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These are the user uploaded subtitles that are being translated: 1 00:00:01,802 --> 00:00:04,212 ** 2 00:00:04,238 --> 00:00:05,808 (Gigi) I'M CLEANING OUT YOUR STUFF, HAROLD, 3 00:00:05,839 --> 00:00:09,139 BECAUSE I'M TRYIN' TO DECLUTTER. 4 00:00:09,177 --> 00:00:10,507 YOU WERE A BIT OF A HOARDER. 5 00:00:10,544 --> 00:00:11,314 LOOK AT THIS. 6 00:00:11,345 --> 00:00:13,705 WELL, WHAT DID YOU NEED THAT FOR? 7 00:00:13,747 --> 00:00:16,777 OH, MY GOODNESS, MY WORLD'S GREATEST DANCER TROPHY. 8 00:00:16,817 --> 00:00:17,787 YOU KEPT IT. 9 00:00:17,818 --> 00:00:20,448 I WON THIS BECAUSE I INVENTED THE DOUGIE. 10 00:00:20,488 --> 00:00:24,228 I WAS DOING THE DOUGIE WELL BEFORE THE BLACKS. 11 00:00:24,258 --> 00:00:25,288 (gasps) 12 00:00:25,326 --> 00:00:27,396 OH, YOUR PERSONAL SHAVER. 13 00:00:27,428 --> 00:00:29,798 THIS IS WHAT YOU USED TO SHAVE MY PUNDA. 14 00:00:29,830 --> 00:00:31,200 OH, I HAD FU-- 15 00:00:31,232 --> 00:00:32,432 (sniffs) I HAD FU-- AH-HA. 16 00:00:32,466 --> 00:00:34,136 I HAD FUN WITH THAT. 17 00:00:34,168 --> 00:00:36,068 OH, AND THIS THING, FORGET-- OH, YEAH. 18 00:00:36,104 --> 00:00:37,744 YEAH, YOU HAD QUITE THE SEXUAL APPETITE, 19 00:00:37,771 --> 00:00:39,311 DIDN'T YA, HAROLD? 20 00:00:39,340 --> 00:00:40,470 GIVE YA A SMACK. 21 00:00:40,508 --> 00:00:41,638 STAY QUIET! 22 00:00:41,675 --> 00:00:44,475 GET DOWN ON YOUR KNEES, YOU STUPID SON OF A BITCH. 23 00:00:44,512 --> 00:00:46,612 OH, A NUDEY MAGAZINE, OF COURSE. 24 00:00:46,647 --> 00:00:47,577 (chuckles) 25 00:00:47,615 --> 00:00:49,675 YOU WERE FAMOUS FOR YOUR NUDEY MAGAZINES. 26 00:00:49,717 --> 00:00:51,787 YEAH, I BET SHE GOT FAT. 27 00:00:51,819 --> 00:00:55,859 SHE LOOKS LIKE SHE PROBABLY PUT ON A LITTLE... 28 00:00:55,889 --> 00:00:57,289 WAIT A SECOND. 29 00:00:57,325 --> 00:00:59,285 (gasps) 30 00:00:59,327 --> 00:01:01,157 I KNOW THIS BITCH. 31 00:01:01,195 --> 00:01:03,155 * LA LA LA LA LA 32 00:01:03,197 --> 00:01:05,197 * LA LA LA LA LA 33 00:01:05,233 --> 00:01:06,503 * LA LA LA LA LA 34 00:01:06,534 --> 00:01:08,504 * LA LA 35 00:01:08,536 --> 00:01:10,196 * LA LA LA LA LA 36 00:01:10,238 --> 00:01:12,108 * LA LA LA LA LA 37 00:01:12,140 --> 00:01:13,670 * LA LA LA LA LA 38 00:01:13,707 --> 00:01:15,507 * LA LA 39 00:01:15,543 --> 00:01:22,683 ** 40 00:01:22,716 --> 00:01:24,186 * LA LA LA LA LA 41 00:01:24,218 --> 00:01:25,688 * LA LA LA LA LA 42 00:01:25,719 --> 00:01:27,159 * LA LA LA LA LA 43 00:01:27,188 --> 00:01:29,218 * LA LA 44 00:01:29,257 --> 00:01:30,317 (knocking) 45 00:01:30,358 --> 00:01:31,288 (Gigi) OH, THAT'S HER. 46 00:01:31,325 --> 00:01:32,755 BRING THAT BITCH TO ME. 47 00:01:32,793 --> 00:01:34,333 (knocking) 48 00:01:34,362 --> 00:01:35,332 (Trechie) OH. HI. 49 00:01:35,363 --> 00:01:36,603 HELLO. HOW ARE YOU? 50 00:01:36,630 --> 00:01:37,730 I'M GOOD. THANK YOU. (Gigi) THERE SHE IS. 51 00:01:37,765 --> 00:01:38,995 COME, COME, COME. 52 00:01:39,032 --> 00:01:39,872 (Trechie) I'M TRECHIE. WHAT'S WRONG? WHAT'S WRONG? 53 00:01:39,900 --> 00:01:41,270 WHY DID YOU CALL ME? YOU SIT DOWN. 54 00:01:41,302 --> 00:01:41,772 I HAVE A LOT TO TALK TO YOU ABOUT, TRECHIE. (Trechie) OKAY. 55 00:01:41,802 --> 00:01:43,802 RICKY. TRECHIE. 56 00:01:43,837 --> 00:01:44,967 NICE TO MEET YOU. NICE TO MEET YOU. 57 00:01:45,005 --> 00:01:45,835 (Gigi) SIT DOWN BY ME. POP A S-- POP A SQUAT. 58 00:01:45,873 --> 00:01:47,183 YEAH, WH-WHY DID YOU CALL? WHAT'S WRONG? 59 00:01:47,208 --> 00:01:49,278 ARE YOU SICK? WHAT'S THE MATTER? (Gigi) SIT YOUR ASS DOWN. 60 00:01:49,310 --> 00:01:49,880 (Trechie) YES. (Gigi) SHE'S MY NEIGHBOR. 61 00:01:49,910 --> 00:01:50,680 (Ricky) YEAH. YEAH. 62 00:01:50,711 --> 00:01:52,751 (Gigi) DIVORCED THREE TIMES. 63 00:01:52,780 --> 00:01:56,180 THE FOURTH ONE DIED, RECENTLY. 64 00:01:56,217 --> 00:01:57,717 I'M VERY SORRY. (Gigi) HE WAS 87 YEARS OLD. 65 00:01:57,751 --> 00:01:58,691 THANK YOU. THANK YOU. 66 00:01:58,719 --> 00:02:00,049 DIED OF AGGRAVATION. 67 00:02:00,087 --> 00:02:00,487 SHE AGGRAVATED HIM RIGHT TO DEATH. (Trechie) OH, COME ON. 68 00:02:00,521 --> 00:02:01,261 YES, YOU DID. 69 00:02:01,289 --> 00:02:01,959 UH-- HOW COULD YOU SAY THAT? 70 00:02:01,989 --> 00:02:04,189 HE WAS-- HE WAS HENPECKED. 71 00:02:04,225 --> 00:02:05,225 I'M SORRY. (Trechie) HE WAS NOT HENPECKED. 72 00:02:05,259 --> 00:02:06,529 HE WAS A HENPECKED HUSBAND. 73 00:02:06,560 --> 00:02:07,660 I USED TO SEE HIM. HE-- (Trechie) NO, HE WASN'T. 74 00:02:07,695 --> 00:02:10,325 HE WAS JUST A LITTLE BIT-- HE HAD SOME DEMENTIA. 75 00:02:10,364 --> 00:02:11,904 HOW ARE YOU FEELING, BY THE WAY? 76 00:02:11,932 --> 00:02:13,202 I'M GOOD. 77 00:02:13,234 --> 00:02:14,574 (Gigi) NOW-- I'M HAPPY TO SEE YOU, BUT THAT'S CRAZY. 78 00:02:14,602 --> 00:02:15,642 I HAPPENED TO BE LOOKING THROUGH 79 00:02:15,669 --> 00:02:17,939 SOME OF HAROLD'S OLD THINGS. 80 00:02:17,971 --> 00:02:22,381 AND, UM, I JUST WANTED TO SHOW YOU 81 00:02:22,410 --> 00:02:24,950 A LITTLE SOMETHING I FOUND. 82 00:02:24,978 --> 00:02:26,708 (laughs) WHAT IS IT? 83 00:02:26,747 --> 00:02:28,347 HERE WE GO. WHAT IS THIS SHIT? 84 00:02:28,382 --> 00:02:29,782 (Trechie) OH! (Gigi) WHO IS THAT? 85 00:02:29,817 --> 00:02:31,487 OH, MY GOD! 86 00:02:31,519 --> 00:02:32,819 WHERE DID YOU FIND THAT? 87 00:02:32,853 --> 00:02:34,693 LET ME SEE THAT. (Gigi) THIS WAS IN HAROLD'S STUFF. 88 00:02:34,722 --> 00:02:36,222 (Trechie) I LOOK SO BEAUTIFUL. 89 00:02:36,257 --> 00:02:37,857 STUNNING. SO-- THANK YOU. 90 00:02:37,891 --> 00:02:39,731 YOU'RE A PORNOGRAPHER. 91 00:02:39,760 --> 00:02:41,830 THAT'S NOT PORNOGRAPHY. (Gigi) YES, IT IS. 92 00:02:41,862 --> 00:02:44,632 THAT'S PORNOGRAPHY. NO, THE HUMAN BODY IS BEAUTIFUL. 93 00:02:44,665 --> 00:02:46,425 THIS IS TASTEFULLY DONE. 94 00:02:46,467 --> 00:02:49,437 IT'S-IT'S BEAUTIFUL. 95 00:02:49,470 --> 00:02:51,670 IT'S SOFT. IT'S, UM-- 96 00:02:51,705 --> 00:02:53,665 (Gigi) DISGUSTING. 97 00:02:53,707 --> 00:02:55,737 (Trechie) I THINK YOU HAVE BODY ISSUES. 98 00:02:55,776 --> 00:02:56,736 YOU'RE ALWAYS COVERING YOURSELF. 99 00:02:56,777 --> 00:02:58,347 I HAVE HAIR. 100 00:02:58,379 --> 00:03:00,209 THAT'S WHY, BECAUSE I HAVE HAIR ALL OVER 101 00:03:00,248 --> 00:03:01,918 ON MY SHOULDERS AND ON MY TUKUS. 102 00:03:01,949 --> 00:03:02,919 (Trechie) GET WAXED. (Gigi) I HAVE-- 103 00:03:02,950 --> 00:03:04,320 (Trechie) PEOPLE GET WAXED ALL THE TIME. 104 00:03:04,352 --> 00:03:05,092 WOMEN GET WAXED. (Gigi) I WOULD NEVER-- THAT'S PAINFUL. 105 00:03:05,118 --> 00:03:07,458 RICKY, CALM DOWN, PLEASE. 106 00:03:07,488 --> 00:03:08,418 (Trechie) WELL, ONE OF THE REASONS, YOU KNOW, 107 00:03:08,456 --> 00:03:10,356 I BELIEVE IN THIS SYNCHRONISTIC THING 108 00:03:10,391 --> 00:03:11,631 OF YOU FINDING THIS PICTURE 109 00:03:11,659 --> 00:03:13,259 IS SO THAT WE CAN EXPLORE THIS. 110 00:03:13,294 --> 00:03:14,804 LET'S EXPLORE IT. 111 00:03:14,828 --> 00:03:15,958 DON'T YOU THINK? YEAH. 112 00:03:15,996 --> 00:03:16,896 WE'RE ADULTS. 113 00:03:16,930 --> 00:03:17,800 DON'T TURN THIS ON ME, SWEETHEART, OKAY? 114 00:03:17,831 --> 00:03:19,301 (sighs) (Gigi) DON'T YOU DARE. 115 00:03:19,333 --> 00:03:20,203 I'M NOT TURNING IT ON YOU. 116 00:03:20,234 --> 00:03:21,904 THIS IS ABOUT YOU BEING A REAL WHORE. 117 00:03:21,935 --> 00:03:23,335 (gasps) OH! OH! 118 00:03:23,371 --> 00:03:24,471 (Gigi) THAT'S WHAT THIS IS ABOUT. 119 00:03:24,505 --> 00:03:26,665 YOU'RE A REAL WHORE. I'M NOT A WHORE! 120 00:03:26,707 --> 00:03:29,837 YOU ARE A PORNOGRAPHER. LET ME FINISH. 121 00:03:29,877 --> 00:03:31,777 I'VE HAD IT WITH THE INSULTS. I'M LEAVING. 122 00:03:31,812 --> 00:03:34,282 GET OUT. 123 00:03:34,315 --> 00:03:35,345 GET OUT! 124 00:03:35,383 --> 00:03:36,083 (Trechie) YOU'RE TALKING TO ME THIS WAY 125 00:03:36,116 --> 00:03:37,486 IN FRONT OF YOUR ASSISTANT! 126 00:03:37,518 --> 00:03:38,688 I'M VERY-- NICE TO MEET YOU. 127 00:03:38,719 --> 00:03:39,319 NICE TO MEET YOU, TOO. (Gigi) I'LL SEE YA SOON. GET OUT. 128 00:03:39,353 --> 00:03:40,023 NO, YOU WON'T SEE ME SOON, 129 00:03:40,053 --> 00:03:41,763 'TIL I GET AN APOLOGY FROM YOU. 130 00:03:41,789 --> 00:03:42,619 I'LL SEE YA SOON. GET OUT. 131 00:03:42,656 --> 00:03:43,416 (Trechie) NO, YOU WON'T. NO, YOU WON'T. 132 00:03:43,457 --> 00:03:44,427 YEAH, I'LL SEE YA SOON. GET OUT. 133 00:03:44,458 --> 00:03:48,828 THERESA "TRECHIE" FIENBERG IS MY BEST FRIEND, 134 00:03:48,862 --> 00:03:52,372 BUT SHE'S ALSO A REAL BITCH. 135 00:03:52,400 --> 00:03:55,570 HER FIRST COUSIN BY MARRIAGE IS HERSELF 136 00:03:55,603 --> 00:03:58,573 FIRST COUSIN'S WITH BARBRA STREISAND. 137 00:03:58,606 --> 00:03:59,866 WHO-WHO-WHO- WHO CARES? 138 00:03:59,907 --> 00:04:02,377 MEANWHILE, TRECHIE WON'T LET YA FORGET ABOUT IT. 139 00:04:02,410 --> 00:04:03,940 SHE'S ALWAYS BRAGGING ABOUT IT. 140 00:04:03,977 --> 00:04:06,807 YOU KNOW, MY DAUGHTER, UH, DATED A YOUNG MAN 141 00:04:06,847 --> 00:04:10,747 WHO LOOKED EXACTLY LIKE PAUL GIAMATTI. 142 00:04:10,784 --> 00:04:12,354 HE WAS-- SHE WAS A-- HE WAS A-- 143 00:04:12,386 --> 00:04:15,716 HE WAS A DEAD RINGER FOR PAUL, UH, GIAMATTI, 144 00:04:15,756 --> 00:04:17,526 AND HE ENDED UP MAKING A WHOLE CAREER 145 00:04:17,558 --> 00:04:22,328 OUT OF BEING A PAUL GIAMATTI LOOK-A-LIKE. 146 00:04:22,363 --> 00:04:25,533 YOU DON'T HEAR ME BRAGGING ABOUT THAT, HUH? 147 00:04:25,566 --> 00:04:27,636 YOU KNOW WHAT SHE IS? SHE'S A TOPPER. 148 00:04:27,668 --> 00:04:31,808 OH, DO I HATE A TO-- DON'T YOU HATE A TOPPER? 149 00:04:31,839 --> 00:04:35,309 WELL, FOR ONCE, I'M GONNA TOP THE TOPPER. 150 00:04:35,343 --> 00:04:36,883 EVER SINCE I CAME INTO MY MONEY, 151 00:04:36,910 --> 00:04:40,080 I-I-I JUST CAN'T SEE THINGS THE WAY SHE DOES. 152 00:04:40,113 --> 00:04:42,723 IN FACT, I DON'T THINK SHE WOULD EVER HAVE THE GUTS 153 00:04:42,750 --> 00:04:44,550 TO DO WHAT I'M ABOUT TO DO. 154 00:04:44,585 --> 00:04:47,355 I'M GOING TO ENSHRINE MY NUDE BODY 155 00:04:47,388 --> 00:04:48,858 IN A PIECE OF ART, 156 00:04:48,889 --> 00:04:50,759 NOT IN SOME PORNOGRAPHIC MAGAZINE 157 00:04:50,791 --> 00:04:52,391 THAT TRUCK DRIVERS MASTURBATE TO. 158 00:04:52,426 --> 00:04:55,356 (chuckles) 159 00:04:55,396 --> 00:04:56,756 MOST TRUCK DRIVERS ARE COVERED HEAD TO TOE 160 00:04:56,797 --> 00:04:58,867 IN THEIR OWN SEMEN. 161 00:05:00,868 --> 00:05:02,798 HEAD TO TOE. 162 00:05:02,836 --> 00:05:03,996 MY NAME IS GIGI. 163 00:05:04,037 --> 00:05:05,007 GIGI, NICE TO MEET YOU. COURTNEY. 164 00:05:05,038 --> 00:05:05,868 THIS IS MY ASSISTANT, RICKY. 165 00:05:05,906 --> 00:05:07,006 HI-- RICKY. HOW ARE YOU DOIN', RICKY? 166 00:05:07,040 --> 00:05:08,010 WHAT DID YOU SAY YOUR NAME WAS? 167 00:05:08,041 --> 00:05:08,781 COURTNEY. COURTNEY? 168 00:05:08,809 --> 00:05:10,579 THAT'S LIKE COURTNEY B. VANCE. 169 00:05:10,611 --> 00:05:12,611 YOU KNOW THE ACTOR, COURTNEY B. VANCE? 170 00:05:12,646 --> 00:05:13,646 UH, YES, I DO. 171 00:05:13,681 --> 00:05:14,681 (Gigi) HE'S A TERRIFIC ACTOR. 172 00:05:14,715 --> 00:05:15,945 YES. YEAH. 173 00:05:15,983 --> 00:05:17,393 I'M GONNA SHOW YOU AROUND. WELL, THIS IS YOUR ART SHOW? 174 00:05:17,418 --> 00:05:18,418 (Courtney) YES, IT IS. 175 00:05:18,452 --> 00:05:19,622 THIS IS A ART GALLERY. 176 00:05:19,653 --> 00:05:21,093 THEY ARE FOR SALE. (Gigi) OKAY. 177 00:05:21,121 --> 00:05:22,391 SO, IF YOU EVER, YOU KNOW, WANT TO-- 178 00:05:22,423 --> 00:05:24,963 (Gigi) I'VE COME IN-- I'VE COME IN TO A LOTTA MONEY, SWEETHEART. 179 00:05:24,992 --> 00:05:27,732 AND MORE THAN JUST TO BUY ART, I WANNA BE ART. 180 00:05:27,761 --> 00:05:28,731 HMM. 181 00:05:28,762 --> 00:05:31,802 SO, I-I'M-I'M-I'M THINKING OF GETTING COMPLETELY, 182 00:05:31,832 --> 00:05:35,572 UH, NAKED AND HAVING PEOPLE, UH, PAINT A PORTRAIT OF ME. 183 00:05:35,603 --> 00:05:37,143 OH, WOW, THAT'S VERY BRAVE. 184 00:05:37,170 --> 00:05:38,940 EVER SINCE I WAS A LITTLE GIRL, 185 00:05:38,972 --> 00:05:40,912 MY MOTHER USED TO SAY TO ME, 186 00:05:40,941 --> 00:05:42,911 "YOU KNOW, I WANTED A DAUGHTER." 187 00:05:42,943 --> 00:05:45,113 SHE USED TO CALL ME "DOO-DOO." 188 00:05:45,145 --> 00:05:47,415 HMM. THAT WAS THE NICKNAME FOR ME. 189 00:05:47,448 --> 00:05:49,418 NOT EVEN THAT CREATIVE OR-OR, YOU KNOW, 190 00:05:49,450 --> 00:05:50,680 WELL THOUGHT OUT. 191 00:05:50,718 --> 00:05:52,118 SHE CALLED ME DOO-DOO. 192 00:05:52,152 --> 00:05:53,222 YEAH, THAT'S A-- THAT'S A LITTLE INTERESTING. 193 00:05:53,253 --> 00:05:53,893 THAT'S A LITTLE INTERESTING. HER LITTLE DOO-DOO. 194 00:05:53,921 --> 00:05:54,791 BUT-BUT, YOU SURVIVED IT. 195 00:05:54,822 --> 00:05:55,662 YOU'RE HERE NOW. YOU'RE-YOU'RE HEALTHY. 196 00:05:55,689 --> 00:05:57,829 YOU'RE BEAUTIFUL. YEAH, I'M STRONG. 197 00:05:57,858 --> 00:05:58,858 I CAN SHOW YOU SOME OF THE PIECES. OKAY. 198 00:05:58,892 --> 00:06:00,762 AND TELL YOU A LITTLE BIT ABOUT THEM. OKAY. 199 00:06:00,794 --> 00:06:03,434 AND THE HISTORY OF THEM, AS WELL. OH, TERRIFIC. 200 00:06:03,464 --> 00:06:04,504 UM, THIS PARTICULAR PIECE 201 00:06:04,532 --> 00:06:07,572 IS BY HERBIE SIMMONS. THE BEAUTY IN THE COLORS. 202 00:06:07,601 --> 00:06:08,841 IT'S THE WHEEL OF FORTUNE-- WHEEL OF FORTUNE. 203 00:06:08,869 --> 00:06:09,869 UH, IT COULD BE PERCEIVED 204 00:06:09,903 --> 00:06:11,043 AS THAT, AS WELL. 205 00:06:11,071 --> 00:06:13,571 THIS ONE REALLY SPEAKS TO ME AS, LIKE, 206 00:06:13,607 --> 00:06:16,077 KIND OF THE SOLITUDE OF LIFE IN THE UNIVERSE. 207 00:06:16,109 --> 00:06:18,779 AND YET, GOD IS STILL THE ONE KINDA WATCHING OVER US 208 00:06:18,812 --> 00:06:21,052 IN THE CIRCLE AND KEEPING US SAFE. 209 00:06:21,081 --> 00:06:22,581 RIGHT. YEAH. HE THINKS WE CARE. 210 00:06:22,616 --> 00:06:24,016 NO ONE CARES ABOUT YOUR INTERPRETATION, 211 00:06:24,051 --> 00:06:25,091 SWEETHEART. 212 00:06:25,118 --> 00:06:27,018 'CAUSE LOOK-- NO, BUT, THAT'S WHAT ART'S ABOUT. 213 00:06:27,054 --> 00:06:28,164 DON'T INSULT THE MAN. DON'T INSULT THE MAN. YEAH, WELL, WE GOT SOME MORE GREATNESS OVER HERE. 214 00:06:28,188 --> 00:06:30,958 HIS VOICE IS LIKE THE BUZZING OF TSETSE FLIES TO ME. 215 00:06:30,991 --> 00:06:32,661 (laughs) 216 00:06:32,693 --> 00:06:33,763 HE'S A CANADIAN. 217 00:06:33,794 --> 00:06:34,504 (Courtney) SO, WE HAVE ANOTHER PIECE HERE 218 00:06:34,528 --> 00:06:35,258 BY, UH, BY HERBIE, AS WELL. 219 00:06:35,295 --> 00:06:37,825 I SEE A RAT, AND THERE'S A MAN, 220 00:06:37,865 --> 00:06:40,095 AND, UH, THE MAN IS ABOUT TO STOMP ON THE RAT, 221 00:06:40,133 --> 00:06:41,943 BUT THEN A SNAKE COMES, 222 00:06:41,969 --> 00:06:43,199 AND THE SNAKE EATS THE RAT 223 00:06:43,236 --> 00:06:45,066 BEFORE THE MAN CAN STOMP ON IT, 224 00:06:45,105 --> 00:06:47,165 BUT THE SNAKE COUGHS UP THE RAT, 225 00:06:47,207 --> 00:06:49,507 AND THE RAT SAYS, "THANK YOU," TO THE SNAKE, 226 00:06:49,543 --> 00:06:51,113 AND THE SNAKE AND THE RAT 227 00:06:51,144 --> 00:06:52,884 GO OUT FOR DINNER. 228 00:06:52,913 --> 00:06:55,753 THAT IS A VERY S-- UH, IN-INTERESTING, 229 00:06:55,783 --> 00:06:57,623 GREAT STORY. THAT'S WHAT I SEE. 230 00:06:57,651 --> 00:06:58,991 I SEE CROWS OF DEATH. 231 00:06:59,019 --> 00:07:00,049 (Gigi) OH, (BLEEP) OFF. 232 00:07:00,087 --> 00:07:01,117 YOU'RE BRINGING EVERYONE DOWN. 233 00:07:01,154 --> 00:07:03,464 YOU KNOW, THIS MAN WORKED VERY HARD ON THIS ART. 234 00:07:03,491 --> 00:07:04,831 (Courtney) NO, NO, I'M INTERESTED TO SEE-- 235 00:07:04,858 --> 00:07:06,258 TO HEAR BOTH OF YOU GUYS' PERSPECTIVE, THOUGH. 236 00:07:06,293 --> 00:07:08,063 HE-HE'S NOT THE PAINTER. HE-- HE-HE PAINTED THIS. YOU PAINTED THIS? 237 00:07:08,095 --> 00:07:09,055 NO, NO, HE DIDN'T. HE'S THE CURATOR. 238 00:07:09,096 --> 00:07:10,126 YOU'RE NOT HERBIE? 239 00:07:10,163 --> 00:07:10,963 NO, I'M NOT HERBIE. 240 00:07:10,998 --> 00:07:12,498 WHAT'S YOUR NAME, AGAIN? COURTNEY. 241 00:07:12,533 --> 00:07:13,833 COURTNEY LIKE COURTNEY B. VANCE. 242 00:07:13,867 --> 00:07:14,737 (Courtney) ABSOLUTELY. 243 00:07:14,768 --> 00:07:15,798 HE WAS A TERRIFIC ACTOR. 244 00:07:15,836 --> 00:07:16,936 THAT WAS A GREAT INTERPRETATION. 245 00:07:16,970 --> 00:07:18,570 I'VE NEVER HEARD IT QUITE THAT WAY. 246 00:07:18,606 --> 00:07:19,866 THAT'S THE BEAUTY OF ART, THOUGH. 247 00:07:19,907 --> 00:07:21,477 YOU KNOW, THAT'S YOUR PERSPECTIVE. 248 00:07:21,509 --> 00:07:22,709 YEAH. 249 00:07:22,743 --> 00:07:23,883 (Courtney ) SO, AND-AND THAT'S WHAT MAKES IT, 250 00:07:23,911 --> 00:07:25,051 UM, YOU KNOW, COOL. 251 00:07:25,078 --> 00:07:26,048 TOUCH ME, AGA-- TOUCH ME, AGAIN. SEE WHAT HAPPENS. 252 00:07:26,079 --> 00:07:29,479 (laughs) I'M SORRY. NO, YOU CAN TOUCH ME. 253 00:07:29,517 --> 00:07:31,147 (Courtney ) AND, UH, I THINK ULTIMATELY-- 254 00:07:31,184 --> 00:07:33,054 BUT, JUST BE CAREFUL 'CAUSE I'LL COME RIGHT AFTER YA. 255 00:07:33,086 --> 00:07:34,556 ALL RIGHT, HANDS OFF. 256 00:07:34,588 --> 00:07:36,518 UH, SO, BUT, I KNOW YOU MENTIONED, YOU KNOW, 257 00:07:36,557 --> 00:07:38,157 THAT YOU WANNA DO ART OR PARTICIPATE IN IT, RIGHT? 258 00:07:38,191 --> 00:07:39,131 YEAH, I REALLY DO. 259 00:07:39,159 --> 00:07:41,559 WE ACTUALLY HAVE A CLASS IN SESSION, RIGHT NOW. 260 00:07:41,595 --> 00:07:42,895 OH! SO, SINCE YOU ARE INTERESTED 261 00:07:42,930 --> 00:07:43,860 IN DOIN' SOMETHIN' LIKE THAT, 262 00:07:43,897 --> 00:07:44,867 I THINK WE SHOULD BE ABLE TO PULL IT OFF. 263 00:07:44,898 --> 00:07:46,868 LET'S GO LOOK. SHOULD-- WE HAVE A CLASS GOING. 264 00:07:46,900 --> 00:07:48,570 SO, I'LL-I'LL BE VERY QUIET. 265 00:07:48,602 --> 00:07:49,842 SO, WE GOTTA BE VERY, VERY KINDA QUIET. 266 00:07:49,870 --> 00:07:51,540 SO, JUST PEEK YOUR HEAD IN. (whispers) OKAY, OKAY. 267 00:07:51,572 --> 00:07:53,172 OKAY. 268 00:07:53,206 --> 00:07:54,776 GOD, OKAY. 269 00:07:54,808 --> 00:07:56,038 (gasps) 270 00:07:56,076 --> 00:07:59,106 * LA LA LA LA LA LA LA LA LA LA * 271 00:07:59,146 --> 00:08:01,546 * LA LA LA LA LA LA LA * 272 00:08:01,582 --> 00:08:03,852 (moans) 273 00:08:07,588 --> 00:08:11,728 (moaning) 274 00:08:11,759 --> 00:08:14,699 VERY GOOD. 275 00:08:14,728 --> 00:08:15,898 VERY GOOD. WE'RE ALL HERE. 276 00:08:15,929 --> 00:08:17,929 HELLO, EVERYONE. I'M LATE. 277 00:08:17,965 --> 00:08:20,825 (Gigi) HAROLD WAS THE ONLY ONE WHO APPRECIATED MY BODY. 278 00:08:20,868 --> 00:08:23,298 HE LOVED ALL MY IMPERFECTIONS. 279 00:08:23,336 --> 00:08:26,806 HE SAID THEY WOULD MAKE HIM FEEL BETTER ABOUT HIMSELF. 280 00:08:26,840 --> 00:08:29,840 I-I-I DON'T KNOW WHY ANYONE WOULD WANNA DRAW MY BODY. 281 00:08:29,877 --> 00:08:32,847 A VELVETEEN PENIS, SURE. 282 00:08:32,880 --> 00:08:36,720 WHO WOULDN'T WANNA STARE AT THAT FOR AN AFTERNOON? 283 00:08:36,750 --> 00:08:39,020 I'M TOTALLY BREATHLESS AT THE SIGHT OF HIM. 284 00:08:39,052 --> 00:08:42,792 HE'S SO S-S- S-STATUESQUE. 285 00:08:42,823 --> 00:08:44,563 CAN I SIT HERE, YOUNG LADY? 286 00:08:44,592 --> 00:08:47,902 UH, THIS IS MY SEAT. AGE BEFORE BEAUTY. 287 00:08:47,928 --> 00:08:49,328 I HAVE VERY BAD EYESIGHT. 288 00:08:49,362 --> 00:08:53,202 I CAN BARELY SEE MY FINGER IN FRONT OF MY FACE. 289 00:08:53,233 --> 00:08:55,243 EVEN THIS CLOSE, I CAN'T SEE IT. 290 00:08:55,268 --> 00:08:56,598 IT'S OKAY. YOU CAN HAVE IT. 291 00:08:56,637 --> 00:08:57,637 YOU CAN HAVE THIS. 292 00:08:57,671 --> 00:08:59,041 (Gigi) THANK YOU SO MUCH, YOUNG LADY. 293 00:08:59,072 --> 00:09:01,742 I'LL TAKE YA OUT FOR COFFEE LATER. NO? 294 00:09:01,775 --> 00:09:02,835 HERE, TAKE MY PURSE FOR ME. 295 00:09:02,876 --> 00:09:04,706 READY? GOT IT? I'M READY. 296 00:09:04,745 --> 00:09:07,345 I'M READY FOR ANYTHING. 297 00:09:07,380 --> 00:09:08,650 (Gigi) HELLO, YOUNG MAN. 298 00:09:08,682 --> 00:09:09,922 HOW ARE YOU? 299 00:09:09,950 --> 00:09:13,090 PLEASURE TO MAKE YOUR ACQUAINTANCE. 300 00:09:13,120 --> 00:09:15,020 IT'S A GENUINE PLEASURE. 301 00:09:15,055 --> 00:09:16,855 WHERE SHOULD I START? 302 00:09:16,890 --> 00:09:20,930 OH, I THINK I KNOW WHERE I SHOULD START. 303 00:09:20,961 --> 00:09:23,301 OKAY. 304 00:09:23,330 --> 00:09:25,170 YOU'RE A WONDERFUL LOOKING YOUNG MAN. 305 00:09:25,198 --> 00:09:27,838 I HOPE YOU GO FAR IN THIS BUSINESS, 306 00:09:27,868 --> 00:09:29,838 WHATEVER BUSINESS THIS IS. 307 00:09:29,870 --> 00:09:30,940 (Ricky) YOU'RE NOT SUPPOSED TO INTERACT. 308 00:09:30,971 --> 00:09:31,871 YOU'RE SUPPOSED TO JUST LET HIM BE, 309 00:09:31,905 --> 00:09:34,005 AND YOU'RE SUPPOSED TO CAPTURE HIS ESSENCE. 310 00:09:34,041 --> 00:09:36,611 (Gigi) THE POLICE OVER HERE TELLING ME WHAT TO DO. 311 00:09:36,644 --> 00:09:39,854 YOU KNOW, I'M THINKING OF POSSIBLY DOING 312 00:09:39,880 --> 00:09:41,620 WHAT YOU'RE DOING. 313 00:09:41,649 --> 00:09:42,719 THERE'S ROOM FOR YOU UP HERE, 314 00:09:42,750 --> 00:09:44,380 IF YOU WANNA TAKE A STAB AT IT. 315 00:09:44,417 --> 00:09:46,787 (Gigi) I'D LIKE TO TAKE A STAB AT IT. 316 00:09:46,820 --> 00:09:49,090 I'D LIKE YOU TAKE A STAB AT IT. 317 00:09:49,122 --> 00:09:51,192 TELL ME-- HOW DO YOU FEEL, RIGHT NOW? 318 00:09:51,224 --> 00:09:54,704 EXPOSED? UH, UH, FREE? 319 00:09:54,728 --> 00:09:56,098 UH, UH, UH, LENGTHY? 320 00:09:56,129 --> 00:09:58,069 I-I MEAN, UH, YOU KNOW, UH, AT LENGTH, 321 00:09:58,098 --> 00:10:00,668 EXPLAIN AT LENGTH HOW YOU FEEL. 322 00:10:00,701 --> 00:10:01,801 COMFORTABLE. 323 00:10:01,835 --> 00:10:03,035 (Gigi) YOU'RE NOT AFRAID TO BE IN FRONT OF 324 00:10:03,070 --> 00:10:04,200 ALL THESE STRANGERS? 325 00:10:04,237 --> 00:10:05,637 I MEAN, I WOULDN'T BE AFRAID EITHER. 326 00:10:05,673 --> 00:10:09,343 YOU HAVE A TERRIFIC, TERRIFIC, UNBELIEVABLE, 327 00:10:09,376 --> 00:10:13,246 ONE OF A KIND BODY. 328 00:10:13,280 --> 00:10:16,650 I WONDER IF, NEXT TIME, YOU COULD TRIM A LITTLE. 329 00:10:16,684 --> 00:10:18,724 IT'S NOT LIKE I CAN'T SEE WHAT'S THERE, 330 00:10:18,752 --> 00:10:21,822 BUT I WOULD LOVE TO GET A MUCH CLOSER LOOK, YOU KNOW, 331 00:10:21,855 --> 00:10:24,655 SO THAT I CAN CAPTURE THE MOVEMENT. 332 00:10:24,692 --> 00:10:27,392 DO ME A FAVOR. JUST GIVE ME A SWING. 333 00:10:27,427 --> 00:10:30,227 JUST A QUICK SWING-- GO FOR IT. 334 00:10:30,263 --> 00:10:31,973 OH, GOOD, GOOD, GOOD. THAT WAS-- 335 00:10:31,999 --> 00:10:35,199 (gasps) THAT WAS ONE HELL OF A SWING. 336 00:10:39,272 --> 00:10:41,982 I'M DRAWING YOUR TITTIES NOW. 337 00:10:42,009 --> 00:10:44,009 COME CLOSE TO ME. I HAVE-- COME CLOSER. 338 00:10:44,044 --> 00:10:45,954 COME, COME, COME, COME, COME CLOSER. 339 00:10:45,979 --> 00:10:48,919 GO UP THERE AND BLOW ON HIS PENIS FOR ME. 340 00:10:48,949 --> 00:10:49,849 NO. 341 00:10:49,883 --> 00:10:51,723 YEAH, BECAUSE IT-- MAYBE IT'LL CHANGE IT. 342 00:10:51,752 --> 00:10:52,852 IT'LL SHIVER A LITTLE BIT. 343 00:10:52,886 --> 00:10:54,716 NO, YOU'RE NOT SUPPOSED TO INTERACT WITH THE MODEL. 344 00:10:54,755 --> 00:10:56,715 YEAH, GO UP THERE AND FLICK IT WITH YOUR FINGERS. 345 00:10:56,757 --> 00:10:58,227 I-I'M NOT GONNA FLICK HIS PENIS. 346 00:10:58,258 --> 00:10:59,958 (Gigi) FLICK HIM ON HIS PENIS FOR ME. 347 00:10:59,993 --> 00:11:01,333 (Ricky) I'M NOT GONNA FLICK IT. 348 00:11:04,732 --> 00:11:06,132 DON'T MIND HIM. 349 00:11:06,166 --> 00:11:09,866 HE'S CANADIAN. 350 00:11:09,903 --> 00:11:12,413 THAT MAN IS DEFINITELY NOT JEWISH, 351 00:11:12,439 --> 00:11:13,339 AND IF HE IS, 352 00:11:13,373 --> 00:11:16,443 HE SHOULD ASK THE MOHEL FOR HIS MONEY BACK. 353 00:11:16,476 --> 00:11:21,006 HMM. I HAVE NEVER SEEN A PENIS LIKE THAT BEFORE. 354 00:11:21,048 --> 00:11:22,018 IT LOOKED LIKE IT WAS COLD, 355 00:11:22,049 --> 00:11:24,419 SO MAYBE IT PUT ON A DARK PURPLE TURTLENECK. 356 00:11:24,451 --> 00:11:26,351 IT LOOKED HUNGRY, LIKE SOMEONE SHOULD FEED IT 357 00:11:26,386 --> 00:11:28,316 SOME ANTS. 358 00:11:28,355 --> 00:11:31,725 I'VE ONLY EVER SEEN TWO PENISES IN MY WHOLE LIFE-- 359 00:11:31,759 --> 00:11:35,729 HAROLD'S AND MY GYNECOLOGIST'S. 360 00:11:35,763 --> 00:11:45,973 ** 361 00:11:46,006 --> 00:11:50,176 (Gigi) I AM MUY NERVIOSO, AS THE CUBANS SAY. 362 00:11:50,210 --> 00:11:52,180 AND REALLY, AM I GONNA DO THIS? 363 00:11:52,212 --> 00:11:55,052 SHOW MY BODY TO THE WORLD? 364 00:11:55,082 --> 00:11:59,222 * A THOUSAND STARS ARE SHINING BRIGHT * 365 00:11:59,252 --> 00:12:00,152 HEY, GIGI. AHH! 366 00:12:00,187 --> 00:12:01,247 (screams) (Ricky) AHH! AHH! AHH! 367 00:12:02,055 --> 00:12:03,215 (Gigi) RICKY, GET BACK IN HERE. 368 00:12:03,256 --> 00:12:05,256 (Ricky) NO, IT'S OKAY. NO, COME-- GET IN HERE. 369 00:12:05,292 --> 00:12:06,332 (Ricky) UM, NO, IT'S OKAY. 370 00:12:06,359 --> 00:12:07,129 I'LL LET YOU FINISH. 371 00:12:07,160 --> 00:12:09,330 (Gigi) NO, COME BACK INSIDE. 372 00:12:09,362 --> 00:12:11,202 (Ricky) UH, OKAY, I'M COMING IN. 373 00:12:11,231 --> 00:12:12,971 COMING IN. 374 00:12:17,337 --> 00:12:18,967 RICKY? 375 00:12:19,006 --> 00:12:20,266 I'M SO SORRY ABOUT THAT. 376 00:12:20,307 --> 00:12:22,177 I SHOULD'VE KNOCKED. UM-- 377 00:12:22,209 --> 00:12:24,339 DID YOU-- DID YOU SEE ME? 378 00:12:24,377 --> 00:12:27,447 I SAW THINGS THAT, UM, LOOKED MEDICALLY, 379 00:12:27,480 --> 00:12:29,320 UM, NORMAL. 380 00:12:29,349 --> 00:12:32,419 UH, A-A GLIMPSE OF IT. 381 00:12:32,452 --> 00:12:34,522 (Gigi) I'M SO NERVOUS ABOUT TOMORROW. 382 00:12:34,554 --> 00:12:36,394 I DON'T THINK I CAN GO THROUGH WITH IT. 383 00:12:36,423 --> 00:12:38,933 OH, YOU CAN GO THROUGH WITH IT. 384 00:12:38,959 --> 00:12:40,989 YOU, UH, THERE'S NOTHING TO WORRY ABOUT. 385 00:12:41,028 --> 00:12:44,898 EVERYONE'S-- IT'S GONNA BE GREAT FOR YOU. 386 00:12:44,932 --> 00:12:46,802 RICKY? 387 00:12:54,607 --> 00:12:56,537 DO YOU THINK I'M ATTRACTIVE? 388 00:12:59,112 --> 00:13:01,052 (Ricky) UH-- 389 00:13:01,081 --> 00:13:02,081 (Gigi) LOOK AT IT. 390 00:13:02,115 --> 00:13:04,175 YEP, YEP, UH, NO. 391 00:13:04,217 --> 00:13:06,087 I-I SAW-- I SAW IT, BUT, UM, IF YOU WANT, 392 00:13:06,119 --> 00:13:07,449 I'LL LOOK AT IT AGAIN. 393 00:13:07,487 --> 00:13:09,587 UM, AND IT'S, UH, EVERYTHING SEEMS TO BE 394 00:13:09,622 --> 00:13:11,932 WHERE IT SHOULD-- SHOULD-SHOULD BE. 395 00:13:11,959 --> 00:13:13,389 YOU REALLY MEAN IT? 396 00:13:13,426 --> 00:13:17,096 EVERY BOOB IS DIFFERENT, AND YOURS IS, 397 00:13:17,130 --> 00:13:19,500 UH, SIMILAR TO OTHERS I'VE SEEN 398 00:13:19,532 --> 00:13:21,972 AND DIFFERENT TO OTHERS I'VE SEEN. 399 00:13:22,002 --> 00:13:23,572 IT'S-IT'S LIKE A-A BEAUTIFUL ECLIPSE 400 00:13:23,603 --> 00:13:25,573 'CAUSE I DON'T-- I DON'T WANNA STARE AT IT. 401 00:13:25,605 --> 00:13:28,005 YOU KNOW, IF THEY CARBON DATED THAT AREOLA, 402 00:13:28,041 --> 00:13:31,241 IT'D BE LIKE, OH, WOW, IT'S 20 SOMETHING YEARS OLD, 403 00:13:31,278 --> 00:13:34,348 VERY YOUNG LOOKING. UM-- 404 00:13:34,381 --> 00:13:37,221 (Gigi) OH, YOU MADE ME FEEL SO MUCH BETTER ABOUT MYSELF. 405 00:13:37,250 --> 00:13:38,250 THANK YOU. 406 00:13:38,285 --> 00:13:39,345 I'M READY. 407 00:13:39,386 --> 00:13:40,946 I'M GONNA GO THROUGH WITH IT. 408 00:13:40,988 --> 00:13:43,488 I DON'T CARE WHAT PEOPLE SAY. 409 00:13:43,523 --> 00:13:45,193 THEY'RE GONNA LIKE ME. 410 00:13:45,225 --> 00:13:47,085 THEY'RE GONNA LOVE ME. 411 00:13:47,127 --> 00:13:49,227 COME GIVE ME A HUG. 412 00:13:49,262 --> 00:13:54,602 ** 413 00:13:56,904 --> 00:13:59,544 ** 414 00:13:59,572 --> 00:14:02,312 ( humming) 415 00:14:07,380 --> 00:14:08,620 (Gigi) NOW, DON'T-DON'T-DON'T MOVE. 416 00:14:08,648 --> 00:14:09,478 NOW, CLOSE YOUR MOUTH. 417 00:14:09,516 --> 00:14:11,316 I'M ON YOUR-- I'M DOING YOUR MOUTH NOW. 418 00:14:11,351 --> 00:14:13,951 DON'T MOVE, PLEASE. 419 00:14:13,987 --> 00:14:17,157 I WORKED VERY HARD ON THIS. 420 00:14:17,190 --> 00:14:18,430 WHAT DID I JUST SAY? 421 00:14:18,458 --> 00:14:20,958 I SAID DON'T MOVE, RIGHT? 422 00:14:20,994 --> 00:14:23,264 JUST A BLANK EXPRESSION ON YOUR FACE. 423 00:14:23,296 --> 00:14:24,296 (Gigi) I'M ALMOST DONE. 424 00:14:24,331 --> 00:14:25,401 WE'VE BEEN DOING THIS 20 MINUTES. 425 00:14:25,432 --> 00:14:26,302 (Gigi) I KNOW. I KNOW. 426 00:14:26,333 --> 00:14:27,133 I KNOW, SWEETHEART. 427 00:14:27,167 --> 00:14:29,467 (sighs) I'M ALMOST DONE, MY DEAR. 428 00:14:29,502 --> 00:14:31,372 AND VOILA. 429 00:14:31,404 --> 00:14:33,214 MY MASTERPIECE IS COMPLETE. 430 00:14:33,240 --> 00:14:34,510 GREAT-- LET'S SEE IT. 431 00:14:34,541 --> 00:14:36,981 OKAY... 432 00:14:37,010 --> 00:14:40,110 TA-DA! 433 00:14:40,147 --> 00:14:41,347 WHAT IS IT? 434 00:14:41,381 --> 00:14:43,951 IT'S TRANSGENDER YOU. 435 00:14:43,984 --> 00:14:45,154 NO? 436 00:14:45,185 --> 00:14:46,345 I THINK SHE'S CUTE. 437 00:14:46,386 --> 00:14:48,356 SHE'S FREE TO BE HERSELF. 438 00:14:48,388 --> 00:14:49,388 IS THAT HOW YOU SEE ME? 439 00:14:49,422 --> 00:14:50,462 (Gigi) ABSOLUTELY. 440 00:14:50,490 --> 00:14:52,030 DOES THAT OFFEND YOU? 441 00:14:53,726 --> 00:14:55,426 (Ricky) I LOOK HAPPY. 442 00:14:59,499 --> 00:15:00,599 (Gigi) I WANNA GO HOME, NOW. 443 00:15:00,633 --> 00:15:01,973 GIGI, YOU'VE COME THIS FAR. 444 00:15:02,002 --> 00:15:03,042 THIS IS YOUR MOMENT. YEAH, BUT, I-I-I-- 445 00:15:03,070 --> 00:15:04,670 OH, YOU DON'T UNDERSTAND, DO YOU? 446 00:15:04,704 --> 00:15:06,514 I'VE HAD THESE ISSUES SINCE I WAS A GIRL. 447 00:15:06,539 --> 00:15:07,639 WHAT ISSUES? 448 00:15:07,674 --> 00:15:09,384 ISSUES WITH MY TITS-ES. 449 00:15:09,409 --> 00:15:11,009 THEY'RE THEIR OWN WORK OF ART. THEY'RE MINE. 450 00:15:11,044 --> 00:15:12,154 AND, IN THIS WAY, 451 00:15:12,179 --> 00:15:14,149 THEY'LL LIVE ON FOREVER, RIGHT? 452 00:15:14,181 --> 00:15:15,321 YEAH. 453 00:15:15,348 --> 00:15:18,318 (Ricky) I BELIEVE IN YOU, AND YOU GOT THIS. 454 00:15:18,351 --> 00:15:19,621 READY? 455 00:15:19,652 --> 00:15:21,092 ** 456 00:15:21,121 --> 00:15:22,661 (Gigi) HELLO. OH, HELLO. 457 00:15:22,689 --> 00:15:25,459 HOW ARE YOU? 458 00:15:25,492 --> 00:15:27,632 YEAH. OKAY. 459 00:15:27,660 --> 00:15:28,500 VERY GOOD. 460 00:15:28,528 --> 00:15:29,958 ALL RIGHT, YOU GOT IT? YEAH, I GOT IT. 461 00:15:29,997 --> 00:15:31,967 OKAY. ALL RIGHT. 462 00:15:31,999 --> 00:15:33,299 (Gigi) THIS IS WHAT IT IS. 463 00:15:33,333 --> 00:15:35,543 NOTHING I CAN DO ABOUT IT. 464 00:15:38,571 --> 00:15:40,141 I SHOULD TELL YOU I HAVE A SERIES 465 00:15:40,173 --> 00:15:42,513 OF MEDICAL CONDITIONS THAT I'D LIKE YOU TO TAKE 466 00:15:42,542 --> 00:15:45,182 INTO CONSIDERATION BEFORE YOU START DRAWING. 467 00:15:45,212 --> 00:15:46,312 AND WHAT ARE THEY? 468 00:15:46,346 --> 00:15:49,546 I HAVE A VAGINAL CLEFT PALATE. 469 00:15:49,582 --> 00:15:53,492 I HAD AN ULCERATIVE RECTUM WHEN I WAS ONLY 22. 470 00:15:53,520 --> 00:15:56,090 I HAVE GERIATRIC BACNE. 471 00:15:56,123 --> 00:15:57,663 IT'S CALLED GERI-BACNE. 472 00:15:57,690 --> 00:16:00,990 HALF MY VAGINA IS BLACK AND WHITE. 473 00:16:01,028 --> 00:16:04,228 IT'S LIKE A MARBLE CAKE, MY VAGINA. 474 00:16:04,264 --> 00:16:05,704 YOU KNOW, MY MOTHER WAS VERY CRUEL, 475 00:16:05,732 --> 00:16:07,602 AND SHE MADE ME FEEL VERY UGLY. 476 00:16:07,634 --> 00:16:09,774 SO, I HAVE A LOT OF BODY IMAGE ISSUES 477 00:16:09,802 --> 00:16:12,372 FROM EVEN BEFORE I WAS A CONSCIOUS HUMAN BEING. 478 00:16:12,405 --> 00:16:14,305 (woman) WELL, YOU'RE BEAUTIFUL. 479 00:16:14,341 --> 00:16:15,181 YOU'RE BEAUTIFUL. 480 00:16:15,208 --> 00:16:16,738 THANK YOU, SWEETHEART. THANK YOU. 481 00:16:16,776 --> 00:16:20,676 IT ONLY MATTERS HOW YOU SEE YOURSELF ANYWAY. 482 00:16:20,713 --> 00:16:22,323 YEAH. YEAH, FROM NOW ON, 483 00:16:22,349 --> 00:16:23,619 I THINK I'M GONNA SEE MYSELF 484 00:16:23,650 --> 00:16:26,320 IN A BETTER LIGHT, YA KNOW. 485 00:16:26,353 --> 00:16:28,363 YOU ALL LOOK LIKE SUCH VERY NICE PEOPLE, 486 00:16:28,388 --> 00:16:31,058 AND I APPRECIATE YOU DOING THIS FOR ME. 487 00:16:31,091 --> 00:16:33,361 (laughs) 488 00:16:33,393 --> 00:16:35,733 I GOTTA TELL YOU, THIS-- THIS ISN'T SO BAD. 489 00:16:35,762 --> 00:16:37,462 (laughs) 490 00:16:37,497 --> 00:16:40,567 ** 491 00:16:40,600 --> 00:16:42,170 I COULD DO THIS ALL DAY. 492 00:16:42,202 --> 00:16:44,502 (laughs) YOU KNOW WHAT I MEAN? 493 00:16:44,537 --> 00:16:45,767 YOU KNOW WHAT I MEAN. 494 00:16:45,805 --> 00:16:47,805 (laughs) 495 00:16:47,840 --> 00:16:50,040 I'M PROUD OF WHAT I'VE GOT, YOU KNOW. 496 00:16:50,077 --> 00:16:51,577 HEY-HEY-HEY-HEY-HEY. 497 00:16:51,611 --> 00:16:55,321 ** 498 00:16:55,348 --> 00:16:56,818 (Gigi) I LIKE KOURTNEY KARDASHIAN, 499 00:16:56,849 --> 00:16:58,249 THE ONE THAT NO ONE LIKES. 500 00:16:58,285 --> 00:17:00,615 THAT'S MY FAVORITE ONE. 501 00:17:00,653 --> 00:17:02,323 THAT'S NOT TOMATO SAUCE I SMELL. 502 00:17:02,355 --> 00:17:03,485 THAT'S NOT A RAGU. 503 00:17:03,523 --> 00:17:06,533 THAT'S THE SMELL OF YOUR VAGINA, MOM. 504 00:17:06,559 --> 00:17:08,629 MY DOCTOR SAYS I HAVE THE MOST UNIQUE AREOLAS 505 00:17:08,661 --> 00:17:12,271 HE'S EVER SEEN. 506 00:17:12,299 --> 00:17:14,199 I GOTTA TELL YA-- I WAS SCARED, 507 00:17:14,234 --> 00:17:15,604 BUT NOW I'M-I'M-- I FEEL GREAT. 508 00:17:15,635 --> 00:17:17,635 I FEEL FREE. 509 00:17:17,670 --> 00:17:19,510 I FEEL EXACTLY WHAT I'VE BEEN LONGING TO FEEL 510 00:17:19,539 --> 00:17:22,339 MY WHOLE LIFE. 511 00:17:22,375 --> 00:17:24,175 (laughs) 512 00:17:24,211 --> 00:17:25,851 (laughs) 513 00:17:25,878 --> 00:17:28,218 (laughs) 514 00:17:29,249 --> 00:17:31,419 (Gigi) RICKY, COME HITHER. 515 00:17:31,451 --> 00:17:33,621 I'M GONNA SHOW YOU THE DIFFERENCE BETWEEN 516 00:17:33,653 --> 00:17:37,263 COMMON PORNO AND ARTISTIC VISION. 517 00:17:37,290 --> 00:17:38,790 (Ricky) HI, TRECHIE. HI. 518 00:17:38,825 --> 00:17:40,225 (Ricky) HI. HI. 519 00:17:42,662 --> 00:17:44,402 REVEAL. 520 00:17:48,368 --> 00:17:49,638 HUH? 521 00:17:49,669 --> 00:17:50,839 HA-HA! 522 00:17:50,870 --> 00:17:52,810 WHO'S THAT? WHO COULD IT BE? 523 00:17:52,839 --> 00:17:54,769 (laughs) 524 00:17:54,807 --> 00:17:56,607 (sighs) 525 00:17:56,643 --> 00:17:59,353 OH! OH, GIGI. 526 00:17:59,379 --> 00:18:03,249 I'M SO PROUD OF YOU. 527 00:18:03,283 --> 00:18:05,153 THIS IS STUNNING. 528 00:18:05,185 --> 00:18:07,145 (sighs) 529 00:18:07,187 --> 00:18:10,817 I AM SO BLOWN AWAY BY THIS BEAUTIFUL 530 00:18:10,857 --> 00:18:14,427 REPRESENTATION OF YOUR EXQUISITE SELF. 531 00:18:14,461 --> 00:18:18,171 THIS IS A BEAUTIFUL PICTURE OF A BEAUTIFUL WOMAN. 532 00:18:18,198 --> 00:18:19,628 OH, YOU ARE SO JEALOUS. AT THE TIME OF LIFE THAT SHE'S IN. 533 00:18:19,666 --> 00:18:22,336 YOU ARE SO JEALOUS. AND YOU'RE OWNING YOUR BODY. 534 00:18:22,369 --> 00:18:23,669 IT'S EVERYTHING I TALKED TO YOU ABOUT. 535 00:18:23,703 --> 00:18:26,573 (Gigi) YOU DO? EVERYTHING I-I SAID TO YOU, YOU'VE DONE IT. 536 00:18:26,606 --> 00:18:28,906 OH, YOU ARE SO PATRONIZING. 537 00:18:28,941 --> 00:18:30,241 I'M NOT PATRONIZING. 538 00:18:30,277 --> 00:18:31,337 (Gigi) YOU ARE SO-- 539 00:18:31,378 --> 00:18:32,608 I'M NOT GONNA LISTEN TO YOU 540 00:18:32,645 --> 00:18:33,775 BECAUSE I'M NOT GONNA LET YOU RUIN THIS. 541 00:18:33,813 --> 00:18:36,183 THIS IS SO BEAUTIFUL. 542 00:18:36,216 --> 00:18:39,316 WHAT A CONFIDENT, EXTRAORDINARY WOMAN I SEE. 543 00:18:39,352 --> 00:18:40,352 YOU KNOW WHAT? 544 00:18:40,387 --> 00:18:41,387 I COULD STAY HERE AND ARGUE WITH YOU 545 00:18:41,421 --> 00:18:44,221 ABOUT HOW BEAUTIFUL YOU ARE AND HOW BRAVE THIS IS, 546 00:18:44,257 --> 00:18:46,227 BUT I CAN'T 'CAUSE I HAVE A DATE. 547 00:18:46,259 --> 00:18:47,659 (laughs) 548 00:18:47,694 --> 00:18:48,764 LIKE, A-A FIRST DATE? 549 00:18:48,795 --> 00:18:50,725 LIKE, A CASUAL THING, RIGHT? JUST-- 550 00:18:50,763 --> 00:18:52,633 NOT SO CASUAL, ACTUALLY. 551 00:18:52,665 --> 00:18:54,225 I MEAN, IT COULD EVOLVE INTO SOMETHING. 552 00:18:54,267 --> 00:18:55,237 I DON'T KNOW. I DON'T KNOW, BUT-- 553 00:18:55,268 --> 00:18:56,038 YEAH, OR IT COULD WITHER. 554 00:18:56,068 --> 00:18:57,238 YOU KNOW, WITHER. WELL, IT COULD, 555 00:18:57,270 --> 00:18:58,740 BUT I'M KIND OF EXCITED ABOUT IT. 556 00:18:58,771 --> 00:18:59,911 GO. GO TO YOUR DATE. 557 00:18:59,939 --> 00:19:01,639 (Trechie) YOU'RE GONNA SEE THAT YOU'RE GONNA START 558 00:19:01,674 --> 00:19:02,784 GOING ON DATES, TOO. 559 00:19:02,809 --> 00:19:05,249 BECAUSE, YOU KNOW, THIS KIND OF OWNING YOUR BEAUTY, 560 00:19:05,278 --> 00:19:06,948 OWNING YOUR BODY, IT MAKES YOU FEEL-- 561 00:19:06,979 --> 00:19:09,219 OH, GOD, GET OUTTA HERE! (Trechie) OKAY! 562 00:19:09,249 --> 00:19:10,779 I'M SO EXCITED. (Gigi) ENJOY YOUR DATE. 563 00:19:10,817 --> 00:19:13,447 I LOVE YOU. BYE! 564 00:19:13,486 --> 00:19:14,586 (door shuts) 565 00:19:14,621 --> 00:19:16,361 WHORE. 566 00:19:17,890 --> 00:19:20,330 POSING NUDE IN FRONT OF ALL THOSE PEOPLE, 567 00:19:20,360 --> 00:19:24,500 I'VE NEVER FELT SO BEAUTIFUL IN MY ENTIRE LIFE. 568 00:19:24,531 --> 00:19:27,631 YOU KNOW, WE-WE'RE BORN INTO THIS WORLD NUDE, 569 00:19:27,667 --> 00:19:29,267 AND THEN WE SPEND THE REST OF OUR LIVES 570 00:19:29,302 --> 00:19:30,702 COVERING OURSELVES UP, 571 00:19:30,737 --> 00:19:32,667 BOTH LITERALLY AND FIGURATIVELY. 572 00:19:32,705 --> 00:19:35,305 AND LET ME TELL YOU SOMETHING-- IT'S A SHAME. 573 00:19:35,342 --> 00:19:37,782 IT'S A SHANDA. IT REALLY IS. 574 00:19:37,810 --> 00:19:38,980 MY FRIEND, BIRDIE, 575 00:19:39,011 --> 00:19:41,751 SHE USED TO WALK AROUND COMPLETELY NUDE, 576 00:19:41,781 --> 00:19:43,851 NOT A CARE IN THE WORLD, AND THEN WE FOUND OUT 577 00:19:43,883 --> 00:19:45,693 THAT IT WAS ALZHEIMER'S DISEASE. 578 00:19:45,718 --> 00:19:48,618 BUT, MAYBE SHE WAS ON TO SOMETHING. 579 00:19:48,655 --> 00:19:50,385 YOU KNOW, HAROLD USED TO SAY, 580 00:19:50,423 --> 00:19:52,533 "YOU COME INTO THE WORLD NUDE, 581 00:19:52,559 --> 00:19:56,529 "AND YA DIE IN A FANCY, EXPENSIVE SUIT, 582 00:19:56,563 --> 00:20:00,533 "AND THAT, IN A NUTSHELL, IS HOW THEY SCREW YOU." 583 00:20:00,567 --> 00:20:02,597 AND HE WAS RIGHT. HE WAS ALWAYS RIGHT. 584 00:20:02,635 --> 00:20:07,635 HE WORSHIPPED MY BODY, ESPECIALLY MY ASS. 585 00:20:07,674 --> 00:20:10,244 HE WAS AN ASS MAN. 586 00:20:10,277 --> 00:20:12,747 YEAH. 587 00:20:12,779 --> 00:20:16,379 HE-HE USED TO PUT HIS FACE IN THE MIDDLE OF IT. 588 00:20:16,416 --> 00:20:18,946 BURY IT IN THERE WITH HIS NOSE. 589 00:20:18,985 --> 00:20:20,785 IT'S NOT WHAT NATURE INTENDED. 590 00:20:20,820 --> 00:20:22,390 LET'S JUST PUT IT THAT WAY. 591 00:20:22,422 --> 00:20:33,572 ** 592 00:20:33,600 --> 00:20:36,900 (sighs) 593 00:20:36,936 --> 00:20:39,566 HOW DO YOU FEEL? 594 00:20:39,606 --> 00:20:41,906 IT'S VERY UNCOMFORTABLE. 595 00:20:41,941 --> 00:20:43,981 YOU DON'T FEEL LIBERATED? 596 00:20:44,010 --> 00:20:45,380 NO, NOT AT ALL. 597 00:20:45,412 --> 00:20:47,552 OKAY, THAT'S-- THAT'S NORMAL. 598 00:20:47,580 --> 00:20:50,020 BEFORE YOU KNOW IT, YOU SHOULD EXPERIENCE 599 00:20:50,049 --> 00:20:52,319 A PROFOUND SENSE OF FREEDOM. 600 00:20:52,352 --> 00:21:01,732 ** 601 00:21:01,761 --> 00:21:04,531 MMM. 602 00:21:04,564 --> 00:21:07,774 DELICIOUS. 603 00:21:07,800 --> 00:21:09,070 (Ricky) I FEEL LIKE THIS IS ALL FOR NAUGHT. 604 00:21:09,101 --> 00:21:10,771 NO ONE'S PAINTING ME. 605 00:21:10,803 --> 00:21:12,343 NO ONE'S DRAWING ME. 606 00:21:12,372 --> 00:21:14,072 NO ONE'S SCULPTING ME. 607 00:21:14,106 --> 00:21:24,346 ** 608 00:21:24,351 --> 00:21:29,591 ** 42463

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