Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,480 --> 00:00:02,800
‐You have an instinct
for violence,
2
00:00:02,920 --> 00:00:04,640
I can see that in you.
3
00:00:04,720 --> 00:00:06,720
‐A Spartan does not blunder.
4
00:00:06,800 --> 00:00:09,960
‐I have a hostage,her own daughter.
5
00:00:10,000 --> 00:00:13,480
‐You work for me
when I tell you to.
6
00:00:13,560 --> 00:00:15,080
‐Mrs. Quigley is a bawd.
7
00:00:15,160 --> 00:00:17,200
Lord Dodds is
the Lord Chief Justice.
8
00:00:17,320 --> 00:00:19,320
‐Miss Anne Pettifer.
9
00:00:19,440 --> 00:00:22,040
‐I prefer a riper fruit.
10
00:00:22,160 --> 00:00:23,800
‐I need your assurance
that you'll stand up
11
00:00:23,920 --> 00:00:25,000
in a court of law.
12
00:00:25,040 --> 00:00:27,440
‐Do I have your word?
‐You do.
13
00:00:27,480 --> 00:00:29,040
‐Miss Lydia Quigley,
you're under arrest for‐‐
14
00:00:29,160 --> 00:00:30,640
‐(gasps)
‐Get out!
15
00:00:30,760 --> 00:00:34,280
‐She has the Lord Chief Justicebetween her thighs.
16
00:00:34,320 --> 00:00:35,560
‐We need to fight like her.
17
00:00:35,640 --> 00:00:37,240
‐We're a five‐headed beast now.
18
00:00:37,320 --> 00:00:39,400
You just tell us
when to roar.
19
00:00:39,520 --> 00:00:41,680
(theme music)
20
00:00:41,760 --> 00:01:11,560
♪
21
00:01:11,680 --> 00:01:14,200
We'll stab out her eyes
with a moldy old post.
22
00:01:14,280 --> 00:01:16,280
(cackling)
23
00:01:16,400 --> 00:01:19,760
‐Throw her in a slurry pit,
step on her head.
24
00:01:19,840 --> 00:01:21,280
(soft music)
25
00:01:21,400 --> 00:01:22,400
‐Could always get
the King's elephant
26
00:01:22,480 --> 00:01:24,680
to sit on her.
27
00:01:24,760 --> 00:01:26,040
‐Shit on her.
28
00:01:26,120 --> 00:01:28,040
(cackling)
29
00:01:28,120 --> 00:01:33,200
♪
30
00:01:33,280 --> 00:01:35,400
‐You're a brave slut,
Emily Lacey.
31
00:01:35,480 --> 00:01:38,640
We'll look out for you.
32
00:01:38,680 --> 00:01:40,400
‐Let's hope that's enough.
33
00:01:40,480 --> 00:01:42,280
♪
34
00:01:42,400 --> 00:01:43,920
‐Suddenly gone
very cold in here.
35
00:01:44,040 --> 00:01:45,200
‐Please keep your voices down.
36
00:01:45,280 --> 00:01:47,560
(giggling)
37
00:01:49,280 --> 00:01:51,840
‐I'll do better than that.
38
00:01:51,920 --> 00:01:53,760
I'll go home.
39
00:01:53,840 --> 00:01:55,560
To my Will.
40
00:01:59,200 --> 00:02:01,000
(giggling)
41
00:02:04,760 --> 00:02:06,040
(panting)
42
00:02:06,120 --> 00:02:09,160
‐Ride hard, my stallion!
43
00:02:09,280 --> 00:02:11,840
Faster, boy, faster!
44
00:02:11,960 --> 00:02:13,440
(driving music)
45
00:02:13,560 --> 00:02:15,400
(giggling)
46
00:02:15,440 --> 00:02:18,240
(moaning, groaning)
47
00:02:18,280 --> 00:02:22,840
♪
48
00:02:22,880 --> 00:02:25,520
(moaning, laughter)
49
00:02:27,080 --> 00:02:30,680
The race is won!
50
00:02:30,720 --> 00:02:33,560
‐You are exquisite.
51
00:02:33,680 --> 00:02:40,240
‐And you, my good sir,
are a powerful steed.
52
00:02:40,280 --> 00:02:41,960
(chuckling)
53
00:02:42,000 --> 00:02:45,520
I hope we may ride together
often.
54
00:02:45,560 --> 00:02:47,600
(chuckling)
55
00:02:47,680 --> 00:02:55,720
♪
56
00:02:55,840 --> 00:02:57,000
‐Morning.
57
00:02:57,080 --> 00:03:00,240
♪
58
00:03:00,280 --> 00:03:01,520
Girls.
59
00:03:01,560 --> 00:03:03,400
I need you to go
on a molly hunt for me.
60
00:03:03,440 --> 00:03:04,440
(giggling)
61
00:03:04,560 --> 00:03:05,800
Prince Rasselas.
62
00:03:05,840 --> 00:03:07,000
Do you know him?
63
00:03:07,080 --> 00:03:09,360
‐That pretty boy
with a look of the East?
64
00:03:09,400 --> 00:03:11,000
‐That's him.
65
00:03:11,120 --> 00:03:12,360
I need you to find him.
66
00:03:12,400 --> 00:03:13,560
Look everywhere.
67
00:03:13,680 --> 00:03:15,800
Covent Garden,
Sodomite's Walk,
68
00:03:15,840 --> 00:03:17,400
all the molly houses.
69
00:03:17,440 --> 00:03:19,120
Tell him I want to see him.
70
00:03:19,160 --> 00:03:20,840
We'll pay if we have to.
71
00:03:22,440 --> 00:03:23,800
‐Go on.
‐You should not admit
72
00:03:23,840 --> 00:03:26,360
such an unnatural creature
into this house.
73
00:03:26,400 --> 00:03:29,400
‐We admit much worse.
74
00:03:29,520 --> 00:03:31,600
‐Tell Mr. Hunt
you made it yourself.
75
00:03:31,680 --> 00:03:34,400
‐That's a lie, Mother.
76
00:03:34,440 --> 00:03:36,720
‐You need not wear your cap.
77
00:03:38,600 --> 00:03:40,400
‐Sounds like you're trying
to marry her off,
78
00:03:40,520 --> 00:03:41,840
Mrs. Scanwell.
79
00:03:41,960 --> 00:03:44,800
‐He is a man
of sound convictions,
80
00:03:44,840 --> 00:03:46,680
with a good salary
from the crown.
81
00:03:46,800 --> 00:03:48,440
‐I like your thinking.
82
00:03:48,560 --> 00:03:50,560
You should come and work
as a pimp for us.
83
00:03:50,680 --> 00:03:52,400
Eh, Fanny?
84
00:03:52,520 --> 00:03:55,720
‐She's just trying to do
what's best for her daughter.
85
00:03:55,840 --> 00:03:57,280
Like all of us.
86
00:04:02,880 --> 00:04:04,240
‐Fanny.
87
00:04:06,080 --> 00:04:07,720
Don't do that again.
88
00:04:07,840 --> 00:04:10,800
Don't insult me
in front of Mrs. Scanwell.
89
00:04:10,840 --> 00:04:14,560
‐What about my baby, then?
90
00:04:14,680 --> 00:04:16,480
You've said she has to go
when she's weaned.
91
00:04:16,560 --> 00:04:19,040
And if she goes, I go.
92
00:04:19,160 --> 00:04:22,120
Who'll be your best girl then?
93
00:04:22,160 --> 00:04:26,480
‐What's in your tea
this morning, eh?
94
00:04:26,600 --> 00:04:30,720
I wouldn't dream of
parting you from each other.
95
00:04:30,800 --> 00:04:33,040
No more stomach for it.
96
00:04:33,160 --> 00:04:35,480
‐Thank you.
97
00:04:35,560 --> 00:04:39,120
Think the justice
will act, Mrs. Wells?
98
00:04:39,160 --> 00:04:42,360
On the button that we found
in Kitty's hair?
99
00:04:42,400 --> 00:04:45,600
(dark music)
100
00:04:45,720 --> 00:05:12,240
♪
101
00:05:12,360 --> 00:05:15,040
(soft snoring)
102
00:05:15,120 --> 00:05:32,720
♪
103
00:05:35,480 --> 00:05:38,040
‐I'll not sleep on the chaise.
104
00:05:44,920 --> 00:05:48,840
‐Can you forgive
my cockeyed notions?
105
00:06:06,360 --> 00:06:09,360
‐We must show...
106
00:06:09,480 --> 00:06:13,480
that Golden Square
thrives once more.
107
00:06:15,560 --> 00:06:17,720
I think it's time
for our annual audience
108
00:06:17,800 --> 00:06:19,360
with the goddess Vesta.
109
00:06:19,480 --> 00:06:20,800
‐Can I play Vesta again?
110
00:06:20,920 --> 00:06:22,040
‐Don't be silly, Ann.
111
00:06:22,160 --> 00:06:24,720
Charlotte is our goddess.
112
00:06:24,800 --> 00:06:29,720
You may organize
the rituals of the virgins,
113
00:06:29,800 --> 00:06:33,680
while I find us a real one
to sacrifice.
114
00:06:33,720 --> 00:06:46,240
♪
115
00:06:46,360 --> 00:06:48,680
‐I'll come with you.
116
00:06:48,720 --> 00:06:50,240
I want to know
how the best bawd in London
117
00:06:50,280 --> 00:06:52,800
snags a virgin.
118
00:06:52,920 --> 00:06:55,120
‐To what purpose?
119
00:06:55,160 --> 00:06:56,360
‐To learn.
120
00:06:58,160 --> 00:07:00,800
To be like her.
121
00:07:05,360 --> 00:07:07,600
‐I wonder if you have
the stomach for it.
122
00:07:09,360 --> 00:07:10,720
‐Try me.
123
00:07:10,800 --> 00:07:12,720
(dark music)
124
00:07:12,800 --> 00:07:14,280
‐Hmph.
125
00:07:14,360 --> 00:07:16,480
♪
126
00:07:16,600 --> 00:07:19,360
(snorting noises)
127
00:07:19,400 --> 00:07:20,920
‐Go away, Emily Pig.
128
00:07:21,040 --> 00:07:23,240
‐But I love Emily Pig.
129
00:07:23,280 --> 00:07:25,600
‐You should love
a little piglet like me.
130
00:07:25,680 --> 00:07:27,680
‐Oh no.
131
00:07:27,720 --> 00:07:30,480
‐Why not sail
on Nell's fulsome tides?
132
00:07:30,560 --> 00:07:33,600
Or we could just have a poke.
133
00:07:33,680 --> 00:07:35,360
‐You have her.
134
00:07:35,480 --> 00:07:38,720
I'll take the little one.
135
00:07:38,800 --> 00:07:42,240
‐Cherry, would you like
to entertain this gentleman?
136
00:07:42,280 --> 00:07:45,400
‐I'm entertaining Charles.
‐He can spare you.
137
00:07:52,600 --> 00:07:53,800
Get up, Emily!
138
00:07:53,920 --> 00:07:56,040
Your house is busy.
139
00:07:56,120 --> 00:07:58,160
(sighs)
140
00:07:58,240 --> 00:08:01,920
(shouting, clatter)
141
00:08:02,040 --> 00:08:04,840
‐Help! Someone,
my cull's gone mad!
142
00:08:04,920 --> 00:08:06,920
Get away, maggot!
143
00:08:07,040 --> 00:08:08,480
I'll mash your face in!
144
00:08:08,560 --> 00:08:09,920
‐Nell!
145
00:08:10,040 --> 00:08:11,800
‐Help!
‐Nell!
146
00:08:11,920 --> 00:08:14,240
(sounds of struggle)
147
00:08:14,360 --> 00:08:15,480
‐Charlie!
148
00:08:15,600 --> 00:08:17,400
‐What?
149
00:08:17,480 --> 00:08:19,840
(sounds of struggle)
150
00:08:19,920 --> 00:08:22,720
(thud)
151
00:08:22,800 --> 00:08:24,160
‐Tie him up!
152
00:08:24,240 --> 00:08:28,720
Charles, go to the tavern,
fetch William North.
153
00:08:28,800 --> 00:08:30,000
Go, go!
154
00:08:30,040 --> 00:08:31,680
My children!
155
00:08:31,720 --> 00:08:35,000
(tense music)
156
00:08:35,120 --> 00:08:37,240
‐You're lucky this knife's
not for you.
157
00:08:37,320 --> 00:08:44,000
♪
158
00:08:44,080 --> 00:08:45,520
(thudding crash)
159
00:08:45,600 --> 00:08:48,320
‐Get out!
‐Move!
160
00:08:48,360 --> 00:08:52,520
♪
161
00:08:52,600 --> 00:08:54,840
(shouting)
162
00:08:54,880 --> 00:08:58,640
‐This is it, Nance,
it's started.
163
00:08:58,720 --> 00:09:02,320
(hooves clop, dog barks)
164
00:09:02,360 --> 00:09:04,440
‐Where's North,
where's North?
165
00:09:04,480 --> 00:09:06,880
North!
166
00:09:07,000 --> 00:09:08,520
Harriet.
167
00:09:08,600 --> 00:09:09,600
Bad men.
168
00:09:09,640 --> 00:09:12,240
♪
169
00:09:12,360 --> 00:09:14,000
Wait!
170
00:09:14,080 --> 00:09:16,960
♪
171
00:09:17,000 --> 00:09:19,200
‐It's plain as day
what your ma's up to.
172
00:09:19,240 --> 00:09:21,360
‐Don't.
‐Why?
173
00:09:21,480 --> 00:09:23,000
Make a good match.
174
00:09:23,120 --> 00:09:23,960
You can sing hymns together
175
00:09:24,000 --> 00:09:27,440
‐before humping.
‐Stop it.
176
00:09:27,480 --> 00:09:29,320
‐Miss Scanwell.
177
00:09:29,360 --> 00:09:33,000
I expect you've heard by now
about Mrs. Quigley.
178
00:09:33,080 --> 00:09:37,640
It seems I have met with
the limits of the law.
179
00:09:37,720 --> 00:09:40,480
‐If you concede that,
180
00:09:40,520 --> 00:09:45,360
what is your purpose?
181
00:09:45,440 --> 00:09:47,000
(exclaims)
182
00:09:50,840 --> 00:09:52,080
‐Think she likes you.
183
00:09:52,120 --> 00:09:53,600
(door slams)
184
00:09:56,360 --> 00:09:59,880
(panting, gasping)
185
00:10:04,120 --> 00:10:05,640
‐Twittering turd!
186
00:10:07,320 --> 00:10:08,520
Who sent you?
187
00:10:10,600 --> 00:10:13,120
‐The Duke of York.
188
00:10:13,200 --> 00:10:15,480
(exclaims)
189
00:10:15,600 --> 00:10:20,200
‐You insolent bollock bag!
190
00:10:20,240 --> 00:10:22,360
Who hired you?
191
00:10:26,360 --> 00:10:28,440
(groaning)
192
00:10:28,480 --> 00:10:30,960
‐The bawd! Quigley!
193
00:10:31,000 --> 00:10:32,720
(grunting)
194
00:10:32,760 --> 00:10:34,720
Quigley sent us.
195
00:10:34,840 --> 00:10:37,120
(tense music)
196
00:10:37,200 --> 00:10:41,240
♪
197
00:10:46,120 --> 00:10:48,880
(hooves clopping)
198
00:10:49,000 --> 00:10:51,600
(street noises)
199
00:10:51,720 --> 00:11:01,120
♪
200
00:11:01,200 --> 00:11:04,320
‐These people want honest jobs.
201
00:11:04,360 --> 00:11:06,120
‐They think they do.
202
00:11:06,200 --> 00:11:07,720
But who really
wants to be a drudge
203
00:11:07,760 --> 00:11:10,000
for six pounds a year
when they can live in splendor
204
00:11:10,120 --> 00:11:12,760
at Golden Square?
205
00:11:12,840 --> 00:11:16,520
‐The virgin will come willingly
if you pay her enough.
206
00:11:16,600 --> 00:11:18,840
‐But she'd lack the reticence
207
00:11:18,960 --> 00:11:23,000
so prized amongst our gentlemen.
208
00:11:23,080 --> 00:11:25,240
You know my standards.
209
00:11:25,320 --> 00:11:28,120
Secure me a pretty maid
and be sure to test her
210
00:11:28,240 --> 00:11:31,120
about her virtue.
211
00:11:31,240 --> 00:11:33,120
‐You show me.
212
00:11:33,200 --> 00:11:35,520
‐If you really want
to be my apprentice,
213
00:11:35,600 --> 00:11:38,080
I insist you try.
214
00:11:38,120 --> 00:11:43,840
♪
215
00:11:43,960 --> 00:11:45,760
‐Who was your first?
216
00:11:49,080 --> 00:11:52,720
‐A stable boy,
chosen by me.
217
00:11:54,240 --> 00:11:55,880
‐How many men
have you had since?
218
00:11:56,000 --> 00:11:57,600
‐I'm a harlot.
219
00:11:59,120 --> 00:12:01,120
I don't keep count.
220
00:12:03,360 --> 00:12:07,120
‐How many have
given you pleasure?
221
00:12:07,200 --> 00:12:09,320
‐Only you.
222
00:12:09,360 --> 00:12:12,320
‐Well, that makes me
your true first.
223
00:12:16,120 --> 00:12:18,600
(gasps)
224
00:12:18,640 --> 00:12:42,480
♪
225
00:12:49,200 --> 00:12:50,360
‐Do you seek work?
226
00:12:50,480 --> 00:12:52,600
‐Yes, ma'am.
227
00:12:52,640 --> 00:12:54,200
‐What's your experience?
228
00:12:54,240 --> 00:12:57,880
‐Keeping house
with my ma, mostly.
229
00:12:58,000 --> 00:13:02,080
Will I be free to go
to church on Sundays?
230
00:13:02,120 --> 00:13:04,000
‐No.
231
00:13:04,120 --> 00:13:05,120
We're a godless household,
232
00:13:05,240 --> 00:13:08,520
you should seek somewhere else.
233
00:13:13,360 --> 00:13:14,720
‐Why have you let her go?
234
00:13:14,760 --> 00:13:16,640
She could be positively regal.
235
00:13:16,720 --> 00:13:18,840
‐She wanted to go to church.
236
00:13:18,880 --> 00:13:20,720
‐Oh.
237
00:13:20,840 --> 00:13:22,960
Tell them what
they want to hear,
238
00:13:23,000 --> 00:13:25,600
just get them through the door.
239
00:13:27,600 --> 00:13:30,120
‐You are more artful with words.
240
00:13:30,200 --> 00:13:32,960
♪
241
00:13:33,000 --> 00:13:34,320
‐We'll do it together.
242
00:13:34,360 --> 00:13:50,720
♪
243
00:13:50,840 --> 00:13:52,960
‐Where have you gone to?
244
00:13:56,520 --> 00:14:00,000
‐I was thinking about Kitty.
245
00:14:00,080 --> 00:14:01,600
Who killed her.
246
00:14:04,120 --> 00:14:06,760
‐These things befall the weak.
247
00:14:11,360 --> 00:14:13,080
‐You think it was her fault?
248
00:14:16,360 --> 00:14:18,480
‐There are hunters,
249
00:14:18,520 --> 00:14:22,000
and there are prey.
250
00:14:22,120 --> 00:14:24,840
Killing is an art.
251
00:14:24,880 --> 00:14:28,880
A killer has
a certain nobility.
252
00:14:30,240 --> 00:14:32,880
A superiority of character.
253
00:14:37,080 --> 00:14:40,520
‐I thought killing
was a desperate act.
254
00:14:40,600 --> 00:14:42,360
‐Quite the contrary.
255
00:14:42,480 --> 00:14:45,240
It is the preserve
of a select few.
256
00:14:52,000 --> 00:14:54,320
(street noises)
257
00:14:56,840 --> 00:14:59,200
(indistinct chatter)
258
00:15:00,520 --> 00:15:04,000
‐I had a friend
who liked faro.
259
00:15:04,080 --> 00:15:06,200
‐You are a tasty piece,
260
00:15:06,240 --> 00:15:08,320
but we do not wish to hear.
261
00:15:08,360 --> 00:15:10,120
‐She's dead now.
262
00:15:12,120 --> 00:15:16,480
‐Were her brains in her udders,
like yours?
263
00:15:16,520 --> 00:15:18,760
(laughter)
264
00:15:25,840 --> 00:15:27,720
‐That's the man.
265
00:15:33,720 --> 00:15:35,840
‐Could I have a word, sir?
266
00:15:35,880 --> 00:15:38,480
‐Can a gentleman
not play cards in peace?
267
00:15:38,520 --> 00:15:40,840
‐If you would
step over here with me,
268
00:15:40,880 --> 00:15:44,320
we can...t‐t‐talk in private.
269
00:15:44,360 --> 00:15:48,200
‐I don't want
to t‐t‐talk at all.
270
00:15:48,240 --> 00:15:49,880
‐Then I will apply for a warrant
271
00:15:50,000 --> 00:15:52,360
and come to your house.
272
00:15:52,480 --> 00:15:53,720
‐Outrageous!
273
00:15:53,840 --> 00:15:56,720
This is meant to be a refuge.
274
00:15:56,840 --> 00:15:59,240
Who let this dismal man in?
275
00:16:06,080 --> 00:16:09,240
‐I will not tolerate
the consumption of alcohol,
276
00:16:09,360 --> 00:16:13,360
nor any liaison with young men.
277
00:16:13,440 --> 00:16:15,240
‐The smell of drink
makes me sick, ma'am,
278
00:16:15,320 --> 00:16:20,200
and I've never
so much as kissed a boy.
279
00:16:20,240 --> 00:16:22,200
‐Oh.
280
00:16:22,240 --> 00:16:26,440
Well, I'm sure you'll fit
right in.
281
00:16:26,480 --> 00:16:30,080
(dark music)
282
00:16:30,120 --> 00:16:33,640
(street clamor)
283
00:16:35,360 --> 00:16:38,760
‐The truth is always best.
284
00:16:38,840 --> 00:16:40,880
‐Do excuse me one moment.
285
00:16:41,000 --> 00:16:43,760
I wish to give alms to the poor.
286
00:16:43,840 --> 00:16:47,600
‐...and the truth,
and the life.
287
00:16:47,640 --> 00:16:51,320
We must not lie
to each other.
288
00:16:53,840 --> 00:16:55,640
I smell ratsbane.
289
00:16:55,720 --> 00:16:58,360
‐You will taste it
if you fail to do as I ask.
290
00:16:58,480 --> 00:17:00,960
‐I have no fears for my life.
291
00:17:01,000 --> 00:17:03,840
‐What of Amelia's?
292
00:17:03,960 --> 00:17:06,200
What life could she expect,
I wonder,
293
00:17:06,240 --> 00:17:08,160
if it were known
she spends her days
294
00:17:08,240 --> 00:17:10,760
tuft hunting
with her black whore?
295
00:17:13,320 --> 00:17:15,480
‐What hell broth do you spew?
296
00:17:15,520 --> 00:17:19,000
‐One of your daughter's making.
297
00:17:19,040 --> 00:17:21,080
I want you to go
to Justice Hunt
298
00:17:21,200 --> 00:17:22,760
and to tell him
that Margaret Wells
299
00:17:22,880 --> 00:17:25,200
is forcing girls
to work in her house
300
00:17:25,240 --> 00:17:27,000
against their will.
301
00:17:27,040 --> 00:17:28,680
Tell him how it sickens you,
302
00:17:28,720 --> 00:17:30,800
how you cannot bear
such cruelty
303
00:17:30,920 --> 00:17:34,280
even for one day more.
304
00:17:34,400 --> 00:17:36,880
‐She's a good woman.
305
00:17:36,960 --> 00:17:40,640
Your mother.
306
00:17:40,720 --> 00:17:42,280
‐She's not my mother.
307
00:17:42,400 --> 00:17:48,560
♪
308
00:17:48,680 --> 00:17:49,960
‐There.
309
00:17:50,000 --> 00:17:53,960
Such deeds are so bracing
for the soul.
310
00:17:54,000 --> 00:17:55,400
(door slams)
311
00:17:55,480 --> 00:18:02,240
♪
312
00:18:02,320 --> 00:18:04,000
‐Is that him?
313
00:18:04,080 --> 00:18:05,760
(groaning)
314
00:18:05,880 --> 00:18:07,480
‐Rasselas?
315
00:18:07,560 --> 00:18:09,240
(exclaims)
316
00:18:12,800 --> 00:18:14,240
‐Who in Lucifer's name are you?
317
00:18:16,320 --> 00:18:18,680
(bell tolling)
318
00:18:21,680 --> 00:18:22,800
(clears throat)
319
00:18:22,920 --> 00:18:24,520
‐Mr. Hunt.
320
00:18:24,640 --> 00:18:26,000
‐Ah.
321
00:18:26,040 --> 00:18:28,080
Um, for you,
322
00:18:28,200 --> 00:18:30,680
in return for
the delicious gift you left,
323
00:18:30,720 --> 00:18:33,040
with an apology,
I fear I upset you earlier.
324
00:18:33,160 --> 00:18:35,720
‐Oh, I apologize.
325
00:18:35,760 --> 00:18:37,760
I was‐‐I was harsh.
326
00:18:37,880 --> 00:18:43,200
‐Then we make
an apologetic...p‐p‐pair.
327
00:18:48,520 --> 00:18:49,960
Would you take a walk with me?
328
00:18:52,680 --> 00:18:53,880
‐Um...
329
00:18:55,320 --> 00:18:58,960
(lively music)
330
00:18:59,000 --> 00:19:01,720
♪
331
00:19:01,800 --> 00:19:05,520
(huffing, puffing)
332
00:19:05,640 --> 00:19:06,720
‐Come on, Charlie!
333
00:19:06,760 --> 00:19:08,160
‐Put some chops into it!
334
00:19:08,240 --> 00:19:11,560
‐She broke her word!
335
00:19:11,680 --> 00:19:14,760
I will not let her scare us.
336
00:19:14,880 --> 00:19:18,240
She will feel
the sting of my tongue.
337
00:19:18,280 --> 00:19:21,480
‐You stay away from her.
338
00:19:21,560 --> 00:19:22,920
‐Keep your fists up, big man.
339
00:19:23,000 --> 00:19:24,080
(knocking)
340
00:19:26,080 --> 00:19:29,640
(thudding punches)
341
00:19:30,760 --> 00:19:32,240
‐Come to crow?
342
00:19:32,280 --> 00:19:33,280
‐I've come to help.
343
00:19:33,400 --> 00:19:36,040
‐You helped me once before.
344
00:19:36,160 --> 00:19:38,240
‐Deserve that.
345
00:19:38,320 --> 00:19:40,760
(grunting)
346
00:19:40,880 --> 00:19:43,240
What kind of mother
attacks her own son?
347
00:19:44,760 --> 00:19:47,480
‐Concentrate.
‐You leave him alone.
348
00:19:55,920 --> 00:19:57,720
You promised me protection.
349
00:19:57,760 --> 00:19:58,920
‐You're not helping,
350
00:19:59,000 --> 00:20:01,520
keeping the son in the house.
351
00:20:01,640 --> 00:20:03,240
How did she find out so soon?
352
00:20:03,280 --> 00:20:04,520
‐Not from him.
353
00:20:04,640 --> 00:20:06,240
He's my only shield
against her.
354
00:20:06,320 --> 00:20:08,280
‐Shame he's a useless prick.
355
00:20:08,400 --> 00:20:10,000
You need a bully.
356
00:20:10,040 --> 00:20:12,720
‐Get soldier boy in there.
‐I can't pay him.
357
00:20:12,760 --> 00:20:14,480
I've got repairs to make.
358
00:20:14,560 --> 00:20:16,320
‐I'll pay.
359
00:20:16,440 --> 00:20:19,880
Till you're sorted.
360
00:20:19,960 --> 00:20:21,720
‐Guilt money.
361
00:20:21,800 --> 00:20:24,720
(soft music)
362
00:20:24,800 --> 00:20:26,040
I'll take it.
363
00:20:26,160 --> 00:20:28,240
♪
364
00:20:28,320 --> 00:20:31,760
And stick a musket
up Charlotte's ass.
365
00:20:31,880 --> 00:20:33,680
What is she doing
in that house?
366
00:20:33,720 --> 00:20:36,200
‐She stands to lose
more than any of us.
367
00:20:36,240 --> 00:20:38,480
♪
368
00:20:38,520 --> 00:20:41,160
‐Not from where I'm standing.
369
00:20:41,240 --> 00:20:43,400
♪
370
00:20:43,480 --> 00:20:44,720
‐I'm the eldest of five.
371
00:20:44,800 --> 00:20:46,200
My mother cried
when I left.
372
00:20:46,240 --> 00:20:48,880
But she'll be pleased
when I send money home.
373
00:20:48,960 --> 00:20:50,240
‐And where is home?
374
00:20:50,280 --> 00:20:52,960
‐Langley
‐Ah!
375
00:20:53,000 --> 00:20:54,640
London must be overwhelming.
376
00:20:54,720 --> 00:20:55,960
‐Well, it would be,
377
00:20:56,000 --> 00:20:58,480
had I not met such kind people
so soon.
378
00:20:58,560 --> 00:21:00,280
I look forward
to repaying your faith
379
00:21:00,400 --> 00:21:02,280
with hard work.
380
00:21:02,400 --> 00:21:06,200
‐Well, we're very lucky
to have found you.
381
00:21:06,240 --> 00:21:09,200
(tense music)
382
00:21:09,240 --> 00:21:20,920
♪
383
00:21:28,040 --> 00:21:30,400
‐I have dedicated myself
to the law,
384
00:21:30,480 --> 00:21:34,080
but discovering
its imperfections
385
00:21:34,200 --> 00:21:35,440
leads me to question
386
00:21:35,480 --> 00:21:37,920
‐my whole life.
‐Oh, please don't.
387
00:21:38,000 --> 00:21:42,240
‐You do your best.
‐But I...I can do better.
388
00:21:42,320 --> 00:21:43,880
Your goodness is a standard
389
00:21:43,960 --> 00:21:45,520
by which I wish to be measured.
390
00:21:45,640 --> 00:21:47,240
‐I am not good.
391
00:21:47,320 --> 00:21:51,080
‐But you have
transformed Violet.
392
00:21:51,200 --> 00:21:52,880
Given the right position
in society,
393
00:21:52,960 --> 00:21:56,040
you could guide
so many others.
394
00:21:56,160 --> 00:21:58,480
(stammers)
395
00:22:01,800 --> 00:22:04,400
Would you be my wife?
396
00:22:04,480 --> 00:22:06,200
(soft music)
397
00:22:06,240 --> 00:22:09,000
You could keep me steadfast.
398
00:22:09,080 --> 00:22:11,000
I could keep you safe.
399
00:22:11,040 --> 00:22:13,480
♪
400
00:22:13,520 --> 00:22:14,920
(stammers)
401
00:22:15,000 --> 00:22:19,520
This is, um, too sudden,
I see.
402
00:22:19,640 --> 00:22:22,560
♪
403
00:22:22,680 --> 00:22:25,040
Please.
404
00:22:25,160 --> 00:22:29,160
I ask...only
that you think about it.
405
00:22:29,240 --> 00:22:31,760
♪
406
00:22:31,880 --> 00:22:34,520
(clears his throat)
407
00:22:34,640 --> 00:22:36,080
‐You'll answer the door
and gauge the culls.
408
00:22:36,200 --> 00:22:39,040
‐And come running
if we start screaming.
409
00:22:39,160 --> 00:22:41,520
‐Does this mean
I get favorable terms?
410
00:22:41,640 --> 00:22:44,240
‐No terms, no touching.
411
00:22:44,320 --> 00:22:47,280
‐You're one of us now.
‐Like a big brother.
412
00:22:47,400 --> 00:22:49,040
You can teach me to fight.
413
00:22:49,160 --> 00:22:51,200
‐That's not fun.
414
00:22:51,240 --> 00:22:52,720
I'd rather teach you
some things
415
00:22:52,760 --> 00:22:55,040
I learned in France.
416
00:22:59,000 --> 00:23:00,720
‐We know it all.
417
00:23:04,080 --> 00:23:07,240
‐Was it worth running?
418
00:23:07,280 --> 00:23:11,160
‐I feared the same fate
as your girl.
419
00:23:11,240 --> 00:23:15,440
‐A life lived in fear
is not life worth living.
420
00:23:18,680 --> 00:23:20,480
‐What do you want of me?
421
00:23:28,000 --> 00:23:31,320
‐I want you to be my eyes
in Golden Square.
422
00:23:31,440 --> 00:23:35,160
(approaching footsteps)
423
00:23:35,240 --> 00:23:36,480
‐Rasselas!
424
00:23:36,560 --> 00:23:38,520
‐Amelia!
425
00:23:38,640 --> 00:23:41,720
(soft music)
426
00:23:41,800 --> 00:23:45,680
‐Where have you been?
427
00:23:45,720 --> 00:23:48,000
‐There must be some good in you
428
00:23:48,080 --> 00:23:50,240
to be missed so.
429
00:23:50,320 --> 00:23:53,440
♪
430
00:23:53,480 --> 00:23:56,480
‐She will fit in well.
431
00:23:56,520 --> 00:23:58,880
‐What if she doesn't want to?
432
00:23:58,960 --> 00:24:01,000
‐Why wouldn't she?
433
00:24:01,040 --> 00:24:04,040
Virtue is a hindrance
to a woman.
434
00:24:04,160 --> 00:24:07,200
After tonight,
she can climb.
435
00:24:13,400 --> 00:24:16,640
(dark music)
436
00:24:16,720 --> 00:24:23,240
♪
437
00:24:23,320 --> 00:24:26,200
I'm proud of you.
438
00:24:26,240 --> 00:24:27,480
Your mother was never
strong enough
439
00:24:27,560 --> 00:24:29,800
to help with new girls.
440
00:24:29,920 --> 00:24:32,280
You surpass her in every way.
441
00:24:32,400 --> 00:25:03,480
♪
442
00:25:03,560 --> 00:25:05,880
What do you want, Charles?
443
00:25:07,720 --> 00:25:11,080
‐No true mother would
attack her son's home.
444
00:25:11,200 --> 00:25:14,960
‐And no son of mine would be
such a dull‐headed dupe.
445
00:25:15,000 --> 00:25:16,640
‐We had an agreement.
‐Which your treacherous
446
00:25:16,720 --> 00:25:19,480
trollop broke,
she tried to have me hanged.
447
00:25:19,520 --> 00:25:21,720
‐You're lying.
‐Am I?
448
00:25:21,760 --> 00:25:24,280
Go to the justice,
ask him yourself,
449
00:25:24,400 --> 00:25:27,560
and get out of my house!
450
00:25:32,320 --> 00:25:36,000
‐How can I stand at an altar
and vow before God
451
00:25:36,040 --> 00:25:39,560
to worship his body?
452
00:25:42,040 --> 00:25:44,720
‐I always follow my heart
453
00:25:44,760 --> 00:25:46,320
and live in penury for it.
454
00:25:48,480 --> 00:25:49,800
‐Amelia.
455
00:25:49,920 --> 00:25:51,920
A word?
456
00:25:52,000 --> 00:25:53,480
Alone.
457
00:26:11,640 --> 00:26:14,920
I do not like
the company you keep.
458
00:26:15,000 --> 00:26:17,640
‐He's my friend.
‐He's a sinner.
459
00:26:17,720 --> 00:26:20,480
‐Jesus taught us
to go among them.
460
00:26:22,040 --> 00:26:23,560
‐But not to become one.
461
00:26:25,400 --> 00:26:26,720
I know.
462
00:26:28,480 --> 00:26:30,480
I know the grubby little
secret you have
463
00:26:30,520 --> 00:26:33,480
with Violet Cross.
464
00:26:33,560 --> 00:26:38,520
♪
465
00:26:38,640 --> 00:26:41,480
I met Mr. Hunt.
466
00:26:41,560 --> 00:26:44,480
God has put him in your way.
467
00:26:44,520 --> 00:26:46,240
He asked me for your hand.
468
00:26:46,320 --> 00:26:48,720
‐I can't marry him.
‐You will marry him!
469
00:26:48,800 --> 00:26:50,920
♪
470
00:26:51,000 --> 00:26:53,040
I have given my life
to you, Amelia.
471
00:26:53,160 --> 00:26:54,800
I ask that you do this
in return.
472
00:26:54,920 --> 00:26:57,240
‐But I don't love him.
473
00:26:57,320 --> 00:26:59,280
♪
474
00:26:59,400 --> 00:27:01,000
‐Love.
475
00:27:01,040 --> 00:27:03,720
♪
476
00:27:03,760 --> 00:27:05,000
Mr. Hunt will save us.
477
00:27:05,040 --> 00:27:07,640
Your black whore
will drag you down.
478
00:27:07,720 --> 00:27:12,680
♪
479
00:27:12,720 --> 00:27:13,960
‐For God's sake, man,
480
00:27:14,000 --> 00:27:15,640
first you interrupt my whoring
481
00:27:15,720 --> 00:27:17,680
and then this warrant arrives.
482
00:27:17,720 --> 00:27:20,000
‐Lord Liddington has been
implicated in a murder.
483
00:27:20,040 --> 00:27:22,760
I'm sure you'll agree
there is a distinction.
484
00:27:22,880 --> 00:27:25,640
‐He is the son of
the Earl of Hovingham.
485
00:27:25,720 --> 00:27:26,920
‐There is evidence.
486
00:27:27,000 --> 00:27:31,040
This was found
on the murdered woman.
487
00:27:31,160 --> 00:27:33,920
It matches a jacket
worn by...
488
00:27:34,000 --> 00:27:36,200
‐Lord Liddington.
‐Did you find it?
489
00:27:36,240 --> 00:27:37,440
‐No, one of
the victim's friends.
490
00:27:37,480 --> 00:27:38,720
‐Have you seen
the matching jacket?
491
00:27:38,760 --> 00:27:40,400
‐No.
‐So...
492
00:27:40,480 --> 00:27:42,160
you want to raise a warrant
493
00:27:42,240 --> 00:27:44,240
on the strength of a button
494
00:27:44,320 --> 00:27:46,240
and the word of a whore?
495
00:27:47,680 --> 00:27:49,240
If there is anything in this,
496
00:27:49,320 --> 00:27:53,080
you must find
plausible evidence.
497
00:27:53,200 --> 00:27:56,000
And stop harassing the nobility.
498
00:27:59,000 --> 00:28:01,000
(door slams)
499
00:28:02,160 --> 00:28:04,480
(birdsong)
500
00:28:06,720 --> 00:28:08,280
‐I feel sick.
501
00:28:08,400 --> 00:28:09,680
‐It's not your crime.
502
00:28:09,720 --> 00:28:12,480
‐It will be if I don't save her.
503
00:28:12,560 --> 00:28:15,160
Entrapment, rape, ruin.
504
00:28:15,240 --> 00:28:18,520
‐Then let's go
to the Justice now.
505
00:28:18,640 --> 00:28:20,960
‐I'm implicated in all of it.
506
00:28:21,000 --> 00:28:24,440
And he won't want
a repeat of last night.
507
00:28:24,480 --> 00:28:26,400
We have to get the girl to him.
508
00:28:26,480 --> 00:28:27,560
‐How?
509
00:28:30,000 --> 00:28:31,160
(sighs)
510
00:28:33,520 --> 00:28:35,640
‐We need someone trustworthy
511
00:28:35,720 --> 00:28:37,720
to bid for her
512
00:28:37,760 --> 00:28:39,760
and take her from the house.
513
00:28:39,880 --> 00:28:42,040
Do you know of anyone?
514
00:28:45,000 --> 00:28:48,400
‐I don't trust a single soul
in my circle.
515
00:28:50,640 --> 00:28:53,880
‐Then I must go to my ma
on Greek Street.
516
00:28:53,960 --> 00:28:56,040
She'll find someone.
517
00:28:56,160 --> 00:28:58,480
Here. It's over 100 pounds.
518
00:28:58,520 --> 00:29:02,000
I've known men
bid 200 for a virgin.
519
00:29:02,080 --> 00:29:04,240
Add to it if you can.
520
00:29:04,280 --> 00:29:05,640
Ma will too.
521
00:29:08,040 --> 00:29:09,720
‐You trust me to do this?
522
00:29:09,800 --> 00:29:13,480
(tense music)
523
00:29:13,520 --> 00:29:14,480
‐Abigail.
524
00:29:14,560 --> 00:29:16,920
♪
525
00:29:17,000 --> 00:29:19,680
That's the girl's name.
526
00:29:19,720 --> 00:29:22,080
A sweet thing,
527
00:29:22,200 --> 00:29:24,280
untarnished by our world.
528
00:29:24,400 --> 00:29:28,560
♪
529
00:29:28,680 --> 00:29:31,000
Help her stay that way.
530
00:29:31,080 --> 00:29:35,640
♪
531
00:29:35,720 --> 00:29:37,680
(horse snuffles)
532
00:29:37,720 --> 00:29:44,160
♪
533
00:29:44,240 --> 00:29:47,000
(hooves clopping)
534
00:29:57,400 --> 00:29:59,720
(knocking)
535
00:29:59,800 --> 00:30:03,320
(indistinct shouting in street)
536
00:30:10,080 --> 00:30:11,880
‐Miss Scanwell.
537
00:30:11,960 --> 00:30:14,000
Come in, come in.
538
00:30:16,800 --> 00:30:19,080
Please.
539
00:30:19,200 --> 00:30:21,640
Dare I hope you...
540
00:30:24,200 --> 00:30:26,560
...have an answer for me?
541
00:30:26,680 --> 00:30:29,960
(soft music)
542
00:30:30,000 --> 00:30:32,400
‐Yes.
543
00:30:32,480 --> 00:30:34,240
My answer is yes.
544
00:30:34,320 --> 00:30:38,720
♪
545
00:30:38,800 --> 00:30:40,920
My mother's keen
for it to happen soon.
546
00:30:41,000 --> 00:30:43,480
♪
547
00:30:43,560 --> 00:30:45,200
‐My dear.
548
00:30:45,240 --> 00:30:50,680
♪
549
00:30:50,720 --> 00:30:55,400
‐This is my most
prized possession,
550
00:30:55,480 --> 00:30:59,000
acquired from
the furthest reaches of Greece.
551
00:30:59,080 --> 00:31:04,800
The dagger of a Spartan warrior.
552
00:31:04,920 --> 00:31:08,400
The Spartans were
a superior race.
553
00:31:08,480 --> 00:31:11,040
They killed their lessers,
the Helots,
554
00:31:11,160 --> 00:31:12,720
as a rite of passage.
555
00:31:12,800 --> 00:31:15,000
‐What made them lesser?
556
00:31:15,080 --> 00:31:17,480
‐Their blood.
557
00:31:17,520 --> 00:31:19,440
‐Have you ever used it?
558
00:31:19,480 --> 00:31:21,240
♪
559
00:31:21,280 --> 00:31:23,320
‐I consider myself a Spartan.
560
00:31:23,440 --> 00:31:25,240
♪
561
00:31:25,320 --> 00:31:27,760
Does that scare you?
562
00:31:27,880 --> 00:31:30,520
(music intensifies)
563
00:31:30,640 --> 00:31:38,880
♪
564
00:31:38,960 --> 00:31:41,000
I'm a Spartan too.
565
00:31:41,040 --> 00:31:43,480
♪
566
00:31:43,560 --> 00:31:45,000
‐You want money.
567
00:31:45,040 --> 00:31:47,400
‐I always want money.
568
00:31:47,480 --> 00:31:51,240
‐Is Charlotte Wells
blackmailing you?
569
00:31:51,320 --> 00:31:52,960
‐She saw me out riding naked
570
00:31:53,000 --> 00:31:55,000
and threatens to ruin
my reputation.
571
00:31:55,040 --> 00:31:57,520
‐What's left of it.
‐I'm a grown woman.
572
00:31:57,640 --> 00:31:59,040
I should have free access
573
00:31:59,160 --> 00:32:00,040
to the money Father left me.
574
00:32:00,160 --> 00:32:01,720
‐You are ludicrous.
575
00:32:01,760 --> 00:32:05,240
Cavorting with a harlot,
letting her fleece you.
576
00:32:05,280 --> 00:32:07,640
It would be reckless of me
to give an imbecile like you
577
00:32:07,720 --> 00:32:09,680
your own funds.
578
00:32:09,720 --> 00:32:11,480
You need me to take care of you.
579
00:32:11,520 --> 00:32:13,440
‐You're not fit
to take care of anyone.
580
00:32:13,480 --> 00:32:14,720
‐You see? You're disturbed.
581
00:32:14,760 --> 00:32:18,400
Attacking your devoted guardian.
582
00:32:18,480 --> 00:32:19,760
‐Just give me a hundred pounds
583
00:32:19,880 --> 00:32:21,960
and I will leave you in peace.
584
00:32:23,520 --> 00:32:25,160
‐Is it the bawd
who blackmails you,
585
00:32:25,240 --> 00:32:28,280
‐is Charlotte...
‐Give me my money!
586
00:32:28,400 --> 00:32:30,240
‐I'm getting warmer.
587
00:32:30,320 --> 00:32:42,440
♪
588
00:32:42,480 --> 00:32:44,000
That's all you get
till you start telling me
589
00:32:44,040 --> 00:32:46,000
some truths.
590
00:32:46,040 --> 00:33:02,440
♪
591
00:33:02,480 --> 00:33:04,440
(knocking)
592
00:33:04,480 --> 00:33:11,720
♪
593
00:33:11,760 --> 00:33:15,560
‐You have been elusive.
594
00:33:15,680 --> 00:33:17,720
‐The new justice
is hanging my kind.
595
00:33:17,800 --> 00:33:19,640
‐And persecuting mine.
596
00:33:22,240 --> 00:33:24,760
Your cheek looks hollow.
597
00:33:26,720 --> 00:33:29,000
‐I lost my dear boy.
598
00:33:30,880 --> 00:33:32,760
‐So did I.
599
00:33:35,480 --> 00:33:37,320
Hmph.
600
00:33:40,520 --> 00:33:41,920
We're hosting a communion
601
00:33:42,000 --> 00:33:44,080
of Vestal Virgins this evening.
602
00:33:46,960 --> 00:33:49,640
Stay.
603
00:33:49,720 --> 00:33:52,880
Be our honorary eunuch.
604
00:33:52,960 --> 00:33:56,240
(intense, driving music)
605
00:33:56,320 --> 00:34:08,000
♪
606
00:34:08,080 --> 00:34:10,440
(sniffing)
607
00:34:10,480 --> 00:34:15,360
♪
608
00:34:15,440 --> 00:34:16,480
‐Come again.
609
00:34:16,520 --> 00:34:19,880
You're welcome anytime.
610
00:34:19,960 --> 00:34:22,000
Fanny, how you getting on
up there?
611
00:34:22,040 --> 00:34:24,840
♪
612
00:34:24,920 --> 00:34:28,560
He only paid
for half an hour!
613
00:34:28,640 --> 00:34:30,680
(cackling)
614
00:34:30,800 --> 00:34:33,200
♪
615
00:34:33,320 --> 00:34:36,040
(deeply inhaling)
616
00:34:36,120 --> 00:34:42,520
♪
617
00:34:42,600 --> 00:34:44,600
(deeply inhaling)
618
00:34:44,680 --> 00:34:49,400
‐"The prince hacked his way
through the forest
619
00:34:49,480 --> 00:34:51,640
and climbed to the tower
620
00:34:51,760 --> 00:34:55,920
where the beauty lay sleeping."
621
00:34:56,000 --> 00:34:58,280
Much like your todger.
622
00:34:58,360 --> 00:35:16,440
♪
623
00:35:16,480 --> 00:35:18,120
‐You lost?
624
00:35:18,200 --> 00:35:19,880
‐He had a good old sniff
of my fundament,
625
00:35:19,960 --> 00:35:22,000
but he didn't want
to touch it.
626
00:35:22,040 --> 00:35:25,280
(cackling)
627
00:35:25,360 --> 00:35:27,640
‐Margaret.
628
00:35:31,360 --> 00:35:32,680
Girls.
629
00:35:40,480 --> 00:35:43,040
‐I'm Lady Isabella Fitzwilliam.
630
00:35:43,120 --> 00:35:46,200
Charlotte sent me.
631
00:35:46,320 --> 00:35:50,800
She's contrived the means
to trap the viper Quigley.
632
00:35:50,880 --> 00:35:52,320
‐And what's Quigley to you?
633
00:35:52,400 --> 00:35:54,640
‐A perpetual menace.
634
00:35:54,760 --> 00:35:57,000
(tense music)
635
00:35:57,080 --> 00:35:59,040
♪
636
00:35:59,120 --> 00:36:02,400
‐And what does Charlotte
want us to do?
637
00:36:02,480 --> 00:36:05,000
‐We need to buy a virgin.
638
00:36:05,080 --> 00:36:12,480
♪
639
00:36:12,560 --> 00:36:14,200
(door slams)
640
00:36:14,320 --> 00:36:18,120
(approaching footsteps)
641
00:36:18,200 --> 00:36:20,840
‐Webster's needed
in Greek Street.
642
00:36:20,920 --> 00:36:22,480
‐He's only been here a minute.
643
00:36:22,520 --> 00:36:24,120
‐Well...
644
00:36:24,200 --> 00:36:26,440
I'll be your bully tonight.
645
00:36:26,480 --> 00:36:29,600
Mags has other plans for him.
646
00:36:29,680 --> 00:36:34,520
♪
647
00:36:34,600 --> 00:36:36,480
(door slams)
648
00:36:36,520 --> 00:36:40,520
♪
649
00:36:45,800 --> 00:36:49,480
‐What are you doing
skulking in here?
650
00:36:49,520 --> 00:36:52,760
‐You scared of Nancy?
‐Scared of you.
651
00:36:54,600 --> 00:36:57,920
Why did you give evidence
against my mother?
652
00:36:58,000 --> 00:37:01,480
‐Not sure that I did.
‐Don't lie!
653
00:37:01,520 --> 00:37:02,920
‐She threatened to kill me.
654
00:37:03,000 --> 00:37:05,320
‐Then you should have
come to me,
655
00:37:05,400 --> 00:37:07,320
instead of plotting
with the Wells woman
656
00:37:07,400 --> 00:37:09,560
and that virago out there.
657
00:37:09,640 --> 00:37:12,680
‐I know. I know.
658
00:37:12,800 --> 00:37:13,840
I'm sorry.
659
00:37:15,920 --> 00:37:17,480
You're my shield.
660
00:37:17,560 --> 00:37:19,800
You'll protect me
against her, won't you?
661
00:37:19,880 --> 00:37:24,000
♪
662
00:37:24,080 --> 00:37:26,840
You have to.
663
00:37:26,920 --> 00:37:29,520
I need you.
664
00:37:29,600 --> 00:37:31,480
‐I can't trust you.
665
00:37:31,560 --> 00:37:41,000
♪
666
00:37:41,040 --> 00:37:42,880
‐Then trust this.
667
00:37:42,960 --> 00:37:45,560
There's a little Quigley
growing inside me.
668
00:37:45,640 --> 00:37:55,640
♪
669
00:37:59,960 --> 00:38:02,320
(exotic music)
670
00:38:02,400 --> 00:38:11,200
♪
671
00:38:11,320 --> 00:38:13,760
‐Welcome, gentlemen,
672
00:38:13,840 --> 00:38:17,560
to the sacred Temple of Vesta.
673
00:38:17,640 --> 00:38:22,200
Behold her chaste priestesses,
the Vestal Virgins,
674
00:38:22,320 --> 00:38:26,120
as they prepare the way
for the goddess herself.
675
00:38:26,200 --> 00:38:29,000
Praise Vesta!
676
00:38:29,080 --> 00:38:30,120
Goddess of the hearth
677
00:38:30,200 --> 00:38:31,960
and bringer of good fortune.
678
00:38:32,000 --> 00:38:34,080
♪
679
00:38:34,160 --> 00:38:35,960
Make your sacrifices,
gentlemen,
680
00:38:36,000 --> 00:38:37,360
that you may approach her.
681
00:38:37,440 --> 00:38:39,440
Enchanté.
682
00:38:39,480 --> 00:38:46,160
♪
683
00:38:46,280 --> 00:38:50,040
Sent especially for you
from Greek Street.
684
00:38:50,120 --> 00:38:55,200
♪
685
00:38:55,320 --> 00:38:57,200
‐Got your story straight?
686
00:38:57,320 --> 00:38:58,960
‐I think so.
687
00:38:59,000 --> 00:39:00,480
The lads'll be outside
688
00:39:00,560 --> 00:39:04,360
when you bring the girl out.
689
00:39:04,440 --> 00:39:07,960
(indistinct conversations)
690
00:39:16,680 --> 00:39:19,320
‐You sure he's up to it?
691
00:39:19,400 --> 00:39:21,520
‐Chance to play the hero.
692
00:39:21,600 --> 00:39:25,040
He'll love every minute of it.
693
00:39:25,120 --> 00:39:27,920
(funky, rhythmic music)
694
00:39:28,000 --> 00:39:50,120
♪
695
00:39:50,200 --> 00:39:54,000
‐You seem agitated,
for a goddess.
696
00:39:54,080 --> 00:39:56,160
‐I'm waiting for the moment
that girl awakes
697
00:39:56,280 --> 00:39:58,120
and screams the house down.
698
00:39:58,200 --> 00:39:59,640
‐Have confidence.
699
00:39:59,760 --> 00:40:02,480
She will remain in a stupor
all evening.
700
00:40:02,520 --> 00:40:04,880
♪
701
00:40:04,960 --> 00:40:07,320
What swarthy stranger is this?
702
00:40:07,400 --> 00:40:10,080
Welcome, sir, you're new
to Golden Square.
703
00:40:10,160 --> 00:40:13,200
‐Oh, I'm long overdue.
704
00:40:13,320 --> 00:40:15,120
‐Why, Mr. Webster.
705
00:40:15,200 --> 00:40:16,520
So glad you could come.
706
00:40:16,600 --> 00:40:19,840
‐You know this gentleman.
‐In every sense.
707
00:40:19,920 --> 00:40:22,960
‐He's obscenely rich.
‐(gasps)
708
00:40:23,000 --> 00:40:25,920
‐What is your business?
‐Coffee beans, madam.
709
00:40:26,000 --> 00:40:27,800
Only the finest.
710
00:40:27,880 --> 00:40:31,280
Miss Wells knows
of my rarefied tastes.
711
00:40:31,360 --> 00:40:32,800
(laughter)
712
00:40:32,880 --> 00:40:34,600
I can see why
she invited me.
713
00:40:34,680 --> 00:40:38,760
‐Then, please,
enter the Temple of Vesta.
714
00:40:38,840 --> 00:40:40,520
(chuckling)
715
00:40:40,600 --> 00:40:46,360
♪
716
00:40:53,760 --> 00:40:55,680
‐Will you frolic with me?
717
00:40:55,800 --> 00:40:58,280
‐It smells funny.
718
00:40:58,360 --> 00:41:00,440
‐It relaxes the mind.
719
00:41:00,480 --> 00:41:03,200
Like laudanum.
720
00:41:03,320 --> 00:41:06,120
‐My ma's against all that.
721
00:41:06,200 --> 00:41:09,680
She won't take on girls that
have anything to do with it.
722
00:41:09,800 --> 00:41:14,480
‐And you always do
what your mother tells you.
723
00:41:14,520 --> 00:41:16,800
Even if she'll never know.
724
00:41:25,440 --> 00:41:27,920
(deeply inhales)
725
00:41:31,800 --> 00:41:47,360
♪
726
00:41:47,440 --> 00:41:49,360
‐Excuse me, sir.
727
00:41:49,440 --> 00:41:51,120
‐Have I wandered into heaven?
728
00:41:51,200 --> 00:41:54,880
‐Very close, we hope.
What a delightful surprise.
729
00:41:54,960 --> 00:41:58,680
Please enter our temple
of sacred virgins.
730
00:41:58,800 --> 00:42:00,640
‐I wished only a word.
731
00:42:00,760 --> 00:42:04,400
‐I'm at your service,
Your Lordship.
732
00:42:04,480 --> 00:42:08,080
‐Are you blackmailing
my sister?
733
00:42:08,160 --> 00:42:11,400
‐"Blackmail" is such
a vulgar word.
734
00:42:11,480 --> 00:42:14,280
I am a keeper of secrets.
735
00:42:14,360 --> 00:42:16,560
‐And you keep hers?
736
00:42:16,640 --> 00:42:20,200
‐Who would ever trust me
if I gave anything away?
737
00:42:20,320 --> 00:42:22,600
(she chuckles)
738
00:42:24,440 --> 00:42:27,480
‐Can you not keep away from me?
739
00:42:27,560 --> 00:42:29,760
‐I am relentless.
740
00:42:34,440 --> 00:42:37,800
‐My demons are all put to bed.
741
00:42:37,880 --> 00:42:40,840
‐Surely you are too young
to have demons.
742
00:42:40,920 --> 00:42:43,000
(soft music)
743
00:42:43,080 --> 00:42:45,480
‐Perhaps I am a demon.
744
00:42:45,560 --> 00:42:49,840
♪
745
00:42:49,920 --> 00:42:52,000
‐What did you mean earlier
746
00:42:52,080 --> 00:42:54,120
when you said
you were a Spartan?
747
00:42:54,200 --> 00:42:57,360
♪
748
00:42:57,440 --> 00:43:00,640
‐The same as you.
749
00:43:00,760 --> 00:43:02,520
‐You've killed?
750
00:43:02,600 --> 00:43:04,480
♪
751
00:43:04,520 --> 00:43:06,560
‐With one stab.
752
00:43:06,640 --> 00:43:09,680
♪
753
00:43:09,800 --> 00:43:11,040
‐Who?
754
00:43:11,120 --> 00:43:15,360
♪
755
00:43:15,440 --> 00:43:17,280
‐I can't say.
756
00:43:17,360 --> 00:43:20,360
Your sort stick together.
757
00:43:20,440 --> 00:43:23,880
And I know really,
I'm a Helot.
758
00:43:23,960 --> 00:43:26,280
♪
759
00:43:26,360 --> 00:43:28,480
‐You killed a superior
in class?
760
00:43:28,520 --> 00:43:30,480
♪
761
00:43:30,560 --> 00:43:33,000
‐Superior in stupidity.
762
00:43:33,080 --> 00:43:37,680
♪
763
00:43:37,800 --> 00:43:39,960
‐Sir George Howard, perchance?
764
00:43:40,000 --> 00:43:42,200
♪
765
00:43:42,320 --> 00:43:43,320
‐Shh.
766
00:43:43,400 --> 00:43:48,160
♪
767
00:43:48,280 --> 00:43:51,000
‐Audacious.
768
00:43:51,080 --> 00:43:53,680
You are indeed a Spartan.
769
00:43:53,800 --> 00:43:57,040
A worthy consort.
770
00:43:57,120 --> 00:44:06,080
♪
771
00:44:06,160 --> 00:44:07,680
(cymbals tinkle)
772
00:44:07,800 --> 00:44:09,080
‐Gentlemen!
773
00:44:09,160 --> 00:44:12,080
What you see before you
is artifice.
774
00:44:12,160 --> 00:44:13,800
The real virgin lies upstairs,
775
00:44:13,880 --> 00:44:16,480
as chaste as the day
she was born.
776
00:44:16,520 --> 00:44:18,120
(murmuring)
777
00:44:18,200 --> 00:44:20,480
She offers herself
as a sacrifice
778
00:44:20,560 --> 00:44:23,680
‐to the highest bidder.
‐May we see her?
779
00:44:23,800 --> 00:44:26,920
‐She is a timid creature.
780
00:44:27,000 --> 00:44:31,280
Shy, quivering, expectant.
781
00:44:31,360 --> 00:44:34,280
In beauty, she more than matches
Vesta's retinue.
782
00:44:34,360 --> 00:44:37,080
‐The rites of Vesta take place
but once a year.
783
00:44:37,160 --> 00:44:40,920
‐I will never understand
men's desire for a virgin.
784
00:44:41,000 --> 00:44:43,760
‐It is like
taking the first bite
785
00:44:43,840 --> 00:44:46,280
of a pristine piece of fruit,
786
00:44:46,360 --> 00:44:48,840
and the pleasure lies
in feeling the flesh give way
787
00:44:48,920 --> 00:44:50,840
and the juices stir.
788
00:44:50,920 --> 00:44:53,440
(cymbals tinkle)
789
00:44:53,480 --> 00:44:56,880
‐Who will open the bidding
at 50 pounds?
790
00:44:56,960 --> 00:44:58,920
(murmuring)
791
00:44:59,000 --> 00:45:01,800
‐Surely a man like you
would prefer a real woman
792
00:45:01,880 --> 00:45:03,280
like me.
793
00:45:03,360 --> 00:45:06,560
‐Fresh fruit cleanses
the palate.
794
00:45:06,640 --> 00:45:08,080
‐Do I hear 60, gentlemen,
795
00:45:08,160 --> 00:45:10,600
or is the field clear
for the marquess?
796
00:45:10,680 --> 00:45:13,120
(dramatic music)
797
00:45:13,200 --> 00:45:14,880
♪
798
00:45:14,960 --> 00:45:17,560
‐Do I hear 70?
799
00:45:17,640 --> 00:45:20,280
Eighty?
800
00:45:20,360 --> 00:45:23,000
Ninety?
801
00:45:23,080 --> 00:45:25,040
One hundred?
802
00:45:25,120 --> 00:45:26,880
‐They'll have no money
left for me.
803
00:45:26,960 --> 00:45:28,800
‐100 from the marquess.
804
00:45:28,880 --> 00:45:31,960
110 for our untouched pearl.
805
00:45:32,000 --> 00:45:34,200
120.
806
00:45:34,320 --> 00:45:36,360
130.
807
00:45:36,440 --> 00:45:37,920
140.
808
00:45:38,000 --> 00:45:39,040
150.
809
00:45:39,120 --> 00:45:40,480
160.
810
00:45:40,520 --> 00:45:42,480
170.
811
00:45:42,520 --> 00:45:43,880
180.
812
00:45:43,960 --> 00:45:46,680
‐Two hundred pounds.
813
00:45:46,800 --> 00:45:49,160
‐A most generous bid
from the dark gentleman.
814
00:45:49,280 --> 00:45:52,120
♪
815
00:45:52,200 --> 00:45:54,840
‐What are you doing?
816
00:45:54,920 --> 00:45:56,480
‐You can't have her.
817
00:45:56,520 --> 00:45:58,000
♪
818
00:45:58,040 --> 00:46:02,560
‐Do I have any advance on 200?
819
00:46:02,640 --> 00:46:04,760
‐I want you
820
00:46:04,840 --> 00:46:06,480
more than ever.
821
00:46:06,520 --> 00:46:16,000
♪
822
00:46:16,080 --> 00:46:19,520
‐200 pounds, gentlemen,
our final offer.
823
00:46:19,600 --> 00:46:21,880
Sold!
824
00:46:21,960 --> 00:46:23,320
‐Well done, good sire.
‐Congratulations.
825
00:46:23,400 --> 00:46:25,640
‐They'll be here soon.
826
00:46:25,760 --> 00:46:28,000
We'll have to go to Hunt's.
827
00:46:28,080 --> 00:46:31,800
And then Charlotte can
get out of that hellhole.
828
00:46:31,880 --> 00:46:34,000
That bitch Quigley
will be buried forever.
829
00:46:34,080 --> 00:46:36,480
(he chuckles)
830
00:46:36,520 --> 00:46:38,000
What?
831
00:46:42,280 --> 00:46:44,160
‐I'm home.
832
00:46:56,200 --> 00:46:58,360
‐I will pay more
to dally with her
833
00:46:58,440 --> 00:47:00,320
in my own lodgings.
834
00:47:00,400 --> 00:47:03,960
‐She's like a newborn lamb.
835
00:47:04,000 --> 00:47:07,120
She needs the security
of the familiar.
836
00:47:07,200 --> 00:47:10,360
‐He's paid enough
to take her to China and back.
837
00:47:10,440 --> 00:47:13,480
‐This should make up
the difference.
838
00:47:13,560 --> 00:47:15,120
‐Ah!
839
00:47:19,760 --> 00:47:22,440
‐Where did you get
that necklace?
840
00:47:22,480 --> 00:47:23,960
‐I won it.
841
00:47:24,000 --> 00:47:26,480
‐At cards.
‐Hm.
842
00:47:26,520 --> 00:47:28,480
It belonged to my grandmother.
843
00:47:28,520 --> 00:47:31,600
‐He won it from your sister.
844
00:47:31,680 --> 00:47:33,160
I was with her.
845
00:47:36,480 --> 00:47:39,360
‐The woman you won this from,
846
00:47:39,440 --> 00:47:41,360
what did she look like?
847
00:47:41,440 --> 00:47:44,480
‐I was with her.
848
00:47:44,560 --> 00:47:45,760
I saw her take the necklace off
849
00:47:45,840 --> 00:47:47,200
and throw it in as a stake.
850
00:47:47,320 --> 00:47:48,640
‐Why such protest?
851
00:47:48,760 --> 00:47:51,120
It's a simple question
for Mr. Webster.
852
00:47:51,200 --> 00:47:53,520
(chuckling)
853
00:47:55,160 --> 00:47:57,520
‐I drunk a lot of wine
that night.
854
00:47:57,600 --> 00:47:58,920
‐Ah.
855
00:47:59,000 --> 00:48:01,320
‐I don't remember.
856
00:48:01,400 --> 00:48:04,080
‐You don't doubt me,
do you, Mrs. Quigley?
857
00:48:04,160 --> 00:48:06,640
(laughter)
858
00:48:06,760 --> 00:48:10,560
‐This man is a liar and a thief,
put him out.
859
00:48:10,640 --> 00:48:12,880
‐I won that girl.
860
00:48:12,960 --> 00:48:14,680
Get off me!
861
00:48:14,800 --> 00:48:17,400
(scuffling)
862
00:48:17,480 --> 00:48:19,280
♪
863
00:48:19,360 --> 00:48:21,480
‐Why won't you listen to me?
864
00:48:21,520 --> 00:48:24,040
‐Your Lordship,
865
00:48:24,120 --> 00:48:26,760
you win the virgin by default.
866
00:48:26,840 --> 00:48:28,880
Please return this necklace
to your sister
867
00:48:28,960 --> 00:48:31,960
with my apologies.
868
00:48:32,000 --> 00:48:36,320
‐He wants me,
not the girl.
869
00:48:36,400 --> 00:48:41,280
‐An unsullied virgin
or a deceitful whore.
870
00:48:41,360 --> 00:48:43,800
I think on this occasion,
you lose.
871
00:48:43,880 --> 00:48:46,840
‐Would you excuse me
for a moment? Charlotte.
872
00:48:46,920 --> 00:48:52,280
♪
873
00:48:52,360 --> 00:48:55,480
‐I'm so sorry, I don't know
what that was about.
874
00:48:55,560 --> 00:48:57,520
Shall we carry on as we were?
875
00:48:57,600 --> 00:49:05,800
♪
876
00:49:05,880 --> 00:49:07,760
‐You're right.
877
00:49:07,840 --> 00:49:10,920
I haven't the stomach for it.
878
00:49:11,000 --> 00:49:12,640
I want to spare the girl.
879
00:49:12,760 --> 00:49:15,640
‐There's more to it.
880
00:49:15,760 --> 00:49:17,320
I've been watching you
with that imposter,
881
00:49:17,400 --> 00:49:18,800
you're plotting something.
882
00:49:18,880 --> 00:49:24,480
You, him, Lady Fitz.
883
00:49:24,560 --> 00:49:27,320
‐I want to get the girl out.
884
00:49:27,400 --> 00:49:29,480
Lady Fitz knows nothing of it.
885
00:49:29,560 --> 00:49:31,120
‐Hm.
886
00:49:31,200 --> 00:49:39,000
♪
887
00:49:39,080 --> 00:49:40,680
Liar.
888
00:49:40,800 --> 00:49:44,520
♪
889
00:49:44,600 --> 00:49:46,800
(lock clicks)
890
00:49:46,880 --> 00:49:49,080
♪
891
00:49:49,160 --> 00:49:51,640
‐Lydia.
892
00:49:51,760 --> 00:49:53,760
Lydia, I'm telling the truth.
893
00:49:53,840 --> 00:49:55,840
(banging on door)
894
00:49:55,920 --> 00:49:58,320
Lydia!
895
00:49:58,400 --> 00:50:00,520
Can't you let me out?
896
00:50:00,600 --> 00:50:35,440
♪
897
00:50:36,680 --> 00:50:38,880
(ambient music)
53474
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof