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PREVIOUSLY ON "NYPD BLUE"...
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JOHNNY, I'VE ALWAYS LOVED YOU.
YOU'RE MY SON.
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00:00:07,570 --> 00:00:08,870
I LOVE YOU, TOO.
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00:00:08,900 --> 00:00:10,700
CAN WE LEAVE IT AT THAT?
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OKAY.
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00:00:12,200 --> 00:00:14,840
I'M NOT TRYING TO GET US
AHEAD OF OURSELVES.
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HOWEVER LONG THIS LASTS,
I JUST WANT TO ENJOY IT.
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00:00:17,870 --> 00:00:19,100
THAT'S GOOD FOR ME.
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00:00:30,040 --> 00:00:32,070
CAN YOU STAY AWHILE?
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00:00:32,100 --> 00:00:34,470
I'LL STAY AS LONG
AS YOU NEED.
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00:00:36,240 --> 00:00:38,870
ME AND CONNIE ARE TAKING THEO
TO DISNEY WORLD,
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00:00:38,900 --> 00:00:41,540
SO IF THERE'S ANY COMMENTS,
ANY BALL‐BUSTING,
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00:00:41,570 --> 00:00:44,270
ANYBODY GOT A PROBLEM WITH IT,
GET IT OUT NOW.
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HAVE A GOOD TIME.
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00:00:58,370 --> 00:00:59,500
MORNING, JOHN.
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00:00:59,540 --> 00:01:02,270
WELCOME BACK, DETECTIVE.
HOW WAS THE TRIP?
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GOOD.
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DID THEO HAVE FUN?
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00:01:04,940 --> 00:01:06,840
HE WANTED TO MOVE THERE.
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HERE. HE INSISTED.
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DON'T FEEL OBLIGATED
TO WEAR THEM.
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I HAVEN'T HAD MICKEY EARS
SINCE I WAS 4!
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THAT'S MOST RATIONAL PEOPLE.
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TELL THEO IT WAS SO SWEET OF HIM
TO THINK OF ME.
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00:01:16,940 --> 00:01:19,670
YOU KNOW WHAT?
I'LL WRITE HIM A NOTE.
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00:01:19,700 --> 00:01:21,900
HE'LL GET A KICK
OUT OF THAT.
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UH, YOU CAN LOSE THE EARS
NOW.
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ANDY, WELCOME BACK.
HOW WAS YOUR TRIP?
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GOOD.
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I GOT THIS ON THE WAY IN ‐‐
MISSING KID.
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MOM'S AT THE APARTMENT ‐‐
1st AND 4th.
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WHERE'S McDOWELL?
33
00:01:34,270 --> 00:01:35,840
ON HER WAY IN, I GUESS.
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00:01:35,870 --> 00:01:38,240
PAGE HER AND THE OTHERS.
HAVE THEM RESPOND.
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GOOD TO HAVE YOU BACK.
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THANKS.
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THE MAN RETURNS.
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THUMBS UP, SIPOWICZ.
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WHAT'S THAT SUPPOSED
TO MEAN?
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I DON'T KNOW, DETECTIVE.
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KEEP THOSE HID.
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HEY.
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HEY.
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WELCOME BACK.
THANKS.
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HAD A GOOD TRIP?
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YEAH.
YOU TALK TO THE MOM?
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I JUST WALKED IN.
NAME'S CATHERINE LOWE.
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SON ‐‐ SCOTT, 12 YEARS OLD.
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00:02:16,770 --> 00:02:19,540
HIS BED WASN'T SLEPT IN.
HE'S NEVER RUN AWAY BEFORE.
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00:02:19,570 --> 00:02:22,200
ANY CHANCE HE MADE THE BED
AND DUCKED OUT EARLY?
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SHE SAYS IT DOESN'T HAPPEN.
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00:02:23,700 --> 00:02:24,840
WHERE'S EVERYBODY ELSE?
53
00:02:24,870 --> 00:02:27,040
JONES AND MEDAVOY STARTED A
SEARCH OF THE BUILDING.
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STILL WAITING ON McDOWELL
AND ORTIZ.
55
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DETECTIVES SIPOWICZ
AND CLARK, MRS. LOWE.
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00:02:32,570 --> 00:02:34,570
WHEN WAS THE LAST TIME
YOU SAW YOUR SON?
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LAST NIGHT BEFORE I WENT OUT ‐‐
8:00, I GUESS.
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00:02:36,900 --> 00:02:38,040
WHERE'D YOU GO?
59
00:02:38,070 --> 00:02:39,870
O'DELL'S ‐‐
MET MY GIRLFRIENDS.
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00:02:39,900 --> 00:02:41,540
WHAT TIME DID YOU
COME HOME?
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ABOUT 2:00.
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00:02:42,740 --> 00:02:44,700
IT'S NORMAL
YOU DON'T CHECK ON HIM?
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I DIDN'T WANT TO WAKE HIM.
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00:02:46,200 --> 00:02:48,770
WERE YOU IN ANY KIND
OF ARGUMENT WITH YOUR SON?
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00:02:48,800 --> 00:02:50,170
WAS HE BEING DISCIPLINED?
66
00:02:50,200 --> 00:02:51,340
NO.
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00:02:51,370 --> 00:02:53,340
HE'S DRINKING
OR DOING DRUGS AT ALL?
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00:02:53,370 --> 00:02:55,400
NOTHING LIKE THAT.
HE'S A COMPUTER KID.
69
00:02:55,440 --> 00:02:57,700
DOES ANYBODY ELSE HAVE ACCESS
TO YOUR PLACE?
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00:02:57,740 --> 00:03:00,500
IS THERE ANYPLACE YOU CAN THINK
OF HE MIGHT HAVE GONE?
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00:03:00,540 --> 00:03:03,070
MAYBE HE'S AT THE DWYERS'.
MAYBE HIS FATHER TOOK HIM.
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I DON'T KNOW, 'CAUSE NOBODY'S
ANSWERING THEIR DAMN PHONE.
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WE'LL LOOK INTO IT.
WHERE'S HIS FATHER LIVE?
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PARK SLOPE.
75
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IF HE TOOK SCOTT, YOU TELL HIM
I WILL KILL HIM.
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SO THINGS AREN'T GOOD
BETWEEN YOU?
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A BAD DIVORCE.
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00:03:15,770 --> 00:03:17,070
AND THE DWYERS?
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00:03:17,100 --> 00:03:19,370
THAT'S SCOTT'S FRIEND JAKE.
THEY LIVE NEARBY.
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00:03:19,400 --> 00:03:22,340
WHY DON'T YOU WRITE DOWN THEIR
PHONE AND ADDRESS ‐‐
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00:03:22,370 --> 00:03:23,700
THE DWYERS AND YOUR EX?
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AND ANY OTHER PLACE
YOU THINK WE SHOULD LOOK.
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00:03:26,370 --> 00:03:28,040
LET'S CATCH UP McDOWELL.
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HEY.
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00:03:30,600 --> 00:03:32,170
CONNIE, WELCOME BACK.
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00:03:32,200 --> 00:03:33,940
THANKS.
HOW'S IT LOOKING?
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KID'S NEVER RUN OFF.
THEY WEREN'T IN A FIGHT.
88
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AND CAN'T FIND THE DIVORCED DAD.
HE'S FIRST STOP.
89
00:03:39,740 --> 00:03:42,540
MEANTIME, GET UNIFORM ON
SEARCHING THE AREA ‐‐
90
00:03:42,570 --> 00:03:43,940
VACANT LOTS, BASEMENTS.
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00:03:43,970 --> 00:03:45,200
WE'D BETTER, YEAH.
92
00:03:48,600 --> 00:03:50,170
WHAT IS IT, PAL?
93
00:03:50,200 --> 00:03:51,700
HOW WAS FLORIDA?
94
00:03:51,740 --> 00:03:53,500
SO THE WORLD KNOWS?
95
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GOT AROUND.
96
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FLORIDA WAS FINE, PAL.
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00:03:56,740 --> 00:03:58,270
NOW EXPLAIN THAT SMIRK.
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ANDY...YOU'RE MY HERO.
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‐‐Captions by VITAC‐‐
www.vitac.com
100
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CLOSED CAPTIONING BROUGHT TO YOU
BY ABC, INC.,
20th CENTURY FOX TELEVISION
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AND TOYOTA.
GET THE FEELING.
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ANYTHING?
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NO ONE IN THE AREA
HAD SEEN THE KID.
104
00:05:20,900 --> 00:05:23,600
NONE OF THE NEIGHBORS SAW
ANYTHING OUT OF THE ORDINARY.
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ANY LUCK FINDING
THE DAD?
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NO ONE ANSWERED
AT HIS HOUSE,
107
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AND APPARENTLY,
HE'S TAKING A DAY OFF WORK.
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PLANNED OR
SPUR‐OF‐THE‐MOMENT?
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PUT IN FOR IT
TWO WEEKS AGO.
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00:05:32,540 --> 00:05:34,440
WE'RE GONNA TALK TO HIS
CO‐WORKERS.
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TOMMY DWYER.
112
00:05:35,700 --> 00:05:39,440
I GOT A MESSAGE TO SEE
DETECTIVES CLARK OR SIPOWICZ.
113
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YEAH ‐‐ ANDY SIPOWICZ.
JOHN CLARK.
114
00:05:42,240 --> 00:05:43,800
LET'S TALK BACK HERE.
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DAD OF THE MISSING KID'S
FRIEND.
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SO THE MISSING KID'S FATHER'S
YOUR ANGLE?
FOR NOW.
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00:05:50,240 --> 00:05:53,200
I DON'T GOTTA TELL YOU WE GOTTA
COVER THESE BASES IN A HURRY.
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NO, YOU DON'T.
119
00:05:56,400 --> 00:05:58,540
WE'RE GONNA HAVE TO
MAKE THIS QUICK ‐‐
120
00:05:58,570 --> 00:06:00,240
WITH A MISSING KID
AND ALL.
121
00:06:00,270 --> 00:06:03,270
I KNOW. I WAS JUST TELLING HIM.
I'M RETIRED OFF THE JOB.
122
00:06:03,300 --> 00:06:04,440
20 YEARS, HIGHWAY 1.
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00:06:04,470 --> 00:06:06,270
YOUR SON AND SCOTT
ARE FRIENDS?
124
00:06:06,300 --> 00:06:07,570
SINCE THEY WERE LITTLE.
125
00:06:07,600 --> 00:06:09,440
HE SPEND TIME
AT YOUR APARTMENT?
126
00:06:09,470 --> 00:06:10,600
YEAH, HE COMES OVER.
127
00:06:10,640 --> 00:06:12,600
WHEN WAS THE LAST TIME
YOU SAW HIM?
128
00:06:12,640 --> 00:06:15,200
TWO DAYS AGO. ARE YOU THINKING
HE WAS KIDNAPPED?
129
00:06:15,240 --> 00:06:17,170
WE'RE STILL TRYING TO PUT IT
TOGETHER.
130
00:06:17,200 --> 00:06:18,370
HE SAYS HE COMES OVER.
131
00:06:18,400 --> 00:06:20,540
DOES THAT MEAN YOUR SON AND
SCOTT ARE CLOSE,
132
00:06:20,570 --> 00:06:21,700
OR ARE THEY JUST PALS?
133
00:06:21,740 --> 00:06:22,840
FAIRLY CLOSE, I GUESS.
134
00:06:22,870 --> 00:06:24,540
ANY CHANCE
THEY'RE TOGETHER NOW?
135
00:06:24,570 --> 00:06:25,700
NO. JAKE'S AT SCHOOL.
136
00:06:25,740 --> 00:06:27,740
I CHECKED UP
AFTER I GOT YOUR MESSAGE.
137
00:06:28,600 --> 00:06:31,070
YOU'RE NOT THINKING THIS IS
WORSE THAN KIDNAPPING.
138
00:06:31,100 --> 00:06:32,900
WE'RE JUST GETTING
OFF THE GROUND.
139
00:06:32,940 --> 00:06:34,870
WHAT DO YOU KNOW
ABOUT SCOTT'S FAMILY?
140
00:06:34,900 --> 00:06:36,540
UH...THE MOM'S
A LITTLE ROUGH.
141
00:06:36,570 --> 00:06:39,100
I MEAN, I DON'T WANT TO SAY
NOTHING BAD AGAINST HER.
142
00:06:39,140 --> 00:06:40,270
HEY, A KID IS MISSING.
143
00:06:40,300 --> 00:06:42,070
YOU GOT SOMETHING,
LET'S HEAR IT.
144
00:06:42,100 --> 00:06:46,070
SCOTT WASN'T EXACTLY THRILLED
WITH HIS HOME LIFE.
145
00:06:46,100 --> 00:06:47,340
SPECIFICALLY?
146
00:06:47,370 --> 00:06:48,740
CATHY ISN'T AROUND A LOT,
147
00:06:48,770 --> 00:06:50,900
AND HER ATTENTIONS
ARE ON OTHER THINGS ‐‐
148
00:06:50,940 --> 00:06:52,600
YOU KNOW,
HAVING A GOOD TIME.
149
00:06:52,640 --> 00:06:54,570
SCOTT WANTED TO LIVE
WITH HIS DAD.
150
00:06:54,600 --> 00:06:55,740
YEAH, WE HEARD THAT.
151
00:06:55,770 --> 00:06:57,940
BUT I THINK HE WAS READY
TO MAKE THE JUMP
152
00:06:57,970 --> 00:06:59,940
AND HIS DAD
WAS READY TO TAKE HIM.
153
00:06:59,970 --> 00:07:01,340
SCOTT TOLD YOU THIS?
154
00:07:01,370 --> 00:07:03,770
HE DIDN'T HAVE A DAD AT HOME,
SO HE TALKED TO ME.
155
00:07:03,800 --> 00:07:05,500
HE LAY OUT
ANY KIND OF PLAN?
156
00:07:05,540 --> 00:07:07,370
HE REALLY WANTED TO
LIVE WITH HIS DAD,
157
00:07:07,400 --> 00:07:09,270
AND HIS DAD REALLY
WANTED TO TAKE HIM,
158
00:07:09,300 --> 00:07:11,200
AND ONE DAY SOON,
IT WAS GONNA HAPPEN.
159
00:07:11,240 --> 00:07:13,240
HAVE YOU TALKED TO JIM YET ‐‐
SCOTT'S DAD?
160
00:07:13,270 --> 00:07:15,000
CAN'T FIND HIM AT HOME
OR AT WORK.
161
00:07:15,040 --> 00:07:16,670
YOU GOT SOMEPLACE ELSE
TO LOOK?
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00:07:16,700 --> 00:07:18,670
SCOTT MENTIONED
HE PLAYS A LOT OF GOLF
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00:07:18,700 --> 00:07:20,340
AT A COUNTRY CLUB
IN RIVERDALE.
164
00:07:20,370 --> 00:07:22,700
HE'S GONNA KIDNAP
HIS KID AND PLAY GOLF.
165
00:07:22,740 --> 00:07:24,500
I'M JUST TELLING YOU
WHAT I KNOW.
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00:07:24,540 --> 00:07:26,270
ALL RIGHT,
THANKS FOR YOUR TIME.
167
00:07:29,240 --> 00:07:30,770
[ EXHALES DEEPLY ]
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00:07:32,900 --> 00:07:35,940
HE AIMED IT AT THE DAD ‐‐
CUSTODIAL INTERFERENCE.
169
00:07:35,970 --> 00:07:37,870
DO WE HAVE A PLACE
TO LOOK?
170
00:07:37,900 --> 00:07:40,740
A WEAK POSSIBLE, BUT IT MIGHT GO
SOMEWHERE ELSE.
171
00:07:40,770 --> 00:07:42,900
WE'RE ON THE AIR.
172
00:07:44,740 --> 00:07:46,740
MAN DOWNSTAIRS SAID
TO TALK TO A DETECTIVE.
173
00:07:46,770 --> 00:07:48,200
REGARDING WHAT, SIR?
174
00:07:48,240 --> 00:07:50,840
I THINK I HAVE A SUSPECT IN
YOUR MISSING‐CHILD CASE.
175
00:07:50,870 --> 00:07:53,540
HOW DO YOU KNOW WE'RE WORKING ON
A MISSING‐CHILD CASE?
176
00:07:53,570 --> 00:07:55,270
I MONITOR
THE POLICE FREQUENCY.
177
00:07:55,300 --> 00:07:57,670
WHERE'D YOU FIND
THIS SUSPECT?
THE INTERNET.
178
00:07:57,700 --> 00:07:59,600
THESE DETECTIVES
WILL TALK TO YOU.
179
00:08:01,040 --> 00:08:03,840
IF THERE'S ANYTHING IN IT,
CALL ANDY AND JOHN.
180
00:08:03,870 --> 00:08:05,270
IF NOT, SEND HIM HOME.
181
00:08:05,300 --> 00:08:07,100
COME ON IN. YOUR NAME?
182
00:08:07,140 --> 00:08:08,170
TED MUNTZ.
183
00:08:08,200 --> 00:08:10,940
HAVE A SEAT.
184
00:08:10,970 --> 00:08:12,940
SO, WHAT DO YOU GOT
FOR US, TED?
185
00:08:12,970 --> 00:08:15,770
THESE ARE PRINTOUTS
OF 31 E‐MAILS BETWEEN MYSELF
186
00:08:15,800 --> 00:08:18,940
AND AN INDIVIDUAL WHO REFERS TO
HIMSELF AS "FUNTIMES65,"
187
00:08:18,970 --> 00:08:20,340
WHICH IS REPREHENSIBLE,
188
00:08:20,370 --> 00:08:22,940
CONSIDERING WHAT A FOUL‐MINDED
PERSON HE IS.
189
00:08:22,970 --> 00:08:25,870
MR. MUNTZ, WE NEED TO ASK YOU
TO CUT TO THE CHASE.
190
00:08:25,900 --> 00:08:28,570
FIRST, I NEED TO TELL YOU
ABOUT A BOY I KNOW ‐‐
191
00:08:28,600 --> 00:08:30,770
AARON NESTER ‐‐
SCREEN NAME AARON21.
192
00:08:30,800 --> 00:08:32,240
AARON IS 15 YEARS OLD.
193
00:08:32,270 --> 00:08:34,570
HE ATTENDS MT. JEFFERSON HIGH
IN NEW JERSEY.
194
00:08:34,600 --> 00:08:37,000
HE'S IN THE THEATER CLUB,
RUNS CROSS‐COUNTRY,
195
00:08:37,040 --> 00:08:39,740
AND HE'S DESPERATELY CONFUSED
ABOUT HIS SEXUALITY.
196
00:08:39,770 --> 00:08:42,100
THING ABOUT AARON THAT'S SO
INTERESTING IS
197
00:08:42,140 --> 00:08:43,240
HE DOESN'T EXIST.
198
00:08:43,270 --> 00:08:45,340
MR. MUNTZ, YOU'VE GOT
ABOUT 30 SECONDS.
199
00:08:45,370 --> 00:08:46,400
AARON NESTER IS ME.
200
00:08:46,440 --> 00:08:48,400
I GO INTO YOUTH‐ORIENTED
CHAT ROOMS,
201
00:08:48,440 --> 00:08:51,170
DISGUISED AS AARON,
AND ROOT OUT ONLINE PEDOPHILES.
202
00:08:51,200 --> 00:08:52,200
THIS IS A HOBBY?
203
00:08:52,240 --> 00:08:54,270
I DO TECH SUPPORT,
SO I'M HOME ALL DAY.
204
00:08:54,300 --> 00:08:56,370
I'M JUST MAKING USE
OF MY DOWNTIME.
205
00:08:56,400 --> 00:08:58,940
HAVE YOU BEEN SUCCESSFUL?
HAVE THERE BEEN ARRESTS?
206
00:08:58,970 --> 00:09:00,270
THIS WOULD BE THE FIRST.
207
00:09:00,300 --> 00:09:02,040
SO, WHAT DO YOU GOT,
TED?
208
00:09:02,070 --> 00:09:03,200
ABOUT A MONTH AGO,
209
00:09:03,240 --> 00:09:06,100
THIS FUNTIME LURED AARON
INTO A PRIVATE CHAT ROOM
210
00:09:06,140 --> 00:09:09,000
AND STARTED GRILLING HIM ABOUT
WAS HE A VIRGIN,
211
00:09:09,040 --> 00:09:11,070
HAD HE EVER HAD
A GAY EXPERIENCE
212
00:09:11,100 --> 00:09:13,840
OR FANTASIZED ABOUT BOYS
IN THE LOCKER ROOM,
213
00:09:13,870 --> 00:09:16,240
UNTIL FUNTIME ESSENTIALLY
SEDUCED AARON
214
00:09:16,270 --> 00:09:18,170
INTO FULL‐FLEDGED
ONLINE SEX.
215
00:09:18,200 --> 00:09:20,070
ALL PART OF
YOUR CIVIC DUTY.
216
00:09:20,100 --> 00:09:22,000
IF YOU'RE GONNA GET PAST
ANONYMITY,
217
00:09:22,040 --> 00:09:24,400
YOU HAVE TO GAIN TRUST.
I DIDN'T HAVE A CHOICE.
218
00:09:24,440 --> 00:09:27,040
WHAT MAKES YOU THINK FUNTIME
HAS TO DO WITH OUR CASE?
219
00:09:27,070 --> 00:09:29,600
HE'S MADE NUMEROUS REFERENCES TO
THE NEIGHBORHOOD,
220
00:09:29,640 --> 00:09:32,270
SO I'M ALMOST CERTAIN HE LIVES
NEAR YOUR MISSING BOY.
221
00:09:32,300 --> 00:09:35,100
HE SAYS HE'S GUIDED OTHER BOYS
INTO THEIR HOMOSEXUALITY
222
00:09:35,140 --> 00:09:36,940
BY HAVING FACE‐TO‐FACE
MEETINGS ‐‐
223
00:09:36,970 --> 00:09:39,370
SOMETHING HE'S BEEN TRYING TO
ARRANGE WITH AARON
224
00:09:39,400 --> 00:09:40,600
FOR THE PAST TWO WEEKS.
225
00:09:40,640 --> 00:09:42,240
AND HE REPEATEDLY TELLS
AARON
226
00:09:42,270 --> 00:09:45,200
HE KNOWS OF A PLACE WHERE HE CAN
EXPRESS HIMSELF SEXUALLY
227
00:09:45,240 --> 00:09:47,200
AND FINALLY BE FREE FROM
CONFUSION.
228
00:09:47,240 --> 00:09:49,840
I MEAN, HE LIVES HERE,
HE'S PICKING UP BOYS HERE.
229
00:09:49,870 --> 00:09:51,240
THAT'S TWO AND TWO, RIGHT?
230
00:09:51,270 --> 00:09:52,570
IT'S WORTH LOOKING INTO.
231
00:09:52,600 --> 00:09:55,570
HOW LONG WOULD IT TAKE TO
ARRANGE A MEETING WITH THIS GUY?
232
00:09:55,600 --> 00:09:57,500
HE TELLS AARON ANYPLACE,
ANYTIME.
233
00:09:57,540 --> 00:09:58,940
FROM WHAT HE'S MENTIONED,
234
00:09:58,970 --> 00:10:01,600
HE WORKS AT HOME AND LIVES NEAR
A VIDEO‐GAME ARCADE,
235
00:10:01,640 --> 00:10:03,570
SO ALL AARON HAS TO DO
IS PAGE HIM.
236
00:10:03,600 --> 00:10:05,540
HE PROVIDED THE NUMBER
TWO WEEKS AGO,
237
00:10:05,570 --> 00:10:07,700
AND WITHIN HALF AN HOUR,
THE MEETING'S ON.
238
00:10:07,740 --> 00:10:09,540
WHAT HAPPENS
WHEN HE CALLS BACK ‐‐
239
00:10:09,570 --> 00:10:11,870
YOU TALK LIKE A 15‐YEAR‐OLD,
RAISE YOUR VOICE?
240
00:10:11,900 --> 00:10:14,070
I'VE NEVER GOTTEN AS FAR
AS MEETING ANYONE,
241
00:10:14,100 --> 00:10:16,000
SO I HAVEN'T THOUGHT
THAT FAR AHEAD.
242
00:10:16,040 --> 00:10:18,700
IF THIS IS SOME KIND OF PRANK,
TELL US NOW.
243
00:10:18,740 --> 00:10:21,540
'CAUSE DOWN THE LINE
I FIND OUT YOU'RE LYING,
244
00:10:21,570 --> 00:10:22,840
YOU'RE GOING TO JAIL.
245
00:10:22,870 --> 00:10:24,500
JAIL?
246
00:10:24,540 --> 00:10:26,500
I CAME HERE TO HELP.
IT'S THE TRUTH.
247
00:10:26,540 --> 00:10:28,570
GET A FEMALE IN ANTICRIME
OR A UNIFORM,
248
00:10:28,600 --> 00:10:31,070
SOMEONE WITH A KID'S VOICE
TO ANSWER THE PHONE
249
00:10:31,100 --> 00:10:32,500
WHEN THIS GUY CALLS BACK.
250
00:10:32,540 --> 00:10:33,940
PAGE HIM NOW.
251
00:10:33,970 --> 00:10:35,400
COME WITH US.
252
00:10:57,800 --> 00:10:59,870
DOWN THIS AISLE,
GREEN HAT AND JACKET.
253
00:10:59,900 --> 00:11:01,670
I JUST PAGED THE NUMBER
AGAIN ‐‐
254
00:11:01,700 --> 00:11:04,900
SEE IS IT OUR GUY.
255
00:11:07,600 --> 00:11:09,700
POLICE.
YOU'RE COMING WITH US.
256
00:11:09,740 --> 00:11:11,770
I THINK YOU GOT
THE WRONG GUY.
257
00:11:11,800 --> 00:11:15,400
YEAH? WELL, WHAT'S MY DATE OF
BIRTH DOING ON YOUR PAGER?
258
00:11:15,440 --> 00:11:16,740
SAY ONE MORE THING,
259
00:11:16,770 --> 00:11:19,240
YOU'LL BE ON THE GROUND IN
HANDCUFFS.
260
00:11:19,270 --> 00:11:21,500
DID YOU COME HERE
WITH HIM?
261
00:11:21,540 --> 00:11:22,870
DO YOU KNOW HIM?
262
00:11:22,900 --> 00:11:25,470
THEN GET YOUR BUTT
TO SCHOOL.
263
00:11:40,800 --> 00:11:42,170
SIT DOWN, MR. VOLNEY.
264
00:11:42,200 --> 00:11:43,500
NO, I'LL STAND
265
00:11:43,540 --> 00:11:46,070
UNTIL ONE OF YOU THUGS TELLS ME
WHAT'S GOING ON.
266
00:11:46,100 --> 00:11:47,900
HEY, WHAT THE HELL
IS THIS?
267
00:11:47,940 --> 00:11:49,740
WHAT WERE YOU DOING
AT THE ARCADE?
268
00:11:49,770 --> 00:11:51,840
I WAS PLAYING SOME GAMES,
WASTING TIME.
269
00:11:51,870 --> 00:11:53,670
YOU WEREN'T KEEPING
AN APPOINTMENT?
270
00:11:53,700 --> 00:11:54,700
NO.
271
00:11:54,740 --> 00:11:57,370
HOW DO YOU THINK
WE GOT YOUR PAGER NUMBER?
272
00:11:57,400 --> 00:11:58,340
I GOT NO IDEA.
273
00:11:58,370 --> 00:11:59,940
YOU GOOD WITH COMPUTERS?
274
00:11:59,970 --> 00:12:01,900
I DESIGN WEBSITES,
SO, YEAH.
275
00:12:01,940 --> 00:12:03,900
WHAT'S YOUR HANDLE
IN THE CHAT ROOMS?
276
00:12:03,940 --> 00:12:05,400
GANDOLF77.
WHAT THE HELL?
277
00:12:05,440 --> 00:12:07,870
YOU GOT ANOTHER NAME
YOU GO BY ‐‐ MAYBE FUNTIME?
278
00:12:07,900 --> 00:12:09,200
NO.
279
00:12:09,240 --> 00:12:13,000
VOLNEY, IF YOU THINK ALL COPS
ARE COMPUTER‐ILLITERATE MOPES,
280
00:12:13,040 --> 00:12:14,340
I'M SORRY TO TELL YOU
281
00:12:14,370 --> 00:12:17,200
THERE ARE WHOLE DIVISIONS
OF THE DEPARTMENT
282
00:12:17,240 --> 00:12:19,600
DEVOTED TO PORING THROUGH
COMPUTERS.
283
00:12:19,640 --> 00:12:23,070
THEY'LL QUICKLY PROVE THAT
YOUR SCREEN NAME IS FUNTIME.
284
00:12:23,100 --> 00:12:24,600
ALL RIGHT, SO ‐‐ SO WHAT?
285
00:12:24,640 --> 00:12:28,070
WERE YOU IN THE ARCADE TO MEET
SOMEONE NAMED AARON NESTER?
286
00:12:28,100 --> 00:12:29,170
WHAT IF I WAS?
287
00:12:29,200 --> 00:12:31,570
AND NO ONE TOLD YOU
PEDOPHILIA'S A CRIME?
288
00:12:31,600 --> 00:12:33,570
WHAT DO YOU MEAN,
PEDOPHILIA?
289
00:12:33,600 --> 00:12:36,040
I WAS THERE TO MEET
A FULLY GROWN MAN.
290
00:12:36,070 --> 00:12:38,540
WE GOT PRINTOUTS
OF YOUR CHATS WITH AARON.
291
00:12:38,570 --> 00:12:40,000
HE MAKES HIS AGE CLEAR.
292
00:12:40,040 --> 00:12:42,270
IT'S CALLED "AGE PLAY."
IT'S PRETEND.
293
00:12:42,300 --> 00:12:43,600
AGE PLAY, HUH?
294
00:12:43,640 --> 00:12:46,570
I GOT FANTASIES, ALL RIGHT?
SO DO OTHER GUYS, LOTS OF THEM.
295
00:12:46,600 --> 00:12:49,840
SO SOMEONE PRETENDS THEY'RE
A YOUNG KID AND YOU HOOK UP.
296
00:12:49,870 --> 00:12:53,040
CHECK YOUR TRANSCRIPTS.
THIS AARON WRITES LIKE HE'S 40.
297
00:12:53,070 --> 00:12:55,040
HIS POP REFERENCES ARE ALL
FORCED.
298
00:12:55,070 --> 00:12:57,000
HIS PERSONALITY
IS TOTAL CLICHé.
299
00:12:57,040 --> 00:12:59,670
PLUS, I MADE NUMEROUS REFERENCES
TO AGE PLAY.
300
00:12:59,700 --> 00:13:02,500
YOU EVER CHAT ONLINE
WITH A KID NAME SCOTT LOWE?
301
00:13:02,540 --> 00:13:04,040
NO. NEVER HEARD OF HIM.
302
00:13:04,070 --> 00:13:05,770
WHERE WERE YOU LAST NIGHT?
303
00:13:05,800 --> 00:13:07,100
I WAS HOME WORKING.
304
00:13:07,140 --> 00:13:09,840
WERE YOU ANYWHERE NEAR
1st AVENUE AND 4th STREET?
305
00:13:09,870 --> 00:13:11,000
I WAS HOME WORKING.
306
00:13:11,040 --> 00:13:12,070
PROVE IT.
307
00:13:12,100 --> 00:13:13,170
OH...
308
00:13:13,200 --> 00:13:14,640
[ SIGHS ]
309
00:13:15,640 --> 00:13:17,440
THERE'S AN AUTOLOG ON MY
COMPUTER
310
00:13:17,470 --> 00:13:18,940
THAT I USE TO BILL CLIENTS.
311
00:13:18,970 --> 00:13:20,940
THAT'LL SAY
WHEN I WAS WORKING.
312
00:13:20,970 --> 00:13:22,940
WE'LL NEED YOUR COMPUTER.
HELL NO.
313
00:13:22,970 --> 00:13:24,700
WE'LL GET A SUBPOENA
FOR IT.
314
00:13:24,740 --> 00:13:26,300
YOU'RE STICKING AROUND.
315
00:13:28,970 --> 00:13:30,770
THE FATHER?
316
00:13:30,800 --> 00:13:32,700
WASN'T AT THE COUNTRY CLUB.
317
00:13:32,740 --> 00:13:36,270
ONE OF HIS GOLF BUDDIES SAYS
HE GOES FISHING LOCALLY.
318
00:13:36,300 --> 00:13:37,940
WE'LL MAKE CALLS ON IT.
319
00:13:37,970 --> 00:13:39,070
WE GET PORT AUTHORITY
320
00:13:39,100 --> 00:13:40,340
ON THE AIRPORTS
AND THE BUS TERMINALS?
321
00:13:40,370 --> 00:13:42,040
AND EMPTY ON THE RAILS.
I MADE ALL THE CALLS.
322
00:13:42,070 --> 00:13:43,840
HOW'D McDOWELL AND RITA DO
WITH HIS CO‐WORKERS?
323
00:13:43,870 --> 00:13:44,840
NOTHING.
324
00:13:44,870 --> 00:13:45,940
IT'S ABOUT TIME
325
00:13:45,970 --> 00:13:48,570
TO GET THE AVIATION
TO CHECK ON THE ROOFTOPS
326
00:13:48,600 --> 00:13:50,500
AND HARBOR
ON THE SHORELINE.
327
00:13:50,540 --> 00:13:52,670
AS LONG AS THE DAD'S
IN THE WIND,
328
00:13:52,700 --> 00:13:54,700
WE PLAY LIKE
THE KID'S MISSING.
329
00:13:54,740 --> 00:13:56,670
THAT DOESN'T LAST
MUCH LONGER.
330
00:13:56,700 --> 00:13:58,440
WHO WERE YOU IN WITH?
INTERNET GUY.
331
00:13:58,470 --> 00:14:00,700
HE'S HALF‐WACKY BUT CLAIMS
HE'S GOT AN ALIBI.
332
00:14:00,740 --> 00:14:02,540
WE NEED A SUBPOENA
FOR HIS COMPUTER.
333
00:14:02,570 --> 00:14:03,740
HAYWOOD'S IN ANTICRIME.
334
00:14:04,570 --> 00:14:07,040
DETECTIVE, IT'S SCOTT LOWE'S
FATHER.
335
00:14:07,070 --> 00:14:08,770
GOT IT.
336
00:14:10,070 --> 00:14:11,600
YEAH. DETECTIVE SIPOWICZ.
337
00:14:11,640 --> 00:14:14,500
MR. LOWE, WE NEED TO SEE YOU
RIGHT AWAY.
338
00:14:14,540 --> 00:14:16,700
NO, WE HAVEN'T FOUND HIM
YET.
339
00:14:16,740 --> 00:14:18,240
WHERE CAN WE GET YOU?
340
00:14:18,270 --> 00:14:19,600
THAT'S FINE.
341
00:14:19,640 --> 00:14:22,540
HE'S NEARBY.
HE'S COMING IN.
342
00:14:22,570 --> 00:14:24,700
KEEP WORKING YOUR GUY.
343
00:14:26,140 --> 00:14:27,370
I GOT IT.
344
00:14:27,400 --> 00:14:31,340
15th SQUAD.
SIPOWICZ SPEAKING.
345
00:14:31,370 --> 00:14:33,270
AH, STICK IT IN YOUR ASS.
346
00:14:33,300 --> 00:14:35,840
THESE ASSHOLE UNIFORM GOT
NOTHING BETTER TO DO
347
00:14:35,870 --> 00:14:37,540
THAN, "ANDY,
YOU'RE THE MAN."
348
00:14:37,570 --> 00:14:39,270
THESE STUPID SONS
OF BITCHES.
349
00:14:39,300 --> 00:14:40,740
WHAT DO YOU WANT?
350
00:14:40,770 --> 00:14:42,870
I'M LOOKING FOR JOHN IRVIN.
351
00:14:42,900 --> 00:14:44,200
I'M JOHN IRVIN.
352
00:14:44,240 --> 00:14:45,570
AH. ALLEN WALKER.
353
00:14:45,600 --> 00:14:49,100
I REPRESENT YOUR SISTER DELIA
REGARDING YOUR FATHER'S ESTATE.
354
00:14:49,140 --> 00:14:50,340
YOU HAVE A MINUTE?
355
00:14:50,370 --> 00:14:51,640
THIS WAY.
356
00:14:55,870 --> 00:14:59,540
I APOLOGIZE FOR JUST DROPPING
IN, BUT I WAS IN THE AREA,
357
00:14:59,570 --> 00:15:01,040
AND THIS IS INFORMAL.
358
00:15:01,070 --> 00:15:03,570
SHE MENTIONED SOMEONE
MIGHT COME BY.
359
00:15:03,600 --> 00:15:04,570
COFFEE?
360
00:15:04,600 --> 00:15:07,240
UH, YEAH.
BLACK'S FINE. THANKS.
361
00:15:07,270 --> 00:15:10,370
DID SHE TELL YOU ANYTHING ELSE
ABOUT YOUR FATHER'S WILL?
362
00:15:10,400 --> 00:15:11,870
SHE SAID IT WAS COMPLICATED
363
00:15:11,900 --> 00:15:14,600
AND YOU COULD EXPLAIN IT BETTER
THAN SHE COULD.
364
00:15:14,640 --> 00:15:17,540
WELL, I'LL TRY, BUT SHE'S RIGHT.
IT IS COMPLICATED.
365
00:15:17,570 --> 00:15:19,340
HE WASN'T ONE
TO PLAN AHEAD.
366
00:15:19,370 --> 00:15:20,770
ON THE SIMPLE SIDE,
367
00:15:20,800 --> 00:15:22,870
AFTER CREDITORS ‐‐
AND THERE ARE MANY ‐‐
368
00:15:22,900 --> 00:15:25,770
THE REMAINDER OF THE ESTATE WILL
BE DIVIDED EVENLY
369
00:15:25,800 --> 00:15:27,740
BETWEEN YOURSELF AND DELIA ‐‐
50/50.
370
00:15:27,770 --> 00:15:29,170
WHAT KIND OF CREDITORS?
371
00:15:29,200 --> 00:15:31,670
YOUR FATHER HAD A 30‐YEAR
MORTGAGE ON THE HOUSE
372
00:15:31,700 --> 00:15:33,540
OF WHICH 10 YEARS WAS LEFT
UNPAID,
373
00:15:33,570 --> 00:15:35,900
AND THE PROPERTY TAXES COME DUE
NEXT MONTH.
374
00:15:35,940 --> 00:15:38,670
I DON'T KNOW WHAT YOU PLAN ON
DOING WITH THE PROPERTY,
375
00:15:38,700 --> 00:15:41,540
BUT DELIA MENTIONED SELLING IT
TO OFFSET INHERITANCE TAXES,
376
00:15:41,570 --> 00:15:42,870
WHICH MAY BE SUBSTANTIAL.
377
00:15:42,900 --> 00:15:44,100
ALL RIGHT.
378
00:15:44,140 --> 00:15:47,000
THERE ARE ALSO CAR PAYMENTS,
OUTSTANDING UTILITIES,
379
00:15:47,040 --> 00:15:48,370
IRA MAINTENANCE FEES,
380
00:15:48,400 --> 00:15:51,340
AND OF COURSE, THE EXPENSES OF
LAST ILLNESS.
381
00:15:51,370 --> 00:15:54,100
SOME OF THESE ARE PIDDLING,
OTHERS HEFTY.
382
00:15:54,140 --> 00:15:55,700
TO BE HONEST, IT'S MESSY.
383
00:15:55,740 --> 00:15:57,100
I SEE.
384
00:15:57,140 --> 00:15:59,000
FIRST STEP IS TO SCHEDULE
A CONFERENCE CALL
385
00:15:59,040 --> 00:16:01,240
BETWEEN YOU, ME, AND DELIA TO
PORE OVER THE DETAILS,
386
00:16:01,270 --> 00:16:02,770
MAKE SURE WE'RE ON THE
SAME PAGE.
387
00:16:02,800 --> 00:16:04,500
THAT'S FINE, MR. WALKER.
388
00:16:04,540 --> 00:16:08,400
WHEN ALL'S SAID AND DONE, HOW
MUCH TO YOU THINK WE'LL OWE?
389
00:16:08,440 --> 00:16:11,700
UM...I MUST NOT HAVE EXPLAINED
MYSELF CLEARLY.
390
00:16:11,740 --> 00:16:13,940
YOU'RE NOT GONNA OWE
ANYTHING.
391
00:16:13,970 --> 00:16:16,000
I THOUGHT YOU SAID
"NUMEROUS CREDITORS."
392
00:16:16,040 --> 00:16:17,500
ON THE NEGATIVE SIDE.
393
00:16:17,540 --> 00:16:20,040
ON THE PLUS SIDE, HE DID
HAVE A COMPLETE PORTFOLIO,
394
00:16:20,070 --> 00:16:22,500
AND THE HOME AND PROPERTY ARE
SUBSTANTIAL ASSETS.
395
00:16:22,540 --> 00:16:23,700
IT'S A HEALTHY ESTATE.
396
00:16:23,740 --> 00:16:25,070
HOW MUCH SO?
397
00:16:25,100 --> 00:16:27,070
I DON'T LIKE TO GIVE OUT
ESTIMATES
398
00:16:27,100 --> 00:16:29,040
IN CASE UNFORESEEN DEBTS
CROP UP,
399
00:16:29,070 --> 00:16:31,040
BUT CONSERVATIVELY,
AFTER TAXES,
400
00:16:31,070 --> 00:16:33,600
YOU SHOULD COME AWAY WITH
ABOUT $800,000, EACH.
401
00:16:35,300 --> 00:16:37,040
HERE'S A COPY OF THE WILL
FOR YOU.
402
00:16:37,070 --> 00:16:39,540
AND I'LL BE IN TOUCH REGARDING
THE CONFERENCE CALL.
403
00:16:39,570 --> 00:16:41,670
IT WAS NICE TO MEET YOU.
404
00:16:41,700 --> 00:16:43,700
[ Breathless ] YOU TOO.
405
00:16:49,640 --> 00:16:52,200
I'VE BEEN TRYING TO GET
IN TOUCH WITH YOU, MR. LOWE.
406
00:16:52,240 --> 00:16:53,340
WHERE YOU BEEN?
407
00:16:53,370 --> 00:16:54,340
ON THE GOLF COURSE.
408
00:16:54,370 --> 00:16:56,000
WE CHECKED
YOUR COUNTRY CLUB.
409
00:16:56,040 --> 00:16:58,340
I WAS INVITED TO PLAY WINGFOOT
IN WESTCHESTER.
410
00:16:58,370 --> 00:17:00,170
ARE YOU ALWAYS
SO HARD TO FIND?
411
00:17:00,200 --> 00:17:02,670
I WANTED SOME PEACE,
SO I TURNED OFF MY PHONE.
412
00:17:02,700 --> 00:17:04,940
I'D LIKE TO KNOW HOW SCOTT
JUST DISAPPEARED
413
00:17:04,970 --> 00:17:06,340
UNDER MY EX‐WIFE'S NOSE.
414
00:17:06,370 --> 00:17:09,170
WHEN'S THE LAST TIME YOU SAW
YOUR SON?
LAST SUNDAY.
415
00:17:09,200 --> 00:17:11,200
CAN YOU ACCOUNT FOR YOUR
WHEREABOUTS
416
00:17:11,240 --> 00:17:13,040
FROM LAST NIGHT
TO THIS MORNING?
417
00:17:13,070 --> 00:17:14,170
WHAT? WHY?
418
00:17:14,200 --> 00:17:16,770
BECAUSE WE NEED TO
RULE YOU OUT AS A SUSPECT.
419
00:17:16,800 --> 00:17:17,940
I DIDN'T TAKE SCOTT.
420
00:17:17,970 --> 00:17:20,270
THEN LET US RULE YOU OUT
AND FIND OUT WHO DID.
421
00:17:20,300 --> 00:17:21,540
WHERE WERE YOU?
422
00:17:21,570 --> 00:17:23,940
I WAS OUT TO DINNER WITH A
FRIEND AND HIS WIFE
423
00:17:23,970 --> 00:17:25,070
FROM 8:00 TO 10:30,
424
00:17:25,100 --> 00:17:27,200
AND THEN I WAS HOME
UNTIL THIS MORNING.
425
00:17:27,240 --> 00:17:28,500
I GOT PICKED UP AT 6:00.
426
00:17:28,540 --> 00:17:30,900
CAN ANYONE VOUCH FOR YOU FROM
10:30 TO 6:00?
427
00:17:30,940 --> 00:17:32,170
I WAS SLEEPING!
428
00:17:32,200 --> 00:17:34,370
WHICH I DOUBT IS WHAT
CATHERINE WAS DOING
429
00:17:34,400 --> 00:17:36,400
AND PROBABLY WHY
WE'RE IN THIS MESS.
430
00:17:36,440 --> 00:17:38,370
WHAT'S YOUR BEEF
WITH YOUR EX‐WIFE?
431
00:17:38,400 --> 00:17:41,070
SHE'S UNTRUSTWORTHY.
HER FOCUS IN LIFE IS PARTYING.
432
00:17:41,100 --> 00:17:42,700
IS THAT WHY
YOU'RE DIVORCED?
433
00:17:42,740 --> 00:17:43,770
YES.
434
00:17:43,800 --> 00:17:45,100
HOW'D SHE GET CUSTODY?
435
00:17:45,140 --> 00:17:47,570
SHE ACCUSED ME OF BEING THE ONE
WHO WAS CHEATING
436
00:17:47,600 --> 00:17:48,870
AND GOING OUT AND, UH...
437
00:17:48,900 --> 00:17:51,170
I BLEW UP IN COURT
AND CALLED HER A BITCH.
438
00:17:51,200 --> 00:17:53,370
WE HAD A FEMALE JUDGE,
AND THAT WAS THAT.
439
00:17:53,400 --> 00:17:55,700
IF HIS MOM'S IRRESPONSIBLE
AND OUT PARTYING,
440
00:17:55,740 --> 00:17:58,370
YOU COULD ARGUE THAT HE'D NEED
PROTECTING FROM THAT.
441
00:17:58,400 --> 00:18:00,200
I TOLD YOU,
I DIDN'T TAKE SCOTT.
442
00:18:00,240 --> 00:18:01,540
WE KNOW WHAT YOU TOLD US.
443
00:18:01,570 --> 00:18:04,240
WE'RE GIVING YOU ANOTHER CHANCE
TO STAY OUT OF JAIL.
444
00:18:04,270 --> 00:18:07,170
WHAT THE HELL ARE YOU TALKING
ABOUT? MY SON IS MISSING.
445
00:18:07,200 --> 00:18:09,870
IF YOU GOT HIM, WE'LL FIND OUT,
AND IT'S SERIOUS.
446
00:18:09,900 --> 00:18:11,770
BUT IF THIS WAS A
MISUNDERSTANDING
447
00:18:11,800 --> 00:18:14,070
AND WE HEAR THAT NOW,
IT CAN ALL GO AWAY.
448
00:18:14,100 --> 00:18:16,340
WE WERE MAKING PROGRESS
IN FAMILY COURT.
449
00:18:16,370 --> 00:18:18,170
I WAS GETTING
BETTER VISITATION.
450
00:18:18,200 --> 00:18:19,600
WHY WOULD I SCREW THAT UP?
451
00:18:19,640 --> 00:18:22,870
IS THERE ANYBODY ELSE
YOU THINK WE SHOULD TALK TO?
452
00:18:22,900 --> 00:18:25,100
CATHERINE OR HER DRINKING
BUDDIES
453
00:18:25,140 --> 00:18:28,570
OR BARTENDERS OR HER SCUMBAG
BIKER MECHANIC BOYFRIEND.
454
00:18:28,600 --> 00:18:29,770
WHAT'S HIS NAME?
455
00:18:29,800 --> 00:18:31,670
ALL I KNOW IS STEVE.
HE'S A DRUNK.
456
00:18:31,700 --> 00:18:32,940
THEY FIGHT ALL THE TIME,
457
00:18:32,970 --> 00:18:35,600
AND HE SMOKES AROUND SCOTT,
AGGRAVATING HIS ASTHMA.
458
00:18:35,640 --> 00:18:37,370
SO THIS STEVE IS AROUND
A LOT?
459
00:18:37,400 --> 00:18:38,600
I THINK HE LIVES THERE.
460
00:18:38,640 --> 00:18:40,870
I KNOW IT'S ENOUGH
FOR SCOTT TO HATE HIM.
461
00:18:40,900 --> 00:18:43,200
SO, WHERE IS CATHERINE?
CAN I SPEAK TO HER?
462
00:18:43,240 --> 00:18:44,870
NO, YOU KEEP CLEAR
OF HER.
463
00:18:44,900 --> 00:18:46,870
ANY DEVELOPMENTS,
WE'LL BE IN TOUCH.
464
00:18:46,900 --> 00:18:48,070
KEEP YOUR CELLPHONE ON.
465
00:18:48,100 --> 00:18:49,200
CAN I GO?
466
00:18:53,600 --> 00:18:55,570
I'LL GET CATHERINE IN.
467
00:18:59,440 --> 00:19:01,200
GOT OFF WITH
JOSH STOVER'S MOM.
468
00:19:01,240 --> 00:19:03,240
HE'S IN SCHOOL.
SHE'LL MEET US THERE.
469
00:19:03,270 --> 00:19:04,440
WHO'S THIS?
470
00:19:04,470 --> 00:19:07,070
C.I.T.U. GOT INTO
PETER VOLNEY'S COMPUTER FILES.
471
00:19:07,100 --> 00:19:09,370
THEY FOUND SOME KIDDIE PORN
AND EVIDENCE
472
00:19:09,400 --> 00:19:12,040
OF ANOTHER BOY HE MIGHT HAVE
MET ‐‐ JOSH STOVER.
473
00:19:12,070 --> 00:19:14,000
WE'RE GONNA PICK UP HIM
AND HIS MOM.
474
00:19:14,040 --> 00:19:16,040
MEDAVOY AND JONES
ARE GETTING THE DAD.
475
00:19:16,070 --> 00:19:18,240
KEEP AT THIS VOLNEY.
HE'S STILL A CANDIDATE.
476
00:19:18,270 --> 00:19:19,440
YOU BET.
477
00:19:23,370 --> 00:19:24,800
YOU GOT NEWS?
478
00:19:26,440 --> 00:19:27,670
YEAH.
479
00:19:27,700 --> 00:19:32,670
COME HERE.
480
00:19:32,700 --> 00:19:33,700
WHAT'S UP?
481
00:19:33,740 --> 00:19:34,870
WHO'S STEVE?
482
00:19:34,900 --> 00:19:36,170
WHAT BROUGHT HIM UP?
483
00:19:36,200 --> 00:19:37,670
YOUR EX‐HUSBAND.
WHO IS HE?
484
00:19:37,700 --> 00:19:38,940
HE'S A GUY I'M SEEING.
485
00:19:38,970 --> 00:19:40,540
WHY DIDN'T YOU MENTION HIM
BEFORE?
486
00:19:40,570 --> 00:19:41,940
WHAT'S THE BIG DEAL?
487
00:19:41,970 --> 00:19:44,540
WE ASKED IF ANYBODY ELSE HAD
ACCESS TO THE APARTMENT.
488
00:19:44,570 --> 00:19:46,270
I HAD A FEW THINGS
ON MY MIND.
489
00:19:46,300 --> 00:19:48,100
HOW'S HE GET ALONG
WITH YOUR SON?
490
00:19:48,140 --> 00:19:49,770
FINE.
THAT'S NOT WHAT WE HEAR.
491
00:19:49,800 --> 00:19:51,770
FROM WHOM, MY EX?
WHAT DO YOU EXPECT?
492
00:19:51,800 --> 00:19:53,940
AND WHY WOULD WE EXPECT THAT,
CATHERINE?
493
00:19:53,970 --> 00:19:55,670
HE'S TRYING TO GET IT
ON RECORD
494
00:19:55,700 --> 00:19:58,500
TO USE AGAINST ME IN FAMILY
COURT TO GET CUSTODY OF SCOTT.
495
00:19:58,540 --> 00:20:00,500
SO SCOTT AND STEVE
ARE BEST BUDDIES?
496
00:20:00,540 --> 00:20:03,070
THEY'RE NOT BEST BUDDIES.
STEVE ISN'T SCOTT'S DAD.
497
00:20:03,100 --> 00:20:05,240
SOMETIMES HAVING HIM AROUND
UPSETS SCOTT.
498
00:20:05,270 --> 00:20:06,670
BUT STEVE WOULDN'T TAKE HIM.
499
00:20:06,700 --> 00:20:07,700
STEVE GOT A RECORD?
500
00:20:07,740 --> 00:20:09,400
NO.
501
00:20:09,440 --> 00:20:10,740
I DON'T KNOW.
502
00:20:10,770 --> 00:20:13,000
DOES HE HAVE A KEY
TO YOUR APARTMENT?
503
00:20:13,040 --> 00:20:14,240
YEAH.
504
00:20:14,270 --> 00:20:16,170
THE ONLY REASON
YOU DIDN'T MENTION HIM
505
00:20:16,200 --> 00:20:18,270
IS ON ACCOUNT OF HAVING
A LOT ON YOUR MIND.
506
00:20:18,300 --> 00:20:20,600
IF WE HEAR DIFFERENT,
YOU'RE BACK IN THIS ROOM.
507
00:20:20,640 --> 00:20:22,370
PART OF THE CUSTODY
AGREEMENT SAYS
508
00:20:22,400 --> 00:20:24,600
I'M NOT SUPPOSED TO HAVE GUYS
LIVING WITH ME.
509
00:20:24,640 --> 00:20:27,000
IS THERE ANYTHING ELSE YOU
SHOULD HAVE TOLD US
510
00:20:27,040 --> 00:20:28,000
THAT YOU DIDN'T?
511
00:20:28,040 --> 00:20:29,270
NO.
512
00:20:29,300 --> 00:20:32,700
IS IT CLEAR TO YOU NOW THAT
IT SLOWS UP FINDING YOUR SON?
513
00:20:32,740 --> 00:20:34,570
YES. I'M SORRY.
514
00:20:35,900 --> 00:20:37,170
I'M SORRY.
515
00:20:37,200 --> 00:20:39,940
STEVE'S LAST NAME?
516
00:20:39,970 --> 00:20:41,340
DANZIG.
517
00:20:41,370 --> 00:20:44,540
WHERE WE CAN FIND HIM?
518
00:20:58,640 --> 00:21:00,640
[ MOTOR RUNNING ]
519
00:21:08,300 --> 00:21:09,600
STEVE DANZIG?
520
00:21:09,640 --> 00:21:10,700
YEAH.
521
00:21:10,740 --> 00:21:12,740
WE GOTTA TALK TO YOU
FOR A SECOND.
522
00:21:12,770 --> 00:21:14,240
ABOUT WHAT?
523
00:21:14,270 --> 00:21:15,240
CATHERINE'S KID?
524
00:21:15,270 --> 00:21:16,770
HE STILL HASN'T TURNED UP?
525
00:21:16,800 --> 00:21:18,870
WHEN'S THE LAST TIME
YOU SAW HIM?
526
00:21:18,900 --> 00:21:20,000
A COUPLE DAYS AGO.
527
00:21:20,040 --> 00:21:22,440
YOU BEEN NEAR THEIR APARTMENT
SINCE THEN?
528
00:21:22,470 --> 00:21:23,570
NO.
529
00:21:23,600 --> 00:21:24,900
YOU DON'T LIVE THERE?
530
00:21:24,940 --> 00:21:26,770
I JUST STAY THERE
SOMETIMES.
531
00:21:26,800 --> 00:21:28,870
WELL, WHY NOT
THE LAST TWO DAYS?
532
00:21:28,900 --> 00:21:30,840
'CAUSE WE'RE COOLING
A LITTLE.
533
00:21:30,870 --> 00:21:32,040
WHY?
534
00:21:32,070 --> 00:21:34,200
WE JUST ARE.
I DON'T KNOW WHERE SCOTT IS.
535
00:21:34,240 --> 00:21:36,370
HOW'D YOU AND SCOTT
GET ALONG?
FINE.
536
00:21:36,400 --> 00:21:38,540
THIS KID'S BEEN MISSING
SINCE LAST NIGHT.
537
00:21:38,570 --> 00:21:40,200
EVERY MINUTE
THAT'S HE'S NOT FOUND
538
00:21:40,240 --> 00:21:41,900
MAKES IT LESS LIKELY
HE'S SAFE,
539
00:21:41,940 --> 00:21:43,700
WHICH MAKES
OUR PATIENCE GET THIN
540
00:21:43,740 --> 00:21:45,600
FOR PEOPLE WHO AREN'T
HONEST WITH US.
541
00:21:45,640 --> 00:21:47,040
HE WASN'T
MY KIND OF KID.
542
00:21:47,070 --> 00:21:48,840
I WASN'T HIS KIND
OF DADDY FIGURE.
543
00:21:48,870 --> 00:21:50,200
I DON'T KNOW WHERE HE IS.
544
00:21:50,240 --> 00:21:52,500
CHECK CONEY ISLAND
OR THE MOVIE THEATERS.
545
00:21:52,540 --> 00:21:53,840
YOU EVER FIGHT WITH HIM?
546
00:21:53,870 --> 00:21:56,400
HE'D YELL THAT I WASN'T SUPPOSED
TO BE AROUND.
547
00:21:56,440 --> 00:21:57,670
I'D IGNORE HIM.
548
00:21:57,700 --> 00:22:00,240
STILL, LIFE WOULD BE EASIER
WITH HIM OUT OF THE WAY.
549
00:22:00,270 --> 00:22:02,700
FORGET IT. I'M NOT TALKING TO
YOU ANYMORE.
550
00:22:05,740 --> 00:22:07,000
YOU GOT A RECORD?
551
00:22:07,040 --> 00:22:08,440
ANSWER US, STEVE.
552
00:22:08,470 --> 00:22:11,270
I GOT TWO ASSAULT COLLARS
FROM YEARS AGO.
553
00:22:11,300 --> 00:22:14,540
AND SINCE THEN, YOU'VE BEEN
IN ANGER MANAGEMENT
554
00:22:14,570 --> 00:22:17,270
AND DOING YOGA ‐‐
REALLY MELLOWING OUT.
555
00:22:17,300 --> 00:22:18,940
I QUIT FIGHTING IN BARS,
556
00:22:18,970 --> 00:22:21,100
WHICH IS WHAT THOSE COLLARS
WERE ABOUT ‐‐
557
00:22:21,140 --> 00:22:22,540
NOT KIDNAPPING OR WHATEVER.
558
00:22:22,570 --> 00:22:24,600
ACCOUNT FOR YOURSELF
LAST NIGHT.
559
00:22:24,640 --> 00:22:26,400
SNAKEBITE BAR ‐‐
8:00 TO 2:00.
560
00:22:26,440 --> 00:22:28,770
WELL, YOU'RE COMING IN
WHILE WE CHECK IT OUT.
561
00:22:28,800 --> 00:22:30,200
I GOTTA GET THAT BIKE OFF.
562
00:22:30,240 --> 00:22:31,600
LET'S GO. COME ON.
563
00:22:31,640 --> 00:22:34,170
CAN I CLOSE MY SHOP?
564
00:22:34,200 --> 00:22:36,200
MAKE IT FAST.
565
00:22:39,440 --> 00:22:42,900
WHEN WE PRINTED OUT ALL THE
FILES IN THIS MAN'S COMPUTER
566
00:22:42,940 --> 00:22:45,700
THAT RELATED
TO ONLINE CHATS AND E‐MAILS,
567
00:22:45,740 --> 00:22:48,700
WE FOUND A LOT OF CORRESPONDENCE
WITH YOUR SON.
568
00:22:48,740 --> 00:22:51,570
REGARDING SEX ‐‐
IS THAT WHAT YOU'RE SAYING?
569
00:22:51,600 --> 00:22:54,270
IT'S CRYPTIC,
SO IT CAN BE HARD TO TELL,
570
00:22:54,300 --> 00:22:57,840
BUT THERE IS A POSSIBILITY
YOUR SON AND THIS MAN MET UP.
571
00:22:57,870 --> 00:22:59,040
OH, MY GOD.
572
00:22:59,070 --> 00:23:01,700
AGAIN, IT'S JUST A POSSIBILITY,
BUT WE NEED TO KNOW.
573
00:23:01,740 --> 00:23:02,940
WE NEED TO KNOW, TOO.
574
00:23:02,970 --> 00:23:05,500
THING IS, KIDS ARE
USUALLY MORE FORTHRIGHT
575
00:23:05,540 --> 00:23:07,540
WHEN THEIR PARENTS AREN'T
AROUND,
576
00:23:07,570 --> 00:23:10,170
SO IT IS ALL RIGHT
IF WE TALK TO HIM ALONE?
577
00:23:10,200 --> 00:23:12,100
IF JOSH WAS MOLESTED,
WE WANT TO KNOW.
578
00:23:12,140 --> 00:23:14,400
ONCE WE'RE DONE,
WE'LL GIVE YOU A FULL REPORT.
579
00:23:14,440 --> 00:23:17,100
BUT FOR NOW, DO WE HAVE YOUR
PERMISSION TO TALK TO HIM?
580
00:23:17,140 --> 00:23:18,400
HE'S JUST A KID.
581
00:23:18,440 --> 00:23:21,170
IT'S OKAY. PHILLIP.
582
00:23:21,200 --> 00:23:23,970
ALL RIGHT.
583
00:23:25,540 --> 00:23:28,340
WHY DON'T YOU WAIT HERE
IN THE SQUAD?
584
00:23:28,370 --> 00:23:30,570
YOU WANT TO COME IN,
JOSH?
585
00:23:34,900 --> 00:23:40,940
THEY WANT TO ASK YOU SOME
QUESTIONS, OKAY, SWEETIE?
586
00:23:40,970 --> 00:23:43,100
IF YOU NEED US,
JUST ASK.
587
00:23:43,140 --> 00:23:44,370
LOVE YOU, SON.
588
00:23:44,400 --> 00:23:47,700
WHAT'S GOING ON?
DID I DO SOMETHING WRONG?
589
00:23:47,740 --> 00:23:48,770
NO, JOSH.
590
00:23:48,800 --> 00:23:50,400
WHY DON'T YOU SIT DOWN?
591
00:23:50,440 --> 00:23:54,040
FIRST THING YOU SHOULD KNOW IS
YOU'RE NOT IN TROUBLE.
592
00:23:54,070 --> 00:23:57,200
IN FACT, YOU'RE HERE
'CAUSE WE NEED YOUR HELP.
593
00:23:57,240 --> 00:23:58,340
HELP WITH WHAT?
594
00:23:58,370 --> 00:23:59,770
A BOY WHO'S MISSING.
595
00:23:59,800 --> 00:24:01,000
WHAT'S HIS NAME?
596
00:24:01,040 --> 00:24:02,070
SCOTT LOWE.
597
00:24:02,100 --> 00:24:03,400
I‐I DON'T KNOW HIM.
598
00:24:03,440 --> 00:24:05,940
BUT WE THINK YOU MAY HAVE SPENT
TIME ONLINE
599
00:24:05,970 --> 00:24:08,200
TALKING TO PEOPLE
WHO DO KNOW HIM.
600
00:24:08,240 --> 00:24:10,370
YOUR SCREEN NAME'S JOSH25,
RIGHT?
601
00:24:10,400 --> 00:24:12,240
WE'VE BEEN DOING
SOME RESEARCH,
602
00:24:12,270 --> 00:24:15,070
AND WE KNOW YOU'VE BEEN
IN SOME PRIVATE CHAT ROOMS
603
00:24:15,100 --> 00:24:17,040
WITH A GUY
THAT CALLS HIMSELF FUNTIME.
604
00:24:17,070 --> 00:24:18,270
NO, I‐I WASN'T.
605
00:24:18,300 --> 00:24:20,270
JOSH, AGAIN, YOU'RE NOT
IN ANY TROUBLE,
606
00:24:20,300 --> 00:24:22,240
AND WE'RE NOT TRYING TO
EMBARRASS YOU.
607
00:24:22,270 --> 00:24:24,940
BUT THIS BOY WHO'S MISSING
MIGHT BE IN DANGER,
608
00:24:24,970 --> 00:24:26,900
AND YOU MAY BE ABLE
TO HELP US.
609
00:24:26,940 --> 00:24:28,440
BUT YOU HAVE TO BE HONEST.
610
00:24:28,470 --> 00:24:31,700
FUNTIME'S A SCREEN NAME FOR
A GUY NAMED PETER VOLNEY,
611
00:24:31,740 --> 00:24:33,670
AND WE HAVE HIM
IN CUSTODY.
612
00:24:33,700 --> 00:24:35,370
DID YOU MEET WITH THIS MAN?
613
00:24:38,600 --> 00:24:40,570
I'M NOT IN TROUBLE?
614
00:24:40,600 --> 00:24:43,500
NOT AT ALL.
615
00:24:43,540 --> 00:24:46,000
DID YOU MEET HIM?
616
00:24:46,040 --> 00:24:48,370
[ SIGHS ]
617
00:24:48,400 --> 00:24:50,940
ARE MY PARENTS
GONNA HEAR THIS?
618
00:24:50,970 --> 00:24:53,540
JOSH...YOUR PARENTS
LOVE YOU.
619
00:24:53,570 --> 00:24:57,400
AND THEY'RE CONCERNED FOR YOU.
THAT'S ALL THEY CARE ABOUT.
620
00:24:57,440 --> 00:24:58,700
DID YOU MEET HIM?
621
00:24:58,740 --> 00:24:59,900
MAYBE.
622
00:24:59,940 --> 00:25:01,440
AT THE ARCADE?
623
00:25:03,600 --> 00:25:05,700
WHAT HAPPENED
WHEN YOU MET HIM?
624
00:25:05,740 --> 00:25:08,200
[ Voice breaking ]
I DON'T WANT TO SAY.
625
00:25:08,240 --> 00:25:10,600
DID YOU GO SOMEPLACE
WITH HIM?
626
00:25:12,370 --> 00:25:13,740
JOSH, IT'S OKAY.
627
00:25:18,970 --> 00:25:20,900
WHERE'D YOU GO?
628
00:25:20,940 --> 00:25:23,200
[ SIGHS ]
629
00:25:23,240 --> 00:25:25,370
[ SOBS ] OH, MAN.
630
00:25:28,200 --> 00:25:29,540
[ SOBBING ]
631
00:25:29,570 --> 00:25:30,740
IT'S OKAY.
632
00:25:30,770 --> 00:25:34,270
FINALLY. MY GOD.
633
00:25:35,570 --> 00:25:36,740
SHUT UP, VOLNEY.
634
00:25:36,770 --> 00:25:38,940
WHAT ARE YOU TRYING TO DO,
BREAK MY BACK?
635
00:25:38,970 --> 00:25:41,570
ANSWER OUR QUESTIONS STRAIGHT
AND SHORT, NOTHING ELSE.
636
00:25:41,600 --> 00:25:44,170
WE GOT KIDDIE PORN ON YOUR
COMPUTER ‐‐ LITTLE BOYS.
637
00:25:44,200 --> 00:25:46,000
YOUR FRIEND AARON
SENT THAT TO ME.
638
00:25:46,040 --> 00:25:47,700
I‐I DIDN'T GO LOOKING
FOR IT.
639
00:25:47,740 --> 00:25:49,440
AARON WHO YOU WENT TO MEET
TODAY?
640
00:25:49,470 --> 00:25:52,270
YEAH, WHICH IS ANOTHER REASON
I KNEW HE WASN'T A KID.
641
00:25:52,300 --> 00:25:54,370
REGARDLESS, YOU'RE A COLLAR
FOR IT.
642
00:25:54,400 --> 00:25:57,040
WE ALSO TALKED TO
JOSH STOVER.
643
00:25:57,070 --> 00:25:58,370
WHO?
644
00:25:58,400 --> 00:26:00,400
KEEP ACTING IGNORANT,
AND YOU GET MORE.
645
00:26:00,440 --> 00:26:02,870
HE GAVE YOU UP ‐‐ THE MOTEL,
THE SEXUAL ASSAULT.
646
00:26:02,900 --> 00:26:04,540
YOU'RE A COLLAR FOR THAT,
TOO.
647
00:26:04,570 --> 00:26:05,870
OW! MY GOD!
648
00:26:05,900 --> 00:26:08,400
I WANT IT ON RECORD
THAT HE HAD A FAKE I. D.
649
00:26:08,440 --> 00:26:09,600
AND HE MADE THE MOVE.
650
00:26:09,640 --> 00:26:11,100
D‐DON'T HIT ME AGAIN.
651
00:26:11,140 --> 00:26:14,070
WE WANT A FULL STATEMENT OF WHAT
YOU DID WITH JOSH STOVER
652
00:26:14,100 --> 00:26:16,340
AND WHERE WE'RE GONNA FIND
SCOTT LOWE.
653
00:26:16,370 --> 00:26:18,700
I NEVER HEARD OF SCOTT LOWE
BEFORE TODAY.
654
00:26:18,740 --> 00:26:20,170
WHERE WERE YOU LAST NIGHT?
655
00:26:20,200 --> 00:26:23,070
I WAS HOME WORKING.
I TOLD YOU TO CHECK MY WORK LOG.
656
00:26:23,100 --> 00:26:25,440
OUR COMPUTER GUY SAYS
IT'S EASY TO FAKE.
657
00:26:25,470 --> 00:26:28,370
I DON'T KNOW WHERE HE IS!
I DON'T KNOW WHERE HE IS!
658
00:26:28,400 --> 00:26:29,600
[ CRIES ]
659
00:26:29,640 --> 00:26:31,770
I'M NOT A KIDNAPPER.
660
00:26:31,800 --> 00:26:34,070
YOU'RE JUST
A CHILD MOLESTER.
661
00:26:34,100 --> 00:26:37,340
[ CRYING ]
662
00:26:37,370 --> 00:26:39,600
I'M JUST SICK...
663
00:26:39,640 --> 00:26:41,540
LIKE A PERSON WITH CANCER.
664
00:26:41,570 --> 00:26:43,870
WE'RE NOT INTERESTED
IN THAT.
665
00:26:43,900 --> 00:26:46,500
I DON'T KNOW
WHERE SCOTT LOWE IS.
666
00:26:46,540 --> 00:26:49,740
YOU CAN BEAT ME
TILL I'M DEAD ON THE FLOOR,
667
00:26:49,770 --> 00:26:52,370
BUT I CAN'T TELL YOU
WHERE HE IS.
668
00:26:52,400 --> 00:26:53,940
YOUR STATEMENT.
669
00:26:53,970 --> 00:26:58,340
I'M SHAKING LIKE A LEAF.
670
00:26:58,370 --> 00:27:01,300
[ GASPING ]
671
00:27:07,540 --> 00:27:10,370
THIS IS DETECTIVE SIPOWICZ
FROM THE 15th SQUAD AGAIN.
672
00:27:10,400 --> 00:27:11,500
IT'S VERY IMPORTANT.
673
00:27:11,540 --> 00:27:14,100
PLEASE CALL WHEN YOU GET
THIS MESSAGE, MR. FOLKS.
674
00:27:14,140 --> 00:27:15,670
WHO'S FOLKS?
675
00:27:15,700 --> 00:27:18,170
NIGHT BARTENDER WHERE DANZIG
SAYS HE WAS LAST NIGHT.
676
00:27:18,200 --> 00:27:19,840
I CAN'T GET IN TOUCH
WITH HIM.
677
00:27:19,870 --> 00:27:21,440
UNIFORM SCOUTED
CONEY ISLAND,
678
00:27:21,470 --> 00:27:23,600
EVERY PLAYGROUND
AND ARCADE IN THE CITY.
679
00:27:23,640 --> 00:27:25,500
AND NOTHING FROM AVIATION
OR HARBOR.
680
00:27:25,540 --> 00:27:28,940
WHAT'S HE BEEN MISSING,
20 HOURS NOW?
681
00:27:28,970 --> 00:27:29,940
WELL?
682
00:27:29,970 --> 00:27:32,040
HE'S GOING FOR MOLESTING
THIS JOSH KID,
683
00:27:32,070 --> 00:27:34,270
BUT HE'S NO GOOD
FOR SCOTT LOWE.
684
00:27:34,300 --> 00:27:36,070
HOW HARD
YOU'D GO AT HIM?
685
00:27:36,100 --> 00:27:37,270
HARD ENOUGH.
686
00:27:37,300 --> 00:27:40,070
McDOWELL AND ORTIZ GETTING
JOSH AND HIS FAMILY HOME?
687
00:27:40,100 --> 00:27:41,400
YEAH.
SO, NOW WHAT?
688
00:27:41,440 --> 00:27:44,370
THIS VOLNEY SAYS THE KIDDIE
PORN ON HIS COMPUTER
689
00:27:44,400 --> 00:27:46,770
WAS SENT TO HIM BY
OUR VIGILANTE MUNTZ.
690
00:27:46,800 --> 00:27:47,870
GET HIM BACK IN.
691
00:27:47,900 --> 00:27:49,200
I WAS GOING TO, ANDY.
692
00:27:49,240 --> 00:27:50,440
WE'LL WAIT AWHILE,
693
00:27:50,470 --> 00:27:52,940
AND WE'LL TAKE ANOTHER CRACK
AT THIS DANZIG.
694
00:27:52,970 --> 00:27:54,200
I'M GETTING COFFEE.
695
00:27:54,240 --> 00:27:55,540
[ TELEPHONE RINGS ]
696
00:27:55,570 --> 00:27:57,440
15th SQUAD.
DETECTIVE CLARK.
697
00:27:57,470 --> 00:27:59,870
WHAT WAS THAT ‐‐
THAT LAWYER EARLIER?
698
00:27:59,900 --> 00:28:01,370
OH, MY FATHER'S ESTATE.
699
00:28:01,400 --> 00:28:02,840
IT'S VERY COMPLICATED,
700
00:28:02,870 --> 00:28:05,370
PROBABLY GONNA TAKE
A WHILE TO SORT OUT.
701
00:28:05,400 --> 00:28:06,770
DIDN'T HE HAVE A WILL?
702
00:28:06,800 --> 00:28:09,270
HE HAD A WILL, BUT THERE ARE
CREDITORS AND TAXES
703
00:28:09,300 --> 00:28:10,440
AND PROPERTY MIXED IN.
704
00:28:10,470 --> 00:28:12,170
WILL DIDN'T TAKE CARE
OF THAT?
705
00:28:12,200 --> 00:28:14,170
APPARENTLY HE DIDN'T PLAN
SUFFICIENTLY.
706
00:28:14,200 --> 00:28:15,840
SO IT'S GONNA COST YOU
MONEY?
707
00:28:15,870 --> 00:28:17,770
ACTUALLY, I SHOULD SEE
SOME MONEY ‐‐
708
00:28:17,800 --> 00:28:19,240
A DECENT SUM.
709
00:28:19,270 --> 00:28:21,070
YOU LEAVING HERE?
710
00:28:21,100 --> 00:28:23,040
NO. WHY WOULD YOU
THINK THAT?
711
00:28:23,070 --> 00:28:24,370
"DECENT SUM."
712
00:28:24,400 --> 00:28:27,570
I SPOKE WITH MY SISTER, AND
THE COMPLICATIONS OF HIS ESTATE
713
00:28:27,600 --> 00:28:29,570
COULD TAKE MONTHS
TO IRON OUT,
714
00:28:29,600 --> 00:28:33,100
SO FOR THE FORESEEABLE FUTURE,
I CAN'T AFFORD TO GO ANYWHERE.
715
00:28:33,140 --> 00:28:34,500
NOT THAT I'D WANT TO.
716
00:28:34,540 --> 00:28:37,470
THAT WAS FOLKS.
DANZIG'S ALIBI DIDN'T PAN OUT.
717
00:28:46,070 --> 00:28:47,370
PIECE OF ADVICE, STEVE ‐‐
718
00:28:47,400 --> 00:28:49,500
WHEN YOU GET A BUDDY
TO FRONT AN ALIBI,
719
00:28:49,540 --> 00:28:51,570
MAKE SURE HE'S WILLING
TO STICK TO IT.
720
00:28:51,600 --> 00:28:52,740
WHAT NOW?
721
00:28:52,770 --> 00:28:54,740
ONE THREAT OF SHUTTING
HIS BAR DOWN,
722
00:28:54,770 --> 00:28:57,070
YOUR PAL BACKED OFF
YOU BEING IN LAST NIGHT.
723
00:28:57,100 --> 00:28:58,370
ALL RIGHT.
724
00:28:58,400 --> 00:29:01,540
"ALL RIGHT, GET SET FOR ANOTHER
LIE"? WRONG, STEVE.
725
00:29:01,570 --> 00:29:04,840
TELL US WHERE THE KID IS,
WHAT THE CIRCUMSTANCES WERE,
726
00:29:04,870 --> 00:29:08,040
AND WE MIGHT HELP YOU COME UP
WITH A SYMPATHETIC ANGLE
727
00:29:08,070 --> 00:29:09,370
ON WHY YOU DID IT.
728
00:29:09,400 --> 00:29:11,670
YOU FOUGHT WITH HIM, HE TOOK
ATTENTION AWAY FROM YOU,
729
00:29:11,700 --> 00:29:13,200
YOU GOT PISSED
AND FLIPPED OUT.
730
00:29:13,240 --> 00:29:15,570
THAT SOUNDS A WHOLE LOT BETTER
THAN YOU'RE COLDBLOODED
731
00:29:15,600 --> 00:29:17,000
AND TOO DUMB TO KNOW
BETTER.
732
00:29:17,040 --> 00:29:18,840
I WAS WITH MY OLD GIRLFRIEND
LAST NIGHT.
733
00:29:18,870 --> 00:29:19,900
WE'RE PAST THAT.
734
00:29:19,940 --> 00:29:21,670
I WAS WITH HER ALL NIGHT.
735
00:29:21,700 --> 00:29:24,540
I JUST DIDN'T WANT CATHERINE
TO FIND OUT.
736
00:29:24,570 --> 00:29:26,040
MYSTERY GIRL'S NAME?
737
00:29:26,070 --> 00:29:27,100
PENNY LAPPIN.
738
00:29:27,140 --> 00:29:28,840
YEAH? WHERE'S SHE LIVE?
739
00:29:28,870 --> 00:29:31,500
4200 SECOND AVENUE,
FOURTH FLOOR, APARTMENT "C."
740
00:29:31,540 --> 00:29:34,070
I GOT HER HOME PHONE NUMBER,
HER PAGER, HER CELL.
741
00:29:34,100 --> 00:29:36,500
I WAS WITH HER ALL NIGHT.
SHE'LL CONFIRM IT.
742
00:29:36,540 --> 00:29:38,500
TAKES MORE THAN AN
EX‐GIRLFRIEND.
743
00:29:38,540 --> 00:29:42,740
WE ORDERED CHINESE
AT 11:00.
744
00:29:42,770 --> 00:29:44,040
I PAID THE DELIVERY GUY.
745
00:29:44,070 --> 00:29:46,040
PENNY WILL TELL YOU THE
RESTAURANT.
746
00:29:46,070 --> 00:29:48,070
YOU COULD TALK TO THE GUY
YOURSELF.
747
00:29:48,100 --> 00:29:49,440
YOU KNOW WE'LL CHECK THIS.
748
00:29:49,470 --> 00:29:50,440
I'M BEING HONEST.
749
00:29:50,470 --> 00:29:51,540
YOU SON OF A BITCH.
750
00:29:51,570 --> 00:29:52,740
I'M TELLING THE TRUTH.
751
00:29:52,770 --> 00:29:54,840
YOU COULD'VE GIVEN US THIS
HOURS AGO.
752
00:29:54,870 --> 00:29:57,340
I'M HOPING ME AND CATHERINE
CAN WORK THINGS OUT.
753
00:29:57,370 --> 00:29:58,740
THIS WOULDN'T HAVE HELPED.
754
00:29:58,770 --> 00:30:01,100
IS IT NOT CLEAR TO YOU
THAT A KID IS MISSING?
755
00:30:01,140 --> 00:30:02,240
I KNOW THAT.
756
00:30:02,270 --> 00:30:04,570
BUT YOU GOTTA LIE,
AND HIS MOM'S GOTTA LIE,
757
00:30:04,600 --> 00:30:07,100
'CAUSE YOU'RE BOTH TOO
THICKHEADED TO UNDERSTAND
758
00:30:07,140 --> 00:30:10,200
THAT EVERY MINUTE THAT YOU WASTE
PUTS HIM IN WORSE JEOPARDY.
759
00:30:19,970 --> 00:30:22,670
EMERGENCY SERVICES CALLED
ABOUT THE MISSING KID.
760
00:30:22,700 --> 00:30:25,240
THEY WANT YOU TO RESPOND
TO A VACANT LOT ON D.
761
00:30:25,270 --> 00:30:26,840
OH, GOD.
DID THEY FIND HIM?
762
00:30:26,870 --> 00:30:28,740
THEY DIDN'T SAY.
WHAT DID THEY SAY?
763
00:30:28,770 --> 00:30:30,770
JUST THAT THEY WANTED YOU
TO RESPOND.
764
00:30:30,800 --> 00:30:32,500
YOU DON'T ASK
NOTHING FURTHER?
765
00:30:32,540 --> 00:30:34,670
I'M ONLY TELLING YOU
WHAT I HEARD.
766
00:30:34,700 --> 00:30:36,270
I WOULD BE NICE
IF ONCE TODAY
767
00:30:36,300 --> 00:30:38,370
WE GOT A STRAIGHT ANSWER
FROM SOMEBODY.
768
00:30:38,400 --> 00:30:40,900
THIS PRICK'S LYING,
THE KID'S MOM'S PROTECTING HIM,
769
00:30:40,940 --> 00:30:43,700
AND THE DAD DON'T CARE 'CAUSE
HE'S TOO BUSY PLAYING GOLF.
770
00:30:43,740 --> 00:30:44,900
THIS WAS A KID MISSING.
771
00:30:44,940 --> 00:30:46,600
THE KID MIGHT STILL
BE MISSING.
772
00:30:46,640 --> 00:30:49,040
THEY DON'T CALL YOU TO
A VACANT LOT FOR A VISIT.
773
00:30:49,070 --> 00:30:50,870
DON'T YOU BLOW SMOKE
UP OUR ASSES.
774
00:30:50,900 --> 00:30:52,670
SECURE DANZIG AND
GET OUT THERE.
775
00:30:52,700 --> 00:30:56,040
THIS IS GONNA BE LOUSY.
776
00:31:09,010 --> 00:31:12,410
TAKE THIS AND FILL THIS OUT
AND GET IT BACK TO ME.
777
00:31:14,680 --> 00:31:17,640
PACKAGE FOR YOU.
778
00:31:17,680 --> 00:31:19,140
WHO LEFT IT?
779
00:31:19,180 --> 00:31:20,680
I DIDN'T SEE.
780
00:31:27,110 --> 00:31:29,780
ALL RIGHT, ANY OF YOU HEROES
WANT TO OWN UP TO THIS?
781
00:31:29,810 --> 00:31:32,540
"LUCKIEST MAN OF THE YEAR" ‐‐
WHAT'S THAT ALL ABOUT?
782
00:31:32,580 --> 00:31:34,110
YOU MIND YOUR OWN BUSINESS,
783
00:31:34,150 --> 00:31:37,120
'CAUSE THE NEXT GUY THAT SAYS
ANYTHING ABOUT MY PERSONAL LIFE
784
00:31:37,150 --> 00:31:39,150
DEALS WITH ME
IN THE PARKING LOT.
785
00:32:12,110 --> 00:32:14,640
RADIO THE BOSS.
LET HIM KNOW.
786
00:32:14,680 --> 00:32:18,610
THEN WE NOTIFY THE MOM.
I WANT TO SEE HER REACTION.
787
00:32:18,650 --> 00:32:20,050
15th SQUAD TO BASE.
788
00:32:20,080 --> 00:32:21,610
YEAH, NOTIFY THE BOSS.
789
00:32:21,650 --> 00:32:24,190
TELL HIM WE'VE GOT
A POSITIVE I. D.
790
00:32:36,180 --> 00:32:38,140
COULD YOU GIVE US
A MINUTE?
791
00:32:38,180 --> 00:32:40,280
CATH, I'LL MAKE YOU
SOME TEA.
792
00:32:41,980 --> 00:32:43,910
HOW YOU DOING, CATHERINE?
793
00:32:43,950 --> 00:32:46,820
I TOOK SOME VALIUM,
SO I'M BETTER ‐‐
794
00:32:46,850 --> 00:32:47,990
COPING.
795
00:32:48,010 --> 00:32:51,380
THERE'S NO EASY WAY
TO TELL YOU THIS.
796
00:32:51,410 --> 00:32:54,740
WE FOUND SCOTT'S BODY.
797
00:32:57,910 --> 00:32:59,280
YOU FOUND HIM?
798
00:32:59,310 --> 00:33:00,810
YEAH.
799
00:33:02,780 --> 00:33:04,440
WHAT HAPPENED?
800
00:33:04,480 --> 00:33:08,580
HE'S BEEN SHOT.
801
00:33:08,610 --> 00:33:09,940
WHERE'D YOU FIND HIM?
802
00:33:09,980 --> 00:33:12,140
IN A VACANT LOT
A FEW BLOCKS AWAY.
803
00:33:12,180 --> 00:33:13,580
YOU'RE SURE IT'S HIM?
804
00:33:15,080 --> 00:33:16,380
SHOULD I GO LOOK?
805
00:33:16,410 --> 00:33:18,910
WE CAN SHOW YOU A PHOTOGRAPH
WE TOOK OF THE BODY,
806
00:33:18,950 --> 00:33:21,250
BUT FROM THE PICTURES
YOU GAVE US EARLIER,
807
00:33:21,280 --> 00:33:22,540
WE'RE CERTAIN IT'S HIM.
808
00:33:22,580 --> 00:33:24,480
OKAY.
809
00:33:29,780 --> 00:33:31,810
CATHERINE, WE'RE GONNA HAVE
UNIFORM COME
810
00:33:31,850 --> 00:33:33,290
AND SAFEGUARD THE APARTMENT.
811
00:33:33,310 --> 00:33:35,380
WE NEED YOU TO STAY OUT
OF SCOTT'S ROOM.
812
00:33:35,410 --> 00:33:38,210
I'M REAL TIRED.
813
00:33:38,250 --> 00:33:39,650
ALL RIGHT.
814
00:33:39,680 --> 00:33:41,940
YOU GET SOME REST.
WE'LL TALK MORE LATER.
815
00:33:41,980 --> 00:33:43,510
YEAH. OKAY.
816
00:33:46,410 --> 00:33:48,280
IT'S BAD?
817
00:33:48,310 --> 00:33:50,040
OH, GOD.
818
00:33:50,080 --> 00:33:51,640
GET HER TO HER BEDROOM.
819
00:33:51,680 --> 00:33:54,240
SHE MAY NOT REMEMBER US
BEING HERE.
820
00:33:54,280 --> 00:33:57,310
WE'RE GONNA HAVE TO
TALK TO HER AGAIN LATER.
821
00:33:57,350 --> 00:33:59,320
[ SIGHS ]
822
00:34:13,150 --> 00:34:17,920
SO, I HEARD THAT BOY
WAS FOUND DEAD.
823
00:34:17,950 --> 00:34:21,390
YEAH. TAKE A SEAT.
824
00:34:21,410 --> 00:34:22,810
WAS IT THAT GUY FUNTIME?
825
00:34:22,850 --> 00:34:24,220
HE DIDN'T DO IT, NO.
826
00:34:24,250 --> 00:34:27,650
BUT WE WERE ABLE TO LOCK HIM UP
FOR ANOTHER CHILD HE MOLESTED.
827
00:34:27,680 --> 00:34:29,580
THAT'S GREAT.
MY FIRST ARREST.
828
00:34:29,610 --> 00:34:32,110
WE'VE GOT SOME OTHER QUESTIONS
TO ASK YOU.
829
00:34:32,150 --> 00:34:35,220
DO YOU KEEP A STASH OF KIDDIE
PORN ON YOUR COMPUTER?
830
00:34:35,250 --> 00:34:36,490
WHY ARE YOU ASKING?
831
00:34:36,510 --> 00:34:38,740
WELL, PETER VOLNEY ‐‐
FUNTIME ‐‐
832
00:34:38,780 --> 00:34:41,140
HE HAD KIDDIE PORN ON HIS
COMPUTER,
833
00:34:41,180 --> 00:34:43,240
AND HE SAID IT CAME
FROM YOU.
834
00:34:43,280 --> 00:34:46,910
WE CHECKED HIS E‐MAILS AND
CONFIRMED YOU WERE THE SOURCE.
835
00:34:46,950 --> 00:34:48,720
I DO HAVE SOME PHOTOGRAPHS.
836
00:34:48,750 --> 00:34:50,390
YOU REALIZE IT'S A CRIME.
837
00:34:50,410 --> 00:34:51,940
I HAVE THOSE PHOTOGRAPHS
838
00:34:51,980 --> 00:34:54,540
TO ENTICE WOULD‐BE PEDOPHILES
AND GAIN THEIR TRUST.
839
00:34:54,580 --> 00:34:56,210
WHICH YOU ALSO DO
BY ONLINE SEX.
840
00:34:56,250 --> 00:34:57,990
EVERY PHOTOGRAPH
I'VE DOWNLOADED
841
00:34:58,010 --> 00:34:59,980
HAS BEEN SYSTEMATICALLY
CATEGORIZED ‐‐
842
00:35:00,010 --> 00:35:01,880
SITE OF DOWNLOAD,
TIME OF DOWNLOAD,
843
00:35:01,910 --> 00:35:04,540
WHICH I PLAN TO PUT IN A REPORT
AND PRESENT TO POLICE
844
00:35:04,580 --> 00:35:06,580
SO THESE SICK BASTARDS
CAN BE ARRESTED.
845
00:35:06,610 --> 00:35:08,540
HAVE YOU EVER BEEN ARRESTED
YOURSELF?
846
00:35:08,580 --> 00:35:09,640
NO.
847
00:35:12,010 --> 00:35:13,210
WHAT?
848
00:35:13,250 --> 00:35:15,590
DID YOU FORGET YOUR PUBLIC
LEWDNESS COLLAR
849
00:35:15,610 --> 00:35:16,740
TWO YEARS AGO?
850
00:35:16,780 --> 00:35:19,240
YOU EXPOSED YOURSELF TO SOME
KIDS IN CENTRAL PARK.
851
00:35:19,280 --> 00:35:21,780
ALL I WAS DOING WAS URINATING
BEHIND A TREE.
852
00:35:21,810 --> 00:35:23,610
THERE WASN'T A BATHROOM
AROUND.
853
00:35:23,650 --> 00:35:26,620
GENERALLY, THAT'S JUST A SUMMONS
FOR PUBLIC URINATION.
854
00:35:26,650 --> 00:35:28,420
SOME KIDS HAPPENED TO
WALK BY,
855
00:35:28,450 --> 00:35:30,320
AND THE COP WOULDN'T
LISTEN TO ME.
856
00:35:30,350 --> 00:35:32,950
HAVE YOU EVER HAD SEXUAL URGES
TOWARD CHILDREN?
857
00:35:32,980 --> 00:35:34,080
NO. NO WAY.
858
00:35:34,110 --> 00:35:36,210
YOU'VE NEVER APPROACHED
A MINOR FOR SEX?
859
00:35:36,250 --> 00:35:38,120
NEVER. I'M OFFENDED
THAT YOU'D ASK.
860
00:35:38,150 --> 00:35:39,420
I CAN'T BELIEVE THIS.
861
00:35:39,450 --> 00:35:41,420
I CAN'T BELIEVE
I BOTHERED TO HELP YOU.
862
00:35:41,450 --> 00:35:42,920
WELL, WE DO APPRECIATE IT,
863
00:35:42,950 --> 00:35:45,250
AND WE'D LIKE TO RETURN THE
FAVOR BY HELPING YOU.
864
00:35:45,280 --> 00:35:47,710
SEE, POSSESSING CHILD
PORNOGRAPHY IS A FELONY,
865
00:35:47,750 --> 00:35:49,420
AND IT CAN GET YOU
JAIL TIME,
866
00:35:49,450 --> 00:35:51,620
BUT IF ADMIT YOU HAVE
WRONG FEELINGS TOWARD KIDS,
867
00:35:51,650 --> 00:35:54,250
WE COULD ASK THE D. A. FOR
PROBATION WITH COUNSELING
868
00:35:54,280 --> 00:35:55,580
AS PART OF YOUR SENTENCE.
869
00:35:55,610 --> 00:35:56,910
BUT YOU'VE GOTTA ADMIT IT.
870
00:35:56,950 --> 00:35:59,050
I'VE NEVER TOUCHED A CHILD ‐‐
NEVER.
871
00:35:59,080 --> 00:36:01,080
CAN YOU ACCOUNT FOR YOUR
WHEREABOUTS
872
00:36:01,110 --> 00:36:03,310
FROM 8:00 LAST NIGHT
TILL THIS MORNING?
873
00:36:03,350 --> 00:36:06,550
YOU THINK I HAD SOMETHING TO DO
WITH THIS BOY BEING KILLED?
874
00:36:06,580 --> 00:36:07,540
WHERE WERE YOU?
875
00:36:07,580 --> 00:36:09,540
AT MY AUNT'S HOUSE
ALL NIGHT.
876
00:36:09,580 --> 00:36:11,440
WE'LL NEED TO TALK
TO HER.
877
00:36:11,480 --> 00:36:12,810
WELL, FINE.
878
00:36:12,850 --> 00:36:17,790
I'VE NEVER HURT A CHILD
OR TOUCHED A CHILD ‐‐
879
00:36:17,810 --> 00:36:19,440
NEVER...EVER.
880
00:36:19,480 --> 00:36:21,440
BUT YOU'VE WANTED TO.
881
00:36:23,580 --> 00:36:26,740
[ SOBS ]
882
00:36:26,780 --> 00:36:28,280
DO YOU WANT OUR HELP?
883
00:36:31,450 --> 00:36:32,790
[ SOBBING ]
884
00:36:39,980 --> 00:36:43,580
SECOND MESSAGE, MS. LAPPIN.
PLEASE CALL AS SOON AS YOU CAN.
885
00:36:43,610 --> 00:36:46,580
NO ANSWER AT HER WORK EITHER.
I LEFT WORD.
886
00:36:46,610 --> 00:36:48,940
HAVE YOU TALKED TO
CATHERINE LOWE?
887
00:36:48,980 --> 00:36:50,540
WHACKED OUT ON VALIUM.
888
00:36:50,580 --> 00:36:53,240
WE'LL GET HER AGAIN
WHEN SHE WAKES UP.
889
00:36:53,280 --> 00:36:55,380
WHAT'D THE GUY SAY
WHO FOUND THE BODY?
890
00:36:55,410 --> 00:36:58,540
UH, CAN PICKER ‐‐ SAID HE WENT
IN TO SET UP CAMP FOR THE NIGHT,
891
00:36:58,580 --> 00:37:00,780
SAW LEGS STICKING OUT
FROM UNDER THE BAG.
892
00:37:00,810 --> 00:37:01,980
WASN'T BURIED AT ALL?
893
00:37:03,450 --> 00:37:04,590
ANYTHING ON CANVASS?
894
00:37:04,610 --> 00:37:06,740
NOTHING ‐‐ FOUND
A COUPLE OF APARTMENTS
895
00:37:06,780 --> 00:37:09,410
WITH WINDOWS FACING THE VACANT
LOT ‐‐ WEREN'T HOME.
896
00:37:09,450 --> 00:37:10,790
HOW ABOUT DANZIG'S ALIBI?
897
00:37:10,810 --> 00:37:12,080
CAN'T FIND THE GIRL.
898
00:37:12,110 --> 00:37:14,910
WE'RE GONNA HEAD BACK OUT
AND RECANVASS THOSE APARTMENTS.
899
00:37:14,950 --> 00:37:16,390
GIVE IT TO NIGHT WATCH.
900
00:37:16,410 --> 00:37:18,640
I WANT EVERYONE TO GO HOME
AND GET SOME REST.
901
00:37:18,680 --> 00:37:20,710
WE'LL GO AT IT
FRESH IN THE MORNING.
902
00:37:20,750 --> 00:37:22,650
[ SIGHS ]
903
00:37:22,680 --> 00:37:25,810
GO.
904
00:37:28,350 --> 00:37:29,490
ANYONE EAT TODAY?
905
00:37:29,510 --> 00:37:30,640
I'M NOT HUNGRY.
906
00:37:30,680 --> 00:37:33,980
WELL, NEITHER AM I, BUT
WE GOTTA CLEAR OUR HEADS.
907
00:37:55,650 --> 00:37:58,120
SO, HOW WAS DISNEY WORLD?
908
00:37:58,150 --> 00:37:59,490
IT WAS FUN.
909
00:37:59,510 --> 00:38:01,140
WELL, THEO LOVED IT.
910
00:38:01,180 --> 00:38:03,580
DID HE HAVE
A FAVORITE RIDE?
911
00:38:03,610 --> 00:38:05,110
THE HAUNTED HOUSE.
912
00:38:05,150 --> 00:38:09,150
HE LIKED THE BEARS, TOO ‐‐
THE COUNTRY BEAR JAMBOREE.
913
00:38:09,180 --> 00:38:10,780
WE SAW THAT FIVE TIMES.
914
00:38:10,810 --> 00:38:14,610
EVERY TIME THEY STARTED PLAYING
THEIR LITTLE INSTRUMENTS ‐‐
915
00:38:14,650 --> 00:38:17,920
THE WASHBOARD AND JUG ‐‐
HIS EYES WOULD LIGHT UP.
916
00:38:17,950 --> 00:38:19,590
I COULDN'T FIGURE IT OUT.
917
00:38:19,610 --> 00:38:21,110
HE WAS REALLY SWEET.
918
00:38:25,450 --> 00:38:26,790
ANYTHING HAPPEN LAST WEEK?
919
00:38:26,810 --> 00:38:28,810
UH, LAUNDROMAT
ON BERRY GOT ROBBED.
920
00:38:28,850 --> 00:38:31,390
PERP DROPPED HIS DRIVER'S
LICENSE RUNNING OUT.
921
00:38:31,410 --> 00:38:32,380
SHARP.
922
00:38:32,410 --> 00:38:34,040
OTHERWISE, PRETTY QUIET.
923
00:38:34,080 --> 00:38:37,380
I SAW A GOOD MOVIE ‐‐
A FRENCH MOVIE ‐‐ "AMéLIE."
924
00:38:37,410 --> 00:38:39,710
OH, YEAH, I HEARD
THAT WAS GOOD.
925
00:38:39,750 --> 00:38:41,090
IT WAS REALLY CUTE.
926
00:38:43,680 --> 00:38:45,440
YOU ‐‐
YOU SEE IT TOGETHER?
927
00:38:45,480 --> 00:38:46,610
YEAH.
928
00:38:46,650 --> 00:38:48,490
YOU GUYS BEEN GOING OUT?
929
00:38:48,510 --> 00:38:50,810
[ CLEARS THROAT ]
UH, YEAH.
930
00:38:50,850 --> 00:38:52,150
IT'S BEEN GOOD.
931
00:38:52,180 --> 00:38:54,140
[ CHUCKLES ]
THAT'S GREAT.
932
00:38:54,180 --> 00:38:55,280
SINCE WHEN?
933
00:38:55,310 --> 00:38:56,740
THE FIGHT.
934
00:38:56,780 --> 00:38:59,180
I SHOULD HAVE KNOWN.
935
00:39:00,910 --> 00:39:02,410
HUH.
936
00:39:02,450 --> 00:39:03,650
WHAT?
937
00:39:03,680 --> 00:39:05,810
THESE BALL‐BREAKING UNIFORMS
GET WIND OF THIS,
938
00:39:05,850 --> 00:39:07,720
THEY'RE GONNA GO
OUT OF THEIR MINDS.
939
00:39:07,750 --> 00:39:09,150
SCREW 'EM.
940
00:39:13,750 --> 00:39:15,420
I'D BETTER ROLL.
941
00:39:15,450 --> 00:39:17,120
SEE YOU TOMORROW.
942
00:39:17,150 --> 00:39:18,120
YEAH.
943
00:39:18,150 --> 00:39:19,290
STAY AWHILE.
944
00:39:19,310 --> 00:39:20,740
THEO'S WITH THE SITTER.
945
00:39:20,780 --> 00:39:23,410
I GOTTA TURN IN EARLY.
I'LL SEE YOU TOMORROW.
946
00:39:23,450 --> 00:39:25,950
GOOD NIGHT.
947
00:39:43,410 --> 00:39:45,210
DID YOU BRUSH
YOUR TEETH?
948
00:39:45,250 --> 00:39:46,450
YEAH.
949
00:39:46,480 --> 00:39:49,040
LET ME SEE.
950
00:39:49,080 --> 00:39:50,210
GOOD.
951
00:39:50,250 --> 00:39:52,050
ALL RIGHT, ONE STORY.
THEN BEDTIME.
952
00:39:52,080 --> 00:39:54,810
DAD, WHEN IS CONNIE
COMING OVER AGAIN?
953
00:39:54,850 --> 00:39:56,250
I DON'T KNOW. SOON.
954
00:39:56,280 --> 00:39:58,410
WHY ISN'T SHE HERE
ALL THE TIME?
955
00:39:58,450 --> 00:40:00,750
'CAUSE, UH,
SHE DOESN'T LIVE HERE.
956
00:40:00,780 --> 00:40:02,640
SHE'S GOT HER
OWN APARTMENT.
957
00:40:02,680 --> 00:40:05,880
I LIKED IN FLORIDA WHEN
SHE WAS AROUND ALL THE TIME.
958
00:40:05,910 --> 00:40:07,380
WELL, THAT WAS SPECIAL.
959
00:40:07,410 --> 00:40:09,540
THIS IS HOW THINGS ARE
NORMALLY.
960
00:40:09,580 --> 00:40:11,410
I LIKED IT BETTER
THE OTHER WAY.
961
00:40:11,450 --> 00:40:13,950
YEAH, I KNOW. I HEARD YOU
THE FIRST TIME, THEO.
962
00:40:13,980 --> 00:40:15,610
YOU WANT TO HEAR
THIS STORY?
963
00:40:15,650 --> 00:40:16,990
YEAH.
964
00:40:17,010 --> 00:40:19,280
"UP AT LAKE WINNEBAGO..."
965
00:40:19,310 --> 00:40:23,880
NEXT TIME CONNIE COMES OVER,
CAN I CALL HER "MOMMY"?
966
00:40:23,910 --> 00:40:25,880
NO, THEO.
SHE'S NOT YOUR MOMMY.
967
00:40:25,910 --> 00:40:27,280
THAT WOULDN'T BE RIGHT.
968
00:40:27,310 --> 00:40:29,510
SHE'S SORT OF ACTS
LIKE A MOMMY.
969
00:40:32,310 --> 00:40:34,710
DO YOU EVER THINK
OF YOUR REAL MOM AT ALL?
970
00:40:34,750 --> 00:40:35,950
I DON'T REMEMBER HER.
971
00:40:35,980 --> 00:40:38,310
WELL, YOUR REAL MOM
LOVED YOU VERY MUCH,
972
00:40:38,350 --> 00:40:39,750
AND IT WOULDN'T BE RIGHT
973
00:40:39,780 --> 00:40:42,740
TO JUST GO CALLING SOMEONE THE
SAME THING YOU CALLED HER.
974
00:40:42,780 --> 00:40:43,880
ARE YOU MAD?
975
00:40:43,910 --> 00:40:45,280
NO, I'M NOT MAD.
976
00:40:45,310 --> 00:40:48,240
IT'S JUST, YOU CAN'T GO THINKING
IT'S AN EASY THING
977
00:40:48,280 --> 00:40:51,280
TO REPLACE SOMEBODY YOU LOVED
AND WHO LOVED YOU BACK.
978
00:40:51,310 --> 00:40:53,310
YOU JUST CAN'T DO THAT
TO PEOPLE.
979
00:40:53,350 --> 00:40:55,750
OKAY.
980
00:40:55,780 --> 00:40:57,880
THEO, YOU WANT TO HEAR
THE STORY?
981
00:40:57,910 --> 00:40:59,210
I WANT TO GO TO BED.
982
00:40:59,250 --> 00:41:01,890
COME ON, THEO.
COME ON, LET'S READ THIS STORY.
983
00:41:01,910 --> 00:41:03,580
I'M TIRED.
984
00:41:23,510 --> 00:41:26,310
GET ANY SLEEP?
985
00:41:26,350 --> 00:41:27,450
YEAH.
986
00:41:27,480 --> 00:41:30,640
YOU WERE TOSSING AROUND
A LOT.
987
00:41:32,780 --> 00:41:35,440
HOW YOU DOING?
988
00:41:35,480 --> 00:41:36,780
OKAY.
989
00:41:36,810 --> 00:41:40,280
I SHOULD PROBABLY
GET GOING.
990
00:41:42,950 --> 00:41:45,490
HAVING DINNER WITH MY DAD
TONIGHT.
991
00:41:45,510 --> 00:41:48,380
SO YOU GUYS ARE STARTING
TO TALK MORE?
992
00:41:48,410 --> 00:41:52,240
YEAH. LITTLE BY LITTLE
GETTING IT BACK.
993
00:41:52,280 --> 00:41:54,280
HMM.
994
00:41:54,310 --> 00:41:56,280
I'M GLAD.
995
00:41:59,950 --> 00:42:02,820
I WANT HIM TO MEET YOU.
996
00:42:04,810 --> 00:42:08,240
THAT'D BE GREAT.
WHEN?
997
00:42:08,280 --> 00:42:09,540
TONIGHT.
998
00:42:09,580 --> 00:42:14,310
WHY DON'T YOU COME TO DINNER
IF YOU DON'T HAVE ANY PLANS?
999
00:42:14,350 --> 00:42:17,890
YOU SURE, 'CAUSE
THAT'S A STEP.
1000
00:42:17,910 --> 00:42:19,980
YEAH.
1001
00:42:20,010 --> 00:42:25,580
IT'D MEAN A LOT TO ME ‐‐
AND HIM.
1002
00:42:25,610 --> 00:42:28,670
THEN I'LL BE THERE.
1003
00:42:38,560 --> 00:42:42,020
GOOD MORNING, DETECTIVE.
1004
00:42:42,060 --> 00:42:43,520
MORNING.
1005
00:42:43,560 --> 00:42:44,620
HEY.
1006
00:42:44,660 --> 00:42:45,620
HEY.
1007
00:42:45,660 --> 00:42:46,690
YOU ALL RIGHT?
1008
00:42:46,730 --> 00:42:48,770
UH, THEO'S BEEN
CARRYING ON.
1009
00:42:48,790 --> 00:42:49,790
ABOUT?
1010
00:42:49,830 --> 00:42:50,970
WE GOT A D. O. A. FEMALE
1011
00:42:50,990 --> 00:42:52,920
OVER AT HER APARTMENT
ON 28th STREET.
1012
00:42:52,960 --> 00:42:55,290
YOU AND CONNIE, LET ME KNOW
IF YOU NEED HELP.
1013
00:42:55,330 --> 00:42:57,130
WHAT'S GOING ON
WITH SCOTT LOWE?
1014
00:42:57,160 --> 00:42:58,790
WE GOT A CAUSE OF DEATH
YET?
1015
00:42:58,830 --> 00:43:00,200
GUNSHOT TO THE CHEST.
1016
00:43:00,230 --> 00:43:01,830
ANY INDICATION
HE WAS ABUSED?
1017
00:43:01,860 --> 00:43:03,320
WE GOT M.E. WORKING
ON IT.
1018
00:43:03,360 --> 00:43:05,190
THE MOM'S BOYFRIEND,
STEVE DANZIG,
1019
00:43:05,230 --> 00:43:07,370
I FINALLY GOT AHOLD OF THE
EX‐GIRLFRIEND
1020
00:43:07,390 --> 00:43:09,090
THAT HE WAS BANGING
THAT NIGHT.
1021
00:43:09,130 --> 00:43:11,130
THEIR STORIES
ARE A COUPLE OF HOURS OFF.
1022
00:43:11,160 --> 00:43:12,460
JUNIOR'S BRINGING HIM IN.
1023
00:43:12,490 --> 00:43:13,690
WE LIKE HIM?
1024
00:43:13,730 --> 00:43:16,470
HE'S A DIRTBAG WHO'S ALREADY
LIED ONCE TO US, SO, YEAH.
1025
00:43:16,490 --> 00:43:17,920
THIS IS ALL OVER
THE MEDIA.
1026
00:43:17,960 --> 00:43:20,020
I DON'T KNOW IF ANYONE'S SEEN
THE PAPERS.
1027
00:43:20,060 --> 00:43:21,290
LET ME WORRY ABOUT THAT.
1028
00:43:21,330 --> 00:43:23,130
YOU TAKE CARE
OF WHAT YOU GOTTA DO.
1029
00:43:23,160 --> 00:43:25,490
ANDY, YOU AND JOHN
INTERVIEW THE BOYFRIEND.
1030
00:43:25,530 --> 00:43:28,200
GREG, YOU AND BALDWIN GO BACK
AND TALK TO THE MOM.
1031
00:43:28,230 --> 00:43:30,430
I WANT EVERYONE
WE INTERVIEWED YESTERDAY
1032
00:43:30,460 --> 00:43:32,620
RE‐INTERVIEWED
NOW THAT IT'S A HOMICIDE.
1033
00:43:32,660 --> 00:43:34,660
AND GO AS HARD AT THEM
AS NECESSARY.
1034
00:43:34,690 --> 00:43:36,960
THIS IS A 12‐YEAR‐OLD KID
MURDERED HERE.
1035
00:43:40,330 --> 00:43:43,830
HAVE A SEAT, STEVE.
1036
00:43:47,460 --> 00:43:49,690
WHERE WERE YOU THE NIGHT
SCOTT LOWE WAS KILLED?
1037
00:43:49,730 --> 00:43:51,300
DON'T BOTHER WITH
CONDOLENCES.
1038
00:43:51,330 --> 00:43:52,370
WHERE WERE YOU?
1039
00:43:52,390 --> 00:43:53,660
I ALREADY TOLD YOU.
1040
00:43:53,690 --> 00:43:55,790
I WAS WITH MY EX‐GIRLFRIEND,
PENNY LAPPIN.
1041
00:43:55,830 --> 00:43:57,530
I DIDN'T TELL YOU
TO BEGIN WITH
1042
00:43:57,560 --> 00:43:59,990
BECAUSE I DIDN'T WANT IT GETTING
BACK TO CATHERINE.
1043
00:44:00,030 --> 00:44:01,530
WHEN DID YOU LEAVE
PENNY'S?
1044
00:44:01,560 --> 00:44:03,790
YOU GUYS ARE AMAZING.
2:00 A. M. I TOLD YOU.
1045
00:44:03,830 --> 00:44:05,600
PENNY SAID YOU LEFT
AT MIDNIGHT.
1046
00:44:05,630 --> 00:44:08,170
DO YOU SEE A WRISTWATCH
HERE?
1047
00:44:08,190 --> 00:44:10,820
I WENT OVER, WE DID IT,
I LEFT.
1048
00:44:10,860 --> 00:44:12,020
IT WAS LATE.
1049
00:44:12,060 --> 00:44:14,320
IF PENNY SAID MIDNIGHT,
OKAY, SO I WAS OFF A LITTLE.
1050
00:44:14,360 --> 00:44:16,790
WHEN A GUY LEAVES AN
EX‐GIRLFRIEND'S APARTMENT
1051
00:44:16,830 --> 00:44:19,630
AFTER BANGING HER, WHEN
HE KNOWS HE SHOULDN'T BE THERE,
1052
00:44:19,660 --> 00:44:21,290
YOU KEEP AN EYE
ON THE CLOCK.
1053
00:44:21,330 --> 00:44:24,000
THAT'S YOU.
ME, I DON'T CARE.
1054
00:44:24,030 --> 00:44:28,430
SO, WHAT'D YOU DO AFTER YOU LEFT
PENNY'S AT MIDNIGHT?
1055
00:44:28,460 --> 00:44:30,820
OKAY, I'M GONNA TELL YOU
THIS ONE MORE TIME.
1056
00:44:30,860 --> 00:44:32,990
YOU'RE GONNA TELL US
WHATEVER WE ASK,
1057
00:44:33,030 --> 00:44:34,800
HOWEVER MANY TIMES
WE ASK IT.
1058
00:44:34,830 --> 00:44:37,470
I LEFT PENNY'S,
I WENT TO MY SHOP.
1059
00:44:37,490 --> 00:44:40,290
PASSED OUT ON THE COACH
IN THE BACK.
1060
00:44:40,330 --> 00:44:42,000
DID YOU HAVE ANY ARGUMENTS
WITH SCOTT
1061
00:44:42,030 --> 00:44:43,630
WHEN YOU WERE LIVING
WITH HIS MOM?
1062
00:44:43,660 --> 00:44:45,920
NO.
1063
00:44:45,960 --> 00:44:48,990
I KNOW YOU GUYS WANT TO PIN
SCOTT'S DEATH ON ME, BUT, SORRY,
1064
00:44:49,030 --> 00:44:51,770
LOOKS LIKE YOU'RE ACTUALLY GONNA
HAVE TO DO SOME WORK
1065
00:44:51,790 --> 00:44:53,460
AND FIND OUT WHO DID.
1066
00:44:53,490 --> 00:44:56,420
AM I UNDER ARREST OR NOT?
'CAUSE I GOT SOME WORK TO DO.
1067
00:44:56,460 --> 00:44:57,790
YEAH, GO TO WORK.
1068
00:44:57,830 --> 00:45:00,930
DON'T LET YOUR GIRLFRIEND'S KID
GETTING KILLED RUIN YOUR DAY.
1069
00:45:00,960 --> 00:45:02,820
IS THAT WHAT YOU
WANT ME TO DO?
1070
00:45:02,860 --> 00:45:04,920
DO YOU WANT ME TO CRY
AND CARRY ON
1071
00:45:04,960 --> 00:45:06,460
TO PROVE I DIDN'T DO IT?
1072
00:45:06,490 --> 00:45:09,190
WELL, I GOT FEELINGS
ABOUT WHAT HAPPENED TO SCOTT,
1073
00:45:09,230 --> 00:45:12,530
BUT I'M NOT GONNA BREAK DOWN
TO MAKE YOU GUYS FEEL BETTER.
1074
00:45:12,560 --> 00:45:13,860
STAY REACHABLE, STEVE.
1075
00:45:13,890 --> 00:45:15,690
YOU LISTEN TO ME.
HEY, I TOLD YOU ‐‐
1076
00:45:15,730 --> 00:45:17,030
SHUT UP AND LISTEN TO ME.
1077
00:45:17,060 --> 00:45:19,820
OR I'LL BE TALKING TO YOU WITH
MY SHOE PRESSED IN YOUR THROAT.
1078
00:45:19,860 --> 00:45:22,660
IF YOU HAD SOMETHING TO DO WITH
SCOTT LOWE GETTING KILLED ‐‐
1079
00:45:22,690 --> 00:45:24,760
YOU GUYS ARE AMAZING.
SHUT UP!
1080
00:45:24,790 --> 00:45:27,920
IF THIS WAS AN ACCIDENT,
NOW'S THE TIME TO TELL US.
1081
00:45:27,960 --> 00:45:30,960
IF WE GOTTA PROVE IT,
I DON'T CARE WHAT HAPPENED,
1082
00:45:30,990 --> 00:45:33,290
I'LL MAKE SURE
YOU GET THE NEEDLE.
1083
00:45:33,330 --> 00:45:34,700
AYE, AYE, CAPTAIN.
1084
00:45:35,730 --> 00:45:37,800
YOU GET OUT OF HERE.
1085
00:45:58,970 --> 00:46:00,040
WHAT DO WE GOT?
1086
00:46:00,070 --> 00:46:01,800
ELDERLY WOMAN ‐‐
VANESSA GAVIOLA.
1087
00:46:01,840 --> 00:46:02,970
HER APARTMENT.
1088
00:46:03,010 --> 00:46:04,150
WHO CALLED IT IN?
1089
00:46:04,170 --> 00:46:06,100
LARRY TYLER ‐‐
LIVES TWO DOORS DOWN.
1090
00:46:06,140 --> 00:46:07,470
HE'D DO ODD JOBS FOR HER.
1091
00:46:07,510 --> 00:46:10,010
WENT TO CHECK ON HER,
AND THIS IS WHAT HE FOUND.
1092
00:46:10,040 --> 00:46:12,100
THIS GUY'S A ‐‐
HE'S AN EX‐CON.
1093
00:46:12,140 --> 00:46:14,270
DID 10 YEARS
FOR A RAPE ASSAULT.
1094
00:46:14,310 --> 00:46:17,180
GUESS WE'LL HAVE
A CONVERSATION WITH HIM, THEN.
1095
00:46:17,210 --> 00:46:20,350
HE CAME RIGHT OUT WITH IT.
HE WAS BEING HONEST.
1096
00:46:20,370 --> 00:46:21,470
ALL RIGHT.
1097
00:46:21,510 --> 00:46:23,450
BUILDING SUPER'S
OVER THERE, TOO.
1098
00:46:23,470 --> 00:46:25,700
BLACK GUY ON THE STAIRS ‐‐
DON GOLDAMMER.
1099
00:46:25,740 --> 00:46:27,000
THEY WERE BOTH GOING ON
1100
00:46:27,040 --> 00:46:29,470
ABOUT THE OLD LADY'S GRANDSON
AS A SUSPECT.
1101
00:46:29,510 --> 00:46:30,880
I DIDN'T GET ANY DETAILS.
1102
00:46:30,910 --> 00:46:32,150
KEEP THEM BOTH AROUND.
1103
00:46:32,170 --> 00:46:33,340
YOU GOT IT.
1104
00:46:35,570 --> 00:46:37,070
[ SIGHS ]
1105
00:46:39,710 --> 00:46:42,050
HMM. STRANGLED.
1106
00:46:42,070 --> 00:46:43,870
DOESN'T LOOK
LIKE A ROBBERY.
1107
00:46:43,910 --> 00:46:46,180
SHE'S GOT AN EX‐CON RAPIST
DOING ERRANDS FOR HER.
1108
00:46:46,210 --> 00:46:48,280
YEAH, SOMETHING'S
A LITTLE OFF WITH THAT.
1109
00:46:48,310 --> 00:46:49,510
I'LL TAKE HIM.
1110
00:46:49,540 --> 00:46:51,100
WHY DON'T YOU TALK
TO THE SUPER?
1111
00:46:51,140 --> 00:46:52,200
OKAY.
1112
00:46:55,870 --> 00:46:57,370
LARRY TYLER?
YEAH.
1113
00:46:57,410 --> 00:46:58,980
DETECTIVE McDOWELL.
1114
00:46:59,010 --> 00:47:00,980
THAT'S HOW YOU FOUND HER?
1115
00:47:01,010 --> 00:47:02,110
YEAH.
1116
00:47:02,140 --> 00:47:03,270
DO YOU HAVE A KEY?
1117
00:47:03,310 --> 00:47:05,310
NO, THE DOOR
WAS OPEN A LITTLE,
1118
00:47:05,340 --> 00:47:07,870
WHICH IS UNUSUAL,
SO I DUCKED MY HEAD IN.
1119
00:47:07,910 --> 00:47:10,650
AS I TOLD YOUR OFFICER,
I GOT A RECORD.
1120
00:47:10,670 --> 00:47:13,470
I'M NOT TRYING
TO HIDE IT FROM ANYBODY.
1121
00:47:13,510 --> 00:47:14,650
RAPE ASSAULT?
1122
00:47:14,670 --> 00:47:15,700
YEAH.
1123
00:47:15,740 --> 00:47:17,200
AND MRS. GAVIOLA KNEW THAT?
1124
00:47:17,240 --> 00:47:18,540
EVERYBODY DID.
1125
00:47:18,570 --> 00:47:20,770
WHAT'S THIS
ABOUT HER GRANDSON?
1126
00:47:20,810 --> 00:47:23,710
JERRY GAVIOLA.
HE'S A REAL SAD CASE ‐‐ JUNKIE.
1127
00:47:23,740 --> 00:47:25,140
YOU LIKE HIM FOR DOING THIS?
1128
00:47:25,170 --> 00:47:27,540
HE WAS ALWAYS WORKING
MRS. GAVIOLA FOR MONEY.
1129
00:47:27,570 --> 00:47:29,200
SHE COULDN'T SAY "NO"
TO HIM.
1130
00:47:29,240 --> 00:47:30,370
WE'LL TALK TO HIM,
1131
00:47:30,410 --> 00:47:32,650
AND WE'RE GONNA NEED
TO TALK TO YOU.
1132
00:47:32,670 --> 00:47:34,040
SURE. I KNOW.
1133
00:47:36,640 --> 00:47:38,800
HOW LONG HAS
MRS. GAVIOLA LIVED HERE?
1134
00:47:38,840 --> 00:47:39,800
20 YEARS.
1135
00:47:39,840 --> 00:47:41,840
DO YOU KNOW
THIS GUY ‐‐ LARRY TYLER?
1136
00:47:41,870 --> 00:47:44,370
YEAH, I KNOW LARRY.
EVERYBODY HERE DOES.
1137
00:47:44,410 --> 00:47:46,050
HOW LONG HAS HE LIVED HERE?
1138
00:47:46,070 --> 00:47:47,100
TWO YEARS.
1139
00:47:47,140 --> 00:47:48,500
WHAT'S YOUR TAKE ON HIM?
1140
00:47:48,540 --> 00:47:51,100
YOU'D NEVER KNOW
HE WAS AN EX‐CON.
1141
00:47:51,140 --> 00:47:53,300
COURTEOUS, HELPFUL,
HONEST.
1142
00:47:53,340 --> 00:47:54,440
LIKE A BOY SCOUT.
1143
00:47:54,470 --> 00:47:56,140
I'M TELLING YOU,
HE'S A GOOD GUY.
1144
00:47:56,170 --> 00:47:58,700
I TRUST HIM
WITH MY GRANDKIDS.
1145
00:48:05,740 --> 00:48:09,600
Baldwin: AND, MS. LOWE,
WE'RE VERY SORRY FOR YOUR LOSS.
1146
00:48:09,640 --> 00:48:12,170
FIND WHO KILLED MY SON...
PLEASE.
1147
00:48:12,210 --> 00:48:14,350
WE'RE GONNA DO
EVERYTHING WE CAN.
1148
00:48:14,370 --> 00:48:15,540
[ SIGHS ]
1149
00:48:15,570 --> 00:48:17,540
UH, HAVING GIVEN IT
MORE THOUGHT,
1150
00:48:17,570 --> 00:48:19,600
IS THERE ANYONE
YOU'RE LEAVING OUT
1151
00:48:19,640 --> 00:48:22,600
WHO COULD HAVE HAD SOMETHING TO
DO WITH YOUR SON'S DEATH?
1152
00:48:22,640 --> 00:48:23,800
MY EX‐HUSBAND, JIM ‐‐
1153
00:48:23,840 --> 00:48:25,800
THAT'S THE ONLY PERSON
I CAN THINK ABOUT.
1154
00:48:25,840 --> 00:48:28,640
YOU FEEL YOUR EX‐HUSBAND WAS
CAPABLE OF KILLING SCOTT?
1155
00:48:28,670 --> 00:48:30,840
HE COULD HAVE TAKEN SCOTT,
KIDNAPPED HIM.
1156
00:48:30,870 --> 00:48:32,040
I KNOW THAT FOR SURE.
1157
00:48:32,070 --> 00:48:34,300
MAYBE SOMETHING WENT WRONG.
I DON'T KNOW.
1158
00:48:34,340 --> 00:48:36,600
ARE THERE MEN WHO
HAD ACCESS TO THIS APARTMENT,
1159
00:48:36,640 --> 00:48:38,300
OTHER THAN
YOUR BOYFRIEND STEVE?
1160
00:48:38,340 --> 00:48:39,640
NO.
1161
00:48:39,670 --> 00:48:41,670
NO ONE ELSE HAD KEYS
TO THE APARTMENT?
1162
00:48:41,710 --> 00:48:43,110
[ SOBS ]
1163
00:48:43,140 --> 00:48:47,300
SCOTT'S BIRTHDAY
IS NEXT WEEK.
1164
00:48:47,340 --> 00:48:49,970
HE WAS GONNA BE 13.
1165
00:48:51,970 --> 00:48:54,500
I HAD A PARTY PLANNED.
1166
00:48:54,540 --> 00:48:56,440
ANYONE ELSE HAVE KEYS,
MA'AM?
1167
00:48:56,470 --> 00:48:57,870
NO.
1168
00:48:57,910 --> 00:49:00,210
MS. LOWE, YOU SAID
THAT YOU WERE
1169
00:49:00,240 --> 00:49:02,540
AT O'DELL'S BAR
TWO NIGHTS AGO.
1170
00:49:02,570 --> 00:49:04,340
YEAH.
1171
00:49:04,370 --> 00:49:05,940
AND YOU LEFT AT 2:00 A. M.?
1172
00:49:05,970 --> 00:49:07,500
YES.
1173
00:49:07,540 --> 00:49:09,540
AND YOU WERE AT O'DELL'S
THE WHOLE TIME?
1174
00:49:09,570 --> 00:49:11,370
DIDN'T GO ANYWHERE ELSE?
1175
00:49:11,410 --> 00:49:14,550
OKAY, I WANT TO BE
VERY CLEAR ABOUT THIS.
1176
00:49:14,570 --> 00:49:16,040
IF YOU CAME HERE TO ASK ME
1177
00:49:16,070 --> 00:49:18,270
IF I KNOW WHO
COULD HAVE KILLED SCOTT,
1178
00:49:18,310 --> 00:49:19,610
FINE, I TOLD YOU.
1179
00:49:19,640 --> 00:49:22,500
BUT IF THIS CONVERSATION'S
GONNA TURN AROUND
1180
00:49:22,540 --> 00:49:25,640
TO YOU ASKING ME IF
I HAD ANYTHING TO DO WITH,
1181
00:49:25,670 --> 00:49:28,940
OR KNOW ANYTHING ABOUT,
MY SON'S DEATH,
1182
00:49:28,970 --> 00:49:30,540
YOU STOP RIGHT NOW,
1183
00:49:30,570 --> 00:49:33,200
BECAUSE THERE IS ONLY SO MUCH
I CAN TAKE!
1184
00:49:33,240 --> 00:49:36,170
WE NEED TO ASK EVERYONE
WHO WAS CLOSE TO SCOTT ‐‐
1185
00:49:36,210 --> 00:49:37,610
DID YOU HEAR ME?!
1186
00:49:37,640 --> 00:49:38,800
CRIME SCENE'S HERE.
1187
00:49:38,840 --> 00:49:39,870
YEAH, ONE MINUTE.
1188
00:49:39,910 --> 00:49:41,150
WHAT DOES THAT MEAN?
1189
00:49:41,170 --> 00:49:43,800
WE NEED TO PROCESS THE APARTMENT
FOR ANY FINGERPRINTS,
1190
00:49:43,840 --> 00:49:46,470
IN CASE THIS WAS AN ABDUCTION.
IT'LL TAKE A FEW HOURS.
1191
00:49:46,510 --> 00:49:48,380
IS THERE SOMEONE
YOU CAN STAY WITH ‐‐
1192
00:49:48,410 --> 00:49:50,980
A FRIEND OR A RELATIVE ‐‐
UNTIL CRIME SCENE IS DONE?
1193
00:49:51,010 --> 00:49:53,780
YOU'RE KICKING ME OUT
OF MY OWN HOUSE?
1194
00:49:53,810 --> 00:49:56,880
THIS HAS TO HAPPEN, MA'AM.
1195
00:49:56,910 --> 00:49:59,810
HEY, CATH, WAIT UP.
1196
00:50:07,370 --> 00:50:09,970
HAVE A SEAT.
1197
00:50:12,470 --> 00:50:13,940
YOU GOT A JOB, LARRY?
1198
00:50:13,970 --> 00:50:16,870
YES, I HANG SHEETROCK
FOR DICKERSON CONSTRUCTION.
1199
00:50:16,910 --> 00:50:18,950
BEEN DOING IT
FOR TWO YEARS NOW.
1200
00:50:18,970 --> 00:50:21,270
IS THAT WHERE YOU WERE
THIS MORNING?
1201
00:50:21,310 --> 00:50:23,280
NO, WE'RE BETWEEN JOBS.
1202
00:50:23,310 --> 00:50:25,180
WHERE WERE YOU?
1203
00:50:25,210 --> 00:50:26,810
MY APARTMENT, READING.
1204
00:50:26,840 --> 00:50:29,470
WHAT WAS YOUR RELATIONSHIP
LIKE WITH MRS. GAVIOLA?
1205
00:50:29,510 --> 00:50:30,950
I CONSIDERED HER A FRIEND.
1206
00:50:30,970 --> 00:50:33,100
I CAN SAY SHE FELT
THE SAME WAY ABOUT ME.
1207
00:50:33,140 --> 00:50:35,170
HOW OFTEN DID YOU DO
ODD JOBS FOR HER?
1208
00:50:35,210 --> 00:50:36,950
A LOT. SHE COULDN'T
GET AROUND MUCH.
1209
00:50:36,970 --> 00:50:38,170
WHAT KIND OF JOBS?
1210
00:50:38,210 --> 00:50:40,010
MRS. GAVIOLA HAD
NO FAMILY HERE,
1211
00:50:40,040 --> 00:50:41,670
OTHER THAN
HER GRANDSON JERRY,
1212
00:50:41,710 --> 00:50:44,180
WHO, LIKE I SAID,
WAS A REAL HEARTACHE FOR HER.
1213
00:50:44,210 --> 00:50:45,510
HE COULDN'T KICK DRUGS.
1214
00:50:45,540 --> 00:50:47,640
HE'S ALWAYS BE WORKING HER
FOR MONEY.
1215
00:50:47,670 --> 00:50:49,770
WE'LL GET ALL THAT
WHEN WE TALK TO JERRY.
1216
00:50:49,810 --> 00:50:51,850
WHAT KIND OF JOBS
DID YOU DO FOR HER?
1217
00:50:51,870 --> 00:50:54,970
I'D GET GROCERIES FOR HER,
BRING HER MAIL.
1218
00:50:55,010 --> 00:50:57,650
I'D COOK FOR HER.
I LIKE TO COOK.
1219
00:50:57,670 --> 00:51:00,340
A LOT OF TIME,
WE'D JUST SIT AROUND AND TALK.
1220
00:51:00,370 --> 00:51:02,500
SHE GREW UP
DURING THE DEPRESSION,
1221
00:51:02,540 --> 00:51:04,500
SO SHE ALWAYS HAD
SOME STORIES.
1222
00:51:04,540 --> 00:51:05,840
[ SIGHS ]
1223
00:51:05,870 --> 00:51:07,440
YOU STILL ON PAROLE?
1224
00:51:07,470 --> 00:51:08,970
TWO MORE YEARS, YEAH.
1225
00:51:09,010 --> 00:51:11,280
WE'RE GONNA NEED YOU
TO ACCOUNT FOR YOUR DAY
1226
00:51:11,310 --> 00:51:12,380
AND VERIFY EMPLOYMENT.
1227
00:51:12,410 --> 00:51:14,380
WE'RE GONNA NEED
TO TALK TO YOUR P. O.
1228
00:51:14,410 --> 00:51:16,510
I KNOW WHY YOU'RE TALKING
TO ME RIGHT NOW.
1229
00:51:16,540 --> 00:51:18,200
I GOT NO HARD FEELINGS
ABOUT IT.
1230
00:51:18,240 --> 00:51:20,870
GOOD.
1231
00:51:23,310 --> 00:51:24,450
ANYTHING ON THE MOM?
1232
00:51:24,470 --> 00:51:26,770
NO, WE'RE GONNA GO
BY THE BAR SHE WAS AT
1233
00:51:26,810 --> 00:51:29,780
THE NIGHT HER SON WENT MISSING,
VERIFY SHE WAS THERE.
1234
00:51:29,810 --> 00:51:31,610
CRIME SCENE'S PROCESSING
THE APARTMENT.
1235
00:51:31,640 --> 00:51:32,700
Tony: ALL RIGHT.
1236
00:51:32,740 --> 00:51:34,370
HEY, I RAN THE DAD'S RECORD.
1237
00:51:34,410 --> 00:51:37,310
TOOK A LOITERING COLLAR
IN THE MEATPACKING DISTRICT
1238
00:51:37,340 --> 00:51:38,470
15 YEARS AGO.
1239
00:51:38,510 --> 00:51:40,380
HE SURE DID.
1240
00:51:40,410 --> 00:51:41,650
ARE WE BRINGING HIM IN?
1241
00:51:41,670 --> 00:51:43,240
YEAH, HE'S ON HIS WAY.
1242
00:51:45,070 --> 00:51:47,640
LOOKING FOR
DETECTIVE SIPOWICZ.
1243
00:51:47,670 --> 00:51:48,700
RIGHT HERE.
1244
00:51:48,740 --> 00:51:51,340
DETECTIVE GEOGHAN,
BOROUGH TRUSTEE.
1245
00:51:51,370 --> 00:51:53,370
YEAH, WE WERE GONNA DO THIS
NEXT WEEK.
1246
00:51:53,410 --> 00:51:56,680
I HAD A MEETING HERE,
SO I THOUGHT I'D TRY YOU.
1247
00:51:56,710 --> 00:51:57,950
GOT YOUR FOLDER.
1248
00:51:57,970 --> 00:51:59,670
ALL RIGHT, REAL QUICK.
1249
00:51:59,710 --> 00:52:01,950
JOHN, THERE'S GONNA BE
SOMEONE DROPPING BY
1250
00:52:01,970 --> 00:52:03,340
TO PICK UP OUR TIME RECORDS.
1251
00:52:03,370 --> 00:52:04,470
HAVE THEM READY.
1252
00:52:04,510 --> 00:52:05,510
CERTAINLY.
1253
00:52:05,540 --> 00:52:07,040
SIT DOWN.
1254
00:52:07,070 --> 00:52:08,170
OKAY.
1255
00:52:08,210 --> 00:52:10,350
WANT SOME COFFEE
OR ANYTHING?
1256
00:52:10,370 --> 00:52:11,870
I'M GOOD.
1257
00:52:11,910 --> 00:52:13,810
IT'S JUST THAT, UH,
1258
00:52:13,840 --> 00:52:17,340
A FRIEND OF MINE'S DAD
DIED RECENTLY,
1259
00:52:17,370 --> 00:52:19,970
AND I GUESS HE LEFT A MESS
IN TERMS OF PAPERWORK,
1260
00:52:20,010 --> 00:52:22,950
SO I WANTED TO MAKE SURE
I WAS UP TO SPEED WITH ALL THAT.
1261
00:52:22,970 --> 00:52:25,140
ANYTHING YOU WANT TO KNOW
IN PARTICULAR?
1262
00:52:25,170 --> 00:52:27,470
YEAH, MOSTLY IF SOMETHING
HAPPENED TO ME,
1263
00:52:27,510 --> 00:52:29,280
WHAT I GOT COMING
FOR MY SON.
1264
00:52:29,310 --> 00:52:30,680
HE'S 6.
1265
00:52:30,710 --> 00:52:33,110
WELL, TO START, CITY PAYS
A BENEFICIARY
1266
00:52:33,140 --> 00:52:36,270
YOUR SALARY, TAX‐FREE,
FOR THE REMAINDER OF THEIR LIFE.
1267
00:52:36,310 --> 00:52:38,310
IT IT'S A MINOR,
TILL THEY'RE 18.
1268
00:52:38,340 --> 00:52:39,940
23, IF THEY GO TO COLLEGE.
1269
00:52:39,970 --> 00:52:41,700
YOU ALSO GOT $100,000 COMING
1270
00:52:41,740 --> 00:52:44,100
FROM YOUR D.E.A.
INSURANCE POLICY,
1271
00:52:44,140 --> 00:52:45,770
PLUS 10 GRAND FOR THE BURIAL.
1272
00:52:45,810 --> 00:52:47,710
HE'D BE TAKEN CARE OF?
MM‐HMM.
1273
00:52:47,740 --> 00:52:50,470
HE'D ALSO GET $10,000
FROM THE POLICE RELIEF FUND.
1274
00:52:50,510 --> 00:52:51,610
YOU'RE FIRST GRADE?
1275
00:52:51,640 --> 00:52:52,870
YEAH.
1276
00:52:52,910 --> 00:52:54,780
YOU KNOW THAT THREE BUCKS
IN CHANGE
1277
00:52:54,810 --> 00:52:57,280
YOU PUT IN EVERY DAY
FOR THE D. E. A. ANNUITY BENEFIT?
1278
00:52:57,310 --> 00:52:59,510
THAT WOULD PROBABLY PAY OUT
30 OR 40 GRAND.
1279
00:52:59,540 --> 00:53:01,800
IS THIS IF I DIE
IN THE LINE OF DUTY OR NOT?
1280
00:53:01,840 --> 00:53:04,700
NO, YOU GET HIT BY A BUS
ON THE WAY HOME
1281
00:53:04,740 --> 00:53:07,170
OR DROP DEAD
FROM A HEART ATTACK,
1282
00:53:07,210 --> 00:53:09,280
THAT'S CALLED A DEATH GAMBLE.
1283
00:53:09,310 --> 00:53:10,610
YEAH, HUH?
1284
00:53:10,640 --> 00:53:12,640
ANY MONEY DUE YOU FROM
THE CITY IS PRORATED.
1285
00:53:12,670 --> 00:53:15,100
LIKE, YOU RETIRED
THE DAY BEFORE YOU DIED.
1286
00:53:15,140 --> 00:53:16,500
YOU DIED TODAY,
1287
00:53:16,540 --> 00:53:18,970
PROBABLY COME TO ANYWHERE FROM
600 TO 800 GRAND,
1288
00:53:19,010 --> 00:53:20,880
PLUS THE $100,000
FROM THE D. E. A.
1289
00:53:20,910 --> 00:53:22,210
AND $10,000 FOR BURIAL.
1290
00:53:22,240 --> 00:53:24,640
SO EITHER WAY,
MY SON WOULD BE TAKEN CARE OF?
1291
00:53:24,670 --> 00:53:26,100
MM‐HMM.
1292
00:53:26,140 --> 00:53:28,800
CITY AND LIFE INSURANCE
BOTH LIST AS SOLE BENEFICIARY
1293
00:53:28,840 --> 00:53:30,140
YOUR WIFE, SYLVIA COSTAS.
1294
00:53:30,170 --> 00:53:31,340
THAT STILL WORK?
1295
00:53:31,370 --> 00:53:32,470
NO.
1296
00:53:32,510 --> 00:53:35,680
NO, SHE PASSED AWAY
THREE YEARS AGO.
1297
00:53:35,710 --> 00:53:37,050
SORRY TO HEAR THAT.
1298
00:53:37,070 --> 00:53:39,840
ACTUALLY HAPPENS
MORE OFTEN THAN YOU'D THINK ‐‐
1299
00:53:39,870 --> 00:53:42,500
GUYS NOT UPDATING
THEIR POLICY
1300
00:53:42,540 --> 00:53:44,500
AFTER A DIVORCE OR DEATH.
1301
00:53:44,540 --> 00:53:47,770
SO I GUESS YOU'D WANT YOUR SON
LISTED AS BENEFICIARY.
1302
00:53:47,810 --> 00:53:48,950
YEAH.
1303
00:53:48,970 --> 00:53:50,300
FILL THIS OUT.
1304
00:53:50,340 --> 00:53:51,600
WITH A MINOR BENEFICIARY,
1305
00:53:51,640 --> 00:53:53,500
YOU'RE GONNA WANT
TO SET UP A TRUST.
1306
00:53:53,540 --> 00:53:56,300
WHO'S GONNA BE THE GUARDIAN
OF YOUR SON IN CASE YOU DIE?
1307
00:53:56,340 --> 00:53:58,370
I'M GONNA HAVE TO DO THIS
SOME OTHER TIME.
1308
00:53:58,410 --> 00:54:00,580
SURE.
1309
00:54:18,140 --> 00:54:21,140
WE'RE VERY SORRY
FOR WHAT HAPPENED TO SCOTT.
1310
00:54:21,170 --> 00:54:23,340
I KEPT HOPING.
I KEPT HOPING.
1311
00:54:23,370 --> 00:54:26,470
ANY LEADS, ANY HUNCHES,
ANYTHING?
1312
00:54:26,510 --> 00:54:28,480
IT'S VERY EARLY
IN THE INVESTIGATION.
1313
00:54:28,510 --> 00:54:30,750
THIS IS GONNA COME BACK
TO SOME SCUMBAG
1314
00:54:30,770 --> 00:54:32,670
THAT WAS MIXED UP
WITH CATHERINE.
1315
00:54:32,710 --> 00:54:34,150
MR. LOWE, AS INVESTIGATORS,
1316
00:54:34,170 --> 00:54:36,400
WE HAVE TO MAINTAIN
COMPLETE OBJECTIVITY.
1317
00:54:36,440 --> 00:54:37,800
WE HAVE TO LOOK AT EVERYONE,
1318
00:54:37,840 --> 00:54:39,940
AND WE HAVE TO ASK
DIFFICULT QUESTIONS.
1319
00:54:39,970 --> 00:54:40,940
I UNDERSTAND.
1320
00:54:40,970 --> 00:54:42,900
YOU WERE ARRESTED
FOR LOITERING
1321
00:54:42,940 --> 00:54:45,470
IN THE MEATPACKING DISTRICT
15 YEARS AGO.
1322
00:54:45,510 --> 00:54:46,610
I REMEMBER, YEAH.
1323
00:54:46,640 --> 00:54:47,900
WHAT WAS THAT ALL ABOUT?
1324
00:54:47,940 --> 00:54:49,100
WHY?
1325
00:54:49,140 --> 00:54:51,140
WE GOTTA ASK
SOME DIFFICULT QUESTIONS.
1326
00:54:51,170 --> 00:54:53,440
I HAD AN OPEN BEER
IN THE STREET.
1327
00:54:53,470 --> 00:54:55,570
THIS IS WHEN
I WAS IN COLLEGE.
1328
00:54:55,610 --> 00:54:56,680
I WAS BEING STUPID.
1329
00:54:56,710 --> 00:54:58,180
THIS IS OUTSIDE A GAY CLUB.
1330
00:54:58,210 --> 00:54:59,450
I WAS IN FROM UPSTATE.
1331
00:54:59,470 --> 00:55:01,440
I'D NEVER SEEN
PEOPLE LIKE THAT.
1332
00:55:01,470 --> 00:55:02,500
I WAS DRUNK.
1333
00:55:02,540 --> 00:55:04,270
I WENT DOWN THERE
TO RUBBERNECK,
1334
00:55:04,310 --> 00:55:05,280
AND I GOT ARRESTED.
1335
00:55:05,310 --> 00:55:07,180
IT WAS A COMPLETE
MISUNDERSTANDING.
1336
00:55:07,210 --> 00:55:09,510
WE RUN YOUR NAME
FOR PRIOR ARRESTS NATIONWIDE,
1337
00:55:09,540 --> 00:55:11,900
ARE WE GONNA FIND
ANY OTHER MISUNDERSTANDINGS?
1338
00:55:11,940 --> 00:55:12,900
NO!
1339
00:55:12,940 --> 00:55:14,140
WHEN WE ASK PEOPLE,
1340
00:55:14,170 --> 00:55:16,340
ARE WE GONNA HEAR
ABOUT A GAY LIFESTYLE?
1341
00:55:16,370 --> 00:55:17,600
NO!
1342
00:55:17,640 --> 00:55:20,070
THESE MISUNDERSTANDINGS
CONTRIBUTE TO YOUR DIVORCE?
1343
00:55:20,110 --> 00:55:22,950
I'M HOPING YOU'RE NOT GOING
WHERE I THINK YOU'RE GOING!
1344
00:55:22,970 --> 00:55:25,170
GETTING ANGRY
WILL ONLY MAKE THINGS WORSE,
1345
00:55:25,210 --> 00:55:27,580
SO STAY CALM,
UNDERSTAND WHY WE HAVE TO ASK,
1346
00:55:27,610 --> 00:55:28,910
AND ANSWER THE QUESTIONS.
1347
00:55:28,940 --> 00:55:31,500
I AM NOT GAY!
I'M NOT ATTRACTED TO BOYS!
1348
00:55:31,540 --> 00:55:34,570
I WASN'T ATTRACTED TO MY SON!
CAN WE DROP THAT?!
1349
00:55:34,610 --> 00:55:37,780
MR. LOWE, DID YOU HAVE ANYTHING
TO DO WITH YOUR SON'S DEATH?
1350
00:55:37,810 --> 00:55:38,780
NO!
1351
00:55:38,810 --> 00:55:40,780
WE CAN HELP YOU NOW
IF YOU DID.
1352
00:55:40,810 --> 00:55:42,310
IF YOU WAIT TILL LATER,
1353
00:55:42,340 --> 00:55:45,070
THAT DECISION CAN ADD
10, 20 YEARS IN JAIL.
1354
00:55:45,110 --> 00:55:46,910
NOW IS THE TIME
TO TALK TO US
1355
00:55:46,940 --> 00:55:48,770
IF YOU HAD ANY INVOLVEMENT
WHATSOEVER.
1356
00:55:48,810 --> 00:55:50,180
NO, I DIDN'T!
1357
00:55:50,210 --> 00:55:52,650
I WOULD LIKE TO GO NOW
SO YOU CAN DEVOTE YOUR TIME
1358
00:55:52,670 --> 00:55:54,270
TO FINDING OUT
WHO KILLED MY SON!
1359
00:55:54,310 --> 00:55:55,780
WE'RE GONNA NEED YOU
1360
00:55:55,810 --> 00:55:58,680
TO ACCOUNT FOR WHERE YOU WERE
THE DAY SCOTT WAS MURDERED.
1361
00:56:00,710 --> 00:56:02,410
I AM DEEPLY OFFENDED.
1362
00:56:02,440 --> 00:56:03,600
WE UNDERSTAND.
1363
00:56:03,640 --> 00:56:05,600
WRITE DOWN WHERE YOU WERE
TWO DAYS AGO.
1364
00:56:14,940 --> 00:56:16,140
DAVE McCLANAHAN?
1365
00:56:16,170 --> 00:56:17,600
YEAH.
1366
00:56:17,640 --> 00:56:20,140
DETECTIVES JONES AND MEDAVOY.
WE SPOKE ON THE PHONE.
1367
00:56:20,170 --> 00:56:21,570
WHAT'S UP?
1368
00:56:21,610 --> 00:56:22,910
YOU KNOW A CATHERINE LOWE?
1369
00:56:22,940 --> 00:56:25,400
SHE'S A REGULAR.
IS THIS ABOUT HER KID?
1370
00:56:25,440 --> 00:56:27,140
WAS SHE IN HERE
ON WEDNESDAY NIGHT?
1371
00:56:27,170 --> 00:56:28,240
YEAH.
1372
00:56:28,270 --> 00:56:29,770
WHEN SHE LEAVE?
1373
00:56:29,810 --> 00:56:32,980
CATHERINE HAD NOTHING TO DO
WITH HER KID GETTING KILLED.
1374
00:56:33,010 --> 00:56:34,250
WHEN SHE LEAVE?
1375
00:56:34,270 --> 00:56:36,470
LATE, LIKE MIDNIGHT.
I DON'T KNOW. I WAS BUSY.
1376
00:56:36,510 --> 00:56:37,980
WAS SHE WITH ANY GUYS?
1377
00:56:38,010 --> 00:56:39,580
SHE WAS SOCIALIZING.
1378
00:56:39,610 --> 00:56:40,850
SHE LEAVE WITH ANYBODY?
1379
00:56:40,870 --> 00:56:42,240
NOT THAT I SAW.
1380
00:56:42,270 --> 00:56:44,770
ARE YOU GUYS LOOKING
AT CATHERINE FOR DOING THIS?
1381
00:56:44,810 --> 00:56:47,250
DAVE, WE GOT PLACES TO BE.
HOW ABOUT ANSWERING?
1382
00:56:47,270 --> 00:56:50,170
I DON'T KNOW ABOUT HER
AND ANY GUYS.
1383
00:56:50,210 --> 00:56:51,710
THANKS FOR YOUR HELP.
1384
00:56:54,370 --> 00:56:56,000
HEY, HEY, ARE YOU GUYS COPS?
1385
00:56:56,040 --> 00:56:57,400
YEAH, WHY?
1386
00:56:57,440 --> 00:57:00,300
YOU'RE ASKING ABOUT CATHERINE'S
SON, SCOTT, GETTING KILLED?
1387
00:57:00,340 --> 00:57:01,600
YOU KNOW ANYTHING?
1388
00:57:01,640 --> 00:57:03,800
CATHERINE'S SO
HEAD‐OVER‐HEELS WITH STEVE,
1389
00:57:03,840 --> 00:57:05,240
SHE'S NOT THINKING STRAIGHT.
1390
00:57:05,270 --> 00:57:06,600
STEVE, HER BOYFRIEND?
1391
00:57:06,640 --> 00:57:09,800
CATH COMES IN UPSET BECAUSE
HER AND STEVE BROKE UP.
1392
00:57:09,840 --> 00:57:11,800
WHAT CAUSED IT WAS
STEVE AND SCOTT
1393
00:57:11,840 --> 00:57:14,640
GET IN THIS ARGUMENT,
AND STEVE SMACKS SCOTT AROUND.
1394
00:57:14,670 --> 00:57:16,270
CATH DIDN'T WANNA TELL
THE COPS
1395
00:57:16,310 --> 00:57:18,650
BECAUSE SHE FIGURED
IT WOULD MAKE STEVE LOOK BAD.
1396
00:57:18,670 --> 00:57:20,140
AND SHE SWEARS
1397
00:57:20,170 --> 00:57:22,470
HE HAD NOTHING TO DO
WITH SCOTT BEING MISSING.
1398
00:57:22,510 --> 00:57:26,480
AND NOW SCOTT IS DEAD,
SO I DON'T KNOW.
1399
00:57:26,510 --> 00:57:28,810
WHAT'S YOUR NAME, MA'AM?
1400
00:57:28,840 --> 00:57:31,440
PAM GALLAHER.
I THOUGHT YOU SHOULD KNOW.
1401
00:57:31,470 --> 00:57:33,270
THANKS FOR YOUR HELP, MA'AM.
1402
00:57:33,310 --> 00:57:34,650
YEAH.
1403
00:57:41,340 --> 00:57:43,970
HAVE A SEAT, JERRY.
1404
00:57:44,010 --> 00:57:46,480
WHERE YOU BEEN
THIS MORNING?
1405
00:57:48,770 --> 00:57:49,940
WHY?
1406
00:57:49,970 --> 00:57:51,400
JUST ANSWER THE QUESTION.
1407
00:57:51,440 --> 00:57:54,070
I GOT A BUST CARD FROM THE ACLU
IN MY WALLET.
1408
00:57:54,110 --> 00:57:56,780
I COULD READ YOU
WHAT MY RIGHTS ARE.
1409
00:57:56,810 --> 00:57:58,810
YOU'LL BE READING IT
FROM THAT CAGE.
1410
00:57:58,840 --> 00:58:01,840
WE'LL COME BACK IN THREE HOURS
AND ASK YOU THE SAME QUESTIONS.
1411
00:58:01,870 --> 00:58:04,340
I WAS OUT...
1412
00:58:04,370 --> 00:58:07,940
WANDERING AROUND,
NOTHING MUCH ‐‐ NO BIG DEAL.
1413
00:58:07,970 --> 00:58:09,300
STOP BY YOUR GRANDMA'S?
1414
00:58:09,340 --> 00:58:10,470
NO.
1415
00:58:10,510 --> 00:58:12,180
WE FOUND HER, JERRY.
1416
00:58:12,210 --> 00:58:13,480
YEAH, WHERE?
1417
00:58:13,510 --> 00:58:15,480
IN HER APARTMENT, MURDERED.
1418
00:58:15,510 --> 00:58:19,150
[ SCOFFS ] YEAH, NO WAY.
1419
00:58:19,170 --> 00:58:20,300
YEAH.
1420
00:58:22,510 --> 00:58:23,850
ARE YOU GUYS SERIOUS?
1421
00:58:23,870 --> 00:58:28,800
JERRY...DO YOU KNOW ANYTHING
ABOUT THIS?
1422
00:58:28,840 --> 00:58:30,600
SHE'S REALLY DEAD?
1423
00:58:30,640 --> 00:58:32,170
YES, SHE'S DEAD.
1424
00:58:32,210 --> 00:58:35,180
SHE'S NOT ‐‐ SHE CAN'T ‐‐
SHE'S NOT DEAD.
1425
00:58:35,210 --> 00:58:36,580
SHE CAN'T BE DEAD.
1426
00:58:36,610 --> 00:58:38,950
DID YOU GO BY YOUR GRANDMA'S
TO GET SOME MONEY
1427
00:58:38,970 --> 00:58:40,140
AND SHE TURNED YOU DOWN?
1428
00:58:40,170 --> 00:58:43,340
LARRY SOMEBODY ‐‐ THIS GUY
WHO LIVED ON HER FLOOR.
1429
00:58:43,370 --> 00:58:44,440
HE'S AN EX‐CON.
1430
00:58:44,470 --> 00:58:46,970
I TOLD HER
NOT TO HANG AROUND WITH HIM,
1431
00:58:47,010 --> 00:58:48,850
BUT SHE SAID
THAT HE CHANGED.
1432
00:58:48,870 --> 00:58:51,270
SHE'S A CHRISTIAN.
SHE'S INTO FORGIVENESS.
1433
00:58:51,310 --> 00:58:53,410
BUT I TOLD HER.
I TOLD HER!
1434
00:58:53,440 --> 00:58:56,400
I CAN'T BELIEVE SHE'S DEAD.
1435
00:58:56,440 --> 00:58:58,570
DID YOU HURT YOUR GRANDMOTHER
THIS MORNING?!
1436
00:58:58,610 --> 00:58:59,750
I CAN'T BELIEVE IT.
1437
00:58:59,770 --> 00:59:01,470
ANSWER THE QUESTION, JERRY!
1438
00:59:01,510 --> 00:59:02,980
NO, I DIDN'T HURT HER!
1439
00:59:03,010 --> 00:59:05,780
SHE WAS MY ANGEL.
SHE WAS MY BEST FRIEND.
1440
00:59:12,370 --> 00:59:14,170
ANYTHING FROM THE BAR?
1441
00:59:14,210 --> 00:59:16,410
YEAH, A FRIEND
OF CATHERINE'S.
1442
00:59:16,440 --> 00:59:18,440
SHE WAS THERE WEDNESDAY NIGHT
AT O'DELL'S
1443
00:59:18,470 --> 00:59:20,240
AND SAID THAT
CATHERINE WAS UPSET
1444
00:59:20,270 --> 00:59:22,470
OVER THE BREAKUP
WITH HER BOYFRIEND, STEVE.
1445
00:59:22,510 --> 00:59:23,750
REASON THEY BROKE UP IS
1446
00:59:23,770 --> 00:59:26,540
THAT STEVE SMACKED HER SON,
SCOTT, DURING AN ARGUMENT.
1447
00:59:28,810 --> 00:59:30,510
WE'RE GRABBING HIM UP.
1448
00:59:30,540 --> 00:59:31,640
YEAH.
1449
00:59:31,670 --> 00:59:33,970
HEY.
1450
00:59:34,010 --> 00:59:35,650
WHAT'S UP WITH THE GRANDSON?
1451
00:59:35,670 --> 00:59:37,800
HE TOOK THE NEWS OF HER DEATH
PRETTY HARD.
1452
00:59:37,840 --> 00:59:39,940
RITA'S GETTING
WHERE HE WAS TODAY.
1453
00:59:39,970 --> 00:59:41,270
THEN, WE'LL VERIFY IT.
1454
00:59:41,310 --> 00:59:42,480
CAN YOU HOLD HIM?
1455
00:59:42,510 --> 00:59:45,310
WE DON'T HAVE ENOUGH.
PLUS, HE'S DEMANDING TO LEAVE.
1456
00:59:45,340 --> 00:59:48,170
GOT AN ACLU RIGHTS CARD,
WHICH HE'S QUOTING FROM.
1457
00:59:48,210 --> 00:59:51,250
CAN YOU GET YOUR HANDS ON HIM
IF YOU NEED TO AGAIN?
1458
00:59:51,270 --> 00:59:53,500
YEAH.
1459
00:59:53,540 --> 00:59:55,940
HI, I'M OFFICER ANDERSON
FROM THE BOROUGH
1460
00:59:55,970 --> 00:59:57,440
TO AUDIT THE TIME RECORDS.
1461
00:59:57,470 --> 00:59:59,300
SURE, LET ME GET THEM
FOR YOU.
1462
00:59:59,340 --> 01:00:00,440
HI.
1463
01:00:00,470 --> 01:00:02,840
HEY, HOW'S IT GOING?
NEED SOME HELP?
1464
01:00:02,870 --> 01:00:05,070
OH, NO, I'VE BEEN HELPED.
THANKS.
1465
01:00:05,110 --> 01:00:07,480
I'M MAYA ANDERSON.
I WORK IN THE 2‐5.
1466
01:00:07,510 --> 01:00:10,580
BUT I'M ON RESTRICTED DUTY,
AUDITING TIME RECORDS.
1467
01:00:10,610 --> 01:00:12,780
BALDWIN JONES.
LINE‐OF‐DUTY INJURY?
1468
01:00:12,810 --> 01:00:15,680
I WAS RUNNING SOME TRAILS
AND LANDED ON A TREE ROOT.
1469
01:00:15,710 --> 01:00:17,410
I TORE MY KNEE UP.
1470
01:00:17,440 --> 01:00:20,240
I SHOULD BE BACK TO FULL DUTY
IN THE NEXT COUPLE OF WEEKS.
1471
01:00:20,270 --> 01:00:21,900
HERE'S OUR TIME RECORDS.
1472
01:00:21,940 --> 01:00:24,000
ANYTHING ELSE?
1473
01:00:24,040 --> 01:00:26,100
UH, NO, I GUESS NOT.
1474
01:00:26,140 --> 01:00:28,600
WELL, NICE TO MEET YOU.
FEEL BETTER.
1475
01:00:28,640 --> 01:00:32,170
YOU TOO.
UM, I MEAN, THANKS.
1476
01:00:38,670 --> 01:00:40,500
I AIN'T A YO‐YO, GUYS.
1477
01:00:40,540 --> 01:00:42,270
THIS IS STARTING TO GET OLD.
1478
01:00:42,310 --> 01:00:45,180
STEVE, DID YOU HAVE A PROBLEM
WITH SCOTT LOWE?
1479
01:00:45,210 --> 01:00:46,150
NO.
1480
01:00:46,170 --> 01:00:47,440
YOU PUT YOUR HANDS
ON HIM?
1481
01:00:47,470 --> 01:00:48,970
NO!
1482
01:00:49,010 --> 01:00:50,980
THAT FIGHT
YOU BROKE UP OVER
1483
01:00:51,010 --> 01:00:53,250
WASN'T ABOUT YOU
SMACKING SCOTT?!
1484
01:00:53,270 --> 01:00:54,470
DON'T LIE TO US!
1485
01:00:54,510 --> 01:00:56,010
ME AND CATH GOT
IN AN ARGUMENT.
1486
01:00:56,040 --> 01:00:58,640
SCOTT STARTED SCREAMING AT ME
AND SLAPPING AT ME.
1487
01:00:58,670 --> 01:01:00,240
DID YOU PUT YOUR HANDS
ON HIM?!
1488
01:01:00,270 --> 01:01:02,300
A LITTLE BACKHAND ‐‐
A LITTLE SLAP, ONCE.
1489
01:01:02,340 --> 01:01:03,470
GET ON YOUR FEET!
1490
01:01:03,510 --> 01:01:04,480
THAT'S ALL!
1491
01:01:04,510 --> 01:01:05,610
GET ON YOUR FEET!
1492
01:01:05,640 --> 01:01:07,340
GET YOUR HANDS
OFF OF ME!
1493
01:01:07,370 --> 01:01:08,670
I'VE HAD IT WITH YOU!
1494
01:01:08,710 --> 01:01:10,080
I'VE HAD IT WITH YOU, TOO!
1495
01:01:10,110 --> 01:01:12,150
TELL US WHAT HAPPENED
TWO NIGHTS AGO!
1496
01:01:12,170 --> 01:01:13,670
YOU GET YOUR HANDS
OFF OF ME!
1497
01:01:13,710 --> 01:01:15,510
YOU'RE NOT LEAVING
UNTIL YOU TELL US!
1498
01:01:15,540 --> 01:01:16,600
I'M WARNING YOU.
1499
01:01:16,640 --> 01:01:17,940
ABOUT WHAT?!
1500
01:01:17,970 --> 01:01:20,270
GET OFF OF ME!
1501
01:01:22,340 --> 01:01:23,970
ANDY, ANDY!
1502
01:01:24,010 --> 01:01:25,610
GET OFF OF ME!
1503
01:01:28,310 --> 01:01:29,910
I DIDN'T DO IT!
1504
01:01:29,940 --> 01:01:32,400
I DIDN'T DO IT!
1505
01:01:32,440 --> 01:01:33,940
I DIDN'T DO IT!!
1506
01:01:33,970 --> 01:01:35,840
GET UP.
1507
01:01:35,870 --> 01:01:37,770
GET HIM IN A CHAIR.
1508
01:01:37,810 --> 01:01:38,980
I DIDN'T DO IT!
1509
01:01:39,010 --> 01:01:41,510
TELL US! I'LL KEEP HIM
AWAY FROM YOU.
1510
01:01:41,540 --> 01:01:42,570
I DIDN'T KILL SCOTT!
1511
01:01:42,610 --> 01:01:44,180
WE'RE HOLDING YOU
FOR ASSAULT!
1512
01:01:44,210 --> 01:01:46,450
WE'RE GONNA KEEP ON GOING
TILL YOU TELL US!
1513
01:01:46,470 --> 01:01:48,000
I DIDN'T DO NOTHING
TO THAT KID!
1514
01:01:48,040 --> 01:01:49,770
YOU UNDERSTAND ME?!
I DIDN'T DO IT!
1515
01:01:49,810 --> 01:01:51,010
ENOUGH!
1516
01:01:51,040 --> 01:01:52,470
[ BREATHING HEAVILY ]
1517
01:02:05,370 --> 01:02:06,600
BOYFRIEND'S DUG IN.
1518
01:02:06,640 --> 01:02:09,670
WE'RE GONNA GIVE HIM
A LITTLE TIME TO COOL OFF.
1519
01:02:09,710 --> 01:02:11,410
WHAT HAPPENED TO YOU?
1520
01:02:11,440 --> 01:02:12,540
HE RESISTED.
1521
01:02:12,570 --> 01:02:14,370
DON'T TELL ME
YOU TUNED THIS GUY UP.
1522
01:02:14,410 --> 01:02:15,850
HE RESISTED.
HE CAME AT ME.
1523
01:02:15,870 --> 01:02:17,040
ARE YOU ALL RIGHT?
1524
01:02:17,070 --> 01:02:18,040
YEAH.
1525
01:02:18,070 --> 01:02:19,700
DANZIG ‐‐
IS HE BANGED UP BAD?
1526
01:02:19,740 --> 01:02:22,040
NO. I GOT IN ONE OR TWO.
THEN JUNIOR JUMPED IN.
1527
01:02:22,070 --> 01:02:24,700
PHONE DUMP CAME BACK
FROM CATHERINE LOWE'S APARTMENT.
1528
01:02:24,740 --> 01:02:26,340
THE NIGHT
HER SON WENT MISSING,
1529
01:02:26,370 --> 01:02:28,700
THERE WERE TWO CALLS IN
FROM THE DWYER HOUSE ‐‐
1530
01:02:28,740 --> 01:02:30,700
ONE AT 8:15 AND 8:30 P. M.
1531
01:02:30,740 --> 01:02:32,540
TOMMY DWYER'S THE EX‐COP
1532
01:02:32,570 --> 01:02:35,340
WHOSE SON WAS
THE D. O. A.'s FRIEND.
1533
01:02:35,370 --> 01:02:36,340
YEP.
1534
01:02:36,370 --> 01:02:37,700
DID WE TALK TO THE SON?
1535
01:02:37,740 --> 01:02:40,000
TOMMY SAID HIS KID
DIDN'T KNOW NOTHING.
1536
01:02:40,040 --> 01:02:41,200
Tony: GET OVER THERE.
1537
01:02:41,240 --> 01:02:43,170
CAN YOU GET DANZIG
TO A CELL DOWNSTAIRS?
1538
01:02:43,210 --> 01:02:44,210
YEAH, SURE.
1539
01:02:44,240 --> 01:02:45,840
ARE YOU ALL RIGHT?
1540
01:02:45,870 --> 01:02:47,270
YEAH, I'M FINE.
1541
01:02:47,310 --> 01:02:49,710
LATENT PRINT GOT A HIT
OFF A FOOTBALL HELMET
1542
01:02:49,740 --> 01:02:51,570
ON SCOTT LOWE'S
BEDROOM DRESSER.
1543
01:02:51,610 --> 01:02:53,080
COMES BACK TO A RICK SAVRAN.
1544
01:02:53,110 --> 01:02:55,850
HE COMES BACK WITH A COUPLE
OF PRIORS FOR BURGLARY.
1545
01:02:55,870 --> 01:02:58,340
HIS NAME COME UP IN
THE INTERVIEWS WITH THE MOTHER?
1546
01:02:58,370 --> 01:02:59,400
NO.
1547
01:02:59,440 --> 01:03:01,770
WHAT'S IT GONNA TAKE
TO GET THESE PEOPLE
1548
01:03:01,810 --> 01:03:03,410
TO START TELLING THE TRUTH?
1549
01:03:03,440 --> 01:03:06,040
[ SIGHS ]
1550
01:03:12,940 --> 01:03:14,070
HEY.
1551
01:03:14,110 --> 01:03:15,280
HOW'S IT GOING, TOMMY?
1552
01:03:15,310 --> 01:03:16,580
OKAY. WHAT'S UP?
1553
01:03:16,610 --> 01:03:18,610
WE NEED TO TALK
TO JAKE.
1554
01:03:18,640 --> 01:03:19,570
ABOUT SCOTT?
1555
01:03:19,610 --> 01:03:20,750
YEAH.
1556
01:03:20,770 --> 01:03:23,370
HE DON'T KNOW ANYTHING.
I'VE ASKED HIM 10 TIMES.
1557
01:03:23,410 --> 01:03:25,250
TOMMY, JAKE WAS
HIS BEST FRIEND.
1558
01:03:25,270 --> 01:03:26,370
WE GOTTA ASK.
1559
01:03:26,410 --> 01:03:28,410
OH, YEAH, SURE,
I UNDERSTAND.
1560
01:03:28,440 --> 01:03:29,900
I'M IN THE ROOM, THOUGH.
1561
01:03:29,940 --> 01:03:34,100
OKAY.
1562
01:03:34,140 --> 01:03:37,800
JAKE, COME HERE, PAL.
1563
01:03:40,210 --> 01:03:41,550
THESE ARE DETECTIVES.
1564
01:03:41,570 --> 01:03:43,600
THEY'RE GONNA ASK YOU
SOME QUESTIONS.
1565
01:03:43,640 --> 01:03:45,600
HI, JAKE.
DETECTIVE CLARK, SIPOWICZ.
1566
01:03:45,640 --> 01:03:48,200
DID SCOTT MENTION
ANYBODY HE WAS AFRAID OF ‐‐
1567
01:03:48,240 --> 01:03:50,100
ANYBODY WHO WANTED
TO HURT HIM?
1568
01:03:50,140 --> 01:03:52,070
HIS MOM'S BOYFRIEND, STEVE.
1569
01:03:52,110 --> 01:03:54,380
DID SCOTTSAY
STEVE WANTED TO HURT HIM?
1570
01:03:54,410 --> 01:03:56,010
I DON'T KNOW. I GUESS.
1571
01:03:56,040 --> 01:03:57,770
IT'S IMPORTANT
YOU TRY AND REMEMBER.
1572
01:03:57,810 --> 01:04:00,350
HE DIDN'T LIKE STEVE.
THAT'S BASICALLY WHAT HE SAID.
1573
01:04:00,370 --> 01:04:03,270
DID YOU TRY CALLING SCOTT AT
HIS APARTMENT WEDNESDAY NIGHT?
1574
01:04:03,310 --> 01:04:04,850
NO.
YOU SURE?
1575
01:04:04,870 --> 01:04:06,700
HE'S SURE.
HE JUST TOLD YOU.
1576
01:04:06,740 --> 01:04:08,500
TOMMY, DID YOU CALL
THEIR APARTMENT?
1577
01:04:08,540 --> 01:04:09,540
NO.
1578
01:04:09,570 --> 01:04:11,340
Andy: JAKE,
DO YOU KNOW ANYTHING
1579
01:04:11,370 --> 01:04:12,700
ABOUT HOW SCOTT GOT KILLED?
1580
01:04:12,740 --> 01:04:13,900
NO.
1581
01:04:13,940 --> 01:04:15,500
THIS WAS YOUR BEST FRIEND,
JAKE.
1582
01:04:15,540 --> 01:04:16,700
OKAY, THAT'S IT.
1583
01:04:16,740 --> 01:04:19,100
GO PLAY AT EDDIE'S.
WAIT TO HEAR FROM ME.
1584
01:04:19,140 --> 01:04:20,200
OKAY.
1585
01:04:20,240 --> 01:04:23,270
[ DOOR CLOSES ]
1586
01:04:23,310 --> 01:04:25,550
WHAT THE HELL IS THIS,
BADGERING MY KID?
1587
01:04:25,570 --> 01:04:26,900
THERE WERE TWO PHONE CALLS
1588
01:04:26,940 --> 01:04:29,040
FROM THIS APARTMENT TO
THE LOWES' WEDNESDAY NIGHT.
1589
01:04:29,070 --> 01:04:30,270
SO?
1590
01:04:30,310 --> 01:04:31,750
WHO MADE THEM?
1591
01:04:31,770 --> 01:04:34,870
I TRY TO DO THE RIGHT THING
AND HELP YOU GUYS OUT,
1592
01:04:34,910 --> 01:04:36,850
AND YOU AMBUSH ME
AND MY KID?
1593
01:04:36,870 --> 01:04:38,400
WHO MADE THE PHONE CALLS,
TOMMY?
1594
01:04:38,440 --> 01:04:39,740
I DON'T KNOW!
1595
01:04:39,770 --> 01:04:41,700
MAYBE JAKE MADE THEM
BUT HE FORGOT!
1596
01:04:41,740 --> 01:04:44,070
IT'S NOT LIKE HE'S
NOT BORDERLINE TRAUMATIZED
1597
01:04:44,110 --> 01:04:46,110
WITH HIS FRIEND
GETTING MURDERED!
1598
01:04:47,570 --> 01:04:49,740
OH, WHAT, I'MGETTING
EYEBALLED NOW?!
1599
01:04:49,770 --> 01:04:52,900
LISTEN TO ME ‐‐ MY SON
DOESN'T KNOW ANYTHING ABOUT IT.
1600
01:04:52,940 --> 01:04:55,840
AND THAT'S FROM A GUY
WHO DID 20 YEARS ON YOUR JOB.
1601
01:04:55,870 --> 01:04:58,270
I TOLD JAKE TO KEEP HIS EARS
OPEN IN SCHOOL.
1602
01:04:58,310 --> 01:05:00,850
IF HE HEARS ANYTHING,
I'LL PASS IT ALONG.
1603
01:05:00,870 --> 01:05:02,070
NOW WE'RE DONE.
1604
01:05:12,410 --> 01:05:15,210
HAVE YOU HAD
ANY PROGRESS?
1605
01:05:15,240 --> 01:05:16,400
A LITTLE.
1606
01:05:18,570 --> 01:05:19,840
PLEASE JUST TELL ME
1607
01:05:19,870 --> 01:05:22,440
THAT HE WASN'T MOLESTED
BEFORE HE WAS KILLED.
1608
01:05:22,470 --> 01:05:24,840
JUST TELL ME
THAT SCOTT DIDN'T SUFFER.
1609
01:05:24,870 --> 01:05:26,670
THERE'S NOTHING
TO INDICATE THAT.
1610
01:05:26,710 --> 01:05:27,850
THANK GOD.
1611
01:05:27,870 --> 01:05:29,570
MS. LOWE, WE GOT
A FINGERPRINT HIT
1612
01:05:29,610 --> 01:05:31,580
OFF A FOOTBALL HELMET
IN YOUR SON'S ROOM.
1613
01:05:31,610 --> 01:05:32,750
FROM WHO?
1614
01:05:32,770 --> 01:05:34,370
A RICK SAVRAN.
1615
01:05:34,410 --> 01:05:36,010
DO YOU KNOW HIM?
1616
01:05:36,040 --> 01:05:38,100
DO YOU KNOW HIM,
MS. LOWE?
1617
01:05:38,140 --> 01:05:40,000
YEAH, I KNOW RICK.
1618
01:05:40,040 --> 01:05:41,270
HOW?
1619
01:05:41,310 --> 01:05:44,050
UM, HE'S A FRIEND
OF MY BOYFRIEND STEVE'S.
1620
01:05:44,070 --> 01:05:45,270
WHEN WAS HE OVER HERE?
1621
01:05:45,310 --> 01:05:46,350
ABOUT A WEEK AGO.
1622
01:05:46,370 --> 01:05:48,670
DON'T TELL STEVE
THAT RICK WAS OVER HERE.
1623
01:05:48,710 --> 01:05:49,850
IT WOULD LOOK WRONG.
1624
01:05:49,870 --> 01:05:51,540
'CAUSE RICK SAVRAN
SPENT THE NIGHT?
1625
01:05:51,570 --> 01:05:52,900
THAT'S
NONE OF YOUR BUSINESS.
1626
01:05:52,940 --> 01:05:56,200
MS. LOWE, YOU NEED TO TELL US
WHO'S BEEN IN THIS APARTMENT!
1627
01:05:56,240 --> 01:05:57,600
RICK SPENT THE NIGHTONCE.
1628
01:05:57,640 --> 01:05:59,740
SCOTT WAS SLEEPING
AT A FRIEND'S HOUSE.
1629
01:05:59,770 --> 01:06:01,240
RICK WOULD NOT KILL SCOTT!
1630
01:06:01,270 --> 01:06:03,900
I DON'T UNDERSTAND WHY
WE GOTTA BRING HIM INTO THIS!
1631
01:06:03,940 --> 01:06:05,740
HAVE ANY OTHER MEN
SPENT THE NIGHT
1632
01:06:05,770 --> 01:06:07,900
OR BEEN OVER HERE
IN THE LAST FEW MONTHS?
1633
01:06:07,940 --> 01:06:10,540
PHIL WESTON.
I WORK WITH HIM.
1634
01:06:10,570 --> 01:06:12,370
WE'LL NEED TO SPEAK
WITH BOTH OF THEM.
1635
01:06:12,410 --> 01:06:14,210
YOU WANNA HEAR
THE DIRTY DETAILS?!
1636
01:06:14,240 --> 01:06:16,440
WE'RE NOT TRYING
TO CAUSE YOU EMBARRASSMENT,
1637
01:06:16,470 --> 01:06:18,440
BUT WE NEED TO KNOW
WHAT MEN HAVE BEEN
1638
01:06:18,470 --> 01:06:20,900
IN THIS APARTMENT, 'CAUSE
WHEN KIDS GET MURDERED,
1639
01:06:20,940 --> 01:06:23,000
IT'S USUALLY BY MEN
WHO KNEW THE VICTIM!
1640
01:06:23,040 --> 01:06:24,870
PHIL AND RICK ‐‐
THAT'S IT!
1641
01:06:24,910 --> 01:06:26,280
THAT'S ALL THERE WAS!
1642
01:06:26,310 --> 01:06:28,410
ARE YOU PROTECTING ANYONE,
MS. LOWE?
1643
01:06:28,440 --> 01:06:30,870
GET OUT OF MY APARTMENT!
NOW! GET OUT!
1644
01:06:39,740 --> 01:06:41,100
DETECTIVE ORTIZ.
1645
01:06:43,240 --> 01:06:45,940
WE NEED A SEARCH WARRANT
ON DWYER'S APARTMENT.
1646
01:06:45,970 --> 01:06:47,240
BASED ON WHAT?
1647
01:06:47,270 --> 01:06:50,000
TWO PHONE CALLS TO THE D. O. A.'s
THE NIGHT HE WENT MISSING.
1648
01:06:50,040 --> 01:06:53,170
BOTH THE DAD AND SON SAID
THEY DIDN'T MAKE ANY CALLS.
1649
01:06:53,210 --> 01:06:54,410
WERE THERE MESSAGES?
1650
01:06:54,440 --> 01:06:55,570
NO.
1651
01:06:55,610 --> 01:06:57,410
WHAT WAS THE DAD
AND SON'S EXCUSE?
1652
01:06:57,440 --> 01:07:00,170
THE DAD GOT BELLIGERENT,
SAID HIS SON MIGHT HAVE FORGOT.
1653
01:07:00,210 --> 01:07:02,450
THERE'S NO WAY YOU FORGET
ABOUT TWO CALLS.
1654
01:07:02,470 --> 01:07:04,040
WE NEED A SEARCH WARRANT
1655
01:07:04,070 --> 01:07:07,170
SO WE CAN HAVE CRIME SCENE
PROCESS THE APARTMENT.
1656
01:07:07,210 --> 01:07:09,510
CAN YOU CALL COURT
AND EXPEDITE IT?
1657
01:07:09,540 --> 01:07:12,570
YEAH. SWING BY THERE
AND SWEAR TO THE AFFIDAVIT.
1658
01:07:12,610 --> 01:07:13,810
THANKS.
1659
01:07:17,970 --> 01:07:21,100
THAT WAS THE SUPER AT
THE ELDERLY D. O. A.'s BUILDING.
1660
01:07:21,140 --> 01:07:23,040
HE SAID THE GRANDSON,
JERRY GAVIOLA,
1661
01:07:23,070 --> 01:07:24,240
SHOWED UP 10 MINUTES AGO
1662
01:07:24,270 --> 01:07:26,370
AND WENT INTO
HIS GRANDMOTHER'S APARTMENT.
1663
01:07:26,410 --> 01:07:27,910
ISN'T THE APARTMENT SEALED?
1664
01:07:27,940 --> 01:07:30,040
HE RIPPED
THE CRIME‐SCENE TAPE OFF.
1665
01:07:30,070 --> 01:07:32,670
WE BETTER HEAD OVER THERE
AND SEE WHAT'S GOING ON.
1666
01:07:32,710 --> 01:07:33,810
YEAH.
1667
01:07:36,110 --> 01:07:37,950
DID THE MOM KNOW
RICK SAVRAN?
1668
01:07:37,970 --> 01:07:39,740
YEAH, BANGED HIM
A WEEK AGO.
1669
01:07:39,770 --> 01:07:41,940
SHE BANGING ANYBODY ELSE?
1670
01:07:41,970 --> 01:07:44,200
CO‐WORKER.
WE'RE ON IT.
1671
01:07:44,240 --> 01:07:47,370
HEY.
HEY.
1672
01:07:47,410 --> 01:07:50,910
HI. I NEED A MINUTE
WITH DETECTIVE JONES.
1673
01:07:50,940 --> 01:07:53,040
OKAY.
1674
01:07:57,540 --> 01:07:59,100
UH, DETECTIVE JONES?
1675
01:07:59,140 --> 01:08:02,100
YEAH? MAYA.
1676
01:08:02,140 --> 01:08:03,870
VERY GOOD. YOU REMEMBERED.
1677
01:08:03,910 --> 01:08:05,380
UH, REAL QUICK.
1678
01:08:05,410 --> 01:08:06,950
THREE WEEKS AGO,
1679
01:08:06,970 --> 01:08:10,770
YOUR TIMECARD SAYS
YOU WORKED UNTIL 1815.
1680
01:08:10,810 --> 01:08:14,080
OUR RECORDS AT THE BOROUGH
HAVE YOUR TOUR ENDING AT 1800.
1681
01:08:14,110 --> 01:08:16,780
THAT'S 15 MINUTES
UNACCOUNTED FOR.
1682
01:08:16,810 --> 01:08:19,750
NOW, WHAT ARE WE GONNA DO
ABOUT THIS?
1683
01:08:19,770 --> 01:08:22,270
[ CHUCKLES ]
UH, MAYA...
1684
01:08:22,310 --> 01:08:23,580
YES, DETECTIVE?
1685
01:08:23,610 --> 01:08:26,780
I'M IN THE MIDDLE
OF A REALLY IMPORTANT CASE.
1686
01:08:26,810 --> 01:08:29,550
OH. OKAY.
1687
01:08:29,570 --> 01:08:31,900
I'M SORRY.
1688
01:08:31,940 --> 01:08:33,270
MAYBE SOME OTHER TIME.
1689
01:08:33,310 --> 01:08:34,610
MAYBE SOME OTHER TIME.
1690
01:08:34,640 --> 01:08:38,570
YEAH, I'D, UM,
I'D LET THIS SLIDE IF I COULD,
1691
01:08:38,610 --> 01:08:39,780
BUT I CAN'T.
1692
01:08:39,810 --> 01:08:42,250
SEE, THAT'S 15 MINUTES
OF TAXPAYER MONEY
1693
01:08:42,270 --> 01:08:43,440
WE'RE TALKING ABOUT.
1694
01:08:43,470 --> 01:08:44,840
[ CHUCKLES ]
1695
01:08:44,870 --> 01:08:46,870
THEY'RE ON THEIR WAY OVER
TO PICK IT UP.
1696
01:08:46,910 --> 01:08:48,880
I'LL HOLD.
1697
01:08:48,910 --> 01:08:50,210
Whew!
1698
01:08:50,240 --> 01:08:51,200
WHAT?
1699
01:08:51,240 --> 01:08:53,040
I DON'T KNOW
WHAT THAT WAS ABOUT.
1700
01:08:53,070 --> 01:08:54,670
I THINK YOU GOT
A GOOD IDEA.
1701
01:08:54,710 --> 01:08:55,780
I'M SERIOUS.
1702
01:08:55,810 --> 01:08:58,410
NOT AROUND ME, BALDWIN.
I'M NOT READY FOR THAT.
1703
01:08:58,440 --> 01:08:59,540
VALERIE...
1704
01:08:59,570 --> 01:09:02,740
YEAH, I'M RIGHT HERE.
UH‐HUH.
1705
01:09:13,370 --> 01:09:14,670
WHAT?
1706
01:09:14,710 --> 01:09:17,410
WE GOT A SEARCH WARRANT, TOMMY.
WE NEED TO COME INSIDE.
1707
01:09:17,440 --> 01:09:18,570
FOR WHAT?
1708
01:09:18,610 --> 01:09:20,350
WE'RE GONNA PROCESS
THE APARTMENT.
1709
01:09:20,370 --> 01:09:22,070
WE'RE SUSPECTS?
1710
01:09:22,110 --> 01:09:24,250
WE'RE GONNA PROCESS
EVERYPLACE SCOTT'S BEEN.
1711
01:09:24,270 --> 01:09:26,100
OH, YOU GUYS ARE...
1712
01:09:26,140 --> 01:09:29,100
[ SIGHS ] LET ME SEE IT.
1713
01:09:31,070 --> 01:09:32,770
IT'S ALL THERE.
1714
01:09:32,810 --> 01:09:35,280
TOMMY, DON'T TURN THIS
INTO SOMETHING.
1715
01:09:35,310 --> 01:09:37,610
YOU'RE THE ONES
TURNING THIS INTO SOMETHING.
1716
01:09:37,640 --> 01:09:39,800
LET'S GO, GUYS.
1717
01:09:43,910 --> 01:09:45,080
[ GROANS ]
1718
01:09:45,110 --> 01:09:48,080
HE STILL WON'T OPEN
THE DOOR.
1719
01:09:48,110 --> 01:09:50,750
JERRY?
1720
01:09:50,770 --> 01:09:52,740
OPEN THE DOOR.
1721
01:09:52,770 --> 01:09:55,240
DETECTIVES McDOWELL
AND ORTIZ.
1722
01:09:55,270 --> 01:09:56,940
OPEN THE DOOR, JERRY.
1723
01:09:59,640 --> 01:10:01,540
YOU GOT A KEY?
1724
01:10:01,570 --> 01:10:02,540
YEAH.
1725
01:10:02,570 --> 01:10:04,620
OPEN IT.
1726
01:10:14,940 --> 01:10:17,110
[ GASPS ] OH, GOD.
1727
01:10:17,140 --> 01:10:20,080
HELP ME OUT.
1728
01:10:20,100 --> 01:10:21,870
UGH.
1729
01:10:25,800 --> 01:10:26,930
HE'S COLD.
1730
01:10:26,970 --> 01:10:29,470
LET ME PUT A RUSH
ON A BUS ANYWAY.
1731
01:10:29,500 --> 01:10:32,470
50 SQUAD TO CENTRAL "K."
1732
01:10:32,500 --> 01:10:36,530
PUT A RUSH ON A BUS ‐‐
2403 AVENUE "D."
1733
01:10:39,170 --> 01:10:41,430
"I DIDN'T KILL MY GRANDMA."
1734
01:10:43,540 --> 01:10:45,180
[ SIGHS ]
1735
01:10:45,200 --> 01:10:46,170
ORTIZ.
1736
01:10:46,200 --> 01:10:47,400
BACK UP, OKAY?
1737
01:10:47,440 --> 01:10:49,140
I WOULD HAVE OPENED
THE DOOR SOONER
1738
01:10:49,170 --> 01:10:51,330
IF I'D HAVE KNOWN
HE WAS GONNA DO THIS.
1739
01:10:51,370 --> 01:10:52,430
IT'S OKAY.
1740
01:10:52,470 --> 01:10:55,270
COME ON, COME ON.
IT'S ALL RIGHT.
1741
01:10:55,300 --> 01:10:58,230
M.E. SAID SHE WAS RAPED,
THEN STRANGLED.
1742
01:10:58,270 --> 01:11:00,470
WE GOTTA BRING IN THIS LARRY
REAL EASY.
1743
01:11:00,500 --> 01:11:02,100
JUST WAIT THERE,
OKAY, GUYS?
1744
01:11:02,140 --> 01:11:04,010
OKAY.
1745
01:11:11,800 --> 01:11:13,800
HOW MUCH LONGER
IS THIS GONNA BE?
1746
01:11:13,840 --> 01:11:15,310
A LITTLE WHILE LONGER.
1747
01:11:15,340 --> 01:11:16,510
IT'S EMBARRASSING!
1748
01:11:16,540 --> 01:11:17,740
YOU GUYS' CARS ARE
1749
01:11:17,770 --> 01:11:19,730
OUT IN FRONT
OF THE BUILDING!
1750
01:11:19,770 --> 01:11:23,100
WE JUST WANT TO DO IT RIGHT
SO WE DON'T HAVE TO COME BACK.
1751
01:11:23,140 --> 01:11:24,840
HEY, ANDY, THEY'RE READY.
1752
01:11:24,870 --> 01:11:26,600
NO, YOU WAIT HERE.
1753
01:11:32,440 --> 01:11:33,640
Junior: THE LIGHT.
1754
01:11:35,970 --> 01:11:39,000
WELL, THIS IS
OUR CRIME SCENE.
1755
01:11:54,450 --> 01:11:56,420
JUST TELL US
WHAT HAPPENED, TOMMY.
1756
01:11:56,450 --> 01:12:00,020
I WILL, BUT YOU GOTTA PROMISE
THAT THIS WILL LAND ONME.
1757
01:12:00,050 --> 01:12:01,650
LEAVE MY SON OUT OF IT.
1758
01:12:01,690 --> 01:12:04,290
WE CAN'T DO ANYTHING
TILL WE KNOW WHAT HAPPENED.
1759
01:12:04,320 --> 01:12:06,480
SCOTT WAS OVER.
1760
01:12:06,520 --> 01:12:09,780
I WENT OUT TO GET SOME PIZZAS,
RENT SOME VIDEO GAMES.
1761
01:12:09,820 --> 01:12:12,250
I WAS GONE A HALF‐HOUR,
AT THE MOST.
1762
01:12:12,290 --> 01:12:15,160
I NEVER HID MY GUNS
FROM JAKE.
1763
01:12:15,190 --> 01:12:16,990
LIKE THEY TELL YOU
IN THE ACADEMY,
1764
01:12:17,020 --> 01:12:19,450
"DON'T MAKE YOUR GUNS
A MYSTERY TO YOUR KIDS."
1765
01:12:19,490 --> 01:12:22,490
IF HE WANTED, I'D UNLOAD IT
AND LET HIM HOLD IT.
1766
01:12:28,490 --> 01:12:31,660
JAKE SAID THAT SCOTT HAD BEEN
AFTER HIM TO SEE THE GUN.
1767
01:12:31,690 --> 01:12:33,590
SO JAKE WENT IN THE CLOSET
AND GOT IT.
1768
01:12:33,620 --> 01:12:36,020
AND SCOTT WANTED
TO PUT THE CLIP IN,
1769
01:12:36,050 --> 01:12:37,320
SO JAKE DID.
1770
01:12:37,350 --> 01:12:39,580
AND THEY TOOK TURNS
SNAPPING THE CLIP IN
1771
01:12:39,620 --> 01:12:40,650
AND HEAR THE CLICK.
1772
01:12:40,690 --> 01:12:42,130
BUT JAKE TOOK THE CLIP OUT.
1773
01:12:42,150 --> 01:12:44,620
AND THEN THEY STARTED
PLAYING WITH IT AGAIN.
1774
01:12:47,490 --> 01:12:50,130
[ Crying] HE DIDN'T KNOW...
1775
01:12:50,150 --> 01:12:55,650
I KEEP ONE IN THE CHAMBER.
1776
01:12:55,690 --> 01:12:58,090
I GOT THERE
10 MINUTES AFTER IT HAPPENED,
1777
01:12:58,120 --> 01:12:59,180
AND SCOTT WAS DEAD.
1778
01:12:59,220 --> 01:13:01,980
WHEN DID YOU BURY SCOTT?
1779
01:13:02,020 --> 01:13:02,980
THAT NIGHT.
1780
01:13:03,020 --> 01:13:05,450
THERE WAS NOTHING
WE COULD DO.
1781
01:13:05,490 --> 01:13:07,860
AND THERE WAS NO WAY
I WAS TAKING A CHANCE
1782
01:13:07,890 --> 01:13:10,260
AT MY SON DOING TIME
IN A YOUTH FACILITY.
1783
01:13:10,290 --> 01:13:11,430
HE WOULDN'T MAKE IT.
1784
01:13:11,450 --> 01:13:13,920
DID YOU GIVE HALF A THOUGHT
TO THE INVESTIGATION?
1785
01:13:13,950 --> 01:13:15,980
OF COURSE I DID,
AND I WANT IT KNOWN
1786
01:13:16,020 --> 01:13:18,280
I PUT SCOTT IN A PLACE
WHERE HE'D BE FOUND
1787
01:13:18,320 --> 01:13:20,250
SO HE COULD HAVE
A PROPER FUNERAL.
1788
01:13:20,290 --> 01:13:21,690
I COULD HAVE MADE IT
1789
01:13:21,720 --> 01:13:24,080
SO THAT HIS BODY NEVER
WOULD HAVE BEEN RECOVERED.
1790
01:13:24,120 --> 01:13:26,750
MEANWHILE, WE'RE RIPPING
HIS FAMILY'S GUTS OUT,
1791
01:13:26,790 --> 01:13:29,030
FIGURING ONE OF THEM
TO BE THE KILLER!
1792
01:13:29,050 --> 01:13:30,520
I'M LOOKING OUT
FOR MY SON!
1793
01:13:30,550 --> 01:13:32,480
BY TEACHING HIM
HOW TO COVER THINGS UP?
1794
01:13:32,520 --> 01:13:35,380
TURNING HIM INTO A COCONSPIRATOR
IN A CRIMINAL ACT?
1795
01:13:38,520 --> 01:13:40,480
WE'RE GONNA NEED
TO TALK TO JAKE NOW.
1796
01:13:40,520 --> 01:13:43,820
PUT THIS ON ME ‐‐
FAILURE TO SAFEGUARD A GUN,
1797
01:13:43,850 --> 01:13:46,780
TAMPERING WITH EVIDENCE,
DISPOSAL OF A BODY.
1798
01:13:46,820 --> 01:13:49,580
PUT IT ALL ON ME,
BUT DON'T CHARGE MY SON.
1799
01:13:49,620 --> 01:13:52,580
UNFORTUNATELY, THAT'S NOT GONNA
HAPPEN, MR. DWYER.
1800
01:13:52,620 --> 01:13:54,120
IF YOUR ACCOUNT IS TRUE,
1801
01:13:54,150 --> 01:13:56,820
JAKE WILL BE ARRESTED
FOR SECOND‐DEGREE MANSLAUGHTER,
1802
01:13:56,850 --> 01:13:58,920
AND IT'LL BE HANDLED
IN FAMILY COURT.
1803
01:13:58,950 --> 01:14:01,180
I CAN'T GET
ANY CONSIDERATION?
1804
01:14:01,220 --> 01:14:03,120
20 YEARS I PUT ON THIS JOB!
1805
01:14:03,150 --> 01:14:05,520
IF THE FACTS YOU RELAYED
HOLD TRUE,
1806
01:14:05,550 --> 01:14:08,780
MY OFFICE WILL RECOMMEND
TO THE CORPORATION COUNSEL
1807
01:14:08,820 --> 01:14:12,250
THAT NO PERIOD OF INCARCERATION
WILL BE IMPOSED ON JAKE.
1808
01:14:12,290 --> 01:14:14,730
BUT HE WILL BE ARRESTED
AND CHARGED.
1809
01:14:20,550 --> 01:14:22,280
IT WAS AN ACCIDENT.
1810
01:14:24,950 --> 01:14:26,450
IT WAS AN ACCIDENT.
1811
01:14:26,490 --> 01:14:28,990
WELL, YOU SHOULD HAVE
LEFT IT AT THAT.
1812
01:14:38,390 --> 01:14:41,090
THE MEDICAL‐EXAMINER REPORT
CAME BACK, LARRY.
1813
01:14:41,120 --> 01:14:43,450
MRS. GAVIOLA WAS RAPED.
1814
01:14:43,490 --> 01:14:45,260
BY HER GRANDSON?
1815
01:14:45,290 --> 01:14:47,490
WE HIGHLY DOUBT THAT.
1816
01:14:47,520 --> 01:14:50,180
WELL, YOU NEVER KNOW
WHAT SOME PEOPLE ARE CAPABLE OF.
1817
01:14:50,220 --> 01:14:52,280
WE'RE GONNA TAKE
A DNA SAMPLE FROM YOU
1818
01:14:52,320 --> 01:14:53,580
AND FROM JERRY'S CORPSE,
1819
01:14:53,620 --> 01:14:55,750
AND WE'LL HAVE OUR ANSWER
PRETTY QUICK.
1820
01:14:55,790 --> 01:14:57,330
I UNDERSTAND.
1821
01:14:57,350 --> 01:15:00,250
LARRY, ARE YOU GONNA MAKE US
JUMP THROUGH ALL THESE HOOPS,
1822
01:15:00,290 --> 01:15:02,760
PROVING WHAT'S CLEAR
TO EVERYBODY IN THIS ROOM?
1823
01:15:02,790 --> 01:15:05,430
ALL THESE PEOPLE SAYING
GREAT THINGS ABOUT YOU ‐‐
1824
01:15:05,450 --> 01:15:06,480
YOU WORKING HARD,
1825
01:15:06,520 --> 01:15:08,750
KEEPING YOUR NOSE CLEAN
SINCE YOU GOT OUT.
1826
01:15:08,790 --> 01:15:10,090
YOU'VE BEEN DOING GREAT.
1827
01:15:10,120 --> 01:15:12,080
HOLD ONTO THAT.
KEEP YOUR DIGNITY.
1828
01:15:12,120 --> 01:15:14,820
TELL US WHAT WENT WRONG,
AND SAVE EVERYBODY
1829
01:15:14,850 --> 01:15:17,120
A LOT OF TIME
AND A LOT OF GRIEF.
1830
01:15:22,150 --> 01:15:23,650
COME ON, THEN.
1831
01:15:30,550 --> 01:15:32,850
YOU KNOW, WHEN I GOT OUT,
1832
01:15:32,890 --> 01:15:36,430
I READ ALL OF THESE
SELF‐HELP BOOKS.
1833
01:15:36,450 --> 01:15:38,820
I WAS DETERMINED
TO MAKE IT STRAIGHT.
1834
01:15:38,850 --> 01:15:43,080
AND THIS ONE BOOK ‐‐
IN THE LAST CHAPTER,
1835
01:15:43,120 --> 01:15:47,180
THIS GUY...WARNS
ABOUT A FALSE EUPHORIA.
1836
01:15:47,220 --> 01:15:50,750
YOU KNOW, AND THAT'S
WHEN YOU GET ALL CAUGHT UP
1837
01:15:50,790 --> 01:15:53,360
IN HOW
YOU'RE IMPROVING YOURSELF
1838
01:15:53,390 --> 01:15:55,930
AND HOW BEAUTIFUL
THE WORLD IS.
1839
01:15:55,950 --> 01:15:59,180
AND THEN SOMETHING HAPPENS
THAT THROWS YOU
1840
01:15:59,220 --> 01:16:02,180
BACK IN THE GUTTER ‐‐
BACK TO REALITY.
1841
01:16:02,220 --> 01:16:06,550
I'VE BEEN WAITING FOR THAT,
BUT I THOUGHT I HAD IT LICKED.
1842
01:16:08,790 --> 01:16:11,430
[ SIGHS ]
1843
01:16:11,450 --> 01:16:13,180
WHAT HAPPENED THIS MORNING?
1844
01:16:13,220 --> 01:16:14,850
I'VE BEEN OUT OF WORK,
1845
01:16:14,890 --> 01:16:18,330
AND MY P. O.'s BEEN ON ME
TO GET A JOB.
1846
01:16:18,350 --> 01:16:22,250
I FINALLY GOT AN INTERVIEW
FOR THIS MORNING.
1847
01:16:22,290 --> 01:16:26,630
I GO OUT, AND MY TRUCK
HAS BEEN TOWED ‐‐ IMPOUNDED.
1848
01:16:26,650 --> 01:16:28,480
LEFT MY WALLET IN IT.
1849
01:16:28,520 --> 01:16:29,920
I GO TO MRS. GAVIOLA,
1850
01:16:29,950 --> 01:16:31,820
TELL HER I NEED
TO BORROW 75 BUCKS.
1851
01:16:31,850 --> 01:16:33,280
SHE SAYS, "NO."
1852
01:16:33,320 --> 01:16:36,180
SHE'S HAD BAD EXPERIENCES
LOANING PEOPLE MONEY.
1853
01:16:36,220 --> 01:16:38,950
I TELL HER I'LL BRING IT BACK
IN THREE HOURS.
1854
01:16:38,990 --> 01:16:41,260
I NEED MY TRUCK,
I NEED MY WALLET,
1855
01:16:41,290 --> 01:16:43,260
I NEED TO GET
TO MY INTERVIEW!
1856
01:16:43,290 --> 01:16:45,460
I NEED TO KEEP MY HEAD
ABOVE WATER!
1857
01:16:45,490 --> 01:16:48,790
I FOUND THIS WOMAN
ON THE FLOOR OF HER KITCHEN,
1858
01:16:48,820 --> 01:16:51,850
'CAUSE SHE FELL OVER
TRYING TO MAKE TOAST.
1859
01:16:51,890 --> 01:16:55,460
I CARRIED HER TO HER BEDROOM,
WAITED ON HER FOR THREE DAYS!
1860
01:16:55,490 --> 01:16:57,960
SO YOU SNAPPED WHEN
SHE TURNED YOU DOWN.
1861
01:16:57,990 --> 01:16:59,990
AS SOON AS I PUT
MY HANDS ON HER,
1862
01:17:00,020 --> 01:17:01,950
I KNEW
I WAS GOING AWAY FOREVER!
1863
01:17:01,990 --> 01:17:03,290
IT JUST MADE ME MADDER!
1864
01:17:03,320 --> 01:17:04,820
I HAD NOTHING AGAINST HER.
1865
01:17:04,850 --> 01:17:07,350
I HAD NOTHING AGAINST
ANY OF THEM! I JUST...
1866
01:17:07,390 --> 01:17:10,030
LET'S GET IT DOWN.
1867
01:17:10,050 --> 01:17:14,650
IT'S FALSE ‐‐
ALL THE DO‐GOOD CRAP.
1868
01:17:14,690 --> 01:17:16,860
SO FALSE.
1869
01:17:16,890 --> 01:17:20,230
IT'S ALL JUST WAITING AROUND
UNTIL THE HAMMER DROPS.
1870
01:17:23,520 --> 01:17:26,150
IS THERE ANYTHING ELSE
IN THE PAST
1871
01:17:26,190 --> 01:17:28,330
THAT YOU DIDN'T
GET CAUGHT FOR, LARRY?
1872
01:17:28,350 --> 01:17:30,250
YOU WERE CONVICTED
ON ONE RAPE ASSAULT.
1873
01:17:30,290 --> 01:17:32,030
MY GUESS IS THAT
THERE WERE OTHERS.
1874
01:17:32,050 --> 01:17:33,980
SINCE YOU'RE COMING CLEAN ‐‐
1875
01:17:34,020 --> 01:17:37,020
AND I THINK IT'S ADMIRABLE
THAT YOU ARE ‐‐
1876
01:17:37,050 --> 01:17:38,580
NOW WOULD BE THE TIME
1877
01:17:38,620 --> 01:17:41,520
TO BRING PEACE
TO OTHER PEOPLE'S FAMILIES.
1878
01:17:41,550 --> 01:17:43,180
I CAN RESPECT THAT.
1879
01:17:43,220 --> 01:17:45,550
WERE THERE OTHERS?
1880
01:17:49,690 --> 01:17:52,860
THERE WAS A WAITRESS
AT THE GOLDEN LADLE DINER
1881
01:17:52,890 --> 01:17:55,160
IN MYRTLE BEACH,
SOUTH CAROLINA.
1882
01:17:55,190 --> 01:17:58,660
THIS WAS IN, UH, 1983.
1883
01:17:58,690 --> 01:18:00,090
SUSIE.
1884
01:18:00,120 --> 01:18:03,750
AND A PROSTITUTE
IN DECATUR, ILLINOIS, IN '85.
1885
01:18:03,790 --> 01:18:07,360
HER STREET NAME WAS BUNNY.
SHE HAD RED HAIR.
1886
01:18:09,890 --> 01:18:12,930
[ SIGHS ]
1887
01:18:12,950 --> 01:18:15,580
YOU'RE RIGHT.
1888
01:18:15,620 --> 01:18:18,250
I SHOULD TALK ABOUT THEM
NOW.
1889
01:18:18,290 --> 01:18:20,530
RAPE ASSAULTS?
1890
01:18:20,550 --> 01:18:22,980
NO, I KILLED THEM.
1891
01:18:27,850 --> 01:18:30,250
AND THEN
YOU TOOK THE CLIP OUT?
1892
01:18:30,290 --> 01:18:31,530
YEAH.
1893
01:18:31,550 --> 01:18:34,520
AND YOU KEPT PLAYING
WITH THE GUN?
1894
01:18:34,550 --> 01:18:36,850
YEAH.
1895
01:18:36,890 --> 01:18:41,260
AND, UH, SOMEWHERE IN THERE,
YOU POINTED A GUN AT SCOTT?
1896
01:18:41,290 --> 01:18:44,490
YEAH, WE WERE PLAYING.
1897
01:18:44,520 --> 01:18:46,480
Junior: AND THEN
YOU PULLED THE TRIGGER?
1898
01:18:46,520 --> 01:18:48,180
NO! I‐I MEAN ‐‐
1899
01:18:48,220 --> 01:18:50,250
WAS YOUR FINGER
ON THE TRIGGER?
1900
01:18:50,290 --> 01:18:51,830
I HAVE A B. B. GUN,
1901
01:18:51,850 --> 01:18:54,980
AND THAT TRIGGER ‐‐
YOU HAVE TO REALLY PULL IT.
1902
01:18:55,020 --> 01:18:57,650
IT'S WHAT I'M USED TO.
1903
01:18:57,690 --> 01:19:00,290
SO YOUR FINGER
JUST KIND OF SLIPPED?
1904
01:19:00,320 --> 01:19:03,020
I‐I JUST...
1905
01:19:03,050 --> 01:19:05,180
I DON'T REMEMBER
PULLING THE TRIGGER.
1906
01:19:05,220 --> 01:19:07,580
I DIDN'T MEAN TO
IF I DID.
1907
01:19:07,620 --> 01:19:09,450
WERE YOU MOVING AROUND?
1908
01:19:09,490 --> 01:19:14,430
YEAH. SCOTT WAS ACTING
LIKE HE WAS A GANGBANGER.
1909
01:19:14,450 --> 01:19:17,320
[ Voice breaking ]
AND I WAS THE COP...
1910
01:19:17,350 --> 01:19:19,820
A‐AND HE WAS COMING AT ME.
1911
01:19:19,850 --> 01:19:24,780
MY B. B. GUN ‐‐ I HAVE TO
REALLY PULL THE TRIGGER.
1912
01:19:24,820 --> 01:19:27,820
AND THEN WHAT HAPPENED,
JAKE?
1913
01:19:27,850 --> 01:19:30,080
[ WHIMPERS ]
1914
01:19:30,120 --> 01:19:33,850
I KNOW THIS IS HARD,
BUT YOU NEED TO TELL US.
1915
01:19:33,890 --> 01:19:38,630
THERE ‐‐ THERE WAS
THIS BIG EXPLOSION.
1916
01:19:38,650 --> 01:19:42,780
AND ‐‐ AND THE GUN
JUMPED IN MY HAND...
1917
01:19:42,820 --> 01:19:46,320
AND SCOTT FELL DOWN.
1918
01:19:46,350 --> 01:19:48,420
[ SOBBING ]
1919
01:19:48,450 --> 01:19:52,680
IT'S OKAY, SON.
IT'S OKAY.
1920
01:19:52,720 --> 01:19:56,120
It's okay.
1921
01:20:02,850 --> 01:20:04,820
THE SON GIVING
A STATEMENT?
1922
01:20:04,850 --> 01:20:07,650
THE D. A.'s STILL IN THERE
WITH HIM AND THE DAD.
1923
01:20:07,690 --> 01:20:08,960
IT WAS AN ACCIDENT?
1924
01:20:08,990 --> 01:20:10,130
YEAH.
1925
01:20:10,150 --> 01:20:11,950
HAS SCOTT'S MOM
BEEN NOTIFIED?
1926
01:20:11,990 --> 01:20:13,790
I CALLED HER
TO MAKE SURE SHE WAS HOME
1927
01:20:13,820 --> 01:20:15,650
SO WE COULD BREAK THE NEWS
IN PERSON,
1928
01:20:15,690 --> 01:20:17,460
BUT SHE WANTED TO KNOW
ON THE PHONE.
1929
01:20:17,490 --> 01:20:18,660
WHAT DO YOU WANNA DO
1930
01:20:18,690 --> 01:20:20,860
ABOUT THE ASSAULT CHARGES
ON THE BOYFRIEND?
1931
01:20:20,890 --> 01:20:21,990
WE GOT HIM DOWNSTAIRS.
1932
01:20:22,020 --> 01:20:23,820
DROP IT.
IT'S OVER WITH.
1933
01:20:23,850 --> 01:20:25,850
ALL RIGHT,
THEN CUT HIM LOOSE.
1934
01:20:32,790 --> 01:20:34,760
YOU STILL COMING TONIGHT?
1935
01:20:34,790 --> 01:20:37,090
I DIDN'T KNOW
IF WE WERE STILL ON.
1936
01:20:37,120 --> 01:20:38,920
YEAH. SEE YOU LATER.
1937
01:20:38,950 --> 01:20:40,020
ALL RIGHT.
1938
01:20:45,620 --> 01:20:48,120
WHY DON'T YOU COME
AND HAVE A SEAT, MS. LOWE?
1939
01:20:48,150 --> 01:20:50,520
YOU HAVE MY BOYFRIEND,
STEVE DANZIG, IN CUSTODY?
1940
01:20:50,550 --> 01:20:52,020
YEAH, IT WAS
A LITTLE SCUFFLE,
1941
01:20:52,050 --> 01:20:54,020
BUT STEVE WON'T BE CHARGED
WITH ANYTHING.
1942
01:20:54,050 --> 01:20:55,280
WHERE IS HE?
1943
01:20:55,320 --> 01:20:56,650
HE'S GONNA BE RELEASED.
1944
01:20:56,690 --> 01:20:58,760
ANYTHING ELSE YOU GUYS
WANNA KNOW ABOUT ME,
1945
01:20:58,790 --> 01:21:00,630
ANYTHING ELSE YOU WANNA
ACCUSE ME OF?
1946
01:21:00,650 --> 01:21:02,650
WE WERE INVESTIGATING
YOUR SON'S DEATH.
1947
01:21:02,690 --> 01:21:06,630
I LOST MY SON.
YOU MADE ME FEEL EVEN WORSE.
1948
01:21:06,650 --> 01:21:08,480
SORRY, THAT WASN'T
OUR INTENTION.
1949
01:21:08,520 --> 01:21:11,150
SHAME ON BOTH OF YOU.
1950
01:21:11,190 --> 01:21:12,930
WE'RE SORRY.
1951
01:21:12,950 --> 01:21:14,920
I WANT STEVE RELEASED
RIGHT NOW.
1952
01:21:14,950 --> 01:21:17,620
I'LL BE OUTSIDE.
1953
01:21:40,850 --> 01:21:44,180
SCOTT WAS KILLED ACCIDENTALLY
BY HIS FRIEND JAKE DWYER.
1954
01:21:44,220 --> 01:21:46,680
JAKE'S DAD PANICKED
AND COVERED IT UP.
1955
01:21:46,720 --> 01:21:49,150
I'M DROPPING
THE ASSAULT CHARGE ON YOU.
1956
01:21:49,180 --> 01:21:51,620
YOU'RE FREE TO GO.
CATHERINE'S WAITING FOR YOU.
1957
01:21:56,980 --> 01:21:59,420
DID YOU GO AT THEM
AS HARD AS YOU WENT AT ME?
1958
01:21:59,450 --> 01:22:01,180
12‐YEAR‐OLD KID GETS KILLED,
1959
01:22:01,220 --> 01:22:03,520
IT'S THE ONLY WAY
I'M GONNA DO IT.
1960
01:22:03,550 --> 01:22:06,520
THEN NO HARD FEELINGS.
1961
01:22:06,550 --> 01:22:08,320
NONE HERE EITHER.
1962
01:22:23,380 --> 01:22:25,450
[ CLEARS THROAT ]
1963
01:22:25,480 --> 01:22:26,780
HEY, POP.
1964
01:22:26,820 --> 01:22:27,820
JOHN.
1965
01:22:27,850 --> 01:22:29,320
RITA ORTIZ,
THIS IS MY DAD.
1966
01:22:29,350 --> 01:22:30,950
JOHN CLARK.
NICE TO MEET YOU.
1967
01:22:30,980 --> 01:22:32,520
IT'S NICE TO MEET YOU,
SIR.
1968
01:22:37,980 --> 01:22:39,450
HEARD YOU COLLARED UP
1969
01:22:39,480 --> 01:22:41,820
ON THAT 12‐YEAR‐OLD
GOT MURDERED?
1970
01:22:41,850 --> 01:22:43,820
YEAH.
1971
01:22:43,850 --> 01:22:46,480
THOSE ARE ALWAYS HARD.
1972
01:22:46,520 --> 01:22:48,280
WERE YOU WORKING IT, TOO?
1973
01:22:48,320 --> 01:22:49,780
NO, ME AND MY PARTNER CAUGHT
1974
01:22:49,820 --> 01:22:52,150
AN ELDERLY WOMAN
MURDERED IN HER APARTMENT.
1975
01:22:52,180 --> 01:22:53,620
IT LOOKED LIKE A GROUND BALL
1976
01:22:53,650 --> 01:22:55,580
WITH HER JUNKIE GRANDSON
DOING IT,
1977
01:22:55,620 --> 01:22:56,820
BUT IT TURNED OUT TO BE
1978
01:22:56,850 --> 01:22:59,650
AN EX‐CON WHO APPEARED
TO HAVE TURNED HIS LIFE AROUND.
1979
01:22:59,680 --> 01:23:02,020
BUT HE LOST IT
AND KILLED HER THIS MORNING.
1980
01:23:02,050 --> 01:23:03,680
HOW MUCH TIME YOU GOT
ON THE JOB?
1981
01:23:03,720 --> 01:23:04,780
FIVE YEARS.
1982
01:23:04,820 --> 01:23:05,850
FIVE YEARS?
1983
01:23:05,880 --> 01:23:08,250
AND YOU'RE ALREADY
IN THE DETECTIVE BUREAU?
1984
01:23:08,280 --> 01:23:11,080
YEAH, I GOT LUCKY.
1985
01:23:11,120 --> 01:23:12,750
WHERE'D YOU WORK
BEFORE THIS?
1986
01:23:12,780 --> 01:23:15,150
THREE YEARS IN THE 8‐3
IN UNIFORM,
1987
01:23:15,180 --> 01:23:17,650
THEN TWO IN MANHATTAN SOUTH ‐‐
VICE.
1988
01:23:17,680 --> 01:23:19,850
THIS LUCK COME IN THE FORM
OF A BIG HOOK
1989
01:23:19,880 --> 01:23:22,080
WITH SOMEONE WHO'S GOT
A LOT OF JUICE?
1990
01:23:22,120 --> 01:23:24,620
THEY NEEDED HISPANIC FEMALES
IN VICE.
1991
01:23:24,650 --> 01:23:25,680
I SEE.
1992
01:23:25,720 --> 01:23:29,080
THE BLOOMING ONION'S
BACK ON THE MENU.
1993
01:23:29,120 --> 01:23:32,620
AM I MAKING YOU
UNCOMFORTABLE?
1994
01:23:32,650 --> 01:23:34,580
NOT AT ALL.
1995
01:23:34,620 --> 01:23:36,680
HMM?
1996
01:23:36,720 --> 01:23:38,720
I GOTTA HIT THE HEAD
REAL QUICK.
1997
01:23:40,880 --> 01:23:43,620
THROW A WARNING SHOT
IF HE LEANS ON YOU TOO HARD.
1998
01:23:43,650 --> 01:23:44,950
I'LL BE FINE.
1999
01:23:49,780 --> 01:23:52,250
I'VE BEEN LOOKING FORWARD
TO MEETING YOU.
2000
01:23:52,280 --> 01:23:54,520
I KNOW HOW MUCH
JOHN LOOKS UP TO YOU.
2001
01:23:54,550 --> 01:23:57,950
THAT'S A KIND THING
FOR YOU TO SAY.
2002
01:23:57,980 --> 01:24:00,150
SO, THIS IS YOUR SPOT?
2003
01:24:00,180 --> 01:24:02,080
YEAH, I BEEN COMING HERE
FOR A WHILE.
2004
01:24:02,120 --> 01:24:04,620
I DON'T KNOW
IF HE MENTIONED IT AT ALL,
2005
01:24:04,650 --> 01:24:07,280
BUT JOHN AND I WENT THROUGH
A ROUGH PATCH
2006
01:24:07,320 --> 01:24:09,520
WHEN HE WENT TO WORK
AT THE 15th.
2007
01:24:09,550 --> 01:24:11,620
WE DIDN'T TALK
FOR A WHILE.
2008
01:24:11,650 --> 01:24:14,320
I WAS OUT OF LINE.
2009
01:24:16,320 --> 01:24:20,880
I JUST HOPE HE KNOWS...
HOW MUCH I LOVE HIM.
2010
01:24:22,850 --> 01:24:24,520
[ SIGHS ]
2011
01:24:24,550 --> 01:24:26,580
I'M SURE HE KNOWS.
2012
01:24:26,620 --> 01:24:29,780
[ CHUCKLES ]
2013
01:24:34,020 --> 01:24:35,480
OKAY.
2014
01:24:35,520 --> 01:24:36,850
RIDE 'EM, COWBOY.
2015
01:24:36,880 --> 01:24:39,120
I'M GONNA STAND
RIGHT HERE.
2016
01:24:39,150 --> 01:24:41,020
NO, I'M FINE.
2017
01:24:41,050 --> 01:24:42,650
YOU OKAY RIDING ALONE?
2018
01:24:42,680 --> 01:24:43,920
YEAH. LET'S GO!
2019
01:24:43,950 --> 01:24:45,850
UH, ALL RIGHT, SWEETHEART,
2020
01:24:45,880 --> 01:24:48,850
WE'LL BE ON THAT BENCH
RIGHT OVER THERE.
2021
01:24:48,880 --> 01:24:51,180
OKAY.
OKAY.
2022
01:24:51,220 --> 01:24:53,520
HAVE FUN.
2023
01:25:00,150 --> 01:25:02,480
THEO REALLY TAKES YOU
AWAY FROM IT.
2024
01:25:02,520 --> 01:25:04,920
YEAH.
2025
01:25:04,950 --> 01:25:07,480
OH, IS IT TOO LATE
TO GET HIM A COTTON CANDY?
2026
01:25:07,520 --> 01:25:09,950
STAY HERE A SEC.
2027
01:25:13,380 --> 01:25:16,080
UH, LOOK, IF ANYTHING
HAPPENS TO ME,
2028
01:25:16,120 --> 01:25:18,550
I WANT YOU
TO TAKE CARE OF THEO.
2029
01:25:20,380 --> 01:25:22,280
I MEAN, I'D WANT IT LEGAL.
2030
01:25:22,320 --> 01:25:25,580
IT WOULDN'T BE
A FINANCIAL BURDEN ON YOU.
2031
01:25:25,620 --> 01:25:29,150
THAT'S ALL SQUARED AWAY,
IF YOU'RE UP FOR THAT.
2032
01:25:29,180 --> 01:25:31,980
OF COURSE I AM.
2033
01:25:40,220 --> 01:25:42,680
THEO ASKED
IF HE COULD CALL YOU MOM.
2034
01:25:42,720 --> 01:25:45,120
DOYOUWANT HIM
TO CALL ME MOM?
2035
01:25:45,150 --> 01:25:47,920
I DON'T WANT
TO DISRESPECT HIS MOTHER.
2036
01:25:47,950 --> 01:25:50,750
WELL, I DON'T THINK
IT'S DISRESPECTFUL.
2037
01:25:50,780 --> 01:25:52,950
I THINK
HIS MOTHER WOULD WANT
2038
01:25:52,980 --> 01:25:55,920
SOMEONE IN THEO'S LIFE
HE COULD CALL MOM.
2039
01:25:55,950 --> 01:26:01,520
SOMEONE INBOTHYOUR LIVES.
2040
01:26:01,550 --> 01:26:04,280
YEAH, YOU'RE PROBABLY RIGHT.
2041
01:26:14,550 --> 01:26:16,880
THAT WASN'T SO BAD,
WAS IT?
2042
01:26:19,450 --> 01:26:21,480
NO.
2043
01:26:21,520 --> 01:26:23,720
NOT BAD AT ALL.
2044
01:26:32,050 --> 01:26:34,250
TOMORROW NIGHT,
WE'RE GETTING A SITTER,
2045
01:26:34,280 --> 01:26:36,950
AND YOU'RE COMING OVER
TO MY APARTMENT FOR DINNER.
2046
01:26:36,980 --> 01:26:38,680
SOUNDS GOOD.
2047
01:26:38,720 --> 01:26:40,420
[ FOOTSTEPS ]
2048
01:26:40,450 --> 01:26:41,950
HEY, YOU HAVE FUN?
2049
01:26:41,980 --> 01:26:45,480
YEAH! CAN I HAVE
SOME COTTON CANDY, PLEASE?
2050
01:26:45,520 --> 01:26:47,150
YEAH, ALL RIGHT.
146828
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