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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:19,120 --> 00:00:20,660 [KNOCK ON DOOR] 2 00:00:37,440 --> 00:00:38,410 HEY. 3 00:00:38,440 --> 00:00:39,410 HI, JOHNNY. 4 00:00:39,440 --> 00:00:41,110 COME ON IN. 5 00:00:42,580 --> 00:00:44,250 I SQUARED THE BLOCK TWICE. 6 00:00:44,280 --> 00:00:45,750 NOBODY FOLLOWED ME. 7 00:00:45,780 --> 00:00:47,180 COME IN. SIT DOWN. 8 00:00:51,460 --> 00:00:53,300 WHAT'S UP? 9 00:00:55,330 --> 00:00:57,300 I'M WORRIED ABOUT YOU TESTIFYING TOMORROW. 10 00:00:57,330 --> 00:00:58,760 IT'S GONNA GO O. K. 11 00:00:58,800 --> 00:01:01,270 HOW? IF YOU SAY ANYTHING, YOU'LL HAVE TO LIE. 12 00:01:01,300 --> 00:01:02,960 THEN THEY'LL COME AFTER YOU. 13 00:01:03,000 --> 00:01:05,500 JANICE, I'M GOING TO TAKE CARE OF MYSELF. 14 00:01:05,540 --> 00:01:07,280 YOU TALK TO SINCLAIR? 15 00:01:07,310 --> 00:01:09,280 YEAH. HE LIKES THE JURY. 16 00:01:09,310 --> 00:01:12,420 HE THINKS THE FIRST TWO DAYS WENT O. K. 17 00:01:12,440 --> 00:01:17,310 HE GIVE ANY REASON WHY THIS GINA ZARONE IS GOING TO TESTIFY? 18 00:01:17,350 --> 00:01:19,550 HE THINKS IT'S ABOUT MARINO'S LEDGER. 19 00:01:22,190 --> 00:01:24,660 JOHNNY, I DID WHAT I DID, 20 00:01:24,690 --> 00:01:27,090 AND I'M READY TO GO AWAY FOR IT. 21 00:01:27,130 --> 00:01:28,600 THAT'S NOT RIGHT. 22 00:01:28,630 --> 00:01:31,600 IF YOU WEREN'T A COP, THIS WOULDN'T BE HAPPENING. 23 00:01:31,630 --> 00:01:33,830 THE D. A. WOULD LET YOU PLEAD. 24 00:01:33,870 --> 00:01:35,440 I COULDN'T LIVE WITH MYSELF 25 00:01:35,470 --> 00:01:38,310 IF IT BRINGS YOU DOWN, TOO. 26 00:01:41,410 --> 00:01:43,350 COME HERE. 27 00:01:43,370 --> 00:01:44,810 COME HERE. 28 00:01:46,040 --> 00:01:47,710 NOW, LISTEN TO ME, O. K.? 29 00:01:47,750 --> 00:01:50,220 WE ARE GOING TO GET THROUGH THIS. 30 00:01:50,250 --> 00:01:51,810 DID YOU HEAR ME? 31 00:01:55,150 --> 00:01:56,790 I LOVE YOU. 32 00:01:56,820 --> 00:01:59,760 I'M ALWAYS GOING TO LOVE YOU. 33 00:02:15,170 --> 00:02:17,170 NO. NO. 34 00:02:17,210 --> 00:02:18,670 WE'RE MAKING THIS‐‐RIGHT? 35 00:02:18,710 --> 00:02:22,180 WE DON'T NEED TO CONFUSE THIS NOW. 36 00:02:22,210 --> 00:02:24,680 I'M NOT GOING TO SAY I'M SORRY. 37 00:02:24,720 --> 00:02:27,760 I DON'T WANT YOU TO SAY YOU'RE SORRY. 38 00:02:29,090 --> 00:02:33,060 I THINK YOU SHOULD GO. WE DON'T WANT TO CONFUSE THIS. 39 00:02:33,090 --> 00:02:35,090 AM I RIGHT? O. K. 40 00:02:39,260 --> 00:02:41,730 I WILL SEE YOU TOMORROW IN COURT, RIGHT? 41 00:02:45,270 --> 00:02:47,570 SEE YOU TOMORROW. 42 00:04:05,180 --> 00:04:08,480 DETECTIVE KELLY, YOU WERE THE ORIGINAL INVESTIGATING OFFICER 43 00:04:08,520 --> 00:04:11,320 IN THE SHOOTING DEATHS OF ANGELO MARINO AND HIS BODYGUARD ANTHONY CAPELLO? 44 00:04:11,360 --> 00:04:12,260 THAT'S RIGHT. 45 00:04:12,290 --> 00:04:13,960 ACCORDING TO HER STATEMENT, 46 00:04:13,990 --> 00:04:17,030 YOU ALSO HAD A PERSONAL INVOLVEMENT WITH JANICE LICALSI, 47 00:04:17,060 --> 00:04:19,430 WHO HAS CONFESSED TO COMMITTING THOSE MURDERS. 48 00:04:19,460 --> 00:04:22,760 YOU WERE SLEEPING WITH HER BEFORE AND AFTER THE SHOOTINGS. 49 00:04:22,800 --> 00:04:24,170 DETECTIVE, IS IT YOUR TESTIMONY 50 00:04:24,200 --> 00:04:26,130 THAT DESPITE THIS INTIMATE RELATIONSHIP, 51 00:04:26,170 --> 00:04:30,010 YOU NEVER SUSPECTED MISS LICALSI MIGHT HAVE COMMITTED THESE CRIMES? 52 00:04:30,040 --> 00:04:31,110 THAT'S RIGHT. 53 00:04:31,140 --> 00:04:33,140 I NOW CALL YOUR ATTENTION TO A MURDER 54 00:04:33,180 --> 00:04:35,290 THAT OCCURRED TWO MONTHS AFTER THE MARINO SHOOTING. 55 00:04:35,310 --> 00:04:37,680 YOU WERE ALSO THE INVESTIGATING OFFICER 56 00:04:37,720 --> 00:04:40,030 IN THE DEATH OF THOMAS LINARDI. CORRECT? 57 00:04:40,050 --> 00:04:41,380 I WAS ONE. 58 00:04:41,420 --> 00:04:43,280 DID THERE COME INTO YOUR POSSESSION 59 00:04:43,320 --> 00:04:45,290 IN THE COURSE OF THAT INVESTIGATION 60 00:04:45,320 --> 00:04:47,660 A LEDGER WHICH HAD BELONGED TO ANGELO MARINO 61 00:04:47,690 --> 00:04:50,560 AND WHICH LISTED OFFICERS IN THE POLICE DEPARTMENT 62 00:04:50,600 --> 00:04:51,970 WHO'D BEEN ON MARINO'S PAYROLL? 63 00:04:52,000 --> 00:04:54,470 I COLLECTED THE LEDGER AT THE CRIME SCENE. 64 00:04:54,500 --> 00:04:57,300 DOES JANICE LICALSI'S NAME APPEAR IN THIS DOCUMENT? 65 00:04:57,340 --> 00:04:58,210 NO. 66 00:04:58,240 --> 00:04:59,810 THE ACCOUNT BOOK LISTS OFFICERS 67 00:04:59,840 --> 00:05:01,670 WHO WERE ON MARINO'S PAYROLL. 68 00:05:01,710 --> 00:05:03,350 BY HER OWN ADMISSION, 69 00:05:03,370 --> 00:05:05,740 JANICE LICALSI WAS WORKING FOR ANGELO MARINO, 70 00:05:05,780 --> 00:05:07,550 YET HER NAME DOES NOT APPEAR. 71 00:05:07,580 --> 00:05:09,310 WHAT'S YOUR QUESTION? 72 00:05:09,350 --> 00:05:11,720 THE INTELLIGENCE DIVISION OF THE POLICE DEPARTMENT 73 00:05:11,750 --> 00:05:14,550 BELIEVES PAGES HAVE BEEN TORN FROM THE LEDGER. 74 00:05:14,590 --> 00:05:16,830 DO YOU KNOW HOW THAT COULD'VE HAPPENED? 75 00:05:16,860 --> 00:05:17,730 NO. 76 00:05:17,760 --> 00:05:19,700 HOW LONG DID YOU HAVE THE LEDGER? 77 00:05:19,720 --> 00:05:20,990 TWO DAYS. 78 00:05:21,030 --> 00:05:23,500 NO FOUNDATION THAT THE PAGES WERE REMOVED 79 00:05:23,530 --> 00:05:25,000 DURING THAT TIME FRAME. 80 00:05:25,030 --> 00:05:27,900 HE DIDN'T MAKE THAT ALLEGATION. 81 00:05:27,930 --> 00:05:29,530 I'LL PUT IT MORE DIRECTLY. 82 00:05:29,570 --> 00:05:33,000 DID THERE COME A POINT DURING THE LINARDI INVESTIGATION 83 00:05:33,040 --> 00:05:35,410 AT WHICH YOU DISCOVERED MISS LICALSI'S COMPLICITY 84 00:05:35,440 --> 00:05:37,240 IN THE MARINO MURDERS? 85 00:05:37,280 --> 00:05:38,680 NO. 86 00:05:38,710 --> 00:05:40,940 DID YOU NOT CONFRONT HER WITH YOUR DISCOVERY? 87 00:05:40,980 --> 00:05:41,840 NO. 88 00:05:41,880 --> 00:05:43,850 DID YOU NOT SUPPRESS EVIDENCE 89 00:05:43,880 --> 00:05:47,020 SO SHE COULD COME FORWARD AND PUT HERSELF IN A BETTER LIGHT? 90 00:05:47,050 --> 00:05:48,620 I DID NOT SUPPRESS ANY EVIDENCE 91 00:05:48,650 --> 00:05:51,720 AND HAD NOTHING TO DO WITH HER COMING FORWARD. 92 00:05:51,760 --> 00:05:53,970 I WANT TO RECALL DETECTIVE KELLY FOLLOWING TESTIMONY 93 00:05:53,990 --> 00:05:55,190 FROM A SUBSEQUENT WITNESS. 94 00:05:55,230 --> 00:05:57,140 NOTHING MORE AT THIS TIME. 95 00:05:57,160 --> 00:05:59,190 SHE CAME FORWARD ON HER OWN. 96 00:05:59,230 --> 00:06:01,530 STAND DOWN. 97 00:06:01,570 --> 00:06:04,510 YOU'RE TO BE AVAILABLE FOR RECALL. 98 00:06:10,070 --> 00:06:12,410 DO YOU KNOW WHEN YOU'LL BE BACK? 99 00:06:12,440 --> 00:06:14,080 I'M ON A FIRING RANGE. 100 00:06:14,110 --> 00:06:16,410 AS LONG AS IT TAKES TO QUALIFY. 101 00:06:16,450 --> 00:06:18,920 ARE YOU SURE I CAN'T GET YOU ANYTHING? 102 00:06:18,950 --> 00:06:20,050 NO, THANK YOU. 103 00:06:20,080 --> 00:06:21,620 HERE'S THE DETECTIVE. 104 00:06:21,650 --> 00:06:24,320 HOW YOU DOING, MRS. CARLIN? 105 00:06:24,360 --> 00:06:25,330 ANDY. 106 00:06:25,360 --> 00:06:26,400 YEAH. 107 00:06:26,420 --> 00:06:29,790 I'D LIKE TO GET MY HUSBAND RELEASED. 108 00:06:29,830 --> 00:06:31,760 HERE. STEP OVER TO MY DESK. 109 00:06:31,800 --> 00:06:34,770 HE'S MISSING WORK, AND I'D LIKE YOU TO GET HIM OUT. 110 00:06:34,800 --> 00:06:37,770 THE CHARGE CAN'T BE DROPPED TILL THE HEARING TOMORROW. 111 00:06:37,800 --> 00:06:40,270 I'M NOT GOING TO PRESS THE CHARGES, 112 00:06:40,300 --> 00:06:43,970 AND HE'S IN JAIL, AND HE'S GETTING REALLY ANGRY. 113 00:06:44,010 --> 00:06:46,510 I WANT TO SHOW YOU SOMETHING. 114 00:06:46,550 --> 00:06:47,990 WHAT? 115 00:06:48,010 --> 00:06:49,980 COME HERE WITH ME. ANYBODY? 116 00:06:50,010 --> 00:06:52,010 COME ON IN HERE. 117 00:06:55,350 --> 00:06:56,520 COME HERE. 118 00:06:58,720 --> 00:07:00,820 TAKE OFF YOUR GLASSES. 119 00:07:00,860 --> 00:07:02,990 JUST TAKE THEM OFF. 120 00:07:06,870 --> 00:07:07,840 HERE. 121 00:07:07,870 --> 00:07:11,010 TAKE A LOOK AT YOURSELF. 122 00:07:17,540 --> 00:07:20,580 CAN JUST ABOUT SEE YOU UNDER THOSE BRUISES. 123 00:07:22,050 --> 00:07:24,360 HE'LL LEARN THIS TIME. 124 00:07:24,380 --> 00:07:27,620 THIS TIME HE WENT TO JAIL. 125 00:07:27,650 --> 00:07:29,120 YOU'RE KIDDING YOURSELF. 126 00:07:29,150 --> 00:07:31,620 IF YOU DON'T FOLLOW THIS COMPLAINT OUT, 127 00:07:31,660 --> 00:07:34,370 YOUR HUSBAND'S NOT GOING TO LEARN ANYTHING. 128 00:07:34,390 --> 00:07:36,860 HE'S GOING TO GET RELEASED FROM RIKER'S. 129 00:07:36,900 --> 00:07:40,810 HE'S GOING TO BLAME YOU FOR THE TWO DAYS HE SPENT INSIDE 130 00:07:40,830 --> 00:07:44,870 AND PROBABLY GIVE YOU THE WORST BEATING YOU EVER HAD. 131 00:07:46,840 --> 00:07:50,310 DID YOU CALL ANY OF THOSE NUMBERS I GAVE YOU? 132 00:07:50,340 --> 00:07:52,910 I CAN'T MOVE OUT. 133 00:07:52,940 --> 00:07:55,810 HE PAYS ON MY MOTHER AT THE AGE FACILITY 134 00:07:55,850 --> 00:07:57,560 AND SOME OF HER MEDICINE. 135 00:07:57,580 --> 00:07:58,910 YOU CAN'T WORK? 136 00:07:58,950 --> 00:08:01,020 I LOOK AFTER HER EVERY DAY. 137 00:08:01,050 --> 00:08:03,520 I'M GOING TO MAKE SOME CALLS. 138 00:08:03,560 --> 00:08:06,030 I'LL MEET YOU AT THE HEARING TOMORROW. 139 00:08:06,060 --> 00:08:08,470 YOU CAN'T GET HIM OUT NOW? 140 00:08:09,430 --> 00:08:11,270 NO. 141 00:08:11,300 --> 00:08:12,640 NO. 142 00:08:15,630 --> 00:08:19,530 CAN I PLEASE HAVE MY SUNGLASSES BACK? 143 00:08:20,970 --> 00:08:22,500 YEAH. 144 00:08:22,540 --> 00:08:24,070 THANKS. 145 00:08:26,240 --> 00:08:27,710 HERE. THIS WAY. 146 00:08:33,720 --> 00:08:36,620 I'LL SEE YOU AT THE HEARING. 147 00:08:36,660 --> 00:08:38,130 HEY. HOW'D IT GO? 148 00:08:38,160 --> 00:08:40,470 PEACHY. 149 00:08:40,490 --> 00:08:41,760 ABRAMS COME AFTER YOU? 150 00:08:41,790 --> 00:08:42,960 YEAH. BIG‐TIME. 151 00:08:42,990 --> 00:08:44,860 MAKING IT LOOK LIKE LICALSI CONFESSED 152 00:08:44,900 --> 00:08:46,240 BECAUSE I FOUND OUT. 153 00:08:46,260 --> 00:08:49,700 I HATE THAT FAT PRICK WITH HIS WIMPY BEARD. 154 00:08:49,730 --> 00:08:53,200 RICHIE'S BIMBO IS GOING TO TESTIFY ON THE MARINO LEDGERS. 155 00:08:53,240 --> 00:08:56,380 YOU SHOULD'VE DONE WITH THAT LEDGER 156 00:08:56,410 --> 00:08:58,780 WHAT NIXON SHOULD'VE DONE WITH THE TAPES. 157 00:08:58,810 --> 00:09:00,480 ANOTHER SMACK DEALER GOT ROBBED. 158 00:09:00,510 --> 00:09:02,540 LET'S RUSH RIGHT OVER. 159 00:09:02,580 --> 00:09:05,310 JOHN, I.A.B. IS LOOKING AT YOU. 160 00:09:05,350 --> 00:09:07,780 THEY HAD A GUY ON ME AT COURT. 161 00:09:07,820 --> 00:09:09,420 I GOT THE MESSAGE. 162 00:09:09,450 --> 00:09:10,790 NO MISTAKES. 163 00:09:35,210 --> 00:09:37,510 WHERE'D YOU GET THAT EYE, SON? 164 00:09:37,550 --> 00:09:40,150 A COUPLE GUYS RAN OUT THAT DOOR YESTERDAY 165 00:09:40,180 --> 00:09:42,020 WHEN ALEX WAS COMING UP, PUSHED HIM DOWNSTAIRS. 166 00:09:42,050 --> 00:09:45,090 THEY ROBBED THE GUY IN THIS APARTMENT? 167 00:09:45,120 --> 00:09:46,150 I THINK SO. 168 00:09:46,190 --> 00:09:47,590 THINK HE'S DEALING DRUGS? 169 00:09:47,630 --> 00:09:49,700 I WOULDN'T KNOW. I DON'T WANT TROUBLE. 170 00:09:49,730 --> 00:09:51,190 COME ON, SON. 171 00:09:53,060 --> 00:09:54,030 YEAH? 172 00:09:54,070 --> 00:09:56,440 NEW YORK CITY DETECTIVES, MR. RAMOS. 173 00:09:56,470 --> 00:09:59,340 [SPANISH RADIO PLAYS] 174 00:09:59,370 --> 00:10:01,400 WANT TO OPEN UP, PLEASE? 175 00:10:05,710 --> 00:10:08,180 CAN WE TALK TO YOU ABOUT GETTING ROBBED? 176 00:10:08,210 --> 00:10:11,680 WHAT I GOT TO SAY I SAID TO THE UNIFORMS ALREADY. 177 00:10:11,720 --> 00:10:13,690 COUPLE GUYS I DIDN'T SEE 178 00:10:13,720 --> 00:10:16,350 CAME IN, CUFFED MY ANKLE TO THE RADIATOR, 179 00:10:16,390 --> 00:10:18,160 TOSSED THE PLACE AND LEFT. 180 00:10:18,190 --> 00:10:20,190 MISTAKE, I FIGURE. 181 00:10:20,220 --> 00:10:22,290 HEY, WHAT ARE YOU DOING, MAN? 182 00:10:22,330 --> 00:10:24,700 YOU KNOCKED ON THE WALL. GOT THE NEIGHBOR? 183 00:10:24,730 --> 00:10:26,460 HE CALLED THE COPS. I DIDN'T. 184 00:10:26,500 --> 00:10:27,840 WHERE'S THE NEIGHBOR NOW? 185 00:10:27,870 --> 00:10:29,140 HE GOT CHEST PAINS. 186 00:10:29,170 --> 00:10:31,240 HE WENT TO THE HOSPITAL. 187 00:10:31,270 --> 00:10:32,170 YOU DEALING? 188 00:10:32,200 --> 00:10:34,040 NO. HEY, WHAT ARE YOU DOING? 189 00:10:34,070 --> 00:10:35,900 THAT'S A PRIVATE BEDROOM BACK THERE. 190 00:10:35,940 --> 00:10:37,910 THOUGHT I HEARD VOICES, SINGING. 191 00:10:37,940 --> 00:10:40,710 COOPERATE, IT'LL GO EASIER ON YOU. 192 00:10:40,750 --> 00:10:43,020 I TOLD YOU WHAT I KNOW. 193 00:10:43,050 --> 00:10:47,060 YOU'RE NOT DEALING, SO THESE ARE THE SCALES OF JUSTICE? 194 00:10:47,090 --> 00:10:49,700 THEY SAY YOU'RE A LYING TURD. 195 00:10:49,720 --> 00:10:52,090 I'M ASKING YOU GUYS TO LEAVE. 196 00:10:52,120 --> 00:10:55,320 WE GOTTA COUNSEL YOU HOW TO HANDLE A ROBBERY ATTEMPT 197 00:10:55,360 --> 00:10:57,230 SHOULD IT HAPPEN AGAIN. 198 00:10:57,260 --> 00:11:00,060 THE BEST WAY AN ASSHOLE LIKE YOU SHOULD RESPOND 199 00:11:00,100 --> 00:11:04,170 IS TO SEIZE UP THE BARREL OF THE INTRUDER'S GUN IN YOUR MOUTH. 200 00:11:04,200 --> 00:11:06,170 TRY TO JERK IT AWAY. 201 00:11:06,200 --> 00:11:09,000 IF IT GOES OFF IN YOUR THROAT, WE'LL ARREST HIM. 202 00:11:09,040 --> 00:11:12,470 REMEMBER THAT IF YOU GET ANOTHER SCALE, YOU JERK. 203 00:11:16,050 --> 00:11:18,090 I DON'T MIND THEM ROBBING DRUG DEALERS, 204 00:11:18,120 --> 00:11:19,890 BUT PUSHING KIDS DOWN THE STAIRS‐‐ 205 00:11:19,920 --> 00:11:22,880 WE SHOULD SET UP ON ONE OF THESE PLACES. 206 00:11:27,290 --> 00:11:31,190 DETECTIVE KELLY, WOULD YOU COMMENT, PLEASE? 207 00:11:31,230 --> 00:11:34,030 I TOLD YOU BEFORE, I HAVE NOTHING TO SAY. 208 00:11:34,070 --> 00:11:37,140 THAT'S TWICE YOU STEPPED ON MY FOOT. 209 00:11:37,170 --> 00:11:38,030 KELLY! 210 00:11:38,070 --> 00:11:39,270 OH, BOY. 211 00:11:39,300 --> 00:11:41,200 I DON'T WANT TO HASSLE YOU, 212 00:11:41,240 --> 00:11:43,470 BUT YOU DON'T RETURN MY CALLS. 213 00:11:43,510 --> 00:11:45,320 WHAT'S HE TRYING TO TELL YOU? 214 00:11:45,340 --> 00:11:47,140 WOULD YOU GIVE US 30 SECONDS? 215 00:11:47,180 --> 00:11:49,280 NORMAN. 216 00:11:50,510 --> 00:11:53,250 WHAT MAKES YOU THINK I'D WANT TO TALK TO YOU? 217 00:11:53,280 --> 00:11:55,650 YOU THINK $100,000 MIGHT CHANGE YOUR ATTITUDE? 218 00:11:55,690 --> 00:11:57,660 THAT'S WHAT I'VE BEEN CALLING ABOUT. 219 00:11:57,690 --> 00:11:58,650 NOT INTERESTED. 220 00:11:58,690 --> 00:12:01,420 MY PEOPLE WILL GIVE YOU 100K 221 00:12:01,460 --> 00:12:04,490 FOR AN EXCLUSIVE INTERVIEW AFTER THE TRIAL. 222 00:12:04,530 --> 00:12:05,430 NOT INTERESTED. 223 00:12:05,460 --> 00:12:07,930 YOU'RE NOT INTERESTED IN 100 GRAND? 224 00:12:07,970 --> 00:12:10,640 IS SOMEONE PUTTING PROZAC IN YOUR GRANOLA? 225 00:12:10,670 --> 00:12:12,100 NO MORE MESSAGES, 226 00:12:12,140 --> 00:12:14,280 NO MORE CALLS. GOT IT? 227 00:12:14,310 --> 00:12:17,650 YOU ASK ME, WHAT'S COMING OUT OF THAT COURTROOM, 228 00:12:17,680 --> 00:12:21,450 YOU SHOULD START LOOKING AT NEW SOURCES OF INCOME. 229 00:12:24,820 --> 00:12:27,960 SAME AS THE OTHERS. TWO GUYS HIT THE APARTMENT, 230 00:12:27,990 --> 00:12:30,500 THAT LYING SACK‐OF‐CRAP DEALER 231 00:12:30,520 --> 00:12:32,020 DIDN'T SEE EITHER ONE. 232 00:12:32,060 --> 00:12:33,600 YOU CATCH HIM DIRTY? 233 00:12:33,630 --> 00:12:35,500 NO, BUT HE'S A DEFINITE. 234 00:12:35,530 --> 00:12:38,500 THEY RAN OVER SOME KID GOING DOWN THE STAIRS. 235 00:12:38,530 --> 00:12:40,500 JOHN AND ME WANT TO SET UP THERE 236 00:12:40,530 --> 00:12:42,200 BEFORE WE GET A HOMICIDE. 237 00:12:42,230 --> 00:12:45,870 MARTINEZ POPPED A GUY FOR CRIMINAL RECEIVING IN ONE. 238 00:12:45,900 --> 00:12:48,300 USE HIM IF HE FITS WHAT YOU NEED. 239 00:12:48,340 --> 00:12:51,310 UM, I. A. B. WANTS THE LOG BOOKS AND ROLL CALLS 240 00:12:51,340 --> 00:12:52,810 FROM THE LINARDI INVESTIGATION. 241 00:12:52,840 --> 00:12:54,380 THEY'RE COMING AFTER JOHN. 242 00:12:54,410 --> 00:12:56,480 THAT GIRL TESTIFY? 243 00:12:56,510 --> 00:12:59,720 I DON'T THINK THEY'RE WAITING TO FIND OUT. 244 00:12:59,750 --> 00:13:02,680 LIEUTENANT SAYS MARTINEZ GOT A GUY WE CAN USE 245 00:13:02,720 --> 00:13:04,190 IN INTERVIEW ONE. 246 00:13:04,220 --> 00:13:05,820 GOOD. 247 00:13:07,090 --> 00:13:08,460 SO TALK TO HIM. 248 00:13:08,490 --> 00:13:10,160 I'LL MEET YOU IN A MINUTE. 249 00:13:10,190 --> 00:13:11,560 SO, HOW'S IT GOING? 250 00:13:11,600 --> 00:13:15,710 I GOT YOUR MESSAGE ON AMENDING THE CARLIN COMPLAINT. 251 00:13:15,730 --> 00:13:17,130 CAN WE DO THAT? 252 00:13:17,170 --> 00:13:18,630 ON WHAT BASIS? 253 00:13:18,670 --> 00:13:20,670 THE GUY BIT ME. 254 00:13:20,710 --> 00:13:24,650 AT THAT GIN MILL, HE LEFT A FULL‐DENTAL IMPRESSION ON MY KNEE. 255 00:13:24,680 --> 00:13:27,050 IS THE WIFE DROPPING THE BATTERING CHARGES? 256 00:13:27,080 --> 00:13:30,050 I THINK SHE'S GOING TO DROP THEM. YEAH. 257 00:13:30,080 --> 00:13:32,480 YOU WANT THE HUSBAND OFF THE STREET? 258 00:13:32,520 --> 00:13:33,990 THIS GUY IS WRONG. 259 00:13:34,020 --> 00:13:37,390 HE'S BEEN USING THIS WOMAN FOR A SPEED BAG. 260 00:13:37,420 --> 00:13:39,050 WITH THE UNDERLYING CHARGE WITHDRAWN, 261 00:13:39,090 --> 00:13:41,690 THE JUDGE WILL NEVER LET ME AMEND. 262 00:13:41,730 --> 00:13:43,700 GET THE WOMAN SOME REFERRALS. 263 00:13:43,730 --> 00:13:45,690 THE HUSBAND'S GOING TO WALK. 264 00:13:45,730 --> 00:13:47,400 YEAH. ALL RIGHT. 265 00:13:49,370 --> 00:13:52,110 SO HOW ARE THINGS OTHERWISE? 266 00:13:52,140 --> 00:13:54,850 THEY'RE O. K. 267 00:13:54,870 --> 00:13:56,000 AHEM. 268 00:13:56,040 --> 00:13:57,040 I‐‐ 269 00:13:57,080 --> 00:14:01,020 I HOPE TO HAVE SOMETHING TO SAY TO YOU SOON 270 00:14:01,050 --> 00:14:03,520 ON A PERSONAL MATTER. 271 00:14:03,550 --> 00:14:06,550 WHY DON'T YOU JUST SAY IT? 272 00:14:06,590 --> 00:14:08,960 AT THIS POINT, 273 00:14:08,990 --> 00:14:10,630 I GOT TO WAIT. 274 00:14:12,260 --> 00:14:14,200 ALL RIGHT. 275 00:14:14,230 --> 00:14:16,640 I HOPE IT'LL BE VERY SOON. 276 00:14:18,230 --> 00:14:20,930 JUST WANTED YOU TO KNOW. 277 00:14:23,900 --> 00:14:26,170 EXCUSE ME. 278 00:14:28,570 --> 00:14:31,540 ALL RIGHT. YOU GOT A DRUG PROBLEM, TAHIR? 279 00:14:31,580 --> 00:14:34,550 MY ONLY PROBLEM'S WITH THE POLICE. 280 00:14:34,580 --> 00:14:35,910 YOU DEALING NOW? 281 00:14:35,950 --> 00:14:37,120 DEFINITELY NOT. 282 00:14:37,150 --> 00:14:39,210 WE KNOW YOU'RE MOVING PRODUCT WITH THIS MARK. 283 00:14:39,250 --> 00:14:42,450 WE FIND DRUGS IN YOUR PLACE, THAT'S AN EXTRA FELONY. 284 00:14:42,490 --> 00:14:44,230 PLUS A LOST CHANCE TO HELP YOURSELF. 285 00:14:44,260 --> 00:14:46,230 HOW CAN I HELP MYSELF? 286 00:14:46,260 --> 00:14:47,900 YOU WANT TO COOPERATE? 287 00:14:47,930 --> 00:14:50,470 THAT'S WHAT I'M LOOKING FOR‐‐ A FRESH START. 288 00:14:50,490 --> 00:14:53,800 BOOSTING THAT CD PLAYER WAS A MISTAKE, 289 00:14:53,830 --> 00:14:56,570 BUT I DID THAT 'CAUSE I MOVED INTO A NEW PLACE. 290 00:14:56,600 --> 00:14:59,070 GAVE YOURSELF A HOUSEWARMING PRESENT. 291 00:14:59,100 --> 00:15:00,640 GUYS ARE ROBBING DEALERS IN YOUR NEIGHBORHOOD. 292 00:15:00,670 --> 00:15:02,940 TRIED ME LAST WEEK. 293 00:15:02,970 --> 00:15:05,410 WE WANT TO PUT A CAMERA IN YOUR PLACE. 294 00:15:05,440 --> 00:15:06,810 THAT GET THIS BEEF DROPPED? 295 00:15:06,850 --> 00:15:08,190 DEPENDS. 296 00:15:08,210 --> 00:15:10,750 I'M DOWN. SET IT UP. 297 00:15:10,780 --> 00:15:13,350 YOU'LL BE WEARING A VEST. 298 00:15:13,380 --> 00:15:14,780 WE'LL BE CLOSE BY. 299 00:15:14,820 --> 00:15:17,520 THERE'S GOING TO BE SOME RISK TO YOU. 300 00:15:17,560 --> 00:15:19,500 NO MORE THAN USUAL, MAN. 301 00:15:19,520 --> 00:15:21,590 THAT COMES WITH THIS LIFESTYLE. 302 00:15:21,630 --> 00:15:24,940 WE DON'T WANNA SEE YOU DIRTY ON THIS CAMERA, TAHIR. 303 00:15:24,960 --> 00:15:27,930 ALL WE WANT IS IF YOU GET ROBBED. 304 00:15:27,970 --> 00:15:30,710 COULD YOU SEE INTO THE CRAPPER? 305 00:15:31,670 --> 00:15:32,770 NO. 306 00:15:32,800 --> 00:15:34,640 NO CAMERA IN THE CRAPPER. 307 00:15:34,670 --> 00:15:36,040 SO ANYTHING SELF‐INCRIMINATING, 308 00:15:36,070 --> 00:15:38,640 THAT'D BE THE PLACE TO DO IT. 309 00:15:38,680 --> 00:15:42,020 USE YOUR HEAD AND KEEP YOUR MOUTH SHUT. 310 00:15:42,050 --> 00:15:44,820 I GOT A REALLY GOOD FEELING ABOUT THIS. 311 00:15:47,990 --> 00:15:50,960 HEY. HOW'D IT GO AT THE FIRING RANGE? 312 00:15:50,990 --> 00:15:52,520 HOW'D IT GO, DONNA? 313 00:15:52,560 --> 00:15:55,870 I SPENT AN HOUR EACH DIRECTION ON A BRIDGE 314 00:15:55,890 --> 00:15:57,530 BUNGED UP IN TRAFFIC. 315 00:15:57,560 --> 00:16:01,000 I GOT BIT BY GREENFLIES AT RODMAN'S NECK, 316 00:16:01,030 --> 00:16:03,400 AND THEN I MUTILATED MY THUMB 317 00:16:03,430 --> 00:16:06,870 ADJUSTING TO THE SLIDE ACTION ON THE 9 mm WEAPON. 318 00:16:06,910 --> 00:16:09,880 GREG, STOP A MINUTE AND TALK TO ME. 319 00:16:09,910 --> 00:16:11,370 WHAT'S THE POINT? 320 00:16:11,410 --> 00:16:12,870 THE POINT IS... 321 00:16:12,910 --> 00:16:14,740 TO STOP AND TALK. 322 00:16:14,780 --> 00:16:17,180 EVER SINCE THESE SETTLEMENT MEETINGS WITH YOUR WIFE, 323 00:16:17,220 --> 00:16:19,520 IT'S LIKE YOU'RE IN ANOTHER SOLAR SYSTEM. 324 00:16:19,550 --> 00:16:22,520 YEAH, WELL, SO LONG FROM PLANET MEDAVOY. 325 00:16:22,550 --> 00:16:23,920 GREGORY? 326 00:16:23,960 --> 00:16:26,530 IT'S USELESS, DONNA. 327 00:16:26,560 --> 00:16:30,390 IT'S HOPELESS AND USELESS AND A WASTE OF YOUR TIME. 328 00:16:30,430 --> 00:16:31,530 [TELEPHONE RINGS] 329 00:16:31,560 --> 00:16:34,230 15th SQUAD. 330 00:16:34,270 --> 00:16:35,670 YEAH. 331 00:16:35,700 --> 00:16:38,600 JAMES SINCLAIR, DETECTIVE. 332 00:16:38,640 --> 00:16:43,380 AND ROBIN SAID SHE'D MEET YOU AT THE JIVE BAR. 333 00:16:43,410 --> 00:16:44,450 KELLY. 334 00:16:46,810 --> 00:16:47,880 MM‐HMM. 335 00:16:49,380 --> 00:16:52,680 O.K. I'LL SEE YOU IN THE MORNING. RIGHT. 336 00:16:52,720 --> 00:16:54,030 THANKS A LOT. 337 00:16:54,050 --> 00:16:55,020 YEAH. 338 00:16:55,050 --> 00:16:57,720 I'M GOING BACK TOMORROW. 339 00:16:59,420 --> 00:17:02,060 GUESS THIS GIRL JAMMED ME UP. 340 00:17:02,090 --> 00:17:03,790 SHE SAY WHAT SHE SAW? 341 00:17:03,830 --> 00:17:06,390 I DON'T CARE WHAT SHE SAID SHE SAW, 342 00:17:06,430 --> 00:17:08,300 SHE WASN'T THERE. SHE'S LYING. 343 00:17:08,330 --> 00:17:11,030 PROBABLY WENT TO ABRAMS LOOKING TO EARN WITH SOMETHING 344 00:17:11,070 --> 00:17:12,370 HER DEAD BOYFRIEND TOLD HER. 345 00:17:12,400 --> 00:17:15,200 HE GIVES HER A COURSE IN THE HEARSAY RULE, 346 00:17:15,240 --> 00:17:17,810 AND HER MEMORY GETS VIVID, HUH? 347 00:17:19,010 --> 00:17:20,240 LOOKS LIKE YOU'RE UP. 348 00:17:20,280 --> 00:17:23,380 YEAH. I GOTTA TALK TO THIS GUY. 349 00:17:23,410 --> 00:17:25,050 O.K. WE'LL TALK LATER? 350 00:17:25,080 --> 00:17:26,950 CALL ME TONIGHT IF YOU WANT. 351 00:17:26,990 --> 00:17:27,960 YEAH. THANKS. 352 00:17:27,990 --> 00:17:28,930 HEY, DAN. 353 00:17:28,950 --> 00:17:32,750 A DIFFERENT JOB NOW. 354 00:17:32,790 --> 00:17:33,620 HISPANIC FELLAS, 355 00:17:33,660 --> 00:17:35,620 WOMEN. 356 00:17:38,160 --> 00:17:41,500 AND A PUFF OF SMOKE, A WORKING LIEUTENANT. 357 00:17:41,530 --> 00:17:43,430 I'VE BEEN WAITING FOR YOUR CALL. 358 00:17:43,470 --> 00:17:45,580 DID YOU SPEAK TO HER TODAY? 359 00:17:45,600 --> 00:17:47,570 YOU SAID DON'T UNTIL YOU CALLED. 360 00:17:47,610 --> 00:17:48,810 I HAD SECOND THOUGHTS. 361 00:17:48,840 --> 00:17:51,610 I DON'T WANT YOU ASKING HER OUT TODAY. 362 00:17:51,640 --> 00:17:54,440 DAN, YOU'RE DRIVING ME CRAZY. 363 00:17:54,480 --> 00:17:56,480 WHO'S THE BOSS? 364 00:17:56,510 --> 00:17:58,480 WITH 18 YEARS OF SOBRIETY? 365 00:17:58,520 --> 00:18:00,960 WHO DID YOU ASK TO BE YOUR SPONSOR? 366 00:18:00,990 --> 00:18:02,960 YOU'VE BEEN A BIG HELP, 367 00:18:02,990 --> 00:18:05,460 BUT I DISAGREE WITH YOU ON THIS. 368 00:18:05,490 --> 00:18:08,360 IT'S MY DECISION TO GIVE THIS MORE THOUGHT. 369 00:18:08,390 --> 00:18:10,360 I'M NOT RISKING YOUR PROGRESS. 370 00:18:10,390 --> 00:18:13,430 WHEN CAN I ASK HER OUT? 371 00:18:13,460 --> 00:18:17,130 I DON'T KNOW! YOU'LL WEAR ON YOURSELF WITH YOUR IMPATIENCE. 372 00:18:18,540 --> 00:18:20,780 THAT'S IT? 373 00:18:20,810 --> 00:18:23,180 REMEMBER, G. R. I. P. 374 00:18:23,210 --> 00:18:26,280 GROWTH, RESOLUTION, 375 00:18:26,310 --> 00:18:27,710 INTENTION, 376 00:18:27,750 --> 00:18:28,620 PURPOSE. 377 00:18:28,650 --> 00:18:30,990 WE'LL SPEAK SOON. 378 00:18:32,920 --> 00:18:34,790 AH. 379 00:18:34,820 --> 00:18:36,480 GRIP THIS. 380 00:18:40,660 --> 00:18:42,990 [MAN ON TV] THE SO‐CALLED BLUE MURDER TRIAL 381 00:18:43,030 --> 00:18:44,640 OF FORMER POLICE OFFICER JANICE LICALSI. 382 00:18:44,660 --> 00:18:46,130 AFTERNOON TESTIMONY 383 00:18:46,160 --> 00:18:48,400 SUPPORTED THE PROSECUTION'S CONTENTION 384 00:18:48,430 --> 00:18:49,830 THAT DETECTIVE JOHN KELLY 385 00:18:49,870 --> 00:18:52,470 HAD KNOWN OF HIS LOVER'S INVOLVEMENT 386 00:18:52,500 --> 00:18:54,140 WITH ORGANIZED CRIME. 387 00:18:54,170 --> 00:18:57,040 GINA ZARONE, SHOWN LEAVING THE CENTER STREET COURTHOUSE, 388 00:18:57,080 --> 00:18:59,320 STATED THAT SHE HAD SEEN KELLY... 389 00:18:59,340 --> 00:19:03,850 HARRY, ANOTHER ONE FOR THE GENTLEMAN DOWN THERE. 390 00:19:03,880 --> 00:19:06,510 A SOLDIER IN THE MARINO CRIME FAMILY, 391 00:19:06,550 --> 00:19:09,050 AT WHICH LICALSI WAS SHOWN XEROXES 392 00:19:09,090 --> 00:19:10,930 OF THE CONTROVERSIAL MARINO DIARY. 393 00:19:10,960 --> 00:19:12,060 ANOTHER ONE? NO, THANKS. 394 00:19:12,090 --> 00:19:13,890 YOU SURE? 395 00:19:13,930 --> 00:19:15,030 YEAH. THANKS. 396 00:19:15,060 --> 00:19:17,730 AS A SURPRISE WITNESS ON THE GROUNDS 397 00:19:17,760 --> 00:19:21,030 THAT HER LIFE HAD BEEN THREATENED ON SEVERAL OCCASIONS... 398 00:19:21,070 --> 00:19:23,740 MIND IF I SAY THAT I RECOGNIZE YOU? 399 00:19:23,770 --> 00:19:25,600 I'M NOT LOOKING FOR CONVERSATION. 400 00:19:25,640 --> 00:19:27,210 SORRY. 401 00:19:27,240 --> 00:19:28,840 HEY, JOHNNY. 402 00:19:28,870 --> 00:19:30,110 ABSOLUTELY NEW YORK'S FINEST. 403 00:19:30,140 --> 00:19:31,410 THAT'S NO PROBLEM. 404 00:19:31,440 --> 00:19:33,340 THIS GIRL SHOOT ANYBODY YET? 405 00:19:33,380 --> 00:19:34,690 HUH? 406 00:19:34,710 --> 00:19:36,850 HEY, WHY DON'T YOU GO SIT 407 00:19:36,880 --> 00:19:38,850 AND TALK TO YOUR NEW FRIEND? 408 00:19:38,880 --> 00:19:41,850 YOU'VE HAD TOO MUCH TO DRINK. TAKE IT OUTSIDE. 409 00:19:41,890 --> 00:19:43,860 HEY, THIS AIN'T RWANDA, PAL. 410 00:19:43,890 --> 00:19:46,920 THE HELL WITH YOU, JERRY. 411 00:19:46,960 --> 00:19:49,630 THIS ISN'T A POLICE STATE YET. HEY! 412 00:19:49,660 --> 00:19:51,090 AH! 413 00:19:56,470 --> 00:19:58,210 AH! 414 00:19:58,240 --> 00:19:59,810 YOU'RE A LIAR UP THERE. 415 00:19:59,840 --> 00:20:01,540 HOPE THAT BITCH GETS LIFE, 416 00:20:01,570 --> 00:20:04,640 AND THEY KICK YOUR ASS OFF THE FORCE. 417 00:20:04,680 --> 00:20:05,920 DON'T COME BACK. 418 00:20:11,580 --> 00:20:12,910 O.K.? 419 00:20:12,950 --> 00:20:14,420 YEAH. 420 00:20:20,960 --> 00:20:23,320 HOW WAS YOUR DAY? 421 00:20:23,360 --> 00:20:25,160 O.K. 422 00:20:26,600 --> 00:20:28,730 LAST FIVE DAYS HAVE BEEN O. K. 423 00:20:28,770 --> 00:20:31,010 YEAH. BEEN A LITTLE HECTIC. 424 00:20:33,300 --> 00:20:35,340 SO HOW IS SHE DOING? 425 00:20:38,840 --> 00:20:40,240 HOW'S WHO DOING? 426 00:20:40,280 --> 00:20:43,440 WHO? HILLARY CLINTON, WHO. 427 00:20:44,380 --> 00:20:46,280 SHE'S DOING O. K. 428 00:20:46,320 --> 00:20:48,990 SHE JUST WANTS THIS PART OF IT OVER. 429 00:20:49,020 --> 00:20:50,990 SHE WANTS TO GET SENTENCED. 430 00:20:54,690 --> 00:20:57,030 LET'S GET SOME MENUS. COULD WE... 431 00:20:59,300 --> 00:21:00,540 THANK YOU. 432 00:21:16,880 --> 00:21:20,050 I STILL HAVE FEELINGS FOR HER. 433 00:21:21,150 --> 00:21:22,650 JANICE LICALSI. 434 00:21:22,690 --> 00:21:24,360 YEAH. 435 00:21:26,830 --> 00:21:28,730 YEAH, I GUESS YOU DO. 436 00:21:31,360 --> 00:21:33,700 HAVE YOU, UH... 437 00:21:33,730 --> 00:21:35,530 HAVE YOU BEEN SEEING HER? 438 00:21:35,570 --> 00:21:37,710 I SAW HER LAST NIGHT. 439 00:21:37,740 --> 00:21:40,080 YOU SLEEP WITH HER? 440 00:21:40,100 --> 00:21:41,200 NO. 441 00:21:41,240 --> 00:21:42,800 NO. IT'S JUST‐‐ 442 00:21:42,840 --> 00:21:46,540 IT'S LIKE A MESS, AND SHE'S GOING TO JAIL... 443 00:21:50,410 --> 00:21:53,250 LET ME JUST ASK YOU A QUESTION, JOHNNY. 444 00:21:53,280 --> 00:21:55,220 WHEN A PERSON'S IN TROUBLE, 445 00:21:55,250 --> 00:21:56,890 YOU GET VERY PROTECTIVE. 446 00:21:56,920 --> 00:21:59,220 AND‐‐LET ME JUST ASK YOU‐‐ 447 00:21:59,260 --> 00:22:00,700 WHEN YOU SAY FEELINGS, 448 00:22:00,730 --> 00:22:03,230 COULD IT BE THOSE OR, UM‐‐ 449 00:22:03,260 --> 00:22:04,230 NO. 450 00:22:07,100 --> 00:22:09,930 I HAVE FEELINGS FOR HER. 451 00:22:13,440 --> 00:22:16,750 I GUESS WE OUGHT TO STOP SEEING EACH OTHER. 452 00:22:16,780 --> 00:22:18,420 I'M SORRY. 453 00:22:18,440 --> 00:22:20,210 HEY, WE WERE FRIENDS BEFORE. 454 00:22:20,240 --> 00:22:24,210 WE'RE STILL GOING TO BE FRIENDS, O. K.? 455 00:22:24,250 --> 00:22:27,280 YOU LOVE WHO YOU LOVE. 456 00:22:32,060 --> 00:22:34,370 I'M NOT... I'M NOT HUNGRY. 457 00:22:34,390 --> 00:22:36,190 YEAH. 458 00:22:36,230 --> 00:22:37,300 LET ME GET YOU‐‐ 459 00:22:37,330 --> 00:22:40,360 PLEASE, I CAN GET HOME. 460 00:22:40,400 --> 00:22:42,530 I'LL CALL YOU. 461 00:22:42,570 --> 00:22:43,580 O.K. 462 00:23:03,420 --> 00:23:05,290 THIS IS THE GENTLEMAN, LIEUTENANT. 463 00:23:05,320 --> 00:23:07,290 ARE YOU JOHN KELLY'S SUPERIOR? 464 00:23:07,330 --> 00:23:09,300 YEAH. HOW CAN I HELP YOU? 465 00:23:09,330 --> 00:23:10,800 MY NAME IS TIMOTHY MILLER, 466 00:23:10,830 --> 00:23:13,660 AND I'D LIKE TO FILE AN ASSAULT COMPLAINT AGAINST MR. KELLY. 467 00:23:13,700 --> 00:23:15,130 LET'S GO TO MY OFFICE. 468 00:23:15,170 --> 00:23:17,080 ARE YOU FAMILIAR WITH THE INCIDENT? 469 00:23:17,100 --> 00:23:18,970 TELL ME YOUR SIDE OF IT. 470 00:23:19,000 --> 00:23:21,800 I'M HAVING A BEER. I RECOGNIZE HIM FROM TV. 471 00:23:21,840 --> 00:23:23,000 I SAY HI. 472 00:23:23,040 --> 00:23:25,470 HE GETS HYSTERICAL ABOUT HIS PRIVACY. 473 00:23:25,510 --> 00:23:29,340 NEXT THING, I GET THE BRASS KNUCKLES IN THE SOLAR PLEXUS. 474 00:23:29,380 --> 00:23:30,780 I'M STILL BRINGING UP BILE. 475 00:23:30,820 --> 00:23:32,520 SO, YOU WANT TO FILE A COMPLAINT? 476 00:23:32,550 --> 00:23:33,650 HELL, YES! 477 00:23:33,690 --> 00:23:35,030 AND MAYBE A LAWSUIT. 478 00:23:35,050 --> 00:23:37,490 I'LL GET A DETECTIVE TO TAKE THE INFORMATION, 479 00:23:37,520 --> 00:23:40,920 BUT KNOW THAT WE'RE GOING TO LOOK REAL HARD AT YOUR STORY. 480 00:23:40,960 --> 00:23:42,790 THE BRASS KNUCKLES DON'T SOUND RIGHT. 481 00:23:42,830 --> 00:23:45,270 THE UNPROVOKED ASSAULT DOESN'T SOUND RIGHT EITHER. 482 00:23:45,300 --> 00:23:48,110 ARE YOU SURE YOU WEREN'T DRUNK AND MOUTHING OFF 483 00:23:48,130 --> 00:23:50,270 AND MAYBE HE HELPED YOU OUTSIDE? 484 00:23:50,300 --> 00:23:52,270 SO THIS IS HOW IT WORKS. 485 00:23:52,300 --> 00:23:53,640 THE BIG BLUE WALL. 486 00:23:53,670 --> 00:23:56,140 HOW IT WORKS IS YOU FILE A COMPLAINT. 487 00:23:56,170 --> 00:23:57,640 THEN WE ASK DETECTIVE KELLY 488 00:23:57,680 --> 00:23:59,320 IF HE WANTS A CROSS‐COMPLAINT. 489 00:23:59,340 --> 00:24:01,880 THEN WE GET STATEMENTS FROM ANY WITNESSES 490 00:24:01,910 --> 00:24:03,610 ABOUT WHO PROVOKED THE INCIDENT. 491 00:24:03,650 --> 00:24:06,180 THEN WE DECIDE WHO GETS LOCKED UP. 492 00:24:06,220 --> 00:24:07,690 SHALL I CALL A DETECTIVE? 493 00:24:07,720 --> 00:24:11,520 I WANT YOU TO KNOW WHAT KIND OF PEOPLE ARE WORKING FOR YOU. 494 00:24:11,560 --> 00:24:16,000 I KNOW WHAT KIND OF PEOPLE I HAVE WORKING FOR ME. 495 00:24:20,570 --> 00:24:23,110 THINK YOU CAN FIND YOUR WAY OUT? 496 00:24:27,210 --> 00:24:29,550 HOW LONG A WAITING LIST? 497 00:24:31,440 --> 00:24:33,210 FORGET ABOUT THE HOMELESS SHELTER. 498 00:24:33,240 --> 00:24:37,650 SHE'D JUST HAVE SIX PEOPLE HITTING HER INSTEAD OF ONE. 499 00:24:37,680 --> 00:24:39,550 ALL RIGHT. YEAH. THANKS, ANYWAYS. 500 00:24:40,850 --> 00:24:42,580 HEY, JOHN. 501 00:24:42,620 --> 00:24:44,450 COME HERE. 502 00:24:46,420 --> 00:24:47,890 WHAT'S GOING ON? 503 00:24:47,930 --> 00:24:49,900 SOME GUY WAS JUST IN HERE, 504 00:24:49,930 --> 00:24:52,960 SAYING YOU BEAT HIM UP IN A BAR FIGHT. 505 00:24:54,700 --> 00:24:57,170 THIS GUY WAS MOUTHING OFF TO ME. 506 00:24:57,200 --> 00:24:59,400 I ASKED HIM TO LEAVE THE BAR. 507 00:24:59,440 --> 00:25:03,010 HE THREW AN ELBOW AT ME, SO I HELPED HIM. 508 00:25:03,040 --> 00:25:04,510 THEN YOU BEAT HIM UP? 509 00:25:04,540 --> 00:25:06,070 I MOVED HIM OUTSIDE. 510 00:25:06,950 --> 00:25:08,420 HE FILE A COMPLAINT? 511 00:25:08,450 --> 00:25:09,490 NO. 512 00:25:10,880 --> 00:25:13,080 HOW'D THAT HAPPEN? 513 00:25:14,890 --> 00:25:16,460 YOU ALL RIGHT, JOHN? 514 00:25:16,490 --> 00:25:18,030 YEAH. 515 00:25:18,060 --> 00:25:19,900 WHAT TIME YOU TESTIFY? 516 00:25:19,920 --> 00:25:23,560 I SEE SINCLAIR IN HALF AN HOUR. 517 00:25:23,600 --> 00:25:24,540 ALL RIGHT. 518 00:25:24,560 --> 00:25:27,300 WHY DON'T YOU STAY AROUND HERE UNTIL THEN? 519 00:25:30,600 --> 00:25:33,530 WON'T GET IN ANY JACKPOTS IN HERE, WILL YOU? 520 00:25:33,570 --> 00:25:35,400 I DON'T THINK SO. 521 00:25:35,440 --> 00:25:36,740 ALL RIGHT. 522 00:25:56,630 --> 00:25:57,790 DETECTIVE. 523 00:25:57,830 --> 00:25:59,630 HEY. 524 00:26:02,930 --> 00:26:05,400 DO YOU HAVE A DECISION FOR ME YET? 525 00:26:05,440 --> 00:26:08,410 YOU AND I ARE GOING TO HAVE A CONTRACT. 526 00:26:08,440 --> 00:26:09,810 ANY SLACKENING IN YOUR PROGRAM, 527 00:26:09,840 --> 00:26:12,310 ANY LOSING FOCUS, I'M GOING TO STEP IN. 528 00:26:12,340 --> 00:26:13,810 ARE WE CLEAR ON THAT? 529 00:26:13,850 --> 00:26:14,820 WE'RE CLEAR. 530 00:26:14,850 --> 00:26:17,320 AS LONG AS WE HAVE THAT CONTRACT, 531 00:26:17,350 --> 00:26:18,910 YOU CAN ASK HER OUT. 532 00:26:18,950 --> 00:26:22,580 LISTEN, SEEING SYLVIA, IT'S NOT GOING TO GET IN THE WAY. 533 00:26:22,620 --> 00:26:24,090 IT'S GOING TO BE HELPFUL. 534 00:26:24,120 --> 00:26:25,190 WE'LL SEE. 535 00:26:26,890 --> 00:26:30,690 YOU GOING TO WEAR THAT TIE WHEN YOU ASK HER OUT? 536 00:26:30,730 --> 00:26:32,390 YEAH. 537 00:26:33,570 --> 00:26:35,640 THERE'S SOMETHING WRONG WITH THAT NECKWEAR. 538 00:26:35,670 --> 00:26:37,710 I DON'T HAVE ANOTHER TIE WITH ME. 539 00:26:37,740 --> 00:26:38,710 EXCUSE ME. 540 00:26:38,740 --> 00:26:41,650 HEY, I NEED TO TALK WITH YOU AND JOHN. 541 00:26:41,670 --> 00:26:42,640 WHAT'S YOUR NAME? 542 00:26:42,670 --> 00:26:43,540 JAMES MARTINEZ. 543 00:26:43,580 --> 00:26:45,050 DAN BREEN, JAMES MARTINEZ. 544 00:26:45,080 --> 00:26:46,550 HOW DO YOU DO? 545 00:26:46,580 --> 00:26:49,140 DAN USED TO BE ON THE JOB. 546 00:26:49,180 --> 00:26:51,550 HOW TALL ARE YOU, MARTINEZ? 547 00:26:51,580 --> 00:26:52,480 ALMOST 5'8". 548 00:26:52,520 --> 00:26:54,990 WHEN I CAME ON, YOU HAD TO BE 5'10". 549 00:26:55,020 --> 00:26:57,020 YEAH. GLAD THEY LIFTED THAT REGULATION. 550 00:26:57,060 --> 00:26:59,530 FELLAS USED TO TRY ALL SORTS OF RIGS. 551 00:26:59,560 --> 00:27:02,690 WEIGHTS AROUND THE FEET, AND SO FORTH, 552 00:27:02,730 --> 00:27:04,140 TRYING TO MAKE THE LIMIT. 553 00:27:04,160 --> 00:27:05,130 IS THAT SO? 554 00:27:05,160 --> 00:27:07,200 LISTEN, DAN, I'LL KEEP YOU POSTED. 555 00:27:07,230 --> 00:27:10,800 O.K. GOOD TO MEET YOU, MARTINEZ. 556 00:27:10,840 --> 00:27:11,840 SAME HERE. 557 00:27:11,870 --> 00:27:15,040 NO. I DO NOT WANT TO PROLONG THE NEGOTIATIONS. 558 00:27:18,680 --> 00:27:19,890 NO. 559 00:27:20,850 --> 00:27:23,050 NO! GOOD‐BYE! 560 00:27:28,250 --> 00:27:30,190 YOU'RE RUBBING YOUR EARS A LOT. 561 00:27:30,220 --> 00:27:32,690 I THINK I GOT FUNGUS ON IT 562 00:27:32,720 --> 00:27:34,320 AT THE FIRING RANGE YESTERDAY. 563 00:27:34,360 --> 00:27:36,730 CAN YOU GET A FUNGUS THAT FAST? 564 00:27:36,760 --> 00:27:37,830 EVIDENTLY. 565 00:27:37,860 --> 00:27:40,660 THOUSANDS OF MEN WEAR THOSE EAR PROTECTORS. 566 00:27:40,700 --> 00:27:45,330 BESIDES, I DON'T KNOW WHY FANCY PICKED ME TO QUALIFY ANYWAY. 567 00:27:45,370 --> 00:27:46,840 I THOUGHT EVERYONE HAS TO. 568 00:27:46,870 --> 00:27:49,640 I MEAN, BUT HE PICKED ME FIRST. 569 00:27:51,280 --> 00:27:54,320 DO YOU WANT MY OPINION ON SOMETHING, GREGORY? 570 00:27:55,710 --> 00:27:56,680 WHAT? 571 00:27:56,720 --> 00:27:59,730 YOU'RE RESISTING NEW EXPERIENCE. 572 00:28:01,950 --> 00:28:03,590 WHAT ARE YOU TALKING ABOUT? 573 00:28:03,620 --> 00:28:06,020 I'M TALKING ABOUT THE END OF YOUR MARRIAGE. 574 00:28:06,060 --> 00:28:10,270 I'M TALKING ABOUT ETHAN COHEN'S GRIEF AND RECOVERY. 575 00:28:10,290 --> 00:28:12,760 IT'S AN EMOTIONAL HANDBOOK FOR DIVORCE. 576 00:28:12,800 --> 00:28:15,270 IT SAYS, WHEN A MARRIAGE BREAKS UP, 577 00:28:15,300 --> 00:28:16,930 THE COUPLES MOURN, 578 00:28:16,970 --> 00:28:22,000 THEY RESIST NEW EXPERIENCE, AND THEY HAVE A GENERAL SOUR OUTLOOK. 579 00:28:23,810 --> 00:28:25,040 MY SOUR OUTLOOK'S 580 00:28:25,080 --> 00:28:26,550 BECAUSE I'M GETTING SCREWED 581 00:28:26,580 --> 00:28:28,080 IN THESE SETTLEMENT HEARINGS. 582 00:28:28,110 --> 00:28:32,550 ETHAN COHEN SAYS TO RELAX AND LET YOUR SITUATION UNFOLD. 583 00:28:32,580 --> 00:28:33,920 I'M GETTING DISMANTLED 584 00:28:33,950 --> 00:28:35,420 POSSESSION BY POSSESSION... 585 00:28:35,450 --> 00:28:36,790 DOLLAR BY DOLLAR. 586 00:28:36,820 --> 00:28:39,050 THIS, TOO, SHALL PASS, GREGORY. 587 00:28:39,090 --> 00:28:42,220 THAT'S WHAT HE SAYS, TO KEEP REMINDING YOURSELF. 588 00:28:42,260 --> 00:28:46,130 DO YOU WANT TO HEAR MY PLAN TO HELP THAT HAPPEN? 589 00:28:46,160 --> 00:28:47,560 WHAT? 590 00:28:47,600 --> 00:28:48,730 THIS SUNDAY, 591 00:28:48,770 --> 00:28:51,740 WE GO TO MADISON SQUARE GARDEN, 592 00:28:51,770 --> 00:28:54,240 WE WATCH THE RANGERS SKATE ONTO THE ICE, 593 00:28:54,270 --> 00:28:56,970 WE LIFT OUR EYES TO THE RAFTERS, 594 00:28:57,010 --> 00:28:59,440 AND WE GAZE UPON THE STANLEY CUP BANNER, 595 00:28:59,480 --> 00:29:01,950 HANGING IN ALL ITS CHAMPIONSHIP SPLENDOR. 596 00:29:01,980 --> 00:29:03,340 GREGORY, 597 00:29:03,380 --> 00:29:06,480 IF THAT DOESN'T TELL YOU DREAMS CAN COME TRUE 598 00:29:06,520 --> 00:29:08,930 AND THE FUTURE CAN BE WHAT YOU MAKE IT, 599 00:29:08,950 --> 00:29:11,450 YOU HAVEN'T GOT A HEART IN YOUR CHEST. 600 00:29:14,790 --> 00:29:16,830 I GOT A HEART. 601 00:29:16,860 --> 00:29:19,160 AND I GOT BLUE SEATS. 602 00:29:23,530 --> 00:29:25,100 THIS IS FROM LAST NIGHT. 603 00:29:25,140 --> 00:29:27,110 THIS IS TAHIR. 604 00:29:27,140 --> 00:29:30,340 ME IN THE DEPARTMENT... PERMANENT. 605 00:29:30,370 --> 00:29:33,880 I WOULDN'T HAVE TO GO TO THE ACADEMY OR NOTHING, 606 00:29:33,910 --> 00:29:36,810 'CAUSE I CAN HANDLE A PIECE ALREADY, 607 00:29:36,850 --> 00:29:39,150 THROW DOWN WITH ANYONE. 608 00:29:39,180 --> 00:29:41,180 NICE UNIFORM... 609 00:29:41,220 --> 00:29:42,780 AND I'M SMOOTH. 610 00:29:42,820 --> 00:29:44,020 [KNOCK ON DOOR] 611 00:29:44,060 --> 00:29:45,630 WHAT ARE WE LOOKING AT, JAMES? 612 00:29:45,660 --> 00:29:46,530 WHO IS IT? 613 00:29:46,560 --> 00:29:47,720 SHAKEEM, MAN. 614 00:29:47,760 --> 00:29:48,890 HERE'S THE OTHER GUY. 615 00:29:48,930 --> 00:29:50,340 OPEN THE DOOR. 616 00:29:50,360 --> 00:29:51,790 LOOK AT THIS. 617 00:29:51,830 --> 00:29:53,460 I'M BUBBLIN' IN IT NOW. 618 00:29:53,500 --> 00:29:55,670 JUST TOOK OFF TWO DUDES OVER ON HUDSON. 619 00:29:55,700 --> 00:29:58,200 SOME TOURISTS! GOT ME $500! 620 00:29:58,240 --> 00:29:59,650 LOOKIT HERE, MAN. 621 00:29:59,670 --> 00:30:04,170 I WANT YOU TO LET ME GET A COUPLE OF EIGHTBALLS. 622 00:30:04,210 --> 00:30:06,040 LET'S GO IN THE CAN. 623 00:30:06,080 --> 00:30:08,050 I AIN'T GOING TO THE CAN. 624 00:30:08,080 --> 00:30:09,550 I WANT TO SHOW YOU SOMETHING. 625 00:30:09,580 --> 00:30:11,550 I DON'T WANT TO SEE THAT. 626 00:30:11,580 --> 00:30:13,280 SHAKEEM, FOR YOUR OWN GOOD... 627 00:30:16,050 --> 00:30:19,920 DO I GRAB SHAKEEM FOR THE ROBBERY BEFORE SURVEILLANCE IS OVER? 628 00:30:19,960 --> 00:30:21,420 CAN YOU FIND HIM? 629 00:30:21,460 --> 00:30:23,660 YEAH. TAHIR GAVE UP HIS USUAL PLACES. 630 00:30:23,700 --> 00:30:25,170 IF THEY FILED A COMPLAINT, 631 00:30:25,200 --> 00:30:27,670 THEN THE VICTIM I. D. s SHAKEEM OFF A PHOTO ARRAY, 632 00:30:27,700 --> 00:30:29,430 YOU GRAB HIM OFF THAT. 633 00:30:29,470 --> 00:30:31,880 IF HE DOESN'T PICK THE PHOTO, 634 00:30:31,900 --> 00:30:34,370 THEN YOU HOLD THE POP TILL SURVEILLANCE FOLDS. 635 00:30:34,410 --> 00:30:36,250 WE'LL WATCH THE APARTMENT TONIGHT. 636 00:30:36,270 --> 00:30:37,810 O.K. THANKS. 637 00:30:39,280 --> 00:30:40,620 TO TELL YOU THE TRUTH, 638 00:30:40,650 --> 00:30:43,220 TAHIR IS MORE LIKE AN F.B.I. CANDIDATE. 639 00:30:51,060 --> 00:30:53,600 THERE HE IS! 640 00:30:53,630 --> 00:30:57,170 [SHOUTING QUESTIONS] 641 00:31:03,900 --> 00:31:06,570 HAVE YOU MET MY CO‐COUNSEL? 642 00:31:06,610 --> 00:31:07,880 WHAT'S GOING ON? 643 00:31:07,910 --> 00:31:09,250 THIS IS NOT GOOD, JOHNNY. 644 00:31:09,270 --> 00:31:11,770 IF D. A. ABRAMS HADN'T GOTTEN AN ETHICAL SHIVER, 645 00:31:11,810 --> 00:31:14,240 JANICE WOULD'VE BARGAINED HERSELF INTO A SIX‐YEAR BID. 646 00:31:14,280 --> 00:31:16,210 I DON'T WANT YOU TESTIFYING ANYMORE. 647 00:31:16,250 --> 00:31:18,720 SHE CALLED THE D.A. BEHIND MY BACK, 648 00:31:18,750 --> 00:31:21,220 SAID SHE'D TAKE SIX ON A PLEA. 649 00:31:21,250 --> 00:31:22,120 JANICE. 650 00:31:22,150 --> 00:31:24,550 GINA ZARONE CAN PUT YOU IN JAIL. 651 00:31:24,590 --> 00:31:26,050 GINA ZARONE IS A HALF‐WHORE, 652 00:31:26,090 --> 00:31:27,560 WHOSE CREDIBILITY I'M GOING TO DESTROY 653 00:31:27,590 --> 00:31:29,560 BEFORE JOHN GETS ON THE STAND. 654 00:31:29,590 --> 00:31:32,060 I WANT YOU TO FORGET ABOUT GINA ZARONE, 655 00:31:32,100 --> 00:31:33,570 TRUST IN JOHN KELLY, 656 00:31:33,600 --> 00:31:35,560 AND LET ME DO MY JOB, 657 00:31:35,600 --> 00:31:38,000 WHICH RIGHT NOW IS PREPARING HIM FOR CROSS. 658 00:31:38,040 --> 00:31:39,650 NOW, PLEASE EXCUSE US. 659 00:31:42,540 --> 00:31:44,070 I'LL DO THE SIX. 660 00:31:44,110 --> 00:31:45,910 YOU CAN DO BETTER THAN THAT. 661 00:31:45,940 --> 00:31:47,780 EXCUSE US, JANICE. 662 00:32:07,530 --> 00:32:10,870 CLIENTS WITH A CONSCIENCE MAKE FOR COMPLICATED LAWYERING. 663 00:32:10,900 --> 00:32:13,300 YOU CAN DO BETTER FOR HER, CAN'T YOU? 664 00:32:13,340 --> 00:32:14,810 I'M GOING TO BE CANDID. 665 00:32:14,840 --> 00:32:17,810 ABRAMS GOT WHAT HE NEEDED FROM THAT GIRL. 666 00:32:17,840 --> 00:32:20,210 HE'S POSITIONED YOU FINDING OUT WHAT JANICE DID 667 00:32:20,240 --> 00:32:22,280 AND MAKING HER COME FORWARD. 668 00:32:22,310 --> 00:32:23,510 OFF THAT... 669 00:32:23,550 --> 00:32:26,510 HE'S GOING TO PROJECT AN EFFORT TO CONCEAL 670 00:32:26,550 --> 00:32:28,520 INTO EVERY ACTION JANICE TOOK 671 00:32:28,550 --> 00:32:30,520 BEFORE AND AFTER THE SHOOTINGS. 672 00:32:30,560 --> 00:32:34,730 HE'S COUNTING ON YOU TO DENY YOU WITNESSED THE MEETING. 673 00:32:34,760 --> 00:32:37,030 THAT PROTECTS YOUR LEGAL POSITION, 674 00:32:37,060 --> 00:32:39,860 BUT IT LEAVES JANICE HANGING. 675 00:32:39,900 --> 00:32:43,460 I'M NOT GOING TO TRY TO PUT WORDS IN YOUR MOUTH. 676 00:32:43,500 --> 00:32:46,470 I NEVER ASKED WHAT YOU SAW OR DIDN'T SEE, 677 00:32:46,500 --> 00:32:48,370 WHAT YOU KNEW OR DIDN'T KNOW. 678 00:32:48,410 --> 00:32:52,880 ALL I'M SAYING IS WHEN JANICE WALKS ONTO THAT WITNESS STAND, 679 00:32:52,910 --> 00:32:54,880 I NEED THOSE 12 PEOPLE BACK 680 00:32:54,910 --> 00:32:56,880 BELIEVING SHE MADE A FREE CONFESSION. 681 00:32:56,920 --> 00:32:58,320 THAT'S THE TRUTH. 682 00:32:58,350 --> 00:33:00,250 THE TRUTH AND A TRIAL 683 00:33:00,280 --> 00:33:02,750 HAVE AS MUCH TO DO WITH EACH OTHER 684 00:33:02,790 --> 00:33:05,400 AS A HOT DOG AND A WARM PUPPY. 685 00:33:05,420 --> 00:33:07,990 I'M ASKING, CAN YOU SELL THE STORY? 686 00:33:08,030 --> 00:33:09,570 YEAH. 687 00:33:09,590 --> 00:33:11,060 HERE WE GO. 688 00:33:21,710 --> 00:33:24,020 DETECTIVE KELLY, I DRAW YOUR ATTENTION 689 00:33:24,040 --> 00:33:25,870 TO THE MEETING LAST DECEMBER 14th 690 00:33:25,910 --> 00:33:28,510 AT WHICH JANICE LICALSI WAS SHOWN PAGES 691 00:33:28,550 --> 00:33:29,960 FROM THE MARINO LEDGER. 692 00:33:29,980 --> 00:33:32,180 I ASK WHETHER YOU WITNESSED THAT MEETING. 693 00:33:32,220 --> 00:33:33,520 YES, I DID. 694 00:33:33,550 --> 00:33:36,720 YOU ACKNOWLEDGE THAT YOU WITNESSED THE MEETING 695 00:33:36,760 --> 00:33:38,300 ON THE STEPS OF THE NEW YORK PUBLIC LIBRARY 696 00:33:38,320 --> 00:33:40,620 BETWEEN MISS LICALSI AND RICHARD CATENA? 697 00:33:40,660 --> 00:33:43,520 I WITNESSED THE MEETING FROM ABOUT 200 FEET AWAY. 698 00:33:43,560 --> 00:33:45,390 I SAW NO DOCUMENTS BEING PASSED. 699 00:33:45,430 --> 00:33:47,800 HOW DID YOU HAPPEN TO BE PRESENT? 700 00:33:47,830 --> 00:33:51,370 JANICE HAD RECEIVED A PHONE CALL AT THE STATION HOUSE. 701 00:33:51,400 --> 00:33:53,470 SHE SAID SHE HAD TO MEET SOMEONE. 702 00:33:53,500 --> 00:33:55,200 SHE SEEMED UPSET. I FOLLOWED HER. 703 00:33:55,240 --> 00:33:57,970 SINCE YOU'VE DENIED ANY SUSPICION OF MISS LICALSI, 704 00:33:58,010 --> 00:34:00,880 I ASSUME AFTER SEEING HER CONVERSE WITH A KNOWN CRIMINAL, 705 00:34:00,910 --> 00:34:02,140 YOUR CONCERNS WERE ASSUAGED. 706 00:34:02,180 --> 00:34:04,050 WHEN SHE RETURNED TO THE STATION, 707 00:34:04,080 --> 00:34:05,880 I CONFRONTED HER. SHE SAID TOMMY LINARDI 708 00:34:05,920 --> 00:34:08,730 HAD APPROACHED HER A COUPLE DAYS EARLIER. 709 00:34:08,750 --> 00:34:11,620 SHE REPORTED THIS TO THE ORGANIZED CRIME UNIT 710 00:34:11,660 --> 00:34:13,300 AND WAS TOLD TO COOPERATE 711 00:34:13,320 --> 00:34:15,290 AND INFORM THEM WHAT SHE'D BEEN ASKED TO DO. 712 00:34:15,330 --> 00:34:17,400 IN THIS CONFRONTATION WITH MISS LICALSI, 713 00:34:17,430 --> 00:34:19,800 DID YOU DISCUSS HER PRIOR CRIMINAL ACTIVITIES? 714 00:34:19,830 --> 00:34:21,230 I HAD NO KNOWLEDGE OF THEM. 715 00:34:21,270 --> 00:34:23,070 DID YOU DISCUSS THE PAGES FROM THE JOURNAL? 716 00:34:23,100 --> 00:34:24,970 I'VE NEVER SEEN THE PAGES. 717 00:34:25,000 --> 00:34:26,800 DETECTIVE KELLY, IS IT YOUR TESTIMONY 718 00:34:26,840 --> 00:34:28,940 THAT YOU FELT NO CURIOSITY 719 00:34:28,970 --> 00:34:31,940 AS TO WHY MISS LICALSI HAD BEEN APPROACHED? 720 00:34:31,980 --> 00:34:35,950 I THOUGHT SHE WAS APPROACHED BECAUSE HER FATHER WAS IN THEIR POCKET 721 00:34:35,980 --> 00:34:37,780 UNTIL HE KILLED HIMSELF. 722 00:34:37,820 --> 00:34:40,160 ALL RIGHT. NOTHING FURTHER, YOUR HONOR. 723 00:34:40,180 --> 00:34:42,280 MR. SINCLAIR. 724 00:34:42,320 --> 00:34:43,450 LET'S BE CLEAR, DETECTIVE KELLY. 725 00:34:43,490 --> 00:34:45,100 IN THE AFTERMATH OF THIS MEETING 726 00:34:45,120 --> 00:34:47,460 MR. ABRAMS HAS BEEN IN SUCH PAINS 727 00:34:47,490 --> 00:34:48,820 TO ESTABLISH, 728 00:34:48,860 --> 00:34:51,130 YOU DISCOVERED JANICE LICALSI 729 00:34:51,160 --> 00:34:52,490 HAD BEEN ACTING ON ASSIGNMENT. 730 00:34:52,530 --> 00:34:53,660 THAT'S RIGHT. 731 00:34:53,700 --> 00:34:56,300 AS A CONSEQUENCE, YOU HAD NO REASON TO SUSPECT HER 732 00:34:56,330 --> 00:34:58,200 OF ANY CRIMINAL ACTIVITY, 733 00:34:58,240 --> 00:35:00,450 LET ALONE SPECIFIC IMPLICITY IN THE MARINO MURDERS. 734 00:35:00,470 --> 00:35:01,440 THAT'S CORRECT. 735 00:35:01,470 --> 00:35:03,100 AS A MATTER OF FACT, DETECTIVE, 736 00:35:03,140 --> 00:35:06,010 THE SHOOTING OF ANGELO MARINO AND HIS DRIVER 737 00:35:06,040 --> 00:35:07,440 WAS A CLEARED CASE. CORRECT? 738 00:35:07,480 --> 00:35:08,480 ABSOLUTELY. 739 00:35:08,510 --> 00:35:09,950 SOMEONE HAD CONFESSED TO THOSE MURDERS. 740 00:35:09,980 --> 00:35:12,450 ALPHONSE GIARDELLA HAD CONFESSED TO THOSE MURDERS. 741 00:35:12,480 --> 00:35:16,380 MR. ABRAMS HAS THEREFORE TAKEN A DAY AND A HALF 742 00:35:16,420 --> 00:35:19,890 TO ESTABLISH THAT ON THE BASIS OF A MEETING 743 00:35:19,920 --> 00:35:21,320 YOU SAW FROM SEVERAL HUNDRED FEET, 744 00:35:21,360 --> 00:35:25,330 A MEETING WHOSE PARTICULARS YOU'D HAVE NO WAY OF DIVINING, 745 00:35:25,360 --> 00:35:27,230 A MEETING YOU SUBSEQUENTLY ASCERTAINED 746 00:35:27,270 --> 00:35:29,810 JANICE LICALSI HAD BEEN ASSIGNED TO ATTEND, 747 00:35:29,830 --> 00:35:31,230 YOU FAILED TO CONCLUDE 748 00:35:31,270 --> 00:35:32,800 THAT SHE'D COMMITTED MURDERS 749 00:35:32,840 --> 00:35:34,210 SEVERAL MONTHS PREVIOUS, 750 00:35:34,240 --> 00:35:37,770 MURDERS TO WHICH SOMEONE ELSE HAD PLEADED GUILTY. 751 00:35:40,750 --> 00:35:42,550 [SIGH] 752 00:35:43,750 --> 00:35:45,850 DETECTIVE KELLY, 753 00:35:45,880 --> 00:35:48,320 DID YOU HAVE ANY CONNECTION 754 00:35:48,350 --> 00:35:50,220 WITH JANICE LICALSI COMING FORWARD 755 00:35:50,250 --> 00:35:52,150 AND ACKNOWLEDGING THE ACTS 756 00:35:52,190 --> 00:35:54,390 FOR WHICH SHE'S NOW ON TRIAL? 757 00:35:54,430 --> 00:35:56,400 THE DAY BEFORE JANICE CONFESSED, 758 00:35:56,430 --> 00:35:58,570 SHE'D BEEN PROMOTED, 759 00:35:58,600 --> 00:36:02,070 SO WE'D PERIODICALLY WORK TOGETHER IN THE SQUAD ROOM. 760 00:36:02,100 --> 00:36:04,570 THAT DAY, SHE INITIATED A CONVERSATION, 761 00:36:04,600 --> 00:36:06,270 AND SHE SAID SHE WAS UPSET ABOUT THINGS. 762 00:36:06,300 --> 00:36:07,600 WAS SHE SPECIFIC? 763 00:36:07,640 --> 00:36:10,740 NO, AND I FELT I WASN'T THE PERSON TO TALK TO, 764 00:36:10,780 --> 00:36:12,920 SO I GAVE HER THE NAME OF MY PRIEST. 765 00:36:12,940 --> 00:36:16,340 THEY HAD A CONVERSATION, THEN SHE CAME FORWARD. 766 00:36:16,380 --> 00:36:18,380 AND WHAT WAS YOUR REACTION? 767 00:36:18,420 --> 00:36:20,560 I WAS SURPRISED 768 00:36:20,590 --> 00:36:25,060 AND SORRY BECAUSE I FELT THAT SHE WAS IN A BAD POSITION. 769 00:36:25,090 --> 00:36:26,520 CRIMINALS HAD APPROACHED HER, 770 00:36:26,560 --> 00:36:30,530 AND I THINK SHE WAS TRYING TO PROTECT HER FATHER. 771 00:36:30,560 --> 00:36:32,390 AS FOR HER COMING FORWARD, 772 00:36:32,430 --> 00:36:34,700 I BELIEVE THAT CAME DIRECTLY FROM HER CONSCIENCE, 773 00:36:34,730 --> 00:36:38,270 AND I HOPED SHE'D BE ALL RIGHT. 774 00:36:45,910 --> 00:36:49,810 DETECTIVE KELLY, HAVE YOU NOW DESCRIBED THE FULL EXTENT 775 00:36:49,850 --> 00:36:54,220 AND CONTEXT OF YOUR INVOLVEMENT IN THESE EVENTS? 776 00:36:54,250 --> 00:36:56,220 YES, I HAVE. 777 00:36:56,250 --> 00:36:57,820 NOTHING FURTHER, YOUR HONOR. 778 00:37:09,870 --> 00:37:11,970 HOW DO YOU FEEL YOUR TESTIMONY WENT? 779 00:37:12,000 --> 00:37:13,000 I HAVE NO COMMENT. 780 00:37:13,040 --> 00:37:14,310 DID THE JURY BELIEVE YOU? 781 00:37:14,340 --> 00:37:16,440 TECHNIQUE AND ARTISTIC IMPRESSION. 782 00:37:16,470 --> 00:37:18,470 CATCH GINA ZARONE ON MY SHOW TOMORROW. 783 00:37:18,510 --> 00:37:19,810 THAT'S MONEY YOU MIGHT'VE HAD. 784 00:37:19,840 --> 00:37:21,180 TWO STEPS BACKWARDS, NORMAN. 785 00:37:21,210 --> 00:37:22,310 ARE YOU READY? 786 00:37:22,350 --> 00:37:23,960 YEAH. MY GUY'S COMING OUT. 787 00:37:23,980 --> 00:37:25,080 I'LL MEET YOU AT THE STAKEOUT. 788 00:37:25,120 --> 00:37:26,460 YOU ALL RIGHT? 789 00:37:26,480 --> 00:37:28,220 I DON'T KNOW. 790 00:37:29,220 --> 00:37:30,850 THAT WAS GOOD. 791 00:37:32,290 --> 00:37:35,160 LISTEN, SYLVIA, LET ME ASK YOU. 792 00:37:35,190 --> 00:37:37,160 DID SHE DROP THE CHARGES? 793 00:37:37,200 --> 00:37:38,970 SHE DROPPED THEM. 794 00:37:39,000 --> 00:37:41,210 COULD YOU WAIT FOR ME FOR A SECOND? 795 00:37:41,230 --> 00:37:42,200 YEAH, GREAT. 796 00:37:42,230 --> 00:37:43,430 HEY. HEY. 797 00:37:43,470 --> 00:37:45,540 MRS. CARLIN, LET ME TALK TO YOUR HUSBAND. 798 00:37:45,570 --> 00:37:46,870 I WAS RELEASED. 799 00:37:47,870 --> 00:37:50,040 I KNOW YOU'VE BEEN RELEASED. 800 00:37:50,070 --> 00:37:51,440 YOU'RE GOING TO LISTEN TO ME, 801 00:37:51,480 --> 00:37:53,280 OR I'LL SMASH YOUR HEAD IN. 802 00:37:53,310 --> 00:37:55,180 YOU KNOW WHO I AM? 803 00:37:55,210 --> 00:37:56,550 A COP. 804 00:37:56,580 --> 00:37:59,780 THE OTHER NIGHT, AFTER YOU WENT TO THE BAR, 805 00:37:59,820 --> 00:38:01,780 AFTER YOU WERE DONE PUNCHING YOUR WIFE OUT, 806 00:38:01,820 --> 00:38:04,950 I DRAGGED YOU OUT, CATCHING CIGARETTE BUTTS IN YOUR HAIR. 807 00:38:04,990 --> 00:38:07,290 YOU BIT MY KNEE WHEN I PUT YOU INTO THE CAR. 808 00:38:07,330 --> 00:38:09,300 IF SOMETHING HAPPENED, I APOLOGIZE. 809 00:38:09,330 --> 00:38:12,200 LOOK AT ME. YOU WANT TO WIND UP ON THE PIER? 810 00:38:12,230 --> 00:38:13,460 WHAT DO YOU MEAN? 811 00:38:13,500 --> 00:38:16,810 I'M TALKING ABOUT GOING OFF THE END OF A PIER 812 00:38:16,840 --> 00:38:18,740 WITH A ROCK TIED TO YOUR MIDDLE. 813 00:38:18,770 --> 00:38:21,800 I'M TALKING ABOUT SUCKING WATER IN YOUR LUNGS, 814 00:38:21,840 --> 00:38:24,210 AND NOBODY KNOWS WHAT HAPPENED TO YOU. 815 00:38:24,240 --> 00:38:25,870 YOU THREATENING ME? 816 00:38:25,910 --> 00:38:28,380 DO NOT BEAT THIS WOMAN AGAIN. 817 00:38:28,410 --> 00:38:30,010 THIS IS A NEW START FOR US. 818 00:38:30,050 --> 00:38:31,610 DO NOT BEAT HER. 819 00:38:48,630 --> 00:38:52,700 MRS. CARLIN, YOU GOT THOSE NUMBERS AND MY CARD? 820 00:38:52,740 --> 00:38:54,080 YES. 821 00:38:54,110 --> 00:38:55,510 COME ON. LET'S GO. 822 00:38:55,540 --> 00:38:56,570 HEY. 823 00:38:59,910 --> 00:39:03,780 TAKE CARE OF YOURSELF, MRS. CARLIN. 824 00:39:03,820 --> 00:39:05,260 Thank you. 825 00:39:18,060 --> 00:39:19,030 HI. 826 00:39:19,060 --> 00:39:20,060 HI. 827 00:39:24,100 --> 00:39:28,770 UM, THAT‐‐ THAT PERSONAL MATTER 828 00:39:28,810 --> 00:39:31,780 THAT, UH, THAT I HAD MENTIONED, 829 00:39:31,810 --> 00:39:34,480 I'D LIKE TO TALK TO YOU ON THAT. 830 00:39:34,510 --> 00:39:35,580 GO AHEAD. 831 00:39:35,610 --> 00:39:36,710 AHEM. 832 00:39:36,750 --> 00:39:40,720 UH, SYLVIA, IN THE FIVE MONTHS 833 00:39:40,750 --> 00:39:42,850 SINCE WE'VE GONE OUT‐‐ 834 00:39:45,760 --> 00:39:49,570 LISTEN, I'VE TRIED TO MAKE SOME CHANGES. 835 00:39:49,590 --> 00:39:51,130 I'VE GONE TO A. A. 836 00:39:51,160 --> 00:39:53,730 I DID 90 MEETINGS IN 90 DAYS. 837 00:39:53,770 --> 00:39:55,510 I GOT A SPONSOR. 838 00:39:55,530 --> 00:39:57,500 HOW DO YOU FEEL ABOUT IT? 839 00:39:57,540 --> 00:40:01,650 ALL RIGHT. MY SPONSOR'S A PAIN IN THE ASS, BUT HE HELPS. 840 00:40:01,670 --> 00:40:04,510 I'VE BEEN GOING TO AL‐ANON. 841 00:40:04,540 --> 00:40:08,140 I HOPE THAT'S NO TROUBLE. 842 00:40:08,180 --> 00:40:10,910 I THINK YOU'RE WORTH TAKING SOME TROUBLE OVER. 843 00:40:10,950 --> 00:40:15,750 SO ANYWAYS, UH, THESE MEETINGS, 844 00:40:15,790 --> 00:40:18,700 THEY WORRY ABOUT BIG RELATIONSHIP CHANGES, 845 00:40:18,720 --> 00:40:20,190 FIRST MONTHS BEING SOBER, 846 00:40:20,220 --> 00:40:22,690 BUT I GOT THE O. K., SO‐‐ 847 00:40:22,730 --> 00:40:27,210 SO I WOULD LIKE TO RESUME SEEING YOU. 848 00:40:28,130 --> 00:40:31,100 I'D LIKE TO ASK YOU OUT TO DINNER. 849 00:40:31,140 --> 00:40:33,510 TONIGHT? 850 00:40:33,540 --> 00:40:35,950 I GOT TO WORK WITH JOHN. 851 00:40:35,970 --> 00:40:37,340 HOW ABOUT TOMORROW NIGHT? 852 00:40:37,380 --> 00:40:39,650 I'D LIKE THAT. 853 00:40:39,680 --> 00:40:42,110 GOOD. 854 00:40:42,150 --> 00:40:46,560 I MISS WATCHING YOU MOP YOUR HEAD WHEN YOU EAT. 855 00:40:46,590 --> 00:40:50,030 YEAH. I STILL DO THAT. 856 00:40:52,160 --> 00:40:53,400 O.K. 857 00:40:53,420 --> 00:40:54,760 O.K. 858 00:41:08,270 --> 00:41:10,040 [WOMAN] I DON'T KNOW WHY. 859 00:41:10,070 --> 00:41:12,370 YOU SAYING YOU SURPRISED HE LEFT. 860 00:41:12,410 --> 00:41:16,810 HOW ARE YOU SURPRISED WHEN YOU DATING THE MAN'S OWN BROTHER? 861 00:41:16,850 --> 00:41:18,810 IT'S A GOOD FEELING, HUH? 862 00:41:18,850 --> 00:41:21,320 A HERO ON THE CITY'S PAYROLL. 863 00:41:21,350 --> 00:41:23,550 YEAH, I DON'T KNOW. 864 00:41:23,590 --> 00:41:24,990 WHAT AM I SUPPOSED TO SAY? 865 00:41:25,020 --> 00:41:26,490 HE'S MY BROTHER. 866 00:41:26,520 --> 00:41:29,490 I GOT A JOB. I GO TO WORK. 867 00:41:29,530 --> 00:41:32,500 YOU KEEP THINKING YOU TOLD YOUR LAST LIE. 868 00:41:32,530 --> 00:41:34,900 YOU GET QUANDARIES I DON'T GET. 869 00:41:34,930 --> 00:41:36,900 MY MOUTH IS NOT SHUT! 870 00:41:36,940 --> 00:41:39,580 HE'S A BUM. HE DRINKS. 871 00:41:39,600 --> 00:41:42,540 ANYWAYS, MAYBE YOU'RE DONE NOW. 872 00:41:42,570 --> 00:41:44,370 DID HE TRY THAT? 873 00:41:44,410 --> 00:41:46,910 HE NEVER LIED! 874 00:41:46,950 --> 00:41:48,790 YOU NEVER TALKED TO ME. 875 00:41:48,810 --> 00:41:51,710 YOU KNOW I.A.B. IS COMING AFTER ME. 876 00:41:51,750 --> 00:41:54,750 TO HAVE AND TO HOLD TILL DEATH. 877 00:41:54,790 --> 00:41:56,600 REMEMBER THAT, ANNE MARIE? 878 00:41:56,620 --> 00:41:57,920 WHAT ABOUT YOU? 879 00:41:57,960 --> 00:41:59,030 [KNOCK ON DOOR] 880 00:41:59,060 --> 00:42:01,370 YEAH, WHAT'S UP? 881 00:42:01,390 --> 00:42:02,690 HEY. HERE WE GO. 882 00:42:02,730 --> 00:42:05,740 THAT'S 20 BUCKS. 883 00:42:08,300 --> 00:42:10,030 ON THE FLOOR, ASSHOLE. 884 00:42:10,070 --> 00:42:11,370 WHAT'S THIS? 885 00:42:11,400 --> 00:42:13,330 THOSE ARE COPS. 886 00:42:14,910 --> 00:42:16,880 THOSE ARE NIGHT TOUR GUYS. 887 00:42:16,910 --> 00:42:18,370 WHAT DO YOU GOT? 888 00:42:18,410 --> 00:42:21,040 I GOT SOME, BUT IT AIN'T ENOUGH. 889 00:42:21,080 --> 00:42:22,110 WHERE'S THE REST? 890 00:42:22,150 --> 00:42:24,220 WHAT ARE THEY, POPPING HIM? 891 00:42:24,250 --> 00:42:26,720 I'D SAY THERE'S A SMALL CHANCE. 892 00:42:26,750 --> 00:42:28,050 THIS AIN'T EVEN A GRAND. 893 00:42:28,090 --> 00:42:29,230 YOU WANT TO TALK? 894 00:42:29,250 --> 00:42:30,550 THEY'RE NOT POPPING HIM. 895 00:42:30,590 --> 00:42:32,050 THEY'RE TAKING HIM OFF. 896 00:42:32,090 --> 00:42:33,050 SON OF A BITCH. 897 00:42:33,090 --> 00:42:34,920 WAIT A MINUTE. LET THEM HOLSTER. 898 00:42:34,960 --> 00:42:35,990 STUPID BASTARDS. 899 00:42:36,030 --> 00:42:37,440 HERE WE GO. 900 00:42:37,460 --> 00:42:39,430 WHO'S DUMB ENOUGH TO CLEAN THEM OUT 901 00:42:39,460 --> 00:42:40,500 IN THE COMMISSION BUT THE 33? 902 00:42:43,640 --> 00:42:44,680 POLICE! 903 00:42:44,700 --> 00:42:46,740 POLICE! FACE THE WALL! 904 00:42:46,770 --> 00:42:47,640 TURN AROUND! 905 00:42:47,670 --> 00:42:48,800 ALL RIGHT. 906 00:42:48,840 --> 00:42:50,640 WE'RE ON A JOB HERE. 907 00:42:50,680 --> 00:42:52,150 SO ARE WE. 908 00:42:52,180 --> 00:42:53,950 LISTEN, THIS IS A MISUNDERSTANDING. 909 00:42:53,980 --> 00:42:56,340 LET'S GET ON THE RIGHT PAGE. 910 00:42:56,380 --> 00:42:59,010 WE'RE ON THE RIGHT PAGE. FACE THE WALL. 911 00:42:59,050 --> 00:43:01,950 WAIT. WE'RE ALL ON THE SAME JOB. 912 00:43:01,990 --> 00:43:06,030 YOU SAY THAT TO ME AGAIN, AND I'LL KICK YOUR ASS. 913 00:43:06,060 --> 00:43:07,130 LET'S GO. 914 00:43:14,530 --> 00:43:16,930 GIVE ME A BREAK. WHO ARE WE HURTING? 915 00:43:16,970 --> 00:43:18,100 SCUMS AND DRUG DEALERS. 916 00:43:18,140 --> 00:43:19,280 DON'T WHINE. 917 00:43:19,300 --> 00:43:21,700 I.A.B.'S WAITING IN YOUR LIEUTENANT'S OFFICE. 918 00:43:21,740 --> 00:43:23,670 ANDY, BOOK THESE GUYS. 919 00:43:23,710 --> 00:43:25,940 I GOT TO TALK TO FANCY. 920 00:43:25,980 --> 00:43:28,850 NO ONE'S GONNA BE ABLE TO PISS IN THIS HOUSE 921 00:43:28,880 --> 00:43:30,780 WITHOUT I. A. B. NEXT TO THEM. 922 00:43:30,820 --> 00:43:33,320 IF YOU WERE IN MY SQUAD, I'D KICK YOUR ASS. 923 00:43:33,350 --> 00:43:36,180 THIS AIN'T THE 3‐3, YOU PAIR OF TURDS. 924 00:43:40,320 --> 00:43:41,360 O.K., JOHN. 925 00:43:44,000 --> 00:43:45,000 LIEUTENANT RENO. 926 00:43:45,030 --> 00:43:46,130 HOW DO YOU DO, LIEUTENANT? 927 00:43:46,160 --> 00:43:48,160 SERGEANT MARTIN, I. A. B. 928 00:43:48,200 --> 00:43:49,400 THEY'LL TAKE OVER THE INVESTIGATION. 929 00:43:49,430 --> 00:43:50,530 FINE WITH ME. 930 00:43:50,570 --> 00:43:53,400 YOU HAD NO IDEA THIS WAS COPS, HUH? 931 00:43:53,440 --> 00:43:54,510 NO. 932 00:43:54,540 --> 00:43:56,740 TWO COPS WALK IN ON A PLACE YOU SET UP, 933 00:43:56,780 --> 00:43:58,050 BUT YOU HAD NO IDEA? 934 00:43:58,080 --> 00:43:59,550 NO IDEA. 935 00:43:59,580 --> 00:44:02,580 IF YOU WERE SETUP ON COPS, 936 00:44:02,610 --> 00:44:04,010 WE SHOULD'VE BEEN NOTIFIED. 937 00:44:04,050 --> 00:44:05,580 I JUST TOLD YOU WE HAD NO IDEA. 938 00:44:05,620 --> 00:44:08,230 I MEAN, YOU'RE ALWAYS HOPING IT'S COPS 939 00:44:08,250 --> 00:44:10,050 'CAUSE YOU LIVE TO BUST YOUR OWN. 940 00:44:10,090 --> 00:44:11,890 SHUT UP, SIPOWICZ. 941 00:44:11,920 --> 00:44:14,220 YOU NEED DD5'S FROM THEM? 942 00:44:14,260 --> 00:44:15,720 YOU KNOW WE DO. 943 00:44:15,760 --> 00:44:17,890 THEY'RE GOING TO TAKE THE NIGHT INTERVIEWING THE COLLARS THOUGH. 944 00:44:17,930 --> 00:44:20,060 FIRST THING IN THE MORNING. 945 00:44:20,100 --> 00:44:22,430 YEAH, ALL RIGHT. 946 00:44:22,470 --> 00:44:24,910 I'LL DO MINE TONIGHT. I WANT TO GET DONE WITH THIS. 947 00:44:24,940 --> 00:44:26,650 GET SOME REST. 948 00:44:27,940 --> 00:44:30,140 GOT A LOT TO TALK ABOUT. 949 00:45:01,940 --> 00:45:03,670 I'M LIKE A BAD PENNY. 950 00:45:20,990 --> 00:45:22,990 NO WAY. 951 00:45:24,160 --> 00:45:26,600 YOU'RE RIGHT WHERE YOU BELONG. 952 00:45:29,870 --> 00:45:31,830 COME ON INSIDE. 953 00:45:41,780 --> 00:45:44,050 RIGHT WHERE YOU BELONG. 65997

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