Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:50,120 --> 00:00:52,720
OH, PLEASE,
TAKE THIS OFF ME.
2
00:00:52,760 --> 00:00:55,430
I DON’T KNOW
WHAT ELSE TO DO.
3
00:00:57,500 --> 00:01:01,240
I TRY TO KEEP CARE.
4
00:01:01,270 --> 00:01:03,940
IF I DON’T WRITE
TO MY SISTERS ENOUGH
5
00:01:03,970 --> 00:01:06,570
OR IF I’M NOT
SAVING ENOUGH MONEY,
6
00:01:06,610 --> 00:01:08,010
I DON’T KNOW WHY.
7
00:01:10,510 --> 00:01:13,680
I’LL TELL YOU THE TRUTH.
8
00:01:13,710 --> 00:01:15,380
I DON’T KNOW
WHAT ELSE TO DO.
9
00:01:20,350 --> 00:01:22,920
PLEASE HELP ME
TO FEEL NORMAL.
10
00:01:22,950 --> 00:01:25,290
[ FLOOR CREAKS ]
11
00:01:49,980 --> 00:01:51,350
HI, MARY.
12
00:01:51,380 --> 00:01:53,850
STAY ASLEEP.
IT’S ONLY 20 TO 5:00.
13
00:01:53,890 --> 00:01:56,290
WHERE ARE YOU GOING?
14
00:01:56,320 --> 00:01:58,120
UH, I’M RESTLESS,
YOU KNOW.
15
00:01:58,160 --> 00:02:00,570
I FIGURED I’D GO OUT
FOR A WALK.
16
00:02:02,730 --> 00:02:05,340
YOU STAY ASLEEP, OKAY?
17
00:02:05,360 --> 00:02:07,560
OKAY.
18
00:02:09,400 --> 00:02:13,970
I’M GOING TO GET DRESSED
OUT IN THE LIVING ROOM.
19
00:02:14,010 --> 00:02:16,750
YOU HAVE A GOOD DAY.
20
00:02:18,540 --> 00:02:19,880
OKAY, DANNY. YOU, TOO.
21
00:03:51,200 --> 00:03:52,570
MORNING, SQUAD.
22
00:03:52,600 --> 00:03:54,740
YEAH. WHAT DO WE GOT?
23
00:03:54,770 --> 00:03:57,770
WORKMEN PULLED A SKELETON
OUT OF THAT BRICKED UP WALL.
24
00:03:57,810 --> 00:03:59,510
HE’S THE ONE
THAT DISCOVERED IT.
25
00:03:59,540 --> 00:04:01,140
WENT AND BOUGHT A CAMERA
26
00:04:01,180 --> 00:04:03,140
TO GET A SHOT
OF THE SKELETON,
27
00:04:03,180 --> 00:04:04,910
BUT I WOULDN’T LET HIM
BACK DOWN THERE.
28
00:04:04,950 --> 00:04:07,080
NO PICTURES.
29
00:04:07,120 --> 00:04:09,020
HE WANTS TO SELL IT
TO THE TABLOIDS.
30
00:04:09,050 --> 00:04:10,750
IF IT WASN’T FOR ME,
31
00:04:10,790 --> 00:04:13,420
NOBODY WOULD REALIZE
THERE WAS A SKELETON THERE.
32
00:04:13,460 --> 00:04:14,670
OVER HERE.
33
00:04:24,300 --> 00:04:27,100
LOOKS LIKE SHE WAS,
WHAT, AROUND 8 YEARS OLD?
34
00:04:27,140 --> 00:04:29,640
THERE’S A LITTLE METAL SHOWING
IN THE LEG BONE HERE
35
00:04:29,670 --> 00:04:31,640
JUST ABOVE THE KNEE.
36
00:04:31,680 --> 00:04:34,020
LOOKS LIKE A FRACTURE
WITH A PIN IN IT.
37
00:04:34,050 --> 00:04:36,320
MAKE SURE CRIME SCENE
NOTES IT.
38
00:04:36,350 --> 00:04:37,990
HOW LONG THEY BEEN
PUTTING PINS IN FRACTURES?
39
00:04:38,020 --> 00:04:40,160
WHY?
40
00:04:40,180 --> 00:04:42,480
THAT’D GIVE YOU
YOUR TIME PARAMETER.
41
00:04:42,520 --> 00:04:44,690
GO BACK OVER THERE
WHERE THE SKELETON IS.
42
00:04:47,230 --> 00:04:50,200
I THINK I SHOULD BE ALLOWED
TO TAKE A PICTURE.
43
00:04:50,230 --> 00:04:52,190
DID YOU NOTICE THE SIZE
OF THAT SKELETON,
44
00:04:52,230 --> 00:04:53,660
THE LITTLE FLOWERED DRESS?
45
00:04:53,700 --> 00:04:55,300
THAT’S A LITTLE GIRL.
46
00:04:55,330 --> 00:04:57,000
I SPENT MONEY
ON A CAMERA.
47
00:04:57,040 --> 00:04:58,040
YOU’RE NOT GOING
OVER THERE.
48
00:04:58,070 --> 00:05:00,570
WHAT ABOUT FREEDOM
OF THE PRESS?
49
00:05:00,610 --> 00:05:04,180
ABOUT FREEDOM OF THE PRESS?
SHOVE IT UP YOUR ASS.
50
00:05:14,920 --> 00:05:18,090
D.O.A.’s BLAIR REYNOLDS, 23.
51
00:05:18,120 --> 00:05:20,560
HAD 12 BUCKS,
ONE SNOT RAG, ONE KEY,
52
00:05:20,590 --> 00:05:22,560
ONE VIAL OF CRACK,
ONE CRACK PIPE,
53
00:05:22,590 --> 00:05:23,760
ONE LIGHTER.
54
00:05:23,800 --> 00:05:25,570
HOW MANY BULLETS
IT LOOK LIKE HE TOOK?
55
00:05:25,600 --> 00:05:28,210
ONE ENTRY WOUND
IN THE CHEST,
56
00:05:28,230 --> 00:05:30,100
EXIT IN THE BACK.
57
00:05:30,130 --> 00:05:32,930
THAT WOMAN’S DOG TOOK ONE
RIGHT IN THE SNOUT.
58
00:05:32,970 --> 00:05:35,270
YEAH, I WANT
TO TALK TO HER.
59
00:05:35,310 --> 00:05:36,450
THANKS.
60
00:05:38,880 --> 00:05:40,750
OH, BOY.
HE’S A LONGHAIR.
61
00:05:40,780 --> 00:05:42,280
HE’S CALMING DOWN NOW.
62
00:05:42,310 --> 00:05:44,210
I GAVE HIM A SHOT
OF MORPHINE.
63
00:05:44,250 --> 00:05:46,850
GOT TO BE A PAINFUL PLACE
TO GET SHOT.
64
00:05:46,890 --> 00:05:49,930
THIS IS MRS. KENYON.
THIS IS DETECTIVE MEDAVOY.
65
00:05:49,950 --> 00:05:52,720
SORRY ABOUT YOUR DOG.
DID YOU SEE WHO SHOT HIM?
66
00:05:52,760 --> 00:05:54,100
NO, I DIDN’T SEE IT.
67
00:05:54,130 --> 00:05:56,600
I HEARD A SHOT AND SAW
SOMEONE RUNNING AWAY,
68
00:05:56,630 --> 00:05:59,190
AND THEN JERRY
STARTED HOWLING
69
00:05:59,230 --> 00:06:01,200
LIKE I NEVER
HEARD HIM BEFORE.
70
00:06:01,230 --> 00:06:03,970
CAN YOU DESCRIBE THE PERSON
YOU SAW RUNNING?
71
00:06:04,000 --> 00:06:05,600
IT WAS JUST A MAN.
72
00:06:05,640 --> 00:06:07,810
I THINK HE WAS WHITE.
73
00:06:07,840 --> 00:06:09,640
HOW MANY SHOTS WERE THERE?
74
00:06:09,670 --> 00:06:11,410
JUST ONE.
75
00:06:11,440 --> 00:06:13,780
THE BULLET MUST HAVE GONE
RIGHT THROUGH THE D. O. A.
76
00:06:13,810 --> 00:06:15,640
AND LOGGED
IN THE DOG’S NOSE.
77
00:06:15,680 --> 00:06:17,980
Jill: THAT GUY UPSTAIRS,
HE DIDN’T SEE ANYTHING,
78
00:06:18,020 --> 00:06:20,060
AND HE HOPES THE DOG DIES.
79
00:06:20,080 --> 00:06:22,080
Man: 15th squad on the air.
80
00:06:22,120 --> 00:06:24,890
I WANT TO GET JERRY
TO A VET.
81
00:06:24,920 --> 00:06:26,890
OKAY, JUST A MOMENT,
MRS. KENYON.
82
00:06:26,930 --> 00:06:28,330
GO AHEAD, CENTRAL.
83
00:06:28,360 --> 00:06:30,290
Sector Boy advises
that he’s holding one
84
00:06:30,330 --> 00:06:33,130
with a gun and a fanny pack,
Avenue A and 12th street.
85
00:06:33,160 --> 00:06:34,760
He’s transporting
to the house.
86
00:06:34,800 --> 00:06:37,570
OKAY, 15th SQUAD,
ADVISE SECTOR BOY
87
00:06:37,600 --> 00:06:40,000
WE’LL 10‐85 HIM
AT THE HOUSE.
88
00:06:40,040 --> 00:06:41,640
THAT COULD BE OUR SHOOTER.
89
00:06:41,670 --> 00:06:44,840
I WANT MY DOG TRANSPORTED
TO THE NEAREST VETERINARIAN.
90
00:06:44,880 --> 00:06:46,820
I CAN’T DO THAT.
91
00:06:46,850 --> 00:06:49,150
WE’LL ARRANGE TRANSPORTATION
FOR YOUR DOG, MA’AM.
92
00:06:49,180 --> 00:06:51,510
HE SHOULD BE TRANSPORTED
IN AN AMBULANCE.
93
00:06:51,550 --> 00:06:53,010
HELP PUT THE DOG
IN A CAR.
94
00:06:53,050 --> 00:06:54,650
I CAN’T TRANSPORT A DOG.
95
00:06:54,690 --> 00:06:56,530
WE REALIZE THAT.
96
00:06:56,560 --> 00:06:58,600
THAT’S WHY I’M ASKING YOU
TO HELP PUT IT
97
00:06:58,620 --> 00:07:01,590
IN DETECTIVE RUSSELL’S CAR,
98
00:07:01,630 --> 00:07:03,940
AND I DON’T SUPPOSE YOU COULD
ADMINISTER SOME BENADRYL
99
00:07:03,960 --> 00:07:05,930
FOR A FULL‐BLOWN
ALLERGIC REACTION
100
00:07:05,960 --> 00:07:07,300
TO LONGHAIRED BREEDS.
101
00:07:07,330 --> 00:07:09,030
NO.
102
00:07:09,070 --> 00:07:11,210
NO.
103
00:07:22,050 --> 00:07:23,390
HOW’S IT GOING, CALVIN?
104
00:07:23,410 --> 00:07:25,010
HOW’S IT GOING?
105
00:07:25,050 --> 00:07:26,480
I’M DETECTIVE MEDAVOY.
106
00:07:26,520 --> 00:07:29,130
I HOPE YOU’RE GOING
TO STRAIGHTEN THIS OUT,
107
00:07:29,150 --> 00:07:30,950
BECAUSE MY WHOLE WORLD
HAS BEEN TURNED
108
00:07:30,990 --> 00:07:32,550
100% UPSIDE DOWN.
109
00:07:32,590 --> 00:07:34,560
CALVIN, I GOT TO TALK
ABOUT THAT GUN
110
00:07:34,590 --> 00:07:35,960
OFFICER AVILA
FOUND ON YOU.
111
00:07:35,990 --> 00:07:37,790
SIT DOWN.
112
00:07:37,830 --> 00:07:40,160
OKAY, OKAY. LET ME EXPLAIN
ABOUT THE GUN.
113
00:07:40,200 --> 00:07:42,000
IT’S NOT MY GUN.
114
00:07:42,030 --> 00:07:43,730
THAT’S WHAT YOU GOT
TO UNDERSTAND.
115
00:07:43,770 --> 00:07:45,370
NOT YOURS?
116
00:07:45,400 --> 00:07:47,640
YET THERE IT WAS
IN YOUR FANNY PACK.
117
00:07:47,670 --> 00:07:49,370
THAT’S THE THING ‐‐
IT’S NOT MY FANNY PACK.
118
00:07:49,410 --> 00:07:50,720
I FOUND THAT FANNY PACK.
119
00:07:50,740 --> 00:07:52,710
NO, YOU DIDN’T FIND
THAT FANNY PACK,
120
00:07:52,740 --> 00:07:54,710
BUT JUST FOR THE SAKE
OF DISCUSSION,
121
00:07:54,750 --> 00:07:57,020
HOW LONG DID YOU HAVE IT
IN YOUR POSSESSION?
122
00:07:57,050 --> 00:07:59,820
JUST A FEW MINUTES
BEFORE THE COP GRABBED ME.
123
00:07:59,850 --> 00:08:02,050
BEFORE THE COP
FOUND THE GUN ON YOU
124
00:08:02,090 --> 00:08:03,700
WITH ONE ROUND EXPENDED,
125
00:08:03,720 --> 00:08:06,590
SOMEBODY WAS SHOT
ON 7th STREET.
126
00:08:06,630 --> 00:08:08,600
NOW THERE’S AN EMPTY ROUND
IN THAT GUN?
127
00:08:08,630 --> 00:08:10,570
I DIDN’T KNOW THAT.
128
00:08:10,600 --> 00:08:12,340
I DIDN’T EVEN KNOW
THERE WAS A GUN
129
00:08:12,360 --> 00:08:14,360
TILL THE COP TOOK IT OUT.
130
00:08:14,400 --> 00:08:16,730
I FOUND THAT FANNY PACK
LAYING ON THE SIDEWALK,
131
00:08:16,770 --> 00:08:18,370
AND I WASN’T ON 7th.
132
00:08:18,400 --> 00:08:21,200
I WAS HANGING IN THAT JOINT
UP ON AVENUE A ‐‐ THE OWL.
133
00:08:21,240 --> 00:08:22,700
DOWEL?
134
00:08:22,740 --> 00:08:24,740
THE OWL. CHECK IT OUT.
135
00:08:24,780 --> 00:08:26,590
THEN I COME OUT,
FOUND THE FANNY PACK,
136
00:08:26,610 --> 00:08:29,410
AND THE COP STOPPED ME.
I DON’T KNOW WHAT FOR.
137
00:08:29,450 --> 00:08:32,360
YOU WERE RUNNING OR WALKING
IN A SUSPICIOUS MANNER.
138
00:08:32,380 --> 00:08:34,350
THAT’S JUST
HOW I RUN AND WALK.
139
00:08:34,390 --> 00:08:36,060
MAYBE I HAD
TOO MUCH COFFEE.
140
00:08:36,090 --> 00:08:38,560
WHAT DO YOU KNOW
ABOUT A BLAIR REYNOLDS
141
00:08:38,590 --> 00:08:41,090
THAT ME AND MY PARTNER
FOUND DEAD?
142
00:08:41,130 --> 00:08:42,730
NEVER HEARD OF HIM.
143
00:08:42,760 --> 00:08:45,360
I HAVE A FEELING
THAT AS THE DAY PROGRESSES,
144
00:08:45,400 --> 00:08:47,710
WE’RE GOING TO PUT YOU
AND HIM TOGETHER ‐‐
145
00:08:47,730 --> 00:08:49,830
YOU AND HIM
AND THAT PISTOL.
146
00:08:51,600 --> 00:08:52,970
I’M BACK IN THE CAGE?
147
00:08:53,000 --> 00:08:54,300
BACK IN THE CAGE.
148
00:08:56,170 --> 00:08:58,210
FEEL FREE
TO STAND ON YOUR HEAD
149
00:08:58,240 --> 00:09:00,580
IF IT HELPS
YOUR ORIENTATION.
150
00:09:06,750 --> 00:09:09,120
HEY, BALDWIN REACH YOU
AT THE VET’S?
151
00:09:09,150 --> 00:09:10,620
YEAH, BALDWIN REACHED US.
152
00:09:10,660 --> 00:09:13,100
THE LADY DIDN’T SEE ANYONE
WITH A FANNY PACK,
153
00:09:13,120 --> 00:09:16,660
BUT THE CONCEPT’S SURE GOING
TO BE FRESH IN HER MIND.
154
00:09:16,700 --> 00:09:18,800
BETWEEN US, WE SAID IT
THREE, FOUR TIMES.
155
00:09:18,830 --> 00:09:21,830
WHAT’S HER POSITION ON GETTING
THE BULLET OUT OF THE DOG?
156
00:09:21,870 --> 00:09:24,010
HER POSITION IS NO.
157
00:09:24,040 --> 00:09:25,180
NO?
158
00:09:25,200 --> 00:09:26,430
NO WHAT?
159
00:09:26,470 --> 00:09:28,170
THE BULLET THAT KILLED
THE D. O. A.
160
00:09:28,210 --> 00:09:30,450
IS STUCK IN A DOG’S NOSE,
161
00:09:30,470 --> 00:09:32,810
AND, NO, THE OWNER
WON’T LET US RETRIEVE IT.
162
00:09:32,840 --> 00:09:34,780
THE BULLET’S
IN A DOG’S NOSE?
163
00:09:34,810 --> 00:09:37,850
YEAH, IN THE SNOUT.
WE HIT A SNAG AT THE VET’S.
164
00:09:37,880 --> 00:09:40,850
THE LADY THAT OWNS THE DOG
WON’T LET THE VET OPERATE.
165
00:09:40,890 --> 00:09:42,860
THE DOG IS 12.
THERE’S A 50% CHANCE
166
00:09:42,890 --> 00:09:44,830
HE WON’T MAKE IT
THROUGH THE PROCEDURE.
167
00:09:44,860 --> 00:09:47,270
HE LEAVES IT IN,
JERRY WILL SURVIVE.
168
00:09:47,290 --> 00:09:48,820
THIS WOMAN UNDERSTANDS
169
00:09:48,860 --> 00:09:51,260
WE’RE CONDUCTING
A MURDER INVESTIGATION.
170
00:09:51,300 --> 00:09:52,870
YEAH, SHE UNDERSTANDS.
171
00:09:52,900 --> 00:09:54,510
JERRY’S ALL SHE’S GOT.
172
00:09:54,530 --> 00:09:56,600
SO, WE GOT THE SUSPECT,
THE GUN,
173
00:09:56,640 --> 00:09:58,610
AND THE BULLET
THAT WILL CONVICT HIM
174
00:09:58,640 --> 00:10:01,680
IN THE SNOUT OF A DOG
WE ALL GOT TO HOPE
175
00:10:01,710 --> 00:10:04,120
WILL DIE OF NATURAL CAUSES
BEFORE WE RETIRE.
176
00:10:04,140 --> 00:10:05,610
IS THAT WHERE WE ARE?
177
00:10:05,640 --> 00:10:07,610
YOU THINK YOU COULD GET
A COURT ORDER
178
00:10:07,650 --> 00:10:09,150
BASED ON EXIGENT
CIRCUMSTANCES?
179
00:10:09,180 --> 00:10:11,150
YEAH, YEAH,
I’D LIKE TO GO TO BAT.
180
00:10:11,180 --> 00:10:13,510
I’D ASK THE JUDGE
TO HAVE THE BULLET REMOVED
181
00:10:13,550 --> 00:10:14,950
FROM THE DOG’S NOSE
182
00:10:14,990 --> 00:10:17,400
AND TAKE THE 50% CHANCE
THE DOG WILL LIVE.
183
00:10:17,420 --> 00:10:18,890
THAT’S KIND OF COLD,
PARTNER.
184
00:10:18,920 --> 00:10:22,020
WELL, SUE ME IF I DON’T
HAPPEN TO BE A MEMBER
185
00:10:22,060 --> 00:10:23,990
OF THE DOG LOBBY.
186
00:10:24,030 --> 00:10:26,560
I’VE BEEN ALLERGIC MY WHOLE LIFE
TO LONGHAIRED BREEDS.
187
00:10:26,600 --> 00:10:29,670
YOU WANT TO GO TO BAT,
GREG, GO TO BAT.
188
00:10:29,700 --> 00:10:32,570
AND I KNOW EXACTLY THE JUDGE
I’LL GO BEFORE ‐‐
189
00:10:32,600 --> 00:10:35,400
WHO IS JUDGE LEVALLE,
WHO I HAPPEN TO KNOW
190
00:10:35,440 --> 00:10:38,010
WAS ONCE VICIOUSLY BITTEN
BY A ROTTWEILER,
191
00:10:38,040 --> 00:10:41,580
BECAUSE I SAW HIM BEING TREATED
IN THE BELLEVUE E. R.
192
00:10:41,610 --> 00:10:45,680
IF HE’S SITTING,
WE ARE OVER LIKE FAT RATS.
193
00:10:58,060 --> 00:11:00,430
SORRY, ANDY.
194
00:11:00,460 --> 00:11:02,060
WHAT HAPPENED TO YOU?
195
00:11:02,100 --> 00:11:04,070
I WALKED UP
TO CENTRAL PARK.
196
00:11:04,100 --> 00:11:06,070
YOU WALKED UP
TO CENTRAL PARK?
197
00:11:06,100 --> 00:11:07,840
I WALKED UP
TO CENTRAL PARK.
198
00:11:07,870 --> 00:11:09,710
NEXT I KNOW,
199
00:11:09,740 --> 00:11:11,570
IT’S 8:45
AND MY BEEPER’S DEAD.
200
00:11:11,610 --> 00:11:12,940
YOU CAUGHT A D. O. A.?
201
00:11:12,980 --> 00:11:14,690
ARE YOU ALL RIGHT NOW?
202
00:11:14,710 --> 00:11:16,280
YEAH, I’M GOOD.
203
00:11:16,310 --> 00:11:19,850
REMAINS OF A LITTLE GIRL
BRICKED UP IN A BUILDING.
204
00:11:19,880 --> 00:11:21,420
MISSING PERSONS
JUST MATCHED HER.
205
00:11:21,450 --> 00:11:23,050
READ THE INFORMATION,
206
00:11:23,090 --> 00:11:24,500
THEN WE’LL GO SEE FANCY.
207
00:11:33,900 --> 00:11:36,930
HELP ME RUN IT FOR FANCY.
208
00:11:36,970 --> 00:11:39,530
HE DON’T KNOW I WASN’T
AT THE CRIME SCENE.
209
00:11:39,570 --> 00:11:41,300
NO.
210
00:11:44,680 --> 00:11:47,490
LIEU, WE GOT AN I.D.
FROM MISSING PERSONS.
211
00:11:47,510 --> 00:11:49,950
THE LITTLE GIRL’S REMAINS?
212
00:11:49,980 --> 00:11:52,310
A GIRL DISAPPEARED OVER
IN HOBOKEN NINE YEARS AGO
213
00:11:52,350 --> 00:11:54,720
WEARING A RED AND PINK
FLORAL DRESS WITH BOWS.
214
00:11:54,750 --> 00:11:56,320
IT’S THE SAME DRESS.
215
00:11:56,350 --> 00:11:58,790
HAD A PIN IN HER LEG
FROM A FRACTURE ‐‐
216
00:11:58,820 --> 00:12:01,560
SAME LEG, SAME PLACE.
IT’S HER.
217
00:12:01,590 --> 00:12:03,730
SHE WAS 8 ‐‐
NAME WAS ALICE LOWELL.
218
00:12:03,760 --> 00:12:05,730
VANISHED WALKING HOME
FROM VISITING A GIRLFRIEND.
219
00:12:05,760 --> 00:12:07,460
I WANT TO TALK
TO THE HEAD DETECTIVE
220
00:12:07,500 --> 00:12:09,100
WHO WORKED THAT CASE.
221
00:12:09,130 --> 00:12:12,000
WE’LL WANT TO SEE HIM
BEFORE THE GIRL’S PARENTS,
222
00:12:12,040 --> 00:12:13,810
GET HIS TAKE
IF THEY WERE EVER SUSPECTS.
223
00:12:13,840 --> 00:12:15,440
LET’S GET MOVING.
224
00:12:28,020 --> 00:12:30,820
DETECTIVE HOFFMAN?
225
00:12:32,860 --> 00:12:35,430
DETECTIVE HOFFMAN?
226
00:12:35,460 --> 00:12:37,990
I’M HIM,
BUT I’M RETIRED.
227
00:12:38,030 --> 00:12:39,960
RIGHT. ANDY SIPOWICZ, NYPD.
228
00:12:40,000 --> 00:12:41,930
I TALKED TO YOU ON THE PHONE.
229
00:12:41,970 --> 00:12:43,540
OH, YEAH.
230
00:12:43,570 --> 00:12:45,170
MY PARTNER DANNY SORENSON.
231
00:12:45,200 --> 00:12:46,700
HOW’S IT GOING?
232
00:12:46,740 --> 00:12:49,000
ALL RIGHT. YOU WANT
TO TALK TO ME THEN?
233
00:12:49,040 --> 00:12:50,040
YEAH.
234
00:13:01,220 --> 00:13:04,450
HEY, GO ON, GO ON.
235
00:13:04,490 --> 00:13:07,090
GO ON IN THERE.
WE’LL TALK IN THERE.
236
00:13:08,760 --> 00:13:12,060
UH, IS THERE SOME
PEANUT BRITTLE THERE?
237
00:13:12,100 --> 00:13:14,310
YEAH, HIM AND ME
DON’T CARE FOR ANY.
238
00:13:14,330 --> 00:13:15,660
SO, LIKE I TOLD YOU,
239
00:13:15,700 --> 00:13:17,670
THIS IS REGARDING
THE ALICE LOWELL CASE ‐‐
240
00:13:17,700 --> 00:13:20,200
THAT I TOLD YOU
WE FOUND HER REMAINS
241
00:13:20,240 --> 00:13:21,570
THIS MORNING
OVER IN MANHATTAN.
242
00:13:21,610 --> 00:13:23,750
HOW CAN I HELP YOU?
243
00:13:23,780 --> 00:13:25,680
WELL, WE WANT
TO SEE THE MATERIAL
244
00:13:25,710 --> 00:13:27,680
THAT YOU SAID YOU HAD
ON THE CASE.
245
00:13:27,710 --> 00:13:30,010
NOT ONE THING TURNED UP
IN THAT CASE.
246
00:13:30,050 --> 00:13:34,720
I KEPT BOXES OF STUFF
ON THAT CASE IN MY CLOSET.
247
00:13:34,750 --> 00:13:36,350
WE WERE WONDERING,
248
00:13:36,390 --> 00:13:38,400
WHAT WAS YOUR OPINION
ON THE PARENTS?
249
00:13:38,420 --> 00:13:40,760
THEY MOVED LIKE FOUR
OR FIVE YEARS LATER ‐‐
250
00:13:40,790 --> 00:13:45,230
DOWN SOMEPLACE
IN NORTH MIAMI.
251
00:13:46,800 --> 00:13:51,000
OH, THE HEARTBREAK
FOR THEM TWO.
252
00:13:51,040 --> 00:13:53,580
SHE WAS THEIR ONLY CHILD?
253
00:13:53,610 --> 00:13:55,610
THE ONLY CHILD.
WHEN THEY LEFT,
254
00:13:55,640 --> 00:13:59,610
HE LEFT ME ALL HIS RECORDS,
HIS FILES
255
00:13:59,640 --> 00:14:04,010
IN CASE I COULD EVER
MAKE ANY USE.
256
00:14:04,050 --> 00:14:06,380
I KEPT THEM
WITH MY OWN FILES.
257
00:14:06,420 --> 00:14:08,460
NO LEAD EVER DEVELOPED.
258
00:14:08,490 --> 00:14:11,200
I PROMISED HIM
I’D CONTACT HIM
259
00:14:11,220 --> 00:14:12,950
IF AN ARREST WAS MADE.
260
00:14:12,990 --> 00:14:15,760
WELL, HOW ABOUT THOSE BOXES?
261
00:14:15,790 --> 00:14:18,790
OH, YEAH, THE BOXES ‐‐
I’LL GET THEM FOR YOU.
262
00:14:18,830 --> 00:14:21,900
LET ME GIVE YOU A HAND.
263
00:14:21,930 --> 00:14:23,700
WHAT, ARE YOU
CRACKING WISE?
264
00:14:23,740 --> 00:14:25,880
HE’S NOT CRACKING WISE,
MR. HOFFMAN.
265
00:14:25,900 --> 00:14:28,100
THAT’S MY CASE.
I’M WORKING THAT CASE.
266
00:14:28,140 --> 00:14:30,810
TELL HIM HE’S RETIRED
AND WHAT YEAR WE’RE IN.
267
00:14:30,840 --> 00:14:32,870
I PROMISED THEM PARENTS.
268
00:14:32,910 --> 00:14:34,740
I KEEP THEIR PHONE NUMBER
IN MY WALLET.
269
00:14:34,780 --> 00:14:36,910
IT’S AREA CODE 305.
270
00:14:36,950 --> 00:14:39,050
TRY TO TAKE THAT CASE
OUT FROM UNDER ME,
271
00:14:39,080 --> 00:14:42,580
ME AND YOU ARE GOING
TO HAVE A PROBLEM.
272
00:14:42,620 --> 00:14:44,790
YOU WERE GOING
TO GET US THOSE BOXES.
273
00:14:44,820 --> 00:14:46,890
THEM BOXES STAY
IN MY POSSESSION.
274
00:14:46,930 --> 00:14:49,300
NOBODY WANTS TO TAKE
YOUR BOXES FROM YOU.
275
00:14:49,330 --> 00:14:51,070
I GO WHERE THEM BOXES GO.
276
00:14:51,100 --> 00:14:52,440
GOOD. GREAT.
277
00:14:52,460 --> 00:14:53,830
ALL RIGHT THEN.
278
00:14:57,200 --> 00:14:59,330
I THINK THERE’S
PEANUT BRITTLE THERE.
279
00:14:59,370 --> 00:15:01,640
YEAH. I’M GOING
TO HAVE A PIECE.
280
00:15:03,610 --> 00:15:05,940
OH, I’LL BE BACK
IN A FEW MINUTES.
281
00:15:05,980 --> 00:15:09,720
I GOT IT IN THE CLOSET.
282
00:15:11,980 --> 00:15:14,120
OH, FOR GOD’S SAKE.
283
00:15:22,030 --> 00:15:25,270
WOULD YOU LET ME CARRY ONE
OF THEM BOXES, PLEASE?
284
00:15:25,300 --> 00:15:28,010
NO. I RECALL I’VE WORKED
A FEW NEW YORK CASES.
285
00:15:28,030 --> 00:15:29,360
YEAH, YOU WERE SAYING.
286
00:15:29,400 --> 00:15:31,130
NOT IN THIS STATION HOUSE.
287
00:15:31,170 --> 00:15:33,130
THIS IS GOING
TO BE GREAT.
288
00:15:33,170 --> 00:15:36,140
WHY DON’T WE SET UP
IN THE COFFEE ROOM HERE?
289
00:15:36,170 --> 00:15:38,340
WHERE’S THAT GOING TO BE?
290
00:15:38,380 --> 00:15:41,050
FOLLOW ME.
RIGHT IN HERE.
291
00:15:41,080 --> 00:15:43,480
OH, FOR GOSH SAKES.
292
00:15:43,510 --> 00:15:45,380
IT’S OKAY.
NO HARM DONE.
293
00:15:45,420 --> 00:15:48,390
OH, GOSH. OH, GOSH.
294
00:15:48,420 --> 00:15:49,790
WHAT’S GOING ON?
295
00:15:49,820 --> 00:15:52,450
THAT’S
THE HOBOKEN DETECTIVE
296
00:15:52,490 --> 00:15:54,390
THAT WORKED
THE GIRL GOING MISSING
297
00:15:54,430 --> 00:15:57,340
THAT WON’T LET YOU PUT HANDS
ON THE CASE MATERIALS
298
00:15:57,360 --> 00:15:58,790
WITHOUT HIM AROUND.
299
00:15:58,830 --> 00:16:00,730
BUT HE’LL LET YOU
LOOK AT THEM.
300
00:16:00,770 --> 00:16:02,370
YEAH,
UNDER HIS SUPERVISION.
301
00:16:02,400 --> 00:16:04,370
HERE’S THE OWNERSHIP
AND TENANTS LIST
302
00:16:04,400 --> 00:16:06,370
FROM THE BUILDING
WHERE SHE WAS FOUND.
303
00:16:06,400 --> 00:16:08,470
GUESS YOU CAN CHECK THEM
AGAINST HIS RECORDS.
304
00:16:08,510 --> 00:16:11,220
GIVE ME MY BOX.
305
00:16:11,240 --> 00:16:12,770
HERE YOU GO.
306
00:16:15,710 --> 00:16:18,680
HALF SENILE
AND LIVING BY HIMSELF.
307
00:16:34,600 --> 00:16:36,530
COFFEE?
308
00:16:36,570 --> 00:16:39,370
YEAH, I’LL TAKE A CUP,
IF YOU DON’T MIND.
309
00:16:39,400 --> 00:16:41,570
HOW DO YOU TAKE IT?
310
00:16:41,610 --> 00:16:42,610
MY USUAL.
311
00:16:46,280 --> 00:16:49,590
I USUALLY HAVE A SPOONFUL
OF THAT CREAMORA WITH IT.
312
00:16:49,610 --> 00:16:51,280
GOOD.
313
00:16:53,280 --> 00:16:55,250
LOOK, WE GOT
AN OWNERSHIP LIST HERE
314
00:16:55,290 --> 00:16:56,960
AND A TENANTS LIST HERE
315
00:16:56,990 --> 00:16:58,590
ON THIS HOUSTON STREET
BUILDING
316
00:16:58,620 --> 00:17:01,120
FROM WHEN THIS LITTLE GIRL
WENT MISSING,
317
00:17:01,160 --> 00:17:03,260
AND WE WANT
TO COMPARE THEM NAMES
318
00:17:03,290 --> 00:17:05,260
WITH ALL THEM NAMES
ON THE RECEIPTS
319
00:17:05,300 --> 00:17:07,640
AND SO FORTH
YOU GOT IN YOUR BOXES.
320
00:17:07,670 --> 00:17:09,240
THANK YOU.
321
00:17:09,270 --> 00:17:10,610
SURE.
322
00:17:10,640 --> 00:17:12,240
WHAT YOU GOT
TO UNDERSTAND,
323
00:17:12,270 --> 00:17:14,400
WE CAN’T HAVE YOU
CONTROLLING YOUR BOXES
324
00:17:14,440 --> 00:17:16,810
LIKE YOU’RE AT FORT KNOX
OR SO FORTH,
325
00:17:16,840 --> 00:17:18,610
DOLING THEM
CASE MATERIALS OUT.
326
00:17:18,640 --> 00:17:21,910
AS MUCH AS WE RESPECT YOUR
KEEPING FAITH WITH THE CASE...
327
00:17:21,950 --> 00:17:23,890
WE GOT TO DO THIS
EFFICIENT.
328
00:17:23,920 --> 00:17:26,290
I GOT THEM RUBBER BANDED
AND LABELED
329
00:17:26,320 --> 00:17:28,990
IN DIFFERENT WAYS ‐‐
330
00:17:29,020 --> 00:17:31,750
LISTS OF THE PEOPLE
THE PARENTS KNEW,
331
00:17:31,790 --> 00:17:35,590
CANCELED CHECKS
TO MERCHANTS,
332
00:17:35,630 --> 00:17:36,970
INCOME TAX AND THE LIKE.
333
00:17:37,000 --> 00:17:39,470
I’LL PUT THEM OUT HERE
ON THE TABLE.
334
00:17:39,500 --> 00:17:40,670
GOOD.
335
00:17:40,700 --> 00:17:42,300
YOU CAN GO THROUGH THEM
336
00:17:42,330 --> 00:17:44,600
AND ASK ME
WHAT YOU DON’T UNDERSTAND.
337
00:17:44,640 --> 00:17:45,940
GOOD. THAT’S A GOOD PLAN.
338
00:17:47,940 --> 00:17:51,140
ALL THE KIDS IN HER SCHOOL
339
00:17:51,180 --> 00:17:54,890
AND SCHOOLS THEY HAD
SPORTING EVENTS AGAINST.
340
00:18:08,730 --> 00:18:10,500
HOW’D IT GO AT COURT?
341
00:18:10,530 --> 00:18:12,130
NOT THAT GOOD.
342
00:18:12,160 --> 00:18:13,760
JUDGE WOULDN’T ISSUE
AN ORDER
343
00:18:13,800 --> 00:18:16,530
TO HAVE THE BULLET
TAKEN OUT?
344
00:18:16,570 --> 00:18:18,530
HE LACKS THE COURAGE
OF HIS CONVICTIONS.
345
00:18:18,570 --> 00:18:21,870
IF YOU CAN TALK THIS GUY
INTO STANDING IN A LINEUP,
346
00:18:21,910 --> 00:18:25,280
JILL AND DIANE GOT
THE WOMAN WHO OWNS THE DOG
347
00:18:25,310 --> 00:18:27,280
TO AGREE TO TAKE A LOOK.
348
00:18:27,310 --> 00:18:29,280
AGREES TO LOOK AT A LINEUP
THIS WOMAN,
349
00:18:29,310 --> 00:18:31,610
YET WON’T ALLOW
A SIMPLE SURGICAL PROCEDURE
350
00:18:31,650 --> 00:18:33,350
ON A DOG’S NOSE.
351
00:18:33,380 --> 00:18:36,990
TIME TO BE THINKING ABOUT
YOUR MAN IN THE POKEY, GREG.
352
00:18:37,020 --> 00:18:39,090
YEAH, ALL RIGHT.
YEAH, POINT TAKEN.
353
00:18:45,830 --> 00:18:48,830
THIS MAY BE
YOUR LUCKY DAY, CALVIN.
354
00:18:48,870 --> 00:18:51,380
READY FOR YOUR WORLD
TO GO RIGHT SIDE UP AGAIN?
355
00:18:51,400 --> 00:18:52,370
WHAT HAPPENED?
356
00:18:55,010 --> 00:18:57,880
LOOKS LIKE MAYBE
YOUR ALIBI HOLDS UP.
357
00:18:57,910 --> 00:19:00,910
WAITRESS AT THE COFFEE SHOP
YOU SAID YOU WERE AT
358
00:19:00,950 --> 00:19:02,690
REMEMBERS SEEING SOMEONE
MATCHING YOUR DESCRIPTION
359
00:19:02,710 --> 00:19:04,310
BEING THERE THE SAME TIME
360
00:19:04,350 --> 00:19:06,250
AS THE SHOOTING
ON 7th STREET.
361
00:19:06,280 --> 00:19:07,250
SHE DOES?
362
00:19:07,290 --> 00:19:08,330
SHE DOES.
363
00:19:08,350 --> 00:19:09,890
I’M OUT OF HERE?
364
00:19:09,920 --> 00:19:12,550
YOU GOT TO STAND
A LITTLE INFORMAL LINEUP
365
00:19:12,590 --> 00:19:14,860
SO SHE CAN SEE YOU AGAIN
TO BE SURE,
366
00:19:14,890 --> 00:19:16,220
BUT THEN YOU’D BE OUT.
367
00:19:16,260 --> 00:19:19,230
I DON’T KNOW IF I WANT
TO DO A LINEUP.
368
00:19:19,260 --> 00:19:21,930
IT’S AN INFORMAL LINEUP.
IT’S DOING YOU A FAVOR.
369
00:19:21,970 --> 00:19:24,340
THE GUY THE WAITRESS
SAID SHE SAW
370
00:19:24,370 --> 00:19:26,030
SOUNDED JUST LIKE YOU.
371
00:19:26,070 --> 00:19:27,500
HE FIT MY DESCRIPTION?
372
00:19:27,540 --> 00:19:30,010
TO A "T."
373
00:19:30,040 --> 00:19:31,740
COME ON, IT’LL JUST
TAKE A MINUTE,
374
00:19:31,780 --> 00:19:34,090
AND THEN YOU’RE BACK
ON THE STREET.
375
00:19:34,110 --> 00:19:36,550
SHE’S COMMITTED
TO PICKING ME OUT?
376
00:19:36,580 --> 00:19:38,410
THIS IS WHAT I MEANT
377
00:19:38,450 --> 00:19:39,750
ABOUT IT BEING
YOUR LUCKY DAY.
378
00:19:39,780 --> 00:19:41,620
YEAH, OKAY.
379
00:19:41,650 --> 00:19:43,620
TELL HER NEXT TIME
I’M IN FOR COFFEE,
380
00:19:43,660 --> 00:19:46,130
SHE’S IN FOR A BIG TIP.
381
00:19:46,160 --> 00:19:49,130
LET ME SET UP
THE LOGISTICS.
382
00:19:59,670 --> 00:20:01,870
[ KNOCK ON DOOR ]
383
00:20:01,910 --> 00:20:04,280
HOW’S IT GOING?
384
00:20:04,310 --> 00:20:06,240
THAT’S PAUL HOFFMAN
FROM HOBOKEN.
385
00:20:06,280 --> 00:20:08,120
WORKED THE GIRL GOING
MISSING NINE YEARS AGO.
386
00:20:08,150 --> 00:20:09,960
ART FANCY.
387
00:20:09,980 --> 00:20:11,810
PAUL HOFFMAN.
388
00:20:11,850 --> 00:20:13,880
LOOKING TO CONNECT NAMES
WITH THE BUILDING
389
00:20:13,920 --> 00:20:15,550
WE FOUND HER IN.
390
00:20:15,590 --> 00:20:17,560
APPRECIATE YOUR HELP, PAUL.
391
00:20:17,590 --> 00:20:19,320
EXCUSE ME.
392
00:20:25,000 --> 00:20:26,940
I TRIED TO LIVE
A GOOD LIFE.
393
00:20:30,100 --> 00:20:32,070
I KNOW IT’S IN THERE.
394
00:20:32,100 --> 00:20:34,570
IT’S TO DO
WITH THEM BOXES,
395
00:20:34,610 --> 00:20:39,480
BUT I DON’T KNOW
396
00:20:39,510 --> 00:20:41,310
HOW IT’S IN THERE
NO MORE.
397
00:20:44,650 --> 00:20:47,250
HERB GARNETT CONSTRUCTION
TEARS DOWN A SHED
398
00:20:47,290 --> 00:20:49,030
BEHIND THE LOWELLS’
HOUSE ‐‐ $127.
399
00:20:49,050 --> 00:20:50,920
WHAT’S THAT?
400
00:20:50,960 --> 00:20:52,330
HERB GARNETT,
3% OWNERSHIP
401
00:20:52,360 --> 00:20:55,300
ON THE HOUSTON STREET
BUILDING.
402
00:20:55,330 --> 00:20:57,670
PROBABLY PAYMENT FOR CONTRACTING
ON THE BUILDING.
403
00:20:57,700 --> 00:20:59,670
IS THAT SOMETHING
FROM MY MATERIALS?
404
00:20:59,700 --> 00:21:03,030
SOMEONE HAD ACCESS TO BOTH
THE HOUSE IN HOBOKEN
405
00:21:03,070 --> 00:21:05,640
AND THE BUILDING HERE
WHERE HER BODY’S FOUND,
406
00:21:05,670 --> 00:21:07,500
AND HERB’S
STILL IN BUSINESS.
407
00:21:07,540 --> 00:21:09,670
I’M GOING TO REACH OUT
AND OFFER THE GUY.
408
00:21:09,710 --> 00:21:10,840
GOOD.
409
00:21:10,880 --> 00:21:12,220
WANT TO STICK AROUND?
410
00:21:12,240 --> 00:21:15,340
SURE, I’D BE HAPPY TO.
411
00:21:15,380 --> 00:21:18,550
AS LONG AS YOU WANT.
412
00:21:20,650 --> 00:21:22,980
ANY HELP I CAN BE.
413
00:21:35,030 --> 00:21:37,200
THE MAN WHO SHOT THE GUN
414
00:21:37,240 --> 00:21:39,580
ISN’T WHO I WAS
PAYING ATTENTION TO.
415
00:21:39,600 --> 00:21:41,400
MAYBE THIS
WILL JOG YOUR MEMORY.
416
00:21:41,440 --> 00:21:43,810
HOW CAN IT JOG SOMETHING
I DIDN’T SEE?
417
00:21:43,840 --> 00:21:46,140
I WAS PAYING ATTENTION
TO JERRY.
418
00:21:46,180 --> 00:21:49,150
JUST LOOK AT EACH
OF THE MEN CAREFULLY,
419
00:21:49,180 --> 00:21:51,150
AND IF YOU
RECOGNIZE ANYONE,
420
00:21:51,180 --> 00:21:53,510
IDENTIFY HIM BY NUMBER
AND TELL US WHERE FROM.
421
00:21:53,550 --> 00:21:55,080
HOW?
422
00:21:55,120 --> 00:21:57,490
EACH OF THEM
HAS A NUMBER ON.
423
00:21:57,520 --> 00:21:58,820
ARE THEY ALL CRIMINALS?
424
00:21:58,860 --> 00:22:01,600
WE DON’T KNOW THAT YET.
425
00:22:01,630 --> 00:22:02,830
ALL SET?
426
00:22:02,860 --> 00:22:04,830
LET’S GET IT OVER WITH.
427
00:22:04,860 --> 00:22:06,560
DON’T BE IN A HURRY.
428
00:22:11,740 --> 00:22:14,350
I COULD STAY
IN HERE ALL DAY.
429
00:22:14,370 --> 00:22:17,070
I DON’T RECOGNIZE
THE PERSON WHO SHOT MY DOG.
430
00:22:17,110 --> 00:22:19,340
HOW ABOUT
WHO SHOT THE MAN?
431
00:22:19,380 --> 00:22:22,190
ANY OF THESE PEOPLE
RING A BELL FOR THAT?
432
00:22:22,210 --> 00:22:24,210
I DON’T HAVE ANY IDEA.
433
00:22:24,250 --> 00:22:26,350
THAT’S WHY WE NEED
THAT BULLET.
434
00:22:26,380 --> 00:22:30,020
I’M NOT DISCUSSING THAT BULLET
IN JERRY PERIOD.
435
00:22:30,050 --> 00:22:31,690
LET ME OUT.
436
00:22:31,720 --> 00:22:34,990
SURE. WHY DON’T WE GET YOU
A CAB BACK TO THE VET’S?
437
00:22:38,100 --> 00:22:42,270
PROBABLY DEMONSTRATES
AGAINST THE USE OF LAB MICE.
438
00:22:42,300 --> 00:22:44,630
CAN WE KICK
THE GUY WE LIKE, TOO?
439
00:22:44,670 --> 00:22:46,200
KICK ROWLEY, TOO?
440
00:22:46,240 --> 00:22:48,080
YEAH, LET ME TRY
A LITTLE SOMETHING.
441
00:22:50,610 --> 00:22:53,110
KICK ALL SIX.
442
00:23:02,790 --> 00:23:05,500
YEAH, PUT THEM ON THE STREET!
I DIDN’T RECOGNIZE ANYONE!
443
00:23:05,520 --> 00:23:06,890
CALM DOWN, MR. JONES.
444
00:23:06,930 --> 00:23:09,500
I DIDN’T SEE
NO BALD SON OF A BITCH
445
00:23:09,530 --> 00:23:11,770
RUNNING OFF DOWN THE STREET,
446
00:23:11,800 --> 00:23:14,910
AND I SEE MY HALF BROTHER
ON HIS KNEES BLEEDING TO DEATH
447
00:23:14,930 --> 00:23:17,900
AFTER THIS BALD SON OF A BITCH
PRICK MUST HAVE SHOT HIM!
448
00:23:17,940 --> 00:23:20,750
WHAT THE HELL
IS THAT ABOUT?
449
00:23:20,770 --> 00:23:22,340
WHAT DO YOU MEAN?
450
00:23:22,370 --> 00:23:25,670
YOU SAID IT WAS GOING TO BE
A WAITRESS LOOKING AT ME.
451
00:23:25,710 --> 00:23:28,340
YOU WEREN’T PICKED OUT, CALVIN.
YOU’RE FREE TO GO.
452
00:23:28,380 --> 00:23:31,180
YOU SAID IT WAS
THE WAITRESS FROM THE OWL.
453
00:23:31,220 --> 00:23:33,190
LET’S GET YOUR VOUCHERED
PROPERTY RETURNED,
454
00:23:33,220 --> 00:23:35,330
AND THEN WE’LL PUT YOU
OUT ON THE STREET.
455
00:23:35,350 --> 00:23:37,150
FOLLOW ME INTO THE SQUAD.
456
00:23:37,190 --> 00:23:38,920
INTO THE SQUAD?
457
00:23:38,960 --> 00:23:40,170
FOLLOW ME IN.
458
00:23:41,890 --> 00:23:43,860
YOU DON’T
TAKE THAT SERIOUSLY,
459
00:23:43,900 --> 00:23:45,870
THE THREAT YOU HEARD
HIM ISSUE?
460
00:23:45,900 --> 00:23:49,210
IF YOU’VE BEEN DOING THIS
AS LONG AS WE HAVE,
461
00:23:49,230 --> 00:23:51,530
YOU’D BE THICK‐SKINNED ABOUT
OUTBURSTS FROM RELATIONS.
462
00:23:51,570 --> 00:23:53,370
"GO SCREW" IS AN OUTBURST.
463
00:23:53,400 --> 00:23:55,640
THAT GUY IS WAITING
TO KILL ME.
464
00:23:55,670 --> 00:23:58,440
ONCE HE’S OUTSIDE, CALVIN,
BREATHES SOME FRESH AIR,
465
00:23:58,480 --> 00:24:00,290
HIS PERSPECTIVE’S
LIKELY TO CHANGE.
466
00:24:00,310 --> 00:24:02,780
SURE, LET’S ROLL THE DICE
WITH MY LIFE.
467
00:24:02,810 --> 00:24:05,180
GET HIM
HIS VOUCHERED PROPERTY.
468
00:24:05,220 --> 00:24:07,830
YOU OUGHT TO BE GETTING ME
AN ARMED ESCORT LEAVING.
469
00:24:07,850 --> 00:24:09,480
SURE, YEAH.
470
00:24:09,520 --> 00:24:12,790
ANY PARTICULAR TYPE EPAULETS
ON THEIR UNIFORMS?
471
00:24:12,820 --> 00:24:14,790
WHAT’S HE ALLEGING,
ACTUALLY?
472
00:24:14,830 --> 00:24:18,040
HE HIMSELF DOESN’T ALLEGE
HE SAW ME WASTE THE GUY.
473
00:24:18,060 --> 00:24:20,660
I‐I THINK
WHAT HE SPECIFICALLY ALLEGES
474
00:24:20,700 --> 00:24:24,070
IS NOT SEEING YOU FLEE
SEVERAL SECONDS AFTERWARDS.
475
00:24:24,100 --> 00:24:25,700
FORGET ABOUT NOT,
476
00:24:25,740 --> 00:24:27,710
BECAUSE HE DOES
ALLEGE SEEING ME,
477
00:24:27,740 --> 00:24:30,140
BUT MY POINT IS,
TWO SECONDS IS AN ETERNITY.
478
00:24:30,170 --> 00:24:32,740
IS YOUR POINT THAT
HE ACTUALLY MAY HAVE
479
00:24:32,780 --> 00:24:35,190
SEEN YOU RUNNING DOWN
THE STREET
480
00:24:35,210 --> 00:24:37,550
AND MISCONSTRUED YOUR ROLE,
481
00:24:37,580 --> 00:24:40,520
THIS HUGE, BLACK,
GRIEF‐MADDENED HALF BROTHER?
482
00:24:40,550 --> 00:24:43,250
IF POSSIBLY HE SAW ME
RUNNING DOWN THE STREET
483
00:24:43,290 --> 00:24:44,900
WITH A FANNY PACK,
484
00:24:44,920 --> 00:24:47,720
THAT DOES NOT MEAN THAT
I SHOT HIS HALF BROTHER.
485
00:24:47,760 --> 00:24:51,730
ARE YOU SAYING NOW
THAT YOU WEREN’T
486
00:24:51,760 --> 00:24:53,730
AT THAT OWL COFFEE SHOP,
CALVIN,
487
00:24:53,770 --> 00:24:55,740
AS YOU PREVIOUSLY AVERRED?
488
00:24:55,770 --> 00:24:58,410
I MAY HAVE CONFUSED
BEING AT THE OWL THEN
489
00:24:58,440 --> 00:25:01,050
WITH SOME OTHER TIME
I WAS AT THE OWL.
490
00:25:01,070 --> 00:25:03,910
YOU WERE ON THE STREET
WHEN THE SHOOTING HAPPENED.
491
00:25:03,940 --> 00:25:06,010
AN INNOCENT BYSTANDER.
492
00:25:06,040 --> 00:25:08,840
WHO WOUND UP
HOLDING A MURDER WEAPON.
493
00:25:08,880 --> 00:25:11,850
WHO IS THAT PSYCHO
OUTSIDE THE STATION HOUSE?
494
00:25:11,880 --> 00:25:14,250
SAYS HE’S GOING TO KILL
495
00:25:14,290 --> 00:25:16,930
SOMEONE WE’VE GOT
IN CUSTODY.
496
00:25:16,960 --> 00:25:19,700
HOW’S IT GOING?
497
00:25:19,720 --> 00:25:20,460
HEY.
498
00:25:29,830 --> 00:25:32,230
HAVE YOU EVER HEARD
THE EXPRESSION "BAGMAN"?
499
00:25:32,270 --> 00:25:33,530
YES.
500
00:25:33,570 --> 00:25:36,140
WELL, I AM LITERALLY
THE ACTUAL BAGMAN,
501
00:25:36,170 --> 00:25:38,940
THAT I WAS GIVEN
THIS FANNY PACK BY MY BROTHER
502
00:25:38,980 --> 00:25:41,320
TO DISPOSE OF AFTER
HE SHOT THIS OTHER GUY,
503
00:25:41,350 --> 00:25:43,760
AND I WILL TELL THAT
TO THE JUDGE.
504
00:25:43,780 --> 00:25:46,580
AFTER YOU TAKE US
TO YOUR BROTHER.
505
00:25:46,620 --> 00:25:48,920
NO PROBLEM, NO PROBLEMO,
AND I WILL TELL YOU
506
00:25:48,950 --> 00:25:51,820
THE WHOLE SICK STORY
ON THE WAY.
507
00:25:55,830 --> 00:25:59,170
SIT THERE TILL WE TALK
TO OUR BOSS,
508
00:25:59,200 --> 00:26:01,170
THEN WE’LL STRAIGHTEN
THINGS OUT.
509
00:26:01,200 --> 00:26:04,170
I’M JUST AT A LOSS.
HOW CAN YOU PUT ME INVOLVED?
510
00:26:04,200 --> 00:26:07,170
JUST RELAX THERE
A MINUTE, MR. GARNETT.
511
00:26:08,810 --> 00:26:11,320
ALLEGED I’M INVOLVED
IN A TRAFFIC ACCIDENT.
512
00:26:17,820 --> 00:26:19,690
OH, NO.
513
00:26:19,720 --> 00:26:23,180
WHAT IS THIS NOW?
WHAT THE HELL IS THIS, HUH?
514
00:26:23,220 --> 00:26:26,090
JOHN, WHERE’S THAT OLD COP?
HE’S NOT IN THE COFFEE ROOM.
515
00:26:26,120 --> 00:26:28,490
HE MAY HAVE STEPPED OUT
WHILE I WAS UPSTAIRS.
516
00:26:28,530 --> 00:26:31,470
THAT GUY WON’T KNOW
WHAT BOROUGH HE’S IN.
517
00:26:31,500 --> 00:26:33,670
IS THIS GOING TO DELAY
MY DISPOSITION?
518
00:26:33,700 --> 00:26:35,930
WE’RE GOING TO GET
TO YOU IN A SECOND.
519
00:26:35,970 --> 00:26:37,680
THAT OLD COP WALKED OUT?
520
00:26:37,700 --> 00:26:40,440
HE MAY HAVE. I WAS
IN THE OBSERVATION ROOM.
521
00:26:40,470 --> 00:26:42,800
WE WERE RUNNING A LINEUP
ON ANOTHER CASE.
522
00:26:42,840 --> 00:26:45,470
HE SHOULDN’T BE WALKING
AROUND THIS NEIGHBORHOOD.
523
00:26:45,510 --> 00:26:47,010
YOU WANT ME TO NOTIFY
COMMUNICATIONS
524
00:26:47,050 --> 00:26:49,390
WITH HIS DESCRIPTION?
525
00:26:49,410 --> 00:26:51,950
YEAH, ’CAUSE HE DON’T HAVE
ALL HIS FACULTIES.
526
00:26:51,980 --> 00:26:54,450
THAT’S THE GUY WE WANTED
TO TALK TO ABOUT THE GIRL?
527
00:26:54,490 --> 00:26:55,560
HERB GARNETT.
528
00:26:55,590 --> 00:26:57,230
DO THE INTERVIEW.
529
00:26:57,260 --> 00:26:59,230
I’LL PUT
THE DESCRIPTION OUT.
530
00:26:59,260 --> 00:27:01,670
MAKE SURE THEY KNOW
HE’S A RETIRED COP
531
00:27:01,690 --> 00:27:04,060
AND FOR THEM TO BE
RESPECTFUL AND GENTLE.
532
00:27:04,100 --> 00:27:05,440
YEAH.
533
00:27:07,900 --> 00:27:09,500
NOW YOU.
534
00:27:09,530 --> 00:27:11,430
COME ON.
535
00:27:16,410 --> 00:27:17,850
WHAT I DON’T GET IS,
536
00:27:17,880 --> 00:27:19,850
IF MY CAR’S INVOLVED
IN A TRAFFIC ACCIDENT,
537
00:27:19,880 --> 00:27:22,080
HOW COULD I NOT KNOW
ABOUT IT?
538
00:27:22,110 --> 00:27:25,310
I MEAN, THAT’S WHY I THINK
YOU GUYS’ BOOKKEEPING’S OFF.
539
00:27:25,350 --> 00:27:28,120
SIT DOWN, MR. GARNETT.
540
00:27:32,390 --> 00:27:34,590
I‐I GOT
A GOOD DRIVING RECORD.
541
00:27:34,630 --> 00:27:36,230
I MISSPOKE SAYING TRAFFIC.
542
00:27:36,260 --> 00:27:37,990
THIS IS
A PROPERTY PROBLEM.
543
00:27:38,030 --> 00:27:39,490
WHAT PROPERTY?
544
00:27:39,530 --> 00:27:41,000
THAT YOU USED TO BE
A PART‐OWNER OF
545
00:27:41,030 --> 00:27:42,100
ON HOUSTON STREET.
546
00:27:42,130 --> 00:27:43,730
HOUSTON STREET?
547
00:27:43,770 --> 00:27:46,000
YOU DON’T REMEMBER THAT?
YOU’RE A WORKING GUY.
548
00:27:46,040 --> 00:27:48,350
HOW MUCH PROPERTY
COULD YOU HAVE OWNED?
549
00:27:48,370 --> 00:27:50,340
NO, I REMEMBER IT.
550
00:27:50,370 --> 00:27:52,670
THERE WERE A GROUP OF OWNERS
ON THAT PROPERTY.
551
00:27:52,710 --> 00:27:55,080
I HAD A SMALL PIECE.
552
00:27:55,110 --> 00:27:57,280
I SOLD OUT
QUITE A FEW YEARS AGO.
553
00:27:57,320 --> 00:27:59,730
THE PROBLEM IS
FROM WHEN YOU OWNED IT.
554
00:27:59,750 --> 00:28:01,520
UP ON THE SECOND FLOOR.
555
00:28:01,550 --> 00:28:05,390
WHY DOES THIS CONCERN ME?
WHAT ABOUT THE OTHER OWNERS?
556
00:28:05,420 --> 00:28:07,890
HERB, IT’S YOUR PROBLEM,
NOBODY ELSE’S.
557
00:28:07,930 --> 00:28:10,440
YOU’RE THE ONE GUY WHO OWNED
A PIECE OF THAT PROPERTY
558
00:28:10,460 --> 00:28:12,760
ALSO TORE DOWN A SHED
FOR THE LOWELL FAMILY
559
00:28:12,800 --> 00:28:14,410
OVER IN HOBOKEN.
560
00:28:14,430 --> 00:28:16,400
I NEVER HEARD
OF THAT FAMILY.
561
00:28:16,430 --> 00:28:19,570
WE GOT A CANCELED CHECK
PAYING YOU FOR WORK
562
00:28:19,600 --> 00:28:22,040
WITH YOURS AND YOUR SON’S
SIGNATURE ON THE BACK.
563
00:28:22,070 --> 00:28:26,410
LOOK, I WORK A LOT OF PLACES.
I DON’T REMEMBER THE LOWELLS.
564
00:28:26,440 --> 00:28:28,740
THEY HAD AN 8‐YEAR‐OLD
DAUGHTER ‐‐ ALICE LOWELL.
565
00:28:28,780 --> 00:28:32,050
I DON’T REMEMBER.
566
00:28:32,080 --> 00:28:34,150
YOU REMEMBER BRICKING UP
ANY LITTLE GIRL’S BODY
567
00:28:34,190 --> 00:28:36,430
ON THE SECOND FLOOR
OF YOUR RAT HOLE PROPERTY
568
00:28:36,450 --> 00:28:38,590
ON HOUSTON STREET
NINE YEARS AGO?
569
00:28:38,620 --> 00:28:39,820
ABSOLUTELY NOT.
570
00:28:39,860 --> 00:28:41,220
GARNETT,
EITHER YOU’RE A RAPING,
571
00:28:41,260 --> 00:28:43,260
MURDERING,
SCUMBAG PEDOPHILE,
572
00:28:43,290 --> 00:28:45,760
OR YOUR SON IS
AND YOU’RE COVERING FOR HIM,
573
00:28:45,800 --> 00:28:48,140
AND YOU DON’T WALK
OR CRAWL OUT THAT DOOR
574
00:28:48,170 --> 00:28:50,240
UNTIL I FIND OUT WHICH.
575
00:28:50,270 --> 00:28:52,070
WHAT DO YOU GOT TO BRING
MY SON IN THIS FOR?
576
00:28:52,100 --> 00:28:54,400
HE DID IT OR YOU DID.
577
00:28:54,440 --> 00:28:55,770
SOMEBODY CUTS
HIS MOTHER’S HEAD OFF,
578
00:28:55,810 --> 00:28:58,150
MY PARTNER’S GOING
TO KEEP ME IN LINE,
579
00:28:58,180 --> 00:28:59,790
BUT A MURDERING PEDOPHILE,
580
00:28:59,810 --> 00:29:01,580
US COPS
LOOK AT THAT DIFFERENT.
581
00:29:01,610 --> 00:29:03,980
MY PARTNER
WON’T STEP UP FOR YOU,
582
00:29:04,020 --> 00:29:05,660
AND I AM
THE EXCITABLE TYPE.
583
00:29:05,680 --> 00:29:08,250
I WANT TO COOPERATE, BUT WHAT
IF I DON’T KNOW ANYTHING?
584
00:29:08,290 --> 00:29:10,130
DON’T YOU HAVE
SOMETHING TO DO?
585
00:29:10,150 --> 00:29:11,450
I’M GOING UPSTAIRS.
586
00:29:11,490 --> 00:29:12,450
DON’T GO!
587
00:29:12,490 --> 00:29:14,320
I ONLY STAY, YOU VOLUNTEER
588
00:29:14,360 --> 00:29:16,930
WHAT HE’LL GET OUT
OF YOU OTHERWISE.
589
00:29:16,960 --> 00:29:19,330
MY SON DID NOT RAPE
THIS GIRL.
590
00:29:19,360 --> 00:29:22,500
HE DID NOT KILL HER.
THEY WAS JUST PLAYING,
591
00:29:22,530 --> 00:29:24,200
AND SOMETHING HAPPENED.
592
00:29:24,240 --> 00:29:26,680
SHE CHOKED ON SOMETHING
SHE SWALLOWED.
593
00:29:26,710 --> 00:29:28,810
STAY WITH THAT, I’M GOING
TO BEAT YOUR BALLS OFF.
594
00:29:28,840 --> 00:29:30,440
WELL, GO AHEAD.
595
00:29:30,470 --> 00:29:33,140
YOU THINK I HELPED HIM
OTHERWISE, YOU’RE CRAZY.
596
00:29:33,180 --> 00:29:35,150
YOU’RE ADMITTING
YOU TOOK HER BODY
597
00:29:35,180 --> 00:29:36,810
AND BRICKED HER UP.
598
00:29:36,850 --> 00:29:39,980
LOOK, HE WAS SO AFRAID
OF GOING TO JAIL.
599
00:29:40,020 --> 00:29:42,620
HE DIDN’T HAVE A MOTHER ANYMORE.
IT WAS JUST HIM AND ME.
600
00:29:42,650 --> 00:29:44,620
LOOK, HE’S ALWAYS
HAD PROBLEMS.
601
00:29:44,660 --> 00:29:47,830
I HAD TO DO WHAT I COULD
TO HELP HIM.
602
00:29:47,860 --> 00:29:50,690
YES OR NO ‐‐ YOU TRANSPORTED
THAT DEAD LITTLE GIRL’S BODY
603
00:29:50,730 --> 00:29:51,990
AND BRICKED HER UP.
604
00:29:52,030 --> 00:29:54,700
I BROUGHT HER OVER
TO THIS BUILDING...
605
00:29:54,730 --> 00:29:57,030
YES!
606
00:29:57,070 --> 00:29:59,130
AND WENT ON LIVING
AND WORKING
607
00:29:59,170 --> 00:30:00,400
WITH A MURDERING RAPIST.
608
00:30:00,440 --> 00:30:02,470
HE DID NOT HARM
THAT LITTLE GIRL.
609
00:30:02,510 --> 00:30:05,250
YEAH, HE DID! HE DID ALL
THOSE THINGS TO HER,
610
00:30:05,280 --> 00:30:07,420
AND A PART OF YOU
KNOWS IT,
611
00:30:07,450 --> 00:30:10,160
AND GOD HELP YOU
IF HE DID IT TO ANYBODY ELSE
612
00:30:10,180 --> 00:30:12,850
ALL THESE YEARS THAT YOU
HAVE BEEN PROTECTING HIM.
613
00:30:12,880 --> 00:30:15,950
WRITE DOWN WHERE
WE CAN PICK HIM UP.
614
00:30:18,720 --> 00:30:20,890
HE’S MY SON.
615
00:30:20,930 --> 00:30:22,930
DON’T SAY ANOTHER WORD.
616
00:30:36,880 --> 00:30:38,380
HIS CONDITION,
617
00:30:38,410 --> 00:30:41,010
THAT’S THE RIGHT PLACE
FOR HIM ‐‐ MY BROTHER.
618
00:30:41,050 --> 00:30:44,860
ABSOLUTELY, TILL HE BECOMES
FULLY CONSCIOUS.
619
00:30:44,880 --> 00:30:47,180
THAT STOMACH PUMPING’S
AN UGLY THING.
620
00:30:47,220 --> 00:30:49,590
I’VE NEVER SEEN THAT DONE
UP CLOSE.
621
00:30:49,620 --> 00:30:51,050
THEY DO WHAT’S NECESSARY.
622
00:30:51,090 --> 00:30:53,050
ANYWAYS,
WHAT HE WAS MUMBLING,
623
00:30:53,090 --> 00:30:54,860
CURSING ME
FOR RATTING HIM OUT ‐‐
624
00:30:54,890 --> 00:30:56,630
THAT’LL COUNT
AS A CONFESSION, NO?
625
00:30:56,660 --> 00:30:59,430
FOR A START,
BUT WE’LL WANT HIM
626
00:30:59,460 --> 00:31:01,800
TO DOT THE I’s
AND CROSS THE T’s
627
00:31:01,830 --> 00:31:03,530
ONCE HIS SYSTEM’S CLEARED.
628
00:31:03,570 --> 00:31:05,730
WHAT ARE MY CHANCES
FOR AN INTERIM RELEASE?
629
00:31:05,770 --> 00:31:09,540
THOSE WOULD BE NIL,
CALVIN.
630
00:31:09,570 --> 00:31:10,710
NIL?
631
00:31:10,740 --> 00:31:13,270
BEING ACCESSORY
TO A HOMICIDE, CORRECT.
632
00:31:13,310 --> 00:31:14,410
AFTER THE FACT.
633
00:31:14,450 --> 00:31:16,090
NIL.
634
00:31:16,110 --> 00:31:17,450
STILL NIL.
635
00:31:17,480 --> 00:31:18,880
OH, GOD!
636
00:31:18,920 --> 00:31:21,160
OH, GOD, SHOOT HIM!
HE’S COMING FOR ME!
637
00:31:21,190 --> 00:31:23,330
NAH, HE’S JUST GOING
TO HIS DESK.
638
00:31:25,920 --> 00:31:27,960
HIS DESK?
639
00:31:27,990 --> 00:31:29,960
YEAH, HIS DESK
IS OVER THERE,
640
00:31:29,990 --> 00:31:32,860
NEXT TO
DETECTIVE KIRKENDALL’S.
641
00:31:36,700 --> 00:31:38,970
THIS IS SICK,
642
00:31:39,000 --> 00:31:41,040
EVERYTHING ABOUT
WHAT YOU PEOPLE DO.
643
00:31:56,560 --> 00:31:59,160
YOU STILL WORK
WITH YOUR FATHER, BILLY?
644
00:31:59,190 --> 00:32:02,020
YEAH, CERTAIN JOBS.
NOT ALL THE TIME.
645
00:32:02,060 --> 00:32:04,630
SIT DOWN.
646
00:32:06,630 --> 00:32:08,600
HEY, I DIDN’T
BORROW HIS CAR,
647
00:32:08,630 --> 00:32:11,130
IF THAT’S
WHAT YOU WANT TO KNOW.
648
00:32:11,170 --> 00:32:13,100
YOU A GOOD CARPENTER
OR BRICKLAYER?
649
00:32:13,140 --> 00:32:15,480
I’M ALL RIGHT.
MOSTLY I DO LABOR.
650
00:32:15,510 --> 00:32:18,980
YOUR FATHER’S IN A LOT
OF TROUBLE, BILLY.
651
00:32:19,010 --> 00:32:20,810
HE’S MAYBE GOING TO PRISON.
652
00:32:20,850 --> 00:32:22,490
WHAT FOR?
653
00:32:22,510 --> 00:32:25,110
REMEMBER AN 8‐YEAR‐OLD GIRL,
LIVED AT A HOUSE
654
00:32:25,150 --> 00:32:27,950
YOU AND YOUR DAD TORE DOWN
A SHED AT OVER IN HOBOKEN?
655
00:32:27,990 --> 00:32:30,530
WHAT DO YOU MEAN
MY DAD’S GOING TO PRISON?
656
00:32:30,560 --> 00:32:32,300
WE’RE TALKING
ABOUT NINE YEARS AGO.
657
00:32:32,320 --> 00:32:33,690
REMEMBER THAT GIRL
658
00:32:33,730 --> 00:32:35,900
THAT WAS THE DAUGHTER
OF THE PEOPLE?
659
00:32:35,930 --> 00:32:37,740
HER NAME WAS ALICE.
660
00:32:37,760 --> 00:32:41,300
SHE HAD A RED AND PINK DRESS
WITH LITTLE FLOWERS ON IT ‐‐
661
00:32:41,330 --> 00:32:43,330
BROWN‐HAIRED GIRL,
REAL PRETTY.
662
00:32:43,370 --> 00:32:44,380
I DON’T REMEMBER.
663
00:32:44,400 --> 00:32:46,640
COME ON.
YOU REMEMBER THAT GIRL.
664
00:32:46,670 --> 00:32:47,870
NO.
665
00:32:47,910 --> 00:32:49,550
IT’S HIS FATHER.
666
00:32:49,570 --> 00:32:51,370
WHAT DO YOU MEAN?
667
00:32:51,410 --> 00:32:54,510
BILLY, YOUR FATHER OWNED
A PIECE OF PROPERTY HERE.
668
00:32:54,550 --> 00:32:56,760
THERE’S A LITTLE BRICK WALL
ON THE SECOND FLOOR.
669
00:32:56,780 --> 00:32:59,180
WE FOUND THE REMAINS
OF THE GIRL IN THERE.
670
00:32:59,220 --> 00:33:02,930
YOUR FATHER KILLED THAT GIRL,
AND NOW HE’S GOING TO PAY.
671
00:33:02,950 --> 00:33:04,590
HE WOULDN’T DO THAT.
672
00:33:04,620 --> 00:33:05,920
THEN WHO WOULD?
673
00:33:05,960 --> 00:33:07,730
HE’S A GOOD FATHER.
674
00:33:07,760 --> 00:33:10,530
GOOD FATHER, HUH?
WELL, WHO KNOWS?
675
00:33:10,560 --> 00:33:12,830
MAYBE HE’S GOOD
TO HIS OWN KID
676
00:33:12,860 --> 00:33:15,230
WHILE HE GOES AROUND
MURDERING OTHER PEOPLE’S KIDS.
677
00:33:15,270 --> 00:33:17,740
MY DAD DIDN’T KILL
THAT LITTLE GIRL.
678
00:33:17,770 --> 00:33:20,770
DON’T TELL US YOU DID IT
TO TRY TO PROTECT HIM.
679
00:33:20,810 --> 00:33:24,380
IF YOU’RE LYING, I’M GOING
TO SEE IT IN YOUR EYES.
680
00:33:24,410 --> 00:33:26,780
HE DIDN’T.
681
00:33:26,810 --> 00:33:30,710
HOW DID YOU DO IT?
682
00:33:30,750 --> 00:33:31,850
I DIDN’T.
683
00:33:31,880 --> 00:33:34,250
IT WAS AN ACCIDENT
SHE HAD ON HER OWN.
684
00:33:35,650 --> 00:33:37,220
HELP ME!
685
00:33:37,260 --> 00:33:40,070
I’LL KILL YOU
AND BRICK YOUR BODY UP!
686
00:33:40,090 --> 00:33:41,220
SAY IT!
687
00:33:41,260 --> 00:33:42,690
SAY WHAT YOU DID!
688
00:33:42,730 --> 00:33:44,040
DANNY!
689
00:33:44,060 --> 00:33:45,630
SOMETHING MADE IT HAPPEN!
690
00:33:45,660 --> 00:33:48,230
YOU WANT YOUR FATHER IN JAIL
FOR SOMETHING YOU DID?
691
00:33:48,270 --> 00:33:49,910
’CAUSE THAT’S WHAT’S
GOING TO HAPPEN.
692
00:33:49,930 --> 00:33:52,030
SAY IT! SAY IT!
693
00:33:52,070 --> 00:33:53,330
ALL RIGHT, ALL RIGHT!
694
00:33:55,110 --> 00:33:57,080
[ Sobbing ] IT WAS ME.
695
00:34:16,260 --> 00:34:17,960
SIT WITH THIS GUY
THREE MINUTES.
696
00:34:18,000 --> 00:34:18,970
NO PROBLEM.
697
00:34:19,000 --> 00:34:20,610
LITTLE SHOOK UP.
698
00:34:20,630 --> 00:34:23,300
YOU WANT TO KEEP HIM
THAT WAY?
699
00:34:23,330 --> 00:34:25,000
NO, JUST LET HIM
COOL OUT.
700
00:34:36,980 --> 00:34:38,150
MURDERING BASTARD.
701
00:34:38,180 --> 00:34:40,150
THE WORST.
702
00:34:40,180 --> 00:34:43,320
DEFENSELESS LITTLE GIRL.
703
00:34:43,350 --> 00:34:44,950
NO, THAT’S THE WORST.
704
00:34:44,990 --> 00:34:47,820
SO MAYBE WE CLEAR OUR HEADS
A COUPLE OF MINUTES,
705
00:34:47,860 --> 00:34:50,430
THEN YOU TELL THE OLD MAN
HIS KID WENT.
706
00:34:50,460 --> 00:34:52,760
AND YOU TAKE
THE KID’S STATEMENT.
707
00:34:52,800 --> 00:34:55,210
YOU DON’T WANT TO KILL
THAT ASSHOLE, DANNY.
708
00:34:55,230 --> 00:34:57,870
YOU WANT TO FOB ME OFF
ON THE OLD MAN
709
00:34:57,900 --> 00:35:00,370
’CAUSE YOU DON’T TRUST ME
GETTING THAT STATEMENT.
710
00:35:00,400 --> 00:35:02,600
WHAT’S WRONG, DANNY?
711
00:35:02,640 --> 00:35:04,970
OKAY, SO THEN
I’LL TELL THE FATHER,
712
00:35:05,010 --> 00:35:06,980
AND THEN
I’LL NOTIFY THE D. A.
713
00:35:07,010 --> 00:35:09,680
WHAT’S WRONG?
714
00:35:11,520 --> 00:35:13,290
HEY, DANNY.
715
00:35:13,320 --> 00:35:14,330
HOW’S IT GOING?
716
00:35:16,420 --> 00:35:19,560
HE GAVE IT UP, THIS KID.
717
00:35:19,590 --> 00:35:21,720
GOOD.
718
00:35:21,760 --> 00:35:24,160
I WENT OFF ON HIM.
719
00:35:24,200 --> 00:35:26,370
HE KILLED A LITTLE GIRL.
720
00:35:30,740 --> 00:35:32,780
ANDY’S GOING TO TAKE
HIS WRITTEN STATEMENT.
721
00:35:35,010 --> 00:35:38,880
I SHOULD MAYBE THINK ABOUT
WORKING AT BLOCKBUSTER’S,
722
00:35:38,910 --> 00:35:41,510
WHERE YOU DON’T LAY HANDS
ON NOBODY.
723
00:35:41,550 --> 00:35:44,560
WOULD YOU GIVE ME SOME RHYTHM
ON MY LATE FEES?
724
00:35:44,580 --> 00:35:46,950
YEAH, I’LL ABSOLUTELY
LET YOU SLIDE.
725
00:35:49,220 --> 00:35:51,190
I JUST WISHED
I FELT MORE
726
00:35:51,220 --> 00:35:53,350
LIKE I KNEW
WHAT I WAS DOING.
727
00:35:53,390 --> 00:35:55,390
YOU KNOW
WHAT I MEAN, DIANE?
728
00:35:55,430 --> 00:35:57,770
THE NEXT THING
COMING OUT MY MOUTH,
729
00:35:57,800 --> 00:36:00,570
OR WHEN I’LL WIND UP
SITTING NEXT TO A LAKE.
730
00:36:00,600 --> 00:36:03,200
THIS GUY KILLED A GIRL,
AND YOU GOT EMOTIONAL.
731
00:36:03,230 --> 00:36:05,600
ANDY DIDN’T LET IT
GO TOO FAR,
732
00:36:05,640 --> 00:36:08,050
AND YOU’RE THERE
THAT WAY FOR HIM.
733
00:36:08,070 --> 00:36:10,040
THANK GOD
FOR OUR PARTNERS, RIGHT?
734
00:36:10,070 --> 00:36:13,740
ANYWAYS, LET ME GO TALK
TO HIS FATHER.
735
00:36:13,780 --> 00:36:16,580
ARE YOU SEEING MARY?
WANT TO GET A BITE AFTER WORK?
736
00:36:16,620 --> 00:36:18,220
YOU’RE NOT BUSY?
737
00:36:18,250 --> 00:36:19,580
NO.
738
00:36:19,620 --> 00:36:21,420
DO YOU WANT
TO GO TO MAC’S?
739
00:36:21,450 --> 00:36:22,880
THERE’S A FRESH IDEA.
740
00:36:24,420 --> 00:36:26,620
SECTOR BOY FOUND
YOUR RETIRED COP,
741
00:36:26,660 --> 00:36:29,930
BUT THEY CAN’T GET HIM
TO COME IN.
742
00:37:39,500 --> 00:37:41,470
OLD GUY
HANDLED HIMSELF GOOD,
743
00:37:41,500 --> 00:37:43,160
MAKING THAT PHONE CALL
TO NORTH MIAMI.
744
00:37:43,200 --> 00:37:44,530
YEAH.
745
00:37:48,240 --> 00:37:50,670
SOME RELIEF TO THE PARENTS,
KNOWING THERE’S A COLLAR.
746
00:37:53,310 --> 00:37:57,350
SO HOW DO YOU FEEL THAT’S
A ONE‐WAY STREET, DANNY, HUH?
747
00:37:57,380 --> 00:37:59,050
MY REACHING OUT FOR COUNSEL ‐‐
748
00:37:59,080 --> 00:38:02,220
"DO I PINCH‐HIT ESCORTING
EDDIE GIBSON’S NIECE?"
749
00:38:02,250 --> 00:38:04,220
THAT’S OKAY
FOR ME ASKING YOU,
750
00:38:04,260 --> 00:38:06,630
BUT WITH THE SHOE
ON THE OTHER FOOT,
751
00:38:06,660 --> 00:38:09,220
OR YOU NEEDING ADVICE
OR THE LIKE,
752
00:38:09,260 --> 00:38:11,230
YOU GO THROUGH LIFE
CLOSE‐MOUTHED.
753
00:38:11,260 --> 00:38:14,960
IF I KNEW THE QUESTION TO ASK,
YOU’D BE GETTING IT.
754
00:38:15,000 --> 00:38:17,870
THEN I’LL ASK YOU ONE.
755
00:38:17,900 --> 00:38:18,870
AHEM.
756
00:38:18,900 --> 00:38:20,870
NOW, THE BASTARD
IN THAT ROOM,
757
00:38:20,910 --> 00:38:22,580
THAT’S ONE THING,
758
00:38:22,610 --> 00:38:25,350
BUT WHAT’S THIS WALKING
THE CITY HALF THE NIGHT?
759
00:38:25,380 --> 00:38:26,990
SEE, THAT’S IT.
760
00:38:27,010 --> 00:38:28,580
NIGHTMARES AND SO FORTH,
761
00:38:28,610 --> 00:38:31,010
WHERE I’D RATHER
WALK THE STREETS.
762
00:38:31,050 --> 00:38:35,650
NIGHTMARES
THAT CAN BE DOOZIES.
763
00:38:35,690 --> 00:38:38,230
SOME I’VE HAD,
764
00:38:38,260 --> 00:38:43,870
YOU’D PREFER CANVASSING
THE WHOLE BOROUGH.
765
00:38:43,900 --> 00:38:46,170
WHAT’S THE SUBJECT?
766
00:38:46,200 --> 00:38:48,770
HEY, I DON’T CARE
WHAT ANY OF IT’S ABOUT.
767
00:38:48,800 --> 00:38:50,630
I’M NOT ONE
FOR BIG INTERPRETATIONS.
768
00:38:52,940 --> 00:38:55,610
NO, BUT GIVE ME
A FOR INSTANCE.
769
00:38:58,980 --> 00:39:01,590
WHEN MY SISTERS
ARE GETTING BURNED UP
770
00:39:01,610 --> 00:39:03,850
AND I FAIL
TO GET THEM OUT.
771
00:39:03,880 --> 00:39:05,650
THAT ONE
IS PRETTY FREQUENT.
772
00:39:08,420 --> 00:39:12,790
YOU’RE RESPONSIBLE FOR THEM,
SO THAT MAKES SENSE.
773
00:39:12,820 --> 00:39:15,790
WALKING DOWN THE STAIRS
WITH THEM FROM THE AIRPLANE,
774
00:39:15,830 --> 00:39:18,900
HOLDING THEIR HANDS WHEN
WE’RE COMING DOWN THE STAIRS.
775
00:39:18,930 --> 00:39:20,530
WELL, THAT’S REAL LIFE,
776
00:39:20,570 --> 00:39:23,410
BUT THAT’S ONE
I SEE ALL THE TIME.
777
00:39:23,430 --> 00:39:25,070
COMING OVER FROM NORWAY.
778
00:39:25,100 --> 00:39:28,240
HERE I COME, WALKING THEM
DOWN THE STAIRS,
779
00:39:28,270 --> 00:39:29,870
HOLDING THEIR HANDS
780
00:39:29,910 --> 00:39:34,280
LIKE I KNOW WHAT PLANET
WE JUST LANDED ON.
781
00:39:34,310 --> 00:39:38,210
HOW OLD WERE YOU,
LIKE, 6?
782
00:39:38,250 --> 00:39:42,220
THE LITTLE ONE’S 2,
LORI’S 3 1/2.
783
00:39:42,250 --> 00:39:46,320
HERE WE COME DOWN THE STAIRS
NOT KNOWING THE LANGUAGE,
784
00:39:46,360 --> 00:39:49,770
NOT KNOWING
WHAT THE HELL I’M DOING.
785
00:39:49,790 --> 00:39:52,930
"TAKE CARE OF YOUR SISTERS"
IS MY SOLE INSTRUCTIONS.
786
00:39:52,960 --> 00:39:55,560
"LOOK OUT
FOR THE LITTLE ONES."
787
00:39:55,600 --> 00:39:57,970
I BOUGHT THE MANUAL ‐‐
"HOW TO RAISE A 2‐
788
00:39:58,000 --> 00:40:00,500
AND 3 1/2‐YEAR‐OLD
WHEN YOU’RE 6 YOURSELF."
789
00:40:03,710 --> 00:40:06,110
SO THAT CAN GET EXHAUSTING,
YOU KNOW?
790
00:40:06,140 --> 00:40:09,110
THOSE DREAMS.
791
00:40:09,150 --> 00:40:12,460
YOUR MOM
NEVER STAYED IN TOUCH?
792
00:40:12,480 --> 00:40:13,820
I’LL TELL YOU, ANDY,
793
00:40:13,850 --> 00:40:16,180
I’D SETTLE FOR JUST KNOWING
HOW TO LIVE.
794
00:40:16,220 --> 00:40:18,450
YOU KNOW WHAT I MEAN?
795
00:40:18,490 --> 00:40:20,960
I’D AS SOON NOT HAVE
ANOTHER DREAM
796
00:40:20,990 --> 00:40:23,160
OR UNDERSTAND ANY OF IT.
797
00:40:23,190 --> 00:40:25,030
YOU’RE DOING GOOD, DANNY.
798
00:40:25,060 --> 00:40:27,430
IT’S EARLY IN THE GAME,
YOU KNOW.
799
00:40:27,470 --> 00:40:30,240
I DON’T WANT TO WEAR OUT.
800
00:40:33,300 --> 00:40:36,040
YOU GET TIRED...
801
00:40:36,070 --> 00:40:38,310
YOU LEAN ON ME.
802
00:40:38,340 --> 00:40:42,980
ALL RIGHT.
803
00:40:43,010 --> 00:40:45,680
THANKS VERY MUCH.
804
00:41:00,400 --> 00:41:03,360
YOU NEVER DRINK ANY SORT
OF SPIRITS, DO YOU?
805
00:41:03,400 --> 00:41:04,870
EXHAUSTED MY QUOTA.
806
00:41:04,900 --> 00:41:07,370
AH.
807
00:41:07,410 --> 00:41:10,220
DOES THIS
MAKE YOU UNCOMFORTABLE?
808
00:41:10,240 --> 00:41:11,510
NO, NO.
809
00:41:14,710 --> 00:41:18,210
AFTER SOMEONE DIES,
810
00:41:18,250 --> 00:41:21,220
THEY SAY EVERY FIRST THING
YOU DO IS HARD.
811
00:41:22,790 --> 00:41:26,260
AFTER BOBBY DIED,
812
00:41:26,290 --> 00:41:28,960
YOU WERE THE FIRST NEW FRIEND
I WAS ABLE TO MAKE...
813
00:41:31,800 --> 00:41:35,240
AND YOU’RE PRECIOUS
TO ME FOR THAT.
814
00:41:38,770 --> 00:41:42,200
YOU’RE PRECIOUS TO ME.
815
00:41:42,240 --> 00:41:45,370
ANY WAY I CAN HELP.
816
00:41:45,410 --> 00:41:47,540
THAT’S ALL
I’M TRYING TO SAY.
817
00:41:47,580 --> 00:41:48,980
Man: HERE YOU GO.
818
00:41:52,050 --> 00:41:57,220
THE THING IN LIFE YOU GOT
TO BE LUCKY ABOUT ‐‐
819
00:41:57,260 --> 00:42:01,930
EVERYONE GETS THIS OR THAT
PORTION ON THEIR PLATE,
820
00:42:01,960 --> 00:42:04,690
BUT WHERE YOU DEFINITELY
GET YOUR FIGHTING CHANCE
821
00:42:04,730 --> 00:42:06,630
IS FRIENDS.
822
00:42:06,670 --> 00:42:08,640
I’M REAL LUCKY
WITH THE FRIENDS
823
00:42:08,670 --> 00:42:10,340
I’VE MADE IN OUR SQUAD.
824
00:42:17,280 --> 00:42:20,150
I’LL TELL YOU,
MY APPETITE’S BACK
825
00:42:20,180 --> 00:42:22,440
LIKE I’M GOING
TO THE CHAIR.
826
00:42:22,480 --> 00:42:24,980
Captioned by VISUAL DATA
Your Closed Captioning Resource
59695
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof