All language subtitles for Cupid s01e04_English

WHAT DO YOU MEAN, WHY?

YOU CAN'T BE SLIPPING
MIXED TAPES INTO MY BAG.

MIXED CD.

AND YOU'RE GONNA FEEL
DIFFERENTLY AFTER YOU HEAR IT.

AND YOU SHOULDN'T BE
CALLING ME

UNLESS IT'S REGARDING
YOUR MENTAL HEALTH.

IT'S INAPPROPRIATE.
ONE LAST TIME--

I AM YOUR PSYCHIATRIST.
YOU ARE MY PATIENT.
YEAH, I'M AWARE OF THAT.

Are you?
Because in our sessions,

YOU TREAT ME LIKE I'M THE WOMAN
WHO CUTS YOUR HAIR.
A YOUNG LADY WHO I HAVE

THE UTMOST RESPECT FOR,
BY THE WAY.
YOU DEFLECT
EVERY SERIOUS QUESTION

WITH A JOKE OR A TANGENT.

I NEED TO GET
A TRUE PICTURE OF WHO YOU ARE

and where you came from
if I'm going to help you.
I'M CUPID,
AND I'M FROM OLYMPUS.

(bottles clink)
So you've said.

Listen, Claire,
I feel bad about

the way things have been going
in our sessions. I do.

ACTUALLY,
IT'S WHY I MADE YOU THE CD.
I'm not looking for a gesture.

I'M LOOKING FOR YOU
TO DIG DEEPER.

Well, I chose
the songs on the CD

because I thought it might
give you a little insight

into what's going on
inside my head.

OH, MY GOD.

I KNOW. IT'S A PRETTY AWESOME
IDEA, RIGHT?

I'VE BEEN ROBBED.

(beep, line disconnects,
dial tone)

I DON'T EVEN THINK
THEY TOOK ANYTHING.

WHY WOULD SOMEONE--
IT'S PROBABLY AN ADDICT
LOOKING FOR CASH LYING AROUND.

UNFORTUNATELY, IT'S GOTTEN
PRETTY COMMON AROUND HERE.

AND YOU--YOU DEFINITELY
CHECKED EVERYWHERE?

MA'AM, TRUST US.
HE'S LONG GONE.

THANKS, BOYS.
I'LL TAKE IT FROM HERE.

WHAT ARE YOU DOING
AT MY APARTMENT?
I WAS CONCERNED
FOR YOUR WELFARE.

"I WAS ROBBED." CLICK. WHAT WAS
I SUPPOSED TO DO AFTER THAT?

POUR MYSELF A GIMLET
AND DRAW A BATH?

I WANTED TO MAKE SURE

THERE WAS NO JUNKIE
HIDING IN YOUR BOX SPRING.
THERE'S NOT.

OH, GOOD. SO NOW I WILL BEGIN
THE CHEERING UP PROCESS.

STARTING PERHAPS...

WITH A LITTLE MUSICAL INSIGHT

INTO THE INNER WORKINGS
OF ONE TREVOR PIERCE.

DID YOU NOT HEAR A WORD
I SAID EARLIER?
WHAT ARE
WE TALKING ABOUT AGAIN?

DO YOU SEE ANY OF MY OTHER
PATIENTS HERE, TREVOR?

(horns honking in distance)

NO. JUST ME.

I SHOULD PROBABLY GET A LITTLE,
LIKE, GOLD STAR ON MY FILE.

I WILL GIVE IT TO YOU
AT OUR NEXT SESSION.

GOOD-BYE, TREVOR.

ALL RIGHT. HAVE IT YOUR WAY.

(metal clanks)
OH! SORRY!

TREVOR, WAIT.

SINCE YOU'RE ALREADY HERE,

IF YOU WANTED TO STAY
AND HELP ME CLEAN UP,

I-I GUESS THAT WOULD BE OKAY.

YEAH, SURE.

WHERE SHOULD WE BEGIN?

SHALL I SUGGEST...
THE BEDROOM?

SO WHEN YOU
GO TO SLEEP TONIGHT

YOU WON'T BE SURROUNDED BY
A REMINDER OF WHAT HAPPENED.

THEY TOTALLY
TRASHED THE PLACE.

WHAT, THIS? PLEASE.

BACK HOME, THIS WAS A TYPICAL
SUNDAY MORNING IN MY BEDROOM.

BUT YOU KNOW
WHAT THEY ALWAYS SAY,

IF YOU'RE NOT
BREAKING A LAMP... (sighs)

YOU'RE NOT DOING IT RIGHT.

THEY? WHO IS THIS "THEY"
THAT ALWAYS SAYS THAT?

UH, ZEUS,

APOLLO,

THE GUY WHO OWNS THE LIGHTING
STORE ON MOUNT OLYMPUS.

THERE'S A LIGHTING STORE
IN MOUNT OLYMPUS?

MOUNT O-LAMP-US.
I-I KNOW. IT'S RIDICULOUS.

BUT WHEN IT WAS CALLED
LAMPS BY GEORGE,

THEY COULD HARDLY SCARE UP
A CUSTOMER.

OH, LAMBY.

(bleats)

THE THINGS YOU MUST HAVE SEEN
IN THIS BEDROOM. (chuckles)

WHAT...

DO WE HAVE... HERE?

OUT.

OKAY.

(mutters)

I KNOW
I'M SUPPOSED TO MEET YOU,

BUT SERIOUSLY, I'M ON A JOB.
I'M NOT LYING.

I'M NOT LYING. HEY, WILL YOU--
WILL YOU TELL HER I'M NOT LYING?

HE'S NOT LYING.
TREVOR PIERCE.

PUTTING IN SOME LOCKS.

BREAK-IN. I-I-I DON'T KNOW.
HE WAS HERE WHEN I GOT HERE.

DOES SHE WANT TO KNOW
WHAT I'M WEARING?
DO YOU WANT TO KNOW
WHAT HE'S WEARING?

SHE DOESN'T, ALTHOUGH SHE PUT IT
SLIGHTLY MORE COLORFULLY.

ASK HER WHAT SHE'S WEARING.
HE WANTS TO KNOW
WHAT YOU'RE WEARING.

SHE SAYS SHE'S GONNA BE
WEARING YOUR ASS AS A HAT

IF YOU'RE LYING.

JUST THE ASSHAT
AND NOTHING ELSE?

(beep)
PAULA? HELLO?

SHE HUNG UP, DIDN'T SHE?
YEAH.

SO WHAT'S THE STORY THERE?
OTHER THAN THE FACT THAT
I'M MADLY IN LOVE WITH HER,

NOT A HECK OF A LOT.
WELL, IF SHE'S YOUR DREAM GIRL,
YOU GOTTA MAKE THAT MOVE.

DID IT SOUND LIKE I WAS
WORSHIPPING HER FROM AFAR THERE?

LOOK, SOME THINGS
JUST AREN'T MEANT TO BE.
LOVE'S ALWAYS MEANT TO BE.

YEAH, WELL,
NOT IN THIS CASE.

(Mousse T.'s "Horny" playing)

♪ YOU GOT ME HORNY
IN THE MORNING, AND YOU KNOW ♪

♪ MY HEART IS RINGING SO I'M
SINGING THIS SONG FOR YOU ♪

♪ I'M HORNY ♪

♪ HORNY, HORNY, HORNY ♪

♪ SO HORNY ♪

♪ HORNY, HORNY, HORNY ♪

♪ I'M HORNY ♪

NOT OPEN YET.

ALTHOUGH I COULD ALWAYS
MAKE AN EXCEPTION.

I'M LOOKING FOR TREVOR PIERCE.
YOU FOUND HIM.

PAULA TORRES.

WE SPOKE ON THE PHONE LAST NIGHT
ABOUT TOMMY BROWN.

THE LOCKSMITH?
(laughs)

SOMETHING FUNNY?
NO. SORRY.

I JUST, UM, THE WHOLE PICTURE
SUDDENLY BECAME CLEARER.

THE PICTURE?
TELL ME IF THIS SUMS IT UP.
YOU AND TOMMY WERE DATING.

THINGS WENT SOUTH,
YOU BROKE IT OFF.

NOW YOU'RE WONDERING
IF YOU DID THE RIGHT THING,

SO YOU'RE GIVING HIM
THE COLD SHOULDER

WHILE STILL SNIFFING AROUND
TO MAKE SURE HE HASN'T MOVED ON.

I'M NOT SNIFFING AROUND
TO MAKE SURE HE HASN'T MOVED ON.
OKAY.

I'M NOT HIS EX.
I'M HIS PAROLE OFFICER.

♪♪

(whirs)

(turns off machine)
SO YOU'RE A JEWEL THIEF?

WAS.

WAS, MRS. GARDNER.

MIGHT NOT WANT TO BROADCAST
THE WHOLE THIEF THING.

IT DOESN'T EXACTLY
ENDEAR ME TO PEOPLE.

TAKE PAULA, FOR EXAMPLE.

NO, PAULA NEEDS
TO GET OVER THAT.

YOU PAID YOUR DEBT
TO SOCIETY.

BESIDES, YOU WERE A JEWEL THIEF.
YOU DIDN'T KILL ANYONE.

YOU DIDN'T KILL ANYONE, RIGHT?
I NEVER EVEN CARRIED A GUN.

I WAS TELLING THAT VERY THING
TO THE JUDGE

WHEN HE SENT ME AWAY
FOR FIVE YEARS.
ON THE BRIGHT SIDE,
YOU DON'T GET CAUGHT,

YOU NEVER MEET PAULA.
THEN I DON'T GET THE CHANCE
TO SPEND THE REST OF MY LIFE

PINING FOR A WOMAN
WHO HATES ME.
YOU'RE MISTAKING COLD
AND SUPERIOR FOR HATRED.

LOOK, NO OFFENSE.
I MET THE WOMAN.

SHE'S BORDERLINE ARCTIC.

I KNOW.

COME ON. YOU NEVER HAD ONE
OF THOSE ICY KNOW-IT-ALLS

WHO JUST MAKE YOU CRAZY?

I HAVE ONE OF THOSE
WHO THINKS I'M CRAZY.

REGARDLESS, FROSTY THE SNOW BABE
DOESN'T HATE YOU.

IT'S JUST THE NATURE
OF THE RELATIONSHIP, YOU KNOW?

SHE'S TRYING TO MAINTAIN
A PROFESSIONAL DISTANCE.

YOU CAN'T READ TOO MUCH
INTO THAT. I NEVER DO.
IS THAT SO?

(chuckles) COME OVER HERE
AND CHECK THIS OUT.

PAROLE REPORT
PAULA WROTE TWO WEEKS AGO.

CHECK OUT THE LAST CHAPTER.

"WHILE THERE'S NO EVIDENCE

"TO SUGGEST TOMMY HAS ENGAGED
IN ILLEGAL ACTIVITY,

"HE HASN'T SHOWN
ANY MEANINGFUL CHANGE

"FROM HIS PRE-PRISON MINDSET.

"HE CONTINUES TO RELY
ON THE CHARM AND INTELLIGENCE

"THAT MADE HIM
A MASTERFUL THIEF

TO EVADE RESPONSIBILITY
IN HIS DAILY LIFE."

SO YOU SEE WHAT I'M SAYING?
YEAH, "CHARM,"
"INTELLIGENCE," "MASTERFUL."

CLEARLY, PAULA THINKS
YOU'RE A GIANT LOSER.

THIS IS GONNA BE
A PIECE OF CAKE.
WHAT'S GONNA BE
A PIECE OF CAKE?

YOU AND PAULA.
LEAVE IT TO ME.

I'LL HAVE HER IN YOUR ARMS
BY THE END OF THE NIGHT.

NEVER GONNA HAPPEN, MY FRIEND.
OH, OKAY.
WELL, I'LL LEAVE THEN.

OBVIOUSLY, YOU DON'T
REALLY LOVE PAULA.

I DON'T LOVE PAULA?

LET ME TELL YOU SOMETHING.

WHEN I GOT OUT OF PRISON,

MY PLAN WAS TO GO RIGHT BACK
IN THE BUSINESS.

I WAS CASING JOINTS USING BOOKS
IN THE PRISON LIBRARY.

MY EX-WIFE WAS HANDLING
MY LEGWORK ON THE OUTSIDE.

THEN I GET RELEASED AND I HAVE
MY FIRST PAROLE MEETING.

STARING ACROSS THE DESK AT ME

WAS THIS SMART, BEAUTIFUL WOMAN
WHO COULD SEE RIGHT THROUGH ME.

SUDDENLY ALL THAT MATTERED,

ALL I WANTED, WAS TO BE
A MAN SHE COULD RESPECT.

OKAY. I GET IT.
LOOK, YOU'RE PROBABLY RIGHT.

YOU KNOW, BEST TO KEEP
THAT SORT OF LOVE UNREQUITED.

YOU'RE MUCH BETTER OFF FOCUSING
ON YOUR OTHER GREAT LOVE--

MAKING KEYS.

I'M LISTENING.

I GOTTA GET
TO THIS SINGLES GROUP

BEFORE THE GROUP LEADER

DESTROYS THE LAST SPARK
OF ROMANCE AND HOPE

IN A BUNCH OF LONELY HEARTS,
BUT THIS IS WHERE I WORK.

(sets pen down)
I WANT YOU
TO COME IN TONIGHT.

I'LL FILL YOU IN
ON ALL THE DETAILS.

(siren wailing)

WE'D BEEN DRINKING... A LOT.

NEXT THING I KNOW,
ANGELA IS KISSING ME,

AND I'M KISSING HER BACK.
F-FIRST OFF, UH,

THE POLICE FORCE STRICTLY
FORBIDS FRATERNIZATION

BETWEEN PARTNERS, YOU KNOW,
BUT WHAT'S WORSE IS THAT NOW

THINGS HAVE GOTTEN VERY AWKWARD
IN THE SQUAD CAR.

THEN YOU NEED TO HAVE AN HONEST
CONVERSATION WITH YOUR PARTNER.

DISCUSS WHAT HAPPENED,
AND LET HER KNOW

IT WAS AN UNFORTUNATE MISTAKE.

OR IF I MIGHT SUGGEST A SOLUTION
THAT'S A LITTLE LESS,

YOU KNOW, SOUL-CRUSHING--

GET SMASHED AGAIN,
HOPE FOR A REPEAT PERFORMANCE.
(laughter)

I THINK
I LIKE TREVOR'S WAY.
YEAH, I DON'T THINK
I'VE HAD A RELATIONSHIP

THAT DIDN'T START WITH ONE
OR BOTH OF US A LITTLE WASTED.
(laughter)

HOW MANY OF YOU IN HERE
HAVE RELIED ON ALCOHOL

TO START RELATIONSHIPS?

AND OF THE PEOPLE
WITH THEIR HANDS UP,

HOW MANY OF YOU ARE PRESENTLY
SITTING IN A SINGLES' GROUP?

WE SHOULDN'T BE MAKING
IMPORTANT LIFE DECISIONS

WHEN WE'RE NOT IN FULL CONTROL
OF OUR FACULTIES.

OKAY, I'M SORRY,
BUT WHEN IT COMES TO LOVE,

OUR FACULTIES ARE MORONS.

ALCOHOL DOESN'T MAKES US DO
WHAT WE DON'T WANT TO DO.

ALCOHOL MAKES US DO PRECISELY
WHAT WE WANT TO DO.

WE'RE JUST AFRAID TO.
OKAY, THAT'S ENOUGH
FOR TODAY.

AND YOUR HOMEWORK IS TO FORGET
EVERYTHING TREVOR JUST SAID.

(laughter)

BENNY, CAN I ASK YOU
SOMETHING?
SURE.

MY APARTMENT
WAS RECENTLY BROKEN INTO.

IN YOUR EXPERIENCE, IS IT
AT ALL COMMON FOR THE ROBBER

TO RETURN TO THE SCENE
OF THE CRIME?
WHAT, TO BREAK IN AGAIN?

NO. IT ALMOST NEVER HAPPENS.
GOOD. (chuckles) THANK YOU.

WAIT. WHAT DID YOU MEAN,
"ALMOST NEVER HAPPENS"?

HEY.

YOU KNOW, IF YOU'RE STILL
SCARED ABOUT THE OTHER NIGHT,

I'D BE HAPPY
TO WALK YOU HOME.
I'M NOT SCARED. (scoffs)

YOU SURE?
BECAUSE IT'S NOT--

TREVOR, I'M--I'M FINE.

YOU KNOW,
IT WASN'T PERFECT.

BUT IT WASN'T HORRIBLE,
EITHER.

WHAT?

MY CHILDHOOD.

ANY CHANCE WE CAN TALK
ABOUT IT TONIGHT?

WHILE YOU'RE
WALKING ME HOME?

YEAH, WELL, IF WE'RE TALKING
ABOUT MY ISSUES,

IT'S NOT INAPPROPRIATE,
RIGHT?

OKAY, I'LL...

MAKE AN EXCEPTION
JUST THIS ONE TIME.

CAN YOU IMAGINE
HOW HARD IT IS GROWING UP

WITH MARS AS YOUR FATHER?

I MEAN, OF ALL THE GODS,
HE'S LIKE A FREAKIN' ROCK STAR.

IT'S ALWAYS HARD FOR A CHILD
TO FIGURE OUT WHO HE IS

AND WHAT HIS PLACE IS
IN THE WORLD

WHEN HE HAS A SUCCESSFUL
AND POWERFUL FATHER,

WHOEVER HE MIGHT BE.
STILL, SOMETIMES I WISH HE'D
BEEN ONE OF THE LESSER GODS--

YOU KNOW, THE GOD OF COMMERCE
OR THE GOD OF COOKIES.

THE GOD OF WAR
IN A WARRIOR CULTURE? IT'S--

(sighs) YOU'RE NEVER
GONNA MATCH UP.
THERE WAS A GOD OF COOKIES?

GOD OF EVERYTHING.
THE LAST COUPLE YEARS,

THEY STARTED HANDING OUT
TITLES AS POLITICAL FAVORS--

YOU KNOW, GOD OF COOKIES,
GOD OF HATS, GOD OF TAPE.

EVERYBODY GETS
THEIR 15 MINUTES.

OH, LOOK, HERE WE ARE.

YEP.

YOU WANT ME TO CHECK
ON THE APARTMENT?

ONLY IF YOU'RE NOT DONE
TALKING ABOUT YOUR FATHER.

THANKS FOR DOING THIS.
(Trevor) NO PROBLEM.

I GUESS I WAS A LITTLE MORE
SCARED THAN I LET ON.

WHO'S THE GUY?

DO I NEED TO BOOBY-TRAP
EVERYTHING IN MY APARTMENT?

WHO'S AVOIDING NOW, CLAIRE?

IT'S A FRIEND, OKAY?
YOU HAPPY?

IT'S MY BEST FRIEND
FROM COLLEGE, ACTUALLY.

HE WAS ALWAYS THERE FOR ME
IN SOME TOUGH TIMES.

HE WAS MY ROCK.

AND THEN HE GOT MARRIED
AND MOVED TO INDIA.

OH, MY GOD. IS THAT
YOUR HIGH SCHOOL YEARBOOK?

OKAY. OUT.
WHY?

CAN I--
OUT.

(horn honks)

(indistinct conversations)

IT'S BEEN TWO HOURS.

I'M STARTING TO THINK
YOU DON'T HAVE A PLAN.

WHY WOULD I DRAG YOU DOWN HERE
IF I DIDN'T HAVE A PLAN?

MY GUESS--
YOU WANT SOMETHING STOLEN.

(laughs)
YOU'RE KIDDING, RIGHT?

HEY, FELIX, DID YOU GET
A LOAD OF THIS?

DO YOU EVER IMAGINE ME
STEALING?
I DON'T KNOW.

IF YOU GIVE A GUY MONEY
TO DO A JOB,

HE SPENDS ALL HIS TIME
CHATTING UP HIS FRIENDS,

IS THAT STEALING?
NOT WHEN HIS KILLER SMILE
IS THE ONLY REASON

PEOPLE COME IN HERE
IN THE FIRST PLACE.

MORE BARTENDING,
LESS CUPID-ING.

(cell phone rings)

IT'S PAULA...

(ring)
CALLING ME
AT 3:00 IN THE MORNING.

(beep)

HEY.

UH-HUH, YEAH, THAT IS WEIRD.

WHO IS?

OKAY, I'LL BE RIGHT OVER.

HER LOCK'S BROKEN, AND SHE NEEDS
HELP GETTING INTO HER APARTMENT.

I WONDER HOW THAT HAPPENED.
GOOD THING SHE DIDN'T CALL

ONE OF THE THOUSAND OTHER
LOCKSMITHS IN NEW YORK.

WELL, THEY'RE NOT
ON HER SPEED DIAL, ARE THEY?

LOOK, AT THE PAROLE OFFICE,
YOU'RE A CRIMINAL,

SHE'S LAW ENFORCEMENT.

BUT AT HER PLACE,
3:00 IN THE MORNING,

YOU'RE TOMMY AND PAULA,
YOUNG LOVERS.

THIS IS YOUR GENIUS PLAN--
CHANGE THE SETTING?

DON'T BE DISSING SETTINGS, BRO.
SETTINGS ARE CRUCIAL.

IT'S THE REASON
WHY PEOPLE KISS

UNDER THE EIFFEL TOWER AND NOT
AT THE PARIS BAGUETTE HUT.

IT'S THE REASON WHY
SHAKESPEARE

SET SO MANY OF HIS PLAYS
IN ITALY.

YOU THINK
SPARKS ARE GONNA FLY

IF IT'S "TWO GENTLEMEN
OF DETROIT"?

I'M TELLING YOU.
YOU, PAULA, HER PLACE, ALONE--

IT'S GONNA WORK.
(chuckles) YEAH, WELL,
IN ANY EVENT,

THERE'S A LITTLE PROBLEM.

SHE'S THERE
WITH HER FRIEND HEATHER.

(thumbing bills)
(sighs)

I'M GUESSING YOU DON'T WANT

YOUR FIRST ROMANTIC EXPERIENCE
WITH PAULA TO BE A THREE-WAY?

WHAT IF YOU CAN'T LURE
THE FRIEND AWAY?

WHAT IF THE SUN DIDN'T
COME UP TOMORROW MORNING?

WHAT IF TREES WERE PURPLE?

WHAT IF ELEPHANTS REFUSED
HANDFULS OF PEANUTS?

(elevator bell dings)

THE CAVALRY HAS ARRIVED.
GREAT. YOU CAME HERE
WITH YOUR ALIBI.

THAT DOESN'T MAKE THE OTHER
NIGHT SEEM FISHY, DOES IT?

HEY, GOOD TO SEE YOU, TOO.
AND WHO'S THIS?

THAT'S
MY DRUNK FRIEND HEATHER.

HER SORROWS
REFUSED TO DROWN TONIGHT.
HI. I'M TREVOR.

I JUST THREW UP IN A VASE
IN THE LOBBY.

CAN YOU FIX IT?

YOU LOOK AMAZING,
BY THE WAY.

THAT'S INAPPROPRIATE.
CAN YOU FIX IT?

(Trevor) WHAT IS IT
WITH "INAPPROPRIATE"?

DO WOMEN OWN STOCK
IN THAT WORD?
I CAN OPEN THE DOOR,

BUT IT'LL BE A LOT EASIER
TO DO FROM THE OTHER SIDE.

WHERE IS THE ROOF ACCESS?
NO, I DON'T WANT YOU
SEIZING THE OPPORTUNITY

TO SHOW OFF.

I'M NOT SHOWING OFF.
IT'LL ACTUALLY BE EASIER FOR ME.

THERE'S SOMETHING JAMMED
IN THERE.

REALLY? CLIMBING DOWN THE SIDE
OF MY BUILDING LIKE SPIDER-MAN

AND RAPPELLING INTO MY APARTMENT
THROUGH THE WINDOW IS EASIER?

UH-HUH.
THIS COMING
FROM THE SAME GUY

WHO BRAGGED
THAT IF HE HAD A BOBBY PIN,

HE COULD BREAK INTO ANY LOCK
IN 30 SECONDS.

DO YOU HAVE A BOBBY PIN?

NO.

I'LL BE ON THE ROOF.

TREVOR.

TREVOR. TREVOR, TREVOR,
TREVOR! (laughs)

IT SOUNDS FUNNY
WHEN YOU SAY IT REALLY FAST.

HAVE YOU EVER NOTICED THAT?

HOW COULD I NOT?
HMM.

HEY, LISTEN, YOU KNOW,

I KNOW A PLACE THAT MAKES
A GREAT CUP OF COFFEE.

YOU KNOW WHO MAKES
A GREAT CUP OF COFFEE? PAULA.

SHE'S GOT
THIS SPECIAL GRINDER.

HER MOTHER GOT IT FOR HER.

MY MOTHER WAS ALWAYS UP
IN MY BUSINESS.

STILL IS.

WAIT. WHAT WERE WE
TALKING ABOUT?

GETTING A CUP OF COFFEE.

RIGHT.

YOU KNOW WHO MAKES
A GREAT CUP OF COFFEE?

PAULA.

HE'S IN.

DAMN IT. I FORGOT TO TELL HIM
ABOUT THE ALARM.

TA-DA!

HOW AWESOME WAS THAT?

NO WONDER YOU'RE TOTALLY
IN LOVE WITH HIM.

YEAH, I THINK
YOU'LL BE SLEEPING IT OFF.

ARE YOU ALMOST DONE?

GETTING THERE. JUST SO YOU KNOW,
I'M GIVING YOU

MY SPECIAL "YOU'RE IN LOVE
WITH ME" DISCOUNT.

OH, I'M NOT IN LOVE
WITH YOU.
(scoffs)

SHE'S DRUNK.
DRUNK PEOPLE GET CONFUSED.

DUDE, HEATHER TOTALLY HAS YOU
MIXED UP WITH A DIFFERENT

JEWEL THIEF/LOCKSMITH
PAULA'S IN LOVE WITH.

THIS OTHER LOCKSMITH
SOUNDS AMAZING.
OKAY. OUT.

ALL RIGHT, WELL, UH,
YOUR DEAD BOLT'S SECURE,

BUT I NEED TO COME BACK
TOMORROW TO REPLACE THE LATCH

ON THE BOTTOM LOCK.
FINE, WHATEVER, GOOD NIGHT.

PAULA, LISTEN.

I THINK WE COULD HAVE
SOMETHING AMAZING--

BETTER THAN AMAZING.

DO YOU WANT TO HEAR
SOMETHING FUNNY?

WHEN I GRADUATED COLLEGE,
I WAS A FREAKIN' BLEEDING HEART.

TWO MONTHS ON THE JOB,
ONE OF MY PAROLEES--

I MEAN, I REALLY THOUGHT
I'D GOTTEN TO HIM--

HE HOLDS UP A LIQUOR STORE,
PUTS THE OWNER AND A WOMAN

WHO WANDERED IN TO GET
A WINE COOLER IN THE HOSPITAL.

IT'S BEEN 12 YEARS
OF STORIES LIKE THAT.

PEOPLE DON'T MAGICALLY
TRANSFORM, TOMMY.

NOTHING HAS CHANGED.

I DON'T TRUST YOU.

DO YOU UNDERSTAND?

YEAH, I THINK I'M CLEAR.

NICE PLAN.

DON'T HATE THE PLAN.
THE PLAN WAS SOLID.

JUST TOO MANY PEOPLE,
TOO BIG A SPACE.

TOO DRUNK A FRIEND.

(rumbling thud)

DID... THE ELEVATOR
JUST STOP?

(sighs)

TIGHT SPACE, TWO OF US ALONE...
ACCORDING TO YOUR RULES,

YOU AND I WILL PROBABLY
START MAKING OUT.

WELL, IF WE CAN GET
A FEW DRINKS IN ME.

YOU KNOW,
PIPE IN SOME MOOD MUSIC,

I COULD REALLY LOSE
MY INHIBITIONS.

(rumble)

THAT'S FOR THE BETTER.
I FORGOT TO WAX.

(door bells jingle)

(door bells jingle)

(keys jangle)

LONG DAY AT THE OFFICE?

IT'S FUNNY, SONJA. I DON'T
REMEMBER GIVING YOU A KEY.

KEYS ARE FOR AMATEURS.

WHO TAUGHT ME THAT?

OH. I REMEMBER.

YOU.

(man on TV) ...36-28.

THE KNICKS ON THE BOTTOM END
OF A 6-0 RUN NOW...

THE KNICKS?

YOU'RE A GLUTTON
FOR PUNISHMENT, CHARLIE.

COME ON. YOU GOTTA STICK
WITH 'EM.

YOU SAID
THERE'S A DELIVERY FOR ME?

(man speaking indistinctly)

WOW.

(chuckles)
WHERE DID THIS THING COME FROM?

(elevator bell dings)

HOLD THAT DOOR.

(doors close)

(exhales deeply)

HI.

IT'LL JUST TAKE ME A COUPLE
MINUTES TO FINISH YOUR LOCK,

AND THEN I'LL BE OUTTA
YOUR HAIR.

(rumbling thud)

UGH.

YOU GOTTA BE KIDDING ME.

I HATE
THIS STUPID ELEVATOR.

HEY, CHARLIE. PAULA TORRES.

THE ELEVATOR'S STUCK.

THANKS.

(hangs up telephone)

THE DOORMAN SAID SOMETIMES
IT STARTS BACK UP ON ITS OWN.

IF NOT,
HE NEEDS TO CALL SOMEONE,

AND THAT COULD BE
A COUPLE HOURS.

GREAT.

(sighs)

I'M HUNGRY. ARE YOU?

(man speaking indistinctly)

HEY, THANKS FOR YOUR HELP,
CHARLIE.
I'LL BE HAPPY JUST NOT

TO SEE HER WALK IN HERE ALONE
EVERY NIGHT.

THERE'S GRAPES AND CHEESE.

(glass clinks)

AND AN iPod?
AND A SET OF SPEAKERS?

HUH. THERE'S ACTUALLY
A SET LIST HERE

CALLED "ELEVATOR TUNES."

(beep)

(slow R&B playing)

WAIT.

DID YOU SET THIS UP?

(scoffs) ARE YOU KIDDING?

NO, I-I READ YOU
LOUD AND CLEAR LAST NIGHT.

♪♪

(scoffs)

TREVOR.

♪♪

SHE SCARES SO MANY GUYS AWAY
WITH THAT TOUGH ACT.

BUT UNDERNEATH,
PAULA'S SUCH A SWEET GIRL.

THAT'S WHAT I KEEP HEARING.
CHEERS.

AH, THEY'RE INTO THE WINE.
JUST A MATTER OF TIME NOW.

(typing on keyboard)
(tapping fingers)

(telephone rings)

DID YOU NEED SOMETHING?
NO, NO, I'M JUST WAITING.

TREVOR'S GOING TO WALK ME HOME,
SO...
AGAIN?

OKAY, I'LL ADMIT
I WAS A LITTLE FREAKED OUT

ABOUT THE ROBBERY,
SO I LET TREVOR WALK ME HOME.

BUT HE IS ACTUALLY STARTING
TO OPEN UP TO ME.

I THINK
HE FEELS MORE COMFORTABLE

WITH THE INFORMAL SETTING
THAN HE DOES IN OUR SESSIONS.

AND THERE IS SOMETHING TRAGIC
BURIED IN HIS PAST.

IT'S WHAT'S CAUSED HIS BREAK
FROM REALITY, I AM SURE OF IT.

AND IF THE WAY TO GETTING CLOSER
TO UNRAVELING THAT

IS BY WALKING 15 BLOCKS A NIGHT
WITH HIM, I'LL DO IT.

YES, IT'S A LITTLE UNORTHODOX,
BUT I'M A LITTLE UNORTHODOX.
SINCE WHEN?

(crowd cheering)
YES!

YEAH!
(chuckles) AH.

LISTEN, KEEP THE ELEVATOR STUCK
FOR ANOTHER HALF HOUR, OKAY?

I'M GONNA GO MAKE
MY NIGHTLY ROUNDS.
YOU GOT IT.

(man speaking indistinctly)

(shoe squeaks)

(man speaking indistinctly)

DIRTY.

HEY, IT'S NOT LIKE SHE DIDN'T
TAKE CARE OF ME AND MY SIBLINGS,

BUT MY MOM NEVER PUT US FIRST,
YOU KNOW?

VENUS JUST DID
WHAT VENUS WANTED TO DO.

I'M SURE YOU'VE SEEN
THE PAINTINGS

AND THE SCULPTURES.

THE WOMAN WOULD TAKE HER CLOTHES
OFF AT THE DROP OF A HAT.

YOU KNOW HOW EMBARRASSING
THAT IS FOR A KID?

AND I'LL TELL YOU
SOMETHING ELSE--

SHE MAY HAVE BEEN
THE GODDESS OF CHASTITY,

BUT THAT DOESN'T MEAN
THAT THERE WASN'T

A STEADY PARADE OF "UNCLES"
COMING THROUGH THE PLACE,

SOMETIMES MORE THAN ONE
AT A TIME.

WELL, THE SORTS
OF RELATIONSHIPS

OUR PARENTS HAD
CERTAINLY AFFECT THE WAY

WE APPROACH
OUR OWN ROMANTIC LIVES.
THAT'S TRUE.

I DO ENJOY AN ORGY.

IT'S GOOD TO KNOW
IT'S A GENETIC PROCLIVITY.

I WAS TALKING
ABOUT RELATIONSHIPS YOU'VE HAD

WITH SPECIFIC WOMEN,

NOT SLEAZY,
SEXUAL FREE-FOR-ALLS.

"SLEAZY"?

ROMAN ORGIES ARE NOT ORGIES
THE WAY YOU THINK OF THEM.

SO IT WASN'T A BUNCH OF PEOPLE
HAVING RANDOM SEX?

NO, IT WAS, BUT CLASSY.

YOU KNOW, IT'S A CATERED AFFAIR
WITH A BAND.

DIONYSUS--
HE HAD A KEY PARTY ONCE.

EPIC. AND THAT'S NOT A WORD WE
TOSS AROUND LIGHTLY BACK HOME.

(chuckles)

(horn honks)

(bottles clink)

HAVE YOU SEEN MY iPod?

(mouth full) OH, YEAH,
ABOUT THAT--I BORROWED IT.

IF YOU TAKE SOMETHING
WITHOUT THE PERSON KNOWING,

IT'S NOT BORROWING.

IT--IT'S STEALING.
YOU'LL BE HAPPY TO KNOW,
IT WORKED ITS MAGIC.

KNOWING THAT DOESN'T IMPROVE
MY MOOD AT ALL, ACTUALLY.

HOW SOON
BEFORE I GET IT BACK?

SOON-ISH.

SOON?

(indistinct conversations)

TORRES...

THIS IS DETECTIVE LARRABEE,
NYPD.

WE NEED TO TALK
WITH YOU A MINUTE.
WHAT'S GOING ON?

SEVERAL VALUABLE DIAMONDS
WERE STOLEN FROM A MUSEUM

AROUND 3:30 THIS MORNING.

THE HEIST FITS THE M.O.
OF ONE OF YOUR PAROLEES.

WHAT CAN YOU TELL ME
ABOUT TOMMY BROWN?

BATHROOM FIRE, FAKE FIREMEN.

SEEMS PRETTY CLEAR-CUT.

CRIMINALS COPY OLD CRIMES
ALL THE TIME.

TOMMY'S CLEANED UP HIS ACT.
HE'S BEEN A MODEL PAROLEE.
THEY'RE ALL MODEL PAROLEES
UNTIL THEY AREN'T, RIGHT?

HOW MANY TIMES
I HEARD YOU SAY THAT?
WE GOT HIM IN A HOLDING CELL
AT THE STATION.

HE HASN'T BEEN ABLE
TO GIVE US AN ALIBI.
TRUST ME.
TOMMY DIDN'T DO THIS.

LOOK, IF YOU HAVE
ANYTHING TO SHARE

THAT MIGHT SUPPORT YOUR THEORY,
I'M ALL EARS.

BUT I GOTTA TELL YA, IT DOESN'T
LOOK TOO GOOD FOR HIM.

(siren wailing in distance)

IT WAS YOU.

YOU TOLD THE POLICE
I WAS WITH YOU.
YOU WERE WITH ME.

WHAT ABOUT YOUR JOB?

YEAH, WELL, I DON'T REALLY
HAVE ONE OF THOSE ANYMORE.

SO... WHAT DO THE UNEMPLOYED
DO WITH THEIR TIME ANYWAY?

♪♪

(man) ♪ I WORK REAL HARD ♪

♪ SEVEN LONG DAYS ♪

♪ AT THE END OF THE WEEK
AND I HAND MY LADY MY PAY ♪

♪ MY FRIENDS ALL SAY ♪

SO HAVE YOU EVER
BEEN IN LOVE?

UGH. ARE WE STILL ON THIS?

WHAT'S THE BIG DEAL?
YOU CAN TELL ME.

HAS CUPID EVER BEEN STRUCK
BY HIS OWN ARROW?

WELL, YEAH, OF COURSE.
PLENTY OF TIMES.

HER NAME WAS BRIZO, OKAY?

GODDESS OF SAILORS,

CURSED LIKE ONE, TOO.

WE MET AT NERO'S,
WENT BACK TO HER PLACE AFTER,

AND FOR TWO DAYS,
WE DIDN'T GET OUT OF HER BED.

WELL, ACTUALLY...

EXCEPT A COUPLE OF BRIEF
INTERLUDES ON THE CHAIR...

IN THE SHOWER,
THE KITCHEN FLOOR,

THE CHAIR AGAIN.

THAT'S A HOT WEEKEND, TREVOR.
THAT'S NOT LOVE.

WHY, BECAUSE WE DIDN'T TALK
LATER ABOUT OUR FEELINGS?

(sniffs)
DID YOU HAVE ANY TALKS LATER?

LOVE'S ABOUT PASSION,
OKAY?

IT'S NOT ABOUT
FILLING EACH OTHER IN

ON WHAT HAPPENED AT WORK
THAT DAY.
YOU KNOW WHAT I THINK?
I THINK YOU'VE BEEN IN LOVE,

AND IT HAD
A PROFOUND EFFECT ON YOU,

BUT IT'S TOO PAINFUL
FOR YOU TO TALK ABOUT.
YOU KNOW WHAT I THINK?

I THINK
THAT YOU FASHION YOURSELF

AN EXPERT ON THIS SUBJECT,
BUT I DON'T THINK

THAT YOU'VE EVER ACTUALLY
BEEN IN LOVE BEFORE.

OH, I'VE BEEN IN LOVE.

MY LOVE LIFE IS
NONE OF YOUR BUSINESS.

EVERYBODY'S LOVE LIFE IS
MY BUSINESS.

COME ON. RUN IN HERE WITH ME
FOR TWO SECONDS.

I GOTTA SEE A GUY
ABOUT A BEAD.

♪♪

(door bells jingle)

SO? THINGS ARE GOOD?

BEYOND GOOD.

THINGS ARE GREAT. I'M SEEING HER
AS SOON AS WE CLOSE.

WHAT'D I TELL YOU? HEY, LISTEN,
UH, YOU GOT THAT iPod FOR ME?

(inhales sharply)
IT'S AT PAULA'S.
(beep)

IF YOU WANT,
I CAN CALL HER,

YOU CAN STOP BY
AND PICK IT UP.

AREN'T YOU...

HE'S THE LOCKSMITH
FROM THE OTHER NIGHT, ISN'T HE?

TREVOR, WHAT'S GOING ON?

(Trevor) THIS WILL
JUST TAKE A MINUTE.

I STILL DON'T KNOW
WHAT BOTHERS ME MORE--

THAT THE GUY WHO INSTALLED
MY NEW LOCK IS AN EX-CON

OR THAT YOUR MATCHMAKING
LED TO A WOMAN LOSING HER JOB.
(Paula) JUST A MINUTE!

YOU KNOW, I GOTTA SAY,
FOR SOMEONE WHO'S BEEN IN LOVE,

YOU DON'T HAVE
A HIGH REGARD FOR IT,

OR, FOR THAT MATTER,
FOR THE REHABILITATIVE POWER

OF THE FEDERAL PENAL SYSTEM.
(elevator bell dings)

(Claire scoffs)
HEY, TREVOR.

HEY. WHAT'S UP, CHARLIE?
(knock on door)

THERE'S THE MAN
OF THE HOUR.

ALL IN A DAY'S WORK. REALLY,
YOU SHOULD THANK CHARLIE.

COULDN'T HAVE DONE IT
WITHOUT HIM.
THANK YOU, CHARLIE.

YOU KNOW ME.
I'M A SUCKER FOR ROMANCE.

AND YOU GOT YOURSELF
A GOOD ONE THIS TIME.

WHEN HE HAD TO RUN OUT
THE OTHER NIGHT,

BROUGHT ME BACK A COFFEE.
HOW NICE IS THAT?

WHAT DO YOU MEAN, HE RAN OUT?
THE OTHER NIGHT.

I THOUGHT
HE WAS LEAVING FOR THE NIGHT

BECAUSE IT WAS
3:00 IN THE MORNING.

SAID HE'D BE BACK.
ASKED ME IF I WANTED ANYTHING.

I FIGURED MAYBE YOU WERE
RUNNING LOW ON PROVISIONS.

DID I SAY SOMETHING WRONG?

PAULA, WHAT IS IT?
WHAT'S WRONG?

3:00 A.M.--
THAT'S THE TIME OF THE HEIST.

I WAS HIS ALIBI.

(crying) I FEEL LIKE
I COULD LOSE IT AT ANY SECOND.

WELL, YOU'VE BEEN DEALT

A PRETTY DEVASTATING PIECE
OF INFORMATION.

MY FRIENDS, MY MOTHER--THEY ALL
ACCUSE ME OF HAVING A WALL UP.

SO WHAT HAPPENS? I LOWER
THE WALL, LET SOMEONE IN,

AND HE USES ME AS AN ALIBI
FOR A JEWEL HEIST.

I'M SORRY, BUT THAT'S MAKING IT
A LITTLE HARD FOR ME TO FOCUS.

I ALWAYS CLEAN WHEN I'M UPSET.
NO,
I UNDERSTAND THE CLEANING.

IT'S A COMMON THERAPEUTIC
MEANS OF COPING.

IT'S JUST THE FACT
THAT YOU'RE CLEANING A GUN.

IT'S NOT LOADED.
WELL, STILL.

THANK YOU.
WHO WANTS HOT CHOCOLATE?

YOU MADE HOT CHOCOLATE?
CHOCOLATE MAKES
EVERYTHING BETTER.

I'M SUCH AN IDIOT.
I CAN'T BELIEVE I LET MYSELF

FALL IN LOVE WITH A CRIMINAL.
YOU ARE NOT TO BLAME IN THIS.

TOMMY IS TO BLAME.
TREVOR IS TO BLAME.

HERE'S A THOUGHT. HOW ABOUT NOT
TELLING THE WOMAN WITH THE GUN

THAT I'M THE REASON
HER WORLD'S FALLING APART, OKAY?
(knock on door)

THAT'S HIM.

WHOA.

UH...

(door opens)

(door closes)

WHAT'S GOING ON?

YOU'RE SERIOUSLY
GONNA PLAY DUMB?
HOW ABOUT I JUST, YOU KNOW...

(whispers) TAKE THIS FROM YOU.
I KNOW YOU LEFT
IN THE MIDDLE OF THE NIGHT.

I CAN EXPLAIN.

SEE? HE CAN EXPLAIN.

I WAS COMING HOME FROM
YOUR APARTMENT SATURDAY NIGHT.

MY EX-WIFE/EX-PARTNER WAS
WAITING FOR ME AT MY PLACE.

SHE WANTED MY HELP
IN STEALING THOSE DIAMONDS.

YOU'D JUST TOLD ME

THERE WAS NO CHANCE
THE TWO OF US COULD EVER HAPPEN.

I WASN'T THINKING STRAIGHT.
THEN WE HAD THAT AMAZING NIGHT,

AND EVERYTHING CHANGED, SO I
WENT TO TELL SONJA I WAS OUT.

I LEFT WITH THE IMPRESSION
SHE WASN'T GONNA

GO THROUGH WITH IT
WITHOUT ME.
I TOLD YOU THERE WAS A SIMPLE
EXPLANATION FOR ALL THIS.

EVERYBODY GOOD NOW?
PAULA, I'LL DO ANYTHING
NOT TO LOSE YOU.

TELL ME WHAT I CAN DO
TO MAKE THINGS RIGHT.
DO YOU WANT TO KNOW
WHAT YOU CAN DO?

YOU CAN TURN BACK THE CLOCK
TO YESTERDAY

WHEN THE DIAMONDS
WERE STILL IN THE MUSEUM,

WHEN I STILL HAD A JOB,
WHEN MY HEART WASN'T BROKEN.

(door closes)

HEY. YOU SWEAR ON YOUR LIFE
YOU'RE ON THE UP-AND-UP?

I SWEAR.

OKAY. ALL RIGHT,
WE GOTTA MAKE THIS RIGHT.

(elevator bell dings)

(Tommy) I THINK I KNOW
WHERE TO FIND SONJA.

TREVOR, YOU COMING?
YES, DEAR.

(scoffs)
I'LL CALL YOU.

(Tommy) IF I KNOW SONJA, SHE'LL
BE AT THE BAR IN TERMINAL FOUR,

WAITING FOR
THE FIRST FLIGHT OUT.
(Trevor) EXCELLENT.

(woman speaking indistinctly
over P.A.)

IS THIS SEAT TAKEN?

I'M A LESBIAN.
I HAVE A VENEREAL DISEASE.

I KILL PUPPIES FOR FUN.

MISSION ACCOMPLISHED.
I'M INTRIGUED.

GO AWAY.
OKAY.

(horn blows)

(seagulls crying)

HOW'D IT GO?

LIKE STEALING CANDY FROM
A VERY SEXY BABY. IT WAS A RUSH.

IT WAS LIKE A MOVIE--
"OCEAN'S 11."

I'M CLOONEY.
YOU'RE BRAD PITT.
I SEE MYSELF MORE AS CLOONEY.

WELL, EVERYBODY CAN'T BE
CLOONEY, AND I ALREADY CALLED--

YOU KNOW WHAT?
FINE. YOU BE CLOONEY.
I'M TRYING TO REMEMBER. DID
THAT MOVIE HAVE A HAPPY ENDING?

CLOONEY GETS THE CRAP KICKED OUT
OF HIM, BUT HE GETS THE GIRL.

GOOD TO KNOW.
SO WE'RE ALL SET.

YOU HAVE
THE COMBINATION TO MY SAFE?
LET'S DO IT.

(woman on radio)
STILL PROBLEMS IN WEST CHICAGO.

NORTH AVENUE IS CLOSED OFF

EASTBOUND BETWEEN
ATLANTIC AND POWELL.

SO TONIGHT CLOUDY AND COLD,
LOW 30s, A LOW OF 19.

TOMORROW
A MIX OF SUN AND CLOUDS,

A HIGH OF 30.
AT O'HARE, IT'S 31.

OUR NEXT REPORT IS AT 5:57--
(turns off radio)

(gasps)

(whispers) TONY.

WHAT DO YOU WANT?
I CAN PROVE TO YOU
THAT TOMMY'S STILL THE GUY

YOU FELL IN LOVE WITH.
NO, W--OOH!

OKAY, LOOK, YOU HAVE
EVERY REASON TO BE SKEPTICAL,

BUT IF THERE'S EVEN
THE SLIGHTEST CHANCE

THAT TOMMY'S
THE LOVE OF YOUR LIFE,

ISN'T IT WORTH
A COUPLE HOURS OF YOUR TIME?

(door bells jingle)

(thunder rumbling)

(beeping)

AAH!

(Paula and Sonja grunt)
YOU SEE?

HE WAS TELLING THE TRUTH.
TOMMY WAS TELLING THE TRUTH.
YEAH, DON'T KID YOURSELF.
TOMMY AND I WORKED

ON THIS TOGETHER.
IT WAS MAINLY HIM, ACTUALLY.

SHUT UP!
YOU REALLY DON'T WANT
TO MAKE HER MAD.

IS ANYBODY ELSE TURNED ON?

(horns honk)

HE'S STILL NOT ANSWERING.
WHY HAVEN'T I HEARD FROM HIM?

(snaps cell phone shut)
WHERE HAS HE BEEN ALL NIGHT?

THERE'S SOMETHING
HE NEEDED TO DO.
YOU KNOW, TOMMY COULD STILL HAVE
BEEN RESPONSIBLE FOR THE HEIST.

HE COULD'VE SET UP
THE EX-WIFE

WHILE HE'S RUNNING OFF
WITH THE DIAMONDS.

PAULA, YOU'RE GONNA HAVE
TO TRUST SOMEBODY SOMETIME.

LOVE'S ALL ABOUT TAKING THE LEAP
INTO THE UNKNOWABLE.
(man) ...ALL THE LATEST
ON THE DIAMOND HEIST.

IN A TWIST THAT HAS
THE POLICE BAFFLED...

YOU MIGHT WANT TO SEE THIS.
THE DIAMONDS STOLEN
TWO NIGHTS AGO

HAVE MYSTERIOUSLY
REAPPEARED IN THEIR CASE

AT A NEW YORK MUSEUM.

HE PUT THEM BACK FOR YOU.

HE TURNED BACK THE CLOCK.

A MAN THE POLICE HAD QUESTIONED
IN THE ORIGINAL ROBBERY

WAS APPREHENDED
OUTSIDE THE MUSEUM.
WAIT. WHAT?

THAT WASN'T
PART OF THE PLAN.

(door buzzes)

(man shouting indistinctly
in distance)

HEY.

NO TOUCHING.

YOUR EX-WIFE IS
TRYING TO REDUCE HER SENTENCE

BY SAYING YOU WERE IN
ON THE PLAN.

THE MUSEUM WANTS YOU
TO BE PROSECUTED

FOR BREAKING AND ENTERING.

THEY'RE EMBARRASSED.
THEY WANT TO SET AN EXAMPLE.

NOW FOR THE HARD PART.

I'VE BEEN GIVING THIS
A LOT OF THOUGHT, AND...

I LOVE YOU, TOMMY...

AND I REALLY HOPE
THINGS WORK OUT FOR YOU,

BUT I JUST CAN'T.

I'M SORRY.

(door buzzes)

(door closes)

WELL, SEND MY REGRETS
TO THE FOLKS AT COUNTY.

TREVOR PIERCE?

DETECTIVE LARRABEE, N.Y.P.D.

OH. FREE DRINK FOR ONE
OF NEW YORK'S FINEST?

NO, THANKS. YOU WERE MENTIONED
IN A PAROLE REPORT

AS AN ACQUAINTANCE
OF TOMMY BROWN.

I NEED TO KNOW
IF HE'S CONTACTED YOU RECENTLY.

FROM JAIL?
ACTUALLY, THAT'S WHY I'M HERE.

HEY, CHARLIE.
IF YOU'RE LOOKING FOR PAULA,
SHE'S GONE.

GONE WHERE?
JUST GONE.

SHE ASKED ME
TO GIVE THIS TO YOU.

THAT'S IT?

NO NOTE? NO GOOD-BYE?

NO "THANK YOU FOR FINDING ME
TRUE LOVE AND HAPPINESS"?

SHE DID SEEM
TO BE IN A HURRY.

ALL I'M SAYING IS,
AFTER EVERYTHING I DID,

HOW HARD WOULD IT BE
TO PICK UP A PHONE?

I HAD NO IDEA
THAT MATCHING PEOPLE BY HAND

WAS GONNA TURN OUT
TO BE SUCH A THANKLESS JOB.

YOU'RE MISSING THE BIG PICTURE.
THEY'RE FUGITIVES.

IS IT STARTING TO RAIN?

(sighs)

GOT A HEADS-UP FROM THE GODS.
ZEUS IS OFF HIS MEDS AGAIN.

YOU WERE SAYING?

I WAS SAYING,
WHAT KIND OF LIFE

ARE TOMMY AND PAULA
GONNA HAVE ON THE RUN?
WHERE'S YOUR SENSE OF ROMANCE?

WELL, MAYBE I JUST NEED
A LITTLE INSPIRATION.

MAYBE IF I WERE TO HEAR
A TALE OF ENCHANTMENT AND WOE

FROM THE GOD OF LOVE HIMSELF.

YOU'RE NOT GONNA QUIT

UNTIL I TELL YOU ALL ABOUT
MY BROKEN HEART, ARE YOU?

NOPE.

(horn honks)

(tires hiss)

(Claire)
ONCE I SAW OUR REFLECTION,

I REALIZED A LINE
HAD BEEN CROSSED.

I WAS LETTING HIM
BECOME MY ROCK.

(tires hiss)

TREVOR, WE NEED
TO PICK THIS BACK UP LATER.

TOMORROW, IN MY OFFICE.
ARE YOU SURE?

I MEAN, I-I-I'M REALLY STARTING
TO FEEL LIKE YOU'RE REACHING ME.

THANK YOU FOR HELPING ME
THROUGH THIS MINI CRISIS,

BUT I THINK
I NEED TO TAKE IT FROM HERE.

PERHAPS TREVOR
WOULD HAVE PRODUCED

A STORY
WITH A GRAIN OF TRUTH IN IT.

(typing)
BUT OUR RELATIONSHIP HAD MOVED

BEYOND THE BOUNDS
OF PSYCHIATRIST AND PATIENT,

AND THOUGH TREVOR'S FEELINGS
ARE EASILY HURT,

HE HAS AN ASTONISHING CAPACITY
TO BOUNCE BACK.

YOU KNOW, I TOLD YOU I'D GET
THAT BACK FOR YOU, DIDN'T I?

YEAH. SO WHAT'S UP WITH THESE
PLAYLISTS YOU PUT ON HERE?

"ELEVATOR TUNES,"
"GOOD-BYE, TREVOR."

"ELEVATOR TUNES" IS MINE.

LET ME SEE THAT.

(beep)

(Bob Dylan's
"If Not For You" playing)

FOR EVERY RULE, THERE'S
AN EXCEPTION THAT PROVES IT,

AND PERHAPS TOMMY BROWN
AND PAULA TORRES

ARE THE EXCEPTION HERE.

TREVOR BELIEVES
THEY'RE ON THE RUN SOMEWHERE,

BLISSED OUT, IN LOVE.

CROSSING THE LINE
MAY HAVE WORKED FOR THEM,

BUT I STILL MAINTAIN
IT DOESN'T WORK FOR MOST.

IT DOESN'T CHANGE THE CENTRAL
FACT ABOUT THAT LINE--

ONCE YOU'VE CROSSED IT,
THERE'S NO COMING BACK.

(Bob Dylan)
♪ IF NOT FOR YOU ♪

♪ BABE,
I COULDN'T FIND THE DOOR ♪

♪ COULDN'T EVEN SEE THE FLOOR ♪

♪ I'D BE SAD AND BLUE ♪

♪ IF NOT FOR YOU ♪

♪ IF NOT FOR YOU ♪

♪ WINTER WOULD HAVE NO SPRING ♪

♪ I COULDN'T HEAR
THE ROBIN SING ♪

SORRY ABOUT THAT.
♪ I JUST WOULDN'T HAVE A CLUE ♪

♪ ANYWAY,
IT WOULDN'T RING TRUE ♪

♪ IF NOT FOR YOU ♪

♪ IF NOT FOR YOU ♪

♪ IF NOT FOR YOU ♪