All language subtitles for Fear.the.Walking.Dead.S06E08.720p.WEBRip.x265-MiNX-HI

I want every single person
we took from that damned Gulch.

♪♪

I found this in Cameron's hand.

From the pattern, I think,
it's from the grip

on the knife handle.

Everything I've done,
I've done so that we could all

be back together, and it doesn't
work if it's not all of us.

Dakota is welcome.

I can't stay here. If I do,
I'm not gonna last long.

You can't just leave.

I don't wanna leave.
I don't wanna run anymore.

D.B.: I wouldn't do that
if I were you, John.

It'll do you no good.

The mayor has policemen downstairs

with instructions to remove

all marks of identification
you may have on your person.

You'll be buried in Potter's Field,

and you will have accomplished nothing.

[CLICKING]

JOHN: I've taken care of that.

I've already mailed
a copy of this letter

to Mr. Connell.

♪♪

John, why don't you
forget this foolishness?

Stop right where you are, Mr. Norton,

if you don't want
to go overboard with me.

I'm glad you gentlemen are here.

You've killed the John Doe
movement, alright,

but you're going to see
it born all over again.

ANN: John! John!

[WALKER GROWLING]

[GUN COCKS]

[GUNSHOT]

♪♪

We'll start all over again,
just you and I.

It isn't too late.

The John Doe movement isn't dead yet.

See, John!

It isn't dead, or they wouldn't be here!

It's alive in them.

They kept it alive
by being afraid of it.

That's why they came up here.

Oh, darling.

Sure, it should have been killed before.

It was dishonest.

But we can start clean now.

Just you and I. It'll grow again, John.

It'll grow big.

And it'll be strong
because it'll be honest.

Oh, darling, if it's worth dying for,

it's worth living for.

Oh, please, John!

[GUN COCKS]

[WALKER GROWLING]

Oh, please, God, help me.

[GUNSHOT]

♪♪

[SIGHS]

[GUN COCKS]

I'm sorry.

[WALKER GROWLING]

♪♪

[GUNSHOT]

♪♪

[GUN CLACKS ON TABLE]

♪♪

- Synced and corrected by Firefly -
- www.addic7ed.com -

[WALKERS GROWLING]

[METAL SIGNS CLANKING]

[GROWLING CONTINUES]

[WALKERS GROWLING]

[THUMPING ON WOOD]

Hey!

[GUN COCKS]

[GUNSHOTS]

[WALKER GROWLING]

[GUNSHOT]

Snuck up on me.

[DOOR CREAKS]

Hey, I don't want no trouble.

But if it's trouble you want,
I got something for you.

♪♪

DORIE: Ohh!

- John.
- Dakota?

[GUN UN-COCKS]

What... What in the hell
are you doing here?

Uh, I'm... I'm running from my sister.

You?

Well, I guess you could say
the same thing.

You the one that corralled
those passed on the bridge?

No, uh...

He did.

[DOOR CREAKS]

Ah.

[CHUCKLES]

Hey, John.

Well, I'll be damned.

- How'd you find us?
- I didn't.

The passed on the bridge,

they kept washing upnear my cabin,

and, well, this river has a way

of bringing people back to life.

But I gotta say, buddy,
you've looked better.

Mm-hmm.

Getting across the bridge,
putting the barricade up,

trapping the dead,
his wound had opened up.

But I patched it up as best as I could.

Good job.

[CHUCKLES]

We heard the shot
at the Gulch that night.

We didn't think you made it, man.

Neither did I.

How'd you survive?

- Had some help.
- Who from?

That night? I don't know.

I came to, I was already patched up,

but they'd moved on.

Somebody else helped
me out a while later.

But now I'm gonna have to
add her to the list.

It wasn't hard.

Somebody stocked the shelves

with everything I needed, so...

Yeah.

It's good to see you, John.

I feel like I'm looking at a ghost.

Oh, you are. [CHUCKLES]

How'd you wind up with
that big herd on your tail?

Virginia set her rangers on us.

We were trying to outrun them
with Alicia and Charlie,

but we hit the herd, got separated.

We should start looking for them.

She's right. We should get back
on the road and get ourselves there.

Just hang on, hang on.

You're not going anywhere,
at least not like that.

Where are you trying to go?

He's got a place that he's building.

- One that's safe.
- Shh.

[HORSE NEIGHS]

[WHISPERING] Hide that stuff.
Clean it up.

Come on, Morgan.

♪♪

Dakota!

Dakota.

♪♪

[DOOR CREAKS]

♪♪

[KNOCKS "SHAVE AND A HAIRCUT" ON CHEST]

Anybody home?

♪♪

[WRAPPER RUSTLING]

♪♪

[FLOORBOARD CREAKS]

♪♪

_

[CLEARS THROAT]

Hill, you copy?

♪♪

You are not gonna believe this.

Do it.

Hey, Hill.

Ranger Dorie? I think he's been here.

[MOUTHING] Now.

HILL: Marcus. Do you copy?

I didn't catch that.

♪♪

Damn walkie.

♪♪

Standby. I'm coming for higher ground.

♪♪

[DOOR CREAKS]

♪♪

He's gone. He's gone.

[SIGHS]

You should have shot him.

I didn't need to.

These times, John.

♪♪

They make us men
we tried so hard not to be.

Let's get out of here.

We'll be safer at my cabin.

[CLEARS THROAT]

How'd you learn to cook like this?

Well, I spent every summer
out here when I was a kid.

When in Rome.

Well, that's no good.

Place we're going is
built on a dry riverbed.

Water nearby, plenty of fish.

Be nice to have somebody out there

who knows how to cook 'em.

Come on.

June can cook 'em just as good as me.

Better, maybe.

[CHUCKLES]

How long you been out here?

Couple of weeks.

And where's June?

Why is she not with you?

It's not worth talking about.

Oh, it's not?

Where is this place you're settling?

[SCOFFS]

Alright.

40 miles north.

That's a ways to go on foot.

Probably got enough gas
in the truck to get you there.

I was hoping you would come.

What we're doing,

we could use somebody with your skills.

My skills? What might those be?

Plan is shifting because
we can't make a clean trade,

but Virginia's still gonna
want her sister back.

What, so you...
You want to use me as bait?

Yeah. But you don't worry.

I'm not gonna let her get to you.

Hey.

Do it like this, it means a fight.

That's why you need me.

Well, things will be different, though.

We're gonna be set up to win.

We'll be fighting on our own turf

and on our own terms.

God, John, it's for our family.

DAKOTA: What's this?

Nothing.

Looks like blood.

It's off a knife handle.

What knife?

The one that killed Cameron.

The ranger?

The one that Janis was with?

I thought if I could
find the rest of it,

it would lead me to whoever killed him.

I couldn't.

Why do you still have it, then?

- You're doing it again.
- What?

What you told me about before,
when you were a cop,

how you hid yourself away
from the world up here.

Well, it's different this time.

Why's that?

VIRGINIA: Morgan? You there?

We got something we need to discuss.

Don't. Don't. Rangers are nearby.

They might figure out where we are.

John's right. Don't.

She's just trying to scare you.

GRACE: Morgan? It's me.

Aw, hell.

Sorry, I have to.

DAKOTA: Morgan!

♪♪

Yes, I'm here.

VIRGINIA: I thought
that might do the trick.

Grace, are you okay?

Is the baby okay?

GRACE: I'm okay, Morgan.

So is the baby.

I think this little one's
about seven months now.

I thought you were dead, Morgan.

We all did.

Hey.

You hear that, Morgan?

Grace is fine, but that'll
change real quick

if anything happens to my sister.

Call the rangers off.

They're gonna get everybody killed,

including your sister.

♪♪

Oh, my rangers will find you.

In the meantime, I know
you'll keep my sister safe

'cause if anything happens to her,

it's not just Grace and
her little chick who are dead.

It's the whole damn coop.

♪♪

We'll talk soon.

♪♪

We need to get out of here now.

We need to draw Virginia to us

before she does something to them.

Last time you locked yourself
away up here,

June washed up.

Today, it was us.

If that's not the universe
telling you to come back,

I don't know what is.

Yeah.

I just...

I don't care to kill anyone.

Yeah, you called me a ghost, and I am.

'Cause all I'm here for
is to free our people,

give that baby a chance at a next world,

one where, I don't know,

all life might actually be precious.

I think we can do it, John.

I think it's not gonna be
the way that we want it,

but we can end it.

Alright.

♪♪

I-I ain't right.

I just ain't.

I'm sorry.

I can't do it.

♪♪

But I will help you cross that bridge.

It's the only way north.

We gotta pack up.

♪♪

This is all I got.

Is that gonna be enough
to kill all the chompers?

Your guess is as good as mine.

But there's only one way to find out.

[GUNSHOT]

Down!

[GRUNTS]

♪♪

[GUNSHOT]

♪♪

- Morgan!
- I'll pull him down!

♪♪

[HORSE NEIGHS]

[GRUNTS]

Dakota! You know how to drive?

Turn this thing around.

[GUN COCKS]

Ah!

♪♪

[ENGINE SPUTTERS]

DAKOTA: Something's wrong with the car.

I think the bullet may
have hit the engine.

- Try again!
- [RIFLE COCKS]

[ENGINE GRINDING]

♪♪

- [GUNSHOT]
- [GROANS]

♪♪

[GRUNTS]

Morgan?

[GROANS] Geez.

Morgan?

You alright?

Yeah.

♪♪

[GUN COCKS]

♪♪

- DORIE: [GRUNTS]
- Sorry, John.

Sorry?

What do you got to be sorry for?

You're the one got dragged
through the woods by your neck.

Yeah, I've been racking up
a whole lot of miles lately.

You almost got killed.

I didn't, though,
'cause you stopped him.

Well, it shouldn't have come to that.

I should have taken my shot
when I had it back at Bill's.

You didn't take it
'cause you didn't have to.

You know that's why I need you, right?

Help keep us from becoming like Ginny.

You know that, right?

That's not the only reason.

Got all the gas out.

That's about all it's good for now.

We're gonna need another car.

We could get back in a canoe,
head upstream,

find another vehicle back by Bill's.

I can't risk it,

not with all those rangers
out there looking for us.

And there might be more
once he doesn't check in.

Right.

What about that one?

That?

That's just been collecting rust
since I was a kid.

[METAL CREAKS]

[GRUNTS]

[METAL CLANKS]

Where'd this come from?

Well, it belonged to my dad.

We were gonna fix it up together
once upon a while.

Hmm.

You know, I've spent more
than my fair share of time

in one garage or another

making cars in much worse
shape than this run again.

We're gonna need a battery
and a distributor cap,

but I think I can get this going.

[CHUCKLES]

It's not too late.

What's that?

Ah, just something my daddy used to say.

It's not to late to learn something,

to do the right thing, fix a mistake,

and apparently, get an old
Chevy truck running again.

Well, there's some wrecked
cars one cabin over.

Lot less likely of running
into rangers over there.

You should go with John.

No, I can handle it.

Any other rangers show up,
I'm not sure that I can.

They get ahold of Dakota,

everybody else is gonna be
in real trouble.

Alright, well, let's go.

You get those guns when you were a cop?

No, they belonged to my pop.

And he gave you the guns?

Well, he sent them to me
that same summer

we were supposed to fix up the Chevy.

- Why didn't he bring them to you?
- [CHUCKLES]

Well, he never showed up.

Moved to a cabin on his own up north,

away from everybody.

Me and my mama included.

I got the occasional
birthday or Christmas card.

A phone call every once in a blue moon.

But I never saw him again.

Ah.

Here, hold that.

Yeah.

Thank you.

Why did he leave?

Did he kill someone, just like you did?

No.

What was it, then?

Well, he did the wrong thing,

but for the right reasons.

If that makes sense. [GRUNTS]

[TOOL CLACKS]

Kind of seems like
he was punishing himself.

Yeah, maybe. [GRUNTS]

Just like you.

Morgan was right, isn't he?

That's why you're here.

Come on.

There's one more thing
we got to get while we're here.

Know-it-all.

Hey, you know what happened with Janis?

You don't have to feel bad
about that kind of thing.

It's... It's just how life is now.

People... People kill, people die.

It still should mean something.

Why?

Well, if it don't mean nothing
when you die,

then it must not have meant much
when you were alive, either.

So?

Boy, I'm glad Morgan's taking you

- to that place he's building.
- Why's that?

'Cause you're starting to sound
an awful lot like your sister.

Now stand back.

Hey!

[POUNDS ON DOOR]

Anybody home?

[LOCK CLATTERS, DOOR CREAKS]

Alright.

There's nothing in there
that we need for the truck.

Who said we're here for the truck?

[CHUCKLES]

What do you need a door for
if you're coming with us?

MORGAN: 'Cause he's not coming with us.

- Are you, John?
- What you doing here?

I found these.

There's only so many words
you can spell out with those.

- These are not meant for you.
- I know who they're meant for.

♪♪

Look, I was gonna tell you

after we cleared the bridge.

I'll keep my word. I'll get you across.

But then I'm coming back here after.

'Cause of what you had to do to Marcus?

No, not 'cause I had to kill him.

It's because I didn't kill him before.

- [HAMMERING]
- Damn it!

♪♪

I don't know why...

I'm not meant to live in this world.

If I'd have just kept my nose out of it

when Cameron was killed,

Janis would still be alive.

If I'd have shot Marcus
when I had the chance,

you wouldn't have nearly died.

Hiding away in that cabin
ain't the answer.

Best one I can think of.

[SCOFFS]

You went looking for a door

to shut yourself away from
the world, and you found us.

Does that not tell you anything?

You're like that guy

who walked halfway across the country

to get away from the people
he cares about most

and found himself sitting across
from your campfire.

And because I found you,

I found everybody
I think of as family right now.

I found Grace.

And that wouldn't have happened
if you hadn't insisted

that I sleep in the bed
of your truck that night.

You gave me that family, man.

You gotta help me get them back.

♪♪

The best way I can think of to do that

is get you across that bridge

and then stay out your way.

That door is not gonna keep us away.

Not me, not June.

This door ain't for keeping people out.

What the hell's it for, then?

It's to keep the passed
from getting at me

after I do what I need to do.

♪♪

I just want it to be over, Morgan.

♪♪

[GUN COCKING, UN-COCKING]

Got the truck running.

That's good.

Wasn't that long ago
I was in something like

the place that you are now, John.

Uh, every time I work myself up to it,

one of the passed washes up,

steals my nerve.

That's 'cause it's not your time.

This is not how you should go out.

Here.

Night at the Gulch...

... whoever saved me, they left me that.

- Made me realize what I had to fight for.
- _

That place you're building?

Yeah, and that it wouldn't mean anything

if it wasn't all of us.

But if I was gonna get everybody there,

I had to...

I had to make a change.

Or I would lose, well, all of you.

You know you're not your dad, right?

- I know that.
- And that you don't have to

make the same mistakes that he made,

that you can come with us.

I found my way to keep going.

I think maybe you could find yours.

Well...

[WALKER GROWLING]

Wouldn't count on it.

[GUNSHOT]

We better get up there.

The passed must be
building up on the bridge.

You know, we might need
these doors after all.

[WALKERS GROWLING]

Alright.

We'll clear the passed from up there.

Keep them from getting
tangled in the wheels.

Provided you can get us across.

[SIGHS]

Uh, my daddy used to let me
drive his six speed

in the church parking lot
on Sunday afternoons, so I...

It didn't usually get this crowded.

Okay. Well, I'll talk you through it.

Here. In case things get bumpy.

♪♪

[CAR DOOR OPENS, CLOSES]

[GROWLING CONTINUES]

♪♪

[GRUNTS]

[RIFLE COCKS]

♪♪

Ready?

Ready.

♪♪

[GUNSHOTS]

♪♪

DORIE: Come up.

[GROWLING CONTINUES]

- Now!
- [POUNDS ON ROOF]

[EXHALES SHARPLY]

[ENGINE CHUGGING]

♪♪

That's it.

♪♪

Steady, steady, steady.

♪♪

Here they come!

♪♪

[GRUNTING]

♪♪

Keep going!

♪♪

Second gear!

[CLUTCH GRINDS]

Alright. I'm sorry.

Just pretend it's one of those
Sunday drives, okay?

You got it.

[GROWLING CONTINUES]

♪♪

- You okay?
- Yeah.

Yeah, I'm fine.

♪♪

Hey.

Hey, guys, what's going on?

[ENGINE REVS]

Alright. Put it in first.

Then give it the gas.

You'll clear it.

[TIRE SQUEALING]

[ENGINE REVVING]

[SQUEALING CONTINUES]

[GROWLING CONTINUES]

[GUNSHOTS]

♪♪

Punch it.

♪♪

[ENGINE SPUTTERING]

Something's wrong with the engine!

MORGAN: The alternator.

I'll go.

No, you're in no shape.

You're in no shape.

♪♪

I'll tell you when.

♪♪

[GRUNTING]

No! Get off!

[GRUNTS]

[GUN COCKS]

John!

Lean back!

♪♪

[GUNSHOT]

[GRUNTS]

Nice shot!

♪♪

Okay.

Try now.

♪♪

[ENGINE STARTS]

[SIGHS]

[SHOUTS]

[GUNSHOTS]

♪♪

Get down!

♪♪

[TIRES SQUEALING]

John, hold on!

[WATER SPLASHES]

♪♪

[BREATHING HEAVILY]

[WALKERS GROWLING]

[GRUNTS]

♪♪

[GROWLING STOPS]

♪♪

God, John.

That is some ugly mustard.

- Ha!
- [CHUCKLES]

Yes, it is.

♪♪

[GRUNTS]

I found something when I
was working on the truck.

Thought you might want it.

That's you, isn't it?

And your dad?

You know...

I spent more of my life
than I care to admit

wondering why he never
showed up that summer.

Now I think I'm starting to get it.

I ain't coming with you, Morgan.

You know you're stuck.

Making the same mistakes
you made before,

and they're the same
mistakes that he made.

Man, it's like... It's like a loop.

[RADIO CLICKS ON]

[STATIC]

What you doing?

Virginia, can you hear me?

I repeat, Virginia, can you hear me?

What's your plan, Morgan?

VIRGINIA: I copy, Morgan.

You finally ready to talk?

Yeah, yeah, I am, but not like this.

I want to meet in person.

- So, there's a general store off of old route 185.
- No! No! Morgan!

It's called Bill's.

- Stop!
- And a couple miles down river...

Get off of me... there is a cabin.

Lemme guess. Ranger Dorie's?

Yeah, Marcus told us about
his terrible taste in movies.

♪♪

I'll be waiting there for you.

We'll see you soon, Morgan.

♪♪

Now you can't go back.

Morgan, you had no right!

That was not your choice to make!

Just like it wasn't yours

to chase me down that road
when I had my busted leg,

but you did it all the same.

And I'm alive right now because you did.

♪♪

Shit, John, hate me if you like,

but I'll be damned if I'm gonna stand by

and let my best friend
try and kill himself.

♪♪

[STATIC]

I'm gonna try and get a signal,

hear where Virginia's at.

Don't wanna cross paths with her
on the way outta here.

You're gonna have to
talk to him eventually.

Well, looks like the clip

that was holding
the wire in place fell off.

Probably why she stalled.

We'll have to make sure she's fixed up

before you two hit the road.

It's a little red clip.

I'll take this side. You take that side.

Hey.

Thanks.

Nah, thank you.

What are you thanking me for?

Well, letting me drive.

Trusting me with this.

Not making me feel like

I had to be locked behind
Lawton's walls all the time.

You should come with us.

No, that wouldn't be a good idea.

I think it would be a good idea.

I really like being around you.

Well...

You can't go back to your cabin.

Sure, I can.

Well, my sister's gonna be there soon.

If Morgan leads her to whatever
place he's building up,

that's gonna get real messy real quick.

[GRUNTS]

People we care about could end up dead.

If I'm waiting for her, I can end this.

You can't do that alone.

She won't be expecting me.

Well, she would.

She is.

I mean, she's gonna
have rangers with her.

So what, even if you get her,

then they're just gonna kill you.

Well, then my death will mean something.

[GRUNTS]

As it should.

Hey, John.

I found it.

[WALKER GROWLING]

Dakota!

♪♪

It's okay.

I got it.

- What is it?
- I got it.

What are you hiding?

♪♪

Where'd you get this?

♪♪

- Where'd you get this?!
- It's not what it looks like, okay?

I just... I-I-I found it.

Don't you lie to me!

♪♪

Oh, my God.

You killed Cameron, didn't you?

Virginia was covering for you.

♪♪

[VOICE TREMBLING] I didn't know

that she was gonna kill Janis.

♪♪

Why'd you push me to investigate?

I knew that Ginny wouldn't
let it get back to me.

And I thought if it seemed like...

if it seemed like
she was hiding something

or trying to protect somebody,

that, you know, people
would start to doubt her.

What did you kill him for?

♪♪

- What did you kill him for?!
- He figured out

the way that I was sneaking in
and out of Lawton,

and he told Ginny.

He took away the one way that I had

to get out of Lawton.

And you thought he deserved
to die for that?

That's what you thought?

♪♪

It's no different.

It's no different than what
everyone else is doing

to get what they want!

It's what my sister does.

It's what all of her rangers do.

You don't understand.

No. No, I don't.

You don't understand.
It's just how things are now.

I can't.

I can't let you ruin this for me.

Alright. Listen to me.

- I can't have youtelling people.
- Listen to me, Dakota.

I am... I'm not gonna tell anyone.

Alright, look.

- Lookit... Look here. Alright?
- [KNIFE CLATTERS]

I'm not gonna hurt you.

Look.

Okay?

♪♪

You're lying.

[SIGHS]

I know you've been through a lot.

I get why you wouldn't believe me.

Just give me a chance to show you.

Why?

Because we can get past this.

I can help you.

Morgan said I need a reason to live.

To keep going.

Maybe that's you.

That would have meaning. Right?

So just put the gun down.

You don't want to shoot me. You
don't want to do that to yourself.

You... You don't want to live with that.

That's not what I want.

[GUNSHOT]

[BREATHING SHAKILY]

[GROANING]

♪♪

I'm sorry.

[WHEEZING]

♪♪

It doesn't always have to
mean something, John.

♪♪

[GRUNTS]

[WATER SPLASHES]

♪♪

[THE CINEMATIC ORCHESTRA'S
"TO BELIEVE" PLAYS]

♪♪

♪ Tell when it breaks all ♪

♪ Howling ♪

♪ Same little girl ♪

♪ You fell, you fell, you fell ♪

♪♪

♪ And when it all aligns ♪

♪ Silent watchers are in front ♪

♪ And when our worlds collide ♪

♪ Eyes remember every light ♪

♪ Are you able? ♪

♪ Find your ground ♪

♪ Other people ♪

♪ Falling down ♪

♪ I can be your someone ♪

- [GASPS]
- ♪ You believe in ♪

♪ Someone you can believe ♪

It's not too late.

♪♪

MORGAN: Dakota?

Hey.

♪♪

What did you do?

♪♪

[CRYING] I didn't want to do it.

But I had to do it.

John. Where is he?

[CRYING]

Where is he?

♪♪

Floating down river,

with a bullet in his chest.

♪♪

It was your knife.

You killed that ranger.

[SNIFFLES]

♪♪

You're gonna take me
to the place you're building.

You're gonna let me be a part of
it like you were before.

♪♪

[GASPS, SNIFFLES]

You're not gonna hurt me.

I wouldn't be so sure.

I am the reason you are alive!

I saved you at the Gulch.

- That is not what happened.
- It is.

Ginny... she left you to die.

Dragged yourself up to the church.

The dead followed you.

They were on top of you,
about to eat you.

But I was there.

I killed them.

That's not possible.

It is.

I followed Ginny and
the rangers to the Gulch

'cause I wanted to see her go down.

And, I mean, even though
that didn't happen,

I mean, it's a good thing, right?

'Cause I stitched you up,
stopped you from bleeding.

I gave you antibiotics.

I gave you painkillers.

I-I left you food and supplies.

Okay, stop. No more lies.

No, you don't know me!

But I've heard your message.

You need to do the same.

"You still have things left to do".

♪♪

I wrote it.

I wrote that note.

I left it for you.

And I was right to

because that thing that you have to do,

you're gonna have to do it now.

And what is that?

♪♪

Kill my sister.

♪♪

You're not breathing because you have

some silly, little paradise
that you have to build.

You are breathing

because you are the only
person left that can end her!

Hey.

- That's not what this is about.
- It is.

It is.

And it is the only reason
that you are still here!

[KNIFE CLATTERS ON PAVEMENT]

♪♪

Someone cleaned the place out.

Where the hell are they?

June, where are they?

I don't know. I don't know!

You sure about that?

- I am sick of your sh...
- MORGAN: Virginia?

Morgan, you're late.

It's John.

He's been hurt. You need to help him.

It was your sister. She did it to him.

Morgan, where is he?

Where's my sister?

He's heading your way.

He's coming down river.

I'm trying to get to him,

but if I can't find him first,
please help him.

Then we talk.

You heard Morgan. Go find Ranger Dorie.

[DOG WHINES, BARKS]

Well...

This is it.

Yeah, it's what we rebuilt so far,

but it's a start.

Where's Morgan?

We got separated.

MORGAN: Al? Dwight? Do you copy?

Go for Dwight.

Start getting the dam wall ready.

We may end up bringing
this fight with Virginia

to our own doorstep.

Copy, Morgan.

And, Dwight, maybe reach out to Sherry.

'Cause we're gonna need
all the firepower we can get.

You need to send more
rangers to look for him.

I already have.

Radio Morgan.

I need to know what happened
if I'm going to help.

Damn it!

Hill, what's going on down there?

- What do you have?
- [SCOFFS]

[GASPS]

John! John!

[WHEEZING]

[GROWLING]

♪♪

[GROWLING CONTINUES]

♪♪

♪♪

What do you need a door for
if you're coming with us?

MORGAN: 'Cause he's not coming with us.

Are ya, John?

GOLDBERG: This episode
is called "The Door".

The title has a couple
of different meanings,

as we see as the episode goes on.

We see that the door itself

is something that's missing
from John's cabin,

and it's the thing
that he's trying to find

to cut himself off from
the world and from people,

but also because he's planning
to end his own life.

[GUN COCKS]

The other meaning of "The Door"

is that, you know, sort of ironically,

he finds renewed purpose and connection

and opens himself to people
with the person

who perhaps he's closest to
in the world,

who's Morgan Jones.

I think we can do it, John.

I think it's not gonna be
the way that we want it,

but we can end it.

I... I ain't right.

I just ain't.

This is the darkest place
we've ever seen John Dorie,

and John is really in a place
where he's punishing himself,

where he feels unworthy to be alive.

[GUN COCKS]

[EXHALES SHARPLY]

I'm sorry.

GOLDBERG: What we see in this scene

is that every time he gets up
the courage to pull the trigger,

walkers keep interrupting him.

John doesn't want walkers
to tear him apart.

[GUNSHOT]

And so he goes looking for a door

so that he can essentially kill himself

and have that be the end of it.

It's good to see you, John.

I feel like I'm looking at a ghost.

Oh, you are! [CHUCKLES]

GOLDBERG: I think there's
a few meanings to that.

There's the literal meaning of,
he had no idea Morgan was alive

after what happened at the end
of season five at the Gulch.

But then there's the other aspect to it,

where Morgan is
a completely changed person.

He's reinvented himself.

I'm not meant to live in this world.

If I'd have just kept my nose out of it

when Cameron was killed,
Janis would still be alive.

GOLDBERG: Because John Dorie
has this humanity in him,

he sees that as a weakness
because he feels like

even when he's trying to help people,

they get hurt, which is the same thing

that he felt about
what happened with Janis.

This door ain't for keeping people out.

The hell's it for, then?

It's to keep the past from getting at me

after I do what I need to do.

I just want it to be over, Morgan.

John starts in a place where
he doesn't see a reason to live,

and Morgan tells him, "You're
gonna find that reason".

And he does end up finding it
in the last place

and the last person he expected,
and it's with Dakota.

[WALKER GROWLING]

[GROWLING STOPS]

It's okay. I got it.

Of course, it's a huge shock
and a gut punch for him

when he realizes, "Oh, my God.

You're the one who killed Cameron".

But on the other hand, he sees
this as a real opportunity.

Here's someone who needs help,
who he believes he can help.

We've seen him forge
a connection with her

over the course of the episode,

and he's finally found
that reason to live,

that reason to open the door...

Can't let you ruin this for me.

All right. Listen to me.

I can't have you telling people.

... that just as he's opened that door,

Dakota is not ready
to walk through it with him.

Because of who she is

and because of what
the circumstances are,

John pays for it with his life.

You don't want to shoot me.

You don't want to do that to yourself.

Y-You don't want to live with
that. That's not what I want.

[BREATHING SHAKILY]

It was emotionally devastating for us

at every stage of the process.

We love that character so much.

We love how Garret brought
him to life, you know,

just also thematically and emotionally.

Someone who really
laid himself out there

and could have helped Dakota,

and it just didn't work out.

♪♪

One of the other aspects of this episode

that's so important
to understanding John

is his relationship with his father.

It's not too late.

What's that?

Ah, just something my daddy used to say.

It's not too late to learn something...

♪♪

... to do the right thing,
fix a mistake.

What we wanted that scene
in the water to be about is,

he looks at that picture of his father

and he's remembering those words.

"It's not too late".

He really, really wants to live.

It is the opposite of the man
who was sitting at the table

loading the gun to kill himself
in the beginning.

Now he's fighting
for every breath he's got.

John!

♪♪

[GROANS]

We always thought it was
tragically poetic that June,

who washed up on the shore
outside John's cabin

and brought him back to people,

is now in the position where
she sees John washed up

on that very same shore
where he rescued her...

and he's died and he's become a walker.

It just felt like kind of the
right circularity to that story.

[GROWLS]

As we get deeper into season six,

we're gonna see that this
has profound implications

for June as a character.

It's really important in terms

of where we're going
for the rest of the season.

This is obviously
a game-changer for June.

♪♪

- Synced and corrected by Firefly -
- www.addic7ed.com -