All language subtitles for Leonardo.2021.S01E01.WEBRip.x264-ION10-eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,222 --> 00:00:07,362 [THEME MUSIC PLAYING] 2 00:01:17,599 --> 00:01:20,559 STEFANO: Well, I was expecting a giant. 3 00:01:20,602 --> 00:01:23,742 Lightning bolts flying out of your fingers. 4 00:01:25,433 --> 00:01:28,743 They say you can do dark magic, Maestro Leonardo. 5 00:01:28,784 --> 00:01:30,534 -[BANGING ON DOOR] -GUARD: Open up! 6 00:01:30,568 --> 00:01:32,658 STEFANO: Now would be a good moment, if you don't want to hang. 7 00:01:32,701 --> 00:01:35,141 -GUARD: Open up in the name of the Podesta! -[BANGING ON DOOR] 8 00:01:37,184 --> 00:01:38,234 Arrest him. 9 00:01:38,272 --> 00:01:40,752 LEONARDO: No. No! [BREATHING HEAVILY] 10 00:01:40,796 --> 00:01:42,446 GUARD: You're under arrest for murder. 11 00:01:46,671 --> 00:01:48,241 LEONARDO: What else do they say about me? 12 00:01:50,110 --> 00:01:52,550 STEFANO: Some say you're a genius. 13 00:01:52,590 --> 00:01:53,850 LEONARDO: Some? 14 00:01:53,896 --> 00:01:55,326 -And the others? -[CHAINS CLINKING] 15 00:01:59,206 --> 00:02:01,246 -STEFANO: The others are frightened. -[JAIL CELL DOOR CLOSES] 16 00:02:02,818 --> 00:02:04,598 LEONARDO: And what about you, Officer... 17 00:02:07,039 --> 00:02:08,219 STEFANO: Giraldi. 18 00:02:11,218 --> 00:02:12,608 [JAIL CELL DOOR CLOSES] 19 00:02:17,659 --> 00:02:19,269 Giraldi. 20 00:02:19,313 --> 00:02:21,183 Tell me about this woman... 21 00:02:22,446 --> 00:02:24,096 Caterina da Cremona? 22 00:02:26,798 --> 00:02:28,708 Tell you what exactly? 23 00:02:28,757 --> 00:02:30,537 They say you quarreled. 24 00:02:32,064 --> 00:02:34,114 She burned some of your paintings. 25 00:02:35,633 --> 00:02:37,163 So you poisoned her. 26 00:02:38,201 --> 00:02:41,471 If they say that, they lie. 27 00:02:44,860 --> 00:02:46,510 How well did you know her? 28 00:02:50,474 --> 00:02:52,174 LEONARDO: I knew the contours of her face 29 00:02:52,215 --> 00:02:53,645 better than I know my own. 30 00:02:55,087 --> 00:02:56,477 What was she to you? 31 00:03:04,662 --> 00:03:06,062 She was love. 32 00:03:06,838 --> 00:03:08,098 A lover? 33 00:03:14,106 --> 00:03:15,626 LEONARDO: Do you ever stare at the sky? 34 00:03:16,500 --> 00:03:17,890 The air, 35 00:03:20,330 --> 00:03:21,550 it has no color. 36 00:03:22,463 --> 00:03:23,733 It's invisible. 37 00:03:26,249 --> 00:03:28,249 Yet the sky is stained blue. 38 00:03:28,295 --> 00:03:29,815 So... 39 00:03:29,861 --> 00:03:31,041 STEFANO: What? 40 00:03:33,648 --> 00:03:35,298 An enigma like the sky... 41 00:03:37,956 --> 00:03:39,566 That's what she was to me. 42 00:03:51,753 --> 00:03:55,713 [BREATHES DEEPLY] 43 00:03:56,845 --> 00:03:59,455 ALFONSO: Right, let's be having you. 44 00:03:59,500 --> 00:04:01,370 Come on, hurry up. Grab your boards. 45 00:04:03,373 --> 00:04:04,773 Here, your foot on here. 46 00:04:06,637 --> 00:04:10,377 Chin up, chin up. Now put the belt around her waist. 47 00:04:10,424 --> 00:04:12,954 Bend your arm. Bend your arm. 48 00:04:12,991 --> 00:04:15,081 Keep your hands to yourself, thank you. 49 00:04:15,124 --> 00:04:16,394 I beg your pardon? 50 00:04:17,996 --> 00:04:20,166 Sorry. Ready, sir. 51 00:04:21,130 --> 00:04:22,170 Good. 52 00:04:22,218 --> 00:04:24,868 Okay, arm... Put the quiver on. 53 00:04:26,483 --> 00:04:27,883 Head up, hair back. 54 00:04:30,139 --> 00:04:31,399 Here we go. 55 00:04:31,445 --> 00:04:34,665 Chin up a bit. There. Now don't move a muscle. 56 00:04:34,709 --> 00:04:36,009 [CANE THUDS] 57 00:04:41,368 --> 00:04:42,408 Diana. 58 00:04:42,456 --> 00:04:44,066 The Goddess of the hunt. 59 00:04:45,589 --> 00:04:48,679 Guardian of the underworld. 60 00:04:51,029 --> 00:04:52,029 Alfonso. 61 00:04:53,162 --> 00:04:55,512 She's got dirt on her arse-cheek. 62 00:04:57,079 --> 00:04:58,079 [SPITS] 63 00:04:59,821 --> 00:05:01,131 VERROCCHIO: All right. Begin. 64 00:05:06,567 --> 00:05:09,217 [SCRATCHING ON PAPER] 65 00:05:09,265 --> 00:05:13,435 Start at the head and finish at the sole of the foot. 66 00:05:13,487 --> 00:05:16,097 Anatomy has a distinct journey. 67 00:05:41,602 --> 00:05:43,782 -[SLAMS TABLE] -Rubbish! 68 00:05:43,821 --> 00:05:46,561 -Breasts like flour sacks. -[CANE THUDS] 69 00:05:46,607 --> 00:05:48,907 -Begin again. Begin again. -Give me that. 70 00:06:04,451 --> 00:06:05,541 Thank you. 71 00:06:07,192 --> 00:06:09,852 [INDISTINCT CHATTER] 72 00:06:14,591 --> 00:06:17,031 [INHALES SHARPLY] 73 00:06:17,072 --> 00:06:18,382 [SIGHS] 74 00:06:19,335 --> 00:06:20,415 [ERASING] 75 00:06:29,301 --> 00:06:31,651 Something wrong with the merchandise? 76 00:06:31,695 --> 00:06:32,775 What? 77 00:06:32,827 --> 00:06:34,387 Why couldn't you draw me? 78 00:06:36,091 --> 00:06:37,091 Worn... 79 00:06:37,832 --> 00:06:38,882 What? 80 00:06:38,920 --> 00:06:40,360 You look worn. 81 00:06:41,183 --> 00:06:42,663 Uh, spoiled. 82 00:06:43,707 --> 00:06:44,877 Damaged. 83 00:06:48,973 --> 00:06:51,893 Tell me, do you find it easy to pick up women? 84 00:06:51,933 --> 00:06:54,023 Because your routine needs a lot of work. 85 00:06:54,065 --> 00:06:55,365 You were perfect once. 86 00:06:57,852 --> 00:07:01,072 We are, all of us, born perfect. 87 00:07:01,116 --> 00:07:04,336 But gradually that perfection is worn away. 88 00:07:04,380 --> 00:07:06,380 It's the hammer blows that make us works of art. 89 00:07:07,644 --> 00:07:10,174 Do you have any idea just how strange you are? 90 00:07:12,257 --> 00:07:14,257 You've worked... 91 00:07:14,303 --> 00:07:16,223 Most of your life in service. 92 00:07:16,261 --> 00:07:17,441 Excuse me? 93 00:07:17,480 --> 00:07:19,130 You have calluses on your hands. 94 00:07:22,180 --> 00:07:23,700 Candle grease in your hair. 95 00:07:24,400 --> 00:07:26,050 I can see everything. 96 00:07:26,097 --> 00:07:29,057 So, basically you're saying I'm not pretty enough to sketch? 97 00:07:29,100 --> 00:07:30,490 That is not what I said. 98 00:07:30,537 --> 00:07:32,837 -But that's what you meant. -No. No, no. 99 00:07:32,887 --> 00:07:34,057 You... You... 100 00:07:34,105 --> 00:07:36,975 [BREATHES DEEPLY] 101 00:07:37,021 --> 00:07:42,421 You have quality that is difficult to define, that's all. 102 00:07:43,114 --> 00:07:44,204 Too late. 103 00:07:46,640 --> 00:07:48,290 [DOOR OPENS AND CLOSES] 104 00:07:57,128 --> 00:07:58,128 [SIGHS] 105 00:08:01,306 --> 00:08:03,916 He's meant to be choosing a first apprentice soon. 106 00:08:03,961 --> 00:08:06,571 Sorry, boys, but that job has my name on it. 107 00:08:06,616 --> 00:08:07,696 [MEN CHUCKLE] 108 00:08:09,097 --> 00:08:10,487 MARCO: What's the matter, Leonardo? 109 00:08:10,533 --> 00:08:11,933 He didn't finish his Diana. 110 00:08:11,969 --> 00:08:15,629 He's paralyzed again by his own perfectionism! 111 00:08:15,669 --> 00:08:16,929 [MEN CHUCKLE] 112 00:08:16,974 --> 00:08:18,634 You won't get to be first apprentice that way. 113 00:08:18,672 --> 00:08:22,282 Have you ever noticed how candlelight differs from sunlight... 114 00:08:23,459 --> 00:08:26,719 In its color and intensity? 115 00:08:26,767 --> 00:08:29,897 Hmm. Incredibly, I've never given it a thought. 116 00:08:29,944 --> 00:08:30,994 [MEN CHUCKLING] 117 00:08:31,032 --> 00:08:32,292 There's more than one kind of light. 118 00:08:33,600 --> 00:08:35,170 Isn't that astonishing? 119 00:08:35,210 --> 00:08:37,820 You wear us all out with your endless questions, Leonardo. 120 00:08:39,431 --> 00:08:40,521 Drink. 121 00:08:40,563 --> 00:08:43,573 -Yes! It's a seven! -[ALL EXCLAIMING] 122 00:08:43,610 --> 00:08:45,570 I'll take that back, thank you very much. 123 00:08:45,612 --> 00:08:47,612 [INDISTINCT CHATTER] 124 00:09:10,941 --> 00:09:12,991 MARCO: Hey, where's Leonardo? TOMMASO: Who knows? 125 00:09:13,030 --> 00:09:14,510 He goes wherever he goes. 126 00:09:14,554 --> 00:09:16,124 [INDISTINCT CHATTER CONTINUES] 127 00:10:17,268 --> 00:10:18,268 [CURTAINS OPEN] 128 00:10:19,923 --> 00:10:20,973 What are you doing? 129 00:10:28,018 --> 00:10:29,668 How many sketches have you made? 130 00:10:31,108 --> 00:10:32,148 It's not ready yet. 131 00:10:33,458 --> 00:10:34,678 Nothing you ever do is ready. 132 00:10:34,721 --> 00:10:35,851 No! No, no! 133 00:10:35,896 --> 00:10:37,546 Leonardo, we're all just students here. 134 00:10:37,593 --> 00:10:38,683 Come on. 135 00:10:47,298 --> 00:10:48,388 Well? 136 00:10:51,868 --> 00:10:52,998 Well... 137 00:10:58,832 --> 00:11:00,752 You're going to show this to Verrocchio? 138 00:11:04,446 --> 00:11:06,186 Well, it isn't what he asked for, is it? 139 00:11:07,579 --> 00:11:09,229 You've not drawn her as Diana, for a start. 140 00:11:09,277 --> 00:11:10,707 Oh, that ridiculous costume, 141 00:11:11,453 --> 00:11:12,673 those props... 142 00:11:13,716 --> 00:11:16,196 TOMMASO: She's so real. 143 00:11:16,240 --> 00:11:19,550 She looks like some... Some peasant, not a goddess. 144 00:11:19,591 --> 00:11:21,201 We were told to draw what we see. 145 00:11:21,245 --> 00:11:22,985 That is the truth of what I saw. 146 00:11:23,030 --> 00:11:25,340 Yes, but that doesn't mean that anyone else wants to see it, does it? 147 00:11:35,651 --> 00:11:38,221 I'm sorry. 148 00:11:38,262 --> 00:11:40,742 I don't want you to lose your position here, that's all. 149 00:12:14,211 --> 00:12:17,351 [CANE TAPPING ON FLOOR] 150 00:12:30,837 --> 00:12:31,927 Hmm. 151 00:12:40,194 --> 00:12:43,414 Tell me, does your mother love you? 152 00:12:43,458 --> 00:12:46,238 Yes. I suppose so, yes. 153 00:12:47,157 --> 00:12:49,457 Good. Because I don't. 154 00:12:50,552 --> 00:12:53,772 Apes throwing shit have more talent! 155 00:12:53,816 --> 00:12:55,426 Get out of my studio. 156 00:12:55,470 --> 00:12:56,780 Go! Go! 157 00:12:59,387 --> 00:13:00,557 [DOOR CLOSES] 158 00:13:03,043 --> 00:13:04,003 Open it. 159 00:13:07,264 --> 00:13:08,224 [VERROCCHIO EXHALES] 160 00:13:10,267 --> 00:13:11,567 Hmm. 161 00:13:11,616 --> 00:13:13,046 Good lines. 162 00:13:13,096 --> 00:13:14,786 Good form. 163 00:13:14,837 --> 00:13:16,137 Thank you. 164 00:13:16,186 --> 00:13:19,096 But... It lacks heart. 165 00:13:19,146 --> 00:13:20,186 Sorry, sir? 166 00:13:20,234 --> 00:13:23,804 You've drawn only what you saw. 167 00:13:23,846 --> 00:13:27,196 You must learn to draw what you feel. 168 00:13:27,241 --> 00:13:28,681 Think about it. 169 00:13:28,720 --> 00:13:30,110 [DRAWING BOOK THUDS ON CHEST] 170 00:13:32,942 --> 00:13:34,162 Give me that. 171 00:13:45,302 --> 00:13:46,262 Are you mocking me? 172 00:13:46,782 --> 00:13:48,782 No, Maestro. 173 00:13:49,654 --> 00:13:50,664 Where is it? 174 00:13:51,961 --> 00:13:53,181 I, um... 175 00:14:02,972 --> 00:14:05,242 I couldn't find the inspiration. 176 00:14:05,279 --> 00:14:10,149 Perhaps you'd find it more quickly if your belly was empty 177 00:14:10,197 --> 00:14:13,457 and you were sleeping in the gutter. 178 00:14:24,864 --> 00:14:27,174 [INDISTINCT MARKETPLACE CHATTER] 179 00:14:30,608 --> 00:14:33,178 ALFONSO: I want everything, bring it back over here, and as fast as you can. 180 00:14:33,220 --> 00:14:35,270 You two, I want cleaning there, and when I say clean, 181 00:14:35,309 --> 00:14:37,399 I mean spotless clean, like eat-your-dinner-off-it clean. 182 00:14:37,441 --> 00:14:38,921 -Okay, go. -Sir? 183 00:14:38,965 --> 00:14:40,005 Oh, God... 184 00:14:40,053 --> 00:14:41,713 Hello. Sorry... Sir? 185 00:14:41,750 --> 00:14:45,100 -I've already told you. -But you must have more work. 186 00:14:45,145 --> 00:14:47,925 -You did your job and you were discharged. -Please. 187 00:14:47,974 --> 00:14:50,114 I can pose as anything. 188 00:14:50,150 --> 00:14:52,240 A Roman princess, the Virgin Mary, 189 00:14:52,282 --> 00:14:54,422 the Queen of Sheba, anything, please. 190 00:14:55,590 --> 00:14:56,630 Sorry. 191 00:14:56,678 --> 00:14:58,588 You're not wanted. 192 00:14:58,636 --> 00:15:00,376 [INDISTINCT CHATTER] 193 00:15:01,204 --> 00:15:02,164 [CLICKS TONGUE] 194 00:15:04,991 --> 00:15:06,251 You! 195 00:15:06,296 --> 00:15:08,076 This is your fault! 196 00:15:08,124 --> 00:15:10,914 They don't want me anymore because you told them I looked damaged. 197 00:15:10,953 --> 00:15:12,173 -What? -Of course. 198 00:15:12,215 --> 00:15:15,775 No! No, no! I... I can't stop thinking about you. 199 00:15:15,827 --> 00:15:17,697 I still want to draw you. I... 200 00:15:17,742 --> 00:15:19,962 Look, I... I want to begin again. 201 00:15:20,006 --> 00:15:22,226 Um... I... I can pay you. 202 00:15:30,668 --> 00:15:33,148 [LAUGHTER AND INDISTINCT CHATTER] 203 00:15:33,193 --> 00:15:34,933 Vieni con me... 204 00:15:36,022 --> 00:15:37,762 -[DOG BARKS AND WHIMPERS] -[SHUSHING] 205 00:15:37,806 --> 00:15:39,846 [INDISTINCT CHATTER] 206 00:15:39,895 --> 00:15:41,675 [WOMAN GIGGLING] 207 00:15:45,205 --> 00:15:47,335 So, you live here? 208 00:15:47,381 --> 00:15:49,041 No, it's temporary. 209 00:15:49,078 --> 00:15:51,388 Until they finish the marble floors in my new villa. 210 00:15:52,734 --> 00:15:54,784 Oh. 211 00:15:54,823 --> 00:15:57,043 Humor's just something that other people do, isn't it? 212 00:15:57,565 --> 00:15:58,565 What? 213 00:15:59,132 --> 00:16:00,132 Come on in. 214 00:16:08,228 --> 00:16:09,788 -Ah... -All right. 215 00:16:11,492 --> 00:16:12,972 Let's see your money. 216 00:16:13,015 --> 00:16:14,315 Ah, yes. 217 00:16:17,715 --> 00:16:18,925 For you. 218 00:16:20,283 --> 00:16:21,853 Private sessions cost more. 219 00:16:28,378 --> 00:16:29,638 Thank you. 220 00:16:33,775 --> 00:16:35,555 [COINS CLINKING] 221 00:16:35,603 --> 00:16:38,483 Now, this is a contractual arrangement. 222 00:16:38,519 --> 00:16:41,779 An artist paying for a model. Nothing more. 223 00:16:41,826 --> 00:16:42,956 No. 224 00:16:58,582 --> 00:16:59,712 Ready. 225 00:17:06,808 --> 00:17:07,848 What is your name? 226 00:17:09,811 --> 00:17:12,031 Caterina. From Cremona. 227 00:17:12,596 --> 00:17:14,336 Cremona. 228 00:17:14,381 --> 00:17:15,601 I'm Leonardo. 229 00:17:16,557 --> 00:17:17,857 From Vinci. 230 00:17:23,825 --> 00:17:25,125 You're very beautiful. 231 00:17:26,871 --> 00:17:29,051 In spite of how you suffer. 232 00:17:29,091 --> 00:17:31,701 Or... Or perhaps because of it. 233 00:17:33,878 --> 00:17:35,488 Do you always sound so strange, 234 00:17:35,532 --> 00:17:37,142 or is it something you need to work at? 235 00:17:38,013 --> 00:17:39,013 Hmm? 236 00:17:40,407 --> 00:17:44,237 So, I... I don't draw like the others do. 237 00:17:44,280 --> 00:17:45,670 You don't talk much like them either. 238 00:17:46,369 --> 00:17:48,279 No. No. 239 00:17:48,328 --> 00:17:52,068 Uh... They draw what they want the world to see. 240 00:17:52,114 --> 00:17:54,514 An ideal. I don't draw that. 241 00:17:54,551 --> 00:17:56,731 I draw what I see. 242 00:17:56,771 --> 00:17:59,641 I believe that nature is the greatest artwork. 243 00:17:59,687 --> 00:18:02,687 The only perfect act of creation, 244 00:18:02,733 --> 00:18:06,393 like the flight of birds 245 00:18:06,433 --> 00:18:08,483 or the meandering pattern of rivers 246 00:18:08,522 --> 00:18:13,092 or the stories in the faces of the people we meet. 247 00:18:15,050 --> 00:18:16,660 That's what I want to reproduce. 248 00:18:16,704 --> 00:18:19,794 Not some hollow imitation. [CHUCKLES SOFTLY] 249 00:18:20,534 --> 00:18:21,584 So... 250 00:18:23,406 --> 00:18:26,016 So, [CLEARS THROAT] how do you want me? 251 00:18:29,847 --> 00:18:31,197 Sit as you would normally. 252 00:18:48,910 --> 00:18:50,090 The sheet, would you mind 253 00:18:50,129 --> 00:18:51,129 lowering it from your shoulder? 254 00:18:54,872 --> 00:18:56,482 CATERINA: Like this? 255 00:18:56,526 --> 00:18:57,916 Yes. 256 00:18:57,962 --> 00:19:00,102 But just put your hair there... 257 00:19:00,139 --> 00:19:02,489 -[GASPS] Sorry, what are you doing? -Sorry. 258 00:19:05,753 --> 00:19:08,933 I just... I don't want my scar in the drawing. 259 00:19:12,238 --> 00:19:14,328 I don't want you telling this story. 260 00:19:20,202 --> 00:19:22,072 Your money doesn't buy you everything. 261 00:19:28,732 --> 00:19:30,822 ALFONSO: Gather round. Come quickly now, everybody, please! 262 00:19:30,865 --> 00:19:32,385 Okay, gather round! 263 00:19:32,432 --> 00:19:34,172 [INDISTINCT CHATTER] 264 00:19:34,216 --> 00:19:37,436 Straighten at the back as well, please. Okay, quietly. It's okay. 265 00:19:37,480 --> 00:19:38,790 Maestro. 266 00:19:38,829 --> 00:19:39,959 Gentlemen. 267 00:19:40,962 --> 00:19:42,362 Our new commission. 268 00:19:42,877 --> 00:19:44,227 [SIGHS] 269 00:19:47,011 --> 00:19:48,191 The Duomo. 270 00:19:49,144 --> 00:19:50,154 Look. 271 00:19:50,711 --> 00:19:52,231 It's incomplete. 272 00:19:53,975 --> 00:19:55,185 What does it need? 273 00:19:57,065 --> 00:19:59,885 It needs a cross at the summit. 274 00:19:59,937 --> 00:20:00,937 This one! 275 00:20:02,201 --> 00:20:06,471 Eight feet in diameter, weighing 18 tons. 276 00:20:07,684 --> 00:20:13,564 To be mounted on top of the cathedral. 277 00:20:14,474 --> 00:20:17,614 To God's everlasting glory. 278 00:20:20,001 --> 00:20:21,571 And Verrocchio's. 279 00:20:30,185 --> 00:20:31,745 [CHURCH BELLS TOLLING] 280 00:20:34,755 --> 00:20:36,015 Leave him alone. 281 00:20:36,060 --> 00:20:39,370 I'm just asking where he goes every evening. 282 00:20:39,412 --> 00:20:42,202 He values his privacy. Don't you, Leonardo? 283 00:20:42,241 --> 00:20:43,811 You know you can tell us if it's a girl. 284 00:20:48,769 --> 00:20:50,599 Of course it's a girl, you idiot. 285 00:20:51,815 --> 00:20:52,815 [DOOR CREAKS OPEN] 286 00:20:55,689 --> 00:20:56,859 [LOCK CLICKING SHUT] 287 00:21:07,135 --> 00:21:10,225 [DOOR OPENS AND CLOSES] 288 00:21:18,886 --> 00:21:20,236 [BREATHES DEEPLY] 289 00:21:24,674 --> 00:21:27,244 CATERINA: What are you doing? 290 00:21:27,286 --> 00:21:30,326 LEONARDO: These are the pigments I'm going to use to paint you. 291 00:21:30,376 --> 00:21:32,116 CATERINA: Where did you get them? 292 00:21:32,160 --> 00:21:33,900 LEONARDO: Don't ask. 293 00:21:33,944 --> 00:21:35,644 So, isn't sketching me enough? 294 00:21:36,686 --> 00:21:37,906 Why paint? 295 00:21:41,996 --> 00:21:43,516 Nothing is ever enough. 296 00:21:58,708 --> 00:22:00,578 VERROCCHIO: [IN DISTANCE] To achieve the unachievable. 297 00:22:01,276 --> 00:22:02,886 That's what brings us... 298 00:22:04,671 --> 00:22:06,061 True glory. 299 00:22:06,107 --> 00:22:07,327 LEONARDO: Maestro? 300 00:22:08,327 --> 00:22:09,757 [VERROCCHIO SIGHS] 301 00:22:13,244 --> 00:22:14,864 Huh? 302 00:22:14,898 --> 00:22:16,288 Leonardo. 303 00:22:18,162 --> 00:22:20,252 What's troubling you, Maestro? 304 00:22:20,295 --> 00:22:21,945 [VERROCCHIO SIGHING GRIMLY] 305 00:22:26,257 --> 00:22:27,517 I confess. 306 00:22:28,782 --> 00:22:32,392 I may have overreached. 307 00:22:36,093 --> 00:22:37,093 [GOBLET THUDS] 308 00:22:39,793 --> 00:22:42,623 The weight of the sphere, it is too great. 309 00:22:44,667 --> 00:22:49,587 This crane will manage the first part of the journey. 310 00:22:49,629 --> 00:22:53,109 But raising it from here to the top... 311 00:22:53,154 --> 00:22:55,074 The scaffold will not bear it. 312 00:22:55,112 --> 00:22:56,462 VERROCCHIO: Yes. 313 00:22:56,505 --> 00:22:59,115 When the crane swings around, it will collapse. 314 00:23:00,204 --> 00:23:03,214 My reputation hangs on this. 315 00:23:05,949 --> 00:23:07,689 [CRANE CREAKING] 316 00:23:13,740 --> 00:23:15,350 [ROPE CREAKING] 317 00:23:16,917 --> 00:23:18,787 Go to bed, Leonardo. Go to bed. 318 00:23:19,485 --> 00:23:20,745 This is my burden. 319 00:23:25,621 --> 00:23:26,581 [SIGHS] 320 00:23:59,046 --> 00:24:00,866 [ROPE CREAKING] 321 00:24:08,534 --> 00:24:10,324 [WIND BLOWS SOFTLY] 322 00:24:13,408 --> 00:24:14,578 It's weightless. 323 00:24:17,151 --> 00:24:18,541 It needs to be weightless. 324 00:25:02,979 --> 00:25:03,939 [DOOR CLOSES] 325 00:25:15,296 --> 00:25:16,776 This can't be. 326 00:25:18,995 --> 00:25:21,995 So many pulleys reducing the weight. 327 00:25:30,398 --> 00:25:32,008 [PULLEYS CREAKING] 328 00:25:53,639 --> 00:25:55,419 [ROPE CREAKING] 329 00:25:57,817 --> 00:25:59,727 [EXCITED MURMURS] 330 00:25:59,775 --> 00:26:02,125 [INDISTINCT CHATTER] 331 00:26:05,041 --> 00:26:06,171 MAN: Oh, no... 332 00:26:10,612 --> 00:26:12,142 [EXCITED CHATTER] 333 00:26:18,577 --> 00:26:20,357 Come on, engage the gears. 334 00:26:29,065 --> 00:26:31,495 [INDISTINCT CHATTER CONTINUES] 335 00:26:36,725 --> 00:26:38,285 Come on, come on. 336 00:26:57,137 --> 00:26:58,617 [CREAKING] 337 00:27:05,101 --> 00:27:06,801 [ALL EXCLAIMING] 338 00:27:20,900 --> 00:27:23,030 [ALL CHEERING] 339 00:27:34,391 --> 00:27:35,611 LEONARDO: Bravo, Maestro! 340 00:27:47,970 --> 00:27:49,360 Where are we going? 341 00:27:49,406 --> 00:27:51,056 My favorite place, I told you. 342 00:27:52,105 --> 00:27:53,185 CATERINA: All right. 343 00:27:54,934 --> 00:27:56,544 -This? -This is it! 344 00:27:56,587 --> 00:27:57,757 This is your favorite place? 345 00:27:57,806 --> 00:27:58,976 -This is my favorite place! -[CHUCKLES] 346 00:27:59,025 --> 00:28:00,675 It's where I come to draw people. 347 00:28:00,722 --> 00:28:03,072 -CATERINA: Where people wash their clothes? -Yes. 348 00:28:03,116 --> 00:28:04,856 [CATERINA CHUCKLES] 349 00:28:04,900 --> 00:28:07,120 I find it relaxing, the sound of the water... 350 00:28:07,163 --> 00:28:08,163 -Is that strange? -Yeah! 351 00:28:08,208 --> 00:28:09,728 [BOTH LAUGHING] 352 00:28:14,736 --> 00:28:16,476 [INAUDIBLE] 353 00:28:22,483 --> 00:28:25,313 Let me show you something else. 354 00:28:25,355 --> 00:28:28,005 When I was a child, I used to gaze at people all day. 355 00:28:28,054 --> 00:28:29,534 I mean, I would never say anything. 356 00:28:29,577 --> 00:28:32,057 -I would just stare at their face. -[CHUCKLES] 357 00:28:32,101 --> 00:28:34,361 You still talk like a child, you know that? 358 00:28:34,408 --> 00:28:36,278 What's that supposed to mean? 359 00:28:36,323 --> 00:28:38,673 Nothing, it... It's from the heart. 360 00:28:38,717 --> 00:28:44,197 Well, when you're a child everything is magical and wondrous 361 00:28:44,244 --> 00:28:47,424 and we are, by nature, curious. 362 00:28:47,464 --> 00:28:48,644 It... It's like... 363 00:28:50,467 --> 00:28:54,077 Most people would look at that fountain, and they would just see 364 00:28:54,123 --> 00:28:56,393 water flowing through a channel. 365 00:28:56,430 --> 00:28:59,090 And what do you see? 366 00:28:59,128 --> 00:29:03,128 Well, I see that, but there are thousands of other questions. 367 00:29:03,176 --> 00:29:04,436 "How does the water flow? 368 00:29:04,481 --> 00:29:06,401 "How does it turn? How does it tumble? 369 00:29:06,440 --> 00:29:08,920 "How does it react with everything else around it?" 370 00:29:08,964 --> 00:29:12,194 There are thousands of questions that need unraveling. 371 00:29:14,535 --> 00:29:16,575 -Do you know what I mean? -[CHUCKLES] 372 00:29:16,624 --> 00:29:18,894 -I'm trying to. -[CHUCKLES] 373 00:29:18,931 --> 00:29:21,591 I could stare at these faces all day. 374 00:29:21,629 --> 00:29:24,499 CATERINA: Hmm. What do you see when you stare at them? 375 00:29:25,807 --> 00:29:27,547 [BREATHES DEEPLY] 376 00:29:27,591 --> 00:29:28,641 Stories. 377 00:29:30,507 --> 00:29:34,027 -Each of these people has been on a journey and... -Hmm. 378 00:29:34,076 --> 00:29:35,816 LEONARDO: You can see that in their face. 379 00:29:35,861 --> 00:29:37,431 If you get close enough you can see it. 380 00:29:37,471 --> 00:29:38,731 [MEN LAUGHING] 381 00:29:46,785 --> 00:29:48,785 What about this face? 382 00:29:48,830 --> 00:29:50,570 -This face? -Yes. 383 00:29:50,614 --> 00:29:52,184 [INHALES SHARPLY] 384 00:29:52,225 --> 00:29:53,835 She looks... 385 00:29:54,923 --> 00:29:57,193 -She looks strong... -Yes. 386 00:29:57,230 --> 00:29:59,320 -And determined... -Like it. 387 00:30:02,409 --> 00:30:04,109 She wants a better life for herself. 388 00:30:06,108 --> 00:30:07,978 -[LAUGHS] -But also... 389 00:30:08,023 --> 00:30:08,983 [CATERINA SIGHS] 390 00:30:10,765 --> 00:30:12,025 She's been hurt. 391 00:30:15,422 --> 00:30:16,902 And she doesn't want to be hurt again. 392 00:30:27,869 --> 00:30:29,089 [INHALES SHARPLY] 393 00:30:29,131 --> 00:30:32,181 All right, um, what about Leonardo da Vinci? 394 00:30:33,701 --> 00:30:35,751 -What's his story? -[SIGHS] 395 00:30:37,009 --> 00:30:37,969 [CHUCKLES] Oh. 396 00:30:38,880 --> 00:30:39,970 Um... 397 00:30:48,063 --> 00:30:49,723 [SIGHS] 398 00:30:50,544 --> 00:30:51,764 I have to go to work. 399 00:30:51,806 --> 00:30:53,156 We've only just got here... 400 00:30:53,199 --> 00:30:55,069 Look, I'll... I'll see you tonight. I promise. 401 00:30:55,114 --> 00:30:56,594 No... Leonardo! 402 00:31:13,349 --> 00:31:15,049 PIERO: Come, Guglielmo! 403 00:31:15,090 --> 00:31:17,310 Come to me! [LAUGHS] 404 00:31:17,353 --> 00:31:18,923 Hey! 405 00:31:18,964 --> 00:31:21,274 You want to go to the market with Papa? 406 00:31:23,403 --> 00:31:24,623 YOUNG LEONARDO: Papa! 407 00:31:29,713 --> 00:31:33,283 Papa! Papa! Papa! 408 00:31:35,154 --> 00:31:36,374 Papa! 409 00:31:39,027 --> 00:31:40,067 Papa! 410 00:31:41,769 --> 00:31:43,079 [ECHOING] Papa! 411 00:31:49,951 --> 00:31:51,081 Hello? 412 00:31:52,736 --> 00:31:54,556 I'm sorry I left you earlier. 413 00:31:58,177 --> 00:31:59,177 What is it? 414 00:32:03,399 --> 00:32:04,709 Why are you crying? 415 00:32:15,150 --> 00:32:17,760 You weren't meant to look. It isn't finished. 416 00:32:17,805 --> 00:32:20,625 I asked you, I begged you... 417 00:32:20,677 --> 00:32:22,507 I begged you not to paint this! 418 00:32:22,549 --> 00:32:25,899 I can't close my eyes. I need to draw what I see! I... 419 00:32:25,944 --> 00:32:27,954 You need to... Can't you understand? 420 00:32:29,686 --> 00:32:32,946 Something very bad happened to me. I don't want to remember! 421 00:32:34,517 --> 00:32:35,477 [CATERINA SNIFFLES] 422 00:32:40,001 --> 00:32:41,221 I thought... 423 00:32:43,570 --> 00:32:47,230 That we were friends, but you have no feelings. 424 00:32:47,269 --> 00:32:48,269 You're... 425 00:32:48,923 --> 00:32:50,273 [SIGHS] 426 00:32:50,316 --> 00:32:52,096 You're just so selfish! 427 00:32:53,014 --> 00:32:55,024 You only care about your art. 428 00:32:59,107 --> 00:33:00,937 You keep the painting then, I don't care. 429 00:33:00,979 --> 00:33:02,849 -Oh, don't be stupid now! -No, no, destroy it if you want. 430 00:33:02,893 --> 00:33:04,553 -It's yours! You painted it! I just... -I don't care! 431 00:33:04,591 --> 00:33:06,251 I'll find another model to paint! 432 00:33:06,288 --> 00:33:07,858 There are hundreds of models in Florence! 433 00:33:07,898 --> 00:33:09,468 [SOBBING] All right then. Just go. 434 00:33:16,429 --> 00:33:17,389 [DOOR CLOSES] 435 00:33:42,020 --> 00:33:43,240 Give me the bag. 436 00:33:47,025 --> 00:33:48,025 VERROCCHIO: Hmm. 437 00:33:49,723 --> 00:33:51,203 Gifts from your father? 438 00:33:52,769 --> 00:33:54,029 No, Maestro. 439 00:33:56,382 --> 00:33:57,512 Then... 440 00:33:59,341 --> 00:34:01,951 You admit you stole them from me. 441 00:34:07,306 --> 00:34:12,956 Do you have anything to say for yourself before I dismiss you? 442 00:34:13,007 --> 00:34:14,917 [BREATHES HEAVILY] 443 00:34:16,315 --> 00:34:18,095 I wanted to paint something that was perfect. 444 00:34:18,143 --> 00:34:19,273 [SCOFFS] 445 00:34:21,363 --> 00:34:23,193 I want you out of here. 446 00:34:27,195 --> 00:34:28,145 Go! 447 00:34:37,249 --> 00:34:38,379 Thank you. 448 00:34:45,344 --> 00:34:47,094 [INDISTINCT CHATTER] 449 00:35:13,198 --> 00:35:14,758 WOMAN: [IN DISTANCE] Buongiorno. MAN: Buongiorno. 450 00:35:25,166 --> 00:35:27,036 ALFONSO: I told you before, there's no work for you here. 451 00:35:27,081 --> 00:35:28,131 Please leave. 452 00:35:28,169 --> 00:35:30,129 I need to see Leonardo da Vinci. 453 00:35:31,172 --> 00:35:32,702 He's not here. 454 00:35:32,739 --> 00:35:34,569 -Where is he? -Gone. 455 00:35:34,610 --> 00:35:36,830 What do you mean "gone"? 456 00:35:36,873 --> 00:35:38,753 This studio doesn't employ thieves. 457 00:35:38,788 --> 00:35:40,048 -Now, please leave. -Thieves? 458 00:35:40,094 --> 00:35:42,054 I need to speak to your master. 459 00:35:42,096 --> 00:35:45,616 You'll leave right now, or I'll have the bailiff march you to the Bargello. 460 00:35:45,665 --> 00:35:47,745 Hey, hey! No, no! Stop! You're not welcome here! 461 00:35:47,797 --> 00:35:51,237 -Maestro! I tried to stop her! She barged her way in! -[EXHALES] 462 00:35:51,279 --> 00:35:52,849 I need to show you something. 463 00:35:53,803 --> 00:35:56,423 It's all right, Alfonso. Go. Go. 464 00:35:56,458 --> 00:35:57,548 CATERINA: You need to see this. 465 00:35:59,418 --> 00:36:00,418 So? 466 00:36:09,079 --> 00:36:10,599 [VERROCCHIO BREATHES DEEPLY] 467 00:36:14,868 --> 00:36:15,868 Ah... 468 00:36:17,044 --> 00:36:18,314 Leonardo's? 469 00:36:20,743 --> 00:36:22,443 CATERINA: I know where he might be. 470 00:36:22,484 --> 00:36:24,574 [INDISTINCT CHATTER] 471 00:36:38,283 --> 00:36:39,333 Maestro. 472 00:36:41,155 --> 00:36:43,635 You've been hiding a secret from me. 473 00:36:44,898 --> 00:36:45,988 Maestro? 474 00:36:48,336 --> 00:36:51,596 The sketches to raise the lantern on the Duomo, 475 00:36:51,644 --> 00:36:52,654 they were yours. 476 00:36:55,778 --> 00:36:56,908 Yes, they were. 477 00:37:02,176 --> 00:37:03,736 Return with me. 478 00:37:03,786 --> 00:37:06,216 You will be my first apprentice. 479 00:37:14,710 --> 00:37:17,240 VERROCCHIO: We've just received a commission. 480 00:37:17,278 --> 00:37:19,758 An altarpiece for the Church of Saint-Salvi. 481 00:37:20,890 --> 00:37:22,720 The Baptism of Christ. 482 00:37:23,893 --> 00:37:25,293 Look. 483 00:37:25,330 --> 00:37:30,160 Jesus, John, and the angels. 484 00:37:31,292 --> 00:37:32,952 You will paint alongside me. 485 00:37:35,296 --> 00:37:37,986 Yes, but... But why me, Maestro? 486 00:37:38,821 --> 00:37:40,871 Because... 487 00:37:40,910 --> 00:37:43,040 [CHUCKLING] Because you have the gift of an angel. 488 00:37:47,961 --> 00:37:50,011 [INDISTINCT CHATTER] 489 00:38:05,326 --> 00:38:06,756 Can I speak with you, please? 490 00:38:09,374 --> 00:38:10,724 Something's happened? 491 00:38:11,680 --> 00:38:12,770 You look happy. 492 00:38:12,812 --> 00:38:14,472 Yes. Yes, I am. 493 00:38:15,858 --> 00:38:16,948 Thanks to you. 494 00:38:18,513 --> 00:38:21,303 First apprentice. [CHUCKLES] 495 00:38:21,342 --> 00:38:27,782 Um... Look, I... I came by to say that I'm sorry 496 00:38:27,827 --> 00:38:31,477 for what I said and... And for the way I behaved. 497 00:38:31,526 --> 00:38:33,216 But also to say thank you. 498 00:38:34,921 --> 00:38:36,101 [STUTTERS] 499 00:38:37,663 --> 00:38:42,103 All my life, I... I have felt like nothing. 500 00:38:44,365 --> 00:38:45,535 Until now. 501 00:38:46,759 --> 00:38:50,109 And until you, so... 502 00:38:51,720 --> 00:38:54,070 Um... 503 00:38:54,114 --> 00:38:56,604 -Can we go and celebrate or something, please? -[CHUCKLES SOFTLY] 504 00:38:57,944 --> 00:38:59,774 -Come on, let's go! Yeah... -Yeah! 505 00:39:04,646 --> 00:39:05,686 LEONARDO: Uh... 506 00:39:05,734 --> 00:39:07,394 To the first apprentice. 507 00:39:08,433 --> 00:39:09,833 -Cheers! -Cheers! 508 00:39:14,177 --> 00:39:15,217 Hey... 509 00:39:15,265 --> 00:39:17,175 [LEONARDO CHUCKLES] 510 00:39:17,224 --> 00:39:18,364 One day... 511 00:39:19,574 --> 00:39:21,014 You will own this town. 512 00:39:22,708 --> 00:39:23,798 It's true. 513 00:39:31,151 --> 00:39:33,071 [SIGHS] What? 514 00:39:35,895 --> 00:39:37,415 This is where you kiss me. 515 00:39:39,594 --> 00:39:41,344 -Really? -Really. 516 00:39:46,645 --> 00:39:48,165 What kind of kiss did you have in mind? 517 00:39:50,997 --> 00:39:52,557 I was... 518 00:39:52,607 --> 00:39:55,387 Thinking our lips could touch in a passionate way. 519 00:39:56,611 --> 00:39:58,401 -A regular kiss, then? -Yes. 520 00:40:00,485 --> 00:40:01,655 Fine. 521 00:40:16,936 --> 00:40:17,886 [CHUCKLES SOFTLY] Well... 522 00:40:37,957 --> 00:40:39,437 No, wait. Wait. 523 00:40:40,960 --> 00:40:42,310 I'm sorry, I can't. 524 00:40:44,137 --> 00:40:45,177 What? 525 00:40:45,225 --> 00:40:47,095 -I'm sorry, no. -What? 526 00:40:47,923 --> 00:40:48,923 I don't want this. 527 00:40:49,882 --> 00:40:51,062 It's... 528 00:40:54,060 --> 00:40:56,580 It's because I'm... I'm damaged? 529 00:40:56,628 --> 00:40:57,668 You... 530 00:40:59,282 --> 00:41:01,112 You think if you seduce me, then... 531 00:41:02,808 --> 00:41:05,108 Then you can be my mistress, 532 00:41:05,158 --> 00:41:06,588 and that's why you're doing this. 533 00:41:06,638 --> 00:41:07,898 -Your mistress? -Yes. 534 00:41:07,943 --> 00:41:09,993 -What are you talking about? -You think that 535 00:41:10,032 --> 00:41:12,382 if you seduce me, then I can take you out of here. 536 00:41:12,426 --> 00:41:14,516 -[SCOFFS] No, what? What are you talking about? -Out of this hovel. 537 00:41:14,559 --> 00:41:16,559 That's what... You... You showed my painting to the Maestro... 538 00:41:16,604 --> 00:41:18,214 To help you. 539 00:41:18,258 --> 00:41:20,348 -No, to help yourself, that's why you did it! -What? Why... 540 00:41:20,390 --> 00:41:22,830 Is that really what you think of me? 541 00:41:22,871 --> 00:41:24,531 That I'm just a whore? 542 00:41:26,309 --> 00:41:27,309 No. 543 00:41:28,094 --> 00:41:29,574 What's wrong with you? 544 00:41:30,792 --> 00:41:32,102 Just go! 545 00:41:32,141 --> 00:41:33,671 [BREATHING HEAVILY] 546 00:41:35,493 --> 00:41:36,673 -I'm sorry. -Get out! 547 00:41:41,760 --> 00:41:43,370 And don't ever come back! 548 00:41:55,251 --> 00:41:56,991 [SIGHS DEEPLY] 549 00:42:12,921 --> 00:42:14,181 [CANE TAPPING] 550 00:42:19,711 --> 00:42:21,971 First lesson. 551 00:42:23,192 --> 00:42:25,242 Come. 552 00:42:25,281 --> 00:42:27,281 There are three kinds of light. 553 00:42:28,458 --> 00:42:31,898 The first is direct light. 554 00:42:31,940 --> 00:42:35,380 From a window or a candle flame. 555 00:42:35,422 --> 00:42:36,642 LEONARDO: Hmm. 556 00:42:36,684 --> 00:42:37,994 The second... 557 00:42:43,952 --> 00:42:46,132 Is diffused light. 558 00:42:50,611 --> 00:42:56,661 You see how... How the darkness creates volume and depth? 559 00:42:56,704 --> 00:42:58,754 The darkness highlights as much as the light. 560 00:42:58,793 --> 00:42:59,793 Yes. 561 00:43:00,752 --> 00:43:03,412 Dark against light. 562 00:43:04,843 --> 00:43:07,893 And light against dark. 563 00:43:07,933 --> 00:43:09,243 Chiaroscuro. 564 00:43:09,282 --> 00:43:10,502 VERROCCHIO: Mmm. 565 00:43:10,544 --> 00:43:13,854 There are no solid lines in nature, 566 00:43:13,895 --> 00:43:17,985 but that's not how the human eye perceives them. 567 00:43:18,987 --> 00:43:21,337 We paint the truth. 568 00:43:21,381 --> 00:43:23,511 -A transition from the light... -Hmm. 569 00:43:24,863 --> 00:43:26,653 Into the dark. 570 00:43:26,691 --> 00:43:28,301 What's the third kind of light? 571 00:43:30,346 --> 00:43:31,996 You'll see. 572 00:43:32,044 --> 00:43:33,224 Follow me. 573 00:43:39,094 --> 00:43:41,184 The third kind of light. 574 00:43:43,359 --> 00:43:49,019 All my life, I've sought to capture the soft beauty of this. 575 00:43:51,367 --> 00:43:52,497 But alas, 576 00:43:52,542 --> 00:43:54,372 it is beyond me. 577 00:43:58,548 --> 00:43:59,848 [SIGHS] 578 00:43:59,898 --> 00:44:01,598 Come. 579 00:44:01,639 --> 00:44:03,859 Let's get to work. 580 00:44:03,902 --> 00:44:07,512 We have to make a proper artist of this dreamer. 581 00:44:10,299 --> 00:44:12,039 Second lesson. 582 00:44:12,084 --> 00:44:13,874 The birth of color. 583 00:44:19,395 --> 00:44:21,085 It's olive green. 584 00:44:32,713 --> 00:44:35,593 VERROCCHIO: You see how the composition is balanced. 585 00:44:35,629 --> 00:44:36,939 LEONARDO: Yes, Maestro. 586 00:44:36,978 --> 00:44:38,278 ALFONSO: Hold it there. 587 00:44:40,678 --> 00:44:41,768 Very soft... 588 00:44:44,246 --> 00:44:46,596 I will paint the angel in blue 589 00:44:46,640 --> 00:44:49,120 and you will paint the other one. 590 00:44:49,164 --> 00:44:52,254 -Don't worry. Make mistakes. -[CHUCKLES] 591 00:45:03,048 --> 00:45:04,138 TOMMASO: So... 592 00:45:05,050 --> 00:45:06,310 The famous model. 593 00:45:08,444 --> 00:45:10,324 [INDISTINCT CHATTER IN BACKGROUND] 594 00:45:12,622 --> 00:45:13,932 So, how is he? 595 00:45:15,669 --> 00:45:17,449 Busy. 596 00:45:17,497 --> 00:45:18,587 A commission. 597 00:45:19,673 --> 00:45:21,413 He and Verrocchio work night and day. 598 00:45:21,457 --> 00:45:23,717 -Oh, good. Hmm. -Hmm. 599 00:45:23,764 --> 00:45:25,334 I'm happy for him. 600 00:45:27,202 --> 00:45:29,122 He deserves the success. 601 00:45:29,161 --> 00:45:31,121 TOMMASO: Mmm-hmm. 602 00:45:31,163 --> 00:45:33,213 Now say that in a way that sounds convincing. 603 00:45:37,386 --> 00:45:38,866 He doesn't come to see you anymore? 604 00:45:43,088 --> 00:45:44,218 I was... 605 00:45:45,568 --> 00:45:47,608 Stupid. 606 00:45:47,657 --> 00:45:51,837 I misinterpreted what was going on between us, so... [CHUCKLES] 607 00:45:51,879 --> 00:45:53,319 You're saying he rejected you? 608 00:45:56,797 --> 00:45:58,577 A beautiful woman like yourself? 609 00:46:01,106 --> 00:46:02,186 He's an idiot. 610 00:46:03,543 --> 00:46:05,023 [BOTH CHUCKLE] 611 00:46:29,699 --> 00:46:30,879 [SIGHS SOFTLY] 612 00:48:16,589 --> 00:48:17,629 [CANE THUMPS] 613 00:48:20,680 --> 00:48:22,460 VERROCCHIO: So... 614 00:48:22,508 --> 00:48:26,118 The falcon has taught the falconer. 615 00:48:27,469 --> 00:48:28,599 [LEONARDO GULPS] 616 00:48:44,269 --> 00:48:46,449 [INDISTINCT CHATTER] 617 00:48:46,488 --> 00:48:47,878 -WOMAN: Buona sera. -Grazie. 618 00:48:52,930 --> 00:48:55,410 [INDISTINCT CHATTER CONTINUES] 619 00:49:04,419 --> 00:49:06,069 Leonardo. How are you feeling? 620 00:49:07,118 --> 00:49:08,338 Nervous. 621 00:49:08,380 --> 00:49:09,860 -This is your moment. -LEONARDO: Oh... 622 00:49:09,903 --> 00:49:11,953 They're all here for you. 623 00:49:11,992 --> 00:49:13,562 GIULIO: Let's go. MARCO: Come on. 624 00:49:13,602 --> 00:49:15,822 [FOOTSTEPS DEPARTING] 625 00:49:19,391 --> 00:49:21,181 [APPLAUSE] 626 00:49:23,873 --> 00:49:27,093 [INDISTINCT EXCITED CHATTER] 627 00:49:31,403 --> 00:49:33,363 Be happy, Leonardo. 628 00:49:33,405 --> 00:49:38,235 An artist's first triumph is a moment he never forgets. 629 00:49:38,758 --> 00:49:39,928 Yes, Maestro. 630 00:49:41,543 --> 00:49:43,463 ALFONSO: The cardinal... MAN 1: Bravo, Leonardo. 631 00:49:43,502 --> 00:49:44,592 VERROCCHIO: Oh... 632 00:49:45,504 --> 00:49:46,684 We finally finished. 633 00:49:48,072 --> 00:49:49,202 MAN 2: Bravo. 634 00:49:49,247 --> 00:49:51,077 -Complimenti. -Thank you. 635 00:49:51,118 --> 00:49:52,248 [MAN 3 SPEAKING ITALIAN] 636 00:49:59,692 --> 00:50:02,172 Remarkable. Isn't it? 637 00:50:07,917 --> 00:50:11,097 I believe Verrocchio painted the angel on the right. 638 00:50:12,139 --> 00:50:13,709 But I'm told 639 00:50:13,749 --> 00:50:16,879 the other one was done by his first apprentice. 640 00:50:18,450 --> 00:50:19,580 Yes. 641 00:50:24,630 --> 00:50:27,200 Left-handed strokes, if I'm not mistaken. 642 00:50:30,462 --> 00:50:31,462 I have an eye. 643 00:50:37,512 --> 00:50:39,382 You're left-handed. 644 00:50:39,427 --> 00:50:42,777 -I'm the... The first apprentice. -Ah. 645 00:50:45,955 --> 00:50:50,915 Then perhaps there is more than one narrative in this painting. 646 00:50:52,962 --> 00:50:56,402 John is anointing Jesus. 647 00:50:56,444 --> 00:51:01,454 And Verrocchio is anointing you as his successor. 648 00:51:04,017 --> 00:51:05,847 You are Leonardo? 649 00:51:09,457 --> 00:51:10,757 Do you know who I am? 650 00:51:12,199 --> 00:51:13,239 Yes, Your Grace. 651 00:51:13,287 --> 00:51:14,937 Ludovico Sforza. 652 00:51:16,116 --> 00:51:18,466 Come and paint for me in Milan. 653 00:51:18,510 --> 00:51:21,820 I'll double your salary and give you your own studio. 654 00:51:26,474 --> 00:51:27,564 I couldn't possibly. 655 00:51:27,606 --> 00:51:29,826 I... I have just accepted a position here. 656 00:51:30,565 --> 00:51:32,435 [BREATH TREMBLING] 657 00:51:32,480 --> 00:51:33,660 But thank you, Your Grace. 658 00:51:35,918 --> 00:51:38,568 I never offer twice what has been refused once. 659 00:51:41,750 --> 00:51:42,970 Pity. 660 00:51:47,408 --> 00:51:48,758 MAN 1: See who that is? 661 00:51:48,801 --> 00:51:51,021 MAN 2: That's Sforza, Duke of Milan. 662 00:51:51,064 --> 00:51:53,374 [INDISTINCT CHATTER] 663 00:52:05,774 --> 00:52:06,824 Congratulations. 664 00:52:10,344 --> 00:52:11,784 You're here? 665 00:52:11,824 --> 00:52:14,784 Another penetrating observation from the artist. 666 00:52:23,618 --> 00:52:26,748 First time we spoke, we were standing right here. 667 00:52:26,795 --> 00:52:28,795 And I insulted you. 668 00:52:28,841 --> 00:52:31,101 We insulted each other. 669 00:52:31,148 --> 00:52:32,368 Happy memories. 670 00:52:35,064 --> 00:52:36,244 Yes, um... 671 00:52:44,509 --> 00:52:45,809 I, uh... 672 00:52:45,858 --> 00:52:46,858 TOMMASO: Caterina? 673 00:52:48,513 --> 00:52:49,473 Congratulations. 674 00:52:52,430 --> 00:52:53,650 -Come. -Yes. 675 00:53:07,401 --> 00:53:09,711 If that's true, then why did you kill her? 676 00:53:09,751 --> 00:53:11,011 I didn't. 677 00:53:13,277 --> 00:53:14,367 I couldn't. 678 00:53:16,062 --> 00:53:17,242 There are witnesses. 679 00:53:17,281 --> 00:53:18,801 We know you're skilled in alchemy. 680 00:53:26,115 --> 00:53:27,375 If you're innocent, 681 00:53:28,814 --> 00:53:29,864 where's your proof? 682 00:53:36,125 --> 00:53:38,035 Say something to convince me. 683 00:53:42,219 --> 00:53:43,259 I can't. 684 00:53:49,661 --> 00:53:50,791 RINALDO: Well? 685 00:53:50,836 --> 00:53:52,746 He hasn't confessed. 686 00:53:52,794 --> 00:53:54,414 But he was caught red-handed. 687 00:53:54,448 --> 00:53:56,408 That's what bothers me. 688 00:53:56,450 --> 00:53:59,890 We're talking about the greatest artist of his generation. 689 00:53:59,932 --> 00:54:03,022 How could he be stupid enough to kill her in such an obvious way? 690 00:54:03,065 --> 00:54:04,935 I have no idea. 691 00:54:04,980 --> 00:54:07,680 But you'd better find out, and quick. 692 00:54:07,722 --> 00:54:09,382 What are you talking about? 693 00:54:09,420 --> 00:54:12,730 You want your promotion, don't you? 694 00:54:12,771 --> 00:54:14,771 It has already been promised. 695 00:54:16,514 --> 00:54:19,214 [SIGHS] Stefano... 696 00:54:19,256 --> 00:54:23,256 You can't expect the French governor to keep his promise. 697 00:54:23,303 --> 00:54:26,793 Not if you embarrass him by failing to get Leonardo to confess. 698 00:54:30,484 --> 00:54:31,794 Where are you going? 699 00:54:33,748 --> 00:54:35,618 To make sure Leonardo hangs. 700 00:54:43,323 --> 00:54:45,283 [THEME MUSIC PLAYING] 43742

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