIKE, WHERE HE HID IT? 1537 01:01:08,333 --> 01:01:09,375 NO! 1538 01:01:09,458 --> 01:01:10,625 I NEVER WANTED TO KNOW, 1539 01:01:10,709 --> 01:01:12,083 AND I TOLD HIM IT WAS BAD LUCK TO KEEP IT. 1540 01:01:12,166 --> 01:01:13,458 HE WASN'T GOING TO KEEP IT, 1541 01:01:13,542 --> 01:01:14,500 HE WAS DONATING IT TO THE MUSEUM. 1542 01:01:14,583 --> 01:01:16,792 SURE, BUT LIKE I TOLD HIM, 1543 01:01:16,875 --> 01:01:18,417 YOU CAN'T JUST LET MILLIONS OF DOLLARS 1544 01:01:18,500 --> 01:01:19,875 SIT AROUND. 1545 01:01:19,959 --> 01:01:20,917 AND I WAS RIGHT, TOO. 1546 01:01:21,000 --> 01:01:22,875 HE TOLD ME HIS LAWYER GOT KILLED, 1547 01:01:22,959 --> 01:01:24,709 AND NOW JESSE GONE IN A FREAK ACCIDENT? 1548 01:01:24,792 --> 01:01:27,208 NO, I TOLD YOU, JESSE'S DEATH, 1549 01:01:27,291 --> 01:01:28,709 I DON'T THINK IT WAS AN ACCIDENT. 1550 01:01:28,792 --> 01:01:30,125 WELL, THE POLICE SAID IT WAS. 1551 01:01:30,208 --> 01:01:32,250 NED, JESSE'S LAWYER ISN'T DEAD. 1552 01:01:33,291 --> 01:01:34,125 HE'S ALIVE, 1553 01:01:34,208 --> 01:01:35,542 I SAW HIM HERE IN TOWN. 1554 01:01:35,625 --> 01:01:37,709 MAC SAW HIM ON THIS STREET THE DAY AFTER JESSE DIED. 1555 01:01:42,208 --> 01:01:44,959 LOOK, I KNOW STEPHEN'S BEEN HAVING MONEY PROBLEMS. 1556 01:01:47,083 --> 01:01:49,583 DID HE KNOW THAT JESSE WAS HIDING THE NECKLACE? 1557 01:01:51,834 --> 01:01:53,417 I DON'T WANT TO HEAR ANOTHER WORD ABOUT THIS. 1558 01:01:53,500 --> 01:01:55,166 IT'S NONSENSE, ALL OF IT. 1559 01:01:58,333 --> 01:01:59,625 GUESS THE OLD MAN'S MOOD ISN'T MUCH BETTER 1560 01:01:59,709 --> 01:02:01,667 THAN WHEN I LEFT THIS MORNING. 1561 01:02:01,750 --> 01:02:02,959 WHAT DID YOU SAY TO HIM? 1562 01:02:03,041 --> 01:02:05,542 I WAS ASKING HIM ABOUT YOU, ACTUALLY. 1563 01:02:05,625 --> 01:02:07,750 IF YOU KNEW ABOUT THE $10 MILLION NECKLACE 1564 01:02:07,834 --> 01:02:08,959 JESSE'S BEEN HIDING. 1565 01:02:09,041 --> 01:02:11,375 UH... WHAT ARE YOU TALKING ABOUT? 1566 01:02:11,458 --> 01:02:13,375 THE LOST NECKLACE OF THE PRINCESS OF PORTUGAL? 1567 01:02:13,458 --> 01:02:14,792 [LAUGHS] 1568 01:02:14,875 --> 01:02:17,083 CAN'T SAY I REMEMBER THAT ONE. 1569 01:02:17,166 --> 01:02:18,667 IT'S NOT A STORY. 1570 01:02:18,750 --> 01:02:20,667 HE ACTUALLY FOUND IT. YOUR DAD JUST ADMITTED IT. 1571 01:02:20,750 --> 01:02:21,917 HUH. 1572 01:02:23,125 --> 01:02:24,000 WHO WOULDA THUNK. 1573 01:02:24,083 --> 01:02:25,000 UH... 1574 01:02:28,917 --> 01:02:31,542 OH, SO HEY, JENNIFER WANTED ME TO TELL YOU 1575 01:02:31,625 --> 01:02:34,375 THAT WE'RE DOING A RECIPE-TASTING ON FRIDAY. 1576 01:02:34,458 --> 01:02:35,417 YOU SHOULD COME. 1577 01:02:36,792 --> 01:02:38,959 BRING YOUR CLIENT YOU'RE NOT REALLY DATING. 1578 01:02:45,208 --> 01:02:48,709 [THUNDER RUMBLING] 1579 01:02:50,709 --> 01:02:52,500 SO STEPHEN WAS COMPLETELY UNINTERESTED 1580 01:02:52,583 --> 01:02:54,625 THAT A MULTI-MILLION DOLLAR NECKLACE 1581 01:02:54,709 --> 01:02:56,417 MIGHT BE HIDING RIGHT ACROSS THE STREET FROM HIM? 1582 01:02:56,500 --> 01:02:57,959 YEAH. 1583 01:02:58,041 --> 01:02:59,709 THAT'S HOW IT SEEMED TO ME. 1584 01:02:59,792 --> 01:03:00,709 WELL, THAT LACK OF INTEREST 1585 01:03:00,792 --> 01:03:02,083 ISN'T NORMAL. 1586 01:03:02,166 --> 01:03:03,834 HE'S HIDING SOMETHING. 1587 01:03:03,917 --> 01:03:05,875 YEAH, HIS DAD SEEMED TO BE WORRIED ABOUT THAT. 1588 01:03:05,959 --> 01:03:07,750 OH, I GOT AHOLD OF TOMMY. 1589 01:03:07,834 --> 01:03:09,417 HE TALKED TO CHIEF JENSEN, 1590 01:03:09,500 --> 01:03:12,125 AND HE WANTS TO SEE US BOTH FIRST THING IN THE MORNING. 1591 01:03:12,208 --> 01:03:14,041 WELL, AT LEAST THERE'S THAT. 1592 01:03:14,125 --> 01:03:15,959 MAYBE ANDREW GOSIN WILL TURN UP BY THEN. 1593 01:03:16,041 --> 01:03:19,083 ARE YOU REALLY GOING TO SIT OUT IN THE PARKING LOT ALL NIGHT? 1594 01:03:19,166 --> 01:03:20,083 OH, I'M A NIGHT PERSON. 1595 01:03:21,333 --> 01:03:22,458 WELL... 1596 01:03:22,542 --> 01:03:24,375 I'M GOING TO BE HERE, 1597 01:03:24,458 --> 01:03:27,041 WATCHING JESSE'S HOUSE ON THE SECURITY CAMERA. 1598 01:03:27,125 --> 01:03:28,875 MAYBE ANDREW GOSIN WILL SHOW UP HERE. 1599 01:03:28,959 --> 01:03:30,500 ALL RIGHT, WHOEVER SEES HIM FIRST WINS. 1600 01:03:30,583 --> 01:03:32,625 [CHUCKLES] OH, YEAH? WINS WHAT? 1601 01:03:32,709 --> 01:03:33,709 DINNER, 1602 01:03:33,792 --> 01:03:35,792 OR, UH, LUNCH, OR, LIKE... 1603 01:03:35,875 --> 01:03:36,875 A COFFEE-- 1604 01:03:36,959 --> 01:03:37,792 ALL RIGHT, TALK TO YOU LATER! 1605 01:03:37,875 --> 01:03:39,000 [BEEPS PHONE OFF] 1606 01:03:58,417 --> 01:04:00,000 [TIRES SQUEALING] 1607 01:04:37,875 --> 01:04:39,750 [SIRENS WAILING] 1608 01:05:02,250 --> 01:05:03,166 TOMMY! 1609 01:05:03,250 --> 01:05:04,875 WHAT'S GOING ON? 1610 01:05:06,625 --> 01:05:07,500 WE'RE HERE TO ARREST STEPHEN. 1611 01:05:07,583 --> 01:05:09,166 WHAT? WHAT FOR? 1612 01:05:09,250 --> 01:05:12,041 FOR THE HIT-AND-RUN MURDER OF ANDREW GOSIN. 1613 01:05:12,125 --> 01:05:13,667 GO BACK IN THE HOUSE. 1614 01:05:23,750 --> 01:05:25,750 CHECK EVERY HOUSE, KNOCK ON EVERY DOOR... 1615 01:05:28,000 --> 01:05:29,583 HEY... 1616 01:05:29,667 --> 01:05:30,625 -MAC. -YEAH. 1617 01:05:30,709 --> 01:05:31,750 THE POLICE ARE HERE. 1618 01:05:31,834 --> 01:05:32,834 THEY'RE TRYING TO ARREST STEPHEN FOR-- 1619 01:05:32,917 --> 01:05:33,834 FOR RUNNING DOWN ANDREW GOSIN, 1620 01:05:33,917 --> 01:05:34,875 I KNOW. 1621 01:05:34,959 --> 01:05:36,333 I CALLED THEM. 1622 01:05:36,417 --> 01:05:38,125 I SAW A SILVER CAR FLEEING THE SCENE. 1623 01:05:38,208 --> 01:05:39,750 YOU'RE SURE IT WAS HIS? 1624 01:05:39,834 --> 01:05:41,208 YEAH. 1625 01:05:41,291 --> 01:05:42,583 I GOT THE LICENSE PLATE THIS TIME. 1626 01:05:42,667 --> 01:05:44,583 IT'S JUST SO HARD TO BELIEVE. 1627 01:05:46,041 --> 01:05:47,417 THIS COULD BE MY FAULT. 1628 01:05:47,500 --> 01:05:49,542 I'M THE ONE 1629 01:05:49,625 --> 01:05:50,792 THAT TOLD NED AND STEPHEN 1630 01:05:50,875 --> 01:05:54,125 THAT ANDREW GOSIN IS ALIVE AND STILL IN TOWN. 1631 01:05:54,208 --> 01:05:55,041 [TOMMY]: NO ONE HERE, CHIEF. 1632 01:05:55,125 --> 01:05:56,291 HOUSE IS EMPTY. 1633 01:05:56,375 --> 01:05:58,792 THERE'S NO STEPHEN DAVISON, NO NED DAVISON. 1634 01:05:58,875 --> 01:06:00,875 PUT OUT AN APB ON ONE STEPHEN DAVISON, 1635 01:06:00,959 --> 01:06:02,875 AGE 33, BROWN HAIR, BLUE EYES... 1636 01:06:02,959 --> 01:06:04,250 I'M GOING TO CALL MY DAD. 1637 01:06:06,709 --> 01:06:07,959 SORRY I MISSED YOUR CALL. PLEASE LEAVE A MESSAGE. 1638 01:06:08,041 --> 01:06:09,083 IT'S VOICEMAIL. 1639 01:06:09,166 --> 01:06:09,959 [BEEP] 1640 01:06:10,041 --> 01:06:11,583 DAD, WHERE ARE YOU? 1641 01:06:11,667 --> 01:06:12,625 THE POLICE ARE HERE, 1642 01:06:12,709 --> 01:06:13,792 THEY'RE TRYING TO ARREST STEPHEN, 1643 01:06:13,875 --> 01:06:15,083 AND HE'S MISSING, 1644 01:06:15,166 --> 01:06:16,125 AND SO IS NED, 1645 01:06:16,208 --> 01:06:18,000 AND... YOU'RE NOT ANSWERING. 1646 01:06:18,083 --> 01:06:20,375 JUST, CALL ME AS SOON AS YOU CAN. 1647 01:06:22,166 --> 01:06:23,500 WHAT IS GOING ON? 1648 01:06:23,583 --> 01:06:25,000 I DON'T KNOW. 1649 01:06:25,083 --> 01:06:27,875 I'D BETTER GET TO JENNIFER AND ALTHEA. 1650 01:06:27,959 --> 01:06:28,875 I'M GOING TO TELL THEM WHAT'S HAPPENING. 1651 01:06:28,959 --> 01:06:30,041 OKAY, I'M GOING TO STAY HERE, 1652 01:06:30,125 --> 01:06:31,000 ALL RIGHT. 1653 01:06:33,041 --> 01:06:34,750 SHANNON... 1654 01:06:34,834 --> 01:06:36,041 BE CAREFUL. 1655 01:06:42,875 --> 01:06:44,959 OKAY, SO, STEPHEN, 1656 01:06:45,041 --> 01:06:47,750 HE INTENTIONALLY KILLED SOMEONE WITH HIS CAR? 1657 01:06:47,834 --> 01:06:49,750 THAT-- I JUST, I DON'T BELIEVE THAT. 1658 01:06:49,834 --> 01:06:51,417 HE'S BEEN HERE EVERY DAY THIS WEEK, 1659 01:06:51,500 --> 01:06:52,500 AND HE'S BEEN SO SWEET... 1660 01:06:52,583 --> 01:06:55,333 I WAS AFRAID SOMETHING WAS WRONG. 1661 01:06:55,417 --> 01:06:57,625 THE WAY NED SOUNDED ON THE PHONE LAST NIGHT. 1662 01:06:57,709 --> 01:06:59,500 NED CALLED YOU? 1663 01:06:59,583 --> 01:07:02,667 HE CALLED TO SAY HE WAS SORRY 1664 01:07:02,750 --> 01:07:04,041 HOW THINGS HAD GONE HAYWIRE. 1665 01:07:05,750 --> 01:07:07,333 AND THEN HE SAID, "BUT I'M GOING TO GET WHAT I WANT, 1666 01:07:07,417 --> 01:07:09,542 AND I'LL DO WHATEVER IT TAKES." 1667 01:07:09,625 --> 01:07:13,583 WELL, I THOUGHT HE WAS PLANNING ON ASKING ME OUT AGAIN, 1668 01:07:13,667 --> 01:07:15,959 BUT HIS VOICE WAS SO STRANGE. 1669 01:07:16,041 --> 01:07:17,375 UH... 1670 01:07:17,458 --> 01:07:20,417 MAYBE HE WAS TALKING ABOUT THE NECKLACE. 1671 01:07:20,500 --> 01:07:22,041 MAYBE STEPHEN AND NED ARE WORKING TOGETHER 1672 01:07:22,125 --> 01:07:23,250 TO TRY AND FIND IT. 1673 01:07:23,333 --> 01:07:25,083 SHANNON, WHAT ARE YOU TALKING ABOUT? 1674 01:07:25,166 --> 01:07:27,333 THESE PEOPLE, THEY'RE PRACTICALLY OUR FAMILY. 1675 01:07:27,417 --> 01:07:29,083 I KNOW, BUT... 1676 01:07:29,166 --> 01:07:30,917 YOU SAID YOURSELF, 1677 01:07:31,000 --> 01:07:32,875 STEPHEN'S BEEN HERE CONSTANTLY. 1678 01:07:32,959 --> 01:07:35,125 MAYBE HE'S BEEN TRYING TO FIGURE OUT IF YOU HAVE IT. 1679 01:07:35,208 --> 01:07:37,291 I MEAN, I JUST, I DON'T... 1680 01:07:37,375 --> 01:07:38,750 I DON'T BELIEVE IT, YOU KNOW? 1681 01:07:38,834 --> 01:07:40,625 STEPHEN AND I, WE'RE FINALLY... 1682 01:07:40,709 --> 01:07:42,417 WE'RE FINALLY STARTING TO GET CLOSE. 1683 01:07:42,500 --> 01:07:44,625 I DON'T THINK WE SHOULD STAY HERE. 1684 01:07:44,709 --> 01:07:46,792 MAYBE YOU SHOULDN'T, 1685 01:07:46,875 --> 01:07:49,333 AT LEAST NOT UNTIL THE POLICE FIND STEPHEN, 1686 01:07:49,417 --> 01:07:50,875 AND THEY CAN SORT THIS WHOLE THING OUT. 1687 01:07:52,792 --> 01:07:54,667 OKAY, SO WHERE ARE WE GOING TO STAY? 1688 01:07:54,750 --> 01:07:56,250 WELL, I HAVE A FRIEND 1689 01:07:56,333 --> 01:07:57,542 THAT HAS A BIG HOUSE NEAR THE CITY. 1690 01:07:57,625 --> 01:07:59,709 I'M SURE SHE WOULD LET US STAY WITH HER. 1691 01:07:59,792 --> 01:08:02,250 PERFECT. 1692 01:08:02,333 --> 01:08:04,041 PACK UP AND GO AS SOON AS YOU CAN. 1693 01:08:04,125 --> 01:08:06,291 I'M GOING TO SEE WHAT I CAN FIND OUT FROM THE POLICE. 1694 01:08:06,375 --> 01:08:09,166 I'LL CALL YOU AS SOON AS IT'S SAFE TO COME BACK. 1695 01:08:09,250 --> 01:08:10,458 OKAY. 1696 01:08:12,000 --> 01:08:14,041 THANK YOU, ALTHEA. 1697 01:08:15,166 --> 01:08:17,417 HEY, DAD, IT'S ME AGAIN. 1698 01:08:17,500 --> 01:08:20,291 THERE'S SO MUCH GOING ON, AND YOU'RE NOT ANSWERING. 1699 01:08:20,375 --> 01:08:22,333 I'M STARTING TO WORRY. 1700 01:08:22,417 --> 01:08:24,250 PLEASE CALL ME BACK. 1701 01:08:29,208 --> 01:08:29,959 -[SCREAMING] -SHH! 1702 01:08:31,500 --> 01:08:34,083 DON'T SCREAM. OKAY? 1703 01:08:34,166 --> 01:08:35,208 YOU CAN'T SCREAM. 1704 01:08:35,291 --> 01:08:38,709 I'M NOT GOING TO HURT YOU, OKAY? 1705 01:08:38,792 --> 01:08:41,208 I'M HERE BECAUSE I NEED YOUR HELP. 1706 01:08:41,291 --> 01:08:44,375 I'M GOING TO LET YOU GO NOW, OKAY? 1707 01:08:44,458 --> 01:08:46,750 PLEASE, JUST... 1708 01:08:46,834 --> 01:08:47,959 HEAR ME OUT. 1709 01:08:54,083 --> 01:08:55,959 I'M SORRY. 1710 01:08:56,041 --> 01:08:56,917 I DIDN'T MEAN TO SCARE YOU. 1711 01:08:57,000 --> 01:08:58,583 IT'S JUST... 1712 01:08:58,667 --> 01:09:02,166 I'M REALLY, REALLY DESPERATE HERE. 1713 01:09:02,250 --> 01:09:03,208 THE POLICE ARE TRYING TO ARREST ME 1714 01:09:03,291 --> 01:09:04,542 FOR SOMETHING I DIDN'T DO. 1715 01:09:05,792 --> 01:09:08,208 STEPHEN, THERE WAS A WITNESS. 1716 01:09:08,291 --> 01:09:10,333 THEY SAW YOU RUN DOWN ANDREW GOSIN-- 1717 01:09:10,417 --> 01:09:12,041 OKAY, FIRST, I HAVE NO IDEA WHO THAT IS! 1718 01:09:13,709 --> 01:09:14,959 AND SECOND OF ALL, 1719 01:09:15,041 --> 01:09:16,375 MAYBE SOMEBODY DID SEE MY CAR, 1720 01:09:16,458 --> 01:09:17,625 BUT THEY DIDN'T SEE ME, OKAY? 1721 01:09:17,709 --> 01:09:19,458 BECAUSE I WAS AT HOME SLEEPING ALL NIGHT! 1722 01:09:19,542 --> 01:09:21,000 AND WHEN I WENT OUTSIDE IN THE MORNING, 1723 01:09:21,083 --> 01:09:22,583 MY CAR WASN'T IN THE DRIVEWAY. 1724 01:09:22,667 --> 01:09:24,917 YOU'RE SAYING YOUR CAR GOT STOLEN? 1725 01:09:25,000 --> 01:09:26,417 YES! 1726 01:09:26,500 --> 01:09:27,834 AND I'M STANDING OUTSIDE, GETTING READY TO CALL THE POLICE 1727 01:09:27,917 --> 01:09:29,583 WHEN ALL THESE COP CARS COME RUSHING UP, 1728 01:09:29,667 --> 01:09:31,125 AND I JUST, I... 1729 01:09:33,458 --> 01:09:35,125 I WAS SCARED. 1730 01:09:35,208 --> 01:09:37,000 AND I COULD OVERHEAR WHAT THEY WERE SAYING, 1731 01:09:37,083 --> 01:09:39,333 AND THEY WERE ACCUSING ME OF HIT-AND-RUN, AND MURDER? 1732 01:09:39,417 --> 01:09:41,000 BUT THAT WASN'T ME. 1733 01:09:41,083 --> 01:09:44,625 SHANNON, THAT WASN'T ME. 1734 01:09:45,875 --> 01:09:47,667 OKAY? 1735 01:09:47,750 --> 01:09:48,875 AND YOU HAVE A SECURITY CAMERA 1736 01:09:48,959 --> 01:09:50,750 ON YOUR FRONT PORCH. 1737 01:09:50,834 --> 01:09:52,458 YOU CAN PROVE ME INNOCENT. 1738 01:09:54,750 --> 01:09:57,375 [SHANNON]: THERE HE IS, THAT'S HIM. 1739 01:09:57,458 --> 01:09:59,500 OKAY, THE GUY I SAW COMING OUT OF JESSE'S HOUSE, 1740 01:09:59,583 --> 01:10:00,750 THAT'S WHAT HE WAS WEARING, 1741 01:10:00,834 --> 01:10:02,208 BULKY BLACK JACKET, JUST LIKE THAT. 1742 01:10:02,291 --> 01:10:03,959 WE CAN'T IDENTIFY A FACE. 1743 01:10:04,041 --> 01:10:05,125 IT COULD BE DAVISON HERE, FOR ALL WE KNOW-- 1744 01:10:05,208 --> 01:10:06,333 WHOA, WHOA, WHOA, WHOA, 1745 01:10:06,417 --> 01:10:07,583 YOU THINK I'D FAKE BREAKING INTO MY OWN CAR? 1746 01:10:07,667 --> 01:10:09,417 THAT WASN'T ME, OKAY? 1747 01:10:09,500 --> 01:10:11,417 ASK MY DAD, HE'LL TELL YOU I WAS AT HOME ALL NIGHT. 1748 01:10:11,500 --> 01:10:13,875 STEPHEN, NOBODY KNOWS WHERE YOUR DAD IS. 1749 01:10:13,959 --> 01:10:15,500 HE'S NOT AT HOME? 1750 01:10:15,583 --> 01:10:16,667 NO. 1751 01:10:16,750 --> 01:10:17,959 YEAH, IF YOU WERE HOME ALL NIGHT, 1752 01:10:18,041 --> 01:10:19,000 THEN I'D THINK YOU'D KNOW HE WASN'T THERE, 1753 01:10:19,083 --> 01:10:20,041 NOW, WOULDN'T YOU? 1754 01:10:20,125 --> 01:10:22,208 TELL THEM, SHANNON. 1755 01:10:22,291 --> 01:10:23,500 PLEASE, OKAY? 1756 01:10:23,583 --> 01:10:25,417 TELL THEM YOU KNOW THAT'S NOT ME IN THAT VIDEO 1757 01:10:25,500 --> 01:10:26,667 STEALING MY OWN CAR! 1758 01:10:26,750 --> 01:10:27,834 [CELL PHONE RINGS] 1759 01:10:27,917 --> 01:10:29,166 THAT'S PROBABLY MY DAD. 1760 01:10:29,250 --> 01:10:31,125 MAYBE HE CAN TELL US WHERE NED IS. 1761 01:10:31,208 --> 01:10:32,250 EXCUSE ME. 1762 01:10:36,500 --> 01:10:37,917 HEY, DAD? 1763 01:10:38,000 --> 01:10:39,875 SHANNON! OH, MY GOD, SHANNON! 1764 01:10:39,959 --> 01:10:41,250 JEN, IS THAT YOU? 1765 01:10:41,333 --> 01:10:42,917 SHANNON, PLEASE, YOU HAVE TO HELP ME! 1766 01:10:43,000 --> 01:10:44,417 JEN, ARE YOU OKAY? 1767 01:10:44,500 --> 01:10:45,333 [DISGUISED VOICE INTERRUPTS]: SHANNON HUGHES, 1768 01:10:45,417 --> 01:10:46,667 LISTEN CAREFULLY. 1769 01:10:46,750 --> 01:10:47,709 WHO IS THIS? 1770 01:10:47,792 --> 01:10:49,375 I HAVE YOUR FRIENDS. 1771 01:10:49,458 --> 01:10:52,250 WHO IS THIS? NED? 1772 01:10:52,333 --> 01:10:53,792 IF YOU WANT TO SEE THEM ALIVE AGAIN, 1773 01:10:53,875 --> 01:10:55,834 YOU'LL BRING ME THE NECKLACE. 1774 01:10:55,917 --> 01:10:57,166 I DON'T HAVE THE NECKLACE. 1775 01:10:57,250 --> 01:10:58,500 I DON'T EVEN KNOW WHERE IT IS-- 1776 01:10:58,583 --> 01:11:00,208 THEN YOU'D BETTER FIND IT. 1777 01:11:00,291 --> 01:11:01,583 I'LL CALL YOU IN EXACTLY THREE HOURS 1778 01:11:01,667 --> 01:11:02,917 AND TELL YOU WHERE YOU CAN TRADE IT 1779 01:11:03,000 --> 01:11:04,667 FOR THE LIVES OF JENNIFER AND ALTHEA. 1780 01:11:04,750 --> 01:11:07,208 NO, PLEASE DON'T DO THIS. I HAVE NO IDEA. 1781 01:11:07,291 --> 01:11:08,750 AND IF YOU TELL THE POLICE ANYTHING ABOUT THIS, 1782 01:11:08,834 --> 01:11:09,792 ANYTHING AT ALL, 1783 01:11:09,875 --> 01:11:11,291 YOUR FRIENDS WILL DIE. 1784 01:11:11,375 --> 01:11:12,458 [CALL DISCONNECTS] 1785 01:11:17,166 --> 01:11:19,083 SOMETHING'S HAPPENED. 1786 01:11:21,500 --> 01:11:23,000 IT'S ALREADY BEEN AN HOUR. 1787 01:11:23,083 --> 01:11:24,750 WHAT IF I CAN'T FIND IT? 1788 01:11:24,834 --> 01:11:26,917 WHAT IF JENNIFER AND ALTHEA ARE ALREADY DEAD-- 1789 01:11:27,000 --> 01:11:28,083 DON'T THINK ABOUT IT. WE'RE GONNA FIND IT. 1790 01:11:28,166 --> 01:11:29,166 WE JUST NEED TO FOCUS ON WHAT WE'RE DOING. 1791 01:11:29,250 --> 01:11:30,834 IF IT REALLY IS NED THAT SNATCHED THEM, 1792 01:11:30,917 --> 01:11:32,542 IT'S NOT THE NED I'VE ALWAYS KNOWN. 1793 01:11:32,625 --> 01:11:34,291 WELL, SOMETIMES, 1794 01:11:34,375 --> 01:11:35,667 MONEY MAKES PEOPLE FORGET WHO THEY ARE. 1795 01:11:39,625 --> 01:11:41,250 HEY, WAIT A MINUTE. 1796 01:11:41,333 --> 01:11:42,625 HEY, I THINK I FOUND SOMETHING. 1797 01:11:44,208 --> 01:11:46,500 THIS WAINSCOTING, IT'S BEEN REPLACED. 1798 01:11:52,542 --> 01:11:53,542 [SIGHS] 1799 01:11:53,625 --> 01:11:54,959 NOTHING. 1800 01:11:55,041 --> 01:11:56,333 IT'S ALL RIGHT. 1801 01:11:56,417 --> 01:11:57,375 WE'LL KEEP LOOKING. 1802 01:12:03,000 --> 01:12:04,333 WAIT A MINUTE, 1803 01:12:04,417 --> 01:12:06,166 THIS HAS A DIFFERENT FINISH. 1804 01:12:06,250 --> 01:12:09,125 THIS PART'S BEEN PATCHED OVER. 1805 01:12:09,208 --> 01:12:10,166 [SMASHING PLASTER] 1806 01:12:18,709 --> 01:12:20,542 NOTHING. 1807 01:12:20,625 --> 01:12:22,125 NOTHING BUT AN OLD ELECTRICAL BOX. 1808 01:12:23,375 --> 01:12:24,333 [SIGHS HEAVILY] 1809 01:12:30,834 --> 01:12:33,542 MAYBE IT'S TIME TO CALL THE POLICE. 1810 01:12:33,625 --> 01:12:35,375 LIKE THAT WOULD DO ANY GOOD. 1811 01:12:35,458 --> 01:12:37,041 WHY DO YOU SAY THAT? 1812 01:12:38,625 --> 01:12:40,166 IT DOESN'T MATTER. 1813 01:12:40,250 --> 01:12:41,667 IT DOES. IT MATTERS TO ME. 1814 01:12:42,792 --> 01:12:44,417 WHAT'S GOING ON? 1815 01:12:47,750 --> 01:12:49,250 I HAD JUST STARTED COLLEGE. 1816 01:12:49,333 --> 01:12:51,709 MY DAD WAS OUT OF TOWN ON A JOB, 1817 01:12:51,792 --> 01:12:55,208 BUT MY MOM... 1818 01:12:55,291 --> 01:12:57,834 SHE SAID SHE COULD DRIVE UP. 1819 01:12:57,917 --> 01:12:59,041 UH... 1820 01:13:00,250 --> 01:13:01,500 BUT SHE NEVER SHOWED. 1821 01:13:03,417 --> 01:13:05,500 AND I KNEW SOMETHING WAS WRONG. 1822 01:13:05,583 --> 01:13:07,458 I CALLED THE POLICE, 1823 01:13:07,542 --> 01:13:10,875 AND I BEGGED THEM TO GO LOOK FOR HER, 1824 01:13:10,959 --> 01:13:13,458 BUT THEY SAID I HAD TO WAIT THE 24-HOUR PERIOD. 1825 01:13:18,375 --> 01:13:21,750 THEY FOUND HER THE NEXT MORNING. 1826 01:13:21,834 --> 01:13:25,875 HER CAR HAD SLID INTO A DITCH. 1827 01:13:27,375 --> 01:13:31,083 IT GOT BELOW ZERO THAT NIGHT. 1828 01:13:42,208 --> 01:13:46,041 WHAT DO YOU WANT TO DO? 1829 01:13:48,125 --> 01:13:49,834 [EXHALES DEEPLY] 1830 01:13:49,917 --> 01:13:52,208 I WANT TO FIND THAT NECKLACE. 1831 01:13:58,917 --> 01:14:00,125 OH, WE ALREADY LOOKED THERE. 1832 01:14:00,208 --> 01:14:02,041 I'M THIRSTY. 1833 01:14:02,125 --> 01:14:03,041 WAIT A MINUTE. 1834 01:14:03,125 --> 01:14:05,333 SOMETHING LOOKS OFF. 1835 01:14:05,417 --> 01:14:07,375 I BUILT THESE CABINETS FOR JESSE, 1836 01:14:07,458 --> 01:14:08,959 AND I DID NOT PUT THAT BOARD HERE. 1837 01:14:21,333 --> 01:14:22,834 [GASPING] 1838 01:14:25,083 --> 01:14:26,875 -WE FOUND IT! -YOU FOUND IT. 1839 01:14:26,959 --> 01:14:28,583 [LAUGHING IN TRIUMPH] 1840 01:14:30,667 --> 01:14:31,667 OKAY... 1841 01:14:32,792 --> 01:14:34,041 WOW... 1842 01:14:34,125 --> 01:14:37,333 IT'S A LETTER FROM DUARTE, GOODMAN, AND BENCOURT. 1843 01:14:37,417 --> 01:14:38,792 "DEAR MR. HENNESSEY, 1844 01:14:38,875 --> 01:14:40,917 "WE REGRET TO INFORM YOU 1845 01:14:41,000 --> 01:14:44,750 "THAT THE SALVAGE CLAIM 44843 HAS BEEN DENIED. 1846 01:14:44,834 --> 01:14:45,917 "PLEASE BE ADVISED 1847 01:14:46,000 --> 01:14:48,750 "THAT IF YOU ATTEMPT TO SELL ITEM 44843, 1848 01:14:48,834 --> 01:14:50,834 "YOU WILL BE SUBJECT TO PROSECUTION 1849 01:14:50,917 --> 01:14:53,667 FOR VIOLATIONS UNDER THE MARINE SALVAGE ACT," 1850 01:14:53,750 --> 01:14:54,875 BLAH, BLAH, BLAH, BLAH... 1851 01:14:54,959 --> 01:14:57,250 SIGNED, "SINCERELY, ANDREA FLEMING, 1852 01:14:57,333 --> 01:14:59,458 ASSISTANT TO ANDREW GOSIN, ESQUIRE." 1853 01:15:01,041 --> 01:15:03,792 SO... JESSE DIDN'T HAVE THE RIGHTS TO THE NECKLACE. 1854 01:15:03,875 --> 01:15:06,375 IT SEEMS ODD THAT THE ASSISTANT TO THE LAWYER 1855 01:15:06,458 --> 01:15:07,375 WOULD SIGN HER NAME TO THE LETTER, 1856 01:15:07,458 --> 01:15:08,500 AND NOT HER BOSS-- 1857 01:15:08,583 --> 01:15:11,375 [CELL PHONE RINGS] 1858 01:15:11,458 --> 01:15:12,583 [SIGHING] IT'S MY DAD. FINALLY! 1859 01:15:12,667 --> 01:15:14,291 DAD! 1860 01:15:14,375 --> 01:15:15,333 WHERE ARE YOU? ARE YOU OKAY? 1861 01:15:15,417 --> 01:15:17,166 I'M FINE. 1862 01:15:17,250 --> 01:15:18,625 WE HEARD THE SALMON WERE RUNNING THIS MORNING, 1863 01:15:18,709 --> 01:15:20,500 SO WE WENT OUT EARLY TO TRY OUR LUCK. 1864 01:15:20,583 --> 01:15:22,125 WAIT, NED'S WITH YOU? 1865 01:15:22,208 --> 01:15:23,083 HAS HE BEEN WITH YOU ALL MORNING? 1866 01:15:23,166 --> 01:15:24,166 YUP. 1867 01:15:24,250 --> 01:15:25,625 HE'S IN A SOUR MOOD, THOUGH. 1868 01:15:25,709 --> 01:15:27,166 DIDN'T GET A SINGLE BITE. 1869 01:15:27,250 --> 01:15:29,542 SHANNON, YOU GOTTA SEE THIS. 1870 01:15:29,625 --> 01:15:30,625 UH, DAD, I GOTTA GO. 1871 01:15:30,709 --> 01:15:31,500 OKAY. 1872 01:15:35,000 --> 01:15:37,083 WHY ARE YOU SHOWING ME A PICTURE OF ALTHEA? 1873 01:15:37,166 --> 01:15:38,333 I'M NOT. 1874 01:15:38,417 --> 01:15:40,041 THIS IS A PHOTO FROM THE LAW FIRM'S WEBSITE. 1875 01:15:40,125 --> 01:15:41,792 THIS IS A PICTURE OF ANDREA FLEMING. 1876 01:15:41,875 --> 01:15:43,083 WHAT? 1877 01:15:43,166 --> 01:15:44,542 SHE MUST BE THE ONE WHO STOLE STEPHEN'S CAR 1878 01:15:44,625 --> 01:15:46,583 AND RAN DOWN HER BOSS, ANDREW GOSIN. 1879 01:15:48,041 --> 01:15:50,166 SO SHE KILLED JESSE. 1880 01:15:50,250 --> 01:15:53,542 AND NOW SHE HAS JENNIFER. 1881 01:16:09,000 --> 01:16:10,000 [CELL PHONE RINGS] 1882 01:16:12,417 --> 01:16:13,667 HELLO. 1883 01:16:13,750 --> 01:16:14,500 [DISGUISED VOICE]: DO YOU HAVE THE NECKLACE? 1884 01:16:14,583 --> 01:16:16,125 YES, I FOUND IT. 1885 01:16:16,208 --> 01:16:18,250 IT WAS WITH A LETTER TO JESSE. 1886 01:16:18,333 --> 01:16:21,667 A LETTER SIGNED BY SOMEBODY NAMED ANDREA FLEMING. 1887 01:16:21,750 --> 01:16:24,083 I KNOW IT'S YOU, ALTHEA. 1888 01:16:24,166 --> 01:16:25,083 I KNOW YOUR REAL NAME IS ANDREA. 1889 01:16:25,166 --> 01:16:27,250 YOU CAN QUIT DISGUISING YOUR VOICE. 1890 01:16:27,333 --> 01:16:28,959 I BET JESSE'S CLAIM ON THE NECKLACE 1891 01:16:29,041 --> 01:16:30,792 WAS ACTUALLY APPROVED, WASN'T IT? 1892 01:16:30,875 --> 01:16:32,875 AND YOU WROTE HIM A LETTER SAYING IT HAD BEEN DENIED. 1893 01:16:32,959 --> 01:16:36,041 THEN YOU GOT RID OF ANDREW GOSIN AND HIS BOSS, 1894 01:16:36,125 --> 01:16:37,500 AND YOU MOVED OUT HERE, 1895 01:16:37,583 --> 01:16:40,291 AND YOU TRICKED JESSE INTO FALLING IN LOVE WITH YOU. 1896 01:16:40,375 --> 01:16:43,583 TO GET YOUR HANDS ON A NECKLACE. 1897 01:16:43,667 --> 01:16:44,834 AM I CLOSE, ANDREA? 1898 01:16:46,333 --> 01:16:47,875 [BEEPS OFF VOICE DISGUISER] 1899 01:16:47,959 --> 01:16:50,792 DO YOU WANT TO SEE JENNIFER ALIVE AGAIN, OR NOT? 1900 01:16:50,875 --> 01:16:52,625 YOU BETTER NOT HURT HER. 1901 01:16:52,709 --> 01:16:56,417 MEET ME AT THE LIGHTHOUSE, 4:00, WITH THE NECKLACE. 1902 01:16:56,500 --> 01:16:59,125 NO POLICE, JUST YOU. 1903 01:16:59,208 --> 01:17:00,709 AND IF I SEE ANY SIGNS 1904 01:17:00,792 --> 01:17:02,792 OF SOMEONE ELSE WITH YOU, 1905 01:17:02,875 --> 01:17:04,041 JENNIFER WILL DIE. 1906 01:17:14,875 --> 01:17:18,333 YOUR SMARTY PANTS FRIEND IS GONNA GET YOU KILLED, 1907 01:17:18,417 --> 01:17:20,125 BUT AT LEAST THEN, 1908 01:17:20,208 --> 01:17:21,250 YOUR TERRIBLE WEEK WILL BE OVER. 1909 01:17:21,333 --> 01:17:22,458 [MUFFLED SOBS] 1910 01:17:23,667 --> 01:17:25,709 OKAY, UM, I KNOW YOU DON'T HAVE 1911 01:17:25,792 --> 01:17:26,917 A LOT OF FAITH IN THE POLICE-- 1912 01:17:27,000 --> 01:17:28,375 WE'RE NOT CALLING THEM. 1913 01:17:28,458 --> 01:17:29,291 SHE SAID SHE WOULD KILL JENNIFER, 1914 01:17:29,375 --> 01:17:30,542 AND I BELIEVE HER. 1915 01:17:30,625 --> 01:17:32,375 SHE MIGHT KILL HER ANYWAY, AND THEN KILL YOU, TOO. 1916 01:17:32,458 --> 01:17:33,667 THEN WE'LL COME UP WITH A PLAN, 1917 01:17:33,750 --> 01:17:34,583 A WAY TO STOP HER. 1918 01:17:34,667 --> 01:17:35,583 Y-- 1919 01:18:16,375 --> 01:18:18,166 WHERE'S THE NECKLACE? 1920 01:18:18,250 --> 01:18:19,792 WHERE'S JENNIFER? 1921 01:18:23,000 --> 01:18:24,750 IT'S LIVE. 1922 01:18:24,834 --> 01:18:25,750 GO AHEAD, 1923 01:18:25,834 --> 01:18:27,667 TALK TO HER. 1924 01:18:27,750 --> 01:18:29,000 JENNIFER! 1925 01:18:29,083 --> 01:18:30,375 [MUFFLED SCREAMS] 1926 01:18:30,458 --> 01:18:32,250 I AM COMING TO GET YOU OUT-- 1927 01:18:33,417 --> 01:18:34,125 [BEEPS PHONE OFF] 1928 01:18:34,208 --> 01:18:35,250 WHERE IS SHE? 1929 01:18:35,333 --> 01:18:36,917 FIRST, THE NECKLACE. 1930 01:18:37,959 --> 01:18:39,375 NOT UNTIL I HAVE JENNIFER. 1931 01:18:39,458 --> 01:18:40,792 [SCOFFS] 1932 01:18:40,875 --> 01:18:42,709 I DON'T MEAN TO BE CRUDE, 1933 01:18:42,792 --> 01:18:44,667 BUT I WILL BE THE ONE 1934 01:18:44,750 --> 01:18:47,083 WHO DECIDES WHEN YOU GET JENNIFER. 1935 01:18:47,166 --> 01:18:48,417 NOW, THE NECKLACE. 1936 01:18:50,333 --> 01:18:51,667 I LEFT IT ON THE VIEWING DECK. 1937 01:18:51,750 --> 01:18:54,166 YOU CAN GET THE NECKLACE WHILE I GET JENNIFER. 1938 01:18:54,250 --> 01:18:56,041 IT'S ONLY FAIR. 1939 01:18:57,250 --> 01:18:59,625 THIS IS NOT ABOUT FAIR. 1940 01:18:59,709 --> 01:19:02,250 DON'T MAKE ME USE THIS AWFUL GUN. 1941 01:19:02,333 --> 01:19:04,166 I HATE GUNS. 1942 01:19:04,250 --> 01:19:06,375 I PREFER OTHER WEAPONS. 1943 01:19:06,458 --> 01:19:08,917 AND TODAY'S WEAPON IS LEVERAGE. 1944 01:19:09,000 --> 01:19:11,417 I HOLD JENNIFER'S LIFE IN MY HANDS. 1945 01:19:12,875 --> 01:19:15,041 ALTHOUGH... 1946 01:19:15,125 --> 01:19:18,166 IT'S GOOD TO HAVE INSURANCE. 1947 01:19:18,250 --> 01:19:20,333 NOW, TAKE ME TO THE NECKLACE. 1948 01:19:23,166 --> 01:19:24,542 I KNOW YOU WERE IN JESSE'S HOUSE 1949 01:19:24,625 --> 01:19:26,500 THE NIGHT HE DIED. 1950 01:19:26,583 --> 01:19:28,917 I'D BEEN IN JESSE'S HOUSE EVERY NIGHT FOR A WEEK 1951 01:19:29,000 --> 01:19:31,000 BEFORE HE DIED. 1952 01:19:31,083 --> 01:19:34,041 DID JESSE EVEN FALL, OR DID YOU KILL HIM? 1953 01:19:34,125 --> 01:19:36,500 I LIKED JESSE. 1954 01:19:36,583 --> 01:19:37,875 HE WAS VERY ADORING. 1955 01:19:39,792 --> 01:19:41,625 I COULD HAVE MARRIED HIM, 1956 01:19:41,709 --> 01:19:46,125 BUT HE WOULD HAVE DONATED THAT NECKLACE ANYWAY. 1957 01:19:46,208 --> 01:19:48,709 SO YOU DID KILL HIM? 1958 01:19:48,792 --> 01:19:50,041 WELL, TECHNICALLY, THE FALL KILLED HIM, 1959 01:19:50,125 --> 01:19:51,709 SAVING ME THE TROUBLE 1960 01:19:51,792 --> 01:19:54,083 OF HAVING TO BASH HIM IN THE HEAD MYSELF. 1961 01:19:54,166 --> 01:19:55,875 YOU ARE A PSYCHOPATH-- 1962 01:19:55,959 --> 01:19:57,041 NO, NO, NO, 1963 01:19:57,125 --> 01:19:59,583 I WAS AN ASSISTANT TO A PSYCHOPATH. 1964 01:20:00,750 --> 01:20:02,208 IT WAS ANDREW'S IDEA 1965 01:20:02,291 --> 01:20:05,375 TO CHEAT JESSE OUT OF THAT NECKLACE. 1966 01:20:05,458 --> 01:20:09,250 HE EVEN CAME UP WITH THE IDEA FOR ME TO WIN JESSE'S AFFECTION, 1967 01:20:09,333 --> 01:20:11,667 SO THAT I COULD LURE HIM AWAY FROM THE HOUSE 1968 01:20:11,750 --> 01:20:13,583 WHILE ANDREW SEARCHED IT. 1969 01:20:13,667 --> 01:20:16,417 BUT YOU DIDN'T WANT TO SPLIT THE $10 MILLION. 1970 01:20:16,500 --> 01:20:18,875 WHY SHOULD I? 1971 01:20:18,959 --> 01:20:21,375 WHEN I WAS THE ONE THAT DID ALL THE WORK 1972 01:20:21,458 --> 01:20:22,458 PREPARING THE PAPERS, 1973 01:20:22,542 --> 01:20:23,709 AND WINNING THE CLAIM? 1974 01:20:23,792 --> 01:20:26,291 SO YOU TRIED TO KILL HIM, 1975 01:20:26,375 --> 01:20:29,000 AND HIS BOSS, BECAUSE HE KNEW ABOUT THE NECKLACE, TOO, 1976 01:20:29,083 --> 01:20:31,083 BY RIGGING AN EXPLOSION ON A BOAT? 1977 01:20:31,166 --> 01:20:33,458 I THOUGHT I GOT 'EM BOTH. 1978 01:20:33,542 --> 01:20:35,041 IT WAS YOU 1979 01:20:35,125 --> 01:20:37,709 WHO TOLD ME THAT ANDREW WAS STILL ALIVE 1980 01:20:37,792 --> 01:20:39,959 AND TRYING TO STEAL THE NECKLACE OUT FROM UNDER ME. 1981 01:20:41,375 --> 01:20:43,625 YOU MUST BE PLANNING TO SHOOT ME. 1982 01:20:43,709 --> 01:20:44,875 WHY ELSE WOULD YOU TELL ME ALL OF THIS? 1983 01:20:44,959 --> 01:20:46,875 I TOLD YOU, I AM NOT A PSYCHOPATH. 1984 01:20:46,959 --> 01:20:48,000 [CHUCKLES IN DISBELIEF] 1985 01:20:48,083 --> 01:20:50,208 LOOK, I WILL BE LONG GONE 1986 01:20:50,291 --> 01:20:52,208 BY THE TIME YOU GO RESCUE LITTLE JENNY 1987 01:20:52,291 --> 01:20:54,834 AND TELL THE POLICE WHAT YOU KNOW. 1988 01:20:54,917 --> 01:20:58,375 I'LL BE ON MY WAY TO A NICE, WARM, SUNNY COUNTRY 1989 01:20:58,458 --> 01:21:00,166 WHERE NO ONE WILL EVER FIND ME. 1990 01:21:00,250 --> 01:21:02,291 NOW, MOVE! 1991 01:21:02,375 --> 01:21:04,375 I GOT A PLANE TO CATCH. 1992 01:21:13,875 --> 01:21:16,166 YOU LEFT IT ON THE RAIL LIKE THAT? 1993 01:21:16,250 --> 01:21:17,792 YOU IDIOT! 1994 01:21:25,291 --> 01:21:26,333 [WOOD SPLINTERING] 1995 01:21:26,417 --> 01:21:27,500 [ALTHEA YELPS] 1996 01:21:31,250 --> 01:21:33,000 [WINCING IN PAIN] 1997 01:21:36,083 --> 01:21:40,041 WELL, ANDREA, MY WEAPON TODAY IS KNOWLEDGE. 1998 01:21:40,125 --> 01:21:41,709 YOU SEE, OLD WOODEN DECKS, 1999 01:21:41,792 --> 01:21:43,000 THEY BEGIN TO LEAN 2000 01:21:43,083 --> 01:21:45,875 ON JUST A FEW STEEL LAG BOLTS WITH TIME. 2001 01:21:45,959 --> 01:21:47,417 YOU TAKE THOSE OUT, 2002 01:21:47,500 --> 01:21:49,125 THE WHOLE THING FALLS APART. 2003 01:21:52,583 --> 01:21:53,583 [WINCING IN PAIN] 2004 01:21:53,667 --> 01:21:55,500 DID SHE TELL YOU WHERE JENNIFER IS YET? 2005 01:21:55,583 --> 01:21:56,917 NO, 2006 01:21:57,000 --> 01:21:58,458 AND I WILL NEVER TELL YOU NOW. 2007 01:21:58,542 --> 01:21:59,750 SHE DOESN'T HAVE TO. 2008 01:21:59,834 --> 01:22:01,333 FROM WHAT I SAW, 2009 01:22:01,417 --> 01:22:03,458 JENNIFER'S LAYING ON A FLOOR MADE OF STONE. 2010 01:22:03,542 --> 01:22:05,917 IT'S THE SAME STONE THAT MADE UP THE CRADDOCK FORT. 2011 01:22:06,000 --> 01:22:07,000 [WINCING] OH... 2012 01:22:09,542 --> 01:22:11,041 CAN WE CALL THE POLICE NOW? 2013 01:22:11,125 --> 01:22:12,834 YEAH. 2014 01:22:16,417 --> 01:22:18,041 JEN, WHERE ARE YOU! 2015 01:22:18,125 --> 01:22:19,583 ARE YOU HERE? 2016 01:22:21,875 --> 01:22:22,959 JEN! 2017 01:22:23,041 --> 01:22:24,291 [MUFFLED SCREAMS] 2018 01:22:24,375 --> 01:22:25,875 I THINK I HEAR HER! 2019 01:22:29,125 --> 01:22:30,250 [SIGHS IN RELIEF] 2020 01:22:30,333 --> 01:22:31,500 [MUFFLED CRIES] 2021 01:22:31,583 --> 01:22:33,208 OH, JEN... 2022 01:22:33,291 --> 01:22:34,417 [MUFFLED SOBS] 2023 01:22:34,500 --> 01:22:36,375 DON'T WORRY, YOU'RE SAFE. 2024 01:22:36,458 --> 01:22:38,000 OH, GOSH... 2025 01:22:39,917 --> 01:22:40,625 IT'S ALTHEA! 2026 01:22:40,709 --> 01:22:41,750 I KNOW. 2027 01:22:41,834 --> 01:22:43,792 WE GOT HER. SHH, SHH, SHH... 2028 01:22:49,291 --> 01:22:51,041 ...AND ON THAT NOTE, 2029 01:22:51,125 --> 01:22:53,166 I HEREBY DEDICATE THIS NEW SECTION 2030 01:22:53,250 --> 01:22:55,417 OF THE MARITIME MUSEUM 2031 01:22:55,500 --> 01:22:57,917 THE JESSE HENNESSEY MEMORIAL ROOM! 2032 01:22:58,000 --> 01:23:00,917 [APPLAUSE AND CHEERS] 2033 01:23:05,583 --> 01:23:07,875 AND A VERY SPECIAL THANK YOU 2034 01:23:07,959 --> 01:23:09,917 TO MY AMAZING FRIEND, SHANNON HUGHES, 2035 01:23:10,000 --> 01:23:12,000 WHO MADE THIS POSSIBLE, 2036 01:23:12,083 --> 01:23:13,709 AND WHO ALSO SAVED MY LIFE. 2037 01:23:13,792 --> 01:23:14,875 THANK YOU, SHANNON. 2038 01:23:14,959 --> 01:23:16,250 [CHEERING AND APPLAUSE] 2039 01:23:19,917 --> 01:23:21,667 [QUIETLY] I SECOND THE AMAZING PART. 2040 01:23:22,750 --> 01:23:24,041 THANK YOU. 2041 01:23:26,542 --> 01:23:29,166 NOW, ABOUT THE RENOVATION ON MY FIXER-UPPER, 2042 01:23:29,250 --> 01:23:30,792 THERE'S A COUPLE OF THINGS WE NEED TO DISCUSS. 2043 01:23:30,875 --> 01:23:33,125 NO, YOU'RE NOT GOING TO RENEGOTIATE MY QUOTE. 2044 01:23:33,208 --> 01:23:34,667 WELL, YOU HAVEN'T EVEN HEARD MY TERMS. 2045 01:23:34,750 --> 01:23:36,500 [LAUGHING] I DON'T HAVE TO. 2046 01:23:39,000 --> 01:23:42,875 [♪♪] 129868

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.