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1
00:00:27,485 --> 00:00:30,280
IT'S ALL THERE.
2
00:00:30,321 --> 00:00:33,491
TELL ME WHERE I CAN FIND
THE JACK NAPIER PAINTING.
3
00:00:33,533 --> 00:00:35,452
YOUR PAINTING IS BEING
HELD BY THE COLLECTIVE,
4
00:00:35,493 --> 00:00:36,995
PRIVATE CLUB
OF CONNOISSEURS
5
00:00:37,037 --> 00:00:39,289
OF OUTLAWED ARTWORK
AND ANTIQUITIES.
6
00:00:39,330 --> 00:00:41,541
YOU WANT TO TIE
THE ROOM TOGETHER
7
00:00:41,583 --> 00:00:44,210
WITH A VINTAGE CANVAS
THAT TAKES YOU
8
00:00:44,252 --> 00:00:47,213
INSIDE THE MIND
OF PSYCHOTIC CRIMINALITY?
9
00:00:47,255 --> 00:00:48,840
THESE ARE THE PEOPLE
YOU NEED TO KNOW.
10
00:00:48,882 --> 00:00:50,175
I WANT AN INTRODUCTION.
11
00:00:50,216 --> 00:00:51,885
OH. THE TOP CROW?
12
00:00:51,926 --> 00:00:53,970
YOUR BIGGEST CLIENTS
ARE IN THE COLLECTIVE.
13
00:00:54,012 --> 00:00:55,346
THEY PAY YOUR BILLS.
14
00:00:55,388 --> 00:00:57,265
YOU WALK UP
TO THEIR DOORSTEP
15
00:00:57,307 --> 00:00:58,892
TRYING TO GRAB
THAT NAPIER,
16
00:00:58,933 --> 00:01:00,935
THEY'RE GONNA ASK YOU
FOR A REFUND. UNH!
17
00:01:15,450 --> 00:01:18,119
YOU'RE FROM CORYANA.
18
00:01:18,161 --> 00:01:21,206
YOU'RE GONNA TELL SAFIYAH
TO GIVE MY DAUGHTER BACK.
19
00:01:21,247 --> 00:01:22,415
UNH!
20
00:01:25,710 --> 00:01:27,212
AAH!
21
00:01:33,176 --> 00:01:35,512
I GOT A REPORT
OF A GUY LURKING
AROUND EAST END
22
00:01:35,553 --> 00:01:37,013
WITH A SPIKY POLE.
23
00:01:37,055 --> 00:01:39,265
IT DOESN'T CONCERN YOU,
BATWOMAN.
24
00:01:39,307 --> 00:01:41,559
THAT SO? BECAUSE HE'S
HANGING OFF MY LINE,
25
00:01:41,601 --> 00:01:43,812
SO WHY DON'T YOU
TELL ME WHAT KIND
OF FISH I CAUGHT?
26
00:01:43,853 --> 00:01:46,481
THERE'S AN ITEM
I'M LOOKING FOR.
27
00:01:46,523 --> 00:01:48,942
IT'S GONNA HELP ME
FIND MY DAUGHTER.
28
00:01:48,983 --> 00:01:51,861
THE WOMAN HOLDING
HER CAPTIVE DOESN'T
WANT ME TO FIND IT.
29
00:01:51,903 --> 00:01:54,364
SAFIYAH?
SHE SENT THIS GUY?
30
00:01:54,405 --> 00:01:57,283
WEAPON FITS THE M.O.
OF HER ASSASSINS,
31
00:01:57,325 --> 00:02:00,411
BUT I'LL CONFIRM
AFTER YOU HAND HIM
OVER NOW.
32
00:02:00,453 --> 00:02:02,789
I DON'T TAKE ORDERS
FROM CROWS,
33
00:02:02,831 --> 00:02:06,334
AND I GOT A BETTER SHOT
AT FINDING KATE KANE
BEFORE YOU DO.
34
00:02:09,587 --> 00:02:11,840
"ALL CROWS
ARE BASTARDS."
35
00:02:23,977 --> 00:02:25,979
VESPER: MORNING, GOTHAM.
GUESS THE EARLY BIRD
36
00:02:26,020 --> 00:02:27,814
GIVES US THE BIRD.
37
00:02:27,856 --> 00:02:30,024
ACROBATIC ART PRANKSTER
WOLF SPIDER WAS AT IT AGAIN,
38
00:02:30,066 --> 00:02:32,068
ROLLING HIS EYES
AT THE ENTIRE CITY
39
00:02:32,110 --> 00:02:34,654
FROM THE TOP
OF THE GOTHAM CENTURY SKYSCRAPER
40
00:02:34,696 --> 00:02:36,656
WITH AN IRIDESCENT EMOJI,
41
00:02:36,698 --> 00:02:38,700
MILLENNIAL HACKTIVISM
AT ITS FINEST
42
00:02:38,741 --> 00:02:42,245
AND ALMOST ENOUGH TO DISTRACT US
FROM AN EVEN JUICIER BAT STORY.
43
00:02:42,287 --> 00:02:44,956
ANOTHER SIGHTING OF BATWOMAN 2.0
44
00:02:44,998 --> 00:02:47,292
AND TOP CROW
JACOB KANE TOGETHER,
45
00:02:47,333 --> 00:02:49,377
THIS TIME WORKING
IN THE EAST END CRIME SCENE.
46
00:02:49,419 --> 00:02:52,213
ARE WE LOOKING AT GOTHAM'S
NEWEST POWER COUPLE?
47
00:02:52,255 --> 00:02:54,757
NO. JEEZ.
48
00:02:54,799 --> 00:02:56,551
I THOUGHT BATWOMAN
WAS COOL.
49
00:02:56,593 --> 00:02:59,470
HEY. WE DON'T KNOW
WHAT THEY WERE DOING.
50
00:02:59,512 --> 00:03:02,015
MAYBE BATWOMAN
WAS SAVING HIS ASS.
51
00:03:02,056 --> 00:03:03,391
THOUGHT YOU MIGHT BE HUNGRY
52
00:03:03,433 --> 00:03:06,102
AFTER LAST NIGHT'S
RECONNECTING.
53
00:03:06,144 --> 00:03:07,770
STILL SLEEPY.
54
00:03:07,812 --> 00:03:10,732
I WISH YOU COULD DO
SOMETHING ABOUT THAT.
55
00:03:10,773 --> 00:03:13,985
YOU CAN TAKE
THE DAY OFF.
56
00:03:14,027 --> 00:03:15,987
MMM. I CAN'T.
57
00:03:16,029 --> 00:03:20,783
AS CUTE AS I LOOK
IN YOUR RIDICULOUS ROBE,
58
00:03:20,825 --> 00:03:23,286
I SHOULD GET HOME
AND CHANGE FIRST.
59
00:03:23,328 --> 00:03:25,413
YOU WALK OF SHAMING
FOR ME?
60
00:03:25,455 --> 00:03:29,292
LIKE THE OLD DAYS.
61
00:03:29,334 --> 00:03:32,962
SPEAKING
OF THE OLD DAYS,
62
00:03:33,004 --> 00:03:36,216
IT'S TIME YOU GOT
THAT APOLOGY I OWE YOU.
63
00:03:39,177 --> 00:03:41,095
MY PARTYING WAS
OUT OF CONTROL,
64
00:03:41,137 --> 00:03:43,514
AND YOU TOOK MY STASH
THINKING IT WOULD HELP ME,
65
00:03:43,556 --> 00:03:47,310
AND INSTEAD, IT GOT
YOUR ASS THROWN IN JAIL,
66
00:03:47,352 --> 00:03:49,395
AND I GET WHY YOU DIDN'T
WANT ME TO VISIT YOU.
67
00:03:49,437 --> 00:03:52,315
YOU SERVED 18 MONTHS
FOR ME, RY,
68
00:03:52,357 --> 00:03:54,400
AND IT'S TIME I START
PAYING YOU BACK.
69
00:03:59,364 --> 00:04:02,033
ONE FOR YOU,
ONE FOR ME?
70
00:04:04,702 --> 00:04:06,704
I LOVE IT,
71
00:04:06,746 --> 00:04:08,331
BUT WE'RE GOOD.
72
00:04:08,373 --> 00:04:09,916
YOU GOT YOUR LIFE
TOGETHER.
73
00:04:09,958 --> 00:04:11,584
THAT'S ALL I WANTED.
74
00:04:13,962 --> 00:04:16,381
OHH! HEY.
WHAT IS THIS?
75
00:04:16,422 --> 00:04:17,840
IT'S..
A WORK INJURY.
76
00:04:17,882 --> 00:04:20,551
YOU FALL
ON A CORKSCREW?
77
00:04:20,593 --> 00:04:22,345
RYAN, YOU NEED TO GET
THAT LOOKED AT.
78
00:04:22,387 --> 00:04:24,097
YEAH. I JUST GOT
THIS JOB.
79
00:04:24,138 --> 00:04:26,557
I DON'T NEED MY BOSS
THINKING I CAN'T HACK IT.
80
00:04:26,599 --> 00:04:29,602
YOU TEND BAR.
SHE'LL UNDERSTAND.
81
00:04:29,644 --> 00:04:32,522
ALL THESE YEARS LATER
STILL WORRYING ABOUT ME.
82
00:04:32,563 --> 00:04:34,399
IT'S KIND OF CUTE.
83
00:04:34,440 --> 00:04:35,984
-YOU KNOW WHAT'S KIND OF CUTE?
-HMM?
84
00:04:36,025 --> 00:04:38,403
YOU...
85
00:04:38,444 --> 00:04:42,115
WITHOUT THAT NASTINESS
ON YOUR SHOULDER.
86
00:04:42,156 --> 00:04:44,617
YOU TAKE CARE
OF EVERYONE ELSE.
87
00:04:44,659 --> 00:04:47,078
TAKE CARE OF YOURSELF
FOR ONCE.
88
00:04:50,707 --> 00:04:52,417
MARY: GIVING YOU
AN ANTIBIOTIC.
89
00:04:52,458 --> 00:04:54,794
SO...IT'S JUST
AN INFECTION?
90
00:04:54,836 --> 00:04:56,504
WELL, IT MIGHT HAVE
TURNED NECROTIC
91
00:04:56,546 --> 00:05:00,675
IF YOU HAD WAITED
ANY LONGER.
92
00:05:00,717 --> 00:05:03,511
ARE YOU SURE YOU'RE NOT
HAVING ANY OTHER SYMPTOMS
93
00:05:03,553 --> 00:05:05,722
THAT YOU'RE NOT
TELLING ME ABOUT?
94
00:05:05,763 --> 00:05:07,265
NO. I...
95
00:05:07,307 --> 00:05:10,476
MAYBE A LITTLE MORE
TIRED THAN NORMAL.
96
00:05:10,518 --> 00:05:12,103
OK. OK.
97
00:05:15,773 --> 00:05:17,442
KATE WOULD POP
TWO OF THESE,
98
00:05:17,483 --> 00:05:18,985
AND SHE'D BE BACK
IN FIGHTING SHAPE.
99
00:05:19,027 --> 00:05:21,195
-OK. COOL.
-BUT IF YOU'RE HURT,
100
00:05:21,237 --> 00:05:23,156
YOU SHOULD SIT OUT
A FEW DAYS.
101
00:05:23,197 --> 00:05:24,657
RIGHT. DID KATE
EVER SIT OUT?
102
00:05:24,699 --> 00:05:26,451
KATE WAS NEVER SHOT
WITH ANYTHING
103
00:05:26,492 --> 00:05:28,995
THAT PIERCED
THROUGH THE BATSUIT,
104
00:05:29,037 --> 00:05:31,831
AND YOU SHOULDN'T
COMPARE YOURSELF
TO HER.
105
00:05:31,873 --> 00:05:35,251
WHAT'S MY CHOICE, HUH?
EVERYBODY ELSE IS.
106
00:05:35,293 --> 00:05:37,378
I KNOW YOU
DON'T HAVE A TWITTER,
107
00:05:37,420 --> 00:05:40,423
SO I ASSUME
YOU MEAN LUKE.
108
00:05:40,465 --> 00:05:43,426
JUST DON'T TELL HIM
ABOUT THIS, OK?
109
00:05:43,468 --> 00:05:45,470
I DON'T NEED ANOTHER REASON
FOR HIM NOT TO TRUST ME.
110
00:05:45,511 --> 00:05:48,056
HE'S BEEN QUESTIONING
EVERY DECISION I MAKE.
111
00:05:48,097 --> 00:05:49,724
NOT TO BACKSEAT DRIVE,
BUT AREN'T YOU
112
00:05:49,766 --> 00:05:51,809
PROFICIENT IN 6
DIFFERENT FORMS
OF MARTIAL ARTS?
113
00:05:51,851 --> 00:05:53,394
WHAT'S THE POINT
OF JUST LEAVING
HIM HERE?
114
00:05:53,436 --> 00:05:55,646
I TOLD HIM WE WANTED
THE LOCATION OF CORYANA.
115
00:05:55,688 --> 00:05:57,231
HE'LL GIVE IT UP.
TAKE IT FROM A FOSTER KID.
116
00:05:57,273 --> 00:05:59,192
IT IS AMAZING HOW WELL
YOU BEHAVE
117
00:05:59,233 --> 00:06:00,651
WHEN YOU ARE
LITERALLY STARVING.
118
00:06:00,693 --> 00:06:02,320
WE DON'T HAVE TIME
TO WAIT HIM OUT.
119
00:06:02,362 --> 00:06:04,739
IF ALICE FINDS OCEAN
BEFORE WE FIND CORYANA,
120
00:06:04,781 --> 00:06:06,157
SAFIYAH'S GONNA GIVE
KATE TO HER,
121
00:06:06,199 --> 00:06:07,533
AND ALICE IS GOING
TO KILL HER.
122
00:06:07,575 --> 00:06:09,202
OK. SO DO YOUR
HACKER THING
123
00:06:09,243 --> 00:06:10,787
AND GET SOME INFO
ON THE SPIKY POLE GUY
124
00:06:10,828 --> 00:06:12,330
TO SPEED THIS UP.
125
00:06:14,665 --> 00:06:16,459
I ALREADY TRIED.
126
00:06:16,501 --> 00:06:17,960
I TRACKED HIS
MOVEMENTS
AND CONFIRMED
127
00:06:18,002 --> 00:06:19,796
THAT HE WASN'T
AFTER JACOB KANE.
128
00:06:19,837 --> 00:06:21,381
HE WAS STALKING THE GUY
THAT HE KILLED IN THE ALLEY,
129
00:06:21,422 --> 00:06:23,216
BUT THE VICTIM WAS
AN INVESTMENT ANALYST
130
00:06:23,257 --> 00:06:24,717
AT GOTHAM CAPITAL
WITH NO RECORD.
131
00:06:24,759 --> 00:06:27,178
WHAT'S HE GOT TO DO
WITH CORYANA?
132
00:06:27,220 --> 00:06:28,846
SIR, I'M NOT DEFENDING
HER ACTIONS,
133
00:06:28,888 --> 00:06:31,516
BUT MY GUESS IS SHE'S
AFTER WHAT WE'RE AFTER--
134
00:06:31,557 --> 00:06:33,017
KATE'S LOCATION.
135
00:06:33,059 --> 00:06:34,936
LET HER KEEP
SAFIYAH'S THUG.
136
00:06:34,977 --> 00:06:37,063
WE GOT A NEW LEAD
ON THE NAPIER--
137
00:06:37,105 --> 00:06:39,273
EVAN BLAKE,
OLD FRIEND OF KATE'S
138
00:06:39,315 --> 00:06:40,775
AND A FIXTURE
ON THE GOTHAM ART SCENE.
139
00:06:40,817 --> 00:06:42,735
JUST FLEW BACK
FROM A TRIP TO BERLIN.
140
00:06:42,777 --> 00:06:44,737
HE WAS CAUGHT
A COUPLE OF YEARS AGO
141
00:06:44,779 --> 00:06:47,615
WITH PLUNDERED ARTIFACT
AND FORCED TO PAY RESTITUTION.
142
00:06:47,657 --> 00:06:50,701
IN OTHER WORDS,
A LIKELY MEMBER
OF THE COLLECTIVE
143
00:06:50,743 --> 00:06:52,662
WHO MIGHT COOPERATE.
144
00:06:52,703 --> 00:06:55,415
EVAN: COMMANDER,
YOU'RE UNDERSELLING
OUR ENTIRE ORIGIN STORY.
145
00:06:55,456 --> 00:06:57,375
KATIE KANE SAVED
MY LIFE.
146
00:06:57,417 --> 00:06:59,502
-REALLY?
-GOTHAM PREP.
147
00:06:59,544 --> 00:07:01,129
IT'S EIGHTH GRADE,
AND THE WINTER FORMAL
148
00:07:01,170 --> 00:07:03,005
IS A MULTIVERSE
SHATTERING CRISIS
149
00:07:03,047 --> 00:07:05,049
BECAUSE
I'M "STRAIGHT."
150
00:07:05,091 --> 00:07:06,551
KATE WAS WAY OUT
BY THEN,
151
00:07:06,592 --> 00:07:08,219
I HAD THIS
TRAGIC CRUSH,
152
00:07:08,261 --> 00:07:10,054
AND I ASKED HER
TO THE DANCE.
153
00:07:10,096 --> 00:07:12,056
I'M SURE SHE WANTED
TO ROLL HER EYES
SO HARD,
154
00:07:12,098 --> 00:07:14,434
BUT WITH THE GRACE
OF A SAINT,
155
00:07:14,475 --> 00:07:16,060
SHE SAID YES.
156
00:07:16,102 --> 00:07:17,562
THE ONLY TIME YOU'LL
EVER HEAR TEENAGE KATE
157
00:07:17,603 --> 00:07:19,063
DESCRIBED AS A SAINT.
158
00:07:19,105 --> 00:07:20,606
MY PARENTS TAKE ME
TO PICK HER UP,
159
00:07:20,648 --> 00:07:22,108
AND KATE IS
JAW-DROPPING
160
00:07:22,150 --> 00:07:24,944
IN THIS TAILORED
VELVET SUIT,
161
00:07:24,986 --> 00:07:26,988
JUST RADIATING
QUEER CONFIDENCE.
162
00:07:27,029 --> 00:07:29,532
I ON THE OTHER HAND
DISSOLVE INTO
A MONSOON OF TEARS.
163
00:07:29,574 --> 00:07:31,367
KATE RACES ME UP
TO HER BEDROOM,
164
00:07:31,409 --> 00:07:32,827
AND WE GO THROUGH
THE WHOLE THING.
165
00:07:32,869 --> 00:07:34,871
"I'M GAY."
"I KNOW."
166
00:07:34,912 --> 00:07:36,581
WE MAKE IT
TO THE DANCE,
167
00:07:36,622 --> 00:07:38,875
AND I CAME OUT
BY DEFAULT
168
00:07:38,916 --> 00:07:41,085
BECAUSE I WORE KATE'S
ALEXANDER McQUEEN
169
00:07:41,127 --> 00:07:42,837
OFF-THE-SHOULDER
MINI,
170
00:07:42,879 --> 00:07:45,173
WHICH BEGGED
A LOT OF QUESTIONS,
171
00:07:45,214 --> 00:07:48,050
BUT I WASN'T
AFRAID ANYMORE.
172
00:07:48,092 --> 00:07:50,720
I WAS GLOWING,
173
00:07:50,761 --> 00:07:54,682
AND THEN KATE
DITCHED ME TO MAKE OUT
WITH MAGGIE WATSON.
174
00:07:54,724 --> 00:07:56,934
SOUNDS LIKE OUR GIRL.
175
00:07:56,976 --> 00:08:00,438
SO YOU NEED MY HELP
WITH KATE'S DISAPPEARANCE.
176
00:08:00,480 --> 00:08:01,981
I'M HERE FOR YOU.
177
00:08:02,023 --> 00:08:03,900
KATE WAS LOOKING
FOR A PIECE
OF ARTWORK,
178
00:08:03,941 --> 00:08:05,735
SOMETHING THAT MAY
HAVE GOTTEN HER
179
00:08:05,776 --> 00:08:07,445
ON THE WRONG SIDE
OF SOMEONE
VERY DANGEROUS.
180
00:08:07,487 --> 00:08:09,322
OUR THEORY IS
IF WE FIND THE ITEM
181
00:08:09,363 --> 00:08:10,907
IT WILL LEAD US
TO HER CAPTOR.
182
00:08:10,948 --> 00:08:13,159
WELL, YOU'VE COME
TO THE RIGHT ART SNOB.
183
00:08:13,201 --> 00:08:15,912
I WAS SENIOR EDITOR
AT THE GOTHAM MUSEUM
OF ANTIQUITIES,
184
00:08:15,953 --> 00:08:17,997
I CURATE MY OWN
PRIVATE COLLECTIONS,
185
00:08:18,039 --> 00:08:20,708
I'VE GOT MY HANDS
IN A BIT OF EVERYTHING.
186
00:08:20,750 --> 00:08:23,836
YEAH. WE KNOW.
AGENT MOORE.
187
00:08:23,878 --> 00:08:26,589
KATE WAS LOOKING
FOR A CANVAS PAINTED
BY JACK NAPIER,
188
00:08:26,631 --> 00:08:28,090
ALIAS THE JOKER.
189
00:08:28,132 --> 00:08:29,592
YOU'RE AWARE
OF IT, YES?
190
00:08:29,634 --> 00:08:31,552
I KNOW THE LEGEND.
191
00:08:31,594 --> 00:08:33,596
PSYCHOTIC EVILDOER
BREAKS INTO HOME,
192
00:08:33,638 --> 00:08:35,973
SPLASHES HOMEOWNER'S
GUTS ALL OVER SOME
OLD PAINTING
193
00:08:36,015 --> 00:08:38,893
IN THE FOYER
AND CALLS IT
MODERN ART.
194
00:08:38,935 --> 00:08:40,520
IT'S A BIT ON THE NOSE
IF YOU ASK ME.
195
00:08:40,561 --> 00:08:42,897
NOT TO MENTION
ILLEGAL TO BUY,
SELL, OR POSSESS
196
00:08:42,939 --> 00:08:45,691
SINCE IT WAS STOLEN
FROM AN ACTIVE CRIME SCENE.
197
00:08:45,733 --> 00:08:47,443
I'M SORRY.
SHOULD THERE BE
A HARSH LIGHT
198
00:08:47,485 --> 00:08:49,904
SHINING IN MY EYES
RIGHT NOW?
199
00:08:49,946 --> 00:08:53,407
BECAUSE THE KATE
I KNEW NEVER GAVE
A CRAP ABOUT ART,
200
00:08:53,449 --> 00:08:55,326
AND I HAVEN'T SPOKEN
WITH HER IN YEARS.
201
00:08:55,368 --> 00:08:57,578
WE HAVE REASON TO BELIEVE
THAT YOU'RE AFFILIATED
202
00:08:57,620 --> 00:09:00,039
WITH THE COLLECTIVE.
203
00:09:00,081 --> 00:09:01,415
HEH.
204
00:09:01,457 --> 00:09:02,792
WE'LL WORK TO GET YOU
FULL IMMUNITY
205
00:09:02,833 --> 00:09:04,418
IF YOU HELP US
MAKE CONTACT.
206
00:09:04,460 --> 00:09:07,088
IMMUNITY FROM WHAT,
MS. MOORE?
207
00:09:07,129 --> 00:09:08,631
I'M A PERFECT ANGEL.
208
00:09:08,673 --> 00:09:10,675
I THOUGHT YOU WERE
HERE FRIEND.
209
00:09:10,716 --> 00:09:14,262
I LOVE KATIE,
BUT THIS FEELS LIKE ENTRAPMENT.
210
00:09:14,303 --> 00:09:16,389
IF YOU NEED TO CONTACT
ME AGAIN,
211
00:09:16,430 --> 00:09:18,474
I'LL REFER YOU
TO MY LAWYERS.
212
00:09:24,730 --> 00:09:27,608
I WANT ALL OUR TECH
INSIDE EVERY DEVICE
EVAN OWNS,
213
00:09:27,650 --> 00:09:30,611
ROUND-THE-CLOCK
REVOLVING TAILS.
214
00:09:30,653 --> 00:09:32,613
YES, SIR,
BUT THERE COULD BE
215
00:09:32,655 --> 00:09:34,824
AN EASIER WAY
TO LOCATE CORYANA--
216
00:09:34,865 --> 00:09:36,867
WITH BATWOMAN'S HELP.
217
00:09:36,909 --> 00:09:39,203
LET ME ASK HER
FOR ACCESS TO HER PRISONER.
218
00:09:39,245 --> 00:09:41,163
BATWOMAN
OR WHOEVER IT IS
219
00:09:41,205 --> 00:09:42,832
WHO STEPPED IN
FOR MY DAUGHTER,
220
00:09:42,873 --> 00:09:45,334
I AM NOT GONNA GROVEL
AT HER FEET.
221
00:09:45,376 --> 00:09:46,711
THEN LET ME DO IT
222
00:09:46,752 --> 00:09:48,796
OR AT LEAST ASK NICELY
223
00:09:48,838 --> 00:09:50,965
BECAUSE ALICE WILL DO
A LOT WORSE THAN GROVEL
224
00:09:51,007 --> 00:09:52,925
TO FIND KATE
BEFORE WE DO.
225
00:10:04,854 --> 00:10:07,565
[SIGHS]
226
00:10:12,320 --> 00:10:16,115
[MEN GRUNTING]
227
00:10:16,157 --> 00:10:17,825
SAFIYAH: OCEAN.
228
00:10:20,911 --> 00:10:22,663
HI.
229
00:10:22,705 --> 00:10:24,040
HI.
230
00:10:28,085 --> 00:10:30,296
[SIGHS]
231
00:10:32,381 --> 00:10:34,634
WHAT DO YOU CALL IT
WHEN YOU'RE SURE
232
00:10:34,675 --> 00:10:36,844
YOU'VE MET SOMEONE...
233
00:10:38,512 --> 00:10:40,890
YOU'RE SURE YOU'VE NEVER MET?
234
00:10:45,895 --> 00:10:47,855
A STAY OF EXECUTION.
235
00:10:47,897 --> 00:10:49,774
[INDISTINCT CHATTER]
236
00:10:49,815 --> 00:10:52,777
MAN: ♪ THERE'S A FULL MOON,
I'M HOWLIN' TONIGHT ♪
237
00:10:52,818 --> 00:10:55,529
♪ AND THERE'S A-BLOOD
ON THE THORN OF A ROSE ♪
238
00:10:55,571 --> 00:10:57,573
VODKA ON THE ROCKS.
239
00:10:57,615 --> 00:10:59,575
MAN: ♪ THINK YOU'RE
GONNA LOVE TONIGHT ♪
240
00:10:59,617 --> 00:11:03,120
♪ LISTEN, GIRL, WELL,
I THINK YOU SHOULD KNOW ♪
241
00:11:03,162 --> 00:11:05,706
VISITING FROM GOTHAM?
242
00:11:05,748 --> 00:11:09,919
WHY? DO I LOOK
DEPRESSED?
243
00:11:09,960 --> 00:11:12,797
YOU'VE GOT THE SOPHISTICATION
OF A CITY MOUSE.
244
00:11:12,838 --> 00:11:19,428
HEH. MOUSE. AHEM.
TOUCHY SUBJECT.
245
00:11:19,470 --> 00:11:21,722
DON'T YOU THINK
MICE ARE CUTE?
246
00:11:23,724 --> 00:11:27,103
I HAD A MOUSE
IN MY LIFE.
247
00:11:27,144 --> 00:11:29,230
I LOVED HIM
LIKE A BROTHER,
248
00:11:29,271 --> 00:11:30,773
AND WHEN HE STARTED
HOLDING ME BACK
249
00:11:30,815 --> 00:11:33,693
FROM MY DREAMS,
I KILLED HIM.
250
00:11:33,734 --> 00:11:35,277
HEH.
251
00:11:38,698 --> 00:11:40,866
SHOOT. UM...
252
00:11:40,908 --> 00:11:42,201
[COUGHS]
253
00:11:42,243 --> 00:11:44,995
I THINK IT'S MY TURN
TO, UH...
254
00:11:45,037 --> 00:11:46,706
MAN: ♪ YOU BETTER WAIT ♪
255
00:11:46,747 --> 00:11:49,041
♪ BEFORE YOUR HEART IS TURNED
TO SLATE ♪
256
00:11:49,083 --> 00:11:53,295
[SLOW CLAP]
257
00:11:53,337 --> 00:11:57,258
THAT IS THE FASTEST
I'VE EVER SEEN HIM
TAKE THE HINT.
258
00:11:57,299 --> 00:11:59,135
CAN I JOIN YOU
259
00:11:59,176 --> 00:12:02,221
IN CASE HE DECIDES
TO TRY IT AGAIN?
260
00:12:02,263 --> 00:12:04,265
PRETTY SURE HE'S
IN THE NEXT COUNTY
BY NOW,
261
00:12:04,306 --> 00:12:06,684
BUT BY ALL MEANS.
262
00:12:20,489 --> 00:12:22,283
[GRAPPLING LINE UNSPOOLING]
263
00:12:27,037 --> 00:12:29,415
LAST TIME I CAME
HERE TO MEET
A BATWOMAN,
264
00:12:29,457 --> 00:12:33,043
THE VIBES...
WERE DIFFERENT.
265
00:12:33,085 --> 00:12:35,796
PLEASE SAY THIS ISN'T
A BOOTY CALL.
266
00:12:35,838 --> 00:12:38,591
LOOK. I DON'T KNOW
WHERE YOU GOT THIS IDEA
267
00:12:38,632 --> 00:12:40,468
THAT ALL CROWS
ARE BASTARDS,
268
00:12:40,509 --> 00:12:42,136
BUT SOME OF US
ARE TRYING TO
MAKE A DIFFERENCE.
269
00:12:42,178 --> 00:12:44,180
WELL, IN MY EXPERIENCE,
WHEN THE CROWS FLY TOGETHER,
270
00:12:44,221 --> 00:12:46,348
THEY CALL IT A MURDER
FOR A REASON.
271
00:12:46,390 --> 00:12:48,350
I WANT TO OFFER YOU
A DEAL.
272
00:12:48,392 --> 00:12:50,519
YOU GET EVERYTHING
WE KNOW ABOUT SAFIYAH
AND CORYANA,
273
00:12:50,561 --> 00:12:52,563
AND WE GET ACCESS
TO YOUR PRISONER.
274
00:12:52,605 --> 00:12:54,523
SO YOU CAN BEAT HIM
WITHIN AN INCH OF HIS LIFE.
275
00:12:54,565 --> 00:12:57,109
HE'S A MURDERER
WHO KNOWS WHERE
KATE'S BEING HELD.
276
00:12:57,151 --> 00:12:59,153
-I'LL THINK ABOUT IT.
-YOU SHOULD BE DOING
277
00:12:59,195 --> 00:13:00,946
EVERYTHING IN YOUR
POWER TO HELP KATE.
278
00:13:00,988 --> 00:13:03,949
I DON'T NEED A CROW
TELLING ME HOW TO DO MY JOB.
279
00:13:03,991 --> 00:13:07,411
I'M NOT SPEAKING
TO YOU AS A CROW.
280
00:13:07,453 --> 00:13:09,997
KATE'S THE LOVE
OF MY LIFE,
281
00:13:10,039 --> 00:13:12,500
AND I NEED YOUR HELP
TO GET HER BACK.
282
00:13:25,846 --> 00:13:27,264
HELL TO THE NO. NO.
283
00:13:27,306 --> 00:13:28,808
WORKING WITH THE CROWS
MAKES MY SKIN CRAWL.
284
00:13:28,849 --> 00:13:30,684
SCREW THAT. NO.
285
00:13:30,726 --> 00:13:32,520
IT'S NOT LIKE WE'RE
HOSTING THEM
A FUNDRAISER.
286
00:13:32,561 --> 00:13:34,939
TRUST ME. WE MAKE
A DEAL THAT SOUNDS GOOD,
287
00:13:34,980 --> 00:13:36,232
THEY'LL BREAK IT.
288
00:13:36,273 --> 00:13:37,817
NOT IF WE'RE DEALING
WITH SOPHIE.
289
00:13:37,858 --> 00:13:39,610
SOPHIE HAS HAULED MY ASS
IN FOR QUESTIONING
290
00:13:39,652 --> 00:13:43,823
SO MANY TIMES SHE KNOWS
MY DAMN COFFEE ORDER. NO!
291
00:13:43,864 --> 00:13:46,659
WILL YOU TALK SOME
SENSE INTO HER, PLEASE?
292
00:13:46,700 --> 00:13:49,328
WE'RE AT A DEAD END, RYAN.
LOOK. I'M SORRY,
293
00:13:49,370 --> 00:13:51,705
BUT YOU'RE OUTVOTED.
294
00:13:51,747 --> 00:13:54,416
I GET IT.
YOU WANT KATE BACK,
295
00:13:54,458 --> 00:13:58,045
BUT THE CROWS HAVE TRIED
TO RUIN MY LIFE FOR FUN.
296
00:13:58,087 --> 00:13:59,797
I'M NOT HELPING THEM!
297
00:14:18,148 --> 00:14:21,569
LUKE: OK. SO.
298
00:14:21,610 --> 00:14:23,904
CROWS HORROR STORIES.
299
00:14:23,946 --> 00:14:25,781
YOU WANT ME TO GO,
OR...
300
00:14:25,823 --> 00:14:28,242
DO YOU WANT TO DO
YOUR FIRST?
301
00:14:28,284 --> 00:14:33,539
MY GIRL ANGELIQUE
HAD A DRUG HABIT,
302
00:14:33,581 --> 00:14:37,376
AND ON
A VERY UGLY NIGHT,
303
00:14:37,418 --> 00:14:41,505
SHE WAS GONE, LIKE
A DIFFERENT PERSON,
304
00:14:41,547 --> 00:14:43,674
SO I FOUND HER STASH,
AND I TOOK IT,
305
00:14:43,716 --> 00:14:47,177
THINKING I COULD
SOMEHOW STRAIGHTEN
HER OUT,
306
00:14:47,219 --> 00:14:51,140
BRING HER BACK.
307
00:14:51,181 --> 00:14:54,268
I'M ON THE STREET,
CRYING,
308
00:14:54,310 --> 00:14:56,061
NO QUESTION WHAT KIND
OF NIGHT I'M HAVING,
309
00:14:56,103 --> 00:14:58,564
AND I PASS
THESE TWO CROWS,
310
00:14:58,606 --> 00:15:01,150
AND ONE OF THEM
YELLS OUT,
311
00:15:01,191 --> 00:15:04,904
"YOU'D BE CUTER
WITH A SMILE
ON YOUR FACE."
312
00:15:04,945 --> 00:15:07,239
AND MY MAMA TOLD ME
WHAT TO DO ABOUT IT.
313
00:15:07,281 --> 00:15:10,159
I PAY THEM NO MIND
AND KEEP MOVING,
314
00:15:10,200 --> 00:15:13,037
BUT THEY--THEY
WOULDN'T LET ME GO,
315
00:15:13,078 --> 00:15:15,998
SO MY HAND WENT OUT,
MY FINGER WENT UP,
AND BOOM,
316
00:15:16,040 --> 00:15:17,708
THOSE CROWS HAD
WHAT THEY WANTED.
317
00:15:17,750 --> 00:15:22,046
THEY FOUND THE DRUGS
AND THOUGHT THEY WERE YOURS.
318
00:15:22,087 --> 00:15:24,423
SORRY THAT HAPPENED
TO YOU.
319
00:15:24,465 --> 00:15:27,134
WHAT WAS YOURS?
320
00:15:27,176 --> 00:15:30,471
UM...THE CROWS...
321
00:15:33,766 --> 00:15:37,019
KILLED MY FATHER.
322
00:15:37,061 --> 00:15:39,730
WAIT. WHAT?
323
00:15:39,772 --> 00:15:41,607
REALLY?
324
00:15:41,649 --> 00:15:43,275
REALLY.
325
00:15:45,486 --> 00:15:47,279
IT'S, UH, NOT A STORY
FOR TODAY,
326
00:15:47,321 --> 00:15:50,908
BUT, UM...
327
00:15:50,950 --> 00:15:53,410
IT'S THE WORST THING
THAT EVER HAPPENED TO ME.
328
00:16:05,172 --> 00:16:07,383
I SHOULD HAVE LET
YOU GO FIRST.
329
00:16:12,388 --> 00:16:15,766
LOOK. I WILL NEVER
FORGIVE THEM,
330
00:16:15,808 --> 00:16:19,687
AND I DON'T WANT TO
HELP THE CROWS EITHER,
331
00:16:19,728 --> 00:16:23,399
BUT WE NEED THEM
TO HELP US.
332
00:16:33,158 --> 00:16:34,952
REMEMBER, THIS ISN'T
PUNISHMENT
333
00:16:34,994 --> 00:16:36,495
JUST FOR THE SAKE
OF IT.
334
00:16:36,537 --> 00:16:39,123
GIVEN THIS MURDERER
EVERY OPPORTUNITY TO TALK,
335
00:16:39,164 --> 00:16:41,959
SO UNLESS YOU HAVE
ANY OTHER IDEAS,
336
00:16:42,001 --> 00:16:45,337
IT'S TIME TO TAKE THIS
TO THE NEXT LEVEL.
337
00:16:45,379 --> 00:16:47,297
SOPHIE: YOU'VE GOT
SOME CHOICES.
338
00:16:47,339 --> 00:16:50,300
YOU CAN GIVE US THE LOCATION
OF CORYANA...
339
00:16:50,342 --> 00:16:51,969
UNH!
340
00:16:52,011 --> 00:16:53,595
SOPHIE: YOU CAN GET US
IN TOUCH WITH SAFIYAH
341
00:16:53,637 --> 00:16:56,807
OR THE MAN KNOWN
AS OCEAN.
342
00:16:56,849 --> 00:16:59,810
HELP US FIND
THE NAPIER PAINTING.
343
00:16:59,852 --> 00:17:01,770
[GROANS]
344
00:17:01,812 --> 00:17:03,731
LISTEN TO ME.
IT IS NOT WORTH
345
00:17:03,772 --> 00:17:05,190
WHAT THEY'RE GONNA
DO TO YOU.
346
00:17:05,232 --> 00:17:06,734
THE MANY ARMS
WILL KILL WHOEVER
347
00:17:06,775 --> 00:17:08,777
LAYS HANDS
ON THAT PAINTING.
348
00:17:08,819 --> 00:17:11,739
YOU'LL NEVER FIND
CORYANA.
349
00:17:11,780 --> 00:17:13,949
I NEVER SAID THE TWO
WERE RELATED.
350
00:17:16,118 --> 00:17:19,121
THE PAINTING GETS US
TO CORYANA? IS IT A MAP?
351
00:17:22,374 --> 00:17:24,084
[GRUNTS]
352
00:17:24,126 --> 00:17:26,587
[GROANING]
353
00:17:26,628 --> 00:17:28,464
-CYANIDE CAPSULE!
-LET'S GET HIM DOWN!
354
00:17:28,505 --> 00:17:30,758
IT'S TOO LATE.
IT'S TOO LATE.
355
00:17:35,971 --> 00:17:37,264
RYAN: KANE PUSHED HIM
TOO HARD,
356
00:17:37,306 --> 00:17:38,766
AND NOW WE'RE
AT A DEAD END.
357
00:17:38,807 --> 00:17:40,851
SOPHIE: MAYBE NOT.
358
00:17:40,893 --> 00:17:43,020
WE'VE BEEN SURVEILLING
A SUSPECT WE LINKED
TO THE NAPIER,
359
00:17:43,062 --> 00:17:45,439
AND WE JUST GOT A HIT
ON ITS LOCATION.
360
00:17:45,481 --> 00:17:47,191
A GROUP CALLED
THE COLLECTIVE
361
00:17:47,232 --> 00:17:49,109
IS HAVING
A SPECIAL EXHIBITION
TOMORROW NIGHT
362
00:17:49,151 --> 00:17:51,028
TO AUCTION
THE PAINTING OFF.
363
00:17:51,070 --> 00:17:52,988
WHY NOW?
364
00:17:53,030 --> 00:17:54,531
WORD MUST HAVE GOTTEN
BACK TO THE OWNER
365
00:17:54,573 --> 00:17:56,116
ABOUT THE BODY THAT
DROPPED THE OTHER NIGHT.
366
00:17:56,158 --> 00:17:58,827
TOO MUCH HEAT.
367
00:17:58,869 --> 00:18:00,329
YOU DOING ANYTHING
TOMORROW NIGHT?
368
00:18:00,370 --> 00:18:02,206
YOU LOOKING FOR A DATE
TO THIS THING?
369
00:18:02,247 --> 00:18:04,208
WE DON'T HAVE
AN INSIDER,
370
00:18:04,249 --> 00:18:06,293
BUT WE NEED SOMEONE
WITH NO CONNECTION
TO THE CROWS
371
00:18:06,335 --> 00:18:08,170
WHO CAN INFILTRATE
THE EVENT
372
00:18:08,212 --> 00:18:12,591
AND GRAB THE NAPIER
WITHOUT GETTING CAUGHT.
373
00:18:12,633 --> 00:18:14,468
I GO ALONE.
374
00:18:14,510 --> 00:18:16,261
NO CROWS
AT THE LOCATION,
375
00:18:16,303 --> 00:18:17,679
NO SURVEILLANCE,
376
00:18:17,721 --> 00:18:19,223
AND I WANT YOU
DIRECTLY IN CHARGE
377
00:18:19,264 --> 00:18:21,391
OF ANY CROWS ASSIGNED
TO THIS MISSION.
378
00:18:24,394 --> 00:18:27,564
THIS IS A ONE-OFF.
WE'RE NOT PARTNERS.
379
00:18:34,613 --> 00:18:39,660
SO...OCEAN...
WHAT DO YOU DO?
380
00:18:39,701 --> 00:18:42,454
I...BORE PEOPLE TO DEATH
BY TELLING THEM
381
00:18:42,496 --> 00:18:44,706
I'M A SOIL TECHNICIAN.
382
00:18:44,748 --> 00:18:48,168
OOH. THAT SOUNDS LIKE
A FANCY NAME
383
00:18:48,210 --> 00:18:50,963
FOR DIRT NERD,
384
00:18:51,004 --> 00:18:52,589
BUT YOU SMILED
WHEN YOU SAID IT,
385
00:18:52,631 --> 00:18:55,050
SO...YOU MUST LIKE
YOUR WORK.
386
00:18:55,092 --> 00:18:57,845
I GREW UP IN NATURE.
387
00:18:57,886 --> 00:18:59,847
MY FAMILY CULTIVATED
EVERYTHING WE EVER NEEDED
388
00:18:59,888 --> 00:19:02,307
FROM THE LAND.
389
00:19:02,349 --> 00:19:07,521
IN A PLACE LIKE GOTHAM,
WHERE EVERYTHING IS CONCRETE,
390
00:19:07,563 --> 00:19:10,858
ISN'T THAT INCREDIBLE?
391
00:19:10,899 --> 00:19:12,693
SO TELL ME,
392
00:19:12,734 --> 00:19:17,865
WHERE IS THIS
MAGICAL PLACE
YOU HAIL FROM?
393
00:19:17,906 --> 00:19:21,076
MAN: ♪ AND I CHASE MY WHISKEY
WITH THE BLUES ♪
394
00:19:21,118 --> 00:19:22,703
I'M MEETING AN ASSOCIATE.
395
00:19:22,744 --> 00:19:24,955
SHOULD SPLASH SOME WATER
ON MY FACE.
396
00:19:24,997 --> 00:19:29,626
5 SHOTS...NO REGRETS.
397
00:19:32,754 --> 00:19:35,048
HEY. CAN I ASK YOU SOMETHING?
398
00:19:35,090 --> 00:19:38,010
HAVE WE MET
SOMEWHERE BEFORE?
399
00:19:38,051 --> 00:19:39,720
THINK I'D REMEMBER YOU.
400
00:19:39,761 --> 00:19:42,264
MAN: ♪ CHASE MY WHISKEY
WITH THE BLUES ♪
401
00:19:42,306 --> 00:19:44,975
PROBABLY JUST THINKING
ABOUT SOMEBODY ELSE.
402
00:19:50,522 --> 00:19:52,191
OH, WELL.
403
00:20:07,748 --> 00:20:08,916
[FOOTSTEPS]
404
00:20:21,261 --> 00:20:23,347
DO YOU MIND...
405
00:20:23,388 --> 00:20:25,432
SHUTTING THE SHADE?
406
00:20:30,687 --> 00:20:34,066
YOU SLEPT THROUGH
HALF THE DAY.
407
00:20:34,107 --> 00:20:37,903
5 SHOTS, NO REGRETS.
408
00:20:41,365 --> 00:20:43,533
SHALL I EXPLAIN?
409
00:20:43,575 --> 00:20:45,494
I DO WISH YOU WOULD.
410
00:20:45,535 --> 00:20:47,329
SOME LUNATIC
ON A FAR-AWAY ISLAND
411
00:20:47,371 --> 00:20:48,830
IS HOLDING
MY SISTER HOSTAGE,
412
00:20:48,872 --> 00:20:50,374
AND SHE WON'T HAND HER OVER
UNTIL I GUT YOU
413
00:20:50,415 --> 00:20:52,626
AND AIR MAIL
THE EVIDENCE.
414
00:20:52,668 --> 00:20:55,045
THIS WOMAN GOT
A NAME?
415
00:20:55,087 --> 00:20:58,048
ENOUGH WOMEN WANT YOU DEAD
I NEED TO BE SPECIFIC?
416
00:20:58,090 --> 00:20:59,967
JUST ANSWER
THE DAMN QUESTION.
417
00:21:00,008 --> 00:21:01,927
SAFIYAH.
418
00:21:01,969 --> 00:21:06,598
ALTHOUGH HER OBEDIENT
ISLAND FOLLOWERS
CALL HER QUEEN.
419
00:21:07,849 --> 00:21:09,434
[SIGHS]
420
00:21:09,476 --> 00:21:12,145
NOT ME.
421
00:21:12,187 --> 00:21:14,231
I CALLED HER SISTER.
422
00:21:20,404 --> 00:21:23,865
MARY: I HAVE 3 WORDS.
423
00:21:23,907 --> 00:21:27,035
WHO...IS SHE?
424
00:21:27,077 --> 00:21:30,539
OHH! MM-WHA! LOOK!
425
00:21:30,580 --> 00:21:32,332
MAN: ♪ WE'RE MAKING
SNOW MELT ♪
426
00:21:32,374 --> 00:21:35,252
WAIT. ARE YOU SURE
ART COLLECTORS
427
00:21:35,294 --> 00:21:38,547
ARE SUPPOSED TO HAVE
THIS MUCH SWAG?
428
00:21:38,588 --> 00:21:40,632
WELL, FIRST OF ALL,
THEY'RE NOT
ART COLLECTORS.
429
00:21:40,674 --> 00:21:44,344
THEY'RE OUTLAWS,
AND IF EVAN BLAKE
IS THE STYLE GUIDE,
430
00:21:44,386 --> 00:21:46,638
THIS PARTY'S ABOUT
TO LOOK LIKE
"THE HUNGER GAMES."
431
00:21:46,680 --> 00:21:49,391
WHAT'S EVAN BLAKE'S DEAL?
432
00:21:49,433 --> 00:21:52,394
OHH.
433
00:21:52,436 --> 00:21:56,565
HE AND I WERE ALWAYS
ANGLING FOR KATE'S AFFECTION.
434
00:21:56,606 --> 00:22:00,235
NOPE. HE WAS
WAY MORE COMPETITIVE
435
00:22:00,277 --> 00:22:06,616
AND HAD--HEH--
A LOT MORE FLAIR THAN ME.
436
00:22:06,658 --> 00:22:09,369
NOW HE'S OVEREDUCATED,
AND APPARENTLY,
437
00:22:09,411 --> 00:22:11,496
HE'S ADDICTED
TO MISCHIEF.
438
00:22:11,538 --> 00:22:15,083
THE CROWS SAY THAT
HE RUNS THE DOOR
FOR THE COLLECTIVE.
439
00:22:15,125 --> 00:22:16,626
OH. NO.
440
00:22:19,588 --> 00:22:21,715
-YEAH.
-OK.
441
00:22:21,757 --> 00:22:24,760
WELL, I THINK I CAN
MAKE THIS WORK.
442
00:22:24,801 --> 00:22:27,763
MARY: I'D SAY SO.
443
00:22:27,804 --> 00:22:31,350
H-HEY. I--I BROUGHT
THE PLAN--
444
00:22:31,391 --> 00:22:33,977
I--I BROUGHT
THE GAME PLAN.
445
00:22:34,019 --> 00:22:36,938
[BOTH LAUGHING]
446
00:22:36,980 --> 00:22:38,482
THE EVENT IS
INSIDE A PRIVATE HANGAR
447
00:22:38,523 --> 00:22:40,150
AT GOTHAM INTERNATIONAL.
448
00:22:40,192 --> 00:22:41,985
IT'S ACTUALLY A PRETTY
CLEVER WAY OF DOING THIS.
449
00:22:42,027 --> 00:22:44,363
SO THE COLLECTIVE FLIES IN,
THEY UNLOAD THEIR PIECES,
450
00:22:44,404 --> 00:22:46,323
THEY BUY, SELL, PARTY,
451
00:22:46,365 --> 00:22:48,492
THEN THEY LOAD BACK UP,
FLY AWAY.
452
00:22:48,533 --> 00:22:51,536
NO CUSTOMS, NO TSA,
MAXIMUM SECURITY.
453
00:22:51,578 --> 00:22:53,914
HOW ARE WE SNEAKING
THE BATSUIT THROUGH
THAT SECURITY?
454
00:22:53,955 --> 00:22:55,665
SEE, WE JUST HAPPEN
TO HAVE VIP ACCESS
455
00:22:55,707 --> 00:22:58,502
TO EVERY SQUARE INCH
OF THAT TERMINAL.
456
00:22:58,543 --> 00:23:01,922
YEAH. BETWEEN
WAYNE ENTERPRISES
AND HAMILTON DYNAMICS,
457
00:23:01,963 --> 00:23:04,424
WE BURN MORE
PRIVATE JET FUEL
458
00:23:04,466 --> 00:23:06,134
THAN THE HADIDS,
KARDASHIANS,
459
00:23:06,176 --> 00:23:08,136
AND THE AIR FORCE
COMBINED.
460
00:23:08,178 --> 00:23:09,679
YEAH. SO WITH OUR
RESOURCES,
461
00:23:09,721 --> 00:23:11,473
CROWS' INTELLIGENCE,
AND A SECRET AGENT
462
00:23:11,515 --> 00:23:15,435
THAT NO ONE'S GOING TO
SUSPECT--RYAN WILDER.
463
00:23:15,477 --> 00:23:18,563
WAIT. I'M JUST SUPPOSED
TO TALK MY WAY INSIDE?
464
00:23:18,605 --> 00:23:20,732
OH, NO.
465
00:23:20,774 --> 00:23:22,901
DID YOU THINK MARY HAD
ALL THE ACCESSORIES?
466
00:23:22,943 --> 00:23:24,903
[INDISTINCT CHATTER]
467
00:23:24,945 --> 00:23:27,697
[ELECTRONIC MUSIC PLAYING]
468
00:23:27,739 --> 00:23:29,741
LOOK AT THIS
PRECISION METALWORK.
469
00:23:29,783 --> 00:23:32,994
THE WEIGHT IS
PERFECTLY BALANCED.
470
00:23:33,036 --> 00:23:35,038
WHAT'S THE PROVENANCE?
471
00:23:35,080 --> 00:23:36,623
WHICH BAT DID IT
BELONG TO?
472
00:23:36,665 --> 00:23:38,625
WOMAN.
473
00:23:38,667 --> 00:23:41,044
-1.0 OR--
-CURRENT MODEL.
474
00:23:43,338 --> 00:23:46,216
THE BATARANG IS
A STUNNING PIECE.
475
00:23:46,258 --> 00:23:48,176
WE'LL MAKE AN EXCEPTION
476
00:23:48,218 --> 00:23:52,347
AND ALLOW IT
INTO THE EXHIBITION.
477
00:23:52,389 --> 00:23:55,350
OK. I'M REALLY
LOVING THAT DRESS.
478
00:23:55,392 --> 00:23:56,768
DIDN'T IT DEBUT
IN LONDON?
479
00:23:56,810 --> 00:23:58,270
-NAILED IT.
-HUH.
480
00:23:58,311 --> 00:24:01,815
ACTUALLY, IT WAS NEW YORK,
WINTER '18.
481
00:24:01,857 --> 00:24:03,483
WELL, I HEARD THERE
WAS A DRESS CODE,
482
00:24:03,525 --> 00:24:05,610
SO I BORROWED IT
FROM A FRIEND.
483
00:24:05,652 --> 00:24:07,654
HEARD FROM WHO EXACTLY?
484
00:24:07,696 --> 00:24:09,739
OF COURSE, I'M
A BIG BELIEVER
IN THE FIRST AMENDMENT
485
00:24:09,781 --> 00:24:11,783
EXCEPT WHEN IT COMES
TO THE SHENANIGANS
THAT GO ON
486
00:24:11,825 --> 00:24:13,869
BEHIND THE COLLECTIVE'S
CLOSED DOORS.
487
00:24:13,910 --> 00:24:16,121
HA HA! EVAN BABY,
488
00:24:16,163 --> 00:24:19,708
WHAT ARE YOU DOING
TO MY GIRL HERE?
489
00:24:19,749 --> 00:24:21,418
RYAN: YOU BEAT
ME HERE.
490
00:24:21,460 --> 00:24:25,172
ANG, BIG NIGHT.
PATRONS NEED
THEIR PARTY FAVORS.
491
00:24:25,213 --> 00:24:27,257
AHH.
492
00:24:27,299 --> 00:24:29,384
AND THIS ONE'S YOURS?
493
00:24:29,426 --> 00:24:32,804
YEAH. I TOTALLY SPACED
ON THE HEADS UP.
494
00:24:32,846 --> 00:24:35,140
IT'S FINE.
YOU'RE FORGIVEN.
495
00:24:35,182 --> 00:24:36,349
ANY QUESTIONS?
496
00:24:36,391 --> 00:24:39,186
PRONOUNS?
497
00:24:39,227 --> 00:24:41,313
HE/HIM, THEY/THEM.
498
00:24:41,354 --> 00:24:43,648
I GO WITH THE FLOW.
499
00:24:43,690 --> 00:24:47,652
NOW, YOU TWO, GO FORTH
AND DO CRIMES.
500
00:24:47,694 --> 00:24:50,030
ANG, WHAT ARE
YOU DOING HERE?
501
00:24:50,071 --> 00:24:52,240
SAVING YOUR ASS
AT THE DOOR.
502
00:24:52,282 --> 00:24:53,992
YOU CAN'T JUST SLIDE
INTO THE DMs.
503
00:24:54,034 --> 00:24:55,577
YOU NEED A REFERRAL.
504
00:24:55,619 --> 00:24:59,080
WHAT PARTY FAVORS
WAS HE TALKING ABOUT?
505
00:24:59,122 --> 00:25:00,916
ANG, NO.
506
00:25:00,957 --> 00:25:02,459
WHAT DO YOU WANT ME
TO SAY?
507
00:25:02,501 --> 00:25:04,294
THAT YOU WEREN'T
LYING THROUGH YOUR TEETH
508
00:25:04,336 --> 00:25:05,754
WHEN YOU TOLD ME
YOU'D PULED YOUR
LIFE TOGETHER.
509
00:25:05,795 --> 00:25:07,714
FOR YOUR INFORMATION,
I'M CLEAN.
510
00:25:07,756 --> 00:25:09,966
4 MONTHS,
BUT DO YOU KNOW
WHAT PEOPLE NEED
511
00:25:10,008 --> 00:25:13,428
TO PULL THEIR LIVES
TOGETHER? MONEY.
512
00:25:13,470 --> 00:25:17,182
IF YOU GET CAUGHT,
DISTRIBUTION IS
8-10 AT BLACKGATE.
513
00:25:17,224 --> 00:25:20,685
SAYS THE GIRL TURNING
BATWOMAN'S MISSING HARDWARE
514
00:25:20,727 --> 00:25:22,896
INTO AN ETSY SHOP.
515
00:25:22,938 --> 00:25:24,689
WE KNOW WHAT
I'M DOING HERE.
516
00:25:24,731 --> 00:25:26,900
WHAT ARE YOU DOING HERE?
517
00:25:28,902 --> 00:25:30,695
SAVE IT.
518
00:25:30,737 --> 00:25:34,032
YOU ARE THE ONLY ONE HERE
WHO'S JUDGING.
519
00:25:38,119 --> 00:25:40,247
-IS THIS THING ON?
-LOUD AND CLEAR.
520
00:25:40,288 --> 00:25:41,998
WANT TO TRY
CHANNEL TWO?
521
00:25:42,040 --> 00:25:44,000
NO, NOT REALLY.
522
00:25:46,002 --> 00:25:47,379
BATWOMAN TO MOORE.
523
00:25:47,420 --> 00:25:49,548
SOPHIE: COPY.
YOU'RE LATE.
524
00:25:49,589 --> 00:25:51,341
THOUGHT MAYBE YOU
GOT COLD FEET.
525
00:25:51,383 --> 00:25:54,928
RYAN: BELIEVE IT OR NOT,
I RAN INTO AN EX.
526
00:25:54,970 --> 00:25:58,807
OH. OK. WELL,
I HOPE HE'S NOT
GONNA BE DRAMA.
527
00:25:58,848 --> 00:26:01,518
SHE, AND ALWAYS.
528
00:26:01,560 --> 00:26:03,103
LET YOU KNOW
WHEN I FIND THE PAINTING.
529
00:26:03,144 --> 00:26:04,646
STAND BY.
530
00:26:11,319 --> 00:26:14,072
LUKE...GOT THE TARGET.
531
00:26:14,114 --> 00:26:16,032
OK. GREAT.
532
00:26:16,074 --> 00:26:17,993
GIVE ME A GOOD LOOK.
533
00:26:28,545 --> 00:26:31,089
OK. MOVING ON
TO THE NEXT PHASE.
534
00:26:56,197 --> 00:26:57,741
[BEEP]
535
00:27:02,245 --> 00:27:04,623
A LOT OF INTEREST
IN THIS ONE.
536
00:27:04,664 --> 00:27:08,251
YEAH. IT'S KIND OF
GIMMICKY, ISN'T IT?
537
00:27:08,293 --> 00:27:10,170
OH, IT'S DREADFUL,
ZERO TECHNIQUE,
538
00:27:10,211 --> 00:27:13,006
BUT, YOU KNOW,
CELEBRITY ARTISTS.
539
00:27:13,048 --> 00:27:15,175
HMM. HELP ME TO
UNDERSTAND THE APPEAL
540
00:27:15,216 --> 00:27:17,802
IN OWNING SOMETHING
LIKE THIS.
541
00:27:17,844 --> 00:27:20,263
SOME OF THE PEOPLE
HERE--TOTAL SICKOS.
542
00:27:20,305 --> 00:27:21,973
-AND YOU?
-I DON'T LIKE BEING TOLD
543
00:27:22,015 --> 00:27:24,059
WHAT I CAN AND CAN'T
DO IN LIFE.
544
00:27:24,100 --> 00:27:25,894
WHETHER IT'S THE ART
I COLLECT
545
00:27:25,935 --> 00:27:27,479
OR THE CLOTHES
I WEAR,
546
00:27:27,520 --> 00:27:29,564
I'M NOT DESPERATE
FOR ANYONE'S APPROVAL.
547
00:27:29,606 --> 00:27:31,900
STILL THROWING
SHADE AT MY
BORROWED COUTURE.
548
00:27:31,941 --> 00:27:35,111
HEH. WHAT CAN I SAY?
549
00:27:35,153 --> 00:27:38,156
I JUST PREFER TO SEE
EVERYONE'S TRUE COLORS.
550
00:27:43,662 --> 00:27:45,330
[COMPUTER BEEPS]
551
00:27:45,372 --> 00:27:46,790
SO I RAN A SPECTRAL
ANALYSIS
552
00:27:46,831 --> 00:27:48,333
TO ISOLATE
THE ORIGINAL CANVAS
553
00:27:48,375 --> 00:27:50,335
UNDERNEATH THE GORE.
554
00:27:50,377 --> 00:27:52,087
I THINK IT'S A PAINTING
OF OCEAN CURRENTS.
555
00:27:52,128 --> 00:27:53,546
YOU WERE RIGHT.
556
00:27:53,588 --> 00:27:55,048
THE JOKER SPLATTERED
SOME POOR GUY
557
00:27:55,090 --> 00:27:56,966
ALL OVER A MAP
TO CORYANA?
558
00:27:57,008 --> 00:27:59,386
BUT WE'LL NEED TO RESTORE
THE CANVAS
559
00:27:59,427 --> 00:28:00,845
TO LOCATE THE ISLAND.
560
00:28:00,887 --> 00:28:02,097
BUT THAT MEANS...
561
00:28:02,138 --> 00:28:03,598
YOU'RE GONNA NEED
TO STEAL IT.
562
00:28:12,273 --> 00:28:14,818
I DIDN'T KNOW SAFIYAH
HAD FAMILY.
563
00:28:14,859 --> 00:28:16,569
WE WEREN'T BLOOD.
564
00:28:16,611 --> 00:28:19,531
APPARENTLY, WE
WEREN'T ANYTHING.
565
00:28:21,199 --> 00:28:22,492
WHY DOES SHE
WANT ME DEAD?
566
00:28:22,534 --> 00:28:24,077
OH, NO OFFENSE,
BUT I HAVE
567
00:28:24,119 --> 00:28:25,912
WAY TOO MUCH DRAMA
IN MY LIFE TO CARE.
568
00:28:25,954 --> 00:28:29,833
SHE'S OBVIOUSLY
LOSING HER TOUCH
IF SHE SENT YOU.
569
00:28:29,874 --> 00:28:32,043
I'M SORRY. DID YOU
JUST CALL ME
A BAD ASSASSIN?
570
00:28:32,085 --> 00:28:33,712
NOT TO MONDAY MORNING
QUARTERBACK,
571
00:28:33,753 --> 00:28:36,464
BUT YOU HAD AMPLE
OPPORTUNITY TO KILL ME.
572
00:28:36,506 --> 00:28:38,133
YOU KNEW I WAS
STAYING HERE,
573
00:28:38,174 --> 00:28:40,301
WHICH MEANS YOU
COULD HAVE KILLED ME
IN MY SLEEP,
574
00:28:40,343 --> 00:28:42,887
BUT MAYBE YOU DON'T
KNOW HOW TO PICK A LOCK.
575
00:28:42,929 --> 00:28:44,639
FINE. SURPRISE ATTACK
IN THE BAR BATHROOM--
576
00:28:44,681 --> 00:28:47,559
EASY, PRIVATE.
577
00:28:47,600 --> 00:28:50,979
AT THE VERY LEAST,
YOU CAN AMBUSH ME
IN MY TRUCK.
578
00:28:51,020 --> 00:28:53,440
I HAVE A BACKSEAT,
AND I DON'T LOCK
MY DOORS,
579
00:28:53,481 --> 00:28:58,528
BUT INSTEAD, YOU,
WHAT, MAKE A SCENE
AT THE BAR,
580
00:28:58,570 --> 00:28:59,988
GET MY ATTENTION,
581
00:29:00,029 --> 00:29:02,907
INDULGE IN SMALLTALK,
GET DRUNK.
582
00:29:02,949 --> 00:29:08,413
HEH. SAFIYAH MUST BE
DESPERATE IF SHE
SENT YOU.
583
00:29:08,455 --> 00:29:13,752
I NEEDED MORE ANSWERS
BEFORE I COULD KILL YOU.
584
00:29:13,793 --> 00:29:15,587
I'VE NEVER SEEN YOU
BEFORE IN MY LIFE.
585
00:29:15,628 --> 00:29:18,381
NOR I YOU, WHICH IS WHY
I NEEDED TO KNOW MORE
586
00:29:18,423 --> 00:29:20,717
BEFORE I MADE OCEAN
BLEED THE RED SEA.
587
00:29:25,221 --> 00:29:27,974
HOW DO YOU EVEN KNOW
WHAT CORYANA LOOKS LIKE?
588
00:29:28,016 --> 00:29:31,352
BECAUSE I WAS THERE
5 YEARS AGO.
589
00:29:31,394 --> 00:29:33,104
THAT'S IMPOSSIBLE.
590
00:29:33,146 --> 00:29:35,064
I WAS THERE
5 YEARS AGO.
591
00:29:36,816 --> 00:29:38,818
-HOW PECULIAR.
-HMM.
592
00:29:40,695 --> 00:29:43,698
WELL, I SUPPOSE
YOU COULD KILL ME
593
00:29:43,740 --> 00:29:45,325
AND THEN SPEND THE REST
OF YOUR LIFE ON THE RUN,
594
00:29:45,366 --> 00:29:47,243
SEEING AS NONE OF THIS
CHANGES THE FACT
595
00:29:47,285 --> 00:29:49,579
THE ISLAND QUEEN
STILL WANTS YOU DEAD,
596
00:29:49,621 --> 00:29:52,665
OR WE COULD GIVE HER
A JINGLE.
597
00:29:52,707 --> 00:29:54,709
I'M GOOD
WITH OPTION "A."
598
00:29:57,212 --> 00:29:59,339
SAFIYAH, WE BOTH
KNOW THIS ISN'T
ABOUT A STUPID FLOWER.
599
00:29:59,380 --> 00:30:01,174
AND WHAT DO YOU THINK
IT'S ABOUT?
600
00:30:01,216 --> 00:30:03,218
ME HAVING THE ONE THING
YOU CAN'T.
601
00:30:08,848 --> 00:30:10,183
WHAT THE HELL
WAS THAT?
602
00:30:10,225 --> 00:30:11,810
EXACTLY.
603
00:30:11,851 --> 00:30:14,103
OPTION "B" IT IS.
604
00:30:14,145 --> 00:30:16,648
AHEM.
605
00:30:16,689 --> 00:30:17,774
[SIGHS]
606
00:30:19,859 --> 00:30:21,653
THERE SHOULD BE
A DISPENSER
NEXT TO THE SINK
607
00:30:21,694 --> 00:30:25,949
WITH...UH, YOU KNOW,
PRODUCTS.
608
00:30:25,990 --> 00:30:27,200
I SEE IT.
609
00:30:27,242 --> 00:30:28,576
A LOT OF FIREPOWER
IN THAT ROOM,
610
00:30:28,618 --> 00:30:30,161
SO YOU'RE GONNA HAVE TO
MOVE FAST.
611
00:30:30,203 --> 00:30:32,205
BATWOMAN, STATUS CHECK.
YOU FIND IT?
612
00:30:33,998 --> 00:30:35,625
TARGET IDENTIFIED.
I JUST NEED TO TAKE IT
613
00:30:35,667 --> 00:30:38,336
FOR FURTHER ANALYSIS.
614
00:30:38,378 --> 00:30:40,046
WE'LL MONITOR
FROM HERE.
615
00:30:47,011 --> 00:30:48,471
[GROANS]
616
00:30:52,100 --> 00:30:54,811
[ALARM BLARING]
617
00:30:54,853 --> 00:30:57,230
UH...BATWOMAN?
618
00:30:57,272 --> 00:30:59,357
[BLARING CONTINUES]
619
00:31:00,608 --> 00:31:02,986
[EXCITED CHATTER]
620
00:31:05,905 --> 00:31:08,449
I THINK
WE HAVE COMPETITION.
621
00:31:08,491 --> 00:31:09,826
LUKE: WHO?
622
00:31:09,868 --> 00:31:11,327
YOU EVER HEARD
OF WOLF SPIDER?
623
00:31:17,083 --> 00:31:19,085
SHOOT HIM BEFORE HE
GETS TOO HIGH!
624
00:31:19,127 --> 00:31:20,378
MISS--MISS,
THIS WAY, PLEASE.
625
00:31:20,420 --> 00:31:22,338
NO. RYAN!
626
00:31:22,380 --> 00:31:25,717
[GUNFIRE]
627
00:31:25,758 --> 00:31:27,427
HAND IT OVER.
628
00:31:44,402 --> 00:31:45,945
-HYAH!
-UNH!
629
00:31:47,113 --> 00:31:48,573
UGH!
630
00:31:56,706 --> 00:31:58,249
DAMN.
631
00:32:05,757 --> 00:32:07,592
UNH!
632
00:32:07,634 --> 00:32:10,386
UGH! OHH.
633
00:32:10,428 --> 00:32:12,430
[MOANING]
634
00:32:12,472 --> 00:32:14,307
PAINTING'S ON THE MOVE.
635
00:32:14,349 --> 00:32:15,850
DO YOU NEED MEDICAL?
636
00:32:15,892 --> 00:32:17,644
UGH. JUST SLOW HIM DOWN.
I'LL BE THERE.
637
00:32:17,685 --> 00:32:19,187
WE'RE ON IT.
638
00:32:22,065 --> 00:32:24,692
[SIRENS]
639
00:32:34,160 --> 00:32:36,829
[TIRES SQUEALING]
640
00:32:41,000 --> 00:32:42,377
NIMBLE LITTLE BASTARD.
641
00:32:42,418 --> 00:32:44,337
LITTLE TASER ACTION
WILL SLOW HIM DOWN.
642
00:32:53,096 --> 00:32:54,514
DAMN IT! GET ME CLOSER.
643
00:32:54,555 --> 00:32:56,182
I'M ON IT.
644
00:33:01,229 --> 00:33:04,107
AW. FRICKING CARTRIDGE
IS JAMMED!
645
00:33:04,148 --> 00:33:06,192
[TIRES SQUEAL]
646
00:33:09,821 --> 00:33:11,364
DUDE, WHAT DID YOU DO?
647
00:33:11,406 --> 00:33:13,241
HE JUMPED
IN FRONT OF ME.
648
00:33:18,746 --> 00:33:21,916
GET SOME TIES ON HIM.
649
00:33:21,958 --> 00:33:25,378
THIS ISN'T GOOD.
CALL FOR MEDICAL.
650
00:33:25,420 --> 00:33:27,922
SOPHIE: STATUS CHECK.
651
00:33:27,964 --> 00:33:30,508
TARGET ACQUIRED.
WE GOT THE PAINTING.
652
00:33:30,550 --> 00:33:32,218
-LET'S GO.
-WHAT? WHAT ARE YOU DOING?
653
00:33:32,260 --> 00:33:34,804
WE CAN'T LEAVE HIM
HERE.
654
00:33:34,846 --> 00:33:36,305
MOORE WANTS THE PAINTING,
655
00:33:36,347 --> 00:33:38,850
NOT AN EXCESSIVE FORCE
HEADLINE.
656
00:33:38,891 --> 00:33:40,893
LET'S GO.
657
00:33:40,935 --> 00:33:42,603
SOMEONE ELSE
WILL CLEAN HIM UP.
658
00:33:42,645 --> 00:33:44,772
[CAR APPROACHING]
659
00:33:54,157 --> 00:33:55,825
[TIRES SQUEAL]
660
00:34:12,341 --> 00:34:13,634
EVAN?
661
00:34:13,676 --> 00:34:16,679
EVAN! EVAN,
CAN YOU HEAR ME?
662
00:34:27,148 --> 00:34:28,900
MARY: WE'RE GONNA NEED
A BLOOD DRIVE AFTER THIS.
663
00:34:28,941 --> 00:34:30,359
-HE'S GONNA RECOVER, RIGHT?
-WELL, CONSIDERING HE WAS
664
00:34:30,401 --> 00:34:31,903
HIP CHECKED
BY A 4,800-POUND HUNK
665
00:34:31,944 --> 00:34:33,780
OF TOXIC MASCULINITY,
666
00:34:33,821 --> 00:34:36,365
HE'S DOING GREAT.
667
00:34:36,407 --> 00:34:38,451
DISTAL FEMUR FRACTURE,
DISLOCATED ELBOW,
668
00:34:38,493 --> 00:34:40,787
MINOR CONCUSSION,
669
00:34:40,828 --> 00:34:43,039
BUT WHEN
THE BONE SHATTERED,
670
00:34:43,081 --> 00:34:45,041
IT NICKED
HIS FEMORAL ARTERY,
671
00:34:45,083 --> 00:34:46,501
SO IF YOU HADN'T
BEEN THERE TO BRING
HIM IN IN TIME,
672
00:34:46,542 --> 00:34:48,252
HE WOULD HAVE
BLED OUT.
673
00:34:48,294 --> 00:34:49,962
OK. WHAT--WHAT
HAPPENED BACK THERE?
674
00:34:50,004 --> 00:34:52,256
YOU WANT TO KNOW
WHAT HAPPENED?
675
00:34:52,298 --> 00:34:55,009
I LISTENED TO YOU
OVER MY GUT,
AND NOW LOOK.
676
00:34:55,051 --> 00:34:56,803
I MEANT WHAT
HAPPENED TO YOU?
677
00:34:56,844 --> 00:34:58,137
YOU SOUNDED
LIKE YOU WERE
IN ROUGH SHAPE.
678
00:34:58,179 --> 00:34:59,388
YOU CALLED FOR BACKUP.
679
00:34:59,430 --> 00:35:00,640
THIS ISN'T ABOUT ME.
680
00:35:00,681 --> 00:35:02,266
THIS IS ABOUT US,
681
00:35:02,308 --> 00:35:04,602
THIS TEAM AND HOW
I CAN'T KEEP WORKING
682
00:35:04,644 --> 00:35:06,312
FOR YOUR APPROVAL.
683
00:35:06,354 --> 00:35:07,814
I WANTED TO SUIT UP
AND NOT THINK
684
00:35:07,855 --> 00:35:10,566
ABOUT YOU COMPARING ME
TO KATE KANE FOR ONCE,
685
00:35:10,608 --> 00:35:12,610
SO I AGREED TO PARTNER
WITH THE CROWS,
686
00:35:12,652 --> 00:35:14,695
AND FOR WHAT?
687
00:35:14,737 --> 00:35:17,532
YOU SIDED WITH THE GUYS
WHO KILLED YOUR OLD MAN.
688
00:35:17,573 --> 00:35:20,618
YOUR TASTE SUCKS,
689
00:35:20,660 --> 00:35:22,745
BUT YOU KNOW WHAT?
690
00:35:22,787 --> 00:35:25,456
I WEAR THE SUIT,
I TAKE THE BULLETS,
691
00:35:25,498 --> 00:35:28,292
SO WHEN I SAY I HAVE
A BAD FEELING ABOUT SOMETHING,
692
00:35:28,334 --> 00:35:30,002
YOU TWO, LISTEN!
693
00:35:36,092 --> 00:35:39,846
DID HER MAJESTY SAY
WHEN SHE'D GRACE US
WITH A CALLBACK?
694
00:35:39,887 --> 00:35:42,056
WOULD YOU JUST
SIT THERE
695
00:35:42,098 --> 00:35:43,933
WITHOUT TALKING?
696
00:35:43,975 --> 00:35:45,643
I HAVE SPENT MORE YEARS
OF MY LIFE
697
00:35:45,685 --> 00:35:49,313
IN CAPTIVITY
THAN ANY ELEPHANT
IN THE GOTHAM ZOO.
698
00:35:49,355 --> 00:35:53,985
THE KEY TO SURVIVING--
KEEP YOURSELF ENTERTAINED.
699
00:35:54,026 --> 00:35:55,528
ROUGH CHILDHOOD?
700
00:35:55,570 --> 00:35:56,946
YOU COULD SAY I COME
BY MY ABANDONMENT ISSUES
701
00:35:56,988 --> 00:35:59,198
HONESTLY, YEAH.
702
00:35:59,240 --> 00:36:02,076
HOW DO YOU KNOW
SAFIYAH?
703
00:36:02,118 --> 00:36:05,997
I WAS SQUATTING ON A YACHT
IN GOTHAM HARBOR.
704
00:36:06,038 --> 00:36:08,416
SAFIYAH'S MINIONS
WERE PIRATING IT
WHILE I WAS ON BOARD,
705
00:36:08,457 --> 00:36:11,961
AND APPARENTLY,
SHE WAS IMPRESSED
706
00:36:12,003 --> 00:36:13,546
BY THE FIGHT I PUT UP.
707
00:36:13,588 --> 00:36:15,131
AND SHE LET YOU STAY?
708
00:36:15,173 --> 00:36:17,216
-YEAH.
-NO WAY.
709
00:36:17,258 --> 00:36:20,178
THE ISLAND'S
CARDINAL RULE
IS NO OUTSIDERS.
710
00:36:20,219 --> 00:36:22,638
HMM.
711
00:36:22,680 --> 00:36:24,348
WHY DON'T I REMEMBER
ANY OF THIS?
712
00:36:24,390 --> 00:36:26,058
THAT'S THE THING.
713
00:36:26,100 --> 00:36:28,936
YOU SHOULD,
AND I SHOULD REMEMBER YOU.
714
00:36:28,978 --> 00:36:30,938
THE FACT THAT WE BOTH
HAVE THE SAME MEMORIES
715
00:36:30,980 --> 00:36:33,191
MAKES ME THINK THAT
SAFIYAH DID SOMETHING
716
00:36:33,232 --> 00:36:35,902
TO GET US TO FORGET.
717
00:36:35,943 --> 00:36:38,029
YOU THINK SAFIYAH
ERASED OUR MEMORY?
718
00:36:39,447 --> 00:36:40,865
SOME OF THEM.
719
00:36:42,992 --> 00:36:46,621
THE THING IS WE MIGHT
NEVER KNOW.
720
00:36:46,662 --> 00:36:48,331
TELL ME YOU ORDERED
DELIVERY
721
00:36:48,372 --> 00:36:49,624
AND THOSE AREN'T
722
00:36:49,665 --> 00:36:53,753
1, 2...3 ASSASSINS
APPROACHING.
723
00:36:53,794 --> 00:36:55,630
HMM.
724
00:36:55,671 --> 00:36:58,424
THE MANY ARMS
OF DEATH.
725
00:36:58,466 --> 00:37:01,260
OH. MORE RELATIVES
OF YOURS, I PRESUME.
726
00:37:01,302 --> 00:37:04,472
YEAH. CAN YOU, UH,
CUT ME LOOSE?
727
00:37:04,513 --> 00:37:06,390
I CAN'T TRUST YOU.
728
00:37:06,432 --> 00:37:08,517
YOU DON'T TRUST ME
TO DEFEND MYSELF
729
00:37:08,559 --> 00:37:10,186
FROM MURDER?
730
00:37:15,107 --> 00:37:18,653
[VOICE MUFFLED]
731
00:37:27,161 --> 00:37:28,454
WHERE'S OCEAN?
732
00:37:28,496 --> 00:37:29,622
OCEAN: HEY.
733
00:37:29,664 --> 00:37:30,957
SURPRISE.
734
00:37:32,708 --> 00:37:34,001
AAH!
735
00:37:34,043 --> 00:37:36,379
[ALL GRUNTING]
736
00:37:39,840 --> 00:37:41,759
HEY. DO YOU HAVE
ANY CASH?
737
00:37:41,801 --> 00:37:43,552
WE SHOULD PROBABLY LEAVE
THE MAID A TIP.
738
00:37:43,594 --> 00:37:44,845
YOU'RE DARK.
739
00:37:44,887 --> 00:37:46,264
ALICE: SHOULDN'T
HAVE DOUBTED ME.
740
00:37:46,305 --> 00:37:47,974
LET'S GO.
YOU'RE DRIVING.
741
00:37:56,899 --> 00:37:58,693
BADGES OF THE CROWS
WHO DID THIS.
742
00:37:58,734 --> 00:38:00,569
THAT'S NOT ENOUGH,
743
00:38:00,611 --> 00:38:03,281
BURN IT ALL DOWN, GIRL,
THE WHOLE THING.
744
00:38:03,322 --> 00:38:05,324
I CAN'T DO THAT.
745
00:38:05,366 --> 00:38:06,993
I BELIEVE
IN THE MISSION
OF THE CROWS.
746
00:38:07,034 --> 00:38:09,245
AN ORGANIZATION THAT
DECIDES WHAT JUSTICE IS
747
00:38:09,287 --> 00:38:11,414
BASED ON WHO CAN PAY
THE MOST MONEY,
748
00:38:11,455 --> 00:38:14,000
THAT BEATS INFORMATION
OUT OF ITS SUSPECTS,
749
00:38:14,041 --> 00:38:16,335
THAT RUNS SOMEONE OVER
FOR STEALING A PAINTING?
750
00:38:16,377 --> 00:38:18,296
THAT'S WHAT YOU
BELIEVE IN?
751
00:38:18,337 --> 00:38:20,715
YOU THINK TWO MEN
LOSING THEIR JOBS
ISN'T ENOUGH?
752
00:38:20,756 --> 00:38:24,135
YOU'RE RIGHT,
BUT I'M FIGHTING TO
CHANGE THE CULTURE.
753
00:38:24,176 --> 00:38:26,137
YEAH? WELL, GOOD LUCK
WITH THAT,
754
00:38:26,178 --> 00:38:27,763
BUT IF YOU WANT TO PARTY
WITH ME,
755
00:38:27,805 --> 00:38:29,932
ADD YOUR BADGE
TO THAT LITTLE PILE
OVER THERE.
756
00:38:29,974 --> 00:38:33,436
UNTIL THEN,
THIS PARTNERSHIP IS OVER.
757
00:38:33,477 --> 00:38:35,855
WHAT ABOUT
THE PAINTING?
758
00:38:35,896 --> 00:38:37,982
OUR FORENSICS TEAM
IS STILL WORKING ON IT.
759
00:38:38,024 --> 00:38:40,026
DON'T YOU WANT TO KNOW
WHERE CORYANA IS?
760
00:38:40,067 --> 00:38:42,194
WE'LL SEE WHO GETS
THERE FIRST.
761
00:38:59,754 --> 00:39:04,550
MARY HAMILTON.
HEH HEH. AWKWARD.
762
00:39:04,592 --> 00:39:06,594
BECAUSE I KNOW
YOU'RE WOLF SPIDER?
763
00:39:06,635 --> 00:39:08,471
BECAUSE I'M PRETTY SURE
I'M NAKED.
764
00:39:08,512 --> 00:39:11,724
OH, VERY MUCH SO.
765
00:39:11,766 --> 00:39:14,727
EVAN, YOU NEED TO
FIND A BETTER SUIT.
766
00:39:14,769 --> 00:39:18,064
SPANDEX IS NO MATCH
FOR AN ONCOMING SUV.
767
00:39:18,105 --> 00:39:20,441
MMM. BUT IT'S SO
COMFORTABLE.
768
00:39:20,483 --> 00:39:24,362
THEN MAYBE FIND
A SAFER EXCUSE
TO PLAY DRESS-UP.
769
00:39:24,403 --> 00:39:27,656
GOTHAM'S ELITE TAKE
THEMSELVES TOO SERIOUSLY.
770
00:39:27,698 --> 00:39:29,492
WHO ELSE IS GONNA
EYE-ROLL THEM
771
00:39:29,533 --> 00:39:32,161
WITH AS MUCH STYLE
AS ME?
772
00:39:34,205 --> 00:39:36,457
THE CROWS GOT
THE PAINTING.
773
00:39:38,959 --> 00:39:40,795
I WAS STEALING IT
FOR KATE.
774
00:39:43,339 --> 00:39:44,965
THOUGHT I HAD
A BETTER CHANCE
AT GRABBING IT
775
00:39:45,007 --> 00:39:46,634
THAN THE CROWS.
776
00:39:46,675 --> 00:39:48,552
HEY. DON'T BEAT
YOURSELF UP ABOUT IT
777
00:39:48,594 --> 00:39:51,263
BECAUSE IT TURNS OUT
NOBODY ACTUALLY GOT
THE NAPIER PAINTING.
778
00:39:51,305 --> 00:39:52,973
IT WAS A FORGERY.
779
00:39:53,015 --> 00:39:54,683
-THAT'S IMPOSSIBLE.
-NO.
780
00:39:54,725 --> 00:39:56,602
BATWOMAN TOOK A SAMPLE
OF THE ORGANIC COMPOUND
781
00:39:56,644 --> 00:39:58,521
THAT WAS PAINTED OVER
THE ORIGINAL CANVAS,
782
00:39:58,562 --> 00:40:00,523
AND IT WAS
PIG'S BLOOD.
783
00:40:02,566 --> 00:40:04,735
NAPIER WOULD'VE NEVER
USED PIG'S BLOOD.
784
00:40:04,777 --> 00:40:07,446
RIGHT. SO THE CROWS
ENDED UP
785
00:40:07,488 --> 00:40:09,907
WITH A DECOY COPY,
AND THE ORIGINAL
786
00:40:09,949 --> 00:40:12,910
IS STILL OUT THERE
SOMEWHERE,
787
00:40:12,952 --> 00:40:14,829
AND SO IS KATE.
788
00:40:25,923 --> 00:40:29,176
WOMAN: ♪ I SEE EVIL EYES ♪
789
00:40:29,218 --> 00:40:32,596
♪ LOOKING ROUND ♪
790
00:40:32,638 --> 00:40:35,891
♪ SPIRITS IN DISGUISE ♪
791
00:40:35,933 --> 00:40:38,352
♪ WALKING AROUND ♪
792
00:40:38,394 --> 00:40:39,770
[MOANS]
793
00:40:39,812 --> 00:40:42,481
♪ OOH, OOH, OOH, OOH ♪
794
00:40:42,523 --> 00:40:45,860
♪ LOOK, DON'T TOUCH ♪
795
00:40:45,901 --> 00:40:48,112
♪ OOH, OOH, OOH, OOH ♪
796
00:40:48,154 --> 00:40:52,616
♪ IT'S DANGEROUS ♪
797
00:40:52,658 --> 00:40:54,034
♪ SOMETHING WICKED
THIS WAY COMES ♪
798
00:40:54,076 --> 00:40:55,995
OH, MY GOD.
799
00:40:56,036 --> 00:40:59,373
♪ SOMETHING WICKED
THIS WAY COMES ♪
800
00:40:59,415 --> 00:41:01,959
♪ SOMETHING
WICKED THIS WAY COMES ♪
801
00:41:02,001 --> 00:41:04,128
[ALICE AND OCEAN LAUGHING]
802
00:41:04,170 --> 00:41:06,046
ONCE WE GET
SOME DISTANCE
FROM THE MANY ARMS,
803
00:41:06,088 --> 00:41:08,257
WE CAN TRY TO
FIGURE OUT WHAT
SAFIYAH DID TO US
804
00:41:08,299 --> 00:41:10,092
AND WHY.
805
00:41:10,134 --> 00:41:13,012
LOOKS LIKE YOU'RE NOT
AS FAST AS YOU THINK,
BUDDY BOY.
806
00:41:13,053 --> 00:41:14,930
THEY GOT YOU
PRETTY BAD BACK THERE.
807
00:41:21,228 --> 00:41:23,105
[GASPS]
808
00:41:23,147 --> 00:41:25,774
HEY. YOU ALL RIGHT?
809
00:41:25,816 --> 00:41:29,028
UH...YEAH.
EYES ON THE ROAD.
810
00:41:30,571 --> 00:41:32,531
WHAT'S WITH YOU?
811
00:41:32,573 --> 00:41:35,493
NOTHING.
812
00:41:35,534 --> 00:41:36,952
CAN YOU CHECK
IN THE BACK REAL QUICK?
813
00:41:36,994 --> 00:41:39,246
IS THERE A WHITE TUBE
BACK THERE?
814
00:41:39,288 --> 00:41:40,873
YEAH.
815
00:41:44,460 --> 00:41:47,254
WHAT IS THIS?
816
00:41:47,296 --> 00:41:49,507
YOU EVER HEAR
OF A GUY CALLED
JACK NAPIER?
817
00:42:18,744 --> 00:42:20,704
MAN: GREG, MOVE YOUR HEAD!
57977
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