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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:22,160 --> 00:00:24,090 [KNOCK ON DOOR] 2 00:00:29,400 --> 00:00:30,370 HI. 3 00:00:30,400 --> 00:00:33,130 HI, DIANE. 4 00:00:33,170 --> 00:00:34,440 HOW’S KYLE? 5 00:00:34,470 --> 00:00:37,740 OH, I KEPT HIM HOME FROM SCHOOL. 6 00:00:39,110 --> 00:00:40,740 HE’S WITH HIS DAD NOW. 7 00:00:40,780 --> 00:00:41,940 THAT’S GOOD. 8 00:00:41,980 --> 00:00:45,380 YEAH, KYLE ASKED FOR KEN 3 TIMES GOING TO SLEEP. 9 00:00:45,420 --> 00:00:47,390 IT’S GOOD HE’S WITH HIM. 10 00:00:47,420 --> 00:00:51,490 REMINDS HIM THERE’S A GROWN‐UP MAN IN HIS LIFE DOESN’T LOOK TO HURT PEOPLE. 11 00:00:53,360 --> 00:00:56,270 IS THAT A BOTTLE ON YOUR COUNTER? 12 00:00:56,290 --> 00:00:58,230 YEAH. 13 00:00:58,260 --> 00:01:01,060 DO YOU WANNA TALK ABOUT IT? 14 00:01:01,100 --> 00:01:03,000 GUESS I MUST. [NERVOUS LAUGH] 15 00:01:03,030 --> 00:01:05,330 I CALLED AND I LEFT IT OUT, 16 00:01:05,370 --> 00:01:08,840 SO I GUESS I MUST WANNA... TALK ABOUT IT. 17 00:01:08,870 --> 00:01:10,470 HAVE YOU BEEN DRINKING? 18 00:01:11,710 --> 00:01:13,510 I WANTED TO SO MUCH, I, UH... 19 00:01:13,550 --> 00:01:16,790 I WENT OUT WITH GREG AND JAMES AND‐‐AND THE NEW GUY. 20 00:01:16,820 --> 00:01:18,360 WE WERE FEELING‐‐ 21 00:01:18,380 --> 00:01:21,520 YOU KNOW, WE WERE FEELING SO HAPPY OVER KEEPING KYLE OUT OF IT, 22 00:01:21,550 --> 00:01:25,320 AND IT FELT LIKE THE FIRST DAY’S WORK I’D DONE... 23 00:01:25,360 --> 00:01:27,600 WHERE I’D DONE A DECENT JOB. 24 00:01:27,630 --> 00:01:29,470 SINCE YOU CAME BACK AFTER BOBBY. 25 00:01:29,490 --> 00:01:31,330 I WAS HAPPY. 26 00:01:31,360 --> 00:01:34,000 AND THEN ALL OF A SUDDEN... 27 00:01:34,030 --> 00:01:36,670 I STARTED FEELING REALLY SCARED... 28 00:01:36,700 --> 00:01:40,440 AND SAD AND LIKE I WAS GONNA BUST OUT CRYING, 29 00:01:40,470 --> 00:01:45,670 AND, UH, THE WAITRESS BROUGHT BEERS AND MY SODA... 30 00:01:45,710 --> 00:01:50,210 AND GREG HAD LEFT TO GO SLEEP WITH HIS GIRLFRIEND, AND, UH... 31 00:01:52,050 --> 00:01:53,380 HIS BEER WAS THERE. 32 00:01:53,420 --> 00:01:56,230 AND YOU DRANK SOME? 33 00:01:57,820 --> 00:01:59,490 BUT WALKING HOME FROM THE SUBWAY, I, UH... 34 00:01:59,520 --> 00:02:01,190 I BOUGHT THAT. 35 00:02:01,230 --> 00:02:04,500 AND I SAT ALL NIGHT AFRAID TO LOOK AT IT... 36 00:02:04,530 --> 00:02:08,230 OR TO LOOK AT IT GETTING DRESSED FOR WORK... 37 00:02:10,200 --> 00:02:12,730 OR TO LOOK IN THE BEDROOM. 38 00:02:12,770 --> 00:02:15,440 WHY WERE YOU AFRAID TO LOOK IN THE BEDROOM? 39 00:02:16,440 --> 00:02:18,340 OH... 40 00:02:18,380 --> 00:02:20,190 I WANT TO BE STRONG FOR HIM, 41 00:02:20,210 --> 00:02:23,880 AND I FEEL SO BAD, I‐‐ 42 00:02:27,420 --> 00:02:29,380 THIS IS GOOD, DIANE. 43 00:02:29,420 --> 00:02:31,190 THIS IS GOOD. 44 00:02:33,560 --> 00:02:35,560 I NEED SOME HELP. 45 00:02:35,590 --> 00:02:37,230 THAT’S GOOD. 46 00:02:37,260 --> 00:02:39,360 WE’RE GONNA GET YOU SOME. 47 00:02:39,400 --> 00:02:41,510 I‐‐I WANNA GO TO WORK 48 00:02:41,530 --> 00:02:46,530 ’CAUSE IF I START NOT GOING, I’M GONNA STOP GOING. 49 00:02:46,570 --> 00:02:47,540 OK. 50 00:02:47,570 --> 00:02:48,840 WE’LL, UH, 51 00:02:48,870 --> 00:02:50,670 WE’LL DO OUR 8:00‐TO‐4:00, 52 00:02:50,710 --> 00:02:52,570 AND THEN WE’LL CALL THE WIDOWS & ORPHANS. 53 00:02:55,810 --> 00:02:57,950 YOU WANT ME TO POUR OUT THAT BOTTLE? 54 00:02:59,750 --> 00:03:01,050 YEAH. 55 00:03:01,090 --> 00:03:02,730 PLEASE. OK. 56 00:04:31,040 --> 00:04:32,310 MISS DISTRICT ATTORNEY, 57 00:04:32,340 --> 00:04:34,140 HOW ABOUT MAYBE OFFICER DYLAN HERE 58 00:04:34,180 --> 00:04:35,510 TAKE OFF THESE CUFFS, HUH? 59 00:04:35,550 --> 00:04:36,790 NO. 60 00:04:36,820 --> 00:04:38,890 THIS IS POSSESSION WITH INTENT AND SOLICITING SEX. 61 00:04:38,920 --> 00:04:40,660 THIS IS NOT MAJOR. 62 00:04:40,690 --> 00:04:42,660 MEANING, ON YOUR OTHER COLLARS, TOMMY, 63 00:04:42,690 --> 00:04:44,300 YOU WERE BROUGHT TO A D. A.’s OFFICE? 64 00:04:44,320 --> 00:04:46,660 THE THING YOU TRYIN’ TO MAKE IT MAJOR 65 00:04:46,690 --> 00:04:48,820 DON’T MAKE IT MAJOR IN MY HEAD. 66 00:04:48,860 --> 00:04:50,860 THAT KID WAS SELLIN’ SEX ON THE STREET. 67 00:04:50,900 --> 00:04:52,700 AND YOU OFFERED HIM DRUGS TO GET IT. 68 00:04:52,730 --> 00:04:54,630 I OFFERED HIM DRUGS TO GET OVER. 69 00:04:54,670 --> 00:04:55,710 I WAS NOT SELLING. 70 00:04:55,730 --> 00:04:57,370 MY DRUG ACTIVITY AND MY SEX ACTIVITY 71 00:04:57,400 --> 00:04:59,030 ARE SEPARATE‐‐ALWAYS. 72 00:04:59,070 --> 00:05:01,900 THAT’S THE ONE PRINCIPLE HE LIVES BY. 73 00:05:01,940 --> 00:05:04,810 YOU THINK WE’RE DICKIN’ AROUND WITH POSSESSION VERSUS INTENT? 74 00:05:04,840 --> 00:05:06,510 WHY DON’T YOU STOP TRYING TO LAWYER YOUR CASE, TOMMY? 75 00:05:06,550 --> 00:05:07,650 FIND OUT WHY YOU’RE HERE. 76 00:05:07,680 --> 00:05:08,740 I KNOW WHY I’M HERE. 77 00:05:08,780 --> 00:05:10,350 AND THIS BEEF AIN’T ADEQUATE ENOUGH 78 00:05:10,380 --> 00:05:12,010 TO GET ME TO DO WHAT’S ON YOUR MIND. 79 00:05:12,050 --> 00:05:13,510 WHICH IS WHAT, EINSTEIN? 80 00:05:13,550 --> 00:05:15,180 I AIN’T "READY FOR FREDDIE." 81 00:05:15,220 --> 00:05:18,250 ALL RIGHT? I’LL DO THE TIME INSIDE. 82 00:05:18,290 --> 00:05:20,190 THAT WAS JUAN SUAREZ’S THINKING, TOO. 83 00:05:20,220 --> 00:05:22,520 JUAN WENT INSIDE FOR FREDDIE ASUNCION, 84 00:05:22,560 --> 00:05:25,690 BUT THEN HE GOT SHANKED IN THE LAUNDRY ROOM ON FREDDIE’S ORDERS. 85 00:05:25,730 --> 00:05:27,030 YEAH, WHATEVER. 86 00:05:27,070 --> 00:05:30,210 THE WORLD’S LESS COMPLICATED THAN YOU THINK IT IS, TOMMY. 87 00:05:30,230 --> 00:05:31,670 YOU ARE COOPERATING. 88 00:05:31,700 --> 00:05:34,400 THE ONLY QUESTION’S IF YOU GET THE BENEFIT. 89 00:05:34,440 --> 00:05:36,200 NUH‐UH. 90 00:05:36,240 --> 00:05:37,510 Costas: "NUH‐UH"? 91 00:05:37,540 --> 00:05:40,180 YOU MEAN WE ARE NOT GOING TO ARREST FREDDIE ASUNCION 92 00:05:40,210 --> 00:05:41,940 WHETHER YOU HELP US OR NOT 93 00:05:41,980 --> 00:05:44,510 AND PUT IT ON YOU IN FREDDIE’S HEAD? 94 00:05:44,550 --> 00:05:45,680 PUT WHAT ON ME? 95 00:05:45,720 --> 00:05:47,360 FREDDIE’S A CAREFUL BOY. 96 00:05:47,390 --> 00:05:48,960 Sipowicz: WE GOT INFORMATION OFF A WIRETAP 97 00:05:48,990 --> 00:05:51,530 ON WHERE FREDDIE’S STASH IS, KNUCKLEHEAD. 98 00:05:51,560 --> 00:05:54,200 AND WHEN WE TAKE THAT STASH DOWN AND HIM WITH IT, 99 00:05:54,230 --> 00:05:57,300 THAT’S WHAT WE PUT ON YOU‐‐ IN FREDDIE’S HEAD. 100 00:05:57,330 --> 00:05:59,190 THOSE BAD‐ASS SHOULDERS, TOMMY... 101 00:05:59,230 --> 00:06:00,860 THINK YOU CAN TAKE THE WEIGHT... 102 00:06:00,900 --> 00:06:01,860 IN FREDDIE’S HEAD? 103 00:06:01,900 --> 00:06:03,530 YOU GOT A WIRETAP? 104 00:06:03,570 --> 00:06:05,700 WHAT YOU NEED ME FOR? 105 00:06:05,740 --> 00:06:07,550 WE DON’T WANT FREDDIE FOR DRUGS. 106 00:06:07,570 --> 00:06:09,540 THAT’S HIS ACT. WHAT YOU WANT HIM FOR THEN? 107 00:06:09,570 --> 00:06:12,670 THE HOMICIDE HE PAID JUAN SUAREZ TO PLEAD TO. 108 00:06:17,120 --> 00:06:20,160 SAY I HELP YOU... 109 00:06:20,180 --> 00:06:21,820 WHERE I GET TO GO? 110 00:06:21,850 --> 00:06:23,520 Sipowicz: HARVARD. 111 00:06:24,690 --> 00:06:26,220 LAS VEGAS. 112 00:06:26,260 --> 00:06:28,500 YEAH, WE CAN GET YOU TO LAS VEGAS. 113 00:06:28,530 --> 00:06:32,670 ALTHOUGH THAT ACT GOES OVER BETTER IN THEM LITTLE COWBOY TOWNS. 114 00:06:34,270 --> 00:06:36,310 I SAW FREDDIE DO THE MURDER, 115 00:06:36,330 --> 00:06:39,270 AND I WAS WITH HIM WHEN HE BOUGHT JUAN TO DO THE TIME. 116 00:06:41,670 --> 00:06:44,170 [CLEARING THROAT] I GOTTA GET TO WORK. 117 00:06:44,210 --> 00:06:45,740 Dornan: YEAH. 118 00:06:45,780 --> 00:06:48,520 NOW YOU CAN GET YOUR CUFFS OFF. 119 00:07:03,190 --> 00:07:04,630 SO, UH, 120 00:07:04,660 --> 00:07:07,330 IF YOU FELLAS HAVEN’T FIRMED UP DINNER PLANS, 121 00:07:07,370 --> 00:07:09,110 THAT DOMESTIC VIOLENCE COLLAR 122 00:07:09,130 --> 00:07:10,970 ME AND JAMES MADE SEVERAL DAYS AGO‐‐ 123 00:07:11,000 --> 00:07:15,200 COMPLAINANT’S FATHER TURNS OUT OWNER/OPERATOR OF HONG KONG GARDENS. 124 00:07:15,240 --> 00:07:18,010 THAT THE PLACE GOT IN A JACKPOT SERVIN’ CAT? 125 00:07:18,040 --> 00:07:22,340 NO, ANDY. THE HONG KONG GARDENS HAPPENED TO GET HALF A STAR 126 00:07:22,380 --> 00:07:23,510 IN THE DRURY RESTAURANT GUIDE. 127 00:07:23,550 --> 00:07:24,880 OVER ON 8th AND BOWERY. 128 00:07:24,920 --> 00:07:26,730 YEAH. EXACTLY, DANNY. 129 00:07:28,150 --> 00:07:31,350 TAKEOUT DINNER TONIGHT FOR THE WHOLE SQUAD COVERED. 130 00:07:31,390 --> 00:07:33,150 WINK FOOD GIVES ME HEADACHES. 131 00:07:33,190 --> 00:07:35,190 TELL ’EM TO HOLD THE M. S. G. 132 00:07:35,230 --> 00:07:37,200 LET ME KNOW WHEN YOU AND MARTINEZ CLEAR ONE 133 00:07:37,230 --> 00:07:38,990 FOR THE OWNER OF A STEAKHOUSE. 134 00:07:39,030 --> 00:07:41,660 THAT NEW SUPERMARKET ON PIKE SLIP AND FDR 135 00:07:41,700 --> 00:07:43,670 JUST GOT ROBBED. LOOKS LIKE A MAJOR HIT. 136 00:07:43,700 --> 00:07:46,330 ANDY, YOU’RE UP? EVERYONE’S ON IT. 137 00:07:47,670 --> 00:07:49,000 Medavoy: DANNY... 138 00:07:49,040 --> 00:07:50,170 TAKE THE CELLULAR PHONE. 139 00:07:50,210 --> 00:07:51,870 WE’LL ORDER THE FOOD FROM THE CAR. 140 00:08:23,580 --> 00:08:25,280 Kirkendall: WE WERE FINISHING A DAY TOUR, 141 00:08:25,310 --> 00:08:26,680 HEARD THE JOB COME OVER THE AIR. 142 00:08:26,710 --> 00:08:27,680 YOU NEED HELP? 143 00:08:27,710 --> 00:08:29,550 YEAH, LET’S SEE WHAT WE GOT. 144 00:08:32,220 --> 00:08:35,190 NO WITNESSES TO WHAT HAPPENED OUT HERE. 145 00:08:35,220 --> 00:08:37,050 WHEN THEY WENT INTO THE MONEY ROOM, THEY’RE WEARING MASKS, 146 00:08:37,090 --> 00:08:39,020 MAKE EVERYBODY HIT THE FLOOR, CLEAN THE PLACE OUT. 147 00:08:39,060 --> 00:08:41,200 IN AND GONE LESS THAN 2 MINUTES. 148 00:08:41,230 --> 00:08:44,400 MARK GRAHAM, OFF‐DUTY FROM THE JOB. 149 00:08:45,460 --> 00:08:46,530 Sipowicz: LET’S GET HIM COVERED UP. 150 00:08:46,570 --> 00:08:47,570 Uniform: YEAH. 151 00:08:47,600 --> 00:08:49,030 IS THAT THE MONEY ROOM BACK THERE? 152 00:08:49,070 --> 00:08:51,040 UH, YEAH, THAT’S WHERE THE ACTION WAS. 153 00:08:51,070 --> 00:08:52,870 THIS DON’T COUNT AS ACTION? Uniform: COME ON. 154 00:08:52,900 --> 00:08:55,070 WE’LL DO A QUICK CANVASS HERE AND OUT FRONT. 155 00:08:55,110 --> 00:08:56,350 GOOD. 156 00:09:06,950 --> 00:09:08,580 THEY WALTZ RIGHT IN DURING OUR PEAK HOUR 157 00:09:08,620 --> 00:09:09,720 AND PULL THIS OFF. 158 00:09:09,750 --> 00:09:12,420 DID YOU RECOGNIZE ’EM, MR., UH, JENKINS? 159 00:09:12,460 --> 00:09:14,000 HOW COULD I RECOGNIZE THEM? THEY HAD MASKS ON. 160 00:09:14,030 --> 00:09:15,170 SOON AS THEY CAME IN, THEY TOLD EVERYONE 161 00:09:15,190 --> 00:09:16,930 TO LOOK AT THE FLOOR AND LAY DOWN. 162 00:09:16,960 --> 00:09:18,990 I LOOKED UP AND GOT THIS FOR MY TROUBLE. OW. 163 00:09:19,030 --> 00:09:21,330 YOU GOT AN ESTIMATE ON HOW MUCH THEY GOT OUT WITH? 164 00:09:21,370 --> 00:09:23,010 170,000. 165 00:09:23,030 --> 00:09:25,730 I FORGOT TO MAKE THE BANK DEPOSIT, 166 00:09:25,770 --> 00:09:27,170 AND I KNOW HOW THAT MAKES ME LOOK. 167 00:09:27,210 --> 00:09:29,510 WHO OPENED THE SAFE FOR THEM? 168 00:09:29,540 --> 00:09:31,510 I DID. AFTER THEY HIT ME, THEY DRAGGED ME OVER AND PUT A GUN TO MY HEAD. 169 00:09:31,540 --> 00:09:33,170 WHAT CAME OUTTA THERE? 170 00:09:33,210 --> 00:09:35,640 THAT’S WHERE THE SECURITY CAMERA VIDEOTAPE WAS. 171 00:09:35,680 --> 00:09:38,850 THEY WENT RIGHT FOR IT AFTER THEY GOT THE MONEY. HAD A HAMMER AND EVERYTHING. 172 00:09:38,880 --> 00:09:40,250 YOU’RE GONNA HAVE TO COME IN WITH US. 173 00:09:40,280 --> 00:09:41,850 JUST ME OR EVERYONE THAT WAS HERE? 174 00:09:41,890 --> 00:09:43,260 WHAT’S THAT TO YOU? 175 00:09:43,290 --> 00:09:45,260 WELL, I’M AFRAID YOU THINK I DID IT. 176 00:09:45,290 --> 00:09:46,620 SHUT UP. 177 00:09:46,660 --> 00:09:48,560 Sorenson: EVERYONE’S COMING IN. 178 00:10:12,050 --> 00:10:13,480 WHAT’S IT LOOK LIKE? 179 00:10:13,520 --> 00:10:16,860 SECURITY GUARD KILLED OUTSIDE THE STORE WAS AN OFF‐DUTY COP. 180 00:10:16,890 --> 00:10:19,320 THE BAD GUYS WERE IN AND OUT IN, LIKE, 5 MINUTES. 181 00:10:19,360 --> 00:10:20,530 THEY HAD TO HAVE SOMEONE INSIDE. 182 00:10:20,560 --> 00:10:23,220 MANAGER FORGOT TO MAKE A MONEY DROP AT THE BANK, 183 00:10:23,260 --> 00:10:24,560 ADDED TO THE SCORE. 184 00:10:24,600 --> 00:10:26,240 THINK HE WAS THE SETUP GUY? 185 00:10:26,260 --> 00:10:29,130 HE’S MORE THE PANICKY TYPE YOU’RE TRYIN’ TO SAVE AT THE OCEAN: 186 00:10:29,170 --> 00:10:30,710 THE JERK CLIMBS ON YOUR SHOULDER, 187 00:10:30,740 --> 00:10:33,010 DRIVES YOU DOWN INTO THE UNDERWATER SAND. 188 00:10:33,040 --> 00:10:35,010 CRIME SCENE JUST CALLED‐‐ NO LIFTS. 189 00:10:35,040 --> 00:10:36,840 DO YOU WANT ME AND JILL TO DO A 4:00‐TO‐12:00? 190 00:10:36,880 --> 00:10:37,920 NO. WE’RE ALL RIGHT. 191 00:10:37,940 --> 00:10:39,910 SEE YOU IN THE MORNING. 192 00:10:39,940 --> 00:10:41,180 NIGHT. 193 00:10:41,210 --> 00:10:42,410 DON’T TRY COMMUNICATING WITH ME 194 00:10:42,450 --> 00:10:43,720 WHEN I’M TRYING TO SOLVE A CASE. 195 00:10:43,750 --> 00:10:45,680 GOOD NIGHT, ANDY. 196 00:10:45,720 --> 00:10:48,030 HOW YOU DOIN’, IN A THUMBNAIL? 197 00:10:48,050 --> 00:10:49,450 OK. 198 00:10:51,920 --> 00:10:53,890 GOOD NIGHT. 199 00:10:55,890 --> 00:10:57,530 GOOD NIGHT. 200 00:10:57,560 --> 00:10:59,800 WANNA TALK WITH THIS GUY TRIED TO DROWN YOU? 201 00:11:03,600 --> 00:11:05,870 EXCUSE ME A SECOND. 202 00:11:10,740 --> 00:11:13,110 10 MINUTES MAX ON THE CHINESE. 203 00:11:13,140 --> 00:11:14,740 OH, YEAH? THAT’S THEIR E. T. A.? 204 00:11:14,780 --> 00:11:17,310 YEAH. UH, THE BIKE GUY JUST LEFT THE RESTAURANT. 205 00:11:19,280 --> 00:11:20,650 EXCUSE THE INTERRUPTION. 206 00:11:23,790 --> 00:11:25,090 HOW’S THE HEAD? 207 00:11:25,120 --> 00:11:28,360 I KNOW NOT MAKING THAT VAULT DROP CASTS A SHADOW ON ME, 208 00:11:28,390 --> 00:11:30,430 BUT I SWEAR I HAD NOTHING TO DO WITH THIS. 209 00:11:30,460 --> 00:11:32,890 WELL, YOU SAID YOU DIDN’T MAKE THAT BANK DEPOSIT ’CAUSE YOU WERE BUSY. 210 00:11:32,930 --> 00:11:34,460 WE WERE NONSTOP BUSY ALL DAY, 211 00:11:34,500 --> 00:11:35,730 AND IF ANYTHING, AROUND 3:00 IT GOT BUSIER. 212 00:11:35,770 --> 00:11:37,810 YOU GOT ANY FINANCIAL PROBLEMS OF YOUR OWN? 213 00:11:37,840 --> 00:11:40,650 NO. I MEAN, NO MORE THAN THE NEXT PERSON. 214 00:11:40,670 --> 00:11:42,440 WHICH NEXT PERSON? 215 00:11:42,470 --> 00:11:44,910 ARE YOU OVEREXTENDED AT ALL? 216 00:11:44,940 --> 00:11:47,980 WE RENT. I’M CURRENT ON THOSE PAYMENTS. 217 00:11:48,010 --> 00:11:49,440 WE OWE AROUND 1,800 AGGREGATE 218 00:11:49,480 --> 00:11:51,250 ON MY WIFE’S AND MY CREDIT CARDS. 219 00:11:51,280 --> 00:11:52,880 $1,830. 220 00:11:52,920 --> 00:11:54,990 WHY WOULD THE STICKUP GUYS HIT YOU? 221 00:11:55,020 --> 00:11:56,320 WHAT DO YOU MEAN? 222 00:11:56,350 --> 00:11:59,760 YOU TOLD US YOU OPENED THE SAFE WHEN THEY ASKED YOU TO. 223 00:11:59,790 --> 00:12:02,490 YES. IN THAT SITUATION, MY TRAINING IS TO COOPERATE. 224 00:12:02,530 --> 00:12:04,140 SO WHY WOULD THEY HIT YOU? 225 00:12:04,160 --> 00:12:06,130 THEY HIT ME BEFORE THAT WHEN THEY FIRST CAME IN 226 00:12:06,160 --> 00:12:07,330 AND MADE US LIE FACE DOWN. 227 00:12:07,370 --> 00:12:09,110 ONE OF THEM SAW ME LOOK UP. 228 00:12:09,130 --> 00:12:11,730 THEY’RE WEARIN’ MASKS. WHY WOULD THEY WORRY IF YOU SAW ’EM? 229 00:12:11,770 --> 00:12:13,800 SOMETIMES ON A JOB LIKE THIS, THE STICKUP GUYS 230 00:12:13,840 --> 00:12:16,740 WILL THROW A PUNCH INTO WHOEVER SET THE JOB UP FOR ’EM, 231 00:12:16,780 --> 00:12:19,990 HALF PISTOL‐WHIP AND SO FORTH TO THROW SUSPICION OFF. 232 00:12:20,010 --> 00:12:21,910 YEAH, THAT’S NOT UNHEARD OF. 233 00:12:21,950 --> 00:12:23,520 I HAD NOTHING TO DO WITH THIS. 234 00:12:23,550 --> 00:12:24,780 I DON’T KNOW WHY THEY HIT ME. 235 00:12:24,820 --> 00:12:26,090 THEY JUST SEEMED CRUEL AND VIOLENT. 236 00:12:26,120 --> 00:12:28,090 FOR GOD’S SAKE, THEY KILLED THAT GUARD. 237 00:12:28,120 --> 00:12:29,450 WAS HE TRYING TO RESIST?! 238 00:12:29,490 --> 00:12:30,830 WILL YOU STOP CROUCHIN’ AND SIT UP STRAIGHT? 239 00:12:30,860 --> 00:12:31,860 COME ON, SIT UP. 240 00:12:35,230 --> 00:12:37,200 [SIPOWICZ SIGHS] 241 00:12:37,230 --> 00:12:39,660 YOU GOT YOUR LIST OF CURRENT AND FORMER EMPLOYEES? 242 00:12:39,700 --> 00:12:41,000 YES. 243 00:12:45,370 --> 00:12:48,370 DOG‐EAR WHOEVER GOT FIRED OR DISCIPLINED 244 00:12:48,410 --> 00:12:50,680 OR JUST RUBBED YOU THE WRONG WAY‐‐ 245 00:12:50,710 --> 00:12:51,970 ANY THAT KNEW YOUR LAYOUT. 246 00:12:52,010 --> 00:12:54,340 AM I STILL A SUSPECT? 247 00:12:54,380 --> 00:12:55,680 NOT AT THE PRESENT. 248 00:12:57,880 --> 00:13:00,580 RELAX AND DO WHAT HE ASKED YOU TO DO. 249 00:13:05,560 --> 00:13:08,370 SO IF WE HAD A SHORT LIST, MR. JENKINS WOULD BE OFF IT. 250 00:13:08,390 --> 00:13:10,230 WHAT’S THIS NOW? 251 00:13:15,900 --> 00:13:17,030 BOTH I. A. B.? 252 00:13:17,070 --> 00:13:18,870 NO, THE OTHER GUY’S FBI. 253 00:13:18,900 --> 00:13:19,870 Sipowicz: WHAT’S THAT? 254 00:13:19,900 --> 00:13:20,840 IT’S A LITTLE EARLY TO SAY. 255 00:13:20,870 --> 00:13:22,140 THEY COME TOGETHER? 256 00:13:22,170 --> 00:13:23,370 DOESN’T MEAN THEY’RE NOT. 257 00:13:23,410 --> 00:13:25,180 Sorenson: THEY’RE BOTH ASKIN’ ABOUT OUR CASE? 258 00:13:25,210 --> 00:13:26,510 MM‐HMM. 259 00:13:32,520 --> 00:13:34,830 YOU’VE MET SERGEANT MARTENS FROM INTERNAL AFFAIRS, 260 00:13:34,850 --> 00:13:37,320 AND THIS IS FBI AGENT FRANCIS. 261 00:13:37,360 --> 00:13:38,430 DANNY SORENSON. 262 00:13:38,460 --> 00:13:39,530 DANNY. 263 00:13:39,560 --> 00:13:41,160 HOW’S IT GOIN’, AGENT FRANCIS? 264 00:13:41,190 --> 00:13:42,990 Fancy: ANDY SIPOWICZ YOU KNOW. 265 00:13:43,030 --> 00:13:44,240 YEAH. 266 00:13:44,260 --> 00:13:45,490 WHAT’S GOIN’ ON? 267 00:13:45,530 --> 00:13:47,430 WE MONITORED SOME CONVERSATIONS OVER THE LAST 24 HOURS 268 00:13:47,470 --> 00:13:49,210 ABOUT A BIG CASH SCORE GOING DOWN, 269 00:13:49,230 --> 00:13:53,570 WANTED TO TOUCH BASE, SEE IF THIS STICKUP HOMICIDE AT THE COST‐RITE MIGHT FIT. 270 00:13:55,240 --> 00:13:59,240 WHOSE PHONE YOU GOT UP THAT YOU MONITORED THOSE CONVERSATIONS ON? 271 00:13:59,280 --> 00:14:01,390 IF I TOLD YA, I’D HAVE TO KILL YA. 272 00:14:01,410 --> 00:14:03,410 HE’D HAVE TO KILL ME. 273 00:14:04,620 --> 00:14:06,560 WHAT BRINGS I. A. B. UP, SARGE? 274 00:14:06,590 --> 00:14:08,260 AN OFF‐DUTY COP WAS SHOT. 275 00:14:08,290 --> 00:14:10,400 YEAH, WE’RE AWARE AN OFF‐DUTY COP GOT SHOT. 276 00:14:10,420 --> 00:14:14,520 I THINK DETECTIVE SORENSON’S MORE INTERESTED IN YOUR GETTING UP HERE SO SOON. 277 00:14:14,560 --> 00:14:16,390 TICKLIN’ PHONES WITH THE BUREAU, SARGE? 278 00:14:16,430 --> 00:14:20,240 I MET AGENT FRANCIS WHEN THE TWO OF US WALKED INTO THIS OFFICE. 279 00:14:20,260 --> 00:14:22,060 WELL, WE’RE ALL IN HERE NOW. 280 00:14:25,470 --> 00:14:27,140 WE GOT NOTHIN’ FOR YA. 281 00:14:27,170 --> 00:14:28,370 ABSOLUTELY NOTHING? 282 00:14:28,410 --> 00:14:29,380 Sipowicz: NOPE. 283 00:14:29,410 --> 00:14:31,320 WANT SOME CHINESE FOOD? 284 00:14:31,340 --> 00:14:32,870 THERE WERE NO SURVEILLANCE CAMERAS? 285 00:14:32,910 --> 00:14:33,810 BAD GUYS COPPED THE SETUP. 286 00:14:33,850 --> 00:14:35,050 NO EYEWITNESSES? 287 00:14:35,080 --> 00:14:36,880 NO. BAD GUYS HAD MASKS ON. 288 00:14:36,920 --> 00:14:41,060 WHY WOULD THE BAD GUYS TAKE OUT THE SURVEILLANCE CAMERAS IF THEY WERE WEARING MASKS? 289 00:14:41,090 --> 00:14:42,890 Sorenson: WHEN THEY ENTERED THE MONEY ROOM, WHERE ALL THE WITNESSES WERE, 290 00:14:42,920 --> 00:14:44,290 THEY WERE WEARING MASKS AND GLOVES. 291 00:14:44,320 --> 00:14:47,290 WE ASSUME THEY PUT THEM ON WHEN THEY GOT INSIDE THE BUILDING. 292 00:14:47,330 --> 00:14:49,500 Sipowicz: BEING WE’RE BELOW 10,000 FEET OF ALTITUDE, 293 00:14:49,530 --> 00:14:52,000 THEY MAY HAVE FELT WEARING THOSE SKI MASKS 294 00:14:52,030 --> 00:14:53,830 WALKING TOWARDS THE STORE ENTRANCE 295 00:14:53,870 --> 00:14:55,170 THROUGH THE PARKING LOT 296 00:14:55,200 --> 00:14:57,570 MIGHT DRAW SOME UNWELCOME ATTENTION. 297 00:14:57,600 --> 00:15:00,900 HEY, SARGE, ANY CHANCE ANOTHER REASON THE BAD GUYS DIDN’T PUT THEIR MASKS ON 298 00:15:00,940 --> 00:15:02,570 WAS SO THE OFF‐DUTY COP OUTSIDE THE BUILDING 299 00:15:02,610 --> 00:15:04,350 WOULD KNOW WHO HE WAS DEALING WITH? 300 00:15:04,380 --> 00:15:06,280 WHAT’S YOUR THINKING THERE? 301 00:15:06,310 --> 00:15:07,780 WELL, SAY THE OFF‐DUTY COP WAS THE SETUP MAN, 302 00:15:07,810 --> 00:15:10,610 AND THEY TOOK HIM OUT IN A DOUBLE‐CROSS. 303 00:15:10,650 --> 00:15:11,680 I GUESS THAT COULD BE. 304 00:15:11,720 --> 00:15:13,790 NO. WHY DON’T YOU ANSWER HIM STRAIGHT, HUH? 305 00:15:13,820 --> 00:15:16,790 ARE YOU UP HERE SO QUICK BECAUSE, PRIOR TO HIM GOING DOWN, 306 00:15:16,820 --> 00:15:19,860 YOU WERE ALREADY SITTING ON THIS OFF‐DUTY COP FOR BEING WRONG? 307 00:15:19,890 --> 00:15:22,090 IN WHICH CASE, YOU’VE PROBABLY GOT A DIRECTION FOR US. 308 00:15:22,130 --> 00:15:23,370 HELP REGULAR COPS? 309 00:15:23,390 --> 00:15:25,860 HE’D GET TOSSED FROM THE CHEESE‐EATERS’ LODGE. 310 00:15:25,900 --> 00:15:28,470 IS THIS WRANGLING AWKWARD FOR YOU, AGENT FRANCIS? 311 00:15:28,500 --> 00:15:29,770 NO. HASH THINGS OUT. 312 00:15:29,800 --> 00:15:31,770 WELL, I WAS THINKING, IF YOU GOT WHAT YOU NEEDED, 313 00:15:31,800 --> 00:15:34,840 MAYBE YOU’D BE MORE COMFORTABLE SPLITTIN’. 314 00:15:34,870 --> 00:15:38,770 YOU REMIND ME OF DONNY OSMOND WITH YOUR PARTNER’S PERSONALITY. 315 00:15:38,810 --> 00:15:41,510 AGENT FRANCIS, I’M PROUD TO TELL YOU, I GOT ALL DONNY’S ALBUMS, 316 00:15:41,550 --> 00:15:45,790 INCLUDING MORMON HYMNS TO FEDERAL AGENTS WHO STEAL THEIR WEEKLY PAYCHECKS. 317 00:15:45,820 --> 00:15:47,460 Sipowicz: ALL RIGHT, KID. 318 00:15:47,490 --> 00:15:49,560 IF YOU’RE NOT SHOWIN’ US SOME OF YOURS, I THINK WE’RE DONE. 319 00:15:51,720 --> 00:15:55,390 I WILL SIMPLIFY AND MAKE MY QUESTION MORE SPECIFIC. 320 00:15:55,430 --> 00:15:58,340 YOU ARE CERTAIN THERE IS NO SURVEILLANCE FOOTAGE 321 00:15:58,360 --> 00:16:01,160 OF THE BAD GUYS COMING OR GOING. 322 00:16:03,230 --> 00:16:05,400 YES, WE ARE CERTAIN. 323 00:16:07,340 --> 00:16:09,000 AT THIS POINT. 324 00:16:09,040 --> 00:16:11,040 ASSHOLE. PANTS‐PISSER. 325 00:16:16,210 --> 00:16:17,850 [DOOR SLAMS] 326 00:16:17,880 --> 00:16:20,550 HE’S ONLY INTERESTED IN SURVEILLANCE CAMERA, 327 00:16:20,590 --> 00:16:22,190 MAYBE HE’S PROTECTING SOME OUTSIDE GUY. 328 00:16:25,890 --> 00:16:28,190 EXCUSE ME NOT WANTING TO HELP THE BUREAU COLLAR UP. 329 00:16:28,230 --> 00:16:30,200 OH, THAT’S WHY YOU WERE SO CLOSE‐MOUTHED. 330 00:16:30,230 --> 00:16:33,230 IF I GIVE YOU WHAT WE’VE GOT ON THIS CASE, 331 00:16:33,260 --> 00:16:36,770 ANY COPS PRESENTLY ON THE JOB, MY OFFICE COLLARS. 332 00:16:36,800 --> 00:16:38,070 ANYONE ELSE IS YOURS. 333 00:16:38,100 --> 00:16:40,400 AW, DON’T TELL ME I DON’T GET TO LOCK UP COPS. 334 00:16:41,440 --> 00:16:44,410 I’LL GET SOME PHOTOS OUT OF MY CAR. 335 00:17:16,780 --> 00:17:18,750 I’M LOOKING FOR LINDA KRAUSE. 336 00:17:18,780 --> 00:17:19,820 HI. 337 00:17:19,840 --> 00:17:21,110 I’M DIANE RUSSELL. 338 00:17:21,150 --> 00:17:22,950 HI, DIANE. 339 00:17:22,980 --> 00:17:25,410 THANKS FOR, UH, SEEING ME. 340 00:17:25,450 --> 00:17:26,550 HOW ARE YOU DOING? 341 00:17:26,590 --> 00:17:28,290 I APPRECIATED YOU GIVING ME YOUR CARD 342 00:17:28,320 --> 00:17:29,720 AT MY HUSBAND’S FUNERAL. 343 00:17:29,750 --> 00:17:32,290 SORRY I HAVEN’T BEEN ABLE TO CALL BEFORE. 344 00:17:32,320 --> 00:17:33,590 IT’S BEEN PRETTY HECTIC. 345 00:17:33,630 --> 00:17:34,670 YOU BACK AT WORK? 346 00:17:34,690 --> 00:17:35,990 MM‐HMM. 347 00:17:36,030 --> 00:17:39,000 I’M BACK AT THE SQUAD WHERE MY HUSBAND AND I WORKED. 348 00:17:39,030 --> 00:17:40,730 THAT MUST BE HARD EVERY DAY. 349 00:17:40,770 --> 00:17:43,680 I HAVEN’T BEEN DOING THAT GOOD OF A JOB, 350 00:17:43,700 --> 00:17:45,000 BUT THEN YESTERDAY, I... 351 00:17:45,040 --> 00:17:46,850 I THOUGHT I DID PRETTY WELL. 352 00:17:46,870 --> 00:17:48,500 MY GIRLFRIEND’S ALSO A COP, 353 00:17:48,540 --> 00:17:51,740 AND I WAS ABLE TO, UH, HELP HER WITH SOMETHING. 354 00:17:51,780 --> 00:17:54,090 BUT THEN, I, UM... 355 00:17:54,110 --> 00:17:56,880 BUT THEN I BOUGHT A‐‐A BOTTLE. 356 00:17:58,550 --> 00:18:01,720 WHICH HAS BEEN A PROBLEM WITH ME IN THE PAST. 357 00:18:03,660 --> 00:18:05,630 I WAS DOING PRETTY WELL. 358 00:18:05,660 --> 00:18:07,870 I‐‐I WASN’T DOING THAT WELL AT MY JOB, 359 00:18:07,890 --> 00:18:10,690 BUT THEN YESTERDAY I THOUGHT I DID PRETTY WELL. 360 00:18:10,730 --> 00:18:14,030 AND THEN, UH... 361 00:18:14,070 --> 00:18:17,040 NOW, SUDDENLY, THINGS GOT REALLY CONFUSED. 362 00:18:17,070 --> 00:18:18,830 WELL, I’M GLAD YOU CALLED. 363 00:18:18,870 --> 00:18:20,670 YOU’RE GONNA STRAIGHTEN ME RIGHT OUT? 364 00:18:20,710 --> 00:18:22,510 NOBODY WANTS TO MEET WITH US, DIANE. 365 00:18:22,540 --> 00:18:24,870 IT’S HARD COMING INTO THIS ROOM. 366 00:18:28,380 --> 00:18:33,510 I FEEL‐‐I FEEL LIKE I’M...LOSING HIM. 367 00:18:33,550 --> 00:18:36,720 LIKE EVERY DAY I LOSE A LITTLE MORE OF HIM. 368 00:18:36,760 --> 00:18:39,900 YOU FEEL LIKE COMING IN HERE COST YOU SOME OF BOBBY, TOO? 369 00:18:39,920 --> 00:18:45,060 I FEEL LIKE I’M LOSING MORE AND MORE OF HIM. 370 00:18:45,100 --> 00:18:46,400 BECAUSE I PROMISE YOU, DIANE, 371 00:18:46,430 --> 00:18:51,200 COMING IN HERE, YOU’RE GONNA GET YOUR HUSBAND BACK. 372 00:18:51,240 --> 00:18:55,050 YOU’RE GONNA LEARN WAYS IT WON’T HURT TOO MUCH TO REMEMBER. 373 00:18:58,940 --> 00:19:01,910 I LOVED MY HUSBAND... SO MUCH. 374 00:19:01,950 --> 00:19:05,220 I LOVED MINE, TOO, AND I LOST HIM TOO YOUNG. 375 00:19:08,620 --> 00:19:12,720 EVERYTHING...HURTS. 376 00:19:12,760 --> 00:19:15,570 YOU GOTTA LET IT BEFORE IT’LL STOP. 377 00:19:15,590 --> 00:19:19,730 [SOBBING] 378 00:19:19,760 --> 00:19:21,200 DOES THIS COUNT? 379 00:19:21,230 --> 00:19:22,200 YEAH. 380 00:19:22,230 --> 00:19:24,900 THIS IS A PRETTY GOOD START. 381 00:19:48,260 --> 00:19:50,630 WE’RE AWASH IN OUTSIDE AGENCIES, HUH, ANDY? 382 00:19:50,660 --> 00:19:51,930 YEAH. 383 00:19:51,960 --> 00:19:53,390 THE FBI, THE RAT SQUAD. 384 00:19:54,430 --> 00:19:56,060 WHAT DID THE RAT SQUAD WANT? 385 00:20:00,400 --> 00:20:02,870 WHAT DID YOU DO WITH ALL THEM TAKEOUT CONTAINERS? 386 00:20:02,910 --> 00:20:04,820 FROM WHAT? FROM THE CHINESE FOOD? 387 00:20:04,840 --> 00:20:06,540 YEAH. WHAT DID YOU DO WITH THOSE? 388 00:20:06,580 --> 00:20:08,680 WHAT’S THAT HAVE TO DO WITH ME ASKING ABOUT THE RAT SQUAD? 389 00:20:11,780 --> 00:20:16,790 ANDY...Y‐YOU’RE NOT IMPLYING THAT THE RAT SQUAD’S HERE 390 00:20:16,820 --> 00:20:19,290 LOOKING INTO THOSE FREE CHINESE FOOD MEALS? 391 00:20:19,320 --> 00:20:22,220 YOU WANT AN ANALYSIS WHY THEM PEOPLE DO WHAT THEY DO, MEDAVOY, 392 00:20:22,260 --> 00:20:23,260 ASK ELSEWHERE. 393 00:20:23,290 --> 00:20:24,990 HEY, GIVE ME A BREAK! 394 00:20:26,200 --> 00:20:27,640 WHAT ARE THEY ALLEGING, 395 00:20:27,670 --> 00:20:30,510 THAT, UH, I’M USING MY POWER OF AUTHORITY 396 00:20:30,530 --> 00:20:32,070 TO GET FREE MEALS? 397 00:20:32,100 --> 00:20:36,670 THAT STORE OWNER OFFERED THOSE DINNERS AS A TOKEN OF HIS GRATITUDE! 398 00:20:36,710 --> 00:20:38,110 WHAT DO YOU RAISE YOUR VOICE TO ME FOR? 399 00:20:38,140 --> 00:20:39,840 NO! BECAUSE THAT’S RIDICULOUS! 400 00:20:39,880 --> 00:20:41,510 THOSE TAKEOUT CONTAINERS, 401 00:20:41,550 --> 00:20:43,350 TH‐THEY’RE OUTSIDE IN THE TRASH BIN BY NOW, 402 00:20:43,380 --> 00:20:44,910 FOR GOODNESS SAKE. 403 00:20:44,950 --> 00:20:48,580 ALL’S I KNOW, IF I WAS IN AN ORGANIZATION CALLED THE RAT SQUAD, 404 00:20:48,620 --> 00:20:53,620 HAVING TO PAW AROUND FOR EVIDENCE IN A TRASH BIN WOULDN’T HOLD ME BACK. 405 00:21:13,680 --> 00:21:15,110 THIS ONE RIGHT HERE? 406 00:21:15,150 --> 00:21:17,120 YEAH. 407 00:21:17,150 --> 00:21:20,020 SO WHERE DID GREG HURRY OFF TO? 408 00:21:20,050 --> 00:21:21,720 YEAH. UH, I DON’T KNOW. 409 00:21:26,220 --> 00:21:28,520 THAT’S GRAHAM, THE OFF‐DUTY COP WHO GOT SHOT. 410 00:21:28,560 --> 00:21:30,830 HIS CONSTANT COMPANIONS ARE WHO YOU LIKE FOR SHOOTING HIM? 411 00:21:30,860 --> 00:21:32,730 BOTH ON THE JOB ALSO. 412 00:21:33,930 --> 00:21:35,460 TOM AND PETE ZANCANELLI. 413 00:21:35,500 --> 00:21:37,570 THEY’RE WHO YOU THINK WERE UNDER THE SKI MASKS? 414 00:21:37,600 --> 00:21:40,240 EITHER THEY DID THE STICKUP AND SHOT GRAHAM‐‐ 415 00:21:40,270 --> 00:21:41,870 THEIR FELLOW COP THAT WAS THEIR FRIEND? 416 00:21:41,910 --> 00:21:43,720 OR, MORE LIKELY, THEY SET THE PLAY UP, 417 00:21:43,740 --> 00:21:46,070 AND THEIR UNCLES GARY AND LOU ZANCANELLI 418 00:21:46,110 --> 00:21:47,740 DID THE ACTUAL ROBBERY‐HOMICIDE. 419 00:21:47,780 --> 00:21:49,650 OH, GARY AND LOU ZANCANELLI. 420 00:21:49,680 --> 00:21:50,880 STICKUPS ARE THE UNCLES’ ACT. 421 00:21:50,920 --> 00:21:54,030 THEY RETIRED OFF THE JOB, LIKE, 15 YEARS AGO. 422 00:21:54,050 --> 00:21:55,320 HEY, ANY OF THESE ASSHOLES, 423 00:21:55,350 --> 00:21:57,550 DON’T TELL ME THEIR CONNECTION WITH THE JOB NO MORE. 424 00:21:57,590 --> 00:22:00,560 WE GET TO PUT BRACELETS ON GARY AND LOU? 425 00:22:00,590 --> 00:22:02,990 THEY GOT OUTSTANDING WARRANTS FOR A RICO BEEF, 426 00:22:03,030 --> 00:22:04,600 THESE UNCLES RETIRED OFF THE JOB. 427 00:22:04,630 --> 00:22:06,900 DID I JUST TELL YOU NOT TO MENTION THE JOB?! 428 00:22:06,930 --> 00:22:09,400 I’M SAYING THEY’RE RETIRED, SIPOWICZ! 429 00:22:09,430 --> 00:22:12,030 THEY’RE CIVILIANS NOW, AND YOU GET TO COLLAR THEM. 430 00:22:12,070 --> 00:22:14,040 YEAH? WELL, THANKS A LOT FOR THAT PRIVILEGE! 431 00:22:14,070 --> 00:22:16,000 I MADE ’EM WRONG?! JUST GIVE ME THEIR ADDRESS! 432 00:22:16,040 --> 00:22:17,310 THAT’S ALL I WANT TO KNOW FROM YOU. 433 00:22:18,940 --> 00:22:21,910 YEAH. LET ME WRITE THEIR ADDRESS WHILE YOU ABUSE ME 434 00:22:21,950 --> 00:22:23,390 FOR DOING THE SAME JOB YOU DO. 435 00:22:23,410 --> 00:22:25,050 YOU DON’T DO THE SAME JOB! 436 00:22:25,080 --> 00:22:26,210 THE HELL I DON’T! 437 00:22:26,250 --> 00:22:29,220 YOU DON’T DO IT WITH THE RIGHT HEART. 438 00:22:29,250 --> 00:22:32,050 DON’T YOU TELL ME WHAT’S IN MY HEART! 439 00:22:32,090 --> 00:22:33,560 DON’T YOU CURSE AT ME AGAIN! 440 00:22:33,590 --> 00:22:36,890 AND DON’T YOU STATE A BAD OPINION ABOUT WHAT I DO! 441 00:22:40,800 --> 00:22:42,560 THEY CHASE TAIL AT NIGHT. 442 00:22:42,600 --> 00:22:44,730 GRAB ’EM IN THE MORNING. 443 00:22:51,010 --> 00:22:52,640 I GAVE ’EM WHAT THEY NEED. 444 00:23:09,790 --> 00:23:12,090 HEY, HOW’S IT GOING, SERGEANT MARTENS? 445 00:23:12,130 --> 00:23:14,800 WHAT DID YOU DO, MEDAVOY, TAKE A NAP IN A SEWER? 446 00:23:14,830 --> 00:23:17,070 I’M GONNA TELL YOU SOMETHING, SERGEANT MARTENS. 447 00:23:17,100 --> 00:23:21,770 WHAT SICKENS ME IS NOT MY OWN NEAR ENSNAREMENT IN YOUR PETTY PLOT. 448 00:23:21,810 --> 00:23:24,920 NO. IT’S THE DISGRACEFUL SCARE TACTICS 449 00:23:24,940 --> 00:23:28,110 YOU MUST HAVE EMPLOYED ON THAT POOR CHINESE RESTAURANT OWNER, 450 00:23:28,150 --> 00:23:30,020 GETTING HIM TO GO ALONG! 451 00:23:30,050 --> 00:23:33,510 WELL, SERGEANT, I DO NOT REGRET 452 00:23:33,550 --> 00:23:37,350 10 SECONDS OF THE TIME I JUST SPENT 453 00:23:37,390 --> 00:23:40,020 ELBOW‐DEEP IN REFUSE AND MUCK, 454 00:23:40,060 --> 00:23:43,590 BECAUSE IT ENABLES ME TO CONFRONT YOU NOW AND TELL YOU 455 00:23:43,630 --> 00:23:47,530 THAT YOU...GOT...THIS! 456 00:23:47,570 --> 00:23:51,410 AND HERE’S WHAT YOU CAN KISS! 457 00:23:52,570 --> 00:23:56,000 YEAH, YEAH. NOW GIVE ME THAT THOUSAND‐MILE STARE, 458 00:23:56,040 --> 00:23:57,310 LIKE I’M TALKING GIBBERISH, 459 00:23:57,340 --> 00:23:59,980 OR YOU DON’T KNOW WHAT I’M TALKING ABOUT. 460 00:24:00,010 --> 00:24:01,580 I DON’T KNOW WHAT YOU’RE TALKING ABOUT. 461 00:24:02,880 --> 00:24:05,010 YOU DON’T KNOW WHAT I’M TALKING ABOUT, HUH? 462 00:24:05,050 --> 00:24:07,680 OR‐‐OR I SUPPOSE YOU EXPECT ME TO BELIEVE 463 00:24:07,720 --> 00:24:11,190 THAT SOMEONE IN MY OWN SQUAD HAS MISLED ME, 464 00:24:11,220 --> 00:24:13,860 AND THAT I’M THE VICTIM OF A SICKENING PRANK. 465 00:24:13,890 --> 00:24:17,890 EXCUSE ME FOR NOT CHOOSING TO BELIEVE THAT ONE, SERGEANT. 466 00:24:17,930 --> 00:24:20,500 EXCUSE ME FOR NOT BELIEVING 467 00:24:20,530 --> 00:24:24,230 THAT I‐I’VE JUST BEEN MADE A TOTAL JERK‐OFF, SERGEANT MARTENS, 468 00:24:24,270 --> 00:24:26,100 BY SOMEONE CLOSE TO HOME! 469 00:24:30,010 --> 00:24:32,370 BECAUSE THAT WOULD BE THE ALTERNATIVE. 470 00:24:37,950 --> 00:24:39,650 OLD WESTBURY. 471 00:24:39,680 --> 00:24:42,580 YEAH. MAYBE THEY LIVE NEXT TO GOTTI’S DAUGHTER, THE ELDER ZANCANELLIS. 472 00:24:49,290 --> 00:24:51,890 DID MY PARTNER JAMES MARTINEZ GO HOME? 473 00:24:51,930 --> 00:24:53,700 HE FINISHED HIS INTERVIEWS. 474 00:24:53,730 --> 00:24:57,230 DID YOU SEE WHETHER HE LEFT OR NOT, DANNY? 475 00:24:57,270 --> 00:24:58,770 YEAH. HE WENT HOME. 476 00:24:58,800 --> 00:25:01,270 OH. ALL RIGHT. THANKS VERY MUCH. 477 00:25:01,310 --> 00:25:03,080 THANKS FOR THAT INFORMATION. 478 00:25:04,640 --> 00:25:07,110 WHAT HAPPENED, GREG? 479 00:25:07,150 --> 00:25:10,260 OH, JUST A LITTLE BOYS‐WILL‐BE‐BOYS FOOLISHNESS, LIEUTENANT. 480 00:25:10,280 --> 00:25:14,620 RESULTED IN ME INCURRING A 25‐TO‐30 DOLLAR DRY CLEANING BILL 481 00:25:14,650 --> 00:25:16,050 FOR MY OVERCOAT. 482 00:25:16,090 --> 00:25:18,330 NOTHING YOU NEED CONCERN YOURSELF WITH. 483 00:25:22,330 --> 00:25:23,800 Fancy: WHEN ARE YOU PICKING THESE GUYS UP? 484 00:25:23,830 --> 00:25:26,560 WELL, IT’S A 45‐MINUTE DRIVE. LIKE 5:00 IN THE MORNING? 485 00:25:26,600 --> 00:25:27,900 YEAH, ALL RIGHT. 486 00:25:27,930 --> 00:25:30,870 AND WE’LL CALL NASSAU COUNTY TO GET THEM TO BACK US UP? 487 00:25:30,900 --> 00:25:34,100 YEAH, I‐I’D HAVE OFFERED TO ACCOMPANY MY COLLEAGUES, 488 00:25:34,140 --> 00:25:37,240 BUT I WANT TO BE EARLY AT MY DOCTOR’S FOR A TETANUS SHOT! 489 00:25:41,650 --> 00:25:43,220 GOOD NIGHT. 490 00:25:43,250 --> 00:25:46,660 DON’T EVER PASS THE REMARK "THE SKY IS FALLING" 491 00:25:46,690 --> 00:25:49,660 AND NOT EXPECT THE NEXT TIME YOU SEE MEDAVOY 492 00:25:49,690 --> 00:25:51,220 TO BE WEARING A HARD HAT. 493 00:25:51,260 --> 00:25:52,760 WHEW! 494 00:26:08,370 --> 00:26:09,840 DID YOU ENJOY THAT, 495 00:26:09,870 --> 00:26:12,470 WALKING US IN CUFFS PAST ALL THEM COPS? 496 00:26:12,510 --> 00:26:13,640 SHUT UP. 497 00:26:13,680 --> 00:26:16,340 HEH. YEAH, THEY’RE LACKEYS NOW FOR THE FBI. 498 00:26:16,380 --> 00:26:19,280 I SWEAR TO GOD, I’M GLAD I LEFT THIS JOB WHEN I DID. 499 00:26:19,320 --> 00:26:21,530 Sorenson: HOW LONG AGO WAS THAT, LEAVING ACTIVE DUTY? 500 00:26:21,550 --> 00:26:22,580 9 YEARS. 501 00:26:22,620 --> 00:26:23,920 BEFORE YOU WERE BORN. 502 00:26:23,960 --> 00:26:25,660 WAS THAT THE LAST TIME YOU BRUSHED YOUR TEETH? 503 00:26:25,690 --> 00:26:29,060 SIT WITH THESE 2 LOUDMOUTH PIECES OF GARBAGE. 504 00:26:35,400 --> 00:26:36,530 WHAT ARE YOU DOING? WHAT ARE YOU DOING? 505 00:26:36,570 --> 00:26:39,170 WHAT THE HELL ARE YOU PEOPLE DOING?! 506 00:26:39,200 --> 00:26:40,940 THAT’S OUR WARRANT YOU BROUGHT THEM IN ON. 507 00:26:40,970 --> 00:26:42,300 WE DON’T WANT THEM SQUEEZED RIGHT NOW. 508 00:26:42,340 --> 00:26:44,670 AGENT FRANCIS, YOU’RE STARTING TO RESEMBLE SOMEBODY 509 00:26:44,710 --> 00:26:46,680 WHO WANTS TO BURY A ROBBERY‐HOMICIDE. 510 00:26:46,710 --> 00:26:49,510 OUR INFORMATION IS THE OLDER ZANCANELLIS WEREN’T INVOLVED. 511 00:26:49,550 --> 00:26:51,510 IT WAS THEIR NEPHEWS THAT DID IT. 512 00:26:51,550 --> 00:26:53,010 HOW DO YOU KNOW THESE GUYS DIDN’T DO IT 513 00:26:53,050 --> 00:26:54,680 AND THEIR NEPHEWS STILL ON THE JOB DID? 514 00:26:54,720 --> 00:26:56,180 I DON’T ENJOY WITHHOLDING INFORMATION, 515 00:26:56,220 --> 00:26:57,820 BUT OTHER PRIORITIES ARE IN PLAY HERE. 516 00:26:57,860 --> 00:26:59,430 ARE THE INTERVIEW ROOMS OPEN? 517 00:27:02,060 --> 00:27:04,860 OUR PRESENT ASSESSMENT‐‐ THOSE ARE YOUR STICKUP GUYS. 518 00:27:04,900 --> 00:27:06,170 GET THE HELL OUTTA HERE. 519 00:27:06,200 --> 00:27:07,540 RELEASE THE UNCLES, 520 00:27:07,570 --> 00:27:09,740 OR WE’LL VACATE THE WARRANT YOU’RE HOLDING ’EM ON. 521 00:27:11,770 --> 00:27:13,200 [TELEPHONE RINGS] 522 00:27:19,940 --> 00:27:21,510 YEAH. 523 00:27:21,550 --> 00:27:23,520 HI. 524 00:27:23,550 --> 00:27:24,780 MM‐HMM. OK. 525 00:27:27,220 --> 00:27:30,690 SYLVIA. THEY GRABBED UP THAT ASUNCION. 526 00:27:30,720 --> 00:27:32,720 GO AHEAD. WE’RE FIFTH WHEELS AROUND HERE ANYWAY, 527 00:27:32,760 --> 00:27:35,000 IN OUR OWN SQUAD, STANDING AROUND HOLDING OUR JOINTS. 528 00:27:35,030 --> 00:27:36,700 YOU ARE NOT A FIFTH WHEEL. 529 00:27:36,730 --> 00:27:38,330 LET ME SEE IF YOU CAN GRASP HOW. 530 00:27:38,360 --> 00:27:40,430 THE ONLY CHANCE I. A. B. HAD 531 00:27:40,460 --> 00:27:43,160 GETTIN’ THE YOUNGER ZANCANELLIS TO COOPERATE 532 00:27:43,200 --> 00:27:45,270 IS IF THOSE UNCLES DID DO IT. 533 00:27:45,300 --> 00:27:46,500 NOW YOU TELL ME WHY. 534 00:27:46,540 --> 00:27:48,280 IF THE YOUNGER ONES ONLY SET IT UP, 535 00:27:48,310 --> 00:27:50,120 THEY COULD GIVE UP THEIR UNCLES FOR A WALK. 536 00:27:50,140 --> 00:27:51,210 CORRECT. 537 00:27:51,240 --> 00:27:53,710 AND THIS FBI DILDO SAYIN’ 538 00:27:53,750 --> 00:27:55,750 THE YOUNGER ZANCANELLIS DID THE JOB THEMSELVES, 539 00:27:55,780 --> 00:27:57,910 THEY AIN’T GONNA GIVE UP NOTHIN’. IS THAT CORRECT? 540 00:27:57,950 --> 00:27:59,110 CORRECT. 541 00:27:59,150 --> 00:28:02,080 NOW, DIDN’T YOU TELL ME YOU RECOGNIZED SOMEBODY 542 00:28:02,120 --> 00:28:03,350 IN MARTENS’ SURVEILLANCE PHOTOS? 543 00:28:03,390 --> 00:28:04,630 UH, WHAT WAS HIS INITIALS‐‐ 544 00:28:04,660 --> 00:28:05,700 J.B. 545 00:28:05,720 --> 00:28:06,960 J.B. THAT’S RIGHT, YEAH. 546 00:28:06,990 --> 00:28:08,720 NOW, MAYBE HE GIVES YOU SOMETHING 547 00:28:08,760 --> 00:28:11,630 I.A.B. CAN USE FOR LEVERAGE ON THE YOUNGER ONES. 548 00:28:11,660 --> 00:28:13,360 YEAH, LET ME PUT MYSELF OWING ONE TO MY INFORMANT 549 00:28:13,400 --> 00:28:16,140 SO WE CAN BUY A LITTLE LEVERAGE FOR I. A. B. 550 00:28:16,170 --> 00:28:18,010 HEY, CLEARING A HOMICIDE IS CLEARING A HOMICIDE. 551 00:28:20,270 --> 00:28:21,970 YOU KNOW, CALMIN’ YOU DOWN 552 00:28:22,010 --> 00:28:25,680 MIGHT BE THE BEST THING EVER HAPPENED TO MY GASTRIC UPSETS. 553 00:28:38,920 --> 00:28:40,820 DORNAN, SHE’S NOT IN THERE ALONE WITH HIM? 554 00:28:40,860 --> 00:28:42,620 RELAX. 555 00:28:42,660 --> 00:28:44,460 IS HE GONNA GIVE IT UP, ASUNCION? 556 00:28:44,500 --> 00:28:46,770 HE’S GOT LEUKEMIA. 557 00:28:50,700 --> 00:28:54,670 I WILL SEE TO IT THAT YOU GET FULL MEDICAL TREATMENT. 558 00:28:54,710 --> 00:28:57,250 HEY, BABE, I GOT 6 MONTHS 559 00:28:57,280 --> 00:29:00,350 IF I WAS PRESIDENT CLINTON RECEIVING COMPLETE MEDICAL TREATMENT, 560 00:29:00,380 --> 00:29:02,710 IF I WAS THE RICHEST COMPUTER OWNER. 561 00:29:07,550 --> 00:29:10,220 DO YOU BELIEVE GOD JUDGES US? 562 00:29:14,060 --> 00:29:16,630 WELL, I GUESS THAT’S BETWEEN ME AND MY PRIEST. 563 00:29:16,660 --> 00:29:19,660 HEY, SHE’LL TELL YOU WHO IT’S BETWEEN. 564 00:29:19,700 --> 00:29:21,360 OH, YEAH? WELL, SO FAR, I DON’T SEE HER IN THE DRIVER’S SEAT. 565 00:29:21,400 --> 00:29:23,630 I HEARD ONE EYEWITNESS 566 00:29:23,670 --> 00:29:26,030 TO AN INCIDENT 4 YEARS BEFORE. 567 00:29:26,070 --> 00:29:29,100 WHAT’S THAT? THAT AIN’T NO CORROBORATION, 568 00:29:29,140 --> 00:29:32,210 AND THAT’S A LONG‐ASS PASSAGE OF TIME FOR UNRELIABILITY, HUH? 569 00:29:32,240 --> 00:29:33,680 FREDDIE THINKS HE’S CLARENCE DARROW. 570 00:29:33,710 --> 00:29:35,510 HE’S GONNA BE CLARENCE DARROW 571 00:29:35,550 --> 00:29:37,390 LOOKIN’ LIKE MOMS MABLEY IN A MINUTE. 572 00:29:38,820 --> 00:29:40,630 FREDDIE, DO YOU HAVE ANY FAMILY? 573 00:29:40,650 --> 00:29:43,890 YEAH. I GOT THE WIFE OF THAT DEAD SUAREZ YOU’RE SO WORRIED ABOUT 574 00:29:43,920 --> 00:29:45,490 I’M PRESENTLY BANGING. 575 00:29:48,060 --> 00:29:49,860 HAVE YOU GOT ANYONE IN THE SYSTEM 576 00:29:49,890 --> 00:29:51,960 COMING TO TRIAL OR INCARCERATED? 577 00:29:52,000 --> 00:29:54,710 I’M GONNA BE DEAD ANYWAY. 578 00:29:54,730 --> 00:29:57,330 WHY DO YOU WANT THIS CONFESSION SO MUCH? 579 00:29:57,370 --> 00:29:59,370 ANSWER MY QUESTION. 580 00:29:59,400 --> 00:30:00,870 IS THERE ANYONE 581 00:30:00,910 --> 00:30:02,780 THAT YOU WOULD TRADE A CONFESSION TO HELP? 582 00:30:07,850 --> 00:30:09,690 NO. 583 00:30:09,710 --> 00:30:11,680 I GOT NOBODY. 584 00:30:11,720 --> 00:30:14,560 SO I GUESS YOU GOT NO WAY TO REACH ME, HUH? 585 00:30:28,070 --> 00:30:29,040 RIGHT OVER THERE. 586 00:30:33,240 --> 00:30:34,450 TOM AND PETE ZANCANELLI. 587 00:30:34,470 --> 00:30:36,240 FIRST OF ALL‐‐WHO? 588 00:30:36,270 --> 00:30:38,710 D, WHY SHOULD I GIVE SOMETHING UP AND COOPERATE 589 00:30:38,740 --> 00:30:41,210 WHEN I’M NOT EVEN IN CUSTODY FOR DOING ANYTHING WRONG? 590 00:30:41,250 --> 00:30:43,720 THAT’S YOU, J. B.‐‐ ALWAYS LOOKING JUST TO COME UP EVEN. 591 00:30:43,750 --> 00:30:45,550 HEY, DANNY, YOU LIVED WITH ME ON THAT CORNER 3 YEARS. 592 00:30:45,580 --> 00:30:47,620 I PUT MY HAT ON THE PILLOW AT NIGHT, 593 00:30:47,650 --> 00:30:49,220 I’LL SETTLE FOR EVEN EVERY TIME. 594 00:30:49,250 --> 00:30:51,090 AS OPPOSED TO COMING OUT AHEAD FOR ONCE? 595 00:30:51,120 --> 00:30:52,190 HOW AM I GONNA COME OUT AHEAD 596 00:30:52,220 --> 00:30:53,590 IF I GOT NOTHING TO BEAT? 597 00:30:53,630 --> 00:30:54,700 YOU DON’T GOT THE STREET TO BEAT? 598 00:30:54,730 --> 00:30:56,530 OH, I’M NEVER GONNA BEAT THE STREET. 599 00:30:56,560 --> 00:30:59,360 BECAUSE YOU DON’T THINK FARSIGHTED, J. B. 600 00:30:59,400 --> 00:31:01,570 YOU DON’T LOOK TO PUT SOMETHING IN THE BANK GAINING INTEREST. 601 00:31:05,770 --> 00:31:07,270 WHAT’S YOUR DREAM? 602 00:31:07,310 --> 00:31:08,610 THINK BIG. 603 00:31:08,640 --> 00:31:10,370 DANNY, WHAT THE HELL YOU DOIN’ TO ME? 604 00:31:10,410 --> 00:31:11,940 I GIVE UP THE ZANCANELLI COUSINS, 605 00:31:11,980 --> 00:31:14,090 AND SOMEHOW THAT’S GONNA GET ME IN A DOO‐WOP GROUP 606 00:31:14,110 --> 00:31:15,540 SIGNING SOME RECORD LABEL? 607 00:31:15,580 --> 00:31:16,880 WHAT IT COULD DO FOR YOU, J. B.? 608 00:31:16,920 --> 00:31:19,290 YOUR PAROLE OFFICER COMES TO ME‐‐ 609 00:31:19,320 --> 00:31:21,430 "DANNY, SHOULD I GREEN LIGHT THIS KID 610 00:31:21,450 --> 00:31:22,880 "WANTS TO TRAVEL OUT OF STATE 611 00:31:22,920 --> 00:31:24,550 "WITH HIS SUCCESSFUL GROUP HE’S JOINED 612 00:31:24,590 --> 00:31:27,260 THAT THEY’RE SINGING DOWN IN ATLANTIC CITY, AND SO FORTH?" 613 00:31:27,290 --> 00:31:28,990 AND MY ANSWER, BY YOU BANKING 614 00:31:29,030 --> 00:31:31,570 WHAT YOU BANKED WITH ME ON THE ZANCANELLIS‐‐ 615 00:31:31,600 --> 00:31:32,840 ABSOLUTELY. 616 00:31:32,860 --> 00:31:36,160 THIS KID’S SINGING SUCCESS IS NO ACCIDENT. 617 00:31:36,200 --> 00:31:37,670 HE’S ABSOLUTELY TURNED THE CORNER 618 00:31:37,700 --> 00:31:40,570 WHERE HE’S A NO‐RISK FOR OUT‐OF‐STATE TRAVEL. 619 00:31:40,610 --> 00:31:43,750 THAT’S WHAT YOU GET FOR BEING FARSIGHTED. 620 00:31:43,780 --> 00:31:45,520 THE ONLY WAY YOU CAN LOSE ON THIS, J. B.‐‐ 621 00:31:45,540 --> 00:31:48,440 HELPING ME WITH THE ZANCANELLIS‐‐ 622 00:31:48,480 --> 00:31:51,180 IF YOU NEVER DID ANOTHER CRIME. 623 00:31:51,220 --> 00:31:53,890 LOOK ME IN THE EYE AND TELL ME THAT’S NOT GONNA HAPPEN. 624 00:31:59,460 --> 00:32:01,430 THEY WHACKED A GUY. 625 00:32:01,460 --> 00:32:02,420 WHO’D THEY WHACK? 626 00:32:02,460 --> 00:32:05,860 RAMON TERRESTO. LIKE, 2 YEARS AGO. 627 00:32:05,900 --> 00:32:07,710 IN THE EAST VILLAGE WHERE WE ALL GREW UP. 628 00:32:07,730 --> 00:32:08,800 HOW’D IT GO DOWN? 629 00:32:08,830 --> 00:32:10,470 WE’RE OUT DRIVIN’ AROUND‐‐ 630 00:32:10,500 --> 00:32:12,130 HIGH, FEELIN’ GOOD‐‐ 631 00:32:12,170 --> 00:32:14,700 YOU KNOW, TALKING ABOUT THE NEIGHBORHOOD A LITTLE. 632 00:32:14,740 --> 00:32:16,670 TOM SAYS, "REMEMBER RAMON?" 633 00:32:16,710 --> 00:32:19,140 SO WE’RE ALL TELLING STORIES ON RAMON‐‐ 634 00:32:19,180 --> 00:32:20,820 ALL THE STUFF WE DID TOGETHER‐‐ 635 00:32:20,850 --> 00:32:24,060 BUT, LIKE, PETE GETS MEAN. 636 00:32:24,080 --> 00:32:25,810 HE SAYS, "YOU KNOW WHAT I REMEMBER NOW? 637 00:32:25,850 --> 00:32:28,850 THAT SON‐OF‐A‐BITCH SPIC RAMON STILL OWES ME 200." 638 00:32:28,890 --> 00:32:30,860 SO HE FISHES IN HIS WALLET, 639 00:32:30,890 --> 00:32:32,520 AND HE FINDS RAMON’S ADDRESS. 640 00:32:32,560 --> 00:32:35,730 HE SAYS, "I STILL GOT THAT SON‐OF‐A‐BITCH SPIC’S ADDRESS 641 00:32:35,760 --> 00:32:37,360 IN MY WALLET." 642 00:32:37,400 --> 00:32:39,400 RAMON’S BAD LUCK, 643 00:32:39,430 --> 00:32:42,160 TURNS OUT WE’RE, LIKE, ONLY 8 BLOCKS AWAY. 644 00:32:42,200 --> 00:32:45,200 I DIDN’T GO UP WITH THEM, 645 00:32:45,240 --> 00:32:49,510 BUT, AFTERWARD, THEY CAME BACK DOWN WITH A ROLLED‐UP RUG. 646 00:32:49,540 --> 00:32:51,740 PETE STOOD GUARD WHILE TOM HOT‐WIRED A CAR, 647 00:32:51,780 --> 00:32:53,890 AND WE TOOK THAT RUG WITH RAMON ROLLED IN IT 648 00:32:53,910 --> 00:32:57,380 INTO THE TRUNK OF THE STOLEN CAR. 649 00:32:57,420 --> 00:32:59,860 THEY DROVE THAT CAR TO THE EAST RIVER, 650 00:32:59,880 --> 00:33:01,850 AND THEY RAN IT OFF THE PIER. 651 00:33:01,890 --> 00:33:03,360 I FOLLOWED IN PETE’S CAR 652 00:33:03,390 --> 00:33:04,830 AND PICKED THE TWO OF THEM UP. 653 00:33:04,860 --> 00:33:07,200 YOU GOT ANYTHING TO BACK YOUR STORY? 654 00:33:08,630 --> 00:33:10,770 PETE WAS AFRAID TO HAVE THE GUN IN THE CAR 655 00:33:10,800 --> 00:33:12,370 WHILE THEY’RE TRANSPORTING THE BODY, 656 00:33:12,400 --> 00:33:15,010 SO HE GIVE IT TO ME TO TOSS. 657 00:33:15,030 --> 00:33:17,370 I STILL GOT THAT GUN. 658 00:33:17,400 --> 00:33:21,540 J.B., YOU JUST GOT AHEAD OF THE GAME. 659 00:33:34,750 --> 00:33:37,020 SO I ASSUME YOU’RE WAITING HERE 660 00:33:37,060 --> 00:33:38,960 FOR THE TECHNICIAN TO COME VIDEOTAPE 661 00:33:38,990 --> 00:33:41,260 THESE YOUNGER ZANCANELLIS’ CONFESSIONS. 662 00:33:41,290 --> 00:33:43,760 YOU COULD TURN OUT TO BE A DECENT GUY, SORENSON. 663 00:33:43,800 --> 00:33:46,970 I GUESS THAT’LL DEPEND ON HOW IMPRESSIONABLE YOU ARE. 664 00:33:47,000 --> 00:33:49,630 SO THAT’D BE A SWIPE AT MY PARTNER? 665 00:33:49,670 --> 00:33:51,630 GIVE ME SOME SPACE, WOULD YOU? 666 00:33:51,670 --> 00:33:53,070 I GOT A CASE IN THE CRAPPER. 667 00:33:53,100 --> 00:33:54,540 ’CAUSE WHAT I WANTED TO TELL YOU, 668 00:33:54,570 --> 00:33:56,970 OFF A SUGGESTION FROM DETECTIVE SIPOWICZ, 669 00:33:57,010 --> 00:33:59,780 I REACHED OUT TO AN INFORMANT‐‐J. B. 670 00:33:59,810 --> 00:34:01,580 HE GAVE ME SOMETHING ON YOUR GUYS. 671 00:34:01,610 --> 00:34:03,950 J.B. FROM OUR SURVEILLANCE PHOTOS? 672 00:34:03,980 --> 00:34:05,980 SEE NOW, THERE AGAIN, YOU DIDN’T SHARE THAT INFORMATION. 673 00:34:06,020 --> 00:34:07,430 NEITHER DID YOU THAT YOU RECOGNIZED HIM. 674 00:34:10,420 --> 00:34:11,590 WHAT’D HE GIVE YOU? 675 00:34:11,620 --> 00:34:13,290 SARGE. 676 00:34:15,130 --> 00:34:16,670 SORENSON, 677 00:34:16,700 --> 00:34:18,240 IF I LET YOU GO IN THAT ROOM 678 00:34:18,260 --> 00:34:19,630 AND LET YOU RUN THAT INTERVIEW, 679 00:34:19,660 --> 00:34:21,430 I CAN THINK OF 5 DIFFERENT WAYS 680 00:34:21,470 --> 00:34:22,470 THAT YOU CAN SCREW ME. 681 00:34:22,500 --> 00:34:24,300 AND NOT LETTING ME RUN IT, SARGE, 682 00:34:24,340 --> 00:34:26,480 AND ME NOT SHARING MY TIP FROM MY INFORMANT, 683 00:34:26,500 --> 00:34:29,270 WHAT’LL BE YOUR FALLBACK INVESTIGATIVE APPROACH? 684 00:34:42,820 --> 00:34:45,790 THIS IS DETECTIVE SORENSON. 685 00:34:45,820 --> 00:34:46,690 I.A.B.? 686 00:34:46,730 --> 00:34:50,040 NO. I’M IN THE 15th SQUAD HERE. 687 00:34:50,060 --> 00:34:52,630 SO YOU CAN RECOGNIZE MY FEELINGS, MY HURT. 688 00:34:52,660 --> 00:34:54,660 I’M GETTING A LITTLE AGITATED WITH THIS CRAP. 689 00:34:54,700 --> 00:34:56,700 AND I EXPECT YOUR BROTHER IS ALSO. 690 00:34:56,740 --> 00:34:58,040 I’M SURE PETE IS. 691 00:34:58,070 --> 00:35:00,000 HOW’S HE NOT GONNA BE? 692 00:35:00,040 --> 00:35:01,800 HE QUESTIONS US ABOUT MARK GRAHAM, 693 00:35:01,840 --> 00:35:03,670 A MURDERED FRIEND AND FELLOW COP. 694 00:35:03,710 --> 00:35:05,340 ALL RIGHT? CAPISCE? 695 00:35:05,380 --> 00:35:07,690 I MEANT, PETE MUST BE GETTING ESPECIALLY AGITATED, 696 00:35:07,710 --> 00:35:09,650 SINCE HE’S HALF‐WACKY ANYHOW 697 00:35:09,680 --> 00:35:12,350 AND PRONE TO ACTS OF VIOLENCE. 698 00:35:12,380 --> 00:35:15,980 I CAME HERE ON THE COMINGS AND GOINGS AND ACQUAINTANCES 699 00:35:16,020 --> 00:35:17,990 OF A MURDERED FRIEND AND FELLOW COP. 700 00:35:18,020 --> 00:35:20,020 MARK GRAHAM. MARK GRAHAM. 701 00:35:20,060 --> 00:35:23,220 MURDERED IN A STICKUP THAT I KNOW NOTHIN’ ABOUT. 702 00:35:23,260 --> 00:35:25,530 TOM, PUT MARK GRAHAM TO ONE SIDE. 703 00:35:25,560 --> 00:35:27,200 EXCLUDE HIM FROM YOUR MIND 704 00:35:27,230 --> 00:35:29,670 TILL WE TALK ABOUT RAMON TERRESTO 705 00:35:29,700 --> 00:35:31,200 AND WHAT YOUR HALF‐WACKY BROTHER DID TO HIM 706 00:35:31,240 --> 00:35:32,480 WITH YOU PRESENT. 707 00:35:32,500 --> 00:35:33,570 RAMON TERRESTO. 708 00:35:33,610 --> 00:35:35,250 RAMON TERRESTO. CORRECT. 709 00:35:36,440 --> 00:35:37,870 I WANT MY DELEGATE. 710 00:35:37,910 --> 00:35:39,710 YOU SHOULD NOT ONLY HAVE YOUR DELEGATE, TOM, 711 00:35:39,740 --> 00:35:41,080 BUT A LAWYER ALSO 712 00:35:41,110 --> 00:35:43,040 THAT’S READY TO SLOT YOU FOR A LOT OF HOURS. 713 00:35:43,080 --> 00:35:45,380 AND YOU’D BETTER GET READY TO REFINANCE YOUR PROPERTY 714 00:35:45,420 --> 00:35:47,860 AND CLOSE YOUR KIDS’ EDUCATION ACCOUNTS, 715 00:35:47,890 --> 00:35:49,930 SO YOU CAN SPEND EVERY CENT YOU EVER SAVED 716 00:35:49,950 --> 00:35:51,820 ON THAT SHYSTER THAT YOU’RE GONNA HIRE. 717 00:35:51,860 --> 00:35:52,860 ’CAUSE, TOM, 718 00:35:52,890 --> 00:35:54,890 WE’RE PREPARED TO GO TO BAT 719 00:35:54,930 --> 00:35:56,230 IN RAMON TERRESTO’S HOMICIDE 720 00:35:56,260 --> 00:35:57,730 AND MAKE YOU DEFEND YOURSELF. 721 00:36:00,970 --> 00:36:03,070 OF COURSE, RAMON BEING A SCUMBAG, 722 00:36:03,100 --> 00:36:06,100 DEAD 2 YEARS WITH NO ONE REPORTING HIM MISSING, 723 00:36:06,140 --> 00:36:07,910 MAYBE THE JOB DECIDES SAFETY 724 00:36:07,940 --> 00:36:09,400 AND COST‐EFFECTIVENESS CONCERNS 725 00:36:09,440 --> 00:36:12,410 DON’T JUSTIFY PUTTING DIVERS OFF THE EAST RIVER PIER 726 00:36:12,440 --> 00:36:14,840 LOOKING FOR THE CAR YOU AND PETE HOT‐WIRED 727 00:36:14,880 --> 00:36:16,550 THAT’S GOT RAMON’S BODY IN THE TRUNK 728 00:36:16,580 --> 00:36:17,950 IN THAT ROLLED‐UP RUG. 729 00:36:17,980 --> 00:36:20,220 YOU HELP US IN THIS OTHER MATTER, 730 00:36:20,250 --> 00:36:22,420 MAYBE THE SCUBA TEAM STAYS AT HOME, 731 00:36:22,450 --> 00:36:24,050 THEN THE D.A. DON’T PROCEED. 732 00:36:24,090 --> 00:36:26,050 CHARGED OR NOT, 733 00:36:26,090 --> 00:36:27,390 YOU BOTH HAVE TO LEAVE THE JOB. 734 00:36:27,430 --> 00:36:30,070 FREE YOU UP TO PURSUE YOUR OTHER INTERESTS. 735 00:36:35,100 --> 00:36:38,230 ALL PETE AND ME DID WAS FIND OUT ABOUT THE PLACE HE WORKED 736 00:36:38,270 --> 00:36:41,440 TALKIN’ TO MARK IN CASUAL CONVERSATION. 737 00:36:41,470 --> 00:36:44,870 THEN WE INTRODUCED HIM TO OUR UNCLES AT A RANGERS GAME. 738 00:36:44,910 --> 00:36:46,580 SO GRAHAM WOULD TRUST YOUR UNCLES 739 00:36:46,610 --> 00:36:48,780 WHEN THEY WALKED UP ON HIM OUTSIDE THAT STORE 740 00:36:48,810 --> 00:36:50,150 AND PUT ONE IN HIS HEAD. 741 00:36:50,180 --> 00:36:51,810 I DIDN’T KNOW MY UNCLES WERE GONNA SHOOT HIM. 742 00:36:51,850 --> 00:36:54,650 I THOUGHT WE WERE MAKING THE INTRO AT THE GARDEN 743 00:36:54,690 --> 00:36:57,760 SO MY UNCLES COULD ASK MARK TO BE IN ON THE STICKUP. 744 00:36:57,790 --> 00:36:59,420 I SAT THE WHOLE GAME WAITIN’ FOR ’EM TO BRING IT UP. 745 00:37:11,140 --> 00:37:13,680 I KEPT WAITING FOR YOU TO GO ON HIS SIDE OF THE TABLE. 746 00:37:13,710 --> 00:37:15,650 I BUY IT WAS THE UNCLES. 747 00:37:15,670 --> 00:37:17,770 I’M GIVING IT UP TO YOU, SORENSON. 748 00:37:17,810 --> 00:37:19,440 YOU PLAYED IT SQUARE. 749 00:37:19,480 --> 00:37:22,020 SEE, WELL, YOU OUGHT TO LEARN A LITTLE TRUST. 750 00:37:22,050 --> 00:37:24,890 YEAH. IT’S A BIG ASSET IN WHAT I DO. 751 00:37:26,120 --> 00:37:27,830 OH, GOD. SAVE ME FROM KILLING THIS PRICK. 752 00:37:29,350 --> 00:37:32,820 THIS TOM ZANCANELLI SAID HIS UNCLES DID DO IT. 753 00:37:35,690 --> 00:37:37,490 HE’S NOT LEAPING IN TO DISAGREE. 754 00:37:37,530 --> 00:37:39,360 A SNITCH OF OURS DRIVES THE UNCLES. 755 00:37:39,400 --> 00:37:42,470 WHEN WE HEARD LAST NIGHT ABOUT THE STICKUP AND MURDER, 756 00:37:42,500 --> 00:37:43,530 KNOWING THAT’S THE UNCLES’ ACT, 757 00:37:43,570 --> 00:37:45,000 WE PULLED THE SNITCH IN. 758 00:37:45,040 --> 00:37:47,350 HE SWORE HE WAS WITH THEM AT THE TROTTERS, 759 00:37:47,370 --> 00:37:49,370 AND WHAT I HEARD FROM YOU DIDN’T REFUTE THAT. 760 00:37:49,410 --> 00:37:51,050 BUT NOW, EVIDENTLY, YOU’RE HOLDING A NEW OPINION. 761 00:37:51,080 --> 00:37:53,120 THE SNITCH JUST ASKED FOR IMMUNITY 762 00:37:53,140 --> 00:37:55,010 ON SOMETHING THAT HAPPENED LAST NIGHT. 763 00:37:55,050 --> 00:37:58,190 I’M ASSUMING THAT MEANS THE UNCLES DID DO THE STICKUP‐HOMICIDE 764 00:37:58,220 --> 00:37:59,960 AND THE SNITCH DROVE. 765 00:37:59,980 --> 00:38:02,880 YOU’RE ASSUMING, OR YOU DON’T WANNA TELL US HE ALREADY COPPED TO IT? 766 00:38:02,920 --> 00:38:05,520 WE WANT THE UNCLES OUT THERE FOR A WHILE. 767 00:38:05,560 --> 00:38:07,200 WHEN THE TIME COMES, 768 00:38:07,230 --> 00:38:10,040 WE’LL FOLD YOUR CASE INTO A RICO INDICTMENT. 769 00:38:10,060 --> 00:38:12,330 A FEDERAL JURY CONVICTS. BOTH OF YOU KNOW THAT. 770 00:38:12,360 --> 00:38:14,360 YEAH, WELL, YOU BETTER TAKE THAT UP 771 00:38:14,400 --> 00:38:16,700 WITH ALL THE VARIOUS BOSSES AND ALL THE VARIOUS AGENCIES INVOLVED. 772 00:38:16,740 --> 00:38:18,380 OK, AGENT FRANCIS? 773 00:38:18,400 --> 00:38:19,800 ’CAUSE MY MOVE IS KNOCKIN’ YOUR TEETH DOWN YOUR THROAT 774 00:38:19,840 --> 00:38:21,670 FOR MOVIN’ ME AROUND LIKE A GUTTER BUM. 775 00:38:25,910 --> 00:38:28,910 KID BETTER LEARN TO HANDLE HIS TEMPER. 776 00:38:39,560 --> 00:38:41,190 HEY, HANK. 777 00:38:41,230 --> 00:38:43,530 THAT GIRL’S ASKING FOR YOU. 778 00:38:43,560 --> 00:38:44,530 THANKS. 779 00:38:44,560 --> 00:38:45,530 GOOD NIGHT. 780 00:38:45,560 --> 00:38:46,630 GOOD NIGHT. 781 00:38:49,200 --> 00:38:51,070 WERE YOU LOOKING FOR ME? DETECTIVE RUSSELL? 782 00:38:51,100 --> 00:38:52,100 YEAH. 783 00:38:52,140 --> 00:38:53,340 I WAS AT THE JAMAICA REC CENTER, 784 00:38:53,370 --> 00:38:55,400 AND I SAW YOUR NAME WAS ADDED ON THE PHONE LIST. 785 00:38:55,440 --> 00:38:57,570 YOU ALSO LOST YOUR HUSBAND OFF THE JOB? 786 00:39:00,240 --> 00:39:03,240 YOUR HUSBAND... GOT HIS HEART. 787 00:39:06,920 --> 00:39:08,380 THANK YOU FOR YOUR LETTER 788 00:39:08,420 --> 00:39:10,690 AND THE BEAUTIFUL LETTER YOUR HUSBAND WROTE. 789 00:39:10,720 --> 00:39:12,220 AFTER BOBBY PASSED, 790 00:39:12,260 --> 00:39:14,530 I WANTED TO WRITE YOU AGAIN OR CALL YOU. 791 00:39:14,560 --> 00:39:16,990 I WAITED TILL YOUR NAME WAS ON THE PHONE LIST. 792 00:39:18,760 --> 00:39:20,230 DID LINDA GIVE YOU THE LIST? 793 00:39:20,260 --> 00:39:21,900 YEAH. IT’S IN MY PURSE. 794 00:39:23,230 --> 00:39:25,000 TOOK ME SEVERAL WEEKS TO LOOK AT MINE. 795 00:39:26,640 --> 00:39:29,640 ANYWAYS, I’M ON THERE. 796 00:39:29,670 --> 00:39:31,940 THANKS. THANKS SO MUCH. 797 00:39:31,980 --> 00:39:34,320 WHATEVER GOOD IT MIGHT DO. 798 00:39:34,350 --> 00:39:36,050 AND IF YOU DON’T CALL FOR A WHILE, 799 00:39:36,080 --> 00:39:39,110 DON’T FEEL THEN, WHEN YOU WANNA CALL, YOU CAN’T. 800 00:39:39,150 --> 00:39:40,920 OK. 801 00:39:42,850 --> 00:39:45,250 IT WAS A BLESSING FOR ME, ALSO, 802 00:39:45,290 --> 00:39:47,590 MY HUSBAND’S GIFT. 803 00:39:47,630 --> 00:39:49,970 IT HELPED ME TO UNDERSTAND. 804 00:40:15,190 --> 00:40:16,290 HEY, DIANE. 805 00:40:16,320 --> 00:40:17,220 HI. 806 00:40:21,060 --> 00:40:23,120 GOIN’ OFF THE CHART TODAY, HUH? 807 00:40:23,160 --> 00:40:25,590 YEAH. I’M DOING A 4:00‐TO‐12:00. 808 00:40:25,630 --> 00:40:27,960 YOU MISSED OUR JOINT EFFORT WITH THE FBI TODAY. 809 00:40:28,000 --> 00:40:29,630 VERY REASSURING OUR FEDERAL TAX DOLLARS 810 00:40:29,670 --> 00:40:30,870 ARE BEING WELL SPENT. 811 00:40:33,870 --> 00:40:34,970 SO, HOW’S IT GOIN’? 812 00:40:36,680 --> 00:40:37,680 OK. 813 00:40:37,710 --> 00:40:38,940 NOT BEIN’ A WISE GUY. 814 00:40:38,980 --> 00:40:40,350 NO, I KNOW. 815 00:40:43,820 --> 00:40:45,890 I ACTUALLY CALLED YOU THE OTHER NIGHT, 816 00:40:45,920 --> 00:40:47,560 AFTER US WORKING FOR JILL’S BOY. 817 00:40:48,890 --> 00:40:52,700 JUST TO SAY I WAS GLAD WE WORKED EFFECTIVELY, ONE THING. 818 00:40:54,660 --> 00:40:56,420 THAT WAS ACTUALLY IT. 819 00:40:58,400 --> 00:41:00,370 AND THEN THE OTHER THING WHY I CALLED‐‐ 820 00:41:00,400 --> 00:41:03,870 JAMES AND I WERE HANGING AROUND AFTER WE LEFT THE BAR, 821 00:41:03,900 --> 00:41:05,870 AND JAMES WAS APPRAISING THIS ARTWORK 822 00:41:05,900 --> 00:41:07,540 HANGING IN THIS ANTIQUE SHOP WINDOW, 823 00:41:07,570 --> 00:41:10,870 DECIDING WHETHER OR NOT HE WAS GONNA RELIEVE HIMSELF IN PUBLIC. 824 00:41:12,080 --> 00:41:16,390 AND I WAS THINKING I’D CALL... 825 00:41:16,410 --> 00:41:19,720 JUST TO SAY I HOPE YOU’RE FEELING BETTER DAY BY DAY, 826 00:41:19,750 --> 00:41:21,750 KNOWIN’ IT’S NEVER GONNA BE EASY. 827 00:41:25,020 --> 00:41:26,490 TODAY WAS A BETTER DAY? 828 00:41:26,520 --> 00:41:27,820 YEAH. 829 00:41:27,860 --> 00:41:29,990 GOOD. 830 00:41:30,030 --> 00:41:32,360 THANKS FOR ASKING. 831 00:41:43,580 --> 00:41:45,380 GOOD NIGHT, DIANE. 832 00:41:45,410 --> 00:41:47,410 GOOD NIGHT. 833 00:42:37,960 --> 00:42:41,300 OF ALL THE EMPTY HANDS TO PLAY‐‐ 834 00:42:41,330 --> 00:42:44,630 HOLDING GOD OVER ASUNCION’S HEAD. 835 00:42:44,670 --> 00:42:47,140 NO HARM TAKING A FLYER. 836 00:42:49,540 --> 00:42:50,670 I HOPE HE SUFFERS, 837 00:42:50,710 --> 00:42:54,210 THAT THE LEUKEMIA DOESN’T TAKE HIM QUICKLY. 838 00:42:58,720 --> 00:43:01,430 JUSTICE WITHOUT MERCY. 839 00:43:01,450 --> 00:43:03,250 IT’S KIND OF A LONG RIDE 840 00:43:03,290 --> 00:43:05,000 FROM WHY I THOUGHT I BECAME A LAWYER. 841 00:43:14,700 --> 00:43:17,630 THOSE AREN’T YOUR USUAL BELIEFS, SYLVIA. 842 00:43:17,670 --> 00:43:23,340 THIS IS FRUSTRATION AND DISCOURAGEMENT. 843 00:43:23,370 --> 00:43:26,170 IT’S ME GOD’S GONNA JUDGE. 844 00:43:26,210 --> 00:43:30,380 SYLVIA, YOU DIDN’T DO NOTHIN’ WRONG. 845 00:43:30,410 --> 00:43:33,550 HE’S GONNA JUDGE THAT I DIDN’T TRY HARD ENOUGH 846 00:43:33,590 --> 00:43:36,430 TO MAKE ANYTHING RIGHT. 847 00:43:39,890 --> 00:43:43,360 AND YOU GOT SOME INSIDE KNOWLEDGE ON HIS OPINION? 848 00:43:47,400 --> 00:43:52,000 WHY DON’T YOU HOLD OFF TILL HE WEIGHS IN? 64205

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