All language subtitles for Ripleys.Game.2002.PROPER.1080p.WEBRip.x264-RARBG

Man:
LOVELY.

BEAUTIFUL.

YOU'RE STONED
AND YOU'RE LATE.

QUALITY
IS NUMERO UNO.

IS IT EVERYTHING?

IS IT EVERYTHING?

EVERYTHING IS YOU,
TOMMY.

* EVERYTHING IS YOU *

* YOU ARE EVERYTHING *

* TOMMY,
YOU ARE EVERYTHING *

* TODAY I SAW SOMEBODY
WHO LOOKED JUST LIKE YOU. *

YOU'RE NOT PLANNING
ON SINGING ME THROUGH
THE DOOR, ARE YOU?

I GOT A "COR-REG-GIO"
IN HERE.

WELL, YOU'RE NOT
COMING IN.

- I'M FUCKING COMING IN.
- NO...

BECAUSE IT'S NOT
A "COR-REG-GIO,"

IT'S A CORREGGIO.

JUST LIKE IT'S
NOT "TAH-CO,"
BUT TACO.

NOT "PAH-STO,"
BUT PASTA.

SEE? YOUR ENTIRE
EDUCATION

COMES FROM
"CLASSIC CAR" MAGAZINE.

AND YOU'RE DRESSED LIKE
YOU'RE ON A CONDOM RUN
FOR THE MOB.

AND BY THE WAY,
IT ISN'T A CORREGGIO,
IT'S A FAKE REMBRANDT.

AND UNTIL YOU KNOW THAT,
YOU'RE NOT COMING IN
WITH ME.

DON'T FUCK ME OVER HERE,
PRAT.

DON'T THREATEN ME.
I'M NOT THE ONE WEARING
AN EARRING.

Man on intercom:
Yeah, who is this?

I'LL BE WAITING
OVER THERE.

YES, IT'S TOM RIPLEY.

( door buzzes )

WELCOME.

I'VE ALWAYS WANTED TO MEET
THE MAN BEHIND THE...

- SCURRILOUS RUMORS?
- REPUTATION.

I'VE HEARD
SO MANY THINGS.
PLEASE.

WHO KNOWS,
SOME OF THEM MAY
EVEN BE TRUE.

OH, THAT'S FABULOUS.

I DID MANAGE TO FIND YOU
A GUERCINO.

FANTASTIC.

LOOK AT THE ENERGY
IN THAT LINE.

THE TWO PARMIGIANINO.

REALLY STUNNING.

THIS IS EXTREMELY RARE.

OKAY.

$1.2 MILLION.

- THAT'S WHAT WE AGREED.
- WHAT WE AGREED?

YOUR PARTNER CALLED ME
AT THE BEGINNING OF THE WEEK.

- REEVES?
- YES.

- MORE PET THAN PARTNER.
- HE'S RATHER PERSUASIVE.

I HAD NO INTENTION
OF PAYING MORE THAN
900K.

UH-HUH. BUT SINCE
YOU SPOKE WITH HIM,

I'VE HAD THE OPPORTUNITY
TO PERUSE THE DRAWINGS

A LITTLE
MORE CAREFULLY MYSELF.

THIS REMBRANDT FIGURE
IS PRETTY WORTHLESS.

- I'M NOT DISCOUNTING FOR THAT.
- I HOPE NOT.

BECAUSE YOU'LL SELL IT
AS GENUINE FOR 800,000,

THE GUERCINO, 400,000,

THE PARMIGIANINO'S 650
FOR THE PAIR.

WHEN YOU ADD IN
THE OTHERS,

YOU'LL CLEAR
$3 MILLION EASILY, NO?

- I WANT $2 MILLION.
- $2 MILLION?

YOU MUST BE KIDDING?
WE HAD A DEAL.

YOU HAD A DEAL WITH REEVES,
NOT WITH ME.

- 1.3-- FINISH.
- $2 MILLION OR FORGET IT.

OUT OF THE QUESTION.
I WISH YOU PEOPLE WOULDN'T
WASTE MY TIME.

- YOU PEOPLE?
- TERRY, MR. RIPLEY'S
ABOUT TO LEAVE.

PLEASE DON'T TOUCH THOSE.

LEAVE THEM.

( speaking German )

( man speaking German )

Man:
TERRY!

- HE'S DEAD!
YOU KILLED HIM.
- SHUT UP!

- DON'T SHOOT.
- SHUT UP.

BE STILL.

HERE'S THE DEAL--

I'LL TAKE YOUR OFFER--
$1.2 MILLION.

BUT DUE TO THE VOLATILITY
OF THE MARKET...

I'M GOING TO TAKE SEVERAL
OF THE DRAWINGS WITH ME.

IS THAT CLEAR?

- IT'S UP TO YOU.
- THAT'S TRUE.

SO, PERHAPS
I'LL JUST TAKE
ALL OF THEM.

WOULD YOU LIKE TO KEEP
THE FOLDER?

IT'S REAL LEATHER.

DON'T FOLLOW ME.

THAT IS A LOVELY
ICARUS.

HE FLEW TOO CLOSE
TO THE SUN, NO?

SORRY ABOUT YOUR FRIEND.

- HOW DID IT GO?
- VERY WELL.

- YEAH?
- IT TAKES A LONG TIME
TO COUNT $1.2 MILLION.

IT'S YOURS.

WHAT, YOU DON'T
WANT YOUR CUT?

NO, I DON'T.
YOU MADE THE DEAL.

- ALL THIS FUCKING MONEY?
- NO, NO, NO.

I WOULDN'T HAVE
EVEN GOT 1.2

IF YOU HADN'T
CALLED HIM FIRST.

ANYWAY, THIS WAY,
AFTER YOU PAY NICHOLAS
FOR THE DRAWINGS,

- YOU'LL STILL HAVE $400,000.
- WHOA, WHOA, WHOA.

IT'S NOT THAT
I DON'T TRUST YOU,

BUT I DON'T
FUCKING TRUST YOU.

FUCKING HELL.

YES, CONSIDER IT A GIFT
FROM PROFESSOR RIPLEY'S
FINISHING SCHOOL.

BECAUSE WE'RE FINISHED.
BE WELL.

CIAO.

YOU'RE A GENTLEMAN.

YOU'RE A FUCKING
HONEST MAN.

SEE YA.

FANTASTICO.

- IT'S BEAUTIFUL.
- IT'S AN INCREDIBLY
RARE PIECE.

- MAY I ASK YOU WHAT YOU PAID?
- YES, YOU CAN.

- HOW LONG TO GET IT READY?
- READY?

WE NEED AT LEAST
SIX WEEKS TO MAKE IT
PLAYABLE.

YOU HAVE 13 DAYS.

IT'S A SURPRISE.

- MORNING.
- I BROUGHT THE PICTURE.

OH, GOOD.
THANK YOU.

LISTEN, I DON'T KNOW
IF YOU'D BE INTERESTED,

BUT MY WIFE AND I
ARE HAVING A FEW PEOPLE
OVER FOR DRINKS LATER ON.

YOU'D BE MOST WELCOME.

LOVELY.
THAT'S VERY KIND OF YOU.

IT'S THIRD PLACE
ON THE LEFT

- PAST THE RESTAURANT.
- GREAT, MAYBE WE'LL SEE
YOU LATER.

- CIAO.
- CIAO.

( sniffs )

- ( speaks Italian )
- YEAH, I HOPE SO.

I HAD TO MORTGAGE THE HOUSE
TO BUY THESE TRUFFLES.

SO YOU LEAVE
A LITTLE BIT FOR US.

- I WILL MAKE A RISOTTO.
- PERFECT.

- THE BEST YOU EVER HAD.
- I'M SURE.

( playing classical melody )

( both playing )

( Ripley playing jazz variation,
classical melody continues )

( music continues )

( Italian pop music playing )

( speaking Italian )

Man: TOM!

- CIAO.
- DO YOU KNOW JONATHAN?

WELL, I'D LIKE TO THINK
IF I WERE GATECRASHING,

I'D BE SOMEWHERE ELSE.

- HAVE YOU MET HIS WIFE?
- NO.

COME.

- SARAH?
- YEAH?

THIS IS TOM RIPLEY.
TOM, THIS IS SARAH.

- HI, TOM.
NICE TO MEET YOU.
- NICE TO MEET YOU.

- I--
- MARONE.

THE BEST.
THANK YOU.

- MAY I HELP?
- THAT'D BE GREAT.

AND WHERE'S LOUISA,
TOMMY?

SHE'S PREPARING
HER CONCERT IN VICENZA.
SHE SENDS HER APOLOGIES.

LOUISA HARARI,
A VERY GIFTED
HARPSICHORDIST.

HOW WONDERFUL.
THANK YOU.

- SCUSATE.
- SI.

- EXCUSE ME.
- THANK YOU.

YOU HUNGRY, TOM?
SANDWICH?

- NO, THANKS.
- I WISH I COULD PLAY
SOMETHING,

OR PAINT,
OR DO ANYTHING CREATIVE.

WHO KNITTED
YOUR SWEATER?

- I DID.
- WELL, THAT'S VERY--

WHAT?

- CREATIVE.
- Boy: MOMMY.

MM-HMM?

- THIS IS MATTHEW.
- HELLO, MATTHEW.

- IS IT YOUR BIRTHDAY?
- NO.

- IT'S JONATHAN'S.
- OH, I SEE.

Man:
HAVE YOU SEEN
RIPLEY'S PLACE?

YEAH, I'VE SEEN IT.

BLOODY PHILISTINE
AMERICAN.

YOU KNOW, HE'S RUINED
THAT PILEAN VILLA.

RESTORED THE HEART
AND SOUL OUT OF IT.

SEE, THAT'S THE TROUBLE
WITH RIPLEY.

TOO MUCH MONEY
AND NO TASTE.

OH, HI.
YOU'RE HERE, THEN.

EXCELLENT.
WE WERE HOPING YOU'D COME.

WHY?

WELL, TO--

TO ADD SPICE
TO THE EVENING.

MEANING?

YOU'RE A BIT
OF A LOCAL PERSONALITY.

MEANING?

PEOPLE HAVE HEARD
ABOUT YOU.

MEANING?

NOTHING.

JUST...

NOTHING.

JONATHAN, WHAT HAPPENED
TO THE COFFEE?

UH, IT'S--

IT'S COMING.

- IS EVERYTHING OKAY?
- YEAH.

GREAT.

Reeves:
MARIA...

THAT'S WHAT THE ITALIANO
AND THE ENGLISH HAVE IN COMMON.

PLAIN, SIMPLE FOOD.

EGGS IN BUTTER,
SUNNY SIDE UP.
PERFECTO.

( door squeaks )

( laughing )

MR. RIPLEY.

THE LORD
OF THE MANOR HIMSELF.

WHAT A PLEASANT
SURPRISE.

COME HERE.
OH...

YOU BEAUTIFUL MAN.

I MISSED YOU.

WHAT'S THE MATTER
WITH YOUR FACE?

HE DOESN'T WANT YOU
TO KNOW HE'S GLAD
TO SEE ME.

HE IS.
SEE, THAT'S THE THING
ABOUT RIPLEY.

HE'S A YANK,
BUT HE'S A YANK
WITH CLASS.

HE'S GOT CULTURE,
WHICH IS MORE THAN
YOU CAN SAY FOR ME.

BUT DEEP DOWN INSIDE
HE'S BLOODY WELL OVERJOYED
TO SEE ME, AREN'T YOU?

ABSOLUTELY, SQUIRE.

MARIA, YOU CAN GO HOME,
WE'LL LOOK AFTER OURSELVES
TONIGHT.

NO, NO, NO.
MUST SHE GO?
SOME EGGS.

I'M JUST SHOWING HER
A FEW CULINARY TIPS.

SHE'S THE BEST COOK
IN THE VENETO.

I'LL BET SHE IS.

BUT EGGS IS EGGS.

DIDN'T I ASK YOU
TO NEVER COME NEAR ME?

- YES, YOU DID.
- EVER?

BUT I FORGIVE YOU, TOM.

I TRUST THERE IS NO CHANCE
YOU WERE FOLLOWED HERE,
MY LIEGE?

I TOLD HER TO LIGHT
A FIRE IN THE LIBRARY.

- LOVELY.
- BUONA SERA.

- BUONA SERA.
- BUONA SERA, MARIA.

REMEMBER THOSE DRAWINGS
IN BERLIN?

I MADE, WHAT WAS IT,
400 GRAND,

AND YOU MADE SEVERAL
FUCKING MILLION?

AND HERE YOU ARE...

PROFESSOR RIPLEY'S
FINISHING SCHOOL,

NICELY TUCKED AWAY.

NICE AND SAFE.

I LIKE IT.

PLEASE?

THANK YOU.

OHH. YEAH,
YOU SPENT THE MONEY WELL.

ALWAYS.

IT'S A LOT OF WOOD.

VERY FLAMMABLE.

OH, SHIT.

A BIT OF GREASEPROOF
AND A HOT IRON SHOULD DO THAT.

I'LL SORT IT OUT FOR YOU
LATER ON.

MMM.

EXQUISITE, THOUGH.

I LIKE YOUR WIFE.
SHE FUCKING HATES ME.

IN MY BOOK,
THAT MAKES HER A GOOD WOMAN.
YOU'RE A LUCKY MAN.

I DON'T KNOW WHICH
I DISLIKE MORE,

YOUR ADMIRATION
OR YOUR ENVY.

ENVY? IT'S NOT ENVY.
I'M DOING ALL RIGHT.

GREAT.

- I'VE GOT THREE CLUBS
AND A RESTAURANT IN BERLIN.
- GREAT.

BUSINESS IS VERY GOOD.
AND I DON'T PAY ONE PENNY
FOR PROTECTION, EITHER.

WELL, I'M CHUFFED.

DO YOU WANT TO TELL ME
WHAT YOU WANT,

OR DO YOU WANT
SOME TRUFFLING PIG

TO FIND
YOU DEAD SOMEWHERE
IN A MONTH OR TWO?

AAH.

LET ME TELL YOU
SOMETHING, TOM.

I'VE GOT A COUPLE
OF PROBLEM NEIGHBORS.

BUSINESS COMPETITORS...

THAT NEED DEREGULATING.

BUT I CAN'T BE SEEN
TO BE INVOLVED.

THAT'S THE THING WITH BERLIN--
EVERYONE KNOWS EVERYONE.

WHO DIED, WHO DID IT,

WHO'S NEXT.

NOW IF I WANT
TO PLAY THIS SAFE,

I'M GOING TO NEED SOMEONE
THAT'S NOT CONNECTED.

AN INNOCENT.

- YOU WANT ME TO DO IT?
- YES.

WHY ME?

WELL, SOMEBODY'S GOT
TO DO IT.

AN OUTSIDER, IDEALLY.

BUT SOMEONE WHO KNOWS
HOW TO PLAY THE GAME.

EVEN SOMEBODY WHO'S BEEN
ON THE SIDELINES FOR A WHILE.

- WHY NOT SOMEONE
WHO'S NEVER PLAYED?
- ( scoffs )

50 GRAND'S A LOT
OF MONEY FOR AN AMATEUR.

INNOCENCE IS EXPENSIVE.

ONCE YOU'VE DIGESTED
YOUR EGGS,

WHY DON'T YOU AVAIL
YOURSELF

OF ONE OF OUR LOVELY LITTLE
HOTELS IN THE AREA, OKAY?

YOU'RE AN ARROGANT
BASTARD.

ALWAYS WAS,
ALWAYS WILL BE.

( door slams shut )

WHY WAS HE HERE?

HE WANTS ME
TO KILL SOMEONE.

- WHY DID HE ASK YOU?
- BECAUSE I CAN.

( laughs )
I KNOW YOU CAN,
SILLY.

YOU CAN SEW, TOO.

AND...

WHY DOES HE WANT
THIS PERSON KILLED?

I ASSUME HE'S DESPERATE.

HIS RESTAURANTS
ARE FAILING,

HIS NIGHTCLUB'S
IN FREEFALL.

HE'S INVOLVED IN
SOME KIND OF SQUALID TURF WAR.

YOU CAN'T DO THAT.

YOU CAN'T RUN OFF TO BERLIN
TO ASSASSINATE PEOPLE.

HE'S A FANTASIST.
I'M NOT AN ASSASSIN.

- AND HOW WAS THE PARTY?
- SMASHING.

I KNEW YOU'D HATE IT.

- ISN'T IT SAD ABOUT HIM?
- WHO?

THE PICTURE FRAMER.

- HE'S GOT LEUKEMIA.
- HMM.

IS DRUNKEN POMPOSITY
A SYMPTOM?

NO.

HE'S JUST ENGLISH.

HE'S VERY ILL, TOM.
HE'S DYING.

IT'S A SHAME.

IS IT?

REEVES.

YES, I'VE BEEN REFLECTING
ON YOUR PROBLEM,

YOUR TALENT SEARCH.
MM-HMM.

AND I THINK I MIGHT
HAVE COME UP WITH SOMEONE.

UH-HUH.

WELL, HE'S AS INNOCENT
AS A NEWBORN LAMB.

BUT I THINK UNDER
ALL THAT SOFT WHITE FLEECE...

HE MIGHT BE CAPABLE.

* Stop taking it now *

* So stop taking it now *

( telephone ringing )

* Stop taking it *

* Stop taking it now *

- * Be nice... *
- ( clears throat )

- JONATHAN TREVANNY.
- Reeves: Mr. Trevanny,

MY NAME IS PETER WISTER.

I WORK FOR A EUROPEAN-WIDE
HEADHUNTING AGENCY.

WE OFFER HIGHLY LUCRATIVE,
SHORT-TERM CONTRACTS

WITH PEOPLE SUCH
AS YOURSELF.

WELL, I'M TERRIBLY SORRY,

YOU'VE MADE A MISTAKE.
I'M A--

- ( music stops )
- I'M A PICTURE FRAMER.

I have a small shop.

NO, NO, NO.
THERE'S NO MISTAKE,
I CAN ASSURE YOU.

HOW DID YOU
GET MY NAME?

LISTEN, CAN I SUGGEST
THAT WE MEET FOR COFFEE

AT THE CIPRIANI,
SAY AROUND ABOUT 12:00 NOON?

I PROMISE YOU, IT'LL BE
TO YOUR CONSIDERABLE
FINANCIAL ADVANTAGE.

( church bell ringing )

Reeves:
YOU KNOW, ORGANIZED CRIME

WRECKS THE LIVES OF MILLIONS
OF INNOCENT PEOPLE EVERY YEAR.

AND SOMEONE NEEDS
TO DO SOMETHING ABOUT IT.

- WHAT EXACTLY ARE YOU AFTER?
- THE JOB WILL TAKE A MAXIMUM
OF TWO DAYS.

AND THEN WE PAY YOU
50 GRAND.

HOW MUCH?

$50,000.

- GUARANTEED.
- FOR TWO DAYS?

- WHAT'S THE WORK?
- TO KILL AN EXTREMELY
EVIL MAN.

( laughing )

TO KILL. WHAT?

THERE'S ABSOLUTELY
NO RISK INVOLVED.

WAIT A MINUTE.

THIS IS SOME SORT
OF JOKE.

JOKE? YOU THINK THIS
IS A FUCKING JOKE?

THIS AIN'T "CANDID CAMERA."
THERE'S NO HIDDEN CAMERAS.

I'M BEING
STRAIGHT WITH YOU.

- A FUCKING JOKE?
- I'M SORRY.

YOU'VE, UM...

YOU'VE DEFINITELY GOT
THE WRONG PERSON.

- NO, I DON'T THINK SO.
- WHERE DID YOU GET MY NAME?

WE'VE DONE A SEARCH.

LISTEN,
IF THIS ISN'T A JOKE,
IT'S A BIZARRE MISTAKE.

PLEASE, PLEASE, FORGET
YOU EVER MET ME.

AND I PROMISE YOU
I WON'T SAY ANYTHING

ABOUT THIS TO ANYONE,
ALL RIGHT?

$50,000.
THAT'S A LOT OF MONEY.

YOU HAVE
A BEAUTIFUL SON.

LOOK, JONATHAN,
YOU'RE FUCKING DYING

OF CHRONIC
MYELOID LEUKEMIA.

- WHAT?
- IT'S LIKE I SAID BEFORE.

YOU SHOULD LISTEN.
WE DO OUR HOMEWORK.

IF YOU CHANGE YOUR MIND,
I'LL BE HERE FOR A COUPLE
OF DAYS, YOU KNOW.

COME AND SEE ME.

( phone rings )

- HELLO?
- TOM.

- HE'S A WANKER.
- OF COURSE HE'S A WANKER.

YOU WANTED INNOCENT.
THAT COMES WITH THE TERRITORY.

- SO YOUR BOY'S GOING
TO DELIVER, IS HE?
- Of course.

I STAND BY MY ORIGINAL
JUDGMENT.

- WHAT DID YOU OFFER?
- $50,000, LIKE A WANKER.

DOUBLE IT.
I'LL PAY THE DIFFERENCE.

WHAT, YOU HAVE $50,000?

YOU OKAY?

- YOU LOOK REALLY PALE.
- JUST A BIT SHAKY,
THAT'S ALL.

WHAT'S WRONG?
DID SOMETHING HAPPEN?

WELL, I JUST BUMPED
INTO A TOTAL STRANGER

WHO KNEW I HAD
MYELOID LEUKEMIA.

THE WHOLE FUCKING
WORLD SEEMS TO KNOW.

WE DO LIVE
IN A VERY SMALL TOWN.

YES, I KNOW.

YOU SHOULD TALK
ABOUT IT.

IT'S NOT SOMETHING
TO BE ASHAMED OF.

I DIDN'T SAY IT WAS.

DON'T BE SO HARD
ON YOURSELF.

GOD, I'M SORRY.

- I'M SORRY.
- IT'S OKAY.

IT'S OKAY.

- I'M SCARED.
- I KNOW YOU ARE.

I JUST WISH EVERYTHING
WERE DIFFERENT.

I WISH YOU DIDN'T HAVE
THAT JOB.

SHH...

WE NEED THE MONEY.

- ( door opens )
- ( bell rings )

( door shuts )

HMM.
BUON GIORNO.

LOOK... PLEASE.

I REALLY MUST APOLOGIZE
FOR UPSETTING YOU
YESTERDAY.

- THAT'S NOT WHAT I WANT.
- THEN PLEASE LEAVE!

WHEN YOU COME TO BERLIN,
I'LL ARRANGE FOR A SECOND
OPINION.

TOP SPECIALIST.
ONE OF THE TOP HOSPITALS
IN GERMANY.

ABSOLUTELY NO OBLIGATION,
I PROMISE YOU.

I DON'T NEED ANOTHER
SECOND OPINION.

EVERYBODY NEEDS
A SECOND OPINION.

YOU KNOW,
TWICE IN MY LIFE,

DOCTORS
HAVE PRONOUNCED ME
EITHER DEAD OR DYING,

BUT I'M STILL HERE.
LOOK AT ME.

LOOK AT ME.

I'M STILL HERE.

NOW, IN ADDITION,
I'VE BEEN AUTHORIZED

TO INCREASE
THE ORIGINAL OFFER.

$100,000.

LOOK, I'M SORRY.

THANK YOU VERY MUCH
FOR YOUR TIME.

PLEASE CALL ME.

( engine starts )

HEY, CAN I GIVE YOU
A RIDE?

NO, THANKS.
I WALK.

- I'LL DRIVE YOU.
- I LIKE TO WALK.

- INDULGE ME.
- ( sighs )

THANKS FOR THE PARTY
BY THE WAY,
IT WAS LOVELY.

- HOW ARE YOU?
- FINE.

IT'S NONE OF MY BUSINESS,
BUT I KNOW YOU'RE NOT.

I'M SORRY.
I'M SURE IT CAN'T BE EASY

- TO TALK ABOUT THESE THINGS.
- WELL...

NO, IT'S NOT,
AS A MATTER OF FACT.

- BUT I DID JUST WANT TO SAY--
- THANK YOU.

THERE'S NOT MUCH
ONE CAN SAY.

- DO YOU HAVE
A SPECIALIST?
- YES.

DR. GIANNI.

- WHERE IS HE?
- HERE.

- HERE IN THE CLINIC?
- YES.

OH, I SEE.

- THEY'RE A PERFECTLY
COMPETENT TEAM.
- I'M SURE.

Ripley:
HE'S A BEAUTIFUL
LITTLE BOY.

THANK YOU.

I'M AFRAID IF I HAD
A LITTLE BOY LIKE THAT,

I'D DO ANYTHING
FOR HIM.

ANYTHING.

WELL, I'M TRYING TO DO.

I'M SURE YOU ARE.

- THANKS FOR THE LIFT.
- CHEERS.

OH, BY THE WAY,

I DIDN'T REALIZE
THE OCCASION THE OTHER NIGHT.

HAPPY BELATED BIRTHDAY.

THEY'RE A MIXTURE,

SO YOU NEVER KNOW
WHAT'S GONNA COME UP.

BUT THAT'S THE BEAUTY
OF PLANTING THINGS,
ISN'T IT?

THANK YOU.

TAKE CARE.

I'VE BEEN THINKING
ABOUT SOMETHING

SOMEONE AT THE CLINIC
SAID TO ME.

I MIGHT GO IN
TO SEE THIS MAN.

I THINK YOU SHOULD.

( mimicking explosions )

DADDY, ARE YOU GOING
AWAY FOREVER?

NOT QUITE YET.

BUT MOMMY SAID
YOU WILL.

WELL, MOMMIES MAY BE RIGHT,

BUT NOT THIS TIME.

ALL FINISHED.

Ripley:
IS JONATHAN AWAY FOR LONG?

Sarah:
NO, NOT LONG.

- WHERE DID YOU SAY HE'D GONE?
- TO BERLIN.

HE...

I DON'T KNOW
HOW MUCH...
YOU...

HOW MUCH I... DRINK?

BATHE? WORKOUT?

HOW MUCH YOU KNOW
ABOUT JONATHAN'S
CONDITION.

NOTHING.
I'M AN INNOCENT.

JONATHAN HAS CHRONIC
MYELOID LEUKEMIA.

MY GOD, YOU'RE KIDDING.
I'M SO SORRY.

THANK YOU.

SO THIS OPPORTUNITY FOR HIM
TO GET A SECOND OPINION
CAME UP

AT THIS RESEARCH
FOUNDATION.

HE DOESN'T TALK ABOUT IT,
BUT I KNOW HE'S ANGRY.

HE'S ANGRY BECAUSE...

HE'LL PROBABLY DIE SOON,

WHILE THE REST OF US
GO ON LIVING.

AND HE'S ANGRY
TO BE SO YOUNG.

AND HE'S ANGRY THAT
HE MIGHT NOT SEE
MATTHEW GROW UP.

Ripley:
AND WHAT ABOUT YOU?
ARE YOU ANGRY?

SOMETIMES.

I LOVE HIM COMPLETELY,
BUT...

THERE'S A PART OF ME...

I FEEL WILL BE GLAD
WHEN IT'S ALL OVER,

AND THAT'S A TERRIBLE
THING TO SAY.

I DON'T THINK YOU COULD
EVEN SAY ANYTHING
THAT TERRIBLE...

OR THINK IT.

I THINK WHAT YOU FEEL
ISN'T TERRIBLE AT ALL.

AND I THINK JONATHAN'S
VERY, VERY FORTUNATE

TO HAVE SOMEONE LIKE YOU.
AND I IMAGINE HE KNOWS IT.

- HOW WAS IT?
- THE EXAM?

- THOROUGH.
- WHEN DO YOU GET
YOUR RESULTS?

Jonathan:
IN THE MORNING.

DR. WENTZEL IS ONE
OF THE BEST.

I DON'T LIKE
DOCTORS, MYSELF.

THEY GIVE ME
THE FUCKING CREEPS.

HEY.

NOW THIS IS WHAT
WE'RE GOING TO DO--

IN THE MORNING
YOU'RE GONNA GO AND GET
YOUR MEDICAL RESULTS.

THEN YOU'RE GONNA COME
AND SEE ME.

YOU'RE GONNA TELL ME
WHAT YOU WANT.

A, I CAN DRIVE YOU
STRAIGHT TO THE AIRPORT

AND PUT YOU ON
A PLANE FOR HOME, OR B,

WE CAN DO
THE OTHER THING.

THE OTHER THING.

YEAH.

MEET ME HERE
AT 9:00.

I'LL GET YOU ON A PLANE
IN THE AFTERNOON.

YOU'LL BE GOING HOME
100 GRAND RICHER.

IT'S YOUR DECISION.
IT'S NOT A PROBLEM.

I'LL SEE YOU TOMORROW.

( whistles )

Louisa: SO...

HOW WAS YOUR EVENING?

Ripley:
NOT WITHOUT INTEREST.

MM-HMM.

AND HOW DID YOU PLAY IT?

Ripley:
BY EAR.

WELL, I HOPE.

A NICE,

STEADY RHYTHM.

I DIDN'T PLAY
THE WHOLE PIECE.

NO.

WHY NOT?

TURN OVER
AND I'LL TELL YOU.

( giggles )
NO WAY.

I WANT TO KNOW NOW.

TURN OVER
AND I'LL TELL YOU.

WAS SHE TOO EASY?

TURN OVER
AND I'LL TELL YOU.

NOW TELL ME.

I HAVE YOUR TEST RESULTS HERE,
MR. TREVANNY.

AND THEY DON'T APPEAR
TO TELL US ANYTHING NEW.

AFTER THE BONE MARROW
TRANSPLANT YOU HAD LAST YEAR,

YOU WENT
INTO A PARTIAL REMISSION

AND THEN RELAPSED
TO THE CHRONIC PHASE
TWO MONTHS AGO.

THESE LATEST TESTS ONLY SHOW
WHAT I THINK YOU ALREADY KNOW.

YOUR SITUATION, UNFORTUNATELY,
REMAINS GRAVE.

SO WHAT DO YOU WANT OF ME?

A FUTURE.

I CAN'T GIVE YOU THAT.

IT IS, I FEEL,
NOT IN MY BRIEF.

HOW LONG WILL YOU STAY
IN BERLIN?

NOT LONG.

- I WISH YOU LUCK.
- I MAY NEED IT.

Jonathan:
HOW MUCH HAVE YOU
GIVEN ME NOW?

YOU GET 50 GRAND UP FRONT,
AND 50 GRAND LATER.

IF YOU WEREN'T SO POLITE,
YOU'D COUNT IT.

HOW DO YOU USE THIS?
I'VE NEVER USED ONE
OF THESE BEFORE.

- YOU SCREW THAT
INTO THE BARREL.
- LIKE THIS?

- YEAH, JUST SCREW IT.
- OKAY.

AND WHERE DO
I SHOOT HIM?

JUST POINT THE GUN
AND PULL THE TRIGGER.

YOU DON'T HAVE
TO BE A BRAIN SCIENTIST.

IT'S HIM.

HE USUALLY WEARS
THOSE HORRIBLE GOLD-RIM GLASSES

AND A GREAT BIG FUCK OFF
RUSSIAN FURRY HAT,
YOU KNOW.

THEY HAD TO KILL
THREE BEARS TO MAKE THAT.

NOW HIS NAME
IS LEOPOLD BELINSKY--

A FUCKING RUSSIAN.

HE LEFT MOSCOW A YEAR AGO
AND SET UP SHOP HERE IN BERLIN,

YOU KNOW,
RUNNING PROSTITUTES

AND DRUGS
OUT OF HIS CLUBS.

THE PROSTITUTES
KEEP GETTING YOUNGER
AND YOUNGER,

WHILE THE DRUGS
KEEP GETTING FUCKING HARDER.

( speaking Russian )

THIS SCUMBAG IS TOTALLY
OUT OF ORDER.

YOU TAKE HIM OUT,

AND DECENT PEOPLE
WILL CALL YOU A FUCKING SAINT.

I LEARNED THAT ONCE A WEEK,
REGULAR AS CLOCKWORK,

HE VISITS THE ZOO.

HE ALWAYS ENDS UP
IN THE INSECT ROOM.

THAT'S WHAT
HIS REAL FRIENDS ARE.

YOU KNOW, BUGS,
CREEPY-CRAWLIES,
SLIMY FUCKING THINGS,

JUST LIKE HIMSELF.

THAT'S WHERE
YOU'LL FIND HIM.

THERE'S NO ONE ELSE IN THERE
AT THAT TIME OF DAY.

KIDS ARE ALL AT SCHOOL.

( yelling )

( speaking German )

( Spanish dance music
playing )

EXCUSE ME, SIR.

IT'S OKAY,
I JUST CAME TO GET MY THINGS.

NO, NO, NO, STAY.

I'M JUST GOING.

( cell phone ringing )

- HELLO?
- HI, TOMMY!

GUESS WHAT?

YOUR WANKER,
HE DID THE BUSINESS.

YEAH.

( door opens )

Sarah:
JONATHAN?

HELLO.

I DIDN'T EXPECT YOU
TILL MORNING.

WELL, IT IS MORNING.

( sighs )
IT'S SO GREAT
TO BE BACK.

TA-DA!

JONATHAN.

( sniffs )

GOD, IT'S BEAUTIFUL.

- WE CAN'T AFFORD THIS.
- HMM.

SO WHAT HAPPENED?
WHAT DID HE SAY?

WHAT DID WHO SAY?

THE SPECIALIST.

OH, HIM.

WELL, HE SAID...

NOTHING'S CHANGED.

IT'S NO WORSE.

OH.

- ( giggling )
- HELLO.

( moans )

HEY.

Jonathan:
BUON GIORNO.

- HOW ARE YOU?
- VERY WELL, THANKS.

- YOU?
- LIFE GOES ON.

AND MORE IMPORTANTLY,
I FINALLY FOUND

SOMETHING TO GO
IN THE DOWNSTAIRS
POWDER ROOM.

- SARA SAID
YOU CALLED 'ROUND.
- YEAH.

- WE MISSED YOU.
- YEAH, SORRY.

SHE SAID YOU WENT TO...
WHERE? BERLIN?

- YEAH.
- YEAH? PRODUCTIVE TRIP?

INTERESTING.

WHAT DO YOU MAKE
OF THESE?

FOR A HALLWAY?

NICE.

- VERY NICE.
- YEAH, I THOUGHT SO.

MATTHEW, HAVE YOU--
HAVE YOU FINISHED?

'CAUSE WE NEED
TO GET READY FOR WORK.

- Jonathan: BIG BOYS
EAT THEIR CEREAL.
- ( phone ringing )

( laughs )

PRONTO.

UH, NO.

NO.

OKAY.

WHO WAS THAT?

- WRONG NUMBER.
- WHAT, AGAIN?

HMM.

PREGO.

Reeves:
NO, NO, NO, MORE. MORE.

HOW YOU DOING?
NO, MORE.

DO YOU WANT
SOMETHING TO EAT?

- NO, THANKS, I'VE EATEN.
- NO, MORE.

HOW DO YOU FEEL?

GRAZIE.

ALL I WANT
IS WHAT YOU OWE ME.

( sniffs )
THIS IS FUCKING
FANTASTIC.

PLEASE, MAY I HAVE
THE REST OF MY MONEY?

- THANK YOU.
- MY PLEASURE.

- YOU WANT SOME MORE?
- MORE WHAT?

MORE OF WHAT YOU FANCY.
THAT'S THE BEAUTY OF MONEY.

YOU CAN TURN IT
INTO ALL SORTS.

LISTEN, I-- I COULDN'T.

WHAT I DID, I WOULDN'T--

- I COULDN'T DO IT AGAIN.
- THAT'S A FUCKING SHAME,

'CAUSE THERE'S
ANOTHER 50 GRAND.

AND I SUSPECT
SO MUCH EASIER.

AND I'D RATHER
WE DIDN'T MEET AGAIN.

THAT'S THE PROBLEM
WITH MATTERS SUCH
AS THIS.

THE TROUBLE STARTS
WHEN THE JOB IS ONLY
HALF DONE.

EVEN BASTARDS
HAVE FRIENDS.

EVEN DEAD BASTARDS.

- WHAT ARE YOU TALKING ABOUT?
- I'M JUST SAYING,

YOU CAN'T GO RUNNING
ABOUT SHOOTING PEOPLE,

IF YOU DON'T EXPECT
TO TIDY THINGS UP.

NOT IF YOU VALUE
YOUR LIFE.

MY LIFE?

WELL, I WOULDN'T GO
ON ANY FAMILY PICNICS
IF I WAS YOU, YOU KNOW?

( mimics gunshot )

( laughing )

- ( bell ringing )
- ( door shuts )

WHERE WERE YOU?

I TOOK THE CAR
TO THE GARAGE.

IT WASN'T PULLING.

MASSIMO SAYS IT ISN'T
WORTH REPAIRING.

GREAT.

SO WHAT DO WE DO?

WE... BUY A NEW ONE.

WITH WHAT?

LISTEN, THERE'S--

THERE'S SOMETHING
I'VE BEEN KEEPING FROM YOU.

I KNOW.

THIS MEDICAL RESEARCH
FOUNDATION,

THEY ACTUALLY GAVE ME
A FEW THOUSAND DOLLARS.

I THOUGHT I'D SAVE IT
FOR A RAINY DAY.

BUT I HAVE TO GO BACK.

WHAT FOR?

THEY'RE STARTING ANOTHER
CLINICAL TRIAL

WITH A NEW DRUG.
THEY'D PAY ME AGAIN.

- WHY DIDN'T YOU TELL ME?
- I DIDN'T WANT YOU TO WORRY.

- 'CAUSE IT'S DANGEROUS?
- NO, NO. JUST--

IT JUST MIGHT NOT WORK.

BUT AT LEAST WE'D HAVE
A CAR.

JONATHAN, THEY WOULDN'T
PAY YOU SO MUCH IF THERE
WASN'T A RISK.

THERE IS NO RISK.
AND IT WOULDN'T BE
FOR LONG.

DON'T GO, OKAY?

YOU DON'T NEED
A CAR.

( classical melody
playing )

( door shuts )

( whispers )
HELLO.

OH, SORRY. SCUSI.
SCUSI. SHH.

( whispers )
I NEED TO TALK
TO YOU OUTSIDE.

( cell phone ringing )

( phone crashes )
OH, FUCK.

SCUSI.

PLEASE,
IT'S A BEAUTIFUL SONG.

( ringing continuing )

CIAO.

HELLO?
I'LL CALL YOU LATER.

HERE.

IT'S A GARROTE.

- YEAH, I KNOW WHAT IT IS.
- SIGNATURE OF OLD BELINSKY.

WHEN THEY FIND THIS
'ROUND THE NECK OF HIS
CHIEF BUSINESS RIVAL,

THEY'LL THINK BELINSKY'S
BOYS DID IT, AND THAT
SHOULD START

A NICE LITTLE WAR
BETWEEN THE UKRAINIANS
AND THE RUSSIANS,

LEAVING THE FIELD CLEAR
FOR YOURS TRULY.

CORRECT ME IF I'M WRONG,
BUT YOU WANT TREVANNY

TO STRANGLE
A UKRAINIAN MOB BOSS

ON THE BERLIN
TO DUSSELDORF EXPRESS

WITH A LITTLE PIECE
OF DENTAL FLOSS?

( giggles )

YEAH.
WELL, MORE OR LESS.

HE'S NOT THAT KEEN ON IT,
BUT I THINK WE CAN TALK HIM
INTO IT.

HE'S NOT GOING
TO DO IT.

- NO?
- HE DID IT ONCE.

AND VERY WELL.

ONCE IS ENOUGH.
I WON'T LET HIM.

- NO?
- NO. GAME OVER.

( scoffs )
GAME OVER?

WHO THE FUCK ARE YOU?
WHO THE FUCK DO YOU
THINK YOU ARE?

THIS ISN'T A GAME,
THIS IS MY FUCKING LIVELIHOOD.

( grunts, yells )

I SAID NO.

ALL RIGHT THEN.

( dialing )

( ringing )

HELLO?

Machine:
Jonathan Trevanny.

- JONATHAN?
- Per favore lasciati
un messagio.

Vi richiemer.

Jonathan:
YOU SAID IN THE RESTAURANT
IT WOULD BE SO MUCH EASIER.

YOU DIDN'T SAY ANYTHING
ABOUT STRANGLING ANYBODY.

I'VE NEVER HEARD OF ANYTHING
SO BLOODY STUPID.

I COULDN'T STRANGLE ANYBODY
EVEN IF I WANTED TO.

I MEAN, LOOK AT ME.
LOOK AT ME!

IT'S NOT A MATTER
OF BRUTE STRENGTH,

IT'S A MATTER OF APPLYING
THE RIGHT PRESSURE TO
THE RIGHT POINT.

NOW YOU CAN DO IT,
YOU KNOW YOU CAN.

JONATHAN.

FUCK.

( speaking German )

JONATHAN, WAIT!

( muttering )
FUCK.

FUCK.

- ( church bell chiming )
- FUCK.

FUCK.

JUST FUCKING DO IT.

OTHERWISE...

YOUR FAMILY'S GOING
TO FUCKING DIE BEFORE YOU DO.

DON'T FUCK WITH ME.

( announcer speaking German )

THEY'RE COMING.

( whistle blows )

( speaking German )

( speaking Russian )

Reeves:
HE TAKES THAT TRAIN
TWICE A WEEK FOR BUSINESS.

HE HAS PROSTATE PROBLEMS,

SO HE SPENDS HALF THE TRIP
IN THE TOILET.

YOU'VE GOT
A MASTER KEY TO IT.

AND THAT'S WHERE
YOU'LL DO HIM.

YOU GOT A GARROTE,

BUT YOU ALSO GOT A GUN,
JUST IN CASE.

BUT-- THIS IS VERY IMPORTANT,
LISTEN TO ME.

IT'S VERY IMPORTANT.

YOU HAVE TO USE
THE GARROTE.

( gagging )

LET'S BE OPTIMISTIC
AND SAY WE WON'T NEED THAT.

THE NOOSE, PLEASE.

AND STICK AROUND,
I'LL NEED YOUR HELP.

THANK YOU. CIAO.

HAS HE COME BACK YET?

JESUS.

THIS IS
A NON-SMOKING CAR?

HOW RUDE.

LISTEN, IF HE DOESN'T
COME BACK SOON,

WE MAY HAVE TO WAIT
TILL AFTER DUSSELDORF,

THOUGH I HOPE NOT.

AND, UH-- OH, WAIT.

KEEP MY WATCH,
'CAUSE IF IT BREAKS,

I'LL KILL EVERYONE
ON THIS TRAIN.

LISTEN, I'M GOING
TO TAKE HIM INSIDE HERE

TO MAKE MY ADJUSTMENTS,
OKAY?

YOU WAIT OUTSIDE,
YOU SAY THAT YOUR WIFE
IS IN THERE

AND SHE'S VERY ILL.

GO INTO THE CORRIDOR
AND WAIT THERE FACING
THAT WAY.

WHEN HE COMES TOWARD YOU,
YOU TURN AND YOU LOOK AT ME.

YOU WALK THROUGH THESE DOORS
AND STOP THERE, OKAY?

NO MATTER WHAT HE DOES,
JUST STOP, I'LL TAKE CARE
OF THE REST. GO ON.

( gagging )

I'M SORRY,
MY WIFE'S IN THERE.

( stuttering )
SHE'S BEING SICK.

( speaking German )

TOM.

JESUS, IS HE DEAD?

I DON'T KNOW.

- ( gagging )
- Ripley: GET HIS LEGS IN!

( giggling )

( knocking )

TOM. TOM!

TOM, THE OTHER GUY
IS COMING NOW.

- WHAT? ARE YOU SURE?
- YES, HE'S COMING NOW.

( speaking German )

I'M SORRY,
I DON'T SPEAK GERMAN.

I'M WAITING.

HELLO?

HELLO?
ANYBODY IN?

- ( knocks )
- ( speaking German )

( door clicks )

( gagging )

IT NEVER USED
TO BE SO CROWDED
IN FIRST CLASS.

WE COULD USE THIS.

CAN I HAVE SOME MORE?

( both panting )

( sighs )

( sirens approaching )

( coughing )

JONATHAN,
I DON'T WANT
TO RUSH YOU,

BUT THE FLIGHT
TO MILAN LEAVES

IN A LITTLE OVER
AN HOUR.

PLEASE, IT'S NO RUSH.

I REALIZE I'VE HAD
OVER 20 MINUTES

TO ADJUST TO BECOMING
ONE OF EUROPE'S MOST WANTED.

AND I'M EXTREMELY AWARE
OF HOW LUDICROUS

I MUST SEEM TO YOU
WITH MY HEAVING AND MY SHAKING

AND MY POSITIVELY
SHOCKINGLY AWFUL NORMALNESS.

I DO HOPE THAT YOU WILL
FORGIVE ME.

( sobbing )

I CAN'T LOOK AT MY SON.

I CAN'T LOOK
AT MY SON.

I CAN'T EXPLAIN

HOW I MADE
$100,000.

AND I FEAR, I REALLY,
REALLY FEAR

THAT I AM, IN FACT, ILL.
I'M NOT WELL.

I KNOW I SHOULD
THANK YOU,

BECAUSE I WOULDN'T BE ALIVE NOW
IF YOU HADN'T HELPED ME,

BUT I CAN'T SAY IT.

I CAN'T SAY...
THANK YOU.

I DON'T KNOW
ANYTHING ABOUT YOU.

WHO ARE YOU?

I'M A CREATION.

I'M A GIFTED
IMPROVISER.

I LACK
YOUR CONSCIENCE.

WHEN I WAS YOUNG,
THAT TROUBLED ME.

IT NO LONGER DOES.

I DON'T WORRY
ABOUT BEING CAUGHT,

BECAUSE I DON'T BELIEVE
ANYONE IS WATCHING.

THE WORLD
IS NOT A POORER PLACE

BECAUSE THOSE PEOPLE
ARE DEAD.

IT'S NOT.
IT'S ONE LESS CAR
ON THE ROAD.

IT'S A LITTLE LESS NOISE
AND MENACE.

YOU WERE BRAVE TODAY.

YOU PUT SOME MONEY AWAY
FOR YOUR FAMILY,

THAT'S ALL.

IF YOU LACK
MY CONSCIENCE,

THEN WHY DID YOU
HELP ME ON THE TRAIN?

I DON'T KNOW.
BUT IT DOESN'T SURPRISE ME.

THE ONE THING I KNOW IS
THAT WE'RE CONSTANTLY
BEING BORN.

WHY ME?

WHY DID
YOU PICK ME?!

PARTLY BECAUSE
YOU COULD.

PARTLY BECAUSE
YOU INSULTED ME.

BUT MOSTLY
BECAUSE THAT'S THE GAME.

WE HAVE TO GET THIS FLIGHT.

SHALL WE?

WHAT'S GOING ON?

WHERE DID
THIS COME FROM?

YOU--

- YOU WOULDN'T BELIEVE ME.
- TRY ME.

( stuttering )

- I WON IT.
- YOU WON IT?

YES.
ROULETTE.

- ROULETTE?
- IN--

- SINCE WHEN
DID YOU PLAY ROULETTE?
- IN BERLIN.

- DON'T LIE TO ME.
- DOCTOR--

DR. WENTZEL,
HE TOOK US TO A CASINO.

WHAT IS THAT,
SOME KIND OF THERAPY?

NO, WE WENT IN
WITH A FEW THOUSAND MARKS.

- ( scoffs )
- IT'S TRUE.

YOU WON A SMALL FORTUNE,
AND YOU THOUGHT,

- "I KNOW, I WON'T TELL SARAH.
I'LL HIDE IT UNDER THE SINK."
- YES-- WELL, NO.

- I WANTED IT TO BE A SURPRISE.
- WHAT WERE YOU DOING
WITH TOM RIPLEY?

TOM RIPLEY. HE--
I MET HIM AT THE AIRPORT.

HE WAS COMING
FROM MILAN.

HE OFFERED
TO GIVE ME A LIFT.

ANYWAY, DR. WENTZEL,
HE HAS THIS SYSTEM.

YOU PUT A FEW THOUSAND
ON THE RED.

- AND THEN IF YOU LOSE,
YOU DOUBLE THE STAKE--
- DON'T LIE TO ME, JONATHAN!

WHATEVER IT IS
YOU'RE DOING, I WON'T BE
BLOODY LIED TO!

- YOU DON'T BELIEVE ME?
- NO.

LISTEN, I GO THROUGH
ALL THAT EXHAUSTING CRAP

WITH DOCTORS AGAIN-- AGAIN,
HOPING AGAINST HOPE,

LOOKING FOR SOME GLIMMER.
SOME GLIMMER!

AND THEN I GET
AN INCREDIBLE STROKE
OF LUCK--

FIRST TIME IN MY LIFE,
NEVER BEFORE--

AND WHAT HAPPENS IS THAT YOU,
YOU ACCUSE ME OF LYING TO YOU!

YOU ACCUSE ME
OF LYING TO YOU!

I MEAN, LOOK!
I HAVE SOME MONEY.

MONEY-- FOR YOU AND FOR ME
AND FOR MATTHEW.

AND MONEY, IT'S WHAT'S
IMPORTANT, ISN'T IT?

MONEY IS WHAT'S IMPORTANT,
ISN'T IT?!

WHERE DID YOU FIND IT?

IN A CHICKEN COOP
OUTSIDE PISA.

I HAD THEM COMPLETELY
REBUILD THE LEGS AND STRIP
ALL THE EMULSION OFF.

I CAN'T, IT'S--
I JUST CAN'T.

GIVE ME A MOMENT.

( harpsichord plays )

STOP IT.

NEVER TOUCH
HER AGAIN.

SHE'S TOO GOOD
FOR YOU.

I KNOW.

( harpsichord plays )

- WHAT'S WRONG?
- ONE OF THEM'S STILL ALIVE.

- HOW DO YOU KNOW?
- I HEARD IT ON WORLD NEWS.

JESUS...
I ALWAYS FIGURED YOU
FOR A TALK-RADIO MAN.

OKAY, I GUESS
I DIDN'T STRANGLE HIM
LONG ENOUGH.

IT'S NOT LIKE
A GARROTE COMES
WITH A MANUAL.

ONE OF THEM GOT A VERY,
VERY GOOD LOOK AT ME.

JONATHAN, THAT'S
THE FIRST RULE OF THE GAME.

DON'T EVER WORRY
ABOUT ANYTHING YOU CAN'T
CONTROL-- EVER.

ANYWAY, I DON'T THINK
THEY CAN TRACE US HERE.

AND IF THEY GET CLOSE,
I'LL LET YOU KNOW. BYE.

WHAT ABOUT MY FAMILY?

I'M JUST WORRIED
ABOUT MY FAMILY.

WELL, DON'T WORRY.
IF THEY COME FOR ANYONE,
THEY'LL COME FOR ME.

I THINK
THESE BALKAN TYPES

TEND TO TAKE STRANGLING
QUITE PERSONALLY.

YEAH?

( man speaking German
on TV )

- ( glass shatters )
- ( door opens )

- ( urinating )
- ( door shuts )

( screaming )

NEIN, NEIN!

( yelling )

Ripley:
LET US ALL TAKE THIS TIME

TO PAY
A WELL-DESERVED HOMAGE

TO THE EVER
AND EVER RISING SOUFFLé

- OF TOM RIPLEY.
- Louisa: OH... YES!

- LOOK AT THAT.
- BRAVO!

- SI.
- TOM...

- YOU ARE
THE PERFECT HOUSEWIFE.
- THAT'S TRUE.

- I SHOULD MARRY YOU.
- ( phone ringing )

- IT'S OKAY. LEAVE IT.
- YES, I ALREADY HAD THREE
WRONG CALLS TODAY.

OH, YEAH?

HELLO?

REEVES.

YEAH?
HOW THE--

OH NO.

What are
you doing here?

DON'T GET ASSY, TOM.

SO THEY LOCATED YOU
IN BERLIN?

HOW THEY FOUND OUT,
I DON'T KNOW.

AND NOW YOU LEAD THEM
TO MY HOUSE.

YOU KNOW, REEVES,
THERE'S SOMETHING OF
THE MUDSLIDE ABOUT YOU.

SOME PRIMAL URGE
TO BRING EVERYTHING
DOWN WITH YOU.

FUCK YOU.

FUCK YOU!

ARE YOU GOING TO LET ME IN,
OR WHAT, TOM?

Ripley:
Am I going to let you in?

No, I don't think so.

- You're on your own again.
- YOU BASTARD.

YOU FUCKING BASTARD.

YOU BASTARD!
YOU FUCKING BASTARD!

YOU BASTARD!
YOU FUCKING BASTARD!

YOU FUCKING BASTARD!

I'LL FUCKING DO YOU!
I'LL LEAD THEM STRAIGHT TO YOU!

YOU FUCKING BASTARD!
YOU FUCKING BASTARD!

FUCKING BASTARD!
FUCK, FUCK.

( panting )
FUCK YOU.

- SO, HOW IS IT?
A MASTERPIECE?
- BONICIMO.

- YEAH?
- GOOD.

MARIA, HOW WOULD YOU LIKE
TO TAKE THE WEEKEND OFF AND GO
AND VISIT YOUR SISTER?

I WOULD LIKE IT
VERY MUCH.

- THANK YOU.
- CIAO.

AND MY LOVE,
I WAS THINKING,

MAYBE YOU'D LIKE TO GO
TO VICENZA TODAY.

THAT WAY YOU CAN REHEARSE
IN THE THEATER.

THEY HAVE
SUCH LOVELY ACOUSTICS.

YEAH.

FINE.

SO YOU'LL STAY HERE
BY YOURSELF THIS WEEKEND?

- ACTUALLY,
I'M EXPECTING COMPANY.
- ( giggles )

WILL THEY BE COMING
WITH YOU TO THE CONCERT?

NO. SOMETHING TELLS ME
THEY'RE NOT MUSIC LOVERS.

- ( speaks Italian )
- GRAZIE, MARIA.

- WILL I SEE YOU THERE?
- ABSOLUTELY.

LISTEN, I'VE HAD
SOME RATHER UNWELCOME
PHONE CALLS.

I WANT YOU TO GET RID
OF ANYTHING

THAT MIGHT HAVE MY NAME
OR PHONE NUMBER ON IT.

DO THE SAME WITH REEVES.
DO YOU UNDERSTAND?

- WHAT'S HAPPENED?
- DO YOU UNDERSTAND?

- YES, I UNDERSTAND.
ARE WE IN TROUBLE?
- ONE OF US IS.

ONE OF US ISN'T.
DON'T PHONE ME,

DON'T COME NEAR
THE HOUSE.

- LISTEN,
IF YOU'RE IN TROUBLE--
- STAY AWAY. STAY SAFE.

- HE-EY!
- ( giggling )

HOW ARE YOU?
DID YOU HAVE A NICE DAY
IN SCHOOL?

EH? DID YOU?

I'VE-- I'VE GOT
TO GO AWAY FOR A FEW DAYS.

I HAVE SOME BUSINESS
TO SETTLE.

I WANT
TO FIX UP SOMETHING
FOR AFTER I'VE--

I DON'T WANT TO GO
INTO IT, NOT YET.

WHAT THING?

DON'T YOU THINK
WE SHOULD TALK ABOUT IT?

YES, WHEN I GET BACK,
IN A COUPLE OF DAYS.

IS IT ANYTHING
TO DO WITH TOM RIPLEY?

- NO.
- ( sighs )

Sarah:
JONATHAN.

I'LL BE BACK
IN A COUPLE OF DAYS,
DARLING.

LOOK, I REALLY THINK
WE SHOULD TALK ABOUT THIS.

- WHEN I GET BACK.
- GREAT.

- WITH ANOTHER FAT ENVELOPE.
- SHUT UP!

WHAT ARE YOU
DOING HERE?

- I THOUGHT
YOU MIGHT NEED SOME HELP.
- JONATHAN, GO HOME.

WHEN THEY COME,
THERE MIGHT BE QUITE
A FEW OF THEM.

AND THEY WON'T
BE BRINGING FLOWERS
AND CHOCOLATES.

I'M STAYING.

WHAT DID
YOU TELL SARAH?

- AN ASSORTMENT OF LIES.
- UH-HUH.

DID SHE BELIEVE
ANY OF THEM?

NOT THAT I'M AWARE OF.

WATCH YOUR STEP THERE.

- WHAT ARE THESE?
- MANTRAPS.

- WOULD YOU LIKE SOME TEA?
- YES, PLEASE.

- DO THEY WORK?
- DO THEY WORK?

YEAH, I THINK SO.

SHOULDN'T WE CLOSE
THE GATES?

NO, IF THEY'RE GOING
TO COME,

THEY'RE GOING TO COME.

I DON'T WANT TO SPEND
THE WHOLE REST OF MY LIFE
AT THIS.

- ARE YOU SCARED?
- NO.

I'M FUCKING TERRIFIED.

COME ON.

YOU KNOW,
I DIDN'T EVEN THINK
TO ASK YOU,

WITH YOUR CONDITION,

- CAN YOU EAT MEAT?
- YES.

- I'M JUST NOT VERY HUNGRY.
- YOU SHOULD EAT SOMETHING.

YOU MAY NEED
YOUR STRENGTH.

THE MEAT IS FANTASTIC.

IT'S FROM THE LITTLE
BUTCHER'S SHOP

JUST BY THE WAR MEMORIAL
ON THE RIGHT.

OUR COOK, MARIA,
WAS ONCE QUITE INTIMATE
WITH THE BUTCHER.

SO SHE GOT
SOME VERY NICE CUTS.

DO YOU THINK
WE'LL GET AWAY WITH IT?

- WHY NOT?
- I DON'T KNOW.

I'VE JUST NEVER BEEN
THE SORT OF PERSON TO
GET AWAY WITH THINGS.

AT SCHOOL,
OTHER KIDS GOT AWAY
WITH ALL SORTS.

BUT NOT ME.
I ALWAYS GOT CAUGHT.

- YOU KNOW WHY
YOU GOT CAUGHT?
- WHY?

'CAUSE YOU DIDN'T THINK
OF JUST KILLING YOUR TEACHERS.

( laughs )

JESUS, THIS WAITING.
I CAN'T STAND THIS WAITING.

WHEN I WAS
A LITTLE BOY,

I WAITED ON THE BEACH
FOR HOURS

FOR MY PARENTS
TO COME BACK FROM
A BOAT RIDE.

THEY DROWNED.

I COULD WAIT FOREVER.

( phone ringing )

HELLO?

HELLO, TOM,
THIS IS SARAH TREVANNY.

- IS JONATHAN THERE?
- NO, WHY?

Sarah:
Do you know where he is?

- WHY SHOULD I?
- BECAUSE I THINK YOU DO.

I'm sorry,
I don't understand.

- I KNOW THERE'S
SOMETHING GOING ON.
- WELL, LISTEN,

- I WOULDN'T WORRY.
- DON'T TELL ME NOT TO WORRY.

LISTEN, CAN I CALL YOU
RIGHT BACK?

NO, DON'T HANG UP,
JUST TALK TO ME.

Ripley:
I'M JUST IN THE MIDDLE
OF SOMETHING.

I MAY BE ABLE TO HELP.
I'LL MAKE A FEW CALLS
AND I'LL CALL YOU BACK.

- PLEASE, WAIT!
- Okay, bye bye.

OH, YOU-- FUCK.

NEVER GIVE
FINANCIAL ADVICE
TO FRIENDS.

( dog barking )

WHAT IF THEY CATCH
REEVES?

THEY'LL NEVER CATCH
REEVES-- UNFORTUNATELY.

HE'D TELL THEM ABOUT ME,
WOULDN'T HE?

PROBABLY.

BUT HE'S ALREADY
IN SOUTH AMERICA

MAKING LIFE MISERABLE
FOR SOME UNFORTUNATE
PLASTIC SURGEON.

SORRY.

THAT'S YOUR BREAKFAST.

- THEY DIDN'T COME?
- NOT YET.

STAY IN HERE.

( bolt clicks )

( metal crashes )

- ( metal trap clanks )
- ( screaming )

( screaming )

KEEP STILL.
KEEP YOUR MOUTH SHUT.

( squishing )

I THOUGHT I TOLD YOU
TO STAY INSIDE.

Jonathan:
IS HE DEAD?

I DON'T KNOW.
BUT AS WE KNOW, I'M NO EXPERT.

( screaming continues )

- ( speaking German )
- JESUS CHRIST!

IT'S THE GUY
I SHOT!

YOU SHOULD HAVE STAYED DEAD
THE FIRST TIME WE FUCKING
KILLED YOU!

( muffled yelling )

- YOU WANT ME
TO TAKE THIS OFF?
- SHUT UP!

YOU WANT IT OFF?
DOES THIS HURT?

( screaming )

I WISH
HE'D STOP BLEEDING.

DO YOU HAVE
A PORTABLE PHONE?

- Man: YES.
- IS IT ON YOU,
OR IN THE CAR?

- IT'S IN MY POCKET.
- GET IT OUT.

I WANT YOU TO CALL
THE MAN WHO SENT YOU HERE.

I WANT YOU TO TELL HIM
YOU GOT A VERY LONG LOOK
AT THE TWO OF US,

WE WERE DEFINITELY NOT
THE PEOPLE ON THE TRAIN.

DO YOU UNDERSTAND?
IF YOU DO THAT, YOU DO IT
CONVINCINGLY,

YOU WALK OUT OF HERE,
WE GIVE YOU HALF A MILLION
DOLLARS, OKAY?

IF YOU DON'T
DO IT CONVINCINGLY,

I TAKE YOU OUT BACK,
AND I RUN MY FUCKING TRACTOR

OVER YOUR HEAD
THE REST OF THE DAY.

OKAY?

YEAH.

( dialing )

CALM DOWN.

YEAH.

YEAH.

IF WE LET HIM GO,
THEN...

YEAH, YOU'RE RIGHT.

( door opens )

( footsteps )

Jonathan:
JESUS CHRIST.

SARAH.

SARAH, IT'S NOT
WHAT YOU THINK.

WHAT HAPPENED IS--
WE KILLED HIM

BECAUSE HE WAS GOING
TO KILL US!

IT WAS SELF-DEFENSE!
SARAH!

Sarah:
DON'T TOUCH ME!

LET GO!

I'M TAKING MATTHEW
AND WE'RE LEAVING.

SARAH.

- HAVE YOU GOT HIM?
- YES.

GRAB THE TRUNK,
I'LL GET THE OTHER GUY
IN A SECOND.

I GUESS YOU WERE WRONG
ABOUT SOUTH AMERICA.

JESUS.

POOR REEVES.

I GUESS HE WON'T BE GETTING
PLASTIC SURGERY AFTER ALL.

WILL YOU HELP ME?

YOU TAKE HIS FEET.

- ONE, TWO, THREE.
- ( grunting )

PUT HIS FEET
WAY DOWN.

COME ON.

COME ON.

( classical music plays
on radio )

( whistling )

HEY, LUIGI,
IT'S TOM-- RIPLEY.

CIAO.
HOW ARE YOU?

DO YOU HAPPEN TO HAVE
ANY CHINESE TREE PEONIES

IN THE SHOP
AT THE MOMENT?

LOVELY. LOVELY.
PINK OR RED?

TERRIFIC,
I LIKE THE RED.

LISTEN,
LOUISA'S CONCERT TONIGHT

IS AT TEATRO OLYMPICO.

AND COULD WE SEND OVER
FOUR DOZEN,

FIVE DOZEN
IF YOU HAVE IT?

I'LL DRIVE.

LOVELY.
THANK YOU MUCH.

OH, YEAH?
HOW IS HE?

TERRIFIC.
GIVE HIM MY BEST.

THANKS AGAIN.
BYE. CIAO.

YOU KNOW THE MOST
INTERESTING THING

ABOUT DOING
SOMETHING TERRIBLE?

WHAT?

OFTEN AFTER
A FEW DAYS...

YOU CAN'T
EVEN REMEMBER IT.

THAT MAKES ME FEEL REALLY,
REALLY GOOD.

THE REST
OF YOUR MONEY.

- OH, NO, I DON'T--
- AS PER MY ARRANGEMENT
WITH REEVES.

IT'S YOURS.

I'M NOT SURE ALL THIS
WAS ABOUT THE MONEY.

YOU KNOW WHAT?
I DOUBT IT.

AFTER ALL, WE'RE TWO
CIVILIZED PEOPLE.

- NO?
- OH.

YOU'RE OFFICIALLY OFF
EUROPE'S ACTIVE HIT LIST.

- THANK YOU.
- OKAY?

GOOD LUCK
WITH THE WIFE.

THANKS.

- TAKE CARE OF YOURSELF.
- YOU, TOO.

( horn honks )

- Sarah: JONATHAN!
- STAY QUIET OR I'LL KILL YOU.

WHERE'S YOUR FRIEND
RIPLEY?!

( shouting )

LEAVE HER ALONE!
IT WAS ME!

- WHO BROUGHT YOU IN?!
- I DID IT ON MY OWN!

- NO, DON'T KILL HER!
- ( gagging )

( gunshot )

- JONATHAN.
- WHY DID YOU DO THAT?

Sarah: NO.

( sobbing )
NO, PLEASE.

SARAH...

IN A FEW MINUTES
I'LL HAVE TO CALL
THE POLICE.

LISTEN, YOU TELL THEM
THERE WAS A BURGLARY.

YOUR HUSBAND CAME HOME,
HE SURPRISED THEM,

THERE WAS A STRUGGLE,
THERE WERE SHOTS.

YOU'RE IN SHOCK.
THAT'S ALL YOU REMEMBER.

LISTEN...

TAKE THIS.

IT'S THE BALANCE
OF HIS PAYMENT.

HE EARNED IT.

- IF YOU NEED--
- ( spits )

IT'S OKAY.

I DIDN'T
EXPECT THANKS.

( alarm beeps )

( crowd applauding )

( classical melody playing )

( sighs )

( muffled gunshot )

( music continues )

( orchestral music playing )