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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,200 --> 00:00:01,970 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:03,270 --> 00:00:07,540 JOHNNY, I'VE ALWAYS LOVED YOU. YOU'RE MY SON. 3 00:00:07,570 --> 00:00:08,870 I LOVE YOU, TOO. 4 00:00:08,900 --> 00:00:10,700 CAN WE LEAVE IT AT THAT? 5 00:00:10,740 --> 00:00:12,170 OKAY. 6 00:00:12,200 --> 00:00:14,840 I'M NOT TRYING TO GET US AHEAD OF OURSELVES. 7 00:00:14,870 --> 00:00:17,840 HOWEVER LONG THIS LASTS, I JUST WANT TO ENJOY IT. 8 00:00:17,870 --> 00:00:19,100 THAT'S GOOD FOR ME. 9 00:00:30,040 --> 00:00:32,070 CAN YOU STAY AWHILE? 10 00:00:32,100 --> 00:00:34,470 I'LL STAY AS LONG AS YOU NEED. 11 00:00:36,240 --> 00:00:38,870 ME AND CONNIE ARE TAKING THEO TO DISNEY WORLD, 12 00:00:38,900 --> 00:00:41,540 SO IF THERE'S ANY COMMENTS, ANY BALL‐BUSTING, 13 00:00:41,570 --> 00:00:44,270 ANYBODY GOT A PROBLEM WITH IT, GET IT OUT NOW. 14 00:00:45,140 --> 00:00:46,970 HAVE A GOOD TIME. 15 00:00:58,370 --> 00:00:59,500 MORNING, JOHN. 16 00:00:59,540 --> 00:01:02,270 WELCOME BACK, DETECTIVE. HOW WAS THE TRIP? 17 00:01:02,300 --> 00:01:03,400 GOOD. 18 00:01:03,440 --> 00:01:04,900 DID THEO HAVE FUN? 19 00:01:04,940 --> 00:01:06,840 HE WANTED TO MOVE THERE. 20 00:01:06,870 --> 00:01:08,000 HERE. HE INSISTED. 21 00:01:08,040 --> 00:01:10,100 DON'T FEEL OBLIGATED TO WEAR THEM. 22 00:01:10,140 --> 00:01:12,500 I HAVEN'T HAD MICKEY EARS SINCE I WAS 4! 23 00:01:12,540 --> 00:01:14,100 THAT'S MOST RATIONAL PEOPLE. 24 00:01:14,140 --> 00:01:16,900 TELL THEO IT WAS SO SWEET OF HIM TO THINK OF ME. 25 00:01:16,940 --> 00:01:19,670 YOU KNOW WHAT? I'LL WRITE HIM A NOTE. 26 00:01:19,700 --> 00:01:21,900 HE'LL GET A KICK OUT OF THAT. 27 00:01:21,940 --> 00:01:24,270 UH, YOU CAN LOSE THE EARS NOW. 28 00:01:24,300 --> 00:01:27,200 ANDY, WELCOME BACK. HOW WAS YOUR TRIP? 29 00:01:27,240 --> 00:01:28,170 GOOD. 30 00:01:28,200 --> 00:01:30,400 I GOT THIS ON THE WAY IN ‐‐ MISSING KID. 31 00:01:30,440 --> 00:01:33,100 MOM'S AT THE APARTMENT ‐‐ 1st AND 4th. 32 00:01:33,140 --> 00:01:34,240 WHERE'S McDOWELL? 33 00:01:34,270 --> 00:01:35,840 ON HER WAY IN, I GUESS. 34 00:01:35,870 --> 00:01:38,240 PAGE HER AND THE OTHERS. HAVE THEM RESPOND. 35 00:01:38,270 --> 00:01:39,500 GOOD TO HAVE YOU BACK. 36 00:01:39,540 --> 00:01:40,870 THANKS. 37 00:01:40,900 --> 00:01:43,170 THE MAN RETURNS. 38 00:01:43,200 --> 00:01:45,700 THUMBS UP, SIPOWICZ. 39 00:01:46,470 --> 00:01:48,400 WHAT'S THAT SUPPOSED TO MEAN? 40 00:01:48,440 --> 00:01:49,940 I DON'T KNOW, DETECTIVE. 41 00:01:52,570 --> 00:01:53,800 KEEP THOSE HID. 42 00:02:03,100 --> 00:02:04,070 HEY. 43 00:02:04,100 --> 00:02:05,100 HEY. 44 00:02:07,600 --> 00:02:09,440 WELCOME BACK. THANKS. 45 00:02:09,470 --> 00:02:10,740 HAD A GOOD TRIP? 46 00:02:10,770 --> 00:02:12,900 YEAH. YOU TALK TO THE MOM? 47 00:02:12,940 --> 00:02:15,240 I JUST WALKED IN. NAME'S CATHERINE LOWE. 48 00:02:15,270 --> 00:02:16,740 SON ‐‐ SCOTT, 12 YEARS OLD. 49 00:02:16,770 --> 00:02:19,540 HIS BED WASN'T SLEPT IN. HE'S NEVER RUN AWAY BEFORE. 50 00:02:19,570 --> 00:02:22,200 ANY CHANCE HE MADE THE BED AND DUCKED OUT EARLY? 51 00:02:22,240 --> 00:02:23,670 SHE SAYS IT DOESN'T HAPPEN. 52 00:02:23,700 --> 00:02:24,840 WHERE'S EVERYBODY ELSE? 53 00:02:24,870 --> 00:02:27,040 JONES AND MEDAVOY STARTED A SEARCH OF THE BUILDING. 54 00:02:27,070 --> 00:02:28,700 STILL WAITING ON McDOWELL AND ORTIZ. 55 00:02:30,540 --> 00:02:32,540 DETECTIVES SIPOWICZ AND CLARK, MRS. LOWE. 56 00:02:32,570 --> 00:02:34,570 WHEN WAS THE LAST TIME YOU SAW YOUR SON? 57 00:02:34,600 --> 00:02:36,870 LAST NIGHT BEFORE I WENT OUT ‐‐ 8:00, I GUESS. 58 00:02:36,900 --> 00:02:38,040 WHERE'D YOU GO? 59 00:02:38,070 --> 00:02:39,870 O'DELL'S ‐‐ MET MY GIRLFRIENDS. 60 00:02:39,900 --> 00:02:41,540 WHAT TIME DID YOU COME HOME? 61 00:02:41,570 --> 00:02:42,700 ABOUT 2:00. 62 00:02:42,740 --> 00:02:44,700 IT'S NORMAL YOU DON'T CHECK ON HIM? 63 00:02:44,740 --> 00:02:46,170 I DIDN'T WANT TO WAKE HIM. 64 00:02:46,200 --> 00:02:48,770 WERE YOU IN ANY KIND OF ARGUMENT WITH YOUR SON? 65 00:02:48,800 --> 00:02:50,170 WAS HE BEING DISCIPLINED? 66 00:02:50,200 --> 00:02:51,340 NO. 67 00:02:51,370 --> 00:02:53,340 HE'S DRINKING OR DOING DRUGS AT ALL? 68 00:02:53,370 --> 00:02:55,400 NOTHING LIKE THAT. HE'S A COMPUTER KID. 69 00:02:55,440 --> 00:02:57,700 DOES ANYBODY ELSE HAVE ACCESS TO YOUR PLACE? 70 00:02:57,740 --> 00:03:00,500 IS THERE ANYPLACE YOU CAN THINK OF HE MIGHT HAVE GONE? 71 00:03:00,540 --> 00:03:03,070 MAYBE HE'S AT THE DWYERS'. MAYBE HIS FATHER TOOK HIM. 72 00:03:03,100 --> 00:03:05,940 I DON'T KNOW, 'CAUSE NOBODY'S ANSWERING THEIR DAMN PHONE. 73 00:03:05,970 --> 00:03:08,200 WE'LL LOOK INTO IT. WHERE'S HIS FATHER LIVE? 74 00:03:08,240 --> 00:03:09,370 PARK SLOPE. 75 00:03:09,400 --> 00:03:12,400 IF HE TOOK SCOTT, YOU TELL HIM I WILL KILL HIM. 76 00:03:12,440 --> 00:03:14,400 SO THINGS AREN'T GOOD BETWEEN YOU? 77 00:03:14,440 --> 00:03:15,740 A BAD DIVORCE. 78 00:03:15,770 --> 00:03:17,070 AND THE DWYERS? 79 00:03:17,100 --> 00:03:19,370 THAT'S SCOTT'S FRIEND JAKE. THEY LIVE NEARBY. 80 00:03:19,400 --> 00:03:22,340 WHY DON'T YOU WRITE DOWN THEIR PHONE AND ADDRESS ‐‐ 81 00:03:22,370 --> 00:03:23,700 THE DWYERS AND YOUR EX? 82 00:03:23,740 --> 00:03:26,340 AND ANY OTHER PLACE YOU THINK WE SHOULD LOOK. 83 00:03:26,370 --> 00:03:28,040 LET'S CATCH UP McDOWELL. 84 00:03:29,440 --> 00:03:30,570 HEY. 85 00:03:30,600 --> 00:03:32,170 CONNIE, WELCOME BACK. 86 00:03:32,200 --> 00:03:33,940 THANKS. HOW'S IT LOOKING? 87 00:03:33,970 --> 00:03:36,700 KID'S NEVER RUN OFF. THEY WEREN'T IN A FIGHT. 88 00:03:36,740 --> 00:03:39,700 AND CAN'T FIND THE DIVORCED DAD. HE'S FIRST STOP. 89 00:03:39,740 --> 00:03:42,540 MEANTIME, GET UNIFORM ON SEARCHING THE AREA ‐‐ 90 00:03:42,570 --> 00:03:43,940 VACANT LOTS, BASEMENTS. 91 00:03:43,970 --> 00:03:45,200 WE'D BETTER, YEAH. 92 00:03:48,600 --> 00:03:50,170 WHAT IS IT, PAL? 93 00:03:50,200 --> 00:03:51,700 HOW WAS FLORIDA? 94 00:03:51,740 --> 00:03:53,500 SO THE WORLD KNOWS? 95 00:03:53,540 --> 00:03:54,670 GOT AROUND. 96 00:03:54,700 --> 00:03:56,700 FLORIDA WAS FINE, PAL. 97 00:03:56,740 --> 00:03:58,270 NOW EXPLAIN THAT SMIRK. 98 00:03:58,300 --> 00:04:02,240 ANDY...YOU'RE MY HERO. 99 00:04:05,040 --> 00:04:08,000 ‐‐Captions by VITAC‐‐ www.vitac.com 100 00:04:08,040 --> 00:04:12,600 CLOSED CAPTIONING BROUGHT TO YOU BY ABC, INC., 20th CENTURY FOX TELEVISION 101 00:04:12,640 --> 00:04:16,070 AND TOYOTA. GET THE FEELING. 102 00:05:17,600 --> 00:05:18,900 ANYTHING? 103 00:05:18,940 --> 00:05:20,870 NO ONE IN THE AREA HAD SEEN THE KID. 104 00:05:20,900 --> 00:05:23,600 NONE OF THE NEIGHBORS SAW ANYTHING OUT OF THE ORDINARY. 105 00:05:23,640 --> 00:05:25,100 ANY LUCK FINDING THE DAD? 106 00:05:25,140 --> 00:05:26,840 NO ONE ANSWERED AT HIS HOUSE, 107 00:05:26,870 --> 00:05:29,100 AND APPARENTLY, HE'S TAKING A DAY OFF WORK. 108 00:05:29,140 --> 00:05:30,840 PLANNED OR SPUR‐OF‐THE‐MOMENT? 109 00:05:30,870 --> 00:05:32,500 PUT IN FOR IT TWO WEEKS AGO. 110 00:05:32,540 --> 00:05:34,440 WE'RE GONNA TALK TO HIS CO‐WORKERS. 111 00:05:34,470 --> 00:05:35,670 TOMMY DWYER. 112 00:05:35,700 --> 00:05:39,440 I GOT A MESSAGE TO SEE DETECTIVES CLARK OR SIPOWICZ. 113 00:05:39,470 --> 00:05:42,200 YEAH ‐‐ ANDY SIPOWICZ. JOHN CLARK. 114 00:05:42,240 --> 00:05:43,800 LET'S TALK BACK HERE. 115 00:05:45,800 --> 00:05:47,540 DAD OF THE MISSING KID'S FRIEND. 116 00:05:47,570 --> 00:05:50,200 SO THE MISSING KID'S FATHER'S YOUR ANGLE? FOR NOW. 117 00:05:50,240 --> 00:05:53,200 I DON'T GOTTA TELL YOU WE GOTTA COVER THESE BASES IN A HURRY. 118 00:05:53,240 --> 00:05:54,400 NO, YOU DON'T. 119 00:05:56,400 --> 00:05:58,540 WE'RE GONNA HAVE TO MAKE THIS QUICK ‐‐ 120 00:05:58,570 --> 00:06:00,240 WITH A MISSING KID AND ALL. 121 00:06:00,270 --> 00:06:03,270 I KNOW. I WAS JUST TELLING HIM. I'M RETIRED OFF THE JOB. 122 00:06:03,300 --> 00:06:04,440 20 YEARS, HIGHWAY 1. 123 00:06:04,470 --> 00:06:06,270 YOUR SON AND SCOTT ARE FRIENDS? 124 00:06:06,300 --> 00:06:07,570 SINCE THEY WERE LITTLE. 125 00:06:07,600 --> 00:06:09,440 HE SPEND TIME AT YOUR APARTMENT? 126 00:06:09,470 --> 00:06:10,600 YEAH, HE COMES OVER. 127 00:06:10,640 --> 00:06:12,600 WHEN WAS THE LAST TIME YOU SAW HIM? 128 00:06:12,640 --> 00:06:15,200 TWO DAYS AGO. ARE YOU THINKING HE WAS KIDNAPPED? 129 00:06:15,240 --> 00:06:17,170 WE'RE STILL TRYING TO PUT IT TOGETHER. 130 00:06:17,200 --> 00:06:18,370 HE SAYS HE COMES OVER. 131 00:06:18,400 --> 00:06:20,540 DOES THAT MEAN YOUR SON AND SCOTT ARE CLOSE, 132 00:06:20,570 --> 00:06:21,700 OR ARE THEY JUST PALS? 133 00:06:21,740 --> 00:06:22,840 FAIRLY CLOSE, I GUESS. 134 00:06:22,870 --> 00:06:24,540 ANY CHANCE THEY'RE TOGETHER NOW? 135 00:06:24,570 --> 00:06:25,700 NO. JAKE'S AT SCHOOL. 136 00:06:25,740 --> 00:06:27,740 I CHECKED UP AFTER I GOT YOUR MESSAGE. 137 00:06:28,600 --> 00:06:31,070 YOU'RE NOT THINKING THIS IS WORSE THAN KIDNAPPING. 138 00:06:31,100 --> 00:06:32,900 WE'RE JUST GETTING OFF THE GROUND. 139 00:06:32,940 --> 00:06:34,870 WHAT DO YOU KNOW ABOUT SCOTT'S FAMILY? 140 00:06:34,900 --> 00:06:36,540 UH...THE MOM'S A LITTLE ROUGH. 141 00:06:36,570 --> 00:06:39,100 I MEAN, I DON'T WANT TO SAY NOTHING BAD AGAINST HER. 142 00:06:39,140 --> 00:06:40,270 HEY, A KID IS MISSING. 143 00:06:40,300 --> 00:06:42,070 YOU GOT SOMETHING, LET'S HEAR IT. 144 00:06:42,100 --> 00:06:46,070 SCOTT WASN'T EXACTLY THRILLED WITH HIS HOME LIFE. 145 00:06:46,100 --> 00:06:47,340 SPECIFICALLY? 146 00:06:47,370 --> 00:06:48,740 CATHY ISN'T AROUND A LOT, 147 00:06:48,770 --> 00:06:50,900 AND HER ATTENTIONS ARE ON OTHER THINGS ‐‐ 148 00:06:50,940 --> 00:06:52,600 YOU KNOW, HAVING A GOOD TIME. 149 00:06:52,640 --> 00:06:54,570 SCOTT WANTED TO LIVE WITH HIS DAD. 150 00:06:54,600 --> 00:06:55,740 YEAH, WE HEARD THAT. 151 00:06:55,770 --> 00:06:57,940 BUT I THINK HE WAS READY TO MAKE THE JUMP 152 00:06:57,970 --> 00:06:59,940 AND HIS DAD WAS READY TO TAKE HIM. 153 00:06:59,970 --> 00:07:01,340 SCOTT TOLD YOU THIS? 154 00:07:01,370 --> 00:07:03,770 HE DIDN'T HAVE A DAD AT HOME, SO HE TALKED TO ME. 155 00:07:03,800 --> 00:07:05,500 HE LAY OUT ANY KIND OF PLAN? 156 00:07:05,540 --> 00:07:07,370 HE REALLY WANTED TO LIVE WITH HIS DAD, 157 00:07:07,400 --> 00:07:09,270 AND HIS DAD REALLY WANTED TO TAKE HIM, 158 00:07:09,300 --> 00:07:11,200 AND ONE DAY SOON, IT WAS GONNA HAPPEN. 159 00:07:11,240 --> 00:07:13,240 HAVE YOU TALKED TO JIM YET ‐‐ SCOTT'S DAD? 160 00:07:13,270 --> 00:07:15,000 CAN'T FIND HIM AT HOME OR AT WORK. 161 00:07:15,040 --> 00:07:16,670 YOU GOT SOMEPLACE ELSE TO LOOK? 162 00:07:16,700 --> 00:07:18,670 SCOTT MENTIONED HE PLAYS A LOT OF GOLF 163 00:07:18,700 --> 00:07:20,340 AT A COUNTRY CLUB IN RIVERDALE. 164 00:07:20,370 --> 00:07:22,700 HE'S GONNA KIDNAP HIS KID AND PLAY GOLF. 165 00:07:22,740 --> 00:07:24,500 I'M JUST TELLING YOU WHAT I KNOW. 166 00:07:24,540 --> 00:07:26,270 ALL RIGHT, THANKS FOR YOUR TIME. 167 00:07:29,240 --> 00:07:30,770 [ EXHALES DEEPLY ] 168 00:07:32,900 --> 00:07:35,940 HE AIMED IT AT THE DAD ‐‐ CUSTODIAL INTERFERENCE. 169 00:07:35,970 --> 00:07:37,870 DO WE HAVE A PLACE TO LOOK? 170 00:07:37,900 --> 00:07:40,740 A WEAK POSSIBLE, BUT IT MIGHT GO SOMEWHERE ELSE. 171 00:07:40,770 --> 00:07:42,900 WE'RE ON THE AIR. 172 00:07:44,740 --> 00:07:46,740 MAN DOWNSTAIRS SAID TO TALK TO A DETECTIVE. 173 00:07:46,770 --> 00:07:48,200 REGARDING WHAT, SIR? 174 00:07:48,240 --> 00:07:50,840 I THINK I HAVE A SUSPECT IN YOUR MISSING‐CHILD CASE. 175 00:07:50,870 --> 00:07:53,540 HOW DO YOU KNOW WE'RE WORKING ON A MISSING‐CHILD CASE? 176 00:07:53,570 --> 00:07:55,270 I MONITOR THE POLICE FREQUENCY. 177 00:07:55,300 --> 00:07:57,670 WHERE'D YOU FIND THIS SUSPECT? THE INTERNET. 178 00:07:57,700 --> 00:07:59,600 THESE DETECTIVES WILL TALK TO YOU. 179 00:08:01,040 --> 00:08:03,840 IF THERE'S ANYTHING IN IT, CALL ANDY AND JOHN. 180 00:08:03,870 --> 00:08:05,270 IF NOT, SEND HIM HOME. 181 00:08:05,300 --> 00:08:07,100 COME ON IN. YOUR NAME? 182 00:08:07,140 --> 00:08:08,170 TED MUNTZ. 183 00:08:08,200 --> 00:08:10,940 HAVE A SEAT. 184 00:08:10,970 --> 00:08:12,940 SO, WHAT DO YOU GOT FOR US, TED? 185 00:08:12,970 --> 00:08:15,770 THESE ARE PRINTOUTS OF 31 E‐MAILS BETWEEN MYSELF 186 00:08:15,800 --> 00:08:18,940 AND AN INDIVIDUAL WHO REFERS TO HIMSELF AS "FUNTIMES65," 187 00:08:18,970 --> 00:08:20,340 WHICH IS REPREHENSIBLE, 188 00:08:20,370 --> 00:08:22,940 CONSIDERING WHAT A FOUL‐MINDED PERSON HE IS. 189 00:08:22,970 --> 00:08:25,870 MR. MUNTZ, WE NEED TO ASK YOU TO CUT TO THE CHASE. 190 00:08:25,900 --> 00:08:28,570 FIRST, I NEED TO TELL YOU ABOUT A BOY I KNOW ‐‐ 191 00:08:28,600 --> 00:08:30,770 AARON NESTER ‐‐ SCREEN NAME AARON21. 192 00:08:30,800 --> 00:08:32,240 AARON IS 15 YEARS OLD. 193 00:08:32,270 --> 00:08:34,570 HE ATTENDS MT. JEFFERSON HIGH IN NEW JERSEY. 194 00:08:34,600 --> 00:08:37,000 HE'S IN THE THEATER CLUB, RUNS CROSS‐COUNTRY, 195 00:08:37,040 --> 00:08:39,740 AND HE'S DESPERATELY CONFUSED ABOUT HIS SEXUALITY. 196 00:08:39,770 --> 00:08:42,100 THING ABOUT AARON THAT'S SO INTERESTING IS 197 00:08:42,140 --> 00:08:43,240 HE DOESN'T EXIST. 198 00:08:43,270 --> 00:08:45,340 MR. MUNTZ, YOU'VE GOT ABOUT 30 SECONDS. 199 00:08:45,370 --> 00:08:46,400 AARON NESTER IS ME. 200 00:08:46,440 --> 00:08:48,400 I GO INTO YOUTH‐ORIENTED CHAT ROOMS, 201 00:08:48,440 --> 00:08:51,170 DISGUISED AS AARON, AND ROOT OUT ONLINE PEDOPHILES. 202 00:08:51,200 --> 00:08:52,200 THIS IS A HOBBY? 203 00:08:52,240 --> 00:08:54,270 I DO TECH SUPPORT, SO I'M HOME ALL DAY. 204 00:08:54,300 --> 00:08:56,370 I'M JUST MAKING USE OF MY DOWNTIME. 205 00:08:56,400 --> 00:08:58,940 HAVE YOU BEEN SUCCESSFUL? HAVE THERE BEEN ARRESTS? 206 00:08:58,970 --> 00:09:00,270 THIS WOULD BE THE FIRST. 207 00:09:00,300 --> 00:09:02,040 SO, WHAT DO YOU GOT, TED? 208 00:09:02,070 --> 00:09:03,200 ABOUT A MONTH AGO, 209 00:09:03,240 --> 00:09:06,100 THIS FUNTIME LURED AARON INTO A PRIVATE CHAT ROOM 210 00:09:06,140 --> 00:09:09,000 AND STARTED GRILLING HIM ABOUT WAS HE A VIRGIN, 211 00:09:09,040 --> 00:09:11,070 HAD HE EVER HAD A GAY EXPERIENCE 212 00:09:11,100 --> 00:09:13,840 OR FANTASIZED ABOUT BOYS IN THE LOCKER ROOM, 213 00:09:13,870 --> 00:09:16,240 UNTIL FUNTIME ESSENTIALLY SEDUCED AARON 214 00:09:16,270 --> 00:09:18,170 INTO FULL‐FLEDGED ONLINE SEX. 215 00:09:18,200 --> 00:09:20,070 ALL PART OF YOUR CIVIC DUTY. 216 00:09:20,100 --> 00:09:22,000 IF YOU'RE GONNA GET PAST ANONYMITY, 217 00:09:22,040 --> 00:09:24,400 YOU HAVE TO GAIN TRUST. I DIDN'T HAVE A CHOICE. 218 00:09:24,440 --> 00:09:27,040 WHAT MAKES YOU THINK FUNTIME HAS TO DO WITH OUR CASE? 219 00:09:27,070 --> 00:09:29,600 HE'S MADE NUMEROUS REFERENCES TO THE NEIGHBORHOOD, 220 00:09:29,640 --> 00:09:32,270 SO I'M ALMOST CERTAIN HE LIVES NEAR YOUR MISSING BOY. 221 00:09:32,300 --> 00:09:35,100 HE SAYS HE'S GUIDED OTHER BOYS INTO THEIR HOMOSEXUALITY 222 00:09:35,140 --> 00:09:36,940 BY HAVING FACE‐TO‐FACE MEETINGS ‐‐ 223 00:09:36,970 --> 00:09:39,370 SOMETHING HE'S BEEN TRYING TO ARRANGE WITH AARON 224 00:09:39,400 --> 00:09:40,600 FOR THE PAST TWO WEEKS. 225 00:09:40,640 --> 00:09:42,240 AND HE REPEATEDLY TELLS AARON 226 00:09:42,270 --> 00:09:45,200 HE KNOWS OF A PLACE WHERE HE CAN EXPRESS HIMSELF SEXUALLY 227 00:09:45,240 --> 00:09:47,200 AND FINALLY BE FREE FROM CONFUSION. 228 00:09:47,240 --> 00:09:49,840 I MEAN, HE LIVES HERE, HE'S PICKING UP BOYS HERE. 229 00:09:49,870 --> 00:09:51,240 THAT'S TWO AND TWO, RIGHT? 230 00:09:51,270 --> 00:09:52,570 IT'S WORTH LOOKING INTO. 231 00:09:52,600 --> 00:09:55,570 HOW LONG WOULD IT TAKE TO ARRANGE A MEETING WITH THIS GUY? 232 00:09:55,600 --> 00:09:57,500 HE TELLS AARON ANYPLACE, ANYTIME. 233 00:09:57,540 --> 00:09:58,940 FROM WHAT HE'S MENTIONED, 234 00:09:58,970 --> 00:10:01,600 HE WORKS AT HOME AND LIVES NEAR A VIDEO‐GAME ARCADE, 235 00:10:01,640 --> 00:10:03,570 SO ALL AARON HAS TO DO IS PAGE HIM. 236 00:10:03,600 --> 00:10:05,540 HE PROVIDED THE NUMBER TWO WEEKS AGO, 237 00:10:05,570 --> 00:10:07,700 AND WITHIN HALF AN HOUR, THE MEETING'S ON. 238 00:10:07,740 --> 00:10:09,540 WHAT HAPPENS WHEN HE CALLS BACK ‐‐ 239 00:10:09,570 --> 00:10:11,870 YOU TALK LIKE A 15‐YEAR‐OLD, RAISE YOUR VOICE? 240 00:10:11,900 --> 00:10:14,070 I'VE NEVER GOTTEN AS FAR AS MEETING ANYONE, 241 00:10:14,100 --> 00:10:16,000 SO I HAVEN'T THOUGHT THAT FAR AHEAD. 242 00:10:16,040 --> 00:10:18,700 IF THIS IS SOME KIND OF PRANK, TELL US NOW. 243 00:10:18,740 --> 00:10:21,540 'CAUSE DOWN THE LINE I FIND OUT YOU'RE LYING, 244 00:10:21,570 --> 00:10:22,840 YOU'RE GOING TO JAIL. 245 00:10:22,870 --> 00:10:24,500 JAIL? 246 00:10:24,540 --> 00:10:26,500 I CAME HERE TO HELP. IT'S THE TRUTH. 247 00:10:26,540 --> 00:10:28,570 GET A FEMALE IN ANTICRIME OR A UNIFORM, 248 00:10:28,600 --> 00:10:31,070 SOMEONE WITH A KID'S VOICE TO ANSWER THE PHONE 249 00:10:31,100 --> 00:10:32,500 WHEN THIS GUY CALLS BACK. 250 00:10:32,540 --> 00:10:33,940 PAGE HIM NOW. 251 00:10:33,970 --> 00:10:35,400 COME WITH US. 252 00:10:57,800 --> 00:10:59,870 DOWN THIS AISLE, GREEN HAT AND JACKET. 253 00:10:59,900 --> 00:11:01,670 I JUST PAGED THE NUMBER AGAIN ‐‐ 254 00:11:01,700 --> 00:11:04,900 SEE IS IT OUR GUY. 255 00:11:07,600 --> 00:11:09,700 POLICE. YOU'RE COMING WITH US. 256 00:11:09,740 --> 00:11:11,770 I THINK YOU GOT THE WRONG GUY. 257 00:11:11,800 --> 00:11:15,400 YEAH? WELL, WHAT'S MY DATE OF BIRTH DOING ON YOUR PAGER? 258 00:11:15,440 --> 00:11:16,740 SAY ONE MORE THING, 259 00:11:16,770 --> 00:11:19,240 YOU'LL BE ON THE GROUND IN HANDCUFFS. 260 00:11:19,270 --> 00:11:21,500 DID YOU COME HERE WITH HIM? 261 00:11:21,540 --> 00:11:22,870 DO YOU KNOW HIM? 262 00:11:22,900 --> 00:11:25,470 THEN GET YOUR BUTT TO SCHOOL. 263 00:11:40,800 --> 00:11:42,170 SIT DOWN, MR. VOLNEY. 264 00:11:42,200 --> 00:11:43,500 NO, I'LL STAND 265 00:11:43,540 --> 00:11:46,070 UNTIL ONE OF YOU THUGS TELLS ME WHAT'S GOING ON. 266 00:11:46,100 --> 00:11:47,900 HEY, WHAT THE HELL IS THIS? 267 00:11:47,940 --> 00:11:49,740 WHAT WERE YOU DOING AT THE ARCADE? 268 00:11:49,770 --> 00:11:51,840 I WAS PLAYING SOME GAMES, WASTING TIME. 269 00:11:51,870 --> 00:11:53,670 YOU WEREN'T KEEPING AN APPOINTMENT? 270 00:11:53,700 --> 00:11:54,700 NO. 271 00:11:54,740 --> 00:11:57,370 HOW DO YOU THINK WE GOT YOUR PAGER NUMBER? 272 00:11:57,400 --> 00:11:58,340 I GOT NO IDEA. 273 00:11:58,370 --> 00:11:59,940 YOU GOOD WITH COMPUTERS? 274 00:11:59,970 --> 00:12:01,900 I DESIGN WEBSITES, SO, YEAH. 275 00:12:01,940 --> 00:12:03,900 WHAT'S YOUR HANDLE IN THE CHAT ROOMS? 276 00:12:03,940 --> 00:12:05,400 GANDOLF77. WHAT THE HELL? 277 00:12:05,440 --> 00:12:07,870 YOU GOT ANOTHER NAME YOU GO BY ‐‐ MAYBE FUNTIME? 278 00:12:07,900 --> 00:12:09,200 NO. 279 00:12:09,240 --> 00:12:13,000 VOLNEY, IF YOU THINK ALL COPS ARE COMPUTER‐ILLITERATE MOPES, 280 00:12:13,040 --> 00:12:14,340 I'M SORRY TO TELL YOU 281 00:12:14,370 --> 00:12:17,200 THERE ARE WHOLE DIVISIONS OF THE DEPARTMENT 282 00:12:17,240 --> 00:12:19,600 DEVOTED TO PORING THROUGH COMPUTERS. 283 00:12:19,640 --> 00:12:23,070 THEY'LL QUICKLY PROVE THAT YOUR SCREEN NAME IS FUNTIME. 284 00:12:23,100 --> 00:12:24,600 ALL RIGHT, SO ‐‐ SO WHAT? 285 00:12:24,640 --> 00:12:28,070 WERE YOU IN THE ARCADE TO MEET SOMEONE NAMED AARON NESTER? 286 00:12:28,100 --> 00:12:29,170 WHAT IF I WAS? 287 00:12:29,200 --> 00:12:31,570 AND NO ONE TOLD YOU PEDOPHILIA'S A CRIME? 288 00:12:31,600 --> 00:12:33,570 WHAT DO YOU MEAN, PEDOPHILIA? 289 00:12:33,600 --> 00:12:36,040 I WAS THERE TO MEET A FULLY GROWN MAN. 290 00:12:36,070 --> 00:12:38,540 WE GOT PRINTOUTS OF YOUR CHATS WITH AARON. 291 00:12:38,570 --> 00:12:40,000 HE MAKES HIS AGE CLEAR. 292 00:12:40,040 --> 00:12:42,270 IT'S CALLED "AGE PLAY." IT'S PRETEND. 293 00:12:42,300 --> 00:12:43,600 AGE PLAY, HUH? 294 00:12:43,640 --> 00:12:46,570 I GOT FANTASIES, ALL RIGHT? SO DO OTHER GUYS, LOTS OF THEM. 295 00:12:46,600 --> 00:12:49,840 SO SOMEONE PRETENDS THEY'RE A YOUNG KID AND YOU HOOK UP. 296 00:12:49,870 --> 00:12:53,040 CHECK YOUR TRANSCRIPTS. THIS AARON WRITES LIKE HE'S 40. 297 00:12:53,070 --> 00:12:55,040 HIS POP REFERENCES ARE ALL FORCED. 298 00:12:55,070 --> 00:12:57,000 HIS PERSONALITY IS TOTAL CLICHé. 299 00:12:57,040 --> 00:12:59,670 PLUS, I MADE NUMEROUS REFERENCES TO AGE PLAY. 300 00:12:59,700 --> 00:13:02,500 YOU EVER CHAT ONLINE WITH A KID NAME SCOTT LOWE? 301 00:13:02,540 --> 00:13:04,040 NO. NEVER HEARD OF HIM. 302 00:13:04,070 --> 00:13:05,770 WHERE WERE YOU LAST NIGHT? 303 00:13:05,800 --> 00:13:07,100 I WAS HOME WORKING. 304 00:13:07,140 --> 00:13:09,840 WERE YOU ANYWHERE NEAR 1st AVENUE AND 4th STREET? 305 00:13:09,870 --> 00:13:11,000 I WAS HOME WORKING. 306 00:13:11,040 --> 00:13:12,070 PROVE IT. 307 00:13:12,100 --> 00:13:13,170 OH... 308 00:13:13,200 --> 00:13:14,640 [ SIGHS ] 309 00:13:15,640 --> 00:13:17,440 THERE'S AN AUTOLOG ON MY COMPUTER 310 00:13:17,470 --> 00:13:18,940 THAT I USE TO BILL CLIENTS. 311 00:13:18,970 --> 00:13:20,940 THAT'LL SAY WHEN I WAS WORKING. 312 00:13:20,970 --> 00:13:22,940 WE'LL NEED YOUR COMPUTER. HELL NO. 313 00:13:22,970 --> 00:13:24,700 WE'LL GET A SUBPOENA FOR IT. 314 00:13:24,740 --> 00:13:26,300 YOU'RE STICKING AROUND. 315 00:13:28,970 --> 00:13:30,770 THE FATHER? 316 00:13:30,800 --> 00:13:32,700 WASN'T AT THE COUNTRY CLUB. 317 00:13:32,740 --> 00:13:36,270 ONE OF HIS GOLF BUDDIES SAYS HE GOES FISHING LOCALLY. 318 00:13:36,300 --> 00:13:37,940 WE'LL MAKE CALLS ON IT. 319 00:13:37,970 --> 00:13:39,070 WE GET PORT AUTHORITY 320 00:13:39,100 --> 00:13:40,340 ON THE AIRPORTS AND THE BUS TERMINALS? 321 00:13:40,370 --> 00:13:42,040 AND EMPTY ON THE RAILS. I MADE ALL THE CALLS. 322 00:13:42,070 --> 00:13:43,840 HOW'D McDOWELL AND RITA DO WITH HIS CO‐WORKERS? 323 00:13:43,870 --> 00:13:44,840 NOTHING. 324 00:13:44,870 --> 00:13:45,940 IT'S ABOUT TIME 325 00:13:45,970 --> 00:13:48,570 TO GET THE AVIATION TO CHECK ON THE ROOFTOPS 326 00:13:48,600 --> 00:13:50,500 AND HARBOR ON THE SHORELINE. 327 00:13:50,540 --> 00:13:52,670 AS LONG AS THE DAD'S IN THE WIND, 328 00:13:52,700 --> 00:13:54,700 WE PLAY LIKE THE KID'S MISSING. 329 00:13:54,740 --> 00:13:56,670 THAT DOESN'T LAST MUCH LONGER. 330 00:13:56,700 --> 00:13:58,440 WHO WERE YOU IN WITH? INTERNET GUY. 331 00:13:58,470 --> 00:14:00,700 HE'S HALF‐WACKY BUT CLAIMS HE'S GOT AN ALIBI. 332 00:14:00,740 --> 00:14:02,540 WE NEED A SUBPOENA FOR HIS COMPUTER. 333 00:14:02,570 --> 00:14:03,740 HAYWOOD'S IN ANTICRIME. 334 00:14:04,570 --> 00:14:07,040 DETECTIVE, IT'S SCOTT LOWE'S FATHER. 335 00:14:07,070 --> 00:14:08,770 GOT IT. 336 00:14:10,070 --> 00:14:11,600 YEAH. DETECTIVE SIPOWICZ. 337 00:14:11,640 --> 00:14:14,500 MR. LOWE, WE NEED TO SEE YOU RIGHT AWAY. 338 00:14:14,540 --> 00:14:16,700 NO, WE HAVEN'T FOUND HIM YET. 339 00:14:16,740 --> 00:14:18,240 WHERE CAN WE GET YOU? 340 00:14:18,270 --> 00:14:19,600 THAT'S FINE. 341 00:14:19,640 --> 00:14:22,540 HE'S NEARBY. HE'S COMING IN. 342 00:14:22,570 --> 00:14:24,700 KEEP WORKING YOUR GUY. 343 00:14:26,140 --> 00:14:27,370 I GOT IT. 344 00:14:27,400 --> 00:14:31,340 15th SQUAD. SIPOWICZ SPEAKING. 345 00:14:31,370 --> 00:14:33,270 AH, STICK IT IN YOUR ASS. 346 00:14:33,300 --> 00:14:35,840 THESE ASSHOLE UNIFORM GOT NOTHING BETTER TO DO 347 00:14:35,870 --> 00:14:37,540 THAN, "ANDY, YOU'RE THE MAN." 348 00:14:37,570 --> 00:14:39,270 THESE STUPID SONS OF BITCHES. 349 00:14:39,300 --> 00:14:40,740 WHAT DO YOU WANT? 350 00:14:40,770 --> 00:14:42,870 I'M LOOKING FOR JOHN IRVIN. 351 00:14:42,900 --> 00:14:44,200 I'M JOHN IRVIN. 352 00:14:44,240 --> 00:14:45,570 AH. ALLEN WALKER. 353 00:14:45,600 --> 00:14:49,100 I REPRESENT YOUR SISTER DELIA REGARDING YOUR FATHER'S ESTATE. 354 00:14:49,140 --> 00:14:50,340 YOU HAVE A MINUTE? 355 00:14:50,370 --> 00:14:51,640 THIS WAY. 356 00:14:55,870 --> 00:14:59,540 I APOLOGIZE FOR JUST DROPPING IN, BUT I WAS IN THE AREA, 357 00:14:59,570 --> 00:15:01,040 AND THIS IS INFORMAL. 358 00:15:01,070 --> 00:15:03,570 SHE MENTIONED SOMEONE MIGHT COME BY. 359 00:15:03,600 --> 00:15:04,570 COFFEE? 360 00:15:04,600 --> 00:15:07,240 UH, YEAH. BLACK'S FINE. THANKS. 361 00:15:07,270 --> 00:15:10,370 DID SHE TELL YOU ANYTHING ELSE ABOUT YOUR FATHER'S WILL? 362 00:15:10,400 --> 00:15:11,870 SHE SAID IT WAS COMPLICATED 363 00:15:11,900 --> 00:15:14,600 AND YOU COULD EXPLAIN IT BETTER THAN SHE COULD. 364 00:15:14,640 --> 00:15:17,540 WELL, I'LL TRY, BUT SHE'S RIGHT. IT IS COMPLICATED. 365 00:15:17,570 --> 00:15:19,340 HE WASN'T ONE TO PLAN AHEAD. 366 00:15:19,370 --> 00:15:20,770 ON THE SIMPLE SIDE, 367 00:15:20,800 --> 00:15:22,870 AFTER CREDITORS ‐‐ AND THERE ARE MANY ‐‐ 368 00:15:22,900 --> 00:15:25,770 THE REMAINDER OF THE ESTATE WILL BE DIVIDED EVENLY 369 00:15:25,800 --> 00:15:27,740 BETWEEN YOURSELF AND DELIA ‐‐ 50/50. 370 00:15:27,770 --> 00:15:29,170 WHAT KIND OF CREDITORS? 371 00:15:29,200 --> 00:15:31,670 YOUR FATHER HAD A 30‐YEAR MORTGAGE ON THE HOUSE 372 00:15:31,700 --> 00:15:33,540 OF WHICH 10 YEARS WAS LEFT UNPAID, 373 00:15:33,570 --> 00:15:35,900 AND THE PROPERTY TAXES COME DUE NEXT MONTH. 374 00:15:35,940 --> 00:15:38,670 I DON'T KNOW WHAT YOU PLAN ON DOING WITH THE PROPERTY, 375 00:15:38,700 --> 00:15:41,540 BUT DELIA MENTIONED SELLING IT TO OFFSET INHERITANCE TAXES, 376 00:15:41,570 --> 00:15:42,870 WHICH MAY BE SUBSTANTIAL. 377 00:15:42,900 --> 00:15:44,100 ALL RIGHT. 378 00:15:44,140 --> 00:15:47,000 THERE ARE ALSO CAR PAYMENTS, OUTSTANDING UTILITIES, 379 00:15:47,040 --> 00:15:48,370 IRA MAINTENANCE FEES, 380 00:15:48,400 --> 00:15:51,340 AND OF COURSE, THE EXPENSES OF LAST ILLNESS. 381 00:15:51,370 --> 00:15:54,100 SOME OF THESE ARE PIDDLING, OTHERS HEFTY. 382 00:15:54,140 --> 00:15:55,700 TO BE HONEST, IT'S MESSY. 383 00:15:55,740 --> 00:15:57,100 I SEE. 384 00:15:57,140 --> 00:15:59,000 FIRST STEP IS TO SCHEDULE A CONFERENCE CALL 385 00:15:59,040 --> 00:16:01,240 BETWEEN YOU, ME, AND DELIA TO PORE OVER THE DETAILS, 386 00:16:01,270 --> 00:16:02,770 MAKE SURE WE'RE ON THE SAME PAGE. 387 00:16:02,800 --> 00:16:04,500 THAT'S FINE, MR. WALKER. 388 00:16:04,540 --> 00:16:08,400 WHEN ALL'S SAID AND DONE, HOW MUCH TO YOU THINK WE'LL OWE? 389 00:16:08,440 --> 00:16:11,700 UM...I MUST NOT HAVE EXPLAINED MYSELF CLEARLY. 390 00:16:11,740 --> 00:16:13,940 YOU'RE NOT GONNA OWE ANYTHING. 391 00:16:13,970 --> 00:16:16,000 I THOUGHT YOU SAID "NUMEROUS CREDITORS." 392 00:16:16,040 --> 00:16:17,500 ON THE NEGATIVE SIDE. 393 00:16:17,540 --> 00:16:20,040 ON THE PLUS SIDE, HE DID HAVE A COMPLETE PORTFOLIO, 394 00:16:20,070 --> 00:16:22,500 AND THE HOME AND PROPERTY ARE SUBSTANTIAL ASSETS. 395 00:16:22,540 --> 00:16:23,700 IT'S A HEALTHY ESTATE. 396 00:16:23,740 --> 00:16:25,070 HOW MUCH SO? 397 00:16:25,100 --> 00:16:27,070 I DON'T LIKE TO GIVE OUT ESTIMATES 398 00:16:27,100 --> 00:16:29,040 IN CASE UNFORESEEN DEBTS CROP UP, 399 00:16:29,070 --> 00:16:31,040 BUT CONSERVATIVELY, AFTER TAXES, 400 00:16:31,070 --> 00:16:33,600 YOU SHOULD COME AWAY WITH ABOUT $800,000, EACH. 401 00:16:35,300 --> 00:16:37,040 HERE'S A COPY OF THE WILL FOR YOU. 402 00:16:37,070 --> 00:16:39,540 AND I'LL BE IN TOUCH REGARDING THE CONFERENCE CALL. 403 00:16:39,570 --> 00:16:41,670 IT WAS NICE TO MEET YOU. 404 00:16:41,700 --> 00:16:43,700 [ Breathless ] YOU TOO. 405 00:16:49,640 --> 00:16:52,200 I'VE BEEN TRYING TO GET IN TOUCH WITH YOU, MR. LOWE. 406 00:16:52,240 --> 00:16:53,340 WHERE YOU BEEN? 407 00:16:53,370 --> 00:16:54,340 ON THE GOLF COURSE. 408 00:16:54,370 --> 00:16:56,000 WE CHECKED YOUR COUNTRY CLUB. 409 00:16:56,040 --> 00:16:58,340 I WAS INVITED TO PLAY WINGFOOT IN WESTCHESTER. 410 00:16:58,370 --> 00:17:00,170 ARE YOU ALWAYS SO HARD TO FIND? 411 00:17:00,200 --> 00:17:02,670 I WANTED SOME PEACE, SO I TURNED OFF MY PHONE. 412 00:17:02,700 --> 00:17:04,940 I'D LIKE TO KNOW HOW SCOTT JUST DISAPPEARED 413 00:17:04,970 --> 00:17:06,340 UNDER MY EX‐WIFE'S NOSE. 414 00:17:06,370 --> 00:17:09,170 WHEN'S THE LAST TIME YOU SAW YOUR SON? LAST SUNDAY. 415 00:17:09,200 --> 00:17:11,200 CAN YOU ACCOUNT FOR YOUR WHEREABOUTS 416 00:17:11,240 --> 00:17:13,040 FROM LAST NIGHT TO THIS MORNING? 417 00:17:13,070 --> 00:17:14,170 WHAT? WHY? 418 00:17:14,200 --> 00:17:16,770 BECAUSE WE NEED TO RULE YOU OUT AS A SUSPECT. 419 00:17:16,800 --> 00:17:17,940 I DIDN'T TAKE SCOTT. 420 00:17:17,970 --> 00:17:20,270 THEN LET US RULE YOU OUT AND FIND OUT WHO DID. 421 00:17:20,300 --> 00:17:21,540 WHERE WERE YOU? 422 00:17:21,570 --> 00:17:23,940 I WAS OUT TO DINNER WITH A FRIEND AND HIS WIFE 423 00:17:23,970 --> 00:17:25,070 FROM 8:00 TO 10:30, 424 00:17:25,100 --> 00:17:27,200 AND THEN I WAS HOME UNTIL THIS MORNING. 425 00:17:27,240 --> 00:17:28,500 I GOT PICKED UP AT 6:00. 426 00:17:28,540 --> 00:17:30,900 CAN ANYONE VOUCH FOR YOU FROM 10:30 TO 6:00? 427 00:17:30,940 --> 00:17:32,170 I WAS SLEEPING! 428 00:17:32,200 --> 00:17:34,370 WHICH I DOUBT IS WHAT CATHERINE WAS DOING 429 00:17:34,400 --> 00:17:36,400 AND PROBABLY WHY WE'RE IN THIS MESS. 430 00:17:36,440 --> 00:17:38,370 WHAT'S YOUR BEEF WITH YOUR EX‐WIFE? 431 00:17:38,400 --> 00:17:41,070 SHE'S UNTRUSTWORTHY. HER FOCUS IN LIFE IS PARTYING. 432 00:17:41,100 --> 00:17:42,700 IS THAT WHY YOU'RE DIVORCED? 433 00:17:42,740 --> 00:17:43,770 YES. 434 00:17:43,800 --> 00:17:45,100 HOW'D SHE GET CUSTODY? 435 00:17:45,140 --> 00:17:47,570 SHE ACCUSED ME OF BEING THE ONE WHO WAS CHEATING 436 00:17:47,600 --> 00:17:48,870 AND GOING OUT AND, UH... 437 00:17:48,900 --> 00:17:51,170 I BLEW UP IN COURT AND CALLED HER A BITCH. 438 00:17:51,200 --> 00:17:53,370 WE HAD A FEMALE JUDGE, AND THAT WAS THAT. 439 00:17:53,400 --> 00:17:55,700 IF HIS MOM'S IRRESPONSIBLE AND OUT PARTYING, 440 00:17:55,740 --> 00:17:58,370 YOU COULD ARGUE THAT HE'D NEED PROTECTING FROM THAT. 441 00:17:58,400 --> 00:18:00,200 I TOLD YOU, I DIDN'T TAKE SCOTT. 442 00:18:00,240 --> 00:18:01,540 WE KNOW WHAT YOU TOLD US. 443 00:18:01,570 --> 00:18:04,240 WE'RE GIVING YOU ANOTHER CHANCE TO STAY OUT OF JAIL. 444 00:18:04,270 --> 00:18:07,170 WHAT THE HELL ARE YOU TALKING ABOUT? MY SON IS MISSING. 445 00:18:07,200 --> 00:18:09,870 IF YOU GOT HIM, WE'LL FIND OUT, AND IT'S SERIOUS. 446 00:18:09,900 --> 00:18:11,770 BUT IF THIS WAS A MISUNDERSTANDING 447 00:18:11,800 --> 00:18:14,070 AND WE HEAR THAT NOW, IT CAN ALL GO AWAY. 448 00:18:14,100 --> 00:18:16,340 WE WERE MAKING PROGRESS IN FAMILY COURT. 449 00:18:16,370 --> 00:18:18,170 I WAS GETTING BETTER VISITATION. 450 00:18:18,200 --> 00:18:19,600 WHY WOULD I SCREW THAT UP? 451 00:18:19,640 --> 00:18:22,870 IS THERE ANYBODY ELSE YOU THINK WE SHOULD TALK TO? 452 00:18:22,900 --> 00:18:25,100 CATHERINE OR HER DRINKING BUDDIES 453 00:18:25,140 --> 00:18:28,570 OR BARTENDERS OR HER SCUMBAG BIKER MECHANIC BOYFRIEND. 454 00:18:28,600 --> 00:18:29,770 WHAT'S HIS NAME? 455 00:18:29,800 --> 00:18:31,670 ALL I KNOW IS STEVE. HE'S A DRUNK. 456 00:18:31,700 --> 00:18:32,940 THEY FIGHT ALL THE TIME, 457 00:18:32,970 --> 00:18:35,600 AND HE SMOKES AROUND SCOTT, AGGRAVATING HIS ASTHMA. 458 00:18:35,640 --> 00:18:37,370 SO THIS STEVE IS AROUND A LOT? 459 00:18:37,400 --> 00:18:38,600 I THINK HE LIVES THERE. 460 00:18:38,640 --> 00:18:40,870 I KNOW IT'S ENOUGH FOR SCOTT TO HATE HIM. 461 00:18:40,900 --> 00:18:43,200 SO, WHERE IS CATHERINE? CAN I SPEAK TO HER? 462 00:18:43,240 --> 00:18:44,870 NO, YOU KEEP CLEAR OF HER. 463 00:18:44,900 --> 00:18:46,870 ANY DEVELOPMENTS, WE'LL BE IN TOUCH. 464 00:18:46,900 --> 00:18:48,070 KEEP YOUR CELLPHONE ON. 465 00:18:48,100 --> 00:18:49,200 CAN I GO? 466 00:18:53,600 --> 00:18:55,570 I'LL GET CATHERINE IN. 467 00:18:59,440 --> 00:19:01,200 GOT OFF WITH JOSH STOVER'S MOM. 468 00:19:01,240 --> 00:19:03,240 HE'S IN SCHOOL. SHE'LL MEET US THERE. 469 00:19:03,270 --> 00:19:04,440 WHO'S THIS? 470 00:19:04,470 --> 00:19:07,070 C.I.T.U. GOT INTO PETER VOLNEY'S COMPUTER FILES. 471 00:19:07,100 --> 00:19:09,370 THEY FOUND SOME KIDDIE PORN AND EVIDENCE 472 00:19:09,400 --> 00:19:12,040 OF ANOTHER BOY HE MIGHT HAVE MET ‐‐ JOSH STOVER. 473 00:19:12,070 --> 00:19:14,000 WE'RE GONNA PICK UP HIM AND HIS MOM. 474 00:19:14,040 --> 00:19:16,040 MEDAVOY AND JONES ARE GETTING THE DAD. 475 00:19:16,070 --> 00:19:18,240 KEEP AT THIS VOLNEY. HE'S STILL A CANDIDATE. 476 00:19:18,270 --> 00:19:19,440 YOU BET. 477 00:19:23,370 --> 00:19:24,800 YOU GOT NEWS? 478 00:19:26,440 --> 00:19:27,670 YEAH. 479 00:19:27,700 --> 00:19:32,670 COME HERE. 480 00:19:32,700 --> 00:19:33,700 WHAT'S UP? 481 00:19:33,740 --> 00:19:34,870 WHO'S STEVE? 482 00:19:34,900 --> 00:19:36,170 WHAT BROUGHT HIM UP? 483 00:19:36,200 --> 00:19:37,670 YOUR EX‐HUSBAND. WHO IS HE? 484 00:19:37,700 --> 00:19:38,940 HE'S A GUY I'M SEEING. 485 00:19:38,970 --> 00:19:40,540 WHY DIDN'T YOU MENTION HIM BEFORE? 486 00:19:40,570 --> 00:19:41,940 WHAT'S THE BIG DEAL? 487 00:19:41,970 --> 00:19:44,540 WE ASKED IF ANYBODY ELSE HAD ACCESS TO THE APARTMENT. 488 00:19:44,570 --> 00:19:46,270 I HAD A FEW THINGS ON MY MIND. 489 00:19:46,300 --> 00:19:48,100 HOW'S HE GET ALONG WITH YOUR SON? 490 00:19:48,140 --> 00:19:49,770 FINE. THAT'S NOT WHAT WE HEAR. 491 00:19:49,800 --> 00:19:51,770 FROM WHOM, MY EX? WHAT DO YOU EXPECT? 492 00:19:51,800 --> 00:19:53,940 AND WHY WOULD WE EXPECT THAT, CATHERINE? 493 00:19:53,970 --> 00:19:55,670 HE'S TRYING TO GET IT ON RECORD 494 00:19:55,700 --> 00:19:58,500 TO USE AGAINST ME IN FAMILY COURT TO GET CUSTODY OF SCOTT. 495 00:19:58,540 --> 00:20:00,500 SO SCOTT AND STEVE ARE BEST BUDDIES? 496 00:20:00,540 --> 00:20:03,070 THEY'RE NOT BEST BUDDIES. STEVE ISN'T SCOTT'S DAD. 497 00:20:03,100 --> 00:20:05,240 SOMETIMES HAVING HIM AROUND UPSETS SCOTT. 498 00:20:05,270 --> 00:20:06,670 BUT STEVE WOULDN'T TAKE HIM. 499 00:20:06,700 --> 00:20:07,700 STEVE GOT A RECORD? 500 00:20:07,740 --> 00:20:09,400 NO. 501 00:20:09,440 --> 00:20:10,740 I DON'T KNOW. 502 00:20:10,770 --> 00:20:13,000 DOES HE HAVE A KEY TO YOUR APARTMENT? 503 00:20:13,040 --> 00:20:14,240 YEAH. 504 00:20:14,270 --> 00:20:16,170 THE ONLY REASON YOU DIDN'T MENTION HIM 505 00:20:16,200 --> 00:20:18,270 IS ON ACCOUNT OF HAVING A LOT ON YOUR MIND. 506 00:20:18,300 --> 00:20:20,600 IF WE HEAR DIFFERENT, YOU'RE BACK IN THIS ROOM. 507 00:20:20,640 --> 00:20:22,370 PART OF THE CUSTODY AGREEMENT SAYS 508 00:20:22,400 --> 00:20:24,600 I'M NOT SUPPOSED TO HAVE GUYS LIVING WITH ME. 509 00:20:24,640 --> 00:20:27,000 IS THERE ANYTHING ELSE YOU SHOULD HAVE TOLD US 510 00:20:27,040 --> 00:20:28,000 THAT YOU DIDN'T? 511 00:20:28,040 --> 00:20:29,270 NO. 512 00:20:29,300 --> 00:20:32,700 IS IT CLEAR TO YOU NOW THAT IT SLOWS UP FINDING YOUR SON? 513 00:20:32,740 --> 00:20:34,570 YES. I'M SORRY. 514 00:20:35,900 --> 00:20:37,170 I'M SORRY. 515 00:20:37,200 --> 00:20:39,940 STEVE'S LAST NAME? 516 00:20:39,970 --> 00:20:41,340 DANZIG. 517 00:20:41,370 --> 00:20:44,540 WHERE WE CAN FIND HIM? 518 00:20:58,640 --> 00:21:00,640 [ MOTOR RUNNING ] 519 00:21:08,300 --> 00:21:09,600 STEVE DANZIG? 520 00:21:09,640 --> 00:21:10,700 YEAH. 521 00:21:10,740 --> 00:21:12,740 WE GOTTA TALK TO YOU FOR A SECOND. 522 00:21:12,770 --> 00:21:14,240 ABOUT WHAT? 523 00:21:14,270 --> 00:21:15,240 CATHERINE'S KID? 524 00:21:15,270 --> 00:21:16,770 HE STILL HASN'T TURNED UP? 525 00:21:16,800 --> 00:21:18,870 WHEN'S THE LAST TIME YOU SAW HIM? 526 00:21:18,900 --> 00:21:20,000 A COUPLE DAYS AGO. 527 00:21:20,040 --> 00:21:22,440 YOU BEEN NEAR THEIR APARTMENT SINCE THEN? 528 00:21:22,470 --> 00:21:23,570 NO. 529 00:21:23,600 --> 00:21:24,900 YOU DON'T LIVE THERE? 530 00:21:24,940 --> 00:21:26,770 I JUST STAY THERE SOMETIMES. 531 00:21:26,800 --> 00:21:28,870 WELL, WHY NOT THE LAST TWO DAYS? 532 00:21:28,900 --> 00:21:30,840 'CAUSE WE'RE COOLING A LITTLE. 533 00:21:30,870 --> 00:21:32,040 WHY? 534 00:21:32,070 --> 00:21:34,200 WE JUST ARE. I DON'T KNOW WHERE SCOTT IS. 535 00:21:34,240 --> 00:21:36,370 HOW'D YOU AND SCOTT GET ALONG? FINE. 536 00:21:36,400 --> 00:21:38,540 THIS KID'S BEEN MISSING SINCE LAST NIGHT. 537 00:21:38,570 --> 00:21:40,200 EVERY MINUTE THAT'S HE'S NOT FOUND 538 00:21:40,240 --> 00:21:41,900 MAKES IT LESS LIKELY HE'S SAFE, 539 00:21:41,940 --> 00:21:43,700 WHICH MAKES OUR PATIENCE GET THIN 540 00:21:43,740 --> 00:21:45,600 FOR PEOPLE WHO AREN'T HONEST WITH US. 541 00:21:45,640 --> 00:21:47,040 HE WASN'T MY KIND OF KID. 542 00:21:47,070 --> 00:21:48,840 I WASN'T HIS KIND OF DADDY FIGURE. 543 00:21:48,870 --> 00:21:50,200 I DON'T KNOW WHERE HE IS. 544 00:21:50,240 --> 00:21:52,500 CHECK CONEY ISLAND OR THE MOVIE THEATERS. 545 00:21:52,540 --> 00:21:53,840 YOU EVER FIGHT WITH HIM? 546 00:21:53,870 --> 00:21:56,400 HE'D YELL THAT I WASN'T SUPPOSED TO BE AROUND. 547 00:21:56,440 --> 00:21:57,670 I'D IGNORE HIM. 548 00:21:57,700 --> 00:22:00,240 STILL, LIFE WOULD BE EASIER WITH HIM OUT OF THE WAY. 549 00:22:00,270 --> 00:22:02,700 FORGET IT. I'M NOT TALKING TO YOU ANYMORE. 550 00:22:05,740 --> 00:22:07,000 YOU GOT A RECORD? 551 00:22:07,040 --> 00:22:08,440 ANSWER US, STEVE. 552 00:22:08,470 --> 00:22:11,270 I GOT TWO ASSAULT COLLARS FROM YEARS AGO. 553 00:22:11,300 --> 00:22:14,540 AND SINCE THEN, YOU'VE BEEN IN ANGER MANAGEMENT 554 00:22:14,570 --> 00:22:17,270 AND DOING YOGA ‐‐ REALLY MELLOWING OUT. 555 00:22:17,300 --> 00:22:18,940 I QUIT FIGHTING IN BARS, 556 00:22:18,970 --> 00:22:21,100 WHICH IS WHAT THOSE COLLARS WERE ABOUT ‐‐ 557 00:22:21,140 --> 00:22:22,540 NOT KIDNAPPING OR WHATEVER. 558 00:22:22,570 --> 00:22:24,600 ACCOUNT FOR YOURSELF LAST NIGHT. 559 00:22:24,640 --> 00:22:26,400 SNAKEBITE BAR ‐‐ 8:00 TO 2:00. 560 00:22:26,440 --> 00:22:28,770 WELL, YOU'RE COMING IN WHILE WE CHECK IT OUT. 561 00:22:28,800 --> 00:22:30,200 I GOTTA GET THAT BIKE OFF. 562 00:22:30,240 --> 00:22:31,600 LET'S GO. COME ON. 563 00:22:31,640 --> 00:22:34,170 CAN I CLOSE MY SHOP? 564 00:22:34,200 --> 00:22:36,200 MAKE IT FAST. 565 00:22:39,440 --> 00:22:42,900 WHEN WE PRINTED OUT ALL THE FILES IN THIS MAN'S COMPUTER 566 00:22:42,940 --> 00:22:45,700 THAT RELATED TO ONLINE CHATS AND E‐MAILS, 567 00:22:45,740 --> 00:22:48,700 WE FOUND A LOT OF CORRESPONDENCE WITH YOUR SON. 568 00:22:48,740 --> 00:22:51,570 REGARDING SEX ‐‐ IS THAT WHAT YOU'RE SAYING? 569 00:22:51,600 --> 00:22:54,270 IT'S CRYPTIC, SO IT CAN BE HARD TO TELL, 570 00:22:54,300 --> 00:22:57,840 BUT THERE IS A POSSIBILITY YOUR SON AND THIS MAN MET UP. 571 00:22:57,870 --> 00:22:59,040 OH, MY GOD. 572 00:22:59,070 --> 00:23:01,700 AGAIN, IT'S JUST A POSSIBILITY, BUT WE NEED TO KNOW. 573 00:23:01,740 --> 00:23:02,940 WE NEED TO KNOW, TOO. 574 00:23:02,970 --> 00:23:05,500 THING IS, KIDS ARE USUALLY MORE FORTHRIGHT 575 00:23:05,540 --> 00:23:07,540 WHEN THEIR PARENTS AREN'T AROUND, 576 00:23:07,570 --> 00:23:10,170 SO IT IS ALL RIGHT IF WE TALK TO HIM ALONE? 577 00:23:10,200 --> 00:23:12,100 IF JOSH WAS MOLESTED, WE WANT TO KNOW. 578 00:23:12,140 --> 00:23:14,400 ONCE WE'RE DONE, WE'LL GIVE YOU A FULL REPORT. 579 00:23:14,440 --> 00:23:17,100 BUT FOR NOW, DO WE HAVE YOUR PERMISSION TO TALK TO HIM? 580 00:23:17,140 --> 00:23:18,400 HE'S JUST A KID. 581 00:23:18,440 --> 00:23:21,170 IT'S OKAY. PHILLIP. 582 00:23:21,200 --> 00:23:23,970 ALL RIGHT. 583 00:23:25,540 --> 00:23:28,340 WHY DON'T YOU WAIT HERE IN THE SQUAD? 584 00:23:28,370 --> 00:23:30,570 YOU WANT TO COME IN, JOSH? 585 00:23:34,900 --> 00:23:40,940 THEY WANT TO ASK YOU SOME QUESTIONS, OKAY, SWEETIE? 586 00:23:40,970 --> 00:23:43,100 IF YOU NEED US, JUST ASK. 587 00:23:43,140 --> 00:23:44,370 LOVE YOU, SON. 588 00:23:44,400 --> 00:23:47,700 WHAT'S GOING ON? DID I DO SOMETHING WRONG? 589 00:23:47,740 --> 00:23:48,770 NO, JOSH. 590 00:23:48,800 --> 00:23:50,400 WHY DON'T YOU SIT DOWN? 591 00:23:50,440 --> 00:23:54,040 FIRST THING YOU SHOULD KNOW IS YOU'RE NOT IN TROUBLE. 592 00:23:54,070 --> 00:23:57,200 IN FACT, YOU'RE HERE 'CAUSE WE NEED YOUR HELP. 593 00:23:57,240 --> 00:23:58,340 HELP WITH WHAT? 594 00:23:58,370 --> 00:23:59,770 A BOY WHO'S MISSING. 595 00:23:59,800 --> 00:24:01,000 WHAT'S HIS NAME? 596 00:24:01,040 --> 00:24:02,070 SCOTT LOWE. 597 00:24:02,100 --> 00:24:03,400 I‐I DON'T KNOW HIM. 598 00:24:03,440 --> 00:24:05,940 BUT WE THINK YOU MAY HAVE SPENT TIME ONLINE 599 00:24:05,970 --> 00:24:08,200 TALKING TO PEOPLE WHO DO KNOW HIM. 600 00:24:08,240 --> 00:24:10,370 YOUR SCREEN NAME'S JOSH25, RIGHT? 601 00:24:10,400 --> 00:24:12,240 WE'VE BEEN DOING SOME RESEARCH, 602 00:24:12,270 --> 00:24:15,070 AND WE KNOW YOU'VE BEEN IN SOME PRIVATE CHAT ROOMS 603 00:24:15,100 --> 00:24:17,040 WITH A GUY THAT CALLS HIMSELF FUNTIME. 604 00:24:17,070 --> 00:24:18,270 NO, I‐I WASN'T. 605 00:24:18,300 --> 00:24:20,270 JOSH, AGAIN, YOU'RE NOT IN ANY TROUBLE, 606 00:24:20,300 --> 00:24:22,240 AND WE'RE NOT TRYING TO EMBARRASS YOU. 607 00:24:22,270 --> 00:24:24,940 BUT THIS BOY WHO'S MISSING MIGHT BE IN DANGER, 608 00:24:24,970 --> 00:24:26,900 AND YOU MAY BE ABLE TO HELP US. 609 00:24:26,940 --> 00:24:28,440 BUT YOU HAVE TO BE HONEST. 610 00:24:28,470 --> 00:24:31,700 FUNTIME'S A SCREEN NAME FOR A GUY NAMED PETER VOLNEY, 611 00:24:31,740 --> 00:24:33,670 AND WE HAVE HIM IN CUSTODY. 612 00:24:33,700 --> 00:24:35,370 DID YOU MEET WITH THIS MAN? 613 00:24:38,600 --> 00:24:40,570 I'M NOT IN TROUBLE? 614 00:24:40,600 --> 00:24:43,500 NOT AT ALL. 615 00:24:43,540 --> 00:24:46,000 DID YOU MEET HIM? 616 00:24:46,040 --> 00:24:48,370 [ SIGHS ] 617 00:24:48,400 --> 00:24:50,940 ARE MY PARENTS GONNA HEAR THIS? 618 00:24:50,970 --> 00:24:53,540 JOSH...YOUR PARENTS LOVE YOU. 619 00:24:53,570 --> 00:24:57,400 AND THEY'RE CONCERNED FOR YOU. THAT'S ALL THEY CARE ABOUT. 620 00:24:57,440 --> 00:24:58,700 DID YOU MEET HIM? 621 00:24:58,740 --> 00:24:59,900 MAYBE. 622 00:24:59,940 --> 00:25:01,440 AT THE ARCADE? 623 00:25:03,600 --> 00:25:05,700 WHAT HAPPENED WHEN YOU MET HIM? 624 00:25:05,740 --> 00:25:08,200 [ Voice breaking ] I DON'T WANT TO SAY. 625 00:25:08,240 --> 00:25:10,600 DID YOU GO SOMEPLACE WITH HIM? 626 00:25:12,370 --> 00:25:13,740 JOSH, IT'S OKAY. 627 00:25:18,970 --> 00:25:20,900 WHERE'D YOU GO? 628 00:25:20,940 --> 00:25:23,200 [ SIGHS ] 629 00:25:23,240 --> 00:25:25,370 [ SOBS ] OH, MAN. 630 00:25:28,200 --> 00:25:29,540 [ SOBBING ] 631 00:25:29,570 --> 00:25:30,740 IT'S OKAY. 632 00:25:30,770 --> 00:25:34,270 FINALLY. MY GOD. 633 00:25:35,570 --> 00:25:36,740 SHUT UP, VOLNEY. 634 00:25:36,770 --> 00:25:38,940 WHAT ARE YOU TRYING TO DO, BREAK MY BACK? 635 00:25:38,970 --> 00:25:41,570 ANSWER OUR QUESTIONS STRAIGHT AND SHORT, NOTHING ELSE. 636 00:25:41,600 --> 00:25:44,170 WE GOT KIDDIE PORN ON YOUR COMPUTER ‐‐ LITTLE BOYS. 637 00:25:44,200 --> 00:25:46,000 YOUR FRIEND AARON SENT THAT TO ME. 638 00:25:46,040 --> 00:25:47,700 I‐I DIDN'T GO LOOKING FOR IT. 639 00:25:47,740 --> 00:25:49,440 AARON WHO YOU WENT TO MEET TODAY? 640 00:25:49,470 --> 00:25:52,270 YEAH, WHICH IS ANOTHER REASON I KNEW HE WASN'T A KID. 641 00:25:52,300 --> 00:25:54,370 REGARDLESS, YOU'RE A COLLAR FOR IT. 642 00:25:54,400 --> 00:25:57,040 WE ALSO TALKED TO JOSH STOVER. 643 00:25:57,070 --> 00:25:58,370 WHO? 644 00:25:58,400 --> 00:26:00,400 KEEP ACTING IGNORANT, AND YOU GET MORE. 645 00:26:00,440 --> 00:26:02,870 HE GAVE YOU UP ‐‐ THE MOTEL, THE SEXUAL ASSAULT. 646 00:26:02,900 --> 00:26:04,540 YOU'RE A COLLAR FOR THAT, TOO. 647 00:26:04,570 --> 00:26:05,870 OW! MY GOD! 648 00:26:05,900 --> 00:26:08,400 I WANT IT ON RECORD THAT HE HAD A FAKE I. D. 649 00:26:08,440 --> 00:26:09,600 AND HE MADE THE MOVE. 650 00:26:09,640 --> 00:26:11,100 D‐DON'T HIT ME AGAIN. 651 00:26:11,140 --> 00:26:14,070 WE WANT A FULL STATEMENT OF WHAT YOU DID WITH JOSH STOVER 652 00:26:14,100 --> 00:26:16,340 AND WHERE WE'RE GONNA FIND SCOTT LOWE. 653 00:26:16,370 --> 00:26:18,700 I NEVER HEARD OF SCOTT LOWE BEFORE TODAY. 654 00:26:18,740 --> 00:26:20,170 WHERE WERE YOU LAST NIGHT? 655 00:26:20,200 --> 00:26:23,070 I WAS HOME WORKING. I TOLD YOU TO CHECK MY WORK LOG. 656 00:26:23,100 --> 00:26:25,440 OUR COMPUTER GUY SAYS IT'S EASY TO FAKE. 657 00:26:25,470 --> 00:26:28,370 I DON'T KNOW WHERE HE IS! I DON'T KNOW WHERE HE IS! 658 00:26:28,400 --> 00:26:29,600 [ CRIES ] 659 00:26:29,640 --> 00:26:31,770 I'M NOT A KIDNAPPER. 660 00:26:31,800 --> 00:26:34,070 YOU'RE JUST A CHILD MOLESTER. 661 00:26:34,100 --> 00:26:37,340 [ CRYING ] 662 00:26:37,370 --> 00:26:39,600 I'M JUST SICK... 663 00:26:39,640 --> 00:26:41,540 LIKE A PERSON WITH CANCER. 664 00:26:41,570 --> 00:26:43,870 WE'RE NOT INTERESTED IN THAT. 665 00:26:43,900 --> 00:26:46,500 I DON'T KNOW WHERE SCOTT LOWE IS. 666 00:26:46,540 --> 00:26:49,740 YOU CAN BEAT ME TILL I'M DEAD ON THE FLOOR, 667 00:26:49,770 --> 00:26:52,370 BUT I CAN'T TELL YOU WHERE HE IS. 668 00:26:52,400 --> 00:26:53,940 YOUR STATEMENT. 669 00:26:53,970 --> 00:26:58,340 I'M SHAKING LIKE A LEAF. 670 00:26:58,370 --> 00:27:01,300 [ GASPING ] 671 00:27:07,540 --> 00:27:10,370 THIS IS DETECTIVE SIPOWICZ FROM THE 15th SQUAD AGAIN. 672 00:27:10,400 --> 00:27:11,500 IT'S VERY IMPORTANT. 673 00:27:11,540 --> 00:27:14,100 PLEASE CALL WHEN YOU GET THIS MESSAGE, MR. FOLKS. 674 00:27:14,140 --> 00:27:15,670 WHO'S FOLKS? 675 00:27:15,700 --> 00:27:18,170 NIGHT BARTENDER WHERE DANZIG SAYS HE WAS LAST NIGHT. 676 00:27:18,200 --> 00:27:19,840 I CAN'T GET IN TOUCH WITH HIM. 677 00:27:19,870 --> 00:27:21,440 UNIFORM SCOUTED CONEY ISLAND, 678 00:27:21,470 --> 00:27:23,600 EVERY PLAYGROUND AND ARCADE IN THE CITY. 679 00:27:23,640 --> 00:27:25,500 AND NOTHING FROM AVIATION OR HARBOR. 680 00:27:25,540 --> 00:27:28,940 WHAT'S HE BEEN MISSING, 20 HOURS NOW? 681 00:27:28,970 --> 00:27:29,940 WELL? 682 00:27:29,970 --> 00:27:32,040 HE'S GOING FOR MOLESTING THIS JOSH KID, 683 00:27:32,070 --> 00:27:34,270 BUT HE'S NO GOOD FOR SCOTT LOWE. 684 00:27:34,300 --> 00:27:36,070 HOW HARD YOU'D GO AT HIM? 685 00:27:36,100 --> 00:27:37,270 HARD ENOUGH. 686 00:27:37,300 --> 00:27:40,070 McDOWELL AND ORTIZ GETTING JOSH AND HIS FAMILY HOME? 687 00:27:40,100 --> 00:27:41,400 YEAH. SO, NOW WHAT? 688 00:27:41,440 --> 00:27:44,370 THIS VOLNEY SAYS THE KIDDIE PORN ON HIS COMPUTER 689 00:27:44,400 --> 00:27:46,770 WAS SENT TO HIM BY OUR VIGILANTE MUNTZ. 690 00:27:46,800 --> 00:27:47,870 GET HIM BACK IN. 691 00:27:47,900 --> 00:27:49,200 I WAS GOING TO, ANDY. 692 00:27:49,240 --> 00:27:50,440 WE'LL WAIT AWHILE, 693 00:27:50,470 --> 00:27:52,940 AND WE'LL TAKE ANOTHER CRACK AT THIS DANZIG. 694 00:27:52,970 --> 00:27:54,200 I'M GETTING COFFEE. 695 00:27:54,240 --> 00:27:55,540 [ TELEPHONE RINGS ] 696 00:27:55,570 --> 00:27:57,440 15th SQUAD. DETECTIVE CLARK. 697 00:27:57,470 --> 00:27:59,870 WHAT WAS THAT ‐‐ THAT LAWYER EARLIER? 698 00:27:59,900 --> 00:28:01,370 OH, MY FATHER'S ESTATE. 699 00:28:01,400 --> 00:28:02,840 IT'S VERY COMPLICATED, 700 00:28:02,870 --> 00:28:05,370 PROBABLY GONNA TAKE A WHILE TO SORT OUT. 701 00:28:05,400 --> 00:28:06,770 DIDN'T HE HAVE A WILL? 702 00:28:06,800 --> 00:28:09,270 HE HAD A WILL, BUT THERE ARE CREDITORS AND TAXES 703 00:28:09,300 --> 00:28:10,440 AND PROPERTY MIXED IN. 704 00:28:10,470 --> 00:28:12,170 WILL DIDN'T TAKE CARE OF THAT? 705 00:28:12,200 --> 00:28:14,170 APPARENTLY HE DIDN'T PLAN SUFFICIENTLY. 706 00:28:14,200 --> 00:28:15,840 SO IT'S GONNA COST YOU MONEY? 707 00:28:15,870 --> 00:28:17,770 ACTUALLY, I SHOULD SEE SOME MONEY ‐‐ 708 00:28:17,800 --> 00:28:19,240 A DECENT SUM. 709 00:28:19,270 --> 00:28:21,070 YOU LEAVING HERE? 710 00:28:21,100 --> 00:28:23,040 NO. WHY WOULD YOU THINK THAT? 711 00:28:23,070 --> 00:28:24,370 "DECENT SUM." 712 00:28:24,400 --> 00:28:27,570 I SPOKE WITH MY SISTER, AND THE COMPLICATIONS OF HIS ESTATE 713 00:28:27,600 --> 00:28:29,570 COULD TAKE MONTHS TO IRON OUT, 714 00:28:29,600 --> 00:28:33,100 SO FOR THE FORESEEABLE FUTURE, I CAN'T AFFORD TO GO ANYWHERE. 715 00:28:33,140 --> 00:28:34,500 NOT THAT I'D WANT TO. 716 00:28:34,540 --> 00:28:37,470 THAT WAS FOLKS. DANZIG'S ALIBI DIDN'T PAN OUT. 717 00:28:46,070 --> 00:28:47,370 PIECE OF ADVICE, STEVE ‐‐ 718 00:28:47,400 --> 00:28:49,500 WHEN YOU GET A BUDDY TO FRONT AN ALIBI, 719 00:28:49,540 --> 00:28:51,570 MAKE SURE HE'S WILLING TO STICK TO IT. 720 00:28:51,600 --> 00:28:52,740 WHAT NOW? 721 00:28:52,770 --> 00:28:54,740 ONE THREAT OF SHUTTING HIS BAR DOWN, 722 00:28:54,770 --> 00:28:57,070 YOUR PAL BACKED OFF YOU BEING IN LAST NIGHT. 723 00:28:57,100 --> 00:28:58,370 ALL RIGHT. 724 00:28:58,400 --> 00:29:01,540 "ALL RIGHT, GET SET FOR ANOTHER LIE"? WRONG, STEVE. 725 00:29:01,570 --> 00:29:04,840 TELL US WHERE THE KID IS, WHAT THE CIRCUMSTANCES WERE, 726 00:29:04,870 --> 00:29:08,040 AND WE MIGHT HELP YOU COME UP WITH A SYMPATHETIC ANGLE 727 00:29:08,070 --> 00:29:09,370 ON WHY YOU DID IT. 728 00:29:09,400 --> 00:29:11,670 YOU FOUGHT WITH HIM, HE TOOK ATTENTION AWAY FROM YOU, 729 00:29:11,700 --> 00:29:13,200 YOU GOT PISSED AND FLIPPED OUT. 730 00:29:13,240 --> 00:29:15,570 THAT SOUNDS A WHOLE LOT BETTER THAN YOU'RE COLDBLOODED 731 00:29:15,600 --> 00:29:17,000 AND TOO DUMB TO KNOW BETTER. 732 00:29:17,040 --> 00:29:18,840 I WAS WITH MY OLD GIRLFRIEND LAST NIGHT. 733 00:29:18,870 --> 00:29:19,900 WE'RE PAST THAT. 734 00:29:19,940 --> 00:29:21,670 I WAS WITH HER ALL NIGHT. 735 00:29:21,700 --> 00:29:24,540 I JUST DIDN'T WANT CATHERINE TO FIND OUT. 736 00:29:24,570 --> 00:29:26,040 MYSTERY GIRL'S NAME? 737 00:29:26,070 --> 00:29:27,100 PENNY LAPPIN. 738 00:29:27,140 --> 00:29:28,840 YEAH? WHERE'S SHE LIVE? 739 00:29:28,870 --> 00:29:31,500 4200 SECOND AVENUE, FOURTH FLOOR, APARTMENT "C." 740 00:29:31,540 --> 00:29:34,070 I GOT HER HOME PHONE NUMBER, HER PAGER, HER CELL. 741 00:29:34,100 --> 00:29:36,500 I WAS WITH HER ALL NIGHT. SHE'LL CONFIRM IT. 742 00:29:36,540 --> 00:29:38,500 TAKES MORE THAN AN EX‐GIRLFRIEND. 743 00:29:38,540 --> 00:29:42,740 WE ORDERED CHINESE AT 11:00. 744 00:29:42,770 --> 00:29:44,040 I PAID THE DELIVERY GUY. 745 00:29:44,070 --> 00:29:46,040 PENNY WILL TELL YOU THE RESTAURANT. 746 00:29:46,070 --> 00:29:48,070 YOU COULD TALK TO THE GUY YOURSELF. 747 00:29:48,100 --> 00:29:49,440 YOU KNOW WE'LL CHECK THIS. 748 00:29:49,470 --> 00:29:50,440 I'M BEING HONEST. 749 00:29:50,470 --> 00:29:51,540 YOU SON OF A BITCH. 750 00:29:51,570 --> 00:29:52,740 I'M TELLING THE TRUTH. 751 00:29:52,770 --> 00:29:54,840 YOU COULD'VE GIVEN US THIS HOURS AGO. 752 00:29:54,870 --> 00:29:57,340 I'M HOPING ME AND CATHERINE CAN WORK THINGS OUT. 753 00:29:57,370 --> 00:29:58,740 THIS WOULDN'T HAVE HELPED. 754 00:29:58,770 --> 00:30:01,100 IS IT NOT CLEAR TO YOU THAT A KID IS MISSING? 755 00:30:01,140 --> 00:30:02,240 I KNOW THAT. 756 00:30:02,270 --> 00:30:04,570 BUT YOU GOTTA LIE, AND HIS MOM'S GOTTA LIE, 757 00:30:04,600 --> 00:30:07,100 'CAUSE YOU'RE BOTH TOO THICKHEADED TO UNDERSTAND 758 00:30:07,140 --> 00:30:10,200 THAT EVERY MINUTE THAT YOU WASTE PUTS HIM IN WORSE JEOPARDY. 759 00:30:19,970 --> 00:30:22,670 EMERGENCY SERVICES CALLED ABOUT THE MISSING KID. 760 00:30:22,700 --> 00:30:25,240 THEY WANT YOU TO RESPOND TO A VACANT LOT ON D. 761 00:30:25,270 --> 00:30:26,840 OH, GOD. DID THEY FIND HIM? 762 00:30:26,870 --> 00:30:28,740 THEY DIDN'T SAY. WHAT DID THEY SAY? 763 00:30:28,770 --> 00:30:30,770 JUST THAT THEY WANTED YOU TO RESPOND. 764 00:30:30,800 --> 00:30:32,500 YOU DON'T ASK NOTHING FURTHER? 765 00:30:32,540 --> 00:30:34,670 I'M ONLY TELLING YOU WHAT I HEARD. 766 00:30:34,700 --> 00:30:36,270 I WOULD BE NICE IF ONCE TODAY 767 00:30:36,300 --> 00:30:38,370 WE GOT A STRAIGHT ANSWER FROM SOMEBODY. 768 00:30:38,400 --> 00:30:40,900 THIS PRICK'S LYING, THE KID'S MOM'S PROTECTING HIM, 769 00:30:40,940 --> 00:30:43,700 AND THE DAD DON'T CARE 'CAUSE HE'S TOO BUSY PLAYING GOLF. 770 00:30:43,740 --> 00:30:44,900 THIS WAS A KID MISSING. 771 00:30:44,940 --> 00:30:46,600 THE KID MIGHT STILL BE MISSING. 772 00:30:46,640 --> 00:30:49,040 THEY DON'T CALL YOU TO A VACANT LOT FOR A VISIT. 773 00:30:49,070 --> 00:30:50,870 DON'T YOU BLOW SMOKE UP OUR ASSES. 774 00:30:50,900 --> 00:30:52,670 SECURE DANZIG AND GET OUT THERE. 775 00:30:52,700 --> 00:30:56,040 THIS IS GONNA BE LOUSY. 776 00:31:09,010 --> 00:31:12,410 TAKE THIS AND FILL THIS OUT AND GET IT BACK TO ME. 777 00:31:14,680 --> 00:31:17,640 PACKAGE FOR YOU. 778 00:31:17,680 --> 00:31:19,140 WHO LEFT IT? 779 00:31:19,180 --> 00:31:20,680 I DIDN'T SEE. 780 00:31:27,110 --> 00:31:29,780 ALL RIGHT, ANY OF YOU HEROES WANT TO OWN UP TO THIS? 781 00:31:29,810 --> 00:31:32,540 "LUCKIEST MAN OF THE YEAR" ‐‐ WHAT'S THAT ALL ABOUT? 782 00:31:32,580 --> 00:31:34,110 YOU MIND YOUR OWN BUSINESS, 783 00:31:34,150 --> 00:31:37,120 'CAUSE THE NEXT GUY THAT SAYS ANYTHING ABOUT MY PERSONAL LIFE 784 00:31:37,150 --> 00:31:39,150 DEALS WITH ME IN THE PARKING LOT. 785 00:32:12,110 --> 00:32:14,640 RADIO THE BOSS. LET HIM KNOW. 786 00:32:14,680 --> 00:32:18,610 THEN WE NOTIFY THE MOM. I WANT TO SEE HER REACTION. 787 00:32:18,650 --> 00:32:20,050 15th SQUAD TO BASE. 788 00:32:20,080 --> 00:32:21,610 YEAH, NOTIFY THE BOSS. 789 00:32:21,650 --> 00:32:24,190 TELL HIM WE'VE GOT A POSITIVE I. D. 790 00:32:36,180 --> 00:32:38,140 COULD YOU GIVE US A MINUTE? 791 00:32:38,180 --> 00:32:40,280 CATH, I'LL MAKE YOU SOME TEA. 792 00:32:41,980 --> 00:32:43,910 HOW YOU DOING, CATHERINE? 793 00:32:43,950 --> 00:32:46,820 I TOOK SOME VALIUM, SO I'M BETTER ‐‐ 794 00:32:46,850 --> 00:32:47,990 COPING. 795 00:32:48,010 --> 00:32:51,380 THERE'S NO EASY WAY TO TELL YOU THIS. 796 00:32:51,410 --> 00:32:54,740 WE FOUND SCOTT'S BODY. 797 00:32:57,910 --> 00:32:59,280 YOU FOUND HIM? 798 00:32:59,310 --> 00:33:00,810 YEAH. 799 00:33:02,780 --> 00:33:04,440 WHAT HAPPENED? 800 00:33:04,480 --> 00:33:08,580 HE'S BEEN SHOT. 801 00:33:08,610 --> 00:33:09,940 WHERE'D YOU FIND HIM? 802 00:33:09,980 --> 00:33:12,140 IN A VACANT LOT A FEW BLOCKS AWAY. 803 00:33:12,180 --> 00:33:13,580 YOU'RE SURE IT'S HIM? 804 00:33:15,080 --> 00:33:16,380 SHOULD I GO LOOK? 805 00:33:16,410 --> 00:33:18,910 WE CAN SHOW YOU A PHOTOGRAPH WE TOOK OF THE BODY, 806 00:33:18,950 --> 00:33:21,250 BUT FROM THE PICTURES YOU GAVE US EARLIER, 807 00:33:21,280 --> 00:33:22,540 WE'RE CERTAIN IT'S HIM. 808 00:33:22,580 --> 00:33:24,480 OKAY. 809 00:33:29,780 --> 00:33:31,810 CATHERINE, WE'RE GONNA HAVE UNIFORM COME 810 00:33:31,850 --> 00:33:33,290 AND SAFEGUARD THE APARTMENT. 811 00:33:33,310 --> 00:33:35,380 WE NEED YOU TO STAY OUT OF SCOTT'S ROOM. 812 00:33:35,410 --> 00:33:38,210 I'M REAL TIRED. 813 00:33:38,250 --> 00:33:39,650 ALL RIGHT. 814 00:33:39,680 --> 00:33:41,940 YOU GET SOME REST. WE'LL TALK MORE LATER. 815 00:33:41,980 --> 00:33:43,510 YEAH. OKAY. 816 00:33:46,410 --> 00:33:48,280 IT'S BAD? 817 00:33:48,310 --> 00:33:50,040 OH, GOD. 818 00:33:50,080 --> 00:33:51,640 GET HER TO HER BEDROOM. 819 00:33:51,680 --> 00:33:54,240 SHE MAY NOT REMEMBER US BEING HERE. 820 00:33:54,280 --> 00:33:57,310 WE'RE GONNA HAVE TO TALK TO HER AGAIN LATER. 821 00:33:57,350 --> 00:33:59,320 [ SIGHS ] 822 00:34:13,150 --> 00:34:17,920 SO, I HEARD THAT BOY WAS FOUND DEAD. 823 00:34:17,950 --> 00:34:21,390 YEAH. TAKE A SEAT. 824 00:34:21,410 --> 00:34:22,810 WAS IT THAT GUY FUNTIME? 825 00:34:22,850 --> 00:34:24,220 HE DIDN'T DO IT, NO. 826 00:34:24,250 --> 00:34:27,650 BUT WE WERE ABLE TO LOCK HIM UP FOR ANOTHER CHILD HE MOLESTED. 827 00:34:27,680 --> 00:34:29,580 THAT'S GREAT. MY FIRST ARREST. 828 00:34:29,610 --> 00:34:32,110 WE'VE GOT SOME OTHER QUESTIONS TO ASK YOU. 829 00:34:32,150 --> 00:34:35,220 DO YOU KEEP A STASH OF KIDDIE PORN ON YOUR COMPUTER? 830 00:34:35,250 --> 00:34:36,490 WHY ARE YOU ASKING? 831 00:34:36,510 --> 00:34:38,740 WELL, PETER VOLNEY ‐‐ FUNTIME ‐‐ 832 00:34:38,780 --> 00:34:41,140 HE HAD KIDDIE PORN ON HIS COMPUTER, 833 00:34:41,180 --> 00:34:43,240 AND HE SAID IT CAME FROM YOU. 834 00:34:43,280 --> 00:34:46,910 WE CHECKED HIS E‐MAILS AND CONFIRMED YOU WERE THE SOURCE. 835 00:34:46,950 --> 00:34:48,720 I DO HAVE SOME PHOTOGRAPHS. 836 00:34:48,750 --> 00:34:50,390 YOU REALIZE IT'S A CRIME. 837 00:34:50,410 --> 00:34:51,940 I HAVE THOSE PHOTOGRAPHS 838 00:34:51,980 --> 00:34:54,540 TO ENTICE WOULD‐BE PEDOPHILES AND GAIN THEIR TRUST. 839 00:34:54,580 --> 00:34:56,210 WHICH YOU ALSO DO BY ONLINE SEX. 840 00:34:56,250 --> 00:34:57,990 EVERY PHOTOGRAPH I'VE DOWNLOADED 841 00:34:58,010 --> 00:34:59,980 HAS BEEN SYSTEMATICALLY CATEGORIZED ‐‐ 842 00:35:00,010 --> 00:35:01,880 SITE OF DOWNLOAD, TIME OF DOWNLOAD, 843 00:35:01,910 --> 00:35:04,540 WHICH I PLAN TO PUT IN A REPORT AND PRESENT TO POLICE 844 00:35:04,580 --> 00:35:06,580 SO THESE SICK BASTARDS CAN BE ARRESTED. 845 00:35:06,610 --> 00:35:08,540 HAVE YOU EVER BEEN ARRESTED YOURSELF? 846 00:35:08,580 --> 00:35:09,640 NO. 847 00:35:12,010 --> 00:35:13,210 WHAT? 848 00:35:13,250 --> 00:35:15,590 DID YOU FORGET YOUR PUBLIC LEWDNESS COLLAR 849 00:35:15,610 --> 00:35:16,740 TWO YEARS AGO? 850 00:35:16,780 --> 00:35:19,240 YOU EXPOSED YOURSELF TO SOME KIDS IN CENTRAL PARK. 851 00:35:19,280 --> 00:35:21,780 ALL I WAS DOING WAS URINATING BEHIND A TREE. 852 00:35:21,810 --> 00:35:23,610 THERE WASN'T A BATHROOM AROUND. 853 00:35:23,650 --> 00:35:26,620 GENERALLY, THAT'S JUST A SUMMONS FOR PUBLIC URINATION. 854 00:35:26,650 --> 00:35:28,420 SOME KIDS HAPPENED TO WALK BY, 855 00:35:28,450 --> 00:35:30,320 AND THE COP WOULDN'T LISTEN TO ME. 856 00:35:30,350 --> 00:35:32,950 HAVE YOU EVER HAD SEXUAL URGES TOWARD CHILDREN? 857 00:35:32,980 --> 00:35:34,080 NO. NO WAY. 858 00:35:34,110 --> 00:35:36,210 YOU'VE NEVER APPROACHED A MINOR FOR SEX? 859 00:35:36,250 --> 00:35:38,120 NEVER. I'M OFFENDED THAT YOU'D ASK. 860 00:35:38,150 --> 00:35:39,420 I CAN'T BELIEVE THIS. 861 00:35:39,450 --> 00:35:41,420 I CAN'T BELIEVE I BOTHERED TO HELP YOU. 862 00:35:41,450 --> 00:35:42,920 WELL, WE DO APPRECIATE IT, 863 00:35:42,950 --> 00:35:45,250 AND WE'D LIKE TO RETURN THE FAVOR BY HELPING YOU. 864 00:35:45,280 --> 00:35:47,710 SEE, POSSESSING CHILD PORNOGRAPHY IS A FELONY, 865 00:35:47,750 --> 00:35:49,420 AND IT CAN GET YOU JAIL TIME, 866 00:35:49,450 --> 00:35:51,620 BUT IF ADMIT YOU HAVE WRONG FEELINGS TOWARD KIDS, 867 00:35:51,650 --> 00:35:54,250 WE COULD ASK THE D. A. FOR PROBATION WITH COUNSELING 868 00:35:54,280 --> 00:35:55,580 AS PART OF YOUR SENTENCE. 869 00:35:55,610 --> 00:35:56,910 BUT YOU'VE GOTTA ADMIT IT. 870 00:35:56,950 --> 00:35:59,050 I'VE NEVER TOUCHED A CHILD ‐‐ NEVER. 871 00:35:59,080 --> 00:36:01,080 CAN YOU ACCOUNT FOR YOUR WHEREABOUTS 872 00:36:01,110 --> 00:36:03,310 FROM 8:00 LAST NIGHT TILL THIS MORNING? 873 00:36:03,350 --> 00:36:06,550 YOU THINK I HAD SOMETHING TO DO WITH THIS BOY BEING KILLED? 874 00:36:06,580 --> 00:36:07,540 WHERE WERE YOU? 875 00:36:07,580 --> 00:36:09,540 AT MY AUNT'S HOUSE ALL NIGHT. 876 00:36:09,580 --> 00:36:11,440 WE'LL NEED TO TALK TO HER. 877 00:36:11,480 --> 00:36:12,810 WELL, FINE. 878 00:36:12,850 --> 00:36:17,790 I'VE NEVER HURT A CHILD OR TOUCHED A CHILD ‐‐ 879 00:36:17,810 --> 00:36:19,440 NEVER...EVER. 880 00:36:19,480 --> 00:36:21,440 BUT YOU'VE WANTED TO. 881 00:36:23,580 --> 00:36:26,740 [ SOBS ] 882 00:36:26,780 --> 00:36:28,280 DO YOU WANT OUR HELP? 883 00:36:31,450 --> 00:36:32,790 [ SOBBING ] 884 00:36:39,980 --> 00:36:43,580 SECOND MESSAGE, MS. LAPPIN. PLEASE CALL AS SOON AS YOU CAN. 885 00:36:43,610 --> 00:36:46,580 NO ANSWER AT HER WORK EITHER. I LEFT WORD. 886 00:36:46,610 --> 00:36:48,940 HAVE YOU TALKED TO CATHERINE LOWE? 887 00:36:48,980 --> 00:36:50,540 WHACKED OUT ON VALIUM. 888 00:36:50,580 --> 00:36:53,240 WE'LL GET HER AGAIN WHEN SHE WAKES UP. 889 00:36:53,280 --> 00:36:55,380 WHAT'D THE GUY SAY WHO FOUND THE BODY? 890 00:36:55,410 --> 00:36:58,540 UH, CAN PICKER ‐‐ SAID HE WENT IN TO SET UP CAMP FOR THE NIGHT, 891 00:36:58,580 --> 00:37:00,780 SAW LEGS STICKING OUT FROM UNDER THE BAG. 892 00:37:00,810 --> 00:37:01,980 WASN'T BURIED AT ALL? 893 00:37:03,450 --> 00:37:04,590 ANYTHING ON CANVASS? 894 00:37:04,610 --> 00:37:06,740 NOTHING ‐‐ FOUND A COUPLE OF APARTMENTS 895 00:37:06,780 --> 00:37:09,410 WITH WINDOWS FACING THE VACANT LOT ‐‐ WEREN'T HOME. 896 00:37:09,450 --> 00:37:10,790 HOW ABOUT DANZIG'S ALIBI? 897 00:37:10,810 --> 00:37:12,080 CAN'T FIND THE GIRL. 898 00:37:12,110 --> 00:37:14,910 WE'RE GONNA HEAD BACK OUT AND RECANVASS THOSE APARTMENTS. 899 00:37:14,950 --> 00:37:16,390 GIVE IT TO NIGHT WATCH. 900 00:37:16,410 --> 00:37:18,640 I WANT EVERYONE TO GO HOME AND GET SOME REST. 901 00:37:18,680 --> 00:37:20,710 WE'LL GO AT IT FRESH IN THE MORNING. 902 00:37:20,750 --> 00:37:22,650 [ SIGHS ] 903 00:37:22,680 --> 00:37:25,810 GO. 904 00:37:28,350 --> 00:37:29,490 ANYONE EAT TODAY? 905 00:37:29,510 --> 00:37:30,640 I'M NOT HUNGRY. 906 00:37:30,680 --> 00:37:33,980 WELL, NEITHER AM I, BUT WE GOTTA CLEAR OUR HEADS. 907 00:37:55,650 --> 00:37:58,120 SO, HOW WAS DISNEY WORLD? 908 00:37:58,150 --> 00:37:59,490 IT WAS FUN. 909 00:37:59,510 --> 00:38:01,140 WELL, THEO LOVED IT. 910 00:38:01,180 --> 00:38:03,580 DID HE HAVE A FAVORITE RIDE? 911 00:38:03,610 --> 00:38:05,110 THE HAUNTED HOUSE. 912 00:38:05,150 --> 00:38:09,150 HE LIKED THE BEARS, TOO ‐‐ THE COUNTRY BEAR JAMBOREE. 913 00:38:09,180 --> 00:38:10,780 WE SAW THAT FIVE TIMES. 914 00:38:10,810 --> 00:38:14,610 EVERY TIME THEY STARTED PLAYING THEIR LITTLE INSTRUMENTS ‐‐ 915 00:38:14,650 --> 00:38:17,920 THE WASHBOARD AND JUG ‐‐ HIS EYES WOULD LIGHT UP. 916 00:38:17,950 --> 00:38:19,590 I COULDN'T FIGURE IT OUT. 917 00:38:19,610 --> 00:38:21,110 HE WAS REALLY SWEET. 918 00:38:25,450 --> 00:38:26,790 ANYTHING HAPPEN LAST WEEK? 919 00:38:26,810 --> 00:38:28,810 UH, LAUNDROMAT ON BERRY GOT ROBBED. 920 00:38:28,850 --> 00:38:31,390 PERP DROPPED HIS DRIVER'S LICENSE RUNNING OUT. 921 00:38:31,410 --> 00:38:32,380 SHARP. 922 00:38:32,410 --> 00:38:34,040 OTHERWISE, PRETTY QUIET. 923 00:38:34,080 --> 00:38:37,380 I SAW A GOOD MOVIE ‐‐ A FRENCH MOVIE ‐‐ "AMéLIE." 924 00:38:37,410 --> 00:38:39,710 OH, YEAH, I HEARD THAT WAS GOOD. 925 00:38:39,750 --> 00:38:41,090 IT WAS REALLY CUTE. 926 00:38:43,680 --> 00:38:45,440 YOU ‐‐ YOU SEE IT TOGETHER? 927 00:38:45,480 --> 00:38:46,610 YEAH. 928 00:38:46,650 --> 00:38:48,490 YOU GUYS BEEN GOING OUT? 929 00:38:48,510 --> 00:38:50,810 [ CLEARS THROAT ] UH, YEAH. 930 00:38:50,850 --> 00:38:52,150 IT'S BEEN GOOD. 931 00:38:52,180 --> 00:38:54,140 [ CHUCKLES ] THAT'S GREAT. 932 00:38:54,180 --> 00:38:55,280 SINCE WHEN? 933 00:38:55,310 --> 00:38:56,740 THE FIGHT. 934 00:38:56,780 --> 00:38:59,180 I SHOULD HAVE KNOWN. 935 00:39:00,910 --> 00:39:02,410 HUH. 936 00:39:02,450 --> 00:39:03,650 WHAT? 937 00:39:03,680 --> 00:39:05,810 THESE BALL‐BREAKING UNIFORMS GET WIND OF THIS, 938 00:39:05,850 --> 00:39:07,720 THEY'RE GONNA GO OUT OF THEIR MINDS. 939 00:39:07,750 --> 00:39:09,150 SCREW 'EM. 940 00:39:13,750 --> 00:39:15,420 I'D BETTER ROLL. 941 00:39:15,450 --> 00:39:17,120 SEE YOU TOMORROW. 942 00:39:17,150 --> 00:39:18,120 YEAH. 943 00:39:18,150 --> 00:39:19,290 STAY AWHILE. 944 00:39:19,310 --> 00:39:20,740 THEO'S WITH THE SITTER. 945 00:39:20,780 --> 00:39:23,410 I GOTTA TURN IN EARLY. I'LL SEE YOU TOMORROW. 946 00:39:23,450 --> 00:39:25,950 GOOD NIGHT. 947 00:39:43,410 --> 00:39:45,210 DID YOU BRUSH YOUR TEETH? 948 00:39:45,250 --> 00:39:46,450 YEAH. 949 00:39:46,480 --> 00:39:49,040 LET ME SEE. 950 00:39:49,080 --> 00:39:50,210 GOOD. 951 00:39:50,250 --> 00:39:52,050 ALL RIGHT, ONE STORY. THEN BEDTIME. 952 00:39:52,080 --> 00:39:54,810 DAD, WHEN IS CONNIE COMING OVER AGAIN? 953 00:39:54,850 --> 00:39:56,250 I DON'T KNOW. SOON. 954 00:39:56,280 --> 00:39:58,410 WHY ISN'T SHE HERE ALL THE TIME? 955 00:39:58,450 --> 00:40:00,750 'CAUSE, UH, SHE DOESN'T LIVE HERE. 956 00:40:00,780 --> 00:40:02,640 SHE'S GOT HER OWN APARTMENT. 957 00:40:02,680 --> 00:40:05,880 I LIKED IN FLORIDA WHEN SHE WAS AROUND ALL THE TIME. 958 00:40:05,910 --> 00:40:07,380 WELL, THAT WAS SPECIAL. 959 00:40:07,410 --> 00:40:09,540 THIS IS HOW THINGS ARE NORMALLY. 960 00:40:09,580 --> 00:40:11,410 I LIKED IT BETTER THE OTHER WAY. 961 00:40:11,450 --> 00:40:13,950 YEAH, I KNOW. I HEARD YOU THE FIRST TIME, THEO. 962 00:40:13,980 --> 00:40:15,610 YOU WANT TO HEAR THIS STORY? 963 00:40:15,650 --> 00:40:16,990 YEAH. 964 00:40:17,010 --> 00:40:19,280 "UP AT LAKE WINNEBAGO..." 965 00:40:19,310 --> 00:40:23,880 NEXT TIME CONNIE COMES OVER, CAN I CALL HER "MOMMY"? 966 00:40:23,910 --> 00:40:25,880 NO, THEO. SHE'S NOT YOUR MOMMY. 967 00:40:25,910 --> 00:40:27,280 THAT WOULDN'T BE RIGHT. 968 00:40:27,310 --> 00:40:29,510 SHE'S SORT OF ACTS LIKE A MOMMY. 969 00:40:32,310 --> 00:40:34,710 DO YOU EVER THINK OF YOUR REAL MOM AT ALL? 970 00:40:34,750 --> 00:40:35,950 I DON'T REMEMBER HER. 971 00:40:35,980 --> 00:40:38,310 WELL, YOUR REAL MOM LOVED YOU VERY MUCH, 972 00:40:38,350 --> 00:40:39,750 AND IT WOULDN'T BE RIGHT 973 00:40:39,780 --> 00:40:42,740 TO JUST GO CALLING SOMEONE THE SAME THING YOU CALLED HER. 974 00:40:42,780 --> 00:40:43,880 ARE YOU MAD? 975 00:40:43,910 --> 00:40:45,280 NO, I'M NOT MAD. 976 00:40:45,310 --> 00:40:48,240 IT'S JUST, YOU CAN'T GO THINKING IT'S AN EASY THING 977 00:40:48,280 --> 00:40:51,280 TO REPLACE SOMEBODY YOU LOVED AND WHO LOVED YOU BACK. 978 00:40:51,310 --> 00:40:53,310 YOU JUST CAN'T DO THAT TO PEOPLE. 979 00:40:53,350 --> 00:40:55,750 OKAY. 980 00:40:55,780 --> 00:40:57,880 THEO, YOU WANT TO HEAR THE STORY? 981 00:40:57,910 --> 00:40:59,210 I WANT TO GO TO BED. 982 00:40:59,250 --> 00:41:01,890 COME ON, THEO. COME ON, LET'S READ THIS STORY. 983 00:41:01,910 --> 00:41:03,580 I'M TIRED. 984 00:41:23,510 --> 00:41:26,310 GET ANY SLEEP? 985 00:41:26,350 --> 00:41:27,450 YEAH. 986 00:41:27,480 --> 00:41:30,640 YOU WERE TOSSING AROUND A LOT. 987 00:41:32,780 --> 00:41:35,440 HOW YOU DOING? 988 00:41:35,480 --> 00:41:36,780 OKAY. 989 00:41:36,810 --> 00:41:40,280 I SHOULD PROBABLY GET GOING. 990 00:41:42,950 --> 00:41:45,490 HAVING DINNER WITH MY DAD TONIGHT. 991 00:41:45,510 --> 00:41:48,380 SO YOU GUYS ARE STARTING TO TALK MORE? 992 00:41:48,410 --> 00:41:52,240 YEAH. LITTLE BY LITTLE GETTING IT BACK. 993 00:41:52,280 --> 00:41:54,280 HMM. 994 00:41:54,310 --> 00:41:56,280 I'M GLAD. 995 00:41:59,950 --> 00:42:02,820 I WANT HIM TO MEET YOU. 996 00:42:04,810 --> 00:42:08,240 THAT'D BE GREAT. WHEN? 997 00:42:08,280 --> 00:42:09,540 TONIGHT. 998 00:42:09,580 --> 00:42:14,310 WHY DON'T YOU COME TO DINNER IF YOU DON'T HAVE ANY PLANS? 999 00:42:14,350 --> 00:42:17,890 YOU SURE, 'CAUSE THAT'S A STEP. 1000 00:42:17,910 --> 00:42:19,980 YEAH. 1001 00:42:20,010 --> 00:42:25,580 IT'D MEAN A LOT TO ME ‐‐ AND HIM. 1002 00:42:25,610 --> 00:42:28,670 THEN I'LL BE THERE. 1003 00:42:38,560 --> 00:42:42,020 GOOD MORNING, DETECTIVE. 1004 00:42:42,060 --> 00:42:43,520 MORNING. 1005 00:42:43,560 --> 00:42:44,620 HEY. 1006 00:42:44,660 --> 00:42:45,620 HEY. 1007 00:42:45,660 --> 00:42:46,690 YOU ALL RIGHT? 1008 00:42:46,730 --> 00:42:48,770 UH, THEO'S BEEN CARRYING ON. 1009 00:42:48,790 --> 00:42:49,790 ABOUT? 1010 00:42:49,830 --> 00:42:50,970 WE GOT A D. O. A. FEMALE 1011 00:42:50,990 --> 00:42:52,920 OVER AT HER APARTMENT ON 28th STREET. 1012 00:42:52,960 --> 00:42:55,290 YOU AND CONNIE, LET ME KNOW IF YOU NEED HELP. 1013 00:42:55,330 --> 00:42:57,130 WHAT'S GOING ON WITH SCOTT LOWE? 1014 00:42:57,160 --> 00:42:58,790 WE GOT A CAUSE OF DEATH YET? 1015 00:42:58,830 --> 00:43:00,200 GUNSHOT TO THE CHEST. 1016 00:43:00,230 --> 00:43:01,830 ANY INDICATION HE WAS ABUSED? 1017 00:43:01,860 --> 00:43:03,320 WE GOT M.E. WORKING ON IT. 1018 00:43:03,360 --> 00:43:05,190 THE MOM'S BOYFRIEND, STEVE DANZIG, 1019 00:43:05,230 --> 00:43:07,370 I FINALLY GOT AHOLD OF THE EX‐GIRLFRIEND 1020 00:43:07,390 --> 00:43:09,090 THAT HE WAS BANGING THAT NIGHT. 1021 00:43:09,130 --> 00:43:11,130 THEIR STORIES ARE A COUPLE OF HOURS OFF. 1022 00:43:11,160 --> 00:43:12,460 JUNIOR'S BRINGING HIM IN. 1023 00:43:12,490 --> 00:43:13,690 WE LIKE HIM? 1024 00:43:13,730 --> 00:43:16,470 HE'S A DIRTBAG WHO'S ALREADY LIED ONCE TO US, SO, YEAH. 1025 00:43:16,490 --> 00:43:17,920 THIS IS ALL OVER THE MEDIA. 1026 00:43:17,960 --> 00:43:20,020 I DON'T KNOW IF ANYONE'S SEEN THE PAPERS. 1027 00:43:20,060 --> 00:43:21,290 LET ME WORRY ABOUT THAT. 1028 00:43:21,330 --> 00:43:23,130 YOU TAKE CARE OF WHAT YOU GOTTA DO. 1029 00:43:23,160 --> 00:43:25,490 ANDY, YOU AND JOHN INTERVIEW THE BOYFRIEND. 1030 00:43:25,530 --> 00:43:28,200 GREG, YOU AND BALDWIN GO BACK AND TALK TO THE MOM. 1031 00:43:28,230 --> 00:43:30,430 I WANT EVERYONE WE INTERVIEWED YESTERDAY 1032 00:43:30,460 --> 00:43:32,620 RE‐INTERVIEWED NOW THAT IT'S A HOMICIDE. 1033 00:43:32,660 --> 00:43:34,660 AND GO AS HARD AT THEM AS NECESSARY. 1034 00:43:34,690 --> 00:43:36,960 THIS IS A 12‐YEAR‐OLD KID MURDERED HERE. 1035 00:43:40,330 --> 00:43:43,830 HAVE A SEAT, STEVE. 1036 00:43:47,460 --> 00:43:49,690 WHERE WERE YOU THE NIGHT SCOTT LOWE WAS KILLED? 1037 00:43:49,730 --> 00:43:51,300 DON'T BOTHER WITH CONDOLENCES. 1038 00:43:51,330 --> 00:43:52,370 WHERE WERE YOU? 1039 00:43:52,390 --> 00:43:53,660 I ALREADY TOLD YOU. 1040 00:43:53,690 --> 00:43:55,790 I WAS WITH MY EX‐GIRLFRIEND, PENNY LAPPIN. 1041 00:43:55,830 --> 00:43:57,530 I DIDN'T TELL YOU TO BEGIN WITH 1042 00:43:57,560 --> 00:43:59,990 BECAUSE I DIDN'T WANT IT GETTING BACK TO CATHERINE. 1043 00:44:00,030 --> 00:44:01,530 WHEN DID YOU LEAVE PENNY'S? 1044 00:44:01,560 --> 00:44:03,790 YOU GUYS ARE AMAZING. 2:00 A. M. I TOLD YOU. 1045 00:44:03,830 --> 00:44:05,600 PENNY SAID YOU LEFT AT MIDNIGHT. 1046 00:44:05,630 --> 00:44:08,170 DO YOU SEE A WRISTWATCH HERE? 1047 00:44:08,190 --> 00:44:10,820 I WENT OVER, WE DID IT, I LEFT. 1048 00:44:10,860 --> 00:44:12,020 IT WAS LATE. 1049 00:44:12,060 --> 00:44:14,320 IF PENNY SAID MIDNIGHT, OKAY, SO I WAS OFF A LITTLE. 1050 00:44:14,360 --> 00:44:16,790 WHEN A GUY LEAVES AN EX‐GIRLFRIEND'S APARTMENT 1051 00:44:16,830 --> 00:44:19,630 AFTER BANGING HER, WHEN HE KNOWS HE SHOULDN'T BE THERE, 1052 00:44:19,660 --> 00:44:21,290 YOU KEEP AN EYE ON THE CLOCK. 1053 00:44:21,330 --> 00:44:24,000 THAT'S YOU. ME, I DON'T CARE. 1054 00:44:24,030 --> 00:44:28,430 SO, WHAT'D YOU DO AFTER YOU LEFT PENNY'S AT MIDNIGHT? 1055 00:44:28,460 --> 00:44:30,820 OKAY, I'M GONNA TELL YOU THIS ONE MORE TIME. 1056 00:44:30,860 --> 00:44:32,990 YOU'RE GONNA TELL US WHATEVER WE ASK, 1057 00:44:33,030 --> 00:44:34,800 HOWEVER MANY TIMES WE ASK IT. 1058 00:44:34,830 --> 00:44:37,470 I LEFT PENNY'S, I WENT TO MY SHOP. 1059 00:44:37,490 --> 00:44:40,290 PASSED OUT ON THE COACH IN THE BACK. 1060 00:44:40,330 --> 00:44:42,000 DID YOU HAVE ANY ARGUMENTS WITH SCOTT 1061 00:44:42,030 --> 00:44:43,630 WHEN YOU WERE LIVING WITH HIS MOM? 1062 00:44:43,660 --> 00:44:45,920 NO. 1063 00:44:45,960 --> 00:44:48,990 I KNOW YOU GUYS WANT TO PIN SCOTT'S DEATH ON ME, BUT, SORRY, 1064 00:44:49,030 --> 00:44:51,770 LOOKS LIKE YOU'RE ACTUALLY GONNA HAVE TO DO SOME WORK 1065 00:44:51,790 --> 00:44:53,460 AND FIND OUT WHO DID. 1066 00:44:53,490 --> 00:44:56,420 AM I UNDER ARREST OR NOT? 'CAUSE I GOT SOME WORK TO DO. 1067 00:44:56,460 --> 00:44:57,790 YEAH, GO TO WORK. 1068 00:44:57,830 --> 00:45:00,930 DON'T LET YOUR GIRLFRIEND'S KID GETTING KILLED RUIN YOUR DAY. 1069 00:45:00,960 --> 00:45:02,820 IS THAT WHAT YOU WANT ME TO DO? 1070 00:45:02,860 --> 00:45:04,920 DO YOU WANT ME TO CRY AND CARRY ON 1071 00:45:04,960 --> 00:45:06,460 TO PROVE I DIDN'T DO IT? 1072 00:45:06,490 --> 00:45:09,190 WELL, I GOT FEELINGS ABOUT WHAT HAPPENED TO SCOTT, 1073 00:45:09,230 --> 00:45:12,530 BUT I'M NOT GONNA BREAK DOWN TO MAKE YOU GUYS FEEL BETTER. 1074 00:45:12,560 --> 00:45:13,860 STAY REACHABLE, STEVE. 1075 00:45:13,890 --> 00:45:15,690 YOU LISTEN TO ME. HEY, I TOLD YOU ‐‐ 1076 00:45:15,730 --> 00:45:17,030 SHUT UP AND LISTEN TO ME. 1077 00:45:17,060 --> 00:45:19,820 OR I'LL BE TALKING TO YOU WITH MY SHOE PRESSED IN YOUR THROAT. 1078 00:45:19,860 --> 00:45:22,660 IF YOU HAD SOMETHING TO DO WITH SCOTT LOWE GETTING KILLED ‐‐ 1079 00:45:22,690 --> 00:45:24,760 YOU GUYS ARE AMAZING. SHUT UP! 1080 00:45:24,790 --> 00:45:27,920 IF THIS WAS AN ACCIDENT, NOW'S THE TIME TO TELL US. 1081 00:45:27,960 --> 00:45:30,960 IF WE GOTTA PROVE IT, I DON'T CARE WHAT HAPPENED, 1082 00:45:30,990 --> 00:45:33,290 I'LL MAKE SURE YOU GET THE NEEDLE. 1083 00:45:33,330 --> 00:45:34,700 AYE, AYE, CAPTAIN. 1084 00:45:35,730 --> 00:45:37,800 YOU GET OUT OF HERE. 1085 00:45:58,970 --> 00:46:00,040 WHAT DO WE GOT? 1086 00:46:00,070 --> 00:46:01,800 ELDERLY WOMAN ‐‐ VANESSA GAVIOLA. 1087 00:46:01,840 --> 00:46:02,970 HER APARTMENT. 1088 00:46:03,010 --> 00:46:04,150 WHO CALLED IT IN? 1089 00:46:04,170 --> 00:46:06,100 LARRY TYLER ‐‐ LIVES TWO DOORS DOWN. 1090 00:46:06,140 --> 00:46:07,470 HE'D DO ODD JOBS FOR HER. 1091 00:46:07,510 --> 00:46:10,010 WENT TO CHECK ON HER, AND THIS IS WHAT HE FOUND. 1092 00:46:10,040 --> 00:46:12,100 THIS GUY'S A ‐‐ HE'S AN EX‐CON. 1093 00:46:12,140 --> 00:46:14,270 DID 10 YEARS FOR A RAPE ASSAULT. 1094 00:46:14,310 --> 00:46:17,180 GUESS WE'LL HAVE A CONVERSATION WITH HIM, THEN. 1095 00:46:17,210 --> 00:46:20,350 HE CAME RIGHT OUT WITH IT. HE WAS BEING HONEST. 1096 00:46:20,370 --> 00:46:21,470 ALL RIGHT. 1097 00:46:21,510 --> 00:46:23,450 BUILDING SUPER'S OVER THERE, TOO. 1098 00:46:23,470 --> 00:46:25,700 BLACK GUY ON THE STAIRS ‐‐ DON GOLDAMMER. 1099 00:46:25,740 --> 00:46:27,000 THEY WERE BOTH GOING ON 1100 00:46:27,040 --> 00:46:29,470 ABOUT THE OLD LADY'S GRANDSON AS A SUSPECT. 1101 00:46:29,510 --> 00:46:30,880 I DIDN'T GET ANY DETAILS. 1102 00:46:30,910 --> 00:46:32,150 KEEP THEM BOTH AROUND. 1103 00:46:32,170 --> 00:46:33,340 YOU GOT IT. 1104 00:46:35,570 --> 00:46:37,070 [ SIGHS ] 1105 00:46:39,710 --> 00:46:42,050 HMM. STRANGLED. 1106 00:46:42,070 --> 00:46:43,870 DOESN'T LOOK LIKE A ROBBERY. 1107 00:46:43,910 --> 00:46:46,180 SHE'S GOT AN EX‐CON RAPIST DOING ERRANDS FOR HER. 1108 00:46:46,210 --> 00:46:48,280 YEAH, SOMETHING'S A LITTLE OFF WITH THAT. 1109 00:46:48,310 --> 00:46:49,510 I'LL TAKE HIM. 1110 00:46:49,540 --> 00:46:51,100 WHY DON'T YOU TALK TO THE SUPER? 1111 00:46:51,140 --> 00:46:52,200 OKAY. 1112 00:46:55,870 --> 00:46:57,370 LARRY TYLER? YEAH. 1113 00:46:57,410 --> 00:46:58,980 DETECTIVE McDOWELL. 1114 00:46:59,010 --> 00:47:00,980 THAT'S HOW YOU FOUND HER? 1115 00:47:01,010 --> 00:47:02,110 YEAH. 1116 00:47:02,140 --> 00:47:03,270 DO YOU HAVE A KEY? 1117 00:47:03,310 --> 00:47:05,310 NO, THE DOOR WAS OPEN A LITTLE, 1118 00:47:05,340 --> 00:47:07,870 WHICH IS UNUSUAL, SO I DUCKED MY HEAD IN. 1119 00:47:07,910 --> 00:47:10,650 AS I TOLD YOUR OFFICER, I GOT A RECORD. 1120 00:47:10,670 --> 00:47:13,470 I'M NOT TRYING TO HIDE IT FROM ANYBODY. 1121 00:47:13,510 --> 00:47:14,650 RAPE ASSAULT? 1122 00:47:14,670 --> 00:47:15,700 YEAH. 1123 00:47:15,740 --> 00:47:17,200 AND MRS. GAVIOLA KNEW THAT? 1124 00:47:17,240 --> 00:47:18,540 EVERYBODY DID. 1125 00:47:18,570 --> 00:47:20,770 WHAT'S THIS ABOUT HER GRANDSON? 1126 00:47:20,810 --> 00:47:23,710 JERRY GAVIOLA. HE'S A REAL SAD CASE ‐‐ JUNKIE. 1127 00:47:23,740 --> 00:47:25,140 YOU LIKE HIM FOR DOING THIS? 1128 00:47:25,170 --> 00:47:27,540 HE WAS ALWAYS WORKING MRS. GAVIOLA FOR MONEY. 1129 00:47:27,570 --> 00:47:29,200 SHE COULDN'T SAY "NO" TO HIM. 1130 00:47:29,240 --> 00:47:30,370 WE'LL TALK TO HIM, 1131 00:47:30,410 --> 00:47:32,650 AND WE'RE GONNA NEED TO TALK TO YOU. 1132 00:47:32,670 --> 00:47:34,040 SURE. I KNOW. 1133 00:47:36,640 --> 00:47:38,800 HOW LONG HAS MRS. GAVIOLA LIVED HERE? 1134 00:47:38,840 --> 00:47:39,800 20 YEARS. 1135 00:47:39,840 --> 00:47:41,840 DO YOU KNOW THIS GUY ‐‐ LARRY TYLER? 1136 00:47:41,870 --> 00:47:44,370 YEAH, I KNOW LARRY. EVERYBODY HERE DOES. 1137 00:47:44,410 --> 00:47:46,050 HOW LONG HAS HE LIVED HERE? 1138 00:47:46,070 --> 00:47:47,100 TWO YEARS. 1139 00:47:47,140 --> 00:47:48,500 WHAT'S YOUR TAKE ON HIM? 1140 00:47:48,540 --> 00:47:51,100 YOU'D NEVER KNOW HE WAS AN EX‐CON. 1141 00:47:51,140 --> 00:47:53,300 COURTEOUS, HELPFUL, HONEST. 1142 00:47:53,340 --> 00:47:54,440 LIKE A BOY SCOUT. 1143 00:47:54,470 --> 00:47:56,140 I'M TELLING YOU, HE'S A GOOD GUY. 1144 00:47:56,170 --> 00:47:58,700 I TRUST HIM WITH MY GRANDKIDS. 1145 00:48:05,740 --> 00:48:09,600 Baldwin: AND, MS. LOWE, WE'RE VERY SORRY FOR YOUR LOSS. 1146 00:48:09,640 --> 00:48:12,170 FIND WHO KILLED MY SON... PLEASE. 1147 00:48:12,210 --> 00:48:14,350 WE'RE GONNA DO EVERYTHING WE CAN. 1148 00:48:14,370 --> 00:48:15,540 [ SIGHS ] 1149 00:48:15,570 --> 00:48:17,540 UH, HAVING GIVEN IT MORE THOUGHT, 1150 00:48:17,570 --> 00:48:19,600 IS THERE ANYONE YOU'RE LEAVING OUT 1151 00:48:19,640 --> 00:48:22,600 WHO COULD HAVE HAD SOMETHING TO DO WITH YOUR SON'S DEATH? 1152 00:48:22,640 --> 00:48:23,800 MY EX‐HUSBAND, JIM ‐‐ 1153 00:48:23,840 --> 00:48:25,800 THAT'S THE ONLY PERSON I CAN THINK ABOUT. 1154 00:48:25,840 --> 00:48:28,640 YOU FEEL YOUR EX‐HUSBAND WAS CAPABLE OF KILLING SCOTT? 1155 00:48:28,670 --> 00:48:30,840 HE COULD HAVE TAKEN SCOTT, KIDNAPPED HIM. 1156 00:48:30,870 --> 00:48:32,040 I KNOW THAT FOR SURE. 1157 00:48:32,070 --> 00:48:34,300 MAYBE SOMETHING WENT WRONG. I DON'T KNOW. 1158 00:48:34,340 --> 00:48:36,600 ARE THERE MEN WHO HAD ACCESS TO THIS APARTMENT, 1159 00:48:36,640 --> 00:48:38,300 OTHER THAN YOUR BOYFRIEND STEVE? 1160 00:48:38,340 --> 00:48:39,640 NO. 1161 00:48:39,670 --> 00:48:41,670 NO ONE ELSE HAD KEYS TO THE APARTMENT? 1162 00:48:41,710 --> 00:48:43,110 [ SOBS ] 1163 00:48:43,140 --> 00:48:47,300 SCOTT'S BIRTHDAY IS NEXT WEEK. 1164 00:48:47,340 --> 00:48:49,970 HE WAS GONNA BE 13. 1165 00:48:51,970 --> 00:48:54,500 I HAD A PARTY PLANNED. 1166 00:48:54,540 --> 00:48:56,440 ANYONE ELSE HAVE KEYS, MA'AM? 1167 00:48:56,470 --> 00:48:57,870 NO. 1168 00:48:57,910 --> 00:49:00,210 MS. LOWE, YOU SAID THAT YOU WERE 1169 00:49:00,240 --> 00:49:02,540 AT O'DELL'S BAR TWO NIGHTS AGO. 1170 00:49:02,570 --> 00:49:04,340 YEAH. 1171 00:49:04,370 --> 00:49:05,940 AND YOU LEFT AT 2:00 A. M.? 1172 00:49:05,970 --> 00:49:07,500 YES. 1173 00:49:07,540 --> 00:49:09,540 AND YOU WERE AT O'DELL'S THE WHOLE TIME? 1174 00:49:09,570 --> 00:49:11,370 DIDN'T GO ANYWHERE ELSE? 1175 00:49:11,410 --> 00:49:14,550 OKAY, I WANT TO BE VERY CLEAR ABOUT THIS. 1176 00:49:14,570 --> 00:49:16,040 IF YOU CAME HERE TO ASK ME 1177 00:49:16,070 --> 00:49:18,270 IF I KNOW WHO COULD HAVE KILLED SCOTT, 1178 00:49:18,310 --> 00:49:19,610 FINE, I TOLD YOU. 1179 00:49:19,640 --> 00:49:22,500 BUT IF THIS CONVERSATION'S GONNA TURN AROUND 1180 00:49:22,540 --> 00:49:25,640 TO YOU ASKING ME IF I HAD ANYTHING TO DO WITH, 1181 00:49:25,670 --> 00:49:28,940 OR KNOW ANYTHING ABOUT, MY SON'S DEATH, 1182 00:49:28,970 --> 00:49:30,540 YOU STOP RIGHT NOW, 1183 00:49:30,570 --> 00:49:33,200 BECAUSE THERE IS ONLY SO MUCH I CAN TAKE! 1184 00:49:33,240 --> 00:49:36,170 WE NEED TO ASK EVERYONE WHO WAS CLOSE TO SCOTT ‐‐ 1185 00:49:36,210 --> 00:49:37,610 DID YOU HEAR ME?! 1186 00:49:37,640 --> 00:49:38,800 CRIME SCENE'S HERE. 1187 00:49:38,840 --> 00:49:39,870 YEAH, ONE MINUTE. 1188 00:49:39,910 --> 00:49:41,150 WHAT DOES THAT MEAN? 1189 00:49:41,170 --> 00:49:43,800 WE NEED TO PROCESS THE APARTMENT FOR ANY FINGERPRINTS, 1190 00:49:43,840 --> 00:49:46,470 IN CASE THIS WAS AN ABDUCTION. IT'LL TAKE A FEW HOURS. 1191 00:49:46,510 --> 00:49:48,380 IS THERE SOMEONE YOU CAN STAY WITH ‐‐ 1192 00:49:48,410 --> 00:49:50,980 A FRIEND OR A RELATIVE ‐‐ UNTIL CRIME SCENE IS DONE? 1193 00:49:51,010 --> 00:49:53,780 YOU'RE KICKING ME OUT OF MY OWN HOUSE? 1194 00:49:53,810 --> 00:49:56,880 THIS HAS TO HAPPEN, MA'AM. 1195 00:49:56,910 --> 00:49:59,810 HEY, CATH, WAIT UP. 1196 00:50:07,370 --> 00:50:09,970 HAVE A SEAT. 1197 00:50:12,470 --> 00:50:13,940 YOU GOT A JOB, LARRY? 1198 00:50:13,970 --> 00:50:16,870 YES, I HANG SHEETROCK FOR DICKERSON CONSTRUCTION. 1199 00:50:16,910 --> 00:50:18,950 BEEN DOING IT FOR TWO YEARS NOW. 1200 00:50:18,970 --> 00:50:21,270 IS THAT WHERE YOU WERE THIS MORNING? 1201 00:50:21,310 --> 00:50:23,280 NO, WE'RE BETWEEN JOBS. 1202 00:50:23,310 --> 00:50:25,180 WHERE WERE YOU? 1203 00:50:25,210 --> 00:50:26,810 MY APARTMENT, READING. 1204 00:50:26,840 --> 00:50:29,470 WHAT WAS YOUR RELATIONSHIP LIKE WITH MRS. GAVIOLA? 1205 00:50:29,510 --> 00:50:30,950 I CONSIDERED HER A FRIEND. 1206 00:50:30,970 --> 00:50:33,100 I CAN SAY SHE FELT THE SAME WAY ABOUT ME. 1207 00:50:33,140 --> 00:50:35,170 HOW OFTEN DID YOU DO ODD JOBS FOR HER? 1208 00:50:35,210 --> 00:50:36,950 A LOT. SHE COULDN'T GET AROUND MUCH. 1209 00:50:36,970 --> 00:50:38,170 WHAT KIND OF JOBS? 1210 00:50:38,210 --> 00:50:40,010 MRS. GAVIOLA HAD NO FAMILY HERE, 1211 00:50:40,040 --> 00:50:41,670 OTHER THAN HER GRANDSON JERRY, 1212 00:50:41,710 --> 00:50:44,180 WHO, LIKE I SAID, WAS A REAL HEARTACHE FOR HER. 1213 00:50:44,210 --> 00:50:45,510 HE COULDN'T KICK DRUGS. 1214 00:50:45,540 --> 00:50:47,640 HE'S ALWAYS BE WORKING HER FOR MONEY. 1215 00:50:47,670 --> 00:50:49,770 WE'LL GET ALL THAT WHEN WE TALK TO JERRY. 1216 00:50:49,810 --> 00:50:51,850 WHAT KIND OF JOBS DID YOU DO FOR HER? 1217 00:50:51,870 --> 00:50:54,970 I'D GET GROCERIES FOR HER, BRING HER MAIL. 1218 00:50:55,010 --> 00:50:57,650 I'D COOK FOR HER. I LIKE TO COOK. 1219 00:50:57,670 --> 00:51:00,340 A LOT OF TIME, WE'D JUST SIT AROUND AND TALK. 1220 00:51:00,370 --> 00:51:02,500 SHE GREW UP DURING THE DEPRESSION, 1221 00:51:02,540 --> 00:51:04,500 SO SHE ALWAYS HAD SOME STORIES. 1222 00:51:04,540 --> 00:51:05,840 [ SIGHS ] 1223 00:51:05,870 --> 00:51:07,440 YOU STILL ON PAROLE? 1224 00:51:07,470 --> 00:51:08,970 TWO MORE YEARS, YEAH. 1225 00:51:09,010 --> 00:51:11,280 WE'RE GONNA NEED YOU TO ACCOUNT FOR YOUR DAY 1226 00:51:11,310 --> 00:51:12,380 AND VERIFY EMPLOYMENT. 1227 00:51:12,410 --> 00:51:14,380 WE'RE GONNA NEED TO TALK TO YOUR P. O. 1228 00:51:14,410 --> 00:51:16,510 I KNOW WHY YOU'RE TALKING TO ME RIGHT NOW. 1229 00:51:16,540 --> 00:51:18,200 I GOT NO HARD FEELINGS ABOUT IT. 1230 00:51:18,240 --> 00:51:20,870 GOOD. 1231 00:51:23,310 --> 00:51:24,450 ANYTHING ON THE MOM? 1232 00:51:24,470 --> 00:51:26,770 NO, WE'RE GONNA GO BY THE BAR SHE WAS AT 1233 00:51:26,810 --> 00:51:29,780 THE NIGHT HER SON WENT MISSING, VERIFY SHE WAS THERE. 1234 00:51:29,810 --> 00:51:31,610 CRIME SCENE'S PROCESSING THE APARTMENT. 1235 00:51:31,640 --> 00:51:32,700 Tony: ALL RIGHT. 1236 00:51:32,740 --> 00:51:34,370 HEY, I RAN THE DAD'S RECORD. 1237 00:51:34,410 --> 00:51:37,310 TOOK A LOITERING COLLAR IN THE MEATPACKING DISTRICT 1238 00:51:37,340 --> 00:51:38,470 15 YEARS AGO. 1239 00:51:38,510 --> 00:51:40,380 HE SURE DID. 1240 00:51:40,410 --> 00:51:41,650 ARE WE BRINGING HIM IN? 1241 00:51:41,670 --> 00:51:43,240 YEAH, HE'S ON HIS WAY. 1242 00:51:45,070 --> 00:51:47,640 LOOKING FOR DETECTIVE SIPOWICZ. 1243 00:51:47,670 --> 00:51:48,700 RIGHT HERE. 1244 00:51:48,740 --> 00:51:51,340 DETECTIVE GEOGHAN, BOROUGH TRUSTEE. 1245 00:51:51,370 --> 00:51:53,370 YEAH, WE WERE GONNA DO THIS NEXT WEEK. 1246 00:51:53,410 --> 00:51:56,680 I HAD A MEETING HERE, SO I THOUGHT I'D TRY YOU. 1247 00:51:56,710 --> 00:51:57,950 GOT YOUR FOLDER. 1248 00:51:57,970 --> 00:51:59,670 ALL RIGHT, REAL QUICK. 1249 00:51:59,710 --> 00:52:01,950 JOHN, THERE'S GONNA BE SOMEONE DROPPING BY 1250 00:52:01,970 --> 00:52:03,340 TO PICK UP OUR TIME RECORDS. 1251 00:52:03,370 --> 00:52:04,470 HAVE THEM READY. 1252 00:52:04,510 --> 00:52:05,510 CERTAINLY. 1253 00:52:05,540 --> 00:52:07,040 SIT DOWN. 1254 00:52:07,070 --> 00:52:08,170 OKAY. 1255 00:52:08,210 --> 00:52:10,350 WANT SOME COFFEE OR ANYTHING? 1256 00:52:10,370 --> 00:52:11,870 I'M GOOD. 1257 00:52:11,910 --> 00:52:13,810 IT'S JUST THAT, UH, 1258 00:52:13,840 --> 00:52:17,340 A FRIEND OF MINE'S DAD DIED RECENTLY, 1259 00:52:17,370 --> 00:52:19,970 AND I GUESS HE LEFT A MESS IN TERMS OF PAPERWORK, 1260 00:52:20,010 --> 00:52:22,950 SO I WANTED TO MAKE SURE I WAS UP TO SPEED WITH ALL THAT. 1261 00:52:22,970 --> 00:52:25,140 ANYTHING YOU WANT TO KNOW IN PARTICULAR? 1262 00:52:25,170 --> 00:52:27,470 YEAH, MOSTLY IF SOMETHING HAPPENED TO ME, 1263 00:52:27,510 --> 00:52:29,280 WHAT I GOT COMING FOR MY SON. 1264 00:52:29,310 --> 00:52:30,680 HE'S 6. 1265 00:52:30,710 --> 00:52:33,110 WELL, TO START, CITY PAYS A BENEFICIARY 1266 00:52:33,140 --> 00:52:36,270 YOUR SALARY, TAX‐FREE, FOR THE REMAINDER OF THEIR LIFE. 1267 00:52:36,310 --> 00:52:38,310 IT IT'S A MINOR, TILL THEY'RE 18. 1268 00:52:38,340 --> 00:52:39,940 23, IF THEY GO TO COLLEGE. 1269 00:52:39,970 --> 00:52:41,700 YOU ALSO GOT $100,000 COMING 1270 00:52:41,740 --> 00:52:44,100 FROM YOUR D.E.A. INSURANCE POLICY, 1271 00:52:44,140 --> 00:52:45,770 PLUS 10 GRAND FOR THE BURIAL. 1272 00:52:45,810 --> 00:52:47,710 HE'D BE TAKEN CARE OF? MM‐HMM. 1273 00:52:47,740 --> 00:52:50,470 HE'D ALSO GET $10,000 FROM THE POLICE RELIEF FUND. 1274 00:52:50,510 --> 00:52:51,610 YOU'RE FIRST GRADE? 1275 00:52:51,640 --> 00:52:52,870 YEAH. 1276 00:52:52,910 --> 00:52:54,780 YOU KNOW THAT THREE BUCKS IN CHANGE 1277 00:52:54,810 --> 00:52:57,280 YOU PUT IN EVERY DAY FOR THE D. E. A. ANNUITY BENEFIT? 1278 00:52:57,310 --> 00:52:59,510 THAT WOULD PROBABLY PAY OUT 30 OR 40 GRAND. 1279 00:52:59,540 --> 00:53:01,800 IS THIS IF I DIE IN THE LINE OF DUTY OR NOT? 1280 00:53:01,840 --> 00:53:04,700 NO, YOU GET HIT BY A BUS ON THE WAY HOME 1281 00:53:04,740 --> 00:53:07,170 OR DROP DEAD FROM A HEART ATTACK, 1282 00:53:07,210 --> 00:53:09,280 THAT'S CALLED A DEATH GAMBLE. 1283 00:53:09,310 --> 00:53:10,610 YEAH, HUH? 1284 00:53:10,640 --> 00:53:12,640 ANY MONEY DUE YOU FROM THE CITY IS PRORATED. 1285 00:53:12,670 --> 00:53:15,100 LIKE, YOU RETIRED THE DAY BEFORE YOU DIED. 1286 00:53:15,140 --> 00:53:16,500 YOU DIED TODAY, 1287 00:53:16,540 --> 00:53:18,970 PROBABLY COME TO ANYWHERE FROM 600 TO 800 GRAND, 1288 00:53:19,010 --> 00:53:20,880 PLUS THE $100,000 FROM THE D. E. A. 1289 00:53:20,910 --> 00:53:22,210 AND $10,000 FOR BURIAL. 1290 00:53:22,240 --> 00:53:24,640 SO EITHER WAY, MY SON WOULD BE TAKEN CARE OF? 1291 00:53:24,670 --> 00:53:26,100 MM‐HMM. 1292 00:53:26,140 --> 00:53:28,800 CITY AND LIFE INSURANCE BOTH LIST AS SOLE BENEFICIARY 1293 00:53:28,840 --> 00:53:30,140 YOUR WIFE, SYLVIA COSTAS. 1294 00:53:30,170 --> 00:53:31,340 THAT STILL WORK? 1295 00:53:31,370 --> 00:53:32,470 NO. 1296 00:53:32,510 --> 00:53:35,680 NO, SHE PASSED AWAY THREE YEARS AGO. 1297 00:53:35,710 --> 00:53:37,050 SORRY TO HEAR THAT. 1298 00:53:37,070 --> 00:53:39,840 ACTUALLY HAPPENS MORE OFTEN THAN YOU'D THINK ‐‐ 1299 00:53:39,870 --> 00:53:42,500 GUYS NOT UPDATING THEIR POLICY 1300 00:53:42,540 --> 00:53:44,500 AFTER A DIVORCE OR DEATH. 1301 00:53:44,540 --> 00:53:47,770 SO I GUESS YOU'D WANT YOUR SON LISTED AS BENEFICIARY. 1302 00:53:47,810 --> 00:53:48,950 YEAH. 1303 00:53:48,970 --> 00:53:50,300 FILL THIS OUT. 1304 00:53:50,340 --> 00:53:51,600 WITH A MINOR BENEFICIARY, 1305 00:53:51,640 --> 00:53:53,500 YOU'RE GONNA WANT TO SET UP A TRUST. 1306 00:53:53,540 --> 00:53:56,300 WHO'S GONNA BE THE GUARDIAN OF YOUR SON IN CASE YOU DIE? 1307 00:53:56,340 --> 00:53:58,370 I'M GONNA HAVE TO DO THIS SOME OTHER TIME. 1308 00:53:58,410 --> 00:54:00,580 SURE. 1309 00:54:18,140 --> 00:54:21,140 WE'RE VERY SORRY FOR WHAT HAPPENED TO SCOTT. 1310 00:54:21,170 --> 00:54:23,340 I KEPT HOPING. I KEPT HOPING. 1311 00:54:23,370 --> 00:54:26,470 ANY LEADS, ANY HUNCHES, ANYTHING? 1312 00:54:26,510 --> 00:54:28,480 IT'S VERY EARLY IN THE INVESTIGATION. 1313 00:54:28,510 --> 00:54:30,750 THIS IS GONNA COME BACK TO SOME SCUMBAG 1314 00:54:30,770 --> 00:54:32,670 THAT WAS MIXED UP WITH CATHERINE. 1315 00:54:32,710 --> 00:54:34,150 MR. LOWE, AS INVESTIGATORS, 1316 00:54:34,170 --> 00:54:36,400 WE HAVE TO MAINTAIN COMPLETE OBJECTIVITY. 1317 00:54:36,440 --> 00:54:37,800 WE HAVE TO LOOK AT EVERYONE, 1318 00:54:37,840 --> 00:54:39,940 AND WE HAVE TO ASK DIFFICULT QUESTIONS. 1319 00:54:39,970 --> 00:54:40,940 I UNDERSTAND. 1320 00:54:40,970 --> 00:54:42,900 YOU WERE ARRESTED FOR LOITERING 1321 00:54:42,940 --> 00:54:45,470 IN THE MEATPACKING DISTRICT 15 YEARS AGO. 1322 00:54:45,510 --> 00:54:46,610 I REMEMBER, YEAH. 1323 00:54:46,640 --> 00:54:47,900 WHAT WAS THAT ALL ABOUT? 1324 00:54:47,940 --> 00:54:49,100 WHY? 1325 00:54:49,140 --> 00:54:51,140 WE GOTTA ASK SOME DIFFICULT QUESTIONS. 1326 00:54:51,170 --> 00:54:53,440 I HAD AN OPEN BEER IN THE STREET. 1327 00:54:53,470 --> 00:54:55,570 THIS IS WHEN I WAS IN COLLEGE. 1328 00:54:55,610 --> 00:54:56,680 I WAS BEING STUPID. 1329 00:54:56,710 --> 00:54:58,180 THIS IS OUTSIDE A GAY CLUB. 1330 00:54:58,210 --> 00:54:59,450 I WAS IN FROM UPSTATE. 1331 00:54:59,470 --> 00:55:01,440 I'D NEVER SEEN PEOPLE LIKE THAT. 1332 00:55:01,470 --> 00:55:02,500 I WAS DRUNK. 1333 00:55:02,540 --> 00:55:04,270 I WENT DOWN THERE TO RUBBERNECK, 1334 00:55:04,310 --> 00:55:05,280 AND I GOT ARRESTED. 1335 00:55:05,310 --> 00:55:07,180 IT WAS A COMPLETE MISUNDERSTANDING. 1336 00:55:07,210 --> 00:55:09,510 WE RUN YOUR NAME FOR PRIOR ARRESTS NATIONWIDE, 1337 00:55:09,540 --> 00:55:11,900 ARE WE GONNA FIND ANY OTHER MISUNDERSTANDINGS? 1338 00:55:11,940 --> 00:55:12,900 NO! 1339 00:55:12,940 --> 00:55:14,140 WHEN WE ASK PEOPLE, 1340 00:55:14,170 --> 00:55:16,340 ARE WE GONNA HEAR ABOUT A GAY LIFESTYLE? 1341 00:55:16,370 --> 00:55:17,600 NO! 1342 00:55:17,640 --> 00:55:20,070 THESE MISUNDERSTANDINGS CONTRIBUTE TO YOUR DIVORCE? 1343 00:55:20,110 --> 00:55:22,950 I'M HOPING YOU'RE NOT GOING WHERE I THINK YOU'RE GOING! 1344 00:55:22,970 --> 00:55:25,170 GETTING ANGRY WILL ONLY MAKE THINGS WORSE, 1345 00:55:25,210 --> 00:55:27,580 SO STAY CALM, UNDERSTAND WHY WE HAVE TO ASK, 1346 00:55:27,610 --> 00:55:28,910 AND ANSWER THE QUESTIONS. 1347 00:55:28,940 --> 00:55:31,500 I AM NOT GAY! I'M NOT ATTRACTED TO BOYS! 1348 00:55:31,540 --> 00:55:34,570 I WASN'T ATTRACTED TO MY SON! CAN WE DROP THAT?! 1349 00:55:34,610 --> 00:55:37,780 MR. LOWE, DID YOU HAVE ANYTHING TO DO WITH YOUR SON'S DEATH? 1350 00:55:37,810 --> 00:55:38,780 NO! 1351 00:55:38,810 --> 00:55:40,780 WE CAN HELP YOU NOW IF YOU DID. 1352 00:55:40,810 --> 00:55:42,310 IF YOU WAIT TILL LATER, 1353 00:55:42,340 --> 00:55:45,070 THAT DECISION CAN ADD 10, 20 YEARS IN JAIL. 1354 00:55:45,110 --> 00:55:46,910 NOW IS THE TIME TO TALK TO US 1355 00:55:46,940 --> 00:55:48,770 IF YOU HAD ANY INVOLVEMENT WHATSOEVER. 1356 00:55:48,810 --> 00:55:50,180 NO, I DIDN'T! 1357 00:55:50,210 --> 00:55:52,650 I WOULD LIKE TO GO NOW SO YOU CAN DEVOTE YOUR TIME 1358 00:55:52,670 --> 00:55:54,270 TO FINDING OUT WHO KILLED MY SON! 1359 00:55:54,310 --> 00:55:55,780 WE'RE GONNA NEED YOU 1360 00:55:55,810 --> 00:55:58,680 TO ACCOUNT FOR WHERE YOU WERE THE DAY SCOTT WAS MURDERED. 1361 00:56:00,710 --> 00:56:02,410 I AM DEEPLY OFFENDED. 1362 00:56:02,440 --> 00:56:03,600 WE UNDERSTAND. 1363 00:56:03,640 --> 00:56:05,600 WRITE DOWN WHERE YOU WERE TWO DAYS AGO. 1364 00:56:14,940 --> 00:56:16,140 DAVE McCLANAHAN? 1365 00:56:16,170 --> 00:56:17,600 YEAH. 1366 00:56:17,640 --> 00:56:20,140 DETECTIVES JONES AND MEDAVOY. WE SPOKE ON THE PHONE. 1367 00:56:20,170 --> 00:56:21,570 WHAT'S UP? 1368 00:56:21,610 --> 00:56:22,910 YOU KNOW A CATHERINE LOWE? 1369 00:56:22,940 --> 00:56:25,400 SHE'S A REGULAR. IS THIS ABOUT HER KID? 1370 00:56:25,440 --> 00:56:27,140 WAS SHE IN HERE ON WEDNESDAY NIGHT? 1371 00:56:27,170 --> 00:56:28,240 YEAH. 1372 00:56:28,270 --> 00:56:29,770 WHEN SHE LEAVE? 1373 00:56:29,810 --> 00:56:32,980 CATHERINE HAD NOTHING TO DO WITH HER KID GETTING KILLED. 1374 00:56:33,010 --> 00:56:34,250 WHEN SHE LEAVE? 1375 00:56:34,270 --> 00:56:36,470 LATE, LIKE MIDNIGHT. I DON'T KNOW. I WAS BUSY. 1376 00:56:36,510 --> 00:56:37,980 WAS SHE WITH ANY GUYS? 1377 00:56:38,010 --> 00:56:39,580 SHE WAS SOCIALIZING. 1378 00:56:39,610 --> 00:56:40,850 SHE LEAVE WITH ANYBODY? 1379 00:56:40,870 --> 00:56:42,240 NOT THAT I SAW. 1380 00:56:42,270 --> 00:56:44,770 ARE YOU GUYS LOOKING AT CATHERINE FOR DOING THIS? 1381 00:56:44,810 --> 00:56:47,250 DAVE, WE GOT PLACES TO BE. HOW ABOUT ANSWERING? 1382 00:56:47,270 --> 00:56:50,170 I DON'T KNOW ABOUT HER AND ANY GUYS. 1383 00:56:50,210 --> 00:56:51,710 THANKS FOR YOUR HELP. 1384 00:56:54,370 --> 00:56:56,000 HEY, HEY, ARE YOU GUYS COPS? 1385 00:56:56,040 --> 00:56:57,400 YEAH, WHY? 1386 00:56:57,440 --> 00:57:00,300 YOU'RE ASKING ABOUT CATHERINE'S SON, SCOTT, GETTING KILLED? 1387 00:57:00,340 --> 00:57:01,600 YOU KNOW ANYTHING? 1388 00:57:01,640 --> 00:57:03,800 CATHERINE'S SO HEAD‐OVER‐HEELS WITH STEVE, 1389 00:57:03,840 --> 00:57:05,240 SHE'S NOT THINKING STRAIGHT. 1390 00:57:05,270 --> 00:57:06,600 STEVE, HER BOYFRIEND? 1391 00:57:06,640 --> 00:57:09,800 CATH COMES IN UPSET BECAUSE HER AND STEVE BROKE UP. 1392 00:57:09,840 --> 00:57:11,800 WHAT CAUSED IT WAS STEVE AND SCOTT 1393 00:57:11,840 --> 00:57:14,640 GET IN THIS ARGUMENT, AND STEVE SMACKS SCOTT AROUND. 1394 00:57:14,670 --> 00:57:16,270 CATH DIDN'T WANNA TELL THE COPS 1395 00:57:16,310 --> 00:57:18,650 BECAUSE SHE FIGURED IT WOULD MAKE STEVE LOOK BAD. 1396 00:57:18,670 --> 00:57:20,140 AND SHE SWEARS 1397 00:57:20,170 --> 00:57:22,470 HE HAD NOTHING TO DO WITH SCOTT BEING MISSING. 1398 00:57:22,510 --> 00:57:26,480 AND NOW SCOTT IS DEAD, SO I DON'T KNOW. 1399 00:57:26,510 --> 00:57:28,810 WHAT'S YOUR NAME, MA'AM? 1400 00:57:28,840 --> 00:57:31,440 PAM GALLAHER. I THOUGHT YOU SHOULD KNOW. 1401 00:57:31,470 --> 00:57:33,270 THANKS FOR YOUR HELP, MA'AM. 1402 00:57:33,310 --> 00:57:34,650 YEAH. 1403 00:57:41,340 --> 00:57:43,970 HAVE A SEAT, JERRY. 1404 00:57:44,010 --> 00:57:46,480 WHERE YOU BEEN THIS MORNING? 1405 00:57:48,770 --> 00:57:49,940 WHY? 1406 00:57:49,970 --> 00:57:51,400 JUST ANSWER THE QUESTION. 1407 00:57:51,440 --> 00:57:54,070 I GOT A BUST CARD FROM THE ACLU IN MY WALLET. 1408 00:57:54,110 --> 00:57:56,780 I COULD READ YOU WHAT MY RIGHTS ARE. 1409 00:57:56,810 --> 00:57:58,810 YOU'LL BE READING IT FROM THAT CAGE. 1410 00:57:58,840 --> 00:58:01,840 WE'LL COME BACK IN THREE HOURS AND ASK YOU THE SAME QUESTIONS. 1411 00:58:01,870 --> 00:58:04,340 I WAS OUT... 1412 00:58:04,370 --> 00:58:07,940 WANDERING AROUND, NOTHING MUCH ‐‐ NO BIG DEAL. 1413 00:58:07,970 --> 00:58:09,300 STOP BY YOUR GRANDMA'S? 1414 00:58:09,340 --> 00:58:10,470 NO. 1415 00:58:10,510 --> 00:58:12,180 WE FOUND HER, JERRY. 1416 00:58:12,210 --> 00:58:13,480 YEAH, WHERE? 1417 00:58:13,510 --> 00:58:15,480 IN HER APARTMENT, MURDERED. 1418 00:58:15,510 --> 00:58:19,150 [ SCOFFS ] YEAH, NO WAY. 1419 00:58:19,170 --> 00:58:20,300 YEAH. 1420 00:58:22,510 --> 00:58:23,850 ARE YOU GUYS SERIOUS? 1421 00:58:23,870 --> 00:58:28,800 JERRY...DO YOU KNOW ANYTHING ABOUT THIS? 1422 00:58:28,840 --> 00:58:30,600 SHE'S REALLY DEAD? 1423 00:58:30,640 --> 00:58:32,170 YES, SHE'S DEAD. 1424 00:58:32,210 --> 00:58:35,180 SHE'S NOT ‐‐ SHE CAN'T ‐‐ SHE'S NOT DEAD. 1425 00:58:35,210 --> 00:58:36,580 SHE CAN'T BE DEAD. 1426 00:58:36,610 --> 00:58:38,950 DID YOU GO BY YOUR GRANDMA'S TO GET SOME MONEY 1427 00:58:38,970 --> 00:58:40,140 AND SHE TURNED YOU DOWN? 1428 00:58:40,170 --> 00:58:43,340 LARRY SOMEBODY ‐‐ THIS GUY WHO LIVED ON HER FLOOR. 1429 00:58:43,370 --> 00:58:44,440 HE'S AN EX‐CON. 1430 00:58:44,470 --> 00:58:46,970 I TOLD HER NOT TO HANG AROUND WITH HIM, 1431 00:58:47,010 --> 00:58:48,850 BUT SHE SAID THAT HE CHANGED. 1432 00:58:48,870 --> 00:58:51,270 SHE'S A CHRISTIAN. SHE'S INTO FORGIVENESS. 1433 00:58:51,310 --> 00:58:53,410 BUT I TOLD HER. I TOLD HER! 1434 00:58:53,440 --> 00:58:56,400 I CAN'T BELIEVE SHE'S DEAD. 1435 00:58:56,440 --> 00:58:58,570 DID YOU HURT YOUR GRANDMOTHER THIS MORNING?! 1436 00:58:58,610 --> 00:58:59,750 I CAN'T BELIEVE IT. 1437 00:58:59,770 --> 00:59:01,470 ANSWER THE QUESTION, JERRY! 1438 00:59:01,510 --> 00:59:02,980 NO, I DIDN'T HURT HER! 1439 00:59:03,010 --> 00:59:05,780 SHE WAS MY ANGEL. SHE WAS MY BEST FRIEND. 1440 00:59:12,370 --> 00:59:14,170 ANYTHING FROM THE BAR? 1441 00:59:14,210 --> 00:59:16,410 YEAH, A FRIEND OF CATHERINE'S. 1442 00:59:16,440 --> 00:59:18,440 SHE WAS THERE WEDNESDAY NIGHT AT O'DELL'S 1443 00:59:18,470 --> 00:59:20,240 AND SAID THAT CATHERINE WAS UPSET 1444 00:59:20,270 --> 00:59:22,470 OVER THE BREAKUP WITH HER BOYFRIEND, STEVE. 1445 00:59:22,510 --> 00:59:23,750 REASON THEY BROKE UP IS 1446 00:59:23,770 --> 00:59:26,540 THAT STEVE SMACKED HER SON, SCOTT, DURING AN ARGUMENT. 1447 00:59:28,810 --> 00:59:30,510 WE'RE GRABBING HIM UP. 1448 00:59:30,540 --> 00:59:31,640 YEAH. 1449 00:59:31,670 --> 00:59:33,970 HEY. 1450 00:59:34,010 --> 00:59:35,650 WHAT'S UP WITH THE GRANDSON? 1451 00:59:35,670 --> 00:59:37,800 HE TOOK THE NEWS OF HER DEATH PRETTY HARD. 1452 00:59:37,840 --> 00:59:39,940 RITA'S GETTING WHERE HE WAS TODAY. 1453 00:59:39,970 --> 00:59:41,270 THEN, WE'LL VERIFY IT. 1454 00:59:41,310 --> 00:59:42,480 CAN YOU HOLD HIM? 1455 00:59:42,510 --> 00:59:45,310 WE DON'T HAVE ENOUGH. PLUS, HE'S DEMANDING TO LEAVE. 1456 00:59:45,340 --> 00:59:48,170 GOT AN ACLU RIGHTS CARD, WHICH HE'S QUOTING FROM. 1457 00:59:48,210 --> 00:59:51,250 CAN YOU GET YOUR HANDS ON HIM IF YOU NEED TO AGAIN? 1458 00:59:51,270 --> 00:59:53,500 YEAH. 1459 00:59:53,540 --> 00:59:55,940 HI, I'M OFFICER ANDERSON FROM THE BOROUGH 1460 00:59:55,970 --> 00:59:57,440 TO AUDIT THE TIME RECORDS. 1461 00:59:57,470 --> 00:59:59,300 SURE, LET ME GET THEM FOR YOU. 1462 00:59:59,340 --> 01:00:00,440 HI. 1463 01:00:00,470 --> 01:00:02,840 HEY, HOW'S IT GOING? NEED SOME HELP? 1464 01:00:02,870 --> 01:00:05,070 OH, NO, I'VE BEEN HELPED. THANKS. 1465 01:00:05,110 --> 01:00:07,480 I'M MAYA ANDERSON. I WORK IN THE 2‐5. 1466 01:00:07,510 --> 01:00:10,580 BUT I'M ON RESTRICTED DUTY, AUDITING TIME RECORDS. 1467 01:00:10,610 --> 01:00:12,780 BALDWIN JONES. LINE‐OF‐DUTY INJURY? 1468 01:00:12,810 --> 01:00:15,680 I WAS RUNNING SOME TRAILS AND LANDED ON A TREE ROOT. 1469 01:00:15,710 --> 01:00:17,410 I TORE MY KNEE UP. 1470 01:00:17,440 --> 01:00:20,240 I SHOULD BE BACK TO FULL DUTY IN THE NEXT COUPLE OF WEEKS. 1471 01:00:20,270 --> 01:00:21,900 HERE'S OUR TIME RECORDS. 1472 01:00:21,940 --> 01:00:24,000 ANYTHING ELSE? 1473 01:00:24,040 --> 01:00:26,100 UH, NO, I GUESS NOT. 1474 01:00:26,140 --> 01:00:28,600 WELL, NICE TO MEET YOU. FEEL BETTER. 1475 01:00:28,640 --> 01:00:32,170 YOU TOO. UM, I MEAN, THANKS. 1476 01:00:38,670 --> 01:00:40,500 I AIN'T A YO‐YO, GUYS. 1477 01:00:40,540 --> 01:00:42,270 THIS IS STARTING TO GET OLD. 1478 01:00:42,310 --> 01:00:45,180 STEVE, DID YOU HAVE A PROBLEM WITH SCOTT LOWE? 1479 01:00:45,210 --> 01:00:46,150 NO. 1480 01:00:46,170 --> 01:00:47,440 YOU PUT YOUR HANDS ON HIM? 1481 01:00:47,470 --> 01:00:48,970 NO! 1482 01:00:49,010 --> 01:00:50,980 THAT FIGHT YOU BROKE UP OVER 1483 01:00:51,010 --> 01:00:53,250 WASN'T ABOUT YOU SMACKING SCOTT?! 1484 01:00:53,270 --> 01:00:54,470 DON'T LIE TO US! 1485 01:00:54,510 --> 01:00:56,010 ME AND CATH GOT IN AN ARGUMENT. 1486 01:00:56,040 --> 01:00:58,640 SCOTT STARTED SCREAMING AT ME AND SLAPPING AT ME. 1487 01:00:58,670 --> 01:01:00,240 DID YOU PUT YOUR HANDS ON HIM?! 1488 01:01:00,270 --> 01:01:02,300 A LITTLE BACKHAND ‐‐ A LITTLE SLAP, ONCE. 1489 01:01:02,340 --> 01:01:03,470 GET ON YOUR FEET! 1490 01:01:03,510 --> 01:01:04,480 THAT'S ALL! 1491 01:01:04,510 --> 01:01:05,610 GET ON YOUR FEET! 1492 01:01:05,640 --> 01:01:07,340 GET YOUR HANDS OFF OF ME! 1493 01:01:07,370 --> 01:01:08,670 I'VE HAD IT WITH YOU! 1494 01:01:08,710 --> 01:01:10,080 I'VE HAD IT WITH YOU, TOO! 1495 01:01:10,110 --> 01:01:12,150 TELL US WHAT HAPPENED TWO NIGHTS AGO! 1496 01:01:12,170 --> 01:01:13,670 YOU GET YOUR HANDS OFF OF ME! 1497 01:01:13,710 --> 01:01:15,510 YOU'RE NOT LEAVING UNTIL YOU TELL US! 1498 01:01:15,540 --> 01:01:16,600 I'M WARNING YOU. 1499 01:01:16,640 --> 01:01:17,940 ABOUT WHAT?! 1500 01:01:17,970 --> 01:01:20,270 GET OFF OF ME! 1501 01:01:22,340 --> 01:01:23,970 ANDY, ANDY! 1502 01:01:24,010 --> 01:01:25,610 GET OFF OF ME! 1503 01:01:28,310 --> 01:01:29,910 I DIDN'T DO IT! 1504 01:01:29,940 --> 01:01:32,400 I DIDN'T DO IT! 1505 01:01:32,440 --> 01:01:33,940 I DIDN'T DO IT!! 1506 01:01:33,970 --> 01:01:35,840 GET UP. 1507 01:01:35,870 --> 01:01:37,770 GET HIM IN A CHAIR. 1508 01:01:37,810 --> 01:01:38,980 I DIDN'T DO IT! 1509 01:01:39,010 --> 01:01:41,510 TELL US! I'LL KEEP HIM AWAY FROM YOU. 1510 01:01:41,540 --> 01:01:42,570 I DIDN'T KILL SCOTT! 1511 01:01:42,610 --> 01:01:44,180 WE'RE HOLDING YOU FOR ASSAULT! 1512 01:01:44,210 --> 01:01:46,450 WE'RE GONNA KEEP ON GOING TILL YOU TELL US! 1513 01:01:46,470 --> 01:01:48,000 I DIDN'T DO NOTHING TO THAT KID! 1514 01:01:48,040 --> 01:01:49,770 YOU UNDERSTAND ME?! I DIDN'T DO IT! 1515 01:01:49,810 --> 01:01:51,010 ENOUGH! 1516 01:01:51,040 --> 01:01:52,470 [ BREATHING HEAVILY ] 1517 01:02:05,370 --> 01:02:06,600 BOYFRIEND'S DUG IN. 1518 01:02:06,640 --> 01:02:09,670 WE'RE GONNA GIVE HIM A LITTLE TIME TO COOL OFF. 1519 01:02:09,710 --> 01:02:11,410 WHAT HAPPENED TO YOU? 1520 01:02:11,440 --> 01:02:12,540 HE RESISTED. 1521 01:02:12,570 --> 01:02:14,370 DON'T TELL ME YOU TUNED THIS GUY UP. 1522 01:02:14,410 --> 01:02:15,850 HE RESISTED. HE CAME AT ME. 1523 01:02:15,870 --> 01:02:17,040 ARE YOU ALL RIGHT? 1524 01:02:17,070 --> 01:02:18,040 YEAH. 1525 01:02:18,070 --> 01:02:19,700 DANZIG ‐‐ IS HE BANGED UP BAD? 1526 01:02:19,740 --> 01:02:22,040 NO. I GOT IN ONE OR TWO. THEN JUNIOR JUMPED IN. 1527 01:02:22,070 --> 01:02:24,700 PHONE DUMP CAME BACK FROM CATHERINE LOWE'S APARTMENT. 1528 01:02:24,740 --> 01:02:26,340 THE NIGHT HER SON WENT MISSING, 1529 01:02:26,370 --> 01:02:28,700 THERE WERE TWO CALLS IN FROM THE DWYER HOUSE ‐‐ 1530 01:02:28,740 --> 01:02:30,700 ONE AT 8:15 AND 8:30 P. M. 1531 01:02:30,740 --> 01:02:32,540 TOMMY DWYER'S THE EX‐COP 1532 01:02:32,570 --> 01:02:35,340 WHOSE SON WAS THE D. O. A.'s FRIEND. 1533 01:02:35,370 --> 01:02:36,340 YEP. 1534 01:02:36,370 --> 01:02:37,700 DID WE TALK TO THE SON? 1535 01:02:37,740 --> 01:02:40,000 TOMMY SAID HIS KID DIDN'T KNOW NOTHING. 1536 01:02:40,040 --> 01:02:41,200 Tony: GET OVER THERE. 1537 01:02:41,240 --> 01:02:43,170 CAN YOU GET DANZIG TO A CELL DOWNSTAIRS? 1538 01:02:43,210 --> 01:02:44,210 YEAH, SURE. 1539 01:02:44,240 --> 01:02:45,840 ARE YOU ALL RIGHT? 1540 01:02:45,870 --> 01:02:47,270 YEAH, I'M FINE. 1541 01:02:47,310 --> 01:02:49,710 LATENT PRINT GOT A HIT OFF A FOOTBALL HELMET 1542 01:02:49,740 --> 01:02:51,570 ON SCOTT LOWE'S BEDROOM DRESSER. 1543 01:02:51,610 --> 01:02:53,080 COMES BACK TO A RICK SAVRAN. 1544 01:02:53,110 --> 01:02:55,850 HE COMES BACK WITH A COUPLE OF PRIORS FOR BURGLARY. 1545 01:02:55,870 --> 01:02:58,340 HIS NAME COME UP IN THE INTERVIEWS WITH THE MOTHER? 1546 01:02:58,370 --> 01:02:59,400 NO. 1547 01:02:59,440 --> 01:03:01,770 WHAT'S IT GONNA TAKE TO GET THESE PEOPLE 1548 01:03:01,810 --> 01:03:03,410 TO START TELLING THE TRUTH? 1549 01:03:03,440 --> 01:03:06,040 [ SIGHS ] 1550 01:03:12,940 --> 01:03:14,070 HEY. 1551 01:03:14,110 --> 01:03:15,280 HOW'S IT GOING, TOMMY? 1552 01:03:15,310 --> 01:03:16,580 OKAY. WHAT'S UP? 1553 01:03:16,610 --> 01:03:18,610 WE NEED TO TALK TO JAKE. 1554 01:03:18,640 --> 01:03:19,570 ABOUT SCOTT? 1555 01:03:19,610 --> 01:03:20,750 YEAH. 1556 01:03:20,770 --> 01:03:23,370 HE DON'T KNOW ANYTHING. I'VE ASKED HIM 10 TIMES. 1557 01:03:23,410 --> 01:03:25,250 TOMMY, JAKE WAS HIS BEST FRIEND. 1558 01:03:25,270 --> 01:03:26,370 WE GOTTA ASK. 1559 01:03:26,410 --> 01:03:28,410 OH, YEAH, SURE, I UNDERSTAND. 1560 01:03:28,440 --> 01:03:29,900 I'M IN THE ROOM, THOUGH. 1561 01:03:29,940 --> 01:03:34,100 OKAY. 1562 01:03:34,140 --> 01:03:37,800 JAKE, COME HERE, PAL. 1563 01:03:40,210 --> 01:03:41,550 THESE ARE DETECTIVES. 1564 01:03:41,570 --> 01:03:43,600 THEY'RE GONNA ASK YOU SOME QUESTIONS. 1565 01:03:43,640 --> 01:03:45,600 HI, JAKE. DETECTIVE CLARK, SIPOWICZ. 1566 01:03:45,640 --> 01:03:48,200 DID SCOTT MENTION ANYBODY HE WAS AFRAID OF ‐‐ 1567 01:03:48,240 --> 01:03:50,100 ANYBODY WHO WANTED TO HURT HIM? 1568 01:03:50,140 --> 01:03:52,070 HIS MOM'S BOYFRIEND, STEVE. 1569 01:03:52,110 --> 01:03:54,380 DID SCOTTSAY STEVE WANTED TO HURT HIM? 1570 01:03:54,410 --> 01:03:56,010 I DON'T KNOW. I GUESS. 1571 01:03:56,040 --> 01:03:57,770 IT'S IMPORTANT YOU TRY AND REMEMBER. 1572 01:03:57,810 --> 01:04:00,350 HE DIDN'T LIKE STEVE. THAT'S BASICALLY WHAT HE SAID. 1573 01:04:00,370 --> 01:04:03,270 DID YOU TRY CALLING SCOTT AT HIS APARTMENT WEDNESDAY NIGHT? 1574 01:04:03,310 --> 01:04:04,850 NO. YOU SURE? 1575 01:04:04,870 --> 01:04:06,700 HE'S SURE. HE JUST TOLD YOU. 1576 01:04:06,740 --> 01:04:08,500 TOMMY, DID YOU CALL THEIR APARTMENT? 1577 01:04:08,540 --> 01:04:09,540 NO. 1578 01:04:09,570 --> 01:04:11,340 Andy: JAKE, DO YOU KNOW ANYTHING 1579 01:04:11,370 --> 01:04:12,700 ABOUT HOW SCOTT GOT KILLED? 1580 01:04:12,740 --> 01:04:13,900 NO. 1581 01:04:13,940 --> 01:04:15,500 THIS WAS YOUR BEST FRIEND, JAKE. 1582 01:04:15,540 --> 01:04:16,700 OKAY, THAT'S IT. 1583 01:04:16,740 --> 01:04:19,100 GO PLAY AT EDDIE'S. WAIT TO HEAR FROM ME. 1584 01:04:19,140 --> 01:04:20,200 OKAY. 1585 01:04:20,240 --> 01:04:23,270 [ DOOR CLOSES ] 1586 01:04:23,310 --> 01:04:25,550 WHAT THE HELL IS THIS, BADGERING MY KID? 1587 01:04:25,570 --> 01:04:26,900 THERE WERE TWO PHONE CALLS 1588 01:04:26,940 --> 01:04:29,040 FROM THIS APARTMENT TO THE LOWES' WEDNESDAY NIGHT. 1589 01:04:29,070 --> 01:04:30,270 SO? 1590 01:04:30,310 --> 01:04:31,750 WHO MADE THEM? 1591 01:04:31,770 --> 01:04:34,870 I TRY TO DO THE RIGHT THING AND HELP YOU GUYS OUT, 1592 01:04:34,910 --> 01:04:36,850 AND YOU AMBUSH ME AND MY KID? 1593 01:04:36,870 --> 01:04:38,400 WHO MADE THE PHONE CALLS, TOMMY? 1594 01:04:38,440 --> 01:04:39,740 I DON'T KNOW! 1595 01:04:39,770 --> 01:04:41,700 MAYBE JAKE MADE THEM BUT HE FORGOT! 1596 01:04:41,740 --> 01:04:44,070 IT'S NOT LIKE HE'S NOT BORDERLINE TRAUMATIZED 1597 01:04:44,110 --> 01:04:46,110 WITH HIS FRIEND GETTING MURDERED! 1598 01:04:47,570 --> 01:04:49,740 OH, WHAT, I'MGETTING EYEBALLED NOW?! 1599 01:04:49,770 --> 01:04:52,900 LISTEN TO ME ‐‐ MY SON DOESN'T KNOW ANYTHING ABOUT IT. 1600 01:04:52,940 --> 01:04:55,840 AND THAT'S FROM A GUY WHO DID 20 YEARS ON YOUR JOB. 1601 01:04:55,870 --> 01:04:58,270 I TOLD JAKE TO KEEP HIS EARS OPEN IN SCHOOL. 1602 01:04:58,310 --> 01:05:00,850 IF HE HEARS ANYTHING, I'LL PASS IT ALONG. 1603 01:05:00,870 --> 01:05:02,070 NOW WE'RE DONE. 1604 01:05:12,410 --> 01:05:15,210 HAVE YOU HAD ANY PROGRESS? 1605 01:05:15,240 --> 01:05:16,400 A LITTLE. 1606 01:05:18,570 --> 01:05:19,840 PLEASE JUST TELL ME 1607 01:05:19,870 --> 01:05:22,440 THAT HE WASN'T MOLESTED BEFORE HE WAS KILLED. 1608 01:05:22,470 --> 01:05:24,840 JUST TELL ME THAT SCOTT DIDN'T SUFFER. 1609 01:05:24,870 --> 01:05:26,670 THERE'S NOTHING TO INDICATE THAT. 1610 01:05:26,710 --> 01:05:27,850 THANK GOD. 1611 01:05:27,870 --> 01:05:29,570 MS. LOWE, WE GOT A FINGERPRINT HIT 1612 01:05:29,610 --> 01:05:31,580 OFF A FOOTBALL HELMET IN YOUR SON'S ROOM. 1613 01:05:31,610 --> 01:05:32,750 FROM WHO? 1614 01:05:32,770 --> 01:05:34,370 A RICK SAVRAN. 1615 01:05:34,410 --> 01:05:36,010 DO YOU KNOW HIM? 1616 01:05:36,040 --> 01:05:38,100 DO YOU KNOW HIM, MS. LOWE? 1617 01:05:38,140 --> 01:05:40,000 YEAH, I KNOW RICK. 1618 01:05:40,040 --> 01:05:41,270 HOW? 1619 01:05:41,310 --> 01:05:44,050 UM, HE'S A FRIEND OF MY BOYFRIEND STEVE'S. 1620 01:05:44,070 --> 01:05:45,270 WHEN WAS HE OVER HERE? 1621 01:05:45,310 --> 01:05:46,350 ABOUT A WEEK AGO. 1622 01:05:46,370 --> 01:05:48,670 DON'T TELL STEVE THAT RICK WAS OVER HERE. 1623 01:05:48,710 --> 01:05:49,850 IT WOULD LOOK WRONG. 1624 01:05:49,870 --> 01:05:51,540 'CAUSE RICK SAVRAN SPENT THE NIGHT? 1625 01:05:51,570 --> 01:05:52,900 THAT'S NONE OF YOUR BUSINESS. 1626 01:05:52,940 --> 01:05:56,200 MS. LOWE, YOU NEED TO TELL US WHO'S BEEN IN THIS APARTMENT! 1627 01:05:56,240 --> 01:05:57,600 RICK SPENT THE NIGHTONCE. 1628 01:05:57,640 --> 01:05:59,740 SCOTT WAS SLEEPING AT A FRIEND'S HOUSE. 1629 01:05:59,770 --> 01:06:01,240 RICK WOULD NOT KILL SCOTT! 1630 01:06:01,270 --> 01:06:03,900 I DON'T UNDERSTAND WHY WE GOTTA BRING HIM INTO THIS! 1631 01:06:03,940 --> 01:06:05,740 HAVE ANY OTHER MEN SPENT THE NIGHT 1632 01:06:05,770 --> 01:06:07,900 OR BEEN OVER HERE IN THE LAST FEW MONTHS? 1633 01:06:07,940 --> 01:06:10,540 PHIL WESTON. I WORK WITH HIM. 1634 01:06:10,570 --> 01:06:12,370 WE'LL NEED TO SPEAK WITH BOTH OF THEM. 1635 01:06:12,410 --> 01:06:14,210 YOU WANNA HEAR THE DIRTY DETAILS?! 1636 01:06:14,240 --> 01:06:16,440 WE'RE NOT TRYING TO CAUSE YOU EMBARRASSMENT, 1637 01:06:16,470 --> 01:06:18,440 BUT WE NEED TO KNOW WHAT MEN HAVE BEEN 1638 01:06:18,470 --> 01:06:20,900 IN THIS APARTMENT, 'CAUSE WHEN KIDS GET MURDERED, 1639 01:06:20,940 --> 01:06:23,000 IT'S USUALLY BY MEN WHO KNEW THE VICTIM! 1640 01:06:23,040 --> 01:06:24,870 PHIL AND RICK ‐‐ THAT'S IT! 1641 01:06:24,910 --> 01:06:26,280 THAT'S ALL THERE WAS! 1642 01:06:26,310 --> 01:06:28,410 ARE YOU PROTECTING ANYONE, MS. LOWE? 1643 01:06:28,440 --> 01:06:30,870 GET OUT OF MY APARTMENT! NOW! GET OUT! 1644 01:06:39,740 --> 01:06:41,100 DETECTIVE ORTIZ. 1645 01:06:43,240 --> 01:06:45,940 WE NEED A SEARCH WARRANT ON DWYER'S APARTMENT. 1646 01:06:45,970 --> 01:06:47,240 BASED ON WHAT? 1647 01:06:47,270 --> 01:06:50,000 TWO PHONE CALLS TO THE D. O. A.'s THE NIGHT HE WENT MISSING. 1648 01:06:50,040 --> 01:06:53,170 BOTH THE DAD AND SON SAID THEY DIDN'T MAKE ANY CALLS. 1649 01:06:53,210 --> 01:06:54,410 WERE THERE MESSAGES? 1650 01:06:54,440 --> 01:06:55,570 NO. 1651 01:06:55,610 --> 01:06:57,410 WHAT WAS THE DAD AND SON'S EXCUSE? 1652 01:06:57,440 --> 01:07:00,170 THE DAD GOT BELLIGERENT, SAID HIS SON MIGHT HAVE FORGOT. 1653 01:07:00,210 --> 01:07:02,450 THERE'S NO WAY YOU FORGET ABOUT TWO CALLS. 1654 01:07:02,470 --> 01:07:04,040 WE NEED A SEARCH WARRANT 1655 01:07:04,070 --> 01:07:07,170 SO WE CAN HAVE CRIME SCENE PROCESS THE APARTMENT. 1656 01:07:07,210 --> 01:07:09,510 CAN YOU CALL COURT AND EXPEDITE IT? 1657 01:07:09,540 --> 01:07:12,570 YEAH. SWING BY THERE AND SWEAR TO THE AFFIDAVIT. 1658 01:07:12,610 --> 01:07:13,810 THANKS. 1659 01:07:17,970 --> 01:07:21,100 THAT WAS THE SUPER AT THE ELDERLY D. O. A.'s BUILDING. 1660 01:07:21,140 --> 01:07:23,040 HE SAID THE GRANDSON, JERRY GAVIOLA, 1661 01:07:23,070 --> 01:07:24,240 SHOWED UP 10 MINUTES AGO 1662 01:07:24,270 --> 01:07:26,370 AND WENT INTO HIS GRANDMOTHER'S APARTMENT. 1663 01:07:26,410 --> 01:07:27,910 ISN'T THE APARTMENT SEALED? 1664 01:07:27,940 --> 01:07:30,040 HE RIPPED THE CRIME‐SCENE TAPE OFF. 1665 01:07:30,070 --> 01:07:32,670 WE BETTER HEAD OVER THERE AND SEE WHAT'S GOING ON. 1666 01:07:32,710 --> 01:07:33,810 YEAH. 1667 01:07:36,110 --> 01:07:37,950 DID THE MOM KNOW RICK SAVRAN? 1668 01:07:37,970 --> 01:07:39,740 YEAH, BANGED HIM A WEEK AGO. 1669 01:07:39,770 --> 01:07:41,940 SHE BANGING ANYBODY ELSE? 1670 01:07:41,970 --> 01:07:44,200 CO‐WORKER. WE'RE ON IT. 1671 01:07:44,240 --> 01:07:47,370 HEY. HEY. 1672 01:07:47,410 --> 01:07:50,910 HI. I NEED A MINUTE WITH DETECTIVE JONES. 1673 01:07:50,940 --> 01:07:53,040 OKAY. 1674 01:07:57,540 --> 01:07:59,100 UH, DETECTIVE JONES? 1675 01:07:59,140 --> 01:08:02,100 YEAH? MAYA. 1676 01:08:02,140 --> 01:08:03,870 VERY GOOD. YOU REMEMBERED. 1677 01:08:03,910 --> 01:08:05,380 UH, REAL QUICK. 1678 01:08:05,410 --> 01:08:06,950 THREE WEEKS AGO, 1679 01:08:06,970 --> 01:08:10,770 YOUR TIMECARD SAYS YOU WORKED UNTIL 1815. 1680 01:08:10,810 --> 01:08:14,080 OUR RECORDS AT THE BOROUGH HAVE YOUR TOUR ENDING AT 1800. 1681 01:08:14,110 --> 01:08:16,780 THAT'S 15 MINUTES UNACCOUNTED FOR. 1682 01:08:16,810 --> 01:08:19,750 NOW, WHAT ARE WE GONNA DO ABOUT THIS? 1683 01:08:19,770 --> 01:08:22,270 [ CHUCKLES ] UH, MAYA... 1684 01:08:22,310 --> 01:08:23,580 YES, DETECTIVE? 1685 01:08:23,610 --> 01:08:26,780 I'M IN THE MIDDLE OF A REALLY IMPORTANT CASE. 1686 01:08:26,810 --> 01:08:29,550 OH. OKAY. 1687 01:08:29,570 --> 01:08:31,900 I'M SORRY. 1688 01:08:31,940 --> 01:08:33,270 MAYBE SOME OTHER TIME. 1689 01:08:33,310 --> 01:08:34,610 MAYBE SOME OTHER TIME. 1690 01:08:34,640 --> 01:08:38,570 YEAH, I'D, UM, I'D LET THIS SLIDE IF I COULD, 1691 01:08:38,610 --> 01:08:39,780 BUT I CAN'T. 1692 01:08:39,810 --> 01:08:42,250 SEE, THAT'S 15 MINUTES OF TAXPAYER MONEY 1693 01:08:42,270 --> 01:08:43,440 WE'RE TALKING ABOUT. 1694 01:08:43,470 --> 01:08:44,840 [ CHUCKLES ] 1695 01:08:44,870 --> 01:08:46,870 THEY'RE ON THEIR WAY OVER TO PICK IT UP. 1696 01:08:46,910 --> 01:08:48,880 I'LL HOLD. 1697 01:08:48,910 --> 01:08:50,210 Whew! 1698 01:08:50,240 --> 01:08:51,200 WHAT? 1699 01:08:51,240 --> 01:08:53,040 I DON'T KNOW WHAT THAT WAS ABOUT. 1700 01:08:53,070 --> 01:08:54,670 I THINK YOU GOT A GOOD IDEA. 1701 01:08:54,710 --> 01:08:55,780 I'M SERIOUS. 1702 01:08:55,810 --> 01:08:58,410 NOT AROUND ME, BALDWIN. I'M NOT READY FOR THAT. 1703 01:08:58,440 --> 01:08:59,540 VALERIE... 1704 01:08:59,570 --> 01:09:02,740 YEAH, I'M RIGHT HERE. UH‐HUH. 1705 01:09:13,370 --> 01:09:14,670 WHAT? 1706 01:09:14,710 --> 01:09:17,410 WE GOT A SEARCH WARRANT, TOMMY. WE NEED TO COME INSIDE. 1707 01:09:17,440 --> 01:09:18,570 FOR WHAT? 1708 01:09:18,610 --> 01:09:20,350 WE'RE GONNA PROCESS THE APARTMENT. 1709 01:09:20,370 --> 01:09:22,070 WE'RE SUSPECTS? 1710 01:09:22,110 --> 01:09:24,250 WE'RE GONNA PROCESS EVERYPLACE SCOTT'S BEEN. 1711 01:09:24,270 --> 01:09:26,100 OH, YOU GUYS ARE... 1712 01:09:26,140 --> 01:09:29,100 [ SIGHS ] LET ME SEE IT. 1713 01:09:31,070 --> 01:09:32,770 IT'S ALL THERE. 1714 01:09:32,810 --> 01:09:35,280 TOMMY, DON'T TURN THIS INTO SOMETHING. 1715 01:09:35,310 --> 01:09:37,610 YOU'RE THE ONES TURNING THIS INTO SOMETHING. 1716 01:09:37,640 --> 01:09:39,800 LET'S GO, GUYS. 1717 01:09:43,910 --> 01:09:45,080 [ GROANS ] 1718 01:09:45,110 --> 01:09:48,080 HE STILL WON'T OPEN THE DOOR. 1719 01:09:48,110 --> 01:09:50,750 JERRY? 1720 01:09:50,770 --> 01:09:52,740 OPEN THE DOOR. 1721 01:09:52,770 --> 01:09:55,240 DETECTIVES McDOWELL AND ORTIZ. 1722 01:09:55,270 --> 01:09:56,940 OPEN THE DOOR, JERRY. 1723 01:09:59,640 --> 01:10:01,540 YOU GOT A KEY? 1724 01:10:01,570 --> 01:10:02,540 YEAH. 1725 01:10:02,570 --> 01:10:04,620 OPEN IT. 1726 01:10:14,940 --> 01:10:17,110 [ GASPS ] OH, GOD. 1727 01:10:17,140 --> 01:10:20,080 HELP ME OUT. 1728 01:10:20,100 --> 01:10:21,870 UGH. 1729 01:10:25,800 --> 01:10:26,930 HE'S COLD. 1730 01:10:26,970 --> 01:10:29,470 LET ME PUT A RUSH ON A BUS ANYWAY. 1731 01:10:29,500 --> 01:10:32,470 50 SQUAD TO CENTRAL "K." 1732 01:10:32,500 --> 01:10:36,530 PUT A RUSH ON A BUS ‐‐ 2403 AVENUE "D." 1733 01:10:39,170 --> 01:10:41,430 "I DIDN'T KILL MY GRANDMA." 1734 01:10:43,540 --> 01:10:45,180 [ SIGHS ] 1735 01:10:45,200 --> 01:10:46,170 ORTIZ. 1736 01:10:46,200 --> 01:10:47,400 BACK UP, OKAY? 1737 01:10:47,440 --> 01:10:49,140 I WOULD HAVE OPENED THE DOOR SOONER 1738 01:10:49,170 --> 01:10:51,330 IF I'D HAVE KNOWN HE WAS GONNA DO THIS. 1739 01:10:51,370 --> 01:10:52,430 IT'S OKAY. 1740 01:10:52,470 --> 01:10:55,270 COME ON, COME ON. IT'S ALL RIGHT. 1741 01:10:55,300 --> 01:10:58,230 M.E. SAID SHE WAS RAPED, THEN STRANGLED. 1742 01:10:58,270 --> 01:11:00,470 WE GOTTA BRING IN THIS LARRY REAL EASY. 1743 01:11:00,500 --> 01:11:02,100 JUST WAIT THERE, OKAY, GUYS? 1744 01:11:02,140 --> 01:11:04,010 OKAY. 1745 01:11:11,800 --> 01:11:13,800 HOW MUCH LONGER IS THIS GONNA BE? 1746 01:11:13,840 --> 01:11:15,310 A LITTLE WHILE LONGER. 1747 01:11:15,340 --> 01:11:16,510 IT'S EMBARRASSING! 1748 01:11:16,540 --> 01:11:17,740 YOU GUYS' CARS ARE 1749 01:11:17,770 --> 01:11:19,730 OUT IN FRONT OF THE BUILDING! 1750 01:11:19,770 --> 01:11:23,100 WE JUST WANT TO DO IT RIGHT SO WE DON'T HAVE TO COME BACK. 1751 01:11:23,140 --> 01:11:24,840 HEY, ANDY, THEY'RE READY. 1752 01:11:24,870 --> 01:11:26,600 NO, YOU WAIT HERE. 1753 01:11:32,440 --> 01:11:33,640 Junior: THE LIGHT. 1754 01:11:35,970 --> 01:11:39,000 WELL, THIS IS OUR CRIME SCENE. 1755 01:11:54,450 --> 01:11:56,420 JUST TELL US WHAT HAPPENED, TOMMY. 1756 01:11:56,450 --> 01:12:00,020 I WILL, BUT YOU GOTTA PROMISE THAT THIS WILL LAND ONME. 1757 01:12:00,050 --> 01:12:01,650 LEAVE MY SON OUT OF IT. 1758 01:12:01,690 --> 01:12:04,290 WE CAN'T DO ANYTHING TILL WE KNOW WHAT HAPPENED. 1759 01:12:04,320 --> 01:12:06,480 SCOTT WAS OVER. 1760 01:12:06,520 --> 01:12:09,780 I WENT OUT TO GET SOME PIZZAS, RENT SOME VIDEO GAMES. 1761 01:12:09,820 --> 01:12:12,250 I WAS GONE A HALF‐HOUR, AT THE MOST. 1762 01:12:12,290 --> 01:12:15,160 I NEVER HID MY GUNS FROM JAKE. 1763 01:12:15,190 --> 01:12:16,990 LIKE THEY TELL YOU IN THE ACADEMY, 1764 01:12:17,020 --> 01:12:19,450 "DON'T MAKE YOUR GUNS A MYSTERY TO YOUR KIDS." 1765 01:12:19,490 --> 01:12:22,490 IF HE WANTED, I'D UNLOAD IT AND LET HIM HOLD IT. 1766 01:12:28,490 --> 01:12:31,660 JAKE SAID THAT SCOTT HAD BEEN AFTER HIM TO SEE THE GUN. 1767 01:12:31,690 --> 01:12:33,590 SO JAKE WENT IN THE CLOSET AND GOT IT. 1768 01:12:33,620 --> 01:12:36,020 AND SCOTT WANTED TO PUT THE CLIP IN, 1769 01:12:36,050 --> 01:12:37,320 SO JAKE DID. 1770 01:12:37,350 --> 01:12:39,580 AND THEY TOOK TURNS SNAPPING THE CLIP IN 1771 01:12:39,620 --> 01:12:40,650 AND HEAR THE CLICK. 1772 01:12:40,690 --> 01:12:42,130 BUT JAKE TOOK THE CLIP OUT. 1773 01:12:42,150 --> 01:12:44,620 AND THEN THEY STARTED PLAYING WITH IT AGAIN. 1774 01:12:47,490 --> 01:12:50,130 [ Crying] HE DIDN'T KNOW... 1775 01:12:50,150 --> 01:12:55,650 I KEEP ONE IN THE CHAMBER. 1776 01:12:55,690 --> 01:12:58,090 I GOT THERE 10 MINUTES AFTER IT HAPPENED, 1777 01:12:58,120 --> 01:12:59,180 AND SCOTT WAS DEAD. 1778 01:12:59,220 --> 01:13:01,980 WHEN DID YOU BURY SCOTT? 1779 01:13:02,020 --> 01:13:02,980 THAT NIGHT. 1780 01:13:03,020 --> 01:13:05,450 THERE WAS NOTHING WE COULD DO. 1781 01:13:05,490 --> 01:13:07,860 AND THERE WAS NO WAY I WAS TAKING A CHANCE 1782 01:13:07,890 --> 01:13:10,260 AT MY SON DOING TIME IN A YOUTH FACILITY. 1783 01:13:10,290 --> 01:13:11,430 HE WOULDN'T MAKE IT. 1784 01:13:11,450 --> 01:13:13,920 DID YOU GIVE HALF A THOUGHT TO THE INVESTIGATION? 1785 01:13:13,950 --> 01:13:15,980 OF COURSE I DID, AND I WANT IT KNOWN 1786 01:13:16,020 --> 01:13:18,280 I PUT SCOTT IN A PLACE WHERE HE'D BE FOUND 1787 01:13:18,320 --> 01:13:20,250 SO HE COULD HAVE A PROPER FUNERAL. 1788 01:13:20,290 --> 01:13:21,690 I COULD HAVE MADE IT 1789 01:13:21,720 --> 01:13:24,080 SO THAT HIS BODY NEVER WOULD HAVE BEEN RECOVERED. 1790 01:13:24,120 --> 01:13:26,750 MEANWHILE, WE'RE RIPPING HIS FAMILY'S GUTS OUT, 1791 01:13:26,790 --> 01:13:29,030 FIGURING ONE OF THEM TO BE THE KILLER! 1792 01:13:29,050 --> 01:13:30,520 I'M LOOKING OUT FOR MY SON! 1793 01:13:30,550 --> 01:13:32,480 BY TEACHING HIM HOW TO COVER THINGS UP? 1794 01:13:32,520 --> 01:13:35,380 TURNING HIM INTO A COCONSPIRATOR IN A CRIMINAL ACT? 1795 01:13:38,520 --> 01:13:40,480 WE'RE GONNA NEED TO TALK TO JAKE NOW. 1796 01:13:40,520 --> 01:13:43,820 PUT THIS ON ME ‐‐ FAILURE TO SAFEGUARD A GUN, 1797 01:13:43,850 --> 01:13:46,780 TAMPERING WITH EVIDENCE, DISPOSAL OF A BODY. 1798 01:13:46,820 --> 01:13:49,580 PUT IT ALL ON ME, BUT DON'T CHARGE MY SON. 1799 01:13:49,620 --> 01:13:52,580 UNFORTUNATELY, THAT'S NOT GONNA HAPPEN, MR. DWYER. 1800 01:13:52,620 --> 01:13:54,120 IF YOUR ACCOUNT IS TRUE, 1801 01:13:54,150 --> 01:13:56,820 JAKE WILL BE ARRESTED FOR SECOND‐DEGREE MANSLAUGHTER, 1802 01:13:56,850 --> 01:13:58,920 AND IT'LL BE HANDLED IN FAMILY COURT. 1803 01:13:58,950 --> 01:14:01,180 I CAN'T GET ANY CONSIDERATION? 1804 01:14:01,220 --> 01:14:03,120 20 YEARS I PUT ON THIS JOB! 1805 01:14:03,150 --> 01:14:05,520 IF THE FACTS YOU RELAYED HOLD TRUE, 1806 01:14:05,550 --> 01:14:08,780 MY OFFICE WILL RECOMMEND TO THE CORPORATION COUNSEL 1807 01:14:08,820 --> 01:14:12,250 THAT NO PERIOD OF INCARCERATION WILL BE IMPOSED ON JAKE. 1808 01:14:12,290 --> 01:14:14,730 BUT HE WILL BE ARRESTED AND CHARGED. 1809 01:14:20,550 --> 01:14:22,280 IT WAS AN ACCIDENT. 1810 01:14:24,950 --> 01:14:26,450 IT WAS AN ACCIDENT. 1811 01:14:26,490 --> 01:14:28,990 WELL, YOU SHOULD HAVE LEFT IT AT THAT. 1812 01:14:38,390 --> 01:14:41,090 THE MEDICAL‐EXAMINER REPORT CAME BACK, LARRY. 1813 01:14:41,120 --> 01:14:43,450 MRS. GAVIOLA WAS RAPED. 1814 01:14:43,490 --> 01:14:45,260 BY HER GRANDSON? 1815 01:14:45,290 --> 01:14:47,490 WE HIGHLY DOUBT THAT. 1816 01:14:47,520 --> 01:14:50,180 WELL, YOU NEVER KNOW WHAT SOME PEOPLE ARE CAPABLE OF. 1817 01:14:50,220 --> 01:14:52,280 WE'RE GONNA TAKE A DNA SAMPLE FROM YOU 1818 01:14:52,320 --> 01:14:53,580 AND FROM JERRY'S CORPSE, 1819 01:14:53,620 --> 01:14:55,750 AND WE'LL HAVE OUR ANSWER PRETTY QUICK. 1820 01:14:55,790 --> 01:14:57,330 I UNDERSTAND. 1821 01:14:57,350 --> 01:15:00,250 LARRY, ARE YOU GONNA MAKE US JUMP THROUGH ALL THESE HOOPS, 1822 01:15:00,290 --> 01:15:02,760 PROVING WHAT'S CLEAR TO EVERYBODY IN THIS ROOM? 1823 01:15:02,790 --> 01:15:05,430 ALL THESE PEOPLE SAYING GREAT THINGS ABOUT YOU ‐‐ 1824 01:15:05,450 --> 01:15:06,480 YOU WORKING HARD, 1825 01:15:06,520 --> 01:15:08,750 KEEPING YOUR NOSE CLEAN SINCE YOU GOT OUT. 1826 01:15:08,790 --> 01:15:10,090 YOU'VE BEEN DOING GREAT. 1827 01:15:10,120 --> 01:15:12,080 HOLD ONTO THAT. KEEP YOUR DIGNITY. 1828 01:15:12,120 --> 01:15:14,820 TELL US WHAT WENT WRONG, AND SAVE EVERYBODY 1829 01:15:14,850 --> 01:15:17,120 A LOT OF TIME AND A LOT OF GRIEF. 1830 01:15:22,150 --> 01:15:23,650 COME ON, THEN. 1831 01:15:30,550 --> 01:15:32,850 YOU KNOW, WHEN I GOT OUT, 1832 01:15:32,890 --> 01:15:36,430 I READ ALL OF THESE SELF‐HELP BOOKS. 1833 01:15:36,450 --> 01:15:38,820 I WAS DETERMINED TO MAKE IT STRAIGHT. 1834 01:15:38,850 --> 01:15:43,080 AND THIS ONE BOOK ‐‐ IN THE LAST CHAPTER, 1835 01:15:43,120 --> 01:15:47,180 THIS GUY...WARNS ABOUT A FALSE EUPHORIA. 1836 01:15:47,220 --> 01:15:50,750 YOU KNOW, AND THAT'S WHEN YOU GET ALL CAUGHT UP 1837 01:15:50,790 --> 01:15:53,360 IN HOW YOU'RE IMPROVING YOURSELF 1838 01:15:53,390 --> 01:15:55,930 AND HOW BEAUTIFUL THE WORLD IS. 1839 01:15:55,950 --> 01:15:59,180 AND THEN SOMETHING HAPPENS THAT THROWS YOU 1840 01:15:59,220 --> 01:16:02,180 BACK IN THE GUTTER ‐‐ BACK TO REALITY. 1841 01:16:02,220 --> 01:16:06,550 I'VE BEEN WAITING FOR THAT, BUT I THOUGHT I HAD IT LICKED. 1842 01:16:08,790 --> 01:16:11,430 [ SIGHS ] 1843 01:16:11,450 --> 01:16:13,180 WHAT HAPPENED THIS MORNING? 1844 01:16:13,220 --> 01:16:14,850 I'VE BEEN OUT OF WORK, 1845 01:16:14,890 --> 01:16:18,330 AND MY P. O.'s BEEN ON ME TO GET A JOB. 1846 01:16:18,350 --> 01:16:22,250 I FINALLY GOT AN INTERVIEW FOR THIS MORNING. 1847 01:16:22,290 --> 01:16:26,630 I GO OUT, AND MY TRUCK HAS BEEN TOWED ‐‐ IMPOUNDED. 1848 01:16:26,650 --> 01:16:28,480 LEFT MY WALLET IN IT. 1849 01:16:28,520 --> 01:16:29,920 I GO TO MRS. GAVIOLA, 1850 01:16:29,950 --> 01:16:31,820 TELL HER I NEED TO BORROW 75 BUCKS. 1851 01:16:31,850 --> 01:16:33,280 SHE SAYS, "NO." 1852 01:16:33,320 --> 01:16:36,180 SHE'S HAD BAD EXPERIENCES LOANING PEOPLE MONEY. 1853 01:16:36,220 --> 01:16:38,950 I TELL HER I'LL BRING IT BACK IN THREE HOURS. 1854 01:16:38,990 --> 01:16:41,260 I NEED MY TRUCK, I NEED MY WALLET, 1855 01:16:41,290 --> 01:16:43,260 I NEED TO GET TO MY INTERVIEW! 1856 01:16:43,290 --> 01:16:45,460 I NEED TO KEEP MY HEAD ABOVE WATER! 1857 01:16:45,490 --> 01:16:48,790 I FOUND THIS WOMAN ON THE FLOOR OF HER KITCHEN, 1858 01:16:48,820 --> 01:16:51,850 'CAUSE SHE FELL OVER TRYING TO MAKE TOAST. 1859 01:16:51,890 --> 01:16:55,460 I CARRIED HER TO HER BEDROOM, WAITED ON HER FOR THREE DAYS! 1860 01:16:55,490 --> 01:16:57,960 SO YOU SNAPPED WHEN SHE TURNED YOU DOWN. 1861 01:16:57,990 --> 01:16:59,990 AS SOON AS I PUT MY HANDS ON HER, 1862 01:17:00,020 --> 01:17:01,950 I KNEW I WAS GOING AWAY FOREVER! 1863 01:17:01,990 --> 01:17:03,290 IT JUST MADE ME MADDER! 1864 01:17:03,320 --> 01:17:04,820 I HAD NOTHING AGAINST HER. 1865 01:17:04,850 --> 01:17:07,350 I HAD NOTHING AGAINST ANY OF THEM! I JUST... 1866 01:17:07,390 --> 01:17:10,030 LET'S GET IT DOWN. 1867 01:17:10,050 --> 01:17:14,650 IT'S FALSE ‐‐ ALL THE DO‐GOOD CRAP. 1868 01:17:14,690 --> 01:17:16,860 SO FALSE. 1869 01:17:16,890 --> 01:17:20,230 IT'S ALL JUST WAITING AROUND UNTIL THE HAMMER DROPS. 1870 01:17:23,520 --> 01:17:26,150 IS THERE ANYTHING ELSE IN THE PAST 1871 01:17:26,190 --> 01:17:28,330 THAT YOU DIDN'T GET CAUGHT FOR, LARRY? 1872 01:17:28,350 --> 01:17:30,250 YOU WERE CONVICTED ON ONE RAPE ASSAULT. 1873 01:17:30,290 --> 01:17:32,030 MY GUESS IS THAT THERE WERE OTHERS. 1874 01:17:32,050 --> 01:17:33,980 SINCE YOU'RE COMING CLEAN ‐‐ 1875 01:17:34,020 --> 01:17:37,020 AND I THINK IT'S ADMIRABLE THAT YOU ARE ‐‐ 1876 01:17:37,050 --> 01:17:38,580 NOW WOULD BE THE TIME 1877 01:17:38,620 --> 01:17:41,520 TO BRING PEACE TO OTHER PEOPLE'S FAMILIES. 1878 01:17:41,550 --> 01:17:43,180 I CAN RESPECT THAT. 1879 01:17:43,220 --> 01:17:45,550 WERE THERE OTHERS? 1880 01:17:49,690 --> 01:17:52,860 THERE WAS A WAITRESS AT THE GOLDEN LADLE DINER 1881 01:17:52,890 --> 01:17:55,160 IN MYRTLE BEACH, SOUTH CAROLINA. 1882 01:17:55,190 --> 01:17:58,660 THIS WAS IN, UH, 1983. 1883 01:17:58,690 --> 01:18:00,090 SUSIE. 1884 01:18:00,120 --> 01:18:03,750 AND A PROSTITUTE IN DECATUR, ILLINOIS, IN '85. 1885 01:18:03,790 --> 01:18:07,360 HER STREET NAME WAS BUNNY. SHE HAD RED HAIR. 1886 01:18:09,890 --> 01:18:12,930 [ SIGHS ] 1887 01:18:12,950 --> 01:18:15,580 YOU'RE RIGHT. 1888 01:18:15,620 --> 01:18:18,250 I SHOULD TALK ABOUT THEM NOW. 1889 01:18:18,290 --> 01:18:20,530 RAPE ASSAULTS? 1890 01:18:20,550 --> 01:18:22,980 NO, I KILLED THEM. 1891 01:18:27,850 --> 01:18:30,250 AND THEN YOU TOOK THE CLIP OUT? 1892 01:18:30,290 --> 01:18:31,530 YEAH. 1893 01:18:31,550 --> 01:18:34,520 AND YOU KEPT PLAYING WITH THE GUN? 1894 01:18:34,550 --> 01:18:36,850 YEAH. 1895 01:18:36,890 --> 01:18:41,260 AND, UH, SOMEWHERE IN THERE, YOU POINTED A GUN AT SCOTT? 1896 01:18:41,290 --> 01:18:44,490 YEAH, WE WERE PLAYING. 1897 01:18:44,520 --> 01:18:46,480 Junior: AND THEN YOU PULLED THE TRIGGER? 1898 01:18:46,520 --> 01:18:48,180 NO! I‐I MEAN ‐‐ 1899 01:18:48,220 --> 01:18:50,250 WAS YOUR FINGER ON THE TRIGGER? 1900 01:18:50,290 --> 01:18:51,830 I HAVE A B. B. GUN, 1901 01:18:51,850 --> 01:18:54,980 AND THAT TRIGGER ‐‐ YOU HAVE TO REALLY PULL IT. 1902 01:18:55,020 --> 01:18:57,650 IT'S WHAT I'M USED TO. 1903 01:18:57,690 --> 01:19:00,290 SO YOUR FINGER JUST KIND OF SLIPPED? 1904 01:19:00,320 --> 01:19:03,020 I‐I JUST... 1905 01:19:03,050 --> 01:19:05,180 I DON'T REMEMBER PULLING THE TRIGGER. 1906 01:19:05,220 --> 01:19:07,580 I DIDN'T MEAN TO IF I DID. 1907 01:19:07,620 --> 01:19:09,450 WERE YOU MOVING AROUND? 1908 01:19:09,490 --> 01:19:14,430 YEAH. SCOTT WAS ACTING LIKE HE WAS A GANGBANGER. 1909 01:19:14,450 --> 01:19:17,320 [ Voice breaking ] AND I WAS THE COP... 1910 01:19:17,350 --> 01:19:19,820 A‐AND HE WAS COMING AT ME. 1911 01:19:19,850 --> 01:19:24,780 MY B. B. GUN ‐‐ I HAVE TO REALLY PULL THE TRIGGER. 1912 01:19:24,820 --> 01:19:27,820 AND THEN WHAT HAPPENED, JAKE? 1913 01:19:27,850 --> 01:19:30,080 [ WHIMPERS ] 1914 01:19:30,120 --> 01:19:33,850 I KNOW THIS IS HARD, BUT YOU NEED TO TELL US. 1915 01:19:33,890 --> 01:19:38,630 THERE ‐‐ THERE WAS THIS BIG EXPLOSION. 1916 01:19:38,650 --> 01:19:42,780 AND ‐‐ AND THE GUN JUMPED IN MY HAND... 1917 01:19:42,820 --> 01:19:46,320 AND SCOTT FELL DOWN. 1918 01:19:46,350 --> 01:19:48,420 [ SOBBING ] 1919 01:19:48,450 --> 01:19:52,680 IT'S OKAY, SON. IT'S OKAY. 1920 01:19:52,720 --> 01:19:56,120 It's okay. 1921 01:20:02,850 --> 01:20:04,820 THE SON GIVING A STATEMENT? 1922 01:20:04,850 --> 01:20:07,650 THE D. A.'s STILL IN THERE WITH HIM AND THE DAD. 1923 01:20:07,690 --> 01:20:08,960 IT WAS AN ACCIDENT? 1924 01:20:08,990 --> 01:20:10,130 YEAH. 1925 01:20:10,150 --> 01:20:11,950 HAS SCOTT'S MOM BEEN NOTIFIED? 1926 01:20:11,990 --> 01:20:13,790 I CALLED HER TO MAKE SURE SHE WAS HOME 1927 01:20:13,820 --> 01:20:15,650 SO WE COULD BREAK THE NEWS IN PERSON, 1928 01:20:15,690 --> 01:20:17,460 BUT SHE WANTED TO KNOW ON THE PHONE. 1929 01:20:17,490 --> 01:20:18,660 WHAT DO YOU WANNA DO 1930 01:20:18,690 --> 01:20:20,860 ABOUT THE ASSAULT CHARGES ON THE BOYFRIEND? 1931 01:20:20,890 --> 01:20:21,990 WE GOT HIM DOWNSTAIRS. 1932 01:20:22,020 --> 01:20:23,820 DROP IT. IT'S OVER WITH. 1933 01:20:23,850 --> 01:20:25,850 ALL RIGHT, THEN CUT HIM LOOSE. 1934 01:20:32,790 --> 01:20:34,760 YOU STILL COMING TONIGHT? 1935 01:20:34,790 --> 01:20:37,090 I DIDN'T KNOW IF WE WERE STILL ON. 1936 01:20:37,120 --> 01:20:38,920 YEAH. SEE YOU LATER. 1937 01:20:38,950 --> 01:20:40,020 ALL RIGHT. 1938 01:20:45,620 --> 01:20:48,120 WHY DON'T YOU COME AND HAVE A SEAT, MS. LOWE? 1939 01:20:48,150 --> 01:20:50,520 YOU HAVE MY BOYFRIEND, STEVE DANZIG, IN CUSTODY? 1940 01:20:50,550 --> 01:20:52,020 YEAH, IT WAS A LITTLE SCUFFLE, 1941 01:20:52,050 --> 01:20:54,020 BUT STEVE WON'T BE CHARGED WITH ANYTHING. 1942 01:20:54,050 --> 01:20:55,280 WHERE IS HE? 1943 01:20:55,320 --> 01:20:56,650 HE'S GONNA BE RELEASED. 1944 01:20:56,690 --> 01:20:58,760 ANYTHING ELSE YOU GUYS WANNA KNOW ABOUT ME, 1945 01:20:58,790 --> 01:21:00,630 ANYTHING ELSE YOU WANNA ACCUSE ME OF? 1946 01:21:00,650 --> 01:21:02,650 WE WERE INVESTIGATING YOUR SON'S DEATH. 1947 01:21:02,690 --> 01:21:06,630 I LOST MY SON. YOU MADE ME FEEL EVEN WORSE. 1948 01:21:06,650 --> 01:21:08,480 SORRY, THAT WASN'T OUR INTENTION. 1949 01:21:08,520 --> 01:21:11,150 SHAME ON BOTH OF YOU. 1950 01:21:11,190 --> 01:21:12,930 WE'RE SORRY. 1951 01:21:12,950 --> 01:21:14,920 I WANT STEVE RELEASED RIGHT NOW. 1952 01:21:14,950 --> 01:21:17,620 I'LL BE OUTSIDE. 1953 01:21:40,850 --> 01:21:44,180 SCOTT WAS KILLED ACCIDENTALLY BY HIS FRIEND JAKE DWYER. 1954 01:21:44,220 --> 01:21:46,680 JAKE'S DAD PANICKED AND COVERED IT UP. 1955 01:21:46,720 --> 01:21:49,150 I'M DROPPING THE ASSAULT CHARGE ON YOU. 1956 01:21:49,180 --> 01:21:51,620 YOU'RE FREE TO GO. CATHERINE'S WAITING FOR YOU. 1957 01:21:56,980 --> 01:21:59,420 DID YOU GO AT THEM AS HARD AS YOU WENT AT ME? 1958 01:21:59,450 --> 01:22:01,180 12‐YEAR‐OLD KID GETS KILLED, 1959 01:22:01,220 --> 01:22:03,520 IT'S THE ONLY WAY I'M GONNA DO IT. 1960 01:22:03,550 --> 01:22:06,520 THEN NO HARD FEELINGS. 1961 01:22:06,550 --> 01:22:08,320 NONE HERE EITHER. 1962 01:22:23,380 --> 01:22:25,450 [ CLEARS THROAT ] 1963 01:22:25,480 --> 01:22:26,780 HEY, POP. 1964 01:22:26,820 --> 01:22:27,820 JOHN. 1965 01:22:27,850 --> 01:22:29,320 RITA ORTIZ, THIS IS MY DAD. 1966 01:22:29,350 --> 01:22:30,950 JOHN CLARK. NICE TO MEET YOU. 1967 01:22:30,980 --> 01:22:32,520 IT'S NICE TO MEET YOU, SIR. 1968 01:22:37,980 --> 01:22:39,450 HEARD YOU COLLARED UP 1969 01:22:39,480 --> 01:22:41,820 ON THAT 12‐YEAR‐OLD GOT MURDERED? 1970 01:22:41,850 --> 01:22:43,820 YEAH. 1971 01:22:43,850 --> 01:22:46,480 THOSE ARE ALWAYS HARD. 1972 01:22:46,520 --> 01:22:48,280 WERE YOU WORKING IT, TOO? 1973 01:22:48,320 --> 01:22:49,780 NO, ME AND MY PARTNER CAUGHT 1974 01:22:49,820 --> 01:22:52,150 AN ELDERLY WOMAN MURDERED IN HER APARTMENT. 1975 01:22:52,180 --> 01:22:53,620 IT LOOKED LIKE A GROUND BALL 1976 01:22:53,650 --> 01:22:55,580 WITH HER JUNKIE GRANDSON DOING IT, 1977 01:22:55,620 --> 01:22:56,820 BUT IT TURNED OUT TO BE 1978 01:22:56,850 --> 01:22:59,650 AN EX‐CON WHO APPEARED TO HAVE TURNED HIS LIFE AROUND. 1979 01:22:59,680 --> 01:23:02,020 BUT HE LOST IT AND KILLED HER THIS MORNING. 1980 01:23:02,050 --> 01:23:03,680 HOW MUCH TIME YOU GOT ON THE JOB? 1981 01:23:03,720 --> 01:23:04,780 FIVE YEARS. 1982 01:23:04,820 --> 01:23:05,850 FIVE YEARS? 1983 01:23:05,880 --> 01:23:08,250 AND YOU'RE ALREADY IN THE DETECTIVE BUREAU? 1984 01:23:08,280 --> 01:23:11,080 YEAH, I GOT LUCKY. 1985 01:23:11,120 --> 01:23:12,750 WHERE'D YOU WORK BEFORE THIS? 1986 01:23:12,780 --> 01:23:15,150 THREE YEARS IN THE 8‐3 IN UNIFORM, 1987 01:23:15,180 --> 01:23:17,650 THEN TWO IN MANHATTAN SOUTH ‐‐ VICE. 1988 01:23:17,680 --> 01:23:19,850 THIS LUCK COME IN THE FORM OF A BIG HOOK 1989 01:23:19,880 --> 01:23:22,080 WITH SOMEONE WHO'S GOT A LOT OF JUICE? 1990 01:23:22,120 --> 01:23:24,620 THEY NEEDED HISPANIC FEMALES IN VICE. 1991 01:23:24,650 --> 01:23:25,680 I SEE. 1992 01:23:25,720 --> 01:23:29,080 THE BLOOMING ONION'S BACK ON THE MENU. 1993 01:23:29,120 --> 01:23:32,620 AM I MAKING YOU UNCOMFORTABLE? 1994 01:23:32,650 --> 01:23:34,580 NOT AT ALL. 1995 01:23:34,620 --> 01:23:36,680 HMM? 1996 01:23:36,720 --> 01:23:38,720 I GOTTA HIT THE HEAD REAL QUICK. 1997 01:23:40,880 --> 01:23:43,620 THROW A WARNING SHOT IF HE LEANS ON YOU TOO HARD. 1998 01:23:43,650 --> 01:23:44,950 I'LL BE FINE. 1999 01:23:49,780 --> 01:23:52,250 I'VE BEEN LOOKING FORWARD TO MEETING YOU. 2000 01:23:52,280 --> 01:23:54,520 I KNOW HOW MUCH JOHN LOOKS UP TO YOU. 2001 01:23:54,550 --> 01:23:57,950 THAT'S A KIND THING FOR YOU TO SAY. 2002 01:23:57,980 --> 01:24:00,150 SO, THIS IS YOUR SPOT? 2003 01:24:00,180 --> 01:24:02,080 YEAH, I BEEN COMING HERE FOR A WHILE. 2004 01:24:02,120 --> 01:24:04,620 I DON'T KNOW IF HE MENTIONED IT AT ALL, 2005 01:24:04,650 --> 01:24:07,280 BUT JOHN AND I WENT THROUGH A ROUGH PATCH 2006 01:24:07,320 --> 01:24:09,520 WHEN HE WENT TO WORK AT THE 15th. 2007 01:24:09,550 --> 01:24:11,620 WE DIDN'T TALK FOR A WHILE. 2008 01:24:11,650 --> 01:24:14,320 I WAS OUT OF LINE. 2009 01:24:16,320 --> 01:24:20,880 I JUST HOPE HE KNOWS... HOW MUCH I LOVE HIM. 2010 01:24:22,850 --> 01:24:24,520 [ SIGHS ] 2011 01:24:24,550 --> 01:24:26,580 I'M SURE HE KNOWS. 2012 01:24:26,620 --> 01:24:29,780 [ CHUCKLES ] 2013 01:24:34,020 --> 01:24:35,480 OKAY. 2014 01:24:35,520 --> 01:24:36,850 RIDE 'EM, COWBOY. 2015 01:24:36,880 --> 01:24:39,120 I'M GONNA STAND RIGHT HERE. 2016 01:24:39,150 --> 01:24:41,020 NO, I'M FINE. 2017 01:24:41,050 --> 01:24:42,650 YOU OKAY RIDING ALONE? 2018 01:24:42,680 --> 01:24:43,920 YEAH. LET'S GO! 2019 01:24:43,950 --> 01:24:45,850 UH, ALL RIGHT, SWEETHEART, 2020 01:24:45,880 --> 01:24:48,850 WE'LL BE ON THAT BENCH RIGHT OVER THERE. 2021 01:24:48,880 --> 01:24:51,180 OKAY. OKAY. 2022 01:24:51,220 --> 01:24:53,520 HAVE FUN. 2023 01:25:00,150 --> 01:25:02,480 THEO REALLY TAKES YOU AWAY FROM IT. 2024 01:25:02,520 --> 01:25:04,920 YEAH. 2025 01:25:04,950 --> 01:25:07,480 OH, IS IT TOO LATE TO GET HIM A COTTON CANDY? 2026 01:25:07,520 --> 01:25:09,950 STAY HERE A SEC. 2027 01:25:13,380 --> 01:25:16,080 UH, LOOK, IF ANYTHING HAPPENS TO ME, 2028 01:25:16,120 --> 01:25:18,550 I WANT YOU TO TAKE CARE OF THEO. 2029 01:25:20,380 --> 01:25:22,280 I MEAN, I'D WANT IT LEGAL. 2030 01:25:22,320 --> 01:25:25,580 IT WOULDN'T BE A FINANCIAL BURDEN ON YOU. 2031 01:25:25,620 --> 01:25:29,150 THAT'S ALL SQUARED AWAY, IF YOU'RE UP FOR THAT. 2032 01:25:29,180 --> 01:25:31,980 OF COURSE I AM. 2033 01:25:40,220 --> 01:25:42,680 THEO ASKED IF HE COULD CALL YOU MOM. 2034 01:25:42,720 --> 01:25:45,120 DOYOUWANT HIM TO CALL ME MOM? 2035 01:25:45,150 --> 01:25:47,920 I DON'T WANT TO DISRESPECT HIS MOTHER. 2036 01:25:47,950 --> 01:25:50,750 WELL, I DON'T THINK IT'S DISRESPECTFUL. 2037 01:25:50,780 --> 01:25:52,950 I THINK HIS MOTHER WOULD WANT 2038 01:25:52,980 --> 01:25:55,920 SOMEONE IN THEO'S LIFE HE COULD CALL MOM. 2039 01:25:55,950 --> 01:26:01,520 SOMEONE INBOTHYOUR LIVES. 2040 01:26:01,550 --> 01:26:04,280 YEAH, YOU'RE PROBABLY RIGHT. 2041 01:26:14,550 --> 01:26:16,880 THAT WASN'T SO BAD, WAS IT? 2042 01:26:19,450 --> 01:26:21,480 NO. 2043 01:26:21,520 --> 01:26:23,720 NOT BAD AT ALL. 2044 01:26:32,050 --> 01:26:34,250 TOMORROW NIGHT, WE'RE GETTING A SITTER, 2045 01:26:34,280 --> 01:26:36,950 AND YOU'RE COMING OVER TO MY APARTMENT FOR DINNER. 2046 01:26:36,980 --> 01:26:38,680 SOUNDS GOOD. 2047 01:26:38,720 --> 01:26:40,420 [ FOOTSTEPS ] 2048 01:26:40,450 --> 01:26:41,950 HEY, YOU HAVE FUN? 2049 01:26:41,980 --> 01:26:45,480 YEAH! CAN I HAVE SOME COTTON CANDY, PLEASE? 2050 01:26:45,520 --> 01:26:47,150 YEAH, ALL RIGHT. 146828

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