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These are the user uploaded subtitles that are being translated: 1 00:00:13,000 --> 00:00:16,970 ♪ ROCK-A-BYE BABY, ON THE TREETOP ♪ 2 00:00:16,965 --> 00:00:18,445 IT IS SO DANGEROUS OUT THERE, 3 00:00:18,448 --> 00:00:22,968 AND YET GIRLS KEEP GETTING INTO CARS AND DISAPPEARING. 4 00:00:22,965 --> 00:00:26,755 MARY ANN PESCE AND ANITA LUCHESSA 5 00:00:26,758 --> 00:00:29,378 DISAPPEARED 3 MONTHS AGO ON THEIR WAY TO SEE FRIENDS. 6 00:00:29,379 --> 00:00:31,479 AIKO, PROMISE ME ONE THING. 7 00:00:31,482 --> 00:00:32,932 NO HITCHING. 8 00:00:32,931 --> 00:00:34,281 IF YOUR STUDENTS ARE DUMB ENOUGH 9 00:00:34,275 --> 00:00:37,585 TO TAKE A RIDE WITH SOME PSYCHO... 10 00:00:37,586 --> 00:00:40,406 Mickey: HER TEETH ARE ALL SMASHED TO PREVENT I.D. 11 00:00:40,413 --> 00:00:43,483 AIKO WOULD NEVER DISOBEY LIKE THIS. 12 00:00:43,482 --> 00:00:45,002 SOMETHING'S WRONG. 13 00:00:45,000 --> 00:00:47,790 DON'T GET INTO CARS WITH ANY STRANGE MEN. 14 00:00:47,793 --> 00:00:49,003 YOU HEAR ME? 15 00:00:49,000 --> 00:00:52,070 [ SCREAMING ]♪ WHEN THE BOUGH BREAKS ♪ 16 00:00:52,068 --> 00:00:54,138 JUST GOT A CALL FROM ANOTHER WITNESS. 17 00:00:54,137 --> 00:00:55,997 SAW HIS NEIGHBOR EXECUTED IN COLD BLOOD. 18 00:00:56,000 --> 00:01:00,790 ♪ AND DOWN WILL COME BABY ♪ 19 00:01:00,793 --> 00:01:03,833 [ Distorted ] ♪ CRADLE AND ALL ♪ 20 00:01:06,517 --> 00:01:09,517 --Captions by VITAC-- www.vitac.com 21 00:01:09,517 --> 00:01:12,517 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 22 00:01:37,379 --> 00:01:40,829 Man: ALL UNITS, ALL UNITS, 187 ON CAPITOLA DRIVE. 23 00:01:40,827 --> 00:01:43,657 ONE FATALITY. SHOOTER IS STILL ON THE SCENE. 24 00:01:44,103 --> 00:01:47,073 [ SIREN WAILING ] 25 00:01:47,068 --> 00:01:49,448 SUSPECT IS ARMED AND IN A BLUE CHEVROLET 26 00:01:49,448 --> 00:01:51,618 WITH CALIFORNIA PLATES. 27 00:01:51,620 --> 00:01:53,970 APPROACH WITH EXTREME CAUTION. 28 00:01:53,965 --> 00:01:56,235 [ POLICE RADIO CHATTER ] 29 00:01:56,241 --> 00:01:58,861 Officer: GET OUT OF THE CAR! 30 00:01:58,862 --> 00:02:01,762 NOW! 31 00:02:01,758 --> 00:02:03,548 SHOW ME YOUR HANDS! 32 00:02:03,551 --> 00:02:05,311 NOW. 33 00:02:07,310 --> 00:02:09,520 [ BIRDS SINGING ] 34 00:02:17,931 --> 00:02:20,001 ON THE GROUND. 35 00:02:20,000 --> 00:02:21,620 DOWN! 36 00:02:23,586 --> 00:02:26,616 ♪♪ 37 00:02:35,965 --> 00:02:38,965 [ ROCK MUSIC PLAYING ON RADIO] 38 00:02:42,586 --> 00:02:44,686 DAVE DOLANDS HERE ON K-RAM, 39 00:02:44,689 --> 00:02:46,619 THE HOME OF SANTA CRUZ TALK RADIO. 40 00:02:46,620 --> 00:02:49,030 COULD THE NIGHTMARE BE OVER? 41 00:02:49,034 --> 00:02:51,664 SANTA CRUZ POLICE HAVE AT LAST GOTTEN THEIR ACT TOGETHER 42 00:02:51,655 --> 00:02:53,235 AND ARRESTED A SUSPECT. 43 00:02:53,241 --> 00:02:56,071 THEY'RE NOT SAYING WHO, BUT WE KNOW HE'S ONE OF US, 44 00:02:56,068 --> 00:02:58,998 A LOCAL BOY IN HIS MID-20s GONE BAD. 45 00:02:59,000 --> 00:03:01,410 THE RANDOM AND VIOLENT NATURE OF RECENT CRIMES 46 00:03:01,413 --> 00:03:03,033 HAS LED DETECTIVES TO BELIEVE 47 00:03:03,034 --> 00:03:07,344 THAT THE SUSPECT MAY BE LINKED TO 11 OTHER OPEN MURDER CASES. 48 00:03:09,551 --> 00:03:11,831 [ SAWING ] 49 00:03:11,827 --> 00:03:13,687 KATHY FRANCIS AND HER TWO SONS 50 00:03:13,689 --> 00:03:15,479 WERE BRUTALLY MURDERED LAST MONTH. 51 00:03:15,482 --> 00:03:17,172 [ SCREAMING, CRYING ] 52 00:03:17,172 --> 00:03:18,832 THIS MARKED THE END OF A KILLING SPREE 53 00:03:18,827 --> 00:03:20,587 THAT STARTED LAST YEAR, 54 00:03:20,586 --> 00:03:22,446 WHEN LAWRENCE WHITE WAS FOUND BEATEN TO DEATH 55 00:03:22,448 --> 00:03:24,168 BY THE SIDE OF THE ROAD, 56 00:03:24,172 --> 00:03:25,862 AND THE BODY OF MARY GUILFOYLE 57 00:03:25,862 --> 00:03:28,862 WAS FOUND DISMEMBERED AT BONNY DOON. 58 00:03:28,862 --> 00:03:30,522 THERE ARE STILL SEVERAL MISSING COEDS 59 00:03:30,517 --> 00:03:31,997 WHO ARE UNACCOUNTED FOR. 60 00:03:34,034 --> 00:03:36,074 COULD THIS CLEAR UP THE MYSTERY OF AIKO KOO, 61 00:03:36,068 --> 00:03:38,168 WHO'S MISSING FOR 5 MONTHS? 62 00:03:38,172 --> 00:03:41,342 PATSY FROM RIO DEL MAR, WHAT DO YOU SAY? 63 00:03:41,344 --> 00:03:43,724 Patsy: I STILL DON'T THINK IT'S SAFE. 64 00:03:45,896 --> 00:03:48,206 -HAVE YOU SEEN THIS GIRL? -NO, I HAVEN'T. 65 00:03:48,206 --> 00:03:50,206 SORRY. 66 00:03:50,206 --> 00:03:52,926 ARE YOU SURE? CAN YOU HAVE ANOTHER LOOK? 67 00:03:52,931 --> 00:03:54,661 -NO. -PLEASE. 68 00:03:54,655 --> 00:03:56,235 GO AWAY. 69 00:04:01,000 --> 00:04:02,930 SHE IS MY DAUGHTER. 70 00:04:15,689 --> 00:04:20,719 Mickey: ONE, TWO, THREE. 71 00:04:20,724 --> 00:04:23,414 FOUR. 72 00:04:23,413 --> 00:04:26,383 FIVE. 73 00:04:26,379 --> 00:04:28,309 [ SIGHS ] 74 00:04:28,310 --> 00:04:30,550 SIX. 75 00:04:30,551 --> 00:04:33,381 SEVEN. 76 00:04:33,379 --> 00:04:35,689 EIGHT. 77 00:04:35,689 --> 00:04:38,549 NINE. 78 00:04:38,551 --> 00:04:40,551 10. 79 00:04:40,551 --> 00:04:43,481 [ INDISTINCT WHISPERING] 80 00:04:43,482 --> 00:04:44,792 [ SIGHS ] 81 00:04:44,793 --> 00:04:48,173 11. 82 00:04:48,172 --> 00:04:49,622 RECOGNIZE THEM? 83 00:04:49,620 --> 00:04:51,900 [ INDISTINCT SHOUTING, GUNSHOTS] 84 00:04:51,896 --> 00:04:53,586 [ MAN SPEAKS INDISTINCTLY] 85 00:04:53,586 --> 00:04:55,756 -HEY, RACHEL! -AAH! 86 00:04:55,758 --> 00:04:59,378 HERBERT, I'M TALKING TO YOU.[ WOMAN SCREAMING, CRYING] 87 00:04:59,379 --> 00:05:01,449 [ INDISTINCT WHISPERING] 88 00:05:01,448 --> 00:05:04,758 I HAVE THE RIGHT TO REMAIN SILENT. 89 00:05:04,758 --> 00:05:07,098 ANYTHING I SAY OR DO CAN -- 90 00:05:07,103 --> 00:05:11,973 BALLISTICS LINK YOU TO SEVEN OF THEM, SO... 91 00:05:11,965 --> 00:05:15,615 YOUR PRINTS ARE ALL OVER THE LOS GATOS CRIME SCENE. 92 00:05:15,620 --> 00:05:17,970 SILENCE! 93 00:05:30,448 --> 00:05:31,898 HERBERT. 94 00:05:34,034 --> 00:05:38,214 DO YOU KNOW ANYTHING ABOUT THE MURDERED AND MISSING COEDS? 95 00:05:38,206 --> 00:05:39,996 SILENCE. 96 00:05:43,000 --> 00:05:45,210 DON'T YOU KNOW WHAT SILENCE MEANS? 97 00:05:52,655 --> 00:05:55,965 BEEN IN FIVE DIFFERENT MENTAL INSTITUTIONS IN 5 YEARS. 98 00:05:55,965 --> 00:05:57,715 TWO OF THEM SAID HE WAS A THREAT. 99 00:05:57,724 --> 00:06:00,144 HE'S HAD DRUG PROBLEMS. HE'S BEEN IN AND OUT OF REHAB. 100 00:06:00,137 --> 00:06:01,997 HE'S A MESS. 101 00:06:04,931 --> 00:06:06,341 [ SIGHS ] 102 00:06:06,344 --> 00:06:10,104 HOW DO WE GET IT OUT OF HIM? 103 00:06:10,103 --> 00:06:12,763 IT SAYS HERE HE TRIED TO GET IN THE MARINES. 104 00:06:16,379 --> 00:06:18,029 LOOK AT HIS FAMILY HISTORY. 105 00:06:23,344 --> 00:06:25,004 I GOT AN IDEA. 106 00:06:36,310 --> 00:06:37,930 ARE YOU SURE HE'S GUILTY? 107 00:06:42,896 --> 00:06:45,026 WE NEED YOUR HELP. 108 00:06:45,034 --> 00:06:48,214 IT'S THE DRUGS. THEY'VE, UH -- 109 00:06:48,206 --> 00:06:51,306 THEY'VE DONE SOMETHIN' TO HIS BRAIN. 110 00:06:51,310 --> 00:06:53,140 HE WON'T TALK TO US. 111 00:06:53,137 --> 00:06:55,587 HE WON'T TALK TO ME. 112 00:06:55,586 --> 00:06:58,656 WE CAN'T SAY TWO WORDS TO EACH OTHER. 113 00:06:58,655 --> 00:07:00,515 YOU'RE HIS FATHER. 114 00:07:04,586 --> 00:07:05,896 YOU GOT KIDS? 115 00:07:05,896 --> 00:07:07,586 MM-HMM. 116 00:07:09,896 --> 00:07:12,996 KIND OF CUTE WHEN THEY'RE YOUNG, HUH? 117 00:07:13,000 --> 00:07:17,830 IMAGINE IT, YOUR OWN FLESH AND BLOOD. 118 00:07:17,827 --> 00:07:19,827 IT'S NOT HOW IT'S MEANT TO BE. 119 00:07:23,448 --> 00:07:27,168 I'LL, UH -- I'LL SEE YOU OUT. 120 00:07:27,172 --> 00:07:30,002 YOU SERVE OVERSEAS, SIR? 121 00:07:30,000 --> 00:07:31,760 UH-HUH. 122 00:07:31,758 --> 00:07:34,968 CAPTAIN IN THE OLD FOURTH MARINES. 123 00:07:34,965 --> 00:07:37,545 MARINES NEVER LEAVE A MAN BEHIND, 124 00:07:37,551 --> 00:07:39,481 DO WE, SIR? 125 00:07:42,103 --> 00:07:44,483 I BELIEVE YOUR SON IS A MAN LEFT BEHIND. 126 00:07:52,344 --> 00:07:54,344 [ HUMMING QUIETLY ] 127 00:07:57,448 --> 00:08:00,688 HERBERT. 128 00:08:00,689 --> 00:08:03,789 YOUR FATHER'S HERE BECAUSE YOU NEED TO LISTEN TO HIM. 129 00:08:08,551 --> 00:08:10,521 YOU HAVE TO TELL THEM WHAT YOU'VE DONE. 130 00:08:14,310 --> 00:08:16,550 SEMPER FI. 131 00:08:16,551 --> 00:08:18,761 THAT'S WHAT WE MARINES SAY. DON'T WE, HERBERT? 132 00:08:21,344 --> 00:08:24,454 SEMPER FI. 133 00:08:24,448 --> 00:08:26,098 ALWAYS FAITHFUL. 134 00:08:29,275 --> 00:08:31,375 HE DID IT. HE DID IT. 135 00:08:31,379 --> 00:08:33,209 TALK TO HIM. HE'S A MURDERER. 136 00:08:33,206 --> 00:08:34,586 -CALM DOWN. -MURDERER! 137 00:08:34,586 --> 00:08:37,786 CALM DOWN. 138 00:08:37,793 --> 00:08:39,593 WHAT DID HE DO? 139 00:08:42,586 --> 00:08:44,446 HE MADE ME KILL EVERYONE. 140 00:08:49,655 --> 00:08:51,275 WERE YOU IN THIS TOGETHER? 141 00:08:51,275 --> 00:08:53,275 -YES. -NO, I HAD NO -- 142 00:08:56,034 --> 00:08:57,794 HOW? 143 00:08:57,793 --> 00:09:03,243 ♪♪ 144 00:09:03,241 --> 00:09:07,101 HE CONTROLLED ME THROUGH TELEPATHY. 145 00:09:07,103 --> 00:09:09,003 YOU KILLED ALL THE VICTIMS? 146 00:09:09,000 --> 00:09:10,860 -I DIDN'T KILL ANYONE. -BUT YOU JUST SAID -- 147 00:09:10,862 --> 00:09:14,972 I SACRIFICED THEM... 148 00:09:14,965 --> 00:09:17,135 TO SAVE CALIFORNIA. 149 00:09:20,172 --> 00:09:22,522 I'VE BEEN LISTENING TO THE WEATHER REPORTS, 150 00:09:22,517 --> 00:09:25,097 AND THERE HASN'T BEEN A SINGLE EARTHQUAKE WARNING 151 00:09:25,103 --> 00:09:29,073 SINCE MY SACRIFICES. 152 00:09:29,068 --> 00:09:31,098 NOW I'VE PROVED TO GOD 153 00:09:31,103 --> 00:09:33,663 THAT PEOPLE STILL CARE FOR MOTHER EARTH. 154 00:09:38,344 --> 00:09:41,904 IT'S KARMA. 155 00:09:41,896 --> 00:09:44,206 [ SIGHS ] 156 00:09:49,758 --> 00:09:51,618 WHAT HAPPENED TO YOU, SON? 157 00:09:54,310 --> 00:09:58,450 [ INDISTINCT WHISPERING] 158 00:09:58,448 --> 00:10:00,548 THEY DRUGGED ME. 159 00:10:00,551 --> 00:10:03,101 THEY LIED TO ME. 160 00:10:03,103 --> 00:10:04,283 THEY DESTROYED ME, 161 00:10:04,275 --> 00:10:07,895 AND THAT'S WHY THEY HAD TO DIE. 162 00:10:07,896 --> 00:10:09,686 SO IT WASN'T THE EARTHQUAKE? 163 00:10:18,689 --> 00:10:21,379 OF COURSE NOT. 164 00:10:21,379 --> 00:10:23,519 ♪♪ 165 00:10:23,517 --> 00:10:26,067 Man: [ Distorted ] WHEN THE LITTLE BOY SAW THE WOLF, 166 00:10:26,068 --> 00:10:27,618 THE WOLF SAID, 167 00:10:27,620 --> 00:10:30,480 "SEE THE PRETTY FLOWERS, RED CAP. 168 00:10:30,482 --> 00:10:33,592 WHY DON'T YOU PICK SOME FOR GRANDMOTHER?" 169 00:10:33,586 --> 00:10:35,476 AND WHILE RED CAP DID THAT, 170 00:10:35,482 --> 00:10:37,792 THE WOLF RACED AWAY TO GET READY FOR HIM 171 00:10:37,793 --> 00:10:39,973 AT GRANDMOTHER'S HOUSE. 172 00:11:05,965 --> 00:11:07,335 Dave: OPTIMISTIC. 173 00:11:07,344 --> 00:11:09,764 NOT A WORD I USE THAT OFTEN THESE DAYS, FOLKS, 174 00:11:09,758 --> 00:11:11,928 BUT THERE IS A RAY OF LIGHT. 175 00:11:11,931 --> 00:11:16,031 THE KILLER, HERBERT MULLIN, IS SAFELY BEHIND BARS. 176 00:11:16,034 --> 00:11:18,904 AND THEY SAY WE CAN BREATHE EASY. 177 00:11:18,896 --> 00:11:21,896 WHO'S WINNIN', PEOPLE? WHO'S WINNIN'? 178 00:11:21,896 --> 00:11:26,476 ♪ THEY GOT MY HEART♪ 179 00:11:26,482 --> 00:11:31,032 [ SINGING INDISTINCTLY] 180 00:11:31,034 --> 00:11:32,624 [ WATER SPLASHES ] 181 00:11:32,620 --> 00:11:35,620 [ INDISTINCT SINGING CONTINUES] 182 00:11:37,620 --> 00:11:39,660 [ WATER SPLASHES ] 183 00:11:42,862 --> 00:11:45,172 [ WATER SPLASHES ] 184 00:11:56,000 --> 00:11:59,000 [ INDISTINCT CONVERSATIONS ] 185 00:12:07,724 --> 00:12:10,214 TOAST TO SOLID POLICE WORK. 186 00:12:12,241 --> 00:12:14,971 MULLIN'S BEHIND BARS, BUT ALL THOSE BODIES -- 187 00:12:14,965 --> 00:12:17,475 CAN WE LINK HIM TO THE OTHER KILLINGS? 188 00:12:17,482 --> 00:12:20,412 -SURE HOPE SO. -I'LL DRINK TO THAT. 189 00:12:22,482 --> 00:12:24,762 HEY, MICKEY. NOW THAT WE GOT MORE TIME, 190 00:12:24,758 --> 00:12:26,478 HOW 'BOUT WE GO SEE AN "A"s GAME? 191 00:12:26,482 --> 00:12:28,142 AW, YOU CALL THAT A GAME? 192 00:12:28,137 --> 00:12:30,407 NAH, WHO'S BETTER THAN THE GIANTS? 193 00:12:30,413 --> 00:12:32,143 I LIKE UNDERDOGS, ALL RIGHT? 194 00:12:32,137 --> 00:12:33,997 YEAH, BECAUSE UNDERDOGS CAN TURN AROUND 195 00:12:34,000 --> 00:12:35,830 AND BITE YOU ON THE BUTT. 196 00:12:35,827 --> 00:12:37,617 -YOU KNOW WHAT? -GO GIANTS. 197 00:12:37,620 --> 00:12:40,340 I'M SURE I'VE SEEN MULLIN BEFORE. 198 00:12:40,344 --> 00:12:42,004 UH... 199 00:12:42,000 --> 00:12:43,930 I-I JUST CAN'T PLACE HIM. 200 00:12:55,827 --> 00:12:58,997 CAN I SPEAK TO A HOMICIDE DETECTIVE, PLEASE? 201 00:12:59,000 --> 00:13:01,790 IT'S IMPORTANT. 202 00:13:01,793 --> 00:13:03,383 HELLO. YES. 203 00:13:03,379 --> 00:13:05,549 I'M THE MOTHER OF AIKO KOO, 204 00:13:05,551 --> 00:13:08,311 THE MISSING TEENAGER FROM SANTA CRUZ. 205 00:13:08,310 --> 00:13:12,450 YEAH. DID YOU RECEIVE MY LETTER AND THE POSTER? 206 00:13:12,448 --> 00:13:13,898 THANKS. 207 00:13:18,034 --> 00:13:19,904 [ RECEIVER CLICKS ] 208 00:13:27,586 --> 00:13:29,896 Dave: I HOPE YOU WEREN'T THINKING OF CATCHING SOME WAVES 209 00:13:29,896 --> 00:13:31,586 AT CAPITOLA BEACH THIS MORNING, FOLKS, 210 00:13:31,586 --> 00:13:34,926 BECAUSE SANTA CRUZ P.D. MADE A GRUESOME DISCOVERY -- 211 00:13:34,931 --> 00:13:37,971 HACKED UP BODY PARTS WASHING UP AT THE BEACH. 212 00:13:37,965 --> 00:13:39,445 THAT'S RIGHT, FOLKS. STAY TUNED, 213 00:13:39,448 --> 00:13:41,618 BECAUSE THERE'S MORE NEWS AFTER THIS. 214 00:13:41,620 --> 00:13:44,240 [ UPBEAT ROCK MUSIC PLAYING] 215 00:13:47,793 --> 00:13:50,453 [ MAN SINGING INDISTINCTLY] 216 00:13:55,172 --> 00:13:57,552 [ SIGHS ] 217 00:13:57,551 --> 00:13:59,451 WE HAVE A PELVIS, ARMS, LEG, 218 00:13:59,448 --> 00:14:00,828 AND A HAND. 219 00:14:00,827 --> 00:14:02,717 VICTIM IS A YOUNG FEMALE, 220 00:14:02,724 --> 00:14:05,314 I'D SAY ABOUT 20. 221 00:14:05,310 --> 00:14:07,900 DO THE PARTS BELONG TO THE SAME PERSON? 222 00:14:07,896 --> 00:14:09,336 POSSIBLY. 223 00:14:09,344 --> 00:14:10,974 IT'S TOO EARLY TO TELL. 224 00:14:10,965 --> 00:14:13,095 HOW LONG'S SHE BEEN IN THE WATER? 225 00:14:13,103 --> 00:14:15,453 COUPLE OF WEEKS, MAYBE LONGER. 226 00:14:15,448 --> 00:14:18,688 THE WATER MAKES IT HARD TO DATE. 227 00:14:18,689 --> 00:14:21,339 ANY ITEMS OF CLOTHING, JEWELRY? 228 00:14:21,344 --> 00:14:22,624 NO. 229 00:14:22,620 --> 00:14:24,790 AND THE SKIN IS TOO FAR GONE FOR PRINTS. 230 00:14:24,793 --> 00:14:27,383 OH, WELL, I DOUBT SHE'D BE ON OUR RECORDS ANYWAY. 231 00:14:27,379 --> 00:14:29,619 CAUSE OF DEATH? 232 00:14:29,620 --> 00:14:33,620 IT'S DIFFICULT TO TELL WITHOUT THE HEAD AND THE TORSO. 233 00:14:33,620 --> 00:14:36,070 BUT THERE IS A STRANGE THING. 234 00:14:36,068 --> 00:14:39,548 THE ACHILLES TENDON, IT'S BEEN CUT. 235 00:14:39,551 --> 00:14:43,761 -WHAT DOES THAT MEAN? -I HAVE NO IDEA. 236 00:14:43,758 --> 00:14:45,688 COULD THE PARTS BELONG TO MARY ANN PESCE, 237 00:14:45,689 --> 00:14:49,029 OUR SEVERED HEAD? 238 00:14:49,034 --> 00:14:50,974 I DON'T THINK SO. 239 00:14:50,965 --> 00:14:52,655 IT'S A DIFFERENT BUILD. 240 00:14:52,655 --> 00:14:55,515 WHAT'S YOUR GUT INSTINCT? 241 00:14:55,517 --> 00:14:57,547 YOU WERE THERE IN THE MARY GUILFOYLE CRIME SCENE 242 00:14:57,551 --> 00:14:59,451 IN THE WOODS. 243 00:14:59,448 --> 00:15:02,658 IS THIS ANOTHER MULLIN? 244 00:15:02,655 --> 00:15:04,375 IT'S POSSIBLE. 245 00:15:04,379 --> 00:15:06,619 SHE WAS CHOPPED UP. 246 00:15:06,620 --> 00:15:11,550 THIS IS MORE...ELABORATE. 247 00:15:11,551 --> 00:15:15,691 MAYBE HE GOT BETTER AT IT. 248 00:15:15,689 --> 00:15:18,589 CAN I MOVE ON? I NEED TO GET THESE OFF THE BEACH. 249 00:15:28,000 --> 00:15:30,620 WERE THE PARTS THROWN FROM LAND OR FROM A BOAT? 250 00:15:30,620 --> 00:15:33,340 WHAT DO YOU THINK? 251 00:15:33,344 --> 00:15:36,694 DRIVE AROUND, CHECK ANY SPOTS OVERLOOKING THE OCEAN? 252 00:15:39,965 --> 00:15:41,715 WHAT? 253 00:15:41,724 --> 00:15:43,524 WHAT ARE YOU THINKING? 254 00:15:54,413 --> 00:15:57,173 Dave: TURNS OUT THE BODY PARTS ARE FEMALE. 255 00:15:57,172 --> 00:15:59,452 COULD THEY BE FROM THE MISSING AIKO KOO 256 00:15:59,448 --> 00:16:01,968 OR CINDY SHAW, OR EVEN MORE VICTIMS 257 00:16:01,965 --> 00:16:04,235 OF FRENZIED KILLER HERBERT MULLIN? 258 00:16:04,241 --> 00:16:08,971 OR IS THERE SOMETHING SANTA CRUZ P.D. AREN'T TELLING US? 259 00:16:08,965 --> 00:16:11,995 [ WOMAN SINGING INDISTINCTLY] 260 00:16:16,310 --> 00:16:18,340 THANK YOU. 261 00:16:18,344 --> 00:16:19,594 OKAY. 262 00:16:19,586 --> 00:16:22,406 THIS IS MULLIN. 263 00:16:22,413 --> 00:16:25,693 HERE'S PEREZ, WHITE, 264 00:16:25,689 --> 00:16:28,479 TOMEI, GUILFOYLE -- 265 00:16:28,482 --> 00:16:30,552 ALL THE VICTIMS WE CAN LINK TO HIM PERSONALLY 266 00:16:30,551 --> 00:16:33,341 -OR THROUGH EVIDENCE. -MM-HMM. 267 00:16:33,344 --> 00:16:35,624 -GIVE ME YOUR DRINK. -USE YOUR OWN. 268 00:16:38,551 --> 00:16:41,691 PESCE, LUCHESSA, 269 00:16:41,689 --> 00:16:44,929 CINDY SCHALL, MAYBE AIKO KOO -- 270 00:16:44,931 --> 00:16:46,661 ALL STUDENTS, 271 00:16:46,655 --> 00:16:49,275 THE ONES WE CAN'T CONNECT TO MULLIN. 272 00:16:49,275 --> 00:16:53,095 NOW, THIS -- THIS IS OUR OTHER GUY. 273 00:16:53,103 --> 00:16:55,243 HIS VICTIMS HAVE -- HAVE MUCH MORE IN COMMON 274 00:16:55,241 --> 00:16:57,661 THAN ANY OF MULLIN'S. 275 00:16:57,655 --> 00:17:00,205 THE COED MURDERS, THEY'RE LIKE REPETITIONS, 276 00:17:00,206 --> 00:17:03,856 AS IF THE KILLER'S DOING THE SAME THING OVER AND OVER AGAIN. 277 00:17:06,205 --> 00:17:07,955 IT'S NOT MULLIN. 278 00:17:11,344 --> 00:17:13,414 NOBODY'S GONNA WANT TO HEAR THIS. 279 00:17:16,619 --> 00:17:18,339 THERE'S ANOTHER KILLER. 280 00:17:24,482 --> 00:17:28,382 Woman: AAH! AAH! 281 00:17:28,378 --> 00:17:31,098 [ DISTORTED BREATHING] 282 00:17:31,103 --> 00:17:33,693 [ WOMAN SCREAMING, CRYING] 283 00:17:56,034 --> 00:17:58,074 [ TYPEWRITER CLACKING ] 284 00:17:58,068 --> 00:18:01,068 NEWS OF THE, UH, BODY PARTS ON THE BEACH 285 00:18:01,068 --> 00:18:02,858 LEAKED TO THE PRESS. 286 00:18:02,862 --> 00:18:04,622 THEY'RE WAITIN' IN THE CONFERENCE ROOM, 287 00:18:04,620 --> 00:18:08,070 AND THEY ARE LOOKIN' FOR BLOOD. 288 00:18:08,068 --> 00:18:11,928 D.A.'s CALLING SANTA CRUZ THE MURDER CAPITAL OF THE WORLD, 289 00:18:11,931 --> 00:18:14,211 ON MY WATCH. 290 00:18:14,206 --> 00:18:17,336 WE GOT TO WRAP UP MULLIN SO WE CAN PUT THIS THING TO BED. 291 00:18:21,551 --> 00:18:23,341 WHAT'S TAKING SO LONG? 292 00:18:23,344 --> 00:18:27,724 UH, IT'S, UH, NOT THAT SIMPLE, SIR. 293 00:18:27,724 --> 00:18:30,594 WHAT ARE YOU SAYING? 294 00:18:30,586 --> 00:18:32,856 WE FIGURE THERE'S ANOTHER KILLER. 295 00:18:32,862 --> 00:18:34,592 WHAT DO YOU MEAN, YOU FIGURE? 296 00:18:34,586 --> 00:18:36,616 WE KNOW, SIR. 297 00:18:36,620 --> 00:18:39,030 THE M.O.s, THEY'RE -- THEY'RE TOO DIFFERENT. 298 00:18:39,034 --> 00:18:41,214 AND THE LAB WOULD'VE FOUND SOMETHING TO LINK MULLIN 299 00:18:41,206 --> 00:18:43,756 TO THE COED VICTIMS BY NOW. 300 00:18:43,758 --> 00:18:45,548 YOU GOT A SUSPECT? 301 00:18:49,724 --> 00:18:51,484 ANOTHER MASS MURDERER? 302 00:18:53,551 --> 00:18:58,241 THAT'S THE THIRD IN TWO YEARS. 303 00:18:58,241 --> 00:19:00,211 WHO KNOWS ABOUT THIS? 304 00:19:00,206 --> 00:19:03,616 US. THE MEDICAL EXAMINER. 305 00:19:03,620 --> 00:19:07,380 LET'S KEEP IT THAT WAY. 306 00:19:07,379 --> 00:19:08,659 NOT A WORD IN THERE. 307 00:19:08,655 --> 00:19:12,445 WE NEED TO REASSURE THEM, NOT FEED THE FIRE. 308 00:19:12,448 --> 00:19:15,378 YES, SIR. 309 00:19:15,379 --> 00:19:17,829 Man: HAS HERBERT MULLIN CONFESSED TO ALL THE MURDERS? 310 00:19:17,827 --> 00:19:19,277 HE HAS MADE CONFESSIONS, 311 00:19:19,275 --> 00:19:21,715 AND THE INVESTIGATION IS PROGRESSING. 312 00:19:21,724 --> 00:19:23,794 Woman: WHAT ABOUT THE FOUR GIRLS IN THE PICTURES? 313 00:19:23,793 --> 00:19:25,833 -WHAT HAPPENED TO THEM? -AS THE LIEUTENANT SAID, 314 00:19:25,827 --> 00:19:27,827 WE ARE STILL PROCEEDING WITH THE INVESTIGATION. 315 00:19:27,827 --> 00:19:29,827 ARE YOU SURE JOHN LINLEY FRAZIER HASN'T ESCAPED? 316 00:19:29,827 --> 00:19:31,027 WELL, WE PUT HIM BEHIND BARS, 317 00:19:31,034 --> 00:19:33,144 AND I KNOW HE'S STILL THERE. 318 00:19:33,137 --> 00:19:36,067 THE D.A. CALLS US THE MURDER CAPITAL OF THE WORLD. 319 00:19:36,068 --> 00:19:37,308 IS IT A COINCIDENCE 320 00:19:37,310 --> 00:19:40,140 THAT MASS MURDERERS KEEP APPEARING IN SANTA CRUZ? 321 00:19:40,137 --> 00:19:42,617 I'LL LEAVE THAT KIND OF SPECULATION TO YOU JOURNALISTS. 322 00:19:42,620 --> 00:19:44,140 PEOPLE ARE SCARED. 323 00:19:44,137 --> 00:19:46,547 IS THERE ANOTHER KILLER OUT THERE? 324 00:19:46,551 --> 00:19:48,591 WE ARE APPEALING TO THE PUBLIC 325 00:19:48,586 --> 00:19:51,066 TO COME FORWARD WITH ANY INFORMATION 326 00:19:51,068 --> 00:19:53,588 THAT IS RELEVANT TO OUR INVESTIGATION. 327 00:19:53,586 --> 00:19:55,276 IS THAT A YES OR A NO? 328 00:19:55,275 --> 00:19:57,965 -WE HAVE TO WRAP UP NOW, FOLKS. -YOU'RE TELLING US NOTHING. 329 00:19:57,965 --> 00:20:00,515 IT'S YOUR JOB TO TELL PEOPLE IF THEY'RE STILL IN DANGER 330 00:20:00,517 --> 00:20:02,207 AND WHAT'S BEING DONE! 331 00:20:02,206 --> 00:20:04,716 U.C. SANTA CRUZ IS STARTING A FREE BUS PROGRAM. 332 00:20:04,724 --> 00:20:08,004 PUBLICIZE THAT TO YOUR READERS. THANK YOU. 333 00:20:08,000 --> 00:20:09,170 BUS PROGRAM? 334 00:20:09,172 --> 00:20:11,172 HOW MANY MORE PEOPLE HAVE TO DIE... 335 00:20:15,827 --> 00:20:18,307 I WANT YOU TO PUT EVERYTHING INTO THIS CASE. 336 00:20:18,310 --> 00:20:20,790 WE ARE, SIR. 337 00:20:20,793 --> 00:20:22,623 I WANT RESULTS. 338 00:20:25,034 --> 00:20:27,664 IT'S OUT OF CONTROL. 339 00:20:27,655 --> 00:20:31,545 FOLLOW UP ON EVERY SINGLE LEAD. 340 00:20:31,551 --> 00:20:35,211 CAN WE LAY OFF THE ROBBERIES AND GUN PERMITS? 341 00:20:35,206 --> 00:20:39,616 ASK ME AGAIN... I TAKE YOUR BADGE. 342 00:20:51,000 --> 00:20:52,590 Sara: CAN'T WE LEAVE IT? 343 00:20:52,586 --> 00:20:54,546 IT FEELS LIKE WE'RE LETTING THEM DOWN. 344 00:20:54,551 --> 00:20:58,311 SARA, YOU HEARD THE NEWS. THEY CAUGHT THE KILLER. 345 00:20:58,310 --> 00:21:00,210 THESE GIRLS CAN REST IN PEACE. 346 00:21:00,206 --> 00:21:02,966 IT'S NOT JUST ABOUT THE KILLINGS. 347 00:21:02,965 --> 00:21:04,925 THE RAPES ARE STILL HAPPENING. 348 00:21:04,931 --> 00:21:07,241 WE DON'T WANT THE STUDENTS TO THINK THAT THEY'RE SAFE. 349 00:21:07,241 --> 00:21:09,481 CAMPUS NEEDS TO MOVE ON. 350 00:21:12,137 --> 00:21:13,307 HOW'S GUY? 351 00:21:13,310 --> 00:21:14,860 [ SIGHS ] THAT BOY? 352 00:21:14,862 --> 00:21:16,902 HIS ARM IS FINE. 353 00:21:16,896 --> 00:21:19,406 IT'S HIS LAZY BUTT THAT'S THE PROBLEM. 354 00:21:19,413 --> 00:21:21,483 THAT BOY IS ALL HAT AND NO CATTLE. 355 00:21:21,482 --> 00:21:23,072 OH, CLARNELL. 356 00:21:23,068 --> 00:21:26,408 HE NEEDS TO START TAKING CARE OF HIMSELF. 357 00:21:26,413 --> 00:21:29,003 IT'S HARD. 358 00:21:29,000 --> 00:21:32,100 I HAVEN'T ALWAYS MADE THE RIGHT DECISIONS. 359 00:21:32,103 --> 00:21:34,483 IT'S NOT EASY BEING A MOM, SARA. 360 00:21:39,862 --> 00:21:43,242 [ SLOW FOLK MUSIC PLAYING ] 361 00:21:43,241 --> 00:21:45,241 Man: CAN I GET A REFILL, PLEASE? 362 00:21:53,896 --> 00:21:54,996 OH, IT'S YOU. 363 00:21:57,827 --> 00:22:00,407 [ SIGHS ] 364 00:22:00,413 --> 00:22:04,073 REAL SORRY TO HEAR ABOUT YOUR BABYSITTER. 365 00:22:04,068 --> 00:22:05,858 SAME AS JIM, PLEASE. 366 00:22:12,586 --> 00:22:15,236 -IT WAS HORRIBLE, THE WAY -- -DON'T WANT TO TALK ABOUT IT. 367 00:22:23,862 --> 00:22:25,662 CINDY WAS A CAREFUL GIRL. 368 00:22:29,482 --> 00:22:32,072 YOU THINK SHE TOOK A RIDE? 369 00:22:32,068 --> 00:22:36,898 I TOLD HER TO ONLY HITCH WITH PEOPLE SHE TRUSTED. 370 00:22:36,896 --> 00:22:39,376 CINDY... 371 00:22:39,379 --> 00:22:42,279 DON'T GET INTO CARS WITH ANY STRANGE MEN. 372 00:22:42,275 --> 00:22:43,895 YOU HEAR ME? 373 00:22:48,551 --> 00:22:50,311 WHO DID SHE TRUST? 374 00:22:53,724 --> 00:22:56,764 ♪♪ 375 00:23:08,931 --> 00:23:11,791 [ DOG BARKING ] 376 00:23:11,793 --> 00:23:14,903 Man: [ Distorted ] RED CAP RAN FROM THE PATH INTO THE WOODS 377 00:23:14,896 --> 00:23:17,546 TO LOOK FOR FLOWERS FOR HIS GRANDMOTHER. 378 00:23:26,068 --> 00:23:28,098 BUT WHICHEVER ONE HE PICKED, 379 00:23:28,103 --> 00:23:31,453 HE SAW A STILL PRETTIER ONE FURTHER ON. 380 00:23:34,586 --> 00:23:38,276 AND SO HE WENT DEEPER AND DEEPER INTO THE FOREST. 381 00:23:42,068 --> 00:23:46,758 THE KEY IS WORKING OUT WHY THESE GIRLS KEEP ACCEPTING RIDES. 382 00:23:46,758 --> 00:23:50,308 SOMETHING ABOUT THE DRIVER MAKES THEM FEEL SAFE? 383 00:23:50,310 --> 00:23:52,210 UNIFORM? 384 00:23:52,206 --> 00:23:53,896 GOOD-LOOKING GUY? 385 00:23:57,655 --> 00:24:00,685 GOT A MAN HERE, SAYS HE CAN HELP WITH THE MURDERS. 386 00:24:00,689 --> 00:24:02,409 A WITNESS? 387 00:24:02,413 --> 00:24:04,073 NOT EXACTLY. 388 00:24:04,068 --> 00:24:07,278 NOT ANOTHER NUT JOB WHO WANTS TO CONFESS. 389 00:24:07,275 --> 00:24:09,095 I THINK YOU NEED TO SEE HIM. 390 00:24:09,103 --> 00:24:10,903 BRING HIM IN. 391 00:24:13,620 --> 00:24:16,240 [ CHUCKLES ] I REMEMBER. 392 00:24:16,241 --> 00:24:19,691 HIGH SCHOOL FOOTBALL. THAT'S IT. HE WAS VARSITY GUARD. 393 00:24:19,689 --> 00:24:20,969 -WHO? -MULLIN. 394 00:24:20,965 --> 00:24:22,995 I PLAYED FOOTBALL AGAINST HIM IN HIGH SCHOOL. 395 00:24:23,000 --> 00:24:25,210 -WAS HE ANY GOOD? -YEAH, HE WAS, UH, SMALL 396 00:24:25,206 --> 00:24:26,966 BUT FIERCE. [ CHUCKLES ] 397 00:24:26,965 --> 00:24:28,235 THAT FIGURES. 398 00:24:28,241 --> 00:24:31,101 DETECTIVE MEDINA, DETECTIVE ALUFFI, 399 00:24:31,103 --> 00:24:33,523 THIS... 400 00:24:33,517 --> 00:24:35,207 IS MR. SUNSHINE. 401 00:24:35,206 --> 00:24:36,546 MR. SUNSHINE? 402 00:24:36,551 --> 00:24:38,621 CRYSTAL. 403 00:24:38,620 --> 00:24:41,340 MR. CRYSTAL SUNSHINE? 404 00:24:41,344 --> 00:24:45,244 [ GROANS ] DON'T WORRY ABOUT THE MISTER. 405 00:24:45,241 --> 00:24:48,381 YOU SAID YOU HAD SOME, UH, INFORMATION ABOUT THE KILLINGS? 406 00:24:48,379 --> 00:24:50,899 YEAH. 407 00:24:50,896 --> 00:24:52,896 I SURE AS SHOOTIN' DO. 408 00:24:52,896 --> 00:24:57,276 NOW, I KNOW YOU ARE LOOKING FOR BODIES. 409 00:24:57,275 --> 00:24:59,855 AND I WILL HELP YOU FIND THEM. 410 00:24:59,862 --> 00:25:03,102 I JUST NEED A LITTLE SPACE. 411 00:25:03,103 --> 00:25:05,523 SPACE. 412 00:25:05,517 --> 00:25:07,517 [ CHANTING LOUDLY ] 413 00:25:15,862 --> 00:25:18,032 I CAN'T BELIEVE WE'RE DOING THIS. 414 00:25:18,034 --> 00:25:20,004 YOU HEARD WHAT THE CHIEF SAID -- 415 00:25:20,000 --> 00:25:22,550 NO STONE UNTURNED, NO LEAD UN-FOLLOWED. 416 00:25:22,551 --> 00:25:24,211 NO FREAK IGNORED. 417 00:25:24,206 --> 00:25:26,716 [ CONTINUES CHANTING LOUDLY ] 418 00:25:34,448 --> 00:25:36,448 IT'S HERE. 419 00:25:38,793 --> 00:25:41,483 IT LIES HERE. 420 00:25:48,241 --> 00:25:50,241 GET OUT OF HERE, YOU DEADBEAT. 421 00:26:02,655 --> 00:26:05,065 Man: MIND IF I PUT THE RADIO ON? 422 00:26:05,068 --> 00:26:06,518 SURE. 423 00:26:06,517 --> 00:26:10,757 ♪ NOBODY SEES YOU WHEN THE LIGHTS GO OUT ♪ 424 00:26:10,758 --> 00:26:14,548 ♪ NOBODY HEARS YOU WHEN YOU LAUGH AND SHOUT ♪ 425 00:26:16,793 --> 00:26:18,833 [ LOUD, MUFFLED MUSIC PLAYING ] 426 00:26:18,827 --> 00:26:20,757 BYE, GUYS. 427 00:26:37,551 --> 00:26:42,241 ♪ HOPE YOU HAVE A DAY THAT NOBODY KNOWS ♪ 428 00:26:42,241 --> 00:26:46,551 ♪ NOBODY NEEDS YOU WHEN YOU'RE DOWN AND OUT ♪ 429 00:26:46,551 --> 00:26:50,341 ♪ NOBODY NEEDS YOU WHEN YOU'RE HEAD IS DOWN ♪ 430 00:26:50,344 --> 00:26:53,244 Rosalind: NEED A RIDE? HOP IN. 431 00:26:53,241 --> 00:26:55,311 THIS GUY SAID HE'S HEADIN' TO TOWN. 432 00:26:55,310 --> 00:26:57,830 ♪ YOU'RE GONNA LIVE AND DIE BY THE SWORD ♪ 433 00:26:57,827 --> 00:27:01,927 THANKS. THERE'S NEVER ANY BUSES AT THIS TIME OF NIGHT. 434 00:27:01,931 --> 00:27:04,901 ♪♪ 435 00:27:23,000 --> 00:27:26,000 [ SLOW MUSIC PLAYING ON RADIO] 436 00:27:33,482 --> 00:27:35,972 LUCKY TO GET A RIDE HOME SO LATE, HUH? 437 00:27:35,965 --> 00:27:38,995 [ WOMAN SINGING INDISTINCTLY] 438 00:28:01,724 --> 00:28:04,414 IS THIS THE RIGHT WAY? 439 00:28:04,413 --> 00:28:07,593 I WORK ON THE HIGHWAY. 440 00:28:07,586 --> 00:28:10,236 I KNOW AROUND HERE LIKE THE BACK OF MY HAND. 441 00:28:13,137 --> 00:28:15,787 BUT IF YOU WANT, I CAN DROP YOU AT THE NEXT BUS STOP. 442 00:28:18,758 --> 00:28:21,408 NO, IT'S FINE. 443 00:28:21,413 --> 00:28:24,593 OH, I SURE UNDERSTAND YOU LADIES FEELING ON EDGE. 444 00:28:31,896 --> 00:28:34,926 [ MAN SCREAMING IN DISTANCE ] 445 00:28:43,551 --> 00:28:45,971 "I GET A RAW DEAL FROM LIFE." 446 00:28:45,965 --> 00:28:49,585 TRUE. 447 00:28:49,586 --> 00:28:52,856 "MY SEX LIFE IS SATISFACTORY." 448 00:28:52,862 --> 00:28:55,002 TRUE. 449 00:28:55,000 --> 00:28:57,900 REALLY? HERE? 450 00:28:57,896 --> 00:28:59,586 OKAY, FALSE. 451 00:29:02,275 --> 00:29:05,135 "I HAVE NEVER BEEN IN TROUBLE FOR MY SEXUAL BEHAVIOR." 452 00:29:05,137 --> 00:29:06,517 FALSE. 453 00:29:06,517 --> 00:29:08,027 "I LOVE MY FATHER." 454 00:29:08,034 --> 00:29:09,344 TRUE. 455 00:29:09,344 --> 00:29:11,004 "I HATE MY MOTHER." 456 00:29:14,000 --> 00:29:16,280 WHEN YOU FINISH, CAN YOU WAIT FOR ME? 457 00:29:16,275 --> 00:29:17,615 I NEED TO SPEAK WITH YOU. 458 00:29:17,620 --> 00:29:19,380 YES, DR. SHAW. 459 00:29:24,413 --> 00:29:26,723 [ DOOR SHUTS ][ SIGHS ] 460 00:29:32,034 --> 00:29:33,764 I DISMEMBER BODIES. 461 00:29:36,517 --> 00:29:38,277 TRUE. 462 00:29:42,482 --> 00:29:44,482 I ENJOY KILLING PEOPLE. 463 00:29:49,965 --> 00:29:51,655 I DO. 464 00:29:51,655 --> 00:29:53,715 WHAT DO YOU ENJOY MOST? 465 00:29:53,724 --> 00:29:56,624 TAKING THEM APART. 466 00:29:56,620 --> 00:29:58,380 YOU BUTCHER THEM? 467 00:29:58,379 --> 00:29:59,929 I WORKED IN A SLAUGHTERHOUSE, 468 00:29:59,931 --> 00:30:03,031 SO I PRACTICED ON PETS. 469 00:30:03,034 --> 00:30:06,974 YOU HEARD OF RIGOR MORTIS? 470 00:30:06,965 --> 00:30:09,135 IT'S WHEN THE BODY GOES STIFF. 471 00:30:09,137 --> 00:30:12,757 BUT IF YOU CUT THE TENDONS, IT ALL GOES LOOSE AGAIN. 472 00:30:12,758 --> 00:30:14,238 ♪♪ 473 00:30:18,517 --> 00:30:21,517 [ MID-TEMPO COUNTRY MUSIC PLAYING ON RADIO] 474 00:30:26,413 --> 00:30:28,623 ARE EITHER OF YOU JOHN WAYNE FANS? 475 00:30:28,620 --> 00:30:32,450 -NO. -NOT REALLY. 476 00:30:32,448 --> 00:30:35,208 [ As John Wayne ] AW, WELL, NOW, DOGGONE IT, 477 00:30:35,206 --> 00:30:37,546 THAT'S A CRYIN' SHAME. 478 00:30:44,758 --> 00:30:46,858 [ WOMAN SINGING INDISTINCTLY] 479 00:31:03,172 --> 00:31:05,932 DO YOU MIND IF I SLOW DOWN? 480 00:31:05,931 --> 00:31:08,101 I WANT TO TAKE IN THAT VIEW. 481 00:31:08,103 --> 00:31:09,863 SURE. 482 00:31:15,551 --> 00:31:18,211 SURE IS NICE AND QUIET AROUND HERE. 483 00:31:18,206 --> 00:31:20,896 ♪♪ 484 00:31:23,827 --> 00:31:24,857 [ GASPS ] 485 00:31:24,862 --> 00:31:27,032 [ SCREAMING ] 486 00:31:29,586 --> 00:31:32,896 [ CRYING ] 487 00:31:32,896 --> 00:31:34,926 [ CONTINUES SCREAMING ] 488 00:31:37,862 --> 00:31:40,002 SHUT UP! 489 00:31:43,448 --> 00:31:45,338 DON'T MOVE. 490 00:31:45,344 --> 00:31:49,624 I SAID, DON'T MOVE! 491 00:31:49,620 --> 00:31:51,310 NO, DON'T KILL ME! 492 00:31:54,275 --> 00:31:57,235 [ SLOW COUNTRY MUSIC PLAYING ON RADIO] 493 00:32:02,586 --> 00:32:05,586 [ WOMAN SINGING INDISTINCTLY] 494 00:32:11,620 --> 00:32:14,660 ♪ YOU LEFT ME IN A WORLD♪ 495 00:32:14,655 --> 00:32:17,165 ♪ WITH NOTHING IN IT♪ 496 00:32:20,275 --> 00:32:24,475 ♪ I HAD IT ALL AND LOST IT ALL♪ 497 00:32:24,482 --> 00:32:29,382 ♪ THERE WAS NOTHING I COULD DO♪ 498 00:32:29,379 --> 00:32:33,619 ♪ YOU ONLY WANTED COMPANY♪ 499 00:32:33,620 --> 00:32:37,140 ♪ TILL SHE CAME BACK TO YOU♪ 500 00:32:39,965 --> 00:32:44,855 ♪ YOU ONLY WANTED COMPANY♪ 501 00:32:44,862 --> 00:32:48,072 ♪ TILL SHE CAME BACK TO TOWN♪ 502 00:32:48,068 --> 00:32:50,068 [ DOG BARKING ] 503 00:32:52,793 --> 00:32:53,793 [ DOOR OPENS ] 504 00:32:53,793 --> 00:32:55,693 GUY, IS THAT YOU? 505 00:32:57,586 --> 00:33:00,236 WHERE THE HELL HAVE YOU BEEN? TOMORROW'S AN IMPORTANT DAY. 506 00:33:00,241 --> 00:33:02,721 YOU NEED TO PREPARE YOURSELF. 507 00:33:02,724 --> 00:33:04,694 CAR PROBLEM. NEED TO FIX IT. 508 00:33:04,689 --> 00:33:07,069 -YOU GOT ANY BOXES? -WHAT FOR? 509 00:33:07,068 --> 00:33:09,588 TO KEEP THE DIRTY PARTS OFF THE FLOOR. 510 00:33:09,586 --> 00:33:12,236 OH, I DON'T WANT YOU DRAGGING CAR PARTS THROUGH MY HOUSE. 511 00:33:12,241 --> 00:33:14,281 -PUT IT IN THE SHED. -IT'S A MESS. 512 00:33:14,275 --> 00:33:15,615 THEN CLEAN IT UP. 513 00:33:15,620 --> 00:33:18,030 MOM, IF I DON'T FIX THE CAR NOW, 514 00:33:18,034 --> 00:33:21,414 I WON'T BE READY FOR THE HEARING TOMORROW. 515 00:33:21,413 --> 00:33:23,343 OH, FOR GOODNESS SAKE. 516 00:33:25,793 --> 00:33:27,723 LOOK IN THE FRONT CLOSET. 517 00:33:27,724 --> 00:33:30,764 ♪♪ 518 00:33:34,103 --> 00:33:37,283 I HAVE SOME NEWS. 519 00:33:37,275 --> 00:33:40,235 WHEN YOU FIRST ARRIVED HERE FOUR YEARS AGO, 520 00:33:40,241 --> 00:33:42,691 WE DIDN'T KNOW WHAT TO EXPECT. 521 00:33:42,689 --> 00:33:45,999 YOUR CRIME WAS SOMETHING WE'D NEVER ENCOUNTERED BEFORE. 522 00:33:47,965 --> 00:33:50,755 YOU'VE BEEN A MODEL PATIENT, SO WE'RE RECOMMENDING YOU 523 00:33:50,758 --> 00:33:54,098 TO BE RELEASED BACK INTO THE COMMUNITY. 524 00:33:54,103 --> 00:33:58,693 THERE'S HARDLY A TRACE OF THE BOY YOU ARRIVED HERE. 525 00:33:58,689 --> 00:34:01,829 THERE IS ONE CONDITION. 526 00:34:01,827 --> 00:34:03,717 YOU CANNOT LIVE WITH YOUR MOTHER. 527 00:34:05,827 --> 00:34:08,517 YOU UNDERSTAND WHY. 528 00:34:08,516 --> 00:34:10,276 SHE BRINGS OUT THE WORST IN ME. 529 00:34:12,413 --> 00:34:14,073 THE WAY SHE TREATED YOU SEEMS TO BE 530 00:34:14,068 --> 00:34:16,718 ONE OF THE MAIN CATALYSTS FOR YOUR VIOLENT BEHAVIOR. 531 00:34:16,724 --> 00:34:18,554 [ SQUISHING ] 532 00:34:18,551 --> 00:34:19,761 IT'S IMPERATIVE 533 00:34:19,757 --> 00:34:24,137 YOU HAVE ABSOLUTELY NOTHING TO DO WITH HER. 534 00:34:24,137 --> 00:34:26,407 I DON'T KNOW HOW TO THANK YOU. 535 00:34:26,413 --> 00:34:28,623 YOU DESERVE IT. 536 00:34:28,620 --> 00:34:30,280 YOU'VE WORKED HARD. 537 00:34:30,275 --> 00:34:33,275 ♪♪ 538 00:35:01,551 --> 00:35:03,591 [ SQUISHING ] 539 00:35:20,206 --> 00:35:22,276 Clarnell: GUY, DINNER! 540 00:35:24,310 --> 00:35:27,720 Guy: COMING! 541 00:35:27,724 --> 00:35:29,904 JUST NEED TO WASH UP. 542 00:35:29,896 --> 00:35:32,276 [ DOOR OPENS, SHUTS ] 543 00:35:49,310 --> 00:35:52,210 [ DOG BARKING, CRICKETS CHIRPING ] 544 00:35:54,206 --> 00:35:57,206 ♪♪ 545 00:36:14,034 --> 00:36:16,344 ARE YOU READY FOR YOUR MEETING TOMORROW? 546 00:36:24,620 --> 00:36:26,660 THIS IS A, UH... 547 00:36:26,655 --> 00:36:30,165 ONCE-IN-A-LIFETIME OPPORTUNITY. 548 00:36:30,172 --> 00:36:32,102 CHANCE TO TURN THINGS AROUND, 549 00:36:32,103 --> 00:36:33,793 GET A CLEAN SLATE. 550 00:36:38,241 --> 00:36:39,791 ARE YOU LISTENING TO ME? 551 00:36:42,068 --> 00:36:43,898 IF THEY SEAL YOUR CRIMINAL RECORDS, 552 00:36:43,896 --> 00:36:45,206 YOU CAN GET A FRESH START. 553 00:36:45,206 --> 00:36:47,476 YOU CAN GET A REAL JOB 554 00:36:47,482 --> 00:36:49,072 AND STOP LIVING LIKE A KID. 555 00:36:49,068 --> 00:36:52,968 YOU KNOW, I MIGHT DRIVE TO SEE DAD. 556 00:36:52,965 --> 00:36:54,655 WHY? 557 00:36:57,310 --> 00:36:59,970 YOU KNOW WHAT HAPPENED LAST TIME. 558 00:36:59,965 --> 00:37:01,755 THAT WAS HIS FAT-HEAD WIFE. 559 00:37:01,758 --> 00:37:04,238 [ CHUCKLES ] YOU'RE DREAMING. THAT WAS HIM. 560 00:37:10,000 --> 00:37:11,690 I'M GONNA FINISH THE CAR. 561 00:37:19,413 --> 00:37:21,453 HEY. 562 00:37:21,448 --> 00:37:23,448 DON'T I GET A THANK YOU? 563 00:37:25,448 --> 00:37:26,858 THANK YOU. 564 00:37:29,172 --> 00:37:30,932 A REAL ONE. 565 00:37:43,482 --> 00:37:46,142 MM. 566 00:37:46,137 --> 00:37:47,927 THAT'S BETTER. 567 00:37:50,275 --> 00:37:54,615 I AM GONNA LAY OUT CLEAN CLOTHES FOR YOU TOMORROW, 568 00:37:54,620 --> 00:37:57,000 AND I'M GONNA CHOOSE A TIE. 569 00:37:57,000 --> 00:37:59,450 AND YOU BETTER WEAR IT, MISTER. 570 00:39:19,551 --> 00:39:22,831 GUY, WHAT ARE YOU DOING? 571 00:39:22,827 --> 00:39:24,587 GETTING READY FOR BED. 572 00:39:26,586 --> 00:39:28,856 GOOD NIGHT, SON. 573 00:39:28,862 --> 00:39:30,972 YEAH. GOOD NIGHT. 574 00:39:48,034 --> 00:39:51,144 [ FANFARE PLAYS] 575 00:39:51,137 --> 00:39:52,517 Dave: THIS IS K-RAM RADIO. 576 00:39:52,517 --> 00:39:54,167 YOU'RE LISTENING TO DAVE DOLANDS, 577 00:39:54,172 --> 00:39:56,832 THE VOICE OF SANTA CRUZ TALK RADIO. 578 00:39:56,827 --> 00:39:59,167 TODAY, WE'LL BE TALKING ABOUT THE MISSING PERSONS, 579 00:39:59,172 --> 00:40:00,522 THE DODGERS DOWN IN L.A., 580 00:40:00,517 --> 00:40:02,717 AND WE'LL BE DISCUSSING THE TRAFFIC 581 00:40:02,724 --> 00:40:04,174 ON THE PACIFIC COAST HIGHWAY. 582 00:40:04,172 --> 00:40:07,072 BUT FIRST, THIS. 583 00:40:07,068 --> 00:40:10,788 [ SLOW FOLK MUSIC PLAYING] 584 00:40:10,793 --> 00:40:12,693 OHH. 585 00:40:12,689 --> 00:40:16,379 WHAT A SLOB. 586 00:40:16,379 --> 00:40:18,209 [ SIGHS ] 587 00:40:18,206 --> 00:40:21,026 WHAT IS THAT BOY THINKING? 588 00:40:21,034 --> 00:40:23,864 OH, GEEZ. OHH. 589 00:40:49,896 --> 00:40:52,926 ♪♪ 590 00:41:21,310 --> 00:41:23,970 HI, SWEETIE. 591 00:41:23,965 --> 00:41:26,205 YEAH, IT'S YOUR BROTHER. 592 00:41:26,206 --> 00:41:28,336 I'M WORRIED ABOUT HIM. 593 00:41:28,344 --> 00:41:30,344 Dave: POLICE ARE APPEALING TO WITNESSES 594 00:41:30,344 --> 00:41:33,244 AFTER TWO YOUNG WOMEN DISAPPEARED FROM UCSC CAMPUS 595 00:41:33,241 --> 00:41:36,521 LAST NIGHT, ROSALIND THORPE AND ALICE LIU. 596 00:41:36,517 --> 00:41:39,277 POLICE REMAIN HOPEFUL, BUT WE KNOW BETTER. 597 00:41:39,275 --> 00:41:41,095 DON'T WE, SANTA CRUZ? 598 00:41:41,103 --> 00:41:44,453 WHILE THE CO-ED KILLER IS OUT THERE, NOBODY IS SAFE. 599 00:41:44,448 --> 00:41:47,448 [ MID-TEMPO COUNTRY MUSIC PLAYING] 600 00:42:00,344 --> 00:42:02,244 [ MAN SINGING INDISTINCTLY] 601 00:42:02,241 --> 00:42:03,931 [ ENGINE SHUTS OFF] 602 00:42:52,793 --> 00:42:54,833 I WON'T BE LONG, GIRLS. 603 00:43:02,379 --> 00:43:04,379 Man: HEY, WHAT DO YOU THINK YOU'RE DOING? 604 00:43:12,310 --> 00:43:14,790 Man: HIS MOTHER LOCKED HIM IN A BASEMENT 605 00:43:14,793 --> 00:43:16,763 AT A FORMATIVE AGE. 606 00:43:16,758 --> 00:43:18,898 DO YOU KNOW ANYTHING ABOUT THE CO-EDS? 607 00:43:18,896 --> 00:43:20,616 WHAT CO-EDS? 608 00:43:20,620 --> 00:43:23,030 LET US OUT. 609 00:43:23,034 --> 00:43:25,174 I SAID LET US OUT! 610 00:43:25,172 --> 00:43:27,342 HE GREW UP IN THE DARK 611 00:43:27,344 --> 00:43:29,664 AND WILL NEVER LEAVE THE DARK. 612 00:43:29,655 --> 00:43:32,615 WHAT IF IT'S NOT ABOUT THE KILLING? 613 00:43:32,620 --> 00:43:34,520 WHAT IF IT'S ABOUT THE AFTER? 614 00:43:34,517 --> 00:43:36,587 Guy: DON'T TAKE TOO LONG. 615 00:43:36,586 --> 00:43:38,656 HE IS MARKED FOR LIFE. 616 00:43:38,655 --> 00:43:40,205 OR GOD KNOWS WHAT I'LL DO. 41902

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