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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:04:39,780 --> 00:04:40,714 I WISH I DID. 2 00:04:40,781 --> 00:04:43,150 I'VE BEEN IN IT FOR 10 YEARS 3 00:04:43,216 --> 00:04:45,886 AND I STILL HAVE A LOT TO LEARN. 4 00:04:45,953 --> 00:04:48,756 YEP, JUST CAN'T MAKE UP MY MIND 5 00:04:48,822 --> 00:04:53,026 WHETHER I WANT TO STAY IN IT OR NOT. 6 00:04:53,093 --> 00:04:55,396 WELL, YOU SEE... 7 00:04:58,198 --> 00:05:00,300 THERE'S BEEN SO MANY ROBBERIES, 8 00:05:00,368 --> 00:05:03,371 I JUST DON'T THINK IT'S WORTH IT ANYMORE. 9 00:05:09,242 --> 00:05:11,111 WHAT'S THE MATTER WITH YOU, BOY? 10 00:05:11,178 --> 00:05:12,413 YOU TRAIN SICK OR DRUNK? 11 00:05:12,480 --> 00:05:13,614 LEAVE ME ALONE. 12 00:05:13,681 --> 00:05:14,948 YOU'D BETTER GET HIM OUT OF HERE 13 00:05:15,015 --> 00:05:16,817 BEFORE HE MESSES UP YOUR TRAIN. 14 00:05:16,884 --> 00:05:18,986 I'LL GIVE YOU A HAND. COME ON, INDIAN. 15 00:05:19,052 --> 00:05:20,988 COME ON. 16 00:05:21,054 --> 00:05:24,057 HEY, YOU! COME ON! 17 00:05:24,124 --> 00:05:25,426 YOU PLAN TO GET SICK, 18 00:05:25,493 --> 00:05:28,061 YOU DO IT OUT HERE ON THE PLATFORM, 19 00:05:28,128 --> 00:05:29,129 NOT IN THERE. 20 00:05:29,196 --> 00:05:30,598 BAGGAGE CAR DOOR. 21 00:05:42,843 --> 00:05:46,380 EVERYBODY ON THE FLOOR. COME ON. 22 00:06:09,870 --> 00:06:10,738 EXCUSE ME. 23 00:06:10,804 --> 00:06:13,006 IS THIS WHERE THE TRAIN STOPS? 24 00:06:13,073 --> 00:06:14,307 MA'AM? 25 00:06:14,374 --> 00:06:17,010 IS THIS WHERE THE TRAIN STOPS? 26 00:06:17,077 --> 00:06:20,113 YEAH. 27 00:06:20,180 --> 00:06:21,415 TODAY. 28 00:06:21,482 --> 00:06:23,417 WELL, WHAT ARE YOU DOING? 29 00:06:23,484 --> 00:06:26,587 DO YOU WORK FOR THE TELEGRAPH COMPANY? 30 00:06:26,654 --> 00:06:30,123 HA HA. YES, MA'AM, YOU MIGHT SAY THAT. 31 00:06:39,700 --> 00:06:41,201 ARE YOU ALL RIGHT? 32 00:06:41,268 --> 00:06:43,637 YES, MA'AM. 33 00:06:43,704 --> 00:06:47,641 A FELLA AIN'T USED TO SEEING A LADY LIKE YOU, 34 00:06:47,708 --> 00:06:51,311 LONESOME, OUT-OF-THE-WAY PLACE LIKE THIS. 35 00:06:51,378 --> 00:06:53,113 WHY? WHAT DO YOU MEAN? 36 00:06:53,180 --> 00:06:56,584 THE TRAIN IS GOING TO STOP HERE, ISN'T IT? 37 00:06:56,650 --> 00:07:00,020 OH, YES, MA'AM, IT'S GOING TO STOP. 38 00:07:00,087 --> 00:07:02,790 GOT TO. 39 00:07:13,967 --> 00:07:15,803 OPEN THE DOOR. 40 00:07:20,440 --> 00:07:22,075 THEY'VE BEEN OUT THERE A LONG TIME. 41 00:07:22,142 --> 00:07:25,345 LADY, YOU'D BETTER GET THE HELL OUT OF HERE. 42 00:07:25,412 --> 00:07:28,215 WHY? WHAT ARE YOU DOING? WHAT THE HELL'S IT LOOK LIKE I'M DOING? 43 00:07:28,281 --> 00:07:29,783 GONNA GET RICH. 44 00:07:29,850 --> 00:07:31,384 HYAH! 45 00:07:31,451 --> 00:07:33,220 COME ON. EASY, BOY. 46 00:07:35,422 --> 00:07:38,792 GET UP. COME ON, GET UP. 47 00:07:47,234 --> 00:07:49,770 GET RID OF THOSE RIFLES. 48 00:07:54,374 --> 00:07:56,844 HEY, CHARLIE! 49 00:07:58,378 --> 00:07:59,379 HEY, JAY! 50 00:07:59,446 --> 00:08:01,749 SHUT UP! 51 00:08:28,508 --> 00:08:29,710 ALL RIGHT. 52 00:08:29,777 --> 00:08:31,178 NOW, I KNOW YOU'RE SMART ENOUGH 53 00:08:31,244 --> 00:08:33,647 TO KEEP THIS TRAIN GOING BACKASSWARDS 54 00:08:33,714 --> 00:08:36,116 JUST AS FAST AS IT CAN GO. RIGHT? 55 00:08:36,183 --> 00:08:37,618 YES, SIR. YES, SIR. 56 00:08:37,685 --> 00:08:39,887 GET OVER THERE. 57 00:08:45,826 --> 00:08:48,195 CHA-HA! WHOO-HOO-HOO! 58 00:09:00,307 --> 00:09:02,109 UHH! 59 00:09:05,412 --> 00:09:08,015 EASY. 60 00:09:10,951 --> 00:09:14,087 STEADY. LUCIFER, PLEASE. 61 00:09:14,154 --> 00:09:16,724 WHERE'D THAT DAMN WOMAN COME FROM? JUST RODE UP HERE. 62 00:09:16,790 --> 00:09:18,525 WELL, GET HER DAMN HORSE. HYAH! 63 00:09:18,592 --> 00:09:20,093 HYAH! 64 00:09:26,700 --> 00:09:28,802 GONNA HAVE TO HAVE THAT HORSE, MA'AM. OH, NO, YOU DON'T. 65 00:09:28,869 --> 00:09:30,804 GIVE ME THAT SON OF A -- OH, NO, YOU DON'T. 66 00:09:30,871 --> 00:09:32,339 GOD DAMN YOU! IT'S MY HORSE. 67 00:09:32,405 --> 00:09:36,710 DAMN YOU. I'LL TAKE YOU AND THE GODDAMN HORSE. 68 00:09:36,777 --> 00:09:38,345 HE'S MY HORSE! 69 00:09:54,728 --> 00:09:57,931 GET UP IN THAT SADDLE, LADY. I'D LIKE TO, BUT I CAN'T. 70 00:09:57,998 --> 00:10:01,301 YOU'RE SURE AS HELL ONE DAMN MESS. 71 00:10:10,010 --> 00:10:12,846 IT'S NOW 33 MINUTES AND... 72 00:10:12,913 --> 00:10:14,181 11 SECONDS OVERDUE. 73 00:10:14,247 --> 00:10:17,617 WELL, IT WAS OKAY WHEN IT LEFT WAMSUTTER. 74 00:10:17,685 --> 00:10:20,620 WHAT COULD HAPPEN BETWEEN THERE AND HERE? 75 00:10:20,688 --> 00:10:22,656 THAT'S A GOOD QUESTION. 76 00:10:22,723 --> 00:10:24,024 IT'S ALL DESERT. 77 00:10:24,091 --> 00:10:27,227 YEAH... 78 00:10:27,294 --> 00:10:28,896 ALL DESERT. 79 00:10:30,563 --> 00:10:32,365 KEEP YOUR EAR PEELED, JIM. 80 00:10:56,156 --> 00:10:57,891 ED, DO YOU REMEMBER LAST WEEK 81 00:10:57,958 --> 00:11:03,196 BILLY BOWAN WAS IN HERE WITH A TALL DARK FELLA? 82 00:11:03,263 --> 00:11:04,732 FIRST TIME BOWAN'S BEEN IN HERE 83 00:11:04,798 --> 00:11:07,000 HE HASN'T GOT PISSED AND THROWED UP. 84 00:11:07,067 --> 00:11:08,869 YEAH, THEY WERE PRETTY QUIET. 85 00:11:08,936 --> 00:11:11,671 COULD YOU HEAR ANYTHING? 86 00:11:11,739 --> 00:11:14,274 SOMETHING ABOUT AN INDIAN. 87 00:11:16,844 --> 00:11:19,679 BOWAN WHISPERING ABOUT INDIANS? 88 00:11:19,747 --> 00:11:21,949 HE MUST HAVE LOST HIS VOICE. 89 00:11:22,015 --> 00:11:24,117 I WISH HE'D LOSE HIS ASS. 90 00:11:24,184 --> 00:11:27,955 HIM AND THAT OTHER FELLA WENT PROSPECTING, I THINK. 91 00:11:28,021 --> 00:11:31,925 THEY LOADED UP ENOUGH STUFF TO LAST 30 DAYS. 92 00:11:34,161 --> 00:11:37,130 I DIDN'T KNOW THAT OTHER FELLA. 93 00:11:37,197 --> 00:11:40,633 I USED TO KNOW HIM. NAME'S GROBART. 94 00:11:40,700 --> 00:11:45,505 HE WAS THE HERO OF BLACK HORSE CREEK. 95 00:11:45,572 --> 00:11:47,707 WHICH WAY DID THEY GO? 96 00:11:47,775 --> 00:11:49,777 SEEMS TO ME THEY HEADED UP NORTH, 97 00:11:49,843 --> 00:11:51,711 TOWARDS SUPERIOR OR THEREABOUTS. 98 00:11:56,750 --> 00:11:58,351 WHERE'S BILLY? 99 00:12:08,728 --> 00:12:13,967 I TOLD YOU I DIDN'T WANT ANYBODY KILLED BACK THERE. 100 00:12:14,034 --> 00:12:14,968 YEAH. 101 00:12:15,035 --> 00:12:17,170 WELL, I FORGOT. 102 00:12:28,381 --> 00:12:31,018 JESUS CHRIST. 103 00:12:45,698 --> 00:12:47,868 WHAT THE... 104 00:12:53,340 --> 00:12:54,641 HEY, JAY! 105 00:12:54,707 --> 00:12:56,576 LOOK WHAT I GOT ME. 106 00:12:56,643 --> 00:12:58,311 AIN'T SHE A BEAUT? 107 00:13:00,180 --> 00:13:03,250 WELL, YOU TOLD ME TO BRING HER HORSE. 108 00:13:04,784 --> 00:13:06,954 THAT'S WHAT I TOLD YOU. 109 00:13:07,020 --> 00:13:10,490 WELL, SHE -- SHE WOULDN'T FALL OFF. 110 00:13:13,126 --> 00:13:15,495 WELL, HELL FIRE, IT AIN'T MY FAULT 111 00:13:15,562 --> 00:13:17,197 SHE WOULDN'T FALL OFF. 112 00:13:22,702 --> 00:13:25,205 MR. LAPCHANCE! MR. LAPCHANCE! 113 00:13:25,272 --> 00:13:27,374 SIR, THE TELEGRAPH'S DEAD. 114 00:13:27,440 --> 00:13:29,542 DAMN, I KNEW IT! 115 00:13:29,609 --> 00:13:32,412 I KNEW IT ALL THE TIME. 116 00:13:53,766 --> 00:13:55,368 EASY, EASY, EASY, EASY, 117 00:13:55,435 --> 00:13:56,769 EASY, EASY. 118 00:13:56,836 --> 00:13:58,038 NOW WAIT A MINUTE. 119 00:13:58,105 --> 00:13:59,940 I GOT ME A BID IN THERE SOMEWHERE. 120 00:14:00,007 --> 00:14:03,476 THE HELL YOU DO. EITHER ONE OF YOU. 121 00:14:03,543 --> 00:14:06,146 NOW, THIS HERE IS A LADY. AIN'T THAT SO, MA'AM? 122 00:14:06,213 --> 00:14:09,917 YOU TELL THEM. SPIT IN THEIR EYE. 123 00:14:21,895 --> 00:14:22,762 AAH! AAH! 124 00:14:24,131 --> 00:14:27,467 WHOO-EE. IF YOU AIN'T A HOLY TERROR. 125 00:14:27,534 --> 00:14:31,638 NOW THAT I'VE GOT YOU DOWN, I MIGHT AS WELL BRAND YOU. 126 00:14:34,674 --> 00:14:37,244 B... 127 00:14:38,378 --> 00:14:40,513 O... 128 00:14:40,580 --> 00:14:42,615 BOWAN. 129 00:14:42,682 --> 00:14:45,485 THERE, NOW YOU'RE BRANDED. 130 00:14:45,552 --> 00:14:48,321 ALL RIGHT, THAT'S ENOUGH. 131 00:14:48,388 --> 00:14:49,756 THAT'S ENOUGH! 132 00:14:49,822 --> 00:14:51,091 COME ON. COME ON! 133 00:14:51,158 --> 00:14:53,326 AW, SHIT, JAY, I WAS JUST GETTING STARTED. 134 00:14:53,393 --> 00:14:56,229 THERE'S TITS TO PULL AND HAY TO PITCH. 135 00:15:01,201 --> 00:15:02,802 WHAT'S YOUR NAME? 136 00:15:02,869 --> 00:15:04,771 CATHERINE CROCKER. 137 00:15:04,837 --> 00:15:07,007 MRS. WILLARD CROCKER. 138 00:15:07,074 --> 00:15:10,643 AND I EXPECT TO BE TREATED GENTLY. 139 00:15:13,180 --> 00:15:15,282 WHERE'S YOUR HUSBAND, MRS. CROCKER? 140 00:15:26,626 --> 00:15:28,228 THANK YOU. 141 00:15:29,963 --> 00:15:32,499 GIVE ME MY HORSE AND LET ME GO. 142 00:15:32,565 --> 00:15:35,735 I WON'T TELL A SOUL, I PROMISE. 143 00:15:35,802 --> 00:15:37,670 WHY? 144 00:15:42,009 --> 00:15:44,511 BECAUSE I'M RUNNING AWAY, TOO. 145 00:15:44,577 --> 00:15:47,080 MM-HMM. 146 00:15:51,784 --> 00:15:54,721 THROW HER ASS ON A HORSE. 147 00:16:41,334 --> 00:16:43,070 HOW MUCH DID THEY GET? 148 00:16:43,136 --> 00:16:45,305 HE WAS CARRYING 100,000. 149 00:16:45,372 --> 00:16:47,140 HOW MANY OF THEM WERE THERE? 150 00:16:47,207 --> 00:16:48,708 FIVE OR SIX. 151 00:16:48,775 --> 00:16:51,711 THERE WAS AN INDIAN. THEY CALLED HIM CHARLIE. 152 00:16:51,778 --> 00:16:54,681 THE TALL FELLA HAD THAT .44 REMINGTON 153 00:16:54,747 --> 00:16:56,483 POINTED RIGHT SQUARE AT ME. 154 00:16:56,549 --> 00:16:57,950 WHAT'D HE LOOK LIKE? 155 00:16:58,017 --> 00:17:00,153 FUNNY EYES. 156 00:17:00,220 --> 00:17:04,224 I THINK I HEARD SOMEBODY CALL HIM JAY. 157 00:17:06,659 --> 00:17:09,462 JIM, YOU GET THAT APPARATUS AND SHIMMY UP THE POLE 158 00:17:09,529 --> 00:17:11,731 AS SOON AS THEY GET THAT LINE SPLICED 159 00:17:11,798 --> 00:17:12,999 AND CALL GREEN RIVER. 160 00:17:13,066 --> 00:17:15,068 TELL THE SHERIFF THE GREAT PLAINS CENTRAL 161 00:17:15,135 --> 00:17:18,271 WAS HELD UP AND ROBBED OF $100,000 THIS MORNING 162 00:17:18,338 --> 00:17:23,143 BY JAY WESLEY GROBART AND WILLIAM BOWAN 163 00:17:23,210 --> 00:17:26,646 WITH AN INDIAN NAMED CHARLIE BENT. 164 00:17:26,713 --> 00:17:30,049 CROCKER. GREAT WESTERN MINING AND DEVELOPMENT COMPANY. 165 00:17:30,117 --> 00:17:31,184 THESE ARE MY MEN. 166 00:17:31,251 --> 00:17:32,885 MY NAME IS HARVEY LAPCHANCE. 167 00:17:32,952 --> 00:17:35,688 I'M THE WELLS FARGO MAN FROM POINT O' ROCKS. 168 00:17:35,755 --> 00:17:37,890 MAY I ASK, WHERE ARE YOU RIDING FROM? 169 00:17:37,957 --> 00:17:41,594 I'M RIDING FROM DIAMOND MESA, LOOKING FOR MY WIFE. 170 00:17:41,661 --> 00:17:43,363 SHE'S BEEN MISSING SINCE BREAKFAST. 171 00:17:43,430 --> 00:17:45,732 WENT OUT FOR A RIDE AND DOESN'T KNOW THE COUNTRY. 172 00:17:45,798 --> 00:17:49,102 RECOGNIZE THESE? 173 00:17:52,872 --> 00:17:54,174 CATHERINE'S. 174 00:17:54,241 --> 00:17:56,643 WHERE'D YOU FIND THEM? WHERE IS SHE? 175 00:17:56,709 --> 00:17:57,844 WE DON'T KNOW. 176 00:17:57,910 --> 00:18:00,247 THE TRAIN WAS ONLY HELD UP A FEW HOURS AGO. 177 00:18:00,313 --> 00:18:01,848 WE FOUND THESE LYING ABOUT. 178 00:18:01,914 --> 00:18:05,685 THE WAY WE PUT IT TOGETHER, FOUR MEN HELD UP THE TRAIN. 179 00:18:05,752 --> 00:18:08,755 WHEN THEY RODE OFF, THERE WERE FIVE HORSES. 180 00:18:08,821 --> 00:18:10,257 WE FOUND THE TRACKS. 181 00:18:10,323 --> 00:18:11,624 ARE YOU TELLING ME 182 00:18:11,691 --> 00:18:14,361 MY WIFE'S BEEN KIDNAPPED, ABDUCTED? 183 00:18:16,496 --> 00:18:18,698 WELL, IT'S A POSSIBILITY. 184 00:18:18,765 --> 00:18:22,202 LOOK HERE, MR., UH, MR., UH, LAPCHANCE, 185 00:18:22,269 --> 00:18:26,273 DO YOU THINK THEY FORCED THEIR INTENTIONS UPON HER 186 00:18:26,339 --> 00:18:28,341 TO ABUSE HER IN SOME WAY? 187 00:18:28,408 --> 00:18:30,310 THAT'S A POSSIBILITY, TOO. 188 00:18:30,377 --> 00:18:34,614 ALTHOUGH, I KNOW JAY GROBART. HE'S NOT THAT KIND OF MAN. 189 00:18:36,616 --> 00:18:40,019 CATHERINE WOULD NOT BE HANDLED. 190 00:18:40,086 --> 00:18:42,255 SHE'D DIE FIRST. 191 00:18:43,723 --> 00:18:45,525 WE'RE FORMING A POSSE IN THE MORNING. 192 00:18:45,592 --> 00:18:47,927 YOU'RE WELCOME TO JOIN UP IF YOU WANT. 193 00:18:47,994 --> 00:18:49,762 THANK YOU. 194 00:19:20,727 --> 00:19:23,730 YOU BE READY TONIGHT, HONEY. 195 00:19:44,083 --> 00:19:47,420 WHAT'S THAT FOR? 196 00:19:49,322 --> 00:19:51,691 EITHER I PUT THIS ON, OR YOU BURN. 197 00:20:22,822 --> 00:20:25,157 WHAT ARE YOU GOING TO DO ABOUT HER? 198 00:20:25,224 --> 00:20:27,360 I DON'T KNOW. 199 00:20:49,849 --> 00:20:51,250 MAKE SOME COFFEE. 200 00:20:51,318 --> 00:20:53,586 OH, I-I DON'T WANT ANY COFFEE. THANK YOU. 201 00:20:53,653 --> 00:20:55,788 I DON'T GIVE A DAMN WHAT YOU WANT. 202 00:20:55,855 --> 00:20:57,457 MAKE SOME COFFEE. 203 00:21:31,558 --> 00:21:33,993 I DON'T KNOW HOW TO MAKE COFFEE. 204 00:21:34,060 --> 00:21:35,695 I'M SORRY. 205 00:22:01,688 --> 00:22:04,624 HELP ME TO GET AWAY. 206 00:22:04,691 --> 00:22:06,993 HELP ME AND I'LL PAY YOU. 207 00:22:09,061 --> 00:22:11,297 HERE. 208 00:22:11,364 --> 00:22:14,000 YOU CAN HAVE THESE. 209 00:22:16,369 --> 00:22:20,006 THEY'RE NOT VERY BIG. 210 00:22:22,108 --> 00:22:24,911 THEY'RE REAL EMERALDS. 211 00:22:24,977 --> 00:22:27,780 YOU CAN HAVE THIS, TOO. 212 00:22:38,758 --> 00:22:43,062 AS SOON AS IT GETS DARK, I'LL GET MY HORSE AND GO. 213 00:22:43,129 --> 00:22:45,364 YEAH? 214 00:22:45,432 --> 00:22:48,067 HOW ARE YOU GOING TO MANAGE THAT? 215 00:22:50,437 --> 00:22:55,141 I'LL JUST SAY I... HAVE TO TEND TO MYSELF. 216 00:22:55,207 --> 00:22:57,910 HA HA. 217 00:22:57,977 --> 00:23:01,213 WOMEN TEND TO THEMSELVES, HUH? 218 00:23:01,280 --> 00:23:04,484 MEN JUST TAKE A PISS. 219 00:23:06,052 --> 00:23:10,122 YOU, UH, TRYING TO STEAL MY GIRL, DAWES? 220 00:23:10,189 --> 00:23:11,458 YEAH. 221 00:23:11,524 --> 00:23:14,060 WHAT DO YOU SAY WE GET THE MONEY 222 00:23:14,126 --> 00:23:15,728 AND SPLIT IT UP, HUH? 223 00:23:15,795 --> 00:23:18,865 YEAH, THAT'S A GOOD IDEA. 224 00:23:25,237 --> 00:23:26,973 NEVER TRY AND BRIBE A MAN 225 00:23:27,039 --> 00:23:29,542 WITH SOMETHING HE CAN TAKE ANYWAY. 226 00:24:35,942 --> 00:24:40,246 JUST DOESN'T ADD UP ABOUT GROBART. 227 00:24:40,312 --> 00:24:42,414 CAREER ARMY, 228 00:24:42,481 --> 00:24:44,584 WORKED HIS WAY UP THROUGH THE RANKS 229 00:24:44,651 --> 00:24:48,721 THE HARD WAY... JUST DOESN'T MAKE SENSE. 230 00:24:48,788 --> 00:24:50,723 JUST HOW LONG WILL A BODY LAST 231 00:24:50,790 --> 00:24:52,725 OUT THERE, MR. LAPCHANCE? 232 00:24:52,792 --> 00:24:54,193 OH, MR. CROCKER, 233 00:24:54,260 --> 00:24:56,663 THERE'S NO SENSE GETTING ALL WORKED UP YET. 234 00:24:56,729 --> 00:24:59,165 WE DON'T HAVE ANY EVIDENCE TO PROVE ANYTHING 235 00:24:59,231 --> 00:25:00,967 ONE WAY OR THE OTHER. 236 00:25:01,033 --> 00:25:03,670 OF COURSE, YOU WOULDN'T UNDERSTAND. 237 00:25:03,736 --> 00:25:07,674 CATHERINE IS, SHALL WE SAY, MODEST. 238 00:25:07,740 --> 00:25:11,544 EVEN WITH ME AT TIMES, SHE'S PURE-MINDED. 239 00:25:15,915 --> 00:25:18,450 HOW WOULD YOU FEEL ABOUT IT, MR. CROCKER, 240 00:25:18,517 --> 00:25:20,587 IF YOUR WIFE TURNED OUT TO BE 241 00:25:20,653 --> 00:25:23,355 ALIVE AND WELL, OTHERWISE? 242 00:25:23,422 --> 00:25:25,324 HMM? 243 00:25:25,391 --> 00:25:28,227 WELL, OF COURSE, THAT'S THE MOST IMPORTANT THING, 244 00:25:28,294 --> 00:25:30,529 ISN'T IT? 245 00:25:30,597 --> 00:25:33,232 WE'LL BED DOWN HERE. 246 00:25:42,274 --> 00:25:45,477 YEP, IT'S... 247 00:25:45,544 --> 00:25:48,014 GONNA BE A MIGHTY COLD NIGHT. 248 00:26:01,160 --> 00:26:03,262 WHERE ARE YOU GOING? 249 00:26:07,499 --> 00:26:11,570 I SAID WHERE ARE YOU GOING? 250 00:26:11,638 --> 00:26:14,473 SHE'S GOING TO TEND TO HERSELF. 251 00:26:14,540 --> 00:26:17,043 RICH LADIES TEND TO THEMSELVES. 252 00:26:17,109 --> 00:26:18,878 HA HA. 253 00:26:23,315 --> 00:26:25,652 HA HA. 254 00:27:10,396 --> 00:27:11,998 OH, NO. 255 00:27:12,064 --> 00:27:13,299 GET OFF. 256 00:27:13,365 --> 00:27:15,001 COME ON, WILL YOU? 257 00:27:15,067 --> 00:27:16,302 OH, GOD! 258 00:27:16,368 --> 00:27:18,170 YEAH. 259 00:27:18,237 --> 00:27:21,140 STOP IT. NO. 260 00:27:21,207 --> 00:27:22,408 OOH. 261 00:27:22,474 --> 00:27:23,910 OH, GOD. 262 00:27:23,976 --> 00:27:25,912 YOU WANT TO TAKE HER? 263 00:27:25,978 --> 00:27:27,914 OH, YEAH. NO. 264 00:27:27,980 --> 00:27:30,116 COME ON. TAKE HER. TAKE HER. 265 00:27:30,182 --> 00:27:31,751 UHH! 266 00:27:31,818 --> 00:27:33,585 NOW HOLD HER, DAMN IT. 267 00:27:33,652 --> 00:27:36,188 GET OFF! GET OFF! 268 00:27:36,255 --> 00:27:38,758 HOLD HER AND I'LL HUMP HER. 269 00:27:38,825 --> 00:27:41,460 OH! OH, YOU SON OF A... 270 00:27:41,527 --> 00:27:43,362 AAH! 271 00:27:47,266 --> 00:27:49,501 COME ON, JAY. 272 00:27:49,568 --> 00:27:51,303 COME ON, JAY, SHE'S ALL RIGHT. 273 00:27:51,370 --> 00:27:54,506 GOD DAMN IT, BOY, I AIM TO GET SOME SLEEP TONIGHT, 274 00:27:54,573 --> 00:27:56,442 AND I AIN'T GONNA BE UP ALL NIGHT 275 00:27:56,508 --> 00:27:58,444 WHILE YOU TRY TO HUMP HER. 276 00:28:00,379 --> 00:28:04,951 ALL RIGHT, BUT DON'T YOU TRY TO RUN MY STOCK. 277 00:28:08,287 --> 00:28:09,621 IF WE HUMPED HER, 278 00:28:09,688 --> 00:28:11,791 WE'D ALL GET A BETTER NIGHT'S SLEEP. 279 00:28:11,858 --> 00:28:15,527 I DON'T MIND BEING FIRST, SECOND, THIRD... 280 00:28:15,594 --> 00:28:18,230 EVEN FOURTH. 281 00:29:01,273 --> 00:29:03,742 MOVE YOUR RUMP. 282 00:29:03,810 --> 00:29:05,778 MOVE IT. 283 00:29:36,508 --> 00:29:38,945 HERE, LADY. 284 00:29:56,963 --> 00:29:58,397 GET UP. 285 00:29:58,464 --> 00:30:00,266 MM. 286 00:30:02,134 --> 00:30:04,070 COME ON. RISE AND SHINE. 287 00:30:04,136 --> 00:30:06,572 COULD YOU UNTIE ME, PLEASE? 288 00:30:06,638 --> 00:30:08,240 YOU'RE UNTIED. 289 00:30:08,307 --> 00:30:10,309 OH. 290 00:30:13,679 --> 00:30:16,115 COME ON. 291 00:30:16,182 --> 00:30:18,284 IS THAT ABSOLUTELY NECESSARY? 292 00:30:18,350 --> 00:30:20,086 COME ON. 293 00:30:20,152 --> 00:30:22,889 YOU ARE AN ARROGANT DOMINEERING MAN! 294 00:30:22,955 --> 00:30:25,557 YOU SEE ANYTHING? NO. 295 00:30:25,624 --> 00:30:27,226 PUT HER ON HER HORSE. 296 00:30:27,293 --> 00:30:29,228 YOU'RE NOT A CRIMINAL, 297 00:30:29,295 --> 00:30:32,398 YOU'RE SICK. YOU'RE SUB-NORMAL! 298 00:31:09,235 --> 00:31:12,138 ALL RIGHT, WE'LL RIDE OVER THERE AND GET FRESH HORSES. 299 00:31:12,204 --> 00:31:15,241 BE TO YOUR BEST INTERESTS, MRS. CROCKER, 300 00:31:15,307 --> 00:31:17,243 TO KEEP YOUR MOUTH SHUT. 301 00:31:17,309 --> 00:31:20,112 WELL, SHE CAN STAY HERE WITH ME. 302 00:31:20,179 --> 00:31:22,414 I DON'T THINK SHE COTTONS TO YOU, BILLY BOY. 303 00:31:22,481 --> 00:31:25,017 WELL, SHE'LL LIKE ME ONCE SHE GETS TO KNOW ME. 304 00:31:25,084 --> 00:31:27,019 DOUBT IT. I GOT TO KNOW YOU. 305 00:31:27,086 --> 00:31:30,489 WHO ASKED YOU, INJUN? 306 00:31:30,556 --> 00:31:33,859 NOW, WHO'S TO SAY ONCE SHE GETS OVER THERE 307 00:31:33,926 --> 00:31:35,861 SHE DON'T OPEN HER MOUTH ABOUT IT? 308 00:31:35,928 --> 00:31:37,964 IT LOOKS ALL RIGHT TO ME. 309 00:31:38,030 --> 00:31:40,266 WE RIDE IN, TAKE THE HORSES, AND RIDE OUT. 310 00:31:40,332 --> 00:31:43,769 ANYBODY TRIES TO STOP US, WE JUST... 311 00:31:43,835 --> 00:31:45,271 KILL THEM. 312 00:31:45,337 --> 00:31:47,806 THEY'RE FRIENDS OF MINE. 313 00:31:47,873 --> 00:31:50,809 WE'LL TELL THEM SHE'S MY WIFE. 314 00:31:50,876 --> 00:31:52,844 AW... 315 00:31:52,911 --> 00:31:56,015 NICE BIG FAMILY. 316 00:31:56,082 --> 00:31:59,285 YOU PLAYING PA? SHE MUST BE MA. 317 00:31:59,351 --> 00:32:01,988 WELL, WHO'S THAT SOIL-SKINNED SON OF A BITCH -- 318 00:32:02,054 --> 00:32:05,691 YOUR KID? DARK, AIN'T HE? 319 00:32:05,757 --> 00:32:08,727 OOH! 320 00:32:08,794 --> 00:32:10,262 ONE OF THESE DAYS, BOY, 321 00:32:10,329 --> 00:32:12,164 THAT MOUTH OF YOURS IS GOING TO GET YOU KILLED. 322 00:32:12,231 --> 00:32:15,301 YEAH, AND I'M GOING TO KILL YOU, 323 00:32:15,367 --> 00:32:17,970 SURE AS HELL, OLD MAN, FIRST CHANCE I GET. 324 00:32:18,037 --> 00:32:19,571 MOUNT UP. 325 00:32:32,284 --> 00:32:34,220 IT'S THE CAPTAIN. 326 00:32:34,286 --> 00:32:37,123 HE'S GOT A WOMAN WITH HIM. 327 00:32:38,991 --> 00:32:40,559 WHOA. 328 00:32:40,626 --> 00:32:42,228 HOWDY, CAPTAIN. 329 00:32:42,294 --> 00:32:43,662 HI, DUB. 330 00:32:43,729 --> 00:32:48,367 THAT'S MY PARTNERS -- MR. DAWES AND MR. BOWAN. 331 00:32:48,434 --> 00:32:51,070 HOWDY. 332 00:32:51,137 --> 00:32:53,572 THAT'S MY NEW WIFE. 333 00:32:53,639 --> 00:32:54,806 WIFE? 334 00:32:54,873 --> 00:32:56,142 YEAH. 335 00:32:56,208 --> 00:32:58,077 YOU WENT AND GOT YOURSELF HITCHED? 336 00:32:58,144 --> 00:33:01,347 HO HO HO. PLEASED TO MEET YOU, MA'AM. 337 00:33:01,413 --> 00:33:04,250 I WAS YOUR HUSBAND'S SERGEANT FOR EIGHT YEARS. 338 00:33:04,316 --> 00:33:07,853 YOU GOT YOURSELF A GOOD MAN. 339 00:33:07,919 --> 00:33:10,022 WE, UH, CAME ACROSS THE DESERT. 340 00:33:10,089 --> 00:33:11,857 GOT CAUGHT IN A WINDSTORM. 341 00:33:11,923 --> 00:33:13,125 YOU LOOK IT. 342 00:33:13,192 --> 00:33:15,161 THAT'S CHARLIE, 343 00:33:15,227 --> 00:33:18,030 STANDING HORSE'S SON FROM THE FORT. 344 00:33:18,097 --> 00:33:20,532 THIS HERE IS MY MISSUS. 345 00:33:20,599 --> 00:33:23,069 MRS. GROBART, 346 00:33:23,135 --> 00:33:25,204 WHY DON'T YOU GO ON IN THE HOUSE? 347 00:33:25,271 --> 00:33:27,039 SHE'LL HELP YOU REFRESH YOURSELF. 348 00:33:27,106 --> 00:33:29,375 IS, UH, IS THAT YOUR HORSES BACK THERE? 349 00:33:29,441 --> 00:33:32,178 YEAH, THEY ARE, CAPTAIN. I GOT YOU SOME FINE PONIES. 350 00:33:32,244 --> 00:33:34,180 I'LL GO INSIDE AND GET US SOME SIPPIN' LIQUOR. 351 00:33:34,246 --> 00:33:36,182 I'LL SEE YOU DOWN AT THE CORRAL. 352 00:33:36,248 --> 00:33:37,983 THAT'S A GOOD IDEA. 353 00:33:38,050 --> 00:33:41,087 I WON'T SAY ANYTHING -- MY WORD OF HONOR, 354 00:33:41,153 --> 00:33:43,622 BUT PLEASE DON'T TRADE MY HORSE. 355 00:34:02,474 --> 00:34:07,113 UH, SIT YOURSELF DOWN, MRS. GROBART. 356 00:34:07,179 --> 00:34:10,149 UH, YOU LIKE SOME CIDER? 357 00:34:14,553 --> 00:34:18,090 WHAT I'D LIKE MOST IS A DRINK OF WATER. 358 00:34:18,157 --> 00:34:21,093 ONLY THING WE GOT PLENTY OF AROUND HERE -- 359 00:34:21,160 --> 00:34:23,762 WATER AND HORSEFLIES. 360 00:34:32,871 --> 00:34:34,806 THANK YOU. 361 00:34:43,349 --> 00:34:45,784 DO YOU HAVE ENOUGH FOR ME TO WASH IN? 362 00:34:45,851 --> 00:34:49,155 OH, WHY, SURE. WOULD YOU LIKE A SPIT-BATH? 363 00:34:49,221 --> 00:34:51,223 A SPIT-BATH? 364 00:34:51,290 --> 00:34:55,394 YES, THAT -- THAT WOULD BE VERY GOOD. 365 00:35:00,266 --> 00:35:03,735 HA HA HA. YEAH. 366 00:35:03,802 --> 00:35:05,237 YEE HAW. 367 00:35:05,304 --> 00:35:06,972 HA HA HA! 368 00:35:07,038 --> 00:35:08,974 HANG ON TO HIM. HANG ON. 369 00:35:09,040 --> 00:35:11,877 YEAH, RIDE HIM, CAPTAIN. 370 00:35:11,943 --> 00:35:14,513 WHOA, WHOA. HOLD IT NOW. 371 00:35:14,580 --> 00:35:16,648 YOU GOT HIM. YOU GOT HIM. 372 00:35:16,715 --> 00:35:18,450 I THINK HE LIKES YOU. 373 00:35:18,517 --> 00:35:20,452 HEY, WHO'S RIDING WHO THERE? 374 00:35:20,519 --> 00:35:24,022 LOOKS LIKE YOU'RE DANCING WITH HIM. 375 00:35:24,089 --> 00:35:27,159 YOU MUST HAVE HAD A HARD RIDE. 376 00:35:27,226 --> 00:35:31,029 IT'S A PURE SHAME ABOUT YOUR DRESS. 377 00:35:31,096 --> 00:35:33,399 OH, WOULD YOU LIKE A MIRROR? 378 00:35:33,465 --> 00:35:35,234 NO. 379 00:35:40,105 --> 00:35:42,341 EXCUSE ME FOR STARING, MA'AM. 380 00:35:42,408 --> 00:35:44,510 IT'S THAT IT'S BEEN SO LONG 381 00:35:44,576 --> 00:35:47,679 SINCE I'VE SEEN SUCH FINE CLOTHES. 382 00:35:50,716 --> 00:35:54,320 IT'S A GOOD THING YOU GOT PLENTY OF MUD ON YOUR FACE 383 00:35:54,386 --> 00:35:57,656 OR YOU WOULD HAVE BEEN BURNED TO A CRISP. 384 00:36:09,935 --> 00:36:12,904 YOU AND THE CAPTAIN BEEN MARRIED LONG? 385 00:36:12,971 --> 00:36:15,073 NO. 386 00:36:15,140 --> 00:36:17,008 I-I DIDN'T THINK SO. 387 00:36:17,075 --> 00:36:20,011 HE WAS UP HERE, OH, A COUPLE OF WEEKS BACK. 388 00:36:20,078 --> 00:36:23,749 DIDN'T SAY NOTHING ABOUT HIS BEING MARRIED AGAIN. 389 00:36:23,815 --> 00:36:25,217 WELL, OF COURSE, UH, 390 00:36:25,284 --> 00:36:28,254 THEY NEVER DID STAND UP IN FRONT OF NO PREACHER, 391 00:36:28,320 --> 00:36:31,557 SO SHE WEREN'T REALLY HIS WIFE. 392 00:36:31,623 --> 00:36:34,726 HE NEVER TOLD ME MUCH ABOUT HER. 393 00:36:34,793 --> 00:36:39,231 POOR MAN. HE HAD TO MOVE RIGHT OUT OF THE FORT. 394 00:36:39,298 --> 00:36:42,934 OH? WHY? 395 00:36:43,001 --> 00:36:45,103 WELL, YOU KNOW FOLKS. 396 00:36:45,170 --> 00:36:47,273 THEY DIDN'T LIKE THE IDEA 397 00:36:47,339 --> 00:36:49,408 OF HER BEING A SQUAW, YOU KNOW. 398 00:36:49,475 --> 00:36:51,777 ARE YOU GOING TO KEEP THAT INJUN 399 00:36:51,843 --> 00:36:53,612 ON YOUR PLACE? 400 00:36:53,679 --> 00:36:56,415 I DON'T KNOW. 401 00:36:56,482 --> 00:36:58,784 WELL, WOULDN'T KEEP ONE AROUND HERE. 402 00:36:58,850 --> 00:37:00,286 I'LL TELL YOU THAT. 403 00:37:00,352 --> 00:37:02,821 NO MATTER HOW LONG THEY LIVE WITH WHITE FOLKS, 404 00:37:02,888 --> 00:37:04,656 THEY'RE STILL SAVAGES UNDERNEATH. 405 00:37:04,723 --> 00:37:06,858 ALL RIGHT, HOLD ON, BOY. 406 00:37:06,925 --> 00:37:08,193 YEAH! 407 00:37:08,260 --> 00:37:10,195 YOU'RE NOT GOING TO MAKE IT, SON. 408 00:37:10,262 --> 00:37:12,197 LOOK OUT. LOOK OUT. 409 00:37:12,264 --> 00:37:13,699 YEE HOO! 410 00:37:13,765 --> 00:37:16,702 COME ON, BILLY. 411 00:37:16,768 --> 00:37:19,505 HA HA HA! 412 00:37:19,571 --> 00:37:22,541 YEAH, GIVE ME THAT JUG THERE, DAWES. 413 00:37:22,608 --> 00:37:25,511 HA HA HA. 414 00:37:26,878 --> 00:37:30,816 FRESH WATER FOR YOU. 415 00:37:30,882 --> 00:37:33,985 THANK YOU. 416 00:37:46,031 --> 00:37:48,300 YOU MUST HAVE MET THE CAPTAIN 417 00:37:48,367 --> 00:37:51,970 RIGHT AFTER HE GOT OUT OF PRISON, HUH? 418 00:37:52,037 --> 00:37:55,173 OH, I-I DIDN'T KNOW. 419 00:37:55,240 --> 00:37:56,975 WHAT DID HE DO? 420 00:37:57,042 --> 00:38:01,480 WHY, HE KILLED A MAN ON ACCOUNT OF THAT SQUAW. 421 00:38:01,547 --> 00:38:05,917 HE FOUND THEM TOGETHER. 422 00:38:05,984 --> 00:38:10,822 I-I THOUGHT YOU KNEW, MRS. GROBART. 423 00:38:10,889 --> 00:38:14,125 CATHERINE... 424 00:38:14,192 --> 00:38:16,127 CAT FOR SHORT. 425 00:38:16,194 --> 00:38:20,999 CAT? THAT WAS HIS SQUAW'S NAME. 426 00:38:21,066 --> 00:38:23,068 WHAT? 427 00:38:23,134 --> 00:38:25,704 CAT -- CAT DANCING. 428 00:38:25,771 --> 00:38:29,675 DANCING? 429 00:38:29,741 --> 00:38:31,977 MAYBE THAT'S JUST THE WAY SHE WAS. 430 00:38:32,043 --> 00:38:35,647 IT'S HIS CHILDREN I FEEL SORRY FOR. 431 00:38:37,516 --> 00:38:39,985 OKAY, CAPTAIN? 432 00:38:40,051 --> 00:38:42,421 ALL RIGHT. 433 00:38:42,488 --> 00:38:45,424 I GOT ANOTHER LITTLE JUG UP TO THE HOUSE. 434 00:38:45,491 --> 00:38:47,426 NO, I DON'T THINK SO. 435 00:38:47,493 --> 00:38:49,428 WE'VE HAD ABOUT ENOUGH TO DRINK. 436 00:38:49,495 --> 00:38:52,631 HEY, THE WAR'S OVER... CAPTAIN. 437 00:38:52,698 --> 00:38:56,301 AW, COME ON, JAY, LET'S HAVE ONE LITTLE SNORT. 438 00:38:56,368 --> 00:38:58,269 SHIT, I'M JUST GETTING STARTED. 439 00:38:58,336 --> 00:39:02,974 WE DON'T GET MUCH COMPANY UP HERE. 440 00:39:03,041 --> 00:39:05,276 ALL RIGHT, DUB. 441 00:39:05,343 --> 00:39:06,778 CHARLIE? 442 00:39:06,845 --> 00:39:08,279 NO, I'LL STAY OUT HERE. 443 00:39:08,346 --> 00:39:09,648 HA HA. 444 00:39:21,460 --> 00:39:25,096 LOOKS LIKE THEY'RE ALL THROUGH TRADING. 445 00:39:30,802 --> 00:39:35,106 MAKE YOURSELVES AT HOME. I'LL GET THAT OTHER JUG. 446 00:39:35,173 --> 00:39:36,742 WHERE IS SHE? 447 00:39:36,808 --> 00:39:38,910 JUST FINISHING A SPIT-BATH, CAPTAIN. 448 00:39:38,977 --> 00:39:41,413 AW, GETTING HERSELF ALL FANCIED UP, IS SHE? 449 00:39:41,480 --> 00:39:43,882 WELL, CAPTAIN, WHEN DID YOU GET MARRIED? 450 00:39:43,949 --> 00:39:46,117 JUST BEFORE WE CAME OUT HERE. 451 00:39:46,184 --> 00:39:47,252 YEAH. 452 00:39:47,318 --> 00:39:50,388 WE WAS THE WITNESSES. HA HA HA. 453 00:39:54,359 --> 00:39:55,961 AH. 454 00:39:56,027 --> 00:39:59,998 UH, SUDIE, GET A CUP FOR MRS. GROBART. 455 00:40:03,168 --> 00:40:07,005 WELL, NOW, IF SHE DON'T LOOK 456 00:40:07,072 --> 00:40:10,275 AS FRESH AS A DAISY BESIDE AN OUTHOUSE. 457 00:40:10,341 --> 00:40:12,978 YES, MA'AM. 458 00:40:13,044 --> 00:40:15,313 UH, HOW ABOUT A LITTLE DRINK, MRS. GROBART? 459 00:40:15,380 --> 00:40:16,715 NO. 460 00:40:16,782 --> 00:40:18,650 AW, WHAT'S THE MATTER, MRS. GROBART? 461 00:40:18,717 --> 00:40:20,452 AW, LET ME GIVE YOU ONE LITTLE BITTY SNORT, 462 00:40:20,519 --> 00:40:23,121 AND THEN WE'RE GOING TO TOAST THE BRIDE AND GROOM, YOU SEE? 463 00:40:23,188 --> 00:40:26,191 'CAUSE THAT'S THE REFINED WAY TO DO, HUH? 464 00:40:26,257 --> 00:40:28,126 NOW COME ON. GO ON. 465 00:40:31,196 --> 00:40:35,734 OH, HELL, LOOK AT THAT. 466 00:40:35,801 --> 00:40:37,402 BILLY. 467 00:40:37,469 --> 00:40:42,273 WELL...WELL, SOMEBODY'S SUPPOSED TO KISS THE BRIDE, 468 00:40:42,340 --> 00:40:45,677 AND I AIM TO VOLUNTEER. 469 00:40:45,744 --> 00:40:47,412 THAT'S ABOUT ENOUGH, BOY. 470 00:40:47,479 --> 00:40:49,047 WELL, WHAT'S THE MATTER, BRIDEGROOM? 471 00:40:49,114 --> 00:40:51,950 WELL, YOU DIDN'T KISS HER WHEN SHE GOT TO BE MRS. GROBART. 472 00:40:52,017 --> 00:40:53,652 WHAT'S THE MATTER? YOU FORGET HOW TO DO IT? 473 00:40:53,719 --> 00:40:55,086 YOU JUST STAND BACK THERE 474 00:40:55,153 --> 00:40:57,022 AND LET ME SHOW HER WHAT SHE'S MISSING. 475 00:40:57,088 --> 00:40:58,524 THE JOKE'S OVER. 476 00:40:58,590 --> 00:41:00,158 CAN'T BE UNTIL IT'S BEEN TOLD, CAPTAIN. 477 00:41:00,225 --> 00:41:01,893 THEY DON'T KNOW BUT JUST A LITTLE PIECE OF IT YET. 478 00:41:01,960 --> 00:41:04,763 HE'S GOING TO STEAL YOUR BRIDE, CAPTAIN. 479 00:41:04,830 --> 00:41:07,298 THE JOKE IS OVER, BILLY. THE JOKE IS OVER. 480 00:41:07,365 --> 00:41:08,233 AW... 481 00:41:08,299 --> 00:41:09,735 OUTSIDE. 482 00:41:09,801 --> 00:41:11,336 WE WON'T BE STAYING FOR SUPPER, DUB. 483 00:41:11,402 --> 00:41:13,071 I WAS JUST GOING TO KISS HER. 484 00:41:13,138 --> 00:41:14,573 HA HA HA! 485 00:41:17,442 --> 00:41:19,978 I WASN'T TRYING TO HUMP HER. I JUST WANTED TO KISS HER. 486 00:41:20,045 --> 00:41:21,246 DAMN IT, BILLY. 487 00:41:21,312 --> 00:41:24,049 YOU'VE JUST ABOUT RUN YOUR STRING OUT WITH ME! 488 00:41:29,755 --> 00:41:34,359 AW... I'LL BE ALL RIGHT, JAY. 489 00:41:34,425 --> 00:41:37,028 I'LL GET YOUR GEAR, CAPTAIN. 490 00:41:40,699 --> 00:41:43,635 I'LL GET THE HORSES. 491 00:41:45,671 --> 00:41:47,906 HE CARRIED YOU OUT THERE 492 00:41:47,973 --> 00:41:51,242 LIKE A LITTLE BABY. HA HA HA. 493 00:41:51,309 --> 00:41:54,279 WHY, YOU GODDAMN PIG. 494 00:41:57,649 --> 00:42:00,485 AW, YOU SHOULDN'T HAVE DONE THAT, BILLY. 495 00:42:00,552 --> 00:42:03,121 AAH! OH! OH! 496 00:42:08,293 --> 00:42:10,028 CAPTAIN! 497 00:42:28,013 --> 00:42:31,149 DON'T YOU KICK ME LIKE NO DOG. 498 00:42:33,384 --> 00:42:35,854 HELP ME GET HIM ON HIS HORSE. 499 00:42:40,491 --> 00:42:42,260 OH... 500 00:43:00,211 --> 00:43:02,648 MRS. GROBART. 501 00:43:14,059 --> 00:43:16,127 DO YOU THINK HE CAN RIDE, CAPTAIN? 502 00:43:16,194 --> 00:43:18,997 YEAH, HE'LL BE ALL RIGHT, DUB. 503 00:43:21,700 --> 00:43:23,301 THANK YOU. 504 00:43:23,368 --> 00:43:25,336 THANK YOU, CAPTAIN. 505 00:43:46,725 --> 00:43:49,360 I DON'T THINK MRS. GROBART WAS TOO HAPPY 506 00:43:49,427 --> 00:43:52,664 ABOUT LEAVING THAT GELDING. 507 00:43:54,900 --> 00:43:57,002 SHE AIN'T MRS. GROBART. 508 00:43:57,068 --> 00:43:59,871 WHAT'S THAT SUPPOSED TO MEAN? 509 00:44:08,914 --> 00:44:11,182 YOU TOLD HER, DIDN'T YOU? 510 00:44:11,249 --> 00:44:15,220 I DIDN'T HAVE TO. SHE KNEW. 511 00:44:17,923 --> 00:44:22,994 OH, UHH, UHH, UHH... 512 00:45:01,767 --> 00:45:06,772 YOU DON'T THINK OF CAT DANCING NO MORE. 513 00:45:09,975 --> 00:45:13,879 JAY WILL TAKE CAT ALL THE WAY. 514 00:45:15,613 --> 00:45:18,383 YEAH. 515 00:45:18,449 --> 00:45:21,286 NOTHING THERE. 516 00:45:21,352 --> 00:45:24,355 IT'S ALL GONE BACK TO GROUND. 517 00:45:29,494 --> 00:45:32,463 SHE USED TO LAUGH, CHARLIE. 518 00:45:32,530 --> 00:45:35,433 BLACK HAIR -- 519 00:45:35,500 --> 00:45:37,969 LIKE A CHILD. 520 00:46:32,157 --> 00:46:34,826 HYAH! 521 00:46:34,893 --> 00:46:37,495 HYAH! 522 00:46:37,562 --> 00:46:39,364 HYAH! 523 00:46:39,430 --> 00:46:40,866 HYAH! 524 00:47:04,755 --> 00:47:07,158 CAN YOU GET UP, BILLY? 525 00:47:08,593 --> 00:47:11,062 YOU'RE WASTING YOUR TIME. LEAVE HIM. 526 00:47:11,129 --> 00:47:13,731 GOD DAMN IT, IF YOU CAN'T, BILLY, 527 00:47:13,798 --> 00:47:15,733 I MAY HAVE TO DO JUST THAT. 528 00:47:15,800 --> 00:47:18,269 NOW CAN YOU GET UP? 529 00:47:21,606 --> 00:47:23,574 I CAN -- 530 00:47:23,641 --> 00:47:25,176 I CAN MAKE IT, JAY. 531 00:47:42,127 --> 00:47:44,595 HERE YOU GO. ATTABOY. 532 00:47:44,662 --> 00:47:46,097 AHH! 533 00:47:49,167 --> 00:47:52,170 GETTING SOFT, CAPTAIN? 534 00:47:53,538 --> 00:47:55,473 YEAH. 535 00:47:55,540 --> 00:47:57,342 I'M GETTING SOFT. 536 00:47:59,444 --> 00:48:01,112 COME ON. 537 00:48:31,909 --> 00:48:33,344 COME ON. 538 00:48:33,411 --> 00:48:35,380 COME ON! 539 00:48:39,750 --> 00:48:42,353 GET A FIRE GOING. 540 00:48:53,564 --> 00:48:56,567 GET THE REST OF THAT STUFF OFF THE PACK. 541 00:49:06,611 --> 00:49:07,979 JAY... 542 00:49:08,046 --> 00:49:11,016 AM I DYING? 543 00:49:12,950 --> 00:49:14,485 YEAH. 544 00:49:16,121 --> 00:49:19,724 SON OF A BITCH. 545 00:49:19,790 --> 00:49:22,627 I'M DYING. 546 00:49:25,630 --> 00:49:28,066 JAY... 547 00:49:30,435 --> 00:49:33,438 YOU TAKE MY SHARE OF THE MONEY. 548 00:49:36,274 --> 00:49:39,544 AND YOU KILL THAT SON OF A BITCH DAWES FOR ME. 549 00:49:41,779 --> 00:49:44,615 AND, JAY... 550 00:49:50,288 --> 00:49:54,225 YOU TAKE MY SHARE OF HER, TOO. 551 00:49:56,627 --> 00:50:01,432 I NEVER MET A LADY LIKE HER BEFORE. 552 00:50:09,607 --> 00:50:12,210 SHIT. 553 00:50:18,483 --> 00:50:22,287 WHAT'S HE JABBERING ABOUT? 554 00:50:22,353 --> 00:50:24,622 HE ASKED ME TO KILL YOU. 555 00:50:33,198 --> 00:50:35,600 I'LL BE MOVING ON, MRS. CROCKER. 556 00:50:35,666 --> 00:50:39,137 CHARLIE WILL TAKE CARE OF YOU... 557 00:50:39,204 --> 00:50:41,506 TILL THE BOY DIES. 558 00:50:50,548 --> 00:50:52,350 MRS. CROCKER? 559 00:50:52,417 --> 00:50:57,388 I'VE GOT SOMETHING IMPORTANT TO TAKE CARE OF. 560 00:51:47,104 --> 00:51:49,874 MR. CROCKER. 561 00:51:49,940 --> 00:51:53,344 I SAW YOU WERE STILL AWAKE. 562 00:51:53,411 --> 00:51:55,413 WHAT ARE YOU READING? 563 00:51:55,480 --> 00:51:59,517 IT'S NOTHING THAT'LL INTEREST YOU. 564 00:52:02,620 --> 00:52:04,422 HMM. 565 00:52:07,124 --> 00:52:10,361 SAY, JUST AS A MATTER OF CURIOSITY, 566 00:52:10,428 --> 00:52:14,064 WHAT WAS YOUR WIFE DOING SO FAR FROM DIAMOND MESA? 567 00:52:14,131 --> 00:52:15,966 I TOLD YOU. SHE WENT OUT FOR A RIDE. 568 00:52:16,033 --> 00:52:17,802 OH. 569 00:52:17,868 --> 00:52:20,037 BRANDY? 570 00:52:20,104 --> 00:52:22,907 NO. THANK YOU. 571 00:52:22,973 --> 00:52:24,409 HEY... 572 00:52:24,475 --> 00:52:27,778 HERE'S A FANCY DAN PIECE OF ARTILLERY. 573 00:52:27,845 --> 00:52:31,048 THAT'S AN ORIGINAL LeMAT OUT OF PARIS -- 574 00:52:31,115 --> 00:52:33,117 MADE TO ORDER, I MIGHT ADD. 575 00:52:33,184 --> 00:52:37,087 THE UPPER BARREL CARRIES NINE SHOTS. 576 00:52:37,154 --> 00:52:40,090 UNDERNEATH'S A SMOOTHBORE .60 CALIBER, 577 00:52:40,157 --> 00:52:42,460 ACCESSIBLE TO BALL OR SHOT. 578 00:52:42,527 --> 00:52:45,496 IT'S QUITE A WONDER, IS IT NOT? 579 00:52:45,563 --> 00:52:47,298 YEAH. 580 00:52:47,365 --> 00:52:49,767 I CAN ASSURE YOU, MR. LAPCHANCE, 581 00:52:49,834 --> 00:52:51,769 MY WIFE WILL BE AVENGED. 582 00:53:02,513 --> 00:53:06,417 HA HA HA HA HA HA. 583 00:53:06,484 --> 00:53:10,455 CHARLIE, LOOK WHO'S HERE. 584 00:53:10,521 --> 00:53:14,124 WELL, NOW, WE'VE GOT COMPANY. 585 00:53:14,191 --> 00:53:16,594 HA HA. 586 00:53:16,661 --> 00:53:19,964 TALK TO THEM, CHARLIE. THEY'RE YOUR BROTHERS. 587 00:53:20,030 --> 00:53:21,532 HA HA HA HA. 588 00:53:24,702 --> 00:53:26,304 YEAH. 589 00:53:28,539 --> 00:53:31,542 HA HA HA HA! HERE, HAVE A DRINK. 590 00:53:31,609 --> 00:53:32,410 NO. 591 00:53:32,477 --> 00:53:34,445 ALL RIGHT, ALL RIGHT. 592 00:53:34,512 --> 00:53:39,149 COME ON, HAVE A DRINK, YOU RED-FACED BASTARD. 593 00:53:39,216 --> 00:53:43,688 HA HA HA HA HA! 594 00:53:43,754 --> 00:53:45,155 HA HA. HEY! 595 00:53:45,222 --> 00:53:49,260 GOOD CATCH. HA HA HA HA -- 596 00:53:49,327 --> 00:53:52,129 OH. OH, YOU WANT THE HAT? YOU CAN HAVE IT. 597 00:53:52,196 --> 00:53:54,499 I'LL GET ANOTHER ONE. 598 00:54:09,480 --> 00:54:11,849 YEAH, GO AHEAD. 599 00:54:11,916 --> 00:54:15,252 HA HA HA HA. 600 00:54:15,320 --> 00:54:17,154 HEY, NO! 601 00:54:17,221 --> 00:54:20,257 HEY, THAT'S MONEY! 602 00:54:21,292 --> 00:54:23,227 CHARLIE, TALK TO THEM. 603 00:54:23,294 --> 00:54:26,030 NO, THAT'S -- NO, THAT'S MINE! 604 00:54:26,096 --> 00:54:28,098 THAT'S -- 605 00:54:28,165 --> 00:54:29,700 GIVE ME THAT. 606 00:54:29,767 --> 00:54:31,101 NO, THAT'S -- 607 00:54:31,168 --> 00:54:32,236 THAT'S MINE. 608 00:54:35,406 --> 00:54:36,974 GIVE ME THAT! HEY! 609 00:54:38,776 --> 00:54:40,210 NO, THAT'S -- 610 00:54:40,277 --> 00:54:43,814 NO! NO! WHAT'S THE MATTER, YOU CRAZY? 611 00:54:45,249 --> 00:54:47,051 I KNOW WHAT YOU NEED. 612 00:54:47,117 --> 00:54:48,719 KNOW WHAT'S IN THERE? 613 00:54:49,854 --> 00:54:51,456 BETTER THAN WHISKEY. 614 00:54:51,522 --> 00:54:53,223 SHUT UP, DAWES. YOU'LL GET US ALL KILLED. 615 00:54:53,290 --> 00:54:55,893 RRR! 616 00:54:55,960 --> 00:54:57,395 SQUAW. 617 00:54:59,296 --> 00:55:00,865 SQUAW. 618 00:55:00,931 --> 00:55:02,967 SQUAW. SQUAW. 619 00:55:44,108 --> 00:55:45,976 LADY! 620 00:55:53,684 --> 00:55:55,786 AAH! 621 00:55:55,853 --> 00:55:58,355 AAH! AAH! 622 00:56:39,396 --> 00:56:40,631 HYAH! HYAH! 623 00:56:48,038 --> 00:56:51,008 CATHERINE! 624 00:56:51,075 --> 00:56:53,310 AAH! 625 00:56:53,377 --> 00:56:55,913 WHOO! 626 00:57:26,110 --> 00:57:28,045 MRS. CROCKER? 627 00:57:39,590 --> 00:57:41,726 MRS. CROCKER? 628 00:57:48,165 --> 00:57:50,034 MRS. CROCKER? 629 00:58:33,243 --> 00:58:35,112 BILLY -- 630 00:58:35,179 --> 00:58:37,582 THEY SHOT BILLY. 631 00:58:37,648 --> 00:58:40,450 CHARLIE -- CHARLIE... 632 00:58:40,517 --> 00:58:42,587 HE TRIED TO HELP. 633 00:58:42,653 --> 00:58:45,590 HE TRIED. 634 00:58:45,656 --> 00:58:47,825 HE'S DEAD. 635 00:58:55,499 --> 00:58:57,434 WILL YOU GET OFF MY ARM? 636 00:58:57,501 --> 00:58:59,136 IT'S ASLEEP. 637 00:58:59,203 --> 00:59:00,771 OH, I'M SORRY. 638 00:59:05,375 --> 00:59:07,311 HERE. 639 00:59:11,515 --> 00:59:14,151 COME ON. 640 01:00:19,583 --> 01:00:22,052 DAWES... 641 01:00:24,454 --> 01:00:26,223 DAWES? 642 01:00:27,925 --> 01:00:30,194 I DON'T KNOW. HE RAN. 643 01:00:34,264 --> 01:00:36,600 THERE'S SOME CLOTHES IN THERE IN A PACK. 644 01:00:36,667 --> 01:00:38,568 THEY BELONGED TO BILLY. 645 01:00:38,635 --> 01:00:40,871 PUT THEM ON. 646 01:01:01,091 --> 01:01:04,361 HE WANTED TO BE A LEADER LIKE HIS FATHER. 647 01:01:07,231 --> 01:01:11,235 HE ENDED UP BEING AN IMITATION WHITE MAN. 648 01:01:13,771 --> 01:01:15,906 LET'S GO. 649 01:01:47,137 --> 01:01:50,274 WELL, AT LEAST WE KNOW SHE'S ALIVE. 650 01:01:57,481 --> 01:01:59,984 FINE-LOOKING ANIMAL. 651 01:02:04,521 --> 01:02:06,957 PAID $300 FOR THAT HORSE. 652 01:02:09,159 --> 01:02:12,129 FINEST BLOODLINE AVAILABLE. 653 01:02:14,364 --> 01:02:16,466 $300. 654 01:02:18,302 --> 01:02:23,140 BUT, OF COURSE, A HORSE IS STILL JUST A HORSE. 655 01:02:23,207 --> 01:02:25,109 AND A WOMAN? 656 01:02:28,312 --> 01:02:31,615 DID THEY SAY WHERE SHE WAS HEADED? 657 01:02:31,681 --> 01:02:34,584 NORTH. 658 01:02:34,651 --> 01:02:36,486 I THINK I KNOW WHERE. 659 01:02:38,188 --> 01:02:40,524 I'M SENDING MOST OF MY MEN BACK, 660 01:02:40,590 --> 01:02:42,126 GOING AHEAD WITH A FEW. 661 01:02:42,192 --> 01:02:44,929 YOU CAN COME ALONG IF YOU LIKE. 662 01:02:47,531 --> 01:02:50,134 NORTH. 663 01:02:50,200 --> 01:02:52,002 THAT'S, UM... 664 01:02:52,069 --> 01:02:55,405 INDIAN COUNTRY, ISN'T IT? 665 01:02:55,472 --> 01:02:57,641 YEAH. 666 01:02:57,707 --> 01:03:00,010 DANGEROUS, ISN'T IT? 667 01:03:01,778 --> 01:03:03,480 FOR YOU AND ME. 668 01:03:03,547 --> 01:03:05,983 LESS SO FOR GROBART. 669 01:03:08,552 --> 01:03:10,287 MR. CROCKER, I -- 670 01:03:10,354 --> 01:03:12,589 THIS MAY SEEM A BIT PRESUMPTUOUS, 671 01:03:12,656 --> 01:03:15,459 BUT IS IT POSSIBLE YOUR WIFE WAS RUNNING AWAY 672 01:03:15,525 --> 01:03:17,962 FROM YOU? 673 01:03:20,564 --> 01:03:23,667 NO, IT'S NOT. 674 01:03:23,733 --> 01:03:25,970 MMM. 675 01:03:26,036 --> 01:03:29,907 I HAD A WOMAN RUN OFF ON ME ONCE. 676 01:03:29,974 --> 01:03:32,542 MAILED HER A SUITCASE. 677 01:04:26,296 --> 01:04:28,232 WELL, IF YOU'RE GOING TO DO IT, 678 01:04:28,298 --> 01:04:30,234 YOU'D BEST DO IT RIGHT. 679 01:04:32,636 --> 01:04:34,571 GONNA BE YOUR LAST CHANCE. 680 01:04:34,638 --> 01:04:37,341 GONNA GET A LOT COLDER. 681 01:05:19,783 --> 01:05:22,519 MM-HMM. 682 01:06:40,564 --> 01:06:43,700 WHY DID YOU COME BACK LAST NIGHT? 683 01:06:43,767 --> 01:06:45,702 DAMNED IF I KNOW. 684 01:06:55,212 --> 01:06:57,814 WHEN YOU SAID YOU HAD SOMETHING IMPORTANT TO DO, 685 01:06:57,881 --> 01:06:59,816 WHAT DID YOU MEAN BY THAT? 686 01:06:59,883 --> 01:07:02,152 I'M GONNA GET MY CHILDREN BACK. 687 01:07:02,219 --> 01:07:03,653 YOUR WHAT? 688 01:07:03,720 --> 01:07:05,355 MY CHILDREN. 689 01:07:52,402 --> 01:07:55,772 MR. GROBART? 690 01:08:06,283 --> 01:08:08,418 NO FIRE TONIGHT. 691 01:08:30,474 --> 01:08:33,076 IF YOU WANT ME, MRS. CROCKER, 692 01:08:33,143 --> 01:08:34,911 DON'T YELL AT ME. 693 01:08:34,978 --> 01:08:36,380 HMM? 694 01:08:36,446 --> 01:08:39,483 I SAID, DON'T YELL AT ME IF YOU WANT ME. 695 01:08:48,024 --> 01:08:51,228 CAN YOU DO THIS? 696 01:11:00,357 --> 01:11:02,592 NO... 697 01:11:02,659 --> 01:11:04,294 NO... 698 01:11:04,361 --> 01:11:05,829 NO. 699 01:11:08,832 --> 01:11:10,367 CAT! 700 01:11:16,606 --> 01:11:19,343 YOU WERE DREAMING. 701 01:11:31,187 --> 01:11:33,790 WAS SHE VERY BEAUTIFUL? 702 01:11:39,696 --> 01:11:41,365 YEAH. 703 01:12:23,373 --> 01:12:26,309 HOW DO THEY KNOW WHEN WINTER'S COME? 704 01:12:26,376 --> 01:12:29,479 GETS COLD, I GUESS. 705 01:12:50,734 --> 01:12:53,336 WHERE ARE YOU TAKING ME? 706 01:12:53,403 --> 01:12:56,873 THERE'S A MINING TOWN -- SOUTH PASS. 707 01:12:56,940 --> 01:12:58,675 PEOPLE THERE. 708 01:12:58,742 --> 01:13:01,077 I'LL LEAVE YOU WITH THEM. 709 01:13:13,957 --> 01:13:16,359 IT LOOKS DESERTED. 710 01:13:16,426 --> 01:13:18,595 I GUESS THE MINE'S PLAYED OUT. 711 01:15:11,575 --> 01:15:13,543 EXCUSE ME. 712 01:16:20,576 --> 01:16:22,812 NICE PLACE YOU GOT HERE. 713 01:16:25,148 --> 01:16:27,150 GLAD YOU LIKE IT. 714 01:17:21,237 --> 01:17:22,939 IT'S ALL RIGHT. 715 01:17:49,298 --> 01:17:51,434 WHATEVER HAPPENED TO THAT WOMAN 716 01:17:51,500 --> 01:17:54,270 THAT WAS WAITING FOR THE TRAIN? 717 01:17:54,337 --> 01:17:56,740 OH, SHE'S GONE. 718 01:18:23,933 --> 01:18:26,435 WHAT'S YOUR FIRST NAME AGAIN? 719 01:18:30,539 --> 01:18:33,009 CATHERINE. 720 01:18:37,346 --> 01:18:41,751 I THOUGHT I PUT TOO MUCH SALT IN THE STEW. 721 01:18:50,326 --> 01:18:54,363 YOU ARE THE GODDAMNEDEST WOMAN I'VE EVER KNOWN. 722 01:19:11,080 --> 01:19:13,783 WHY DID YOU MARRY HER? 723 01:19:24,894 --> 01:19:30,766 IT MUST HAVE BEEN A VERY SPECIAL KIND OF LOVE. 724 01:19:35,738 --> 01:19:38,975 I MARRIED FOR MONEY. 725 01:19:39,042 --> 01:19:43,546 HE WANTED GENTILITY, 726 01:19:43,612 --> 01:19:46,382 AND MY FATHER NEEDED MONEY. 727 01:19:50,453 --> 01:19:54,123 I DIDN'T ALWAYS DO EVERYTHING MY FATHER WANTED. 728 01:19:58,661 --> 01:20:02,065 I LOVED HIM VERY MUCH. 729 01:20:05,368 --> 01:20:08,071 MY FATHER, I MEAN. 730 01:20:12,108 --> 01:20:16,645 YOU DIDN'T HAVE TO MARRY HIM. 731 01:20:16,712 --> 01:20:19,182 NO. 732 01:20:23,719 --> 01:20:26,089 YOU DIDN'T HAVE TO... 733 01:20:26,155 --> 01:20:28,024 WHAT? 734 01:20:30,593 --> 01:20:33,496 BECOME WHAT YOU ARE. 735 01:20:35,865 --> 01:20:38,067 NO. 736 01:20:41,104 --> 01:20:45,174 LEASTWISE I NEVER SOLD MYSELF. 737 01:21:55,044 --> 01:21:57,680 HELLO, SIS. 738 01:22:00,383 --> 01:22:03,919 THOUGHT I'D COME BY AND SEE HOW YOU WERE MAKING OUT. 739 01:22:13,696 --> 01:22:15,931 WHERE'S THE CAPTAIN? 740 01:22:15,999 --> 01:22:17,633 HE'S ASLEEP. 741 01:22:17,700 --> 01:22:20,203 OH. 742 01:22:20,269 --> 01:22:22,405 TIRED? 743 01:22:22,471 --> 01:22:25,508 EXCUSE ME. 744 01:22:25,574 --> 01:22:27,176 OH, WHERE YOU GOING? 745 01:22:27,243 --> 01:22:29,312 I SAID EXCUSE ME. 746 01:22:31,180 --> 01:22:33,216 YOU KEEP YOUR MOUTH SHUT, YOU UNDERSTAND? 747 01:22:33,282 --> 01:22:35,884 IF THAT SON OF A BITCH SHOWS UP, 748 01:22:35,951 --> 01:22:39,188 I'M GOING TO KILL HIM. 749 01:22:39,255 --> 01:22:41,290 NOW, WHERE'S THE MONEY? 750 01:22:44,060 --> 01:22:46,395 OVER THERE. 751 01:22:57,740 --> 01:22:59,075 WHERE'S THE REST? 752 01:22:59,142 --> 01:23:02,145 THAT'S ALL THERE IS. TAKE IT AND GO. 753 01:23:02,211 --> 01:23:06,449 OH, I'LL DO THAT, ALL RIGHT. 754 01:23:12,588 --> 01:23:15,524 BUT I STILL DON'T FIGURE THAT MAKES ME EVEN. 755 01:23:15,591 --> 01:23:20,396 YOU KNOW, I THOUGHT ABOUT YOU A LOT. 756 01:23:20,463 --> 01:23:22,531 PLEASE. 757 01:23:22,598 --> 01:23:25,368 PLEASE? 758 01:23:29,238 --> 01:23:32,175 I WONDERED WHAT THE LITTLE RICH LADY 759 01:23:32,241 --> 01:23:34,377 WOULD LOOK LIKE UNDRESSED. 760 01:23:53,962 --> 01:23:56,132 NOW YOU DO IT. 761 01:24:34,370 --> 01:24:37,540 ALL RIGHT, SIS. 762 01:24:37,606 --> 01:24:39,808 COME ON. 763 01:24:39,875 --> 01:24:42,311 LET'S GO SEE THE CAPTAIN. 764 01:24:42,378 --> 01:24:46,482 NO, DON'T HURT HIM. DON'T HURT HIM. 765 01:24:46,549 --> 01:24:48,651 PLEASE. 766 01:24:58,994 --> 01:25:00,563 EASY. 767 01:25:00,629 --> 01:25:02,665 REAL EASY. 768 01:25:10,439 --> 01:25:13,242 NOW WE'RE REALLY PARTNERS, CAPTAIN. 769 01:25:15,678 --> 01:25:20,616 NOW, HAND ME THOSE SADDLEBAGS... 770 01:25:21,984 --> 01:25:24,453 SLOWLY. 771 01:25:56,985 --> 01:25:58,521 AHH! 772 01:26:59,315 --> 01:27:01,617 AAH! 773 01:27:33,316 --> 01:27:35,918 AHH! AHH! AHH! AHH! 774 01:27:38,654 --> 01:27:40,589 AHH! 775 01:27:40,656 --> 01:27:41,790 AHH! 776 01:28:15,324 --> 01:28:18,260 KILL HIM. 777 01:28:18,327 --> 01:28:19,828 GO ON. KILL HIM. 778 01:28:19,895 --> 01:28:22,130 KILL HIM. 779 01:28:22,197 --> 01:28:24,600 GOD DAMN IT! KILL HIM! 780 01:28:26,369 --> 01:28:27,770 KILL HIM! 781 01:29:21,289 --> 01:29:22,758 DAMN IT, CATHERINE, 782 01:29:22,825 --> 01:29:25,394 WHY DIDN'T YOU YELL OUT FOR ME? 783 01:29:25,461 --> 01:29:28,330 I COULDN'T. 784 01:29:28,397 --> 01:29:32,000 HE WOULD HAVE KILLED YOU. 785 01:29:41,309 --> 01:29:44,547 HYAH. HYAH. COME ON. 786 01:30:21,349 --> 01:30:23,919 WILLARD. 787 01:30:34,863 --> 01:30:37,099 GO WITH HIM, CATHERINE. 788 01:30:39,001 --> 01:30:41,537 I CAN'T. 789 01:31:23,946 --> 01:31:28,383 HA HA HA. YAHOO! 790 01:31:28,450 --> 01:31:30,619 WHAT'S SO FUNNY? 791 01:31:30,686 --> 01:31:33,989 I'M HAPPY, THAT'S ALL. 792 01:31:39,494 --> 01:31:41,597 WHAT'S THAT? 793 01:31:43,666 --> 01:31:48,503 THAT'S A SHOSHONE'S WAY OF SAYING, "GO BACK." 794 01:31:48,571 --> 01:31:50,773 COME ON. 795 01:31:58,213 --> 01:32:02,117 HOW WILL WE FIND THEM -- THE SHOSHONE? 796 01:32:02,184 --> 01:32:04,519 THEY'LL FIND US. 797 01:32:13,295 --> 01:32:16,364 I'VE BEEN THINKING ABOUT IT. 798 01:32:16,431 --> 01:32:18,867 I'VE BEEN THINKING ABOUT IT A LOT, 799 01:32:18,934 --> 01:32:22,104 AND I'D LIKE TO HAVE YOUR BABY. 800 01:32:29,244 --> 01:32:30,378 YOU WHAT? 801 01:32:30,445 --> 01:32:34,316 I'D LIKE TO HAVE YOUR BABY. 802 01:32:39,454 --> 01:32:42,290 OUT HERE IN THE MIDDLE OF NOWHERE, 803 01:32:42,357 --> 01:32:44,860 BEEN THROUGH HELL, 804 01:32:44,927 --> 01:32:47,562 AND YOU WANT TO HAVE A BABY? 805 01:32:47,630 --> 01:32:49,131 YOUR BABY. 806 01:32:49,197 --> 01:32:51,934 MY BABY. 807 01:32:54,436 --> 01:32:56,772 ALL RIGHT. 808 01:32:56,839 --> 01:32:59,642 TAKE OFF YOUR CLOTHES. 809 01:33:02,778 --> 01:33:05,547 OH, I-I DIDN'T MEAN QUITE LIKE THAT. 810 01:33:05,614 --> 01:33:08,617 I DON'T KNOW HOW ELSE TO DO IT. 811 01:33:11,787 --> 01:33:14,289 YOU'RE NOT VERY ROMANTIC, ARE YOU? 812 01:33:29,337 --> 01:33:32,307 WHY DO PEOPLE FALL IN LOVE? 813 01:33:32,374 --> 01:33:34,810 DAMNED IF I KNOW. 814 01:33:39,682 --> 01:33:42,751 I SUPPOSE IT'S LIKE TWO DROPS OF RAIN 815 01:33:42,818 --> 01:33:45,988 THAT FALL AND... 816 01:33:46,054 --> 01:33:49,324 THEY COME TOGETHER AND BECOME ONE. 817 01:33:49,391 --> 01:33:52,160 NOW, THAT'S ROMANTIC. 818 01:34:02,437 --> 01:34:05,173 COME HERE. 819 01:34:15,617 --> 01:34:19,855 CAN YOU TELL ME ABOUT IT NOW? 820 01:34:19,922 --> 01:34:22,958 I MEAN, ABOUT CAT DANCING. 821 01:34:31,734 --> 01:34:34,837 SHE'S DEAD. 822 01:35:07,903 --> 01:35:09,371 IT'S ALL RIGHT. 823 01:35:09,437 --> 01:35:13,108 DON'T BE AFRAID. THEY'RE NOT GOING TO HURT YOU. 824 01:35:16,378 --> 01:35:20,382 WASHAKIE, YOUR CHIEF, 825 01:35:20,448 --> 01:35:22,650 HE WAS MY FRIEND ONCE. 826 01:36:54,910 --> 01:36:57,913 HOW ARE YOU, JOHN WESLEY GROBART? 827 01:36:57,980 --> 01:37:01,850 WASHAKIE REMEMBERS. 828 01:37:09,892 --> 01:37:11,326 WHY HAVE YOU COME? 829 01:37:11,393 --> 01:37:16,198 I HAVE COME TO CLAIM WHAT WAS TAKEN FROM ME. 830 01:37:17,632 --> 01:37:24,239 MY WIFE CAT DANCING WAS OF THE SHOSHONE TRIBE. 831 01:37:24,306 --> 01:37:29,377 MY CHILDREN WERE BORN AFTER -- AFTER SAND CREEK 832 01:37:29,444 --> 01:37:32,014 AND THE SIOUX AND CHEYENNE WARS. 833 01:37:32,080 --> 01:37:34,182 WHEN MY WIFE DIED, 834 01:37:34,249 --> 01:37:37,019 IRON KNIFE BROUGHT MY CHILDREN HERE. 835 01:37:37,085 --> 01:37:39,221 I'VE COME TO GET THEM. 836 01:37:39,287 --> 01:37:43,525 YOU WILL TALK BETTER WHEN YOU EAT. 837 01:37:43,591 --> 01:37:45,560 OH, THANK YOU. 838 01:37:47,329 --> 01:37:50,765 YOU'RE RIGHT. 839 01:38:03,411 --> 01:38:06,014 WHAT ARE YOU CALLED? 840 01:38:06,081 --> 01:38:08,883 CATHERINE. 841 01:38:08,951 --> 01:38:10,252 CATHERINE CROCKER. 842 01:38:10,318 --> 01:38:13,388 YOU ARE NOT JOHN GROBART'S WIFE. 843 01:38:13,455 --> 01:38:16,858 NO. 844 01:38:16,925 --> 01:38:19,327 THE WHITE MEN NEVER LEARN. 845 01:38:19,394 --> 01:38:22,597 LEAVE OUT BEST PARTS OF STORY. 846 01:38:43,751 --> 01:38:48,223 THE CIGAR WAS ONE OF THE WHITE MAN'S GOOD IDEAS. 847 01:38:50,025 --> 01:38:52,227 NO, THANK YOU. 848 01:39:21,556 --> 01:39:25,193 THIS IS A MATTER OF THE BLOOD AND THE HEART. 849 01:39:25,260 --> 01:39:28,363 YOU MAY SPEAK TO THE BOY. 850 01:39:39,707 --> 01:39:42,210 WHAT IS YOUR NAME, SON? 851 01:39:46,314 --> 01:39:50,385 MY PEOPLE CALL ME DREAM SPEAKER. 852 01:39:52,620 --> 01:39:58,226 DON'T YOU REMEMBER THE NAME THAT YOU WERE BORN WITH? 853 01:39:58,293 --> 01:40:00,495 YOU REMEMBER A GAME YOU USED TO PLAY 854 01:40:00,562 --> 01:40:03,798 A LONG TIME AGO WHEN YOU WERE LITTLE? 855 01:40:03,865 --> 01:40:06,234 YOU LIKED IT VERY MUCH. 856 01:40:06,301 --> 01:40:08,370 YOU USED TO HIDE, 857 01:40:08,436 --> 01:40:12,240 AND I'D CALL YOUR NAME OUT OVER AND OVER AGAIN. 858 01:40:12,307 --> 01:40:14,576 DO YOU REMEMBER THAT? 859 01:40:18,713 --> 01:40:25,587 THERE WAS A THING LIKE THE BONES OF A BIG ANTELOPE. 860 01:40:25,653 --> 01:40:26,588 YES. 861 01:40:26,654 --> 01:40:28,823 YOU COULD SEE THROUGH ITS RIBS. 862 01:40:28,890 --> 01:40:30,325 YES. 863 01:40:30,392 --> 01:40:32,160 IT WAS A ROCKING CHAIR, 864 01:40:32,227 --> 01:40:37,365 AND YOUR MOTHER LIKED TO SIT IN IT. 865 01:40:39,667 --> 01:40:45,740 DO YOU REMEMBER YOUR NAME THEN? 866 01:40:45,807 --> 01:40:46,941 JOHN. 867 01:40:47,008 --> 01:40:48,576 JOHN. 868 01:40:48,643 --> 01:40:50,578 JOHNNY. 869 01:40:50,645 --> 01:40:51,613 JOHNNY. 870 01:40:51,679 --> 01:40:53,014 YES. 871 01:40:53,081 --> 01:40:55,250 JOHNNY. 872 01:40:55,317 --> 01:40:59,854 I WANT TO TAKE YOU AND YOUR SISTER AWAY FROM HERE. 873 01:40:59,921 --> 01:41:03,057 WE'LL RIDE IN A TRAIN, 874 01:41:03,125 --> 01:41:05,860 GO OVER A MOUNTAIN. 875 01:41:05,927 --> 01:41:08,196 WE'LL SEE TREES 876 01:41:08,263 --> 01:41:11,633 THAT GROW LIKE THE GRASS GROWS HERE. 877 01:41:11,699 --> 01:41:16,271 YOU'LL SEE ALL THOSE THINGS IF YOU COME WITH ME. 878 01:41:18,406 --> 01:41:21,243 IT WILL TAKE A STRONG HEART 879 01:41:21,309 --> 01:41:23,311 TO LEAVE THIS PLACE, 880 01:41:23,378 --> 01:41:27,215 BUT YOU HAVE A STRONG HEART, JOHN, 881 01:41:27,282 --> 01:41:30,685 BECAUSE I GAVE YOU A STRONG HEART, 882 01:41:30,752 --> 01:41:35,523 AND IRON KNIFE HAS NOT WEAKENED YOUR HEART. 883 01:41:35,590 --> 01:41:38,293 FOR THAT I AM GRATEFUL TO HIM. 884 01:41:44,766 --> 01:41:49,003 I... 885 01:41:49,070 --> 01:41:52,640 I AM THANKFUL ENOUGH TO MAKE HIM RICH 886 01:41:52,707 --> 01:41:56,611 FOR TAKING CARE OF MY SON AND MY DAUGHTER. 887 01:42:08,990 --> 01:42:10,658 NO. 888 01:42:13,161 --> 01:42:18,266 YOU UNDERSTAND WHY GROBART WAS IN PRISON ALL THESE YEARS? 889 01:42:18,333 --> 01:42:20,268 FOR THE SHOOTING OF THE MAN 890 01:42:20,335 --> 01:42:23,305 WHO LAY WITH CAT DANCING THEN KILLED HER. 891 01:42:23,371 --> 01:42:25,607 THAT MAN DID NOT KILL HER. 892 01:42:27,008 --> 01:42:28,410 HE KILLED HER. 893 01:42:28,476 --> 01:42:31,313 HE KILLED HER FOR LYING WITH THAT MAN, 894 01:42:31,379 --> 01:42:34,216 BUT SHE WAS INNOCENT. 895 01:42:34,282 --> 01:42:37,252 THE MAN HAD RAPED HER. 896 01:42:37,319 --> 01:42:39,654 THE BOY TRIED TO TELL HIM, 897 01:42:39,721 --> 01:42:43,191 BUT GROBART WAS FILLED WITH RAGE. 898 01:42:43,258 --> 01:42:46,361 HE PUSHED THE BOY ASIDE, 899 01:42:46,428 --> 01:42:50,164 AND HE KILLED THAT MAN AS HE RAN. 900 01:42:50,232 --> 01:42:52,300 THEN, STILL RAGING, 901 01:42:52,367 --> 01:42:55,470 HE CAME TO CAT DANCING, 902 01:42:55,537 --> 01:42:59,941 BUT HE WOULD NOT HEAR HER. 903 01:43:00,007 --> 01:43:02,076 HE KILLED HER THERE 904 01:43:02,143 --> 01:43:06,814 WITH HIS HANDS. 905 01:43:06,881 --> 01:43:08,516 NO. 906 01:43:08,583 --> 01:43:10,885 WHEN I FIRST BROUGHT THE BOY HERE, 907 01:43:10,952 --> 01:43:14,088 THERE WERE NO NIGHTS WHEN HE SLEPT ALL NIGHT. 908 01:43:14,155 --> 01:43:16,624 HE WOKE UP SCREAMING WILD THINGS. 909 01:43:16,691 --> 01:43:19,527 IT TOOK ME MANY MONTHS TO UNDERSTAND 910 01:43:19,594 --> 01:43:22,096 WHAT HIS BAD DREAMS WERE ABOUT. 911 01:43:22,163 --> 01:43:27,469 HE SAW CAT DANCING DIE. 912 01:43:27,535 --> 01:43:32,640 HE SAW YOU KILL HIS MOTHER. 913 01:43:42,183 --> 01:43:44,352 THE BOY SPEAKS THE TRUTH. 914 01:43:48,790 --> 01:43:51,759 YOUR MOTHER... 915 01:43:53,328 --> 01:43:56,731 YOUR SISTER... 916 01:43:58,032 --> 01:44:01,736 WAS A FAITHFUL WIFE. 917 01:44:26,994 --> 01:44:29,297 JAY? 918 01:44:32,099 --> 01:44:34,001 LET IT GO, CATHERINE. 919 01:44:41,175 --> 01:44:43,345 I LOVE YOU, JAY. 920 01:46:01,389 --> 01:46:02,690 LET ME HAVE THAT. 921 01:46:02,757 --> 01:46:04,859 ARE YOU SUGGESTING I DON'T KNOW HOW 922 01:46:04,926 --> 01:46:06,861 TO DEPORT MYSELF AMONGST SAVAGES? 923 01:46:06,928 --> 01:46:09,397 COLORFUL SHOW OF WEAPONRY, A SHOW OF FORCE. 924 01:46:09,464 --> 01:46:11,833 THEY UNDERSTAND LITTLE ELSE. 925 01:46:52,540 --> 01:46:55,610 CATHERINE. 926 01:47:02,016 --> 01:47:05,487 HELLO, WILLARD. 927 01:47:07,354 --> 01:47:10,224 I TAKE IT YOU'RE ALL RIGHT. 928 01:47:10,291 --> 01:47:12,093 I'M ALL RIGHT. 929 01:47:12,159 --> 01:47:14,596 IT'S ALL HERE. 930 01:47:15,763 --> 01:47:19,967 THIS JAY IS FULL OF SURPRISES. 931 01:47:22,470 --> 01:47:23,905 WHERE IS HE? 932 01:47:23,971 --> 01:47:28,676 HE LEFT. 933 01:47:49,731 --> 01:47:52,634 WHAT DO YOU INTEND TO DO? 934 01:47:52,700 --> 01:47:57,038 I INTENDED TO KILL HIM ANYWAY. 935 01:47:57,104 --> 01:47:59,907 I CERTAINLY WILL NOW. 936 01:48:37,511 --> 01:48:39,480 HYAH! GET UP THERE. GET UP THERE. 937 01:48:39,547 --> 01:48:42,083 HYAH! HYAH! 938 01:48:42,149 --> 01:48:44,919 COME ON, BOY. HYAH! 939 01:48:56,530 --> 01:48:59,433 WHOA, BOY. WHOA. 940 01:48:59,500 --> 01:49:01,669 EASY, BOY. 941 01:50:42,837 --> 01:50:47,508 YOU CARE MUCH FOR HIM -- 942 01:50:47,574 --> 01:50:51,545 JOHN GROBART? 943 01:50:51,612 --> 01:50:53,948 YES, MUCH. 944 01:50:54,015 --> 01:50:56,117 IF YOU WISH TO FOLLOW HIM, 945 01:50:56,183 --> 01:50:59,186 I WILL SHOW YOU THE WAY HE GOES. 946 01:51:20,374 --> 01:51:24,879 CROCKER, WE KNOW YOUR WIFE'S NOT KIDNAPPED. 947 01:51:24,946 --> 01:51:27,514 WE'VE GOT THE MONEY. 948 01:51:27,581 --> 01:51:29,516 WHY DON'T YOU GO BACK WITH THEM? 949 01:51:29,583 --> 01:51:31,719 LET ME HANDLE THE REST. 950 01:51:37,624 --> 01:51:40,094 I'LL GIVE YOU ONE MORE DAY. 951 01:51:40,161 --> 01:51:44,165 THAT'S AS FAR AS MY JURISDICTION GOES. 952 01:52:59,673 --> 01:53:01,775 DREAM SPEAKER, IT'LL BE NIGHT SOON. 953 01:53:01,843 --> 01:53:03,110 HOW WILL WE FIND HIM? 954 01:53:03,177 --> 01:53:06,647 LET US DIVIDE IN OUR SEARCH. 955 01:53:06,713 --> 01:53:09,516 BUT WHAT IF WE LOSE EACH OTHER? 956 01:53:09,583 --> 01:53:12,753 CAN YOU DO THIS? 957 01:54:21,822 --> 01:54:24,926 CATHERINE. 958 01:54:24,992 --> 01:54:27,394 HOLD ME, PLEASE. 959 01:54:27,461 --> 01:54:30,131 JUST HOLD ME. 960 01:54:32,233 --> 01:54:34,468 I'VE BEEN WATCHING YOU TRACK ME 961 01:54:34,535 --> 01:54:35,937 FOR OVER HALF AN HOUR. 962 01:54:36,003 --> 01:54:38,039 I WAS HOPING YOU'D GIVE UP. 963 01:55:05,166 --> 01:55:07,734 TELL IRON KNIFE I THANK HIM 964 01:55:07,801 --> 01:55:09,470 FOR THE HELP OF... 965 01:55:09,536 --> 01:55:11,838 HIS SON. 966 01:55:11,905 --> 01:55:14,075 GOODBYE, DREAM SPEAKER. 967 01:55:34,461 --> 01:55:39,733 WE HAVE TIME NOW, DON'T WE, JAY? 968 01:55:39,800 --> 01:55:43,237 YEAH. 969 01:55:43,304 --> 01:55:46,640 ALL THE TIME IN THE WORLD. 970 01:56:54,675 --> 01:56:55,842 MORNIN'. 971 01:56:55,909 --> 01:56:58,212 GOOD MORNING. 972 01:56:58,279 --> 01:57:02,383 YOU GOT ANY MONEY? 973 01:57:02,449 --> 01:57:04,351 NO. 974 01:57:04,418 --> 01:57:07,521 WELL, I GUESS WE SHOULD HAVE KEPT SOME. 975 01:57:07,588 --> 01:57:11,725 WE CAN ALWAYS ROB ANOTHER TRAIN. 976 01:57:11,792 --> 01:57:14,561 YEAH. 977 01:57:44,057 --> 01:57:46,660 I'LL CHECK ON YOUR HORSE. 978 01:57:46,727 --> 01:57:48,462 I'LL GO WITH YOU. 979 01:57:48,529 --> 01:57:50,464 NO. I WANT TO GO WITH YOU. 980 01:57:50,531 --> 01:57:52,299 I'LL COME BACK FOR YOU. PLEASE, JAY. 981 01:57:52,366 --> 01:57:53,834 GOD DAMN IT, CATHERINE, 982 01:57:53,900 --> 01:57:56,803 WHEN ARE YOU GOING TO LEARN TO DO WHAT I TELL YOU? 983 01:57:56,870 --> 01:57:59,106 I WILL... 984 01:57:59,173 --> 01:58:02,443 IF YOU'LL TELL ME JUST ONCE THAT -- 985 01:58:04,745 --> 01:58:08,515 THAT WHAT? 986 01:58:11,885 --> 01:58:13,687 IT DOESN'T MATTER. 987 01:58:17,724 --> 01:58:21,328 YOU'RE THE GODDAMNEDEST WOMAN I'VE EVER KNOWN. 988 01:58:53,126 --> 01:58:55,729 OH, MY -- 989 01:58:55,796 --> 01:58:59,200 I GOT HIM! 990 01:59:25,859 --> 01:59:28,895 JAY. JAY. 991 01:59:33,667 --> 01:59:35,035 OH, JAY. 992 01:59:35,101 --> 01:59:36,537 I GOT HIM! 993 01:59:36,603 --> 01:59:39,773 I GOT HIM. 994 01:59:39,840 --> 01:59:41,542 HA HA HA. 995 02:00:09,870 --> 02:00:11,972 JAY. JAY. 996 02:00:26,353 --> 02:00:28,522 THROW HIM OVER THE PACKHORSE. 997 02:00:30,190 --> 02:00:33,660 WELL, COME ON, LET'S GET MOVING! 998 02:00:53,079 --> 02:00:56,317 I LOVE YOU. 999 02:00:56,383 --> 02:01:01,221 I LOVE YOU. 1000 02:01:01,288 --> 02:01:03,657 CAN -- CAN YOU GET UP? 1001 02:01:03,724 --> 02:01:07,361 OH...SURE. 1002 02:01:26,313 --> 02:01:28,649 LEAVE HIM ALONE. 1003 02:01:51,472 --> 02:01:55,509 I CAN MAKE IT. 1004 02:02:04,718 --> 02:02:07,921 I'LL LEAVE YOU CROCKER'S HORSE. 1005 02:02:19,933 --> 02:02:24,471 YOU'RE THE DAMNEDEST MAN I'VE EVER KNOWN. 60468

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