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1
00:00:00,024 --> 00:00:01,964
Previously on Genius...
2
00:00:01,965 --> 00:00:03,132
Move in with me.
3
00:00:03,133 --> 00:00:05,935
Think how wonderful it would be.
4
00:00:09,273 --> 00:00:11,643
APOLLINAIRE:
This is GĂ©ry Pieret.
5
00:00:11,644 --> 00:00:14,046
PIERET: Consider these a
token of our new friendship.
6
00:00:14,047 --> 00:00:16,242
PABLO: You stole
them, from the Louvre?
7
00:00:16,243 --> 00:00:17,510
PIERET: I liberated them.
8
00:00:17,511 --> 00:00:19,412
But there is a
small delivery fee.
9
00:00:19,413 --> 00:00:20,813
50 francs.
10
00:00:20,814 --> 00:00:22,181
FERNANDE: Opium.
11
00:00:22,182 --> 00:00:24,230
PABLO: Have you tried it?
I want to make you happy.
12
00:00:24,231 --> 00:00:25,431
At least for a little while.
13
00:00:25,432 --> 00:00:26,966
FERNANDE: I am
not your prisoner.
14
00:00:26,967 --> 00:00:28,167
PABLO: I made a mistake.
15
00:00:28,168 --> 00:00:29,502
I don't know what I
would do if I lost you.
16
00:00:29,503 --> 00:00:34,039
LEO: Pablo Picasso,
meet Henri Matisse.
17
00:00:34,040 --> 00:00:37,510
MATISSE: I see you've already
met, uh, Monsieur Braque.
18
00:00:37,511 --> 00:00:39,545
He is the youngest of the
Wild Beasts, as they call us.
19
00:00:39,546 --> 00:00:41,347
PABLO: What do you want?
20
00:00:41,348 --> 00:00:43,048
BRAQUE: You haven't
surfaced in months.
21
00:00:43,049 --> 00:00:44,583
PABLO: Why do you care, Braque?
22
00:00:44,584 --> 00:00:45,951
We barely know each other.
23
00:00:45,952 --> 00:00:47,219
BRAQUE: I would
like to change that.
24
00:00:47,220 --> 00:00:48,621
I really do admire your work.
25
00:00:48,622 --> 00:00:50,556
GERTRUDE: Oh, it's
ghastly, Pablo.
26
00:00:50,557 --> 00:00:54,059
LEO: That is the most astute art
critique you have ever given, Gertrude.
27
00:00:54,327 --> 00:00:55,761
FERNANDE: Congratulations.
28
00:00:55,762 --> 00:00:58,730
You said you wanted to
offend, you've done it.
29
00:00:59,900 --> 00:01:06,271
(THEME MUSIC PLAYS).
30
00:01:15,982 --> 00:01:22,721
♪
31
00:01:32,833 --> 00:01:38,570
♪
32
00:01:42,221 --> 00:01:48,088
sync and corrections by awaqeded
www.addic7ed.com
33
00:01:48,730 --> 00:01:49,679
LUC: So?
34
00:01:49,680 --> 00:01:54,501
What is it like living with the
most famous artist in the world?
35
00:01:54,502 --> 00:01:58,104
FRANÇOISE: We work. We go to museums.
We laugh.
36
00:01:59,073 --> 00:02:01,441
LUC: And does he ask you
to cook and clean for him?
37
00:02:01,442 --> 00:02:03,459
Huh, like a good little wife?
38
00:02:03,460 --> 00:02:05,227
FRANÇOISE: Of course not.
39
00:02:05,228 --> 00:02:06,729
We make each other happy.
40
00:02:06,730 --> 00:02:08,630
LUC: Right.
41
00:02:08,631 --> 00:02:12,602
You get the rich old mentor and, uh,
he gets the pretty young mistress.
42
00:02:13,570 --> 00:02:16,972
FRANÇOISE: You're
determined to be cynical.
43
00:02:16,973 --> 00:02:19,508
LUC: Well, I have no money.
44
00:02:19,509 --> 00:02:21,643
Have no fame.
45
00:02:21,644 --> 00:02:25,746
I just have the nagging
thought that, mmm,
46
00:02:25,747 --> 00:02:30,628
I should have kissed you the first
time I saw you at Rozsda's.
47
00:02:31,293 --> 00:02:33,886
FRANÇOISE: I had no idea
you even noticed me.
48
00:02:33,887 --> 00:02:35,154
(CLEARS THROAT).
49
00:02:35,155 --> 00:02:37,523
LUC: He's so old.
50
00:02:37,524 --> 00:02:41,222
Ah. Does he take lots of naps?
51
00:02:41,223 --> 00:02:43,057
(LAUGHS).
52
00:02:43,926 --> 00:02:46,561
FRANÇOISE: He's got
more energy than I do. Mm-hmm.
53
00:02:46,562 --> 00:02:47,962
LUC: Oh. Really?
54
00:02:47,963 --> 00:02:49,664
FRANÇOISE: He works all night.
55
00:02:49,665 --> 00:02:54,180
And then at dawn, he comes to bed
and we make love all morning.
56
00:02:55,504 --> 00:02:58,439
So, Luc, tell me about Tunisia.
57
00:02:58,541 --> 00:03:01,142
LUC: Well, I'll be teaching
a small art school in Tunis.
58
00:03:01,143 --> 00:03:03,852
I'm looking forward to
getting out of Paris.
59
00:03:03,853 --> 00:03:06,521
You should come and
visit some time.
60
00:03:07,223 --> 00:03:09,924
You and the old man.
61
00:03:15,664 --> 00:03:17,365
PICASSO: Pack your bags!
62
00:03:17,366 --> 00:03:20,264
FRANÇOISE: Where are we going?
63
00:03:20,265 --> 00:03:21,765
PICASSO: To the Midi.
64
00:03:21,766 --> 00:03:27,696
Fresh air, sunshine, long
lunches and lazy afternoons.
65
00:03:27,697 --> 00:03:30,297
- FRANÇOISE: That sounds lovely.
- PICASSO: Hmm.
66
00:03:30,298 --> 00:03:32,604
FRANÇOISE: But I'm finally settled
into a good routine here.
67
00:03:32,605 --> 00:03:35,593
PICASSO: Ooh, to be settled
is the death of an artist.
68
00:03:35,594 --> 00:03:37,053
Mm-hmm.
69
00:03:37,054 --> 00:03:38,653
FRANÇOISE: Well, I'm
getting a lot of work done.
70
00:03:38,654 --> 00:03:41,945
PICASSO: Well, you
can work there.
71
00:03:42,620 --> 00:03:44,323
FRANÇOISE: Sounds like
you've made up your mind.
72
00:03:44,324 --> 00:03:46,619
PICASSO: Well, you
could resist me.
73
00:03:46,620 --> 00:03:50,153
But, uh, what
would be the point?
74
00:04:03,072 --> 00:04:05,597
FRANÇOISE: When you said the Midi,
I thought you meant the beach.
75
00:04:05,611 --> 00:04:10,067
PICASSO: Oh. The sea is, uh, not far.
It's 80 kilometers that way.
76
00:04:21,055 --> 00:04:24,323
MARCEL: I better pick up some
groceries before the shops close.
77
00:04:24,324 --> 00:04:25,923
FRANÇOISE: I'll go with you.
78
00:04:25,924 --> 00:04:27,384
PICASSO: No, no. Stay with me.
79
00:04:27,385 --> 00:04:30,411
I want to show you
the rest of the house.
80
00:04:30,412 --> 00:04:36,137
FRANÇOISE: Would you mind, um,
getting some ham and cheese? Bread?
81
00:04:36,533 --> 00:04:39,141
PICASSO: Oh, uh, and
five or six eels.
82
00:04:39,142 --> 00:04:43,928
And also, I, I, I would need onions,
and, uh, butter, sugar, salt pork,
83
00:04:44,255 --> 00:04:46,746
uh, flour and celery.
84
00:04:46,968 --> 00:04:50,259
Yeah, okay, yeah, well.
85
00:04:50,759 --> 00:04:53,493
Do you like eels?
86
00:04:56,012 --> 00:04:57,888
FRANÇOISE: Not particularly.
87
00:04:57,889 --> 00:05:01,528
PICASSO: Ah, but in my
stew, you will love them.
88
00:05:05,194 --> 00:05:07,106
FRANÇOISE: You cook,
I'll, uh, I'll clean.
89
00:05:07,107 --> 00:05:08,810
PICASSO: No, no,
no, no, no, no, no.
90
00:05:08,811 --> 00:05:11,107
If you clean up, I won't
be able to find anything.
91
00:05:11,108 --> 00:05:14,327
Just, just leave it like that.
92
00:05:17,890 --> 00:05:22,989
KAHNWEILER: So that meant to shock.
To challenge.
93
00:05:23,316 --> 00:05:26,432
I would like to exhibit
it in my gallery.
94
00:05:27,733 --> 00:05:30,815
Once it's finished.
95
00:05:31,455 --> 00:05:36,450
PABLO: It is finished,
you should go.
96
00:05:37,090 --> 00:05:38,584
BRAQUE: Pablo...
97
00:05:38,585 --> 00:05:42,293
I'm sure Herr Kahnweiler
meant no offense.
98
00:05:42,933 --> 00:05:45,632
Thank you so much for coming.
99
00:05:45,716 --> 00:05:47,454
KAHNWEILER: I'm
sorry I upset him.
100
00:05:47,455 --> 00:05:52,450
BRAQUE: No. He's always upset.
It is, uh, part of his charm.
101
00:05:59,281 --> 00:06:02,920
Did you have to be so rude?
102
00:06:02,968 --> 00:06:04,497
PABLO: I liked him.
103
00:06:04,498 --> 00:06:08,150
BRAQUE: Well he
certainly felt it.
104
00:06:08,151 --> 00:06:10,167
I cannot recommend him enough.
105
00:06:10,168 --> 00:06:14,016
He's honest, discerning, and he's
buying up all the most innovative work.
106
00:06:14,064 --> 00:06:16,937
PABLO: You mean like Matisse?
107
00:06:17,020 --> 00:06:19,441
BRAQUE: Among others.
108
00:06:20,186 --> 00:06:23,337
PABLO: You have not told me
what you think of it yet.
109
00:06:26,203 --> 00:06:30,071
BRAQUE: It reminds
me of El Greco.
110
00:06:30,099 --> 00:06:32,359
The reflection of
form is similar.
111
00:06:32,360 --> 00:06:40,585
But where El Greco believed in grace,
this has a savage, apocalyptic power.
112
00:06:40,812 --> 00:06:43,546
It is completely new.
113
00:06:43,629 --> 00:06:46,330
But I am sorry, Pablo,
as it was for poor
114
00:06:46,331 --> 00:06:49,738
El Greco, it will be
years before people
115
00:06:49,739 --> 00:06:53,007
understand what you have done.
116
00:06:56,013 --> 00:06:59,546
PABLO: So they'll appreciate
me when I'm dead and buried.
117
00:07:06,621 --> 00:07:08,011
BRAQUE: Go easy on that.
118
00:07:08,012 --> 00:07:10,585
PABLO: I never go easy.
119
00:07:10,586 --> 00:07:12,776
On anything.
120
00:07:12,777 --> 00:07:14,245
BRAQUE: You know, you
don't have to live
121
00:07:14,246 --> 00:07:15,733
in squalor and chaos
to make great art.
122
00:07:15,734 --> 00:07:17,785
PABLO: Who are you to
tell me how to live?
123
00:07:17,786 --> 00:07:20,081
BRAQUE: You have
got to clean up.
124
00:07:20,082 --> 00:07:21,983
Get out of this slum
before you go mad like
125
00:07:21,984 --> 00:07:24,594
van Gogh, slice off
your ear and die in
126
00:07:24,595 --> 00:07:27,024
a gutter somewhere.
127
00:07:30,656 --> 00:07:34,364
PABLO: It's time for you to go.
128
00:07:36,430 --> 00:07:40,138
Matisse needs his paints mixed.
129
00:07:40,604 --> 00:07:42,850
(CHUCKLES).
130
00:07:49,717 --> 00:07:51,942
- Ready? Set.
- Ah...
131
00:07:51,943 --> 00:07:55,059
- Yeah. Ah!
- Go.
132
00:07:57,855 --> 00:08:02,434
-Ah, oh, how?
133
00:08:04,594 --> 00:08:07,386
How on earth did you
do that, Weigels?
134
00:08:07,387 --> 00:08:10,529
WEIGELS: My mother taught me.
She's an alcoholic.
135
00:08:10,530 --> 00:08:11,316
MAX: Uh-huh?
136
00:08:11,317 --> 00:08:13,368
WEIGELS: The trick is
to open your throat.
137
00:08:13,369 --> 00:08:18,203
MAX: So your father must
be a very happy man, huh?
138
00:08:18,204 --> 00:08:20,555
FERNANDE: Max!
139
00:08:33,822 --> 00:08:36,903
WEIGELS: Uh, I love it.
140
00:08:38,587 --> 00:08:41,738
PABLO: Why?
141
00:08:42,204 --> 00:08:48,033
WEIGELS: Well, the colors,
the sense of movement, the...
142
00:08:48,395 --> 00:08:50,377
FERNANDE: Oh, stop
pretending, Karl.
143
00:08:50,378 --> 00:08:53,459
Everyone hates it.
144
00:08:55,213 --> 00:08:57,668
MAX: Pablo.
145
00:08:59,978 --> 00:09:06,385
Pablo, I believe your dipsomaniacal,
debauched new neighbor has, uh,
146
00:09:06,386 --> 00:09:08,638
the perfect remedy
to lift your spirits.
147
00:09:08,639 --> 00:09:11,060
Huh?
148
00:09:21,265 --> 00:09:24,381
PABLO: Pass me the pipe.
149
00:09:33,926 --> 00:09:35,142
MAX: How much?
150
00:09:35,143 --> 00:09:37,946
SOULIÉ: Two francs.
151
00:09:44,291 --> 00:09:47,316
You, you can have it for five
francs, Monsieur Picasso.
152
00:09:47,317 --> 00:09:49,020
The canvas is good.
153
00:09:49,021 --> 00:09:52,138
You can paint right over it.
154
00:09:52,534 --> 00:09:55,373
PABLO: Are you mad?
155
00:09:56,570 --> 00:09:59,547
It's a masterpiece.
156
00:09:59,561 --> 00:10:01,995
The artist, you know him?
157
00:10:01,996 --> 00:10:05,808
SOULIÉ: Artist?
He's, he's a customs clerk.
158
00:10:05,821 --> 00:10:07,490
Henri Rousseau.
159
00:10:07,491 --> 00:10:10,538
PABLO: You know
where I can find him?
160
00:10:14,830 --> 00:10:16,603
Monsieur Rousseau?
161
00:10:16,604 --> 00:10:17,855
Pablo Picasso.
162
00:10:17,856 --> 00:10:20,012
I, I wrote to you.
163
00:10:20,013 --> 00:10:22,816
ROUSSEAU: Yeah. Come in.
164
00:10:25,996 --> 00:10:28,452
How are things in Cairo?
165
00:10:28,639 --> 00:10:32,186
PABLO: I think you may have
confused me with someone else.
166
00:10:32,187 --> 00:10:38,636
ROUSSEAU: No, come in, I had no idea
you Egyptians were so timorous.
167
00:10:40,779 --> 00:10:43,791
PABLO: Guillaume, what
are you doing here?
168
00:10:44,013 --> 00:10:45,717
APOLLINAIRE: What
does it look like?
169
00:10:45,718 --> 00:10:48,048
We are having our portrait done.
170
00:10:48,049 --> 00:10:51,222
Pablo, allow me to
introduce my new paramour
171
00:10:51,223 --> 00:10:56,378
and companion in chaos,
Marie Laurencin.
172
00:10:58,552 --> 00:11:01,335
PABLO: You are aware
he's an utter degenerate?
173
00:11:01,336 --> 00:11:03,839
MARIE: That's why I
fell in love with him.
174
00:11:03,840 --> 00:11:06,678
(LAUGHS).
175
00:11:06,692 --> 00:11:11,344
ROUSSEAU: Monsieur Picasso, would
you care to assess my progress?
176
00:11:19,388 --> 00:11:22,309
♪
177
00:11:22,310 --> 00:11:26,539
A perfect likeness,
wouldn't you say?
178
00:11:27,492 --> 00:11:33,428
PABLO: Yes, you've
captured them exactly.
179
00:11:33,857 --> 00:11:36,325
(LAUGHING).
180
00:11:36,326 --> 00:11:38,204
APOLLINAIRE:
That old idiot's a joke.
181
00:11:38,205 --> 00:11:40,291
(LAUGHS).
182
00:11:40,292 --> 00:11:41,972
PABLO: If you feel that way, why are
183
00:11:41,997 --> 00:11:43,839
you paying him to paint your portrait?
184
00:11:43,840 --> 00:11:46,413
MARIE: Our love is a mad thing.
185
00:11:46,414 --> 00:11:51,004
It must be immortalized
by an utter madman.
186
00:11:51,005 --> 00:11:53,335
APOLLINAIRE: I'm going to
hang it above my chamber pot.
187
00:11:53,336 --> 00:11:56,243
Everybody deserves a good
laugh when they take a piss.
188
00:11:56,431 --> 00:11:58,065
(LAUGHING).
189
00:11:58,066 --> 00:12:00,778
PABLO: You two are
wrong about, Rousseau.
190
00:12:00,779 --> 00:12:04,048
The way he distorts proportions,
uses unnatural colors.
191
00:12:04,049 --> 00:12:06,760
His work is strange.
192
00:12:06,761 --> 00:12:08,709
Primitive.
193
00:12:08,710 --> 00:12:10,378
He does not care
what people think.
194
00:12:10,379 --> 00:12:14,621
Least of all two
barbarians like you.
195
00:12:14,622 --> 00:12:17,752
(LAUGHING).
196
00:12:17,753 --> 00:12:21,705
APOLLINAIRE: You, my friend, have
been smoking too much opium.
197
00:12:23,110 --> 00:12:26,504
FERNANDE: You wasted
our money on that?
198
00:12:27,735 --> 00:12:31,547
PABLO: It cost less than
all the perfume you bought.
199
00:12:33,927 --> 00:12:37,808
FERNANDE: And I suppose it's better
than your big ugly whore painting.
200
00:12:41,997 --> 00:12:44,570
PABLO: I'm going to throw
Rousseau a huge party.
201
00:12:44,571 --> 00:12:46,030
Invite everyone.
202
00:12:46,031 --> 00:12:48,661
Drinks, entertainment, a feast.
203
00:12:48,883 --> 00:12:51,387
FERNANDE: You complain about me
buying a few bottles of perfume,
204
00:12:51,388 --> 00:12:54,692
now you want to host a
banquet for some nobody.
205
00:12:54,693 --> 00:12:57,508
PABLO: He's worked in
obscurity for years.
206
00:12:57,509 --> 00:12:59,804
But he's a genius.
207
00:12:59,805 --> 00:13:03,408
It's just nobody
realizes it yet.
208
00:13:07,145 --> 00:13:10,330
He deserves to be celebrated.
209
00:13:13,162 --> 00:13:16,627
FERNANDE: Are you talking
about him, or you?
210
00:13:26,414 --> 00:13:32,069
♪
211
00:13:39,214 --> 00:13:43,804
PABLO: Ladies and gentlemen,
introducing our most honored guest,
212
00:13:43,805 --> 00:13:46,505
Monsieur Henri Rousseau!
213
00:13:49,615 --> 00:13:51,283
FERNANDE: Your highness.
214
00:13:51,284 --> 00:13:53,474
ROUSSEAU: Oh.
215
00:13:53,475 --> 00:13:57,253
What a gorgeous goddess
descended from Olympus is this?
216
00:13:57,475 --> 00:13:59,735
FERNANDE: Uh, Fernande.
217
00:13:59,736 --> 00:14:01,579
Uh, daughter of Bacchus.
218
00:14:01,580 --> 00:14:05,522
God of wine, revelry
and, uh, madness.
219
00:14:05,523 --> 00:14:07,305
ROUSSEAU: Oh.
220
00:14:07,631 --> 00:14:10,970
You and I shall
be great friends.
221
00:14:10,971 --> 00:14:13,565
APOLLINAIRE: Uh, Picasso
asked me to compose
222
00:14:13,566 --> 00:14:15,921
some lines in your honor, Monsieur.
223
00:14:16,536 --> 00:14:24,250
"Look how young the city is and
you still only a toddler...
224
00:14:24,363 --> 00:14:26,170
(LAUGHING).
225
00:14:26,171 --> 00:14:28,988
"You the lovely lily...
226
00:14:28,989 --> 00:14:31,109
A red-haired flame...
227
00:14:31,110 --> 00:14:33,823
A vain peacock...
228
00:14:33,824 --> 00:14:36,592
(LAUGHING).
229
00:14:36,849 --> 00:14:39,457
GERTRUDE: You listening
to this twaddle?
230
00:14:39,458 --> 00:14:42,171
LEO: Look, his masterpiece.
231
00:14:42,172 --> 00:14:45,718
APOLLINAIRE: "And desperation...
232
00:14:45,719 --> 00:14:50,679
The brandy you sip
burns in your throat...
233
00:14:50,693 --> 00:14:55,966
Let the sun beheaded be."
234
00:15:03,493 --> 00:15:07,444
ROUSSEAU:
Friends, gods, and serfs.
235
00:15:08,814 --> 00:15:16,419
Only with love can we live and,
uh, only with joy can we work.
236
00:15:16,420 --> 00:15:18,727
MAX: All hail the customs clerk!
237
00:15:18,728 --> 00:15:23,201
(CROWD LAUGHING).
238
00:15:23,250 --> 00:15:25,781
ROUSSEAU: And only with vegetables can
239
00:15:25,782 --> 00:15:28,431
we make palaces for kings and queens.
240
00:15:28,432 --> 00:15:32,453
(LAUGHING).
241
00:15:35,562 --> 00:15:37,927
GERTRUDE: Quite a party.
242
00:15:37,928 --> 00:15:40,327
Where's Matisse?
243
00:15:40,328 --> 00:15:43,422
PABLO: Must have a colorful
painting to finish.
244
00:15:43,423 --> 00:15:45,753
Needs to organize his pigments.
245
00:15:45,754 --> 00:15:48,279
GERTRUDE: Uh-huh.
246
00:15:49,928 --> 00:15:51,596
FERNANDE: My goodness, Henri!
247
00:15:51,597 --> 00:15:52,988
Monsieur.
248
00:15:52,989 --> 00:15:56,014
ROUSSEAU: It seems my
brains are on fire.
249
00:15:56,015 --> 00:15:58,866
No. No, no, no, my dear.
250
00:15:58,867 --> 00:16:03,075
I love my crown.
251
00:16:03,076 --> 00:16:04,640
(LAUGHING)
252
00:16:04,641 --> 00:16:06,727
MAX: He's a daft as a dandelion.
253
00:16:06,728 --> 00:16:08,263
WEIGELS: If canvas wasn't so abrasive,
254
00:16:08,264 --> 00:16:09,892
I would cut up his picture and use it
255
00:16:09,893 --> 00:16:11,840
to wipe my ass.
256
00:16:11,841 --> 00:16:14,102
PABLO: I have seen
your work, Weigels.
257
00:16:14,103 --> 00:16:17,254
That man is a true artist.
258
00:16:17,754 --> 00:16:19,319
A master.
259
00:16:19,320 --> 00:16:23,201
You are nothing but a fraud.
260
00:16:26,172 --> 00:16:28,084
ROUSSEAU: I cannot
thank you enough.
261
00:16:28,085 --> 00:16:31,214
PABLO: I am the one who
should be thanking you.
262
00:16:31,215 --> 00:16:33,301
You've inspired me.
263
00:16:33,302 --> 00:16:35,250
ROUSSEAU: Ohh...
264
00:16:35,251 --> 00:16:38,228
You discovered me.
265
00:16:38,415 --> 00:16:41,566
And in one night, you
brought sweetness
266
00:16:41,567 --> 00:16:45,684
and glory to a lifetime of struggle.
267
00:16:49,546 --> 00:16:53,601
I hope this happens
to you someday.
268
00:16:56,085 --> 00:16:59,271
We are the best
painters in the world.
269
00:17:00,329 --> 00:17:06,193
Me in the modern style,
and you in the Egyptian.
270
00:17:17,337 --> 00:17:19,340
(SHATTERING)
271
00:17:19,842 --> 00:17:22,575
PABLO: Jesus.
272
00:17:31,807 --> 00:17:37,984
♪
273
00:17:49,910 --> 00:17:53,270
PABLO: First
Casagemas, now Weigels.
274
00:17:55,476 --> 00:17:58,835
FERNANDE: What are
you talking about?
275
00:18:01,180 --> 00:18:06,939
PABLO: I abandoned Carles,
and I insulted Weigels.
276
00:18:09,145 --> 00:18:12,645
It's my fault again.
277
00:18:14,711 --> 00:18:17,701
He was...
278
00:18:17,702 --> 00:18:20,136
a sweet soul.
279
00:18:20,137 --> 00:18:22,223
Harmless.
280
00:18:22,224 --> 00:18:23,962
And I was cruel to him.
281
00:18:23,963 --> 00:18:26,431
FERNANDE: He was a calamity.
282
00:18:26,432 --> 00:18:29,966
Don't blame yourself.
283
00:18:39,476 --> 00:18:42,349
What are you doing?
284
00:18:43,580 --> 00:18:46,397
PABLO: Braque was right.
285
00:18:46,398 --> 00:18:49,723
No more of this.
286
00:18:56,345 --> 00:18:59,774
FERNANDE: Maybe if we
smoke just a little.
287
00:19:06,607 --> 00:19:09,966
PABLO: Think of Spain.
288
00:19:10,120 --> 00:19:12,693
The mountains.
289
00:19:12,694 --> 00:19:15,705
And the blue sky.
290
00:19:17,911 --> 00:19:21,688
Close your eyes.
291
00:19:31,337 --> 00:19:32,693
FRANÇOISE: Ah!
292
00:19:32,694 --> 00:19:35,531
PICASSO: God, what?
293
00:19:35,580 --> 00:19:39,080
What's going on?
294
00:19:39,233 --> 00:19:42,627
Oh.
295
00:19:43,685 --> 00:19:45,179
FRANÇOISE: Oh, my God.
296
00:19:45,180 --> 00:19:46,710
They're everywhere.
297
00:19:46,711 --> 00:19:49,006
PICASSO: You, you know
that I am a Scorpio.
298
00:19:49,007 --> 00:19:52,088
It's my zodiac sign. Yeah.
299
00:19:52,138 --> 00:19:54,119
FRANÇOISE: It's not funny.
They're poisonous.
300
00:19:54,120 --> 00:19:57,006
PICASSO: Dora was stung once.
301
00:19:57,007 --> 00:19:58,258
She's still alive.
302
00:19:58,259 --> 00:20:00,102
FRANÇOISE: You came
here with Dora?
303
00:20:00,103 --> 00:20:01,492
PICASSO: Yeah, of course.
304
00:20:01,493 --> 00:20:04,123
This is her house.
305
00:20:04,520 --> 00:20:06,119
(LAUGHING).
306
00:20:06,120 --> 00:20:08,276
PICASSO: Wasn't it nice
of her to lend it to us?
307
00:20:08,277 --> 00:20:10,815
FRANÇOISE: Oh, yes.
I'm so grateful.
308
00:20:10,816 --> 00:20:12,171
PICASSO: Uh, where
are you going?
309
00:20:12,172 --> 00:20:14,975
FRANÇOISE: To get a broom.
310
00:20:16,972 --> 00:20:18,989
PICASSO: Hey, Françoise,
Françoise, Françoise...
311
00:20:18,990 --> 00:20:21,006
Leave it.
312
00:20:21,007 --> 00:20:27,313
It's just that you have to
learn to be, um, more messy.
313
00:20:27,859 --> 00:20:32,118
Relax, come back to bed.
314
00:20:32,119 --> 00:20:33,458
FRANÇOISE: I'm not
sleeping in there.
315
00:20:33,459 --> 00:20:34,988
Not with these things.
316
00:20:34,989 --> 00:20:36,832
PICASSO: We can sleep
in another room.
317
00:20:36,833 --> 00:20:40,227
Just choose one.
318
00:20:40,485 --> 00:20:42,779
It's all the same to me.
319
00:20:42,780 --> 00:20:46,732
As long as I am with you.
320
00:20:50,294 --> 00:20:53,167
Ah, all right.
321
00:21:03,025 --> 00:21:08,972
♪
322
00:21:08,973 --> 00:21:11,914
FRANÇOISE: Is this
messy enough for you?
323
00:21:12,624 --> 00:21:14,432
(GRUNTS).
324
00:21:14,433 --> 00:21:16,171
(LAUGHS).
325
00:21:16,172 --> 00:21:18,467
BRAQUE: You really cleaned up?
326
00:21:18,468 --> 00:21:22,888
PABLO: Yes and unlike Van Gogh,
I still have both my ears.
327
00:21:26,051 --> 00:21:28,402
BRAQUE: Come in.
328
00:21:39,825 --> 00:21:43,533
PABLO: My God.
329
00:21:44,451 --> 00:21:47,475
You've been busy.
330
00:21:47,476 --> 00:21:50,176
BRAQUE: What do you think?
331
00:22:00,659 --> 00:22:04,519
♪
332
00:22:04,520 --> 00:22:08,228
PABLO: It's completely new.
333
00:22:09,495 --> 00:22:11,824
BRAQUE: It is because of you.
334
00:22:11,825 --> 00:22:13,668
You inspired me.
335
00:22:13,669 --> 00:22:15,674
Your brothel painting, it showed me
336
00:22:15,699 --> 00:22:17,817
how to, uh, see things differently.
337
00:22:26,990 --> 00:22:31,214
For 400 years, art
has failed to evolve
338
00:22:31,215 --> 00:22:33,748
because of this obsession
with perspective.
339
00:22:35,304 --> 00:22:37,250
But it's a trick of the eye.
340
00:22:37,251 --> 00:22:41,133
The vanishing point, it takes
everything away from the viewer.
341
00:22:41,599 --> 00:22:43,685
PABLO: Yes. You're right.
342
00:22:43,686 --> 00:22:48,150
What we must do is make
the vanishing point vanish.
343
00:22:57,147 --> 00:22:59,476
BRAQUE: That is exactly
what I've been trying to do.
344
00:22:59,477 --> 00:23:03,359
I knew if anybody would
grasp it, it would be you.
345
00:23:03,512 --> 00:23:06,816
PABLO: We must do more than
challenge the rules of perspective.
346
00:23:06,817 --> 00:23:10,990
All the rules, light,
color, form...
347
00:23:10,991 --> 00:23:13,146
must be questioned.
348
00:23:13,147 --> 00:23:17,202
We have to rip everything apart
to create a new kind of painting.
349
00:23:17,216 --> 00:23:19,650
BRAQUE: We should submit our
work to the Autumn Salon.
350
00:23:19,651 --> 00:23:22,120
Start the revolution.
351
00:23:22,121 --> 00:23:25,216
PABLO: Matisse is
a judge this year.
352
00:23:25,217 --> 00:23:29,446
Anything I put forward,
he will dismiss.
353
00:23:31,338 --> 00:23:34,316
You submit.
354
00:23:34,364 --> 00:23:35,685
BRAQUE: You are throwing
me to the lions?
355
00:23:35,686 --> 00:23:37,251
PABLO: No.
356
00:23:37,252 --> 00:23:38,815
You're his protégé.
357
00:23:38,816 --> 00:23:42,246
Whatever you show,
he will like it.
358
00:23:42,260 --> 00:23:44,432
And imagine how angry
he is going to be
359
00:23:44,457 --> 00:23:47,514
when he realizes that
by approving of you,
360
00:23:49,409 --> 00:23:52,264
he will be approving of me.
361
00:23:59,095 --> 00:24:02,941
MATISSE: You are working
with Picasso, aren't you?
362
00:24:03,443 --> 00:24:07,255
The angular planes,
the distortion...
363
00:24:09,495 --> 00:24:13,250
I see that horrific
painting of his here.
364
00:24:13,251 --> 00:24:15,790
BRAQUE: We are trying
to do something new.
365
00:24:15,791 --> 00:24:19,059
You just don't understand it.
366
00:24:19,060 --> 00:24:23,859
MATISSE: I'm sorry, George, but
I cannot recommend this work.
367
00:24:27,617 --> 00:24:29,529
PABLO: Matisse is an idiot.
368
00:24:29,530 --> 00:24:31,616
FERNANDE: You have
to admit, Pablo.
369
00:24:31,617 --> 00:24:33,668
These new paintings
you're doing...
370
00:24:33,669 --> 00:24:36,972
they aren't easy to understand.
371
00:24:36,973 --> 00:24:38,921
PABLO: You're taking his side?
372
00:24:38,922 --> 00:24:41,668
FERNANDE: Of course not.
373
00:24:41,669 --> 00:24:44,995
I just don't want you to
be disappointed again.
374
00:24:45,704 --> 00:24:51,012
You worked so hard on that
and look what happened.
375
00:24:54,260 --> 00:24:57,516
PABLO: I can't work here.
376
00:25:01,009 --> 00:25:03,268
FRANÇOISE: It's no good.
377
00:25:03,269 --> 00:25:07,269
I tried to be looser, like
you told me to, and I...
378
00:25:07,270 --> 00:25:10,155
I can't find the form in it.
379
00:25:10,156 --> 00:25:12,068
It's just lying there.
380
00:25:12,069 --> 00:25:15,012
Lifeless.
381
00:25:15,130 --> 00:25:21,648
PICASSO: If your work doesn't give
you trouble, it won't be good.
382
00:25:22,017 --> 00:25:25,390
(DISTANT HORNS)
383
00:25:25,391 --> 00:25:27,059
FRANÇOISE: What are those horns?
384
00:25:27,060 --> 00:25:29,114
PICASSO: They are calling
us to a celebration.
385
00:25:29,115 --> 00:25:33,260
It's Bastille Day. Yeah, let's go.
Huh? Come on, let's...
386
00:25:33,261 --> 00:25:35,606
- FRANÇOISE: I've got to work out...
- PICASSO: Ah, let's have some fun.
387
00:25:35,607 --> 00:25:37,553
Do it later. Yeah?
388
00:25:37,554 --> 00:25:40,441
FRANÇOISE: Pablo, I can't whip off
two masterpieces a day like you.
389
00:25:40,442 --> 00:25:43,785
PICASSO: You think too much.
390
00:25:43,786 --> 00:25:46,995
You're, you're, you're
torturing yourself
391
00:25:46,996 --> 00:25:49,109
with, uh, with critical thought.
392
00:25:49,110 --> 00:25:51,524
You need an adventure.
393
00:25:54,250 --> 00:25:59,384
(TRUMPET)
394
00:26:05,764 --> 00:26:08,428
FRANÇOISE: What are you doing?
395
00:26:08,790 --> 00:26:11,906
PICASSO: Joining them.
396
00:26:20,414 --> 00:26:21,874
FRANÇOISE: What am
I supposed to do?
397
00:26:21,875 --> 00:26:25,194
PICASSO: Great, uh,
it's just for men.
398
00:26:25,195 --> 00:26:26,327
Stay here.
399
00:26:26,328 --> 00:26:27,780
I'll be back, enjoy yourself!
400
00:26:27,781 --> 00:26:32,080
FRANÇOISE: You asked
me to come with you!
401
00:26:45,068 --> 00:26:47,432
PABLO: Do you think
it's finished?
402
00:26:47,433 --> 00:26:50,737
BRAQUE: Absolutely.
403
00:26:50,738 --> 00:26:52,616
It is your best yet.
404
00:26:52,617 --> 00:26:54,898
(CHUCKLES).
405
00:27:01,347 --> 00:27:05,542
ROUSSEAU: She wrote
to say she could not marry me.
406
00:27:05,555 --> 00:27:06,980
FERNANDE: I'm so sorry.
407
00:27:06,981 --> 00:27:09,902
I know how fond of her you are.
408
00:27:09,903 --> 00:27:14,627
But don't worry, Henri,
you'll find someone else.
409
00:27:14,628 --> 00:27:15,919
ROUSSEAU: Huh.
410
00:27:17,353 --> 00:27:20,239
Be happy you have
Pablo, my dear.
411
00:27:20,240 --> 00:27:23,961
FERNANDE: Sometimes
I'm not sure that I do.
412
00:27:23,962 --> 00:27:26,222
He's been away for weeks.
413
00:27:26,223 --> 00:27:28,517
Never writes back.
414
00:27:28,518 --> 00:27:34,085
ROUSSEAU: I'm sure
he's, uh, busy working.
415
00:27:34,571 --> 00:27:37,213
FERNANDE: If he can pick up a
brush, why can't he pick up a pen?
416
00:27:37,214 --> 00:27:40,852
ROUSSEAU: But he is in a forest of
creation, full of thorn thickets
417
00:27:41,180 --> 00:27:44,031
and clawed beasts.
418
00:27:44,032 --> 00:27:47,148
But he will follow the
bread crumbs back to you.
419
00:27:48,032 --> 00:27:51,914
And everything
will be good again.
420
00:28:05,006 --> 00:28:07,522
GERTRUDE: I'll take that one, that one
421
00:28:07,547 --> 00:28:10,128
and the one to the right of the door.
422
00:28:14,153 --> 00:28:17,074
PABLO: You actually like them?
423
00:28:17,075 --> 00:28:19,648
GERTRUDE: Like them?
424
00:28:19,649 --> 00:28:25,432
Pablo, you've
reinvented painting.
425
00:28:32,832 --> 00:28:35,300
LEO: What do you
think, Mr. Kahnweiler?
426
00:28:35,301 --> 00:28:38,870
KAHNWEILER: I'll
take the other 25.
427
00:28:38,954 --> 00:28:41,527
LEO: That's quite
a gamble, isn't it?
428
00:28:41,528 --> 00:28:43,300
KAHNWEILER: Not at all.
429
00:28:43,301 --> 00:28:47,914
One day these will
hang in the Louvre.
430
00:28:51,789 --> 00:28:54,000
(LAUGHS SOFTLY).
431
00:29:03,858 --> 00:29:10,592
♪
432
00:29:20,588 --> 00:29:27,322
♪
433
00:29:37,632 --> 00:29:40,587
(KNOCK)
434
00:29:40,588 --> 00:29:42,918
My God, Pieret.
435
00:29:42,919 --> 00:29:45,248
PIERET: Aren't you
going to invite me in?
436
00:29:45,249 --> 00:29:47,983
APOLLINAIRE: Uh, Marie!
437
00:29:49,006 --> 00:29:56,128
Um, allow me to introduce a long,
lost friend of mine, GĂ©ry Pieret.
438
00:29:56,937 --> 00:30:01,040
MARIE: That is quite an outfit.
439
00:30:01,041 --> 00:30:03,648
PIERET: It's what everyone
wears in America these days.
440
00:30:03,649 --> 00:30:05,771
APOLLINAIRE: So, what
brings you back to Paris?
441
00:30:05,772 --> 00:30:07,892
PIERET: Ah, all kinds
of opportunities.
442
00:30:07,893 --> 00:30:12,658
But while they come to fruition, I
was hoping I could stay with you.
443
00:30:14,294 --> 00:30:19,451
APOLLINAIRE: Uh, my life
is a bit more crowded now.
444
00:30:20,380 --> 00:30:23,253
PIERET: But I
brought you a gift.
445
00:30:24,032 --> 00:30:25,875
Only a few days.
446
00:30:25,876 --> 00:30:29,131
I promise.
447
00:30:42,432 --> 00:30:45,527
FRANÇOISE: Don't touch me.
448
00:30:45,528 --> 00:30:48,645
PICASSO: What's wrong?
449
00:30:49,668 --> 00:30:51,093
FRANÇOISE: You whisked
me out of Paris,
450
00:30:51,117 --> 00:30:52,588
where I was perfectly
happy, to go to the
451
00:30:52,589 --> 00:30:55,348
Midi, and it's not the real Midi, it's
452
00:30:55,373 --> 00:30:58,397
some horrid village
stuck in a mountain.
453
00:30:58,398 --> 00:30:59,928
You keep telling me to be looser,
454
00:30:59,953 --> 00:31:01,736
which is just making me doubt myself.
455
00:31:01,737 --> 00:31:03,607
And then you drag me off to some
456
00:31:03,632 --> 00:31:05,945
stupid party and you abandon me there.
457
00:31:05,946 --> 00:31:10,418
PICASSO: I'm sorry, Françoise.
458
00:31:11,685 --> 00:31:14,905
Let me make it up to you.
459
00:31:17,007 --> 00:31:19,775
FRANÇOISE: Just go
blow your own bugle.
460
00:31:30,607 --> 00:31:35,949
(TRUMPET)
461
00:31:47,014 --> 00:31:50,026
PICASSO: Who do you
know in Tunisia?
462
00:31:54,145 --> 00:31:55,396
FRANÇOISE: A friend of mine.
463
00:31:55,397 --> 00:31:56,857
PICASSO: Hmm.
464
00:31:56,858 --> 00:31:59,048
FRANÇOISE: He's teaching there.
465
00:31:59,049 --> 00:32:02,548
PICASSO: Why don't
you read it out loud?
466
00:32:02,667 --> 00:32:05,518
FRANÇOISE: Well,
it's addressed to me.
467
00:32:05,519 --> 00:32:10,374
PICASSO: I don't mind
sharing my mail with you.
468
00:32:11,397 --> 00:32:16,183
For example, this one
is from Marie-Thérse.
469
00:32:20,302 --> 00:32:24,531
"My darling Pablo, the
weather was lovely today.
470
00:32:25,310 --> 00:32:27,501
I love you so much.
471
00:32:27,502 --> 00:32:29,448
I wish you were here.
472
00:32:29,449 --> 00:32:31,393
But at least every day that goes by
473
00:32:31,418 --> 00:32:34,304
without you is one day closer to me
474
00:32:34,305 --> 00:32:36,566
seeing you again."
475
00:32:39,536 --> 00:32:42,583
It's so beautiful.
476
00:32:47,675 --> 00:32:51,883
FRANÇOISE: Sounds to me like
she's still in love with you.
477
00:32:51,884 --> 00:32:55,314
PICASSO: Well, it's not my
fault she cannot get over me.
478
00:32:56,824 --> 00:32:59,257
FRANÇOISE: Yes, Pablo.
Nobody can top you.
479
00:32:59,258 --> 00:33:01,065
PICASSO: Mm.
480
00:33:01,066 --> 00:33:03,101
FRANÇOISE: I bet you're fighting
her off every time you see her.
481
00:33:03,102 --> 00:33:05,239
PICASSO: No.
482
00:33:05,240 --> 00:33:08,579
But she used to be insatiable.
483
00:33:08,580 --> 00:33:10,839
Never turned me down once.
484
00:33:10,840 --> 00:33:13,100
FRANÇOISE: Maybe you
should run back to her.
485
00:33:13,101 --> 00:33:14,875
PICASSO: Well, unfortunately,
486
00:33:14,876 --> 00:33:17,831
I have some business in Marseille
today with Kahnweiler.
487
00:33:17,832 --> 00:33:19,905
Happy painting.
488
00:33:48,128 --> 00:33:54,688
♪
489
00:34:04,232 --> 00:34:10,166
♪
490
00:34:13,449 --> 00:34:15,059
FERNANDE: Is this supposed to make
491
00:34:15,084 --> 00:34:16,857
up for you abandoning me all summer?
492
00:34:16,858 --> 00:34:21,463
PABLO: If you prefer the slums,
we can stay in the Bateau-Lavoir.
493
00:34:27,259 --> 00:34:30,966
FERNANDE: Can we
really afford all this?
494
00:34:31,224 --> 00:34:34,318
PABLO: My work is selling.
495
00:34:34,319 --> 00:34:37,658
Everyone likes my
cubist paintings.
496
00:34:37,659 --> 00:34:40,427
Except you.
497
00:34:45,624 --> 00:34:48,253
MAID: Good morning, Madame.
498
00:34:54,041 --> 00:34:57,506
FERNANDE: I always dreamed of
living in a place like this.
499
00:35:01,832 --> 00:35:05,645
PABLO: Maybe things will
be different between us now.
500
00:35:10,981 --> 00:35:14,306
(WHISTLE)
501
00:35:14,632 --> 00:35:17,054
GUARD: What is it?
502
00:35:21,415 --> 00:35:24,080
NEWSBOY:
Mona Lisa
stolen, Mona Lisa stolen!
503
00:35:24,302 --> 00:35:26,582
PIERET: I hear your
newspaper is offering
504
00:35:26,607 --> 00:35:28,753
a reward for information
leading to the
505
00:35:28,754 --> 00:35:32,184
painting's recovery.
506
00:35:32,303 --> 00:35:35,036
JACQUEMETTON:
You know something?
507
00:35:35,676 --> 00:35:38,631
PIERET: Do you
guarantee my anonymity?
508
00:35:38,632 --> 00:35:40,754
JACQUEMETTON: Why,
because you stole it?
509
00:35:40,755 --> 00:35:44,705
PIERET: No, but I can tell you how the
thief or thieves may have done it.
510
00:35:46,702 --> 00:35:49,645
I've stolen from
the Louvre, too.
511
00:35:54,216 --> 00:35:57,575
I took this a few weeks ago.
512
00:36:00,615 --> 00:36:04,115
I stole other works as well.
513
00:36:04,581 --> 00:36:08,914
I can give you details of guard
shifts, locks and service entrances,
514
00:36:09,868 --> 00:36:13,576
a broken basement window.
515
00:36:16,407 --> 00:36:18,145
PABLO: The bastard
told them everything.
516
00:36:18,146 --> 00:36:20,267
APOLLINAIRE: At least the paper
didn't disclose his name.
517
00:36:20,268 --> 00:36:22,597
PABLO: But the police will
figure it out soon enough.
518
00:36:22,598 --> 00:36:24,981
And then they'll be on
to you for the statue
519
00:36:24,982 --> 00:36:26,560
he gave you, and me for those Iberian
520
00:36:26,561 --> 00:36:27,511
pieces he sold me.
521
00:36:27,512 --> 00:36:29,275
APOLLINAIRE: We'll tell the police
we didn't know they were stolen.
522
00:36:29,276 --> 00:36:30,911
It will be our word
against Pieret's.
523
00:36:30,912 --> 00:36:33,067
PABLO: You're missing the point.
524
00:36:33,068 --> 00:36:35,547
In the article, Pieret
says an international
525
00:36:35,572 --> 00:36:37,310
crime ring stole the
Mona Lisa.
526
00:36:37,311 --> 00:36:39,432
APOLLINAIRE: It's an absurd fabrication
to cover up his own exploits.
527
00:36:39,433 --> 00:36:41,276
PABLO: You and I are not French.
528
00:36:41,277 --> 00:36:43,223
We both have art
stolen from the Louvre.
529
00:36:43,224 --> 00:36:47,975
They'll accuse us of stealing
the goddamn
Mona Lisa, too.
530
00:36:50,807 --> 00:36:53,658
We should flee. Go to Spain.
531
00:36:53,659 --> 00:36:56,720
FERNANDE: No.
If you run, you look guilty.
532
00:36:56,721 --> 00:36:58,354
It's the
Mona Lisa.
533
00:36:58,355 --> 00:36:59,885
They will hunt you
all over the world.
534
00:36:59,886 --> 00:37:01,623
APOLLINAIRE: Let's just dump
the statues in the Seine.
535
00:37:01,624 --> 00:37:02,624
PABLO: No.
536
00:37:02,816 --> 00:37:05,353
As far as we know, the
police have already
537
00:37:05,378 --> 00:37:07,537
identified Pieret and made him talk.
538
00:37:07,538 --> 00:37:11,015
They could be watching us.
539
00:37:11,016 --> 00:37:14,863
If they catch us with those
things, we'll go to prison.
540
00:37:15,955 --> 00:37:20,081
What if we return the
statues to the newspaper?
541
00:37:20,547 --> 00:37:23,085
They kept Pieret's
name out of it.
542
00:37:23,086 --> 00:37:26,341
They'll do the same for us.
543
00:37:28,268 --> 00:37:31,780
APOLLINAIRE: You
get too agitated.
544
00:37:31,781 --> 00:37:34,702
I will do it.
545
00:37:34,703 --> 00:37:37,610
Alone.
546
00:37:41,799 --> 00:37:43,955
I didn't know what else to do.
547
00:37:43,956 --> 00:37:47,537
When Pieret gave them to me, I had
no idea that they were stolen.
548
00:37:47,538 --> 00:37:50,702
He said he bought them
at a shop in Montmartre.
549
00:37:50,703 --> 00:37:53,276
It was only when I read your
article that I became suspicious
550
00:37:53,277 --> 00:37:54,981
of their true origin.
551
00:37:54,982 --> 00:37:58,389
JACQUEMETTON: Why bring them
to me rather than the police?
552
00:37:58,390 --> 00:38:01,102
APOLLINAIRE: Since your paper
has an interest in this case.
553
00:38:01,103 --> 00:38:03,085
And since the honorable
thing clearly is for us...
554
00:38:03,086 --> 00:38:05,924
JACQUEMETTON: Us?
555
00:38:06,460 --> 00:38:08,546
APOLLINAIRE: It was
a slip of the tongue.
556
00:38:08,547 --> 00:38:10,944
For, for me to return
them to the museum,
557
00:38:10,969 --> 00:38:12,998
I have brought them to you with the
558
00:38:12,999 --> 00:38:16,866
expectation that you will do
so and leave me out of it.
559
00:38:19,086 --> 00:38:23,350
(GRUNTING AND SCREAMING).
560
00:38:29,173 --> 00:38:33,020
ROBERT: Admit you stole the
Mona
Lisa and all this will be over.
561
00:38:35,782 --> 00:38:38,563
Who are your accomplices?
562
00:38:38,564 --> 00:38:41,889
(SCREAMING).
563
00:38:49,695 --> 00:38:52,428
Pablo Picasso?
564
00:38:58,289 --> 00:39:02,021
Where were you on the
morning of August 21st?
565
00:39:04,520 --> 00:39:05,423
PABLO: At home.
566
00:39:05,424 --> 00:39:09,665
JUDGE: Monsieur Apollinaire has given a
sworn statement that you were with him
567
00:39:09,666 --> 00:39:13,443
at the Louvre,
stealing the
Mona Lisa.
568
00:39:21,458 --> 00:39:24,796
PABLO: He is mistaken.
569
00:39:24,797 --> 00:39:26,953
I was not there.
570
00:39:26,954 --> 00:39:29,048
JUDGE: Monsieur
Apollinaire has also
571
00:39:29,073 --> 00:39:31,369
confessed to being
part of a crime ring,
572
00:39:31,370 --> 00:39:35,496
comprised of you,
Monsieur GĂ©ry Pieret.
573
00:39:35,753 --> 00:39:37,318
PABLO: I don't know
anything about that!
574
00:39:37,319 --> 00:39:40,170
JUDGE: Do not
interrupt me, Monsieur.
575
00:39:40,171 --> 00:39:41,908
PABLO: I'm sorry.
576
00:39:41,909 --> 00:39:46,035
JUDGE: How long have you
known Monsieur Apollinaire?
577
00:39:52,901 --> 00:39:56,122
PABLO: I do not know him.
578
00:40:02,710 --> 00:40:07,287
In fact, I have
never even met him.
579
00:40:17,041 --> 00:40:22,974
♪
580
00:40:25,597 --> 00:40:29,039
RIANDÉE: The examining judge
has decided not to charge you.
581
00:40:29,040 --> 00:40:31,670
You are free to go.
582
00:40:32,067 --> 00:40:35,287
PABLO: What about Apollinaire?
583
00:40:41,771 --> 00:40:46,766
(INAUDIBLE SHOUTING).
584
00:40:56,519 --> 00:41:02,592
♪
585
00:41:11,997 --> 00:41:18,557
♪
586
00:41:23,858 --> 00:41:27,496
PICASSO: Françoise?
587
00:41:42,467 --> 00:41:45,157
Françoise,
588
00:41:47,578 --> 00:41:50,774
where could she have gone?
589
00:41:50,775 --> 00:41:54,210
MARCEL: She grew up, left you.
590
00:41:54,536 --> 00:41:56,275
PICASSO: Huh.
591
00:41:56,276 --> 00:41:59,636
Go get the car.
592
00:42:05,041 --> 00:42:09,126
BRAQUE: We have come a long way since
your opium days at the Bateau-Lavoir.
593
00:42:09,667 --> 00:42:12,506
PABLO: Maybe too far.
594
00:42:12,693 --> 00:42:15,496
Sometimes I wish I could
live as a poor man again.
595
00:42:16,415 --> 00:42:19,706
But with lots of money.
596
00:42:19,754 --> 00:42:23,336
KAHNWEILER: May I introduce Pablo
Picasso and George Braque,
597
00:42:23,337 --> 00:42:25,214
the founders of
the cubist movement.
598
00:42:25,215 --> 00:42:27,927
HOFFMAN: It's an honor
to meet you both.
599
00:42:27,928 --> 00:42:30,710
KAHNWEILER: Hoffman is a
distinguished collector in Berlin.
600
00:42:30,711 --> 00:42:34,036
OPPI: That's Picasso over there.
601
00:42:34,120 --> 00:42:36,275
FERNANDE: Is it?
602
00:42:36,276 --> 00:42:39,997
OPPI: He's a hard
man to get close to.
603
00:42:39,998 --> 00:42:43,162
FERNANDE: Yes, he is.
604
00:42:43,163 --> 00:42:46,454
OPPI: Are you an artist?
605
00:42:47,475 --> 00:42:50,975
FERNANDE: I used to be a model.
606
00:42:51,998 --> 00:42:55,371
OPPI: You have lovely lines.
607
00:42:55,372 --> 00:42:58,801
FERNANDE: I am a
woman, not a boat.
608
00:43:02,885 --> 00:43:06,801
OPPI: Maybe I could
paint you sometime.
609
00:43:15,998 --> 00:43:19,357
PABLO: Glad you came, my friend.
610
00:43:19,441 --> 00:43:23,371
APOLLINAIRE: I decided I can't
hide out at home forever.
611
00:43:23,372 --> 00:43:27,184
Waiting for the
world to forgive me.
612
00:43:27,337 --> 00:43:28,901
PABLO: You were released.
613
00:43:28,902 --> 00:43:31,232
APOLLINAIRE:
From lack of evidence.
614
00:43:31,233 --> 00:43:36,597
To the press, that points to a failure
on the part of the Sûreté and not to
615
00:43:36,598 --> 00:43:39,253
my actual innocence.
616
00:43:44,172 --> 00:43:48,519
PABLO: It's good to
see you, my friend.
617
00:43:48,520 --> 00:43:51,705
APOLLINAIRE: Is it?
618
00:43:58,364 --> 00:44:01,375
PICASSO: Hold on,
stop, stop here.
619
00:44:02,015 --> 00:44:04,588
Darling, darling, darling.
620
00:44:04,589 --> 00:44:06,779
I don't understand.
621
00:44:06,780 --> 00:44:08,415
Where, where the...
622
00:44:08,416 --> 00:44:10,015
Where on earth are you going?
623
00:44:10,016 --> 00:44:11,510
FRANÇOISE: Marseille.
624
00:44:11,511 --> 00:44:14,189
PICASSO: But I told you
I was coming back.
625
00:44:14,190 --> 00:44:16,797
FRANÇOISE: Not to be with you.
626
00:44:16,798 --> 00:44:18,814
To catch a ferry to Tunisia.
627
00:44:18,815 --> 00:44:22,537
PICASSO: To, to be with
your teacher friend?
628
00:44:22,538 --> 00:44:25,041
FRANÇOISE: You told me
I needed an adventure.
629
00:44:25,042 --> 00:44:26,537
I'm taking your advice.
630
00:44:26,538 --> 00:44:29,145
PICASSO: But the
adventure is here.
631
00:44:29,146 --> 00:44:32,471
With me, don't you see?
632
00:44:34,259 --> 00:44:35,997
You...
633
00:44:35,998 --> 00:44:38,989
You went through so much, you know,
gave up so much to be with me.
634
00:44:38,990 --> 00:44:42,189
Now you are just
going to run off?
635
00:44:42,190 --> 00:44:45,724
Before we have time to
build a life together?
636
00:44:47,720 --> 00:44:50,293
FRANÇOISE: In Paris,
we were doing that.
637
00:44:50,294 --> 00:44:54,454
Here we're just strangers.
638
00:44:54,503 --> 00:44:57,633
PICASSO: Then let's tell
each other everything.
639
00:44:57,634 --> 00:45:01,911
Until we don't even need
to used words anymore.
640
00:45:01,912 --> 00:45:06,799
We can just say what we need
with our eyes and our hands.
641
00:45:09,773 --> 00:45:15,604
You wanted to go to the beach,
so let's go to the beach.
642
00:45:22,189 --> 00:45:26,107
(LAUGHS).
643
00:45:28,903 --> 00:45:31,150
(SOFT CHUCKLE).
644
00:45:38,434 --> 00:45:41,237
FERNANDE: He died alone.
645
00:45:48,555 --> 00:45:52,158
APOLLINAIRE: We shouldn't
have ridiculed him.
646
00:45:59,234 --> 00:46:02,155
FERNANDE: Do you ever wish things
could go back to the way they were?
647
00:46:02,156 --> 00:46:04,693
MAX: What do you mean?
648
00:46:04,694 --> 00:46:11,185
FERNANDE: We used to have fun together,
but now Pablo is always with Braque.
649
00:46:12,242 --> 00:46:15,128
MAX: Despair,
my dear, is a readily
650
00:46:15,129 --> 00:46:19,533
treatable affliction. Come.
651
00:46:29,912 --> 00:46:31,511
PABLO: What are you doing?
652
00:46:31,512 --> 00:46:33,946
FERNANDE: I just want
to feel good again.
653
00:46:33,947 --> 00:46:35,929
PABLO: Give the pipe to me.
654
00:46:35,930 --> 00:46:37,980
FERNANDE: You don't
know how lonely I feel.
655
00:46:37,981 --> 00:46:40,715
PABLO: Give it to me!
656
00:46:43,164 --> 00:46:45,598
FERNANDE: You ignore me.
657
00:46:45,599 --> 00:46:47,129
You ignore your friends.
658
00:46:47,130 --> 00:46:48,555
You betrayed Guillaume.
659
00:46:48,556 --> 00:46:50,572
PABLO: He told them I
stole the
Mona Lisa.
660
00:46:50,573 --> 00:46:54,329
FERNANDE: The
police beat him up!
661
00:46:54,330 --> 00:46:58,085
PABLO: I am sorry about that.
662
00:46:58,086 --> 00:47:00,590
But denying him was the
only way to clear my name.
663
00:47:00,591 --> 00:47:03,164
FERNANDE: What about
Guillaume's good name, huh?
664
00:47:03,165 --> 00:47:04,868
You know the newspapers
still haunt him?
665
00:47:04,869 --> 00:47:08,103
PABLO: He let that maniac Pieret
back into his life and mine.
666
00:47:08,104 --> 00:47:10,711
FERNANDE: So it's all his fault.
667
00:47:10,712 --> 00:47:13,911
PABLO: I worked
hard to get here.
668
00:47:13,912 --> 00:47:20,549
And I am not going to let Guillaume,
you, or anyone else make a mess of it.
669
00:47:22,608 --> 00:47:24,764
FERNANDE: So that's
how it is now?
670
00:47:24,765 --> 00:47:29,551
As long as we don't get in your
way, you'll keep us around?
671
00:47:40,452 --> 00:47:47,150
♪
672
00:47:56,382 --> 00:48:03,081
♪
673
00:48:10,539 --> 00:48:16,856
♪
674
00:48:20,347 --> 00:48:28,027
PICASSO: I, I've been thinking, uh,
we should create something together.
675
00:48:30,156 --> 00:48:34,136
FRANÇOISE: I always hoped
we would collaborate.
676
00:48:35,165 --> 00:48:39,116
PICASSO: Maybe something bigger.
677
00:48:40,939 --> 00:48:43,846
More lasting.
678
00:48:45,843 --> 00:48:49,412
Let's make a baby.
679
00:48:56,626 --> 00:48:59,707
♪
680
00:49:02,825 --> 00:49:05,523
_
681
00:49:06,075 --> 00:49:11,526
_
682
00:49:11,687 --> 00:49:13,447
(MUSIC PLAYS THROUGH CREDITS)
683
00:49:15,729 --> 00:49:23,171
sync and corrections by awaqeded
www.addic7ed.com
50217
