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These are the user uploaded subtitles that are being translated: 1 00:00:01,540 --> 00:00:03,240 PREVIOUSLY ON NYPD BLUE... 2 00:00:03,270 --> 00:00:04,640 IF WE TAKE THE SAME VACATION TIME, 3 00:00:04,670 --> 00:00:05,970 PEOPLE ARE GOING TO FIGURE IT OUT. 4 00:00:06,000 --> 00:00:07,440 IF YOU BACKED OUT, 5 00:00:07,470 --> 00:00:09,140 I DON’T THINK YOU UNDERSTAND HOW DISAPPOINTED THEO WOULD BE. 6 00:00:09,170 --> 00:00:11,540 I’M JUST GETTING A STRONG SENSE THIS ISN’T A GREAT IDEA. 7 00:00:11,570 --> 00:00:12,970 IT’S OFF, AND IT’S FINE. 8 00:00:13,000 --> 00:00:14,540 WE GOT TO GO. 9 00:00:14,570 --> 00:00:15,900 YEAH. 10 00:00:15,940 --> 00:00:16,900 I’LL SEE YOU LATER. 11 00:00:16,940 --> 00:00:18,670 YEAH, DEFINITELY. 12 00:00:18,700 --> 00:00:21,270 WELL, SO... 13 00:00:21,300 --> 00:00:22,300 HEY. 14 00:00:24,740 --> 00:00:26,140 DON’T WORRY. 15 00:00:26,170 --> 00:00:27,540 EVERYTHING’S COOL, OKAY? 16 00:00:30,840 --> 00:00:33,200 TAKE IT EASY. SIT DOWN AND PUT YOUR HANDS ON THE TABLE! 17 00:00:33,240 --> 00:00:34,570 WE’RE GOING TO WORK THIS OUT, DAVE. 18 00:00:34,600 --> 00:00:36,540 I WAS SO NICE TO YOU! 19 00:00:36,570 --> 00:00:37,540 YOU STILL ARE NICE. 20 00:00:37,570 --> 00:00:38,500 NO! NO, NO! 21 00:00:38,540 --> 00:00:39,840 NO, YOU SHOULD’VE LET ME GO. 22 00:00:39,870 --> 00:00:41,470 YOU HAPPY NOW? 23 00:00:41,500 --> 00:00:43,970 EVERYTHING IS GOING TO WORK OUT. SHUT UP! 24 00:00:44,000 --> 00:00:46,770 IF YOU DON’T SHUT YOUR MOUTH, I’M GOING TO BLOW YOUR HEAD OFF! 25 00:00:48,240 --> 00:00:50,670 DAVE, WE’RE IN THIS TOGETHER NOW, 26 00:00:50,700 --> 00:00:53,370 AND I WANT TO SEE IT WORK OUT FOR THE BOTH OF US. 27 00:00:53,400 --> 00:00:57,100 I WANT TO WALK OUT OF HERE. 28 00:01:13,840 --> 00:01:17,770 HEY. THE DOA’s A TONY STANZONE. HE WAS WORKING THE COUNTER 29 00:01:17,800 --> 00:01:19,840 WITH HIS NEPHEW OVER THERE GARY MONTANERI. 30 00:01:19,870 --> 00:01:22,740 THAT’S THE DOA’s WIFE. SHE JUST GOT HERE. 31 00:01:22,770 --> 00:01:24,000 ANYTHING ON THE PERPS? 32 00:01:24,040 --> 00:01:25,300 TWO BLACK MALES, MID‐20s. 33 00:01:25,340 --> 00:01:26,870 ONE OF THEM STAYED BY THE DOOR, 34 00:01:26,900 --> 00:01:29,140 THE OTHER ONE ORDERED A SANDWICH AND CIGARETTES, 35 00:01:29,170 --> 00:01:30,870 THEN HE PULLED HIS GUN OUT. 36 00:01:30,900 --> 00:01:32,800 WE’LL START A QUICK CANVASS. SEE IF THERE’S ANY WITNESSES. 37 00:01:32,840 --> 00:01:34,240 YEAH. 38 00:01:34,270 --> 00:01:37,470 AHEM. GARY, YOU MIND TALKING TO US FOR A LITTLE BIT? 39 00:01:37,500 --> 00:01:40,270 YEAH. TWO BLACK GUYS, ONE CAME TO THE COUNTER. 40 00:01:40,300 --> 00:01:43,040 HE GOT THE DROP ON ME. THERE WAS NOTHING I COULD DO. 41 00:01:43,070 --> 00:01:44,470 CAN YOU IDENTIFY THESE GUYS? 42 00:01:44,500 --> 00:01:46,240 HELL, YES, I CAN. I TOLD THE SON OF A BITCH 43 00:01:46,270 --> 00:01:48,000 JUST TAKE THE MONEY AND GET OUT. 44 00:01:48,040 --> 00:01:49,600 YOUR UNCLE WOULDN’T GIVE UP THE MONEY? 45 00:01:49,640 --> 00:01:51,340 HE GAVE IT UP. THEY STILL SHOT HIM! 46 00:01:51,370 --> 00:01:52,970 WE’RE GOING TO NEED YOU TO COME DOWN, 47 00:01:53,000 --> 00:01:54,200 LOOK AT SOME MUG SHOTS, 48 00:01:54,240 --> 00:01:55,840 TALK A LITTLE MORE ABOUT WHAT HAPPENED. 49 00:01:55,870 --> 00:01:58,040 I WENT AFTER THAT SCUMBAG. I DIDN’T CARE IF HE HAD A GUN. 50 00:01:58,070 --> 00:02:00,940 I WOULD’VE KILLED HIM IF I GOT MY HANDS ON HIM. 51 00:02:00,970 --> 00:02:02,200 THE SOONER WE GET ON THIS, 52 00:02:02,240 --> 00:02:03,800 THE BETTER THE ODDS OF CATCHING THESE GUYS. 53 00:02:03,840 --> 00:02:06,000 MY MOM’S ON HER WAY DOWN FROM BROOKLYN, ALL RIGHT? 54 00:02:06,040 --> 00:02:08,370 WE’LL STAY WITH YOUR AUNT TILL YOUR MOM GETS HERE. THANKS. 55 00:02:08,400 --> 00:02:10,000 COME ON. I’LL GET AN OFFICER, 56 00:02:10,040 --> 00:02:12,300 GET YOU DOWN TO THE STATION. WE’LL BE DOWN IN A LITTLE WHILE. 57 00:02:12,340 --> 00:02:15,440 WE’LL GET WHOEVER DID THIS, AUNT JOSIE. I SWEAR TO GOD. 58 00:02:15,470 --> 00:02:16,640 ALL RIGHT? 59 00:02:24,800 --> 00:02:26,470 HEY. 60 00:02:26,500 --> 00:02:28,770 WHAT’S GOING ON WITH YOUR CASE? 61 00:02:28,800 --> 00:02:30,670 JUNIOR’S BRINGING UP OUR WITNESS. 62 00:02:30,700 --> 00:02:32,200 HOW ARE YOU COMING ALONG? 63 00:02:32,240 --> 00:02:34,740 I’M SLEEPING BETTER. IT SHOWS. 64 00:02:34,770 --> 00:02:37,970 AND, UH, I WAS THINKING ABOUT MAYBE REINVITING YOU 65 00:02:38,000 --> 00:02:39,300 TO FLORIDA. 66 00:02:39,340 --> 00:02:40,740 I THOUGHT WE COVERED THAT. 67 00:02:45,470 --> 00:02:48,970 EVER SINCE I HAD THAT GUN TO MY HEAD, 68 00:02:49,000 --> 00:02:51,370 I’VE BEEN DOING A LOT OF THINKING, 69 00:02:51,400 --> 00:02:54,240 TAKING STOCK ABOUT WHAT’S IMPORTANT IN MY LIFE, 70 00:02:54,270 --> 00:02:56,040 WHAT I REALLY CARE ABOUT. 71 00:02:56,070 --> 00:02:58,740 I’D LIKE YOU TO COME WITH US. 72 00:02:58,770 --> 00:03:00,040 THINK ABOUT IT. 73 00:03:00,070 --> 00:03:01,870 YOU’RE LEAVING TOMORROW. 74 00:03:01,900 --> 00:03:04,140 I GOT A TRAVEL AGENT FRIEND WHO COULD WORK IT OUT. 75 00:03:04,170 --> 00:03:05,470 ANDY, I ALWAYS WANTED TO GO. 76 00:03:05,500 --> 00:03:07,670 IT WAS THE BACK AND FORTH THAT GOT OLD. 77 00:03:07,700 --> 00:03:08,840 THAT’S FINISHED. 78 00:03:08,870 --> 00:03:11,270 WELL, IT’S STILL GOING TO GET AROUND THE SQUAD 79 00:03:11,300 --> 00:03:12,600 AND TO OTHER PEOPLE. 80 00:03:12,640 --> 00:03:14,840 AS FAR AS THE THINGS THAT I REALLY CARE ABOUT, 81 00:03:14,870 --> 00:03:18,740 WHAT PEOPLE THINK OF ME, WHAT THEY THINK OF YOU AND ME ‐‐ 82 00:03:18,770 --> 00:03:21,800 THAT’S OFF THE LIST. 83 00:03:21,840 --> 00:03:23,900 YOU MEAN TOO MUCH. 84 00:03:23,940 --> 00:03:26,240 I’D LOVE TO GO. 85 00:03:26,270 --> 00:03:28,400 ONE CONDITION ‐‐ 86 00:03:28,440 --> 00:03:31,770 TWO HOURS MINIMUM, YOU’RE WEARING THE MOUSE EARS. 87 00:03:31,800 --> 00:03:33,140 NO PICTURES. 88 00:04:49,500 --> 00:04:52,400 I, UH, I’M GOING TO BE PUTTING IN A 28. 89 00:04:52,440 --> 00:04:53,740 THE START DATE’S TOMORROW. 90 00:04:53,770 --> 00:04:57,800 I’LL BE TAKING A WEEK. SORRY FOR THE SHORT NOTICE. 91 00:04:57,840 --> 00:04:59,170 SOMETHING COME UP? 92 00:04:59,200 --> 00:05:01,800 I’M GOING TO DISNEY WORLD... WITH ANDY. 93 00:05:01,840 --> 00:05:03,940 OH, YEAH? 94 00:05:03,970 --> 00:05:06,870 AND HIS SON THEO. I FIGURED. 95 00:05:06,900 --> 00:05:08,500 I’VE NEVER BEEN BEFORE. 96 00:05:08,540 --> 00:05:11,100 I HEAR THERE’S A LOT GOING ON IN ORLANDO. 97 00:05:15,940 --> 00:05:18,200 YEAH. GOOD WEATHER... 98 00:05:18,240 --> 00:05:20,400 A LOT OF PEOPLE RETIRE DOWN THERE. 99 00:05:20,440 --> 00:05:22,270 YEAH. 100 00:05:23,870 --> 00:05:25,800 SO... 101 00:05:25,840 --> 00:05:27,600 HAVE A GOOD TIME. 102 00:05:27,640 --> 00:05:28,540 THANKS. 103 00:05:31,870 --> 00:05:35,840 THANKS A LOT. HEY. 104 00:05:35,870 --> 00:05:38,870 SO LET’S RUN THROUGH WHAT HAPPENED THIS MORNING, GARY. 105 00:05:38,900 --> 00:05:40,740 [ SIGHS ] 106 00:05:40,770 --> 00:05:42,040 THIS BLACK GUY WALKS IN ‐‐ 107 00:05:42,070 --> 00:05:44,400 NO. WHERE ARE YOU? YOU KNOW, WHERE’S YOUR UNCLE? 108 00:05:44,440 --> 00:05:45,940 TAKE IT FROM THE BEGINNING. 109 00:05:45,970 --> 00:05:49,040 WE’RE BOTH BEHIND THE COUNTER. OVER BY THE DELI, 110 00:05:49,070 --> 00:05:50,800 MY UNCLE TONY WAS BY THE REGISTER. 111 00:05:50,840 --> 00:05:53,240 IT WAS EMPTY BECAUSE WE HAD JUST OPENED UP. 112 00:05:53,270 --> 00:05:55,240 THIS BLACK GUY COMES IN. 113 00:05:55,270 --> 00:05:57,570 HE ORDERS A TURKEY AND SWISS AND SOME MENTHOLS, 114 00:05:57,600 --> 00:05:59,940 AND MY UNCLE TONY WAS BAGGING IT UP. 115 00:05:59,970 --> 00:06:01,240 AND THE BLACK GUY PULLS HIS GUN. 116 00:06:01,270 --> 00:06:03,540 WHEN DID YOU NOTICE THE SECOND GUY BY THE DOOR? 117 00:06:03,570 --> 00:06:05,270 WHEN I WAS MAKING THE SANDWICH. 118 00:06:05,300 --> 00:06:06,870 LOOKED LIKE A BUDDY OF HIS. 119 00:06:06,900 --> 00:06:09,770 OKAY, SO YOUR UNCLE’S BAGGING THE SANDWICH AND SMOKES. 120 00:06:09,800 --> 00:06:11,200 YEAH. 121 00:06:11,240 --> 00:06:12,970 THE GUY PULLS A GUN, WE PUT OUR HANDS IN THE AIR, 122 00:06:13,000 --> 00:06:16,800 MY UNCLE EMPTIES THE REGISTER, THE GUY SHOOTS HIM. 123 00:06:16,840 --> 00:06:17,970 THEN WHAT? 124 00:06:18,000 --> 00:06:19,840 THEN I GO FOR THE PHONE. CALL 911. 125 00:06:19,870 --> 00:06:21,470 AFTER YOU CHASED HIM? 126 00:06:21,500 --> 00:06:23,470 I WENT RIGHT FOR THE PHONE TO GET AN AMBULANCE THERE 127 00:06:23,500 --> 00:06:25,570 FOR MY UNCLE. HE WAS SHOT, HE WAS BLEEDING ON THE FLOOR. 128 00:06:25,600 --> 00:06:27,540 YOU SAID AT THE MARKET YOU WENT AFTER THESE GUYS. 129 00:06:27,570 --> 00:06:29,400 TO THE DOOR. I CHASED THEM TO THE DOOR. 130 00:06:29,440 --> 00:06:32,200 I WOULD’VE RAN DOWN THE STREET AFTER THEM, BUT MY UNCLE 131 00:06:32,240 --> 00:06:34,800 WAS, YOU KNOW, BLEEDING, SHOT ON THE FLOOR. 132 00:06:34,840 --> 00:06:37,770 ALL RIGHT, KEEP LOOKING THROUGH THE MUG BOOKS. 133 00:06:37,800 --> 00:06:40,100 WE’LL BE BACK TO SEE HOW YOU’RE DOING. 134 00:06:44,740 --> 00:06:46,900 HEY, FELLAS? 135 00:06:46,940 --> 00:06:49,340 JOHN CLARK, ANDY SIPOWICZ ‐‐ FRANK HUGHES, ROBBERY. 136 00:06:49,370 --> 00:06:51,370 HOW YOU DOING? HOW’S IT GOING? 137 00:06:51,400 --> 00:06:53,700 OUR WITNESS IN THE COFFEE ROOM 138 00:06:53,740 --> 00:06:55,970 IS STILL GOING THROUGH MUG BOOKS. NO NEED. I GOT YOUR MAN. 139 00:06:56,000 --> 00:06:58,540 THIS DOUCHE BAG TERENCE CATES ‐‐ A PATTERN I’VE BEEN WORKING. 140 00:06:58,570 --> 00:07:00,840 THE THING THIS MORNING FITS HIM DOWN TO A GNAT’S ASS. 141 00:07:00,870 --> 00:07:02,700 WHY DON’T YOU RUN IT FOR ’EM, FRANK? 142 00:07:02,740 --> 00:07:05,800 ALL RIGHT, THIS CATES ‐‐ BLACK MALE, 25, GOATEE ‐‐ 143 00:07:05,840 --> 00:07:08,670 WALKS INTO A MARKET OR BODEGA, ORDERS A SANDWICH, 144 00:07:08,700 --> 00:07:09,940 THEN HE PULLS OUT A GUN. 145 00:07:09,970 --> 00:07:11,600 YOU GOT A FOLDER ON HIM? 146 00:07:11,640 --> 00:07:13,600 I’M HAVING IT TRANSPORTED FROM THE ROBBERY SQUAD. 147 00:07:13,640 --> 00:07:15,740 I LIKE CATES FOR AT LEAST 10 OF THESE, 148 00:07:15,770 --> 00:07:17,800 BUT I FINALLY GOT AN I. D. ON HIM FOLLOWING 149 00:07:17,840 --> 00:07:20,370 THE ATTEMPTED ROBBERY OF A BODEGA ON 110th STREET. 150 00:07:20,400 --> 00:07:23,270 CATES GOT AWAY, BUT WE COLLARED HIS GIRLFRIEND ROBERTA. 151 00:07:23,300 --> 00:07:25,170 SHE’S BEEN COOPERATING. 152 00:07:25,200 --> 00:07:26,670 SO SHE GAVE HIM UP? 153 00:07:26,700 --> 00:07:28,500 YEAH, PLUS SHE HASN’T LET ON THAT WE’RE LOOKING FOR HIM. 154 00:07:28,540 --> 00:07:31,500 CATES LIVES UPTOWN. HIS OTHER STICKUPS WERE UPTOWN, 155 00:07:31,540 --> 00:07:34,300 BUT HE WORKED AT A HARDWARE STORY ON MULBERRY, 156 00:07:34,340 --> 00:07:35,900 SO HE MUST’VE MOVED HIS ACT DOWN HERE. 157 00:07:35,940 --> 00:07:38,300 SO HOW COME YOU HAVEN’T COLLARED THE GUY? 158 00:07:38,340 --> 00:07:41,070 WELL, SEEING AS HE DIDN’T KNOW WE WERE LOOKING FOR HIM ‐‐ 159 00:07:41,100 --> 00:07:42,440 [ CELLULAR PHONE RINGS ] 160 00:07:42,470 --> 00:07:44,100 [ RING ] 161 00:07:44,140 --> 00:07:45,670 SORRY. REAL QUICK. 162 00:07:45,700 --> 00:07:47,070 WHAT UP? 163 00:07:47,100 --> 00:07:49,070 YEAH, WE’RE STILL ON FOR THAT. 164 00:07:49,100 --> 00:07:50,240 NO, I’M TELLING YOU, DON’T WORRY. 165 00:07:50,270 --> 00:07:51,900 YEAH, LISTEN, I’M IN A MEETING RIGHT NOW. 166 00:07:51,940 --> 00:07:53,640 I GOT TO CALL YOU BACK IN FIVE MINUTES. 167 00:07:53,670 --> 00:07:56,140 ALL RIGHT, DAWG. PEACE. 168 00:07:56,170 --> 00:07:57,340 SORRY. UM... 169 00:07:57,370 --> 00:07:58,970 WHY HAVEN’T YOU COLLARED HIM? 170 00:07:59,000 --> 00:08:01,140 WELL, SEEING AS HE DIDN’T KNOW WE WERE LOOKING FOR HIM, 171 00:08:01,170 --> 00:08:03,440 THERE WAS NO REASON WHY HE WOULDN’T HAVE GONE 172 00:08:03,470 --> 00:08:05,070 TO HIS PAROLE MEETING YESTERDAY. 173 00:08:05,100 --> 00:08:07,000 HIS P. O. WAS SUPPOSED TO HOLD HIM FOR US, 174 00:08:07,040 --> 00:08:08,370 BUT HE CALLED IN SICK, 175 00:08:08,400 --> 00:08:10,340 AND HE DIDN’T GIVE THE HEADS‐UP TO THE SUPERVISOR. 176 00:08:10,370 --> 00:08:11,640 SO CATES CHECKS IN, AND THEN HE LEFT, 177 00:08:11,670 --> 00:08:14,570 WHICH...I KNOW IS ON ME, BUT, UH, 178 00:08:14,600 --> 00:08:16,900 I’VE BEEN SWAMPED WITH OTHER CASES. 179 00:08:16,940 --> 00:08:19,600 YEAH? BECAUSE NOW WE GOT A DOA. 180 00:08:19,640 --> 00:08:21,500 I SCREWED UP. I’VE ALREADY HEARD ABOUT IT. 181 00:08:21,540 --> 00:08:23,440 I DIDN’T COME DOWN HERE TO HAVE MY NOSE RUBBED 182 00:08:23,470 --> 00:08:24,940 IN WHAT I SHOULD’VE DONE. 183 00:08:24,970 --> 00:08:26,740 WHERE CAN WE FIND CATES? THROUGH HIS GIRLFRIEND? 184 00:08:26,770 --> 00:08:29,470 YEAH, YEAH, I’M GIVING HER A DAY TO COOL OFF. 185 00:08:29,500 --> 00:08:31,440 SHE’S A LITTLE PISSED THAT WE DIDN’T GRAB TERENCE YESTERDAY. 186 00:08:31,470 --> 00:08:33,070 SO, HOW YOU WANT TO DO THIS? 187 00:08:33,100 --> 00:08:35,270 WHERE’S MEDAVOY AND JONES? STILL AT THE CRIME SCENE. 188 00:08:35,300 --> 00:08:37,070 ALL RIGHT, WE’LL TAKE CARE OF IT. 189 00:08:37,100 --> 00:08:39,040 WHAT, JUST YOU GUYS? 190 00:08:39,070 --> 00:08:41,100 YEAH. 191 00:08:48,840 --> 00:08:51,200 CATES’ GIRLFRIEND ROBERTA ‐‐ I GAVE HER MY WORD 192 00:08:51,240 --> 00:08:52,940 THAT IT WOULDN’T COME BACK TO HER 193 00:08:52,970 --> 00:08:55,470 THAT SHE’S GIVEN UP HER BOYFRIEND. YOU GOT IT. 194 00:08:55,500 --> 00:08:57,000 I’LL HAVE CATES’ FILE ALL LAID OUT FOR YOU 195 00:08:57,040 --> 00:08:58,700 WHEN YOU GET BACK. GOOD. 196 00:08:58,740 --> 00:08:59,740 [ CELLULAR PHONE RINGS ] 197 00:08:59,770 --> 00:09:03,240 WHY DON’T YOU GO AHEAD AND TAKE THAT? 198 00:09:03,270 --> 00:09:07,300 HEY, MR. LEVIN. HOW ARE YOU DOING? 199 00:09:07,340 --> 00:09:08,600 NO. 200 00:09:08,640 --> 00:09:10,700 CAN I HELP YOU? 201 00:09:10,740 --> 00:09:12,400 THEY SAID TO COME UP. 202 00:09:12,440 --> 00:09:15,600 DO YOU HAVE SOMETHING TO REPORT? 203 00:09:15,640 --> 00:09:17,670 MY SISTER IS IN TROUBLE. 204 00:09:17,700 --> 00:09:20,540 UH, WHAT KIND OF TROUBLE? 205 00:09:20,570 --> 00:09:23,000 I DON’T KNOW, BUT I’M SUPPOSED TO GIVE A MAN $1,000 206 00:09:23,040 --> 00:09:24,140 TO HELP HER. 207 00:09:24,170 --> 00:09:25,400 WHAT MAN? 208 00:09:25,440 --> 00:09:27,840 MY FATHER IN MEXICO. HE GOT A CALL, 209 00:09:27,870 --> 00:09:31,300 AND THEY SAID THEY FOUND LUISA, BUT SHE’S IN TROUBLE. 210 00:09:31,340 --> 00:09:33,800 BUT THIS MAN CAN HELP HER. 211 00:09:33,840 --> 00:09:36,100 I DON’T KNOW WHAT’S GOING ON. 212 00:09:36,140 --> 00:09:39,640 LET’S GO TALK. THIS WAY. 213 00:09:44,400 --> 00:09:45,670 WHAT’S YOUR NAME? 214 00:09:45,700 --> 00:09:46,900 ENRIQUE LOPEZ. 215 00:09:46,940 --> 00:09:49,140 HAVE A SEAT, MR. LOPEZ. 216 00:09:49,170 --> 00:09:52,240 AND, UH, JUST TAKE IT EASY, OKAY? 217 00:09:56,600 --> 00:10:00,070 MY FATHER GOT A CALL IN MEXICO TWO DAYS AGO FROM A PRIEST 218 00:10:00,100 --> 00:10:02,870 WHO SAID MY SISTER WAS IN TROUBLE. 219 00:10:02,900 --> 00:10:04,870 BUT FOR $1,000, HE’D HELP HER. 220 00:10:04,900 --> 00:10:06,400 WHAT KIND OF TROUBLE? 221 00:10:06,440 --> 00:10:08,370 HE DON’T SAY, ONLY THAT SHE IN TROUBLE. 222 00:10:08,400 --> 00:10:09,670 MAYBE SHE GET HURT. 223 00:10:09,700 --> 00:10:12,000 WHAT’S YOUR SISTER’S NAME? LUISA LOPEZ. 224 00:10:12,040 --> 00:10:14,670 WHEN’S THE LAST TIME ANYONE SAW HER? ALMOST TWO YEARS AGO. 225 00:10:14,700 --> 00:10:16,570 AND THAT WAS THE LAST YOU SPOKE TO HER? 226 00:10:16,600 --> 00:10:18,570 HOW COME? 227 00:10:18,600 --> 00:10:20,640 SHE LEAVE HOME WITH A GUY NOBODY LIKE. 228 00:10:20,670 --> 00:10:21,600 WHERE’S HOME? 229 00:10:21,640 --> 00:10:22,770 MEXICO. 230 00:10:22,800 --> 00:10:25,870 SANTIAGO TUXTLA ‐‐ LITTLE TOWN, A POOR TOWN. 231 00:10:25,900 --> 00:10:27,440 LIKE EVERYBODY, LIKE ME, 232 00:10:27,470 --> 00:10:29,270 SHE COME TO THE UNITED STATES TO MAKE MONEY, 233 00:10:29,300 --> 00:10:31,670 BUT SHE’S TOO YOUNG. HOW OLD IS SHE? 234 00:10:31,700 --> 00:10:33,500 16 THEN. 235 00:10:33,540 --> 00:10:35,270 NOW, TWO YEARS, NOBODY HEAR FROM HER. 236 00:10:35,300 --> 00:10:37,500 THIS GUY SHE LEFT WITH, WHAT’S HIS NAME? 237 00:10:37,540 --> 00:10:41,270 ROJELIO OBREGUN. HIM, TOO, NEVER SEE. 238 00:10:41,300 --> 00:10:43,770 WHAT EXACTLY DID THE PRIEST SAY WHEN HE CALLED YOUR FATHER? 239 00:10:43,800 --> 00:10:47,040 THAT SHE IN NEW YORK, AND PUT $1,000 IN WESTERN UNION. 240 00:10:47,070 --> 00:10:48,970 HE GOING TO PICK IT UP AND HELP HER 241 00:10:49,000 --> 00:10:51,800 AND THEN SHE COME HOME. 242 00:10:51,840 --> 00:10:54,170 BUT MY FATHER NO HAVE MONEY. 243 00:10:54,200 --> 00:10:56,370 SO HE TELL THE PRIEST, HE CALL ME. 244 00:10:56,400 --> 00:10:59,000 AND I COME MEET HIM TODAY. YOU SET A TIME? 245 00:10:59,040 --> 00:11:01,300 I HAVE NUMBER FOR PAGE HIM. 246 00:11:01,340 --> 00:11:04,600 BUT HE SAY MY FATHER, NO TELL POLICE, OR SHE GET KILLED. 247 00:11:04,640 --> 00:11:08,570 BUT I THINK ABOUT, AND I NO LIKE WHAT HE SAY. 248 00:11:08,600 --> 00:11:09,500 WHY NOT? 249 00:11:09,540 --> 00:11:12,600 ROJELIO OBREGUN ‐‐ HE NO GOOD. 250 00:11:12,640 --> 00:11:14,800 I THINK HE NEED MONEY, SO HE MAKE A STORY. 251 00:11:14,840 --> 00:11:17,200 MR. LOPEZ, WE’LL TAKE YOU TO MEET THIS GUY, 252 00:11:17,240 --> 00:11:18,840 BUT WE NEED YOU TO WEAR A RECORDING DEVICE 253 00:11:18,870 --> 00:11:19,970 SO WE CAN HEAR. 254 00:11:20,000 --> 00:11:21,370 OKAY. 255 00:11:21,400 --> 00:11:23,770 WAIT HERE, AND WE’LL BE BACK TO GET YOU SET UP. 256 00:11:28,900 --> 00:11:30,240 NO DESCRIPTION. 257 00:11:30,270 --> 00:11:31,940 WHAT DO YOU GOT? 258 00:11:31,970 --> 00:11:33,600 THIS GUY GOT A CALL ABOUT HIS SISTER 259 00:11:33,640 --> 00:11:35,340 WHO HE HASN’T SEEN IN TWO YEARS. 260 00:11:35,370 --> 00:11:37,400 SOME GUY CLAIMING TO BE A PRIEST SAYS HE NEEDS $1,000 261 00:11:37,440 --> 00:11:39,200 TO HELP GET THE SISTER OUT OF SOME TROUBLE. 262 00:11:39,240 --> 00:11:41,470 OH, THAT SOUNDS LEGITIMATE. 263 00:11:41,500 --> 00:11:43,500 YEAH, WELL, OUR GUY’S SUPPOSED TO PAGE THE PRIEST 264 00:11:43,540 --> 00:11:46,070 TO ARRANGE A MEETING, SO WE NEED TO GET HIM WIRED UP. 265 00:11:46,100 --> 00:11:48,170 WHY DON’T YOU TWO HELP OUT ON THAT? 266 00:11:48,200 --> 00:11:49,640 YEAH, YOU GOT IT. 267 00:11:49,670 --> 00:11:52,140 JOSH, WANT TO SIT ON THIS GUY IN THE POKEY? 268 00:11:52,170 --> 00:11:53,500 NO PROBLEM. 269 00:11:53,540 --> 00:11:55,170 THERE’S NOTHING OFF CANVASS DOWN AT THE DELI, 270 00:11:55,200 --> 00:11:57,040 BUT A COUPLE OF PEOPLE SAW TWO BLACK MALES 271 00:11:57,070 --> 00:11:59,070 RUNNING ON BROOME STREET. COULDN’T PROVIDE A DESCRIPTION. 272 00:11:59,100 --> 00:12:01,540 Greg: YEAH, CRIME SCENE’S DOWN THERE PROCESSING IT. 273 00:12:01,570 --> 00:12:03,540 ALL RIGHT. THAT TERENCE CATES YOU BROUGHT IN? 274 00:12:03,570 --> 00:12:05,200 YEAH. WHERE’S HUGHES FROM ROBBERY? 275 00:12:05,240 --> 00:12:06,670 HE’S IN THERE WITH THE WITNESS. 276 00:12:06,700 --> 00:12:10,040 DOING WHAT? SHOWING HIM THE PHOTO ARRAY. 277 00:12:10,070 --> 00:12:11,570 DONE. 278 00:12:11,600 --> 00:12:12,570 PICKED OUT CATES? 279 00:12:12,600 --> 00:12:14,670 WENT RIGHT TO HIM. NO HESITATION. 280 00:12:14,700 --> 00:12:15,800 YOU FIND CATES? 281 00:12:15,840 --> 00:12:18,240 YEAH. HIS GIRLFRIEND HEARD FROM HIM THIS MORNING. 282 00:12:18,270 --> 00:12:19,600 HE WAS AT A BUDDY’S PLACE. 283 00:12:19,640 --> 00:12:21,370 GET SOME FELLAS FOR A LINEUP? 284 00:12:21,400 --> 00:12:23,340 NO, LET US INTERVIEW CATES FIRST, 285 00:12:23,370 --> 00:12:26,000 SEE IF HE FLIPS FROM BEING PICKED OUT IN A PHOTO ARRAY. 286 00:12:26,040 --> 00:12:28,070 OH, YEAH? YOU MIND IF I SIT IN ON THAT? 287 00:12:28,100 --> 00:12:30,070 LET US TAKE A SHOT AT IT FIRST, HUH? 288 00:12:30,100 --> 00:12:32,140 THREE GUYS IN A ROOM IS TOO MUCH. 289 00:12:34,040 --> 00:12:35,640 [ TELEPHONE RINGS ] 290 00:12:35,670 --> 00:12:39,400 John: 15th SQUAD. HOLD ON A SECOND, PLEASE. 291 00:12:39,440 --> 00:12:41,770 JULIANNE FROM STURTEVANT TRAVEL. 292 00:12:41,800 --> 00:12:44,040 OH. THANKS. 293 00:12:44,070 --> 00:12:45,140 HEY, IT’S CONNIE. 294 00:12:45,170 --> 00:12:46,470 [ PAGER BEEPS ] 295 00:12:46,500 --> 00:12:48,570 ALL RIGHT, WELL, GARY’S GETTING HUNGRY. 296 00:12:48,600 --> 00:12:51,840 I’M GOING TO RUN DOWN AND GET HIM A SANDWICH. 297 00:12:51,870 --> 00:12:54,140 LOCKIN’ UP BAD GUYS. 298 00:12:54,170 --> 00:12:56,440 THAT’S WHY I LOVE THIS JOB. 299 00:12:56,470 --> 00:12:57,670 THANKS. 300 00:13:00,270 --> 00:13:02,070 SQUARED AWAY? 301 00:13:02,100 --> 00:13:03,200 GETTING THERE. 302 00:13:09,000 --> 00:13:11,670 [ COUGHS ] 303 00:13:11,700 --> 00:13:15,040 UH, ME AND CONNIE ARE TAKING THEO TO DISNEY WORLD. 304 00:13:15,070 --> 00:13:18,670 WE’RE LEAVING FRIDAY, AND WE’LL BE GONE FOR A WEEK. 305 00:13:18,700 --> 00:13:20,800 SO, UH, INSTEAD OF YOU GUYS TRYING TO GUESS, 306 00:13:20,840 --> 00:13:23,800 THAT’S WHAT WE’RE DOING. SO IF THERE’S ANY COMMENTS, 307 00:13:23,840 --> 00:13:26,140 ANY BALL‐BUSTING, ANYBODY GOT A PROBLEM WITH IT, 308 00:13:26,170 --> 00:13:27,640 GET IT OUT NOW. 309 00:13:33,870 --> 00:13:37,570 HAVE A GOOD TIME. 310 00:13:37,600 --> 00:13:40,240 ALL RIGHT. WE BETTER GET GOING. 311 00:13:58,970 --> 00:14:00,970 WHERE YOU BEEN THIS MORNING, TERENCE? 312 00:14:01,000 --> 00:14:02,340 WITH MY GIRL. 313 00:14:02,370 --> 00:14:04,740 DID YOU STOP BY NAPOLI DELI OVER ON BROOME STREET? 314 00:14:04,770 --> 00:14:06,200 I WASN’T ANYWHERE NEAR IT. 315 00:14:06,240 --> 00:14:07,800 TERENCE, COME ON. I AIN’T LYING! 316 00:14:07,840 --> 00:14:09,940 COME ON, WE KNOW YOU WERE NEAR THAT DELI, 317 00:14:09,970 --> 00:14:11,270 SO IF YOU’RE LYING ABOUT THAT, 318 00:14:11,300 --> 00:14:12,840 WE FIGURE YOU’RE LYING ABOUT EVERYTHING. 319 00:14:12,870 --> 00:14:14,500 I AIN’T BEEN OUT OF HARLEM IN THREE DAYS! 320 00:14:14,540 --> 00:14:16,340 SEE, WHAT THIS CONVERSATION NEEDS TO BE ABOUT 321 00:14:16,370 --> 00:14:18,370 IS WHAT HAPPENED AT THE DELI THIS MORNING, 322 00:14:18,400 --> 00:14:20,800 ’CAUSE WE GOT WITNESSES WHO PICKED YOUR PHOTO OUT. 323 00:14:20,840 --> 00:14:21,900 FOR WHAT? 324 00:14:21,940 --> 00:14:23,240 YOU ROBBING THE PLACE. 325 00:14:23,270 --> 00:14:25,270 Y’ALL ARE CRAZY. 326 00:14:25,300 --> 00:14:26,870 WE’RE GOING TO RUN A LINEUP THEN, TERENCE. 327 00:14:26,900 --> 00:14:29,340 ONCE YOU GET PICKED OUT OF THAT, IT’S OVER WITH. 328 00:14:29,370 --> 00:14:32,000 NO DEALS, NOTHING FALLING THROUGH THE CRACKS. 329 00:14:32,040 --> 00:14:33,900 STRAIGHT TIME ‐‐ LOTS OF IT. 330 00:14:33,940 --> 00:14:35,200 RUN YOUR DAMN LINEUP THEN! 331 00:14:35,240 --> 00:14:36,800 I DIDN’T DO NOTHING THIS MORNING 332 00:14:36,840 --> 00:14:39,400 EXCEPT HUMP MY GIRLFRIEND AND HAVE SOME COCOA PUFFS. 333 00:14:39,440 --> 00:14:40,570 ASK HER! 334 00:14:40,600 --> 00:14:42,470 OH, YEAH, ASK YOUR GIRLFRIEND WHO’S GOT A RECORD, 335 00:14:42,500 --> 00:14:44,540 YOUR GIRLFRIEND WHO’D LIE TO PROTECT YOU, 336 00:14:44,570 --> 00:14:46,600 YOUR GIRLFRIEND WHOSE WORD DOESN’T MEAN JACK? 337 00:14:46,640 --> 00:14:48,840 SO THIS IS HOW IT IS, HUH? YEAH. 338 00:14:48,870 --> 00:14:50,140 WELL, SCREW YOU THEN! 339 00:14:50,170 --> 00:14:51,640 ALL RIGHT, GET UP, DICKHEAD. 340 00:14:51,670 --> 00:14:53,440 YOU’RE GOING TO STAND IN THE LINEUP, 341 00:14:53,470 --> 00:14:55,740 AND THEN WE’RE GOING TO CHARGE YOU WITH MURDER. MURDER? 342 00:14:55,770 --> 00:14:57,670 YEAH, UNLESS SOMETHING HAPPENED DIFFERENT 343 00:14:57,700 --> 00:14:59,670 THAT WE DON’T KNOW ABOUT. I DIDN’T DO NO MURDER! 344 00:14:59,700 --> 00:15:01,900 ALL RIGHT, LET’S GO. OKAY, LISTEN, LISTEN, LISTEN. 345 00:15:01,940 --> 00:15:03,770 I DONE SOME STICKUPS, I’LL ADMIT TO THAT. 346 00:15:03,800 --> 00:15:05,440 BUT I DIDN’T SHOOT NOBODY AT NO DELI ‐‐ 347 00:15:05,470 --> 00:15:06,870 NOT THIS MORNING, NOT EVER! 348 00:15:06,900 --> 00:15:08,370 WRONG! WE KNOW YOU DID. 349 00:15:08,400 --> 00:15:10,740 MAYBE THE GUY BEHIND THE COUNTER PULLED A GUN. 350 00:15:10,770 --> 00:15:13,500 YOU HAD NO CHOICE, OR YOUR BUDDY WATCHING THE DOOR ‐‐ 351 00:15:13,540 --> 00:15:15,200 MAYBE IT WAS HIS IDEA. NO! 352 00:15:15,240 --> 00:15:17,070 LET’S GO. I DIDN’T DO NO MURDER! 353 00:15:17,100 --> 00:15:20,540 I DIDN’T DO NO MURDER! I DIDN’T DO NO MURDER! 354 00:15:22,400 --> 00:15:24,800 YOU PULL AN ACT LIKE THAT DURING THE LINEUP, 355 00:15:24,840 --> 00:15:27,770 YOU’LL GET WHEELED OUT OF HERE ON A GURNEY. YOU HEAR ME? 356 00:15:43,810 --> 00:15:47,040 Rita: SO, UH, DISNEY WORLD SHOULD BE FUN. 357 00:15:47,080 --> 00:15:48,510 YEAH. 358 00:15:48,550 --> 00:15:50,490 RITA, I DON’T WANT YOU TO THINK I’VE BEEN 359 00:15:50,510 --> 00:15:52,510 KEEPING ANYTHING FROM YOU ABOUT ME AND ANDY. 360 00:15:52,550 --> 00:15:54,490 CONNIE, I GOT NOTHING BUT GOOD WISHES. 361 00:15:54,510 --> 00:15:56,540 THE FACT IS, YOU KNOW, WE’RE REALLY JUST GOOD FRIENDS. 362 00:15:56,580 --> 00:15:58,810 WITH AN EYE TOWARD SOMETHING MORE OR... 363 00:15:58,850 --> 00:16:00,120 I DON’T KNOW. 364 00:16:00,150 --> 00:16:02,220 ALL I’M SAYING, YOU KNOW, GOING AWAY TOGETHER, 365 00:16:02,250 --> 00:16:03,620 THERE’S, UH, THERE’S OPPORTUNITY. 366 00:16:03,650 --> 00:16:06,150 WELL, I’M NOT SAYING IT WOULDN’T BE UNCONVENTIONAL. 367 00:16:06,180 --> 00:16:09,540 WHO CARES? 368 00:16:09,580 --> 00:16:10,710 I AGREE. 369 00:16:10,750 --> 00:16:13,190 HE’S A GREAT GUY. HE’S A GREAT FATHER, 370 00:16:13,210 --> 00:16:14,580 AND IF SOMETHING WERE TO HAPPEN, 371 00:16:14,610 --> 00:16:16,480 I DON’T SEE IT ENDING IN SIX MONTHS, 372 00:16:16,510 --> 00:16:18,410 WHICH IS MY REGULAR SCENE WITH GUYS MY AGE. 373 00:16:18,450 --> 00:16:20,050 YOU JUST GET SICK OF ’EM? 374 00:16:20,080 --> 00:16:22,380 NO, I GET SICK OF THE SELF‐ABSORBED, 375 00:16:22,410 --> 00:16:24,510 WHICH IS GENERALLY WHAT I END UP WITH, SO... 376 00:16:24,550 --> 00:16:26,250 IT’S RARE WHEN THEY’RE NOT. 377 00:16:26,280 --> 00:16:29,880 HE’S A GOOD, SMART, STABLE MAN, 378 00:16:29,910 --> 00:16:33,040 AND WHEN I’M WITH HIM, I FEEL SAFE, PROTECTED. 379 00:16:33,080 --> 00:16:35,010 YOU CAN’T BEAT THAT. 380 00:16:35,050 --> 00:16:38,720 SO...McDOWELL AND ANDY. 381 00:16:38,750 --> 00:16:40,220 YEAH, HUH? 382 00:16:40,250 --> 00:16:42,790 DID YOU SEE THAT COMING? 383 00:16:42,810 --> 00:16:46,180 ’CAUSE PERSONALLY, I’M BLIND‐SIDED. 384 00:16:46,210 --> 00:16:48,410 SHE HAS BEEN BABYSITTING THEO FOR A WHILE. 385 00:16:48,450 --> 00:16:51,150 I MEAN, 386 00:16:51,180 --> 00:16:53,680 DO YOU THINK THEY’RE, UH, YOU KNOW, 387 00:16:53,710 --> 00:16:55,380 TOGETHER? 388 00:16:55,410 --> 00:16:58,610 IF A GIRL’S GOING TO FLORIDA WITH ME, 389 00:16:58,650 --> 00:16:59,920 WE’RE TOGETHER. 390 00:16:59,950 --> 00:17:02,920 BUT YOU GOT TO FACTOR IN THEO. 391 00:17:02,950 --> 00:17:05,090 THAT MEANS SEPARATE ROOMS. 392 00:17:05,110 --> 00:17:07,980 SURE, BUT A 6‐YEAR‐OLD’S ASLEEP BY 8:30. 393 00:17:08,010 --> 00:17:09,980 YEAH, I HEAR YOU. 394 00:17:10,010 --> 00:17:11,680 GO, ANDY. 395 00:17:11,710 --> 00:17:13,110 MY MAN. 396 00:17:13,150 --> 00:17:15,850 HEY, I THINK THIS IS HIM. 397 00:17:15,880 --> 00:17:17,110 Medavoy: TWO TO SQUAD ONE ‐‐ 398 00:17:17,150 --> 00:17:18,720 WE GOT A PRIEST MOVING SOUTH TOWARD OUR GUY. 399 00:17:18,750 --> 00:17:21,220 10‐4, SQUAD TWO. 400 00:17:21,250 --> 00:17:24,090 OKAY, OKAY. SEÑOR LOPEZ. 401 00:17:24,110 --> 00:17:26,780 [ SPEAKING SPANISH ] 402 00:17:29,680 --> 00:17:31,210 [ SPEAKS SPANISH ] 403 00:17:31,250 --> 00:17:33,090 THE PRIEST ASKED, "WHERE’S THE MONEY?" 404 00:17:33,110 --> 00:17:34,640 LOPEZ ASKED, WHERE’S HIS SISTER? 405 00:17:39,710 --> 00:17:42,680 [ TRUCK ENGINE RUNNING ] 406 00:17:42,710 --> 00:17:45,240 NOTHING. WE’RE GETTING NOTHING. 407 00:17:48,110 --> 00:17:49,910 THE PRIEST IS STARTING TO TAKE OFF. 408 00:17:49,950 --> 00:17:51,750 SQUAD ONE TO TWO, MOVE IN. 409 00:17:59,680 --> 00:18:01,810 EXCUSE ME, FATHER. WE’RE GOING TO NEED YOU TO COME WITH US. 410 00:18:01,850 --> 00:18:02,950 WHAT FOR? 411 00:18:02,980 --> 00:18:04,580 WE’RE GOING TO NEED TO ASK YOU SOME QUESTIONS. 412 00:18:04,610 --> 00:18:06,040 I AM FATHER FERNANDO VILLEJOS. 413 00:18:06,080 --> 00:18:08,480 I AM TRYING TO HELP THIS MAN. WHAT MORE DO YOU NEED? 414 00:18:08,510 --> 00:18:11,480 COME ON, WE’LL TELL YOU. 415 00:18:11,510 --> 00:18:14,010 HEY, WHERE ARE YOU GOING, PADRE? 416 00:18:14,050 --> 00:18:16,090 WHAT IS THIS? 417 00:18:16,110 --> 00:18:17,440 WHAT IS GOING ON? 418 00:18:17,480 --> 00:18:19,010 WELL, FOR A START, YOU’RE UNDER ARREST 419 00:18:19,050 --> 00:18:20,950 FOR ASSAULTING A POLICE OFFICER. 420 00:18:20,980 --> 00:18:24,780 IF YOU SAY ANOTHER WORD, I’LL STRANGLE YOU WITH THAT COLLAR. 421 00:18:29,210 --> 00:18:30,710 LOOK, DON’T WORRY ABOUT IT. 422 00:18:30,750 --> 00:18:32,790 IT’S NOT GOING TO BE A PROBLEM, OKAY? 423 00:18:32,810 --> 00:18:34,380 HE’S GOING TO LOOK JUST LIKE HE DID IN THE PICTURE. 424 00:18:34,410 --> 00:18:35,640 HE’LL PROBABLY BE WEARING DIFFERENT CLOTHES. 425 00:18:35,680 --> 00:18:39,240 GARY, CAN YOU GIVE US A MINUTE? YEAH, SURE. 426 00:18:43,310 --> 00:18:45,110 WE GOT A PROBLEM? 427 00:18:45,150 --> 00:18:47,150 YOU KNOW BETTER THAN THAT, DETECTIVE. 428 00:18:47,180 --> 00:18:49,040 I WAS JUST TRYING TO HELP THE GUY RELAX. 429 00:18:49,080 --> 00:18:51,410 YOU’RE COACHING HIM. I WASN’T COACHING HIM. 430 00:18:51,450 --> 00:18:53,990 KEEP YOUR MOUTH SHUT, HUGHES, BEFORE YOU TAINT THE I. D. 431 00:18:54,010 --> 00:18:56,780 ALL RIGHT. 432 00:18:56,810 --> 00:18:58,110 READY. 433 00:19:01,580 --> 00:19:02,840 OKAY? 434 00:19:02,880 --> 00:19:04,040 YEAH. 435 00:19:07,810 --> 00:19:10,710 RECOGNIZE ANYONE? 436 00:19:10,750 --> 00:19:12,450 NUMBER TWO. 437 00:19:12,480 --> 00:19:13,710 HELL, YEAH. 438 00:19:13,750 --> 00:19:16,520 WHAT DO YOU RECOGNIZE HIM FROM? 439 00:19:16,550 --> 00:19:19,120 HE WAS THE ONE WHO SHOT MY UNCLE. 440 00:19:19,150 --> 00:19:20,520 ALL RIGHT. 441 00:19:22,750 --> 00:19:24,650 EVERYBODY RELAX IN THERE. 442 00:19:24,680 --> 00:19:28,680 WE DID IT. WE CAUGHT THE SON OF A BITCH. 443 00:19:28,710 --> 00:19:31,110 HEY, GARY, WE’RE GOING TO NEED YOU TO STICK AROUND, 444 00:19:31,150 --> 00:19:32,450 GIVE US A STATEMENT. 445 00:19:32,480 --> 00:19:34,210 Gary: SURE, WHATEVER YOU NEED. 446 00:19:34,250 --> 00:19:36,990 YOU WANT ME TO TAKE CATES DOWN TO CENTRAL BOOKING? 447 00:19:37,010 --> 00:19:38,810 NO, WE’LL HAVE UNIFORM DO IT. 448 00:19:38,850 --> 00:19:41,750 GO ON. TAKE OFF. WELL, WHO’S DOING THE FIVES? 449 00:19:41,780 --> 00:19:44,740 WE WILL. DON’T WORRY, YOU’LL BE MENTIONED. 450 00:19:44,780 --> 00:19:46,710 GREAT. 451 00:19:46,750 --> 00:19:47,650 COME ON, GAR. 452 00:19:50,280 --> 00:19:53,080 YOU KNOW THIS GUY? 453 00:19:53,110 --> 00:19:55,940 HE’S BEEN AFTER THIS CATES FOR A WHILE, I GUESS. 454 00:19:55,980 --> 00:19:58,110 HE’S A LITTLE...INVESTED. 455 00:20:02,080 --> 00:20:04,110 ALL RIGHT, "FATHER," 456 00:20:04,150 --> 00:20:06,590 YOU’RE TALKING TO A CATHOLIC SCHOOL KID, 457 00:20:06,610 --> 00:20:08,580 AND I’M TAKING THIS REAL PERSONAL. 458 00:20:08,610 --> 00:20:10,510 SO ADMIT YOU’RE A PHONY NOW, 459 00:20:10,550 --> 00:20:13,850 OR YOU WON’T LEAVE THIS ROOM WITH YOUR TEETH INTACT. 460 00:20:13,880 --> 00:20:17,240 I GUESS I AM MORE OF A PRIVATE DO‐GOODER, EH? 461 00:20:17,280 --> 00:20:19,510 A PRIVATE DO‐GOODER WHO TAKES SWIPES AT WOMEN? 462 00:20:19,550 --> 00:20:21,250 HEY. 463 00:20:21,280 --> 00:20:23,440 A COSTUME SHOP LABEL. WHAT’S YOUR REAL NAME? 464 00:20:23,480 --> 00:20:26,310 AND YOUR PRINTS ARE BEING RUN, SO IF THEY DON’T COME BACK 465 00:20:26,350 --> 00:20:28,320 TO THE NAME YOU’RE ABOUT TO SAY, 466 00:20:28,350 --> 00:20:30,720 YOU’RE GUMMING MUSH FOR THE REST OF YOUR LIFE. 467 00:20:30,750 --> 00:20:33,020 FRED PESCADO, OKAY? 468 00:20:33,050 --> 00:20:35,190 CAN YOU CALM DOWN? 469 00:20:35,210 --> 00:20:37,140 WHAT’S YOUR STORY, FRED? 470 00:20:37,180 --> 00:20:38,680 I’M JUST TRYING TO HELP A FRIEND. 471 00:20:38,710 --> 00:20:39,840 LUISA LOPEZ. 472 00:20:39,880 --> 00:20:41,380 SHE OWES A LOAN SHARK. 473 00:20:41,410 --> 00:20:44,180 18‐YEAR‐OLD GIRL FROM PODUNK, MEXICO 474 00:20:44,210 --> 00:20:46,680 OWES A LOAN SHARK? START AGAIN, FRED. 475 00:20:46,710 --> 00:20:50,410 ALL RIGHT, LOOK, THE TRUTH ‐‐ BUT IT CAN’T GET BACK TO ME. 476 00:20:50,450 --> 00:20:53,950 SHE HAS A BAD HEROIN PROBLEM, AND SHE WANTS TO QUIT. 477 00:20:53,980 --> 00:20:56,380 BUT SHE’S ASHAMED TO TELL HER FOLKS, 478 00:20:56,410 --> 00:20:58,880 SO I SAID I’D HELP OUT. BY RUNNING A CON. 479 00:20:58,910 --> 00:21:00,440 IT WAS HER IDEA. 480 00:21:00,480 --> 00:21:02,840 WHERE ARE WE GOING TO FIND LUISA? 481 00:21:02,880 --> 00:21:04,240 I JUST SEE HER WHEN I SEE HER. 482 00:21:04,280 --> 00:21:05,810 SO IF THIS WENT ACCORDING TO PLAN, 483 00:21:05,850 --> 00:21:07,720 YOU WOULD HAVE JUST HELD ON TO HER GRAND 484 00:21:07,750 --> 00:21:09,520 UNTIL YOU HAPPENED ON EACH OTHER. 485 00:21:09,550 --> 00:21:12,590 YEAH. AND SHE COULD’VE GOTTEN HELP BY NOW, 486 00:21:12,610 --> 00:21:14,980 BUT, YOU KNOW, I DON’T KNOW... 487 00:21:15,010 --> 00:21:16,240 AAH! 488 00:21:16,280 --> 00:21:18,080 DROP THE SAINT ACT, YOU PHONY PRICK, 489 00:21:18,110 --> 00:21:20,140 OR YOU’RE LOOKING AT A FULL BIT FOR ASSAULTING A COP, 490 00:21:20,180 --> 00:21:22,080 GRAND LARCENY EXTORTION, 491 00:21:22,110 --> 00:21:23,380 AND CRIMINAL IMPERSONATION OF A PRIEST! 492 00:21:23,410 --> 00:21:25,640 I SWEAR, SHE PUT ME UP TO IT! 493 00:21:25,680 --> 00:21:27,510 LET’S CONFIRM THAT. WHERE IS SHE? 494 00:21:27,550 --> 00:21:29,650 SHE’S NOT GOING TO CONFIRM IT. SHE’LL PUT IT ALL ON ME. 495 00:21:29,680 --> 00:21:30,940 WHERE IS SHE? 496 00:21:30,980 --> 00:21:32,780 WE’RE TALKING ABOUT A JUNKIE WHORE. 497 00:21:32,810 --> 00:21:34,910 WHERE IS SHE? RIGHT NOW! 498 00:21:34,950 --> 00:21:38,120 MASSAGE PARLOR ON STANTON. 499 00:21:38,150 --> 00:21:40,790 WE’RE TAKING A RIDE. COME ON. 500 00:21:48,080 --> 00:21:50,240 FELLAS, CRIME SCENE GOT A PRINT 501 00:21:50,280 --> 00:21:52,840 OFF THE CIGARETTE PACK LEFT ON THE DELI COUNTER ‐‐ 502 00:21:52,880 --> 00:21:54,810 DARON HODGES. 503 00:21:54,850 --> 00:21:58,050 LENGTHY SHEET. LOTS OF PRIORS, INCLUDING ROBBERIES. 504 00:21:58,080 --> 00:22:00,510 LIVES 10 BLOCKS FROM THE DELI. 505 00:22:00,550 --> 00:22:02,320 THE PERP WAS BUYING CIGARETTES, RIGHT? YEAH. 506 00:22:02,350 --> 00:22:04,320 HOW’D THIS GUY’S PRINTS GET ON THE SMOKES? 507 00:22:04,350 --> 00:22:06,150 IS GARY STILL IN THE COFFEE ROOM 508 00:22:06,180 --> 00:22:07,880 WRITING UP HIS STATEMENT? YEAH. 509 00:22:07,910 --> 00:22:09,380 WE’LL FIND OUT. 510 00:22:12,610 --> 00:22:14,440 [ KNOCK ON DOOR ] 511 00:22:14,480 --> 00:22:17,640 GARY, UH, THE GUY WHO SHOT YOUR UNCLE, 512 00:22:17,680 --> 00:22:20,640 DID HE TOUCH THE PACK OF CIGARETTES THAT HE ASKED FOR 513 00:22:20,680 --> 00:22:22,640 BEFORE THIS WHOLE THING WENT DOWN? YEAH. 514 00:22:22,680 --> 00:22:25,210 HE WAS KNOCKING ’EM AGAINST HIS PALM, 515 00:22:25,250 --> 00:22:26,820 AND THEN HE SET ’EM DOWN. 516 00:22:26,850 --> 00:22:28,320 ALL RIGHT. 517 00:22:28,350 --> 00:22:30,190 THIS IS A MURDER INVESTIGATION, 518 00:22:30,210 --> 00:22:32,010 SO I DON’T CARE ABOUT ANYTHING ELSE. 519 00:22:32,050 --> 00:22:35,190 DID YOUR UNCLE BUY STOLEN CIGARETTES AND RESELL ’EM? 520 00:22:35,210 --> 00:22:36,910 NO. WE BUY ’EM LEGIT. 521 00:22:36,950 --> 00:22:38,650 YOU SELL A LOT OF CIGARETTES? 522 00:22:38,680 --> 00:22:41,480 I MEAN, UH, DO YOU GO THROUGH YOUR INVENTORY PRETTY QUICK? 523 00:22:41,510 --> 00:22:43,610 YEAH. CIGARETTES, LOTTO TICKETS, AND BEER. 524 00:22:43,650 --> 00:22:45,550 THAT’S WHERE WE MAKE OUR MONEY. 525 00:22:45,580 --> 00:22:47,210 ANY OTHER EMPLOYEES AT THE DELI? 526 00:22:47,250 --> 00:22:48,550 JUST MY AUNT AND UNCLE, 527 00:22:48,580 --> 00:22:50,410 AND I’VE BEEN THERE SIX MONTHS NOW. 528 00:22:50,450 --> 00:22:53,150 YOU KNOW A DARON HODGES? NO. 529 00:22:53,180 --> 00:22:55,240 WE GOT A FINGERPRINT ON THE CIGARETTES 530 00:22:55,280 --> 00:22:57,380 THAT WERE ON THE COUNTER WHEN YOUR UNCLE GOT SHOT. 531 00:22:57,410 --> 00:23:00,140 THEY COME BACK TO THIS DARON HODGES. 532 00:23:00,180 --> 00:23:01,740 SO, WHAT ARE YOU SAYING? 533 00:23:01,780 --> 00:23:03,940 WE GOT TO FIGURE OUT HOW HIS PRINTS GOT ON THERE. 534 00:23:03,980 --> 00:23:05,380 I HAVE NO IDEA. 535 00:23:05,410 --> 00:23:07,610 ALL RIGHT, NOW, ARE YOU SURE THE GUY THAT YOU PICKED OUT ‐‐ 536 00:23:07,650 --> 00:23:09,750 TERENCE CATES ‐‐ IS THE GUY WHO SHOT YOUR UNCLE? 537 00:23:09,780 --> 00:23:11,880 YES. WHERE’S DETECTIVE HUGHES? 538 00:23:11,910 --> 00:23:13,580 I LIKE DEALING WITH HIM. 539 00:23:13,610 --> 00:23:15,380 NOW, WAS THE GUY YOU PICKED OUT 540 00:23:15,410 --> 00:23:17,440 MAYBE THE GUY KEEPING AN EYE OUT BY THE DOOR? NO. 541 00:23:17,480 --> 00:23:19,210 NOW, YOU NEED TO BE SURE, GARY, 542 00:23:19,250 --> 00:23:21,220 ’CAUSE THIS CATES IS LOOKING AT MURDER. 543 00:23:21,250 --> 00:23:23,220 YEAH, I KNOW. I WAS THERE WHEN HE DID IT. 544 00:23:23,250 --> 00:23:25,590 WE’RE JUST MAKING SURE THAT WE GOT THE RIGHT GUY. 545 00:23:25,610 --> 00:23:28,140 I’M TELLING YOU, CATES IS THE RIGHT GUY. 546 00:23:28,180 --> 00:23:29,940 YOU GOT A FINGERPRINT PROBLEM OR SOMETHING. 547 00:23:29,980 --> 00:23:32,580 ALL RIGHT. 548 00:23:32,610 --> 00:23:34,040 KEEP WRITING. 549 00:23:44,410 --> 00:23:45,980 GET BACK IN YOUR SEAT! 550 00:23:46,010 --> 00:23:47,510 WHOA! UH, WHAT’S GOING ON? 551 00:23:47,550 --> 00:23:49,290 HEY, BACK OFF! THIS IS A LEGITIMATE BUSINESS, 552 00:23:49,310 --> 00:23:50,610 AND I DON’T SEE NO WARRANTS. 553 00:23:50,650 --> 00:23:52,890 Greg: YOU GOT A LUISA LOPEZ WORKING HERE? 554 00:23:52,910 --> 00:23:54,310 I SAY NOTHING WITHOUT MY LAWYER. 555 00:23:54,350 --> 00:23:56,190 HEY, TAKE IT EASY. ALL WE WANT IS LUISA LOPEZ. 556 00:23:56,210 --> 00:23:57,780 YEAH, WE GOT THE BACK. 557 00:23:57,810 --> 00:23:59,610 WHAT DO YOU WANT WITH HER? WHERE IS SHE, ASSHOLE? 558 00:23:59,650 --> 00:24:01,450 IN THE BACK. DOOR’S LOCKED. 559 00:24:01,480 --> 00:24:03,780 I’LL BUZZ YOU. THEN YOU’RE GONE, 560 00:24:03,810 --> 00:24:05,510 OR I’M CALLING MY LAWYER. 561 00:24:07,510 --> 00:24:09,780 JUST SIT DOWN. 562 00:24:09,810 --> 00:24:13,180 LUISA LOPEZ? 563 00:24:13,210 --> 00:24:15,110 SU NOMBRE ES LUISA LOPEZ? 564 00:24:15,150 --> 00:24:18,490 YOU. TAKE A WALK. 565 00:24:18,510 --> 00:24:20,210 Man: EXCUSE ME. 566 00:24:26,380 --> 00:24:28,440 POLICE! UP AGAINST THE WALL. OH, MY GOD. 567 00:24:28,480 --> 00:24:30,680 SHUT UP. PUT YOUR PANTS ON. 568 00:24:30,710 --> 00:24:32,310 LUISA LOPEZ? 569 00:24:32,350 --> 00:24:34,590 LUISA LOPEZ. IS THAT YOUR NAME? 570 00:24:34,610 --> 00:24:35,580 COME ON. 571 00:24:35,610 --> 00:24:37,480 I SWEAR, SHE WAS JUST GIVING ME A MASSAGE. 572 00:24:37,510 --> 00:24:40,040 SHUT UP, OR YOU’RE A COLLAR. 573 00:24:49,750 --> 00:24:52,520 HUGHES, SIPOWICZ. 574 00:24:52,550 --> 00:24:55,020 WE GOT A FINGERPRINT HIT OFF THE CIGARETTE PACK 575 00:24:55,050 --> 00:24:56,590 LEFT ON THE COUNTER AT THE DELI. 576 00:24:56,610 --> 00:24:58,040 IT COMES BACK TO A DIFFERENT GUY. 577 00:24:58,080 --> 00:25:00,610 YEAH, WELL, THAT’S WHAT WE’RE TRYING TO FIND OUT. 578 00:25:00,650 --> 00:25:02,820 IT AIN’T THAT EASY, HUGHES, YOU KNOW, 579 00:25:02,850 --> 00:25:05,120 BUT WE HAVE TO FIND AN ANSWER FOR THIS ‐‐ 580 00:25:05,150 --> 00:25:06,550 [ SIGHS ] 581 00:25:06,580 --> 00:25:08,510 WELL, GET BACK HERE AS SOON AS YOU’RE DONE. 582 00:25:08,550 --> 00:25:11,550 LITTLE UPDATE FOR US FROM COMMUNICATIONS. 583 00:25:11,580 --> 00:25:14,340 GARY DIDN’T MAKE THE 911 CALL FROM THE DELI. 584 00:25:14,380 --> 00:25:17,010 HE MADE IT FROM A PAY PHONE TWO BLOCKS DOWN. 585 00:25:17,050 --> 00:25:18,650 SO I RUN GARY. 586 00:25:18,680 --> 00:25:21,680 HE’S ON PROBATION FOR DEALING COKE TWO YEARS AGO. 587 00:25:28,780 --> 00:25:31,340 I’M ALMOST DONE HERE. 588 00:25:31,380 --> 00:25:33,310 NOW, WHAT HAPPENED AT THE DELI THIS MORNING, GARY? 589 00:25:33,350 --> 00:25:35,390 AND THIS TIME, DON’T LIE. 590 00:25:35,410 --> 00:25:37,080 WHAT’S WITH YOU GUYS? 591 00:25:37,110 --> 00:25:39,110 YOU DIDN’T MAKE NO 911 CALL FROM THE DELI. 592 00:25:39,150 --> 00:25:41,290 YOU MADE IT FROM A PAY PHONE TWO BLOCKS AWAY. 593 00:25:41,310 --> 00:25:43,180 OKAY, SO I CALLED FROM DOWN THE BLOCK 594 00:25:43,210 --> 00:25:45,040 AFTER I CHASED THE GUYS. 595 00:25:45,080 --> 00:25:46,880 IT’S NOT LIKE THERE WASN’T A LOT GOING ON. 596 00:25:46,910 --> 00:25:48,440 YOU GOT BUSTED FOR DEALING COKE TWO YEARS BACK. 597 00:25:48,480 --> 00:25:50,680 SO? YOU SET THIS UP, GARY? 598 00:25:50,710 --> 00:25:53,640 DID IT GO BAD? YOU GOT A LOT OF BALLS ACCUSING ME OF THAT. 599 00:25:53,680 --> 00:25:57,140 WHY DID YOU LIE ABOUT CALLING 9‐1‐1 FROM TWO BLOCKS AWAY? 600 00:25:57,180 --> 00:25:58,840 I CHASED THOSE TWO BLACK GUYS ‐‐ 601 00:25:58,880 --> 00:25:59,940 QUIT LYING TO US! 602 00:25:59,980 --> 00:26:02,780 I RAN, OKAY? 603 00:26:02,810 --> 00:26:05,040 UNCLE TONY WAS GETTING THE REGISTER OPEN, 604 00:26:05,080 --> 00:26:06,880 THE BLACK GUY TOOK HIS EYES OFF ME, 605 00:26:06,910 --> 00:26:09,740 SO I DOVE AROUND THE CORNER AND I RAN OUT THE BACK DOOR. 606 00:26:09,780 --> 00:26:12,440 THAT’S WHEN I HEARD THE GUNSHOT. 607 00:26:12,480 --> 00:26:14,740 MY UNCLE TONY, MY AUNT JOSIE 608 00:26:14,780 --> 00:26:17,510 GAVE ME A JOB, GAVE ME A SECOND CHANCE. 609 00:26:17,550 --> 00:26:19,590 I SHOULD’VE STAYED. I SHOULD’VE STAYED COOL. 610 00:26:19,610 --> 00:26:21,410 SO THIS GUY YOU PICKED OUT EARLIER ‐‐ CATES ‐‐ 611 00:26:21,450 --> 00:26:23,420 HE WASN’T THERE AT ALL? 612 00:26:23,450 --> 00:26:26,390 HE WASN’T THE GUY AT THE DOOR OR NOTHING? NO. 613 00:26:26,410 --> 00:26:29,580 HOW’D YOU PICK CATES OUT OF THE PHOTO ARRAY THEN? 614 00:26:29,610 --> 00:26:31,280 DID DETECTIVE HUGHES HELP YOU OUT? 615 00:26:31,310 --> 00:26:33,440 I COULD TELL CATES WAS THE GUY HE WANTED ME TO PICK. 616 00:26:33,480 --> 00:26:36,540 ALL RIGHT. WE GOT ANOTHER PHOTO ARRAY FOR YOU. 617 00:26:36,580 --> 00:26:38,940 TELL US IF YOU RECOGNIZE ANYONE. 618 00:26:38,980 --> 00:26:41,480 HIM. NO DOUBT IN MY MIND. 619 00:26:41,510 --> 00:26:43,480 HE PULLED THE GUN ON US. 620 00:26:43,510 --> 00:26:44,740 DARON. 621 00:26:44,780 --> 00:26:46,980 ME PICKING OUT CATES EARLIER, 622 00:26:47,010 --> 00:26:48,640 AM I TROUBLE FOR THAT? 623 00:26:48,680 --> 00:26:50,710 IS THAT GOING TO CAUSE ANY PROBLEMS? 624 00:26:50,750 --> 00:26:53,250 IT SURE DOESN’T HELP THE CASE, GARY. 625 00:26:56,750 --> 00:27:00,350 HAVE A SEAT, LUISA. 626 00:27:00,380 --> 00:27:02,580 HOW LONG HAVE YOU WORKED AT THE MASSAGE PARLOR? 627 00:27:02,610 --> 00:27:03,740 ONE YEAR. 628 00:27:03,780 --> 00:27:05,710 WE GOT WORD THAT YOU WERE IN DANGER. 629 00:27:05,750 --> 00:27:07,690 IS THERE ANY TRUTH TO THAT? NO. 630 00:27:07,710 --> 00:27:09,510 DO YOU DO DRUGS, LUISA? 631 00:27:09,550 --> 00:27:10,750 NO DRUGS. 632 00:27:10,780 --> 00:27:12,440 DID YOU KNOW SOMEONE CONTACTED YOUR FAMILY, 633 00:27:12,480 --> 00:27:14,480 ASKING FOR MONEY ON YOUR BEHALF? 634 00:27:14,510 --> 00:27:15,640 NO. 635 00:27:15,680 --> 00:27:17,310 THEY SAID YOU WERE IN TROUBLE 636 00:27:17,350 --> 00:27:19,250 AND NEEDED MONEY TO GET FREE. 637 00:27:19,280 --> 00:27:21,340 IT’S NOT TRUE. 638 00:27:21,380 --> 00:27:23,210 LUISA, IF YOU NEEDED MONEY FOR DRUGS 639 00:27:23,250 --> 00:27:25,390 OR FOR ANYTHING ELSE, AND YOU TOLD SOMEONE 640 00:27:25,410 --> 00:27:27,780 TO CALL YOUR FAMILY AND SAY YOU WERE KIDNAPPED, 641 00:27:27,810 --> 00:27:30,240 TELL US NOW, OR YOU COULD GO TO JAIL FOR FIVE YEARS. 642 00:27:30,280 --> 00:27:33,110 I NO TALK TO NOBODY. 643 00:27:33,150 --> 00:27:35,720 DO YOU KNOW THE NAME FRED PESCADO 644 00:27:35,750 --> 00:27:37,650 OR FERNANDO VILLEJOS? 645 00:27:37,680 --> 00:27:39,640 NO. 646 00:27:39,680 --> 00:27:41,410 NO? 647 00:27:41,450 --> 00:27:44,850 WHAT ABOUT ROJELIO OBREGUN? 648 00:27:44,880 --> 00:27:47,010 WHO TOLD YOU THIS NAME? 649 00:27:47,050 --> 00:27:48,450 YOUR BROTHER ENRIQUE. 650 00:27:48,480 --> 00:27:50,240 WHEN YOU SPEAK TO ENRIQUE? TODAY. 651 00:27:50,280 --> 00:27:53,240 WHERE IS HE? HE’S HERE IN NEW YORK, WORRIED ABOUT YOU. 652 00:27:53,280 --> 00:27:57,110 LUISA, DID ROJELIO PUT YOU UP TO THIS? 653 00:27:57,150 --> 00:27:58,750 I NO SEE HIM IN TWO YEAR. 654 00:27:58,780 --> 00:28:01,280 DOES ENRIQUE KNOW ABOUT THE MASSAGE PARLOR? 655 00:28:01,310 --> 00:28:03,280 WELL, WE DON’T THINK SO. 656 00:28:03,310 --> 00:28:04,980 PLEASE NO TELL ENRIQUE. PLEASE NO TELL HIM 657 00:28:05,010 --> 00:28:06,610 WHAT I AM DOING, OR HE COULD BE HURT. 658 00:28:06,650 --> 00:28:09,350 WHO WILL HURT HIM? PLEASE, I’M BEGGING YOU. 659 00:28:09,380 --> 00:28:11,380 LUISA, DID SOMEONE THREATEN YOU? PLEASE NO SAY. 660 00:28:11,410 --> 00:28:13,240 IF SOMEONE THREATENED YOU OR YOUR FAMILY, 661 00:28:13,280 --> 00:28:15,510 WE WANT TO HELP YOU, 662 00:28:15,550 --> 00:28:17,190 BUT YOU HAVE TO TELL US WHAT’S GOING ON. 663 00:28:17,210 --> 00:28:19,910 TELL ENRIQUE GO HOME, GO AWAY. 664 00:28:19,950 --> 00:28:23,420 I AM ASHAMED. IF I’M GO TO JAIL, IT’S OKAY. 665 00:28:23,450 --> 00:28:25,790 BUT PLEASE NO TELL ENRIQUE. 666 00:28:29,210 --> 00:28:31,240 WE’LL BE BACK IN A LITTLE WHILE. 667 00:28:39,780 --> 00:28:40,880 Man: YEAH. 668 00:28:40,910 --> 00:28:43,480 POLICE. WE NEED TO TALK TO DARON. 669 00:28:43,510 --> 00:28:45,510 HE AIN’T HERE. WE KNOW HE’S THERE. 670 00:28:45,550 --> 00:28:47,950 OPEN THE DOOR, OR WE’RE GOING TO TAKE IT DOWN. 671 00:28:47,980 --> 00:28:50,140 OPEN THE DOOR! 672 00:28:54,910 --> 00:28:56,480 WE’RE COMING IN! 673 00:28:56,510 --> 00:28:58,080 WHERE’S DARON? I DON’T KNOW! 674 00:28:58,110 --> 00:29:00,640 WHO ARE YOU? I’M KELVIN. I’M HIS LITTLE BROTHER. 675 00:29:00,680 --> 00:29:03,380 TELL ME WHERE DARON IS! I DON’T KNOW! 676 00:29:03,410 --> 00:29:05,410 HOW OLD ARE YOU? I’M 16. 677 00:29:05,450 --> 00:29:07,390 WHO ELSE LIVES HERE? MY MOM. 678 00:29:09,410 --> 00:29:11,680 HEY, SHOW ME YOUR HANDS, SHOW ME YOUR HANDS! 679 00:29:11,710 --> 00:29:15,140 IT’S ALL RIGHT, KELVIN. IT’S ALL RIGHT. STAY COOL! 680 00:29:15,180 --> 00:29:17,740 GOT ANYTHING ON YOU? HUH? 681 00:29:17,780 --> 00:29:20,510 TELL MA I’LL CALL HER LATER, ALL RIGHT? 682 00:29:28,650 --> 00:29:32,350 WHERE YOU BEEN THIS MORNING, DARON? 683 00:29:32,380 --> 00:29:33,840 I WAS DOING MY THING. 684 00:29:33,880 --> 00:29:35,640 YEAH? GET SPECIFIC. YOU MEAN, LIKE, THE WHOLE DAY? 685 00:29:35,680 --> 00:29:39,080 YEAH, UP UNTIL YOU PLAYED HIDE‐AND‐SEEK IN THE CLOSET. 686 00:29:39,110 --> 00:29:40,540 AH, NO, NO, NO. 687 00:29:40,580 --> 00:29:42,910 SEE, I THOUGHT YOU WAS THE LANDLORD, SEE. 688 00:29:42,950 --> 00:29:44,850 BECAUSE ME AND HIM, WE GOT FINANCIAL DISCREPANCIES. 689 00:29:44,880 --> 00:29:47,580 YEAH, YEAH. WHY DON’T YOU ACCOUNT FOR YOUR DAY, DARON? 690 00:29:47,610 --> 00:29:51,280 I WOKE UP AT 10:00, HAD ME SOME BREAKFAST. 691 00:29:51,310 --> 00:29:52,780 I WENT DOWN TO AARON’S, 692 00:29:52,810 --> 00:29:55,040 SPENT THE REST OF THE DAY DIGGING THROUGH RECORDS. 693 00:29:55,080 --> 00:29:56,980 WHEN DID YOU STOP BY NAPOLI DELI? 694 00:29:57,010 --> 00:29:59,210 I GUESS BEFORE I WENT RECORD SHOPPING. 695 00:29:59,250 --> 00:30:00,850 WHAT DID YOU DO THERE? 696 00:30:00,880 --> 00:30:02,140 BOUGHT ME SOME SMOKES. 697 00:30:02,180 --> 00:30:03,910 WHO WERE YOU THERE WITH? NOBODY. 698 00:30:03,950 --> 00:30:05,990 WE GOT WITNESSES SAW YOU WALKING AWAY FROM THE DELI 699 00:30:06,010 --> 00:30:07,210 WITH A BLACK MALE. 700 00:30:07,250 --> 00:30:09,020 [ Mocking ] WELL, I WAS NOT WALKING 701 00:30:09,050 --> 00:30:11,190 WITH ANOTHER BLACK MALE, SIR! 702 00:30:11,210 --> 00:30:12,810 WATCH YOUR MOUTH. 703 00:30:12,850 --> 00:30:15,590 I WAS BY MYSELF THIS MORNING. WE KNOW YOU’RE LYING. 704 00:30:15,610 --> 00:30:17,610 SEEMS LIKE YOU GUYS KNOW EVERYTHING. 705 00:30:17,650 --> 00:30:19,690 I’M NOT GOING TO TELL YOU AGAIN. 706 00:30:19,710 --> 00:30:22,080 WHY DON’T YOU TELL ME WHAT THIS GOT TO DO WITH ME, MAN? 707 00:30:22,110 --> 00:30:24,040 BECAUSE THAT’S ALL I GIVE A DAMN ABOUT. 708 00:30:24,080 --> 00:30:25,910 YOU ROBBING THAT DELI THIS MORNING. 709 00:30:25,950 --> 00:30:28,350 MNH‐MNH, MNH‐MNH. NO, NO, NO, NO, NO. FORGET IT. 710 00:30:28,380 --> 00:30:30,580 DARON, WE GOT WITNESSES. WE’LL HAVE YOU STAND 711 00:30:30,610 --> 00:30:33,040 IN A LINEUP. ONCE YOU GET PICKED OUT, 712 00:30:33,080 --> 00:30:34,540 NOTHING WE CAN DO FOR YOU THEN. 713 00:30:34,580 --> 00:30:36,640 THERE’S NOTHING I CAN DO FOR YOU RIGHT NOW. 714 00:30:36,680 --> 00:30:40,010 TAP ON ME ALL YOU WANT. I DIDN’T ROB NO DELI. 715 00:30:40,050 --> 00:30:41,750 THEN IT’S THE HARD ROAD. 716 00:30:41,780 --> 00:30:44,240 I’VE BEEN DOWN IT BEFORE. NOT THIS ONE. 717 00:30:44,280 --> 00:30:46,240 ALL RIGHT, GET IN. 718 00:30:54,610 --> 00:30:56,910 [ SPEAKS SPANISH ] 719 00:30:56,950 --> 00:31:00,520 [ BOTH SPEAKING SPANISH ] 720 00:31:02,710 --> 00:31:04,110 NO, NO. 721 00:31:04,150 --> 00:31:08,120 [ SPEAKING SPANISH ] 722 00:31:34,080 --> 00:31:35,880 I NEVER THOUGHT I’D SEE HIM AGAIN. 723 00:31:35,910 --> 00:31:38,240 WELL, THAT’S OVER NOW. 724 00:31:38,280 --> 00:31:40,880 I WAS COME HERE BY ROJELIO OBREGUN 725 00:31:40,910 --> 00:31:43,410 TO WORK IN A RESTAURANT, 726 00:31:43,450 --> 00:31:46,220 BUT HE NO HAVE MONEY TO PAY COYOTE. 727 00:31:46,250 --> 00:31:48,750 SO COYOTE SELL ME TO HECTOR SANTOS. 728 00:31:48,780 --> 00:31:50,840 THE MAN WHO RUNS THE MASSAGE PARLOR. 729 00:31:50,880 --> 00:31:54,680 HE SAY I OWE HIM $3,000, 730 00:31:54,710 --> 00:31:58,980 AND I NEED TO BE WITH MEN TO PAY IT OFF. 731 00:31:59,010 --> 00:32:01,540 MANY MEN. 732 00:32:01,580 --> 00:32:03,910 DID HE THREATEN YOUR FAMILY? 733 00:32:03,950 --> 00:32:06,850 HE SAID IF WE GO TO POLICE, HE KILL OUR FAMILY. 734 00:32:06,880 --> 00:32:08,540 HE KNOW WHERE WE LIVE. 735 00:32:08,580 --> 00:32:10,740 YOU SAID BEFORE YOU DIDN’T KNOW FRED PESCADO 736 00:32:10,780 --> 00:32:13,880 OR FERNANDO VILLEJOS. WAS THAT TRUE? 737 00:32:13,910 --> 00:32:15,310 HE WORK WITH HECTOR. 738 00:32:15,350 --> 00:32:17,320 HE RUN AROUND AND GET THINGS FOR HIM. 739 00:32:17,350 --> 00:32:19,150 HE’S A BAD MAN. 740 00:32:19,180 --> 00:32:22,540 I THOUGHT I WAS KILL MYSELF. 741 00:32:22,580 --> 00:32:25,810 I THINK I NEVER GO HOME AGAIN. 742 00:32:25,850 --> 00:32:27,550 EVER, EVER. 743 00:32:45,900 --> 00:32:47,230 HAVING FUN, FRED? 744 00:32:47,270 --> 00:32:48,440 NO. 745 00:32:48,470 --> 00:32:50,510 WELL, TOO BAD. YOU’RE FACING 30 YEARS OF IT. 746 00:32:50,530 --> 00:32:52,660 WHAT 30 YEARS? I TRIED TO HELP THAT GIRL. 747 00:32:52,700 --> 00:32:56,400 SHE GAVE YOU UP, ASSHOLE, GAVE UP THE OPERATION. 748 00:32:56,430 --> 00:32:58,330 I DIDN’T FIGURE YOU GUYS WERE DUMB ENOUGH 749 00:32:58,370 --> 00:32:59,970 TO TAKE THE WORD OF A JUNKIE. 750 00:33:00,000 --> 00:33:02,630 SEX SLAVE, FRIEND. 751 00:33:02,670 --> 00:33:05,570 KIDNAPPED, RAPED, BEATEN. 752 00:33:05,600 --> 00:33:06,860 SHE’S LYING. 753 00:33:06,900 --> 00:33:09,830 AND, UH, JUANA GONZALEZ, ESTHER MEDINA, 754 00:33:09,870 --> 00:33:11,870 MARIA SANCHEZ ‐‐ WHO WE JUST BROUGHT IN ‐‐ 755 00:33:11,900 --> 00:33:13,460 THEY LYING, TOO, 756 00:33:13,500 --> 00:33:15,300 BUT SOMEHOW ALL TELLING THE SAME STORY? 757 00:33:15,330 --> 00:33:17,160 MULTIPLY THE COUNT BY THE NUMBER OF GIRLS, 758 00:33:17,200 --> 00:33:20,060 THAT’S 30 YEARS. EASY. 759 00:33:20,100 --> 00:33:22,130 I HAD NOTHING TO DO WITH THAT STUFF. 760 00:33:22,170 --> 00:33:25,240 I DO THINGS FOR HECTOR. I GET HIS DRY CLEANING. 761 00:33:25,270 --> 00:33:28,270 AND SCAM HIS GIRLS. HE DON’T PAY MUCH. 762 00:33:28,300 --> 00:33:30,200 HECTOR SAID IT DON’T WORK LIKE THAT, FRED. 763 00:33:30,230 --> 00:33:31,530 YEAH, WELL, WHAT’S HE SAYING? 764 00:33:31,570 --> 00:33:33,570 YOU FIND THE GIRLS, YOU SUCKER ’EM IN. 765 00:33:33,600 --> 00:33:35,430 IT’S YOUR OPERATION. HE JUST KEEPS THE BOOKS. 766 00:33:35,470 --> 00:33:37,440 THEN WHY IS IT HIM WITH THE SILK SHIRTS AND THE GOLD MOVADO, 767 00:33:37,470 --> 00:33:40,310 AND ME IN AN ITCHY PRIEST SUIT, SCAMMING A STINKIN’ GRAND? 768 00:33:40,330 --> 00:33:41,960 WELL, IF HE’S THE ONLY ONE TALKING, 769 00:33:42,000 --> 00:33:44,000 WE GOT TO GO WITH HIS SIDE. 770 00:33:44,030 --> 00:33:46,430 NAH...NAH, I’M NOT DOING NO 30 YEARS. 771 00:33:46,470 --> 00:33:49,270 YOU PLAY IT RIGHT, YOU WON’T DO A DAY. 772 00:33:49,300 --> 00:33:53,560 ALL RIGHT, I GOT NAMES. 773 00:33:53,600 --> 00:33:55,900 LOTS OF NAMES. 774 00:33:55,930 --> 00:33:57,830 LET’S HEAR ’EM. 775 00:33:57,870 --> 00:33:59,870 I’LL GET SOMEONE FROM VICE. 776 00:34:02,730 --> 00:34:05,960 I WAS THERE. THE WITNESS POSITIVELY I. D.’d THE FIRST GUY. 777 00:34:06,000 --> 00:34:07,460 YEAH, I KNOW. I WAS THERE, TOO. 778 00:34:07,500 --> 00:34:09,100 AND NOW HE’S GOING TO RECANT THAT, 779 00:34:09,130 --> 00:34:11,130 AND IN THE SAME DAY, I. D. SOMEONE ELSE? 780 00:34:11,170 --> 00:34:13,540 IT WOULDN’T HOLD UP IN A HEARING, LET ALONE A TRIAL. 781 00:34:13,570 --> 00:34:15,510 ’CAUSE THE DEFENSE ATTORNEY WOULD DESTROY 782 00:34:15,530 --> 00:34:17,500 THIS GUY’S CREDIBILITY IN 10 SECONDS. 783 00:34:17,530 --> 00:34:19,760 CAN WE SALVAGE ANYTHING FROM THE WITNESS? 784 00:34:19,800 --> 00:34:21,630 HIM ALONE NOW WON’T DO US ANY GOOD. 785 00:34:21,670 --> 00:34:24,210 ANY OTHER WITNESSES? NOT YET. 786 00:34:24,230 --> 00:34:26,100 THAT HOTSHOT FROM ROBBERY HAVE ANYTHING TO DO 787 00:34:26,130 --> 00:34:27,460 WITH THIS BAD I. D.? 788 00:34:27,500 --> 00:34:29,560 YOU KNOW I WOULDN’T TELL YOU IF HE DID. 789 00:34:29,600 --> 00:34:32,960 HOW SURE ARE WE THAT THE NEPHEW WASN’T INVOLVED SOMEHOW? 790 00:34:33,000 --> 00:34:34,700 WE’RE NOT THAT SURE. HE SAYS HE LIED 791 00:34:34,730 --> 00:34:36,860 ABOUT THE DETAILS BECAUSE HE RAN AWAY FROM THE SCENE, 792 00:34:36,900 --> 00:34:38,400 BUT I DON’T KNOW. 793 00:34:38,430 --> 00:34:41,130 SHOWING PHOTOS OF DARON HODGES’ RUNNING BUDDIES TO GARY, 794 00:34:41,170 --> 00:34:43,240 SEE WHO MIGHT’VE BEEN STANDING BY THE DOOR THIS MORNING. 795 00:34:43,270 --> 00:34:45,470 HE JUST PICKED OUT DARON’S 16‐YEAR‐OLD BROTHER KELVIN. 796 00:34:45,500 --> 00:34:47,500 THE KID AT THE APARTMENT. YEAH. 797 00:34:47,530 --> 00:34:49,260 HOW DID WE GET THE BROTHER’S PHOTO? 798 00:34:49,300 --> 00:34:51,060 HE HAVE A RECORD? HE TOOK A COLLAR 799 00:34:51,100 --> 00:34:53,160 FOR SMOKING A JOINT IN THE PARK WITH HIS BUDDIES. 800 00:34:55,370 --> 00:34:57,970 I GOT TO GIVE IT TO YOU, DARON. 801 00:34:58,000 --> 00:35:00,500 YOU HAD US GOING THERE. GET UP. 802 00:35:00,530 --> 00:35:02,330 FOR A MINUTE THERE, WE WERE, LIKE, 803 00:35:02,370 --> 00:35:04,270 "DAMN, DID WE GET THE WRONG GUY? 804 00:35:04,300 --> 00:35:06,600 I MEAN, DID DARON JUST GO IN THERE TO GET SOME SMOKES?" 805 00:35:06,630 --> 00:35:09,260 GOT TO GIVE IT TO YOU. 806 00:35:09,300 --> 00:35:11,330 SO THIS IS THE BEST FRIEND APPROACH WE TRYING NOW? 807 00:35:11,370 --> 00:35:14,140 NO, I’M SERIOUS. HAVE A SEAT. 808 00:35:14,170 --> 00:35:16,270 I MEAN, FOR A MINUTE THERE, WE THOUGHT WE MIGHT HAVE HAD 809 00:35:16,300 --> 00:35:17,930 THE WRONG GUY, EVEN THOUGH A WITNESS I. D.’d YOU 810 00:35:17,970 --> 00:35:19,340 AS THE SHOOTER. GREAT. 811 00:35:19,370 --> 00:35:22,010 BUT WHEN THE WITNESS PICKED OUT YOUR BROTHER KELVIN 812 00:35:22,030 --> 00:35:24,460 AS THE GUY KEEPING AN EYE OUT BY THE DOOR, 813 00:35:24,500 --> 00:35:26,960 THAT’S WHEN WE KNEW WE HAD THE RIGHT GUY. 814 00:35:27,000 --> 00:35:28,730 PINNING THE CRIME ON THE BLACK GUY. 815 00:35:28,770 --> 00:35:30,370 THAT’S ALL THIS IS. 816 00:35:30,400 --> 00:35:31,960 YOUR BROTHER SEEMS LIKE A GOOD KID. 817 00:35:32,000 --> 00:35:33,660 YOU LOOK OUT FOR HIM, DON’T YOU? 818 00:35:33,700 --> 00:35:36,130 OTHER THAN GETTING POPPED FOR SMOKING A JOINT IN THE PARK, 819 00:35:36,170 --> 00:35:37,910 HE’S KEPT IT CLEAN. 820 00:35:37,930 --> 00:35:41,500 IT’S GOING TO WEIGH PRETTY HEAVY ON YOUR MIND, DARON, 821 00:35:41,530 --> 00:35:45,200 WHEN KELVIN GOES UP FOR ACTING IN CONCERT ‐‐ 822 00:35:45,230 --> 00:35:47,460 YOUR 16‐YEAR‐OLD BROTHER DOING ADULT TIME 823 00:35:47,500 --> 00:35:48,860 IN AN ADULT PRISON. 824 00:35:48,900 --> 00:35:51,400 OR MAYBE THIS ROBBERY WAS KELVIN’S IDEA, 825 00:35:51,430 --> 00:35:54,100 WHICH MEANS HE’LL GET EVEN MORE TIME. 826 00:35:54,130 --> 00:35:57,100 WE CAN MAKE THAT HAPPEN, TOO, IF YOU KEEP SITTING HERE POSING. 827 00:35:57,130 --> 00:35:59,460 COP TO WHAT YOU DID, DARON. 828 00:35:59,500 --> 00:36:00,660 I MEAN, THE GUY YOU SHOT, 829 00:36:00,700 --> 00:36:02,500 IT LOOKS LIKE HE’S GOING TO PULL THROUGH, 830 00:36:02,530 --> 00:36:04,460 SO YOU’RE JUST LOOKING AT AN ASSAULT CHARGE. 831 00:36:04,500 --> 00:36:06,360 IF YOU DON’T, I WILL MAKE SURE 832 00:36:06,400 --> 00:36:08,860 THAT YOUR BROTHER DOES TIME FOR ROBBERY 833 00:36:08,900 --> 00:36:12,200 AND ATTEMPTED MURDER. 834 00:36:12,230 --> 00:36:15,100 KELVIN DIDN’T KNOW NOTHING. 835 00:36:15,130 --> 00:36:18,230 I JUST TOLD HIM I WAS GOING IN FOR SOME SMOKES. 836 00:36:18,270 --> 00:36:20,770 HE HAD NOTHING TO DO WITH THIS. 837 00:36:20,800 --> 00:36:22,430 WHAT HAPPENED IN THE DELI? 838 00:36:22,470 --> 00:36:25,440 THE PLACE WAS EMPTY, I HAD MY GUN, 839 00:36:25,470 --> 00:36:26,970 I JUST DECIDED ON THE SPOT 840 00:36:27,000 --> 00:36:29,060 I’M GOING TO TAKE ’EM ALL FOR THE CASH. 841 00:36:29,100 --> 00:36:31,200 EVERYTHING WAS COOL UNTIL THE ONE GUY 842 00:36:31,230 --> 00:36:33,330 RAN AROUND THE CORNER AND TOOK OFF. 843 00:36:33,370 --> 00:36:39,240 I GOT UPTIGHT AND... 844 00:36:39,270 --> 00:36:41,740 KELVIN DIDN’T KNOW NOTHING ABOUT IT. 845 00:36:41,770 --> 00:36:43,010 LEAVE HIM OUT OF THIS. 846 00:36:43,030 --> 00:36:44,460 ALL RIGHT. 847 00:36:44,500 --> 00:36:46,630 SO THE OLD GUY BEHIND THE COUNTER, 848 00:36:46,670 --> 00:36:48,310 HE GOING ‐‐ HE GOING TO LIVE? 849 00:36:48,330 --> 00:36:49,530 LAST WE HEARD. 850 00:36:51,670 --> 00:36:53,270 WRITE IT DOWN. 851 00:37:04,830 --> 00:37:07,260 SORRY. I GOT A LITTLE WAYLAID. 852 00:37:07,300 --> 00:37:10,160 YOU KNOW, I HEAR YOU GOT A PERSONAL SECURITY BUSINESS 853 00:37:10,200 --> 00:37:11,900 THAT’S DOING PRETTY GOOD. 854 00:37:11,930 --> 00:37:13,530 YEAH? 855 00:37:13,570 --> 00:37:15,970 I HOPE THIS JOB DOESN’T INTERFERE WITH IT. 856 00:37:16,000 --> 00:37:18,100 WE HAVEN’T GOT A RAISE IN OVER FIVE YEARS. 857 00:37:18,130 --> 00:37:20,700 I’M TRYING TO DO THE RIGHT THING FOR MY FAMILY. 858 00:37:20,730 --> 00:37:23,030 WELL, YOU GOT YOUR PRIORITIES A LITTLE TWISTED HERE, PAL. 859 00:37:23,070 --> 00:37:24,970 SO IT TURNED OUT NOT TO BE CATES? YES OR NO? 860 00:37:25,000 --> 00:37:26,530 THAT’S A BIG NO. 861 00:37:26,570 --> 00:37:28,640 YOU COULDN’T HAVE TOLD ME THAT ON THE PHONE? 862 00:37:28,670 --> 00:37:30,510 YOU KNOW, IT’S GUYS LIKE YOU 863 00:37:30,530 --> 00:37:32,700 THAT GIVE VALIDITY TO EVERY SCUMBAG DEFENSE ATTORNEY 864 00:37:32,730 --> 00:37:35,730 WHO BREAKS COPS’ BALLS ON THE WITNESS STAND. 865 00:37:35,770 --> 00:37:39,010 IS THIS LESSON TIME NOW? ’CAUSE I’M NOT INTERESTED. 866 00:37:39,030 --> 00:37:43,030 LOOK, YOU PUT A BAD COLLAR ON A GUY, HUGHES. 867 00:37:43,070 --> 00:37:44,470 JUST DON’T FORGET THAT. 868 00:37:44,500 --> 00:37:45,960 IF THIS WOULD’VE BEEN FOR THE HUNDRED OTHER THINGS 869 00:37:46,000 --> 00:37:47,930 THAT CATES DIDN’T GET CAUGHT FOR ‐‐ 870 00:37:47,970 --> 00:37:50,210 YEAH, THAT’S GREAT. TAKE OFF. 871 00:37:50,230 --> 00:37:51,330 WHAT? 872 00:37:51,370 --> 00:37:53,410 TAKE OFF. 873 00:38:10,600 --> 00:38:13,300 NIGHT. 874 00:38:13,330 --> 00:38:14,460 HERE. WANT ONE? 875 00:38:14,500 --> 00:38:15,760 IT’S A GOOD SPOT. 876 00:38:15,800 --> 00:38:17,330 YEAH, IT’S A NEIGHBORHOOD PLACE. 877 00:38:17,370 --> 00:38:18,870 NICE PEOPLE. 878 00:38:26,070 --> 00:38:29,540 ARE WE DUE A CONVERSATION? 879 00:38:29,570 --> 00:38:31,340 ABOUT WHAT, YOU AND ME? 880 00:38:31,370 --> 00:38:33,410 WELL, I JUST KNOW WHAT YOU’VE BEEN THROUGH, 881 00:38:33,430 --> 00:38:37,900 AND YOU CAN TALK TO ME ABOUT ANYTHING...OR NOT. 882 00:38:37,930 --> 00:38:40,500 AHEM. I’M ALMOST AFRAID TO 883 00:38:40,530 --> 00:38:42,460 ’CAUSE I DON’T WANT TO JINX A GOOD THING. 884 00:38:42,500 --> 00:38:44,300 WELL, THERE’S NOTHING TO SAY 885 00:38:44,330 --> 00:38:46,130 THAT WE CAN’T KEEP A GOOD THING GOING. 886 00:38:46,170 --> 00:38:48,140 I CAN’T TELL YOU HOW MUCH I’D LIKE THAT TO HAPPEN, 887 00:38:48,170 --> 00:38:52,270 BUT, UM, I KEEP THINKING ANOTHER SHOE’S GOING TO DROP. 888 00:38:52,300 --> 00:38:54,330 I DON’T HAVE ANY TIME BOMBS ON ME, SO... 889 00:38:54,370 --> 00:38:57,270 WHAT YOU’RE SEEING, THAT’S WHO I AM. 890 00:39:01,330 --> 00:39:03,960 I’M NOT TRYING TO GET US AHEAD OF OURSELVES. 891 00:39:04,000 --> 00:39:08,460 HOWEVER LONG THIS LASTS, I JUST WANT TO ENJOY IT. 892 00:39:08,500 --> 00:39:09,860 THAT’S GOOD FOR ME. 893 00:40:15,330 --> 00:40:20,300 THIRD FLOOR, ONE QUEEN. YEAH, SOUNDS GOOD. 894 00:40:20,330 --> 00:40:21,800 HERE YOU GO. THANK YOU. 895 00:40:21,830 --> 00:40:24,260 DAD, YOU COULD PUT ONE IN YOUR BAG. 896 00:40:24,300 --> 00:40:26,600 I’M NOT GOING TO HAVE ANY ROOM FOR MY STUFF, THEO. 897 00:40:26,630 --> 00:40:29,830 LOOK, I‐I SAID ONE TOY, BUT IT CAN’T BE THE FIRE TRUCK. 898 00:40:29,870 --> 00:40:33,170 BUT WHAT IF I NEED IT? 899 00:40:33,200 --> 00:40:35,030 THANKS. 900 00:40:35,070 --> 00:40:37,710 I, UH, I’M ON THE FLOOR BELOW YOU GUYS. 901 00:40:37,730 --> 00:40:39,430 PERFECT. 902 00:40:39,470 --> 00:40:43,210 YOU KNOW... 903 00:40:43,230 --> 00:40:46,660 WHY I’D WANT YOU TO COME WITH ME IS A NO‐BRAINER, BUT... 904 00:40:46,700 --> 00:40:49,330 WHY YOU’D ACTUALLY SAY YES IS SOMETHING 905 00:40:49,370 --> 00:40:53,310 I‐I’M HAVING A HARD TIME GETTING MY HEAD AROUND. 906 00:40:53,330 --> 00:40:59,500 WHATEVER IT IS I DO FOR YOU, HOWEVER I MAKE YOU FEEL, 907 00:40:59,530 --> 00:41:02,360 YOU DO THE SAME FOR ME. 908 00:41:02,400 --> 00:41:04,630 I CAN’T IMAGINE HAVING THAT KIND OF LUCK. 909 00:41:04,670 --> 00:41:09,040 WELL, YOU DON’T HAVE TO IMAGINE ANYTHING. 910 00:41:09,070 --> 00:41:13,710 IT’S RIGHT HERE. 911 00:41:13,730 --> 00:41:16,000 I NEED SOMEONE BIG TO STAND ON MY BAG 912 00:41:16,030 --> 00:41:18,000 SO I CAN CLOSE IT. 913 00:41:18,030 --> 00:41:20,300 ALL RIGHT, WHY DON’T WE SEE IF WE CAN PARE IT DOWN 914 00:41:20,330 --> 00:41:22,600 A LITTLE BIT FIRST, OKAY, KIDDO? 915 00:41:22,630 --> 00:41:23,900 FINE. 916 00:41:26,130 --> 00:41:30,160 CONNIE, I’M GLAD YOU’RE COMING. 917 00:41:30,200 --> 00:41:32,560 ME TOO. 918 00:41:32,600 --> 00:41:34,300 COME ON. 919 00:41:36,970 --> 00:41:39,940 ALL RIGHT, LET ME SEE THIS BAG. 920 00:41:39,970 --> 00:41:41,940 THIS IS TOO MUCH, SWEETIE. 921 00:41:41,970 --> 00:41:43,940 WE HAVE TO TAKE THIS OFF FIRST. 922 00:41:43,970 --> 00:41:46,170 OH! WHOA, WHOA, WHOA, WHOA. 923 00:41:46,200 --> 00:41:48,030 THEO... 68756

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