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1
00:00:22,260 --> 00:00:25,860
I JUST BOUGHT A BIRTHDAY CARD
FOR MY YOUNGER SISTER HERE
2 WEEKS AGO.
2
00:00:25,900 --> 00:00:28,540
WE MAKE A COLLAR,
WE’LL ADD THAT
TO THE CHARGES.
3
00:00:28,570 --> 00:00:29,940
WHAT HAPPENED?
4
00:00:29,970 --> 00:00:31,300
ELDERLY COUPLE
THAT OWNS THE SHOP
5
00:00:31,340 --> 00:00:33,210
GOT BEATEN AND ROBBED
WHEN THEY OPENED UP.
6
00:00:33,240 --> 00:00:35,310
NEXT‐DOOR NEIGHBOR HERE
HEARD A COMMOTION,
7
00:00:35,340 --> 00:00:37,270
SAW 2 BLACK MALES
RUN UP CANAL STREET.
8
00:00:37,310 --> 00:00:38,810
WHAT SHAPE’S
THE COUPLE IN?
9
00:00:38,840 --> 00:00:40,910
THE OLD GUY’S
BEAT UP PRETTY GOOD,
BUT HE’S CONSCIOUS.
10
00:00:40,950 --> 00:00:42,920
THE OLD LADY
LOOKS LIKE
SHE’S GOIN’ OUT.
11
00:00:42,950 --> 00:00:45,660
PARAMEDICS ARE
TREATIN’ BOTH OF ’EM
RIGHT NOW.
12
00:00:45,680 --> 00:00:49,050
I’M DETECTIVE SIPOWICZ.
THIS IS MY PARTNER
DETECTIVE SORENSON.
13
00:00:49,090 --> 00:00:51,560
HAVE YOU HEARD?
ARE ARTIE AND HARRIET OK?
14
00:00:51,590 --> 00:00:52,790
THEY’RE GETTIN’ HELP NOW.
15
00:00:52,820 --> 00:00:55,490
UH, I LIVE
RIGHT OVER THERE,
16
00:00:55,530 --> 00:00:57,340
UH, NEXT TO THE ROSENS’
APARTMENT.
17
00:00:57,360 --> 00:01:01,960
I HEARD YELLING
AND‐‐AND NOISE, UH,
COMING FROM THE SHOP.
18
00:01:02,000 --> 00:01:06,500
I LOOKED OUT MY WINDOW,
AND I SAW 2 COLORED BOYS
RUNNING THAT DIRECTION.
19
00:01:06,540 --> 00:01:08,280
WHAT DID THEY LOOK LIKE,
MA’AM?
20
00:01:08,310 --> 00:01:09,510
ANYTHING DISTINCTIVE?
21
00:01:09,540 --> 00:01:12,740
ONE OF THEM LOOKED BIGGER
THAN THE OTHER.
22
00:01:12,780 --> 00:01:16,020
THEY BOTH WORE THOSE FLOPPY
CLOTHES THE KIDS WEAR NOW.
23
00:01:16,050 --> 00:01:17,120
OH.
24
00:01:17,150 --> 00:01:18,210
OH, DEAR.
25
00:01:23,790 --> 00:01:25,290
HOW YOU DOIN’, SIR?
26
00:01:25,320 --> 00:01:26,960
PLEASE TAKE CARE
OF MY WIFE.
27
00:01:26,990 --> 00:01:28,660
SHE’S BEIN’
TAKEN CARE OF NOW.
28
00:01:28,690 --> 00:01:30,460
YOU KNOW THE MEN THAT
MIGHT’VE DONE THIS TO YOU?
29
00:01:30,490 --> 00:01:33,860
NO. I‐‐I NEVER
SAW THEM BEFORE.
30
00:01:33,900 --> 00:01:37,670
PLEASE, GO TO MY WIFE.
MAKE SURE SHE’S GONNA BE OK.
31
00:01:37,700 --> 00:01:39,030
DID THEY TOUCH ANYTHING
THAT YOU CAN REMEMBER‐‐
32
00:01:39,070 --> 00:01:40,840
MAYBE A CAN OR SOMETHIN’
ON THE SHELF?
33
00:01:40,870 --> 00:01:42,440
THEY STARTED HITTING HER.
34
00:01:42,470 --> 00:01:45,840
I TOLD THEM,
"TAKE THE MONEY AND GO."
35
00:01:45,880 --> 00:01:47,990
THEY DIDN’T HAVE
TO DO THIS TO US.
36
00:01:48,010 --> 00:01:50,210
WE’RE GONNA
GET THESE GUYS
FOR YOU, MR. ROSEN.
37
00:03:38,420 --> 00:03:39,960
YO, YO, DANNY.
38
00:03:39,990 --> 00:03:41,090
HEY, HOW’S IT GOIN’,
LESLIE?
39
00:03:41,130 --> 00:03:43,100
MY PARTNER ANDY SIPOWICZ,
LESLIE PEACH.
40
00:03:43,130 --> 00:03:44,640
YEAH, HOW’S IT GOIN’?
41
00:03:44,660 --> 00:03:46,130
I’M REAL UPSET ABOUT
THIS INCIDENT, MAN.
42
00:03:46,160 --> 00:03:47,500
WHAT INCIDENT?
43
00:03:47,530 --> 00:03:49,300
COME HERE, MAN.
44
00:03:52,170 --> 00:03:53,600
[IMPATIENT SIGH]
45
00:03:53,640 --> 00:03:55,300
YOU KNOW THEM OLD PEOPLE
GOT BEAT UP, RIGHT?
46
00:03:55,340 --> 00:03:57,110
YEAH. THE WOMAN DIED.
47
00:03:57,140 --> 00:03:58,770
SHE DIED?
48
00:03:58,810 --> 00:04:00,610
WHAT DO YOU GOT, LESLIE?
49
00:04:00,650 --> 00:04:02,350
I GOT A REAL HEAVY FEELIN’
ON MY CHEST, MAN.
50
00:04:02,380 --> 00:04:03,680
IT’S A HEAVY FEELIN’, RIGHT?
51
00:04:03,720 --> 00:04:05,760
BUT, YOU KNOW,
I SELL APPLES, RIGHT?
52
00:04:05,780 --> 00:04:08,420
BUT WHAT’S IT GONNA LOOK
LIKE IF I START GIVIN’
THEM APPLES AWAY?
53
00:04:08,450 --> 00:04:09,820
IF HE’D EVER LEARNED
TO READ,
54
00:04:09,850 --> 00:04:11,790
HE’D BE USIN’
JOHNNY APPLESEED
IN THERE SOMEWHERES.
55
00:04:11,820 --> 00:04:12,820
WHAT HE SAYIN’?
56
00:04:12,860 --> 00:04:14,200
IF IT’S GOOD,
YOU’RE GONNA EARN.
57
00:04:17,730 --> 00:04:19,260
DELRAY WILLIAMS
AND TERRY TATE.
58
00:04:19,300 --> 00:04:20,210
THEY DID IT?
59
00:04:20,230 --> 00:04:21,930
YEAH, THEY DID IT, MAN.
60
00:04:21,970 --> 00:04:23,470
WHICH YOU KNOW HOW?
61
00:04:23,500 --> 00:04:25,670
UH, I DON’T KNOW HOW.
IT’S A BLIND ALLEY,
62
00:04:25,700 --> 00:04:27,700
AND I HEARD IT FROM SOMEBODY
WHO HEARD IT FROM SOMEBODY.
63
00:04:27,740 --> 00:04:30,370
LET ME TELL YOU SOMETHIN’
ABOUT THEM OLD FOLKS, MAN.
64
00:04:30,410 --> 00:04:32,440
THEY WAS NICE PEOPLE.
65
00:04:32,480 --> 00:04:34,290
WHEN I NEVER HAD NO MONEY
66
00:04:34,310 --> 00:04:37,350
AND I NEEDED A CARD
OR SOMETHIN’ FOR MY PEOPLE,
67
00:04:37,380 --> 00:04:38,510
THEY USED TO SEE ME
THE CREDIT.
68
00:04:38,550 --> 00:04:40,350
THAT’S HOW THEY WERE.
69
00:04:40,380 --> 00:04:42,350
DID THEY KNOW
THEY WERE DOIN’ IT?
70
00:04:42,390 --> 00:04:45,560
YOU KNOW, YOU’RE A VERY
IRRITABLE PERSON,
BUT I FORGIVE YOU.
71
00:04:45,590 --> 00:04:50,390
LET ME GIVE YOU THIS ADDRESS
WHERE DELRAY’S STAYIN’ AT, MAN.
72
00:04:50,430 --> 00:04:53,060
THIS, IS THAT IT?
WAIT A MINUTE.
73
00:04:56,000 --> 00:04:58,870
RIGHT. THAT’S IT.
74
00:04:58,900 --> 00:05:01,200
THAT’S WHERE HE’S STAYIN’ AT
WITH HIS GRANDMA.
75
00:05:01,240 --> 00:05:02,700
ALL RIGHT, YOU CALL ME
THIS AFTERNOON,
76
00:05:02,740 --> 00:05:04,310
I’LL HAVE SOMETHIN’
FOR YOU. 15th SQUAD.
77
00:05:04,340 --> 00:05:05,140
YEAH, ALL RIGHT.
78
00:05:05,180 --> 00:05:07,590
UH, CONGRATULATIONS
ON, YOU KNOW,
79
00:05:07,610 --> 00:05:09,550
GETTIN’ PROMOTED
AND EVERYTHING,
80
00:05:09,580 --> 00:05:12,010
EVERYBODY ON THE CORNER
MAKIN’ THE ADJUSTMENTS.
81
00:05:12,050 --> 00:05:13,980
YEAH. YEAH, THANKS,
LESLIE.
82
00:05:14,020 --> 00:05:16,380
YOU KNOW, I KNOW WHO JOHNNY
APPLESEED IS, TOO, A’IGHT?
83
00:05:18,720 --> 00:05:21,360
AND YOU KNOW THAT DOOR
IS LOCKED, A’IGHT?
84
00:05:22,860 --> 00:05:24,990
YEAH, I KNOW THE DOOR
IS NOT...
85
00:05:25,030 --> 00:05:27,400
MR. SMARTY‐CLOWN.
86
00:05:27,430 --> 00:05:29,500
SO YOU LET YOUR INFORMANTS
KINDA SAUNTER UP
TO THE POINT THEY’RE MAKIN’?
87
00:05:29,530 --> 00:05:30,900
BRING THE BOSS UP TO SPEED
88
00:05:30,940 --> 00:05:32,410
AND THEN LOOK
FOR THIS ASSHOLE DELRAY.
89
00:05:36,780 --> 00:05:38,050
WHAT’S UP, BOSS?
90
00:05:38,080 --> 00:05:40,550
A CASE JUST CAME IN‐‐
HOMICIDE.
91
00:05:40,580 --> 00:05:43,080
PARKING LOT OF A STRIP CLUB,
THE GENTLEMEN’S HOUR.
92
00:05:43,110 --> 00:05:44,350
UH‐HUH.
93
00:05:44,380 --> 00:05:47,580
YEAH. UM, YOU WANNA
WORK THAT WITH DIANE?
94
00:05:47,620 --> 00:05:49,620
WHAT, IS THERE SOMEONE ELSE
YOU WANT US TO WAIT FOR?
95
00:05:49,650 --> 00:05:52,420
NO, NO. GREG AND JAMES
ARE IN COURT.
96
00:05:52,460 --> 00:05:53,460
MORNING, DIANE.
97
00:05:53,490 --> 00:05:54,420
MORNING, BOSS.
98
00:05:54,460 --> 00:05:58,130
HOMICIDE AT A STRIP CLUB.
99
00:05:59,630 --> 00:06:00,800
MORNING, JOHN.
100
00:06:00,830 --> 00:06:01,860
MORNING, DETECTIVE.
101
00:06:01,900 --> 00:06:03,030
MORNING.
MORNING.
102
00:06:03,070 --> 00:06:04,540
THANKS VERY MUCH
FOR YOUR LETTER.
103
00:06:04,570 --> 00:06:06,740
YOU’RE WELCOME.
104
00:06:06,770 --> 00:06:08,770
IS DOLORES ILL,
DO YOU KNOW?
105
00:06:08,810 --> 00:06:10,820
UH, SHE DIDN’T SEEM
SICK YESTERDAY.
106
00:06:10,840 --> 00:06:13,610
THE BOROUGH CALLED TO ASK ME
IF I WOULD WORK IN THE 15th.
107
00:06:13,650 --> 00:06:16,150
I SAID, "DON’T THROW ME
IN THE BRIAR PATCH," BUT...
108
00:06:16,180 --> 00:06:17,480
I DON’T THINK
THEY TOOK MY REFERENCE.
109
00:06:20,990 --> 00:06:22,160
MORNING.
110
00:06:24,490 --> 00:06:25,550
Jill: MORNING, DANNY.
111
00:06:25,590 --> 00:06:26,920
HOW’S IT GOIN’?
112
00:06:26,960 --> 00:06:28,090
GOOD MORNING.
113
00:06:28,130 --> 00:06:29,600
GOOD MORNING.
114
00:06:29,630 --> 00:06:32,790
WE, UH,
CAUGHT A HOMICIDE
AT A STRIP CLUB.
115
00:06:32,830 --> 00:06:34,130
Andy: WHICH ONE?
116
00:06:34,170 --> 00:06:35,570
THE, UH,
GENTLEMEN’S HOUR.
117
00:06:35,600 --> 00:06:37,300
[CLEARING THROAT]
MUST’VE OPENED RECENTLY.
118
00:06:40,200 --> 00:06:42,900
DANNY SORENSON,
UH, JOHN IRVIN.
119
00:06:42,940 --> 00:06:44,010
HOW’S IT GOIN’, JOHN?
120
00:06:44,040 --> 00:06:45,540
HOW DO YOU DO?
121
00:07:05,200 --> 00:07:08,170
[DANCE MUSIC PLAYING]
122
00:07:21,550 --> 00:07:24,320
[STOPS MUSIC]
123
00:07:24,350 --> 00:07:25,550
DETECTIVES RUSSELL
AND KIRKENDALL.
124
00:07:25,580 --> 00:07:27,180
DAVE HOUSTON,
OWNER/MANAGER.
125
00:07:27,220 --> 00:07:28,620
YOU’RE GETTING
BLANKET COOPERATION,
126
00:07:28,650 --> 00:07:30,190
AND WE’RE CLOSED UNTIL
YOU TELL ME WE’RE OPEN.
127
00:07:30,220 --> 00:07:32,120
SOUNDS LIKE A PLAN.
128
00:07:32,160 --> 00:07:33,230
I GOT ALL MY HELP
OVER HERE
129
00:07:33,260 --> 00:07:35,200
EXCEPT FOR, UH,
ONE DANCER WHO SPLIT.
130
00:07:35,230 --> 00:07:37,200
I CAN GIVE YOU WHERE SHE IS,
BUT SHE DIDN’T HAVE
131
00:07:37,230 --> 00:07:38,830
ANYTHING TO DO
WITH THIS GUY.
OK.
132
00:07:38,860 --> 00:07:41,160
OH, AND THESE WERE THE ONLY
3 CUSTOMERS THAT WERE HERE.
133
00:07:41,200 --> 00:07:43,360
YOU CAN TAKE ALL THE TIME
YOU NEED WITH THEM.
134
00:07:43,400 --> 00:07:46,000
I GAVE ’EM 25 LAP DANCES
FOR FREE.
OK.
135
00:07:46,040 --> 00:07:47,250
THE BLONDE GIRL
OVER THERE,
136
00:07:47,270 --> 00:07:48,540
SHE’S THE ONE
WHO WAS SEEIN’ HIM‐‐
137
00:07:48,570 --> 00:07:50,240
MISTY...OR TINA.
138
00:07:50,270 --> 00:07:51,840
TINA’S HER REAL NAME,
OR MISTY’S HER REAL NAME?
139
00:07:51,880 --> 00:07:53,380
TINA’S THE REAL NAME
SHE GAVE ME.
140
00:07:53,410 --> 00:07:55,240
I DON’T KNOW IF
IT’S A REAL REAL NAME.
141
00:07:55,280 --> 00:07:56,410
MM‐HMM.
142
00:07:58,220 --> 00:07:59,390
SHOULD...I GO
GET HER NOW?
143
00:07:59,420 --> 00:08:00,360
YEP.
144
00:08:07,790 --> 00:08:08,720
HI.
145
00:08:10,630 --> 00:08:12,860
I’M DETECTIVE KIRKENDALL.
THIS IS DETECTIVE RUSSELL.
146
00:08:12,900 --> 00:08:15,670
I MET HIM 11 WEEKS AGO.
147
00:08:15,700 --> 00:08:18,670
HE’D GIVE ME $50
FOR EVERY 5 MINUTES
I’D SIT WITH HIM
148
00:08:18,700 --> 00:08:20,940
AND $100 WHEN I
DANCED ONSTAGE.
149
00:08:20,970 --> 00:08:23,840
HE PAID FOR MY SINGING
AND ACTING LESSONS,
150
00:08:23,880 --> 00:08:26,050
HE BOUGHT ME ABOUT
$8,000 WORTH OF CLOTHES,
151
00:08:26,080 --> 00:08:28,850
AN $8,000 WATCH,
AND A $12,000 BRACELET,
152
00:08:28,880 --> 00:08:32,110
AND HE PAID FOR COLLEGE
COURSES THAT I TOOK
AT BROOKLYN COLLEGE.
153
00:08:32,150 --> 00:08:33,850
IS THIS HOW YOU ACTED
WITH HIM?
154
00:08:33,890 --> 00:08:35,730
NO, THIS IS HOW
I’M ACTING WITH YOU.
155
00:08:35,750 --> 00:08:37,850
Jill: WHICH IS TELLIN’ US
WHAT, TINA,
156
00:08:37,890 --> 00:08:41,260
THAT YOU’RE NOT THE HUMAN
CASH REGISTER WE WALKED IN
THINKING YOU WERE?
157
00:08:41,290 --> 00:08:43,630
I DON’T KNOW WHO KILLED
HIM. ALL RIGHT?
158
00:08:43,660 --> 00:08:45,290
WAS HE WORRIED
ABOUT ANYTHING?
159
00:08:45,330 --> 00:08:48,460
IF HE WAS, HE HAD A LOT
TO KEEP HIS MIND OFF IT.
160
00:08:48,500 --> 00:08:50,930
HE, UM,
HE GAMBLED A LOT.
161
00:08:50,970 --> 00:08:53,070
AND HE TOOK A LOT
OF PERCODAN.
162
00:08:53,100 --> 00:08:55,140
AND THERE WAS ME.
163
00:08:55,170 --> 00:08:59,610
BUT I REALLY DON’T KNOW
WHAT HE WAS OR WASN’T
WORRIED ABOUT.
164
00:09:03,980 --> 00:09:05,580
MIND IF I GO PEE?
165
00:09:05,620 --> 00:09:07,060
COULD YOU SHOW ME
THE WAY TO THE JOHN?
166
00:09:07,090 --> 00:09:08,890
WHY, YOU WANNA WATCH?
167
00:09:08,920 --> 00:09:12,390
HUH! HEY, TINA,
WE ALL GOT JOBS, OK?
168
00:09:12,420 --> 00:09:14,560
TINA FIGURES SHE’S GOT
A LICENSE TO BLOW CRANKY
169
00:09:14,590 --> 00:09:16,660
SINCE LIFE THREW HER
THIS ROTTEN BREAK.
170
00:09:16,700 --> 00:09:19,770
IT’S ON THE OTHER
SIDE OF THE STAGE.
171
00:09:26,170 --> 00:09:27,640
WHOM DO YOU WANT
TO TALK TO NEXT?
172
00:09:27,670 --> 00:09:30,440
WELL, WE GOTTA TALK
TO THEM ALL, DAVE.
173
00:09:30,470 --> 00:09:32,010
WANNA GO WITH THE GIRL
WHO GAVE YOU THE FINGER?
174
00:09:37,850 --> 00:09:39,980
WHAT WERE YOU SITTING
ON THE FLOOR FOR?
175
00:09:40,020 --> 00:09:42,320
I WAS JUST LOOKING
FOR A CONTACT.
176
00:09:42,350 --> 00:09:43,690
LOOK LIKE YOU WERE TRYING
TO HATCH SOMETHING.
177
00:09:53,730 --> 00:09:54,760
TINA.
178
00:09:54,800 --> 00:09:56,260
GO PEE
IN THE MEN’S ROOM.
179
00:09:56,300 --> 00:09:57,370
WHAT?
180
00:09:57,400 --> 00:09:58,770
TELL MY PARTNER
TO COME IN HERE
181
00:09:58,800 --> 00:10:00,240
AND GO PEE
IN THE MEN’S ROOM.
182
00:10:07,010 --> 00:10:09,310
WHAT, ARE YOU STANDIN’
ON THE TOILET SEAT?
183
00:10:12,180 --> 00:10:15,150
I DON’T KNOW WHO YOU ARE,
BUT I CAN THINK OF
A LOT OF REASONS
184
00:10:15,190 --> 00:10:17,960
FOR YOU BEIN’ IN THERE
DON’T DESERVE THE TROUBLE
YOU’RE GONNA GET INTO...
185
00:10:17,990 --> 00:10:20,090
IF YOU DON’T OPEN
THAT DOOR UP.
186
00:10:33,040 --> 00:10:34,380
OH, DOLORES.
187
00:10:55,860 --> 00:10:58,330
ACCOUNT FOR YOUR DAY,
DELRAY.
188
00:10:58,360 --> 00:10:59,560
TODAY?
189
00:10:59,600 --> 00:11:01,730
YEAH. ACCOUNT
FOR YOUR DAY TODAY.
190
00:11:01,770 --> 00:11:03,580
I BEEN INSIDE.
ASK MY GRANDMA.
191
00:11:03,600 --> 00:11:05,430
NEVER LEFT THE HOUSE
UP UNTIL YOU GUYS
COME KNOCKIN’.
192
00:11:05,470 --> 00:11:06,740
DELRAY, HOW’S
YOUR GRANDMA
GONNA VOUCH
193
00:11:06,770 --> 00:11:08,270
FOR YOU BEIN’
AT HER HOUSE
194
00:11:08,310 --> 00:11:09,880
WHEN SHE WASN’T
THERE WHEN WE COME
TO GET YOU?
195
00:11:09,910 --> 00:11:11,370
SHE DOWN AT THE SENIOR
CITIZENS CENTER.
196
00:11:11,410 --> 00:11:14,180
SEE, WHAT MY PARTNER’S
ASKIN’, DELRAY,
197
00:11:14,210 --> 00:11:16,880
HER BEIN’ THERE‐‐
HOW WE GONNA LET HER
VOUCH FOR WHERE YOU WERE?
198
00:11:16,920 --> 00:11:18,890
OH, NO, SEE,
THAT’S HOW I COME OUT.
199
00:11:18,920 --> 00:11:20,190
TUESDAY’S HER DAY
AT THE CENTER.
200
00:11:20,220 --> 00:11:21,250
DELRAY’S A BIG FAN
201
00:11:21,290 --> 00:11:23,800
OF THE OLD
ABBOTT AND COSTELLO
ROUTINES.
202
00:11:23,820 --> 00:11:25,690
YOU LIKE BEATIN’ UP
OLD PEOPLE, DELRAY?
203
00:11:25,720 --> 00:11:27,260
WHO’S GONNA WANNA
DO THAT?
204
00:11:27,290 --> 00:11:30,390
YOU KNOW, SOME GUTLESS SCUMBAG
AS LOW AS A CHILD MOLESTER.
205
00:11:30,430 --> 00:11:33,190
YEAH, WELL, I HOPE YOU FIND
SOMEONE WHO DO THAT.
206
00:11:33,230 --> 00:11:34,360
YEAH, I THINK WE WILL,
DELRAY.
207
00:11:34,400 --> 00:11:35,860
I THINK
MAYBE WE ALREADY DID.
208
00:11:35,900 --> 00:11:37,270
YOU TRIPPIN’, MAN.
209
00:11:37,300 --> 00:11:39,200
WHERE’S TERRY TATE AT,
DOUCHE BAG?
210
00:11:39,240 --> 00:11:40,480
SAY WHO NOW?
211
00:11:40,500 --> 00:11:42,100
GIVE ME THE WHEREABOUTS
ON ANY GUY
212
00:11:42,140 --> 00:11:45,210
YOU’VE TAKEN 3 ROBBERY COLLARS
WITH IN THE LAST 2 YEARS.
213
00:11:45,240 --> 00:11:46,980
OH, TERRY.
YEAH, TERRY.
214
00:11:47,010 --> 00:11:48,780
HEH.
YOU SMART‐ASS
PIECE OF CRAP.
215
00:11:48,810 --> 00:11:50,450
UH, WE COOL.
216
00:11:50,480 --> 00:11:52,250
OH, WE’RE COOL’S
THE "B" ANSWER, DELRAY.
217
00:11:52,280 --> 00:11:54,720
I DON’T NEED TO BE
COOL WITH YOU.
218
00:11:54,750 --> 00:11:56,720
HEY!
219
00:11:56,760 --> 00:11:58,130
HE’S ASKIN’ YOU WHERE
YOUR RUNNIN’ BUDDY
TERRY IS.
220
00:11:58,160 --> 00:12:00,500
TERRY LIVE WITH
HIS COUSIN LAWRENCE.
221
00:12:00,520 --> 00:12:01,590
WE WENT THERE ALREADY.
WHERE ELSE WOULD HE BE?
222
00:12:01,630 --> 00:12:03,430
MAN, I DON’T KNOW.
223
00:12:03,460 --> 00:12:04,930
YOU THINK I WON’T PULL
THAT SHADE DOWN?
224
00:12:04,960 --> 00:12:06,290
OHH, DON’T HIT ON ME.
225
00:12:06,330 --> 00:12:07,800
I START HITTIN’ ON YOU,
226
00:12:07,830 --> 00:12:10,700
AND THAT COCKY SMILE’S
GONNA WIND UP DOWN
AROUND YOUR KNEES.
227
00:12:13,640 --> 00:12:15,000
COULD BE TERRY’S SEEIN’
HIS BABY’S MAMA
228
00:12:15,040 --> 00:12:16,440
OVER IN THE PROJECTS
ON HOUSTON.
229
00:12:16,470 --> 00:12:17,440
GIVE ME AN ADDRESS.
230
00:12:17,480 --> 00:12:19,450
OR HE MIGHT COULD BE
SHOOTIN’ HOOPS
231
00:12:19,480 --> 00:12:21,450
ACROSS THE STREET
FROM THERE.
232
00:12:21,480 --> 00:12:24,250
SEE, THAT’S NO BIG DEAL
WHAT I JUST TOLD YOU
RIGHT THERE.
233
00:12:24,280 --> 00:12:25,810
A LOT OF PEOPLE
COULD’VE TOLD YOU THAT.
234
00:12:25,850 --> 00:12:28,120
YEAH, YOU’RE THE BONES,
DELRAY.
235
00:12:28,150 --> 00:12:30,590
YOU DON’T GIVE
NOTHIN’ UP.
NOTHIN’ TO YOU.
236
00:12:30,620 --> 00:12:32,250
YOU’RE GOIN’ DOWN,
YOU ROTTEN PRICK.
237
00:12:32,290 --> 00:12:34,120
YOU THINK I’M GONNA LET YOU
KILL A 72‐YEAR‐OLD WOMAN
238
00:12:34,160 --> 00:12:35,560
AND NOT TAKE YOU DOWN?!
239
00:12:38,660 --> 00:12:40,860
SAYIN’ SOMEONE DIE?
240
00:12:40,900 --> 00:12:42,460
YOU DON’T WORRY WHO DIED
AND WHO DIDN’T DIE.
241
00:12:42,500 --> 00:12:45,600
YOU WORRY ABOUT PUTTIN’
THE BEST LIGHT ON HOW
YOU PARTICIPATED.
242
00:12:45,640 --> 00:12:47,680
ALL I PARTICIPATED IN
IS LAYIN’ UP
AT MY GRANDMA’S.
243
00:12:47,710 --> 00:12:48,810
YEAH, YOU STICK
WITH THAT, DELRAY.
244
00:12:48,840 --> 00:12:50,770
THAT WAY, I GET YOU
FOR THE WHOLE RIDE.
245
00:12:50,810 --> 00:12:51,970
IN THE CAGE.
246
00:12:52,010 --> 00:12:54,540
ARNETTA WILLIAMS!
KING SENIOR CENTER!
247
00:12:54,580 --> 00:12:56,910
LIKELY PLAYIN’ SCRABBLE.
248
00:13:03,520 --> 00:13:05,290
CANNOT BELIEVE
I GAVE HIM THAT.
249
00:13:05,320 --> 00:13:07,290
[SIGHS]
250
00:13:07,330 --> 00:13:09,130
HE GOT UNDER YOUR SKIN.
251
00:13:09,160 --> 00:13:12,230
YOU GAVE HIM SOMETHIN’
YOU DIDN’T WANT TO.
IT HAPPENS.
252
00:13:12,260 --> 00:13:13,800
NOT TO ME, ANDY.
253
00:13:13,830 --> 00:13:15,660
I DON’T MAKE MISTAKES
LIKE THAT.
254
00:13:30,210 --> 00:13:31,780
DANNY.
255
00:13:33,450 --> 00:13:36,420
ALL THE HOMICIDES
YOU GOT UNDER YOUR BELT,
256
00:13:36,450 --> 00:13:39,390
ALL THE OLD PEOPLE
THAT YOU SAW BEAT
TO DEATH...
257
00:13:47,570 --> 00:13:49,810
YOU GOT ALL THE OFFICE
SUPPLIES WE’RE GONNA
NEED OUT THERE?
258
00:13:53,470 --> 00:13:55,700
LET’S GO PICK UP
THIS TERRY.
259
00:14:10,090 --> 00:14:12,220
I ACTUALLY WENT OUT
WITH HIM ONCE.
260
00:14:12,260 --> 00:14:13,900
YOU DID?
261
00:14:13,930 --> 00:14:17,770
HE MADE ME KEEP IT A SECRET
FROM THE OTHER GIRLS.
262
00:14:17,800 --> 00:14:19,540
HE WANTED ME TO SAY
HOW I FELT...
263
00:14:19,560 --> 00:14:22,430
HAVING GOOD
NATURAL BREASTS,
264
00:14:22,470 --> 00:14:24,910
SIT NAKED
IN FRONT OF HIM
265
00:14:24,940 --> 00:14:26,980
AND TALK ABOUT IT WHILE
HE PLAYED WITH HIMSELF.
266
00:14:27,010 --> 00:14:29,680
AND THAT’S THE WHOLE
YOU HAD TO DO WITH HIM?
267
00:14:31,410 --> 00:14:33,880
AND YOU HAVEN’T
GOT ANY IDEA WHO
MIGHT’VE KILLED HIM?
268
00:14:33,910 --> 00:14:34,740
NO.
269
00:14:38,180 --> 00:14:39,680
OK, DOLORES,
WHY DON’T YOU GO?
270
00:14:48,930 --> 00:14:51,000
I’M NOT ASHAMED OF
WHAT I’VE BEEN DOING.
271
00:14:51,030 --> 00:14:52,460
NO ONE SAYS
YOU SHOULD BE.
272
00:14:52,500 --> 00:14:53,910
I MEAN, IT’S NOT EXACTLY
MY BALLERINA CAREER,
273
00:14:53,930 --> 00:14:56,830
BUT MY BALLERINA CAREER
DIDN’T LET ME
274
00:14:56,870 --> 00:14:59,430
MAKE $250 A SHIFT.
275
00:14:59,470 --> 00:15:00,470
WELL...
276
00:15:00,500 --> 00:15:02,300
THIS ISN’T ILLEGAL.
277
00:15:02,340 --> 00:15:05,840
WHAT I DO ON MY OWN TIME
IS MY OWN BUSINESS.
278
00:15:05,880 --> 00:15:08,490
I’M NOT GONNA QUIT
MY P. A. A.’s JOB.
279
00:15:08,510 --> 00:15:11,650
AND I CAN ONLY HOPE YOU’RE
NOT GONNA GO TO PERSONNEL
AND GET ME FIRED.
280
00:15:11,680 --> 00:15:13,310
RELAX, DOLORES.
281
00:15:13,350 --> 00:15:14,950
WHAT WERE YOU DOING
WORKING HERE
282
00:15:14,990 --> 00:15:16,090
AT 10:00
IN THE MORNING?
283
00:15:16,120 --> 00:15:16,950
WHY‐‐WHY DID YOU
CALL IN SICK?
284
00:15:18,460 --> 00:15:20,670
I MEAN, SOMETIMES,
285
00:15:20,690 --> 00:15:23,990
I JUST GET SO BORED
AT THE STATION HOUSE, OK?
286
00:15:24,030 --> 00:15:27,660
HELPING PEOPLE
WITH THEIR PROBLEMS
ALL THE TIME.
287
00:15:27,700 --> 00:15:29,360
"OH, THANK YOU, DOLORES."
288
00:15:29,400 --> 00:15:30,430
"THANK YOU, DOLORES."
289
00:15:30,470 --> 00:15:32,570
"WE APPRECIATE YOU,
DOLORES."
290
00:15:37,640 --> 00:15:40,610
OR MAYBE YOU THINK
I LIKE SOME GUY
291
00:15:40,650 --> 00:15:43,560
WANTS TO MAKE ME TALK
ABOUT HAVING GOOD
NATURAL BREASTS.
292
00:15:47,590 --> 00:15:48,530
COME ON.
293
00:15:48,550 --> 00:15:50,850
WE’LL WALK YOU OUT.
294
00:15:50,890 --> 00:15:52,220
[SNIFFLING]
295
00:16:03,100 --> 00:16:05,470
Dave: CRYSTAL!
296
00:16:05,500 --> 00:16:06,740
I’M GOIN’ HOME.
297
00:16:06,770 --> 00:16:08,670
I THOUGHT YOU ALREADY HAD.
298
00:16:08,710 --> 00:16:10,550
I HAVE FINISHED
USING THE MEN’S ROOM.
299
00:16:10,580 --> 00:16:12,250
NOW I WOULD LIKE
TO GO HOME.
300
00:16:12,280 --> 00:16:13,650
WE’RE NOT FINISHED
TALKING WITH YOU YET.
301
00:16:13,680 --> 00:16:15,010
DON’T I HAVE A SAY
ON THAT?
302
00:16:15,050 --> 00:16:16,390
OH, YEAH, THAT
AND EVERYTHING ELSE.
303
00:16:16,410 --> 00:16:17,880
HEY, HAVE YOU GOT
THE CURSE?
304
00:16:17,920 --> 00:16:19,930
HAVE YOU GOT A LOT OF MONEY
INVESTED IN YOUR TEETH?
305
00:16:19,950 --> 00:16:22,020
’CAUSE I’M ABOUT TO
PUNCH YOU IN THE MOUTH.
306
00:16:22,050 --> 00:16:23,350
EASY, DIANE.
307
00:16:23,390 --> 00:16:24,630
I’LL FINISH WITH TINA.
TINA, COME HERE.
308
00:16:31,030 --> 00:16:32,360
AM I NEXT?
309
00:16:32,400 --> 00:16:34,010
COULD I JUST TELL YOU
WHAT I KNOW?
310
00:16:34,030 --> 00:16:36,800
YEAH. WE WOULDN’T WANT TO
KEEP YOUR DEALER WAITING.
311
00:16:39,970 --> 00:16:41,440
WHAT DO YOU KNOW?
312
00:16:41,470 --> 00:16:44,770
YOU SHOULD DEFINITELY
TALK TO TODD.
313
00:16:44,810 --> 00:16:46,070
WHERE’S HE STANDING?
314
00:16:46,110 --> 00:16:47,280
HE’S NOT HERE.
315
00:16:47,310 --> 00:16:48,580
BUT HE WAS IN LOVE
WITH TINA.
316
00:16:48,610 --> 00:16:49,680
WHAT’S TODD’S LAST NAME?
317
00:16:49,710 --> 00:16:51,210
I HAVEN’T GOT IT,
BUT DAVE WILL.
318
00:16:51,250 --> 00:16:52,880
TODD USED TO WORK
HERE?
319
00:16:52,920 --> 00:16:55,290
AND HE WAS REALLY
IN LOVE WITH TINA.
320
00:16:55,320 --> 00:16:56,220
WHAT WAS TODD’S JOB?
321
00:16:56,250 --> 00:16:58,020
HE WAS A‐‐
A BOUNCER,
322
00:16:58,060 --> 00:16:59,800
AND AFTER TINA
BROKE UP WITH HIM,
323
00:16:59,820 --> 00:17:01,920
HE STARTED GETTING REALLY
BELLIGERENT WITH EVERYONE
AND ACTING FREAKY.
324
00:17:01,960 --> 00:17:02,920
DOES TODD USE?
325
00:17:02,960 --> 00:17:04,230
HE USED TO SMOKE
A LOT OF METH.
326
00:17:04,260 --> 00:17:07,360
DAVE USES METH, TOO.
327
00:17:07,400 --> 00:17:09,700
IS THAT WHY HE DIDN’T
GIVE TODD UP TO US?
328
00:17:09,730 --> 00:17:13,530
DON’T ASK ME WHY DAVE
DOES WHAT HE DOES.
329
00:17:13,570 --> 00:17:15,940
LOOK, I AM REALLY
GETTING SICK.
330
00:17:15,970 --> 00:17:18,870
OK, CISSY.
THANKS FOR THE HELP.
331
00:17:18,910 --> 00:17:21,880
DON’T SAY
IT CAME FROM ME.
332
00:17:21,910 --> 00:17:23,950
OR...WHATEVER.
333
00:17:23,980 --> 00:17:26,450
I’M GONNA QUIT
THIS PLACE ANYWAY.
334
00:17:26,480 --> 00:17:28,320
MY PARTNER AND I
ARE INTERESTED
335
00:17:28,350 --> 00:17:30,120
IN EXACTLY
THE SAME THING HERE,
336
00:17:30,150 --> 00:17:33,120
WHICH IS TAKING INTO ACCOUNT
YOU’VE SUFFERED A REAL LOSS
337
00:17:33,160 --> 00:17:35,400
AND YOU’RE
UNDERSTANDABLY UPSET,
338
00:17:35,430 --> 00:17:38,470
BUT AT THE SAME TIME,
WE’RE TRYING TO SOLVE
A MURDER CASE HERE.
339
00:17:38,500 --> 00:17:39,770
AND WE DESPERATELY
NEED YOUR COOPERATION.
340
00:17:40,970 --> 00:17:42,470
WHAT SHE SAID.
341
00:17:44,370 --> 00:17:46,570
I’D CHECK
HIS RACETRACK BUDDIES.
342
00:17:46,610 --> 00:17:49,110
DID ROSS GO TO THE TRACK
WITH TODD?
343
00:17:49,140 --> 00:17:50,240
WHO?
344
00:17:50,270 --> 00:17:52,110
TODD.
THE BOUNCER, TINA,
345
00:17:52,140 --> 00:17:54,980
THAT WAS SICK IN LOVE
WITH YOU AND CRAZY JEALOUS.
346
00:17:55,010 --> 00:17:56,180
THAT TODD.
347
00:17:56,210 --> 00:17:58,150
OH, THAT’S GOOD.
348
00:17:58,180 --> 00:18:00,750
THAT’S GREAT.
349
00:18:00,790 --> 00:18:03,490
NOW 2 PEOPLE ARE GONNA
BE DEAD BECAUSE OF ME.
350
00:18:03,520 --> 00:18:04,990
WHY? IS TODD
THE DRAMATIC TYPE, TOO?
351
00:18:05,020 --> 00:18:07,460
YOU’LL SEE.
352
00:18:07,490 --> 00:18:08,390
YOU’LL SEE.
353
00:18:27,980 --> 00:18:31,050
YOU GOTTA CHECK IT OUT.
354
00:18:31,080 --> 00:18:32,650
Man: GIVE ME THE BALL, MAN!
355
00:18:32,680 --> 00:18:35,720
Danny: ALL RIGHT,
WE BETTER ORGANIZE
A LITTLE DRAMA HERE.
356
00:18:35,750 --> 00:18:37,450
ANDY, THROW A TOSS
INTO THAT GUY,
357
00:18:37,490 --> 00:18:38,450
DISTRACT THE GUYS
ON THE COURT.
358
00:18:38,490 --> 00:18:40,190
YES, SIR,
DETECTIVE SORENSON.
359
00:18:40,220 --> 00:18:42,220
MY GUY’S
IN THE BLUE SHIRT.
360
00:18:42,260 --> 00:18:44,830
TOSS SOME OTHER MOPE
WHILE I MAKE A MOVE ON HIM.
361
00:18:44,860 --> 00:18:46,030
WHAT’S UP?
WHAT ARE YOU DOIN’?
362
00:18:46,060 --> 00:18:47,200
JUST GET YOUR HANDS
UP THERE.
363
00:18:47,230 --> 00:18:48,660
YOU GOT ANYTHING
THAT’S GONNA STICK ME?
364
00:18:48,700 --> 00:18:50,170
NO. I’M AN ORDAINED
MINISTER, MAN.
365
00:18:50,200 --> 00:18:52,030
OK, REVEREND,
WELL, YOU’RE GONNA
COME OUT OF THIS FINE.
366
00:18:52,070 --> 00:18:55,400
JUST BANKIN’ SOME LOVE
FOR FUTURE CRIMINAL
OFFENSES.
367
00:18:55,440 --> 00:18:57,370
HEY. DID YOU DO
SOMETHIN’ WRONG?
368
00:18:57,410 --> 00:18:58,840
[CELL PHONE RINGS]
HUH?
369
00:18:58,880 --> 00:19:00,150
Andy:
THAT YOUR PHONE?
370
00:19:00,180 --> 00:19:01,410
YEAH. CAN I ANSWER IT?
371
00:19:01,450 --> 00:19:02,890
[RING]
YEAH. GO AHEAD.
MIGHT BE GOD.
372
00:19:02,910 --> 00:19:04,680
HEY, TERRY.
WHAT’S UP?
373
00:19:04,720 --> 00:19:06,420
WE NEED YOU TO COME
DOWN AND ANSWER A FEW
QUESTIONS FOR US.
374
00:19:06,450 --> 00:19:07,750
OH, IT’S GAME POINT, MAN.
375
00:19:07,790 --> 00:19:09,330
Danny:
OH, IT’S GAME POINT?
Terry:
YEAH.
376
00:19:09,350 --> 00:19:11,150
YOU’RE LOOKIN’ TO
TAKE YOUR LAST SHOT?
MM‐HMM.
377
00:19:11,190 --> 00:19:12,220
GIVE ME THE BALL.
378
00:19:13,860 --> 00:19:15,420
GO AHEAD.
379
00:19:15,460 --> 00:19:17,090
TAKE YOUR LAST SHOT.
380
00:19:23,370 --> 00:19:24,580
[PLAYERS BANTER]
381
00:19:24,600 --> 00:19:27,400
HA HA! NOTHIN’ BUT
THE BOTTOM OF THE NET!
382
00:19:27,440 --> 00:19:29,570
THIS IS FOR YOURSELF
AND THE BROTHERS?
383
00:19:29,610 --> 00:19:31,410
YOU THE MAN, TERRY!
384
00:19:31,440 --> 00:19:33,410
YO, TERRY!
STAY UP, MAN!
385
00:19:33,440 --> 00:19:37,210
[SHOUTING AND LAUGHTER
CONTINUE]
386
00:19:43,960 --> 00:19:45,400
Terry: WHAT YOU THINK
ON THIS BASKETBALL
LOCKOUT?
387
00:19:45,420 --> 00:19:46,350
WHEN YOU FIGURE
THAT’S GONNA END?
388
00:19:46,390 --> 00:19:48,190
ASK MY PARTNER.
389
00:19:48,230 --> 00:19:49,740
THE THOUGHT OF ALL THEM
MILLIONAIRE HOOPSTERS
GOIN’ WITHOUT
390
00:19:49,760 --> 00:19:51,930
GETS ME TOO DISTRESSED.
391
00:19:51,960 --> 00:19:54,530
TERRY, ONE STEP
AT A TIME.
392
00:19:54,570 --> 00:19:56,070
HE GONNA BE LEADIN’ ME
THROUGH THIS?
393
00:19:56,100 --> 00:19:57,900
HE’S THE ONE.
394
00:19:57,940 --> 00:20:01,280
ONE MAN’S LOCKOUT’S
ANOTHER MAN’S
OPPORTUNITY, TERRY.
395
00:20:01,310 --> 00:20:03,780
MAYBE YOU SHOW
THE KNICKS
YOUR STUFF.
396
00:20:03,810 --> 00:20:06,270
NO. I DON’T GO
AGAINST MY BOYS.
397
00:20:08,910 --> 00:20:10,280
THAT WAS DELRAY.
398
00:20:10,310 --> 00:20:11,980
WHO?
399
00:20:12,020 --> 00:20:14,390
IN THE POKEY ROOM CAGE‐‐
THAT WAS DELRAY.
400
00:20:14,420 --> 00:20:16,320
THAT YOU ROBBED
THE GIFT SHOP WITH?
401
00:20:16,350 --> 00:20:17,350
NUH‐UH,
COMMANDER.
402
00:20:18,860 --> 00:20:20,430
DETECTIVE SORENSON.
403
00:20:22,660 --> 00:20:23,830
TERRY.
404
00:20:23,860 --> 00:20:25,330
WHEN I FIND OUT
405
00:20:25,360 --> 00:20:27,330
A CASE I’M WORKING
INVOLVES MULTIPLE
PERPS
406
00:20:27,370 --> 00:20:29,440
AND I GOT ’EM BOTH
IN CUSTODY,
407
00:20:29,470 --> 00:20:30,610
YOU KNOW WHO I CALL
ON THE PHONE?
408
00:20:30,640 --> 00:20:31,840
WHO?
409
00:20:31,870 --> 00:20:33,400
MY WIFE.
410
00:20:33,440 --> 00:20:35,750
LET HER KNOW I’LL BE HOME
ON TIME FOR DINNER.
411
00:20:35,770 --> 00:20:37,070
[SNORTS]
412
00:20:37,110 --> 00:20:38,110
THAT’S ’CAUSE I KNOW
413
00:20:38,140 --> 00:20:39,510
ONE OF MY PERPS
IS GONNA FLIP
414
00:20:39,540 --> 00:20:41,240
AND GET HIMSELF
THE DEAL WITH THE D. A.
415
00:20:41,280 --> 00:20:45,080
NOW I GOT NO STRONG FEELINGS
IF IT’S YOU WANTS TO
SIT HERE IN PROFILE
416
00:20:45,120 --> 00:20:46,660
WHILE DELRAY GRABS THE KEYS.
417
00:20:46,690 --> 00:20:47,690
I WASN’T THERE.
418
00:20:47,720 --> 00:20:49,280
OF COURSE,
IF I WAS YOU, TERRY,
419
00:20:49,320 --> 00:20:51,090
AND IT’S DELRAY
BUYS THE WALK
420
00:20:51,120 --> 00:20:52,920
WHEN HE’S THE ONE
DID THE VIOLENCE,
421
00:20:52,960 --> 00:20:55,000
THAT MIGHT
BOTHER ME SOME.
422
00:20:55,030 --> 00:20:59,840
IF IT WASN’T ME KICKED
THE OLD WOMAN’S TEETH IN...
423
00:20:59,860 --> 00:21:05,470
KICKED HER WHEN SHE WAS
CURLED UP IN A BALL
ON THE FLOOR...
424
00:21:05,500 --> 00:21:09,170
HER AND HER HUSBAND
WERE PLEADING FOR MERCY.
425
00:21:11,680 --> 00:21:15,350
I DON’T KNOW I’D WANNA
TAKE THE FALL FOR THAT.
426
00:21:15,380 --> 00:21:16,950
IT DIDN’T HAPPEN.
427
00:21:16,980 --> 00:21:18,980
I DIDN’T DO NONE
OF WHAT YOU SAYIN’.
428
00:21:19,020 --> 00:21:22,130
BUT I’M NOT YOU, TERRY.
429
00:21:22,150 --> 00:21:25,050
MAYBE YOU DON’T MIND
SPENDING THE NEXT
FEW YEARS
430
00:21:25,090 --> 00:21:26,450
GETTIN’ RAPED IN JAIL,
431
00:21:26,490 --> 00:21:28,290
HAVING YOUR HOOP BUDDIES
BELIEVE
432
00:21:28,330 --> 00:21:30,040
IT WAS YOU GOT OVER
ON THAT OLD COUPLE
433
00:21:30,060 --> 00:21:31,760
FOR $35.
434
00:21:37,340 --> 00:21:39,180
THAT’S YOUR DECISION.
435
00:21:44,080 --> 00:21:47,190
I GOTTA THINK
SOMETHIN’ OUT.
436
00:21:47,210 --> 00:21:49,210
GOT NOTHIN’ TO DO WITH
LOOKIN’ FOR NO DEAL.
437
00:21:49,250 --> 00:21:51,360
CAN I HELP?
NO.
438
00:21:51,380 --> 00:21:54,980
THIS GOT TO DO WITH
MY OWN VALUE SYSTEM.
439
00:21:55,020 --> 00:21:57,550
ALL RIGHT,
I CAN RESPECT THAT.
440
00:22:01,960 --> 00:22:04,860
YOU DON’T SEEM LIKE
THE HURTFUL TYPE,
TERRY.
441
00:22:04,900 --> 00:22:06,570
I SAY THAT OFF
FIRST IMPRESSION.
442
00:22:06,600 --> 00:22:08,430
I’M NOT A HURTFUL TYPE.
443
00:22:08,470 --> 00:22:11,410
THAT’S WHAT I GOTTA BE
THINKIN’ ABOUT.
444
00:22:11,440 --> 00:22:12,380
SODA?
445
00:22:12,400 --> 00:22:15,600
NO, MAN.
IT AIN’T ABOUT NO SODA.
446
00:22:15,640 --> 00:22:17,070
ALL RIGHT.
447
00:22:28,290 --> 00:22:29,390
HEY.
448
00:24:00,210 --> 00:24:03,010
DIDN’T NOBODY
GO IN THAT STORE
449
00:24:03,050 --> 00:24:07,390
LOOKIN’ TO HURT NOBODY
OR DO THOSE PEOPLE HARM.
450
00:24:07,420 --> 00:24:11,220
DELRAY’S A DECENT PERSON,
AS MUCH AS I AM.
451
00:24:11,260 --> 00:24:14,570
AND...I BELIEVE
I’M A DECENT PERSON.
452
00:24:17,000 --> 00:24:20,570
I BELIEVE
I’M A DECENT PERSON.
453
00:24:20,600 --> 00:24:23,630
NEITHER ME OR DELRAY
WASN’T LOOKIN’
454
00:24:23,670 --> 00:24:25,330
FOR WHAT WOUND UP
HAPPENING IN THERE.
455
00:24:25,370 --> 00:24:26,530
MOST I DID,
456
00:24:26,570 --> 00:24:28,400
I AGITATED DELRAY.
457
00:24:28,440 --> 00:24:31,010
"MAYBE WE SHOULDN’T
BE GOIN’ IN THERE."
458
00:24:31,040 --> 00:24:33,410
I PUT HIM ON HIS GUARD
SOMEHOW,
459
00:24:33,440 --> 00:24:35,980
PISSING HIM OFF BEHIND HIM
KNOWIN’ SAME AS ME
460
00:24:36,010 --> 00:24:38,750
WE SHOULDN’T BE GOIN’ IN.
461
00:24:38,780 --> 00:24:42,480
AND THAT OLD MAN.
462
00:24:42,520 --> 00:24:44,090
ONE LOOK AT US,
463
00:24:44,120 --> 00:24:46,890
AND HE STARTS SAYIN’,
"PLEASE DON’T HURT NO ONE."
464
00:24:46,930 --> 00:24:50,400
ONE LOOK, AND HE’S BEGGIN’ US
TO TAKE HIS MONEY OFF OF HIM
465
00:24:50,430 --> 00:24:52,030
AND PLEASE DON’T
DO NO HARM.
466
00:24:52,060 --> 00:24:53,600
AND BEFORE HE CAN
GET HIS MONEY OUT,
467
00:24:53,630 --> 00:24:55,830
HERE COME HIS WIFE
OUT THE BACK ROOM.
468
00:24:55,870 --> 00:24:58,080
AND THE OLD MAN
469
00:24:58,100 --> 00:25:01,900
REACHES AND HOLDS
DELRAY’S ARM‐‐
470
00:25:01,940 --> 00:25:04,740
GRABBIN’ ON TO HIS ARM‐‐
471
00:25:04,780 --> 00:25:07,590
SAYIN’ PLEASE DON’T
HURT HIS WIFE.
472
00:25:07,610 --> 00:25:10,580
AND DELRAY
PUSHED HIS HAND OFF
473
00:25:10,620 --> 00:25:12,120
AND GIVE HIS MONEY UP.
474
00:25:12,150 --> 00:25:14,520
AND THE OLD MAN WEAK
AND STUMBLES,
475
00:25:14,550 --> 00:25:16,250
AND NOW HERE COME
HIS WIFE.
476
00:25:16,290 --> 00:25:20,870
LEAVE HER HUSBAND ALONE,
AND...HE PUSHES HER.
477
00:25:20,890 --> 00:25:24,960
AND SHE WEAK LIKE...
THE WEAKEST SQUIRREL.
478
00:25:32,770 --> 00:25:34,440
HE HATED WHAT HE DID.
479
00:25:37,340 --> 00:25:39,440
HE KICKIN’ WHAT HE DID.
480
00:25:39,480 --> 00:25:42,120
YOU UNDERSTAND?
481
00:25:42,150 --> 00:25:44,060
HE KICKIN’ WHAT HE DID
482
00:25:44,080 --> 00:25:45,950
AFTER HE PUSH HER DOWN
AND HURT HER,
483
00:25:45,980 --> 00:25:48,320
KICKIN’ IT
OVER AND OVER.
484
00:25:48,350 --> 00:25:49,990
"WHAT DID I DO?
485
00:25:50,020 --> 00:25:51,790
WHAT DID I DO?"
486
00:25:51,820 --> 00:25:54,960
"OH, MY GOD!
OH, MY GOD!"
487
00:25:54,990 --> 00:25:55,920
[SOBBING]
488
00:26:01,770 --> 00:26:04,610
THE WOMAN DIED, TERRY.
489
00:26:04,640 --> 00:26:08,080
OH, MY GOD.
490
00:26:08,110 --> 00:26:09,650
OH, MY GOD!
491
00:26:09,670 --> 00:26:12,510
OH, GOD,
PLEASE FORGIVE ME!
492
00:26:12,540 --> 00:26:15,440
WHAT DID I DO?
493
00:26:15,480 --> 00:26:17,180
YOU GOTTA MAKE
YOUR PEACE WITH HIM.
494
00:26:21,220 --> 00:26:23,990
I’LL TAKE
MY EQUAL RESPONSIBILITY.
495
00:26:24,020 --> 00:26:25,790
GOD’S GONNA DECIDE
THAT, TERRY.
496
00:26:25,820 --> 00:26:28,720
YOU JUST SAY
WHAT YOU DID.
497
00:26:35,870 --> 00:26:37,980
ALL RIGHT.
498
00:26:41,070 --> 00:26:43,070
ALL RIGHT.
499
00:27:04,830 --> 00:27:07,530
ALL I KNOW IS
THEY’RE TALKING
ABOUT ARRESTING ME.
500
00:27:07,570 --> 00:27:10,080
I MEAN, WERE YOU
SERIOUS ABOUT FLORIDA,
501
00:27:10,100 --> 00:27:14,000
WHEN YOU WERE
TALKING ABOUT
TAKING ME DOWN THERE?
502
00:27:14,040 --> 00:27:15,240
WELL, ALL I KNOW IS,
503
00:27:15,270 --> 00:27:16,970
IF THEY TAKE ME DOWN
TO THAT STATION HOUSE,
504
00:27:17,010 --> 00:27:20,080
I DON’T THINK I’M EVER
GONNA GET OUT AGAIN.
505
00:27:20,110 --> 00:27:22,710
HERE. THEY’RE STILL
QUESTIONING ME.
506
00:27:22,750 --> 00:27:24,390
OK.
507
00:27:24,420 --> 00:27:26,960
OK. BYE.
508
00:27:29,550 --> 00:27:31,490
HE’S COMING, OK?
ARE YOU HAPPY?
509
00:27:31,520 --> 00:27:34,390
YEAH. WE REALLY APPRECIATE
YOUR HELP, TINA.
510
00:27:34,430 --> 00:27:36,900
SO, UH, SHOULD WE STAY
AND WAIT FOR THIS GUY
TO SHOW UP?
511
00:27:36,930 --> 00:27:39,190
YEAH. WOULD YOU?
YEAH. NO PROBLEM.
512
00:27:39,230 --> 00:27:40,760
WELL, WE’VE GOT A COUPLE
OF INTERVIEWS STILL TO DO.
513
00:27:40,800 --> 00:27:43,330
YOU WANT A HAND
WITH THOSE?
YEAH, PLEASE.
514
00:27:43,370 --> 00:27:44,880
SURE HAPPY
TO GIVE YOU A HAND.
515
00:27:44,900 --> 00:27:46,530
HERE’S THE D. O. A.’s
PEDIGREE.
516
00:27:46,570 --> 00:27:47,570
FINE.
517
00:27:57,750 --> 00:28:00,050
SO, SHOULD I KEEP
TALKING TO YOU
518
00:28:00,080 --> 00:28:01,750
LIKE I’M THE BARTENDER?
519
00:28:01,790 --> 00:28:04,300
YOU ARE
THE BARTENDER.
520
00:28:12,230 --> 00:28:13,600
I JUST WANNA SEE TINA.
521
00:28:13,630 --> 00:28:15,800
DON’T EXPECT ME
TO 86 YOU, TODD.
522
00:28:15,830 --> 00:28:17,800
I’M NOT IN A POSITION
AT THE MOMENT
TO 86 ANYONE.
523
00:28:25,480 --> 00:28:27,420
WHAT’S GOIN’ ON?
524
00:28:27,450 --> 00:28:29,490
EXACTLY WHAT
I TOLD YOU, TODD.
525
00:28:29,510 --> 00:28:31,650
THEY’RE TALKING ABOUT
ARRESTING ME.
526
00:28:31,680 --> 00:28:32,880
IF YOU WANNA
GO TO FLORIDA,
527
00:28:32,920 --> 00:28:34,630
I GOT THE MONEY
TO GO.
528
00:28:34,650 --> 00:28:36,750
TODD, I THINK
YOU WERE INVOLVED
529
00:28:36,790 --> 00:28:38,790
IN WHAT HAPPENED
WITH ROSS.
530
00:28:38,820 --> 00:28:40,490
IT’S VERY SIMPLE.
531
00:28:40,520 --> 00:28:42,320
I’LL DO WHATEVER
I HAVE TO
532
00:28:42,360 --> 00:28:43,730
TO TAKE CARE OF YOU.
533
00:28:43,760 --> 00:28:46,960
NOW, CAN WE WALK
OUTTA HERE?
534
00:28:47,000 --> 00:28:50,230
WILL THEY LET US,
OR DO I HAVE TO
TAKE OTHER STEPS?
535
00:28:50,270 --> 00:28:52,770
’CAUSE...
I GOT MY GUN, TINA.
536
00:28:52,800 --> 00:28:54,640
OH, GREAT.
YOU’VE GOT A GUN?
537
00:28:54,670 --> 00:28:56,100
WHAT’S YOUR PROBLEM?
538
00:28:56,140 --> 00:28:58,110
WHY AM I GONNA
GO TO FLORIDA
WITH YOU, TODD?
539
00:28:58,140 --> 00:28:59,240
SO I CAN WATCH YOU
SMOKE METH
540
00:28:59,280 --> 00:29:01,350
AND WAVE YOUR NEW GUN
AROUND? HUH?
541
00:29:01,380 --> 00:29:03,140
Martinez: IT’S OVER.
RELAX.
542
00:29:03,180 --> 00:29:04,450
Russell: I’VE GOT THE GUN.
543
00:29:04,480 --> 00:29:05,750
WHAT? TINA!
544
00:29:05,780 --> 00:29:07,320
SCREW YOU, TODD!
545
00:29:07,350 --> 00:29:08,650
SCREW YOU!
546
00:29:08,690 --> 00:29:11,860
HE WOULD’VE
TAKEN CARE OF ME.
547
00:29:11,890 --> 00:29:15,120
HE WOULD’VE
TAKEN CARE OF ME.
548
00:29:15,160 --> 00:29:17,290
[CRYING]
549
00:29:45,360 --> 00:29:46,670
HOW’D YOU DO?
550
00:29:48,330 --> 00:29:49,530
HE WENT.
551
00:29:49,560 --> 00:29:52,130
HE JUST WROTE UP
A STATEMENT.
552
00:29:52,160 --> 00:29:54,560
SO SHOULD WE CLOSE
THE DEAL WITH DELRAY?
553
00:29:54,600 --> 00:29:57,400
THOSE FISH
IN THE BOTTOM THERE‐‐
554
00:29:57,440 --> 00:29:59,140
THOSE ARE
AENEAS CATFISH.
555
00:29:59,170 --> 00:30:00,500
OH, YEAH?
556
00:30:00,540 --> 00:30:02,170
THEM EATING THE FOOD
557
00:30:02,210 --> 00:30:04,350
THAT DROPS PAST
THE OTHER FISH AT
THE BOTTOM OF THE TANK
558
00:30:04,380 --> 00:30:06,550
IS WHAT MAKES IT SO
MY WATER DON’T GO BAD.
559
00:30:06,580 --> 00:30:09,340
THE BIG UGLY ONE
SUCKING THE GLASS
ON THE SIDE OF THE TANK
560
00:30:09,380 --> 00:30:10,980
IS A COSTEMUS.
561
00:30:11,020 --> 00:30:13,420
HE EATS THE ALGAE
OFF THE GLASS
AND THE ROCKS.
562
00:30:13,450 --> 00:30:14,650
[CHUCKLES]
563
00:30:14,690 --> 00:30:16,730
HARD AS IT IS
TO BELIEVE,
564
00:30:16,760 --> 00:30:18,860
KEEPING THE TANK RIGHT
FOR THE FISH
565
00:30:18,890 --> 00:30:20,420
IS LESS A PAIN
IN THE BALLS
566
00:30:20,460 --> 00:30:22,260
THAN ADJUSTING
FOR THE PLANTS.
567
00:30:22,290 --> 00:30:24,530
I GOTTA KEEP ADJUSTING
THE WATER pH,
568
00:30:24,560 --> 00:30:26,030
AND THE LIGHT
HAS TO BE JUST RIGHT.
569
00:30:26,060 --> 00:30:28,530
I NEVER REALIZED
IT WAS THAT COMPLICATED.
570
00:30:28,570 --> 00:30:30,240
IT ISN’T COMPLICATED
571
00:30:30,270 --> 00:30:32,070
AS LONG AS YOU
KEEP UP WITH IT.
572
00:30:32,100 --> 00:30:34,270
YOU STAY IN TUNE,
YOU’RE WILLING
TO ADJUST,
573
00:30:34,310 --> 00:30:36,280
THEN YOU KEEP
A HEALTHY TANK.
574
00:30:36,310 --> 00:30:37,550
YOU KEEP A HEALTHY TANK,
575
00:30:37,580 --> 00:30:40,290
YOU CAN CALL YOURSELF
A GUY THAT KNOWS FISH.
576
00:30:42,910 --> 00:30:44,680
YOU FOLLOW ME, DANNY?
577
00:30:44,720 --> 00:30:46,860
NOT COMPLETELY.
578
00:30:46,890 --> 00:30:49,760
YOU STAYED ATTUNED
IN THAT INTERVIEW.
579
00:30:49,790 --> 00:30:52,750
SOMETHING CAME UP,
AND YOU ADJUSTED.
580
00:30:52,790 --> 00:30:54,460
THAT KEPT
A HEALTHY TANK,
581
00:30:54,490 --> 00:30:55,990
AND THINGS
WENT FORWARD.
582
00:30:57,260 --> 00:30:58,760
YOU ADJUSTED, TOO.
583
00:31:00,460 --> 00:31:02,700
[CLEARS THROAT]
584
00:31:02,730 --> 00:31:05,770
MY VARIOUS
SHORTCOMINGS...
585
00:31:05,800 --> 00:31:08,400
I KNOW HOW
TO HANDLE A TANK.
586
00:31:14,610 --> 00:31:16,510
SO SHOULD WE TELL DELRAY
THE GOOD NEWS?
587
00:31:19,920 --> 00:31:22,420
THAT’S THE GUY YOU HAD
THAT MYSTERY CONVERSATION
WITH THE OTHER DAY.
588
00:31:22,450 --> 00:31:24,250
DORNAN. YEAH.
589
00:31:24,290 --> 00:31:27,260
THE ONLY MYSTERY
IS HOW MUCH MAKING
A DOPE OUT OF MYSELF
590
00:31:27,290 --> 00:31:29,960
I LET MY WIFE
INTIMIDATE MYSELF INTO.
591
00:31:29,990 --> 00:31:32,490
YOU WANT ME TO WAIT
ON DELRAY?
592
00:31:32,530 --> 00:31:34,460
NO. YOU CLOSE HIM
ON YOUR OWN.
593
00:31:36,100 --> 00:31:37,730
I’LL CATCH HIM
WITH MY NET.
594
00:31:37,770 --> 00:31:39,600
DON’T CRACK WISE
ABOUT FISH.
595
00:31:39,640 --> 00:31:41,140
NO OFFENSE.
596
00:31:46,810 --> 00:31:48,440
HOW’S IT GOIN’, SARGE?
597
00:31:48,480 --> 00:31:50,350
DOIN’ FINE, KID.
598
00:31:50,380 --> 00:31:51,750
WHAT’S GOING ON,
DORNAN?
599
00:31:51,780 --> 00:31:53,280
YOU GOT A MINUTE?
600
00:31:53,320 --> 00:31:55,690
WE GONNA HAVE ANOTHER
FRANK EXCHANGE OF VIEWS?
601
00:32:07,300 --> 00:32:08,660
I GOT NO APOLOGIES‐‐
602
00:32:08,700 --> 00:32:10,300
EITHER FOR HOW I WORKED
THAT SUAREZ CASE
603
00:32:10,330 --> 00:32:12,770
YOUR WIFE GOT YOU
NOSIN’ AROUND ON
604
00:32:12,800 --> 00:32:14,470
OR FOR NOT CONFUSING YOU
WITH SOMEBODY
I CAN TRUST.
605
00:32:14,510 --> 00:32:17,480
SO THIS BLOOD‐BROTHER
CEREMONY
606
00:32:17,510 --> 00:32:19,140
I WAS GONNA
INVITE YOU TO,
607
00:32:19,180 --> 00:32:20,950
I SHOULD
PUT THAT ON HOLD?
608
00:32:20,980 --> 00:32:23,340
SO, GOING OVER IT
IN MY MIND‐‐
609
00:32:23,380 --> 00:32:25,510
AND MAKING
NO APOLOGIES‐‐
610
00:32:25,550 --> 00:32:28,020
MAYBE THERE’S SOMETHING
TO WHAT’S GOT YOUR WIFE
WORRIED.
611
00:32:28,050 --> 00:32:29,820
THAT SUAREZ WAS LOCKED UP
FOR SOMETHING HE DIDN’T DO.
612
00:32:29,850 --> 00:32:31,390
I’M NOT SAYING
HE SHOULDN’T BE
LOCKED UP.
613
00:32:31,420 --> 00:32:33,990
HEY, I TOLD SYLVIA,
MOST OF THESE GUYS,
614
00:32:34,030 --> 00:32:35,730
EVEN IF THEY WEREN’T
GUILTY ON WHAT THEY’RE
LOCKED UP FOR,
615
00:32:35,760 --> 00:32:37,730
THEY SHOULD STILL
BE IN THERE
616
00:32:37,760 --> 00:32:39,960
FOR 40 THINGS THAT WE
DIDN’T CATCH THEM ON.
617
00:32:40,000 --> 00:32:41,900
ALL I’M SAYING IS,
GOING BACK OVER IT
IN MY MIND,
618
00:32:41,930 --> 00:32:44,830
SUAREZ MIGHT HAVE
GIVEN IT UP TO ME
A LITTLE QUICK.
619
00:32:44,870 --> 00:32:46,370
HE MIGHT HAVE.
620
00:32:46,400 --> 00:32:47,840
YEAH. YOU CAN GET ’EM
TO GIVE IT UP
A LITTLE QUICK,
621
00:32:47,870 --> 00:32:49,400
BUT THEY’RE USUALLY
FULL OF REMORSE.
622
00:32:49,440 --> 00:32:51,240
THAT’S ABSOLUTELY RIGHT.
623
00:32:51,280 --> 00:32:52,680
WHICH SUAREZ WASN’T.
624
00:32:55,010 --> 00:32:56,850
SO GOIN’ BACK OVER IT
IN MY MIND,
625
00:32:56,880 --> 00:32:59,820
I REMEMBER SOMETHING
KEPT PULLING AT ME,
626
00:32:59,850 --> 00:33:01,820
LIKE IT WAS ARTHRITIS
RIGHT DOWN IN MY HIP.
627
00:33:01,850 --> 00:33:06,660
BUT ALL THE OTHER PIECES
ADDED UP.
628
00:33:06,690 --> 00:33:08,660
LISTEN, YOUR WIFE
MIGHT BE RIGHT
629
00:33:08,690 --> 00:33:11,190
SUAREZ SAYING
WHAT HE IS.
630
00:33:11,230 --> 00:33:14,100
MAYBE IT’S WORTH
ANOTHER LOOK.
631
00:33:15,570 --> 00:33:18,410
YOU’RE A GOOD COP,
DORNAN.
632
00:33:18,440 --> 00:33:20,880
OH. NOW I KNOW
IT’S TRUE.
633
00:33:31,980 --> 00:33:34,050
HE’S NOT GONNA CONFESS.
634
00:33:34,090 --> 00:33:35,630
MM‐MMM.
635
00:33:35,650 --> 00:33:36,690
AND THEN THE BALLISTICS
WILL COME IN
636
00:33:36,720 --> 00:33:38,590
ON THE BULLET THAT
KILLED THIS BIG SHOT,
637
00:33:38,620 --> 00:33:40,590
AND THEY’LL MATCH
TODD’S GUN.
638
00:33:40,630 --> 00:33:42,230
AND THEN YOU KNOW WHO’S
GONNA GET THE CREDIT.
639
00:33:42,260 --> 00:33:43,930
OH, YEAH.
640
00:33:46,770 --> 00:33:48,040
WHO?
641
00:33:48,070 --> 00:33:49,880
NOTHING.
DOESN’T MATTER.
642
00:33:49,900 --> 00:33:52,300
YOU MEAN SOMEBODY ELSE
643
00:33:52,340 --> 00:33:54,450
IS GONNA GET CREDIT
FOR SOLVING THIS
644
00:33:54,470 --> 00:33:56,910
INSTEAD OF YOU TWO?
645
00:33:56,940 --> 00:33:58,770
GOT A LOT MORE POWER
THAN WE DO.
646
00:33:58,810 --> 00:34:00,280
DEPENDS WHAT
YOU MEAN BY POWER.
647
00:34:00,310 --> 00:34:01,980
WE DO
THE HEAVY LIFTING.
648
00:34:02,010 --> 00:34:03,580
MM‐HMM.
649
00:34:03,620 --> 00:34:06,160
IF I KILLED THIS GUY
OR NOT‐‐
650
00:34:06,180 --> 00:34:08,450
YOU ACT LIKE YOU’RE BIGGER
THAN OTHER PEOPLE,
651
00:34:08,490 --> 00:34:10,600
AND YOU WILL GET
CUT DOWN TO SIZE.
652
00:34:10,620 --> 00:34:12,550
ROSS ACTED THAT WAY
TOWARD YOU?
653
00:34:12,590 --> 00:34:15,290
OH, HIS NAME WAS ROSS?
654
00:34:15,330 --> 00:34:17,770
I THOUGHT HIS NAME
WAS MIDGET DICK.
655
00:34:17,800 --> 00:34:20,440
I THOUGHT HIS NAME
WAS THE ANGRY INCH.
656
00:34:29,970 --> 00:34:31,340
LADIES,
657
00:34:31,380 --> 00:34:33,690
I’M GONNA MAKE YOUR DAY.
658
00:34:33,710 --> 00:34:34,810
I KILLED ROSS,
659
00:34:34,850 --> 00:34:38,190
AND I’M CONFESSING THAT
TO YOU PERSONALLY.
660
00:34:49,990 --> 00:34:52,790
THIS IS A BIG TEST
FOR ME, DELRAY.
661
00:34:52,830 --> 00:34:54,530
IT’S A CHARACTER
BUILDER.
662
00:34:56,330 --> 00:35:00,000
HAVING TERRY’S
CONFESSION...
663
00:35:00,040 --> 00:35:01,040
SEEING YOUR
GOOD VEINS THERE
664
00:35:01,070 --> 00:35:02,670
TO TAKE THE SYRINGE,
665
00:35:02,710 --> 00:35:04,020
PUT THE POISON
INTO YOU.
666
00:35:06,080 --> 00:35:08,220
I’D LIKE TO LEAVE IT
RIGHT HERE...
667
00:35:09,910 --> 00:35:12,680
BUT I’VE GOTTA
GIVE YOU A CHANCE
TO BEAT THE NEEDLE.
668
00:35:12,720 --> 00:35:15,690
YOU AIN’T GIVIN’ ME NOTHIN’
YOU DON’T WANNA GIVE ME.
669
00:35:15,720 --> 00:35:17,490
MUCH AS I WANNA
CAVE YOUR HEAD IN
670
00:35:17,520 --> 00:35:20,390
FOR WHAT YOU DID
TO THEM PEOPLE...
671
00:35:20,420 --> 00:35:22,360
I NEED TO REMEMBER
I GOT A JOB
672
00:35:22,390 --> 00:35:25,560
WHERE I CAN TRY
TO HELP THE WEAKER.
673
00:35:25,600 --> 00:35:27,370
AND DOING WHAT I’D
LIKE TO DO TO YOU
674
00:35:27,400 --> 00:35:30,630
WOULD COST ME
MY POSITION.
675
00:35:30,670 --> 00:35:33,640
SO MEETING
MY PROFESSIONAL
REQUIREMENTS, DELRAY,
676
00:35:33,670 --> 00:35:36,400
I’M TELLING YOU,
WITH TERRY CONFESSING‐‐
677
00:35:36,440 --> 00:35:38,340
LEAVING HIM THE ONLY ONE
ON RECORD‐‐
678
00:35:38,380 --> 00:35:41,520
IS YOU SIGNING
YOUR DEATH WARRANT.
679
00:35:41,550 --> 00:35:43,720
I GOTTA BE STRAIGHT
ABOUT THAT AS A COP.
680
00:35:48,850 --> 00:35:51,190
WELL, I WAS THERE.
681
00:35:51,220 --> 00:35:52,690
ALL RIGHT?
682
00:35:52,720 --> 00:35:55,520
I WAS IN THE STORE
WITH TERRY,
683
00:35:55,560 --> 00:35:57,530
BUT HE DID
ALL THE VIOLENCE.
684
00:36:02,530 --> 00:36:05,370
SO YOU KNOW WHAT
CORROBORATION IS,
DOUCHE BAG?
685
00:36:06,970 --> 00:36:09,570
A CONFESSION
FROM A PARTICIPANT
LIKE TERRY GIVE ME.
686
00:36:09,610 --> 00:36:12,940
UNLESS I GET SOME OUTSIDE
PIECE OF CORROBORATION,
687
00:36:12,980 --> 00:36:14,620
THE D. A.
WON’T GO TO BAT.
688
00:36:14,650 --> 00:36:17,060
YOU PUTTING YOURSELF
ON THE SCENE
689
00:36:17,080 --> 00:36:19,050
CORROBORATES
TERRY’S STATEMENT, DELRAY.
690
00:36:19,080 --> 00:36:21,050
I GOT YOU, YOU PRICK.
691
00:36:21,090 --> 00:36:23,060
I PUT MYSELF ON THE SCENE,
NOT DOIN’ NOTHING.
692
00:36:23,090 --> 00:36:24,600
GET UP.
693
00:36:24,620 --> 00:36:26,960
THE JURY WILL DECIDE
WHO DID WHAT
IN THAT SHOP.
694
00:36:26,990 --> 00:36:29,060
I’M SAYIN’ TO YOU
I DO NOTHIN’
TO THOSE PEOPLE.
695
00:36:29,090 --> 00:36:30,530
I’M DECLARIN’
MYSELF INNOCENT.
696
00:36:30,560 --> 00:36:32,230
YEAH. STAY WITH THAT.
697
00:36:32,260 --> 00:36:33,630
ANY MORE WILL MAKE YOU
LOOK BETTER,
698
00:36:33,670 --> 00:36:36,340
AND I WANT YOU LOOKING
AS BAD AS YOU ARE.
699
00:36:43,240 --> 00:36:45,140
HOW ARE YOU
HANDLING DOLORES?
700
00:36:45,180 --> 00:36:47,320
CRYSTAL.
LAST NAME UNKNOWN.
701
00:37:09,100 --> 00:37:11,170
WHEN SHE WAS SAYING
SHE HATED WORKING HERE
702
00:37:11,200 --> 00:37:13,230
BECAUSE PEOPLE
APPRECIATED HER...
703
00:37:13,270 --> 00:37:14,640
OH. I KNOW.
704
00:37:14,670 --> 00:37:16,840
I FELT SO BAD
FOR HER.
705
00:37:16,880 --> 00:37:19,990
YEAH. I’VE BEEN
IN THAT PLACE.
706
00:37:20,010 --> 00:37:22,010
DOWN ON YOURSELF SO BAD
707
00:37:22,050 --> 00:37:24,020
YOU CAN’T STAND
ANYONE LIKING YOU.
708
00:37:24,050 --> 00:37:25,650
STRANGE WE NEVER
RAN INTO EACH OTHER.
709
00:37:29,290 --> 00:37:31,130
SEEMS LIKE ANDY’S GOT
A HANDLE ON THIS STUFF,
710
00:37:31,160 --> 00:37:32,660
KEEPING THINGS
IN PERSPECTIVE.
711
00:37:32,690 --> 00:37:35,690
OH, YEAH.
WE CALL ANDY THE BUDDHA.
712
00:37:35,730 --> 00:37:37,500
WE TOUCH HIS TUMMY
MORNINGS
713
00:37:37,530 --> 00:37:39,830
SO HIS CALM
WILL RUB OFF.
714
00:37:45,400 --> 00:37:47,770
THIS SECOND GUY
ON ANDY’S AND MY CASE
715
00:37:47,810 --> 00:37:49,310
THAT BEAT UP
THEM OLD PEOPLE,
716
00:37:49,340 --> 00:37:52,340
I GOT CORROBORATION
OUT OF HIM.
717
00:37:52,380 --> 00:37:53,720
GOOD.
718
00:37:53,750 --> 00:37:55,520
YEAH. HE DIDN’T GO,
719
00:37:55,550 --> 00:37:57,360
BUT HE PUT HIMSELF THERE.
720
00:37:57,380 --> 00:37:58,810
OH, THAT’S ALL
YOU NEED
721
00:37:58,850 --> 00:37:59,980
FOR THE D.A.
TO GO TO BAT.
722
00:38:01,420 --> 00:38:02,980
YEAH. THAT’S ALL I NEEDED
FROM THAT PRICK.
723
00:38:10,360 --> 00:38:13,330
ANYWAYS, I GOT A DATE.
724
00:38:14,400 --> 00:38:15,560
GOOD NIGHT.
725
00:38:15,600 --> 00:38:16,630
GOOD NIGHT.
726
00:38:16,670 --> 00:38:17,600
GOOD NIGHT.
727
00:38:26,080 --> 00:38:28,090
HE TAKES IT TO HEART.
728
00:38:28,110 --> 00:38:30,880
YEAH. HE’LL PROBABLY
BE PRETTY GOOD.
729
00:38:32,450 --> 00:38:35,120
I ALMOST SAID,
DON’T GET HOME TOO LATE.
730
00:39:03,410 --> 00:39:04,380
SYLVIA?
731
00:39:04,420 --> 00:39:05,390
[WATER RUNNING]
732
00:39:05,420 --> 00:39:06,420
[SNIFFLING]
I’M IN HERE.
733
00:39:06,450 --> 00:39:07,420
WHERE’S THEO?
734
00:39:07,450 --> 00:39:08,680
MY FATHER’S.
735
00:39:08,720 --> 00:39:10,620
HAVE WE GOT
SOMETHING TO DO?
736
00:39:10,660 --> 00:39:13,800
NO. I JUST TOOK THE BABY
TO MY FATHER’S, ANDY.
737
00:39:13,830 --> 00:39:17,300
ANYWAYS, MAYBE I GOT
A HAPPY SURPRISE
FOR YOU
738
00:39:17,330 --> 00:39:19,960
ON THIS, UH,
THIS SUAREZ THING.
739
00:39:20,000 --> 00:39:21,860
YOU KNOW‐‐YOU KNOW
THIS SUAREZ THING
740
00:39:21,900 --> 00:39:24,130
WHERE YOU ASKED ME
TO TALK WITH
BILL DORNAN?
741
00:39:24,170 --> 00:39:26,130
AFTER WHAT HE TOLD ME
THE OTHER DAY,
742
00:39:26,170 --> 00:39:28,040
NOW DORNAN SHOWS BACK UP
AT THE SQUAD,
743
00:39:28,070 --> 00:39:29,940
LIKE, AN HOUR
OR SO AGO,
744
00:39:29,970 --> 00:39:33,240
AND HE SAYS, "YOUR WIFE
MAY BE ENTIRELY CORRECT
THERE, SIPOWICZ."
745
00:39:35,410 --> 00:39:37,380
YOU KNOW HOW
THEM PEOPLE ARE
746
00:39:37,420 --> 00:39:39,760
WITH THEIR DIFFICULTY
TRUSTING US,
747
00:39:39,780 --> 00:39:42,020
AND IT TOOK DORNAN
THIS LONG TO CONFIDE.
748
00:39:44,790 --> 00:39:49,060
UH, TELLS ME, I’M
GOING OVER IN MY MIND,
749
00:39:49,090 --> 00:39:52,490
FOR A GUY NOT TORN
WITH REMORSE,
750
00:39:52,530 --> 00:39:55,830
SUAREZ MAY ENTIRELY
HAVE GIVEN THIS UP
TOO SOON,
751
00:39:55,870 --> 00:39:57,080
AND SHE SHOULD MAYBE
REOPEN THE CASE.
752
00:39:57,100 --> 00:39:58,270
THAT’S WHAT
HE TELLS ME.
753
00:40:00,670 --> 00:40:02,640
SUAREZ IS DEAD.
754
00:40:04,510 --> 00:40:07,310
HE GOT SHANKED
IN THE RIKERS LAUNDRY ROOM.
755
00:40:07,350 --> 00:40:08,990
WHO KILLED HIM?
756
00:40:09,010 --> 00:40:10,350
THEY DON’T KNOW YET.
757
00:40:10,380 --> 00:40:12,580
I’M GOING OVER TO DO
THE INTERVIEWS.
758
00:40:12,620 --> 00:40:13,460
OH, BROTHER.
759
00:40:13,480 --> 00:40:15,520
SYLVIA, I’M SORRY.
760
00:40:17,520 --> 00:40:19,090
I’LL CALL YOU LATER.
761
00:40:19,120 --> 00:40:20,920
WANT ME TO GO
OVER THERE WITH YOU?
762
00:40:20,960 --> 00:40:21,860
NO.
763
00:40:24,030 --> 00:40:27,630
I’M SORRY I DIDN’T GET THIS
OUT OF DORNAN BEFORE.
764
00:40:27,670 --> 00:40:29,580
WELL, ANDY, YOU KNOW
HOW THEM PEOPLE ARE.
765
00:40:44,020 --> 00:40:47,130
SO, REMEMBER
MY FEELING, DANNY,
766
00:40:47,150 --> 00:40:49,850
NOT LOOKIN’
FOR ANYTHING SERIOUS,
767
00:40:49,890 --> 00:40:52,520
THAT RIGHT NOW
I JUST WANNA DATE?
768
00:40:52,560 --> 00:40:54,800
YEAH, I REMEMBER
YOU SAYING THAT
THE OTHER NIGHT.
769
00:40:54,830 --> 00:40:56,900
I TOLD YOU THAT
AS SOON AS WE MET.
770
00:40:56,930 --> 00:41:00,530
YEAH. I REMEMBER HOW
APPEALING I FOUND THAT.
771
00:41:00,570 --> 00:41:02,840
I STILL MEAN THAT.
772
00:41:02,870 --> 00:41:04,540
OK. GOOD.
773
00:41:04,570 --> 00:41:06,300
BUT...
774
00:41:06,340 --> 00:41:10,650
IF THINGS CHANGE FOR US
AND, I DON’T KNOW,
775
00:41:10,680 --> 00:41:15,150
IF WE...KIND OF NATURALLY
WENT TO THE NEXT LEVEL,
776
00:41:15,180 --> 00:41:17,150
THAT WOULDN’T
SCARE ME OFF.
777
00:41:17,180 --> 00:41:19,310
AND I WANTED
TO TELL YOU THAT, TOO,
778
00:41:19,350 --> 00:41:21,080
BECAUSE I’M A COMPLETELY
HONEST PERSON.
779
00:41:21,120 --> 00:41:22,650
GOOD.
780
00:41:22,690 --> 00:41:26,330
GOOD...YOU’D LIKE TO GO
TO THE NEXT LEVEL?
781
00:41:26,360 --> 00:41:29,100
UH, GOOD I KNOW WHERE
YOU’RE COMING FROM,
782
00:41:29,130 --> 00:41:32,270
AND I’M GLAD YOU’RE
COMPLETELY HONEST.
783
00:41:35,700 --> 00:41:38,400
WHERE ARE YOU
COMING FROM?
784
00:41:41,470 --> 00:41:44,110
WHERE I’M COMING
FROM IS...
785
00:41:44,140 --> 00:41:45,840
3 MINUTES AGO,
WE’RE GREAT,
786
00:41:45,880 --> 00:41:48,450
AND NOW I FEEL THINGS
ARE GETTING STIRRED UP.
787
00:41:48,480 --> 00:41:50,550
WHAT DO YOU MEAN
STIRRED UP?
788
00:41:50,580 --> 00:41:52,010
STIRRED UP, NADINE.
789
00:41:52,050 --> 00:41:54,820
I FEEL THINGS
TAKING A WRONG TURN.
790
00:41:57,490 --> 00:42:00,020
I GET STIRRED UP ENOUGH
EVERY DAY AT MY JOB,
791
00:42:00,060 --> 00:42:01,420
I DON’T NEED TO GET
STIRRED UP AT NIGHT.
792
00:42:01,460 --> 00:42:03,960
WHAT’S WRONG WITH YOU?
793
00:42:04,000 --> 00:42:06,370
ALL I DID WAS BASICALLY
TELL YOU I LIKED YOU,
794
00:42:06,400 --> 00:42:08,210
AND YOU GO OFF.
795
00:42:08,230 --> 00:42:10,370
WHAT, YOU LIKE IT BETTER
WHEN PEOPLE SAY
THEY DON’T LIKE YOU?
796
00:42:10,400 --> 00:42:11,970
NADINE, I CAME
OVER HERE TONIGHT
797
00:42:12,000 --> 00:42:13,770
BECAUSE I NEEDED
TO BE WITH YOU.
798
00:42:13,810 --> 00:42:15,150
AND YOU CAME OVER...
799
00:42:15,170 --> 00:42:17,140
AND YOU GOT LAID.
800
00:42:17,180 --> 00:42:19,790
AND YOU ONLY
KILLED AN HOUR,
801
00:42:19,810 --> 00:42:22,880
SO NOW YOU STILL GOT TIME
TO HIT THE BARS.
802
00:42:22,910 --> 00:42:24,950
I DIDN’T COME OVER HERE
JUST FOR THAT.
803
00:42:27,250 --> 00:42:30,650
I CAME OVER HERE BECAUSE
I NEEDED TO BE NEXT
TO SOMEBODY GOOD.
804
00:42:32,120 --> 00:42:34,490
YOU’RE A GOOD PERSON,
NADINE.
805
00:42:43,170 --> 00:42:45,510
AND FRIDAY NIGHT, WHEN
WE GO CATCH A MOVIE,
806
00:42:45,540 --> 00:42:47,250
IF I PICK UP
ON THE SENSE
807
00:42:47,270 --> 00:42:48,570
THAT MAYBE
YOU DON’T WANNA TALK
808
00:42:48,610 --> 00:42:50,680
AND YOU JUST WANNA
ENJOY THE NIGHT,
809
00:42:50,710 --> 00:42:52,110
I’LL RESPECT THAT.
810
00:42:52,140 --> 00:42:53,810
NICE TRY.
811
00:42:55,010 --> 00:42:57,510
BESIDES, I’M BUSY
FRIDAY NIGHT.
812
00:43:00,550 --> 00:43:03,650
WELL, HOPEFULLY,
SOME OTHER TIME THEN.
813
00:43:11,230 --> 00:43:12,830
MAYBE SATURDAY NIGHT,
THOUGH.
814
00:43:17,400 --> 00:43:19,470
I’LL SWING BY
AROUND 8:00.
815
00:43:19,500 --> 00:43:21,340
OK.
59408
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