All language subtitles for The.Blacklist.S08E13.WEBRip.x264-ION10

COOPER: Previously on
The Blacklist...

Do you mind
if I join you?

I'm Anne.
Raymond.

I don't know, Anne.
I think your life sounds
rather balanced.

I like to think it is.

What do you do?
I'm a fugitive.

Some people like
to live dangerously.

What do you have
in mind?

You. Helping me.

Finding a souvenir
for my sister.

I know an extraordinary
tiny, tiny,

"barely enough room
for the both of us"
chocolate shop.

What about
North by Northwest?

It's playing at
the Village East
tomorrow,

midnight screening.

You'll find me
waiting for you
under the marquee.

Raymond?

REDDINGTON: Anne,
I am so terribly sorry.

I'm afraid
I'm not gonna be able
to make it tonight.

(TICKING)

MR. CANE: Your position
in commodities is strong.

Copper, gold.

But the real returns
have been in crypto.

As you can see,
year-to-date, bitcoin
has an 800% return.

Your insistence
on taking
a large position

was insanely
prescient.

Must be nice,
being so rich that
getting richer bores you.

I'm not bored.
I'm just anxious
to leave.

We have another
appointment.

An appointment
I'm a little bit more
concerned about

than the state
of my liquidity.

We're running late.

What do you know
about bridge?

The game,
not the way to cross
from here to there.

Bridge? I don't...
I... I'm sorry.

I was under the impression
that a comprehensive
review of your investments

and holdings was of
the utmost importance
at this time?

DEMBE: It is.

We anticipate
a significant increase
in our need

for available resources
over the next few months.

Well, there you have it.

We all have different
interests and priorities,
don't we?

For instance, in the morning,
Mr. Zuma likes to start with
the business section

then move on
to the sports.

I like to start
with the funnies and
fall asleep in my chair.

Takes me all day
to read the paper.

I like the funnies.
No, I...

He likes the funnies,
as well,

but he also has
an amazing head
for business.

Numbers and trends and,
you know, all the rest of it.

Whereas I wouldn't
know a bitcoin
from a subway token.

Well, you wouldn't
have to.

Uh, bitcoins aren't
a tangible thing.

They aren't?
I wouldn't know.

My investment
in bitcoin

was neither prescient
nor insane.

I was just following
Mr. Nakamoto's
instructions.

Satoshi said buy,
I bought.

Satoshi Nakamoto?
You know him?

Who...
Who he really is?

Yes, well,
Dembe knows him
better than I.

They're like,
you know...

Is there
anything else
we need to review?

We do have a plane to catch.

Uh, well,
there's your holdings

in Singapore
and the BSE, but...

I... I'm sorry.
You know Nakamoto?

The Nakamoto?
No one knows Nakamoto.

Mr. Cane,
we really
must be going,

which means
you need to
be going.

Okay, well,
if there's anything else
I can help you with...

Not unless you know
something about bidding
or suit management.

Bridge.

No.

DEMBE: Can I tell you
what I'm concerned about?

Townsend...

Oh, I am so confused.

The more I read,
the less I understand
this game.

...and that I'm not
going to be there
with you.

Raymond, I'm serious.

I know,
and I love that
about you.

But I'll be fine.
I...

I'll be fine.

No patterns.

You taught me that.

You said
it's the first rule

of staying a step ahead
of your enemies.

Do something once,
it may go undetected.

Maybe twice.

After that, it's a pattern.

How many visits will this be?

Five.

I like her.

I like coming home
to a port.

Seeing a candle burning
in a window.

A smiling face
waiting to greet me.

I... I never
liked it before.

I like it now.

(SIGHS)

Did you know that irises
are the state flower
of Tennessee?

What's the state flower
of Kansas?

The sunflower.

She grew up with them.
She likes irises.

I should be with you.

You should be with
Raymond Reddington.

When I'm with Anne,
that's not who I am.

It may not be
who you want to be,

but it's always
who you are.

(DOG BARKING)

So much for
the sexiest man alive.

BRAN: Down, girl.

I'm just saying,
I like punctuality.

Maybe his plane
was delayed.

(DOOR OPENS)
So, why hasn't
he called yet?

Only because
I like to make
a dramatic entrance.

Raymond! Irises!

Oh, you're so sweet.
Mmm.

Promise me
you'll play nice.

What are you
talking about?
I'm a total softie.

I'll put these in water
and make you a sandwich.

You remember
Bran and Lois.

Yes, of course.
Hello, Bran, Lois.

Hello, Ray!
LOIS: Hello!

I hope you'll
go easy on me
tonight.

BRAN: You'll do fine.
Gin and tonic?

Yes!
We've gotten
a head start.

I'm sure
I'll catch up.
(CHUCKLES)

I'm not so sure
you will.

Oh. Need a refill.

Lois.

So, flight delayed?

Yes. Seems to be
the norm nowadays.

Anne is very trusting.

She thinks because
we live in a small town,

she's got nothing
to be afraid of.

It's why she leaves
her door unlocked.

It wasn't unlocked
just now.
Really?

Then how'd you get in?

Anne gave me a key.

Look.

I'm Annie's best friend.

Yes.
I want her
to be happy.

That makes two of us.

Good, because
if you mess this up,
I'm gonna kill you.

(BOTH CHUCKLING)

(CHUCKLES)

LOIS: Pass.

Anyone for
Go Fish?

ANNE:
That's not
a bid.

You're right.
It's a cry
for help.

You can't make
a bid?
How about Crazy Eights?

(CHUCKLES)
No? Okay.

I bid one heart?

One heart.

That'll do.
Two diamonds.

Two spades.

Pass.

Pass, I think.

Pass.
Jack of hearts.

Ah. And now
it's my turn again?

No. Now you're
the dummy.

That's a bit harsh.
Your hand
is the dummy.

Lay your cards down,
face up.
ANNE: Thank you.

I'm your partner.
When you're the dummy,

you say "good luck"
back to me.
It's tradition.

Well, good luck,
good lookin'.

(BRAN CHUCKLES)

Now you can go
get yourself
a piece of that cake

before I eat it all.

Much to everyone's
relief.

Kick some ass.

So, Lois,
what's it like to be
a police officer

in a small town?

I ask because
I'm something of
a true-crime buff.

BRAN: You are?
So am I!

I like the podcasts
and the documentaries
on Netflix.

Yes! I love those.
I loved The Staircase.

Oh!
Queen of hearts
from dummy.

And I love
reading them, too.

I first got hooked on
In Cold Blood,

then Executioner's Song.

Ooh, I can take that.
Ace of hearts.

I haven't read
that one, Ray.

Oh, you should.
Norman Mailer.

Nothing like that
goes on around here.

Thank goodness.
It's a pretty
quiet town.

I've got a gun,
but I've never used it.

I can't imagine
I ever would.

Mmm. Smart and sweet
and funny,

and she bakes.

(LAUGHTER)
I wish.

Cindi made that
and brought it over

after we had that
fender bender
in the parking lot.

That's how you say
you're sorry
in a small town.

Well, bless Cindi's heart.
And her frosting.

Six of clubs.
King of clubs.

Seven of clubs.

Tell me how
you two met
again.

Nine of clubs
from the dummy.

Because it clearly
wasn't at a bridge
tournament.

(LAUGHTER)
We met
in the park.

Anne was
watching birds.
I was watching Anne.

We bonded over
a Cape May warbler.

Then he asked me
to go see
North by Northwest

and promptly
stood me up.

But he's more than
made up
for that since.

We've been having
an ongoing
classic-film festival.

We started with movies
with musical numbers.

He's usually asleep
long before
the end credits.

REDDINGTON: Not tonight.

Tonight, we start on
Italian cinema
from the 1960s.

Oh, g...

No one can sleep through
that zeitgeist of cool.

(LAUGHTER)
Not even the dummy.

(ACCORDION MUSIC
PLAYING ON TELEVISION)

Ah.

I'm gonna have to re-solder
a wire on the output connector

for this turntable
to work.

I don't suppose you have
a soldering iron, do you?

Uh, no.

(BOTH CHUCKLE)

You know what?
I think I'm gonna run down
to the hardware store

and see if I can
pick one up.

Take the truck.

You don't want to
waste gas
on your rental.

You know
where the keys are.

I'll have us dancing
in no time.

BOTH: Mmm.

(SIGHS SOFTLY)
What?

Nothing.
No, no, no.
What, what?

I'm a straight-as-an-arrow
52-year-old.

I was married to one man,

my high-school sweetheart,
for 25 years.

I'm in a book club.
I go to church
on Sundays.

And somehow,
I'm in a relationship
with someone

who when he says
the words
"output connector..."

(INHALES DEEPLY)

all I can
think about is sex.

That's what I'm always
thinking about when I say
"output connector."

DEMBE: No patterns.

You said it's the first rule
of staying a step ahead
of your enemies.

(BELL JINGLES)

(SLOW SONG PLAYING
OVER SPEAKERS)

ANNE: Do you have to
go on Monday?

** There'll be no strings
to bind your hands

I mean,
I know you do.
I just...

I wish you wouldn't.

** Not if my love
can't bind your heart

I would do anything
to stay.

But you're busy at work.

This is
a particularly
fraught time.

"Fraught."

Something
that I have...

** I see no reason
to take me home

...worked for many years
to build and protect
is at risk.

That must be very hard.

I'm sorry.

Is there anything
I can do
to help you?

You're already doing it.

I'm serious.
So am I.

Out there, my life
is so complicated.

And here,
it's not.

I want to do more
than help you
set aside your burdens.

I want to help you
carry them.

I can't do that
unless you tell me
what they are.

Anne.

What?

You want to dance?

** And if we're victims
of the night

** I won't be blinded
by the light

** Just call me angel
of the morning, angel

** Just touch my cheek
before you leave me, baby

** Just call me angel
of the morning, angel

** Then slowly turn away

** I won't beg you to stay

** With me **

LOIS: It's not like
I ran his fingerprints.

I'm just saying
I wouldn't mind.

ANNE: Because he likes
true crime?
I like true crime.

LOIS: All I'm saying is
you know next to nothing
about him.

I know a lot.

(SCOFFS)

I know how
he makes me feel.

I know
he's got a business
and it's got problems.

And I know when he's here,
those problems go away.

What business?
What problems?

I know, I know.
I'm the overprotective friend

who should mind
her own business.

I'm just saying,
I have never met
anyone from New York

who wasn't
either pushy, rude,
or a complete narcissist.

Well, first of all,
he's not from New York.

And, Lois,
to the world,
I'm invisible,

but not to him.

He sees me,
and I love him
for it. I do.

I love him.

(STAIRS CREAK)

Does he know about
the love part?

No.

He does now.

REDDINGTON:
Good morning, ladies.

That coffee
smells delicious.

ANNE: Good morning.

Hungry?
I brought muffins.

Thank you, Lois.

But I prefer cereal,
the breakfast
of narcissists.

So we can
gaze admiringly

at our reflection
in the spoon.

I better get on
into the station.

(WHISPERS)
Sorry.

Good-bye, Lois.

(DOOR OPENS AND CLOSES)

Have I told you about
the fork-tailed flycatcher?

She's right.

How they gather
near the elm trees
south of town?

You know almost
nothing about me.

I know everything
I need to know.

Unless, of course,
those "business problems"

are a euphemism for
a wife or a husband
somewhere.

No wife. No husband.

But there is a cat.
(CHUCKLES)

As well as other things
you should know
about me.

About who I am.

Raymond.
I know who you are.

You're someone
who needs to see
the fork-tailed flycatcher.

Which I intend
to show you,

just as soon as I find
my binoculars.

I'm gonna
go upstairs,

and you're gonna
make us some sandwiches
to take with.

How's that sound?

It sounds just right.

ANNE: I found
two pairs
and a blanket.

I found
salami and cheese.

I'll get a basket
for the food,
and we're good to go.

You told me the flycatcher
can range as far south
as lower Mexico,

and some have even
been spotted as far
down as Argentina.

ANNE: What was that?

Nothing. I was just...

ANNE: What were
you saying?

I was saying...
I was remembering

that you said
you were thinking about
becoming a vegetarian.

That pipe dream was
about 12 pounds ago.

That's something my doctor
is always bugging me about.

Didn't you say there was
an excellent vegan
sandwich shop in town?

But you're already
making lunch.

Which we can bring,
in case the tofurkey
is inedible.

Why don't you
run into town,
order for both of us?

I'll finish up, pack,
and be ready to go
when you get back.

Are you sure?
Positive.

Okay. Two tofurkey
sandwiches comin' up.

(DOOR OPENS AND CLOSES)

(ENGINE STARTS)

Oh. Hey, there.

Hey. Here on a call.
Won't be long.

A call? Really?
What seems to be
the problem?

County sent me.
Area's been
having outages.

I just gotta check
your ground wires.
It's standard.

Okay. Very good.

Vague,
but detailed enough.

Delivered with authority.

I'm not sure
what you mean.

You know what I mean.

Listen, mister, if it helps,
I got the work order
right here.

Great.

(GRUNTS)

How many are coming?

Everyone.

(TIRES SQUEALING)

(TIRES SCREECH)

(DOOR OPENS)

(DOOR CLOSES)

(FOOTSTEPS APPROACHING)

You found Arkham.

In a chest freezer
in the garage.

His weapon's gone,
vehicle's gone.

The girlfriend,
Miss Foster.
Ping her cell.

(TELEPHONE RINGS)
She left less than
20 minutes ago.

Reddington wasn't
far behind.

Wherever she's going,
that's where he's going.

Copy that. What do you
want to do about
the missing vehicle?

(TELEPHONE RINGING)

Reddington.

REDDINGTON:
This is between
you and me.

It has nothing
to do with her.

TOWNSEND:
You must be referring
to Miss Foster.

She has no idea
who I am.

My family had no idea
who you were.

They didn't know
why they were
singled out or targeted,

but that didn't prevent
their suffering.

You still have time
to rethink this.
It's not too late.

It's interesting to me
how you speak
as if you have

any say in how this
will end for you,
Raymond,

as if it can somehow
be resolved
in a civil manner.

The one thing
I can assure you of,

the one thing, is that
what is about to happen

is going to be
anything but civil.

VANDYKE: They got a track
on the woman's cell.
She's close.

I have a second team
on their way
to her now.

Anne.
Hey. What are you
doing here?

If you needed
something else,
you could've called me.

I need you
to come with me.

Is that blood
on your hand?
What happened?

I'll explain in the car.

Raymond,
are you okay?
I... I don't...

What's...
What's going on?

Stay with me.

Raymond, please,
where are we going?

Give me your phone.
Raymond, what
on earth is wrong?

Your phone, please.
Raymond,
you're scaring me.

What's going on?
And who's that woman?

Here.

(BELL JINGLES)

Hello.
Can I help you?

(DOOR CLOSES)

You should leave.
Is that a gun?

Raymond!

Here. Come with me.

No! Answer my question!
What is going on?

I'm not
who you think I am.

I have another life,
and that life found us
here today.

We are in danger,
and I need to
keep you safe...

(GLASS BREAKS)
Someone wants
to hurt you?

They want to hurt us.

Here. Stay here.
Stay quiet.

Only open the door
if it's me.

Anyone else, shoot.
Do you understand?

Just point
and pull the trigger.

(DOOR OPENS, BELL JINGLES)

(DOOR CLOSES, BELL JINGLES)

(ANNE WHIMPERING)

(WOMAN GASPS)

(GRUNTING)

(REDDINGTON GRUNTS)

Anne.
Raymond.

What did you do?
We have to go.

Who was
that woman?

Please, just try
and keep up.

Where are you
taking me?

I don't want... Stop!
Let go of my hand!

Anne, please. Listen to me.
There are people
coming for us.

It's not safe.
You need to
come with me.

Come with you where?

Officers, may I have
your attention, please?

I'm sorry to interrupt.
What are you two
doing here?

May I please have
your attention?

My name is
Raymond Reddington.
Listen to what he has to say.

I'm a wanted fugitive.
I have two firearms
on my person.

Gun!
Someone will need
to disarm me.

Lois, we have
a situation.

I need you to
listen to me
very carefully.

(TELEPHONE RINGING)

Yeah. Chief!
Agent Barnes again
on three.

Says they have
confirmation.
Agents en route?

PEMBRY: In the air now.
40 minutes out.

Within 40 minutes,
everyone in this building
could be dead.

You really
are him.

REDDINGTON: Lois,
you need to get her
somewhere safe.

Now. We don't
have much time.

You need to contact
the highway patrol

and sheriff's department
and any available units
from other counties.

Can someone
shut him up?

Chief, I got someone
from the D.C. field office
on line two.

They are coming here.
Dangerous, highly trained
mercenaries.

He's not making it up.
I saw him kill a woman.

Kill who?

REDDINGTON:
Lois, look at me.

I am the most wanted man
to ever come through
those doors,

by a lot,
and I came here
by choice,

not to surrender myself,
but to protect Anne

from the very bad men
who are coming.

You need to get her
somewhere safe,

because they will
not be intimidated

by the fact that
you're the police.

They will assault
this building

and kill everyone inside
to get to me.

Please, get on
the mutual-aid band

and scramble any units
within earshot,

because this is
happening right now.

It isn't just Wichita
coming for you, friend.
Oh, my...

Kansas City suits
are on the way,
a team out of D.C.

OFFICER: Chief,
will you take
a look at this?

Anne, talk to me.
What do you mean
he killed someone?

Killed who?
I don't know
who she was.

LOIS: You saw him
do it?

OFFICER:
Neither one has plates.

REDDINGTON: You may
want to get away
from those doors, Chief.

What is happening?
They're here,
aren't they?

Lois, I am begging you.
You've got to get your boss
to enact lockdown protocols.

Get on the radio,
whatever cavalry
you have,

call them in, now!

She doesn't have
the authority to
give that order,

and you sure as hell
aren't authorized
to give it.

You need to get
ahead of this, Chief.

Sir, he's right.
Whatever this is,
we are not equipped.

CHIEF RUSSELL:
Okay. Here's what
we're gonna do.

I want all nonessential
personnel out of
the building.

Beth, get the others
and go out the back.

Pembry, find out what units
County has in the area
and where they are!

Brandt, notify Butler
and Lyon counties and
put local EMS on standby.

Who are you?

You need somewhere safe
where you can hide.

(CELLPHONE BEEPS)
That was Reeves.

There was
an incident
in town,

but they have eyes
on Reddington.

What kind of incident?

Landon. She's gone.

And Reddington?

He took the woman
and went into the local
police station.

Ah. Raymond.

You do keep things
interesting.

How you wanna
handle this?

Put Sagan on the police
scanners and have him
give us a timeframe.

If we're going to do this,
it's gonna have to
happen fast

and happen now.

CHIEF RUSSELL:
I just spoke to County.
They're sending units now.

Gonna take Anne
to Emporia
and hold her there

until we have
a better handle
on this.

You can't
wait for units.

You need to get her
out of here now.

Feds are
20 minutes out.

ANNE: How could you
not tell me?

I let you into my life,
my home.

I never wanted to draw you
into my life, Anne.

I only wanted to
escape into yours.

How selfish!

You getting involved with me
while knowing all of this
was hanging over us.

I let my feelings for you
cloud my judgment.

I am so sorry.

(GRUNTS)

When this is over,

so are we.

PEMBRY: Chief,
take a look at this.

That second SUV moved.
It repositioned
around back.

We have a third
out front now.

(TELEPHONE RINGING)

Cottonwood Falls Police.
Chief Russell.

Chief!
How wonderful.

I presume you're
the man in charge.

I am. Who is this?

I am the one
who is here for
Mr. Reddington.

I'm confident he's explained
the situation to you by now.

You also know
the closest units are
nine minutes out,

which gives me eight minutes
to acquire my prisoner.

Send him out now,
you live.

Surrender and walk away,
you live.

Stay and protect him,
and we kill everyone
who stands in our path.

You have 60 seconds
to send him out.

Okay. Hold on. Let...
Let's start with
who am I speaking to?

Fifty-five.

Chief?
Fifty.

PEMBRY: These guys
are heavily armed.

LOIS: They're surrounding
the facility.

CHIEF RUSSELL:
Hold on. Look.
Anne, get down.

CHIEF RUSSELL: Why don't I
come outside and we can talk,
have a conversation?

Forty-five.

You still there?
Can you hear me?

Look, I don't care
who you are.

I'm not gonna bend
to your demands,

and I'm certainly not
gonna send a man
to his death,

even if he is
a known criminal.

What I will do
is talk to you

until we come up with
some reasonable compro...
(GLASS SHATTERS)

LOIS: Chief!

(SIGHS)
That was unfortunate.

But let's hope whoever
is second-in-command
can be more reasonable.

Send out Reddington.

Now you're in charge.

Shots fired.
Repeat. Shots fired.

We have active shooters
on site. Officer down.
Requesting backup.

BRANDT: We got state troopers
east of Elmdale
headed our way.

County units are still
eight minutes out.

If you have
a weapons cache,
open it.

We need to take positions
and push them back now.

BRANDT: I'm not
giving you a weapon.

Staying alive until
backup arrives is
the only thing you can do.

No. You know
what I can do?

End this by giving them
what they want.

PEMBRY: What does
that mean?
Look. Stop!

We're not sending him
out there to be massacred.

I am not
protecting him!
Hold on!

Keep your heads down.

She's right, Brandt.
We can't send him out there.
They'll kill him.

Just let me
think this through.

What is there
to think about?

I am not dying for him.
The Chief already did that.

LOIS: Brandt, stop!
PEMBRY: Do not
go out that door.

I'm coming out!

I'm unarmed!

You can see that, right?

No games.

I just want to walk away.

(RAPID MACHINE-GUN FIRE)
Oh!

(GASPS)

(TELEPHONE RINGING)

That man has two children!

I thought police
understood rules.
I told you the rules.

You don't get to
change your mind.

I gave you 60 seconds
to send Reddington out.

You ignored me,
so now I'm coming in.

The only thing
that can stop that is
sending Reddington out.

No?

Okay.
Be right there.

REDDINGTON:
You need to uncuff me.

Lois, I can give them
what they want.

You need to uncuff me.

I'll uncuff you,
but you're not
going out there.

No. What are you doing?
You can't!

Annie,
he's Raymond Reddington.

If we're gonna survive this,
he's the only chance
we've got.

I'm removing these cuffs,
but so help me God,

if we get out
of here alive,
I am arresting you.

If you try to escape,
I'll shoot you.
Do you understand?

Given the circumstances,
that's not much of a threat.

But, yes, I understand.

Maybe we should
give Anne a sidearm.

ANNE: I don't want one.
It could save your life.

Give it to her.

LOIS: This is for
our defense only.

If this building is breached,
and only if it's breached,

you have
my authorization to...

(GUNFIRE)

PEMBRY: Chase County Sheriff,
this is Officer Ethan Pembry.

How far are those units?
(GRUNTS)

(GUNFIRE)

The detention cell!
Is it fully enclosed?

It is,
but we can't access it!

What? Why not?
I don't have the keys.

Brandt does.
Brandt?

I can get them.
No, no, no!

We have to!
It's too dangerous!

No, Lois! No!

(GUNFIRE)

REDDINGTON: No, no, no!

Aah!

(GUNFIRE)

(GROANING)
Get her to
the holding cell.

(GROANING)

(LOIS SCREAMS)

There we go.

Keys. Where are
the keys?

Here. Here.

Okay.

Well. Look what
we have here.

Three ducks
in a barrel.

REDDINGTON: Anne.
Keep your eyes on Lois.

(DOOR KNOB RATTLING)
Get the door off.

REDDINGTON:
Just ignore him.

(CHUCKLES)
This certainly
is interesting.

(DRILL WHIRRING)

REDDINGTON:
Give me your scarf.

(DRILL WHIRRING)

(KNOCKING ON GLASS)

Mr. Reddington!

REDDINGTON:
Take her hand.

(KNOCKING ON GLASS)

TOWNSEND: Hello?

(DRILL WHIRRING)

You should have left her
out of this, Neville.

It's over.

This was between us.

You're coming
with me, Raymond.

We're ending this
today. Here.

Yes, I'd like to agree
with you, but then
we'd both be wrong.

So, in turn,
how about this?

Take your men
and your guns

and your bloodshed,
and go.

Then come find me
when you're ready,

and I'll show you
the proper way
to exact revenge.

(SIRENS APPROACHING)

MAN: Sir?
We need to go.
Right now.

(SIRENS APPROACHING)

The medics will be here
any minute.

Keep pressure
on the wound.
Mmm-hmm.

I'm sorry, Anne.
I wish I belonged here
with you, but I don't.

(SIGHS)

(KEYS JINGLE)

No. Stop.

I told you
if we survived this,
I'd arrest you.

You're under arrest.

(JOSE GONZALEZ'S
"HOW LOW" PLAYING)

** How low

** Are you willing to go

** Before you reach all

** Your selfish goals?

ANNE: It's all right.
You okay?

Yeah.
(KNOCKING ON GLASS)

FBI.

** After punch line

She needs
a doctor.

Station's clear.
We need paramedics.

Did you find
Reddington?
He was here?

MAN: Clear!

I tried
to stop him.

You didn't
find him?

Not yet,
but knowing he was here,
we'll drop a net so wide,

even he won't be
able to escape.

Who did this?
My friend.

I'm not sure where
you learned this, friend,
but you saved her life.

Reddington was
in town
visiting you?

I didn't know
who he was.

I'm told he came
quite often.

That's right.
He did.

But you didn't know
who he was?

You mean,
was my life so boring

that I was willing
to spice it up by dating
an international fugitive?

No. It was not.

But it turns out
it was boring enough
for me to get suckered

by an international fugitive
into thinking
he cared about me.

Now that I know
the truth, believe me,

if I can help you
find him,

well, that would be
my pleasure.

Glad to hear it, because
I have a lot of questions.

And I'll answer every one,
but I need to go home first.

One of my men
will accompany you.

She's a victim,
not a suspect.

She's also
my oldest friend.

I don't want you
hounding her.

I just need to shower,
change, and have
a good cry.

And then I'll answer
anything you want to ask.

My car's in the lot.
Mind taking it home?

Of course not.

I'll be at the hospital
just as soon as I've answered
their questions.

I wish we'd caught him.

But knowing
he's out of your life,

I do get
some satisfaction
in that.

** Absorbed
in your ill hustling **

LOIS: I told you
if we survived this,
I'd arrest you.

You're under arrest.

Anne watched you kill someone.
I saw you kill three more.

We're alive
because of that.

Not my chief.
Not Pembry or Brandt.

They're dead
because of you.

I kept telling them
what they needed to do,

and they didn't do it.

ANNE: You were right.
About him.

The wolf in sheep's clothing.
But you were wrong, too.

Anne, don't.

You don't
understand.

You need
to move!
I can't.

I won't.

** All the gullible

** That you mislead

** Won't be up for it

(ENGINE SHUTS OFF)

** Where to

** Will you relocate

(DOOR CLOSES)

(BEEP)
** Now that it's war **

Lois said to take
the Falls Road
east out of town.

Most of the staties
don't even know
it exists.

Nobody will
be watching.

She's a good friend.

The best.

The man who came
after you today...

Neville Townsend.

He won't stop,
will he?

You were right.
At the station.

Us, getting involved...

It was selfish of me.

It put you
in harm's way.

It still puts
you there.

If I'm in trouble
either way,

why can't we
be together?

Because what I have to do
and how I have to do it,

you can't be
a part of that.

No one should be
a part of that.

(SIGHS)

It won't be safe here
until it's done.

I understand.

Is there somewhere
you can go?

And not to your daughter's.
They'll anticipate that.

My friend Cindi,
the one who made
the cake.

She has a cabin.

Call her.
See if you can
go there.

When it's safe,
you'll receive
a postcard.

It'll be from the Corn Palace
in Mitchell, South Dakota.

That's how
you'll know
it's me.

But you don't know
the address.

I have certain
capabilities.

Too bad staying awake
for a movie
isn't one of them.

(LAUGHS)

(SIGHS)

Thank you.

For what?

For... all of it.

Every...
Every bit of it.

Except the bridge.

Of all the things that
happened on this trip,

the bridge
scared me the most.

Take care, Dummy.

You take care, Anne.

Yes. Yes.
Sam's Diner.
Route 28.

I should be able
to ditch the car
and be there in an hour.

And, Dembe,

you definitely
should have
come with me.

Yeah. O... Okay.

(CELL PHONE BEEPS)

(RADIO TURNS ON)
MAN ON RADIO:
...by another 10 days, uh...

(RADIO CLICKS)
WOMAN ON RADIO:
...is starting to...

(RADIO CLICKS)
** For it was I
who chose to start

(CHUCKLES)

** I see no reason
to take me home

** I'm old enough
to face the dawn

** Just call me angel
of the morning, angel

** Just touch my cheek
before you leave me, baby

** Just call me angel
of the morning, angel

** Then slowly turn away

Ah, damn it.

** From me

(TIRES SCREECHING)

** Maybe the sun's light
will be dim

** And it won't matter anyhow

** If morning's echo
says we've sinned

** Well, it was
what I wanted now **

Anne. Annie.

Elizabeth.