Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
3
00:00:13,000 --> 00:00:16,040
[slow bass guitar music]
4
00:00:36,080 --> 00:00:39,080
[music continues]
5
00:01:08,760 --> 00:01:10,600
[narrator]
Henri is one year old.
6
00:01:11,680 --> 00:01:13,280
He's lying on the floor.
7
00:01:14,080 --> 00:01:16,840
His diapers are
dirty, he is bawling.
8
00:01:18,040 --> 00:01:20,400
His mother's
walking back and forth
9
00:01:20,440 --> 00:01:23,680
her heels clicking
against the tiles of the floor
10
00:01:24,160 --> 00:01:26,520
looking for her
bra and her skirt.
11
00:01:27,280 --> 00:01:30,680
She is in a hurry to go
to her evening rendezvous.
12
00:01:31,760 --> 00:01:33,760
This little thing,
covered with shit
13
00:01:34,120 --> 00:01:35,880
moving around on the tiles
14
00:01:36,560 --> 00:01:38,000
exasperates her.
15
00:01:38,920 --> 00:01:41,120
She begins to cry herself.
[baby crying]
16
00:01:42,640 --> 00:01:44,600
Henri bawls all the more.
17
00:01:45,720 --> 00:01:48,600
Then, she goes out.
[door closes]
18
00:01:51,480 --> 00:01:54,240
Henri has got
off to a good start
19
00:01:55,200 --> 00:01:57,000
in his career as a poet.
20
00:02:02,200 --> 00:02:05,280
[slow jazz music]
21
00:02:19,200 --> 00:02:22,200
[slow jazz music]
22
00:02:56,560 --> 00:02:58,680
The first step for the poet
23
00:02:59,320 --> 00:03:00,440
is to return
24
00:03:00,800 --> 00:03:01,840
to the origin
25
00:03:02,960 --> 00:03:03,960
that is
26
00:03:04,280 --> 00:03:05,280
to suffering.
27
00:03:06,840 --> 00:03:08,800
All suffering is good.
28
00:03:10,440 --> 00:03:12,800
All suffering is useful.
[rock music]
29
00:03:14,240 --> 00:03:15,240
All suffering
30
00:03:16,000 --> 00:03:17,640
is a universe.
31
00:03:19,760 --> 00:03:23,480
[speaking French]
32
00:03:33,520 --> 00:03:36,560
[rock music]
33
00:03:52,360 --> 00:03:55,920
The song that
became Open Up and Bleed.
34
00:03:56,680 --> 00:03:58,400
I don't know where it came from.
35
00:03:58,760 --> 00:04:00,920
But somehow
36
00:04:01,480 --> 00:04:03,160
I had a habit in life
37
00:04:03,240 --> 00:04:04,600
that when I was uncomfortable
38
00:04:04,680 --> 00:04:06,360
I'd start to scratch myself
39
00:04:06,920 --> 00:04:09,360
or poke myself with a drumstick.
40
00:04:10,200 --> 00:04:11,200
And
41
00:04:12,520 --> 00:04:15,040
the words mean
more than that, though.
42
00:04:15,120 --> 00:04:16,120
It means that
43
00:04:16,360 --> 00:04:18,600
finally, you're not
getting what you need.
44
00:04:18,680 --> 00:04:20,000
All the things you need
45
00:04:20,320 --> 00:04:21,640
you're not getting those things.
46
00:04:21,720 --> 00:04:22,880
Instead, you're getting
47
00:04:23,280 --> 00:04:26,400
pushed and shoved
and people trying to buy you.
48
00:04:26,880 --> 00:04:27,880
And
49
00:04:28,560 --> 00:04:31,320
people, not life
or some, no, people
50
00:04:31,640 --> 00:04:33,280
other fucking people
51
00:04:33,840 --> 00:04:35,520
are insulting you
52
00:04:35,840 --> 00:04:37,680
and you know they're cheap
53
00:04:38,440 --> 00:04:39,440
but they win
54
00:04:40,120 --> 00:04:41,720
and you can't do
anything about it.
55
00:04:42,360 --> 00:04:45,440
[traffic sounds]
56
00:04:52,240 --> 00:04:53,360
[tin can clattering]
57
00:04:54,520 --> 00:04:57,560
[traffic sounds]
58
00:05:05,040 --> 00:05:06,640
[lighter clicking]
59
00:05:10,920 --> 00:05:12,480
[speaking French]
60
00:05:50,720 --> 00:05:51,760
[doors creaking]
61
00:05:52,000 --> 00:05:55,080
[dramatic music]
62
00:05:55,760 --> 00:05:57,800
[speaking French]
63
00:06:02,840 --> 00:06:05,320
[music continues]
64
00:06:06,600 --> 00:06:08,880
[speaking French]
65
00:06:29,960 --> 00:06:32,960
[weeping softly]
66
00:06:37,080 --> 00:06:40,120
[melancholic music]
67
00:06:43,560 --> 00:06:46,080
[speaking French]
68
00:06:47,520 --> 00:06:50,560
[sniffing]
69
00:06:54,160 --> 00:06:55,600
[speaking French]
70
00:07:01,000 --> 00:07:03,520
[music continues]
71
00:07:03,840 --> 00:07:06,600
Do not pursue
knowledge for its own sake.
72
00:07:08,960 --> 00:07:11,840
All that does not
proceed directly from emotion
73
00:07:12,800 --> 00:07:15,520
is, in poetry, of no value.
74
00:07:19,040 --> 00:07:20,040
Emotion
75
00:07:20,320 --> 00:07:22,960
breaks the causal chain.
76
00:07:23,000 --> 00:07:26,080
[music continues]
77
00:07:27,720 --> 00:07:29,080
It alone is capable
78
00:07:29,440 --> 00:07:32,280
of making possible
the perception of things
79
00:07:32,880 --> 00:07:33,880
in themselves.
80
00:07:35,560 --> 00:07:37,400
The transmission
of this perception
81
00:07:37,480 --> 00:07:39,400
is the object of all poetry.
82
00:07:40,040 --> 00:07:41,080
[speaking French]
83
00:07:53,600 --> 00:07:55,760
[reading in French]
84
00:08:45,120 --> 00:08:48,160
[fast-paced jazz music]
85
00:09:10,520 --> 00:09:12,720
[narrator] Do
not forget psychiatrists
86
00:09:13,080 --> 00:09:15,360
who have a very disposable power
87
00:09:15,400 --> 00:09:17,240
to grant sick leave.
88
00:09:18,880 --> 00:09:19,880
However
89
00:09:20,800 --> 00:09:23,880
a prolonged stay
at a psychiatric hospital
90
00:09:24,240 --> 00:09:26,040
is to be proscribed
91
00:09:27,120 --> 00:09:28,520
too destructive.
92
00:09:29,440 --> 00:09:30,680
One should use this
93
00:09:30,840 --> 00:09:32,520
only as a last resort
94
00:09:34,640 --> 00:09:37,200
as an
alternative to destitution.
95
00:09:39,480 --> 00:09:40,560
[speaking in French]
96
00:10:26,440 --> 00:10:28,440
[speaking French]
97
00:11:14,680 --> 00:11:17,720
[mechanical breathing]
98
00:11:26,640 --> 00:11:28,680
[narrator]
Mark is ten years old.
99
00:11:29,520 --> 00:11:32,640
His father is dying
of cancer in the hospital.
100
00:11:34,480 --> 00:11:37,440
This pile of worn machinery with
101
00:11:37,600 --> 00:11:39,880
tubes going down the throat and
102
00:11:40,360 --> 00:11:41,880
intravenous drips
103
00:11:44,680 --> 00:11:45,960
this is his father.
104
00:11:47,080 --> 00:11:49,000
Only his eyes are alive
105
00:11:50,160 --> 00:11:52,280
They express suffering and fear.
106
00:11:54,040 --> 00:11:55,600
Mark suffers, too.
107
00:11:56,200 --> 00:11:57,600
He, too, is afraid.
108
00:12:01,040 --> 00:12:02,360
He loves his father.
109
00:12:03,880 --> 00:12:04,960
And at the same time
110
00:12:05,000 --> 00:12:07,680
he is beginning to wish
that his father would die
111
00:12:08,400 --> 00:12:10,120
and to feel guilty about it.
112
00:12:11,520 --> 00:12:12,960
Mark has work to do.
113
00:12:13,960 --> 00:12:16,560
He should cultivate
in himself this suffering
114
00:12:16,920 --> 00:12:18,240
this most holy guilt
115
00:12:18,920 --> 00:12:21,240
so particular and so fertile.
116
00:12:22,440 --> 00:12:25,520
[mechanical breathing continues]
117
00:12:39,680 --> 00:12:41,160
[speaking French]
118
00:13:35,840 --> 00:13:38,840
[melancholic piano music]
119
00:13:55,760 --> 00:13:57,120
[narrator] This is Vincent.
120
00:13:57,480 --> 00:13:59,640
He is 53 years old.
121
00:14:00,600 --> 00:14:03,560
Once, he was
a promising sculptor
122
00:14:03,840 --> 00:14:06,480
with exhibitions
in Paris, New York
123
00:14:06,520 --> 00:14:08,320
and documented in Castle.
124
00:14:09,440 --> 00:14:12,480
Now he still lives in
the house where he grew up
125
00:14:12,880 --> 00:14:14,760
and hardly ever leaves home.
126
00:14:18,160 --> 00:14:20,800
The problem of
where you spend your life
127
00:14:20,840 --> 00:14:23,120
will generally
not present itself.
128
00:14:23,160 --> 00:14:25,080
You will live where you can.
129
00:14:25,160 --> 00:14:28,240
[music continues]
130
00:14:30,120 --> 00:14:34,240
Vincent is continuously
working on something mysterious
131
00:14:34,440 --> 00:14:36,240
in the cellar of the house.
132
00:14:36,680 --> 00:14:40,520
An art installation
that nobody has ever seen
133
00:14:40,920 --> 00:14:43,800
called The Secret of Life.
134
00:14:45,040 --> 00:14:47,520
Vincent is a heavy case.
135
00:14:49,320 --> 00:14:50,440
[speaking French]
136
00:16:14,240 --> 00:16:15,320
[lighter flicking]
137
00:16:22,880 --> 00:16:24,160
[speaking French]
138
00:17:20,080 --> 00:17:23,120
[water running]
139
00:17:33,960 --> 00:17:36,800
[speaking French]
140
00:18:49,160 --> 00:18:52,240
[melancholic guitar music]
141
00:18:59,240 --> 00:19:02,320
[music continues]
[woman humming]
142
00:19:30,040 --> 00:19:33,080
[music continues]
[woman humming]
143
00:19:34,680 --> 00:19:37,240
[speaking French]
144
00:20:13,120 --> 00:20:14,960
Michel is 15.
145
00:20:15,640 --> 00:20:18,040
He has never
been kissed by a girl.
146
00:20:19,240 --> 00:20:21,200
He'd like to dance with Sylvie
147
00:20:21,400 --> 00:20:23,720
but Sylvie is
dancing with Patrice
148
00:20:24,200 --> 00:20:27,120
and she is
manifestly enjoying it.
149
00:20:28,040 --> 00:20:29,040
He is frozen.
150
00:20:30,000 --> 00:20:33,520
The music penetrates to
the deepest core of his being.
151
00:20:34,280 --> 00:20:37,000
It is a
magnificent slow dance of
152
00:20:37,360 --> 00:20:38,560
surreal beauty.
153
00:20:41,240 --> 00:20:43,480
He never knew
he could suffer so much.
154
00:20:44,320 --> 00:20:47,080
His childhood up
until now had been happy.
155
00:20:49,000 --> 00:20:50,560
Michel will never forget
156
00:20:51,000 --> 00:20:52,920
the contrast between his heart
157
00:20:53,600 --> 00:20:55,000
frozen with suffering
158
00:20:55,240 --> 00:20:57,560
and the overwhelming
beauty of the music.
159
00:20:59,840 --> 00:21:00,960
His sensibility
160
00:21:01,320 --> 00:21:02,520
is being formed.
161
00:21:03,640 --> 00:21:06,680
[slow love song]
162
00:21:13,880 --> 00:21:15,560
[narrator] In the tunnel of life
163
00:21:15,720 --> 00:21:17,840
always be the loser.
164
00:21:19,840 --> 00:21:22,840
The universe is
like a discotheque.
165
00:21:23,640 --> 00:21:25,680
Accumulate frustrations
166
00:21:25,840 --> 00:21:27,160
in great number.
167
00:21:28,680 --> 00:21:32,040
And always return to the origin
168
00:21:32,680 --> 00:21:34,200
which is suffering.
169
00:21:34,760 --> 00:21:37,800
[song continues]
170
00:21:48,280 --> 00:21:50,080
When you provoke in others
171
00:21:50,240 --> 00:21:53,680
a mixture of
horrified pity and contempt
172
00:21:54,320 --> 00:21:57,160
you will know that
you're on the right track.
173
00:21:57,960 --> 00:21:59,680
You can begin to write.
174
00:22:09,680 --> 00:22:12,760
[staccato guitar music]
175
00:22:30,160 --> 00:22:33,240
[music continues]
176
00:22:53,360 --> 00:22:57,520
[narrator] You will emit,
at first, inarticulate cries.
177
00:22:58,560 --> 00:23:00,280
And you will often be tempted
178
00:23:00,360 --> 00:23:02,280
to regress to that stage.
179
00:23:03,280 --> 00:23:04,640
This is normal.
[music continues]
180
00:23:07,000 --> 00:23:09,960
Plunge again
into inarticulate cries
181
00:23:10,000 --> 00:23:11,840
each time you feel the need.
182
00:23:13,840 --> 00:23:15,760
If you do not succeed
183
00:23:16,320 --> 00:23:18,720
in articulating your suffering
184
00:23:19,400 --> 00:23:21,400
within a well-defined structure
185
00:23:22,400 --> 00:23:23,880
you are done for.
186
00:23:25,360 --> 00:23:28,200
Suffering will swallow you whole
187
00:23:28,960 --> 00:23:30,480
from the inside
188
00:23:31,320 --> 00:23:34,640
before you've had the time
to create anything at all.
189
00:23:38,440 --> 00:23:41,440
[music continues]
190
00:23:45,960 --> 00:23:46,960
Structure
191
00:23:47,520 --> 00:23:48,880
is the sole means
192
00:23:49,600 --> 00:23:51,360
of escaping suicide.
193
00:23:53,120 --> 00:23:55,640
And suicide resolves nothing.
194
00:23:58,520 --> 00:24:02,240
Imagine if Baudelaire
had succeeded in his attempt
195
00:24:02,640 --> 00:24:03,760
at suicide
196
00:24:04,440 --> 00:24:05,480
at twenty-four.
197
00:24:05,640 --> 00:24:08,720
[music continues]
198
00:24:18,000 --> 00:24:19,440
[speaking French]
199
00:24:59,240 --> 00:25:00,440
[speaking French]
200
00:25:00,480 --> 00:25:01,680
[laughs]
201
00:25:03,080 --> 00:25:06,080
[indistinct background chatter]
202
00:25:10,440 --> 00:25:13,520
[indistinct
sounds on television]
203
00:25:36,200 --> 00:25:39,200
[speaking French]
204
00:26:24,040 --> 00:26:26,160
[speaking French]
205
00:26:27,600 --> 00:26:30,680
[restaurant sounds]
206
00:26:34,080 --> 00:26:35,120
[speaking French]
207
00:26:35,960 --> 00:26:38,960
[thoughtful music]
208
00:26:58,200 --> 00:27:00,520
[narrator] A lot of
your past were hated
209
00:27:01,080 --> 00:27:03,600
but let it
remain present to you.
210
00:27:05,000 --> 00:27:06,200
You should acquire
211
00:27:06,440 --> 00:27:09,120
a complete
knowledge of yourself.
212
00:27:10,240 --> 00:27:11,240
Thus
213
00:27:11,720 --> 00:27:12,800
little by little
214
00:27:13,920 --> 00:27:16,880
your deep self
will detach itself
215
00:27:17,400 --> 00:27:18,400
from you
216
00:27:19,040 --> 00:27:21,440
and slip beyond the sun
217
00:27:22,760 --> 00:27:25,560
while your body
will remain in place
218
00:27:26,320 --> 00:27:27,320
swollen
219
00:27:28,040 --> 00:27:29,040
blistered
220
00:27:29,840 --> 00:27:30,840
irritated
221
00:27:31,840 --> 00:27:34,320
ripe for new sufferings.
222
00:27:37,160 --> 00:27:41,160
Life is a series
of destruction tests.
223
00:27:42,440 --> 00:27:43,840
Pass the first of them
224
00:27:44,360 --> 00:27:46,520
and fail the later ones.
225
00:27:47,640 --> 00:27:49,920
Ruin your life, but not by much.
226
00:27:53,800 --> 00:27:55,920
In your heart you know it's true
227
00:27:56,680 --> 00:27:58,800
but still, you do
what you're told to do.
228
00:28:00,760 --> 00:28:03,400
And everybody
just looks the other way.
229
00:28:05,280 --> 00:28:06,800
Hey, tell me lies
230
00:28:08,000 --> 00:28:10,040
place your
loving arms around me.
231
00:28:12,440 --> 00:28:15,280
And the things a man can need
232
00:28:17,360 --> 00:28:18,360
don't they make you
233
00:28:19,880 --> 00:28:20,880
make you want to
234
00:28:21,520 --> 00:28:23,000
open up and bleed?
235
00:28:28,520 --> 00:28:30,040
Twenty-four hours
236
00:28:30,800 --> 00:28:32,200
twenty-four dead.
237
00:28:36,440 --> 00:28:38,440
A better way to use your head.
238
00:28:40,040 --> 00:28:41,400
Twenty-four hours
239
00:28:42,520 --> 00:28:44,160
twenty-four fools.
240
00:28:46,800 --> 00:28:48,280
Open up and bleed.
241
00:28:50,240 --> 00:28:51,240
Bleed.
242
00:28:52,360 --> 00:28:55,840
It's not the kind of song
where you're saying, like
243
00:28:56,480 --> 00:28:57,480
you know
244
00:28:57,720 --> 00:28:59,280
here's why you should fuck me
245
00:28:59,360 --> 00:29:00,720
here's why you should follow me.
246
00:29:00,800 --> 00:29:01,960
No, it's none of that.
247
00:29:02,360 --> 00:29:05,640
It's an interior non sequitur.
248
00:29:08,480 --> 00:29:09,880
Doesn't mean anything
249
00:29:10,280 --> 00:29:12,280
except what you feel it means.
250
00:29:17,240 --> 00:29:19,920
It doesn't mean
it's your identity.
251
00:29:20,480 --> 00:29:22,040
It's about your identity.
252
00:29:22,720 --> 00:29:24,880
How many people, how many of you
253
00:29:25,520 --> 00:29:28,800
looking at this feel that
you have a real identity?
254
00:29:30,040 --> 00:29:32,960
How many people, out of
a million people in the world
255
00:29:33,480 --> 00:29:34,960
how many have an identity?
256
00:29:35,200 --> 00:29:38,280
[upbeat jazz music]
257
00:29:55,960 --> 00:29:58,800
[speaking French]
[music continues]
258
00:30:38,480 --> 00:30:40,080
[speaking French]
259
00:31:38,840 --> 00:31:40,800
[speaking French]
260
00:31:50,360 --> 00:31:51,480
[speaking French]
261
00:31:52,120 --> 00:31:55,160
[melancholic music]
[woman humming]
262
00:32:04,080 --> 00:32:05,440
[speaking French]
263
00:32:10,240 --> 00:32:11,800
[speaking French]
264
00:32:12,680 --> 00:32:13,680
[clears throat]
265
00:32:13,760 --> 00:32:14,880
[speaking French]
266
00:32:39,440 --> 00:32:42,400
[speaking French]
267
00:32:42,480 --> 00:32:45,520
[music continues]
268
00:33:04,440 --> 00:33:05,560
[speaking French]
269
00:33:16,200 --> 00:33:17,400
[speaking French]
[coughs]
270
00:33:17,800 --> 00:33:19,360
[speaking French]
271
00:33:22,760 --> 00:33:24,880
[speaking French]
272
00:34:20,680 --> 00:34:23,360
[speaking French]
273
00:34:48,200 --> 00:34:50,080
[speaking French]
274
00:35:14,480 --> 00:35:17,360
[speaking French]
275
00:35:17,800 --> 00:35:20,880
[melancholic music]
276
00:35:38,640 --> 00:35:40,400
[narrator] The universe cries.
277
00:35:43,240 --> 00:35:45,920
The concrete blocks of wall
278
00:35:46,640 --> 00:35:47,640
bear a record
279
00:35:48,720 --> 00:35:50,040
of violence
280
00:35:51,000 --> 00:35:52,000
with which
281
00:35:52,320 --> 00:35:53,480
they have been struck.
282
00:35:55,080 --> 00:35:57,000
Concrete cries.
283
00:36:00,320 --> 00:36:04,360
Grass moans between
the teeth of animals.
284
00:36:05,960 --> 00:36:06,960
And man?
285
00:36:08,520 --> 00:36:09,920
What can we say of man?
286
00:36:09,960 --> 00:36:13,040
[intense jazz music]
287
00:36:19,560 --> 00:36:22,320
[speaking French]
288
00:37:22,320 --> 00:37:26,360
[speaking French]
289
00:38:12,680 --> 00:38:14,440
[speaking French]
290
00:40:01,880 --> 00:40:03,200
[speaking French]
291
00:40:05,160 --> 00:40:08,440
[narrator] Do not feel
obliged to invent a new form.
292
00:40:09,040 --> 00:40:10,720
New forms are rare.
293
00:40:11,640 --> 00:40:15,160
One per century
is already a brisk pace.
294
00:40:16,760 --> 00:40:18,120
On the matter of form
295
00:40:18,720 --> 00:40:21,240
never hesitate
to contradict yourself.
296
00:40:21,840 --> 00:40:22,840
Bifurcate
297
00:40:23,040 --> 00:40:25,440
change direction
as often as necessary.
298
00:40:26,120 --> 00:40:29,520
Do not try too hard to
have a coherent personality
299
00:40:29,840 --> 00:40:31,640
as personality exists
300
00:40:32,080 --> 00:40:33,440
whether you like it or not.
301
00:40:34,880 --> 00:40:37,040
[speaking French]
302
00:40:49,240 --> 00:40:51,720
[speaking French]
303
00:40:52,560 --> 00:40:54,440
[narrator] You
will never really know
304
00:40:54,480 --> 00:40:57,560
this part of yourself
which compels you to write
305
00:40:59,000 --> 00:41:00,000
or paint
306
00:41:01,160 --> 00:41:02,160
or sing.
307
00:41:03,240 --> 00:41:05,080
[speaking French]
308
00:41:05,840 --> 00:41:07,000
[narrator] That said
309
00:41:07,920 --> 00:41:10,840
survival is extremely difficult.
310
00:41:16,840 --> 00:41:19,560
A dead poet does not write.
311
00:41:21,280 --> 00:41:24,920
Whence, the
importance of remaining alive.
312
00:41:26,920 --> 00:41:28,400
This simple reasoning
313
00:41:29,240 --> 00:41:32,200
will sometimes be
difficult for you to adhere to
314
00:41:33,640 --> 00:41:36,040
in particular, during periods of
315
00:41:36,440 --> 00:41:39,320
prolonged creative sterility.
316
00:41:40,840 --> 00:41:42,320
[telephone rings]
317
00:41:44,000 --> 00:41:45,240
[telephone ringing]
318
00:41:46,320 --> 00:41:48,800
[narrator] One could consider
adopting what could be called
319
00:41:48,840 --> 00:41:50,320
Pasoeas strategy.
[telephone ringing]
320
00:41:50,360 --> 00:41:53,200
[telephone rings]
Find a little job.
321
00:41:53,440 --> 00:41:55,600
[telephone rings]
Publish nothing.
322
00:41:55,760 --> 00:41:56,960
[speaking French]
323
00:41:57,200 --> 00:41:58,800
[narrator] And
await death peacefully.
324
00:42:00,000 --> 00:42:02,320
In practice, one
would be going forward
325
00:42:02,400 --> 00:42:04,520
to meet
significant difficulties.
326
00:42:04,720 --> 00:42:06,640
[speaking French]
327
00:42:06,680 --> 00:42:09,360
[narrator] The feeling
that one is wasting one's time
328
00:42:11,280 --> 00:42:13,360
that one is not in one's place
329
00:42:14,360 --> 00:42:17,760
that one is not being
esteemed at one's true value.
330
00:42:18,120 --> 00:42:21,160
[melancholic piano music]
331
00:42:25,920 --> 00:42:29,720
[speaking French]
332
00:42:30,080 --> 00:42:32,480
[speaking French]
[music continues]
333
00:42:34,240 --> 00:42:37,080
[speaking French]
334
00:43:39,960 --> 00:43:41,920
[speaking French]
335
00:43:44,640 --> 00:43:47,160
[narrator] The goal of
the society where you live
336
00:43:47,760 --> 00:43:49,200
is to destroy you.
337
00:43:50,600 --> 00:43:54,200
You have the same
goal with regards to society.
338
00:43:57,160 --> 00:44:00,240
All societies have their
points of least resistance
339
00:44:00,920 --> 00:44:01,920
their wounds.
340
00:44:03,200 --> 00:44:05,320
Put your finger on the wound
341
00:44:05,360 --> 00:44:07,080
and press down hard.
342
00:44:10,560 --> 00:44:14,000
Delve into the subjects
that no one wants to hear about.
343
00:44:15,800 --> 00:44:17,640
The other side of the scenery.
344
00:44:19,280 --> 00:44:21,120
Insist upon sickness
345
00:44:22,920 --> 00:44:23,920
agony
346
00:44:24,200 --> 00:44:25,200
ugliness.
347
00:44:27,960 --> 00:44:30,480
Speak of death and of oblivion
348
00:44:31,680 --> 00:44:33,000
of jealousy
349
00:44:34,080 --> 00:44:35,120
of indifference
350
00:44:35,440 --> 00:44:36,640
of frustration
351
00:44:37,920 --> 00:44:40,000
of the absence of love.
352
00:44:40,080 --> 00:44:43,160
[music continues]
353
00:45:07,640 --> 00:45:09,040
[speaking French]
[traffic sounds]
354
00:45:11,280 --> 00:45:13,120
[speaking French]
355
00:45:22,760 --> 00:45:26,360
[speaking French]
356
00:45:26,440 --> 00:45:29,480
[traffic sounds]
357
00:45:33,720 --> 00:45:36,280
[speaking French]
358
00:45:42,240 --> 00:45:43,320
[speaking French]
359
00:45:43,400 --> 00:45:44,400
Uhuh.
360
00:45:45,320 --> 00:45:46,320
Uhuh.
361
00:45:47,600 --> 00:45:48,600
Uhuh.
362
00:45:49,080 --> 00:45:50,080
I get it.
363
00:45:53,360 --> 00:45:54,360
Jerome.
364
00:45:54,920 --> 00:45:55,920
Look.
365
00:45:56,760 --> 00:45:59,240
Just send Etienne
win or lose last night.
366
00:46:02,840 --> 00:46:03,840
[laughs softly]
367
00:46:05,080 --> 00:46:08,080
[muffled music]
368
00:46:21,240 --> 00:46:23,040
[narrator] Henri
is one year old.
369
00:46:24,000 --> 00:46:25,600
He's lying on the floor.
370
00:46:26,840 --> 00:46:28,320
His diapers are dirty.
371
00:46:28,560 --> 00:46:29,560
He is bawling.
372
00:46:30,880 --> 00:46:33,080
His mother is
walking back and forth
373
00:46:33,160 --> 00:46:36,480
her heels clicking
against the tiles of the floor
374
00:46:36,960 --> 00:46:39,360
looking for her
bra and her skirt.
375
00:46:40,080 --> 00:46:43,560
She is in a hurry to go
to her evening rendezvous.
376
00:46:43,640 --> 00:46:45,040
[baby crying]
377
00:46:48,000 --> 00:46:50,120
The world is suffering
378
00:46:50,480 --> 00:46:51,600
unfolded.
379
00:46:53,120 --> 00:46:57,200
All existence is an
expansion into crushing.
380
00:46:58,200 --> 00:47:01,200
All things
suffer into existence.
381
00:47:02,840 --> 00:47:05,520
Nothingness vibrates with pain
382
00:47:05,880 --> 00:47:07,960
until it arrives at being.
383
00:47:10,600 --> 00:47:14,160
Once a certain level
of consciousness is reached
384
00:47:15,520 --> 00:47:17,640
a cry is produced.
385
00:47:17,920 --> 00:47:21,120
[baby crying]
386
00:47:21,720 --> 00:47:25,920
[baby crying]
387
00:47:26,320 --> 00:47:30,200
[baby crying]
388
00:47:37,520 --> 00:47:39,200
Belong to nothing
389
00:47:40,080 --> 00:47:41,320
or else, belong
390
00:47:41,960 --> 00:47:43,720
and then immediately betray.
391
00:47:44,880 --> 00:47:46,840
No theoretical engagement
392
00:47:46,920 --> 00:47:48,800
should hold you
up for very long.
393
00:47:49,920 --> 00:47:51,840
Militancy makes one happy
394
00:47:52,200 --> 00:47:54,760
and yours is not to be happy.
395
00:47:55,560 --> 00:47:58,120
You are on the
side of unhappiness.
396
00:47:58,720 --> 00:48:01,240
You are the dark adversary.
397
00:48:05,960 --> 00:48:08,160
Anne Claire is taking the stage.
398
00:48:08,560 --> 00:48:10,640
At some point you
overcome your timidity
399
00:48:10,880 --> 00:48:11,960
and you just go.
400
00:48:12,600 --> 00:48:13,760
She's gonna grow.
401
00:48:14,000 --> 00:48:16,080
Right on,
Anne Claire, you do it.
402
00:48:19,200 --> 00:48:21,600
[speaking French]
403
00:48:27,120 --> 00:48:30,000
[speaking French]
[siren in background]
404
00:48:30,360 --> 00:48:32,080
[speaking French]
405
00:48:40,880 --> 00:48:43,280
[speaking French]
406
00:48:44,600 --> 00:48:48,760
[singing in French]
407
00:48:49,240 --> 00:48:53,680
[singing in French]
408
00:48:57,480 --> 00:48:59,040
[narrator] When
I was a little teen boy
409
00:48:59,120 --> 00:49:00,280
I wanted to be a singer.
410
00:49:00,360 --> 00:49:01,960
Nobody believed I could do it.
411
00:49:03,040 --> 00:49:05,840
I sang the blues in
front of a bar band one night
412
00:49:05,920 --> 00:49:07,680
and everybody
was embarrassed for me
413
00:49:07,720 --> 00:49:09,080
and snickered at me.
414
00:49:10,040 --> 00:49:12,720
And I went to see a
Doors concert one night
415
00:49:13,760 --> 00:49:15,080
and that singer was
416
00:49:15,400 --> 00:49:17,680
stoned and couldn't do shit.
417
00:49:18,400 --> 00:49:20,520
But he was pretty, and I thought
418
00:49:21,040 --> 00:49:22,920
that's it, I could do that.
419
00:49:23,360 --> 00:49:24,360
Just get pretty
420
00:49:25,360 --> 00:49:26,360
be an asshole
421
00:49:27,040 --> 00:49:28,640
and let one go.
422
00:49:28,840 --> 00:49:31,920
[loud rock music]
423
00:49:39,760 --> 00:49:42,840
[sustained electric guitar note]
424
00:49:59,680 --> 00:50:02,720
[sirens]
425
00:50:19,840 --> 00:50:23,360
[narrator] Once, upon
certain little-known places
426
00:50:24,400 --> 00:50:26,880
like where they
welcome the insane
427
00:50:28,000 --> 00:50:30,040
no matter how one arrives
428
00:50:30,120 --> 00:50:32,000
at this heart of the holy
429
00:50:33,160 --> 00:50:34,360
most essential
430
00:50:35,160 --> 00:50:37,120
is to have gone off the road
431
00:50:37,440 --> 00:50:38,440
pretty hard
432
00:50:40,000 --> 00:50:42,880
to have really
fucked up your life
433
00:50:44,280 --> 00:50:46,200
in order to get free admission
434
00:50:47,040 --> 00:50:48,280
a guided tour
435
00:50:49,000 --> 00:50:50,000
and stay
436
00:50:50,480 --> 00:50:52,160
for an undetermined time.
437
00:50:53,680 --> 00:50:55,360
Never had such freedom
438
00:50:55,800 --> 00:50:58,080
as among the crazy and insane.
439
00:50:59,040 --> 00:51:01,680
The insane are truly themselves.
440
00:51:02,560 --> 00:51:03,560
That's why
441
00:51:03,960 --> 00:51:05,360
they lock them up.
442
00:51:06,800 --> 00:51:09,040
I've known them young and old
443
00:51:09,480 --> 00:51:10,920
those who speak
444
00:51:11,400 --> 00:51:13,080
and those who are silent.
445
00:51:13,440 --> 00:51:15,680
Even one who is quite crazy
446
00:51:15,840 --> 00:51:18,080
but not so foolish after all.
447
00:51:18,960 --> 00:51:22,040
She had been cured in
Lourdes by the Holy Virgin.
448
00:51:22,640 --> 00:51:23,800
It was her secret
449
00:51:24,560 --> 00:51:25,880
but no one believed it.
450
00:51:26,480 --> 00:51:28,360
I've seen some smoking
451
00:51:29,120 --> 00:51:30,960
pacing, talking
452
00:51:31,360 --> 00:51:33,640
measuring one hundred steps
453
00:51:33,960 --> 00:51:37,000
passing and returning,
going round in circles
454
00:51:37,080 --> 00:51:39,080
or not circles after all.
455
00:51:39,960 --> 00:51:41,040
A young woman
456
00:51:41,360 --> 00:51:42,840
tied to her bed.
457
00:51:43,960 --> 00:51:45,080
In her cries
458
00:51:45,640 --> 00:51:48,200
the return of electro-shocks
459
00:51:49,120 --> 00:51:51,240
and chemical straitjackets.
460
00:51:52,920 --> 00:51:54,080
One rainy day
461
00:51:54,760 --> 00:51:56,560
I spinned off the road.
462
00:51:57,760 --> 00:52:00,480
Many will tell
you about the insane.
463
00:52:01,160 --> 00:52:02,680
They were never there.
464
00:52:03,880 --> 00:52:05,760
Not invited.
465
00:52:07,000 --> 00:52:08,160
On their road
466
00:52:08,800 --> 00:52:10,280
no exit lane.
467
00:52:11,600 --> 00:52:12,840
But better beware
468
00:52:13,560 --> 00:52:15,000
on days it rain.
469
00:52:17,160 --> 00:52:20,200
[thoughtful music]
470
00:52:47,880 --> 00:52:51,880
You must attain
the point of no return.
471
00:52:52,840 --> 00:52:54,440
Break the circle.
472
00:52:55,320 --> 00:52:57,000
And produce some gains
473
00:52:57,080 --> 00:53:00,080
before crushing
yourself into the ground.
474
00:53:02,160 --> 00:53:05,440
You will have
glimpsed immense spaces.
475
00:53:06,720 --> 00:53:08,200
Every great passion
476
00:53:08,280 --> 00:53:11,000
opens up a prospect on eternity.
477
00:53:13,440 --> 00:53:16,480
Ultimately, love
resolves all problems.
478
00:53:18,960 --> 00:53:19,960
Likewise
479
00:53:20,280 --> 00:53:23,080
every great
passion leads ultimately
480
00:53:23,480 --> 00:53:25,240
to a zone of truth
481
00:53:26,440 --> 00:53:27,960
to a different space
482
00:53:29,160 --> 00:53:31,160
an extremely painful one
483
00:53:31,960 --> 00:53:34,480
but from which one can see far
484
00:53:34,920 --> 00:53:36,000
and clearly
485
00:53:37,560 --> 00:53:40,000
where purified objects appear
486
00:53:40,240 --> 00:53:41,880
in all their clarity
487
00:53:43,160 --> 00:53:45,000
their limpid truth.
488
00:53:46,920 --> 00:53:49,760
Believe in the
identity of the true
489
00:53:50,640 --> 00:53:51,640
the beautiful
490
00:53:52,480 --> 00:53:53,480
and the good.
491
00:53:59,720 --> 00:54:03,480
Not that you have
the least cause for hope.
492
00:54:04,640 --> 00:54:08,840
On the contrary, know
that you will be very alone.
493
00:54:10,160 --> 00:54:12,840
Most people come
to terms with life
494
00:54:13,480 --> 00:54:14,880
or else they die.
495
00:54:16,200 --> 00:54:19,120
You are living suicides.
496
00:54:19,320 --> 00:54:25,200
♪ That's all right ♪
497
00:54:26,760 --> 00:54:29,640
♪ Particles of pain ♪
498
00:54:30,280 --> 00:54:32,240
♪ In my brain ♪
499
00:54:33,960 --> 00:54:37,960
♪ I guess they're here to stay ♪
500
00:54:39,880 --> 00:54:42,800
♪ They work their way inside ♪
501
00:54:43,240 --> 00:54:45,760
♪ And I can't hide ♪
502
00:54:46,960 --> 00:54:51,480
♪ Or even walk away ♪
503
00:54:54,520 --> 00:54:58,880
♪ You can convince the world ♪
504
00:55:01,160 --> 00:55:06,080
♪ That you're
some kind of superstar ♪
505
00:55:07,760 --> 00:55:12,400
♪ When an asshole
is what you are ♪
506
00:55:13,120 --> 00:55:18,080
♪ But that's all right ♪
507
00:55:21,320 --> 00:55:23,240
♪ Waiting ♪
508
00:55:25,000 --> 00:55:26,720
♪ Hating ♪
509
00:55:28,840 --> 00:55:33,040
♪ The shit life throws my way ♪
510
00:55:35,200 --> 00:55:37,080
♪ Hating ♪
511
00:55:38,560 --> 00:55:40,560
♪ Waiting ♪
512
00:55:42,840 --> 00:55:46,880
♪ To make my escape ♪
513
00:55:48,800 --> 00:55:50,160
♪ I wanna go ♪
514
00:55:50,720 --> 00:55:54,080
♪ To the beach ♪
515
00:55:58,600 --> 00:56:01,640
[thoughtful music]
516
00:56:12,080 --> 00:56:15,320
♪ I wanna go to the beach ♪
517
00:56:18,480 --> 00:56:22,400
♪ I don't care
if it's decadent ♪
518
00:56:24,840 --> 00:56:28,880
♪ I don't know
where my spirit went ♪
519
00:56:29,720 --> 00:56:34,720
♪ But that's all right ♪
520
00:56:37,000 --> 00:56:38,360
♪ I wanna go ♪
521
00:56:38,720 --> 00:56:40,600
♪ To the deep ♪
522
00:56:43,320 --> 00:56:47,520
♪ Because there's
nowhere I want to be ♪
523
00:56:49,640 --> 00:56:53,680
♪ And nobody I want to see ♪
524
00:56:54,640 --> 00:56:59,680
♪ But that's all right ♪
525
00:57:01,360 --> 00:57:04,080
♪ Particles of pain ♪
526
00:57:04,480 --> 00:57:06,120
♪ In my brain ♪
527
00:57:07,920 --> 00:57:11,480
♪ I guess they're here to stay ♪
528
00:57:13,440 --> 00:57:16,520
♪ They worked their way inside ♪
529
00:57:16,680 --> 00:57:18,800
♪ And I can't hide ♪
530
00:57:20,480 --> 00:57:24,120
♪ Or even walk away ♪
531
00:57:26,280 --> 00:57:29,360
[music continues]
532
00:57:51,200 --> 00:57:54,200
[doorbell rings]
533
00:58:28,800 --> 00:58:29,800
Michigan.
534
00:58:33,960 --> 00:58:36,960
This is just like my
parents' house in Michigan.
535
00:58:37,440 --> 00:58:38,640
-Huh?
-Yes.
536
00:58:40,800 --> 00:58:42,080
They're, they're dead now.
537
00:58:43,720 --> 00:58:45,240
When my real parents
538
00:58:45,720 --> 00:58:46,720
lived here.
539
00:58:49,520 --> 00:58:51,480
At first my grandmother had it.
540
00:58:52,840 --> 00:58:53,840
And...
541
00:58:54,520 --> 00:58:56,320
three months later it was mine.
542
00:58:56,960 --> 00:58:57,960
[mumbling]
543
00:59:12,480 --> 00:59:14,800
So you must live
alone here then, Vincent?
544
00:59:14,840 --> 00:59:15,840
Uhuh.
545
00:59:22,480 --> 00:59:23,960
No girlfriend?
546
00:59:25,640 --> 00:59:26,800
No.
547
00:59:29,800 --> 00:59:32,200
You know, after a certain age
548
00:59:32,280 --> 00:59:34,040
is not so easy to liberation.
549
00:59:36,240 --> 00:59:38,880
[sighs]
I have problems.
550
00:59:41,240 --> 00:59:43,000
I mean, it's little formalities.
551
00:59:44,880 --> 00:59:46,840
Shopping, laundry.
552
00:59:48,920 --> 00:59:50,640
Manage to become medical
553
00:59:51,000 --> 00:59:52,560
medical means twenty...
554
00:59:54,080 --> 00:59:55,080
So you will give up?
555
00:59:56,120 --> 00:59:57,120
This gift.
556
00:59:57,240 --> 00:59:58,240
Well.
557
01:00:00,640 --> 01:00:01,640
Yes.
558
01:00:08,800 --> 01:00:09,800
Did you know
559
01:00:10,480 --> 01:00:11,480
my first
560
01:00:12,240 --> 01:00:13,480
compositions were
561
01:00:14,240 --> 01:00:16,040
just, just instrumentals.
562
01:00:17,720 --> 01:00:20,480
-My god.
-Sound experiences.
563
01:00:22,960 --> 01:00:25,280
Sort of like
John Cage, I thought.
564
01:00:26,480 --> 01:00:27,480
Louder.
565
01:00:28,160 --> 01:00:30,680
But you are a very,
very singular artist.
566
01:00:33,360 --> 01:00:34,360
I mean it.
567
01:00:36,480 --> 01:00:38,160
All what's happened after
568
01:00:39,680 --> 01:00:42,120
in Great Britain
you spank movement.
569
01:00:43,840 --> 01:00:45,800
Nothing to do with
you, it was a movie.
570
01:00:48,040 --> 01:00:50,720
Performing arts shouldn't
be a movement, you know.
571
01:00:52,080 --> 01:00:54,200
I mean, even when it's a protest
572
01:00:54,400 --> 01:00:55,400
it should be
573
01:00:56,480 --> 01:00:57,760
individual protest.
574
01:00:59,320 --> 01:01:01,840
Possibly maybe I'm
a bit too strict on this
575
01:01:02,160 --> 01:01:04,000
-point.
-That's no problem.
576
01:01:05,360 --> 01:01:06,360
I'll tell you
577
01:01:08,000 --> 01:01:10,480
that was a very
painful time for me.
578
01:01:11,920 --> 01:01:14,040
They all dressed up
in the same clothes
579
01:01:14,120 --> 01:01:15,520
and marched all over me.
580
01:01:17,160 --> 01:01:18,480
Like a pack of dogs.
581
01:01:19,040 --> 01:01:20,040
What could I do?
582
01:01:20,720 --> 01:01:24,040
I'd already been in and
out of mental institutions.
583
01:01:25,240 --> 01:01:27,920
I was just one
person, what could I do?
584
01:01:28,120 --> 01:01:31,560
How could I be that?
How can you cope?
585
01:01:33,080 --> 01:01:34,080
No truth.
586
01:01:35,240 --> 01:01:38,360
No love. No nothing. Bullshit.
587
01:01:47,440 --> 01:01:48,440
In my case
588
01:01:51,000 --> 01:01:53,600
unfortunately I
have to be alone.
589
01:02:01,560 --> 01:02:03,400
I'm curious about the work.
590
01:02:03,960 --> 01:02:05,240
We can have a look.
591
01:02:05,480 --> 01:02:08,840
Just have to go
downstairs and I will show you.
592
01:02:09,440 --> 01:02:10,440
I think
593
01:02:11,480 --> 01:02:12,480
you will
594
01:02:12,680 --> 01:02:14,400
it will be more
clear what I mean.
595
01:02:16,520 --> 01:02:17,520
Shall we go?
596
01:02:17,640 --> 01:02:19,640
Yeah. Let's go.
597
01:02:23,320 --> 01:02:24,480
I have a feeling
598
01:02:24,880 --> 01:02:26,840
something is
about to happen here.
599
01:02:56,320 --> 01:02:58,920
When I did break
some of the walls and
600
01:02:59,240 --> 01:03:01,560
and then I have
twenty meter inside.
601
01:03:13,040 --> 01:03:16,160
[mechanical sounds]
602
01:03:21,000 --> 01:03:24,000
[contemporary love song]
603
01:03:45,600 --> 01:03:47,480
[mechanical sounds continue]
604
01:03:56,680 --> 01:03:59,720
[song continues]
[mechanical sounds continue]
605
01:04:05,600 --> 01:04:08,640
[mechanical sounds fade]
606
01:04:12,800 --> 01:04:15,840
[slow piano music]
607
01:04:32,760 --> 01:04:35,800
[sad vintage German song]
608
01:05:04,640 --> 01:05:07,640
[song continues]
609
01:05:24,960 --> 01:05:28,000
[soft emotional music]
610
01:06:00,000 --> 01:06:03,000
[music continues]
611
01:06:20,200 --> 01:06:23,240
[music fades]
612
01:06:32,520 --> 01:06:35,560
[melancholic music]
613
01:06:38,760 --> 01:06:40,440
[narrator] As you
approach the truth
614
01:06:41,080 --> 01:06:43,160
your solitude will increase.
615
01:06:45,200 --> 01:06:47,600
You are walking
through empty halls
616
01:06:48,520 --> 01:06:51,440
which send back to you
the echo of your footsteps.
617
01:06:53,160 --> 01:06:56,120
The objects seem
turned to statues.
618
01:06:57,560 --> 01:06:59,320
At times you begin to weep.
619
01:07:00,040 --> 01:07:01,720
You would love to turn back.
620
01:07:02,680 --> 01:07:05,920
But ultimately you know
that it is already too late.
621
01:07:07,000 --> 01:07:08,680
Kiss the earth, you scum.
622
01:07:11,560 --> 01:07:12,560
[narrator] Continue.
623
01:07:13,080 --> 01:07:14,080
Have no fear.
624
01:07:15,480 --> 01:07:17,200
The worst is already past.
625
01:07:18,560 --> 01:07:19,560
To be sure
626
01:07:20,680 --> 01:07:22,360
life will tear you apart again.
627
01:07:24,360 --> 01:07:25,600
From your point of view
628
01:07:25,680 --> 01:07:29,040
you even don't really have
that much more to do with life.
629
01:07:31,080 --> 01:07:32,080
Remember this.
630
01:07:33,680 --> 01:07:36,120
Fundamentally,
you are already dead.
631
01:07:37,760 --> 01:07:40,040
You are now face
to face with eternity.
632
01:07:40,080 --> 01:07:43,080
[music continues]
633
01:07:53,760 --> 01:07:54,760
Poets!
634
01:07:55,560 --> 01:07:56,560
Attack.
635
01:07:56,680 --> 01:07:59,760
[fast-paced ending music]
38589
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Tatar
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof