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These are the user uploaded subtitles that are being translated: 1 00:00:02,036 --> 00:00:14,324 [SILENCE] 2 00:00:14,324 --> 00:00:18,777 [INSECTS CHIRPING...] 3 00:00:18,777 --> 00:00:21,124 [INSECTS CHIRPING...] [OWL HOOTING...] 4 00:00:21,124 --> 00:00:37,796 [OWL HOOTING...] 5 00:00:37,796 --> 00:00:38,762 [OWL HOOTING...] [CAMERA CLICKS] 6 00:00:38,762 --> 00:00:57,402 [CAMERA CLICKS] 7 00:00:57,402 --> 00:01:02,821 [CAMERA CLICKS] [TRAFFIC PASSING IN DISTANCE...] 8 00:01:02,821 --> 00:01:12,934 [TRAFFIC PASSING IN DISTANCE...] 9 00:01:12,934 --> 00:01:16,006 [TRAFFIC PASSING IN DISTANCE...] [BIRDS CHIRPING...] 10 00:01:16,006 --> 00:01:53,941 [BIRDS CHIRPING...] 11 00:01:53,941 --> 00:01:56,530 [BIRDS CHIRPING...] [♪...] 12 00:01:56,530 --> 00:02:47,167 [♪...] 13 00:02:47,167 --> 00:02:50,204 [♪...] [♪...] 14 00:02:50,204 --> 00:03:28,346 [♪...] 15 00:03:28,346 --> 00:03:29,450 [♪...] 16 00:03:29,450 --> 00:03:33,316 >> Woman: ♪ THE POWER 17 00:03:33,316 --> 00:03:37,493 OF ANGELS 18 00:03:37,493 --> 00:03:41,359 YOU LEFT 19 00:03:41,359 --> 00:03:45,949 AT MY DOOR ♪ 20 00:03:45,949 --> 00:03:50,091 ♪ I WRAPPED IT UP 21 00:03:50,091 --> 00:03:54,234 IN TINFOIL 22 00:03:54,234 --> 00:03:57,720 AND HASTENED AWAY 23 00:03:57,720 --> 00:04:03,760 TOWARDS THE HILLS ♪ 24 00:04:03,760 --> 00:04:06,142 ♪ BEGGING FOR SOMEONE 25 00:04:06,142 --> 00:04:10,560 TO GIVE ME A SIGN ♪ 26 00:04:10,560 --> 00:04:12,252 ♪ BUT MY HEART 27 00:04:12,252 --> 00:04:14,806 WRAPPED IN SILVER 28 00:04:14,806 --> 00:04:19,880 COULDN'’T CRY ANY LOUDER ♪ 29 00:04:19,880 --> 00:04:23,332 COULDN'’T CRY ANY LOUDER ♪ [♪...] 30 00:04:23,332 --> 00:04:32,513 [♪...] 31 00:04:32,513 --> 00:04:36,621 ♪ AND ALL THE SILVER HEARTS 32 00:04:36,621 --> 00:04:40,728 THAT YOU CANNOT REMARK 33 00:04:40,728 --> 00:04:45,250 GO ON, GO ON ♪ 34 00:04:45,250 --> 00:04:49,219 ♪ YOU SHALL NEVER KNOW 35 00:04:49,219 --> 00:04:53,362 ♪ YOU SHALL EVER BE 36 00:04:53,362 --> 00:04:56,296 ♪ GO ON, GO ON 37 00:04:56,296 --> 00:05:01,646 ♪ GO ON... 38 00:05:01,646 --> 00:05:08,238 ♪ GO ON... [♪...] 39 00:05:08,238 --> 00:05:33,954 [♪...] 40 00:05:33,954 --> 00:05:40,063 [♪...] 41 00:05:40,063 --> 00:05:43,101 [BIRDS CHIRPING...] 42 00:05:43,101 --> 00:05:45,586 [MUSIC FADES...] 43 00:05:45,586 --> 00:05:48,071 [WIND BLOWING, 44 00:05:48,071 --> 00:05:50,522 [WIND BLOWING, TRAFFIC PASSING...] 45 00:05:50,522 --> 00:05:55,078 TRAFFIC PASSING...] 46 00:05:55,078 --> 00:05:58,358 [TAPE RECORDER CLICKS] 47 00:05:58,358 --> 00:06:01,913 >> Woman on tape: Last winter... 48 00:06:01,913 --> 00:06:07,746 I found a needle in a haystack. 49 00:06:07,746 --> 00:06:09,161 It pricked my skin 50 00:06:09,161 --> 00:06:14,650 and filled me with love. 51 00:06:14,650 --> 00:06:17,722 and filled me with love. Now I'’m addicted. 52 00:06:17,722 --> 00:06:22,312 Now I'’m addicted. 53 00:06:22,312 --> 00:06:24,418 [WIND BLOWING, 54 00:06:24,418 --> 00:06:26,834 [WIND BLOWING, TRAFFIC PASSING...] 55 00:06:26,834 --> 00:06:31,701 TRAFFIC PASSING...] 56 00:06:31,701 --> 00:06:35,291 TRAFFIC PASSING...] [MUSIC FROM ICE CREAM TRUCK] 57 00:06:35,291 --> 00:06:39,675 [MUSIC FROM ICE CREAM TRUCK] 58 00:06:39,675 --> 00:06:42,402 [LEAVES CRACKLE] 59 00:06:42,402 --> 00:06:44,645 [TRAFFIC PASSING, 60 00:06:44,645 --> 00:06:48,062 [TRAFFIC PASSING, BIRDS CHIRPING...] 61 00:06:48,062 --> 00:07:21,406 BIRDS CHIRPING...] 62 00:07:21,406 --> 00:07:25,928 [MAN CHUCKLES SOFTLY, 63 00:07:25,928 --> 00:07:27,757 [MAN CHUCKLES SOFTLY, KISSES WOMAN] 64 00:07:27,757 --> 00:07:35,385 KISSES WOMAN] 65 00:07:35,385 --> 00:07:37,008 [TRAFFIC PASSING, 66 00:07:37,008 --> 00:07:42,945 [TRAFFIC PASSING, BIRDS CHIRPING IN DISTANCE...] 67 00:07:42,945 --> 00:07:45,948 BIRDS CHIRPING IN DISTANCE...] 68 00:07:45,948 --> 00:07:46,983 >> Man: WHAT DO CATS LIKE 69 00:07:46,983 --> 00:07:51,056 FOR BREAKFAST? 70 00:07:51,056 --> 00:07:53,921 MICE CRISPIES. 71 00:07:53,921 --> 00:07:55,820 MICE CRISPIES. >> SHUT UP, YOU DICK. 72 00:07:55,820 --> 00:08:33,513 >> SHUT UP, YOU DICK. 73 00:08:33,513 --> 00:08:34,514 ...WHEN I FIRST STARTED OUT, 74 00:08:34,514 --> 00:08:37,206 TAXIDERMY WAS LIKE MAGIC. 75 00:08:37,206 --> 00:08:38,241 NO OTHER TAXIDERMISTS 76 00:08:38,241 --> 00:08:40,658 WOULD TELL YOU THEIR SECRETS. 77 00:08:40,658 --> 00:08:43,384 THERE WERE NO BOOKS OR MANUALS, 78 00:08:43,384 --> 00:08:45,904 THERE WERE NO BOOKS OR MANUALS, JUST SECRETS. 79 00:08:45,904 --> 00:08:52,601 JUST SECRETS. 80 00:08:52,601 --> 00:08:53,705 DO YOU KNOW WHAT "TAXIDERMY" 81 00:08:53,705 --> 00:08:56,466 MEANS, MANCHESTER? 82 00:08:56,466 --> 00:08:58,192 >> NO. 83 00:08:58,192 --> 00:09:02,162 >> NO. >> IT MEANS "TO REARRANGE SKIN." 84 00:09:02,162 --> 00:09:12,621 >> IT MEANS "TO REARRANGE SKIN." 85 00:09:12,621 --> 00:09:14,036 >> CAN I HAVE A GO? 86 00:09:14,036 --> 00:09:15,347 >> NO. 87 00:09:15,347 --> 00:09:17,487 >> WHY? 88 00:09:17,487 --> 00:09:19,041 >> BECAUSE I AM A WOMAN 89 00:09:19,041 --> 00:09:21,181 AND YOU ARE AN IDIOT. 90 00:09:21,181 --> 00:09:24,011 AND YOU ARE AN IDIOT. [CHUCKLES] 91 00:09:24,011 --> 00:09:27,532 [CHUCKLES] 92 00:09:27,532 --> 00:09:28,498 [CHUCKLES] [CAMERA CLICKS] 93 00:09:28,498 --> 00:09:31,122 [CAMERA CLICKS] 94 00:09:31,122 --> 00:09:35,298 >> HAVE YOU GOT ANYTHING TO EAT? 95 00:09:35,298 --> 00:09:36,921 >> NO. 96 00:09:36,921 --> 00:09:40,752 >> NO. >> I'’M STARVING. 97 00:09:40,752 --> 00:09:42,651 >> I'’M STARVING. 98 00:09:42,651 --> 00:09:45,895 >> I'’M STARVING. [DOOR CLATTERS] 99 00:09:45,895 --> 00:09:56,665 [DOOR CLATTERS] 100 00:09:56,665 --> 00:10:00,047 >> Boy: DO YOU WANT TO BUY THIS? 101 00:10:00,047 --> 00:10:02,843 >> NO... 102 00:10:02,843 --> 00:10:04,224 BUT HOW MUCH DO YOU WANT 103 00:10:04,224 --> 00:10:05,190 FOR THIS? 104 00:10:05,190 --> 00:10:08,055 >> 600 POUNDS! 105 00:10:08,055 --> 00:10:11,611 >> 50 PENCE. 106 00:10:11,611 --> 00:10:14,061 >> O.K.... 107 00:10:14,061 --> 00:10:15,200 THERE YOU GO. 108 00:10:15,200 --> 00:10:16,201 >> THANK YOU. 109 00:10:16,201 --> 00:10:17,478 >> THANK YOU. >> THANK YOU. 110 00:10:17,478 --> 00:10:35,358 >> THANK YOU. 111 00:10:35,358 --> 00:10:39,811 [FOOTSTEPS APPROACHING] 112 00:10:39,811 --> 00:10:41,399 >> WHOA... 113 00:10:41,399 --> 00:10:43,366 MANCHESTER, THEY'’RE AMAZING. 114 00:10:43,366 --> 00:10:46,128 >> PISS OFF, JAKE. 115 00:10:46,128 --> 00:10:47,129 >> LOOK, THE TUTOR WILL BE 116 00:10:47,129 --> 00:10:48,544 BACK IN A BIT AND IF HE 117 00:10:48,544 --> 00:10:49,579 CATCHES YOU IN HERE AGAIN, 118 00:10:49,579 --> 00:10:51,098 HE'’S GONNA FIRE ME. 119 00:10:51,098 --> 00:10:53,169 >> BE DONE IN A MINUTE. 120 00:10:53,169 --> 00:10:54,274 >> WELL, HOW'’S ABOUT YOU JUST 121 00:10:54,274 --> 00:10:56,276 LET ME DO '’EM, RIGHT, AND I'LL 122 00:10:56,276 --> 00:10:58,519 BRING THEM TO THE PUB LATER. 123 00:10:58,519 --> 00:11:00,729 >> O.K.... 124 00:11:00,729 --> 00:11:01,730 BUT DON'’T BE WANKING 125 00:11:01,730 --> 00:11:02,972 OVER MY BIRD. 126 00:11:02,972 --> 00:11:06,769 OVER MY BIRD. [BOTH CHUCKLE] 127 00:11:06,769 --> 00:11:24,649 [BOTH CHUCKLE] 128 00:11:24,649 --> 00:11:25,650 >> Woman on jukebox: ♪ ...those 129 00:11:25,650 --> 00:11:27,790 great big eyes ♪ 130 00:11:27,790 --> 00:11:30,828 ♪ It'’s just like an angel 131 00:11:30,828 --> 00:11:33,244 out of the blue ♪ 132 00:11:33,244 --> 00:11:36,143 ♪ Why should I cry? 133 00:11:36,143 --> 00:11:39,077 ♪ Why should I sigh...? 134 00:11:39,077 --> 00:11:40,423 >> THANKS, JAKE. 135 00:11:40,423 --> 00:11:43,047 >> NO WORRIES. 136 00:11:43,047 --> 00:11:45,014 >> UM, DID YOU WANT 137 00:11:45,014 --> 00:11:49,501 ANOTHER PINT? 138 00:11:49,501 --> 00:11:51,262 >> GO ON, THEN. 139 00:11:51,262 --> 00:11:55,231 >> GO ON, THEN. [SONG CONTINUES INDISTINCTLY...] 140 00:11:55,231 --> 00:11:58,718 [SONG CONTINUES INDISTINCTLY...] 141 00:11:58,718 --> 00:12:00,271 >> SOMEBODY SAID HE JUST... 142 00:12:00,271 --> 00:12:01,513 HE, HE FELL OVER A PRAM 143 00:12:01,513 --> 00:12:03,515 IN THE PASSAGE, BUT TRULY, 144 00:12:03,515 --> 00:12:05,000 I DON'’T BLAME IT ON THE BUGGY. 145 00:12:05,000 --> 00:12:06,726 ANYWAY... [LAUGHTER] 146 00:12:06,726 --> 00:12:08,797 YOU SEE, YOU WERE EXPECTING 147 00:12:08,797 --> 00:12:10,868 ONE OF THEM TERRIBLE JOKES. 148 00:12:10,868 --> 00:12:12,248 YOU SEE, I'’M CLASS, MAN. 149 00:12:12,248 --> 00:12:13,871 ONLY GET BETTER. 150 00:12:13,871 --> 00:12:15,251 HEY, YOU'’RE TOO EASY. 151 00:12:15,251 --> 00:12:16,701 WELL, THERE WAS A TIME THERE WAS 152 00:12:16,701 --> 00:12:17,944 THIS BLOKE I WAS HEARING ABOUT 153 00:12:17,944 --> 00:12:19,704 WHO WAS ON THE TRAIN, PUFFING 154 00:12:19,704 --> 00:12:20,981 AWAY... [MANCHESTER BELCHES] 155 00:12:20,981 --> 00:12:22,189 LITTLE OLD WOMAN SITTING NEXT TO 156 00:12:22,189 --> 00:12:24,536 HIM, PULLS INTO THE STATION, 157 00:12:24,536 --> 00:12:25,779 THE LITTLE OLD WOMAN PULLS OUT 158 00:12:25,779 --> 00:12:27,747 A BAG, PULLS OUT THE BIBLE 159 00:12:27,747 --> 00:12:28,851 FROM THE BAG... 160 00:12:28,851 --> 00:12:29,714 >> Jake: [GROANS] 161 00:12:29,714 --> 00:12:30,508 [MANCHESTER LAUGHS] 162 00:12:30,508 --> 00:12:32,821 THAT STINKS. 163 00:12:32,821 --> 00:12:33,683 [MANCHESTER BELCHES] 164 00:12:33,683 --> 00:12:34,857 SHE WON'’T GO NOWHERE NEAR YOU 165 00:12:34,857 --> 00:12:36,238 SMELLING LIKE THAT. 166 00:12:36,238 --> 00:12:37,170 >> [DRUNKENLY]: SHE WILL, 167 00:12:37,170 --> 00:12:38,343 SHE LOVES ME. 168 00:12:38,343 --> 00:12:40,173 NOON LOVES ME. 169 00:12:40,173 --> 00:12:42,900 [COMEDIAN CONTINUES...] 170 00:12:42,900 --> 00:12:44,487 LOVES ME. 171 00:12:44,487 --> 00:12:47,663 NOON LOVES ME. 172 00:12:47,663 --> 00:12:48,975 >> ...FINALLY, HE'’S HAD ENOUGH, 173 00:12:48,975 --> 00:12:50,493 PULLS INTO A STATION... 174 00:12:50,493 --> 00:12:53,876 >> Jake: WHY IS HE STARING? 175 00:12:53,876 --> 00:12:55,705 >> I'’VE GOT NOON. 176 00:12:55,705 --> 00:12:58,156 [SOFTLY]: I'’VE GOT NOON. 177 00:12:58,156 --> 00:12:59,295 [CHUCKLES] 178 00:12:59,295 --> 00:13:00,641 >> "...AND WHEN WE PULL OUT 179 00:13:00,641 --> 00:13:02,195 THE STATION, YOU PUT THE BIBLE 180 00:13:02,195 --> 00:13:03,679 BACK IN THE BAG?" 181 00:13:03,679 --> 00:13:04,680 SHE SAYS, "WHY DON'’T YOU 182 00:13:04,680 --> 00:13:06,233 FUCK OFF?" 183 00:13:06,233 --> 00:13:07,096 WELL... [LAUGHTER] 184 00:13:07,096 --> 00:13:08,511 YOU SEE, YOU DON'’T KNOW WHO'S 185 00:13:08,511 --> 00:13:09,789 ON THE TRAIN THESE DAYS. 186 00:13:09,789 --> 00:13:11,273 IT'’S QUESTIONS LIKE THAT 187 00:13:11,273 --> 00:13:12,239 SHOULD BE ASKED. 188 00:13:12,239 --> 00:13:13,447 I MEAN, HERE'’S A QUESTION, LADS, 189 00:13:13,447 --> 00:13:14,310 HERE'’S YOUR QUESTION... 190 00:13:14,310 --> 00:13:18,556 HERE'’S YOUR QUESTION... >> [URINATING...] 191 00:13:18,556 --> 00:13:24,182 >> [URINATING...] 192 00:13:24,182 --> 00:13:25,943 >> HELLO, NOON. 193 00:13:25,943 --> 00:13:27,703 [CHUCKLES] 194 00:13:27,703 --> 00:13:29,981 HELLO, NOON. 195 00:13:29,981 --> 00:13:32,777 [LAUGHS] 196 00:13:32,777 --> 00:13:35,366 [TAPE RECORDER CLICKS] 197 00:13:35,366 --> 00:13:38,196 [LAUGHTER] 198 00:13:38,196 --> 00:13:39,370 >> Manchester: WHOA! 199 00:13:39,370 --> 00:13:42,925 >> JESUS CHRIST... 200 00:13:42,925 --> 00:13:46,515 PRICK. 201 00:13:46,515 --> 00:13:49,483 PRICK. [GENERAL CONVERSATION...] 202 00:13:49,483 --> 00:15:03,937 [GENERAL CONVERSATION...] 203 00:15:03,937 --> 00:15:06,629 >> LEAH. 204 00:15:06,629 --> 00:15:07,596 LEAH. 205 00:15:07,596 --> 00:15:09,425 >> WHAT ARE YOU DOING HERE? 206 00:15:09,425 --> 00:15:11,634 >> WHAT ARE YOU DOING HERE? >> HAVE A LOOK AT THESE. 207 00:15:11,634 --> 00:15:27,892 >> HAVE A LOOK AT THESE. 208 00:15:27,892 --> 00:15:29,480 SOMEONE JUST LEFT THEM 209 00:15:29,480 --> 00:15:30,481 IN THE PUB. 210 00:15:30,481 --> 00:15:32,897 IN THE PUB. >> NO WAY. 211 00:15:32,897 --> 00:15:53,159 >> NO WAY. 212 00:15:53,159 --> 00:15:56,231 [CAT SCREECHES] 213 00:15:56,231 --> 00:15:58,129 [CAT MEOWS LOUDLY...] 214 00:15:58,129 --> 00:16:00,960 >> MANCHESTER? 215 00:16:00,960 --> 00:16:03,341 >> Manchester: [MUTTERS] 216 00:16:03,341 --> 00:16:06,862 SORRY I AM FOR BEING DRUNK. 217 00:16:06,862 --> 00:16:12,557 BUT... I HAVE AN IDEA ANYWAY. 218 00:16:12,557 --> 00:16:16,285 I WANT YOU TO DO 219 00:16:16,285 --> 00:16:18,805 A LITTLE PROJECT FOR ME. 220 00:16:18,805 --> 00:16:23,085 On tape: I want you to keep 221 00:16:23,085 --> 00:16:25,398 an orgasm diary. 222 00:16:25,398 --> 00:16:26,640 [CHUCKLES AS HE LISTENS] 223 00:16:26,640 --> 00:16:30,679 I want to know everything. 224 00:16:30,679 --> 00:16:33,199 I want to know 225 00:16:33,199 --> 00:16:36,685 what it feels like. 226 00:16:36,685 --> 00:16:38,928 I want to know 227 00:16:38,928 --> 00:16:41,379 what you'’re thinking... 228 00:16:41,379 --> 00:16:44,762 what you'’re wearing... 229 00:16:44,762 --> 00:16:47,489 where you are. 230 00:16:47,489 --> 00:16:51,872 I want to know your secrets... 231 00:16:51,872 --> 00:16:54,772 your fantasies... 232 00:16:54,772 --> 00:16:58,293 your desires... 233 00:16:58,293 --> 00:17:00,467 everything. 234 00:17:00,467 --> 00:17:02,918 [belches, chuckles] 235 00:17:02,918 --> 00:17:09,476 Go on then, do something. 236 00:17:09,476 --> 00:17:14,274 [TAPE RECORDER CLICKS] 237 00:17:14,274 --> 00:17:18,244 [TAPE RECORDER CLICKS] [BIRDS CHIRPING...] 238 00:17:18,244 --> 00:17:48,343 [BIRDS CHIRPING...] 239 00:17:48,343 --> 00:17:52,623 [MOANING...] 240 00:17:52,623 --> 00:17:59,285 [BOTH BREATHING HEAVILY...] 241 00:17:59,285 --> 00:18:01,666 [BOTH BREATHING HEAVILY...] [DOOR CLATTERS] 242 00:18:01,666 --> 00:18:07,431 [DOOR CLATTERS] 243 00:18:07,431 --> 00:18:10,123 >> Manchester: [CHUCKLES] 244 00:18:10,123 --> 00:18:13,092 POSTMAN CAT'’S BEEN. 245 00:18:13,092 --> 00:18:18,027 [♪...] 246 00:18:18,027 --> 00:18:18,683 [TAPE RECORDER CLICKS] 247 00:18:18,683 --> 00:18:19,960 >> Noon on tape: The first one 248 00:18:19,960 --> 00:18:21,203 since you gave me the tape 249 00:18:21,203 --> 00:18:23,343 took ages. 250 00:18:23,343 --> 00:18:24,344 I closed the garage door 251 00:18:24,344 --> 00:18:26,519 and took off me clothes. 252 00:18:26,519 --> 00:18:29,522 I started to play with meself. 253 00:18:29,522 --> 00:18:31,248 I concentrate on the feeling 254 00:18:31,248 --> 00:18:32,766 '’cause I think it's more 255 00:18:32,766 --> 00:18:35,010 important than the fantasy. 256 00:18:35,010 --> 00:18:36,184 >> Man: ♪ ...I COULD NEVER BE 257 00:18:36,184 --> 00:18:37,495 POLITICAL '’CAUSE I DON'T SEE 258 00:18:37,495 --> 00:18:38,841 THE POINT OF WRITING-- I'’M TOO 259 00:18:38,841 --> 00:18:40,567 CLOSE TO BEING HYPOCRITICAL ♪ 260 00:18:40,567 --> 00:18:43,329 ♪ I DON'’T NEED YOU TO TELL ME 261 00:18:43,329 --> 00:18:45,193 WHEN I'’M DRUNK AND I'M BEING 262 00:18:45,193 --> 00:18:48,057 ABRASIVE... ♪ 263 00:18:48,057 --> 00:18:49,266 >> Noon on tape: I don'’t know 264 00:18:49,266 --> 00:18:50,750 if you'’re hot during but as soon 265 00:18:50,750 --> 00:18:52,372 as you come, you get all sweaty 266 00:18:52,372 --> 00:18:54,374 behind the knees. 267 00:18:54,374 --> 00:18:55,341 [MOANING...] 268 00:18:55,341 --> 00:18:57,688 I really get off on the noise, 269 00:18:57,688 --> 00:18:59,276 the wetness of the pussy, 270 00:18:59,276 --> 00:19:01,243 the saliva and the juices. 271 00:19:01,243 --> 00:19:03,625 You know what I mean! 272 00:19:03,625 --> 00:19:08,077 [♪...] 273 00:19:08,077 --> 00:19:09,286 >> Man: ♪ HAVE YOU EVER TESTED 274 00:19:09,286 --> 00:19:10,804 ROTTEN WOOD WITH YOUR TONGUE? ♪ 275 00:19:10,804 --> 00:19:11,909 ♪ IT'’S NOT MUCH FUN 276 00:19:11,909 --> 00:19:13,566 BUT IT GETS THE JOB DONE ♪ 277 00:19:13,566 --> 00:19:14,877 ♪ AND YOU'’RE THE ONE 278 00:19:14,877 --> 00:19:16,155 WHO CAN TEST THAT PINE 279 00:19:16,155 --> 00:19:18,157 WITH THE FINE SALIVA ♪ 280 00:19:18,157 --> 00:19:20,055 ♪ MY ADVICE IS TO GET 281 00:19:20,055 --> 00:19:21,332 PAID BY THE HOUR ♪ 282 00:19:21,332 --> 00:19:22,644 ♪ BY THE WAGE SLAVES, 283 00:19:22,644 --> 00:19:24,853 EMPLOYEES... ♪ 284 00:19:24,853 --> 00:19:27,752 [DOOR CLATTERS, MUSIC STOPS] 285 00:19:27,752 --> 00:19:30,997 [MANCHESTER PANTING...] 286 00:19:30,997 --> 00:19:34,690 [CHUCKLES] 287 00:19:34,690 --> 00:19:36,554 [CHUCKLES] [BOTH CHUCKLE] 288 00:19:36,554 --> 00:19:42,629 [BOTH CHUCKLE] 289 00:19:42,629 --> 00:19:46,771 [BOTH CHUCKLE] [BOTH LAUGHING...] 290 00:19:46,771 --> 00:19:50,844 [BOTH LAUGHING...] 291 00:19:50,844 --> 00:19:54,469 [BOTH LAUGHING...] [BIRDS CHIRPING...] 292 00:19:54,469 --> 00:20:02,856 [BIRDS CHIRPING...] 293 00:20:02,856 --> 00:20:04,064 >> DON'’T USE IT ALL. 294 00:20:04,064 --> 00:20:05,480 >> DON'’T USE IT ALL. I'’M STARVING. 295 00:20:05,480 --> 00:20:08,759 I'’M STARVING. 296 00:20:08,759 --> 00:20:10,001 >> DO YOU THINK WE SHOULD TRY 297 00:20:10,001 --> 00:20:11,210 AND CATCH IT AND KEEP IT 298 00:20:11,210 --> 00:20:13,108 AND CATCH IT AND KEEP IT AS A PET? 299 00:20:13,108 --> 00:20:14,558 AS A PET? 300 00:20:14,558 --> 00:20:18,113 AS A PET? >> I'’D RATHER GET A DOG. 301 00:20:18,113 --> 00:20:19,735 >> I'’D RATHER GET A DOG. 302 00:20:19,735 --> 00:20:22,013 >> I'’D RATHER GET A DOG. >> DICK. 303 00:20:22,013 --> 00:20:26,535 >> DICK. 304 00:20:26,535 --> 00:20:30,505 >> DICK. [TRAFFIC PASSING IN DISTANCE...] 305 00:20:30,505 --> 00:20:34,302 [TRAFFIC PASSING IN DISTANCE...] 306 00:20:34,302 --> 00:20:36,511 [TRAFFIC PASSING IN DISTANCE...] [DOOR CLATTERS SHUT] 307 00:20:36,511 --> 00:20:43,725 [DOOR CLATTERS SHUT] 308 00:20:43,725 --> 00:20:44,864 [NOON LAUGHING, 309 00:20:44,864 --> 00:20:49,593 MANCHESTER GROANING...] 310 00:20:49,593 --> 00:20:51,560 [BOTH LAUGH] 311 00:20:51,560 --> 00:20:54,356 [BOTH LAUGH] [KISSING AND MOANING...] 312 00:20:54,356 --> 00:21:02,709 [KISSING AND MOANING...] 313 00:21:02,709 --> 00:21:04,124 MY DAD WOULD NEVER LET ME HAVE 314 00:21:04,124 --> 00:21:07,852 A CAT '’CAUSE OF HIS FISH. 315 00:21:07,852 --> 00:21:09,337 >> I'’LL LET YOU HAVE ONE. 316 00:21:09,337 --> 00:21:10,441 I'’LL LET YOU HAVE 317 00:21:10,441 --> 00:21:13,513 I'’LL LET YOU HAVE ANYTHING YOU WANT. 318 00:21:13,513 --> 00:21:24,904 ANYTHING YOU WANT. 319 00:21:24,904 --> 00:21:27,078 >> [KNOCKS ON DOOR] 320 00:21:27,078 --> 00:21:30,012 >> [KNOCKS ON DOOR] [GARAGE DOOR OPENER WHIRRING...] 321 00:21:30,012 --> 00:21:40,540 [GARAGE DOOR OPENER WHIRRING...] 322 00:21:40,540 --> 00:21:42,784 >> SORRY, LOVE. 323 00:21:42,784 --> 00:21:45,131 >> SORRY, LOVE. [ROLLING PAPER CRINKLING...] 324 00:21:45,131 --> 00:21:52,276 [ROLLING PAPER CRINKLING...] 325 00:21:52,276 --> 00:21:54,727 [ROLLING PAPER CRINKLING...] >> GET US AN ICE POP, BABY. 326 00:21:54,727 --> 00:22:05,185 >> GET US AN ICE POP, BABY. 327 00:22:05,185 --> 00:22:07,326 >> GET US AN ICE POP, BABY. [MANCHESTER GROANS] 328 00:22:07,326 --> 00:22:25,516 [MANCHESTER GROANS] 329 00:22:25,516 --> 00:22:27,967 FEED ME. 330 00:22:27,967 --> 00:22:31,867 FEED ME. >> [CHUCKLES] 331 00:22:31,867 --> 00:22:50,507 >> [CHUCKLES] 332 00:22:50,507 --> 00:22:52,163 >> [CHUCKLES] MMM... 333 00:22:52,163 --> 00:23:03,934 MMM... 334 00:23:03,934 --> 00:23:06,488 MMM... MMM... 335 00:23:06,488 --> 00:23:22,987 MMM... 336 00:23:22,987 --> 00:23:28,407 MMM... [BOTH PANTING AND MOANING...] 337 00:23:28,407 --> 00:23:39,901 [BOTH PANTING AND MOANING...] 338 00:23:39,901 --> 00:23:41,903 [BOTH PANTING AND MOANING...] MMM... 339 00:23:41,903 --> 00:24:04,373 MMM... 340 00:24:04,373 --> 00:24:07,169 MMM... 341 00:24:07,169 --> 00:24:11,380 >> [GASPING...] 342 00:24:11,380 --> 00:24:17,456 >> AH... 343 00:24:17,456 --> 00:24:23,013 [CHUCKLES] 344 00:24:23,013 --> 00:24:28,087 [BOTH MOANING...] 345 00:24:28,087 --> 00:24:31,987 [BOTH MOANING...] [NOON PANTING...] 346 00:24:31,987 --> 00:24:46,485 [NOON PANTING...] 347 00:24:46,485 --> 00:24:49,039 [BANGS ON DOOR] 348 00:24:49,039 --> 00:24:52,283 [BANGS ON DOOR] [GARAGE DOOR OPENER WHIRRING...] 349 00:24:52,283 --> 00:25:00,913 [GARAGE DOOR OPENER WHIRRING...] 350 00:25:00,913 --> 00:25:02,052 >> [SIGHS] 351 00:25:02,052 --> 00:25:06,988 FUCK'’S SAKE.... 352 00:25:06,988 --> 00:25:10,163 [MANCHESTER GRUNTING, 353 00:25:10,163 --> 00:25:16,825 NOON GASPING...] 354 00:25:16,825 --> 00:25:20,829 [MANCHESTER GRUNTING LOUDER...] 355 00:25:20,829 --> 00:25:25,834 [CAMERA CLICKING...] 356 00:25:25,834 --> 00:25:32,634 [MANCHESTER PANTING...] 357 00:25:32,634 --> 00:25:33,842 SHIT... 358 00:25:33,842 --> 00:25:34,981 SORRY. 359 00:25:34,981 --> 00:25:37,466 ARE YOU O.K.? 360 00:25:37,466 --> 00:25:41,194 >> OH, IT'’S ALL GONE BLURRY. 361 00:25:41,194 --> 00:25:45,785 [BOTH PANTING...] 362 00:25:45,785 --> 00:25:47,235 [NOON GROANS] 363 00:25:47,235 --> 00:25:49,686 YOU SMELL LIKE A PUNCH BAG. 364 00:25:49,686 --> 00:25:51,619 >> [SNIFFS] 365 00:25:51,619 --> 00:25:56,485 MMM... [PANTING...] 366 00:25:56,485 --> 00:25:57,279 I'’LL BE ALL RIGHT 367 00:25:57,279 --> 00:25:59,281 ANOTHER WEEK. 368 00:25:59,281 --> 00:25:59,972 [CHUCKLING...] 369 00:25:59,972 --> 00:26:03,872 >> [SNIFFLING, STIFLES A SOB...] 370 00:26:03,872 --> 00:26:07,186 >> OH... 371 00:26:07,186 --> 00:26:10,465 >> OH... [BOTH PANTING...] 372 00:26:10,465 --> 00:26:14,918 [BOTH PANTING...] 373 00:26:14,918 --> 00:26:15,919 [TAPE RECORDER CLICKS] 374 00:26:15,919 --> 00:26:17,161 >> Noon on tape: I was looking 375 00:26:17,161 --> 00:26:18,577 at one of your photographs of me 376 00:26:18,577 --> 00:26:20,682 this morning. 377 00:26:20,682 --> 00:26:23,167 It'’s shot from below. 378 00:26:23,167 --> 00:26:24,824 You can see me pussy, 379 00:26:24,824 --> 00:26:26,930 then me tits... 380 00:26:26,930 --> 00:26:28,276 and directly in line 381 00:26:28,276 --> 00:26:30,727 with me pussy is me head. 382 00:26:30,727 --> 00:26:32,176 My pussy is twice the size 383 00:26:32,176 --> 00:26:33,557 of me head. 384 00:26:33,557 --> 00:26:37,388 Is that how you see me? 385 00:26:37,388 --> 00:26:41,703 Is that how you see me? [BIRDS CHIRPING...] 386 00:26:41,703 --> 00:26:49,297 [BIRDS CHIRPING...] 387 00:26:49,297 --> 00:26:52,093 Noon in distance: HI, DAD! 388 00:26:52,093 --> 00:26:54,716 [DOOR OPENS] 389 00:26:54,716 --> 00:26:56,891 >> HELLO, LOVE. 390 00:26:56,891 --> 00:26:58,547 >> HELLO, LOVE. COME HERE. 391 00:26:58,547 --> 00:27:06,694 COME HERE. 392 00:27:06,694 --> 00:27:08,523 COME HERE. I'’LL PUT THE KETTLE ON. 393 00:27:08,523 --> 00:27:17,221 I'’LL PUT THE KETTLE ON. 394 00:27:17,221 --> 00:27:18,050 WHAT HAPPENED 395 00:27:18,050 --> 00:27:20,639 TO YOUR EYE, LOVE? 396 00:27:20,639 --> 00:27:21,847 >> THINK I BURST 397 00:27:21,847 --> 00:27:24,712 A BLOOD VESSEL. 398 00:27:24,712 --> 00:27:26,265 A BLOOD VESSEL. >> HOW? 399 00:27:26,265 --> 00:27:30,821 >> HOW? 400 00:27:30,821 --> 00:27:31,788 >> PLAY-FIGHTING 401 00:27:31,788 --> 00:27:34,998 WITH MANCHESTER. 402 00:27:34,998 --> 00:27:40,831 >> HMM... 403 00:27:40,831 --> 00:27:42,212 BOUGHT THIS AT THE MARKET 404 00:27:42,212 --> 00:27:45,008 YESTERDAY. 405 00:27:45,008 --> 00:27:46,250 I WAS LOOKING AT THE BLADE 406 00:27:46,250 --> 00:27:49,219 THINKING, "THAT DOESN'’T LOOK 407 00:27:49,219 --> 00:27:52,636 VERY SHARP." 408 00:27:52,636 --> 00:27:57,089 SO I RUN ME FINGER DOWN IT. 409 00:27:57,089 --> 00:28:00,989 GUESS WHAT? 410 00:28:00,989 --> 00:28:05,166 >> CUT YOUR FINGER? 411 00:28:05,166 --> 00:28:08,548 >> CUT YOUR FINGER? >> CUT ME FINGER. 412 00:28:08,548 --> 00:28:12,345 >> CUT ME FINGER. 413 00:28:12,345 --> 00:28:15,072 [NOON LAUGHS, 414 00:28:15,072 --> 00:28:20,629 DAD LAUGHS] 415 00:28:20,629 --> 00:28:25,634 [DAD CHUCKLES] 416 00:28:25,634 --> 00:28:28,983 [DAD CHUCKLES] [♪...] 417 00:28:28,983 --> 00:28:53,732 [♪...] 418 00:28:53,732 --> 00:28:58,495 [♪...] [URINE DRIPS, SPLASHES...] 419 00:28:58,495 --> 00:29:03,742 [URINE DRIPS, SPLASHES...] 420 00:29:03,742 --> 00:29:09,989 [URINE DRIPS, SPLASHES...] [♪...] 421 00:29:09,989 --> 00:29:38,569 [♪...] 422 00:29:38,569 --> 00:29:43,436 [DOOR CLATTERS OPEN] 423 00:29:43,436 --> 00:29:45,680 [BIRDS CHIRPING...] 424 00:29:45,680 --> 00:29:49,201 >> ARE THESE YOURS? 425 00:29:49,201 --> 00:29:54,309 >> ARE THESE YOURS? 426 00:29:54,309 --> 00:29:56,104 >> Man: [CHUCKLES] 427 00:29:56,104 --> 00:29:59,936 ARE THESE YOUR PHOTOGRAPHS? 428 00:29:59,936 --> 00:30:02,801 >> SHIT, YEAH. 429 00:30:02,801 --> 00:30:04,733 WHERE DID YOU FIND THEM? 430 00:30:04,733 --> 00:30:05,700 >> HOW MUCH DO YOU WANT 431 00:30:05,700 --> 00:30:08,565 FOR THEM? 432 00:30:08,565 --> 00:30:10,567 >> THE PHOTOGRAPHS? 433 00:30:10,567 --> 00:30:13,087 >> I'’LL GIVE YOU A GRAND. 434 00:30:13,087 --> 00:30:14,053 >> I DON'’T WANT YOUR MONEY. 435 00:30:14,053 --> 00:30:15,468 >> TWO GRAND! 436 00:30:15,468 --> 00:30:17,229 >> [SCOFFS] 437 00:30:17,229 --> 00:30:19,024 DRE WAS RIGHT. 438 00:30:19,024 --> 00:30:19,921 LIFE AIN'’T NOTHING 439 00:30:19,921 --> 00:30:22,372 BUT BITCHES AND MONEY. 440 00:30:22,372 --> 00:30:23,200 >> DRE? 441 00:30:23,200 --> 00:30:25,513 WHO... WHO'’S DRE? 442 00:30:25,513 --> 00:30:27,618 WHO... WHO'’S DRE? >> JUST A BLOKE. 443 00:30:27,618 --> 00:30:33,555 >> JUST A BLOKE. 444 00:30:33,555 --> 00:30:35,730 >> LOOK, UH... 445 00:30:35,730 --> 00:30:38,802 IF YOU DON'’T WANT MONEY... 446 00:30:38,802 --> 00:30:41,218 WHAT DO YOU WANT? 447 00:30:41,218 --> 00:30:44,601 >> I DON'’T WANT ANYTHING. 448 00:30:44,601 --> 00:30:45,913 I JUST WANT NOON. 449 00:30:45,913 --> 00:30:46,810 >> WHAT, THE GIRL 450 00:30:46,810 --> 00:30:49,813 IN THE PHOTOGRAPHS? 451 00:30:49,813 --> 00:30:52,091 >> LOVING HER IS LIKE... 452 00:30:52,091 --> 00:30:54,438 FRYING BACON NAKED. 453 00:30:54,438 --> 00:30:55,681 >> [LAUGHS] 454 00:30:55,681 --> 00:30:57,476 IT WOULD BE. 455 00:30:57,476 --> 00:31:00,065 SHE'’S PRETTY. 456 00:31:00,065 --> 00:31:01,376 >> WHAT DO YOU MEAN? 457 00:31:01,376 --> 00:31:02,343 >> WELL, THE PRETTY ONES ARE 458 00:31:02,343 --> 00:31:07,693 ALWAYS DANGEROUS. 459 00:31:07,693 --> 00:31:10,869 DO YOU ACTUALLY LIVE HERE? 460 00:31:10,869 --> 00:31:12,215 >> YEAH. 461 00:31:12,215 --> 00:31:16,253 >> WHAT'’S YOUR NAME? 462 00:31:16,253 --> 00:31:19,739 >> MANCHESTER. 463 00:31:19,739 --> 00:31:21,534 >> MANCHESTER. >> MY NAME'’S FRANNY. 464 00:31:21,534 --> 00:31:25,021 >> MY NAME'’S FRANNY. 465 00:31:25,021 --> 00:31:26,505 YOU SHOULD COME AND SEE ME 466 00:31:26,505 --> 00:31:28,334 SOMETIME, MANCHESTER. 467 00:31:28,334 --> 00:31:30,578 SOMETIME, MANCHESTER. I MIGHT BE ABLE TO HELP YOU. 468 00:31:30,578 --> 00:31:39,587 I MIGHT BE ABLE TO HELP YOU. 469 00:31:39,587 --> 00:31:42,452 I MIGHT BE ABLE TO HELP YOU. [REFRIGERATOR OPENS AND CLOSES] 470 00:31:42,452 --> 00:31:49,838 [REFRIGERATOR OPENS AND CLOSES] 471 00:31:49,838 --> 00:31:52,531 YOU'’VE, UH... 472 00:31:52,531 --> 00:31:55,844 YOU'’VE, UH... YOU'’VE RUN OUT OF ICE POPS. 473 00:31:55,844 --> 00:32:08,685 YOU'’VE RUN OUT OF ICE POPS. 474 00:32:08,685 --> 00:32:10,963 YOU'’VE RUN OUT OF ICE POPS. [♪...] 475 00:32:10,963 --> 00:32:22,423 [♪...] 476 00:32:22,423 --> 00:32:23,493 >> Man: ♪ BABY, BABY, 477 00:32:23,493 --> 00:32:25,115 I GET A THRILL ♪ 478 00:32:25,115 --> 00:32:26,806 ♪ YEAH, HONEY, YOU KNOW 479 00:32:26,806 --> 00:32:28,394 YOU MAKE ME FEEL GOOD ♪ 480 00:32:28,394 --> 00:32:30,534 ♪ I CAN'’T WAIT TO SEE YOU 481 00:32:30,534 --> 00:32:31,708 AND HUG YOU ♪ 482 00:32:31,708 --> 00:32:32,916 ♪ OH, THAT'’S RIGHT ♪ 483 00:32:32,916 --> 00:32:35,850 ♪ I'’M READY FOR LOVE ♪ 484 00:32:35,850 --> 00:32:38,818 ♪ I'’M SO EXCITED ♪ 485 00:32:38,818 --> 00:32:41,442 ♪ YOU KNOW IT MAKES ME SMILE 486 00:32:41,442 --> 00:32:44,548 ♪ GEE, I REALLY LOVE YOU 487 00:32:44,548 --> 00:32:47,724 ♪ GEE, I REALLY DO 488 00:32:47,724 --> 00:32:50,554 ♪ YES, I SAID I LOVE YOU 489 00:32:50,554 --> 00:32:51,590 ♪ I FEEL ALL RIGHT 490 00:32:51,590 --> 00:32:54,075 BECAUSE I THINK YOU DO TOO ♪ 491 00:32:54,075 --> 00:32:56,422 ♪ MAYBE I'’M A LITTLE STONED ♪ 492 00:32:56,422 --> 00:33:00,081 ♪ MAYBE I JUST FIGURED IT OUT 493 00:33:00,081 --> 00:33:02,359 ♪ BABY, WHEN I'’M IN YOUR ARMS, 494 00:33:02,359 --> 00:33:03,671 I GET DOCILE 495 00:33:03,671 --> 00:33:07,433 JUST LIKE A LITTLE CHILD ♪ 496 00:33:07,433 --> 00:33:09,918 ♪ IT'’S HARD TO ADMIT ♪ 497 00:33:09,918 --> 00:33:13,612 ♪ OH, IT'’S TOUGH TO BEAT IT... ♪ 498 00:33:13,612 --> 00:33:17,340 >> Manchester: MISSED YOU, BABY. 499 00:33:17,340 --> 00:33:21,620 >> I MISSED YOU TOO, YOU DICK. 500 00:33:21,620 --> 00:33:22,690 >> ♪ ...COME ON, BABY, 501 00:33:22,690 --> 00:33:24,692 LET'’S CRASH THIS PLANE ♪ 502 00:33:24,692 --> 00:33:27,591 LET'’S CRASH THIS PLANE ♪ [♪...] 503 00:33:27,591 --> 00:33:36,980 [♪...] 504 00:33:36,980 --> 00:33:38,326 ♪ YOU GOT SOMETHING 505 00:33:38,326 --> 00:33:39,983 SPECIAL, POWERFUL ♪ 506 00:33:39,983 --> 00:33:42,848 ♪ MAKE MY ALARM RING, CLANG... 507 00:33:42,848 --> 00:33:46,817 ♪ MAKE MY ALARM RING, CLANG... [BOTH LAUGHING...] 508 00:33:46,817 --> 00:33:50,511 [BOTH LAUGHING...] 509 00:33:50,511 --> 00:33:52,996 ♪ ...I WANT YOU TO MAKE ME, 510 00:33:52,996 --> 00:33:55,240 MAKE ME, I WANT YOU TO MAKE ME, 511 00:33:55,240 --> 00:33:57,690 I WANT YOU TO MAKE ME HAPPY ♪ 512 00:33:57,690 --> 00:33:59,313 ♪ OH, DON'’T YOU LEAVE ME 513 00:33:59,313 --> 00:34:01,487 IN THE MIDDLE, BABY, I'’M... ♪ 514 00:34:01,487 --> 00:34:02,316 [SONG STOPS, 515 00:34:02,316 --> 00:34:05,008 [SONG STOPS, LAUGHTER CONTINUES...] 516 00:34:05,008 --> 00:34:17,262 LAUGHTER CONTINUES...] 517 00:34:17,262 --> 00:34:20,196 LAUGHTER CONTINUES...] [BIRDS CHIRPING...] 518 00:34:20,196 --> 00:34:31,172 [BIRDS CHIRPING...] 519 00:34:31,172 --> 00:34:35,556 [BIRDS CHIRPING...] [BOTH GRUNTING AND PANTING...] 520 00:34:35,556 --> 00:34:41,009 [BOTH GRUNTING AND PANTING...] 521 00:34:41,009 --> 00:34:43,253 >> Noon: STOP. 522 00:34:43,253 --> 00:34:44,496 STOP. 523 00:34:44,496 --> 00:34:46,049 [GROANS] 524 00:34:46,049 --> 00:34:49,570 >> [PANTING...] 525 00:34:49,570 --> 00:34:51,537 WHAT'’S THE MATTER? 526 00:34:51,537 --> 00:34:53,712 >> WE'’VE BEEN FUCKING FOR HOURS. 527 00:34:53,712 --> 00:34:56,853 >> I KNOW, IT'’S AMAZING. 528 00:34:56,853 --> 00:35:00,477 >> I'’M TOO SORE TO CARRY ON. 529 00:35:00,477 --> 00:35:03,204 >> I'’M TOO SORE TO CARRY ON. [BOTH PANTING...] 530 00:35:03,204 --> 00:35:11,316 [BOTH PANTING...] 531 00:35:11,316 --> 00:35:15,078 [BOTH PANTING...] >> [MOANING...] 532 00:35:15,078 --> 00:35:18,806 >> [MOANING...] 533 00:35:18,806 --> 00:35:23,017 [PANTING FASTER...] 534 00:35:23,017 --> 00:35:25,399 TELL ME A STORY ABOUT A 535 00:35:25,399 --> 00:35:27,055 SEXUAL EXPERIENCE YOU'’VE HAD. 536 00:35:27,055 --> 00:35:29,437 >> OH... NO, MANCHESTER, 537 00:35:29,437 --> 00:35:31,508 IT'’S TOO WEIRD. 538 00:35:31,508 --> 00:35:33,338 I'’M STILL REALLY HIGH. 539 00:35:33,338 --> 00:35:35,823 >> PLEASE... 540 00:35:35,823 --> 00:35:39,999 [PANTING...] 541 00:35:39,999 --> 00:35:42,105 I'’LL JUST ASK ONE QUESTION THEN. 542 00:35:42,105 --> 00:35:46,109 >> [GROANS] WHAT? 543 00:35:46,109 --> 00:35:47,455 >> WHAT'’S THE BIGGEST DICK 544 00:35:47,455 --> 00:35:50,148 YOU'’VE EVER HAD? 545 00:35:50,148 --> 00:35:53,323 >> YOURS. 546 00:35:53,323 --> 00:35:56,395 >> DON'’T LIE TO ME. 547 00:35:56,395 --> 00:35:57,362 HAVE YOU EVER HAD ONE 548 00:35:57,362 --> 00:35:59,709 THAT WAS TOO BIG? 549 00:35:59,709 --> 00:36:01,711 >> YEAH. 550 00:36:01,711 --> 00:36:02,574 >> REALLY? 551 00:36:02,574 --> 00:36:03,747 [NOON CHUCKLES] 552 00:36:03,747 --> 00:36:08,787 WHAT HAPPENED? 553 00:36:08,787 --> 00:36:10,133 >> I USED TO LIKE FUCKING 554 00:36:10,133 --> 00:36:11,962 STRANGERS AT HOUSE PARTIES. 555 00:36:11,962 --> 00:36:14,862 >> OH... [GROANS] 556 00:36:14,862 --> 00:36:16,035 >> ONE NIGHT I TOOK THIS GUY 557 00:36:16,035 --> 00:36:19,763 INTO ONE OF THE BEDROOMS... 558 00:36:19,763 --> 00:36:22,076 >> AND...? 559 00:36:22,076 --> 00:36:24,285 >> [LAUGHING]: I NEARLY FAINTED 560 00:36:24,285 --> 00:36:27,771 WHEN I GRABBED HIS DICK. 561 00:36:27,771 --> 00:36:28,738 IT WAS LIKE 562 00:36:28,738 --> 00:36:32,190 A BUTTERNUT SQUASH. [LAUGHS] 563 00:36:32,190 --> 00:36:34,640 >> MMM... 564 00:36:34,640 --> 00:36:36,573 WHAT DID YOU DO? 565 00:36:36,573 --> 00:36:40,094 >> [CHUCKLES] 566 00:36:40,094 --> 00:36:41,716 WE TRIED TO DO IT FOR ABOUT 567 00:36:41,716 --> 00:36:43,615 HALF AN HOUR BUT HE COULDN'’T 568 00:36:43,615 --> 00:36:46,928 GET IT IN. [LAUGHS] 569 00:36:46,928 --> 00:36:49,241 >> SO WHAT HAPPENED? 570 00:36:49,241 --> 00:36:51,036 >> I GOT ON TOP. 571 00:36:51,036 --> 00:36:52,693 >> WHAT?! 572 00:36:52,693 --> 00:36:54,522 >> I SAT ON IT. 573 00:36:54,522 --> 00:36:56,317 NEARLY TORE ME IN HALF. 574 00:36:56,317 --> 00:36:59,562 >> [GRUNTING...] 575 00:36:59,562 --> 00:37:00,770 >> I THINK HE MUST HAVE BEEN 576 00:37:00,770 --> 00:37:02,220 A VIRGIN '’CAUSE HE DIDN'T REALLY 577 00:37:02,220 --> 00:37:04,429 KNOW WHAT TO DO. 578 00:37:04,429 --> 00:37:05,671 ALL THE OTHER GIRLS MUST HAVE 579 00:37:05,671 --> 00:37:07,294 BEEN SCARED AWAY. 580 00:37:07,294 --> 00:37:11,021 >> [SLAP] NOT MY FILTHY GIRL. 581 00:37:11,021 --> 00:37:12,747 >> NOT ME. 582 00:37:12,747 --> 00:37:14,439 [BOTH LAUGH] 583 00:37:14,439 --> 00:37:16,475 I RODE HIM TILL HIS FACE WENT 584 00:37:16,475 --> 00:37:18,960 RED AND HIS HEAD EXPLODED. 585 00:37:18,960 --> 00:37:23,206 >> [GRUNTING...] 586 00:37:23,206 --> 00:37:24,276 >> WHEN I GOT OFF HIM, 587 00:37:24,276 --> 00:37:26,589 MY PUSSY FARTED AND SPUNK GUSHED 588 00:37:26,589 --> 00:37:29,937 OUT OF ME ONTO HIS STOMACH. 589 00:37:29,937 --> 00:37:32,111 SO MUCH SPUNK. 590 00:37:32,111 --> 00:37:34,217 >> I'’M GONNA COME... 591 00:37:34,217 --> 00:37:36,392 >> [LAUGHS] ARE YOU? 592 00:37:36,392 --> 00:37:38,325 YOU DIRTY FUCKER. 593 00:37:38,325 --> 00:37:44,848 >> [GRUNTING LOUDER...] 594 00:37:44,848 --> 00:37:47,713 THANK FUCK FOR THAT. 595 00:37:47,713 --> 00:37:51,165 [GASPING...] 596 00:37:51,165 --> 00:37:55,238 >> YOU CAN WIPE THAT UP. 597 00:37:55,238 --> 00:37:58,276 >> MMM... 598 00:37:58,276 --> 00:38:03,660 >> MMM... [PANTING...] 599 00:38:03,660 --> 00:38:25,475 [PANTING...] 600 00:38:25,475 --> 00:38:29,721 [PANTING...] [HORN HONKING...] 601 00:38:29,721 --> 00:38:38,592 [HORN HONKING...] 602 00:38:38,592 --> 00:38:41,077 >> [GASPS] 603 00:38:41,077 --> 00:38:44,805 >> [GASPS] [HORN CONTINUES HONKING...] 604 00:38:44,805 --> 00:38:49,154 [HORN CONTINUES HONKING...] 605 00:38:49,154 --> 00:38:50,604 WHAT! 606 00:38:50,604 --> 00:38:52,468 WHAT! [HONKING STOPS] 607 00:38:52,468 --> 00:38:59,854 [HONKING STOPS] 608 00:38:59,854 --> 00:39:02,236 [HONKING STOPS] WHAT THE FUCK ARE YOU DOING? 609 00:39:02,236 --> 00:39:08,415 WHAT THE FUCK ARE YOU DOING? 610 00:39:08,415 --> 00:39:10,417 [INDIAN MUSIC PLAYING 611 00:39:10,417 --> 00:39:16,423 [INDIAN MUSIC PLAYING ON CAR RADIO...] 612 00:39:16,423 --> 00:39:34,786 ON CAR RADIO...] 613 00:39:34,786 --> 00:39:36,684 ON CAR RADIO...] >> [COUGHS] 614 00:39:36,684 --> 00:39:49,248 >> [COUGHS] 615 00:39:49,248 --> 00:39:50,767 >> THAT IS FUCKING LUSH! 616 00:39:50,767 --> 00:39:52,079 HAVE YOU SEEN IT BACK THERE, 617 00:39:52,079 --> 00:39:52,769 MANCHESTER? 618 00:39:52,769 --> 00:39:55,082 MANCHESTER? [MUSIC CONTINUES ON RADIO...] 619 00:39:55,082 --> 00:39:59,017 [MUSIC CONTINUES ON RADIO...] 620 00:39:59,017 --> 00:40:00,915 [MUSIC CONTINUES ON RADIO...] HAVE YOU SEEN THAT? 621 00:40:00,915 --> 00:40:05,023 HAVE YOU SEEN THAT? 622 00:40:05,023 --> 00:40:08,682 PISS OFF, PERV BOY. 623 00:40:08,682 --> 00:40:09,890 >> YOU CLOSE YOUR LEGS, 624 00:40:09,890 --> 00:40:11,995 I'’LL CLOSE MY EYES. 625 00:40:11,995 --> 00:40:15,136 [MUSIC CONTINUES] 626 00:40:15,136 --> 00:40:16,586 [MUSIC ENDS, 627 00:40:16,586 --> 00:40:19,417 SURF CRASHES IN DISTANCE] 628 00:40:19,417 --> 00:40:21,660 [TAPE RECORDER CLICKS] 629 00:40:21,660 --> 00:40:22,730 >> Noon on tape: I'’m completely 630 00:40:22,730 --> 00:40:24,698 naked, crawling around on all 631 00:40:24,698 --> 00:40:27,114 fours, meowing and purring 632 00:40:27,114 --> 00:40:29,392 and acting like a cat. 633 00:40:29,392 --> 00:40:31,498 In the room, there are 10 or 15 634 00:40:31,498 --> 00:40:32,602 men who are all wanking 635 00:40:32,602 --> 00:40:34,846 into a saucer. 636 00:40:34,846 --> 00:40:36,434 When the saucer'’s full of come, 637 00:40:36,434 --> 00:40:37,365 the cat comes along 638 00:40:37,365 --> 00:40:38,884 to lick it clean. 639 00:40:38,884 --> 00:40:40,610 I finger myself and come around 640 00:40:40,610 --> 00:40:43,026 my finger about 10 times. 641 00:40:43,026 --> 00:40:44,442 My pussy keeps squeezing 642 00:40:44,442 --> 00:40:45,857 my finger while I keep rubbing 643 00:40:45,857 --> 00:40:48,273 my clit with my other hand. 644 00:40:48,273 --> 00:40:49,447 You would love the smell 645 00:40:49,447 --> 00:40:51,587 of my fingers right now. 646 00:40:51,587 --> 00:40:52,277 >> [SHUDDERING...] 647 00:40:52,277 --> 00:40:54,313 DICK'’S DISAPPEARED. 648 00:40:54,313 --> 00:40:57,385 >> WHAT DID YOU GO IN FOR? 649 00:40:57,385 --> 00:40:58,421 >> YOU'’VE GOT TO, HAVEN'T YOU? 650 00:40:58,421 --> 00:41:03,081 IT'’S THE SEASIDE. 651 00:41:03,081 --> 00:41:06,015 IT'’S THE SEASIDE. [CONTINUES SHUDDERING...] 652 00:41:06,015 --> 00:41:22,963 [CONTINUES SHUDDERING...] 653 00:41:22,963 --> 00:41:23,998 >> DO YOU EVER THINK ABOUT 654 00:41:23,998 --> 00:41:30,522 DYING, MANCHESTER? 655 00:41:30,522 --> 00:41:32,593 >> I THINK THAT WHEN YOU DIE 656 00:41:32,593 --> 00:41:34,043 WILL BE THE SAME AS BEFORE YOU 657 00:41:34,043 --> 00:41:37,184 WILL BE THE SAME AS BEFORE YOU WERE BORN. 658 00:41:37,184 --> 00:41:42,430 WERE BORN. 659 00:41:42,430 --> 00:41:45,951 IF YOU DIE BEFORE ME, ASK IF YOU 660 00:41:45,951 --> 00:41:50,369 CAN TAKE A FRIEND. 661 00:41:50,369 --> 00:41:51,750 [CHUCKLES] 662 00:41:51,750 --> 00:41:54,891 >> [CHUCKLING] 663 00:41:54,891 --> 00:41:58,861 >> [CHUCKLING] >> [CHUCKLING] 664 00:41:58,861 --> 00:42:02,105 >> [CHUCKLING] 665 00:42:02,105 --> 00:42:03,313 >> DO YOU WANT TO BURIED OR 666 00:42:03,313 --> 00:42:04,418 CREMATED? 667 00:42:04,418 --> 00:42:07,628 >> WANT TO BE BURIED, NOT BURNT. 668 00:42:07,628 --> 00:42:10,148 I WANT THE WORMS TO EAT ME, 669 00:42:10,148 --> 00:42:11,770 SO WE CAN GO BACK TO WHERE WE 670 00:42:11,770 --> 00:42:15,015 SO WE CAN GO BACK TO WHERE WE ALL CAME FROM. 671 00:42:15,015 --> 00:42:21,055 ALL CAME FROM. 672 00:42:21,055 --> 00:42:25,508 WHAT ABOUT YOU? 673 00:42:25,508 --> 00:42:27,130 >> CREMATED. 674 00:42:27,130 --> 00:42:31,410 >> WHY? 675 00:42:31,410 --> 00:42:35,000 >> I LIKE FIRE. 676 00:42:35,000 --> 00:42:40,109 >> I LIKE FIRE. [♪...] 677 00:42:40,109 --> 00:44:44,026 [♪...] 678 00:44:44,026 --> 00:44:46,787 [♪...] [COINS JINGLING] 679 00:44:46,787 --> 00:45:08,636 [COINS JINGLING] 680 00:45:08,636 --> 00:45:11,467 >> HELLO? 681 00:45:11,467 --> 00:45:13,745 IS THAT FRANNY? 682 00:45:13,745 --> 00:45:14,573 HI. 683 00:45:14,573 --> 00:45:18,750 HI. YEAH, IT'’S, UH, IT'S MANCHESTER. 684 00:45:18,750 --> 00:45:33,247 YEAH, IT'’S, UH, IT'S MANCHESTER. 685 00:45:33,247 --> 00:45:38,183 YEAH, IT'’S, UH, IT'S MANCHESTER. [♪...] 686 00:45:38,183 --> 00:45:43,637 [♪...] 687 00:45:43,637 --> 00:45:46,364 >> Man: ♪ WHILE I WAS WAITING 688 00:45:46,364 --> 00:45:49,574 WHILE I WAS DOWN ♪ 689 00:45:49,574 --> 00:45:51,818 ♪ I SAW THE FUTURE, 690 00:45:51,818 --> 00:45:55,753 IT FELL TO THE GROUND ♪ 691 00:45:55,753 --> 00:45:58,790 ♪ MEMORY AND REASON 692 00:45:58,790 --> 00:46:02,104 GIVE IN THE DARK ♪ 693 00:46:02,104 --> 00:46:04,347 ♪ TAKE ALL THE CHANCES 694 00:46:04,347 --> 00:46:07,695 AND HOPE TO HOLD ON ♪ 695 00:46:07,695 --> 00:46:10,146 ♪ I KNOW 696 00:46:10,146 --> 00:46:12,217 THERE'’S A FIRE ♪ 697 00:46:12,217 --> 00:46:14,737 ♪ I KNOW 698 00:46:14,737 --> 00:46:16,843 THERE'’S A FIRE ♪ 699 00:46:16,843 --> 00:46:19,500 ♪ I KNOW 700 00:46:19,500 --> 00:46:21,537 THERE'’S A FIRE ♪ 701 00:46:21,537 --> 00:46:24,229 ♪ I KNOW 702 00:46:24,229 --> 00:46:28,924 THERE'’S A FIRE. ♪ 703 00:46:28,924 --> 00:46:32,928 [MUSIC ENDS] 704 00:46:32,928 --> 00:46:35,447 [CAR ENGINE SHUTS OFF] 705 00:46:35,447 --> 00:46:40,590 >> MMM. 706 00:46:40,590 --> 00:46:42,903 WHERE ARE WE? 707 00:46:42,903 --> 00:46:44,146 >> YOU KNOW WHAT YOU WERE SAYING 708 00:46:44,146 --> 00:46:46,631 LAST NIGHT? 709 00:46:46,631 --> 00:46:48,046 >> UM, WHAT ABOUT? 710 00:46:48,046 --> 00:46:51,670 >> ABOUT THE FUTURE. 711 00:46:51,670 --> 00:46:53,293 >> YEAH. 712 00:46:53,293 --> 00:46:54,915 >> WELL... 713 00:46:54,915 --> 00:46:57,815 WE'’RE AT FRANNY'S HOUSE. 714 00:46:57,815 --> 00:46:59,333 >> WHO THE FUCK IS FRANNY? 715 00:46:59,333 --> 00:47:00,369 >> HE'’S THIS BLOKE I MET. 716 00:47:00,369 --> 00:47:01,749 HE SAID HE MIGHT BE ABLE TO 717 00:47:01,749 --> 00:47:03,924 HELP US. 718 00:47:03,924 --> 00:47:06,064 >> HELP US WITH WHAT? 719 00:47:06,064 --> 00:47:08,135 >> NOT SURE. 720 00:47:08,135 --> 00:47:10,137 >> WHAT THE FUCK, MANCHESTER? 721 00:47:10,137 --> 00:47:11,311 >> WHAT? 722 00:47:11,311 --> 00:47:12,553 >> WHY DO YOU ALWAYS HAVE TO 723 00:47:12,553 --> 00:47:14,176 DO THIS? 724 00:47:14,176 --> 00:47:16,281 I THOUGHT THIS WAS OUR STORY. 725 00:47:16,281 --> 00:47:18,007 >> IT IS. 726 00:47:18,007 --> 00:47:19,250 >> YOU'’RE A FUCKING DICK, 727 00:47:19,250 --> 00:47:20,320 MANCHESTER. 728 00:47:20,320 --> 00:47:21,769 >> IT'’LL BE ALL RIGHT, BABY. 729 00:47:21,769 --> 00:47:24,151 LET'’S JUST SEE WHAT HAPPENS. 730 00:47:24,151 --> 00:47:26,015 >> BIG FAT FUCKING DICK! 731 00:47:26,015 --> 00:47:27,430 >> COME ON, NOON. 732 00:47:27,430 --> 00:47:29,467 DON'’T BE LIKE THAT. 733 00:47:29,467 --> 00:47:31,434 >> Franny: MANCHESTER! 734 00:47:31,434 --> 00:47:32,090 >> COME ON. 735 00:47:32,090 --> 00:47:33,989 >> MANCHESTER. 736 00:47:33,989 --> 00:47:36,405 GOOD TO SEE YOU. 737 00:47:36,405 --> 00:47:39,857 GLAD YOU DECIDED TO COME. 738 00:47:39,857 --> 00:47:41,893 YOU MUST BE NOON. 739 00:47:41,893 --> 00:47:43,722 >> HI. 740 00:47:43,722 --> 00:47:46,139 >> HI. >> COME OVER AND MEET THE WIFE. 741 00:47:46,139 --> 00:47:50,833 >> COME OVER AND MEET THE WIFE. 742 00:47:50,833 --> 00:47:52,870 >> COME ON. 743 00:47:52,870 --> 00:47:55,631 EVERYTHING'’S GONNA BE O.K. 744 00:47:55,631 --> 00:48:00,532 EVERYTHING'’S GONNA BE O.K. PROMISE. 745 00:48:00,532 --> 00:48:03,535 PROMISE. 746 00:48:03,535 --> 00:48:07,194 [FOOTSTEPS APPROACHING] 747 00:48:07,194 --> 00:48:09,748 >> LEAH, THIS IS MANCHESTER 748 00:48:09,748 --> 00:48:11,302 THE PHOTOGRAPHER AND HIS 749 00:48:11,302 --> 00:48:13,304 GIRLFRIEND, NOON. 750 00:48:13,304 --> 00:48:16,445 THIS IS MY WIFE, LEAH. 751 00:48:16,445 --> 00:48:17,756 >> HELLO, MANCHESTER. 752 00:48:17,756 --> 00:48:20,725 IT'’S A PLEASURE TO MEET YOU. 753 00:48:20,725 --> 00:48:23,693 >> HELLO, LEAH. 754 00:48:23,693 --> 00:48:26,144 >> HELLO, NOON. 755 00:48:26,144 --> 00:48:28,077 >> HI. 756 00:48:28,077 --> 00:48:35,084 >> LIKE YOUR SHORTS. 757 00:48:35,084 --> 00:48:38,225 >> LIKE YOUR SHORTS. >> THANKS. 758 00:48:38,225 --> 00:48:42,816 >> THANKS. 759 00:48:42,816 --> 00:48:44,128 >> RIGHT. 760 00:48:44,128 --> 00:48:45,577 COME ON, I'’LL SHOW YOU TO 761 00:48:45,577 --> 00:48:48,442 COME ON, I'’LL SHOW YOU TO YOUR ROOM. 762 00:48:48,442 --> 00:49:15,814 YOUR ROOM. 763 00:49:15,814 --> 00:49:17,161 JOIN ME DOWNSTAIRS FOR A DRINK 764 00:49:17,161 --> 00:49:20,129 JOIN ME DOWNSTAIRS FOR A DRINK WHEN YOU'’VE SETTLED IN, GUYS. 765 00:49:20,129 --> 00:49:24,478 WHEN YOU'’VE SETTLED IN, GUYS. 766 00:49:24,478 --> 00:49:25,686 >> WHY DID THAT MAN CALL YOU 767 00:49:25,686 --> 00:49:27,688 A PHOTOGRAPHER? 768 00:49:27,688 --> 00:49:30,036 A PHOTOGRAPHER? >> FUCK KNOWS. 769 00:49:30,036 --> 00:49:33,832 >> FUCK KNOWS. 770 00:49:33,832 --> 00:49:35,765 >> WHERE DID YOU MEET HIM? 771 00:49:35,765 --> 00:49:38,113 >> DRINKS IN THE GEORGE. 772 00:49:38,113 --> 00:49:39,148 >> DRINKS IN THE GEORGE AND 773 00:49:39,148 --> 00:49:42,186 LIVES IN A HOUSE LIKE THIS? 774 00:49:42,186 --> 00:49:46,673 [LAUGHS] 775 00:49:46,673 --> 00:49:50,746 THIS PLACE IS MENTAL. 776 00:49:50,746 --> 00:49:53,128 WHAT'’S HE DO? 777 00:49:53,128 --> 00:49:56,786 >> I DON'’T REALLY KNOW, BUT... 778 00:49:56,786 --> 00:49:58,167 HE SAID HE MIGHT BE ABLE TO 779 00:49:58,167 --> 00:50:00,376 GET ME A JOB. 780 00:50:00,376 --> 00:50:04,449 GET ME A JOB. [LAUGHS] 781 00:50:04,449 --> 00:50:29,129 [LAUGHS] 782 00:50:29,129 --> 00:50:33,271 >> WHAT ARE YOU THINKING ABOUT? 783 00:50:33,271 --> 00:50:38,035 >> NOTHING. 784 00:50:38,035 --> 00:50:43,523 LET'’S GO DOWNSTAIRS. 785 00:50:43,523 --> 00:50:44,731 >> I CAN'’T GO DOWN LOOKING LIKE 786 00:50:44,731 --> 00:50:45,766 THIS. 787 00:50:45,766 --> 00:50:48,493 >> YOU LOOK GOOD. 788 00:50:48,493 --> 00:50:51,013 >> I FEEL DIRTY. 789 00:50:51,013 --> 00:50:54,120 >> I'’LL SEE YOU DOWNSTAIRS. 790 00:50:54,120 --> 00:50:56,467 >> DON'’T LEAVE ME, BABY. 791 00:50:56,467 --> 00:51:01,610 >> DON'’T LEAVE ME, BABY. [DOOR OPENS AND CLOSES] 792 00:51:01,610 --> 00:51:03,784 [DOOR OPENS AND CLOSES] 793 00:51:03,784 --> 00:51:05,683 [DOOR OPENS AND CLOSES] PRICK. 794 00:51:05,683 --> 00:51:07,961 PRICK. 795 00:51:07,961 --> 00:51:12,414 [♪...] 796 00:51:12,414 --> 00:51:17,557 >> Woman: ♪ SUCH A POWERFUL PULL 797 00:51:17,557 --> 00:51:23,080 AWAY FROM ME ♪ 798 00:51:23,080 --> 00:51:26,221 ♪ WE'’RE BOTH... ♪ 799 00:51:26,221 --> 00:51:27,394 >> SLEEP O.K.? 800 00:51:27,394 --> 00:51:32,054 >> Woman: ♪ I CAN HARDLY BELIEVE 801 00:51:32,054 --> 00:51:35,195 THE WEIGHT AND THE SILENCE 802 00:51:35,195 --> 00:51:37,542 IS CRUSHING ME ♪ 803 00:51:37,542 --> 00:51:40,200 >> WHAT YOU HAVING? 804 00:51:40,200 --> 00:51:41,581 >> WHATEVER YOU'’RE HAVING. 805 00:51:41,581 --> 00:51:45,136 >> [CHUCKLES] 806 00:51:45,136 --> 00:51:49,106 >> [CHUCKLES] [♪...] 807 00:51:49,106 --> 00:51:52,902 [♪...] 808 00:51:52,902 --> 00:51:56,320 >> WHERE'’S NOON? 809 00:51:56,320 --> 00:51:58,874 >> WHERE'’S NOON? >> SHE SAYS SHE FEELS DIRTY. 810 00:51:58,874 --> 00:52:04,397 >> SHE SAYS SHE FEELS DIRTY. 811 00:52:04,397 --> 00:52:05,984 >> COME ON... [EXHALES] 812 00:52:05,984 --> 00:52:08,332 I WANT TO SHOW YOU SOMETHING. 813 00:52:08,332 --> 00:52:13,130 [♪...] 814 00:52:13,130 --> 00:52:18,169 [♪...] [PROJECTOR WHIRRING...] 815 00:52:18,169 --> 00:52:22,967 [PROJECTOR WHIRRING...] 816 00:52:22,967 --> 00:52:25,625 [CHUCKLES] 817 00:52:25,625 --> 00:52:28,145 SO, WHAT DO YOU THINK? 818 00:52:28,145 --> 00:52:30,492 >> WHAT IS IT? 819 00:52:30,492 --> 00:52:31,458 >> THIS IS WHAT I DO, 820 00:52:31,458 --> 00:52:33,080 MANCHESTER. 821 00:52:33,080 --> 00:52:34,565 >> [CHUCKLES] 822 00:52:34,565 --> 00:52:36,739 WHAT, YOU'’RE A HOUSEWIFE? 823 00:52:36,739 --> 00:52:38,293 >> [CHUCKLES] 824 00:52:38,293 --> 00:52:39,328 NO. 825 00:52:39,328 --> 00:52:40,502 >> OHH. 826 00:52:40,502 --> 00:52:42,366 YOU WATCH PORN. 827 00:52:42,366 --> 00:52:44,230 >> NO. 828 00:52:44,230 --> 00:52:46,404 I MAKE PORN. 829 00:52:46,404 --> 00:52:48,165 WELL, NOT PORN. 830 00:52:48,165 --> 00:52:49,718 THE WORD SUGGESTS A COMPLETE 831 00:52:49,718 --> 00:52:53,411 THE WORD SUGGESTS A COMPLETE LACK OF ARTISTIC VALUE. 832 00:52:53,411 --> 00:52:56,828 LACK OF ARTISTIC VALUE. 833 00:52:56,828 --> 00:52:59,728 LOOK... [GRUNTS] 834 00:52:59,728 --> 00:53:01,350 WHETHER IT'’S WRITING, PICTURES, 835 00:53:01,350 --> 00:53:04,595 FILMS, WHAT INTERESTS ME IS ART 836 00:53:04,595 --> 00:53:08,357 THAT AROUSES SEXUAL DESIRE. 837 00:53:08,357 --> 00:53:11,464 >> NICE. 838 00:53:11,464 --> 00:53:13,673 >> THAT'’S HOW I MET LEAH. 839 00:53:13,673 --> 00:53:15,744 >> WHAT, LEAH'’S A PORN STAR? 840 00:53:15,744 --> 00:53:16,676 >> NO. 841 00:53:16,676 --> 00:53:17,780 [CHUCKLES] 842 00:53:17,780 --> 00:53:19,886 NOT ANYMORE. 843 00:53:19,886 --> 00:53:22,475 SHE'’S DOING A Ph.D NOW. 844 00:53:22,475 --> 00:53:25,995 IN EROTOLOGY. 845 00:53:25,995 --> 00:53:32,105 IN EROTOLOGY. >> [NOON GRUNTING...] 846 00:53:32,105 --> 00:53:36,074 >> [NOON GRUNTING...] 847 00:53:36,074 --> 00:53:40,044 >> [NOON GRUNTING...] [KNOCK AT DOOR] 848 00:53:40,044 --> 00:53:43,116 [KNOCK AT DOOR] 849 00:53:43,116 --> 00:53:46,982 >> COME IN. 850 00:53:46,982 --> 00:53:48,708 >> HIYA. 851 00:53:48,708 --> 00:53:51,504 >> HI. 852 00:53:51,504 --> 00:53:53,954 >> IS EVERYTHING O.K.? 853 00:53:53,954 --> 00:53:58,304 >> MMM. 854 00:53:58,304 --> 00:54:00,616 WHERE'’S MANCHESTER? 855 00:54:00,616 --> 00:54:04,931 >> HE'’S DOWNSTAIRS WITH FRANNY. 856 00:54:04,931 --> 00:54:06,346 WOULD YOU LIKE ME TO RUN YOU 857 00:54:06,346 --> 00:54:09,280 A BATH? 858 00:54:09,280 --> 00:54:11,040 >> [CHUCKLES] 859 00:54:11,040 --> 00:54:15,528 YES, PLEASE. 860 00:54:15,528 --> 00:54:17,288 >> I AM TELLING YOU, KID. 861 00:54:17,288 --> 00:54:20,222 YOU, YOU CAN BE A REAL 862 00:54:20,222 --> 00:54:21,568 ART STAR. 863 00:54:21,568 --> 00:54:23,121 WE CAN HAVE AN EXHIBITION 864 00:54:23,121 --> 00:54:24,709 ARRANGED IN NO TIME. 865 00:54:24,709 --> 00:54:25,952 >> I DON'’T KNOW. 866 00:54:25,952 --> 00:54:27,125 IT'’S JUST PHOTOS OF ME AND 867 00:54:27,125 --> 00:54:29,266 ME GIRLFRIEND FUCKING. 868 00:54:29,266 --> 00:54:30,405 >> [LAUGHS] 869 00:54:30,405 --> 00:54:32,545 YOU CAN MAKE A LOT OF MONEY. 870 00:54:32,545 --> 00:54:33,373 >> MONEY DON'’T INTEREST ME, 871 00:54:33,373 --> 00:54:34,823 THOUGH. 872 00:54:34,823 --> 00:54:36,790 >> MONEY IS LIKE SEX, 873 00:54:36,790 --> 00:54:38,516 MANCHESTER. 874 00:54:38,516 --> 00:54:40,932 ONLY TOO MUCH IS ENOUGH. 875 00:54:40,932 --> 00:54:42,486 [CHUCKLES] 876 00:54:42,486 --> 00:54:44,211 DO YOU THINK... NOON WANTS TO 877 00:54:44,211 --> 00:54:47,180 LIVE IN A BLOODY GARAGE FOREVER? 878 00:54:47,180 --> 00:54:48,285 >> NO. 879 00:54:48,285 --> 00:54:51,426 >> NO, SHE DOESN'’T. 880 00:54:51,426 --> 00:54:52,634 >> IT JUST SEEMS A BIT WEIRD 881 00:54:52,634 --> 00:54:54,705 THOUGH, FRANNY. 882 00:54:54,705 --> 00:54:55,740 >> YOUR MORALS AREN'’T YOUR 883 00:54:55,740 --> 00:54:57,708 BOWELS, KID. 884 00:54:57,708 --> 00:54:58,881 LOSING CONTROL OF THEM DON'’T 885 00:54:58,881 --> 00:55:00,297 MEAN YOU END UP COVERED IN SHIT. 886 00:55:00,297 --> 00:55:06,717 [BOTH CHUCKLING] 887 00:55:06,717 --> 00:55:07,994 >> YOU THINK I SHOULD ASK NOON 888 00:55:07,994 --> 00:55:09,961 WHAT SHE THINKS? 889 00:55:09,961 --> 00:55:13,171 >> [CHUCKLES] 890 00:55:13,171 --> 00:55:15,242 [SIGHS] 891 00:55:15,242 --> 00:55:19,937 IF YOU HAVE TO SWALLOW A FROG... 892 00:55:19,937 --> 00:55:21,145 [SWALLOWS, EXHALES] 893 00:55:21,145 --> 00:55:25,080 DON'’T LOOK AT IT TOO LONG, EH? 894 00:55:25,080 --> 00:55:27,013 [CHUCKLES] 895 00:55:27,013 --> 00:55:30,119 [CHUCKLES] [LAUGHS] 896 00:55:30,119 --> 00:55:35,987 [LAUGHS] 897 00:55:35,987 --> 00:55:41,061 [LAUGHS] [Actors on film moaning...] 898 00:55:41,061 --> 00:55:53,419 [Actors on film moaning...] 899 00:55:53,419 --> 00:55:55,213 [♪...] 900 00:55:55,213 --> 00:55:57,457 [BAG CRINKLES] 901 00:55:57,457 --> 00:55:59,563 [BAG CRINKLES] [BAG OPENS] 902 00:55:59,563 --> 00:56:04,153 [BAG OPENS] 903 00:56:04,153 --> 00:56:07,018 [POCKETS BAG] 904 00:56:07,018 --> 00:56:08,641 >> OPEN WIDE. 905 00:56:08,641 --> 00:56:11,678 >> OPEN WIDE. [♪...] 906 00:56:11,678 --> 00:56:32,768 [♪...] 907 00:56:32,768 --> 00:56:34,114 >> Man: ♪ IF I PROMISED TO 908 00:56:34,114 --> 00:56:36,393 SETTLE DOWN... ♪ 909 00:56:36,393 --> 00:56:41,087 >> [LAUGHING] 910 00:56:41,087 --> 00:56:43,054 >> Man: ♪ WITH YOU 911 00:56:43,054 --> 00:56:46,195 FOREVER BY MY SIDE ♪ 912 00:56:46,195 --> 00:56:49,751 [♪...] 913 00:56:49,751 --> 00:56:56,067 ♪ OH, WILL YOU KEEP THE PEACE? 914 00:56:56,067 --> 00:56:59,416 >> THINK HE'’S HURT. 915 00:56:59,416 --> 00:57:04,421 >> WAIT HERE. 916 00:57:04,421 --> 00:57:06,802 >> WHERE ARE YOU GOING? 917 00:57:06,802 --> 00:57:08,977 >> WHERE ARE YOU GOING? DON'’T LEAVE US! 918 00:57:08,977 --> 00:57:11,531 DON'’T LEAVE US! 919 00:57:11,531 --> 00:57:12,981 >> I'’M TELLING YOU, STEVE, 920 00:57:12,981 --> 00:57:17,641 THIS KID IS THE REAL DEAL. 921 00:57:17,641 --> 00:57:21,334 YES! 922 00:57:21,334 --> 00:57:22,369 RIGHT. 923 00:57:22,369 --> 00:57:25,442 THANKS, DOVE. 924 00:57:25,442 --> 00:57:27,444 YEAH... 925 00:57:27,444 --> 00:57:28,479 HANG ON, STEVE. 926 00:57:28,479 --> 00:57:34,071 [DRAWERS BANGING] 927 00:57:34,071 --> 00:57:35,382 MANCHESTER, WHAT... 928 00:57:35,382 --> 00:57:38,351 >> [BREATHING HEAVILY] 929 00:57:38,351 --> 00:57:39,870 >> WHAT YOU DOING? 930 00:57:39,870 --> 00:57:41,458 >> EH, SORRY, FRANNY. 931 00:57:41,458 --> 00:57:44,012 BIT OF A RUSH. 932 00:57:44,012 --> 00:57:47,049 [GASPING FOR BREATH] 933 00:57:47,049 --> 00:57:52,986 [LAUGHING] 934 00:57:52,986 --> 00:57:54,471 [WATER SPRAYING] 935 00:57:54,471 --> 00:57:55,299 [LEAH TURNS WATER OFF] 936 00:57:55,299 --> 00:57:56,956 >> SORRY ABOUT THAT. 937 00:57:56,956 --> 00:57:58,475 YEAH, YEAH, NO PROBLEM, I'’LL, 938 00:57:58,475 --> 00:58:00,684 I'’LL BRING HIM DOWN. 939 00:58:00,684 --> 00:58:05,551 O.K. 940 00:58:05,551 --> 00:58:10,901 O.K. [♪..., STREAM BABBLING...] 941 00:58:10,901 --> 00:58:41,276 [♪..., STREAM BABBLING...] 942 00:58:41,276 --> 00:58:43,174 >> OOH. 943 00:58:43,174 --> 00:58:46,937 [CHUCKLES] 944 00:58:46,937 --> 00:58:48,801 WHAT SHALL WE CALL HIM? 945 00:58:48,801 --> 00:58:50,596 >> PEACE FROG. 946 00:58:50,596 --> 00:58:54,082 [THUNDER RUMBLES IN DISTANCE] 947 00:58:54,082 --> 00:58:56,222 [WATER SPLASHING] 948 00:58:56,222 --> 00:58:58,638 >> [LAUGHS] 949 00:58:58,638 --> 00:59:03,022 >> [LAUGHS] [RAIN FALLING, BOTH PANTING] 950 00:59:03,022 --> 00:59:07,474 [RAIN FALLING, BOTH PANTING] 951 00:59:07,474 --> 00:59:09,097 >> WHAT HAVE YOU GOT IN THERE? 952 00:59:09,097 --> 00:59:11,720 >> PEACE FROG. 953 00:59:11,720 --> 00:59:13,964 >> WHAT YOU DOING WITH A FROG? 954 00:59:13,964 --> 00:59:15,344 >> PEELING ITS MOONS. 955 00:59:15,344 --> 00:59:17,277 >> WHAT? 956 00:59:17,277 --> 00:59:22,179 >> PEELING ITS MOONS. 957 00:59:22,179 --> 00:59:26,321 >> YOU BEEN DRINKING? 958 00:59:26,321 --> 00:59:28,634 >> MMM. 959 00:59:28,634 --> 00:59:30,497 >> WHAT'’S GOING ON, MANCHESTER? 960 00:59:30,497 --> 00:59:31,360 >> NOTHING. 961 00:59:31,360 --> 00:59:33,500 WE'’RE HEALING ITS WOUNDS. 962 00:59:33,500 --> 00:59:35,641 IT'’S INJURED. 963 00:59:35,641 --> 00:59:42,130 [BREATHES HEAVILY] 964 00:59:42,130 --> 00:59:48,654 [BREATHES HEAVILY] >> OFF HIS HEAD. 965 00:59:48,654 --> 00:59:58,215 >> OFF HIS HEAD. 966 00:59:58,215 --> 00:59:59,423 >> I WAS HAVING A REALLY WEIRD 967 00:59:59,423 --> 01:00:04,290 DREAM ABOUT A... 968 01:00:04,290 --> 01:00:05,671 MOUSE WITH A SIDE-PARTING IN HIS 969 01:00:05,671 --> 01:00:09,019 HAIR. 970 01:00:09,019 --> 01:00:10,434 HE WAS USING A HUMAN EARLOBE AS 971 01:00:10,434 --> 01:00:17,130 A PUNCH-BAG. 972 01:00:17,130 --> 01:00:21,031 A PUNCH-BAG. >> I LOVE YOU. 973 01:00:21,031 --> 01:00:26,243 >> I LOVE YOU. 974 01:00:26,243 --> 01:00:27,071 >> DON'’T WORRY ABOUT IT, 975 01:00:27,071 --> 01:00:27,796 IT'’LL BE FINE. 976 01:00:27,796 --> 01:00:31,144 [SPEAKING INDISTINCTLY] 977 01:00:31,144 --> 01:00:32,698 IT'’LL BE FINE. 978 01:00:32,698 --> 01:00:35,045 TRUST ME, TRUST ME, ABSOLUTELY. 979 01:00:35,045 --> 01:00:38,255 TRUST ME, TRUST ME, ABSOLUTELY. COME ON, LET'’S GO. 980 01:00:38,255 --> 01:00:58,206 COME ON, LET'’S GO. 981 01:00:58,206 --> 01:01:00,380 COME ON, MANCHESTER. 982 01:01:00,380 --> 01:01:04,315 COME ON, MANCHESTER. LET'’S GET GOING. 983 01:01:04,315 --> 01:01:47,220 LET'’S GET GOING. 984 01:01:47,220 --> 01:01:53,054 >> SO, WHAT'’S YOUR TECHNIQUE? 985 01:01:53,054 --> 01:01:54,607 >> NO TECHNIQUE. 986 01:01:54,607 --> 01:01:56,713 JUST INSTINCT. 987 01:01:56,713 --> 01:01:58,576 A COUPLE OF INSTAMATICS... 988 01:01:58,576 --> 01:02:02,063 AND A WILLING GIRLFRIEND. 989 01:02:02,063 --> 01:02:04,237 >> YEAH. 990 01:02:04,237 --> 01:02:07,793 SHE'’S AMAZING. 991 01:02:07,793 --> 01:02:09,035 >> BEAUTY IS THAT IT TAKES LESS 992 01:02:09,035 --> 01:02:10,727 TIME TO MAKE THE PHOTOGRAPHS 993 01:02:10,727 --> 01:02:11,900 THAN IT TAKES FOR PEOPLE TO 994 01:02:11,900 --> 01:02:13,660 LOOK AT THEM. 995 01:02:13,660 --> 01:02:14,869 >> I THINK THE BEAUTY IS THIS 996 01:02:14,869 --> 01:02:16,249 REJECTION OF LIGHTING, THE LACK 997 01:02:16,249 --> 01:02:18,010 OF CHOREOGRAPHY. 998 01:02:18,010 --> 01:02:18,976 IT LEADS TO IMAGES WITHOUT 999 01:02:18,976 --> 01:02:21,565 ARTIFICIALITY. 1000 01:02:21,565 --> 01:02:23,947 THIS IS THE REAL THING. 1001 01:02:23,947 --> 01:02:27,813 THIS IS THE REAL THING. >> EXACTLY. 1002 01:02:27,813 --> 01:02:32,576 >> EXACTLY. 1003 01:02:32,576 --> 01:02:33,888 >> WE HAVE WORK TO DO, 1004 01:02:33,888 --> 01:02:37,512 GENTLEMEN. 1005 01:02:37,512 --> 01:02:40,066 >> INDEED. 1006 01:02:40,066 --> 01:02:43,518 >> YEAH. 1007 01:02:43,518 --> 01:02:46,693 >> HERE, GOT YOU SOMETHING. 1008 01:02:46,693 --> 01:02:48,109 >> FUCKING HELL, FRANNY. 1009 01:02:48,109 --> 01:02:49,489 >> YEAH, YOU JUST CARRY ON 1010 01:02:49,489 --> 01:02:54,011 TAKING THOSE PICTURES. 1011 01:02:54,011 --> 01:02:55,944 TAKING THOSE PICTURES. ALL RIGHT? 1012 01:02:55,944 --> 01:03:09,026 ALL RIGHT? 1013 01:03:09,026 --> 01:03:10,027 >> YOU'’RE BACK AT LAST. 1014 01:03:10,027 --> 01:03:11,442 I'’M AS HORNY AS A FIELD OF 1015 01:03:11,442 --> 01:03:12,098 STAGS. 1016 01:03:12,098 --> 01:03:13,272 >> LOOK AT THIS, NOON. 1017 01:03:13,272 --> 01:03:14,756 I'’VE HAD A WICKED DAY. 1018 01:03:14,756 --> 01:03:17,379 >> GONNA FUCK YOUR BRAINS OUT. 1019 01:03:17,379 --> 01:03:19,312 >> [BREATHING HEAVILY] 1020 01:03:19,312 --> 01:03:22,143 [KISSES] 1021 01:03:22,143 --> 01:03:26,595 [KISSES] [♪...] 1022 01:03:26,595 --> 01:04:07,429 [♪...] 1023 01:04:07,429 --> 01:04:13,642 >> Man: ♪ SILVER TREES 1024 01:04:13,642 --> 01:04:20,097 ♪ PINWHEELS IN THE SNOW 1025 01:04:20,097 --> 01:04:25,516 ♪ NO, WE DIDN'’T SEE YOU ♪ 1026 01:04:25,516 --> 01:04:29,003 ♪ THAT YEAR YOU KEPT 1027 01:04:29,003 --> 01:04:32,316 YOUR SHUTTERS CLOSED ♪ 1028 01:04:32,316 --> 01:04:33,662 [CAMERA CLICKING...] 1029 01:04:33,662 --> 01:04:40,290 ♪ WELL, I'’VE BEEN SLEEPING 1030 01:04:40,290 --> 01:04:46,227 TO YOUR FACE ♪ 1031 01:04:46,227 --> 01:04:49,886 ♪ AND I'’VE BEEN TALKING TO 1032 01:04:49,886 --> 01:04:52,819 YOUR SONGS... ♪ 1033 01:04:52,819 --> 01:04:55,753 [MUSIC FADES] 1034 01:04:55,753 --> 01:04:58,825 [MUSIC FADES] >> [CHUCKLES] 1035 01:04:58,825 --> 01:05:15,635 >> [CHUCKLES] 1036 01:05:15,635 --> 01:05:19,674 >> WHAT DO YOU THINK? 1037 01:05:19,674 --> 01:05:21,055 >> FUCKIN'’ HELL, FRANNY. 1038 01:05:21,055 --> 01:05:25,645 >> [LAUGHS] 1039 01:05:25,645 --> 01:05:26,750 THAT IS YOU. 1040 01:05:26,750 --> 01:05:29,373 >> [CHUCKLES] 1041 01:05:29,373 --> 01:05:33,239 [WHISPERS]: NOON, NOON. 1042 01:05:33,239 --> 01:05:34,758 NOON. 1043 01:05:34,758 --> 01:05:38,348 NOON. I'’VE GOT SOMETHING TO TELL YOU. 1044 01:05:38,348 --> 01:05:58,506 I'’VE GOT SOMETHING TO TELL YOU. 1045 01:05:58,506 --> 01:05:59,921 >> Noon on tape: While I was on 1046 01:05:59,921 --> 01:06:01,060 holiday in Greece, I met these 1047 01:06:01,060 --> 01:06:03,235 two brothers. 1048 01:06:03,235 --> 01:06:04,891 They took it in turns to fuck me 1049 01:06:04,891 --> 01:06:07,894 in me hotel room. 1050 01:06:07,894 --> 01:06:09,275 One day the younger one took me 1051 01:06:09,275 --> 01:06:10,518 to the beach in the early 1052 01:06:10,518 --> 01:06:11,760 morning and told me he had 1053 01:06:11,760 --> 01:06:14,004 a surprise for me. 1054 01:06:14,004 --> 01:06:15,247 He pulled down his trunks and 1055 01:06:15,247 --> 01:06:17,525 showed me a tattoo on his dick. 1056 01:06:17,525 --> 01:06:18,560 One of those temporary ones 1057 01:06:18,560 --> 01:06:20,562 you stick on. 1058 01:06:20,562 --> 01:06:22,495 It was of a dolphin. 1059 01:06:22,495 --> 01:06:24,981 >> [GRUNTS] 1060 01:06:24,981 --> 01:06:25,947 >> I pulled my bikini bottoms 1061 01:06:25,947 --> 01:06:27,328 to one side and we fucked there 1062 01:06:27,328 --> 01:06:29,640 and then in the sand. 1063 01:06:29,640 --> 01:06:30,987 He bit my neck as the waves 1064 01:06:30,987 --> 01:06:32,643 engulfed us, and I rode that 1065 01:06:32,643 --> 01:06:33,886 dolphin until it was sick 1066 01:06:33,886 --> 01:06:34,542 inside me. 1067 01:06:34,542 --> 01:06:37,510 >> [MOANING] 1068 01:06:37,510 --> 01:06:39,719 >> This one took ages. 1069 01:06:39,719 --> 01:06:41,066 In the end, I could feel it 1070 01:06:41,066 --> 01:06:42,136 coming, and it nearly ripped 1071 01:06:42,136 --> 01:06:43,896 me pussy off. 1072 01:06:43,896 --> 01:06:46,243 My clit is throbbing. 1073 01:06:46,243 --> 01:06:47,106 [RECORDER CLICKS] 1074 01:06:47,106 --> 01:06:52,456 >> [MOANING...] 1075 01:06:52,456 --> 01:06:57,737 >> [MOANING...] [GRUNTING AND GASPING...] 1076 01:06:57,737 --> 01:07:06,194 [GRUNTING AND GASPING...] 1077 01:07:06,194 --> 01:07:11,268 [GASPING...] 1078 01:07:11,268 --> 01:07:15,376 >> FUCK ARE YOU DOING? 1079 01:07:15,376 --> 01:07:16,515 FUCK OFF! 1080 01:07:16,515 --> 01:07:20,691 COCK! 1081 01:07:20,691 --> 01:07:23,729 COCK! >> [BREATHING HEAVILY...] 1082 01:07:23,729 --> 01:07:30,080 >> [BREATHING HEAVILY...] 1083 01:07:30,080 --> 01:07:35,948 >> [BREATHING HEAVILY...] SORRY, BABY. 1084 01:07:35,948 --> 01:07:38,123 SORRY, BABY. 1085 01:07:38,123 --> 01:07:41,022 SORRY, BABY. NOON! 1086 01:07:41,022 --> 01:07:45,751 NOON! 1087 01:07:45,751 --> 01:07:49,927 NOON! 1088 01:07:49,927 --> 01:07:53,241 NOON! 1089 01:07:53,241 --> 01:07:58,074 >> NOON. 1090 01:07:58,074 --> 01:07:59,005 >> NOON. NOON! 1091 01:07:59,005 --> 01:08:05,391 NOON! 1092 01:08:05,391 --> 01:08:08,325 NOON! >> NOON... 1093 01:08:08,325 --> 01:08:15,919 >> NOON... 1094 01:08:15,919 --> 01:08:18,680 >> NOON... >> NOON! 1095 01:08:18,680 --> 01:08:20,924 >> NOON! 1096 01:08:20,924 --> 01:08:25,653 >> WHERE THE HELL IS SHE? 1097 01:08:25,653 --> 01:08:26,826 >> I DON'’T KNOW. 1098 01:08:26,826 --> 01:08:28,000 >> MANCHESTER, WE GOTTA GET 1099 01:08:28,000 --> 01:08:28,863 GOING. 1100 01:08:28,863 --> 01:08:29,622 >> NO WAY. 1101 01:08:29,622 --> 01:08:30,830 I'’M NOT GOING ANYWHERE TILL SHE 1102 01:08:30,830 --> 01:08:32,522 COMES BACK. 1103 01:08:32,522 --> 01:08:33,764 >> WHY DON'’T WE ALL GO BACK 1104 01:08:33,764 --> 01:08:34,972 AND START GETTING READY AND SEE 1105 01:08:34,972 --> 01:08:36,353 IF SHE TURNS UP? 1106 01:08:36,353 --> 01:08:37,561 IF SHE DOESN'’T, NONE OF US 1107 01:08:37,561 --> 01:08:40,668 WILL GO. 1108 01:08:40,668 --> 01:08:43,981 >> MANCHESTER? 1109 01:08:43,981 --> 01:08:46,122 >> RIGHT. 1110 01:08:46,122 --> 01:08:49,780 [♪...] 1111 01:08:49,780 --> 01:08:52,197 NOON! 1112 01:08:52,197 --> 01:08:56,132 NOON! NOON! 1113 01:08:56,132 --> 01:09:11,319 NOON! 1114 01:09:11,319 --> 01:09:14,322 >> Woman: ♪ HELLO... HELLO... 1115 01:09:14,322 --> 01:09:17,808 HELLO... ♪ 1116 01:09:17,808 --> 01:09:21,053 ♪ HELLO... HELLO... 1117 01:09:21,053 --> 01:09:24,229 HELLO... ♪ 1118 01:09:24,229 --> 01:09:30,752 ♪ HERE WE ARE... 1119 01:09:30,752 --> 01:09:33,997 ♪ MOVING... 1120 01:09:33,997 --> 01:09:37,242 MOVING... 1121 01:09:37,242 --> 01:09:42,247 HOME... ♪ 1122 01:09:42,247 --> 01:09:47,044 HOME... ♪ [♪...] 1123 01:09:47,044 --> 01:09:57,020 [♪...] 1124 01:09:57,020 --> 01:10:02,991 ♪ HELLO... HELLO... HELLO... 1125 01:10:02,991 --> 01:10:04,924 ♪ HELLO... HELLO... HELLO... 1126 01:10:04,924 --> 01:10:09,688 >> MANCHESTER? 1127 01:10:09,688 --> 01:10:15,763 >> Woman: ♪ HERE WE ARE... 1128 01:10:15,763 --> 01:10:18,800 ♪ MOVING... 1129 01:10:18,800 --> 01:10:22,045 MOVING... 1130 01:10:22,045 --> 01:10:28,189 HOME... ♪ 1131 01:10:28,189 --> 01:10:30,985 HOME... ♪ [SONG ENDS] 1132 01:10:30,985 --> 01:10:33,677 [SONG ENDS] 1133 01:10:33,677 --> 01:10:34,368 [NEW SONG BEGINS] 1134 01:10:34,368 --> 01:10:38,993 [NEW SONG BEGINS] [GENERAL CONVERSATION...] 1135 01:10:38,993 --> 01:10:51,971 [GENERAL CONVERSATION...] 1136 01:10:51,971 --> 01:10:54,767 >> Woman: ♪ ALL THE GOLD 1137 01:10:54,767 --> 01:10:57,322 AND THE GUNS ♪ 1138 01:10:57,322 --> 01:10:58,771 ♪ IN THE WORLD 1139 01:10:58,771 --> 01:11:02,637 ♪ COULDN'’T GET YOU OFF ♪ 1140 01:11:02,637 --> 01:11:05,364 ♪ ALL THE GOLD 1141 01:11:05,364 --> 01:11:07,987 ♪ AND THE GUNS 1142 01:11:07,987 --> 01:11:09,506 ♪ AND THE GIRLS... 1143 01:11:09,506 --> 01:11:10,507 [MUSIC FADES] 1144 01:11:10,507 --> 01:11:12,198 >> LADIES AND GENTLEMEN, 1145 01:11:12,198 --> 01:11:14,373 I GIVE YOU... MANCHESTER. 1146 01:11:14,373 --> 01:11:19,585 [APPLAUSE...] 1147 01:11:19,585 --> 01:11:20,897 >> CONGRATULATIONS ON THE SHOW. 1148 01:11:20,897 --> 01:11:21,691 VERY IMPRESSIVE. 1149 01:11:21,691 --> 01:11:22,588 >> THANKS. 1150 01:11:22,588 --> 01:11:23,624 >> SO SPONTANEOUS. 1151 01:11:23,624 --> 01:11:25,315 SO SUBVERSIVE. 1152 01:11:25,315 --> 01:11:26,385 >> THANK YOU. 1153 01:11:26,385 --> 01:11:27,455 >> YOUR PHOTOGRAPHS ARE AMAZING, 1154 01:11:27,455 --> 01:11:29,077 SO RAW, WHAT'’S YOUR TECHNIQUE? 1155 01:11:29,077 --> 01:11:29,906 >> UH, HIS TECHNIQUE IS 1156 01:11:29,906 --> 01:11:31,494 AN ABSENCE OF TECHNIQUE. 1157 01:11:31,494 --> 01:11:32,840 HIS EYES ARE THE LENS. 1158 01:11:32,840 --> 01:11:33,875 >> WOULD YOU SAY YOUR IMAGES 1159 01:11:33,875 --> 01:11:36,084 WERE IN ANY WAY IMPUDENT? 1160 01:11:36,084 --> 01:11:36,947 >> DON'’T EVEN KNOW WHAT THAT 1161 01:11:36,947 --> 01:11:37,638 MEANS. 1162 01:11:37,638 --> 01:11:38,673 >> IT'’S JUST A YOUNG COUPLE 1163 01:11:38,673 --> 01:11:40,054 IN LOVE MAKING LOVE. 1164 01:11:40,054 --> 01:11:41,020 >> I TOLD YOU, DIDN'’T I? 1165 01:11:41,020 --> 01:11:42,056 WHAT DID I TELL YOU? 1166 01:11:42,056 --> 01:11:44,610 YOU ARE A FUCKING STAR. 1167 01:11:44,610 --> 01:11:47,751 [♪...] 1168 01:11:47,751 --> 01:11:49,166 >> Woman: ♪ IS IT EVER GONNA BE 1169 01:11:49,166 --> 01:11:50,651 ENOUGH? ♪ 1170 01:11:50,651 --> 01:11:53,412 ♪ IS IT EVER GONNA BE ENOUGH? 1171 01:11:53,412 --> 01:11:55,483 ♪ IS IT EVER GONNA BE ENOUGH? 1172 01:11:55,483 --> 01:11:59,211 [♪...] 1173 01:11:59,211 --> 01:12:02,421 [♪...] [MUSIC FADES] 1174 01:12:02,421 --> 01:12:07,150 [MUSIC FADES] 1175 01:12:07,150 --> 01:12:08,462 >> NOON. 1176 01:12:08,462 --> 01:12:10,049 YOU MADE IT. 1177 01:12:10,049 --> 01:12:11,396 WE WAITED FOR YOU AS LONG AS 1178 01:12:11,396 --> 01:12:12,293 WE COULD. 1179 01:12:12,293 --> 01:12:13,294 >> WHY ARE YOU DRESSED LIKE 1180 01:12:13,294 --> 01:12:15,296 A TWAT? 1181 01:12:15,296 --> 01:12:16,539 >> I'’M NOT A TWAT. 1182 01:12:16,539 --> 01:12:18,541 I'’M AN ARTIST. 1183 01:12:18,541 --> 01:12:19,438 >> [SCOFFS] 1184 01:12:19,438 --> 01:12:22,855 >> NO, SERIOUSLY, I'’M AN ARTIST. 1185 01:12:22,855 --> 01:12:25,582 >> NO, SERIOUSLY, I'’M AN ARTIST. COME AND SEE. 1186 01:12:25,582 --> 01:13:13,250 COME AND SEE. 1187 01:13:13,250 --> 01:13:16,115 COME AND SEE. [SLAPS HIM HARD] 1188 01:13:16,115 --> 01:13:24,089 [SLAPS HIM HARD] 1189 01:13:24,089 --> 01:13:28,093 >> WHAT? 1190 01:13:28,093 --> 01:13:30,889 [INDISTINCT CONVERSATION] 1191 01:13:30,889 --> 01:13:33,305 NOON! 1192 01:13:33,305 --> 01:13:35,894 NOON! 1193 01:13:35,894 --> 01:13:36,619 NOON. 1194 01:13:36,619 --> 01:13:38,068 DON'’T GO, PLEASE! 1195 01:13:38,068 --> 01:13:39,449 >> Noon: GO FUCKING DIE! 1196 01:13:39,449 --> 01:13:42,314 >> Noon: GO FUCKING DIE! [ENGINE REVS, TIRES SQUEAL] 1197 01:13:42,314 --> 01:13:44,109 [ENGINE REVS, TIRES SQUEAL] 1198 01:13:44,109 --> 01:13:47,284 [ENGINE REVS, TIRES SQUEAL] >> FUCK IT. 1199 01:13:47,284 --> 01:13:53,498 >> FUCK IT. 1200 01:13:53,498 --> 01:13:58,675 >> FUCK IT. [♪...] 1201 01:13:58,675 --> 01:14:00,436 [♪...] 1202 01:14:00,436 --> 01:14:04,370 [♪...] >> [CRYING ANGRILY] COCK! 1203 01:14:04,370 --> 01:14:17,073 >> [CRYING ANGRILY] COCK! 1204 01:14:17,073 --> 01:14:19,455 >> LADIES AND HERMAPHRODITES... 1205 01:14:19,455 --> 01:14:20,317 [SCATTERED LAUGHTER] 1206 01:14:20,317 --> 01:14:21,457 CAN I HAVE YOUR ATTENTION, 1207 01:14:21,457 --> 01:14:23,459 PLEASE? 1208 01:14:23,459 --> 01:14:25,909 THANKS FOR FUCKING COMING AND 1209 01:14:25,909 --> 01:14:28,567 LOOKING AT FUCKING PHOTOGRAPHS 1210 01:14:28,567 --> 01:14:30,949 OF MY FUCKING DICK... 1211 01:14:30,949 --> 01:14:32,744 YOU FUCKING TWATS. 1212 01:14:32,744 --> 01:14:33,469 [SCATTERED LAUGHTER] 1213 01:14:33,469 --> 01:14:39,198 [APPLAUSE AND CHEERING] 1214 01:14:39,198 --> 01:14:43,444 NOW I SUGGEST WE ALL GET NAKED 1215 01:14:43,444 --> 01:14:49,485 AND WRESTLE LIKE GREEKS. 1216 01:14:49,485 --> 01:14:51,417 >> [LAUGHS] 1217 01:14:51,417 --> 01:14:54,869 >> [LAUGHS] [♪...] 1218 01:14:54,869 --> 01:14:58,355 [♪...] 1219 01:14:58,355 --> 01:15:01,393 [♪...] [URINE SPLASHING] 1220 01:15:01,393 --> 01:15:03,015 [URINE SPLASHING] 1221 01:15:03,015 --> 01:15:05,155 [SCATTERED APPLAUSE...] 1222 01:15:05,155 --> 01:15:07,468 >> REMEMBER, LADIES! 1223 01:15:07,468 --> 01:15:08,538 THAT'’S WHERE CHAMPAGNE COMES 1224 01:15:08,538 --> 01:15:09,539 FROM. 1225 01:15:09,539 --> 01:15:12,991 [SCATTERED APPLAUSE CONTINUES] 1226 01:15:12,991 --> 01:15:16,857 [SCATTERED APPLAUSE CONTINUES] [♪...] 1227 01:15:16,857 --> 01:15:27,177 [♪...] 1228 01:15:27,177 --> 01:15:29,559 [♪...] [MUSIC ENDS] 1229 01:15:29,559 --> 01:15:54,135 [MUSIC ENDS] 1230 01:15:54,135 --> 01:15:58,864 [MUSIC ENDS] [SURF ROLLING, WIND BLOWING...] 1231 01:15:58,864 --> 01:16:10,255 [SURF ROLLING, WIND BLOWING...] 1232 01:16:10,255 --> 01:16:14,742 [SURF ROLLING, WIND BLOWING...] [♪...] 1233 01:16:14,742 --> 01:17:54,566 [♪...] 1234 01:17:54,566 --> 01:17:57,569 [♪...] [MUSIC ENDS] 1235 01:17:57,569 --> 01:18:16,174 [MUSIC ENDS] 1236 01:18:16,174 --> 01:18:20,005 >> WHAT THE FUCK ARE YOU DOING? 1237 01:18:20,005 --> 01:18:21,110 WHAT THE FUCK? 1238 01:18:21,110 --> 01:18:22,318 YOU FUCKING FUCKER! 1239 01:18:22,318 --> 01:18:23,733 >> HEY, HEY... 1240 01:18:23,733 --> 01:18:24,700 HEY! 1241 01:18:24,700 --> 01:18:26,253 MANCHESTER. 1242 01:18:26,253 --> 01:18:28,255 CALM DOWN, YOU CRAZY LITTLE 1243 01:18:28,255 --> 01:18:29,394 BASTARD! 1244 01:18:29,394 --> 01:18:32,500 THESE ARE FUCKING AMAZING! 1245 01:18:32,500 --> 01:18:34,986 SOME OF THE BEST YET! 1246 01:18:34,986 --> 01:18:35,918 >> I DIDN'’T EVEN FUCKING 1247 01:18:35,918 --> 01:18:38,990 >> I DIDN'’T EVEN FUCKING TAKE '’EM. 1248 01:18:38,990 --> 01:18:44,478 TAKE '’EM. 1249 01:18:44,478 --> 01:18:46,929 TAKE '’EM. [CAMERA SPLASHES INTO POOL] 1250 01:18:46,929 --> 01:18:49,069 [CAMERA SPLASHES INTO POOL] 1251 01:18:49,069 --> 01:18:54,281 [CAMERA SPLASHES INTO POOL] [♪...] 1252 01:18:54,281 --> 01:19:05,154 [♪...] 1253 01:19:05,154 --> 01:19:08,709 [♪...] [♪...] 1254 01:19:08,709 --> 01:19:32,250 [♪...] 1255 01:19:32,250 --> 01:19:35,080 [♪...] [MUSIC FADES TO SILENCE] 1256 01:19:35,080 --> 01:19:37,600 [MUSIC FADES TO SILENCE] 1257 01:19:37,600 --> 01:19:42,363 [MUSIC FADES TO SILENCE] [BIG DOG BARKING] 1258 01:19:42,363 --> 01:19:47,092 [BIG DOG BARKING] 1259 01:19:47,092 --> 01:19:48,162 >> SORRY, MISTER. 1260 01:19:48,162 --> 01:19:49,474 I WAS JUST LOOKING FOR SOMEWHERE 1261 01:19:49,474 --> 01:19:51,269 TO SLEEP. 1262 01:19:51,269 --> 01:19:55,342 [DOG PANTING...] 1263 01:19:55,342 --> 01:19:57,516 [DOG PANTING...] >> Man: COME ON. 1264 01:19:57,516 --> 01:20:01,727 >> Man: COME ON. 1265 01:20:01,727 --> 01:20:05,283 >> Man: COME ON. [BIRDS CHIRPING...] 1266 01:20:05,283 --> 01:20:46,911 [BIRDS CHIRPING...] 1267 01:20:46,911 --> 01:20:49,845 [BIRDS CHIRPING...] [FOOTSTEPS APPROACHING] 1268 01:20:49,845 --> 01:21:00,856 [FOOTSTEPS APPROACHING] 1269 01:21:00,856 --> 01:21:02,236 [SQUISH] 1270 01:21:02,236 --> 01:21:06,862 >> OHH... FUCKING HELL. 1271 01:21:06,862 --> 01:21:10,866 UGH. 1272 01:21:10,866 --> 01:21:13,178 UGH. [TOAST CRUNCHING...] 1273 01:21:13,178 --> 01:21:17,148 [TOAST CRUNCHING...] 1274 01:21:17,148 --> 01:21:19,529 [TAPE RECORDER CLICKS] 1275 01:21:19,529 --> 01:21:20,737 >> Noon on tape: I feel like 1276 01:21:20,737 --> 01:21:25,294 a severed limb. 1277 01:21:25,294 --> 01:21:26,467 Like an open sore 1278 01:21:26,467 --> 01:21:30,264 that will not heal. 1279 01:21:30,264 --> 01:21:33,060 that will not heal. [♪...] 1280 01:21:33,060 --> 01:22:17,898 [♪...] 1281 01:22:17,898 --> 01:22:23,248 >> [GASPING AND GULPING...] 1282 01:22:23,248 --> 01:22:27,287 >> [GASPING AND GULPING...] [♪...] 1283 01:22:27,287 --> 01:22:38,401 [♪...] 1284 01:22:38,401 --> 01:22:41,887 [BIRDS SQUAWKING...] 1285 01:22:41,887 --> 01:22:46,582 [BIRDS SQUAWKING...] [MANCHESTER GRUNTING...] 1286 01:22:46,582 --> 01:22:53,554 [MANCHESTER GRUNTING...] 1287 01:22:53,554 --> 01:22:56,419 [MANCHESTER GRUNTING...] [MUSIC FADES...] 1288 01:22:56,419 --> 01:23:04,772 [MUSIC FADES...] 1289 01:23:04,772 --> 01:23:05,773 [MEN AND WOMEN MOANING AND 1290 01:23:05,773 --> 01:23:09,743 [MEN AND WOMEN MOANING AND GRUNTING ON VIDEO...] 1291 01:23:09,743 --> 01:23:35,458 GRUNTING ON VIDEO...] 1292 01:23:35,458 --> 01:23:39,324 GRUNTING ON VIDEO...] >> [NOON MOANING...] 1293 01:23:39,324 --> 01:24:10,217 >> [NOON MOANING...] 1294 01:24:10,217 --> 01:24:13,703 >> [NOON MOANING...] [TAP, TAP, TAP] 1295 01:24:13,703 --> 01:24:21,918 [TAP, TAP, TAP] 1296 01:24:21,918 --> 01:24:25,060 >> CAN I SPEAK TO NOON, PLEASE? 1297 01:24:25,060 --> 01:24:31,066 >> NO. 1298 01:24:31,066 --> 01:24:33,068 >> NO. >> CAN YOU GIVE HER THESE, THEN? 1299 01:24:33,068 --> 01:24:50,533 >> CAN YOU GIVE HER THESE, THEN? 1300 01:24:50,533 --> 01:24:53,329 [PUNCH LANDS, THUD] 1301 01:24:53,329 --> 01:24:57,885 >> YOU SICK LITTLE BASTARD! 1302 01:24:57,885 --> 01:25:00,681 [KICKS HIM, MANCHESTER GASPS, 1303 01:25:00,681 --> 01:25:05,376 GROANING AND COUGHING...] 1304 01:25:05,376 --> 01:25:10,105 DON'’T YOU EVERCOME BACK HERE! 1305 01:25:10,105 --> 01:25:11,934 >> [CONTINUES GASPING 1306 01:25:11,934 --> 01:25:14,695 >> [CONTINUES GASPING AND COUGHING...] 1307 01:25:14,695 --> 01:25:36,786 AND COUGHING...] 1308 01:25:36,786 --> 01:25:39,513 AND COUGHING...] >> WHAT HAVE YOU DONE, DAD? 1309 01:25:39,513 --> 01:25:57,152 >> WHAT HAVE YOU DONE, DAD? 1310 01:25:57,152 --> 01:26:03,468 >> WHAT HAVE YOU DONE, DAD? [BIRDS THUD ON TABLE...] 1311 01:26:03,468 --> 01:26:07,541 [BIRDS THUD ON TABLE...] 1312 01:26:07,541 --> 01:26:10,130 >> WHAT'’S GOING ON, NOON? 1313 01:26:10,130 --> 01:26:13,237 >> I'’M A TAXIDERMIST. 1314 01:26:13,237 --> 01:26:14,721 >> YOU'’RE KEEPING DEAD ANIMALS 1315 01:26:14,721 --> 01:26:16,895 IN MY FREEZER, NEXT TO MY 1316 01:26:16,895 --> 01:26:18,000 FISH FINGERS AND THEN 1317 01:26:18,000 --> 01:26:19,484 BLOODY STUFFING THEM? 1318 01:26:19,484 --> 01:26:21,866 >> NOT STUFFING THEM. 1319 01:26:21,866 --> 01:26:23,592 "TAXIDERMY" MEANS 1320 01:26:23,592 --> 01:26:25,628 "TO REARRANGE SKIN." 1321 01:26:25,628 --> 01:26:27,147 >> IF THIS HAS GOT ANYTHING 1322 01:26:27,147 --> 01:26:28,907 TO DO WITH MANCHESTER, 1323 01:26:28,907 --> 01:26:31,116 I'’LL REARRANGE HISSKIN. 1324 01:26:31,116 --> 01:26:32,773 IN FACT I'’LL TEAR THE BASTARD 1325 01:26:32,773 --> 01:26:34,258 A NEW ARSEHOLE. 1326 01:26:34,258 --> 01:26:37,468 I WILL! 1327 01:26:37,468 --> 01:26:38,676 [DOOR SLAMS] 1328 01:26:38,676 --> 01:26:40,850 [DOOR SLAMS] >> FUCK OFF! 1329 01:26:40,850 --> 01:26:44,820 >> FUCK OFF! 1330 01:26:44,820 --> 01:26:49,445 >> FUCK OFF! [MANCHESTER CRYING...] 1331 01:26:49,445 --> 01:26:54,588 [MANCHESTER CRYING...] 1332 01:26:54,588 --> 01:26:56,832 [DOOR CLATTERS OPEN] 1333 01:26:56,832 --> 01:26:58,247 >> THE PRESS HAVE GONE MAD. 1334 01:26:58,247 --> 01:27:00,284 THEY FUCKIN'’ LOVE YOU. 1335 01:27:00,284 --> 01:27:01,043 COME ON, KID, 1336 01:27:01,043 --> 01:27:03,908 PULL UP YOUR PANTS. 1337 01:27:03,908 --> 01:27:09,051 >> [SOBBING AND SNIFFLING...] 1338 01:27:09,051 --> 01:27:12,986 I DON'’T GIVE A SHIT. 1339 01:27:12,986 --> 01:27:16,058 >> BUT THIS IS ART, MANCHESTER. 1340 01:27:16,058 --> 01:27:17,818 >> FUCK ART... 1341 01:27:17,818 --> 01:27:21,684 AND FUCK YOU. 1342 01:27:21,684 --> 01:27:23,341 >> HERE. 1343 01:27:23,341 --> 01:27:25,309 SOLD... 1344 01:27:25,309 --> 01:27:31,625 EVERY SINGLE ONE. 1345 01:27:31,625 --> 01:27:36,078 EVERY SINGLE ONE. >> [SOBBING...] 1346 01:27:36,078 --> 01:28:02,794 >> [SOBBING...] 1347 01:28:02,794 --> 01:28:06,246 >> YOUR MUM USED TO SAY... 1348 01:28:06,246 --> 01:28:09,974 LOVE IS LIKE A BIRD. 1349 01:28:09,974 --> 01:28:12,528 HOLD IT TOO TIGHT 1350 01:28:12,528 --> 01:28:15,428 AND YOU'’LL CRUSH IT, 1351 01:28:15,428 --> 01:28:20,018 BUT HOLD IT TOO LOOSE... 1352 01:28:20,018 --> 01:28:23,919 BUT HOLD IT TOO LOOSE... IT'’LL FLY AWAY. 1353 01:28:23,919 --> 01:28:30,891 IT'’LL FLY AWAY. 1354 01:28:30,891 --> 01:28:32,341 [NOON SOBS] 1355 01:28:32,341 --> 01:28:35,310 [NOON SOBS] [♪...] 1356 01:28:35,310 --> 01:28:41,143 [♪...] 1357 01:28:41,143 --> 01:28:42,662 >> Duet: ♪ SHE WALKED IN 1358 01:28:42,662 --> 01:28:47,287 WITH SADNESS IN HER EYES ♪ 1359 01:28:47,287 --> 01:28:49,738 ♪ I COULD TELL SHE'’D BEEN 1360 01:28:49,738 --> 01:28:53,500 SLEEPING WITH THE STARS ♪ 1361 01:28:53,500 --> 01:28:56,641 ♪ "WELL, HELLO, I AM DAWN" 1362 01:28:56,641 --> 01:29:00,231 ♪ "YES, I'’VE SEEN YOU AROUND AND 1363 01:29:00,231 --> 01:29:06,651 I JUST LIVE DOWN FROM HERE" ♪ 1364 01:29:06,651 --> 01:29:10,414 I JUST LIVE DOWN FROM HERE" ♪ [♪...] 1365 01:29:10,414 --> 01:29:15,695 [♪...] 1366 01:29:15,695 --> 01:29:18,283 ♪ AND SHE HAS A DAD 1367 01:29:18,283 --> 01:29:21,459 SHE DOES NOT KNOW ♪ 1368 01:29:21,459 --> 01:29:23,634 ♪ WHO SENDS HER LETTERS 1369 01:29:23,634 --> 01:29:27,914 WITH NO RETURN ADDRESS ♪ 1370 01:29:27,914 --> 01:29:30,882 ♪ "I DON'’T KNOW HIS NAME, 1371 01:29:30,882 --> 01:29:33,989 HE DON'’T KNOW MY FACE ♪ 1372 01:29:33,989 --> 01:29:39,374 ♪ I AM BETTER OFF THIS WAY..." 1373 01:29:39,374 --> 01:29:42,791 ♪ I AM BETTER OFF THIS WAY..." [♪...] 1374 01:29:42,791 --> 01:29:46,035 [♪...] 1375 01:29:46,035 --> 01:29:50,350 [♪...] [SONG FADES...] 1376 01:29:50,350 --> 01:30:22,589 [SONG FADES...] 1377 01:30:22,589 --> 01:30:27,283 [SONG FADES...] [TAP, TAP, TAP, TAP] 1378 01:30:27,283 --> 01:31:16,574 [TAP, TAP, TAP, TAP] 1379 01:31:16,574 --> 01:31:18,818 [TAP, TAP, TAP, TAP] [DOG BARKING IN DISTANCE...] 1380 01:31:18,818 --> 01:31:26,722 [DOG BARKING IN DISTANCE...] 1381 01:31:26,722 --> 01:31:32,625 [DOG BARKING IN DISTANCE...] [♪...] 1382 01:31:32,625 --> 01:31:40,943 [♪...] 1383 01:31:40,943 --> 01:31:46,362 >> Manchester: [PANTING...] 1384 01:31:46,362 --> 01:31:50,332 >> Manchester: [PANTING...] [♪...] 1385 01:31:50,332 --> 01:32:38,967 [♪...] 1386 01:32:38,967 --> 01:32:42,764 [BAG CRINKLING...] 1387 01:32:42,764 --> 01:32:48,079 [GASPING AND PANTING...] 1388 01:32:48,079 --> 01:32:51,704 [GASPING AND PANTING...] [♪...] 1389 01:32:51,704 --> 01:33:02,438 [♪...] 1390 01:33:02,438 --> 01:33:06,270 [GASPING AND WHEEZING...] 1391 01:33:06,270 --> 01:33:10,170 [GASPING AND WHEEZING...] [♪...] 1392 01:33:10,170 --> 01:33:40,269 [♪...] 1393 01:33:40,269 --> 01:33:42,237 [♪...] [THUD, MUSIC ENDS] 1394 01:33:42,237 --> 01:33:46,241 [THUD, MUSIC ENDS] 1395 01:33:46,241 --> 01:33:50,210 [THUD, MUSIC ENDS] [CAR ENGINE ACCELERATING...] 1396 01:33:50,210 --> 01:34:00,324 [CAR ENGINE ACCELERATING...] 1397 01:34:00,324 --> 01:34:02,291 [CAR ENGINE ACCELERATING...] >> Noon: WHAT THE FUCK... 1398 01:34:02,291 --> 01:34:09,091 >> Noon: WHAT THE FUCK... 1399 01:34:09,091 --> 01:34:12,301 >> Noon: WHAT THE FUCK... [FLAMES CRACKLING...] 1400 01:34:12,301 --> 01:34:15,615 [FLAMES CRACKLING...] 1401 01:34:15,615 --> 01:34:18,445 [SCREAMING] MANCHESTER! 1402 01:34:18,445 --> 01:34:20,931 MANCHESTER! 1403 01:34:20,931 --> 01:34:22,070 [SOBBING...] 1404 01:34:22,070 --> 01:34:23,209 [FLAMES WHOOSHING 1405 01:34:23,209 --> 01:34:24,969 AND CRACKLING...] 1406 01:34:24,969 --> 01:34:28,455 AND CRACKLING...] MANCHESTER! 1407 01:34:28,455 --> 01:34:33,115 MANCHESTER! 1408 01:34:33,115 --> 01:34:37,533 [COUGHING AND SOBBING...] 1409 01:34:37,533 --> 01:34:39,363 MANCHES... 1410 01:34:39,363 --> 01:34:42,055 MANCHESTER... 1411 01:34:42,055 --> 01:34:48,337 [SOBBING...] 1412 01:34:48,337 --> 01:34:52,997 [SOBBING...] [FAINT, MUFFLED MOANING...] 1413 01:34:52,997 --> 01:35:05,320 [FAINT, MUFFLED MOANING...] 1414 01:35:05,320 --> 01:35:06,977 >> Manchester: [COUGHING 1415 01:35:06,977 --> 01:35:11,119 AND GASPING...] 1416 01:35:11,119 --> 01:35:14,778 AND GASPING...] >> [GASPING AND SOBBING...] 1417 01:35:14,778 --> 01:35:34,970 >> [GASPING AND SOBBING...] 1418 01:35:34,970 --> 01:35:37,628 >> [GASPING AND SOBBING...] OH, YOU... 1419 01:35:37,628 --> 01:35:42,046 OH, YOU... 1420 01:35:42,046 --> 01:35:45,187 [♪...] 1421 01:35:45,187 --> 01:35:45,878 YOU FUCKING DICK... 1422 01:35:45,878 --> 01:35:49,882 YOU FUCKING DICK... [GASPING, SOBBING...] 1423 01:35:49,882 --> 01:35:51,538 [GASPING, SOBBING...] 1424 01:35:51,538 --> 01:35:55,508 [GASPING, SOBBING...] [♪..., BIRDS CHIRPING...] 1425 01:35:55,508 --> 01:35:58,649 [♪..., BIRDS CHIRPING...] 1426 01:35:58,649 --> 01:35:59,823 Noon on tape: I miss you 1427 01:35:59,823 --> 01:36:05,138 beside me. 1428 01:36:05,138 --> 01:36:06,346 I don'’t know what it is 1429 01:36:06,346 --> 01:36:10,143 about you. 1430 01:36:10,143 --> 01:36:11,524 You make me feel 1431 01:36:11,524 --> 01:36:12,214 all funny inside. 1432 01:36:12,214 --> 01:36:17,772 [♪...] 1433 01:36:17,772 --> 01:36:18,703 You make my soul 1434 01:36:18,703 --> 01:36:20,084 come out of hiding. 1435 01:36:20,084 --> 01:36:24,054 come out of hiding. [♪...] 1436 01:36:24,054 --> 01:36:27,471 [♪...] 1437 01:36:27,471 --> 01:36:28,886 You have a special place 1438 01:36:28,886 --> 01:36:29,680 in my heart. 1439 01:36:29,680 --> 01:36:33,649 in my heart. [♪...] 1440 01:36:33,649 --> 01:36:37,170 [♪...] 1441 01:36:37,170 --> 01:36:40,864 Baby, I love you. 1442 01:36:40,864 --> 01:36:42,624 No one'’s ever gonna love you 1443 01:36:42,624 --> 01:36:44,350 more than I do. 1444 01:36:44,350 --> 01:36:49,873 more than I do. [♪...] 1445 01:36:49,873 --> 01:37:01,954 [♪...] 1446 01:37:01,954 --> 01:37:06,303 [♪...] [♪...] 1447 01:37:06,303 --> 01:38:09,814 [♪...] 1448 01:38:09,814 --> 01:38:13,784 [♪...] [♪...] 1449 01:38:13,784 --> 01:38:53,203 [♪...] 1450 01:38:53,203 --> 01:38:59,347 [MUSIC FADES...] 1451 01:38:59,347 --> 01:39:03,213 [NEW SONG BEGINS] 1452 01:39:03,213 --> 01:39:04,352 >> Man: ♪ I COULD NEVER 1453 01:39:04,352 --> 01:39:06,871 BREAK YOUR HEART ♪ 1454 01:39:06,871 --> 01:39:08,977 ♪ I COULD NEVER BREAK YOUR, 1455 01:39:08,977 --> 01:39:11,255 BREAK YOUR HEART 1456 01:39:11,255 --> 01:39:13,637 AGAIN ♪ 1457 01:39:13,637 --> 01:39:15,950 ♪ LISTEN TO ME 1458 01:39:15,950 --> 01:39:17,089 ♪ I COULD NEVER 1459 01:39:17,089 --> 01:39:19,470 BREAK YOUR HEART ♪ 1460 01:39:19,470 --> 01:39:20,713 ♪ I COULD NEVER 1461 01:39:20,713 --> 01:39:24,613 BREAK YOUR HEART AGAIN ♪ 1462 01:39:24,613 --> 01:39:28,065 ♪ LISTEN TO THIS SONG 1463 01:39:28,065 --> 01:39:33,968 ♪ LISTEN TO THIS SONG 1464 01:39:33,968 --> 01:39:35,107 >> Woman: ♪ I COULD NEVER 1465 01:39:35,107 --> 01:39:37,523 BREAK YOUR HEART ♪ 1466 01:39:37,523 --> 01:39:39,318 ♪ I COULD TRY BUT NEVER 1467 01:39:39,318 --> 01:39:44,288 GET TOO FAR AGAIN, NO ♪ 1468 01:39:44,288 --> 01:39:46,635 ♪ LISTEN TO ME 1469 01:39:46,635 --> 01:39:47,774 ♪ I COULD NEVER 1470 01:39:47,774 --> 01:39:50,225 BREAK YOUR HEART ♪ 1471 01:39:50,225 --> 01:39:52,262 ♪ I COULD TRY BUT NEVER 1472 01:39:52,262 --> 01:39:55,265 GET TOO FAR ♪ 1473 01:39:55,265 --> 01:39:58,820 ♪ LISTEN TO THIS SONG 1474 01:39:58,820 --> 01:40:04,377 ♪ LISTEN TO THIS SONG 1475 01:40:04,377 --> 01:40:07,277 ♪ OH 1476 01:40:07,277 --> 01:40:10,970 ♪ OH OH... 1477 01:40:10,970 --> 01:40:14,387 ♪ OH OH... 1478 01:40:14,387 --> 01:40:18,702 ♪ OH OH... OH 1479 01:40:18,702 --> 01:40:19,944 ♪ OH... 1480 01:40:19,944 --> 01:40:23,465 ♪ THIS IS MY LOVE SONG 1481 01:40:23,465 --> 01:40:27,262 ♪ THIS IS MY LOVE SONG 1482 01:40:27,262 --> 01:40:31,301 ♪ THIS IS MY LOVE SONG 1483 01:40:31,301 --> 01:40:33,613 ♪ LOVE SONG 1484 01:40:33,613 --> 01:40:34,752 ♪ I COULD NEVER 1485 01:40:34,752 --> 01:40:37,203 BREAK YOUR HEART ♪ 1486 01:40:37,203 --> 01:40:39,274 ♪ I COULD NEVER BREAK YOUR, 1487 01:40:39,274 --> 01:40:41,621 BREAK YOUR HEART 1488 01:40:41,621 --> 01:40:43,934 AGAIN ♪ 1489 01:40:43,934 --> 01:40:46,178 ♪ LISTEN TO THESE WORDS 1490 01:40:46,178 --> 01:40:47,386 ♪ I COULD NEVER 1491 01:40:47,386 --> 01:40:49,802 BREAK YOUR HEART ♪ 1492 01:40:49,802 --> 01:40:51,873 ♪ I COULD TRY BUT WOULDN'’T 1493 01:40:51,873 --> 01:40:55,014 GET TOO FAR... AGAIN ♪ 1494 01:40:55,014 --> 01:40:58,328 ♪ LISTEN TO THESE WORDS, 1495 01:40:58,328 --> 01:41:00,675 LISTEN TO THESE WORDS... ♪ 1496 01:41:00,675 --> 01:41:02,849 LISTEN TO THESE WORDS... ♪ [SONG FADES SLOWLY...] 87068

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