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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:02,799 --> 00:01:06,568 [♪♪♪] 2 00:02:10,234 --> 00:02:11,566 LUCAS? 3 00:02:12,969 --> 00:02:14,068 [GASPING] 4 00:02:30,720 --> 00:02:31,919 [JENN]: IT COULDN'T BE... 5 00:02:31,988 --> 00:02:33,755 THAT'S WHAT I THOUGHT AT FIRST. 6 00:02:33,790 --> 00:02:36,924 WELL, IF THIS IS REALLY EDGAR ALLAN POE, 7 00:02:36,960 --> 00:02:39,427 WELL, THIS IS WORTH... GOSH, I DON'T KNOW... 8 00:02:39,463 --> 00:02:40,895 LIKE, A HUNDRED THOUSAND DOLLARS? 9 00:02:40,930 --> 00:02:42,830 OH, WELL, NO, MORE LIKE FIFTY, 10 00:02:42,866 --> 00:02:44,533 BUT THE RARITY OF A DAGUERREOTYPE... 11 00:02:44,568 --> 00:02:45,534 [DIRECTOR]: CUT. 12 00:02:45,602 --> 00:02:47,235 WAS THAT OKAY, MS. EPHRON? 13 00:02:47,271 --> 00:02:48,370 DID I MESS UP? 14 00:02:48,405 --> 00:02:49,837 YOU WERE GREAT. 15 00:02:49,873 --> 00:02:51,806 YOU BOTH WERE, BUT JENN... 16 00:02:51,841 --> 00:02:54,342 WE NEED THIS PORTRAIT EVALUATED AT A BIGGER NUMBER, 17 00:02:54,378 --> 00:02:56,311 LIKE THE HUNDRED THOUSAND WE TALKED ABOUT. 18 00:02:56,346 --> 00:02:58,980 YES, BUT EVEN IF THIS PIECE WERE REAL, 19 00:02:59,049 --> 00:03:01,650 IT WOULD ONLY BE WORTH BETWEEN 30 AND 50. 20 00:03:01,685 --> 00:03:03,418 [DIRECTOR]: YOU KNOW, DOESN'T HAVE TO BE REAL. 21 00:03:03,453 --> 00:03:04,752 THIS IS TV. 22 00:03:04,788 --> 00:03:05,753 I'M JUST NOT SURE I'M COMFORTABLE 23 00:03:05,789 --> 00:03:07,489 LYING ABOUT A LIE. 24 00:03:07,524 --> 00:03:08,456 IT'S NOT A LIE. 25 00:03:08,492 --> 00:03:09,757 IT'S A STORY. 26 00:03:09,793 --> 00:03:10,892 WE'RE TELLING A STORY. 27 00:03:12,196 --> 00:03:14,128 BUT ISN'T THIS REALITY TV? 28 00:03:14,164 --> 00:03:15,397 OKAY, JUST... 29 00:03:15,432 --> 00:03:18,366 THINK OF IT AS ENABLING THE PLOT. 30 00:03:18,402 --> 00:03:20,001 [WATCH BEEPING] 31 00:03:20,036 --> 00:03:22,204 I MEAN, ONLY IF YOU'RE COMFORTABLE WITH THAT. 32 00:03:22,239 --> 00:03:24,472 I DON'T WANT YOU TO NOT ACT NATURAL... 33 00:03:24,508 --> 00:03:26,274 THANK YOU. 34 00:03:26,310 --> 00:03:27,642 BUT... BUT A HUNDRED THOUSAND? 35 00:03:27,711 --> 00:03:29,744 THAT'S A LOT MORE EXCITING. 36 00:03:31,515 --> 00:03:32,780 ONLY HALF OF WHAT I'M GOING TO OWE THE BANK 37 00:03:32,816 --> 00:03:33,781 IF THIS DOESN'T GET PICKED UP. 38 00:03:35,485 --> 00:03:37,352 [DIRECTOR]: THE PILOT EPISODE 39 00:03:37,421 --> 00:03:39,554 REALLY NEEDS AS MUCH EXCITEMENT AS WE CAN PACK IN. 40 00:03:39,590 --> 00:03:40,655 OKAY? 41 00:03:42,526 --> 00:03:44,058 WHY DID I LET YOU TALK ME INTO THIS AGAIN? 42 00:03:44,094 --> 00:03:46,127 MM, 'CAUSE I LOVE REALITY TV, 43 00:03:46,162 --> 00:03:47,662 AND YOU LOVE ME? 44 00:03:47,698 --> 00:03:49,364 I DO. 45 00:03:49,433 --> 00:03:50,565 AND THE EXTRA MONEY WILL BE GOOD 46 00:03:50,601 --> 00:03:52,066 FOR RENOVATIONS FOR THE STORE. 47 00:03:52,102 --> 00:03:53,835 -OKAY... OKAY. -OKAY. 48 00:03:53,870 --> 00:03:54,769 LET'S GO AGAIN. 49 00:03:54,804 --> 00:03:55,704 YOU'RE GREAT. 50 00:03:55,739 --> 00:03:57,205 THINK BIG! 51 00:03:57,241 --> 00:03:58,340 GOTCHA. BIG. 52 00:03:58,375 --> 00:03:59,474 ROLL SOUND. 53 00:03:59,509 --> 00:04:00,275 [CREW]: SOUND SPEED. 54 00:04:00,310 --> 00:04:01,776 AND ACTION. 55 00:04:01,811 --> 00:04:02,777 [GASPING] 56 00:04:02,846 --> 00:04:04,145 IT COULDN'T BE... 57 00:04:04,180 --> 00:04:05,447 THAT'S WHAT I THOUGHT AT FIRST. 58 00:04:05,482 --> 00:04:08,250 IF THIS IS A REAL EDGAR ALLAN POE, 59 00:04:08,285 --> 00:04:09,384 WELL, THEN... 60 00:04:09,419 --> 00:04:11,586 I DON'T EVEN KNOW HOW MUCH THIS IS WORTH... 61 00:04:11,622 --> 00:04:13,521 LIKE, A HUNDRED THOUSAND DOLLARS? 62 00:04:13,557 --> 00:04:16,625 [JENN]: MAYBE, YEAH... 63 00:04:16,660 --> 00:04:17,825 BUT THE RARITY OF A DAGUERREOTYPE 64 00:04:17,894 --> 00:04:19,461 IN THIS CONDITION... 65 00:04:19,529 --> 00:04:20,695 WELL, THAT IS... 66 00:04:22,699 --> 00:04:25,099 PRICELESS. 67 00:04:25,135 --> 00:04:26,735 IT'S PRICELESS. 68 00:04:32,208 --> 00:04:33,207 [STARTING ENGINE] 69 00:04:33,277 --> 00:04:34,776 HEY. 70 00:04:34,811 --> 00:04:36,444 HEY! 71 00:04:36,513 --> 00:04:37,512 THANKS FOR THE PICK-UP. 72 00:04:37,547 --> 00:04:39,447 YEAH, NO PROBLEM. 73 00:04:43,052 --> 00:04:45,052 OKAY, MAYBE A SLIGHT PROBLEM. 74 00:04:47,090 --> 00:04:48,290 WHO DRIVES STANDARD ANYMORE? 75 00:04:48,358 --> 00:04:50,057 OH, COME ON, THIS CAR'S A CLASSIC. 76 00:04:51,261 --> 00:04:53,428 DOESN'T HELP THAT IT'S DAD'S BABY. 77 00:04:53,463 --> 00:04:55,096 JUST GIVE IT A LITTLE MORE GAS 78 00:04:55,165 --> 00:04:56,598 AND LIFT OFF THE CLUTCH A BIT EASIER. 79 00:04:56,633 --> 00:04:57,499 YOU GOT THIS. 80 00:05:02,706 --> 00:05:04,372 [CRUNCHING] 81 00:05:14,318 --> 00:05:16,851 CLASSIC. 82 00:05:27,731 --> 00:05:29,564 [MAN]: STOP ANDRONOCORP! 83 00:05:29,599 --> 00:05:30,699 GET INVOLVED! 84 00:05:33,470 --> 00:05:34,536 WEBSITE'S ON THE FLYER. 85 00:05:34,571 --> 00:05:36,170 GET INVOLVED! 86 00:05:37,307 --> 00:05:38,906 OKAY, LET'S MOVE IT OVER HERE. 87 00:05:40,444 --> 00:05:41,376 [MURMURING] 88 00:05:41,411 --> 00:05:42,677 OH, HI. 89 00:05:42,713 --> 00:05:43,611 WELCOME TO RAGS TO RICHES. 90 00:05:43,647 --> 00:05:44,612 CAN WE HELP YOU? 91 00:05:44,648 --> 00:05:46,981 HI, YES, I'M HOPING THAT YOU CAN. 92 00:05:48,452 --> 00:05:50,918 THIS BELONGED TO MY MOTHER IN-LAW. 93 00:05:50,954 --> 00:05:52,153 I'M WONDERING 94 00:05:52,188 --> 00:05:53,187 IF YOU MIGHT KNOW SOMETHING ABOUT IT? 95 00:05:55,459 --> 00:05:57,759 [JENN]: OH, IT'S BEAUTIFUL. 96 00:05:57,828 --> 00:05:59,327 OH, THIS IS, UH... 97 00:05:59,363 --> 00:06:01,028 THIS IS PRETTY LOCKED UP, HUH? 98 00:06:01,064 --> 00:06:03,732 I COULDN'T FIGURE OUT HOW TO OPEN IT. 99 00:06:03,767 --> 00:06:04,899 JENN? 100 00:06:04,968 --> 00:06:09,003 UM, MAYBE TALK ABOUT THE BOX... 101 00:06:09,038 --> 00:06:11,305 ITS ORIGIN, ITS HISTORY. 102 00:06:11,341 --> 00:06:13,274 MA'AM, WOULD YOU MIND IF WE FILMED THIS? 103 00:06:13,309 --> 00:06:15,543 I'D REALLY RATHER NOT, ACTUALLY. 104 00:06:15,579 --> 00:06:16,678 THANK YOU... 105 00:06:16,713 --> 00:06:18,613 BUT ANY EXTRA INFO WOULD BE VERY HELPFUL. 106 00:06:18,648 --> 00:06:19,814 LET'S JUST CUT. 107 00:06:19,883 --> 00:06:21,683 OKAY, UH, WELL, THIS IS A PUZZLE BOX, 108 00:06:21,718 --> 00:06:23,184 AS YOU PROBABLY KNOW. 109 00:06:23,219 --> 00:06:24,586 IT'S ORIGINALLY 110 00:06:24,621 --> 00:06:29,090 FROM 2ND OR 3RD CENTURY GREEK MECHANICAL PUZZLES. 111 00:06:29,125 --> 00:06:29,991 MM-HMM, THE SAME CULTURE THAT BROUGHT YOU 112 00:06:30,026 --> 00:06:31,292 THE PANDORA'S BOX MYTH. 113 00:06:31,361 --> 00:06:33,094 [JENN]: RIGHT, AND IN FACT, 114 00:06:33,162 --> 00:06:34,228 SOME OF THE FIRST COMBINATION LOCKS WERE PUZZLES. 115 00:06:34,297 --> 00:06:35,897 VAULTS, TOO, YEAH. 116 00:06:35,932 --> 00:06:37,565 SO THERE COULD BE SOMETHING VALUABLE INSIDE? 117 00:06:37,601 --> 00:06:38,833 WELL, THERE COULD BE. 118 00:06:38,869 --> 00:06:41,335 THESE WERE NOVELTY GIFTS IN 19TH-CENTURY ENGLAND, 119 00:06:41,405 --> 00:06:44,205 AND PEOPLE DID STORE THINGS IN THEM, 120 00:06:44,240 --> 00:06:46,274 BUT THIS ONE LOOKS FAIRLY NEW, 121 00:06:46,309 --> 00:06:48,643 ALTHOUGH THE WORK IS VERY INTRICATE. 122 00:06:48,712 --> 00:06:49,944 WERE YOU INTERESTED IN SELLING IT? 123 00:06:50,013 --> 00:06:52,514 WELL, IT BELONGED TO MY MOTHER-IN-LAW, ELIZABETH, 124 00:06:52,582 --> 00:06:54,616 WHO PASSED AWAY RECENTLY. 125 00:06:54,684 --> 00:06:56,584 I JUST WANTED TO MAKE SURE THERE WASN'T ANYTHING INSIDE 126 00:06:56,653 --> 00:06:58,085 BEFORE I DECIDE TO SELL IT. 127 00:06:58,121 --> 00:07:00,221 I THINK WE CAN HELP YOU WITH THAT. 128 00:07:00,256 --> 00:07:01,890 I'D ALSO READ THAT, SOMETIMES, 129 00:07:01,925 --> 00:07:03,124 THERE ARE TRIGGERS IN THESE 130 00:07:03,159 --> 00:07:06,193 THAT WILL SMASH WHATEVER'S INSIDE 131 00:07:06,229 --> 00:07:07,762 IF YOU TRY TO BREAK IT INSTEAD OF SOLVING IT? 132 00:07:07,831 --> 00:07:09,597 YES, THAT'S TRUE. 133 00:07:09,633 --> 00:07:12,033 SO, DO YOU THINK YOU CAN GET IT OPEN? 134 00:07:13,202 --> 00:07:14,636 WELL, IT USUALLY TAKES ONE OR TWO CIPHERS 135 00:07:14,671 --> 00:07:15,904 TO UNLOCK THESE, 136 00:07:15,939 --> 00:07:17,705 BUT THE SYMBOLS ON HERE 137 00:07:17,741 --> 00:07:18,706 LOOK LIKE THEY'RE FROM DIFFERENT CULTURES, 138 00:07:18,742 --> 00:07:21,175 ALMOST LIKE YOU'D NEED A TRANSLATOR. 139 00:07:21,210 --> 00:07:24,111 GIVE ME A FEW DAYS TO DO SOME RESEARCH. 140 00:07:24,180 --> 00:07:25,713 THE SOONER THE BETTER, MISS... 141 00:07:25,749 --> 00:07:26,781 OH, JENN, I'M JENN, 142 00:07:26,817 --> 00:07:27,849 AND THIS IS MY PARTNER, DANI, 143 00:07:27,918 --> 00:07:28,983 AND YOU ARE? 144 00:07:29,052 --> 00:07:30,685 TAMARA ANDRONICUS. 145 00:07:30,720 --> 00:07:32,687 ANDRONICUS, LIKE THE REAL-ESTATE DEVELOPERS? 146 00:07:32,756 --> 00:07:34,255 YES. 147 00:07:34,290 --> 00:07:35,423 YOUR MOTHER-IN-LAW IS ELIZABETH ANDRONICUS? 148 00:07:35,459 --> 00:07:36,691 WAS. 149 00:07:36,726 --> 00:07:37,692 YOU KNEW HER? 150 00:07:37,727 --> 00:07:40,462 NO, NO. 151 00:07:40,530 --> 00:07:42,530 I'M SORRY TO HEAR ABOUT HER PASSING. 152 00:07:42,566 --> 00:07:44,031 I READ SHE HAD TWO SONS? 153 00:07:44,100 --> 00:07:45,399 HOW ARE THEY DOING? 154 00:07:45,435 --> 00:07:48,703 WELL, LUCAS IS STRUGGLING, OF COURSE. 155 00:07:48,738 --> 00:07:51,105 WE DON'T REALLY HEAR FROM QUIN ANYMORE. 156 00:07:51,140 --> 00:07:53,207 DO YOU HAVE A PEN SO I COULD WRITE DOWN MY NUMBER? 157 00:07:53,242 --> 00:07:54,509 SURE, OF COURSE. 158 00:07:58,882 --> 00:07:59,914 THANK YOU. 159 00:07:59,983 --> 00:08:01,783 WELL, I SHOULD GET GOING. 160 00:08:01,818 --> 00:08:05,553 IF THERE IS ANYTHING PERSONAL IN THIS BOX, 161 00:08:05,589 --> 00:08:07,021 DISCRETION IS VERY IMPORTANT. 162 00:08:08,792 --> 00:08:10,758 MAYBE BEFORE YOU OPEN THE FINAL CIPHER, 163 00:08:10,827 --> 00:08:11,893 YOU COULD BRING IT BY THE HOUSE 164 00:08:11,962 --> 00:08:12,961 AND SHOW ME HOW TO OPEN IT? 165 00:08:12,996 --> 00:08:14,562 ABSOLUTELY. WE CAN DO THAT. 166 00:08:14,598 --> 00:08:15,964 GREAT. 167 00:08:15,999 --> 00:08:16,865 IF YOU NEED ANYTHING AT ALL FROM ME, 168 00:08:16,900 --> 00:08:17,832 JUST LET ME KNOW. 169 00:08:17,868 --> 00:08:18,933 SAME. 170 00:08:18,969 --> 00:08:19,934 NICE TO MEET YOU, TAMARA. 171 00:08:19,970 --> 00:08:22,036 THANK YOU, AND I GUESS... GOOD LUCK. 172 00:08:22,071 --> 00:08:23,371 LUCK'S WHAT WE'RE GOING TO NEED. 173 00:08:25,174 --> 00:08:26,140 EXCUSE ME. 174 00:08:26,209 --> 00:08:28,409 EXCUSE ME, MRS. ANDRONICUS. 175 00:08:28,478 --> 00:08:29,544 I'M JOEL JACOBS. 176 00:08:29,613 --> 00:08:30,979 I'M THE PRODUCER. 177 00:08:31,014 --> 00:08:32,647 WE'VE MET, RIGHT? 178 00:08:32,682 --> 00:08:34,215 YES, YES, WE HAVE. 179 00:08:34,250 --> 00:08:35,950 I USED TO PLAY POKER WITH LUCAS. 180 00:08:38,421 --> 00:08:39,487 IS THERE ANY WAY 181 00:08:39,523 --> 00:08:42,356 THAT I COULD PERSUADE YOU TO BE ON CAMERA? 182 00:08:42,425 --> 00:08:43,758 I MEAN, IT WOULD REALLY HELP ME OUT. 183 00:08:43,793 --> 00:08:45,660 LOOK... 184 00:08:45,695 --> 00:08:47,662 I DO REMEMBER THOSE LATE NIGHTS, 185 00:08:47,697 --> 00:08:48,963 BUT I'M SORRY. 186 00:08:48,999 --> 00:08:51,032 I'M JUST NOT A CAMERA PERSON. 187 00:08:51,067 --> 00:08:52,133 IT WAS GOOD TO SEE YOU, THOUGH. 188 00:08:53,670 --> 00:08:55,403 YEAH, YOU TOO. 189 00:08:58,241 --> 00:08:59,173 IT DOES LOOK... 190 00:08:59,208 --> 00:09:00,074 [PHONE RINGING] 191 00:09:00,109 --> 00:09:01,943 OOH. 192 00:09:02,012 --> 00:09:03,545 HEY, SWEETHEART. 193 00:09:03,580 --> 00:09:05,346 OH, NO. 194 00:09:05,415 --> 00:09:08,082 IS EVERYONE OKAY? 195 00:09:08,117 --> 00:09:10,051 DO YOU WANT ME TO MEET YOU THERE OR AT HOME? 196 00:09:11,988 --> 00:09:13,521 NO, FINE. I'M ON MY WAY. 197 00:09:13,557 --> 00:09:15,557 WELL, THIS MAIL BOX HAS SEEN BETTER DAYS... 198 00:09:17,193 --> 00:09:18,459 BUT IT COULD'VE BEEN WORSE. 199 00:09:18,528 --> 00:09:19,493 CAN YOU GET THIS CAR HOME? 200 00:09:19,529 --> 00:09:21,328 MY DAD'S ON HIS WAY. 201 00:09:21,364 --> 00:09:23,230 [OFFICER]: THAT'S NEVER FUN... 202 00:09:23,266 --> 00:09:24,632 AND WHERE DO I KNOW YOU FROM? 203 00:09:24,701 --> 00:09:25,700 IT'S BEEN BUGGING ME. 204 00:09:25,735 --> 00:09:27,835 OH, WAIT, UM... 205 00:09:27,871 --> 00:09:29,236 CRIM-PSYCH AT U.M. 206 00:09:29,272 --> 00:09:30,371 YOU SAT AT THE FRONT, RIGHT? 207 00:09:30,406 --> 00:09:31,573 I TOOK THAT CLASS FRESHMAN YEAR. 208 00:09:31,608 --> 00:09:32,907 I KNEW IT. 209 00:09:32,943 --> 00:09:34,909 I DID SOME PREREQS THERE BEFORE ENTERING THE ACADEMY. 210 00:09:34,945 --> 00:09:36,744 YOU OBVIOUSLY GRADUATED. 211 00:09:36,780 --> 00:09:38,880 I DID. YOU? 212 00:09:38,949 --> 00:09:40,281 I'M WORKING ON MY MASTER'S. 213 00:09:40,316 --> 00:09:41,716 IMPRESSIVE. 214 00:09:49,593 --> 00:09:50,658 YOU'RE BOTH OKAY? 215 00:09:50,694 --> 00:09:51,960 I, UH... 216 00:09:51,995 --> 00:09:54,195 I MESSED UP WITH THE REVERSE. 217 00:09:54,230 --> 00:09:55,897 I'M TOTALLY SORRY. 218 00:09:55,966 --> 00:09:57,331 CARS CAN BE REPLACED. 219 00:09:57,366 --> 00:09:58,733 FAMILY CAN'T. 220 00:09:58,768 --> 00:10:00,434 DAD, YOU'RE GRIPPING A LITTLE TIGHT. 221 00:10:00,503 --> 00:10:01,368 I'M SORRY. 222 00:10:03,073 --> 00:10:04,005 THANKS FOR EVERYTHING. 223 00:10:04,074 --> 00:10:04,973 SO WHAT DO WE DO NOW? 224 00:10:05,041 --> 00:10:07,541 WELL, FIX THE CAR AND THE MAILBOX, 225 00:10:07,611 --> 00:10:10,044 BUT LIKE I WAS TELLING YOUR SON, IT COULD'VE BEEN WORSE. 226 00:10:10,080 --> 00:10:11,378 I DID THE SAME THING TO MY PARENT'S CAR 227 00:10:11,414 --> 00:10:12,814 WHEN I WAS YOUR AGE. 228 00:10:12,849 --> 00:10:14,148 RITE OF PASSAGE, I GUESS, 229 00:10:14,183 --> 00:10:15,950 BUT JUST BE MORE CAREFUL, PLEASE? 230 00:10:15,986 --> 00:10:16,918 I WILL. 231 00:10:18,622 --> 00:10:20,421 HERE'S MY CARD. DRIVE SAFE. 232 00:10:20,456 --> 00:10:21,789 EXCUSE ME. 233 00:10:28,131 --> 00:10:30,698 I JUST HAD HER PAINTED. 234 00:10:30,734 --> 00:10:32,900 DAD, ARE YOU TEARING UP? 235 00:10:34,070 --> 00:10:35,036 NO, JUST... 236 00:10:35,071 --> 00:10:36,203 SOMETHING IN THE WIND. 237 00:10:42,979 --> 00:10:43,811 [JASON]: YES, I UNDERSTAND. 238 00:10:43,847 --> 00:10:44,979 THANK YOU. 239 00:10:45,048 --> 00:10:47,048 SO OUR DEDUCTIBLE IS $300, 240 00:10:47,083 --> 00:10:50,384 AND OUR INSURANCE PREMIUMS ARE DEFINITELY GOING UP. 241 00:10:50,419 --> 00:10:52,820 WE'LL COVER THE COST FOR NOW, BUT... 242 00:10:52,856 --> 00:10:54,122 I'LL PAY THE DEDUCTIBLE 243 00:10:54,157 --> 00:10:55,890 AND WHATEVER THE DIFFERENCE IS ON YOUR PREMIUMS. 244 00:10:55,925 --> 00:10:57,424 WELL, WITH THE MAILBOX, 245 00:10:57,460 --> 00:10:59,027 WE'RE LOOKING AT ABOUT $1,800. 246 00:11:00,530 --> 00:11:01,796 I CAN HANDLE THAT. 247 00:11:01,831 --> 00:11:02,930 HOW? 248 00:11:02,966 --> 00:11:04,666 HOW MUCH DOES A KIDNEY GO FOR? 249 00:11:04,701 --> 00:11:06,734 FUNNY. 250 00:11:06,770 --> 00:11:08,469 [LOGAN]: I'LL JUST GET A JOB OR SOMETHING. 251 00:11:08,538 --> 00:11:09,403 I'LL FIGURE IT OUT. 252 00:11:11,041 --> 00:11:12,640 WE KNOW YOU WILL. 253 00:11:13,977 --> 00:11:16,678 AND LOGAN, ACCIDENTS HAPPEN. 254 00:11:16,713 --> 00:11:18,245 WE'RE JUST GLAD YOU'RE OKAY. 255 00:11:26,723 --> 00:11:28,022 OFFICER RYAN. 256 00:11:28,058 --> 00:11:29,323 HI. 257 00:11:29,358 --> 00:11:30,725 IT'S HANNAH, 258 00:11:30,760 --> 00:11:32,994 FROM THE CAR-SLASH-CRIM-CLASS INCIDENT. 259 00:11:33,029 --> 00:11:33,995 OH! 260 00:11:34,030 --> 00:11:34,962 UH, OF COURSE. 261 00:11:34,998 --> 00:11:35,930 HOW ARE YOU? 262 00:11:35,965 --> 00:11:37,431 GREAT. 263 00:11:37,466 --> 00:11:40,001 YOU KNOW, LOGAN'S GOING TO RAISE SOME CASH TO FIX EVERYTHING, 264 00:11:40,036 --> 00:11:42,203 AND, WELL, I JUST WANTED TO SAY THANKS 265 00:11:42,238 --> 00:11:43,571 FOR BEING COOL ABOUT IT ALL. 266 00:11:44,708 --> 00:11:47,175 WELL, THANK YOU. 267 00:11:47,243 --> 00:11:49,610 I DON'T USUALLY GET THESE QUALITY CARE FOLLOW-UP CALLS, 268 00:11:49,679 --> 00:11:50,511 SO THIS IS A FIRST. 269 00:11:52,281 --> 00:11:53,981 SO... 270 00:11:54,050 --> 00:11:55,817 YOU KNOW, I NEVER DO THIS... 271 00:11:55,852 --> 00:11:58,920 YOU WOULD BE SURPRISED HOW OFTEN I HEAR THAT. 272 00:11:58,955 --> 00:12:00,121 YOU GET ASKED OUT A LOT? 273 00:12:00,190 --> 00:12:02,056 WHAT? NO, WITH MY JOB... 274 00:12:02,092 --> 00:12:03,991 BUT YOU'RE ASKING ME OUT? 275 00:12:05,428 --> 00:12:07,729 WELL, MAYBE A COFFEE OR SOMETHING SOMETIME? 276 00:12:07,764 --> 00:12:09,630 I COULD DO THAT. 277 00:12:09,665 --> 00:12:11,766 I'LL KNOW MORE ABOUT MY SCHEDULE LATER TODAY. 278 00:12:11,801 --> 00:12:12,734 I COULD TALK TO YOU TOMORROW? 279 00:12:12,769 --> 00:12:14,635 ABSOLUTELY, OFFICER... 280 00:12:14,670 --> 00:12:15,536 OR...? 281 00:12:15,605 --> 00:12:17,471 BRETT IS FINE... 282 00:12:17,540 --> 00:12:18,973 OR OFFICER, WHATEVER YOU LIKE. 283 00:12:19,008 --> 00:12:20,842 TALK TO YOU SOON, BRETT. 284 00:12:20,877 --> 00:12:21,675 OKAY, BYE. 285 00:12:21,745 --> 00:12:23,077 BYE. 286 00:12:35,225 --> 00:12:36,557 HOW GOES? 287 00:12:36,592 --> 00:12:38,659 IT'S A BEAUTIFUL MYSTERY. 288 00:12:38,694 --> 00:12:40,427 JUST LIKE YOU. 289 00:12:40,463 --> 00:12:41,929 AW. 290 00:12:44,968 --> 00:12:46,567 WHATCHA GOT HERE, PUZZLE CHEAT SHEETS? 291 00:12:46,602 --> 00:12:47,434 OH, YES. 292 00:12:47,503 --> 00:12:48,702 I WAS LOOKING FOR POINTERS 293 00:12:48,738 --> 00:12:50,772 AND TRYING TO FIGURE OUT WHAT THESE SYMBOLS MEAN. 294 00:12:50,807 --> 00:12:53,540 THERE'S A LOT OF HISTORY IN THEM. 295 00:12:53,576 --> 00:12:55,342 CAN'T BE THAT HARD. 296 00:13:00,516 --> 00:13:02,183 I'M OUT. 297 00:13:02,252 --> 00:13:03,417 WELL, THEY SAY THESE ARE COMPLEX 298 00:13:03,452 --> 00:13:04,986 IN THEIR SIMPLICITY. 299 00:13:05,021 --> 00:13:06,154 IF YOU SAY, "LIKE ME," 300 00:13:06,189 --> 00:13:07,155 THAT THING'S GOING OUT THE WINDOW. 301 00:13:07,190 --> 00:13:08,589 [LAUGHING] 302 00:13:08,624 --> 00:13:09,791 TRY NOT TO STAY UP TOO LATE, SWEETIE. 303 00:13:09,859 --> 00:13:10,858 ME? NEVER. 304 00:13:10,894 --> 00:13:12,693 MM. GOOD NIGHT. 305 00:13:12,762 --> 00:13:14,495 GOOD NIGHT. 306 00:13:44,427 --> 00:13:45,927 ONE MORE TIME. 307 00:13:47,997 --> 00:13:49,931 YES, WE JUST GOT A LOVELY SET IN, ACTUALLY. 308 00:13:49,966 --> 00:13:51,799 IT'S OVER THERE IN THE CREDENZA. 309 00:13:51,835 --> 00:13:52,633 [JENN]: GOOD MORNING, EVERYONE. 310 00:13:52,668 --> 00:13:53,634 MORNING, HON'. 311 00:13:53,669 --> 00:13:54,635 HEY, DANI. 312 00:13:54,670 --> 00:13:55,736 JENN, GOOD MORNING. 313 00:13:55,771 --> 00:13:56,938 HEY, WOULD YOU MIND 314 00:13:57,006 --> 00:13:58,672 IF I PUT THIS BOX SOMEWHERE ELSE? 315 00:13:58,708 --> 00:13:59,740 IT'S JUST... IT'S IN OUR SHOT. 316 00:13:59,775 --> 00:14:01,242 OH, NO, I DON'T MIND AT ALL. 317 00:14:05,248 --> 00:14:06,413 WHAT'RE YOU READING, DANI? 318 00:14:06,449 --> 00:14:07,882 NOTES ON THE PUZZLE BOX. 319 00:14:07,917 --> 00:14:09,817 THEY WANT TO CENTER THE EPISODE AROUND IT. 320 00:14:09,853 --> 00:14:11,886 OH... 321 00:14:11,921 --> 00:14:13,221 JOEL? 322 00:14:13,256 --> 00:14:15,022 TAMARA DIDN'T EVEN WANT TO BE ON CAMERA. 323 00:14:15,058 --> 00:14:16,590 I DON'T FEEL RIGHT 324 00:14:16,625 --> 00:14:18,125 ABOUT EXPLOITING THE FAMILY NAME. 325 00:14:18,161 --> 00:14:20,494 MAYBE THERE'S ANOTHER ANTIQUE WE COULD FOCUS ON? 326 00:14:20,529 --> 00:14:23,130 WE DEFINITELY WON'T BE USING THE FAMILY NAME. 327 00:14:23,166 --> 00:14:24,298 I PUT IN A CALL INTO LUCAS. 328 00:14:24,367 --> 00:14:25,599 HE OWES ME A FAVOR FROM WAY BACK, 329 00:14:25,668 --> 00:14:27,001 AND I WAS ABLE 330 00:14:27,036 --> 00:14:28,569 TO GET THE BOX ITSELF CLEARED. 331 00:14:28,604 --> 00:14:31,205 HOW DO YOU KNOW LUCAS? 332 00:14:31,241 --> 00:14:34,641 OLD POKER BUDDY, BUT THAT'S A REALLY LONG STORY. 333 00:14:34,677 --> 00:14:35,609 OKAY, WE READY? 334 00:14:35,644 --> 00:14:37,111 YES. YES. 335 00:14:38,214 --> 00:14:39,146 YOU LOOK NICE. 336 00:14:39,182 --> 00:14:40,281 YOU LOOK BEAUTIFUL. 337 00:14:40,316 --> 00:14:41,782 HEY, LADIES, HOW WE DOING WITH THAT SCRIPT? 338 00:14:41,851 --> 00:14:42,917 I KNOW ALL MY LINES. 339 00:14:42,986 --> 00:14:44,218 OKAY, HOW ABOUT YOU? 340 00:14:44,287 --> 00:14:46,020 I DON'T KNOW ALL MY LINES. 341 00:14:46,089 --> 00:14:47,154 THAT'S OKAY, 342 00:14:47,223 --> 00:14:48,522 BUT JUST TRY TO HIT THOSE BASIC BEATS. 343 00:14:48,557 --> 00:14:49,690 OKAY. 344 00:14:49,725 --> 00:14:50,791 I KNOW ALL HER LINES. 345 00:14:50,826 --> 00:14:51,825 PERFECT. 346 00:14:51,895 --> 00:14:52,826 JUMP IN WHEN YOU CAN. 347 00:14:52,862 --> 00:14:53,895 SHE KNOWS ALL MY LINES? 348 00:14:53,930 --> 00:14:55,529 SHE'S GOT YOUR BACK. 349 00:14:55,564 --> 00:14:57,131 OKAY, BUT JUST KEEP THE ENERGY UP RIGHT HERE. 350 00:14:57,166 --> 00:14:58,132 THAT'S WHERE THE MAGIC HAPPENS. 351 00:14:58,167 --> 00:14:59,566 OKAY. 352 00:14:59,602 --> 00:15:00,634 SO ENERGY HERE. 353 00:15:00,669 --> 00:15:02,003 SO, HOW'S EVERYONE FEELING, GOOD? 354 00:15:02,038 --> 00:15:02,970 GOOD, YEAH. 355 00:15:03,006 --> 00:15:04,471 OKAY, GO GET 'EM. 356 00:15:04,540 --> 00:15:06,207 LAVENDER IS A GOOD COLOR ON YOU. 357 00:15:06,242 --> 00:15:07,208 OH, THANK YOU. 358 00:15:07,243 --> 00:15:08,109 [DIRECTOR]: CAMERAS UP! 359 00:15:08,144 --> 00:15:09,877 SOUND SPEED. 360 00:15:09,913 --> 00:15:11,345 AND ACTION. 361 00:15:11,381 --> 00:15:13,981 JENN, I WAS LOOKING ONLINE, 362 00:15:14,017 --> 00:15:16,250 AND IT SEEMS SOME OF THESE PUZZLE BOXES 363 00:15:16,286 --> 00:15:20,454 CAN BE SOLVED IN BETWEEN 7 TO 78 MOVES, 364 00:15:20,489 --> 00:15:21,956 BUT MAYBE WE SHOULD SPEAK TO SOMEONE 365 00:15:22,025 --> 00:15:23,157 WHO SPECIALIZES IN THEM. 366 00:15:23,192 --> 00:15:26,093 SO I FOUND AN EXPERT IN CASTLE ROCK, 367 00:15:26,129 --> 00:15:28,595 AND SHE'S INTERESTED IN SEEING IT. 368 00:15:28,664 --> 00:15:29,797 OH, WELL, YOU KNOW ME, DANI. 369 00:15:29,832 --> 00:15:31,165 I LOVE A GOOD CHALLENGE... 370 00:15:32,435 --> 00:15:35,336 BUT AN EXPERT IS A VERY GOOD IDEA. 371 00:15:35,371 --> 00:15:37,104 I THINK WE SHOULD GO SEE AN EXPERT. 372 00:15:37,140 --> 00:15:39,240 I'LL GET THE PUZZLE BOX. 373 00:15:40,776 --> 00:15:42,944 WHERE IS THE PUZZLE BOX? 374 00:15:44,113 --> 00:15:44,979 IT WAS RIGHT THERE. 375 00:15:45,048 --> 00:15:45,913 [JOEL]: CUT. 376 00:15:47,083 --> 00:15:49,350 IT'S... IT'S REALLY GONE. 377 00:15:49,419 --> 00:15:50,884 WHAT DO YOU MEAN? I PUT IT RIGHT THERE, 378 00:15:50,920 --> 00:15:52,820 RIGHT BESIDE THE STATUE OF THE MALTESE FALCON. 379 00:15:52,855 --> 00:15:55,589 WELL, IT'S NOT HERE NOW. 380 00:15:55,624 --> 00:15:57,925 ALL RIGHT, DID ANYONE MOVE THE BOX? 381 00:15:57,994 --> 00:15:59,460 MAYBE WE CAN CHECK THE FOOTAGE? 382 00:16:00,863 --> 00:16:02,063 YEAH, REWIND THAT FOR ME. 383 00:16:05,601 --> 00:16:06,600 AH, YOU KNOW WHAT? 384 00:16:06,635 --> 00:16:07,601 THERE WERE A COUPLE OF CUSTOMERS 385 00:16:07,636 --> 00:16:09,703 IN HERE EARLIER. 386 00:16:09,738 --> 00:16:12,273 NO, NO, WE DON'T HAVE A LOT OF THEFT AROUND HERE. 387 00:16:13,476 --> 00:16:15,676 [DIRECTOR]: NOTHING ON THE FOOTAGE. 388 00:16:15,711 --> 00:16:16,810 UH, YOU KNOW WHAT-- 389 00:16:16,846 --> 00:16:18,645 IT'S GOT TO BE HERE SOMEWHERE, 390 00:16:18,681 --> 00:16:19,713 SO WE'RE JUST GOING TO... 391 00:16:19,748 --> 00:16:20,848 WE'RE GOING TO SPREAD OUT AND LOOK, 392 00:16:20,883 --> 00:16:22,483 AND WE'RE GOING TO FIND THE BOX. 393 00:16:29,459 --> 00:16:31,625 I'M SURE THE BOX WILL TURN UP SOMEWHERE. 394 00:16:31,694 --> 00:16:33,160 I FEEL AWFUL. 395 00:16:33,196 --> 00:16:34,328 WHAT ARE YOU GOING TO TELL TAMARA? 396 00:16:34,364 --> 00:16:36,964 THAT WE'LL PAY HER WHAT THE BOX IS WORTH. 397 00:16:38,667 --> 00:16:39,867 DO YOU WANT ME TO GO WITH YOU? 398 00:16:39,902 --> 00:16:41,402 NO, I'LL BE FINE. YOU GO HOME. 399 00:16:41,437 --> 00:16:42,236 OKAY. CALL ME IF YOU NEED ME. 400 00:16:42,271 --> 00:16:43,371 WILL DO. 401 00:16:43,406 --> 00:16:45,206 OKAY, FINE, YOU WILL GET YOUR MONEY. 402 00:16:46,909 --> 00:16:48,476 ALL RIGHT. BYE. 403 00:16:49,778 --> 00:16:50,878 EVERYTHING ALL RIGHT? 404 00:16:50,913 --> 00:16:52,279 [SIGHING] 405 00:16:52,315 --> 00:16:54,448 I'M REALLY SORRY ABOUT THIS. 406 00:16:54,517 --> 00:16:55,883 THE PRODUCTION WILL COVER THE COST 407 00:16:55,918 --> 00:16:57,284 IF WE DID MISPLACE IT. 408 00:16:57,320 --> 00:16:59,420 WELL, I APPRECIATE THAT. 409 00:16:59,455 --> 00:17:01,555 I'M MORE CONCERNED ABOUT THE SENTIMENTAL VALUE. 410 00:17:01,590 --> 00:17:03,024 YEAH, I UNDERSTAND. 411 00:17:03,059 --> 00:17:05,626 THIS WHOLE TOWN IS LIKE ONE BIG SENTIMENT TO ME. 412 00:17:07,863 --> 00:17:09,330 HOW SO? 413 00:17:09,365 --> 00:17:12,066 WELL, I GREW UP HERE. 414 00:17:12,101 --> 00:17:13,567 SO THAT'S HOW YOU FOUND US, 415 00:17:13,636 --> 00:17:14,935 AND HOW YOU KNOW LUCAS. 416 00:17:14,970 --> 00:17:16,070 WELL... 417 00:17:16,105 --> 00:17:18,839 I'VE ALWAYS WANTED TO SHOOT SOMETHING HERE. 418 00:17:18,874 --> 00:17:21,808 PLACE IS SO PEACEFUL AND WELCOMING. 419 00:17:21,844 --> 00:17:22,709 WELL, THAT'S WHY WE LOVE IT. 420 00:17:22,745 --> 00:17:23,911 YEAH. 421 00:17:23,946 --> 00:17:25,612 AND WHY WE HAVE TO KEEP IT THAT WAY. 422 00:17:25,648 --> 00:17:26,780 WE HAVE A THREE-STORY HEIGHT LIMITATION 423 00:17:26,815 --> 00:17:29,783 ON ALL BUILDINGS UP AND DOWN MAIN STREET. 424 00:17:29,852 --> 00:17:32,653 ANDRONOCORP IS TRYING TO GET THE ZONING FOR A SIX-STORY. 425 00:17:32,688 --> 00:17:34,888 SPOILER ALERT, THEY'RE GOING TO GET IT, 426 00:17:34,924 --> 00:17:35,889 BECAUSE THEY'RE ABOVE THE LAW 427 00:17:35,925 --> 00:17:37,191 AND CAN BUY OUT ANY COUNCIL 428 00:17:37,226 --> 00:17:38,792 IN ANY CITY THEY WANT. 429 00:17:38,827 --> 00:17:40,528 DO A STORY ON THAT. 430 00:17:40,563 --> 00:17:43,464 WELL, WE WOULD IF WE WERE A NEWS CREW. 431 00:17:43,499 --> 00:17:46,100 WE HAVE TO TAKE MASSIVE ACTION... 432 00:17:46,135 --> 00:17:47,734 BY ANY MEANS NECESSARY. 433 00:17:47,770 --> 00:17:49,636 WEBSITE'S ON THE FLYER. 434 00:17:49,672 --> 00:17:51,172 GET INVOLVED. 435 00:17:54,810 --> 00:17:56,910 I'D SAY HE HAS SPIRIT TO SPARE. 436 00:17:56,946 --> 00:17:58,245 WELL, HE IS RIGHT. 437 00:17:58,281 --> 00:18:01,014 I MEAN, ANDRONOCORP HAS BEEN TRYING TO RUIN THIS TOWN 438 00:18:01,050 --> 00:18:01,982 AND EVERYONE IN IT 439 00:18:02,017 --> 00:18:02,883 FOR YEARS, 440 00:18:02,918 --> 00:18:04,017 AND JUST WHEN YOU THINK 441 00:18:04,053 --> 00:18:05,819 HARVEY ANDRONICUS IS GOING TO RETIRE, 442 00:18:05,854 --> 00:18:09,090 HE HANDS IT ALL OVER TO HIS EQUALLY GREEDY SON. 443 00:18:09,125 --> 00:18:11,325 LUCAS CAN'T BE ALL BAD. 444 00:18:11,360 --> 00:18:13,494 HE'S LETTING YOU USE THE BOX FOR YOUR SHOW. 445 00:18:14,730 --> 00:18:17,798 WELL, WE WERE USING THE BOX. 446 00:18:19,235 --> 00:18:20,267 UM... 447 00:18:20,303 --> 00:18:21,235 WELL, I'LL SEE YOU TOMORROW. 448 00:18:21,270 --> 00:18:22,403 YEAH. 449 00:18:46,695 --> 00:18:47,928 [CAR ALARM HONKING] 450 00:18:52,701 --> 00:18:54,502 [RINGING DOORBELL] 451 00:19:00,643 --> 00:19:01,742 [KNOCKING] 452 00:19:09,252 --> 00:19:10,784 [LINE RINGING] 453 00:19:10,819 --> 00:19:11,785 [RECORDED MESSAGE] YOU'VE REACHED TAMARA. 454 00:19:11,820 --> 00:19:13,987 PLEASE LEAVE YOUR NAME AND NUMBER. 455 00:19:14,023 --> 00:19:15,156 TAMARA, HI. 456 00:19:15,191 --> 00:19:17,057 THIS IS JENNIFER SHANNON FROM RAGS TO RICHES. 457 00:19:17,092 --> 00:19:20,361 UM, I THOUGHT WE WERE SUPPOSED TO BE MEETING NOW, 458 00:19:20,396 --> 00:19:21,295 BUT MAYBE I GOT THE TIME WRONG. 459 00:19:27,537 --> 00:19:28,469 [BANGING] 460 00:19:28,504 --> 00:19:29,436 TAMARA? 461 00:19:33,476 --> 00:19:34,741 [CLATTERING] 462 00:19:50,693 --> 00:19:52,393 TAMARA? 463 00:19:55,831 --> 00:19:56,997 TAMARA? 464 00:19:59,768 --> 00:20:00,634 [PHONE VIBRATING] 465 00:20:11,614 --> 00:20:13,814 TAMARA! 466 00:20:20,155 --> 00:20:20,987 [CAR WHEELS SQUEALING] 467 00:20:39,311 --> 00:20:40,277 JENN. 468 00:20:40,312 --> 00:20:41,445 FRANK! 469 00:20:41,480 --> 00:20:42,379 ARE YOU ALL RIGHT? 470 00:20:42,415 --> 00:20:43,380 I'M FINE. 471 00:20:43,416 --> 00:20:44,714 I FOUND THE BODY INSIDE. 472 00:20:44,750 --> 00:20:46,283 SURPRISING HOW MANY OF OUR CONVERSATIONS 473 00:20:46,318 --> 00:20:47,751 START LIKE THAT. 474 00:20:47,786 --> 00:20:48,785 IT LOOKS LIKE A FALL, 475 00:20:48,854 --> 00:20:50,521 BUT I HEARD A CAR SQUEALING AWAY, 476 00:20:50,556 --> 00:20:52,122 SO MAYBE SOMEONE TRYING TO FLEE? 477 00:20:52,158 --> 00:20:54,291 HERE WE GO. 478 00:20:54,360 --> 00:20:55,759 THE SQUEALING COULD BE A NEIGHBOR, 479 00:20:55,827 --> 00:20:57,094 OR A CAR PASSING BY. 480 00:20:57,129 --> 00:20:58,295 IT COULD BE, 481 00:20:58,330 --> 00:20:59,129 BUT THERE WERE SEVERAL CARS IN THE DRIVEWAY 482 00:20:59,165 --> 00:21:00,297 WHEN I PULLED UP, 483 00:21:00,366 --> 00:21:01,831 AND I'M PRETTY SURE THERE'S ONE LESS NOW. 484 00:21:01,867 --> 00:21:02,866 DID YOU GET A MAKE? 485 00:21:02,935 --> 00:21:05,369 NO, I DIDN'T SEE IT, I ONLY HEARD IT. 486 00:21:05,404 --> 00:21:07,171 OKAY. 487 00:21:07,206 --> 00:21:08,672 SHOULD I EVEN ASK WHY YOU'RE HERE? 488 00:21:08,707 --> 00:21:10,174 TAMARA ANDRONICUS, 489 00:21:10,242 --> 00:21:11,741 SHE BROUGHT A PUZZLE BOX INTO THE STORE, 490 00:21:11,777 --> 00:21:12,742 AND THEN IT WENT MISSING. 491 00:21:12,811 --> 00:21:14,044 MISSING OR STOLEN? 492 00:21:14,113 --> 00:21:15,279 I'M NOT SURE, 493 00:21:15,314 --> 00:21:16,246 BUT WHEN I CAME BY TO BREAK THE BAD NEWS, 494 00:21:16,282 --> 00:21:18,515 I SAW A SMASHED VASE ON THE FLOOR, 495 00:21:18,551 --> 00:21:20,451 AND THEN I SAW SOME MOVEMENT BY THE BACK DOOR. 496 00:21:20,486 --> 00:21:23,287 AND HOW DID YOU GET IN THE HOUSE? 497 00:21:23,355 --> 00:21:25,122 SO THE FRONT DOOR WAS LOCKED. 498 00:21:25,157 --> 00:21:26,356 I CAME AROUND BACK. 499 00:21:26,425 --> 00:21:28,892 THIS WAS KNOCKED OVER, AND THAT DOOR WAS OPEN. 500 00:21:28,927 --> 00:21:30,227 I DON'T KNOW, MAYBE SOMEBODY RUNNING AWAY. 501 00:21:30,262 --> 00:21:32,963 WELL, ANYTHING COULD HAVE KNOCKED THAT OVER. 502 00:21:32,998 --> 00:21:35,065 WELL, TRUE, BUT THERE'S THAT. 503 00:21:35,101 --> 00:21:37,201 [FRANK]: IT'S A LAND LINE. 504 00:21:37,236 --> 00:21:39,336 THERE WAS A BIG STORM ON SUNDAY. 505 00:21:39,405 --> 00:21:40,471 ANYTHING ELSE? 506 00:21:40,539 --> 00:21:41,572 YES. 507 00:21:41,607 --> 00:21:43,273 TAMARA'S CELL PHONE... 508 00:21:43,309 --> 00:21:46,276 A LOCAL AREA CODE, LAST FOUR DIGITS 2428, 509 00:21:46,345 --> 00:21:48,412 AND THE TEXT SAID, "I'M SORRY." 510 00:21:48,447 --> 00:21:51,215 SAME TEXT THAT I SEND MY WIFE DAILY. 511 00:21:51,250 --> 00:21:53,217 RIGHT NOW, SOMEBODY'S FALLEN. 512 00:21:53,252 --> 00:21:54,851 THAT'S WHERE WE START. 513 00:21:54,886 --> 00:21:56,553 RIGHT. 514 00:21:56,589 --> 00:21:58,688 I DO APPRECIATE YOUR EYE, THOUGH. 515 00:22:00,692 --> 00:22:02,292 THE BODY WAS AT THE BOTTOM OF THE STAIRS. 516 00:22:02,328 --> 00:22:03,393 I KNOW. 517 00:22:03,429 --> 00:22:04,928 I FOUND HER MOTHER-IN-LAW IN THE SAME AREA 518 00:22:04,997 --> 00:22:06,330 JUST TWO NIGHTS AGO. 519 00:22:07,500 --> 00:22:08,599 REALLY? 520 00:22:08,634 --> 00:22:10,267 MM-HMM. 521 00:22:10,336 --> 00:22:12,669 WELL, HOW DID SHE DIE? 522 00:22:12,704 --> 00:22:15,205 WELL, WE'RE AWAITING THE AUTOPSY RESULTS, 523 00:22:15,241 --> 00:22:16,240 BUT LOOKS LIKE AN ACCIDENTAL FALL 524 00:22:16,275 --> 00:22:17,307 DOWN THE STAIRS. 525 00:22:17,343 --> 00:22:19,309 TWO ACCIDENTS ON THE SAME STAIRS? 526 00:22:19,345 --> 00:22:20,644 THAT'S A LITTLE ODD, ISN'T IT? 527 00:22:20,712 --> 00:22:21,811 VERY. 528 00:22:21,847 --> 00:22:23,514 THE MOTHER-IN-LAW DIES ON SUNDAY. 529 00:22:23,549 --> 00:22:25,815 TAMARA BRINGS A PUZZLE BOX INTO THE STORE ON MONDAY, 530 00:22:25,884 --> 00:22:27,551 AND SHE DIES ON TUESDAY? 531 00:22:27,586 --> 00:22:31,087 YEAH... VERY ODD. 532 00:22:31,123 --> 00:22:34,124 COULD THERE BE SOMETHING IN THAT PUZZLE BOX... 533 00:22:34,160 --> 00:22:35,925 THAT TAMARA WANTED US TO FIND? 534 00:22:35,961 --> 00:22:37,394 OR MAYBE IT'S JUST A BOX. 535 00:22:38,697 --> 00:22:39,996 LET ME ASK YOU SOMETHING. 536 00:22:40,032 --> 00:22:42,166 WOULD IT BE OKAY IF I GOT BACK TO WORK? 537 00:22:42,234 --> 00:22:43,567 OH! 538 00:22:43,602 --> 00:22:45,101 YEAH, GO. 539 00:22:45,171 --> 00:22:46,203 I'LL CALL YOU LATER. 540 00:22:46,238 --> 00:22:47,271 YEAH. 541 00:22:59,151 --> 00:23:00,317 WHAT'S GOING ON? 542 00:23:01,953 --> 00:23:02,686 MR. ANDRONICUS? 543 00:23:02,721 --> 00:23:04,154 YEAH. 544 00:23:06,158 --> 00:23:07,291 PLEASE... 545 00:23:07,359 --> 00:23:08,625 LET'S HAVE A SEAT. 546 00:23:08,661 --> 00:23:10,294 I DON'T WANT TO HAVE A SEAT. 547 00:23:10,329 --> 00:23:11,261 WHERE'S MY WIFE? 548 00:23:11,297 --> 00:23:13,330 WHERE'S TAMARA? 549 00:23:13,365 --> 00:23:15,765 PLEASE... FOLLOW ME. 550 00:23:22,274 --> 00:23:23,440 I'M SORRY TO INFORM YOU, 551 00:23:23,475 --> 00:23:25,242 BUT WE'VE FOUND YOUR WIFE DECEASED TODAY. 552 00:23:25,277 --> 00:23:26,976 WHAT? 553 00:23:27,012 --> 00:23:28,912 NO... 554 00:23:28,947 --> 00:23:31,548 NO, NO... 555 00:23:31,584 --> 00:23:33,250 IT SEEMS SHE MAY HAVE FALLEN DOWN THE STAIRS. 556 00:23:36,222 --> 00:23:38,322 WHAT? NO, I DON'T... 557 00:23:38,357 --> 00:23:39,856 COULD YOU TELL ME WHERE YOU WERE EARLIER TODAY? 558 00:23:39,891 --> 00:23:42,559 I WAS TAKING CARE OF ARRANGEMENTS 559 00:23:42,595 --> 00:23:43,727 FOR MY MOTHER'S FUNERAL. 560 00:23:43,795 --> 00:23:44,695 I WASN'T... 561 00:23:46,898 --> 00:23:47,931 YOU DON'T THINK I DID THIS? 562 00:23:47,999 --> 00:23:51,668 NO, IT'S JUST STANDARD PROCEDURE. 563 00:23:51,737 --> 00:23:54,804 A... LITTLE RIP THERE ON YOUR SHIRT. 564 00:23:57,476 --> 00:24:00,677 WHEN I SAW THE POLICE CARS IN THE DRIVEWAY, 565 00:24:00,713 --> 00:24:01,978 I RUSHED TO GET OUT OF MY CAR. 566 00:24:02,013 --> 00:24:03,079 I CAUGHT MY SHIRT ON THE DOOR. 567 00:24:03,115 --> 00:24:04,147 OKAY. 568 00:24:05,718 --> 00:24:07,016 DO YOU KNOW OF ANYONE 569 00:24:07,052 --> 00:24:09,453 WHO WOULD HAVE WANTED TO HURT TAMARA OR ELIZABETH? 570 00:24:09,488 --> 00:24:11,087 NO. 571 00:24:11,123 --> 00:24:12,322 SO I'M ASSUMING 572 00:24:12,358 --> 00:24:13,624 WITH A HOUSE THIS SIZE 573 00:24:13,659 --> 00:24:14,758 THAT YOU HAVE A HOUSE STAFF? 574 00:24:16,528 --> 00:24:17,961 THEY WERE LET GO, 575 00:24:17,996 --> 00:24:19,829 ON GOOD TERMS AND WITH SEVERANCE. 576 00:24:19,865 --> 00:24:21,698 ANY PARTICULAR REASON FOR LETTING THEM GO? 577 00:24:21,734 --> 00:24:23,367 MOTHER'S BEEN HOUSEBOUND 578 00:24:23,402 --> 00:24:25,101 FOR MOST OF THIS PAST YEAR. 579 00:24:25,137 --> 00:24:28,438 SHE'S GOTTEN WORSE IN THE LAST WEEK. 580 00:24:28,507 --> 00:24:29,740 SHE WOULDN'T HAVE WANTED HER STAFF 581 00:24:29,808 --> 00:24:31,742 TO SEE HER THAT WAY. 582 00:24:31,777 --> 00:24:33,610 TAMARA WANTED TO TAKE A HIATUS FROM OUR BUSINESS 583 00:24:33,679 --> 00:24:35,479 AND TAKE CARE OF HER FULL-TIME. 584 00:24:35,514 --> 00:24:36,980 SO YOU CUT SHORT YOUR BUSINESS TRIP 585 00:24:37,015 --> 00:24:38,448 WITH YOUR FATHER, 586 00:24:38,484 --> 00:24:41,151 FLEW HOME ON SUNDAY, HOPING TO SEE YOUR MOTHER 587 00:24:41,186 --> 00:24:42,686 TO MAKE SURE THAT SHE'S OKAY? 588 00:24:42,755 --> 00:24:44,954 I'VE ALREADY ANSWERED ALL THIS IN MY PREVIOUS STATEMENT. 589 00:24:45,023 --> 00:24:47,157 REFRESH MY MEMORY. 590 00:24:47,192 --> 00:24:49,593 YES, EXACTLY. 591 00:24:49,628 --> 00:24:50,794 SHE WASN'T RETURNING ANY OF MY EMAILS 592 00:24:50,862 --> 00:24:53,363 OR ANSWERING MY PHONE CALLS, AND... 593 00:24:53,399 --> 00:24:56,600 AND THEN WHEN YOU GOT HOME, YOU FOUND YOUR MOTHER THERE. 594 00:24:56,635 --> 00:24:57,567 I DROVE BACK FROM THE AIRPORT 595 00:24:57,603 --> 00:25:00,470 AFTER A BRUTAL 17-HOUR FLIGHT, 596 00:25:00,506 --> 00:25:02,739 AND, UH... I JUST... 597 00:25:05,778 --> 00:25:07,377 I FOUND TAMARA HERE. 598 00:25:10,015 --> 00:25:11,147 SHE DIDN'T KNOW WHAT TO DO. 599 00:25:11,183 --> 00:25:16,019 SHE WAS JUST STANDING OVER MOTHER, CRYING. 600 00:25:16,054 --> 00:25:17,521 AND YOUR FATHER? 601 00:25:17,589 --> 00:25:18,955 WHERE IS HE? 602 00:25:18,990 --> 00:25:20,490 I'M ASSUMING HE'S BACK? 603 00:25:20,526 --> 00:25:22,058 HE'S STAYING AT THE GRAND HOTEL. 604 00:25:22,127 --> 00:25:25,395 HE SAYS IT'S TOO TRAUMATIC TO STAY HERE AT THE HOUSE. 605 00:25:25,431 --> 00:25:26,530 UNDERSTANDABLE, 606 00:25:26,565 --> 00:25:29,966 BUT WHAT I NEED TO KNOW, IN YOUR OPINION... 607 00:25:30,001 --> 00:25:31,501 DO YOU KNOW OF ANYONE WHO WOULD'VE WANTED 608 00:25:31,537 --> 00:25:33,470 TO HURT YOUR MOM OR TAMARA? 609 00:25:35,641 --> 00:25:38,375 I'M SURE WITH THE NEW CONDOS GOING UP ON MAIN STREET, 610 00:25:38,410 --> 00:25:41,311 HALF THE TOWN WOULD LIKE TO SEE ANY ONE OF US GONE. 611 00:25:43,215 --> 00:25:44,948 [TELEPHONE RINGS] [HANNAH]: HELLO? 612 00:25:44,983 --> 00:25:47,250 HEY, IT'S OFFICER RYAN, A.K.A. BRETT. 613 00:25:47,285 --> 00:25:48,251 HEY, HOW'S IT GOING? 614 00:25:48,286 --> 00:25:49,820 GREAT. 615 00:25:49,855 --> 00:25:51,788 I WAS THINKING MAYBE YOU WANTED TO HAVE LUNCH OR SOMETHING 616 00:25:51,824 --> 00:25:52,823 TOMORROW? 617 00:25:52,891 --> 00:25:53,890 TITUS GRILL, NOON? 618 00:25:53,925 --> 00:25:54,924 NOON WORKS. 619 00:25:54,993 --> 00:25:56,360 I'LL MEET YOU THERE. BYE. 620 00:25:56,395 --> 00:25:57,160 OFFICER HANDSOME? 621 00:25:57,195 --> 00:25:58,795 OFFICER TOTALLY HANDSOME. 622 00:25:58,831 --> 00:26:00,230 HOW'S THE FUND-RAISER GOING? 623 00:26:00,265 --> 00:26:01,732 SLOW BUT STEADY. 624 00:26:03,001 --> 00:26:03,834 DEFINE "STEADY." 625 00:26:05,303 --> 00:26:06,870 NOTHING. 626 00:26:06,905 --> 00:26:08,638 YOU NEED CASH TO MAKE A BUSINESS. 627 00:26:08,674 --> 00:26:10,240 CASH IS SOMETHING YOU DON'T HAVE. 628 00:26:12,210 --> 00:26:13,377 HEY, MAYBE I COULD START 629 00:26:13,412 --> 00:26:14,711 BY TAKING OUT A PERSONAL LOAN FROM YOU. 630 00:26:14,780 --> 00:26:15,812 OR MAYBE YOU CAN START 631 00:26:15,848 --> 00:26:17,447 BY TAKING OUT THE RECYCLING. 632 00:26:17,516 --> 00:26:18,682 THE CLASSIFIEDS ARE ON TOP. 633 00:26:21,987 --> 00:26:24,421 NOW, I DON'T WANT TO SAY THAT WITH MY RETIREMENT 634 00:26:24,490 --> 00:26:26,923 AND WITH HANDING THE REINS OVER TO MY SON, LUCAS, 635 00:26:26,958 --> 00:26:28,859 THAT ANDRONOCORP IS GOING TO BE TAKEN 636 00:26:28,894 --> 00:26:31,828 TO EVEN MORE TREMENDOUS LEVELS OF SUCCESS, 637 00:26:31,864 --> 00:26:33,597 BUT I WILL SAY JUST THAT. 638 00:26:33,632 --> 00:26:34,931 [LAUGHING] 639 00:26:34,966 --> 00:26:36,332 SO IF YOU'LL EXCUSE ME, 640 00:26:36,368 --> 00:26:38,635 I HAVE A NEW HIP I WANT TO TRY OUT ON THE LINKS. 641 00:26:38,670 --> 00:26:41,004 [LAUGHING] 642 00:26:41,039 --> 00:26:43,607 LUCAS! 643 00:26:48,781 --> 00:26:50,013 SO I PICKED UP SOME WOOD TODAY 644 00:26:50,081 --> 00:26:52,048 FOR THE BROKEN MAILBOX. 645 00:26:52,083 --> 00:26:53,149 THINKING ABOUT HELPING LOGAN OUT 646 00:26:53,184 --> 00:26:54,684 AND FIXING IT MYSELF. 647 00:26:54,720 --> 00:26:57,220 OH, THAT IS SO SWEET. 648 00:26:57,255 --> 00:26:58,688 CAN YOU BUILD ME A REPLICA PUZZLE BOX 649 00:26:58,724 --> 00:26:59,656 WHILE YOU'RE AT IT? 650 00:26:59,691 --> 00:27:00,924 HAVEN'T FOUND IT YET? 651 00:27:00,959 --> 00:27:01,958 NOPE, 652 00:27:01,993 --> 00:27:03,359 AND I CAN'T HELP BUT WONDER 653 00:27:03,395 --> 00:27:05,295 IF SOMETHING VALUABLE WAS INSIDE. 654 00:27:05,330 --> 00:27:07,831 WE HAVE WAY MORE EXPENSIVE PIECES IN THE STORE, 655 00:27:07,900 --> 00:27:09,999 AND THE WOMAN WHO BRINGS IT IN TURNS UP DEAD A DAY LATER? 656 00:27:10,035 --> 00:27:12,101 IT COULD BE A COINCIDENCE. 657 00:27:12,137 --> 00:27:13,437 TWO ACCIDENTS IN THE SAME HOUSE 658 00:27:13,472 --> 00:27:15,204 IN THE SAME WEEK? 659 00:27:15,240 --> 00:27:17,307 AND I'M LOOKING AT THE ANDRONICUS WEBSITE. 660 00:27:17,342 --> 00:27:19,342 BOTH TAMARA AND ELIZABETH HELPED RUN THE COMPANY, 661 00:27:19,411 --> 00:27:21,445 AND THEY'RE BOTH MYSTERIOUSLY GONE. 662 00:27:21,513 --> 00:27:22,412 WHO'D WANT TO HURT THEM? 663 00:27:22,481 --> 00:27:23,447 I DON'T KNOW. 664 00:27:23,482 --> 00:27:25,248 MAYBE SOMEONE AFTER THEIR MONEY? 665 00:27:25,283 --> 00:27:26,550 BUT IF IT WERE AN INHERITANCE THING, 666 00:27:26,585 --> 00:27:29,152 WOULDN'T HARVEY ANDRONICUS BE THE LOGICAL TARGET? 667 00:27:29,187 --> 00:27:31,387 AND LUCAS WAS GETTING READY TO TAKE OVER THE COMPANY. 668 00:27:31,423 --> 00:27:33,256 MAYBE SOMEBODY DIDN'T WANT THAT? 669 00:27:33,325 --> 00:27:34,791 MM, MAYBE. 670 00:27:34,827 --> 00:27:36,660 BUT THERE'S SOMETHING I'M NOT GETTING YET. 671 00:27:36,728 --> 00:27:37,961 YET? 672 00:27:38,029 --> 00:27:40,464 LET FRANK HANDLE IT, OKAY? 673 00:27:41,967 --> 00:27:43,066 OKAY. 674 00:27:47,535 --> 00:27:49,213 [LINE RINGING] HEY LOGAN. 675 00:27:49,263 --> 00:27:50,329 HEY, MOM, WHAT'S UP? 676 00:27:50,397 --> 00:27:52,331 I'M TRYING TO FIGURE OUT A PHONE NUMBER. 677 00:27:52,366 --> 00:27:56,135 THE LAST FOUR DIGITS ARE 2428, AND IT'S A LOCAL AREA CODE. 678 00:27:56,170 --> 00:27:57,737 CAN YOU FIND THAT ONLINE? 679 00:27:57,772 --> 00:27:59,138 YEAH, I COULD DO THAT. 680 00:27:59,173 --> 00:28:00,439 HOLD ON. 681 00:28:03,410 --> 00:28:04,243 UH-OH. 682 00:28:04,278 --> 00:28:07,479 799 NUMBERS STATEWIDE. 683 00:28:07,514 --> 00:28:09,849 THAT'S A LOT OF CALLS TO MAKE. 684 00:28:09,884 --> 00:28:12,785 BUT IF IT'S WITHIN OUR AREA, 685 00:28:12,820 --> 00:28:15,487 THEN WE'RE DOWN TO FIVE PHONE CALLS. 686 00:28:15,522 --> 00:28:16,956 I COULD ALSO GET THE NAMES OF PEOPLE, 687 00:28:16,991 --> 00:28:18,023 IF YOU LIKE? 688 00:28:18,092 --> 00:28:19,759 LOGAN, WHAT WOULD I DO WITHOUT YOU? 689 00:28:19,794 --> 00:28:22,294 MAYBE WE COULD WRITE THIS DOWN AS A CONSULTATION FEE? 690 00:28:22,329 --> 00:28:24,196 I COULD KNOCK 20 BUCKS OFF YOUR TAB. 691 00:28:24,265 --> 00:28:24,997 HOW ABOUT 50? 692 00:28:25,066 --> 00:28:26,065 30. 693 00:28:26,100 --> 00:28:27,099 SOLD. LOVE YOU. 694 00:28:27,168 --> 00:28:28,367 LOVE YOU, TOO. 695 00:28:31,105 --> 00:28:34,140 NO INJURIES OR MUCOSAL LESIONS SEEN. 696 00:28:35,342 --> 00:28:39,344 WHY IS IT EVERY TIME I SMELL CARAMEL MACCHIATO, 697 00:28:39,380 --> 00:28:42,414 I THINK OF JENN SHANNON? 698 00:28:42,449 --> 00:28:43,849 GOOD MORNING, MY FRIEND. 699 00:28:43,885 --> 00:28:46,518 AH... THERE WE GO. 700 00:28:46,553 --> 00:28:48,087 MM! 701 00:28:48,122 --> 00:28:49,255 STILL TOASTY. 702 00:28:49,290 --> 00:28:50,322 MM-HMM. 703 00:28:50,357 --> 00:28:52,691 SPEAKING OF, I'VE DECIDED WHEN I GO, 704 00:28:52,760 --> 00:28:55,094 IT'S CREMATION ALL THE WAY. 705 00:28:55,129 --> 00:28:56,695 OKAY, I'LL BITE... WHY? 706 00:28:56,730 --> 00:29:00,099 IT'S MY LAST CHANCE AT A SMOKING BODY. 707 00:29:01,535 --> 00:29:03,502 THAT'S ACTUALLY ONE OF YOUR BETTER ONES. 708 00:29:03,537 --> 00:29:04,503 [LAUGHING] 709 00:29:04,571 --> 00:29:07,039 HOW CAN I HELP YOU TODAY? 710 00:29:08,375 --> 00:29:11,177 ELIZABETH AND TAMARA ANDRONICUS? 711 00:29:11,212 --> 00:29:12,244 THEY COULD BE HERE, 712 00:29:12,280 --> 00:29:13,679 BUT YOU DIDN'T HEAR IT FROM ME, RIGHT? 713 00:29:13,714 --> 00:29:15,781 OH, OF COURSE NOT. 714 00:29:15,817 --> 00:29:18,750 I WAS CURIOUS ABOUT THEIR TWO "ACCIDENTS". 715 00:29:18,786 --> 00:29:21,053 COULD THERE BE SIGNS THAT THERE WAS SOMETHING ELSE? 716 00:29:21,122 --> 00:29:25,191 BY "ELSE," COULD YOU BE INSINUATING FOUL PLAY? 717 00:29:25,226 --> 00:29:26,725 COULD BE. 718 00:29:26,760 --> 00:29:28,227 NOTHING OFFICIAL. 719 00:29:28,262 --> 00:29:29,728 WE'RE STRICTLY TALKING "COULDS." 720 00:29:29,763 --> 00:29:31,496 WHILE THE HEAVY STRESS ON ELIZABETH'S HEART 721 00:29:31,532 --> 00:29:32,865 WAS IRREGULAR FOR HER ILLNESS, 722 00:29:32,934 --> 00:29:35,400 NOTHING ELSE IS SHOWING UP SO FAR. 723 00:29:35,436 --> 00:29:36,568 IRREGULAR? 724 00:29:36,603 --> 00:29:39,171 ELIZABETH HAD A SUDDEN MASSIVE HEART ATTACK, 725 00:29:39,240 --> 00:29:42,007 BUT HER MEDICAL REPORTS DON'T INDICATE HEART DISEASE, 726 00:29:42,043 --> 00:29:45,510 WEAKNESS, OR ANY GENETIC ANOMALIES. 727 00:29:45,579 --> 00:29:47,412 HER ILLNESS STEMMED 728 00:29:47,448 --> 00:29:50,149 FROM BLOOD AND OSTEOSARCOMA CANCER COMPLICATIONS 729 00:29:50,184 --> 00:29:51,884 IN HER KNEES, 730 00:29:51,919 --> 00:29:55,221 AND THOSE COMPLICATIONS USUALLY LEAD TO BLEEDING IN THE BRAIN, 731 00:29:55,289 --> 00:29:58,690 AND THAT WOULD CAUSE A STROKE, NOT A HEART ATTACK. 732 00:29:58,726 --> 00:30:01,526 SO WHAT COULD'VE CAUSED ELIZABETH'S HEART ATTACK? 733 00:30:01,595 --> 00:30:03,729 SHE WAS GETTING UP IN AGE. 734 00:30:03,764 --> 00:30:06,165 ARE YOU SUGGESTING SHE WAS SCARED TO DEATH? 735 00:30:06,200 --> 00:30:08,667 OR IT COULD'VE BEEN AN ALLERGIC REACTION. 736 00:30:08,736 --> 00:30:11,636 I DID FIND A PEANUT ALLERGY HERE. 737 00:30:11,672 --> 00:30:14,406 EVEN JUST A SLIGHT INHALE FROM PEANUT VAPOR 738 00:30:14,441 --> 00:30:16,208 COULD TRIGGER AN ANAPHYLACTIC SHOCK. 739 00:30:16,244 --> 00:30:18,077 AND THAT SHOCK COULD CAUSE A HEART ATTACK? 740 00:30:18,112 --> 00:30:19,578 COULD HAVE, 741 00:30:19,613 --> 00:30:22,248 BUT THOSE MINIMAL PEANUT TRACES ARE EXTREMELY HARD TO FIND 742 00:30:22,283 --> 00:30:24,449 IN ANY AUTOPSY, IF EVER. 743 00:30:25,586 --> 00:30:26,718 WHAT ABOUT TAMARA? 744 00:30:26,754 --> 00:30:28,354 WELL, I DID FIND SUBSTANTIAL AMOUNTS 745 00:30:28,389 --> 00:30:30,356 OF MORPHINE SULFATE IN HER MOUTH. 746 00:30:30,391 --> 00:30:31,490 MORPHINE SULFATE? 747 00:30:31,558 --> 00:30:33,993 HEAVY PRESCRIPTION PAINKILLERS. 748 00:30:34,028 --> 00:30:36,028 SO AN OVERDOSE COULD HAVE LED TO HER FALL? 749 00:30:36,097 --> 00:30:37,796 COULD HAVE, 750 00:30:37,831 --> 00:30:40,399 BUT IT "COULD BE" STRANGE 751 00:30:40,434 --> 00:30:42,902 THAT ONLY THE POWDER FROM THE MORPHINE SULFATE PILLS 752 00:30:42,937 --> 00:30:44,370 WAS FOUND IN HER MOUTH. 753 00:30:44,405 --> 00:30:46,805 IT'S AS IF THE CAPSULE SHELLS 754 00:30:46,840 --> 00:30:48,473 WERE PULLED APART MANUALLY, 755 00:30:48,509 --> 00:30:50,376 THE CONTENTS EMPTIED INTO HER MOUTH, 756 00:30:50,411 --> 00:30:53,512 AND THE SHELLS DISCARDED SOMEPLACE ELSE. 757 00:30:53,547 --> 00:30:55,480 SO THE MORPHINE COULD HAVE BEEN PLACED THERE 758 00:30:55,549 --> 00:30:56,916 AFTER TAMARA'S DEATH, 759 00:30:56,951 --> 00:31:00,119 MAKING IT LOOK LIKE AN OVERDOSE THAT LED TO THE FALL? 760 00:31:00,154 --> 00:31:01,887 A KILLER COVERING THEIR TRACKS? 761 00:31:01,923 --> 00:31:03,155 COULD, 762 00:31:03,190 --> 00:31:06,491 BUT YOU WON'T GET ANYTHING OUT OF ME. 763 00:31:06,560 --> 00:31:09,528 SO WHILE ELIZABETH'S DEATH COULD HAVE BEEN AN ACCIDENT, 764 00:31:09,563 --> 00:31:11,563 TAMARA'S IS MOST LIKELY A MURDER? 765 00:31:11,598 --> 00:31:15,234 NOW, THAT'S A VERY STRONG COULD. 766 00:31:19,440 --> 00:31:21,340 DANI, GO A LITTLE BIGGER. 767 00:31:21,375 --> 00:31:22,341 MORE DRAMA. 768 00:31:22,376 --> 00:31:23,409 LET'S REHEARSE IT. 769 00:31:23,444 --> 00:31:24,410 OKAY. 770 00:31:24,445 --> 00:31:25,377 MORE DRAMA? 771 00:31:25,413 --> 00:31:26,578 I CAN DO THAT. 772 00:31:26,647 --> 00:31:27,779 SAME QUESTION. 773 00:31:27,815 --> 00:31:29,748 SO, STILL NO SIGN OF THE MISSING PUZZLE BOX 774 00:31:29,783 --> 00:31:30,715 ANYWHERE IN THE STORE? 775 00:31:30,751 --> 00:31:32,717 WELL... 776 00:31:32,753 --> 00:31:34,420 WE KNOW IT MUST BE SOMEWHERE, 777 00:31:34,455 --> 00:31:36,956 BUT THAT SOMEWHERE ISN'T HERE. 778 00:31:38,225 --> 00:31:39,224 ALL RIGHT, UM... 779 00:31:39,293 --> 00:31:40,926 JUST A LITTLE BIT LESS, OKAY? 780 00:31:40,962 --> 00:31:42,594 LESS? 781 00:31:42,629 --> 00:31:44,629 [CLEARING THROAT] 782 00:31:44,665 --> 00:31:46,966 WELL, THE BOX MUST BE SOMEWHERE, BUT... 783 00:31:47,001 --> 00:31:48,900 THAT SOMEWHERE ISN'T HERE. 784 00:31:48,936 --> 00:31:50,202 PERFECT. 785 00:31:50,237 --> 00:31:51,136 [BEEPING] 786 00:31:51,172 --> 00:31:53,272 OH... 787 00:31:53,307 --> 00:31:54,273 SORRY, KAT. 788 00:31:54,342 --> 00:31:55,907 I THOUGHT I TURNED IT OFF. 789 00:31:55,977 --> 00:31:56,842 [KAT]: NO WORRIES. 790 00:31:56,877 --> 00:31:57,909 [JOEL]: UM, DANI, 791 00:31:57,945 --> 00:32:00,212 THAT-- THAT WAS REALLY GOOD. 792 00:32:00,247 --> 00:32:01,746 RIGHT IN THERE 793 00:32:01,782 --> 00:32:03,482 IS GOING TO BE REALLY GOOD, 'KAY? 794 00:32:03,517 --> 00:32:04,383 A LITTLE "LESS IS MORE." 795 00:32:04,418 --> 00:32:05,117 I LIKE IT. 796 00:32:05,186 --> 00:32:06,385 OKAY. 797 00:32:06,420 --> 00:32:09,288 UH, LISTEN, GUYS, IF WE DON'T FIND THE PUZZLE BOX, 798 00:32:09,323 --> 00:32:10,655 IS THERE ANOTHER PIECE IN THE STORE 799 00:32:10,691 --> 00:32:12,591 THAT WE COULD MAYBE USE? 800 00:32:12,659 --> 00:32:14,526 IF WE DON'T FIND IT BY THE END OF DAY, 801 00:32:14,595 --> 00:32:15,494 WE'LL ADJUST. 802 00:32:15,562 --> 00:32:16,728 ALL RIGHT. 803 00:32:16,763 --> 00:32:19,564 IS JENN GOING TO BE HERE SOON? 804 00:32:19,600 --> 00:32:21,166 I'LL GIVE HER A CALL. 805 00:32:22,970 --> 00:32:24,103 [DIALING] 806 00:32:27,808 --> 00:32:29,108 [PHONE RINGING] 807 00:32:31,045 --> 00:32:31,977 HEY, DANI. 808 00:32:32,013 --> 00:32:33,545 HI, HONEY. 809 00:32:33,580 --> 00:32:35,580 JOEL AND THE CREW WERE WONDERING WHERE YOU ARE. 810 00:32:35,649 --> 00:32:37,782 I'M AT THE ANDRONICUS HOUSE. 811 00:32:37,818 --> 00:32:39,851 LUCAS SHOULD KNOW THE PUZZLE BOX IS MISSING. 812 00:32:39,887 --> 00:32:41,053 I'LL BE BY THE STORE LATER. 813 00:32:41,088 --> 00:32:42,488 PLEASE BE CAREFUL. 814 00:32:42,523 --> 00:32:44,723 I WILL. 815 00:32:44,758 --> 00:32:46,091 [CLATTERING] 816 00:32:50,964 --> 00:32:52,697 [JENN]: UM, EXCUSE ME? 817 00:32:52,733 --> 00:32:54,866 SORRY, I DON'T MEAN TO BOTHER YOU. 818 00:32:54,935 --> 00:32:55,834 MY NAME IS JENNIFER SHANNON. 819 00:32:55,903 --> 00:32:57,102 I OWN RAGS TO RICHES. 820 00:32:59,840 --> 00:33:03,075 IS THIS ABOUT THE PUZZLE BOX AND JOEL'S SHOW? 821 00:33:03,110 --> 00:33:04,809 YES. 822 00:33:04,845 --> 00:33:06,978 I ALSO WANTED TO SAY I'M SO SORRY FOR YOUR LOSS. 823 00:33:07,014 --> 00:33:08,613 THANKS. 824 00:33:08,649 --> 00:33:10,849 UM... WHAT CAN I DO FOR YOU? 825 00:33:10,884 --> 00:33:12,151 TAMARA BROUGHT THE PUZZLE BOX IN 826 00:33:12,186 --> 00:33:14,053 THE DAY BEFORE SHE PASSED. 827 00:33:14,088 --> 00:33:16,488 YEAH, I TOLD JOEL HE WAS FINE TO USE IT, 828 00:33:16,524 --> 00:33:19,058 AS LONG AS HE DIDN'T BRING OUR NAME INTO IT. 829 00:33:19,093 --> 00:33:22,394 AH, MIGHT MAKE A NICE TRIBUTE FOR MOTHER. 830 00:33:22,463 --> 00:33:23,828 SHE LOVED BUILDING THOSE. 831 00:33:23,864 --> 00:33:25,897 OH, YOUR MOTHER MADE THEM? 832 00:33:25,933 --> 00:33:27,566 IT WAS HER PASSION. 833 00:33:29,002 --> 00:33:30,102 WELL, UNFORTUNATELY, 834 00:33:30,137 --> 00:33:32,104 THE BOX HAS GONE MISSING FROM THE STORE. 835 00:33:32,173 --> 00:33:33,238 SOMEBODY TOOK IT? 836 00:33:33,307 --> 00:33:34,306 I DON'T KNOW. 837 00:33:34,341 --> 00:33:35,407 WE'RE STILL TRYING TO LOCATE IT, 838 00:33:35,443 --> 00:33:37,876 BUT I WAS CURIOUS... 839 00:33:37,911 --> 00:33:40,546 DO YOU THINK MAYBE THERE WAS SOMETHING VALUABLE INSIDE 840 00:33:40,614 --> 00:33:42,581 THAT SOMEONE WHO KNEW HER WANTED? 841 00:33:42,616 --> 00:33:43,549 WELL, THAT WOULD BE A BETTER QUESTION 842 00:33:43,584 --> 00:33:45,984 FOR MY BROTHER, QUIN. 843 00:33:46,019 --> 00:33:47,686 THEY LOVED BUILDING THEM TOGETHER. 844 00:33:47,721 --> 00:33:50,322 IS THERE SOME WAY I COULD CONTACT HIM? 845 00:33:50,357 --> 00:33:52,023 HE'S STAYING AT THE OVERVIEW. 846 00:33:52,059 --> 00:33:53,459 I'D CALL HIM FOR YOU, 847 00:33:53,494 --> 00:33:56,395 BUT WE'RE NOT REALLY TALKING A WHOLE LOT RIGHT NOW. 848 00:33:56,430 --> 00:33:57,929 I SEE. 849 00:33:59,633 --> 00:34:02,667 WELL, IF I CAN REPAY YOU FOR THAT PUZZLE BOX, 850 00:34:02,703 --> 00:34:03,802 PLEASE LET ME KNOW. 851 00:34:03,837 --> 00:34:06,105 THANKS. 852 00:34:06,140 --> 00:34:08,574 IF YOU'LL EXCUSE ME, I'VE GOT SOME THINGS TO DO. 853 00:34:08,642 --> 00:34:10,675 I SHOULD REALLY GET BACK TO IT. 854 00:34:12,213 --> 00:34:13,245 OF COURSE. 855 00:34:13,280 --> 00:34:14,379 IT WAS A PLEASURE MEETING YOU. 856 00:34:34,935 --> 00:34:36,735 [DIALING] 857 00:34:36,803 --> 00:34:38,470 [FRANK, VOICE MAIL]: LYNWOOD. LEAVE A MESSAGE. 858 00:34:38,506 --> 00:34:40,439 FRANK... 859 00:34:40,474 --> 00:34:41,906 I FOUND A BOTTLE OF PEANUT OIL 860 00:34:41,942 --> 00:34:44,576 IN THE RECYCLING BIN AT THE ANDRONICUS HOUSE, 861 00:34:44,612 --> 00:34:45,944 AND LUCAS WAS CLEANING IT UP. 862 00:34:45,979 --> 00:34:47,513 CALL ME. 863 00:34:52,953 --> 00:34:54,186 THANKS. 864 00:34:58,792 --> 00:35:00,025 HE SHOULD BE HERE ANYTIME. 865 00:35:00,060 --> 00:35:01,593 [PHONE RINGING] 866 00:35:05,566 --> 00:35:06,665 HANNAH, HEY, I'M SORRY. 867 00:35:06,700 --> 00:35:08,099 I WANTED TO CALL, 868 00:35:08,135 --> 00:35:09,434 BUT A DRIVER WAS PINNED UNDER HIS CAR. 869 00:35:09,470 --> 00:35:11,370 HE'S OKAY NOW, BUT I HAD TO SIT WITH HIM 870 00:35:11,405 --> 00:35:14,439 UNTIL THE FIRE DEPARTMENT COULD COME AND CUT HIM OUT. 871 00:35:14,475 --> 00:35:16,175 OH, NO. 872 00:35:16,210 --> 00:35:17,842 I'M SORRY, I WANTED TO CALL, 873 00:35:17,878 --> 00:35:19,911 BUT THAT'S PART OF WHY I DON'T REALLY GET OUT MUCH. 874 00:35:19,946 --> 00:35:22,013 WHAT'S THE OTHER PART? 875 00:35:22,049 --> 00:35:24,916 TO BE HONEST, I, UH... 876 00:35:24,951 --> 00:35:26,418 I JUST GOT OUT OF A RELATIONSHIP, 877 00:35:26,453 --> 00:35:28,987 AND I HAVEN'T REALLY DUG BACK INTO THE DATING SCENE YET. 878 00:35:29,022 --> 00:35:30,922 I HEAR YOU. 879 00:35:30,957 --> 00:35:33,425 IT'S NOT REALLY MY THING EITHER AT THE MOMENT. 880 00:35:33,460 --> 00:35:34,693 SO WHAT DO WE DO? 881 00:35:34,728 --> 00:35:37,729 MAYBE WE JUST HANG OUT. 882 00:35:37,764 --> 00:35:39,698 NO PRESSURE, EXPECTATION... 883 00:35:39,733 --> 00:35:42,000 NO ROMANTIC DINNERS OR FLOWERS... 884 00:35:42,035 --> 00:35:43,468 NONE OF THOSE DATING RITUALS. 885 00:35:43,504 --> 00:35:44,570 YOU WILL NOT, 886 00:35:44,605 --> 00:35:46,938 I REPEAT, NOT HOLD A DOOR OPEN FOR ME. 887 00:35:48,008 --> 00:35:49,974 FINE, I WON'T. 888 00:35:50,043 --> 00:35:50,909 LET'S DO IT. I'M IN. 889 00:35:50,944 --> 00:35:52,477 SOUNDS GOOD. 890 00:35:52,513 --> 00:35:54,613 I'LL TALK TO YOU LATER. 891 00:35:54,648 --> 00:35:55,914 BYE. 892 00:36:00,421 --> 00:36:01,220 HI, ANDI. 893 00:36:01,255 --> 00:36:02,521 HEY, JENN! 894 00:36:02,556 --> 00:36:03,988 I'M LOOKING FOR A GENTLEMAN 895 00:36:04,024 --> 00:36:05,624 BY THE NAME OF QUIN ANDRONICUS. 896 00:36:05,659 --> 00:36:07,392 HE MIGHT HAVE CHECKED IN TODAY OR EVEN YESTERDAY. 897 00:36:07,428 --> 00:36:09,194 ACTUALLY, MR. ANDRONICUS CHECKED IN 898 00:36:09,230 --> 00:36:10,829 CLOSER TO FOUR DAYS AGO. 899 00:36:12,799 --> 00:36:15,166 YES, SATURDAY, BUT YOU JUST MISSED HIM. 900 00:36:20,341 --> 00:36:22,541 DO YOU WANT TO LEAVE A MESSAGE? 901 00:36:22,610 --> 00:36:23,575 DID YOU SAY SATURDAY? 902 00:36:32,477 --> 00:36:33,442 THANKS FOR COMING IN. 903 00:36:33,478 --> 00:36:34,944 HOW CAN I HELP YOU? 904 00:36:37,315 --> 00:36:39,849 WELL, MAYBE YOU CAN TELL ME 905 00:36:39,884 --> 00:36:41,250 WHY YOUR BROTHER, LUCAS, HAS A RESTRAINING ORDER 906 00:36:41,319 --> 00:36:43,786 AGAINST YOU? 907 00:36:43,822 --> 00:36:45,788 BECAUSE OF TAMARA. 908 00:36:45,857 --> 00:36:47,490 A LITTLE OVER A YEAR AGO, 909 00:36:47,525 --> 00:36:49,525 I SAID SOME THINGS ABOUT HER THAT I PROBABLY SHOULDN'T HAVE. 910 00:36:49,594 --> 00:36:51,094 THINGS GOT HEATED, 911 00:36:51,129 --> 00:36:52,862 BUT I GUESS THAT'S WHAT SHE WANTED. 912 00:36:52,897 --> 00:36:54,530 SHE WAS ALL ABOUT DIVIDE AND CONQUER. 913 00:36:54,599 --> 00:36:57,066 SHE DIVIDED THE FAMILY? 914 00:36:57,102 --> 00:36:59,035 WHERE THERE'S MONEY AND OPPORTUNITY, 915 00:36:59,070 --> 00:37:00,637 THERE'S TAMARA. 916 00:37:00,672 --> 00:37:02,038 SHE PITTED ME AND MY BROTHER AGAINST EACH OTHER 917 00:37:02,073 --> 00:37:03,572 FROM THE BEGINNING. 918 00:37:03,608 --> 00:37:06,509 I'M SURE YOU'VE SEEN HOW HIGH SHE ROSE IN THE FAMILY BUSINESS. 919 00:37:06,577 --> 00:37:08,310 SHE NEVER LOVED LUCAS. 920 00:37:09,914 --> 00:37:11,313 SEEMS LIKE YOU'RE NOT HER BIGGEST FAN. 921 00:37:12,617 --> 00:37:13,716 THAT DOESN'T MAKE ME HER KILLER. 922 00:37:15,186 --> 00:37:15,985 WHERE WERE YOU THE DAY SHE DIED? 923 00:37:17,321 --> 00:37:19,122 MAKING FUNERAL ARRANGEMENTS FOR MY MOTHER. 924 00:37:19,157 --> 00:37:20,790 WITH YOUR BROTHER, RIGHT? 925 00:37:20,859 --> 00:37:22,091 HE WAS THERE FOR A BIT, YES. 926 00:37:22,127 --> 00:37:24,326 HOW LONG IS A BIT? 927 00:37:24,362 --> 00:37:25,628 I'D SAY ABOUT 20 MINUTES. 928 00:37:25,697 --> 00:37:27,229 THEN HE LEFT. 929 00:37:27,265 --> 00:37:29,766 GUESS IT WAS A LITTLE TOO MUCH FOR HIM TO HANDLE, 930 00:37:29,801 --> 00:37:30,900 BUT I WAS THERE THE WHOLE TIME. 931 00:37:30,935 --> 00:37:32,535 YOU CAN CHECK WITH THE UNDERTAKER. 932 00:37:35,974 --> 00:37:38,041 WHY DON'T YOU TALK TO THEIR LAWYER, 933 00:37:38,076 --> 00:37:39,241 ALLAN DEMETRY? 934 00:37:39,310 --> 00:37:41,744 HE'D BE MY FIRST STOP. 935 00:37:41,780 --> 00:37:43,445 AND WHAT'S MR. DEMETRY GOING TO TELL ME? 936 00:37:43,514 --> 00:37:45,181 SOMETHING I'VE BEEN TRYING TO TELL THEM 937 00:37:45,216 --> 00:37:46,115 FOR A VERY LONG TIME. 938 00:37:48,319 --> 00:37:49,986 THANK YOU. 939 00:37:50,021 --> 00:37:51,387 I KNOW WHAT YOU'RE THINKING, 940 00:37:51,455 --> 00:37:53,990 BUT I DIDN'T JUST ASK YOU HERE TO TALK ABOUT THE CASE. 941 00:37:54,059 --> 00:37:55,758 OH, REALLY? 942 00:37:55,827 --> 00:37:57,727 IS IT BECAUSE OF MY WINNING SMILE? 943 00:37:57,762 --> 00:37:58,861 MM? 944 00:37:58,897 --> 00:38:00,296 OKAY, IS THERE ANY PARTICULAR SUSPECT 945 00:38:00,364 --> 00:38:01,764 YOU'RE LEANING TOWARDS? 946 00:38:01,833 --> 00:38:03,232 WELL, LUCAS HAD SAID HE WAS MAKING FUNERAL ARRANGEMENTS 947 00:38:03,301 --> 00:38:04,801 AT THE TIME OF TAMARA'S DEATH, 948 00:38:04,836 --> 00:38:07,737 BUT HE LEFT THE FUNERAL PARLOR EARLY. 949 00:38:07,772 --> 00:38:09,505 HE COULD'VE DRIVEN HOME TO SEE HER. 950 00:38:09,540 --> 00:38:11,473 HE WAS IN TOWN FOR BOTH DEATHS, 951 00:38:11,542 --> 00:38:13,843 SHOWS UP AT THE SCENE WITH A RIPPED SHIRT, 952 00:38:13,878 --> 00:38:17,313 PLUS HE WAS THE ONE WHO WAS CLEANING OUT THE RECYCLING 953 00:38:17,381 --> 00:38:19,315 WHEN YOU NOTICED THE PEANUT OIL. 954 00:38:19,350 --> 00:38:20,516 COULD HE REALLY NOT HAVE SEEN IT? 955 00:38:20,551 --> 00:38:21,951 WELL, HE DIDN'T WANT TO CALL ATTENTION TO IT 956 00:38:21,986 --> 00:38:23,086 WHILE I WAS THERE. 957 00:38:23,121 --> 00:38:24,653 THAT'D BE MY GUESS, 958 00:38:24,689 --> 00:38:26,823 BECAUSE WHEN I SPOKE WITH THE FORMER CHEF, 959 00:38:26,858 --> 00:38:28,224 HE SAID THE PLACE WAS A PEANUT-FREE ZONE, 960 00:38:28,259 --> 00:38:30,893 AND THE WHOLE STAFF WAS LET GO 961 00:38:30,929 --> 00:38:32,061 BEFORE ELIZABETH DIED. 962 00:38:32,130 --> 00:38:35,397 SO SOMEONE OTHER THAN THE STAFF 963 00:38:35,433 --> 00:38:37,834 COULD HAVE SLIPPED THE OIL INTO SOMETHING? 964 00:38:37,869 --> 00:38:39,668 WHAT DO YOU KNOW ABOUT LUCAS' BROTHER, QUIN? 965 00:38:39,738 --> 00:38:41,738 WELL, I KNOW THAT LUCAS HAS A RESTRAINING ORDER AGAINST HIM, 966 00:38:41,773 --> 00:38:45,307 A FIGHT THAT TURNED VIOLENT ABOUT A YEAR BACK. 967 00:38:45,343 --> 00:38:46,809 QUIN LEFT TOWN. 968 00:38:46,845 --> 00:38:49,712 HE NOW WORKS AS A LINGUISTICS AND HUMAN STUDIES PROFESSOR 969 00:38:49,781 --> 00:38:50,813 ON THE WEST COAST. 970 00:38:50,849 --> 00:38:52,314 HE'S BACK IN TOWN 971 00:38:52,383 --> 00:38:53,649 TO HELP PLAN HIS MOTHER'S FUNERAL. 972 00:38:53,684 --> 00:38:55,818 WHICH PUTS HIM HERE AT THE TIME OF TAMARA'S DEATH. 973 00:38:55,854 --> 00:38:57,319 TRUE, 974 00:38:57,388 --> 00:38:58,755 BUT WITH QUIN'S ALIBI, 975 00:38:58,790 --> 00:38:59,856 THERE'S NO WAY 976 00:38:59,891 --> 00:39:01,224 THAT HE COULD HAVE BEEN AT THE HOUSE 977 00:39:01,292 --> 00:39:02,658 BETWEEN THE TIME YOU LEFT THE STORE AND FOUND TAMARA, 978 00:39:02,727 --> 00:39:05,762 BUT HE DID BRING UP THE FAMILY LAWYER, 979 00:39:05,797 --> 00:39:07,130 ALLAN DEMETRY, 980 00:39:07,165 --> 00:39:08,430 WHOM I'VE CALLED AND HASN'T BEEN SEEN 981 00:39:08,466 --> 00:39:10,432 SINCE THE TIME OF TAMARA'S DEATH. 982 00:39:10,501 --> 00:39:13,002 WENT BY THE HOUSE... NO ANSWER. 983 00:39:13,037 --> 00:39:14,904 SO EITHER HE'S ON THE RUN, OR... 984 00:39:14,939 --> 00:39:16,338 OR ANOTHER VICTIM. 985 00:39:16,374 --> 00:39:17,406 MM. 986 00:39:17,475 --> 00:39:18,975 YOU KNOW WHAT I DON'T UNDERSTAND? 987 00:39:19,010 --> 00:39:20,576 WHAT'S THAT? 988 00:39:20,611 --> 00:39:22,912 IF QUIN WAS IN TOWN TO PLAN HIS MOTHER'S FUNERAL, 989 00:39:22,981 --> 00:39:25,447 WHY DID HE CHECK INTO A MOTEL A DAY BEFORE HIS MOTHER DIED? 990 00:39:27,218 --> 00:39:28,350 WELL, THAT DOES MEAN ONE THING... 991 00:39:28,386 --> 00:39:30,820 BOTH BROTHERS WERE IN TOWN FOR BOTH MURDERS. 992 00:39:30,855 --> 00:39:33,055 MM-HMM. 993 00:39:33,091 --> 00:39:35,158 NO CANDLES, NO MUSIC. 994 00:39:35,193 --> 00:39:36,793 JUST TACOS. 995 00:39:36,828 --> 00:39:38,594 I DON'T KNOW, WAYS TO MY HEART... 996 00:39:38,629 --> 00:39:39,561 ONE, BUY ME TACOS, 997 00:39:39,597 --> 00:39:40,562 TWO, MAKE ME TACOS, 998 00:39:40,631 --> 00:39:41,964 AND THREE, BE A TACO. 999 00:39:42,000 --> 00:39:43,766 FINE, YOU'RE BUYING YOUR OWN. 1000 00:39:43,802 --> 00:39:45,201 ONE TACO, PLEASE. 1001 00:39:45,236 --> 00:39:46,869 SAME, THANKS. 1002 00:39:46,905 --> 00:39:48,337 SO... 1003 00:39:48,406 --> 00:39:49,738 SINCE WE'RE JUST HANGING OUT, 1004 00:39:49,774 --> 00:39:52,008 CAN I ASK YOU WHAT'S UP WITH YOUR EX? 1005 00:39:52,043 --> 00:39:53,442 YOU CAN. 1006 00:39:53,477 --> 00:39:54,443 I JUST DID. 1007 00:39:54,478 --> 00:39:56,378 WHOA. 1008 00:39:56,414 --> 00:39:57,579 UM, I DON'T KNOW. 1009 00:39:59,750 --> 00:40:01,450 THANK YOU. 1010 00:40:01,485 --> 00:40:02,518 WE NEVER REALLY ARGUED. 1011 00:40:02,553 --> 00:40:04,520 SHE JUST WOULD EXPLAIN REALLY LOUDLY 1012 00:40:04,555 --> 00:40:06,455 WHY SHE WAS ALWAYS RIGHT. 1013 00:40:06,490 --> 00:40:07,389 BEEN THERE. 1014 00:40:07,425 --> 00:40:08,390 YEAH... 1015 00:40:08,426 --> 00:40:09,525 AND THE WEIRDEST PART 1016 00:40:09,560 --> 00:40:10,392 IS THAT I'VE HAD THIS LAUNDRY BASKET, 1017 00:40:10,428 --> 00:40:11,427 FULL OF HER THINGS 1018 00:40:11,462 --> 00:40:13,196 JUST SITTING IN MY CLOSET, 1019 00:40:13,231 --> 00:40:14,663 AND I HAVEN'T REALLY HAD THE HEART TO GIVE IT BACK. 1020 00:40:14,699 --> 00:40:15,497 HMM. 1021 00:40:17,168 --> 00:40:18,534 YEAH, IT'S A LITTLE WEIRD, I KNOW. 1022 00:40:18,569 --> 00:40:20,469 NO, IT'S... 1023 00:40:20,504 --> 00:40:21,971 OKAY, IT'S A LITTLE WEIRD. 1024 00:40:22,006 --> 00:40:23,605 WELL, WHAT ABOUT YOU? 1025 00:40:23,641 --> 00:40:27,176 I'M NOT USUALLY ONE TO GO LOOKING. 1026 00:40:27,212 --> 00:40:28,211 I MEAN, I THINK 1027 00:40:28,279 --> 00:40:29,812 WHEN YOU'RE ACTUALLY LOOKING FOR LOVE, 1028 00:40:29,881 --> 00:40:31,214 YOU NEVER FIND IT. 1029 00:40:31,249 --> 00:40:34,516 WELL, I THINK I'VE FOUND TRUE LOVE RIGHT HERE. 1030 00:40:34,585 --> 00:40:35,584 SCATTER MY ASHES. 1031 00:40:36,921 --> 00:40:37,820 DONE. 1032 00:40:37,856 --> 00:40:39,188 [LAUGHING] 1033 00:40:39,224 --> 00:40:40,823 [PHONE RINGING] 1034 00:40:40,892 --> 00:40:41,958 HEY, LOGAN. 1035 00:40:42,026 --> 00:40:43,592 I WENT THROUGH THOSE NUMBERS, 1036 00:40:43,661 --> 00:40:46,028 AND I FOUND A PRETTY INTERESTING ONE. 1037 00:40:46,097 --> 00:40:47,629 HOW INTERESTING? 1038 00:40:47,698 --> 00:40:49,999 THE ANDRONICUS FAMILY LAWYER, 1039 00:40:50,034 --> 00:40:51,100 ALLAN DEMETRY. 1040 00:40:51,135 --> 00:40:53,369 I'LL TEXT YOU HIS NUMBER AND ADDRESS. 1041 00:40:53,404 --> 00:40:55,071 LOGAN, YOU ARE THE BEST. 1042 00:40:55,139 --> 00:40:56,873 THANK YOU SO MUCH! 1043 00:41:02,347 --> 00:41:03,279 [CRASHING] 1044 00:41:09,120 --> 00:41:10,253 [DIALING] 1045 00:41:10,288 --> 00:41:11,187 FRANK! 1046 00:41:16,160 --> 00:41:19,828 NO, I JUST SAW A BODY MOVING THROUGH THE STORE, 1047 00:41:19,864 --> 00:41:20,897 SO I... 1048 00:41:20,932 --> 00:41:21,898 YOU OKAY? 1049 00:41:21,933 --> 00:41:23,099 OH, I'M FINE. 1050 00:41:23,167 --> 00:41:24,633 WAS ANYTHING STOLEN? 1051 00:41:24,668 --> 00:41:26,568 IT DOESN'T LOOK LIKE THEY TOOK ANYTHING. 1052 00:41:26,604 --> 00:41:27,937 OKAY. 1053 00:41:27,972 --> 00:41:28,871 WELL, THIS IS GOOD. 1054 00:41:28,907 --> 00:41:29,838 UH... 1055 00:41:29,874 --> 00:41:30,940 BUT? 1056 00:41:30,975 --> 00:41:32,474 LOOKS LIKE THEY RETURNED SOMETHING. 1057 00:41:36,147 --> 00:41:38,180 [FRANK]: THE MISSING PUZZLE BOX? 1058 00:41:38,249 --> 00:41:40,917 I CAN GUARANTEE YOU, THAT WAS NOT THERE BEFORE. 1059 00:41:40,985 --> 00:41:42,184 WHY WOULD SOMEBODY STEAL IT 1060 00:41:42,220 --> 00:41:43,319 AND THEN RETURN IT? 1061 00:41:43,354 --> 00:41:45,554 I'M NOT SURE. 1062 00:41:45,589 --> 00:41:47,656 WELL, I CAN DUST IT FOR FINGERPRINTS, 1063 00:41:47,691 --> 00:41:48,857 BUT IT'S NOT TECHNICALLY EVIDENCE 1064 00:41:48,927 --> 00:41:50,259 UNTIL WE CAN PROVE 1065 00:41:50,295 --> 00:41:52,094 THAT IT'S TIED TO EITHER DEATH. 1066 00:41:52,163 --> 00:41:53,396 [OFFICER]: DETECTIVE LYNWOOD? 1067 00:41:53,464 --> 00:41:55,932 WHEN HE SAW US, HE RAN. 1068 00:42:03,441 --> 00:42:05,274 AM I UNDER ARREST? 1069 00:42:07,812 --> 00:42:10,846 YES, I'D SAY A CHAT IS IN ORDER. 1070 00:42:12,850 --> 00:42:14,250 [FRANK]: WELL, 1071 00:42:14,285 --> 00:42:16,852 THAT'S A LONG LIST OF GREATEST HITS HERE. 1072 00:42:16,887 --> 00:42:18,120 RIOTING, 1073 00:42:18,156 --> 00:42:20,923 A DROPPED ASSAULT CHARGE ON A PEACE OFFICER... 1074 00:42:20,959 --> 00:42:23,259 OH, AND BREAKING AND ENTERING. 1075 00:42:23,294 --> 00:42:25,361 THERE WAS NO BREAKING AND ENTERING. 1076 00:42:25,396 --> 00:42:27,496 THAT CHARGE WAS TRESPASSING AT MOST. 1077 00:42:27,531 --> 00:42:28,364 HOW SO? 1078 00:42:28,399 --> 00:42:29,698 I WAS PROTESTING 1079 00:42:29,767 --> 00:42:32,768 THE CONSTRUCTION OF A SKYSCRAPER OVER IN ALDERGROVE. 1080 00:42:32,837 --> 00:42:36,172 I WAS ON PRIVATE PROPERTY, CLIMBED OVER A FENCE, 1081 00:42:36,240 --> 00:42:39,175 AND GOT GRABBED FROM BEHIND BY AN OFF-DUTY COP. 1082 00:42:39,210 --> 00:42:42,211 DID YOU EVER STEAL ANYTHING FROM MRS. SHANNON'S STORE... 1083 00:42:42,246 --> 00:42:44,513 SPECIFICALLY, A PUZZLE BOX, 1084 00:42:44,548 --> 00:42:46,849 THEN FOR WHATEVER REASON BRING IT BACK? 1085 00:42:46,917 --> 00:42:48,284 [PROTESTER]: NO. 1086 00:42:48,319 --> 00:42:51,020 I'M NOT A THIEF, OR ANYTHING THAT SHEET SAYS. 1087 00:42:51,055 --> 00:42:54,390 THE REAL CROOKS WEAR SUITS, COME INTO SMALL TOWNS, 1088 00:42:54,425 --> 00:42:56,225 BULLDOZE EVERYTHING IN SIGHT. 1089 00:42:56,260 --> 00:42:59,161 HENCE THE ANDRONOCORP PROTEST, 1090 00:42:59,230 --> 00:43:00,562 AND BY ALL ACCOUNTS, 1091 00:43:00,598 --> 00:43:02,664 IT'S SOMETHING YOU SEEM FAIRLY ANGERED AT... 1092 00:43:03,968 --> 00:43:07,203 I'D EVEN SAY OBSESSED. 1093 00:43:07,238 --> 00:43:09,705 "OBSESSED" IS A WORD LAZY PEOPLE USE 1094 00:43:09,773 --> 00:43:11,773 TO DESCRIBE THE DEDICATED. 1095 00:43:11,809 --> 00:43:14,410 OOH, THAT'D BE A GREAT TAGLINE FOR ONE OF YOUR SIGNS. 1096 00:43:14,445 --> 00:43:16,645 OH, SPEAKING OF TAGS, 1097 00:43:16,680 --> 00:43:18,981 I'M GUESSING THAT THE SPRAY-PAINT IN YOUR BAG 1098 00:43:19,017 --> 00:43:20,149 AND WHAT YOU'VE GOT ON YOUR HANDS THERE 1099 00:43:20,184 --> 00:43:22,385 IS THE SAME AS ON THE ANDRONICUS GATE. 1100 00:43:22,420 --> 00:43:23,685 OH, AND I'VE EVEN HEARD ACCOUNTS 1101 00:43:23,721 --> 00:43:26,955 OF OTHER ANDRONOCORP BUILDINGS BEING DEFACED 1102 00:43:26,991 --> 00:43:28,457 ALL OVER TOWN. 1103 00:43:28,493 --> 00:43:30,493 IT IS WHAT IT IS, 1104 00:43:30,528 --> 00:43:32,995 BUT I NEVER BROKE INTO ANY STORE. 1105 00:43:33,031 --> 00:43:35,864 WHEN WAS THE LAST TIME YOU WERE AT THE ANDRONICUS RESIDENCE? 1106 00:43:40,204 --> 00:43:43,139 DID YOU SEE OR HAVE ANYTHING TO DO WITH THE DEATHS 1107 00:43:43,174 --> 00:43:45,508 OF EITHER ELIZABETH OR TAMARA ANDRONICUS? 1108 00:43:45,576 --> 00:43:47,776 [PROTESTER]: NO, 1109 00:43:47,845 --> 00:43:50,279 BUT THE FEWER OF THAT FAMILY IN THIS WORLD, 1110 00:43:50,314 --> 00:43:51,747 THE BETTER. 1111 00:43:51,782 --> 00:43:54,383 [FRANK]: IF YOU'RE WITHHOLDING, IT'S OBSTRUCTION. 1112 00:43:58,122 --> 00:44:00,389 I WAS TAGGING THEIR GATE. 1113 00:44:00,458 --> 00:44:02,024 I SAW A CAR SPEED INTO THE DRIVEWAY 1114 00:44:02,093 --> 00:44:04,093 AND SLAM ON ITS BRAKES. 1115 00:44:04,128 --> 00:44:05,994 A WOMAN CAME OUT OF THE HOUSE. 1116 00:44:06,030 --> 00:44:08,964 I TOOK OFF BEFORE HE GOT OUT OF THE CAR. 1117 00:44:08,999 --> 00:44:09,798 [FRANK]: DID YOU HEAR WHAT THEY SAID? 1118 00:44:09,867 --> 00:44:10,866 NO. 1119 00:44:10,901 --> 00:44:12,168 WAS THE WOMAN OLDER OR YOUNGER? 1120 00:44:12,203 --> 00:44:13,169 YOUNGER. 1121 00:44:13,204 --> 00:44:15,538 AND THE DRIVER? 1122 00:44:15,573 --> 00:44:17,339 LIKE I SAID, NEVER SAW HIM. 1123 00:44:17,375 --> 00:44:18,774 WHAT ABOUT THE CAR? 1124 00:44:18,809 --> 00:44:23,045 UH, SILVER... GRAY... SEDAN? 1125 00:44:23,081 --> 00:44:24,480 AND THIS WAS YESTERDAY? 1126 00:44:24,515 --> 00:44:26,815 YEAH. 1127 00:44:26,850 --> 00:44:29,452 WHY DIDN'T YOU GO TO THE POLICE? 1128 00:44:29,487 --> 00:44:31,753 'CAUSE I KNEW YOU'D SEE THOSE PRIORS, 1129 00:44:31,789 --> 00:44:33,722 AND I'D END UP NEVER WALKING OUT OF HERE. 1130 00:44:33,757 --> 00:44:36,425 LOOK... 1131 00:44:36,461 --> 00:44:38,860 I KNOW I HAVE RED ON MY HANDS.. 1132 00:44:40,898 --> 00:44:42,898 BUT NONE OF IT'S BLOOD. 1133 00:44:46,167 --> 00:44:47,769 BUT IF ZACH BROKE INTO THE STORE, 1134 00:44:47,819 --> 00:44:48,718 WOULDN'T HE HAVE AN INJURED LEG 1135 00:44:48,787 --> 00:44:50,153 FROM THE FALL? 1136 00:44:50,189 --> 00:44:52,021 TRUE, BUT HE COULD JUST BE LYING ABOUT THE ARGUMENT 1137 00:44:52,057 --> 00:44:53,823 TO COVER UP FOR HIMSELF. 1138 00:44:53,858 --> 00:44:54,924 HE WAS THERE 1139 00:44:54,959 --> 00:44:57,760 AROUND THE TIME OF TAMARA'S DEATH. 1140 00:44:57,796 --> 00:45:00,230 NO, JUST BECAUSE HE'S PASSIONATE ABOUT A CAUSE 1141 00:45:00,299 --> 00:45:01,631 DOESN'T MEAN HE'S A KILLER. 1142 00:45:01,667 --> 00:45:03,633 OKAY, THEN WHO? 1143 00:45:03,702 --> 00:45:04,834 I FOUND A NUMBER 1144 00:45:04,869 --> 00:45:07,036 FOR THE ANDRONICUS FAMILY LAWYER, 1145 00:45:07,105 --> 00:45:08,771 THE SAME NUMBER THAT TEXTED TAMARA 1146 00:45:08,807 --> 00:45:10,207 SAYING, "I'M SORRY." 1147 00:45:10,242 --> 00:45:11,941 ALLAN DEMETRY WAS THE "I'M SORRY?" 1148 00:45:11,976 --> 00:45:13,610 HE WAS. 1149 00:45:13,645 --> 00:45:14,944 MAYBE QUIN WAS ON TO SOMETHING 1150 00:45:14,979 --> 00:45:18,315 WHEN HE SAID DEMETRY WAS INTERESTED IN TAMARA. 1151 00:45:18,350 --> 00:45:19,816 WELL, IF WE CAN EVEN FIND DEMETRY 1152 00:45:19,884 --> 00:45:21,284 AND GET THE CELL, 1153 00:45:21,353 --> 00:45:22,586 THEN I'LL BE ABLE TO APPROXIMATE 1154 00:45:22,654 --> 00:45:24,787 THE AREA WHERE HE MADE THAT TEXT FROM. 1155 00:45:24,823 --> 00:45:26,089 WHICH WOULD PUT HIM AT THE SCENE OF THE CRIME, 1156 00:45:26,124 --> 00:45:27,056 OR SOMEWHERE ELSE. 1157 00:45:27,092 --> 00:45:28,024 WELL, THIS GUY, 1158 00:45:28,059 --> 00:45:29,292 HE HASN'T RETURNED ANY OF MY CALLS, 1159 00:45:29,328 --> 00:45:30,493 HASN'T SHOWN UP AT WORK, 1160 00:45:30,529 --> 00:45:31,695 AND ALL THE NEIGHBORS SAY 1161 00:45:31,730 --> 00:45:32,562 THEY HAVEN'T SEEN HIS CAR IN THE DRIVEWAY 1162 00:45:32,598 --> 00:45:33,597 SINCE TUESDAY. 1163 00:45:33,665 --> 00:45:35,932 YOU GOT ANYTHING ON TAMARA'S CELL? 1164 00:45:35,967 --> 00:45:37,800 NO, STILL WAITING ON A WARRANT. 1165 00:45:37,869 --> 00:45:40,237 CAN'T LUCAS GIVE YOU PERMISSION TO ACCESS HER PHONE? 1166 00:45:40,305 --> 00:45:41,771 I WISH IT WAS THAT EASY. 1167 00:45:41,806 --> 00:45:43,440 DETECTIVE, THE BOX HAS BEEN WIPED DOWN. 1168 00:45:43,475 --> 00:45:44,874 NO FINGERPRINTS. 1169 00:45:47,479 --> 00:45:48,612 YOU THINKING THERE'S SOMETHING INSIDE, 1170 00:45:48,647 --> 00:45:50,113 THAT'S PERTAINING TO THE INVESTIGATION? 1171 00:45:50,181 --> 00:45:52,148 I'M NOT SURE, 1172 00:45:52,183 --> 00:45:53,617 BUT IF YOU WANT ME TO STAY WITH IT AND GET IT OPEN, 1173 00:45:53,652 --> 00:45:54,651 I CAN FIND OUT. 1174 00:45:56,121 --> 00:45:57,019 GIVE IT TO HER. 1175 00:45:59,958 --> 00:46:01,291 COME TO ME FIRST. 1176 00:46:01,360 --> 00:46:02,959 I ALWAYS DO. 1177 00:46:02,994 --> 00:46:04,193 AH. 1178 00:46:04,263 --> 00:46:05,295 YEAH, RIGHT. 1179 00:46:20,879 --> 00:46:22,178 HEY, DANI. 1180 00:46:22,247 --> 00:46:23,946 CAN YOU COVER FOR ME AT THE STORE TOMORROW MORNING? 1181 00:46:23,982 --> 00:46:25,482 [BARKING] 1182 00:46:25,517 --> 00:46:26,849 [LOGAN]: COPPER! MITTENS! 1183 00:46:26,885 --> 00:46:27,784 LL DROOL J, COME ON. 1184 00:46:27,819 --> 00:46:28,752 [BARKING] 1185 00:46:31,356 --> 00:46:33,490 DID YOU OPEN UP A DOG PARK IN OUR BACKYARD? 1186 00:46:33,525 --> 00:46:34,791 [BARKING] 1187 00:46:34,826 --> 00:46:36,225 YEAH, IT WAS SUPPOSED 1188 00:46:36,261 --> 00:46:37,527 TO BE A DOG-WALKING BUSINESS. I... 1189 00:46:37,562 --> 00:46:38,595 [BARKING] 1190 00:46:38,630 --> 00:46:39,663 I THOUGHT IT WOULD BE EASIER. 1191 00:46:41,533 --> 00:46:42,499 IT JUST SEEMS LIKE THE END GOAL 1192 00:46:42,534 --> 00:46:43,800 IS GETTING FARTHER AND FARTHER AWAY. 1193 00:46:43,835 --> 00:46:45,769 DON'T WORRY, YOU'LL GET THERE. 1194 00:46:45,804 --> 00:46:47,437 ANYTHING WORTHWHILE TAKES TIME. 1195 00:46:48,507 --> 00:46:49,372 YOU THINK SO? 1196 00:46:49,408 --> 00:46:50,540 I KNOW SO. 1197 00:46:50,609 --> 00:46:52,475 LET ME HELP YOU OUT. 1198 00:46:52,544 --> 00:46:54,076 COME HERE, GUYS. 1199 00:46:54,112 --> 00:46:54,911 COME HERE, YOU. 1200 00:46:54,979 --> 00:46:56,313 WHAT'RE YOU DOING? STOP. 1201 00:47:04,723 --> 00:47:06,222 [KNOCKING] 1202 00:47:12,631 --> 00:47:14,497 [LINE RINGING] 1203 00:47:14,566 --> 00:47:15,965 [VOICE MAIL]: YOU'VE REACHED THE LAW OFFICE MOBILE 1204 00:47:16,034 --> 00:47:16,999 OF ALLAN DEMETRY. 1205 00:47:17,035 --> 00:47:18,368 LEAVE YOUR NAME AND NUMBER, 1206 00:47:18,403 --> 00:47:19,936 AND I WILL RETURN YOUR CALL AS SOON AS POSSIBLE. 1207 00:47:34,820 --> 00:47:36,553 MR. DEMETRY? 1208 00:47:39,758 --> 00:47:41,224 HELLO? 1209 00:47:46,197 --> 00:47:47,764 MR. DEMETRY? 1210 00:48:07,952 --> 00:48:09,352 THANKS. 1211 00:48:09,388 --> 00:48:10,553 [PHONE RINGING] 1212 00:48:14,092 --> 00:48:15,392 HEY, FRANK. 1213 00:48:15,427 --> 00:48:16,493 YOU OPEN THE BOX ALREADY? 1214 00:48:16,528 --> 00:48:19,396 UH... NOT EXACTLY... 1215 00:48:19,431 --> 00:48:21,030 FRANK, I'M AT ALLAN DEMETRY'S HOUSE. 1216 00:48:21,065 --> 00:48:22,031 WELL, IS HE THERE? 1217 00:48:22,066 --> 00:48:24,401 NO, BUT THE SIDE DOOR WAS OPEN, 1218 00:48:24,436 --> 00:48:26,736 AND SOME FURNITURE'S BEEN OVERTURNED, AND... 1219 00:48:26,805 --> 00:48:27,837 WELL, FRANK, IT LOOKS LIKE THERE WAS A STRUGGLE. 1220 00:48:27,873 --> 00:48:29,071 I'M CONCERNED 1221 00:48:29,107 --> 00:48:30,072 SOMETHING MIGHT HAVE HAPPENED TO MR. DEMETRY. 1222 00:48:30,108 --> 00:48:31,608 I'LL SEND SOMEONE OVER A.S.A.P. 1223 00:48:31,676 --> 00:48:33,510 OH, AND, FRANK, ONE MORE THING. 1224 00:48:33,545 --> 00:48:36,880 I THINK TAMARA AND ALLAN WENT TO A CABIN. 1225 00:48:36,915 --> 00:48:38,080 I'M GOING TO SEND YOU A PHOTO. 1226 00:48:38,149 --> 00:48:39,315 LOOK CLOSELY. 1227 00:48:39,350 --> 00:48:41,584 HER REFLECTION IS IN HIS SUNGLASSES. 1228 00:48:41,620 --> 00:48:43,052 OKAY, THANKS, 1229 00:48:43,087 --> 00:48:45,522 BUT PLEASE GET SOMEWHERE SAFE. 1230 00:48:51,797 --> 00:48:54,664 LOON LAKE... THAT'S NOT TOO FAR. 1231 00:49:20,158 --> 00:49:22,625 PUT THE PHONE DOWN! 1232 00:49:24,629 --> 00:49:26,295 WHO ARE YOU? 1233 00:49:28,066 --> 00:49:29,999 I'M A FRIEND OF THE ANDRONICUS FAMILY. 1234 00:49:30,034 --> 00:49:31,434 THEY DON'T HAVE FRIENDS. 1235 00:49:31,470 --> 00:49:32,569 THEY HAVE EMPLOYEES. 1236 00:49:35,073 --> 00:49:37,006 I KNEW TAMARA. 1237 00:49:38,510 --> 00:49:39,642 I'M SORRY. 1238 00:49:39,711 --> 00:49:41,210 I CAN GO AND PRETEND I NEVER SAW ANYTHING. 1239 00:49:41,245 --> 00:49:43,212 WHY ARE YOU HERE? 1240 00:49:45,083 --> 00:49:47,917 YOU'RE THE LAST PERSON TO SEND TAMARA A MESSAGE. 1241 00:49:47,986 --> 00:49:49,185 I WAS HOPING 1242 00:49:49,220 --> 00:49:51,153 YOU COULD SHED SOME LIGHT ON THE "I'M SORRY" TEXT. 1243 00:49:51,222 --> 00:49:53,857 IF YOU CAN FIND ME, HE CAN FIND ME. 1244 00:49:53,892 --> 00:49:55,758 WHO'S HE? 1245 00:49:55,794 --> 00:49:57,560 SAME PERSON WHO GAVE ME THIS... 1246 00:49:57,596 --> 00:49:58,528 HER HUSBAND. 1247 00:49:58,563 --> 00:49:59,562 LUCAS. 1248 00:49:59,631 --> 00:50:00,763 HE'S COMPLETELY LOST IT. 1249 00:50:00,799 --> 00:50:02,098 HE'LL DO ANYTHING TO ANYONE AT THIS POINT. 1250 00:50:02,133 --> 00:50:03,566 EVEN KILL? 1251 00:50:03,602 --> 00:50:04,834 YEAH. 1252 00:50:06,805 --> 00:50:09,138 WHEN DID LUCAS COME AFTER YOU? 1253 00:50:09,207 --> 00:50:11,474 UH, TUESDAY. 1254 00:50:11,510 --> 00:50:13,977 THE SAME DAY TAMARA DIED. 1255 00:50:14,045 --> 00:50:15,778 HE CAME OVER IN A RAGE, 1256 00:50:15,847 --> 00:50:17,179 THINKING SOMETHING WAS GOING ON. 1257 00:50:17,215 --> 00:50:19,248 TAMARA WOULD NEVER ADMIT ANYTHING ABOUT US, 1258 00:50:19,283 --> 00:50:21,551 BUT, APPARENTLY, HIS BROTHER SAW ME 1259 00:50:21,586 --> 00:50:23,052 SNEAKING OUT OF THE HOUSE ON SATURDAY, AND... 1260 00:50:24,589 --> 00:50:26,923 TO BE HONEST, AFTER A YEAR OF HIDING IT, 1261 00:50:26,958 --> 00:50:29,425 I HAD TO TELL HIM THAT I LOVED HER. 1262 00:50:29,460 --> 00:50:31,127 I LOVE HER. 1263 00:50:31,162 --> 00:50:33,062 HOW DID YOU GET AWAY? 1264 00:50:33,097 --> 00:50:35,464 I HAD TO PROMISE TO TEXT AND BREAK IT OFF, 1265 00:50:35,500 --> 00:50:37,066 AND THEN HE STORMED OUT THE FRONT. 1266 00:50:37,101 --> 00:50:38,501 THAT'S THE "I'M SORRY." 1267 00:50:42,273 --> 00:50:43,540 I, UH... 1268 00:50:44,943 --> 00:50:46,809 I DIDN'T KNOW IF HE WAS GOING TO CHANGE HIS MIND 1269 00:50:46,845 --> 00:50:48,444 AND COME BACK. 1270 00:50:48,479 --> 00:50:49,546 I WAS SCARED, 1271 00:50:49,581 --> 00:50:51,047 SO I BOLTED OUT AS QUICK AS I COULD. 1272 00:50:52,551 --> 00:50:54,918 DO YOU THINK LUCAS WENT BACK AND KILLED TAMARA? 1273 00:50:56,421 --> 00:50:57,353 I DO... 1274 00:50:58,523 --> 00:50:59,589 MR. DEMETRY, 1275 00:50:59,624 --> 00:51:02,058 I KNOW THE DETECTIVE ON THIS CASE. 1276 00:51:02,093 --> 00:51:03,927 MAY I CALL HIM AND GET YOU SOME HELP. 1277 00:51:17,375 --> 00:51:19,508 IF THERE'S ONE, THERE'LL BE MORE. 1278 00:51:24,716 --> 00:51:26,015 I GET THAT IT HURTS... 1279 00:51:26,051 --> 00:51:28,084 I REALLY DO... 1280 00:51:29,888 --> 00:51:31,821 BUT THE DIFFERENCE BETWEEN A PROFESSIONAL 1281 00:51:31,856 --> 00:51:34,290 AND AN AMATEUR 1282 00:51:34,325 --> 00:51:35,892 IS THAT THE PRO PLAYS HURT. 1283 00:51:42,934 --> 00:51:44,033 ARE YOU LISTENING? 1284 00:51:49,641 --> 00:51:51,941 SHE WAS REALLY SOMETHING, WASN'T SHE? 1285 00:51:54,412 --> 00:51:55,845 THEY BOTH WERE. 1286 00:51:58,717 --> 00:52:00,883 WE'RE GOING TO SURVIVE THIS. 1287 00:52:00,952 --> 00:52:02,284 WE ALWAYS DO. 1288 00:52:02,320 --> 00:52:03,886 [DOORBELL RINGING] 1289 00:52:14,633 --> 00:52:16,398 LUCAS ANDRONICUS, 1290 00:52:16,434 --> 00:52:17,500 YOU'RE UNDER ARREST 1291 00:52:17,535 --> 00:52:18,668 FOR THE ASSAULT OF ALLAN DEMETRY. 1292 00:52:24,175 --> 00:52:26,322 AH, THE SINGLE LIFE. 1293 00:52:26,372 --> 00:52:27,806 GREAT, ISN'T IT? 1294 00:52:27,841 --> 00:52:29,407 A FREEDOM TO IT. 1295 00:52:29,443 --> 00:52:30,875 NO PRESSURE, 1296 00:52:30,911 --> 00:52:31,843 NO STRESS AT THE END OF THE DAY. 1297 00:52:31,878 --> 00:52:33,511 [RINGING BICYCLE BELL] 1298 00:52:38,318 --> 00:52:39,383 YOU KNOW, I THINK 1299 00:52:39,453 --> 00:52:40,885 THAT REAL FREEDOM'S NOT HAVING TO UPDATE 1300 00:52:40,921 --> 00:52:42,921 YOUR ONLINE RELATIONSHIP STATUS. 1301 00:52:42,956 --> 00:52:44,956 OR TAKING THAT PERFECT COUPLE PROFILE SELFIE 1302 00:52:44,991 --> 00:52:46,190 YOU KNOW THEY TOOK A MILLION TIMES 1303 00:52:46,259 --> 00:52:47,291 JUST TO GET THAT ONE. 1304 00:52:47,327 --> 00:52:48,726 I'M ACTUALLY IN A LONG-TERM RELATIONSHIP 1305 00:52:48,762 --> 00:52:50,662 WITH FUN AND ADVENTURE. 1306 00:52:50,697 --> 00:52:51,930 ME TOO. 1307 00:52:51,965 --> 00:52:52,964 AW. 1308 00:52:55,068 --> 00:52:55,900 WE SHOULD GET OUT OF HERE. 1309 00:52:55,969 --> 00:52:58,603 YEAH, IMMEDIATELY. 1310 00:52:58,638 --> 00:53:00,538 [SCREAMING] 1311 00:53:12,318 --> 00:53:13,685 HMM. 1312 00:53:17,557 --> 00:53:18,523 HI. 1313 00:53:18,558 --> 00:53:19,557 JENN! 1314 00:53:19,626 --> 00:53:20,792 WE'LL KEEP ROLLING. JOIN US? 1315 00:53:20,827 --> 00:53:21,726 OH... 1316 00:53:21,761 --> 00:53:23,695 OKAY, BUT... 1317 00:53:23,730 --> 00:53:26,598 IF THIS PUZZLE BOX TURNS OUT TO BE EVIDENCE, 1318 00:53:26,633 --> 00:53:28,766 WELL, YOU'RE GOING TO HAVE TO CLEAR IT WITH THE POLICE 1319 00:53:28,835 --> 00:53:30,502 TO USE ANY OF THIS FOOTAGE. 1320 00:53:32,171 --> 00:53:34,372 I'LL CHECK INTO THE LEGALITIES OF IT, JENN, 1321 00:53:34,407 --> 00:53:35,473 JUST IN CASE. 1322 00:53:35,509 --> 00:53:36,808 OKAY. 1323 00:53:41,147 --> 00:53:42,814 HEY THERE. 1324 00:53:42,849 --> 00:53:43,781 OOPS, SORRY, DARLING. 1325 00:53:43,817 --> 00:53:44,782 YOU'RE JUST... 1326 00:53:44,818 --> 00:53:45,783 YOU'RE STANDING IN MY LIGHT. 1327 00:53:45,852 --> 00:53:47,519 THERE WE GO. 1328 00:53:47,554 --> 00:53:50,655 YOU'RE REALLY WARMING UP TO THE CAMERAS, HUH? 1329 00:53:50,724 --> 00:53:52,590 "I'M READY FOR MY CLOSE-UP..." 1330 00:53:52,659 --> 00:53:53,658 BUT I ACTUALLY AM. 1331 00:53:53,693 --> 00:53:54,826 I CAN SEE THAT. 1332 00:53:54,861 --> 00:53:55,894 OKAY, THAT'S, UM... 1333 00:53:55,929 --> 00:53:56,794 OW... 1334 00:53:58,532 --> 00:54:00,197 LET'S GET READY TO GO. 1335 00:54:00,266 --> 00:54:02,233 ARE YOU OKAY? 1336 00:54:02,268 --> 00:54:04,468 OH. 1337 00:54:04,504 --> 00:54:07,071 YEAH, YEAH, IT'S JUST AN OLD FOOTBALL INJURY. 1338 00:54:07,106 --> 00:54:08,239 FLARES UP ONCE IN A WHILE. 1339 00:54:11,778 --> 00:54:13,110 I DID FIND SUBSTANTIAL AMOUNTS 1340 00:54:13,146 --> 00:54:15,079 OF MORPHINE SULFATE IN HER MOUTH. 1341 00:54:15,114 --> 00:54:16,180 ALL RIGHT, WE'RE READY. 1342 00:54:16,215 --> 00:54:16,981 LET'S GET TO IT. 1343 00:54:17,017 --> 00:54:18,950 ALL RIGHT, SO... 1344 00:54:18,985 --> 00:54:20,919 THE PUZZLE BOX MAGICALLY REAPPEARS. 1345 00:54:20,954 --> 00:54:22,486 SEEMS THERE'S SOMETHING MORE TO THE MYSTERY AFTER ALL, 1346 00:54:22,522 --> 00:54:23,354 DON'T YOU THINK? 1347 00:54:25,859 --> 00:54:27,191 UM.. 1348 00:54:27,226 --> 00:54:29,126 YEAH, UH... CUT? 1349 00:54:29,162 --> 00:54:30,461 UM... 1350 00:54:30,496 --> 00:54:31,930 YOU KNOW, THE FAMILY HAS BEEN THROUGH SO MUCH. 1351 00:54:31,965 --> 00:54:32,864 ARE YOU SURE 1352 00:54:32,899 --> 00:54:34,331 THERE'S NOT A WAY 1353 00:54:34,367 --> 00:54:35,934 WE CAN'T RESTRUCTURE THIS EPISODE 1354 00:54:35,969 --> 00:54:37,735 AND FOCUS ON ANOTHER ANTIQUE IN THE STORE? 1355 00:54:39,639 --> 00:54:40,772 UH, WELL, JENN, 1356 00:54:40,807 --> 00:54:43,074 THE BOX IS THE EPISODE... 1357 00:54:43,109 --> 00:54:45,476 BUT, I MEAN, THEIR NAME WON'T BE ON IT. 1358 00:54:45,511 --> 00:54:46,510 I DEFINITELY DON'T HAVE THE MONEY 1359 00:54:46,546 --> 00:54:48,813 TO FIGHT THE ANDRONICUS FAMILY IN COURT. 1360 00:54:50,917 --> 00:54:52,483 FAMILY. 1361 00:54:52,518 --> 00:54:54,318 OH, I KNOW THAT LOOK. 1362 00:54:54,387 --> 00:54:56,020 THE FAMILY CREST, OF COURSE. 1363 00:54:56,056 --> 00:54:58,322 THE CREST IS THE FIRST CIPHER! 1364 00:54:58,357 --> 00:54:59,591 YES. 1365 00:55:13,172 --> 00:55:15,640 WELL, I WAS HOPING FOR SOMETHING MORE THAN THAT. 1366 00:55:15,675 --> 00:55:17,374 OH, IT'S OKAY. YOU'LL GET IT. 1367 00:55:17,410 --> 00:55:19,176 [KAT]: THAT'S LUNCH, EVERYONE. 1368 00:55:22,816 --> 00:55:24,616 [GRUNTING] 1369 00:55:25,719 --> 00:55:27,418 WHAT? 1370 00:55:27,453 --> 00:55:29,553 [JENN]: JOEL'S LEG. 1371 00:55:29,589 --> 00:55:31,188 IT'S THE SAME ONE THE STORE THIEF FELL ON 1372 00:55:31,224 --> 00:55:33,725 WHEN HE WAS TRYING TO RUN AWAY. 1373 00:55:33,760 --> 00:55:34,892 HAS HE BEEN LIMPING THE WHOLE TIME? 1374 00:55:34,928 --> 00:55:36,360 NOT THAT I NOTICED, 1375 00:55:36,395 --> 00:55:38,195 BUT WHY WOULD JOEL STEAL THE BOX? 1376 00:55:38,264 --> 00:55:39,597 I DON'T KNOW. 1377 00:55:41,134 --> 00:55:42,900 IN THE MEANTIME, WE'LL KEEP AN EYE ON JOEL 1378 00:55:42,969 --> 00:55:44,301 FOR ANYTHING OUT OF THE ORDINARY, 1379 00:55:44,337 --> 00:55:46,037 ESPECIALLY IF IT HAS TO DO WITH THE ANDRONICUS FAMILY. 1380 00:55:46,072 --> 00:55:47,071 RIGHT. 1381 00:55:47,107 --> 00:55:49,206 ANDRONICUS FAMILY! 1382 00:55:49,242 --> 00:55:50,341 QUIN ANDRONICUS... 1383 00:55:50,376 --> 00:55:51,308 HE USED TO DO THESE PUZZLE BOXES 1384 00:55:51,344 --> 00:55:52,376 WITH HIS MOM. 1385 00:55:52,411 --> 00:55:53,544 MAYBE HE COULD HELP ME FIGURE IT OUT. 1386 00:55:53,579 --> 00:55:54,879 IS THAT SAFE? 1387 00:55:54,948 --> 00:55:56,814 WELL, I'LL MEET HIM IN A PUBLIC PLACE. 1388 00:55:56,850 --> 00:55:57,782 A VERY PUBLIC PLACE. 1389 00:55:57,817 --> 00:55:59,917 THE LOBBY OF HIS MOTEL, 1390 00:55:59,986 --> 00:56:01,485 AND I'LL LET FRANK KNOW WHERE I AM. 1391 00:56:01,521 --> 00:56:02,520 ALL RIGHT. 1392 00:56:02,588 --> 00:56:03,855 I KNOW WHERE YOU ARE, TOO. 1393 00:56:03,890 --> 00:56:05,089 [LAUGHING] 1394 00:56:05,158 --> 00:56:07,358 YOU LOOK GOOD FOR YOUR CLOSE-UP. 1395 00:56:07,426 --> 00:56:08,926 THANK YOU. 1396 00:56:13,466 --> 00:56:14,565 NEW HOME-REPAIR BUSINESS? 1397 00:56:14,600 --> 00:56:17,168 150 BUCKS PER COMPUTER. 1398 00:56:17,203 --> 00:56:19,003 MOSTLY SOFTWARE ISSUES SO FAR. 1399 00:56:19,039 --> 00:56:21,072 THAT'S A GREAT START. 1400 00:56:21,107 --> 00:56:22,273 YEAH... 1401 00:56:22,341 --> 00:56:24,508 BUT COMPUBARN HAS THE MARKET COMPLETELY CORNERED 1402 00:56:24,544 --> 00:56:25,977 AROUND HERE. 1403 00:56:26,012 --> 00:56:28,012 I'LL BE LUCKY TO FIND A FEW MORE CUSTOMERS, 1404 00:56:28,048 --> 00:56:30,481 AND EVEN THEN, I'M GOING TO COME UP SHORT. 1405 00:56:30,516 --> 00:56:31,816 YOU CAN ALWAYS DIVERSIFY. 1406 00:56:31,885 --> 00:56:33,685 WHAT COULD I DO? 1407 00:56:33,720 --> 00:56:35,887 SOMETHING THAT YOU ALREADY KNOW AND LOVE. 1408 00:56:40,259 --> 00:56:41,159 THAT'S IT. 1409 00:56:42,729 --> 00:56:44,395 THE FAMILY BUSINESS. 1410 00:56:44,430 --> 00:56:46,630 A ONE-DAY ONLINE MASSIVE GARAGE SALE. 1411 00:56:46,666 --> 00:56:48,432 ALL MY COLLECTIBLES AND COMICS. 1412 00:56:49,769 --> 00:56:51,102 ONLY IF YOU'RE SURE. 1413 00:56:51,171 --> 00:56:53,204 YEAH, I'M SURE. 1414 00:56:54,273 --> 00:56:55,773 GOOD. 1415 00:56:58,544 --> 00:57:01,145 AND THEN YOU JUST JUMPED INTO THE AIR AND TACKLED HIM, 1416 00:57:01,214 --> 00:57:02,446 RIGHT THERE. 1417 00:57:02,515 --> 00:57:04,515 I'VE NEVER SEEN ANYTHING LIKE IT. 1418 00:57:04,550 --> 00:57:06,818 I PLAYED A LOT OF FOOTBALL IN HIGH SCHOOL. 1419 00:57:06,886 --> 00:57:08,820 WELL, AS FAR AS HANGOUTS GO, 1420 00:57:08,855 --> 00:57:10,822 THAT ONE IS GOING TO BE A HARD ONE TO TOP. 1421 00:57:10,857 --> 00:57:13,224 SO I GET ANOTHER HANGOUT? 1422 00:57:13,259 --> 00:57:14,692 OF COURSE... 1423 00:57:14,728 --> 00:57:15,860 IF YOU WANT ONE. 1424 00:57:15,895 --> 00:57:17,128 OF COURSE. 1425 00:57:18,898 --> 00:57:20,264 SO... 1426 00:57:20,333 --> 00:57:22,299 SO... 1427 00:57:22,335 --> 00:57:23,500 YOU HAVE MY NUMBER. 1428 00:57:23,569 --> 00:57:24,435 WE SHOULD... 1429 00:57:24,470 --> 00:57:25,837 HANG OUT. 1430 00:57:25,872 --> 00:57:26,738 A LOT. 1431 00:57:26,806 --> 00:57:28,606 WE SHOULD. 1432 00:57:28,641 --> 00:57:29,874 [LAUGHING] 1433 00:57:29,909 --> 00:57:30,842 CALL ME. 1434 00:57:30,877 --> 00:57:31,976 I WILL. 1435 00:57:38,151 --> 00:57:40,084 [PHONE RINGING] 1436 00:57:43,556 --> 00:57:44,989 CAN I MAKE YOU DINNER SOMETIME? 1437 00:57:45,024 --> 00:57:46,290 ANYTIME. 1438 00:57:46,325 --> 00:57:47,558 PERFECT. 1439 00:57:47,593 --> 00:57:49,060 BYE. 1440 00:57:59,639 --> 00:58:01,505 [DIALING] 1441 00:58:01,540 --> 00:58:02,974 [FRANK]: LYNWOOD. LEAVE A MESSAGE. 1442 00:58:03,009 --> 00:58:04,208 OH, HEY, FRANK, IT'S JENN. 1443 00:58:04,244 --> 00:58:06,244 I'M AT THE OVERVIEW MOTEL. 1444 00:58:06,279 --> 00:58:07,411 CAN YOU DO ME A FAVOR 1445 00:58:07,446 --> 00:58:08,946 AND RUN A BACKGROUND CHECK ON JOEL JACOBS, 1446 00:58:08,982 --> 00:58:10,782 THAT PRODUCER FROM THE STORE? 1447 00:58:10,817 --> 00:58:12,716 HE STARTED LIMPING RIGHT AFTER THE BREAK-IN, 1448 00:58:12,752 --> 00:58:14,852 AND HE WAS THE LAST PERSON TO TOUCH THE PUZZLE BOX 1449 00:58:14,921 --> 00:58:16,720 BEFORE IT WENT MISSING. 1450 00:58:16,756 --> 00:58:18,622 I DON'T KNOW, MAYBE THERE'S A CONNECTION. 1451 00:58:18,658 --> 00:58:19,523 I'LL CHECK IN WITH YOU LATER. 1452 00:58:19,558 --> 00:58:20,958 BYE. 1453 00:58:22,061 --> 00:58:22,927 I'M ASSUMING YOU'RE JENN? 1454 00:58:24,230 --> 00:58:25,163 I AM. 1455 00:58:25,198 --> 00:58:26,330 QUIN. 1456 00:58:26,365 --> 00:58:28,465 HOW CAN I HELP YOU? 1457 00:58:32,605 --> 00:58:34,238 YOUR MOTHER'S WORK WAS SO INTRICATE. 1458 00:58:34,274 --> 00:58:36,974 SHE WAS THE BEST... 1459 00:58:37,010 --> 00:58:38,442 AT EVERYTHING. 1460 00:58:40,213 --> 00:58:42,046 I WAS SORRY TO HEAR ABOUT HER PASSING, 1461 00:58:42,081 --> 00:58:43,114 AND LUCAS' ARREST. 1462 00:58:44,483 --> 00:58:45,582 THEY ARRESTED HIM? 1463 00:58:45,618 --> 00:58:46,550 ON WHAT? 1464 00:58:46,585 --> 00:58:48,452 ASSAULT. 1465 00:58:48,487 --> 00:58:49,821 I'M SORRY, I THOUGHT YOU KNEW. 1466 00:58:51,390 --> 00:58:52,423 WAS IT ALLAN DEMETRY? 1467 00:58:53,993 --> 00:58:55,092 WHAT MAKES YOU THINK THAT? 1468 00:58:56,329 --> 00:58:57,661 IF YOU SAW THE WAY DEMETRY LOOKED AT TAMARA, 1469 00:58:57,697 --> 00:58:59,797 YOU'D KNOW THERE WAS ALWAYS SOMETHING THERE. 1470 00:58:59,833 --> 00:59:00,998 LUCAS JUST NEVER SAW IT, 1471 00:59:01,034 --> 00:59:02,200 OR MAYBE HE DIDN'T WANT TO. 1472 00:59:05,371 --> 00:59:06,804 NOT MEANING TO PRY... 1473 00:59:06,840 --> 00:59:07,905 PRY AWAY. 1474 00:59:07,941 --> 00:59:10,541 WHEN WAS THE LAST TIME YOU TALKED TO LUCAS? 1475 00:59:10,576 --> 00:59:12,776 UH, WELL... 1476 00:59:12,812 --> 00:59:13,811 HAVEN'T SPOKEN TO HIM MUCH 1477 00:59:13,880 --> 00:59:15,512 IN THE LAST YEAR. 1478 00:59:15,548 --> 00:59:17,514 I DID SPEAK TO MY MOM EVERY DAY. 1479 00:59:17,550 --> 00:59:18,415 I WAS TALKING TO HER FRIDAY 1480 00:59:18,451 --> 00:59:20,517 WHEN THE CALL DROPPED. 1481 00:59:20,553 --> 00:59:21,919 I TRIED TO PHONE BACK, BUT THERE WAS NO ANSWER, 1482 00:59:21,988 --> 00:59:24,722 AND THEN I REACHED OUT TO LUCAS. 1483 00:59:24,757 --> 00:59:25,923 HE HADN'T HEARD FROM HER EITHER, 1484 00:59:25,959 --> 00:59:27,892 SO... 1485 00:59:27,961 --> 00:59:29,360 WHEN NONE OF MY TEXTS, EMAILS, 1486 00:59:29,428 --> 00:59:30,394 OR CALLS WERE RETURNED, 1487 00:59:30,429 --> 00:59:31,562 I DECIDED TO FLY HOME, 1488 00:59:31,597 --> 00:59:34,932 AND THAT'S WHEN I SAW TAMARA AND DEMETRY. 1489 00:59:34,968 --> 00:59:36,467 DID YOU TELL LUCAS WHAT YOU SAW? 1490 00:59:36,502 --> 00:59:37,735 I DID. 1491 00:59:37,770 --> 00:59:39,871 NOW I'M GUESSING MY CALL ALONG WITH MOM'S SILENCE 1492 00:59:39,906 --> 00:59:40,872 MADE HIM FLY OUT. 1493 00:59:40,940 --> 00:59:43,040 DO YOU THINK IT'S POSSIBLE 1494 00:59:43,076 --> 00:59:44,408 THAT LUCAS COULD HAVE SOMETHING TO DO 1495 00:59:44,443 --> 00:59:45,709 WITH TAMARA'S DEATH? 1496 00:59:45,778 --> 00:59:48,746 I DON'T THINK HE'D HURT THE ONE PERSON HE LOVED 1497 00:59:48,781 --> 00:59:50,381 MORE THAN HIMSELF. 1498 00:59:52,752 --> 00:59:54,919 YOU KNOW THE WORST PART? 1499 00:59:54,954 --> 00:59:56,954 I'M NOT EVEN SAD SHE'S GONE. 1500 00:59:56,990 --> 00:59:58,022 [SIGHING] 1501 00:59:58,091 --> 00:59:59,456 OH, I'M SORRY, I'M... 1502 00:59:59,492 --> 01:00:00,424 INQUISITIVE. IT'S FINE. 1503 01:00:00,459 --> 01:00:01,425 I'M THE SAME WAY. 1504 01:00:01,494 --> 01:00:02,860 I JUST NEED SOME TIME TO REFOCUS. 1505 01:00:02,896 --> 01:00:04,095 OF COURSE. 1506 01:00:07,267 --> 01:00:08,699 DO YOU KNOW THE PATTERN? 1507 01:00:10,636 --> 01:00:12,436 NO, BUT I KNOW THE SYMBOLS, 1508 01:00:12,505 --> 01:00:14,038 AND I KNOW THE WAY SHE THOUGHT. 1509 01:00:14,073 --> 01:00:16,908 WHATEVER MOM WAS HIDING MUST'VE BEEN IMPORTANT. 1510 01:00:16,943 --> 01:00:18,842 HIDING FROM WHO? 1511 01:00:18,878 --> 01:00:21,578 I DON'T KNOW... YET... 1512 01:00:21,614 --> 01:00:23,747 BUT THIS SPIRAL DRAWN THIS WAY 1513 01:00:23,783 --> 01:00:25,416 MEANS "FAMILY", 1514 01:00:25,484 --> 01:00:27,018 BUT IF YOU TAKE THE SAME SYMBOL 1515 01:00:27,086 --> 01:00:28,286 AND TURN IT UPSIDE DOWN, 1516 01:00:28,321 --> 01:00:29,787 THEN IT MEANS "DANGER." 1517 01:00:31,224 --> 01:00:33,257 IT'S LIKE SHE WAS SENDING US RIDDLES FROM THE GRAVE. 1518 01:00:33,293 --> 01:00:36,193 ALMOST LIKE SHE KNEW SHE WAS IN DANGER? 1519 01:00:37,297 --> 01:00:39,297 THESE TWO TEAR SYMBOLS... 1520 01:00:39,332 --> 01:00:40,631 IF YOU PUT THEM SIDE-BY-SIDE, 1521 01:00:40,699 --> 01:00:42,866 THEY BECOME THE INFINITY SIGN. 1522 01:00:42,902 --> 01:00:44,101 COUPLED WITH THE SWIRL FOR "FAMILY" 1523 01:00:44,137 --> 01:00:45,002 AND THE GREEK VERB FOR "IS," 1524 01:00:45,071 --> 01:00:46,370 IT BECOMES... 1525 01:00:46,406 --> 01:00:48,639 [TOGETHER]: "FAMILY IS FOREVER." 1526 01:00:52,145 --> 01:00:53,110 I'M SORRY. 1527 01:00:53,179 --> 01:00:55,313 UH, I HAVE TO GO. 1528 01:00:55,348 --> 01:00:57,081 IF YOU'D LIKE, 1529 01:00:57,116 --> 01:00:59,250 I COULD TAKE IT AND WORK ON IT TONIGHT. 1530 01:00:59,319 --> 01:01:00,651 WELL, ACTUALLY, I'D LIKE TO HANG ON TO IT, 1531 01:01:00,686 --> 01:01:02,286 BUT MAYBE I COULD COME BY TOMORROW? 1532 01:01:02,322 --> 01:01:04,422 SURE. 1533 01:01:04,457 --> 01:01:06,890 JUST BE CAREFUL. 1534 01:01:06,960 --> 01:01:07,825 THE LAST PEOPLE TO TOUCH IT 1535 01:01:07,860 --> 01:01:08,960 TURNED UP DEAD. 1536 01:01:20,539 --> 01:01:22,706 [PHONE RINGING] 1537 01:01:22,741 --> 01:01:23,874 HEY, FRANK. 1538 01:01:23,943 --> 01:01:25,576 DEMETRY LET US PING HIS CELL, 1539 01:01:25,611 --> 01:01:26,877 WHICH GAVE US THE LOCATION 1540 01:01:26,912 --> 01:01:28,512 OF WHERE HE SENT THE "I'M SORRY" TEXT. 1541 01:01:28,547 --> 01:01:29,847 WHERE WAS HE? 1542 01:01:29,882 --> 01:01:31,182 HE WAS AT HOME, 1543 01:01:31,250 --> 01:01:33,017 AN HOUR AWAY FROM THE ANDRONICUS HOUSE. 1544 01:01:33,052 --> 01:01:34,685 DID YOU FIND ANYTHING ON JOEL? 1545 01:01:34,720 --> 01:01:36,120 CALLED AROUND. 1546 01:01:36,155 --> 01:01:38,122 IT SEEMS YOUR PRODUCER FRIEND IS IN SOME SERIOUS DEBT 1547 01:01:38,157 --> 01:01:39,223 WITH SOME VERY BAD PEOPLE. 1548 01:01:39,258 --> 01:01:40,191 HOW BAD? 1549 01:01:40,226 --> 01:01:41,158 WORST. 1550 01:01:41,194 --> 01:01:42,293 LOAN SHARKS. 1551 01:01:42,328 --> 01:01:44,261 STEEP INTEREST, BIG CONSEQUENCES. 1552 01:01:44,297 --> 01:01:45,396 SO JOEL MIGHT NEED MONEY 1553 01:01:45,431 --> 01:01:46,330 IF THE SHOW FALLS THROUGH 1554 01:01:46,366 --> 01:01:47,431 TO PAY OFF HIS DEBT? 1555 01:01:47,467 --> 01:01:49,066 WELL, YEAH. 1556 01:01:49,102 --> 01:01:51,502 JOEL MIGHT HAVE GONE OVER TO ASK FOR SOME CASH. 1557 01:01:51,537 --> 01:01:53,037 SOMEHOW, THINGS GET HEATED. 1558 01:01:53,106 --> 01:01:55,973 WHICH WOULD GIVE HIM MOTIVATION TO KILL EITHER ONE OF THEM. 1559 01:01:56,009 --> 01:01:57,341 IF QUIN'S ALIBI HOLDS, 1560 01:01:57,377 --> 01:01:59,510 ONLY JOEL AND LUCAS ARE LEFT AS SUSPECTS. 1561 01:01:59,578 --> 01:02:02,179 TRUE, AND? 1562 01:02:02,215 --> 01:02:04,048 FRANK, IS IT POSSIBLE 1563 01:02:04,117 --> 01:02:05,782 THAT JOEL COULD HAVE KILLED ELIZABETH FOR MONEY, 1564 01:02:05,818 --> 01:02:08,386 AND LUCAS KILLED TAMARA OUT OF A JEALOUS RAGE? 1565 01:02:08,421 --> 01:02:09,686 YOU'RE SUGGESTING TWO DIFFERENT KILLERS? 1566 01:02:09,722 --> 01:02:10,921 MAYBE... 1567 01:02:10,956 --> 01:02:12,556 WITH TWO DIFFERENT MOTIVES. 1568 01:02:12,591 --> 01:02:13,557 HMM. 1569 01:02:17,390 --> 01:02:20,757 EVERYTHING I KNOW, I'VE ANSWERED. 1570 01:02:20,826 --> 01:02:23,127 WELL, MAYBE I'LL TELL YOU WHAT I KNOW. 1571 01:02:23,162 --> 01:02:24,928 I KNOW THAT TAMARA WAS HAVING AN AFFAIR 1572 01:02:24,963 --> 01:02:26,296 FOR A WHILE, 1573 01:02:26,332 --> 01:02:29,633 SOMETHING YOU PROBABLY ALREADY ASSUMED WAS GOING ON, 1574 01:02:29,668 --> 01:02:33,170 WHICH LED YOU RIGHT OVER TO ASSAULT ALLAN DEMETRY. 1575 01:02:33,205 --> 01:02:35,472 I ASSUME YOUR SHIRT GOT RIPPED IN THAT FIGHT 1576 01:02:35,508 --> 01:02:38,108 AND NOT IN THE CAR DOOR LIKE YOU ORIGINALLY TOLD ME. 1577 01:02:38,177 --> 01:02:39,976 I WAS LYING BEFORE. 1578 01:02:40,012 --> 01:02:40,977 NOT NOW. 1579 01:02:41,013 --> 01:02:42,379 AND AFTER THE FIGHT, 1580 01:02:42,415 --> 01:02:44,515 WELL, YOU WERE FEELING RILED UP, 1581 01:02:44,550 --> 01:02:46,016 SO YOU WENT BACK HOME 1582 01:02:46,052 --> 01:02:47,617 AND SETTLED THE SCORE WITH YOUR WIFE. 1583 01:02:47,653 --> 01:02:49,019 I WOULD NEVER... 1584 01:02:49,055 --> 01:02:50,954 MY CLIENT IS ONLY TO BE QUESTIONED FOR THE ASSAULT. 1585 01:02:52,824 --> 01:02:53,790 OKAY. 1586 01:02:53,825 --> 01:02:55,992 SO... DID YOU ASSAULT MR. DEMETRY? 1587 01:02:56,028 --> 01:02:58,362 WELL, WOULDN'T YOU? 1588 01:02:58,431 --> 01:03:00,630 SHE WAS EVERYTHING TO ME, MY LIFE. 1589 01:03:00,699 --> 01:03:01,965 HE TOOK THAT FROM ME. 1590 01:03:02,000 --> 01:03:04,268 SO YOU TOOK IT BACK FROM HIM, RIGHT? 1591 01:03:04,303 --> 01:03:07,237 'CAUSE IF YOU CAN'T HAVE HER, NEITHER CAN HE. 1592 01:03:07,273 --> 01:03:08,372 DON'T ANSWER THAT. 1593 01:03:10,109 --> 01:03:12,742 I DIDN'T KILL MY WIFE. 1594 01:03:12,778 --> 01:03:14,811 I LOVE HER. 1595 01:03:14,846 --> 01:03:16,413 I ALWAYS WILL. 1596 01:03:18,184 --> 01:03:19,516 CAN YOU TELL ME 1597 01:03:19,552 --> 01:03:21,952 WHY THERE WAS A BOTTLE OF PEANUT OIL IN YOUR RECYCLING, 1598 01:03:21,987 --> 01:03:24,321 DESPITE YOUR MOTHER BEING SO DEATHLY ALLERGIC TO IT? 1599 01:03:24,356 --> 01:03:27,424 I'VE NEVER SEEN ANY OIL, AND I WOULD NEVER BUY IT. 1600 01:03:27,460 --> 01:03:28,658 WHY DON'T YOU ASK THE STAFF? 1601 01:03:28,694 --> 01:03:30,561 OH, THEY SAID THE SAME THING. 1602 01:03:30,596 --> 01:03:32,829 MY MOTHER DIED FROM FALLING DOWN THE STAIRS. 1603 01:03:32,864 --> 01:03:34,531 WHILE POSSIBLY HAVING A HEART ATTACK 1604 01:03:34,567 --> 01:03:36,233 CAUSED BY ANAPHYLACTIC SHOCK 1605 01:03:36,268 --> 01:03:38,102 BROUGHT ON BY PEANUT OIL. 1606 01:03:38,137 --> 01:03:39,570 WE'RE STILL WAITING TO HEAR BACK 1607 01:03:39,605 --> 01:03:41,171 THE FINALIZED AUTOPSY, BUT... 1608 01:03:41,207 --> 01:03:43,974 THIS ISN'T LOOKING GOOD FOR YOU. 1609 01:03:44,009 --> 01:03:46,610 I WAS AT DEMETRY'S. 1610 01:03:46,678 --> 01:03:47,611 I WASN'T ANYWHERE NEAR THAT HOUSE 1611 01:03:47,646 --> 01:03:49,613 WHEN TAMARA DIED. 1612 01:03:49,648 --> 01:03:50,914 DEMETRY'S HOUSE ACROSS THE BRIDGE? 1613 01:03:50,949 --> 01:03:52,449 YES. 1614 01:03:52,518 --> 01:03:53,517 SO? 1615 01:03:53,552 --> 01:03:54,618 SO IT'S A TOLL BRIDGE. 1616 01:03:54,653 --> 01:03:56,886 MEANS THERE'S A TIME-STAMPED PICTURE 1617 01:03:56,922 --> 01:03:58,788 OF YOUR CAR CROSSING EITHER WAY. 1618 01:04:00,126 --> 01:04:01,125 WHICH WILL SHOW YOU 1619 01:04:01,160 --> 01:04:03,059 THAT I WASN'T ANYWHERE NEAR TAMARA. 1620 01:04:04,230 --> 01:04:05,462 LET'S HOPE FOR YOUR SAKE. 1621 01:04:20,279 --> 01:04:22,513 [LINE RINGING] 1622 01:04:22,548 --> 01:04:23,447 [HANNAH]: HELLO? 1623 01:04:23,482 --> 01:04:24,314 HEY, HANNAH. 1624 01:04:24,350 --> 01:04:26,116 WHAT'RE YOU UP TO? 1625 01:04:26,152 --> 01:04:27,817 I WAS THINKING 1626 01:04:27,853 --> 01:04:29,620 OF HANGING UP THE HANGOUTS. 1627 01:04:29,655 --> 01:04:32,556 YOU SAID DINNER ANYTIME, SO WHAT ABOUT NOW? 1628 01:04:33,992 --> 01:04:37,127 WELL, I AM STILL IN YOUR NEIGHBORHOOD. 1629 01:04:37,163 --> 01:04:38,629 GIVE ME ABOUT 10 MINUTES OR SO? 1630 01:04:38,697 --> 01:04:39,596 I'LL SEE YOU THEN. 1631 01:04:39,665 --> 01:04:41,165 OKAY, BYE. 1632 01:04:58,617 --> 01:05:00,250 HOW'S IT GOING? 1633 01:05:01,920 --> 01:05:03,487 I KIND OF DON'T WANT TO SELL THESE. 1634 01:05:04,923 --> 01:05:06,256 I DON'T KNOW. 1635 01:05:06,292 --> 01:05:07,924 IT'S LIKE MY YOUTH GONE, MAYBE? 1636 01:05:07,959 --> 01:05:10,927 1980 MONGO BMX. 1637 01:05:10,962 --> 01:05:12,128 WHAT? 1638 01:05:12,164 --> 01:05:13,129 STUNT BIKE. 1639 01:05:13,199 --> 01:05:15,332 BLACK RIMS, CHROME PAINT. 1640 01:05:15,367 --> 01:05:17,767 IT WAS THE COOLEST THING ON TWO WHEELS, 1641 01:05:17,803 --> 01:05:20,003 AND THOSE LAST DAYS OF SUMMER, JUMPING AT THE TRACK, 1642 01:05:20,038 --> 01:05:21,238 I THOUGHT I COULD TOUCH THE SKY 1643 01:05:21,273 --> 01:05:22,972 IF ONLY I GOT HIGH ENOUGH. 1644 01:05:23,008 --> 01:05:23,907 YOU USED TO JUMP? 1645 01:05:23,942 --> 01:05:24,941 OH, YEAH. 1646 01:05:25,010 --> 01:05:27,644 I WAS WAY COOLER BACK IN THE DAY, 1647 01:05:27,680 --> 01:05:30,780 YOU KNOW, BEFORE RESPONSIBILITIES 1648 01:05:30,849 --> 01:05:34,518 AND BILLS AND LIFE AND ALL THAT STUFF. 1649 01:05:34,587 --> 01:05:36,119 WHY DID YOU STOP? 1650 01:05:36,188 --> 01:05:38,522 BROKE MY COLLARBONE IN THREE PLACES. 1651 01:05:38,557 --> 01:05:39,590 OUCH. 1652 01:05:39,625 --> 01:05:42,025 THEN GRANDMA MADE ME RETIRE. 1653 01:05:42,060 --> 01:05:42,859 SHE MADE YOU SELL THE BIKE? 1654 01:05:42,894 --> 01:05:43,860 NO, 1655 01:05:43,895 --> 01:05:46,730 BUT I DID END UP SELLING IT. 1656 01:05:46,765 --> 01:05:48,398 GOT A DECENT AMOUNT OF CASH FOR IT BACK THEN, 1657 01:05:48,434 --> 01:05:51,167 CASH THAT I USED AS A DEPOSIT ON MY FIRST CAR. 1658 01:05:51,203 --> 01:05:52,603 I'M GUESSING LIKE THE CAR I SMASHED OUTSIDE? 1659 01:05:52,638 --> 01:05:54,871 EXACTLY... 1660 01:05:54,906 --> 01:05:55,939 BUT THAT'S WHEN I LEARNED 1661 01:05:55,974 --> 01:05:58,375 THAT THOUGH MY BMX DAYS WERE OVER, 1662 01:05:58,410 --> 01:05:59,343 THERE WAS STILL A LOT OF GREAT THINGS 1663 01:05:59,378 --> 01:06:00,810 YET TO COME, 1664 01:06:00,846 --> 01:06:02,912 LIKE MEETING YOUR MOM, 1665 01:06:02,948 --> 01:06:04,214 HAVING THE TWO OF YOU... 1666 01:06:04,250 --> 01:06:06,383 IT'S STILL THE BEST TRADE I'VE EVER MADE. 1667 01:06:08,019 --> 01:06:10,587 SO I GUESS MY COMICS AND MY COLLECTIBLES, 1668 01:06:10,623 --> 01:06:12,389 THEY'RE MY BMX? 1669 01:06:12,424 --> 01:06:14,824 YEAH... 1670 01:06:14,893 --> 01:06:17,994 AND YOU'RE GOING TO TRADE UP, TOO. 1671 01:06:18,029 --> 01:06:19,195 I AM. 1672 01:06:19,231 --> 01:06:20,830 YEAH. 1673 01:06:24,803 --> 01:06:25,869 [DOORBELL RINGING] 1674 01:06:30,242 --> 01:06:31,808 HANN... 1675 01:06:31,843 --> 01:06:32,776 NOT. 1676 01:06:32,811 --> 01:06:34,578 SURPRISE! 1677 01:06:34,613 --> 01:06:36,780 AVA! 1678 01:06:53,165 --> 01:06:55,432 OH, I'M SORRY I'M LATE, EVERYONE. 1679 01:06:55,467 --> 01:06:57,200 [DANI]: IS EVERYTHING OKAY? 1680 01:06:57,235 --> 01:06:59,303 I'M NOT SURE. FRANK'S ON HIS WAY HERE. 1681 01:06:59,338 --> 01:07:01,137 LADIES, WE READY TO GO? 1682 01:07:01,173 --> 01:07:02,071 YES. 1683 01:07:03,108 --> 01:07:04,007 [PHONE RINGING] 1684 01:07:07,979 --> 01:07:09,413 MR. SOSNIAK! 1685 01:07:09,448 --> 01:07:11,682 IT'S GOOD TO HEAR FROM YOU. 1686 01:07:11,750 --> 01:07:13,717 YOU KNOW, I HAVE TO TELL YOU, 1687 01:07:13,752 --> 01:07:15,652 I WAS CUTTING SOME FOOTAGE LAST NIGHT, 1688 01:07:15,688 --> 01:07:17,754 AND IT IS REALLY COMING TOGETHER. 1689 01:07:17,790 --> 01:07:19,389 -THAT'S GOOD. -THAT'S WONDERFUL. 1690 01:07:19,425 --> 01:07:20,357 YOU KNOW, I WASN'T SURE 1691 01:07:20,392 --> 01:07:21,725 BEFORE THE LOCATION SCOUT 1692 01:07:21,760 --> 01:07:23,794 THAT COMING ALL THIS WAY WAS GOING TO BE WORTH IT, 1693 01:07:23,829 --> 01:07:26,396 BUT THIS TOWN, IT'S... IT'S REALLY GROWN ON ME. 1694 01:07:26,432 --> 01:07:28,398 LOCATION SCOUT? 1695 01:07:28,434 --> 01:07:30,300 OH, YEAH, THAT'S WHEN CREWS GO TO PLACES 1696 01:07:30,336 --> 01:07:31,735 BEFORE WE SHOOT 1697 01:07:31,770 --> 01:07:34,170 JUST TO MAKE SURE THE LOCATION'S WHAT WE'RE LOOKING FOR. 1698 01:07:34,206 --> 01:07:35,905 I THOUGHT JOEL KNEW ABOUT THIS TOWN 1699 01:07:35,941 --> 01:07:36,873 BECAUSE HE GREW UP HERE. 1700 01:07:36,908 --> 01:07:38,007 [KAT]: OH, HE DID, 1701 01:07:38,043 --> 01:07:39,643 BUT HE STILL HAS TO SELL IT TO INVESTORS 1702 01:07:39,678 --> 01:07:40,811 AND MAKE SURE 1703 01:07:40,846 --> 01:07:43,213 THE ACTUAL LOCATION IS THE RIGHT FIT. 1704 01:07:43,248 --> 01:07:44,748 WHEN WAS THIS SCOUT? 1705 01:07:44,817 --> 01:07:45,949 WELL, I MEAN, MY FIRST ONE 1706 01:07:45,984 --> 01:07:47,917 WAS PROBABLY FOUR DAYS AGO? 1707 01:07:47,953 --> 01:07:49,653 FOUR DAYS AGO? 1708 01:07:49,688 --> 01:07:51,154 AND JOEL WAS WITH YOU THEN? 1709 01:07:51,189 --> 01:07:52,456 YEAH. 1710 01:07:52,491 --> 01:07:53,757 WHY? 1711 01:07:53,792 --> 01:07:55,158 OH, NO REASON. 1712 01:07:55,193 --> 01:07:56,893 I'M JUST INTERESTED IN THE PROCESS. 1713 01:08:03,034 --> 01:08:04,601 CAN WE SHOOT YET? 1714 01:08:04,636 --> 01:08:06,069 YES, WE'RE READY. 1715 01:08:06,104 --> 01:08:06,870 [JOEL]: OKAY, LET'S DO IT. 1716 01:08:06,905 --> 01:08:08,037 ALL RIGHT. 1717 01:08:10,876 --> 01:08:11,842 [KAT]: CAMERA'S UP. 1718 01:08:11,877 --> 01:08:12,843 [CREW]: SOUND SPEED. 1719 01:08:12,878 --> 01:08:14,611 [KAT]: JENN, BRING US UP TO DATE. 1720 01:08:14,646 --> 01:08:16,112 YES, WELL... 1721 01:08:16,147 --> 01:08:18,248 WE DISCOVERED THE COMBINATION 1722 01:08:18,283 --> 01:08:20,550 FOR, "FAMILY IS FOREVER." 1723 01:08:20,619 --> 01:08:21,585 NOW, UNFORTUNATELY, 1724 01:08:21,620 --> 01:08:23,453 THIS DIDN'T OPEN THE BOX, 1725 01:08:23,522 --> 01:08:25,389 BUT PERHAPS ONE OF THE FINAL CIPHERS 1726 01:08:25,457 --> 01:08:27,357 HAS SOMETHING TO DO WITH FAMILY. 1727 01:08:27,426 --> 01:08:28,558 [DOOR OPENING] 1728 01:08:31,062 --> 01:08:31,928 SORRY TO INTERRUPT. 1729 01:08:31,963 --> 01:08:33,563 CUT. 1730 01:08:33,599 --> 01:08:37,166 MR. JACOBS, A WORD? 1731 01:08:37,202 --> 01:08:38,902 UH, SURE. 1732 01:08:45,343 --> 01:08:47,110 MEET YOU OUTSIDE. 1733 01:08:50,682 --> 01:08:52,115 FRANK, JOEL WAS IN TOWN 1734 01:08:52,183 --> 01:08:53,683 AROUND THE TIME OF ELIZABETH'S DEATH, 1735 01:08:53,719 --> 01:08:55,919 AND HE TAKES THE SAME MEDS THAT WERE FOUND ON TAMARA. 1736 01:08:55,954 --> 01:08:57,587 MAYBE THERE'S SOME CONNECTION? 1737 01:08:57,623 --> 01:08:58,988 YEAH, I'D SAY SO. 1738 01:08:59,024 --> 01:09:00,657 F.Y.I., 1739 01:09:00,692 --> 01:09:02,492 LUCAS WASN'T AT THE SCENE OF TAMARA'S DEATH. 1740 01:09:02,561 --> 01:09:03,927 HOW DO YOU KNOW? 1741 01:09:03,962 --> 01:09:05,228 TIMES ON THE TOLL BRIDGE CAMERAS. 1742 01:09:05,263 --> 01:09:06,830 THERE'S NO WAY HE COULD'VE BEEN THERE. 1743 01:09:12,271 --> 01:09:13,708 THAT'S QUITE THE LIMP YOU GOT THERE. 1744 01:09:13,758 --> 01:09:15,225 YOUR MORPHINE'S FOR THAT? 1745 01:09:15,260 --> 01:09:17,227 NO, IT'S FOR MIGRAINES. 1746 01:09:17,262 --> 01:09:19,429 JUST... KNEE'S AN OLD SPORTS INJURY. 1747 01:09:20,665 --> 01:09:21,565 HOW'S THE SHOOTING GOING? 1748 01:09:21,600 --> 01:09:23,366 IT'S COMING ALONG. 1749 01:09:23,402 --> 01:09:25,469 SO YOU'LL BE ABLE TO PAY MR. SOSNIAK. 1750 01:09:25,504 --> 01:09:27,670 HE'S A TOUGH GUY. 1751 01:09:27,706 --> 01:09:29,172 BIG CONSEQUENCES FOR PEOPLE 1752 01:09:29,208 --> 01:09:31,108 WHO DON'T PAY BACK THEIR LOANS. 1753 01:09:31,143 --> 01:09:34,344 WELL, WHAT WE DO FOR THE THINGS WE LOVE, RIGHT? 1754 01:09:34,379 --> 01:09:36,313 WHAT ELSE DID YOU DO? 1755 01:09:37,649 --> 01:09:39,015 WHAT DO YOU MEAN? 1756 01:09:39,050 --> 01:09:40,883 WELL, YOU WERE IN TOWN DURING BOTH DEATHS. 1757 01:09:40,919 --> 01:09:42,185 WE BOTH KNOW 1758 01:09:42,254 --> 01:09:44,354 THAT LIMP ISN'T BECAUSE OF SOME OLD SPORTS INJURY, 1759 01:09:44,389 --> 01:09:48,191 AND YOU KNEW THE ANDRONICUS FAMILY. 1760 01:09:48,260 --> 01:09:50,727 YEAH, I KNEW THEM... 1761 01:09:50,762 --> 01:09:51,861 A LONG TIME AGO, SURE. 1762 01:09:51,896 --> 01:09:54,164 I MEAN, WE USED TO PLAY CARDS TOGETHER. 1763 01:09:54,199 --> 01:09:56,466 ONE NIGHT, I WON A LOT OF MONEY OFF OF LUCAS, 1764 01:09:56,502 --> 01:09:57,700 AND WHEN THEIR FATHER FOUND OUT, 1765 01:09:57,736 --> 01:10:01,438 LUCAS TOLD THEM THAT I'D CHEATED TO WIN IT, 1766 01:10:01,473 --> 01:10:03,206 THAT I'D VIRTUALLY STOLEN IT. 1767 01:10:03,242 --> 01:10:04,508 OF COURSE, HARVEY LET EVERYONE KNOW THAT, 1768 01:10:04,543 --> 01:10:07,677 AND AFTER THAT, NO ONE WOULD TRUST OR HIRE ME. 1769 01:10:07,712 --> 01:10:09,712 WHICH IS WHY YOU LEFT TOWN? 1770 01:10:09,748 --> 01:10:11,615 YEAH. 1771 01:10:11,650 --> 01:10:13,283 SO MAYBE NOW IS A GOOD TIME TO TELL ME 1772 01:10:13,352 --> 01:10:14,717 WHY YOU STOLE THE PUZZLE BOX? 1773 01:10:16,155 --> 01:10:17,320 I DON'T KNOW WHAT... 1774 01:10:17,356 --> 01:10:18,955 DURING THE TIME OF ELIZABETH AND TAMARA'S DEATH, 1775 01:10:19,024 --> 01:10:19,922 WHERE WERE YOU? 1776 01:10:19,958 --> 01:10:21,458 WELL, WHEN TAMARA DIED, 1777 01:10:21,493 --> 01:10:23,260 I WAS IN A PRODUCTION MEETING WITH MY CREW. 1778 01:10:23,295 --> 01:10:24,327 I MEAN, THEY'LL VERIFY THAT, 1779 01:10:24,363 --> 01:10:25,895 AND THE NIGHT THAT ELIZABETH DIED, 1780 01:10:25,930 --> 01:10:28,331 KAT AND I WERE OUTLINING AN EPISODE AT THE DINER 1781 01:10:28,367 --> 01:10:29,466 FROM DUSK 'TIL DAWN. 1782 01:10:29,501 --> 01:10:31,034 ASK HER. 1783 01:10:31,069 --> 01:10:33,203 YOU CAN EVEN ASK THE STAFF. 1784 01:10:33,238 --> 01:10:35,639 OKAY, I WILL... 1785 01:10:35,707 --> 01:10:39,376 BUT ALL I REALLY WANT TO KNOW IS WHY YOU TOOK THE BOX? 1786 01:10:48,453 --> 01:10:50,453 UH-OH. 1787 01:10:50,489 --> 01:10:51,821 IS THIS A PROBLEM THAT CAN BE SOLVED 1788 01:10:51,856 --> 01:10:54,558 BY CHOCOLATE CHIP MINT? 1789 01:10:54,593 --> 01:10:56,493 THINKING AT LEAST DOUBLE CHOCOLATE FUDGE. 1790 01:10:56,528 --> 01:10:57,760 WHOA. 1791 01:10:57,796 --> 01:11:00,330 SCHOOL, GUY, OR OTHER? 1792 01:11:00,365 --> 01:11:01,864 GUY. 1793 01:11:01,900 --> 01:11:03,200 DOUBLE FUDGE IT IS. 1794 01:11:03,268 --> 01:11:05,302 [DOORBELL RINGING] 1795 01:11:05,370 --> 01:11:06,836 I'LL GET THAT. 1796 01:11:11,443 --> 01:11:12,375 OH, HEY. 1797 01:11:12,411 --> 01:11:13,610 OFFICER... 1798 01:11:13,645 --> 01:11:14,644 RYAN. 1799 01:11:14,680 --> 01:11:16,879 IS HANNAH HERE, BY CHANCE? 1800 01:11:16,915 --> 01:11:18,348 YEAH, SURE. 1801 01:11:18,383 --> 01:11:19,349 HANNAH, YOU'VE GOT A VISITOR. 1802 01:11:25,123 --> 01:11:25,988 YOU OKAY? 1803 01:11:30,895 --> 01:11:32,262 WHAT'S GOING ON? 1804 01:11:32,297 --> 01:11:33,296 I THOUGHT YOU WERE COMING BY? 1805 01:11:33,332 --> 01:11:34,264 I DID. 1806 01:11:35,400 --> 01:11:36,466 WAS SHE YOUR EX? 1807 01:11:38,403 --> 01:11:39,402 YEAH. 1808 01:11:39,438 --> 01:11:40,403 LOOK, I GET IT. 1809 01:11:40,439 --> 01:11:41,404 YOU WEREN'T READY. 1810 01:11:41,473 --> 01:11:42,672 I PUSHED YOU INTO IT. 1811 01:11:42,708 --> 01:11:44,241 NO, WITHOUT YOU, 1812 01:11:44,276 --> 01:11:46,042 I WOULDN'T HAVE BEEN ABLE TO MOVE ON. 1813 01:11:47,479 --> 01:11:48,712 WHAT DO YOU MEAN? 1814 01:11:48,780 --> 01:11:49,979 YOU REMEMBER THAT LAUNDRY BASKET 1815 01:11:50,014 --> 01:11:50,947 FULL OF HER THINGS 1816 01:11:50,982 --> 01:11:51,681 SITTING IN MY CLOSET? 1817 01:11:51,717 --> 01:11:53,015 YEAH. 1818 01:11:53,051 --> 01:11:54,117 SHE CAME BY, 1819 01:11:54,152 --> 01:11:57,220 WANTING TO MAYBE MAKE THINGS WORK, 1820 01:11:57,256 --> 01:11:58,655 BUT THE ONLY THING I COULD THINK OF 1821 01:11:58,690 --> 01:12:00,923 WAS YOU AND THAT LAUNDRY BASKET, 1822 01:12:00,959 --> 01:12:03,393 AND JUST GETTING IT OUT OF MY LIFE, 1823 01:12:03,428 --> 01:12:06,329 SO THAT I COULD BRING YOU IN. 1824 01:12:09,735 --> 01:12:10,634 YOU REHEARSED THAT ON THE WAY OVER HERE, 1825 01:12:10,669 --> 01:12:11,468 DIDN'T YOU? 1826 01:12:13,138 --> 01:12:14,070 I TOTALLY DID... 1827 01:12:14,105 --> 01:12:16,339 'CAUSE I WAS HOPING 1828 01:12:16,375 --> 01:12:17,940 THAT MAYBE WE COULD TRY ONE OF THOSE REAL DATES. 1829 01:12:17,976 --> 01:12:21,010 YOU MEAN THE ONE WITH EXPECTATIONS, 1830 01:12:21,045 --> 01:12:22,812 ROMANTIC DINNERS, FLOWERS? 1831 01:12:22,847 --> 01:12:24,447 IT DOES SOUND PRETTY TERRIBLE, DOESN'T IT? 1832 01:12:24,483 --> 01:12:25,815 TOTALLY... 1833 01:12:27,986 --> 01:12:29,319 BUT I'M IN. 1834 01:12:34,859 --> 01:12:36,092 UH, KAT? 1835 01:12:36,127 --> 01:12:38,662 JENN, DANI, UM... 1836 01:12:38,697 --> 01:12:41,665 LOOK, I OWE YOU ALL AN APOLOGY. 1837 01:12:41,733 --> 01:12:44,167 AS YOU KNOW, I PUT EVERY PENNY, 1838 01:12:44,202 --> 01:12:45,201 CREDIT CARD, 1839 01:12:45,236 --> 01:12:47,036 EVERY DROP OF SWEAT INTO THIS SHOW. 1840 01:12:47,071 --> 01:12:48,938 MY FAMILY, MY HOUSE, 1841 01:12:48,973 --> 01:12:50,674 EVERYTHING ON THE LINE, 1842 01:12:50,709 --> 01:12:53,777 BUT I BROKE UNDER THE PRESSURE. 1843 01:12:53,812 --> 01:12:54,911 I THOUGHT 1844 01:12:54,946 --> 01:12:56,680 THAT A MYSTERIOUS BOX GOING MISSING 1845 01:12:56,715 --> 01:12:58,047 WOULD BE GREAT FOR THE EPISODE, 1846 01:12:58,116 --> 01:12:59,783 THAT IT WOULD HEIGHTEN THE TENSION, 1847 01:12:59,818 --> 01:13:02,319 BUT THEN IT GOT INVOLVED IN A MURDER... 1848 01:13:02,354 --> 01:13:04,287 AND I'M GUESSING YOU PANICKED 1849 01:13:04,323 --> 01:13:05,422 AND RETURNED IT? 1850 01:13:05,457 --> 01:13:06,856 [JOEL]: YEAH. 1851 01:13:06,891 --> 01:13:09,959 LOOK, I JUST WANTED TO DO SOMETHING GREAT IN THIS TOWN, 1852 01:13:09,994 --> 01:13:13,963 AND I'M SORRY THAT I SCARED ANYONE, 1853 01:13:13,998 --> 01:13:15,498 SO I'LL PACK UP THE CREW 1854 01:13:15,534 --> 01:13:16,833 AND WE'LL LEAVE BY TONIGHT. 1855 01:13:16,901 --> 01:13:19,703 YOU RISKED EVERYTHING FOR RATINGS? 1856 01:13:19,738 --> 01:13:22,472 [FRANK]: WELL, JOEL WAS SAYING 1857 01:13:22,507 --> 01:13:24,173 THAT YOU AND THE CREW WERE WORKING TOGETHER 1858 01:13:24,209 --> 01:13:25,575 DURING THE NIGHTS OF BOTH DEATHS. 1859 01:13:25,644 --> 01:13:26,509 IS THAT TRUE? 1860 01:13:26,545 --> 01:13:28,878 YEAH. 1861 01:13:28,913 --> 01:13:30,880 I WAS WITH HIM BOTH NIGHTS. 1862 01:13:30,915 --> 01:13:32,949 I'M SURE THE REST OF THE CREW CAN VERIFY THAT. 1863 01:13:32,984 --> 01:13:33,983 JENN? 1864 01:13:34,052 --> 01:13:36,052 ARE WE PRESSING CHARGES? 1865 01:13:38,323 --> 01:13:39,188 DO YOU HAVE ENOUGH FOOTAGE 1866 01:13:39,257 --> 01:13:40,390 TO FINISH THE SHOW? 1867 01:13:42,561 --> 01:13:44,160 WELL, I NEED TO KNOW WHAT'S IN THE BOX 1868 01:13:44,195 --> 01:13:46,062 TO MAKE THE EPISODE WORK. 1869 01:13:50,034 --> 01:13:51,968 WELL, IT'S NOT WORTH LOSING YOUR HOUSE OVER. 1870 01:13:52,036 --> 01:13:53,336 NO, I THINK WE CAN TRY 1871 01:13:53,372 --> 01:13:55,104 TO FIGURE OUT THE FINAL CIPHER. 1872 01:13:56,641 --> 01:13:58,307 WAIT A MINUTE... REALLY? 1873 01:13:58,377 --> 01:13:59,743 [FRANK]: SO WE'RE ALL GOOD? 1874 01:14:01,480 --> 01:14:03,713 YES, FRANK, THANK YOU. 1875 01:14:03,749 --> 01:14:05,181 ALL RIGHT, I'LL LEAVE YOU TO IT. 1876 01:14:09,755 --> 01:14:12,722 KAT, I'M REALLY... I'M SORRY... 1877 01:14:12,791 --> 01:14:13,757 BUT I DO THINK 1878 01:14:13,792 --> 01:14:15,525 THAT WE CAN MAKE THIS WORK. 1879 01:14:18,029 --> 01:14:19,028 LET'S DO THIS. 1880 01:14:21,266 --> 01:14:22,399 OKAY, CAMERA'S UP. 1881 01:14:22,434 --> 01:14:24,467 [CREW]: SOUND SPEED. 1882 01:14:24,503 --> 01:14:25,769 ACTION WHEN YOU'RE READY, JENN. 1883 01:14:25,804 --> 01:14:26,736 TALK US THROUGH IT. 1884 01:14:26,772 --> 01:14:28,538 OKAY. 1885 01:14:28,573 --> 01:14:29,739 WELL, RIGHT HERE, 1886 01:14:29,775 --> 01:14:32,942 WE HAVE THE COMBINATION FOR "FAMILY IS FOREVER," 1887 01:14:32,977 --> 01:14:34,511 BUT THIS SYMBOL UPSIDE-DOWN 1888 01:14:34,546 --> 01:14:36,279 MEANS "DANGER," 1889 01:14:36,314 --> 01:14:37,647 SO MAYBE WHAT SHE WAS TRYING TO SAY 1890 01:14:37,716 --> 01:14:40,750 IS NOTHING IS AS IT SEEMS. 1891 01:14:40,786 --> 01:14:42,318 EVERYTHING IS UPSIDE DOWN. 1892 01:14:50,762 --> 01:14:52,061 SO NOW, IF I... 1893 01:14:52,130 --> 01:14:54,330 IF I ALIGN THE SYMBOL WITH "DANGER" 1894 01:14:54,399 --> 01:14:56,299 AND THE SYMBOL FOR "HOME," 1895 01:14:56,367 --> 01:14:57,500 AND I SLIDE OVER THE SYMBOL FOR "IN," 1896 01:14:57,536 --> 01:14:59,101 WELL, THEN I HAVE... 1897 01:14:59,137 --> 01:15:01,037 I HAVE, "HOME IN DANGER." 1898 01:15:03,141 --> 01:15:04,040 [UNLOCKING] 1899 01:15:04,075 --> 01:15:05,007 OH! 1900 01:15:09,347 --> 01:15:10,379 IT'S EMPTY. 1901 01:15:10,449 --> 01:15:11,648 THERE'S NOTHING IN IT. 1902 01:15:13,251 --> 01:15:16,152 WAIT A MINUTE. 1903 01:15:16,187 --> 01:15:18,054 THE ANSWER IS NOT IN THE BOX. 1904 01:15:18,089 --> 01:15:19,823 THE ANSWER IS THE BOX. 1905 01:15:19,858 --> 01:15:21,390 WHY... 1906 01:15:21,460 --> 01:15:22,425 IF YOU LOOK INSIDE, 1907 01:15:22,461 --> 01:15:24,393 THESE LINES AND THE COLORS, 1908 01:15:24,429 --> 01:15:26,496 THIS IS A PLACE. 1909 01:15:26,531 --> 01:15:28,364 IT'S A ROOM, 1910 01:15:28,433 --> 01:15:30,533 AND I'VE BEEN THERE. 1911 01:15:34,639 --> 01:15:35,705 UH, JENN... 1912 01:15:35,740 --> 01:15:37,440 DON'T WORRY, I'M CALLING FRANK. 1913 01:15:38,543 --> 01:15:40,409 [LUCAS]: SO YOU'VE REALLY SOLVED IT? 1914 01:15:40,445 --> 01:15:41,210 ALMOST. 1915 01:15:57,529 --> 01:15:58,595 LOOK FAMILIAR? 1916 01:16:01,533 --> 01:16:04,233 IT'S AN EXACT RE-CREATION OF THIS LIBRARY. 1917 01:16:04,268 --> 01:16:05,267 YES, SHE HID HER MESSAGE 1918 01:16:05,303 --> 01:16:07,203 IN THE PUZZLE BOX, 1919 01:16:07,238 --> 01:16:09,973 SO THE CLUES ARE PROBABLY IN THIS ROOM. 1920 01:16:10,008 --> 01:16:11,708 THEY MAY BE ON THE WALLS 1921 01:16:11,743 --> 01:16:13,075 OR IN THE WALLS. 1922 01:16:17,115 --> 01:16:18,915 WHAT MESSAGE? 1923 01:16:18,950 --> 01:16:20,082 THE INFINITY SIGN. 1924 01:16:20,118 --> 01:16:22,051 THAT MEANS FOREVER... 1925 01:16:23,889 --> 01:16:25,855 AND THAT'S THE GREEK SYMBOL FOR "IS." 1926 01:16:27,659 --> 01:16:29,692 YES, OF COURSE. 1927 01:16:29,728 --> 01:16:31,027 THE FAMILY PORTRAIT. 1928 01:16:31,062 --> 01:16:32,562 "FAMILY." 1929 01:16:32,597 --> 01:16:33,796 THAT'S ONE OF THE EARLY CIPHERS. 1930 01:16:33,865 --> 01:16:34,731 "FAMILY IS..." 1931 01:16:34,766 --> 01:16:36,533 FOREVER. 1932 01:16:36,568 --> 01:16:38,167 SHE ALWAYS SAID THAT. 1933 01:16:41,573 --> 01:16:43,172 "WE MUST LEARN TO LIVE TOGETHER AS BROTHERS 1934 01:16:43,207 --> 01:16:45,909 OR PERISH TOGETHER AS FOOLS." 1935 01:16:45,944 --> 01:16:47,410 THAT WAS DEFINITELY HER. 1936 01:16:47,478 --> 01:16:48,511 NO, NO, NO, THAT CAN'T BE RIGHT. 1937 01:16:48,547 --> 01:16:49,579 THERE HAS TO BE MORE. 1938 01:17:10,501 --> 01:17:13,169 IT'S A LETTER FROM YOUR MOTHER. 1939 01:17:14,238 --> 01:17:15,104 [GUN CLICKS] 1940 01:17:20,974 --> 01:17:21,974 WHAT ARE YOU DOING? 1941 01:17:22,024 --> 01:17:23,958 I WANT TO KNOW WHAT SHE KNOWS. 1942 01:17:23,993 --> 01:17:24,859 MR. ANDRONICUS... 1943 01:17:26,696 --> 01:17:28,296 DETECTIVE LYNWOOD IS ON HIS WAY. 1944 01:17:28,331 --> 01:17:30,398 WHY DO YOU HAVE A GUN? 1945 01:17:31,668 --> 01:17:33,033 SHE'S GOING TO TELL US. 1946 01:17:33,069 --> 01:17:34,001 GO. 1947 01:17:37,240 --> 01:17:40,174 I THINK IT STARTED ABOUT A YEAR AGO, 1948 01:17:40,209 --> 01:17:43,444 WHEN LUCAS AND TAMARA CUT OFF CONTACT FROM QUIN 1949 01:17:43,513 --> 01:17:46,447 BECAUSE OF THE FIGHT AND THE RESTRAINING ORDER. 1950 01:17:46,483 --> 01:17:48,916 QUIN THOUGHT TAMARA WAS HAVING AN AFFAIR. 1951 01:17:48,951 --> 01:17:51,018 LUCAS DIDN'T WANT TO LISTEN. 1952 01:17:54,090 --> 01:17:54,989 READ THE LETTER. 1953 01:17:57,827 --> 01:18:01,829 ELIZABETH SAW ALLAN DEMETRY AND TAMARA 1954 01:18:01,864 --> 01:18:03,798 EARLY FRIDAY MORNING. 1955 01:18:06,235 --> 01:18:08,002 TAMARA COULD ONLY ASSUME 1956 01:18:08,037 --> 01:18:11,071 THAT ELIZABETH'S NEXT PHONE CALL WOULD BE TO LUCAS... 1957 01:18:13,209 --> 01:18:15,576 A PHONE CALL THAT WOULD LEAVE HER 1958 01:18:15,612 --> 01:18:18,513 PREPARING FOR A MESSY DIVORCE, 1959 01:18:18,548 --> 01:18:19,647 LOSING MONEY AND STOCK 1960 01:18:19,683 --> 01:18:22,249 IN A VERY VALUABLE REAL-ESTATE COMPANY... 1961 01:18:23,386 --> 01:18:25,119 AND SHE COULDN'T LET THAT HAPPEN. 1962 01:18:28,057 --> 01:18:31,158 QUIN'S REPEATED ATTEMPTS TO GET IN TOUCH WITH ELIZABETH 1963 01:18:31,194 --> 01:18:32,460 GO UNANSWERED, 1964 01:18:32,495 --> 01:18:34,562 SO HE FLIES HERE SATURDAY MORNING 1965 01:18:34,597 --> 01:18:35,763 TO CHECK ON HER... 1966 01:18:35,832 --> 01:18:38,098 ONLY WHEN HE ARRIVES, 1967 01:18:38,134 --> 01:18:39,900 HE SEES ALLAN LEAVING THE HOUSE 1968 01:18:39,936 --> 01:18:41,436 IN THE EARLY HOURS OF THE MORNING. 1969 01:18:41,504 --> 01:18:42,470 HE CAN'T CONFRONT TAMARA 1970 01:18:42,505 --> 01:18:44,839 BECAUSE OF THE RESTRAINING ORDER, 1971 01:18:44,907 --> 01:18:48,075 SO HE CALLS YOU, LUCAS, OVERSEAS, ABOUT DEMETRY, 1972 01:18:48,144 --> 01:18:50,244 HOPING THIS TIME, YOU WILL BELIEVE HIM. 1973 01:18:52,215 --> 01:18:54,482 TO KEEP ELIZABETH FURTHER CUT OFF FROM THE WORLD... 1974 01:18:56,252 --> 01:18:57,952 TAMARA FIRES THE REST OF THE STAFF 1975 01:18:58,020 --> 01:18:59,887 ON SATURDAY. 1976 01:18:59,956 --> 01:19:03,257 ELIZABETH KNOWS THAT SHE HAS TO HIDE HER MESSAGE 1977 01:19:03,292 --> 01:19:06,927 IN A PLACE THAT TAMARA WON'T BE ABLE TO FIND. 1978 01:19:06,963 --> 01:19:10,398 SHE PUTS THE CLUES IN THE PUZZLE BOX, 1979 01:19:10,433 --> 01:19:11,198 HOPING THAT QUIN WILL BE ABLE TO SOLVE THEM. 1980 01:19:13,503 --> 01:19:15,536 KNOWING YOU BOTH WILL BE HOME EVENTUALLY... 1981 01:19:17,240 --> 01:19:18,539 TAMARA KNOWS SHE HAS TO GET RID OF ELIZABETH 1982 01:19:18,575 --> 01:19:21,609 AND COVER HER TRACKS... 1983 01:19:21,678 --> 01:19:25,246 AND WITH ELIZABETH'S FAILING HEALTH, 1984 01:19:25,281 --> 01:19:27,882 SHE HOPES IT WILL LOOK LIKE NATURAL CAUSES 1985 01:19:27,917 --> 01:19:29,817 INSTEAD OF AN ALLERGIC REACTION TO PEANUT RESIDUE 1986 01:19:29,853 --> 01:19:33,755 OR VAPORS THAT ARE UNTRACEABLE IN AN AUTOPSY. 1987 01:19:33,823 --> 01:19:36,957 LUCAS, YOU ARRIVE HOME ON SUNDAY NIGHT 1988 01:19:36,993 --> 01:19:39,059 TO FIND ELIZABETH DEAD... 1989 01:19:39,095 --> 01:19:40,928 BUT SOMETHING DOESN'T SIT RIGHT. 1990 01:19:46,369 --> 01:19:48,235 MAYBE THERE'S TRUTH 1991 01:19:48,271 --> 01:19:49,737 IN WHAT QUIN HAS BEEN TELLING YOU. 1992 01:19:49,773 --> 01:19:51,672 I, I... I DON'T KNOW. I WAS UPSTAIRS. 1993 01:19:51,708 --> 01:19:53,574 I JUST... I CAME DOWN, AND I... 1994 01:19:53,610 --> 01:19:56,176 [JENN]: TAMARA, OF COURSE, DENIES THE AFFAIR... 1995 01:19:56,212 --> 01:19:57,512 [CRASHING] 1996 01:19:57,547 --> 01:19:58,446 TEXT HER, RIGHT NOW! 1997 01:19:58,481 --> 01:19:59,447 OKAY, OKAY. 1998 01:19:59,482 --> 01:20:00,648 RIGHT NOW, RIGHT NOW. 1999 01:20:00,717 --> 01:20:02,149 LOOK, I'M GOING TO DO IT, OKAY? 2000 01:20:02,184 --> 01:20:03,618 [JENN]: YOU CONFRONT ALLAN DEMETRY, 2001 01:20:03,653 --> 01:20:05,787 AND HE CONFESSES IMMEDIATELY. 2002 01:20:05,822 --> 01:20:08,489 YOU THREATEN HIM. 2003 01:20:08,525 --> 01:20:10,625 YOU TELL HIM TO BREAK IT OFF VIA TEXT. 2004 01:20:12,061 --> 01:20:14,028 HARVEY... 2005 01:20:14,063 --> 01:20:16,497 YOU HEAR ABOUT ELIZABETH'S DEATH 2006 01:20:16,533 --> 01:20:17,498 AND POSSIBLY THE AFFAIR 2007 01:20:17,567 --> 01:20:20,668 FROM LUCAS... 2008 01:20:20,703 --> 01:20:23,103 AND YOU TAKE THE NEXT FLIGHT HOME, 2009 01:20:23,139 --> 01:20:24,104 BUT YOU ARE ENRAGED. 2010 01:20:25,442 --> 01:20:26,541 YOU! 2011 01:20:26,609 --> 01:20:27,642 WHAT HAVE YOU DONE? 2012 01:20:27,677 --> 01:20:29,610 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 2013 01:20:29,646 --> 01:20:31,879 [JENN]: YOU GO UPSTAIRS, MAYBE LOOKING FOR LUCAS, 2014 01:20:31,915 --> 01:20:34,582 NOT REALIZING THAT HE'S GONE TO SEE ALLAN DEMETRY. 2015 01:20:34,617 --> 01:20:35,716 WHAT'S GOING ON? 2016 01:20:35,752 --> 01:20:37,151 DID ELIZABETH SEE YOU TWO TOGETHER? 2017 01:20:37,186 --> 01:20:38,453 DID YOU TAKE HER FROM ME? 2018 01:20:38,488 --> 01:20:39,887 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 2019 01:20:39,923 --> 01:20:41,622 OH, YOU'RE JUST GOING TO LOOK ME IN THE FACE 2020 01:20:41,691 --> 01:20:44,325 AND SAY IT WAS AN ACCIDENT? 2021 01:20:44,360 --> 01:20:46,260 I LOVE HER. 2022 01:20:46,295 --> 01:20:48,362 WHATEVER YOU THINK HAPPENED, DIDN'T. 2023 01:20:48,397 --> 01:20:51,031 I KNOW THIS IS GOING TO BE HARD FOR ALL OF US, 2024 01:20:51,067 --> 01:20:53,601 BUT I'M HERE. 2025 01:20:53,670 --> 01:20:54,669 IT'S GOING TO BE OKAY. 2026 01:20:54,704 --> 01:20:55,837 DON'T TOUCH ME! 2027 01:20:59,175 --> 01:20:59,907 [SHATTERING] 2028 01:21:02,178 --> 01:21:03,911 [JENN]: IT COULD'VE JUST BEEN AN UNFORTUNATE ACCIDENT 2029 01:21:03,947 --> 01:21:05,980 THAT HAPPENED IN THE HEAT OF THE MOMENT, 2030 01:21:06,015 --> 01:21:06,881 BUT YOU KNOW WITH YOUR REPUTATION 2031 01:21:06,950 --> 01:21:08,583 HOW IT WILL LOOK IN THE PRESS, 2032 01:21:08,618 --> 01:21:10,117 SO YOU GO INTO PROBLEM-SOLVING MODE. 2033 01:21:11,988 --> 01:21:13,955 YOU TAKE THE PILLS FROM YOUR RECENT HIP SURGERY, 2034 01:21:13,990 --> 01:21:16,390 AND YOU TRY TO MAKE IT LOOK LIKE AN OVERDOSE... 2035 01:21:16,425 --> 01:21:18,860 [DOORBELL RINGING] 2036 01:21:18,895 --> 01:21:21,195 BUT MY ARRIVAL CUTS THAT SHORT. 2037 01:21:26,268 --> 01:21:27,735 TAMARA? 2038 01:21:31,508 --> 01:21:33,608 TAMARA? 2039 01:21:34,811 --> 01:21:35,877 AND LUCAS, I'M ASSUMING 2040 01:21:35,945 --> 01:21:38,212 YOU DIDN'T TELL THE POLICE ABOUT THE AFFAIR 2041 01:21:38,247 --> 01:21:39,380 BECAUSE YOU KNEW THEN 2042 01:21:39,415 --> 01:21:40,515 YOU WOULD BE THE NUMBER-ONE SUSPECT 2043 01:21:40,550 --> 01:21:42,016 IN YOUR WIFE'S DEATH. 2044 01:21:42,051 --> 01:21:43,450 HOW COULD YOU? 2045 01:21:44,687 --> 01:21:48,689 SHE TOOK MY WIFE, MY NAME. 2046 01:21:48,758 --> 01:21:50,691 EVENTUALLY, SHE WOULD'VE TAKEN EVERYTHING I BUILT. 2047 01:21:50,727 --> 01:21:52,226 WE BUILT. 2048 01:21:52,261 --> 01:21:53,794 WE BUILT. 2049 01:21:53,830 --> 01:21:54,662 I'M SORRY. 2050 01:21:55,932 --> 01:21:56,864 [LUCAS]: THE LETTER WAS A WARNING TO ALL OF US 2051 01:21:56,900 --> 01:21:58,198 ABOUT TAMARA. 2052 01:21:58,234 --> 01:21:59,867 MOTHER WANTED ALL OF US TO STICK TOGETHER... 2053 01:21:59,936 --> 01:22:02,837 YOU, ME, QUIN. 2054 01:22:02,872 --> 01:22:04,605 SHE WOULDN'T HAVE WANTED ANY OF THIS. 2055 01:22:05,708 --> 01:22:07,474 MR. ANDRONICUS... 2056 01:22:07,544 --> 01:22:10,444 YOU CAN MAKE THIS RIGHT FOR ELIZABETH. 2057 01:22:10,479 --> 01:22:12,547 PUT THE GUN DOWN, DAD. 2058 01:22:12,582 --> 01:22:13,581 PLEASE. 2059 01:22:16,819 --> 01:22:17,752 DAD... 2060 01:22:17,787 --> 01:22:19,954 PLEASE... 2061 01:22:20,023 --> 01:22:22,023 THE GUN WON'T SOLVE ANYTHING. 2062 01:22:24,160 --> 01:22:25,560 OKAY. 2063 01:22:25,595 --> 01:22:27,194 [SIRENS WAILING] 2064 01:22:30,733 --> 01:22:32,633 THANK YOU. 2065 01:22:35,237 --> 01:22:37,371 SHE LOVED YOU ALL. 2066 01:22:37,406 --> 01:22:38,505 HER FINAL WORDS... 2067 01:22:39,776 --> 01:22:41,809 FAMILY IS FOREVER. 2068 01:22:43,279 --> 01:22:44,545 WE CAN MAKE IT RIGHT. 2069 01:22:55,257 --> 01:22:56,190 WELCOME! 2070 01:22:56,225 --> 01:22:57,324 HELLO. 2071 01:22:57,359 --> 01:22:58,258 -HI, SALLY. -HOW ARE YOU? 2072 01:22:58,294 --> 01:22:59,526 OH, IT'S A HECTIC WEEK. 2073 01:22:59,562 --> 01:23:01,462 WELL, "STRESSED" IS "DESSERTS" SPELLED BACKWARDS 2074 01:23:01,497 --> 01:23:03,497 AND THERE IS NOTHING THAT DESSERT CAN'T FIX. 2075 01:23:03,532 --> 01:23:05,099 THAT IS MY MOTTO. 2076 01:23:05,134 --> 01:23:07,234 I'LL JUST TAKE THAT THROUGH TO THE KITCHEN... 2077 01:23:07,303 --> 01:23:08,168 IF IT MAKES IT THERE. 2078 01:23:08,204 --> 01:23:09,203 YEAH. 2079 01:23:09,271 --> 01:23:10,137 SO? 2080 01:23:10,172 --> 01:23:11,872 SO... 2081 01:23:11,908 --> 01:23:14,108 SIGNED CONFESSION FROM HARVEY. 2082 01:23:14,143 --> 01:23:16,577 THE BROTHERS ARE TALKING AGAIN, 2083 01:23:16,613 --> 01:23:18,345 AND, WELL, QUIN HAS CONVINCED LUCAS 2084 01:23:18,380 --> 01:23:20,180 TO COMPLY WITH MAIN STREET'S BUILDING HEIGHT CODES. 2085 01:23:20,216 --> 01:23:21,816 HUH. 2086 01:23:21,884 --> 01:23:23,283 GREAT JOB AS ALWAYS, JENN. 2087 01:23:23,352 --> 01:23:25,319 RIGHT BACK AT YOU. 2088 01:23:25,354 --> 01:23:27,454 OH, I MADE YOUR FAVORITE DISH. 2089 01:23:27,490 --> 01:23:28,355 HONEY GARLIC RIBS? 2090 01:23:29,659 --> 01:23:30,825 OKAY, YOUR SECOND FAVORITE. 2091 01:23:32,895 --> 01:23:34,528 IS IT WEIRD THAT OUR FIRST ACTUAL DATE 2092 01:23:34,563 --> 01:23:38,165 IS MEETING MY ENTIRE FAMILY? 2093 01:23:38,200 --> 01:23:40,567 TOTALLY... 2094 01:23:40,603 --> 01:23:41,702 BUT I'M IN. 2095 01:23:42,872 --> 01:23:44,105 [LOGAN]: AND I'M DONE. 2096 01:23:44,140 --> 01:23:46,674 HEY, I KNEW YOU COULD DO IT. 2097 01:23:46,709 --> 01:23:48,442 YOUR DAD AND I WANT YOU TO KNOW 2098 01:23:48,477 --> 01:23:49,409 THAT WE'RE VERY PROUD 2099 01:23:49,445 --> 01:23:50,911 THAT YOU REACHED YOUR GOAL. 2100 01:23:50,947 --> 01:23:52,212 WE'VE ALWAYS BEEN YOUR BIGGEST FANS. 2101 01:23:52,248 --> 01:23:53,247 AND NOW, 2102 01:23:53,315 --> 01:23:54,882 WE'RE YOUR BIGGEST BUYERS. 2103 01:23:54,951 --> 01:23:56,117 WE WANT YOU TO GROW UP, 2104 01:23:56,152 --> 01:23:58,085 BUT YOUR PAST IS A BIG PART OF WHO YOU ARE. 2105 01:23:58,121 --> 01:23:59,053 IT'S NOT ALL THERE... 2106 01:23:59,088 --> 01:24:00,154 [JASON]: JUST ENOUGH. 2107 01:24:00,189 --> 01:24:01,455 SWEET. 2108 01:24:01,490 --> 01:24:02,456 THANKS. 2109 01:24:02,491 --> 01:24:03,924 [TIMER CHIMING] 2110 01:24:03,993 --> 01:24:05,860 OH, IT'S ON! 2111 01:24:05,895 --> 01:24:06,994 IT'S ALL HAPPENING! 2112 01:24:07,030 --> 01:24:08,763 [JENN]: A STAR IS BORN. 2113 01:24:08,798 --> 01:24:11,365 I WILL BE SIGNING AUTOGRAPHS AT THE END OF THE PRESENTATION. 2114 01:24:11,400 --> 01:24:12,499 ARE YOU GOING TO REMEMBER US LITTLE PEOPLE 2115 01:24:12,535 --> 01:24:13,901 NOW THAT YOU'RE BIG AND FAMOUS? 2116 01:24:13,936 --> 01:24:15,169 WHAT'S YOUR NAME AGAIN? 141806

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