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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,459 --> 00:00:03,420 LABELS. 2 00:00:03,461 --> 00:00:06,423 YOU KNOW WHY I HATE THEM? 3 00:00:06,464 --> 00:00:09,050 BECAUSE AS A SOCIETY, WE USE THEM 4 00:00:09,092 --> 00:00:11,678 ON EACH OTHER WAY TOO MUCH. 5 00:00:11,720 --> 00:00:15,306 I MEAN, I'VE LIVED MY WHOLE LIFE AS A LABEL. 6 00:00:15,348 --> 00:00:18,309 YOU KNOW, FIRST IT WAS THE TWIN, 7 00:00:18,351 --> 00:00:21,354 AND THEN...THE ADDICT, 8 00:00:21,396 --> 00:00:24,357 AND THEN THERE'S MY LATEST LABEL, 9 00:00:24,399 --> 00:00:27,986 THE D.A.'s DAUGHTER... 10 00:00:28,028 --> 00:00:31,406 BUT HERE'S THE THING ABOUT LABELS: 11 00:00:31,448 --> 00:00:33,616 YES, THEY LEND THEMSELVES 12 00:00:33,658 --> 00:00:35,785 TO FUN, CUTE HASHTAGS. 13 00:00:35,827 --> 00:00:38,913 HEY, YOUR FOOD IS COMIN' RIGHT UP. 14 00:00:38,955 --> 00:00:41,541 SPENCER: THANKS. MAN: HEY, MAN, YOU KILLED IT DURING HOMECOMING GAME. 15 00:00:41,583 --> 00:00:44,544 THEY COULD NOT TOUCH YOU! SPENCER: I APPRECIATE THAT. THANK YOU. 16 00:00:44,586 --> 00:00:47,255 THINK I CAN GET A SELFIE WITH SURE-TO-BE MVP? 17 00:00:47,297 --> 00:00:50,425 DON'T KNOW ABOUT ALL THAT MVP STUFF, BUT SURE. 18 00:00:50,467 --> 00:00:52,427 [CAMERA CLICKS] THANKS, MAN. 19 00:00:52,469 --> 00:00:54,554 RIGHT, RIGHT. 20 00:00:54,596 --> 00:00:57,390 [GIRLS GIGGLE] SPENCER: HEY. OH, OK. 21 00:00:57,432 --> 00:01:01,394 OLIVIA: BUT LABELS RARELY GIVE YOU THE WHOLE PICTURE ABOUT A PERSON, 22 00:01:01,436 --> 00:01:04,189 AND THE WHOLE PICTURE MAKES A DIFFERENCE. 23 00:01:05,690 --> 00:01:08,068 [WHISTLE BLOWS] 24 00:01:09,944 --> 00:01:12,572 MAN: THAT BULLET DIDN'T SLOW HIM DOWN. 25 00:01:12,614 --> 00:01:15,116 OH, NO, NOT ONE BIT, NOT ONE BIT. 26 00:01:15,158 --> 00:01:16,743 YO, THANKS FOR MAKING THE TRIP OUT HERE TO 27 00:01:16,785 --> 00:01:18,828 SEE SPENCER IN PERSON. I APPRECIATE THAT. 28 00:01:18,870 --> 00:01:20,830 HEY, TEXAS NORTHERN TECH DOESN'T PLAY AROUND WHEN IT COMES 29 00:01:20,872 --> 00:01:23,333 TO THE RIGHT SENIOR RECRUITS, AND RIGHT NOW, 30 00:01:23,374 --> 00:01:25,835 SPENCER JAMES IS TOP OF THAT LIST. 31 00:01:25,877 --> 00:01:28,463 BILLY: YES, SIR. MAN: MAN. 32 00:01:28,505 --> 00:01:31,508 IF I HAD THAT KINDA TALENT WHEN I WAS HIS AGE, I WOULDN'T HAVE KNOWN HOW TO ACT. 33 00:01:31,549 --> 00:01:33,718 DID YOU EVER GET THAT CHARGERS TATTOO REMOVED FROM YOUR ASS? 34 00:01:33,760 --> 00:01:35,720 SHOOT, I WEAR IT WITH PRIDE. 35 00:01:35,762 --> 00:01:37,722 [BILLY CHUCKLES] MAN: I DO. YOU KNOW ME. 36 00:01:37,764 --> 00:01:39,349 HEH HEH! 37 00:01:39,390 --> 00:01:41,017 TIMES HAVE CHANGED. BILLY: YEAH. 38 00:01:41,059 --> 00:01:42,519 THESE CATS HAVE IT MAD EASY NOW 39 00:01:42,560 --> 00:01:44,729 WITH SOCIAL MEDIA AND PRESS COVERAGE. 40 00:01:44,771 --> 00:01:46,731 NO MORE OLD-FASHIONED RECRUITING. 41 00:01:46,773 --> 00:01:50,276 NOW THEY OUT HERE MAKIN' A VIRAL NAME FOR THEMSELVES AT 16. 42 00:01:50,318 --> 00:01:52,278 NOW, WITH THAT WHOLE NCAA RULING 43 00:01:52,320 --> 00:01:55,281 ON STUDENT-ATHLETES AND PAID ENDORSEMENTS... 44 00:01:55,323 --> 00:01:58,785 IT'S A WHOLE NEW COLLEGE BALL GAME OUT THERE. 45 00:01:58,827 --> 00:02:00,537 BILLY: WHAT ABOUT THE FAMILY? 46 00:02:00,578 --> 00:02:02,288 MAN: EVERYBODY'S GOOD, YOU KNOW. 47 00:02:02,330 --> 00:02:03,665 GOT A LITTLE BABY-- SPENCER: WHAT'S GOOD, COACH? 48 00:02:03,706 --> 00:02:05,667 THERE HE IS. SPENCER JAMES. 49 00:02:05,708 --> 00:02:07,710 THIS IS ROMELO-- SPENCER: BARNUM. 50 00:02:07,752 --> 00:02:09,337 IT'S AN HONOR TO MEET YOU, SIR. 51 00:02:09,379 --> 00:02:11,589 YOUR LEGACY LOOMS LARGE IN THESE HALLS. 52 00:02:11,631 --> 00:02:14,509 LOOK AT THAT. YOU MADE AN IMPRESSION ON THE FIELD. 53 00:02:14,551 --> 00:02:17,137 UH, ACTUALLY, I MEANT YOUR SENIOR-YEAR PRANK AGAINST INGLEWOOD. 54 00:02:17,178 --> 00:02:19,013 NOBODY'S BEEN ABLE TO TOP IT SINCE. 55 00:02:19,055 --> 00:02:20,223 ROMELO: HEH HEH HEH! BILLY: OOH. 56 00:02:20,265 --> 00:02:21,599 DID THEY EVER FIND THAT GOAT? 57 00:02:21,641 --> 00:02:23,184 I PLEAD THE FIFTH. 58 00:02:23,226 --> 00:02:24,894 [BILLY AND SPENCER CHUCKLE] 59 00:02:24,936 --> 00:02:26,146 YOU ALWAYS GO THAT HARD TRAINING, SON? 60 00:02:26,187 --> 00:02:27,772 YES, SIR. GAME, PRACTICE-- 61 00:02:27,814 --> 00:02:30,191 IT DON'T MATTER. YOU SHOW UP, YOU GIVE 150%. 62 00:02:30,233 --> 00:02:32,193 ALL RIGHT, NOW. I LIKE THAT. 63 00:02:32,235 --> 00:02:33,820 I'M LOOKIN' FORWARD TO HEARING MORE 64 00:02:33,862 --> 00:02:35,363 ABOUT THIS WORK ETHIC AT OUR MEETING TODAY. 65 00:02:35,405 --> 00:02:37,991 SPENCER: ABSOLUTELY. ROMELO: ALL RIGHT. 66 00:02:38,032 --> 00:02:41,619 [EXHALES SHARPLY] IS THIS REALLY HAPPENING, COACH? 67 00:02:41,661 --> 00:02:45,081 MAN, YOU'VE BEEN WORRIED ABOUT RECRUITER INTEREST ALL YEAR. 68 00:02:45,123 --> 00:02:46,624 NOW YOU GOT IT. 69 00:02:46,666 --> 00:02:48,668 THIS IS YOUR CHANCE. 70 00:02:48,710 --> 00:02:51,796 GO GET YOUR DREAM, SON. 71 00:03:02,056 --> 00:03:05,768 [MEN GROANING AND LASER FIRE ON VIDEO GAME] 72 00:03:05,810 --> 00:03:08,396 YOU KNOW, I HEARD VITAMIN D IS 73 00:03:08,438 --> 00:03:10,398 REALLY GOOD FOR THE HUMAN BODY, 74 00:03:10,440 --> 00:03:13,026 YOU KNOW, LIKE THE REAL KIND, 75 00:03:13,067 --> 00:03:15,361 LIKE FROM THE SUN? 76 00:03:15,403 --> 00:03:18,114 [GRUNTING SOUND EFFECTS] 77 00:03:18,156 --> 00:03:19,741 -JORDAN? -WHAT? 78 00:03:19,782 --> 00:03:21,367 DUDE, IT'S BEEN, LIKE, 79 00:03:21,409 --> 00:03:23,786 NEARLY TWO WEEKS OF YOU IN THESE SAME PAJAMAS 80 00:03:23,828 --> 00:03:25,663 ON THE SAME COUCH IN THAT SAME SPOT. 81 00:03:25,705 --> 00:03:27,916 -OK, AND YOU CARE WHY? -WELL, WEREN'T YOU CLEARED 82 00:03:27,957 --> 00:03:29,918 FOR, LIKE, LIGHT PHYSICAL ACTIVITY? 83 00:03:29,959 --> 00:03:31,920 I MEAN, I KNOW IT'S NOT YOU BACK ON THE FIELD 84 00:03:31,961 --> 00:03:34,297 WITH YOUR HELMET ON, BUT, I MEAN, IT'S SOMETHING. 85 00:03:34,339 --> 00:03:38,218 YEAH, AND PLAYING INJUSTICE 2 IS MY LIGHT PHYSICAL ACTIVITY, LIV. 86 00:03:38,259 --> 00:03:40,428 HAVE YOU HEARD FROM SIMONE? 87 00:03:40,470 --> 00:03:42,972 NO. SHE'S OFF THE GRID. 88 00:03:43,014 --> 00:03:44,974 MOM SNITCHED ABOUT OUR MARRIAGE TO HER PARENTS 89 00:03:45,016 --> 00:03:47,143 BEFORE WE HAD A CHANCE TO TELL 'EM OURSELVES, 90 00:03:47,185 --> 00:03:50,772 SO I'M SURE THEY'VE GOT HER IN A CONVENT IN TANZANIA BY NOW. 91 00:03:50,813 --> 00:03:53,107 NO, I'M SURE THEY FOUND A CONVENT CLOSER. 92 00:03:53,149 --> 00:03:55,109 LAURA: THERE'S NO STATUTE OF LIMITATIONS 93 00:03:55,151 --> 00:03:57,403 ON A FRAUDULENT MARRIAGE. 94 00:03:57,445 --> 00:03:59,030 WELL, I DON'T CARE WHAT THE COST IS. 95 00:03:59,072 --> 00:04:00,448 I JUST WANT THIS ANNULMENT EXPEDITED. 96 00:04:00,490 --> 00:04:02,075 YES, FINE, I'LL HOLD. 97 00:04:02,116 --> 00:04:03,576 YOU DO KNOW I CAN HEAR YOU, RIGHT? 98 00:04:03,618 --> 00:04:05,745 [DOOR CLOSES] LAURA: YOU KNOW WHAT? 99 00:04:05,787 --> 00:04:08,164 JUST BE QUIET. BILLY: HOW'S EVERYBODY DOING? 100 00:04:08,206 --> 00:04:10,083 THAT GOOD, HUH? 101 00:04:10,124 --> 00:04:11,709 -I HAVE A WORD? -I'M JUST--I-- 102 00:04:11,751 --> 00:04:14,045 CAN I HAVE A WORD? 103 00:04:14,087 --> 00:04:16,422 [FOOTSTEPS RETREAT] 104 00:04:16,464 --> 00:04:18,633 [QUIETLY] SO, OK, I KNOW THAT YOU'RE ANGRY WITH JORDAN, 105 00:04:18,675 --> 00:04:21,261 AND SO AM I, BUT DO WE REALLY HAVE TO WORRY 106 00:04:21,302 --> 00:04:23,888 ABOUT THIS ANNULMENT THING, LIKE, RIGHT NOW? 107 00:04:23,930 --> 00:04:26,516 UH, OUR UNDERAGE SON 108 00:04:26,557 --> 00:04:28,518 GOT MARRIED IN VEGAS AND LIED ABOUT IT. 109 00:04:28,559 --> 00:04:30,728 YOU BET YOUR ASS WE DO. BILLY: I'M JUST SAYING, 110 00:04:30,770 --> 00:04:32,730 CAN WE MAYBE PUT A PIN IN IT 111 00:04:32,772 --> 00:04:34,732 AND FOCUS ON HIS RECOVERY? 112 00:04:34,774 --> 00:04:36,943 -I'M GETTING HIM THROUGH HIS RECOVERY. -OK. 113 00:04:36,985 --> 00:04:40,363 BUT LUCKILY, BECAUSE I'M A WOMAN, I AM CAPABLE OF MULTITASKING. 114 00:04:40,405 --> 00:04:43,116 LAURA: I AM ANNULLING THE MARRIAGE. 115 00:04:45,702 --> 00:04:48,746 [POP MUSIC PLAYING] 116 00:04:48,788 --> 00:04:51,374 MALE SINGER: ♪ NOW LET'S JUST FIND A WAY... ♪ 117 00:04:51,416 --> 00:04:54,794 OK, UM, NEWTON'S SECOND LAW OF MOTION STATES 118 00:04:54,836 --> 00:04:58,298 THAT THE ACCELERATION OF AN OBJECT IS DEPENDENT ON WHAT? 119 00:04:58,339 --> 00:05:00,508 UH, THE OBJECT'S MASS 120 00:05:00,550 --> 00:05:03,219 AND THE AMOUNT OF FORCE APPLIED TO THE OBJECT? 121 00:05:03,261 --> 00:05:06,055 -MM-MMM. -DAMN! I COULDA SWORE I KNEW THAT ONE. 122 00:05:06,097 --> 00:05:08,516 MAN, I KNEW IT! I WAS RIGHT. 123 00:05:08,558 --> 00:05:10,518 GIRL, YOU CANNOT READ. LAYLA: WHAT? 124 00:05:10,560 --> 00:05:13,146 OH. SORRY, I TOTALLY READ THAT WRONG. 125 00:05:13,187 --> 00:05:14,772 WHAT'S UP WITH YOU? 126 00:05:14,814 --> 00:05:17,775 NOTHING. I'M JUST... [SIGHS] 127 00:05:17,817 --> 00:05:19,986 LIKE, HOW DID I MISS THAT MY BEST FRIEND WAS 128 00:05:20,028 --> 00:05:22,196 STRUGGLING WITH HER SOBRIETY FOR MONTHS? 129 00:05:22,238 --> 00:05:24,824 BECAUSE SHE HID IT WELL? LAYLA: YEAH, WELL, IT'S THE SECOND TIME 130 00:05:24,866 --> 00:05:26,826 I'VE MISSED THE SIGNS. COOP: HEY, YOU'VE BEEN THERE FOR HER 131 00:05:26,868 --> 00:05:28,453 MORE THAN YOU'RE GIVING YOURSELF CREDIT FOR. 132 00:05:28,494 --> 00:05:30,079 NOT WHEN IT REALLY COUNTED. 133 00:05:30,121 --> 00:05:31,706 SO WHAT YOU GONNA DO ABOUT IT? 134 00:05:31,748 --> 00:05:33,708 I MEAN, LOOK, ALL I KNOW IS GUILT DOES 135 00:05:33,750 --> 00:05:35,918 NOTHIN' BUT WEIGH YOU DOWN, SO YOU EITHER GOT TO FIND SOMETHIN' 136 00:05:35,960 --> 00:05:37,879 POSITIVE TO DO WITH IT OR LET IT GO. 137 00:05:37,920 --> 00:05:40,089 SORRY. I FEEL LIKE I'M WASTING YOUR TIME. 138 00:05:40,131 --> 00:05:42,300 YOU SHOULD PROBABLY FIND A STUDY PARTNER WHO CAN ACTUALLY READ 139 00:05:42,342 --> 00:05:45,053 THE RIGHT ANSWERS. I'LL SEE YA. 140 00:05:45,094 --> 00:05:47,305 [FOOTSTEPS RETREAT] 141 00:05:47,347 --> 00:05:50,308 [BOTH LAUGH] DILLON: OK, SO WE TALKIN' 142 00:05:50,350 --> 00:05:53,019 HALLE STORM OR ALEXANDRA SHIPP STORM? 143 00:05:53,061 --> 00:05:55,646 GIRL: WHO'S HALLE? DILLON: DON'T LET MY MOM HEAR YOU SAY THAT. 144 00:05:55,688 --> 00:05:57,857 [BOTH CHUCKLE] GRACE: HEAR WHO SAY WHAT? 145 00:05:57,899 --> 00:06:00,651 OH, HEY, MOM. NO, JASMYN'S, UH, 146 00:06:00,693 --> 00:06:03,446 FILM EDUCATION IS SERIOUSLY LACKING. 147 00:06:03,488 --> 00:06:05,114 I SEE. 148 00:06:05,156 --> 00:06:07,533 NICE TO MEET YOU, JASMYN. JASMYN: YOU, TOO. 149 00:06:07,575 --> 00:06:09,786 -YOU READY, DILLON? -YEP. 150 00:06:09,827 --> 00:06:11,287 ARE YOU WAITING FOR SOMEONE? 151 00:06:11,329 --> 00:06:12,830 YEAH, MY DAD. 152 00:06:12,872 --> 00:06:14,791 HE'S NORMALLY ON TIME. MUST BE TRAFFIC. 153 00:06:14,832 --> 00:06:16,709 OH. WELL, WE'LL WAIT HERE 154 00:06:16,751 --> 00:06:19,253 WITH YOU UNTIL HE GETS HERE. [JASMYN CHUCKLES] 155 00:06:19,295 --> 00:06:21,839 GRACE: SO, HOW WAS COMIC BOOK CAMP? 156 00:06:21,881 --> 00:06:25,635 AWESOME! DILLON'S "KING CRENSHAW" COMIC IS GONNA BE SO GOOD. 157 00:06:25,676 --> 00:06:27,804 [JASMYN CHUCKLES] GRACE: OH. 158 00:06:27,845 --> 00:06:29,764 I TOLD YOU. HE'S HERE. 159 00:06:29,806 --> 00:06:32,725 HEY, BABY. I'M SORRY I'M LATE. 160 00:06:32,767 --> 00:06:34,435 PRINCIPAL CARTER. 161 00:06:34,477 --> 00:06:36,020 MS. JAMES. 162 00:06:37,188 --> 00:06:39,190 HEY, DAD. 163 00:06:44,737 --> 00:06:48,533 JABARI: YO, ALL I'M ASKIN' IS WHO NAMES THEIR CHILD ROMELO ON PURPOSE? 164 00:06:48,574 --> 00:06:52,954 NHANI: HEH! WAIT, WAIT, WAIT. ISN'T TNT's PROGRAM KNOWN AS "THE BAD BOYS OF FOOTBALL"? 165 00:06:52,995 --> 00:06:56,707 I MEAN...ARE THERE A LOT OF FLAGS ON THE PLAY? 166 00:06:56,749 --> 00:06:57,959 JABARI: YES. 167 00:06:58,000 --> 00:06:59,919 BIG PERSONALITIES? YES. 168 00:06:59,961 --> 00:07:02,547 [CHUCKLES] UNREFINED ARROGANCE? YES. 169 00:07:02,588 --> 00:07:04,340 THEY'RE A CHAMPIONSHIP-WINNING TEAM 170 00:07:04,382 --> 00:07:06,717 AND A PIPELINE TO THE NFL, WHICH IS THE GOAL. 171 00:07:06,759 --> 00:07:09,512 I CAN'T LET THE NEXT 24 HOURS PASS WITHOUT LOCKIN' DOWN AN OFFER. 172 00:07:09,554 --> 00:07:11,889 HAVEN'T OTHER RECRUITERS BEEN HOVERING THESE LAST COUPLE WEEKS? 173 00:07:11,931 --> 00:07:14,142 HOVERIN', YEAH, BUT NO ACTUAL OFFERS, 174 00:07:14,183 --> 00:07:16,394 NOT SINCE THE SHOOTIN'. LOOK, I NEED THIS. 175 00:07:16,436 --> 00:07:19,355 DAWG, YOU'RE THE HOTTEST PLAYER IN SOUTH L.A. RIGHT NOW. 176 00:07:19,397 --> 00:07:21,774 THAT RECRUITER TOOK HIS BYE WEEK 177 00:07:21,816 --> 00:07:23,401 TO FLY IN AND MEET YOU. 178 00:07:23,443 --> 00:07:25,945 COME ON, SPENCE. YOU GOT THIS ON LOCK. 179 00:07:25,987 --> 00:07:28,698 NHANI: MAYBE SEMI-LOCK. 180 00:07:40,960 --> 00:07:42,003 OLIVIA: WELL, THAT'S WHAT HE GETS 181 00:07:42,044 --> 00:07:43,254 FOR BEING A MISOGYNIST. 182 00:07:43,296 --> 00:07:44,422 OH, YOU DAMN STRAIGHT. 183 00:07:44,464 --> 00:07:45,548 [BOTH CHUCKLE] JOY: MMM. 184 00:07:45,590 --> 00:07:48,301 SO, HOW YOU DOING? 185 00:07:48,342 --> 00:07:50,470 I'M GOOD. 186 00:07:50,511 --> 00:07:52,638 YEAH. 187 00:07:52,680 --> 00:07:54,807 LET'S TRY THAT AGAIN. 188 00:07:56,350 --> 00:07:58,311 TOUGH MORNING. 189 00:07:58,352 --> 00:08:00,855 NO REAL REASON. JUST, UM... 190 00:08:00,897 --> 00:08:03,858 YOU KNOW, IT'S JUST HARDER TO FIGHT THE URGE TO WANT TO TAKE SOMETHING. 191 00:08:03,900 --> 00:08:06,527 MM-HMM. THAT'S OK. OUR SOBRIETY IS 192 00:08:06,569 --> 00:08:09,155 A "ONE DAY AT A TIME" KINDA THING. 193 00:08:09,197 --> 00:08:10,781 I KNOW. 194 00:08:10,823 --> 00:08:13,201 BUT THE GOOD PART IS YOU'RE BEING HONEST, 195 00:08:13,242 --> 00:08:15,495 EVEN ON YOUR HARD DAYS. 196 00:08:15,536 --> 00:08:17,205 THAT'S PROGRESS, LIV. 197 00:08:18,498 --> 00:08:20,833 THAT KIND OF SOUNDED LIKE A COMPLIMENT. 198 00:08:20,875 --> 00:08:22,835 -IT DID NOT. ME? -MM-HMM. YEAH, IT DID. 199 00:08:22,877 --> 00:08:24,837 -[LAUGHING] -WHAT'S WRONG WITH ME? 200 00:08:24,879 --> 00:08:27,006 -[CHUCKLES] -UM, 201 00:08:27,048 --> 00:08:29,634 WELL, I SHOULD PROBABLY HEAD OUT BECAUSE I HAVE TO-- 202 00:08:29,675 --> 00:08:33,304 WELL, MY FRIEND KIA IS ORGANIZING A FLOWER VIGIL FOR TAMIKA PRATT. 203 00:08:33,346 --> 00:08:35,515 YEAH. 204 00:08:35,556 --> 00:08:37,725 YOU KNOW, WHENEVER I THINK ABOUT THOSE DAMN COPS 205 00:08:37,767 --> 00:08:41,812 STILL BEIN' ON THE JOB, IT JUST...MAKES MY BLOOD BOIL. 206 00:08:41,854 --> 00:08:44,440 YEAH, MINE, TOO, ALTHOUGH I'M HOPING, YOU KNOW, 207 00:08:44,482 --> 00:08:47,360 COVERING THE EVENT FOR "LIV THE TRUTH" WILL HELP RAISE AWARENESS. 208 00:08:47,401 --> 00:08:49,362 GOOD... 209 00:08:49,403 --> 00:08:51,989 BUT I NEED YOU TO PACE YOURSELF 210 00:08:52,031 --> 00:08:53,991 BECAUSE SOMETIMES FIXATING ON SOLVING 211 00:08:54,033 --> 00:08:57,620 OTHER PEOPLE'S PROBLEMS TO AVOID YOUR ISSUES, 212 00:08:57,662 --> 00:08:59,664 THAT CAN BE AN ADDICTION, TOO. 213 00:08:59,705 --> 00:09:01,916 YOU UNDERSTAND? OLIVIA: YEAH. 214 00:09:01,958 --> 00:09:04,001 JOY: OK. 215 00:09:04,043 --> 00:09:05,711 HEY. 216 00:09:05,753 --> 00:09:07,338 HEY. 217 00:09:09,048 --> 00:09:11,175 JOY: HEY! SPENCER: HEY. HEY. 218 00:09:11,217 --> 00:09:13,844 MY FAVORITE STUDENT-ATHLETE. 219 00:09:13,886 --> 00:09:15,846 I HEAR THAT YOUR ARM AND YOUR FOOTBALL CAREER ARE BACK 220 00:09:15,888 --> 00:09:18,057 ON TRACK, SO CONGRATS. SPENCER: THANK YOU. 221 00:09:18,099 --> 00:09:19,892 THANKS FOR EVERYTHING YOU DID AT THE HOSPITAL, TOO. 222 00:09:19,934 --> 00:09:21,727 OH. 223 00:09:21,769 --> 00:09:24,313 HEY, YOU HEARD FROM JORDAN? I KEEP GETTING 224 00:09:24,355 --> 00:09:26,399 ONE-WORD REPLIES EVERY TIME I CHECK IN ON HIM. 225 00:09:26,440 --> 00:09:29,485 NO, HE'S IN A FUNK WE CAN'T SEEM TO GET HIM OUT OF, SO... 226 00:09:29,527 --> 00:09:32,530 I SHOULD GET TO WORK. I'LL KEEP ON HIM. 227 00:09:37,910 --> 00:09:39,495 OK, NEXT COFFEE, 228 00:09:39,537 --> 00:09:42,164 I WANT ALL THE TEA ON YOU TWO. 229 00:09:42,206 --> 00:09:44,000 -NO. -AND BEFORE YOU EVEN TRY 230 00:09:44,041 --> 00:09:46,419 TO DENY IT, I HAVE EYES. 231 00:09:46,460 --> 00:09:49,171 [PERSISTENT KNOCKING ON DOOR] 232 00:09:50,673 --> 00:09:52,758 YEAH, HOLD ON. 233 00:09:56,512 --> 00:09:58,598 WHY ARE YOU HERE? 234 00:10:00,141 --> 00:10:02,310 GOOD TO SEE YOU, TOO. 235 00:10:02,351 --> 00:10:05,062 YOUR DAD TEXTED ME. [JORDAN GRUNTS] 236 00:10:08,649 --> 00:10:11,068 [JORDAN SIGHS] JJ: BIG J. 237 00:10:11,110 --> 00:10:12,570 WHAT'S UP, BROTHER? 238 00:10:12,612 --> 00:10:14,447 [SIGHS] MY DAD TEXT YOU, TOO? 239 00:10:14,488 --> 00:10:16,449 UH, NAH, SPENCE CALLED, 240 00:10:16,490 --> 00:10:18,492 BUT I WAS GONNA SWING BY ANYWAY. 241 00:10:18,534 --> 00:10:20,328 WELL, NEWSFLASH, GENTLEMEN, I'M FINE. 242 00:10:20,369 --> 00:10:22,330 SO YOU CAN BOTH REPORT IN 243 00:10:22,371 --> 00:10:25,333 AND CLOSE MY DOOR ON THE WAY OUT. THANKS. 244 00:10:25,374 --> 00:10:28,336 I WAS GONNA HIT THE FIELD, 245 00:10:28,377 --> 00:10:29,962 DO SOME LIGHT PASSING DRILLS 246 00:10:30,004 --> 00:10:31,922 OR SOMETHIN'. WHY DON'T YOU JOIN? 247 00:10:31,964 --> 00:10:34,133 -NO, I'M GOOD. -AW, COME ON, MAN. 248 00:10:34,175 --> 00:10:36,677 HEY, I'LL EVEN JOIN, TOO, HUH? 249 00:10:36,719 --> 00:10:39,221 IT'LL BE GOOD, GET THAT BODY BACK IN SHAPE. 250 00:10:39,263 --> 00:10:41,849 JJ, WHY DON'T YOU FOCUS ON GETTING YOUR BODY BACK IN SHAPE 251 00:10:41,891 --> 00:10:45,269 AND, I DON'T KNOW, FIGURE OUT HOW TO NOT TO SUCK SO BAD 252 00:10:45,311 --> 00:10:47,521 AS QB1 SO WE DON'T LOSE ANOTHER GAME? 253 00:10:49,148 --> 00:10:51,525 DAMN. 254 00:10:51,567 --> 00:10:54,278 [VIDEO-GAME LASERS FIRING] 255 00:10:58,157 --> 00:11:00,576 YO, DUDE, WHAT THE HELL? 256 00:11:02,244 --> 00:11:04,205 [SIGHS] HMM. 257 00:11:04,246 --> 00:11:07,041 OH, IF YOU WANT THIS BACK, UH, IT'LL BE ON THE FIELD 258 00:11:07,083 --> 00:11:10,002 WITH ME...AND ASHER. 259 00:11:13,631 --> 00:11:16,342 [DOOR OPENS] 260 00:11:19,053 --> 00:11:21,597 [HIP-HOP MUSIC PLAYING] 261 00:11:21,639 --> 00:11:24,308 I BELIEVE THE TERM "ABOLISH" 262 00:11:24,350 --> 00:11:27,311 IN THE DECLARATION OF INDEPENDENCE MEANS ELIMINATE, 263 00:11:27,353 --> 00:11:29,146 NOT CHANGE. 264 00:11:29,188 --> 00:11:31,148 NEGRO, CAN YOU, UH, MAKE SOME NOISE 265 00:11:31,190 --> 00:11:32,316 NEXT TIME YOU APPROACH? 266 00:11:36,696 --> 00:11:38,698 LUCKY GUESS. PREACH: HEY, LISTEN, 267 00:11:38,739 --> 00:11:40,700 IF YOU WANT TO STAY ALIVE WHILE LOCKED UP, YOU LEARN 268 00:11:40,741 --> 00:11:43,327 TO STUDY PEOPLE AND HOW THEY RELATE TO EACH OTHER, 269 00:11:43,369 --> 00:11:45,746 TO THE CAGES THEY'RE IN, 270 00:11:45,788 --> 00:11:47,748 HOW THEY REPEAT PATTERNS. 271 00:11:47,790 --> 00:11:49,875 I MEAN, THAT'S BASICALLY WHAT SOCIAL STUDIES IS. 272 00:11:49,917 --> 00:11:54,213 AND HERE I THOUGHT YOU ONLY READ THAT CREEPY GREEK MYTHOLOGY STUFF. 273 00:11:54,255 --> 00:11:57,925 THIS RIGHT HERE IS YOUR STRONGEST MUSCLE. 274 00:11:57,967 --> 00:12:01,387 YOU KEEP THAT EXERCISED, THEY CAN'T STOP US. 275 00:12:01,429 --> 00:12:03,389 HEY, MAN, LOOK, YOU KNOW I REALLY NEED TO PASS 276 00:12:03,431 --> 00:12:05,975 THIS G.E.D. TO ACCELERATE THE MUSIC THING. 277 00:12:06,016 --> 00:12:09,061 I NEED A TUTOR. PREACH: WHAT THE HELL I LOOK LIKE, JOE CLARK? 278 00:12:09,103 --> 00:12:12,314 MAN, DON'T BE RIDICULOUS. YOU AND MORGAN FREEMAN DON'T LOOK NOTHIN' ALIKE. 279 00:12:12,356 --> 00:12:14,942 WHAT IF I PAID YOU, IN CASH? 280 00:12:14,984 --> 00:12:16,986 YOU GOT BILLS TO PAY, RIGHT? 281 00:12:17,027 --> 00:12:19,613 AND I KNOW IT'S BEEN HARD TRYIN' TO GET A JOB SINCE YOU GOT OUT. 282 00:12:19,655 --> 00:12:22,283 THIS COULD BE A WIN FOR BOTH OF US. 283 00:12:25,077 --> 00:12:27,037 MO: I'M JUST STATING THE FACTS. 284 00:12:27,079 --> 00:12:29,248 IF THERE WAS NOTHING TO HIDE, THE BODYCAM FOOTAGE 285 00:12:29,290 --> 00:12:30,791 WOULD HAVE BEEN RELEASED ALREADY 286 00:12:30,833 --> 00:12:32,376 [DOOR OPENS] AND THE OFFICERS ARRESTED. 287 00:12:32,418 --> 00:12:34,670 UNTIL THAT HAPPENS... LAURA: HEY, HONEY. 288 00:12:34,712 --> 00:12:36,046 THERE IS NO JUSTICE. [TV CLICKS OFF] 289 00:12:36,088 --> 00:12:37,465 HOW WAS, UH, COFFEE WITH JOY? 290 00:12:37,506 --> 00:12:39,091 TAMIKA'S INVESTIGATION IS BEING HANDLED 291 00:12:39,133 --> 00:12:40,760 THROUGH YOUR OFFICE, RIGHT? 292 00:12:40,801 --> 00:12:43,220 "COFFEE WAS GREAT, MOM. THANKS FOR ASKING." 293 00:12:43,262 --> 00:12:45,556 YES, WE ARE HANDLING THINGS 294 00:12:45,598 --> 00:12:47,600 AND NO, I CANNOT DISCUSS IT WITH YOU. 295 00:12:47,641 --> 00:12:50,603 WELL, I'M JUST SAYING THAT IF THE D.A. DID 296 00:12:50,644 --> 00:12:52,813 WANT TO MAKE A STATEMENT, IT DOESN'T GET MUCH EASIER 297 00:12:52,855 --> 00:12:55,316 THAN CHATTING WITH YOUR DAUGHTER FOR HER PODCAST. 298 00:12:55,357 --> 00:12:57,443 OLIVIA, DON'T EVEN JOKE ABOUT IT. 299 00:12:57,485 --> 00:12:59,528 THIS INVESTIGATION IS... 300 00:12:59,570 --> 00:13:02,156 VERY...DELICATE. 301 00:13:02,198 --> 00:13:04,784 I CAN'T BE PERCEIVED TO HAVE ANY CONFLICT OF INTEREST. 302 00:13:04,825 --> 00:13:06,786 YEAH, NO. OF--OF COURSE. 303 00:13:06,827 --> 00:13:09,580 I WILL KEEP YOUR NAME OUT OF IT, I PROMISE. 304 00:13:20,132 --> 00:13:22,718 [MUMBLING INDISTINCTLY] 305 00:13:22,760 --> 00:13:24,720 CAN I GIVE YOU A HAND? 306 00:13:24,762 --> 00:13:27,181 UH, I CAN MANAGE. 307 00:13:27,223 --> 00:13:29,809 OH, I NEVER SAID THAT YOU COULDN'T. 308 00:13:29,850 --> 00:13:31,811 THANK YOU 309 00:13:31,852 --> 00:13:33,437 FOR WAITING WITH JASMYN EARLIER. 310 00:13:33,479 --> 00:13:35,064 I'M NORMALLY NEVER LATE. 311 00:13:35,105 --> 00:13:37,942 JASMYN'S AN IMPRESSIVE YOUNG LADY. 312 00:13:37,983 --> 00:13:39,527 MUST GET IT FROM HER MOM. 313 00:13:39,568 --> 00:13:43,197 YEAH...SHE DOES. 314 00:13:44,740 --> 00:13:46,283 THAT WAS A JOKE. 315 00:13:46,325 --> 00:13:48,285 [CHUCKLES] YEAH, I--I KNOW. 316 00:13:48,327 --> 00:13:50,246 HER--HER MOTHER PASSED AWAY LAST YEAR. 317 00:13:50,287 --> 00:13:52,706 OH, GOD. I'M SORRY. 318 00:13:52,748 --> 00:13:54,792 I DIDN'T KNOW. 319 00:13:54,834 --> 00:13:57,419 IT'S OK. I'M--I'M GETTING USED TO SAYING IT. 320 00:13:57,461 --> 00:13:59,713 BUT JASMYN, SHE STILL HAS A TOUGH TIME, 321 00:13:59,755 --> 00:14:02,174 AND MY SISTER WHO WAS HELPING US OUT, SHE JUST MOVED 322 00:14:02,216 --> 00:14:04,802 TO SEATTLE A FEW WEEKS AGO, SO I THINK JAS IS HAVIN' 323 00:14:04,844 --> 00:14:06,804 A HARD TIME WITH THAT, TOO. 324 00:14:06,846 --> 00:14:11,392 I'M SORRY. YOU-- YOU DIDN'T SIGN UP FOR A WHOLE THERAPY SESSION. 325 00:14:11,433 --> 00:14:14,019 OH--HEH!--TRUST ME. IF THERE'S ANYBODY 326 00:14:14,061 --> 00:14:17,022 WHO UNDERSTANDS NAVIGATING KIDS THROUGH TOUGH TRANSITIONS, 327 00:14:17,064 --> 00:14:18,482 IT'S ME. 328 00:14:21,151 --> 00:14:23,779 I'M SORRY TO HEAR ABOUT YOUR WIFE. 329 00:14:23,821 --> 00:14:26,532 I APPRECIATE THAT. 330 00:14:28,242 --> 00:14:31,203 YOU KNOW, I THOUGHT JAS AND I HAD FINALLY FOUND OUR RHYTHM, 331 00:14:31,245 --> 00:14:33,831 BUT IT JUST SEEMS LIKE THE MORE I TRY TO CONNECT, 332 00:14:33,873 --> 00:14:36,000 THE MORE SHE JUST PUSHES ME AWAY. 333 00:14:36,041 --> 00:14:38,168 SHE'S ADJUSTING TO A LOT. 334 00:14:38,210 --> 00:14:41,171 MAYBE DOUBLE DOWN ON THE EXTRA QUALITY TIME WITH HER, 335 00:14:41,213 --> 00:14:43,757 REMIND HER YOU'LL ALWAYS BE HERE. 336 00:14:43,799 --> 00:14:45,384 YEAH. 337 00:14:45,426 --> 00:14:47,595 [SNIFFS] 338 00:14:47,636 --> 00:14:49,430 [MUSIC PLAYING] 339 00:14:49,471 --> 00:14:51,307 ROMELO: SURE I CAN'T GET YOU ANYTHING? 340 00:14:51,348 --> 00:14:52,850 NO, I'M GOOD. THANK YOU. 341 00:14:52,892 --> 00:14:55,853 ALL RIGHT, SO TALK TO ME, SON. 342 00:14:55,895 --> 00:14:59,189 I'M SURE YOU GOT MAD QUESTIONS ABOUT TNT's PROGRAM. 343 00:14:59,231 --> 00:15:01,400 UH, I GUESS I'M JUST CURIOUS AS TO WHY 344 00:15:01,442 --> 00:15:03,319 TNT DIDN'T SHOW ME NO INTEREST LAST YEAR. 345 00:15:03,360 --> 00:15:05,863 I WAS ONE OF THE TOP PLAYERS IN THE COUNTRY. 346 00:15:05,905 --> 00:15:07,865 FAIR QUESTION. 347 00:15:07,907 --> 00:15:09,909 WELL, I'LL GIVE IT TO YOU STRAIGHT. 348 00:15:09,950 --> 00:15:11,535 -OK. -LAST YEAR, 349 00:15:11,577 --> 00:15:13,245 YOU WEREN'T A GOOD FIT FOR US. 350 00:15:13,287 --> 00:15:15,289 HEH! I'M THE SAME PLAYER I WAS BEFORE. 351 00:15:15,331 --> 00:15:19,168 TURNS OUT WE HAD YOU ALL WRONG OFF THE FIELD. 352 00:15:19,209 --> 00:15:22,129 IT ALL CLICKED FOR ME AFTER YOUR SHOOTING. 353 00:15:22,171 --> 00:15:24,798 HEH! Y'ALL WANT ME 'CAUSE I GOT SHOT? 354 00:15:24,840 --> 00:15:26,800 I WANT YOU BECAUSE YOU HAVE AN EDGE 355 00:15:26,842 --> 00:15:29,053 THAT TNT LIKES IN ITS PLAYERS. 356 00:15:29,094 --> 00:15:33,057 THAT EDGE, THAT "TAKE NO PRISONERS" KINDA ATTITUDE-- 357 00:15:33,098 --> 00:15:35,267 THAT'S WHAT WE NEED WHEN OUR BACK IS UP AGAINST THE WALL 358 00:15:35,309 --> 00:15:37,686 IN THE FOURTH QUARTER. 359 00:15:37,728 --> 00:15:40,314 I AIN'T A PART OF NO GANG, 360 00:15:40,356 --> 00:15:42,900 AND THAT SHOOTING WAS AN ISOLATED INCIDENT. 361 00:15:42,942 --> 00:15:44,151 DOESN'T MATTER. 362 00:15:44,193 --> 00:15:46,111 WHAT MATTERS IS THE IMAGE I CAN 363 00:15:46,153 --> 00:15:49,406 TAKE BACK TO MY BOSSES AT TNT AND SELL. 364 00:15:49,448 --> 00:15:51,408 "BAD BOY" SPENCER JAMES? 365 00:15:51,450 --> 00:15:53,494 NOW THAT'S AN IMAGE I CAN PACKAGE. 366 00:15:53,535 --> 00:15:56,121 YOU KNOW, FOR SOMEONE YOU NOT FRIENDS WITH 367 00:15:56,163 --> 00:15:58,791 NO MORE, YOU DEEP IN HIS BUSINESS. 368 00:15:58,832 --> 00:16:01,418 MAN, WHATEVER. WHY DON'T YOU MIND YOUR BUSINESS AND EXPLAIN 369 00:16:01,460 --> 00:16:04,672 THIS COMPARATIVE GOVERNMENT STUFF TO ME IN A WAY THAT I CAN UNDERSTAND? 370 00:16:04,713 --> 00:16:07,091 -I BEEN TRYING. -WELL, TRY HARDER, OK? 371 00:16:07,132 --> 00:16:09,718 'CAUSE I ONLY GOT A FEW MORE MINUTES BEFORE I GOT TO BE AT THE FLOWER VIGIL. 372 00:16:09,760 --> 00:16:12,721 ROMELO: YOU ALSO NEED MORE OF A SOCIAL MEDIA PRESENCE. 373 00:16:12,763 --> 00:16:15,766 NOW, THAT'S WHERE THE GAME AND THE FAME PLAYS OUT THESE DAYS. 374 00:16:15,808 --> 00:16:19,603 WE CAN HELP FIX THAT, UNOFFICIALLY, OF COURSE. 375 00:16:19,645 --> 00:16:21,981 -FIX IT HOW? -TNT CAN HELP YOU 376 00:16:22,022 --> 00:16:24,775 BUILD A PROFILE BEFITTING A TNT STAR ATHLETE, 377 00:16:24,817 --> 00:16:27,027 HOOK YOU UP WITH THE FOLKS AT INSTAGRAM, 378 00:16:27,069 --> 00:16:30,030 HELP YOU GET THOSE ENDORSEMENTS, YOU KNOW? SPENCER: YEAH, I KNOW. 379 00:16:30,072 --> 00:16:32,449 CREATE SOME REAL BUZZ AROUND 380 00:16:32,491 --> 00:16:35,369 #BadBoySpencerJames. 381 00:16:35,411 --> 00:16:37,830 I JUST WANT TO PLAY FOOTBALL. 382 00:16:37,871 --> 00:16:40,416 AND I'M TELLIN' YOU HOW WE GET YOU THERE. 383 00:16:41,959 --> 00:16:45,129 I'M ACTUALLY, UH, LATE FOR A VIGIL. MY BAD. 384 00:16:45,170 --> 00:16:47,631 I'MMA HAVE TO HEAD OUT. YOU MIND IF I THINK ON WHAT YOU JUST SAID? 385 00:16:47,673 --> 00:16:49,633 YEAH. 386 00:16:49,675 --> 00:16:52,052 UH, SON, 387 00:16:52,094 --> 00:16:55,347 YOUR, UH, SOCIAL JUSTICE THING IS COMMENDABLE. 388 00:16:55,389 --> 00:16:57,266 JUST... 389 00:16:57,307 --> 00:16:59,810 DON'T LET IT GET IN THE WAY OF YOUR NFL DREAMS. 390 00:16:59,852 --> 00:17:01,854 YOU REALLY WANT TO HELP YOUR PEOPLE? 391 00:17:01,895 --> 00:17:03,981 ACHIEVE THE DREAM. 392 00:17:13,240 --> 00:17:17,786 MALE SINGER: ♪ COCOA BUTTER KISSES WIPE MY TEARS AWAY ♪ 393 00:17:17,828 --> 00:17:19,621 HEY. 394 00:17:19,663 --> 00:17:22,541 WHERE IS EVERYBODY? I THOUGHT THERE'D BE A BIGGER CROWD. 395 00:17:22,583 --> 00:17:26,712 [SIGHS] SADLY, THIS WAS PRETTY MUCH WHAT I EXPECTED. 396 00:17:26,754 --> 00:17:29,298 THE CRIES OF INJUSTICE AROUND BLACK WOMEN'S MURDERS 397 00:17:29,339 --> 00:17:31,717 ARE ALWAYS SO MUCH QUIETER: 398 00:17:31,759 --> 00:17:35,554 SANDRA BLAND, BREONNA TAYLOR, REM'MIE FELLS. 399 00:17:35,596 --> 00:17:38,682 SADLY, I COULD GO ON FOR DAYS WITH THAT LIST. 400 00:17:38,724 --> 00:17:41,894 MO: KIA, I THINK THE FAMILY'S READY TO GET STARTED. 401 00:17:41,935 --> 00:17:44,021 ALL RIGHT, LET'S DO IT. THE STAGE IS READY. MO: OK. 402 00:17:44,063 --> 00:17:45,856 OH, MO, THIS IS MY FRIEND, OLIVIA BAKER. 403 00:17:45,898 --> 00:17:48,192 SHE'S GONNA BE COVERING OUR EVENT ON HER PODCAST. 404 00:17:48,233 --> 00:17:51,028 OH, THAT'S RIGHT. THE D.A.'s DAUGHTER. 405 00:17:51,070 --> 00:17:53,072 DOES YOUR MOTHER KNOW YOU'RE HERE? 406 00:17:53,113 --> 00:17:55,032 SHE DOES. 407 00:17:55,074 --> 00:17:56,700 I LISTEN TO YOUR PODCAST, 408 00:17:56,742 --> 00:17:58,702 AND IT'S KIDS LIKE YOU AND KIA 409 00:17:58,744 --> 00:18:01,914 THAT GIVE ME HOPE FOR THIS NEXT GENERATION. 410 00:18:01,955 --> 00:18:04,166 'SCUSE US. 411 00:18:06,752 --> 00:18:10,339 SINGER: ♪ SHE'S A QUEEN FROM ANOTHER PLACE ♪ 412 00:18:10,380 --> 00:18:13,342 ♪ WHY ARE YOU SO DISPLACED? ♪ 413 00:18:13,383 --> 00:18:17,012 ♪ SHE'S A GODDESS WALKING ON EARTH ♪ 414 00:18:17,054 --> 00:18:19,014 NAVEAH: MY COUSIN TAMIKA 415 00:18:19,056 --> 00:18:21,892 IS SO MUCH MORE THAN JUST A HASHTAG. 416 00:18:21,934 --> 00:18:25,312 SHE WAS MY ROCK, THE ONE PERSON I CAN CALL 417 00:18:25,354 --> 00:18:30,067 IN TIME OF NEED, AND SHE'D ALWAYS HAVE MY BACK, NO QUESTIONS ASKED. 418 00:18:30,109 --> 00:18:33,320 IF SHE CARED ABOUT YOU-- WHICH, LET'S FACE IT, 419 00:18:33,362 --> 00:18:35,739 APPLIES TO EVERYONE IN HER LIFE-- 420 00:18:35,781 --> 00:18:40,327 SHE ALWAYS KEPT IT 100, NO MATTER HOW MUCH THAT TRUTH MIGHT HAVE STUNG. 421 00:18:42,121 --> 00:18:44,665 TAMIKA, TODAY WE GIVE YOU FLOWERS 422 00:18:44,706 --> 00:18:46,834 BECAUSE THE COPS WHO MURDERED YOU 423 00:18:46,875 --> 00:18:50,003 ROBBED US OF THE OPPORTUNITY TO DO SO IN PERSON, 424 00:18:50,045 --> 00:18:52,631 AND BY BLATANTLY HIDING THE BODYCAM FOOTAGE, 425 00:18:52,673 --> 00:18:55,384 THEY'RE ROBBING YOU OF JUSTICE. 426 00:18:55,425 --> 00:18:59,012 MY BEAUTIFUL BLACK WOMEN, 427 00:18:59,054 --> 00:19:02,266 THESE FLOWERS ARE ALSO FOR YOU. 428 00:19:02,307 --> 00:19:05,477 THEY'RE HERE TO SAY WE LOVE YOU, 429 00:19:05,519 --> 00:19:10,440 WE SEE YOU, AND WE WILL ALWAYS PROTECT YOU. 430 00:19:10,482 --> 00:19:12,776 [APPLAUSE] 431 00:19:16,989 --> 00:19:19,032 [APPLAUSE ABATES] 432 00:19:22,244 --> 00:19:26,415 WAKIN' UP BELIEVIN' THE WORLD IS OUR OYSTER, 433 00:19:26,456 --> 00:19:29,960 LOVIN' LIFE AS WE STROLL DOWN THE STREET, 434 00:19:30,002 --> 00:19:32,379 WALKIN' LIKE WE GOT CLOUDS UNDER OUR FEET, 435 00:19:32,421 --> 00:19:34,381 DAYDREAMIN' 436 00:19:34,423 --> 00:19:37,885 OF THE GOLIATHS WE KNOW WE CAN DEFEAT. 437 00:19:37,926 --> 00:19:40,345 THAT'S WHAT TAMIKA DESERVED-- 438 00:19:40,387 --> 00:19:42,764 A FUTURE FULL OF POSSIBILITIES, LIKE FALLIN' IN LOVE 439 00:19:42,806 --> 00:19:45,142 OVER THE DOPEST CONVERSATION, 440 00:19:45,184 --> 00:19:49,771 MAKIN' IT TO HER COLLEGE GRADUATION OR, SHOOT, JUST MAKING IT... 441 00:19:49,813 --> 00:19:53,108 TO ANOTHER MORNING SALUTATION. 442 00:19:53,150 --> 00:19:55,277 THAT'S WHAT TAMIKA DESERVED-- 443 00:19:55,319 --> 00:19:59,031 A WORLD THAT LOVED HER AS BEAUTIFUL AND AS BLACK AS SHE WAS, 444 00:19:59,072 --> 00:20:01,617 NOT A POLICE SYSTEM THAT JUDGED AND FAILED HER, 445 00:20:01,658 --> 00:20:04,745 NOT A GROWN MAN WITH A BADGE AND A GUN 446 00:20:04,786 --> 00:20:07,289 THAT WAS SCARED OF HER. THE ACKNOWLEDGEMENT OF 447 00:20:07,331 --> 00:20:09,708 THE BRILLIANCE THAT WAS HER... KIA: YOU OK? 448 00:20:09,750 --> 00:20:12,336 COOP: THAT'S WHAT TAMIKA DESERVED. 449 00:20:12,377 --> 00:20:15,088 THAT'S WHAT ALL OF US BLACK WOMEN DESERVE 450 00:20:15,130 --> 00:20:17,716 BECAUSE OUR LOVE, DESPITE WHAT IT ENDURES, 451 00:20:17,758 --> 00:20:21,178 OUR BODIES CONTINUE TO NURTURE AND REASSURE; 452 00:20:21,220 --> 00:20:25,015 OUR MINDS, OUR STRENGTH THE CONSTANT CURE, 453 00:20:25,057 --> 00:20:27,559 SO A "THANK YOU" 454 00:20:27,601 --> 00:20:30,103 IS WHAT TAMIKA DESERVED. 455 00:20:30,145 --> 00:20:32,856 THE POEMS, THE PRAISES, 456 00:20:32,898 --> 00:20:35,025 THE FLOWERS-- THOSE ARE ALL GIFTS 457 00:20:35,067 --> 00:20:37,152 THAT SHOULD HAVE BEEN LEFT AT HER FEET, 458 00:20:37,194 --> 00:20:40,405 NOT A BULLET AND CONFUSION AS SHE DARED TO SLEEP. 459 00:20:40,447 --> 00:20:42,741 THIS IS WHY WE'RE ALL HERE TODAY, 460 00:20:42,783 --> 00:20:45,494 BECAUSE HER STORY IS NOT COMPLETE. 461 00:20:45,535 --> 00:20:48,914 JUSTICE IS WHAT SHE DESERVES, 462 00:20:48,956 --> 00:20:51,124 AND UNTIL SHE GETS IT, 463 00:20:51,166 --> 00:20:53,126 WE'RE GONNA FIGHT. 464 00:20:53,168 --> 00:20:55,754 RIGHT HERE IN THESE STREETS, WE GONNA FIGHT. 465 00:20:55,796 --> 00:20:58,966 AND I WANT Y'ALL TO TAKE YOUR FLOWER 466 00:20:59,007 --> 00:21:01,593 AND RAISE IT UP IN THE AIR RIGHT NOW 467 00:21:01,635 --> 00:21:04,221 IF YOU FEELIN' ME. 468 00:21:18,694 --> 00:21:20,654 [OLIVIA SIGHS] 469 00:21:20,696 --> 00:21:22,990 NOPE, DON'T DO THAT. 470 00:21:23,031 --> 00:21:24,616 DON'T COMPARE. 471 00:21:24,658 --> 00:21:26,243 YOU AND TAMIKA ARE DIFFERENT. 472 00:21:26,285 --> 00:21:28,328 AM I THAT OBVIOUS? 473 00:21:28,370 --> 00:21:30,122 YOU'RE THAT HARD ON YOURSELF. 474 00:21:30,163 --> 00:21:31,748 YOU KNOW, THE TRUTH IS IS THAT WE'RE NOT 475 00:21:31,790 --> 00:21:33,750 THAT DIFFERENT. 476 00:21:33,792 --> 00:21:36,753 WE'RE BOTH YOUNG BLACK WOMEN, 477 00:21:36,795 --> 00:21:40,173 WE BOTH DRANK, WE BOTH DROVE, 478 00:21:40,215 --> 00:21:42,384 AND, I MEAN, THE ONLY DIFFERENCE IS THAT TAMIKA HAD 479 00:21:42,426 --> 00:21:45,012 THE GOOD SENSE TO PULL OVER AND TRY TO SLEEP IT OFF, 480 00:21:45,053 --> 00:21:47,806 AND I JUST KEPT DRIVING UNTIL I CRASHED. 481 00:21:47,848 --> 00:21:51,018 -I KNOW. -AND BECAUSE I'M THE WHITE D.A.'s DAUGHTER, 482 00:21:51,059 --> 00:21:53,854 THE COPS OFFERED ME A RIDE HOME, 483 00:21:53,895 --> 00:21:56,481 AND TAMIKA GOT A DEATH SENTENCE. 484 00:21:56,523 --> 00:21:59,026 [VOICE BREAKING] HOW IS THAT FAIR? 485 00:21:59,067 --> 00:22:00,569 IT'S NOT. 486 00:22:00,610 --> 00:22:02,988 -IT'S NOT FAIR. -IT'S NOT FAIR, 487 00:22:03,030 --> 00:22:06,491 AND IT'S ALSO NOT YOUR FAULT THAT YOU'RE ALIVE AND TAMIKA ISN'T. 488 00:22:06,533 --> 00:22:09,494 YEAH, WELL... TAMIKA ISN'T ALIVE 489 00:22:09,536 --> 00:22:12,122 TO FIGHT FOR HER OWN JUSTICE... 490 00:22:12,164 --> 00:22:14,374 BUT I AM. 491 00:22:14,416 --> 00:22:16,752 I OWE THAT TO HER. 492 00:22:24,343 --> 00:22:26,136 [CHUCKLES] 493 00:22:26,178 --> 00:22:28,138 UH, ALL RIGHT, ENOUGH WITH THIS SUSPENSE. 494 00:22:28,180 --> 00:22:30,349 WHAT'S--WHAT HAPPENED WITH SPENCER? 495 00:22:30,390 --> 00:22:32,351 HE'S A SMART KID, 496 00:22:32,392 --> 00:22:36,355 WHO'S GOING TO OVERTHINK HIMSELF OUT OF THIS OPPORTUNITY. 497 00:22:36,396 --> 00:22:38,607 -WHAT DO YOU MEAN? -YOU NEED TO CONVINCE HIM 498 00:22:38,648 --> 00:22:41,693 TO LEAN INTO WHATEVER IMAGE IS GONNA GET HIM THE OFFER FROM TNT. 499 00:22:41,735 --> 00:22:43,695 WHATEVER IMAGE SPENCER LEANS INTO IS GONNA 500 00:22:43,737 --> 00:22:46,823 FOLLOW HIM INTO THE NFL AND FOR THE REST OF HIS LIFE. 501 00:22:46,865 --> 00:22:50,243 AND HE CAN THANK ME FOR IT WHEN HE LANDS HIS FIRST PRO CONTRACT. 502 00:22:50,285 --> 00:22:53,205 LOOK, I KNOW WHAT PLAYERS YOU USUALLY GO FOR AT TNT. 503 00:22:53,246 --> 00:22:56,500 YOUR INTEREST IN SPENCER MADE ME THINK YOU WERE CLEANING UP YOUR ACT. 504 00:22:56,541 --> 00:22:59,461 I MEAN, TIMES HAVE CHANGED. THE NFL IS CHANGING. 505 00:22:59,503 --> 00:23:02,381 THE LEAGUE NEEDS SOMEBODY LIKE SPENCER JAMES. 506 00:23:02,422 --> 00:23:05,008 COME ON, BILLY. NOW, YOU KNOW DAMN WELL 507 00:23:05,050 --> 00:23:07,594 AIN'T NOTHIN' REALLY CHANGED. 508 00:23:07,636 --> 00:23:09,596 YES, EVERYONE IS BUSY 509 00:23:09,638 --> 00:23:11,973 APOLOGIZING TO KAP NOW, 510 00:23:12,015 --> 00:23:14,184 BUT HAS ANYONE ACTUALLY OFFERED HIM 511 00:23:14,226 --> 00:23:20,232 HIS SPOT BACK IN THE LEAGUE? 512 00:23:20,273 --> 00:23:22,109 [HIP-HOP MUSIC PLAYING] 513 00:23:22,150 --> 00:23:24,027 MALE SINGER: ♪ I'LL SIT BACK AND... ♪ 514 00:23:24,069 --> 00:23:26,571 DILLON: JASMYN'S HERE. CAN I SAY HEY? 515 00:23:26,613 --> 00:23:29,449 ♪ ALL AROUND TOWN, CAN'T TAME US BUT CAN YOU BLAME US? ♪ 516 00:23:29,491 --> 00:23:31,451 HEY. 517 00:23:31,493 --> 00:23:33,870 JASMYN: HEY. DILLON: OH, HEY. 518 00:23:33,912 --> 00:23:36,289 [GRACE CHUCKLES] CARTER: HEY. 519 00:23:36,331 --> 00:23:38,917 -HEY. -THIRD TIME IN ONE DAY. 520 00:23:38,959 --> 00:23:41,336 AT THIS POINT, WE MIGHT AS WELL SYNC CALENDARS. 521 00:23:41,378 --> 00:23:44,339 HEH! ACTUALLY, THIS STOP WAS KINDA IMPROMPTU. 522 00:23:44,381 --> 00:23:46,508 JAS BAILED ON THE COOL PARTY, SO I FIGURED 523 00:23:46,550 --> 00:23:48,760 I'D TAKE YOU UP ON YOUR ADVICE 524 00:23:48,802 --> 00:23:51,096 AND DO THE WHOLE QUALITY-TIME THING. 525 00:23:51,138 --> 00:23:53,098 -HOW'S IT GOIN'? -IT'S OK, 526 00:23:53,140 --> 00:23:55,100 YOU DON'T COUNT HER GRUMPINESS AND THE FACT THAT SHE 527 00:23:55,142 --> 00:23:57,102 DIDN'T WANT TO EAT ANYTHING. 528 00:23:57,144 --> 00:24:00,230 APPARENTLY SHE HAS A STOMACHACHE...AGAIN. 529 00:24:00,272 --> 00:24:02,399 IT'S KINDA BEEN AN ISSUE ALL WEEK. 530 00:24:02,441 --> 00:24:04,484 DAD, SERIOUSLY? 531 00:24:04,526 --> 00:24:06,445 WHAT? WHAT'D I SAY? 532 00:24:06,486 --> 00:24:08,905 EXCUSE ME. [SCOFFS] 533 00:24:08,947 --> 00:24:11,324 CARTER: JAS. [JASMYN SCOFFS] 534 00:24:11,366 --> 00:24:13,368 DILLON: UM, WHAT JUST HAPPENED? 535 00:24:13,410 --> 00:24:15,579 BABY, CAN YOU GO CHECK ON MY TEA? 536 00:24:15,620 --> 00:24:17,414 SINGER: ♪ I'M DOWN HERE SMILIN' IN THE BOOTH ♪ 537 00:24:17,456 --> 00:24:19,458 ♪ REMINISCIN' 'BOUT LATE-NIGHT DEDICATION ♪ 538 00:24:19,499 --> 00:24:21,460 SEE WHAT I MEAN? 539 00:24:21,501 --> 00:24:23,920 HAVE YOU HAD THE TALK WITH HER YET... 540 00:24:23,962 --> 00:24:26,047 ABOUT MENSTRUAL CYCLES? 541 00:24:26,089 --> 00:24:27,883 I'M ALMOST POSITIVE YOUR DAUGHTER STARTED 542 00:24:27,924 --> 00:24:30,260 HER PERIOD THIS WEEK, AND SHE'S PROBABLY 543 00:24:30,302 --> 00:24:32,888 TOO EMBARRASSED TO TALK TO YOU ABOUT IT. 544 00:24:32,929 --> 00:24:36,308 [SIGHS] THE POOL PARTY, 545 00:24:36,349 --> 00:24:38,643 THE MOOD SWINGS, THE STOMACHACHES. 546 00:24:38,685 --> 00:24:40,729 OH, MY GOD. HOW DID I MISS IT? 547 00:24:40,770 --> 00:24:42,731 UH, BECAUSE YOU'RE HUMAN, 548 00:24:42,772 --> 00:24:44,608 AND YOU'RE A MAN. 549 00:24:44,649 --> 00:24:46,902 -YOU-- -I COULD GO TALK TO HER. 550 00:24:46,943 --> 00:24:48,528 NO, NO, NO, NO. I--I GOT IT. 551 00:24:48,570 --> 00:24:50,155 I'M--I'M ACTUALLY PREPARED. 552 00:24:50,197 --> 00:24:52,574 I--I GOT POWERPOINT, I GOT FLASH CARDS. 553 00:24:52,616 --> 00:24:54,367 I'M--I'M READY. 554 00:24:54,409 --> 00:24:55,702 -OK. -YOU THINK 555 00:24:55,744 --> 00:24:57,746 JANELLE MONAE'S "PYNK" IS TOO MUCH? 556 00:24:57,787 --> 00:24:59,748 UH... 557 00:24:59,789 --> 00:25:03,001 MAYBE JUST START WITH THE TALK, YOU KNOW? 558 00:25:03,043 --> 00:25:05,712 SEE HOW THAT GOES. 559 00:25:07,631 --> 00:25:10,592 SPENCER: I DON'T KNOW, MAN. MAYBE COACH BARNUM'S RIGHT. 560 00:25:10,634 --> 00:25:13,595 I'M RUNNIN' OUTTA TIME AND OPTIONS. 561 00:25:13,637 --> 00:25:17,474 I MEAN, THE GOAL WAS TO GET IN THE DOOR, RIGHT, WHATEVER IT TAKES? 562 00:25:17,516 --> 00:25:21,269 YEAH, JUST MAKE SURE YOU CAN LOOK YOURSELF IN THE MIRROR EACH MORNING. 563 00:25:21,311 --> 00:25:23,897 ALL I KNOW IS THERE'S A LOT OF POTENTIAL MONEY 564 00:25:23,939 --> 00:25:26,274 ON THE LINE WITH THIS NEW NCAA RULE. 565 00:25:26,316 --> 00:25:28,151 I DON'T FULLY UNDERSTAND IT ALL YET, BUT 566 00:25:28,193 --> 00:25:30,654 ANY CHANCE TO PROVIDE FOR MOMS IS A CHANCE I GOTTA TAKE. 567 00:25:30,695 --> 00:25:33,281 [BILLY SIGHS] [KNOCK ON DOOR] 568 00:25:33,323 --> 00:25:35,408 [DROPS PAMPHLET] 569 00:25:35,450 --> 00:25:37,619 [SIGHS] 570 00:25:37,661 --> 00:25:39,871 [DOOR OPENS] 571 00:25:39,913 --> 00:25:41,873 HEY. WHAT'S UP, MAN? JORDAN: HEY, UH, 572 00:25:41,915 --> 00:25:44,042 SORRY FOR JUST SHOWIN' UP. 573 00:25:44,084 --> 00:25:45,961 HEY, DAD. BILLY: HEY. 574 00:25:46,002 --> 00:25:47,629 GLAD TO SEE YOU MADE IT UP OFF THE COUCH. 575 00:25:47,671 --> 00:25:49,422 [DOOR CLOSES] JORDAN: YEAH, UM, AM I 576 00:25:49,464 --> 00:25:51,216 INTERRUPTING SOMETHING OR-- BILLY: NO, NO, NO. 577 00:25:51,258 --> 00:25:53,009 Y'ALL, UH, Y'ALL KICK IT. I'LL, UH, 578 00:25:53,051 --> 00:25:55,011 I CAN TALK TO YOU LATER. SPENCER: ALL RIGHT. 579 00:25:55,053 --> 00:25:58,139 BILLY: ALL RIGHT, YOUNG MAN. JORDAN: OK. 580 00:26:00,934 --> 00:26:03,520 OK, SERIOUSLY, WHAT-- WHAT DID I JUST INTERRUPT? 581 00:26:03,562 --> 00:26:05,564 NAW. NO, MAN, YOU GOOD. 582 00:26:05,605 --> 00:26:08,441 [SIGHS] SO WHAT'S UP? 583 00:26:08,483 --> 00:26:11,069 HOW YOU BEEN? JORDAN: NOT GREAT. 584 00:26:12,904 --> 00:26:15,282 TNT. THEY ARE SOME BEASTS. 585 00:26:15,323 --> 00:26:17,826 -YEAH. -I DIDN'T THINK YOU WERE CONSIDERING TEXAS SCHOOLS. 586 00:26:17,867 --> 00:26:19,828 I WASN'T, TILL ONE OF THEIR RECRUITERS 587 00:26:19,869 --> 00:26:21,871 CAME TO TOWN, SORTA MADE ME AN OFFER. 588 00:26:21,913 --> 00:26:23,123 JORDAN: WHAT? SPENCER: HEH! YEAH. 589 00:26:23,164 --> 00:26:24,499 DUDE, THAT'S-- THAT'S AWESOME! 590 00:26:24,541 --> 00:26:26,793 WAIT. WHY--WHY DIDN'T YOU TELL ME? 591 00:26:26,835 --> 00:26:29,004 I DON'T KNOW, MAN. I DIDN'T WANT TO THROW IT IN YOUR FACE 592 00:26:29,045 --> 00:26:32,882 WITH EVERYTHING YOU GOT GOIN' ON, NOT BEIN' ABLE TO PLAY. 593 00:26:32,924 --> 00:26:35,885 LISTEN, SPENCE, I DON'T NEED EVERYONE TIPTOEING AROUND ME. 594 00:26:35,927 --> 00:26:38,013 WE DON'T KNOW WHAT YOU NEED, J. 595 00:26:38,054 --> 00:26:40,765 YOU'RE NOT TALKIN' TO NOBODY. 596 00:26:43,810 --> 00:26:46,771 [EXHALES SHARPLY] HOW DID YOU DO IT, SPENCE? 597 00:26:46,813 --> 00:26:49,774 WHENEVER YOU THOUGHT YOU... 598 00:26:49,816 --> 00:26:53,320 WOULD NEVER PLAY AGAIN, HOW--HOW DID YOU DEAL? 599 00:26:53,361 --> 00:26:55,697 I MEAN, ONE MINUTE, I'M--I'M RIDIN' HIGH 600 00:26:55,739 --> 00:26:59,117 IN THE MIDDLE OF MY HOMECOMING GAME, AND THE NEXT... 601 00:26:59,159 --> 00:27:02,537 EVERYTHING JUST WENT TO HELL SO FAST. 602 00:27:02,579 --> 00:27:04,956 YOU TAKE IT DAY BY DAY. 603 00:27:04,998 --> 00:27:08,376 YOU FEEL WHAT YOU FEEL AND THEN YOU KEEP IT MOVIN'. 604 00:27:08,418 --> 00:27:11,379 YOU CAN'T FOCUS ON THE UNCERTAINTY, MAN. 605 00:27:11,421 --> 00:27:14,382 YOU GOT TO GET UP AND REMIND YOURSELF 606 00:27:14,424 --> 00:27:16,801 THAT YOUR LIFE AIN'T OVER, YOU FEEL ME? 607 00:27:16,843 --> 00:27:19,804 [SCOFFS, SIGHS] 608 00:27:19,846 --> 00:27:22,807 UM... [DROPS PAMPHLET] 609 00:27:22,849 --> 00:27:25,435 LOOK, MAN, I'M--I'M SORRY 610 00:27:25,477 --> 00:27:28,980 THAT I MADE YOU FEEL LIKE YOU COULDN'T SHARE YOUR DOPE NEWS WITH ME. 611 00:27:29,022 --> 00:27:32,192 YOU KNOW, WHATEVER HAPPENS WITH ME AND FOOTBALL, 612 00:27:32,233 --> 00:27:34,694 I'M ALWAYS GONNA CELEBRATE MY BOY'S WINS. 613 00:27:34,736 --> 00:27:36,780 I KNOW. 614 00:27:36,821 --> 00:27:38,990 [SLAP HANDS, SNAP FINGERS] 615 00:27:39,032 --> 00:27:41,409 [SNIFFS, EXHALES] 616 00:27:41,451 --> 00:27:44,162 DAMN. I JUST REALIZED. 617 00:27:44,204 --> 00:27:46,790 I OWE SOMEBODY ELSE AN APOLOGY AND A CELEBRATION. 618 00:27:46,831 --> 00:27:48,917 [RUBS PALMS TOGETHER] 619 00:27:55,215 --> 00:27:57,384 HEY. 620 00:27:57,425 --> 00:27:59,344 -YOU STALKING ME? -WELL, IT'S NOT HARD. 621 00:27:59,386 --> 00:28:02,806 YOU'RE LITERALLY ALWAYS EITHER HERE OR IN THE STUDIO THESE DAYS. 622 00:28:02,847 --> 00:28:06,434 UM, I'M SORRY FOR LEAVING YOU WITHOUT A STUDY PARTNER TODAY. 623 00:28:06,476 --> 00:28:08,728 I JUST HAD TO CLEAR MY HEAD, 624 00:28:08,770 --> 00:28:10,855 BUT CLEARLY, YOU FOUND A STRATEGY 625 00:28:10,897 --> 00:28:12,732 THAT WORKS BETTER THAN ME. COOP: UH, NO. 626 00:28:12,774 --> 00:28:14,818 ACTUALLY, THE NOTECARDS WERE PREACH'S IDEA. 627 00:28:14,859 --> 00:28:18,363 HUH. OK. WHO'D HAVE THOUGHT? 628 00:28:18,405 --> 00:28:21,032 ...SAY THE DREAM STARTS NOW, THAT MEANS MY PATH TO... 629 00:28:21,074 --> 00:28:23,868 IS THAT ALSO PREACH'S IDEA? 630 00:28:23,910 --> 00:28:27,622 NO. THIS IS JUST SOMETHIN' SPENCER NEEDS RIGHT NOW. 631 00:28:27,664 --> 00:28:29,624 WAIT. I'M--I'M SO CONFUSED. 632 00:28:29,666 --> 00:28:32,627 I THOUGHT WE WERE STILL, LIKE, A SPENCER-FREE ZONE. 633 00:28:32,669 --> 00:28:34,838 WE ARE. THAT FRIENDSHIP IS IN THE PAST, 634 00:28:34,879 --> 00:28:37,924 BUT THAT DON'T MEAN ALL THE CARIN' JUST MAGICALLY VANISHED. 635 00:28:37,966 --> 00:28:40,218 YEAH, TELL ME ABOUT IT. 636 00:28:40,260 --> 00:28:43,263 I REALIZED TODAY AT TAMIKA'S VIGIL THAT I DON'T WANT 637 00:28:43,304 --> 00:28:46,141 THE LAST THING THAT'S SHARED BETWEEN ME AND SPENCER TO BE ANGER. 638 00:28:46,182 --> 00:28:49,144 ME DOIN' HIM THIS SOLID JUST... 639 00:28:49,185 --> 00:28:51,855 ALLOWS OUR FRIENDSHIP TO REST IN PEACE. 640 00:28:56,526 --> 00:28:58,486 [JABARI SIGHS] 641 00:28:58,528 --> 00:29:00,488 SO NOBODY ELSE IS PISSED OFF 642 00:29:00,530 --> 00:29:02,907 THAT COACH CALLS US IN FOR AN IMPROMPTU PRACTICE? 643 00:29:02,949 --> 00:29:05,452 I'M STILL TRYIN' TO FIGURE OUT WHY WE NOT ON THE FIELD. 644 00:29:07,370 --> 00:29:10,081 BILLY: HERE THEY ARE. 645 00:29:12,000 --> 00:29:15,211 -HEY, WHAT'S GOIN' ON, COACH? -GO AHEAD, NOW. HAVE A SEAT. 646 00:29:15,253 --> 00:29:17,338 [DOOR CLOSES] 647 00:29:19,340 --> 00:29:22,844 WELCOME TO FINANCIAL LITERACY 101. 648 00:29:22,886 --> 00:29:25,180 JABARI: WHAT? BILLY: LISTEN UP. 649 00:29:25,221 --> 00:29:27,599 NOW, THE DIFFERENCE BETWEEN THE HAVES AND THE HAVE NOTS 650 00:29:27,640 --> 00:29:31,603 IN THIS WORLD USUALLY COMES DOWN TO FINANCIAL LITERACY. 651 00:29:31,644 --> 00:29:34,564 WELL, THE SAME HOLDS TRUE IN THE WORLD OF FOOTBALL. 652 00:29:34,606 --> 00:29:37,525 UH, IT USED TO BE THAT PLAYERS DIDN'T THINK THEY NEEDED 653 00:29:37,567 --> 00:29:40,528 TO KNOW THIS STUFF UNTIL IT WAS TIME FOR THE PROS. 654 00:29:40,570 --> 00:29:43,782 BUT NOW THE GAME'S CHANGED WITH COLLEGE ATHLETES, 655 00:29:43,823 --> 00:29:46,785 AND I WANT TO MAKE SURE THAT YOU GUYS ARE PROTECTED; 656 00:29:46,826 --> 00:29:48,787 PROTECTED AND PREPARED. 657 00:29:48,828 --> 00:29:51,206 THE LAST THING I WANT IS FOR YOU GUYS TO MAKE MISTAKES 658 00:29:51,247 --> 00:29:53,833 BECAUSE YOU DON'T HAVE ENOUGH MONEY OR, EVEN WORSE, 659 00:29:53,875 --> 00:29:55,919 YOU DON'T UNDERSTAND MONEY. 660 00:29:55,960 --> 00:29:58,338 THERE ARE PEOPLE OUT THERE THAT CAN SMELL THAT, 661 00:29:58,379 --> 00:30:00,799 AND THEY WILL TAKE ADVANTAGE OF YOU. 662 00:30:00,840 --> 00:30:03,802 AND I'LL BE DAMNED IF I, UH, HAVE ANYBODY TREATIN' YOU LIKE THAT, 663 00:30:03,843 --> 00:30:05,845 SO KNOWLEDGE IS POWER. 664 00:30:05,887 --> 00:30:08,807 I'M GONNA GIVE YOU THAT KNOWLEDGE HERE, EVERY SATURDAY, 665 00:30:08,848 --> 00:30:11,559 FOR THE NEXT 6 WEEKS. PASS THESE OUT. 666 00:30:13,561 --> 00:30:15,396 [GRACE AND DILLON CHUCKLE] 667 00:30:15,438 --> 00:30:16,981 BOOM, BOOM! 668 00:30:17,023 --> 00:30:18,525 OH, YOU ARE SAVAGE. 669 00:30:18,566 --> 00:30:20,109 HOW YOU GONNA JUST JUMP ME LIKE THAT? 670 00:30:20,151 --> 00:30:22,237 THAT'S THE WHOLE POINT OF THE GAME, BABY. 671 00:30:22,278 --> 00:30:24,405 GET YOUR CHECKERS CROWNED SO YOU CAN MAKE SOME MOVES, TOO. 672 00:30:24,447 --> 00:30:26,199 [CHUCKLING] DILLON: OK. ALL RIGHT. 673 00:30:26,241 --> 00:30:28,201 GRACE: HA HA HA HA! [KNOCK ON DOOR] 674 00:30:29,619 --> 00:30:31,579 GRACE: AND DON'T FORGET, I HAVE EYES 675 00:30:31,621 --> 00:30:34,415 IN THE BACK OF MY HEAD, SO DON'T TRY ANYTHING. 676 00:30:36,835 --> 00:30:38,795 PRINCIPAL CARTER. 677 00:30:38,837 --> 00:30:41,256 A GIFT FOR TODAY. 678 00:30:41,297 --> 00:30:44,384 CARTER: I, UM-- WELL, YOU WERE RIGHT. 679 00:30:44,425 --> 00:30:46,761 GRACE: I'M ALWAYS RIGHT. [BOTH CHUCKLE] 680 00:30:46,803 --> 00:30:49,639 UH, THAT IS VERY SWEET, BUT VERY UNNECESSARY. 681 00:30:49,681 --> 00:30:52,642 I HAVE A DAUGHTER WHO'S ON VIDEO CHAT WITH HER FRIENDS 682 00:30:52,684 --> 00:30:56,479 RIGHT NOW, TALKIN' ABOUT HOW DOPE HER DAD IS, 683 00:30:56,521 --> 00:30:59,190 SO THEY ARE VERY NECESSARY. 684 00:30:59,232 --> 00:31:03,027 UH, WELL, THANK YOU. 685 00:31:03,069 --> 00:31:05,655 YEAH, WELL, LOOK AT US. 686 00:31:05,697 --> 00:31:08,825 YOU DO REALIZE WE'RE GOIN' ON ALMOST 24 HOURS WITHOUT FIGHTING? 687 00:31:08,867 --> 00:31:11,077 OH, THERE'S STILL TIME. [CHUCKLES] 688 00:31:11,119 --> 00:31:14,581 HEH! YEAH. I GUESS YOU'RE RIGHT. GRACE: HA HA! 689 00:31:14,622 --> 00:31:17,208 SPENCER: OH, FOR REAL. WE'RE GONNA HAVE TO GET HIM A SECOND-GRADE MATH BOOK. 690 00:31:17,250 --> 00:31:19,335 [ALL CHUCKLE] [PHONE VIBRATES] 691 00:31:21,504 --> 00:31:23,464 HEY, I'LL CATCH UP WITH Y'ALL. 692 00:31:23,506 --> 00:31:26,217 JABARI: YEAH. NHANI: ALL RIGHT. 693 00:31:34,559 --> 00:31:36,519 SO THIS IS THE DREAM. 694 00:31:36,561 --> 00:31:39,147 I'M SPENCER JAMES, AND MY DREAM IS TO PLAY IN THE NFL, 695 00:31:39,188 --> 00:31:41,149 SO WHEN I SAY THE DREAM STARTS NOW, 696 00:31:41,190 --> 00:31:43,318 THAT MEANS MY PATH TO GREATNESS STARTS NOW. 697 00:31:43,359 --> 00:31:46,154 THAT MEANS PUTTING WORK BOTH ON AND OFF THE FIELD. 698 00:31:46,195 --> 00:31:48,489 THAT MEANS MAKING VARSITY BY NINTH GRADE. 699 00:31:48,531 --> 00:31:50,909 IT MEANS BEING A REAL PLAYER 700 00:31:50,950 --> 00:31:52,994 AND CARING FOR MY TEAMMATES AS MUCH AS THE GAME. 701 00:31:53,036 --> 00:31:55,204 IT MEANS BEING THE BEST I CAN BE 702 00:31:55,246 --> 00:31:57,999 IN MY HEART, SOUL, AND MIND 703 00:31:58,041 --> 00:32:00,418 BECAUSE WHEN THAT'S NOT RIGHT, THEN THE REST DON'T MATTER. 704 00:32:00,460 --> 00:32:02,045 GIRL: I KNOW THAT'S RIGHT. 705 00:32:02,086 --> 00:32:03,671 SAY IT WITH YOUR WHOLE CHEST, SPENCE. 706 00:32:03,713 --> 00:32:05,048 WE DREAMIN' BIG, BABY! 707 00:32:05,089 --> 00:32:08,259 SHH, COOP! WE'RE RECORDING. 708 00:32:08,301 --> 00:32:10,261 I'M SPENCER JAMES, 709 00:32:10,303 --> 00:32:14,265 AND THAT'S MY DREAM, AND THE DREAM STARTS NOW. 710 00:32:24,400 --> 00:32:26,653 [LINE RINGS] 711 00:32:29,989 --> 00:32:32,408 YOU HAVE THE TAMIKA FOOTAGE. 712 00:32:32,450 --> 00:32:34,827 HOW CAN YOU NOT RELEASE IT? 713 00:32:34,869 --> 00:32:36,746 -OLIVIA-- -DON'T! 714 00:32:36,788 --> 00:32:38,748 DON'T HIDE BEHIND YOUR WHOLE 715 00:32:38,790 --> 00:32:41,167 "I CAN'T DISCUSS ACTIVE" WHATEVER. 716 00:32:41,209 --> 00:32:44,671 SHE WASN'T MUCH OLDER THAN ME. SHE COULD HAVE BEEN ME. 717 00:32:44,712 --> 00:32:47,465 -I UNDERSTAND YOU'RE UPSET, BUT-- -THERE'S NO "BUT." 718 00:32:47,507 --> 00:32:50,426 I DID FAR WORSE THAN TAMIKA, AND I GOT TO WALK AWAY! 719 00:32:50,468 --> 00:32:52,679 ARE YOU GOING TO LISTEN TO ME? 720 00:32:52,720 --> 00:32:55,306 THERE IS NOT A DAY THAT GOES BY THAT I 721 00:32:55,348 --> 00:32:58,059 DON'T GRIEVE FOR TAMIKA AND HER FAMILY, 722 00:32:58,101 --> 00:33:01,062 BUT HEAR ME WHEN I SAY THIS TO YOU: 723 00:33:01,104 --> 00:33:03,690 YOUR SITUATION WITH THE COPS 724 00:33:03,731 --> 00:33:07,110 AND TAMIKA'S WERE VERY, VERY DIFFERENT. 725 00:33:07,151 --> 00:33:08,736 WELL, I GUESS WE'LL NEVER KNOW BECAUSE YOU 726 00:33:08,778 --> 00:33:10,822 AND THE COPS WON'T RELEASE THE FOOTAGE. 727 00:33:10,863 --> 00:33:12,573 BUT, HEY, 728 00:33:12,615 --> 00:33:14,742 AT LEAST YOUR DAUGHTER'S SAFE AT HOME. 729 00:33:14,784 --> 00:33:17,870 TAMIKA'S MOTHER CAN'T SAY THE SAME. 730 00:33:26,921 --> 00:33:28,881 ROMELO: ALL RIGHT, SON. 731 00:33:28,923 --> 00:33:32,051 YOU READY TO BE IN BUSINESS WITH TNT? 732 00:33:33,553 --> 00:33:35,596 WITH ALL DUE RESPECT, SIR... 733 00:33:35,638 --> 00:33:39,392 THE QUESTION IS, IS TNT READY TO BE IN BUSINESS WITH SPENCER JAMES? 734 00:33:39,434 --> 00:33:43,813 LOOK, IF Y'ALL WANT ME, YOU GOTTA TAKE ME THE WAY I AM. 735 00:33:43,855 --> 00:33:48,443 I'M NOT A GANGBANGER, AND I'M NOT A SOCIAL JUSTICE WARRIOR. 736 00:33:48,484 --> 00:33:51,362 I'M JUST ME, AND THE KID WHO WORKED HIS WAY 737 00:33:51,404 --> 00:33:53,781 BACK TO PEAK PERFORMANCE AFTER GETTING SHOT, 738 00:33:53,823 --> 00:33:56,576 THE KID WHO TOOK A BULLET FOR HIS FRIEND, 739 00:33:56,617 --> 00:33:58,578 THE SAME KID WHO CONVINCED THE SCHOOL BOARD 740 00:33:58,619 --> 00:34:01,581 TO GIVE SOUTH CRENSHAW ANOTHER CHANCE. 741 00:34:01,622 --> 00:34:04,208 THAT'S THE KID TNT SHOULD WANT ON THEIR FIELD 742 00:34:04,250 --> 00:34:07,754 IN THE FOURTH QUARTER WITH THEIR BACKS UP AGAINST THE WALL. 743 00:34:07,795 --> 00:34:10,381 [ROMELO SIGHS] 744 00:34:10,423 --> 00:34:13,176 I GOT TO TALK IT OVER WITH THE BOSSES AT TNT. 745 00:34:13,217 --> 00:34:15,720 MAYBE THE OFFER WILL COME, MAYBE IT WON'T. 746 00:34:15,762 --> 00:34:18,765 BILLY: AND WE'RE OK WITH THAT. ROMELO: BUT... 747 00:34:23,519 --> 00:34:26,606 I RESPECT THE HELL OUTTA THE STAND YOU JUST TOOK, SON. 748 00:34:30,568 --> 00:34:33,071 [PATS SPENCER'S BACK TWICE] 749 00:34:34,363 --> 00:34:38,201 NAVEAH: MY COUSIN TAMIKA IS SO MUCH MORE THAN JUST A HASHTAG. 750 00:34:38,242 --> 00:34:40,703 TAMIKA, TODAY WE GIVE YOU FLOWERS 751 00:34:40,745 --> 00:34:43,331 BECAUSE THE COPS WHO MURDERED YOU 752 00:34:43,372 --> 00:34:46,334 ROBBED US OF THE OPPORTUNITY TO DO SO IN PERSON. 753 00:34:46,375 --> 00:34:50,213 COOP: A WORLD THAT LOVED HER AS BEAUTIFUL AND AS BLACK AS SHE WAS, 754 00:34:50,254 --> 00:34:52,465 NOT A POLICE SYSTEM THAT JUDGED AND FAILED HER. 755 00:34:52,507 --> 00:34:55,218 THE ACKNOWLEDGEMENT OF THE BRILLIANCE THAT WAS HER-- 756 00:34:55,259 --> 00:34:57,053 THAT'S WHAT TAMIKA DESERVED. 757 00:34:57,095 --> 00:35:01,599 MY COUSIN TAMIKA IS SO MUCH MORE THAN JUST A HASHTAG. 758 00:35:03,267 --> 00:35:05,770 [KNOCK ON DOOR] 759 00:35:05,812 --> 00:35:08,606 -HEY. -LAYLA. HI. 760 00:35:08,648 --> 00:35:10,233 SORRY. I DIDN'T WANT TO INTERRUPT ANYTHING. 761 00:35:10,274 --> 00:35:11,901 I JUST WANTED TO DROP SOMETHING OFF. 762 00:35:11,943 --> 00:35:15,321 UM, I'M--NOW'S NOT REALLY A GOOD TIME. 763 00:35:15,363 --> 00:35:17,323 I KIND OF HAVE A LOT GOING ON AND I JUST-- I HAVE TO FINISH 764 00:35:17,365 --> 00:35:19,534 EDITING THIS REEL ON THE FLOWERS FOR TAMIKA EVENT. 765 00:35:19,575 --> 00:35:21,536 I'LL BE QUICK. 766 00:35:21,577 --> 00:35:23,621 JUST... 767 00:35:24,914 --> 00:35:28,501 UM, YOU GAVE THAT BACK TO ME WHEN... 768 00:35:28,543 --> 00:35:30,962 YOU WERE AT YOUR LOWEST AND REALLY NEEDED HELP, 769 00:35:31,003 --> 00:35:35,383 AND I TOTALLY MISSED WHAT YOU WERE TRYING TO TELL ME AND... 770 00:35:35,424 --> 00:35:38,386 NO AMOUNT OF SORRY IS EVER GONNA MAKE UP FOR THAT, 771 00:35:38,427 --> 00:35:43,015 BUT I STAND BY WHAT I SAID THE DAY I GAVE IT TO YOU. 772 00:35:43,057 --> 00:35:45,601 YOUR COURAGE INSPIRES ME, 773 00:35:45,643 --> 00:35:49,230 AND YOUR COURAGE HELPED ME FIGHT FOR MY OWN RECOVERY, 774 00:35:49,272 --> 00:35:52,150 AND THAT'S HOW I KNOW YOU'RE GONNA KEEP FIGHTING FOR YOURS. 775 00:35:54,360 --> 00:35:57,155 A GOOD FRIEND TOLD ME THAT... 776 00:35:57,196 --> 00:35:59,782 GUILT DOES NOTHING BUT WEIGH YOU DOWN, 777 00:35:59,824 --> 00:36:02,201 THAT YOU GOTTA FIND SOMETHING POSITIVE TO DO WITH IT 778 00:36:02,243 --> 00:36:06,038 OR JUST...LET IT GO. 779 00:36:06,080 --> 00:36:08,708 TREY SONGZ: ♪ HOW MANY MOTHERS HAVE TO CRY? ♪ 780 00:36:08,749 --> 00:36:10,376 OLIVIA: LABELS. 781 00:36:10,418 --> 00:36:12,587 SONGZ: ♪ HOW MANY BROTHERS GOTTA DIE? ♪ 782 00:36:12,628 --> 00:36:14,589 OLIVIA: YOU KNOW WHY I HATE THEM? 783 00:36:14,630 --> 00:36:16,591 BECAUSE, AS A SOCIETY, WE USE THEM 784 00:36:16,632 --> 00:36:19,635 ON EACH OTHER WAY TOO MUCH. 785 00:36:19,677 --> 00:36:24,265 I MEAN, I'VE LIVED MY WHOLE LIFE AS A LABEL. 786 00:36:24,307 --> 00:36:27,268 YOU KNOW, FIRST IT WAS THE TWIN. 787 00:36:27,310 --> 00:36:29,520 SONGZ: ♪ HOW MANY MORE LIVES? ♪ OLIVIA: AND THEN 788 00:36:29,562 --> 00:36:31,814 THE ADDICT. SONGZ: ♪ HOW MANY MORE TIMES? ♪ 789 00:36:31,856 --> 00:36:34,275 OLIVIA: AND THEN THERE'S MY LATEST LABEL-- 790 00:36:34,317 --> 00:36:36,277 THE D.A.'s DAUGHTER. SINGER: ♪ TAKE A LOOK AROUND ♪ 791 00:36:36,319 --> 00:36:38,237 OLIVIA: WHERE IS IT? SONGZ: ♪ CAN YOU SEE IT NOW? ♪ 792 00:36:38,279 --> 00:36:39,947 OLIVIA: BUT HERE'S THE THING ABOUT LABELS. 793 00:36:39,989 --> 00:36:41,574 SONGZ: ♪ 'CAUSE WHEN THEY KILLIN' MINE ♪ 794 00:36:41,616 --> 00:36:43,576 OLIVIA: YES, THEY LEND THEMSELVES 795 00:36:43,618 --> 00:36:46,579 TO FUN, CUTE HASHTAGS, 796 00:36:46,621 --> 00:36:50,583 BUT LABELS RARELY GIVE YOU THE WHOLE PICTURE ABOUT A PERSON, 797 00:36:50,625 --> 00:36:53,586 AND THE WHOLE PICTURE MAKES A DIFFERENCE. 798 00:36:53,628 --> 00:36:58,090 MAN, CAN'T BELIEVE THAT LITTLE PUNK CARTER ENDED UP BACK HERE. 799 00:36:58,132 --> 00:36:59,717 HE AIN'T SO LITTLE ANYMORE. 800 00:36:59,759 --> 00:37:01,552 AND NOW YOU GOTTA REPORT TO HIM? 801 00:37:01,594 --> 00:37:03,179 [SCOFFS] YEAH. 802 00:37:03,221 --> 00:37:04,805 AFTER THAT ASS-WHUPPIN' YOU GAVE HIM 803 00:37:04,847 --> 00:37:06,432 BEFORE HOMECOMING IN NINTH GRADE? 804 00:37:06,474 --> 00:37:08,559 [CHUCKLING] 805 00:37:10,102 --> 00:37:13,064 MAN, KARMA IS A BITCH. 806 00:37:13,105 --> 00:37:14,690 SO... 807 00:37:14,732 --> 00:37:16,901 SO THEN THAT FIGHT REALLY HAPPENED? 808 00:37:16,943 --> 00:37:19,320 IT WASN'T REALLY A FIGHT. HEH! 809 00:37:19,362 --> 00:37:21,530 YOU HAD HIM PINNED UP AGAINST THE LOCKER. 810 00:37:21,572 --> 00:37:23,741 BUSTED HIS LIP PRETTY DAMN GOOD. 811 00:37:23,783 --> 00:37:26,160 HEH! NO ONE KNEW WHAT GOT INTO YOU. 812 00:37:26,202 --> 00:37:28,788 IT WAS LIKE YOU JUST SNAPPED. 813 00:37:30,331 --> 00:37:32,416 HEY, HOLD UP. 814 00:37:32,458 --> 00:37:34,502 YOU REALLY DON'T REMEMBER? 815 00:37:34,543 --> 00:37:36,504 OLIVIA: THE WHOLE PICTURE 816 00:37:36,545 --> 00:37:38,881 IS THE ONLY WAY TO THE TRUTH. 817 00:37:40,216 --> 00:37:43,177 OLIVIA: THE WHOLE PICTURE IS THE ONLY WAY 818 00:37:43,219 --> 00:37:45,179 TO REAL ACCOUNTABILITY. 819 00:37:45,221 --> 00:37:47,515 JJ: WHAT'S UP WITH THE URGENT SUMMONS? 820 00:37:47,556 --> 00:37:49,058 HAD TO MAKE SURE Y'ALL WOULD COME. 821 00:37:49,100 --> 00:37:52,770 ASH: WELL, WE DID. WHAT'S SO IMPORTANT? 822 00:37:52,812 --> 00:37:54,772 -AN APOLOGY. -IT'S ALL GOOD, MAN. 823 00:37:54,814 --> 00:37:57,775 NO, IT'S NOT, ALL RIGHT? YOU'RE QB1-- 824 00:37:57,817 --> 00:38:00,987 HEH!--WHICH IS FRICKIN' HUGE, 825 00:38:01,028 --> 00:38:03,990 AND I SHOULD HAVE CELEBRATED THAT, SO... 826 00:38:04,031 --> 00:38:07,493 CONGRATULATIONS, MAN. WE'RE GONNA MAKE IT TO STATE WITH YOU. 827 00:38:07,535 --> 00:38:09,370 WITH BOTH OF YOU, 828 00:38:09,412 --> 00:38:11,497 AND, UM, 829 00:38:11,539 --> 00:38:14,125 YOU KNOW, I'MMA DO MY PART, TOO, 830 00:38:14,166 --> 00:38:17,420 FROM, UH, FROM-- FROM THE SIDELINE, 831 00:38:17,461 --> 00:38:20,464 SO... ASH: HEY... 832 00:38:20,506 --> 00:38:22,675 WHAT ARE WE WAITING FOR? 833 00:38:22,717 --> 00:38:24,677 SONGZ: ♪ WHERE YOUR RAGE WHILE MY PEOPLE DIE? ♪ 834 00:38:24,719 --> 00:38:27,680 ♪ WE AIN'T SLAVES, LET MY PEOPLE FLY ♪ 835 00:38:27,722 --> 00:38:30,099 ♪ NOW IT'S TIME, WATCH MY PEOPLE RISE ♪ 836 00:38:30,141 --> 00:38:32,310 ♪ HOW MANY MOTHERS HAVE TO CRY? ♪ 837 00:38:32,351 --> 00:38:34,437 KEEP THAT SPIRAL TIGHT. 838 00:38:34,478 --> 00:38:36,856 SONGZ: ♪ HOW MANY BROTHERS GOTTA DIE? ♪ 839 00:38:36,897 --> 00:38:39,859 ♪ HOW MANY MORE TIMES? ♪ BACKGROUND SINGERS: ♪ OOH, HOW ♪ 840 00:38:39,900 --> 00:38:42,486 JJ: HA HA HA! SONGZ: ♪ HOW MANY MORE TIMES? ♪ JORDAN: ATTA BOY. DO IT. 841 00:38:42,528 --> 00:38:44,989 OLIVIA: THE WHOLE PICTURE... SONGZ: ♪ HOW MANY MORE TIMES? ♪ 842 00:38:45,031 --> 00:38:47,199 OLIVIA: IS THE ONLY WAY TO REALLY START THE HEALING. 843 00:38:47,241 --> 00:38:50,202 -♪ HOW MANY MORE TIMES? ♪ -♪ OOH, HOW? ♪ 844 00:38:50,244 --> 00:38:53,414 -♪ HOW MANY MORE LIVES? ♪ -♪ OOH, HOW? ♪ 845 00:38:53,456 --> 00:38:56,208 - ♪ HOW MANY MORE TIMES? ♪ -♪ HOW MANY TIMES? ♪ 846 00:38:56,250 --> 00:38:58,711 -♪ HOW MANY MOTHERS HAVE TO CRY? ♪ 847 00:38:58,753 --> 00:39:02,173 ♪ TELL ME, HOW MANY BROTHERS GOTTA DIE? ♪ 848 00:39:02,214 --> 00:39:04,759 ♪ TELL ME, HOW MANY MORE TIMES? ♪ 849 00:39:04,800 --> 00:39:06,677 -♪ OOH, HOW? ♪ -♪ OH, LORD ♪ 850 00:39:06,719 --> 00:39:08,763 -♪ HOW MANY MORE TIMES? ♪ -♪ HOW MANY TIMES? ♪ 851 00:39:08,804 --> 00:39:11,766 OLIVIA: SO FORGET #TamikaPratt. 852 00:39:11,807 --> 00:39:14,185 FORGET #IAmTamika. 853 00:39:14,226 --> 00:39:16,812 FORGET THE LABELS. 854 00:39:16,854 --> 00:39:19,440 WE NEED THE WHOLE PICTURE... 855 00:39:19,482 --> 00:39:21,859 -♪ HOW MANY MORE TIMES? ♪ -♪ HOW MANY ♪ 856 00:39:21,901 --> 00:39:24,987 -SO HERE IT IS. -♪ ...TIMES? ♪ 857 00:39:25,029 --> 00:39:26,989 [POLICE RADIO, INDISTINCT] 858 00:39:27,031 --> 00:39:28,657 MAN: WAKE UP, MA'AM. 859 00:39:28,699 --> 00:39:30,368 I SAID WAKE UP! 860 00:39:30,409 --> 00:39:31,994 TAMIKA: WHAT? MAN: I NEED YOU 861 00:39:32,036 --> 00:39:34,080 TO GET OUT OF THE CAR. TAMIKA: I JUST WANT TO-- 862 00:39:34,121 --> 00:39:35,498 I'M JUST TRYING TO SL-- MAN: COME ON. 863 00:39:35,539 --> 00:39:37,041 I'M NOT GONNA ASK AGAIN! LET'S GO! 864 00:39:37,083 --> 00:39:38,751 -I JUST WANT TO CALL MY COUSIN. -COME ON! 865 00:39:38,793 --> 00:39:40,753 [BOTH GRUNTING] TAMIKA: WHY CAN'T I GO HOME? 866 00:39:40,795 --> 00:39:43,381 MAN: STOP FIGHTING US! YOU'RE ONLY HURTING YOURSELF! 867 00:39:43,422 --> 00:39:45,007 TAMIKA: I JUST WANT TO SLEEP! I'M TIRED! 868 00:39:45,049 --> 00:39:47,009 -[GRUNTS] -NAVEAH WILL GET ME! 869 00:39:47,051 --> 00:39:49,011 PLEASE! LET ME CALL HER! MAN: YOU HEARD ME! 870 00:39:49,053 --> 00:39:51,013 -AAH! -WILL Y'ALL LEARN, HUH? 871 00:39:51,055 --> 00:39:53,015 TAMIKA: SLEEPING ON THE SIDE OF THE ROAD IS NOT A CRIME! 872 00:39:53,057 --> 00:39:55,017 -STOP RESISTING! -I JUST WANT TO SLEEP! 873 00:39:55,059 --> 00:39:57,019 GET OFF OF ME! [MAN GRUNTS] 874 00:39:57,061 --> 00:39:59,021 TAMIKA: GET OFF OF ME! [TWO GUNSHOTS] 875 00:39:59,063 --> 00:40:00,773 [CLICK] 876 00:40:03,317 --> 00:40:06,612 TAMIKA WAS A 21-YEAR-OLD GIRL FROM SOUTH L.A., 877 00:40:06,654 --> 00:40:09,240 ONLY CHILD OF... 878 00:40:09,281 --> 00:40:12,368 ROSANNA AND LASHAWN PRATT. 879 00:40:16,539 --> 00:40:19,125 SHE WAS A COUSIN... 880 00:40:19,166 --> 00:40:21,752 A GODMOTHER... 881 00:40:21,794 --> 00:40:24,755 A FRIEND. 882 00:40:24,797 --> 00:40:27,383 SHE DREAMT OF BEING AN ENGINEER 883 00:40:27,425 --> 00:40:30,136 AND WAS HEADED BACK TO SPELMAN THIS FALL... 884 00:40:31,679 --> 00:40:34,265 BUT SHE NEVER MADE IT THERE 885 00:40:34,306 --> 00:40:36,267 BECAUSE THE COPS, 886 00:40:36,308 --> 00:40:39,103 WHO ARE MEANT TO SERVE AND PROTECT, 887 00:40:39,145 --> 00:40:41,313 SAW HER AS A "Y'ALL," 888 00:40:41,355 --> 00:40:44,567 AS LESS THAN. 889 00:40:44,608 --> 00:40:46,569 AND MY LABEL, 890 00:40:46,610 --> 00:40:49,405 AS THE WHITE D.A.'s DAUGHTER, LIKELY SAVED MY LIFE 891 00:40:49,447 --> 00:40:52,032 IN A SIMILAR RUN-IN. [SNIFFLES] 892 00:40:52,074 --> 00:40:54,243 BUT HER LABEL, AS JUST ANOTHER BLACK WOMAN 893 00:40:54,285 --> 00:40:57,872 IN AMERICA, COST TAMIKA HERS, 894 00:40:57,913 --> 00:41:00,958 AND THAT IS UNACCEPTABLE. 895 00:41:01,000 --> 00:41:03,961 POLICING IN THIS COUNTRY EVOLVED FROM SLAVE PATROLS. 896 00:41:04,003 --> 00:41:06,964 IT NEVER WAS AND IT NEVER WILL BE NEUTRAL. 897 00:41:07,006 --> 00:41:09,800 [SNIFFLES] THERE HAS TO BE 898 00:41:09,842 --> 00:41:12,428 A BETTER WAY TO SERVE AND PROTECT. 899 00:41:12,470 --> 00:41:14,430 I MEAN, THERE HAS TO BE A BETTER SYSTEM 900 00:41:14,472 --> 00:41:17,057 THAT ALLOWS US TO MAKE MISTAKES 901 00:41:17,099 --> 00:41:19,685 AND STILL GET TO LIVE, 902 00:41:19,727 --> 00:41:22,521 AND IT'S TIME TO FIGHT FOR THAT BETTER SYSTEM. 903 00:41:22,563 --> 00:41:25,524 IT IS TIME TO BURN DOWN THE HOUSE AND REBUILD IT 904 00:41:25,566 --> 00:41:29,361 TO LOOK LIKE THE NON-PUNITIVE PROGRAMS, 905 00:41:29,403 --> 00:41:32,781 THE COMMUNITY-BASED VIOLENCE PREVENTION PROGRAMS, 906 00:41:32,823 --> 00:41:35,784 MENTAL HEALTH PROGRAMS, EDUCATION. 907 00:41:35,826 --> 00:41:39,079 EDUCATION, EDUCATION, EDUCATION. 908 00:41:39,121 --> 00:41:43,083 IT'S TIME TO DEFUND THE POLICE... 909 00:41:43,125 --> 00:41:47,213 AND IT'S TIME TO REALLY GET JUSTICE FOR TAMIKA. 910 00:42:19,453 --> 00:42:20,996 MAN: GREG, MOVE YOUR HEAD! 65220

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