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1
00:00:22,160 --> 00:00:24,090
[KNOCK ON DOOR]
2
00:00:29,400 --> 00:00:30,370
HI.
3
00:00:30,400 --> 00:00:33,130
HI, DIANE.
4
00:00:33,170 --> 00:00:34,440
HOW’S KYLE?
5
00:00:34,470 --> 00:00:37,740
OH, I KEPT HIM
HOME FROM SCHOOL.
6
00:00:39,110 --> 00:00:40,740
HE’S WITH HIS DAD NOW.
7
00:00:40,780 --> 00:00:41,940
THAT’S GOOD.
8
00:00:41,980 --> 00:00:45,380
YEAH, KYLE ASKED FOR KEN
3 TIMES GOING TO SLEEP.
9
00:00:45,420 --> 00:00:47,390
IT’S GOOD
HE’S WITH HIM.
10
00:00:47,420 --> 00:00:51,490
REMINDS HIM THERE’S
A GROWN‐UP MAN IN HIS LIFE
DOESN’T LOOK TO HURT PEOPLE.
11
00:00:53,360 --> 00:00:56,270
IS THAT A BOTTLE
ON YOUR COUNTER?
12
00:00:56,290 --> 00:00:58,230
YEAH.
13
00:00:58,260 --> 00:01:01,060
DO YOU WANNA
TALK ABOUT IT?
14
00:01:01,100 --> 00:01:03,000
GUESS I MUST.
[NERVOUS LAUGH]
15
00:01:03,030 --> 00:01:05,330
I CALLED
AND I LEFT IT OUT,
16
00:01:05,370 --> 00:01:08,840
SO I GUESS I MUST WANNA...
TALK ABOUT IT.
17
00:01:08,870 --> 00:01:10,470
HAVE YOU BEEN DRINKING?
18
00:01:11,710 --> 00:01:13,510
I WANTED TO SO MUCH,
I, UH...
19
00:01:13,550 --> 00:01:16,790
I WENT OUT WITH GREG AND JAMES
AND‐‐AND THE NEW GUY.
20
00:01:16,820 --> 00:01:18,360
WE WERE FEELING‐‐
21
00:01:18,380 --> 00:01:21,520
YOU KNOW,
WE WERE FEELING SO HAPPY
OVER KEEPING KYLE OUT OF IT,
22
00:01:21,550 --> 00:01:25,320
AND IT FELT LIKE THE FIRST
DAY’S WORK I’D DONE...
23
00:01:25,360 --> 00:01:27,600
WHERE I’D DONE A DECENT JOB.
24
00:01:27,630 --> 00:01:29,470
SINCE YOU CAME BACK
AFTER BOBBY.
25
00:01:29,490 --> 00:01:31,330
I WAS HAPPY.
26
00:01:31,360 --> 00:01:34,000
AND THEN ALL OF A SUDDEN...
27
00:01:34,030 --> 00:01:36,670
I STARTED FEELING
REALLY SCARED...
28
00:01:36,700 --> 00:01:40,440
AND SAD AND LIKE I WAS
GONNA BUST OUT CRYING,
29
00:01:40,470 --> 00:01:45,670
AND, UH, THE WAITRESS
BROUGHT BEERS AND MY SODA...
30
00:01:45,710 --> 00:01:50,210
AND GREG HAD LEFT TO GO SLEEP
WITH HIS GIRLFRIEND, AND, UH...
31
00:01:52,050 --> 00:01:53,380
HIS BEER WAS THERE.
32
00:01:53,420 --> 00:01:56,230
AND YOU DRANK SOME?
33
00:01:57,820 --> 00:01:59,490
BUT WALKING HOME
FROM THE SUBWAY, I, UH...
34
00:01:59,520 --> 00:02:01,190
I BOUGHT THAT.
35
00:02:01,230 --> 00:02:04,500
AND I SAT ALL NIGHT
AFRAID TO LOOK AT IT...
36
00:02:04,530 --> 00:02:08,230
OR TO LOOK AT IT
GETTING DRESSED FOR WORK...
37
00:02:10,200 --> 00:02:12,730
OR TO LOOK IN THE BEDROOM.
38
00:02:12,770 --> 00:02:15,440
WHY WERE YOU AFRAID
TO LOOK IN THE BEDROOM?
39
00:02:16,440 --> 00:02:18,340
OH...
40
00:02:18,380 --> 00:02:20,190
I WANT TO BE STRONG
FOR HIM,
41
00:02:20,210 --> 00:02:23,880
AND I FEEL SO BAD, I‐‐
42
00:02:27,420 --> 00:02:29,380
THIS IS GOOD, DIANE.
43
00:02:29,420 --> 00:02:31,190
THIS IS GOOD.
44
00:02:33,560 --> 00:02:35,560
I NEED SOME HELP.
45
00:02:35,590 --> 00:02:37,230
THAT’S GOOD.
46
00:02:37,260 --> 00:02:39,360
WE’RE GONNA
GET YOU SOME.
47
00:02:39,400 --> 00:02:41,510
I‐‐I WANNA GO TO WORK
48
00:02:41,530 --> 00:02:46,530
’CAUSE IF I START NOT GOING,
I’M GONNA STOP GOING.
49
00:02:46,570 --> 00:02:47,540
OK.
50
00:02:47,570 --> 00:02:48,840
WE’LL, UH,
51
00:02:48,870 --> 00:02:50,670
WE’LL DO OUR
8:00‐TO‐4:00,
52
00:02:50,710 --> 00:02:52,570
AND THEN WE’LL CALL
THE WIDOWS & ORPHANS.
53
00:02:55,810 --> 00:02:57,950
YOU WANT ME TO POUR OUT
THAT BOTTLE?
54
00:02:59,750 --> 00:03:01,050
YEAH.
55
00:03:01,090 --> 00:03:02,730
PLEASE.
OK.
56
00:04:31,040 --> 00:04:32,310
MISS DISTRICT ATTORNEY,
57
00:04:32,340 --> 00:04:34,140
HOW ABOUT MAYBE
OFFICER DYLAN HERE
58
00:04:34,180 --> 00:04:35,510
TAKE OFF THESE CUFFS,
HUH?
59
00:04:35,550 --> 00:04:36,790
NO.
60
00:04:36,820 --> 00:04:38,890
THIS IS
POSSESSION WITH INTENT
AND SOLICITING SEX.
61
00:04:38,920 --> 00:04:40,660
THIS IS NOT MAJOR.
62
00:04:40,690 --> 00:04:42,660
MEANING, ON YOUR
OTHER COLLARS, TOMMY,
63
00:04:42,690 --> 00:04:44,300
YOU WERE BROUGHT
TO A D. A.’s OFFICE?
64
00:04:44,320 --> 00:04:46,660
THE THING YOU TRYIN’
TO MAKE IT MAJOR
65
00:04:46,690 --> 00:04:48,820
DON’T MAKE IT MAJOR
IN MY HEAD.
66
00:04:48,860 --> 00:04:50,860
THAT KID WAS SELLIN’
SEX ON THE STREET.
67
00:04:50,900 --> 00:04:52,700
AND YOU OFFERED HIM DRUGS
TO GET IT.
68
00:04:52,730 --> 00:04:54,630
I OFFERED HIM DRUGS
TO GET OVER.
69
00:04:54,670 --> 00:04:55,710
I WAS NOT SELLING.
70
00:04:55,730 --> 00:04:57,370
MY DRUG ACTIVITY
AND MY SEX ACTIVITY
71
00:04:57,400 --> 00:04:59,030
ARE SEPARATE‐‐ALWAYS.
72
00:04:59,070 --> 00:05:01,900
THAT’S THE ONE PRINCIPLE
HE LIVES BY.
73
00:05:01,940 --> 00:05:04,810
YOU THINK WE’RE
DICKIN’ AROUND WITH
POSSESSION VERSUS INTENT?
74
00:05:04,840 --> 00:05:06,510
WHY DON’T YOU STOP TRYING
TO LAWYER YOUR CASE, TOMMY?
75
00:05:06,550 --> 00:05:07,650
FIND OUT WHY YOU’RE HERE.
76
00:05:07,680 --> 00:05:08,740
I KNOW WHY I’M HERE.
77
00:05:08,780 --> 00:05:10,350
AND THIS BEEF AIN’T
ADEQUATE ENOUGH
78
00:05:10,380 --> 00:05:12,010
TO GET ME TO DO
WHAT’S ON YOUR MIND.
79
00:05:12,050 --> 00:05:13,510
WHICH IS WHAT,
EINSTEIN?
80
00:05:13,550 --> 00:05:15,180
I AIN’T
"READY FOR FREDDIE."
81
00:05:15,220 --> 00:05:18,250
ALL RIGHT? I’LL
DO THE TIME INSIDE.
82
00:05:18,290 --> 00:05:20,190
THAT WAS JUAN SUAREZ’S
THINKING, TOO.
83
00:05:20,220 --> 00:05:22,520
JUAN WENT INSIDE
FOR FREDDIE ASUNCION,
84
00:05:22,560 --> 00:05:25,690
BUT THEN HE GOT SHANKED
IN THE LAUNDRY ROOM
ON FREDDIE’S ORDERS.
85
00:05:25,730 --> 00:05:27,030
YEAH, WHATEVER.
86
00:05:27,070 --> 00:05:30,210
THE WORLD’S LESS COMPLICATED
THAN YOU THINK IT IS, TOMMY.
87
00:05:30,230 --> 00:05:31,670
YOU ARE COOPERATING.
88
00:05:31,700 --> 00:05:34,400
THE ONLY QUESTION’S
IF YOU GET THE BENEFIT.
89
00:05:34,440 --> 00:05:36,200
NUH‐UH.
90
00:05:36,240 --> 00:05:37,510
Costas: "NUH‐UH"?
91
00:05:37,540 --> 00:05:40,180
YOU MEAN WE ARE NOT GOING
TO ARREST FREDDIE ASUNCION
92
00:05:40,210 --> 00:05:41,940
WHETHER YOU HELP US OR NOT
93
00:05:41,980 --> 00:05:44,510
AND PUT IT ON YOU
IN FREDDIE’S HEAD?
94
00:05:44,550 --> 00:05:45,680
PUT WHAT ON ME?
95
00:05:45,720 --> 00:05:47,360
FREDDIE’S
A CAREFUL BOY.
96
00:05:47,390 --> 00:05:48,960
Sipowicz: WE GOT INFORMATION
OFF A WIRETAP
97
00:05:48,990 --> 00:05:51,530
ON WHERE FREDDIE’S STASH IS,
KNUCKLEHEAD.
98
00:05:51,560 --> 00:05:54,200
AND WHEN WE TAKE THAT STASH
DOWN AND HIM WITH IT,
99
00:05:54,230 --> 00:05:57,300
THAT’S WHAT WE PUT ON YOU‐‐
IN FREDDIE’S HEAD.
100
00:05:57,330 --> 00:05:59,190
THOSE BAD‐ASS SHOULDERS,
TOMMY...
101
00:05:59,230 --> 00:06:00,860
THINK YOU CAN TAKE
THE WEIGHT...
102
00:06:00,900 --> 00:06:01,860
IN FREDDIE’S HEAD?
103
00:06:01,900 --> 00:06:03,530
YOU GOT A WIRETAP?
104
00:06:03,570 --> 00:06:05,700
WHAT YOU NEED ME
FOR?
105
00:06:05,740 --> 00:06:07,550
WE DON’T WANT FREDDIE
FOR DRUGS.
106
00:06:07,570 --> 00:06:09,540
THAT’S HIS ACT. WHAT
YOU WANT HIM FOR THEN?
107
00:06:09,570 --> 00:06:12,670
THE HOMICIDE HE PAID
JUAN SUAREZ TO PLEAD TO.
108
00:06:17,120 --> 00:06:20,160
SAY I HELP YOU...
109
00:06:20,180 --> 00:06:21,820
WHERE I GET TO GO?
110
00:06:21,850 --> 00:06:23,520
Sipowicz: HARVARD.
111
00:06:24,690 --> 00:06:26,220
LAS VEGAS.
112
00:06:26,260 --> 00:06:28,500
YEAH, WE CAN GET YOU
TO LAS VEGAS.
113
00:06:28,530 --> 00:06:32,670
ALTHOUGH THAT ACT GOES OVER
BETTER IN THEM LITTLE
COWBOY TOWNS.
114
00:06:34,270 --> 00:06:36,310
I SAW FREDDIE
DO THE MURDER,
115
00:06:36,330 --> 00:06:39,270
AND I WAS WITH HIM
WHEN HE BOUGHT JUAN
TO DO THE TIME.
116
00:06:41,670 --> 00:06:44,170
[CLEARING THROAT]
I GOTTA GET TO WORK.
117
00:06:44,210 --> 00:06:45,740
Dornan: YEAH.
118
00:06:45,780 --> 00:06:48,520
NOW YOU CAN GET
YOUR CUFFS OFF.
119
00:07:03,190 --> 00:07:04,630
SO, UH,
120
00:07:04,660 --> 00:07:07,330
IF YOU FELLAS HAVEN’T
FIRMED UP DINNER PLANS,
121
00:07:07,370 --> 00:07:09,110
THAT DOMESTIC VIOLENCE
COLLAR
122
00:07:09,130 --> 00:07:10,970
ME AND JAMES MADE
SEVERAL DAYS AGO‐‐
123
00:07:11,000 --> 00:07:15,200
COMPLAINANT’S FATHER
TURNS OUT OWNER/OPERATOR
OF HONG KONG GARDENS.
124
00:07:15,240 --> 00:07:18,010
THAT THE PLACE
GOT IN A JACKPOT
SERVIN’ CAT?
125
00:07:18,040 --> 00:07:22,340
NO, ANDY.
THE HONG KONG GARDENS
HAPPENED TO GET HALF A STAR
126
00:07:22,380 --> 00:07:23,510
IN THE DRURY
RESTAURANT GUIDE.
127
00:07:23,550 --> 00:07:24,880
OVER ON 8th
AND BOWERY.
128
00:07:24,920 --> 00:07:26,730
YEAH. EXACTLY, DANNY.
129
00:07:28,150 --> 00:07:31,350
TAKEOUT DINNER TONIGHT
FOR THE WHOLE SQUAD
COVERED.
130
00:07:31,390 --> 00:07:33,150
WINK FOOD
GIVES ME HEADACHES.
131
00:07:33,190 --> 00:07:35,190
TELL ’EM
TO HOLD THE M. S. G.
132
00:07:35,230 --> 00:07:37,200
LET ME KNOW WHEN YOU
AND MARTINEZ CLEAR ONE
133
00:07:37,230 --> 00:07:38,990
FOR THE OWNER
OF A STEAKHOUSE.
134
00:07:39,030 --> 00:07:41,660
THAT NEW SUPERMARKET
ON PIKE SLIP AND FDR
135
00:07:41,700 --> 00:07:43,670
JUST GOT ROBBED.
LOOKS LIKE A MAJOR HIT.
136
00:07:43,700 --> 00:07:46,330
ANDY, YOU’RE UP?
EVERYONE’S ON IT.
137
00:07:47,670 --> 00:07:49,000
Medavoy: DANNY...
138
00:07:49,040 --> 00:07:50,170
TAKE THE CELLULAR PHONE.
139
00:07:50,210 --> 00:07:51,870
WE’LL ORDER THE FOOD
FROM THE CAR.
140
00:08:23,580 --> 00:08:25,280
Kirkendall: WE WERE
FINISHING A DAY TOUR,
141
00:08:25,310 --> 00:08:26,680
HEARD THE JOB
COME OVER THE AIR.
142
00:08:26,710 --> 00:08:27,680
YOU NEED HELP?
143
00:08:27,710 --> 00:08:29,550
YEAH, LET’S SEE
WHAT WE GOT.
144
00:08:32,220 --> 00:08:35,190
NO WITNESSES TO WHAT
HAPPENED OUT HERE.
145
00:08:35,220 --> 00:08:37,050
WHEN THEY WENT
INTO THE MONEY ROOM,
THEY’RE WEARING MASKS,
146
00:08:37,090 --> 00:08:39,020
MAKE EVERYBODY HIT THE FLOOR,
CLEAN THE PLACE OUT.
147
00:08:39,060 --> 00:08:41,200
IN AND GONE
LESS THAN 2 MINUTES.
148
00:08:41,230 --> 00:08:44,400
MARK GRAHAM,
OFF‐DUTY FROM THE JOB.
149
00:08:45,460 --> 00:08:46,530
Sipowicz: LET’S
GET HIM COVERED UP.
150
00:08:46,570 --> 00:08:47,570
Uniform:
YEAH.
151
00:08:47,600 --> 00:08:49,030
IS THAT THE MONEY ROOM
BACK THERE?
152
00:08:49,070 --> 00:08:51,040
UH, YEAH, THAT’S WHERE
THE ACTION WAS.
153
00:08:51,070 --> 00:08:52,870
THIS DON’T COUNT
AS ACTION?
Uniform:
COME ON.
154
00:08:52,900 --> 00:08:55,070
WE’LL DO A QUICK CANVASS
HERE AND OUT FRONT.
155
00:08:55,110 --> 00:08:56,350
GOOD.
156
00:09:06,950 --> 00:09:08,580
THEY WALTZ
RIGHT IN DURING OUR PEAK HOUR
157
00:09:08,620 --> 00:09:09,720
AND PULL THIS OFF.
158
00:09:09,750 --> 00:09:12,420
DID YOU RECOGNIZE ’EM,
MR., UH, JENKINS?
159
00:09:12,460 --> 00:09:14,000
HOW COULD I RECOGNIZE THEM?
THEY HAD MASKS ON.
160
00:09:14,030 --> 00:09:15,170
SOON AS THEY CAME IN,
THEY TOLD EVERYONE
161
00:09:15,190 --> 00:09:16,930
TO LOOK AT THE FLOOR
AND LAY DOWN.
162
00:09:16,960 --> 00:09:18,990
I LOOKED UP AND GOT THIS
FOR MY TROUBLE. OW.
163
00:09:19,030 --> 00:09:21,330
YOU GOT AN ESTIMATE
ON HOW MUCH
THEY GOT OUT WITH?
164
00:09:21,370 --> 00:09:23,010
170,000.
165
00:09:23,030 --> 00:09:25,730
I FORGOT TO MAKE
THE BANK DEPOSIT,
166
00:09:25,770 --> 00:09:27,170
AND I KNOW HOW
THAT MAKES ME LOOK.
167
00:09:27,210 --> 00:09:29,510
WHO OPENED THE SAFE
FOR THEM?
168
00:09:29,540 --> 00:09:31,510
I DID. AFTER THEY HIT ME,
THEY DRAGGED ME OVER
AND PUT A GUN TO MY HEAD.
169
00:09:31,540 --> 00:09:33,170
WHAT CAME OUTTA THERE?
170
00:09:33,210 --> 00:09:35,640
THAT’S WHERE THE SECURITY
CAMERA VIDEOTAPE WAS.
171
00:09:35,680 --> 00:09:38,850
THEY WENT RIGHT FOR IT
AFTER THEY GOT THE MONEY.
HAD A HAMMER AND EVERYTHING.
172
00:09:38,880 --> 00:09:40,250
YOU’RE GONNA HAVE
TO COME IN WITH US.
173
00:09:40,280 --> 00:09:41,850
JUST ME OR EVERYONE
THAT WAS HERE?
174
00:09:41,890 --> 00:09:43,260
WHAT’S THAT TO YOU?
175
00:09:43,290 --> 00:09:45,260
WELL, I’M AFRAID
YOU THINK I DID IT.
176
00:09:45,290 --> 00:09:46,620
SHUT UP.
177
00:09:46,660 --> 00:09:48,560
Sorenson:
EVERYONE’S COMING IN.
178
00:10:12,050 --> 00:10:13,480
WHAT’S IT LOOK LIKE?
179
00:10:13,520 --> 00:10:16,860
SECURITY GUARD KILLED
OUTSIDE THE STORE
WAS AN OFF‐DUTY COP.
180
00:10:16,890 --> 00:10:19,320
THE BAD GUYS
WERE IN AND OUT
IN, LIKE, 5 MINUTES.
181
00:10:19,360 --> 00:10:20,530
THEY HAD TO HAVE
SOMEONE INSIDE.
182
00:10:20,560 --> 00:10:23,220
MANAGER FORGOT TO
MAKE A MONEY DROP
AT THE BANK,
183
00:10:23,260 --> 00:10:24,560
ADDED TO THE SCORE.
184
00:10:24,600 --> 00:10:26,240
THINK HE WAS
THE SETUP GUY?
185
00:10:26,260 --> 00:10:29,130
HE’S MORE THE PANICKY
TYPE YOU’RE TRYIN’
TO SAVE AT THE OCEAN:
186
00:10:29,170 --> 00:10:30,710
THE JERK CLIMBS
ON YOUR SHOULDER,
187
00:10:30,740 --> 00:10:33,010
DRIVES YOU DOWN INTO
THE UNDERWATER SAND.
188
00:10:33,040 --> 00:10:35,010
CRIME SCENE JUST CALLED‐‐
NO LIFTS.
189
00:10:35,040 --> 00:10:36,840
DO YOU WANT ME AND JILL
TO DO A 4:00‐TO‐12:00?
190
00:10:36,880 --> 00:10:37,920
NO. WE’RE ALL RIGHT.
191
00:10:37,940 --> 00:10:39,910
SEE YOU
IN THE MORNING.
192
00:10:39,940 --> 00:10:41,180
NIGHT.
193
00:10:41,210 --> 00:10:42,410
DON’T TRY COMMUNICATING
WITH ME
194
00:10:42,450 --> 00:10:43,720
WHEN I’M TRYING
TO SOLVE A CASE.
195
00:10:43,750 --> 00:10:45,680
GOOD NIGHT, ANDY.
196
00:10:45,720 --> 00:10:48,030
HOW YOU DOIN’,
IN A THUMBNAIL?
197
00:10:48,050 --> 00:10:49,450
OK.
198
00:10:51,920 --> 00:10:53,890
GOOD NIGHT.
199
00:10:55,890 --> 00:10:57,530
GOOD NIGHT.
200
00:10:57,560 --> 00:10:59,800
WANNA TALK WITH THIS GUY
TRIED TO DROWN YOU?
201
00:11:03,600 --> 00:11:05,870
EXCUSE ME A SECOND.
202
00:11:10,740 --> 00:11:13,110
10 MINUTES MAX
ON THE CHINESE.
203
00:11:13,140 --> 00:11:14,740
OH, YEAH?
THAT’S THEIR E. T. A.?
204
00:11:14,780 --> 00:11:17,310
YEAH. UH, THE BIKE GUY
JUST LEFT THE RESTAURANT.
205
00:11:19,280 --> 00:11:20,650
EXCUSE THE INTERRUPTION.
206
00:11:23,790 --> 00:11:25,090
HOW’S THE HEAD?
207
00:11:25,120 --> 00:11:28,360
I KNOW NOT MAKING
THAT VAULT DROP
CASTS A SHADOW ON ME,
208
00:11:28,390 --> 00:11:30,430
BUT I SWEAR I HAD
NOTHING TO DO WITH THIS.
209
00:11:30,460 --> 00:11:32,890
WELL, YOU SAID YOU DIDN’T
MAKE THAT BANK DEPOSIT
’CAUSE YOU WERE BUSY.
210
00:11:32,930 --> 00:11:34,460
WE WERE NONSTOP BUSY
ALL DAY,
211
00:11:34,500 --> 00:11:35,730
AND IF ANYTHING,
AROUND 3:00
IT GOT BUSIER.
212
00:11:35,770 --> 00:11:37,810
YOU GOT ANY FINANCIAL
PROBLEMS OF YOUR OWN?
213
00:11:37,840 --> 00:11:40,650
NO. I MEAN, NO MORE
THAN THE NEXT PERSON.
214
00:11:40,670 --> 00:11:42,440
WHICH NEXT PERSON?
215
00:11:42,470 --> 00:11:44,910
ARE YOU OVEREXTENDED
AT ALL?
216
00:11:44,940 --> 00:11:47,980
WE RENT. I’M CURRENT
ON THOSE PAYMENTS.
217
00:11:48,010 --> 00:11:49,440
WE OWE AROUND 1,800
AGGREGATE
218
00:11:49,480 --> 00:11:51,250
ON MY WIFE’S
AND MY CREDIT CARDS.
219
00:11:51,280 --> 00:11:52,880
$1,830.
220
00:11:52,920 --> 00:11:54,990
WHY WOULD THE STICKUP GUYS
HIT YOU?
221
00:11:55,020 --> 00:11:56,320
WHAT DO YOU MEAN?
222
00:11:56,350 --> 00:11:59,760
YOU TOLD US YOU OPENED THE SAFE
WHEN THEY ASKED YOU TO.
223
00:11:59,790 --> 00:12:02,490
YES. IN THAT SITUATION,
MY TRAINING IS TO COOPERATE.
224
00:12:02,530 --> 00:12:04,140
SO WHY WOULD THEY HIT YOU?
225
00:12:04,160 --> 00:12:06,130
THEY HIT ME BEFORE THAT
WHEN THEY FIRST CAME IN
226
00:12:06,160 --> 00:12:07,330
AND MADE US LIE
FACE DOWN.
227
00:12:07,370 --> 00:12:09,110
ONE OF THEM SAW ME
LOOK UP.
228
00:12:09,130 --> 00:12:11,730
THEY’RE WEARIN’ MASKS.
WHY WOULD THEY WORRY
IF YOU SAW ’EM?
229
00:12:11,770 --> 00:12:13,800
SOMETIMES ON A JOB LIKE THIS,
THE STICKUP GUYS
230
00:12:13,840 --> 00:12:16,740
WILL THROW A PUNCH
INTO WHOEVER
SET THE JOB UP FOR ’EM,
231
00:12:16,780 --> 00:12:19,990
HALF PISTOL‐WHIP AND SO FORTH
TO THROW SUSPICION OFF.
232
00:12:20,010 --> 00:12:21,910
YEAH, THAT’S
NOT UNHEARD OF.
233
00:12:21,950 --> 00:12:23,520
I HAD NOTHING
TO DO WITH THIS.
234
00:12:23,550 --> 00:12:24,780
I DON’T KNOW
WHY THEY HIT ME.
235
00:12:24,820 --> 00:12:26,090
THEY JUST SEEMED
CRUEL AND VIOLENT.
236
00:12:26,120 --> 00:12:28,090
FOR GOD’S SAKE,
THEY KILLED THAT GUARD.
237
00:12:28,120 --> 00:12:29,450
WAS HE TRYING
TO RESIST?!
238
00:12:29,490 --> 00:12:30,830
WILL YOU STOP CROUCHIN’
AND SIT UP STRAIGHT?
239
00:12:30,860 --> 00:12:31,860
COME ON, SIT UP.
240
00:12:35,230 --> 00:12:37,200
[SIPOWICZ SIGHS]
241
00:12:37,230 --> 00:12:39,660
YOU GOT YOUR LIST OF CURRENT
AND FORMER EMPLOYEES?
242
00:12:39,700 --> 00:12:41,000
YES.
243
00:12:45,370 --> 00:12:48,370
DOG‐EAR WHOEVER GOT FIRED
OR DISCIPLINED
244
00:12:48,410 --> 00:12:50,680
OR JUST RUBBED YOU
THE WRONG WAY‐‐
245
00:12:50,710 --> 00:12:51,970
ANY THAT KNEW YOUR LAYOUT.
246
00:12:52,010 --> 00:12:54,340
AM I STILL A SUSPECT?
247
00:12:54,380 --> 00:12:55,680
NOT AT THE PRESENT.
248
00:12:57,880 --> 00:13:00,580
RELAX AND DO WHAT
HE ASKED YOU TO DO.
249
00:13:05,560 --> 00:13:08,370
SO IF WE HAD A SHORT LIST,
MR. JENKINS WOULD BE OFF IT.
250
00:13:08,390 --> 00:13:10,230
WHAT’S THIS NOW?
251
00:13:15,900 --> 00:13:17,030
BOTH I. A. B.?
252
00:13:17,070 --> 00:13:18,870
NO, THE OTHER GUY’S FBI.
253
00:13:18,900 --> 00:13:19,870
Sipowicz:
WHAT’S THAT?
254
00:13:19,900 --> 00:13:20,840
IT’S A LITTLE EARLY
TO SAY.
255
00:13:20,870 --> 00:13:22,140
THEY COME TOGETHER?
256
00:13:22,170 --> 00:13:23,370
DOESN’T MEAN
THEY’RE NOT.
257
00:13:23,410 --> 00:13:25,180
Sorenson:
THEY’RE BOTH ASKIN’
ABOUT OUR CASE?
258
00:13:25,210 --> 00:13:26,510
MM‐HMM.
259
00:13:32,520 --> 00:13:34,830
YOU’VE MET
SERGEANT MARTENS
FROM INTERNAL AFFAIRS,
260
00:13:34,850 --> 00:13:37,320
AND THIS IS
FBI AGENT FRANCIS.
261
00:13:37,360 --> 00:13:38,430
DANNY SORENSON.
262
00:13:38,460 --> 00:13:39,530
DANNY.
263
00:13:39,560 --> 00:13:41,160
HOW’S IT GOIN’,
AGENT FRANCIS?
264
00:13:41,190 --> 00:13:42,990
Fancy: ANDY SIPOWICZ
YOU KNOW.
265
00:13:43,030 --> 00:13:44,240
YEAH.
266
00:13:44,260 --> 00:13:45,490
WHAT’S
GOIN’ ON?
267
00:13:45,530 --> 00:13:47,430
WE MONITORED SOME CONVERSATIONS
OVER THE LAST 24 HOURS
268
00:13:47,470 --> 00:13:49,210
ABOUT A BIG CASH SCORE
GOING DOWN,
269
00:13:49,230 --> 00:13:53,570
WANTED TO TOUCH BASE,
SEE IF THIS STICKUP HOMICIDE
AT THE COST‐RITE MIGHT FIT.
270
00:13:55,240 --> 00:13:59,240
WHOSE PHONE YOU GOT UP
THAT YOU MONITORED
THOSE CONVERSATIONS ON?
271
00:13:59,280 --> 00:14:01,390
IF I TOLD YA,
I’D HAVE TO KILL YA.
272
00:14:01,410 --> 00:14:03,410
HE’D HAVE
TO KILL ME.
273
00:14:04,620 --> 00:14:06,560
WHAT BRINGS I. A. B. UP,
SARGE?
274
00:14:06,590 --> 00:14:08,260
AN OFF‐DUTY COP
WAS SHOT.
275
00:14:08,290 --> 00:14:10,400
YEAH, WE’RE AWARE
AN OFF‐DUTY COP GOT SHOT.
276
00:14:10,420 --> 00:14:14,520
I THINK DETECTIVE SORENSON’S
MORE INTERESTED IN YOUR
GETTING UP HERE SO SOON.
277
00:14:14,560 --> 00:14:16,390
TICKLIN’ PHONES
WITH THE BUREAU, SARGE?
278
00:14:16,430 --> 00:14:20,240
I MET AGENT FRANCIS
WHEN THE TWO OF US
WALKED INTO THIS OFFICE.
279
00:14:20,260 --> 00:14:22,060
WELL, WE’RE ALL IN HERE NOW.
280
00:14:25,470 --> 00:14:27,140
WE GOT NOTHIN’ FOR YA.
281
00:14:27,170 --> 00:14:28,370
ABSOLUTELY NOTHING?
282
00:14:28,410 --> 00:14:29,380
Sipowicz: NOPE.
283
00:14:29,410 --> 00:14:31,320
WANT SOME CHINESE FOOD?
284
00:14:31,340 --> 00:14:32,870
THERE WERE
NO SURVEILLANCE CAMERAS?
285
00:14:32,910 --> 00:14:33,810
BAD GUYS COPPED THE SETUP.
286
00:14:33,850 --> 00:14:35,050
NO EYEWITNESSES?
287
00:14:35,080 --> 00:14:36,880
NO. BAD GUYS HAD MASKS ON.
288
00:14:36,920 --> 00:14:41,060
WHY WOULD THE BAD GUYS TAKE OUT
THE SURVEILLANCE CAMERAS
IF THEY WERE WEARING MASKS?
289
00:14:41,090 --> 00:14:42,890
Sorenson: WHEN THEY
ENTERED THE MONEY ROOM,
WHERE ALL THE WITNESSES WERE,
290
00:14:42,920 --> 00:14:44,290
THEY WERE WEARING
MASKS AND GLOVES.
291
00:14:44,320 --> 00:14:47,290
WE ASSUME THEY PUT THEM ON
WHEN THEY GOT
INSIDE THE BUILDING.
292
00:14:47,330 --> 00:14:49,500
Sipowicz: BEING WE’RE
BELOW 10,000 FEET
OF ALTITUDE,
293
00:14:49,530 --> 00:14:52,000
THEY MAY HAVE FELT
WEARING THOSE SKI MASKS
294
00:14:52,030 --> 00:14:53,830
WALKING TOWARDS
THE STORE ENTRANCE
295
00:14:53,870 --> 00:14:55,170
THROUGH THE PARKING LOT
296
00:14:55,200 --> 00:14:57,570
MIGHT DRAW SOME
UNWELCOME ATTENTION.
297
00:14:57,600 --> 00:15:00,900
HEY, SARGE, ANY CHANCE
ANOTHER REASON THE BAD GUYS
DIDN’T PUT THEIR MASKS ON
298
00:15:00,940 --> 00:15:02,570
WAS SO THE OFF‐DUTY COP
OUTSIDE THE BUILDING
299
00:15:02,610 --> 00:15:04,350
WOULD KNOW WHO
HE WAS DEALING WITH?
300
00:15:04,380 --> 00:15:06,280
WHAT’S YOUR THINKING
THERE?
301
00:15:06,310 --> 00:15:07,780
WELL, SAY THE OFF‐DUTY COP
WAS THE SETUP MAN,
302
00:15:07,810 --> 00:15:10,610
AND THEY TOOK HIM OUT
IN A DOUBLE‐CROSS.
303
00:15:10,650 --> 00:15:11,680
I GUESS THAT COULD BE.
304
00:15:11,720 --> 00:15:13,790
NO. WHY DON’T YOU ANSWER
HIM STRAIGHT, HUH?
305
00:15:13,820 --> 00:15:16,790
ARE YOU UP HERE
SO QUICK BECAUSE,
PRIOR TO HIM GOING DOWN,
306
00:15:16,820 --> 00:15:19,860
YOU WERE ALREADY SITTING
ON THIS OFF‐DUTY COP
FOR BEING WRONG?
307
00:15:19,890 --> 00:15:22,090
IN WHICH CASE,
YOU’VE PROBABLY GOT
A DIRECTION FOR US.
308
00:15:22,130 --> 00:15:23,370
HELP REGULAR COPS?
309
00:15:23,390 --> 00:15:25,860
HE’D GET TOSSED FROM
THE CHEESE‐EATERS’ LODGE.
310
00:15:25,900 --> 00:15:28,470
IS THIS WRANGLING AWKWARD
FOR YOU, AGENT FRANCIS?
311
00:15:28,500 --> 00:15:29,770
NO. HASH THINGS OUT.
312
00:15:29,800 --> 00:15:31,770
WELL, I WAS THINKING,
IF YOU GOT WHAT YOU NEEDED,
313
00:15:31,800 --> 00:15:34,840
MAYBE YOU’D BE MORE
COMFORTABLE SPLITTIN’.
314
00:15:34,870 --> 00:15:38,770
YOU REMIND ME OF DONNY OSMOND
WITH YOUR PARTNER’S
PERSONALITY.
315
00:15:38,810 --> 00:15:41,510
AGENT FRANCIS,
I’M PROUD TO TELL YOU,
I GOT ALL DONNY’S ALBUMS,
316
00:15:41,550 --> 00:15:45,790
INCLUDING MORMON HYMNS
TO FEDERAL AGENTS WHO STEAL
THEIR WEEKLY PAYCHECKS.
317
00:15:45,820 --> 00:15:47,460
Sipowicz:
ALL RIGHT, KID.
318
00:15:47,490 --> 00:15:49,560
IF YOU’RE NOT
SHOWIN’ US SOME OF YOURS,
I THINK WE’RE DONE.
319
00:15:51,720 --> 00:15:55,390
I WILL SIMPLIFY AND MAKE
MY QUESTION MORE SPECIFIC.
320
00:15:55,430 --> 00:15:58,340
YOU ARE CERTAIN THERE IS
NO SURVEILLANCE FOOTAGE
321
00:15:58,360 --> 00:16:01,160
OF THE BAD GUYS
COMING OR GOING.
322
00:16:03,230 --> 00:16:05,400
YES, WE ARE CERTAIN.
323
00:16:07,340 --> 00:16:09,000
AT THIS POINT.
324
00:16:09,040 --> 00:16:11,040
ASSHOLE.
PANTS‐PISSER.
325
00:16:16,210 --> 00:16:17,850
[DOOR SLAMS]
326
00:16:17,880 --> 00:16:20,550
HE’S ONLY INTERESTED
IN SURVEILLANCE CAMERA,
327
00:16:20,590 --> 00:16:22,190
MAYBE HE’S PROTECTING
SOME OUTSIDE GUY.
328
00:16:25,890 --> 00:16:28,190
EXCUSE ME NOT WANTING
TO HELP THE BUREAU
COLLAR UP.
329
00:16:28,230 --> 00:16:30,200
OH, THAT’S WHY YOU WERE
SO CLOSE‐MOUTHED.
330
00:16:30,230 --> 00:16:33,230
IF I GIVE YOU WHAT
WE’VE GOT ON THIS CASE,
331
00:16:33,260 --> 00:16:36,770
ANY COPS PRESENTLY
ON THE JOB,
MY OFFICE COLLARS.
332
00:16:36,800 --> 00:16:38,070
ANYONE ELSE IS YOURS.
333
00:16:38,100 --> 00:16:40,400
AW, DON’T TELL ME
I DON’T GET TO LOCK UP COPS.
334
00:16:41,440 --> 00:16:44,410
I’LL GET SOME PHOTOS
OUT OF MY CAR.
335
00:17:16,780 --> 00:17:18,750
I’M LOOKING
FOR LINDA KRAUSE.
336
00:17:18,780 --> 00:17:19,820
HI.
337
00:17:19,840 --> 00:17:21,110
I’M DIANE RUSSELL.
338
00:17:21,150 --> 00:17:22,950
HI, DIANE.
339
00:17:22,980 --> 00:17:25,410
THANKS FOR,
UH, SEEING ME.
340
00:17:25,450 --> 00:17:26,550
HOW ARE YOU DOING?
341
00:17:26,590 --> 00:17:28,290
I APPRECIATED YOU
GIVING ME YOUR CARD
342
00:17:28,320 --> 00:17:29,720
AT MY HUSBAND’S FUNERAL.
343
00:17:29,750 --> 00:17:32,290
SORRY I HAVEN’T BEEN
ABLE TO CALL BEFORE.
344
00:17:32,320 --> 00:17:33,590
IT’S BEEN PRETTY HECTIC.
345
00:17:33,630 --> 00:17:34,670
YOU BACK AT WORK?
346
00:17:34,690 --> 00:17:35,990
MM‐HMM.
347
00:17:36,030 --> 00:17:39,000
I’M BACK AT THE SQUAD
WHERE MY HUSBAND
AND I WORKED.
348
00:17:39,030 --> 00:17:40,730
THAT MUST BE HARD
EVERY DAY.
349
00:17:40,770 --> 00:17:43,680
I HAVEN’T BEEN DOING
THAT GOOD OF A JOB,
350
00:17:43,700 --> 00:17:45,000
BUT THEN YESTERDAY, I...
351
00:17:45,040 --> 00:17:46,850
I THOUGHT I DID
PRETTY WELL.
352
00:17:46,870 --> 00:17:48,500
MY GIRLFRIEND’S
ALSO A COP,
353
00:17:48,540 --> 00:17:51,740
AND I WAS ABLE TO, UH,
HELP HER WITH SOMETHING.
354
00:17:51,780 --> 00:17:54,090
BUT THEN, I, UM...
355
00:17:54,110 --> 00:17:56,880
BUT THEN I BOUGHT
A‐‐A BOTTLE.
356
00:17:58,550 --> 00:18:01,720
WHICH HAS BEEN A PROBLEM
WITH ME IN THE PAST.
357
00:18:03,660 --> 00:18:05,630
I WAS DOING PRETTY WELL.
358
00:18:05,660 --> 00:18:07,870
I‐‐I WASN’T DOING
THAT WELL AT MY JOB,
359
00:18:07,890 --> 00:18:10,690
BUT THEN YESTERDAY
I THOUGHT I DID PRETTY WELL.
360
00:18:10,730 --> 00:18:14,030
AND THEN, UH...
361
00:18:14,070 --> 00:18:17,040
NOW, SUDDENLY, THINGS
GOT REALLY CONFUSED.
362
00:18:17,070 --> 00:18:18,830
WELL, I’M GLAD
YOU CALLED.
363
00:18:18,870 --> 00:18:20,670
YOU’RE GONNA
STRAIGHTEN ME RIGHT OUT?
364
00:18:20,710 --> 00:18:22,510
NOBODY WANTS
TO MEET WITH US, DIANE.
365
00:18:22,540 --> 00:18:24,870
IT’S HARD COMING
INTO THIS ROOM.
366
00:18:28,380 --> 00:18:33,510
I FEEL‐‐I FEEL LIKE
I’M...LOSING HIM.
367
00:18:33,550 --> 00:18:36,720
LIKE EVERY DAY I LOSE
A LITTLE MORE OF HIM.
368
00:18:36,760 --> 00:18:39,900
YOU FEEL LIKE COMING
IN HERE COST YOU
SOME OF BOBBY, TOO?
369
00:18:39,920 --> 00:18:45,060
I FEEL LIKE I’M LOSING
MORE AND MORE OF HIM.
370
00:18:45,100 --> 00:18:46,400
BECAUSE I PROMISE YOU,
DIANE,
371
00:18:46,430 --> 00:18:51,200
COMING IN HERE,
YOU’RE GONNA GET
YOUR HUSBAND BACK.
372
00:18:51,240 --> 00:18:55,050
YOU’RE GONNA LEARN WAYS
IT WON’T HURT TOO MUCH
TO REMEMBER.
373
00:18:58,940 --> 00:19:01,910
I LOVED MY HUSBAND...
SO MUCH.
374
00:19:01,950 --> 00:19:05,220
I LOVED MINE, TOO,
AND I LOST HIM
TOO YOUNG.
375
00:19:08,620 --> 00:19:12,720
EVERYTHING...HURTS.
376
00:19:12,760 --> 00:19:15,570
YOU GOTTA LET IT
BEFORE IT’LL STOP.
377
00:19:15,590 --> 00:19:19,730
[SOBBING]
378
00:19:19,760 --> 00:19:21,200
DOES THIS COUNT?
379
00:19:21,230 --> 00:19:22,200
YEAH.
380
00:19:22,230 --> 00:19:24,900
THIS IS
A PRETTY GOOD START.
381
00:19:48,260 --> 00:19:50,630
WE’RE AWASH IN OUTSIDE
AGENCIES, HUH, ANDY?
382
00:19:50,660 --> 00:19:51,930
YEAH.
383
00:19:51,960 --> 00:19:53,390
THE FBI, THE RAT SQUAD.
384
00:19:54,430 --> 00:19:56,060
WHAT DID
THE RAT SQUAD WANT?
385
00:20:00,400 --> 00:20:02,870
WHAT DID YOU DO WITH
ALL THEM TAKEOUT CONTAINERS?
386
00:20:02,910 --> 00:20:04,820
FROM WHAT?
FROM THE CHINESE FOOD?
387
00:20:04,840 --> 00:20:06,540
YEAH. WHAT DID YOU DO
WITH THOSE?
388
00:20:06,580 --> 00:20:08,680
WHAT’S THAT HAVE TO DO
WITH ME ASKING
ABOUT THE RAT SQUAD?
389
00:20:11,780 --> 00:20:16,790
ANDY...Y‐YOU’RE
NOT IMPLYING THAT
THE RAT SQUAD’S HERE
390
00:20:16,820 --> 00:20:19,290
LOOKING INTO THOSE
FREE CHINESE FOOD MEALS?
391
00:20:19,320 --> 00:20:22,220
YOU WANT AN ANALYSIS
WHY THEM PEOPLE DO
WHAT THEY DO, MEDAVOY,
392
00:20:22,260 --> 00:20:23,260
ASK ELSEWHERE.
393
00:20:23,290 --> 00:20:24,990
HEY, GIVE ME A BREAK!
394
00:20:26,200 --> 00:20:27,640
WHAT ARE THEY ALLEGING,
395
00:20:27,670 --> 00:20:30,510
THAT, UH, I’M USING
MY POWER OF AUTHORITY
396
00:20:30,530 --> 00:20:32,070
TO GET FREE MEALS?
397
00:20:32,100 --> 00:20:36,670
THAT STORE OWNER OFFERED
THOSE DINNERS AS A TOKEN
OF HIS GRATITUDE!
398
00:20:36,710 --> 00:20:38,110
WHAT DO YOU RAISE
YOUR VOICE TO ME FOR?
399
00:20:38,140 --> 00:20:39,840
NO! BECAUSE
THAT’S RIDICULOUS!
400
00:20:39,880 --> 00:20:41,510
THOSE TAKEOUT
CONTAINERS,
401
00:20:41,550 --> 00:20:43,350
TH‐THEY’RE OUTSIDE
IN THE TRASH BIN BY NOW,
402
00:20:43,380 --> 00:20:44,910
FOR GOODNESS SAKE.
403
00:20:44,950 --> 00:20:48,580
ALL’S I KNOW, IF I WAS
IN AN ORGANIZATION
CALLED THE RAT SQUAD,
404
00:20:48,620 --> 00:20:53,620
HAVING TO PAW AROUND
FOR EVIDENCE IN A TRASH BIN
WOULDN’T HOLD ME BACK.
405
00:21:13,680 --> 00:21:15,110
THIS ONE RIGHT HERE?
406
00:21:15,150 --> 00:21:17,120
YEAH.
407
00:21:17,150 --> 00:21:20,020
SO WHERE DID GREG
HURRY OFF TO?
408
00:21:20,050 --> 00:21:21,720
YEAH. UH, I DON’T KNOW.
409
00:21:26,220 --> 00:21:28,520
THAT’S GRAHAM,
THE OFF‐DUTY COP
WHO GOT SHOT.
410
00:21:28,560 --> 00:21:30,830
HIS CONSTANT COMPANIONS
ARE WHO YOU LIKE
FOR SHOOTING HIM?
411
00:21:30,860 --> 00:21:32,730
BOTH ON THE JOB ALSO.
412
00:21:33,930 --> 00:21:35,460
TOM AND PETE ZANCANELLI.
413
00:21:35,500 --> 00:21:37,570
THEY’RE WHO YOU THINK
WERE UNDER THE SKI MASKS?
414
00:21:37,600 --> 00:21:40,240
EITHER THEY
DID THE STICKUP
AND SHOT GRAHAM‐‐
415
00:21:40,270 --> 00:21:41,870
THEIR FELLOW COP
THAT WAS THEIR FRIEND?
416
00:21:41,910 --> 00:21:43,720
OR, MORE LIKELY,
THEY SET THE PLAY UP,
417
00:21:43,740 --> 00:21:46,070
AND THEIR UNCLES
GARY AND LOU ZANCANELLI
418
00:21:46,110 --> 00:21:47,740
DID THE ACTUAL
ROBBERY‐HOMICIDE.
419
00:21:47,780 --> 00:21:49,650
OH, GARY AND
LOU ZANCANELLI.
420
00:21:49,680 --> 00:21:50,880
STICKUPS ARE
THE UNCLES’ ACT.
421
00:21:50,920 --> 00:21:54,030
THEY RETIRED
OFF THE JOB, LIKE,
15 YEARS AGO.
422
00:21:54,050 --> 00:21:55,320
HEY, ANY OF
THESE ASSHOLES,
423
00:21:55,350 --> 00:21:57,550
DON’T TELL ME
THEIR CONNECTION
WITH THE JOB NO MORE.
424
00:21:57,590 --> 00:22:00,560
WE GET TO PUT BRACELETS
ON GARY AND LOU?
425
00:22:00,590 --> 00:22:02,990
THEY GOT
OUTSTANDING WARRANTS
FOR A RICO BEEF,
426
00:22:03,030 --> 00:22:04,600
THESE UNCLES RETIRED
OFF THE JOB.
427
00:22:04,630 --> 00:22:06,900
DID I JUST TELL YOU
NOT TO MENTION THE JOB?!
428
00:22:06,930 --> 00:22:09,400
I’M SAYING THEY’RE
RETIRED, SIPOWICZ!
429
00:22:09,430 --> 00:22:12,030
THEY’RE CIVILIANS NOW,
AND YOU GET
TO COLLAR THEM.
430
00:22:12,070 --> 00:22:14,040
YEAH? WELL, THANKS A LOT
FOR THAT PRIVILEGE!
431
00:22:14,070 --> 00:22:16,000
I MADE ’EM WRONG?!
JUST GIVE ME
THEIR ADDRESS!
432
00:22:16,040 --> 00:22:17,310
THAT’S ALL I WANT
TO KNOW FROM YOU.
433
00:22:18,940 --> 00:22:21,910
YEAH. LET ME
WRITE THEIR ADDRESS
WHILE YOU ABUSE ME
434
00:22:21,950 --> 00:22:23,390
FOR DOING
THE SAME JOB YOU DO.
435
00:22:23,410 --> 00:22:25,050
YOU DON’T DO
THE SAME JOB!
436
00:22:25,080 --> 00:22:26,210
THE HELL I DON’T!
437
00:22:26,250 --> 00:22:29,220
YOU DON’T DO IT
WITH THE RIGHT HEART.
438
00:22:29,250 --> 00:22:32,050
DON’T YOU TELL ME
WHAT’S IN MY HEART!
439
00:22:32,090 --> 00:22:33,560
DON’T YOU CURSE
AT ME AGAIN!
440
00:22:33,590 --> 00:22:36,890
AND DON’T YOU
STATE A BAD OPINION
ABOUT WHAT I DO!
441
00:22:40,800 --> 00:22:42,560
THEY CHASE TAIL
AT NIGHT.
442
00:22:42,600 --> 00:22:44,730
GRAB ’EM IN THE MORNING.
443
00:22:51,010 --> 00:22:52,640
I GAVE ’EM WHAT THEY NEED.
444
00:23:09,790 --> 00:23:12,090
HEY, HOW’S IT GOING,
SERGEANT MARTENS?
445
00:23:12,130 --> 00:23:14,800
WHAT DID YOU DO, MEDAVOY,
TAKE A NAP IN A SEWER?
446
00:23:14,830 --> 00:23:17,070
I’M GONNA
TELL YOU SOMETHING,
SERGEANT MARTENS.
447
00:23:17,100 --> 00:23:21,770
WHAT SICKENS ME IS NOT
MY OWN NEAR ENSNAREMENT
IN YOUR PETTY PLOT.
448
00:23:21,810 --> 00:23:24,920
NO. IT’S THE DISGRACEFUL
SCARE TACTICS
449
00:23:24,940 --> 00:23:28,110
YOU MUST HAVE EMPLOYED
ON THAT POOR CHINESE
RESTAURANT OWNER,
450
00:23:28,150 --> 00:23:30,020
GETTING HIM
TO GO ALONG!
451
00:23:30,050 --> 00:23:33,510
WELL, SERGEANT,
I DO NOT REGRET
452
00:23:33,550 --> 00:23:37,350
10 SECONDS OF THE TIME
I JUST SPENT
453
00:23:37,390 --> 00:23:40,020
ELBOW‐DEEP
IN REFUSE AND MUCK,
454
00:23:40,060 --> 00:23:43,590
BECAUSE IT ENABLES ME
TO CONFRONT YOU NOW
AND TELL YOU
455
00:23:43,630 --> 00:23:47,530
THAT YOU...GOT...THIS!
456
00:23:47,570 --> 00:23:51,410
AND HERE’S
WHAT YOU CAN KISS!
457
00:23:52,570 --> 00:23:56,000
YEAH, YEAH.
NOW GIVE ME THAT
THOUSAND‐MILE STARE,
458
00:23:56,040 --> 00:23:57,310
LIKE I’M TALKING
GIBBERISH,
459
00:23:57,340 --> 00:23:59,980
OR YOU DON’T KNOW
WHAT I’M TALKING ABOUT.
460
00:24:00,010 --> 00:24:01,580
I DON’T KNOW WHAT
YOU’RE TALKING ABOUT.
461
00:24:02,880 --> 00:24:05,010
YOU DON’T KNOW WHAT
I’M TALKING ABOUT, HUH?
462
00:24:05,050 --> 00:24:07,680
OR‐‐OR I SUPPOSE YOU
EXPECT ME TO BELIEVE
463
00:24:07,720 --> 00:24:11,190
THAT SOMEONE
IN MY OWN SQUAD
HAS MISLED ME,
464
00:24:11,220 --> 00:24:13,860
AND THAT I’M THE VICTIM
OF A SICKENING PRANK.
465
00:24:13,890 --> 00:24:17,890
EXCUSE ME FOR NOT
CHOOSING TO BELIEVE
THAT ONE, SERGEANT.
466
00:24:17,930 --> 00:24:20,500
EXCUSE ME FOR NOT BELIEVING
467
00:24:20,530 --> 00:24:24,230
THAT I‐I’VE JUST BEEN
MADE A TOTAL JERK‐OFF,
SERGEANT MARTENS,
468
00:24:24,270 --> 00:24:26,100
BY SOMEONE CLOSE TO HOME!
469
00:24:30,010 --> 00:24:32,370
BECAUSE THAT WOULD BE
THE ALTERNATIVE.
470
00:24:37,950 --> 00:24:39,650
OLD WESTBURY.
471
00:24:39,680 --> 00:24:42,580
YEAH. MAYBE THEY LIVE
NEXT TO GOTTI’S DAUGHTER,
THE ELDER ZANCANELLIS.
472
00:24:49,290 --> 00:24:51,890
DID MY PARTNER
JAMES MARTINEZ GO HOME?
473
00:24:51,930 --> 00:24:53,700
HE FINISHED
HIS INTERVIEWS.
474
00:24:53,730 --> 00:24:57,230
DID YOU SEE WHETHER
HE LEFT OR NOT, DANNY?
475
00:24:57,270 --> 00:24:58,770
YEAH. HE WENT HOME.
476
00:24:58,800 --> 00:25:01,270
OH. ALL RIGHT.
THANKS VERY MUCH.
477
00:25:01,310 --> 00:25:03,080
THANKS FOR
THAT INFORMATION.
478
00:25:04,640 --> 00:25:07,110
WHAT HAPPENED, GREG?
479
00:25:07,150 --> 00:25:10,260
OH, JUST A LITTLE
BOYS‐WILL‐BE‐BOYS
FOOLISHNESS, LIEUTENANT.
480
00:25:10,280 --> 00:25:14,620
RESULTED IN ME INCURRING
A 25‐TO‐30 DOLLAR
DRY CLEANING BILL
481
00:25:14,650 --> 00:25:16,050
FOR MY OVERCOAT.
482
00:25:16,090 --> 00:25:18,330
NOTHING YOU NEED
CONCERN YOURSELF WITH.
483
00:25:22,330 --> 00:25:23,800
Fancy: WHEN ARE YOU
PICKING THESE GUYS UP?
484
00:25:23,830 --> 00:25:26,560
WELL, IT’S A 45‐MINUTE DRIVE.
LIKE 5:00 IN THE MORNING?
485
00:25:26,600 --> 00:25:27,900
YEAH, ALL RIGHT.
486
00:25:27,930 --> 00:25:30,870
AND WE’LL CALL NASSAU COUNTY
TO GET THEM TO BACK US UP?
487
00:25:30,900 --> 00:25:34,100
YEAH, I‐I’D HAVE OFFERED
TO ACCOMPANY MY COLLEAGUES,
488
00:25:34,140 --> 00:25:37,240
BUT I WANT TO BE
EARLY AT MY DOCTOR’S
FOR A TETANUS SHOT!
489
00:25:41,650 --> 00:25:43,220
GOOD NIGHT.
490
00:25:43,250 --> 00:25:46,660
DON’T EVER PASS
THE REMARK
"THE SKY IS FALLING"
491
00:25:46,690 --> 00:25:49,660
AND NOT EXPECT
THE NEXT TIME
YOU SEE MEDAVOY
492
00:25:49,690 --> 00:25:51,220
TO BE WEARING
A HARD HAT.
493
00:25:51,260 --> 00:25:52,760
WHEW!
494
00:26:08,370 --> 00:26:09,840
DID YOU ENJOY THAT,
495
00:26:09,870 --> 00:26:12,470
WALKING US IN CUFFS
PAST ALL THEM COPS?
496
00:26:12,510 --> 00:26:13,640
SHUT UP.
497
00:26:13,680 --> 00:26:16,340
HEH. YEAH,
THEY’RE LACKEYS NOW
FOR THE FBI.
498
00:26:16,380 --> 00:26:19,280
I SWEAR TO GOD,
I’M GLAD I LEFT THIS JOB
WHEN I DID.
499
00:26:19,320 --> 00:26:21,530
Sorenson:
HOW LONG AGO WAS THAT,
LEAVING ACTIVE DUTY?
500
00:26:21,550 --> 00:26:22,580
9 YEARS.
501
00:26:22,620 --> 00:26:23,920
BEFORE YOU WERE BORN.
502
00:26:23,960 --> 00:26:25,660
WAS THAT THE LAST TIME
YOU BRUSHED YOUR TEETH?
503
00:26:25,690 --> 00:26:29,060
SIT WITH THESE 2 LOUDMOUTH
PIECES OF GARBAGE.
504
00:26:35,400 --> 00:26:36,530
WHAT ARE YOU DOING?
WHAT ARE YOU DOING?
505
00:26:36,570 --> 00:26:39,170
WHAT THE HELL
ARE YOU PEOPLE DOING?!
506
00:26:39,200 --> 00:26:40,940
THAT’S OUR WARRANT
YOU BROUGHT THEM IN ON.
507
00:26:40,970 --> 00:26:42,300
WE DON’T WANT THEM
SQUEEZED RIGHT NOW.
508
00:26:42,340 --> 00:26:44,670
AGENT FRANCIS,
YOU’RE STARTING
TO RESEMBLE SOMEBODY
509
00:26:44,710 --> 00:26:46,680
WHO WANTS TO BURY
A ROBBERY‐HOMICIDE.
510
00:26:46,710 --> 00:26:49,510
OUR INFORMATION IS
THE OLDER ZANCANELLIS
WEREN’T INVOLVED.
511
00:26:49,550 --> 00:26:51,510
IT WAS THEIR NEPHEWS
THAT DID IT.
512
00:26:51,550 --> 00:26:53,010
HOW DO YOU KNOW
THESE GUYS DIDN’T DO IT
513
00:26:53,050 --> 00:26:54,680
AND THEIR NEPHEWS
STILL ON THE JOB DID?
514
00:26:54,720 --> 00:26:56,180
I DON’T ENJOY
WITHHOLDING INFORMATION,
515
00:26:56,220 --> 00:26:57,820
BUT OTHER PRIORITIES
ARE IN PLAY HERE.
516
00:26:57,860 --> 00:26:59,430
ARE THE INTERVIEW ROOMS OPEN?
517
00:27:02,060 --> 00:27:04,860
OUR PRESENT ASSESSMENT‐‐
THOSE ARE
YOUR STICKUP GUYS.
518
00:27:04,900 --> 00:27:06,170
GET THE HELL OUTTA HERE.
519
00:27:06,200 --> 00:27:07,540
RELEASE THE UNCLES,
520
00:27:07,570 --> 00:27:09,740
OR WE’LL
VACATE THE WARRANT
YOU’RE HOLDING ’EM ON.
521
00:27:11,770 --> 00:27:13,200
[TELEPHONE RINGS]
522
00:27:19,940 --> 00:27:21,510
YEAH.
523
00:27:21,550 --> 00:27:23,520
HI.
524
00:27:23,550 --> 00:27:24,780
MM‐HMM. OK.
525
00:27:27,220 --> 00:27:30,690
SYLVIA. THEY GRABBED UP
THAT ASUNCION.
526
00:27:30,720 --> 00:27:32,720
GO AHEAD. WE’RE FIFTH WHEELS
AROUND HERE ANYWAY,
527
00:27:32,760 --> 00:27:35,000
IN OUR OWN SQUAD,
STANDING AROUND
HOLDING OUR JOINTS.
528
00:27:35,030 --> 00:27:36,700
YOU ARE NOT
A FIFTH WHEEL.
529
00:27:36,730 --> 00:27:38,330
LET ME SEE IF
YOU CAN GRASP HOW.
530
00:27:38,360 --> 00:27:40,430
THE ONLY CHANCE
I. A. B. HAD
531
00:27:40,460 --> 00:27:43,160
GETTIN’ THE YOUNGER
ZANCANELLIS
TO COOPERATE
532
00:27:43,200 --> 00:27:45,270
IS IF THOSE UNCLES
DID DO IT.
533
00:27:45,300 --> 00:27:46,500
NOW YOU TELL ME WHY.
534
00:27:46,540 --> 00:27:48,280
IF THE YOUNGER ONES
ONLY SET IT UP,
535
00:27:48,310 --> 00:27:50,120
THEY COULD GIVE UP
THEIR UNCLES FOR A WALK.
536
00:27:50,140 --> 00:27:51,210
CORRECT.
537
00:27:51,240 --> 00:27:53,710
AND THIS FBI DILDO
SAYIN’
538
00:27:53,750 --> 00:27:55,750
THE YOUNGER
ZANCANELLIS DID
THE JOB THEMSELVES,
539
00:27:55,780 --> 00:27:57,910
THEY AIN’T GONNA
GIVE UP NOTHIN’.
IS THAT CORRECT?
540
00:27:57,950 --> 00:27:59,110
CORRECT.
541
00:27:59,150 --> 00:28:02,080
NOW, DIDN’T YOU TELL ME
YOU RECOGNIZED SOMEBODY
542
00:28:02,120 --> 00:28:03,350
IN MARTENS’
SURVEILLANCE PHOTOS?
543
00:28:03,390 --> 00:28:04,630
UH, WHAT WAS
HIS INITIALS‐‐
544
00:28:04,660 --> 00:28:05,700
J.B.
545
00:28:05,720 --> 00:28:06,960
J.B. THAT’S RIGHT, YEAH.
546
00:28:06,990 --> 00:28:08,720
NOW, MAYBE
HE GIVES YOU SOMETHING
547
00:28:08,760 --> 00:28:11,630
I.A.B.
CAN USE FOR LEVERAGE
ON THE YOUNGER ONES.
548
00:28:11,660 --> 00:28:13,360
YEAH, LET ME PUT MYSELF
OWING ONE TO MY INFORMANT
549
00:28:13,400 --> 00:28:16,140
SO WE CAN BUY A LITTLE
LEVERAGE FOR I. A. B.
550
00:28:16,170 --> 00:28:18,010
HEY, CLEARING A HOMICIDE
IS CLEARING A HOMICIDE.
551
00:28:20,270 --> 00:28:21,970
YOU KNOW,
CALMIN’ YOU DOWN
552
00:28:22,010 --> 00:28:25,680
MIGHT BE THE BEST THING
EVER HAPPENED
TO MY GASTRIC UPSETS.
553
00:28:38,920 --> 00:28:40,820
DORNAN, SHE’S NOT
IN THERE ALONE WITH HIM?
554
00:28:40,860 --> 00:28:42,620
RELAX.
555
00:28:42,660 --> 00:28:44,460
IS HE GONNA GIVE IT UP,
ASUNCION?
556
00:28:44,500 --> 00:28:46,770
HE’S GOT LEUKEMIA.
557
00:28:50,700 --> 00:28:54,670
I WILL SEE TO IT
THAT YOU GET FULL
MEDICAL TREATMENT.
558
00:28:54,710 --> 00:28:57,250
HEY, BABE, I GOT 6 MONTHS
559
00:28:57,280 --> 00:29:00,350
IF I WAS PRESIDENT CLINTON
RECEIVING COMPLETE
MEDICAL TREATMENT,
560
00:29:00,380 --> 00:29:02,710
IF I WAS THE RICHEST
COMPUTER OWNER.
561
00:29:07,550 --> 00:29:10,220
DO YOU BELIEVE
GOD JUDGES US?
562
00:29:14,060 --> 00:29:16,630
WELL, I GUESS THAT’S
BETWEEN ME AND MY PRIEST.
563
00:29:16,660 --> 00:29:19,660
HEY, SHE’LL TELL YOU
WHO IT’S BETWEEN.
564
00:29:19,700 --> 00:29:21,360
OH, YEAH? WELL, SO FAR,
I DON’T SEE HER
IN THE DRIVER’S SEAT.
565
00:29:21,400 --> 00:29:23,630
I HEARD
ONE EYEWITNESS
566
00:29:23,670 --> 00:29:26,030
TO AN INCIDENT
4 YEARS BEFORE.
567
00:29:26,070 --> 00:29:29,100
WHAT’S THAT? THAT AIN’T
NO CORROBORATION,
568
00:29:29,140 --> 00:29:32,210
AND THAT’S A LONG‐ASS
PASSAGE OF TIME
FOR UNRELIABILITY, HUH?
569
00:29:32,240 --> 00:29:33,680
FREDDIE THINKS
HE’S CLARENCE DARROW.
570
00:29:33,710 --> 00:29:35,510
HE’S GONNA BE
CLARENCE DARROW
571
00:29:35,550 --> 00:29:37,390
LOOKIN’ LIKE MOMS MABLEY
IN A MINUTE.
572
00:29:38,820 --> 00:29:40,630
FREDDIE, DO YOU HAVE
ANY FAMILY?
573
00:29:40,650 --> 00:29:43,890
YEAH. I GOT THE WIFE
OF THAT DEAD SUAREZ
YOU’RE SO WORRIED ABOUT
574
00:29:43,920 --> 00:29:45,490
I’M PRESENTLY BANGING.
575
00:29:48,060 --> 00:29:49,860
HAVE YOU GOT ANYONE
IN THE SYSTEM
576
00:29:49,890 --> 00:29:51,960
COMING TO TRIAL
OR INCARCERATED?
577
00:29:52,000 --> 00:29:54,710
I’M GONNA BE DEAD
ANYWAY.
578
00:29:54,730 --> 00:29:57,330
WHY DO YOU WANT
THIS CONFESSION SO MUCH?
579
00:29:57,370 --> 00:29:59,370
ANSWER MY QUESTION.
580
00:29:59,400 --> 00:30:00,870
IS THERE ANYONE
581
00:30:00,910 --> 00:30:02,780
THAT YOU WOULD TRADE
A CONFESSION TO HELP?
582
00:30:07,850 --> 00:30:09,690
NO.
583
00:30:09,710 --> 00:30:11,680
I GOT NOBODY.
584
00:30:11,720 --> 00:30:14,560
SO I GUESS YOU GOT
NO WAY TO REACH ME, HUH?
585
00:30:28,070 --> 00:30:29,040
RIGHT OVER THERE.
586
00:30:33,240 --> 00:30:34,450
TOM AND PETE ZANCANELLI.
587
00:30:34,470 --> 00:30:36,240
FIRST OF ALL‐‐WHO?
588
00:30:36,270 --> 00:30:38,710
D, WHY SHOULD I GIVE
SOMETHING UP
AND COOPERATE
589
00:30:38,740 --> 00:30:41,210
WHEN I’M NOT EVEN
IN CUSTODY FOR DOING
ANYTHING WRONG?
590
00:30:41,250 --> 00:30:43,720
THAT’S YOU, J. B.‐‐
ALWAYS LOOKING JUST
TO COME UP EVEN.
591
00:30:43,750 --> 00:30:45,550
HEY, DANNY, YOU LIVED
WITH ME ON THAT CORNER
3 YEARS.
592
00:30:45,580 --> 00:30:47,620
I PUT MY HAT
ON THE PILLOW AT NIGHT,
593
00:30:47,650 --> 00:30:49,220
I’LL SETTLE FOR EVEN
EVERY TIME.
594
00:30:49,250 --> 00:30:51,090
AS OPPOSED TO COMING OUT
AHEAD FOR ONCE?
595
00:30:51,120 --> 00:30:52,190
HOW AM I GONNA
COME OUT AHEAD
596
00:30:52,220 --> 00:30:53,590
IF I GOT NOTHING
TO BEAT?
597
00:30:53,630 --> 00:30:54,700
YOU DON’T GOT
THE STREET TO BEAT?
598
00:30:54,730 --> 00:30:56,530
OH, I’M NEVER GONNA
BEAT THE STREET.
599
00:30:56,560 --> 00:30:59,360
BECAUSE YOU DON’T THINK
FARSIGHTED, J. B.
600
00:30:59,400 --> 00:31:01,570
YOU DON’T LOOK TO PUT
SOMETHING IN THE BANK
GAINING INTEREST.
601
00:31:05,770 --> 00:31:07,270
WHAT’S YOUR DREAM?
602
00:31:07,310 --> 00:31:08,610
THINK BIG.
603
00:31:08,640 --> 00:31:10,370
DANNY, WHAT THE HELL
YOU DOIN’ TO ME?
604
00:31:10,410 --> 00:31:11,940
I GIVE UP
THE ZANCANELLI COUSINS,
605
00:31:11,980 --> 00:31:14,090
AND SOMEHOW
THAT’S GONNA GET ME
IN A DOO‐WOP GROUP
606
00:31:14,110 --> 00:31:15,540
SIGNING
SOME RECORD LABEL?
607
00:31:15,580 --> 00:31:16,880
WHAT IT COULD DO
FOR YOU, J. B.?
608
00:31:16,920 --> 00:31:19,290
YOUR PAROLE OFFICER
COMES TO ME‐‐
609
00:31:19,320 --> 00:31:21,430
"DANNY, SHOULD I
GREEN LIGHT THIS KID
610
00:31:21,450 --> 00:31:22,880
"WANTS TO TRAVEL
OUT OF STATE
611
00:31:22,920 --> 00:31:24,550
"WITH HIS SUCCESSFUL
GROUP HE’S JOINED
612
00:31:24,590 --> 00:31:27,260
THAT THEY’RE SINGING
DOWN IN ATLANTIC CITY,
AND SO FORTH?"
613
00:31:27,290 --> 00:31:28,990
AND MY ANSWER,
BY YOU BANKING
614
00:31:29,030 --> 00:31:31,570
WHAT YOU BANKED WITH ME
ON THE ZANCANELLIS‐‐
615
00:31:31,600 --> 00:31:32,840
ABSOLUTELY.
616
00:31:32,860 --> 00:31:36,160
THIS KID’S SINGING SUCCESS
IS NO ACCIDENT.
617
00:31:36,200 --> 00:31:37,670
HE’S ABSOLUTELY
TURNED THE CORNER
618
00:31:37,700 --> 00:31:40,570
WHERE HE’S A NO‐RISK
FOR OUT‐OF‐STATE TRAVEL.
619
00:31:40,610 --> 00:31:43,750
THAT’S WHAT YOU GET
FOR BEING FARSIGHTED.
620
00:31:43,780 --> 00:31:45,520
THE ONLY WAY YOU CAN
LOSE ON THIS, J. B.‐‐
621
00:31:45,540 --> 00:31:48,440
HELPING ME WITH
THE ZANCANELLIS‐‐
622
00:31:48,480 --> 00:31:51,180
IF YOU NEVER DID
ANOTHER CRIME.
623
00:31:51,220 --> 00:31:53,890
LOOK ME IN THE EYE
AND TELL ME THAT’S
NOT GONNA HAPPEN.
624
00:31:59,460 --> 00:32:01,430
THEY WHACKED A GUY.
625
00:32:01,460 --> 00:32:02,420
WHO’D THEY WHACK?
626
00:32:02,460 --> 00:32:05,860
RAMON TERRESTO.
LIKE, 2 YEARS AGO.
627
00:32:05,900 --> 00:32:07,710
IN THE EAST VILLAGE
WHERE WE ALL GREW UP.
628
00:32:07,730 --> 00:32:08,800
HOW’D IT GO DOWN?
629
00:32:08,830 --> 00:32:10,470
WE’RE OUT
DRIVIN’ AROUND‐‐
630
00:32:10,500 --> 00:32:12,130
HIGH, FEELIN’ GOOD‐‐
631
00:32:12,170 --> 00:32:14,700
YOU KNOW, TALKING ABOUT
THE NEIGHBORHOOD
A LITTLE.
632
00:32:14,740 --> 00:32:16,670
TOM SAYS,
"REMEMBER RAMON?"
633
00:32:16,710 --> 00:32:19,140
SO WE’RE ALL TELLING
STORIES ON RAMON‐‐
634
00:32:19,180 --> 00:32:20,820
ALL THE STUFF
WE DID TOGETHER‐‐
635
00:32:20,850 --> 00:32:24,060
BUT, LIKE,
PETE GETS MEAN.
636
00:32:24,080 --> 00:32:25,810
HE SAYS, "YOU KNOW
WHAT I REMEMBER NOW?
637
00:32:25,850 --> 00:32:28,850
THAT SON‐OF‐A‐BITCH
SPIC RAMON STILL
OWES ME 200."
638
00:32:28,890 --> 00:32:30,860
SO HE FISHES
IN HIS WALLET,
639
00:32:30,890 --> 00:32:32,520
AND HE FINDS
RAMON’S ADDRESS.
640
00:32:32,560 --> 00:32:35,730
HE SAYS, "I STILL GOT
THAT SON‐OF‐A‐BITCH
SPIC’S ADDRESS
641
00:32:35,760 --> 00:32:37,360
IN MY WALLET."
642
00:32:37,400 --> 00:32:39,400
RAMON’S BAD LUCK,
643
00:32:39,430 --> 00:32:42,160
TURNS OUT WE’RE, LIKE,
ONLY 8 BLOCKS AWAY.
644
00:32:42,200 --> 00:32:45,200
I DIDN’T GO UP
WITH THEM,
645
00:32:45,240 --> 00:32:49,510
BUT, AFTERWARD,
THEY CAME BACK DOWN
WITH A ROLLED‐UP RUG.
646
00:32:49,540 --> 00:32:51,740
PETE STOOD GUARD WHILE
TOM HOT‐WIRED A CAR,
647
00:32:51,780 --> 00:32:53,890
AND WE TOOK THAT RUG
WITH RAMON ROLLED IN IT
648
00:32:53,910 --> 00:32:57,380
INTO THE TRUNK
OF THE STOLEN CAR.
649
00:32:57,420 --> 00:32:59,860
THEY DROVE THAT CAR
TO THE EAST RIVER,
650
00:32:59,880 --> 00:33:01,850
AND THEY RAN IT
OFF THE PIER.
651
00:33:01,890 --> 00:33:03,360
I FOLLOWED IN PETE’S CAR
652
00:33:03,390 --> 00:33:04,830
AND PICKED
THE TWO OF THEM UP.
653
00:33:04,860 --> 00:33:07,200
YOU GOT ANYTHING
TO BACK YOUR STORY?
654
00:33:08,630 --> 00:33:10,770
PETE WAS AFRAID TO HAVE
THE GUN IN THE CAR
655
00:33:10,800 --> 00:33:12,370
WHILE THEY’RE
TRANSPORTING THE BODY,
656
00:33:12,400 --> 00:33:15,010
SO HE GIVE IT TO ME
TO TOSS.
657
00:33:15,030 --> 00:33:17,370
I STILL GOT THAT GUN.
658
00:33:17,400 --> 00:33:21,540
J.B., YOU JUST GOT
AHEAD OF THE GAME.
659
00:33:34,750 --> 00:33:37,020
SO I ASSUME YOU’RE
WAITING HERE
660
00:33:37,060 --> 00:33:38,960
FOR THE TECHNICIAN
TO COME VIDEOTAPE
661
00:33:38,990 --> 00:33:41,260
THESE YOUNGER
ZANCANELLIS’
CONFESSIONS.
662
00:33:41,290 --> 00:33:43,760
YOU COULD TURN OUT
TO BE A DECENT GUY,
SORENSON.
663
00:33:43,800 --> 00:33:46,970
I GUESS THAT’LL DEPEND
ON HOW IMPRESSIONABLE
YOU ARE.
664
00:33:47,000 --> 00:33:49,630
SO THAT’D BE A SWIPE
AT MY PARTNER?
665
00:33:49,670 --> 00:33:51,630
GIVE ME SOME SPACE,
WOULD YOU?
666
00:33:51,670 --> 00:33:53,070
I GOT A CASE
IN THE CRAPPER.
667
00:33:53,100 --> 00:33:54,540
’CAUSE WHAT I WANTED
TO TELL YOU,
668
00:33:54,570 --> 00:33:56,970
OFF A SUGGESTION
FROM DETECTIVE SIPOWICZ,
669
00:33:57,010 --> 00:33:59,780
I REACHED OUT
TO AN INFORMANT‐‐J. B.
670
00:33:59,810 --> 00:34:01,580
HE GAVE ME SOMETHING
ON YOUR GUYS.
671
00:34:01,610 --> 00:34:03,950
J.B. FROM OUR
SURVEILLANCE PHOTOS?
672
00:34:03,980 --> 00:34:05,980
SEE NOW, THERE AGAIN,
YOU DIDN’T SHARE
THAT INFORMATION.
673
00:34:06,020 --> 00:34:07,430
NEITHER DID YOU
THAT YOU RECOGNIZED HIM.
674
00:34:10,420 --> 00:34:11,590
WHAT’D HE GIVE YOU?
675
00:34:11,620 --> 00:34:13,290
SARGE.
676
00:34:15,130 --> 00:34:16,670
SORENSON,
677
00:34:16,700 --> 00:34:18,240
IF I LET YOU
GO IN THAT ROOM
678
00:34:18,260 --> 00:34:19,630
AND LET YOU RUN
THAT INTERVIEW,
679
00:34:19,660 --> 00:34:21,430
I CAN THINK OF
5 DIFFERENT WAYS
680
00:34:21,470 --> 00:34:22,470
THAT YOU
CAN SCREW ME.
681
00:34:22,500 --> 00:34:24,300
AND NOT LETTING ME
RUN IT, SARGE,
682
00:34:24,340 --> 00:34:26,480
AND ME NOT SHARING MY TIP
FROM MY INFORMANT,
683
00:34:26,500 --> 00:34:29,270
WHAT’LL BE YOUR FALLBACK
INVESTIGATIVE APPROACH?
684
00:34:42,820 --> 00:34:45,790
THIS IS
DETECTIVE SORENSON.
685
00:34:45,820 --> 00:34:46,690
I.A.B.?
686
00:34:46,730 --> 00:34:50,040
NO. I’M IN
THE 15th SQUAD HERE.
687
00:34:50,060 --> 00:34:52,630
SO YOU CAN RECOGNIZE
MY FEELINGS, MY HURT.
688
00:34:52,660 --> 00:34:54,660
I’M GETTING A LITTLE
AGITATED WITH THIS CRAP.
689
00:34:54,700 --> 00:34:56,700
AND I EXPECT
YOUR BROTHER IS ALSO.
690
00:34:56,740 --> 00:34:58,040
I’M SURE PETE IS.
691
00:34:58,070 --> 00:35:00,000
HOW’S HE NOT GONNA BE?
692
00:35:00,040 --> 00:35:01,800
HE QUESTIONS US
ABOUT MARK GRAHAM,
693
00:35:01,840 --> 00:35:03,670
A MURDERED FRIEND
AND FELLOW COP.
694
00:35:03,710 --> 00:35:05,340
ALL RIGHT?
CAPISCE?
695
00:35:05,380 --> 00:35:07,690
I MEANT, PETE
MUST BE GETTING
ESPECIALLY AGITATED,
696
00:35:07,710 --> 00:35:09,650
SINCE HE’S
HALF‐WACKY ANYHOW
697
00:35:09,680 --> 00:35:12,350
AND PRONE
TO ACTS OF VIOLENCE.
698
00:35:12,380 --> 00:35:15,980
I CAME HERE ON THE COMINGS
AND GOINGS AND ACQUAINTANCES
699
00:35:16,020 --> 00:35:17,990
OF A MURDERED FRIEND
AND FELLOW COP.
700
00:35:18,020 --> 00:35:20,020
MARK GRAHAM.
MARK GRAHAM.
701
00:35:20,060 --> 00:35:23,220
MURDERED IN A STICKUP
THAT I KNOW NOTHIN’ ABOUT.
702
00:35:23,260 --> 00:35:25,530
TOM, PUT MARK GRAHAM
TO ONE SIDE.
703
00:35:25,560 --> 00:35:27,200
EXCLUDE HIM
FROM YOUR MIND
704
00:35:27,230 --> 00:35:29,670
TILL WE TALK ABOUT
RAMON TERRESTO
705
00:35:29,700 --> 00:35:31,200
AND WHAT YOUR
HALF‐WACKY BROTHER
DID TO HIM
706
00:35:31,240 --> 00:35:32,480
WITH YOU PRESENT.
707
00:35:32,500 --> 00:35:33,570
RAMON TERRESTO.
708
00:35:33,610 --> 00:35:35,250
RAMON TERRESTO.
CORRECT.
709
00:35:36,440 --> 00:35:37,870
I WANT MY DELEGATE.
710
00:35:37,910 --> 00:35:39,710
YOU SHOULD NOT ONLY
HAVE YOUR DELEGATE, TOM,
711
00:35:39,740 --> 00:35:41,080
BUT A LAWYER ALSO
712
00:35:41,110 --> 00:35:43,040
THAT’S READY TO SLOT YOU
FOR A LOT OF HOURS.
713
00:35:43,080 --> 00:35:45,380
AND YOU’D BETTER GET
READY TO REFINANCE
YOUR PROPERTY
714
00:35:45,420 --> 00:35:47,860
AND CLOSE YOUR KIDS’
EDUCATION ACCOUNTS,
715
00:35:47,890 --> 00:35:49,930
SO YOU CAN SPEND EVERY
CENT YOU EVER SAVED
716
00:35:49,950 --> 00:35:51,820
ON THAT SHYSTER
THAT YOU’RE GONNA HIRE.
717
00:35:51,860 --> 00:35:52,860
’CAUSE, TOM,
718
00:35:52,890 --> 00:35:54,890
WE’RE PREPARED
TO GO TO BAT
719
00:35:54,930 --> 00:35:56,230
IN RAMON TERRESTO’S
HOMICIDE
720
00:35:56,260 --> 00:35:57,730
AND MAKE YOU
DEFEND YOURSELF.
721
00:36:00,970 --> 00:36:03,070
OF COURSE, RAMON
BEING A SCUMBAG,
722
00:36:03,100 --> 00:36:06,100
DEAD 2 YEARS WITH NO ONE
REPORTING HIM MISSING,
723
00:36:06,140 --> 00:36:07,910
MAYBE THE JOB
DECIDES SAFETY
724
00:36:07,940 --> 00:36:09,400
AND COST‐EFFECTIVENESS
CONCERNS
725
00:36:09,440 --> 00:36:12,410
DON’T JUSTIFY
PUTTING DIVERS OFF
THE EAST RIVER PIER
726
00:36:12,440 --> 00:36:14,840
LOOKING FOR THE CAR
YOU AND PETE HOT‐WIRED
727
00:36:14,880 --> 00:36:16,550
THAT’S GOT RAMON’S BODY
IN THE TRUNK
728
00:36:16,580 --> 00:36:17,950
IN THAT ROLLED‐UP RUG.
729
00:36:17,980 --> 00:36:20,220
YOU HELP US
IN THIS OTHER MATTER,
730
00:36:20,250 --> 00:36:22,420
MAYBE THE SCUBA TEAM
STAYS AT HOME,
731
00:36:22,450 --> 00:36:24,050
THEN THE D.A.
DON’T PROCEED.
732
00:36:24,090 --> 00:36:26,050
CHARGED OR NOT,
733
00:36:26,090 --> 00:36:27,390
YOU BOTH HAVE
TO LEAVE THE JOB.
734
00:36:27,430 --> 00:36:30,070
FREE YOU UP TO PURSUE
YOUR OTHER INTERESTS.
735
00:36:35,100 --> 00:36:38,230
ALL PETE AND ME DID
WAS FIND OUT ABOUT
THE PLACE HE WORKED
736
00:36:38,270 --> 00:36:41,440
TALKIN’ TO MARK
IN CASUAL CONVERSATION.
737
00:36:41,470 --> 00:36:44,870
THEN WE INTRODUCED HIM
TO OUR UNCLES
AT A RANGERS GAME.
738
00:36:44,910 --> 00:36:46,580
SO GRAHAM WOULD TRUST
YOUR UNCLES
739
00:36:46,610 --> 00:36:48,780
WHEN THEY WALKED UP ON HIM
OUTSIDE THAT STORE
740
00:36:48,810 --> 00:36:50,150
AND PUT ONE IN HIS HEAD.
741
00:36:50,180 --> 00:36:51,810
I DIDN’T KNOW MY UNCLES
WERE GONNA SHOOT HIM.
742
00:36:51,850 --> 00:36:54,650
I THOUGHT WE WERE MAKING
THE INTRO AT THE GARDEN
743
00:36:54,690 --> 00:36:57,760
SO MY UNCLES COULD ASK MARK
TO BE IN ON THE STICKUP.
744
00:36:57,790 --> 00:36:59,420
I SAT THE WHOLE GAME
WAITIN’ FOR ’EM
TO BRING IT UP.
745
00:37:11,140 --> 00:37:13,680
I KEPT WAITING FOR YOU
TO GO ON HIS SIDE
OF THE TABLE.
746
00:37:13,710 --> 00:37:15,650
I BUY IT WAS THE UNCLES.
747
00:37:15,670 --> 00:37:17,770
I’M GIVING IT UP
TO YOU, SORENSON.
748
00:37:17,810 --> 00:37:19,440
YOU PLAYED IT SQUARE.
749
00:37:19,480 --> 00:37:22,020
SEE, WELL, YOU OUGHT
TO LEARN A LITTLE TRUST.
750
00:37:22,050 --> 00:37:24,890
YEAH. IT’S A BIG ASSET
IN WHAT I DO.
751
00:37:26,120 --> 00:37:27,830
OH, GOD. SAVE ME FROM
KILLING THIS PRICK.
752
00:37:29,350 --> 00:37:32,820
THIS TOM ZANCANELLI SAID
HIS UNCLES DID DO IT.
753
00:37:35,690 --> 00:37:37,490
HE’S NOT LEAPING IN
TO DISAGREE.
754
00:37:37,530 --> 00:37:39,360
A SNITCH OF OURS
DRIVES THE UNCLES.
755
00:37:39,400 --> 00:37:42,470
WHEN WE HEARD LAST NIGHT
ABOUT THE STICKUP
AND MURDER,
756
00:37:42,500 --> 00:37:43,530
KNOWING THAT’S
THE UNCLES’ ACT,
757
00:37:43,570 --> 00:37:45,000
WE PULLED THE SNITCH IN.
758
00:37:45,040 --> 00:37:47,350
HE SWORE
HE WAS WITH THEM
AT THE TROTTERS,
759
00:37:47,370 --> 00:37:49,370
AND WHAT
I HEARD FROM YOU
DIDN’T REFUTE THAT.
760
00:37:49,410 --> 00:37:51,050
BUT NOW, EVIDENTLY,
YOU’RE HOLDING
A NEW OPINION.
761
00:37:51,080 --> 00:37:53,120
THE SNITCH JUST
ASKED FOR IMMUNITY
762
00:37:53,140 --> 00:37:55,010
ON SOMETHING THAT
HAPPENED LAST NIGHT.
763
00:37:55,050 --> 00:37:58,190
I’M ASSUMING THAT MEANS
THE UNCLES DID DO
THE STICKUP‐HOMICIDE
764
00:37:58,220 --> 00:37:59,960
AND THE SNITCH DROVE.
765
00:37:59,980 --> 00:38:02,880
YOU’RE ASSUMING, OR
YOU DON’T WANNA TELL US
HE ALREADY COPPED TO IT?
766
00:38:02,920 --> 00:38:05,520
WE WANT THE UNCLES
OUT THERE FOR A WHILE.
767
00:38:05,560 --> 00:38:07,200
WHEN THE TIME COMES,
768
00:38:07,230 --> 00:38:10,040
WE’LL FOLD YOUR CASE
INTO A RICO INDICTMENT.
769
00:38:10,060 --> 00:38:12,330
A FEDERAL JURY CONVICTS.
BOTH OF YOU KNOW THAT.
770
00:38:12,360 --> 00:38:14,360
YEAH, WELL,
YOU BETTER TAKE THAT UP
771
00:38:14,400 --> 00:38:16,700
WITH ALL THE VARIOUS BOSSES
AND ALL THE VARIOUS
AGENCIES INVOLVED.
772
00:38:16,740 --> 00:38:18,380
OK, AGENT FRANCIS?
773
00:38:18,400 --> 00:38:19,800
’CAUSE MY MOVE IS KNOCKIN’
YOUR TEETH DOWN YOUR THROAT
774
00:38:19,840 --> 00:38:21,670
FOR MOVIN’ ME AROUND
LIKE A GUTTER BUM.
775
00:38:25,910 --> 00:38:28,910
KID BETTER LEARN
TO HANDLE HIS TEMPER.
776
00:38:39,560 --> 00:38:41,190
HEY, HANK.
777
00:38:41,230 --> 00:38:43,530
THAT GIRL’S
ASKING FOR YOU.
778
00:38:43,560 --> 00:38:44,530
THANKS.
779
00:38:44,560 --> 00:38:45,530
GOOD NIGHT.
780
00:38:45,560 --> 00:38:46,630
GOOD NIGHT.
781
00:38:49,200 --> 00:38:51,070
WERE YOU LOOKING
FOR ME?
DETECTIVE RUSSELL?
782
00:38:51,100 --> 00:38:52,100
YEAH.
783
00:38:52,140 --> 00:38:53,340
I WAS AT THE JAMAICA
REC CENTER,
784
00:38:53,370 --> 00:38:55,400
AND I SAW YOUR NAME
WAS ADDED ON
THE PHONE LIST.
785
00:38:55,440 --> 00:38:57,570
YOU ALSO LOST
YOUR HUSBAND
OFF THE JOB?
786
00:39:00,240 --> 00:39:03,240
YOUR HUSBAND...
GOT HIS HEART.
787
00:39:06,920 --> 00:39:08,380
THANK YOU
FOR YOUR LETTER
788
00:39:08,420 --> 00:39:10,690
AND THE BEAUTIFUL LETTER
YOUR HUSBAND WROTE.
789
00:39:10,720 --> 00:39:12,220
AFTER BOBBY PASSED,
790
00:39:12,260 --> 00:39:14,530
I WANTED TO WRITE YOU
AGAIN OR CALL YOU.
791
00:39:14,560 --> 00:39:16,990
I WAITED TILL YOUR NAME
WAS ON THE PHONE LIST.
792
00:39:18,760 --> 00:39:20,230
DID LINDA
GIVE YOU THE LIST?
793
00:39:20,260 --> 00:39:21,900
YEAH. IT’S IN MY PURSE.
794
00:39:23,230 --> 00:39:25,000
TOOK ME SEVERAL WEEKS
TO LOOK AT MINE.
795
00:39:26,640 --> 00:39:29,640
ANYWAYS, I’M ON THERE.
796
00:39:29,670 --> 00:39:31,940
THANKS. THANKS SO MUCH.
797
00:39:31,980 --> 00:39:34,320
WHATEVER GOOD
IT MIGHT DO.
798
00:39:34,350 --> 00:39:36,050
AND IF YOU DON’T CALL
FOR A WHILE,
799
00:39:36,080 --> 00:39:39,110
DON’T FEEL THEN,
WHEN YOU WANNA CALL,
YOU CAN’T.
800
00:39:39,150 --> 00:39:40,920
OK.
801
00:39:42,850 --> 00:39:45,250
IT WAS A BLESSING
FOR ME, ALSO,
802
00:39:45,290 --> 00:39:47,590
MY HUSBAND’S GIFT.
803
00:39:47,630 --> 00:39:49,970
IT HELPED ME
TO UNDERSTAND.
804
00:40:15,190 --> 00:40:16,290
HEY, DIANE.
805
00:40:16,320 --> 00:40:17,220
HI.
806
00:40:21,060 --> 00:40:23,120
GOIN’ OFF THE CHART
TODAY, HUH?
807
00:40:23,160 --> 00:40:25,590
YEAH. I’M DOING
A 4:00‐TO‐12:00.
808
00:40:25,630 --> 00:40:27,960
YOU MISSED
OUR JOINT EFFORT
WITH THE FBI TODAY.
809
00:40:28,000 --> 00:40:29,630
VERY REASSURING
OUR FEDERAL
TAX DOLLARS
810
00:40:29,670 --> 00:40:30,870
ARE BEING
WELL SPENT.
811
00:40:33,870 --> 00:40:34,970
SO, HOW’S IT GOIN’?
812
00:40:36,680 --> 00:40:37,680
OK.
813
00:40:37,710 --> 00:40:38,940
NOT BEIN’ A WISE GUY.
814
00:40:38,980 --> 00:40:40,350
NO, I KNOW.
815
00:40:43,820 --> 00:40:45,890
I ACTUALLY CALLED YOU
THE OTHER NIGHT,
816
00:40:45,920 --> 00:40:47,560
AFTER US WORKING
FOR JILL’S BOY.
817
00:40:48,890 --> 00:40:52,700
JUST TO SAY I WAS GLAD
WE WORKED EFFECTIVELY,
ONE THING.
818
00:40:54,660 --> 00:40:56,420
THAT WAS ACTUALLY IT.
819
00:40:58,400 --> 00:41:00,370
AND THEN THE OTHER THING
WHY I CALLED‐‐
820
00:41:00,400 --> 00:41:03,870
JAMES AND I
WERE HANGING AROUND
AFTER WE LEFT THE BAR,
821
00:41:03,900 --> 00:41:05,870
AND JAMES WAS APPRAISING
THIS ARTWORK
822
00:41:05,900 --> 00:41:07,540
HANGING IN THIS
ANTIQUE SHOP WINDOW,
823
00:41:07,570 --> 00:41:10,870
DECIDING WHETHER OR NOT
HE WAS GONNA RELIEVE
HIMSELF IN PUBLIC.
824
00:41:12,080 --> 00:41:16,390
AND I WAS THINKING
I’D CALL...
825
00:41:16,410 --> 00:41:19,720
JUST TO SAY I HOPE
YOU’RE FEELING BETTER
DAY BY DAY,
826
00:41:19,750 --> 00:41:21,750
KNOWIN’ IT’S NEVER
GONNA BE EASY.
827
00:41:25,020 --> 00:41:26,490
TODAY WAS A BETTER DAY?
828
00:41:26,520 --> 00:41:27,820
YEAH.
829
00:41:27,860 --> 00:41:29,990
GOOD.
830
00:41:30,030 --> 00:41:32,360
THANKS FOR ASKING.
831
00:41:43,580 --> 00:41:45,380
GOOD NIGHT, DIANE.
832
00:41:45,410 --> 00:41:47,410
GOOD NIGHT.
833
00:42:37,960 --> 00:42:41,300
OF ALL THE EMPTY HANDS
TO PLAY‐‐
834
00:42:41,330 --> 00:42:44,630
HOLDING GOD
OVER ASUNCION’S HEAD.
835
00:42:44,670 --> 00:42:47,140
NO HARM TAKING A FLYER.
836
00:42:49,540 --> 00:42:50,670
I HOPE HE SUFFERS,
837
00:42:50,710 --> 00:42:54,210
THAT THE LEUKEMIA
DOESN’T TAKE HIM QUICKLY.
838
00:42:58,720 --> 00:43:01,430
JUSTICE WITHOUT MERCY.
839
00:43:01,450 --> 00:43:03,250
IT’S KIND OF
A LONG RIDE
840
00:43:03,290 --> 00:43:05,000
FROM WHY I THOUGHT
I BECAME A LAWYER.
841
00:43:14,700 --> 00:43:17,630
THOSE AREN’T YOUR
USUAL BELIEFS, SYLVIA.
842
00:43:17,670 --> 00:43:23,340
THIS IS FRUSTRATION
AND DISCOURAGEMENT.
843
00:43:23,370 --> 00:43:26,170
IT’S ME GOD’S GONNA JUDGE.
844
00:43:26,210 --> 00:43:30,380
SYLVIA, YOU DIDN’T
DO NOTHIN’ WRONG.
845
00:43:30,410 --> 00:43:33,550
HE’S GONNA JUDGE THAT
I DIDN’T TRY HARD ENOUGH
846
00:43:33,590 --> 00:43:36,430
TO MAKE ANYTHING RIGHT.
847
00:43:39,890 --> 00:43:43,360
AND YOU GOT SOME
INSIDE KNOWLEDGE
ON HIS OPINION?
848
00:43:47,400 --> 00:43:52,000
WHY DON’T YOU HOLD OFF
TILL HE WEIGHS IN?
64205
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