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These are the user uploaded subtitles that are being translated: 1 00:00:02,470 --> 00:00:05,005 [**] 2 00:00:06,674 --> 00:00:10,311 THIS IS "RADIO REBEL," LIVE FROM THE UNDERGROUND. 3 00:00:10,344 --> 00:00:13,147 YOU DON'T KNOW WHO I AM... 4 00:00:13,181 --> 00:00:14,982 BUT I KNOW WHO YOU ARE... 5 00:00:15,015 --> 00:00:17,751 BECAUSE I'M ONE OF YOU. 6 00:00:17,785 --> 00:00:18,586 [**] 7 00:00:18,619 --> 00:00:19,820 REPORT CARDS CAME OUT TODAY. 8 00:00:19,853 --> 00:00:21,722 I GOT A "MINUS" IN PARTICIPATION... 9 00:00:21,755 --> 00:00:23,824 BUT YOU CAN'T GIVE ME A "MINUS" FOR WHO I AM! 10 00:00:23,857 --> 00:00:26,594 SO, SINCE GRADES ARE BEING HANDED OUT, 11 00:00:26,627 --> 00:00:28,562 I THINK I'LL GIVE ALL OF US AT LINCOLN BAY HIGH 12 00:00:28,596 --> 00:00:31,031 AN "F," FOR LABELING EACH OTHER. 13 00:00:31,065 --> 00:00:32,333 JOCKS. 14 00:00:32,366 --> 00:00:33,767 OUTCASTS. 15 00:00:33,801 --> 00:00:34,802 DORKS. 16 00:00:34,835 --> 00:00:38,306 QUEEN BEES AND THEIR FELLOW POPS. 17 00:00:38,339 --> 00:00:40,808 AND... NEW-BORN POPS. 18 00:00:40,841 --> 00:00:44,478 GUYS, THESE ARE ALL LABELS, NOT WHO WE REALLY ARE. 19 00:00:44,512 --> 00:00:46,414 ONCE UPON A TIME, 20 00:00:46,447 --> 00:00:47,748 BEING DIFFERENT WAS A GOOD THING. 21 00:00:47,781 --> 00:00:49,750 NOW THOSE DIFFERENCES JUST DIVIDE US. 22 00:00:49,783 --> 00:00:51,385 YOU DESERVE TO EMBRACE YOUR AWESOMENESS. 23 00:00:51,419 --> 00:00:53,587 STAND UP FOR WHO YOU ARE. 24 00:00:53,621 --> 00:00:55,523 REJECT THE STATUS QUO. 25 00:00:55,556 --> 00:00:57,425 I DARE YOU. 26 00:00:57,458 --> 00:00:59,660 OKAY. LAST NIGHT. "RADIO REBEL--" 27 00:00:59,693 --> 00:01:01,262 ...WAS AWESOME? 28 00:01:01,295 --> 00:01:02,630 AS USUAL! 29 00:01:02,663 --> 00:01:05,199 "REJECT THE STATUS QUO" IS MY NEW LIFE MOTTO. 30 00:01:05,233 --> 00:01:07,135 SHE'S SO... INSPIRING. 31 00:01:07,168 --> 00:01:09,403 SO... HERSELF. 32 00:01:09,437 --> 00:01:11,572 I WISH I COULD BE MORE LIKE HER. 33 00:01:11,605 --> 00:01:12,873 YOU SHOULD TALK TO YOUR STEP-DAD. 34 00:01:12,906 --> 00:01:14,475 WHAT? WHY? 35 00:01:14,508 --> 00:01:15,709 UH, HE RUNS SLAM-FM, 36 00:01:15,743 --> 00:01:17,811 THE BIGGEST RADIO STATION IN SEATTLE. 37 00:01:17,845 --> 00:01:19,680 MAYBE HE COULD GIVE YOU AN INTERNSHIP. 38 00:01:19,713 --> 00:01:21,415 THAT'D BE A CONFIDENCE BOOSTER, RIGHT? 39 00:01:21,449 --> 00:01:22,916 ARE YOU KIDDING ME? 40 00:01:22,950 --> 00:01:25,052 HE'S BEEN MARRIED TO MY MOM FOR, WHAT, TWO MONTHS? 41 00:01:25,085 --> 00:01:26,887 PROBABLY THINKS I'M A TOTAL STEP-FREAK. 42 00:01:26,920 --> 00:01:30,424 I FREAK OUT WHEN HE ASKS WHAT KIND OF CEREAL I WANT. 43 00:01:30,458 --> 00:01:32,960 [CHUCKLES] 44 00:01:32,993 --> 00:01:34,728 I JUST WISH I COULD TALK TO EVERYONE 45 00:01:34,762 --> 00:01:35,863 THE WAY I TALK TO YOU... 46 00:01:35,896 --> 00:01:38,132 I GUESS THAT'S WHY YOU'RE MY B.F.F. 47 00:01:38,166 --> 00:01:40,334 B.F.F.T.L.E.W.E. 48 00:01:41,569 --> 00:01:43,704 "BEST FRIENDS FOR TOTALLY, LIKE, EVER, 49 00:01:43,737 --> 00:01:45,239 WITHOUT EXCEPTION." 50 00:01:45,273 --> 00:01:46,407 CATCHY. 51 00:01:46,440 --> 00:01:47,841 YOU NEED A RELAXATION TECHNIQUE. 52 00:01:47,875 --> 00:01:49,510 WHEN I'M MEMORIZING LINES FOR DRAMA, 53 00:01:49,543 --> 00:01:51,745 I IMAGINE I'M BREATHING IN THE WORDS. 54 00:01:51,779 --> 00:01:53,647 AUDREY? WHAT DOES THAT EVEN MEAN? 55 00:01:53,681 --> 00:01:55,416 A-H-H-HEM. 56 00:01:55,449 --> 00:01:57,785 YOU NEED TO BREE-EA-ATHE 57 00:01:57,818 --> 00:01:59,887 YOUR WO-O-O-ORDS. 58 00:01:59,920 --> 00:02:03,657 HOW CAN YOU EVEN BREATHE AT A TIME LIKE THIS? 59 00:02:03,691 --> 00:02:05,526 PROBLEM, BARRY? 60 00:02:05,559 --> 00:02:06,827 LAST NIGHT, 61 00:02:06,860 --> 00:02:09,463 RADIO REBEL REVEALED THE BIGGEST CLUE YET 62 00:02:09,497 --> 00:02:10,464 ABOUT HER IDENTITY. 63 00:02:10,498 --> 00:02:12,833 SHE GOES TO OUR SCHOOL! 64 00:02:12,866 --> 00:02:14,368 SHE MENTIONED IT AT MINUTE 14:30, 65 00:02:14,402 --> 00:02:15,769 IN TUESDAY NIGHT'S PODCAST. 66 00:02:15,803 --> 00:02:17,070 WOW, OBSESS MUCH, LARRY? 67 00:02:17,104 --> 00:02:19,473 OBSESS? PLEASE! 68 00:02:19,507 --> 00:02:21,442 I-I WOULD HARDLY DESCRIBE MYSELF 69 00:02:21,475 --> 00:02:23,744 AS "OBSESSIVE." 70 00:02:24,545 --> 00:02:25,713 [CHUCKLES WRYLY] 71 00:02:25,746 --> 00:02:28,316 [SQUEAKING] 72 00:02:29,383 --> 00:02:30,818 WHAT? 73 00:02:30,851 --> 00:02:33,787 IT'S FLU SEASON! 74 00:02:33,821 --> 00:02:35,223 IT'S SO EXCITING. 75 00:02:35,256 --> 00:02:37,658 SOMEONE ON THE RADIO WHO'S ACTUALLY ONE OF US. 76 00:02:37,691 --> 00:02:39,460 SHE COULD BE THAT GIRL. 77 00:02:39,493 --> 00:02:41,262 OR... OR HER. OR... 78 00:02:41,295 --> 00:02:42,363 OR HER. 79 00:02:42,396 --> 00:02:43,531 OR THAT GIRL THAT GIRL. 80 00:02:43,564 --> 00:02:44,732 NO. THAT GIRL'S TOO TALL. 81 00:02:44,765 --> 00:02:47,768 RADIO REBEL'S VOICE SOUNDS 5'6" TO ME. 82 00:02:47,801 --> 00:02:49,270 AND HER HAIR IS REDDISH. 83 00:02:49,303 --> 00:02:50,638 LIKE TARA'S. 84 00:02:50,671 --> 00:02:52,240 NO. SHE'S NOTHING LIKE TARA. 85 00:02:52,273 --> 00:02:54,842 HEY! WHAT'S... THAT SUPPOSED TO MEAN? 86 00:02:54,875 --> 00:02:57,278 OH. WE... WE LOVE YOU, 87 00:02:57,311 --> 00:03:00,448 BUT YOU'RE NOTHING LIKE RADIO REBEL... 88 00:03:00,481 --> 00:03:02,049 WHO'S DEFINITELY A BLONDE. 89 00:03:02,082 --> 00:03:03,116 AND YOU KNOW THIS HOW? 90 00:03:03,150 --> 00:03:05,253 RADIO REBEL IS MY SOUL MATE. 91 00:03:05,286 --> 00:03:06,520 WE'RE CONNECTED. 92 00:03:06,554 --> 00:03:08,922 FOR EXAMPLE, I ALSO GOT A "MINUS" IN PARTICIPATION. 93 00:03:08,956 --> 00:03:09,990 HOW CAN THAT BE? 94 00:03:10,023 --> 00:03:10,991 YOU NEVER SHUT UP! 95 00:03:11,024 --> 00:03:14,562 [LAUGHS]: EXACTLY. 96 00:03:14,595 --> 00:03:16,497 [TOY RATTLING OVER FLOOR] 97 00:03:16,530 --> 00:03:19,567 [GIRLS LAUGH MOCKINGLY] 98 00:03:19,600 --> 00:03:21,335 [**] 99 00:03:21,369 --> 00:03:22,403 [GIRL]: HI, STACY! 100 00:03:22,436 --> 00:03:24,905 HONESTLY, IT'S A RELIEF THAT WE BROKE UP. 101 00:03:24,938 --> 00:03:26,574 THE WHOLE LONG-DISTANCE RELATIONSHIP THING 102 00:03:26,607 --> 00:03:27,875 WAS JUST LAME. 103 00:03:27,908 --> 00:03:29,109 WELL, I'M GLAD YOU'VE MOVED ON, 104 00:03:29,142 --> 00:03:30,478 BECAUSE YOU'VE ALREADY HAD 105 00:03:30,511 --> 00:03:32,380 THREE FORMAL ASKS TO PROM. 106 00:03:32,413 --> 00:03:33,447 [SQUEALS] 107 00:03:33,481 --> 00:03:34,715 ALAN ACKERMAN... 108 00:03:34,748 --> 00:03:36,650 HE'S TOO SHORT. THINK OF THE PICTURES. 109 00:03:36,684 --> 00:03:40,187 OKAY. HOW ABOUT JAMIE WARDLE? 110 00:03:40,220 --> 00:03:42,890 HAVE YOU EVER NOTICED HOW POINTY HIS HEAD IS? 111 00:03:42,923 --> 00:03:45,659 IT'S LIKE A TRIANGLE. 112 00:03:45,693 --> 00:03:47,328 HOW DO WE "REJECT THE STATUS QUO" 113 00:03:47,361 --> 00:03:50,764 WHEN THE STATUS QUO IS... STATUS QUO? 114 00:03:50,798 --> 00:03:52,766 LIKE RADIO REBEL SAID... 115 00:03:52,800 --> 00:03:55,002 BE OURSELVES. 116 00:03:56,604 --> 00:03:57,705 AUDREY! 117 00:03:57,738 --> 00:03:58,872 SO, NEXT... 118 00:03:58,906 --> 00:04:00,674 ERIN BROOKS IS OFFICIALLY CAMPAIGNING 119 00:04:00,708 --> 00:04:02,209 FOR PROM QUEEN. 120 00:04:02,242 --> 00:04:04,111 I JUST CONFIRMED IT ON HER FAN PAGE. 121 00:04:04,144 --> 00:04:06,647 WHATEVER. NO COMPETITION THERE. 122 00:04:06,680 --> 00:04:08,816 WHY DON'T I HAVE A FAN PAGE? 123 00:04:08,849 --> 00:04:10,951 I'LL GET RIGHT ON IT. 124 00:04:10,984 --> 00:04:12,019 [HEELS CLOPPING] 125 00:04:12,052 --> 00:04:14,855 HI, STACY. HOW'S IT GOING? 126 00:04:14,888 --> 00:04:17,758 THIS... IS WHAT I WAS TALKING ABOUT. 127 00:04:17,791 --> 00:04:18,826 EVERYONE THINKS 128 00:04:18,859 --> 00:04:20,227 THEY CAN JUST TALK TO US 129 00:04:20,260 --> 00:04:22,229 BECAUSE OF THAT ETERNALLY LAME "RADIO BABBLE." 130 00:04:22,262 --> 00:04:24,432 METHINKS SHE PROTESTS TOO MUCH. 131 00:04:24,465 --> 00:04:26,867 YEAH, WE THINKS... 132 00:04:26,900 --> 00:04:28,235 [WHISPERS]: WAIT! WHAT DO WE THINKS? 133 00:04:28,268 --> 00:04:30,438 THAT MAYBE SHE IS RADIO REBEL. 134 00:04:30,471 --> 00:04:31,839 PLEASE. 135 00:04:31,872 --> 00:04:34,742 LIKE I WOULD EVER ENCOURAGE PEOPLE LIKE YOU TO TALK TO US. 136 00:04:34,775 --> 00:04:37,645 AH-HAH! SO YOU ADMIT YOU LISTEN TO HER. 137 00:04:37,678 --> 00:04:39,713 [SCOFFS] 138 00:04:39,747 --> 00:04:41,415 THIS ONE'S STARING AT ME. 139 00:04:41,449 --> 00:04:42,816 MAKE IT STOP. 140 00:04:42,850 --> 00:04:45,052 PLEASE DON'T STAND SO CLOSE TO US. 141 00:04:47,020 --> 00:04:48,288 YOU AND I AREN'T ANY DIFFERENT. 142 00:04:48,322 --> 00:04:49,857 LIKE RADIO REBEL SAID-- 143 00:04:49,890 --> 00:04:51,224 NO WORDS. 144 00:04:51,258 --> 00:04:52,860 YOU DON'T THINK WE'RE DIFFERENT? 145 00:04:52,893 --> 00:04:54,695 WATCH AND LEARN. 146 00:04:54,728 --> 00:04:56,229 PRINCIPAL MORENO! 147 00:04:57,598 --> 00:04:59,333 [GUSHES]: STACY! 148 00:05:00,334 --> 00:05:02,770 IS EVERYTHING ALL RIGHT OVER HERE? 149 00:05:02,803 --> 00:05:04,104 ACTUALLY, NO. 150 00:05:04,137 --> 00:05:05,439 AUDREY WAS TRYING 151 00:05:05,473 --> 00:05:07,808 TO GET ME TO LISTEN TO SOME PODCAST IN CLASS. 152 00:05:07,841 --> 00:05:08,942 OF COURSE, I SAID NO. 153 00:05:08,976 --> 00:05:10,911 WHAT? NO. I MEAN, I NEVER-- 154 00:05:10,944 --> 00:05:12,212 YOU KNOW... 155 00:05:12,245 --> 00:05:14,648 THAT THERE IS AN ANTI-DISTRACTION POLICY. 156 00:05:14,682 --> 00:05:16,149 LET ME SEE YOUR BAG. 157 00:05:16,183 --> 00:05:17,718 BUT I WASN'T EVEN LISTENING TO IT! 158 00:05:17,751 --> 00:05:19,553 WELL, NOW YOU CAN'T, CAN YOU? 159 00:05:19,587 --> 00:05:22,590 YOU, TOO, YOUNG LADY. HAND IT OVER. 160 00:05:25,292 --> 00:05:28,729 THANK YOU FOR BRINGING THIS TO MY ATTENTION, STACY. 161 00:05:29,997 --> 00:05:32,866 [**] 162 00:05:32,900 --> 00:05:34,502 GET IT NOW? 163 00:05:34,535 --> 00:05:37,605 YOUR LITTLE DJ HERO DOESN'T KNOW WHAT SHE'S TALKING ABOUT. 164 00:05:37,638 --> 00:05:39,740 [TARA'S WORDS CATCH] 165 00:05:39,773 --> 00:05:41,108 OH? 166 00:05:41,141 --> 00:05:43,444 DOES "HER ROYAL SHYNESS" WANT TO SAY SOMETHING? 167 00:05:43,477 --> 00:05:44,578 I... 168 00:05:44,612 --> 00:05:46,547 HUH? 169 00:05:46,580 --> 00:05:47,915 UH... 170 00:05:47,948 --> 00:05:48,882 I THOUGHT NOT. 171 00:05:48,916 --> 00:05:50,117 [SNAPS FINGERS] 172 00:05:50,150 --> 00:05:52,319 BYE, GIRLS. 173 00:05:52,352 --> 00:05:54,287 GREETINGS TO OUR LOYAL FANS. 174 00:05:54,321 --> 00:05:56,123 THIS IS GABE AND GAVIN, OR AS YOU KNOW US-- 175 00:05:56,156 --> 00:05:57,224 THE "GEES!"-- 176 00:05:57,257 --> 00:05:58,459 ...COMING AT YOU TO SAY THANK YOU 177 00:05:58,492 --> 00:06:00,127 FOR VOTING FOR US TO PLAY AT YOUR PROM. 178 00:06:00,160 --> 00:06:01,595 WE'LL MAKE SURE IT TOTALLY ROCKS! 179 00:06:01,629 --> 00:06:03,731 WELL, WELL, WELL, LOOK WHO IT IS. 180 00:06:03,764 --> 00:06:06,166 LINCOLN BAY'S OWN INTERNET SENSATION. 181 00:06:06,199 --> 00:06:07,200 HEY, STACY. 182 00:06:07,234 --> 00:06:09,102 GAVIN... AND GAVIN'S CAMERA. 183 00:06:09,136 --> 00:06:10,638 I HEARD YOU GUYS ARE PLAYING PROM. 184 00:06:10,671 --> 00:06:11,805 PRETTY SWEET. 185 00:06:11,839 --> 00:06:14,141 BYE. 186 00:06:14,174 --> 00:06:16,009 DUDE... 187 00:06:16,043 --> 00:06:17,177 YOU ARE IN. 188 00:06:17,210 --> 00:06:18,245 WHAT DO YOU MEAN? 189 00:06:18,278 --> 00:06:19,447 STACY AND HER COLLEGE BOYFRIEND 190 00:06:19,480 --> 00:06:20,481 JUST CALLED IT QUITS. 191 00:06:20,514 --> 00:06:22,049 WHICH MEANS, AS OF RIGHT NOW, 192 00:06:22,082 --> 00:06:23,817 SHE DOESN'T HAVE A PROM DATE. 193 00:06:23,851 --> 00:06:25,285 I CAN'T ASK HER TO PROM. 194 00:06:25,318 --> 00:06:27,187 DIDN'T YOU SEE THAT? 195 00:06:27,220 --> 00:06:29,723 [GIRLY VOICE]: "HI, GAVIN." 196 00:06:29,757 --> 00:06:31,825 IT'S THE BAND, MAN. 197 00:06:31,859 --> 00:06:32,993 WE'RE GETTING SOME HEAT, 198 00:06:33,026 --> 00:06:34,428 A LITTLE ATTENTION FROM THE LADIES. 199 00:06:34,462 --> 00:06:36,363 YOUR STOCK IS ON THE RISE, AND STACY'S NOTICING. 200 00:06:36,396 --> 00:06:37,931 WELL, WHAT WOULD I EVEN SAY? 201 00:06:37,965 --> 00:06:39,433 LISTEN TO ME. OKAY? FOCUS. 202 00:06:39,467 --> 00:06:41,001 EYE OF THE TIGER. 203 00:06:41,034 --> 00:06:42,069 DON'T STOP BELIEVING. 204 00:06:42,102 --> 00:06:43,637 WE ARE THE CHAMPIONS. 205 00:06:43,671 --> 00:06:45,272 ARE YOU JUST QUOTING SONG TITLES? 206 00:06:45,305 --> 00:06:46,273 THIS IS YOUR CHANCE, MAN. 207 00:06:46,306 --> 00:06:47,441 SEIZE THE MOMENT. 208 00:06:47,475 --> 00:06:48,642 OUR FAN BASE IS EXPANDING-- 209 00:06:48,676 --> 00:06:50,277 TO OTHER SCHOOLS, THE CITY... 210 00:06:50,310 --> 00:06:51,344 I STILL FEEL LIKE 211 00:06:51,378 --> 00:06:53,080 THAT AWKWARD KID WITH A GUITAR 212 00:06:53,113 --> 00:06:54,281 JUST HANGING OUT IN YOUR GARAGE. 213 00:06:54,314 --> 00:06:55,348 FORGET THAT NERD! 214 00:06:55,382 --> 00:06:56,383 NOW YOU'RE "GAVIN." 215 00:06:56,416 --> 00:06:57,918 OF THE "GEES." 216 00:06:57,951 --> 00:06:59,186 WE'RE GOING ALL THE WAY, BABY! 217 00:06:59,219 --> 00:07:01,321 RECORDING CONTRACTS, SOLD-OUT STADIUMS. 218 00:07:01,354 --> 00:07:02,923 GEES FOR LIFE? 219 00:07:02,956 --> 00:07:06,126 GEES FOR LIFE. 220 00:07:06,159 --> 00:07:07,260 OW! 221 00:07:07,294 --> 00:07:09,530 ALL RIGHT, EVERYBODY. 222 00:07:09,563 --> 00:07:11,532 TODAY, WE ARE GOING TO BE WORKING ON A PROJECT 223 00:07:11,565 --> 00:07:14,735 WITH MR. SAUL'S DRAMA CLASS. 224 00:07:14,768 --> 00:07:17,370 OH, HERE THEY ARE NOW. COME ON IN, PEOPLE. 225 00:07:17,404 --> 00:07:18,706 PLEASE, PICK A SEAT. 226 00:07:18,739 --> 00:07:19,507 QUICKLY. 227 00:07:19,540 --> 00:07:21,208 THIS IS SO EXCITING! 228 00:07:21,241 --> 00:07:22,610 [GIGGLES] 229 00:07:24,111 --> 00:07:25,445 [THUMPS INTO DESK] 230 00:07:25,479 --> 00:07:27,214 GAVIN! THIS SEAT IS FREE. 231 00:07:27,247 --> 00:07:30,250 [**] 232 00:07:30,283 --> 00:07:33,353 [TEACHER]: I WILL BE PAIRING YOU ALL UP, 233 00:07:33,386 --> 00:07:36,289 AND... 234 00:07:36,323 --> 00:07:37,991 [**] 235 00:07:38,025 --> 00:07:41,394 WHAT IS GAVIN DOING HERE? 236 00:07:41,428 --> 00:07:43,564 UH... HE'S IN DRAMA? 237 00:07:43,597 --> 00:07:44,665 YOU KNOW, YOU COULD TALK TO HIM. 238 00:07:44,698 --> 00:07:46,033 YOU'VE HAD A CRUSH ON HIM 239 00:07:46,066 --> 00:07:47,601 SINCE, LIKE, THE FIRST HARRY POTTER MOVIE. 240 00:07:47,635 --> 00:07:50,938 [CRINGING]: UGH... NO. NO, HE'S... 241 00:07:50,971 --> 00:07:52,405 HE IS A NEWBORN POP. 242 00:07:52,439 --> 00:07:53,974 TOTALLY WRONG SOCIAL BRACKET. 243 00:07:54,007 --> 00:07:56,577 THE BEST THING FOR ME TO DO IS JUST AVOID HIM ALTOGETHER. 244 00:07:56,610 --> 00:07:59,446 GAVIN'S NOT ELITIST LIKE THAT. 245 00:07:59,479 --> 00:08:03,316 ASK YOURSELF, WHAT WOULD RADIO REBEL DO? 246 00:08:03,350 --> 00:08:06,053 [**] 247 00:08:06,086 --> 00:08:11,124 YOU WILL BE TRANSLATING A SCENE FROM SHAKESPEARE... 248 00:08:11,158 --> 00:08:12,526 HEY. 249 00:08:12,560 --> 00:08:13,761 IT'S A GOOD THING 250 00:08:13,794 --> 00:08:15,462 WE'RE IN CLASS TOGETHER NOW. 251 00:08:15,495 --> 00:08:17,531 SAVES ME FROM HAVING TO FIND YOU LATER. 252 00:08:17,565 --> 00:08:19,900 OH? AND WHY WOULD YOU HAVE TO FIND ME? 253 00:08:19,933 --> 00:08:22,302 'CAUSE I WANTED TO ASK YOU SOMETHING. 254 00:08:22,335 --> 00:08:23,436 ABOUT PROM? 255 00:08:23,470 --> 00:08:25,639 [TEACHER]: I NEED A VOLUNTEER. 256 00:08:25,673 --> 00:08:29,242 WHO WOULD LIKE TO WRITE A SCENE SUGGESTION 257 00:08:29,276 --> 00:08:31,044 ON THE B...? 258 00:08:31,078 --> 00:08:32,112 BOARD. 259 00:08:32,145 --> 00:08:33,246 [STUDENTS LAUGHING] 260 00:08:33,280 --> 00:08:34,882 [MARKER SQUEAKING] 261 00:08:34,915 --> 00:08:35,983 [**] 262 00:08:36,016 --> 00:08:37,885 AHEM! 263 00:08:37,918 --> 00:08:42,890 OH! DID YOU WANNA... PICK A VOLUNTEER? 264 00:08:42,923 --> 00:08:44,391 I GOT EXCITED. 265 00:08:44,424 --> 00:08:46,026 [LAUGHTER] 266 00:08:46,059 --> 00:08:47,595 DRAMA IS MY LIFE. 267 00:08:47,628 --> 00:08:51,098 OKAY! WHO WANTS TO WRITE A SUGGESTION? 268 00:08:51,131 --> 00:08:52,432 [**] 269 00:08:52,465 --> 00:08:54,602 LET'S SEE HANDS, PEOPLE! 270 00:08:54,635 --> 00:08:58,772 OKAY... HANDS, HANDS, HA... 271 00:08:58,806 --> 00:09:02,042 TARA! HOW ABOUT YOU? 272 00:09:02,075 --> 00:09:02,976 COME ON UP. 273 00:09:03,010 --> 00:09:05,946 [**] 274 00:09:08,415 --> 00:09:09,617 YOU CAN DO IT. 275 00:09:09,650 --> 00:09:11,619 JUST DON'T MAKE EYE-CONTACT. 276 00:09:11,652 --> 00:09:14,321 [**] 277 00:09:21,261 --> 00:09:23,597 [SQUEAKING] 278 00:09:30,303 --> 00:09:33,040 [**] 279 00:09:35,342 --> 00:09:37,444 [WHISPERING]: I WAS THINKING MAYBE THAT WE COULD-- 280 00:09:37,477 --> 00:09:38,545 [BANGS DESK] 281 00:09:38,578 --> 00:09:40,614 HELLO! WALK MUCH? 282 00:09:40,648 --> 00:09:42,015 UH-- 283 00:09:42,049 --> 00:09:43,283 [BANGS HEAD] 284 00:09:43,316 --> 00:09:44,718 OH! 285 00:09:44,752 --> 00:09:47,020 [OTHERS LAUGHING] 286 00:09:49,056 --> 00:09:50,658 [TEACHER]: OKAY, PEOPLE. SETTLE, SETTLE. 287 00:09:50,691 --> 00:09:51,725 I STILL NEED A VOLUNTEER. 288 00:09:51,759 --> 00:09:54,561 ARE YOU ALL RIGHT? ARE YOU OKAY? 289 00:09:54,594 --> 00:09:56,997 [**] 290 00:10:02,602 --> 00:10:04,371 HEY. DELILAH. LOOK AT THIS. 291 00:10:04,404 --> 00:10:05,505 CAMI Q CALLED ME, 292 00:10:05,538 --> 00:10:06,940 SHE TOLD ME I HAD TO CHECK OUT 293 00:10:06,974 --> 00:10:08,208 THIS NEW PODCAST GIRL. 294 00:10:08,241 --> 00:10:10,277 SHE'S... SHE'S REALLY SOMETHING SPECIAL. 295 00:10:10,310 --> 00:10:13,781 [ROCK SONG PLAYING] 296 00:10:13,814 --> 00:10:15,282 THAT'S FOR MY PEDICURE. 297 00:10:15,315 --> 00:10:16,884 ["RADIO REBEL"]: THAT WAS THE LATEST SINGLE 298 00:10:16,917 --> 00:10:17,951 FROM "YOU FIRST." 299 00:10:17,985 --> 00:10:20,020 BUT WHO ARE YOU, EXACTLY? 300 00:10:20,053 --> 00:10:22,289 I THINK WE'RE ALWAYS JUGGLING A BUNCH OF DIFFERENT "YOU'S". 301 00:10:22,322 --> 00:10:25,759 LIKE, WHEN YOU'RE WITH YOUR FRIENDS, 302 00:10:25,793 --> 00:10:28,796 SOMETIMES, YOU'RE THE FUNNY ONE, 303 00:10:28,829 --> 00:10:29,797 OR THE LOUD ONE... 304 00:10:29,830 --> 00:10:31,865 NO! N-N-N-N-N-NO! 305 00:10:31,899 --> 00:10:33,100 ...OR THE THOUGHTFUL ONE. 306 00:10:33,133 --> 00:10:34,434 HOW ABOUT WITH SOMEONE YOU LIKE? 307 00:10:34,467 --> 00:10:35,836 WHICH "YOU" SHOWS UP THEN? 308 00:10:35,869 --> 00:10:37,070 I DON'T EVEN KNOW WHO TO BE 309 00:10:37,104 --> 00:10:38,438 WHEN I SEE THE GUY I'M CRUSHING ON, 310 00:10:38,471 --> 00:10:42,209 WHICH IS PROBABLY WHY I NEVER TALK TO HIM. 311 00:10:42,242 --> 00:10:43,576 IS IT JUST ME, 312 00:10:43,610 --> 00:10:46,146 OR DO YOU FEEL LIKE YOU'RE 17 DIFFERENT PEOPLE, TOO? 313 00:10:46,179 --> 00:10:47,580 YES, I DO! 314 00:10:47,614 --> 00:10:49,082 I TOTALLY FEEL THAT WAY! 315 00:10:49,116 --> 00:10:51,151 SHE'S AMAZING, RIGHT? 316 00:10:51,184 --> 00:10:52,385 GREAT! 317 00:10:52,419 --> 00:10:54,822 EXACTLY WHAT SLAM-FM NEEDS-- A FRESH, NEW VIBE-- 318 00:10:54,855 --> 00:10:56,389 TO GET US OUT OF THIS RATINGS SLUMP-- 319 00:10:56,423 --> 00:10:57,624 [GASPS DEEPLY] 320 00:10:57,657 --> 00:11:00,260 YOU NEED TO ASK TARA WHAT SHE THINKS! 321 00:11:00,293 --> 00:11:02,362 IT COULD BE A BONDING MOMENT. 322 00:11:02,395 --> 00:11:04,898 YEAH... I MEAN, I COULD-- I COULD-- 323 00:11:04,932 --> 00:11:06,266 I COULD DO THAT. 324 00:11:06,299 --> 00:11:07,801 BE, LIKE, KIND OF A BONDING THING. 325 00:11:07,835 --> 00:11:09,502 STEP-DAUGHTER, STEP-FATHER... 326 00:11:09,536 --> 00:11:10,503 MM-HMM! 327 00:11:10,537 --> 00:11:12,372 STOP EATING MY "FOOT FRUIT." 328 00:11:12,405 --> 00:11:13,606 [QUIETLY GAGS] 329 00:11:13,640 --> 00:11:14,808 I WILL, UH, I'LL DO THAT. 330 00:11:14,842 --> 00:11:17,544 I'LL TALK TO HER, ABOUT IT ALL. 331 00:11:17,577 --> 00:11:18,846 YOU CAN DO IT! 332 00:11:18,879 --> 00:11:20,513 IT'LL BE A BONDING THING. 333 00:11:20,547 --> 00:11:21,715 YEAH! 334 00:11:21,749 --> 00:11:22,783 HUH. 335 00:11:22,816 --> 00:11:24,885 [KNOCK AT DOOR] 336 00:11:24,918 --> 00:11:28,388 [PODCAST MUSIC PLAYING] 337 00:11:28,421 --> 00:11:30,490 [TURNS MUSIC DOWN] 338 00:11:30,523 --> 00:11:33,060 [**] 339 00:11:33,961 --> 00:11:35,595 -HEY! -ROB? 340 00:11:35,628 --> 00:11:37,865 WHAT ARE YOU DOING HERE? 341 00:11:37,898 --> 00:11:39,699 I LIVE HERE. 342 00:11:39,733 --> 00:11:41,468 OKAY. 343 00:11:41,501 --> 00:11:42,836 THANKS FOR STOPPING BY. 344 00:11:42,870 --> 00:11:44,738 SO! WHAT DO YOU THINK OF RADIO REBEL? 345 00:11:44,772 --> 00:11:46,373 WHAT? WHY? 346 00:11:46,406 --> 00:11:48,575 IT'S JUST I JUST WANT TO GET YOUR TAKE ON HER, THAT'S ALL. 347 00:11:48,608 --> 00:11:50,643 SHE'S GREAT. 348 00:11:50,677 --> 00:11:52,012 BYE NOW! 349 00:11:52,045 --> 00:11:53,713 YOU KNOW WHAT? I-- I KNEW THAT YOU'D THINK SO. 350 00:11:53,747 --> 00:11:56,183 I REALLY DID. YOU KNOW? 351 00:11:57,017 --> 00:11:58,185 [CHUCKLES AWKWARDLY] 352 00:11:58,218 --> 00:12:01,388 WE HAVE SO MUCH IN COMMON, YOU KNOW? 353 00:12:01,421 --> 00:12:04,391 YEAH, LIKE, WE'RE BOTH SUPER-BUSY. 354 00:12:04,424 --> 00:12:06,226 SO, I-- LOOK. 355 00:12:06,259 --> 00:12:08,862 I KNOW THAT THIS IS A REALLY DIFFICULT TRANSITION FOR YOU, 356 00:12:08,896 --> 00:12:10,964 AND, WITH YOUR DAD WORKING IN TAIWAN, 357 00:12:10,998 --> 00:12:13,233 AND YOUR MOM AND I, AND... 358 00:12:13,266 --> 00:12:16,169 I JUST WANT YOU TO KNOW THAT YOU HAVE A FRIEND HERE. 359 00:12:16,203 --> 00:12:18,205 IT'S FINE. I'M FINE. REALLY. 360 00:12:18,238 --> 00:12:20,740 [PODCAST CONTINUES PLAYING] 361 00:12:21,975 --> 00:12:23,576 SO, THIS IS GOOD, RIGHT? 362 00:12:23,610 --> 00:12:25,979 I MEAN, HERE WE ARE, WE'RE HANGING OUT, 363 00:12:26,013 --> 00:12:29,149 WE'RE LISTENING TO RADIO REBEL, AND... 364 00:12:29,182 --> 00:12:30,550 TOGETHER... 365 00:12:30,583 --> 00:12:31,718 TOGETHER. 366 00:12:31,751 --> 00:12:35,588 [PODCAST'S MUSIC ENDS ABRUPTLY WITH DEAD AIR] 367 00:12:38,959 --> 00:12:40,994 THAT'S WEIRD. 368 00:12:41,028 --> 00:12:44,464 [ROB GRUMBLING INDUSTRIOUSLY] 369 00:12:44,497 --> 00:12:47,167 WHAT HAPPENED? THE MUSIC JUST STOPPED. 370 00:12:47,200 --> 00:12:48,168 DID YOURS STOP? 371 00:12:48,201 --> 00:12:50,737 [TARA EXHALES WITH RESOLVE] 372 00:12:50,770 --> 00:12:52,039 WHERE'D SHE GO? 373 00:12:52,072 --> 00:12:54,741 AND THAT ROUNDS OFF THE FINAL SET 374 00:12:54,774 --> 00:12:57,177 FOR MY FAVORITE LOCAL BAND. 375 00:12:57,210 --> 00:13:00,680 NOW, HERE IS AN EXTRA LONG TRACK JUST FOR YOU GUYS. 376 00:13:00,713 --> 00:13:02,850 I HOPE YOU DIG IT. 377 00:13:02,883 --> 00:13:05,218 [MUSIC PLAYS] 378 00:13:08,355 --> 00:13:11,058 YOU'RE RADIO REBEL? 379 00:13:11,091 --> 00:13:12,993 THAT DEPENDS. 380 00:13:13,026 --> 00:13:14,194 AM I IN TROUBLE? 381 00:13:14,227 --> 00:13:16,964 NO! NO, OF COURSE NOT. I... I... 382 00:13:16,997 --> 00:13:18,565 [WORDS CATCH] 383 00:13:18,598 --> 00:13:20,100 I DON'T KNOW HOW YOU'RE DOING THAT? 384 00:13:20,133 --> 00:13:21,101 I MEAN, YOU'RE SO SHY. 385 00:13:21,134 --> 00:13:22,936 I AM. 386 00:13:22,970 --> 00:13:26,339 BUT... SHE'S NOT. 387 00:13:26,373 --> 00:13:29,877 I DON'T KNOW... 388 00:13:29,910 --> 00:13:31,378 IT JUST WORKS. 389 00:13:31,411 --> 00:13:32,712 I CAN'T BELIEVE IT. 390 00:13:32,745 --> 00:13:34,214 I MEAN, I-I LOVE IT, I JUST CAN'T BELIEVE IT! 391 00:13:34,247 --> 00:13:37,184 WE'RE GONNA TAKE SLAM-FM TO THE NEXT LEVEL. 392 00:13:37,217 --> 00:13:38,886 I'M-- I'M SORRY, "WE"? 393 00:13:38,919 --> 00:13:42,822 YEAH! I-- YOU'RE GONNA BE SLAM-FM'S NEXT BIG THING. 394 00:13:43,556 --> 00:13:45,758 YOU'RE HIRED. THAT'S FOR SURE. YOU'RE HIRED. 395 00:13:45,792 --> 00:13:47,594 [LAUGHS] 396 00:13:47,627 --> 00:13:48,528 UH... 397 00:13:48,561 --> 00:13:50,063 [KNOCKING AT DOOR, TARA GASPS] 398 00:13:50,097 --> 00:13:51,398 [SQUEALING]: * AH! 399 00:13:51,431 --> 00:13:53,466 OH, I JUST HAPPENED TO BE EAVESDROPPING! 400 00:13:53,500 --> 00:13:54,701 I HOPE YOU DON'T MIND. 401 00:13:54,734 --> 00:13:56,269 O-M-G! 402 00:13:56,303 --> 00:13:59,006 MY BABY IS GONNA TAKE SLAM TO THE NEXT LEVEL! 403 00:13:59,039 --> 00:14:00,373 [GROWLS WITH GLEE] 404 00:14:00,407 --> 00:14:03,276 [SQUEALS AND FUSSES] 405 00:14:04,277 --> 00:14:06,179 WHAT'S THE MATTER? 406 00:14:06,213 --> 00:14:08,615 WHAT IF I MESS IT UP? 407 00:14:08,648 --> 00:14:11,318 OH, HONEY. 408 00:14:11,351 --> 00:14:13,320 YOU HAVE TO TAKE RISKS. 409 00:14:13,353 --> 00:14:15,355 LIKE, I ALWAYS THOUGHT 410 00:14:15,388 --> 00:14:17,690 CHARTREUSE WAS A BAD COLOR FOR ME, 411 00:14:17,724 --> 00:14:20,227 AND THEN I TRIED IT, AND NOW IT'S MY TRADEMARK. 412 00:14:20,260 --> 00:14:23,263 HOW DO YOU KNOW SOMETHING ISN'T FABU, 413 00:14:23,296 --> 00:14:24,297 IF YOU NEVER TRY IT, RIGHT? 414 00:14:24,331 --> 00:14:25,332 [GIGGLING] 415 00:14:25,365 --> 00:14:28,201 [SCHOOL BELL RINGING] 416 00:14:29,036 --> 00:14:31,238 LOOK OUT. YOU'RE IN THE TWELFTH NIGHT GROUP 417 00:14:31,271 --> 00:14:32,739 WITH STACY AND GAVIN. 418 00:14:34,541 --> 00:14:36,676 NO, NO, NO. NO, I CAN'T. 419 00:14:36,709 --> 00:14:38,278 TALK TO HIM. 420 00:14:38,311 --> 00:14:40,113 HE'S JUST A PERSON. 421 00:14:40,147 --> 00:14:43,083 GO ON. GO. DO IT. 422 00:14:43,116 --> 00:14:46,686 [**] 423 00:14:46,719 --> 00:14:48,855 HEY. 424 00:14:50,023 --> 00:14:51,558 COOL SHIRT! 425 00:14:51,591 --> 00:14:53,893 I LOVE THAT BAND! 426 00:14:53,927 --> 00:14:56,329 "YOU FIRST" RULES. 427 00:14:56,363 --> 00:14:57,530 THE GEES CAN ONLY DREAM 428 00:14:57,564 --> 00:14:59,632 OF BEING THAT GOOD SOME DAY. 429 00:14:59,666 --> 00:15:03,836 THE GEES ARE TOTALLY AS GOOD AS YOU FIRST. 430 00:15:03,870 --> 00:15:05,472 REALLY? 431 00:15:07,040 --> 00:15:09,009 OKAY! HERE'S OUR SCENE. 432 00:15:09,042 --> 00:15:10,477 TARA IS VIOLA. 433 00:15:10,510 --> 00:15:12,345 NOW, TARA THIS ROLE DOES REQUIRE 434 00:15:12,379 --> 00:15:14,014 BOTH WALKING AND TALKING. 435 00:15:14,047 --> 00:15:15,548 THINK YOU CAN MANAGE? 436 00:15:15,582 --> 00:15:17,284 JUST KIDDING, YOU KNOW I LOVE YOU. 437 00:15:17,317 --> 00:15:19,152 OKAY, AND, GAVIN, YOU'RE ORSINO. 438 00:15:19,186 --> 00:15:20,153 WAIT... 439 00:15:20,187 --> 00:15:22,055 WHAT ABOUT YOU? 440 00:15:22,089 --> 00:15:23,190 BROWER HAS ME DIRECTING. 441 00:15:23,223 --> 00:15:25,558 AND WE'VE GOT A LOT OF WORK TO DO. 442 00:15:26,994 --> 00:15:28,595 IF YOU LIKE YOU FIRST, 443 00:15:28,628 --> 00:15:30,697 YOU SHOULD CHECK OUT "RED LETTER DAY." 444 00:15:30,730 --> 00:15:31,965 YOU EVER HEAR OF THEM? 445 00:15:31,999 --> 00:15:34,567 UH-UH! NO BAND TALK RIGHT NOW, GAV. 446 00:15:34,601 --> 00:15:35,735 SORRY, BUT I DON'T WANT 447 00:15:35,768 --> 00:15:37,804 ANYONE TO THINK I'M FAVORING YOU 448 00:15:37,837 --> 00:15:38,972 JUST 'CAUSE I'M YOUR PROM DATE. 449 00:15:39,006 --> 00:15:40,473 SPEAKING OF, 450 00:15:40,507 --> 00:15:43,410 WE NEED TO WORK ON YOUR PROM KING CAMPAIGN. 451 00:15:43,443 --> 00:15:47,380 [TARA]: OF COURSE, HE'S TAKING STACY TO PROM. 452 00:15:47,414 --> 00:15:49,449 LOOK, AT LEAST YOU TALKED TO HIM. 453 00:15:49,482 --> 00:15:51,384 FOR YOU, THAT'S MAJOR PROGRESS. 454 00:15:51,418 --> 00:15:53,753 [SIGHS]: I BARELY GOT TWO WORDS OUT. 455 00:15:53,786 --> 00:15:55,388 COME TO MY HOUSE TONIGHT. 456 00:15:55,422 --> 00:15:56,589 WE'LL DO YOGA. 457 00:15:56,623 --> 00:15:57,757 I'LL TEACH YOU 458 00:15:57,790 --> 00:15:59,226 THE "EXTENDED HYENA" POSE I INVENTED, 459 00:15:59,259 --> 00:16:00,493 AND WE'LL LISTEN TO RADIO REBEL. 460 00:16:00,527 --> 00:16:02,195 I CAN'T. 461 00:16:02,229 --> 00:16:03,930 WHAT DO YOU MEAN? 462 00:16:03,963 --> 00:16:06,533 IT'S RADIO REBEL'S FIRST SHOW ON SLAM-FM. 463 00:16:06,566 --> 00:16:08,001 DO YOU REALIZE HOW EPIC THAT IS? 464 00:16:08,035 --> 00:16:09,736 I MEAN, SHE WAS POPULAR BEFORE, 465 00:16:09,769 --> 00:16:12,105 BUT NOW IT'S, LIKE, THE WHOLE WORLD WILL BE LISTENING, 466 00:16:12,139 --> 00:16:13,240 INCLUDING US! 467 00:16:15,142 --> 00:16:17,110 I HAVE PLANS. 468 00:16:17,144 --> 00:16:18,478 WHAT PLANS? 469 00:16:18,511 --> 00:16:19,912 FAMILY PLANS. 470 00:16:19,946 --> 00:16:22,282 YOU ARE THE WORST LIAR. 471 00:16:22,315 --> 00:16:23,416 YOU SOUND JUST LIKE YOU DID 472 00:16:23,450 --> 00:16:24,551 WHEN YOU SAID YOU LIKED 473 00:16:24,584 --> 00:16:26,086 THAT HAIRCUT I GOT AT THE MALL. 474 00:16:26,119 --> 00:16:27,087 IT WASN'T THAT BAD. 475 00:16:27,120 --> 00:16:28,588 IT WAS MULLET-ADJACENT. 476 00:16:28,621 --> 00:16:30,023 TELL ME WHAT YOU'RE HIDING, 477 00:16:30,057 --> 00:16:31,591 OR I'LL START SCREAMING IN THREE SECONDS. 478 00:16:31,624 --> 00:16:32,825 -WHAT? -ONE... 479 00:16:32,859 --> 00:16:34,127 -AUDREY, NO-NO-NO! -TWO... 480 00:16:34,161 --> 00:16:35,462 [AUDREY STARTS SHRIEKING] 481 00:16:35,495 --> 00:16:37,564 [TARA MUFFLES AUDREY] 482 00:16:37,597 --> 00:16:40,400 [TEACHER'S WHISTLE BLOWS IN DISTANCE] 483 00:16:40,433 --> 00:16:41,934 [NORMALLY]: WELL? 484 00:16:44,437 --> 00:16:45,638 I'M SORRY. 485 00:16:45,672 --> 00:16:47,340 I CAN'T TELL YOU. 486 00:16:47,374 --> 00:16:50,510 I THOUGHT I WAS YOUR B.F.F.T.L.E. 487 00:16:50,543 --> 00:16:52,445 "WITHOUT EXCEPTION." 488 00:16:52,479 --> 00:16:56,083 THEN... WHY DON'T YOU TRUST ME? 489 00:16:57,717 --> 00:17:00,953 [TEACHER'S WHISTLE TWEETS] 490 00:17:02,455 --> 00:17:04,057 [SCHOOL BELL RINGS] 491 00:17:05,058 --> 00:17:06,759 GAVIN. 3:00. 492 00:17:06,793 --> 00:17:08,761 YOUR 3:00, OR MY 3:00? 493 00:17:08,795 --> 00:17:11,398 WE HAVE THE SAME 3:00. 494 00:17:13,100 --> 00:17:15,535 OH. HE'S COMING OVER HERE. WHAT DO I DO? 495 00:17:15,568 --> 00:17:16,869 OH! FOR THE RECORD, 496 00:17:16,903 --> 00:17:19,206 THIS IS WHY YOU DON'T ICE YOUR FRIENDS OUT. 497 00:17:19,239 --> 00:17:19,906 TALK TO HIM! 498 00:17:19,939 --> 00:17:21,708 HEY, TARA. WHAT'S UP? 499 00:17:21,741 --> 00:17:24,311 [TARA EXHALES, FLUSTERED] 500 00:17:24,344 --> 00:17:27,347 SO, DO YOU WANNA RUN LINES ON THE WEEKEND? 501 00:17:29,616 --> 00:17:31,084 OR WE COULD MIME THE LINES, 502 00:17:31,118 --> 00:17:32,985 IF YOU'RE NOT FEELING PARTICULARLY TALKY? 503 00:17:33,019 --> 00:17:34,887 [GIGGLES]: "MIME." "TALKY..." 504 00:17:34,921 --> 00:17:37,857 I'M GONNA GO. M-ME. N-NOW. 505 00:17:39,092 --> 00:17:40,460 UM... 506 00:17:40,493 --> 00:17:42,362 OKAY... 507 00:17:42,395 --> 00:17:44,164 [AUDREY SHOUTS]: TARA! 508 00:17:44,197 --> 00:17:46,065 FREE MEALS! 509 00:17:46,099 --> 00:17:47,267 SCORE. 510 00:17:47,300 --> 00:17:50,637 [**] 511 00:17:50,670 --> 00:17:53,039 [STATION ANNOUNCER]: HEY, SEATTLE! 512 00:17:53,072 --> 00:17:55,041 YOU'RE LISTENING TO SLAM-FM! 513 00:17:55,074 --> 00:17:59,011 I WANT RADIO REBEL ADS ON EVERY MAJOR SOCIAL NETWORK, 514 00:17:59,045 --> 00:18:01,448 JUST BLAST THE INTERNET-- UPDATES EVERY HOUR. 515 00:18:01,481 --> 00:18:02,682 WANT TO BLANKET THE MARKET. 516 00:18:02,715 --> 00:18:03,750 GOOD. BYE. 517 00:18:03,783 --> 00:18:04,917 [BEEPS PHONE OFF] 518 00:18:04,951 --> 00:18:06,153 SO, I WAS TALKING TO YOUR MOM 519 00:18:06,186 --> 00:18:08,121 ABOUT KEEPING RADIO REBEL ON THE Q.T., 520 00:18:08,155 --> 00:18:09,656 AND I THINK IT'S A GOOD IDEA. 521 00:18:09,689 --> 00:18:12,024 YOU KNOW? I DON'T WANT YOU TO TALK TO ANYBODY ABOUT IT. 522 00:18:12,058 --> 00:18:14,394 RADIO REBEL IS THE SHOT IN THE ARM 523 00:18:14,427 --> 00:18:15,695 THAT SLAM-FM NEEDS. 524 00:18:15,728 --> 00:18:17,930 SINCE THE LAST SHOW THAT I PRODUCED 525 00:18:17,964 --> 00:18:19,065 WITH SNAZZY DOG CRASHED AND BURNED, 526 00:18:19,098 --> 00:18:20,433 THERE'S A LOT HINGING ON THIS. 527 00:18:20,467 --> 00:18:21,534 RIGHT? INCLUDING MY JOB. 528 00:18:21,568 --> 00:18:23,170 BUT,NO PRESSURE. OKAY? 529 00:18:23,203 --> 00:18:26,873 SO, YOUR SHOW'S GONNA RUN 7:00 P.M., MONDAY TO FRIDAY, 530 00:18:26,906 --> 00:18:28,508 SINCE THAT WAS THE TIME THAT YOU BROADCAST 531 00:18:28,541 --> 00:18:29,909 FROM YOUR ROOM, 532 00:18:29,942 --> 00:18:33,646 AND YOU'LL BE TAKING OVER FROM... DJ FLUFFY MAC! 533 00:18:33,680 --> 00:18:35,482 WHO IS MOVING TO SUNDAY NIGHT. 534 00:18:35,515 --> 00:18:38,485 ALL RIGHT, SO LET'S SHOW YOU THE BOOTH. 535 00:18:38,518 --> 00:18:40,520 TARA? 536 00:18:40,553 --> 00:18:42,255 [BANGS DOOR SHUT AND EXHALES] 537 00:18:42,289 --> 00:18:43,756 HEY! TARA! 538 00:18:43,790 --> 00:18:45,024 REMEMBER ME? 539 00:18:45,057 --> 00:18:47,227 CAMI Q. WE MET AT THE SLAM CHRISTMAS PARTY. 540 00:18:47,260 --> 00:18:48,261 GIRL... 541 00:18:48,295 --> 00:18:51,331 WHEN ROB TOLD ME YOU WERE RADIO REBEL, 542 00:18:51,364 --> 00:18:52,832 THIS WAS MY FACE-- 543 00:18:52,865 --> 00:18:53,933 "WHA--?" 544 00:18:53,966 --> 00:18:55,435 [CAMI Q LAUGHS] 545 00:18:55,468 --> 00:18:58,238 'CAUSE I THOUGHT YOU WERE JUST THIS LITTLE SHY THING, 546 00:18:58,271 --> 00:19:01,941 BUT YOU ARE ALL KINDS OF AMAZING. 547 00:19:01,974 --> 00:19:03,543 YOU... 548 00:19:03,576 --> 00:19:05,812 ARE FIERCE! 549 00:19:05,845 --> 00:19:07,614 I JUST CAN'T WAIT TO SEE WHAT YOU GOT GOIN'-- 550 00:19:10,550 --> 00:19:11,818 TARA? 551 00:19:11,851 --> 00:19:13,586 [EXHALES] 552 00:19:15,722 --> 00:19:18,090 ARE YOU OKAY? 553 00:19:18,124 --> 00:19:20,393 I CAN'T SPEAK TO GAVIN WITHOUT FREEZING, 554 00:19:20,427 --> 00:19:22,962 HOW AM I SUPPOSED TO SPEAK TO ALL OF SEATTLE? 555 00:19:22,995 --> 00:19:25,798 IT'S NO DIFFERENT THAN RECORDING IN YOUR BEDROOM. 556 00:19:25,832 --> 00:19:26,899 YES, IT IS! 557 00:19:26,933 --> 00:19:28,235 IN MY BEDROOM, 558 00:19:28,268 --> 00:19:29,736 I COULD PRETEND THAT NOBODY WAS LISTENING, 559 00:19:29,769 --> 00:19:31,204 BUT, RIGHT KNOW, I KNOW THAT EVERYBODY IS LISTENING, 560 00:19:31,238 --> 00:19:32,639 AND ROB'S PUTTING ALL THIS PRESSURE ON IT, 561 00:19:32,672 --> 00:19:34,274 AND MY MOM WANTS IT TO BE MY "CHARTREUSE MOMENT," 562 00:19:34,307 --> 00:19:35,508 AND I DON'T EVEN LIKE CHARTREUSE, 563 00:19:35,542 --> 00:19:36,909 I DON'T EVEN KNOW WHAT CHARTREUSE IS. 564 00:19:36,943 --> 00:19:38,711 [GENTLY, AMUSED]: TARA? 565 00:19:40,247 --> 00:19:43,082 COME OUT WHERE I CAN SEE YOU. 566 00:19:46,719 --> 00:19:48,955 EVERYBODY GETS NERVOUS. 567 00:19:48,988 --> 00:19:51,824 IT'S TOTALLY NORMAL. 568 00:19:51,858 --> 00:19:53,393 JUST... 569 00:19:53,426 --> 00:19:55,728 CONSIDER ME LIKE YOUR BEST FRIEND 570 00:19:55,762 --> 00:19:57,330 HERE AT SLAM. 571 00:19:57,364 --> 00:19:59,966 CATCH YOUR BREATH. [BREATHES] 572 00:19:59,999 --> 00:20:02,335 THEN WE'LL GO OUT TOGETHER. 573 00:20:02,369 --> 00:20:04,604 OKAY? 574 00:20:09,141 --> 00:20:11,711 ALL RIGHT. 575 00:20:11,744 --> 00:20:14,581 [**] 576 00:20:16,849 --> 00:20:19,085 THIS WHOLE BOOTH IS ALL FOR ME? 577 00:20:19,118 --> 00:20:21,254 WE CALL THIS "THE LIVE ROOM," 578 00:20:21,288 --> 00:20:23,756 'CAUSE WHEN THAT RED LIGHT IS ON, 579 00:20:23,790 --> 00:20:25,392 YOU'RE LIVE. 580 00:20:25,425 --> 00:20:27,294 IF YOU WANNA MOVE AROUND, USE THIS HEADSET, 581 00:20:27,327 --> 00:20:28,928 SO WE DON'T MISS ANYTHING. 582 00:20:28,961 --> 00:20:31,464 THERE'S YOUR VOCAL-MASKING BUTTON. 583 00:20:31,498 --> 00:20:33,500 YOU ALREADY KNOW ALL ABOUT THAT. 584 00:20:33,533 --> 00:20:35,735 SONG SELECTION'S UP TO YOU. 585 00:20:35,768 --> 00:20:37,804 [CHAIR RATTLES] 586 00:20:39,772 --> 00:20:42,409 ALL RIGHT? 587 00:20:42,442 --> 00:20:46,646 THERE'S, LIKE... 20,000 SONGS HERE. 588 00:20:46,679 --> 00:20:47,647 [COMPUTER TRILLING] 589 00:20:47,680 --> 00:20:49,115 YOU'VE GOT SOME TIME BEFORE YOU GO ON 590 00:20:49,148 --> 00:20:50,283 IF YOU WANNA PRACTICE, 591 00:20:50,317 --> 00:20:51,484 GET COMFORTABLE? 592 00:20:51,518 --> 00:20:53,119 [MICROPHONE STAND CREAKS] 593 00:20:53,152 --> 00:20:55,622 PRACTICE... 594 00:20:55,655 --> 00:20:56,789 GREAT. OKAY, UM... 595 00:20:56,823 --> 00:20:57,957 MAYBE I SHOULD PLAY A SONG, 596 00:20:57,990 --> 00:20:59,125 JUST TO MAKE SURE I KNOW HOW TO-- 597 00:20:59,158 --> 00:21:01,328 [SONG STARTS PLAYING AT TRIPLE SPEED] 598 00:21:01,361 --> 00:21:02,395 NO. NO-NO-NO! 599 00:21:02,429 --> 00:21:04,331 BAD PRACTICE, BAD PRACTICE. 600 00:21:04,364 --> 00:21:06,165 DON'T WORRY ABOUT IT. 601 00:21:06,198 --> 00:21:07,367 YOU'LL BE FINE. 602 00:21:07,400 --> 00:21:09,436 I'M RIGHT NEXT DOOR, IF YOU NEED ME. 603 00:21:09,469 --> 00:21:12,238 JUST PRETEND YOU'RE IN YOUR BEDROOM. 604 00:21:12,271 --> 00:21:14,173 YOU'RE ON IN 15. 605 00:21:14,206 --> 00:21:17,143 14. 13. 606 00:21:17,176 --> 00:21:19,712 12. 11. 607 00:21:19,746 --> 00:21:21,981 TEN. NINE. 608 00:21:22,014 --> 00:21:23,383 EIGHT. SEVEN. 609 00:21:23,416 --> 00:21:25,885 SIX. FIVE. FOUR. 610 00:21:25,918 --> 00:21:28,154 [EXHALING] 611 00:21:28,187 --> 00:21:29,722 THREE... 612 00:21:29,756 --> 00:21:30,990 [**] 613 00:21:31,023 --> 00:21:33,159 [STATION ANNOUNCER]: YOU'RE LISTENING TO SLAM-FM! 614 00:21:33,192 --> 00:21:34,561 THIS IS THE RADIO REBEL SHOW! 615 00:21:34,594 --> 00:21:38,798 THIS IS RADIO REBEL, LIVE FROM SLAM-FM. 616 00:21:38,831 --> 00:21:40,066 LISTEN, I GOTTA CONFESS, 617 00:21:40,099 --> 00:21:42,535 MOVING THE SHOW FROM MY BEDROOM TO THE SLAM STUDIOS 618 00:21:42,569 --> 00:21:43,736 WAS A BIT TERRIFYING, 619 00:21:43,770 --> 00:21:46,172 BUT LIFE'S ALL ABOUT CHANGE, RIGHT? 620 00:21:46,205 --> 00:21:49,809 MAYBE SOME PEOPLE JUST WANNA LABEL YOU AS ONE THING, 621 00:21:49,842 --> 00:21:51,578 COMPARTMENTALIZE YOU, AND WALK AWAY... 622 00:21:51,611 --> 00:21:53,913 BUT WE DON'T HAVE TO LET THAT STOP US 623 00:21:53,946 --> 00:21:55,782 FROM BECOMING WHO WE WANT TO BE... 624 00:21:55,815 --> 00:21:58,351 OR, LIKE THAT KID WITH THE REMOTE-CONTROL CAR-- 625 00:21:58,385 --> 00:21:59,752 MAYBE HE'S GONNA GROW UP 626 00:21:59,786 --> 00:22:01,988 TO INVENT THE FIRST ALL-GREEN ROCKET SHIP. 627 00:22:02,021 --> 00:22:04,857 OR THE GIRL WHO GIVES EVERYONE CARNATIONS ON VALENTINE'S DAY, 628 00:22:04,891 --> 00:22:06,626 JUST SO NO ONE FEELS LEFT OUT... 629 00:22:06,659 --> 00:22:08,761 MAYBE SHE'LL GROW UP TO BE PRESIDENT. 630 00:22:08,795 --> 00:22:11,731 GUYS, IF WE JUST DROP THE LABELS AND THE CLIQUES... 631 00:22:11,764 --> 00:22:13,032 [BOTH MUTTERING] 632 00:22:13,065 --> 00:22:14,634 [SOUND ANALYSIS WARBLING] 633 00:22:14,667 --> 00:22:18,137 [TARA AS REBEL]: ...WE HAVE NO IDEA WHAT WE'RE CAPABLE OF. 634 00:22:18,170 --> 00:22:20,339 OKAY, IF YOU'RE WITH ME ON THIS, 635 00:22:20,373 --> 00:22:21,908 WEAR RED TOMORROW. 636 00:22:21,941 --> 00:22:24,411 IT'LL BE LIKE SAYING THAT, DESPITE OUR DIFFERENCES, 637 00:22:24,444 --> 00:22:26,345 WE'RE IN THIS TOGETHER. 638 00:22:26,379 --> 00:22:29,281 THIS NEXT SONG... IS FROM "RED LETTER DAY." 639 00:22:29,315 --> 00:22:31,851 [ROCK GUITAR INTRO PLAYS] 640 00:22:31,884 --> 00:22:35,354 [**] 641 00:22:38,725 --> 00:22:40,960 [**] 642 00:22:42,862 --> 00:22:43,663 AHEM! 643 00:22:43,696 --> 00:22:45,364 DO YOU LIKE MY GLASSES? 644 00:22:45,398 --> 00:22:47,133 BUT YOU HAVE FREAKISHLY GOOD VISION. 645 00:22:47,166 --> 00:22:48,801 FASHION SHOULDN'T BE FUNCTIONAL. 646 00:22:48,835 --> 00:22:51,538 DO YOU KNOW WHY I PICKED RED RIMS? 647 00:22:51,571 --> 00:22:53,139 I ASSUME YOU DO 648 00:22:53,172 --> 00:22:55,141 BECAUSE OF YOUR RED SHIRT. 649 00:22:55,174 --> 00:22:56,476 I CAN'T BELIEVE 650 00:22:56,509 --> 00:22:57,544 ALL THESE PEOPLE ARE WEARING RED 651 00:22:57,577 --> 00:22:59,211 JUST BECAUSE RADIO REBEL SAID TO. 652 00:22:59,245 --> 00:23:00,547 HOW COOL IS THAT? 653 00:23:00,580 --> 00:23:02,782 SO YOU DID LISTEN TO RADIO REBEL LAST NIGHT! 654 00:23:02,815 --> 00:23:05,084 WHAT HAPPENED TO YOUR MYSTERY PLANS? 655 00:23:05,117 --> 00:23:06,285 [ELEVATOR DINGS] 656 00:23:06,318 --> 00:23:07,754 [BOTH]: CAN YOU GUYS TELL US APART? 657 00:23:07,787 --> 00:23:10,823 YOU GUYS ARE FRATERNAL, NOT IDENTICAL. 658 00:23:13,993 --> 00:23:14,994 [PUNCHES BUTTON] 659 00:23:15,027 --> 00:23:15,995 [ELEVATOR DINGS] 660 00:23:16,028 --> 00:23:17,930 HEY... 661 00:23:17,964 --> 00:23:21,701 WE JUST RAN A RECORDING OF RADIO REBEL'S SHOW 662 00:23:21,734 --> 00:23:23,470 THROUGH A VOICE-ANALYSIS APP. 663 00:23:23,503 --> 00:23:24,637 WE'RE CLOSER THAN EVER 664 00:23:24,671 --> 00:23:26,272 TO UNCOVERING HER TRUE IDENTITY. 665 00:23:26,305 --> 00:23:27,474 PICTURE IT: 666 00:23:27,507 --> 00:23:29,509 "LOCAL TWINS CRACK RADIO REBEL'S I.D." 667 00:23:29,542 --> 00:23:30,643 SOON, I'LL BE ABLE 668 00:23:30,677 --> 00:23:32,579 TO PROFESS MY UNDYING LOVE. 669 00:23:32,612 --> 00:23:33,646 WE'LL BE FAMOUS. 670 00:23:33,680 --> 00:23:35,347 I MEAN, WE COULD GET A REWARD. 671 00:23:35,381 --> 00:23:37,083 OR AT LEAST OUR OWN REALITY TV SHOW. 672 00:23:37,116 --> 00:23:39,185 ...WHERE SHE AND I COULD BE MARRIED, 673 00:23:39,218 --> 00:23:40,953 LIVE ON TV. 674 00:23:40,987 --> 00:23:43,322 TARA? SINCE YOUR STEP-DAD RUNS SLAM, 675 00:23:43,355 --> 00:23:45,024 MAYBE YOU COULD HELP US OUT. 676 00:23:45,057 --> 00:23:47,660 OH. I'M NOT ALLOWED TO GO TO SLAM-FM 677 00:23:47,694 --> 00:23:49,996 WHILE, UM, SHE'S THERE. 678 00:23:50,029 --> 00:23:52,398 TO KEEP THE MYSTERY, UH, MYSTERIOUS. 679 00:23:52,431 --> 00:23:53,666 THE TRUTH IS, 680 00:23:53,700 --> 00:23:54,801 TARA DOESN'T HAVE 681 00:23:54,834 --> 00:23:56,636 TIME TO DO FRIEND-RELATED THINGS. 682 00:23:58,304 --> 00:24:00,339 AUDREY? 683 00:24:00,372 --> 00:24:02,609 AUDREY. AUDREY! 684 00:24:02,642 --> 00:24:03,576 [SNAPS]: WHAT? 685 00:24:03,610 --> 00:24:05,778 [GASPS, FRUSTRATED] 686 00:24:05,812 --> 00:24:08,080 FORGET IT. I'M LEAVING. 687 00:24:11,518 --> 00:24:14,654 [DOOR BANGS SHUT] 688 00:24:14,687 --> 00:24:17,089 I'M ABOUT TO TELL YOU SOMETHING SO TOP-SECRET, 689 00:24:17,123 --> 00:24:19,425 YOU HAVE TO PROMISE NEVER TO REPEAT IT TO ANYONE. 690 00:24:19,458 --> 00:24:21,460 [GASPS]: I WON'T TELL ANYONE. I SWEAR. 691 00:24:21,494 --> 00:24:23,395 HOO. YOU CAN SAY IT. 692 00:24:23,429 --> 00:24:25,965 [CLEARING HER THROAT]: UM... 693 00:24:25,998 --> 00:24:27,500 TARA! 694 00:24:27,534 --> 00:24:29,168 YOU HAVE TO BREATHE YOUR WORDS. 695 00:24:29,201 --> 00:24:32,071 [BREATHES AND MUMBLES UNINTELLIGIBLY] 696 00:24:32,104 --> 00:24:32,905 LOUDER! 697 00:24:32,939 --> 00:24:35,007 COME ON, BREATHE THE WORDS. 698 00:24:35,041 --> 00:24:36,142 BREATHE IN! 699 00:24:36,175 --> 00:24:37,610 AHEM. 700 00:24:37,644 --> 00:24:40,680 I'M... RADIO REBEL. 701 00:24:40,713 --> 00:24:42,148 OH! [LAUGHS] 702 00:24:42,181 --> 00:24:43,249 I DON'T BELIEVE YOU. 703 00:24:43,282 --> 00:24:44,951 IF YOU'RE LIKE ME, 704 00:24:44,984 --> 00:24:47,554 AND BELIEVE MUSIC CAN CHANGE THE WORLD ONE TRACK AT A TIME, 705 00:24:47,587 --> 00:24:51,157 YOU'RE GONNA LOVE THIS TRACK BY ONE OF MY NEW FAVE BANDS. 706 00:24:51,190 --> 00:24:52,559 [COMPUTER BEEPS] 707 00:24:52,592 --> 00:24:53,726 WOW. 708 00:24:53,760 --> 00:24:56,162 I CAN'T BELIEVE SHE'S... YOU! 709 00:24:56,195 --> 00:24:57,429 I MEAN... YOU'RE HER! 710 00:24:57,463 --> 00:24:59,632 I MEAN, YOU'RE THE LAST PERSON 711 00:24:59,666 --> 00:25:01,634 I'D EXPECT TO BE RADIO REBEL, TARA. 712 00:25:01,668 --> 00:25:03,770 IT'S BEEN DRIVING ME CRAZY, NOT TELLING YOU. 713 00:25:03,803 --> 00:25:05,638 AND, OF COURSE, I'VE BEEN WANTING TO HANG OUT, 714 00:25:05,672 --> 00:25:07,106 BUT I'VE BEEN DOING MY SHOW. 715 00:25:07,139 --> 00:25:08,908 HERE'S THE THING-- YOU CAN'T TELL ANYONE, 716 00:25:08,941 --> 00:25:10,276 NOT EVEN TELL LARRY AND BARRY, 717 00:25:10,309 --> 00:25:12,244 BECAUSE SLAM WANTS TO KEEP IT THIS BIG SECRET, 718 00:25:12,278 --> 00:25:13,746 AND SO DO I. 719 00:25:13,780 --> 00:25:15,081 [SQUEALING] 720 00:25:15,114 --> 00:25:17,416 [**] 721 00:25:19,451 --> 00:25:20,953 [STACY]: REMEMBER... 722 00:25:20,987 --> 00:25:23,322 TWELFTH NIGHT IS ALL ABOUT MISTAKEN IDENTITY. 723 00:25:23,355 --> 00:25:25,658 TARA, YOUR CHARACTER HAS A CRUSH ON GAVIN'S CHARACTER. 724 00:25:25,692 --> 00:25:27,660 BUT SHE'S HIDING FROM THE LAW-- 725 00:25:27,694 --> 00:25:28,695 OR WHATEVER-- 726 00:25:28,728 --> 00:25:30,129 SO, SHE'S DISGUISED AS A GUY, 727 00:25:30,162 --> 00:25:32,765 AND GAVIN'S CHARACTER DOESN'T KNOW YOU LIKE HIM. 728 00:25:33,465 --> 00:25:36,068 SO, YOU'RE IN AGONY. 729 00:25:36,102 --> 00:25:37,804 I NEED TO SEE REAL PAIN. 730 00:25:37,837 --> 00:25:39,906 [SNAPS]: LET'S DO THE END AGAIN! 731 00:25:44,611 --> 00:25:46,846 AND... ACT! 732 00:25:48,080 --> 00:25:50,249 [WOODENLY]: MY SISTER LIKES THIS GUY. 733 00:25:50,282 --> 00:25:52,685 AND, BY "MY SISTER," I-I MEAN... 734 00:25:52,719 --> 00:25:55,054 MY SISTER, NOT ME... AT ALL... 735 00:25:55,087 --> 00:25:57,123 'CAUSE-- LOOK AT MY PANTS. 736 00:25:57,156 --> 00:25:59,626 SEE? I'M TOTALLY A DUDE. 737 00:25:59,659 --> 00:26:03,495 DOES THIS GUY... LIKE HER, TOO? 738 00:26:04,931 --> 00:26:07,466 [TARA SHUFFLES HER FEET] 739 00:26:09,435 --> 00:26:11,237 THAT'S THE TRAGIC PART. 740 00:26:11,270 --> 00:26:14,473 SHE HASN'T TOLD HIM HOW SHE FEELS, SO... 741 00:26:14,506 --> 00:26:20,012 SHE'S NOT SURE IF HE FEELS THE SAME WAY. 742 00:26:24,083 --> 00:26:27,186 WHAT'S SHE WAITING FOR? 743 00:26:27,219 --> 00:26:30,522 FOR HIM TO MAKE THE FIRST MOVE. 744 00:26:31,924 --> 00:26:34,026 BUT, TELL ME... 745 00:26:34,060 --> 00:26:36,362 IF SHE NEVER CONFESSES HER LOVE, 746 00:26:36,395 --> 00:26:39,732 DOES THAT MAKE HER LOVE ANY LESS REAL? 747 00:26:39,766 --> 00:26:41,600 [**] 748 00:26:41,634 --> 00:26:43,402 OKAY! 749 00:26:43,435 --> 00:26:44,503 [RECORD SCRATCHES] 750 00:26:44,536 --> 00:26:45,805 SOME OF THAT WORKED... 751 00:26:45,838 --> 00:26:47,473 AND SOME OF IT DIDN'T. 752 00:26:47,506 --> 00:26:51,678 THERE IS A FINE LINE BETWEEN PAIN AND CONSTIPATION. 753 00:26:51,711 --> 00:26:53,145 LET'S TAKE FIVE. 754 00:26:59,652 --> 00:27:00,687 [THUMP] 755 00:27:00,720 --> 00:27:02,454 OH, YOU, UH, YOU DROPPED... 756 00:27:02,488 --> 00:27:03,790 OH, THANKS. 757 00:27:03,823 --> 00:27:05,958 IS THAT A DEMO? 758 00:27:05,992 --> 00:27:07,326 FOR THE GEES? 759 00:27:07,359 --> 00:27:09,662 YEAH, YOU KNOW, TRYING OUT A FEW NEW THINGS. 760 00:27:09,696 --> 00:27:11,163 ACTUALLY, 761 00:27:11,197 --> 00:27:12,932 I'D LOVE TO TRY OUT SOME MORE NEW STUFF, TO BE HONEST. 762 00:27:12,965 --> 00:27:14,400 -LIKE, I'VE GOT ANOTHER SONG-- -WE'RE BACK! 763 00:27:14,433 --> 00:27:15,401 FOCUS. 764 00:27:15,434 --> 00:27:17,036 LET'S GO! COME ON! GET UP, GET UP. 765 00:27:17,069 --> 00:27:20,773 COME ON. GO, GO, GO, GO. GET IN POSITIONS. 766 00:27:20,807 --> 00:27:23,009 [**] 767 00:27:23,843 --> 00:27:25,144 OH! 768 00:27:25,177 --> 00:27:28,047 LET'S TRY IT WITH TARA WA-A-A-AY OVER HERE. 769 00:27:28,080 --> 00:27:29,181 YEAH! MM-HMM. 770 00:27:29,215 --> 00:27:30,783 PERFECT! PERFECT. 771 00:27:30,817 --> 00:27:32,551 UH, I LOVE IT! 772 00:27:32,584 --> 00:27:34,486 OKAY. HOLD ON. 773 00:27:34,520 --> 00:27:36,422 TARA? DID YOU WANT TO SAY SOMETHING? 774 00:27:36,455 --> 00:27:37,423 SHE'S FINE. 775 00:27:37,456 --> 00:27:38,557 ACTION. 776 00:27:38,590 --> 00:27:39,591 CUT! 777 00:27:39,625 --> 00:27:42,328 TARA? YOU LISTEN TO RADIO REBEL, RIGHT? 778 00:27:43,262 --> 00:27:45,732 YOU WERE WEARING RED YESTERDAY, SO I FIGURED. 779 00:27:45,765 --> 00:27:46,966 [GAVIN CHUCKLES] 780 00:27:46,999 --> 00:27:48,801 REBEL'S RIGHT. 781 00:27:48,835 --> 00:27:51,570 LIFE'S ABOUT TAKING RISKS. 782 00:27:51,603 --> 00:27:53,405 MAKING CHANGES. 783 00:27:53,439 --> 00:27:55,441 SO... 784 00:27:55,474 --> 00:27:56,642 GO AHEAD. 785 00:27:56,675 --> 00:27:58,477 SAY WHAT YOU FEEL. 786 00:28:00,046 --> 00:28:01,180 [**] 787 00:28:01,213 --> 00:28:03,916 WELL, IT'S JUST, THIS SCENE... 788 00:28:03,950 --> 00:28:06,018 IT'S ABOUT... 789 00:28:06,052 --> 00:28:07,920 US FALLING FOR EACH OTHER. 790 00:28:07,954 --> 00:28:09,922 EVEN THOUGH WE DON'T KNOW IT YET, 791 00:28:09,956 --> 00:28:12,091 AND, I... 792 00:28:12,124 --> 00:28:14,026 AND BLOCKING LIKE THIS FEELS WEIRD, RIGHT? 793 00:28:14,060 --> 00:28:15,027 RIGHT! EXACTLY. 794 00:28:15,061 --> 00:28:16,428 YEAH, I MEAN... 795 00:28:16,462 --> 00:28:17,830 THE AUDIENCE IS SUPPOSED TO GET 796 00:28:17,864 --> 00:28:20,466 WHAT WE'RE FEELING FROM WHAT WE'RE NOT SAYING. 797 00:28:20,499 --> 00:28:23,535 IT ONLY WORKS IF WE'RE... 798 00:28:23,569 --> 00:28:24,804 CLOSER. 799 00:28:24,837 --> 00:28:26,605 [QUIETLY]: YEAH. 800 00:28:26,638 --> 00:28:29,475 [LOUDER]: YEAH. I LIKE THAT BETTER, TOO. 801 00:28:29,508 --> 00:28:31,310 OKAY. 802 00:28:31,343 --> 00:28:33,179 WE CLEARLY NEED EXTRA REHEARSAL. 803 00:28:33,212 --> 00:28:34,646 MY PLACE. TONIGHT AT 7:00. 804 00:28:34,680 --> 00:28:36,348 OH... [STAMMERS] 805 00:28:36,382 --> 00:28:38,550 I CAN'T TONIGHT. THERE'S... 806 00:28:38,584 --> 00:28:41,153 WEDNESDAY'S MANDATORY FAMILY DINNER... 807 00:28:41,187 --> 00:28:43,722 WITH MY... FAMILY... 808 00:28:43,756 --> 00:28:44,891 DINNER. 809 00:28:44,924 --> 00:28:46,725 FINE. WHATEVER. 810 00:28:46,759 --> 00:28:48,060 LUNCH. TOMORROW. 811 00:28:48,094 --> 00:28:51,864 [HUFFS]: EVERYBODY'S A DIRECTOR NOW. 812 00:28:51,898 --> 00:28:53,699 GOOD JOB. 813 00:28:56,635 --> 00:28:58,570 OKAY. 814 00:28:58,604 --> 00:29:00,807 [**] 815 00:29:14,787 --> 00:29:16,488 [TARA AS "REBEL"]: YOU PEOPLE AT LINCOLN BAY HIGH 816 00:29:16,522 --> 00:29:18,590 KILLED IT WITH THE RED YESTERDAY. 817 00:29:18,624 --> 00:29:21,593 I NOTICED ONE OF YOU WEARING THESE RED SPECS 818 00:29:21,627 --> 00:29:23,963 THAT WERE THE EPITOME OF COOL. 819 00:29:23,996 --> 00:29:27,733 BUT CAN WE TALK ABOUT WHAT'S NOT COOL, FOR A SECOND? 820 00:29:27,766 --> 00:29:30,536 HOW THE SCHOOL KEEPS CONFISCATING OUR STUFF. 821 00:29:30,569 --> 00:29:32,972 I MEAN, I'VE LOST TWO SETS OF HEADPHONES 822 00:29:33,005 --> 00:29:34,373 AND AN MP3 PLAYER, 823 00:29:34,406 --> 00:29:35,641 JUST THIS TERM ALONE! 824 00:29:35,674 --> 00:29:38,010 ALTHOUGH I DID NOTICE THAT SOME OF US 825 00:29:38,044 --> 00:29:40,112 SEEM TO BE EXEMPT 826 00:29:40,146 --> 00:29:42,714 FROM THIS LITTLE "STUFF SNATCHING" EPIDEMIC. 827 00:29:42,748 --> 00:29:44,416 FUNNY HOW THAT WORKS, HUH? 828 00:29:44,450 --> 00:29:46,518 GUYS, IT'S NOT JUST OUR PLAYLISTS 829 00:29:46,552 --> 00:29:49,621 AND PLAYERS WE'RE BEING DEPRIVED OF, YOU KNOW? 830 00:29:49,655 --> 00:29:52,591 MUSIC IS THE SOUNDTRACK TO OUR LIVES. 831 00:29:52,624 --> 00:29:55,361 IT'S WHERE WE'VE BEEN, AND WHERE WE'RE GOING, 832 00:29:55,394 --> 00:29:57,463 AND EVERYWHERE IN BETWEEN. 833 00:29:57,496 --> 00:29:58,965 OUR MUSIC IS WHO WE ARE. 834 00:29:58,998 --> 00:30:02,168 ARE WE GONNA LET SOMEONE JUST SNATCH THAT AWAY FROM US? 835 00:30:02,201 --> 00:30:06,939 OR ARE WE... GONNA CHANGE THE GAME? 836 00:30:06,973 --> 00:30:08,540 HERE'S A NEW SONG 837 00:30:08,574 --> 00:30:09,842 ABOUT, UH... 838 00:30:09,876 --> 00:30:12,611 TRYING THINGS YOU NEVER THOUGHT YOU COULD. 839 00:30:12,644 --> 00:30:15,314 LIKE, I'VE BEEN TRYING TO DO A BUNCH OF NEW THINGS LATELY, 840 00:30:15,347 --> 00:30:18,017 AND THIS SONG SEVERELY INSPIRES ME. 841 00:30:18,050 --> 00:30:19,785 SO... CHECK IT OUT. 842 00:30:19,818 --> 00:30:22,955 VIBE IT, REALLY, REALLY DIG ON IT, 843 00:30:22,989 --> 00:30:25,257 AND, THEN... REMEMBER THAT FEELING. 844 00:30:25,291 --> 00:30:26,425 [BEEP] 845 00:30:26,458 --> 00:30:27,759 TOMORROW AT 8:00 A.M., 846 00:30:27,793 --> 00:30:29,996 STOP WHAT YOU'RE DOING, GET UP, AND DANCE. 847 00:30:30,029 --> 00:30:31,998 JUST EXPRESS YOURSELF! LET YOURSELF OUT. 848 00:30:32,031 --> 00:30:34,366 THIS IS "TURN IT ALL AROUND" BY THE GEES. 849 00:30:34,400 --> 00:30:36,302 * WHOO, OOH WHOO, OOH * 850 00:30:36,335 --> 00:30:39,906 * WHOO, OOH, OOH-OOH 851 00:30:39,939 --> 00:30:41,773 * 8:00 A.M. 852 00:30:41,807 --> 00:30:43,209 * TIME TO START OVER AGAIN * 853 00:30:43,242 --> 00:30:46,045 * BET YOU'LL SLEEPWALK THROUGH ANOTHER DAY * 854 00:30:46,078 --> 00:30:49,848 * LIKE YOU'RE NOT JUST A ZOMBIE WITH A CLOCK * 855 00:30:49,882 --> 00:30:52,818 YOU'RE ALL GOING TO GET INTO SO MUCH TROUBLE FOR THIS! 856 00:30:52,851 --> 00:30:56,055 RADIO REBEL DOESN'T TELL ME WHEN TO DANCE! 857 00:30:56,088 --> 00:30:58,357 [**] 858 00:30:58,390 --> 00:31:01,827 TIME TO TAKE YOUR OWN ADVICE! 859 00:31:01,860 --> 00:31:05,364 [STUDENTS LAUGHING AND CHATTING OVER MUSIC] 860 00:31:05,397 --> 00:31:07,833 [**] 861 00:31:07,866 --> 00:31:09,601 * YOU GOTTA DANCE 862 00:31:09,635 --> 00:31:11,403 * DANCE AND TURN IT ALL AROUND * 863 00:31:11,437 --> 00:31:12,972 * SHOUT 864 00:31:13,005 --> 00:31:14,840 * SHOUT AND LET IT ALL COME OUT * 865 00:31:14,873 --> 00:31:19,578 * JUMP! JUMP... 866 00:31:21,280 --> 00:31:22,714 * SO TURN IT ALL AROUND... 867 00:31:22,748 --> 00:31:24,183 [P.A. SYSTEM SQUEALS] 868 00:31:24,216 --> 00:31:26,585 [PRINCIPAL MORENO]: THIS IS A PLACE OF LEARNING, 869 00:31:26,618 --> 00:31:27,987 NOT DANCING! 870 00:31:28,020 --> 00:31:29,388 ANYONE LISTENING TO RADIO REBEL DURING SCHOOL 871 00:31:29,421 --> 00:31:31,890 WILL BE SUSPENDED. 872 00:31:31,924 --> 00:31:35,527 AND, RADIO REBEL, I ADVISE YOU TO TURN YOURSELF IN NOW, 873 00:31:35,561 --> 00:31:38,264 OR YOUR FUTURE WILL BE RADIO SILENCE. 874 00:31:38,297 --> 00:31:39,598 [SLAM] 875 00:31:39,631 --> 00:31:40,933 NICE! 876 00:31:40,967 --> 00:31:42,501 HEY, TARA. 877 00:31:42,534 --> 00:31:45,972 CAN I TALK TO YOU? 878 00:31:46,005 --> 00:31:48,174 UH... 879 00:31:50,342 --> 00:31:51,643 HMM! 880 00:31:51,677 --> 00:31:53,179 YEAH... 881 00:31:53,212 --> 00:31:54,846 IT'S ABOUT OUR SONG. 882 00:31:54,880 --> 00:31:56,782 WE HAVE A-- WE HAVE A SONG? 883 00:31:56,815 --> 00:31:59,185 THE ONE RADIO REBEL PLAYED LAST NIGHT. 884 00:31:59,218 --> 00:32:00,186 OH. 885 00:32:00,219 --> 00:32:01,353 AT FIRST, 886 00:32:01,387 --> 00:32:04,523 I COULDN'T BELIEVE THAT SHE LIKES OUR MUSIC. 887 00:32:04,556 --> 00:32:06,258 THEN I WONDERED... 888 00:32:06,292 --> 00:32:08,060 HOW'D SHE GET OUR DEMO? 889 00:32:09,028 --> 00:32:11,230 GOT ANYTHING YOU WANNA CONFESS? 890 00:32:11,263 --> 00:32:12,731 [STAMMERS] 891 00:32:12,764 --> 00:32:14,433 IT'S YOU, ISN'T IT? 892 00:32:14,466 --> 00:32:15,834 IT'S ME? IT'S ME? 893 00:32:15,867 --> 00:32:16,868 YOU'RE THE ONE. 894 00:32:16,902 --> 00:32:18,704 WHICH ONE, OF THE ONE OF... 895 00:32:18,737 --> 00:32:20,172 YOU'RE THE ONE 896 00:32:20,206 --> 00:32:22,908 WHO GAVE THE CD TO YOUR STEPDAD, 897 00:32:22,941 --> 00:32:24,443 TO GIVE TO RADIO REBEL! 898 00:32:24,476 --> 00:32:26,045 [RELIEVED]: YES! 899 00:32:26,078 --> 00:32:27,613 -THANK YOU! 900 00:32:27,646 --> 00:32:29,948 YES, YES. THAT'S THE ONE. I'M THE ONE. 901 00:32:29,982 --> 00:32:31,583 I'M THE ONE WITH THE... 902 00:32:31,617 --> 00:32:34,320 I LIKE IT, IT'S A GREAT SONG. 903 00:32:34,353 --> 00:32:35,454 THANKS! 904 00:32:35,487 --> 00:32:36,722 BUT... 905 00:32:36,755 --> 00:32:38,657 IT DOESN'T REALLY FEEL LIKE MY VOICE. 906 00:32:38,690 --> 00:32:41,593 IT'S LIKE... PEOPLE ARE HEARING ME, 907 00:32:41,627 --> 00:32:43,295 BUT THEY'RE NOT HEARING ME. 908 00:32:44,997 --> 00:32:47,433 THAT SOUNDED CRAZY, DIDN'T IT? 909 00:32:47,466 --> 00:32:49,668 NO, NO. NOT AT ALL. 910 00:32:49,701 --> 00:32:51,837 I TOTALLY GET YOU. 911 00:32:53,472 --> 00:32:54,640 -UH... 912 00:32:54,673 --> 00:32:55,707 -WELL... 913 00:32:55,741 --> 00:32:57,409 THANKS AGAIN. 914 00:32:57,443 --> 00:32:58,477 OH... 915 00:32:58,510 --> 00:33:00,312 RADIO REBEL IS AMAZING. 916 00:33:00,346 --> 00:33:03,149 SHE'S REALLY... 917 00:33:03,182 --> 00:33:04,150 NEAT. 918 00:33:04,183 --> 00:33:05,684 SHE GETS CAUGHT IN MY HEAD, YOU KNOW? 919 00:33:05,717 --> 00:33:07,386 IT'S LIKE... 920 00:33:07,419 --> 00:33:10,089 I'D BE ABLE TO RECOGNIZE HER ON THE STREET, 921 00:33:10,122 --> 00:33:12,958 JUST FROM HOW WELL I KNOW HER FROM HER SHOW. 922 00:33:12,991 --> 00:33:15,527 THAT'D BE, UM, SOMETHING. 923 00:33:15,561 --> 00:33:16,828 YEAH. 924 00:33:16,862 --> 00:33:18,997 [**] 925 00:33:19,031 --> 00:33:21,833 SEE YOU LATER, TARA. 926 00:33:23,502 --> 00:33:25,504 [QUIETLY]: BYE, GAVIN. 927 00:33:25,537 --> 00:33:28,740 * AS THINGS START TO SETTLE TALK TO ME ON THE LEVEL * 928 00:33:28,774 --> 00:33:30,542 * YOU'RE A VICTIM AND A REBEL * 929 00:33:30,576 --> 00:33:32,544 * NO MATTER WHAT YOU WEAR 930 00:33:32,578 --> 00:33:35,281 * YOU HAD YOUR SOLILOQUY AND NOW YOU FEEL GUILTY * 931 00:33:35,314 --> 00:33:37,083 * ALL ALONE YOU LOOK SILLY * 932 00:33:37,116 --> 00:33:39,718 * REAL MOMENTS ARE SO UNFAIR 933 00:33:39,751 --> 00:33:41,019 * HERE I AM 934 00:33:41,053 --> 00:33:43,422 [ANNOUNCER]: YOU'RE LISTENING TO SLAM-FM! 935 00:33:43,455 --> 00:33:45,291 [**] 936 00:33:45,324 --> 00:33:47,659 THAT'S HER! I KNOW IT, I CAN TELL! 937 00:33:47,693 --> 00:33:49,895 RADIO REBEL IS AN OLD GUY? 938 00:33:49,928 --> 00:33:50,962 WITH A BEARD? 939 00:33:50,996 --> 00:33:53,099 EVER HEAR OF DISGUISE, BARRY? 940 00:33:53,132 --> 00:33:57,869 [BARRY AND LARRY CONTINUE RAMBLING SPECULATION] 941 00:33:57,903 --> 00:34:00,472 [ANNOUNCER]: SEATTLE'S HOTTEST DJ-- 942 00:34:00,506 --> 00:34:02,274 THE RADIO REBEL SHOW! 943 00:34:02,308 --> 00:34:03,442 [GASPS] 944 00:34:03,475 --> 00:34:04,876 [SALAD FLITTING] 945 00:34:04,910 --> 00:34:06,445 [SHRIEKS]: DID YOU SEE THE POSTERS? 946 00:34:06,478 --> 00:34:08,614 [MOUTHING WORDS] 947 00:34:10,749 --> 00:34:12,351 DID YOU SEE THE POSTERS? 948 00:34:12,384 --> 00:34:14,453 HARD TO MISS. THEY'RE EVERYWHERE! 949 00:34:14,486 --> 00:34:16,655 MY MOM JUST CALLED ME AND SAID SHE SAW ME ON THE BUS. 950 00:34:16,688 --> 00:34:18,023 I WAS LIKE, "NO, I'M AT SLAM." 951 00:34:18,056 --> 00:34:20,126 SHE WAS LIKE, "NO, NO, NO, YOU'RE ON THE BUS! 952 00:34:20,159 --> 00:34:21,493 OF THE SIDE OF IT!" 953 00:34:21,527 --> 00:34:23,495 THEY'RE SPENDING MONEY ON MARKETING FOR YOU, 954 00:34:23,529 --> 00:34:25,964 WHICH MEANS THE RATINGS MUST BE UP. 955 00:34:25,997 --> 00:34:27,999 YOU'RE FAMOUS. 956 00:34:28,033 --> 00:34:29,168 NO. I'M NOT. 957 00:34:29,201 --> 00:34:30,769 NO, RADIO REBEL IS. 958 00:34:30,802 --> 00:34:33,004 EVEN GAVIN HAS A THING FOR HER. 959 00:34:33,038 --> 00:34:34,206 THAT'S GOOD. 960 00:34:34,240 --> 00:34:35,741 WE LIKE GAVIN. RIGHT? 961 00:34:35,774 --> 00:34:37,075 YES, WE DO. 962 00:34:37,109 --> 00:34:38,277 AND IT WAS HARD ENOUGH 963 00:34:38,310 --> 00:34:39,745 WHEN I JUST HAD STACY TO DEAL WITH, 964 00:34:39,778 --> 00:34:42,114 NOW I'M COMPETING WITH MYSELF FOR HIS ATTENTION... 965 00:34:42,148 --> 00:34:44,150 AND I APPEAR TO BE LOSING. 966 00:34:44,183 --> 00:34:48,587 BABY, YOU'VE GOT FAN CLUBS AT EVERY SCHOOL IN SEATTLE. 967 00:34:48,620 --> 00:34:50,189 I MEAN, LOOK AT ALL THE PETITIONS! 968 00:34:50,222 --> 00:34:54,059 "WE WANT A DANCE BREAK EVERY DAY." 969 00:34:54,092 --> 00:34:56,662 "WE WANT MORE RADIO REBEL." 970 00:34:56,695 --> 00:34:58,530 "DON'T TAKE OUR MUSIC AWAY." 971 00:34:58,564 --> 00:35:03,034 WAIT... I HAVE A REALLY GOOD IDEA. 972 00:35:03,068 --> 00:35:05,804 OKAY. THIS IS WHAT WE'RE GONNA DO. 973 00:35:05,837 --> 00:35:08,774 [POP MUSIC BLASTING] 974 00:35:08,807 --> 00:35:11,343 * WE GOT THE BEAT 975 00:35:11,377 --> 00:35:13,779 [STUDENTS CHEERING] 976 00:35:13,812 --> 00:35:17,649 [**] 977 00:35:17,683 --> 00:35:19,418 WHAT IS GOING ON? 978 00:35:19,451 --> 00:35:21,720 WELL, MORENO CAN'T COMPLAIN ABOUT US 979 00:35:21,753 --> 00:35:22,854 DISRUPTING CLASS TIME, 980 00:35:22,888 --> 00:35:24,790 BECAUSE IT'S LUNCH. 981 00:35:24,823 --> 00:35:26,592 THIS WAS YOUR IDEA? 982 00:35:26,625 --> 00:35:29,528 OOH! IT'S BRILL! 983 00:35:29,561 --> 00:35:32,731 * THEY GOT THE BEAT THEY GOT THE BEAT * 984 00:35:32,764 --> 00:35:35,901 * THEY GOT THE BEAT THEY GOT THE BEAT * 985 00:35:35,934 --> 00:35:38,136 HELLO, LINCOLN BAY! 986 00:35:38,170 --> 00:35:41,106 THIS IS CAMI Q COMING AT YOU LIVE! 987 00:35:41,139 --> 00:35:42,674 Y'ALL FEELIN' GOOD TODAY? 988 00:35:42,708 --> 00:35:44,710 [CHEERING] 989 00:35:46,545 --> 00:35:47,513 ALL RIGHT! 990 00:35:47,546 --> 00:35:49,281 LISTEN UP, I'VE GOT A SPECIAL MESSAGE 991 00:35:49,315 --> 00:35:53,652 FROM OUR GOOD FRIEND... RADIO REBEL! 992 00:35:53,685 --> 00:35:54,953 [EXCITED CHATTERING] 993 00:35:54,986 --> 00:35:56,922 [TARA AS REBEL, RECORDED]: THIS IS RADIO REBEL 994 00:35:56,955 --> 00:35:59,925 COMING AT YOU WITH A LITTLE LUNCHTIME SURPRISE. 995 00:35:59,958 --> 00:36:01,360 THAT GIRL INVADED OUR AIRWAVES, 996 00:36:01,393 --> 00:36:02,761 DOES SHE HAVE TO RUIN MY LUNCH, TOO? 997 00:36:02,794 --> 00:36:04,996 NOW, A LOT OF YOU GUYS HAVE IM'ED AND TEXTED ME 998 00:36:05,030 --> 00:36:07,833 ABOUT THE POWERS-THAT-BE TAKING AWAY OUR MUSIC, 999 00:36:07,866 --> 00:36:09,167 AND HOW IT FEELS LIKE 1000 00:36:09,201 --> 00:36:10,769 PART OF OURSELVES IS BEING TAKEN AWAY. 1001 00:36:10,802 --> 00:36:12,170 [BOOING] 1002 00:36:12,204 --> 00:36:13,639 THAT'S NOT GONNA MAKE US BETTER STUDENTS, 1003 00:36:13,672 --> 00:36:15,674 AND YOU CAN'T PUNISH SOMEONE 1004 00:36:15,707 --> 00:36:17,142 FOR RELAXING DURING THEIR DOWN TIME. 1005 00:36:17,175 --> 00:36:18,710 RIGHT, PRINCIPAL MORENO? 1006 00:36:18,744 --> 00:36:21,179 YOU STOLE OUR MUSIC, AND I'M GIVING IT BACK. 1007 00:36:21,213 --> 00:36:23,615 TEXT IN REQUESTS! LUNCHTIME IS OUR TIME. 1008 00:36:23,649 --> 00:36:25,183 [CHEERING] 1009 00:36:25,217 --> 00:36:26,818 [CAMI Q TURNS UP THE TUNES] 1010 00:36:26,852 --> 00:36:31,223 [KIDS CHEERING WILDLY OVER DANCE-POP] 1011 00:36:31,257 --> 00:36:34,226 * 'CAUSE WE GOT THE BEAT 1012 00:36:34,260 --> 00:36:35,927 * WE GOT THE BEAT WE GOT THE BEAT... * 1013 00:36:35,961 --> 00:36:38,330 YOU'RE ON SCHOOL PROPERTY! 1014 00:36:38,364 --> 00:36:41,733 ACTUALLY, BEYOND THIS POINT IS CITY PROPERTY. 1015 00:36:41,767 --> 00:36:44,770 DID YOU WANT TO SEE MY PERMIT? 1016 00:36:44,803 --> 00:36:46,505 [**] 1017 00:36:46,538 --> 00:36:48,574 * WE GOT THE BEAT 1018 00:36:48,607 --> 00:36:50,709 * EVERYBODY GET ON YOUR FEET * 1019 00:36:50,742 --> 00:36:54,246 * WE KNOW YOU CAN DANCE TO THE BEAT... * 1020 00:36:54,280 --> 00:36:55,947 MOVE! 1021 00:36:55,981 --> 00:36:58,284 MOVE! MOVE! 1022 00:36:58,317 --> 00:37:01,086 THIS "RADIO HOR-REBEL" HAS GOT TO GO. 1023 00:37:01,119 --> 00:37:02,888 IT'S KIND OF A FUN DANCE! 1024 00:37:02,921 --> 00:37:04,022 NO, IT'S NOT. 1025 00:37:04,055 --> 00:37:05,257 STOP THAT. 1026 00:37:05,291 --> 00:37:07,859 GO VOTE FOR ME FOR PROM QUEEN AGAIN. 1027 00:37:07,893 --> 00:37:08,960 GO! 1028 00:37:08,994 --> 00:37:11,697 * WE GOT THE BEAT 1029 00:37:11,730 --> 00:37:13,599 OH! 1030 00:37:13,632 --> 00:37:15,000 * WE GOT THE BEAT 1031 00:37:15,033 --> 00:37:17,336 * WE GOT THE BEAT 1032 00:37:17,369 --> 00:37:20,439 * WE GOT THE BEAT 1033 00:37:21,473 --> 00:37:23,709 * WE GOT THE BEAT 1034 00:37:23,742 --> 00:37:26,211 * WE GOT THE BEAT WE GOT THE BEAT * 1035 00:37:26,244 --> 00:37:28,814 * WE GOT THE-- WE GOT THE BEAT * 1036 00:37:28,847 --> 00:37:31,550 [BELLOWS]: CAN I HAVE YOUR ATTENTION, PLEASE? 1037 00:37:31,583 --> 00:37:33,018 [SUSPENSEFUL MURMURING] 1038 00:37:33,051 --> 00:37:34,686 I WANT YOU ALL TO KNOW 1039 00:37:34,720 --> 00:37:38,223 THAT THIS LUNCHTIME FIASCO WAS A... 1040 00:37:38,256 --> 00:37:41,293 FIASCO! 1041 00:37:41,327 --> 00:37:43,462 IT IS TIME FOR A CERTAIN DJ'S 1042 00:37:43,495 --> 00:37:46,832 REIGN OF REBELLION TO COME TO AN END. 1043 00:37:48,133 --> 00:37:50,869 ANYONE WITH ANY INFORMATION 1044 00:37:50,902 --> 00:37:53,505 REGARDING THE IDENTITY OF THIS RADIO REBEL 1045 00:37:53,539 --> 00:37:56,475 IS TO REPORT IT TO ME IMMEDIATELY, 1046 00:37:56,508 --> 00:38:00,346 OR RISK FACING DISCIPLINARY ACTIONS THEMSELVES. 1047 00:38:00,379 --> 00:38:03,349 NOW, GET TO CLASS. 1048 00:38:03,382 --> 00:38:05,016 [STUDENTS MURMURING] 1049 00:38:05,050 --> 00:38:06,352 PRINCIPAL MORENO, 1050 00:38:06,385 --> 00:38:08,053 I JUST WANT TO SAY THAT I COULD NOT AGREE WITH YOU MORE. 1051 00:38:08,086 --> 00:38:10,956 I, FOR ONE, THOUGHT THAT DISPLAY AT LUNCH WAS DISGUSTING. 1052 00:38:10,989 --> 00:38:13,659 "RADIO DRIBBLE" SHOULD PAY FOR PULLING A STUNT LIKE THAT. 1053 00:38:13,692 --> 00:38:15,794 OH, DON'T WORRY, STACY. 1054 00:38:15,827 --> 00:38:17,996 DISRUPTIONS LIKE TODAY ARE TEMPORARY, 1055 00:38:18,029 --> 00:38:20,399 BUT I CAN ENFORCE DISCIPLINARY MEASURES 1056 00:38:20,432 --> 00:38:22,468 THAT CAN LAST FOREVER! 1057 00:38:22,501 --> 00:38:24,169 LIKE DIAMONDS? 1058 00:38:24,202 --> 00:38:25,337 AND RICE CAKES? 1059 00:38:25,371 --> 00:38:27,205 [SHUSHES HER]: NO WORDS. 1060 00:38:27,238 --> 00:38:29,240 YOU MEAN... 1061 00:38:29,274 --> 00:38:30,976 YOU CAN EXPEL RADIO REBEL? 1062 00:38:31,009 --> 00:38:34,846 WELL, HER ACTIONS WERE IN DIRECT DEFIANCE OF MY POLICIES, 1063 00:38:34,880 --> 00:38:37,282 SO THERE WILL BE CONSEQUENCES. 1064 00:38:37,315 --> 00:38:40,419 [**] 1065 00:38:40,452 --> 00:38:42,888 ALL I CAN THINK ABOUT NOW IS RICE CAKES. 1066 00:38:42,921 --> 00:38:43,989 GO! 1067 00:38:44,022 --> 00:38:45,457 [THE GEES]: * PARTY LIKE WE'RE V.I.P. 1068 00:38:45,491 --> 00:38:49,294 * YOU'LL BE GLAD TO SAY YOU KNOW ME * 1069 00:38:49,327 --> 00:38:53,365 * SATISFACTION GUARANTEED 1070 00:38:53,399 --> 00:38:56,768 * SO ROCK WITH US TONIGHT * 1071 00:38:56,802 --> 00:39:00,972 * WE SO FLY 1072 00:39:01,006 --> 00:39:02,641 * WE SO 1073 00:39:02,674 --> 00:39:04,275 * FLY 1074 00:39:04,309 --> 00:39:05,411 * WE SO 1075 00:39:05,444 --> 00:39:07,513 * FLY 1076 00:39:07,546 --> 00:39:09,147 * WE IS WHO WE IS * 1077 00:39:09,180 --> 00:39:11,249 * WE SO 1078 00:39:11,282 --> 00:39:12,317 * FLY 1079 00:39:12,350 --> 00:39:14,085 SORRY, GUYS, I WAS THINKING. 1080 00:39:14,119 --> 00:39:15,153 * WE SO F... 1081 00:39:15,186 --> 00:39:16,054 [GUITAR FEEDS BACK] 1082 00:39:16,087 --> 00:39:17,689 -WHAT ARE YOU DOING? -SORRY. 1083 00:39:17,723 --> 00:39:19,157 I THINK WE CAN DO BETTER THAN THIS. 1084 00:39:19,190 --> 00:39:21,493 YOU KNOW, ACTUALLY SAY SOMETHING WITH OUR MUSIC, 1085 00:39:21,527 --> 00:39:23,995 SOMETHING MEANINGFUL, RELATABLE. I WAS-- 1086 00:39:24,029 --> 00:39:25,296 GAVIN. 1087 00:39:25,330 --> 00:39:28,233 UM, ONE, YOU DON'T STOP IN THE MIDDLE OF A SONG, MAN. 1088 00:39:28,266 --> 00:39:31,537 OKAY? AND, TWO, OUR FANS DON'T WANT A MESSAGE, 1089 00:39:31,570 --> 00:39:32,971 THEY WANT TO PARTY. 1090 00:39:33,004 --> 00:39:34,840 YOU WANT MEANINGFUL, GO WRITE A POEM. 1091 00:39:34,873 --> 00:39:36,475 STICK WITH WHAT'S WORKING, ALRIGHT? 1092 00:39:36,508 --> 00:39:37,843 THE TOP. 1093 00:39:37,876 --> 00:39:40,245 SINCE WHEN DO OUR FANS DETERMINE WHAT WE PLAY? 1094 00:39:40,278 --> 00:39:43,181 IT'S THE PRICE OF FAME, MY FRIEND. 1095 00:39:43,214 --> 00:39:44,583 ONE! TWO! THREE-- 1096 00:39:44,616 --> 00:39:45,684 [GUITAR WHINES] 1097 00:39:45,717 --> 00:39:47,318 NOW THAT WE'VE GOT A FOLLOWING, 1098 00:39:47,352 --> 00:39:49,921 I THINK WE CAN FINALLY AFFORD TO TAKE SOME RISKS, 1099 00:39:49,955 --> 00:39:52,123 AND EXPRESS OURSELVES CREATIVELY-- 1100 00:39:52,157 --> 00:39:53,158 NEGATIVE. 1101 00:39:53,191 --> 00:39:54,726 WE'RE GIVING 'EM WHAT THEY WANT, ALRIGHT? 1102 00:39:54,760 --> 00:39:56,728 NO MORE, NO LESS. 1103 00:39:58,129 --> 00:40:00,732 OKAY? 1104 00:40:01,667 --> 00:40:03,201 OKAY. 1105 00:40:03,234 --> 00:40:04,803 GEES FOR LIFE? 1106 00:40:04,836 --> 00:40:08,039 SURE. GEES FOR LIFE. 1107 00:40:08,073 --> 00:40:09,508 ATTABOY. 1108 00:40:09,541 --> 00:40:11,142 ALL RIGHT! FROM THE TOP, BOYS. 1109 00:40:11,176 --> 00:40:13,445 * I'M MOVIN' UP THE SUN IS SHININ' * 1110 00:40:13,479 --> 00:40:17,182 [TARA AS REBEL]: IF YOU DON'T GO TO LINCOLN BAY HIGH, 1111 00:40:17,215 --> 00:40:18,917 YOU MISSED OUT ON A ROCK-STAR DAY. 1112 00:40:18,950 --> 00:40:20,852 I'VE NEVER SEEN SO MANY PEOPLE DANCING. 1113 00:40:20,886 --> 00:40:22,988 SO MY LISTENERS AT HOOVER HIGH WERE SO INSPIRED 1114 00:40:23,021 --> 00:40:25,156 BY WHAT WENT DOWN AT LINCOLN BAY, 1115 00:40:25,190 --> 00:40:27,693 THEY HAD A FULL-ON FLASH-MOB AT LUNCH TODAY. 1116 00:40:27,726 --> 00:40:29,360 THAT ROCKS! 1117 00:40:29,394 --> 00:40:31,262 YOU GUYS TOTALLY NEED TO POST A VIDEO ON MY WEB PAGE STAT. 1118 00:40:31,296 --> 00:40:33,765 YEAH, I HEARD THE MATHLETES AND THE WATER-POLO TEAM 1119 00:40:33,799 --> 00:40:35,166 AT ENSIGN HIGH 1120 00:40:35,200 --> 00:40:37,035 JUST FORMED A POPS/NON-POPS ALLIANCE CLUB. 1121 00:40:37,068 --> 00:40:39,404 YOU GUYS ARE MY HEROES! 1122 00:40:39,437 --> 00:40:40,906 AND I GOT A CALL TODAY 1123 00:40:40,939 --> 00:40:42,674 FROM A GUY WHO GRADUATED HIGH SCHOOL 20 YEARS AGO. 1124 00:40:42,708 --> 00:40:45,644 HE SAID THIS SHOW INSPIRED HIM TO STAND UP TO HIS BOSS 1125 00:40:45,677 --> 00:40:47,445 AND GET THE RAISE HE DESERVED. 1126 00:40:47,479 --> 00:40:48,980 SEE WHAT I MEAN? 1127 00:40:49,014 --> 00:40:51,483 IT'S NEVER TOO LATE TO MAKE A DIFFERENCE, GUYS. 1128 00:40:51,517 --> 00:40:52,984 * I'M MOVING UP 1129 00:40:53,018 --> 00:40:55,186 * THE SUN IS SHININ' 1130 00:40:55,220 --> 00:40:58,690 * AND IT'S A BRAND-NEW DAY 1131 00:40:58,724 --> 00:41:00,559 [**] 1132 00:41:00,592 --> 00:41:02,794 [CRIES OUT, WHEEZING]: TARA! 1133 00:41:02,828 --> 00:41:04,095 I HAVE NEWS! 1134 00:41:04,129 --> 00:41:06,331 BUT WE CAN'T TALK HERE. 1135 00:41:08,366 --> 00:41:10,902 EXCUSE ME? COULD YOU GIVE US A MINUTE? 1136 00:41:10,936 --> 00:41:13,038 BUT THIS IS MY OFFICE. 1137 00:41:16,441 --> 00:41:18,276 [BANGS DOOR SHUT] 1138 00:41:20,411 --> 00:41:21,446 SO... 1139 00:41:21,479 --> 00:41:24,482 GUESS WHO GOT NOMINATED FOR PROM QUEEN? 1140 00:41:24,516 --> 00:41:25,817 STACY? 1141 00:41:25,851 --> 00:41:27,185 YOU DID! 1142 00:41:27,218 --> 00:41:29,788 WELL, NOT YOU. RADIO REBEL! 1143 00:41:29,821 --> 00:41:31,657 THIS IS HORRIBLE. 1144 00:41:31,690 --> 00:41:32,824 THE WHOLE POINT OF RADIO REBEL 1145 00:41:32,858 --> 00:41:34,392 IS THAT SHE'S ANONYMOUS, REMEMBER? 1146 00:41:34,425 --> 00:41:35,961 WHAT'S GONNA HAPPEN IF SHE WINS? 1147 00:41:35,994 --> 00:41:37,428 WHO'S GONNA GO UP THERE AND ACCEPT THE CROWN? 1148 00:41:37,462 --> 00:41:39,164 I COULD GET EXPELLED. 1149 00:41:39,197 --> 00:41:41,099 I HAVE TO PUT A STOP TO THIS. 1150 00:41:41,132 --> 00:41:42,067 ARE YOU CRAZY? 1151 00:41:42,100 --> 00:41:43,434 YOU CAN'T QUIT NOW. 1152 00:41:43,468 --> 00:41:44,603 [DOOR CREAKS] 1153 00:41:44,636 --> 00:41:45,704 NOT NOW, MR. MARGOWSKY! 1154 00:41:45,737 --> 00:41:48,373 BUT I NEED THE BROOM. 1155 00:41:48,406 --> 00:41:50,609 [AUDREY GRUNTS] 1156 00:41:50,642 --> 00:41:51,643 [SLAM] 1157 00:41:51,677 --> 00:41:53,244 AUDREY... 1158 00:41:53,278 --> 00:41:55,480 I CAN'T DO THIS ANYMORE. 1159 00:41:55,513 --> 00:41:56,615 -YOU CAN. -I CAN'T. 1160 00:41:56,648 --> 00:41:57,716 -YOU CAN. -I CAN'T. 1161 00:41:57,749 --> 00:41:58,617 YOU CAN! 1162 00:41:58,650 --> 00:42:00,318 [GIRLS]: NOT NOW! 1163 00:42:00,351 --> 00:42:02,888 I NEED THE DUST PAN, TOO. 1164 00:42:02,921 --> 00:42:04,756 HERE. 1165 00:42:04,790 --> 00:42:06,424 [AUDREY SIGHS] 1166 00:42:06,457 --> 00:42:07,292 [SLAM] 1167 00:42:07,325 --> 00:42:09,027 YOU'RE A HERO TO PEOPLE, 1168 00:42:09,060 --> 00:42:11,296 AND THAT'S WHY THEY NOMINATED YOU. 1169 00:42:11,329 --> 00:42:13,832 YOU CAN'T TURN YOUR BACK ON THEM NOW. 1170 00:42:13,865 --> 00:42:16,768 THIS IS YOUR TIME TO SHINE. 1171 00:42:16,802 --> 00:42:18,036 WHAT IF I DON'T WANT TO SHINE? 1172 00:42:18,069 --> 00:42:21,773 WHAT IF SHINING REALLY ISN'T MY THING? 1173 00:42:21,807 --> 00:42:24,576 AS YOUR B.F.F.T.L.E.W.E., 1174 00:42:24,610 --> 00:42:28,546 I'M LEGALLY OBLIGATED TO MAKE SURE YOU DO THE SHOW. 1175 00:42:29,881 --> 00:42:31,549 EVEN IF I HAVE TO DRAG YOU THERE. 1176 00:42:31,583 --> 00:42:32,718 [CHUCKLES SOFTLY] 1177 00:42:32,751 --> 00:42:34,419 [SCHOOL BELL RINGS] 1178 00:42:35,954 --> 00:42:37,088 HEY, TARA! 1179 00:42:37,122 --> 00:42:38,189 WE'VE GOT ANOTHER DEMO ON THE WAY 1180 00:42:38,223 --> 00:42:39,357 FOR RADIO REBEL. 1181 00:42:39,390 --> 00:42:41,392 OH, I'M SURE SHE'S STOKED TO HEAR IT. 1182 00:42:41,426 --> 00:42:44,796 [GUY]: YO, GAVIN. WE LOVE YOU, MAN. 1183 00:42:44,830 --> 00:42:46,264 [LOCKER BANGS] 1184 00:42:46,297 --> 00:42:47,966 CLEVER. MAKE FRIENDS WITH THE GIRL 1185 00:42:47,999 --> 00:42:49,034 WHOSE DAD RUNS SLAM. 1186 00:42:49,067 --> 00:42:50,669 I LIKE THE WAY YOU THINK, BRO. 1187 00:42:50,702 --> 00:42:51,770 HER NAME'S TARA. 1188 00:42:51,803 --> 00:42:53,004 WHO CARES? 1189 00:42:53,038 --> 00:42:54,105 SHE'S ACTUALLY REALLY NICE. 1190 00:42:54,139 --> 00:42:55,674 WHOA, WAIT. 1191 00:42:55,707 --> 00:42:58,243 YOU'RE NOT, LIKE, INTO HER, OR ANYTHING, ARE YOU? 1192 00:42:58,276 --> 00:43:00,011 'CAUSE THAT WOULD NOT BE GOOD FOR BUSINESS. 1193 00:43:00,045 --> 00:43:01,913 WHAT DO YOU MEAN? 1194 00:43:01,947 --> 00:43:04,082 WE HAVE FANS NOW. 1195 00:43:04,115 --> 00:43:05,150 DEDICATED FOLLOWERS. 1196 00:43:05,183 --> 00:43:06,351 THOSE ARE THE KIND OF PEOPLE 1197 00:43:06,384 --> 00:43:07,886 THAT YOU SHOULD BE SPENDING TIME WITH. 1198 00:43:07,919 --> 00:43:08,954 YOU DON'T EVEN KNOW HER. 1199 00:43:08,987 --> 00:43:10,121 [SNICKERS]: OKAY. 1200 00:43:10,155 --> 00:43:11,790 I DON'T NEED TO, AND NEITHER DO YOU. 1201 00:43:11,823 --> 00:43:13,959 THINK OF THE BAND, MAN! 1202 00:43:13,992 --> 00:43:15,661 THINK LIKE A ROCK STAR! 1203 00:43:15,694 --> 00:43:17,863 [PUNCH LANDS] 1204 00:43:20,431 --> 00:43:22,433 WHY DID WE HAVE TO PARK SO FAR AWAY? 1205 00:43:22,467 --> 00:43:24,435 BECAUSE WE CAN'T RISK 1206 00:43:24,469 --> 00:43:26,672 ANYONE RECOGNIZING YOUR CAR, OR US. 1207 00:43:26,705 --> 00:43:28,807 NOW WIG ME. 1208 00:43:30,108 --> 00:43:33,645 [**] 1209 00:43:43,288 --> 00:43:44,522 OH... 1210 00:43:44,555 --> 00:43:47,225 THIS CARDBOARD IS INFLAMING MY ECZEMA. 1211 00:43:47,258 --> 00:43:48,526 DO YOU HAVE ANY ALOE VERA? 1212 00:43:48,559 --> 00:43:50,729 WILL YOU CONCENTRATE? 1213 00:43:51,797 --> 00:43:55,033 WHY DO YOU ALWAYS GET THE COOL STUFF? 1214 00:43:55,066 --> 00:43:57,035 SHH-SHH. FOCUS! 1215 00:43:57,068 --> 00:43:59,304 [**] 1216 00:44:07,078 --> 00:44:10,248 [**] 1217 00:44:10,281 --> 00:44:12,283 THIS LOCATION IS COMPROMISED. 1218 00:44:12,317 --> 00:44:14,686 LET'S MOVE. 1219 00:44:14,720 --> 00:44:16,855 [**] 1220 00:44:18,356 --> 00:44:20,058 KEEP IT STEADY, KEEP IT STEADY. 1221 00:44:20,091 --> 00:44:21,626 BUH-BUH-BUH-BUH! 1222 00:44:21,659 --> 00:44:23,094 BINOCULARS! 1223 00:44:23,128 --> 00:44:25,196 FOCUS, LARRY! COME ON! 1224 00:44:25,230 --> 00:44:27,332 DROPPIN' STUFF... 1225 00:44:27,365 --> 00:44:28,333 GOT 'EM! 1226 00:44:28,366 --> 00:44:30,135 OKAY. GO! 1227 00:44:30,168 --> 00:44:32,503 GET 'EM. BLEND IN. BLEND IN. 1228 00:44:32,537 --> 00:44:35,140 SO, THIS... IS WHERE THE MAGIC HAPPENS. 1229 00:44:35,173 --> 00:44:38,376 [GASPS SILENTLY]: THIS IS SO COOL! 1230 00:44:38,409 --> 00:44:42,047 IS THIS THE FAMOUS AUDREY SHARMA? 1231 00:44:42,080 --> 00:44:43,882 [GIRLS LAUGHING] 1232 00:44:43,915 --> 00:44:45,216 NICE TO MEET YOU! 1233 00:44:45,250 --> 00:44:46,918 [DOOR OPENS] 1234 00:44:47,719 --> 00:44:49,721 COULD YOU GIRLS EXCUSE US FOR A MOMENT? 1235 00:44:57,362 --> 00:44:58,764 LOOK, IF THIS ABOUT AUDREY BEING HERE, 1236 00:44:58,797 --> 00:45:00,231 SHE'S THE ONLY PERSON I TOLD, 1237 00:45:00,265 --> 00:45:01,867 AND I TOTALLY TRUST HER. 1238 00:45:01,900 --> 00:45:04,169 NO, THIS IS NOT ABOUT AUDREY. THIS IS ABOUT YOU. 1239 00:45:04,202 --> 00:45:06,571 PRINCIPAL MORENO CALLED. 1240 00:45:06,604 --> 00:45:09,174 THE LUNCHTIME DANCE PARTY, THAT WAS A MISTAKE. 1241 00:45:09,207 --> 00:45:12,610 SHE WANTS TO EXPEL RADIO REBEL 1242 00:45:12,643 --> 00:45:14,579 AS SOON AS SHE FINDS OUT WHO SHE IS. 1243 00:45:14,612 --> 00:45:17,648 WELL, AS LONG AS SHE DOESN'T KNOW IT'S ME, 1244 00:45:17,682 --> 00:45:19,450 YOU SHOULDN'T HAVE A PROBLEM. 1245 00:45:19,484 --> 00:45:21,519 I CAN'T TAKE THAT CHANCE, THOUGH, CAN I? 1246 00:45:21,552 --> 00:45:22,988 WHAT DO YOU MEAN? 1247 00:45:23,021 --> 00:45:26,992 I MAY RUN SLAM-FM, BUT I'M YOUR STEPFATHER FIRST. 1248 00:45:27,025 --> 00:45:30,996 IT'S UNFORTUNATE, BUT THIS HAS GONE TOO FAR. 1249 00:45:31,029 --> 00:45:33,198 YES, IT HAS. 1250 00:45:33,231 --> 00:45:34,432 TOO FAR TO STOP NOW. 1251 00:45:34,465 --> 00:45:36,167 LOOK, THIS IS BIGGER 1252 00:45:36,201 --> 00:45:37,502 THAN SLAM, OR MORENO, OR EVEN ME. 1253 00:45:37,535 --> 00:45:40,872 I CAN'T TURN MY BACK ON THE THOUSANDS OF PEOPLE 1254 00:45:40,906 --> 00:45:43,108 WHO FINALLY FEEL LIKE THEY HAVE A VOICE. 1255 00:45:43,141 --> 00:45:45,510 AND I'M NOT GOING BACK TO THE SHY, INVISIBLE GIRL 1256 00:45:45,543 --> 00:45:48,279 WHO'S AFRAID TO EVEN SPEAK. 1257 00:45:48,313 --> 00:45:50,581 LOOK, I KNOW THAT IT'S RISKY, 1258 00:45:50,615 --> 00:45:54,752 BUT I'M NOT GOING TO BACK DOWN. 1259 00:45:54,786 --> 00:45:57,222 YOU KNOW, I THINK THAT'S THE MOST 1260 00:45:57,255 --> 00:46:00,225 THAT I'VE EVER HEARD TARA SAY AT ONE TIME. 1261 00:46:03,294 --> 00:46:05,330 YOU'RE ON IN TWO MINUTES. 1262 00:46:05,363 --> 00:46:07,098 [**] 1263 00:46:08,766 --> 00:46:11,169 GOOD LUCK, KID. 1264 00:46:11,202 --> 00:46:13,104 [DOOR SHUTS] 1265 00:46:14,806 --> 00:46:17,475 A LOT OF YOU WANT TO KNOW WHO I AM. 1266 00:46:17,508 --> 00:46:20,979 COME ON, COME ON TO MAMA. 1267 00:46:21,012 --> 00:46:22,147 I GET THAT. 1268 00:46:22,180 --> 00:46:24,850 MAYBE IT'D BE EASIER IF YOU COULD SEE MY FACE. 1269 00:46:24,883 --> 00:46:26,484 BUT THAT'S THE THING... 1270 00:46:26,517 --> 00:46:29,287 'CAUSE IT'S NOT ABOUT ME. 1271 00:46:29,320 --> 00:46:31,089 IT'S ABOUT YOU! 1272 00:46:31,122 --> 00:46:32,757 YOU DON'T NEED TO KNOW MY NAME. 1273 00:46:32,790 --> 00:46:33,758 [MORENO SIGHS] 1274 00:46:33,791 --> 00:46:35,760 YOU WANNA KNOW WHO I AM? 1275 00:46:35,793 --> 00:46:38,796 I'M SOMEBODY WHO'S TIRED OF BEING AFRAID. 1276 00:46:38,830 --> 00:46:42,167 I KNOW HOW IT CAN HOLD YOU BACK, 1277 00:46:42,200 --> 00:46:44,970 SO, SAY IT OUT LOUD. 1278 00:46:45,003 --> 00:46:47,672 JUST SAY WHAT YOU'RE AFRAID OF. 1279 00:46:47,705 --> 00:46:50,308 CALL IN. 1280 00:46:50,341 --> 00:46:52,577 I... DARE YOU. 1281 00:46:52,610 --> 00:46:54,479 [**] 1282 00:46:54,512 --> 00:46:59,617 I GUESS EVERYONE'S TOO AFRAID TO SAY WHAT THEY'RE AFRAID OF. 1283 00:46:59,650 --> 00:47:00,651 MAYBE THIS SONG'LL INSPIRE YOU. 1284 00:47:00,685 --> 00:47:01,686 [THUMPING] 1285 00:47:01,719 --> 00:47:04,455 LINES 1 THROUGH 20! 1286 00:47:04,489 --> 00:47:05,756 [**] 1287 00:47:05,790 --> 00:47:07,592 [ASTONISHED HUFF] 1288 00:47:07,625 --> 00:47:08,593 [BEEP] 1289 00:47:08,626 --> 00:47:10,328 YOU'RE ON WITH RADIO REBEL. 1290 00:47:10,361 --> 00:47:11,696 ONE TIME, 1291 00:47:11,729 --> 00:47:13,298 I ACCIDENTALLY SWALLOWED A TINY PIECE OF TINFOIL, 1292 00:47:13,331 --> 00:47:16,101 SO NOW I'M AFRAID IF I STAND TOO CLOSE TO THE MICROWAVE, 1293 00:47:16,134 --> 00:47:17,302 I'LL EXPLODE. 1294 00:47:17,335 --> 00:47:20,171 I'M AFRAID OF GETTING CUT FROM THE FOOTBALL TEAM. 1295 00:47:20,205 --> 00:47:23,074 I'M AFRAID LARRY MIGHT BE LOSING IT! 1296 00:47:25,143 --> 00:47:28,813 I'M AFRAID I'LL ALWAYS BE A SINGLE INTEGER. 1297 00:47:28,846 --> 00:47:31,082 I'M AFRAID OF POWER OUTAGES. 1298 00:47:31,116 --> 00:47:34,452 I'M AFRAID TO DO MY OWN THING. 1299 00:47:36,521 --> 00:47:39,190 I WAS, TOO. 1300 00:47:39,224 --> 00:47:41,426 WAS? 1301 00:47:41,459 --> 00:47:43,428 SO, WHAT CHANGED? 1302 00:47:43,461 --> 00:47:45,997 I GUESS I... 1303 00:47:46,031 --> 00:47:47,933 STARTED DOING THIS SHOW, 1304 00:47:47,966 --> 00:47:49,200 AND I REALIZED... 1305 00:47:49,234 --> 00:47:52,938 YOU'RE NOT AS ALONE AS YOU FEEL. 1306 00:47:52,971 --> 00:47:55,140 IF YOU CAN REMEMBER THAT, 1307 00:47:55,173 --> 00:47:56,975 IT MIGHT BE A EASIER TO TAKE A RISK. 1308 00:47:57,008 --> 00:47:59,710 DO YOUR OWN THING. 1309 00:47:59,744 --> 00:48:01,479 YEAH. 1310 00:48:01,512 --> 00:48:03,181 THANKS. 1311 00:48:03,214 --> 00:48:04,215 [BEEP] 1312 00:48:05,650 --> 00:48:07,652 WE'LL TAKE MORE CALLS IN A MINUTE. 1313 00:48:07,685 --> 00:48:09,087 IN THE MEANTIME, 1314 00:48:09,120 --> 00:48:11,789 YOU GUYS ARE GONNA SERIOUSLY DIG THIS NEXT SONG. 1315 00:48:11,822 --> 00:48:14,159 [**] 1316 00:48:16,827 --> 00:48:20,465 HEY! WHERE ARE YOU GOING? 1317 00:48:20,498 --> 00:48:23,001 JUST... SOMEWHERE... 1318 00:48:23,034 --> 00:48:25,971 TO DO... SOMETHING. 1319 00:48:26,004 --> 00:48:27,638 [**] 1320 00:48:27,672 --> 00:48:30,041 I'M AFRAID OF HYENAS! 1321 00:48:30,075 --> 00:48:35,046 * YOU CAN'T BE AFRAID TO MAKE MISTAKES * 1322 00:48:35,080 --> 00:48:39,017 * WE ARE... WE ARE WHO WE ARE * 1323 00:48:39,050 --> 00:48:41,987 I'M AFRAID TO SHOW PEOPLE THE REAL ME! 1324 00:48:42,020 --> 00:48:45,023 * WE ARE... WE ARE WHO WE ARE * 1325 00:48:45,056 --> 00:48:47,325 [KNOCKING AT DOOR] 1326 00:48:47,358 --> 00:48:49,527 CONGRATULATIONS! 1327 00:48:49,560 --> 00:48:50,828 WHAT? 1328 00:48:50,861 --> 00:48:52,263 YOUR PROM QUEEN NOMINATION! 1329 00:48:52,297 --> 00:48:53,531 IT'S ON THE SCHOOL WEBSITE. 1330 00:48:53,564 --> 00:48:54,899 I AM SO EXCITED. 1331 00:48:54,932 --> 00:48:56,367 BUT WHAT ABOUT PRINCIPAL MORENO? 1332 00:48:56,401 --> 00:49:00,205 MOM, IF RADIO REBEL WINS, AND I CONFESS MY IDENTITY, 1333 00:49:00,238 --> 00:49:01,406 I COULD GET EXPELLED. 1334 00:49:01,439 --> 00:49:04,642 I DON'T CARE ABOUT PRINCIPAL MORENO. 1335 00:49:04,675 --> 00:49:06,744 HONEY, PEOPLE NOMINATED YOU 1336 00:49:06,777 --> 00:49:07,878 FOR PROM QUEEN 1337 00:49:07,912 --> 00:49:09,880 BECAUSE YOU INSPIRE THEM. 1338 00:49:09,914 --> 00:49:11,082 [SIGHS WITH PRIDE] 1339 00:49:11,116 --> 00:49:12,850 YOU'RE STANDING UP FOR YOUR BELIEFS, 1340 00:49:12,883 --> 00:49:14,652 AND THAT'S ALL I CARE ABOUT. 1341 00:49:16,087 --> 00:49:17,855 I DON'T THINK I'M GOING TO PROM. 1342 00:49:17,888 --> 00:49:19,324 LET ME REPHRASE THAT-- 1343 00:49:19,357 --> 00:49:22,727 ALL I CARE ABOUT IS YOU STANDING UP FOR YOUR BELIEFS 1344 00:49:22,760 --> 00:49:24,095 AND PROM! 1345 00:49:24,129 --> 00:49:26,664 YOU HAVE TO GO! IT'S PROM! 1346 00:49:26,697 --> 00:49:27,765 Y-- 1347 00:49:27,798 --> 00:49:28,833 NUH! NO! 1348 00:49:28,866 --> 00:49:30,268 -LET ME FIN-- -YOU HAVE TO! 1349 00:49:30,301 --> 00:49:31,302 MOM-- 1350 00:49:31,336 --> 00:49:33,071 UH! YEAH. OKAY? YOU'RE GOING TO PROM. 1351 00:49:33,104 --> 00:49:36,207 [GIGGLES]: YOU'RE GOING TO BE EXCELLENT! OOH! 1352 00:49:38,243 --> 00:49:39,910 [P.A. SYSTEM SQUEALS]: THIS IS YOUR PRINCIPAL. 1353 00:49:39,944 --> 00:49:41,512 THERE'S BEEN SOME CONTROVERSY 1354 00:49:41,546 --> 00:49:44,049 ABOUT THE IDENTITY OF RADIO REBEL, 1355 00:49:44,082 --> 00:49:46,184 AND THERE IS NOTHING MORE DISTRACTING 1356 00:49:46,217 --> 00:49:47,618 THAN CONTROVERSY. 1357 00:49:47,652 --> 00:49:51,256 NOW, I GAVE HER THE CHANCE TO DO THE RIGHT THING 1358 00:49:51,289 --> 00:49:53,224 AND TURN HERSELF IN, BUT... 1359 00:49:53,258 --> 00:49:55,160 SHE CHOSE TO HIDE, 1360 00:49:55,193 --> 00:49:59,097 AVOIDING THE CONSEQUENCES OF HER INSUBORDINATION. 1361 00:49:59,130 --> 00:50:01,032 WELL, SHE CAN'T HIDE FOREVER, 1362 00:50:01,066 --> 00:50:02,233 WHICH IS WHY, 1363 00:50:02,267 --> 00:50:04,102 UNTIL RADIO REBEL'S IDENTITY 1364 00:50:04,135 --> 00:50:05,803 IS REVEALED, 1365 00:50:05,836 --> 00:50:07,972 I'M CANCELING THE PROM. 1366 00:50:08,005 --> 00:50:09,307 [GASPING AND REACTING] 1367 00:50:09,340 --> 00:50:12,643 [STUNNED MURMURING CONTINUES] 1368 00:50:12,677 --> 00:50:14,845 FOR EVERYONE! 1369 00:50:14,879 --> 00:50:16,847 [COLLECTIVELY GASPING IN HORROR] 1370 00:50:16,881 --> 00:50:17,915 SHE CAN'T DO THIS! 1371 00:50:17,948 --> 00:50:19,450 SHE CAN DO WHATEVER SHE WANTS. 1372 00:50:19,484 --> 00:50:20,985 SHE'S, LIKE, THE PRINCIPAL. 1373 00:50:21,018 --> 00:50:22,153 NOW DO YOU THINK 1374 00:50:22,187 --> 00:50:23,921 THERE'S FAVORITISM AT LINCOLN BAY? 1375 00:50:23,954 --> 00:50:24,922 [MICROPHONE CLICKS] 1376 00:50:24,955 --> 00:50:27,992 NOT MORENO... "RADIO FEEBLE!" 1377 00:50:28,025 --> 00:50:29,327 SHE'S DESTROYING EVERYTHING! 1378 00:50:29,360 --> 00:50:31,296 WHY SHOULD WE HAVE OUR PROM TAKEN AWAY 1379 00:50:31,329 --> 00:50:32,830 JUST SO SHE CAN MAKE A POINT? 1380 00:50:32,863 --> 00:50:34,031 THIS IS BAD. 1381 00:50:34,065 --> 00:50:36,601 THIS IS REALLY, REALLY BAD. 1382 00:50:36,634 --> 00:50:40,938 [STUDENTS]: SAVE OUR PROM! SAVE OUR PROM! 1383 00:50:40,971 --> 00:50:42,840 SAVE OUR PROM! 1384 00:50:42,873 --> 00:50:46,177 SAVE OUR PROM! SAVE OUR PROM! SAVE OUR PROM! 1385 00:50:46,211 --> 00:50:48,513 PROM IS A RITE OF PASSAGE. 1386 00:50:48,546 --> 00:50:51,116 IF RADIO REBEL IS REALLY ALL ABOUT THE PEOPLE, 1387 00:50:51,149 --> 00:50:55,120 THEN SHE'LL REVEAL HER IDENTITY AND GIVE US OUR PROM BACK! 1388 00:50:55,153 --> 00:50:57,488 [ANGRY CHEERING] 1389 00:50:57,522 --> 00:50:59,524 HOW ARE WE GONNA GET IN THERE? 1390 00:50:59,557 --> 00:51:01,992 [ANGRY CHEERING AND SHOUTING CONTINUES] 1391 00:51:02,026 --> 00:51:05,496 * PEOPLE ARE BACKIN' OFF 1392 00:51:05,530 --> 00:51:07,432 * MATES ARE BREAKING UP 1393 00:51:07,465 --> 00:51:09,434 * SOME ARE MAKING UP 1394 00:51:09,467 --> 00:51:12,670 * WE'RE ALL CHEERING UP PEOPLE ARE BACKING OFF * 1395 00:51:12,703 --> 00:51:15,206 WHO DO YOU BLAME FOR YOUR PROM GETTING CANCELED? 1396 00:51:16,141 --> 00:51:20,044 OH! LOOK, EVERYBODY! IT'S RADIO REBEL. 1397 00:51:20,077 --> 00:51:23,548 [CROWD CLAMORING] 1398 00:51:25,450 --> 00:51:27,152 GO, GO, GO! GO-GO-GO-GO! 1399 00:51:27,185 --> 00:51:30,221 SHOW US WHO YOU ARE, RADIO REBEL! 1400 00:51:30,255 --> 00:51:32,056 WHO IS IT? I CAN'T SEE! 1401 00:51:32,089 --> 00:51:34,559 [CHAOS CONTINUES IN BACKGROUND] 1402 00:51:34,592 --> 00:51:37,895 [GIGGLES]: ARE WE LIVE? 1403 00:51:37,928 --> 00:51:39,029 [MIC STAND CREAKS] 1404 00:51:39,063 --> 00:51:40,965 HI, OUT THERE IN RADIO LAND. 1405 00:51:40,998 --> 00:51:44,635 A LOT'S HAPPENED SINCE WE LAST HUNG OUT, HUH? 1406 00:51:44,669 --> 00:51:46,237 LET ME KNOW WHAT YOU GUYS THINK. 1407 00:51:46,271 --> 00:51:49,140 CALL ME, TEXT ME, SCRAWL ON MY WALL. 1408 00:51:49,174 --> 00:51:51,809 DON'T BE SHY. 1409 00:51:51,842 --> 00:51:52,943 [BEEP] 1410 00:51:52,977 --> 00:51:55,012 DO YOU KNOW HOW MANY DREAMS YOU'VE CRUSHED 1411 00:51:55,045 --> 00:51:56,214 BY CANCELING PROM? 1412 00:51:56,247 --> 00:51:57,448 I AGREE WITH THE LAST CALLER. 1413 00:51:57,482 --> 00:51:59,016 I'D JUST GOTTEN A DATE, AND NOW IT'S OVER? 1414 00:51:59,049 --> 00:52:01,952 THIS IS THE LAST TIME I'M LISTENING TO YOU. EVER! 1415 00:52:01,986 --> 00:52:04,121 [SNAPPING]: WHO DO YOU THINK YOU ARE? 1416 00:52:04,155 --> 00:52:06,357 YOU DISAPPOINTED EVERYONE! 1417 00:52:06,391 --> 00:52:07,958 DO YOU EVEN CARE ABOUT ANYONE BUT YOURSELF? 1418 00:52:07,992 --> 00:52:10,094 DO YOU KNOW HOW MANY DREAMS YOU'VE CRUSHED? 1419 00:52:10,127 --> 00:52:11,229 I THOUGHT YOU WERE ON MY SIDE! 1420 00:52:11,262 --> 00:52:13,998 DREAM CRUSHER! DREAM CRUSHER! 1421 00:52:14,031 --> 00:52:16,334 DO YOU KNOW HOW MANY DREAMS YOU'VE CRUSHED? 1422 00:52:16,367 --> 00:52:17,668 [ECHOING]: YOU'RE A DREAM CRUSHER! 1423 00:52:17,702 --> 00:52:19,003 YOU RUINED EVERYTHING! 1424 00:52:19,036 --> 00:52:20,971 [ANGRY VOICES ECHO AND FADE] 1425 00:52:21,005 --> 00:52:22,640 [UNSETTLED]: OKAY... 1426 00:52:22,673 --> 00:52:26,143 YOU GUYS ARE BEING HONEST ABOUT HOW YOU FEEL. 1427 00:52:26,177 --> 00:52:27,412 [CONSOLE BEEPS] 1428 00:52:27,445 --> 00:52:29,814 YOU'RE ON, LINE TWO. 1429 00:52:29,847 --> 00:52:31,816 I'VE ALWAYS LIKED YOU, RADIO REBEL. 1430 00:52:31,849 --> 00:52:33,218 YOUR PLAYLISTS TRULY ROCK, BUT... 1431 00:52:33,251 --> 00:52:36,854 GO AHEAD. LET IT OUT. 1432 00:52:36,887 --> 00:52:38,889 IT'S JUST... 1433 00:52:38,923 --> 00:52:40,691 THERE'S A GIRL 1434 00:52:40,725 --> 00:52:42,827 I WAS HOPING TO IMPRESS THAT NIGHT. 1435 00:52:42,860 --> 00:52:43,894 [MOUTHS "STACY"] 1436 00:52:46,063 --> 00:52:48,065 SORRY ABOUT THAT. 1437 00:52:48,098 --> 00:52:50,868 YEAH. ME TOO. 1438 00:52:55,072 --> 00:52:56,741 WOW. 1439 00:52:56,774 --> 00:53:00,010 GUESS YOU GUYS ARE... PRETTY UPSET. 1440 00:53:00,044 --> 00:53:05,383 WELL, UH, I'LL JUST PLAY SOME MUSIC. 1441 00:53:05,416 --> 00:53:07,885 THIS NEXT SONG'S FOR YOU, GUYS. 1442 00:53:07,918 --> 00:53:10,421 THANKS FOR BEING HONEST WITH ME. 1443 00:53:10,455 --> 00:53:12,990 I'M SORRY I LET YOU DOWN. 1444 00:53:13,023 --> 00:53:15,726 [**] 1445 00:53:20,030 --> 00:53:22,367 THEY'RE JUST ANGRY. 1446 00:53:22,400 --> 00:53:24,001 THEY'LL, UH, THEY'LL COME AROUND. 1447 00:53:24,034 --> 00:53:25,403 [ROB SHUTS THE DOOR] 1448 00:53:25,436 --> 00:53:26,871 IT DOESN'T TAKE AWAY 1449 00:53:26,904 --> 00:53:28,706 FROM ALL THE GOOD THINGS YOU'VE DONE AS RADIO REBEL. 1450 00:53:28,739 --> 00:53:30,341 DID YOU HEAR THEM? 1451 00:53:30,375 --> 00:53:31,476 THEY HATE ME. 1452 00:53:31,509 --> 00:53:34,879 I RUINED THEIR PROM. 1453 00:53:35,980 --> 00:53:37,715 I FEEL HORRIBLE. 1454 00:53:37,748 --> 00:53:40,751 YOU DIDN'T RUIN IT, THAT PRINCIPAL DID. 1455 00:53:40,785 --> 00:53:42,253 I KNEW SHE WAS ANGRY, 1456 00:53:42,287 --> 00:53:44,755 BUT I DIDN'T KNOW SHE WAS GONNA DO SOMETHING LIKE THIS. 1457 00:53:44,789 --> 00:53:48,058 MAN, THAT MORENO'S SUCH A BACKWARDS-THINKER. 1458 00:53:48,092 --> 00:53:50,194 [**] 1459 00:53:50,227 --> 00:53:51,629 "BACKWARDS..." 1460 00:53:51,662 --> 00:53:53,398 THAT'S BRILLIANT! 1461 00:53:53,431 --> 00:53:54,565 WHAT? 1462 00:53:54,599 --> 00:53:55,533 BACKWARDS! 1463 00:53:55,566 --> 00:53:58,936 "BACKWARDS." 1464 00:53:58,969 --> 00:54:00,371 [**] 1465 00:54:00,405 --> 00:54:02,106 [SIGHS, FRUSTRATED] 1466 00:54:02,139 --> 00:54:04,975 I THOUGHT EVERYONE WOULD BE GONE BY NOW. 1467 00:54:05,009 --> 00:54:08,078 [**] 1468 00:54:08,112 --> 00:54:11,616 THIS CALLS FOR A PROFESSIONAL. 1469 00:54:11,649 --> 00:54:14,919 SOMEBODY ORDER THE "MEATY SUBTACULAR?" 1470 00:54:16,020 --> 00:54:17,522 HELLO? 1471 00:54:17,555 --> 00:54:19,557 [SANDWICH GASPS] 1472 00:54:19,590 --> 00:54:20,625 [TARA]: HI. 1473 00:54:20,658 --> 00:54:21,626 COULD YOU DO US A FAVOR? 1474 00:54:21,659 --> 00:54:22,627 SURE. 1475 00:54:22,660 --> 00:54:25,463 YOU WANT EXTRA MARINARA? 1476 00:54:25,496 --> 00:54:26,697 AW! THAT WOULD BE AWESOME! 1477 00:54:26,731 --> 00:54:28,065 AUDREY. 1478 00:54:28,098 --> 00:54:29,634 AND... FOCUSING. I AM THE HYENA! 1479 00:54:29,667 --> 00:54:30,735 [SANDWICH BALKS] 1480 00:54:30,768 --> 00:54:32,703 YOU SEE THOSE GIRLS OUT THERE? 1481 00:54:32,737 --> 00:54:34,405 WE NEED TO GET OUT OF HERE 1482 00:54:34,439 --> 00:54:35,973 WITHOUT ANY OF THEM SEEING US. 1483 00:54:36,006 --> 00:54:38,709 [SANDWICH]: YOU CAN COUNT ON ME. 1484 00:54:38,743 --> 00:54:40,110 I'M JUST SAD 1485 00:54:40,144 --> 00:54:42,046 THE WORLD'LL BE DEPRIVED OF ME IN MY PROM DRESS. 1486 00:54:42,079 --> 00:54:44,281 IT'S A STRAPLESS NUMBER, IT'S OH-SO-CHIC, IT'S... 1487 00:54:44,315 --> 00:54:46,250 A TURKEY ON RYE? 1488 00:54:46,283 --> 00:54:47,452 [**] 1489 00:54:47,485 --> 00:54:49,019 HELLO, SEATTLE! 1490 00:54:49,053 --> 00:54:50,688 CARE TO COMMENT ON RADIO REBEL? 1491 00:54:50,721 --> 00:54:51,956 YES, I WOULD! 1492 00:54:51,989 --> 00:54:55,059 YOU'RE LISTENING TO DJ DANCING-SANDWICH! 1493 00:54:55,092 --> 00:54:56,927 THAT TURNTABLE'S SPINNING IN A FUNKY GROOVE. 1494 00:54:56,961 --> 00:54:58,696 [KIM]: THAT SANDWICH CAN DANCE! 1495 00:54:58,729 --> 00:55:01,366 DANCE, DANCING-SANDWICH! 1496 00:55:01,399 --> 00:55:02,833 WHOO-OOH-WHOO! 1497 00:55:02,867 --> 00:55:06,003 [**] 1498 00:55:07,204 --> 00:55:09,940 WHEN I HEAR HER, I'VE GOT TO MOVE! 1499 00:55:09,974 --> 00:55:11,175 I GOT THE GROOVE! 1500 00:55:15,613 --> 00:55:17,247 WOULD YOU GET BACK DOWN? 1501 00:55:17,281 --> 00:55:18,849 YOU'RE BLOWING OUR COVER, LARRY! 1502 00:55:18,883 --> 00:55:20,084 I CAN'T DO IT, MAN. 1503 00:55:20,117 --> 00:55:21,886 I THINK I FELT A HUMAN HAND. 1504 00:55:21,919 --> 00:55:23,053 THAT WAS MY HAND, LARRY! 1505 00:55:23,087 --> 00:55:24,288 [WHINES IN HORROR]: WHA-HA-HA! 1506 00:55:24,321 --> 00:55:25,523 [THUD] 1507 00:55:25,556 --> 00:55:28,192 [ON P.A.]: GOOD MORNING, LINCOLN BAY HIGH SCHOOL! 1508 00:55:28,225 --> 00:55:30,495 THIS IS CAMI Q FROM SLAM-FM, 1509 00:55:30,528 --> 00:55:34,231 BRINGING YOU A SPECIAL MESSAGE FROM... 1510 00:55:34,264 --> 00:55:35,833 [TARA AS REBEL]: RADIO REBEL HERE. 1511 00:55:35,866 --> 00:55:37,234 NOW, YOU GUYS REALLY 1512 00:55:37,267 --> 00:55:39,069 UNLEASHED YOUR FURY ABOUT THE PROM DRAMA, 1513 00:55:39,103 --> 00:55:41,005 AND I WANT YOU TO KNOW, YOU'VE TOTALLY BEEN HEARD. 1514 00:55:41,038 --> 00:55:43,374 CANCELING PROM WAS MONUMENTALLY UNFAIR, 1515 00:55:43,408 --> 00:55:46,877 BUT BLAMING MORENO ISN'T GONNA SOLVE ANYTHING. 1516 00:55:46,911 --> 00:55:48,946 I WANT TO DO SOMETHING ABOUT IT, 1517 00:55:48,979 --> 00:55:50,515 AND SO DOES SLAM, 1518 00:55:50,548 --> 00:55:51,749 WHICH IS WHY 1519 00:55:51,782 --> 00:55:53,684 WE'RE GIVING YOU ALL WHAT YOU WANT-- 1520 00:55:53,718 --> 00:55:55,553 YOUR PROM BACK! 1521 00:55:55,586 --> 00:55:58,723 [CHEERING] 1522 00:55:58,756 --> 00:56:00,124 [**] 1523 00:56:00,157 --> 00:56:03,327 SLAM-FM IS THROWING ITS FIRST-EVER "MORP!" 1524 00:56:03,360 --> 00:56:05,129 THAT'S "PROM" SPELLED BACKWARDS, 1525 00:56:05,162 --> 00:56:07,432 'CAUSE WE'RE TURNING PROM UPSIDE-DOWN. 1526 00:56:07,465 --> 00:56:08,599 WHAT'S MORE-- 1527 00:56:08,633 --> 00:56:10,401 TICKETS ARE FREE, AND EVERYONE IS INVITED! 1528 00:56:10,435 --> 00:56:11,836 SO, DON'T WORRY ABOUT FINDING A DATE, 1529 00:56:11,869 --> 00:56:13,070 OR SPENDING YOUR COLLEGE SAVINGS 1530 00:56:13,103 --> 00:56:15,105 ON A DRESS AND A TUX AND A LIMO. 1531 00:56:15,139 --> 00:56:16,340 JUST COME AS YOU ARE, 1532 00:56:16,373 --> 00:56:18,543 'CAUSE THAT'S THE WAY WE LIKE YOU. 1533 00:56:18,576 --> 00:56:19,844 [SNAPS]: GOT YOU! 1534 00:56:19,877 --> 00:56:21,579 [ANNOUNCEMENT ENDS] 1535 00:56:25,983 --> 00:56:27,618 IT'S JUST RIDICULOUS. "MORP?" 1536 00:56:27,652 --> 00:56:28,853 WHO EVER HEARD OF A MORP? 1537 00:56:28,886 --> 00:56:30,354 THAT'S THE WHOLE POINT, I THINK. 1538 00:56:30,387 --> 00:56:32,590 TO DO SOMETHING TOTALLY DIFFERENT. 1539 00:56:32,623 --> 00:56:33,858 IT COULD BE GREAT. 1540 00:56:33,891 --> 00:56:35,092 YOU KNOW, GAVIN, 1541 00:56:35,125 --> 00:56:36,661 I THOUGHT YOU WOULD'VE BEEN MORE UPSET 1542 00:56:36,694 --> 00:56:37,862 ABOUT PROM BEING CANCELED, 1543 00:56:37,895 --> 00:56:39,497 CONSIDERING WE WERE GOING TOGETHER. 1544 00:56:39,530 --> 00:56:41,331 WELL, YEAH, BUT... 1545 00:56:41,365 --> 00:56:44,001 WE CAN STILL GO TO MORP, RIGHT? 1546 00:56:44,034 --> 00:56:45,436 IT'S NOT THE SAME! 1547 00:56:45,470 --> 00:56:47,772 I MEAN, NO LIMOS, NO DRESSES? WHAT IS THE POINT? 1548 00:56:47,805 --> 00:56:49,406 TO COME AS YOU ARE. 1549 00:56:49,440 --> 00:56:50,340 BE YOURSELF. 1550 00:56:50,374 --> 00:56:51,809 WHAT ABOUT PROM KING AND QUEEN? 1551 00:56:51,842 --> 00:56:53,911 PEOPLE WERE NOMINATED, SOMEBODY HAS TO BE CROWNED! 1552 00:56:53,944 --> 00:56:55,713 IT'S, LIKE, LAW! 1553 00:56:55,746 --> 00:56:57,782 WHY DON'T YOU CALL RADIO REBEL AND TELL HER THAT? 1554 00:56:57,815 --> 00:57:01,018 I'M SURE SHE'D LOVE TO HEAR FROM HER NUMBER-ONE FAN. 1555 00:57:01,051 --> 00:57:03,153 [LAUGHS] 1556 00:57:03,954 --> 00:57:05,189 WE NEED TO REHEARSE. 1557 00:57:05,222 --> 00:57:06,824 I'M NOT GOING TO FAIL THIS ASSIGNMENT 1558 00:57:06,857 --> 00:57:08,659 BECAUSE YOU TWO HAVE ZERO WORK ETHIC. 1559 00:57:08,693 --> 00:57:10,728 [STACY GROANS IN DISGUST] 1560 00:57:10,761 --> 00:57:12,497 [SCHOOL BELL RINGS] 1561 00:57:12,530 --> 00:57:15,132 [QUIETLY]: I THINK WE'RE IN TROUBLE. 1562 00:57:15,165 --> 00:57:16,734 [BOTH LAUGHING] 1563 00:57:16,767 --> 00:57:19,537 [TARA]: SO, I'VE BEEN GETTING A BILLION QUESTIONS 1564 00:57:19,570 --> 00:57:21,071 ABOUT THE MORP, WHICH RULES, 1565 00:57:21,105 --> 00:57:22,473 'CAUSE YOU ALL SEEM STOKED TO GO... 1566 00:57:22,507 --> 00:57:24,642 WHICH IS THE WHOLE POINT, RIGHT? 1567 00:57:24,675 --> 00:57:27,244 A PARTY WHERE EVERYONE FEELS LIKE ROYALTY? 1568 00:57:27,277 --> 00:57:29,313 BUT, THEN AGAIN... 1569 00:57:29,346 --> 00:57:32,049 MAYBE WE SHOULD CROWN A MORP KING AND QUEEN? 1570 00:57:32,082 --> 00:57:34,919 I MEAN, AFTER ALL, PEOPLE WERE NOMINATED. 1571 00:57:34,952 --> 00:57:36,754 LOOK, IF THAT'S WHAT YOU GUYS WANT, 1572 00:57:36,787 --> 00:57:37,855 THAT'S WHAT WE'LL DO. 1573 00:57:37,888 --> 00:57:39,790 MORP IS ALL YOURS. 1574 00:57:39,824 --> 00:57:41,125 SO, MAKE SURE TO VOTE 1575 00:57:41,158 --> 00:57:42,860 FOR YOUR FAVORITE MORP KING AND QUEEN. 1576 00:57:42,893 --> 00:57:44,895 MAKE YOUR VOICES HEARD... 1577 00:57:44,929 --> 00:57:47,765 ESPECIALLY MY NUMBER-ONE FAN. 1578 00:57:47,798 --> 00:57:50,167 [**] 1579 00:57:50,200 --> 00:57:52,737 [DOORBELL CHIMES] 1580 00:57:54,138 --> 00:57:55,973 HI. IS TARA HOME? 1581 00:57:56,006 --> 00:57:58,509 UH, SORRY, SWEETIE, SHE'S NOT HERE. 1582 00:57:58,543 --> 00:57:59,409 HMM. 1583 00:57:59,443 --> 00:58:01,979 I'M IN HER ENGLISH CLASS, 1584 00:58:02,012 --> 00:58:03,848 WE'RE SUPPOSED TO STUDY TONIGHT. 1585 00:58:03,881 --> 00:58:05,683 DO YOU KNOW WHERE SHE IS? 1586 00:58:05,716 --> 00:58:06,917 AFRAID NOT. 1587 00:58:06,951 --> 00:58:08,553 I'M JUST HERE 1588 00:58:08,586 --> 00:58:10,788 TRYING THIS NEW EXPERIMENTAL CUTICLE-REJUVENATION TECHNIQUE. 1589 00:58:10,821 --> 00:58:11,722 DO YOU WANNA TRY? 1590 00:58:11,756 --> 00:58:13,123 NO. THANKS. 1591 00:58:13,157 --> 00:58:15,359 UH, DO YOU KNOW WHEN TARA MIGHT BE BACK? 1592 00:58:15,392 --> 00:58:17,294 SORRY, SWEETIE. I DON'T. 1593 00:58:17,327 --> 00:58:18,696 I'LL TELL HER YOU STOPPED BY. 1594 00:58:18,729 --> 00:58:20,931 TAH-TAH. 1595 00:58:20,965 --> 00:58:23,200 [SCHOOL BELL RINGS] 1596 00:58:23,233 --> 00:58:25,536 [INDISTINCT EXCHANGE] 1597 00:58:25,570 --> 00:58:27,605 [LOUDLY]: I AM SO PARCHED! 1598 00:58:27,638 --> 00:58:29,740 WHAT I WOULDN'T GIVE FOR A SMOOTHIE RIGHT NOW. 1599 00:58:29,774 --> 00:58:30,875 HOW ABOUT YOU, GAVIN? 1600 00:58:30,908 --> 00:58:31,909 ARE YOU READY FOR A BREAK? 1601 00:58:31,942 --> 00:58:32,977 SURE. 1602 00:58:33,010 --> 00:58:34,478 TARA, DO YOU WANT ANYTHING? 1603 00:58:34,511 --> 00:58:36,681 NO, I'M FINE. THANK YOU. 1604 00:58:36,714 --> 00:58:38,883 [**] 1605 00:58:42,252 --> 00:58:44,188 SO... TARA. 1606 00:58:44,221 --> 00:58:46,724 I'M HAVING A PARTY AT MY PLACE TONIGHT... 1607 00:58:46,757 --> 00:58:49,059 AND, IN THE SPIRIT OF RADIO REBEL, 1608 00:58:49,093 --> 00:58:51,128 I'M INVITING EVERYONE... 1609 00:58:51,161 --> 00:58:54,264 EVEN CIVILIANS LIKE YOURSELF. 1610 00:58:54,298 --> 00:58:56,366 UH, GEE... 1611 00:58:56,400 --> 00:58:58,636 THANKS, BUT I HAVE PLANS. 1612 00:58:58,669 --> 00:58:59,436 REALLY? 1613 00:58:59,469 --> 00:59:02,439 SAME PLANS AS LAST NIGHT? 1614 00:59:02,472 --> 00:59:04,141 I WENT BY YOUR HOUSE. 1615 00:59:04,174 --> 00:59:06,176 I COULD'VE SWORN YOU SAID WEDNESDAY 1616 00:59:06,210 --> 00:59:08,445 WAS YOUR "MANDATORY FAMILY DINNER NIGHT," 1617 00:59:08,478 --> 00:59:11,115 BUT YOUR MOM HAD NO IDEA WHERE YOU WERE. 1618 00:59:11,148 --> 00:59:12,950 STRANGE, HUH? 1619 00:59:12,983 --> 00:59:16,320 I-I WAS, UH... LIBRARY. 1620 00:59:16,353 --> 00:59:17,888 YOU WERE, "UH... LIBRARY?" 1621 00:59:17,922 --> 00:59:19,123 SURE YOU WERE. 1622 00:59:19,156 --> 00:59:20,691 THERE'S NO WAY THAT YOU WERE, SAY, 1623 00:59:20,725 --> 00:59:23,360 DJing A RADIO SHOW AT THAT TIME? 1624 00:59:23,393 --> 00:59:25,863 NO. WHY WOULD YOU THINK THAT? 1625 00:59:25,896 --> 00:59:28,565 RADIO REBEL MENTIONED HER "NUMBER-ONE FAN" LAST NIGHT. 1626 00:59:28,599 --> 00:59:30,134 THAT'S WHAT YOU CALLED ME YESTERDAY. 1627 00:59:30,167 --> 00:59:31,802 MUST BE A COINCID.... 1628 00:59:31,836 --> 00:59:33,037 SAVE IT! 1629 00:59:33,070 --> 00:59:35,840 I'M WATCHING YOU, TARA. 1630 00:59:35,873 --> 00:59:39,309 IF YOU THINK THAT I'M RADIO REBEL, 1631 00:59:39,343 --> 00:59:41,211 WHY DON'T YOU JUST TELL PRINCIPAL MORENO? 1632 00:59:41,245 --> 00:59:42,980 SHE ALREADY THINKS YOU'RE PERFECT. 1633 00:59:43,013 --> 00:59:44,715 BECAUSE I NEED PROOF... 1634 00:59:44,749 --> 00:59:46,416 AND, TONIGHT, I WILL GET IT. 1635 00:59:46,450 --> 00:59:48,919 IF YOU DON'T SHOW UP AT MY PARTY TONIGHT, 1636 00:59:48,953 --> 00:59:50,187 WE'LL BOTH KNOW WHY. 1637 00:59:50,220 --> 00:59:51,856 WHY DO YOU EVEN CARE? 1638 00:59:51,889 --> 00:59:52,890 I'LL TELL YOU WHY. 1639 00:59:52,923 --> 00:59:54,024 VOTES. 1640 00:59:54,058 --> 00:59:56,560 PEOPLE ARE GOING TO ELECT HER "MORP QUEEN" 1641 00:59:56,593 --> 00:59:58,562 BECAUSE THEY WANT TO FIND OUT WHO SHE IS. 1642 00:59:58,595 --> 00:59:59,964 BUT IF THEY ALREADY KNOW, 1643 00:59:59,997 --> 01:00:03,200 THEY'LL VOTE FOR THE GIRL WHO TRULY DESERVES IT... 1644 01:00:03,233 --> 01:00:04,468 ME! 1645 01:00:04,501 --> 01:00:06,704 THIS LITTLE DJ ACT IS COMING TO AN END. 1646 01:00:06,737 --> 01:00:07,938 SOON. 1647 01:00:07,972 --> 01:00:09,039 [FOOTSTEPS] 1648 01:00:09,073 --> 01:00:11,175 YOU ARE MY HERO! 1649 01:00:11,208 --> 01:00:12,342 WHAT DO YOU THINK, GAVIN? 1650 01:00:12,376 --> 01:00:14,411 SHOULD WE TAKE IT FROM THE TOP? 1651 01:00:14,444 --> 01:00:16,413 YEAH. 1652 01:00:16,446 --> 01:00:18,248 THE THING ABOUT YOUR CHARACTER... 1653 01:00:18,282 --> 01:00:21,151 [**] 1654 01:00:24,121 --> 01:00:27,391 HOO! A PARTY DURING RADIO REBEL'S BROADCAST? 1655 01:00:27,424 --> 01:00:28,726 THIS IS BRILLIANT. 1656 01:00:28,759 --> 01:00:30,795 TONIGHT, THE MYSTERY ENDS. 1657 01:00:30,828 --> 01:00:32,997 WHOEVER DOESN'T SHOW UP... 1658 01:00:33,030 --> 01:00:34,331 HEY. 1659 01:00:34,364 --> 01:00:36,734 HEY. WHERE WERE YOU JUST NOW? 1660 01:00:36,767 --> 01:00:38,068 PARKING. 1661 01:00:38,102 --> 01:00:39,737 YOU'RE SURE YOU WEREN'T SETTING UP A BROADCAST STATION 1662 01:00:39,770 --> 01:00:41,672 FROM A REMOTE SATELLITE? 1663 01:00:41,706 --> 01:00:44,742 YOU'RE ACCUSING ME OF BEING RADIO REBEL? 1664 01:00:45,509 --> 01:00:48,112 ONE: I'VE BEEN HELPING YOU SEARCH FOR HER ALL THIS TIME, 1665 01:00:48,145 --> 01:00:49,579 AND TWO: I'M A GUY! 1666 01:00:49,613 --> 01:00:51,782 HO, HO! A PERFECT COVER, LARRY. 1667 01:00:51,816 --> 01:00:54,018 IF THAT IS YOUR REAL NAME. 1668 01:00:54,051 --> 01:00:56,553 [**] 1669 01:00:56,586 --> 01:00:58,022 [GUESTS CHATTING] 1670 01:00:58,055 --> 01:00:59,323 [SNAPS]: WHO ARE YOU? 1671 01:00:59,356 --> 01:01:00,457 I DON'T KNOW YOU. 1672 01:01:00,490 --> 01:01:01,892 OH. WE'RE BIOLOGY PARTNERS. 1673 01:01:01,926 --> 01:01:04,294 I'VE GONE TO SCHOOL WITH YOU SINCE THE FIRST GRADE. 1674 01:01:04,328 --> 01:01:05,730 I DIDN'T ASK FOR YOUR LIFE STORY, 1675 01:01:05,763 --> 01:01:07,631 BUT THANKS FOR COMING. HAVE FUN. 1676 01:01:09,266 --> 01:01:11,268 ONE MINUTE TILL 7:00! 1677 01:01:11,301 --> 01:01:13,237 HMM! AND WHO ISN'T HERE? 1678 01:01:13,270 --> 01:01:14,404 [BOTH]: EXACTLY! 1679 01:01:14,438 --> 01:01:15,840 HI! 1680 01:01:16,974 --> 01:01:18,008 [**] 1681 01:01:18,042 --> 01:01:19,343 HERE I AM. 1682 01:01:19,376 --> 01:01:20,878 HMPH. SO I SEE. 1683 01:01:20,911 --> 01:01:23,013 BUT I'M STILL WATCHING YOU! 1684 01:01:23,047 --> 01:01:26,216 GO DOWNSTAIRS AND WATCH HER. 1685 01:01:26,250 --> 01:01:27,617 [**] 1686 01:01:27,651 --> 01:01:29,920 [BUSTLE AND BUZZ OF PARTYGOERS] 1687 01:01:29,954 --> 01:01:31,655 FASTER! 1688 01:01:31,688 --> 01:01:33,657 [ANNOUNCER]: COMING TO YOU, ONLY ON SLAM-FM, 1689 01:01:33,690 --> 01:01:35,726 SEATTLE'S HOTTEST DJ... 1690 01:01:35,760 --> 01:01:38,528 IT'S RADIO REBEL! 1691 01:01:38,562 --> 01:01:39,730 [**] 1692 01:01:39,764 --> 01:01:42,099 [TARA AS REBEL]: THIS IS RADIO REBEL, 1693 01:01:42,132 --> 01:01:44,401 COMING AT YOU LIVE FROM SLAM-FM. 1694 01:01:44,434 --> 01:01:45,635 TONIGHT IS ALL ABOUT YOU. 1695 01:01:45,669 --> 01:01:47,571 LINES ARE OPEN. YOU KNOW THE NUMBER. 1696 01:01:47,604 --> 01:01:49,306 I'M CALLING IN TO THE SHOW! 1697 01:01:49,339 --> 01:01:50,540 DON'T BE SHY. 1698 01:01:50,574 --> 01:01:53,077 HOW ARE YOU HERE AND THERE? 1699 01:01:53,110 --> 01:01:55,445 YOU'RE ON WITH RADIO REBEL! 1700 01:01:55,479 --> 01:01:57,081 DO YOU KNOW YOU'RE A HYPOCRITE? 1701 01:01:57,114 --> 01:01:58,282 HI. WHAT'S YOUR NAME, CALLER? 1702 01:01:58,315 --> 01:01:59,549 SAVE IT! 1703 01:01:59,583 --> 01:02:00,985 YOU SAY YOU'RE ALL ABOUT THE PEOPLE, 1704 01:02:01,018 --> 01:02:02,319 BUT MORP IS ALL ABOUT YOU. 1705 01:02:02,352 --> 01:02:04,755 NOW YOU GET TO LOBBY FOR "MORP QUEEN" VOTES 1706 01:02:04,789 --> 01:02:06,256 ON THE RADIO EVERY NIGHT. NOT FAIR! 1707 01:02:06,290 --> 01:02:09,059 THE OTHER MORP QUEEN NOMINEES SHOULD GET EQUAL AIRTIME. 1708 01:02:09,093 --> 01:02:09,860 MEANING ME. 1709 01:02:09,894 --> 01:02:12,763 PLAY... PLAY TRACK 15. 1710 01:02:13,597 --> 01:02:14,765 [TARA AS REBEL]: I TOTALLY HEAR YOU. 1711 01:02:14,799 --> 01:02:15,766 YOU "HEAR ME?" 1712 01:02:15,800 --> 01:02:17,067 I DON'T THINK YOU DO. 1713 01:02:17,101 --> 01:02:18,135 TRACK 22. 1714 01:02:18,168 --> 01:02:19,736 [TARA AS REBEL]: SAY WHAT YOU WANNA SAY. 1715 01:02:19,770 --> 01:02:22,372 I THINK YOU'RE USING SUBLIMINAL BRAINWASHING 1716 01:02:22,406 --> 01:02:23,874 TO GET PEOPLE TO VOTE FOR YOU. 1717 01:02:23,908 --> 01:02:26,143 SO I'M GONNA TAKE THIS OPPORTUNITY TO ASK THE SCHOOL 1718 01:02:26,176 --> 01:02:28,512 TO VOTE FOR ME, STACY, FOR MORP QUEEN. 1719 01:02:28,545 --> 01:02:30,214 PLAY 40 NEXT. 1720 01:02:31,148 --> 01:02:32,716 HI! WHAT'S YOUR NAME, CALLER? 1721 01:02:32,749 --> 01:02:34,451 YOU ALREADY ASKED ME THAT. 1722 01:02:34,484 --> 01:02:35,519 I SAID PLAY 40! 1723 01:02:35,552 --> 01:02:37,521 YOU SAID 14. 1724 01:02:37,554 --> 01:02:40,090 [**] 1725 01:02:40,124 --> 01:02:41,558 PLAY 33. 1726 01:02:41,591 --> 01:02:42,960 [TARA AS REBEL]: THANKS FOR CALLING. 1727 01:02:42,993 --> 01:02:44,128 I'M NOT DONE WITH YOU! 1728 01:02:44,161 --> 01:02:46,463 SORRY, WE CAN'T ALL BE WINNERS, 1729 01:02:46,496 --> 01:02:47,597 AND I'M GONNA WIN, 1730 01:02:47,631 --> 01:02:49,033 DESPITE THE FACT THAT I DON'T 1731 01:02:49,066 --> 01:02:51,001 HAVE AN ENTIRE RADIO STATION CAMPAIGNING FOR ME, 1732 01:02:51,035 --> 01:02:52,870 WHICH REALLY MAKES ME THE UNDERDOG. 1733 01:02:52,903 --> 01:02:55,372 [STACY CONTINUES INDISTINCTLY IN BACKGROUND] 1734 01:02:55,405 --> 01:02:56,540 [DIALING] 1735 01:02:56,573 --> 01:02:57,774 PICK UP, PICK UP... 1736 01:02:57,808 --> 01:02:59,043 IT'S TARA! 1737 01:02:59,076 --> 01:03:00,477 PATCH ME INTO THE SHOW! 1738 01:03:00,510 --> 01:03:03,580 [**] 1739 01:03:03,613 --> 01:03:04,815 WHY SO QUIET? 1740 01:03:04,849 --> 01:03:06,116 DOES THE TRUTH HURT? 1741 01:03:06,150 --> 01:03:07,551 DO YOU WANT TO KNOW THE TRUTH? 1742 01:03:07,584 --> 01:03:08,819 [KNOCKING] 1743 01:03:08,853 --> 01:03:10,354 [PARTY GUY]: STOP HOGGING THE BATHROOM! 1744 01:03:10,387 --> 01:03:11,621 WHAT WAS THAT? 1745 01:03:11,655 --> 01:03:12,489 UM... 1746 01:03:12,522 --> 01:03:13,657 [**] 1747 01:03:13,690 --> 01:03:15,392 I KNOCKED OVER MY CHAIR. 1748 01:03:15,425 --> 01:03:18,528 'CAUSE I WANTED TO GET CLOSE TO THE MIC 1749 01:03:18,562 --> 01:03:20,197 SO YOU COULD HEAR ME CLEARLY. 1750 01:03:20,230 --> 01:03:21,631 OH, I CAN HEAR YOU CLEARLY! 1751 01:03:21,665 --> 01:03:24,101 [**] 1752 01:03:24,134 --> 01:03:26,170 I CAN HEAR YOU VERY CLEARLY. 1753 01:03:26,203 --> 01:03:29,874 I CAN HEARD YOU SO CLEARLY, RADIO REBEL, 1754 01:03:29,907 --> 01:03:31,141 THAT WE COULD BE IN THE SAME BUILDING! 1755 01:03:31,175 --> 01:03:33,210 SAME BUILDING? WHAT, ARE YOU CRAZY? 1756 01:03:33,243 --> 01:03:35,645 ARE YOU HERE AT SLAM, STACY? 1757 01:03:35,679 --> 01:03:37,047 I DON'T SEE YOU. 1758 01:03:37,081 --> 01:03:39,383 OR MAYBE YOU'RE HIDING SOMEWHERE? 1759 01:03:39,416 --> 01:03:41,585 [**] 1760 01:03:41,618 --> 01:03:42,953 [SLAM] 1761 01:03:42,987 --> 01:03:44,989 I'M JUST A LITTLE BE WORRIED ABOUT YOU, STACY. 1762 01:03:45,022 --> 01:03:46,924 I'M AFRAID THAT IF I BEAT YOU OUT FOR MORP QUEEN, 1763 01:03:46,957 --> 01:03:49,826 YOUR FRAGILE EGO WON'T BE ABLE TO SURVIVE. 1764 01:03:49,860 --> 01:03:51,828 [KIDS LAUGHING] 1765 01:03:51,862 --> 01:03:54,364 CAN YOU HAND ME MY JACKET? 1766 01:03:54,398 --> 01:03:55,432 WHAT WAS THAT? 1767 01:03:55,465 --> 01:03:57,034 I'M SORRY. WHAT? 1768 01:03:57,067 --> 01:03:57,968 WHO WAS THAT? 1769 01:03:58,002 --> 01:03:59,536 THAT WAS MY SOUND GUY. 1770 01:03:59,569 --> 01:04:02,973 WE JUST GOT A BRAND-NEW DEMO IN TODAY CALLED "MY JACKET." 1771 01:04:03,007 --> 01:04:04,108 WE COULD PLAY IT FOR YOU. 1772 01:04:04,141 --> 01:04:05,675 I HAVE A BETTER IDEA. 1773 01:04:05,709 --> 01:04:07,777 WHY DON'T YOU COME FORWARD AND STOP HIDING LIKE A COWARD? 1774 01:04:07,811 --> 01:04:09,679 [**] 1775 01:04:09,713 --> 01:04:11,181 WOULD A COWARD BE AFRAID 1776 01:04:11,215 --> 01:04:13,017 TO GO UP AGAINST YOU FOR MORP QUEEN? 1777 01:04:13,050 --> 01:04:14,218 'CAUSE I'M NOT. 1778 01:04:14,251 --> 01:04:16,120 I'LL SEE YOU THERE, AND YOU'LL SEE 1779 01:04:16,153 --> 01:04:17,687 THAT I'M NOT AFRAID OF ANYTHING. 1780 01:04:17,721 --> 01:04:19,523 THANKS FOR CALLING! 1781 01:04:25,362 --> 01:04:27,497 WHAT ARE YOU DOING IN MY BEDROOM? 1782 01:04:27,531 --> 01:04:29,900 I WAS TRYING TO FIND THE BATHROOM. 1783 01:04:29,934 --> 01:04:31,168 YOUR HOUSE IS-- 1784 01:04:31,201 --> 01:04:32,970 WHAT ARE YOU REALLY DOING IN HERE? 1785 01:04:33,003 --> 01:04:36,173 LOOKING AT YOUR PHOTOS. 1786 01:04:37,107 --> 01:04:38,342 [CHUCKLES] 1787 01:04:38,375 --> 01:04:39,676 I REMEMBER YOU USED TO DRESS LIKE THAT 1788 01:04:39,709 --> 01:04:41,611 EVERY DAY IN SECOND GRADE. 1789 01:04:42,679 --> 01:04:45,983 I ALSO REMEMBER BEING REALLY JEALOUS. 1790 01:04:46,016 --> 01:04:48,618 OF WHAT? EVERYONE MAKING FUN OF ME? 1791 01:04:48,652 --> 01:04:52,356 NO, HOW CONFIDENT YOU WERE BEING YOURSELF. 1792 01:04:52,389 --> 01:04:54,524 I DIDN'T KNOW PEOPLE MADE FUN OF YOU. 1793 01:04:55,859 --> 01:04:58,062 IT DOESN'T FEEL SO GOOD, DOES IT? 1794 01:04:58,095 --> 01:04:59,964 I DON'T NEED A LESSON IN MANNERS FROM YOU. 1795 01:04:59,997 --> 01:05:01,398 NOW, GET OUT OF MY ROOM! 1796 01:05:06,703 --> 01:05:10,307 [**] 1797 01:05:16,213 --> 01:05:19,549 [**] 1798 01:05:19,583 --> 01:05:20,784 [CROWD BUZZING] 1799 01:05:20,817 --> 01:05:21,885 THAT WAS AMAZING. 1800 01:05:21,918 --> 01:05:24,521 SHE WAS FREAKED OUT! 1801 01:05:25,956 --> 01:05:28,258 AND GAVIN JUST SMILED AT YOU. 1802 01:05:28,292 --> 01:05:31,996 I THINK IT WAS MORE OF A GENERAL SMILE. 1803 01:05:32,029 --> 01:05:34,631 IT SEEMED PRETTY SPECIFIC TO ME. 1804 01:05:34,664 --> 01:05:36,066 [GUYS]: HEY! 1805 01:05:36,100 --> 01:05:38,068 WE CANNOT WAIT FOR THIS! 1806 01:05:38,102 --> 01:05:41,271 WE'RE THE GEES, AND THIS IS "WE SO FLY!" 1807 01:05:41,305 --> 01:05:42,639 [CHEERING] 1808 01:05:42,672 --> 01:05:45,209 * CAUGHT ME SNEAKING OUT THE BACK * 1809 01:05:46,043 --> 01:05:48,945 * DADDY CHASED ME DOWN THE STREET * 1810 01:05:49,813 --> 01:05:52,049 * GOOD THING I'VE BEEN RUNNING TRACK * 1811 01:05:52,082 --> 01:05:54,851 * HE'LL GROUND ME TILL I'M 83 * 1812 01:05:56,486 --> 01:05:59,123 * GONNA MEET UP WITH MY HOMIES * 1813 01:05:59,156 --> 01:06:01,992 * PARTY LIKE WE'RE V.I.P. 1814 01:06:02,026 --> 01:06:03,193 I CAN'T BELIEVE 1815 01:06:03,227 --> 01:06:05,395 THERE'S SO MANY NON-POPS IN MY BACKYARD. 1816 01:06:05,429 --> 01:06:06,696 IT FEELS LIKE THEY'RE MULTIPLYING. 1817 01:06:06,730 --> 01:06:09,533 LIKE COCKROACHES... AND HANGERS. 1818 01:06:09,566 --> 01:06:12,436 * ROCK WITH US TONIGHT 1819 01:06:13,170 --> 01:06:14,271 * WE SO 1820 01:06:14,304 --> 01:06:17,107 * FLY 1821 01:06:17,141 --> 01:06:19,043 * WE SO 1822 01:06:19,076 --> 01:06:20,810 [STACY SHRIEKS] 1823 01:06:20,844 --> 01:06:22,512 ARE YOU KIDDING ME? 1824 01:06:22,546 --> 01:06:24,314 I DIDN'T DO ANYTHING. 1825 01:06:24,348 --> 01:06:25,815 YOU BUMPED INTO ME. 1826 01:06:25,849 --> 01:06:28,285 YOU COME TO MY HOUSE AND YOU SPILL YOUR DRINK ON ME? 1827 01:06:28,318 --> 01:06:29,786 THIS COST A FORTUNE! 1828 01:06:29,819 --> 01:06:30,587 * WE SO 1829 01:06:30,620 --> 01:06:32,422 IT WAS AN ACCIDENT, STACY. 1830 01:06:32,456 --> 01:06:35,259 AUDREY WOULD NEVER DO SOMETHING LIKE THAT ON PURPOSE, 1831 01:06:35,292 --> 01:06:36,593 UNLIKE SOME PEOPLE. 1832 01:06:36,626 --> 01:06:38,328 DO YOU KNOW WHAT YOUR PROBLEM IS? 1833 01:06:38,362 --> 01:06:39,596 YOU KNOW WHAT? 1834 01:06:39,629 --> 01:06:41,398 I DON'T CARE WHAT YOU THINK MY PROBLEM IS. 1835 01:06:41,431 --> 01:06:43,833 KEEP IT TO YOURSELF. 1836 01:06:43,867 --> 01:06:46,103 [**] 1837 01:06:47,304 --> 01:06:48,772 I NEED A NEW OUTFIT! 1838 01:06:48,805 --> 01:06:50,040 KIM! LET'S GO! 1839 01:06:50,074 --> 01:06:51,908 WE'RE GOING! 1840 01:06:51,941 --> 01:06:54,044 THANKS FOR THAT. 1841 01:06:55,679 --> 01:06:59,049 I LOVE HOW RADIO REBEL IS RUBBING OFF ON YOU, TOO. 1842 01:06:59,083 --> 01:07:01,718 [ALL LAUGHING] 1843 01:07:01,751 --> 01:07:03,387 [**] 1844 01:07:03,420 --> 01:07:06,022 * WE SO FLY * 1845 01:07:06,056 --> 01:07:07,191 * WE SO 1846 01:07:07,224 --> 01:07:09,859 * FLY 1847 01:07:09,893 --> 01:07:13,263 * WE SO FLY 1848 01:07:13,297 --> 01:07:16,032 * WE IS WHO WE IS 1849 01:07:16,066 --> 01:07:19,103 * WE SO FLY * 1850 01:07:21,805 --> 01:07:25,008 [THE GEES CONTINUE THEIR SET BELOW] 1851 01:07:26,476 --> 01:07:28,412 [CROWD BUZZING] 1852 01:07:28,445 --> 01:07:30,647 SHE'S PLAYING US. I KNOW IT. 1853 01:07:30,680 --> 01:07:32,849 NOW YOU JUST NEED TO PROVE IT. 1854 01:07:35,152 --> 01:07:38,422 [**] 1855 01:07:38,455 --> 01:07:39,989 [MUTTERS TO SELF]: OKAY... YOU CAN DO IT. 1856 01:07:40,023 --> 01:07:41,991 JUST GO OVER THERE. 1857 01:07:42,025 --> 01:07:43,127 HEY. 1858 01:07:44,794 --> 01:07:46,930 YOU GUYS PUT ON A GREAT SHOW. 1859 01:07:46,963 --> 01:07:48,165 THANKS. 1860 01:07:48,198 --> 01:07:49,466 BUT IT'S ALL GABE. 1861 01:07:49,499 --> 01:07:50,934 HE'S A GOOD FRONTMAN. 1862 01:07:50,967 --> 01:07:52,869 IT'S NOT ALL GABE. 1863 01:07:52,902 --> 01:07:54,771 TRUST ME. 1864 01:07:54,804 --> 01:07:57,807 YOU KNOW, EVER SINCE THE BAND TOOK OFF, 1865 01:07:57,841 --> 01:08:00,910 PEOPLE ASSUME I'M THIS CONFIDENT GUY... 1866 01:08:00,944 --> 01:08:03,180 BUT... 1867 01:08:03,213 --> 01:08:05,182 I GET NERVOUS BEFORE GIGS. 1868 01:08:05,215 --> 01:08:06,983 LIKE, REALLY NERVOUS. 1869 01:08:07,016 --> 01:08:08,051 YEAH? 1870 01:08:08,084 --> 01:08:09,253 YEAH. 1871 01:08:10,587 --> 01:08:13,223 WE'RE NOT SO DIFFERENT, I GUESS... 1872 01:08:13,257 --> 01:08:14,724 IS WHAT I'M TRYING TO SAY. 1873 01:08:16,626 --> 01:08:19,996 SO... HOW DO YOU DO IT? 1874 01:08:21,165 --> 01:08:25,435 I TRY TO REMEMBER I'M NOT AS ALONE AS I FEEL. 1875 01:08:25,469 --> 01:08:27,971 RADIO REBEL TAUGHT ME THAT. 1876 01:08:30,073 --> 01:08:33,042 SHE'S A CLEVER ONE. 1877 01:08:33,076 --> 01:08:35,312 YEAH. SHE IS. 1878 01:08:35,345 --> 01:08:36,580 [GABE]: SLACKER! 1879 01:08:36,613 --> 01:08:39,216 COME HELP LOAD THE VAN. 1880 01:08:40,684 --> 01:08:43,019 YOU SHOULD... 1881 01:08:44,988 --> 01:08:46,022 SEE YOU. 1882 01:08:46,055 --> 01:08:47,023 BYE. 1883 01:08:47,056 --> 01:08:49,559 [**] 1884 01:08:54,531 --> 01:08:58,502 PIZZA DELIVERY INCOMING! 1885 01:08:58,535 --> 01:09:01,771 THERE'S PIZZA FOR CAMI Q! 1886 01:09:01,805 --> 01:09:04,874 WHERE IS STUDIO FOUR? 1887 01:09:06,310 --> 01:09:08,178 ANYBODY HERE? 1888 01:09:08,212 --> 01:09:10,547 CAMI Q? 1889 01:09:10,580 --> 01:09:13,817 [**] 1890 01:09:16,085 --> 01:09:18,722 [**] 1891 01:09:24,961 --> 01:09:27,764 I'M SORRY, I KIND OF LOST MY COOL IN THERE A BIT. 1892 01:09:27,797 --> 01:09:29,966 HEY, DON'T WORRY. I MEAN, YOU'LL GET IT. 1893 01:09:29,999 --> 01:09:33,169 [CAMI]: HEY, I'M GONNA MAKE YOU A DJ IN NO TIME-- 1894 01:09:33,203 --> 01:09:35,905 "DJ MAMA REBEL." 1895 01:09:35,939 --> 01:09:38,375 OH, I LIKE THE SOUND OF THAT! 1896 01:09:39,509 --> 01:09:41,645 [SIGHS] 1897 01:09:41,678 --> 01:09:42,846 [iPHONE BEEPS] 1898 01:09:42,879 --> 01:09:44,080 I WAS AFRAID WE BIFFED THE CALL. 1899 01:09:44,113 --> 01:09:46,883 WE NEARLY DID A COUPLE OF TIMES. 1900 01:09:46,916 --> 01:09:49,419 YOU GOTTA HAND IT TO HER. 1901 01:09:49,453 --> 01:09:50,787 I MEAN, TARA WAS RIGHT. 1902 01:09:50,820 --> 01:09:53,757 YOU REALLY CAN BE IN TWO PLACES AT ONCE. 1903 01:09:53,790 --> 01:09:55,925 I'M JUST SO GLAD SHE ASKED ME TO HELP. 1904 01:09:55,959 --> 01:09:58,628 I SOMETIMES THINK THAT MAYBE 1905 01:09:58,662 --> 01:10:00,630 SHE'S A LITTLE EMBARRASSED BY HER CRAZY MOM. 1906 01:10:00,664 --> 01:10:01,631 ARE YOU KIDDING? 1907 01:10:01,665 --> 01:10:02,932 SHE ADORES YOU. 1908 01:10:02,966 --> 01:10:05,835 I MEAN, SHE TALKS ABOUT YOU ALL THE TIME. 1909 01:10:05,869 --> 01:10:09,138 SHE DOES? 1910 01:10:09,172 --> 01:10:11,207 OH! 1911 01:10:11,241 --> 01:10:13,477 MASCARA OVERFLOW! EXCUSE ME. 1912 01:10:14,778 --> 01:10:16,346 OOF! ACK! 1913 01:10:16,380 --> 01:10:17,814 [THUD] 1914 01:10:19,249 --> 01:10:20,917 HI! DID YOU ORDER 1915 01:10:20,950 --> 01:10:23,019 THE "SUPER-DUPER CHEESEY-PLEASEY VEGETARIAN 1916 01:10:23,052 --> 01:10:24,854 BEEF-O-RAMA, HOLD THE DRAMA?" 1917 01:10:24,888 --> 01:10:26,022 GREAT CHOICE! 1918 01:10:26,055 --> 01:10:28,157 I CAN'T GET ENOUGH OF THIS SAUCE. 1919 01:10:28,191 --> 01:10:29,158 NOT YOU? 1920 01:10:29,192 --> 01:10:30,494 OKAY! SORRY! 1921 01:10:30,527 --> 01:10:32,662 BYE. 1922 01:10:32,696 --> 01:10:33,763 [**] 1923 01:10:33,797 --> 01:10:36,800 STACY! STACY, I GOT IT! I GOT-- 1924 01:10:36,833 --> 01:10:38,034 [THUD-CRASH] 1925 01:10:39,836 --> 01:10:41,170 [MRS. BROWER]: I THINK WE'RE READY. 1926 01:10:41,204 --> 01:10:43,172 PLEASE REMEMBER YOUR GOALS. 1927 01:10:43,206 --> 01:10:45,275 GET YOUR "ACTOR" ENERGY UP! 1928 01:10:45,309 --> 01:10:47,544 TARA! THANK GOODNESS, I FOUND YOU. 1929 01:10:47,577 --> 01:10:48,845 THERE HAVE BEEN SOME LAST-MINUTE 1930 01:10:48,878 --> 01:10:49,979 CHANGES TO THE SCENE. 1931 01:10:50,013 --> 01:10:51,548 DON'T WORRY, YOU CAN HANDLE IT. 1932 01:10:51,581 --> 01:10:52,716 BUT DOES GAVIN KNOW? 1933 01:10:52,749 --> 01:10:54,050 GAVIN IS THE LEAST OF YOUR WORRIES. 1934 01:10:54,083 --> 01:10:55,519 WAIT! THIS IS THE JANITOR'S CLOSET. 1935 01:10:55,552 --> 01:10:56,720 [LOCK THUDS] 1936 01:10:56,753 --> 01:10:59,055 WHAT? STACY! 1937 01:10:59,088 --> 01:11:00,390 STACY! LET ME OUT! 1938 01:11:00,424 --> 01:11:01,691 ENJOY YOUR "F." 1939 01:11:01,725 --> 01:11:03,593 [KIM]: ROMEO? WHERE ARE YOU? 1940 01:11:03,627 --> 01:11:07,464 I MEAN, SERIOUSLY, IT'S FREEZING OUT HERE. 1941 01:11:07,497 --> 01:11:10,066 WHY CAN'T YOU JUST STOP BEING A MONTAGUE? 1942 01:11:10,099 --> 01:11:11,735 THE CAPULETS ARE WAY COOLER. 1943 01:11:11,768 --> 01:11:13,136 EVERYBODY SAYS. 1944 01:11:13,169 --> 01:11:16,005 MY FATHER ISN'T REALLY A BAD GUY. 1945 01:11:16,039 --> 01:11:18,342 HE JUST WATCHES TOO MANY MOVIES. 1946 01:11:18,375 --> 01:11:21,210 [THUMPING DOOR]: LET ME OUT! 1947 01:11:22,512 --> 01:11:25,382 ROMEO, THIS WHOLE FEUDING THING IS REALLY ANNOYING... 1948 01:11:25,415 --> 01:11:28,852 DUDE, READY TO ROCK OUT WITH THE DRAMA DORKS? 1949 01:11:28,885 --> 01:11:30,053 [DRYLY]: THAT'S FUNNY. 1950 01:11:30,086 --> 01:11:31,321 HAVE YOU GUYS SEEN TARA? SHE'S LATE. 1951 01:11:31,355 --> 01:11:33,923 MOVE ON, ALREADY! PAY ATTENTION TO STACY. 1952 01:11:33,957 --> 01:11:35,992 YOU'RE TURNING INTO A REAL JERK, 1953 01:11:36,025 --> 01:11:37,361 YOU KNOW THAT, DON'T YOU? 1954 01:11:37,394 --> 01:11:38,928 -ME? -YEAH. 1955 01:11:38,962 --> 01:11:40,163 YOU'RE THE ONE 1956 01:11:40,196 --> 01:11:41,765 WHO NEEDS TO GET HIS PRIORITIES STRAIGHT. 1957 01:11:41,798 --> 01:11:42,866 OR WHAT? 1958 01:11:42,899 --> 01:11:44,267 YOU GONNA KICK ME OUT OF THE BAND? 1959 01:11:44,300 --> 01:11:46,503 IS THAT WHAT YOU WANT? 1960 01:11:46,536 --> 01:11:47,637 WHAT I WANT 1961 01:11:47,671 --> 01:11:49,673 IS FOR YOU TO DROP THE STUPID ROCK-STAR ACT 1962 01:11:49,706 --> 01:11:51,040 FOR FIVE MINUTES, 1963 01:11:51,074 --> 01:11:53,477 AND JUST TRY-- TRY!-- TO BE A NORMAL PERSON. 1964 01:11:53,510 --> 01:11:55,479 OKAY. I AM THE FRONTMAN OF THIS BAND. 1965 01:11:55,512 --> 01:11:58,515 THIS "ROCK-STAR ACT" IS WHAT PUT US ON THE MAP. 1966 01:11:58,548 --> 01:12:00,717 IF YOU DON'T WANNA BE A PART OF THAT, 1967 01:12:00,750 --> 01:12:03,119 THEN THAT'S FINE WITH US. 1968 01:12:03,152 --> 01:12:05,455 WHAT HAPPENED TO "GEES FOR LIFE"? 1969 01:12:05,489 --> 01:12:08,157 [CHUCKLES]: HMM. YEAH. ASK YOURSELF THAT. 1970 01:12:08,191 --> 01:12:11,294 ENJOY YOUR SOLO CAREER, GAVIN. 1971 01:12:11,327 --> 01:12:13,096 [MRS. BROWER]: THANK YOU VERY MUCH. 1972 01:12:13,129 --> 01:12:15,031 NEXT UP IS AUDREY. 1973 01:12:15,064 --> 01:12:16,500 [APPLAUDING] 1974 01:12:16,533 --> 01:12:17,967 [HEELS CLOPPING] 1975 01:12:18,001 --> 01:12:19,469 [**] 1976 01:12:19,503 --> 01:12:21,571 [MUTTERING TO HERSELF]: JUST BRE-EE-EATHE YOUR WORDS. 1977 01:12:21,605 --> 01:12:22,706 OKAY. GO. 1978 01:12:22,739 --> 01:12:24,307 AHEM-AHEM. 1979 01:12:24,340 --> 01:12:26,142 [HUFFS A STEADYING BREATH] 1980 01:12:26,175 --> 01:12:28,912 [PANICKY SIGH] 1981 01:12:28,945 --> 01:12:30,880 ALAS... POOR SPORK. 1982 01:12:30,914 --> 01:12:32,449 I USED HIM, HARRY... 1983 01:12:32,482 --> 01:12:35,785 FOR HE WAS A WONDROUS AND VERSATILE UTENSIL. 1984 01:12:35,819 --> 01:12:38,087 A FORK AND A SPOON. 1985 01:12:38,121 --> 01:12:39,155 COME ON! PICK UP THE PHONE. PICK UP THE PHONE. 1986 01:12:39,188 --> 01:12:40,156 PICK UP THE PHONE. 1987 01:12:40,189 --> 01:12:42,291 [PAINED CRY]: OH! SPORK! 1988 01:12:42,325 --> 01:12:45,061 STACY! HAVE YOU SEEN TARA? 1989 01:12:45,094 --> 01:12:46,295 NO. 1990 01:12:46,329 --> 01:12:48,798 [BLURTS]: SERIOUSLY? OH! 1991 01:12:48,832 --> 01:12:50,900 I HAVE NO IDEA WHERE SHE IS. 1992 01:12:50,934 --> 01:12:52,969 I CAN'T BELIEVE SHE'D DO THIS TO US. 1993 01:12:53,002 --> 01:12:54,438 SO UNPRO. 1994 01:12:54,471 --> 01:12:56,540 WE HAVE TO TELL MRS. BROWER WE CAN'T DO OUR SCENE. 1995 01:12:56,573 --> 01:12:57,441 NO, NO-NO-NO! 1996 01:12:57,474 --> 01:12:59,142 STACY DEBANE IS NOT A QUITTER, 1997 01:12:59,175 --> 01:13:00,510 AND I'M NOT GONNA FAIL THIS ASSIGNMENT 1998 01:13:00,544 --> 01:13:03,379 JUST BECAUSE TARA'S A NO-SHOW. 1999 01:13:03,413 --> 01:13:05,248 [MICROPHONE SQUEALS] 2000 01:13:05,281 --> 01:13:06,349 [STACY]: LADIES AND GENTLEMEN, 2001 01:13:06,382 --> 01:13:08,017 I'D LIKE TO MAKE AN ANNOUNCEMENT. 2002 01:13:08,051 --> 01:13:11,788 STACY DEBANE WILL BE PERFORMING IN PLACE OF TARA ADAMS, 2003 01:13:11,821 --> 01:13:14,691 WHO, APPARENTLY, COULDN'T BE BOTHERED TO SHOW UP. 2004 01:13:14,724 --> 01:13:16,392 [**] 2005 01:13:16,426 --> 01:13:18,428 [POUNDING WHILE YELLING]: SOMEONE, LET ME OUT! 2006 01:13:18,462 --> 01:13:21,598 LOOKS LIKE IT'S JUST YOU AND I. 2007 01:13:21,631 --> 01:13:22,599 [SPAZZING] 2008 01:13:22,632 --> 01:13:23,700 [SHE GASPS] 2009 01:13:23,733 --> 01:13:25,635 THANK YOU! 2010 01:13:25,669 --> 01:13:26,903 OH! 2011 01:13:28,004 --> 01:13:30,907 [**] 2012 01:13:32,075 --> 01:13:34,310 SEE? LOOK AT MY PANTS. I'M A DUDE. 2013 01:13:34,343 --> 01:13:36,680 [**] 2014 01:13:38,848 --> 01:13:41,751 WHAT'S SHE WAITING FOR? 2015 01:13:41,785 --> 01:13:44,020 [**] 2016 01:13:44,053 --> 01:13:46,322 I'M WAITING FOR YOU TO MAKE A MOVE. 2017 01:13:46,355 --> 01:13:48,124 [FOOTSTEPS RACING] 2018 01:13:48,157 --> 01:13:50,426 BUT, SINCE YOU AREN'T GOING TO, 2019 01:13:50,460 --> 01:13:52,896 I'LL MAKE A MOVE MYSELF. 2020 01:13:52,929 --> 01:13:54,964 [**] 2021 01:13:57,033 --> 01:13:58,101 [GASPS SILENTLY] 2022 01:13:58,134 --> 01:14:00,136 [**] 2023 01:14:00,169 --> 01:14:01,805 [CLAPPING ALONE] 2024 01:14:01,838 --> 01:14:03,406 BRAVO! BRAVO! 2025 01:14:03,439 --> 01:14:06,409 [OTHERS JOIN IN APPLAUSE] 2026 01:14:06,442 --> 01:14:08,545 [MRS. BROWER]: OKAY, EVERYBODY. 2027 01:14:08,578 --> 01:14:10,647 LISTEN, THANK YOU VERY MUCH FOR ALL OF YOUR HARD WORK. 2028 01:14:10,680 --> 01:14:14,250 I APPRECIATE IT VERY MUCH, ESPECIALLY... 2029 01:14:14,283 --> 01:14:16,486 OH, NO. LOOK. 2030 01:14:17,420 --> 01:14:20,189 HE IS SO DISAPPOINTED IN YOU. 2031 01:14:20,223 --> 01:14:22,992 AND WHO CAN BLAME HIM? 2032 01:14:25,361 --> 01:14:26,362 [CHUCKLES BITTERLY] 2033 01:14:26,395 --> 01:14:28,031 OKAY, "RADIO DRIVEL." 2034 01:14:28,064 --> 01:14:30,667 YOU WERE BAD ENOUGH WHEN YOU DIDN'T TALK. 2035 01:14:30,700 --> 01:14:34,771 BUT TRYING TO DESTROY ME ON YOUR STUPID RADIO SHOW? 2036 01:14:34,804 --> 01:14:36,940 DID YOU REALLY THINK YOU'D GET AWAY WITH THAT? 2037 01:14:36,973 --> 01:14:39,208 LOOK. YOU'RE WRONG. I'M NOT HER. IF I-- 2038 01:14:39,242 --> 01:14:40,977 SAVE IT! YOU'RE NOT HER? 2039 01:14:41,010 --> 01:14:42,045 [BEEP] 2040 01:14:42,078 --> 01:14:43,680 THEN EXPLAIN THIS... 2041 01:14:43,713 --> 01:14:45,414 [CAMI Q]: I WAS AFRAID WE BIFFED THE CALL. 2042 01:14:45,448 --> 01:14:46,816 TARA WAS RIGHT. 2043 01:14:46,850 --> 01:14:49,152 YOU REALLY CAN BE IN TWO PLACES AT ONCE. 2044 01:14:49,185 --> 01:14:51,054 THAT DOESN'T PROVE ANYTHING. 2045 01:14:51,087 --> 01:14:52,421 NO? THEN YOU WON'T MIND 2046 01:14:52,455 --> 01:14:53,957 IF I EMAIL IT TO THE WHOLE SCHOOL... 2047 01:14:53,990 --> 01:14:55,992 AND MORENO? 2048 01:14:56,025 --> 01:14:58,127 WHAT DO YOU WANT? 2049 01:14:58,161 --> 01:14:59,328 MORP QUEEN. 2050 01:14:59,362 --> 01:15:01,297 YOU'RE GONNA MAKE SURE I WIN... 2051 01:15:01,330 --> 01:15:03,132 OR RADIO REBEL IS. 2052 01:15:03,166 --> 01:15:06,002 TELL EVERYONE ON YOUR SHOW TO VOTE FOR ME. 2053 01:15:06,035 --> 01:15:08,838 AND IF YOU SAY ANYTHING ABOUT THIS LITTLE PRIVATE MOMENT, 2054 01:15:08,872 --> 01:15:11,374 I'LL TELL EVERYONE WHO YOU REALLY ARE. 2055 01:15:11,407 --> 01:15:13,577 [**] 2056 01:15:15,311 --> 01:15:18,247 OKAY... I HAD A BAD DAY. 2057 01:15:18,281 --> 01:15:21,217 KIND OF SHOOK ME UP. 2058 01:15:21,250 --> 01:15:23,286 IT MADE ME WONDER... 2059 01:15:23,319 --> 01:15:24,754 [SIGHS] 2060 01:15:24,788 --> 01:15:26,556 AM I DOING THE RIGHT THING? 2061 01:15:26,590 --> 01:15:30,093 I MEAN, IS IT-- IS IT WORTH IT IF I GET EXPELLED? 2062 01:15:30,126 --> 01:15:33,529 OR IF IT MESSES THINGS UP WITH THE GUY I LIKE? 2063 01:15:33,563 --> 01:15:35,832 I DON'T KNOW. 2064 01:15:35,865 --> 01:15:39,502 WHAT I DO KNOW IS THAT THERE WILL BE PEOPLE OUT THERE 2065 01:15:39,535 --> 01:15:41,537 WHO TRY AND TAKE THINGS AWAY FROM US, 2066 01:15:41,571 --> 01:15:43,306 THINGS BIGGER THAN PROM... 2067 01:15:43,339 --> 01:15:48,411 AND WE CAN JUST SIT BACK AND WATCH IT HAPPEN, 2068 01:15:48,444 --> 01:15:51,715 OR WE CAN STAND UP FOR OURSELVES. 2069 01:15:51,748 --> 01:15:54,651 I MEAN, WE ALL DESERVE TO DANCE TO OUR OWN PLAYLISTS, 2070 01:15:54,684 --> 01:15:56,385 NO MATTER WHAT MORENO 2071 01:15:56,419 --> 01:15:58,622 OR ANYONE ELSE HAS TO SAY ABOUT IT. 2072 01:15:58,655 --> 01:16:00,890 OH. ONE MORE THING. 2073 01:16:00,924 --> 01:16:02,491 UM... 2074 01:16:02,525 --> 01:16:04,060 I KNOW A LOT OF YOU GUYS 2075 01:16:04,093 --> 01:16:06,395 WANT TO VOTE ME QUEEN TO FIND OUT WHO I AM. 2076 01:16:06,429 --> 01:16:08,331 I DON'T NEED THAT CROWN. 2077 01:16:08,364 --> 01:16:10,634 BUT... STACY DEBANE? 2078 01:16:10,667 --> 01:16:12,636 SHE KIND OF REALLY DOES. 2079 01:16:12,669 --> 01:16:14,771 JUST KEEP THAT IN MIND WHEN YOU VOTE. 2080 01:16:14,804 --> 01:16:17,440 [PHONE ALERT CHIMES] 2081 01:16:17,473 --> 01:16:21,077 [**] 2082 01:16:21,110 --> 01:16:22,812 [SCHOOL BELL RINGS] 2083 01:16:23,980 --> 01:16:25,248 STACY. 2084 01:16:25,281 --> 01:16:27,951 THERE YOU ARE! I'VE BEEN DYING TO SHOW YOU THIS BOW-TIE 2085 01:16:27,984 --> 01:16:29,653 I FOUND FOR YOU TO WEAR TO THE MORP. 2086 01:16:29,686 --> 01:16:31,287 IT PERFECTLY MATCHES MY DRESS. HOW CUTE IS THAT? 2087 01:16:31,320 --> 01:16:32,255 STACY. 2088 01:16:32,288 --> 01:16:33,322 WHAT? 2089 01:16:33,356 --> 01:16:35,124 I KNOW WHAT YOU DID TO TARA. 2090 01:16:35,158 --> 01:16:35,992 AUDREY TOLD ME. 2091 01:16:36,025 --> 01:16:37,293 WHAT ARE YOU TALKING ABOUT? 2092 01:16:37,326 --> 01:16:38,561 THE CLOSET. 2093 01:16:38,594 --> 01:16:41,130 DON'T BOTHER DENYING IT. I HAVE A WITNESS. 2094 01:16:43,900 --> 01:16:45,802 WHAT DID TARA EVER DO TO YOU? 2095 01:16:45,835 --> 01:16:47,637 YOU DON'T KNOW HER, GAVIN. 2096 01:16:47,671 --> 01:16:49,372 SHE'S NOT WHO YOU THINK SHE IS. SHE'S-- 2097 01:16:49,405 --> 01:16:52,942 NO, STACY. YOU'RE NOT WHO I THOUGHT YOU WERE. 2098 01:16:54,143 --> 01:16:55,979 I CAN'T GO TO MORP WITH YOU. I'M SORRY. 2099 01:16:56,012 --> 01:16:57,914 BUT WE'RE GONNA BE KING AND QUEEN! 2100 01:16:57,947 --> 01:16:59,582 I DON'T WANNA BE KING. 2101 01:16:59,615 --> 01:17:01,751 I NEVER DID. 2102 01:17:05,288 --> 01:17:07,724 [**] 2103 01:17:12,128 --> 01:17:15,164 [**] 2104 01:17:24,774 --> 01:17:26,075 WHERE'S TARA? 2105 01:17:26,109 --> 01:17:28,277 UM, MORE TO THE POINT: WHERE'S RADIO REBEL? 2106 01:17:28,311 --> 01:17:30,613 OH! MY TRUE LOVE SHALL BE REVEALED. 2107 01:17:30,646 --> 01:17:31,948 HOW DO I LOOK? 2108 01:17:31,981 --> 01:17:33,282 UH, A LITTLE GREEN. 2109 01:17:33,316 --> 01:17:35,284 COULD BE THE LIGHTING... OR SOMETHING WORSE. 2110 01:17:35,318 --> 01:17:39,122 WE'RE STANDING IN A MICROBIAL HOTSPOT RIGHT NOW. 2111 01:17:39,155 --> 01:17:40,857 WHOA. 2112 01:17:40,890 --> 01:17:43,392 [**] 2113 01:17:44,928 --> 01:17:46,696 [CHUCKLES GUSHINGLY] 2114 01:17:46,730 --> 01:17:48,564 -HEY. -HEY. 2115 01:17:48,597 --> 01:17:50,233 YOU LOOK AMAZING. 2116 01:17:50,266 --> 01:17:51,434 WHY, THANK YOU! 2117 01:17:51,467 --> 01:17:53,737 HAVE YOU SEEN GAVIN? 2118 01:17:53,770 --> 01:17:55,104 I-I REALLY SHOULD TALK TO HIM. 2119 01:17:55,138 --> 01:17:56,239 -WAIT! WHAT ARE YOU GONNA SAY? -I DON'T KNOW. 2120 01:17:56,272 --> 01:17:57,540 -YOU MEAN YOU HAVEN'T--? -NOT YET. 2121 01:17:57,573 --> 01:17:58,742 -YOU KNOW YOU NEED TO. -I KNOW! 2122 01:17:58,775 --> 01:17:59,776 ARE WE MISSING SOMETHING? 2123 01:17:59,809 --> 01:18:01,544 CONFERENCE. NOW. 2124 01:18:01,577 --> 01:18:04,113 [**] 2125 01:18:05,815 --> 01:18:09,018 [**] 2126 01:18:18,828 --> 01:18:20,496 [SIGHS]: I DON'T KNOW WHAT TO DO. 2127 01:18:20,529 --> 01:18:21,765 I'M FREAKING OUT. 2128 01:18:21,798 --> 01:18:23,532 JUST... BREATHE. 2129 01:18:23,566 --> 01:18:28,972 [BOTH BREATHING DEEPLY AND EXHALING MINDFULLY] 2130 01:18:31,574 --> 01:18:33,409 OKAY. 2131 01:18:33,442 --> 01:18:35,144 OKAY. 2132 01:18:35,178 --> 01:18:37,213 OKAY. 2133 01:18:39,382 --> 01:18:41,785 [**] 2134 01:18:41,818 --> 01:18:44,387 YOU'RE BEAUTIFUL. 2135 01:18:44,420 --> 01:18:47,523 YOU'RE A QUEEN, NO MATTER WHAT HAPPENS. 2136 01:18:49,725 --> 01:18:52,728 [TAKES A STEADYING BREATH] 2137 01:18:52,762 --> 01:18:55,264 [**] 2138 01:19:04,040 --> 01:19:06,442 GOOD EVENING, SEATTLE! 2139 01:19:06,475 --> 01:19:08,812 YOU READY TO FIND OUT WHO YOUR MORP QUEEN IS? 2140 01:19:08,845 --> 01:19:10,046 [CHEERING] 2141 01:19:10,079 --> 01:19:12,882 IT'S TIME TO SEE WHO'S BEEN CROWNED 2142 01:19:12,916 --> 01:19:14,483 FROM LINCOLN BAY HIGH. 2143 01:19:14,517 --> 01:19:16,752 YEAH! 2144 01:19:16,786 --> 01:19:18,888 WE HAD TWO NOMINATIONS 2145 01:19:18,922 --> 01:19:20,023 FOR MORP KING, 2146 01:19:20,056 --> 01:19:21,490 BUT ONE DROPPED OUT. 2147 01:19:21,524 --> 01:19:23,659 [**] 2148 01:19:23,692 --> 01:19:27,130 SO THAT LEAVES... 2149 01:19:27,163 --> 01:19:29,532 GABE LEVIOLET! 2150 01:19:29,565 --> 01:19:32,301 [CHEERING] 2151 01:19:40,176 --> 01:19:42,345 I'D LIKE TO INVITE 2152 01:19:42,378 --> 01:19:45,414 YOUR MORP COURT PRINCESSES TO JOIN ME ONSTAGE. 2153 01:19:45,448 --> 01:19:46,215 [GUY]: WHOO! 2154 01:19:46,249 --> 01:19:47,383 DON'T BE NERVOUS. 2155 01:19:47,416 --> 01:19:48,351 THAT'S, LIKE, THE WORST THING TO SAY 2156 01:19:48,384 --> 01:19:49,685 TO A NERVOUS PERSON, KIM. 2157 01:19:49,718 --> 01:19:50,920 I KNOW. YOU'RE WELCOME. 2158 01:19:50,954 --> 01:19:51,988 LET'S HEAR IT 2159 01:19:52,021 --> 01:19:53,156 FOR STACY DEBANE! 2160 01:19:53,189 --> 01:19:56,525 [CHEERING] 2161 01:20:03,066 --> 01:20:06,002 AND... RADIO REBEL! 2162 01:20:06,035 --> 01:20:08,104 [WILD CHEERING] 2163 01:20:14,543 --> 01:20:16,579 [**] 2164 01:20:21,017 --> 01:20:22,986 [APPLAUSE BEGINS TO DAMPEN] 2165 01:20:23,019 --> 01:20:25,188 RADIO REBEL? 2166 01:20:25,221 --> 01:20:27,590 ARE YOU OUT THERE? 2167 01:20:27,623 --> 01:20:30,326 [**] 2168 01:20:33,963 --> 01:20:36,332 WELL, I GUESS WE'LL CONTINUE. 2169 01:20:36,365 --> 01:20:38,734 YOUR MORP QUEEN IS... 2170 01:20:38,767 --> 01:20:42,371 [SUSPENSEFUL MURMURING] 2171 01:20:45,274 --> 01:20:48,744 RADIO REBEL! 2172 01:20:48,777 --> 01:20:51,347 [CHEERING ERUPTS] 2173 01:20:51,380 --> 01:20:53,749 [SHRIEKING MADLY] 2174 01:20:57,286 --> 01:20:59,422 [CHEERING CONTINUES] 2175 01:21:02,258 --> 01:21:03,792 [FAN]: WE LOVE YOU, RADIO REBEL! 2176 01:21:03,826 --> 01:21:07,463 SINCE SHE ISN'T HERE TO ACCEPT HER CROWN, 2177 01:21:07,496 --> 01:21:08,998 MAYBE IT SHOULD GO TO THE PERSON 2178 01:21:09,032 --> 01:21:11,100 WITH THE SECOND-MOST VOTES? 2179 01:21:11,134 --> 01:21:13,102 [CROWD BUZZING WITH DISAPPOINTMENT] 2180 01:21:13,136 --> 01:21:14,703 [BEEP] 2181 01:21:14,737 --> 01:21:16,305 [TARA AS REBEL, ON SPEAKERS]: MOST OF YOU DON'T KNOW ME. 2182 01:21:16,339 --> 01:21:19,442 I'M THE GIRL WHO SITS IN THE BACK OF CLASS, 2183 01:21:19,475 --> 01:21:21,877 WHO NEVER RAISES HER HAND, 2184 01:21:21,911 --> 01:21:24,547 WHO'S SO AFRAID OF SAYING THE WRONG THING, 2185 01:21:24,580 --> 01:21:26,615 SHE SAYS NOTHING INSTEAD. 2186 01:21:26,649 --> 01:21:28,517 THE OLD ME WOULD'VE FROZEN 2187 01:21:28,551 --> 01:21:30,053 IN FRONT OF A CROWD LIKE THIS... 2188 01:21:30,086 --> 01:21:31,921 [**] 2189 01:21:31,955 --> 01:21:34,123 ...BUT SOMETHING HAPPENED. 2190 01:21:34,157 --> 01:21:37,660 SUDDENLY, THE REAL STUFF WE WERE DEALING WITH AT SCHOOL 2191 01:21:37,693 --> 01:21:40,696 BECAME MORE IMPORTANT THAN MY FEARS. 2192 01:21:40,729 --> 01:21:44,233 LOOK, I WASN'T SURE I WAS GONNA DO THIS TONIGHT, 2193 01:21:44,267 --> 01:21:46,869 BUT I NEED TO BE TRUE TO MYSELF... 2194 01:21:46,902 --> 01:21:47,937 [**] 2195 01:21:47,971 --> 01:21:50,839 SO, HERE GOES... 2196 01:21:50,873 --> 01:21:54,443 [**] 2197 01:21:56,479 --> 01:21:58,847 I'M RADIO REBEL. 2198 01:21:58,881 --> 01:22:02,351 [STUNNED GASPS THROUGHOUT THE CROWD] 2199 01:22:02,385 --> 01:22:04,587 [**] 2200 01:22:06,122 --> 01:22:07,823 [APPLAUSE RISES] 2201 01:22:07,856 --> 01:22:10,994 [CHEERING ERUPTS] 2202 01:22:15,231 --> 01:22:17,733 [**] 2203 01:22:19,335 --> 01:22:21,971 [APPLAUSE BEGINS TO DIE] 2204 01:22:22,005 --> 01:22:23,706 [MIC FEEDS BACK] 2205 01:22:23,739 --> 01:22:27,810 THANK YOU FOR AN ENLIGHTENING EVENING. 2206 01:22:27,843 --> 01:22:31,680 AND NOW THAT I KNOW WHO RADIO REBEL IS... 2207 01:22:32,548 --> 01:22:34,283 [CHUCKLES MIRTHFULLY] 2208 01:22:34,317 --> 01:22:37,253 ...SHE IS DEFINITELY GETTING EXPELLED. 2209 01:22:37,286 --> 01:22:39,488 [HORRIFIED GASPS AND MURMURING] 2210 01:22:39,522 --> 01:22:42,025 ENJOY YOUR MORP, TARA! 2211 01:22:42,058 --> 01:22:44,127 OH! AND DON'T BOTHER COMING TO SCHOOL ON MONDAY. 2212 01:22:44,160 --> 01:22:46,395 [GIGGLES] 2213 01:22:46,429 --> 01:22:48,197 [UNSETTLED MURMURING] 2214 01:22:48,231 --> 01:22:49,932 [BELLOWS]: I'M RADIO REBEL! 2215 01:22:51,067 --> 01:22:53,102 NO! I'M RADIO REBEL. 2216 01:22:53,136 --> 01:22:57,673 NO! I'M RADIO REBEL. WHOO! I'M RADIO REBEL! 2217 01:22:57,706 --> 01:23:00,409 [OVERLAPPING OUTBURSTS]: NO, I'M RADIO REBEL! 2218 01:23:00,443 --> 01:23:01,577 I'M RADIO REBEL! 2219 01:23:01,610 --> 01:23:05,281 [CROWD ERUPTING WITH SIMILAR CRIES] 2220 01:23:05,314 --> 01:23:09,085 YOU CAN'T EXPEL EVERYONE, CAN YOU? 2221 01:23:10,453 --> 01:23:13,022 [OUTBURST CONTINUES] 2222 01:23:13,056 --> 01:23:15,158 [CHANTING IN UNISON]: I'M RADIO REBEL! 2223 01:23:15,191 --> 01:23:16,492 I'M RADIO REBEL! 2224 01:23:16,525 --> 01:23:19,028 I'M RADIO REBEL! I'M RADIO REBEL! 2225 01:23:19,062 --> 01:23:22,398 I'M RADIO REBEL! I'M RADIO REBEL! 2226 01:23:22,431 --> 01:23:23,732 I'M RADIO REBEL! 2227 01:23:23,766 --> 01:23:27,503 I'M RADIO REBEL! I'M RADIO REBEL! 2228 01:23:27,536 --> 01:23:28,704 I'M RADIO REBEL! 2229 01:23:28,737 --> 01:23:31,907 [CHEERING EXPLODES] 2230 01:23:33,876 --> 01:23:37,080 I BELIEVE THIS... BELONGS TO YOU. 2231 01:23:37,113 --> 01:23:39,582 [SCATTERED CHEERS] 2232 01:23:39,615 --> 01:23:43,452 I MEAN, I GUESS SINCE WE'RE ALL RADIO REBEL, 2233 01:23:43,486 --> 01:23:45,788 THIS CROWN BELONGS TO ALL OF US. 2234 01:23:45,821 --> 01:23:48,524 SO, CONGRATULATIONS, KINGS AND QUEENS. 2235 01:23:48,557 --> 01:23:50,959 [CHEERING] 2236 01:23:52,228 --> 01:23:53,662 [LAUGHS] 2237 01:23:55,264 --> 01:23:57,600 BUT THERE IS ONE PERSON WHO HAS BEEN DREAMING 2238 01:23:57,633 --> 01:24:00,403 ABOUT THIS CROWN FOR HER ENTIRE LIFE. 2239 01:24:00,436 --> 01:24:02,538 ALTHOUGH, I'M NOT QUITE SURE 2240 01:24:02,571 --> 01:24:05,074 IF I HEARD HER SAY SHE'S RADIO REBEL...? 2241 01:24:07,310 --> 01:24:08,544 [EXHALES QUIETLY] 2242 01:24:08,577 --> 01:24:10,679 [SIGHS] 2243 01:24:11,547 --> 01:24:13,216 I'M RADIO REBEL. 2244 01:24:13,249 --> 01:24:15,451 [GIGGLES]: I'M SO RADIO REBEL! 2245 01:24:15,484 --> 01:24:17,986 WELL, THEN... 2246 01:24:19,222 --> 01:24:22,225 [**] 2247 01:24:23,559 --> 01:24:26,695 [KIM SQUEALS AND CHEERING RISES] 2248 01:24:27,696 --> 01:24:30,065 WHY ARE YOU BEING SO NICE TO ME, 2249 01:24:30,099 --> 01:24:32,535 WHEN I'VE ALWAYS BEEN NOTHING BUT MEAN TO YOU? 2250 01:24:32,568 --> 01:24:35,471 LOOK AT YOU RIGHT NOW, STACY. 2251 01:24:35,504 --> 01:24:36,772 THAT DRESS? 2252 01:24:36,805 --> 01:24:39,074 THE CROWN? 2253 01:24:39,108 --> 01:24:42,345 YOU ARE 100% YOU RIGHT NOW, 2254 01:24:42,378 --> 01:24:46,715 AND THAT'S ALL RADIO REBEL COULD ASK OF ANYONE... 2255 01:24:46,749 --> 01:24:48,117 YOU ARE YOURSELF, 2256 01:24:48,151 --> 01:24:50,419 AND YOU'VE NEVER BEEN MORE BEAUTIFUL. 2257 01:24:50,453 --> 01:24:52,955 [**] 2258 01:24:52,988 --> 01:24:55,458 [KIDS CHEERING] 2259 01:25:02,131 --> 01:25:06,402 EVERYONE! PLEASE GIVE IT UP FOR LINCOLN BAY'S VERY OWN... 2260 01:25:06,435 --> 01:25:08,171 GAVIN MORGAN! 2261 01:25:08,204 --> 01:25:10,239 [CROWD CHEERS] 2262 01:25:19,114 --> 01:25:22,285 THERE'S A GIRL I'VE LIKED FOR A WHILE NOW. 2263 01:25:22,318 --> 01:25:24,753 SHE'S THE KIND OF GIRL WHO'S NOT AFRAID 2264 01:25:24,787 --> 01:25:27,590 TO ASK A DANCING SANDWICH FOR SOME HELP. 2265 01:25:27,623 --> 01:25:29,492 SHE INSPIRED THIS SONG. 2266 01:25:29,525 --> 01:25:31,960 THIS SONG'S FOR HER. 2267 01:25:33,529 --> 01:25:36,332 [**] 2268 01:25:38,934 --> 01:25:42,104 * WALLS YOU CAN BUILD 'EM ALL AROUND * 2269 01:25:42,137 --> 01:25:45,508 * JUST TO SHIELD A PIECE OF YOUR WORLD * 2270 01:25:45,541 --> 01:25:48,311 * OUT OF SIGHT 2271 01:25:49,245 --> 01:25:53,216 * I NEEDED YOU TO LOOK THROUGH * 2272 01:25:53,249 --> 01:25:58,287 * TO THE SHADOWS I TRIED TO BURY INSIDE * 2273 01:26:00,223 --> 01:26:04,059 * DRAWING THEM OUT TO THE LIGHT * 2274 01:26:05,027 --> 01:26:09,097 * YOU SHOWED ME I GOT NOTHING HERE TO HIDE * 2275 01:26:09,131 --> 01:26:14,437 * NOW I CAN BE WHO I AM * 2276 01:26:14,470 --> 01:26:20,276 * NOW I CAN STAND UP FOR EVERYONE TO SEE * 2277 01:26:20,309 --> 01:26:25,914 * TAKING THIS LIFE IN MY HANDS * 2278 01:26:25,948 --> 01:26:28,116 * NOW I CAN BE 2279 01:26:28,150 --> 01:26:32,755 * NOW I CAN BE THE REAL ME 2280 01:26:32,788 --> 01:26:34,990 * NOW I CAN BE 2281 01:26:35,023 --> 01:26:39,027 * THE REAL ME 2282 01:26:39,061 --> 01:26:43,899 * NOW I CAN BE THE REAL ME * 2283 01:26:43,932 --> 01:26:46,935 * NOW I CAN BE 2284 01:26:46,969 --> 01:26:51,640 * NOW I CAN BE THE REAL ME 2285 01:26:53,509 --> 01:26:56,545 [CROWD CHEERING AND APPLAUDING] 2286 01:26:58,947 --> 01:27:01,317 [**] 2287 01:27:01,350 --> 01:27:04,753 [SCATTERED CHATTER AND LAUGHTER] 2288 01:27:11,994 --> 01:27:13,729 HI. 2289 01:27:13,762 --> 01:27:17,132 HEY. 2290 01:27:17,165 --> 01:27:19,234 I DON'T KNOW WHAT'S MORE AMAZING... 2291 01:27:19,268 --> 01:27:20,469 THAT SONG, OR... 2292 01:27:20,503 --> 01:27:22,638 THE FACT THAT YOU'RE TURKEY ON RYE? 2293 01:27:22,671 --> 01:27:25,173 [CHUCKLES] 2294 01:27:26,108 --> 01:27:29,011 WHY DIDN'T YOU TELL ANYONE I WAS RADIO REBEL? 2295 01:27:29,044 --> 01:27:32,715 YOU WANTED TO KEEP IT A SECRET. 2296 01:27:32,748 --> 01:27:35,250 I RESPECTED THAT. 2297 01:27:36,585 --> 01:27:38,621 THANK YOU. 2298 01:27:38,654 --> 01:27:40,889 YOU KNOW, YOU REALLY KNOW HOW TO DANCE... 2299 01:27:40,923 --> 01:27:42,024 FOR A SANDWICH. 2300 01:27:42,057 --> 01:27:43,592 OH. [LAUGHS] 2301 01:27:46,094 --> 01:27:49,131 WILL YOU GO TO MORP WITH ME? 2302 01:27:49,164 --> 01:27:51,133 [**] 2303 01:27:51,166 --> 01:27:52,768 YES. 2304 01:27:54,670 --> 01:27:56,439 SO... 2305 01:27:56,472 --> 01:27:59,074 SHOULD I CALL YOU "TARA" 2306 01:27:59,107 --> 01:28:01,377 OR "RADIO REBEL?" 2307 01:28:02,511 --> 01:28:04,347 YOU CAN CALL ME EITHER. 2308 01:28:04,380 --> 01:28:06,815 THEY'RE BOTH ME. 2309 01:28:06,849 --> 01:28:09,818 [**] 2310 01:28:20,396 --> 01:28:21,964 * SO, COME ON 2311 01:28:21,997 --> 01:28:26,268 * IT FEELS SO FRESH LIKE I'M ALWAYS HAVIN' FUN * 2312 01:28:26,301 --> 01:28:27,803 * SO, COME ON 2313 01:28:27,836 --> 01:28:28,871 * IT FEELS SO NEW 2314 01:28:28,904 --> 01:28:31,440 * LIKE THE BIG, BRIGHT MORNING SUN * 2315 01:28:31,474 --> 01:28:34,377 * SAID WE SHOULD JUMP ON SOMETHIN' * 2316 01:28:34,410 --> 01:28:37,079 * WE DON'T EVER TOUCH THE GROUND * 2317 01:28:37,112 --> 01:28:38,280 * OH, OH OH, OH * 2318 01:28:38,313 --> 01:28:42,284 * OH, OH, OH, OH 2319 01:28:42,317 --> 01:28:44,887 [**] 2320 01:28:46,355 --> 01:28:47,856 * SO, COME ON LET'S GO * 2321 01:28:47,890 --> 01:28:49,257 * ONE, TWO, THREE, FOUR 2322 01:28:49,291 --> 01:28:52,661 * WE'RE GONNA START A REVOLUTION * 2323 01:28:52,695 --> 01:28:55,063 * 'CAUSE WE NEED A NEW SOLUTION * 2324 01:28:55,097 --> 01:29:00,436 * GONNA SMASH AND BREAK RIGHT THROUGH THE MOLD * 2325 01:29:00,469 --> 01:29:03,305 * 'CAUSE WE'RE GONNA FIND A NEW WAY * 2326 01:29:03,338 --> 01:29:06,509 * AND WE GOTTA START A NEW DAY * 2327 01:29:06,542 --> 01:29:11,013 * GONNA LEAVE YOU BACK THERE WITH THE OLD * 2328 01:29:11,046 --> 01:29:13,015 * YEAH! 2329 01:29:17,420 --> 01:29:19,388 * WHOA, OH, OH, OH, OH 2330 01:29:19,422 --> 01:29:20,456 * BRING ON EVERYTHING YOU GOT 2331 01:29:20,489 --> 01:29:22,257 * WHOA, OH, OH, OH, OH 2332 01:29:22,290 --> 01:29:24,292 * SCREAM UNTIL YOUR VOICE GETS SHOT * 2333 01:29:24,326 --> 01:29:25,561 * WHOA, OH, OH, OH, OH 2334 01:29:25,594 --> 01:29:26,795 * SHOW 'EM THAT WE'RE HERE TO FIGHT * 2335 01:29:26,829 --> 01:29:32,367 * IT'S TIME TO MAKE THINGS RIGHT * 145028

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