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["SONG FOR THE LONELY" BY CHER]
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♪ WHEN YOU'RE STANDING
ON THE EDGE OF NOWHERE ♪
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Narrator: HE'S CALLED THE
WORLD'S LONELIEST ELEPHANT.
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CAPTIVE FOR 35 YEARS
IN A RUNDOWN ZOO.
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00:00:17,638 --> 00:00:20,123
Khan: YOU CAN JUST
FEEL HIS GRIEF.
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00:00:20,158 --> 00:00:22,367
Cowne: STILL BRINGS TEARS
TO MY EYES NOW.
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00:00:22,401 --> 00:00:24,127
HE WAS A TOTALLY BROKEN ANIMAL.
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00:00:25,232 --> 00:00:26,371
Narrator: BUT WHEN
A GLOBAL MOVEMENT
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PLEAS TO FREE KAAVAN,
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00:00:28,580 --> 00:00:30,892
THE GODDESS OF POP TAKES NOTICE.
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00:00:30,927 --> 00:00:32,549
Cher: I WAS REALLY ANGRY.
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00:00:33,378 --> 00:00:35,932
Narrator: NOW AFTER
A FIVE-YEAR CAMPAIGN,
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00:00:35,966 --> 00:00:38,141
HE HAS THE CHANCE
FOR A BETTER LIFE.
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00:00:38,176 --> 00:00:40,902
Thompson: I WANT TO OFFER HIM
AN ELEPHANT'S LIFE.
15
00:00:42,214 --> 00:00:44,251
Narrator: BUT
TIME IS RUNNING OUT,
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00:00:44,285 --> 00:00:46,701
AND A PANDEMIC HAS
THE WORLD IN LOCKDOWN.
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00:00:47,978 --> 00:00:49,946
♪ AND THIS IS A SONG
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IT'LL TAKE HUGE FAITH.
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Dr. Amir: DO YOU BELIEVE
IN MIRACLES?
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Narrator: AND AN
ARMY OF PEOPLE...
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00:00:55,745 --> 00:00:58,265
TO MOVE AN UNPREDICTABLE
ELEPHANT...
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00:00:58,299 --> 00:01:01,130
Dr. Amir: HE IS DANGEROUS,
RISKY, IS A POWER MACHINE.
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00:01:02,303 --> 00:01:04,133
Narrator: THOUSANDS OF MILES.
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00:01:04,167 --> 00:01:06,204
Cowne: IT WAS PRETTY
RISKY FOR HIM,
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00:01:06,238 --> 00:01:08,309
BUT VERY DANGEROUS FOR
THE PEOPLE ONBOARD.
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00:01:09,138 --> 00:01:11,519
Narrator: CAN THE
PASSION OF A SUPERSTAR
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HELP TO SAVE HIM?
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[METAL DOOR BANGING]
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Cher: I WANTED TO FREE HIM.
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I KNEW THAT WE HAD
TO GET HIM OUT.
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Dr. Amir: STOP, STOP, STOP!
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[TENSE ELECTRONIC MUSIC]
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[GENTLE INSTRUMENTAL MUSIC]
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Narrator: KAAVAN, A
MAGNIFICENT BULL ELEPHANT,
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HAS BEEN HELD IN PAKISTAN'S
ISLAMABAD ZOO FOR 35 YEARS
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IN PITIFUL CONDITIONS.
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LIKE ANY BULL ELEPHANT,
KAAVAN IS DANGEROUS
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AND HAS KILLED TWO
OF HIS KEEPERS.
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IN 2012, HIS ONLY COMPANION
DIES FROM NEGLECT.
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CHAINED UP AND ALONE,
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KAAVAN CAN'T EVEN WALK THE
LENGTH OF HIS ENCLOSURE,
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LET ALONE BATHE IN
HIS DRIED-UP POOL.
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BUT EVEN IN THIS SORRY STATE,
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HE'S STILL THE ZOO'S
STAR ATTRACTION.
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THEN, IN 2015, A
TRAINEE VET FROM AMERICA
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VISITS THE ZOO ON A TRIP TO
SEE HER PAKISTANI FAMILY.
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Khan: HERE'S THIS
SOLITARY ELEPHANT,
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JUST IN THIS BARE SHED.
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AND THAT WEAVING BEHAVIOR
WHERE HE WAS JUST MOVING
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BY HIMSELF BACK AND FORTH,
THAT REALLY STRUCK ME.
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Narrator: HIS WEIRD
ROCKING AMUSES VISITORS,
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WHO MISTAKENLY CALL KAAVAN
"THE DANCING ELEPHANT".
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BUT THANKS TO HER TRAINING,
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SAMAR KNOWS THIS IS A
SIGN OF TERRIBLE BOREDOM.
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Khan: I KNEW ELEPHANTS ARE
SUPPOSED TO BE INCREDIBLY SOCIAL
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AND INCREDIBLY
INTELLIGENT ANIMALS.
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AND TO SEE HIM WITH NO
SOURCE OF ENRICHMENT AT ALL.
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I KNEW THAT THIS BEHAVIOR IS
REALLY STEREOTYPIC BEHAVIOR
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FOR ANIMALS WHO
HAVE FACED SEVERE
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EITHER MENTAL OR
PHYSICAL NEGLECT.
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00:03:09,430 --> 00:03:11,398
Narrator: KAAVAN'S
SWAYING INTENSIFIES
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AFTER THE DEATH OF HIS FEMALE
COMPANION SAHELI IN 2012.
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00:03:16,920 --> 00:03:18,957
Khan: FOR ME, ACTUALLY,
THE MOST PIVOTAL MOMENT
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00:03:18,991 --> 00:03:21,822
WAS SEEING THIS PHOTO
OF KAAVAN AND SAHELI
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AFTER SHE HAD PASSED.
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ELEPHANTS, THEY'RE LIKE
THESE INCREDIBLY INTELLIGENT
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AND INCREDIBLY SOCIAL ANIMALS.
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AND HE'S REACHING OUT TO SAHELI,
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AND YOU CAN JUST FEEL HIS GRIEF.
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I FOUND OUT THAT THE
REASON WHY SAHELI PASSED
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WAS BECAUSE OF GANGRENE
FROM HER CHAINS,
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AND THAT POOR FOOT CARE
RESULTED IN HER DYING.
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00:03:48,607 --> 00:03:52,335
AND I KNEW KAAVAN NOW IS
WEARING THOSE SAME CHAINS,
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00:03:52,370 --> 00:03:54,475
AND IF HE DOESN'T GET OUT,
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THEN THE SAME THING IS
GONNA HAPPEN TO HIM.
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[DRAMATIC PERCUSSIVE MUSIC]
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00:04:01,931 --> 00:04:06,211
Narrator: AT 36 YEARS OLD,
KAAVAN SHOULD BE IN HIS PRIME.
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00:04:06,936 --> 00:04:09,283
BUT HE'S A FAR CRY
FROM THE ENDEARING CALF
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00:04:09,318 --> 00:04:11,837
THAT ARRIVED IN
PAKISTAN IN 1985.
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00:04:14,668 --> 00:04:16,635
HE WAS ORIGINALLY A
GIFT FROM SRI LANKA
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00:04:16,670 --> 00:04:19,569
TO PRESIDENT GENERAL ZIA'S
13-YEAR-OLD DAUGHTER.
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BUT NOW, THE DELIGHT OF A YOUNG
GIRL HAS BECOME A TRAGEDY.
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SAMAR KHAN BECOMES
DESPERATE TO SAVE HIM.
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Khan: MY MOM REALLY
ENCOURAGED ME TO ACT,
85
00:04:36,276 --> 00:04:39,209
AND I DECIDED TO OPEN UP
A CHANGE.ORG PETITION,
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00:04:39,244 --> 00:04:40,728
AND I OPENED UP A FACEBOOK PAGE
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CALLED "FREE KAAVAN
THE ELEPHANT".
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Narrator: IN SEPTEMBER 2015,
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SHE LAUNCHES HER
CAMPAIGN TO FREE HIM...
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AND FACEBOOK EXPLODES.
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00:04:51,670 --> 00:04:54,432
Khan: I WOKE UP AND MY PHONE
WAS HOT TO THE TOUCH
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00:04:54,466 --> 00:04:56,434
'CAUSE THOUSANDS UPON
THOUSANDS OF PEOPLE
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00:04:56,468 --> 00:04:59,160
WERE WRITING INTO THE
PAGE, SIGNING THE PETITION.
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00:05:00,817 --> 00:05:01,853
Narrator: IN TORONTO, CANADA,
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PAKISTANI EX-PAT ANIKA SLEEM
ANSWERS THE CALL.
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00:05:05,995 --> 00:05:07,617
Sleem: FREE KAAVAN!
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00:05:08,722 --> 00:05:09,861
Narrator: ANIKA JOINS THE CRY
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00:05:09,895 --> 00:05:13,174
THAT'S BEEN GATHERING MOMENTUM
ON TWITTER FOR MONTHS,
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00:05:13,209 --> 00:05:16,626
WHEN A SUPERSTAR WITH A PASSION
FOR ANIMALS TAKES NOTICE.
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00:05:17,834 --> 00:05:21,424
Sleem: AND THEN ONE DAY AT
MIDNIGHT, I OPEN MY TWITTER
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00:05:21,459 --> 00:05:23,219
AND I GET A TWEET FROM CHER...
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SAYING, "JUST GOT OFF THE
PHONE WITH COOL BRITISH FRIEND.
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ALIGNING PEOPLE TO FIX THIS."
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IT WAS ACTUALLY CHER.
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Cher: ALL THE KIDS ON
MY TWITTER SITE
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00:05:36,991 --> 00:05:40,823
STARTED TO INUNDATE
ME WITH "SAVE KAAVAN".
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00:05:40,857 --> 00:05:45,828
AND I THOUGHT, I CANNOT SAVE
AN ELEPHANT IN PAKISTAN,
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00:05:45,862 --> 00:05:47,657
BECAUSE I HAVE NO STREET CRED.
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HOW AM I GONNA DO THIS?
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Narrator: SO CHER
CONTACTS A FRIEND
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00:05:52,282 --> 00:05:55,147
WHO'S BEEN INVOLVED WITH
RELOCATING ELEPHANTS IN AFRICA.
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00:05:58,599 --> 00:06:00,981
Cher: I MET THIS MAN,
MARK COWNE.
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00:06:01,015 --> 00:06:02,569
HE'S BOB GELDOF'S MANAGER.
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00:06:02,603 --> 00:06:04,881
AND HE WAS TELLING
ME ABOUT ELEPHANTS
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00:06:04,916 --> 00:06:07,332
THAT HE'D SAVED IN SOUTH AFRICA.
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00:06:07,367 --> 00:06:11,267
AND SO I JUST CALL
HIM, AND I SAY,
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"WELL, THERE'S THIS
ELEPHANT I WANT TO SAVE,
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AND I DON'T REALLY KNOW
ANYTHING ABOUT IT."
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AND HE SAID, "I'LL
GO RIGHT AWAY."
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[SOFT MUSIC]
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Cowne: IT'S CHER!
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SHE'S A GREAT FRIEND.
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OF COURSE, I SAID YES.
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Narrator: MARK COWNE RACES TO
ISLAMABAD TO SEE KAAVAN.
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Cowne: WHEN I FIRST MET
KAAVAN, IT WAS SO SAD.
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00:06:34,290 --> 00:06:37,258
IT STILL BRINGS
TEARS TO MY EYES NOW.
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HE WAS A TOTALLY BROKEN ANIMAL.
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Cher: I SAW A PICTURE, AND THE
PICTURE WAS SO HORRIBLE.
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AND HE WAS SHACKLED.
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AND IN THIS SHED...
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CONSTANTLY.
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AND I JUST...
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I WAS PISSED OFF TOO.
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00:06:59,453 --> 00:07:01,179
I WAS REALLY ANGRY.
135
00:07:01,213 --> 00:07:02,318
[DRAMATIC MUSIC]
136
00:07:02,352 --> 00:07:05,252
Narrator: MARK COWNE
APPEALS TO THE ZOO OFFICIALS.
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00:07:07,219 --> 00:07:10,568
Cher: HE SAID, "TAKE
HIS CHAINS OFF,
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PUT WATER IN THE LITTLE POOL,
139
00:07:14,330 --> 00:07:16,470
PUT A TOP ON THE SHED,
140
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AND GIVE HIM SOMETHING
TO PLAY WITH."
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00:07:18,576 --> 00:07:19,439
AND THEY DID IT.
142
00:07:21,406 --> 00:07:23,650
Narrator: BUT THEIR
OPTIMISM IS SHORT-LIVED.
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BEYOND THESE SMALL CHANGES,
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00:07:27,170 --> 00:07:30,277
KAAVAN'S SITUATION DOESN'T
IMPROVE FOR TWO MORE YEARS.
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[EMOTIONAL MUSIC]
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SO IN 2018, CHER
LAUNCHES FREE THE WILD,
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A NONPROFIT ORGANIZATION
FOR ANIMAL RIGHTS.
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SHE BEGINS A RELENTLESS
TWITTER CAMPAIGN
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00:07:43,221 --> 00:07:46,638
TO PERSUADE THE PAKISTANI
GOVERNMENT TO RELEASE KAAVAN.
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00:07:46,673 --> 00:07:47,846
Cher: WELL, I DID THAT.
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00:07:47,881 --> 00:07:51,160
I TWEETED AND SAID I
WOULD GET ON MY KNEES.
152
00:07:51,194 --> 00:07:53,507
BUT THAT DIDN'T SEEM TO HELP.
153
00:07:55,267 --> 00:07:56,372
[GENTLE PIANO MUSIC]
154
00:07:56,406 --> 00:07:59,306
Narrator: CHER EVEN RECORDS A
SPECIAL SONG, "WALLS",
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00:07:59,340 --> 00:08:01,584
ABOUT THE LONELY
ELEPHANT'S PLIGHT.
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00:08:01,619 --> 00:08:06,382
♪ NEVER THOUGHT I'D
EVER END UP LIKE THIS ♪
157
00:08:06,416 --> 00:08:09,454
BUT NOTHING CHANGES FOR KAAVAN.
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00:08:09,489 --> 00:08:11,249
HIS DIET IS TERRIBLE.
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00:08:11,283 --> 00:08:13,182
HIS PEN IS SMALL AND SQUALID.
160
00:08:15,633 --> 00:08:16,599
AND WORSE STILL...
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HE'S ALONE.
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00:08:20,672 --> 00:08:24,262
ASIAN ELEPHANTS NATURALLY
LIVE IN SMALL FAMILY HERDS
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00:08:24,296 --> 00:08:26,402
AND NEED THE FREEDOM TO ROAM.
164
00:08:26,436 --> 00:08:28,473
Cher: THEY'RE SO SOCIAL,
THEY'RE LIKE WE ARE.
165
00:08:28,508 --> 00:08:32,442
THEY'RE JUST LIKE WE ARE.
WE'RE VERY MUCH THE SAME.
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00:08:32,477 --> 00:08:36,308
THEY'RE SO FAMILY-ORIENTED
AND THEY'RE SO EMOTIONAL.
167
00:08:36,343 --> 00:08:37,758
[DRAMATIC MUSIC]
168
00:08:37,793 --> 00:08:40,830
Narrator: FEW ZOOS CAN
PROPERLY CARE FOR ELEPHANTS.
169
00:08:40,865 --> 00:08:43,177
BUT ISLAMABAD ZOO
CONTINUES TO HANG ON
170
00:08:43,212 --> 00:08:44,420
TO ITS STAR ATTRACTION.
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00:08:47,250 --> 00:08:49,943
IN 2020, A PASSIONATE
YOUNG PAKISTANI LAWYER
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00:08:49,977 --> 00:08:52,221
TAKES THE ZOO TO COURT.
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00:08:52,255 --> 00:08:55,880
HE DEMANDS THAT KAAVAN'S RIGHTS
AS AN ANIMAL BE RECOGNIZED
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00:08:55,914 --> 00:08:57,882
AND HE BE MOVED TO
A BETTER FACILITY.
175
00:09:01,679 --> 00:09:03,197
Swan: CHER, THROUGH FREE
THE WILD,
176
00:09:03,232 --> 00:09:05,890
WAS ONE OF THE PARTIES
IN THE PETITION.
177
00:09:05,924 --> 00:09:07,754
[UPBEAT MUSIC]
178
00:09:07,788 --> 00:09:10,411
Narrator: TO EVERYONE'S
SURPRISE, THEY SUCCEED.
179
00:09:11,274 --> 00:09:14,588
Swan: OUR CASE BECAME ONE OF
THE LANDMARK PRECEDENT
180
00:09:14,623 --> 00:09:17,833
WHICH HAS RECOGNIZED ANIMAL
RIGHTS FOR THE FIRST TIME
181
00:09:17,867 --> 00:09:20,180
IN TRADITIONAL
HISTORY OF PAKISTAN.
182
00:09:21,595 --> 00:09:23,597
Narrator: AND
THEN, IN MAY 2020,
183
00:09:23,632 --> 00:09:27,118
PAKISTAN'S HIGH COURT DELIVERS
AN ASTONISHING JUDGMENT.
184
00:09:28,257 --> 00:09:30,397
NOT ONLY MUST KAAVAN BE FREED,
185
00:09:30,431 --> 00:09:32,675
BUT THE ENTIRE ZOO MUST CLOSE.
186
00:09:36,230 --> 00:09:39,889
IT'S A LEGAL TRIUMPH BUT
A LOGISTICAL NIGHTMARE.
187
00:09:41,511 --> 00:09:44,204
THE COURT RULES THAT KAAVAN
AND ALL OTHER ANIMALS
188
00:09:44,238 --> 00:09:46,102
MUST GO IN 30 DAYS.
189
00:09:47,552 --> 00:09:49,278
BUT IT'S SUMMER 2020,
190
00:09:49,312 --> 00:09:52,730
THE MIDST OF THE WORST GLOBAL
EMERGENCY SINCE WORLD WAR II.
191
00:09:53,662 --> 00:09:54,870
[DRAMATIC MUSIC]
192
00:09:54,904 --> 00:09:57,251
Cher: AND SO THEN I SAID,
"DO WE REALLY WANT TO GO
193
00:09:57,286 --> 00:09:58,839
TO ISLAMABAD DURING COVID?
194
00:09:58,874 --> 00:10:02,256
THAT'S KIND OF NOT A GOOD
IDEA. WE'RE GOING TO DIE."
195
00:10:03,050 --> 00:10:06,157
AND WE JUST DECIDED,
"OH, THAT'S NOT IMPORTANT
196
00:10:06,191 --> 00:10:08,193
AS MUCH AS SAVING
THIS ELEPHANT."
197
00:10:10,679 --> 00:10:11,369
[GENTLE PIANO MUSIC]
198
00:10:11,403 --> 00:10:13,785
GO SAVE AN ELEPHANT IN ISLAMABAD
199
00:10:13,820 --> 00:10:18,376
WAS LIKE THAT WAS WAY
BEYOND MY JOB DESCRIPTION.
200
00:10:18,410 --> 00:10:21,655
BUT, YOU KNOW, THEY
JUST HAVE FEELINGS,
201
00:10:21,690 --> 00:10:25,141
AND WE HAVE TO BE RESPONSIVE.
202
00:10:25,176 --> 00:10:26,660
[BRIGHT MUSIC]
203
00:10:26,695 --> 00:10:29,490
Narrator: THE PANDEMIC
BUYS EVERYONE SOME TIME,
204
00:10:29,525 --> 00:10:31,734
WHILE FREE THE WILD
DESPERATELY SEARCHES
205
00:10:31,769 --> 00:10:33,287
FOR KAAVAN'S NEW HOME.
206
00:10:35,600 --> 00:10:38,223
[BRIGHT MUSIC]
207
00:10:38,258 --> 00:10:41,848
FREE THE WILD TURNS TO RENOWN
ELEPHANT RESCUER LEK CHAILERT.
208
00:10:44,574 --> 00:10:47,923
SHE CARES FOR 200 ELEPHANTS
AT HER SANCTUARY IN THAILAND.
209
00:11:10,773 --> 00:11:12,775
[ELEPHANT SQUEAKING]
210
00:11:36,868 --> 00:11:38,767
Narrator: LEK AND HER HUSBAND,
DEREK THOMPSON,
211
00:11:38,801 --> 00:11:42,287
OFFER KAAVAN A HOME AT A
SISTER SANCTUARY IN CAMBODIA,
212
00:11:43,219 --> 00:11:45,359
IF THE ZOO WILL RELEASE HIM.
213
00:11:45,394 --> 00:11:47,189
[DELICATE PIANO MUSIC]
214
00:12:03,826 --> 00:12:05,863
[GENTLE MUSIC]
215
00:12:05,897 --> 00:12:07,899
Narrator: AT THE
CAMBODIA WILDLIFE SANCTUARY,
216
00:12:07,934 --> 00:12:11,109
THE ELEPHANTS HAVE SPACE TO
ROAM IN THE PROTECTED FOREST.
217
00:12:13,180 --> 00:12:15,769
Cowne: CAMBODIA WAS THE BEST
CHOICE BY FAR FOR KAAVAN.
218
00:12:15,804 --> 00:12:18,738
BUT FOR US, IT'S A
LOGISTICAL NIGHTMARE.
219
00:12:20,947 --> 00:12:23,432
Narrator: IT WILL TAKE
SEVEN HOURS BY AIR...
220
00:12:25,330 --> 00:12:29,438
THEN FOUR HOURS BY TRUCK TO
DELIVER KAAVAN TO HIS NEW HOME.
221
00:12:29,472 --> 00:12:31,785
Cowne: WE'RE GONNA NEED
A MASSIVE AIRCRAFT.
222
00:12:31,820 --> 00:12:33,753
HOW THE HELL ARE WE
GONNA GET THAT NOW?
223
00:12:35,444 --> 00:12:36,790
Narrator: THE SEARCH
FOR A CARGO PLANE
224
00:12:36,825 --> 00:12:39,931
BIG ENOUGH TO TRANSPORT
A BULL ELEPHANT BEGINS.
225
00:12:41,312 --> 00:12:44,246
[DRAMATIC MUSIC]
226
00:12:44,280 --> 00:12:45,730
THEY'LL ALSO HAVE
TO BUILD A CRATE
227
00:12:45,765 --> 00:12:48,112
THAT'S STRONG ENOUGH
TO RESTRAIN KAAVAN...
228
00:12:49,872 --> 00:12:52,772
AND THEN TRAIN HIM TO
WILLINGLY ENTER IT.
229
00:12:53,807 --> 00:12:55,222
IT'S A TALL ORDER.
230
00:12:56,534 --> 00:12:59,192
FORTUNATELY, HELP IS AT HAND.
231
00:13:01,642 --> 00:13:03,437
BY AUGUST, A TEAM FROM
232
00:13:03,472 --> 00:13:05,854
THE GLOBAL ANIMAL WELFARE
ORGANIZATION, FOUR PAWS,
233
00:13:05,888 --> 00:13:07,614
IS ALREADLY WORKING HARD
234
00:13:07,648 --> 00:13:09,961
TO RELOCATE ALL THE OTHER
ANIMALS AT THE ZOO.
235
00:13:09,996 --> 00:13:10,859
Dr. Amir: GOOD LUCK.
236
00:13:10,893 --> 00:13:12,757
[LAUGHING]
237
00:13:12,792 --> 00:13:15,173
Narrator: THEIR
LEADER, DR. AMIR KHALIL,
238
00:13:15,208 --> 00:13:16,692
IS KNOWN AS THE WAR VET.
239
00:13:19,177 --> 00:13:21,559
HE'S DONE COUNTLESS
HIGH-RISK ANIMAL RESCUES
240
00:13:21,593 --> 00:13:25,356
FROM SYRIA, IRAQ, LIBYA,
AND THE GAZA STRIP.
241
00:13:28,359 --> 00:13:31,811
DR. AMIR MUST PREPARE KAAVAN
PHYSICALLY FOR THE RELOCATION.
242
00:13:33,364 --> 00:13:35,884
THE FIRST STEP:
PUT HIM ON A DIET.
243
00:13:35,918 --> 00:13:38,956
[DELICATE MUSIC]
244
00:13:38,990 --> 00:13:42,338
BUT HE'S ALSO WORRIED ABOUT
KAAVAN'S MENTAL HEALTH.
245
00:13:42,373 --> 00:13:45,272
THE BULL ELEPHANT HAS KILLED
TWO OF HIS PREVIOUS KEEPERS.
246
00:13:48,758 --> 00:13:50,450
Dr. Amir: I MET HIM
FOUR YEARS AGO.
247
00:13:51,278 --> 00:13:53,971
AND I SAW, REALLY, AT THIS
TIME A VERY ANGRY GUY.
248
00:13:54,005 --> 00:13:55,317
HATE HUMAN BEING.
249
00:13:56,697 --> 00:13:59,597
HE HAD THE WORST
EXPERIENCE FOR AN ANIMAL.
250
00:13:59,631 --> 00:14:02,669
HE DON'T SEE US AS A HUMAN.
HE SEE US LIKE MONSTERS.
251
00:14:02,703 --> 00:14:05,741
[EMOTION@L
252
00:14:05,775 --> 00:14:07,950
Narrator: NOW, WITH
THREE MONTHS TO GO,
253
00:14:07,985 --> 00:14:10,228
THEY TARGET LATE
NOVEMBER FOR THE MOVE.
254
00:14:11,747 --> 00:14:13,369
BUT THERE'S STILL NO AIRPLANE.
255
00:14:14,508 --> 00:14:16,234
AND THEY'VE YET
TO BUILD A CRATE.
256
00:14:18,581 --> 00:14:21,550
FINALLY, THEY TRACK DOWN
AN ILYUSHIN TRANSPORT PLANE
257
00:14:21,584 --> 00:14:22,758
THAT MIGHT BE AVAILABLE.
258
00:14:24,933 --> 00:14:26,382
BUT THERE'S ONE CONDITION.
259
00:14:28,281 --> 00:14:29,144
Dr. Amir: ALEXANDER...
260
00:14:29,903 --> 00:14:34,425
KEN'S AIRCRAFT TAKES THREE
METER 15 HIGH CRATES ATOP.
261
00:14:34,459 --> 00:14:36,358
WIDTH IS TWO METER WIDE.
262
00:14:36,392 --> 00:14:39,223
Alexander: THE THING IS
THIS CAGE IS VERY HEAVY.
263
00:14:39,257 --> 00:14:42,709
WHAT WILL BE THE ANTICIPATED
WEIGHT OF THE CAGE
264
00:14:42,743 --> 00:14:44,228
WITH ELEPHANT INSIDE?
265
00:14:44,262 --> 00:14:48,197
Dr. Amir: GROSS WEIGHT, I WILL
BRING IT TO 10 TON.
266
00:14:48,232 --> 00:14:50,268
Narrator: KAAVAN AND
THE CRATE CANNOT WEIGH
267
00:14:50,303 --> 00:14:52,926
MORE THAN 10 TONS, OR
THEY'LL NEED A BIGGER PLANE.
268
00:14:53,754 --> 00:14:57,793
THANKS TO AMIR'S DIET, KAAVAN'S
ALREADY SHED 500 POUNDS.
269
00:14:58,863 --> 00:15:00,761
BUT HE NEEDS TO
TRIM DOWN SOME MORE.
270
00:15:04,593 --> 00:15:06,664
EVEN AT HIS SVELTE
FLYING WEIGHT,
271
00:15:06,698 --> 00:15:08,114
THE BULL ELEPHANT WILL REQUIRE
272
00:15:08,148 --> 00:15:09,632
A SPECIALLY-CONSTRUCTED CRATE.
273
00:15:11,876 --> 00:15:14,879
IT MUST BE AS SMALL AS
POSSIBLE TO RESTRAIN HIM...
274
00:15:16,294 --> 00:15:18,469
YET BIG ENOUGH FOR HIM
TO WILLINGLY WALK IN.
275
00:15:20,195 --> 00:15:21,921
AND IT'S GOT TO BE UNBREAKABLE
276
00:15:22,852 --> 00:15:24,095
[HORN HONKING]
277
00:15:24,130 --> 00:15:27,788
FOUR PAWS COMMISSIONED SOME
LOCAL ENGINEERS TO BUILD IT...
278
00:15:27,823 --> 00:15:28,893
FAST.
279
00:15:28,928 --> 00:15:31,171
WITH FOUR WEEKS TO GO, DR. AMIR
280
00:15:31,206 --> 00:15:35,175
AND TRANSPORT EXPERT ERNST-JAN
KIP GO TO CHECK ON PROGRESS.
281
00:15:36,936 --> 00:15:39,766
FIRST IMPRESSIONS ARE ALARMING.
282
00:15:39,800 --> 00:15:42,355
Kip: EVERYTHING HE CAN
TOUCH WITH HIS TRUNK,
283
00:15:42,389 --> 00:15:45,220
HE'LL DESTROY IT AND THE
AIRPLANE WILL GO DOWN.
284
00:15:45,254 --> 00:15:48,671
HE IS OVER FIVE TON
OF MUSCLE AND POWER.
285
00:15:50,259 --> 00:15:54,332
NICE DESIGNS, BUT IT'S
NOT ELEPHANT PROOF.
286
00:15:54,367 --> 00:15:55,678
Narrator: AND
TO TOP IT ALL OFF,
287
00:15:55,713 --> 00:15:58,371
THEY'VE PAINTED AN AFRICAN
ELEPHANT ON THE SIDE.
288
00:15:59,717 --> 00:16:02,962
Dr. Amir: SO, HERE, NO
AFRICAN ELEPHANT.
289
00:16:02,996 --> 00:16:06,689
MUST BE PAKISTANI.
PAKISTANI KAAVAN.
290
00:16:06,724 --> 00:16:08,174
[CHATTERING]
291
00:16:08,208 --> 00:16:10,693
[DRAMATIC PERCUSSIVE MUSIC]
292
00:16:10,728 --> 00:16:13,731
Narrator: MEANWHILE, AT THE
CAMBODIA WILDLIFE SANCTUARY,
293
00:16:13,765 --> 00:16:15,560
FRANTIC CONSTRUCTION IS UNDERWAY
294
00:16:15,595 --> 00:16:18,632
TO BUILD A TEMPORARY NEW
ENCLOSURE FOR KAAVAN'S ARRIVAL.
295
00:16:21,842 --> 00:16:24,328
HIS INITIAL PEN IS
LESS THAN AN ACRE
296
00:16:24,362 --> 00:16:26,744
BUT A PARADISE COMPARED
TO WHERE HE IS NOW.
297
00:16:28,159 --> 00:16:30,748
AND MOST IMPORTANT,
HE'LL HAVE COMPANY:
298
00:16:30,782 --> 00:16:34,131
THE FIRST ELEPHANTS HE'LL
INTERACT WITH IN EIGHT YEARS.
299
00:16:38,963 --> 00:16:40,758
THERE ARE TWO WEEKS TO THE MOVE.
300
00:16:42,656 --> 00:16:43,968
KAAVAN'S REINFORCED CRATE,
301
00:16:44,003 --> 00:16:46,902
NOW PAINTED WITH AN ASIAN
ELEPHANT, IS ON THE WAY.
302
00:16:48,421 --> 00:16:50,181
EVERY HOUR COUNTS.
303
00:16:50,216 --> 00:16:52,770
[ANXIOUS MUSIC]
304
00:16:59,846 --> 00:17:02,297
NORMALLY, IT TAKES
FOUR TO SIX WEEKS
305
00:17:02,331 --> 00:17:03,505
TO CRATE TRAIN AN ELEPHANT.
306
00:17:03,539 --> 00:17:04,747
Dr. Amir: STOP, STOP, STOP!
307
00:17:06,680 --> 00:17:07,509
GO.
308
00:17:08,268 --> 00:17:11,237
Narrator: DR. AMIR
HAS ONLY 14 DAYS.
309
00:17:13,929 --> 00:17:14,930
[METAL DOOR BANGING]
310
00:17:14,964 --> 00:17:17,277
EVERYONE WATCHES ANXIOUSLY
TO SEE HOW KAAVAN
311
00:17:17,312 --> 00:17:18,623
WILL REACT TO THE CRATE.
312
00:17:20,004 --> 00:17:22,248
BUT THEY MAKE A FATAL MISTAKE...
313
00:17:23,663 --> 00:17:24,802
LEAVING THE DOORS ON.
314
00:17:27,253 --> 00:17:29,393
[BANGING]
315
00:17:33,328 --> 00:17:36,641
[TRADITIONAL EASTERN MUSIC]
316
00:17:36,676 --> 00:17:39,472
BY MORNING, KAAVAN
HAS TRASHED THE CRATE.
317
00:17:41,336 --> 00:17:43,786
THEY'LL HAVE TO
BUILD ANOTHER ONE...
318
00:17:43,821 --> 00:17:44,787
MUCH STRONGER.
319
00:17:46,203 --> 00:17:48,343
THEIR LIVES ON THE
PLANE WILL DEPEND ON IT.
320
00:17:49,102 --> 00:17:52,726
Kip: IF KAAVAN SMASHED THE
DOOR OUT OF THE CRATE,
321
00:17:52,761 --> 00:17:54,556
WHILE HE'S IN THE AIRPLANE,
322
00:17:54,590 --> 00:17:56,282
YEAH, WE ARE ALL IN BIG TROUBLE.
323
00:17:57,179 --> 00:18:00,493
MUST BE STRONGER AND
MUST BE THICKER MATERIAL.
324
00:18:00,527 --> 00:18:02,564
THE WELDING MUST BE MUCH BETTER.
325
00:18:02,598 --> 00:18:04,704
[BANGING ON METAL]
326
00:18:04,738 --> 00:18:06,809
Dr. Amir: YOU
HAVE TO DO IT. AND...
327
00:18:06,844 --> 00:18:08,259
Man: WE'RE
CHECKING IT RIGHT NOW.
328
00:18:08,294 --> 00:18:09,536
Dr. Amir: NO, YOU DON'T
CHECK. YOU JUST DO IT.
329
00:18:09,571 --> 00:18:10,399
[LAUGHING]
330
00:18:10,434 --> 00:18:11,262
NO CHECK. NO
331
00:18:11,297 --> 00:18:14,231
[BANGING ON METAL]
332
00:18:16,233 --> 00:18:17,303
COME, KAAVAN.
333
00:18:18,442 --> 00:18:20,789
Narrator: AT LEAST DR.
AMIR CAN USE THE BROKEN CRATE
334
00:18:20,823 --> 00:18:22,377
TO START KAAVAN'S TRAINING.
335
00:18:23,378 --> 00:18:24,310
Dr. Amir: KAAVAN...
336
00:18:28,590 --> 00:18:31,972
Narrator: AMIR COAXES
KAAVAN IN WITH A FRUITY PRIZE.
337
00:18:32,007 --> 00:18:33,250
Dr. Amir: COME.
338
00:18:33,284 --> 00:18:34,113
DON'T BE AFRAID.
339
00:18:35,183 --> 00:18:35,873
REALLY, COME.
340
00:18:35,907 --> 00:18:36,977
I SWEAR, NOTHING WILL HAPPEN.
341
00:18:37,012 --> 00:18:38,738
YOU WILL NOT FALL DOWN.
342
00:18:38,772 --> 00:18:40,188
Narrator: AND A
BURST OF FRANK SINATRA.
343
00:18:40,222 --> 00:18:44,192
♪ I DID IT MY WAY
344
00:18:44,226 --> 00:18:46,849
Dr. Amir: YES! A
FIRST STEP, YES!
345
00:18:46,884 --> 00:18:48,127
BRAVO! COME.
346
00:18:48,851 --> 00:18:50,957
ONE MORE, ONE MORE.
347
00:18:50,991 --> 00:18:54,202
COME, YOU'VE DONE IT
ALREADY. [LAUGHING]
348
00:18:54,236 --> 00:18:55,272
PATIENCE.
349
00:18:55,306 --> 00:18:58,344
TRY TREAT HIM WITH
RESPECT, OR SINGING TO HIM.
350
00:18:58,378 --> 00:18:59,586
I MEAN, NO ONE LIKE MY VOICE,
351
00:18:59,621 --> 00:19:04,177
SO, FINALLY I HAVE A
BIG, GIANT ELEPHANT.
352
00:19:04,212 --> 00:19:06,662
THE ONLY ONE I HAVE ON
EARTH WHO LOVE MY VOICE.
353
00:19:06,697 --> 00:19:09,527
YES, MY WAY! YOUR WAY.
354
00:19:09,562 --> 00:19:11,564
[TENSE MUSIC]
[CROW CAWING]
355
00:19:11,598 --> 00:19:13,773
Narrator: KAAVAN'S
MAKING GREAT PROGRESS.
356
00:19:14,705 --> 00:19:18,571
BUT WITH THE DAY'S TICKING
BY, COVID HITS HARD.
357
00:19:18,605 --> 00:19:20,193
[COUGHING]
358
00:19:20,228 --> 00:19:22,195
SEVERAL TEAM MEMBERS GET SICK.
359
00:19:24,370 --> 00:19:26,682
Cher: AND SO THEN I SAID,
"DO WE REALLY WANT TO GO
360
00:19:26,717 --> 00:19:28,270
TO ISLAMABAD DURING A COVID?
361
00:19:28,305 --> 00:19:30,410
WE'RE GONNA-- WE SHOULD DIE."
362
00:19:31,446 --> 00:19:33,275
Narrator: CHER'S
PLANS TO PARTICIPATE
363
00:19:33,310 --> 00:19:35,208
ARE NOW IN JEOPARDY.
364
00:19:35,243 --> 00:19:36,416
[ANXIOUS MUSIC]
365
00:19:36,451 --> 00:19:37,969
WITH JUST A WEEK TO GO,
366
00:19:38,004 --> 00:19:40,593
KAAVAN IS GETTING MORE
COMFORTABLE WITH HIS CRATE.
367
00:19:42,698 --> 00:19:44,321
Schmidinger: GOOD BOY.
COME HERE.
368
00:19:45,114 --> 00:19:47,393
Narrator: BUT THERE'S A
SUBTLE YET ALARMING CHANGE
369
00:19:47,427 --> 00:19:48,428
IN KAAVAN'S MOOD.
370
00:19:49,360 --> 00:19:50,982
Schmidinger: LOOK WHAT
WE HERE. SO FRESH.
371
00:19:51,017 --> 00:19:52,881
Narrator: FOUR PAWS TRAINER
INGO SCHMIDINGER
372
00:19:52,915 --> 00:19:54,779
NOTICES HE'S MORE AGGRESSIVE.
373
00:19:54,814 --> 00:19:56,229
Schmidinger: YEAH, YEAH, YEAH.
374
00:19:56,264 --> 00:19:58,749
THIS MORNING WE STARTED
TO CHECK BACK ON HIM.
375
00:19:58,783 --> 00:19:59,784
AND WHAT HAPPENED?
376
00:19:59,819 --> 00:20:01,614
JUST ONE SECOND, BOOM.
377
00:20:01,648 --> 00:20:02,546
THAT'S IT, ATTACK.
378
00:20:03,857 --> 00:20:05,549
IT WAS A TYPICAL...
379
00:20:05,583 --> 00:20:06,515
BOOM...
380
00:20:06,550 --> 00:20:07,378
AGAINST THIS.
381
00:20:07,413 --> 00:20:08,483
Dr. Amir: AGAINST THE WALL?
382
00:20:08,517 --> 00:20:10,554
Schmidinger: YES, AGAINST
THIS WALL.
383
00:20:10,588 --> 00:20:11,865
[TENSE MUSIC]
384
00:20:11,900 --> 00:20:13,833
Narrator: KAAVAN
HAS ENTERED MUST.
385
00:20:14,696 --> 00:20:17,423
IT'S A MATING CONDITION
WHERE TESTOSTERONE SURGES
386
00:20:17,457 --> 00:20:19,459
TO 60 TIMES THE NORMAL LEVEL.
387
00:20:23,567 --> 00:20:26,225
MUST ELEPHANTS BECOME
HYPER AGGRESSIVE.
388
00:20:27,087 --> 00:20:31,575
Schmidinger: BULLS IN MUST SEE
EVERY LITTLE THING AS A TARGET.
389
00:20:31,609 --> 00:20:34,302
SO THEY ARE AIMING FOR KILLING.
390
00:20:34,336 --> 00:20:36,269
[ELEPHANTS GROWLING]
391
00:20:36,304 --> 00:20:37,477
Narrator: DESPITE THE DANGER,
392
00:20:37,512 --> 00:20:39,824
THE TEAM MUST CONTINUE
KAAVAN'S TRAINING.
393
00:20:39,859 --> 00:20:42,275
[DRAMATIC MUSIC]
394
00:20:42,310 --> 00:20:45,209
ONBOARD THE PLANE,
ANY UNEXPECTED NOISE
395
00:20:45,244 --> 00:20:46,279
COULD SET HIM OFF.
396
00:20:47,694 --> 00:20:48,971
Schmidinger: WHAT WE DO,
WE CAN DO...
397
00:20:49,006 --> 00:20:50,456
[METAL CLINKING]
398
00:20:50,490 --> 00:20:51,457
JUST SOME NOISE,
399
00:20:51,491 --> 00:20:53,493
BECAUSE THIS IS WHAT
WILL HAPPEN ON THE DAY.
400
00:20:53,528 --> 00:20:54,356
IT WILL BE LIKE...
401
00:20:54,391 --> 00:20:55,254
[BANGS METAL]
402
00:20:55,288 --> 00:20:55,944
GOOD BOY!
403
00:20:55,978 --> 00:20:56,807
CLOSE!
404
00:20:56,841 --> 00:20:57,635
[BANGING METAL]
405
00:20:57,670 --> 00:20:59,292
AND IT WILL BE LIKE THIS.
406
00:20:59,327 --> 00:21:01,432
[ANXIOUS MUSIC]
407
00:21:01,467 --> 00:21:02,571
Narrator: KAAVAN'S AGGRESSION
408
00:21:02,606 --> 00:21:04,815
COULD LAST THREE TO FOUR WEEKS.
409
00:21:04,849 --> 00:21:07,611
AND DR. AMIR IS IN
THE FIRING LINE.
410
00:21:08,888 --> 00:21:11,477
Dr. Amir: ELEPHANT IN MUST
CAN KILL ANYONE,
411
00:21:11,511 --> 00:21:14,756
'CAUSE HE LOOK FOR THE ALPHA,
AND HE WANT TO
412
00:21:14,790 --> 00:21:16,585
REMOVE THIS ALPHA.
413
00:21:17,931 --> 00:21:19,795
AND FOR HIM, I AM
THE FOCUS PERSON,
414
00:21:19,830 --> 00:21:22,350
SO I COULD BE IN A HUGE
RISK AT THIS MOMENT,
415
00:21:22,384 --> 00:21:23,523
SO I HAVE TO BE VERY CAREFUL.
416
00:21:23,558 --> 00:21:25,318
[TENSE MUSIC]
417
00:21:25,353 --> 00:21:27,907
Narrator: THE ENTIRE
AIRLIFT IS NOW IN JEOPARDY.
418
00:21:33,947 --> 00:21:37,226
[ANXIOUS MUSIC]
419
00:21:37,261 --> 00:21:39,401
DESPITE THE DANGERS
FROM COVID-19,
420
00:21:39,436 --> 00:21:42,231
CHER IS DETERMINED TO
MAKE THE TRIP TO PAKISTAN.
421
00:21:43,785 --> 00:21:46,788
IT'S BEEN FIVE YEARS SINCE
SHE HEARD OF KAAVAN'S PLIGHT.
422
00:21:47,720 --> 00:21:48,790
Jen: WHERE ARE YOU GOING?
423
00:21:49,549 --> 00:21:51,482
Cher: WE'RE ON
OUR WAY TO ISLAMABAD.
424
00:21:51,517 --> 00:21:52,863
Jen: YEAH. TO DO WHAT?
425
00:21:52,897 --> 00:21:54,278
Cher: TO GET KAAVAN.
426
00:21:54,313 --> 00:21:57,177
Jen: YES. [CHUCKLING]
427
00:21:57,212 --> 00:21:59,697
Narrator: THE AIRLIFT
IS SCHEDULED IN THREE DAYS.
428
00:22:01,699 --> 00:22:03,943
DR. AMIR HAS GIVEN
KAAVAN SOME MEDICATION
429
00:22:03,977 --> 00:22:06,255
TO SUPPRESS THE
SURGE IN TESTOSTERONE
430
00:22:07,326 --> 00:22:09,500
AND HOPEFULLY CURB
HIS AGGRESSION.
431
00:22:13,746 --> 00:22:16,818
MARK COWNE, WHO FOUNDED
FREE THE WILD WITH CHER,
432
00:22:16,852 --> 00:22:19,338
HAS ARRIVED THROUGH
LONDON TO SEE KAAVAN OFF.
433
00:22:20,891 --> 00:22:22,927
BUT IT'S NOT THE
REUNION HE HOPED FOR.
434
00:22:24,757 --> 00:22:27,691
KAAVAN'S TEMPER IS STILL HOT.
435
00:22:27,725 --> 00:22:29,831
[DRAMATIC MUSIC]
436
00:22:29,865 --> 00:22:32,799
Cowne: TOTALLY MY FAULT. I
FORGOT KAAVAN WAS IN MUST.
437
00:22:32,834 --> 00:22:33,938
I GOT TOO CLOSE.
438
00:22:36,389 --> 00:22:37,563
Narrator: IT'S
A POTENT REMINDER
439
00:22:37,597 --> 00:22:41,601
THAT KAAVAN IS STILL IN MUST
AND CAN BE VERY DANGEROUS.
440
00:22:46,365 --> 00:22:47,435
[BRIGHT ELECTRONIC MUSIC]
441
00:22:47,469 --> 00:22:50,714
AFTER 24 HOURS OF NONSTOP
TRAVEL FROM CALIFORNIA,
442
00:22:50,748 --> 00:22:54,649
CHER FINALLY LANDS IN
ISLAMABAD, JUST IN TIME.
443
00:22:55,960 --> 00:22:58,653
KAAVAN HAS A HARD
OUT IN TWO DAYS.
444
00:22:59,826 --> 00:23:02,829
["BELIEVE" BY CHER]
445
00:23:10,975 --> 00:23:13,495
[CHATTERING]
446
00:23:14,876 --> 00:23:18,811
♪ NO MATTER HOW HARD I TRY
447
00:23:18,845 --> 00:23:23,850
♪ YOU KEEP PUSHING ME ASIDE
AND I CAN'T BREAK THROUGH ♪
448
00:23:24,403 --> 00:23:27,854
♪ THERE'S NO TALKING TO YOU ♪
449
00:23:27,889 --> 00:23:31,858
Cher: AND THEN, ALL OF A
SUDDEN, I WAS IN ISLAMABAD
450
00:23:31,893 --> 00:23:35,310
AND EVERYONE WAS SAYING, "WE
DIDN'T EXPECT YOU TO COME.
451
00:23:35,344 --> 00:23:36,553
WHY ARE YOU HERE?"
452
00:23:36,587 --> 00:23:39,452
AND I SAID, "BECAUSE I SAID
I WAS COMING, AND I'M HERE.
453
00:23:39,487 --> 00:23:42,835
AND I'M, YOU KNOW...
I'M HERE TO GET KAAVAN."
454
00:23:42,869 --> 00:23:47,874
♪ DO YOU BELIEVE IN
LIFE AFTER LOVE ♪
455
00:23:48,772 --> 00:23:49,842
♪ I CAN FEEL SOMETHING
456
00:23:49,876 --> 00:23:50,946
ARE YOU DR. AMIR?
457
00:23:50,981 --> 00:23:51,947
Dr. Amir: GOOD MORNING, CHER.
Cher: HOW ARE YOU?
458
00:23:51,982 --> 00:23:53,777
I'M SO HAPPY TO SEE YOU!
Dr. Amir: I'M FINE.
459
00:23:53,811 --> 00:23:55,261
DO YOU BELIEVE IN MIRACLES?
460
00:23:55,295 --> 00:23:56,607
[INDISTINCT] AND YOU
ARE HERE FINALLY.
461
00:23:56,642 --> 00:23:57,781
Cher: YES, I AM.
462
00:23:57,815 --> 00:23:59,576
Dr. Amir: WELCOME TO PAKISTAN
AND WELCOME TO THE ZOO.
463
00:23:59,610 --> 00:24:00,611
Cher: THANK YOU.
464
00:24:03,303 --> 00:24:04,719
♪ I CAN FEEL SOMETHING
465
00:24:04,753 --> 00:24:07,825
YOU HAVE TO WALK UP THE
LONG ROAD INTO THE ZOO,
466
00:24:08,654 --> 00:24:11,277
AND I COULD SEE HIM
FROM THE DISTANCE.
467
00:24:12,485 --> 00:24:14,625
FIRST THING I NOTICED WAS,
468
00:24:14,660 --> 00:24:16,903
WHAT IS HE DOING
IN THIS HELL HOLE
469
00:24:16,938 --> 00:24:19,354
WHICH IS AS BIG
AS MY FINGERNAIL?
470
00:24:19,388 --> 00:24:22,702
AND MY GOD, HE'S SO BROWN
AND BEAUTIFUL, RUSTY.
471
00:24:24,463 --> 00:24:26,430
AND THEN, HE'S SO BIG.
472
00:24:27,535 --> 00:24:29,191
I DIDN'T REALIZE.
473
00:24:29,226 --> 00:24:30,641
AND HE'S NOT EVEN
A BIG ELEPHANT,
474
00:24:30,676 --> 00:24:32,367
BUT ELEPHANTS ARE GIGANTIC.
475
00:24:35,750 --> 00:24:37,406
HE HAS BEAUTIFUL EYES.
476
00:24:38,407 --> 00:24:41,928
AND EVEN WHEN HE'S NOT WITH YOU
477
00:24:41,963 --> 00:24:43,896
OR WHEN THERE'S NO ONE AROUND,
478
00:24:43,930 --> 00:24:47,831
DOES HE STILL DO THIS BACKWARDS
AND FORWARDS THE WHOLE TIME?
479
00:24:47,865 --> 00:24:49,522
Dr. Amir: 24/7.
480
00:24:49,557 --> 00:24:50,350
Cher: RIGHT.
481
00:24:50,385 --> 00:24:51,420
HELLO, KAAVAN!
482
00:24:54,769 --> 00:24:56,840
Narrator: DR. AMIR
KNOWS THERE ARE TWO WAYS
483
00:24:56,874 --> 00:24:58,635
FOR CHER TO BOND WITH KAAVAN:
484
00:24:59,808 --> 00:25:00,637
FOOD...
485
00:25:00,671 --> 00:25:01,776
Dr. Amir: HE LIKE WATERMELON
486
00:25:02,673 --> 00:25:04,399
Cher: I LIKE WATERMELON TOO.
487
00:25:04,433 --> 00:25:06,643
[LAUGHING]
488
00:25:07,609 --> 00:25:09,508
Narrator: AND MUSIC.
489
00:25:09,542 --> 00:25:11,199
♪ A LIFE THAT'S FULL
490
00:25:11,233 --> 00:25:13,477
KAAVAN'S FAVORITE SONG
491
00:25:13,512 --> 00:25:16,273
♪ AND EVERY HIGHWAY
492
00:25:16,307 --> 00:25:20,657
♪ BUT MORE MUCH MORE THAN THIS
493
00:25:20,691 --> 00:25:22,555
♪ I DID IT MY WAY
494
00:25:22,590 --> 00:25:23,936
Cher: HE LOVES THAT SONG.
495
00:25:23,970 --> 00:25:26,421
ANIMALS, YOU KNOW,
THEY LOVE MUSIC.
496
00:25:26,455 --> 00:25:28,872
THEY'RE SOOTHED BY
IT. THEY REALLY ARE.
497
00:25:28,906 --> 00:25:31,564
♪ I'VE HAD A FEW
498
00:25:31,599 --> 00:25:33,152
♪ BUT THEN TOO FEW TO MENTION
499
00:25:33,186 --> 00:25:35,326
IT WAS LIKE I ALREADY KNEW HIM,
500
00:25:35,361 --> 00:25:37,708
BUT I DIDN'T KNOW WHAT
IT WAS GONNA BE LIKE.
501
00:25:37,743 --> 00:25:39,779
I DIDN'T REALIZE
THAT HE WOULD HAVE
502
00:25:39,814 --> 00:25:41,781
SUCH A CUTE PERSONALITY.
503
00:25:41,816 --> 00:25:43,714
I THOUGHT HE WOULD
BE REALLY ANGRY.
504
00:25:44,612 --> 00:25:48,857
♪ I DID WHAT I HAD TO DO
505
00:25:48,892 --> 00:25:53,655
♪ I SAW IT THROUGH
WITHOUT EXEMPTION ♪
506
00:25:55,277 --> 00:25:56,727
[EMOTIONAL PIANO MUSIC]
507
00:25:56,762 --> 00:25:57,728
Narrator: CHER IS TOUCHED
508
00:25:57,763 --> 00:26:00,593
BY HOW DEEPLY KAAVAN
HAS BONDED WITH DR. AMIR
509
00:26:02,215 --> 00:26:04,528
Cher: THEY JUST WERE CLOSE.
510
00:26:04,563 --> 00:26:06,219
THEY WERE LIKE BEST BUDDIES,
511
00:26:06,254 --> 00:26:09,257
AND DR. AMIR SAID HE
WAS ATTACHED TO HIM.
512
00:26:09,291 --> 00:26:12,294
HE'D NEVER BEEN REALLY
ATTACHED TO ANY OTHER ELEPHANT.
513
00:26:18,542 --> 00:26:21,510
Dr. Amir: IT'S A CLEAR RULE. I
NEVER ALLOW TO BREAK IT.
514
00:26:21,545 --> 00:26:25,514
I RESCUE ANIMALS FROM WAR ZONES
WITH THE TEAMS OF FOUR PAWS.
515
00:26:25,549 --> 00:26:27,689
I LOVE THEM, I CARE FOR
THEM, I RESCUE THEM,
516
00:26:27,724 --> 00:26:30,589
BUT I NEVER BUILD A
BOND, NOT TO BE TOUCHED.
517
00:26:30,623 --> 00:26:32,314
AND I DONE MY FIRST MISTAKE.
518
00:26:32,349 --> 00:26:34,972
I FELT A LOVE FOR THIS ELEPHANT.
519
00:26:35,007 --> 00:26:36,629
[INTRIGUING MUSIC]
520
00:26:36,664 --> 00:26:38,597
Narrator: WITH
ONLY ONE DAY TO GO,
521
00:26:38,631 --> 00:26:41,600
KAAVAN'S STURDIER YET
SMALLER TRANSPORT CRATE
522
00:26:41,634 --> 00:26:42,704
FINALLY ARRIVES.
523
00:26:44,395 --> 00:26:48,503
NOT PRETTY, BUT HOPEFULLY
THIS TIME, ELEPHANT PROOF.
524
00:26:53,681 --> 00:26:56,338
Cher: WILL HE COME IN HERE AS
WELL AS HE GOES IN THERE?
525
00:26:56,373 --> 00:27:00,170
Goeritz: THE PLAN IS HE WILL GO
IN THERE AS HE IS TRAINED FOR.
526
00:27:00,204 --> 00:27:02,551
HE WILL BE
TRANQUILIZED IN THERE.
527
00:27:02,586 --> 00:27:06,210
AND THEN HE IS WALKING
BACKWARDS INTO THIS CRATE HERE.
528
00:27:06,245 --> 00:27:08,385
Cher: AND THEN HOW
SEDATED IS HE?
529
00:27:09,213 --> 00:27:11,353
Goeritz: HE'S SO-CALLED
STANDING SEDATION.
530
00:27:11,388 --> 00:27:16,220
HE IS AWAKE, AWAKE ENOUGH THAT
HE CAN MANAGE THE MOVEMENT,
531
00:27:16,255 --> 00:27:20,190
BUT HE IS DOPEY ENOUGH
THAT HE IS NOT STRESSED OUT
532
00:27:20,224 --> 00:27:21,156
AND HE'S NOT FREAKING OUT.
533
00:27:21,191 --> 00:27:22,848
Cher: AND DO YOU CHECK
HIM ALL THE TIME?
534
00:27:22,882 --> 00:27:23,711
Goeritz: ALL THE TIME.
535
00:27:23,745 --> 00:27:26,437
[ANXIOUS MUSIC]
536
00:27:26,472 --> 00:27:27,646
[FIRE CRACKLING]
537
00:27:27,680 --> 00:27:30,200
Narrator: JUST
12 HOURS TO GO.
538
00:27:30,234 --> 00:27:31,546
TIME TO GATHER THE TEAM.
539
00:27:33,893 --> 00:27:37,828
Dr. Amir: SO, AS
COUNTDOWN STARTS AGAIN.
540
00:27:37,863 --> 00:27:40,589
CHER, FIRST, WELCOME
HERE IN THE TEAM.
541
00:27:40,624 --> 00:27:42,661
THE TEAM WILL START HERE AT
SIX O'CLOCK IN THE MORNING,
542
00:27:42,695 --> 00:27:45,905
PREPARING THE ENCLOSURE,
PREPARING THE ELEPHANT.
543
00:27:45,940 --> 00:27:47,942
AFTER THIS, DR. FRANK
WILL TAKES THE LEAD
544
00:27:47,976 --> 00:27:51,566
AS THE CHIEF VETERINARIAN
TO SEDATE THE ELEPHANT.
545
00:27:51,600 --> 00:27:53,741
IT'S A TEAMWORK.
IT'S A BIG TEAMWORK.
546
00:27:53,775 --> 00:27:55,604
WE HAVE TO HELP EACH OTHER.
547
00:27:55,639 --> 00:27:59,332
CHER, I WILL SEE
YOU IN CAMBODIA.
548
00:27:59,367 --> 00:28:00,161
THANK YOU.
549
00:28:00,195 --> 00:28:02,715
[TEAM APPLAUDING]
550
00:28:03,958 --> 00:28:05,166
Narrator: CHER
WE'LL FLY AHEAD
551
00:28:05,200 --> 00:28:08,341
AND WILL BE WAITING FOR KAAVAN
WHEN HE LANDS IN CAMBODIA.
552
00:28:08,376 --> 00:28:10,171
[TENSE MUSIC]
553
00:28:10,205 --> 00:28:13,657
BUT NO ONE KNOWS HOW KAAVAN
WILL HANDLE THE FLIGHT.
554
00:28:13,692 --> 00:28:15,624
THE ANXIETY IS RUNNING HIGH.
555
00:28:19,801 --> 00:28:22,631
[ANXIOUS MUSIC]
556
00:28:22,666 --> 00:28:23,771
IT'S D-DAY.
557
00:28:23,805 --> 00:28:26,808
[DRAMATIC MUSIC]
558
00:28:26,843 --> 00:28:29,293
KAAVAN IS SHIPPING OUT.
559
00:28:29,328 --> 00:28:31,779
[CHATTERING]
560
00:28:31,813 --> 00:28:34,954
Narrator: DR. AMIR AND HIS TEAM
ARE UNDER IMMENSE PRESSURE
561
00:28:34,989 --> 00:28:37,716
AS THEY COAX KAAVAN
INTO HIS TRAVEL CRATE.
562
00:28:40,822 --> 00:28:43,722
THEY'VE TRAINED AND PLANNED,
BUT NEVER REHEARSED.
563
00:28:46,794 --> 00:28:49,935
AND TODAY, THE WHOLE
WORLD IS WATCHING.
564
00:28:49,969 --> 00:28:50,970
[CHATTERING]
565
00:28:51,005 --> 00:28:53,939
[CAMERAS CLICKING]
566
00:28:56,458 --> 00:28:58,598
Dr. Amir: WHERE DO YOU
WANT THE MEDIA?
567
00:28:58,633 --> 00:29:00,497
YOU HAVE A BIG THING
HERE IN HIS ARM.
568
00:29:01,256 --> 00:29:03,638
Goeritz: MAKE SURE THERE'S
SOME SILICONE OIL ON IT
569
00:29:03,672 --> 00:29:06,434
THAT IT'S MOVED EASY.
570
00:29:06,468 --> 00:29:08,608
Narrator: VET FRANK
GURITZ IS RESPONSIBLE
571
00:29:08,643 --> 00:29:11,542
FOR KEEPING KAAVAN CALM
DURING THE 24-HOUR JOURNEY.
572
00:29:13,234 --> 00:29:14,925
HE MUST BE AWAKE ENOUGH TO STAND
573
00:29:14,960 --> 00:29:16,824
BUT SEDATED ENOUGH TO RELAX.
574
00:29:18,964 --> 00:29:20,655
IT'S A FINE BALANCE.
575
00:29:20,689 --> 00:29:22,588
Goeritz: I FOCUS
ON WHAT CAN GO WRONG,
576
00:29:22,622 --> 00:29:25,315
WHAT IS ESSENTIAL
NEEDS FOR THE ELEPHANT
577
00:29:25,349 --> 00:29:26,834
FROM THE MEDICAL POINT OF VIEW
578
00:29:26,868 --> 00:29:28,663
AND FROM THE SAFETY
POINT OF VIEW.
579
00:29:30,630 --> 00:29:32,563
Narrator: GETTING KAAVAN
IN THE TRANSPORT CRATE
580
00:29:32,598 --> 00:29:34,289
IS A TWO-STEP PROCESS.
581
00:29:35,290 --> 00:29:38,707
FIRST, DR. AMIR LURES HIM INTO
THE LARGER TRAINING CRATE...
582
00:29:38,742 --> 00:29:39,570
HIS WAY.
583
00:29:41,193 --> 00:29:46,198
♪ AND SO I FACE
THAT FINAL CURTAIN ♪
584
00:29:46,854 --> 00:29:47,682
♪ MY FRIEND
585
00:29:47,716 --> 00:29:49,201
Man: GOOD BOY!
586
00:29:51,306 --> 00:29:53,584
Narrator: ONCE INSIDE,
THEY CAN SEDATE HIM.
587
00:29:54,585 --> 00:29:55,655
[TENSE MUSIC]
588
00:29:55,690 --> 00:29:57,554
Kip: I CAN CLOSE THE GATE?
Schmidinger: YES PLEASE.
589
00:30:03,802 --> 00:30:06,805
[SUSPENSEFUL MUSIC]
590
00:30:17,436 --> 00:30:19,334
Narrator: HE'S GOT
TO BE ABSOLUTELY CALM
591
00:30:19,369 --> 00:30:21,198
BEFORE THE NEXT PHASE.
592
00:30:21,233 --> 00:30:22,510
[TRANQUILIZER GUN POPS]
[KAAVAN GROWLING]
593
00:30:22,544 --> 00:30:25,271
[ANXIOUS MUSIC]
594
00:30:27,687 --> 00:30:28,516
Goeritz: WAIT.
595
00:30:29,413 --> 00:30:31,691
WE HAVE TO GIVE THE
DRUGS TIME TO WORK.
596
00:30:32,589 --> 00:30:34,902
IT TAKES 20 MINUTES SO...
597
00:30:35,488 --> 00:30:37,663
IT'S ALWAYS THE
HARDEST PART, WAITING.
598
00:30:42,495 --> 00:30:44,877
Dr. Amir: WE HAVE TO KEEP
EVERYTHING QUITE UNDER CONTROL.
599
00:30:44,912 --> 00:30:46,499
THIS IS VERY IMPORTANT.
600
00:30:46,534 --> 00:30:48,191
WE SHOULD NOT LOSE THE FOCUS.
601
00:30:49,882 --> 00:30:51,919
Narrator: THE NOISY CROWD
OF MEDIA ISN'T HELPING.
602
00:30:51,953 --> 00:30:53,299
[CAMERAS CLICKING]
603
00:30:53,334 --> 00:30:55,267
[CHATTERING]
604
00:30:55,301 --> 00:30:58,684
Dr. Amir: PLEASE, IF YOU WANT TO
STAY NOW YOU HAVE TO BE QUIET,
605
00:30:59,547 --> 00:31:01,652
OTHERWISE I WILL BE
OUT AND YOU'LL BE OUT,
606
00:31:01,687 --> 00:31:03,137
SO PLEASE RESPECT THIS.
607
00:31:04,966 --> 00:31:07,900
Narrator: NOW, THE
REALLY DIFFICULT PART,
608
00:31:07,935 --> 00:31:11,490
TRANSFERRING KAAVAN INTO THE
SMALLER TRAVEL CONTAINER...
609
00:31:11,524 --> 00:31:12,663
BACKWARDS.
610
00:31:12,698 --> 00:31:15,321
[ANXIOUS MUSIC]
611
00:31:15,356 --> 00:31:16,909
ROPES AND A TEAM OF HELPERS
612
00:31:16,944 --> 00:31:19,256
WILL PROVIDE SOME
GENTLE PERSUASION.
613
00:31:22,604 --> 00:31:24,641
[CHATTERING]
614
00:31:24,675 --> 00:31:29,232
KAAVAN'S STILL IN MUST, AND
THOUGH DROWSY, HE'S AGGRESSIVE.
615
00:31:29,266 --> 00:31:31,268
Kip: PULL MORE, MORE, MORE!
616
00:31:38,344 --> 00:31:39,656
OKAY!
617
00:31:39,690 --> 00:31:41,451
Narrator: BUT
HE DOESN'T RESIST.
618
00:31:42,831 --> 00:31:45,696
Cher: HE WENT IN BEAUTIFULLY.
619
00:31:45,731 --> 00:31:48,941
Dr. Amir: I THINK HE UNDERSTOOD
WE ARE WORKING FOR HIM.
620
00:31:50,218 --> 00:31:51,219
WE COME TO BE CALM.
621
00:31:52,600 --> 00:31:53,601
A NICE CHILD.
622
00:31:53,635 --> 00:31:55,292
[GENTLE MUSIC]
623
00:31:55,327 --> 00:31:59,227
Narrator: 35 YEARS AFTER
BEING CONFINED TO ISLAMABAD ZOO,
624
00:31:59,262 --> 00:32:02,368
KAAVAN IS AT LAST ON HIS
JOURNEY TO A BETTER LIFE.
625
00:32:04,405 --> 00:32:05,647
Cher: I DIDN'T THINK THEY
WERE GONNA GET HIM
626
00:32:05,682 --> 00:32:06,821
TO GO INSIDE THE CRATE.
627
00:32:08,167 --> 00:32:10,859
BUT HE DID UNBELIEVABLY WELL,
628
00:32:10,894 --> 00:32:13,241
AND HE WAS JUST
GREAT ABOUT THAT.
629
00:32:14,001 --> 00:32:17,142
[CRICKETS CHIRPING]
630
00:32:18,212 --> 00:32:20,904
[DRAMATIC MUSIC]
631
00:32:22,906 --> 00:32:24,908
[METAL CLANKING]
632
00:32:24,943 --> 00:32:27,152
Narrator: THE GIANT
ILYUSHIN TRANSPORT PLANE
633
00:32:27,186 --> 00:32:28,808
CAN SWALLOW A SCHOOL BUS.
634
00:32:31,915 --> 00:32:34,676
IT'S SPECIFICALLY DESIGNED
TO DELIVER HEAVY LOADS
635
00:32:34,711 --> 00:32:36,092
TO REMOTE AREAS.
636
00:32:38,163 --> 00:32:42,512
BUT AN AWAKE BULL ELEPHANT
IN MUST IS NO ORDINARY CARGO.
637
00:32:45,239 --> 00:32:47,586
IF HE SHIFTS HIS WEIGHT
INSIDE THE CONTAINER,
638
00:32:47,620 --> 00:32:49,760
IT COULD THROW THE
WHOLE PLANE OFF BALANCE.
639
00:32:51,935 --> 00:32:54,593
[MAN SHOUTING]
640
00:32:57,216 --> 00:32:59,425
ALREADY, HE'S SWINGING THE
FIVE-TON CRATE
641
00:32:59,460 --> 00:33:02,187
FROM SIDE TO SIDE.
642
00:33:02,221 --> 00:33:05,259
THE PILOTS ARE SERIOUSLY WORRIED
IT WILL DAMAGE THE PLANE.
643
00:33:05,293 --> 00:33:07,709
[TENSE MUSIC]
644
00:33:09,849 --> 00:33:11,334
HE HAS TO HOLD STILL.
645
00:33:12,369 --> 00:33:14,682
[CHATTERING]
646
00:33:16,718 --> 00:33:19,549
DR. AMIR HOPES HIS
FAVORITE SUGAR CANE SNACKS
647
00:33:19,583 --> 00:33:20,550
WILL CALM HIM DOWN.
648
00:33:31,009 --> 00:33:32,734
Dr. Amir: I DON'T
SLEEP ON THIS FLIGHT.
649
00:33:32,769 --> 00:33:34,874
I WAS REALLY THINKING
IF EVERYTHING GO WRONG,
650
00:33:34,909 --> 00:33:37,256
IT WILL BE A BIG, BIG PROBLEM.
651
00:33:37,291 --> 00:33:40,432
Narrator: KAAVAN
CAN'T SLEEP MUCH EITHER.
652
00:33:40,466 --> 00:33:43,918
HE MUST REMAIN STANDING FOR
THE WHOLE SEVEN-HOUR FLIGHT.
653
00:33:45,954 --> 00:33:49,268
BUT IF THE DRUGS THAT ARE
KEEPING HIM CALM WEAR OFF,
654
00:33:49,303 --> 00:33:50,545
THEY CAN ALL BE IN TROUBLE.
655
00:33:51,581 --> 00:33:52,789
[TENSE MUSIC]
656
00:33:52,823 --> 00:33:55,654
Dr. Amir: HE'S REALLY BIG
ELEPHANT. HE'S REALLY STRONG.
657
00:33:57,207 --> 00:34:01,177
SO IF I'M AN ELEPHANT, I'M
IN THIS BOX, WHAT CAN I DO?
658
00:34:01,211 --> 00:34:03,834
WHAT CAN I BREAK?
WHAT CAN I OPEN?
659
00:34:03,869 --> 00:34:07,666
WHAT CAN I BEND? I...
EVERYTHING.
660
00:34:07,700 --> 00:34:10,255
[TENSE MUSIC]
661
00:34:13,499 --> 00:34:15,777
[SOFT MUSIC]
662
00:34:15,812 --> 00:34:17,779
Narrator: THE
RESPONSIBILITY WEIGHS HEAVILY
663
00:34:17,814 --> 00:34:19,298
ON DR. AMIR'S MIND.
664
00:34:20,713 --> 00:34:22,819
[KAAVAN GROWLING]
665
00:34:22,853 --> 00:34:24,234
Dr. Amir: TO BRING
THE ELEPHANT OF AIRPLANE,
666
00:34:24,269 --> 00:34:25,511
IT'S A HUGE CHALLENGE.
667
00:34:27,651 --> 00:34:31,931
JUST TO TAKE THE
RESPONSIBILITY FOR A LIFE,
668
00:34:31,966 --> 00:34:33,174
FOR A CREATURE LIKE KAAVAN
669
00:34:33,209 --> 00:34:36,281
WITH ALL THIS LOVE ALL OVER
THE WORLD FOR THIS ELEPHANT.
670
00:34:37,592 --> 00:34:39,629
I FEEL THAT WEIGHT
ON MY SHOULDER.
671
00:34:41,251 --> 00:34:43,805
IF THE ELEPHANT WILL
SURVIVES THIS THING.
672
00:34:43,840 --> 00:34:48,603
I FEEL HOW IMPORTANT THIS
IS FOR ME, FOR MY TEAM,
673
00:34:48,638 --> 00:34:50,950
FOR THE CRITICS, FOR
OUR PARTNER, FOR CHER.
674
00:34:53,677 --> 00:34:55,438
Cher: AND THEN I
THOUGHT, WELL...
675
00:34:56,197 --> 00:34:58,579
WHAT HAPPENS IF HE
GETS UPSET OR ANGRY
676
00:34:58,613 --> 00:35:00,512
AND HE STARTS TO ROCK THE PLANE?
677
00:35:00,546 --> 00:35:03,101
[TENSE MUSIC]
678
00:35:06,345 --> 00:35:09,797
["BELIEVE" BY CHER]
679
00:35:09,831 --> 00:35:12,524
IT WAS REAL. IT WAS ALMOST REAL.
680
00:35:12,558 --> 00:35:14,767
WE HAD A BIT TO GO
STILL, BUT IT WAS REAL.
681
00:35:14,802 --> 00:35:16,666
WE WERE THERE. WE
WERE IN CAMBODIA.
682
00:35:16,700 --> 00:35:19,634
AND THE PEOPLE WERE
SO EXCITED TO SEE HIM.
683
00:35:20,773 --> 00:35:24,674
♪ DO YOU BELIEVE IN
LIFE AFTER LOVE ♪
684
00:35:24,708 --> 00:35:27,159
Narrator: SEVEN HOURS AND
TWO AND A HALF THOUSAND MILES
685
00:35:27,194 --> 00:35:29,161
SINCE LEAVING PAKISTAN,
686
00:35:29,196 --> 00:35:31,543
THE GIANT PLANE WITH
ITS PRECIOUS CARGO
687
00:35:31,577 --> 00:35:33,959
REACHES SIEN REAP
AIRPORT IN CAMBODIA.
688
00:35:34,718 --> 00:35:37,859
THE AIRPORT'S BEEN CLOSED FOR
SIX MONTHS BECAUSE OF COVID.
689
00:35:38,998 --> 00:35:41,484
BUT SAKHAN, AN
INFLUENTIAL BUSINESSMAN
690
00:35:41,518 --> 00:35:44,418
AND CO-FOUNDER OF THE
CAMBODIA WILDLIFE SANCTUARY
691
00:35:44,452 --> 00:35:46,903
PERSUADES THE GOVERNMENT
TO LET KAAVAN LAND.
692
00:35:46,937 --> 00:35:48,525
Cher: WE WOULDN'T HAVE
GOTTEN ANYTHING DONE
693
00:35:48,560 --> 00:35:50,355
IN CAMBODIA WITHOUT MR. HAN.
694
00:35:51,597 --> 00:35:54,393
HE WAS LIKE THE MAN.
MR. HAN'S THE MAN.
695
00:35:54,428 --> 00:35:58,363
[CHANTING IN FOREIGN LANGUAGE]
696
00:36:01,228 --> 00:36:04,334
I HEARD THAT HE HAD
BEHAVED VERY WELL.
697
00:36:05,232 --> 00:36:08,752
Narrator: ALSO THERE TO
MEET KAAVAN IS DEREK THOMPSON,
698
00:36:08,787 --> 00:36:10,823
WHO WILL LOOK AFTER
HIM AT THE SANCTUARY.
699
00:36:12,722 --> 00:36:14,793
Thompson: SO IT'S
BEEN QUITE AN ORDEAL
700
00:36:14,827 --> 00:36:16,208
GETTING READY FOR KAAVAN.
701
00:36:16,243 --> 00:36:19,660
WE HAD A LIMITED TIME TO
GET THINGS PREPARED FOR HIM,
702
00:36:19,694 --> 00:36:20,661
FOR HIS ARRIVAL.
703
00:36:21,627 --> 00:36:24,389
Narrator: DEREK'S CREW LOADS
KAAVAN ONTO A FLATBED
704
00:36:24,423 --> 00:36:27,599
FOR THE LAST LEG.
A FOUR-HOUR DRIVE.
705
00:36:28,565 --> 00:36:31,465
[INTRIGUING MUSIC]
706
00:36:31,499 --> 00:36:33,812
DEREK RIDES OUTSIDE
THE WHOLE WAY,
707
00:36:33,846 --> 00:36:35,779
CONSTANTLY CHECKING ON KAAVAN...
708
00:36:36,780 --> 00:36:38,575
WITH CHER IN CONVOY BEHIND.
709
00:36:38,610 --> 00:36:40,474
Cher: I THOUGHT HE
WAS GONNA FALL OFF
710
00:36:40,508 --> 00:36:42,855
BECAUSE HE WAS JUST
HOLDING ON TO THE BARS,
711
00:36:42,890 --> 00:36:47,584
AND HE JUST KEPT GOING AROUND
KAAVAN AND TALKING TO HIM.
712
00:36:47,619 --> 00:36:49,345
HE WAS TRYING TO CALM HIM,
713
00:36:49,379 --> 00:36:51,243
BECAUSE IT HAD BEEN
SUCH A LONG TIME
714
00:36:51,278 --> 00:36:53,245
THAT HE'D BEEN
TRAPPED IN THAT CAGE,
715
00:36:53,280 --> 00:36:57,180
BECAUSE HE FILLED UP EVERY
SPACE OF IT, YOU KNOW?
716
00:36:57,215 --> 00:36:59,389
SO DEREK WAS AMAZING.
717
00:37:01,288 --> 00:37:02,565
Narrator: IT'S
NIGHTTIME WHEN KAAVAN
718
00:37:02,599 --> 00:37:04,636
FINALLY ARRIVES AT HIS NEW HOME.
719
00:37:06,224 --> 00:37:08,709
CHER WANTS TO SEE HIM
SAFELY OFF THE TRUCK.
720
00:37:10,642 --> 00:37:13,265
ANKLE STRAPS HAVE KEPT
KAAVAN GENTLY RESTRAINED
721
00:37:13,300 --> 00:37:14,542
THROUGHOUT THE JOURNEY.
722
00:37:14,577 --> 00:37:18,615
BUT AFTER 24 HOURS, HE
CAN'T WAIT TO GET THEM OFF.
723
00:37:18,650 --> 00:37:21,446
[METAL CLUNKING]
724
00:37:24,587 --> 00:37:29,626
FINALLY, KAAVAN REVERSES
CAREFULLY INTO HIS NEW LIFE.
725
00:37:29,661 --> 00:37:30,903
[BRIGHT MUSIC]
726
00:37:30,938 --> 00:37:33,561
Thompson: HE'S COMING OUT THE
BACK DOOR INTO HIS SHELTER.
727
00:37:36,530 --> 00:37:37,772
HE ARRIVED IN THE DARK
728
00:37:37,807 --> 00:37:39,947
AND THAT MADE THINGS A
LITTLE MORE COMPLICATED,
729
00:37:39,981 --> 00:37:42,225
GETTING HIM OUT AND UNLOADED.
730
00:37:42,260 --> 00:37:43,916
HE WAS EXHAUSTED.
731
00:37:43,951 --> 00:37:47,195
HE WAS STILL KIND OF
PUNCHDRUNK FROM THE FLIGHT.
732
00:37:47,230 --> 00:37:49,336
[GENTLE MUSIC]
733
00:37:49,370 --> 00:37:51,717
Cher: I COULD JUST SEE HIS
SHADOW MOVING AROUND,
734
00:37:51,752 --> 00:37:54,789
AND HE WAS SO CALM AND
NOT DOING ANYTHING.
735
00:37:54,824 --> 00:37:59,622
HE JUST WAS INTERESTED, AND HE
WAS CHECKING OUT EVERYTHING.
736
00:37:59,656 --> 00:38:01,209
I SAW A DIFFERENT ELEPHANT.
737
00:38:05,352 --> 00:38:07,733
[INTRIGUING MUSIC]
[BIRDS WHISTLING]
738
00:38:07,768 --> 00:38:11,323
Narrator: IT'S A NEW DAWN
FOR KAAVAN IN HIS NEW HOME,
739
00:38:11,358 --> 00:38:13,463
AND CHER CAN'T WAIT
TO CHECK ON HIM.
740
00:38:15,569 --> 00:38:18,503
Thompson: HE'S SETTLED IN
REMARKABLY WELL.
741
00:38:18,537 --> 00:38:19,711
Cher: HE'S VERY INQUISITIVE.
742
00:38:19,745 --> 00:38:20,436
Thompson: HE IS.
743
00:38:20,470 --> 00:38:21,678
HE GOES FROM ONE LITTLE THING,
744
00:38:21,713 --> 00:38:24,440
BECAUSE HE'S NEVER HAD ANY
OF THESE TYPES OF ENRICHMENTS
745
00:38:24,474 --> 00:38:26,959
THAT ARE IMPORTANT TO
HIM, THAT HELP HIM TO-
746
00:38:26,994 --> 00:38:28,306
Cher: NO, HE NEVER HAD ANYTHING.
Thompson: NO.
747
00:38:28,340 --> 00:38:30,618
[EXCITING MUSIC]
748
00:38:30,653 --> 00:38:32,793
Narrator: THE CAMBODIA
WILDLIFE SANCTUARY
749
00:38:32,827 --> 00:38:36,866
IS 30,000 ACRES OF
PRISTINE TROPICAL FOREST,
750
00:38:36,900 --> 00:38:38,833
WHICH, LIKE THESE OTHER
RESCUED ELEPHANTS,
751
00:38:38,868 --> 00:38:41,180
KAAVAN WILL EVENTUALLY
GET TO EXPLORE.
752
00:38:46,841 --> 00:38:49,844
FIRST, HE'LL SETTLE INTO A
SMALL TEMPORARY ENCLOSURE
753
00:38:49,879 --> 00:38:50,845
BY HIMSELF.
754
00:38:53,020 --> 00:38:55,229
BUT HE'S NOT COMPLETELY ALONE.
755
00:38:55,263 --> 00:38:57,369
THERE ARE THREE
FEMALES NEXT DOOR,
756
00:38:57,404 --> 00:38:58,853
AND THEY'RE EAGER TO MEET HIM.
757
00:39:00,890 --> 00:39:01,787
Thompson: THAT'S SARAH MIA.
758
00:39:01,822 --> 00:39:04,618
SHE'S THE YOUNG ONE,
WHO LIKELY WILL BE
759
00:39:04,652 --> 00:39:05,550
MOST INTERESTED IN THE BOY.
760
00:39:05,584 --> 00:39:06,585
Cher: MRS. KAAVAN.
761
00:39:06,620 --> 00:39:08,415
Thompson: YEAH, SOMETHING
LIKE THAT, INDEED.
762
00:39:10,382 --> 00:39:11,625
THEY'RE DOING SOME TALKING.
763
00:39:11,659 --> 00:39:13,489
ELEPHANTS OF COURSE
ARE ALWAYS TALKING.
764
00:39:13,523 --> 00:39:16,457
Cher: BUT I DIDN'T HEAR IT.
WHERE'S THE TALKING PART?
765
00:39:16,492 --> 00:39:17,769
I COULDN'T HEAR
THE TALKING PART.
766
00:39:17,803 --> 00:39:20,841
Thompson: WELL, THE MAJORITY OF
ELEPHANT TALK IS SUB-PERCEPTION.
767
00:39:20,875 --> 00:39:22,532
Cher: OKAY, OKAY.
768
00:39:23,361 --> 00:39:25,293
Thompson: YOU TOUCH YOUR HAND
ON THEIR FOREHEAD,
769
00:39:25,328 --> 00:39:27,330
IT'S ALWAYS
VIBRATING, VIBRATING.
770
00:39:27,365 --> 00:39:28,538
THEY'RE ALWAYS TALKING.
771
00:39:28,573 --> 00:39:30,678
VERY HIGHLY SOCIAL BEING.
772
00:39:30,713 --> 00:39:32,715
THAT'S ONE OF THE REASONS
THE TRAGEDIES FOR AN ELEPHANT
773
00:39:32,749 --> 00:39:35,856
TO BE KEPT SOLITARY
AWAY FROM ITS OWN KIND,
774
00:39:35,890 --> 00:39:39,204
AWAY FROM ITS OWN
NATURAL BEHAVIOR.
775
00:39:39,238 --> 00:39:40,343
Cher: RIGHT.
776
00:39:40,378 --> 00:39:41,965
Thompson: AND YOU BROUGHT HIM
AWAY FROM ALL OF THAT.
777
00:39:42,000 --> 00:39:42,863
Cher: THANK YOU.
778
00:39:42,897 --> 00:39:44,451
Thompson: AND INTO A NEW WORLD.
779
00:39:44,485 --> 00:39:46,418
AND THIS IS JUST THE START.
780
00:39:46,453 --> 00:39:48,800
[BRIGHT ELECTRONIC MUSIC]
781
00:39:48,834 --> 00:39:50,388
Narrator: WHILE
THE LADIES WAIT,
782
00:39:50,422 --> 00:39:52,424
KAAVAN FRESHENS UP WITH A SPA...
783
00:39:54,461 --> 00:39:55,634
ELEPHANT STYLE.
784
00:39:57,291 --> 00:39:59,535
Thompson: KAAVAN,
WANTS TO PLAY IN A MUD.
785
00:39:59,569 --> 00:40:01,191
Cher: YES. IS THAT SOMETHING...
786
00:40:01,226 --> 00:40:03,815
I HEARD IT WAS SOMETHING
THAT THEY DO THAT'S SPECIFIC.
787
00:40:03,849 --> 00:40:06,265
Thompson: SKIN. IT'S LIKE
GOING INTO A MUD SPA.
788
00:40:06,300 --> 00:40:07,508
Cher: AHA.
789
00:40:07,543 --> 00:40:10,994
Thompson: GOOD PROTECTION FROM
THE SUN, NO SUNBURN, BUGS.
790
00:40:11,029 --> 00:40:12,824
IN THE COLD WEATHER AT NIGHT,
791
00:40:12,858 --> 00:40:15,585
IT KEEPS THEIR BODY
TEMPERATURE WARMER.
792
00:40:15,620 --> 00:40:18,312
[BRIGHT MUSIC]
793
00:40:21,522 --> 00:40:24,491
THEY HAVEN'T REALLY HAD
TOO MUCH OPPORTUNITY
794
00:40:24,525 --> 00:40:26,458
TO ENGAGE WITH EACH OTHER
795
00:40:26,493 --> 00:40:28,943
OTHER THAN THROUGH
THESE BARRIERS.
796
00:40:28,978 --> 00:40:30,635
BUT THAT'S FOR SAFETY.
797
00:40:30,669 --> 00:40:34,328
THEY'RE NOT TOTALLY
COMFORTABLE WITH HIM YET,
798
00:40:34,362 --> 00:40:36,468
BUT IT WILL HAPPEN.
799
00:40:36,503 --> 00:40:40,472
THIS MORNING, I PUT SOME OF
HIS POO INTO THEIR SHELTER,
800
00:40:40,507 --> 00:40:42,405
AND THEY TALKED AND TALKED
AND TALKED ABOUT IT,
801
00:40:42,440 --> 00:40:44,580
AND THEY WERE SO
EXCITED AND GIGGLING.
802
00:40:45,512 --> 00:40:48,894
IT'S A WAY TO LEARN A
LOT ABOUT AN ELEPHANT.
803
00:40:48,929 --> 00:40:52,795
THEY DRAW A LOT OF
INFORMATION FROM THEIR SCENT.
804
00:40:52,829 --> 00:40:56,488
SO THEY TALKED FOR A GOOD
HALF HOUR ABOUT HIS POOP.
805
00:40:56,523 --> 00:40:57,662
[LAUGHING]
806
00:40:57,696 --> 00:40:58,559
Cher: THAT'S AMAZING!
807
00:41:01,976 --> 00:41:03,668
Thompson: GET THE
TRUNK TOUCHING.
808
00:41:06,671 --> 00:41:08,638
Cher: SO HE KNOWS
WHAT HE'S DOING.
809
00:41:08,673 --> 00:41:09,328
HE'S WANTING TO BE-
810
00:41:09,363 --> 00:41:10,468
Thompson: HE'S PLAYING COY!
811
00:41:10,502 --> 00:41:11,365
Cher: RIGHT.
812
00:41:12,573 --> 00:41:14,264
Thompson: IT'S GONNA WORK.
813
00:41:14,299 --> 00:41:16,301
IT'S GONNA WORK JUST FINE.
814
00:41:16,335 --> 00:41:17,682
Cher: YOU HAVE TO SEND
ME PICTURES.
815
00:41:17,716 --> 00:41:18,545
Thompson: ABSOLUTELY.
816
00:41:21,306 --> 00:41:24,274
[GENTLE PIANO MUSIC]
817
00:41:24,309 --> 00:41:25,931
Narrator: AS KAAVAN
REDISCOVERS THE JOY
818
00:41:25,966 --> 00:41:29,728
OF ELEPHANT COMPANIONS,
IT'S TIME TO SAY GOODBYE
819
00:41:29,763 --> 00:41:32,697
TO THE MAN WHOSE HEART HE
TOUCHED MORE THAN ANY OTHER
820
00:41:32,731 --> 00:41:33,663
DURING THE RESCUE.
821
00:41:35,389 --> 00:41:38,219
THEY HAVE BEEN TOGETHER
EVERY DAY FOR THREE MONTHS.
822
00:41:39,704 --> 00:41:41,153
Dr. Amir: HE'S
NOT IN MUST ANYMORE.
823
00:41:41,188 --> 00:41:44,156
Thompson: NO. HIS
BEHAVIOR CHANGES.
824
00:41:44,191 --> 00:41:45,399
HE'S BEAUTIFUL.
825
00:41:46,780 --> 00:41:48,609
Dr. Amir: I REALIZE I'M
LEAVING TODAY, SO...
826
00:41:51,474 --> 00:41:52,717
YEAH, I LOSE MY HAPPINESS.
827
00:41:54,270 --> 00:41:55,582
HE GIVE ME HAPPINESS.
828
00:41:56,514 --> 00:41:57,584
IT MEAN TOO MUCH TO ME.
829
00:42:00,518 --> 00:42:01,760
I'M SAD TO LEAVE HIM.
830
00:42:04,763 --> 00:42:05,592
YEAH.
831
00:42:05,626 --> 00:42:08,491
[EMOTIONAL MUSIC]
832
00:42:10,838 --> 00:42:11,701
THANK YOU.
833
00:42:22,505 --> 00:42:25,335
Narrator: DR. AMIR
LEAVES WITH A HEAVY HEART
834
00:42:25,370 --> 00:42:27,786
BUT IMMENSELY PROUD OF WHAT
THEY ALL HAVE ACHIEVED.
835
00:42:30,996 --> 00:42:34,517
ATTITUDES TOWARDS ANIMAL
WELFARE ARE CHANGING,
836
00:42:34,552 --> 00:42:37,520
AND CONDITIONS FOR ELEPHANTS
IN CAPTIVITY HAVE IMPROVED.
837
00:42:39,453 --> 00:42:41,869
BUT NOT FAR FROM
KAAVAN'S NEW SANCTUARY
838
00:42:41,904 --> 00:42:44,596
LIES A STARK REMINDER
THAT ASIAN ELEPHANTS
839
00:42:44,631 --> 00:42:46,840
WERE LONG CONSIDERED
BEASTS OF BURDEN.
840
00:42:48,807 --> 00:42:50,775
IT'S AN ANCIENT
MONUMENT THAT WAS BUILT
841
00:42:50,809 --> 00:42:52,604
ON THE BACKS OF
HUNDREDS OF ELEPHANTS.
842
00:42:52,639 --> 00:42:54,606
[UPBEAT MUSIC]
843
00:42:54,641 --> 00:42:56,159
ANGKOR WAT.
844
00:42:56,194 --> 00:42:58,437
Cher: HUNDREDS OF
ELEPHANTS BUILT IT,
845
00:42:58,472 --> 00:43:02,925
AND I BET HALF OF
THEM DIED DOING IT.
846
00:43:02,959 --> 00:43:04,651
AND ALL OF A SUDDEN...
847
00:43:05,479 --> 00:43:09,448
A REALITY THAT I WOULD
HAVE NEVER UNDERSTOOD.
848
00:43:09,483 --> 00:43:11,830
AND I THOUGHT, OKAY,
NOW I WANT TO GO.
849
00:43:14,730 --> 00:43:17,525
♪ THIS IS A SONG
FOR THE LONELY ♪
850
00:43:17,560 --> 00:43:19,873
Narrator: IN
2019, CAMBODIA BANNED
851
00:43:19,907 --> 00:43:21,702
TOURIST ELEPHANT RIDES HERE,
852
00:43:21,737 --> 00:43:25,188
JOINING A MOVEMENT WITH OVER
100 OTHER TOURIST ORGANIZATIONS
853
00:43:25,223 --> 00:43:25,879
ACROSS THE WORLD.
854
00:43:25,913 --> 00:43:29,192
♪ I'LL BE BY YOUR SIDE
855
00:43:29,227 --> 00:43:31,470
THE MODERN WORLD HAS
BROUGHT A POWERFUL TOOL
856
00:43:31,505 --> 00:43:35,233
TO THE CAMPAIGN FOR ANIMAL
RIGHTS: SOCIAL MEDIA.
857
00:43:35,992 --> 00:43:38,581
IT'S BEEN FIVE YEARS
SINCE SAMAR KHAN
858
00:43:38,616 --> 00:43:42,343
FIRST LAUNCHED HER FREE
KAAVAN PETITION ONLINE.
859
00:43:42,378 --> 00:43:45,174
Khan: I HOPE THAT KAAVAN'S
STORY INSPIRES PEOPLE
860
00:43:45,208 --> 00:43:48,626
TO ACT OUT ON BEHALF
OF ANIMAL WELFARE,
861
00:43:48,660 --> 00:43:50,869
BECAUSE I FEEL LIKE
KAAVAN'S JOURNEY
862
00:43:50,904 --> 00:43:53,803
REALLY SHOWS THE
POWER OF PEOPLE.
863
00:43:53,838 --> 00:43:55,667
I THINK IT'S AMAZING THAT CHER
864
00:43:55,702 --> 00:43:57,393
REALLY ADOPTED
KAAVAN AS HER OWN.
865
00:43:57,427 --> 00:44:00,672
♪ THIS IS A SONG
FOR THE LONELY ♪
866
00:44:00,707 --> 00:44:02,812
♪ CAN YOU HEAR ME TONIGHT
867
00:44:02,847 --> 00:44:04,745
Cher: YOU KNOW
WHAT'S SO STRANGE?
868
00:44:04,780 --> 00:44:06,678
FIRST OF ALL, I NEVER
THOUGHT WE COULD DO IT,
869
00:44:06,713 --> 00:44:10,440
THAT WE WOULD BE HERE, THAT
I WOULD STAND NEXT TO HIM,
870
00:44:10,475 --> 00:44:13,685
AND THAT THIS WOULD HAPPEN.
871
00:44:13,720 --> 00:44:15,549
♪ FOR THE LONELY
872
00:44:15,583 --> 00:44:18,725
♪ WHEN YOUR DREAMS
WON'T COME TRUE ♪
873
00:44:18,759 --> 00:44:20,692
Narrator: CHER'S NOT DONE.
874
00:44:20,727 --> 00:44:23,488
THREE MONTHS LATER,
BACK HOME IN CALIFORNIA,
875
00:44:23,522 --> 00:44:26,180
SHE CHECKS IN ON
KAAVAN'S PROGRESS.
876
00:44:26,215 --> 00:44:28,355
[CHUCKLING]
877
00:44:28,389 --> 00:44:29,218
Thompson: HELLO!
878
00:44:30,357 --> 00:44:32,635
BEAUTIFUL AS EVER. LOOK AT YOU!
879
00:44:32,670 --> 00:44:34,257
Cher: HOW'S OUR BOY?
HOW'S OUR BOY?
880
00:44:34,292 --> 00:44:35,845
Thompson: WELL, WE'RE GONNA
GET RIGHT TO HIM,
881
00:44:35,880 --> 00:44:37,467
'CAUSE HE'S THE MAIN EVENT.
882
00:44:37,502 --> 00:44:38,952
YEAH, HE'S RIGHT BEHIND ME HERE.
883
00:44:38,986 --> 00:44:39,849
Cher: OH!
884
00:44:40,919 --> 00:44:41,782
LOOK AT HIM!
885
00:44:42,749 --> 00:44:43,819
Thompson: HERE, WAIT A MINUTE.
886
00:44:44,751 --> 00:44:45,786
SEE IF HE SAYS HI.
887
00:44:46,684 --> 00:44:47,892
HE SAYS HI.
888
00:44:47,926 --> 00:44:49,376
YOU'RE SO BEAUTIFUL.
889
00:44:49,410 --> 00:44:50,308
Cher: LOOK AT HIM!
890
00:44:50,342 --> 00:44:51,205
Thompson: YOU LOOK BEAUTIFUL!
891
00:44:51,240 --> 00:44:53,345
Cher: HE'S A BEAUTIFUL GUY.
892
00:44:53,380 --> 00:44:54,692
Thompson: HE'S QUITE A CALM BOY.
893
00:44:54,726 --> 00:44:56,901
I'VE GOT TO KNOW
HIM A LITTLE BIT,
894
00:44:56,935 --> 00:45:01,353
AND HE'S NOT LIKE OTHER
BULLS THAT I'VE KNOWN,
895
00:45:01,388 --> 00:45:03,666
AND HE'S VERY CALM.
896
00:45:03,701 --> 00:45:05,323
Cher: HE SEEMS REALLY HAPPY.
897
00:45:06,565 --> 00:45:07,635
Thompson: HE'S GOOD.
898
00:45:07,670 --> 00:45:09,810
I'M HAPPY WITH HIS
STATE RIGHT NOW.
899
00:45:10,569 --> 00:45:13,814
THIS IS ONLY THREE QUARTERS
OF AN ACRE, THIS YARD,
900
00:45:13,849 --> 00:45:16,541
AND HE'S MOVING INTO ONE
THAT'S GONNA HAVE 30 ACRES,
901
00:45:16,575 --> 00:45:20,821
SO HE'LL HAVE MANY THINGS
TO ENGAGE HIM IN THE FOREST.
902
00:45:20,856 --> 00:45:23,617
LOTS OF THINGS TO EAT,
BROWSE, RUN AROUND,
903
00:45:23,651 --> 00:45:25,826
MEET THE LADIES IF HE'S
INTERESTED. [LAUGHS]
904
00:45:25,861 --> 00:45:28,449
FOR THE MOST PART, HE'S
REALLY INTO EATING.
905
00:45:28,484 --> 00:45:29,761
[LAUGHING]
906
00:45:29,796 --> 00:45:31,729
Cher: HE'S ALWAYS EATING!
907
00:45:31,763 --> 00:45:34,317
IT WAS A WONDERFUL TRIP.
908
00:45:34,352 --> 00:45:36,181
THE WHOLE THING WAS WONDERFUL.
909
00:45:36,216 --> 00:45:39,598
[CHEERFUL MUSIC]
910
00:45:39,633 --> 00:45:43,188
♪ AND THIS IS A SONG
FOR THE LONELY ♪
911
00:45:43,223 --> 00:45:46,847
THIS IS LIKE A FAIRY
TALE ENDING, YOU KNOW?
912
00:45:46,882 --> 00:45:48,366
WHERE THEY KISS AT THE END.
913
00:45:49,539 --> 00:45:51,231
♪ 'CAUSE SOMEONE'S
THERE FOR YOU ♪
914
00:45:51,265 --> 00:45:53,612
AND I NOW KNOW I CAN
DO SOMETHING LIKE THAT,
915
00:45:53,647 --> 00:45:55,718
SO I'M GONNA CONTINUE.
916
00:45:55,753 --> 00:45:58,928
[ELEPHANTS VOCALIZING]
64456
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