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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,230 --> 00:00:13,320 [crickets chirping] 2 00:00:33,250 --> 00:00:36,260 [dial tone humming] 3 00:00:48,400 --> 00:00:49,370 [groaning] 4 00:01:03,280 --> 00:01:04,420 [radio chattering] 5 00:01:22,210 --> 00:01:24,250 [siren wailing] 6 00:01:59,340 --> 00:02:01,350 [police siren wailing] 7 00:02:02,370 --> 00:02:03,430 [tires screeching] 8 00:02:07,380 --> 00:02:09,240 (woman on P.A. system) DR. GARDNER. 9 00:02:09,260 --> 00:02:11,240 DR. GARDNER, PLEASE. 10 00:02:13,390 --> 00:02:16,300 (doctor) DO YOU KNOW WHY YOU'RE HERE, GAIL? 11 00:02:19,390 --> 00:02:21,280 HE RAPED ME. 12 00:02:22,220 --> 00:02:23,310 WHO RAPED YOU? 13 00:02:24,300 --> 00:02:25,400 DO YOU KNOW HIM, GAIL? 14 00:02:25,420 --> 00:02:27,210 [sobbing] 15 00:02:27,350 --> 00:02:28,370 I--I CAN'T... 16 00:02:28,390 --> 00:02:30,330 I CAN'T-- I CAN'T TELL ANYBODY. 17 00:02:30,350 --> 00:02:32,360 I CAN'T TELL ANYBODY, THEY WON'T BELIEVE ME. 18 00:02:32,380 --> 00:02:34,250 THEY WON'T BELIEVE ME, I KNOW IT. 19 00:02:34,270 --> 00:02:35,320 I CAN'T TELL ANYBODY. 20 00:02:35,340 --> 00:02:38,210 [whimpering] HE--HE CALLED ME. 21 00:02:38,230 --> 00:02:39,340 HE WAS THERE. 22 00:02:39,360 --> 00:02:42,320 HE MUST'VE BEEN WATCHING ME THE WHOLE TIME. 23 00:02:42,340 --> 00:02:45,200 HE--HE WAS AT THE LAKE. 24 00:02:45,220 --> 00:02:47,270 [echoing] HE WAS-- HE WAS THERE. 25 00:02:50,240 --> 00:02:51,370 (Gail) I'M FREEZING. 26 00:02:51,390 --> 00:02:53,310 (Alison) COME ON, IT'S THE LAST SWIM OF THE SEASON. 27 00:02:53,330 --> 00:02:54,370 WE DO THIS EVERY YEAR. 28 00:02:54,390 --> 00:02:56,260 IT'S GONNA BE THE LAST SWIM OF MY LIFE. 29 00:02:56,280 --> 00:02:58,300 I'LL HAVE A HEART ATTACK AS SOON AS I JUMP IN THE WATER. 30 00:02:58,320 --> 00:03:01,210 IT'S LIKE INDIAN SUMMER OUTSIDE. YOU'LL GET USED TO IT. 31 00:03:01,230 --> 00:03:02,410 OH! IT'S FREEZING. 32 00:03:02,430 --> 00:03:05,330 AFTER THE INITIAL SHOCK, YOU'LL WARM UP. 33 00:03:05,350 --> 00:03:07,270 I TOLD YOU, I'M GONNA HAVE A HEART ATTACK. 34 00:03:07,290 --> 00:03:08,410 COME ON! I CAN'T! 35 00:03:08,430 --> 00:03:10,250 YOU'RE-- OH! 36 00:03:10,270 --> 00:03:11,290 [giggling] 37 00:03:13,280 --> 00:03:16,300 WAIT UP! THE WATER WILL BE THERE! 38 00:03:16,320 --> 00:03:18,250 [laughing] I'LL RACE YOU! 39 00:03:18,270 --> 00:03:19,380 NOPE! 40 00:03:19,400 --> 00:03:21,350 (Gail) OH, THIS IS CRAZY. 41 00:03:23,250 --> 00:03:24,300 (Alison) AND YOU'VE GOT A SWEATSHIRT ON. 42 00:03:24,320 --> 00:03:26,430 [girls chattering] 43 00:03:27,400 --> 00:03:29,200 [Alison whooping] 44 00:03:30,330 --> 00:03:32,300 [girls giggling] 45 00:03:42,330 --> 00:03:43,350 [birds chirping] 46 00:03:47,410 --> 00:03:49,400 COME ON, GAIL, IT'S WARM! 47 00:03:49,420 --> 00:03:51,250 COME ON IN! 48 00:03:56,400 --> 00:03:57,380 [exclaims] 49 00:04:20,250 --> 00:04:21,250 [groans] 50 00:04:21,270 --> 00:04:22,260 [giggling] 51 00:04:23,290 --> 00:04:25,240 WEAR YOUR BLUE SWEATER TOMORROW NIGHT. 52 00:04:25,260 --> 00:04:26,310 WHERE ARE WE GOING? 53 00:04:26,330 --> 00:04:28,310 MOVIE, AND THEN OUT FOR COFFEE. 54 00:04:28,330 --> 00:04:30,200 I DON'T THINK I'M READY FOR THIS. 55 00:04:31,220 --> 00:04:32,400 PHIL SAID STEVE'S A NICE GUY. 56 00:04:32,420 --> 00:04:34,310 YOU'LL LIKE HIM. 57 00:04:34,330 --> 00:04:37,300 WELL, MAYBE I SHOULD WEAR MY--MY PINK SWEATER. 58 00:04:37,320 --> 00:04:38,420 THE BLUE ONE LOOKS BETTER ON YOU. 59 00:04:39,200 --> 00:04:40,290 WELL, WHAT MOVIE ARE WE GONNA SEE? 60 00:04:40,310 --> 00:04:41,430 THREE DAYS OF THE CONDOR. 61 00:04:42,210 --> 00:04:43,270 PHIL PICKED IT. 62 00:04:43,290 --> 00:04:44,320 REDFORD'S IN IT. 63 00:04:44,340 --> 00:04:46,230 DO YOU THINK HE'S CUTE? REDFORD? 64 00:04:46,250 --> 00:04:47,350 NO, STEVE. 65 00:04:47,370 --> 00:04:49,320 YES! 66 00:04:49,340 --> 00:04:52,410 STEVE PASTORINIS HAPPENS TO BE A STRAIGHT-A STUDENT. 67 00:04:53,200 --> 00:04:54,400 HE'S ALREADY BEEN ACCEPTED AT DARTMOUTH. 68 00:04:54,420 --> 00:04:56,240 AND HE'S ON THE FENCING TEAM. 69 00:04:56,260 --> 00:04:57,370 HE ISN'T MY TYPE. 70 00:04:57,390 --> 00:04:59,370 WHAT'S THAT SUPPOSED TO MEAN? HE'S TOO SUCCESSFUL. 71 00:04:59,390 --> 00:05:01,260 YOU'RE IMPOSSIBLE. 72 00:05:01,280 --> 00:05:04,290 I SUPPOSE E.K. MILLER WAS MORE YOUR TYPE? 73 00:05:04,310 --> 00:05:07,250 NO, E.K. MILLER WASN'T MY TYPE. 74 00:05:07,270 --> 00:05:08,290 THEN WHO IS? 75 00:05:08,310 --> 00:05:11,210 I DON'T KNOW, I JUST KNOW WHO ISN'T. 76 00:05:11,230 --> 00:05:13,220 YOU ARE IMPOSSIBLE. 77 00:05:13,240 --> 00:05:15,420 WELL, JUST LET ME ASK YOU ONE THING. 78 00:05:16,200 --> 00:05:18,330 WHAT IF I DON'T LIKE STEVE PASTORINIS? 79 00:05:18,350 --> 00:05:21,370 THEN YOU DON'T HAVE TO GO OUT WITH HIM AGAIN. 80 00:05:21,390 --> 00:05:23,410 WHAT IF HE DOESN'T LIKE ME? 81 00:05:23,430 --> 00:05:25,260 IMPOSSIBLE. 82 00:05:25,420 --> 00:05:26,400 [giggling] 83 00:05:36,270 --> 00:05:37,240 [exhales] 84 00:05:39,240 --> 00:05:41,300 YOU TWO STAY HERE. I'LL GO GET HER. 85 00:05:44,360 --> 00:05:46,370 ALISON, WHERE'S STEVE? 86 00:05:46,390 --> 00:05:48,230 OH, UH, HE'S IN THE CAR. 87 00:05:48,250 --> 00:05:49,370 OH, HE'S IN THE CAR. I WOULD LIKE TO MEET HIM. 88 00:05:49,390 --> 00:05:51,250 WHY IS HE IN THE CAR? 89 00:05:51,270 --> 00:05:53,410 WELL, HE WOULD'VE COME IN, EXCEPT FOR HE WAS DRIVING, 90 00:05:53,430 --> 00:05:55,220 AND WE'RE SORT OF DOUBLE-PARKED. 91 00:05:55,240 --> 00:05:56,420 IT SEEMED EASIER THIS WAY. 92 00:05:57,200 --> 00:05:58,210 [knocking on door] 93 00:06:01,310 --> 00:06:03,220 HELLO. HELLO. 94 00:06:03,240 --> 00:06:04,390 UH, MRS. OSBORNE? THAT'S RIGHT. 95 00:06:08,200 --> 00:06:10,380 UH, I'M, UH, STEVE PASTORINIS. 96 00:06:10,400 --> 00:06:13,260 HELLO, STEVE. I'M VERY GLAD TO MEET YOU. 97 00:06:13,280 --> 00:06:14,340 YES. I'M GLAD YOU CAME IN. 98 00:06:14,360 --> 00:06:16,240 NICE TO MEET YOU. 99 00:06:21,240 --> 00:06:22,230 HI. HI. 100 00:06:27,200 --> 00:06:29,260 UM, ARE--ARE YOU READY? 101 00:06:32,250 --> 00:06:34,230 WELL, BYE, MOM. WE'LL BE HOME EARLY. 102 00:06:34,250 --> 00:06:36,220 BY 12:00, GAIL, HUH? 103 00:06:36,240 --> 00:06:37,360 MIDNIGHT, STEVE. YES. 104 00:06:39,210 --> 00:06:41,220 WELL, HAVE A GOOD TIME, KIDS. 105 00:06:42,240 --> 00:06:43,380 BYE. GOOD-BYE! 106 00:06:43,400 --> 00:06:44,350 GOOD-BYE. BYE. 107 00:06:48,360 --> 00:06:49,420 ♪♪[music playing] 108 00:06:52,360 --> 00:06:53,380 [people chattering] 109 00:06:56,250 --> 00:06:58,240 HEY, JOHN. GIMME SOME MONEY. 110 00:07:00,230 --> 00:07:01,360 (Gail) I JUST LOVED THAT PART, YOU KNOW, 111 00:07:01,380 --> 00:07:05,240 WHEN FAYE DUNAWAY SAYS THAT HE DOESN'T HAVE MUCH OF A FUTURE 112 00:07:05,260 --> 00:07:06,350 AND THAT HE'S GONNA DIE? 113 00:07:06,370 --> 00:07:07,390 (Alison) WHEN WAS THAT? 114 00:07:07,410 --> 00:07:10,390 YOU KNOW, WHEN, UM, REDFORD SAYS THAT HE-- 115 00:07:10,410 --> 00:07:12,430 HE JUST WANTS TO SPEND THE NIGHT AND THEN HE'LL LEAVE. 116 00:07:13,210 --> 00:07:14,250 I REMEMBER. 117 00:07:14,270 --> 00:07:15,400 I THOUGHT IT WAS VERY ROMANTIC. 118 00:07:15,420 --> 00:07:17,270 I DIDN'T. 119 00:07:17,290 --> 00:07:18,390 I STILL SAY 120 00:07:18,410 --> 00:07:20,390 SHE SHOULDN'T HAVE JUST LET HIM SLEEP WITH HER LIKE THAT. 121 00:07:20,410 --> 00:07:24,200 SHE DIDN'T JUST LET HIM SLEEP WITH HER, I MEAN, 122 00:07:24,220 --> 00:07:27,280 SHE WAS FALLING IN LOVE WITH HIM. SHE WANTED HIM, TOO. 123 00:07:27,300 --> 00:07:29,360 THAT'S NOT LOVE. THAT'S SEX. 124 00:07:29,380 --> 00:07:32,210 WELL, WHAT'S WRONG WITH THAT. MAYBE IT'LL TURN INTO LOVE. 125 00:07:32,230 --> 00:07:33,430 SHE GOT WHAT SHE WANTED. 126 00:07:34,370 --> 00:07:36,280 WELL, I WOULDN'T DO IT. 127 00:07:36,300 --> 00:07:38,240 WHAT'S THAT SUPPOSED TO MEAN. 128 00:07:40,390 --> 00:07:42,240 WELL, THEY WERE FALLING IN LOVE, 129 00:07:42,260 --> 00:07:43,370 AND I STILL THINK IT'S BEAUTIFUL. 130 00:07:45,200 --> 00:07:46,280 GAIL, 131 00:07:46,300 --> 00:07:48,240 YOU COULD MEET A STRANGER, 132 00:07:48,260 --> 00:07:51,320 FALL IN LOVE WITH HIM, AND GO TO BED WITH HIM IN 2 DAYS? 133 00:07:51,340 --> 00:07:52,330 MAYBE. IT WAS 3 DAYS. 134 00:07:52,350 --> 00:07:53,360 NO IT WASN'T. 135 00:07:53,380 --> 00:07:56,210 NO, THAT WAS THE 2ND NIGHT THEY WERE TOGETHER. 136 00:07:56,230 --> 00:07:57,360 WELL, I COULDN'T. 137 00:07:57,380 --> 00:08:00,220 WELL, HOW CAN YOU BE SO SURE ABOUT EVERYTHING, ALL THE TIME. 138 00:08:00,240 --> 00:08:03,210 BECAUSE NOBODY FALLS IN LOVE IN 2 DAYS. 139 00:08:03,230 --> 00:08:04,340 THAT'S NOT LOVE. 140 00:08:05,360 --> 00:08:07,250 LOVE HAS A FUTURE. 141 00:08:07,270 --> 00:08:10,320 OH, COME ON. I THINK YOU'RE BOTH OVERANALYZING THIS, YOU KNOW? 142 00:08:10,340 --> 00:08:13,390 I MEAN, UH, REDFORD WAS JUST TELLING HER WHAT SHE WANTED TO HEAR. 143 00:08:14,310 --> 00:08:16,370 I GIVE UP. 144 00:08:16,390 --> 00:08:19,300 HEY, LISTEN, YOU TWO. HAVEN'T YOU EVER HEARD OF ROMANCE? 145 00:08:19,320 --> 00:08:21,410 I COULD FALL IN LOVE IN, UH, 2 DAYS. 146 00:08:22,200 --> 00:08:23,230 2 HOURS. 147 00:08:24,230 --> 00:08:26,300 MAYBE IT ISN'T FOREVER, 148 00:08:26,320 --> 00:08:28,390 BUT THAT DOESN'T MEAN IT'S NOT LOVE. 149 00:08:34,410 --> 00:08:36,420 I GUESS THEY DIDN'T LIKE THE MOVIE. 150 00:08:37,200 --> 00:08:38,300 [chuckling] WELL, I DID. 151 00:08:38,320 --> 00:08:39,340 ME, TOO. 152 00:08:41,290 --> 00:08:42,340 I HEAR YOU'RE... I HEAR YOU'RE... 153 00:08:42,360 --> 00:08:44,220 ...INTO PHOTOGRAPHY. ...INTO FENCING. 154 00:08:44,240 --> 00:08:45,260 [both chuckling] 155 00:08:45,280 --> 00:08:46,400 YOU FIRST. NO, YOU GO FIRST. 156 00:08:48,230 --> 00:08:49,420 OK, UM... 157 00:08:50,200 --> 00:08:51,250 [clears throat] 158 00:08:51,270 --> 00:08:53,250 I HEAR YOU TAKE TERRIFIC PHOTOGRAPHS. 159 00:08:53,270 --> 00:08:54,410 YOU DID? WHO TOLD YOU? 160 00:08:56,240 --> 00:08:57,400 YOU ALSO TAKE COMPLIMENTS REALLY WELL. 161 00:08:57,420 --> 00:08:59,290 [chuckling] 162 00:08:59,310 --> 00:09:01,340 YEAH, I SURE DO. UH... 163 00:09:01,360 --> 00:09:03,420 NO, UM, MY PICTURES AREN'T TERRIFIC, 164 00:09:04,210 --> 00:09:05,310 BUT THEY MIGHT BE SOMEDAY. 165 00:09:05,330 --> 00:09:07,260 I MEAN, THEY'RE GOOD. 166 00:09:07,280 --> 00:09:09,230 WELL, THEY'RE PRETTY GOOD. 167 00:09:09,250 --> 00:09:10,340 [chuckling] IT'S GETTING WORSE. 168 00:09:10,360 --> 00:09:13,360 [giggling] OK. THEY'RE GOOD. 169 00:09:17,250 --> 00:09:18,390 WHAT ABOUT DARTMOUTH? 170 00:09:18,410 --> 00:09:19,420 YOU'RE GOING THERE NEXT YEAR, 171 00:09:20,200 --> 00:09:21,230 WHAT'S YOUR MAJOR GONNA BE? 172 00:09:21,250 --> 00:09:22,380 UH, BIOLOGY. 173 00:09:22,400 --> 00:09:24,340 BET YOU WIN A NOBEL PRIZE. 174 00:09:25,380 --> 00:09:27,230 [crickets chirping] 175 00:09:31,320 --> 00:09:32,360 [sighs] 176 00:09:49,390 --> 00:09:51,310 I'M GONNA CATCH IT. 177 00:09:51,330 --> 00:09:53,310 I'D BETTER GO IN. I'M LATE ALREADY. 178 00:09:53,330 --> 00:09:56,390 BUT THEN--THEN A COUPLE OF MORE MINUTES WON'T HURT. 179 00:09:56,410 --> 00:09:58,350 YOU'RE BEING VERY BAD. 180 00:10:00,220 --> 00:10:02,250 OK, UH, JUST ONE MORE. 181 00:10:10,380 --> 00:10:12,270 [engine roaring] 182 00:10:25,290 --> 00:10:27,240 I'VE GOT TO GO IN. 183 00:10:28,430 --> 00:10:29,430 OK. 184 00:10:33,430 --> 00:10:35,310 HEY, GAIL, UM... 185 00:10:36,300 --> 00:10:37,370 YEAH? UM... 186 00:10:37,390 --> 00:10:40,240 WOULD YOU HAVE LUNCH WITH ME TOMORROW? 187 00:10:40,430 --> 00:10:42,210 GREAT. 188 00:10:44,390 --> 00:10:45,400 [sighing] 189 00:10:55,230 --> 00:10:56,280 [car engine starts] 190 00:11:35,320 --> 00:11:37,380 [phone ringing] 191 00:11:43,200 --> 00:11:44,260 HELLO? 192 00:11:44,280 --> 00:11:45,370 [heavy breathing] 193 00:11:45,390 --> 00:11:46,400 HELLO? 194 00:11:48,400 --> 00:11:50,330 HELLO. 195 00:11:50,350 --> 00:11:52,270 [breathing continues] 196 00:11:52,290 --> 00:11:54,270 IS THIS A JOKE? 197 00:11:54,290 --> 00:11:57,280 BECAUSE IF YOU DON'T TELL ME YOUR NAME, I'M GONNA HANG UP. 198 00:12:08,360 --> 00:12:10,310 WHO CALLED LAST NIGHT? 199 00:12:10,330 --> 00:12:12,270 I DON'T KNOW, IT MUST'VE BEEN A WRONG NUMBER. 200 00:12:12,290 --> 00:12:14,260 I DON'T WANT YOUR FRIENDS CALLING HERE THAT LATE. 201 00:12:14,280 --> 00:12:15,340 WHY DO YOU SAY IT'S ONE OF MY FRIENDS? 202 00:12:15,360 --> 00:12:17,200 I JUST SAID IT WAS A WRONG NUMBER. 203 00:12:17,220 --> 00:12:19,220 ALL RIGHT, ALL RIGHT. PEACE. 204 00:12:20,200 --> 00:12:22,220 WHAT TIME DID YOU GET HOME? 205 00:12:22,240 --> 00:12:24,260 [sighing] ABOUT 12:00. 206 00:12:24,280 --> 00:12:26,260 12:20. 207 00:12:26,280 --> 00:12:28,300 WHY DID YOU ASK IF YOU ALREADY KNEW? 208 00:12:28,320 --> 00:12:29,380 WHAT YOUR MOTHER IS TRYING TO SAY 209 00:12:29,400 --> 00:12:32,240 IS THAT YOU WERE OUT LATE AND DON'T LET IT HAPPEN AGAIN. 210 00:12:32,260 --> 00:12:35,280 THAT'S NOT WHAT I'M TRYING TO SAY AND PLEASE DON'T SPEAK FOR ME. 211 00:12:35,300 --> 00:12:37,200 LOOK, I DO NOT INTEND TO SIT UP 212 00:12:37,220 --> 00:12:38,350 AND WORRY ABOUT YOU EVERY NIGHT. 213 00:12:38,370 --> 00:12:40,280 WORRY ABOUT WHAT? 214 00:12:40,390 --> 00:12:42,230 MOTHER, 215 00:12:42,250 --> 00:12:43,350 DON'T YOU TRUST ME? 216 00:12:43,370 --> 00:12:46,250 IF STEVE PASTORINIS, OR RONIS, OR WHATEVER HIS NAME IS, 217 00:12:46,270 --> 00:12:48,400 CAN'T GET YOU HOME ON TIME, YOU'RE NOT GOING OUT WITH HIM AGAIN, GAIL. 218 00:12:48,420 --> 00:12:50,400 ANNE. WHY DON'T YOU LIKE HIM? 219 00:12:50,420 --> 00:12:53,230 WHY IS IT YOU DON'T LIKE ANYBODY I'VE EVER GONE OUT WITH? 220 00:12:53,250 --> 00:12:56,230 I DON'T EVEN KNOW HIM. STEVE IS NOT THE ISSUE. 221 00:12:56,250 --> 00:12:57,410 YES, STEVE IS THE ISSUE, 222 00:12:57,430 --> 00:13:00,320 BECAUSE YOU MADE UP YOUR MIND TO NOT LIKE HIM BEFORE YOU EVEN MET HIM. 223 00:13:00,340 --> 00:13:02,300 LOOK, WHEN I TELL YOU TO BE HOME AT 12:00, 224 00:13:02,320 --> 00:13:04,390 I MEAN 12:00, NOT 12:20. IS THAT CLEAR? 225 00:13:04,410 --> 00:13:06,340 [whistles] HEY. 226 00:13:08,210 --> 00:13:09,330 THIS ISN'T GETTING US ANYWHERE. 227 00:13:09,350 --> 00:13:11,390 NOW, GO TO SCHOOL. YOU'RE GETTIN' LATE. 228 00:13:14,430 --> 00:13:15,420 [sighs] 229 00:13:19,380 --> 00:13:20,370 MOM? 230 00:13:24,270 --> 00:13:25,290 GOOD-BYE. 231 00:13:27,390 --> 00:13:28,420 GOOD-BYE. 232 00:13:38,430 --> 00:13:41,260 AM I TOO HARD ON HER? I GUESS I'M TOO HARD ON HER. 233 00:13:41,280 --> 00:13:43,370 I DON'T KNOW. I DON'T KNOW. 234 00:13:43,390 --> 00:13:45,240 I JUST WORRY ABOUT HER. 235 00:13:45,260 --> 00:13:46,280 WHY? 236 00:13:46,300 --> 00:13:49,280 WHY? DON'T YOU REMEMBER HOW SHE... 237 00:13:49,300 --> 00:13:50,370 [sighing] HOW UPSET SHE WAS 238 00:13:50,390 --> 00:13:53,240 WHEN SHE BROKE UP WITH EDDIE MILLER? 239 00:13:54,380 --> 00:13:56,290 HMM? 240 00:13:56,310 --> 00:13:59,210 WELL, I DON'T WANT HER RUSHING INTO ANYTHING AGAIN. 241 00:13:59,360 --> 00:14:00,420 LIKE WE DID? 242 00:14:01,200 --> 00:14:03,200 THAT'S NOT WHAT I WAS TALKING ABOUT. 243 00:14:04,400 --> 00:14:07,260 BUT, NOW THAT YOU MENTION IT, YES, LIKE WE DID. 244 00:14:07,280 --> 00:14:10,210 18. 18 WHEN WE GOT MARRIED. 245 00:14:10,430 --> 00:14:12,250 IT'S JUST TOO YOUNG. 246 00:14:14,250 --> 00:14:15,320 IT WAS TOO YOUNG. 247 00:14:16,390 --> 00:14:17,430 BUT HERE WE ARE. 248 00:14:20,230 --> 00:14:21,260 I KNOW. 249 00:14:22,280 --> 00:14:24,210 [sighs] 250 00:14:24,230 --> 00:14:26,340 WHAT WAS THE STORY WITH GAIL AND E.K. MILLER? 251 00:14:26,360 --> 00:14:28,280 I DON'T KNOW. 252 00:14:28,300 --> 00:14:30,260 WHY DON'T YOU ASK HER? 253 00:14:30,280 --> 00:14:33,220 DO YOU THINK THAT SHE WOULD TELL ME? 254 00:14:33,240 --> 00:14:34,380 NO. [chuckles] UH-UH. 255 00:14:35,420 --> 00:14:36,390 MMM-MMM. 256 00:14:39,220 --> 00:14:40,350 I JUST WORRY ABOUT HER. 257 00:14:42,410 --> 00:14:44,270 SHE'S ONLY 17. 258 00:14:45,210 --> 00:14:46,360 AT THAT AGE, 259 00:14:46,380 --> 00:14:47,390 THEY'RE IMMORTAL. 260 00:14:48,280 --> 00:14:49,320 MMM-MMM. 261 00:14:49,340 --> 00:14:50,340 SHE'S NOT. 262 00:15:16,340 --> 00:15:18,300 [people chattering] 263 00:15:21,390 --> 00:15:23,280 "IN SECRET WE MET 264 00:15:24,430 --> 00:15:27,250 "IN SILENCE I GRIEVE 265 00:15:28,210 --> 00:15:30,320 "THAT THY HEART COULD FORGET 266 00:15:30,340 --> 00:15:32,310 "THY SPIRIT DECEIVE 267 00:15:33,350 --> 00:15:36,280 "IF I SHOULD MEET THEE 268 00:15:36,300 --> 00:15:38,200 "AFTER LONG YEARS 269 00:15:39,260 --> 00:15:41,200 "HOW SHOULD I GREET THEE? 270 00:15:43,230 --> 00:15:44,250 "WITH SILENCE 271 00:15:45,260 --> 00:15:46,400 AND WITH TEARS" 272 00:15:50,340 --> 00:15:53,230 WHAT IS THE POET TELLING US, MISS BREMER? 273 00:15:57,340 --> 00:15:58,430 I DON'T KNOW. 274 00:15:59,210 --> 00:16:00,310 I'M SORRY, I WASN'T LISTENING. 275 00:16:09,390 --> 00:16:13,290 I SEE YOU ALREADY KNOW ALL THERE IS TO KNOW ABOUT LOVE. 276 00:16:13,310 --> 00:16:16,390 LORD BYRON IS NOT SO ELOQUENT AS MISS ALISON BREMER. 277 00:16:18,310 --> 00:16:20,330 I DON'T KNOW WHY I WASTE MY BREATH. 278 00:16:20,350 --> 00:16:22,320 YOU ALL MAKE PUPPY-EYES 279 00:16:22,340 --> 00:16:24,240 AT ONE ANOTHER IN THE ICE CREAM STORE 280 00:16:24,260 --> 00:16:25,410 AND YOU THINK YOU KNOW EVERYTHING. 281 00:16:25,430 --> 00:16:27,280 [school bell rings] 282 00:16:29,390 --> 00:16:31,260 [people chattering] 283 00:16:33,350 --> 00:16:36,200 MALEVICH IS SUCH A CRACKPOT. 284 00:16:36,220 --> 00:16:38,280 I DON'T KNOW, SHE IS DRAMATIC. 285 00:16:38,300 --> 00:16:39,400 I LIKE HER. 286 00:16:39,420 --> 00:16:41,360 THEY SAY SHE WAS THE TSAR'S MISTRESS. 287 00:16:42,260 --> 00:16:43,370 ALISON... 288 00:16:43,390 --> 00:16:45,400 OK, SHE'S NOT OLD ENOUGH. 289 00:16:45,420 --> 00:16:46,420 CAN'T BE RIGHT. 290 00:16:47,200 --> 00:16:47,430 [laughing] 291 00:16:49,200 --> 00:16:51,210 SHE AND SONIA SURE ARE A PAIR. 292 00:16:51,230 --> 00:16:52,210 REALLY. 293 00:16:53,310 --> 00:16:54,380 ALL RIGHT. 294 00:16:54,400 --> 00:16:57,210 TELL ME. WHAT DID YOU THINK OF STEVE PASTORINIS? 295 00:16:57,230 --> 00:17:00,290 WELL, LIKE YOU SAID. HE IS AN "A" STUDENT, 296 00:17:00,310 --> 00:17:02,290 HE HAS BEEN ACCEPTED TO DARTMOUTH, 297 00:17:02,310 --> 00:17:03,420 HE IS ON THE FENCING TEAM. 298 00:17:04,200 --> 00:17:04,430 GAIL. 299 00:17:05,210 --> 00:17:07,200 AND HE IS SMART, 300 00:17:07,220 --> 00:17:08,300 AND SEXY, 301 00:17:08,320 --> 00:17:10,290 AND FUN TO BE WITH. 302 00:17:10,310 --> 00:17:12,330 AND WE LIKE THE SAME MOVIES. 303 00:17:12,350 --> 00:17:14,250 AND HE'S PERFECT. 304 00:17:14,270 --> 00:17:15,420 HE'S ABSOLUTELY PERFECT. 305 00:17:16,200 --> 00:17:17,300 OH, GAIL, THAT'S GREAT. 306 00:17:17,320 --> 00:17:18,340 WHEN ARE YOU GONNA SEE HIM AGAIN? 307 00:17:18,360 --> 00:17:20,220 10 MINUTES. LUNCH TODAY. 308 00:17:20,240 --> 00:17:22,410 NOT LUNCH, I MEAN A REAL DATE. 309 00:17:22,430 --> 00:17:24,430 I DON'T KNOW. WELL, HE HASN'T ASKED ME YET. 310 00:17:25,210 --> 00:17:26,320 ♪♪[singing] 311 00:17:31,240 --> 00:17:32,430 [camera clicks] ♪ EACH TIME WE HAVE A QUARREL ♪ 312 00:17:33,210 --> 00:17:34,420 ♪ IT ALMOST BREAKS MY HEART ♪ 313 00:17:35,200 --> 00:17:37,230 ♪ BECAUSE I'M SO AFRAID ♪ 314 00:17:37,250 --> 00:17:39,300 [camera clicks] ♪ THAT WE WILL HAVE TO PART ♪ 315 00:17:39,320 --> 00:17:43,380 ♪ EACH NIGHT I ASK THE STARS UP ABOVE ♪ 316 00:17:43,400 --> 00:17:47,400 [camera clicks] ♪ WHY MUST I BE A TEENAGER IN LOVE ♪ 317 00:17:50,210 --> 00:17:51,310 ♪♪[scatting] 318 00:17:56,420 --> 00:17:58,390 ♪ EACH TIME WE HAVE A QUARREL ♪ 319 00:17:58,410 --> 00:18:00,340 ♪ IT ALMOST BREAKS MY HEART ♪♪ 320 00:18:02,240 --> 00:18:04,260 I'LL SEE IF PHIL CAN FIND OUT ANYTHING FROM STEVE. 321 00:18:04,280 --> 00:18:05,350 [camera clicks] 322 00:18:05,370 --> 00:18:07,310 WELL, DON'T YOU THINK HE'LL ASK ME HIMSELF? 323 00:18:08,410 --> 00:18:10,300 I DON'T SEE WHY NOT. HE LIKES YOU. 324 00:18:10,320 --> 00:18:11,320 HOW DO YOU KNOW? 325 00:18:11,340 --> 00:18:12,350 'CAUSE HE TOLD PHIL. 326 00:18:14,210 --> 00:18:15,230 WHY DIDN'T YOU TELL ME? 327 00:18:15,250 --> 00:18:16,310 I JUST DID. 328 00:18:17,390 --> 00:18:20,250 I'LL GO FIND PHIL AND SAVE US A TABLE. 329 00:18:21,270 --> 00:18:22,280 STEVE? 330 00:18:24,230 --> 00:18:25,270 HI. 331 00:18:25,290 --> 00:18:26,280 HI. 332 00:18:26,300 --> 00:18:27,320 THANK YOU. 333 00:18:27,340 --> 00:18:29,320 ALISON'S SAVING SEATS FOR US. 334 00:18:29,340 --> 00:18:31,240 OK. 335 00:18:31,260 --> 00:18:33,200 OH, I'M STARVING. (E.K.) HEY, STEVE. 336 00:18:33,220 --> 00:18:35,230 LISTEN, YOU ARE A TRUE PAL. 337 00:18:35,250 --> 00:18:37,390 UH, I LENT E.K. MY CHEMISTRY HOMEWORK THIS MORNING. 338 00:18:37,410 --> 00:18:40,350 JUST THE COMPARISON, GAIL. A MERE MEETING OF GREAT MINDS. 339 00:18:41,420 --> 00:18:43,320 YOU KNOW, UH, 340 00:18:43,340 --> 00:18:46,270 PASTORINIS, I'D HAVE TO CALL THIS AN EVEN TRADE. 341 00:18:46,290 --> 00:18:47,400 YEAH. 342 00:18:47,420 --> 00:18:50,290 I PASS CHEMISTRY, AND, UH, 343 00:18:50,310 --> 00:18:51,400 YOU GET GAIL. 344 00:18:54,230 --> 00:18:55,320 I DON'T THINK IT'S SO EVEN, E.K., 345 00:18:55,340 --> 00:18:56,330 I GET THE BETTER END OF THE DEAL. 346 00:18:56,350 --> 00:18:57,340 YEAH? 347 00:18:57,360 --> 00:18:58,400 YEAH. 348 00:18:58,420 --> 00:19:00,280 WELL, UH, LISTEN, 349 00:19:01,430 --> 00:19:03,280 DON'T BET ON IT. 350 00:19:05,320 --> 00:19:06,360 WHAT WAS THAT ALL ABOUT? 351 00:19:06,380 --> 00:19:07,410 I DON'T KNOW. 352 00:19:07,430 --> 00:19:09,250 DIDN'T YOU USED TO GO OUT WITH HIM? 353 00:19:09,270 --> 00:19:11,200 YEAH, WHEN I FIRST MOVED HERE. 354 00:19:11,220 --> 00:19:12,360 HEY. WE'RE OVER HERE. 355 00:19:12,380 --> 00:19:13,370 HEY. 356 00:19:14,310 --> 00:19:15,400 THANK YOU. THANK YOU. 357 00:19:15,420 --> 00:19:17,270 YOU'RE WELCOME. 358 00:19:31,400 --> 00:19:33,200 [people chattering] 359 00:20:54,250 --> 00:20:55,280 [people chattering] 360 00:20:58,220 --> 00:20:59,400 (Mr. Elden) THE OBJECTIVE OF THIS EXERCISE 361 00:20:59,420 --> 00:21:03,200 IS TO CREATE A PERSONALITY AS YOU SEE IT. 362 00:21:03,220 --> 00:21:05,390 A SELF PORTRAIT MAKES A STATEMENT ABOUT YOU. 363 00:21:05,410 --> 00:21:08,230 HOW DO YOU FEEL ABOUT YOU? 364 00:21:08,250 --> 00:21:11,310 NOW, TODAY WE'RE GONNA TRY OUT DIFFERENT SELVES, OK? 365 00:21:11,330 --> 00:21:13,430 THAT SHOULD APPEAL TO MOST OF YOU. 366 00:21:14,210 --> 00:21:16,430 JUST BY CHANGING A NUANCE OF YOUR CHARACTER, 367 00:21:17,210 --> 00:21:19,320 OF YOUR IMAGE, YOU COULD SHOW US HOW YOU FEEL. 368 00:21:19,340 --> 00:21:21,430 A MACHO SELF, A SEXY SELF. 369 00:21:23,250 --> 00:21:25,280 OK, GAIL, NOW, WHY DON'T YOU TRY? 370 00:21:25,300 --> 00:21:27,380 GIVE US A SEXY SELF-PORTRAIT, OK? 371 00:21:31,380 --> 00:21:33,300 KNOCK YOURSELF OUT, SWEETHEART. 372 00:21:55,230 --> 00:21:56,250 [timer whirring] 373 00:22:00,380 --> 00:22:01,380 [clicks] 374 00:22:04,360 --> 00:22:07,200 OK, GAIL, THAT'S HOLLYWOOD SEXY. 375 00:22:07,220 --> 00:22:08,400 GIVE US A LITTLE REALITY, OK? 376 00:22:10,390 --> 00:22:12,290 [all laughing] ALL RIGHT. 377 00:22:22,400 --> 00:22:24,210 [timer whirring] 378 00:22:29,200 --> 00:22:30,250 [whistles] 379 00:22:31,290 --> 00:22:32,290 [camera clicks] 380 00:22:33,400 --> 00:22:35,210 [school bell rings] 381 00:22:35,320 --> 00:22:36,310 OK. 382 00:22:40,390 --> 00:22:42,200 [people chattering] 383 00:22:43,280 --> 00:22:44,330 ALISON. 384 00:22:48,280 --> 00:22:50,290 LISTEN, I'VE GOT SOME INFORMATION FOR YOU. 385 00:22:50,310 --> 00:22:52,250 PHIL SAYS STEVE'S GONNA CALL YOU AND ASK 386 00:22:52,270 --> 00:22:54,330 IF YOU WANNA GO ON A DOUBLE DATE WITH US, FRIDAY NIGHT. 387 00:22:54,350 --> 00:22:55,330 GOOD. 388 00:22:57,210 --> 00:22:58,260 WELL, WHAT'S THE MATTER? 389 00:22:58,280 --> 00:23:00,430 I WANT YOU TO LOOK AT SOMETHING. 390 00:23:01,210 --> 00:23:03,300 LOOK AT THIS. IT WAS STICKING OUT OF MY LOCKER. 391 00:23:05,240 --> 00:23:06,230 SO? 392 00:23:08,210 --> 00:23:10,380 WELL, DON'T YOU THINK IT'S A LITTLE BIT CREEPY? 393 00:23:10,400 --> 00:23:12,430 DON'T BE SO DRAMATIC. 394 00:23:13,210 --> 00:23:14,320 SOMEBODY'S WATCHING YOU. 395 00:23:14,340 --> 00:23:15,380 HE LIKES YOU. 396 00:23:15,400 --> 00:23:17,300 THAT'S ALL IT SAYS. 397 00:23:18,330 --> 00:23:20,290 I DON'T KNOW. 398 00:23:20,310 --> 00:23:22,310 YOU ALWAYS OVERREACT. 399 00:23:22,330 --> 00:23:24,340 IT DOESN'T EVEN HAVE YOUR NAME ON IT. 400 00:23:24,360 --> 00:23:27,260 MAYBE SOMEONE STUCK IT IN ANY OLD LOCKER. 401 00:23:27,280 --> 00:23:28,430 PHIL'S WAITING FOR ME. I GOTTA GO. 402 00:23:36,360 --> 00:23:39,260 MY DAD MOSTLY DESIGNS SCHOOLS AND HOSPITALS 403 00:23:39,280 --> 00:23:41,370 AND STUFF LIKE THAT. 404 00:23:41,390 --> 00:23:44,400 IN SAN FRANCISCO. HE COMMUTES EVERY DAY. 405 00:23:44,420 --> 00:23:47,270 YEAH, IT IS A LONG WAY. BUT HE WANTS TO LIVE HERE. 406 00:23:54,350 --> 00:23:56,270 HOW LONG HAS SHE BEEN ON THAT PHONE? 407 00:23:56,290 --> 00:23:57,310 45 MINUTES. 408 00:23:57,330 --> 00:23:58,300 45! 409 00:23:59,250 --> 00:24:00,350 IS IT STEVE AGAIN? 410 00:24:00,370 --> 00:24:01,360 WHO ELSE? 411 00:24:01,380 --> 00:24:02,420 NOW, WHAT-- 412 00:24:03,200 --> 00:24:04,320 TELL ME, WHAT COULD BE ALL THAT INTERESTING, HUH? 413 00:24:04,340 --> 00:24:07,300 WELL, UH, HOW ABOUT THE BEATLES' FIRST ALBUM? 414 00:24:07,320 --> 00:24:09,230 THE BEATLES? MMM-HMM. 415 00:24:09,250 --> 00:24:10,320 THE BEATLES? 416 00:24:14,340 --> 00:24:16,270 YOU KNOW, WHEN WE WERE IN COLLEGE, 417 00:24:16,290 --> 00:24:18,240 WE WERE ON THE PHONE TOGETHER ALL THE TIME. 418 00:24:18,260 --> 00:24:19,410 YEP. EVERY NIGHT AT 6:00. 419 00:24:20,380 --> 00:24:21,400 [chuckles] 420 00:24:21,420 --> 00:24:23,210 OH, IF YOU ONLY KNEW. 421 00:24:23,230 --> 00:24:24,370 YOU KNOW, IF YOU WERE LATE, ONE MINUTE LATE, 422 00:24:24,390 --> 00:24:27,250 [laughing] I WOULD SIT THERE BY THAT PHONE, 423 00:24:27,270 --> 00:24:28,370 STOMACH CHURNING AWAY. 424 00:24:28,390 --> 00:24:29,410 I WAS NEVER LATE. 425 00:24:29,430 --> 00:24:31,310 YOU WERE LATE. YOU WERE LATE, OFTEN. 426 00:24:31,330 --> 00:24:32,300 YOU WERE LATE. 427 00:24:33,300 --> 00:24:35,410 I'LL TELL YOU SOMETHING. 428 00:24:35,430 --> 00:24:39,210 I USED TO MAKE A LIST OF ALL THAT HAPPENED TO ME DURING THE DAY, 429 00:24:39,230 --> 00:24:41,200 JUST SO I'D BE SURE TO TELL YOU EVERYTHING. 430 00:24:41,220 --> 00:24:42,210 DID YOU? MMM-HMM. 431 00:24:47,340 --> 00:24:49,410 [sighs] GOD, IT ALL SEEMED SO IMPORTANT. 432 00:24:51,360 --> 00:24:52,350 IT WAS. 433 00:24:57,260 --> 00:24:58,370 SEE, MY PARENTS BOUGHT AN A-FRAME 434 00:24:58,390 --> 00:25:00,400 UP IN POWDER MILL LAKE WHEN I WAS A LITTLE KID, 435 00:25:00,420 --> 00:25:03,370 SO WE'VE BEEN COMING UP HERE IN THE SUMMER FOR YEARS. 436 00:25:03,390 --> 00:25:05,260 AND THEN, 6 MONTHS AGO, 437 00:25:05,280 --> 00:25:07,260 OUR APARTMENT IN SAN FRANCISCO GOT RIPPED OFF, 438 00:25:07,280 --> 00:25:09,330 AND MY DAD DECIDED WE SHOULD MOVE HERE. 439 00:25:09,350 --> 00:25:10,410 HE THOUGHT IT WOULD BE SAFER. 440 00:25:10,430 --> 00:25:12,250 (Anne) GAIL, 441 00:25:12,270 --> 00:25:14,260 [knocking on door] HANG UP. THAT'S ENOUGH, NOW. 442 00:25:14,280 --> 00:25:16,220 YOU HEAR THAT? 443 00:25:16,240 --> 00:25:17,300 I BETTER GO. 444 00:25:17,410 --> 00:25:18,410 OK. 445 00:25:20,200 --> 00:25:20,430 OK. 446 00:25:22,240 --> 00:25:23,250 OK. 447 00:25:23,430 --> 00:25:25,200 BYE. 448 00:25:34,280 --> 00:25:35,280 [sighs] 449 00:25:36,270 --> 00:25:37,390 [people laughing] 450 00:25:42,200 --> 00:25:43,210 RIGHT. 451 00:25:45,200 --> 00:25:46,300 OH, NO! 452 00:25:51,310 --> 00:25:52,380 IT'S HORRIBLE. 453 00:25:52,400 --> 00:25:54,300 (Alison) THIS IS SILLY. 454 00:25:54,320 --> 00:25:55,430 I JUST HAVE TO PLAY SKEET BALL. 455 00:25:56,210 --> 00:25:57,300 SKEET BALL IT IS. 456 00:26:03,200 --> 00:26:04,220 OH, NO! 457 00:26:04,240 --> 00:26:05,210 [laughs] 458 00:26:09,280 --> 00:26:10,340 OH, LOOK. COMING UP HERE. 459 00:26:10,360 --> 00:26:11,420 OH, HE'S SO CUTE. 460 00:26:12,200 --> 00:26:13,420 THE SPOILS OF BATTLE. 461 00:26:14,200 --> 00:26:15,230 [laughing] 462 00:26:15,250 --> 00:26:16,420 THERE YOU GO. THANKS. 463 00:26:17,200 --> 00:26:19,260 HE'S ADORABLE. LOOK AT HIM. 464 00:26:22,220 --> 00:26:23,220 OH. 465 00:26:24,380 --> 00:26:26,240 OH, I LOVE HIM. 466 00:26:26,260 --> 00:26:27,330 I LOVE HIM. 467 00:26:35,310 --> 00:26:37,250 WHERE THE HELL DO YOU GO? 468 00:26:37,270 --> 00:26:38,350 DON'T PRESSURE ME, ANNE. 469 00:26:38,370 --> 00:26:39,390 I HAVE A RIGHT TO KNOW. 470 00:26:39,410 --> 00:26:42,290 YOU CANNOT PRETEND THAT NOTHING HAS CHANGED. 471 00:26:42,310 --> 00:26:44,240 YOU TALK TO ME, DAMN IT. 472 00:26:44,260 --> 00:26:46,240 DON'T CHANGE THE SUBJECT, I ALREADY TOLD YOU WHAT I THINK. 473 00:26:46,260 --> 00:26:48,380 I DON'T WANT YOU TAKING A JOB SELLING REAL ESTATE. 474 00:26:48,400 --> 00:26:51,310 WHAT'S WRONG WITH SELLING REAL ESTATE? 475 00:26:51,330 --> 00:26:52,390 WELL, IF I SEEM TO REMEMBER CORRECTLY, 476 00:26:52,410 --> 00:26:54,390 YOU HATED REAL ESTATE WHEN WE WERE IN COLLEGE. 477 00:26:54,410 --> 00:26:57,330 WHEN WE WERE IN COLLEGE, I WAS PUTTING YOU THROUGH GRADUATE SCHOOL. 478 00:26:57,350 --> 00:26:58,380 I WASN'T SELLING HOUSES, 479 00:26:58,400 --> 00:27:01,240 I WAS RENTING DUMPY APARTMENTS TO COLLEGE STUDENTS 480 00:27:01,260 --> 00:27:04,240 WHILE MY BOSS TRIED TO MAKE PASSES AT ME. 481 00:27:04,260 --> 00:27:05,280 YOU NEVER TOLD ME THAT. 482 00:27:05,300 --> 00:27:06,320 OH, NEIL. 483 00:27:06,340 --> 00:27:08,330 LOOK, FORGET IT. I DON'T WANT YOU TO DO IT. 484 00:27:08,350 --> 00:27:09,360 IT'S NOT NECESSARY. 485 00:27:09,380 --> 00:27:12,370 IT IS NECESSARY. IT IS NECESSARY TO ME. 486 00:27:12,390 --> 00:27:16,230 IT IS NECESSARY BECAUSE I'M NOT GOING TO STAND HERE AND LET OUR LIVES FALL... 487 00:27:24,340 --> 00:27:25,400 GAIL, UM, 488 00:27:27,270 --> 00:27:28,290 COME IN. 489 00:27:29,220 --> 00:27:30,410 WHAT'S GOING ON? 490 00:27:30,430 --> 00:27:32,210 NOTHING. 491 00:27:35,220 --> 00:27:37,260 HOW ABOUT SOME CHOCOLATE ICE CREAM? 492 00:27:39,380 --> 00:27:40,350 [sighing] 493 00:28:06,240 --> 00:28:07,250 YOU WANT SOME? 494 00:28:07,270 --> 00:28:09,260 NO, THANKS. 495 00:28:09,280 --> 00:28:10,350 JESSICA HIRSCH CALLED, GAIL. 496 00:28:10,370 --> 00:28:12,300 SHE WANTS TO KNOW IF YOU CAN BABY-SIT TOMORROW NIGHT. 497 00:28:12,320 --> 00:28:15,300 HER REGULAR SITTER CANCELED. 498 00:28:15,320 --> 00:28:17,390 BUT I HAVE A DATE WITH STEVE. 499 00:28:17,410 --> 00:28:21,380 WELL, BELIEVE IT OR NOT, I DIDN'T KNOW THAT YOU HAD PLANS. 500 00:28:21,400 --> 00:28:23,410 HER NUMBER'S BY THE PHONE. DO WHAT YOU WANT. 501 00:28:23,430 --> 00:28:25,300 WAIT A MINUTE. I'LL DO IT. 502 00:28:25,320 --> 00:28:26,340 I'LL DO IT. 503 00:28:26,360 --> 00:28:28,230 [phone ringing] 504 00:28:30,230 --> 00:28:32,200 WHO'S CALLING THIS HOUR? 505 00:28:36,360 --> 00:28:37,370 HELLO. 506 00:28:39,250 --> 00:28:40,270 HELLO. 507 00:28:50,280 --> 00:28:51,340 (Anne) HELLO. 508 00:28:54,320 --> 00:28:55,320 HELLO. 509 00:28:56,280 --> 00:28:57,270 [clicks] 510 00:28:57,290 --> 00:28:58,340 [dial tone humming] 511 00:29:08,300 --> 00:29:11,390 WELL, THEY ARE ALL BATHED AND FED. 512 00:29:11,410 --> 00:29:14,280 AND IF ANYBODY GETS HUNGRY THERE'S SOME YOGURT POPS IN THE FRIDGE. 513 00:29:14,300 --> 00:29:15,320 MMM! 514 00:29:15,340 --> 00:29:17,240 I'LL TELL YOU WHAT. IF YOU GO GET YOUR BOOK, 515 00:29:17,260 --> 00:29:18,280 I'LL READ TO YOU. 516 00:29:19,260 --> 00:29:20,390 TERRIFIC. YOU'RE A HIT. 517 00:29:20,410 --> 00:29:22,200 [knocking on door] 518 00:29:26,330 --> 00:29:28,240 JESSICA. HI. COME IN. 519 00:29:28,260 --> 00:29:30,270 HOW ARE YOU DOING? FINE. 520 00:29:30,290 --> 00:29:31,310 HELLO, GAIL. 521 00:29:31,330 --> 00:29:33,290 HI, MR. ELDEN. 522 00:29:33,310 --> 00:29:34,320 (Jessica) YOU TWO KNOW EACH OTHER? 523 00:29:34,340 --> 00:29:35,400 OH, RIGHT. FROM HIGH SCHOOL. 524 00:29:35,420 --> 00:29:38,250 RIGHT. YOU READY? YEAH, JUST A MINUTE. 525 00:29:39,210 --> 00:29:40,270 OH, UH, GAIL, 526 00:29:40,290 --> 00:29:43,250 WE'LL BE AT THE MOVIES SO THERE'S NO WAY YOU CAN REACH US. 527 00:29:43,270 --> 00:29:45,210 OH, THAT'S OK, WE'LL BE FINE. 528 00:29:45,230 --> 00:29:47,220 WELL, OK, BUT, UH, 529 00:29:47,240 --> 00:29:49,290 I'LL GIVE YOU A CALL AROUND 10:00 JUST TO CHECK IN, OK? 530 00:29:49,310 --> 00:29:51,320 UH, COUNSELOR, WE ARE GOING TO MISS THE CREDITS. 531 00:29:51,340 --> 00:29:52,390 ANDY? 532 00:29:52,410 --> 00:29:54,360 COME SAY GOOD-BYE, HONEY. 533 00:30:01,300 --> 00:30:04,370 YOU SMELL GOOD! LIKE BABY POWDER. 534 00:30:04,390 --> 00:30:07,200 YOU KNOW, THOSE LAST PHOTOS YOU TOOK WERE REALLY GOOD. 535 00:30:07,220 --> 00:30:09,420 YOU'RE STARTING TO DEVELOP YOUR OWN STYLE NOW. 536 00:30:10,200 --> 00:30:12,280 OH, THANK YOU. I WASN'T REALLY SURE. 537 00:30:12,300 --> 00:30:14,260 YOU NEED TO GET YOUR CONFIDENCE, GAIL. 538 00:30:14,280 --> 00:30:15,410 START SHOWING YOUR WORK. 539 00:30:15,430 --> 00:30:18,240 I WAS GONNA ASK YOU ABOUT THE YEAR BOOK. 540 00:30:18,260 --> 00:30:19,410 THAT'S A GREAT IDEA. 541 00:30:19,430 --> 00:30:22,360 WHY DON'T YOU STOP UP AT THE OFFICE SOMETIME NEXT WEEK, AFTER SCHOOL. 542 00:30:22,380 --> 00:30:23,400 WE'LL TALK ABOUT IT. 543 00:30:24,350 --> 00:30:25,430 OK, THANK YOU. 544 00:30:26,210 --> 00:30:27,400 (Jessica) CHRIS? MMM-HMM. 545 00:30:27,420 --> 00:30:30,280 YOU'RE THE ONE WHO SAID WE WERE GONNA BE LATE IF WE DIDN'T HURRY. 546 00:30:30,300 --> 00:30:32,300 RIGHT YOU ARE. GOOD-NIGHT, GAIL. 547 00:30:32,320 --> 00:30:34,400 GOOD-NIGHT. GOOD-NIGHT. 548 00:30:34,420 --> 00:30:37,300 OH, UH, AND DON'T FORGET TO LOCK THE DOOR. 549 00:30:37,320 --> 00:30:38,330 (Gail) OK. OK. 550 00:30:38,350 --> 00:30:39,430 GOOD-NIGHT. BYE. 551 00:30:41,240 --> 00:30:43,290 I'LL RACE YOU GUYS TO THE DOOR. GO. 552 00:30:43,310 --> 00:30:45,330 GO. RUN. RUN. 553 00:30:45,350 --> 00:30:48,200 YOU LOCKED IT. THAT'S VERY GOOD. 554 00:30:48,220 --> 00:30:49,290 COME ON. LET'S GO UPSTAIRS. 555 00:30:49,310 --> 00:30:51,290 COME ON. I'LL READ THE BOOK. 556 00:30:52,390 --> 00:30:53,360 (Gail) OOPS! 557 00:30:55,240 --> 00:30:56,270 [ticking] 558 00:31:09,210 --> 00:31:10,310 [phone ringing] 559 00:31:17,400 --> 00:31:18,420 HELLO. 560 00:31:21,240 --> 00:31:22,240 HELLO. 561 00:31:23,240 --> 00:31:24,380 [snickering] 562 00:31:24,400 --> 00:31:26,390 HELLO. 563 00:31:26,410 --> 00:31:29,350 (man's voice) I'M GETTING CLOSER. 564 00:32:22,230 --> 00:32:23,300 [phone ringing] 565 00:32:44,230 --> 00:32:45,330 [phone continues ringing] 566 00:32:52,380 --> 00:32:53,370 (Jessica) GAIL? 567 00:32:53,390 --> 00:32:54,370 [gasps] 568 00:32:58,220 --> 00:33:01,280 SORRY, I DIDN'T MEAN TO SCARE YOU. ARE YOU OK? 569 00:33:01,300 --> 00:33:03,320 WELL, WE TRIED TO CALL YOU AND THE THEATER WAS SOLD OUT, 570 00:33:03,340 --> 00:33:05,410 SO WE DECIDED THAT WE'D JUST HAVE DINNER AND COME HOME EARLY. 571 00:33:05,430 --> 00:33:08,250 AS A MATTER OF FACT, WE WERE A LITTLE WORRIED ABOUT YOU. 572 00:33:08,270 --> 00:33:11,200 CHRIS TRIED TO CALL AND THERE WAS NO ANSWER. 573 00:33:12,220 --> 00:33:13,320 OH. UH, 574 00:33:13,340 --> 00:33:16,340 MAYBE THERE WAS SOMETHING WRONG WITH THE TELEPHONE. 575 00:33:17,390 --> 00:33:21,290 I PROBABLY DIALED THE WRONG NUMBER. 576 00:33:21,310 --> 00:33:24,260 I MEANT TO ASK YOU IF YOU COULD SIT FOR ME NEXT WEEKEND. 577 00:33:24,280 --> 00:33:26,370 MY REGULAR SITTER'S A LITTLE HARD TO PIN DOWN THESE DAYS. 578 00:33:26,390 --> 00:33:28,340 EVIDENTLY CUPID HAS STRUCK. 579 00:33:28,360 --> 00:33:30,350 [laughs] NOW, DON'T BE SO SNIDE. 580 00:33:30,370 --> 00:33:33,210 I'M NOT BEING SNIDE. I'M JUST JEALOUS, THAT'S ALL. 581 00:33:33,230 --> 00:33:34,400 ARE YOU INTERESTED? HERE. 582 00:33:35,350 --> 00:33:37,340 I THINK THAT'S RIGHT. 583 00:33:37,360 --> 00:33:39,260 ANYWAY, I'D LOVE TO SEE YOU TAKE IT 584 00:33:39,280 --> 00:33:41,300 AS A REGULAR SATURDAY NIGHT BABY-SITTING JOB. 585 00:33:41,320 --> 00:33:43,230 OR YOU COULD JUST LET ME KNOW FROM WEEK TO WEEK. 586 00:33:43,250 --> 00:33:45,330 WELL, I'M NOT SURE. 587 00:33:45,350 --> 00:33:47,380 UM, CAN I CALL YOU? 588 00:33:47,400 --> 00:33:49,330 OK. THINK ABOUT IT. 589 00:33:49,350 --> 00:33:50,420 I'LL DRIVE YOU HOME. 590 00:33:51,200 --> 00:33:52,420 OH, NO. IT'S OK. I'LL WALK. I--I--I'D RATHER WALK. 591 00:33:53,200 --> 00:33:54,300 I DO IT ALL THE TIME. 592 00:33:55,230 --> 00:33:56,220 GAIL! 593 00:33:58,200 --> 00:33:59,410 IS THERE SOMETHING WRONG? 594 00:34:01,240 --> 00:34:02,300 WHAT IS IT? 595 00:34:03,280 --> 00:34:05,260 SOMEBODY CALLED. 596 00:34:05,280 --> 00:34:08,260 AND THEY SAID HORRIBLE THINGS AND I HUNG UP ON THEM. 597 00:34:08,280 --> 00:34:10,340 OH, HONEY, I'M SORRY. 598 00:34:10,360 --> 00:34:12,370 SOME GUY USED TO CALL HERE ALL THE TIME. 599 00:34:12,390 --> 00:34:15,340 BUT HE STOPPED AFTER I TOLD HIM I PUT A TRACE ON THE PHONE. 600 00:34:15,360 --> 00:34:18,270 I GUESS I'LL JUST HAVE TO CHANGE MY NUMBER. 601 00:34:18,290 --> 00:34:19,380 I THINK IT WAS FOR ME. 602 00:34:19,400 --> 00:34:21,350 WELL, WHY SHOULD IT BE FOR YOU? 603 00:34:21,370 --> 00:34:23,390 IT'S MY HOUSE, ISN'T IT? 604 00:34:23,410 --> 00:34:26,270 COME ON, DON'T WORRY ABOUT IT, OK? 605 00:34:26,290 --> 00:34:28,290 WHY DON'T YOU LET CHRIS DRIVE YOU HOME? 606 00:34:29,330 --> 00:34:31,390 NO. NO, IT'S OK. I'M FINE. 607 00:34:31,410 --> 00:34:33,350 IT ISN'T FAR, ANYWAY. 608 00:34:33,370 --> 00:34:35,290 GOOD-NIGHT. 609 00:34:35,310 --> 00:34:36,350 GOOD-NIGHT. 610 00:34:43,410 --> 00:34:45,270 [dog barking] 611 00:34:56,300 --> 00:34:57,320 [tires skidding] 612 00:35:29,380 --> 00:35:31,370 (Mr. Elden) GAIL, IT'S ME, CHRIS ELDEN. 613 00:35:31,390 --> 00:35:33,330 GET IN. 614 00:35:33,350 --> 00:35:35,410 I'LL DRIVE YOU THE REST OF THE WAY. 615 00:36:05,260 --> 00:36:09,210 JESSIE JUST COULDN'T STAND THE IDEA OF YOU WALKING HOME ALONE. 616 00:36:09,230 --> 00:36:11,210 LADY LAWYERS. 617 00:36:11,230 --> 00:36:12,320 CAUTIOUS TYPES. 618 00:36:16,200 --> 00:36:17,260 HEY, GAIL? 619 00:36:17,410 --> 00:36:19,250 IS ANYTHING WRONG? 620 00:36:19,270 --> 00:36:20,420 [clears throat] NO. NO. 621 00:36:22,280 --> 00:36:24,370 THERE IT IS. THE 2ND HOUSE ON THE RIGHT. 622 00:36:24,390 --> 00:36:25,370 HMM. 623 00:36:27,400 --> 00:36:28,430 [exhales] 624 00:36:42,200 --> 00:36:43,240 [gasps] 625 00:36:45,360 --> 00:36:47,220 [chuckles nervously] 626 00:36:47,240 --> 00:36:49,380 THANK YOU, MR. ELDEN. THANK YOU-- THANK YOU VERY MUCH. 627 00:36:49,400 --> 00:36:51,300 I'LL SEE YOU LATER. 628 00:36:56,260 --> 00:36:58,300 I WANNA SEE THOSE PHOTOGRAPHS, GAIL. 629 00:36:58,320 --> 00:37:00,200 NOW, DON'T FORGET. 630 00:37:26,280 --> 00:37:28,200 (Steve) HEY, THEY'RE GOOD. 631 00:37:28,220 --> 00:37:29,350 STEVE, YOU SCARED ME. 632 00:37:29,370 --> 00:37:31,300 I'M SORRY. BUT, 633 00:37:31,320 --> 00:37:33,390 YOU ARE LATE. 634 00:37:33,410 --> 00:37:35,330 IT'S 4:00. 635 00:37:35,350 --> 00:37:37,340 OH, I'M-- I'M SORRY. 636 00:37:39,420 --> 00:37:42,410 I'VE BEEN WORKING. IT--IT'S REALLY QUIET, HERE. 637 00:37:42,430 --> 00:37:45,240 I--I LOST TRACK OF TIME. 638 00:37:45,260 --> 00:37:46,430 WHAT ARE THE CIRCLES FOR? 639 00:37:47,210 --> 00:37:48,270 MUG SHOTS. 640 00:37:51,330 --> 00:37:52,390 (Steve) EVERYBODY'S GOING TO PHIL'S. 641 00:38:02,290 --> 00:38:03,320 [tires screeching] 642 00:38:03,340 --> 00:38:04,360 [horn honking] 643 00:38:05,340 --> 00:38:06,350 [whooping] 644 00:38:09,340 --> 00:38:10,390 [whistling] 645 00:38:14,310 --> 00:38:15,360 [people laughing] 646 00:38:40,200 --> 00:38:41,340 VERY NICE. 647 00:38:41,360 --> 00:38:44,260 WOW, THIS PLACE IS INCREDIBLE. 648 00:38:44,280 --> 00:38:45,400 WELL, UH, HAVE AT IT. 649 00:38:58,270 --> 00:38:59,310 ♪♪[music playing] 650 00:39:03,280 --> 00:39:05,270 (Gail) THIS PLACE HAS EVERYTHING. 651 00:39:05,290 --> 00:39:07,350 I'VE-- I'VE BEEN HERE BEFORE WITH MY FATHER. 652 00:39:07,370 --> 00:39:08,370 WHEN? 653 00:39:10,360 --> 00:39:12,260 (Steve) HE'S A PLUMMER AND THE SINK WAS BACKED UP 654 00:39:12,280 --> 00:39:14,250 AND I, UH, HELPED HIM FIX IT. 655 00:39:19,280 --> 00:39:22,340 LOOK AT ALISON. SHE LOOKS SO HAPPY. 656 00:39:22,360 --> 00:39:25,410 IT MUST BE REALLY WONDERFUL TO KNOW EXACTLY WHAT YOUR FUTURE'S GONNA BE. 657 00:39:25,430 --> 00:39:27,250 I MEAN, 658 00:39:27,270 --> 00:39:30,290 TO MARRY PHIL AND--AND SOMEDAY THEY'LL HAVE THIS HOUSE. 659 00:39:41,430 --> 00:39:43,380 WOULDN'T WANT THIS HOUSE. LOUSY PIPES. 660 00:39:43,400 --> 00:39:46,240 COME ON, LET'S GO. COME ON, LET'S GO. 661 00:39:50,260 --> 00:39:51,300 [people chattering] 662 00:40:12,290 --> 00:40:14,270 WHAT HAPPENED BETWEEN YOU AND E.K. MILLER? 663 00:40:15,360 --> 00:40:16,370 [sighs] 664 00:40:16,390 --> 00:40:17,390 HE'S MAD AT ME. 665 00:40:18,410 --> 00:40:21,350 I KNOW HE'S MAD AT YOU. 666 00:40:21,370 --> 00:40:23,340 BUT WHAT HAPPENED BETWEEN THE TWO OF YOU? 667 00:40:25,210 --> 00:40:26,330 NOW YOU'RE MAD AT ME, TOO? 668 00:40:27,420 --> 00:40:30,200 I AM NOT MAD AT YOU. 669 00:40:31,390 --> 00:40:33,270 YES, YOU ARE. 670 00:40:36,370 --> 00:40:38,420 SEE THAT ROAD UP THERE? TURN LEFT. 671 00:40:40,220 --> 00:40:41,330 WHERE ARE WE GOING? 672 00:40:41,350 --> 00:40:43,240 I'LL SHOW YOU. 673 00:40:43,260 --> 00:40:46,310 IT'LL TAKE US TO THE LAKE HOUSE I WAS TELLING YOU ABOUT. 674 00:40:54,250 --> 00:40:55,390 [sighing] 675 00:40:55,410 --> 00:40:57,430 WHAT HAPPENED WITH ME AND E.K... 676 00:40:59,300 --> 00:41:01,280 IT'S HARD TO EXPLAIN. 677 00:41:01,300 --> 00:41:03,320 I WENT WITH HIM FOR A COUPLE OF MONTHS. 678 00:41:03,340 --> 00:41:05,380 IT WAS JUST AFTER I MOVED HERE. 679 00:41:05,400 --> 00:41:08,290 AND WE HAD A GOOD TIME FOR A WHILE. 680 00:41:08,310 --> 00:41:12,210 AND THEN HE BROKE UP WITH ME BECAUSE I WOULDN'T SLEEP WITH HIM. 681 00:41:13,220 --> 00:41:14,210 GO ON. 682 00:41:14,230 --> 00:41:15,290 THAT'S IT. 683 00:41:16,430 --> 00:41:18,220 BUT WHY IS HE SO MAD AT YOU? 684 00:41:18,240 --> 00:41:19,360 I JUST TOLD YOU. 685 00:41:22,380 --> 00:41:24,340 THAT'S THE ONLY REASON? 686 00:41:24,360 --> 00:41:26,200 HE THINKS I LED HIM ON, 687 00:41:26,220 --> 00:41:28,240 BUT I DIDN'T. 688 00:41:28,260 --> 00:41:30,370 I NEVER SAID I WOULD. I DON'T-- THE WHOLE THING, 689 00:41:30,390 --> 00:41:32,380 I-IT'S STUPID. IT'S COMPLETELY STUPID. 690 00:41:32,400 --> 00:41:34,370 I DIDN'T KNOW WHAT I WANTED. 691 00:41:34,390 --> 00:41:38,250 BUT I KNEW THAT IT WASN'T RIGHT BETWEEN US. 692 00:41:38,270 --> 00:41:40,200 GAIL, THEN WHY DIDN'T YOU BREAK UP WITH HIM? 693 00:41:40,220 --> 00:41:42,390 I DON'T KNOW. I-- 694 00:41:42,410 --> 00:41:45,290 I JUST THOUGHT IT WOULD SORT OF HAPPEN AFTER A WHILE. 695 00:41:45,310 --> 00:41:47,340 THAT I WOULD FALL IN LOVE WITH HIM. 696 00:41:47,360 --> 00:41:49,420 BUT I DIDN'T. 697 00:41:50,200 --> 00:41:52,260 IT NEVER HAPPENS THAT WAY, DOES IT? 698 00:41:56,370 --> 00:41:57,370 GAIL, 699 00:41:59,360 --> 00:42:01,250 DID E.K. LOVE YOU? 700 00:42:02,230 --> 00:42:03,270 NO. 701 00:42:03,290 --> 00:42:04,380 AND HE NEVER SAID HE DID. 702 00:42:05,360 --> 00:42:06,390 ASK ME. 703 00:42:07,270 --> 00:42:08,360 ASK YOU WHAT? 704 00:42:13,320 --> 00:42:15,240 ASK ME IF I LOVE YOU. 705 00:42:19,270 --> 00:42:21,270 HOW DOES STEVE FEEL ABOUT GAIL? 706 00:42:22,280 --> 00:42:23,370 HE LOVES HER. 707 00:42:23,390 --> 00:42:25,250 I LOVE YOU, TOO. 708 00:42:36,240 --> 00:42:37,250 [birds chirping] 709 00:43:06,280 --> 00:43:07,350 [people chattering] 710 00:43:14,380 --> 00:43:17,270 HEY, WOULD YOU LOOK AT THAT? 711 00:43:17,290 --> 00:43:19,230 WELL, AIN'T LOVE GRAND. 712 00:43:19,380 --> 00:43:20,360 [laughs] 713 00:43:22,430 --> 00:43:24,220 JEALOUS. 714 00:43:25,410 --> 00:43:28,270 COME ON, LET'S GO. WE'RE GONNA BE LATE. 715 00:43:32,360 --> 00:43:34,290 I'LL SEE YOU LATER, OK? OK. 716 00:43:39,210 --> 00:43:40,360 HEY, GAIL. WAIT UP. 717 00:43:41,300 --> 00:43:43,270 HELLO. 718 00:43:43,290 --> 00:43:44,310 WHAT'S WITH YOU? 719 00:43:44,330 --> 00:43:45,370 WHAT DO YOU MEAN? 720 00:43:45,390 --> 00:43:47,370 YOU LOOK ALL SPACED OUT. 721 00:43:47,390 --> 00:43:49,240 MUST BE LOVE. 722 00:43:49,260 --> 00:43:51,220 YOU PRACTICALLY JUST MET HIM. 723 00:43:51,240 --> 00:43:52,250 SO WHAT? 724 00:43:52,270 --> 00:43:54,360 OH, I FORGOT. LOVE HAS A FUTURE. 725 00:43:55,260 --> 00:43:56,350 WELL, IT DOES. 726 00:43:57,390 --> 00:43:59,220 OK. 727 00:43:59,240 --> 00:44:02,290 MAYBE I OVERDID IT A BIT FOR PHIL'S BENEFIT. 728 00:44:02,310 --> 00:44:04,370 HE'S SUCH A PRUDE. 729 00:44:04,390 --> 00:44:07,250 BUT YOU PRACTICALLY JUST MET STEVE PASTORINIS. 730 00:44:07,270 --> 00:44:09,380 HOW CAN YOU CALL THAT LOVE? 731 00:44:09,400 --> 00:44:11,400 BECAUSE IT HAS A PRESENT. 732 00:44:11,420 --> 00:44:13,310 YOU'RE IMPOSSIBLE. 733 00:44:16,230 --> 00:44:17,380 GAIL, DON'T READ IT. 734 00:44:17,400 --> 00:44:20,210 WHY DON'T YOU JUST THROW IT AWAY? 735 00:44:20,230 --> 00:44:22,330 "I KNOW WHERE YOU ARE. I'M WATCHING YOU, YOU TRAMP." 736 00:44:22,350 --> 00:44:24,290 STOP IT. IT'S TERRIBLE. 737 00:44:25,400 --> 00:44:27,240 READ IT. 738 00:44:27,260 --> 00:44:30,300 I DON'T HAVE TO READ IT TO SEE WHAT IT'S DOING TO YOU. 739 00:44:30,320 --> 00:44:32,410 YOU'RE LETTING SOME CREEP GET TO YOU. 740 00:44:33,320 --> 00:44:35,200 READ IT, ALISON. 741 00:44:40,400 --> 00:44:41,380 OK. 742 00:44:42,400 --> 00:44:45,300 I SAID IT'S TERRIBLE, AND IT IS. 743 00:44:45,320 --> 00:44:47,210 NOW, FORGET IT. 744 00:44:47,230 --> 00:44:50,260 WHY WOULD ANYBODY WRITE THIS? WHAT DID I DO? 745 00:44:50,280 --> 00:44:52,260 GAIL, FORGET ABOUT IT. 746 00:44:52,280 --> 00:44:53,430 CAN'T YOU JUST PUT IT OUT OF YOUR HEAD? 747 00:44:54,210 --> 00:44:56,300 PRETEND IT NEVER HAPPENED. 748 00:44:56,320 --> 00:44:58,300 I CAN'T FORGET ABOUT IT. 749 00:44:58,320 --> 00:45:00,300 I WANNA DO SOMETHING ABOUT IT. 750 00:45:00,320 --> 00:45:02,240 HE'LL GET TIRED OF IT. 751 00:45:02,260 --> 00:45:03,250 HE'LL STOP. 752 00:45:03,270 --> 00:45:04,290 WELL, WHAT IF HE DOESN'T? 753 00:45:04,310 --> 00:45:06,260 WHAT ARE YOU GONNA DO? 754 00:45:06,280 --> 00:45:10,250 CALL THE OLDENFIELD POLICE AND HAVE THEM STAKE OUT YOUR LOCKER? 755 00:45:10,270 --> 00:45:11,350 GAIL, 756 00:45:11,370 --> 00:45:13,430 FOR ONCE, CAN'T YOU JUST NOT REACT? 757 00:45:27,250 --> 00:45:28,210 (Miss Rouillard) YES? 758 00:45:29,320 --> 00:45:31,310 MISS ROUILLARD, MAY I SPEAK WITH YOU? 759 00:45:31,330 --> 00:45:33,340 OH, YES. COME IN, GAIL. SIT DOWN. 760 00:45:35,320 --> 00:45:37,260 I'M GLAD YOU DROPPED BY. 761 00:45:37,280 --> 00:45:38,390 I WAS GONNA SEND FOR YOU TODAY, 762 00:45:38,410 --> 00:45:41,430 BECAUSE I WANTED TO TALK TO YOU ABOUT YOUR P.S.A.T. SCORES. 763 00:45:42,210 --> 00:45:44,380 I WAS COMPARING THEM WITH YOUR GRADES, AND FRANKLY, GAIL. 764 00:45:44,400 --> 00:45:46,300 MISS ROUILLARD-- YOU SHOULD'VE SCORED HIGHER. 765 00:45:46,320 --> 00:45:47,390 [phone ringing] 766 00:45:47,410 --> 00:45:49,420 FOR A BRIGHT GIRL, YOU'RE A BIT OF AN UNDERACHIEVER. 767 00:45:50,200 --> 00:45:51,220 DON'T WORRY. 768 00:45:51,240 --> 00:45:53,350 A LITTLE BIT OF WORK AND WE'LL GET THOSE SCORES UP. 769 00:45:53,370 --> 00:45:56,270 AS A MATTER OF FACT, I HAVE SEVERAL BOOKS I CAN RECOMMEND. 770 00:45:58,350 --> 00:45:59,400 WHAT'S THIS? 771 00:45:59,420 --> 00:46:01,320 IT WAS IN MY LOCKER. 772 00:46:01,340 --> 00:46:03,350 THERE'S BEEN OTHER NOTES, AND PHONE CALLS. 773 00:46:03,370 --> 00:46:05,320 WHO, GAIL? WHO WROTE THIS? 774 00:46:05,340 --> 00:46:06,420 I DON'T KNOW. 775 00:46:07,200 --> 00:46:08,290 THINK HARD. 776 00:46:08,310 --> 00:46:10,350 MOST OF THE TIME, THE GIRL DOES KNOW 777 00:46:10,370 --> 00:46:12,320 WHO THE BOY IS THAT'S BOTHERING HER. 778 00:46:12,340 --> 00:46:14,230 WELL, I'VE THOUGHT ABOUT IT. 779 00:46:14,250 --> 00:46:16,320 I'VE BEEN THINKING ABOUT IT ALL THE TIME. I DON'T KNOW. 780 00:46:16,340 --> 00:46:17,360 GAIL, 781 00:46:17,380 --> 00:46:19,380 YOU DON'T LOOK LIKE THE KIND OF GIRL 782 00:46:19,400 --> 00:46:21,320 THAT WOULD ENCOURAGE THIS SORT OF THING, BUT I-- 783 00:46:21,340 --> 00:46:23,270 BUT THAT NOTE SAYS THAT HE'S COMING AFTER ME! 784 00:46:23,290 --> 00:46:25,240 CALM DOWN. CALM DOWN. 785 00:46:25,260 --> 00:46:27,350 NOBODY IS COMING AFTER YOU. 786 00:46:27,370 --> 00:46:30,260 BOYS YOUR AGE ARE ALL TALK. 787 00:46:31,370 --> 00:46:34,370 NOW, I CAN'T HELP YOU UNLESS WE KNOW WHO IT IS. 788 00:46:34,390 --> 00:46:36,420 LET'S TRY TO FIGURE THIS OUT. 789 00:46:38,240 --> 00:46:40,410 HAS THERE BEEN ANYONE HANGING AROUND LATELY? 790 00:46:40,430 --> 00:46:43,240 MAKING REMARKS, THAT SORT OF THING? 791 00:46:43,390 --> 00:46:45,280 THINK HARD, GAIL. 792 00:46:47,390 --> 00:46:50,320 SOMETIMES, WITHOUT EVEN REALIZING IT, 793 00:46:50,340 --> 00:46:52,370 YOU MIGHT HAVE BEEN REJECTING OF A BOY. 794 00:46:52,390 --> 00:46:54,250 WELL, YOU MAKE IT SOUND LIKE IT'S MY FAULT. 795 00:46:54,270 --> 00:46:55,400 OH, NO, NO. 796 00:46:55,420 --> 00:46:58,250 IT COULD BE COMPLETELY INNOCENT ON YOUR PART. 797 00:46:58,270 --> 00:47:00,260 BOYS ARE VERY EASILY PROVOKED. 798 00:47:00,280 --> 00:47:02,240 AN OLD BOYFRIEND, MAYBE. 799 00:47:03,230 --> 00:47:04,240 [sighing] 800 00:47:04,260 --> 00:47:07,250 NO, NO. I--I DON'T THINK SO. 801 00:47:07,270 --> 00:47:08,360 UM, I HAVE TO GO TO CLASS. 802 00:47:08,380 --> 00:47:10,240 GAIL? 803 00:47:10,260 --> 00:47:11,370 I WANT YOU TO THINK ABOUT IT 804 00:47:11,390 --> 00:47:13,330 AND LET ME KNOW WHAT YOU COME UP WITH. 805 00:47:13,350 --> 00:47:17,230 IN THE MEANTIME, I'LL HAVE A WORD WITH A FEW OF OUR PROBLEM BOYS 806 00:47:17,250 --> 00:47:19,300 AND WE'LL TALK IN A FEW DAYS, OK? 807 00:47:25,280 --> 00:47:26,350 [people chattering] 808 00:47:41,320 --> 00:47:43,250 "HOW DO I LOVE THEE? 809 00:47:43,270 --> 00:47:44,410 "LET ME COUNT THE WAYS 810 00:47:44,430 --> 00:47:48,290 "I LOVE THEE WITH THE DEPTH AND BREADTH AND HEIGHT 811 00:47:48,310 --> 00:47:51,350 "OF ALL MY SOUL CAN REACH 812 00:47:51,370 --> 00:47:54,230 "WHEN FEELING OUT OF SIGHT 813 00:47:54,250 --> 00:47:56,410 "FOR THE ENDS OF BEING AND IDEAL GRACE 814 00:47:56,430 --> 00:48:00,290 "I LOVE THEE TO THE LEVEL OF EVERYDAY'S 815 00:48:00,310 --> 00:48:04,390 "MOST QUIET NEED, BY SUN AND CANDLE-LIGHT 816 00:48:04,410 --> 00:48:08,230 "I LOVE THEE FREELY, AS MEN STRIVE FOR RIGHT 817 00:48:08,250 --> 00:48:11,310 "I LOVE THEE PURELY, AS THEY TURN FROM PRAISE 818 00:48:11,330 --> 00:48:12,340 [school bell ringing] 819 00:48:12,360 --> 00:48:15,310 I LOVE THEE WITH THE PASSION..." 820 00:48:15,330 --> 00:48:19,210 (Malevich) REVIEW. WE WILL CONTINUE THIS TOMORROW, CLASS. 821 00:48:21,200 --> 00:48:21,430 GAIL. 822 00:48:23,370 --> 00:48:25,380 I DO NOT WISH TO PRY, 823 00:48:25,400 --> 00:48:28,220 BUT IS THERE SOMETHING TROUBLING YOU? 824 00:48:28,240 --> 00:48:30,330 PERHAPS YOU'D LIKE TO TALK ABOUT IT. 825 00:48:33,360 --> 00:48:36,210 NO, I'M FINE. THANK YOU, THOUGH. 826 00:49:09,300 --> 00:49:11,350 [timer whirring] 827 00:49:25,230 --> 00:49:26,270 [gasps] 828 00:49:35,350 --> 00:49:36,410 [timer clicking off] 829 00:49:41,350 --> 00:49:44,360 YOU SAID YOU WANTED TO TALK TO ME ABOUT THE YEARBOOK. 830 00:49:44,380 --> 00:49:46,220 OH, I FORGOT. 831 00:49:50,230 --> 00:49:51,390 YOU STILL INTERESTED? 832 00:49:53,220 --> 00:49:54,400 YEAH, SURE. 833 00:49:56,270 --> 00:49:58,300 WELL, WHAT IF YOU, UH, 834 00:49:58,320 --> 00:50:01,250 TOOK SOME SHOTS OF THE ATHLETIC EVENTS? 835 00:50:01,270 --> 00:50:03,350 YOU MIGHT ENJOY WORKING WITH MOVEMENT. 836 00:50:05,310 --> 00:50:06,330 OK. 837 00:50:10,350 --> 00:50:12,370 YOU KNOW, THESE ARE REALLY GOOD. 838 00:50:13,270 --> 00:50:14,380 I LIKE 'EM. 839 00:50:14,400 --> 00:50:16,340 OH, ESPECIALLY THAT ONE. 840 00:50:16,360 --> 00:50:18,290 IT'S KIND OF SEXY. 841 00:50:18,310 --> 00:50:19,400 (Phil) MR. ELDEN? 842 00:50:21,200 --> 00:50:22,420 OH, HI, GAIL. 843 00:50:23,200 --> 00:50:24,290 (Gail) HI. 844 00:50:24,310 --> 00:50:25,390 HEY, UH, 845 00:50:25,410 --> 00:50:27,370 I'VE GOT A SCRATCH ON THE NEGATIVE, HERE. 846 00:50:27,390 --> 00:50:30,210 IS THERE ANYTHING I CAN DO FOR IT? 847 00:50:34,320 --> 00:50:35,390 [people chattering] 848 00:50:35,410 --> 00:50:38,210 (Gail) STEVE! EXCUSE ME. STEVE! 849 00:50:39,230 --> 00:50:40,370 HI. I HAVE TO TALK TO YOU. 850 00:50:41,290 --> 00:50:42,380 OK, LET'S GO. 851 00:50:57,320 --> 00:50:59,390 WHAT IS THIS? SOMEBODY LEFT IT IN MY LOCKER. 852 00:50:59,410 --> 00:51:01,320 WHO? I DON'T KNOW. 853 00:51:03,360 --> 00:51:05,220 WELL, LOOK, ARE YOU SURE IT'S FOR YOU? 854 00:51:05,240 --> 00:51:07,310 I MEAN, THERE'S NO NAME ON IT. 855 00:51:07,330 --> 00:51:08,360 I'M SURE. 856 00:51:11,370 --> 00:51:14,210 OK, OK. UM, I'M SORRY. LOOK... 857 00:51:15,330 --> 00:51:17,280 LOOK, IT'S JUST THAT 858 00:51:17,300 --> 00:51:19,340 I DON'T KNOW WHAT TO MAKE OF IT, I MEAN, 859 00:51:19,360 --> 00:51:21,290 MAYBE IT'S JUST SOME STUPID JOKE. 860 00:51:21,310 --> 00:51:23,200 NO. NO, I DON'T THINK IT'S A STUPID JOKE. 861 00:51:23,220 --> 00:51:24,390 THERE WAS ANOTHER NOTE-- ANOTHER NOTE? 862 00:51:24,410 --> 00:51:25,430 YEAH, I-- 863 00:51:26,210 --> 00:51:28,430 I THINK SOMEBODY'S TRYING TO SCARE ME. 864 00:51:29,210 --> 00:51:31,290 THEN I THINK WE SHOULD TRY TO FIGURE OUT WHO. 865 00:51:31,310 --> 00:51:33,430 I KNOW, BUT I'VE TRIED. 866 00:51:34,210 --> 00:51:36,240 LOOK, GAIL, THERE MUST BE SOME CLUES. 867 00:51:36,260 --> 00:51:38,200 NOW, WHO'S GOT A SICK SENSE OF HUMOR, 868 00:51:38,220 --> 00:51:39,330 THAT WOULD THINK THIS IS FUNNY? 869 00:51:39,350 --> 00:51:41,400 HE DOESN'T MEAN IT TO BE FUNNY. 870 00:51:41,420 --> 00:51:43,300 IT ISN'T A JOKE. 871 00:51:45,400 --> 00:51:48,220 [seagulls calling] 872 00:51:48,240 --> 00:51:50,200 TH-THEN IT'S GOTTA BE SOMEONE WHO'S GOT IT IN FOR YOU. 873 00:51:50,220 --> 00:51:51,280 LIKE E.K. 874 00:51:51,300 --> 00:51:52,330 [sighing] YEAH, I THOUGHT OF THAT. 875 00:51:52,350 --> 00:51:54,360 IT JUST DOESN'T SEEM LIKE SOMETHING HE'D DO. 876 00:51:54,380 --> 00:51:57,200 WHY NOT? HE KNOWS YOUR LOCKER, YOUR SCHEDULE. 877 00:51:57,220 --> 00:51:59,270 HE COULD'VE PLANTED THE NOTE EASILY. 878 00:51:59,290 --> 00:52:01,250 I--I JUST DON'T THINK SO. 879 00:52:01,270 --> 00:52:02,390 LOOK, IT ADDS UP. 880 00:52:02,410 --> 00:52:05,390 YOU EVEN SAID E.K. THOUGHT YOU WERE LEADING HIM ON. 881 00:52:05,410 --> 00:52:08,290 AND HE SURE HAS BEEN ACTING WEIRD LATELY. 882 00:52:08,310 --> 00:52:11,330 YEAH, BUT HE THINKS I'M A PRUDE. WHY WOULD HE BOTHER? 883 00:52:14,300 --> 00:52:16,200 GAIL, DID YOU TELL ME EVERYTHING THAT HAPPENED 884 00:52:16,220 --> 00:52:17,370 BETWEEN YOU AND E.K.? 885 00:52:23,350 --> 00:52:25,210 YOU CAN'T HELP ME. FORGET IT. 886 00:52:25,230 --> 00:52:27,260 HEY, LOOK, GAIL, GAIL. LISTEN, I'M SORRY. NO, JUST LEAVE ME-- 887 00:52:27,280 --> 00:52:28,380 GAIL, NO, NO. I DIDN'T MEAN-- JUST LEAVE ME ALONE! 888 00:52:28,400 --> 00:52:30,270 GAIL! LOOK, I... 889 00:52:30,430 --> 00:52:32,200 GAIL, I'M SORRY. 890 00:52:34,240 --> 00:52:35,270 MMM-HMM. 891 00:52:39,350 --> 00:52:41,210 MOM? HI, HONEY. 892 00:52:41,230 --> 00:52:42,240 DID YOU HAVE A GOOD DAY? 893 00:52:42,260 --> 00:52:43,370 UH, YEAH, IT WAS OK. 894 00:52:43,390 --> 00:52:45,240 LISTEN, I'M LATE. 895 00:52:45,260 --> 00:52:47,200 [clears throat] I'M NOT GONNA BE HERE FOR DINNER. 896 00:52:47,220 --> 00:52:49,250 BUT, UM, I'VE GOT A CASSEROLE IN THE OVEN. 897 00:52:49,270 --> 00:52:50,400 JUST PUT IT ON WHENEVER YOU'RE HUNGRY, 898 00:52:50,420 --> 00:52:53,250 ABOUT, MMM, 20 MINUTES I'D SAY, 350. 899 00:52:54,320 --> 00:52:55,340 WHERE ARE YOU GOING? 900 00:52:55,360 --> 00:52:57,210 UH, I'VE GOTTA SHOW A HOUSE. 901 00:52:57,230 --> 00:52:58,250 THIS LATE? 902 00:52:58,270 --> 00:52:59,330 YEAH, YOU KNOW, I THINK I'VE GOT A BUYER 903 00:52:59,350 --> 00:53:01,250 FOR THE BROOKLYN STREET PLACE? OH! 904 00:53:01,270 --> 00:53:02,420 THEY'VE SEEN IT ONCE, THEY WANT TO SEE IT AGAIN. 905 00:53:03,200 --> 00:53:04,330 I GOTTA RUN OVER AND GIVE 'EM THE KEYS. 906 00:53:04,350 --> 00:53:05,350 WELL, WHERE'S DAD? 907 00:53:05,370 --> 00:53:07,220 HE'S IN A MEETING. 908 00:53:07,240 --> 00:53:09,420 BUT DON'T WAIT FOR HIM 'CAUSE HE'S NOT SURE WHEN HE'LL GET BACK. 909 00:53:10,200 --> 00:53:11,310 M-MOM, WAIT! 910 00:53:11,330 --> 00:53:13,220 WHAT DO YOU WANT? 911 00:53:13,240 --> 00:53:15,220 I HAVE TO TALK TO YOU. 912 00:53:15,240 --> 00:53:17,300 GAIL, WHY DO YOU ALWAYS DO THIS WHEN I'M RUNNING OUT? 913 00:53:17,320 --> 00:53:20,290 I CAN'T TALK TO YOU NOW! 914 00:53:20,310 --> 00:53:22,380 I JUST WANTED TO ASK YOU IF WE COULD CHANGE THE PHONE NUMBER, 915 00:53:22,400 --> 00:53:23,400 BUT NEVER MIND. 916 00:53:23,420 --> 00:53:25,280 THE PHONE NUMBER? WHY? 917 00:53:25,300 --> 00:53:27,250 BECAUSE OF THE CALLS. WHAT CALLS? 918 00:53:27,270 --> 00:53:29,220 WHAT ARE YOU TALKING ABOUT, GAIL? 919 00:53:29,240 --> 00:53:30,250 WELL, WHAT DIFFERENCE DOES IT MAKE? 920 00:53:30,270 --> 00:53:31,310 YOU NEVER KNOW WHAT I'M TALKING ABOUT. 921 00:53:31,330 --> 00:53:33,230 YOU NEVER LISTEN TO ME! 922 00:53:33,250 --> 00:53:34,290 OH, GAIL! 923 00:53:37,200 --> 00:53:38,220 [door closing] 924 00:53:45,410 --> 00:53:47,280 I AM SICK AND TIRED OF THIS. 925 00:53:47,300 --> 00:53:48,430 I'M ALWAYS THE ONE THAT DOESN'T LISTEN. 926 00:53:49,210 --> 00:53:52,260 WELL, JUST MAYBE YOU DON'T LISTEN. MAYBE YOU DON'T UNDERSTAND ME. 927 00:53:52,280 --> 00:53:55,230 I HAVE TO HOLD UP MY END IN THIS FAMILY. 928 00:53:55,250 --> 00:53:57,430 NOW, I KNOW I HAVE NOT BEEN EASY ON YOU. I'VE BEEN HARD ON YOU LATELY. 929 00:53:58,210 --> 00:53:59,320 BUT LISTEN, THERE'S A REASON. 930 00:53:59,340 --> 00:54:01,380 I CAN SEE MYSELF IN YOU. 931 00:54:01,400 --> 00:54:03,390 I FELL PASSIONATELY IN LOVE WITH YOUR FATHER 932 00:54:03,410 --> 00:54:05,250 WHEN I WAS JUST ABOUT YOUR AGE. 933 00:54:05,270 --> 00:54:07,240 WE RUSHED INTO MARRIAGE, YOU WERE BORN. 934 00:54:07,260 --> 00:54:08,430 WELL, ARE YOU SORRY YOU MARRIED DAD? 935 00:54:09,210 --> 00:54:10,340 NO, I DON'T REGRET IT AT ALL. 936 00:54:10,360 --> 00:54:12,360 I--I WOULDN'T GIVE EITHER OR YOU UP FOR ANYTHING IN THE WORLD. 937 00:54:12,380 --> 00:54:16,200 I JUST WISH THAT I HAD TAKEN THE TIME. 938 00:54:16,220 --> 00:54:18,280 THE TIME TO FIND OUT ABOUT MYSELF, ABOUT THE WORLD. 939 00:54:18,300 --> 00:54:20,280 THERE'S SO MUCH, GAIL. 940 00:54:20,300 --> 00:54:22,200 THERE ARE SO MANY CHOICES TO MAKE, 941 00:54:22,220 --> 00:54:23,370 I WANT YOU TO TAKE THE TIME TO MAKE THEM. 942 00:54:23,390 --> 00:54:25,310 I WANT YOU TO HAVE IT ALL. 943 00:54:25,330 --> 00:54:27,430 LISTEN, I'VE GOT TO GO. I AM SO LATE. I'M SORRY. 944 00:54:28,210 --> 00:54:29,370 WE'LL TALK ABOUT IT LATER, OK? 945 00:54:35,350 --> 00:54:36,340 [door opening] 946 00:54:38,400 --> 00:54:39,410 [door closing] 947 00:54:41,430 --> 00:54:43,270 [crickets chirping] 948 00:56:05,280 --> 00:56:08,220 YOUR FATHER DOESN'T WORK HERE ANYMORE. 949 00:56:08,240 --> 00:56:09,370 WHAT? 950 00:56:09,390 --> 00:56:13,210 HE GOT LAID OFF, ABOUT A MONTH AGO. A LOT OF THE GUYS DID. 951 00:56:13,230 --> 00:56:16,250 WE DIDN'T GET THIS BIG CONTRACT WE BID ON, SO THERE WASN'T ENOUGH WORK. 952 00:56:17,210 --> 00:56:18,310 WELL, THAT'S WHAT HAPPENED. 953 00:56:20,200 --> 00:56:21,330 I'M SORRY, GAIL. 954 00:56:23,360 --> 00:56:25,220 ARE YOU SURE? 955 00:56:25,240 --> 00:56:26,240 HE NEVER TOLD YOU? 956 00:56:28,240 --> 00:56:30,270 HE LEAVES THE HOUSE THE SAME TIME EVERY MORNING, 957 00:56:30,290 --> 00:56:32,240 LIKE HE'S GOING TO WORK. 958 00:56:32,260 --> 00:56:33,430 I GUESS A LOT OF THE GUYS DO THAT. 959 00:56:34,210 --> 00:56:36,420 THEY CAN'T GET USED TO BREAKING THE ROUTINE. 960 00:56:37,200 --> 00:56:38,400 WELL, THEN, WHERE DOES HE GO? 961 00:56:38,420 --> 00:56:41,210 I HAVE TO FIND HIM. I HAVE TO TALK TO HIM. 962 00:56:41,230 --> 00:56:42,430 COULD YOU AT LEAST TELL ME WHERE TO LOOK? 963 00:56:43,210 --> 00:56:44,380 TRY KING'S INN. 964 00:56:44,400 --> 00:56:46,270 KING'S INN, IT'S ACROSS THE STREET. 965 00:56:46,290 --> 00:56:48,390 YOUR FATHER USED TO EAT LUNCH THERE EVERY DAY. 966 00:56:48,410 --> 00:56:51,380 IT'S A LITTLE EARLY FOR LUNCH, BUT, WELL, IT'S WORTH A TRY. 967 00:56:53,210 --> 00:56:54,200 OK. 968 00:57:07,310 --> 00:57:08,390 MISS, 969 00:57:08,410 --> 00:57:11,360 I'M SORRY, BUT WE DON'T START SERVING UNTIL 11:30. 970 00:57:11,380 --> 00:57:13,230 I CAN'T SEAT YOU YET. 971 00:57:13,250 --> 00:57:16,310 OH, I--I DON'T WANT A TABLE. I'M LOOKING FOR SOMEONE. 972 00:57:16,330 --> 00:57:18,230 THERE'S NO ONE HERE? 973 00:57:18,250 --> 00:57:20,400 WELL, THE BAR'S OPEN, BUT... 974 00:57:20,420 --> 00:57:23,280 MAY I JUST TAKE A LOOK? I'M JUST TRYING TO FIND SOMEONE. 975 00:57:24,260 --> 00:57:25,270 ALL RIGHT. 976 00:58:05,210 --> 00:58:07,340 (Gail) WHY DIDN'T YOU TELL ME HE LOST HIS JOB? 977 00:58:12,430 --> 00:58:14,250 COME ON IN, SIT DOWN. 978 00:58:20,340 --> 00:58:22,220 HOW'D YOU FIND OUT? 979 00:58:22,240 --> 00:58:24,210 DOESN'T MATTER, DOES IT? I FOUND OUT. 980 00:58:26,400 --> 00:58:28,210 DOES YOUR FATHER KNOW? 981 00:58:29,280 --> 00:58:30,250 NO. 982 00:58:31,280 --> 00:58:32,350 WHY DIDN'T ANYBODY TELL ME? 983 00:58:32,370 --> 00:58:34,380 BECAUSE WE DIDN'T WANT TO WORRY YOU. 984 00:58:34,400 --> 00:58:36,370 WHAT COULD YOU DO ABOUT IT? 985 00:58:36,390 --> 00:58:40,220 YOU'RE TREATING ME AS IF I'M 10 YEARS OLD. 986 00:58:40,240 --> 00:58:41,350 AREN'T I A PART OF THIS FAMILY? 987 00:58:41,370 --> 00:58:43,410 SWEETHEART, 988 00:58:43,430 --> 00:58:46,300 PARENTS WANT TO PROTECT THEIR CHILDREN. 989 00:58:48,240 --> 00:58:49,370 AND MAYBE THAT'S WRONG, I DON'T KNOW. 990 00:58:49,390 --> 00:58:52,250 WE JUST-- WE DID THE BEST THING THAT WE COULD DO. 991 00:58:52,270 --> 00:58:53,410 WELL, I THINK IT WOULD BE BETTER 992 00:58:53,430 --> 00:58:56,330 IF WE TRIED TALKING TO EACH OTHER ONCE IN A WHILE. 993 00:58:56,350 --> 00:59:00,250 GAIL, YOU'VE GOT TO PROMISE ME THAT YOU'RE NOT GOING TO TELL YOUR FATHER 994 00:59:00,270 --> 00:59:02,410 THAT YOU KNOW HE'S LAID OFF. YOU HAVE TO PROMISE ME. 995 00:59:02,430 --> 00:59:04,220 BUT WHY? 996 00:59:04,240 --> 00:59:07,350 BECAUSE IT WAS HIS DECISION NOT TO TELL YOU. 997 00:59:07,370 --> 00:59:10,200 HE DOESN'T WANT YOU TO BE DISAPPOINTED IN HIM. 998 00:59:10,220 --> 00:59:11,370 HE SEES HIMSELF 999 00:59:12,290 --> 00:59:13,400 AS AN ARCHITECT. 1000 00:59:16,330 --> 00:59:19,260 AND BEING A MAN IS ALL TIED UP WITHIN THAT JOB. 1001 00:59:21,240 --> 00:59:23,390 HE'S LOST NOW. HE'S LOST. 1002 00:59:23,410 --> 00:59:25,330 YOU CAN UNDERSTAND THAT, CAN'T YOU? 1003 00:59:31,200 --> 00:59:33,300 HE NEVER COULD STAND TO SAY NO TO YOU. 1004 00:59:36,260 --> 00:59:38,260 HE WANTS YOU TO ADORE HIM SO. 1005 00:59:41,320 --> 00:59:42,330 [sobbing] 1006 00:59:44,290 --> 00:59:47,200 OH, AND SOMETIMES THAT'S KIND OF HARD FOR ME TO DEAL WITH. 1007 00:59:47,220 --> 00:59:48,230 I KNOW. 1008 00:59:52,270 --> 00:59:55,200 NOW, LISTEN, YOU MUST BE VERY ADULT ABOUT THIS, HUH? 1009 00:59:55,410 --> 00:59:57,310 WE HAVE TO PROTECT HIM NOW. 1010 01:00:01,420 --> 01:00:03,390 HE STILL SEES YOU AS A LITTLE GIRL. 1011 01:00:06,250 --> 01:00:07,410 AND HE WANTS YOU TO SEE HIM... 1012 01:00:10,330 --> 01:00:13,430 HE WANTS YOU TO SEE HIM AS THE, UM, PERFECT FATHER. 1013 01:00:14,210 --> 01:00:15,380 SOMEBODY STRONG. 1014 01:00:17,250 --> 01:00:18,430 SOMEBODY TO FIGHT YOUR BATTLES FOR YOU. 1015 01:00:22,330 --> 01:00:24,230 BUT HE CAN'T ANYMORE, CAN HE? 1016 01:00:24,410 --> 01:00:25,420 NO. 1017 01:00:26,380 --> 01:00:27,400 HE CAN'T. 1018 01:00:31,340 --> 01:00:33,300 DON'T BE TOO HARD ON HIM FOR THAT, HUH? 1019 01:00:40,270 --> 01:00:41,330 OK, I WON'T TELL HIM. 1020 01:00:45,360 --> 01:00:46,360 [crying] 1021 01:00:49,340 --> 01:00:51,240 (Steve) YOU WEREN'T IN SCHOOL TODAY. 1022 01:00:51,260 --> 01:00:52,410 (Gail) I JUST WENT TO SEE MY FATHER. 1023 01:00:52,430 --> 01:00:54,370 IN SAN FRANCISCO? YEAH. 1024 01:00:54,390 --> 01:00:56,370 DID YOU SHOW HIM THE NOTE? NO. 1025 01:00:56,390 --> 01:00:58,360 I DECIDED NOT TO. 1026 01:00:58,380 --> 01:01:01,320 YOU'RE PROBABLY RIGHT. IT'S A STUPID JOKE. IT'LL STOP. 1027 01:01:33,370 --> 01:01:35,330 GAIL, WHAT'S THE MATTER? 1028 01:01:39,300 --> 01:01:41,350 LOOK, I--I DON'T KNOW WHAT YOU WANT. 1029 01:01:41,370 --> 01:01:42,410 I JUST WANTED YOU TO HOLD ME. 1030 01:01:42,430 --> 01:01:44,250 IS THERE ANYTHING WRONG WITH THAT? 1031 01:01:44,270 --> 01:01:45,330 GAIL, YOU WERE THE ONE THAT STARTED... 1032 01:01:45,350 --> 01:01:47,330 LOOK, OK. 1033 01:01:47,350 --> 01:01:49,410 I'M CONFUSED, EVERYTHING IS IN A MESS. 1034 01:01:49,430 --> 01:01:52,300 I CAN'T RIGHT NOW, OK, I JUST CAN'T. 1035 01:01:52,320 --> 01:01:54,270 I DIDN'T EXPECT ANYTHING. 1036 01:01:54,290 --> 01:01:56,220 THEN WHY DID YOU BRING ME HERE? 1037 01:02:00,360 --> 01:02:02,350 TO BE ALONE WITH YOU, 1038 01:02:02,370 --> 01:02:04,350 TO TALK TO YOU, 1039 01:02:04,370 --> 01:02:06,400 AND BECAUSE IT HAPPENS TO BE VERY PRETTY OUT HERE. 1040 01:02:06,420 --> 01:02:08,240 [car engine starts] 1041 01:02:09,210 --> 01:02:10,370 OH, STEVE, I'M SORRY. 1042 01:02:14,210 --> 01:02:15,250 SO AM I. 1043 01:02:20,330 --> 01:02:21,340 [people chattering] 1044 01:02:22,300 --> 01:02:24,240 [school bell ringing] 1045 01:02:46,210 --> 01:02:47,320 I'M LATE. CAN I HAVE A LATE PASS, PLEASE? 1046 01:02:47,340 --> 01:02:48,310 [panting] 1047 01:03:45,310 --> 01:03:46,360 [crickets chirping] 1048 01:04:04,360 --> 01:04:06,310 [phone ringing] 1049 01:04:15,400 --> 01:04:17,210 HELLO. 1050 01:04:17,230 --> 01:04:18,420 (Steve) GAIL? HI, IT'S STEVE. 1051 01:04:19,200 --> 01:04:20,350 [sighing] HI. 1052 01:04:20,370 --> 01:04:22,260 HOW ARE YOU DOING? THE KIDS ASLEEP? 1053 01:04:22,280 --> 01:04:24,340 YEAH, YEAH. THEY'RE FINE. I'M FINE. 1054 01:04:24,360 --> 01:04:26,370 LISTEN, I'M SORRY ABOUT THE OTHER DAY. 1055 01:04:26,390 --> 01:04:28,210 IT'S OK. 1056 01:04:28,230 --> 01:04:31,250 I JUST... OH, I DON'T KNOW, I'M A BIT JUMPY LATELY. 1057 01:04:31,270 --> 01:04:34,260 AND I GOT ANOTHER NOTE. IT'S WORSE THAN THE LAST. 1058 01:04:34,280 --> 01:04:36,380 LISTEN, I'M HELPING MY FATHER WITH A JOB TONIGHT, 1059 01:04:36,400 --> 01:04:39,210 AND HE SAID I COULD HAVE THE CAR AFTERWARDS. 1060 01:04:39,230 --> 01:04:40,350 YOU WANT ME TO COME OVER AND KEEP YOU COMPANY? 1061 01:04:40,370 --> 01:04:44,220 OH, YES. THANK YOU, STEVE. 1062 01:04:44,240 --> 01:04:46,380 OK, ONE FLOODING TOILET TO CURE AND I'LL BE RIGHT THERE. 1063 01:04:46,400 --> 01:04:48,260 OK, BYE. 1064 01:04:54,250 --> 01:04:56,270 [phone ringing] 1065 01:04:58,240 --> 01:04:59,270 HELLO. 1066 01:04:59,290 --> 01:05:00,390 [man laughing] 1067 01:05:02,360 --> 01:05:04,420 (man whispering) ARE YOU IN THE HOUSE 1068 01:05:05,200 --> 01:05:06,300 ALONE? 1069 01:05:06,320 --> 01:05:07,310 [clicks] 1070 01:05:07,330 --> 01:05:08,300 [dial tone humming] 1071 01:05:10,330 --> 01:05:11,340 [exhales nervously] 1072 01:05:54,370 --> 01:05:56,270 [dial tone humming] 1073 01:06:21,270 --> 01:06:22,430 [knocking on door] 1074 01:06:24,220 --> 01:06:25,360 OH, STEVE. 1075 01:06:27,240 --> 01:06:29,250 OH, PHIL. OH, HI, GAIL. 1076 01:06:29,270 --> 01:06:30,430 HEY, IS, UH, ALISON HERE? 1077 01:06:31,310 --> 01:06:32,360 NO. 1078 01:06:32,380 --> 01:06:34,380 OH, YEAH? SHE SAID SHE WAS GONNA COME BY. 1079 01:06:36,240 --> 01:06:37,290 THAT'S STRANGE. 1080 01:06:37,310 --> 01:06:39,400 SHE SHOULDN'T BE WANDERING AROUND AT NIGHT, YOU KNOW. 1081 01:06:41,260 --> 01:06:42,430 OH, UH, CAN I USE YOUR PHONE? 1082 01:06:43,390 --> 01:06:44,380 SURE. 1083 01:06:45,350 --> 01:06:46,350 THANKS. 1084 01:06:48,240 --> 01:06:49,410 UH, IT'S OFF THE HOOK. 1085 01:06:51,310 --> 01:06:52,290 HELLO? 1086 01:07:21,210 --> 01:07:22,400 OH, HELLO, MRS. BREMER. 1087 01:07:23,320 --> 01:07:25,230 YEAH, THIS IS PHIL. 1088 01:07:26,240 --> 01:07:27,370 IS ALISON THERE? 1089 01:07:35,330 --> 01:07:37,380 [laughing] 1090 01:07:52,420 --> 01:07:54,350 I REALLY HAD YOU FOOLED, DIDN'T I? 1091 01:07:56,280 --> 01:07:57,260 [groans] 1092 01:08:01,330 --> 01:08:02,430 HAD YOU REAL SCARED. 1093 01:08:04,250 --> 01:08:05,430 PHIL, WILL YOU CUT IT OUT? 1094 01:08:10,420 --> 01:08:12,370 "ARE YOU IN THE HOUSE ALONE?" 1095 01:08:17,260 --> 01:08:20,200 HEY, UH, I KNOW ALL ABOUT YOU. 1096 01:08:22,210 --> 01:08:24,240 YOU AND PASTORINIS DOWN AT THE LAKE. 1097 01:08:24,260 --> 01:08:25,400 I KNOW WHAT YOU LIKE. 1098 01:08:28,220 --> 01:08:30,390 I'VE BEEN WATCHING YOU A LONG TIME, GAIL. 1099 01:08:32,330 --> 01:08:34,210 SENDING YOU NOTES. 1100 01:08:36,230 --> 01:08:37,300 CALLING YOU, HUH? 1101 01:08:40,240 --> 01:08:41,350 I'VE BEEN REAL PATIENT. 1102 01:08:42,380 --> 01:08:44,350 YEAH, WELL, I THINK YOU NEED HELP! 1103 01:08:44,370 --> 01:08:46,200 WHAT ABOUT ALISON? 1104 01:08:46,220 --> 01:08:48,210 [yelling] HEY, LEAVE ALISON OUT OF THIS, OK? 1105 01:08:51,230 --> 01:08:52,340 I'VE WAITED FOR YOU. 1106 01:08:57,310 --> 01:09:00,270 DON'T GIVE ME ANY OF THIS LILY WHITE VIRGIN STUFF, EITHER. 1107 01:09:01,310 --> 01:09:03,400 'CAUSE I KNOW YOU GOT NOTHING TO LOSE. 1108 01:09:03,420 --> 01:09:05,230 [gasping] HEY, COME HERE! 1109 01:09:05,250 --> 01:09:06,250 OUCH! 1110 01:09:07,200 --> 01:09:07,430 [groans] 1111 01:09:21,390 --> 01:09:23,360 [dial tone humming] 1112 01:10:21,360 --> 01:10:22,340 [sobbing] 1113 01:10:49,200 --> 01:10:52,220 I--I CAN'T BELIEVE IT. I JUST CAN'T BELIEVE IT. 1114 01:10:52,240 --> 01:10:53,280 SHE... 1115 01:10:54,410 --> 01:10:56,310 SHE WAS JUST LYING THERE. 1116 01:10:58,390 --> 01:11:02,340 GAIL! GAIL! WAKE UP NOW, GAIL. 1117 01:11:04,210 --> 01:11:05,290 THAT'S A GOOD GIRL. 1118 01:11:06,260 --> 01:11:07,380 CAN YOU TELL ME YOUR NAME? 1119 01:11:08,300 --> 01:11:09,360 GAIL? 1120 01:11:09,380 --> 01:11:11,360 CAN YOU TELL ME YOUR NAME? 1121 01:11:12,220 --> 01:11:13,280 GAIL. 1122 01:11:13,300 --> 01:11:14,290 GAIL. 1123 01:11:15,260 --> 01:11:17,220 YOU'RE IN OLDENFIELD HOSPITAL. 1124 01:11:17,420 --> 01:11:19,390 AND YOU'RE GONNA BE FINE. 1125 01:11:21,220 --> 01:11:23,240 I'M DR. CARSON. 1126 01:11:23,260 --> 01:11:24,320 I HAVE TO ASK YOU A FEW QUESTIONS. 1127 01:11:24,340 --> 01:11:25,390 DO YOU FEEL UP TO IT? 1128 01:11:28,370 --> 01:11:30,400 THAT'S OK. YOU'RE DOING FINE. 1129 01:11:32,210 --> 01:11:34,360 DO YOU KNOW WHY YOU'RE HERE, GAIL? 1130 01:11:38,380 --> 01:11:40,290 HE RAPED ME. 1131 01:11:41,230 --> 01:11:42,360 WHO RAPED YOU? 1132 01:11:42,380 --> 01:11:44,220 DO YOU KNOW HIM, GAIL? 1133 01:11:44,240 --> 01:11:45,280 [whimpering] 1134 01:11:45,300 --> 01:11:48,400 I CAN'T. I--I CAN'T. I C-CAN'T TELL ANYBODY. 1135 01:11:48,420 --> 01:11:50,360 I CAN'T TELL ANYBODY, THEY WON'T BELIEVE ME. 1136 01:11:50,380 --> 01:11:52,370 I KNOW THEY WON'T BELIEVE ME. 1137 01:11:52,390 --> 01:11:54,330 HOLD ME! 1138 01:11:54,350 --> 01:11:58,240 HE--HE'S BEEN--BEEN WATCHING ME ALL THE TIME. 1139 01:11:58,260 --> 01:11:59,400 HE WAS AT THE LAKE. 1140 01:11:59,420 --> 01:12:01,250 HE WAS THERE! 1141 01:12:15,340 --> 01:12:18,250 SHE PROBABLY WON'T GET PREGNANT. 1142 01:12:18,270 --> 01:12:20,320 CARSON SAID THAT SHE PROBABLY WON'T GET PREGNANT. 1143 01:12:22,350 --> 01:12:23,430 WHO WOULD DO THIS TO HER? 1144 01:12:26,240 --> 01:12:28,310 I KNOW IT ISN'T RATIONAL, 1145 01:12:28,330 --> 01:12:31,310 BUT SHE'S A PART OF ME, AND I FEEL LIKE THIS HAPPENED TO ME. 1146 01:12:33,390 --> 01:12:36,210 YOU KNOW, I--I LOOK AT HER, 1147 01:12:37,200 --> 01:12:38,280 AND I TELL MYSELF 1148 01:12:38,430 --> 01:12:40,230 IT'S ALL OVER. 1149 01:12:41,280 --> 01:12:43,290 SHE'S ALL RIGHT. 1150 01:12:43,310 --> 01:12:45,200 BUT I CAN'T HANG ON TO THAT. 1151 01:12:47,250 --> 01:12:49,200 IT JUST HITS ME AGAIN. 1152 01:12:49,360 --> 01:12:52,310 RAGE HITS ME AGAIN. 1153 01:12:52,330 --> 01:12:54,390 AND I WANNA KILL THE ANIMAL THAT DID THIS TO HER. 1154 01:13:02,410 --> 01:13:03,390 HI. 1155 01:13:10,420 --> 01:13:12,210 STEVE. 1156 01:13:16,320 --> 01:13:17,360 [sobbing] 1157 01:13:20,250 --> 01:13:22,260 IT'S OK. IT'S OK. 1158 01:13:28,360 --> 01:13:29,430 IT WAS HORRIBLE. 1159 01:13:30,210 --> 01:13:30,430 IT'S OK. 1160 01:13:33,260 --> 01:13:35,320 I WAS SO SCARED. 1161 01:13:35,340 --> 01:13:36,380 IT'S OK. 1162 01:13:41,280 --> 01:13:43,370 YOU OPENED THE DOOR BECAUSE YOU THOUGHT IT WAS ME, DIDN'T YOU? 1163 01:13:48,270 --> 01:13:49,270 IT DOESN'T MATTER. 1164 01:13:53,420 --> 01:13:54,410 GAIL. 1165 01:13:55,420 --> 01:13:56,420 GAIL, 1166 01:13:57,340 --> 01:13:58,350 DO YOU KNOW-- 1167 01:13:59,300 --> 01:14:01,230 DO YOU KNOW WHO IT WAS? 1168 01:14:07,330 --> 01:14:08,430 IT WAS ALL A BLUR. 1169 01:14:11,230 --> 01:14:12,270 I DON'T REMEMBER. 1170 01:14:14,430 --> 01:14:16,320 WHAT COLOR WAS HIS JACKET? 1171 01:14:17,370 --> 01:14:18,340 [sighs] 1172 01:14:20,220 --> 01:14:21,370 I DON'T-- I DON'T KNOW, UH... 1173 01:14:22,270 --> 01:14:24,290 BROWN, MAYBE. 1174 01:14:24,310 --> 01:14:26,380 WHAT COLOR PANTS? DID HE HAVE ON A HAT? GLOVES? 1175 01:14:28,380 --> 01:14:29,380 NO. 1176 01:14:31,390 --> 01:14:34,360 IT ISN'T ANY USE. I--I JUST DON'T REMEMBER ANYTHING ELSE. 1177 01:14:36,220 --> 01:14:37,240 OK. 1178 01:14:37,260 --> 01:14:38,320 I WANT YOU TO COME DOWN TO THE STATION 1179 01:14:38,340 --> 01:14:40,240 AND TAKE A LOOK AT SOME MUG SHOTS. 1180 01:14:40,260 --> 01:14:41,420 MAYBE YOU'LL RECOGNIZE HIM. 1181 01:14:42,200 --> 01:14:43,290 NOW, IF THAT DOESN'T WORK, 1182 01:14:43,310 --> 01:14:46,290 WE HAVE AN ARTIST WHO CAN PUT A DRAWING TOGETHER. 1183 01:14:46,310 --> 01:14:50,240 YOU KNOW, TALL WITH BROWN HAIR ISN'T MUCH OF A DESCRIPTION. 1184 01:14:51,400 --> 01:14:53,400 YOU LET A STRANGER IN THE DOOR. 1185 01:14:53,420 --> 01:14:56,280 YOU STRUGGLED, HE THREW YOU DOWN, 1186 01:14:56,300 --> 01:14:58,380 ASSAULTED AND RAPED YOU, 1187 01:14:58,400 --> 01:15:00,430 AND YOU CAN'T REMEMBER WHAT HE LOOKS LIKE? 1188 01:15:03,210 --> 01:15:04,280 I'LL TELL YOU WHAT I THINK. 1189 01:15:04,300 --> 01:15:05,410 I'VE BEEN ON THESE CASES BEFORE 1190 01:15:06,200 --> 01:15:07,330 AND THEY ALWAYS REMEMBER. 1191 01:15:09,280 --> 01:15:11,420 SO IF YOU DECIDE TO GIVE ME HIS NAME, CALL THE STATION. 1192 01:15:15,320 --> 01:15:17,290 AND IF YOU DON'T, WE DON'T HAVE A CASE. 1193 01:15:17,310 --> 01:15:18,420 AND HE WALKS AROUND FREE, 1194 01:15:19,200 --> 01:15:20,350 AND IT'S GONNA HAPPEN TO SOMEBODY ELSE. 1195 01:15:32,280 --> 01:15:33,340 PHILIP LAWVER. 1196 01:15:38,400 --> 01:15:40,380 PHILIP LAWVER RAPED ME. 1197 01:15:40,400 --> 01:15:42,300 NEIL, STOP, YOU CAN'T GO OVER THERE! 1198 01:15:42,320 --> 01:15:43,410 (Jessica) THIS IS NO SOLUTION! 1199 01:15:43,430 --> 01:15:45,390 THERE IS NO OTHER SOLUTION. 1200 01:15:45,410 --> 01:15:48,200 THE POLICE WON'T EVEN ISSUE A WARRANT. 1201 01:15:49,360 --> 01:15:52,270 LISTEN, NEIL, IT'S COMPLICATED. YOU GOTTA LISTEN. LISTEN. 1202 01:15:52,290 --> 01:15:54,270 IT'S NOT COMPLICATED, IT'S VERY SIMPLE. 1203 01:15:54,290 --> 01:15:55,400 PHILIP LAWVER RAPED MY DAUGHTER, 1204 01:15:55,420 --> 01:15:58,230 AND NOW YOU'RE TELLING ME THAT EVEN IF WE DO GET A WARRANT, 1205 01:15:58,250 --> 01:16:00,360 THE JUDGE IS A GOOD BUDDY OF JOHN LAWVER'S AND WE DON'T HAVE A CHANCE. 1206 01:16:00,380 --> 01:16:02,280 THAT'S NOT WHAT I SAID. 1207 01:16:02,300 --> 01:16:04,320 NOW, NEIL, FOR GOD'S SAKE, WOULD YOU PLEASE THINK? 1208 01:16:04,340 --> 01:16:05,400 I AM THINKING. 1209 01:16:05,420 --> 01:16:08,270 I AM THINKING ABOUT THAT KID WALKING AROUND FREE, 1210 01:16:08,290 --> 01:16:10,420 WHILE I CAN'T EVEN PUT HIM BEHIND BARS. WHY? 1211 01:16:11,200 --> 01:16:13,200 BECAUSE SHE'S NOT A VIRGIN, THAT'S WHY. 1212 01:16:24,410 --> 01:16:26,290 NO, THAT'S NOT WHY. 1213 01:16:27,410 --> 01:16:29,310 BUT THIS IS A DIFFICULT CASE, THOUGH, 1214 01:16:29,330 --> 01:16:32,320 AND THERE'S A FACET WE HAVE TO TAKE INTO CONSIDERATION. 1215 01:16:32,340 --> 01:16:34,230 THEIR LAWYERS DO HAVE INFLUENCE, 1216 01:16:34,250 --> 01:16:36,390 GAIL DID LET PHIL IN THE DOOR. 1217 01:16:36,410 --> 01:16:39,280 PLUS THE FACT THAT SHE'S NOT A VIRGIN. 1218 01:16:39,300 --> 01:16:40,400 NOW, IF WE HAVE TO GO TO COURT, 1219 01:16:40,420 --> 01:16:43,310 THE DEFENSE ATTORNEY IS GOING TO MAKE PHIL LOOK LIKE A MODEL STUDENT 1220 01:16:43,330 --> 01:16:44,400 AND GAIL, THE SEDUCTRESS. 1221 01:16:44,420 --> 01:16:46,400 SHE MUST HAVE DONE SOMETHING. WHY DID IT HAPPEN TO GAIL? 1222 01:16:46,420 --> 01:16:48,400 I CAN'T BELIEVE YOU SAID THAT. 1223 01:16:48,420 --> 01:16:50,350 ANNE, GAIL DIDN'T PROVOKE THE ATTACK. 1224 01:16:50,370 --> 01:16:52,430 AND IT DOESN'T MAKE ANY DIFFERENCE WHAT WENT ON BETWEEN THEM. 1225 01:16:53,210 --> 01:16:55,240 NOTHING JUSTIFIES RAPE. 1226 01:16:55,260 --> 01:16:57,230 I KNOW THAT. I DIDN'T MEAN IT. 1227 01:16:57,250 --> 01:17:00,240 LISTEN, I'M JUST AS SCARED AND FRIGHTENED AND ANGRY AS YOU ARE. 1228 01:17:00,260 --> 01:17:02,270 AND NOW WHAT HAPPENS? 1229 01:17:02,290 --> 01:17:03,350 PHILIP LAWVER WALKS AROUND FREE, 1230 01:17:03,370 --> 01:17:04,390 AND I'VE GOT A CHILD UPSTAIRS 1231 01:17:04,410 --> 01:17:07,240 WHO WON'T EVEN LEAVE THE HOUSE. 1232 01:17:07,260 --> 01:17:09,430 NEIL, MY WORLD IS FALLING APART. 1233 01:17:10,210 --> 01:17:12,360 IF WE ARE GONNA FACE THIS, WE'VE GOT TO FACE IT TOGETHER, 1234 01:17:12,380 --> 01:17:15,290 BECAUSE I CANNOT FACE IT ALONE. 1235 01:17:15,310 --> 01:17:18,210 I CAN'T. I CAN'T FACE IT ALONE. 1236 01:17:29,300 --> 01:17:30,300 [exclaiming] 1237 01:17:36,280 --> 01:17:37,260 [muttering] 1238 01:17:52,220 --> 01:17:54,250 I'D LIKE TO KILL YOU FOR WHAT YOU DID TO HER. 1239 01:18:14,280 --> 01:18:15,410 [Gail sighing] 1240 01:18:18,270 --> 01:18:19,290 [gasps] 1241 01:18:19,400 --> 01:18:21,250 [moans] 1242 01:18:22,210 --> 01:18:23,210 DADDY. 1243 01:18:23,230 --> 01:18:24,220 IT'S OK. 1244 01:18:26,240 --> 01:18:27,330 WHERE ARE YOU GOING? 1245 01:18:27,350 --> 01:18:28,370 NOWHERE. 1246 01:18:31,240 --> 01:18:32,380 YOU'RE GOING TO PHIL'S, AREN'T YOU? 1247 01:18:33,370 --> 01:18:34,400 NOPE. 1248 01:18:38,290 --> 01:18:40,230 POLICE WON'T ARREST HIM, WILL THEY? 1249 01:18:40,370 --> 01:18:41,430 NOT YET. 1250 01:18:42,210 --> 01:18:43,420 JESSICA WILL GET THEM TO ISSUE A WARRANT. 1251 01:18:45,260 --> 01:18:47,200 BUT WHY WON'T THEY? 1252 01:18:50,250 --> 01:18:52,200 IT'S A SMALL TOWN. 1253 01:18:52,220 --> 01:18:53,430 THE LAWVERS RUN THE SHOW. 1254 01:18:54,210 --> 01:18:56,370 AND EVEN IF THEY ARREST HIM, HE'LL GET OUT FREE, WON'T HE? 1255 01:18:59,330 --> 01:19:00,330 MAYBE. 1256 01:19:03,330 --> 01:19:04,340 [sighs] 1257 01:19:06,210 --> 01:19:09,220 I KEEP DREAMING ABOUT IT. 1258 01:19:09,240 --> 01:19:11,300 AND THEN I WAKE UP AND TRY TO TELL MYSELF IT'S A BAD DREAM, 1259 01:19:11,320 --> 01:19:12,340 BUT IT ISN'T. 1260 01:19:16,390 --> 01:19:19,350 WE MOVED HERE, BECAUSE IT WOULD BE SAFE. 1261 01:19:20,340 --> 01:19:22,290 BUT IT ISN'T. IT ISN'T SAFE. 1262 01:19:23,420 --> 01:19:25,240 DO YOU REMEMBER WHEN YOU WERE A LITTLE GIRL, 1263 01:19:25,260 --> 01:19:26,420 YOU HAD A FAVORITE BEDTIME STORY? 1264 01:19:27,200 --> 01:19:28,400 REMEMBER? HUH? 1265 01:19:28,420 --> 01:19:32,310 YES, IT WAS ABOUT THE PRINCESS IN THE TOWER. 1266 01:19:32,330 --> 01:19:34,310 RIGHT. 1267 01:19:34,330 --> 01:19:37,310 THE PRINCESS WAS LOCKED IN THE TOWER BY THE EVIL KNIGHT. 1268 01:19:37,330 --> 01:19:39,270 AND THE PRINCE WOULD COME AND RESCUE HER 1269 01:19:39,290 --> 01:19:41,310 AND TAKE HER AWAY TO HIS CASTLE, WHERE SHE'D BE SAFE, 1270 01:19:41,330 --> 01:19:42,350 REMEMBER? 1271 01:19:42,370 --> 01:19:43,330 [laughs] 1272 01:19:46,250 --> 01:19:49,360 ONLY, SOMETIMES I KIND OF CHANGED THE STORY A LITTLE BIT, YOU KNOW? 1273 01:19:50,340 --> 01:19:52,240 THE CASTLE HAD A MOAT 1274 01:19:52,260 --> 01:19:53,280 AND SOME DRAGONS, 1275 01:19:53,300 --> 01:19:54,370 AND ALL SORTS OF THINGS. 1276 01:19:55,420 --> 01:19:58,290 BUT THE PRINCE ALWAYS RESCUED HER. 1277 01:19:58,310 --> 01:19:59,400 THERE'S ALWAYS A HAPPY ENDING. 1278 01:20:02,430 --> 01:20:04,240 WELL, IT'S NOT TRUE. 1279 01:20:06,240 --> 01:20:08,200 THERE ISN'T ALWAYS A HAPPY ENDING. 1280 01:20:10,270 --> 01:20:11,420 I SHOULD'VE TOLD YOU THAT. 1281 01:20:13,380 --> 01:20:15,370 I KNOW THAT, DADDY. 1282 01:20:15,390 --> 01:20:17,320 I WANTED TO MOVE HERE TO PROTECT YOU. 1283 01:20:18,400 --> 01:20:21,290 AND I DIDN'T TELL YOU I LOST MY JOB 1284 01:20:21,310 --> 01:20:22,320 TO PROTECT YOU. 1285 01:20:24,270 --> 01:20:26,360 [sighing] AND I SUPPOSE THAT'S THE REASON 1286 01:20:26,380 --> 01:20:28,280 THAT I NEVER TOLD YOU 1287 01:20:28,300 --> 01:20:29,360 THAT SOMETIMES 1288 01:20:30,360 --> 01:20:33,200 LIFE IS HARD. 1289 01:20:34,350 --> 01:20:36,380 AND I CAN'T PROTECT YOU FROM THAT. 1290 01:20:36,400 --> 01:20:38,410 BUT I KNOW THAT. 1291 01:20:38,430 --> 01:20:40,210 IT ISN'T YOUR FAULT. 1292 01:20:41,410 --> 01:20:43,250 MAYBE IT'S EVERYBODY'S. 1293 01:20:54,220 --> 01:20:55,340 I'LL TAKE OUT A LOAN. 1294 01:20:56,430 --> 01:20:59,330 WE'LL SEND HER TO A PRIVATE SCHOOL. 1295 01:20:59,350 --> 01:21:01,250 WHAT ELSE CAN WE DO? I DON'T KNOW. 1296 01:21:02,430 --> 01:21:05,220 MAYBE WE SHOULD SEND HER BACK TO OLDENFIELD. 1297 01:21:05,240 --> 01:21:06,260 [scoffs] 1298 01:21:06,280 --> 01:21:08,200 WITH PHILIP LAWVER THERE? 1299 01:21:09,230 --> 01:21:10,310 HASN'T HE DONE ENOUGH? 1300 01:21:10,330 --> 01:21:12,420 DOES HE ALSO GET TO FORCE HER OUT OF OLDENFIELD HIGH? 1301 01:21:13,200 --> 01:21:14,300 I'M NOT GOING BACK THERE. 1302 01:21:16,400 --> 01:21:19,410 I HEARD WHAT YOU SAID. I'VE MADE A DECISION. I WON'T GO BACK. 1303 01:21:19,430 --> 01:21:21,340 HONEY, YOU DON'T HAVE TO DECIDE THAT YET. 1304 01:21:21,360 --> 01:21:22,420 YES, I DO. 1305 01:21:25,210 --> 01:21:27,260 I WANT TO GO LIVE WITH AUNT MEG, IN CONNECTICUT. 1306 01:21:28,290 --> 01:21:29,420 THAT'S MY DECISION. 1307 01:21:32,210 --> 01:21:33,410 OK, OK, LET US TALK ABOUT IT. 1308 01:21:40,380 --> 01:21:41,380 [sighs] 1309 01:21:44,240 --> 01:21:45,260 NO WAY. 1310 01:21:48,410 --> 01:21:49,400 [doorbell ringing] 1311 01:21:58,320 --> 01:21:59,380 MISS MALEVICH. 1312 01:21:59,400 --> 01:22:01,340 SO YOU LIVE. 1313 01:22:01,360 --> 01:22:04,280 THE RUMORS CONFLICT ON THAT POINT, 1314 01:22:04,300 --> 01:22:06,420 SO MALEVICH MUST SEE FOR HERSELF. 1315 01:22:07,200 --> 01:22:08,400 UH, MOM, DAD, YES. 1316 01:22:08,420 --> 01:22:10,400 THIS IS MISS MALEVICH. THIS IS MY MOTHER AND FATHER. 1317 01:22:10,420 --> 01:22:12,390 HELLO, MISS MALEVICH. HOW DO YOU DO? PLEASURE, SIR. 1318 01:22:12,410 --> 01:22:14,290 WON'T YOU COME IN? 1319 01:22:14,310 --> 01:22:18,400 PLEASE, I MUST ASK YOU TO EXCUSE THIS INTRUSION TO YOUR HOME, 1320 01:22:18,420 --> 01:22:22,400 BUT YOU SEE, THE SCHOOL IS LIKE A SMALL VILLAGE INSIDE A SMALL VILLAGE, 1321 01:22:22,420 --> 01:22:26,260 AND RUMORS ABOUND IN SUCH PLACES. 1322 01:22:26,280 --> 01:22:27,390 WHAT ARE THEY SAYING? 1323 01:22:27,410 --> 01:22:28,430 NONSENSE. 1324 01:22:29,210 --> 01:22:30,360 THEY INVENT DRAMAS. 1325 01:22:30,380 --> 01:22:35,240 THEY SAY YOU WERE PUT UPON BY A GANG OF DOPE FIENDS AND BEATEN. 1326 01:22:35,260 --> 01:22:37,400 MACHINES ARE SAID TO KEEP HER ALIVE. 1327 01:22:37,420 --> 01:22:42,310 OH, YOU WILL HAVE AN AURA OF GREAT MYSTERY WHEN YOU RETURN TO SCHOOL. 1328 01:22:42,330 --> 01:22:43,390 I'M NOT GOING BACK. 1329 01:22:44,380 --> 01:22:45,420 OH? 1330 01:22:46,300 --> 01:22:47,290 I SEE. 1331 01:22:48,360 --> 01:22:50,220 CAN I GET YOU SOMETHING, MISS MALEVICH? 1332 01:22:50,240 --> 01:22:51,310 NO. NO, THANK YOU. 1333 01:22:51,330 --> 01:22:54,290 MOM, DAD, 1334 01:22:54,310 --> 01:22:56,400 CAN I TALK TO MISS MALEVICH BY MYSELF? 1335 01:22:56,420 --> 01:22:58,210 SURE. 1336 01:22:58,230 --> 01:22:59,230 EXCUSE US. 1337 01:23:13,420 --> 01:23:15,220 I WAS RAPED. 1338 01:23:18,260 --> 01:23:21,410 THERE IS ALWAYS THAT NUGGET OF TRUTH IN ALL TALK. 1339 01:23:24,280 --> 01:23:27,300 OH, I--I AM SO SORRY. 1340 01:23:29,400 --> 01:23:31,330 WHO DID THIS THING TO YOU? 1341 01:23:33,400 --> 01:23:35,240 PHILIP LAWVER. 1342 01:23:36,320 --> 01:23:37,330 LAWVER. 1343 01:23:39,230 --> 01:23:43,330 I KNEW THE LAWVERS LONG BEFORE YOU WERE BORN. 1344 01:23:43,350 --> 01:23:48,230 THEY ALWAYS LIVED TOO MUCH LIKE THEY WERE THE ONLY PEOPLE ON EARTH. 1345 01:23:49,350 --> 01:23:52,250 I AM NOT SO ASTONISHED 1346 01:23:52,270 --> 01:23:54,230 THAT IN TIME THEY SHOULD PRODUCE A SON 1347 01:23:54,250 --> 01:23:56,330 WHO CANNOT LIVE IN THIS WORLD WITH OTHERS. 1348 01:23:56,350 --> 01:23:58,390 OH, BUT HE WILL. 1349 01:23:58,410 --> 01:24:01,380 HE PROBABLY WON'T EVEN BE PUNISHED FOR THIS. 1350 01:24:01,400 --> 01:24:03,320 YOU LOOK FOR JUSTICE, 1351 01:24:04,260 --> 01:24:06,210 AND YOU PUNISH YOURSELF? 1352 01:24:07,240 --> 01:24:08,360 WHAT DO YOU MEAN? 1353 01:24:08,380 --> 01:24:11,430 YOUR FRIENDS, YOUR LIFE HERE, 1354 01:24:12,210 --> 01:24:13,340 IT IS OF IMPORTANCE TO YOU? 1355 01:24:15,240 --> 01:24:16,380 THEN YOU MUST FIGHT FOR IT. 1356 01:24:18,240 --> 01:24:21,240 CRIMINALS WALK THE STREETS AND YOU HIDE YOURSELF INSIDE. 1357 01:24:22,240 --> 01:24:23,350 THEN YOU ARE THE PRISONER. 1358 01:24:25,200 --> 01:24:27,250 YOU MUST NOT LET THIS HAPPEN. 1359 01:24:28,370 --> 01:24:30,400 BUT YOU ALREADY KNOW. 1360 01:24:30,420 --> 01:24:32,320 YOU KNOW 1361 01:24:32,340 --> 01:24:35,290 YOU CANNOT RUN FROM THIS THING. 1362 01:25:08,220 --> 01:25:10,290 WELL, I GOTTA DO IT SOMETIME, MIGHT AS WELL BE NOW. 1363 01:25:13,370 --> 01:25:14,430 I'M PROUD OF YOU. 1364 01:25:37,350 --> 01:25:38,390 [people chattering] 1365 01:25:58,270 --> 01:26:00,320 HYPERBOLE, ALLITERATION, 1366 01:26:00,340 --> 01:26:02,220 ONOMATOPOEIA. 1367 01:26:02,240 --> 01:26:05,250 I WANT YOU TO WRITE THESE TERMS DOWN IN YOUR NOTEBOOK, CLASS, 1368 01:26:05,270 --> 01:26:07,320 STUDY THEM VERY CAREFULLY. 1369 01:26:07,340 --> 01:26:10,400 IN ALL LIKELIHOOD, THEY WILL BE USED IN YOUR FINAL EXAMINATION. 1370 01:26:10,420 --> 01:26:13,420 NOW IF YOU HAVE PAID ATTENTION DURING CLASS, 1371 01:26:14,200 --> 01:26:15,370 YOU SHOULD HAVE NO TROUBLE AT ALL. 1372 01:26:15,390 --> 01:26:17,330 BUT IF YOU HAVE NOT, 1373 01:26:17,350 --> 01:26:20,350 I WOULD BE VERY WILLING TO STAY AFTER SCHOOL AND HELP. 1374 01:26:20,370 --> 01:26:22,380 BUT YOU MUST STUDY THESE WORDS, 1375 01:26:22,400 --> 01:26:24,290 THEY ARE VERY IMPORTANT. 1376 01:26:24,310 --> 01:26:26,340 OK, THE AMOUNT YOU HAVE TO INCREASE YOUR EXPOSURE 1377 01:26:26,360 --> 01:26:28,330 WHEN YOU HAVE A FILTER OVER A LENS, 1378 01:26:28,350 --> 01:26:31,320 IS GENERALLY REFERRED TO AS A FILTER FACTOR. 1379 01:26:37,430 --> 01:26:40,210 (Mr. Elden) IF YOU STUDY THESE PHOTOS YOU GOT, 1380 01:26:40,230 --> 01:26:42,290 YOU SHOULD BE ABLE TO TELL WHO'S DONE IT RIGHT 1381 01:26:42,310 --> 01:26:44,370 AND WHO HASN'T. SOME WILL LOOK JUST HORRIBLY GROTESQUE. 1382 01:26:44,390 --> 01:26:46,200 THE REST OF THEM-- 1383 01:26:52,200 --> 01:26:54,380 (Mr. Elden) AND WHEN IT'S DONE RIGHT, IT'S A DEFINITE ADDITION. 1384 01:26:54,400 --> 01:26:57,300 NOW, READ THIS ARTICLE. 1385 01:26:57,320 --> 01:27:00,270 YOU CAN GO TO SLEEP IF YOU WANT TO. BUT THIS... 1386 01:27:00,290 --> 01:27:04,300 THE FILTER FACTOR IS SIMPLY THE NUMBER OF TIMES THE EXPOSURE MUST BE INCREASED 1387 01:27:04,320 --> 01:27:06,310 TO REPRODUCE A GRAY OBJECT PROPERLY 1388 01:27:06,330 --> 01:27:08,310 WHEN USING A GIVEN FILTER. 1389 01:27:08,330 --> 01:27:11,270 FILTER FACTOR OF 2 MEANS THE EXPOSURE MUST BE DOUBLED. 1390 01:27:11,290 --> 01:27:15,290 FACTOR OF 4 MEANS THE EXPOSURE MUST BE INCREASED 4 TIMES. 1391 01:27:18,280 --> 01:27:19,300 ALISON! 1392 01:27:21,360 --> 01:27:24,290 ARE YOU PLANNING ON JUST NEVER SPEAKING TO ME AGAIN? 1393 01:27:24,310 --> 01:27:25,290 DON'T BE SILLY. 1394 01:27:25,390 --> 01:27:26,380 I'M NOT. 1395 01:27:30,280 --> 01:27:31,360 IT'S NOT YOUR FAULT. 1396 01:27:31,380 --> 01:27:33,410 I GUESS YOU JUST COULDN'T HELP IT. 1397 01:27:33,430 --> 01:27:35,390 WHAT ISN'T MY FAULT? 1398 01:27:35,410 --> 01:27:37,320 NEVER MIND, LET'S JUST FORGET ABOUT IT. 1399 01:27:37,340 --> 01:27:38,350 NO! 1400 01:27:39,420 --> 01:27:42,390 (Gail) FORGET WHAT? WHAT DID HE TELL YOU? 1401 01:27:42,410 --> 01:27:44,210 (Alison) LET'S JUST FORGET ABOUT IT, OK? 1402 01:27:44,230 --> 01:27:45,310 NO, NOT OK. 1403 01:27:45,330 --> 01:27:47,430 I WAS HOME THE WHOLE WEEK. WHY DIDN'T YOU CALL ME? 1404 01:27:48,210 --> 01:27:49,330 STEVE SAID YOU DIDN'T WANT TO TALK ON THE PHONE. 1405 01:27:49,350 --> 01:27:51,300 THAT'S A LAME EXCUSE, YOU NEVER EVEN TRIED. 1406 01:27:51,320 --> 01:27:53,320 YES, I DID. NO, YOU DIDN'T. 1407 01:27:53,340 --> 01:27:56,360 YOU JUST WANT TO PRETEND THAT THE WHOLE THING NEVER EVEN HAPPENED. 1408 01:27:56,380 --> 01:27:58,250 PHIL SENT ME THOSE NOTES. 1409 01:27:58,270 --> 01:28:00,320 AND PHIL RAPED ME, AND YOU KNOW IT. 1410 01:28:00,340 --> 01:28:01,370 PHIL WAS RIGHT. 1411 01:28:01,390 --> 01:28:03,290 YOU'RE OUT OF YOUR MIND! 1412 01:28:03,310 --> 01:28:05,240 HE'S GOT "TRAMPS AND ANGELS." 1413 01:28:05,260 --> 01:28:07,330 YOU'RE THE ANGEL AND EVERYBODY ELSE IS A TRAMP! 1414 01:28:07,350 --> 01:28:09,230 PHIL SAID YOU THREW YOURSELF AT HIM. 1415 01:28:09,250 --> 01:28:10,430 WELL, NOW I KNOW IT'S TRUE! 1416 01:28:11,210 --> 01:28:14,240 PHILIP LAWVER RAPED ME. 1417 01:28:14,260 --> 01:28:16,260 ALISON, WHY WOULD I MAKE SOMETHING LIKE THAT UP? 1418 01:28:16,280 --> 01:28:18,200 BECAUSE YOU'RE CRAZY! 1419 01:28:18,220 --> 01:28:20,240 YOU'RE JEALOUS AND YOU'RE CRAZY. 1420 01:28:20,260 --> 01:28:22,250 PHIL TOLD ME. 1421 01:28:22,270 --> 01:28:24,290 YOU JUST WANT PHIL, DON'T YOU? 1422 01:28:24,310 --> 01:28:27,400 YOU'RE JEALOUS OF US, THAT'S WHAT IT IS! 1423 01:28:27,420 --> 01:28:31,280 AND YOU WON'T GIVE UP YOUR WEDDING-CAKE FANTASY, WILL YOU? 1424 01:28:32,240 --> 01:28:33,280 [sobbing] 1425 01:28:40,220 --> 01:28:41,290 (Steve) YOU DIDN'T REALLY EXPECT ALISON 1426 01:28:41,310 --> 01:28:43,210 TO BELIEVE YOU, DID YOU? 1427 01:28:43,230 --> 01:28:45,320 (Gail) I DON'T KNOW. SHE'S MY BEST FRIEND. 1428 01:28:45,340 --> 01:28:47,280 HE'S SICK. IT'S ALL WRONG. 1429 01:28:47,300 --> 01:28:49,200 DON'T THINK ABOUT IT. 1430 01:28:49,220 --> 01:28:50,250 [sighing] I HAVE TO. 1431 01:28:50,270 --> 01:28:52,270 THE PRELIMINARY HEARING'S NEXT WEEK. 1432 01:28:52,290 --> 01:28:54,300 THE JUDGE COULD THROW IT OUT OF COURT, 1433 01:28:54,320 --> 01:28:56,400 OR PHIL COULD EVEN GET OFF BY PLEA BARGAINING. 1434 01:28:56,420 --> 01:28:59,240 IT'S HOPELESS. THERE JUST ISN'T ENOUGH EVIDENCE. 1435 01:28:59,400 --> 01:29:01,350 GAIL, UH, 1436 01:29:03,230 --> 01:29:05,260 IF YOU REALLY FEEL THAT WAY, MAYBE 1437 01:29:05,280 --> 01:29:06,410 YOU SHOULDN'T GO TO COURT. 1438 01:29:06,430 --> 01:29:09,340 MAYBE YOU SHOULD JUST GIVE YOURSELF SOME TIME TO GET OVER IT. 1439 01:29:12,320 --> 01:29:15,240 NO, I HAVE TO GO. IT'S THE ONLY WAY I CAN GET OVER IT. 1440 01:29:48,210 --> 01:29:50,350 I-IT'S LIKE THE NOTE HE SENT ME. THE FIRST NOTE. 1441 01:29:50,370 --> 01:29:52,230 NOW HE'S AFTER SONIA. 1442 01:29:52,250 --> 01:29:54,300 THIS IS EVIDENCE, ISN'T IT? 1443 01:29:54,320 --> 01:29:56,350 I DON'T KNOW. I--I JUST DON'T KNOW. 1444 01:29:57,370 --> 01:29:58,400 I CAN'T LET IT HAPPEN AGAIN. 1445 01:29:58,420 --> 01:30:00,420 I'VE GOTTA FIND A WAY TO PROVE IT WAS PHIL. 1446 01:30:01,200 --> 01:30:02,200 HOW? 1447 01:30:02,220 --> 01:30:03,210 [scratching] 1448 01:30:20,250 --> 01:30:21,390 HOW MUCH LONGER? 1449 01:30:21,410 --> 01:30:23,360 I'M JUST ABOUT FINISHED. 1450 01:30:25,260 --> 01:30:26,360 WHAT DO YOU CALL IT? 1451 01:30:26,380 --> 01:30:27,390 HERE. 1452 01:30:27,410 --> 01:30:29,350 TIME LAPSE PHOTOGRAPHY. 1453 01:30:32,230 --> 01:30:34,240 YOU SEE, THE SHUTTER WILL CLICK EVERY COUPLE OF SECONDS. 1454 01:30:34,260 --> 01:30:35,290 MMM-HMM. 1455 01:30:35,310 --> 01:30:36,400 AND THAT WAY, 1456 01:30:41,300 --> 01:30:43,230 IF PHILIP LAWVER 1457 01:30:43,250 --> 01:30:45,360 TRIES TO PUT ANOTHER NOTE IN SONIA'S LOCKER, 1458 01:30:47,420 --> 01:30:49,330 I'LL GET IT ON FILM. 1459 01:30:52,290 --> 01:30:54,230 [camera clicking] 1460 01:31:08,330 --> 01:31:10,400 "HE DID NOT WEAR HIS SCARLET COAT 1461 01:31:10,420 --> 01:31:13,260 "FOR BLOOD AND WINE ARE RED 1462 01:31:13,280 --> 01:31:16,210 "AND BLOOD AND WINE WERE ON HIS HANDS 1463 01:31:16,230 --> 01:31:18,330 "WHEN THEY FOUND HIM WITH THE DEAD 1464 01:31:18,350 --> 01:31:21,200 "THE POOR DEAD WOMEN HE LOVE 1465 01:31:21,220 --> 01:31:23,250 "AND MURDERED IN HIS BED 1466 01:31:23,270 --> 01:31:25,290 "HE WALKED AMONGST THE TRIAL MEN 1467 01:31:25,310 --> 01:31:28,290 IN A SHABBY SUIT OF GRAY" 1468 01:31:28,310 --> 01:31:30,410 [camera clicking] 1469 01:31:44,310 --> 01:31:45,410 [camera clicking] 1470 01:31:51,270 --> 01:31:53,360 CAN YOU COME WITH ME TO THE LAB TONIGHT? 1471 01:31:53,380 --> 01:31:54,370 TONIGHT? 1472 01:31:55,240 --> 01:31:56,220 YEAH. 1473 01:31:57,230 --> 01:31:58,340 I WANNA DEVELOP THAT FILM. 1474 01:31:59,400 --> 01:32:01,380 I UNDERSTAND ABOUT ALL THIS. 1475 01:32:02,390 --> 01:32:03,410 I REALLY DO. 1476 01:32:05,410 --> 01:32:07,340 BUT LATELY, 1477 01:32:07,360 --> 01:32:10,280 THE ONLY TIME I'M ALONE WITH YOU IS IN HERE. 1478 01:32:10,300 --> 01:32:11,400 I'M BEGINNING TO FEEL 1479 01:32:13,420 --> 01:32:15,250 LIKE YOU'RE AFRAID OF ME. 1480 01:32:15,390 --> 01:32:16,410 NO. 1481 01:32:22,250 --> 01:32:24,370 REMEMBER WHAT YOU SAID ABOUT JUST GETTING OVER IT? 1482 01:32:25,240 --> 01:32:26,210 MMM-HMM. 1483 01:32:26,430 --> 01:32:29,220 I'M JUST GIVING MYSELF TIME. 1484 01:32:30,370 --> 01:32:31,360 OK? 1485 01:32:38,200 --> 01:32:39,230 OK. 1486 01:32:39,250 --> 01:32:40,370 [camera clicking] 1487 01:33:08,410 --> 01:33:10,350 WHY WON'T YOU SAY ANYTHING TO ME? 1488 01:33:13,330 --> 01:33:14,310 PHIL! 1489 01:33:16,220 --> 01:33:18,390 I SAW YOU THAT NIGHT. YOU WERE ON MY PORCH. 1490 01:33:20,210 --> 01:33:21,330 YOU LOOKED CRAZY. 1491 01:33:21,350 --> 01:33:22,390 [shushing] 1492 01:33:30,410 --> 01:33:33,360 YOU SAID THAT--THAT GAIL THREW HERSELF AT YOU. 1493 01:33:33,380 --> 01:33:35,280 THAT'S WHAT YOU TOLD ME. 1494 01:33:35,300 --> 01:33:37,260 BUT THAT JUST DOESN'T MAKE SENSE. 1495 01:33:43,380 --> 01:33:44,380 SAY SOMETHING. 1496 01:33:52,260 --> 01:33:54,250 PLEASE, JUST TELL ME WHAT HAPPENED. 1497 01:33:58,200 --> 01:34:01,290 I DON'T HAVE TO ACCOUNT TO YOU FOR ANYTHING I DO. 1498 01:34:01,310 --> 01:34:04,360 I DON'T HAVE TO ACCOUNT TO ANYONE FOR ANYTHING I DO. 1499 01:34:08,390 --> 01:34:10,430 [camera clicking] 1500 01:34:38,330 --> 01:34:40,350 [screams] 1501 01:34:48,390 --> 01:34:50,380 [Gail screaming] 1502 01:35:02,280 --> 01:35:04,340 (Gail) WE NEVER DID GET TO COURT. 1503 01:35:04,360 --> 01:35:07,300 PHILIP LAWVER PLEADED GUILTY TO ASSAULT, 1504 01:35:07,320 --> 01:35:09,230 SO THEY THREW OUT THE RAPE CHARGE. 1505 01:35:09,250 --> 01:35:10,410 BUT EVEN THOUGH I LOST, 1506 01:35:10,430 --> 01:35:13,380 IT WAS WORTH IT TO GET IT ALL OUT IN THE OPEN. 1507 01:35:13,400 --> 01:35:16,300 PHIL LEFT SCHOOL AFTER THANKSGIVING. 1508 01:35:16,320 --> 01:35:19,260 SOMEONE SAID HE WENT CRAZY AND THEY PUT HIM AWAY. 1509 01:35:19,280 --> 01:35:21,420 BUT STEVE AND I DON'T THINK THAT'S WHAT HAPPENED. 1510 01:35:22,200 --> 01:35:25,400 SOMEBODY ELSE SAID HIS FOLKS SENT HIM TO A BOARDING SCHOOL IN NEW HAMPSHIRE. 1511 01:35:25,420 --> 01:35:27,390 THAT'S PROBABLY WHERE HE IS. 1512 01:35:28,400 --> 01:35:30,430 AFTER IT WAS ALL OVER, 1513 01:35:31,210 --> 01:35:33,300 I ASKED JESSICA, "HOW COME THE LAW PROTECTS THE RAPIST 1514 01:35:33,320 --> 01:35:34,420 AND NOT THE VICTIM?" 1515 01:35:35,200 --> 01:35:37,370 AND SHE SAID, "BECAUSE THE SYSTEM IS WRONG."103782