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These are the user uploaded subtitles that are being translated: 1 00:00:06,571 --> 00:00:08,530 [birds chirping] 2 00:00:08,573 --> 00:00:16,364 ♪ 3 00:00:25,895 --> 00:00:27,679 [rumbling of hooves] 4 00:01:37,749 --> 00:01:39,664 - HOW LONG ARE WE GONNA KEEP HERDING THESE MUSTANGS 5 00:01:39,708 --> 00:01:41,579 BACK INTO THE VALLEY? 6 00:01:41,623 --> 00:01:44,408 - UNTIL THEY TAKE IT AS HOME AND STAY PUT. 7 00:01:44,452 --> 00:01:46,584 AND I CAN GET A ROPE AROUND THAT STALLION. 8 00:01:46,628 --> 00:01:48,325 - TYLER, HE'S JUST A HORSE. 9 00:01:48,369 --> 00:01:50,893 - HE'S SPECIAL. 10 00:01:50,936 --> 00:01:52,938 - SPECIAL TROUBLE, THAT'S WHAT HE IS. 11 00:01:52,982 --> 00:01:55,550 - JESSE SYMS, YOU ARE GETTING CRANKY IN YOUR OLD AGE. 12 00:01:55,593 --> 00:01:57,726 [kiss noise] OR LAZY. 13 00:01:57,769 --> 00:01:59,815 - AIN'T GOT A LAZY BONE IN MY BODY, TYLER ROSS! 14 00:01:59,858 --> 00:02:02,296 - MUST BE CRANKY, THEN. 15 00:02:02,339 --> 00:02:03,645 - [clicks tongue] GIDDYUP. 16 00:02:03,688 --> 00:02:06,735 [city noise] 17 00:02:09,694 --> 00:02:10,869 [heels clicking on floor] 18 00:02:13,524 --> 00:02:16,527 - [sighs] 19 00:02:16,571 --> 00:02:20,227 - MS. DONOVAN, MR. COSTA IS READY TO SEE YOU NOW. 20 00:02:23,143 --> 00:02:27,059 [classical music playing] 21 00:02:27,103 --> 00:02:28,626 - I THINK THAT THESE PICTURES 22 00:02:28,670 --> 00:02:30,715 WILL MAKE PEOPLE THINK ABOUT THE ENVIRONMENT, 23 00:02:30,759 --> 00:02:32,848 PERHAPS EVEN THE FUTURE OF THE PLANET. 24 00:02:35,677 --> 00:02:39,071 - [sighs] 25 00:02:39,115 --> 00:02:41,509 MS. DONOVAN... [sighs] 26 00:02:41,552 --> 00:02:43,815 DO YOU... LOVE GARBAGE? 27 00:02:43,859 --> 00:02:46,775 - I-- I BEG YOUR PARDON? 28 00:02:46,818 --> 00:02:49,778 - A GREAT PHOTOGRAPHER ACTUALLY REVEALS ASPECTS OF HIMSELF 29 00:02:49,821 --> 00:02:51,780 THAT HE'S UNAWARE OF. 30 00:02:51,823 --> 00:02:54,478 DID YOU SEE SOME... TRUTH ABOUT YOURSELF 31 00:02:54,522 --> 00:02:56,480 IN THIS... GARBAGE? 32 00:02:56,524 --> 00:02:58,178 - [laughs] 33 00:03:01,355 --> 00:03:02,573 UM... 34 00:03:02,617 --> 00:03:05,315 [dance music playing] 35 00:03:05,359 --> 00:03:09,450 ♪ 36 00:03:09,493 --> 00:03:12,104 - HAPPY BIRTHDAY, JORDAN! 37 00:03:12,148 --> 00:03:14,498 SO, HOW'D IT GO AT THE GALLERY? 38 00:03:14,542 --> 00:03:16,152 - PBBTH. 39 00:03:16,196 --> 00:03:17,675 - WHAT DOES HE KNOW, ANYWAY? 40 00:03:17,719 --> 00:03:20,069 - HE KNOWS GARBAGE WHEN HE SEES IT. 41 00:03:20,112 --> 00:03:23,377 MAYBE I'M JUST FOOLING MYSELF. 42 00:03:23,420 --> 00:03:25,683 OH! I'VE BEEN DOING THIS FOREVER. 43 00:03:25,727 --> 00:03:28,033 MAYBE I SHOULD JUST GIVE UP AND GO BACK TO WALL STREET. 44 00:03:28,077 --> 00:03:30,688 - WHAT? NO. NO, NO, NO, NO, NO. 45 00:03:30,732 --> 00:03:31,820 SEE, THAT'S WHY YOU'RE GONNA MAKE IT, 46 00:03:31,863 --> 00:03:33,604 BECAUSE YOU NEVER GIVE UP. 47 00:03:33,648 --> 00:03:35,127 EVEN WHEN YOU SHOULD, LIKE WITH EDWARD, 48 00:03:35,171 --> 00:03:36,955 WHO'S KEPT YOU HANGING FOREVER. 49 00:03:36,999 --> 00:03:39,393 - OKAY, YOU HAVE TO STOP THAT, BECAUSE IT'S MY BIRTHDAY. 50 00:03:39,436 --> 00:03:41,569 - I'M JUST SAYING, YOU'VE BEEN TOGETHER FOR FIVE YEARS. 51 00:03:41,612 --> 00:03:43,266 YOU DON'T EVEN LIVE TOGETHER. 52 00:03:43,310 --> 00:03:45,050 I MEAN, WAKE UP AND SMELL THE DECAF MOCHA LATTE. 53 00:03:45,094 --> 00:03:48,532 - EDWARD HAS TERRITORIAL ISSUES, RIGHT, HUBERT? 54 00:03:48,576 --> 00:03:50,142 - HE TAKES YOU FOR GRANTED, 55 00:03:50,186 --> 00:03:52,014 AND YOU DON'T GIVE HIM ANY REASON NOT TO. 56 00:03:52,057 --> 00:03:53,798 IT'S LIKE YOU GOT "DOORMAT" TATTOOED ON YOUR FOREHEAD. 57 00:03:53,842 --> 00:03:55,757 - FOR YOUR INFORMATION, MISS NEGATIVE, 58 00:03:55,800 --> 00:03:57,411 I THINK THAT HE'S GONNA PROPOSE TO ME TONIGHT, OKAY? 59 00:03:57,454 --> 00:03:59,195 - REALLY? - YES. 60 00:03:59,239 --> 00:04:00,979 - DID HE SAY SOMETHING? - HIS EXACT WORDS WERE, 61 00:04:01,023 --> 00:04:03,373 "I WANT TO TALK ABOUT OUR RELATIONSHIP." SO THERE. 62 00:04:03,417 --> 00:04:06,028 - OKAY. WELL, YOU KNOW, LET'S HOPE THAT HE COMES THROUGH. 63 00:04:06,071 --> 00:04:08,160 ON WITH THE CELEBRATION. 64 00:04:08,204 --> 00:04:11,120 TOAST. GRAB YOUR GLASS. - [groaning] 65 00:04:11,163 --> 00:04:13,731 - MM. TO MY BEST FRIEND... - YES. 66 00:04:13,775 --> 00:04:15,559 - ON THE OCCASION OF YOUR OFFICIAL DESCENT 67 00:04:15,603 --> 00:04:16,995 INTO SPINSTERHOOD. 68 00:04:17,039 --> 00:04:19,563 - SPINSTERHOOD? THAT'S SO RUDE. 69 00:04:19,607 --> 00:04:21,826 - [laughing] YOU'RE OVER 30, SWEETIE. 70 00:04:21,870 --> 00:04:25,134 [phone ringing] 71 00:04:25,177 --> 00:04:27,310 - YOU BETTER ANSWER IT. 72 00:04:27,354 --> 00:04:28,572 IT COULD BE SOMEONE TRYING TO TELL YOU 73 00:04:28,616 --> 00:04:29,486 YOU WON THE LOTTERY. 74 00:04:29,530 --> 00:04:30,487 - YEAH. 75 00:04:30,531 --> 00:04:31,532 [beep] 76 00:04:31,575 --> 00:04:33,229 TYLER HERE. 77 00:04:33,273 --> 00:04:34,926 - TYLER FRANKLIN ROSS, 78 00:04:34,970 --> 00:04:37,102 YOU WENT AFTER THAT STUPID HORSE AGAIN, DIDN'T YOU? 79 00:04:37,146 --> 00:04:39,583 - MORNING TO YOU, TOO, SIS. [laughs] 80 00:04:39,627 --> 00:04:41,977 - LISTEN. YOU GOT ANOTHER LETTER FROM COUNTRY CONNECTION. 81 00:04:42,020 --> 00:04:44,632 THIS ONE'S FROM NEW YORK CITY, OF ALL PLACES. 82 00:04:44,675 --> 00:04:46,590 IT'S A SHAME SHE'S SO FAR AWAY. SHE SOUNDS REAL NICE. 83 00:04:46,634 --> 00:04:47,765 - GREAT. 84 00:04:47,809 --> 00:04:49,593 - REMEMBER OUR DEAL. 85 00:04:49,637 --> 00:04:51,769 - YEAH, I REMEMBER, LAURIE. 86 00:04:51,813 --> 00:04:54,163 YOU JUST REMEMBER YOUR END OF IT, ALL RIGHT? 87 00:04:54,206 --> 00:04:55,033 GOOD-BYE. 88 00:04:56,383 --> 00:04:57,384 [beep] 89 00:04:59,864 --> 00:05:04,826 [soft music playing] 90 00:05:04,869 --> 00:05:08,220 - "COUNTRY CONNECTIONS THE MAGAZINE FOR RURAL SINGLES"? 91 00:05:08,264 --> 00:05:10,179 WHAT IS THIS? - THIS IS GREAT, OKAY? 92 00:05:10,222 --> 00:05:12,007 IT'S MOSTLY MEN, UNLIKE NEW YORK, 93 00:05:12,050 --> 00:05:14,052 WHERE STRAIGHT, SINGLE MEN ARE AN ENDANGERED SPECIES, 94 00:05:14,096 --> 00:05:15,619 AND THEY WANT TO GET MARRIED. 95 00:05:15,663 --> 00:05:17,491 - "HAVE 10,000 ACRES OF WHEAT. 96 00:05:17,534 --> 00:05:21,364 LOOKING FOR MARRIAGE-MINDED GAL WHO CAN KEEP HOUSE, COOK, 97 00:05:21,408 --> 00:05:23,323 [imitating country accent] AND DRIVE A TRACTOR. 98 00:05:23,366 --> 00:05:25,020 MUST LOOK GOOD IN JEANS." WELL, THAT'S ME. 99 00:05:25,063 --> 00:05:26,717 - THERE. READ THE AD I MARKED. 100 00:05:26,761 --> 00:05:28,806 - "WYOMING CATTLEMAN, 35, BEEN TO COLLEGE--" 101 00:05:28,850 --> 00:05:31,592 WELL, THAT'S A GOOD THING-- "MARRIAGE AND CHILDREN INCLINED. 102 00:05:31,635 --> 00:05:33,463 "I'M NOT PERFECT, AND I'M NOT LOOKING FOR SOMEONE WHO IS. 103 00:05:33,507 --> 00:05:34,812 TYLER ROSS." 104 00:05:34,856 --> 00:05:36,727 A--AND THIS CONCERNS ME, HOW? 105 00:05:36,771 --> 00:05:38,860 - I ANSWERED HIS AD IN YOUR NAME. 106 00:05:38,903 --> 00:05:40,383 - CARLA! - YOU-- 107 00:05:40,427 --> 00:05:42,516 THIS IS GOOD. HE SENT A PLANE TICKET. 108 00:05:42,559 --> 00:05:44,518 - CARLA, YOU KNOW, OF ALL THE CRAZY, STUPID, 109 00:05:44,561 --> 00:05:47,042 RIDICULOUS, MEAN, INSANE-- 110 00:05:47,085 --> 00:05:48,826 WHAT'D YOU SAY ABOUT ME, ANYWAY? 111 00:05:48,870 --> 00:05:52,830 - UH, I SAID THAT YOU'RE WARM, AND YOU'RE FUNNY, 112 00:05:52,874 --> 00:05:54,179 AND YOU'RE VERY SINCERE. 113 00:05:54,223 --> 00:05:56,747 - BUT I HAVE A TERRIFIC GUY. 114 00:05:56,791 --> 00:05:58,619 - YOU KNOW WHAT? HE NEEDS A NUDGE. OKAY? 115 00:05:58,662 --> 00:06:00,272 A MAN NEVER WANTS A WOMAN MORE THAN WHEN ANOTHER MAN WANTS HER. 116 00:06:00,316 --> 00:06:02,057 SO I GOT YOU ANOTHER MAN. 117 00:06:02,100 --> 00:06:03,667 - I'M NOT GONNA USE SOME POOR SCHMUCK OF A COWBOY 118 00:06:03,711 --> 00:06:05,408 TO MAKE EDWARD JEALOUS. 119 00:06:05,452 --> 00:06:06,888 IT'S PLAYING GAMES, AND I DON'T DO THAT, CARLA. 120 00:06:06,931 --> 00:06:08,716 - LOOK, JUST GO OUT WEST, OKAY? 121 00:06:08,759 --> 00:06:10,718 ENJOY YOUR TRIP. 122 00:06:10,761 --> 00:06:12,589 TAKE A CAMERA. MAYBE THEY GOT BETTER GARBAGE OUT THERE. 123 00:06:12,633 --> 00:06:14,722 [knock on door] 124 00:06:14,765 --> 00:06:17,115 COME IN, EDWARD! 125 00:06:17,159 --> 00:06:18,639 - HMM? 126 00:06:21,729 --> 00:06:23,165 HI, SWEETHEART. 127 00:06:23,208 --> 00:06:24,558 - HOW'S THE BIRTHDAY GIRL? 128 00:06:24,601 --> 00:06:26,560 - FINE. 129 00:06:34,481 --> 00:06:35,743 CARLA. 130 00:06:35,786 --> 00:06:38,310 - EDWARD. HOW ARE YA? 131 00:06:38,354 --> 00:06:41,009 OKAY, I'M GOING TO, UM-- [clearing throat] 132 00:06:41,052 --> 00:06:42,750 LET YOU TWO GET ON WITH THE BIG CELEBRATION. 133 00:06:42,793 --> 00:06:44,578 - THANK YOU. 134 00:06:44,621 --> 00:06:45,448 - HAVE FUN. 135 00:06:46,754 --> 00:06:48,146 - THANKS, BABY. 136 00:06:53,195 --> 00:06:54,675 - I GOT SOMETHING FOR YOU. 137 00:06:54,718 --> 00:06:57,373 - YEAH? - YES. A VERY SPECIAL GIFT. 138 00:06:57,417 --> 00:07:00,158 - VERY SPECIAL? - VERY SPECIAL. 139 00:07:15,739 --> 00:07:17,437 I THOUGHT... [sighs] 140 00:07:17,480 --> 00:07:19,308 IF WE'RE GOING TO BE LIVING IN MY APARTMENT, 141 00:07:19,351 --> 00:07:20,744 YOU SHOULD HAVE A KEY. 142 00:07:22,877 --> 00:07:25,140 [laughs] - [whispering] YEAH. 143 00:07:25,183 --> 00:07:26,358 SO, YOU--YOU'RE-- 144 00:07:26,402 --> 00:07:29,013 YOU'RE ASKING ME TO... 145 00:07:29,057 --> 00:07:30,841 - MOVE IN WITH ME. 146 00:07:30,885 --> 00:07:33,931 - [laughs] AND? 147 00:07:33,975 --> 00:07:35,803 - AND LIVE TOGETHER. 148 00:07:37,500 --> 00:07:38,980 I THOUGHT THIS WOULD BE THE PERFECT TIME 149 00:07:39,023 --> 00:07:41,765 TO TAKE OUR RELATIONSHIP TO THE NEXT LEVEL. 150 00:07:41,809 --> 00:07:44,812 I MEAN, IT'S JUST-- JUST YOUR BIRTHDAY IS JUST, UH... 151 00:07:44,855 --> 00:07:48,859 THIS IS THE ANNIVERSARY OF THE LUCKIEST NIGHT OF MY LIFE. 152 00:07:48,903 --> 00:07:50,992 THE NIGHT WE MET. 153 00:07:53,081 --> 00:07:54,474 - YEAH. 154 00:07:54,517 --> 00:07:58,478 FIVE YEARS AGO. FIVE YEARS AGO. 155 00:07:58,521 --> 00:08:01,742 WOW, I WONDER WHERE WE'RE GONNA BE IN ANOTHER FIVE YEARS. 156 00:08:01,785 --> 00:08:02,612 - WE'LL BE TOGETHER. 157 00:08:03,918 --> 00:08:05,746 - TOGETHER. HMM. 158 00:08:05,789 --> 00:08:09,793 TOGETHER... SINGLE, TOGETHER MARRIED? 159 00:08:09,837 --> 00:08:11,795 - OH, JORDAN. 160 00:08:11,839 --> 00:08:13,797 THIS IS A VERY REAL COMMITMENT THAT I'M MAKING, 161 00:08:13,841 --> 00:08:17,018 ASKING YOU TO MOVE IN WITH ME. 162 00:08:17,061 --> 00:08:19,847 - OKAY, EDWARD, IT'S JUST THAT WHEN I IMAGINED THIS MOMENT, 163 00:08:19,890 --> 00:08:22,893 I EXPECTED YOU TO SAY, "WILL YOU BE MY WIFE?" 164 00:08:22,937 --> 00:08:25,330 NOT "ROOMMATE." - I MEAN, THIS IS A SOLID OFFER. 165 00:08:25,374 --> 00:08:27,289 - AN OFFER. AN OFFER, REALLY? 166 00:08:27,332 --> 00:08:29,639 HOW LONG IS THIS OFFER GOOD FOR? 167 00:08:29,683 --> 00:08:31,989 UNTIL YOU FIND SOMEBODY BETTER? UNTIL YOU GET BORED? 168 00:08:32,033 --> 00:08:33,774 IF SOMETHING GOES WRONG BETWEEN THE TWO OF US, 169 00:08:33,817 --> 00:08:35,645 WHO HAS TO GO OUT AND FIND A NEW PLACE, YOU OR ME? 170 00:08:35,689 --> 00:08:39,431 - WELL, IT IS MY APARTMENT. - EXACTLY. YOUR HOME. 171 00:08:39,475 --> 00:08:41,912 YOURS. NOT OURS. 172 00:08:41,956 --> 00:08:43,566 - HEY, NOBODY CAN PROMISE FOREVER 173 00:08:43,610 --> 00:08:45,481 AND BE SURE THEY'RE GONNA LIVE UP TO IT. 174 00:08:45,525 --> 00:08:46,917 - REALLY? 175 00:08:46,961 --> 00:08:48,832 WELL, YOU KNOW WHAT? 176 00:08:48,876 --> 00:08:52,009 THAT'S EXACTLY WHAT ONE OF THESE GUYS IS PREPARED TO DO. 177 00:08:52,053 --> 00:08:53,141 AND HE WANTS TO MEET ME. 178 00:08:56,100 --> 00:08:57,885 - [scoffs] 179 00:08:57,928 --> 00:09:00,627 YOU EXPECT ME TO BELIEVE THAT YOU WANT TO MEET HIM? 180 00:09:00,670 --> 00:09:01,802 - YES. 181 00:09:03,760 --> 00:09:07,372 - WELL, I'M NOT GONNA PLAY THESE GAMES WITH YOU, JORDAN. 182 00:09:07,416 --> 00:09:09,070 WHEN YOU ARE READY TO DISCUSS THIS 183 00:09:09,113 --> 00:09:11,899 LIKE A MATURE, RATIONAL PERSON, THEN CALL ME. 184 00:09:11,942 --> 00:09:13,422 [magazine smacking table] 185 00:09:13,465 --> 00:09:14,597 [sighs] 186 00:09:17,295 --> 00:09:19,210 [door slams shut] 187 00:09:19,254 --> 00:09:22,300 [plane taking off] 188 00:09:24,433 --> 00:09:26,827 - I CAN'T BELIEVE I AGREED TO DO THIS. 189 00:09:26,870 --> 00:09:28,437 HOW WILL I EVEN RECOGNIZE HIM? 190 00:09:28,480 --> 00:09:30,482 - HE DIDN'T SAY. 191 00:09:30,526 --> 00:09:32,354 - I CAN JUST IMAGINE WHAT TYLER ROSS IS GONNA LOOK LIKE-- 192 00:09:32,397 --> 00:09:34,443 OVERALLS, A BEER BELLY, 193 00:09:34,486 --> 00:09:37,315 AND ONE OF THOSE FUNNY COWBOY HATS. 194 00:10:00,425 --> 00:10:01,601 - [sighs] 195 00:10:28,236 --> 00:10:30,978 - MISS DONOVAN? 196 00:10:31,021 --> 00:10:33,241 - TYLER ROSS? 197 00:10:33,284 --> 00:10:34,503 I, UH-- - I'LL GET YOUR BAG. 198 00:10:34,546 --> 00:10:36,505 [clears throat] - OKAY. 199 00:10:36,548 --> 00:10:37,898 THANK YOU. 200 00:10:39,551 --> 00:10:40,378 OKAY. 201 00:10:43,991 --> 00:10:46,341 I'VE GOT TO ADMIT, I FEEL REALLY AWKWARD. 202 00:10:46,384 --> 00:10:47,777 I'LL BET YOU PROBABLY DO TOO, HUH? 203 00:10:51,476 --> 00:10:52,956 I'LL BET EVERYONE WHO DOES THIS SORT OF THING 204 00:10:53,000 --> 00:10:54,175 FEELS THE SAME WAY, RIGHT? 205 00:10:54,218 --> 00:10:55,959 - I WOULDN'T KNOW. 206 00:10:56,003 --> 00:10:58,092 - I'LL TAKE THAT. I'LL TAKE THAT, THANK YOU. 207 00:10:58,135 --> 00:10:59,267 - WE GOT A WAYS TO GO. 208 00:11:01,225 --> 00:11:03,837 [engine starting] 209 00:11:17,024 --> 00:11:18,068 - WHEN DO WE GET TO TOWN? 210 00:11:20,244 --> 00:11:21,681 - WE'RE THERE. 211 00:11:30,341 --> 00:11:32,474 - THIS COUNTRY IS BREATHTAKING. 212 00:11:32,517 --> 00:11:35,303 CONSTABLE WOULD HAVE LOVED IT. - [laughs] 213 00:11:35,346 --> 00:11:37,609 - HE WAS A--AN ENGLISH PAINTER. 214 00:11:37,653 --> 00:11:39,524 - YOU DON'T SAY. 215 00:11:39,568 --> 00:11:41,309 - YEAH, LATE 18TH, EARLY 19TH CENTURY. 216 00:11:41,352 --> 00:11:43,964 HE PAINTED-- - LANDSCAPES. 217 00:11:47,663 --> 00:11:49,317 A LITTLE DARK FOR MY TASTE. 218 00:12:09,772 --> 00:12:13,515 - IT'S GONNA BE JUST LIKE A DANIELLE STEEL NOVEL. 219 00:12:13,558 --> 00:12:15,909 - [coughing] 220 00:12:15,952 --> 00:12:16,997 THAT'S OKAY, I'LL GET IT. 221 00:12:17,040 --> 00:12:18,085 THANK-- THANK YOU. 222 00:12:18,128 --> 00:12:20,130 THANKS. 223 00:12:25,745 --> 00:12:27,442 - UH, JORDAN DONOVAN, THIS IS MY SISTER, LAURIE, 224 00:12:27,485 --> 00:12:29,052 AND, UH, JESSE. 225 00:12:29,096 --> 00:12:30,532 JESSE, WHAT ARE YOU DOING HERE? 226 00:12:30,575 --> 00:12:32,316 - JUST LOOKIN'. 227 00:12:32,360 --> 00:12:33,491 - NICE TO MEET YOU. 228 00:12:33,535 --> 00:12:34,492 - NICE TO MEET YOU, TOO. 229 00:12:34,536 --> 00:12:36,364 - MA'AM. 230 00:12:36,407 --> 00:12:37,974 - TYLER, WHY IS SHE CARRYING HER OWN BAG? 231 00:12:38,018 --> 00:12:39,323 - I OFFERED, BUT SHE WANTED TO DO IT HERSELF. 232 00:12:39,367 --> 00:12:40,934 - IT'S FINE, I'M FINE. 233 00:12:40,977 --> 00:12:42,762 - LISTEN, I'LL SHOW YOU TO THE SPARE ROOM. 234 00:12:42,805 --> 00:12:44,067 GET ABOUT A HALF HOUR, AND THEN WE'LL HAVE SOME DINNER. 235 00:12:44,111 --> 00:12:45,503 - OKAY. 236 00:12:45,547 --> 00:12:47,592 - JESSE, I'LL HELP YOU FEED, HUH? 237 00:12:47,636 --> 00:12:49,507 - NICE TO MEET YOU, JORDAN. - NICE TO MEET YOU. 238 00:12:52,859 --> 00:12:55,644 - WELL, SHE SURE SEEMED LIKE A NICE ENOUGH GAL. 239 00:12:55,687 --> 00:12:57,341 - IF YOU SAY SO. 240 00:12:57,385 --> 00:13:01,084 - SO... YOU'RE A PHOTOGRAPHER? 241 00:13:01,128 --> 00:13:03,565 - UM... YEAH. 242 00:13:03,608 --> 00:13:05,785 - EVER PHOTOGRAPH WEDDINGS? - UH, NO. [thud] 243 00:13:05,828 --> 00:13:08,483 - OH. SEE, 'CAUSE I'M GETTING MARRIED IN A FEW DAYS, 244 00:13:08,526 --> 00:13:10,354 AND THE PHOTOGRAPHER THAT I HIRED 245 00:13:10,398 --> 00:13:12,269 HAS COME DOWN WITH THE MEASLES, CAN YOU BELIEVE IT? 246 00:13:12,313 --> 00:13:14,924 AT HIS AGE. both: [laughing] 247 00:13:14,968 --> 00:13:17,797 - WELL, IT'S JUST, I-- I MAY NOT BE HERE THAT LONG. 248 00:13:17,840 --> 00:13:19,363 - I JUST GOT MY WEDDING DRESS. YOU WANT TO SEE IT? 249 00:13:19,407 --> 00:13:21,061 - SURE. 250 00:13:21,104 --> 00:13:22,802 - SPARE BEDROOM'S OVER THAT WAY. 251 00:13:24,760 --> 00:13:26,153 MAKE YOURSELF AT HOME. 252 00:13:26,196 --> 00:13:28,155 - OKAY. 253 00:13:31,593 --> 00:13:33,551 [birds chirping] 254 00:13:51,831 --> 00:13:54,616 THAT'S A-- THAT'S AN ORIGINAL THOMAS KINKADE. 255 00:13:54,659 --> 00:13:57,445 - YES, IT IS. 256 00:13:57,488 --> 00:14:01,231 SO, I WAS GOING TO GO FOR SOMETHING A LITTLE LESS FORMAL, 257 00:14:01,275 --> 00:14:04,844 BUT THEN I SAW THIS, AND, OH... YOU KNOW HOW IT IS. 258 00:14:04,887 --> 00:14:06,671 - OH, IT'S-- IT'S LOVELY. - REALLY? - YEAH. 259 00:14:06,715 --> 00:14:08,325 - I DON'T HAVE MUCH OF A FASHION SENSE. 260 00:14:08,369 --> 00:14:09,849 MY IDEA OF GETTING DRESSED UP 261 00:14:09,892 --> 00:14:11,502 IS PUTTING ON A CLEAN PAIR OF JEANS. 262 00:14:11,546 --> 00:14:13,330 - OH. [laughs] I'M SURE YOU'LL BE BEAUTIFUL. 263 00:14:13,374 --> 00:14:16,333 - I'M DYING TO ASK YOU, WHAT DO YOU THINK OF TYLER? 264 00:14:16,377 --> 00:14:18,031 - YOU KNOW, I CAN HONESTLY SAY 265 00:14:18,074 --> 00:14:20,860 THAT I'VE NEVER MET ANYONE LIKE HIM. 266 00:14:23,384 --> 00:14:26,691 - SO, IS THIS YOUR FIRST TRIP OUT WEST, MISS DONOVAN? 267 00:14:26,735 --> 00:14:29,651 - ACTUALLY, IT IS, CHUCK. AND, PLEASE, CALL ME JORDAN. [laughs] 268 00:14:29,694 --> 00:14:31,609 - JORDAN. 269 00:14:33,220 --> 00:14:35,135 - WHY DON'T YOU TELL US ALL ABOUT NEW YORK? 270 00:14:35,178 --> 00:14:37,659 - WOULD YOU PASS THE SALT? 271 00:14:37,702 --> 00:14:39,269 THANK YOU. - UM... 272 00:14:39,313 --> 00:14:41,010 I'M SURE IT WOULDN'T BE VERY INTERESTING. 273 00:14:41,054 --> 00:14:44,492 - OH, COME ON. ALL THE MUSEUMS AND THE RESTAURANTS? 274 00:14:44,535 --> 00:14:45,667 - WELL, MY FAVORITE LITTLE PLACE TO HANG OUT IS A CAFE CALLED 275 00:14:45,710 --> 00:14:48,800 LA XUNTA BASQUE ON 52ND STREET. 276 00:14:48,844 --> 00:14:50,715 UM, JACKIE ONASSIS AND HER SISTER LEE 277 00:14:50,759 --> 00:14:53,283 USED TO SPEAK FRENCH TO EACH OTHER WHEN THEY ATE DINNER. 278 00:14:53,327 --> 00:14:55,677 IT WAS VERY COOL. 279 00:14:55,720 --> 00:14:57,592 - AH. 280 00:14:58,549 --> 00:14:59,942 - JORDAN'S A PHOTOGRAPHER. 281 00:14:59,986 --> 00:15:01,901 - OH. 282 00:15:01,944 --> 00:15:04,381 CHUCK JUST HAD HIS, UH, PICTURE TAKEN AT SEARS LAST WEEK. 283 00:15:04,425 --> 00:15:06,731 DIDN'T YOU? - YES, SIR, I DID. 284 00:15:06,775 --> 00:15:08,646 - I'M ACTUALLY A FINE ARTS PHOTOGRAPHER. 285 00:15:08,690 --> 00:15:10,213 I JUST HAD A MEETING WITH ONE OF THE TOP GALLERIES 286 00:15:10,257 --> 00:15:12,650 IN NEW YORK TO TALK ABOUT HAVING A SHOW. 287 00:15:12,694 --> 00:15:14,478 - WHAT KIND OF PICTURES DO YOU TAKE? 288 00:15:14,522 --> 00:15:17,438 - UM, UH, REFUSE. 289 00:15:17,481 --> 00:15:20,832 - YOU-- YOU MEAN GARBAGE? 290 00:15:20,876 --> 00:15:23,835 - I'M SURE THEY'RE REAL NICE PICTURES. 291 00:15:23,879 --> 00:15:25,707 - WELL, I WOULDN'T EXACTLY CALL THEM NICE. 292 00:15:25,750 --> 00:15:27,535 NO. SIGNIFICANT, YES. 293 00:15:27,578 --> 00:15:30,538 THERE'S A GREAT DEAL OF SUBTEXT TO GARBAGE, I THINK. 294 00:15:30,581 --> 00:15:31,669 - [clearing throat] THE NEW YORK ART WORLD 295 00:15:31,713 --> 00:15:32,670 MUST BE A BUNCH OF IDIOTS. 296 00:15:35,456 --> 00:15:38,198 - ANYONE WANT SOME PIE? 297 00:15:46,162 --> 00:15:50,732 [phone ringing] 298 00:15:50,775 --> 00:15:52,473 [beep] - HELLO? 299 00:15:52,516 --> 00:15:53,909 - OH, CONTACT WITH SANITY. 300 00:15:53,953 --> 00:15:55,302 - JORDAN, HEY! 301 00:15:55,345 --> 00:15:57,043 - DOES HUBERT MISS ME? 302 00:15:57,086 --> 00:15:59,349 - YOU GOT TO STOP WORRYING ABOUT THAT FISH, OKAY? 303 00:15:59,393 --> 00:16:02,439 WHERE ARE YOU? - THIS RANCH, OUT IN THE MIDDLE OF NOWHERE. 304 00:16:02,483 --> 00:16:04,224 THIS IS SO MUCH WORSE THAN I EXPECTED. 305 00:16:04,267 --> 00:16:05,790 - HE'S UGLY. I KNEW IT. 306 00:16:05,834 --> 00:16:07,401 YOU KNOW, I-- I SHOULD HAVE REALIZED THAT 307 00:16:07,444 --> 00:16:08,924 WHEN HE DIDN'T HAVE A PICTURE WITH HIS AD. 308 00:16:08,968 --> 00:16:12,145 - WELL... HE'S NOT EXACTLY UNATTRACTIVE. 309 00:16:12,188 --> 00:16:13,885 BUT I HAVE NO IDEA WHY HE ASKED ME TO COME. 310 00:16:13,929 --> 00:16:16,366 HE CLEARLY DOES NOT WANT ME HERE. 311 00:16:16,410 --> 00:16:18,934 - YOU'RE NOT GIVING HER A CHANCE, TY. 312 00:16:18,978 --> 00:16:21,763 - I SAID I'D MEET HER. I NEVER SAID I'D LIKE HER. 313 00:16:21,806 --> 00:16:23,199 - OH, HOW CAN YOU WRITE HER OFF SO QUICKLY? 314 00:16:23,243 --> 00:16:24,722 YOU DON'T KNOW ANYTHING ABOUT HER. 315 00:16:24,766 --> 00:16:26,333 - I KNOW SHE LIKES DROPPING NAMES 316 00:16:26,376 --> 00:16:28,900 OF PEOPLE SHE DOESN'T EVEN KNOW. 317 00:16:28,944 --> 00:16:32,513 I CAN SEE HER FITTING IN HERE, HUH, CHUCK? 318 00:16:32,556 --> 00:16:34,254 COURSE, YOU WOULDN'T HAVE ANYONE TO TALK FRENCH TO. 319 00:16:34,297 --> 00:16:36,256 - SHE'S NERVOUS. 320 00:16:36,299 --> 00:16:38,998 AND YOUR ATTITUDE ISN'T HELPING ANY. 321 00:16:39,041 --> 00:16:41,391 IF YOU WANT A CHANCE AT SOMETHING WONDERFUL-- 322 00:16:41,435 --> 00:16:42,784 - WONDERFUL. 323 00:16:42,827 --> 00:16:44,742 TROUBLE IS MORE LIKE IT. 324 00:16:44,786 --> 00:16:47,310 - JORDAN, I--I'M SO SORRY I GOT YOU INTO THIS. 325 00:16:47,354 --> 00:16:49,095 WHY DON'T YOU JUST TELL HIM THAT, I DON'T KNOW, 326 00:16:49,138 --> 00:16:50,792 SOMETHING CAME UP AND YOU GOT TO COME BACK RIGHT AWAY? 327 00:16:50,835 --> 00:16:53,055 - WELL, I'M THINKING ABOUT IT. 328 00:16:53,099 --> 00:16:54,578 IT'S JUST THE OTHER PEOPLE THAT I MET HERE, 329 00:16:54,622 --> 00:16:55,927 LIKE HIS SISTER, ARE REALLY NICE. 330 00:16:55,971 --> 00:16:57,929 I FEEL AWFUL LYING TO THEM. 331 00:16:57,973 --> 00:17:00,715 - SWEETIE, IT'S SO EASY TO LIE. JUST PRETEND YOU'RE ME. 332 00:17:04,458 --> 00:17:07,200 [crickets chirping] 333 00:17:08,549 --> 00:17:16,383 ♪ 334 00:17:23,738 --> 00:17:25,435 - [sighs] 335 00:17:36,577 --> 00:17:38,448 HI. 336 00:17:38,492 --> 00:17:39,536 MIND IF I JOIN YOU? 337 00:17:40,972 --> 00:17:42,409 THANKS. 338 00:17:50,112 --> 00:17:51,548 WOW, I'VE NEVER SEEN SO MANY STARS IN MY LIFE. 339 00:17:52,984 --> 00:17:54,812 [laughs] IT'S BEAUTIFUL. 340 00:17:55,900 --> 00:17:58,773 - YEAH. 341 00:17:58,816 --> 00:18:03,212 [animal howling] 342 00:18:03,256 --> 00:18:04,866 JUST A LONESOME COYOTE. NO NEED TO BE AFRAID. 343 00:18:04,909 --> 00:18:10,611 - I'M NOT AFRAID. [laughs] 344 00:18:10,654 --> 00:18:13,483 - DOES LIVING IN NEW YORK CITY MAKE PEOPLE SO TOUCHY? 345 00:18:13,527 --> 00:18:14,876 - POSSIBLY. WHAT'S YOUR EXCUSE? 346 00:18:14,919 --> 00:18:16,834 - [laughs] 347 00:18:18,706 --> 00:18:20,403 JUST COMES NATURAL, I GUESS. 348 00:18:23,754 --> 00:18:24,799 - I'M SURE THERE'S A LOT OF THINGS OUT HERE 349 00:18:24,842 --> 00:18:25,843 THAT I'M NOT USED TO. 350 00:18:28,150 --> 00:18:29,673 - YOU EAST COASTERS ARE FUNNY PEOPLE. 351 00:18:29,717 --> 00:18:31,675 YOU THINK THE WORLD IS FLAT-- 352 00:18:31,719 --> 00:18:34,287 YOU GO WEST OF PHILADELPHIA, YOU'LL FALL OFF THE EDGE OF IT. 353 00:18:34,330 --> 00:18:36,680 - [laughs] YOU KNOW, HAS IT EVER OCCURRED TO YOU 354 00:18:36,724 --> 00:18:38,639 THAT YOU MIGHT BE WRONG ABOUT SOME THINGS? 355 00:18:38,682 --> 00:18:39,640 POSSIBLY? 356 00:18:39,683 --> 00:18:41,511 - NOPE. 357 00:18:41,555 --> 00:18:45,602 - NO, NO. OF COURSE NOT. [laughs] 358 00:18:45,646 --> 00:18:46,821 OH, YOU'RE JUST YANKING MY CHAIN. 359 00:18:46,864 --> 00:18:49,867 - LITTLE BIT, YEAH. 360 00:18:49,911 --> 00:18:51,434 COURSE, THERE'S NO SPORT IN IT. YOU'RE TOO EASY. 361 00:18:51,478 --> 00:18:52,827 - REALLY? 362 00:18:52,870 --> 00:18:53,741 SO, YOU GOT ME ALL FIGURED OUT. 363 00:18:54,611 --> 00:18:56,483 HUH. 364 00:18:56,526 --> 00:18:58,615 WELL, LAY IT ON ME. TELL ME EXACTLY WHO YOU THINK I AM. 365 00:18:59,703 --> 00:19:00,791 SERIOUSLY, GO AHEAD. 366 00:19:00,835 --> 00:19:02,880 - YOU GOT SOMEBODY ELSE'S NAME 367 00:19:02,924 --> 00:19:04,752 PLASTERED ON THE BACK OF YOUR JEANS. 368 00:19:04,795 --> 00:19:06,710 YOU'RE PROBABLY ONE OF THOSE POLITICALLY-CORRECT PEOPLE 369 00:19:06,754 --> 00:19:08,277 WHO NEVER HAD A TRUE THOUGHT OF YOUR OWN. 370 00:19:08,321 --> 00:19:11,759 - AND YOUR MIND'S AS CLOSED AS A STEEL TRAP. 371 00:19:11,802 --> 00:19:13,543 CAN'T TOLERATE ANYTHING OR ANYONE 372 00:19:13,587 --> 00:19:15,850 OUTSIDE YOUR NARROW LITTLE WORLD OUT HERE. 373 00:19:15,893 --> 00:19:17,330 DECIDED I WAS A SHALLOW SNOB 374 00:19:17,373 --> 00:19:19,201 THE SECOND YOU LAID EYES ON ME, HUH? 375 00:19:19,245 --> 00:19:22,987 - ABOUT THE SAME TIME YOU DECIDED I WAS A DUMB HICK. 376 00:19:23,031 --> 00:19:25,729 - WELL, I GUESS WE KNOW WHERE WE STAND WITH EACH OTHER, HUH? 377 00:19:25,773 --> 00:19:29,080 - I GUESS SO. 378 00:19:29,124 --> 00:19:31,213 - AS FAR AS ME HAVING SOMEBODY'S NAME ON MY BACK, 379 00:19:31,257 --> 00:19:32,910 DIDN'T REALIZE YOUR LAST NAME WAS WRANGLER. 380 00:19:41,441 --> 00:19:43,704 - [laughs] 381 00:19:52,626 --> 00:19:53,757 - YOU KNOW, I--I'M JUST GONNA HAVE 382 00:19:53,801 --> 00:19:55,150 SOME COFFEE AND TOAST, I THINK. 383 00:19:55,194 --> 00:19:56,586 - WE DON'T HAVE ANY OF THAT, UH, 384 00:19:56,630 --> 00:19:58,893 ESPRESSO OR CAPPUCCINO AROUND HERE. 385 00:19:58,936 --> 00:20:00,590 - WE'RE VACCINATING THE CATTLE TODAY. 386 00:20:00,634 --> 00:20:01,939 YOU CAN COME ALONG, IF YOU LIKE. 387 00:20:01,983 --> 00:20:03,593 - LAURIE. - SOUNDS FASCINATING. 388 00:20:03,637 --> 00:20:06,553 I'D LOVE TO. - YOU MAY HAVE TO RIDE A HORSE. 389 00:20:06,596 --> 00:20:08,207 - IT'S NO PROBLEM. I CAN STAY ON A HORSE. 390 00:20:19,609 --> 00:20:21,524 [cows mooing] 391 00:20:27,138 --> 00:20:29,967 - LET HIM GO. 392 00:20:33,449 --> 00:20:35,538 - ALL RIGHT, THAT'S THE LAST OF 'EM. 393 00:20:40,630 --> 00:20:43,024 - I TOLD YOU, JORDAN, THE CATTLE GET A LITTLE, UH, GAMEY 394 00:20:43,067 --> 00:20:44,765 ONCE YOU GET UP CLOSE AND PERSONAL. 395 00:20:44,808 --> 00:20:46,984 - OH, IT'S ALL RIGHT. NOTHING'S GAMIER THAN GARBAGE. 396 00:20:50,553 --> 00:20:52,642 - HEY, TY! WHY DON'T YOU SHOW JORDAN 397 00:20:52,686 --> 00:20:55,166 SOME OF YOUR, UH, ROPE TRICKS LATER ON? 398 00:20:55,210 --> 00:20:57,995 - I DON'T THINK SHE'D BE INTERESTED. 399 00:20:58,039 --> 00:21:01,172 - SURE SHE WOULD. COME ON. - THAT'S OKAY, LAURIE, REALLY. 400 00:21:01,216 --> 00:21:02,609 YOU KNOW, NO ONE LIKES TO PERFORM ON COMMAND. 401 00:21:02,652 --> 00:21:04,437 - [laughs] 402 00:21:08,267 --> 00:21:09,790 - HAVE A NICE RIDE! 403 00:21:09,833 --> 00:21:11,357 - BYE! 404 00:21:13,576 --> 00:21:15,535 - YOU KNOW, YOU DIDN'T HAVE TO LET LAURIE TALK YOU INTO THIS. 405 00:21:15,578 --> 00:21:17,580 - LONG RIDE. 406 00:21:17,624 --> 00:21:18,973 - WELL, I CAN HANDLE IT. 407 00:21:19,016 --> 00:21:20,061 - YOU KNOW HOW TO BRIDLE A HORSE? 408 00:21:20,104 --> 00:21:22,150 - YEAH, OF COURSE I DO. 409 00:21:22,193 --> 00:21:23,586 [horse whinnying] OH! 410 00:21:23,630 --> 00:21:25,675 OKAY. OKAY, THE HORSE IS HEAD-SHY. 411 00:21:25,719 --> 00:21:29,636 - YEAH. HE'S A LITTLE TOUCHY. [laughing] 412 00:21:29,679 --> 00:21:31,638 - YOU SO DID THAT ON PURPOSE. 413 00:21:31,681 --> 00:21:33,770 YOU WANTED TO SEE ME MAKE A FOOL OF MYSELF, DIDN'T YOU? 414 00:21:33,814 --> 00:21:35,772 - LOOK, LADY, YOU'RE THE ONE ACTING LIKE YOU KNOW EVERYTHING. 415 00:21:35,816 --> 00:21:38,035 - [scoffs] 416 00:21:38,079 --> 00:21:39,167 WOW. YOU ARE HAVING THE BEST TIME 417 00:21:39,210 --> 00:21:40,951 AT MY EXPENSE, AREN'T YOU? 418 00:21:40,995 --> 00:21:42,562 YOU ACTED LIKE A JERK FROM THE SECOND I GOT HERE. 419 00:21:42,605 --> 00:21:44,303 WELL, I TELL YOU WHAT. I'VE HAD IT. 420 00:21:44,346 --> 00:21:45,652 I'M ON THE FIRST PLANE RIGHT BACK TO NEW YORK. 421 00:21:45,695 --> 00:21:47,262 - WELL, THAT'S WHERE YOU BELONG. 422 00:21:47,306 --> 00:21:49,699 - YOU'RE RIGHT, IT IS. ABSOLUTELY. 423 00:21:49,743 --> 00:21:51,875 AT LEAST I CAN GET CHINESE FOOD DELIVERED BY TAXI. 424 00:21:51,919 --> 00:21:54,661 PEOPLE DON'T EAT 50 POUNDS OF CHOLESTEROL FOR BREAKFAST. 425 00:21:54,704 --> 00:21:56,445 OKAY, PEOPLE ARE A LITTLE RUDE MAYBE SOMETIMES, 426 00:21:56,489 --> 00:21:58,273 BUT AT LEAST THEY'VE GOT A GOOD REASON FOR IT, 427 00:21:58,317 --> 00:22:00,231 YOU KNOW, LIKE THEY'VE GOT TO SHOVE THROUGH 500 PEOPLE 428 00:22:00,275 --> 00:22:02,233 TO GET THROUGH THE SUBWAY, AND THEN, YOU--YOU, MY FRIEND-- 429 00:22:02,277 --> 00:22:04,061 HEY! WHERE-- WHERE ARE YOU GOING? 430 00:22:08,849 --> 00:22:10,503 YOU'VE GOT TO BE KIDDING ME. 431 00:22:10,546 --> 00:22:11,634 HEY! 432 00:22:19,250 --> 00:22:23,124 [exhales] CAN YOU SLOW DOWN? JEEZ. 433 00:22:23,167 --> 00:22:24,865 - WHERE'D YOU LEARN TO HORSEBACK? 434 00:22:24,908 --> 00:22:26,649 - [breathing heavily] I GREW UP HELPING MY DAD 435 00:22:26,693 --> 00:22:28,695 AT A BOARDING STABLE WHERE HE WORKED. 436 00:22:28,738 --> 00:22:30,827 - I THOUGHT YOU GREW UP IN NEW YORK CITY. 437 00:22:30,871 --> 00:22:33,134 - NO, HAINESVILLE. LITTLE TOWN IN UPSTATE NEW YORK. 438 00:22:33,177 --> 00:22:35,136 I'D EXERCISE THE HORSES WHILE THE OWNERS WERE AWAY. 439 00:22:35,179 --> 00:22:37,399 - THAT AIN'T THE CITY. 440 00:22:37,443 --> 00:22:40,968 - NO, I DIDN'T GO TO THE CITY UNTIL I WENT TO COLLEGE. 441 00:22:41,011 --> 00:22:42,970 IT WAS GREAT GOING TO A PLACE YOU'D ALWAYS DREAMED OF. 442 00:22:43,013 --> 00:22:44,014 IT WAS LIKE GOING TO OZ, YOU KNOW? 443 00:22:44,058 --> 00:22:45,712 A WHOLE NEW WORLD FOR ME. 444 00:22:45,755 --> 00:22:47,888 - WHAT WAS WRONG WITH THE WORLD YOU CAME FROM? 445 00:22:47,931 --> 00:22:49,890 - NOTHING, JUST LOOKING FOR MORE. 446 00:22:49,933 --> 00:22:51,674 - DID YOU FIND IT? 447 00:22:51,718 --> 00:22:52,719 - OF COURSE. 448 00:23:23,402 --> 00:23:25,839 - WILD HORSE GATHER. 449 00:23:25,882 --> 00:23:29,799 THEY THIN OUT THE HERDS, 450 00:23:29,843 --> 00:23:31,758 TO BE SOLD AT A PUBLIC SALE. 451 00:23:31,801 --> 00:23:34,456 - YOU KNOW THOSE GUYS? 452 00:23:34,500 --> 00:23:37,024 - HANK JAMISON, HEAD OF THE STOCKMEN'S ASSOCIATION, 453 00:23:37,067 --> 00:23:39,156 WITH SOME DLM WRANGLERS. 454 00:23:39,200 --> 00:23:41,463 - DEPARTMENT OF LAND MANAGEMENT? 455 00:23:41,507 --> 00:23:44,597 - THEY'RE SUPPOSED TO MANAGE OPEN RANGE. 456 00:23:44,640 --> 00:23:46,686 TODAY, THEY'RE MANAGING MY LAND. 457 00:23:46,729 --> 00:23:47,730 - SO THEY'RE TRESPASSING. 458 00:23:47,774 --> 00:23:48,862 - YEP. 459 00:23:48,905 --> 00:23:51,038 - WELL... [sighs] 460 00:23:52,431 --> 00:23:54,041 [horse whinnying] - HO! 461 00:23:55,999 --> 00:24:01,527 [continues yelling] 462 00:24:01,570 --> 00:24:02,832 - WHOA. 463 00:24:10,100 --> 00:24:12,189 HEY, COULD WE SLOW DOWN, PLEASE? 464 00:24:17,107 --> 00:24:18,848 - YOU MIGHT WANT TO STOP THE UP-AND-DOWN STUFF. 465 00:24:18,892 --> 00:24:20,197 IT'D BE EASIER ON YOUR BEHIND. 466 00:24:23,026 --> 00:24:25,986 - WHY DIDN'T YOU GO DOWN AND CONFRONT THOSE GUYS? 467 00:24:26,029 --> 00:24:27,770 - WELL, IT'S A PERSONAL MATTER. 468 00:24:27,814 --> 00:24:29,250 - AND THEY TOOK THOSE BEAUTIFUL HORSES, YOU KNOW? 469 00:24:29,293 --> 00:24:30,686 - I KNOW WHERE TO FIND THEM. 470 00:24:30,730 --> 00:24:32,601 - OBVIOUSLY MEANT TO BE FREE OUT HERE. 471 00:24:35,343 --> 00:24:37,084 - THERE'S NOTHING MORE BEAUTIFUL ON THIS EARTH 472 00:24:37,127 --> 00:24:38,999 THAN A HERD OF MUSTANG MOVING ACROSS OPEN LAND. 473 00:24:40,696 --> 00:24:42,611 - WHY EXACTLY DO THEY THIN THE HERDS? 474 00:24:42,655 --> 00:24:44,874 - WELL, THEY SAY IT'S TO PROTECT THE OPEN RANGE, 475 00:24:44,918 --> 00:24:46,572 BUT THE TRUTH IS, A LOT OF RANCHES 476 00:24:46,615 --> 00:24:48,965 DON'T WANT THEIR CATTLE SHARING GRAZING LAND. 477 00:24:50,924 --> 00:24:52,229 - WHAT'S GONNA HAPPEN TO 'EM? 478 00:24:53,883 --> 00:24:55,276 - NOTHIN'... 479 00:24:55,319 --> 00:24:57,452 IF I HAVE ANYTHING TO SAY ABOUT IT. 480 00:24:57,496 --> 00:24:59,323 - W-- 481 00:24:59,367 --> 00:25:00,586 WOULD YOU STOP RIDING AWAY FROM ME? 482 00:25:00,629 --> 00:25:01,804 GOSH! 483 00:25:12,815 --> 00:25:13,816 OH, MY GOSH. 484 00:25:16,819 --> 00:25:18,168 WHAT HAPPENED? 485 00:25:18,212 --> 00:25:20,257 - WILD HORSEMAN HAS BEEN AT WORK. 486 00:25:35,882 --> 00:25:39,668 - HELLO, BABY. HELLO, BABY. 487 00:25:44,934 --> 00:25:47,067 - WILL HE SURVIVE? 488 00:25:47,110 --> 00:25:49,286 - WE'LL TAKE IT BACK TO THE BARN. 489 00:26:07,174 --> 00:26:08,915 - I DON'T KNOW ABOUT THIS. 490 00:26:08,958 --> 00:26:12,092 - NOW, WHAT MOST PEOPLE DON'T UNDERSTAND 491 00:26:12,135 --> 00:26:14,529 IS THAT GOAT MILK IS THE UNIVERSAL DONOR. 492 00:26:14,573 --> 00:26:17,358 [goat bleating] 493 00:26:17,401 --> 00:26:19,316 - DO I LOOK LIKE SOMEONE WHO'S EVER MILKED A GOAT BEFORE? 494 00:26:19,360 --> 00:26:21,144 - JUST PAT THE UDDER. 495 00:26:21,188 --> 00:26:24,060 START FROM THE TOP LIKE YOU'RE GETTING MILK OUT OF A BALLOON. 496 00:26:24,104 --> 00:26:25,322 YOU'LL BE FINE. [pats] 497 00:26:33,417 --> 00:26:35,202 SHE COULD STARVE WITHOUT IT. 498 00:26:37,900 --> 00:26:39,380 [goat bleating] 499 00:26:39,423 --> 00:26:40,686 - HI. 500 00:26:44,559 --> 00:26:46,648 OH, I'M SORRY. SORRY. 501 00:27:03,622 --> 00:27:04,666 GOOD GIRL. 502 00:27:14,807 --> 00:27:15,895 OH! 503 00:27:17,853 --> 00:27:20,247 I GOT IT. I GOT IT! 504 00:27:21,814 --> 00:27:22,815 OH! 505 00:27:25,252 --> 00:27:26,906 UH. 506 00:27:26,949 --> 00:27:28,603 - DON'T BE TOO ROUGH. 507 00:27:28,647 --> 00:27:30,126 - I CAN BE GENTLE. 508 00:27:30,170 --> 00:27:31,780 - GOOD. 509 00:27:36,567 --> 00:27:40,441 - PETE WAS A LONG-LEGGED, CROOKED-GRINNED, 510 00:27:40,484 --> 00:27:42,443 TUMBLEWEED TYPE OF GUY 511 00:27:42,486 --> 00:27:44,401 WHO COULD CHARM A BEAR OUT OF HONEY 512 00:27:44,445 --> 00:27:45,446 AND A GIRL OUT OF HER BETTER JUDGMENT. 513 00:27:45,489 --> 00:27:47,230 - [laughing] 514 00:27:47,274 --> 00:27:49,015 - HE LOVED A RODEO. 515 00:27:49,058 --> 00:27:51,495 I LOVED HIM. 516 00:27:51,539 --> 00:27:53,715 HE NEVER MET A HAND OF POKER OR A BOTTLE OF JD 517 00:27:53,759 --> 00:27:54,803 OR A SHAPELY TAIL FEATHER HE DIDN'T LIKE. 518 00:27:54,847 --> 00:27:56,805 - [laughing] 519 00:27:56,849 --> 00:27:58,677 - ANY FOOL COULD SEE WHERE THAT MARRIAGE WAS HEADED. 520 00:27:58,720 --> 00:28:01,462 WE GOT A DIVORCE ALONG ABOUT THE TIME SARAH DIED. 521 00:28:01,505 --> 00:28:03,507 - WHO'S SARAH? 522 00:28:03,551 --> 00:28:05,118 - TYLER'S WIFE. HE DIDN'T TELL YOU? 523 00:28:05,161 --> 00:28:06,380 - MM. 524 00:28:06,423 --> 00:28:07,860 - NO, I GUESS HE WOULDN'T. 525 00:28:12,299 --> 00:28:14,170 - WELL, HOW DID SHE DIE? 526 00:28:14,214 --> 00:28:17,478 - TYLER'D HAVE A FIT IF HE KNEW I WAS TELLING YOU THIS. 527 00:28:17,521 --> 00:28:19,785 - OH, I'M SORRY. I DON'T-- I DON'T MEAN TO PRY OR ANYTHING. 528 00:28:21,525 --> 00:28:23,527 - SARAH WANTED TO BE A MOM 529 00:28:23,571 --> 00:28:25,878 AND HAVE TYLER'S CHILD MORE THAN ANYTHING IN THE WORLD, 530 00:28:25,921 --> 00:28:27,662 BUT SHE WAS A HIGH-RISK PREGNANCY. 531 00:28:27,706 --> 00:28:29,751 - WHAT HAPPENED? 532 00:28:29,795 --> 00:28:32,667 - SHE WENT INTO LABOR WHEN SHE WAS SEVEN MONTHS ALONG 533 00:28:32,711 --> 00:28:34,669 AND, UM... 534 00:28:34,713 --> 00:28:35,975 IT ALL WENT WRONG. 535 00:28:36,018 --> 00:28:37,454 - I'M SORRY. 536 00:28:39,456 --> 00:28:41,415 TYLER MUST HAVE BEEN DEVASTATED. - UGH. 537 00:28:41,458 --> 00:28:44,070 AROUND HERE, MEN ARE TAUGHT TO COWBOY UP. 538 00:28:44,113 --> 00:28:45,898 IF IT HURTS, DON'T SHOW IT. 539 00:28:45,941 --> 00:28:49,031 - I GUESS I'M A LITTLE BIT DIFFERENT THAN SARAH, HUH? 540 00:28:50,554 --> 00:28:52,339 - IN SOME WAYS. 541 00:28:52,382 --> 00:28:53,993 BUT YOU'RE MORE ALIKE THAN YOU THINK. 542 00:28:54,036 --> 00:28:57,518 YOU STAND UP TO TYLER LIKE SARAH DID, AND... 543 00:28:57,561 --> 00:28:59,912 HE WON'T ADMIT IT, BUT HE ADMIRES THAT. 544 00:28:59,955 --> 00:29:01,478 - YOU KNOW, THERE'S SOMETHING THAT I-- 545 00:29:01,522 --> 00:29:03,480 I REALLY DON'T UNDERSTAND, LAURIE. 546 00:29:03,524 --> 00:29:06,309 TYLER DOESN'T SEEM TO WANT ME HERE, SO... 547 00:29:06,353 --> 00:29:07,920 WHY DID HE ASK ME TO COME? 548 00:29:07,963 --> 00:29:09,486 - [sighs] 549 00:29:11,401 --> 00:29:13,012 I'M GONNA LEVEL WITH YOU, JORDAN. 550 00:29:13,055 --> 00:29:14,361 [sighing] 551 00:29:14,404 --> 00:29:15,797 TYLER DIDN'T WRITE THAT AD. 552 00:29:15,841 --> 00:29:17,538 I DID. 553 00:29:17,581 --> 00:29:19,453 WHEN HE FOUND OUT ABOUT IT, HE WAS MAD. 554 00:29:19,496 --> 00:29:21,063 - [laughs] 555 00:29:21,107 --> 00:29:22,586 WELL, THEN, WHY DID HE GO ALONG WITH IT? 556 00:29:22,630 --> 00:29:24,284 - HE WAS TIRED OF ME BUGGING HIM, 557 00:29:24,327 --> 00:29:25,851 TRYING TO SET HIM UP, 558 00:29:25,894 --> 00:29:29,463 AND WE MADE A DEAL THAT IF HE MET ONE WOMAN, 559 00:29:29,506 --> 00:29:32,509 I'D QUIT TRYING TO PLAY MATCHMAKER. 560 00:29:32,553 --> 00:29:34,033 I'M SORRY. I HOPE YOU DON'T THINK WE'VE GOT YOU HERE 561 00:29:34,076 --> 00:29:35,556 UNDER FALSE PRETENSES. 562 00:29:35,599 --> 00:29:37,514 - OH, GOSH, IT'S OKAY. I UNDERSTAND. 563 00:29:39,647 --> 00:29:42,215 - WHAT EXACTLY DID YOU MEAN BY WILD HORSE MANAGEMENT? 564 00:29:42,258 --> 00:29:44,521 - BUREAUCRACY AT WORK. 565 00:29:44,565 --> 00:29:46,741 WILD HORSES PUT UP FOR ADOPTION. 566 00:29:46,785 --> 00:29:48,395 TRUTH IS, THEY ONLY TAKE 567 00:29:48,438 --> 00:29:49,962 THE YOUNGER, MORE DESIRABLE ONES. 568 00:29:50,005 --> 00:29:52,399 - LEAVING THE OLDER ONES TO FEND FOR THEMSELVES? 569 00:29:52,442 --> 00:29:54,749 - NEXT HARD WINTER'D TAKE 'EM DOWN. 570 00:29:54,793 --> 00:29:57,839 ALL RIGHT. I'LL BE BACK. 571 00:29:57,883 --> 00:29:59,362 - WELL, I'M GOING WITH YOU TO THE SALE. 572 00:29:59,406 --> 00:30:00,581 - NO, YOU'RE NOT. 573 00:30:00,624 --> 00:30:01,843 - YES, I AM! 574 00:30:04,367 --> 00:30:06,239 - DON'T YOU EVER DO ANYTHING YOU'RE TOLD? 575 00:30:06,282 --> 00:30:08,197 - NOT SINCE I WAS 12. 576 00:30:12,636 --> 00:30:14,421 [engine starting] 577 00:30:23,430 --> 00:30:24,605 - GET OUT. LET'S GO. 578 00:30:24,648 --> 00:30:27,564 [horse neighing] 579 00:30:32,439 --> 00:30:34,789 - HA! HA! HYAH! 580 00:30:34,833 --> 00:30:36,138 [yelling at horses] 581 00:31:04,601 --> 00:31:07,474 - A LOT OF PEOPLE HERE. - YEAH. 582 00:31:07,517 --> 00:31:09,780 MOST OF THEM ARE HERE TO BUY A PET. 583 00:31:09,824 --> 00:31:11,782 THERE ARE A FEW OVER THERE 584 00:31:11,826 --> 00:31:13,610 THAT LIKE THE IDEA OF BUYING A HORSE FOR A FEW DOLLARS 585 00:31:13,654 --> 00:31:14,655 AND SELLING IT TO A SLAUGHTERHOUSE 586 00:31:14,698 --> 00:31:16,396 FOR 38 CENTS A POUND. 587 00:31:16,439 --> 00:31:17,440 - THEY KILL THEM? 588 00:31:17,484 --> 00:31:19,442 - DOG FOOD. 589 00:31:21,444 --> 00:31:23,490 EITHER THAT, OR THEY END UP AS THE DAILY LUNCH SPECIAL 590 00:31:23,533 --> 00:31:25,622 IN SOME FANCY EUROPEAN RESTAURANT. 591 00:31:25,666 --> 00:31:27,798 - THAT'S DISGUSTING. IS THAT LEGAL? 592 00:31:27,842 --> 00:31:30,018 - WAIT HERE. I GOT TO FILL OUT SOME FORMS. 593 00:31:37,504 --> 00:31:39,506 HELLO, DAVE. 594 00:31:39,549 --> 00:31:41,595 I'LL TAKE THAT BUCKSKIN. 595 00:31:41,638 --> 00:31:44,206 [pen scribbling] 596 00:31:46,600 --> 00:31:48,602 [slapping paper down] 597 00:31:48,645 --> 00:31:50,473 - [talking indistinctly] 598 00:31:55,565 --> 00:31:57,785 - YOU HAD NO RIGHT TO TAKE THOSE HORSES. 599 00:31:57,828 --> 00:32:00,048 - THOSE DANG MUSTANGS ARE A NUISANCE. 600 00:32:00,092 --> 00:32:02,877 IN FACT, WE'RE GONNA DO ANOTHER GATHER IN A COUPLE OF DAYS. 601 00:32:02,921 --> 00:32:05,967 - OPEN RANGE IS JUST THAT. 602 00:32:06,011 --> 00:32:07,664 THOSE HORSES HAVE A RIGHT TO BE THERE. 603 00:32:11,886 --> 00:32:13,888 - YOU KNOW, IT'S TOO BAD YOU DIDN'T SHOW AS MUCH CARE 604 00:32:13,932 --> 00:32:16,630 FOR SOME PEOPLE 605 00:32:16,673 --> 00:32:18,371 AS YOU DO FOR THOSE HORSES. 606 00:32:18,414 --> 00:32:21,330 - JUST STAY OFF MY LAND. 607 00:32:21,374 --> 00:32:22,810 - ARE YOU ACCUSING ME OF TRESPASSING? 608 00:32:22,853 --> 00:32:25,552 - YOU WERE ON MY LAND, AND YOU KNOW IT. 609 00:32:32,820 --> 00:32:37,259 - IF YOU HAVE A PROBLEM, TAKE IT UP WITH THE DLM. 610 00:32:42,743 --> 00:32:44,701 SOME PEOPLE... 611 00:32:58,367 --> 00:33:01,892 [horse neighing] 612 00:33:01,936 --> 00:33:04,069 - ANOTHER GATHERING COMING UP. 613 00:33:04,112 --> 00:33:06,810 - WHAT'S LEFT OF THE HERD IS GETTING EASIER TO HANDLE. 614 00:33:06,854 --> 00:33:09,857 - LET'S SET UP A PORTABLE. HOLD THEM FOR A FEW DAYS, HUH? 615 00:33:09,900 --> 00:33:11,511 [horse whinnying] 616 00:33:13,600 --> 00:33:15,297 - HEY, LAURIE. - HEY. 617 00:33:15,341 --> 00:33:18,431 - LISTEN, HAVE YOU HEARD OF A RANCHER NAMED JAMISON? 618 00:33:18,474 --> 00:33:20,694 - YEAH. WHY? 619 00:33:20,737 --> 00:33:24,176 - WELL, HE AND TYLER HAD SORT OF A, UM, WELL, JUST-- 620 00:33:24,219 --> 00:33:26,395 A CONFRONTATION AT THE SALE. [laughing] 621 00:33:26,439 --> 00:33:30,095 - HANK JAMISON AND TYLER HAVE NEVER AGREED ABOUT THE MUSTANGS. 622 00:33:30,138 --> 00:33:31,574 - WELL, IT SEEMED TO BE ABOUT A LITTLE BIT MORE 623 00:33:31,618 --> 00:33:34,186 THAN JUST HORSES. 624 00:33:34,229 --> 00:33:35,361 - ONCE UPON A TIME, 625 00:33:35,404 --> 00:33:37,058 HANK WAS A GOOD GUY. 626 00:33:37,102 --> 00:33:39,756 NOW HE HAS A HEART COLD ENOUGH TO HANG MEAT. 627 00:33:39,800 --> 00:33:41,715 - WHY? WHAT HAPPENED? 628 00:33:41,758 --> 00:33:44,979 - HE LOST HIS ONLY DAUGHTER. SHE WAS ALL HE HAD. 629 00:33:45,023 --> 00:33:46,937 - WHAT DOES THAT HAVE TO DO WITH TYLER? 630 00:33:46,981 --> 00:33:50,376 - HANK BLAMES TY FOR HER DEATH. 631 00:33:50,419 --> 00:33:53,161 HIS DAUGHTER WAS SARAH. 632 00:34:05,695 --> 00:34:07,306 - SEE, IN THE WILD, IT'S THE DOMINANT MARE 633 00:34:07,349 --> 00:34:09,090 THAT ACTUALLY RUNS THE HERD. 634 00:34:09,134 --> 00:34:13,138 YOUNG HORSE GETS UPPITY, SHE KICKS HIM OUT FOR A WHILE. 635 00:34:13,181 --> 00:34:17,011 - HOW DOES SHE LET HIM KNOW WHEN HIS, UH, HIS TIME-OUT IS OVER? 636 00:34:17,055 --> 00:34:20,841 - SHE STOPS TURNING HIM DOWN AND TURNS AWAY. 637 00:34:20,884 --> 00:34:22,930 THEN HE KNOWS HE CAN GET BACK IN. 638 00:34:22,973 --> 00:34:25,367 THAT'S WHAT TYLER'S DOING. 639 00:34:25,411 --> 00:34:29,763 HE'S JOINING UP, 640 00:34:29,806 --> 00:34:31,808 THE WAY HORSES IS DOING THE WILD. 641 00:35:06,104 --> 00:35:07,670 - HOW'S HE DOIN'? 642 00:35:07,714 --> 00:35:11,065 - TY'S STILL GOT THE TOUCH. 643 00:35:11,109 --> 00:35:13,067 - I CAN'T BELIEVE HE'S LETTING TYLER TOUCH HIM. 644 00:35:13,111 --> 00:35:15,852 - HE KNOWS TY'S NO THREAT. 645 00:35:39,224 --> 00:35:41,313 - YOUR BROTHER'S REALLY GOOD WITH THE HORSES. 646 00:35:41,356 --> 00:35:43,880 - HE'S A LOT BETTER WITH HORSES THAN HE IS WITH PEOPLE. 647 00:35:48,450 --> 00:35:50,626 - WHOA, NOW. EASY, BOY. 648 00:35:50,670 --> 00:35:53,194 - THAT'S THE BAREBACK RIG. 649 00:35:53,238 --> 00:35:54,978 HE'S PUTTING IT ON SO THE HORSE WILL GET USED TO HAVING 650 00:35:55,022 --> 00:35:57,285 SOMETHING ON HIS BACK AND AROUND HIS BELLY. 651 00:36:08,688 --> 00:36:10,690 - HERE WE GO. 652 00:36:13,040 --> 00:36:15,912 [horse whinnying] WHOA, SON. EASY NOW. 653 00:36:17,000 --> 00:36:18,306 [shutter snapping] 654 00:36:46,204 --> 00:36:50,599 - HE DOES IT BY THE NUMBERS, SLOW AND EASY. 655 00:37:08,965 --> 00:37:10,010 - WELL, I'VE HAD ALL THE EXCITEMENT I CAN TAKE 656 00:37:10,053 --> 00:37:11,620 FOR ONE AFTERNOON. 657 00:37:11,664 --> 00:37:12,708 I'M GOING TO GO FIX DINNER. 658 00:37:12,752 --> 00:37:14,754 - OKAY. 659 00:37:24,677 --> 00:37:26,418 HOW'D YOU LEARN TO DO THAT? 660 00:37:26,461 --> 00:37:31,031 - WELL, I'D SEEN A LOT OF HORSES GET THEIR SPIRITS BROKEN. 661 00:37:31,074 --> 00:37:33,381 I KNEW THERE HAD TO BE A BETTER WAY. 662 00:37:36,993 --> 00:37:38,734 WILL YOU PUT THAT DOWN, PLEASE? 663 00:37:38,778 --> 00:37:40,780 - [laughs] 664 00:37:40,823 --> 00:37:43,826 [shutter snapping] 665 00:37:43,870 --> 00:37:45,654 - WHY DON'T YOU LIKE HAVING YOUR PICTURE TAKEN? 666 00:37:45,698 --> 00:37:46,873 YOU AFRAID I'M GONNA SEE WHAT YOU'RE HIDIN'? 667 00:37:48,701 --> 00:37:49,832 - GIVE ME THAT. - HEY, WHAT ARE YOU DOING? 668 00:37:49,876 --> 00:37:51,007 WAIT. PLEASE BE CAREFUL. 669 00:37:51,051 --> 00:37:53,183 - I'M GONNA TAKE YOUR PICTURE. 670 00:37:53,227 --> 00:37:55,751 WHAT'S THE MATTER? DON'T YOU LIKE HAVING YOUR PICTURE TAKEN? 671 00:37:55,795 --> 00:37:58,058 - I GUESS I'M JUST NOT USED TO BEING ON THE OTHER SIDE OF IT. 672 00:37:58,101 --> 00:38:00,060 - OKAY, SMILE. 673 00:38:00,103 --> 00:38:02,845 - [laughs] 674 00:38:02,889 --> 00:38:04,020 [shutter snapping] 675 00:38:06,719 --> 00:38:08,460 - WHY'D YOU START TAKING PICTURES? 676 00:38:10,070 --> 00:38:11,811 - WHEN I WAS A KID, 677 00:38:11,854 --> 00:38:14,204 MY MOM THOUGHT I WAS SPENDING TOO MUCH TIME ALONE. 678 00:38:14,248 --> 00:38:15,945 SHE THOUGHT THE CAMERA WOULD BE A GOOD WAY TO ENCOURAGE ME 679 00:38:15,989 --> 00:38:17,643 TO GET OFF MY BACK AND DO STUFF. 680 00:38:17,686 --> 00:38:18,861 - AND YOU TOOK TO IT RIGHT AWAY? 681 00:38:18,905 --> 00:38:20,994 - YEAH, I GUESS. 682 00:38:21,037 --> 00:38:23,823 CAMERA'S A GOOD WAY TO CONNECT WITH THE WORLD. 683 00:38:23,866 --> 00:38:28,131 AT THE SAME TIME, IT WAS, UH, IT WAS LIKE PROTECTION. 684 00:38:28,175 --> 00:38:30,482 HELPED ME DEAL WITH WHAT WAS GOING ON IN MY LIFE AT THE TIME. 685 00:38:32,745 --> 00:38:34,747 - WHAT WAS GOING ON IN YOUR LIFE AT THE TIME? 686 00:38:34,790 --> 00:38:36,662 - UH... 687 00:38:36,705 --> 00:38:38,838 GUESS I WAS HAVING A HARD TIME UNDERSTANDING WHY ONE DAY 688 00:38:38,881 --> 00:38:42,058 MY FATHER WAS TAKING ME TO THE STABLES TO HELP HIM OUT, 689 00:38:42,102 --> 00:38:43,886 AND THE NEXT DAY, HE WAS GONE. 690 00:38:43,930 --> 00:38:45,410 - HE DIED? 691 00:38:47,063 --> 00:38:49,631 - NO. NO, HE LEFT. 692 00:38:53,069 --> 00:38:54,897 AND I HAVEN'T SEEN HIM SINCE. 693 00:38:59,728 --> 00:39:00,903 - ANY MAN THAT DON'T STICK AROUND FOR HIS KID 694 00:39:00,947 --> 00:39:02,078 AIN'T WORTH HIS SALT. 695 00:39:03,819 --> 00:39:05,560 IF HE DIDN'T, 696 00:39:05,604 --> 00:39:07,083 THERE'S SOMETHING WRONG WITH THE MAN, NOT THE KID. 697 00:39:12,175 --> 00:39:14,700 WHY DO YOU WANT TO TAKE PICTURES OF GARBAGE? [laughs] 698 00:39:14,743 --> 00:39:16,484 - IT'S THE RIGHT KIND OF SUBJECT. 699 00:39:16,528 --> 00:39:19,879 IT'S DARK, AND IT'S EDGY, AND IT WOULD GET ME NOTICED. 700 00:39:19,922 --> 00:39:22,185 - SO YOU DID IT TO IMPRESS OTHER PEOPLE. 701 00:39:22,229 --> 00:39:25,406 - NO OFFENSE, BUT YOU REALLY DON'T KNOW HOW THINGS WORK. 702 00:39:25,450 --> 00:39:28,844 - I UNDERSTAND YOU DON'T TRUST YOURSELF. 703 00:39:28,888 --> 00:39:31,369 I UNDERSTAND YOU NEED OTHER PEOPLE TO VALIDATE YOUR DREAMS. 704 00:39:34,197 --> 00:39:36,504 THAT CAN WEAR A FELLA DOWN. 705 00:39:49,517 --> 00:39:50,997 - [sighs] 706 00:39:55,044 --> 00:39:57,786 UM... LAURIE, CHUCK, I'VE BEEN DOING SOME THINKING, 707 00:39:57,830 --> 00:39:59,962 AND I'D BE HAPPY TO DO YOUR WEDDING PHOTOS FOR YOU, 708 00:40:00,006 --> 00:40:01,181 IF YOU'D LIKE. 709 00:40:01,224 --> 00:40:03,183 - YOU WOULD! OH, JORDAN, 710 00:40:03,226 --> 00:40:05,794 I CAN'T TELL YOU HOW MUCH THAT MEANS TO US. 711 00:40:05,838 --> 00:40:07,796 - BUT THERE'S-- THERE'S ACTUALLY SOMETHING 712 00:40:07,840 --> 00:40:09,581 THAT I SHOULD TELL YOU. 713 00:40:09,624 --> 00:40:12,366 UM... I'M NOT EXACTLY A PROFESSIONAL PHOTOGRAPHER. 714 00:40:12,410 --> 00:40:15,978 NEVER REALLY HAD ANYTHING SOLD OR BOUGHT, SO... 715 00:40:16,022 --> 00:40:17,937 - OH, THAT DOESN'T MATTER. 716 00:40:17,980 --> 00:40:19,852 I'M SURE YOU'LL DO A TERRIFIC JOB. 717 00:40:19,895 --> 00:40:21,723 - GREAT. 718 00:40:25,031 --> 00:40:27,773 - I BETTER BE GOIN' SOON, HON. 719 00:40:27,816 --> 00:40:29,252 I GOT SOME STUFF TO FINISH UP TONIGHT 720 00:40:29,296 --> 00:40:30,253 TO MAKE UP FOR MISSING WORK TOMORROW. 721 00:40:30,297 --> 00:40:32,212 - [gasps] THE GAME! 722 00:40:32,255 --> 00:40:33,996 OH, MY GOODNESS. I NEARLY FORGOT ABOUT IT. 723 00:40:34,040 --> 00:40:35,215 - GAME? WHAT GAME? 724 00:40:35,258 --> 00:40:36,782 - IT'S THE ANNUAL BASEBALL GAME 725 00:40:36,825 --> 00:40:38,958 BETWEEN THE RANCHERS AND THE TOWN FOLK. 726 00:40:39,001 --> 00:40:40,829 IT'S BEEN GOING ON FOR NEARLY 100 YEARS. 727 00:40:40,873 --> 00:40:42,831 BIGGER THAN THE WORLD SERIES FOR US. 728 00:40:42,875 --> 00:40:44,093 - [laughs] - NO KIDDING? SOUNDS FUN. 729 00:40:44,137 --> 00:40:47,227 - IT IS IF WE WIN. 730 00:40:47,270 --> 00:40:50,883 [crowd cheering, ball smacking] 731 00:40:50,926 --> 00:40:53,059 - SEND BASE, ANITA! 732 00:40:54,582 --> 00:40:56,236 - OH! 733 00:40:56,279 --> 00:40:58,020 - OUT! THREE AWAY. 734 00:40:58,064 --> 00:41:01,023 [overlapping chatter] 735 00:41:01,067 --> 00:41:02,764 - THAT HURT. - [crying out] 736 00:41:02,808 --> 00:41:03,809 - ANKLE? - YEAH. 737 00:41:03,852 --> 00:41:05,854 - IT'LL BE OKAY. 738 00:41:07,203 --> 00:41:09,205 - WHEW! - WHO'S THAT? 739 00:41:09,249 --> 00:41:10,816 - THAT WAS ANITA. 740 00:41:10,859 --> 00:41:12,382 - COME ON, LET'S GET YOU UP. 741 00:41:12,426 --> 00:41:13,819 - I GUESS EVERYONE HERE KNOWS EACH OTHER? 742 00:41:13,862 --> 00:41:15,516 - [laughs] JUST ABOUT. 743 00:41:15,560 --> 00:41:16,996 IF YOU'RE GONNA DO SOMETHING YOU'RE ASHAMED OF, 744 00:41:17,039 --> 00:41:18,911 YOU'D BEST BE DOING IT OUT OF TOWN. 745 00:41:18,954 --> 00:41:20,782 - [laughs] WELL, I'VE LIVED IN MY APARTMENT FOR SEVEN YEARS. 746 00:41:20,826 --> 00:41:22,567 I THINK I ONLY KNOW ONE NEIGHBOR. 747 00:41:22,610 --> 00:41:25,047 - [breathing heavily] - SLICKERS, TAKE THE FIELD. 748 00:41:25,091 --> 00:41:26,614 INNING'S OVER. 749 00:41:30,052 --> 00:41:31,837 - WE NEED YOU, LAURIE. 750 00:41:31,880 --> 00:41:34,056 - [scoffs] - ANITA SPRAINED HER ANKLE. 751 00:41:34,100 --> 00:41:36,058 - I GOT A WEDDING COMING UP, JESSE. 752 00:41:36,102 --> 00:41:38,060 I PLAN ON WALKING DOWN THE AISLE WITH NO CRUTCHES. 753 00:41:38,104 --> 00:41:40,106 - [laughs] - YEAH, BUT YOU KNOW THE RULES. 754 00:41:40,149 --> 00:41:41,890 GOT TO HAVE AT LEAST ONE GAL ON THE TEAM. 755 00:41:41,934 --> 00:41:44,066 - YOU'RE BARKING UP THE WRONG TREE, JESSE. 756 00:41:44,110 --> 00:41:45,764 - UH-- CAN ANYONE PLAY? 757 00:41:45,807 --> 00:41:47,243 - ANYBODY WHO LIVES OUTSIDE CITY LIMITS. 758 00:41:49,463 --> 00:41:50,551 - I GUESS I QUALIFY, HUH? [laughing] 759 00:41:54,076 --> 00:41:55,077 - CHUCK, YOU'RE LEADING OFF. 760 00:41:55,121 --> 00:41:57,863 PETE, YOU'RE ON DECK. 761 00:41:57,906 --> 00:42:00,692 - WELL, YOU KNOW WE HAVE TO HAVE A WOMAN PLAYING ON THE TEAM. 762 00:42:00,735 --> 00:42:02,128 - OH, YEAH. SHE'S ON THE BENCH. 763 00:42:02,171 --> 00:42:04,783 - THEN SHE NEEDS TO PLAY. PLAY BALL! 764 00:42:04,826 --> 00:42:06,915 - WHAT'S UP? 765 00:42:06,959 --> 00:42:08,700 - SHE CAN'T JUST SIT ON THE BENCH. SHE'S GOT TO PLAY. 766 00:42:11,920 --> 00:42:13,008 - PETE, YOU'RE ON THE BENCH. 767 00:42:13,052 --> 00:42:14,793 JORDAN, YOU'RE ON DECK. 768 00:42:14,836 --> 00:42:17,360 - OH, MAN. 769 00:42:17,404 --> 00:42:19,058 - IF SHE DOESN'T PLAY, WE FORFEIT, FELLAS. 770 00:42:19,101 --> 00:42:20,886 - OH, NO. 771 00:42:20,929 --> 00:42:21,974 - BATTER UP! 772 00:42:22,017 --> 00:42:27,370 [clapping and yelling] 773 00:42:27,414 --> 00:42:29,242 - SHOW US WHAT YOU GOT! - YEAH! 774 00:42:32,985 --> 00:42:34,290 - GO ON, GEORGE! PUT IT PAST HER! 775 00:42:36,118 --> 00:42:37,119 - WAY TO GO! WAY TO GO! 776 00:42:37,163 --> 00:42:39,078 [overlapping chatter] 777 00:42:39,121 --> 00:42:42,821 - COME ON, SWEETHEART! KNOCK IT OUT OF THE PARK! 778 00:42:42,864 --> 00:42:49,131 [cheering] 779 00:42:49,175 --> 00:42:51,525 - GO! GO! 780 00:42:51,569 --> 00:42:53,527 - WAY TO GO, BABY! 781 00:42:53,571 --> 00:42:55,050 - GOOD! HOLD THAT! 782 00:42:55,094 --> 00:42:56,835 - STAY! 783 00:42:56,878 --> 00:43:00,534 [cheering] 784 00:43:00,578 --> 00:43:01,753 - JORDAN, YOU'RE UP. 785 00:43:06,932 --> 00:43:08,020 - PLAY TO WIN. 786 00:43:08,063 --> 00:43:09,456 - I DON'T PLAY TO LOSE. 787 00:43:09,499 --> 00:43:13,112 - OKAY, JORDAN, BRING ME HOME! 788 00:43:13,155 --> 00:43:15,636 - COME ON, JORDAN, YOU CAN IT. 789 00:43:15,680 --> 00:43:17,943 - COME ON, JORDAN. - LET'S GO, GIRL! MAKE A HIT! 790 00:43:17,986 --> 00:43:20,119 - ALL RIGHT, JORDAN, SHOW US SOMETHING! HERE WE GO! 791 00:43:20,162 --> 00:43:21,033 - SHOW 'EM WHAT YOU GOT! 792 00:43:21,076 --> 00:43:23,775 [crowd murmuring] 793 00:43:28,780 --> 00:43:29,868 - STRIKE! 794 00:43:29,911 --> 00:43:31,565 - OH, MAN! 795 00:43:31,609 --> 00:43:34,699 - AW, COME ON, HENRY! YOU KNOW THAT WAS A BALL! 796 00:43:40,008 --> 00:43:44,012 [cheering] 797 00:43:44,056 --> 00:43:46,493 - WAY TO GO, GIRL! 798 00:43:46,536 --> 00:43:48,582 - COME ON, COME ON, COME ON! 799 00:43:48,626 --> 00:43:49,931 [cheering] 800 00:43:49,975 --> 00:43:51,933 - SAFE! 801 00:43:51,977 --> 00:43:54,980 [cheering] 802 00:43:55,023 --> 00:43:56,721 - [laughs] 803 00:43:56,764 --> 00:43:57,983 - WHOA! 804 00:43:58,026 --> 00:44:01,203 - [laughs] YES! YES! 805 00:44:01,247 --> 00:44:04,076 - COME ON! YEAH! 806 00:44:04,119 --> 00:44:07,035 [laughs] - WHOO! 807 00:44:07,079 --> 00:44:08,602 [cheering] - WHOO-HOO-HOO! 808 00:44:08,646 --> 00:44:10,082 I TOLD YOU! 809 00:44:10,125 --> 00:44:11,997 - WHERE DID YOU LEARN TO HIT LIKE THAT? 810 00:44:12,040 --> 00:44:14,042 - [sighs] DID I MENTION I GOT THROUGH COLLEGE 811 00:44:14,086 --> 00:44:15,827 ON A SOFTBALL SCHOLARSHIP? 812 00:44:15,870 --> 00:44:16,958 - REMIND ME NEVER TO UNDERESTIMATE YOU AGAIN, 813 00:44:17,002 --> 00:44:18,133 MISS DONOVAN. 814 00:44:18,177 --> 00:44:19,961 - I WILL, MR. ROSS. 815 00:44:31,581 --> 00:44:35,020 - HERE COMES THE SLUGGER. - MORNING, GUYS. 816 00:44:35,063 --> 00:44:37,631 DO YOU MIND IF I COME WITH YOU, TAKE PICTURES OF THE HORSES? 817 00:44:37,675 --> 00:44:40,199 I WON'T GET IN THE WAY, I PROMISE. 818 00:44:40,242 --> 00:44:42,288 - GET HER A HORSE. 819 00:45:02,700 --> 00:45:04,440 [horses neighing] 820 00:45:07,008 --> 00:45:08,488 - NOW, YOU KNOW THE INDIAN THANKED THE WHITE MAN 821 00:45:08,531 --> 00:45:11,752 FOR GIVING HIM HORSES, 822 00:45:11,796 --> 00:45:14,407 BECAUSE HE SAID IT MADE THE LANDSCAPE LOOK SO BEAUTIFUL. 823 00:45:14,450 --> 00:45:16,148 - WE'RE GONNA DRIVE THEM BACK THIS WAY. 824 00:45:16,191 --> 00:45:17,584 YOU JUST STAY ON YOUR HORSE AND DON'T GET HURT. 825 00:45:17,627 --> 00:45:18,846 [kiss noises] 826 00:45:22,720 --> 00:45:25,679 - HYAH! - HYAH! HYAH! 827 00:45:25,723 --> 00:45:27,289 - COME ON! 828 00:45:34,079 --> 00:45:35,733 [shutter snapping] 829 00:45:40,128 --> 00:45:41,303 HYAH! HYAH! 830 00:45:59,582 --> 00:46:01,541 - HYAH! HYAH! 831 00:46:01,584 --> 00:46:06,894 HYAH! GET ALONG! YO, GET ALONG! 832 00:46:23,215 --> 00:46:24,782 - THAT'S AWESOME! 833 00:46:34,313 --> 00:46:35,705 - WHAT THE HECK ARE YOU THINKING? 834 00:46:35,749 --> 00:46:37,098 I TOLD YOU TO STAY ON YOUR HORSE. 835 00:46:37,142 --> 00:46:40,580 - SORRY, I JUST GOT CAUGHT UP IN IT. 836 00:46:40,623 --> 00:46:42,538 - GET ON YOUR HORSE. 837 00:46:58,250 --> 00:47:00,121 [shutter snapping] 838 00:47:27,801 --> 00:47:30,586 WE'LL LET 'EM LOOSE WHEN THE GATHER'S DONE. 839 00:47:34,852 --> 00:47:36,592 YOUR HEAD COLD? 840 00:47:38,420 --> 00:47:40,466 - I'LL GET MY HAT AND MEET YOU BACK AT THE BARN. 841 00:47:45,993 --> 00:47:47,255 - [laughs] 842 00:47:57,439 --> 00:48:00,442 - RIGHT! YOU RUN THESE HORSES AS FAR OFF ROSS' LAND 843 00:48:00,486 --> 00:48:02,488 AS DAYLIGHT WILL TAKE 'EM. 844 00:48:04,185 --> 00:48:06,840 - ALL RIGHT, COME ON! 845 00:48:06,884 --> 00:48:09,103 COME ON. HYAH! 846 00:48:09,147 --> 00:48:11,149 - GO! 847 00:48:22,856 --> 00:48:26,251 - NO PICTURE IS WORTH RISKING YOUR LIFE OVER. 848 00:48:26,294 --> 00:48:27,948 - HE REALLY CARES ABOUT ME, JESSE. 849 00:48:27,992 --> 00:48:30,429 - NO, I JUST DON'T WANT SOME BIG CITY LAWYER 850 00:48:30,472 --> 00:48:32,039 HANGING ME WITH A WRONGFUL DEATH SUIT. 851 00:48:36,783 --> 00:48:38,524 - LISTEN, I'M SORRY THAT I SCREWED UP, OKAY? 852 00:48:41,048 --> 00:48:42,528 - I KNOW. 853 00:49:07,945 --> 00:49:10,599 - HEY. I JUST WANTED TO CHECK ON THE FLOWERS. 854 00:49:10,643 --> 00:49:12,775 PEGGY, MARIE, THANK YOU SO MUCH. 855 00:49:12,819 --> 00:49:14,777 THEY LOOK BEAUTIFUL. - YOU'RE WELCOME. 856 00:49:14,821 --> 00:49:16,910 - THIS OLD CHURCH IS GORGEOUS. 857 00:49:16,954 --> 00:49:19,304 - YEAH. I ALWAYS WANTED TO GET MARRIED HERE. 858 00:49:19,347 --> 00:49:21,784 PETE INSISTED WE RUN OFF TO RENO. 859 00:49:21,828 --> 00:49:23,221 HE LOST ALL OUR MONEY THE FIRST NIGHT. 860 00:49:23,264 --> 00:49:24,048 WE HAD TO COME BACK THE NEXT DAY. 861 00:49:24,091 --> 00:49:26,789 - [laughing] 862 00:49:26,833 --> 00:49:28,661 WERE TYLER AND SARAH MARRIED HERE? 863 00:49:28,704 --> 00:49:32,317 - YEAH. IT WAS A BEAUTIFUL CEREMONY. 864 00:49:32,360 --> 00:49:34,928 TYLER AND I WERE BAPTIZED HERE. 865 00:49:34,972 --> 00:49:38,018 THE FUNERAL FOR SARAH AND THE BABY WAS HERE. 866 00:49:38,062 --> 00:49:39,933 A LOT OF BITTERSWEET MEMORIES IN THIS OLD CHURCH. 867 00:49:39,977 --> 00:49:43,154 - WELL, TODAY THERE WILL ONLY BE HAPPY ONES. 868 00:49:43,197 --> 00:49:44,851 I'LL GET THE PICTURES PRINTED UP IN NEW YORK WHEN I GET BACK, 869 00:49:44,894 --> 00:49:46,809 AND YOU'LL HAVE THEM WITHIN THE WEEK, OKAY? 870 00:49:46,853 --> 00:49:48,724 - I GUESS YOU'RE LOOKING FORWARD TO GOING BACK. 871 00:49:48,768 --> 00:49:51,945 - [laughs] YOU KNOW, LAURIE, I KNOW THAT YOU HAD HOPED 872 00:49:51,989 --> 00:49:53,816 THAT TYLER AND I WOULD HAVE HIT IT OFF, 873 00:49:53,860 --> 00:49:56,689 BUT I THINK THAT EVERYONE HAS KIND OF AN IDEA 874 00:49:56,732 --> 00:49:58,778 OF WHO THEY WANT TO BE WITH, 875 00:49:58,821 --> 00:50:00,910 AND I JUST-- I JUST DON'T THINK 876 00:50:00,954 --> 00:50:03,391 THAT TYLER AND I ARE THAT FOR EACH OTHER. 877 00:50:03,435 --> 00:50:05,698 - YOU KNOW, SOMETIMES THE RIGHT PERSON 878 00:50:05,741 --> 00:50:07,700 DOESN'T ALWAYS COME IN THE RIGHT PACKAGE. 879 00:50:07,743 --> 00:50:10,050 LOOK AT CHUCK. HE'S SO QUIET, 880 00:50:10,094 --> 00:50:11,573 AND MOST WOMEN WOULDN'T EVEN GIVE HIM A SECOND LOOK. 881 00:50:11,617 --> 00:50:13,836 I ALMOST MADE THE SAME MISTAKE. 882 00:50:13,880 --> 00:50:17,840 - YEAH? WHAT CHANGED YOUR MIND? - HE SAID... 883 00:50:17,884 --> 00:50:19,755 THAT HE KNEW I WAS PINING FOR PETE, 884 00:50:19,799 --> 00:50:21,844 AND THAT DIDN'T BOTHER HIM. 885 00:50:21,888 --> 00:50:24,717 AFTER ALL, I WASN'T THE FIRST PERSON HE LOVED, EITHER. 886 00:50:24,760 --> 00:50:26,197 BUT HE WANTED ME TO BE THE LAST. 887 00:50:26,240 --> 00:50:28,199 - AW! THAT'S SWEET. 888 00:50:28,242 --> 00:50:30,984 - HE ALSO SAID THAT IF I COULDN'T PUT MY PAST BEHIND ME, 889 00:50:31,028 --> 00:50:32,986 I COULDN'T HAVE A FUTURE WITH HIM. 890 00:50:33,030 --> 00:50:35,728 AND I NEARLY LOST HIM, 891 00:50:35,771 --> 00:50:38,600 JUST TRYING TO HANG ONTO SOMETHING I COULDN'T HAVE. 892 00:50:41,212 --> 00:50:43,127 I WAS HOPING TYLER WOULD COME TO REALIZE THAT. 893 00:50:43,170 --> 00:50:44,432 - HMM. 894 00:50:44,476 --> 00:50:45,955 - OH, MY GOODNESS, LOOK AT ME. 895 00:50:45,999 --> 00:50:46,826 I'VE GOT A WEDDING TO GET READY FOR. 896 00:50:46,869 --> 00:50:48,654 OH, MY. 897 00:50:52,440 --> 00:50:54,225 [wedding music playing] 898 00:50:54,268 --> 00:50:55,922 - OH. - [laughs] 899 00:50:55,965 --> 00:50:59,056 - [laughs] 900 00:51:02,668 --> 00:51:04,800 OKAY. 901 00:51:04,844 --> 00:51:07,412 WELL DONE. ALL RIGHT. ARE YOU READY FOR THIS? 902 00:51:07,455 --> 00:51:09,805 - [laughs] - ALL RIGHT. 903 00:51:09,849 --> 00:51:11,590 DON'T YOU GIVE ME TOO BIG A PIECE. 904 00:51:13,461 --> 00:51:17,813 [laughing and applauding] 905 00:51:24,559 --> 00:51:26,083 - BEAUTIFUL! 906 00:51:32,306 --> 00:51:35,875 - HONEY, LET'S DANCE. - OKAY, I'LL BE RIGHT THERE. 907 00:51:35,918 --> 00:51:38,878 [Cowgirl Rodeo by Kevin Banford] 908 00:51:38,921 --> 00:51:45,667 ♪ 909 00:51:45,711 --> 00:51:48,453 [overlapping chatter] 910 00:51:48,496 --> 00:51:50,368 - TYLER. COME HERE, THERE'S SOMEBODY I WANT YOU TO MEET. 911 00:51:50,411 --> 00:51:51,586 - ALL RIGHT. 912 00:51:54,763 --> 00:51:56,852 - MRS. SIMPSON, THIS IS MY BROTHER, TYLER. 913 00:51:56,896 --> 00:51:58,332 - HOW DO YOU DO, MA'AM? 914 00:51:58,376 --> 00:51:59,072 - MRS. SIMPSON IS CHUCK'S GREAT AUNT. 915 00:51:59,116 --> 00:52:01,118 - OH. 916 00:52:01,161 --> 00:52:05,948 - HE TELLS ME THAT YOU HAVE A VISITOR FROM NEW YORK CITY. 917 00:52:05,992 --> 00:52:09,648 MY MOTHER CAME FROM THERE. - OH, DID SHE? 918 00:52:09,691 --> 00:52:15,871 - YES, SHE, UH, SHE CAME OUT ON A TRAIN IN 1910. 919 00:52:15,915 --> 00:52:17,917 SHE WAS A MAIL ORDER BRIDE, YOU SEE. 920 00:52:17,960 --> 00:52:20,093 - I SEE. 921 00:52:20,137 --> 00:52:22,313 - HEY, JESSE. 922 00:52:22,356 --> 00:52:25,054 - HI, JORDAN, HOW ARE YOU DOING? - I'M GOOD, THANKS. 923 00:52:25,098 --> 00:52:26,708 - WELL, DID YOU GET ENOUGH PHOTOS? 924 00:52:26,752 --> 00:52:29,276 - OH, YEAH. BEAUTIFUL SETTING, BEAUTIFUL CHURCH. 925 00:52:29,320 --> 00:52:30,930 - EXCUSE ME, MA'AM. WOULD YOU DANCE WITH ME? 926 00:52:30,973 --> 00:52:32,323 - I'D LOVE TO. 927 00:52:32,366 --> 00:52:34,760 EXCUSE ME, JESSE. 928 00:52:34,803 --> 00:52:38,981 - ♪ YOU'LL NEVER WIN HER HEART ♪ 929 00:52:39,025 --> 00:52:42,681 ♪ IF YOU CAN'T DANCE THE DANCE ♪ 930 00:52:44,770 --> 00:52:49,209 ♪ 'CAUSE NOBODY RIDES IN A COWGIRL'S RODEO ♪ 931 00:52:49,253 --> 00:52:53,126 ♪ UNLESS YOU GOT SOME BLUE JEANS ON ♪ 932 00:52:53,170 --> 00:52:57,217 ♪ NOBODY SITS IN THE SADDLE OF LOVE UNLESS ♪ 933 00:52:57,261 --> 00:53:01,178 ♪ YOU CHOOSE TO TELL THE COWS COME HOME ♪ 934 00:53:01,221 --> 00:53:05,747 ♪ NOBODY BRIDLES HER HEART TILL SHE'S WILLING ♪ 935 00:53:05,791 --> 00:53:08,446 - SHE'S A FINE-LOOKING LADY. 936 00:53:08,489 --> 00:53:10,230 - MAY I CUT IN? 937 00:53:10,274 --> 00:53:14,147 - ♪ 'CAUSE BODY RIDES IN A COWGIRL'S RODEO ♪ 938 00:53:14,191 --> 00:53:18,282 - SHE MIGHT JUST FIT IN AROUND HERE AFTER ALL. 939 00:53:18,325 --> 00:53:23,025 - ♪ BUDDY, I CAN SEE THAT YOU WANNA BE ♪ 940 00:53:23,069 --> 00:53:27,378 ♪ THE WALL THAT YOU'VE BEEN LEANING ON ♪ 941 00:53:27,421 --> 00:53:31,033 ♪ UNLESS YOU GOT THE SENSE TO TAKE THIS TIP FROM ME ♪ 942 00:53:31,077 --> 00:53:36,169 ♪ SHE'LL MAKE SURE YOU'RE MOVIN' ON ♪ 943 00:53:36,213 --> 00:53:41,000 ♪ 'CAUSE NOBODY RIDES IN A COWGIRL'S RODEO ♪ 944 00:53:41,043 --> 00:53:44,917 ♪ UNLESS YOU GOT SOME WRANGLERS ON ♪ 945 00:53:44,960 --> 00:53:48,399 ♪ NOBODY SITS IN THE SADDLE OF LOVE ♪ 946 00:53:48,442 --> 00:53:54,840 ♪ UNLESS YOU CHOOSE TO TELL THE COWS COME HOME ♪ 947 00:53:54,883 --> 00:53:56,102 - COME ON, LET'S GO DANCE. 948 00:53:56,145 --> 00:53:57,669 - I'M WITH YA. - [laughs] 949 00:53:57,712 --> 00:54:01,020 - ♪ AND BUDDY, THAT'S UP TO YOU ♪ 950 00:54:01,063 --> 00:54:04,850 ♪ 'CAUSE NOBODY RIDES IN A COWGIRL'S RODEO ♪ 951 00:54:04,893 --> 00:54:08,636 ♪ UNLESS YOU'RE WEARIN' COWBOY BOOTS ♪ 952 00:54:10,856 --> 00:54:18,255 ♪ 'CAUSE NOBODY RIDES IN A COWGIRL'S RODEO ♪ 953 00:54:18,298 --> 00:54:22,128 ♪ UNLESS YOU'RE WEARIN' COWBOY BOOTS ♪ 954 00:54:22,171 --> 00:54:26,611 [music ends] 955 00:54:26,654 --> 00:54:29,962 [applause] 956 00:54:30,005 --> 00:54:32,878 - THANK YOU. 957 00:54:56,902 --> 00:55:00,732 - GOT SOME GREAT PICTURES OF CHUCK AND LAURIE. 958 00:55:00,775 --> 00:55:03,735 - GOOD. 959 00:55:03,778 --> 00:55:07,913 - [sighs] 960 00:55:07,956 --> 00:55:12,091 A MARRIAGE STARTING HERE MUST TRULY BE BLESSED. 961 00:55:12,134 --> 00:55:16,225 - HMM. 962 00:55:16,269 --> 00:55:20,447 - I'M SORRY, TYLER. 963 00:55:20,491 --> 00:55:22,493 - WHAT FOR? 964 00:55:22,536 --> 00:55:31,415 - I HEARD ABOUT YOUR WIFE AND BABY. 965 00:55:31,458 --> 00:55:34,896 - YEAH. 966 00:55:34,940 --> 00:55:37,638 MY DAUGHTER WAS IN AN INCUBATOR. 967 00:55:37,682 --> 00:55:43,122 SHE WAS SO SMALL. 968 00:55:43,165 --> 00:55:46,734 SHE USED TO WRAP HER LITTLE... 969 00:55:46,778 --> 00:55:49,520 LITTLE HAND AROUND MY FINGER. 970 00:55:57,528 --> 00:56:05,666 I MADE EVERY DEAL WITH GOD THAT I COULD THINK OF. 971 00:56:05,710 --> 00:56:09,104 I COULDN'T SAVE HER... 972 00:56:09,148 --> 00:56:16,285 ANY MORE THAN I COULD SAVE SARAH. 973 00:56:16,329 --> 00:56:22,770 I DON'T KNOW WHY I JUST TOLD YOU THAT. 974 00:56:22,814 --> 00:56:25,556 - JORDAN. I'M ABOUT READY TO THROW THE BOUQUET. 975 00:56:25,599 --> 00:56:26,513 YOU WANT TO COME? 976 00:56:26,557 --> 00:56:29,560 - OKAY. 977 00:56:43,791 --> 00:56:46,577 [shutter snapping] 978 00:57:23,091 --> 00:57:25,224 - WHAT ARE YOU DOING, YOUNG LADY? 979 00:57:25,267 --> 00:57:27,705 - JUST TAKING SOME PHOTOS OF THE LOCAL COLOR. 980 00:57:27,748 --> 00:57:28,880 - AM I SUPPOSED TO BE PART OF THAT LOCAL COLOR? 981 00:57:28,923 --> 00:57:30,882 - YEAH. 982 00:57:30,925 --> 00:57:32,013 - WAIT A MINUTE. 983 00:57:34,015 --> 00:57:36,191 YOU'RE WITH THE ROSSES. SALE BARN AND THE BALLGAME. 984 00:57:38,106 --> 00:57:40,021 - MR. JAMISON, I'M SORRY ABOUT YOUR DAUGHTER, 985 00:57:40,065 --> 00:57:42,981 BUT YOU KNOW WHAT? YOU'RE NOT THE ONLY ONE IN PAIN. 986 00:57:44,809 --> 00:57:46,245 - WHO THE HECK DO YOU THINK YOU ARE, 987 00:57:46,288 --> 00:57:48,203 EVEN TALKING ABOUT MY LITTLE GIRL? 988 00:57:48,247 --> 00:57:50,031 - YOU GOT TO STOP PUNISHING TYLER FOR HER DEATH, 989 00:57:50,075 --> 00:57:52,077 BECAUSE IT WASN'T HIS FAULT. 990 00:57:52,120 --> 00:57:55,080 - HE DIDN'T STOP HER. 991 00:57:55,123 --> 00:57:56,777 HE DIDN'T GIVE A DARN ABOUT SARAH. 992 00:57:56,821 --> 00:57:58,605 - HE LOVED HER, 993 00:57:58,649 --> 00:58:00,825 AND SHE LOVED HIM SO MUCH THAT SHE TOOK A TERRIBLE RISK. 994 00:58:00,868 --> 00:58:02,653 CAN YOU UNDERSTAND THAT KIND OF LOVE? 995 00:58:20,932 --> 00:58:22,847 I THOUGHT SHE NEEDED MILK. 996 00:58:22,890 --> 00:58:25,023 - MILK? [laughs] 997 00:58:25,066 --> 00:58:26,633 THIS HORSE DOESN'T DRINK MILK. 998 00:58:26,677 --> 00:58:28,243 - [laughs] 999 00:58:30,811 --> 00:58:33,292 - SHE IS LUCKY WE FOUND HER WHEN WE DID, THOUGH. 1000 00:58:33,335 --> 00:58:35,642 - LUCKY. THAT'D BE A GREAT NAME FOR HER. 1001 00:58:35,686 --> 00:58:36,730 HEY. 1002 00:58:36,774 --> 00:58:38,515 [shivering] 1003 00:58:44,912 --> 00:58:46,871 - [clearing throat] 1004 00:58:46,914 --> 00:58:49,090 THERE'S NOTHING BETTER AT KEEPING OUT THE COLD. 1005 00:58:50,091 --> 00:58:51,266 - THANK YOU. 1006 00:58:53,965 --> 00:58:54,922 - YOU'RE WELCOME. 1007 00:58:58,143 --> 00:59:02,147 YOU KNOW, WHEN THE, UM, SHOSHONE WERE IN THESE PARTS, 1008 00:59:02,190 --> 00:59:04,062 THAT LITTLE FILLY THERE WOULD HAVE MADE A... 1009 00:59:04,105 --> 00:59:05,280 NICE BRIDE PRICE. 1010 00:59:07,456 --> 00:59:08,893 - A BRIDE PRICE? WHAT'S A BRIDE PRICE? 1011 00:59:10,459 --> 00:59:13,941 - WHEN A-- WHEN A FELLA WAS... 1012 00:59:13,985 --> 00:59:16,596 COURTING A WOMAN, HE WOULD TAKE A HORSE TO HER TEEPEE, 1013 00:59:16,640 --> 00:59:22,080 AND IF SHE ACCEPTED THE HORSE, THEN-- THEN THEY WERE ENGAGED. 1014 00:59:22,123 --> 00:59:23,951 - WHAT IF SHE SAID NO? 1015 00:59:25,387 --> 00:59:27,346 - WELL... 1016 00:59:27,389 --> 00:59:29,609 AT LEAST HE GOT TO KEEP HIS HORSE. 1017 00:59:29,653 --> 00:59:31,655 - AH. 1018 00:59:35,484 --> 00:59:37,878 ANY OTHER, UM, INTERESTING TRADITIONS? 1019 00:59:37,922 --> 00:59:39,445 - YEAH, THERE'S-- [clearing throat] 1020 00:59:39,488 --> 00:59:40,751 THERE'S, UM... 1021 00:59:42,927 --> 00:59:44,755 HE, UH... 1022 00:59:44,798 --> 00:59:46,844 WELL, THERE'S-- THERE'S THE BLANKET WRAP. 1023 00:59:46,887 --> 00:59:48,976 - THE BLANKET WRAP. - YEAH. 1024 00:59:50,587 --> 00:59:52,197 THAT WAS WHEN, UM... 1025 00:59:54,982 --> 00:59:57,985 A BRAVE WOULD, UH... 1026 00:59:58,029 --> 01:00:00,771 APPROACH A WOMAN THAT HE... 1027 01:00:00,814 --> 01:00:03,121 THAT HE FANCIED, AND... 1028 01:00:03,164 --> 01:00:06,341 AND IF SHE LIKED HIM... 1029 01:00:08,561 --> 01:00:09,344 THEN SHE WOULD... 1030 01:00:11,520 --> 01:00:13,000 OPEN THE BLANKET... 1031 01:00:14,567 --> 01:00:17,004 AND HE-- INVITE HIM IN, AND... 1032 01:00:18,615 --> 01:00:20,878 JUST... 1033 01:00:20,921 --> 01:00:22,009 WRAP IT AROUND. 1034 01:00:39,940 --> 01:00:41,376 I CAN'T DO THIS. 1035 01:00:43,422 --> 01:00:44,771 [sighs] 1036 01:00:51,952 --> 01:00:53,432 - TYLER. 1037 01:00:53,475 --> 01:00:54,825 - LISTEN. 1038 01:00:57,044 --> 01:00:59,394 JORDAN, YOU WERE BROUGHT OUT HERE UNDER FALSE PRETENSES. 1039 01:01:01,048 --> 01:01:02,920 SAYING I WANTED TO GET MARRIED. 1040 01:01:02,963 --> 01:01:05,183 THE TRUTH IS, I DIDN'T WANT TO HAVE ANYTHING TO DO WITH YOU. 1041 01:01:05,226 --> 01:01:07,011 - I KNOW, LAURIE TOLD ME. 1042 01:01:07,054 --> 01:01:09,013 - I'M SORRY, JORDAN. 1043 01:01:09,056 --> 01:01:11,058 - IT'S OKAY. 1044 01:01:14,409 --> 01:01:16,368 - I JUST DIDN'T EXPECT THIS. 1045 01:01:19,110 --> 01:01:20,067 - WELL, NEITHER DID I. 1046 01:01:21,982 --> 01:01:25,072 A WEEK AGO, I THOUGHT I WANTED TO MARRY EDWARD. 1047 01:01:25,116 --> 01:01:28,032 - EDWARD? IS THAT YOUR BOYFRIEND? 1048 01:01:28,075 --> 01:01:30,295 - YEAH. 1049 01:01:30,338 --> 01:01:31,470 I'VE BEEN DATING HIM FOR A LONG TIME, 1050 01:01:31,513 --> 01:01:33,298 BUT HE CAN'T MAKE A COMMITMENT, 1051 01:01:33,341 --> 01:01:35,648 SO MY BEST FRIEND CARLA ANSWERED YOUR AD IN MY NAME. 1052 01:01:35,692 --> 01:01:37,563 SHE THOUGHT IT WOULD MAKE EDWARD JEALOUS. 1053 01:01:37,606 --> 01:01:40,174 - DID IT? 1054 01:01:40,218 --> 01:01:41,872 - I DON'T KNOW. I DON'T CARE. 1055 01:01:41,915 --> 01:01:42,829 I THINK WE SHOULD TALK ABOUT SARAH. 1056 01:01:42,873 --> 01:01:44,439 - NO. 1057 01:01:45,614 --> 01:01:47,486 - I KNOW IT'S HARD, TYLER, 1058 01:01:47,529 --> 01:01:48,966 BUT I THINK WE SHOULD TALK ABOUT HER. 1059 01:01:49,009 --> 01:01:51,098 - NO. 1060 01:01:51,142 --> 01:01:52,665 WE SHOULDN'T. 1061 01:01:52,709 --> 01:01:55,799 - WHAT HAPPENED TO SARAH IS NOT YOUR FAULT. 1062 01:02:13,468 --> 01:02:15,470 - I'M SURE THE HORSES ARE JUST FINE. 1063 01:02:17,342 --> 01:02:19,300 - MORNING. 1064 01:02:19,344 --> 01:02:21,389 - LOOK, I JUST NEED TO LOOK FOR MYSELF, ALL RIGHT? 1065 01:02:21,433 --> 01:02:23,043 - I'M GOING WITH YOU. 1066 01:02:24,958 --> 01:02:26,133 - OH, JORDAN. 1067 01:02:26,177 --> 01:02:27,134 - I JUST WANT TO HELP. 1068 01:02:30,964 --> 01:02:32,923 - JORDAN, I DON'T THINK IT'S A GOOD IDEA. 1069 01:02:32,966 --> 01:02:34,881 - I'M GOING WITH HIM WHETHER HE LIKES IT OR NOT. 1070 01:02:59,427 --> 01:03:01,125 - THE HORSES DIDN'T FORCE THE GATE. 1071 01:03:01,168 --> 01:03:02,169 SOMEBODY OPENED IT. 1072 01:03:03,388 --> 01:03:06,347 - JAMISON. LET'S FIND HIM. 1073 01:03:09,698 --> 01:03:11,178 - HEAD ON! 1074 01:03:35,376 --> 01:03:38,249 - ALL RIGHT. 1075 01:03:38,292 --> 01:03:40,033 I'LL GET OUT IN FRONT OF 'EM. THEY SHOULD FOLLOW THE STALLION. 1076 01:03:40,077 --> 01:03:43,167 YOU PUSH 'EM. 1077 01:03:43,210 --> 01:03:45,691 JORDAN, YOU STAY CLEAR. WE'RE GONNA MOVE FAST. 1078 01:03:45,734 --> 01:03:46,866 [kiss noises] 1079 01:04:18,289 --> 01:04:21,640 - ARE YOU CRAZY?! GET OUT OF THE DARN WAY! 1080 01:04:21,683 --> 01:04:23,729 ALL RIGHT, DRIVE THROUGH HER. 1081 01:04:23,772 --> 01:04:25,600 [engine revving] 1082 01:04:25,644 --> 01:04:27,907 WOMAN, YOU'RE GONNA GET YOURSELF AND THAT ANIMAL HURT! 1083 01:04:27,951 --> 01:04:29,778 YOU'RE IMPEDING THE DUTIES OF A FEDERAL OFFICER! 1084 01:04:29,822 --> 01:04:31,128 NOW, I AIN'T GONNA TELL YOU AGAIN! 1085 01:04:31,171 --> 01:04:33,043 GET OUT OF THE WAY! 1086 01:04:37,177 --> 01:04:39,397 YOU'D BETTER GET OUT OF THE WAY! 1087 01:04:39,440 --> 01:04:41,355 WELL, COME ON! 1088 01:04:41,399 --> 01:04:43,880 GET AFTER THOSE HORSES BEFORE THEY GET BACK ON ROSS' LAND. 1089 01:04:51,713 --> 01:04:53,237 - SMILE FOR THE CAMERA. 1090 01:04:53,280 --> 01:04:57,981 [shutter snapping] 1091 01:04:58,024 --> 01:05:00,070 BET THE GOVERNOR WOULD JUST LOVE COPIES OF THESE, 1092 01:05:00,113 --> 01:05:01,810 ALONG WITH THE FULL STORY OF YOUR VERSION 1093 01:05:01,854 --> 01:05:03,464 OF OPEN RANGE MANAGEMENT, MR. JAMISON. 1094 01:05:07,338 --> 01:05:08,513 YOU HAVE A GOOD DAY, BOYS. 1095 01:05:14,736 --> 01:05:16,956 - GET ON OUT OF HERE. 1096 01:05:46,507 --> 01:05:49,684 - [sighs] 1097 01:05:49,728 --> 01:05:52,252 - WELL, AIN'T NOBODY CHASIN' US. 1098 01:05:52,296 --> 01:05:54,298 SHE MUST HAVE STOPPED 'EM. 1099 01:06:03,350 --> 01:06:05,700 - WHAT THE HECK DO YOU THINK YOU WERE DOING? 1100 01:06:07,354 --> 01:06:08,529 - HELPING? 1101 01:06:09,878 --> 01:06:12,664 - YOU'VE HELPED ENOUGH. 1102 01:06:12,707 --> 01:06:14,535 WHY DON'T YOU GO HOME TO NEW YORK? 1103 01:06:30,638 --> 01:06:32,510 SHE COULD HAVE GOTTEN HURT, JESSE. 1104 01:06:32,553 --> 01:06:33,728 OR WORSE. 1105 01:07:05,630 --> 01:07:07,632 HOW'D YOU FIND ME? 1106 01:07:09,460 --> 01:07:11,679 - LOOK, I KNOW I HAVE NO RIGHT TO BE HERE. 1107 01:07:11,723 --> 01:07:12,767 - NO, YOU DON'T. 1108 01:07:14,465 --> 01:07:15,379 - WELL, I WANT TO CHANGE THAT. 1109 01:07:16,510 --> 01:07:17,772 JORDAN. 1110 01:07:24,605 --> 01:07:26,607 LISTEN. 1111 01:07:26,651 --> 01:07:29,436 I WAS AFRAID OF MAKING ANOTHER MISTAKE, 1112 01:07:29,480 --> 01:07:31,656 BUT NOW I'M MORE AFRAID OF LOSING YOU. 1113 01:07:53,634 --> 01:07:56,115 I LOVE YOU. 1114 01:07:56,159 --> 01:07:58,335 I WANT TO SPEND THE REST OF MY LIFE WITH YOU. 1115 01:07:58,378 --> 01:07:59,814 - [sighs] 1116 01:08:11,696 --> 01:08:13,654 - IT'S NOT TOO LATE, IS IT? 1117 01:08:13,698 --> 01:08:15,482 I MEAN, YOU AND THE COWBOY AREN'T, UH... 1118 01:08:15,526 --> 01:08:16,788 - NO, WE'RE NOT. 1119 01:08:19,617 --> 01:08:21,271 - GOOD. [laughs] 1120 01:08:22,620 --> 01:08:25,840 [laughs] GOOD. 1121 01:08:30,628 --> 01:08:31,846 WILL YOU MARRY ME? 1122 01:08:39,202 --> 01:08:40,681 YES? 1123 01:08:41,813 --> 01:08:43,119 - MM-HMM. 1124 01:08:47,471 --> 01:08:48,472 - OH. 1125 01:08:49,821 --> 01:08:51,257 MM. 1126 01:09:13,453 --> 01:09:14,237 - LAURIE? 1127 01:09:15,499 --> 01:09:16,543 - JORDAN'S GONE. 1128 01:09:18,589 --> 01:09:20,765 THAT GUY... EDWARD, CAME TO GET HER. 1129 01:09:20,808 --> 01:09:22,680 IT'S NOT TOO LATE. YOU COULD STILL CATCH HER. 1130 01:09:25,770 --> 01:09:27,424 - WHY WOULD I WANT TO DO THAT? 1131 01:09:27,467 --> 01:09:29,556 - 'CAUSE YOU LOVE HER. 1132 01:09:29,600 --> 01:09:31,689 - YEAH, WELL, SHE'D NEVER FIT IN HERE. 1133 01:09:31,732 --> 01:09:34,344 - THAT IS NOT THE PROBLEM, AND YOU KNOW IT. 1134 01:09:34,387 --> 01:09:36,911 SHE MADE YOU FEEL AGAIN, AND YOU DON'T WANT TO. 1135 01:09:45,137 --> 01:09:48,488 - JORDAN IS A VERY, VERY TALENTED PHOTOGRAPHER. 1136 01:09:48,532 --> 01:09:50,795 SHE'S GOT HER OWN DARKROOM. SHE'S GOT THE WHOLE WORKS. 1137 01:09:50,838 --> 01:09:52,449 RIGHT? [laughs] - YEAH. 1138 01:09:52,492 --> 01:09:53,580 IF YOU'LL EXCUSE ME FOR A SECOND. 1139 01:09:53,624 --> 01:09:56,496 IT WAS NICE TO MEET YOU. 1140 01:09:56,540 --> 01:09:59,543 - ALICIA, HOW ARE YOU? 1141 01:09:59,586 --> 01:10:02,372 - HOW YOU DOIN'? - OH, GREAT. GREAT. 1142 01:10:02,415 --> 01:10:04,765 THIS IS THE STIFFEST-LOOKING BUNCH I HAVE EVER SEEN 1143 01:10:04,809 --> 01:10:06,898 OUTSIDE OF A FUNERAL PARLOR. 1144 01:10:06,941 --> 01:10:08,900 - IT'S EDWARD'S FAMILY FROM CONNECTICUT 1145 01:10:08,943 --> 01:10:10,815 AND A FEW OF HIS COLLEAGUES FROM THE LAW FIRM, YOU KNOW. 1146 01:10:10,858 --> 01:10:13,600 - YEAH. AND YOU WANT TO SPEND THE REST OF YOUR LIFE 1147 01:10:13,644 --> 01:10:15,036 AROUND THEM? 1148 01:10:15,080 --> 01:10:17,125 - PACKAGE DEAL, WHAT CAN I SAY? 1149 01:10:17,169 --> 01:10:18,997 - YOU DON'T SEEM TOO THRILLED, JORDAN. 1150 01:10:19,040 --> 01:10:20,346 - OF COURSE I AM. I'M FINE. 1151 01:10:20,390 --> 01:10:22,130 - JORDAN. 1152 01:10:22,174 --> 01:10:23,915 YOU REALLY WANT TO GO THROUGH WITH THIS? 1153 01:10:23,958 --> 01:10:25,743 - WAIT A MINUTE, CARLA, YOU'RE THE ONE THAT SET UP 1154 01:10:25,786 --> 01:10:27,614 THIS WHOLE MAIL ORDER BRIDE THING IN THE FIRST PLACE 1155 01:10:27,658 --> 01:10:28,789 TO GET EDWARD JEALOUS ENOUGH TO PROPOSE TO ME. 1156 01:10:28,833 --> 01:10:30,574 SO WHAT'S YOUR DEAL? 1157 01:10:30,617 --> 01:10:32,706 - I DIDN'T DO IT TO GET YOU TWO TOGETHER. 1158 01:10:32,750 --> 01:10:34,839 I DID IT TO GIVE YOU A CHANCE TO SEE THINGS DIFFERENTLY, 1159 01:10:34,882 --> 01:10:36,971 SO THAT YOU'D REALIZE YOU DON'T HAVE TO DRAG SOMEBODY 1160 01:10:37,015 --> 01:10:38,799 KICKING AND SCREAMING DOWN THE AISLE. 1161 01:10:38,843 --> 01:10:40,801 YOU DESERVE BETTER, JORDAN. 1162 01:10:40,845 --> 01:10:42,716 - EDWARD AND I ARE PERFECT FOR EACH OTHER. 1163 01:10:42,760 --> 01:10:44,544 WE HAVE THE SAME INTERESTS. WE EVEN VOTE THE SAME WAY. 1164 01:10:44,588 --> 01:10:46,024 [laughs] 1165 01:10:46,067 --> 01:10:47,155 - SWEETIE, DO YOU REALLY LOVE HIM? 1166 01:10:47,199 --> 01:10:48,940 - I'M MARRYING HIM, CARLA. 1167 01:10:50,811 --> 01:10:52,987 - JORDAN. HONEY. 1168 01:10:57,862 --> 01:10:59,429 I WANT YOU TO MEET THESE PEOPLE. 1169 01:10:59,472 --> 01:11:00,778 - OH, GREAT. I'M THRILLED. [laughs] 1170 01:11:15,445 --> 01:11:23,453 ♪ 1171 01:11:54,484 --> 01:11:56,486 - HMM. 1172 01:12:05,930 --> 01:12:08,062 WELL, THEY'RE GOOD. 1173 01:12:11,892 --> 01:12:13,851 GOOD ENOUGH FOR YOUR OWN SHOW. 1174 01:12:16,549 --> 01:12:18,725 - [laughs] YOU'RE KIDDING, RIGHT? 1175 01:12:22,338 --> 01:12:23,730 - HEY. - OH, HEY. 1176 01:12:23,774 --> 01:12:25,558 I WAS JUST LEAVING YOU A NOTE. 1177 01:12:25,602 --> 01:12:26,820 - [sighs] 1178 01:12:26,864 --> 01:12:28,648 - HOW DO I LOOK? 1179 01:12:28,692 --> 01:12:30,607 - LIKE A MILLION BUCKS. ALL GREEN AND TASTY. 1180 01:12:30,650 --> 01:12:32,522 - I KNOW! 1181 01:12:32,565 --> 01:12:34,959 OH, UM, GOING OUT ON A DATE. CAN'T BE LATE. 1182 01:12:35,002 --> 01:12:36,613 GOING TO LE CIRQUE. JEALOUS? HA HA! 1183 01:12:36,656 --> 01:12:38,136 UM, MESSAGE FROM EDWARD ON THE MACHINE. 1184 01:12:38,179 --> 01:12:39,964 HAVE FUN, SWEETIE. BYE! 1185 01:12:40,007 --> 01:12:41,661 - I'LL JUST TELL YOU ABOUT THE SHOW THAT COSTA GAVE ME... 1186 01:12:41,705 --> 01:12:44,098 LATER. OKAY. 1187 01:12:47,450 --> 01:12:48,929 [beep] 1188 01:12:48,973 --> 01:12:51,149 - HONEY, IT'S ME. 1189 01:12:51,192 --> 01:12:52,324 HEY, LISTEN. 1190 01:12:52,368 --> 01:12:54,761 WORKING A LITTLE LATE AGAIN. 1191 01:12:54,805 --> 01:12:56,807 I'M GONNA HAVE TO TAKE A RAIN CHECK ON THAT DINNER, OKAY? 1192 01:12:56,850 --> 01:12:58,635 I'LL TALK TO YOU LATER. 1193 01:12:58,678 --> 01:12:59,940 ALL RIGHT. I LOVE YOU. [kiss noise] 1194 01:13:03,204 --> 01:13:05,119 [click, beep] 1195 01:13:36,934 --> 01:13:39,153 - [sighs] 1196 01:13:39,197 --> 01:13:41,547 [crickets chirping] 1197 01:14:10,881 --> 01:14:12,578 [traffic sounds] 1198 01:14:42,869 --> 01:14:45,742 [cows mooing] 1199 01:14:45,785 --> 01:14:48,179 [rumbling of hooves] 1200 01:14:53,880 --> 01:14:55,969 [horses neighing] 1201 01:15:00,887 --> 01:15:02,889 [horse whinnying] 1202 01:15:02,933 --> 01:15:05,283 - HE'S WHERE HE WANTS TO BE, TYLER. 1203 01:15:05,326 --> 01:15:08,242 - IS HE? 1204 01:15:13,900 --> 01:15:14,988 [kiss noise] 1205 01:15:28,567 --> 01:15:31,483 - WHAT DO YOU MEAN, YOU DON'T WANT TO GET MARRIED? 1206 01:15:31,527 --> 01:15:34,051 - EDWARD, YOU ARE AN AMAZING, AMAZING MAN, 1207 01:15:34,094 --> 01:15:35,835 AND ANY WOMAN WOULD BE LUCKY TO BE WITH YOU, BUT-- 1208 01:15:35,879 --> 01:15:38,446 - BUT? 1209 01:15:38,490 --> 01:15:41,667 - [sighs] I'VE BEEN VERY UNFAIR TO YOU. 1210 01:15:41,711 --> 01:15:44,496 I WANTED YOU TO PROVE YOUR LOVE TO ME BY MARRYING ME. 1211 01:15:44,540 --> 01:15:46,542 BUT, EDWARD, IF YOU TRULY LOVED ME, 1212 01:15:46,585 --> 01:15:49,109 YOU WOULDN'T HAVE TO BE PRESSURED OR TRICKED 1213 01:15:49,153 --> 01:15:51,590 INTO MARRIAGE. 1214 01:15:51,634 --> 01:15:54,114 YOU CAN'T FORCE SOMEONE TO DO WHAT YOU WANT THEM TO DO. 1215 01:15:54,158 --> 01:15:55,899 IT JUST DOESN'T WORK. 1216 01:15:55,942 --> 01:15:58,902 YOU HAVE TO COME WILLINGLY TO THAT PERSON. 1217 01:15:58,945 --> 01:16:01,295 - JORDAN. 1218 01:16:01,339 --> 01:16:03,384 JORDAN. 1219 01:16:03,428 --> 01:16:07,258 WE COULD HAVE THE MOST AMAZING LIFE TOGETHER. 1220 01:16:07,301 --> 01:16:10,174 - I ALREADY KNOW WHAT IT'S GOING TO BE LIKE, EDWARD. 1221 01:16:10,217 --> 01:16:12,132 SEPARATE LAST NAMES, SEPARATE BANK ACCOUNTS. 1222 01:16:12,176 --> 01:16:14,657 SPENDING MOST OF OUR TIME APART. 1223 01:16:14,700 --> 01:16:20,271 BEING MARRIED IS NOT GOING TO CHANGE THE WAY THINGS ARE. 1224 01:16:20,314 --> 01:16:22,099 AND I'LL ALWAYS BE WAITING FOR THAT MOMENT 1225 01:16:22,142 --> 01:16:24,144 WHEN YOU DISCOVER THAT BEING MARRIED 1226 01:16:24,188 --> 01:16:26,930 WAS NEVER WHAT YOU WANTED. 1227 01:16:44,904 --> 01:16:47,211 - [sighs] 1228 01:16:47,254 --> 01:16:53,260 WELL, I GUESS THERE'S NO CHANGING YOUR MIND, THEN, IS THERE? 1229 01:16:53,304 --> 01:16:59,049 IT'S A LITTLE LATE FOR THAT. 1230 01:16:59,092 --> 01:17:03,793 [sighs] 1231 01:17:03,836 --> 01:17:06,796 THIS ISN'T ABOUT THAT COWBOY, IS IT? 1232 01:17:06,839 --> 01:17:09,102 - NO, I'LL NEVER SEE HIM AGAIN. 1233 01:17:09,146 --> 01:17:12,889 - WELL, THAT'S HIS LOSS. 1234 01:17:12,932 --> 01:17:15,674 - THANKS. 1235 01:17:26,250 --> 01:17:28,208 [door shuts] 1236 01:17:28,252 --> 01:17:30,384 [cows mooing] 1237 01:17:41,482 --> 01:17:44,921 - LET'S GO. 1238 01:17:44,964 --> 01:17:48,185 - I'M IN NO HURRY. WE CAN WAIT A LITTLE BIT LONGER. 1239 01:17:48,228 --> 01:17:50,143 - WHAT'S THE POINT? 1240 01:17:50,187 --> 01:17:50,927 [horse whinnying] 1241 01:17:52,102 --> 01:17:52,842 [horse whinnying] 1242 01:18:02,503 --> 01:18:04,418 [horse whinnying] 1243 01:18:16,169 --> 01:18:18,171 - ATTA BOY. 1244 01:18:21,871 --> 01:18:23,873 ATTA BOY. 1245 01:18:41,455 --> 01:18:43,414 - OH, MY! 1246 01:18:43,457 --> 01:18:45,459 OH. 1247 01:19:06,567 --> 01:19:09,309 [phone ringing] 1248 01:19:09,353 --> 01:19:11,485 - HELLO? - JORDAN? 1249 01:19:11,529 --> 01:19:13,313 IT'S LAURIE CARTER. 1250 01:19:13,357 --> 01:19:15,359 - HEY, LAURIE. HOW ARE YOU? 1251 01:19:15,402 --> 01:19:16,839 DID YOU GET THE PICTURES? 1252 01:19:16,882 --> 01:19:20,016 - OH, MY GOSH, THEY ARE SO WONDERFUL. 1253 01:19:20,059 --> 01:19:21,931 I CAN'T WAIT TO SHOW THEM TO CHUCK. 1254 01:19:21,974 --> 01:19:24,063 IT WAS SO NICE OF YOU TO DO THIS. 1255 01:19:24,107 --> 01:19:26,370 - OH, IT WAS MY PLEASURE ENTIRELY. 1256 01:19:26,413 --> 01:19:29,547 DID YOU GET THE INVITATION TOO? - I SURE DID. 1257 01:19:29,590 --> 01:19:31,375 LOOKS LIKE A BIG DEAL. 1258 01:19:31,418 --> 01:19:34,552 - YEAH, IT IS. I'M PRETTY EXCITED ABOUT IT. 1259 01:19:34,595 --> 01:19:36,554 SO, UM... 1260 01:19:36,597 --> 01:19:38,077 HOW IS EVERYONE? 1261 01:19:38,121 --> 01:19:39,557 - OH, WE'RE OKAY. 1262 01:19:39,600 --> 01:19:42,473 EVERYONE MISSES YOU. 1263 01:19:42,516 --> 01:19:44,344 - YEAH, I MISS EVERYONE, TOO. 1264 01:19:44,388 --> 01:19:46,085 - HOW'S YOUR FIANCE? 1265 01:19:46,129 --> 01:19:47,870 UM... EDWARD. 1266 01:19:53,353 --> 01:19:55,486 - HEY, TY? - YEAH? 1267 01:19:55,529 --> 01:19:57,618 - I GOT THE WEDDING PHOTOS FROM JORDAN. 1268 01:19:57,662 --> 01:19:59,185 - OH, GOOD. - THEY LOOK GREAT. 1269 01:19:59,229 --> 01:20:01,840 - ALL RIGHT, I'LL LOOK AT 'EM LATER, HUH? 1270 01:20:08,107 --> 01:20:12,808 SHE ISN'T MARRYING EDWARD. 1271 01:20:12,851 --> 01:20:15,375 - I GUESS THAT MAKING HIM JEALOUS THING DIDN'T WORK, HUH? 1272 01:20:15,419 --> 01:20:17,073 - SHE DUMPED HIM. 1273 01:20:17,116 --> 01:20:19,597 NOW, WHY DO YOU SUPPOSE SHE DID THAT? 1274 01:20:19,640 --> 01:20:21,425 - I DON'T KNOW, AND I DON'T CARE. 1275 01:20:21,468 --> 01:20:25,821 - YOU ARE DUMBER THAN A ROCK. 1276 01:20:25,864 --> 01:20:28,519 I KNOW YOU THINK LOVING JORDAN IS A BETRAYAL OF SARAH. 1277 01:20:28,562 --> 01:20:31,435 I KNOW HOW MUCH YOU LOVED HER. 1278 01:20:31,478 --> 01:20:34,438 BUT SARAH WOULDN'T WANT YOU TO BE MISERABLE YOUR WHOLE LIFE. 1279 01:20:34,481 --> 01:20:37,223 SHE WOULDN'T WANT YOU TO BE ALONE. 1280 01:21:21,528 --> 01:21:25,619 - THERE'LL BE ANOTHER GATHER NEXT WEEK. 1281 01:21:25,663 --> 01:21:28,971 I WON'T BE TAKING PART IN IT. 1282 01:21:29,014 --> 01:21:33,018 AND I'LL SEE TO IT THEY STAY OFF YOUR LAND. 1283 01:21:33,062 --> 01:21:34,846 - WHY? 1284 01:21:34,890 --> 01:21:38,371 - BEEN THINKING. 1285 01:21:38,415 --> 01:21:43,681 MAYBE I BEEN WRONG ABOUT THEM WILD HORSES. 1286 01:21:43,724 --> 01:21:46,597 COULD BE... 1287 01:21:46,640 --> 01:21:49,382 I BEEN WRONG ABOUT SOME OTHER THINGS, TOO. 1288 01:22:39,302 --> 01:22:41,304 [crying] 1289 01:23:57,380 --> 01:24:00,383 - AS LONG AS PEOPLE AND HORSES HAVE BEEN AROUND, 1290 01:24:00,426 --> 01:24:03,603 THERE'S BEEN THIS MYTH OF MAN ON HORSEBACK. 1291 01:24:03,647 --> 01:24:07,346 IT MIGHT BE A GREAT KING OR A GOD OR A KNIGHT 1292 01:24:07,390 --> 01:24:09,044 OR A WARRIOR 1293 01:24:09,087 --> 01:24:12,656 OR THE TIMELESS SYMBOL OF THE WEST, A COWBOY. 1294 01:24:12,699 --> 01:24:14,962 JORDAN DONOVAN HAS CAPTURED THAT POWERFUL MYTH 1295 01:24:15,006 --> 01:24:16,007 IN HER PHOTOGRAPHS. 1296 01:24:16,051 --> 01:24:18,531 [classical music playing] 1297 01:24:18,575 --> 01:24:20,098 - THANK YOU. 1298 01:24:20,142 --> 01:24:21,708 - WELL, JORDAN, YOU'RE A BIG SUCCESS. 1299 01:24:21,752 --> 01:24:23,232 HOW DOES IT FEEL? 1300 01:24:23,275 --> 01:24:24,668 - ACTUALLY, I THINK I WAS MORE EXCITED 1301 01:24:24,711 --> 01:24:25,669 WHEN I WAS TAKING THESE PICTURES 1302 01:24:25,712 --> 01:24:27,410 THAN I AM RIGHT NOW. 1303 01:24:27,453 --> 01:24:30,456 [train bell clanging] 1304 01:24:40,771 --> 01:24:42,860 - [laughing] 1305 01:24:42,903 --> 01:24:45,863 HE'S GOT A HORSE. 1306 01:24:45,906 --> 01:24:50,694 [overlapping chatter] 1307 01:24:50,737 --> 01:24:52,870 - MISS DONOVAN. CONGRATULATIONS. 1308 01:24:52,913 --> 01:24:57,483 YOU'RE A BIG SUCCESS. - THANK YOU. 1309 01:24:57,527 --> 01:24:59,485 [laughs] - CHEERS. 1310 01:24:59,529 --> 01:25:03,576 [Distant horse whinny and snort] 1311 01:25:03,620 --> 01:25:04,838 - MAKE WAY HERE, FOLKS. COMING THROUGH. 1312 01:25:04,882 --> 01:25:12,716 ♪ 1313 01:25:29,515 --> 01:25:32,257 - WILL SHE DO FOR A BRIDE PRICE? 1314 01:25:49,970 --> 01:25:50,928 - I INTRODUCED THEM. 1315 01:25:50,971 --> 01:25:52,712 [laughs] 1316 01:25:52,756 --> 01:25:56,756 I'M GOOD. 88427

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