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These are the user uploaded subtitles that are being translated: 1 00:00:01,877 --> 00:00:04,753 Narrator: In ancient traditions around the world, 2 00:00:04,839 --> 00:00:07,631 powerful sacred sounds were used 3 00:00:07,675 --> 00:00:10,175 to communicate with the heavens. 4 00:00:10,261 --> 00:00:14,471 Deepak Shimkada: The whole universe resonates with the sound "aum." 5 00:00:15,558 --> 00:00:17,808 Narrator: But was sound also used 6 00:00:17,852 --> 00:00:20,019 to create megalithic structures? 7 00:00:20,062 --> 00:00:22,354 Erich von Daniken: They had a certain sound, 8 00:00:22,440 --> 00:00:23,939 a certain vibration, 9 00:00:24,025 --> 00:00:27,067 and the blocks moved by themselves. 10 00:00:28,237 --> 00:00:30,487 Narrator: And could seemingly primitive rituals 11 00:00:30,573 --> 00:00:34,616 actually have been connected to otherworldly technology? 12 00:00:36,245 --> 00:00:38,704 Dr. Jeff Thompson: Within the harmonics and overtones 13 00:00:38,748 --> 00:00:41,373 of a complex sound, 14 00:00:41,459 --> 00:00:44,376 you could impart all kinds of information. 15 00:00:44,462 --> 00:00:47,963 Narrator: Ancient astronaut theorist Giorgio Tsoukalos 16 00:00:48,049 --> 00:00:50,257 and author David Childress 17 00:00:50,342 --> 00:00:53,052 have gathered experts in science, religion 18 00:00:53,137 --> 00:00:57,514 and mythology to explore the mysterious power of sound. 19 00:00:58,559 --> 00:01:01,226 Giorgio Tsoukalos: Monuments worldwide 20 00:01:01,312 --> 00:01:04,063 have acoustic properties, and it's all harmonics. 21 00:01:04,148 --> 00:01:05,898 Narrator: And the possibility 22 00:01:05,983 --> 00:01:08,525 that new discoveries in acoustics 23 00:01:08,611 --> 00:01:11,862 could lead to the next giant leap in human evolution. 24 00:01:11,947 --> 00:01:14,239 Travis Taylor: This is literally 25 00:01:14,283 --> 00:01:16,742 getting the right vibrations to create 26 00:01:16,786 --> 00:01:18,911 the next experience of reality. 27 00:01:21,999 --> 00:01:23,707 Narrator: There is a doorway 28 00:01:23,751 --> 00:01:26,335 in the universe. 29 00:01:26,420 --> 00:01:29,797 Beyond it is the promise of truth. 30 00:01:30,758 --> 00:01:33,342 It demands we question everything 31 00:01:33,427 --> 00:01:35,928 we have ever been taught. 32 00:01:36,013 --> 00:01:39,431 The evidence is all around us. 33 00:01:39,475 --> 00:01:43,393 The future is right before our eyes. 34 00:01:43,479 --> 00:01:46,105 We are not alone. 35 00:01:46,148 --> 00:01:49,274 We have never been alone. 36 00:01:55,991 --> 00:01:59,785 I'm really delighted to be here with you guys because 37 00:01:59,870 --> 00:02:03,122 I think that acoustics is definitely something 38 00:02:03,165 --> 00:02:06,125 that needs to be explored even further. 39 00:02:06,210 --> 00:02:09,628 As humans, music and-and acoustics 40 00:02:09,713 --> 00:02:11,547 are very important to our lives. 41 00:02:11,632 --> 00:02:14,633 Remember, from the bible, it says 42 00:02:14,718 --> 00:02:17,136 god created the world how? 43 00:02:17,221 --> 00:02:19,138 In the beginning was the word. - By speaking. - He spoke! 44 00:02:19,223 --> 00:02:21,598 It's spoken, right? 45 00:02:21,684 --> 00:02:25,310 The oral tradition is not just words or intellect. 46 00:02:25,354 --> 00:02:26,937 It's an entire tonal thing. 47 00:02:26,981 --> 00:02:28,981 When the universe was created, 48 00:02:29,066 --> 00:02:32,192 it says that the whole earth has a grid of tones 49 00:02:32,278 --> 00:02:33,986 that founds everything. 50 00:02:34,071 --> 00:02:35,988 That is the same thing in ancient india with aum. 51 00:02:36,031 --> 00:02:38,157 They're saying exactly the same thing, that... 52 00:02:38,200 --> 00:02:40,367 That the universe started with one note, a single note. 53 00:02:40,452 --> 00:02:42,161 That's right. - Childress: A vibration. 54 00:02:42,204 --> 00:02:43,996 And then it's the aum sound. 55 00:02:44,957 --> 00:02:46,957 โ™ช โ™ช 56 00:02:48,752 --> 00:02:50,711 Narrator: Aum is a sacred sound 57 00:02:50,796 --> 00:02:53,005 in the eastern religions of hinduism, 58 00:02:53,090 --> 00:02:56,758 buddhism and jainism. 59 00:03:00,264 --> 00:03:04,141 Shimkada: Hindu concept of cosmic sound is simply aum. 60 00:03:04,226 --> 00:03:08,145 "aum" is made of three letters: 61 00:03:08,230 --> 00:03:11,523 "a," "u" and "m." 62 00:03:11,609 --> 00:03:15,068 those three letters combined makes the sound "aum." 63 00:03:15,154 --> 00:03:16,987 โ™ช โ™ช 64 00:03:17,031 --> 00:03:21,742 and the whole Universe resonates with the sound "aum." 65 00:03:22,745 --> 00:03:25,370 Layne Lttle: Aum is not just found 66 00:03:25,456 --> 00:03:28,624 in hinduism and vedic tradition. 67 00:03:28,709 --> 00:03:30,500 It's very much used in buddhism. 68 00:03:30,586 --> 00:03:34,338 It's utilized in jainism and also in sikhism as well. 69 00:03:35,466 --> 00:03:38,717 And it is the most common and most sacred of all mantras 70 00:03:38,761 --> 00:03:41,053 in all of these traditions. 71 00:03:42,431 --> 00:03:46,141 Narrator: The concept of aum first appears in the vedas, 72 00:03:46,227 --> 00:03:50,354 the religious texts that form the foundation of hinduism. 73 00:03:50,439 --> 00:03:53,398 According to the texts, specific vibrations, 74 00:03:53,484 --> 00:03:57,236 created through ritualistic chanting, singing and prayer, 75 00:03:57,321 --> 00:04:00,239 can provide a direct connection between humans 76 00:04:00,324 --> 00:04:02,741 and the gods themselves. 77 00:04:04,620 --> 00:04:07,913 The importance of sound in hinduism and buddhism 78 00:04:07,998 --> 00:04:10,749 is very, very vital. 79 00:04:13,212 --> 00:04:17,589 without sound, you cannot pronounce a mantra. 80 00:04:19,009 --> 00:04:24,763 A mantra is combined words made into invocation. 81 00:04:24,807 --> 00:04:27,933 Narrator: As described in the vedic texts, 82 00:04:27,977 --> 00:04:31,019 the gods provided humankind with a visual aid 83 00:04:31,105 --> 00:04:33,063 to remember these sacred sounds: 84 00:04:33,107 --> 00:04:36,733 Elaborate patterns called mandalas. 85 00:04:36,819 --> 00:04:40,279 Praveen Mohan: Mandalas are mnemonic devices 86 00:04:40,322 --> 00:04:46,743 used to aid meditation, often in tandem with chanting. 87 00:04:46,829 --> 00:04:50,289 What's interesting is that in hindu temples, 88 00:04:50,332 --> 00:04:55,252 we have a visual representation of mandalas. 89 00:04:55,337 --> 00:04:58,505 So, what they're doing is they're essentially 90 00:04:58,590 --> 00:05:03,969 translating sound into visual patterns. 91 00:05:04,054 --> 00:05:08,890 In modern technology, these are called Chladni patterns. 92 00:05:11,061 --> 00:05:15,272 Narrator: In 1787, german physicist Ernst Chladni, 93 00:05:15,357 --> 00:05:17,274 known as the father of acoustics, 94 00:05:17,359 --> 00:05:18,942 published his seminal work, 95 00:05:19,028 --> 00:05:22,112 discoveries in the theory of sound. 96 00:05:22,197 --> 00:05:25,449 In it, Chladni describes an experiment that shows 97 00:05:25,534 --> 00:05:29,995 how vibrations can create exotic geometric shapes. 98 00:05:30,039 --> 00:05:32,998 We've got this thing called a Chladni plate, 99 00:05:33,042 --> 00:05:35,751 after the scientist who invented it. 100 00:05:35,836 --> 00:05:39,171 It's a thin metal plate, like a sounding board, 101 00:05:39,214 --> 00:05:42,507 and we've got a transducer attached to the bottom of it. 102 00:05:42,551 --> 00:05:46,636 And they spread sand over the top of this plate. 103 00:05:46,680 --> 00:05:48,513 And we start playing certain tones. 104 00:05:51,185 --> 00:05:53,935 and those sand particles start 105 00:05:54,021 --> 00:05:56,021 to bounce around and dance around, 106 00:05:56,106 --> 00:05:59,983 and they start to form these mathematical circular patterns. 107 00:06:02,196 --> 00:06:04,529 And as we move up through these frequencies, 108 00:06:04,615 --> 00:06:08,784 the sand goes into kind of a chaos in-between state, 109 00:06:08,869 --> 00:06:11,370 and then it arrives at this next pattern. 110 00:06:13,207 --> 00:06:17,918 And the higher the frequency you go, 111 00:06:18,003 --> 00:06:21,713 the more these patterns become more complex. 112 00:06:29,098 --> 00:06:32,891 Narrator: In the 1960s, Swiss scientist Hans Jenny 113 00:06:32,976 --> 00:06:35,602 was experimenting with Chladni patterns, 114 00:06:35,687 --> 00:06:38,063 when he noticed an extraordinary connection. 115 00:06:39,108 --> 00:06:40,816 Jenny tried it with aum. 116 00:06:44,905 --> 00:06:47,614 And it generated an image of a circle 117 00:06:47,699 --> 00:06:49,116 with a dot in the middle. 118 00:06:49,201 --> 00:06:51,451 That itself is actually very interesting 119 00:06:51,537 --> 00:06:55,330 because the most fundamental elements of any mandala 120 00:06:55,416 --> 00:06:57,707 will usually be a circle 121 00:06:57,793 --> 00:07:00,377 with a dot marking the cosmic center. 122 00:07:01,630 --> 00:07:04,506 Narrator: Today, the patterns made by frequencies 123 00:07:04,591 --> 00:07:06,758 are known as cymatics. 124 00:07:06,802 --> 00:07:10,303 In modern technology, we are able to create 125 00:07:10,389 --> 00:07:14,516 visual representations of sounds. 126 00:07:14,601 --> 00:07:19,271 What is remarkable is that we see the same patterns 127 00:07:19,314 --> 00:07:24,276 in hindu temples, in ancient Indian structures. 128 00:07:27,322 --> 00:07:31,074 Narrator: At the Sri Ranganathaswamy temple in Southern India 129 00:07:31,160 --> 00:07:35,537 are 40 ornate statues carved from monolithic columns. 130 00:07:35,622 --> 00:07:37,706 The statues depict leaping animals 131 00:07:37,791 --> 00:07:40,250 and, above them, vimanas, 132 00:07:40,335 --> 00:07:42,752 vehicles that, according to ancient hindu texts, 133 00:07:42,838 --> 00:07:45,422 were flown by the gods. 134 00:07:47,426 --> 00:07:51,928 The word "vimana," in ancient vedic texts, 135 00:07:51,972 --> 00:07:54,431 means flying machines. 136 00:07:54,516 --> 00:07:57,893 In hinduism, it is clearly established 137 00:07:57,978 --> 00:08:02,647 that the gods come down from the sky using vimanas. 138 00:08:02,733 --> 00:08:06,943 In the temple of srirangam, these carvings show 139 00:08:06,987 --> 00:08:10,906 many different types of vimanas. 140 00:08:13,702 --> 00:08:18,163 And what's really unique is that, under these vimanas, 141 00:08:18,248 --> 00:08:23,752 we are able to see some very interesting patterns of mandala. 142 00:08:25,088 --> 00:08:28,465 Narrator: Some researchers believe these mandalas represent 143 00:08:28,550 --> 00:08:31,718 more than just an artistic flourish. 144 00:08:31,803 --> 00:08:35,514 According to legend, each type of vimana 145 00:08:35,599 --> 00:08:40,810 can be activated with a specific type of mandala. 146 00:08:40,854 --> 00:08:43,772 If we crack this visual code, 147 00:08:43,857 --> 00:08:46,358 if we crack this cymatic pattern, 148 00:08:46,443 --> 00:08:52,697 we might actually unlock the secret to power these vimanas. 149 00:09:01,166 --> 00:09:03,875 Think about-- all this is somehow connected 150 00:09:03,919 --> 00:09:08,213 to cymatics and some of these shapes that we see in, 151 00:09:08,298 --> 00:09:10,674 the ancient hieroglyphics and some of these structures, 152 00:09:10,717 --> 00:09:12,717 megalithic structures. 153 00:09:12,803 --> 00:09:15,387 And you can reproduce those with sound waves. 154 00:09:15,430 --> 00:09:19,724 And so I wonder if, when these patterns occur, 155 00:09:19,810 --> 00:09:24,145 when we create these sounds, is this kind of like 156 00:09:24,231 --> 00:09:27,315 we're inserting the pin to open up 157 00:09:27,401 --> 00:09:30,402 an encrypted pdf file to the read the information? 158 00:09:30,487 --> 00:09:35,282 And what they're trying to tell us with a mandala is that this 159 00:09:35,367 --> 00:09:39,411 is the cymatic code, the shape, the vibration, 160 00:09:39,454 --> 00:09:42,872 the sound that's going to levitate 161 00:09:42,958 --> 00:09:44,874 or do whatever. - Or whatever that... 162 00:09:44,918 --> 00:09:46,710 You make this picture with sound, and you've done it. 163 00:09:46,795 --> 00:09:48,878 Tzadok: There is knowledge of the ancients, 164 00:09:48,964 --> 00:09:52,507 which was concealed because mankind was not considered 165 00:09:52,593 --> 00:09:54,050 ready for it. 166 00:09:54,094 --> 00:09:56,761 And this was that technology. 167 00:10:05,897 --> 00:10:07,272 What's interesting about this whole harmonics and cymatics 168 00:10:07,357 --> 00:10:09,065 is that this is a universal thing. 169 00:10:09,109 --> 00:10:11,026 It's gonna be throughout the universe. 170 00:10:11,111 --> 00:10:12,819 It's every single planet. 171 00:10:12,904 --> 00:10:14,321 That's-that's called the anthropic principle. 172 00:10:14,406 --> 00:10:16,281 Childress: It-it's, like mathematics. 173 00:10:16,325 --> 00:10:17,782 Taylor: We have discovered all these 174 00:10:17,868 --> 00:10:20,785 extreme amplitudes of acoustic sounds. 175 00:10:20,871 --> 00:10:23,997 And right now, we're currently working on how we might 176 00:10:24,082 --> 00:10:27,292 be using it for future technologies. 177 00:10:27,336 --> 00:10:30,128 I love it. This is great. - So let me tell you a story 178 00:10:30,213 --> 00:10:34,215 a-about, uh, an event that happened very recently. 179 00:10:34,301 --> 00:10:35,759 Two scientists have done an experiment. 180 00:10:35,844 --> 00:10:38,637 They go into the great detailed math 181 00:10:38,680 --> 00:10:42,140 of the quantum interaction, with the sound interaction. 182 00:10:42,225 --> 00:10:44,351 And they call that a phonon-photon interaction. 183 00:10:44,436 --> 00:10:46,478 Phonon is the particle for sound. 184 00:10:46,521 --> 00:10:49,314 And discovered that sound 185 00:10:49,358 --> 00:10:52,567 can trigger this negative mass effect. 186 00:10:54,363 --> 00:10:56,029 Narrator: In March 2019, 187 00:10:56,114 --> 00:10:58,823 scientists at Columbia University 188 00:10:58,909 --> 00:11:01,826 in New York City made a shocking discovery 189 00:11:01,912 --> 00:11:05,538 that redefined the known laws of physics. 190 00:11:05,624 --> 00:11:09,292 In an experiment, physicist Angelo Esposito 191 00:11:09,378 --> 00:11:12,629 demonstrated that phonons are affected by gravity 192 00:11:12,714 --> 00:11:16,299 but in a highly unexpected way. 193 00:11:16,385 --> 00:11:19,010 Instead of being forced down towards the Earth, 194 00:11:19,096 --> 00:11:22,472 phonons actually rise upwards. 195 00:11:22,557 --> 00:11:28,061 Scientists discovered that the phonon itself has mass, 196 00:11:28,146 --> 00:11:29,938 which nobody thought it had before. 197 00:11:30,023 --> 00:11:31,690 But the closer they looked, they realized 198 00:11:31,775 --> 00:11:34,651 that it wasn't mass at all; it was negative mass 199 00:11:34,695 --> 00:11:36,861 and negative gravity. 200 00:11:36,905 --> 00:11:38,446 Michio Kaku: It turns out that under 201 00:11:38,532 --> 00:11:40,365 certain conditions with sound waves, 202 00:11:40,409 --> 00:11:44,035 sound waves can actually start to rise rather than fall. 203 00:11:44,121 --> 00:11:47,038 And this was an anomaly, but yes, it seems to be consistent 204 00:11:47,082 --> 00:11:49,791 with the laws of physics, that certain vibrations, 205 00:11:49,876 --> 00:11:53,378 instead of falling down, can actually fall up. 206 00:11:54,756 --> 00:11:57,716 To me, that's experimental evidence 207 00:11:57,759 --> 00:12:00,510 that you can, if you understand sound 208 00:12:00,595 --> 00:12:03,805 the right way, use it to levitate heavy things. 209 00:12:03,890 --> 00:12:05,849 Tsoukalos: So, could this imply 210 00:12:05,934 --> 00:12:10,854 that the ancient stories of levitation of stones, 211 00:12:10,939 --> 00:12:12,981 that some type of technology like that 212 00:12:13,066 --> 00:12:15,775 was im... Was implemented? - That's right. 213 00:12:15,861 --> 00:12:19,487 Taylor: And that comes back to this whole idea with, 214 00:12:19,573 --> 00:12:22,157 cymatics, which is where we're taking, 215 00:12:22,242 --> 00:12:24,033 certain sounds and putting them in 216 00:12:24,119 --> 00:12:25,744 what we'll call standing waves. 217 00:12:25,829 --> 00:12:29,080 And they produce these amazing geometric figures. 218 00:12:29,124 --> 00:12:31,750 And you could envision, if you knew the way 219 00:12:31,835 --> 00:12:34,002 to manipulate this the right way, you could put... 220 00:12:34,087 --> 00:12:36,671 You can make three-dimensional figures with it, even. Right? 221 00:12:36,757 --> 00:12:39,716 You could have sound not just underneath it but all around it. 222 00:12:39,801 --> 00:12:41,593 And, in fact, I've seen one 223 00:12:41,636 --> 00:12:44,095 where there are multiple transducers in a way 224 00:12:44,139 --> 00:12:47,932 and they can levitate little styrofoam balls. 225 00:12:47,976 --> 00:12:49,601 And ping-pong balls. - Tsoukalos: Right. 226 00:12:49,644 --> 00:12:51,603 Taylor: Just by having the sound in the right way. 227 00:12:51,646 --> 00:12:55,023 And even do multiple ones in-in configurations. 228 00:12:55,108 --> 00:12:58,943 So imagine if you could amplify the power, 229 00:12:59,029 --> 00:13:02,280 if you could amplify the-the principle, 230 00:13:02,324 --> 00:13:04,282 wouldn't that or couldn't that apply? 231 00:13:04,367 --> 00:13:07,410 Absolutely. - Because we have ancient stories 232 00:13:07,454 --> 00:13:09,871 in ancient egypt, in England. 233 00:13:09,956 --> 00:13:11,956 Some of the Stonehenge blocks, 234 00:13:12,000 --> 00:13:14,083 according to some of the legends, 235 00:13:14,169 --> 00:13:16,085 magician Merlin... - Right. 236 00:13:16,171 --> 00:13:18,379 ...Was able to levitate those stones 237 00:13:18,465 --> 00:13:20,006 across the plains of England. 238 00:13:20,091 --> 00:13:21,633 Right. 239 00:13:21,676 --> 00:13:23,676 Narrator: Is it possible 240 00:13:23,762 --> 00:13:27,347 that the same principles utilized to move sand particles 241 00:13:27,432 --> 00:13:30,558 and larger objects such as ping-pong balls 242 00:13:30,644 --> 00:13:33,144 could also be used on a larger scale 243 00:13:33,230 --> 00:13:35,814 to lift and move much heavier objects? 244 00:13:35,899 --> 00:13:39,275 Curiously, a great number of stories 245 00:13:39,361 --> 00:13:41,611 can be found in the ancient world 246 00:13:41,655 --> 00:13:45,824 that involve the use of sound to levitate massive stones. 247 00:13:47,244 --> 00:13:48,952 All the way around the world, 248 00:13:49,037 --> 00:13:53,039 there are myths and legends relating to the movement 249 00:13:53,124 --> 00:13:56,543 of stone blocks using sound technology. 250 00:13:56,628 --> 00:14:00,672 These are found amongst the maya of Mexico, 251 00:14:00,757 --> 00:14:03,091 the phoenicians of the Near East 252 00:14:03,176 --> 00:14:05,510 and in Tibet. 253 00:14:05,554 --> 00:14:08,638 We have stories in ancient Egypt, even, 254 00:14:08,723 --> 00:14:12,350 where they seem to be able to move the stone effortlessly 255 00:14:12,435 --> 00:14:15,979 from one place to another, some weighing hundreds of tons. 256 00:14:18,191 --> 00:14:20,191 Narrator: In the tenth century ad, 257 00:14:20,235 --> 00:14:23,695 the arab historian Abul Hasan Ali Al-Masudi 258 00:14:23,780 --> 00:14:26,865 wrote that the egyptians were visited by beings 259 00:14:26,950 --> 00:14:30,076 known as the guardians of the sky, 260 00:14:30,161 --> 00:14:32,245 who gave them knowledge that enabled them 261 00:14:32,330 --> 00:14:34,747 to levitate the massive limestone blocks 262 00:14:34,833 --> 00:14:37,834 with which they built the great pyramid. 263 00:14:40,338 --> 00:14:44,090 Von Daniken: In Old Egypt, they had a certain sound, 264 00:14:44,175 --> 00:14:49,178 a certain vibration, and the blocks moved by themselves. 265 00:14:49,264 --> 00:14:51,389 They show a technology which we do not have. 266 00:14:53,101 --> 00:14:55,184 Narrator: If acoustic technology was used 267 00:14:55,270 --> 00:14:57,562 to levitate massive stones, 268 00:14:57,647 --> 00:15:00,356 as Ancient Astronaut theorists suggest, 269 00:15:00,400 --> 00:15:02,483 might knowledge of this technology 270 00:15:02,569 --> 00:15:06,154 have been left for humankind to rediscover? 271 00:15:07,782 --> 00:15:09,908 This levitation technology 272 00:15:09,951 --> 00:15:14,579 is exotic because we have no idea how to do this today. 273 00:15:14,623 --> 00:15:17,540 For thousands of years now, we've turned this 274 00:15:17,626 --> 00:15:21,461 into the realm of legends and myths. 275 00:15:21,546 --> 00:15:24,714 The fact that we have stories of these ancient gods, 276 00:15:24,799 --> 00:15:28,051 in my opinion, is that we are suggesting 277 00:15:28,136 --> 00:15:30,595 that our ancestors misinterpreted 278 00:15:30,639 --> 00:15:34,599 these beings as gods because their technology 279 00:15:34,684 --> 00:15:37,602 far surpassed their current frame of reference. 280 00:15:37,646 --> 00:15:39,896 Henry: Right. - Taylor: So, these beings 281 00:15:39,981 --> 00:15:43,733 from our ancient past had probably figured this out 282 00:15:43,818 --> 00:15:45,985 in order to do whatever it was they did. 283 00:15:46,071 --> 00:15:49,238 And that lends us down the road of, 284 00:15:49,282 --> 00:15:51,157 how do we figure it out? 285 00:15:51,242 --> 00:15:54,285 And that's something that I'm really intrigued by. 286 00:15:54,329 --> 00:15:56,287 Tzadok: This technology 287 00:15:56,331 --> 00:15:59,499 will not only transform our society; 288 00:15:59,584 --> 00:16:01,751 it'll change our world. 289 00:16:09,135 --> 00:16:11,302 To me, this is fascinating that there seems to be 290 00:16:11,346 --> 00:16:15,139 acoustics and sound that reach the realm of the gods. 291 00:16:15,183 --> 00:16:17,183 Tzadok: The path of the ten sefirot 292 00:16:17,268 --> 00:16:20,853 in the kabbalah speak of the energy vortexes 293 00:16:20,939 --> 00:16:22,772 which vibrate in five different harmonics 294 00:16:22,816 --> 00:16:24,649 called vowels, 295 00:16:24,693 --> 00:16:27,193 which is called tonal technology. 296 00:16:27,278 --> 00:16:31,322 This knowledge was considered too dangerous 297 00:16:31,366 --> 00:16:32,991 to be publicly displayed. 298 00:16:33,034 --> 00:16:36,494 And according to the stories and the legends, 299 00:16:36,579 --> 00:16:40,415 this technology was unleashed, and it destroyed the world. 300 00:16:40,500 --> 00:16:42,291 And, I... - Childress: So, well, first they destroyed Jericho. 301 00:16:42,377 --> 00:16:44,377 Right? With their sound... - Well, Jericho, Jericho... 302 00:16:44,462 --> 00:16:45,586 Jericho came later, but actually, 303 00:16:45,672 --> 00:16:47,338 when you're bringing up Jericho, 304 00:16:47,424 --> 00:16:49,507 the whole story of the Ark of the Covenant 305 00:16:49,592 --> 00:16:52,010 and the marching, this is only just one 306 00:16:52,095 --> 00:16:54,512 simple biblical example. 307 00:16:56,057 --> 00:16:58,182 Narrator: The hebrew bible's Book of Joshua 308 00:16:58,226 --> 00:17:01,019 tells the story of how Israel conquered Canaan 309 00:17:01,062 --> 00:17:03,771 beginning with the battle of Jericho. 310 00:17:05,150 --> 00:17:08,443 According to the story, god commanded the israelites 311 00:17:08,528 --> 00:17:12,030 to march around the seemingly impenetrable walls of Jericho 312 00:17:12,115 --> 00:17:14,699 once a day for six straight days, 313 00:17:14,743 --> 00:17:17,952 carrying with them the Ark of the Covenant. 314 00:17:18,038 --> 00:17:20,663 But on the seventh day, they were to circle Jericho 315 00:17:20,749 --> 00:17:24,709 seven times, making tremendous noise. 316 00:17:26,337 --> 00:17:28,337 Hussain: On the seventh day, as they circle it, 317 00:17:28,423 --> 00:17:30,048 they blow the trumpets, 318 00:17:30,091 --> 00:17:33,843 and it's the sound that brings the walls down. 319 00:17:36,765 --> 00:17:39,682 And you can think of that from an engineering perspective. 320 00:17:39,768 --> 00:17:42,560 Is it the trumpets and the vibration, 321 00:17:42,604 --> 00:17:44,353 the sound of the trumpets, that somehow resonates 322 00:17:44,439 --> 00:17:47,398 with a particular frequency in the brick of the walls 323 00:17:47,442 --> 00:17:50,568 that causes these walls to collapse? 324 00:17:50,653 --> 00:17:53,237 Narrator: Is it possible that the story of Jericho 325 00:17:53,281 --> 00:17:56,115 is a historical account of acoustic technology 326 00:17:56,201 --> 00:17:59,202 being used thousands of years ago? 327 00:18:00,330 --> 00:18:03,164 Ancient Astronaut theorists say yes 328 00:18:03,249 --> 00:18:05,875 and point to other stories that describe the power 329 00:18:05,960 --> 00:18:08,377 of the Ark of the Covenant. 330 00:18:11,382 --> 00:18:13,716 What I have always found fascinating 331 00:18:13,802 --> 00:18:19,055 is that we have stories of these magical incantations. 332 00:18:19,140 --> 00:18:20,807 Right. - But, you know, 333 00:18:20,892 --> 00:18:23,351 operating something with voice commands, 334 00:18:23,436 --> 00:18:27,063 if you don't know what that is, that's a magical incantation. 335 00:18:27,148 --> 00:18:29,440 This is the interesting thing, because when you look at 336 00:18:29,526 --> 00:18:30,775 the ark of the covenant... 337 00:18:32,529 --> 00:18:34,570 ...you look at the high priest. 338 00:18:34,656 --> 00:18:36,781 The high priest, of course, would speak to god 339 00:18:36,866 --> 00:18:39,075 wearing the breastplate of judgement 340 00:18:39,119 --> 00:18:40,952 that had the 12 stones on it. 341 00:18:40,995 --> 00:18:44,455 The high priest would approach the Ark of the Covenant, 342 00:18:44,541 --> 00:18:48,960 and he would start to recite certain tones, sounds. 343 00:18:50,713 --> 00:18:54,966 These were very deep, tonal, throat-type chants. 344 00:18:55,009 --> 00:18:59,428 The tones were said to then cause the stones to vibrate, 345 00:18:59,514 --> 00:19:01,681 and they would send out lights, 346 00:19:01,766 --> 00:19:06,519 and then the ark somehow would react to this. 347 00:19:06,604 --> 00:19:09,021 There's some active energy there, 348 00:19:09,107 --> 00:19:12,358 which we call the glory, or kavod, of God. 349 00:19:12,443 --> 00:19:15,820 It's not God, but it's some actual energy field 350 00:19:15,905 --> 00:19:18,156 that if you would be in the presence... 351 00:19:18,241 --> 00:19:20,408 Remember, you couldn't go into the presence. - Or a machine. 352 00:19:20,493 --> 00:19:22,118 That's right. - Something was there 353 00:19:22,203 --> 00:19:24,787 that if you went too close, you died. 354 00:19:24,831 --> 00:19:26,622 I'll tell you exactly what that sounds to me like. 355 00:19:26,708 --> 00:19:29,584 This breastplate has optical 356 00:19:29,669 --> 00:19:33,337 and/or acousto-optical transceivers on it. 357 00:19:33,381 --> 00:19:35,506 And they're hand-shaking, which is what 358 00:19:35,592 --> 00:19:37,633 the old-school acoustic phone modems would do 359 00:19:37,719 --> 00:19:39,802 when you would call up... or the fax machine calls up... 360 00:19:39,846 --> 00:19:41,929 to connect to the other side. 361 00:19:42,015 --> 00:19:44,307 Henry: What we're seeing here is that they would use sound 362 00:19:44,392 --> 00:19:46,809 to link Heaven and Earth. 363 00:19:48,730 --> 00:19:52,148 Narrator: The idea that sound can facilitate communication 364 00:19:52,233 --> 00:19:54,859 between man and divine beings... 365 00:19:54,944 --> 00:19:58,029 like the hindu use of aum ... is a common theme 366 00:19:58,072 --> 00:20:01,866 in religious traditions throughout the world. 367 00:20:01,910 --> 00:20:03,826 All religions really use music, 368 00:20:03,912 --> 00:20:06,662 and you see that in worship services. 369 00:20:08,791 --> 00:20:11,792 so the cantor with the psalms in the jewish tradition... 370 00:20:13,713 --> 00:20:16,214 ...choir in christian traditions. 371 00:20:16,257 --> 00:20:19,508 Even in the islamic tradition, where there's no formal music, 372 00:20:19,594 --> 00:20:23,179 there's a-a melody to the recitation of the koran. 373 00:20:26,851 --> 00:20:29,185 every culture has the idea 374 00:20:29,270 --> 00:20:32,897 that this music connects us with the divine. 375 00:20:40,990 --> 00:20:43,074 Narrator: For many religious practices, 376 00:20:43,117 --> 00:20:46,035 just as important as musical traditions 377 00:20:46,120 --> 00:20:49,163 are the locations in which the rituals are performed. 378 00:20:50,250 --> 00:20:53,876 Thompson: A choir singing in chartres cathedral 379 00:20:53,962 --> 00:20:57,421 is magical because of the architectural space. 380 00:21:01,302 --> 00:21:03,427 And so these architectural spaces 381 00:21:03,513 --> 00:21:05,554 in all these various cultures, 382 00:21:05,640 --> 00:21:08,933 from these kind of secret monasteries in the far east 383 00:21:08,977 --> 00:21:12,853 and in the Middle East, 384 00:21:12,939 --> 00:21:15,231 were famous for having 385 00:21:15,275 --> 00:21:18,192 architectural designed spaces 386 00:21:18,278 --> 00:21:21,195 that call up the sacred. 387 00:21:26,494 --> 00:21:29,954 Narrator: Interestingly, a growing number of archaeologists believe 388 00:21:29,998 --> 00:21:32,290 some of the world's oldest structures 389 00:21:32,375 --> 00:21:36,294 were specifically designed to accentuate acoustic properties. 390 00:21:37,505 --> 00:21:39,297 Like all of you, I'm always keeping up 391 00:21:39,382 --> 00:21:42,925 on the latest archaeological developments and research, 392 00:21:43,011 --> 00:21:45,094 and I think it's really fascinating 393 00:21:45,138 --> 00:21:48,973 that monuments worldwide have acoustic properties. 394 00:21:49,017 --> 00:21:51,642 What they're finding is that these were chambers 395 00:21:51,686 --> 00:21:53,436 that were designed where you would have this 396 00:21:53,521 --> 00:21:55,271 acoustic experience that you heard, 397 00:21:55,315 --> 00:21:58,524 but you also felt it in your bones, in your tissue. 398 00:21:58,609 --> 00:22:01,110 Yeah, they call this archaeoacoustics. 399 00:22:01,195 --> 00:22:04,655 Narrator: Archaeoacoustics is an interdisciplinary 400 00:22:04,741 --> 00:22:07,658 field of archaeology dedicated to examining 401 00:22:07,744 --> 00:22:11,579 how sound and acoustics were utilized in the ancient world. 402 00:22:12,874 --> 00:22:14,707 Felicia Beardsley: It's a relatively new field, 403 00:22:14,792 --> 00:22:16,500 and archaeoacoustics is looking at 404 00:22:16,586 --> 00:22:19,837 the sound quality of ancient sites, 405 00:22:19,922 --> 00:22:23,257 historical sites, archaeological sites 406 00:22:23,343 --> 00:22:26,427 where we see music probably played a role. 407 00:22:27,555 --> 00:22:29,722 Stonehenge is one of those. 408 00:22:29,807 --> 00:22:32,683 Where you stand in the middle of Stonehenge, 409 00:22:32,769 --> 00:22:36,270 you would create the sound blast of music, 410 00:22:36,356 --> 00:22:38,647 whatever implements were used, 411 00:22:38,691 --> 00:22:42,234 'cause we're not really sure, and it would bounce 412 00:22:42,320 --> 00:22:45,905 off the stones and create this sort of echo chamber. 413 00:22:46,908 --> 00:22:50,326 Stonehenge functioned as a sonic temple. 414 00:22:51,371 --> 00:22:53,579 By this, what I mean is that... 415 00:22:53,664 --> 00:22:57,833 Individuals, the center of the monument, 416 00:22:57,919 --> 00:23:00,961 would create musical sounds, 417 00:23:01,047 --> 00:23:04,215 particularly of a low frequency, 418 00:23:04,300 --> 00:23:08,511 that would be contained actually inside the stones 419 00:23:08,596 --> 00:23:11,597 and build up an energy, if you like, 420 00:23:11,682 --> 00:23:15,810 for a purpose which we can only guess at right now. 421 00:23:17,188 --> 00:23:20,564 Narrator: All around the world, archaeologists have identified 422 00:23:20,650 --> 00:23:22,817 numerous ancient sites that were designed 423 00:23:22,902 --> 00:23:24,860 according to acoustic principles, 424 00:23:24,946 --> 00:23:27,696 such as Gobekli Tepe in Turkey, 425 00:23:27,740 --> 00:23:29,824 the hypogeum in Malta 426 00:23:29,909 --> 00:23:33,577 and the newgrange passage tomb in Ireland. 427 00:23:33,663 --> 00:23:36,914 Newgrange has very strong acoustic properties. 428 00:23:36,999 --> 00:23:40,751 What they found is, is that the way the sound waves 429 00:23:40,837 --> 00:23:42,670 bounce around the chamber, they create 430 00:23:42,755 --> 00:23:44,463 what's called standing waves. 431 00:23:44,549 --> 00:23:46,924 And they increase in intensity and sound. 432 00:23:48,052 --> 00:23:50,010 Narrator: According to some researchers, 433 00:23:50,096 --> 00:23:54,265 curious carvings found inside Newgrange provide key evidence 434 00:23:54,350 --> 00:23:56,225 documenting that the structure was 435 00:23:56,310 --> 00:24:00,229 purposely designed to have elaborate acoustic properties. 436 00:24:00,314 --> 00:24:03,399 Newman: And it seems that these standing waves were recorded 437 00:24:03,484 --> 00:24:04,984 actually within the chamber itself, 438 00:24:05,069 --> 00:24:06,277 where you could see these zigzags 439 00:24:06,362 --> 00:24:08,028 carved all over the place, 440 00:24:08,114 --> 00:24:11,282 suggesting that they not only understood acoustics 441 00:24:11,367 --> 00:24:13,242 but they were recording the experience 442 00:24:13,327 --> 00:24:14,994 within the chambers. 443 00:24:15,079 --> 00:24:17,955 The other thing of-of real interest is the fact that 444 00:24:18,040 --> 00:24:21,959 when they investigated the corbeled roof, 445 00:24:22,003 --> 00:24:24,086 which is like multiple mega-size stones 446 00:24:24,130 --> 00:24:25,671 almost going around a spiral, 447 00:24:25,756 --> 00:24:27,715 they found that these had been adjusted. 448 00:24:27,800 --> 00:24:30,301 And they found the reason for that was because 449 00:24:30,386 --> 00:24:33,304 they were tuning the chamber acoustically. 450 00:24:33,389 --> 00:24:35,347 Narrator: Is it merely coincidence 451 00:24:35,433 --> 00:24:38,100 that ancient structures all over the world 452 00:24:38,186 --> 00:24:40,978 appear to have been designed by different civilizations 453 00:24:41,063 --> 00:24:44,482 that demonstrate such similar acoustic properties? 454 00:24:44,567 --> 00:24:47,735 Or might they share a very common purpose? 455 00:24:47,820 --> 00:24:49,820 And if so, why? 456 00:24:49,864 --> 00:24:53,324 I mean, it's fascinating the whole idea of 457 00:24:53,367 --> 00:24:56,660 these vibrations and acoustics within these ancient sites 458 00:24:56,704 --> 00:24:59,580 and that they were purposely created that way. 459 00:24:59,665 --> 00:25:01,332 Henry: Yeah, they were set up for, 460 00:25:01,375 --> 00:25:03,375 an extraordinary human experience 461 00:25:03,461 --> 00:25:07,004 that potentially then this can enable an experience 462 00:25:07,048 --> 00:25:10,132 with an otherworldly being, even a... Like a godlike being. 463 00:25:10,218 --> 00:25:12,676 They were signifying it was a place, 464 00:25:12,720 --> 00:25:15,095 that they were opening up a spiritual portal 465 00:25:15,181 --> 00:25:17,181 by doing ceremony, chanting... 466 00:25:17,225 --> 00:25:19,058 you know, maybe beating drums or something... 467 00:25:19,143 --> 00:25:23,354 to their ancestor gods or to their sky gods. 468 00:25:23,397 --> 00:25:25,731 What we're seeing here is that these were 469 00:25:25,816 --> 00:25:28,817 meeting grounds of humans and the gods. 470 00:25:35,243 --> 00:25:36,992 The interesting thing about these resonance chambers... 471 00:25:37,078 --> 00:25:38,744 one thing we have discovered at these low frequencies... 472 00:25:38,829 --> 00:25:40,704 you actually can be in a... 473 00:25:40,748 --> 00:25:43,374 In sort of a trancelike state from it. 474 00:25:43,417 --> 00:25:45,000 Tzadok: Apparently, there is a psychological 475 00:25:45,086 --> 00:25:46,669 or spiritual effect. 476 00:25:46,712 --> 00:25:49,380 This was used with shamanistic practices. 477 00:25:50,883 --> 00:25:54,510 Narrator: Ancient religious leaders, commonly known as shamans, 478 00:25:54,595 --> 00:25:59,306 were seen as links between humans and a higher realm. 479 00:25:59,392 --> 00:26:02,726 For the shamans, sound was not used 480 00:26:02,770 --> 00:26:05,229 merely to make a spiritual connection with the divine 481 00:26:05,273 --> 00:26:09,483 but to actually interact with otherworldly beings. 482 00:26:10,903 --> 00:26:12,444 Beardsley: The term "shaman" 483 00:26:12,530 --> 00:26:15,781 comes from Siberian religious practices, 484 00:26:15,866 --> 00:26:17,533 and it means somebody who can see 485 00:26:17,618 --> 00:26:21,370 the underlying fabric of the world around them. 486 00:26:21,455 --> 00:26:23,247 These are the negotiators 487 00:26:23,291 --> 00:26:25,541 between this world and the other world. 488 00:26:26,586 --> 00:26:29,336 They could step into the other world 489 00:26:29,422 --> 00:26:31,922 to negotiate with otherworldly forces. 490 00:26:34,969 --> 00:26:36,844 Collins: Individuals, shamans, 491 00:26:36,929 --> 00:26:39,513 when they chanted, when they sung, 492 00:26:39,599 --> 00:26:42,558 when they used the instruments, 493 00:26:42,643 --> 00:26:47,271 it was to enter into altered states of consciousness 494 00:26:47,356 --> 00:26:51,066 so that they could communicate with spirit entities 495 00:26:51,110 --> 00:26:52,943 and perhaps connect with 496 00:26:52,987 --> 00:26:55,613 what we might describe as ancient aliens. 497 00:26:58,075 --> 00:27:01,368 Tzadok: The point is that the shamanistic practices 498 00:27:01,454 --> 00:27:03,579 are all built upon what? 499 00:27:03,664 --> 00:27:07,499 Chants, sounds, altered states of consciousness 500 00:27:07,585 --> 00:27:10,794 which bring you into connection with... 501 00:27:10,838 --> 00:27:14,298 Extraterrestrials, aliens, whatever is out there. 502 00:27:14,342 --> 00:27:16,759 That's a really interesting point, rabbi. 503 00:27:16,844 --> 00:27:19,470 You know, we have discovered that sound waves 504 00:27:19,513 --> 00:27:21,764 can actually control our brain. 505 00:27:24,810 --> 00:27:27,895 Narrator: In the 1960s, neuroscientists discovered 506 00:27:27,980 --> 00:27:30,481 that rhythm and acoustics can produce 507 00:27:30,566 --> 00:27:32,941 a physiological change in the human brain 508 00:27:33,027 --> 00:27:36,487 through a process known as entrainment. 509 00:27:38,240 --> 00:27:41,116 Thompson: If I can create a pulsing 510 00:27:41,202 --> 00:27:42,660 in the external environment 511 00:27:42,703 --> 00:27:45,162 that's pulsing at a brain wave speed, 512 00:27:45,247 --> 00:27:49,249 my brain waves will try to match that speed to save energy, 513 00:27:49,335 --> 00:27:52,503 and my conscious will... Will change in the process. 514 00:27:54,548 --> 00:27:56,632 So we can do that using just a drum 515 00:27:56,676 --> 00:27:59,677 to change consciousness at will. 516 00:27:59,762 --> 00:28:03,097 If I hook you up to an eeg machine 517 00:28:03,182 --> 00:28:05,766 so I can look at your brain waves... 518 00:28:05,851 --> 00:28:07,393 and normally, when we're awake, 519 00:28:07,478 --> 00:28:10,145 my brain waves are generating beta function, 520 00:28:10,231 --> 00:28:15,067 which is rapid, between 13 hertz and 38. 521 00:28:15,152 --> 00:28:17,444 And the drumbeat is at five. 522 00:28:17,530 --> 00:28:20,531 And my brain waves are gonna start slowing down 523 00:28:20,574 --> 00:28:23,075 and slowing down, slower, slower, 524 00:28:23,160 --> 00:28:26,203 to take my consciousness from a waking state 525 00:28:26,247 --> 00:28:29,123 into a dream state without going to sleep first, 526 00:28:29,208 --> 00:28:32,543 which means that's a classic definition of a trance. 527 00:28:34,505 --> 00:28:37,506 The earliest examples of brain entrainment 528 00:28:37,591 --> 00:28:40,384 would be shamanic drumming. 529 00:28:40,428 --> 00:28:44,430 The speed of the drumbeat tends to be around five hertz. 530 00:28:44,515 --> 00:28:46,056 And that's about like this. 531 00:28:50,396 --> 00:28:52,771 you know, that's about it. That's about five hertz. 532 00:28:52,857 --> 00:28:54,648 And five hertz is where your brain goes 533 00:28:54,734 --> 00:28:56,358 when you're dreaming at night. 534 00:28:56,444 --> 00:29:00,571 The whole idea is to transform consciousness. 535 00:29:02,450 --> 00:29:05,576 They were trying to achieve a connection 536 00:29:05,619 --> 00:29:08,829 with the divine, with the otherworldly. 537 00:29:09,957 --> 00:29:12,082 Narrator: If modern science has proven 538 00:29:12,126 --> 00:29:14,710 that shamanic drumming does, in fact, 539 00:29:14,795 --> 00:29:17,212 induce a state of trance, 540 00:29:17,298 --> 00:29:19,715 could it also be true that it enables 541 00:29:19,759 --> 00:29:21,925 extrasensory abilities 542 00:29:21,969 --> 00:29:26,180 and even allows for communication with other realms? 543 00:29:27,767 --> 00:29:30,893 While it may sound like a far-fetched notion, 544 00:29:30,978 --> 00:29:34,688 in 1995, the U.S. Government revealed 545 00:29:34,774 --> 00:29:38,692 that brain entrainment was part of its top secret spy program 546 00:29:38,778 --> 00:29:41,028 called project stargate. 547 00:29:42,448 --> 00:29:44,573 Operatives in this clandestine unit 548 00:29:44,658 --> 00:29:48,786 gathered intelligence about persons, places and events 549 00:29:48,829 --> 00:29:53,290 from great distances by sensing with their minds, 550 00:29:53,375 --> 00:29:56,043 a practice called remote viewing. 551 00:29:57,254 --> 00:29:59,797 During the 1970s, 552 00:29:59,882 --> 00:30:02,090 president Jimmy Carter's administration 553 00:30:02,134 --> 00:30:04,301 used remote viewers to locate 554 00:30:04,345 --> 00:30:06,929 a downed russian spy plane in Africa. 555 00:30:08,265 --> 00:30:10,599 You talk to any of the old remote viewers, 556 00:30:10,684 --> 00:30:12,643 the ones from the stargate program, 557 00:30:12,686 --> 00:30:16,647 they'll tell you how accurate and how important 558 00:30:16,690 --> 00:30:18,732 and how relevant their information was. 559 00:30:20,027 --> 00:30:22,069 Narrator: John Vivanco has been working 560 00:30:22,154 --> 00:30:23,987 in the field of remote viewing 561 00:30:24,073 --> 00:30:26,782 as both a teacher and practitioner 562 00:30:26,867 --> 00:30:29,117 for more than 20 years. 563 00:30:29,161 --> 00:30:32,746 I worked with corporations, intelligence, 564 00:30:32,832 --> 00:30:35,666 counterterror for the FBI after 9/11. 565 00:30:38,170 --> 00:30:41,171 Narrator: At the start of every remote viewing session, 566 00:30:41,257 --> 00:30:44,967 John uses specific sounds to entrain his brain waves 567 00:30:45,010 --> 00:30:47,469 and create a trancelike state. 568 00:30:49,223 --> 00:30:50,639 What we do with remote viewing 569 00:30:50,724 --> 00:30:53,141 before we do a session is a cooldown. 570 00:30:53,185 --> 00:30:55,143 we will meditate, 571 00:30:55,229 --> 00:30:58,355 and one of the aides that we'll use are binaural beats. 572 00:30:59,441 --> 00:31:02,609 So, if you think about frequencies in the ear, 573 00:31:02,695 --> 00:31:04,862 we'll listen to these sounds. 574 00:31:04,905 --> 00:31:07,114 So, if one ear is pulsing a sound 575 00:31:07,199 --> 00:31:10,284 of let's just say... Six hertz 576 00:31:10,369 --> 00:31:15,873 and in another ear it's pulsing a sound of four hertz, 577 00:31:15,916 --> 00:31:18,166 your brain waves will synchronize 578 00:31:18,210 --> 00:31:20,294 to around five hertz. 579 00:31:20,379 --> 00:31:23,297 And we like to stay in that zone 580 00:31:23,382 --> 00:31:25,257 in order to get the best information. 581 00:31:26,510 --> 00:31:29,678 Narrator: John claims that by entering this trance state 582 00:31:29,763 --> 00:31:32,848 remote viewers have gathered more than just information. 583 00:31:32,933 --> 00:31:36,727 They have also encountered otherworldly beings. 584 00:31:36,770 --> 00:31:38,687 Vivanco: We were working a project 585 00:31:38,772 --> 00:31:41,023 around the Arecibo radio observatory, 586 00:31:41,108 --> 00:31:45,903 and I was the first viewer on this particular tasking, 587 00:31:45,946 --> 00:31:49,072 and I start to get these beings, these aliens. 588 00:31:49,158 --> 00:31:52,326 And I just remember during the session, 589 00:31:52,411 --> 00:31:53,869 I kept saying, "they're coming, 590 00:31:53,913 --> 00:31:55,704 they're coming, they're coming." 591 00:31:55,789 --> 00:31:59,374 and they started to take notice of me. 592 00:31:59,460 --> 00:32:01,543 And I'm starting to freak out because I've got 593 00:32:01,629 --> 00:32:03,545 tons of adrenaline flowing through me. 594 00:32:03,631 --> 00:32:05,172 I-I'm in fight-or-flight. 595 00:32:06,550 --> 00:32:09,885 It telepathically communicated with me, and it said, 596 00:32:09,970 --> 00:32:14,556 "we are here to help you, and we want you to help us." 597 00:32:15,809 --> 00:32:19,269 the other viewers started to experience the same thing. 598 00:32:19,313 --> 00:32:21,855 And so that's when we started to, okay, 599 00:32:21,941 --> 00:32:24,232 now you know I'm not hallucinating. 600 00:32:25,319 --> 00:32:27,110 This is absolutely real. 601 00:32:28,948 --> 00:32:30,906 Travis, you could speak to this probably in more detail, 602 00:32:30,991 --> 00:32:33,075 but we-we live in a spectrum, right? 603 00:32:33,160 --> 00:32:36,370 We see a very tiny sliver of reality. - Oh... 604 00:32:36,455 --> 00:32:38,288 And what if these frequencies... 605 00:32:38,332 --> 00:32:40,207 what if they're like dials... you know, you can... 606 00:32:40,292 --> 00:32:41,875 Like you're tuning the radio dial? 607 00:32:41,961 --> 00:32:43,585 "Oh, I'm not in Earth frequency anymore. 608 00:32:43,671 --> 00:32:46,004 "I'm just gonna tune it a little bit in this space, 609 00:32:46,090 --> 00:32:48,215 and I'm gonna be able to see what's actually there." 610 00:32:48,300 --> 00:32:50,717 so, what if... and this is a what-if... 611 00:32:50,803 --> 00:32:53,929 you're in this perfect spot, what if that shifts you 612 00:32:53,973 --> 00:32:58,016 slightly, in the spectrum that you can, perceive? 613 00:32:58,102 --> 00:33:00,060 Tzadok: How about this? 614 00:33:00,145 --> 00:33:02,980 If we could actually, through science, 615 00:33:03,065 --> 00:33:06,066 find the proper resonances, tones 616 00:33:06,151 --> 00:33:10,570 that'll actually put us in contact with... With whom? 617 00:33:10,656 --> 00:33:13,657 The ancestors. - The only way to find out... 618 00:33:14,952 --> 00:33:19,204 ...Is to knock on the door and go through and say, 619 00:33:19,289 --> 00:33:20,664 "who's there?" 620 00:33:26,922 --> 00:33:30,090 there is an ancient book called Perek Shirah 621 00:33:30,175 --> 00:33:31,967 with a chapter of song where in which it's revealed 622 00:33:32,052 --> 00:33:35,387 that everything in nature has its own vibration. 623 00:33:35,472 --> 00:33:36,972 Right. - Which means it has 624 00:33:37,057 --> 00:33:38,348 its own consciousness. - Right. 625 00:33:38,434 --> 00:33:39,558 We call that mechanical resonance. 626 00:33:39,643 --> 00:33:41,226 Everything is alive. 627 00:33:41,311 --> 00:33:43,020 Taylor: And that comes back to... 628 00:33:43,063 --> 00:33:48,066 the universe itself has this mishmash of vibrations. 629 00:33:48,152 --> 00:33:51,069 Right. - And it's singing a song, so to speak. 630 00:33:51,155 --> 00:33:54,448 And if we learn how to interpret and/or manipulate the song, 631 00:33:54,533 --> 00:33:57,325 then we can interpret and/or manipulate the Universe. 632 00:33:57,411 --> 00:33:59,244 And it's all harmonics. - Henry: It's all harmonics. 633 00:33:59,329 --> 00:34:00,871 We've got to go back to Pythagoras 634 00:34:00,914 --> 00:34:03,206 with his "music of the spheres" concept 635 00:34:03,292 --> 00:34:06,543 because he comes up with the idea of the musical scale 636 00:34:06,628 --> 00:34:08,712 and, musical ratios. 637 00:34:11,633 --> 00:34:14,885 Narrator: In the sixth century BC, Pythagoras, 638 00:34:14,970 --> 00:34:17,679 the famous greek mathematician and philosopher, 639 00:34:17,765 --> 00:34:19,723 made an acoustic discovery 640 00:34:19,808 --> 00:34:22,684 that would reverberate through history. 641 00:34:22,770 --> 00:34:25,062 Pythagoras was, in a certain sense, 642 00:34:25,105 --> 00:34:27,647 the father of modern mathematics. 643 00:34:28,734 --> 00:34:30,817 He gave us the base-ten formula 644 00:34:30,903 --> 00:34:33,987 for our western system of numbers, 645 00:34:34,073 --> 00:34:37,699 and he discovered a divine symmetry, so to speak, 646 00:34:37,785 --> 00:34:39,910 in all things that exist. 647 00:34:42,748 --> 00:34:44,414 Jonathan Young: One day, Pythagoras is 648 00:34:44,500 --> 00:34:46,291 walking by the blacksmith's, 649 00:34:46,376 --> 00:34:48,835 and he's hearing some harmony 650 00:34:48,921 --> 00:34:51,254 coming out from the smithy area there. 651 00:34:52,508 --> 00:34:56,510 And so, with the kind of a persistence of a scientist, 652 00:34:56,595 --> 00:35:01,556 he figures out that if a hammer is twice the weight 653 00:35:01,642 --> 00:35:05,477 of another hammer and they both strike at the same time, 654 00:35:05,562 --> 00:35:07,771 the notes they make are harmony. 655 00:35:10,943 --> 00:35:13,485 Michael Dennin: The great discovery he made 656 00:35:13,570 --> 00:35:16,238 is that the waves generated, 657 00:35:16,323 --> 00:35:18,448 say, by strings or wind instruments 658 00:35:18,534 --> 00:35:21,368 could be converted into clear notes and scales 659 00:35:21,453 --> 00:35:24,246 by using fractions and discrete ratios. 660 00:35:24,331 --> 00:35:29,000 So, pythagoras did this amazing job of taking math and geometry 661 00:35:29,086 --> 00:35:31,461 and tying it to music, which then led to 662 00:35:31,547 --> 00:35:33,547 the entire western musical scale. 663 00:35:37,427 --> 00:35:40,804 Narrator: Pythagoras's study of harmonics led him to theorize 664 00:35:40,889 --> 00:35:44,850 that everything in the universe, including planets and stars, 665 00:35:44,935 --> 00:35:48,645 exists in a constant state of vibration. 666 00:35:48,689 --> 00:35:50,981 Incredibly, he was right. 667 00:35:53,152 --> 00:35:58,113 2,000 years ago, the greeks asked an elemental question: 668 00:35:58,198 --> 00:36:00,073 What paradigm can explain 669 00:36:00,159 --> 00:36:02,909 the entire complexity of the Universe? 670 00:36:04,246 --> 00:36:07,664 Pythagoras said music has the complexity 671 00:36:07,749 --> 00:36:11,543 to explain the diversity of the universe itself. 672 00:36:12,671 --> 00:36:14,629 So, in other words, our universe resonates 673 00:36:14,715 --> 00:36:17,174 with the notes from music. 674 00:36:18,969 --> 00:36:22,429 Pythagoras said that everything is based on music, 675 00:36:22,514 --> 00:36:24,723 which, in turn, is based on certain ratios: 676 00:36:24,808 --> 00:36:26,766 Thirds, fifths, octaves. 677 00:36:27,895 --> 00:36:30,770 So, why not explain the solar system this way? 678 00:36:30,856 --> 00:36:34,566 If you look at Mercury, Venus, Earth, Mars, Jupiter, Saturn, 679 00:36:34,651 --> 00:36:37,652 they are aligned according to certain ratios. 680 00:36:37,738 --> 00:36:41,740 Maybe these ratios are the ratios of strings. 681 00:36:41,825 --> 00:36:45,035 And so he called it "music of the spheres." 682 00:36:46,997 --> 00:36:49,789 when planets move around the solar system, 683 00:36:49,875 --> 00:36:52,292 he thought they must create music, 684 00:36:52,377 --> 00:36:54,002 music that we cannot hear. 685 00:36:54,087 --> 00:36:57,255 This is heavenly music, music of the angels, 686 00:36:57,341 --> 00:37:00,550 but nonetheless, that would explain the regularity 687 00:37:00,636 --> 00:37:03,094 of the solar system itself. 688 00:37:03,180 --> 00:37:05,055 And so he thought you could explain 689 00:37:05,140 --> 00:37:07,474 the Universe through music. 690 00:37:08,602 --> 00:37:10,393 Horowitz: Pythagoras felt he was 691 00:37:10,479 --> 00:37:13,521 unlocking a kind of code of creation. 692 00:37:13,607 --> 00:37:15,398 He was providing humanity 693 00:37:15,484 --> 00:37:17,901 with the language of the gods, so to speak. 694 00:37:19,696 --> 00:37:22,447 Pythagoras said it was Apollo, the-the Sun God, 695 00:37:22,532 --> 00:37:25,075 who taught him about all of these advanced concepts 696 00:37:25,160 --> 00:37:27,619 and laying down the basis for modern music 697 00:37:27,704 --> 00:37:29,871 and everything that we know about music. 698 00:37:29,915 --> 00:37:32,290 So, there's an extraterrestrial connection here 699 00:37:32,376 --> 00:37:34,626 that is very important for us to think about. 700 00:37:34,711 --> 00:37:39,589 All this talk about music and frequencies and harmonics 701 00:37:39,675 --> 00:37:42,175 all boils down to mathematics, correct? 702 00:37:42,261 --> 00:37:45,303 According to the ancient kabbalistic texts, 703 00:37:45,389 --> 00:37:50,225 math, complemented with the appropriate harmonics, 704 00:37:50,310 --> 00:37:53,061 are going to align with the natural harmonic 705 00:37:53,146 --> 00:37:56,481 or universal pattern of the Universe. 706 00:37:56,566 --> 00:37:59,192 We are talking about the hidden, 707 00:37:59,278 --> 00:38:01,569 sacred knowledge of the ancients, 708 00:38:01,655 --> 00:38:05,615 which was their secret technology, 709 00:38:05,701 --> 00:38:08,326 their way of reaching out to the higher dimensions, 710 00:38:08,412 --> 00:38:13,206 whether they be to angels or gods or ancient aliens. 711 00:38:19,298 --> 00:38:20,547 This is a really interesting, conversation 712 00:38:20,632 --> 00:38:23,133 about all these different acoustic properties. 713 00:38:23,218 --> 00:38:25,635 I've always thought that there's a... A different pattern. 714 00:38:25,721 --> 00:38:28,096 I call... I've always called it the god fractal... 715 00:38:28,181 --> 00:38:29,806 that, I think, if you found it, 716 00:38:29,891 --> 00:38:31,641 it would be like the mathematical instructions 717 00:38:31,727 --> 00:38:33,476 to building the universe or whatever. 718 00:38:33,520 --> 00:38:36,646 Have you seen diagrams throughout history or whatever 719 00:38:36,732 --> 00:38:39,649 that, to you, suggest the pattern? 720 00:38:39,735 --> 00:38:41,651 Henry: The flower of life. - I was just about to say. 721 00:38:41,737 --> 00:38:43,320 Henry: It has to be the flower of life, 722 00:38:43,405 --> 00:38:46,531 the-the symbol of creation itself. 723 00:38:46,616 --> 00:38:49,701 Narrator: Constructed of overlapping circles, 724 00:38:49,786 --> 00:38:53,163 the flower of life holds all geometric forms 725 00:38:53,248 --> 00:38:55,832 within its design. 726 00:38:55,876 --> 00:38:59,336 One of the oldest known examples of this sacred geometry 727 00:38:59,421 --> 00:39:02,130 can be found at the temple of Osiris in Egypt, 728 00:39:02,174 --> 00:39:07,552 a structure archaeologists claim is 6,000 years old. 729 00:39:07,637 --> 00:39:09,763 The flower of life symbol is considered 730 00:39:09,848 --> 00:39:11,848 the seed symbol of all symbols. 731 00:39:13,143 --> 00:39:15,143 The ancient egyptians understood 732 00:39:15,228 --> 00:39:17,187 this symbol came from the Heavens. 733 00:39:17,272 --> 00:39:19,397 Childress: The flower of life is very special. 734 00:39:19,483 --> 00:39:22,067 It's really a... A mandala. 735 00:39:22,152 --> 00:39:24,319 And it may have something to do 736 00:39:24,363 --> 00:39:29,115 with the geometric nature of the Universe. 737 00:39:30,160 --> 00:39:32,452 We don't know exactly what it did. 738 00:39:32,537 --> 00:39:37,374 Perhaps it was really symbolizing some device 739 00:39:37,417 --> 00:39:40,627 that's a sound device, a harmonic device, 740 00:39:40,712 --> 00:39:43,004 something that's highly technical 741 00:39:43,090 --> 00:39:46,341 and was used by these ancient cultures. 742 00:39:46,385 --> 00:39:49,052 Narrator: Is it possible that extraterrestrials 743 00:39:49,137 --> 00:39:51,888 have used acoustics to guide humankind 744 00:39:51,932 --> 00:39:54,349 for thousands of years? 745 00:39:54,434 --> 00:39:59,437 And if so, did they hide clues in ancient traditions, 746 00:39:59,523 --> 00:40:03,650 structures that create altered states of consciousness, 747 00:40:03,735 --> 00:40:08,446 and sacred shapes in the form of cymatic patterns? 748 00:40:08,532 --> 00:40:11,032 Perhaps the next great leap forward 749 00:40:11,118 --> 00:40:13,701 will occur once we tune in 750 00:40:13,787 --> 00:40:16,913 to the extraterrestrial messages around us. 751 00:40:18,333 --> 00:40:21,292 I think, too, the opportunity we have here 752 00:40:21,378 --> 00:40:23,920 for cracking this harmonic code is... 753 00:40:23,964 --> 00:40:27,757 we all talk about a golden age and a time when we're gonna see 754 00:40:27,843 --> 00:40:29,843 extraterrestrial presence on this planet, 755 00:40:29,928 --> 00:40:31,469 and this could be the key to it. 756 00:40:31,555 --> 00:40:33,596 "harmony" is the right, key word there. 757 00:40:33,682 --> 00:40:35,265 Exactly. - Yeah, right. 758 00:40:35,350 --> 00:40:37,183 For the whole Universe to be in harmony, yeah. 759 00:40:37,269 --> 00:40:41,020 So, this is literally getting the right vibrations 760 00:40:41,106 --> 00:40:43,481 to match with the right vibrations 761 00:40:43,567 --> 00:40:46,443 to create the next experience of reality. 762 00:40:46,528 --> 00:40:49,028 I like that. Guys, look, this has been 763 00:40:49,114 --> 00:40:52,824 absolutely incredible conversation. 764 00:40:52,909 --> 00:40:55,952 And I think we've established that there is 765 00:40:56,037 --> 00:40:59,205 way more to the world that we know of, 766 00:40:59,291 --> 00:41:01,541 there's way more to our reality 767 00:41:01,626 --> 00:41:05,795 and also what we can perceive with our senses. 768 00:41:05,839 --> 00:41:10,008 And I can't wait to continue this at some other time. 769 00:41:10,093 --> 00:41:11,634 To be continued. 770 00:41:11,720 --> 00:41:13,303 Captioning provided by A+E Networks. 62451

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