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Narrator: In ancient
traditions around the world,
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powerful sacred sounds were used
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to communicate with the heavens.
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Deepak Shimkada: The whole universe
resonates with the sound "aum."
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Narrator: But was
sound also used
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to create megalithic structures?
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Erich von Daniken: They
had a certain sound,
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a certain vibration,
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and the blocks moved
by themselves.
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Narrator: And could
seemingly primitive rituals
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actually have been connected
to otherworldly technology?
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Dr. Jeff Thompson: Within
the harmonics and overtones
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of a complex sound,
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you could impart all
kinds of information.
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Narrator: Ancient astronaut
theorist Giorgio Tsoukalos
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and author David Childress
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have gathered experts
in science, religion
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and mythology to explore the
mysterious power of sound.
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Giorgio Tsoukalos:
Monuments worldwide
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have acoustic properties,
and it's all harmonics.
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Narrator: And the possibility
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that new discoveries
in acoustics
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could lead to the next giant
leap in human evolution.
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Travis Taylor: This is literally
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getting the right
vibrations to create
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the next experience of reality.
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Narrator: There is a doorway
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in the universe.
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Beyond it is the
promise of truth.
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It demands we
question everything
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we have ever been taught.
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The evidence is all around us.
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The future is right
before our eyes.
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We are not alone.
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We have never been alone.
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I'm really delighted to be
here with you guys because
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I think that acoustics
is definitely something
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that needs to be
explored even further.
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As humans, music
and-and acoustics
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are very important to our lives.
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Remember, from the
bible, it says
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god created the world how?
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In the beginning was the word.
- By speaking. - He spoke!
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It's spoken, right?
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The oral tradition is not
just words or intellect.
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It's an entire tonal thing.
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When the universe was created,
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it says that the whole
earth has a grid of tones
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that founds everything.
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That is the same thing in
ancient india with aum.
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They're saying exactly
the same thing, that...
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That the universe started
with one note, a single note.
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That's right. - Childress:
A vibration.
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And then it's the aum sound.
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โช โช
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Narrator: Aum is a sacred sound
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in the eastern
religions of hinduism,
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buddhism and jainism.
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Shimkada: Hindu concept of
cosmic sound is simply aum.
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"aum" is made of three letters:
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"a," "u" and "m."
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those three letters combined
makes the sound "aum."
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โช โช
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and the whole Universe
resonates with the sound "aum."
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Layne Lttle: Aum
is not just found
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in hinduism and vedic tradition.
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It's very much used in buddhism.
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It's utilized in jainism and
also in sikhism as well.
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And it is the most common and
most sacred of all mantras
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in all of these traditions.
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Narrator: The concept of aum
first appears in the vedas,
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the religious texts that form
the foundation of hinduism.
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According to the texts,
specific vibrations,
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created through ritualistic
chanting, singing and prayer,
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can provide a direct
connection between humans
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and the gods themselves.
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The importance of sound
in hinduism and buddhism
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is very, very vital.
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without sound, you cannot
pronounce a mantra.
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A mantra is combined words
made into invocation.
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Narrator: As described
in the vedic texts,
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the gods provided humankind
with a visual aid
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to remember these sacred sounds:
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Elaborate patterns
called mandalas.
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Praveen Mohan: Mandalas
are mnemonic devices
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used to aid meditation, often
in tandem with chanting.
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What's interesting is that
in hindu temples,
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we have a visual
representation of mandalas.
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So, what they're doing
is they're essentially
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translating sound
into visual patterns.
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In modern technology, these
are called Chladni patterns.
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Narrator: In 1787, german
physicist Ernst Chladni,
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known as
the father of acoustics,
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published his seminal work,
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discoveries in
the theory of sound.
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In it, Chladni describes
an experiment that shows
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how vibrations can create
exotic geometric shapes.
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We've got this thing
called a Chladni plate,
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after the scientist
who invented it.
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It's a thin metal plate,
like a sounding board,
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and we've got a transducer
attached to the bottom of it.
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And they spread sand
over the top of this plate.
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And we start playing
certain tones.
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and those sand particles start
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to bounce around
and dance around,
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and they start to form these
mathematical circular patterns.
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And as we move up
through these frequencies,
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the sand goes into kind of
a chaos in-between state,
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and then it arrives
at this next pattern.
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And the higher the
frequency you go,
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the more these patterns
become more complex.
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Narrator: In the 1960s,
Swiss scientist Hans Jenny
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was experimenting
with Chladni patterns,
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when he noticed an
extraordinary connection.
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Jenny tried it with aum.
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And it generated
an image of a circle
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with a dot in the middle.
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That itself is actually
very interesting
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because the most fundamental
elements of any mandala
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will usually be a circle
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with a dot marking
the cosmic center.
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Narrator: Today, the
patterns made by frequencies
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are known as cymatics.
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In modern technology,
we are able to create
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visual representations
of sounds.
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What is remarkable is that
we see the same patterns
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in hindu temples, in
ancient Indian structures.
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Narrator: At the Sri Ranganathaswamy
temple in Southern India
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are 40 ornate statues carved
from monolithic columns.
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The statues depict
leaping animals
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and, above them, vimanas,
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vehicles that, according
to ancient hindu texts,
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were flown by the gods.
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The word "vimana,"
in ancient vedic texts,
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means flying machines.
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In hinduism, it is
clearly established
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that the gods come down
from the sky using vimanas.
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In the temple of srirangam,
these carvings show
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many different types of vimanas.
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And what's really unique
is that, under these vimanas,
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we are able to see some very
interesting patterns of mandala.
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Narrator: Some researchers
believe these mandalas represent
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more than just
an artistic flourish.
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According to legend,
each type of vimana
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can be activated with
a specific type of mandala.
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If we crack this visual code,
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if we crack
this cymatic pattern,
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we might actually unlock the
secret to power these vimanas.
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Think about-- all this
is somehow connected
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to cymatics and some of these
shapes that we see in,
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the ancient hieroglyphics
and some of these structures,
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megalithic structures.
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And you can reproduce those
with sound waves.
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And so I wonder if, when
these patterns occur,
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when we create these sounds,
is this kind of like
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we're inserting the pin
to open up
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an encrypted pdf file
to the read the information?
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And what they're trying to tell
us with a mandala is that this
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is the cymatic code,
the shape, the vibration,
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the sound that's
going to levitate
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or do whatever.
- Or whatever that...
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You make this picture with
sound, and you've done it.
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Tzadok: There is knowledge
of the ancients,
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which was concealed because
mankind was not considered
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ready for it.
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And this was that technology.
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What's interesting about this
whole harmonics and cymatics
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is that this is
a universal thing.
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It's gonna be throughout
the universe.
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It's every single planet.
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That's-that's called
the anthropic principle.
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Childress: It-it's,
like mathematics.
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Taylor: We have
discovered all these
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extreme amplitudes
of acoustic sounds.
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And right now, we're currently
working on how we might
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be using it for
future technologies.
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I love it. This is great.
- So let me tell you a story
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a-about, uh, an event
that happened very recently.
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Two scientists have
done an experiment.
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They go into the
great detailed math
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of the quantum interaction,
with the sound interaction.
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And they call that a
phonon-photon interaction.
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Phonon is the particle
for sound.
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And discovered that sound
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can trigger this
negative mass effect.
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Narrator: In March 2019,
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scientists at
Columbia University
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in New York City made
a shocking discovery
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that redefined the
known laws of physics.
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In an experiment,
physicist Angelo Esposito
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demonstrated that phonons
are affected by gravity
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but in a highly unexpected way.
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Instead of being forced
down towards the Earth,
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phonons actually rise upwards.
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Scientists discovered that
the phonon itself has mass,
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which nobody thought
it had before.
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But the closer they looked,
they realized
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that it wasn't mass at all;
it was negative mass
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and negative gravity.
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Michio Kaku: It turns
out that under
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certain conditions
with sound waves,
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sound waves can actually start
to rise rather than fall.
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And this was an anomaly, but
yes, it seems to be consistent
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with the laws of physics,
that certain vibrations,
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instead of falling down,
can actually fall up.
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To me, that's
experimental evidence
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that you can, if you
understand sound
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the right way, use it
to levitate heavy things.
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Tsoukalos: So, could this imply
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that the ancient stories
of levitation of stones,
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that some type of
technology like that
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was im... Was implemented?
- That's right.
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Taylor: And that comes back
to this whole idea with,
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cymatics, which is
where we're taking,
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certain sounds and
putting them in
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what we'll call standing waves.
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And they produce these
amazing geometric figures.
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And you could envision,
if you knew the way
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to manipulate this the right
way, you could put...
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You can make three-dimensional
figures with it, even. Right?
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You could have sound not just
underneath it but all around it.
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And, in fact, I've seen one
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where there are multiple
transducers in a way
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and they can levitate
little styrofoam balls.
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And ping-pong balls.
- Tsoukalos: Right.
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Taylor: Just by having the
sound in the right way.
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And even do multiple ones
in-in configurations.
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So imagine if you could
amplify the power,
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if you could amplify
the-the principle,
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wouldn't that or
couldn't that apply?
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Absolutely.
- Because we have ancient stories
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in ancient egypt, in England.
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Some of the Stonehenge blocks,
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according to some
of the legends,
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magician Merlin...
- Right.
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...Was able to levitate
those stones
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across the plains of England.
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Right.
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Narrator: Is it possible
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that the same principles
utilized to move sand particles
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and larger objects
such as ping-pong balls
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could also be used
on a larger scale
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to lift and move
much heavier objects?
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Curiously, a great
number of stories
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can be found in
the ancient world
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00:13:41,655 --> 00:13:45,824
that involve the use of sound
to levitate massive stones.
247
00:13:47,244 --> 00:13:48,952
All the way around the world,
248
00:13:49,037 --> 00:13:53,039
there are myths and legends
relating to the movement
249
00:13:53,124 --> 00:13:56,543
of stone blocks using
sound technology.
250
00:13:56,628 --> 00:14:00,672
These are found amongst
the maya of Mexico,
251
00:14:00,757 --> 00:14:03,091
the phoenicians of the Near East
252
00:14:03,176 --> 00:14:05,510
and in Tibet.
253
00:14:05,554 --> 00:14:08,638
We have stories in
ancient Egypt, even,
254
00:14:08,723 --> 00:14:12,350
where they seem to be able
to move the stone effortlessly
255
00:14:12,435 --> 00:14:15,979
from one place to another,
some weighing hundreds of tons.
256
00:14:18,191 --> 00:14:20,191
Narrator: In the
tenth century ad,
257
00:14:20,235 --> 00:14:23,695
the arab historian
Abul Hasan Ali Al-Masudi
258
00:14:23,780 --> 00:14:26,865
wrote that the egyptians
were visited by beings
259
00:14:26,950 --> 00:14:30,076
known as the guardians
of the sky,
260
00:14:30,161 --> 00:14:32,245
who gave them knowledge
that enabled them
261
00:14:32,330 --> 00:14:34,747
to levitate the massive
limestone blocks
262
00:14:34,833 --> 00:14:37,834
with which they built
the great pyramid.
263
00:14:40,338 --> 00:14:44,090
Von Daniken: In Old Egypt,
they had a certain sound,
264
00:14:44,175 --> 00:14:49,178
a certain vibration, and the
blocks moved by themselves.
265
00:14:49,264 --> 00:14:51,389
They show a technology
which we do not have.
266
00:14:53,101 --> 00:14:55,184
Narrator: If acoustic
technology was used
267
00:14:55,270 --> 00:14:57,562
to levitate massive stones,
268
00:14:57,647 --> 00:15:00,356
as Ancient Astronaut
theorists suggest,
269
00:15:00,400 --> 00:15:02,483
might knowledge
of this technology
270
00:15:02,569 --> 00:15:06,154
have been left for
humankind to rediscover?
271
00:15:07,782 --> 00:15:09,908
This levitation technology
272
00:15:09,951 --> 00:15:14,579
is exotic because we have
no idea how to do this today.
273
00:15:14,623 --> 00:15:17,540
For thousands of years now,
we've turned this
274
00:15:17,626 --> 00:15:21,461
into the realm of
legends and myths.
275
00:15:21,546 --> 00:15:24,714
The fact that we have stories
of these ancient gods,
276
00:15:24,799 --> 00:15:28,051
in my opinion, is that
we are suggesting
277
00:15:28,136 --> 00:15:30,595
that our ancestors
misinterpreted
278
00:15:30,639 --> 00:15:34,599
these beings as gods
because their technology
279
00:15:34,684 --> 00:15:37,602
far surpassed their current
frame of reference.
280
00:15:37,646 --> 00:15:39,896
Henry: Right.
- Taylor: So, these beings
281
00:15:39,981 --> 00:15:43,733
from our ancient past
had probably figured this out
282
00:15:43,818 --> 00:15:45,985
in order to do whatever
it was they did.
283
00:15:46,071 --> 00:15:49,238
And that lends us
down the road of,
284
00:15:49,282 --> 00:15:51,157
how do we figure it out?
285
00:15:51,242 --> 00:15:54,285
And that's something
that I'm really intrigued by.
286
00:15:54,329 --> 00:15:56,287
Tzadok: This technology
287
00:15:56,331 --> 00:15:59,499
will not only transform
our society;
288
00:15:59,584 --> 00:16:01,751
it'll change our world.
289
00:16:09,135 --> 00:16:11,302
To me, this is fascinating
that there seems to be
290
00:16:11,346 --> 00:16:15,139
acoustics and sound that reach
the realm of the gods.
291
00:16:15,183 --> 00:16:17,183
Tzadok: The path
of the ten sefirot
292
00:16:17,268 --> 00:16:20,853
in the kabbalah speak
of the energy vortexes
293
00:16:20,939 --> 00:16:22,772
which vibrate in five
different harmonics
294
00:16:22,816 --> 00:16:24,649
called vowels,
295
00:16:24,693 --> 00:16:27,193
which is called
tonal technology.
296
00:16:27,278 --> 00:16:31,322
This knowledge was
considered too dangerous
297
00:16:31,366 --> 00:16:32,991
to be publicly displayed.
298
00:16:33,034 --> 00:16:36,494
And according to the stories
and the legends,
299
00:16:36,579 --> 00:16:40,415
this technology was unleashed,
and it destroyed the world.
300
00:16:40,500 --> 00:16:42,291
And, I... - Childress: So, well,
first they destroyed Jericho.
301
00:16:42,377 --> 00:16:44,377
Right? With their sound...
- Well, Jericho, Jericho...
302
00:16:44,462 --> 00:16:45,586
Jericho came later,
but actually,
303
00:16:45,672 --> 00:16:47,338
when you're bringing up Jericho,
304
00:16:47,424 --> 00:16:49,507
the whole story of the
Ark of the Covenant
305
00:16:49,592 --> 00:16:52,010
and the marching,
this is only just one
306
00:16:52,095 --> 00:16:54,512
simple biblical example.
307
00:16:56,057 --> 00:16:58,182
Narrator: The hebrew
bible's Book of Joshua
308
00:16:58,226 --> 00:17:01,019
tells the story of how Israel
conquered Canaan
309
00:17:01,062 --> 00:17:03,771
beginning with
the battle of Jericho.
310
00:17:05,150 --> 00:17:08,443
According to the story,
god commanded the israelites
311
00:17:08,528 --> 00:17:12,030
to march around the seemingly
impenetrable walls of Jericho
312
00:17:12,115 --> 00:17:14,699
once a day for six
straight days,
313
00:17:14,743 --> 00:17:17,952
carrying with them
the Ark of the Covenant.
314
00:17:18,038 --> 00:17:20,663
But on the seventh day,
they were to circle Jericho
315
00:17:20,749 --> 00:17:24,709
seven times, making
tremendous noise.
316
00:17:26,337 --> 00:17:28,337
Hussain: On the seventh
day, as they circle it,
317
00:17:28,423 --> 00:17:30,048
they blow the trumpets,
318
00:17:30,091 --> 00:17:33,843
and it's the sound that
brings the walls down.
319
00:17:36,765 --> 00:17:39,682
And you can think of that
from an engineering perspective.
320
00:17:39,768 --> 00:17:42,560
Is it the trumpets
and the vibration,
321
00:17:42,604 --> 00:17:44,353
the sound of the trumpets,
that somehow resonates
322
00:17:44,439 --> 00:17:47,398
with a particular frequency
in the brick of the walls
323
00:17:47,442 --> 00:17:50,568
that causes these walls
to collapse?
324
00:17:50,653 --> 00:17:53,237
Narrator: Is it possible
that the story of Jericho
325
00:17:53,281 --> 00:17:56,115
is a historical account
of acoustic technology
326
00:17:56,201 --> 00:17:59,202
being used thousands
of years ago?
327
00:18:00,330 --> 00:18:03,164
Ancient Astronaut
theorists say yes
328
00:18:03,249 --> 00:18:05,875
and point to other stories
that describe the power
329
00:18:05,960 --> 00:18:08,377
of the Ark of the Covenant.
330
00:18:11,382 --> 00:18:13,716
What I have always
found fascinating
331
00:18:13,802 --> 00:18:19,055
is that we have stories
of these magical incantations.
332
00:18:19,140 --> 00:18:20,807
Right.
- But, you know,
333
00:18:20,892 --> 00:18:23,351
operating something
with voice commands,
334
00:18:23,436 --> 00:18:27,063
if you don't know what that is,
that's a magical incantation.
335
00:18:27,148 --> 00:18:29,440
This is the interesting thing,
because when you look at
336
00:18:29,526 --> 00:18:30,775
the ark of the covenant...
337
00:18:32,529 --> 00:18:34,570
...you look at the high priest.
338
00:18:34,656 --> 00:18:36,781
The high priest, of course,
would speak to god
339
00:18:36,866 --> 00:18:39,075
wearing the breastplate
of judgement
340
00:18:39,119 --> 00:18:40,952
that had the 12 stones on it.
341
00:18:40,995 --> 00:18:44,455
The high priest would approach
the Ark of the Covenant,
342
00:18:44,541 --> 00:18:48,960
and he would start to recite
certain tones, sounds.
343
00:18:50,713 --> 00:18:54,966
These were very deep,
tonal, throat-type chants.
344
00:18:55,009 --> 00:18:59,428
The tones were said to then
cause the stones to vibrate,
345
00:18:59,514 --> 00:19:01,681
and they would send out lights,
346
00:19:01,766 --> 00:19:06,519
and then the ark somehow
would react to this.
347
00:19:06,604 --> 00:19:09,021
There's some active
energy there,
348
00:19:09,107 --> 00:19:12,358
which we call the glory,
or kavod, of God.
349
00:19:12,443 --> 00:19:15,820
It's not God, but it's
some actual energy field
350
00:19:15,905 --> 00:19:18,156
that if you would be
in the presence...
351
00:19:18,241 --> 00:19:20,408
Remember, you couldn't go into
the presence. - Or a machine.
352
00:19:20,493 --> 00:19:22,118
That's right.
- Something was there
353
00:19:22,203 --> 00:19:24,787
that if you went
too close, you died.
354
00:19:24,831 --> 00:19:26,622
I'll tell you exactly what
that sounds to me like.
355
00:19:26,708 --> 00:19:29,584
This breastplate has optical
356
00:19:29,669 --> 00:19:33,337
and/or acousto-optical
transceivers on it.
357
00:19:33,381 --> 00:19:35,506
And they're hand-shaking,
which is what
358
00:19:35,592 --> 00:19:37,633
the old-school acoustic
phone modems would do
359
00:19:37,719 --> 00:19:39,802
when you would call up...
or the fax machine calls up...
360
00:19:39,846 --> 00:19:41,929
to connect to the other side.
361
00:19:42,015 --> 00:19:44,307
Henry: What we're seeing here
is that they would use sound
362
00:19:44,392 --> 00:19:46,809
to link Heaven and Earth.
363
00:19:48,730 --> 00:19:52,148
Narrator: The idea that sound
can facilitate communication
364
00:19:52,233 --> 00:19:54,859
between man and divine beings...
365
00:19:54,944 --> 00:19:58,029
like the hindu use of aum ...
is a common theme
366
00:19:58,072 --> 00:20:01,866
in religious traditions
throughout the world.
367
00:20:01,910 --> 00:20:03,826
All religions really use music,
368
00:20:03,912 --> 00:20:06,662
and you see that
in worship services.
369
00:20:08,791 --> 00:20:11,792
so the cantor with the psalms
in the jewish tradition...
370
00:20:13,713 --> 00:20:16,214
...choir in
christian traditions.
371
00:20:16,257 --> 00:20:19,508
Even in the islamic tradition,
where there's no formal music,
372
00:20:19,594 --> 00:20:23,179
there's a-a melody to the
recitation of the koran.
373
00:20:26,851 --> 00:20:29,185
every culture has the idea
374
00:20:29,270 --> 00:20:32,897
that this music connects us
with the divine.
375
00:20:40,990 --> 00:20:43,074
Narrator: For many
religious practices,
376
00:20:43,117 --> 00:20:46,035
just as important
as musical traditions
377
00:20:46,120 --> 00:20:49,163
are the locations in which
the rituals are performed.
378
00:20:50,250 --> 00:20:53,876
Thompson: A choir singing
in chartres cathedral
379
00:20:53,962 --> 00:20:57,421
is magical because of the
architectural space.
380
00:21:01,302 --> 00:21:03,427
And so these
architectural spaces
381
00:21:03,513 --> 00:21:05,554
in all these various cultures,
382
00:21:05,640 --> 00:21:08,933
from these kind of secret
monasteries in the far east
383
00:21:08,977 --> 00:21:12,853
and in the Middle East,
384
00:21:12,939 --> 00:21:15,231
were famous for having
385
00:21:15,275 --> 00:21:18,192
architectural designed spaces
386
00:21:18,278 --> 00:21:21,195
that call up the sacred.
387
00:21:26,494 --> 00:21:29,954
Narrator: Interestingly, a growing
number of archaeologists believe
388
00:21:29,998 --> 00:21:32,290
some of the world's
oldest structures
389
00:21:32,375 --> 00:21:36,294
were specifically designed to
accentuate acoustic properties.
390
00:21:37,505 --> 00:21:39,297
Like all of you,
I'm always keeping up
391
00:21:39,382 --> 00:21:42,925
on the latest archaeological
developments and research,
392
00:21:43,011 --> 00:21:45,094
and I think it's
really fascinating
393
00:21:45,138 --> 00:21:48,973
that monuments worldwide have
acoustic properties.
394
00:21:49,017 --> 00:21:51,642
What they're finding is
that these were chambers
395
00:21:51,686 --> 00:21:53,436
that were designed where
you would have this
396
00:21:53,521 --> 00:21:55,271
acoustic experience
that you heard,
397
00:21:55,315 --> 00:21:58,524
but you also felt it in
your bones, in your tissue.
398
00:21:58,609 --> 00:22:01,110
Yeah, they call this archaeoacoustics.
399
00:22:01,195 --> 00:22:04,655
Narrator: Archaeoacoustics
is an interdisciplinary
400
00:22:04,741 --> 00:22:07,658
field of archaeology
dedicated to examining
401
00:22:07,744 --> 00:22:11,579
how sound and acoustics were
utilized in the ancient world.
402
00:22:12,874 --> 00:22:14,707
Felicia Beardsley: It's
a relatively new field,
403
00:22:14,792 --> 00:22:16,500
and archaeoacoustics
is looking at
404
00:22:16,586 --> 00:22:19,837
the sound quality
of ancient sites,
405
00:22:19,922 --> 00:22:23,257
historical sites,
archaeological sites
406
00:22:23,343 --> 00:22:26,427
where we see music
probably played a role.
407
00:22:27,555 --> 00:22:29,722
Stonehenge is one of those.
408
00:22:29,807 --> 00:22:32,683
Where you stand in the
middle of Stonehenge,
409
00:22:32,769 --> 00:22:36,270
you would create the
sound blast of music,
410
00:22:36,356 --> 00:22:38,647
whatever implements were used,
411
00:22:38,691 --> 00:22:42,234
'cause we're not really sure,
and it would bounce
412
00:22:42,320 --> 00:22:45,905
off the stones and create
this sort of echo chamber.
413
00:22:46,908 --> 00:22:50,326
Stonehenge functioned
as a sonic temple.
414
00:22:51,371 --> 00:22:53,579
By this, what I mean is that...
415
00:22:53,664 --> 00:22:57,833
Individuals, the center
of the monument,
416
00:22:57,919 --> 00:23:00,961
would create musical sounds,
417
00:23:01,047 --> 00:23:04,215
particularly of a low frequency,
418
00:23:04,300 --> 00:23:08,511
that would be contained
actually inside the stones
419
00:23:08,596 --> 00:23:11,597
and build up an energy,
if you like,
420
00:23:11,682 --> 00:23:15,810
for a purpose which we can
only guess at right now.
421
00:23:17,188 --> 00:23:20,564
Narrator: All around the world,
archaeologists have identified
422
00:23:20,650 --> 00:23:22,817
numerous ancient sites
that were designed
423
00:23:22,902 --> 00:23:24,860
according to
acoustic principles,
424
00:23:24,946 --> 00:23:27,696
such as Gobekli Tepe in Turkey,
425
00:23:27,740 --> 00:23:29,824
the hypogeum in Malta
426
00:23:29,909 --> 00:23:33,577
and the newgrange passage
tomb in Ireland.
427
00:23:33,663 --> 00:23:36,914
Newgrange has very strong
acoustic properties.
428
00:23:36,999 --> 00:23:40,751
What they found is, is that
the way the sound waves
429
00:23:40,837 --> 00:23:42,670
bounce around the chamber,
they create
430
00:23:42,755 --> 00:23:44,463
what's called standing waves.
431
00:23:44,549 --> 00:23:46,924
And they increase
in intensity and sound.
432
00:23:48,052 --> 00:23:50,010
Narrator: According
to some researchers,
433
00:23:50,096 --> 00:23:54,265
curious carvings found inside
Newgrange provide key evidence
434
00:23:54,350 --> 00:23:56,225
documenting that
the structure was
435
00:23:56,310 --> 00:24:00,229
purposely designed to have
elaborate acoustic properties.
436
00:24:00,314 --> 00:24:03,399
Newman: And it seems that these
standing waves were recorded
437
00:24:03,484 --> 00:24:04,984
actually within
the chamber itself,
438
00:24:05,069 --> 00:24:06,277
where you could see
these zigzags
439
00:24:06,362 --> 00:24:08,028
carved all over the place,
440
00:24:08,114 --> 00:24:11,282
suggesting that they not
only understood acoustics
441
00:24:11,367 --> 00:24:13,242
but they were recording
the experience
442
00:24:13,327 --> 00:24:14,994
within the chambers.
443
00:24:15,079 --> 00:24:17,955
The other thing of-of
real interest is the fact that
444
00:24:18,040 --> 00:24:21,959
when they investigated
the corbeled roof,
445
00:24:22,003 --> 00:24:24,086
which is like multiple
mega-size stones
446
00:24:24,130 --> 00:24:25,671
almost going around a spiral,
447
00:24:25,756 --> 00:24:27,715
they found that these
had been adjusted.
448
00:24:27,800 --> 00:24:30,301
And they found the reason
for that was because
449
00:24:30,386 --> 00:24:33,304
they were tuning the chamber
acoustically.
450
00:24:33,389 --> 00:24:35,347
Narrator: Is it
merely coincidence
451
00:24:35,433 --> 00:24:38,100
that ancient structures
all over the world
452
00:24:38,186 --> 00:24:40,978
appear to have been designed
by different civilizations
453
00:24:41,063 --> 00:24:44,482
that demonstrate such
similar acoustic properties?
454
00:24:44,567 --> 00:24:47,735
Or might they share
a very common purpose?
455
00:24:47,820 --> 00:24:49,820
And if so, why?
456
00:24:49,864 --> 00:24:53,324
I mean, it's fascinating
the whole idea of
457
00:24:53,367 --> 00:24:56,660
these vibrations and acoustics
within these ancient sites
458
00:24:56,704 --> 00:24:59,580
and that they were purposely
created that way.
459
00:24:59,665 --> 00:25:01,332
Henry: Yeah, they
were set up for,
460
00:25:01,375 --> 00:25:03,375
an extraordinary
human experience
461
00:25:03,461 --> 00:25:07,004
that potentially then this
can enable an experience
462
00:25:07,048 --> 00:25:10,132
with an otherworldly being,
even a... Like a godlike being.
463
00:25:10,218 --> 00:25:12,676
They were signifying
it was a place,
464
00:25:12,720 --> 00:25:15,095
that they were opening up
a spiritual portal
465
00:25:15,181 --> 00:25:17,181
by doing ceremony, chanting...
466
00:25:17,225 --> 00:25:19,058
you know, maybe beating
drums or something...
467
00:25:19,143 --> 00:25:23,354
to their ancestor gods
or to their sky gods.
468
00:25:23,397 --> 00:25:25,731
What we're seeing here
is that these were
469
00:25:25,816 --> 00:25:28,817
meeting grounds of
humans and the gods.
470
00:25:35,243 --> 00:25:36,992
The interesting thing about
these resonance chambers...
471
00:25:37,078 --> 00:25:38,744
one thing we have discovered
at these low frequencies...
472
00:25:38,829 --> 00:25:40,704
you actually can be in a...
473
00:25:40,748 --> 00:25:43,374
In sort of a trancelike
state from it.
474
00:25:43,417 --> 00:25:45,000
Tzadok: Apparently, there
is a psychological
475
00:25:45,086 --> 00:25:46,669
or spiritual effect.
476
00:25:46,712 --> 00:25:49,380
This was used with
shamanistic practices.
477
00:25:50,883 --> 00:25:54,510
Narrator: Ancient religious
leaders, commonly known as shamans,
478
00:25:54,595 --> 00:25:59,306
were seen as links between
humans and a higher realm.
479
00:25:59,392 --> 00:26:02,726
For the shamans,
sound was not used
480
00:26:02,770 --> 00:26:05,229
merely to make a spiritual
connection with the divine
481
00:26:05,273 --> 00:26:09,483
but to actually interact
with otherworldly beings.
482
00:26:10,903 --> 00:26:12,444
Beardsley: The term "shaman"
483
00:26:12,530 --> 00:26:15,781
comes from Siberian
religious practices,
484
00:26:15,866 --> 00:26:17,533
and it means
somebody who can see
485
00:26:17,618 --> 00:26:21,370
the underlying fabric
of the world around them.
486
00:26:21,455 --> 00:26:23,247
These are the negotiators
487
00:26:23,291 --> 00:26:25,541
between this world
and the other world.
488
00:26:26,586 --> 00:26:29,336
They could step
into the other world
489
00:26:29,422 --> 00:26:31,922
to negotiate with
otherworldly forces.
490
00:26:34,969 --> 00:26:36,844
Collins: Individuals, shamans,
491
00:26:36,929 --> 00:26:39,513
when they chanted,
when they sung,
492
00:26:39,599 --> 00:26:42,558
when they used the instruments,
493
00:26:42,643 --> 00:26:47,271
it was to enter into altered
states of consciousness
494
00:26:47,356 --> 00:26:51,066
so that they could communicate
with spirit entities
495
00:26:51,110 --> 00:26:52,943
and perhaps connect with
496
00:26:52,987 --> 00:26:55,613
what we might describe
as ancient aliens.
497
00:26:58,075 --> 00:27:01,368
Tzadok: The point is that
the shamanistic practices
498
00:27:01,454 --> 00:27:03,579
are all built upon what?
499
00:27:03,664 --> 00:27:07,499
Chants, sounds, altered
states of consciousness
500
00:27:07,585 --> 00:27:10,794
which bring you
into connection with...
501
00:27:10,838 --> 00:27:14,298
Extraterrestrials, aliens,
whatever is out there.
502
00:27:14,342 --> 00:27:16,759
That's a really
interesting point, rabbi.
503
00:27:16,844 --> 00:27:19,470
You know, we have discovered
that sound waves
504
00:27:19,513 --> 00:27:21,764
can actually control our brain.
505
00:27:24,810 --> 00:27:27,895
Narrator: In the 1960s,
neuroscientists discovered
506
00:27:27,980 --> 00:27:30,481
that rhythm and acoustics
can produce
507
00:27:30,566 --> 00:27:32,941
a physiological change
in the human brain
508
00:27:33,027 --> 00:27:36,487
through a process
known as entrainment.
509
00:27:38,240 --> 00:27:41,116
Thompson: If I can
create a pulsing
510
00:27:41,202 --> 00:27:42,660
in the external environment
511
00:27:42,703 --> 00:27:45,162
that's pulsing at a
brain wave speed,
512
00:27:45,247 --> 00:27:49,249
my brain waves will try to match
that speed to save energy,
513
00:27:49,335 --> 00:27:52,503
and my conscious will...
Will change in the process.
514
00:27:54,548 --> 00:27:56,632
So we can do that
using just a drum
515
00:27:56,676 --> 00:27:59,677
to change consciousness at will.
516
00:27:59,762 --> 00:28:03,097
If I hook you up
to an eeg machine
517
00:28:03,182 --> 00:28:05,766
so I can look at
your brain waves...
518
00:28:05,851 --> 00:28:07,393
and normally, when we're awake,
519
00:28:07,478 --> 00:28:10,145
my brain waves are
generating beta function,
520
00:28:10,231 --> 00:28:15,067
which is rapid, between
13 hertz and 38.
521
00:28:15,152 --> 00:28:17,444
And the drumbeat is at five.
522
00:28:17,530 --> 00:28:20,531
And my brain waves are
gonna start slowing down
523
00:28:20,574 --> 00:28:23,075
and slowing down,
slower, slower,
524
00:28:23,160 --> 00:28:26,203
to take my consciousness
from a waking state
525
00:28:26,247 --> 00:28:29,123
into a dream state without
going to sleep first,
526
00:28:29,208 --> 00:28:32,543
which means that's a classic
definition of a trance.
527
00:28:34,505 --> 00:28:37,506
The earliest examples
of brain entrainment
528
00:28:37,591 --> 00:28:40,384
would be shamanic drumming.
529
00:28:40,428 --> 00:28:44,430
The speed of the drumbeat tends
to be around five hertz.
530
00:28:44,515 --> 00:28:46,056
And that's about like this.
531
00:28:50,396 --> 00:28:52,771
you know, that's about it.
That's about five hertz.
532
00:28:52,857 --> 00:28:54,648
And five hertz is
where your brain goes
533
00:28:54,734 --> 00:28:56,358
when you're dreaming at night.
534
00:28:56,444 --> 00:29:00,571
The whole idea is to
transform consciousness.
535
00:29:02,450 --> 00:29:05,576
They were trying to
achieve a connection
536
00:29:05,619 --> 00:29:08,829
with the divine, with
the otherworldly.
537
00:29:09,957 --> 00:29:12,082
Narrator: If modern
science has proven
538
00:29:12,126 --> 00:29:14,710
that shamanic drumming
does, in fact,
539
00:29:14,795 --> 00:29:17,212
induce a state of trance,
540
00:29:17,298 --> 00:29:19,715
could it also be true
that it enables
541
00:29:19,759 --> 00:29:21,925
extrasensory abilities
542
00:29:21,969 --> 00:29:26,180
and even allows for communication
with other realms?
543
00:29:27,767 --> 00:29:30,893
While it may sound like
a far-fetched notion,
544
00:29:30,978 --> 00:29:34,688
in 1995, the U.S.
Government revealed
545
00:29:34,774 --> 00:29:38,692
that brain entrainment was part
of its top secret spy program
546
00:29:38,778 --> 00:29:41,028
called project stargate.
547
00:29:42,448 --> 00:29:44,573
Operatives in this
clandestine unit
548
00:29:44,658 --> 00:29:48,786
gathered intelligence about
persons, places and events
549
00:29:48,829 --> 00:29:53,290
from great distances by
sensing with their minds,
550
00:29:53,375 --> 00:29:56,043
a practice called
remote viewing.
551
00:29:57,254 --> 00:29:59,797
During the 1970s,
552
00:29:59,882 --> 00:30:02,090
president Jimmy Carter's
administration
553
00:30:02,134 --> 00:30:04,301
used remote viewers to locate
554
00:30:04,345 --> 00:30:06,929
a downed russian spy
plane in Africa.
555
00:30:08,265 --> 00:30:10,599
You talk to any of
the old remote viewers,
556
00:30:10,684 --> 00:30:12,643
the ones from
the stargate program,
557
00:30:12,686 --> 00:30:16,647
they'll tell you how accurate
and how important
558
00:30:16,690 --> 00:30:18,732
and how relevant
their information was.
559
00:30:20,027 --> 00:30:22,069
Narrator: John Vivanco
has been working
560
00:30:22,154 --> 00:30:23,987
in the field of remote viewing
561
00:30:24,073 --> 00:30:26,782
as both a teacher
and practitioner
562
00:30:26,867 --> 00:30:29,117
for more than 20 years.
563
00:30:29,161 --> 00:30:32,746
I worked with corporations,
intelligence,
564
00:30:32,832 --> 00:30:35,666
counterterror for
the FBI after 9/11.
565
00:30:38,170 --> 00:30:41,171
Narrator: At the start of
every remote viewing session,
566
00:30:41,257 --> 00:30:44,967
John uses specific sounds
to entrain his brain waves
567
00:30:45,010 --> 00:30:47,469
and create a trancelike state.
568
00:30:49,223 --> 00:30:50,639
What we do with remote viewing
569
00:30:50,724 --> 00:30:53,141
before we do a session
is a cooldown.
570
00:30:53,185 --> 00:30:55,143
we will meditate,
571
00:30:55,229 --> 00:30:58,355
and one of the aides that
we'll use are binaural beats.
572
00:30:59,441 --> 00:31:02,609
So, if you think about
frequencies in the ear,
573
00:31:02,695 --> 00:31:04,862
we'll listen to these sounds.
574
00:31:04,905 --> 00:31:07,114
So, if one ear
is pulsing a sound
575
00:31:07,199 --> 00:31:10,284
of let's just say... Six hertz
576
00:31:10,369 --> 00:31:15,873
and in another ear it's pulsing
a sound of four hertz,
577
00:31:15,916 --> 00:31:18,166
your brain waves
will synchronize
578
00:31:18,210 --> 00:31:20,294
to around five hertz.
579
00:31:20,379 --> 00:31:23,297
And we like to stay in that zone
580
00:31:23,382 --> 00:31:25,257
in order to get
the best information.
581
00:31:26,510 --> 00:31:29,678
Narrator: John claims that by
entering this trance state
582
00:31:29,763 --> 00:31:32,848
remote viewers have gathered
more than just information.
583
00:31:32,933 --> 00:31:36,727
They have also encountered
otherworldly beings.
584
00:31:36,770 --> 00:31:38,687
Vivanco: We were
working a project
585
00:31:38,772 --> 00:31:41,023
around the Arecibo
radio observatory,
586
00:31:41,108 --> 00:31:45,903
and I was the first viewer
on this particular tasking,
587
00:31:45,946 --> 00:31:49,072
and I start to get these
beings, these aliens.
588
00:31:49,158 --> 00:31:52,326
And I just remember
during the session,
589
00:31:52,411 --> 00:31:53,869
I kept saying,
"they're coming,
590
00:31:53,913 --> 00:31:55,704
they're coming, they're coming."
591
00:31:55,789 --> 00:31:59,374
and they started
to take notice of me.
592
00:31:59,460 --> 00:32:01,543
And I'm starting to freak out
because I've got
593
00:32:01,629 --> 00:32:03,545
tons of adrenaline
flowing through me.
594
00:32:03,631 --> 00:32:05,172
I-I'm in fight-or-flight.
595
00:32:06,550 --> 00:32:09,885
It telepathically communicated
with me, and it said,
596
00:32:09,970 --> 00:32:14,556
"we are here to help you,
and we want you to help us."
597
00:32:15,809 --> 00:32:19,269
the other viewers started
to experience the same thing.
598
00:32:19,313 --> 00:32:21,855
And so that's when
we started to, okay,
599
00:32:21,941 --> 00:32:24,232
now you know
I'm not hallucinating.
600
00:32:25,319 --> 00:32:27,110
This is absolutely real.
601
00:32:28,948 --> 00:32:30,906
Travis, you could speak to this
probably in more detail,
602
00:32:30,991 --> 00:32:33,075
but we-we live
in a spectrum, right?
603
00:32:33,160 --> 00:32:36,370
We see a very tiny sliver of reality.
- Oh...
604
00:32:36,455 --> 00:32:38,288
And what if these frequencies...
605
00:32:38,332 --> 00:32:40,207
what if they're like dials...
you know, you can...
606
00:32:40,292 --> 00:32:41,875
Like you're tuning
the radio dial?
607
00:32:41,961 --> 00:32:43,585
"Oh, I'm not in Earth
frequency anymore.
608
00:32:43,671 --> 00:32:46,004
"I'm just gonna tune it
a little bit in this space,
609
00:32:46,090 --> 00:32:48,215
and I'm gonna be able to see
what's actually there."
610
00:32:48,300 --> 00:32:50,717
so, what if...
and this is a what-if...
611
00:32:50,803 --> 00:32:53,929
you're in this perfect spot,
what if that shifts you
612
00:32:53,973 --> 00:32:58,016
slightly, in the spectrum
that you can, perceive?
613
00:32:58,102 --> 00:33:00,060
Tzadok: How about this?
614
00:33:00,145 --> 00:33:02,980
If we could actually,
through science,
615
00:33:03,065 --> 00:33:06,066
find the proper
resonances, tones
616
00:33:06,151 --> 00:33:10,570
that'll actually put us in
contact with... With whom?
617
00:33:10,656 --> 00:33:13,657
The ancestors.
- The only way to find out...
618
00:33:14,952 --> 00:33:19,204
...Is to knock on the door
and go through and say,
619
00:33:19,289 --> 00:33:20,664
"who's there?"
620
00:33:26,922 --> 00:33:30,090
there is an ancient book
called Perek Shirah
621
00:33:30,175 --> 00:33:31,967
with a chapter of song
where in which it's revealed
622
00:33:32,052 --> 00:33:35,387
that everything in nature
has its own vibration.
623
00:33:35,472 --> 00:33:36,972
Right.
- Which means it has
624
00:33:37,057 --> 00:33:38,348
its own consciousness.
- Right.
625
00:33:38,434 --> 00:33:39,558
We call that
mechanical resonance.
626
00:33:39,643 --> 00:33:41,226
Everything is alive.
627
00:33:41,311 --> 00:33:43,020
Taylor: And that
comes back to...
628
00:33:43,063 --> 00:33:48,066
the universe itself has
this mishmash of vibrations.
629
00:33:48,152 --> 00:33:51,069
Right. - And it's singing
a song, so to speak.
630
00:33:51,155 --> 00:33:54,448
And if we learn how to interpret
and/or manipulate the song,
631
00:33:54,533 --> 00:33:57,325
then we can interpret and/or
manipulate the Universe.
632
00:33:57,411 --> 00:33:59,244
And it's all harmonics.
- Henry: It's all harmonics.
633
00:33:59,329 --> 00:34:00,871
We've got to go back
to Pythagoras
634
00:34:00,914 --> 00:34:03,206
with his "music of
the spheres" concept
635
00:34:03,292 --> 00:34:06,543
because he comes up with
the idea of the musical scale
636
00:34:06,628 --> 00:34:08,712
and, musical ratios.
637
00:34:11,633 --> 00:34:14,885
Narrator: In the sixth
century BC, Pythagoras,
638
00:34:14,970 --> 00:34:17,679
the famous greek mathematician
and philosopher,
639
00:34:17,765 --> 00:34:19,723
made an acoustic discovery
640
00:34:19,808 --> 00:34:22,684
that would reverberate
through history.
641
00:34:22,770 --> 00:34:25,062
Pythagoras was,
in a certain sense,
642
00:34:25,105 --> 00:34:27,647
the father of
modern mathematics.
643
00:34:28,734 --> 00:34:30,817
He gave us the base-ten formula
644
00:34:30,903 --> 00:34:33,987
for our western
system of numbers,
645
00:34:34,073 --> 00:34:37,699
and he discovered a divine
symmetry, so to speak,
646
00:34:37,785 --> 00:34:39,910
in all things that exist.
647
00:34:42,748 --> 00:34:44,414
Jonathan Young: One
day, Pythagoras is
648
00:34:44,500 --> 00:34:46,291
walking by the blacksmith's,
649
00:34:46,376 --> 00:34:48,835
and he's hearing some harmony
650
00:34:48,921 --> 00:34:51,254
coming out from
the smithy area there.
651
00:34:52,508 --> 00:34:56,510
And so, with the kind of
a persistence of a scientist,
652
00:34:56,595 --> 00:35:01,556
he figures out that if a
hammer is twice the weight
653
00:35:01,642 --> 00:35:05,477
of another hammer and they both
strike at the same time,
654
00:35:05,562 --> 00:35:07,771
the notes they make are harmony.
655
00:35:10,943 --> 00:35:13,485
Michael Dennin: The
great discovery he made
656
00:35:13,570 --> 00:35:16,238
is that the waves generated,
657
00:35:16,323 --> 00:35:18,448
say, by strings
or wind instruments
658
00:35:18,534 --> 00:35:21,368
could be converted
into clear notes and scales
659
00:35:21,453 --> 00:35:24,246
by using fractions
and discrete ratios.
660
00:35:24,331 --> 00:35:29,000
So, pythagoras did this amazing
job of taking math and geometry
661
00:35:29,086 --> 00:35:31,461
and tying it to music,
which then led to
662
00:35:31,547 --> 00:35:33,547
the entire western
musical scale.
663
00:35:37,427 --> 00:35:40,804
Narrator: Pythagoras's study of
harmonics led him to theorize
664
00:35:40,889 --> 00:35:44,850
that everything in the universe,
including planets and stars,
665
00:35:44,935 --> 00:35:48,645
exists in a constant state
of vibration.
666
00:35:48,689 --> 00:35:50,981
Incredibly, he was right.
667
00:35:53,152 --> 00:35:58,113
2,000 years ago, the greeks
asked an elemental question:
668
00:35:58,198 --> 00:36:00,073
What paradigm can explain
669
00:36:00,159 --> 00:36:02,909
the entire complexity
of the Universe?
670
00:36:04,246 --> 00:36:07,664
Pythagoras said music
has the complexity
671
00:36:07,749 --> 00:36:11,543
to explain the diversity
of the universe itself.
672
00:36:12,671 --> 00:36:14,629
So, in other words,
our universe resonates
673
00:36:14,715 --> 00:36:17,174
with the notes from music.
674
00:36:18,969 --> 00:36:22,429
Pythagoras said that
everything is based on music,
675
00:36:22,514 --> 00:36:24,723
which, in turn, is based
on certain ratios:
676
00:36:24,808 --> 00:36:26,766
Thirds, fifths, octaves.
677
00:36:27,895 --> 00:36:30,770
So, why not explain the
solar system this way?
678
00:36:30,856 --> 00:36:34,566
If you look at Mercury, Venus,
Earth, Mars, Jupiter, Saturn,
679
00:36:34,651 --> 00:36:37,652
they are aligned according
to certain ratios.
680
00:36:37,738 --> 00:36:41,740
Maybe these ratios are
the ratios of strings.
681
00:36:41,825 --> 00:36:45,035
And so he called it
"music of the spheres."
682
00:36:46,997 --> 00:36:49,789
when planets move
around the solar system,
683
00:36:49,875 --> 00:36:52,292
he thought they
must create music,
684
00:36:52,377 --> 00:36:54,002
music that we cannot hear.
685
00:36:54,087 --> 00:36:57,255
This is heavenly music,
music of the angels,
686
00:36:57,341 --> 00:37:00,550
but nonetheless, that would
explain the regularity
687
00:37:00,636 --> 00:37:03,094
of the solar system itself.
688
00:37:03,180 --> 00:37:05,055
And so he thought
you could explain
689
00:37:05,140 --> 00:37:07,474
the Universe through music.
690
00:37:08,602 --> 00:37:10,393
Horowitz: Pythagoras felt he was
691
00:37:10,479 --> 00:37:13,521
unlocking a kind of code
of creation.
692
00:37:13,607 --> 00:37:15,398
He was providing humanity
693
00:37:15,484 --> 00:37:17,901
with the language of the gods,
so to speak.
694
00:37:19,696 --> 00:37:22,447
Pythagoras said it was Apollo,
the-the Sun God,
695
00:37:22,532 --> 00:37:25,075
who taught him about all
of these advanced concepts
696
00:37:25,160 --> 00:37:27,619
and laying down the basis
for modern music
697
00:37:27,704 --> 00:37:29,871
and everything that
we know about music.
698
00:37:29,915 --> 00:37:32,290
So, there's an extraterrestrial
connection here
699
00:37:32,376 --> 00:37:34,626
that is very important
for us to think about.
700
00:37:34,711 --> 00:37:39,589
All this talk about music and
frequencies and harmonics
701
00:37:39,675 --> 00:37:42,175
all boils down to
mathematics, correct?
702
00:37:42,261 --> 00:37:45,303
According to the ancient
kabbalistic texts,
703
00:37:45,389 --> 00:37:50,225
math, complemented with
the appropriate harmonics,
704
00:37:50,310 --> 00:37:53,061
are going to align with
the natural harmonic
705
00:37:53,146 --> 00:37:56,481
or universal pattern
of the Universe.
706
00:37:56,566 --> 00:37:59,192
We are talking about the hidden,
707
00:37:59,278 --> 00:38:01,569
sacred knowledge
of the ancients,
708
00:38:01,655 --> 00:38:05,615
which was their
secret technology,
709
00:38:05,701 --> 00:38:08,326
their way of reaching out
to the higher dimensions,
710
00:38:08,412 --> 00:38:13,206
whether they be to angels
or gods or ancient aliens.
711
00:38:19,298 --> 00:38:20,547
This is a really
interesting, conversation
712
00:38:20,632 --> 00:38:23,133
about all these different
acoustic properties.
713
00:38:23,218 --> 00:38:25,635
I've always thought that there's
a... A different pattern.
714
00:38:25,721 --> 00:38:28,096
I call... I've always called it
the god fractal...
715
00:38:28,181 --> 00:38:29,806
that, I think, if you found it,
716
00:38:29,891 --> 00:38:31,641
it would be like the
mathematical instructions
717
00:38:31,727 --> 00:38:33,476
to building the
universe or whatever.
718
00:38:33,520 --> 00:38:36,646
Have you seen diagrams
throughout history or whatever
719
00:38:36,732 --> 00:38:39,649
that, to you, suggest
the pattern?
720
00:38:39,735 --> 00:38:41,651
Henry: The flower of life.
- I was just about to say.
721
00:38:41,737 --> 00:38:43,320
Henry: It has to be
the flower of life,
722
00:38:43,405 --> 00:38:46,531
the-the symbol
of creation itself.
723
00:38:46,616 --> 00:38:49,701
Narrator: Constructed
of overlapping circles,
724
00:38:49,786 --> 00:38:53,163
the flower of life holds
all geometric forms
725
00:38:53,248 --> 00:38:55,832
within its design.
726
00:38:55,876 --> 00:38:59,336
One of the oldest known examples
of this sacred geometry
727
00:38:59,421 --> 00:39:02,130
can be found at
the temple of Osiris in Egypt,
728
00:39:02,174 --> 00:39:07,552
a structure archaeologists
claim is 6,000 years old.
729
00:39:07,637 --> 00:39:09,763
The flower of life symbol
is considered
730
00:39:09,848 --> 00:39:11,848
the seed symbol of all symbols.
731
00:39:13,143 --> 00:39:15,143
The ancient egyptians understood
732
00:39:15,228 --> 00:39:17,187
this symbol came
from the Heavens.
733
00:39:17,272 --> 00:39:19,397
Childress: The flower of
life is very special.
734
00:39:19,483 --> 00:39:22,067
It's really a... A mandala.
735
00:39:22,152 --> 00:39:24,319
And it may have something to do
736
00:39:24,363 --> 00:39:29,115
with the geometric nature
of the Universe.
737
00:39:30,160 --> 00:39:32,452
We don't know
exactly what it did.
738
00:39:32,537 --> 00:39:37,374
Perhaps it was really
symbolizing some device
739
00:39:37,417 --> 00:39:40,627
that's a sound device,
a harmonic device,
740
00:39:40,712 --> 00:39:43,004
something that's
highly technical
741
00:39:43,090 --> 00:39:46,341
and was used by
these ancient cultures.
742
00:39:46,385 --> 00:39:49,052
Narrator: Is it possible
that extraterrestrials
743
00:39:49,137 --> 00:39:51,888
have used acoustics
to guide humankind
744
00:39:51,932 --> 00:39:54,349
for thousands of years?
745
00:39:54,434 --> 00:39:59,437
And if so, did they hide clues
in ancient traditions,
746
00:39:59,523 --> 00:40:03,650
structures that create altered
states of consciousness,
747
00:40:03,735 --> 00:40:08,446
and sacred shapes in the
form of cymatic patterns?
748
00:40:08,532 --> 00:40:11,032
Perhaps the next
great leap forward
749
00:40:11,118 --> 00:40:13,701
will occur once we tune in
750
00:40:13,787 --> 00:40:16,913
to the extraterrestrial
messages around us.
751
00:40:18,333 --> 00:40:21,292
I think, too, the
opportunity we have here
752
00:40:21,378 --> 00:40:23,920
for cracking this
harmonic code is...
753
00:40:23,964 --> 00:40:27,757
we all talk about a golden age
and a time when we're gonna see
754
00:40:27,843 --> 00:40:29,843
extraterrestrial presence
on this planet,
755
00:40:29,928 --> 00:40:31,469
and this could be the key to it.
756
00:40:31,555 --> 00:40:33,596
"harmony" is the
right, key word there.
757
00:40:33,682 --> 00:40:35,265
Exactly.
- Yeah, right.
758
00:40:35,350 --> 00:40:37,183
For the whole Universe
to be in harmony, yeah.
759
00:40:37,269 --> 00:40:41,020
So, this is literally getting
the right vibrations
760
00:40:41,106 --> 00:40:43,481
to match with the
right vibrations
761
00:40:43,567 --> 00:40:46,443
to create the next
experience of reality.
762
00:40:46,528 --> 00:40:49,028
I like that. Guys,
look, this has been
763
00:40:49,114 --> 00:40:52,824
absolutely incredible
conversation.
764
00:40:52,909 --> 00:40:55,952
And I think we've established
that there is
765
00:40:56,037 --> 00:40:59,205
way more to the world
that we know of,
766
00:40:59,291 --> 00:41:01,541
there's way more to our reality
767
00:41:01,626 --> 00:41:05,795
and also what we can
perceive with our senses.
768
00:41:05,839 --> 00:41:10,008
And I can't wait to continue
this at some other time.
769
00:41:10,093 --> 00:41:11,634
To be continued.
770
00:41:11,720 --> 00:41:13,303
Captioning provided by
A+E Networks.
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