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PREVIOUSLY ON "NYPD BLUE"...
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00:00:03,740 --> 00:00:06,040
HEY! WHAT’S UP?
WHAT THE HELL
ARE YOU DOING HERE?
3
00:00:06,080 --> 00:00:08,290
I’M SELLING MAGAZINE
SUBSCRIPTIONS.
4
00:00:08,310 --> 00:00:11,710
WE’RE NOT FORGETTING YOU
HELPED BURY MY OLD PARTNER.
5
00:00:11,750 --> 00:00:13,410
I DIDN’T KNOW
THAT WAS YOUR PARTNER.
6
00:00:13,450 --> 00:00:15,680
YEAH, WELL, LOOKING AT YOU
BRINGS ME BAD MEMORIES.
7
00:00:15,720 --> 00:00:17,050
YOU’VE BEEN MAKING
DECISIONS LATELY,
8
00:00:17,090 --> 00:00:19,190
BUT THEY HAVEN’T BEEN
GOOD DECISIONS, DAD.
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00:00:19,220 --> 00:00:20,560
LETTING INTERNAL AFFAIRS
FLIP YOU,
10
00:00:20,590 --> 00:00:23,260
ANNOUNCING TO THE WORLD
THAT YOU WORK FOR THEM?
11
00:00:23,290 --> 00:00:25,930
THOSE TWO MOVES ALONE HAVE
TURNED OUR LIVES UPSIDE DOWN.
12
00:00:25,960 --> 00:00:28,700
AND HERE I WAS THINKING
I STOOD UP FOR MY SON!
13
00:00:28,730 --> 00:00:32,300
YOU’RE MY ONLY FAMILY, BUT DON’T
MAKE DECISIONS FOR ME ANYMORE.
14
00:00:45,350 --> 00:00:46,350
[ SIGHS ]
15
00:01:01,170 --> 00:01:03,010
[ WATER RUNNING ]
16
00:01:22,290 --> 00:01:24,330
OH, BRR.
17
00:01:26,520 --> 00:01:27,860
[ GASPS ]
18
00:01:30,060 --> 00:01:30,890
OH...
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00:01:32,660 --> 00:01:33,660
SORRY!
20
00:01:33,700 --> 00:01:35,030
IT’S OKAY!
21
00:01:35,070 --> 00:01:36,370
NO PROBLEM!
22
00:01:48,710 --> 00:01:50,980
HOW’S IT GOING?
23
00:01:51,020 --> 00:01:53,190
MY DAD’S NOT RETURNING
MY PHONE CALLS NOW.
24
00:01:53,220 --> 00:01:54,660
WHAT’S HIS PROBLEM?
25
00:01:54,690 --> 00:01:57,000
HE’S SULKING.
NOW I GOTTA DEAL WITH THAT, TOO.
26
00:01:57,020 --> 00:01:59,350
I’M NOT EXACTLY SURE
WHAT HAPPENED.
GIVE IT A SHOT.
27
00:01:59,390 --> 00:02:02,360
DRIVER SAYS SHOOTER WALKS UP,
SHOOTS HIM IN THE ARM.
GRAZED HIM.
28
00:02:02,390 --> 00:02:04,790
DRIVER HITS THE FLOORBOARD,
PRESSES THE GAS WITH HIS HAND.
29
00:02:04,830 --> 00:02:06,660
CAR ENDS UP THERE.
30
00:02:06,700 --> 00:02:08,900
THE SHOOTER DROVE OFF.
31
00:02:08,930 --> 00:02:11,170
DRIVER WANTED TO LEAVE,
DIDN’T WANT TO PRESS CHARGES.
32
00:02:14,540 --> 00:02:16,370
AW, GEEZ.
33
00:02:16,410 --> 00:02:17,850
HOW’S IT GOING, JULIAN?
34
00:02:17,880 --> 00:02:20,050
OH, YOU KNOW,
I’M KEEPING BUSY, EATING RIGHT,
35
00:02:20,080 --> 00:02:21,340
GETTING SHOT AT.
36
00:02:21,380 --> 00:02:23,010
UGH! EASY.
37
00:02:23,050 --> 00:02:24,420
GIVE US A SECOND, HUH?
38
00:02:24,450 --> 00:02:26,550
WHAT HAPPENED?
39
00:02:26,590 --> 00:02:28,260
I’M JUST SITTING
IN MY CAR,
40
00:02:28,290 --> 00:02:30,360
AND SOME GUY COMES RIGHT UP
TO MY WINDOW AND FIRES.
41
00:02:30,390 --> 00:02:31,890
SO I HIT THE FLOOR.
42
00:02:31,920 --> 00:02:34,320
THEN I HEAR A GROAN
LIKE HE’D BEEN SHOT SOMEHOW.
43
00:02:34,360 --> 00:02:36,660
SO I JUST PRESS THE GAS
WITH MY HAND.
44
00:02:36,700 --> 00:02:38,270
IT WAS THAT QUICK THINKING
PROBABLY SAVED MY LIFE.
45
00:02:38,300 --> 00:02:40,210
Andy: WHO WAS HE?
46
00:02:40,230 --> 00:02:43,330
I DIDN’T GET A LOOK AT THE FACE
’CAUSE I’M LOOKING AT MY CD's,
47
00:02:43,370 --> 00:02:45,780
AND I TURN JUST IN TIME
TO SEE THE GUN GO OFF.
48
00:02:45,800 --> 00:02:47,270
WHO’S GOT IT OUT FOR YOU?
49
00:02:47,310 --> 00:02:48,880
ALPHABETICALLY‐‐
START WITH THE A’s.
50
00:02:48,910 --> 00:02:52,080
HEY, GUYS, YOU KNOW,
I GOT MY BLOOD SPILLED HERE.
51
00:02:52,110 --> 00:02:54,010
HOW ABOUT STEPPING
OFF MY NUTS?
52
00:02:54,050 --> 00:02:56,290
WHO WE LOOKING FOR,
JULIAN?
53
00:02:58,320 --> 00:03:00,360
THIS GUY
ALDO SANFANTELLO.
54
00:03:00,380 --> 00:03:02,020
THEY CALL HIM THE DENTIST.
55
00:03:02,050 --> 00:03:03,350
HOW’D YOU SCREW HIM OVER?
56
00:03:03,390 --> 00:03:05,100
NO, NO‐‐ MUTUAL SCREWING
OVER, YOU KNOW?
57
00:03:05,120 --> 00:03:09,120
BUT HE‐‐ IN HIS MIND,
HE PROBABLY THINKS
58
00:03:09,160 --> 00:03:12,060
THAT I WAS MAYBE
A LITTLE MORE RESPONSIBLE.
59
00:03:12,100 --> 00:03:13,970
HE’S THE ONLY GUY I CAN
THINK OF, ALL RIGHT?
60
00:03:14,000 --> 00:03:15,630
SANFANTELLO‐‐ S‐A‐N‐‐
61
00:03:15,670 --> 00:03:17,080
THIS IS A BUSY AREA.
62
00:03:17,100 --> 00:03:20,370
SOMEBODY WALKING BY COULD HAVE
GOTTEN SHOT OR RUN OVER.
63
00:03:20,400 --> 00:03:22,370
YOU BETTER BE
COMING CLEAN, JULIAN.
64
00:03:22,410 --> 00:03:24,880
AM I NOT THE VICTIM
HERE, HUH?
65
00:03:24,910 --> 00:03:27,710
I SWEAR ON MY MOTHER’S EYES
I AM TELLING YOU THE TRUTH.
66
00:03:27,750 --> 00:03:29,050
Clark: GO TO THE HOSPITAL.
NO, I’M FINE.
67
00:03:29,080 --> 00:03:31,310
STAY AT THE HOSPITAL.
WAIT TO HEAR FROM US.
68
00:03:31,350 --> 00:03:32,450
I AM FINE!
69
00:03:32,480 --> 00:03:33,850
ALL RIGHT. OKAY.
70
00:03:37,590 --> 00:03:38,650
HELLO?!
71
00:03:38,690 --> 00:03:40,260
I GOT SHOT HERE!
72
00:04:55,400 --> 00:04:56,900
WHAT ARE YOU READING?
73
00:04:56,940 --> 00:05:00,080
OH, ONE OF THOSE
"HOW TO RAISE A KID" BOOKS.
74
00:05:00,100 --> 00:05:01,500
FOR THE BABY?
75
00:05:01,540 --> 00:05:04,470
RIGHT NOW, IT’S THEO MORE,
I GUESS.
76
00:05:04,510 --> 00:05:06,140
IS EVERYTHING ALL RIGHT?
77
00:05:06,180 --> 00:05:08,490
YEAH, I’M JUST
CHECKING TO SEE
78
00:05:08,510 --> 00:05:11,650
IF THERE’S ANY LONG‐TERM
EFFECTS TO...
79
00:05:11,680 --> 00:05:13,250
WALKING IN AND SEEING ME
NAKED THIS MORNING.
80
00:05:13,280 --> 00:05:15,420
NO.
YES.
81
00:05:15,450 --> 00:05:17,020
LIKE FROM THE SIDE?
82
00:05:17,060 --> 00:05:18,730
LIKE FRONT AND CENTER.
83
00:05:18,760 --> 00:05:19,830
OH, MY GOD.
84
00:05:19,860 --> 00:05:21,890
RITA, I‐‐
85
00:05:21,930 --> 00:05:24,170
ROBBERY ON 9th STREET,
YOU TWO.
86
00:05:24,200 --> 00:05:26,040
DID I MISS SOMETHING?
87
00:05:26,060 --> 00:05:27,360
NO, NOTHING.
88
00:05:27,400 --> 00:05:29,670
Tony: WHAT’S GOING ON
WITH YOUR CASE?
89
00:05:29,700 --> 00:05:32,270
JULIAN’S STEERING IT TOWARDS
SOME GUY THAT HE BURNED‐‐
90
00:05:32,300 --> 00:05:36,500
ALDO SAN...SOMETHING‐OR‐OTHER.
NICKNAME’S THE DENTIST.
91
00:05:36,540 --> 00:05:37,840
MEDAVOY AND JONES
ARE BRINGING HIM IN.
92
00:05:37,880 --> 00:05:40,450
HOW WAS HE WHEN YOU DROPPED
HIM OFF AT SCHOOL?
93
00:05:40,480 --> 00:05:41,910
DROPPED HIM OFF
AT HOOTERS.
94
00:05:43,450 --> 00:05:45,120
HE INSISTED.
95
00:05:54,760 --> 00:05:56,390
TAKE A SEAT, ALDO.
96
00:05:56,430 --> 00:06:01,070
SO, UH, HOW’D YOU GET
THE NICKNAME THE DENTIST?
97
00:06:01,100 --> 00:06:04,430
IF THERE’S A PROBLEM,
I’LL EXTRACT IT.
98
00:06:04,470 --> 00:06:07,100
THAT’S THE STUPIDEST NICKNAME
I EVER HEARD IN MY LIFE.
99
00:06:07,140 --> 00:06:08,900
IF YOU DON’T LIKE IT,
DON’T SAY IT.
100
00:06:08,940 --> 00:06:10,540
NOW, WHAT THE HELL
AM I DOING HERE?
101
00:06:10,580 --> 00:06:11,580
YOU KNOW JULIAN PISANO?
102
00:06:11,610 --> 00:06:13,070
OH, YEAH, I KNOW JULIAN.
103
00:06:13,110 --> 00:06:14,910
HOW?
104
00:06:14,950 --> 00:06:17,590
WE WERE BUSINESS PARTNERS
FOR A LITTLE WHILE.
105
00:06:17,620 --> 00:06:19,160
HOW DID IT END?
WHY?
106
00:06:19,180 --> 00:06:20,380
’CAUSE I WANT TO KNOW,
107
00:06:20,420 --> 00:06:21,980
OR YOU WANT TO TURN
THIS INTO SOMETHING?
108
00:06:22,020 --> 00:06:23,750
[ SIGHS, CLEARS THROAT ]
109
00:06:23,790 --> 00:06:27,590
JULIAN’S GOT THIS,
UH, BIG SCHEME‐‐
110
00:06:27,630 --> 00:06:30,270
BUYING THESE EDIBLE UNDERPANTS
FROM THAILAND
111
00:06:30,290 --> 00:06:32,260
FOR BELOW COST
AND RESELL ’EM HERE.
112
00:06:32,300 --> 00:06:35,110
THEN HE TELLS ME THEY CAUGHT
SOME KIND OF A FUNGUS
113
00:06:35,130 --> 00:06:37,630
WHEN THEY WERE DOWN
IN THE SHIP’S HOLD,
114
00:06:37,670 --> 00:06:41,240
AND THEY’RE WORTHLESS,
SO I’M OUT TWO GRAND.
115
00:06:41,270 --> 00:06:43,070
HE’S A TWO‐FACED LIAR,
116
00:06:43,110 --> 00:06:45,520
AND THAT’S HOW
OUR BUSINESS DEAL ENDED.
117
00:06:45,540 --> 00:06:46,940
SOMEONE TOOK A SHOT
AT JULIAN TODAY.
118
00:06:46,980 --> 00:06:49,010
GOOD!
119
00:06:49,050 --> 00:06:52,020
IS IT STARTING TO TAKE SHAPE YET
WHY WE BROUGHT YOU IN HERE?
120
00:06:55,290 --> 00:06:57,000
OH, GIVE ME A BREAK
HERE, GUYS.
121
00:06:57,020 --> 00:06:58,020
WHERE WERE YOU TODAY?
122
00:06:58,060 --> 00:06:59,630
DID JULIAN PUT YOU
ONTO ME?
123
00:06:59,660 --> 00:07:01,290
WHERE WERE YOU?
124
00:07:01,330 --> 00:07:04,600
AT HOME ASLEEP
TILL YOU CAME KNOCKING.
125
00:07:04,630 --> 00:07:06,460
SMART GUY LIKE YOU COULD
HAVE HIRED SOMEONE
126
00:07:06,500 --> 00:07:08,440
TO DO HIS EXTRACTING FOR HIM.
127
00:07:08,470 --> 00:07:10,880
AND HIRED THEM WITH WHAT,
CUPCAKES?
128
00:07:10,900 --> 00:07:13,430
CHECK OUT
MY BANK ACCOUNT, FELLAS.
129
00:07:13,470 --> 00:07:15,300
I’M OVERDRAWN MORE
THAN 100 BUCKS.
130
00:07:15,340 --> 00:07:18,140
BESIDES, HOW AM I GONNA GET
MY TWO GRAND BACK FROM JULIAN
131
00:07:18,180 --> 00:07:20,690
IF HE’S DEAD?
132
00:07:20,710 --> 00:07:24,480
WELL, THAT’S, UH,
A VALID ARGUMENT, ALDO.
133
00:07:24,520 --> 00:07:26,290
I WON’T LIE TO YOU.
134
00:07:26,320 --> 00:07:29,160
THIS GUY HAS WASTED
ENOUGH OF MY TIME, RIGHT?
135
00:07:29,190 --> 00:07:32,460
SO HOW’S ABOUT LETTING ME
GET BACK TO MY LIFE?
136
00:07:32,490 --> 00:07:33,820
STAY REACHABLE.
137
00:07:39,900 --> 00:07:42,800
GEE, UH, JULIAN WOULDN’T BE
DICKING US AROUND, WOULD HE?
138
00:07:42,830 --> 00:07:43,900
OH, NO.
139
00:07:57,850 --> 00:07:59,850
LADY OVER HERE GOT SCAMMED
FOR 100 BUCKS.
140
00:07:59,880 --> 00:08:01,720
I TOLD HER TO FACE UP TO THE
FACT SHE’D BEEN HAD,
141
00:08:01,750 --> 00:08:03,920
BUT SHE WON’T LEAVE UNTIL
SHE TALKS TO A DETECTIVE.
142
00:08:03,960 --> 00:08:05,330
NAME’S CHRISTIE HAINES.
143
00:08:05,360 --> 00:08:07,200
THANKS.
YEAH.
144
00:08:07,230 --> 00:08:10,600
UH, MISS HAINES?
I’M DETECTIVE ORTIZ.
145
00:08:10,630 --> 00:08:12,330
MY PARTNER,
DETECTIVE McDOWELL.
146
00:08:12,360 --> 00:08:14,330
THANK YOU FOR RESPONDING.
CERTAINLY.
147
00:08:14,370 --> 00:08:16,680
ABOUT TWO HOURS AGO,
I WAS APPROACHED BY A WOMAN
148
00:08:16,700 --> 00:08:18,000
WHO SAID SHE WAS
FROM IRELAND
149
00:08:18,040 --> 00:08:20,380
GOING TO SCHOOL ON EXCHANGE
IN PHILADELPHIA.
150
00:08:20,400 --> 00:08:22,440
AS PART OF A SORORITY
HAZING PRANK,
151
00:08:22,470 --> 00:08:24,370
THEY DROPPED HER
IN THE MIDDLE OF NEW YORK
152
00:08:24,410 --> 00:08:25,670
AND TOOK HER PURSE.
153
00:08:25,710 --> 00:08:29,340
SHE WAS LOST AND HYSTERICAL,
AND I BOUGHT IT.
154
00:08:29,380 --> 00:08:31,950
HOW MUCH DID YOU GIVE HER?
$100.
155
00:08:31,980 --> 00:08:34,420
SHE TOOK MY INFORMATION,
SAYING SHE’D SEND ME THE MONEY,
156
00:08:34,450 --> 00:08:36,380
AND I WAS DRIVING HER
TO GRAND CENTRAL STATION
157
00:08:36,420 --> 00:08:39,590
WHEN SHE ASKED ME TO PULL OVER
SO SHE COULD BUY A WATER.
158
00:08:39,620 --> 00:08:41,220
SHE NEVER CAME BACK.
159
00:08:41,260 --> 00:08:42,890
YOU GAVE A DESCRIPTION TO THE
OFFICER WHO TOOK THE REPORT?
160
00:08:42,930 --> 00:08:44,240
I DID.
161
00:08:44,260 --> 00:08:46,900
OKAY, WE’LL TALK
TO THE SECTOR COPS HERE,
162
00:08:46,930 --> 00:08:49,700
SEE IF ANY OF THEM RECOGNIZE
THE GIRL OR THE SCAM.
163
00:08:49,730 --> 00:08:52,470
I’M ASSUMING THIS
IS NOT THE FIRST TIME
SHE’S PULLED THIS PRANK.
164
00:08:52,500 --> 00:08:55,040
YOU’RE PROBABLY RIGHT.
SO YOU SHOULD BE
ABLE TO FIND HER.
165
00:08:55,070 --> 00:08:56,300
WE’LL DO OUR BEST.
166
00:08:56,340 --> 00:08:58,470
WHEN YOU DO, I’D LIKE
TO HAVE A WORD WITH HER.
167
00:08:58,510 --> 00:09:01,140
FIRST THING TO DO IS GO
HOME AND WAIT TO HEAR FROM US.
168
00:09:01,180 --> 00:09:03,810
MAY I HAVE YOUR CARDS?
169
00:09:03,850 --> 00:09:07,280
MISS HAINES, WE MAY NOT BE
ABLE TO FIND THIS PERSON.
170
00:09:07,320 --> 00:09:10,420
YOU MAY JUST NEED TO CHALK IT UP
AS A LESSON AND MOVE ON.
171
00:09:10,450 --> 00:09:13,490
IN OTHER WORDS, YOU WON’T BE
PURSUING THIS INVESTIGATION.
172
00:09:13,520 --> 00:09:15,460
WE ABSOLUTELY WILL.
I’M JUST SAYING‐‐
173
00:09:15,490 --> 00:09:17,760
I DON’T NEED YOU TO PREPARE ME
FOR THE WORST, DETECTIVE.
174
00:09:17,800 --> 00:09:20,070
ALL I WANT TO KNOW
IS THAT YOU’RE ON THIS.
175
00:09:20,100 --> 00:09:21,100
WE ARE.
176
00:09:21,130 --> 00:09:22,760
THANK YOU.
177
00:09:22,800 --> 00:09:24,330
YOU SHOULD
GO HOME, MA’AM.
178
00:09:24,370 --> 00:09:26,940
NO, I’M GONNA STAY HERE
AND SEE IF I RECOGNIZE HER.
179
00:09:31,940 --> 00:09:33,680
LET’S JUST SEE
IF WE’LL FIGURE IT OUT.
180
00:09:40,350 --> 00:09:42,620
OKAY, SO...?
181
00:09:42,650 --> 00:09:45,820
WELL, WE TALKED
TO YOUR BUDDY THE DENTIST.
182
00:09:45,860 --> 00:09:46,930
OH, GOOD. ANYTHING?
183
00:09:46,960 --> 00:09:48,290
NO, ZIP.
184
00:09:48,330 --> 00:09:50,040
’CAUSE I’VE BEEN
RACKING MY BRAIN
185
00:09:50,060 --> 00:09:51,690
TRYING TO THINK
OF SOMEONE ELSE.
186
00:09:51,730 --> 00:09:53,960
WHY’D YOU LEAVE THE HOSPITAL
EVEN THOUGH WE TOLD YOU TO STAY?
187
00:09:54,000 --> 00:09:55,200
THE DOCTORS WERE FINISHED.
188
00:09:55,230 --> 00:09:57,270
WE TOLD YOU TO STAY THERE.
189
00:09:57,300 --> 00:09:59,100
WHY HAVEN’T YOU BEEN ANSWERING
YOUR CELL PHONE OR PAGER?
190
00:09:59,140 --> 00:10:01,210
I’VE BEEN IN
SOME PUBLIC AREAS.
191
00:10:01,240 --> 00:10:03,140
PERSONALLY,
I THINK IT’S VERY RUDE
192
00:10:03,170 --> 00:10:05,710
WHEN PEOPLE TALK ON
A CELL PHONE AROUND OTHERS.
193
00:10:05,740 --> 00:10:08,380
WE DUMPED YOUR CELL, SAW WHO
YOU’VE BEEN TALKING TO TODAY.
194
00:10:08,410 --> 00:10:10,650
WHY WOULD YOU DO THAT?
’CAUSE YOU’RE YOU.
195
00:10:10,680 --> 00:10:12,550
THREE CALLS INTO
PUCCONI PLUMBING SUPPLY.
196
00:10:12,580 --> 00:10:13,950
WHAT’S THAT ALL ABOUT?
197
00:10:13,990 --> 00:10:17,300
WELL, THE GUY...
198
00:10:17,320 --> 00:10:18,690
AT THAT PLACE THERE‐‐
199
00:10:18,720 --> 00:10:20,220
HE ALSO WORKS ON CARS.
200
00:10:20,260 --> 00:10:22,690
NOW, YOU SAW MINE
ON THE STREET.
201
00:10:22,730 --> 00:10:24,740
THE WHOLE FRONT RIGHT
QUARTER PANEL’S MANGLED.
202
00:10:24,760 --> 00:10:26,030
WHOA! HEY!
HEY, COME O‐‐
203
00:10:26,060 --> 00:10:28,300
OW! COME ON!
204
00:10:28,330 --> 00:10:30,130
YOU REMEMBER WHAT I SAID
ON THE STREET?
205
00:10:30,170 --> 00:10:32,000
I’M NOT LYING TO YOU
ABOUT MY BEEF WITH THE DENTIST.
206
00:10:32,040 --> 00:10:33,080
JULIAN...
207
00:10:33,100 --> 00:10:35,170
OKAY. ALL RIGHT.
208
00:10:35,210 --> 00:10:37,850
MY WIFE USED TO WORK
AT PUCCONI’S.
209
00:10:37,880 --> 00:10:40,390
THE SON, THIS DOUCHE BAG
NAMED PETE‐‐
210
00:10:40,410 --> 00:10:41,740
I WALK IN ONE TIME,
211
00:10:41,780 --> 00:10:44,380
HE’S GOT ROBERTA CORNERED
IN THE STOCK ROOM.
212
00:10:44,420 --> 00:10:46,360
SO I FIND OUT
213
00:10:46,380 --> 00:10:48,380
THAT HE’S BEEN MAKING
INAPPROPRIATE COMMENTS TO HER.
214
00:10:48,420 --> 00:10:51,350
SO I APPROACH HIM.
I CONFRONT HIM.
215
00:10:51,390 --> 00:10:54,590
HE SAYS WHAT HE SAYS,
AND IT TURNS INTO HIM CALLING
216
00:10:54,630 --> 00:10:56,330
AND HANGING UP ON ME
AT MY HOUSE.
217
00:10:56,360 --> 00:10:59,490
WHY DO YOU INSIST ON WASTING
OUR TIME EVERY TIME?
218
00:10:59,530 --> 00:11:01,430
THIS GUY PETE‐‐
HE’S KIND OF HOOKED UP.
219
00:11:01,470 --> 00:11:03,410
I CAN’T JUST SEND COPS
TO HIS DOORSTEP, OKAY?
220
00:11:03,430 --> 00:11:05,900
I’VE BEEN CALLING TO FIND OUT
IF HE’S BEHIND THIS.
221
00:11:05,940 --> 00:11:09,410
IF HE WAS, I WAS ABSOLUTELY
GONNA HAND THAT INFORMATION
222
00:11:09,440 --> 00:11:10,710
RIGHT OVER TO YOUSE.
223
00:11:10,740 --> 00:11:13,510
WHAT DID THE GUY LOOK LIKE
WHO SHOT YOU?
224
00:11:13,550 --> 00:11:16,050
I TOLD YOU, I DIDN’T GET
A GOOD LOOK AT HIS FACE.
225
00:11:16,080 --> 00:11:18,080
I SAW THE MUZZLE FLASH,
I DUCKED DOWN,
226
00:11:18,120 --> 00:11:21,060
I HEARD HIM GROAN LIKE HE’D
BEEN SHOT, THEN I HIT THE GAS.
227
00:11:21,090 --> 00:11:22,730
DID YOU SHOOT HIM?
NO!
228
00:11:22,750 --> 00:11:24,890
DON’T LIE TO ME.
WE’RE GONNA FIND OUT.
229
00:11:24,920 --> 00:11:27,260
I SWEAR!
ON YOUR MOTHER’S EYES?
230
00:11:27,290 --> 00:11:31,060
JULIAN, I DON’T GIVE A DAMN IF
YOU ARE TAKING HOLY COMMUNION.
231
00:11:31,100 --> 00:11:33,040
IF I CALL YOU ON YOUR
CELL PHONE, YOU ANSWER IT.
232
00:11:33,060 --> 00:11:34,100
DONE.
233
00:11:34,130 --> 00:11:35,630
GET OUT OF HERE.
OKAY.
234
00:11:38,970 --> 00:11:41,300
I’D LIKE TO KNOW HOW THIS GOT
TWISTED AROUND
235
00:11:41,340 --> 00:11:43,040
TO ME BEING THE BAD GUY.
236
00:11:43,070 --> 00:11:44,640
I GOT SHOT!
237
00:12:00,090 --> 00:12:01,660
MAY I HELP YOU?
238
00:12:01,690 --> 00:12:04,630
YEAH, I GOT A LITTLE SOMETHING
I NEED TO TALK TO SOMEONE ABOUT.
239
00:12:04,660 --> 00:12:07,130
YEAH, DETECTIVE JONES,
MEDAVOY.
240
00:12:07,170 --> 00:12:10,110
PAUL COOLER.
HOW’S IT GOING?
241
00:12:10,130 --> 00:12:11,930
HOW’S IT GOING?
PAUL COOLER.
242
00:12:11,970 --> 00:12:16,070
I LIVE ON A CERTAIN STREET,
SECOND FLOOR.
243
00:12:16,110 --> 00:12:18,020
GOT A VINTAGE MUSTANG
THAT I PARK IN FRONT.
244
00:12:18,040 --> 00:12:20,280
PAUL COOLER.
HOW’S IT GOING?
245
00:12:20,310 --> 00:12:22,240
ANYWAY, LATELY,
THE DICKHEAD NEIGHBORHOOD KIDS
246
00:12:22,280 --> 00:12:23,750
HAVE BEEN MESSING WITH IT.
247
00:12:23,780 --> 00:12:26,010
SO I SET UP A VIDEO CAMERA
IN THE WINDOW
248
00:12:26,050 --> 00:12:28,250
TO SEE IF I’D CATCH ONE
OF THE LITTLE BASTARDS.
249
00:12:28,290 --> 00:12:30,130
I COME HOME FROM LUNCH
AND CHECK IT,
250
00:12:30,150 --> 00:12:33,420
AND LET’S JUST SAY THERE’S
AN EVENT CAPTURED ON THE TAPE.
251
00:12:33,460 --> 00:12:34,670
WHAT KIND OF EVENT?
252
00:12:34,690 --> 00:12:37,290
THERE WAS A SHOOTING
ON 11th STREET THIS MORNING.
253
00:12:37,330 --> 00:12:38,990
YOU GOT THAT ON TAPE?
254
00:12:39,030 --> 00:12:40,460
LET’S TAKE IT SLOW.
255
00:12:40,500 --> 00:12:42,630
LET’S NOT. DID YOU CATCH
THE SHOOTING ON TAPE?
256
00:12:42,670 --> 00:12:45,710
I DID, AND I APPROACHED
A LOCAL AFFILIATE,
257
00:12:45,740 --> 00:12:47,480
AND THEY’RE EAGER
TO HAVE IT,
258
00:12:47,510 --> 00:12:48,850
BUT THEY SAID THEY’RE
LEGALLY MANDATED
259
00:12:48,870 --> 00:12:50,670
TO MAKE SURE LAW ENFORCEMENT
HAS VIEWED IT FIRST,
260
00:12:50,710 --> 00:12:52,770
AND I’M COMPLETELY COOL
WITH THAT
261
00:12:52,810 --> 00:12:54,480
AS LONG AS I RETAIN
EXCLUSIVE RIGHTS.
262
00:12:54,510 --> 00:12:57,350
DO THE TERMS "OBSTRUCTING
GOVERNMENTAL ADMINISTRATION"
263
00:12:57,380 --> 00:12:59,720
AND "HINDERING PROSECUTION"
MEAN ANYTHING TO YOU?
UH...
264
00:12:59,750 --> 00:13:03,220
Medavoy: GIVE US THE TAPE,
LET US GET OUR HANDS
ON THE SHOOTER,
265
00:13:03,250 --> 00:13:04,620
THEN YOU CAN HAVE
THE TAPE BACK.
266
00:13:04,660 --> 00:13:06,500
YEAH, OKAY.
WE COULD DO IT THAT WAY.
267
00:13:06,520 --> 00:13:09,630
IF I SEE THIS TAPE ON THE NEWS
BEFORE WE GIVE THE GREEN LIGHT,
268
00:13:09,660 --> 00:13:11,790
WE’RE GONNA COME DOWN
ON YOU LIKE A TON OF BRICKS.
269
00:13:11,830 --> 00:13:12,830
DO YOU UNDERSTAND?
270
00:13:12,860 --> 00:13:14,730
YEAH.
GIVE ME THE TAPE.
271
00:13:17,400 --> 00:13:19,570
CHECK IT OUT.
272
00:13:19,600 --> 00:13:21,170
THERE’S MY INFORMATION
THERE.
273
00:13:21,210 --> 00:13:24,520
Tony: I’LL GIVE THE HEADS‐UP
TO ANDY AND JOHN.
274
00:13:24,540 --> 00:13:25,910
SO THAT’S IT, THEN?
275
00:13:25,940 --> 00:13:28,310
WAIT TO HEAR FROM US.
276
00:13:28,350 --> 00:13:29,250
ALL RIGHTY.
277
00:13:33,220 --> 00:13:35,730
MISS HAINES. HI.
HOW ARE YOU?
278
00:13:35,750 --> 00:13:37,920
FINE. HOW’S IT
GOING WITH MY CASE?
279
00:13:37,960 --> 00:13:39,700
WE HAVE CALLS OUT
TO SPECIAL FRAUDS.
280
00:13:39,720 --> 00:13:42,160
WE PUT A DESCRIPTION OF
THE WOMAN WHO TOOK YOUR MONEY
281
00:13:42,190 --> 00:13:43,930
OUT OVER THE AIR.
EVERYTHING WE CAN.
282
00:13:43,960 --> 00:13:46,360
SINCE SHE WANTED TO BE DROPPED
OFF IN THAT NEIGHBORHOOD,
283
00:13:46,400 --> 00:13:48,940
I’M ASSUMING SHE LIVED THERE,
SO AFTER YOU LEFT,
284
00:13:48,970 --> 00:13:50,840
I ASKED SOME PEOPLE
WHO WERE WALKING BY
285
00:13:50,870 --> 00:13:52,500
IF THEY KNEW THIS WOMAN,
286
00:13:52,540 --> 00:13:55,850
AND A MAN SAID THAT IT
SOUNDED LIKE CARLEY.
287
00:13:55,870 --> 00:13:57,740
SO PERHAPS YOU
COULD RUN THAT NAME
288
00:13:57,780 --> 00:13:59,350
THROUGH YOUR COMPUTER‐‐
CARLEY.
289
00:13:59,380 --> 00:14:01,450
WE WILL.
290
00:14:01,480 --> 00:14:04,850
I JUST THINK IT IS RIDICULOUS
THAT THERE ARE CON ARTISTS
291
00:14:04,880 --> 00:14:06,510
RUNNING AROUND TAKING
ADVANTAGE OF PEOPLE
292
00:14:06,550 --> 00:14:08,220
AND THAT’S
JUST THE WAY IT IS.
293
00:14:08,250 --> 00:14:11,920
IT’S‐‐
IT’S JUST NOT RIGHT.
294
00:14:11,960 --> 00:14:14,030
WELL, WE’RE DOING EVERYTHING
WE CAN, MA’AM.
295
00:14:14,060 --> 00:14:15,620
SHOULDN’T I BE LOOKING
AT MUG SHOTS?
296
00:14:15,660 --> 00:14:17,730
IF YOU’D LIKE.
I WOULD.
297
00:14:17,760 --> 00:14:19,760
LET’S GO UP TO ANTICRIME.
WE’LL GET YOU SITUATED.
298
00:14:19,800 --> 00:14:21,130
IT’S UP THOSE STAIRS.
299
00:14:31,510 --> 00:14:33,210
WHERE YOU BEEN TODAY, AL?
300
00:14:33,240 --> 00:14:34,740
HOME.
301
00:14:34,780 --> 00:14:38,580
FIND YOURSELF OVER ON
11th STREET AT ANY TIME?
302
00:14:38,620 --> 00:14:40,490
NO, I WAS HOME ALL DAY.
303
00:14:40,520 --> 00:14:42,420
YOU KNOW A JULIAN PISANO?
304
00:14:42,450 --> 00:14:43,620
NO, I DON’T.
305
00:14:43,660 --> 00:14:45,330
RAN YOUR MUG PAST O. C. C. B.
306
00:14:45,360 --> 00:14:47,300
THEY SAY YOU USED TO BE
A BUTTON MAN.
307
00:14:47,330 --> 00:14:51,100
YEAH, WELL, THAT WAS A LONG TIME
AGO, AND THAT WAS JUST RUMORS.
308
00:14:51,130 --> 00:14:53,160
[ CHUCKLES SOFTLY ]
309
00:14:53,200 --> 00:14:56,110
YOU RAN MY MUG? WHAT DO YOU
MEAN, YOU RAN MY MUG?
310
00:14:56,130 --> 00:14:57,430
THIS GUY ON 11th STREET
311
00:14:57,470 --> 00:14:59,670
HAD HIS VIDEO CAMERA TRAINED
ON THE STREET TODAY.
312
00:15:09,880 --> 00:15:12,010
OHH!
313
00:15:12,050 --> 00:15:13,850
[ TIRES SQUEAL ]
314
00:15:13,890 --> 00:15:15,360
OH,
YOU GOTTA BE KIDDING ME.
315
00:15:15,390 --> 00:15:18,460
WHO HIRED YOU TO TRY
AND KILL JULIAN?
316
00:15:18,490 --> 00:15:19,960
SEE, THAT’S
MY LUCK RIGHT THERE.
317
00:15:19,990 --> 00:15:22,460
DO YOU WANT TO SPEND
THE REST OF YOUR LIFE IN JAIL?
318
00:15:22,490 --> 00:15:23,160
START TALKING.
319
00:15:26,000 --> 00:15:29,040
THESE TWO IDIOTS,
A COUPLE OF MORONS‐‐
320
00:15:29,070 --> 00:15:30,710
THEY WANT THIS GUY
JULIAN DEAD.
321
00:15:30,740 --> 00:15:34,280
I NEEDED THE MONEY,
SO I COME OUT OF RETIREMENT.
322
00:15:34,310 --> 00:15:37,320
MAKES ME AS BIG AN IDIOT
AS THOSE TWO, I GUESS.
323
00:15:37,340 --> 00:15:39,940
AFTER I FIRED THE FIRST SHOT,
MY FREAKIN’ BACK LOCKS UP.
324
00:15:39,980 --> 00:15:41,340
I COULD BARELY GET BACK
TO THE CAR.
325
00:15:41,380 --> 00:15:44,110
WHO HIRED YOU?
THIS GUY PETE PUCCONI.
326
00:15:44,150 --> 00:15:46,150
HE’S GOT AN I.Q.
LIKE A BALL OF TWINE.
327
00:15:46,180 --> 00:15:47,480
AND THE OTHER GUY?
328
00:15:47,520 --> 00:15:49,850
A BROAD‐‐
THIS GUY JULIAN’S WIFE.
329
00:15:49,890 --> 00:15:53,790
JULIAN’S WIFE WAS IN
ON TRYING TO GET HIM WHACKED?
330
00:15:53,830 --> 00:15:56,640
YEAH, HER AND PETE‐‐
THEY’VE BEEN BANGING EACH OTHER.
331
00:15:56,660 --> 00:15:59,130
FROM WHAT I GATHERED,
THEY WANTED JULIAN TAKEN OUT
332
00:15:59,160 --> 00:16:01,630
SO THAT SHE COULD GET
THE INSURANCE AND THE KIDS.
333
00:16:01,670 --> 00:16:06,340
LIKE I SAID, HER AND PETE‐‐
THEY’RE A COUPLE OF MORONS.
334
00:16:06,370 --> 00:16:08,300
I WAS JUST TOO DESPERATE
TO TURN THE WORK DOWN.
335
00:16:08,340 --> 00:16:09,740
WHO PAID?
336
00:16:09,770 --> 00:16:12,840
PETE GAVE ME FIVE GRAND
UP FRONT.
337
00:16:12,880 --> 00:16:15,490
I’M SUPPOSED TO GET THE OTHER
FIVE GRAND FROM ROBERTA
338
00:16:15,510 --> 00:16:17,480
THIS AFTERNOON
ONCE I TOOK JULIAN OUT.
339
00:16:17,520 --> 00:16:20,060
I’M SUPPOSED TO MEET HER
AT SOME BAR AT 5:00.
340
00:16:20,080 --> 00:16:21,720
DO THEY KNOW YOU BOTCHED IT
THIS MORNING?
341
00:16:21,750 --> 00:16:23,380
YEAH.
THEY TELL YOU
TO BACK OFF?
342
00:16:23,420 --> 00:16:25,650
NO,
THEY WANT ME TO FINISH IT.
343
00:16:25,690 --> 00:16:28,090
I’M TELLING YOU, THEY’RE BRAIN
DONORS, THE TWO OF THEM!
344
00:16:28,130 --> 00:16:29,700
SEE, 20 YEARS AGO,
345
00:16:29,730 --> 00:16:32,890
YOU DIDN’T HAVE TO WORRY
ABOUT BEING ARBITRARILY FILMED.
346
00:16:34,870 --> 00:16:36,270
WORLD’S CHANGED SO MUCH.
347
00:16:37,540 --> 00:16:38,780
OH, GEEZ.
348
00:16:45,810 --> 00:16:48,580
APPARENTLY, YOUR COMPLAINANT
IN THE SCAM THIS MORNING KNOWS
SOMEBODY.
349
00:16:48,610 --> 00:16:51,110
’CAUSE I JUST GOT
A CALL FROM THE CHIEF OF D's
350
00:16:51,150 --> 00:16:52,910
WANTING TO KNOW
WHAT’S BEING DONE ON IT.
351
00:16:52,950 --> 00:16:54,720
EVERY REASONABLE THING’S
BEING DONE.
352
00:16:54,750 --> 00:16:56,180
LIKE?
353
00:16:56,220 --> 00:16:58,190
YOU REALLY WANT US TO RUN
WHAT WE’VE BEEN DOING?
354
00:16:58,220 --> 00:16:59,760
YEAH, I GOTTA GET BACK
TO HIM ON IT.
355
00:16:59,790 --> 00:17:01,590
DESCRIPTION OF THE PERP’S
OUT TO ALL SECTORS.
356
00:17:01,630 --> 00:17:03,230
WE GOT A CALL IN
TO SPECIAL FRAUDS.
357
00:17:03,260 --> 00:17:05,130
COMPLAINANT LOOK
AT MUG SHOTS?
358
00:17:05,160 --> 00:17:06,930
YEAH. NOTHING.
359
00:17:06,970 --> 00:17:09,370
I TOLD THE CHIEF THAT YOU’D
TALK TO THE COMPLAINANT,
360
00:17:09,400 --> 00:17:12,200
SEE IF SHE’S REMEMBERED ANYTHING
ELSE ABOUT THE CON ARTIST.
361
00:17:12,240 --> 00:17:14,110
THAT’S A WASTED TRIP,
LIEU.
362
00:17:14,140 --> 00:17:15,800
IT NEEDS TO HAPPEN.
363
00:17:15,840 --> 00:17:17,770
THIS IS $100
SHE GOT TAKEN FOR.
364
00:17:17,810 --> 00:17:19,810
YOU’RE GOING.
SO GO.
365
00:17:33,420 --> 00:17:35,220
[ SIGHS ]
366
00:17:35,260 --> 00:17:37,560
WHAT’S UP?
367
00:17:37,600 --> 00:17:41,440
ALL RIGHT, JULIAN,
LISTEN UP.
368
00:17:41,470 --> 00:17:44,140
I WANT YOU TO KEEP IN MIND
SOMETHING THAT WAS TOLD TO ME
369
00:17:44,170 --> 00:17:45,800
BEFORE I LEFT HOME‐‐
370
00:17:45,840 --> 00:17:48,150
MARRIAGE IS LIKE RAISING
A PIANO
371
00:17:48,170 --> 00:17:51,340
UP TO AN EIGHTH‐FLOOR
APARTMENT.
372
00:17:51,380 --> 00:17:53,480
YOU PUT EVERYTHING
YOU GOT INTO IT,
373
00:17:53,510 --> 00:17:57,810
BUT IF THE LINE SNAPS AND THAT
THING STARTS HEADING SOUTH,
374
00:17:57,850 --> 00:18:00,080
RUN FOR YOUR LIFE.
375
00:18:00,120 --> 00:18:01,480
YEAH.
376
00:18:01,520 --> 00:18:02,850
OKAY.
377
00:18:02,890 --> 00:18:05,330
AND THIS CONVERSATION
IS HEADED WHERE?
378
00:18:05,360 --> 00:18:07,030
WE FOUND THE GUY
WHO TRIED TO TAKE YOU OUT.
379
00:18:07,060 --> 00:18:08,320
WHO IS HE?
380
00:18:08,360 --> 00:18:10,290
HE WAS HIRED
BY PETE PUCCONI.
381
00:18:10,330 --> 00:18:12,790
THAT MOTHER‐‐
OH, HE’S GONNA GET HIS.
382
00:18:12,830 --> 00:18:14,930
I’M TELLING YOU,
HE’S GONNA GET HIS.
383
00:18:14,970 --> 00:18:17,210
YOUR WIFE
WAS IN ON IT, TOO.
384
00:18:22,040 --> 00:18:23,300
WHAT DID YOU JUST SAY?
385
00:18:23,340 --> 00:18:25,140
HER AND PETE
WERE IN ON IT TOGETHER.
386
00:18:25,180 --> 00:18:27,490
THEY WERE TRYING TO TAKE
YOU OUT FOR YOUR INSURANCE.
387
00:18:27,510 --> 00:18:30,150
I DON’T KNOW WHERE YOU GUYS
GET YOUR INFORMATION‐‐
388
00:18:30,180 --> 00:18:31,850
IT’S THE TRUTH, JULIAN.
389
00:18:31,880 --> 00:18:34,280
I KNOW YOU DON’T WANT TO
BELIEVE IT, BUT IT’S THE TRUTH.
390
00:18:34,320 --> 00:18:35,320
YOU’RE GONNA WALK IN HERE,
391
00:18:35,350 --> 00:18:37,950
YOU’RE GONNA TELL ME
THAT MY WIFE,
392
00:18:37,990 --> 00:18:40,890
THE MOTHER OF MY KIDS‐‐
SHE WANTS ME DEAD?
393
00:18:40,930 --> 00:18:42,700
SHE’S TRYING
TO GET YOU DEAD.
394
00:18:42,730 --> 00:18:43,900
YOU THINK ABOUT IT‐‐
395
00:18:43,930 --> 00:18:46,330
FINDING HER AND PETE
IN THE STOCK ROOM
396
00:18:46,360 --> 00:18:48,530
AND HIM CALLING
AND HANGING UP?
397
00:18:48,570 --> 00:18:50,340
YOU NEVER HAD ANY SUSPICIONS
398
00:18:50,370 --> 00:18:51,770
THAT THEM TWO WERE
HAVING AN AFFAIR?
399
00:18:53,610 --> 00:18:54,910
NO.
400
00:18:54,940 --> 00:18:57,210
NO, IT’S WRONG!
BULLSHIT!
401
00:18:57,240 --> 00:18:58,540
NO! NO!
JULIAN...
402
00:18:58,580 --> 00:19:00,320
WE’RE SORRY.
403
00:19:00,340 --> 00:19:02,140
HERE, I’LL CALL HER.
WE’LL ASK HER RIGHT NOW.
404
00:19:02,180 --> 00:19:03,580
NO, YOU CAN’T.
405
00:19:03,620 --> 00:19:05,190
THEN WHAT AM I SUPPOSED
TO DO, HUH?!
406
00:19:05,220 --> 00:19:06,890
WE GOT A PLAN.
407
00:19:06,920 --> 00:19:09,180
ME AND MY WIFE‐‐
WE LOCK HORNS SOMETIMES,
408
00:19:09,220 --> 00:19:10,820
BUT THAT DOESN’T MEAN
SHE WANTS ME KILLED!
409
00:19:10,860 --> 00:19:13,430
WE’RE GONNA FIND OUT
FOR SURE,
410
00:19:13,460 --> 00:19:15,230
BUT WE NEED YOU
TO KEEP YOUR HEAD
411
00:19:15,260 --> 00:19:16,730
AND DO WHAT WE
TELL YOU TO, OKAY?
412
00:19:16,760 --> 00:19:18,860
THERE’S NO WAY.
413
00:19:18,900 --> 00:19:21,440
THERE IS NO WAY.
NO.
414
00:19:25,540 --> 00:19:26,440
THIS IS RIDICULOUS.
415
00:19:28,570 --> 00:19:30,010
YOU LOOKING FOR CHRISTIE?
416
00:19:30,040 --> 00:19:32,710
YEAH, WE’RE DETECTIVES
WITH THE 15th SQUAD.
417
00:19:32,740 --> 00:19:34,380
DO YOU KNOW WHERE SHE IS?
418
00:19:34,410 --> 00:19:37,250
YOU HAVE AN UPDATE
FOR HER OR SOMETHING?
419
00:19:37,280 --> 00:19:38,750
I’M SORRY.
420
00:19:38,780 --> 00:19:41,120
SHE AND I ARE FRIENDS, BUT
THAT WAS STUPID OF ME TO ASK.
421
00:19:41,150 --> 00:19:43,350
NO, WE DON’T HAVE
AN UPDATE.
422
00:19:43,390 --> 00:19:45,200
YOU DON’T KNOW HOW LONG
THE GUY’S GONNA GET?
423
00:19:45,220 --> 00:19:46,890
WHAT GUY?
424
00:19:46,930 --> 00:19:48,800
MAYBE WE’RE TALKING
ABOUT TWO DIFFERENT THINGS.
425
00:19:48,830 --> 00:19:50,240
I’M SORRY.
NEVER MIND.
426
00:19:50,260 --> 00:19:53,060
WHAT, UH‐‐ WHAT ARE YOU
TALKING ABOUT?
427
00:19:53,100 --> 00:19:54,610
THE DRUNK DRIVER.
428
00:19:54,630 --> 00:19:56,970
WHICH DRUNK DRIVER?
THE ONE
WHO KILLED HER SON.
429
00:19:59,270 --> 00:20:00,540
YOU’RE NOT HERE ABOUT THAT.
430
00:20:00,570 --> 00:20:03,040
NO.
431
00:20:03,070 --> 00:20:04,640
I SHOULDN’T HAVE
SAID ANYTHING.
432
00:20:04,680 --> 00:20:06,120
HOW LONG AGO
DID THIS HAPPEN?
433
00:20:06,140 --> 00:20:07,640
THREE WEEKS.
434
00:20:07,680 --> 00:20:10,210
CHRISTIE GOES TO THE CEMETERY
EVERY DAY THIS TIME USUALLY.
435
00:20:10,250 --> 00:20:12,780
THAT’S WHY I ASKED‐‐IN CASE YOU
HAD SOME NEWS I COULD PASS ON.
436
00:20:12,820 --> 00:20:15,790
HOW OLD WAS HER SON?
8.
437
00:20:15,820 --> 00:20:17,550
WAS SHE A SINGLE MOM?
YEAH.
438
00:20:17,590 --> 00:20:20,120
SHOULD I HAVE NOT SAID
ANYTHING?
439
00:20:20,160 --> 00:20:22,090
UM, NO, IT’S FINE.
440
00:20:22,130 --> 00:20:24,100
IN FACT, IT’S GOOD
THAT WE KNOW THAT NOW.
441
00:20:24,130 --> 00:20:26,600
I’M SORRY.
I’M GONNA GO INSIDE NOW.
442
00:20:35,810 --> 00:20:38,280
YOU GET JULIAN TO POSE
LIKE HE’S BEEN SHOT.
443
00:20:38,310 --> 00:20:41,110
THEN YOU TAKE THE FAKE PHOTOS
TO SHOW HIS WIFE.
444
00:20:41,150 --> 00:20:42,920
WHO’S EXPECTING
THE HIT MAN TO SHOW UP,
445
00:20:42,950 --> 00:20:44,420
BUT I’LL POSE
AS HIS BUDDY.
446
00:20:44,450 --> 00:20:46,510
WHY RISK IT?
IF THE HIT MAN’S COOPERATING,
447
00:20:46,550 --> 00:20:47,950
HAVE HIM TAKE THE PHOTOS
TO HER.
448
00:20:47,990 --> 00:20:50,930
WAY TOO UNRELIABLE.
HE’D TRY AND BOOK?
449
00:20:50,960 --> 00:20:53,630
HE’D BOOK, HE’D TIP HER OFF,
HIS FAKE TEETH WOULD FALL OUT.
450
00:20:53,660 --> 00:20:55,690
WE’LL TAKE JULIAN
AND MEET YOU IN THE ALLEY.
451
00:20:55,730 --> 00:20:58,340
YOU KNOW WHICH ONE
I’M TALKING ABOUT?
OH, YEAH.
452
00:20:58,360 --> 00:21:00,260
YOU GETTING THE BLOOD
AND THE CAMERA?
453
00:21:00,300 --> 00:21:02,500
WE’LL GET EVERYTHING.
JUST GET HIM OVER THERE.
454
00:21:02,530 --> 00:21:04,600
POOR SON OF A BITCH.
455
00:21:04,640 --> 00:21:07,810
ON THE WAY, DO YOU MIND
IF WE SWING BY MY DAD’S?
Andy: NO PROBLEM.
456
00:21:07,840 --> 00:21:10,540
I GOTTA GET OVER THERE
AND GIVE HIM A KICK IN THE ASS.
457
00:21:16,580 --> 00:21:17,580
POP!
458
00:21:20,050 --> 00:21:21,280
POP!
459
00:21:21,320 --> 00:21:22,850
MAYBE HE TOOK OFF
FOR THE WEEKEND.
460
00:21:22,890 --> 00:21:23,730
WITHOUT TELLING ME?
461
00:21:25,390 --> 00:21:27,160
WHAT’S THE MATTER?
462
00:21:27,190 --> 00:21:29,160
POP?
463
00:21:29,190 --> 00:21:30,490
POP?!
464
00:21:30,530 --> 00:21:31,390
OH...
465
00:21:32,530 --> 00:21:33,660
COME ON.
466
00:21:33,700 --> 00:21:35,500
15th SQUAD
TO CENTRAL "K"‐‐
467
00:21:35,530 --> 00:21:40,000
HAVE AN AMBULANCE AND A 4‐5
SUPERVISOR RESPOND
468
00:21:40,040 --> 00:21:43,170
TO 8412 FORDHAM ROAD
FORTHWITH.
469
00:21:43,210 --> 00:21:44,550
WE HAVE A D. O. A.
470
00:21:44,580 --> 00:21:46,920
ALL RIGHT, JOHN.
471
00:21:46,950 --> 00:21:48,020
POP...
472
00:21:48,050 --> 00:21:50,020
JOHN, COME ON.
COME ON.
473
00:21:50,050 --> 00:21:51,310
COME ON, JOHN.
474
00:21:51,350 --> 00:21:53,180
OKAY, COME ON.
475
00:21:53,220 --> 00:21:54,490
COME ON.
476
00:21:54,520 --> 00:21:56,350
IT’S OKAY.
477
00:21:56,390 --> 00:21:57,500
IT’S ALL RIGHT.
478
00:21:57,520 --> 00:21:58,590
IT’S OKAY.
479
00:21:58,620 --> 00:21:59,720
POP...
480
00:21:59,760 --> 00:22:01,020
[ SIGHS ]
481
00:22:01,060 --> 00:22:03,160
JOHN, WHERE’S YOUR DAD
KEEP HIS GUNS, HUH?
482
00:22:03,190 --> 00:22:05,730
I NEED TO GET
HIS CLEANING KIT.
483
00:22:05,760 --> 00:22:09,530
JOHN! WHERE’S HE
KEEP HIS GUNS?
484
00:22:09,570 --> 00:22:12,000
IT’S OKAY.
IT’S OKAY, JOHN.
485
00:22:12,040 --> 00:22:14,110
YOU JUST STAY THERE.
IT’S OKAY.
486
00:22:20,880 --> 00:22:22,310
OH, GOD.
487
00:22:40,770 --> 00:22:44,240
HE WAS ON THE JOB.
WE FOUND HIM LIKE THIS.
488
00:22:44,270 --> 00:22:46,940
HE WAS CLEANING HIS GUN.
IT WAS AN ACCIDENT.
489
00:22:46,970 --> 00:22:48,540
YEAH, OKAY.
490
00:22:48,570 --> 00:22:52,170
WHEN YOU TAKE HIM OUT,
I WANT HIM TREATED RESPECTFUL.
491
00:22:54,250 --> 00:22:57,260
John: I WANT
TO SEE HIM AGAIN.
Andy: JOHN...
492
00:22:57,280 --> 00:22:58,510
I WANT TO SEE HIM.
493
00:23:34,290 --> 00:23:36,700
I CAN’T BELIEVE IT.
Andy: YEAH.
494
00:23:36,720 --> 00:23:38,020
RITA WITH HIM?
YEAH.
495
00:23:38,060 --> 00:23:41,800
I’M SO PISSED OFF AT THAT GUY.
496
00:23:41,830 --> 00:23:43,470
THAT’S NOT
SCREWING YOUR SON UP.
497
00:23:43,490 --> 00:23:45,630
THAT’S NOT RIPPING
HIS LIFE APART.
498
00:23:45,660 --> 00:23:47,930
WHO KNOWS WHAT HE WAS
GOING THROUGH.
I DON’T CARE.
IT’S UNFORGIVABLE.
499
00:23:47,970 --> 00:23:49,740
WAS THERE A NOTE
OR ANYTHING?
500
00:23:51,900 --> 00:23:53,570
HE WAS CLEANING HIS GUN.
IT WAS AN ACCIDENT.
501
00:23:59,210 --> 00:24:00,210
WAS THERE A NOTE?
502
00:24:00,240 --> 00:24:02,310
NO.
503
00:24:02,350 --> 00:24:03,890
[ PAGER BEEPING ]
504
00:24:06,820 --> 00:24:08,550
MEDAVOY AND JONES
ARE WITH JULIAN.
505
00:24:08,590 --> 00:24:11,060
I’M SUPPOSED TO MEET ’EM THERE.
HAVE THEY CALLED HERE YET?
506
00:24:11,090 --> 00:24:12,520
NO.
507
00:24:12,560 --> 00:24:13,800
HAVE THEY HEARD?
508
00:24:13,830 --> 00:24:16,030
NOT FROM US.
509
00:24:16,060 --> 00:24:17,430
I GOTTA GO.
510
00:24:21,530 --> 00:24:22,730
OKAY.
511
00:24:34,610 --> 00:24:35,710
HEY...WHAT THE HELL?
512
00:24:35,750 --> 00:24:37,360
WHERE’S JULIAN?
513
00:24:37,380 --> 00:24:40,020
WE HAD NOTHING TO HOLD HIM ON,
SO WE LET HIM WALK.
514
00:24:40,050 --> 00:24:41,680
YOU DIDN’T GET
ANY OF OUR PAGES?
515
00:24:41,720 --> 00:24:44,320
IT’S CLARK’S DAD.
HE’S DEAD.
516
00:24:44,360 --> 00:24:46,930
OH, NO.
517
00:24:46,960 --> 00:24:48,020
ANDY, YOU’RE SERIOUS?
518
00:24:48,060 --> 00:24:50,560
YEAH. RITA’S OVER
WITH JOHN RIGHT NOW.
519
00:24:50,600 --> 00:24:51,900
OH, MY GOD.
520
00:24:51,930 --> 00:24:53,600
THE PRESSURE GOT TO HIM.
521
00:24:53,630 --> 00:24:56,530
WE GOTTA GET JULIAN BACK HERE.
WE HAVE TO TAKE CARE OF THIS.
522
00:24:56,570 --> 00:24:58,770
I THINK I KNOW
WHERE TO FIND HIM.
YOU GUYS WAIT HERE.
523
00:25:00,970 --> 00:25:02,440
IT’S UNBELIEVABLE.
524
00:25:24,730 --> 00:25:26,560
I UNDERSTAND WHAT
YOU’RE FEELING RIGHT NOW.
525
00:25:26,600 --> 00:25:31,130
THIS GUY TAKES MY WIFE,
TURNS HER AGAINST ME,
526
00:25:31,170 --> 00:25:33,600
TRIES TO GET ME KILLED.
527
00:25:33,640 --> 00:25:37,470
BUT THIS AIN’T A PARTICULARLY
SMART THING TO BE DOING, JULIAN.
528
00:25:37,510 --> 00:25:39,740
I WANT THIS GUY DEAD...
529
00:25:39,780 --> 00:25:42,440
BY MY HAND.
530
00:25:42,480 --> 00:25:45,210
YOU GOT TWINS.
531
00:25:45,250 --> 00:25:47,450
WHAT ARE THEY,
2 YEARS OLD NOW?
532
00:25:47,490 --> 00:25:50,060
IF YOUR WIFE GOES AWAY
FOR TRYING TO HAVE YOU KILLED
533
00:25:50,090 --> 00:25:52,120
AND YOU GO AWAY
FOR KILLING PETE,
534
00:25:52,160 --> 00:25:54,270
WHO’S GONNA TAKE CARE
OF ’EM, HMM?
535
00:26:02,330 --> 00:26:03,670
WHERE’S THE GUN, JULIAN?
536
00:26:05,940 --> 00:26:07,910
IF YOU BOLT
OUT OF THIS CAR,
537
00:26:07,940 --> 00:26:09,840
I’LL HAVE TO SHOOT YOU
IN THE BACK.
538
00:26:09,870 --> 00:26:12,170
YOU’LL NEVER GET CLOSE
TO THAT PRICK.
539
00:26:19,320 --> 00:26:20,690
IT’S IN MY POCKET.
540
00:26:30,130 --> 00:26:31,860
YOU HAVE ANY CONTACT
WITH THE SQUAD?
YEAH.
541
00:26:31,900 --> 00:26:33,370
ANYTHING FROM JOHN?
NO.
542
00:26:33,400 --> 00:26:36,470
WHO’S JOHN?
JOHN YOUR PARTNER?
543
00:26:36,500 --> 00:26:38,600
DON’T WORRY ABOUT IT.
GET ON THE GROUND.
544
00:26:38,640 --> 00:26:41,780
DO I GET SHOT IN THE FRONT
OR THE BACK OF THE HEAD?
545
00:26:41,810 --> 00:26:43,510
THE FRONT.
WE NEED TO SEE YOUR FACE.
546
00:26:43,540 --> 00:26:44,540
GOOD POINT.
547
00:26:44,580 --> 00:26:46,720
OKAY, WHAT, LIKE THIS?
548
00:26:46,750 --> 00:26:48,620
[ IMITATES GUNSHOT ]
OH!
549
00:26:48,650 --> 00:26:50,160
BLOOD, BLOOD.
I’M FALLING.
550
00:26:50,180 --> 00:26:51,880
OW. UH‐OH.
551
00:26:51,920 --> 00:26:53,060
OH! UHH!
552
00:26:56,250 --> 00:26:57,950
NEVER MARRY A STRIPPER,
553
00:26:57,990 --> 00:27:00,620
ESPECIALLY THE FULL‐NUDE ONES
THAT GIVE HAND JOBS IN THE BACK.
554
00:27:00,660 --> 00:27:03,890
THAT IS THE BEST PIECE OF FREE
ADVICE YOU’LL EVER GET, BOYS.
555
00:27:03,930 --> 00:27:05,290
HOLD STILL.
556
00:27:05,330 --> 00:27:07,500
THEY HATE MEN.
THIS IS WHAT I FOUND OUT.
557
00:27:07,530 --> 00:27:09,530
BECAUSE THEIR MAIN
CONTACT WITH US
558
00:27:09,570 --> 00:27:11,370
IS WHILE WE’RE TOSSING
DOLLARS AT ’EM
559
00:27:11,400 --> 00:27:12,670
AND STARING AT THEIR MUFFIN.
560
00:27:12,700 --> 00:27:14,040
SO THEY START TO THINK
ALL MEN ARE SUCKERS.
561
00:27:14,070 --> 00:27:15,740
MORE BLOOD.
562
00:27:15,770 --> 00:27:19,140
THAT’S WHAT I WAS TO HER‐‐
A SUCKER WITH MONEY,
563
00:27:19,180 --> 00:27:22,490
AND THEN WHEN I RAN OUT OF IT,
LOOK WHAT HAPPENED.
564
00:27:22,510 --> 00:27:24,750
JUST CLOSE YOUR EYES
AND RELAX YOUR JAW A LITTLE.
565
00:27:26,850 --> 00:27:28,320
THIS LOOK LIKE
THE REAL THING?
566
00:27:28,350 --> 00:27:29,990
YEAH.
567
00:27:30,020 --> 00:27:30,790
HOLD YOUR BREATH.
568
00:27:32,590 --> 00:27:33,920
WELL, WHATEVER.
569
00:27:35,460 --> 00:27:36,690
[ CAMERA SHUTTER CLICKS ]
570
00:27:42,630 --> 00:27:45,200
HE DID SO MUCH GOOD
FOR PEOPLE.
571
00:27:45,240 --> 00:27:47,910
HE GOT TO BE A COP.
THAT’S WHAT HE ALWAYS WANTED.
572
00:27:50,580 --> 00:27:52,920
HE GOT TO SEE YOU GROW
TO BE A GOOD MAN,
573
00:27:52,940 --> 00:27:56,180
BUT HE NEEDED TO PUT AN END
TO IT IN HIS OWN WAY.
574
00:27:56,210 --> 00:27:58,450
HE MADE HIS CHOICE,
AND IT’S DONE.
575
00:27:58,480 --> 00:28:00,380
YEAH.
576
00:28:00,420 --> 00:28:02,380
THERE’S NOTHING YOU CAN DO
IF SOMEONE WANTS THAT.
577
00:28:02,420 --> 00:28:03,790
THEY’VE THOUGHT IT THROUGH,
578
00:28:03,820 --> 00:28:07,090
AND IF HE DIDN’T SHARE
THIS WITH YOU,
579
00:28:07,130 --> 00:28:11,300
THEN...HE WAS MAKING
HIS OWN PLANS IN HIS OWN WAY.
580
00:28:11,330 --> 00:28:12,760
YEAH.
581
00:28:12,800 --> 00:28:14,470
[ SNIFFLES ]
582
00:28:18,500 --> 00:28:21,570
THIS IS A LOT IN
A SHORT TIME TO DEAL WITH,
583
00:28:21,610 --> 00:28:24,580
AND IT CAN REALLY KNOCK YOU
SIDEWAYS, JOHN.
584
00:28:24,610 --> 00:28:27,410
SO DON’T HOLD IT INSIDE.
TALK TO SOMEONE.
585
00:28:27,450 --> 00:28:29,920
[ SIGHS ]
586
00:28:29,950 --> 00:28:32,610
TALK TO ME...
587
00:28:32,650 --> 00:28:35,120
OR SOMEONE THAT WE CAN PUT
YOU IN CONTACT WITH.
588
00:28:35,150 --> 00:28:36,480
JUST DON’T BE AFRAID
OF THAT.
589
00:28:38,520 --> 00:28:40,160
THE LAST TIME I SAW HIM,
WE FOUGHT.
590
00:28:42,260 --> 00:28:44,490
YOU DID EVERYTHING
YOU COULD FOR HIM.
591
00:28:47,370 --> 00:28:50,110
I TOLD HIM TO WORRY
ABOUT HIMSELF.
592
00:28:50,130 --> 00:28:51,330
I TURNED HIM AWAY.
593
00:28:51,370 --> 00:28:52,930
DON’T DO THIS TO YOURSELF.
594
00:28:52,970 --> 00:28:54,900
THIS HAS NOTHING TO DO
WITH YOU, JOHN.
595
00:28:54,940 --> 00:28:57,740
YEAH.
596
00:28:57,780 --> 00:29:00,750
MOURN FOR HIM.
597
00:29:00,780 --> 00:29:01,980
GRIEVE FOR HIM.
598
00:29:02,010 --> 00:29:03,910
[ SNIFFLES ]
599
00:29:03,950 --> 00:29:05,510
BUT DON’T TAKE ON THE GUILT.
600
00:29:08,850 --> 00:29:10,190
YEAH.
601
00:29:30,510 --> 00:29:32,540
Valerie: WHEN’S THE MEET?
Baldwin: 4:00.
602
00:29:32,580 --> 00:29:35,350
THEY BOTH GONNA BE THERE,
JULIAN’S WIFE AND HER BOYFRIEND?
603
00:29:35,380 --> 00:29:37,150
DO YOU MIND NOT CALLING HIM
HER BOYFRIEND?
604
00:29:37,180 --> 00:29:38,710
SORRY.
605
00:29:38,750 --> 00:29:40,320
SEEING AS I’M THE HUSBAND
AND I’M RIGHT HERE.
606
00:29:40,350 --> 00:29:42,050
ALL RIGHT, JULIAN.
607
00:29:42,090 --> 00:29:44,800
GUY’S NAME IS PETE PUCCONI.
NO, HE’S NOT GONNA BE THERE.
608
00:29:44,820 --> 00:29:47,320
WHAT DO WE NEED TO HEAR ON
THE WIRE TO SOLIDIFY THE CASE?
609
00:29:47,360 --> 00:29:49,860
I’D LIKE TO HEAR HER SAY EXACTLY
WHAT THE PAYMENT IS FOR‐‐
610
00:29:49,890 --> 00:29:51,660
THE MURDER OF HER HUSBAND.
611
00:29:51,700 --> 00:29:53,540
JUST GET AS MUCH TESTIMONY
ON HER PART
612
00:29:53,570 --> 00:29:56,370
THAT SHE’S TOTALLY COMPLICIT
IN WHAT HAPPENED AND HOW.
613
00:29:56,400 --> 00:29:57,700
I’LL TAKE CARE OF IT.
614
00:29:57,740 --> 00:30:01,350
AND TRY AND HAVE HER
IMPLICATE... PETE.
615
00:30:01,370 --> 00:30:03,570
WAS THAT HARD?
Andy:
JULIAN, RELAX.
616
00:30:03,610 --> 00:30:05,870
YOU’RE ALL SET.
617
00:30:05,910 --> 00:30:08,410
YOU READY?
YEAH, LET’S GO.
618
00:30:09,450 --> 00:30:10,490
UPDATES.
619
00:30:10,510 --> 00:30:11,680
YEAH.
620
00:30:11,720 --> 00:30:13,390
HOW’S JOHN DOING?
DO WE KNOW?
621
00:30:13,420 --> 00:30:14,730
HE’S HANGING IN THERE.
622
00:30:14,750 --> 00:30:17,390
I FEEL SO BAD FOR HIM.
IT’S TERRIBLE.
623
00:30:17,420 --> 00:30:20,020
I’M SURE YOU’VE HEARD THERE
WAS A 25‐YEAR‐OLD COP
624
00:30:20,060 --> 00:30:22,860
WHO TOOK HIS OWN LIFE
LAST WEEK.
625
00:30:22,890 --> 00:30:26,360
CLARK’S DAD
WAS CLEANING HIS GUN.
626
00:30:26,400 --> 00:30:28,410
IT WAS AN ACCIDENT.
HIS PENSION STATED THE SAME.
627
00:30:28,430 --> 00:30:31,000
HIS INSURANCE STATED THE SAME‐‐
CLEANING HIS GUN.
628
00:30:31,040 --> 00:30:32,140
GOT IT.
629
00:30:54,390 --> 00:30:56,420
ROBERTA?
630
00:30:56,460 --> 00:30:57,890
WHO ARE YOU?
631
00:30:59,130 --> 00:31:00,900
A FRIEND OF AL’S.
632
00:31:00,930 --> 00:31:03,360
WHERE’S AL‐‐ IF I EVEN KNOW
WHO THAT IS?
633
00:31:03,400 --> 00:31:05,470
He’s laying low.
He sent me.
634
00:31:05,500 --> 00:31:07,200
I don’t know who you are,
so‐‐
635
00:31:07,240 --> 00:31:09,810
I JUST TOLD YOU WHO I AM,
SO LET’S CUT THE NONSENSE.
636
00:31:09,840 --> 00:31:11,110
YOU HAVE THE FIVE GRAND?
637
00:31:11,140 --> 00:31:13,370
I’M SORRY. YOU MUST HAVE
THE WRONG PERSON.
638
00:31:13,410 --> 00:31:15,440
I DON’T KNOW YOU.
I DON’T KNOW AL.
639
00:31:15,480 --> 00:31:18,480
HOW ABOUT JULIAN?
YOU KNOW HIM, RIGHT?
640
00:31:18,520 --> 00:31:19,790
KNEW HIM, ANYWAY.
641
00:31:21,090 --> 00:31:23,130
OH, MY GOD.
642
00:31:24,760 --> 00:31:26,260
NOW, WHERE’S THE MONEY?
643
00:31:26,290 --> 00:31:27,160
LET ME SEE ’IM AGAIN.
644
00:31:32,030 --> 00:31:33,130
HE’S REALLY DEAD.
645
00:31:35,030 --> 00:31:37,230
The son of a bitch
is really dead.
646
00:31:37,270 --> 00:31:39,900
OH, THIS NO‐GOOD SKANK!
I HOPE SHE FRIES.
647
00:31:39,940 --> 00:31:41,000
HEY, RELAX.
648
00:31:41,040 --> 00:31:43,170
YOU BE IN MY SHOES,
YOU TRY TO RELAX.
649
00:31:43,210 --> 00:31:45,150
WE CAN’T HEAR WHEN
YOU TALK.
650
00:31:45,180 --> 00:31:46,920
YOU’RE GONNA RIDE
THE LIGHTNING, BABY,
651
00:31:46,950 --> 00:31:48,790
AND I’M GONNA BE THERE
TO THROW THE SWITCH!
652
00:31:48,810 --> 00:31:49,910
RELAX!
653
00:31:49,950 --> 00:31:51,610
Were you there?
654
00:31:51,650 --> 00:31:52,650
Yeah.
655
00:31:52,680 --> 00:31:54,080
WAS IT QUICK?
656
00:31:54,120 --> 00:31:56,180
YEAH, A BULLET CAN TRAVEL
PRETTY FAST.
657
00:31:56,220 --> 00:31:57,350
CAN I GET THE FIVE GRAND?
658
00:32:08,630 --> 00:32:11,870
SO THAT’S IT.
HE’S GONE.
659
00:32:11,900 --> 00:32:12,870
THERE’S NO COMING BACK.
660
00:32:12,900 --> 00:32:14,540
YEAH.
661
00:32:14,570 --> 00:32:16,770
IT’S PRETTY CRAZY WHEN YOU
THINK ABOUT IT, HUH?
662
00:32:16,810 --> 00:32:18,940
SURE IS.
NO, WAIT A MINUTE, THEN GO.
663
00:32:18,980 --> 00:32:21,450
SO IT’S
NOT SUSPICIOUS.
664
00:32:21,480 --> 00:32:23,280
SIT DOWN.
665
00:32:23,310 --> 00:32:24,380
RELAX.
666
00:32:24,420 --> 00:32:26,890
DRINK YOUR BEER.
LOOK MORE CASUAL.
667
00:32:32,220 --> 00:32:35,060
HOW LONG YOU AND PETE BEEN
SEEING EACH OTHER ON THE SIDE?
668
00:32:35,090 --> 00:32:37,130
A YEAR MAYBE.
669
00:32:37,160 --> 00:32:40,760
SO, THIS IS WHAT YOU DO‐‐
KILL PEOPLE FOR A LIVING?
670
00:32:42,230 --> 00:32:44,500
SOMETHING LIKE THAT.
671
00:32:44,540 --> 00:32:46,340
LISTEN, DO I HAVE TO NOTIFY
PETE THAT JULIAN’S DEAD
672
00:32:46,370 --> 00:32:47,540
OR WILL YOU?
673
00:32:47,570 --> 00:32:50,470
NO, I’LL TELL PETE.
DON’T WORRY ABOUT IT.
674
00:32:50,510 --> 00:32:53,340
SO, HOW MANY PEOPLE
HAVE YOU KILLED?
675
00:32:53,380 --> 00:32:56,320
I DON’T KNOW.
676
00:32:56,350 --> 00:32:58,820
HOW LONG YOU AND PETE
BEEN COOKING THIS UP?
677
00:32:58,850 --> 00:33:02,220
A WHILE.
DO YOU ENJOY DOING IT?
IS IT LIKE A BIG RUSH?
678
00:33:02,250 --> 00:33:04,420
NOT EXACTLY.
679
00:33:04,460 --> 00:33:06,500
SO, YOU GOT AN INSURANCE
POLICY ON JULIAN?
680
00:33:06,520 --> 00:33:08,260
THAT WHAT THIS IS
ALL ABOUT?
681
00:33:08,290 --> 00:33:09,660
HAVE YOU EVER USED
A CHAINSAW?
682
00:33:09,690 --> 00:33:12,030
I SAW THIS THING ON THIS ONE GUY
WHO USED A CHAINSAW.
683
00:33:12,060 --> 00:33:13,530
SO NASTY.
684
00:33:13,570 --> 00:33:15,740
[ CHUCKLES SOFTLY ]
685
00:33:15,770 --> 00:33:18,380
YOU MUST NOT EVEN BAT
AN EYE ANYMORE.
686
00:33:18,400 --> 00:33:20,500
THEY’RE NOT EVEN HUMAN BEINGS
TO YOU, ARE THEY?
687
00:33:20,540 --> 00:33:21,840
WHY DON’T YOU SHUT UP
AND LEAVE?
688
00:33:21,870 --> 00:33:24,410
I APOLOGIZE.
689
00:33:24,440 --> 00:33:27,880
I’M NOT TRYING TO GET ON
SOMEONE LIKE YOU’S BAD SIDE.
690
00:33:27,910 --> 00:33:29,140
HAVE A NICE LIFE.
691
00:33:32,780 --> 00:33:33,620
SHE’S A COLLAR.
692
00:33:36,250 --> 00:33:38,150
[ VAN DOOR OPENS ]
693
00:33:43,630 --> 00:33:45,530
ALL RIGHT, ROBERTA,
IT’S OVER WITH.
694
00:33:45,560 --> 00:33:46,800
WHAT’S GOING ON?!
WHO ARE YOU?!
695
00:33:46,830 --> 00:33:48,400
THE POLICE.
LET’S TAKE IT EASY.
696
00:33:48,430 --> 00:33:50,530
STOP IT!
AAH! AAH!
697
00:33:50,570 --> 00:33:52,400
HI, SWEETHEART!
HEY, HOW YOU DOING?!
698
00:33:52,440 --> 00:33:54,210
OH, MY GOD!
699
00:33:54,240 --> 00:33:56,940
I’M BACK FROM THE DEAD,
YOU NO‐GOOD CHEESE BAG!
700
00:33:56,980 --> 00:33:59,150
BACK IN THE VAN,
JULIAN!
701
00:33:59,180 --> 00:34:01,420
BABY, I HAVE NO IDEA
WHAT THEY’RE ACCUSING ME OF!
702
00:34:01,450 --> 00:34:04,120
I WAS LISTENING IN, ROBERTA!
I HEARD EVERYTHING!
703
00:34:04,150 --> 00:34:07,150
PETE SAID HE’D KILL ME!
JULIAN, YOU GOTTA HELP ME, BABY!
704
00:34:07,190 --> 00:34:08,460
SHUT UP, BOTH OF YOU!
705
00:34:08,490 --> 00:34:10,100
I LOVE YOU!
KISS MY ASS.
706
00:34:10,120 --> 00:34:12,550
IT WAS WORTH IT, JULIAN,
707
00:34:12,590 --> 00:34:15,220
TO FINALLY GIVE MYSELF
TO A REAL MAN LIKE PETE!
708
00:34:15,260 --> 00:34:18,390
AND I GAVE HIM EVERYTHING!
IT WAS WORTH IT!
709
00:34:18,430 --> 00:34:20,530
[ CAR DOOR CLOSES ]
710
00:34:26,200 --> 00:34:27,740
ALL RIGHT, COME ON.
711
00:34:27,770 --> 00:34:28,670
COME ON.
712
00:34:37,880 --> 00:34:38,950
WHERE’S THE WIFE?
713
00:34:38,980 --> 00:34:40,650
ON HER WAY
TO CENTRAL BOOKING.
714
00:34:40,690 --> 00:34:43,330
DETECTIVES FROM THE 6‐2
ARE PICKING UP PETE PUCCONI.
715
00:34:43,350 --> 00:34:44,590
HOW YOU DOING, JULIAN?
716
00:34:44,620 --> 00:34:46,290
NEVER BETTER.
717
00:34:46,320 --> 00:34:47,860
I’M SORRY FOR
WHAT YOU’VE GONE THROUGH.
718
00:34:47,890 --> 00:34:50,660
THERE’S NO SYMPATHY NEEDED,
LIEUTENANT. I’M ALIVE.
719
00:34:50,700 --> 00:34:53,370
MY NO‐GOOD BITCH OF A WIFE
IS HEADED UP THE RIVER,
720
00:34:53,400 --> 00:34:55,110
BUT I’M ALIVE.
721
00:34:55,130 --> 00:34:57,500
HALF FULL, JULIAN‐‐
THAT’S HOW TO LOOK AT IT.
722
00:34:57,540 --> 00:34:59,710
THAT’S RIGHT‐‐
NEW LEASE ON LIFE.
723
00:34:59,740 --> 00:35:00,900
NEW MAN STARTING TOMORROW.
724
00:35:05,710 --> 00:35:07,040
SO, WHY IS EVERYONE SO GLUM?
725
00:35:07,080 --> 00:35:08,810
I’M THE ONE
WHO ALMOST GOT KILLED.
726
00:35:08,850 --> 00:35:09,820
DON’T WORRY ABOUT IT.
727
00:35:09,850 --> 00:35:11,650
ANYTHING FROM JOHN?
728
00:35:11,680 --> 00:35:14,450
HE’S HEADING BACK TO HIS PLACE.
RITA’S WITH HIM.
729
00:35:14,490 --> 00:35:16,700
CHRISTIE HAINES
IS ON HER WAY UP.
730
00:35:16,720 --> 00:35:19,120
OH, MAN.
WHO’S THIS?
731
00:35:19,160 --> 00:35:22,330
THE WOMAN WHO GOT
TAKEN OFF TODAY.
732
00:35:22,360 --> 00:35:25,690
CAN I‐‐ I NEED 20 BUCKS
FROM EVERYBODY.
733
00:35:29,400 --> 00:35:31,670
WHAT’S GOING ON?
734
00:35:31,700 --> 00:35:35,700
THIS WOMAN LOST HER SON THREE
WEEKS AGO TO A DRUNK DRIVER,
735
00:35:35,740 --> 00:35:38,070
AND TODAY SHE GOT TAKEN FOR
100 BUCKS, AND I JUST‐‐
736
00:35:38,110 --> 00:35:41,080
I’M GONNA TELL HER WE FOUND
THE MONEY AND THE PERP RAN OFF.
737
00:35:41,110 --> 00:35:42,880
ANYTHING ELSE WE CAN DO
TO SELL HER?
738
00:35:42,910 --> 00:35:46,280
UM...CAN‐‐ CAN ONE OF YOU GUYS
PLAY THE PERP’S BOYFRIEND?
739
00:35:51,220 --> 00:35:53,660
RIGHT HERE.
I’LL DO IT.
740
00:35:53,690 --> 00:35:55,190
YOU SURE YOU’RE
UP FOR IT?
741
00:35:55,230 --> 00:35:56,700
ABSOLUTELY.
742
00:35:56,730 --> 00:35:59,660
CONSIDER IT
A TOKEN OF MY THANKS.
743
00:35:59,700 --> 00:36:02,530
YEAH, ALL RIGHT.
COME IN THE COFFEE ROOM.
744
00:36:02,570 --> 00:36:03,610
WHAT DO I DO?
745
00:36:03,640 --> 00:36:04,740
I’LL FILL YOU IN.
746
00:36:04,770 --> 00:36:06,100
MAKE HIM A HUSBAND.
747
00:36:06,140 --> 00:36:07,110
YEAH, RIGHT.
748
00:36:09,270 --> 00:36:11,770
HAVE WE HEARD ANYTHING ABOUT
THE FUNERAL ARRANGEMENTS?
749
00:36:11,810 --> 00:36:13,370
I HAVEN’T.
750
00:36:13,410 --> 00:36:15,180
I’D LIKE TO NOTIFY THE BOROUGH
SO PEOPLE CAN SEND FLOWERS.
751
00:36:15,210 --> 00:36:17,280
I DON’T KNOW
ANYTHING YET, JOHN.
752
00:36:19,650 --> 00:36:21,550
MISS HAINES.
HOW ARE YOU?
753
00:36:21,590 --> 00:36:23,530
FINE. WHAT’S GOING ON
WITH MY CASE?
754
00:36:23,560 --> 00:36:24,760
REALLY GOOD NEWS‐‐
755
00:36:24,790 --> 00:36:26,590
WE FOUND THE WOMAN
WHO RAN THAT GAME ON YOU.
756
00:36:26,630 --> 00:36:28,370
OH, MY GOD.
I DON’T BELIEVE IT.
757
00:36:28,390 --> 00:36:29,630
SHE WAS WITH HER HUSBAND.
758
00:36:29,660 --> 00:36:32,930
WE CAUGHT THE HUSBAND,
AND HE HAD THE MONEY ON HIM.
759
00:36:32,960 --> 00:36:36,060
WHERE IS HE?
WE HAVE HIM IN A ROOM.
760
00:36:36,100 --> 00:36:39,270
HIS WIFE GOT AWAY, BUT WE’RE
STILL ACTIVELY LOOKING FOR HER.
761
00:36:39,300 --> 00:36:40,570
THANK YOU.
762
00:36:40,610 --> 00:36:42,580
SO NOW WE’RE GONNA
GO IN THE ROOM,
763
00:36:42,610 --> 00:36:44,720
AND THE HUSBAND IS GONNA
GIVE YOU YOUR MONEY BACK
764
00:36:44,740 --> 00:36:46,540
AND APOLOGIZE.
765
00:36:46,580 --> 00:36:48,110
OKAY. YEAH.
766
00:36:48,150 --> 00:36:49,820
RIGHT THIS WAY.
767
00:36:56,020 --> 00:36:56,920
[ KNOCK ON DOOR ]
768
00:37:07,970 --> 00:37:09,810
Andy: DO YOU HAVE SOMETHING
TO GIVE THE LADY?
769
00:37:11,640 --> 00:37:13,510
MA’AM?
770
00:37:13,540 --> 00:37:15,810
I WOULD LIKE TO APOLOGIZE
FOR MY WIFE’S BEHAVIOR.
771
00:37:17,310 --> 00:37:20,880
AS A RESULT, ME AND HER
WILL BE PARTING WAYS.
772
00:37:25,350 --> 00:37:26,880
THERE YOU HAVE IT.
773
00:37:30,050 --> 00:37:32,620
MAY I SAY SOMETHING?
774
00:37:32,660 --> 00:37:33,970
GO AHEAD.
775
00:37:36,800 --> 00:37:38,940
IT’S NOT THE MONEY.
776
00:37:38,960 --> 00:37:40,460
IT’S THE TRUST.
777
00:37:40,500 --> 00:37:42,730
THAT IS WHAT YOU STEAL
FROM PEOPLE.
778
00:37:44,500 --> 00:37:47,840
THINGS HAVE HAPPENED
IN MY LIFE,
779
00:37:47,870 --> 00:37:52,040
BUT I HAVE HELD
ON TO MY FAITH AND MY TRUST
780
00:37:52,080 --> 00:37:56,960
AND MY BELIEF IN OTHER PEOPLE,
AND IT HAS NOT BEEN EASY,
781
00:37:56,980 --> 00:38:01,150
AND YOU AND YOUR WIFE TRIED
TO STEAL THE REST OF IT FROM ME.
782
00:38:01,190 --> 00:38:02,890
BUT YOU DIDN’T.
783
00:38:04,560 --> 00:38:07,870
I STILL HAVE SOME LEFT
THAT YOU CAN’T TAKE,
784
00:38:07,890 --> 00:38:09,090
THAT NO ONE CAN TAKE.
785
00:38:11,600 --> 00:38:13,870
I WANT YOU BOTH
TO KNOW THAT.
786
00:38:13,900 --> 00:38:17,400
MA’AM, MY WIFE AND HER ACTIONS
AREN’T WORTH YOUR TIME.
787
00:38:17,440 --> 00:38:19,240
THEY’RE NOT EVEN
WORTH YOUR WORRY.
788
00:38:19,270 --> 00:38:21,570
I’M THE ONE WHO’S HAD
HIS TRUST STOLEN.
789
00:38:21,610 --> 00:38:23,750
EVEN THOUGH I HAVE TO SAY
790
00:38:23,780 --> 00:38:27,150
SHE SEEMED LIKE A...
NICE PERSON WHEN WE MET,
791
00:38:27,180 --> 00:38:28,340
AND I, UH...
792
00:38:32,920 --> 00:38:35,590
I REA‐‐ I LOVED HER.
793
00:38:35,620 --> 00:38:36,850
[ CRYING ]
794
00:38:36,890 --> 00:38:39,020
OH, PLEASE DON’T
DO THAT, OKAY?
795
00:38:39,060 --> 00:38:41,100
YOUR WIFE GAVE ME
THE FAKE TEARS, TOO,
796
00:38:41,130 --> 00:38:42,600
AND I FIND IT VERY
OFFENSIVE.
797
00:38:42,630 --> 00:38:44,600
[ CRYING ]
798
00:38:44,630 --> 00:38:47,060
PLEASE DON’T DO THAT.
799
00:38:47,100 --> 00:38:49,600
Connie: COME ON,
MISS HAINES. LET’S GO.
800
00:38:57,980 --> 00:39:00,720
IT’LL BE‐‐
IT’LL BE ALL RIGHT.
801
00:39:05,580 --> 00:39:07,150
[ WHIMPERING ]
802
00:39:38,320 --> 00:39:40,560
IS IT FROM YOUR DAD?
803
00:39:40,590 --> 00:39:41,490
YEAH.
804
00:39:51,330 --> 00:39:53,430
DO YOU WANT TO WATCH IT
RIGHT NOW OR WAIT?
805
00:39:53,460 --> 00:39:54,330
NOW.
806
00:39:57,540 --> 00:39:59,080
ARE YOU SURE YOU WANT
TO BE ALONE?
807
00:39:59,100 --> 00:40:00,000
YEAH.
808
00:40:01,270 --> 00:40:02,570
OKAY.
809
00:40:02,610 --> 00:40:04,180
OKAY.
810
00:40:04,210 --> 00:40:06,270
CALL ME
IF YOU NEED ANYTHING.
811
00:40:06,310 --> 00:40:07,780
ALL RIGHT.
812
00:40:07,810 --> 00:40:09,510
I’M SO SORRY.
813
00:40:09,550 --> 00:40:11,180
I’LL CALL YOU LATER.
814
00:40:17,120 --> 00:40:19,020
JOHN...
815
00:40:19,060 --> 00:40:21,130
[ CHUCKLES SOFTLY ]
816
00:40:21,160 --> 00:40:24,960
THIS IS A LITTLE STRANGE FOR
ME, AS I’M SURE IT IS FOR YOU.
817
00:40:25,000 --> 00:40:30,310
SO FORGIVE ME IF I FUMBLE
AROUND HERE A LITTLE BIT.
818
00:40:30,330 --> 00:40:32,630
YOU KNOW HOW MUCH
I LOVED YOUR MOM.
819
00:40:32,670 --> 00:40:35,300
SHE WAS EVERYTHING TO ME.
820
00:40:35,340 --> 00:40:38,970
WHEN SHE PASSED, I DIDN’T
THINK I COULD GO ON,
821
00:40:39,010 --> 00:40:41,380
BUT WHAT KEPT ME HERE
WAS YOU.
822
00:40:41,410 --> 00:40:45,880
THAT’S WHAT I LIVED FOR...
823
00:40:45,920 --> 00:40:49,460
MAKING SURE THAT YOU GREW UP
TO BE THE BEST MAN YOU COULD,
824
00:40:49,490 --> 00:40:50,600
AND YOU HAVE.
825
00:40:53,060 --> 00:40:55,870
AND I’M SO PROUD OF YOU.
826
00:40:55,890 --> 00:40:59,560
I HAVEN’T FELT RIGHT
SINCE YOUR MOM DIED.
827
00:40:59,600 --> 00:41:02,830
THINGS ARE FALLING APART
MORE AND MORE.
828
00:41:02,870 --> 00:41:05,240
IT’S HARDER TO GET UP
IN THE MORNING.
829
00:41:05,270 --> 00:41:07,670
IT’S HARDER TO FIT IN...
830
00:41:07,710 --> 00:41:09,650
FIND MEANING.
831
00:41:09,670 --> 00:41:11,570
I’VE LOOKED AT WHAT LAY
AHEAD FOR ME,
832
00:41:11,610 --> 00:41:13,540
AND I DON’T WANT IT.
833
00:41:13,580 --> 00:41:19,150
I HAVE DONE WRONG BY YOU,
JOHN.
834
00:41:19,180 --> 00:41:22,850
I’VE MADE MISTAKES,
AND I’VE DUMPED THINGS ON YOU
835
00:41:22,890 --> 00:41:25,700
THAT NO SON
SHOULD HAVE TO DEAL WITH.
836
00:41:25,720 --> 00:41:30,260
THE MISTAKES THAT...
BREAK YOUR SPIRIT...
837
00:41:30,290 --> 00:41:33,730
KILL YOUR HOPES ARE THE ONES
YOU CAN’T RECTIFY.
838
00:41:33,770 --> 00:41:38,380
EITHER WAY, MY JOB
RAISING YOU IS DONE.
839
00:41:38,400 --> 00:41:42,400
I JUST WANT TO HAVE SOME PEACE
AND BE WITH YOUR MOM.
840
00:41:42,440 --> 00:41:44,110
I’M SORRY.
841
00:41:46,580 --> 00:41:47,880
I KNOW THIS IS WRONG...
842
00:41:50,280 --> 00:41:53,450
BUT I JUST DON’T HAVE ANY FIGHT
LEFT IN ME ANYMORE.
843
00:41:54,920 --> 00:41:57,620
I LOVE YOU.
844
00:41:57,660 --> 00:42:00,130
KEEP MAKING ME PROUD.
845
00:42:54,550 --> 00:42:58,360
[ CLASSICAL MUSIC PLAYS ]
61799
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