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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:15,549 --> 00:02:41,629 >>[ominous music] 4 00:02:41,629 --> 00:03:00,881 >>[pen scratching] 5 00:03:00,948 --> 00:03:08,956 >>[music continues] 6 00:03:08,956 --> 00:03:10,491 >>female: PLEASE, LET THIS GET 7 00:03:10,491 --> 00:03:11,792 TO APRIL. 8 00:03:22,002 --> 00:03:23,571 >>[door closes] 9 00:03:31,512 --> 00:03:33,514 >>[mailbox creaks] 10 00:03:33,514 --> 00:03:34,515 >>female #2: [voices whispering] 11 00:03:34,515 --> 00:03:35,916 RACHEL. 12 00:03:38,419 --> 00:03:40,388 WE JUST WANT TO TALK. 13 00:03:42,956 --> 00:03:45,326 I MUST HAVE THE ECHO. 14 00:03:48,329 --> 00:03:50,531 I WILL FIND YOU. 15 00:03:50,598 --> 00:03:56,504 >>* 16 00:04:07,381 --> 00:04:13,554 >>[voices whispering] 17 00:04:17,858 --> 00:04:34,742 >>[ominous music] 18 00:04:34,742 --> 00:04:38,446 >>[voices whispering] 19 00:04:42,483 --> 00:04:44,885 >>SHE'S HERE. UPSTAIRS. 20 00:04:44,952 --> 00:05:14,014 >>[music continues] 21 00:05:14,014 --> 00:05:18,652 >>RACHEL? COME ON OUT. 22 00:05:18,652 --> 00:05:20,521 WE JUST WANT TO TALK. 23 00:05:31,965 --> 00:05:33,066 IT'S A TRICK! 24 00:05:34,468 --> 00:05:35,503 GET HER! 25 00:05:35,569 --> 00:05:52,486 >>[intense music] 26 00:05:52,486 --> 00:05:55,055 >>OH! UGH. 27 00:06:01,795 --> 00:06:06,366 AH. AH. NO. 28 00:06:06,434 --> 00:06:12,005 >>* 29 00:06:12,005 --> 00:06:13,907 >>Rachel: UH! UH! UH! 30 00:06:13,907 --> 00:06:16,810 UH, UH! AHH! 31 00:06:16,810 --> 00:06:18,712 >>GOING SOMEWHERE, DEAR? 32 00:06:18,712 --> 00:06:21,949 >>Rachel: UH! AHHH! 33 00:06:21,949 --> 00:06:22,983 >>UNH! 34 00:06:22,983 --> 00:06:28,155 >>UH! AHHH! AHHH! 35 00:06:28,155 --> 00:06:30,090 AHHH! 36 00:06:30,190 --> 00:06:31,625 >>* 37 00:06:31,625 --> 00:06:34,094 >>female #2: IT'S MINE NOW. 38 00:06:34,094 --> 00:06:35,663 GIVE IT TO ME. 39 00:06:36,163 --> 00:06:39,800 >>Rachel: [gasping] 40 00:06:39,800 --> 00:06:41,001 >>NO! 41 00:06:42,670 --> 00:06:44,104 IT CAN'T BE. 42 00:06:47,207 --> 00:06:48,742 AGH! 43 00:06:51,645 --> 00:06:53,080 SHE DOESN'T HAVE IT! 44 00:06:56,049 --> 00:06:57,585 [sighs] 45 00:07:06,560 --> 00:07:16,504 >>[mellow flute music] 46 00:07:16,504 --> 00:07:18,539 >>female #2: WHO IS THIS CHILD? 47 00:07:18,639 --> 00:07:25,145 >>[music continues] 48 00:07:25,145 --> 00:07:26,714 >>I WONDER. 49 00:07:31,985 --> 00:07:33,621 CLEAN UP THIS MESS. 50 00:07:33,621 --> 00:07:34,755 GET HER OUTTA HERE. 51 00:07:34,855 --> 00:07:37,691 >>* 52 00:07:38,025 --> 00:07:40,928 >>[car starts] 53 00:07:55,609 --> 00:07:56,810 >>[alarm beeping] 54 00:07:56,810 --> 00:08:11,792 beep, beep, beep, beep, beep! 55 00:08:11,792 --> 00:08:12,860 >>MMM. 56 00:08:12,860 --> 00:08:13,861 >>HMM. 57 00:08:13,927 --> 00:08:16,564 >>[beeping continues] 58 00:08:16,564 --> 00:08:18,131 >>WHOSE TURN IS IT TO TAKE SARAH 59 00:08:18,131 --> 00:08:20,267 TO SCHOOL TODAY? 60 00:08:20,267 --> 00:08:21,602 >>YOURS. 61 00:08:21,669 --> 00:08:24,171 >>[beeping continues] 62 00:08:24,171 --> 00:08:26,907 >>I TOOK HER YESTERDAY. 63 00:08:26,907 --> 00:08:27,908 >>I TOOK HER 64 00:08:27,908 --> 00:08:28,976 THREE DAYS LAST WEEK 65 00:08:28,976 --> 00:08:30,310 WHEN YOU WERE UNDER DEADLINE. 66 00:08:30,310 --> 00:08:32,780 >>OHH. [pouts] 67 00:08:34,548 --> 00:08:36,817 [sighs] 68 00:08:38,185 --> 00:08:40,187 I LIKED IT BETTER WHEN SHE WENT 69 00:08:40,187 --> 00:08:41,188 TO PUBLIC SCHOOL. 70 00:08:41,188 --> 00:08:42,990 AT LEAST THEY HAD A BUS. 71 00:08:42,990 --> 00:08:44,224 >>I'LL PICK HER UP 72 00:08:44,224 --> 00:08:45,225 AFTER PLAY REHEARSAL. 73 00:08:45,225 --> 00:08:46,226 HOW'S THAT? 74 00:08:46,226 --> 00:08:47,861 >>MMM, DEAL. 75 00:08:52,933 --> 00:08:55,302 >>[sighing] 76 00:08:59,272 --> 00:09:00,908 >>[door opens] 77 00:09:01,975 --> 00:09:03,577 >>MORNING SWEETIE. 78 00:09:03,577 --> 00:09:04,945 >>Sarah: MMM. 79 00:09:04,945 --> 00:09:07,347 >>COME ON. TIME TO WAKE UP. 80 00:09:07,347 --> 00:09:08,716 >>MOMMY, IT'S TOO EARLY. 81 00:09:08,716 --> 00:09:09,850 I DON'T WANT TO. 82 00:09:09,850 --> 00:09:11,284 >>WELL, YOU HAVE TO. 83 00:09:11,284 --> 00:09:13,553 IT'S A SCHOOL DAY. COME ON. 84 00:09:18,792 --> 00:09:20,160 >>female #3: WHAT'S THIS? 85 00:09:20,160 --> 00:09:21,629 >>Sarah: UMM. 86 00:09:21,629 --> 00:09:23,063 >>SARAH? 87 00:09:23,063 --> 00:09:24,632 HAVE YOU BEEN FEEDING HELGA 88 00:09:24,632 --> 00:09:27,200 PEOPLE FOOD AGAIN? 89 00:09:27,200 --> 00:09:29,937 HONEY. HEY THERE, SWEETIE. 90 00:09:29,937 --> 00:09:32,172 COME HERE. COME ON. 91 00:09:32,172 --> 00:09:34,642 GOOD MORNING. IT'S OKAY. 92 00:09:34,642 --> 00:09:35,776 IT'S OKAY. 93 00:09:35,776 --> 00:09:36,910 I TOLD YOU. 94 00:09:36,910 --> 00:09:38,646 IT'S REALLY BAD FOR HER. 95 00:09:41,014 --> 00:09:42,750 >>Sarah: SORRY. 96 00:09:42,750 --> 00:09:43,951 I JUST THOUGHT SHE WAS TIRED 97 00:09:43,951 --> 00:09:45,018 OF EATING THE SAME THING 98 00:09:45,018 --> 00:09:46,019 EVERY DAY. 99 00:09:46,019 --> 00:09:47,621 >>SHE'S A HEDGEHOG. 100 00:09:47,621 --> 00:09:49,056 I DON'T THINK SHE CARES. 101 00:09:49,056 --> 00:09:52,325 >>OKAY. 102 00:09:52,325 --> 00:09:55,929 >>DID YOU HEAR SOMETHING? 103 00:09:55,929 --> 00:09:57,665 OKAY, COME ON. LET'S GO. 104 00:09:57,665 --> 00:10:01,935 >>MMM. HMMM. 105 00:10:01,935 --> 00:10:02,936 >>DON'T FORGET TO BRUSH 106 00:10:02,936 --> 00:10:03,937 YOUR TEETH. 107 00:10:03,937 --> 00:10:05,639 >>Sarah: OKAY. 108 00:10:18,051 --> 00:10:19,086 >>[door bumps] 109 00:10:19,086 --> 00:10:21,689 bump! 110 00:10:21,689 --> 00:10:23,090 >>[scoffs] 111 00:10:23,090 --> 00:10:25,192 MUST BE LOSING MY MIND. 112 00:10:26,994 --> 00:10:28,729 >>* 113 00:10:28,729 --> 00:10:29,863 >>[knocking] 114 00:10:29,863 --> 00:10:31,699 knock, knock, knock 115 00:10:31,799 --> 00:10:36,970 >>* 116 00:10:36,970 --> 00:10:38,038 >>[knocking] 117 00:10:38,038 --> 00:10:41,742 knock, knock, knock 118 00:10:42,943 --> 00:10:43,944 >>[door creaks] 119 00:10:43,944 --> 00:10:45,212 creak! 120 00:10:45,212 --> 00:10:46,914 >>female #4: CAN I HELP YOU? 121 00:10:46,914 --> 00:10:47,915 >>MORNING. 122 00:10:47,915 --> 00:10:48,949 DOES APRIL REILLY LIVE HERE? 123 00:10:48,949 --> 00:10:49,950 >>WHO WANTS TO KNOW? 124 00:10:49,950 --> 00:10:51,719 >>L.A.P.D. 125 00:10:51,719 --> 00:10:52,720 WE'D LIKE TO SPEAK 126 00:10:52,720 --> 00:10:53,921 WITH MS. REILLY FOR A MOMENT 127 00:10:53,921 --> 00:10:54,922 IF THAT'S ALRIGHT. 128 00:10:54,922 --> 00:10:55,989 >>IS SHE IN SOME KIND 129 00:10:55,989 --> 00:10:57,257 OF TROUBLE? 130 00:10:57,257 --> 00:10:58,959 >>MA'AM. 131 00:10:58,959 --> 00:11:00,794 THIS IS VERY IMPORTANT. 132 00:11:00,794 --> 00:11:02,029 MAY WE PLEASE COME IN 133 00:11:02,029 --> 00:11:03,230 AND SPEAK WITH HER? 134 00:11:03,230 --> 00:11:04,431 >>[door creaks] 135 00:11:04,431 --> 00:11:06,333 creak 136 00:11:09,302 --> 00:11:11,271 >>HAVE A SEAT. I'LL GET HER. 137 00:11:12,205 --> 00:11:14,274 >>[door creaks and closes] 138 00:11:26,887 --> 00:11:29,489 >>CAN I HELP YOU? 139 00:11:29,489 --> 00:11:30,490 >>APRIL REILLY? 140 00:11:30,490 --> 00:11:31,491 >>YES. 141 00:11:31,491 --> 00:11:32,960 >>HI, I'M DETECTIVE 142 00:11:32,960 --> 00:11:33,961 MIKE SIMMONS. 143 00:11:33,961 --> 00:11:34,962 THIS IS MY PARTNER, 144 00:11:34,962 --> 00:11:35,963 DAN CRAWFORD. 145 00:11:35,963 --> 00:11:37,064 L.A.P.D. 146 00:11:37,064 --> 00:11:39,232 >>MM, WHAT'S THIS ABOUT? 147 00:11:39,232 --> 00:11:40,801 >>YOU'VE GOT A LOT 148 00:11:40,801 --> 00:11:42,169 OF INTERESTING STUFF LAYING 149 00:11:42,169 --> 00:11:43,170 AROUND HERE. 150 00:11:43,170 --> 00:11:45,038 >>IT'S NOT MINE, IT'S CASEY'S. 151 00:11:45,038 --> 00:11:47,140 SHE RUNS A SPECIAL MAKEUP 152 00:11:47,140 --> 00:11:48,141 EFFECTS SHOP. 153 00:11:48,141 --> 00:11:50,210 >>OH, SHE'S, UH, YOUR-- 154 00:11:50,210 --> 00:11:52,846 >>April: MY WIFE. 155 00:11:52,846 --> 00:11:54,815 >>YOU HAVE A LITTLE GIRL. 156 00:11:54,815 --> 00:11:55,816 >>MMM HMM. 157 00:11:55,816 --> 00:11:57,350 >>Mike: MUST BE WEIRD FOR HER 158 00:11:57,350 --> 00:11:58,886 TO SEE ALL THESE DEAD 159 00:11:58,886 --> 00:11:59,987 BODY PARTS LYING AROUND. 160 00:11:59,987 --> 00:12:01,088 >>April: SHE'S SMART ENOUGH 161 00:12:01,088 --> 00:12:02,823 TO KNOW IT'S ALL MAKE BELIEVE. 162 00:12:02,823 --> 00:12:03,824 >>HMM. 163 00:12:03,824 --> 00:12:05,092 >>ARE YOU INVOLVED IN MOVIES 164 00:12:05,092 --> 00:12:06,093 AS WELL? 165 00:12:06,093 --> 00:12:07,360 >>April: I'M A NEWS PRODUCER 166 00:12:07,360 --> 00:12:08,361 FOR A TABLOID SHOW. 167 00:12:08,361 --> 00:12:09,830 DO YOU MIND TELLING ME 168 00:12:09,830 --> 00:12:10,864 WHAT THIS IS ABOUT? 169 00:12:10,864 --> 00:12:11,899 >>ARE YOU ACQUAINTED 170 00:12:11,899 --> 00:12:13,200 WITH A YOUNG WOMAN 171 00:12:13,200 --> 00:12:15,268 BY THE NAME OF RACHEL COLEMAN? 172 00:12:15,268 --> 00:12:18,038 >>UH. I USED TO BE. 173 00:12:18,038 --> 00:12:19,339 >>Mike: WHAT WAS 174 00:12:19,339 --> 00:12:20,340 YOUR RELATIONSHIP 175 00:12:20,340 --> 00:12:21,809 TO MISS COLEMAN? 176 00:12:21,809 --> 00:12:23,076 >>April: WE WERE INVOLVED. 177 00:12:23,076 --> 00:12:24,511 BUT THAT WAS TEN YEARS AGO. 178 00:12:24,511 --> 00:12:26,346 >>ARE YOU STILL IN CONTACT 179 00:12:26,346 --> 00:12:27,347 WITH HER? 180 00:12:27,347 --> 00:12:29,349 >>NO. 181 00:12:29,349 --> 00:12:31,952 SHE'S DEAD. SHE DROWNED. 182 00:12:31,952 --> 00:12:33,253 >>BUT THEY NEVER FOUND THE BODY. 183 00:12:33,253 --> 00:12:35,055 >>April: IT WAS IN THE MIDDLE 184 00:12:35,055 --> 00:12:36,056 OF THE OCEAN. 185 00:12:36,056 --> 00:12:37,057 THAT WOULD BE 186 00:12:37,057 --> 00:12:40,527 A LITTLE DIFFICULT. 187 00:12:40,527 --> 00:12:43,496 WHAT'S GOING ON? 188 00:12:43,496 --> 00:12:44,497 >>TWO DAYS AGO, 189 00:12:44,497 --> 00:12:46,266 THE SAN FRANCISCO PD GOT A CALL 190 00:12:46,266 --> 00:12:47,267 FROM A RESIDENT 191 00:12:47,267 --> 00:12:48,301 IN AN UPSCALE NEIGHBORHOOD 192 00:12:48,301 --> 00:12:49,302 OUTSIDE THE CITY. 193 00:12:49,302 --> 00:12:50,303 PLACING A CALL 194 00:12:50,303 --> 00:12:51,538 ABOUT A DISTURBANCE COMING 195 00:12:51,538 --> 00:12:53,006 FROM A HOME BORDERING 196 00:12:53,006 --> 00:12:54,541 HER PROPERTY WHICH WAS UP 197 00:12:54,541 --> 00:12:55,542 FOR SALE. 198 00:12:55,542 --> 00:12:57,210 THE POLICE CHECKED IT OUT. 199 00:12:57,210 --> 00:12:58,879 IT SEEMS THAT RACHEL COLEMAN 200 00:12:58,879 --> 00:13:00,814 HAD BEEN SQUATTING IN THIS HOUSE 201 00:13:00,814 --> 00:13:02,315 FOR AT LEAST A MONTH. 202 00:13:02,315 --> 00:13:03,483 >>April: NO. 203 00:13:03,483 --> 00:13:04,484 THAT'S IMPOSSIBLE. 204 00:13:04,484 --> 00:13:07,487 SHE'S DEAD. I SAW IT. 205 00:13:07,487 --> 00:13:08,488 SHE DROWNED. 206 00:13:08,488 --> 00:13:09,522 >>DID YOU SEE HER DROWN 207 00:13:09,522 --> 00:13:11,124 OR DID YOU SEE HER JUST FALL 208 00:13:11,124 --> 00:13:12,125 INTO SOME WATER. 209 00:13:12,125 --> 00:13:14,161 >>I KNOW WHAT I SAW. 210 00:13:17,297 --> 00:13:19,199 >>NOW, MS. REILLY. 211 00:13:19,199 --> 00:13:21,368 WELL, IT SEEMS THAT THE PERSON 212 00:13:21,368 --> 00:13:22,970 OR PERSONS IN QUESTION 213 00:13:22,970 --> 00:13:25,138 HAD LEFT A SHORT WHILE BEFORE. 214 00:13:25,138 --> 00:13:27,040 NOW, I'D LIKE TO SHOW YOU 215 00:13:27,040 --> 00:13:28,041 SOMETHING. 216 00:13:28,041 --> 00:13:29,042 THESE WERE TAKEN 217 00:13:29,042 --> 00:13:30,210 FROM THE SECURITY SURVEILLANCE 218 00:13:30,210 --> 00:13:31,311 CAMERAS ON THE STREET 219 00:13:31,311 --> 00:13:32,479 AFTER A NEIGHBOR REPORTED 220 00:13:32,479 --> 00:13:33,480 HEARING SCREAMING COMING 221 00:13:33,480 --> 00:13:34,481 FROM THE HOUSE. 222 00:13:34,481 --> 00:13:36,583 THE WOMAN IS ANNE CASSAVETTES. 223 00:13:36,583 --> 00:13:38,018 SHE'S BEEN ON 224 00:13:38,018 --> 00:13:39,552 THE FBI WANTED LIST 225 00:13:39,552 --> 00:13:41,855 FOR A LOT OF YEARS. 226 00:13:41,855 --> 00:13:42,923 WHAT WOULD SOMEBODY 227 00:13:42,923 --> 00:13:44,291 LIKE ANNE CASSAVETTES WANT 228 00:13:44,291 --> 00:13:46,393 WITH MISS COLEMAN? 229 00:13:46,393 --> 00:13:47,594 >>NO. 230 00:13:47,594 --> 00:13:49,596 I HAVE NO IDEA WHAT THIS IS. 231 00:13:49,596 --> 00:13:50,597 >>MS. REILLY. 232 00:13:50,597 --> 00:13:52,199 I UNDERSTAND THAT THIS IS ALL 233 00:13:52,199 --> 00:13:53,400 A HUGE SHOCK TO YOU. 234 00:13:53,400 --> 00:13:54,634 BUT IF THERE'S ANY INFORMATION 235 00:13:54,634 --> 00:13:55,635 THAT YOU KNOW 236 00:13:55,635 --> 00:13:57,070 THAT COULD HELP US CATCH 237 00:13:57,070 --> 00:13:58,071 THIS PERSON, MS. REILLY. 238 00:13:58,071 --> 00:14:01,041 >>RACHEL COLEMAN IS DEAD. 239 00:14:01,041 --> 00:14:03,043 I DON'T KNOW WHERE ANY OF THIS 240 00:14:03,043 --> 00:14:05,412 IS LEADING. 241 00:14:05,412 --> 00:14:06,880 BUT I'D LIKE YOU TO LEAVE 242 00:14:06,880 --> 00:14:08,148 MY HOUSE. 243 00:14:08,215 --> 00:14:12,185 >>* 244 00:14:12,185 --> 00:14:14,287 >>Mike: IF YOU CHANGE YOUR MIND. 245 00:14:16,523 --> 00:14:19,927 PLEASE, DON'T HESITATE TO CALL. 246 00:14:20,027 --> 00:14:34,274 >>[dark music] 247 00:14:34,274 --> 00:14:35,976 >>[door closes] 248 00:14:37,978 --> 00:14:39,179 >>WE CAN TAKE SARAH TO SCHOOL 249 00:14:39,179 --> 00:14:40,180 IF YOU WANT. 250 00:14:40,180 --> 00:14:41,181 >>NO, NO, NO, NO. 251 00:14:41,181 --> 00:14:42,449 IT'S OKAY. 252 00:14:42,449 --> 00:14:43,450 >>OKAY? 253 00:14:43,450 --> 00:14:45,152 >>JUST, I DIDN'T THINK 254 00:14:45,152 --> 00:14:47,520 I'D HAVE TO DEAL WITH ANY 255 00:14:47,520 --> 00:14:48,655 OF THIS AGAIN. 256 00:14:48,655 --> 00:14:51,258 WHAT IF SARAH FINDS OUT? 257 00:14:51,258 --> 00:14:52,325 >>Sarah: I CAN'T FIND 258 00:14:52,325 --> 00:14:53,326 MY BUTTERFLY CLIP. 259 00:14:53,326 --> 00:14:54,394 >>April: WELL, I GUESS 260 00:14:54,394 --> 00:14:56,196 YOU'LL HAVE TO DO WITHOUT IT 261 00:14:56,196 --> 00:14:57,197 FOR TODAY. 262 00:14:57,197 --> 00:14:58,966 COME ON. LET'S GET GOING. 263 00:15:02,502 --> 00:15:03,636 I'LL TALK TO YOU TONIGHT. 264 00:15:03,636 --> 00:15:04,972 >>Casey: OKAY. 265 00:15:04,972 --> 00:15:06,073 >>April: YEAH. 266 00:15:06,073 --> 00:15:07,540 >>BYE. 267 00:15:07,607 --> 00:15:12,980 >>[door creaks open and closed] 268 00:15:15,115 --> 00:15:17,217 >>WERE THOSE GUYS POLICEMEN? 269 00:15:17,217 --> 00:15:19,186 >>YES THEY WERE. 270 00:15:22,389 --> 00:15:23,590 >>WERE THEY BUSTING YOU 271 00:15:23,590 --> 00:15:24,958 FOR SOMETHING? 272 00:15:24,958 --> 00:15:27,294 >>NO, WE'RE NOT BUSTED. 273 00:15:27,294 --> 00:15:30,297 >>THEN WHAT DID THEY WANT? 274 00:15:30,297 --> 00:15:32,165 >>THEY WANTED TO KNOW 275 00:15:32,165 --> 00:15:34,701 ABOUT AN OLD FRIEND OF MINE. 276 00:15:34,701 --> 00:15:36,069 >>WHO? 277 00:15:36,069 --> 00:15:39,606 >>MY FRIEND RACHEL. 278 00:15:39,606 --> 00:15:40,673 SHE DIED WHEN YOU WERE 279 00:15:40,673 --> 00:15:42,042 VERY YOUNG. 280 00:15:44,477 --> 00:15:46,713 >>DID SHE DO SOMETHING BAD? 281 00:15:49,249 --> 00:15:50,617 >>I DON'T KNOW. 282 00:15:55,422 --> 00:15:57,457 >>[car starts] 283 00:15:58,091 --> 00:16:25,118 >>[melancholy music] 284 00:16:25,118 --> 00:16:26,119 >>[knocking] 285 00:16:26,119 --> 00:16:27,120 knock, knock, knock, knock 286 00:16:27,120 --> 00:16:28,121 >>GOOD MORNING. 287 00:16:28,121 --> 00:16:29,122 >>April: HEY SHEILA. 288 00:16:29,122 --> 00:16:30,123 I KNOW, I'M BEHIND. 289 00:16:30,123 --> 00:16:31,191 I PROMISE I'LL HAVE SOMETHING 290 00:16:31,191 --> 00:16:32,225 FOR YOU TO LOOK AT 291 00:16:32,225 --> 00:16:33,226 BY MID-MORNING. 292 00:16:33,226 --> 00:16:34,294 >>ACTUALLY, I JUST CAME HERE 293 00:16:34,294 --> 00:16:35,295 TO LET YOU KNOW 294 00:16:35,295 --> 00:16:36,396 THAT THERE'S SOME WOMAN HERE 295 00:16:36,396 --> 00:16:37,497 TO SEE YOU. 296 00:16:37,497 --> 00:16:38,798 >>I DON'T HAVE ANY APPOINTMENTS 297 00:16:38,798 --> 00:16:39,799 THIS MORNING. 298 00:16:39,799 --> 00:16:41,101 >>I DEFINITELY DON'T THINK 299 00:16:41,101 --> 00:16:42,535 SHE'S A CLIENT. 300 00:16:52,579 --> 00:16:55,748 >>April: CAN I HELP YOU? 301 00:16:55,748 --> 00:16:57,050 >>APRIL REILLY? 302 00:16:57,050 --> 00:16:58,051 >>YES? 303 00:16:58,051 --> 00:17:00,320 >>I WAS A FRIEND 304 00:17:00,320 --> 00:17:02,122 OF RACHEL COLEMAN'S. 305 00:17:02,122 --> 00:17:04,224 THE POLICE WERE AT YOUR HOUSE 306 00:17:04,224 --> 00:17:05,225 THIS MORNING. 307 00:17:05,225 --> 00:17:06,793 THEY WERE LOOKING FOR RACHEL. 308 00:17:06,793 --> 00:17:08,561 THAT MEANS SHE'S STILL ALIVE, 309 00:17:08,561 --> 00:17:09,562 ISN'T SHE? 310 00:17:09,562 --> 00:17:11,164 >>HOW DO YOU KNOW 311 00:17:11,164 --> 00:17:13,400 THE POLICE WERE AT MY HOUSE? 312 00:17:13,400 --> 00:17:16,303 >>HAVE YOU HEARD FROM RACHEL? 313 00:17:16,303 --> 00:17:19,072 >>NO. RACHEL'S DEAD. 314 00:17:21,274 --> 00:17:25,778 >>[crying] 315 00:17:25,778 --> 00:17:29,182 HAVE THEY FOUND HER BODY? 316 00:17:29,182 --> 00:17:30,550 >>NO. 317 00:17:30,550 --> 00:17:33,520 SHE, SHE DIED TEN YEARS GO. 318 00:17:33,520 --> 00:17:35,655 THIS WHOLE THING WITH THE POLICE 319 00:17:35,655 --> 00:17:38,758 IS JUST SOME SORT OF MISTAKE. 320 00:17:38,758 --> 00:17:40,660 >>I THOUGHT SHE MIGHT STILL 321 00:17:40,660 --> 00:17:41,661 BE ALIVE. 322 00:17:41,661 --> 00:17:43,563 I ALWAYS THOUGHT SHE FAKED 323 00:17:43,563 --> 00:17:47,734 HER DEATH TO TRICK THEM. 324 00:17:47,734 --> 00:17:49,869 SHE WAS PROTECTING YOU. 325 00:17:49,869 --> 00:17:51,404 SHE WOULDN'T HAVE DONE IT 326 00:17:51,404 --> 00:17:52,405 OTHERWISE. 327 00:17:52,405 --> 00:17:55,742 >>PROTECTING ME FROM WHAT? 328 00:17:55,742 --> 00:17:57,577 >>DID RACHEL EVER TELL YOU 329 00:17:57,577 --> 00:17:59,812 ABOUT THE ECHO PROJECT? 330 00:17:59,812 --> 00:18:01,681 >>ECHO PROJECT? 331 00:18:01,681 --> 00:18:04,251 >>DR. CASSAVETTES' SCHOOL. 332 00:18:04,251 --> 00:18:06,586 THE EXPERIMENT. 333 00:18:06,586 --> 00:18:09,189 SHE NEVER TOLD YOU ABOUT THAT? 334 00:18:14,194 --> 00:18:17,297 >>YOU MEAN, ANNE CASSAVETTES? 335 00:18:19,299 --> 00:18:22,502 >>NO, THAT WAS HIS WIFE. 336 00:18:22,502 --> 00:18:24,571 HOW DO YOU KNOW ABOUT HER? 337 00:18:24,571 --> 00:18:25,638 >>THE DETECTIVE. 338 00:18:25,638 --> 00:18:27,840 HE MENTIONED HER NAME. 339 00:18:27,840 --> 00:18:30,210 >>WHAT DID HE SAY ABOUT HER? 340 00:18:30,210 --> 00:18:31,511 HAVE THEY FOUND HER? 341 00:18:31,511 --> 00:18:32,512 >>NO. 342 00:18:32,512 --> 00:18:36,683 THEY THINK THEY'VE SEEN HER. 343 00:18:36,683 --> 00:18:38,718 THE POLICE, THEY'RE LOOKING 344 00:18:38,718 --> 00:18:39,719 FOR INFORMATION. 345 00:18:39,719 --> 00:18:41,321 HE KNOWS SOMETHING. 346 00:18:41,321 --> 00:18:43,323 HE COULD PROBABLY HELP. 347 00:18:43,323 --> 00:18:46,326 HERE. 348 00:18:46,326 --> 00:18:47,327 THE DETECTIVE. 349 00:18:47,327 --> 00:18:48,795 HE GAVE ME HIS CARD. 350 00:18:48,795 --> 00:18:50,230 YOU SHOULD CALL HIM. 351 00:18:50,230 --> 00:18:53,933 >>I DON'T WANNA DEAL WITH COPS. 352 00:18:53,933 --> 00:18:55,368 >>YOU KNOW SOMETHING. 353 00:18:55,368 --> 00:18:56,603 >>I HAVE TO GO. 354 00:18:59,806 --> 00:19:01,941 >>April: WAIT. 355 00:19:01,941 --> 00:19:03,710 I DON'T EVEN KNOW YOUR NAME. 356 00:19:03,710 --> 00:19:04,844 IS THERE ANY WAY 357 00:19:04,844 --> 00:19:06,179 I CAN REACH YOU? 358 00:19:06,179 --> 00:19:08,281 >>NO, THERE IS NOT. 359 00:19:08,381 --> 00:19:24,331 >>[ominous music] 360 00:19:24,331 --> 00:19:25,398 >>[phone beeps] 361 00:19:25,398 --> 00:19:26,566 beep 362 00:19:28,568 --> 00:19:29,569 >>IT'S ME. 363 00:19:29,569 --> 00:19:30,570 YOU'RE NEVER GONNA BELIEVE 364 00:19:30,570 --> 00:19:32,272 WHO I JUST SAW WALKING OUT 365 00:19:32,272 --> 00:19:34,173 OF APRIL REILLY'S OFFICE. 366 00:19:34,241 --> 00:19:38,478 >>* 367 00:19:38,478 --> 00:19:39,479 >>[phone ringing] 368 00:19:39,479 --> 00:19:44,217 ring! ring! 369 00:19:44,217 --> 00:19:45,418 >>HOLD ON WHILE I GET THAT. 370 00:19:45,418 --> 00:19:46,419 TRY NOT TO MOVE, 371 00:19:46,419 --> 00:19:47,654 OTHERWISE WE'LL HAVE TO DO THIS 372 00:19:47,654 --> 00:19:48,655 OVER AGAIN. 373 00:19:48,655 --> 00:19:50,223 OKAY? 374 00:19:50,323 --> 00:19:53,260 >>[ringing continues] 375 00:19:53,260 --> 00:19:54,261 >>GORE GIRLS. 376 00:19:54,261 --> 00:19:55,262 >>CASEY? 377 00:19:55,262 --> 00:19:56,363 >>Casey: HEY HON. 378 00:19:56,363 --> 00:19:57,464 YOU DOING OKAY? 379 00:19:57,464 --> 00:19:59,466 >>CAN I TALK TO YOU 380 00:19:59,466 --> 00:20:00,467 ABOUT SOMETHING? 381 00:20:00,467 --> 00:20:01,601 >>WHAT IS IT? 382 00:20:01,601 --> 00:20:03,002 >>April: A WOMAN CAME 383 00:20:03,002 --> 00:20:04,837 INTO MY OFFICE THIS MORNING. 384 00:20:04,837 --> 00:20:06,706 SHE WAS ASKING ABOUT RACHEL. 385 00:20:06,706 --> 00:20:07,707 >>RACHEL, AGAIN? 386 00:20:07,707 --> 00:20:09,609 WHO WAS IT THIS TIME? 387 00:20:09,609 --> 00:20:10,977 >>I HAVE NO IDEA. 388 00:20:10,977 --> 00:20:12,545 SHE CREEPED ME OUT. 389 00:20:12,545 --> 00:20:15,382 SHE DID NOT SEEM WELL AT ALL, 390 00:20:15,382 --> 00:20:16,383 MENTALLY. 391 00:20:16,383 --> 00:20:17,384 BELIEVE ME. 392 00:20:17,384 --> 00:20:18,585 >>WELL, MAYBE IT WAS ONE 393 00:20:18,585 --> 00:20:19,586 OF RACHEL'S EX-GIRLFRIENDS. 394 00:20:19,586 --> 00:20:21,454 YOU DID SAY SHE HAD A FEW, 395 00:20:21,454 --> 00:20:22,922 AND NOT ALL OF THEM NORMAL 396 00:20:22,922 --> 00:20:23,956 FROM WHAT I HEARD. 397 00:20:23,956 --> 00:20:26,393 >>April: CASEY? 398 00:20:26,393 --> 00:20:30,463 I'M WORRIED ABOUT SARAH. 399 00:20:30,463 --> 00:20:32,432 I MEAN, WHAT IF THERE IS 400 00:20:32,432 --> 00:20:33,966 SOMETHING TO ALL OF THIS? 401 00:20:33,966 --> 00:20:36,403 DO YOU THINK WE SHOULD TELL HER? 402 00:20:36,403 --> 00:20:38,037 >>I CAN'T MAKE THAT DECISION 403 00:20:38,037 --> 00:20:39,038 FOR YOU. 404 00:20:39,038 --> 00:20:40,273 WHATEVER YOU DECIDE, 405 00:20:40,273 --> 00:20:41,341 I'M BEHIND IT. 406 00:20:41,341 --> 00:20:43,042 OKAY? 407 00:20:43,042 --> 00:20:44,010 >>OKAY. 408 00:20:44,010 --> 00:20:45,011 YOU PROBABLY HAVE 409 00:20:45,011 --> 00:20:46,012 YOUR HANDS FULL. 410 00:20:46,012 --> 00:20:47,747 I SHOULD LET YOU GO. 411 00:20:47,747 --> 00:20:49,482 YOU'RE STILL PICKING UP SARAH, 412 00:20:49,482 --> 00:20:50,483 RIGHT? 413 00:20:50,483 --> 00:20:51,484 >>YEAH, OF COURSE. 414 00:20:51,484 --> 00:20:52,485 >>April: OKAY. 415 00:20:52,485 --> 00:20:53,553 I'LL TALK TO YOU LATER. 416 00:20:53,553 --> 00:20:54,554 LOVE YOU. 417 00:20:54,554 --> 00:20:55,555 >>Casey: LOVE YOU TOO. 418 00:20:55,555 --> 00:20:57,256 >>BYE. 419 00:20:57,324 --> 00:21:15,875 >>[ominous music] 420 00:21:15,875 --> 00:21:17,276 >>TERRY. 421 00:21:21,981 --> 00:21:23,816 CAN YOU DO ME A FAVOR? 422 00:21:23,816 --> 00:21:24,817 >>WHAT'S UP? 423 00:21:24,817 --> 00:21:26,386 >>CAN YOU DO SOME RESEARCH 424 00:21:26,386 --> 00:21:27,754 FOR ME ON A WOMAN 425 00:21:27,754 --> 00:21:28,755 NAMED ANNE CASSAVETTES? 426 00:21:28,755 --> 00:21:30,357 >>WHICH PIECE IS THIS FOR? 427 00:21:30,357 --> 00:21:31,491 >>ACTUALLY IT, IT ISN'T 428 00:21:31,491 --> 00:21:32,492 FOR A PIECE. 429 00:21:32,492 --> 00:21:35,027 IT'S PERSONAL. 430 00:21:35,027 --> 00:21:36,028 >>WHOA. 431 00:21:36,028 --> 00:21:37,029 I-IF RICHARD FINDS OUT 432 00:21:37,029 --> 00:21:38,431 THAT I DO SOMETHING LIKE THAT, 433 00:21:38,431 --> 00:21:39,432 YOU KNOW I GET 434 00:21:39,432 --> 00:21:40,433 IN MAJOR TROUBLE, RIGHT? 435 00:21:40,433 --> 00:21:42,068 >>RICHARD WON'T FIND OUT. 436 00:21:42,068 --> 00:21:43,336 PLEASE, TERRY? 437 00:21:43,336 --> 00:21:47,106 I WOULDN'T ASK YOU IF IT WASN'T 438 00:21:47,106 --> 00:21:48,841 FOR SOMETHING IMPORTANT. 439 00:21:48,841 --> 00:21:50,009 >>ANNE CASSAVETTES? 440 00:21:50,009 --> 00:21:51,711 >>RIGHT. 441 00:21:53,746 --> 00:21:55,014 >>I'M GONNA HAVE TO MAKE UP 442 00:21:55,014 --> 00:21:56,082 SOME KIND OF LONG-TERM STORY 443 00:21:56,082 --> 00:21:57,350 OR TELL HIM YOU'RE WORKING 444 00:21:57,350 --> 00:21:58,551 ON AN EXTENDED PIECE, I MEAN. 445 00:21:58,551 --> 00:21:59,619 >>WHATEVER YOU NEED TO DO. 446 00:21:59,619 --> 00:22:00,820 JUST LET ME KNOW AS SOON 447 00:22:00,820 --> 00:22:01,888 AS YOU FIND OUT SOMETHING. 448 00:22:01,888 --> 00:22:02,889 AND I PROMISE 449 00:22:02,889 --> 00:22:04,090 I'LL MAKE IT UP TO YOU. 450 00:22:04,090 --> 00:22:06,459 >>YEAH, YOU BETTER. 451 00:22:06,459 --> 00:22:08,428 >>OH, AND TERRY? 452 00:22:08,428 --> 00:22:09,996 CAN YOU SEE IF THERE'S 453 00:22:09,996 --> 00:22:10,997 ANY CONNECTION 454 00:22:10,997 --> 00:22:12,532 BETWEEN THIS CASSAVETTES PERSON 455 00:22:12,532 --> 00:22:13,566 AND SOMETHING CALLED 456 00:22:13,566 --> 00:22:14,567 THE ECHO PROJECT? 457 00:22:14,567 --> 00:22:15,868 >>WHAT IN THE WORLD 458 00:22:15,868 --> 00:22:16,936 ARE YOU INTO? 459 00:22:16,936 --> 00:22:18,738 >>THAT'S WHAT I'M TRYING TO 460 00:22:18,738 --> 00:22:20,540 FIND OUT. 461 00:22:20,607 --> 00:22:35,555 >>[melancholy music] 462 00:22:35,555 --> 00:22:36,589 >>[door locks] 463 00:22:36,589 --> 00:22:37,990 click 464 00:22:38,057 --> 00:23:04,083 >>[music continues] 465 00:23:04,083 --> 00:23:05,117 >>[phone beeps] 466 00:23:05,117 --> 00:23:06,853 beep, beep, beep 467 00:23:06,853 --> 00:23:07,854 >>* 468 00:23:07,854 --> 00:23:09,622 >>[phone ringing] 469 00:23:09,622 --> 00:23:10,623 ring 470 00:23:10,623 --> 00:23:11,624 >>male: LOS ANGELES 471 00:23:11,624 --> 00:23:12,625 POLICE DEPARTMENT. 472 00:23:12,625 --> 00:23:13,626 >>HI. 473 00:23:13,626 --> 00:23:14,627 DETECTIVE MICHAEL SIMMONS, 474 00:23:14,627 --> 00:23:15,628 PLEASE. 475 00:23:15,628 --> 00:23:16,629 >>male: HE'S NOT 476 00:23:16,629 --> 00:23:17,864 IN THE OFFICE AT THE MOMENT. 477 00:23:17,864 --> 00:23:18,898 MAY I TAKE A MESSAGE? 478 00:23:18,898 --> 00:23:19,899 >>YES. 479 00:23:19,899 --> 00:23:21,634 MY NAME IS YELENA MARKOVA 480 00:23:21,634 --> 00:23:23,636 AND I HAVE SOME INFORMATION 481 00:23:23,636 --> 00:23:25,605 ABOUT ONE OF HIS CASES. 482 00:23:25,605 --> 00:23:26,606 >>male: OKAY. 483 00:23:26,606 --> 00:23:28,841 IS THIS THE BEST NUMBER 484 00:23:28,841 --> 00:23:30,677 TO REACH YOU? 3070? 485 00:23:30,677 --> 00:23:31,678 >>YES. 486 00:23:31,678 --> 00:23:33,045 THAT'S MY HOME NUMBER. 487 00:23:33,045 --> 00:23:34,046 >>male: OKAY. 488 00:23:34,046 --> 00:23:35,982 WE'LL LET THE DETECTIVE KNOW. 489 00:23:35,982 --> 00:23:37,416 >>THANKS. 490 00:23:37,484 --> 00:23:47,226 >>* 491 00:23:47,226 --> 00:23:48,528 >>[knob creaks] 492 00:23:48,528 --> 00:23:49,896 creak 493 00:23:49,962 --> 00:24:08,981 >>[shower water falling] 494 00:24:08,981 --> 00:24:10,016 >>[knocking] 495 00:24:10,016 --> 00:24:11,951 knock, knock, knock, knock 496 00:24:13,553 --> 00:24:15,988 >>[music continues] 497 00:24:15,988 --> 00:24:17,189 >>[knocking] 498 00:24:17,189 --> 00:24:19,859 knock, knock, knock, knock 499 00:24:25,064 --> 00:24:26,499 >>[door unlocks 500 00:24:26,499 --> 00:24:29,502 and creaks open] 501 00:24:44,150 --> 00:24:46,653 >>AHHH! 502 00:24:46,653 --> 00:24:47,687 >>[knife slices] 503 00:24:47,687 --> 00:24:49,188 shing! 504 00:24:49,288 --> 00:25:03,002 >>[intense music] 505 00:25:06,773 --> 00:25:07,774 >>[knocking] 506 00:25:07,774 --> 00:25:08,775 knock, knock, knock, knock 507 00:25:08,775 --> 00:25:09,742 >>THEY LEFT YOUR MAIL 508 00:25:09,742 --> 00:25:10,743 ON MY DESK AGAIN. 509 00:25:10,743 --> 00:25:11,744 >>OKAY. GREAT, THANKS. 510 00:25:11,744 --> 00:25:12,745 >>female #4: RICHARD WANTS 511 00:25:12,745 --> 00:25:13,813 TO SEE YOU AGAIN, ALSO. 512 00:25:13,813 --> 00:25:14,847 HE WANTS TO GO OVER 513 00:25:14,847 --> 00:25:15,848 THAT WEEKEND PIECE AGAIN. 514 00:25:15,848 --> 00:25:16,916 WHENEVER YOU HAVE A CHANCE. 515 00:25:16,916 --> 00:25:17,917 >>OKAY, TELL HIM 516 00:25:17,917 --> 00:25:18,985 I'LL BE RIGHT IN. 517 00:25:19,051 --> 00:25:22,555 >>[paper rustling] 518 00:25:22,622 --> 00:25:24,290 >>* 519 00:25:24,290 --> 00:25:39,305 >>[rustling continues] 520 00:25:49,682 --> 00:25:51,618 >>Rachel: DEAR APRIL, 521 00:25:51,618 --> 00:25:53,219 I DON'T KNOW WHERE TO BEGIN. 522 00:25:53,219 --> 00:25:54,220 I KNOW THAT 523 00:25:54,220 --> 00:25:55,755 FOR THE PAST TEN YEARS 524 00:25:55,755 --> 00:25:57,323 YOU BELIEVED ME TO BE DEAD. 525 00:25:57,323 --> 00:25:58,625 SO I CAN'T IMAGINE 526 00:25:58,625 --> 00:26:00,259 WHAT YOU'D BE FEELING RIGHT NOW. 527 00:26:00,259 --> 00:26:02,028 I JUST HOPE YOU'LL UNDERSTAND 528 00:26:02,028 --> 00:26:03,796 THAT WHAT I DID WAS 529 00:26:03,796 --> 00:26:04,831 FOR YOUR PROTECTION 530 00:26:04,831 --> 00:26:06,132 AND FOR MY DAUGHTER'S. 531 00:26:06,132 --> 00:26:07,634 THERE'S SOMETHING I HAVE 532 00:26:07,634 --> 00:26:08,668 TO TELL YOU. 533 00:26:08,668 --> 00:26:10,369 BEFORE WE MET, I WAS INVOLVED 534 00:26:10,369 --> 00:26:11,370 IN SOMETHING CALLED 535 00:26:11,370 --> 00:26:12,371 THE ECHO PROJECT. 536 00:26:12,371 --> 00:26:14,306 I COULD TRY TO EXPLAIN IT 537 00:26:14,306 --> 00:26:16,175 BUT RIGHT NOW, ALL YOU NEED 538 00:26:16,175 --> 00:26:17,610 TO KNOW IS THAT 539 00:26:17,610 --> 00:26:18,811 SINCE THE PROJECT ENDED, 540 00:26:18,811 --> 00:26:20,012 ALL THE OTHER SUBJECTS 541 00:26:20,012 --> 00:26:21,013 HAVE BEEN KILLED. 542 00:26:21,013 --> 00:26:22,281 IF THEY FIND ME, 543 00:26:22,281 --> 00:26:23,282 THEY'LL KILL ME. 544 00:26:23,282 --> 00:26:25,017 AND IF THEY FIND OUT 545 00:26:25,017 --> 00:26:26,318 I HAVE A DAUGHTER, 546 00:26:26,318 --> 00:26:27,787 THEY'LL KILL HER TOO. 547 00:26:27,787 --> 00:26:30,289 THAT'S WHY I HAD TO CONTACT YOU. 548 00:26:30,289 --> 00:26:32,191 I MISS YOU SO MUCH. 549 00:26:32,191 --> 00:26:34,093 I'LL SEE YOU AGAIN SOON. 550 00:26:34,093 --> 00:26:35,995 AND I CAN EXPLAIN EVERYTHING. 551 00:26:35,995 --> 00:26:37,029 BUT UNTIL THEN, 552 00:26:37,029 --> 00:26:39,098 YOU MUST KEEP THIS A SECRET 553 00:26:39,098 --> 00:26:40,132 FOR HER SAKE. 554 00:26:40,132 --> 00:26:42,201 IF ANYONE WERE TO FIND OUT, 555 00:26:42,201 --> 00:26:43,736 EVERYTHING WE CARE ABOUT 556 00:26:43,736 --> 00:26:44,737 COULD BE LOST. 557 00:26:44,737 --> 00:26:46,272 LOVE, RACHEL. 558 00:26:46,338 --> 00:26:54,013 >>* 559 00:26:59,318 --> 00:27:00,953 >>Sarah: CAN YOU HELP ME 560 00:27:00,953 --> 00:27:02,221 PRACTICE MY LINES TONIGHT? 561 00:27:02,221 --> 00:27:03,656 THERE'S THIS ONE LINE 562 00:27:03,656 --> 00:27:04,657 I KEEP FORGETTING. 563 00:27:04,657 --> 00:27:05,658 >>Casey: WHICH PART? 564 00:27:05,658 --> 00:27:07,326 >>YOU KNOW WHERE I CALL 565 00:27:07,326 --> 00:27:09,161 THE SEA MONSTER A LIAR? 566 00:27:09,161 --> 00:27:10,162 >>STILL? 567 00:27:10,162 --> 00:27:11,163 ALRIGHT. 568 00:27:11,163 --> 00:27:13,165 I'LL HELP YOU RUN THROUGH IT 569 00:27:13,165 --> 00:27:14,901 AGAIN TONIGHT. 570 00:27:14,901 --> 00:27:16,102 >>YEAH, UPSIDE DOWN. 571 00:27:16,102 --> 00:27:17,103 >>WHAT? 572 00:27:17,103 --> 00:27:18,104 >>TRACY SUMMERFIELD SAYS 573 00:27:18,104 --> 00:27:19,171 SHE REMEMBERS HER LINES 574 00:27:19,171 --> 00:27:20,439 UPSIDE DOWN 'CAUSE SHE SAYS 575 00:27:20,439 --> 00:27:21,908 IT GETS ALL THE BLOOD 576 00:27:21,908 --> 00:27:22,875 TO HER BRAIN 577 00:27:22,875 --> 00:27:23,910 AND SHE REMEMBERS BETTER. 578 00:27:23,910 --> 00:27:25,177 >>WELL, WE'LL SEE HOW MUCH 579 00:27:25,177 --> 00:27:26,178 SHE REMEMBERS 580 00:27:26,178 --> 00:27:28,114 WHEN SHE PASSES OUT. 581 00:27:28,114 --> 00:27:29,115 >>NO, REALLY. 582 00:27:29,115 --> 00:27:31,117 SHE SHOWED ME HOW TO MAKE 583 00:27:31,117 --> 00:27:32,251 MY FACE TURN RED. 584 00:27:32,251 --> 00:27:33,252 WANNA SEE? 585 00:27:33,252 --> 00:27:34,253 >>WHO DID? 586 00:27:34,253 --> 00:27:35,254 >>TRACY SUMMERFIELD. WATCH. 587 00:27:35,254 --> 00:27:36,255 >>ALRIGHT, SARAH. THAT'S ENOUGH. 588 00:27:36,255 --> 00:27:37,256 YOU'RE KILLING 589 00:27:37,256 --> 00:27:38,257 YOUR BRAIN CELLS. 590 00:27:38,257 --> 00:27:39,258 COME ON. 591 00:27:39,258 --> 00:27:40,259 >>HOW IS IT KILLING 592 00:27:40,259 --> 00:27:41,293 BRAIN CELLS? 593 00:27:41,293 --> 00:27:42,294 >>Casey: I DON'T KNOW. 594 00:27:42,294 --> 00:27:43,930 >>NO, NO, NO, NO. HOW? 595 00:27:49,401 --> 00:27:51,070 MOM? 596 00:28:01,380 --> 00:28:02,849 MOM? 597 00:28:02,849 --> 00:28:04,250 >>HEY, SWEETHEART. 598 00:28:04,250 --> 00:28:06,318 HOW ARE YOU? 599 00:28:06,318 --> 00:28:07,486 >>WHAT'S WRONG? 600 00:28:07,486 --> 00:28:09,288 >>UM. 601 00:28:09,288 --> 00:28:10,289 I'M FINE. 602 00:28:10,289 --> 00:28:13,826 JUST A REALLY LONG DAY AT WORK. 603 00:28:13,826 --> 00:28:15,795 >>SARAH, CAN I TALK TO APRIL 604 00:28:15,795 --> 00:28:17,063 ALONE FOR A MINUTE? 605 00:28:17,063 --> 00:28:18,765 >>IS IT ABOUT THE POLICEMEN 606 00:28:18,765 --> 00:28:22,301 THIS MORNING? 607 00:28:22,301 --> 00:28:23,870 I WANNA STAY AND LISTEN. 608 00:28:23,870 --> 00:28:25,271 >>HONEY, COULD YOU GO WASH 609 00:28:25,271 --> 00:28:26,372 YOUR HANDS FOR ME? 610 00:28:26,372 --> 00:28:28,240 I'M GONNA PUT DINNER ON SOON. 611 00:28:28,240 --> 00:28:29,208 >>OKAY. 612 00:28:29,208 --> 00:28:31,110 >>THANK YOU. 613 00:28:39,318 --> 00:28:42,188 >>WHAT'S GOING ON? 614 00:28:42,188 --> 00:28:44,056 HAS IT GOT SOMETHING TO DO 615 00:28:44,056 --> 00:28:45,992 WITH THAT WOMAN THAT SHOWED UP 616 00:28:45,992 --> 00:28:46,993 AT YOUR OFFICE? 617 00:28:46,993 --> 00:28:50,162 APRIL, WHY SHOULD YOU BE WORRIED 618 00:28:50,162 --> 00:28:51,197 ABOUT THAT? 619 00:28:51,197 --> 00:28:53,299 YOU SAID SO YOURSELF. 620 00:28:53,299 --> 00:28:55,034 RACHEL'S DEAD. 621 00:28:59,071 --> 00:29:01,808 WHY WON'T YOU SAY SOMETHING? 622 00:29:01,808 --> 00:29:03,275 >>IT'S, IT'S NOTHING. 623 00:29:03,275 --> 00:29:05,077 JUST, IT'S JUST BEEN 624 00:29:05,077 --> 00:29:07,379 A REALLY WEIRD DAY, YOU KNOW. 625 00:29:09,882 --> 00:29:12,318 >>SO LET'S TALK ABOUT IT. 626 00:29:12,318 --> 00:29:13,352 >>WE WILL. 627 00:29:13,352 --> 00:29:14,787 BUT, YOU KNOW, LATER TONIGHT. 628 00:29:14,787 --> 00:29:15,788 OKAY? 629 00:29:15,788 --> 00:29:17,824 I JUST, I, I JUST WANNA GET 630 00:29:17,824 --> 00:29:18,825 DINNER STARTED 631 00:29:18,825 --> 00:29:20,359 AND CLEAR MY HEAD. 632 00:29:30,903 --> 00:29:32,271 >>[dogs barking] 633 00:29:32,271 --> 00:29:36,208 woof-woof, woof-woof 634 00:29:39,979 --> 00:29:41,247 >>I'LL SEE YOU IN THE MORNING, 635 00:29:41,247 --> 00:29:42,248 OKAY. 636 00:29:42,248 --> 00:29:43,315 WE'LL GO THROUGH THOSE LINES 637 00:29:43,315 --> 00:29:44,316 AGAIN. 638 00:29:44,316 --> 00:29:45,317 >>THAT'S OKAY. 639 00:29:45,317 --> 00:29:46,919 I THINK I GOT IT NOW. 640 00:29:46,919 --> 00:29:47,920 >>YOU SURE? 641 00:29:47,920 --> 00:29:49,822 >>YEAH. 642 00:29:49,822 --> 00:29:51,991 I READ IT UPSIDE DOWN. 643 00:29:51,991 --> 00:29:53,525 >>OH. RIGHT. 644 00:29:53,525 --> 00:29:54,593 >>SO, FRIDAY NIGHT'S 645 00:29:54,593 --> 00:29:55,862 THE BIG NIGHT. 646 00:29:55,862 --> 00:29:57,463 I ALREADY GOT OUR TICKETS. 647 00:29:57,463 --> 00:30:00,166 WE'RE IN THE THIRD ROW. 648 00:30:00,166 --> 00:30:02,034 YOU'LL BE ABLE TO SEE US 649 00:30:02,034 --> 00:30:03,035 FROM THE STAGE. 650 00:30:03,035 --> 00:30:04,436 >>YOU'RE NOT SUPPOSED TO LOOK 651 00:30:04,436 --> 00:30:05,437 AT THE AUDIENCE. 652 00:30:05,437 --> 00:30:06,939 >>OH, RIGHT. 653 00:30:06,939 --> 00:30:08,140 I FORGOT. 654 00:30:08,140 --> 00:30:09,541 SLEEP TIGHT, HONEY. 655 00:30:11,477 --> 00:30:13,145 SEE YOU IN THE MORNING. 656 00:30:13,145 --> 00:30:16,248 >>GOOD NIGHT, MOM. 657 00:30:16,248 --> 00:30:17,483 >>GOOD NIGHT. 658 00:30:23,189 --> 00:30:24,823 >>[door closes] 659 00:30:28,294 --> 00:30:30,196 >>YOU CAN COME OUT NOW. 660 00:30:30,196 --> 00:30:33,132 >>[door creaks] 661 00:30:34,066 --> 00:30:41,874 >>[voices whispering] 662 00:30:41,941 --> 00:30:48,380 >>* 663 00:30:48,380 --> 00:30:50,349 >>HEY. 664 00:30:50,349 --> 00:30:52,551 YOU WAS RIGHT ABOUT THE KID. 665 00:30:52,551 --> 00:30:55,021 I SAY WE MOVE IN TONIGHT. 666 00:30:55,121 --> 00:31:15,441 >>* 667 00:31:15,441 --> 00:31:19,111 >>WHAT IF SHE'S NOT DEAD? 668 00:31:19,111 --> 00:31:20,579 WHAT IF THAT WOMAN WAS TELLING 669 00:31:20,579 --> 00:31:22,248 THE TRUTH? 670 00:31:24,050 --> 00:31:25,184 >>YOU THINK SHE'LL COME LOOKING 671 00:31:25,184 --> 00:31:27,586 FOR YOU? 672 00:31:27,586 --> 00:31:30,322 >>NO, IT'S... 673 00:31:30,322 --> 00:31:31,357 IT'S NOT THAT. 674 00:31:31,357 --> 00:31:33,192 IT'S JUST... 675 00:31:35,261 --> 00:31:37,529 WHAT IF SOMEONE FOUND OUT 676 00:31:37,529 --> 00:31:39,531 ABOUT SARAH? 677 00:31:39,531 --> 00:31:42,001 >>WHAT IF SOMEONE DID? 678 00:31:42,001 --> 00:31:44,203 WHAT THE FUCK IS IT, TUNA? 679 00:31:47,206 --> 00:31:48,640 LOOK, I DON'T KNOW WHY 680 00:31:48,640 --> 00:31:49,641 YOU'RE SO CONCERNED 681 00:31:49,641 --> 00:31:51,610 ABOUT SARAH ALL OF A SUDDEN. 682 00:31:51,610 --> 00:31:53,012 I'D LIKE A LITTLE 683 00:31:53,012 --> 00:31:54,013 COMMUNICATION HERE. 684 00:31:54,013 --> 00:31:55,181 SHE'S MY KID TOO. 685 00:31:55,181 --> 00:31:56,348 I HAVE A RIGHT. 686 00:31:56,348 --> 00:31:57,516 >>[door opens] 687 00:31:58,050 --> 00:32:05,724 >>[April and Casey whispering] 688 00:32:05,724 --> 00:32:07,393 >>Casey: WHAT IS IT? 689 00:32:12,231 --> 00:32:14,433 >>I JUST THOUGHT MAYBE IT'S TIME 690 00:32:14,433 --> 00:32:15,501 WE TOLD SARAH. 691 00:32:15,501 --> 00:32:17,603 >>ABOUT RACHEL? 692 00:32:17,603 --> 00:32:19,171 >>I MEAN, SHE'S OLD ENOUGH 693 00:32:19,171 --> 00:32:21,273 TO KNOW AND... 694 00:32:21,273 --> 00:32:22,241 WHAT IF SOMETHING WERE 695 00:32:22,241 --> 00:32:23,242 TO HAPPEN? 696 00:32:23,242 --> 00:32:24,410 I, I WOULDN'T FEEL RIGHT 697 00:32:24,410 --> 00:32:25,978 IF SARAH DIDN'T KNOW THE TRUTH. 698 00:32:25,978 --> 00:32:28,580 >>THEN TELL HER. 699 00:32:28,580 --> 00:32:30,149 >>RIGHT NOW? 700 00:32:30,216 --> 00:32:49,135 >>[dreary music] 701 00:32:49,135 --> 00:32:51,003 >>IF IT'S BOTHERING YOU 702 00:32:51,003 --> 00:32:54,473 THAT MUCH, MAYBE YOU SHOULD. 703 00:32:54,473 --> 00:32:56,442 FOR YOUR SAKE, NOT JUST HERS. 704 00:33:02,014 --> 00:33:04,150 >>WILL YOU COME WITH ME? 705 00:33:04,150 --> 00:33:07,586 >>IS THAT ENOUGH? 706 00:33:07,586 --> 00:33:08,754 WHAT'S WRONG? 707 00:33:08,754 --> 00:33:10,322 >>[voices whispering] 708 00:33:10,322 --> 00:33:12,158 >>[gasps] 709 00:33:12,158 --> 00:33:13,459 >>HONEY. 710 00:33:13,459 --> 00:33:15,194 WHAT ARE YOU DOING UP? 711 00:33:18,397 --> 00:33:20,232 WHO'S THIS FOR? 712 00:33:20,232 --> 00:33:21,733 >>IT'S FOR NOBODY. 713 00:33:21,733 --> 00:33:25,604 >>WHAT DO YOU MEAN NOBODY? 714 00:33:25,604 --> 00:33:28,674 SARAH. 715 00:33:28,674 --> 00:33:31,043 WAS SOMEONE HERE? 716 00:33:31,043 --> 00:33:33,279 >>I CAN'T TELL. 717 00:33:33,279 --> 00:33:35,181 >>WHAT DO YOU MEAN? 718 00:33:35,181 --> 00:33:37,483 SARAH, WAS SOMEONE IN HERE? 719 00:33:37,483 --> 00:33:38,817 >>SHE'S MY FRIEND. 720 00:33:38,817 --> 00:33:41,153 >>WHO? 721 00:33:41,153 --> 00:33:42,721 HONEY, YOU'RE NOT IN TROUBLE. 722 00:33:42,721 --> 00:33:45,357 I NEED YOU TO TELL ME, OKAY. 723 00:33:45,357 --> 00:33:46,358 PLEASE. 724 00:33:46,358 --> 00:33:47,359 >>I CAN'T. 725 00:33:47,359 --> 00:33:50,762 SHE TOLD ME IF I TOLD ANYBODY, 726 00:33:50,762 --> 00:33:52,364 THEY'D FIND HER. 727 00:33:52,364 --> 00:33:54,600 SHE JUST WANTS MY HELP. 728 00:33:54,600 --> 00:33:57,136 SHE'S JUST HUNGRY, IS ALL. 729 00:34:02,174 --> 00:34:04,042 >>WHERE IS SHE? 730 00:34:08,414 --> 00:34:10,048 >>IN THE CLOSET. 731 00:34:10,116 --> 00:34:24,096 >>[ominous music] 732 00:34:24,096 --> 00:34:25,197 >>[door creaks] 733 00:34:25,197 --> 00:34:27,299 creak 734 00:34:27,299 --> 00:34:29,335 >>HONEY, THERE'S NO ONE IN HERE. 735 00:34:29,335 --> 00:34:30,336 >>I SAW HER. 736 00:34:30,336 --> 00:34:32,404 SHE TOLD ME YOU WERE COMING. 737 00:34:32,404 --> 00:34:33,405 >>WHAT? 738 00:34:33,405 --> 00:34:35,141 >>SHE TOLD ME SOMEONE'S COMING! 739 00:34:35,141 --> 00:34:36,142 >>[glass breaks] 740 00:34:36,142 --> 00:34:37,809 crash! 741 00:34:37,876 --> 00:34:40,446 >>* 742 00:34:40,446 --> 00:34:41,813 >>SARAH, I NEED YOU TO STAY 743 00:34:41,813 --> 00:34:42,814 RIGHT HERE, OKAY? 744 00:34:42,814 --> 00:34:44,283 DO NOT LEAVE YOUR ROOM. 745 00:34:44,350 --> 00:34:51,490 >>[ominous music] 746 00:34:51,490 --> 00:34:55,327 >>[door rattling] 747 00:34:55,327 --> 00:34:57,196 >>OH MY GOD. 748 00:34:57,196 --> 00:34:59,298 >>CALL THE POLICE. GO! 749 00:34:59,365 --> 00:35:05,637 >>[music continues] 750 00:35:05,637 --> 00:35:08,840 >>SARAH? SARAH! SARAH! 751 00:35:08,840 --> 00:35:09,908 OH! OH GOD, SARAH'S GONE! 752 00:35:09,908 --> 00:35:10,909 >>APRIL, CALM DOWN. 753 00:35:10,909 --> 00:35:12,144 SHE COULDN'T HAVE GONE FAR. 754 00:35:12,144 --> 00:35:13,145 >>OH MY GOD! 755 00:35:13,145 --> 00:35:14,146 >>JUST CALL THE POLICE. 756 00:35:14,146 --> 00:35:15,147 >>OKAY. 757 00:35:15,147 --> 00:35:16,382 >>I'LL FIND HER. 758 00:35:16,448 --> 00:35:26,725 >>[music continues] 759 00:35:26,725 --> 00:35:27,759 >>female #5: 911. 760 00:35:27,759 --> 00:35:28,760 STAY YOUR EMERGENCY. 761 00:35:28,760 --> 00:35:29,795 >>HELLO. WE NEED YOUR HELP. 762 00:35:29,795 --> 00:35:30,796 SOMEONE'S BREAKING 763 00:35:30,796 --> 00:35:31,797 INTO OUR HOUSE. 764 00:35:31,797 --> 00:35:32,798 >>female #5: OKAY MA'AM. 765 00:35:32,798 --> 00:35:33,799 WHAT'S YOUR ADDRESS? 766 00:35:33,799 --> 00:35:34,800 >>1425 ALTA SIERRA. 767 00:35:34,800 --> 00:35:35,834 HURRY. 768 00:35:35,834 --> 00:35:37,469 >>[door rattling] 769 00:35:41,840 --> 00:35:44,843 >>SARAH! SARAH! 770 00:35:44,843 --> 00:35:45,844 SARAH? 771 00:35:45,844 --> 00:35:47,313 >>[rattling continues] 772 00:35:47,313 --> 00:35:48,314 >>[door breaks] 773 00:35:48,314 --> 00:35:49,315 boom! 774 00:35:49,315 --> 00:35:50,449 >>IT'S JUST THE-- 775 00:35:50,516 --> 00:35:52,384 >>* 776 00:35:52,384 --> 00:36:01,627 >>[footsteps] 777 00:36:01,727 --> 00:36:16,308 >>[ominous music] 778 00:36:16,308 --> 00:36:17,876 >>SHE'S HERE SOMEWHERE. 779 00:36:17,943 --> 00:36:25,817 >>[music continues] 780 00:36:25,817 --> 00:36:29,488 >>[voices whispering] 781 00:36:29,488 --> 00:36:30,822 >>SHE'S STILL IN THE HOUSE. 782 00:36:30,822 --> 00:36:32,424 KEEP LOOKING. 783 00:36:32,491 --> 00:36:33,492 >>[music continues] 784 00:36:33,492 --> 00:36:45,271 >>[footsteps] 785 00:36:45,337 --> 00:36:50,542 >>[voices whispering] 786 00:36:50,609 --> 00:37:04,823 >>* 787 00:37:04,823 --> 00:37:05,957 >>[sirens wailing] 788 00:37:05,957 --> 00:37:12,464 whoo-whoo-whoo-whoo! 789 00:37:12,464 --> 00:37:14,700 >>Anne: OUT THE BACK DOOR, NOW! 790 00:37:14,800 --> 00:37:19,037 >>* 791 00:37:19,037 --> 00:37:20,038 >>THANK GOD! THANK GOD! 792 00:37:20,038 --> 00:37:21,039 >>CALM DOWN. 793 00:37:21,039 --> 00:37:22,007 >>THERE'S THREE PEOPLE 794 00:37:22,007 --> 00:37:23,008 IN THE HOUSE. 795 00:37:23,008 --> 00:37:24,009 >>WHERE ARE THEY? 796 00:37:24,009 --> 00:37:25,277 >>THEY'RE STILL IN THE HOUSE. 797 00:37:25,277 --> 00:37:26,278 >>OKAY, ALRIGHT. YOU OKAY? 798 00:37:26,278 --> 00:37:27,279 >>YEAH, YEAH. 799 00:37:27,279 --> 00:37:28,280 >>STAY HERE. 800 00:37:28,280 --> 00:37:29,548 >>CASEY! 801 00:37:29,548 --> 00:37:30,949 >>APRIL? 802 00:37:30,949 --> 00:37:34,753 HOLD ON, THEY'RE COMING. 803 00:37:34,753 --> 00:37:36,288 SARAH. 804 00:37:39,958 --> 00:37:42,694 SARAH. 805 00:37:42,694 --> 00:37:45,030 WHERE DID YOU GO TO? 806 00:37:45,030 --> 00:37:48,500 YOU SCARED US TO DEATH. 807 00:37:48,500 --> 00:37:51,670 HONEY, WHAT'S WRONG? 808 00:37:51,670 --> 00:37:53,038 SARAH. 809 00:37:53,339 --> 00:37:59,611 >>* 810 00:37:59,611 --> 00:38:00,612 >>Mike: HI. 811 00:38:00,612 --> 00:38:01,713 I'M DETECTIVE MICHAEL SIMMONS. 812 00:38:01,713 --> 00:38:02,714 L.A.P.D. 813 00:38:02,714 --> 00:38:04,450 I'M HERE TO SEE APRIL REILLY, 814 00:38:04,450 --> 00:38:05,451 SARAH REILLY'S MOTHER. 815 00:38:05,451 --> 00:38:06,485 >>SURE. 816 00:38:06,485 --> 00:38:07,753 >>[phone dialing] 817 00:38:07,753 --> 00:38:10,422 beep, beep, beep 818 00:38:10,422 --> 00:38:12,023 >>HI, I HAVE A DETECTIVE 819 00:38:12,023 --> 00:38:13,058 MICHAEL SIMMONS HERE 820 00:38:13,058 --> 00:38:14,593 TO SEE APRIL REILLY. 821 00:38:14,593 --> 00:38:15,594 GREAT. 822 00:38:15,594 --> 00:38:16,628 JUST ONE MINUTE. 823 00:38:16,628 --> 00:38:18,330 >>THANK YOU. 824 00:38:18,330 --> 00:38:19,331 >>DETECTIVE. 825 00:38:19,331 --> 00:38:20,332 DID YOU CATCH THEM? 826 00:38:20,332 --> 00:38:21,333 >>Mike: NO. 827 00:38:21,333 --> 00:38:22,534 WE SEARCHED THE WHOLE AREA. 828 00:38:22,534 --> 00:38:23,569 NO TRACE. 829 00:38:23,569 --> 00:38:24,570 HOW IS SHE? 830 00:38:24,570 --> 00:38:25,571 >>OH, THANK YOU. 831 00:38:25,571 --> 00:38:26,605 SHE'S IN SHOCK. 832 00:38:26,605 --> 00:38:27,906 THEY'RE GONNA KEEP HER 833 00:38:27,906 --> 00:38:28,907 OVERNIGHT. 834 00:38:28,907 --> 00:38:30,442 >>WELL, THAT SOUNDS HOPEFUL. 835 00:38:30,442 --> 00:38:32,644 LISTEN, WE DO HAVE ONE LEAD. 836 00:38:32,644 --> 00:38:34,045 DID A WOMAN NAME YELENA MARKOVA 837 00:38:34,045 --> 00:38:35,481 COME TO YOUR OFFICE TODAY? 838 00:38:35,481 --> 00:38:36,882 >>A WOMAN CAME TO MY OFFICE. 839 00:38:36,882 --> 00:38:38,484 SHE DIDN'T TELL ME HER NAME 840 00:38:38,484 --> 00:38:39,685 BUT THAT MUST'VE BEEN HER. 841 00:38:39,685 --> 00:38:40,919 I GAVE HER YOUR CARD. 842 00:38:40,919 --> 00:38:41,920 DID SHE CONTACT YOU? 843 00:38:41,920 --> 00:38:43,522 >>SHE LEFT A MESSAGE FOR ME 844 00:38:43,522 --> 00:38:45,357 WHILE I WAS OUT OF THE OFFICE. 845 00:38:45,357 --> 00:38:46,758 >>HAVE YOU TALKED TO HER YET? 846 00:38:46,758 --> 00:38:47,893 >>I SENT A UNIT OVER 847 00:38:47,893 --> 00:38:48,894 TO HER HOUSE 848 00:38:48,894 --> 00:38:50,061 WHEN I GOT THE MESSAGE. 849 00:38:50,061 --> 00:38:51,397 THEY FOUND HER BODY INSIDE. 850 00:38:51,397 --> 00:38:52,398 SHE WAS MURDERED. 851 00:38:52,398 --> 00:38:53,399 >>OH MY GOD. 852 00:38:53,399 --> 00:38:54,400 >>Casey: MURDERED. 853 00:38:54,400 --> 00:38:55,801 YOU MEAN BY THE SAME PEOPLE 854 00:38:55,801 --> 00:38:56,968 WHO WERE AT OUR HOUSE. 855 00:38:56,968 --> 00:38:58,103 >>WE DON'T KNOW THAT 856 00:38:58,103 --> 00:38:59,104 BUT IT'S POSSIBLE. 857 00:38:59,104 --> 00:39:00,439 LISTEN, WHEN SHE CAME 858 00:39:00,439 --> 00:39:02,007 TO THE OFFICE, DO YOU RECALL 859 00:39:02,007 --> 00:39:03,609 ANY PART OF HER CONVERSATION? 860 00:39:03,609 --> 00:39:05,377 >>UM, SHE WAS A FRIEND 861 00:39:05,377 --> 00:39:06,378 OF RACHEL'S. 862 00:39:06,378 --> 00:39:08,814 SHE KNEW YOU HAD BEEN ASKING ME 863 00:39:08,814 --> 00:39:09,815 ABOUT HER. 864 00:39:09,815 --> 00:39:11,583 I GAVE HER YOUR CARD, 865 00:39:11,583 --> 00:39:12,918 BUT SHE SAID SHE DIDN'T WANT 866 00:39:12,918 --> 00:39:13,952 TO INVOLVE THE POLICE. 867 00:39:13,952 --> 00:39:15,954 >>DID SHE SAY WHY? 868 00:39:15,954 --> 00:39:18,023 >>April: NO. SHE WAS SCARED. 869 00:39:18,023 --> 00:39:19,157 SHE MENTIONED SOMETHING 870 00:39:19,157 --> 00:39:20,492 ABOUT AN EXPERIMENT 871 00:39:20,492 --> 00:39:21,993 THAT ANNE CASSAVETTES WAS 872 00:39:21,993 --> 00:39:22,994 INVOLVED IN. 873 00:39:22,994 --> 00:39:23,995 SOMETHING CALLED 874 00:39:23,995 --> 00:39:25,130 THE ECHO PROJECT. 875 00:39:25,130 --> 00:39:26,565 >>[Sarah screaming] 876 00:39:26,565 --> 00:39:28,900 AHHH! AHH! AHH! 877 00:39:28,900 --> 00:39:30,936 AHH! AHH! AHH! 878 00:39:30,936 --> 00:39:31,937 >>male #2: SARAH, SARAH. 879 00:39:31,937 --> 00:39:32,938 IT'S OKAY. SETTLE DOWN. 880 00:39:32,938 --> 00:39:33,939 >>Sarah: AHH! AHH! 881 00:39:33,939 --> 00:39:34,906 >>April: WHAT'S WRONG? 882 00:39:34,906 --> 00:39:35,907 >>Sarah: AHH! AHH! 883 00:39:35,907 --> 00:39:36,908 >>April: SARAH? SARAH HONEY. 884 00:39:36,908 --> 00:39:38,076 BABY, LOOK AT ME. 885 00:39:38,076 --> 00:39:39,144 HONEY. 886 00:39:39,144 --> 00:39:40,145 >>MOM. 887 00:39:40,145 --> 00:39:41,146 >>I'M HERE. 888 00:39:41,146 --> 00:39:42,914 >>DON'T PLAY THE ECHO GAME. 889 00:39:42,914 --> 00:39:44,149 >>April: WHAT, WHAT IS 890 00:39:44,149 --> 00:39:45,150 THE ECHO GAME? 891 00:39:45,150 --> 00:39:47,753 >>SHE TOLD ME NEVER TO PLAY IT. 892 00:39:47,753 --> 00:39:49,020 >>WHO TOLD YOU THAT? 893 00:39:49,020 --> 00:39:52,924 >>THE GIRL IN MY ROOM. 894 00:39:52,924 --> 00:39:53,925 >>HONEY. 895 00:39:53,925 --> 00:39:56,828 THERE WAS NO ONE IN YOUR ROOM. 896 00:39:56,828 --> 00:39:58,830 >>YES THERE WAS! 897 00:40:00,766 --> 00:40:02,000 HE HAS A PICTURE OF HER 898 00:40:02,000 --> 00:40:03,702 IN HIS POCKET. 899 00:40:03,769 --> 00:40:12,478 >>[ominous music] 900 00:40:12,478 --> 00:40:13,479 >>Sarah: [whispering] 901 00:40:13,479 --> 00:40:14,480 THAT'S HER! 902 00:40:14,480 --> 00:40:15,914 >>April: RACHEL. 903 00:40:15,914 --> 00:40:18,116 WHEN DID YOU SEE RACHEL? 904 00:40:18,116 --> 00:40:19,785 >>ALL THE TIME. 905 00:40:19,785 --> 00:40:21,687 >>WHERE? 906 00:40:21,687 --> 00:40:23,655 WAS SHE IN OUR HOUSE? 907 00:40:26,157 --> 00:40:29,661 SARAH, THIS IS REALLY IMPORTANT. 908 00:40:29,661 --> 00:40:32,197 WHERE IS RACHEL NOW? 909 00:40:32,197 --> 00:40:33,665 >>I DON'T WANT HER 910 00:40:33,665 --> 00:40:34,666 TO GET CAUGHT. 911 00:40:34,666 --> 00:40:35,967 >>NOTHING'S GOING TO HAPPEN 912 00:40:35,967 --> 00:40:37,703 TO HER, I PROMISE, OKAY. 913 00:40:37,703 --> 00:40:38,704 WE'RE SAFE HERE. 914 00:40:38,704 --> 00:40:39,971 NOW WHERE IS SHE? 915 00:40:39,971 --> 00:40:40,972 >>IT DOESN'T MATTER. 916 00:40:40,972 --> 00:40:41,973 >>JUST TELL ME 917 00:40:41,973 --> 00:40:43,241 WHERE SHE IS, SARAH. 918 00:40:43,241 --> 00:40:45,143 >>KNOCK IT OFF. 919 00:40:47,679 --> 00:40:50,015 >>WHY DON'T THEY BELIEVE ME? 920 00:40:50,015 --> 00:40:51,683 >>[voices whispering] 921 00:40:51,683 --> 00:40:55,220 >>Sarah: WHY CAN'T THEY? 922 00:40:55,220 --> 00:40:56,788 WHY? 923 00:40:56,788 --> 00:40:59,057 >>DOCTOR, WHAT'S WRONG WITH HER? 924 00:40:59,057 --> 00:41:00,559 >>SHE'S HALLUCINATING BADLY. 925 00:41:00,559 --> 00:41:02,861 IT COULD BE THE MEDICATION. 926 00:41:02,861 --> 00:41:05,130 BUT AT LEAST SHE'S TALKING. 927 00:41:05,130 --> 00:41:07,799 >>Mike: SARAH, YOU SAID 928 00:41:07,799 --> 00:41:09,501 YOUR FRIEND WAS WORRIED 929 00:41:09,501 --> 00:41:10,669 ABOUT BEING CAUGHT. 930 00:41:10,669 --> 00:41:12,738 WHO IS SHE HIDING FROM? 931 00:41:12,738 --> 00:41:13,739 >>THE TEACHER. 932 00:41:13,739 --> 00:41:14,740 >>WHY? 933 00:41:14,740 --> 00:41:16,274 WHAT DOES SHE WANT? 934 00:41:16,274 --> 00:41:18,710 >>HER ECHO. 935 00:41:18,710 --> 00:41:21,479 >>WHAT DO YOU MEAN HER ECHO? 936 00:41:23,549 --> 00:41:26,585 SARAH. SARAH. 937 00:41:26,585 --> 00:41:27,719 >>doctor: I THINK SHE SHOULD 938 00:41:27,719 --> 00:41:29,621 JUST REST. 939 00:41:31,657 --> 00:41:32,991 >>OKAY. 940 00:41:32,991 --> 00:41:34,726 >>doctor: YOU'RE OKAY. 941 00:41:34,726 --> 00:41:36,528 WE'LL WATCH HER. 942 00:41:39,565 --> 00:41:41,166 >>THIS, UH, THIS WOMAN 943 00:41:41,166 --> 00:41:43,669 THAT WAS MURDERED. 944 00:41:43,669 --> 00:41:46,171 HOW DID SHE DIE? 945 00:41:46,171 --> 00:41:48,506 >>HER THROAT WAS CUT. 946 00:41:48,574 --> 00:41:51,142 >>* 947 00:41:51,142 --> 00:41:52,878 >>YOU THINK IT HAS SOMETHING 948 00:41:52,878 --> 00:41:54,613 TO DO WITH THIS CASSAVETTES 949 00:41:54,613 --> 00:41:55,614 PERSON? 950 00:41:55,614 --> 00:41:57,148 THE ONE SARAH'S TALKING ABOUT. 951 00:41:57,148 --> 00:41:58,884 >>YOU HEARD THE DOCTOR SAY 952 00:41:58,884 --> 00:42:00,118 SHE WAS HEAVILY HALLUCINATING. 953 00:42:00,118 --> 00:42:01,987 BUT IF SHE DID SEE RACHEL, 954 00:42:01,987 --> 00:42:02,988 I DON'T KNOW 955 00:42:02,988 --> 00:42:04,122 WHAT WE COULD DO. 956 00:42:04,122 --> 00:42:05,256 >>I'M SICK OF HEARING 957 00:42:05,256 --> 00:42:06,257 ABOUT RACHEL. 958 00:42:06,257 --> 00:42:07,859 BESIDES, YOU'VE NO HARD PROOF 959 00:42:07,859 --> 00:42:08,894 THAT SHE'S ALIVE. 960 00:42:08,894 --> 00:42:11,863 >>I DO. 961 00:42:11,863 --> 00:42:13,999 CAN I TALK TO YOU OUTSIDE? 962 00:42:16,101 --> 00:42:18,203 I HAVE SOMETHING TO SHOW YOU. 963 00:42:18,269 --> 00:42:32,250 >>* 964 00:42:32,250 --> 00:42:34,119 >>I RECEIVED A LETTER 965 00:42:34,119 --> 00:42:35,120 FROM RACHEL. 966 00:42:35,120 --> 00:42:37,355 IT ARRIVED AT MY WORK 967 00:42:37,355 --> 00:42:38,356 THIS AFTERNOON. 968 00:42:38,356 --> 00:42:41,092 SHE SAID SARAH MIGHT BE 969 00:42:41,092 --> 00:42:42,160 IN DANGER. 970 00:42:42,160 --> 00:42:43,662 >>WHY DIDN'T YOU TELL ME 971 00:42:43,662 --> 00:42:44,663 ABOUT THIS? 972 00:42:44,663 --> 00:42:46,264 >>SHE SAID TO KEEP IT QUIET. 973 00:42:46,264 --> 00:42:47,265 I BELIEVED HER. 974 00:42:47,265 --> 00:42:48,834 >>YOU PUT OUR DAUGHTER'S LIFE 975 00:42:48,834 --> 00:42:50,869 IN DANGER JUST TO KEEP IT QUIET. 976 00:42:50,869 --> 00:42:55,607 >>MISS LIN. PLEASE. PLEASE. 977 00:42:55,607 --> 00:42:56,975 CAN I SEE THE LETTER? 978 00:42:56,975 --> 00:42:58,576 >>YEAH. 979 00:42:58,644 --> 00:43:01,379 >>* 980 00:43:01,379 --> 00:43:07,018 >>[paper rustling] 981 00:43:07,085 --> 00:43:11,657 >>* 982 00:43:11,657 --> 00:43:14,192 >>SARAH IS RACHEL'S DAUGHTER. 983 00:43:14,192 --> 00:43:16,161 >>SHE'S OUR DAUGHTER. 984 00:43:16,161 --> 00:43:18,830 >>RACHEL IS HER BIRTH MOTHER. 985 00:43:18,830 --> 00:43:19,831 >>April: YES. 986 00:43:19,831 --> 00:43:22,300 BUT WE RAISED HER AS OUR OWN. 987 00:43:22,300 --> 00:43:23,902 >>I WISH YOU WOULD'VE TOLD ME 988 00:43:23,902 --> 00:43:24,903 THIS EARLIER. 989 00:43:24,903 --> 00:43:26,104 >>I DIDN'T THINK IT MATTERED. 990 00:43:26,104 --> 00:43:27,105 SARAH NEVER EVEN KNEW 991 00:43:27,105 --> 00:43:28,073 ABOUT RACHEL. 992 00:43:28,073 --> 00:43:29,841 NO ONE KNEW. 993 00:43:32,210 --> 00:43:35,781 THIS WOMAN, ANNE CASSAVETTES. 994 00:43:35,781 --> 00:43:37,916 YOU THINK SHE KNOWS? 995 00:43:37,916 --> 00:43:38,917 >>THAT WOULD EXPLAIN 996 00:43:38,917 --> 00:43:40,819 WHY THEY BROKE INTO YOUR HOUSE. 997 00:43:40,819 --> 00:43:42,220 THEY KNOW RACHEL WILL TRY 998 00:43:42,220 --> 00:43:43,655 TO CONTACT HER DAUGHTER. 999 00:43:43,655 --> 00:43:45,356 BUT WHY WOULD THEY WANT RACHEL? 1000 00:43:45,356 --> 00:43:46,858 >>I GUESS THE WHOLE ANSWER 1001 00:43:46,858 --> 00:43:48,159 IS IN THIS ECHO BUSINESS. 1002 00:43:48,159 --> 00:43:49,861 BUT UNTIL WE FIND THAT OUT, 1003 00:43:49,861 --> 00:43:51,162 I'M GONNA PUT EXTRA SURVEILLANCE 1004 00:43:51,162 --> 00:43:52,898 ON YOU AND YOUR ENTIRE FAMILY. 1005 00:43:52,898 --> 00:43:54,432 I'M GONNA PUT AN EXTRA GUARD 1006 00:43:54,432 --> 00:43:55,734 IN THE LOBBY DOWNSTAIRS. 1007 00:43:55,734 --> 00:43:57,302 IF YOU NEED TO GO ANYWHERE, 1008 00:43:57,302 --> 00:43:59,037 WE'LL HAVE AN ESCORT FOR YOU. 1009 00:43:59,037 --> 00:44:00,038 THIS IS JUST 1010 00:44:00,038 --> 00:44:01,072 UNTIL WE SOLVE THIS. 1011 00:44:01,072 --> 00:44:02,774 OKAY? 1012 00:44:02,841 --> 00:44:08,814 >>* 1013 00:44:08,814 --> 00:44:10,448 >>YOU SHOULD'VE TOLD ME 1014 00:44:10,448 --> 00:44:11,917 ABOUT THE LETTER. 1015 00:44:11,917 --> 00:44:13,719 >>I WAS GOING TO. 1016 00:44:13,719 --> 00:44:14,720 I JUST... 1017 00:44:14,720 --> 00:44:16,822 I JUST NEEDED TIME TO PROCESS 1018 00:44:16,822 --> 00:44:17,856 ALL OF THIS. 1019 00:44:17,856 --> 00:44:19,190 >>I COULD'VE HELPED YOU. 1020 00:44:19,190 --> 00:44:21,259 YOU KNOW YOU CAN ALWAYS COME 1021 00:44:21,259 --> 00:44:24,896 TO ME WHEN YOU NEED TO. 1022 00:44:24,896 --> 00:44:26,798 WHY DIDN'T YOU? 1023 00:44:29,334 --> 00:44:33,805 >>CASEY. PLEASE. 1024 00:44:33,805 --> 00:44:35,774 PLEASE DON'T DO THIS. 1025 00:44:37,809 --> 00:44:40,078 YOU, YOU HAVE TO UNDERSTAND. 1026 00:44:42,848 --> 00:44:44,850 I LOVED RACHEL. 1027 00:44:44,850 --> 00:44:45,884 IT TOOK ME SO LONG 1028 00:44:45,884 --> 00:44:46,885 TO GET OVER HER 1029 00:44:46,885 --> 00:44:48,286 AND THEN WHEN ALL THIS CAME UP, 1030 00:44:48,286 --> 00:44:49,988 I JUST... 1031 00:44:49,988 --> 00:44:54,025 I, I DIDN'T KNOW WHAT TO THINK. 1032 00:44:54,025 --> 00:44:56,094 >>DO YOU STILL LOVE HER? 1033 00:44:59,064 --> 00:45:01,099 >>DOESN'T MATTER ANYMORE. 1034 00:45:15,380 --> 00:45:17,883 >>[April cries] 1035 00:45:19,117 --> 00:45:24,022 >>[voices whispering] 1036 00:45:24,022 --> 00:45:33,464 >>[ominous music] 1037 00:45:33,531 --> 00:45:40,138 >>[whispering continues] 1038 00:45:40,138 --> 00:45:42,407 >>Rachel: REST NOW, SARAH. 1039 00:45:42,407 --> 00:45:45,143 YOU'LL NEED YOUR STRENGTH LATER. 1040 00:45:45,210 --> 00:45:57,355 >>[music continues] 1041 00:45:57,989 --> 00:46:08,499 >>[woman announcing] 1042 00:46:08,499 --> 00:46:10,168 >>April: UH. 1043 00:46:18,043 --> 00:46:20,345 WHAT TIME IS IT? 1044 00:46:20,345 --> 00:46:21,813 >>Casey: NOON. 1045 00:46:21,813 --> 00:46:23,514 >>WHERE ARE YOU GOING? 1046 00:46:27,518 --> 00:46:30,856 >>HOME. GET SOME CLOTHES. 1047 00:46:30,856 --> 00:46:33,091 TAKE A SHOWER. 1048 00:46:33,091 --> 00:46:35,093 I HAVE TO STOP BY WORK, TOO. 1049 00:46:35,093 --> 00:46:37,295 TAKE CARE OF SOME THINGS. 1050 00:46:37,295 --> 00:46:39,297 COPS ARE TAKING ME. 1051 00:46:39,297 --> 00:46:41,967 >>I'LL GO WITH YOU. 1052 00:46:41,967 --> 00:46:44,035 >>ONE OF US SHOULD STAY. 1053 00:46:47,572 --> 00:46:49,908 I'LL BE BACK LATER TONIGHT. 1054 00:46:49,908 --> 00:46:51,843 THEN YOU CAN TAKE A TRIP. 1055 00:46:51,843 --> 00:46:54,245 OKAY? 1056 00:46:54,245 --> 00:46:56,147 >>April: CASEY. 1057 00:47:00,518 --> 00:47:02,253 BE CAREFUL. 1058 00:47:13,564 --> 00:47:14,565 >>[knocking] 1059 00:47:14,565 --> 00:47:15,566 knock knock 1060 00:47:15,566 --> 00:47:16,634 >>nurse: EXCUSE ME, MS. REILLY. 1061 00:47:16,634 --> 00:47:17,635 >>YES. 1062 00:47:17,635 --> 00:47:19,237 >>I GOT A CALL FROM THE LOBBY. 1063 00:47:19,237 --> 00:47:20,405 THE GUARD SAYS THERE'S A MAN 1064 00:47:20,405 --> 00:47:21,406 NAMED TERRY MORGAN HERE 1065 00:47:21,406 --> 00:47:22,407 TO SEE YOU. 1066 00:47:22,407 --> 00:47:23,408 >>GREAT. 1067 00:47:23,408 --> 00:47:25,276 I-I'LL BE RIGHT THERE. 1068 00:47:26,878 --> 00:47:28,046 >>[elevator dings] 1069 00:47:28,046 --> 00:47:29,380 ding 1070 00:47:29,380 --> 00:47:30,381 >>April: TERRY. 1071 00:47:30,381 --> 00:47:31,549 >>APRIL, DOWNSTAIRS THEY GOT 1072 00:47:31,549 --> 00:47:32,550 COPS EVERYWHERE. 1073 00:47:32,550 --> 00:47:33,551 >>YEAH, I KNOW. 1074 00:47:33,551 --> 00:47:34,552 >>ARE YOU OKAY? 1075 00:47:34,552 --> 00:47:36,187 RICHARD SAID YOU WERE HERE. 1076 00:47:36,187 --> 00:47:37,355 IS YOUR DAUGHTER ALRIGHT? 1077 00:47:37,355 --> 00:47:38,356 >>FOR NOW. 1078 00:47:38,356 --> 00:47:39,357 >>WELL, LOOK. 1079 00:47:39,357 --> 00:47:40,525 WHERE CAN WE TALK? 1080 00:47:40,525 --> 00:47:41,526 >>YOU FOUND SOMETHING? 1081 00:47:41,526 --> 00:47:42,894 >>YEAH. I FOUND SOMETHING. 1082 00:47:42,894 --> 00:47:45,163 APRIL, THIS IS SOME SPOOKY SHIT. 1083 00:47:47,332 --> 00:47:48,333 ANNE CASSAVETTES. 1084 00:47:48,333 --> 00:47:50,268 SHE'S WANTED BY THE FBI 1085 00:47:50,268 --> 00:47:51,669 FOR MURDERING HER HUSBAND. 1086 00:47:51,669 --> 00:47:52,670 >>DAVID CASSAVETTES. 1087 00:47:52,670 --> 00:47:54,940 >>RIGHT. 1088 00:47:54,940 --> 00:47:56,107 HE WAS A DOCTOR. 1089 00:47:56,107 --> 00:47:57,275 ABOUT 20 YEARS AGO, 1090 00:47:57,275 --> 00:47:58,944 HE WENT LOOKING FOR KIDS 1091 00:47:58,944 --> 00:47:59,945 WITH TELEPATHIC POTENTIAL. 1092 00:47:59,945 --> 00:48:01,646 HE BROUGHT ABOUT TEN OF THEM 1093 00:48:01,646 --> 00:48:03,048 BACK TO HIS COLONY 1094 00:48:03,048 --> 00:48:04,249 IN UPSTATE NEW YORK. 1095 00:48:04,249 --> 00:48:05,917 IT WAS KINDA LIKE A, 1096 00:48:05,917 --> 00:48:07,018 LIKE SCHOOL FOR THE GIFTED. 1097 00:48:07,018 --> 00:48:08,019 >>April: HMM. 1098 00:48:08,019 --> 00:48:09,020 >>Terry: HE THOUGHT 1099 00:48:09,020 --> 00:48:10,121 HE COULD HELP THEM FOCUS 1100 00:48:10,121 --> 00:48:11,122 THEIR ABILITIES. 1101 00:48:11,122 --> 00:48:12,223 ANYWAY, HE WORKED UP THERE 1102 00:48:12,223 --> 00:48:13,391 FOR A WHILE IN SECRECY. 1103 00:48:13,391 --> 00:48:14,392 THEN TWO YEARS LATER, 1104 00:48:14,392 --> 00:48:15,393 OUT OF NOWHERE, 1105 00:48:15,393 --> 00:48:16,394 HIS BODY WASHED UP 1106 00:48:16,394 --> 00:48:17,395 IN THE EAST RIVER. 1107 00:48:17,395 --> 00:48:19,998 HE HAD BEEN DEAD FOR MONTHS. 1108 00:48:19,998 --> 00:48:20,999 >>SHE KILLED HIM. 1109 00:48:20,999 --> 00:48:22,000 >>RIGHT. 1110 00:48:22,000 --> 00:48:23,001 >>WHY? 1111 00:48:23,001 --> 00:48:24,936 >>WELL, THE OFFICIAL STORY IS 1112 00:48:24,936 --> 00:48:26,337 THAT HE WAS BANGING 1113 00:48:26,337 --> 00:48:28,273 HIS ASSISTANT, A RUSSIAN GIRL. 1114 00:48:28,273 --> 00:48:29,607 SHE WORKED WITH HIM 1115 00:48:29,607 --> 00:48:30,708 AT THE SCHOOL. 1116 00:48:30,708 --> 00:48:32,543 THEY SAID ANNE CAUGHT THEM 1117 00:48:32,543 --> 00:48:35,180 IN THE ACT AND SHE WENT NUTS. 1118 00:48:35,180 --> 00:48:36,181 AFTER THE MURDER, 1119 00:48:36,181 --> 00:48:37,448 THE GIRLFRIEND JUST DISAPPEARED. 1120 00:48:37,448 --> 00:48:38,449 >>YOU SAID THAT'S 1121 00:48:38,449 --> 00:48:39,450 THE OFFICIAL STORY. 1122 00:48:39,450 --> 00:48:40,451 WHAT'S THE UNOFFICIAL STORY? 1123 00:48:40,451 --> 00:48:41,452 >>WELL, IT'S A LOT 1124 00:48:41,452 --> 00:48:42,453 OF SPECULATION, THAT STUFF. 1125 00:48:42,453 --> 00:48:43,454 CONSPIRACY THEORY, 1126 00:48:43,454 --> 00:48:44,455 STUFF LIKE THAT. 1127 00:48:44,455 --> 00:48:45,456 >>TELL ME. 1128 00:48:45,456 --> 00:48:46,557 >>WELL, AFTER ANNE KILLED 1129 00:48:46,557 --> 00:48:48,459 HER HUSBAND AND DUMPED THE BODY, 1130 00:48:48,459 --> 00:48:50,128 SHE TOOK OVER THE SCHOOL. 1131 00:48:50,128 --> 00:48:51,296 SHE STARTED TO ACCELERATE 1132 00:48:51,296 --> 00:48:52,297 THE EXPERIMENTS. 1133 00:48:52,297 --> 00:48:53,731 YOU KNOW, GIVING THEM INJECTIONS 1134 00:48:53,731 --> 00:48:55,166 TO STIMULATE THEIR ESP. 1135 00:48:55,166 --> 00:48:56,167 SHE EVEN THOUGHT 1136 00:48:56,167 --> 00:48:57,535 THAT SHE COULD TEACH THEM 1137 00:48:57,535 --> 00:48:58,703 TO MANIFEST THEIR ESP 1138 00:48:58,703 --> 00:49:00,238 PHYSICALLY AND THEN PROJECT IT. 1139 00:49:00,238 --> 00:49:01,239 >>April: PROJECT IT? 1140 00:49:01,239 --> 00:49:02,240 >>Terry: RIGHT. 1141 00:49:02,240 --> 00:49:03,241 SHE EVEN THOUGHT 1142 00:49:03,241 --> 00:49:04,375 THAT SHE COULD ABSORB 1143 00:49:04,375 --> 00:49:05,543 THE PROJECTIONS FOR HERSELF. 1144 00:49:05,543 --> 00:49:07,045 IF THE KIDS EVER QUESTIONED HER, 1145 00:49:07,045 --> 00:49:08,146 SHE JUST PLAYED IT OFF 1146 00:49:08,146 --> 00:49:09,414 LIKE IT WAS NO BIG DEAL, 1147 00:49:09,414 --> 00:49:10,415 YOU KNOW. 1148 00:49:10,415 --> 00:49:12,117 TRIED TO MAKE IT FUN FOR THEM. 1149 00:49:12,117 --> 00:49:13,151 >>YOU MEAN, LIKE A GAME. 1150 00:49:13,151 --> 00:49:14,152 >>Terry: RIGHT. 1151 00:49:14,152 --> 00:49:15,253 BUT NO ONE REALLY KNOWS 1152 00:49:15,253 --> 00:49:16,521 FOR SURE WHAT WAS GOING ON 1153 00:49:16,521 --> 00:49:17,522 UP THERE. 1154 00:49:17,522 --> 00:49:18,523 SHE WAS IN CONTROL 1155 00:49:18,523 --> 00:49:19,524 OF THE WHOLE THING 1156 00:49:19,524 --> 00:49:20,525 FOR LIKE FOUR MONTHS 1157 00:49:20,525 --> 00:49:21,526 UNTIL HER HUSBAND'S BODY 1158 00:49:21,526 --> 00:49:22,527 WAS FOUND. 1159 00:49:22,527 --> 00:49:24,595 WHEN POLICE WENT TO ARREST HER, 1160 00:49:24,595 --> 00:49:26,097 SHE WAS LONG GONE. 1161 00:49:26,097 --> 00:49:27,698 SOMEONE MUST'VE TIPPED HER OFF. 1162 00:49:27,698 --> 00:49:28,699 >>April: WHAT ABOUT 1163 00:49:28,699 --> 00:49:29,700 THE STUDENTS? 1164 00:49:29,700 --> 00:49:31,102 >>Terry: DEAD OR MISSING. 1165 00:49:31,102 --> 00:49:32,103 SOME MURDERED. 1166 00:49:32,103 --> 00:49:33,104 THEY THINK CASSAVETTES 1167 00:49:33,104 --> 00:49:34,072 IN INVOLVED, 1168 00:49:34,072 --> 00:49:35,240 BUT THERE'S NO PROOF. 1169 00:49:35,240 --> 00:49:36,441 THE POLICE COULDN'T FIND 1170 00:49:36,441 --> 00:49:37,642 ANYTHING AND NO ONE 1171 00:49:37,642 --> 00:49:39,644 HAS BEEN ABLE TO FIND HER. 1172 00:49:39,644 --> 00:49:42,213 >>DID YOU EVER FIND ANY MENTION 1173 00:49:42,213 --> 00:49:43,381 OF SOMETHING CALLED 1174 00:49:43,381 --> 00:49:44,549 THE ECHO GAME? 1175 00:49:44,549 --> 00:49:45,550 >>ECHO GAME? 1176 00:49:45,550 --> 00:49:46,551 >>MMM HMM. 1177 00:49:46,551 --> 00:49:48,619 >>WELL, ECHO IS A TERM THEY USE 1178 00:49:48,619 --> 00:49:49,620 TO, UH, REFER 1179 00:49:49,620 --> 00:49:50,621 TO THEIR ABILITIES. 1180 00:49:50,621 --> 00:49:52,490 IT'S LIKE, UH, AN AURA INSIDE 1181 00:49:52,490 --> 00:49:54,125 OF THEM THAT GIVES THEM 1182 00:49:54,125 --> 00:49:57,162 THEIR POWERS. 1183 00:49:57,162 --> 00:49:58,463 >>TERRY, I NEED TO BORROW THIS, 1184 00:49:58,463 --> 00:49:59,464 OKAY? 1185 00:49:59,464 --> 00:50:01,232 WHAT? 1186 00:50:01,232 --> 00:50:02,500 >>LOOK, YOU CAN BORROW THIS. 1187 00:50:02,500 --> 00:50:03,568 BUT IF ANYONE ASKS, 1188 00:50:03,568 --> 00:50:05,470 YOU DID NOT GET THIS FROM ME. 1189 00:50:05,470 --> 00:50:07,172 >>DEAL. 1190 00:50:09,674 --> 00:50:11,176 THANKS, TERRY. 1191 00:50:17,282 --> 00:50:18,616 >>DETECTIVE MIKE SIMMONS, 1192 00:50:18,616 --> 00:50:20,818 PLEASE. 1193 00:50:20,818 --> 00:50:22,087 COULD YOU TELL HIM 1194 00:50:22,087 --> 00:50:23,088 APRIL REILLY CALLED? 1195 00:50:23,088 --> 00:50:24,389 I HAVE SOME NEW INFORMATION 1196 00:50:24,389 --> 00:50:26,491 ABOUT MY CASE. 1197 00:50:26,491 --> 00:50:27,725 YEAH, THANKS. 1198 00:50:50,748 --> 00:50:52,450 >>female #6: WHAT ARE YOU 1199 00:50:52,450 --> 00:50:53,451 DOING HERE? 1200 00:50:53,451 --> 00:50:54,585 >>I TOOK OFF WORK. 1201 00:50:54,585 --> 00:50:55,720 WHAT ARE YOU DOING? 1202 00:50:55,720 --> 00:50:57,255 >>WHAT DOES IT LOOK LIKE? 1203 00:50:57,255 --> 00:50:59,390 I'M LEAVING YOU, TERRY. 1204 00:50:59,390 --> 00:51:00,391 >>LEAVING? 1205 00:51:00,391 --> 00:51:01,592 WHAT-WHAT, WHAT DID I DO? 1206 00:51:01,592 --> 00:51:02,827 >>YOUR EX CAME BY LOOKING 1207 00:51:02,827 --> 00:51:03,828 FOR YOU? 1208 00:51:03,828 --> 00:51:05,496 >>MY EX? 1209 00:51:06,797 --> 00:51:07,798 >>[bag zips] 1210 00:51:07,798 --> 00:51:08,799 zip! 1211 00:51:08,799 --> 00:51:09,834 >>I REMEMBER YOU TELLING ME 1212 00:51:09,834 --> 00:51:10,868 ABOUT HER. 1213 00:51:10,868 --> 00:51:12,103 SKINNY, WHITE, TWICE YOUR AGE. 1214 00:51:12,103 --> 00:51:13,738 >>HOLD ON A MINUTE. 1215 00:51:13,738 --> 00:51:14,805 WHAT ARE YOU TALKING ABOUT? 1216 00:51:14,805 --> 00:51:15,806 >>I KNOW YOUR TYPE. 1217 00:51:15,806 --> 00:51:16,807 ANYWAY, THIS ISN'T 1218 00:51:16,807 --> 00:51:17,875 THE FIRST TIME THIS HAPPENED. 1219 00:51:17,875 --> 00:51:19,110 >>WHAT DO YOU MEAN? 1220 00:51:19,110 --> 00:51:20,111 >>TWO MONTHS AGO. 1221 00:51:20,111 --> 00:51:21,112 THE PHONE MESSAGES. 1222 00:51:21,112 --> 00:51:22,313 I'M NOT PUTTING UP WITH THIS 1223 00:51:22,313 --> 00:51:23,314 ANYMORE. 1224 00:51:23,314 --> 00:51:24,315 >>Terry: STACY, WAIT. 1225 00:51:24,315 --> 00:51:25,383 >>Stacy: I MADE MY DECISION. 1226 00:51:25,383 --> 00:51:26,384 >>[door slams] 1227 00:51:26,384 --> 00:51:27,385 slam! 1228 00:51:27,385 --> 00:51:28,686 >>SHIT! 1229 00:51:28,686 --> 00:51:30,321 >>[thump] 1230 00:51:30,321 --> 00:51:31,456 >>Terry: WHAT'D YOU FORGET? 1231 00:51:31,456 --> 00:51:33,324 YOUR FUCKING TOOTHBRUSH? 1232 00:51:33,391 --> 00:51:44,369 >>* 1233 00:51:44,369 --> 00:51:45,736 >>WHAT DO YOU THINK? 1234 00:51:45,736 --> 00:51:47,605 >>A LOT OF THIS IS 1235 00:51:47,605 --> 00:51:48,606 CONSPIRACY THEORIES. 1236 00:51:48,606 --> 00:51:50,208 THE INTERNET IS FULL 1237 00:51:50,208 --> 00:51:51,276 OF THIS STUFF. 1238 00:51:51,276 --> 00:51:53,511 IT'S NOT A VERY RELIABLE SOURCE. 1239 00:51:53,511 --> 00:51:55,846 >>IT SAYS HERE 1240 00:51:55,846 --> 00:51:56,914 THAT CASSAVETTES WAS TRYING 1241 00:51:56,914 --> 00:51:58,416 TO FIGURE OUT A WAY 1242 00:51:58,416 --> 00:51:59,450 TO ABSORB THEIR POWERS, 1243 00:51:59,450 --> 00:52:00,451 THEIR ECHOES. 1244 00:52:00,451 --> 00:52:01,452 >>THIS ONE'S 1245 00:52:01,452 --> 00:52:03,588 A LITTLE OUTLANDISH. 1246 00:52:03,588 --> 00:52:04,589 >>BUT THINK. 1247 00:52:04,589 --> 00:52:07,458 WHAT IF MAYBE SHE DID FIGURE OUT 1248 00:52:07,458 --> 00:52:08,459 A WAY? 1249 00:52:08,459 --> 00:52:10,228 BUT BEFORE SHE COULD DO IT, 1250 00:52:10,228 --> 00:52:12,230 SHE HAD TO GO ON THE RUN. 1251 00:52:12,230 --> 00:52:13,564 MAYBE THAT'S WHY SHE'S AFTER 1252 00:52:13,564 --> 00:52:14,565 THE STUDENTS. 1253 00:52:14,565 --> 00:52:15,633 TO STEAL THEIR ECHOES. 1254 00:52:15,633 --> 00:52:16,734 >>OR TO COVER UP 1255 00:52:16,734 --> 00:52:17,735 THE EXPERIMENTS. 1256 00:52:17,735 --> 00:52:18,736 >>YEAH. 1257 00:52:18,736 --> 00:52:20,738 BUT EITHER WAY, I THINK WE HAVE 1258 00:52:20,738 --> 00:52:21,806 A PRETTY GOOD IDEA 1259 00:52:21,806 --> 00:52:22,907 WHY THEY'RE AFTER RACHEL. 1260 00:52:22,907 --> 00:52:24,409 WHICH IS WHY WE HAVE 1261 00:52:24,409 --> 00:52:26,611 TO FIND HER BEFORE THEY DO. 1262 00:52:31,849 --> 00:52:33,518 >>APRIL. 1263 00:52:33,518 --> 00:52:34,719 WE GOT A CALL 1264 00:52:34,719 --> 00:52:36,354 FROM THE SAN FRANCISCO P.D. 1265 00:52:36,354 --> 00:52:37,555 THEY FOUND RACHEL'S BODY. 1266 00:52:37,555 --> 00:52:39,457 SHE'S BEEN DEAD FOR AT LEAST 1267 00:52:39,457 --> 00:52:42,493 A WEEK. 1268 00:52:42,493 --> 00:52:43,661 >>NO. 1269 00:52:43,661 --> 00:52:45,396 >>I'M SO SORRY. 1270 00:52:47,798 --> 00:52:50,835 >>SARAH SAID SHE SAW HER 1271 00:52:50,835 --> 00:52:52,703 YESTERDAY. 1272 00:52:52,703 --> 00:52:54,472 >>Mike: THERE'S A LOT HAPPENING 1273 00:52:54,472 --> 00:52:55,740 THAT WE CAN'T EXPLAIN. 1274 00:52:55,740 --> 00:52:57,242 >>WELL IF RACHEL'S DEAD, 1275 00:52:57,242 --> 00:53:00,345 THEN WHAT THE HELL DO THEY WANT? 1276 00:53:00,345 --> 00:53:01,346 >>LOOK, YOU HAVEN'T GOTTEN 1277 00:53:01,346 --> 00:53:02,347 A LOT OF SLEEP. 1278 00:53:02,347 --> 00:53:03,681 WHY DON'T I TAKE YOU HOME 1279 00:53:03,681 --> 00:53:04,682 FOR A WHILE? 1280 00:53:04,682 --> 00:53:05,816 WE CAN WATCH THE HOUSE 1281 00:53:05,816 --> 00:53:08,453 WHILE YOU REST. 1282 00:53:08,453 --> 00:53:10,855 >>THAT MIGHT BE A GOOD IDEA. 1283 00:53:16,661 --> 00:53:17,662 >>[phone rings] 1284 00:53:17,662 --> 00:53:18,663 ring! 1285 00:53:18,663 --> 00:53:19,797 >>YEAH, IT LOOKS GOOD. 1286 00:53:19,797 --> 00:53:20,798 I'LL GET THAT. 1287 00:53:20,798 --> 00:53:22,433 JUST GIVE THEM AN EMAIL 1288 00:53:22,433 --> 00:53:23,434 AND TELL THEM 1289 00:53:23,434 --> 00:53:25,336 TO COME PICK IT UP TOMORROW. 1290 00:53:25,336 --> 00:53:26,871 YOU GENTLEMEN ALRIGHT? 1291 00:53:26,871 --> 00:53:28,406 CAN I GET YOU A SODA 1292 00:53:28,406 --> 00:53:30,741 OR ANYTHING? 1293 00:53:30,741 --> 00:53:31,742 GORE GIRLS. 1294 00:53:31,742 --> 00:53:32,743 >>HEY, IT'S ME. 1295 00:53:32,743 --> 00:53:33,744 >>Casey: HEY. 1296 00:53:33,744 --> 00:53:35,480 I'M JUST FINISHING UP HERE 1297 00:53:35,480 --> 00:53:37,248 SO I CAN COME OVER 1298 00:53:37,248 --> 00:53:39,317 AND RELIEVE YOU IN A WHILE. 1299 00:53:39,317 --> 00:53:40,318 >>OKAY. 1300 00:53:40,318 --> 00:53:41,386 UM, I'M, I'M JUST GONNA 1301 00:53:41,386 --> 00:53:42,487 HEAD OUT NOW THEN. 1302 00:53:42,487 --> 00:53:44,489 THE COPS ARE TAKING ME. 1303 00:53:44,489 --> 00:53:45,490 >>SURE. 1304 00:53:45,490 --> 00:53:47,392 HOW'S SARAH? 1305 00:53:47,392 --> 00:53:49,460 >>April: SHE'S SLEEPING. 1306 00:53:51,662 --> 00:53:55,566 CASEY, RACHEL'S DEAD. 1307 00:53:55,566 --> 00:53:58,369 SHE DIED A WEEK AGO. 1308 00:53:58,369 --> 00:54:00,805 THEY JUST TOLD ME. 1309 00:54:00,805 --> 00:54:03,374 >>I'M SORRY, HON. 1310 00:54:03,374 --> 00:54:05,976 ARE YOU DOING ALRIGHT? 1311 00:54:05,976 --> 00:54:07,512 >>I'M JUST SO CONFUSED. 1312 00:54:07,512 --> 00:54:08,813 I CAN'T MAKE SENSE 1313 00:54:08,813 --> 00:54:10,381 OF ANY OF THIS. 1314 00:54:10,381 --> 00:54:12,450 >>YOU DON'T HAVE TO MAKE SENSE 1315 00:54:12,450 --> 00:54:13,518 OF IT NOW. 1316 00:54:13,518 --> 00:54:14,852 JUST GET SOME REST. 1317 00:54:14,852 --> 00:54:16,421 >>CASEY? 1318 00:54:19,624 --> 00:54:21,726 I'M SORRY. 1319 00:54:21,726 --> 00:54:23,060 I FEEL LIKE I BETRAYED 1320 00:54:23,060 --> 00:54:24,762 YOUR TRUST. 1321 00:54:24,762 --> 00:54:26,864 I DIDN'T MEAN TO. 1322 00:54:28,766 --> 00:54:30,368 I JUST KNOW I NEVER WANT 1323 00:54:30,368 --> 00:54:32,503 TO HAVE THIS FEELING AGAIN. 1324 00:54:34,004 --> 00:54:36,374 I LOVE YOU. 1325 00:54:36,374 --> 00:54:38,075 >>I LOVE YOU TOO. 1326 00:54:38,075 --> 00:54:39,777 >>WE'LL TALK LATER THEN? 1327 00:54:39,777 --> 00:54:41,679 >>Casey: YOU GOT IT. 1328 00:54:41,746 --> 00:54:48,619 >>* 1329 00:54:48,619 --> 00:54:50,455 >>[sighs] 1330 00:54:50,555 --> 00:54:57,528 >>* 1331 00:54:57,528 --> 00:54:59,464 >>CASEY'S COMING, HON. 1332 00:54:59,464 --> 00:55:00,965 SEE YOU SOON. 1333 00:55:01,031 --> 00:55:07,104 >>* 1334 00:55:07,104 --> 00:55:12,910 >>[voices whispering] 1335 00:55:12,910 --> 00:55:14,645 >>CASEY. 1336 00:55:17,782 --> 00:55:19,550 >>WELL, I'M GONNA GET GOING. 1337 00:55:19,550 --> 00:55:21,352 SURE YOU DON'T NEED HELP 1338 00:55:21,352 --> 00:55:22,353 WITH INVENTORY? 1339 00:55:22,353 --> 00:55:23,921 >>Casey: NO, I GOT IT. 1340 00:55:23,921 --> 00:55:24,922 YOU GO AHEAD. 1341 00:55:24,922 --> 00:55:26,724 >>OKAY, TAKE CARE OF YOURSELF. 1342 00:55:26,724 --> 00:55:28,426 >>Casey: THANKS. 1343 00:55:29,093 --> 00:55:30,561 >>[door creaks] 1344 00:55:30,561 --> 00:55:31,596 creak 1345 00:55:31,596 --> 00:55:34,599 >>[thunder rumbles] 1346 00:55:34,599 --> 00:55:35,600 >>HEY. 1347 00:55:35,600 --> 00:55:36,834 SHE'LL BE OUT IN A MINUTE. 1348 00:55:36,834 --> 00:55:38,002 >>male #3: I'LL WALK HER 1349 00:55:38,002 --> 00:55:38,969 TO HER CAR. 1350 00:55:38,969 --> 00:55:40,004 BE RIGHT BACK. 1351 00:55:40,070 --> 00:55:53,951 >>[dreary music] 1352 00:55:53,951 --> 00:55:57,755 >>[thunder rumbles] 1353 00:55:57,755 --> 00:55:58,956 >>MMPH! 1354 00:55:59,824 --> 00:56:22,079 >>[music continues] 1355 00:56:22,079 --> 00:56:23,648 >>Casey: UGH! 1356 00:56:26,817 --> 00:56:28,553 >>WHERE IS SHE? 1357 00:56:31,155 --> 00:56:32,923 FIND HER! 1358 00:56:32,990 --> 00:57:00,184 >>[music continues] 1359 00:57:00,184 --> 00:57:01,686 >>OH. 1360 00:57:09,494 --> 00:57:11,929 OH! OH! AHHH! 1361 00:57:11,929 --> 00:57:14,932 AH! AHH! 1362 00:57:14,932 --> 00:57:16,100 >>[door slams] 1363 00:57:16,100 --> 00:57:17,568 slam! 1364 00:57:17,568 --> 00:57:20,538 >>AHHH! AHHH! AHHH! 1365 00:57:20,538 --> 00:57:22,507 AHHH! AHHH! AHH! 1366 00:57:22,507 --> 00:57:23,508 >>NURSE. 1367 00:57:23,508 --> 00:57:25,142 SHE'S HYSTERICAL. 1368 00:57:25,142 --> 00:57:27,011 >>NO, CASEY! 1369 00:57:27,011 --> 00:57:28,479 GET OFF OF ME! 1370 00:57:28,479 --> 00:57:29,847 >>NO, SARAH. SARAH. 1371 00:57:29,847 --> 00:57:30,848 >>AHHH! AHHH! 1372 00:57:30,848 --> 00:57:31,849 >>YOU'RE GONNA HURT YOURSELF. 1373 00:57:31,849 --> 00:57:32,850 IT'S ALRIGHT. 1374 00:57:32,850 --> 00:57:33,851 >>AHH! 1375 00:57:33,851 --> 00:57:34,852 >>NO, THERE YOU GO. 1376 00:57:34,852 --> 00:57:35,853 THERE YOU GO. 1377 00:57:35,853 --> 00:57:36,854 IT'S ALRIGHT. 1378 00:57:36,854 --> 00:57:38,055 IT'S ALRIGHT. 1379 00:57:38,055 --> 00:57:39,490 SHH. 1380 00:57:39,590 --> 00:57:41,859 >>* 1381 00:57:41,859 --> 00:57:51,836 >>[thunder rumbles] 1382 00:58:00,244 --> 00:58:01,245 >>AAARGH! 1383 00:58:01,245 --> 00:58:02,246 >>GUS! 1384 00:58:02,246 --> 00:58:03,247 WHAT ARE YOU DOING? 1385 00:58:03,247 --> 00:58:04,248 >>YOU LOOKED TENSE. 1386 00:58:04,248 --> 00:58:05,249 >>STOP IT. 1387 00:58:05,249 --> 00:58:06,250 YOU'RE GONNA WAKE UP 1388 00:58:06,250 --> 00:58:07,251 THE PATIENTS. 1389 00:58:07,251 --> 00:58:08,519 >>IF WE GET LOUD ENOUGH, 1390 00:58:08,519 --> 00:58:09,754 WE MIGHT. 1391 00:58:09,754 --> 00:58:11,088 >>BUT. 1392 00:58:11,088 --> 00:58:14,825 I HAVE TO WATCH THE DESK. 1393 00:58:14,825 --> 00:58:17,962 >>NOBODY'S COMING. 1394 00:58:17,962 --> 00:58:19,163 THE PLACE IS ON LOCKDOWN. 1395 00:58:19,163 --> 00:58:20,264 >>WHAT MAKES YOU THINK 1396 00:58:20,264 --> 00:58:22,567 YOU CAN HAVE YOUR WAY WITH ME 1397 00:58:22,567 --> 00:58:23,568 WHENEVER YOU WANT? 1398 00:58:23,568 --> 00:58:25,536 >>I DON'T. 1399 00:58:25,536 --> 00:58:27,538 BUT, YOU CAN HAVE YOUR WAY 1400 00:58:27,538 --> 00:58:29,540 WITH ME WHENEVER YOU WANT. 1401 00:58:32,810 --> 00:58:34,545 >>YOU KNOW THAT, RIGHT? 1402 00:58:34,545 --> 00:58:36,647 >>WHO SAYS I WANT TO? 1403 00:58:40,184 --> 00:58:42,687 OKAY, YOU WIN. 1404 00:58:44,989 --> 00:58:57,034 >>[heavy breathing] 1405 00:58:57,034 --> 00:58:58,035 >>WAIT! 1406 00:58:58,035 --> 00:58:59,003 >>Gus: WHAT? 1407 00:58:59,003 --> 00:59:00,204 >>nurse: IT'S THE GIRL'S 1408 00:59:00,204 --> 00:59:01,205 OTHER MOM. 1409 00:59:01,205 --> 00:59:02,573 SHE'S ALLOWED UP HERE. 1410 00:59:02,573 --> 00:59:03,574 JUST, JUST GO. 1411 00:59:03,574 --> 00:59:06,644 THIS'LL JUST TAKE A SECOND. 1412 00:59:06,644 --> 00:59:08,278 WAIT, COME HERE. 1413 00:59:16,754 --> 00:59:18,288 HOLD THAT THOUGHT. 1414 00:59:25,062 --> 00:59:26,764 >>Rachel: SARAH. 1415 00:59:26,764 --> 00:59:27,765 SARAH, HIDE. 1416 00:59:27,765 --> 00:59:28,866 THEY'RE COMING FOR YOU. 1417 00:59:28,866 --> 00:59:30,234 >>WHAT IF THEY FIND ME? 1418 00:59:30,234 --> 00:59:31,235 >>Rachel: THEY WON'T. 1419 00:59:31,235 --> 00:59:32,236 I'LL HELP YOU. 1420 00:59:32,236 --> 00:59:33,370 I'M NOT LEAVING YOU. 1421 00:59:33,370 --> 00:59:34,939 HURRY. 1422 00:59:54,792 --> 00:59:55,893 >>nurse: HI, MISS LIN. 1423 00:59:55,893 --> 00:59:57,628 WELCOME BACK. 1424 00:59:57,628 --> 00:59:59,263 IS EVERYTHING OKAY? 1425 00:59:59,329 --> 01:00:04,635 >>* 1426 01:00:04,635 --> 01:00:05,636 >>YOUR DAUGHTER HAD 1427 01:00:05,636 --> 01:00:06,971 ANOTHER FIT AGAIN EARLIER. 1428 01:00:06,971 --> 01:00:08,739 BUT I THINK SHE'S SLEEPING 1429 01:00:08,739 --> 01:00:10,708 AGAIN NOW SO. 1430 01:00:10,775 --> 01:00:15,145 >>* 1431 01:00:15,145 --> 01:00:16,346 >>YOU REMEMBER WHICH ROOM 1432 01:00:16,346 --> 01:00:18,783 IT IS, RIGHT? 1433 01:00:18,783 --> 01:00:20,184 UM, WELL HERE. 1434 01:00:20,184 --> 01:00:21,919 I'LL SHOW YOU. 1435 01:00:21,986 --> 01:00:36,400 >>* 1436 01:00:36,400 --> 01:00:37,668 >>nurse: SARAH? 1437 01:00:37,735 --> 01:01:00,190 >>[ominous music] 1438 01:01:00,190 --> 01:01:02,392 >>Anne: NO! 1439 01:01:02,693 --> 01:01:08,432 >>[music continues] 1440 01:01:08,432 --> 01:01:10,968 >>HEY KID. WHAT'S GOIN' ON? 1441 01:01:13,704 --> 01:01:15,205 >>WATCH OUT! 1442 01:01:16,206 --> 01:01:17,875 AHHH! 1443 01:01:25,449 --> 01:01:27,985 >>Anne: DON'T BE AFRAID, CHILD. 1444 01:01:29,486 --> 01:01:31,956 I JUST WANT THE ECHO. 1445 01:01:36,260 --> 01:01:38,863 YOU CAN'T HIDE FROM US. 1446 01:01:38,929 --> 01:01:48,939 >>[ominous music] 1447 01:01:48,939 --> 01:01:51,008 >>I WILL FIND YOU. 1448 01:01:51,075 --> 01:02:09,126 >>[thunder rumbles] 1449 01:02:09,126 --> 01:02:10,761 >>SOUNDS LIKE THERE'S 1450 01:02:10,761 --> 01:02:12,162 A STORM COMING. 1451 01:02:12,162 --> 01:02:13,363 >>I THINK IT'S 1452 01:02:13,363 --> 01:02:15,132 A LITTLE WAYS OFF YET. 1453 01:02:20,170 --> 01:02:22,206 >>[sighs] 1454 01:02:22,206 --> 01:02:25,009 >>TROUBLE SLEEPING? 1455 01:02:25,009 --> 01:02:26,410 >>MMM. 1456 01:02:26,510 --> 01:02:27,912 >>[thunder rumbles] 1457 01:02:27,912 --> 01:02:30,815 >>THAT'S UNDERSTANDABLE. 1458 01:02:30,815 --> 01:02:33,050 >>HOW DO YOU DO IT? 1459 01:02:33,050 --> 01:02:35,085 I MEAN, DEAL WITH THIS SORT 1460 01:02:35,085 --> 01:02:36,353 OF STUFF EVERY DAY. 1461 01:02:36,353 --> 01:02:38,455 HOW DO YOU SLEEP AT NIGHT? 1462 01:02:38,455 --> 01:02:39,456 >>NOT WELL. 1463 01:02:39,456 --> 01:02:42,960 BUT IT COMES WITH THE JOB. 1464 01:02:42,960 --> 01:02:44,394 >>YOU EVER FEEL 1465 01:02:44,394 --> 01:02:46,396 LIKE YOU'VE HAD ENOUGH? 1466 01:02:46,396 --> 01:02:47,397 >>SOME DAYS. 1467 01:02:47,397 --> 01:02:48,866 BUT QUITTING ISN'T GONNA 1468 01:02:48,866 --> 01:02:49,867 HELP YOU. 1469 01:02:49,867 --> 01:02:52,169 DOING YOUR JOB IS THE ONLY THING 1470 01:02:52,169 --> 01:02:53,904 THAT MAKES YOU FEEL BETTER. 1471 01:02:53,904 --> 01:02:56,440 THING IS, THE MORE YOU DO IT, 1472 01:02:56,440 --> 01:02:58,308 THE MORE DEATH YOU SEE. 1473 01:02:58,308 --> 01:03:01,812 IT'S A NEVER-ENDING CYCLE. 1474 01:03:01,812 --> 01:03:03,347 >>WELL, I APPRECIATE 1475 01:03:03,347 --> 01:03:04,548 EVERYTHING. 1476 01:03:04,548 --> 01:03:05,916 >>SHH! 1477 01:03:06,817 --> 01:03:13,123 >>[thunder rumbles] 1478 01:03:13,123 --> 01:03:14,224 >>ISN'T ONE OF YOUR MEN 1479 01:03:14,224 --> 01:03:15,225 OUT THERE? 1480 01:03:15,225 --> 01:03:16,793 >>FRANK? 1481 01:03:19,964 --> 01:03:20,965 >>SARAH? 1482 01:03:20,965 --> 01:03:22,366 SARAH, WHAT ON EARTH 1483 01:03:22,366 --> 01:03:23,968 ARE YOU DOING HERE? 1484 01:03:23,968 --> 01:03:25,035 >>MOM, CASEY'S DEAD. 1485 01:03:25,035 --> 01:03:27,604 >>WHAT? 1486 01:03:27,604 --> 01:03:28,873 >>THEY KILLED CASEY. 1487 01:03:28,873 --> 01:03:30,941 THEN THEY CAME TO THE HOSPITAL 1488 01:03:30,941 --> 01:03:31,976 TO GET ME. 1489 01:03:31,976 --> 01:03:33,377 >>WHO? 1490 01:03:33,377 --> 01:03:34,511 >>THE TEACHER. 1491 01:03:34,511 --> 01:03:36,413 SHE WANTS THE ECHO. 1492 01:03:36,413 --> 01:03:38,048 >>FRANK! 1493 01:03:38,115 --> 01:03:39,984 >>* 1494 01:03:39,984 --> 01:03:40,985 >>OH MY GOD! 1495 01:03:40,985 --> 01:03:41,986 >>UPSTAIRS. 1496 01:03:41,986 --> 01:03:42,987 >>Sarah: AHH! 1497 01:03:42,987 --> 01:03:43,988 >>NOW! 1498 01:03:44,054 --> 01:03:46,924 >>* 1499 01:03:46,924 --> 01:03:48,859 >>April: COME ON SARAH! 1500 01:03:51,061 --> 01:03:52,062 >>GET OUT OF SIGHT. 1501 01:03:52,062 --> 01:03:53,397 I'LL TAKE CARE OF THIS MYSELF. 1502 01:03:53,397 --> 01:03:54,398 >>[door bangs] 1503 01:03:54,398 --> 01:03:55,399 bang! 1504 01:03:55,399 --> 01:03:56,400 >>Mike: FREEZE! 1505 01:03:56,400 --> 01:03:57,401 DON'T MOVE. 1506 01:03:57,401 --> 01:03:58,568 I SAID DON'T MOVE! 1507 01:03:58,568 --> 01:04:00,237 OR I WILL DROP YOU 1508 01:04:00,237 --> 01:04:02,406 WHERE YOU STAND! 1509 01:04:02,406 --> 01:04:04,108 >>THEN GET ON WITH IT. 1510 01:04:04,174 --> 01:04:09,880 >>* 1511 01:04:09,880 --> 01:04:13,317 >>[voices whispering] 1512 01:04:13,317 --> 01:04:28,365 >>[gasping] 1513 01:04:28,365 --> 01:04:29,366 >>SARAH. 1514 01:04:29,366 --> 01:04:31,135 I WANT YOU TO GO HIDE FOR ME, 1515 01:04:31,135 --> 01:04:32,102 OKAY? 1516 01:04:32,102 --> 01:04:33,303 DON'T LET THEM FIND YOU, OKAY? 1517 01:04:33,303 --> 01:04:34,304 YOU'RE GONNA BE OKAY. 1518 01:04:34,304 --> 01:04:35,305 YOU'RE GONNA BE ALRIGHT. 1519 01:04:35,305 --> 01:04:36,306 >>MOM! 1520 01:04:36,306 --> 01:04:37,374 >>OKAY? 1521 01:04:37,374 --> 01:04:39,043 PLEASE DON'T. GO, GO, GO. 1522 01:04:39,109 --> 01:04:43,480 >>UGH! UGH! 1523 01:04:45,015 --> 01:04:46,283 >>[gasps] 1524 01:04:46,283 --> 01:04:48,385 >>[voices whispering] 1525 01:04:48,385 --> 01:04:51,455 >>NOW, WHERE ARE YOU? 1526 01:04:51,555 --> 01:04:54,925 >>[voices whispering] 1527 01:04:54,925 --> 01:04:56,260 >>UPSTAIRS! 1528 01:04:56,326 --> 01:05:29,426 >>[ominous music] 1529 01:05:29,426 --> 01:05:30,727 >>[bat striking] 1530 01:05:30,727 --> 01:05:35,699 whomp! whomp! whomp! whomp! 1531 01:05:35,966 --> 01:05:45,342 >>[music continues] 1532 01:05:45,409 --> 01:05:55,452 >>[footsteps] 1533 01:05:55,452 --> 01:05:57,121 >>GOT YOU. 1534 01:05:57,121 --> 01:05:59,256 YOU'RE COMING WITH ME. 1535 01:05:59,256 --> 01:06:01,425 >>[voices whispering] 1536 01:06:01,425 --> 01:06:02,459 >>[panting] 1537 01:06:02,459 --> 01:06:03,593 >>[bat strikes] 1538 01:06:03,593 --> 01:06:05,062 whomp! 1539 01:06:05,129 --> 01:06:06,130 >>* 1540 01:06:06,130 --> 01:06:07,131 >>[whispering continues] 1541 01:06:07,131 --> 01:06:10,600 >>[gasps] 1542 01:06:10,600 --> 01:06:12,102 >>[bat strikes] 1543 01:06:12,102 --> 01:06:14,004 whomp! 1544 01:06:14,071 --> 01:06:16,606 >>UNH! UNH! UNH! 1545 01:06:18,075 --> 01:06:19,109 >>[gun fires] 1546 01:06:19,109 --> 01:06:20,244 bang! 1547 01:06:22,179 --> 01:06:24,148 >>[panting] 1548 01:06:27,717 --> 01:06:30,620 >>April: OH GOD. OH GOD. 1549 01:06:30,620 --> 01:06:32,089 OH GOD. 1550 01:06:32,089 --> 01:06:33,457 SARAH HONEY, COME HERE. 1551 01:06:33,457 --> 01:06:35,659 COME ON. WE HAVE TO GO. 1552 01:06:35,659 --> 01:06:37,527 BABY, WE HAVE TO GO. 1553 01:06:37,527 --> 01:06:39,029 COME ON. 1554 01:06:39,029 --> 01:06:40,764 OH GOD. COME HERE, HONEY. 1555 01:06:40,764 --> 01:06:41,765 COME HERE. 1556 01:06:41,765 --> 01:06:42,766 PLEASE GET UP. 1557 01:06:42,766 --> 01:06:43,767 PLEASE, PLEASE. 1558 01:06:43,767 --> 01:06:44,768 COME HERE. 1559 01:06:44,768 --> 01:06:46,070 HOLD ON TO ME, OKAY? 1560 01:06:46,070 --> 01:06:47,071 OKAY, GOOD GIRL. 1561 01:06:47,071 --> 01:06:48,072 GOOD GIRL. 1562 01:06:48,072 --> 01:06:49,073 OH GOD. 1563 01:06:49,073 --> 01:06:52,076 >>Sarah: [whimpering] 1564 01:06:57,547 --> 01:06:58,548 >>OKAY HONEY. 1565 01:06:58,548 --> 01:06:59,583 I NEED YOU TO KEEP 1566 01:06:59,583 --> 01:07:00,817 YOUR EYES CLOSED FOR ME, OKAY? 1567 01:07:00,817 --> 01:07:01,818 >>Sarah: OKAY. 1568 01:07:01,818 --> 01:07:02,819 >>OKAY. 1569 01:07:02,819 --> 01:07:03,820 >>Sarah: [whimpering] 1570 01:07:03,820 --> 01:07:05,722 >>KEEP 'EM CLOSED TIGHT. 1571 01:07:11,795 --> 01:07:13,730 [panting] 1572 01:07:13,730 --> 01:07:15,432 SHH! 1573 01:07:15,432 --> 01:07:17,667 KEEP YOUR EYES CLOSED, BABY. 1574 01:07:21,238 --> 01:07:23,240 OKAY, YOU CAN LOOK. 1575 01:07:26,476 --> 01:07:27,777 SHH. 1576 01:07:30,414 --> 01:07:31,548 UNH! 1577 01:07:31,548 --> 01:07:32,649 >>MOM? 1578 01:07:32,649 --> 01:07:34,684 >>[gasping] 1579 01:07:34,751 --> 01:07:36,453 >>[voices whispering] 1580 01:07:42,759 --> 01:07:46,496 >>SEE HOW EASY IT IS, CHILD? 1581 01:07:46,496 --> 01:07:48,598 WITH ONLY THE SLIGHTEST EFFORT, 1582 01:07:48,598 --> 01:07:50,267 YOU COULD TURN A PERSON 1583 01:07:50,267 --> 01:07:51,635 THIS WAY... 1584 01:07:53,703 --> 01:07:55,172 OR THAT. 1585 01:07:55,672 --> 01:07:57,274 >>STOP IT! 1586 01:07:57,341 --> 01:08:02,479 >>* 1587 01:08:02,479 --> 01:08:03,580 >>I MIGHT'VE BEEN ABLE 1588 01:08:03,580 --> 01:08:05,615 TO TEACH YOU A THING OR TWO 1589 01:08:05,615 --> 01:08:06,616 WITH THIS GIFT 1590 01:08:06,616 --> 01:08:07,751 YOUR MOTHER GAVE YOU. 1591 01:08:07,751 --> 01:08:09,153 BUT I'M AFRAID 1592 01:08:09,153 --> 01:08:11,621 I CAN'T LET YOU KEEP IT. 1593 01:08:11,621 --> 01:08:13,423 I'VE BEEN SEARCHING FOR IT 1594 01:08:13,423 --> 01:08:14,458 FOR SO LONG. 1595 01:08:14,458 --> 01:08:15,459 >>STOP! 1596 01:08:15,459 --> 01:08:17,194 YOU'RE HURTING HER! 1597 01:08:17,194 --> 01:08:18,195 >>HUSH NOW. 1598 01:08:18,195 --> 01:08:19,663 YOU'LL GET YOUR TURN. 1599 01:08:19,663 --> 01:08:22,166 >>[gasping] 1600 01:08:22,266 --> 01:08:23,733 >>* 1601 01:08:23,733 --> 01:08:27,704 >>[voices whispering] 1602 01:08:27,704 --> 01:08:28,805 >>WHAT? 1603 01:08:28,872 --> 01:08:30,907 >>[whispering continues] 1604 01:08:30,907 --> 01:08:32,542 >>OH-HO-HO-HO. 1605 01:08:32,542 --> 01:08:34,511 DON'T EVEN TRY IT. 1606 01:08:34,578 --> 01:08:40,184 >>[whispering continues] 1607 01:08:40,184 --> 01:08:42,252 >>HAVE IT YOUR WAY! 1608 01:08:42,319 --> 01:08:44,321 >>[intense music] 1609 01:08:44,321 --> 01:08:47,424 >>[screaming] 1610 01:08:47,524 --> 01:08:51,395 >>[music continues] 1611 01:08:51,395 --> 01:08:53,129 >>YOU CAN'T. 1612 01:08:53,197 --> 01:09:00,170 >>[music continues] 1613 01:09:00,170 --> 01:09:05,275 >>AHH! AHH! 1614 01:09:05,342 --> 01:09:18,422 >>* 1615 01:09:18,422 --> 01:09:20,357 >>SARAH. 1616 01:09:20,357 --> 01:09:22,692 SARAH. 1617 01:09:22,692 --> 01:09:24,294 OH GOD. 1618 01:09:30,267 --> 01:09:31,768 >>DID YOU SEE HER? 1619 01:09:31,768 --> 01:09:33,870 >>YEAH. 1620 01:09:33,870 --> 01:09:35,739 SWEETHEART, I DID. 1621 01:09:35,805 --> 01:09:45,515 >>* 1622 01:09:45,515 --> 01:09:47,551 >>Casey: YOU SHOULD'VE TOLD ME 1623 01:09:47,551 --> 01:09:48,718 ABOUT THE LETTER. 1624 01:09:48,718 --> 01:09:49,919 WHY DIDN'T YOU? 1625 01:09:49,919 --> 01:09:51,255 >>April: I LOVED RACHEL. 1626 01:09:51,255 --> 01:09:52,656 IT TOOK ME SO LONG 1627 01:09:52,656 --> 01:09:53,790 TO GET OVER HER. 1628 01:09:53,790 --> 01:09:55,892 AND THEN WHEN ALL THIS CAME UP, 1629 01:09:55,892 --> 01:09:57,527 I JUST, I DIDN'T KNOW 1630 01:09:57,527 --> 01:09:58,528 WHAT TO THINK. 1631 01:09:58,528 --> 01:10:01,598 >>Casey: DO YOU STILL LOVE HER? 1632 01:10:01,598 --> 01:10:03,667 >>April: DOESN'T MATTER ANYMORE. 95799

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