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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,070 --> 00:00:15,200 [ SIREN WAILS ] 2 00:00:18,700 --> 00:00:22,000 [ PHONE RINGING ] YEAH, LEWIS. HE'S IN THE HOLDING AREA, BACK THERE. 3 00:00:22,040 --> 00:00:24,040 GOT IT. [ CHATTERING ] 4 00:00:27,970 --> 00:00:30,540 HERE YOU GO. 5 00:00:30,570 --> 00:00:32,700 DOMINIC GENNARO, SARGE. I'M ON A JOB. 6 00:00:32,740 --> 00:00:35,440 JANICE LICALSI AROUND? YEAH, IN THE COMPLAINT ROOM. 7 00:00:35,470 --> 00:00:37,370 THANK YOU. 8 00:00:42,300 --> 00:00:44,900 HOW YOU DOIN', COOKIE? 9 00:00:44,940 --> 00:00:49,370 [ SIGHS ] GOOD, DADDY. 10 00:00:49,400 --> 00:00:52,300 IS EVERYTHING OKAY AT HOME? YEAH, MOM'S GOOD. 11 00:00:55,300 --> 00:00:57,240 WHAT'S UP? 12 00:00:57,270 --> 00:01:00,670 I WANTED TO SEE YOU BEFORE YOU FOUND SOMETHING OUT. 13 00:01:00,700 --> 00:01:04,240 THEY'RE GONNA MAKE AN ANNOUNCEMENT THIS AFTERNOON. 14 00:01:04,270 --> 00:01:07,070 SOME COPS ARE GONNA BE INDICTED. 15 00:01:07,100 --> 00:01:09,140 I'M GONNA BE ONE OF THEM. 16 00:01:11,740 --> 00:01:15,900 IT'S OUT OF THIS GIARDELLA TESTIMONY WITH THE GRAND JURY. 17 00:01:15,940 --> 00:01:19,540 THEY'RE GONNA SAY I TOOK MONEY FROM ANGELO MARINO, I WAS ON HIS PAYROLL. 18 00:01:24,270 --> 00:01:26,470 HOW COME YOU DON'T ASK IF IT'S TRUE? 19 00:01:29,470 --> 00:01:32,270 TELL ME WHAT YOU WANT TO TELL ME. 20 00:01:32,300 --> 00:01:35,240 THEY PAID ME FOR GIVING UP WARRANTS. 21 00:01:35,270 --> 00:01:38,940 WHEN I WAS ON GAMBLING AND NARCOTICS... 22 00:01:38,970 --> 00:01:41,240 I TIPPED THEM IF THERE WAS GONNA BE A RAID. 23 00:01:42,540 --> 00:01:46,270 IT'S BEEN OVER FOR FIVE YEARS, BUT I DID IT. 24 00:01:46,300 --> 00:01:50,370 NOW I'M GLAD WHEN YOU JOINED THE FORCE YOU USED MOM'S NAME. 25 00:01:50,400 --> 00:01:52,940 HOW YOU FEEL PERSONALLY IS ONE THING, 26 00:01:52,970 --> 00:01:55,100 BUT AT LEAST NOBODY'S GONNA KNOW WE'RE RELATED. 27 00:01:55,140 --> 00:01:57,370 I'M NOT ASHAMED TO BE YOUR DAUGHTER. 28 00:02:02,270 --> 00:02:05,200 I WANT YOU TO KNOW I'M PROUD OF YOU. 29 00:02:05,240 --> 00:02:10,170 I'VE ALWAYS BEEN PROUD OF THE WAY YOU CARRIED YOURSELF AND THE KIND OF COP YOU ARE. 30 00:02:10,200 --> 00:02:13,040 I'LL ALWAYS BE GLAD FOR THAT PART, ANYWAY‐‐ 31 00:02:13,070 --> 00:02:17,770 THAT THESE BASTARDS NEVER REACHED OUT TO YOU. 32 00:02:17,800 --> 00:02:20,900 [ SIRENS WAILING ] 33 00:02:24,070 --> 00:02:28,000 YOU OKAY? YOU GOT SOMEONE YOU CAN TALK TO, YOU KNOW? 34 00:02:28,040 --> 00:02:30,400 YEAH, DADDY, I'M FINE. 35 00:02:37,370 --> 00:02:40,000 [ PHONE RINGING ] 36 00:02:40,040 --> 00:02:43,200 [ CHATTERING CONTINUES ] 37 00:04:04,770 --> 00:04:06,970 [ ELEVATOR BELL DINGS ] 38 00:04:39,040 --> 00:04:41,700 [ KNOCKS ON DOOR ] 39 00:04:41,740 --> 00:04:44,570 SIPOWICZ, WHAT ARE YOU DOIN' HERE? 40 00:04:44,570 --> 00:04:46,730 I HEARD A RUMOR THE RAT YOU'RE WATCHIN' IS LEAVIN' TOWN. 41 00:04:46,770 --> 00:04:49,730 KEEP HIM INSIDE, JERRY. IS THAT RIGHT‐‐ THEY'RE TAKING GIARDELLA TO D. C.? 42 00:04:49,770 --> 00:04:51,870 THAT'S NONE OF YOUR BUSINESS. OH, SURE. 43 00:04:51,900 --> 00:04:54,200 JUST 'CAUSE THAT SON OF A BITCH PUT SIX BULLETS IN MY GUT... 44 00:04:54,240 --> 00:04:56,440 DOESN'T MEAN I SHOULD WONDER WHAT'S GOIN' ON. 45 00:04:56,470 --> 00:05:00,170 I KNOW WHAT GIARDELLA DID TO YOU, BUT YOU CAN'T BE COMING AROUND HERE. 46 00:05:00,200 --> 00:05:04,670 DETECTIVE, IF YOU'RE NOT OUT OF HERE IN 30 SECONDS, YOU'LL BE UNDER ARREST FOR INTERFERING WITH FEDERAL MARSHALLS 47 00:05:04,680 --> 00:05:08,850 HOW'S IT GOIN', ALFONSE? YOU HIDIN' UNDER THE BED COVERS, YOU LOWLIFE PIECE OF CRAP? 48 00:05:08,880 --> 00:05:13,350 WHAT IS IT, SIPOWICZ? YOU WANNA SEE THE REST OF MY SUITE? MAYBE TRY ON ONE OF THE BATHROBES? 49 00:05:13,340 --> 00:05:16,670 OH, THERE IT IS. THE UGLIEST WIG IN AMERICA. 50 00:05:16,710 --> 00:05:21,310 HEY, DOUCHE BAG, I GOT 24‐HOUR ROOM SERVICE AND THREE DIRTY MOVIE CHANNELS. 51 00:05:21,340 --> 00:05:25,970 YEAH? HOW'D YOU LIKE TO WATCH 'EM FROM A HOLE IN THE MIDDLE OF YOUR FOREHEAD? 52 00:05:26,010 --> 00:05:28,140 [ SCREAMING ] GET OUT OF HERE, SIPOWICZ! 53 00:05:28,180 --> 00:05:30,550 HEY, THAT'S A GOOD LOOK FOR YOU, ALFONSE! 54 00:05:30,580 --> 00:05:34,520 WHY DON'T YOU MIX THAT MUD IN WITH YOUR RUG? HE'S A SAVAGE, THIS GUY. 55 00:05:34,540 --> 00:05:37,970 I'M NOT DONE WITH YOU, GIARDELLA. YOU AND ME ARE GOING AROUND AGAIN. 56 00:05:38,010 --> 00:05:40,640 DO NOT COME BACK HERE! YEAH, YEAH, YEAH, YEAH. 57 00:05:40,680 --> 00:05:43,220 [ PHONE RINGING ] 58 00:05:43,240 --> 00:05:45,010 SIGN IT RIGHT HERE. 59 00:05:45,040 --> 00:05:47,140 HEY, WHAT'S UP? THANKS. 60 00:05:47,180 --> 00:05:50,220 DETECTIVE KELLY, IS THIS GONNA GO ON FOREVER? 61 00:05:50,240 --> 00:05:52,070 WHAT'S THAT? 62 00:05:52,810 --> 00:05:54,050 YOU PRETENDING I DON'T EXIST. 63 00:05:54,050 --> 00:05:55,390 YOU GOT REAL GUTS, YOU KNOW THAT? 64 00:05:55,430 --> 00:05:59,800 FIGURE YOURSELF LUCKY I DON'T COLLAR YOU FOR HOMICIDE. STAY AWAY FROM ME, ALL RIGHT? 65 00:05:59,840 --> 00:06:02,940 COULD I JUST TALK TO YOU? I NEED TO TALK TO YOU! 66 00:06:02,970 --> 00:06:05,270 NO, YOU DON'T. I UNDERSTAND WHAT HAPPENED. 67 00:06:05,300 --> 00:06:08,030 YOU WERE DIRTY. YOU WERE GETTIN' SQUEEZED. 68 00:06:08,070 --> 00:06:11,430 YOU WHACKED MARINO TO GET LOOSE, AND NOW YOU'RE GONNA GET AWAY WITH IT. 69 00:06:11,470 --> 00:06:14,470 JOHN, YOU'RE THE ONLY ONE I CAN TALK TO. 70 00:06:14,500 --> 00:06:17,370 [ FOOTSTEPS APPROACHING ] I CAN'T, OKAY? 71 00:06:17,400 --> 00:06:21,130 HEY. [ CHUCKLES ] YEAH. YEAH. 72 00:06:21,170 --> 00:06:24,470 REGARDS FROM HARRY TIMMONS. YEAH? HOW'S HE DOIN'? 73 00:06:24,500 --> 00:06:26,930 HOW'S HIS SECURITY BUSINESS? IT'S DOING GREAT, I GUESS. 74 00:06:26,970 --> 00:06:30,030 HE GOT ANY NIGHT WORK FOR YOU? YEAH, I'M BODYGUARDIN' SOME SOCIETY PEOPLE. 75 00:06:30,070 --> 00:06:32,130 I'M MEETING 'EM TONIGHT. 76 00:06:32,170 --> 00:06:34,570 IT'S TOO BAD I MAKE SUCH A LOUSY APPEARANCE. 77 00:06:34,600 --> 00:06:37,800 AS BUSY AS I AM AROUND HERE, I COULD'VE WORKED A DOUBLE SHIFT. 78 00:06:37,840 --> 00:06:41,440 ANDY, STAY COOL, ALL RIGHT? FANCY WANTS TO MAKE SURE YOU GOT YOUR FEET UNDER YOU. 79 00:06:41,470 --> 00:06:43,810 THAT'S ALL. OH, YOU THINK SO, HUH? 80 00:06:43,830 --> 00:06:48,060 I FIGURE HE'S SEEING IF I CAN SET A WORLD'S RECORD FOR TWIDDLIN' MY THUMBS. 81 00:06:48,100 --> 00:06:52,600 ANDY. ANDY, WOULD YOU MIND KEEPIN' AN EYE ON LUTHER AGAIN? YEAH? AHH. 82 00:06:52,630 --> 00:06:55,800 COME ON, MEDAVOY, WHAT AM I, A KENNEL SERVICE HERE? HUH? 83 00:06:55,830 --> 00:07:00,430 I CAN'T LEAVE HIM HOME ALONE, AND THE WIFE'S GONE TILL FRIDAY. ALL RIGHT, ALL RIGHT. 84 00:07:00,470 --> 00:07:02,740 IS HE IN THE LOCKER ROOM? YEAH, YEAH. YOU GOT THE SCOOPER? 85 00:07:02,770 --> 00:07:05,740 YEAH, I GOT THE SCOOPER. YEAH. YOU'RE A PRINCE. 86 00:07:05,770 --> 00:07:09,740 KELLY, YOU GOT A RESIDENTIAL ROBBERY‐ASSAULT, MAYBE A HOMICIDE BY NOW. 87 00:07:09,770 --> 00:07:12,270 THEY DIDN'T THINK THE VICTIM WAS GONNA MAKE IT. 88 00:07:12,300 --> 00:07:15,130 WHO SHOULD I WORK WITH? MARTINEZ. 89 00:07:15,170 --> 00:07:17,340 SIPOWICZ, MY OFFICE. 90 00:07:21,570 --> 00:07:24,970 [ CHATTERING ] 91 00:07:27,600 --> 00:07:29,500 CLOSE THE DOOR. 92 00:07:33,930 --> 00:07:37,630 I JUST HAD A CALL FROM THE FEDERAL MARSHALS. IS THAT SO? 93 00:07:37,670 --> 00:07:40,370 WHAT THE HELL WERE YOU DOING AT GIARDELLA'S HOTEL? 94 00:07:40,400 --> 00:07:42,930 I WAS IN THE NEIGHBORHOOD. I THOUGHT I'D SAY HELLO. 95 00:07:42,970 --> 00:07:47,740 I DON'T GET YOU. YOU KNOW YOU'RE ON PROBATION, AND YOU PUT ON A BOZO ACT. 96 00:07:47,770 --> 00:07:50,640 THAT ASSHOLE SHOT ME, LIEUTENANT. I KNOW HE SHOT YOU‐‐ 97 00:07:50,670 --> 00:07:53,610 AND NOW THE D. A.'S PUTTIN' HIM UP IN SOME JOINT WHERE I CAN'T AFFORD COFFEE. 98 00:07:53,630 --> 00:07:56,260 I AGREE. THEY NEVER SHOULD HAVE CUT GIARDELLA A DEAL. 99 00:07:56,300 --> 00:07:59,780 BUT I'M NOT SUPPOSED TO BE PISSED OFF? YOU CAN BE PISSED OFF. 100 00:07:59,810 --> 00:08:03,940 WHAT YOU CAN'T DO IS GO DOWN THERE AND TRY TO BRAIN HIM WITH A PLANT. 101 00:08:03,980 --> 00:08:08,810 I USED BAD JUDGMENT, ALL RIGHT? LOOK, MAYBE IF I WAS A LITTLE BUSIER‐‐ 102 00:08:08,850 --> 00:08:11,150 IT'S LIKE THE CHICKEN AND THE EGG. 103 00:08:11,180 --> 00:08:14,540 FIRST YOU STOP ACTING LIKE A FLAKE, THEN MAYBE YOU GET BACK ON THE STREET. 104 00:08:14,580 --> 00:08:19,040 LIEUTENANT, I'VE BEEN TAKIN' THE PSYCHO CALLS, FILIN' THE STOP‐AND‐FRISK REPORTS‐‐ 105 00:08:19,080 --> 00:08:21,280 YOU WANT A GOLD STAR? 106 00:08:21,310 --> 00:08:24,710 IS THAT BEIN' A FLAKE, HUH? HOW LONG IS THIS PROBATION THING GONNA GO ON? 107 00:08:24,750 --> 00:08:29,450 I TOLD YOU, I'M GIVING MYSELF TIME TO MAKE UP MY MIND. 108 00:08:29,480 --> 00:08:32,140 I THINK YOU'VE ALREADY MADE UP YOUR MIND, LIEUTENANT. 109 00:08:32,180 --> 00:08:35,640 AND I THINK YOU'RE TRYIN' TO SCREW ME FROM BEHIND THAT DESK. 110 00:08:39,850 --> 00:08:42,220 [ CHATTERING ] 111 00:08:42,250 --> 00:08:44,720 DID YOU SIGN IT? YEAH, IT'S READY TO GO. 112 00:08:44,750 --> 00:08:48,890 [ CHUCKLES, SIGHS ] YOU KNOW WHAT, FELLAS? 113 00:08:48,910 --> 00:08:53,680 I'M CONSIDERING A WHOLE NEW, UH, ORGANIZATIONAL APPROACH ON MY WORK AREA HERE. 114 00:08:53,710 --> 00:08:56,210 YOU SEE THIS SECTION HERE, HUH? 115 00:08:56,250 --> 00:08:59,220 THIS QUADRANT I MAY RESERVE FOR, FOR THESE‐‐ 116 00:08:59,250 --> 00:09:02,650 THESE LITTLE YELLOW NOTE REMINDERS WITH THE GLUE ON THE BACK, YOU KNOW? 117 00:09:02,680 --> 00:09:05,640 AND OVER HERE, THIS AREA I THINK I'M GONNA RESTRICT... 118 00:09:05,680 --> 00:09:08,140 TO, UH, PAPER WEIGHTS AND ANIMAL MAGNETS‐‐ 119 00:09:08,180 --> 00:09:10,480 MAYBE THOSE LITTLE GIRAFFES. 120 00:09:10,510 --> 00:09:13,380 ‐ ALL RIGHT, VERY FUNNY. ‐ NOBODY'S BEIN' FUNNY HERE. 121 00:09:13,410 --> 00:09:15,710 I'M TRYIN' TO FIGURE OUT MY WORK SCHEDULE HERE. 122 00:09:15,750 --> 00:09:18,690 I MEAN, I'M UNDER AN ENORMOUS TIME PRESSURE, YOU KNOW. 123 00:09:18,710 --> 00:09:21,180 I MEAN, I‐I GOTTA REORGANIZE MY DESK. 124 00:09:21,210 --> 00:09:23,640 I GOTTA WALK MEDAVOY'S DOG HERE. 125 00:09:23,680 --> 00:09:26,710 HEY, LIEUTENANT, IF IT STAYS THIS HECTIC AROUND HERE, 126 00:09:26,750 --> 00:09:29,690 WOULD I BE OKAYED FOR OVERTIME? 127 00:09:29,710 --> 00:09:33,340 [ SIGHS ] WHY DON'T THE TWO OF US GET TOGETHER AFTER WORK? 128 00:09:33,380 --> 00:09:36,280 NO RANKS? NO RANKS. JUST FOLKS. 129 00:09:36,310 --> 00:09:38,810 WHY WAIT? AFTER WORK. 130 00:09:42,580 --> 00:09:44,880 KELLY, YOU GOT AN ASSIGNMENT. 131 00:09:44,910 --> 00:09:46,980 DETECTIVE MEDAVOY HERE. I'M SORRY‐‐ 132 00:09:48,580 --> 00:09:50,810 GIVE ME ANOTHER MINUTE. SURE. 133 00:09:52,550 --> 00:09:55,220 [ OFFICER ] YEAH, I'M WAITIN' TO GO ON‐‐ 134 00:09:55,250 --> 00:09:57,690 HIS HIGHNESS HASN'T FINISHED HIS MEAL YET. 135 00:09:57,710 --> 00:10:00,010 WHAT WAS THAT ABOUT WITH FANCY? 136 00:10:00,050 --> 00:10:03,890 ME AND THE LIEUTENANT ARE GONNA GET TOGETHER AFTER WORK, GET TO KNOW EACH OTHER BETTER. 137 00:10:03,910 --> 00:10:07,440 [ SCOFFS, SIGHS ] ANDY. 138 00:10:07,480 --> 00:10:12,980 ANDY! YOU ARE ON THIN ICE WITH THIS GUY ALREADY. HOW IS THIS GONNA HELP YOU? 139 00:10:13,010 --> 00:10:16,640 HEY, LOOK, I'VE BEEN IN THIS PRECINCT FOR 17 YEARS, JOHN, YOU KNOW. 140 00:10:16,680 --> 00:10:19,010 I GOT INFORMANTS ON EVERY OTHER BLOCK. 141 00:10:19,050 --> 00:10:22,990 I KNOW EVERY MERCHANT, EVERY SKEL, ALL THE GOOD GUYS, ALL THE BAD GUYS. 142 00:10:23,010 --> 00:10:25,310 PLUS I WANNA WORK WITH YOU AGAIN. 143 00:10:25,350 --> 00:10:28,050 BUT IF THE ONLY WAY TO GET BACK ON THE STREET‐‐ 144 00:10:28,080 --> 00:10:32,640 BECAUSE THAT AFRICAN‐AMERICAN HUMP IN THERE WON'T GIVE ME A SQUARE SHOT‐‐ 145 00:10:32,680 --> 00:10:35,440 IS TO PUT IN FOR A TRANSFER, THEN THAT'S WHAT I'M GONNA DO. 146 00:10:35,480 --> 00:10:39,480 AND IF THAT'S WHAT I GOTTA DO, I AM GONNA GET MY TWO CENTS IN BEFORE I GO, JOHN. 147 00:10:41,650 --> 00:10:45,320 NOW GO ON, GET OUTTA HERE. YOU GOT A CASE. 148 00:10:45,350 --> 00:10:48,620 GO ON, GET OUT. 149 00:10:48,650 --> 00:10:51,120 [ DOG CHOMPING ] 150 00:10:51,150 --> 00:10:53,850 WHO ARE YOU STARIN' AT? [ DOG GROWLS ] 151 00:10:55,150 --> 00:10:57,520 IS THAT GONNA BE ALL RIGHT, DETECTIVE? 152 00:10:57,550 --> 00:10:59,850 I DON'T KNOW, MARTINEZ. I DON'T KNOW. 153 00:11:06,050 --> 00:11:08,790 IT'S TERRIBLE. 154 00:11:08,810 --> 00:11:11,680 FIGURE THE BASEMENT WINDOW FOR THE ENTRY? 155 00:11:11,710 --> 00:11:14,780 YEAH. ALL RIGHT, LET'S START THE CANVASS HERE. 156 00:11:14,810 --> 00:11:16,780 YOU OKAY? 157 00:11:16,810 --> 00:11:19,940 HER FACE GOIN' COLORS LIKE THAT, THAT'S THE AIR GETTIN' CUT OFF? 158 00:11:19,980 --> 00:11:23,140 THAT'S THE AIR GETTIN' CUT OFF. 159 00:11:23,180 --> 00:11:26,340 MA'AM, I'M JOHN KELLY. 160 00:11:26,380 --> 00:11:28,840 THAT'S JAMES MARTINEZ. WE'RE FROM THE 15 PRECINCT. 161 00:11:28,880 --> 00:11:31,210 SHE'S DEAD? 162 00:11:31,250 --> 00:11:33,390 LOIS CEIZLER? YEAH. 163 00:11:33,410 --> 00:11:37,280 YOU MIND IF I ASK YOUR NAME AND DATE OF BIRTH, MA'AM? 164 00:11:37,310 --> 00:11:42,140 ANNETTE DILEO, MARCH 23, 1935. 165 00:11:42,180 --> 00:11:45,540 OKAY. YOU LIVE IN THE HOUSE ALONE? 166 00:11:45,580 --> 00:11:48,310 UH, I LIVE WITH MY OLDEST SON, MICHAEL. 167 00:11:48,350 --> 00:11:50,390 UH, HE'S‐‐ [ DETECTIVE ] NOBODY THERE‐‐ 168 00:11:50,410 --> 00:11:54,880 WAS BORN ON APRIL 7, 1967. 169 00:11:54,910 --> 00:11:57,140 DO YOU HAVE THE SAME LAST NAME? 170 00:11:57,180 --> 00:11:59,710 WHY, YES. 171 00:11:59,750 --> 00:12:02,650 MRS. DILEO, IS THERE ANY INFORMATION YOU CAN GIVE ME? 172 00:12:02,680 --> 00:12:05,440 ANYTHING UNUSUAL HAPPEN NEXT DOOR THIS MORNING? 173 00:12:05,480 --> 00:12:09,680 I WAS OUT TILL HALF AN HOUR AGO. 174 00:12:09,710 --> 00:12:13,980 I SAW ALL THE AMBULANCES AND ALL WHEN I GOT BACK, 175 00:12:14,010 --> 00:12:16,610 BUT I DIDN'T WANT TO INTERFERE. 176 00:12:16,650 --> 00:12:18,790 WHAT TIME DID YOU LEAVE? 177 00:12:18,810 --> 00:12:21,980 ABOUT A QUARTER AFTER 8:00. I WORK HALF DAYS... 178 00:12:22,010 --> 00:12:23,980 AT, UH, LIEMAN'S BAKERY. 179 00:12:24,010 --> 00:12:25,980 MY SON DROPPED ME OFF. 180 00:12:26,010 --> 00:12:29,540 AND MICHAEL‐‐ MICHAEL? 181 00:12:29,580 --> 00:12:32,940 UH, IS HE HOME, OR, UH, CAN I REACH HIM AT WORK? 182 00:12:32,980 --> 00:12:37,310 HE‐HE BROUGHT MY CAR BACK HERE, THEN HE WENT OUT TO SEE MY OTHER SON. 183 00:12:37,350 --> 00:12:39,650 WHERE DOES HE LIVE? 184 00:12:39,680 --> 00:12:43,010 UH, JAMIE? LIVES IN RIDGEWOOD‐‐ 185 00:12:43,050 --> 00:12:45,190 YEAH, YOU HAVE AN ADDRESS ON HIM? 186 00:12:45,210 --> 00:12:49,980 [ SIGHS ] WELL, IT'S ON TRALTMAN STREET. I DON'T KNOW THE ADDRESS. 187 00:12:50,010 --> 00:12:53,780 EITHER OF YOUR BOYS EVER BEEN IN TROUBLE WITH THE POLICE, MRS. DILEO? 188 00:12:53,810 --> 00:12:55,810 NO. OKAY. 189 00:12:55,850 --> 00:12:58,490 THANK YOU. [ DETECTIVE ] IT'S YOUR WATCH COMMANDER‐‐ 190 00:12:58,510 --> 00:13:01,310 I'M GOING TO, UH, GIVE YOU MY CARD. 191 00:13:01,350 --> 00:13:05,350 AND IF YOU CAN THINK OF ANYTHING THAT MIGHT BE HELPFUL, YOU'LL GIVE ME A CALL? 192 00:13:05,380 --> 00:13:08,040 YES. THANKS AGAIN. 193 00:13:08,080 --> 00:13:10,740 [ POLICE RADIO, INDISTINCT ] 194 00:13:13,180 --> 00:13:16,510 I'M GONNA CHECK FOR MESSAGES. WHAT KIND OF MESSAGES? 195 00:13:18,080 --> 00:13:21,040 I WANT TO RUN A B. C. I. ON THESE TWO BROTHERS. 196 00:13:21,080 --> 00:13:24,610 15 SQUAD, BASE K. YEAH, I WANT TO RUN A B. C. I. ON A RIDGEWOOD ADDRESS. 197 00:13:24,650 --> 00:13:27,320 TAKE CARE OF THAT THING FOR ME? GREAT. JAMES OR JAMIE DILEO. 198 00:13:27,350 --> 00:13:30,690 D‐I‐L‐E‐O. CAUCASIAN, EARLY 20S. 199 00:13:30,710 --> 00:13:36,480 ALSO MICHAEL, SAME LAST NAME, 26, 62 BANK STREET, MANHATTAN. 200 00:13:36,510 --> 00:13:40,710 15 SQUAD, STAND BY. TWENTY‐SIX YEARS OLD, NO JOB, LIVING AT HOME. 201 00:13:40,750 --> 00:13:43,890 MAYBE THAT'S A JUNKIE SAVIN' ON RENT. YEAH. PLUS‐‐ 202 00:13:43,910 --> 00:13:47,440 PLUS HE BROUGHT THE CAR BACK. THAT'S WHAT SHE SAID, RIGHT? YEAH. 203 00:13:47,480 --> 00:13:49,340 15 SQUAD ON THE AIR. 204 00:13:49,380 --> 00:13:52,780 YOUR ADDRESS IN RIDGEWOOD IS 1447 TRALTMAN STREET. 205 00:13:52,810 --> 00:13:55,480 PRIORS ON BOTH NAMES. BINGO. 206 00:14:15,710 --> 00:14:17,410 [ CHATTERING ] 207 00:14:26,550 --> 00:14:28,390 YEAH. 208 00:14:28,410 --> 00:14:32,140 [ MAN ] YES, YES, I'M COMING. 209 00:14:32,180 --> 00:14:35,010 [ TV, INDISTINCT ] YOU THE SUPER? 210 00:14:35,050 --> 00:14:37,820 YOU GOT A JAMES DILEO IN 3J? WHAT DID HE DO? 211 00:14:37,850 --> 00:14:40,890 I'M NOT SURE YET. WHERE'S HIS FIRE ESCAPE LOCATED? 212 00:14:40,910 --> 00:14:43,380 OUT HIS WINDOW. IT DROPS INTO THE SIDE ALLEY. 213 00:14:43,410 --> 00:14:46,210 WHATEVER YOU WANT TO TALK TO HIM ABOUT, HE PROBABLY DID IT. 214 00:14:46,250 --> 00:14:49,250 THE KID LIVES LIKE AN ANIMAL. 215 00:14:50,850 --> 00:14:52,790 [ SUPER ] HOW'RE YOU DOING, MR. DILEO? 216 00:14:52,810 --> 00:14:56,210 [ MARTINEZ ] POLICE! I GOT HIM! I GOT OUTSIDE. 217 00:15:08,810 --> 00:15:11,180 MIKE, COPS! GET OUT! 218 00:15:14,880 --> 00:15:17,210 STOP! 219 00:15:19,250 --> 00:15:22,720 FREEZE, ASSHOLE! FREEZE! 220 00:15:22,750 --> 00:15:24,850 NO, MARTINEZ! 221 00:15:24,880 --> 00:15:28,180 ‐ JAMES, ARE YOU ALL RIGHT? ‐ YEAH. 222 00:15:28,210 --> 00:15:31,340 ‐ WHAT ARE YOU, A CIRCUS COP? ‐ YEAH. FLYING JAMES MARTINEZ. 223 00:15:31,380 --> 00:15:34,180 HANG IN THERE. 224 00:15:34,210 --> 00:15:37,980 [ TV ANNOUNCER ] AND NOW TO OUR OWN LANNY CHRISMAN WITH DETAILS... 225 00:15:38,010 --> 00:15:40,510 HERE YOU GO. ON THOSE JUST‐ANNOUNCED INDICTMENTS... 226 00:15:40,550 --> 00:15:43,550 THANKS. OF NEW YORK CITY POLICE OFFICERS. LANNY. 227 00:15:43,580 --> 00:15:46,040 [ REPORTER ] EARLY THIS AFTERNOON... THEY INDICTED 14 COPS. 228 00:15:46,080 --> 00:15:49,140 THE DISTRICT ATTORNEY ANNOUNCED THE INDICTMENT OF 14 NEW YORK CITY POLICE OFFICERS. 229 00:15:49,180 --> 00:15:52,180 ‐ ANYBODY FROM OUR PRECINCT? ‐ THE GRAND JURY TESTIMONY OF ORGANIZED CRIME LEADER... 230 00:15:52,210 --> 00:15:54,310 ‐ WHAT YOU GOT? ‐ ALFONSE GIARDELLA. 231 00:15:54,350 --> 00:15:56,950 [ CONTINUES, INDISTINCT ] WE LIKE THESE, UH, THESE DILEO BROTHERS. 232 00:15:56,980 --> 00:15:59,310 THEY BOTH USE. THEY BOTH GOT SHEETS FOR BURGLARY. 233 00:15:59,350 --> 00:16:02,220 ‐ ANY VIOLENCE? ‐ NO, I THINK THEY WERE JUST DOING A ROBBERY. 234 00:16:02,250 --> 00:16:04,350 THE OLD LADY SURPRISED THEM. 235 00:16:04,380 --> 00:16:07,010 TELL NARCOTICS TO LET THE JUNKIES KNOW... 236 00:16:07,050 --> 00:16:09,890 THERE'S A WALK FOR ANYBODY THAT GIVES THESE GUYS UP. 237 00:16:09,910 --> 00:16:12,340 [ TV, INDISTINCT ] OKAY. 238 00:16:14,510 --> 00:16:17,440 MARTINEZ, WOULD YOU REACH OUT TO NARCOTICS, PLEASE? 239 00:16:17,480 --> 00:16:19,940 NO PROBLEM. 240 00:16:19,980 --> 00:16:21,940 HEY. HEY. 241 00:16:21,980 --> 00:16:24,440 4B. HI. 242 00:16:25,210 --> 00:16:29,410 HOW'S THE NOSE? WOULD YOU LIKE TO HEAR SOMETHING INTERESTING, DETECTIVE KELLY? 243 00:16:29,440 --> 00:16:32,770 I'M BREATHING BETTER THAN AT ANY TIME SINCE ADOLESCENCE. 244 00:16:32,810 --> 00:16:36,010 THAT IS INTERESTING. I'M HERE ABOUT MY GUN. 245 00:16:36,040 --> 00:16:39,010 IT WAS CONFISCATED THE OTHER NIGHT AFTER THE INCIDENT. YEAH. 246 00:16:39,040 --> 00:16:42,040 WELL, I HAVE A HEARING IN A FEW HOURS BEFORE THE POLICE PERMIT BOARD, 247 00:16:42,080 --> 00:16:45,420 AND I WONDER IF I CAN IMPOSE ON YOU TO DRAFT UP... I'M GONNA PASS, 4B. 248 00:16:45,440 --> 00:16:47,710 A SHORT STATEMENT‐‐ I'M GONNA PASS. 249 00:16:47,740 --> 00:16:51,670 DO YOU MIND IF I ASK WHY? WELL, BECAUSE I DON'T THINK YOU SHOULD HAVE A WEAPON RIGHT NOW. 250 00:16:51,710 --> 00:16:55,510 I THINK YOU'D AGREE, DETECTIVE, THAT AS MATTERS DEVELOPED IN THAT LAUNDRY ROOM... 251 00:16:55,540 --> 00:16:58,410 IT WAS PRETTY LUCKY THAT I HAD MY GUN WITH ME. MAYBE. BUT THEN AGAIN, 252 00:16:58,440 --> 00:17:02,610 IF YOU DIDN'T, THEN MAYBE YOU WOULDN'T HAVE BEEN DOWN THERE DOING LAUNDRY TEN TIMES A WEEK, 253 00:17:02,640 --> 00:17:05,670 WAITIN' FOR THAT MUGGER TO COME BACK SO YOU COULD PLUG HIM, RIGHT? 254 00:17:05,710 --> 00:17:10,410 SO BECAUSE I SUCCESSFULLY FOUGHT OFF AN ASSAULT, I SHOULD FORFEIT MY RIGHT TO BEAR ARMS? 255 00:17:10,440 --> 00:17:14,770 NO, WHAT I'M SAYING IS, YOU WERE ROBBED AND BEATEN UP, 4B. THAT'S AN AWFUL EXPERIENCE. 256 00:17:14,810 --> 00:17:17,940 YEAH. SOME PEOPLE HAVE TO GO INTO TREATMENT TO GET OVER IT. 257 00:17:17,980 --> 00:17:21,450 SOME PEOPLE NEVER GO OUTSIDE AGAIN. AND SOME PEOPLE GET PISSED OFF, 258 00:17:21,480 --> 00:17:24,750 DECIDE THEY'RE GONNA SQUARE THINGS UP, AND THEY START LOOKIN' FOR TROUBLE. 259 00:17:24,780 --> 00:17:27,420 WHICH IS WHAT YOU THINK I'M DOING? 260 00:17:27,440 --> 00:17:30,410 [ NERVOUS CHUCKLE ] TRY THIS. 261 00:17:30,440 --> 00:17:34,070 WHY DON'T YOU FORGET ABOUT YOUR GUN FOR A WHILE AND LET THINGS UNWIND? 262 00:17:34,110 --> 00:17:36,370 NO, DETECTIVE. 263 00:17:36,410 --> 00:17:39,610 WHAT I'M GOING TO DO IS PURSUE MY RIGHTS UNDER THE SECOND AMENDMENT. 264 00:17:39,640 --> 00:17:41,610 OKAY. OKAY. 265 00:17:41,640 --> 00:17:44,110 THANK YOU FOR YOUR TIME. 266 00:17:48,310 --> 00:17:51,710 [ SIPOWICZ ] SO YOU GOT YOUR COAT HANGERS HANGING FROM YOUR WINDOWS? 267 00:17:51,740 --> 00:17:54,710 DID YOU STRING FOUR HANGERS PER PANE? 268 00:17:54,740 --> 00:17:58,610 RADIO AND ULTRAVIOLET WAVES, YEAH, YEAH. 269 00:17:58,640 --> 00:18:02,740 ANY ATTEMPT WHATSOEVER TO CONTROL YOUR MIND FROM BEYOND YOUR WINDOWS, 270 00:18:02,780 --> 00:18:05,020 THOSE HANGERS ARE GONNA NEUTRALIZE, RIGHT. 271 00:18:05,040 --> 00:18:07,710 WHAT ABOUT THE ALUMINUM FOIL? DID YOU COVER YOUR CEILING? 272 00:18:07,740 --> 00:18:10,340 MM‐HMM. YEAH. WELL, THEN YOU'RE IN BUSINESS. 273 00:18:10,380 --> 00:18:13,880 YOU GOT YOURSELF AN ALIEN‐THOUGHT‐PROOF ROOM THERE, RIGHT. 274 00:18:13,910 --> 00:18:18,710 LOOK, ONE OTHER THING EFFECTIVE WITH THESE CONTROL RAYS IS, UH, 275 00:18:18,740 --> 00:18:21,110 REFUSE TO THINK ABOUT 'EM, YOU KNOW? 276 00:18:21,140 --> 00:18:23,370 TAKE A WALK, READ A BOOK. 277 00:18:23,410 --> 00:18:25,610 WE CALL THAT DELUSION TECHNIQUE. 278 00:18:25,640 --> 00:18:27,770 YOU FEND 'EM OFF WITH WHAT YOU'RE THINKING, 279 00:18:27,810 --> 00:18:30,270 AND IT GRADUALLY WEAKENS THEIR HOLD, YEAH. 280 00:18:30,310 --> 00:18:32,270 ALL RIGHT, YEAH. WONDERFUL. YEAH. 281 00:18:32,310 --> 00:18:34,540 OKAY, SURE THING. KEEP IN TOUCH. 282 00:18:36,740 --> 00:18:40,070 HEY, I'M, UH‐‐ I'M ON MY WAY OUT... 283 00:18:40,110 --> 00:18:43,610 TO SEE THESE, UH, PEOPLE THAT TIMMONS HAS ME BODYGUARDIN'. 284 00:18:43,640 --> 00:18:46,510 WELL, HAVE A DANDY TIME. 285 00:18:46,540 --> 00:18:49,540 YEAH. HEY. HEY. 286 00:18:49,580 --> 00:18:52,220 [ CHATTERING, DOOR CLOSES ] 287 00:18:52,240 --> 00:18:54,570 THIS THING WITH THE LIEUTENANT‐‐ 288 00:18:56,810 --> 00:19:00,240 MY UNDERSTANDING IS, YOU WANNA BE BACK OUT ON THE STREET. 289 00:19:00,280 --> 00:19:04,120 IF YOU CAN REMEMBER WHAT YOU'RE TRYIN' TO ACCOMPLISH... 290 00:19:04,140 --> 00:19:07,940 WHEN YOU TALK TO SOMEBODY LIKE HIM, THEN YOU WON'T FLY OFF THE HANDLE. 291 00:19:07,980 --> 00:19:11,880 YEAH. FOCUS ON WHAT YOU WANT. 292 00:19:11,910 --> 00:19:14,010 THEN WE HAVE CONTROL, YOU KNOW? 293 00:19:14,040 --> 00:19:17,510 ALL RIGHT. YEAH, I GOT YOU, KELLY. I GOT YOUR DRIFT. 294 00:19:17,540 --> 00:19:20,010 YEAH. ALL RIGHT. SEE YOU LATER? 295 00:19:20,040 --> 00:19:23,710 YEAH. [ MUTTERS ] [ CAR HORN HONKING ] 296 00:19:27,380 --> 00:19:29,850 [ SIREN WAILING ] KELLY. 297 00:19:29,880 --> 00:19:33,250 [ OFFICER ] WE GOT ANOTHER COMPLAINT FROM THAT LADY‐‐ 298 00:19:33,280 --> 00:19:36,550 [ CONTINUES, INDISTINCT ] 299 00:19:40,740 --> 00:19:43,770 WAS YOUR FATHER ONE OF THE COPS INDICTED? 300 00:19:43,810 --> 00:19:47,270 THAT WHAT YOU WERE TRYING TO TELL ME THIS MORNING? 301 00:19:47,310 --> 00:19:49,940 OH. 302 00:19:49,980 --> 00:19:52,950 I'M SO WORRIED ABOUT HIM. 303 00:19:52,980 --> 00:19:54,820 I'M SORRY. 304 00:19:56,580 --> 00:19:59,050 [ PHONE RINGING ] 305 00:20:01,640 --> 00:20:04,870 [ CHATTERING CONTINUES ] 306 00:20:10,240 --> 00:20:16,070 FORTUNE MAGAZINE PUTS MY PERSONAL WORTH AT OVER $250 MILLION, DETECTIVE. 307 00:20:16,110 --> 00:20:20,770 TIMESAYS THAT I'M ONE OF THE TEN MOST EFFECTIVE... 308 00:20:20,810 --> 00:20:23,240 PRIVATE CITIZENS IN THE COUNTRY. 309 00:20:23,280 --> 00:20:28,020 MY ART COLLECTION IS MUSEUM QUALITY. 310 00:20:28,040 --> 00:20:32,410 AND NONE OF IT WOULD MEAN ANYTHING IF MY WIFE WERE TO BE JEOPARDIZED. 311 00:20:32,440 --> 00:20:35,170 WELL, I'LL TRY NOT TO LET THAT HAPPEN. 312 00:20:35,210 --> 00:20:37,510 I HOPE YOU DO A LITTLE MORE THAN TRY. 313 00:20:37,540 --> 00:20:41,370 I WAS, UH‐‐ THAT WAS JUST A WAY OF SPEAKING. I WON'T LET ANYTHING HAPPEN TO HER. 314 00:20:41,410 --> 00:20:44,070 OH, SUSAN, THIS IS DETECTIVE JOHN KELLY. 315 00:20:44,110 --> 00:20:46,910 HI, MA'AM. HOW DO YOU DO? 316 00:20:46,940 --> 00:20:51,070 SUSAN WILL TELL YOU THE DETAILS OF HER EVENING CALENDAR. UH, DO YOU OWN A TUXEDO? 317 00:20:51,110 --> 00:20:53,440 UH, YES. REALLY? 318 00:20:53,480 --> 00:20:56,980 WELL, IF THAT'S A FIB, BILL ME FOR THE RENTAL. 319 00:20:59,540 --> 00:21:02,070 HERE'S MY SCHEDULE, MR. KELLY. 320 00:21:02,110 --> 00:21:05,040 DO YOU FEEL LIKE BENEFITING THE NATIONAL DIABETIC FUND TOMORROW NIGHT? 321 00:21:05,080 --> 00:21:08,750 SURE. IS THERE ANYTHING THAT MY HUSBAND HASN'T TOLD YOU? 322 00:21:08,780 --> 00:21:11,020 NOTHING COMES TO MIND. 323 00:21:11,040 --> 00:21:14,870 SO HE HAS MADE YOU AWARE THAT HE'S ONE OF AMERICA'S MOST EFFECTIVE PRIVATE CITIZENS? 324 00:21:14,910 --> 00:21:17,110 THAT HIS ART COLLECTION IS MUSEUM QUALITY? 325 00:21:17,140 --> 00:21:19,210 WELL, UH, THAT CAME UP. 326 00:21:19,240 --> 00:21:22,570 MM, GOOD. THEN WE'RE ALL ON THE SAME PAGE. 327 00:21:22,610 --> 00:21:24,870 SO I'LL PICK YOU UP AT 7:30 TOMORROW NIGHT. 328 00:21:24,910 --> 00:21:26,740 7:30 TOMORROW. GREAT. 329 00:21:26,780 --> 00:21:29,820 I'LL SEND MY CAR FOR YOU. OKAY. ALL RIGHT. 330 00:21:38,140 --> 00:21:40,070 YOU READY? 331 00:21:40,110 --> 00:21:42,240 YEP. 332 00:21:47,110 --> 00:21:49,270 CATCH THE DOOR. 333 00:21:54,210 --> 00:21:57,610 OKAY, I'M OUT FROM BEHIND MY DESK. 334 00:21:57,640 --> 00:22:01,340 WE'LL SEE HOW FAR. WHAT YOU SAID THIS MORNING WAS WRONG. 335 00:22:01,380 --> 00:22:04,550 I GOT MY PERSONAL OPINIONS ABOUT YOU. I THINK YOU'RE AN ASSHOLE‐‐ 336 00:22:04,580 --> 00:22:08,380 I THINK YOU'RE AN ASSHOLE. BUT THAT HASN'T AFFECTED HOW I'VE TREATED YOU ON THE JOB. 337 00:22:08,410 --> 00:22:11,540 YOU REALLY BELIEVE THAT? YOU GUYS MAKE ME LAUGH. YEAH, I REALLY BELIEVE IT. 338 00:22:11,580 --> 00:22:14,790 NOW, WHAT GUYS WOULD YOU BE REFERRING TO? 339 00:22:14,810 --> 00:22:17,740 BLACK BOSSES. WELL, THAT DIDN'T TAKE LONG. 340 00:22:17,780 --> 00:22:20,410 I THOUGHT I WAS SUPPOSED TO FEEL FREE TO EXPRESS MY OPINIONS. 341 00:22:20,450 --> 00:22:22,950 WELL, FOR YOU, I GUESS THAT MEANS BEING A BIGOT. 342 00:22:22,980 --> 00:22:25,910 HEY, I'M NOT UP NIGHTS THINKIN' ABOUT THE TWO OF US OUT FOR RIBS, 343 00:22:25,950 --> 00:22:28,690 BUT ALL I WAS SAYIN' IS, YOU GUYS LIVE INSIDE THE BOOKS. 344 00:22:28,710 --> 00:22:32,410 YOU ACT LIKE MACHINES. YOU DON'T LIKE SOMEBODY, YOU GO AFTER 'EM LIKE ROBO‐HUMPS. 345 00:22:32,450 --> 00:22:37,020 WELL, YOU MIGHT THINK WE PLAY IT CLOSE TO THE VEST BECAUSE PEOPLE ARE WATCHING FOR US TO MESS UP. 346 00:22:37,050 --> 00:22:39,090 OH, MAKES YOU NERVOUS, DOESN'T IT, HUH? 347 00:22:39,110 --> 00:22:42,010 SOMEBODY ALWAYS LOOKIN' OVER YOUR SHOULDERS, WAITIN' FOR YOU TO MAKE A MISTAKE. 348 00:22:42,050 --> 00:22:45,090 JUST HOW EXACTLY DO YOU FIGURE I TRIED TO SCREW YOU, SIPOWICZ? 349 00:22:45,110 --> 00:22:48,240 I'VE WATCHED YOU CRAWL INSIDE A BOTTLE AND SET UP HOUSEKEEPING. 350 00:22:48,280 --> 00:22:50,680 I'VE WATCHED YOU CARRY ON A PRIVATE WAR WITH SOME HOOD... 351 00:22:50,710 --> 00:22:54,110 THAT MADE YOU CRAZY FOR REASONS I WILL NEVER UNDERSTAND. 352 00:22:54,150 --> 00:22:56,190 THE TRUTH IS, I'VE CUT YOU SLACK... 353 00:22:56,210 --> 00:22:59,940 BECAUSE YOU WERE A GOOD COP AND YOU WERE A GOOD TEACHER. 354 00:22:59,980 --> 00:23:04,610 I COULD BE THAT AGAIN IF YOU WOULD JUST GET YOUR DAMN FOOT OFF MY NECK. 355 00:23:04,650 --> 00:23:08,020 FOR GOD'S SAKE, I HAVEN'T HAD A DRINK IN 63 DAYS. 356 00:23:08,050 --> 00:23:11,150 YOU GOIN' TO 12‐STEP MEETINGS? I'M DOING THIS MY OWN WAY. 357 00:23:11,180 --> 00:23:15,140 HOW? SITTIN' AT HOME IN FRONT OF YOUR TV WITH YOUR FINGERS DIGGIN' INTO YOUR SOFA? 358 00:23:15,180 --> 00:23:17,480 THERE'S A DIFFERENCE BETWEEN DRY AND SOBER. 359 00:23:17,510 --> 00:23:20,780 HEY, LOOK. LOOK! I JUST WANT TO BE ABLE TO DO MY JOB, HUH? 360 00:23:20,810 --> 00:23:23,410 I DON'T WANT TO HAVE TO TRANSFER TO ANOTHER PRECINCT. 361 00:23:23,450 --> 00:23:25,420 I DON'T DO GOOD IN NEW SITUATIONS. 362 00:23:25,450 --> 00:23:27,820 I'VE RAISED THAT KID. RAISED WHO? 363 00:23:27,850 --> 00:23:31,820 KELLY. [ SIGHS, PANTING ] 364 00:23:31,850 --> 00:23:34,320 YOU LIKE THIS, HUH? 365 00:23:34,350 --> 00:23:37,520 SEEIN' PEOPLE EMBARRASS THEMSELVES? 366 00:23:37,550 --> 00:23:40,850 YOU'RE NOT EMBARRASSING YOURSELF. 367 00:23:40,880 --> 00:23:43,040 NOT NOW. 368 00:23:46,610 --> 00:23:49,710 I GOT SOME THINKIN' TO DO. I'LL SEE YOU IN THE MORNING. 369 00:24:12,470 --> 00:24:15,270 HEY, HOW'S THE ARM? IT'S A LITTLE STIFF. 370 00:24:15,300 --> 00:24:17,360 HEY, UH, NARCOTICS OVER IN THE 12... 371 00:24:17,400 --> 00:24:20,400 JUST PICKED UP THOSE DILEO BROTHERS ON A JUNKIE SWEEP, DETECTIVE. 372 00:24:20,430 --> 00:24:22,860 ARE THEY CHARGED? THEY HADN'T COPPED YET WHEN THEY GOT PICKED UP, 373 00:24:22,900 --> 00:24:26,070 BUT ONE OF THEM HAD A VCR AND SAID HIS MOTHER GAVE IT TO HIM. 374 00:24:26,100 --> 00:24:28,440 SHE BACKED HIS STORY WHEN NARCOTICS CALLED HER UP. 375 00:24:28,460 --> 00:24:30,690 WHAT WAS NARCOTICS SPEAKING TO THE MOTHER FOR? 376 00:24:30,730 --> 00:24:33,130 THEY DIDN'T KNOW WE WANTED THESE GUYS FOR OUR CASE. 377 00:24:33,160 --> 00:24:35,460 WHICH ONE HAD THE VCR? UH, MICHAEL, THE ONE IN THE PEN. 378 00:24:35,500 --> 00:24:38,040 ‐ I'LL TALK TO HIM FIRST. ‐ WANT ME TO DO THE INTERVIEW? 379 00:24:38,060 --> 00:24:40,030 NO, I'LL DO IT. SURE. NO PROBLEM. 380 00:24:40,060 --> 00:24:42,060 I'LL TALK TO HIM IN A MINUTE. OKAY. 381 00:24:45,060 --> 00:24:47,590 HOW'D IT GO LAST NIGHT? 382 00:24:47,630 --> 00:24:50,230 I DON'T KNOW. 383 00:24:50,260 --> 00:24:54,230 LIEUTENANT SAID HE'D INFORM ME THIS MORNING WHAT HE DECIDED. 384 00:24:58,330 --> 00:25:03,030 SIPOWICZ WILL WORK WITH YOU ON THE CEIZLER INVESTIGATION. 385 00:25:03,060 --> 00:25:06,130 ‐ GREAT. ‐ THAT'S, UH, OUTDOORS, INDOORS? 386 00:25:06,160 --> 00:25:08,590 OUTDOORS, INDOORS, FULL DUTY. 387 00:25:11,630 --> 00:25:13,460 THANKS, LIEUTENANT. 388 00:25:21,100 --> 00:25:24,300 SO YOU UNDERSTAND YOUR RIGHTS AS I'VE GIVEN THEM TO YOU? 389 00:25:24,330 --> 00:25:27,960 YEAH. AND YOU'RE SURE YOU DON'T WANT AN ATTORNEY? 390 00:25:28,000 --> 00:25:30,470 I DON'T NEED ONE. I DIDN'T DO NOTHIN'. OKAY. 391 00:25:30,500 --> 00:25:33,440 IF YOU CHANGE YOUR MIND, YOU LET ME KNOW. 392 00:25:40,830 --> 00:25:43,060 YOU'RE A HELL OF AN ACROBAT. 393 00:25:43,100 --> 00:25:45,800 [ LAUGHS ] YEAH, YOU GUYS SCARED US YESTERDAY. 394 00:25:45,830 --> 00:25:48,890 WE WANTED TO TALK TO YOU ABOUT WHAT HAPPENED TO YOUR NEXT‐DOOR NEIGHBOR. 395 00:25:48,930 --> 00:25:51,290 YEAH, WE DIDN'T KNOW WHAT YOU GUYS WANTED. 396 00:25:51,330 --> 00:25:54,390 YEAH. DID YOU HEAR WHAT HAPPENED TO HER‐‐ MRS. CEIZLER? 397 00:25:54,430 --> 00:25:57,230 YEAH, ON THE NEWS, AND MY MOTHER SAID. 398 00:25:57,260 --> 00:26:01,790 YEAH, WELL, SHE GOT ROBBED, STRANGLED, AND HER THROAT WAS CUT. 399 00:26:01,830 --> 00:26:04,600 WE DIDN'T HAVE NOTHIN' TO DO WITH IT. 400 00:26:04,640 --> 00:26:07,800 I MEAN, I BARELY KNEW HER. YOU KNOW, I JUST KNEW HER TO SAY HELLO TO. 401 00:26:09,040 --> 00:26:11,500 WHAT ARE YOU DOIN' FOR A LIVING? 402 00:26:11,540 --> 00:26:15,100 ODD JOBS. YOU KNOW, MECHANICAL REPAIR, THAT KIND OF THING. 403 00:26:15,140 --> 00:26:18,540 I NOTICED THE NARCOTICS COLLARS ON YOUR SHEET. 404 00:26:18,570 --> 00:26:21,140 ARE YOU USING NOW? 405 00:26:21,170 --> 00:26:24,500 [ SNIFFS ] WELL, I'M NOT A HUNDRED PERCENT, 406 00:26:24,540 --> 00:26:26,970 BUT, YOU KNOW, I'M NOT AS BAD AS I WAS. 407 00:26:27,010 --> 00:26:30,150 YEAH. YOU MOVE BACK IN WITH YOUR MOM TO GET STRAIGHT? 408 00:26:30,170 --> 00:26:32,000 THAT'S PART OF IT. 409 00:26:32,040 --> 00:26:35,470 MM‐HMM. THAT MUST BE TOUGH. 410 00:26:35,510 --> 00:26:38,350 YOU'RE TRYING TO GET STRAIGHT, AND YOUR BROTHER'S STILL USIN'. 411 00:26:38,370 --> 00:26:41,100 THAT'S HARD. 412 00:26:41,140 --> 00:26:44,440 HE EVER AGITATE YOU INTO GETTIN' HIGH? 413 00:26:44,470 --> 00:26:46,670 YOU'D HAVE TO TALK TO HIM. 414 00:26:48,540 --> 00:26:52,800 YEAH. I'LL TELL YOU, MICHAEL, I DON'T KNOW. 415 00:26:52,840 --> 00:26:56,700 IF YOU WERE INVOLVED, I CAN'T SEE YOU WITH THE BREAK‐IN. 416 00:26:56,740 --> 00:27:01,470 NOT LIVIN' NEXT DOOR. MAYBE IT WAS YOUR BROTHER. 417 00:27:01,510 --> 00:27:03,810 I MEAN, I KNOW YOU TWO WERE HOME. 418 00:27:03,840 --> 00:27:07,100 YOU DROPPED YOUR MOTHER OFF AT WORK. 419 00:27:07,140 --> 00:27:11,040 MAYBE HE WAS LOOKIN' FOR A PLACE TO BREAK IN, GET SOME MONEY, GET HIGH. 420 00:27:11,070 --> 00:27:14,200 LOOK, I WASN'T IN THAT LADY'S HOUSE YESTERDAY, AND NEITHER WAS MY BROTHER. 421 00:27:14,240 --> 00:27:19,100 YOU SEE, WHEN SOMETHING LIKE THIS HAPPENS, IT'S USUALLY A BURGLARY GONE OUT OF WHACK. 422 00:27:19,140 --> 00:27:23,470 NOBODY'S MEANT TO GET HURT. IT JUST GETS OUT OF CONTROL. 423 00:27:28,240 --> 00:27:31,140 THAT'S NOT WHAT HAPPENED. I HAD NOTHIN' TO DO WITH THIS. 424 00:27:31,170 --> 00:27:35,240 HOW ABOUT THE VCR? JAMIE STEAL IT FROM YOUR MOTHER? 425 00:27:35,270 --> 00:27:38,240 SHE GAVE THAT TO US. 426 00:27:38,270 --> 00:27:43,040 NO. NO. 427 00:27:43,070 --> 00:27:47,740 HE TOOK IT FROM YOUR MOTHER, BUT YOU WOULDN'T LET HIM SELL IT. 428 00:27:54,000 --> 00:27:57,100 I MEAN, THEY JUST‐‐ THEY JUST PUT ME ON THIS, YOU KNOW. 429 00:27:57,140 --> 00:27:59,370 IT'S A STRAIGHT‐UP BURGLARY, IT LOOKS TO ME. 430 00:27:59,400 --> 00:28:02,140 AND THAT WOMAN MUST'VE WALKED IN, ALL HELL BROKE LOOSE. 431 00:28:02,170 --> 00:28:04,470 THINGS HAPPENED NO ONE MEANT TO HAPPEN. 432 00:28:04,500 --> 00:28:07,240 LOOK, I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. 433 00:28:07,270 --> 00:28:09,800 THAT'S WHY YOU DOVE OUT THAT WINDOW YESTERDAY WHEN THE COPS CAME? 434 00:28:09,840 --> 00:28:12,070 IS THAT A CRIME? NO, I DIDN'T THINK SO. 435 00:28:12,100 --> 00:28:14,700 I'M JUST SAYIN' THAT'S WHAT YOU DID, JAMIE. 436 00:28:14,740 --> 00:28:18,470 NOW, IN THE DETECTIVE'S HANDBOOK, WE CALL THAT "SUSPICIOUS BEHAVIOR." 437 00:28:18,500 --> 00:28:20,970 LOOK, ARE YOU GONNA CHARGE ME WITH ANYTHING? 438 00:28:22,770 --> 00:28:24,940 WHAT'S YOUR HURRY, JAMIE? 439 00:28:24,970 --> 00:28:28,140 HEY, YOU'RE NOT JONESING ON ME NOW, ARE YOU? 440 00:28:28,170 --> 00:28:30,800 HOW LONG SINCE YOU FIXED? ARE YOU GONNA CHARGE ME OR RELEASE ME? 441 00:28:30,840 --> 00:28:33,870 I MAY SMACK YOU IN YOUR FACE, YOU LITTLE TURD‐‐ 442 00:28:33,900 --> 00:28:36,970 UP YOURS, DICK‐HEAD, ALL RIGHT? I WANNA BE CHARGED OR RELEASED. 443 00:28:37,000 --> 00:28:40,400 WHAT ARE THESE, NEW SNEAKERS? HUH? WHAT HAPPENED TO YOUR OTHER ONES? 444 00:28:40,440 --> 00:28:42,740 THEY GOT COVERED WITH BLOOD? 445 00:28:42,770 --> 00:28:45,640 WATCH IT. WATCH YOUR BALANCE. 446 00:28:58,900 --> 00:29:02,100 DETECTIVE KELLY AGAIN, MRS. DILEO. 447 00:29:02,140 --> 00:29:06,070 THAT'S DETECTIVE SIPOWICZ. 448 00:29:06,100 --> 00:29:08,040 MA'AM. 449 00:29:08,070 --> 00:29:10,400 WE NEED TO TALK ABOUT JAMIE AND MICHAEL AGAIN. 450 00:29:10,440 --> 00:29:13,300 WHY? COULD WE COME IN? 451 00:29:13,340 --> 00:29:16,140 NO. THEY HAVEN'T DONE ANYTHING. 452 00:29:16,170 --> 00:29:19,370 MRS. DILEO, YESTERDAY YOU TOLD ME THEY NEVER HAD TROUBLE WITH THE POLICE BEFORE. 453 00:29:19,400 --> 00:29:23,940 I SAID, NOT FOR SEVERAL YEARS! YOU SHOULD LET 'EM START OVER. 454 00:29:23,970 --> 00:29:26,570 THEY WERE PICKED UP TRYIN' TO BUY HEROIN, 455 00:29:26,600 --> 00:29:29,400 AND THEY WERE TRYIN' TO GET IT BY SELLIN' YOUR VCR. 456 00:29:29,440 --> 00:29:32,900 WELL, THAT'S‐THAT'S MINE. IT'S GOT NOTHIN' TO DO WITH LOIS CEIZLER. 457 00:29:32,940 --> 00:29:36,570 SO YOU'RE SAYIN' THAT YOU GAVE THEM YOUR VCR TO BUY HEROIN? 458 00:29:36,600 --> 00:29:38,740 I WANT YOU TO LEAVE ME ALONE! 459 00:29:38,770 --> 00:29:41,900 MRS. DILEO, IT GETS TO THE POINT... 460 00:29:41,940 --> 00:29:44,370 WHERE A MOTHER'S LOVE ISN'T ENOUGH. 461 00:29:44,400 --> 00:29:46,540 IT ISN'T WHAT CHILDREN NEED. 462 00:29:46,570 --> 00:29:49,140 LOOK, LOOK, YOUR SONS ROBBED YOU, DIDN'T THEY? 463 00:29:49,170 --> 00:29:53,070 THEY TOOK THAT VCR WHILE YOU WERE AT WORK, AND THEY DID THE SAME THING NEXT DOOR. 464 00:29:53,100 --> 00:29:56,940 THEY BROKE IN, THAT WOMAN WAS HOME, AND THEY DID SOMETHIN' TERRIBLE TO HER. 465 00:29:56,970 --> 00:29:59,700 NO, NO, I GAVE IT TO 'EM. I DON'T KNOW NOTHIN' ABOUT NEXT DOOR. 466 00:29:59,740 --> 00:30:03,270 NO, YOU KNOW THAT WOMAN WAS ROBBED AND STRANGLED AND HER THROAT WAS CUT. 467 00:30:03,300 --> 00:30:05,940 HOW LONG DID SHE LIVE NEXT DOOR TO YOU? 468 00:30:05,970 --> 00:30:07,900 TWENTY‐THREE YEARS. 469 00:30:07,940 --> 00:30:12,200 WE BOTH LOST OUR HUSBANDS WITHIN TWO YEARS OF EACH OTHER. 470 00:30:12,240 --> 00:30:15,300 YEAH, WELL, YOU KNOW SHE DIDN'T DESERVE WHAT HAPPENED TO HER. 471 00:30:15,340 --> 00:30:19,440 I KNOW. WE WANT YOU TO TELL THE TRUTH ABOUT THIS VCR, MRS. DILEO. 472 00:30:19,470 --> 00:30:23,370 WE WANT TO KEEP YOUR BOYS IN CUSTODY WHILE WE INVESTIGATE THIS OTHER MATTER. 473 00:30:23,400 --> 00:30:27,370 ALL THAT CAN HAPPEN IS THEY GET CLEAN, THEY GET OFF THE DOPE'S INFLUENCE... 474 00:30:27,400 --> 00:30:29,240 AND THEY CAN'T HURT ANYBODY ELSE. 475 00:30:29,270 --> 00:30:31,700 NOBODY WANTS TO CHARGE THEM FOR NEXT DOOR RIGHT NOW. 476 00:30:31,740 --> 00:30:35,040 MAYBE WE'LL FIND OUT THEY WEREN'T INVOLVED. I'M SO CONFUSED. 477 00:30:35,070 --> 00:30:39,640 I'M‐I'M ASKIN' YOU, PLEASE, JUST LEAVE ME ALONE! 478 00:30:39,670 --> 00:30:42,640 YOU BELIEVE IN GOD, DON'T YOU, MRS. DILEO? YES! 479 00:30:42,670 --> 00:30:45,700 THEN PRAY TO GOD. ASK HIM WHAT HE WANTS YOU TO DO. 480 00:30:45,740 --> 00:30:50,470 OH, PLEASE, PLEASE, JUST GIVE ME TIME. 481 00:30:50,500 --> 00:30:53,240 DO YOU STILL HAVE MY CARD? 482 00:30:53,270 --> 00:30:55,340 YES. IT'S INSIDE. 483 00:30:58,500 --> 00:31:02,770 I'LL PRAY. I'LL ASK GOD WHAT TO DO. 484 00:31:19,900 --> 00:31:22,670 [ CHATTERING ] 485 00:31:29,100 --> 00:31:31,100 WHAT DO YOU THINK, MR. KELLY? 486 00:31:31,140 --> 00:31:34,100 I THINK THE PEOPLE RUNNING THIS CHARITY SHOULD BE HAPPY. 487 00:31:34,140 --> 00:31:37,100 WE'RE GOING TO RAISE OVER A HALF‐MILLION DOLLARS TONIGHT. 488 00:31:37,140 --> 00:31:40,770 IT'S HOW THE IDLE RICH PERSUADE THEMSELVES THEY'RE LEADING USEFUL LIVES. 489 00:31:42,740 --> 00:31:45,770 MY HUSBAND JUST GOT HERE, MR. KELLY. 490 00:31:45,800 --> 00:31:48,270 SEE, THERE'S TOM, AND THAT'S GREG SACCA, 491 00:31:48,300 --> 00:31:52,140 ONE OF HIS UNPRINCIPLED ASSISTANTS WHO'S BEARDING FOR HIM THIS EVENING. 492 00:31:52,170 --> 00:31:56,440 THE BLONDE ON MR. SACCA'S ARM IS MY HUSBAND'S NEW MISTRESS. 493 00:31:58,300 --> 00:32:01,900 I THINK I'M GOING TO PRETEND TO GO AND POWDER MY NOSE. EXCUSE ME. 494 00:32:01,940 --> 00:32:04,940 I'M GONNA‐‐ I'LL WALK YOU TO THE DOOR. 495 00:32:06,500 --> 00:32:10,200 EXCUSE ME. HI, JOHNNY. 496 00:32:10,240 --> 00:32:12,740 HEY. HI. 497 00:32:12,770 --> 00:32:14,870 BIG DOINGS, HUH? 498 00:32:14,900 --> 00:32:19,100 HMM. MY FIRM TOOK A TABLE. WAS THAT SUSAN WAGNER, THOMAS WAGNER'S WIFE? 499 00:32:19,140 --> 00:32:21,240 YEAH, I'M, I'M DOING SECURITY FOR 'EM. 500 00:32:21,270 --> 00:32:23,440 OH. 501 00:32:23,470 --> 00:32:25,970 YOU LOOK GREAT. THANKS. 502 00:32:26,000 --> 00:32:28,600 YOU LOOK VERY DASHING YOURSELF. YEAH, WELL‐‐ 503 00:32:30,400 --> 00:32:33,740 HOW'S THE NEW JOB? IT'S INTERESTING. 504 00:32:33,770 --> 00:32:38,070 YEAH. I'M GONNA TAKE OFF. I'LL TALK TO YOU LATER. SEE YOU, JOHNNY. 505 00:32:38,100 --> 00:32:40,940 SHALL WE TAKE A LITTLE DETOUR, MR. KELLY? YEAH, SURE. 506 00:32:40,970 --> 00:32:42,600 I MISS YOU. 507 00:32:44,440 --> 00:32:48,300 HELLO. I WAS JUST COMING TO FIND YOU. LOVELY GOWN. 508 00:32:48,340 --> 00:32:51,040 AREN'T YOU SWEET. YOU REMEMBER MR. KELLY. 509 00:32:51,070 --> 00:32:52,740 HI. OF COURSE. 510 00:32:52,770 --> 00:32:55,040 ‐ GOOD EVENING, GREG. ‐ MRS. WAGNER. 511 00:32:55,070 --> 00:32:57,870 LOOKS LIKE A GREAT EVENT. DO YOU KNOW GRETA WEISNER? 512 00:32:57,900 --> 00:33:00,940 HOW DO YOU DO, GRETA? I'M SUSAN, TOM'S WIFE. 513 00:33:00,970 --> 00:33:04,940 ‐ HOW DO YOU DO? ‐ WELL, TOM, YOU SEEM TO BE ENJOYING... 514 00:33:04,970 --> 00:33:08,200 THE COMPANY OF GREG AND GRETA SO MUCH, WHY DON'T WE HAVE THEM JOIN US AT OUR TABLE? 515 00:33:08,240 --> 00:33:10,870 LET'S JUST LEAVE THE SEATING THE WAY IT IS. 516 00:33:10,900 --> 00:33:13,870 PERHAPS WE'LL GET TO KNOW EACH OTHER ANOTHER TIME. 517 00:33:13,900 --> 00:33:17,700 ‐ AND I DO HOPE THIS DOESN'T MAKE FOR ANY AWKWARDNESS. ‐ WHAT DO YOU MEAN? 518 00:33:17,740 --> 00:33:20,900 CONSCIENCE PANGS WHILE YOU'RE SCREWING HIM, THAT SORT OF THING. 519 00:33:20,940 --> 00:33:23,600 ‐ SUSAN‐‐ ‐ MAYBE YOU'RE NOT AFFLICTED IN THAT WAY. 520 00:33:23,640 --> 00:33:25,940 ‐ GOD KNOWS MY HUSBAND ISN'T. ‐ THAT'S ENOUGH. 521 00:33:25,970 --> 00:33:29,040 I THINK YOU'RE RIGHT. I THINK, ACTUALLY, 522 00:33:29,070 --> 00:33:33,900 UH, I WILL CALL IT A NIGHT, IF YOU'LL LET GO OF MY ARM. 523 00:33:37,270 --> 00:33:39,340 MR. KELLY? 524 00:33:44,170 --> 00:33:46,770 [ HORN HONKING ] 525 00:33:55,740 --> 00:33:59,700 DOES THAT MAKE YOUR LIST OF MOST MISERABLE EVENINGS, MR. KELLY? 526 00:33:59,740 --> 00:34:02,970 WELL, AT LEAST IT WASN'T RAININ', RIGHT? 527 00:34:03,000 --> 00:34:08,470 I SEEM TO HAVE BECOME SOMEONE WHO FINDS SATISFACTION IN PUBLIC EMBARRASSMENTS... 528 00:34:08,500 --> 00:34:11,400 AND WHO CONFIDES HER PERSONAL PROBLEMS TO STRANGERS. 529 00:34:11,440 --> 00:34:14,300 I HEAR PEOPLE'S PERSONAL PROBLEMS ALL THE TIME. 530 00:34:14,340 --> 00:34:17,700 I EXPECT YOU DO. I HOPE YOU'RE NOT GOING TO QUIT. 531 00:34:17,740 --> 00:34:21,770 NO. NO, YOU'RE SAFE, RIGHT? WE GOT THROUGH THE SHIFT. 532 00:34:21,800 --> 00:34:26,070 [ SIGHS ] 533 00:34:26,100 --> 00:34:29,600 I'M GONNA, UH‐‐ I'M GONNA GET GOIN'. 534 00:34:29,640 --> 00:34:32,400 THANK YOU FOR TAKING CARE OF ME. 535 00:34:32,440 --> 00:34:34,640 NIGHT. GOOD NIGHT. 536 00:34:37,840 --> 00:34:39,840 [ ELEVATOR BELL DINGS ] 537 00:35:10,000 --> 00:35:12,100 MRS. DILEO? 538 00:35:18,070 --> 00:35:20,570 YOU WANT TO TALK TO ME? 539 00:35:22,600 --> 00:35:24,470 HEY. 540 00:35:31,840 --> 00:35:35,640 I'M GONNA LOUSE UP YOUR DAY REAL GOOD, JAMIE. 541 00:35:41,100 --> 00:35:46,770 YOUR MOTHER GAVE YOU UP. [ CHUCKLES ] 542 00:35:48,400 --> 00:35:51,070 I DIDN'T DO NONE OF THE VIOLENCE. 543 00:35:51,100 --> 00:35:55,740 ALLS I WAS WAS THE LOOKOUT. JAMIE BEEN WANTIN' TO TAKE THAT HOUSE OUT FOR LIKE FOUR MONTHS. 544 00:35:55,770 --> 00:35:58,100 YOUR BROTHER JAMIE? 545 00:35:58,140 --> 00:36:00,600 SO I'M STANDIN' OUTSIDE IN THE BACK, 546 00:36:00,640 --> 00:36:03,770 AND HE GOES IN THROUGH THE BASEMENT... 547 00:36:05,010 --> 00:36:09,280 AND THEN I STARTED TO HEAR SCUFFLING AND SO FORTH. 548 00:36:11,040 --> 00:36:13,440 YOU SEE, WE DIDN'T EXPECT THAT WOMAN TO BE HOME. 549 00:36:13,470 --> 00:36:16,700 YOU GO INSIDE? I WENT IN. 550 00:36:18,310 --> 00:36:20,810 AND THIS WOMAN WAS RESISTING. 551 00:36:22,310 --> 00:36:25,280 AND JAMIE'S GOT HIS HANDS ON HER THROAT... 552 00:36:25,310 --> 00:36:28,580 AND HE SQUEEZED HER THROAT UNTIL SHE WENT OUT. 553 00:36:28,610 --> 00:36:32,150 SHE WAS OUT, AND JAMIE WENT UPSTAIRS TO GET THE JEWELRY. 554 00:36:32,170 --> 00:36:34,400 WHAT'D YOU DO? 555 00:36:34,440 --> 00:36:37,840 I WENT BACK OUTSIDE. 556 00:36:37,870 --> 00:36:40,140 SO‐‐ [ SNIFFS ] 557 00:36:40,170 --> 00:36:44,440 BUT THEN IN A COUPLE OF MINUTES, I STARTED TO HEAR MORE SCUFFLING. 558 00:36:44,470 --> 00:36:47,600 SO I WENT BACK IN... 559 00:36:47,640 --> 00:36:50,840 AND... SHE MUST'VE GOT UP... 560 00:36:50,870 --> 00:36:54,240 BECAUSE SHE WAS UPSTAIRS WHERE JAMIE WAS. 561 00:36:54,270 --> 00:36:56,340 HE GOT THIS LAMP CORD... 562 00:36:56,370 --> 00:36:59,740 AND WRAPPED IT AROUND HER NECK. 563 00:36:59,770 --> 00:37:02,000 FINALLY SHE WENT DOWN. 564 00:37:02,040 --> 00:37:04,800 WHEN DID HER THROAT GET CUT? 565 00:37:04,840 --> 00:37:07,970 WELL, FIRST HE WENT TO THE DRAWERS TO GET THE JEWELRY. 566 00:37:08,010 --> 00:37:13,110 AND THEN WHEN HE WAS GOIN' OUT, HE GOT THIS RING OFF HER FINGER, 567 00:37:13,140 --> 00:37:15,700 AND THAT'S WHEN HE CUT HER THROAT. 568 00:37:23,310 --> 00:37:25,350 THEN WHAT HAPPENED? 569 00:37:27,870 --> 00:37:31,500 THEN WE SOLD PEGGY THE JEWELRY, AND THEN WE COPPED. 570 00:37:34,870 --> 00:37:38,240 HOW MUCH SMACK DID YOU GET FOR THE JEWELRY? 571 00:37:38,270 --> 00:37:41,270 THREE DIME BAGS. 572 00:37:41,310 --> 00:37:44,680 THAT WAS COOL. THAT WAS ENOUGH, YOU KNOW? 573 00:37:44,710 --> 00:37:47,350 WE COULD BOTH GET OFF. 574 00:37:50,870 --> 00:37:54,840 [ CRYING ] AND I WOULDN'T LET JAMIE SELL THAT VCR... 575 00:37:59,270 --> 00:38:02,140 BECAUSE THAT‐‐ 576 00:38:02,170 --> 00:38:04,300 THAT BELONGED TO MY MOTHER. 577 00:38:04,340 --> 00:38:07,170 [ CONTINUES CRYING ] 578 00:38:19,170 --> 00:38:23,900 [ PHONE RINGING ] I'LL DO WHAT I CAN, BUT I CAN'T PROMISE ANYTHING. 579 00:38:23,940 --> 00:38:26,570 [ CHATTERING ] IS HE DONE? 580 00:38:26,610 --> 00:38:29,480 YEAH, HE JUST SIGNED A STATEMENT. I'M GONNA CALL THE D. A. 581 00:38:29,510 --> 00:38:32,750 YOU DID A GOOD JOB. ANDY MOVED THE MOTHER. 582 00:38:32,770 --> 00:38:34,670 GOOD. 583 00:38:34,710 --> 00:38:38,250 NICE GOIN', PARTNER. LIKE RIDIN' A BIKE, HUH? 584 00:38:38,270 --> 00:38:41,000 YEAH. HEY, LIEUTENANT. [ CLEARS THROAT ] 585 00:38:41,040 --> 00:38:45,170 I DON'T KNOW IF YOU HEARD ME YESTERDAY SAYIN' I WAS GRATEFUL. 586 00:38:45,210 --> 00:38:49,110 YOU MET ME HALFWAY ON THIS‐‐ UH, MORE THAN HALFWAY. 587 00:38:49,140 --> 00:38:52,170 DOES THIS MEAN WE'RE GOIN' OUT FOR RIBS? 588 00:38:52,210 --> 00:38:55,080 NO, I DIDN'T MEAN ANYTHING PERSONAL WITH THAT. 589 00:38:55,110 --> 00:38:57,250 JUST DO A GOOD JOB, ANDY. 590 00:38:57,270 --> 00:39:00,440 [ PHONE RINGING ] 591 00:39:02,640 --> 00:39:05,340 HEY, DETECTIVE. THE, UH, ONE BROTHER ROLLED, HUH? 592 00:39:05,370 --> 00:39:08,400 YEAH. YEAH. YOU GOIN' BACK TO ANTICRIME? 593 00:39:08,440 --> 00:39:10,340 THAT'S WHAT THEY TOLD ME, YEAH. 594 00:39:10,370 --> 00:39:13,440 HEY, I ENJOYED WORKIN' WITH YA. 595 00:39:13,470 --> 00:39:15,840 SAME HERE, DETECTIVE. I FELT LIKE I LEARNED A LOT. 596 00:39:15,870 --> 00:39:18,500 I'LL SEE YOU AROUND. FLYING JAMES. 597 00:39:21,110 --> 00:39:25,410 HEY, I JUST WANTED TO LET YOU KNOW, UH, I'M GETTIN' MY GUN BACK. 598 00:39:25,440 --> 00:39:29,340 EVIDENTLY, THE PERMIT BOARD DIDN'T SHARE YOUR RESERVATIONS ABOUT MY RELIABILITY. 599 00:39:29,370 --> 00:39:31,840 WELL, THAT'S WHY THEY MAKE VANILLA AND CHOCOLATE, 4B. 600 00:39:31,870 --> 00:39:35,070 YOU KNOW, POSSIBLY THERE WAS SOME MERIT IN WHAT YOU SAID THE OTHER DAY. 601 00:39:35,110 --> 00:39:39,750 POSSIBLY, UH, YOU KNOW, GETTIN' ROBBED AND BEATEN UP HAS UPSET ME. 602 00:39:39,770 --> 00:39:41,670 IN FACT, I'D SAY IT HAS. 603 00:39:41,710 --> 00:39:45,150 BUT I'M STILL A HUMAN BEING WHO NEEDS TO FUNCTION IN THIS CITY. 604 00:39:45,170 --> 00:39:48,740 YOU WANT TO DO SOMETHIN' SMART? TAKE YOUR GUN OVER TO THE PROPERTY ROOM IN QUEENS. 605 00:39:48,770 --> 00:39:51,570 NO. NO. NO, YOU KNOW WHAT? WAIT. GIVE IT TO ME. 606 00:39:51,610 --> 00:39:55,210 GIVE IT TO ME. I'LL HOLD ONTO IT TILL YOU SORT STUFF OUT. 607 00:39:57,110 --> 00:40:00,650 NO, UH, BUT THANKS FOR YOUR CONCERN. 608 00:40:00,670 --> 00:40:03,470 YOU KNOW, I STILL CONSIDER MYSELF YOUR FRIEND. 609 00:40:03,510 --> 00:40:06,410 I HOPE YOU FEEL LIKEWISE. I DO. 610 00:40:06,440 --> 00:40:11,170 BECAUSE, UH, I HAVEN'T MADE THAT MANY FRIENDS IN NEW YORK. 611 00:40:12,510 --> 00:40:15,180 [ CHUCKLES, SIGHS ] 612 00:40:18,940 --> 00:40:22,900 I'M A RESPECTABLE PERSON. I'M A CHEF AT THE SEVILLE HOTEL. 613 00:40:22,940 --> 00:40:25,440 RESPECTABLE PEOPLE GET CAUGHT WITH WHORES ALL THE TIME. 614 00:40:25,470 --> 00:40:28,770 [ CHEF ] I'M A MARRIED MAN. I GOT KIDS. I DON'T WANT THIS TO COME OUT. 615 00:40:28,810 --> 00:40:31,650 YOU SHOULD'VE THOUGHT OF THAT BEFORE YOU UNZIPPED YOUR FLY. 616 00:40:31,670 --> 00:40:35,600 HEY, SARGE, WHAT DO WE GOT? SOLICITATION. HE WAS TRYIN' TO PICK UP A WHORE. 617 00:40:35,640 --> 00:40:39,770 HMM. LISTEN, LET ME TALK TO THIS MAN FOR A SECOND, WILL YOU, DETECTIVE? 618 00:40:39,810 --> 00:40:43,650 HOLD OFF ON WRITIN' THAT UP JUST TWO SECONDS, ALL RIGHT? SURE. 619 00:40:43,670 --> 00:40:46,300 COME HERE. WHAT'S YOUR NAME? FRANK KENNEDY. 620 00:40:46,340 --> 00:40:48,500 YEAH, FRANK, JUST STEP HERE A SECOND. 621 00:40:48,540 --> 00:40:51,170 I CAN'T BELIEVE I LET SOMETHING LIKE THIS HAPPEN TO ME. 622 00:40:51,210 --> 00:40:55,450 WELL, SOMETIMES WE FOLLOW OUR LITTLE CAPTAINS INTO BATTLE THERE, DON'T WE? 623 00:40:55,470 --> 00:40:58,600 NOW, UH, DO I UNDERSTAND THAT YOU'RE A CHEF AT THE HOTEL SEVILLE? 624 00:40:58,640 --> 00:41:01,070 YEAH, FOR THE PAST 12 YEARS. SO IN OTHER WORDS, 625 00:41:01,110 --> 00:41:04,110 YOU WOULD BE INVOLVED IN PREPARING ROOM SERVICE MEALS, FOR EXAMPLE? 626 00:41:04,140 --> 00:41:06,240 YEAH, THAT'S WHAT I DO. 627 00:41:06,270 --> 00:41:11,270 [ CLEARS THROAT ] SOMEONE WE RECENTLY ARRESTED HAS BEEN STAYIN' AT THE SEVILLE. 628 00:41:11,310 --> 00:41:14,310 OH, THE SECRET GOVERNMENT WITNESS GUY? THAT'S CORRECT. 629 00:41:14,340 --> 00:41:17,300 MR. LASAGNA, WE CALL HIM. MR. LASAGNA, EH? 630 00:41:17,340 --> 00:41:20,340 WELL, THAT'S ALL HE EVER ORDERS. AND YOU PREPARE THE MEAL? 631 00:41:20,370 --> 00:41:23,740 YEAH. I'M IN A LOT OF TROUBLE HERE. 632 00:41:23,770 --> 00:41:25,500 NOT NECESSARILY. 633 00:41:27,770 --> 00:41:30,270 HEY, LUTH, GOOD DOG. HEY, ANDY. 634 00:41:30,310 --> 00:41:33,910 UH, MEDAVOY, YOU WANT ME TO TAKE LUTHER THERE FOR A STROLL? 635 00:41:33,940 --> 00:41:36,170 YEAH, GEEZ, ANDY, THAT'D BE GREAT. 636 00:41:36,210 --> 00:41:38,950 I GOT A BUNCH OF PHONE CALLS TO MAKE ON A ROBBERY. 637 00:41:38,970 --> 00:41:41,770 YEAH, UH, GIVE ME HIS SCOOPER THERE. 638 00:41:41,810 --> 00:41:43,910 YEAH. HERE YOU GO. YEAH. 639 00:41:43,940 --> 00:41:46,240 THANKS. HEY, NO PROBLEM. 640 00:41:46,270 --> 00:41:49,470 ALL RIGHT, LUTHER, WANNA LAY A LOAF? 641 00:41:49,510 --> 00:41:51,380 [ BARKING ] 642 00:41:55,040 --> 00:41:57,200 RIGHT THIS WAY, SIR. 643 00:42:01,870 --> 00:42:04,240 THANKS. 644 00:42:05,310 --> 00:42:08,840 THANK YOU FOR COMING, MR. KELLY. I KNOW WE WEREN'T SCHEDULED. 645 00:42:08,880 --> 00:42:13,050 ‐ THAT'S OKAY. ‐ I HAVE ABSOLUTELY NO NEED FOR YOUR SERVICES. 646 00:42:13,080 --> 00:42:15,880 I DON'T HAVE ANY EXCUSE FOR ASKING YOU TO COME OVER. 647 00:42:15,910 --> 00:42:19,170 I WANTED SOMEONE TO KEEP ME COMPANY, AND YOU CAME TO MIND. 648 00:42:19,210 --> 00:42:21,810 HOW'D YOU GET THE EYE? 649 00:42:21,840 --> 00:42:24,710 MY HUSBAND BEAT ME UP AFTER THE FESTIVITIES LAST NIGHT. 650 00:42:24,740 --> 00:42:28,110 I'M SURE IT MADE FOR BETTER SEX AFTERWARD WITH GRETA. 651 00:42:28,140 --> 00:42:32,110 [ SIGHS ] THIS IS A HORRIBLE WAY TO LIVE. 652 00:42:32,140 --> 00:42:34,970 THIS IS NOT HOW I WANTED MY LIFE TO BE. 653 00:42:35,010 --> 00:42:38,040 WHAT ABOUT MAKING SOME CHANGES? 654 00:42:38,080 --> 00:42:41,520 UH‐HUH. I SHOULD. I SHOULD, UH‐‐ 655 00:42:41,540 --> 00:42:44,010 I SHOULD DIVORCE HIM. 656 00:42:44,040 --> 00:42:47,140 MY HUSBAND DOESN'T WANT THAT. 657 00:42:47,180 --> 00:42:51,520 I THINK HE'S ACTUALLY FOUND EXACTLY THE ARRANGEMENT HE'S BEEN LOOKING FOR. 658 00:42:51,540 --> 00:42:55,340 HE HAS A MISTRESS AND THE BIMBOS HE CHEATS ON HER WITH. 659 00:42:55,380 --> 00:42:58,480 AND THEN EVERY SO OFTEN HE GETS TO BEAT UP... 660 00:42:58,510 --> 00:43:02,370 HIS WELLBORN AND GENTEELLY IMPOVERISHED WIFE. 661 00:43:02,410 --> 00:43:06,110 HE SAYS THAT HE'S INSULATED THE ASSETS. 662 00:43:06,140 --> 00:43:08,340 HE SAYS THAT, UH, IF I FILE FOR DIVORCE, 663 00:43:08,380 --> 00:43:10,820 HE'LL TIE UP THE PROCESS FOR FIVE YEARS... 664 00:43:10,840 --> 00:43:13,770 AND MEANWHILE I'LL BE PENNILESS. 665 00:43:13,810 --> 00:43:16,710 AND, UH... 666 00:43:16,740 --> 00:43:20,110 I, I JUST FEEL‐‐ 667 00:43:20,140 --> 00:43:24,470 I FEEL... SO HELPLESS. 668 00:43:24,510 --> 00:43:27,510 AND I FEEL TRAPPED... 669 00:43:30,310 --> 00:43:33,140 AND ASHAMED AND AFRAID, AND I WISH HE WERE DEAD. 670 00:43:36,180 --> 00:43:40,380 [ SIGHS ] AM I UNDER ARREST? 671 00:43:43,380 --> 00:43:46,320 WISHES DON'T GET YOU BUSTED, MRS. WAGNER. 672 00:43:46,340 --> 00:43:49,040 IT'S MORE THAN A WISH, MR. KELLY. 673 00:43:49,080 --> 00:43:53,120 IF THERE WAS SOME WAY THAT I COULD COME HOME ONE NIGHT AND HE'D BEEN SHOT‐‐ 674 00:43:53,140 --> 00:43:55,770 WELL, WE'RE GETTIN' INTO A BAD AREA NOW, MRS. WAGNER. 675 00:43:55,810 --> 00:43:58,610 [ PAGER BEEPING ] 676 00:43:58,640 --> 00:44:01,210 SAVED BY THE BELL. 677 00:44:04,640 --> 00:44:08,310 ‐ YOU GOT A PHONE I CAN USE? ‐ MMM. 678 00:44:20,210 --> 00:44:22,310 OH, LOOK AT THIS. UNBELIEVABLE. 679 00:44:22,340 --> 00:44:25,510 RELAX. RELAX. MAYBE ENGLISH ISN'T YOUR FIRST LANGUAGE, SIPOWICZ. 680 00:44:25,540 --> 00:44:29,370 IS THAT THE PROBLEM? THIS IS MY FAREWELL VISIT. I JUST WANT TO APOLOGIZE. 681 00:44:29,410 --> 00:44:32,470 I MEAN, YOU GOT A JOB TO DO. YOU KNOW, YOU PUT US RIGHT IN THE MIDDLE. 682 00:44:32,510 --> 00:44:35,210 WELL, I HAD A BEE IN MY BONNET ABOUT THIS GUY, 683 00:44:35,240 --> 00:44:38,140 AND I WASN'T LOOKIN' AT THINGS FROM YOUR POINT OF VIEW. 684 00:44:38,180 --> 00:44:40,720 [ GIARDELLA ] WHO'S THAT OUT THERE? IS THAT WHO I THINK IT IS? 685 00:44:40,740 --> 00:44:43,810 DON'T WORRY ABOUT IT. THE SITUATION'S UNDER CONTROL. HEY, HEY, THERE HE IS. 686 00:44:43,840 --> 00:44:47,370 I'LL TELL YOU SOMETHIN', SIPOWICZ. I'M GONNA MISS YOU DOWN THERE IN D. C. 687 00:44:47,410 --> 00:44:49,870 BACK AT YOU, ALFONSE. THAT'S WHY I CAME TO SAY GOOD‐BYE. 688 00:44:49,910 --> 00:44:52,470 YOU KNOW, YOU'RE LIKE THAT GEYSER‐‐ OLD RELIABLE. 689 00:44:52,510 --> 00:44:55,540 WHO AM I GONNA COUNT ON TO MAKE AN ASSHOLE OUT OF HIMSELF? 690 00:44:55,580 --> 00:44:58,620 [ MARSHAL ] YOUR FOOD'S COMING, GIARDELLA. WHY DON'T YOU GO BACK INSIDE? 691 00:44:58,640 --> 00:45:01,210 [ GIARDELLA ] YOU SEE, THEY'RE DELIVERIN' MY EXPENSIVE DINNER NOW. 692 00:45:01,240 --> 00:45:03,540 WHAT ARE YOU EATIN' TONIGHT? BIG MAC AND FRIES? 693 00:45:03,580 --> 00:45:06,050 I'M A REALIST, ALFONSE. [ MARSHAL ] BRING IT IN. 694 00:45:06,080 --> 00:45:09,280 WHATEVER I'M GONNA EAT TONIGHT I KNOW WON'T COMPARE TO WHAT'S UNDER THAT TRAY. 695 00:45:09,310 --> 00:45:13,010 WHAT'S THE SPECIAL OF THE DAY? BEEF DE MERDE? WHO KNOWS? 696 00:45:13,040 --> 00:45:15,840 I'M HAVIN' SOME NICE LASAGNA. IF YOU'LL EXCUSE ME NOW. 697 00:45:15,880 --> 00:45:18,380 YEAH. GO ON. BON APPETIT. 698 00:45:20,180 --> 00:45:23,350 UH, YOU KNOW WHAT? I DON'T‐‐ I DON'T NEED TO STICK AROUND. 699 00:45:23,380 --> 00:45:26,050 JUST CONVEY MY SENTIMENTS TO THE RELIEF GUY, HUH? 700 00:45:26,080 --> 00:45:28,650 JUST TELL HIM WHAT I EXPRESSED. 701 00:45:28,680 --> 00:45:32,680 [ GIARDELLA YELLS ] MY GOD! THIS IS CRAP! 702 00:45:32,710 --> 00:45:35,710 SIPOWICZ! HE POISONED ME! 703 00:45:35,740 --> 00:45:39,140 CALL 9‐1‐1! THE RAT BASTARD POISONED ME! 704 00:46:07,210 --> 00:46:09,310 HE'S DEAD. 705 00:46:09,340 --> 00:46:11,340 YOUR FATHER? 706 00:46:11,380 --> 00:46:14,080 "CLEANING HIS GUN." 707 00:46:27,980 --> 00:46:32,050 HE LEFT ME THIS... LETTER IN MY APARTMENT. 708 00:46:36,740 --> 00:46:39,810 [ DEEP SIGH ] "I DON'T WANT YOU TO FEEL BAD. 709 00:46:39,840 --> 00:46:43,770 "THERE'S REASONS THIS MAKES SENSE. 710 00:46:43,810 --> 00:46:46,170 "THIS WAY MOMMY GETS BENEFITS, 711 00:46:46,210 --> 00:46:48,810 "WHICH I DON'T FEEL IT'S RIGHT SHE'D LOSE. 712 00:46:48,840 --> 00:46:51,470 "'CAUSE WHATEVER ELSE, THAT WAS STILL ME... 713 00:46:51,510 --> 00:46:55,440 "GOING THROUGH THOSE DOORS 22 YEARS. 714 00:46:55,480 --> 00:46:58,220 "THE ONE THING I CAN REST EASY WITH: 715 00:46:59,810 --> 00:47:02,870 [ CRYING ] "YOU'RE A GOOD PERSON... 716 00:47:02,910 --> 00:47:05,710 "AND YOU'RE ON YOUR WAY... 717 00:47:05,740 --> 00:47:08,740 AND YOU WEREN'T TOUCHED BY ANY OF THIS." 718 00:47:13,210 --> 00:47:15,510 OH, GOD. 719 00:47:15,540 --> 00:47:19,140 HE USED TO HOLD ME IN HIS ARMS... 720 00:47:21,740 --> 00:47:24,710 AND I'D FEEL... 721 00:47:24,740 --> 00:47:28,210 THAT NOTHING COULD GO WRONG IN THE WHOLE WORLD. 722 00:47:28,240 --> 00:47:30,910 [ CONTINUES CRYING ] 723 00:47:39,210 --> 00:47:41,070 HEY. 61758

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