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ANNOUNCER:
Previously on Genius.
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ARETHA: My singings always
been my guardian angel.
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JERRY: Everybody's
floored by your voice.
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I want to know
what's underneath.
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TED: Which one of
CL's daughters is?
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ARETHA: I'm Aretha Louise.
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TED: Met her at a
party at her daddy's house.
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RICK: I thought
he was a preacher?
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TED: Well, he loved Sunday
morning and Saturday night.
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JERRY: Ms. Franklin!
RICK: Welcome to Muscle Shoals.
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00:00:18,685 --> 00:00:20,062
TED: Fire him, trumpet player.
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KEN: I wasn't
saying nothing to her.
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ARETHA: This was supposed
to be my last chance,
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my last chance
and you ruined it.
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TED: Stop it!
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ARETHA: For the record, Ted
and I have a wonderful marriage.
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I am a princess in a fairytale.
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ART: Do you have any
idea how good you are?
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You're a wonderkind,
a wonder child.
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CL: When we go back
out on the road,
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I'm going to take you with me.
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MAN: She ain't old enough to
travel on the Gospel Circuit.
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The road's a wild place now.
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(glass shattering)
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CL: I'm always
going to protect you,
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you remember that.
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(overlapping chatter)
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♪ A million baby kisses ♪
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♪ I said, said
I'm gonna deliver ♪
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♪ The minute that you
sing that oh Swanee River ♪
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Rock a bye,
your rock a bye baby ♪
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♪ With a dixie melody ♪
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♪ One more time yea ♪
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♪ A million baby kisses ♪
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♪ I'm gonna deliver ♪
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♪ The minute that you sing
that oh Swanee River ♪
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♪ Rock a bye,
your rock a bye baby ♪
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♪ With a dixie melody ♪
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♪ Ooh‐oh‐oh ♪♪
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TED: Yeah, that's my girl!
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ARETHA (over PA): Thank
you so much Village Beacon.
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Thank you for coming.
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(overlapping chatter continues)
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ARETHA: Was I good?
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TED: Woo, are you kidding me?
You were on fire up there.
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ARETHA: Well, they
weren't clapping much.
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TED: Well, that's
cause they don't know
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how to show they love.
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But you know who does.
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Why don't you
take a load off,
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I'm going to hit up
the club manager,
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talk about
getting us paid.
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ARETHA: I'm going to
freshen up first, baby.
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TED: Okay.
You did your thing, girl.
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ARETHA: Mm‐hmm.
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♪ ♪
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♪ ♪
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ARETHA: You going to rub
my feet when we get home.
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TED: Well,
whatever my baby needs.
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CROWD: Surprise!
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(applause).
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ARETHA: What in the world?
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TED: Happy birthday.
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ARETHA: You got me.
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TED: Champagne for the lady?
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ARETHA: Are you sure we should
be spending all this cash?
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TED: Oh, nothing is
too good for my best girl.
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ERMA: Happy birthday, sister.
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ARETHA: You missed my set.
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ERMA: You know I sand
at the Tropical tonight.
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I almost sold out the house.
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21, that's a big one.
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ARETHA: I think things are going
to change for me this year.
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ERMA: Well, you know, Daddy
always said good things come
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to those who wait.
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ARETHA: And I've
waited long enough.
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TED: Yeah, you have.
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ERMA: Happy birthday, sister.
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TED: Make a wish, girl.
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ARETHA: I want
to be on TV again.
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Primetime this time.
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I want to be on
The Steve Allen Show
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with six million watching.
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TED: Your wish is my command.
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(theme music playing).
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♪ ♪
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♪ Roll Jordan roll ♪
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♪ Roll Jordan roll ♪
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♪ I want to go
to heaven when I die ♪
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♪ To hear old Jordan roll ♪♪
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ANNOUNCER (over PA): All right
ladies and gentlemen.
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Ladies and gentlemen.
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The one, the only
Reverend CL Franklin!
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CL (over PA): Yes, ha‐ha.
Hallelujah. Thank you.
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We're so grateful to be here.
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It's a very special moment
for myself and my family.
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I'm here with my
daughter Aretha Louise.
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She will come up
on this stage and
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sing for the very first
time on this Gospel Circuit.
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Yes, sir.
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You going to
remember her name.
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Aretha.
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You'll remember he name.
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Aretha, will you join me?
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(crowd cheering).
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WOMAN: Alright Aretha.
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WOMAN 2: Amen, amen.
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MAN: Oh, that's sweet.
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MAN 2: Sing it, little girl.
MAN 3: Sing to the Lord baby.
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WOMAN: Come on now.
You can do it.
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MAN: Sing baby.
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♪ Amazing ♪
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MAN: What?
WOMAN: All right.
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♪ Grace ♪
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MAN: Yes. Come on, come on.
That's right.
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♪ How sweet ♪
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MAN: Excellent, excellent.
WOMAN: Yes.
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♪ The sound ♪
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WOMAN: We know it is.
MAN: Come on, come on.
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♪ That saved ♪
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MAN 2: Straighten
up your back baby.
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Head up.
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♪ A wretch ♪
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MAN: Elbow down, elbow.
WOMAN: That's alright.
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♪ Like me ♪
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WOMAN: Mm‐mm‐mm.
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CL: She just a little
nervous because she's singing
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in front of the people,
you know.
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She's just a little nervous,
she'll be all right.
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♪ I once ♪
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MAN: Sing strong now baby, sing.
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♪ Was lost ♪
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MAN 2: Yes alright.
WOMAN: Thank you.
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♪ But now I'm found ♪♪
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WOMAN: There you go, yes...
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ANNOUNCER (over PA):
Ladies and gentlemen.
Ladies and gentlemen.
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Yeah‐yeah, yeah‐yeah.
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MAN: Sing that song now!
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ANNOUNCER (over PA: Ya'll
give it up for Ms. Clara Ward.
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♪ How I got over
How I got over ♪
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♪ How I got over ♪
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♪ Oh my soul looks
back and wonders ♪
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♪ How I got over ♪
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♪ Oh just as soon
as I can see Jesus ♪
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♪ Oh yes ♪
♪ The man that made me free ♪
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♪ Oh yes ♪
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♪ The man that
bled and suffered ♪
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♪ And died for
you and for me ♪
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♪ Oh yes ♪
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♪ I want to thank him
because he brought me ♪
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♪ Oh yes ♪
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♪ I want to thank him
because he taught me ♪
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♪ Oh yes ♪
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♪ Thank him because
he cared for us ♪
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♪ Oh yes ♪
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♪ I'm gonna thank him
because he never left me ♪
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♪ Well I'm gonna sing ♪
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♪ Hallelujah ♪
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♪ Oh I'm gonna shout ♪
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♪ Oh I'm gonna thank Jesus
for all he's done for me ♪
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♪ Yea, I'm gonna
wear a diamond dear, ♪
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In the new Jerusalem ♪
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♪ Oh yes ♪
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♪ Gonna walk
the streets of gold ♪
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♪ In the homeland of the soul ♪
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Oh I'm gonna sing ♪
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♪ Hallelujah ♪
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♪ And shout ♪
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♪ Taught us all about ♪
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♪ Oh I'm gonna thank Jesus ♪
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MAN: Thank you Jesus.
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♪ For all he's done for me ♪
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MAN: Yes Lord, yes Lord.
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♪ Hallelujah ♪
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♪ How I got over
How I got over ♪
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♪ How I got over ♪
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00:08:02,357 --> 00:08:06,111
♪ My soul looks back and
wonders how I got over ♪
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♪ Yea how I got over ♪
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♪ How I got over
How I got over ♪
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♪ My soul looks back and
wonders how I got over ♪
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♪ How I got over ♪♪
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MAN: Oh praise you God,
Lord Jesus.
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ANNOUNCER (over PA):
Yeah, (inaudible) Singers,
round of applause, let's go.
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(crowd cheering).
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00:08:38,184 --> 00:08:39,769
ARETHA: You were
wonderful, Ms. Ward.
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00:08:39,769 --> 00:08:42,355
CLARA: Oh, thank you, baby.
You sing beautifully, too.
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ARETHA: Thank you.
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ANNOUNCER (over PA): Amen, amen
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(inaudible loud speaker).
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CL: All right, look
at here, look at here.
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00:08:52,741 --> 00:08:54,075
Thank you, ma'am.
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Thank you, bless you,
thank you so much.
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MAN: Reverend,
Reverend, Reverend,
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00:08:56,661 --> 00:08:57,829
it's always good to meet you.
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00:08:57,829 --> 00:08:59,914
Your radio program
is a blessing.
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We listen to it every week.
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00:09:01,416 --> 00:09:04,127
WOMAN: And now to
see you in person,
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00:09:04,127 --> 00:09:06,755
please accept this as an
expression of our gratitude.
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00:09:07,589 --> 00:09:10,383
CL: Yes, I've got a sweet tooth
and it's going to be satisfied,
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00:09:10,383 --> 00:09:12,218
thank you so much.
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00:09:15,055 --> 00:09:17,640
RONNY: Hey, Little Re.
I'm Ronny.
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00:09:17,640 --> 00:09:19,267
How you feel about
your first time?
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00:09:19,267 --> 00:09:21,186
ARETHA: It wasn't very good.
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00:09:21,186 --> 00:09:25,106
RONNY: Nah, you have
a beautiful voice and it's
just going to get better.
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00:09:25,106 --> 00:09:27,400
ARETHA: Think so?
RONNY: I know so.
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00:09:28,902 --> 00:09:30,070
ARETHA: Thank you.
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00:09:30,070 --> 00:09:31,863
RONNY: You're welcome.
Keep your head up.
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00:09:39,871 --> 00:09:42,499
CL: I'm going to call
it the Freedom March.
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00:09:42,749 --> 00:09:44,542
As Gandhi marches
people to the sea,
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00:09:44,542 --> 00:09:45,877
this summer I'm
marching our people
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00:09:45,877 --> 00:09:47,128
through the
streets of Detroit.
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00:09:47,128 --> 00:09:49,130
Folks onboard,
businesses contribute,
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00:09:49,130 --> 00:09:51,341
we going to make change happen
because we going to demand it.
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00:09:51,341 --> 00:09:53,093
ARETHA: Nobody brings
people together like you do.
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00:09:53,093 --> 00:09:55,345
CL: It'll be the biggest
freedom march in history.
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00:09:55,345 --> 00:09:58,139
TED: You mean in
the state of Michigan.
217
00:09:58,139 --> 00:10:02,477
CL: No, I mean in this country
because enough is enough.
218
00:10:02,477 --> 00:10:04,729
Everybody's coming onboard,
not just in Detroit.
219
00:10:05,480 --> 00:10:06,773
That's why I'm traveling
around to churches like
220
00:10:06,773 --> 00:10:08,108
the one I'm preaching
out at tonight.
221
00:10:08,108 --> 00:10:09,025
ARETHA: Daddy,
I don't want to say...
222
00:10:09,025 --> 00:10:10,443
CL: To spread the work.
223
00:10:10,443 --> 00:10:12,195
Reverend King's helping
me drum up support coming to
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00:10:12,195 --> 00:10:15,240
my march and you know
all the things that I've
done, done for that boy.
225
00:10:15,240 --> 00:10:16,991
TED: Yeah.
CL: Uh‐huh, you know that boy.
226
00:10:16,991 --> 00:10:18,743
He owe me.
227
00:10:18,743 --> 00:10:21,663
TED: Though a man like
Dr. King really should
have his own march.
228
00:10:21,663 --> 00:10:24,374
I mean that would
really get a turnout.
229
00:10:27,335 --> 00:10:29,129
Sit down, baby.
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00:10:42,183 --> 00:10:45,603
ARETHA: Daddy, I know you
wanted me to open up before
your sermon tonight...
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00:10:45,603 --> 00:10:47,689
CL: Mmm‐hmm.
ARETHA: But I can't.
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00:10:47,689 --> 00:10:51,651
TED: I got her an important
audition at the Village Beacon.
233
00:10:56,239 --> 00:10:59,159
CL: You canceling on me?
You gave me your word, baby.
234
00:10:59,159 --> 00:11:01,369
ARETHA: It's for a producer,
The Steve Allen Show.
235
00:11:01,369 --> 00:11:03,288
TED: He's only in
town for one night.
236
00:11:03,288 --> 00:11:06,708
ARETHA: I'm moving things
forward for myself, you know.
237
00:11:06,708 --> 00:11:08,918
Ted got me booked
so the producers could
see me live in action.
238
00:11:11,045 --> 00:11:13,506
You can come meet
us for a drink after.
239
00:11:13,756 --> 00:11:16,843
CL: You should be playing
at bigger clubs than
that hole‐in‐the‐wall.
240
00:11:16,843 --> 00:11:21,264
You sang at the
Newport Jazz Festival.
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00:11:21,723 --> 00:11:23,474
ARETHA: It's a nice
place to be singing, Daddy.
242
00:11:23,474 --> 00:11:27,562
CL: Baby, if I didn't send
money every month you wouldn't
243
00:11:27,562 --> 00:11:29,564
be able to
afford to be singing.
244
00:11:29,564 --> 00:11:31,816
I pay for your rent, I
pay for your electric bill,
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00:11:31,816 --> 00:11:34,110
I pay for the meal
that's on this plate.
246
00:11:34,110 --> 00:11:35,528
TED: We don't need your money.
247
00:11:35,528 --> 00:11:39,908
CL: Oh. Are you going
to be in his stable now, huh?
248
00:11:46,706 --> 00:11:49,959
ARETHA: You don't have to come
if you don't want to, Daddy.
249
00:11:49,959 --> 00:11:53,796
We'd understand if you were
too tired after your flight.
250
00:12:07,101 --> 00:12:08,728
TED: My girl can sing, right?
251
00:12:08,728 --> 00:12:10,230
What'd I tell you,
my baby's out of sight.
252
00:12:10,230 --> 00:12:13,191
NORM: You're a
wonderful singer, Ms. Franklin.
253
00:12:13,191 --> 00:12:15,193
ARETHA: Thank you.
It means a lot coming from you.
254
00:12:16,152 --> 00:12:17,237
TED: These are for you to keep.
255
00:12:17,237 --> 00:12:18,696
It's her four
records on Columbia.
256
00:12:18,696 --> 00:12:21,616
She had two top ten
hits on the R&B charts.
257
00:12:21,616 --> 00:12:23,326
NORM: Your song choice
tonight was interesting,
258
00:12:23,326 --> 00:12:25,620
why the Al Jolson tune?
259
00:12:25,620 --> 00:12:28,998
ARETHA: Well, back in the day
my father and I used to love it.
260
00:12:28,998 --> 00:12:30,458
NORM: Kind of hokey.
261
00:12:32,210 --> 00:12:34,003
TED: Let's get
you another drink.
262
00:12:37,090 --> 00:12:38,174
CL: Glad to meet you.
263
00:12:38,174 --> 00:12:39,217
NORM: Reverend Franklin.
264
00:12:39,217 --> 00:12:40,635
ARETHA: You missed
my song, Daddy.
265
00:12:40,635 --> 00:12:42,971
CL: I'm sure you
brought the house down.
266
00:12:42,971 --> 00:12:45,723
ARETHA: How was your sermon?
CL: Oh, it was all right.
267
00:12:45,723 --> 00:12:48,810
ARETHA: I'm sure they're
all excited for your march.
268
00:12:48,810 --> 00:12:51,938
CL: Yes, yes, they are.
269
00:12:51,938 --> 00:12:54,315
TED: So, what do you think?
She's got quite a voice, huh?
270
00:12:54,315 --> 00:12:56,192
My baby girl is on the rise.
271
00:12:56,192 --> 00:12:58,528
NORM: You know, your records
just don't capture the energy
272
00:12:58,528 --> 00:13:00,154
you bring in
your live performance.
273
00:13:00,154 --> 00:13:01,864
ARETHA: Maybe I'm
just better in person.
274
00:13:01,864 --> 00:13:04,867
CL: Aretha's been
soloing in church since
she was 12 years old,
275
00:13:04,867 --> 00:13:07,036
not to mention all the
years on the Gospel Circuit.
276
00:13:07,036 --> 00:13:08,413
TED: Let's get down
to the nitty gritty.
277
00:13:08,413 --> 00:13:09,789
When can she be on the show?
278
00:13:09,789 --> 00:13:11,916
She's got a couple open
dates the next few weeks.
279
00:13:11,916 --> 00:13:13,918
NORM: I remember John Hammond
telling me about you after your
280
00:13:13,918 --> 00:13:15,503
first record came out.
281
00:13:15,503 --> 00:13:17,046
Very talented.
282
00:13:17,046 --> 00:13:18,381
ARETHA: Thank you.
283
00:13:18,381 --> 00:13:20,800
NORM: Let's keep in touch,
Ms. Franklin.
284
00:13:24,262 --> 00:13:25,930
TED: Now what did he
mention Hammond for?
285
00:13:25,930 --> 00:13:28,891
That man ain't lift a finger
to help you get on the show.
286
00:13:28,891 --> 00:13:31,269
ARETHA: That was his
nice way of saying no.
287
00:13:33,021 --> 00:13:34,689
CL: There's a way to
talk to these people.
288
00:13:34,689 --> 00:13:36,149
You, you can't be too pushy.
289
00:13:36,149 --> 00:13:37,692
TED: Okay, you know what.
290
00:13:37,692 --> 00:13:39,277
I don't know why you two are
acting like it didn't go over.
291
00:13:39,277 --> 00:13:41,237
He loved you and he
wants you on the show.
292
00:13:41,237 --> 00:13:43,364
We're going straight
to the top, that's it.
293
00:13:44,907 --> 00:13:46,743
Drinks on me, drinks on me.
294
00:13:49,871 --> 00:13:52,999
CL: You wonder why
things ain't hitting?
295
00:13:52,999 --> 00:13:56,627
You're getting bad advice.
296
00:13:56,627 --> 00:13:59,964
ARETHA: He's
hustling for, for us.
297
00:14:00,423 --> 00:14:02,800
He's hustling for me.
298
00:14:02,800 --> 00:14:05,344
CL: But it's the wrong
kind of hustle, baby.
299
00:14:05,344 --> 00:14:08,514
He runs women.
Don't act like you don't know.
300
00:14:11,392 --> 00:14:13,186
You gotta step away
from him, baby,
301
00:14:13,186 --> 00:14:15,688
he's dragging you down.
302
00:14:21,194 --> 00:14:24,238
TED: Where's he off to?
303
00:14:26,032 --> 00:14:28,367
ARETHA: Sit down, baby.
304
00:14:31,788 --> 00:14:33,539
TED: Let me get you another.
305
00:14:35,166 --> 00:14:40,379
♪ ♪
306
00:14:46,594 --> 00:14:49,388
(honking)
307
00:14:49,388 --> 00:14:52,100
MR. HAMMOND: You should
have been at the radio
station this morning.
308
00:14:52,100 --> 00:14:54,102
WKMG, remember?
309
00:14:54,477 --> 00:14:55,937
ARETHA: Mr. Hammond,
it won't happen again.
310
00:14:55,937 --> 00:14:58,272
We screwed up.
311
00:14:58,272 --> 00:15:01,067
Ted and I we're still like
newlyweds, waking up late,
312
00:15:01,067 --> 00:15:02,985
you know,
staying out all night.
313
00:15:02,985 --> 00:15:05,613
TED: Actually, as her
manager, it was my job to
make sure she was there.
314
00:15:05,613 --> 00:15:07,448
She had a late
show last night.
315
00:15:07,448 --> 00:15:10,910
A producer from
Steve Allen wanted to see her.
316
00:15:10,910 --> 00:15:12,620
MR. HAMMOND: Our plan
was to wait on that.
317
00:15:12,620 --> 00:15:14,705
ARETHA: But why wait?
318
00:15:14,705 --> 00:15:17,458
TED: He said
they'd be in touch.
319
00:15:17,458 --> 00:15:18,793
MR. HAMMOND: Sally?
320
00:15:18,793 --> 00:15:20,253
SALLY (over speaker):
Yes, Mr. Hammond?
321
00:15:20,253 --> 00:15:21,921
MR. HAMMOND: Can you get
me Norm Chaseman over at ABC,
322
00:15:21,921 --> 00:15:23,631
head of booking
for Steve Allen?
323
00:15:23,631 --> 00:15:25,341
SALLY (over speaker):
Right away.
324
00:15:25,341 --> 00:15:27,218
MR. HAMMOND: It wasn't a
question of if we could book
325
00:15:27,218 --> 00:15:28,386
you for Steve Allen.
326
00:15:28,386 --> 00:15:29,595
ARETHA: It was a
question of when?
327
00:15:29,595 --> 00:15:30,805
MR. HAMMOND: Exactly.
328
00:15:30,805 --> 00:15:32,765
Now, I know we haven't
had the kind of hit that
329
00:15:32,765 --> 00:15:34,767
an artist of your
caliber deserves.
330
00:15:34,767 --> 00:15:36,727
ARETHA: Which is why
Ted and I are here today.
331
00:15:36,727 --> 00:15:39,272
We, we're so excited
to find out what your plans
are for this next record.
332
00:15:39,856 --> 00:15:43,025
MR. HAMMOND: Good. Because
we're building a career here.
333
00:15:43,025 --> 00:15:44,652
It's a daily grind.
334
00:15:44,652 --> 00:15:46,904
Whatever we book you for,
you've gotta show up.
335
00:15:47,947 --> 00:15:50,449
Your sister, Erma, she
never misses a promo date.
336
00:15:50,783 --> 00:15:53,286
ARETHA: Mr. Hammond,
I assure you.
337
00:15:53,286 --> 00:15:55,580
I'm not afraid of hard work,
338
00:15:56,747 --> 00:15:58,124
I hope that's clear.
339
00:15:58,124 --> 00:15:59,667
(buzz)
340
00:15:59,667 --> 00:16:01,460
SALLY (over speaker): I have
Norm Chaseman on the line.
341
00:16:02,253 --> 00:16:04,172
MR. HAMMOND: Norm.
How's the swing?
342
00:16:05,464 --> 00:16:08,009
Yeah? So, listen.
343
00:16:08,801 --> 00:16:11,220
We talked about a slot for
Aretha Franklin, you remember?
344
00:16:12,180 --> 00:16:13,389
Yeah.
345
00:16:13,389 --> 00:16:15,641
She's more than ready,
what have you got open?
346
00:16:17,602 --> 00:16:19,896
Yes, that'll work.
347
00:16:19,896 --> 00:16:21,439
No, let's book it.
348
00:16:21,439 --> 00:16:24,317
Oh, she's going to be
a great draw for you guys.
349
00:16:24,859 --> 00:16:27,153
Thanks. Yeah, you too.
350
00:16:28,988 --> 00:16:32,158
Your next television
appearance, booked.
351
00:16:33,576 --> 00:16:35,870
ARETHA: Thank you, Mr. Hammond.
352
00:16:35,870 --> 00:16:39,290
MR. HAMMOND: Now,
about your next album.
353
00:16:40,583 --> 00:16:46,005
(orchestral jazz)
354
00:16:54,472 --> 00:16:56,974
ARETHA: It sounds a lot
like my last record.
355
00:16:56,974 --> 00:16:58,392
All jazz.
356
00:16:58,392 --> 00:17:00,937
MR. HAMMOND: You have an
orchestra inside of you and
357
00:17:00,937 --> 00:17:04,357
we want to compliment that
to surround you with sound.
358
00:17:04,357 --> 00:17:05,441
ARETHA: I want more than that.
359
00:17:05,441 --> 00:17:06,609
TED: Look at Elvis.
360
00:17:06,609 --> 00:17:09,278
He's got gospel hits
and rockabilly hits.
361
00:17:09,278 --> 00:17:10,863
I mean Aretha's
as good as Elvis.
362
00:17:10,863 --> 00:17:12,573
Hell, she's better.
363
00:17:12,573 --> 00:17:14,867
ARETHA: I can't be a
throwback, times are changing.
364
00:17:14,867 --> 00:17:17,787
MR. HAMMOND: Sounds like
you want to keep trying
a little bit of everything.
365
00:17:17,787 --> 00:17:21,082
I mean the last time it
was tender, moving, swinging.
366
00:17:21,082 --> 00:17:24,001
TED: Why can't she try different
things to see what sticks?
367
00:17:24,001 --> 00:17:26,087
MR. HAMMOND: Because
nothing seems to stick.
368
00:17:26,087 --> 00:17:27,380
ARETHA: It didn't
chart the way we hoped.
369
00:17:27,380 --> 00:17:28,965
MR. HAMMOND: Because
you're all over the place.
370
00:17:28,965 --> 00:17:31,300
You gotta let me establish
you in a particular vein.
371
00:17:31,300 --> 00:17:33,386
You are a jazz singer.
372
00:17:33,386 --> 00:17:37,682
ARETHA: Mr. Hammond, there's
got to be more for me than
just another jazz record.
373
00:17:37,682 --> 00:17:39,433
What about Sam Cooke?
374
00:17:39,433 --> 00:17:40,810
He brings down the house.
375
00:17:40,810 --> 00:17:42,562
His music is for the
lovers and the fighters.
376
00:17:42,562 --> 00:17:43,729
He can sing anything.
377
00:17:43,729 --> 00:17:46,524
I can do that; I know I can.
378
00:17:46,524 --> 00:17:49,151
How about I give you
my version of Foggy Day?
379
00:17:49,151 --> 00:17:50,987
MR. HAMMOND: It sounds
to me like you want
to be Judy Garland.
380
00:17:50,987 --> 00:17:54,949
ARETHA: No. But why not?
Come on, Mr. Hammond.
381
00:17:54,949 --> 00:17:57,743
You and I both know that I'm
going places and so I deserve
382
00:17:57,743 --> 00:17:59,537
to be compared to the best.
383
00:17:59,537 --> 00:18:02,498
I want gold records
and I need songs that I,
384
00:18:02,498 --> 00:18:04,333
I can make a killing with.
385
00:18:04,333 --> 00:18:06,210
MR. HAMMOND: You want a hit
record and I know a thing or
386
00:18:06,210 --> 00:18:07,837
two about what works.
387
00:18:07,837 --> 00:18:10,756
ARETHA: I want
to be on that wall.
388
00:18:14,343 --> 00:18:19,473
MR. HAMMOND: Okay. Okay. Fine.
389
00:18:19,849 --> 00:18:23,311
If you want
to be Judy Garland,
let's try it.
390
00:18:23,311 --> 00:18:25,938
And if we
can't sell records,
391
00:18:25,938 --> 00:18:28,858
you can always go
back to recording gospel.
392
00:18:38,618 --> 00:18:41,829
MAN: Ya'll look good, alright.
MAN 2: Now look who's here.
393
00:18:43,289 --> 00:18:44,915
MAN 3: Good to see ya'll.
394
00:18:44,915 --> 00:18:47,835
(overlapping chatter).
395
00:18:47,835 --> 00:18:49,378
What's goin' on
man, how you doin'?
396
00:18:49,378 --> 00:18:51,172
Good to see you,
good to see you.
397
00:18:51,172 --> 00:18:53,299
Alright, sister
come over this way man.
398
00:18:54,342 --> 00:18:56,594
You were good
last night now,
399
00:18:56,594 --> 00:18:58,304
where's the next
show, Tuscaloosa?
400
00:18:58,304 --> 00:19:00,890
Hey, what's goin' on
man, how you doin'?
401
00:19:00,890 --> 00:19:02,850
Alright, alright.
402
00:19:02,850 --> 00:19:05,603
ARETHA: I want to be
just like you, Ms. Clara.
403
00:19:05,603 --> 00:19:07,104
Can you teach me how?
404
00:19:07,104 --> 00:19:09,148
CLARA: Well, first
you've got to study all the
405
00:19:09,148 --> 00:19:10,900
singers that you like.
406
00:19:10,900 --> 00:19:13,986
If you borrow
from them and then you mix
in what you already got.
407
00:19:15,196 --> 00:19:16,989
CL: Re, leave Ms. Clara alone.
408
00:19:16,989 --> 00:19:18,532
Go wait with the young people.
409
00:19:18,532 --> 00:19:20,534
Ms. Clara and I've got some
church business to attend to.
410
00:19:20,534 --> 00:19:23,204
ARETHA: Yes, Daddy.
CL: Mmm‐hmm.
411
00:19:23,204 --> 00:19:26,123
Tell you what, on the
second leg of the trip
412
00:19:26,123 --> 00:19:29,543
I have my car and you and I
can ride from place to place.
413
00:19:29,960 --> 00:19:31,629
ARETHA: Sounds like fun.
CL: Oh, good.
414
00:19:31,629 --> 00:19:33,714
CLARA: You want to
hold onto this for me?
415
00:19:38,135 --> 00:19:41,097
♪ I'm gonna be
colored all my life ♪
416
00:19:42,098 --> 00:19:45,851
♪ I am gonna be mmm
colored all my life ♪
417
00:19:46,644 --> 00:19:48,562
♪ Yes I am gonna be ♪
418
00:19:49,522 --> 00:19:53,025
♪ Colored all my life
and I ain't got time to ♪
419
00:19:53,025 --> 00:19:55,528
♪ Take no mess from you ♪♪
420
00:19:59,407 --> 00:20:00,825
RONNY: You want to sing with me?
421
00:20:00,825 --> 00:20:02,034
ARETHA: Maybe later.
422
00:20:02,034 --> 00:20:06,288
MAN: Not every time we
sing will be in a tent.
423
00:20:06,288 --> 00:20:08,874
ARETHA: Sure, was pretty.
424
00:20:08,874 --> 00:20:10,418
RONNY: You playing dress‐up?
425
00:20:10,418 --> 00:20:11,711
ARETHA: Ms. Clara gave it to me.
426
00:20:11,711 --> 00:20:13,170
RONNY: Well, it looks good.
427
00:20:13,170 --> 00:20:16,966
ARETHA: I really shouldn't
be wearing it, I'm only 12.
428
00:20:16,966 --> 00:20:20,010
RONNY: They're like royalty,
ain't they?
429
00:20:20,010 --> 00:20:21,929
Think they'll get married?
430
00:20:21,929 --> 00:20:23,931
ARETHA: I hope so.
431
00:20:25,516 --> 00:20:27,601
RONNY: You blushing
for real now?
432
00:20:27,601 --> 00:20:29,645
Come on, girl,
let's get on the bus.
433
00:20:35,025 --> 00:20:39,947
♪ What a friend
we have in Jesus ♪
434
00:20:41,907 --> 00:20:43,451
♪ All ♪
435
00:20:43,451 --> 00:20:44,452
CL: Sing it girl.
436
00:20:44,452 --> 00:20:46,912
♪ Our sins and griefs to bear ♪
437
00:20:46,912 --> 00:20:49,039
♪ Our griefs to bear ♪
438
00:20:49,331 --> 00:20:54,462
♪ All because we
do not carry ♪
439
00:20:56,255 --> 00:21:00,551
♪ Everything to
God in prayer ♪
440
00:21:01,594 --> 00:21:03,429
CL: That's right.
441
00:21:03,429 --> 00:21:07,516
♪ Everything to
God in prayer ♪♪
442
00:21:07,516 --> 00:21:09,477
CL: That's right.
443
00:21:11,562 --> 00:21:12,646
RONNY: She's great.
444
00:21:14,148 --> 00:21:16,066
(overlapping chatter)
445
00:21:16,066 --> 00:21:18,986
CL: We going have to all
start calling you the
baby singer for long.
446
00:21:19,361 --> 00:21:22,031
CLARA: Mm‐hmm, you letting
your light shine, little Re.
447
00:21:22,031 --> 00:21:24,074
CL: That's why I brought
you so you can watch,
448
00:21:24,074 --> 00:21:25,493
listen, and learn.
449
00:21:25,493 --> 00:21:27,495
ARETHA: I just pretended
I was Ms. Clara Ward.
450
00:21:27,495 --> 00:21:29,705
CLARA: Oh, you following
in my singing footsteps
451
00:21:29,705 --> 00:21:31,624
and you're doing me proud.
452
00:21:31,624 --> 00:21:34,126
ANNOUNCER: Ladies and gentlemen,
Mrs. Lena Horne.
453
00:21:36,587 --> 00:21:39,673
♪ I've wined and
dined on Mulligan stew ♪
454
00:21:39,673 --> 00:21:42,968
♪ And never asked for turkey
as I hitched and hiked ♪
455
00:21:43,761 --> 00:21:46,472
ARETHA: I like how she moves.
She's graceful, feminine.
456
00:21:46,472 --> 00:21:49,558
BARTENDER: Ladies, drinks.
457
00:21:49,558 --> 00:21:51,519
ARETHA: She's got the gown;
she's got the glamor.
458
00:21:51,519 --> 00:21:54,522
ERMA: Which makes up for the
fact that she cannot sing.
459
00:21:54,522 --> 00:21:56,065
ARETHA: She's got
a beautiful voice.
460
00:21:56,065 --> 00:22:01,779
♪ I was never at a party where
they honored Noel Ca‐ad ♪
461
00:22:02,571 --> 00:22:06,158
♪ But social circles
spin too fast for me ♪
462
00:22:07,409 --> 00:22:10,579
ERMA: Now girl, you know
I should just shut right up.
463
00:22:11,163 --> 00:22:13,415
Look at us trying to break
into the music business and
464
00:22:13,415 --> 00:22:14,959
not getting nowhere.
465
00:22:15,209 --> 00:22:18,504
♪ I get to hungry
for dinner at eight ♪
466
00:22:18,921 --> 00:22:20,422
ERMA: You know I
have six singles on epic
467
00:22:20,422 --> 00:22:22,258
and not one has charted.
468
00:22:22,258 --> 00:22:25,010
Lena's got dozens
and a room full of rich
people paying to see her.
469
00:22:25,010 --> 00:22:26,262
ARETHA: She's a star.
470
00:22:26,262 --> 00:22:28,722
♪ I never bother
with people I hate ♪
471
00:22:29,056 --> 00:22:31,684
ARETHA: She speaks her mind,
got something special.
472
00:22:31,684 --> 00:22:33,477
ERMA: And we don't?
473
00:22:34,728 --> 00:22:38,107
♪ I don't like crap games
with barons and earls ♪
474
00:22:39,149 --> 00:22:42,653
♪ Won't go to Harlem
in ermine and pearls ♪
475
00:22:42,903 --> 00:22:44,321
ERMA: Don't tell
me he's pimping again.
476
00:22:44,321 --> 00:22:45,823
ARETHA: Okay,
I won't tell you.
477
00:22:45,823 --> 00:22:47,366
ERMA: I thought he quit.
478
00:22:47,366 --> 00:22:50,327
ARETHA: Well, my music
isn't doing much either.
479
00:22:50,703 --> 00:22:52,955
My records barely
getting on the R&B charts
480
00:22:52,955 --> 00:22:54,415
and that
doesn't pay the rent.
481
00:22:54,415 --> 00:22:55,916
ERMA: Well, Daddy's
still sending you money.
482
00:22:55,916 --> 00:22:57,251
ARETHA: Less and less.
483
00:22:57,251 --> 00:22:59,879
ERMA: What about your advance?
ARETHA: I spent it.
484
00:22:59,879 --> 00:23:01,589
TED: Give us a minute?
485
00:23:03,340 --> 00:23:06,468
♪ I'm all alone
when I lower my lamp ♪
486
00:23:07,261 --> 00:23:10,514
♪ That's why the lady... ♪♪
487
00:23:11,181 --> 00:23:13,100
TED: You know this
producer I talked to earlier,
488
00:23:13,100 --> 00:23:15,436
he is a huge fan of yours.
489
00:23:15,436 --> 00:23:18,230
You are this close
to breaking out,
490
00:23:18,230 --> 00:23:19,857
just keep your eye
on the prize, right.
491
00:23:22,109 --> 00:23:24,194
Let me see
that smile, come on.
492
00:23:25,446 --> 00:23:27,489
You know I love that smile.
493
00:23:28,949 --> 00:23:30,284
ARETHA: I want gowns.
494
00:23:30,284 --> 00:23:31,285
TED: Okay.
495
00:23:31,285 --> 00:23:32,286
ARETHA: And I want
dance lessons.
496
00:23:32,286 --> 00:23:33,829
TED: Okay.
497
00:23:33,829 --> 00:23:35,581
ARETHA: And I want elocution,
I want to be more like Lena.
498
00:23:35,581 --> 00:23:37,207
TED: Well, it's
going to cost you.
499
00:23:37,207 --> 00:23:39,543
ARETHA: Can we take
a loan from a bank?
500
00:23:40,502 --> 00:23:41,670
TED: Look, I got the
money figured out.
501
00:23:41,670 --> 00:23:43,797
You know I always
take care of business.
502
00:23:43,797 --> 00:23:46,592
ARETHA: I don't like
your side business.
503
00:23:46,592 --> 00:23:51,972
TED: I do what I gotta do so you
get to do what you want to do.
504
00:23:53,891 --> 00:23:55,809
I don't like it either,
505
00:23:55,809 --> 00:23:58,354
but I do it
because I care about you.
506
00:23:59,813 --> 00:24:01,523
I'm going to
get you those gowns.
507
00:24:01,523 --> 00:24:05,110
♪ Until the real thing ♪
508
00:24:07,279 --> 00:24:12,826
♪ Comes along ♪♪
509
00:24:24,838 --> 00:24:25,923
UNCLE TERRY: And that was
510
00:24:25,923 --> 00:24:27,883
Until the Real
Thing Comes Along
511
00:24:27,883 --> 00:24:30,844
the seductive new
single from jazz vocalist
Miss Aretha Franklin
512
00:24:31,512 --> 00:24:33,097
who is live with
us in the studio.
513
00:24:33,097 --> 00:24:34,473
ARETHA: Well, thank
you so much, Uncle Terry.
514
00:24:34,473 --> 00:24:35,933
It's a pleasure to be here.
515
00:24:35,933 --> 00:24:37,810
UNCLE TERRY: Ms. Franklin,
why don't you help our listeners
516
00:24:37,810 --> 00:24:39,228
get to know you a bit.
517
00:24:39,228 --> 00:24:41,855
What was life like before
you came to the Big Apple?
518
00:24:41,855 --> 00:24:43,899
ARETHA: Well, I grew up
singing on the Gospel Circuit
519
00:24:43,899 --> 00:24:45,275
all over the south.
520
00:24:45,275 --> 00:24:47,569
My daddy was a
preacher and my biggest hero.
521
00:24:47,569 --> 00:24:49,571
UNCLE TERRY: That's a lot
of traveling for a little girl.
522
00:24:49,571 --> 00:24:51,115
ARETHA: Well, I
think it was a blessing.
523
00:24:51,115 --> 00:24:53,450
I got the chance to sing to a
lot of different folk and I got
524
00:24:53,450 --> 00:24:56,954
the opportunity to practice
being on stage which is a lot
525
00:24:56,954 --> 00:24:58,372
harder than it looks.
526
00:24:58,372 --> 00:25:00,040
It was a great
way to cut my teeth.
527
00:25:00,416 --> 00:25:01,959
UNCLE TERRY: What
have you got coming up?
528
00:25:01,959 --> 00:25:03,711
ARETHA: Next Friday, I, I'm
going to be doing the midnight
529
00:25:03,711 --> 00:25:05,254
gig at the Hudson Gate.
530
00:25:05,254 --> 00:25:07,715
UNCLE TERRY: Following
in the footsteps of Lena Horne
531
00:25:07,715 --> 00:25:09,174
and Billie Holiday.
532
00:25:09,174 --> 00:25:10,843
ARETHA: It does feel very
special to be singing on the
533
00:25:10,843 --> 00:25:12,261
stage where they started out.
534
00:25:12,261 --> 00:25:13,637
I'm really excited about it.
535
00:25:13,637 --> 00:25:16,140
UNCLE TERRY: Now, I've
heard a secret about you.
536
00:25:16,140 --> 00:25:17,975
You've booked
your next TV gig.
537
00:25:17,975 --> 00:25:20,019
ARETHA: Well,
yes, that's right.
538
00:25:20,019 --> 00:25:22,604
I'm going to be on
The Steve Allen Show.
539
00:25:22,604 --> 00:25:24,565
UNCLE TERRY: And a little
birdy told me your new album
540
00:25:24,565 --> 00:25:26,608
is going to be a
little bit of everything,
541
00:25:26,608 --> 00:25:28,402
some show tunes, some jazz.
542
00:25:28,402 --> 00:25:32,281
Have you decided which version
of Aretha gets to sing on TV?
543
00:25:33,699 --> 00:25:36,160
ARETHA: Well, there's
only one Aretha and
544
00:25:36,160 --> 00:25:38,871
she gets to
sing what she wants.
545
00:25:46,420 --> 00:25:49,423
(waltz)
546
00:25:50,549 --> 00:25:52,968
INSTRUCTOR: Now, the waltz is
the first step that's going to
547
00:25:52,968 --> 00:25:56,472
get you where you want to go.
548
00:25:57,681 --> 00:26:00,309
Let's take it from the top.
549
00:26:00,642 --> 00:26:02,436
Keep your head up, one, oh.
550
00:26:02,436 --> 00:26:04,605
Three, one.
551
00:26:04,605 --> 00:26:06,690
It's okay, stay with me.
552
00:26:06,690 --> 00:26:08,817
That's right. Look at me.
553
00:26:08,817 --> 00:26:11,111
One, slowly, there you go.
554
00:26:11,111 --> 00:26:12,613
ARETHA: Okay, I'm getting it.
555
00:26:12,613 --> 00:26:15,115
INSTRUCTOR: That's right,
that's beautiful, yeah.
556
00:26:17,951 --> 00:26:20,788
ARETHA: This dress that
we shot this in, I, I love.
557
00:26:21,330 --> 00:26:23,749
I thought I would need to
get something off the rack but
558
00:26:23,749 --> 00:26:25,876
then I decided I had to
have something custom made.
559
00:26:26,335 --> 00:26:28,295
CAROLYN: Mmm‐hmm, I mean,
if you're going to go out there,
560
00:26:28,295 --> 00:26:29,671
you've got to get
out there right.
561
00:26:29,671 --> 00:26:31,256
ARETHA: That's right.
562
00:26:31,256 --> 00:26:33,592
CAROLYN: All the money
I've spent, hair, nails,
makeup, clothes.
563
00:26:33,592 --> 00:26:35,302
ARETHA: It cost
money to look good.
564
00:26:35,302 --> 00:26:37,221
CAROLYN: Yes, it does.
565
00:26:37,221 --> 00:26:39,932
Although, all
the money I've spent it
ain't really paid off yet.
566
00:26:39,932 --> 00:26:42,059
ARETHA: Oh, same here.
But it will, yeah.
567
00:26:42,059 --> 00:26:44,812
CAROLYN: God willing.
568
00:26:45,145 --> 00:26:47,815
ARETHA: Careers not where it
needs to be and until then we
569
00:26:47,815 --> 00:26:49,733
going to look good,
we going to feel good.
570
00:26:49,733 --> 00:26:50,651
CAROLYN: Yes, we are.
571
00:26:50,651 --> 00:26:52,778
ARETHA: Yes.
572
00:26:52,778 --> 00:26:56,949
CAROLYN: Oh, Re, you know,
sometimes I look at you, girl,
573
00:26:57,324 --> 00:26:59,827
you are recording for Columbia.
574
00:26:59,827 --> 00:27:02,955
And it's like do
I even have a chance?
575
00:27:02,955 --> 00:27:04,957
ARETHA: Sometimes I look at
you and you're recording at Epic
576
00:27:04,957 --> 00:27:09,461
and I think the same thing.
577
00:27:10,129 --> 00:27:13,799
CAROLYN: All right,
Re, you've got that
TV gig coming up, right?
578
00:27:15,050 --> 00:27:18,595
So, how about you come home
to prepare and then you could
help Daddy with the march.
579
00:27:18,887 --> 00:27:20,514
ARETHA: I'm not
coming to the march.
580
00:27:20,514 --> 00:27:22,474
CAROLYN: Are you mad at Daddy?
581
00:27:22,474 --> 00:27:23,934
ARETHA: No.
582
00:27:23,934 --> 00:27:27,771
I, I got to work and I'm
trying to set myself up here.
583
00:27:28,522 --> 00:27:33,902
And I haven't had the
support that I need so far and
584
00:27:34,194 --> 00:27:36,613
I'm trying, trying
to do it on my own.
585
00:27:36,613 --> 00:27:39,700
CAROLYN: Yeah. It's hard
trying to find your way.
586
00:27:42,786 --> 00:27:47,541
(muffled music and
overlapping chatter)
587
00:27:48,959 --> 00:27:51,879
(laughter)
588
00:27:51,879 --> 00:27:53,797
SISTER MAY: Thank you, Jesus.
589
00:27:55,299 --> 00:27:57,301
I'm going to get exactly
what I want, when I want.
590
00:27:57,301 --> 00:27:59,511
WOMAN: Oh girl, yes.
591
00:28:01,471 --> 00:28:04,182
ARETHA: Excuse me, Sister May.
592
00:28:04,182 --> 00:28:05,684
Have you seen my daddy?
593
00:28:05,684 --> 00:28:09,813
SISTER MAY: Oh, the last
time we saw him was at 14‐F.
594
00:28:10,522 --> 00:28:11,815
She ain't got no clue.
595
00:28:12,107 --> 00:28:14,109
(laughing)
596
00:28:15,360 --> 00:28:20,574
(overlapping chatter).
597
00:28:23,493 --> 00:28:27,372
♪ Well you the cutest
thing that I ever seen ♪
598
00:28:27,372 --> 00:28:29,291
♪ I really love
your peaches gonna ♪
599
00:28:29,291 --> 00:28:31,126
♪ Shake your tree ♪
600
00:28:31,126 --> 00:28:33,045
♪ Love, me love ♪♪
601
00:28:46,308 --> 00:28:52,731
♪ ♪
602
00:28:59,947 --> 00:29:02,407
(CL laughs)
603
00:29:06,328 --> 00:29:08,121
ARETHA: Ms. Ward.
604
00:29:09,122 --> 00:29:11,667
CLARA: Sweetie, what are you
doing out here at this hour?
605
00:29:11,667 --> 00:29:13,710
You need to get back to your
room before your daddy sees you.
606
00:29:13,710 --> 00:29:14,836
ARETHA: Where are you going?
607
00:29:14,836 --> 00:29:16,046
CLARA: I just left a party.
608
00:29:16,046 --> 00:29:19,841
But you, young lady,
are going to bed, go on.
609
00:29:24,012 --> 00:29:27,683
Keep going,
straight to your room.
610
00:29:29,267 --> 00:29:31,186
♪ To have a good time ♪
611
00:29:31,186 --> 00:29:34,773
♪ Wild boyfriends like
to lose their minds ♪
612
00:29:36,274 --> 00:29:39,987
♪ Wild men dig me
but I love a cool one ♪
613
00:29:40,904 --> 00:29:44,157
♪ Wild men dig me
but I love a cool one ♪
614
00:29:44,533 --> 00:29:46,410
MAN: Hey, hey, look.
Ya'll look who's here.
615
00:29:46,410 --> 00:29:48,245
Girl you can sing.
616
00:29:48,245 --> 00:29:50,205
WOMAN: And you cute as
all get out, too, girl.
617
00:29:50,205 --> 00:29:51,915
MAN 2: Baby, they say you're
going to be a real star.
618
00:29:51,915 --> 00:29:55,419
WOMAN: A real star.
Get me another drink, baby.
619
00:29:56,378 --> 00:29:58,130
MAN: I got you.
WOMAN: Thank you, baby.
620
00:29:58,130 --> 00:29:59,965
♪ Oh‐wee ♪
621
00:29:59,965 --> 00:30:02,592
♪ They can scream
and break down ♪
622
00:30:02,592 --> 00:30:04,302
♪ But they don't kill me ♪
623
00:30:05,095 --> 00:30:07,264
♪ Well they can romp and stomp ♪
624
00:30:07,264 --> 00:30:09,141
♪ Well they
can rock and roll ♪♪
625
00:30:09,850 --> 00:30:11,977
MAN: You empty handed.
626
00:30:11,977 --> 00:30:13,854
ARETHA: I'm not thirsty.
627
00:30:13,854 --> 00:30:15,856
MAN: Try this. It's sweet.
628
00:30:20,027 --> 00:30:21,361
(coughs)
629
00:30:22,821 --> 00:30:25,824
It's like a Shirley Temple
with a touch of Saturday night.
630
00:30:26,658 --> 00:30:28,118
Fun, right?
631
00:30:28,118 --> 00:30:31,913
RONNY: Heard you singing
today, you sang beautiful.
632
00:30:31,913 --> 00:30:34,374
ARETHA: Thank you,
you sing good, too.
633
00:30:34,624 --> 00:30:38,003
MAN: I think you
like your drink, mm‐hmm.
634
00:30:39,337 --> 00:30:41,256
RONNY: Want to dance?
635
00:30:42,132 --> 00:30:43,842
MAN: Now, now man what
you over there doing?
636
00:30:44,468 --> 00:30:49,014
♪ ♪
637
00:30:49,014 --> 00:30:52,350
MAN 3: Yea, come on now,
ya'll look good. Alright.
638
00:31:25,300 --> 00:31:29,096
CL: Mmm‐mmm‐mmm.
639
00:31:30,514 --> 00:31:36,436
(CL humming).
640
00:31:48,323 --> 00:31:50,200
Ah.
641
00:31:50,534 --> 00:31:52,244
ARETHA: Daddy, I
don't feel so good.
642
00:31:52,244 --> 00:31:53,703
CL: Yeah?
643
00:31:53,703 --> 00:31:56,331
ARETHA: My tummy hurts.
644
00:31:57,374 --> 00:31:58,959
CL: Well, I bet you wish
you had stayed in the room
645
00:31:58,959 --> 00:32:01,378
last night like
I told you, huh?
646
00:32:05,632 --> 00:32:10,428
Here. Drink that.
647
00:32:13,974 --> 00:32:16,143
You'll feel better
after a while.
648
00:32:16,393 --> 00:32:18,145
Go on.
649
00:32:18,854 --> 00:32:21,189
Mmhmm, let's get ready.
650
00:32:22,732 --> 00:32:25,986
We got to show up and show
out for God no matter what.
651
00:32:27,028 --> 00:32:28,488
You understand?
652
00:32:28,488 --> 00:32:29,948
ARETHA: Yes, Daddy.
653
00:32:29,948 --> 00:32:31,867
CL: All right.
654
00:32:35,287 --> 00:32:37,831
(applause).
655
00:32:37,831 --> 00:32:41,001
CL (over PA): God is good.
And all the time.
656
00:32:41,835 --> 00:32:43,420
CROWD: God is good!
657
00:32:43,420 --> 00:32:46,131
CL (over PA): Some people
say how can I, Reverend,
658
00:32:46,131 --> 00:32:49,259
how can I identify with
Jesus, he's the son of God.
659
00:32:50,927 --> 00:32:55,098
I say you relate to him
because of His humanness.
660
00:32:55,473 --> 00:33:01,688
God made Jesus in such a
way that he got hungry.
661
00:33:04,065 --> 00:33:05,859
He was tired.
662
00:33:06,651 --> 00:33:08,612
He got lonely.
663
00:33:09,529 --> 00:33:13,033
And when the darkness
was falling in on Him,
664
00:33:13,867 --> 00:33:17,287
when He was up on that cross,
He thought of His mother.
665
00:33:18,163 --> 00:33:20,248
He thought of His father.
666
00:33:20,707 --> 00:33:23,835
When the sins of the
entire world past, present,
667
00:33:23,835 --> 00:33:26,046
and future was up
on His shoulders,
668
00:33:26,421 --> 00:33:29,424
he thought of others.
669
00:33:31,426 --> 00:33:34,221
That's the God
I'm going to trust.
670
00:33:34,721 --> 00:33:36,514
That's the God
I'm going to trust.
671
00:33:37,766 --> 00:33:39,184
Will you trust Him?
672
00:33:40,185 --> 00:33:41,603
Will you trust Him?
673
00:33:43,021 --> 00:33:47,776
♪ I will trust in the Lord ♪♪
674
00:33:49,819 --> 00:33:51,154
Will you trust him?
675
00:33:51,529 --> 00:33:55,200
♪ Trust in the Lord ♪♪
676
00:33:55,617 --> 00:33:57,118
(knocking)
677
00:33:57,118 --> 00:33:59,412
REPORTER (over TV): Preparation
are underway for tomorrow's
678
00:33:59,412 --> 00:34:00,747
Walk to Freedom...
679
00:34:01,206 --> 00:34:03,083
CAROLYN: Re. Re?
680
00:34:06,586 --> 00:34:09,297
REPORTER:
Reverend CL Franklin...
681
00:34:09,297 --> 00:34:11,132
CAROLYN: Girl, you still
got rollers in your hair?
682
00:34:11,132 --> 00:34:13,551
Daddy's got 1,000
people at the house getting
ready for the march.
683
00:34:13,551 --> 00:34:14,761
Get dressed.
684
00:34:14,761 --> 00:34:15,762
Cecil's going to pick
us up from the airport.
685
00:34:15,762 --> 00:34:17,138
ARETHA: I told
you I'm not going.
686
00:34:17,138 --> 00:34:18,098
There's going to be
plenty of people at the march.
687
00:34:18,098 --> 00:34:19,683
Daddy won't even
notice I'm gone.
688
00:34:19,683 --> 00:34:21,685
CAROLYN: Oh,
of course he will.
689
00:34:21,685 --> 00:34:24,104
And he'll miss his
favorite daughter.
690
00:34:24,104 --> 00:34:26,189
ARETHA: Daddy stopped
sending money so I'm
twisting in the wind.
691
00:34:30,527 --> 00:34:31,945
CAROLYN: Oh, girl, you
ain't twisting in the wind.
692
00:34:31,945 --> 00:34:34,364
You got Ted.
693
00:34:34,364 --> 00:34:37,325
ARETHA: Daddy can have
his march without me.
694
00:34:43,498 --> 00:34:45,417
CAROLYN: Don't cut him off.
695
00:34:45,417 --> 00:34:49,671
This is an important event not
just for him but for all of us.
696
00:34:49,671 --> 00:34:51,840
And he's your father.
697
00:34:51,840 --> 00:34:55,051
ARETHA: Daddy cut
me off because I didn't
want him to run my life.
698
00:34:55,051 --> 00:34:56,469
CAROLYN: Girl, come
on and get dressed.
699
00:34:56,469 --> 00:34:58,305
ARETHA: I'm not going!
CAROLYN: Re, get dressed!
700
00:34:58,305 --> 00:34:59,806
ARETHA: All right, okay.
701
00:34:59,806 --> 00:35:03,518
You know what you need to leave
before you miss your flight.
702
00:35:07,272 --> 00:35:10,609
Go on now.
I'm staying right here.
703
00:35:11,151 --> 00:35:12,861
REPORTER (over TV):
Reverend Franklin hopes the
704
00:35:12,861 --> 00:35:15,322
march will bring
about much needed change.
705
00:35:16,197 --> 00:35:17,240
(door slams)
706
00:35:23,163 --> 00:35:25,790
ANNOUNCER: From Hollywood,
it's The Steven Allen Show.
707
00:35:26,875 --> 00:35:28,251
ANNOUNCER (over speaker):
From the Hollywood Playhouse,
708
00:35:28,251 --> 00:35:30,128
we bring you
90 minutes of madness
709
00:35:30,128 --> 00:35:32,589
and music with
guest stars, singer.
710
00:35:32,589 --> 00:35:34,132
ARETHA: It's cold in here.
711
00:35:34,132 --> 00:35:36,092
TED: I told the stage manager
he need to turn down the AC.
712
00:35:36,092 --> 00:35:37,844
I know you don't like
it too cold when you sing.
713
00:35:37,844 --> 00:35:39,262
You nervous?
714
00:35:39,262 --> 00:35:42,182
ARETHA: I'm good.
Is my daddy out there?
715
00:35:42,682 --> 00:35:44,809
TED: Yeah, I saw him.
You know who else is out there?
716
00:35:44,809 --> 00:35:46,936
Jerry Wexler from
Atlantic Records.
717
00:35:46,936 --> 00:35:49,189
You're drawing
the big shots, girl.
718
00:35:49,814 --> 00:35:51,816
ANNOUNCER: Five‐minute
intermission for set change.
719
00:35:51,816 --> 00:35:53,777
Set change, five
minutes, everyone.
720
00:35:54,527 --> 00:35:57,238
Dancers stage left,
get ready for your entrance.
721
00:35:57,489 --> 00:36:00,784
ARETHA: My daddy showing up even
though I didn't go to his march,
722
00:36:00,784 --> 00:36:01,993
you think he's still mad at me?
723
00:36:01,993 --> 00:36:04,537
TED: Look, you are
going to be great.
724
00:36:04,537 --> 00:36:06,414
That's all that counts.
725
00:36:06,414 --> 00:36:07,791
MR. HAMMOND: You're
looking well, Reverend.
726
00:36:07,791 --> 00:36:09,334
CL: And you.
727
00:36:09,334 --> 00:36:11,628
MR. HAMMOND: It's been a while
since we've seen each other.
728
00:36:11,628 --> 00:36:14,506
CL: Several years.
729
00:36:14,881 --> 00:36:17,008
MR. HAMMOND: I'm
treating your daughter well.
730
00:36:17,008 --> 00:36:19,386
I hope there are
no hard feelings.
731
00:36:19,386 --> 00:36:21,221
CL: Water under the bridge.
732
00:36:22,055 --> 00:36:26,267
I appreciate she's still
under contract at Columbia.
733
00:36:28,395 --> 00:36:30,271
MR. HAMMOND:
Congratulations on your march.
734
00:36:30,271 --> 00:36:32,607
CL: We did a great
service for the movement.
735
00:36:32,607 --> 00:36:34,192
MR. HAMMOND: Very admirable.
736
00:36:34,442 --> 00:36:36,736
(applause).
737
00:36:36,736 --> 00:36:38,029
ANNOUNCER (over PA): This
young lady has been singing
chiefly for Columbia Records.
738
00:36:38,029 --> 00:36:39,656
One of the most exciting,
739
00:36:39,656 --> 00:36:41,700
young singers in
the business today.
740
00:36:41,700 --> 00:36:43,493
Let's make her
feel right at home,
741
00:36:43,493 --> 00:36:45,495
here is Miss Aretha Franklin.
742
00:36:48,623 --> 00:36:52,252
♪ Skylark ♪
743
00:36:54,254 --> 00:37:00,093
♪ Have you
anything to say to me? ♪
744
00:37:04,848 --> 00:37:10,145
♪ Won't you tell me
where my love can be? ♪
745
00:37:15,150 --> 00:37:19,821
♪ Is there a
meadow in the mist ♪
746
00:37:21,740 --> 00:37:24,743
♪ Skylark ♪♪
747
00:37:35,837 --> 00:37:37,839
ARETHA: Big Momma?
BIG MOMMA: Hmm?
748
00:37:38,506 --> 00:37:40,383
ARETHA: I think
something's wrong with me.
749
00:37:40,383 --> 00:37:41,968
I haven't been
feeling so good.
750
00:37:41,968 --> 00:37:43,928
BIG MOMMA: Oh,
what's the matter baby?
751
00:37:43,928 --> 00:37:47,182
ARETHA: Well, my tummy's been
feeling sick and my monthly
752
00:37:47,182 --> 00:37:49,642
hasn't come, not for a while.
753
00:37:50,685 --> 00:37:53,062
BIG MOMMA: Well,
how long has it been?
754
00:37:53,062 --> 00:37:55,440
ARETHA: Four months.
BIG MOMMA: Get up, come here.
755
00:38:02,572 --> 00:38:05,742
Do you feel different inside
like everything's moving faster?
756
00:38:06,534 --> 00:38:08,369
ARETHA: I don't know.
757
00:38:08,369 --> 00:38:11,080
Erma says when you don't get
your monthly you have a baby.
758
00:38:11,080 --> 00:38:13,875
BIG MOMMA: Do you know
how you get a baby?
759
00:38:13,875 --> 00:38:16,252
Who did this to you?
760
00:38:16,252 --> 00:38:18,671
A boy at school?
761
00:38:18,671 --> 00:38:21,132
Someone on the road?
Who did this to you, little Re?
762
00:38:21,132 --> 00:38:23,009
CL: What's that?
763
00:38:23,009 --> 00:38:24,594
BIG MOMMA: Little Re
isn't feeling well.
764
00:38:24,594 --> 00:38:26,930
CL: Oh yea?
765
00:38:26,930 --> 00:38:30,225
ARETHA: I might
have a baby inside me.
766
00:38:33,853 --> 00:38:35,605
CL: How you know?
767
00:38:35,605 --> 00:38:38,608
BIG MOMMA: She hasn't had
her monthly and I feel a bump.
768
00:38:43,530 --> 00:38:46,282
Son.
769
00:38:57,585 --> 00:39:00,880
What in God's name happened?
770
00:39:01,214 --> 00:39:04,050
CL: The road is
a wild place, Momma.
771
00:39:05,134 --> 00:39:07,804
BIG MOMMA: I wanted
her to stay home.
772
00:39:07,804 --> 00:39:09,472
You insisted.
773
00:39:09,472 --> 00:39:12,350
She's too young
to be out there.
774
00:39:12,350 --> 00:39:16,479
All these children
are living without a mother
775
00:39:16,813 --> 00:39:20,358
and the first time that I
let that precious child out of
776
00:39:20,358 --> 00:39:22,569
my sight this happens?
777
00:39:23,695 --> 00:39:26,322
You weren't watching her.
778
00:39:26,322 --> 00:39:29,409
You let her fall
pray to God knows what.
779
00:39:31,452 --> 00:39:37,000
CL: I did keep my eye on
her, Momma, as best I could.
780
00:39:40,962 --> 00:39:47,343
BIG MOMMA: The boy, the
boy who did this must
be held accountable.
781
00:39:59,230 --> 00:40:05,320
CL: We could waste time and
chase after worldly justice or
782
00:40:07,280 --> 00:40:11,242
we could simply accept that
this is a part of the mission
783
00:40:15,580 --> 00:40:18,958
that God, God has for her.
784
00:40:22,045 --> 00:40:27,759
♪ Skylark ♪
785
00:40:28,801 --> 00:40:34,432
♪ I don't know if you can
find all of these things ♪
786
00:40:36,768 --> 00:40:42,774
♪ But my heart is
riding on your wings ♪
787
00:40:49,364 --> 00:40:51,866
♪ You see them ♪
788
00:40:54,410 --> 00:40:58,748
♪ Anywhere? ♪♪
789
00:40:58,748 --> 00:41:01,793
(applause).
790
00:41:06,089 --> 00:41:09,092
ANNOUNCER (over PA):
We'll be right back
after a word from our sponsors.
791
00:41:09,801 --> 00:41:13,763
CL: I don't know why she decided
to sing that particular song.
792
00:41:14,138 --> 00:41:16,474
MR. HAMMOND: Well,
she sings what she wants.
793
00:41:16,474 --> 00:41:19,644
One minute insisting
on showtunes and here
she is doing a jazz number.
794
00:41:22,063 --> 00:41:24,440
I can't reason with her.
795
00:41:25,483 --> 00:41:27,318
CL: Nor can I.
796
00:41:32,991 --> 00:41:35,827
How you feeling, baby?
797
00:41:35,827 --> 00:41:37,620
ARETHA: All right, I guess.
798
00:41:37,620 --> 00:41:39,831
BIG MOMMA: We're going
to take you to Dr. Steward.
799
00:41:39,831 --> 00:41:43,251
ARETHA: Okay. Are you mad?
800
00:41:43,251 --> 00:41:45,878
CL: No, baby.
801
00:41:45,878 --> 00:41:49,882
And this is not going
to stop you from singing
802
00:41:49,882 --> 00:41:51,843
or from going to school.
803
00:41:51,843 --> 00:41:54,846
Isn't that right, Momma?
804
00:41:54,846 --> 00:41:57,765
BIG MOMMA: We're all
going to pitch in,
805
00:41:57,765 --> 00:42:01,519
and this baby will
be the family's baby.
806
00:42:02,020 --> 00:42:03,563
CL: That's right.
807
00:42:03,563 --> 00:42:08,609
This is not going to stop you
from what you were meant to do.
808
00:42:12,071 --> 00:42:15,491
Meant to do.
809
00:42:25,793 --> 00:42:28,504
MR. HAMMOND: That was
a wonderful performance.
810
00:42:28,504 --> 00:42:29,589
I wish I could stay.
811
00:42:29,589 --> 00:42:30,840
ARETHA: I think
I sang really well.
812
00:42:30,840 --> 00:42:32,842
MR. HAMMOND:
You always sing well.
813
00:42:32,842 --> 00:42:35,261
But we haven't
found it yet, have we?
814
00:42:35,261 --> 00:42:36,637
ARETHA: Not from
lack of trying.
815
00:42:36,637 --> 00:42:38,598
MR. HAMMOND: So, let's
get you back into the studio
816
00:42:38,598 --> 00:42:40,224
and put our heads together.
817
00:42:40,224 --> 00:42:41,684
TED: Hammond.
MR. HAMMOND: Ted.
818
00:42:41,684 --> 00:42:44,520
Listen, I, I wish I could
linger but I have another event.
819
00:42:44,520 --> 00:42:45,396
Congratulations.
820
00:42:45,396 --> 00:42:47,774
ARETHA: Glad you could make it.
821
00:42:49,692 --> 00:42:52,403
TED: On your birthday
last year, you remember
what you wished for?
822
00:42:53,529 --> 00:42:55,531
ARETHA: Have you
seen my father?
823
00:42:55,531 --> 00:42:57,366
TED: You said you wanted
to be on The Steve Allen Show
824
00:42:57,366 --> 00:42:59,077
and what did I say to you?
825
00:42:59,077 --> 00:43:01,537
I said I was going to
make your dreams come true.
826
00:43:01,537 --> 00:43:03,039
And now look at where we are.
827
00:43:03,039 --> 00:43:04,916
ARETHA: He made it all this
way, stayed for the show,
828
00:43:04,916 --> 00:43:07,001
and didn't stay for the party
which means he was either still
829
00:43:07,001 --> 00:43:09,170
mad at me or he thought
my performance was bad.
830
00:43:09,170 --> 00:43:10,338
Was it?
831
00:43:10,338 --> 00:43:12,632
TED: No, baby, baby,
baby, baby, no, come on.
832
00:43:13,299 --> 00:43:15,009
ARETHA: Mr. Wexler?
833
00:43:16,677 --> 00:43:18,179
JERRY: I'm a big fan, Aretha.
834
00:43:18,179 --> 00:43:19,388
ARETHA: Ms. Franklin.
835
00:43:19,388 --> 00:43:21,808
JERRY: Excuse me, Ms. Franklin.
836
00:43:21,808 --> 00:43:24,811
You know I've
launched a few careers,
837
00:43:24,811 --> 00:43:26,479
Atlantic Records and me.
838
00:43:26,479 --> 00:43:28,648
We roll up our
sleeves and we dig deep.
839
00:43:28,648 --> 00:43:31,025
TED: This contract
with Columbia is almost up.
840
00:43:31,025 --> 00:43:33,486
What she does after
that, that's her call.
841
00:43:33,778 --> 00:43:35,321
JERRY:
Columbia's had a good run.
842
00:43:35,321 --> 00:43:37,573
But music is changing,
you've got to stay ahead of it
843
00:43:37,573 --> 00:43:39,450
or you're going
to get left behind.
844
00:43:39,450 --> 00:43:41,119
Can I be honest?
845
00:43:41,119 --> 00:43:42,954
ARETHA: Yeah, please.
846
00:43:42,954 --> 00:43:46,707
JERRY: Tonight, I wanted
to be wowed but I wasn't.
847
00:43:47,125 --> 00:43:48,584
And I don't think
the audience was either.
848
00:43:48,584 --> 00:43:49,961
TED: Well, now
you're just plain wrong.
849
00:43:49,961 --> 00:43:51,546
Skylark is going
to be a classic.
850
00:43:51,546 --> 00:43:53,089
ARETHA: I'm trying
everything I can.
851
00:43:53,089 --> 00:43:54,465
TED: You know I
work with Ray Charles.
852
00:43:54,465 --> 00:43:55,800
ARETHA: He's a genius.
853
00:43:55,800 --> 00:43:58,970
JERRY: I could do for
you what I did for Ray.
854
00:43:58,970 --> 00:44:01,681
I could help you
find your sound.
855
00:44:01,681 --> 00:44:03,850
That's what I do.
856
00:44:03,850 --> 00:44:06,978
Now, let me ask you, what
kind of music do you really
857
00:44:06,978 --> 00:44:09,397
want to make, Ms. Franklin?
858
00:44:09,397 --> 00:44:12,733
ARETHA: I want to
make hits, Mr. Wexler.
859
00:44:12,733 --> 00:44:15,027
JERRY: You'll get there
when you realize you're
860
00:44:15,027 --> 00:44:18,114
Aretha Franklin
and nobody else.
861
00:44:19,782 --> 00:44:21,784
Pleasure.
862
00:44:25,538 --> 00:44:27,081
TED: Let me freshen your drink.
863
00:44:37,633 --> 00:44:39,260
MAN: It's all yours.
864
00:44:49,854 --> 00:44:56,319
♪ ♪
865
00:45:01,449 --> 00:45:06,120
♪ How I got over
How I got over ♪
866
00:45:07,038 --> 00:45:11,876
♪ You know my soul looks back
in wonder how I got over ♪
867
00:45:12,501 --> 00:45:17,215
♪ How I got over
how I got over ♪
868
00:45:18,216 --> 00:45:23,179
♪ You know my soul looks back
in wonder how I got over ♪
869
00:45:24,180 --> 00:45:28,643
♪ Just as soon as I see Jesus
the man who made me free ♪
870
00:45:29,644 --> 00:45:32,688
♪ Who know the man who
bled and suffered ♪
871
00:45:32,688 --> 00:45:35,233
♪ You know he died
for you and me. ♪
872
00:45:35,233 --> 00:45:37,777
♪ I want to thank Him
because He brought me ♪
873
00:45:38,152 --> 00:45:40,529
♪ I want to thank you Jesus
because you taught me ♪
874
00:45:41,030 --> 00:45:43,950
♪ I want to thank you
because you care for me ♪
875
00:45:44,242 --> 00:45:46,535
♪ I want to thank you
because you never left me ♪
876
00:45:46,535 --> 00:45:48,454
♪ I wanna sing ♪
877
00:45:48,704 --> 00:45:53,751
♪ I want to just shout this
evenin' my soul looks back ♪
878
00:45:54,043 --> 00:45:57,630
♪ In wonder how I got over ♪
879
00:45:57,630 --> 00:46:03,052
♪ How I got over
how I got over ♪
880
00:46:03,469 --> 00:46:08,349
♪ You know my soul looks back
in wonder how I got over ♪
881
00:46:08,891 --> 00:46:13,729
♪ How I got over
how I got over ♪
882
00:46:14,897 --> 00:46:20,152
♪ You know my soul looks back
in wonder how I got over ♪♪
883
00:46:20,736 --> 00:46:24,448
(applause).
884
00:46:34,250 --> 00:46:39,422
(music playing through credits).
885
00:46:58,691 --> 00:47:02,611
♪ ♪
886
00:47:09,618 --> 00:47:11,620
Captioned by
Cotter Media Group
67669
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