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All language subtitles for With A Song In My Heart (1952) Susan Hayward

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These are the user uploaded subtitles that are being translated: 1 00:01:31,300 --> 00:01:35,200 % % [Orchestra] 2 00:01:43,000 --> 00:01:45,900 [Man Narrating] The annual ball of the newspapermen of New York... 3 00:01:45,900 --> 00:01:49,300 is always a colorful and glamorous event. 4 00:01:49,400 --> 00:01:52,500 Tonight's is no exception to that rule. 5 00:02:02,800 --> 00:02:05,500 % % [Piano] 6 00:02:08,100 --> 00:02:12,100 % % [Fanfare] 7 00:02:15,700 --> 00:02:18,700 And now, ladies and gentlemen, the highlight of the evening. 8 00:02:18,700 --> 00:02:21,400 For those of us in show business or newspapers... 9 00:02:21,500 --> 00:02:23,900 or who are just plain, ordinary music listeners... 10 00:02:24,000 --> 00:02:27,100 this is an occasion of special significance and pride. 11 00:02:27,200 --> 00:02:29,500 For among those who are being honored here tonight... 12 00:02:29,600 --> 00:02:32,700 is a very wonderful singer and a very great lady... 13 00:02:32,800 --> 00:02:36,200 who has been named the most courageous entertainer of the year. 14 00:02:36,200 --> 00:02:40,100 Ladies and gentlemen, Miss Jane Froman. 15 00:02:40,200 --> 00:02:43,200 % % [Orchestra] 16 00:02:53,000 --> 00:02:56,000 % % [Piano] 17 00:03:07,400 --> 00:03:12,900 [Jane] % With a song in my heart% 18 00:03:13,000 --> 00:03:15,000 % I behold% 19 00:03:15,000 --> 00:03:18,200 % Your adorable face% 20 00:03:18,300 --> 00:03:22,000 % Just as strong at the start% 21 00:03:22,100 --> 00:03:24,300 [Man Narrating] Jane Froman... 22 00:03:24,400 --> 00:03:26,700 radio, musical comedy... 23 00:03:26,800 --> 00:03:29,400 the movies, nightclubs... 24 00:03:29,400 --> 00:03:32,900 a lot of the stuff of which dreams are made. 25 00:03:32,900 --> 00:03:36,200 But why the most courageous entertainer of the year? 26 00:03:36,300 --> 00:03:38,700 Well, let's see. 27 00:03:38,800 --> 00:03:40,700 Suppose we start here... 28 00:03:40,800 --> 00:03:43,300 at a radio station in Cincinnati... 29 00:03:43,400 --> 00:03:45,900 on a bright summer's morning a few years back... 30 00:03:46,000 --> 00:03:48,300 when suddenly there exploded from a taxicab... 31 00:03:48,400 --> 00:03:50,600 the figure of a young lady. 32 00:03:50,600 --> 00:03:53,800 Then, as always, in a terrible hurry. 33 00:03:55,300 --> 00:03:58,400 Oh! Oh, I'm so sorry. 34 00:03:58,400 --> 00:04:00,400 Please forgive me. 35 00:04:03,100 --> 00:04:06,500 - L... I just wasn't looking. - Hmm. 36 00:04:06,600 --> 00:04:09,200 - Forgive me, please. - It's all right. 37 00:04:09,300 --> 00:04:12,300 % % [Men Singing, Faint] 38 00:04:17,200 --> 00:04:20,900 % And we're having trouble% 39 00:04:21,000 --> 00:04:24,400 % Sure as you're born% 40 00:04:24,400 --> 00:04:27,500 % Trying to find someone% 41 00:04:27,400 --> 00:04:31,500 % To hoe that corn% 42 00:04:36,700 --> 00:04:38,900 % Hoe that corn 'cause it's gotta grow% 43 00:04:39,000 --> 00:04:41,200 % Can't you see that the liquor's low% 44 00:04:41,200 --> 00:04:43,700 % Gotta have a jug to make us go% 45 00:04:43,700 --> 00:04:45,700 % Who'll hoe that corn% 46 00:04:45,800 --> 00:04:48,300 % Rube took Fanny to the fair today% 47 00:04:48,400 --> 00:04:50,800 % They rode in on a load of hay% 48 00:04:50,900 --> 00:04:52,900 % Don't expect 'em back till the end of May% 49 00:04:52,900 --> 00:04:56,700 - % Who'll hoe that corn% - % Zeb had 10 daughters but no son% 50 00:04:56,800 --> 00:04:58,700 % Got 'em all married one by one% 51 00:04:58,800 --> 00:05:01,600 % 'Cause he's pretty handy with that old shotgun% 52 00:05:01,700 --> 00:05:03,800 % Who we got to hoe that corn% 53 00:05:03,800 --> 00:05:05,900 % Little Elsie's just turned 10% 54 00:05:05,900 --> 00:05:08,200 % Kinda peculiar Don't like men% 55 00:05:08,300 --> 00:05:10,200 % Keeps pretendin' she's a hen% 56 00:05:10,300 --> 00:05:13,000 - % Who'll hoe that corn% - [Blowing] 57 00:05:13,000 --> 00:05:15,100 % Hoe, hoe that corn% 58 00:05:15,200 --> 00:05:17,200 % Hoe, hoe, hoe hoe that corn% 59 00:05:17,300 --> 00:05:19,400 % Hoe, hoe that corn% 60 00:05:19,500 --> 00:05:21,800 % Everybody's gotta hoe that corn% 61 00:05:29,400 --> 00:05:31,900 - [Blowing] - % Who'll hoe that corn, a rippy-tippy% 62 00:05:31,900 --> 00:05:35,600 - % Who'll hoe that corn% - % Hot city papa, won't you play that jazz% 63 00:05:35,700 --> 00:05:38,200 % Who'll hoe that% 64 00:05:38,300 --> 00:05:41,000 % Corn% % 65 00:05:45,700 --> 00:05:48,500 Okay, boys, write your names out and leave 'em with my secretary. 66 00:05:48,600 --> 00:05:50,500 If anything comes up, she'll let you know. 67 00:05:50,600 --> 00:05:53,400 - Wait a minute. Did you like it or didn't you? - Very nice. 68 00:05:53,500 --> 00:05:56,400 Then how 'bout giving us an answer now? After all, we're pretty busy too. 69 00:05:56,500 --> 00:05:58,400 Really? Where are you working? 70 00:05:58,500 --> 00:06:00,700 We just finished eight weeks at the Palmer House in Chicago. 71 00:06:00,800 --> 00:06:03,400 Before that, London, New York. You name the spot, we were there. 72 00:06:03,400 --> 00:06:05,600 Sorry, boys. Looks like you're out of our class. 73 00:06:05,600 --> 00:06:08,600 I don't think you'd be interested in anything we'd have to offer. 74 00:06:08,600 --> 00:06:10,700 Besides, this is radio, you know, not vaudeville. 75 00:06:12,400 --> 00:06:14,300 - [Door Closes] - What a jerk. 76 00:06:14,400 --> 00:06:16,400 Sure, he's a jerk. They all are. 77 00:06:16,500 --> 00:06:19,000 But that don't mean you gotta divulge the secret. 78 00:06:19,000 --> 00:06:22,000 Besides, did it ever occur to you that maybe we weren't so hot either? 79 00:06:22,100 --> 00:06:25,600 - Listen, Harry... - This song of yours, it ain't no Berlin, brother. 80 00:06:25,700 --> 00:06:29,100 Anytime you're not happy with the way things are going, do me a favor. 81 00:06:29,100 --> 00:06:32,600 - Just say so. - Nobody said anything about not being happy. 82 00:06:32,700 --> 00:06:35,400 But a guy's got a right to wonder where all this is gettin' us. 83 00:06:35,500 --> 00:06:38,600 By "all this," you wouldn't mean me and my big mouth, would you? 84 00:06:38,600 --> 00:06:40,600 That sure don't help any. 85 00:06:40,600 --> 00:06:44,300 In that case, maybe we'd be doing each other a favor if we just called it quits. 86 00:06:44,400 --> 00:06:47,700 Well, I'm not suggesting it, but it's an idea. 87 00:06:47,800 --> 00:06:50,000 Then consider it done. 88 00:06:52,800 --> 00:06:55,800 Okay, pal. See ya around. 89 00:07:00,800 --> 00:07:02,800 Excuse me. Are they through in there? 90 00:07:02,900 --> 00:07:05,100 Utterly and emphatically! 91 00:07:05,200 --> 00:07:07,100 Thank you. 92 00:07:10,900 --> 00:07:13,100 Good morning. I'm Jane Froman. 93 00:07:13,200 --> 00:07:16,900 I'm sorry I'm late for my audition, but there was a terrible traffic jam. 94 00:07:17,000 --> 00:07:19,600 Paul Whiteman spoke to you about me, remember? 95 00:07:19,700 --> 00:07:22,300 - Paul Whiteman? - Yes. I have his card here somewhere. 96 00:07:22,400 --> 00:07:24,300 He heard me sing at the conservatory. 97 00:07:24,400 --> 00:07:26,300 You're studying at the conservatory? 98 00:07:26,400 --> 00:07:30,700 Yes, I'm in my second year studying voice harmony and theory. Here it is. 99 00:07:32,000 --> 00:07:34,600 He wrote something on the back. 100 00:07:34,700 --> 00:07:38,600 Mmm. Pops apparently thinks you're pretty good. 101 00:07:38,700 --> 00:07:40,600 I dictated it, but he wrote it. 102 00:07:40,700 --> 00:07:42,600 He did ask me to go with his band. 103 00:07:42,700 --> 00:07:44,900 But I told him I didn't want to be known only as a band singer. 104 00:07:45,000 --> 00:07:48,000 I'd rather be on the air. You can understand that, can't you? 105 00:07:48,100 --> 00:07:51,100 Oh, perfectly. And what experience have you had? 106 00:07:51,100 --> 00:07:54,700 Well, I've sung once with the Cincinnati Symphony. 107 00:07:54,800 --> 00:07:57,300 And last month I sang at one of Mrs. Taft's teas. 108 00:07:57,300 --> 00:07:59,700 Mrs. Robert Taft's teas? 109 00:07:59,800 --> 00:08:05,200 Mm-hmm. Before that, I had a week's engagement at the Grand Central Theater in St. Louis. 110 00:08:05,300 --> 00:08:09,400 I was billed as the "Blues Singing Coed from Missouri U." 111 00:08:09,500 --> 00:08:12,700 You don't say. Well, you've had quite a career. 112 00:08:12,800 --> 00:08:16,500 - What do you want to sing now? - I brought several things along with me. 113 00:08:16,600 --> 00:08:19,600 Let's see. Do you know this one? 114 00:08:19,700 --> 00:08:22,800 Well, I think I can handle it in my own humble way. 115 00:08:27,300 --> 00:08:29,900 - % % [Picks Up Tempo] - % I saw you last night% 116 00:08:30,000 --> 00:08:33,400 % And got that old feeling% 117 00:08:33,500 --> 00:08:35,400 % When you came inside% 118 00:08:35,500 --> 00:08:38,700 % I got that old feeling% 119 00:08:38,800 --> 00:08:40,700 - % The moment you... % - Pardon me. 120 00:08:40,800 --> 00:08:43,800 Pardon me. May I ask what all this is about? 121 00:08:43,800 --> 00:08:46,100 I understood you were looking for a hot singer. 122 00:08:46,100 --> 00:08:48,100 May I give you some advice, Miss Froman? 123 00:08:48,200 --> 00:08:50,700 - Well, certainly, if it's good advice. - Okay. 124 00:08:50,800 --> 00:08:52,700 You're a very nice-looking young lady. 125 00:08:52,800 --> 00:08:55,700 I thoroughly approve of both your face and contour. 126 00:08:55,800 --> 00:08:57,700 For all I know, you may even have a good voice. 127 00:08:57,800 --> 00:08:59,700 - Shall I go on? - Please do. 128 00:08:59,800 --> 00:09:02,700 All right, then listen. 129 00:09:02,800 --> 00:09:06,800 Having a good voice is a big help. Let's call that God's contribution. 130 00:09:06,800 --> 00:09:10,100 But in show business, you've got to have a lot more than just a pair of pipes. 131 00:09:10,100 --> 00:09:13,900 You've got to know how to walk, how to smile, how to take a bow. 132 00:09:14,000 --> 00:09:17,900 But most of all, what to do with your hands. 133 00:09:17,900 --> 00:09:22,900 Look, you're singing a song, not waving to a bunch of immigrants at Ellis Island. 134 00:09:22,900 --> 00:09:25,500 I'm sorry. May I try it again? 135 00:09:25,600 --> 00:09:27,200 Only if you'll sing it right... 136 00:09:27,300 --> 00:09:30,200 and not the way you think somebody else might like it, okay? 137 00:09:30,300 --> 00:09:32,100 Okay. 138 00:09:32,200 --> 00:09:34,200 From the heart. 139 00:09:38,100 --> 00:09:41,700 % I saw you last night% 140 00:09:41,800 --> 00:09:47,100 % And got that old feeling% 141 00:09:48,200 --> 00:09:51,500 % When you came in sight% 142 00:09:51,600 --> 00:09:57,200 % I got that old feeling% 143 00:09:58,500 --> 00:10:03,400 % The moment you danced by% 144 00:10:03,400 --> 00:10:07,900 % I felt a thrill% 145 00:10:08,000 --> 00:10:12,900 % And when you caught my eye% 146 00:10:12,900 --> 00:10:18,200 % My heart stood still% 147 00:10:19,700 --> 00:10:24,600 % Once again I seemed to feel% 148 00:10:24,600 --> 00:10:30,000 % That old yearning% 149 00:10:30,000 --> 00:10:32,200 % And I knew... % 150 00:10:32,300 --> 00:10:35,600 Come in. This is Miss Froman, one of Paul Whiteman's prot�g�s. 151 00:10:35,600 --> 00:10:38,600 - She mistook me for you. So I'm auditioning her. - So I see. 152 00:10:38,700 --> 00:10:40,600 - You're not the director? - Uh-uh, he is. 153 00:10:40,700 --> 00:10:43,600 - Show him your card. - That won't be necessary. I'm on my way to lunch. 154 00:10:43,700 --> 00:10:46,600 It'll only take a minute. Read it. 155 00:10:46,700 --> 00:10:48,900 Read what it says on the other side. 156 00:10:48,900 --> 00:10:52,200 Hmm, but your appointment was for 11:00. Some other time, perhaps. 157 00:10:52,200 --> 00:10:54,200 Why not now? I'll play for her. 158 00:10:54,300 --> 00:10:57,000 Get over there. Go on, where you can see her. 159 00:10:57,100 --> 00:10:59,200 This you gotta hear. 160 00:10:59,300 --> 00:11:01,300 Remember what I told you. 161 00:11:02,300 --> 00:11:05,300 % % [Piano] 162 00:11:07,100 --> 00:11:11,000 % I saw you last night% 163 00:11:11,100 --> 00:11:16,200 % And got that old feeling% 164 00:11:17,300 --> 00:11:21,000 % When you came in sight% 165 00:11:21,100 --> 00:11:25,600 % I got that old feeling% 166 00:11:25,700 --> 00:11:30,200 - % The moment... % - No, no, no. That's not it at all. 167 00:11:30,200 --> 00:11:34,000 - We're looking for a hot singer. One with a lot of... - Verve? 168 00:11:34,100 --> 00:11:36,400 - Exactly. - How's this for tempo? 169 00:11:36,500 --> 00:11:38,400 The Ellis Island version. 170 00:11:38,500 --> 00:11:43,000 % % [Piano, Up-tempo] 171 00:11:43,100 --> 00:11:44,600 % I saw you last night% 172 00:11:44,700 --> 00:11:47,800 % And got that old feeling% 173 00:11:47,900 --> 00:11:50,200 % When you came in sight% 174 00:11:50,300 --> 00:11:53,000 % I got that old feeling% 175 00:11:53,100 --> 00:11:55,600 % The moment that you danced by% 176 00:11:55,600 --> 00:11:59,200 % You gave me that silly old, chilly old thrill% 177 00:11:59,300 --> 00:12:02,500 % And when you caught my eye% 178 00:12:02,600 --> 00:12:04,700 % My heart stood still% 179 00:12:04,800 --> 00:12:06,700 % Once again I seemed to feel... % 180 00:12:06,800 --> 00:12:09,900 Yeah, yeah, that's more like it. I think we can find a spot for you. 181 00:12:10,000 --> 00:12:11,900 Doing commercials. Ten dollars a program. 182 00:12:11,900 --> 00:12:15,300 - Ten dollars? - Later, maybe we can take you on as a staff artist. 183 00:12:15,400 --> 00:12:17,300 What does being a staff artist mean? 184 00:12:17,400 --> 00:12:21,100 It means they can use you on as many shows as they like day or night, and will. 185 00:12:21,200 --> 00:12:25,100 - If you don't want it, just say so. Yes or no? - But I do want it very much. 186 00:12:25,200 --> 00:12:27,300 Very well. Be in my office tomorrow at 10:00. 187 00:12:27,400 --> 00:12:30,500 - We'll start you out on Jim's Toasty Peanuts. - Oh, brother. 188 00:12:30,500 --> 00:12:33,400 By the way, I seem to have forgotten your name... 189 00:12:33,500 --> 00:12:36,100 but this piano is for studio use only. 190 00:12:36,200 --> 00:12:39,500 Our studio, not yours. In the future, please remember that. 191 00:12:39,500 --> 00:12:41,500 - Yes, sir. - Good-bye, Miss Froman. 192 00:12:41,500 --> 00:12:43,700 Good-bye. 193 00:12:43,700 --> 00:12:46,100 - [Door Closes] - And they wonder what's wrong with radio. 194 00:12:46,100 --> 00:12:49,400 Joe Jerk. He doesn't know a good voice when he hears it. 195 00:12:49,400 --> 00:12:52,600 - Do you? - I know you've got a voice. 196 00:12:52,700 --> 00:12:56,000 - Incidentally, my name's Ross. Don Ross. - How do you do, Mr. Ross? 197 00:12:56,100 --> 00:12:58,700 - I hope you're not sore at me. - Why should I be? 198 00:12:58,700 --> 00:13:01,200 Well, after all, I almost lost your job for you, didn't I? 199 00:13:01,300 --> 00:13:04,000 Yes. But then, of course, you're right, he's wrong. 200 00:13:04,100 --> 00:13:08,600 - How's that again, ma'am? - Mr. Ross, give me credit for having a little sense. 201 00:13:08,700 --> 00:13:12,100 Besides, now that I've got the job, I'll do it my way. 202 00:13:12,100 --> 00:13:14,500 Excuse me. Your way. 203 00:13:14,500 --> 00:13:16,800 May I ask you just one more question, Miss Froman? 204 00:13:16,900 --> 00:13:20,200 - As many as you'd like. - Just one. How'd you like some lunch? 205 00:13:20,300 --> 00:13:22,600 - Frankly, I'd love it. - Okay, come on. 206 00:13:22,700 --> 00:13:25,900 I'll buy you a peanut butter sandwich. I might even make it Jim�s Toasty kind. 207 00:13:26,000 --> 00:13:29,000 - After all, you gotta plug the product. - [Laughs] 208 00:13:30,600 --> 00:13:32,200 [Chimes] 209 00:13:32,300 --> 00:13:36,300 - % Oh, nibble a bite, nibble a bite% - % Jim's Toasty Peanuts% 210 00:13:36,400 --> 00:13:38,900 - % Nickel a bag, nickel a bag% - % Jim's Toasty Peanuts% 211 00:13:38,900 --> 00:13:41,600 % Crispy, crunchy, toasty munchy, tasty and nutritious% 212 00:13:41,700 --> 00:13:43,600 % Jim's ever-loving Toasty Peanuts% 213 00:13:43,700 --> 00:13:45,800 % Delicious% % 214 00:13:47,500 --> 00:13:51,300 [Don Narrating] Staff artist. Yep, she was on her way. 215 00:13:51,300 --> 00:13:55,300 She got the plugs in the morning and the songs at night. 216 00:13:55,300 --> 00:13:58,700 % I'm through with love% 217 00:13:58,700 --> 00:14:01,900 % I'll never fall again% 218 00:14:01,900 --> 00:14:05,500 % Said adieu to love% 219 00:14:05,600 --> 00:14:08,400 % Don't ever call again% 220 00:14:08,500 --> 00:14:11,700 % For I must have you% 221 00:14:11,800 --> 00:14:15,900 % Or no one% 222 00:14:16,000 --> 00:14:21,400 % And so I'm through with love% % 223 00:14:24,000 --> 00:14:26,200 [Don Narrating] Within a matter of months, the name of Jane Froman... 224 00:14:26,300 --> 00:14:29,700 was a feature on the major networks. 225 00:14:29,800 --> 00:14:31,700 The first outside offer that made any sense... 226 00:14:31,800 --> 00:14:34,300 came from one of those great big movie palaces... 227 00:14:34,300 --> 00:14:37,000 on State Street with 3,000 seats... 228 00:14:37,100 --> 00:14:40,100 just itching to be filled each week. 229 00:14:40,200 --> 00:14:43,100 I gave her arm a little twist, and she took it. 230 00:14:43,100 --> 00:14:45,100 Got top billing too... 231 00:14:45,100 --> 00:14:48,200 right up there with the latest hit from Hollywood. 232 00:14:48,300 --> 00:14:50,800 Incidentally, if you'll forgive me for pointing... 233 00:14:50,900 --> 00:14:52,800 I was also on the bill that week... 234 00:14:52,800 --> 00:14:56,100 and strictly not by coincidence. 235 00:14:56,100 --> 00:14:58,600 Leave us not emphasize that point however. 236 00:14:58,700 --> 00:15:00,700 This was Jane's big chance. 237 00:15:00,900 --> 00:15:02,700 % % [Drumroll] 238 00:15:02,800 --> 00:15:06,300 % Hallelujah% 239 00:15:07,500 --> 00:15:11,300 % Hallelujah% 240 00:15:12,400 --> 00:15:16,200 % All you sinners% 241 00:15:16,300 --> 00:15:19,100 % Gather round% 242 00:15:20,900 --> 00:15:24,200 % Hallelujah% 243 00:15:25,400 --> 00:15:29,400 % Hallelujah% 244 00:15:30,600 --> 00:15:34,600 % All you sinners% 245 00:15:34,700 --> 00:15:38,800 % I have found% 246 00:15:40,400 --> 00:15:44,900 % A land where the weary forever are free% 247 00:15:45,900 --> 00:15:49,700 % Come you sinners and just% 248 00:15:49,800 --> 00:15:59,300 % Follow me% 249 00:15:59,400 --> 00:16:02,300 % Forget your troubles and just get happy% 250 00:16:02,400 --> 00:16:05,400 % You want to shoo all your blues away% 251 00:16:05,400 --> 00:16:08,300 % Shout hallelujah Come on, get happy% 252 00:16:08,400 --> 00:16:11,300 % Get ready for the Judgment Day% 253 00:16:11,400 --> 00:16:14,100 % The sun is shinin' Come on, get happy% 254 00:16:14,200 --> 00:16:17,000 % The Lord is waitin' to take your hand% 255 00:16:17,100 --> 00:16:20,100 % Shout hallelujah Come on, get happy% 256 00:16:20,100 --> 00:16:23,100 % We're goin' to the promised land% 257 00:16:23,200 --> 00:16:26,400 % We're headin' for the river% 258 00:16:26,500 --> 00:16:29,800 % Wash your sins 'way in the tide% 259 00:16:29,900 --> 00:16:32,700 % It's all so peaceful% 260 00:16:32,700 --> 00:16:35,200 % On the other side% 261 00:16:35,300 --> 00:16:37,900 % Forget your troubles and just get happy% 262 00:16:37,900 --> 00:16:40,700 % You want to shoo all your blues away% 263 00:16:40,800 --> 00:16:43,800 % Shout hallelujah Come on, get happy% 264 00:16:43,900 --> 00:16:46,600 % Climb higher% 265 00:16:46,700 --> 00:16:49,900 % And higher% 266 00:16:50,000 --> 00:16:52,400 % You gotta keep away from Satan% 267 00:16:52,400 --> 00:16:57,000 % And his fire% 268 00:17:02,300 --> 00:17:04,700 % We're headin'% 269 00:17:04,800 --> 00:17:07,000 % For the river% 270 00:17:07,100 --> 00:17:09,700 % Wash your sins 'way% 271 00:17:09,800 --> 00:17:12,700 % In the tide% 272 00:17:12,800 --> 00:17:17,100 % It's all so peaceful% 273 00:17:18,300 --> 00:17:25,300 % On the other side% 274 00:17:25,400 --> 00:17:28,400 % Forget your troubles and just get happy% 275 00:17:28,500 --> 00:17:31,200 % You want to shoo all your blues away% 276 00:17:31,300 --> 00:17:34,300 % Shout hallelujah Come on, get happy% 277 00:17:34,400 --> 00:17:36,300 % Get ready% 278 00:17:36,400 --> 00:17:45,000 % For the Judgment Day% % 279 00:17:45,100 --> 00:17:49,200 [Applause] 280 00:18:02,500 --> 00:18:04,400 - Great, baby. Great. - Don, just before I went on... 281 00:18:04,500 --> 00:18:07,300 the manager sent word they want to hold me for another week, maybe longer. 282 00:18:07,400 --> 00:18:10,900 - Yeah, how much? - Same as this week, I suppose. Isn't that wonderful? 283 00:18:10,900 --> 00:18:13,100 Sure, bighearted him. 284 00:18:13,200 --> 00:18:16,100 [Applause Continues] 285 00:18:19,000 --> 00:18:21,400 % % [Orchestra] 286 00:18:21,500 --> 00:18:24,400 - All right, Miss Froman, if I could see you now. - Certainly. I'll be right back. 287 00:18:24,500 --> 00:18:27,200 - Hey, wait a minute. I'm in on this. - In what way? 288 00:18:27,300 --> 00:18:29,400 - I'm her manager. - Since when? 289 00:18:29,400 --> 00:18:31,400 Well, now, you know, I never could remember dates. 290 00:18:31,500 --> 00:18:33,800 She didn't say anything to me about a manager. 291 00:18:33,900 --> 00:18:37,400 I'll bet she didn't say anything to you about a birthmark either, but she's got one. 292 00:18:37,500 --> 00:18:39,600 - Right, Jane? - Right. 293 00:18:39,700 --> 00:18:42,200 Okay, let's go. 294 00:18:47,500 --> 00:18:50,100 Okay, Ross, you win. 295 00:18:50,200 --> 00:18:54,100 - A thousand a week, but on one condition. - For you, anything. 296 00:18:54,200 --> 00:18:56,500 That you get out of this theater, and stay out. 297 00:18:56,600 --> 00:18:59,200 You're canceled as of now. Is that clear? 298 00:18:59,200 --> 00:19:01,100 For 750 a week, I'd have argued. 299 00:19:01,200 --> 00:19:04,300 At a thousand bucks, your slightest wish is law. 300 00:19:04,300 --> 00:19:06,300 Here, honey, you have to sign too. 301 00:19:08,300 --> 00:19:10,800 - Good night. - Good night, Herman. 302 00:19:13,400 --> 00:19:16,900 Don, you were fantastic. A thousand a week, it's a fortune. 303 00:19:17,000 --> 00:19:19,500 Now I can even pay the installments on this coat. 304 00:19:19,500 --> 00:19:22,600 Did you see that baby's face? I thought he was gonna explode. 305 00:19:22,700 --> 00:19:25,300 Which, come to think of it, might have been quite an interesting sight. 306 00:19:25,400 --> 00:19:28,100 - I feel terrible about you losing your job. - What job? 307 00:19:28,200 --> 00:19:31,100 A stooge on a bill with a dog act and a bunch of dumb acrobats. 308 00:19:31,200 --> 00:19:34,100 Which reminds me, where would you like to eat? 309 00:19:34,100 --> 00:19:36,500 Don't ask me. I'm a stranger in town. 310 00:19:36,500 --> 00:19:38,500 But I'm feeling mighty rich. 311 00:19:38,600 --> 00:19:42,000 - Let's go somewhere we can't afford. - Spoken like a leading lady. 312 00:19:42,100 --> 00:19:44,000 Taxi. Taxi! 313 00:19:47,200 --> 00:19:49,600 Of course, if you'd take my advice and get married... 314 00:19:49,700 --> 00:19:51,600 you wouldn't have to worry about where you're gonna eat. 315 00:19:51,700 --> 00:19:53,700 We could just go home and eat. 316 00:19:53,700 --> 00:19:56,900 - Please, let's not go into that again, not tonight. - I'm sorry. I forgot. 317 00:19:57,000 --> 00:20:01,500 - When you were five, your father tipped his hat and rolled away... - Don, it's nothing to joke about. 318 00:20:01,500 --> 00:20:05,100 Taxi. Taxi! 319 00:20:05,200 --> 00:20:07,800 So one marriage goes on the rocks. Does that mean they all have to? 320 00:20:07,900 --> 00:20:10,800 - I've seen too much of the other side of it. - Okay, okay. 321 00:20:10,900 --> 00:20:13,600 Consider it unsaid, like a letter that didn't get sent. 322 00:20:13,700 --> 00:20:17,300 But I can't forget it either. You've been so wonderful to me, all your help... 323 00:20:17,400 --> 00:20:22,000 Tell you what you do. Send me a Christmas card signed "Gratefully yours." 324 00:20:22,100 --> 00:20:25,100 Hey, taxi. Taxi! 325 00:20:25,200 --> 00:20:27,800 You're so rich you can't even get a taxicab. 326 00:20:27,900 --> 00:20:30,100 Come on. Let's walk up an appetite. 327 00:20:35,700 --> 00:20:38,300 [Don Narrating] She had Chicago eating right out of her hand. 328 00:20:38,300 --> 00:20:41,100 But if you're in show business, there's only one town. 329 00:20:41,100 --> 00:20:44,200 New York, they call it. Baghdad-on-the-Hudson. 330 00:20:44,300 --> 00:20:47,200 % % [Orchestra] 331 00:20:56,600 --> 00:20:59,200 Good evening, ladies and gentlemen. This is Tony Morello and his orchestra... 332 00:20:59,300 --> 00:21:01,400 coming to you from Radio City in New York. 333 00:21:01,500 --> 00:21:04,300 Tonight we have a very special treat in store for you in the person... 334 00:21:04,400 --> 00:21:06,600 of a glamorous newcomer you've been reading about. 335 00:21:06,700 --> 00:21:09,600 Now making her first radio appearance in New York City... 336 00:21:09,700 --> 00:21:12,200 Miss Jane Froman! 337 00:21:12,200 --> 00:21:15,200 [Applause] 338 00:21:33,100 --> 00:21:38,800 % Blue moon% 339 00:21:38,900 --> 00:21:45,500 % You saw me standing alone% 340 00:21:45,500 --> 00:21:51,500 % Without a dream in my heart% 341 00:21:51,500 --> 00:21:57,200 % Without a love of my own% 342 00:21:59,700 --> 00:22:04,100 % Blue moon% 343 00:22:04,200 --> 00:22:06,600 % You knew just what I% 344 00:22:06,600 --> 00:22:10,700 % Was there for% 345 00:22:10,800 --> 00:22:17,200 % You heard me saying a prayer for% 346 00:22:17,300 --> 00:22:22,900 % Someone I really could care for% 347 00:22:25,200 --> 00:22:28,900 % And then there suddenly appeared% 348 00:22:28,900 --> 00:22:31,500 % Before me% 349 00:22:31,600 --> 00:22:34,600 % The only one my arms% 350 00:22:34,700 --> 00:22:37,900 % Will ever hold% 351 00:22:38,000 --> 00:22:41,400 % I heard somebody whisper% 352 00:22:41,400 --> 00:22:44,700 % Please adore me% 353 00:22:44,800 --> 00:22:46,800 % And when I looked% 354 00:22:46,800 --> 00:22:49,300 % The moon had turned to gold% 355 00:22:49,300 --> 00:22:51,500 [Backup Singers] % The magical moon% 356 00:22:51,500 --> 00:22:55,500 % Blue moon% 357 00:22:55,600 --> 00:23:02,300 % Now I'm no longer alone% 358 00:23:02,400 --> 00:23:09,300 % Without a dream in my heart% 359 00:23:09,400 --> 00:23:16,800 % Without a love of my own% 360 00:23:18,200 --> 00:23:21,600 % And then there suddenly appeared% 361 00:23:21,600 --> 00:23:24,500 % Before me% 362 00:23:24,600 --> 00:23:27,900 % The only one my arms will ever% 363 00:23:28,000 --> 00:23:30,500 % Hold% 364 00:23:30,600 --> 00:23:34,600 % I heard somebody whisper% 365 00:23:34,700 --> 00:23:39,400 % Please adore me% 366 00:23:40,800 --> 00:23:43,900 % And when I looked% 367 00:23:44,000 --> 00:23:52,100 % The moon had turned to gold% 368 00:23:52,200 --> 00:23:56,100 - % Blue moon% - % Blue moon Blue moon% 369 00:23:56,200 --> 00:23:59,800 % Now I'm no longer alone% 370 00:23:59,900 --> 00:24:02,800 % Now I'm no longer alone% 371 00:24:02,900 --> 00:24:05,900 % Without a dream in my heart% 372 00:24:05,900 --> 00:24:10,300 % Without a dream in my heart% 373 00:24:10,400 --> 00:24:14,100 % Without a love% 374 00:24:14,200 --> 00:24:21,900 % Of my own% 375 00:24:22,000 --> 00:24:25,300 [Backup Singers] % Blue moon% % 376 00:24:25,300 --> 00:24:30,400 [Applause] 377 00:24:30,500 --> 00:24:33,900 [Don Narrating] From that very first show, she was "in'"...a click. 378 00:24:33,900 --> 00:24:37,500 In the words of the, shall we say, more conservative critics... 379 00:24:37,600 --> 00:24:41,700 "a zooming wow, '" "a hot canary, '" "the tops. '" 380 00:24:41,700 --> 00:24:43,900 Offers poured in from everywhere... 381 00:24:44,000 --> 00:24:45,600 from big-name movie houses... 382 00:24:45,700 --> 00:24:49,200 top air shows like Palmolive, Coca-Cola, Buick. 383 00:24:49,300 --> 00:24:52,000 You didn't need a crystal ball to tell where all this was leading... 384 00:24:52,100 --> 00:24:56,900 right straight to her selection as the number one girl singer on the air. 385 00:24:58,900 --> 00:25:02,900 Meanwhile, what about me? Well, I'll bite. What about me? 386 00:25:03,000 --> 00:25:05,900 Oh, I managed a few jobs here and there. 387 00:25:05,900 --> 00:25:08,300 Hittin' the Follies in which Jane was a star. 388 00:25:08,400 --> 00:25:12,200 The Pontiac program. A trip to Hollywood for a movie test. 389 00:25:12,300 --> 00:25:14,300 In fact, I was just back from that. 390 00:25:14,400 --> 00:25:17,600 But my real job... my 24-hour-a-day job... 391 00:25:17,700 --> 00:25:20,000 was increasingly Jane. 392 00:25:28,100 --> 00:25:30,100 [Jane] Yes? Who is it? 393 00:25:30,100 --> 00:25:33,300 [Raspy Voice] Lady, I'm workin' my way through barber college. I just wondered... 394 00:25:33,400 --> 00:25:35,900 Don! I thought you were still in California. 395 00:25:36,000 --> 00:25:39,500 - We all make mistakes. How are you, baby? - I am fine. Come on in. 396 00:25:39,600 --> 00:25:41,500 - Miss me? - Like a front tooth. 397 00:25:41,600 --> 00:25:45,100 - You don't show it. - You dog. Just because I've put on four pounds. 398 00:25:45,100 --> 00:25:47,000 - Where? - Where do you think? 399 00:25:47,100 --> 00:25:51,200 I played 18 holes of golf yesterday and rehearsed four hours trying to get it off. 400 00:25:51,200 --> 00:25:53,200 What about you? What about the picture? 401 00:25:53,300 --> 00:25:57,300 If those birds think I'm gonna stay in Hollywood just to play a stooge for Victor Mature... 402 00:25:57,400 --> 00:25:59,600 - Eighteen holes, huh? What'd you shoot? - Never mind that. 403 00:25:59,600 --> 00:26:02,200 I was so in hopes this would be the break you'd been waiting for. 404 00:26:02,200 --> 00:26:04,300 You couldn't give me Hollywood. 405 00:26:04,300 --> 00:26:07,700 Besides, if I'm out there, who's gonna run out and get you a jar of cold cream? 406 00:26:07,700 --> 00:26:10,000 Suppose it wasn't as good a part as you'd hoped for. 407 00:26:10,100 --> 00:26:12,500 It's not always the size of the part that matters. 408 00:26:12,500 --> 00:26:14,500 Maybe if you'd talked to them, they'd have built it up. 409 00:26:14,500 --> 00:26:17,400 Look, what's the use of kidding ourselves? There wasn't any picture deal. 410 00:26:17,500 --> 00:26:20,800 Just another wild-goose chase that some screwball agent dreamed up. 411 00:26:20,800 --> 00:26:23,600 But who cares? The Chief gives you a nice ride. 412 00:26:23,600 --> 00:26:27,000 I slept like a Monday night audience both ways. 413 00:26:27,100 --> 00:26:29,900 And now you. What have you been up to, besides golf? 414 00:26:30,000 --> 00:26:31,900 - Nothing of any interest. - Is that so? 415 00:26:32,000 --> 00:26:35,900 Then what's all this I read in Winchell's column about you and that Long Island polo player? 416 00:26:36,000 --> 00:26:39,500 Oh, him? He's all right. He's fun. Not a brain in his head. 417 00:26:39,500 --> 00:26:41,700 Mm-hmm. And all these flowers? 418 00:26:41,800 --> 00:26:45,500 From some garden club, no doubt? Or do you send them to yourself? 419 00:26:45,600 --> 00:26:48,400 - Mind if I take a peek? - I'm not sure I should let you. 420 00:26:48,400 --> 00:26:51,100 But go right ahead. Help yourself. 421 00:26:51,200 --> 00:26:53,000 Who's this one? 422 00:26:53,100 --> 00:26:56,200 Oh, just somebody who's down to his last million or two. 423 00:26:56,200 --> 00:26:59,400 Tsk, tsk, tsk. Reduced to that, eh? 424 00:26:59,500 --> 00:27:02,900 So much for him. Now, you were saying? 425 00:27:03,000 --> 00:27:05,000 I wasn't saying anything. 426 00:27:05,100 --> 00:27:09,600 But there was something you said about getting me a jar of cold cream when I need it. 427 00:27:09,700 --> 00:27:12,800 Oh, that's just a way of talking. Mind if I fix myself a drink? 428 00:27:12,900 --> 00:27:14,900 Of course not. I'll fix it for you. What'll it be? 429 00:27:14,900 --> 00:27:16,500 - Scotch. - And soda? 430 00:27:16,600 --> 00:27:18,500 A little. 431 00:27:18,600 --> 00:27:20,900 You know, it's true. I have let you do things for me. 432 00:27:21,000 --> 00:27:23,400 I'm the slave type. I like doing them. 433 00:27:23,500 --> 00:27:25,900 - Listen, you wanna know something? - Mm-hmm. 434 00:27:26,000 --> 00:27:28,500 I haven't got a polo pony to my name. I haven't even got a million bucks. 435 00:27:28,600 --> 00:27:32,100 - Imagine. - But you know how I feel. 436 00:27:32,100 --> 00:27:35,200 The question is, how do you feel? 437 00:27:35,300 --> 00:27:39,200 All kidding aside, don't you think it's time we talked things over... 438 00:27:39,300 --> 00:27:41,600 got something settled? 439 00:27:43,000 --> 00:27:45,500 I don't know what to say, Don. 440 00:27:45,600 --> 00:27:48,300 You've been so wonderful to me. You've taught me so much. 441 00:27:48,400 --> 00:27:51,600 - But you're not in love with me, is that it? - I didn't say that. 442 00:27:51,700 --> 00:27:54,900 It's just that, well, I'm not sure. 443 00:27:54,900 --> 00:27:58,800 You see, I've never been in love before. 444 00:27:58,900 --> 00:28:02,500 And you sort of expected someone to come along, like a knight on horseback? 445 00:28:02,600 --> 00:28:05,200 I suppose every girl looks forward to a little fireworks. 446 00:28:05,300 --> 00:28:08,300 You haven't been reading True Confessions, have you? 447 00:28:08,400 --> 00:28:10,900 It's possible. 448 00:28:10,900 --> 00:28:13,900 It's also possible that I'm in love with you. 449 00:28:14,000 --> 00:28:17,600 Okay. That's good enough for me. Let's say you are. 450 00:28:17,700 --> 00:28:20,500 How about dropping down to city hall with me some morning? 451 00:28:20,600 --> 00:28:22,900 They tell me there's been quite a run on marriages lately. 452 00:28:23,000 --> 00:28:26,100 Maybe it's the war fever. People hedging against the future. 453 00:28:26,200 --> 00:28:28,600 Anyway, something's doing it. 454 00:28:28,700 --> 00:28:32,000 - Do you really want me to do that, Don? - Of course I do. 455 00:28:32,000 --> 00:28:34,200 What do you think I've been driving at all these months? 456 00:28:34,300 --> 00:28:39,400 I've asked you so many times, I'm beginning to sound like a roundelay. 457 00:28:39,300 --> 00:28:41,300 Suppose I put it another way, for a change. 458 00:28:41,400 --> 00:28:44,500 I'm a poor little sheep who's lost his way. 459 00:28:44,600 --> 00:28:46,800 And you, baby, you're big business. 460 00:28:46,900 --> 00:28:49,400 I need you. You need me. 461 00:28:49,500 --> 00:28:52,800 The perfect setup for matrimonial bliss. 462 00:28:52,900 --> 00:28:55,700 Also, think how economical it would be if we ever went on tour. 463 00:28:55,700 --> 00:28:59,400 Two for the price of one. 464 00:29:01,600 --> 00:29:05,400 You're not still stewing about your mother and what happened to her marriage? 465 00:29:05,400 --> 00:29:08,000 No, it's not that. It's... 466 00:29:08,000 --> 00:29:10,400 It's just that I want to be sure. 467 00:29:10,400 --> 00:29:14,300 Maybe this is a silly thing to say, but I want a home, Don... a real home. 468 00:29:14,500 --> 00:29:18,800 What do you call this... a shanty in old shantytown? 469 00:29:18,800 --> 00:29:21,000 - I don't mean just a house. - Look. 470 00:29:21,100 --> 00:29:23,500 If it'll relieve your mind, I give you my word... 471 00:29:23,600 --> 00:29:27,700 that as cook, dishwasher, lover boy, I'll be strictly Phi Beta Kappa. 472 00:29:27,800 --> 00:29:30,100 What more could you wish for than that? 473 00:29:30,200 --> 00:29:32,700 I can't think of a single thing, Mr. Ross. 474 00:29:32,700 --> 00:29:35,100 Then the answer is... yes? 475 00:29:38,500 --> 00:29:41,600 [Don Narrating] I wouldn't say it was the most elaborate ceremony of the year... 476 00:29:41,700 --> 00:29:45,000 but as weddings go, it was all you could ask for... 477 00:29:45,000 --> 00:29:47,300 - words, music... - % % [Organ Hits Wrong Note] 478 00:29:47,400 --> 00:29:49,100 Did I say "music'"? 479 00:29:49,200 --> 00:29:52,900 Witnesses, kisses, even a shower of rice. 480 00:29:53,000 --> 00:29:56,200 Yep, we were married and lived happily ever... 481 00:29:56,200 --> 00:29:58,900 Well, at least we were married. 482 00:30:01,200 --> 00:30:05,800 The orange blossoms came later when we drove out to California for our honeymoon. 483 00:30:05,900 --> 00:30:08,600 But even that ended up on a movie stage... 484 00:30:08,700 --> 00:30:10,800 with Jane the star, and me... 485 00:30:10,900 --> 00:30:13,200 well, I could still play piano. 486 00:30:13,300 --> 00:30:16,000 % % [Piano, Up-tempo] 487 00:30:22,500 --> 00:30:25,800 % I'm the toast of the town% 488 00:30:25,900 --> 00:30:28,900 % In my Paris gown% 489 00:30:29,000 --> 00:30:33,400 % A little naughty but nice% 490 00:30:33,500 --> 00:30:35,600 % If I seem rather gay% 491 00:30:35,600 --> 00:30:39,500 % Little girls, they say% 492 00:30:39,600 --> 00:30:41,900 % Are made of sugar% 493 00:30:42,000 --> 00:30:44,400 % And spice% 494 00:30:44,500 --> 00:30:48,400 % I'm the type that good time Charlies% 495 00:30:48,500 --> 00:30:53,100 % And stage door Johnnies pursue% 496 00:30:53,200 --> 00:30:56,800 % I'm the toast of the town% 497 00:30:56,900 --> 00:31:00,900 % But I hope to settle down% 498 00:31:01,000 --> 00:31:03,200 % With someone% 499 00:31:04,300 --> 00:31:07,500 % Maybe you% 500 00:31:09,300 --> 00:31:12,800 % If you're after love and laughter while you're young and free% 501 00:31:12,900 --> 00:31:14,700 - % Come along with me% - % With her% 502 00:31:14,700 --> 00:31:16,500 - % Come along and see% - % Yes, sir% 503 00:31:16,600 --> 00:31:20,000 % Delmonico's, jolly shows fancy clothes, belles and beaus% 504 00:31:20,000 --> 00:31:24,500 % Broke or millionaires% 505 00:31:24,400 --> 00:31:26,800 % Who cares% 506 00:31:28,700 --> 00:31:31,100 % On the gay white way% 507 00:31:31,200 --> 00:31:34,900 % Invite your girlie to the gay white way% 508 00:31:35,000 --> 00:31:38,300 % It's always early for the lights are glowing% 509 00:31:38,400 --> 00:31:40,600 % Wine is flowing% 510 00:31:40,700 --> 00:31:44,100 % They do a lot of Romeoing% 511 00:31:44,100 --> 00:31:46,300 % On the gay white way% 512 00:31:46,400 --> 00:31:51,700 % It's so exciting that the night turns to day% 513 00:31:51,800 --> 00:31:55,300 % And every little miss likes a little mischief% 514 00:31:55,400 --> 00:31:59,600 [Men] % On the gay, gay, gay, gay, gay white way% 515 00:31:59,700 --> 00:32:04,500 % It's so exciting that the night turns to day% 516 00:32:04,500 --> 00:32:08,300 % And every little miss wants a little bliss% 517 00:32:08,300 --> 00:32:12,300 % Needs a little kiss Loves a little mischief% 518 00:32:12,400 --> 00:32:14,400 % On the gay% 519 00:32:14,500 --> 00:32:16,500 % White% 520 00:32:16,600 --> 00:32:23,600 % Way% % 521 00:32:24,800 --> 00:32:29,800 % % [Jane Singing Over Record] 522 00:32:29,800 --> 00:32:32,600 [Don Narrating] After Hollywood, it was New York again. 523 00:32:32,600 --> 00:32:37,800 And for the next few years, more records, more air shows, more nightclubs. 524 00:32:37,900 --> 00:32:39,700 All bigger and better than ever. 525 00:32:40,100 --> 00:32:43,100 As she continued to skyrocket to fame... 526 00:32:43,200 --> 00:32:45,200 I went on beating my brains out... 527 00:32:45,300 --> 00:32:50,300 trying to write what is called, for want of a better word, "music. '" 528 00:32:50,400 --> 00:32:53,400 % % [Piano] 529 00:32:59,900 --> 00:33:01,900 % % [Discordant Notes] 530 00:33:04,500 --> 00:33:06,600 Don, why did you do that? 531 00:33:06,700 --> 00:33:09,300 Oh, you're back. Because it's no good, that's why. 532 00:33:09,400 --> 00:33:13,200 Oh, you're crazy. It is good. It's wonderful. I told you that when you first started it. 533 00:33:13,300 --> 00:33:16,400 Listen, don't kid me. I'm the guy that wrote it, and I tell you it's no good. 534 00:33:16,500 --> 00:33:18,800 - It'll never be any good! - Now, don't be silly. 535 00:33:18,900 --> 00:33:21,500 Come back here and play it. 536 00:33:21,600 --> 00:33:23,600 Will you stop trying to give me that old build-up stuff. 537 00:33:23,700 --> 00:33:25,800 And for heaven's sake, stop feeling sorry for me. 538 00:33:25,800 --> 00:33:30,400 Nobody's feeling sorry for you. I'm just trying to get you to stop feeling sorry for yourself. 539 00:33:30,500 --> 00:33:35,200 Now, come on. Stop acting like a two-year-old and play it. 540 00:33:35,300 --> 00:33:38,800 Why is it you can sell me, sell everybody, but not yourself? 541 00:33:38,800 --> 00:33:41,700 If you want to hear it, okay, but no riddles, please. 542 00:33:41,800 --> 00:33:44,300 - Play it. - % % [Piano] 543 00:33:48,000 --> 00:33:51,400 % There's only one kind of lovin'% 544 00:33:51,500 --> 00:33:53,700 % One kind of kissin'% 545 00:33:53,800 --> 00:33:56,200 % The right kind% 546 00:33:56,300 --> 00:33:58,500 % The right kind% 547 00:33:58,500 --> 00:34:01,700 % There's only one kind of lovin'% 548 00:34:01,800 --> 00:34:04,600 % That I've been missin'% 549 00:34:04,500 --> 00:34:07,700 % The right kind% 550 00:34:07,800 --> 00:34:12,500 % I'm tired of too many guys% 551 00:34:12,600 --> 00:34:15,300 % With casual eyes% 552 00:34:15,400 --> 00:34:21,100 % I know their lines from "A" to "Z"% 553 00:34:21,100 --> 00:34:23,200 % I want a man% 554 00:34:23,300 --> 00:34:26,900 % Who is no also-ran% 555 00:34:27,000 --> 00:34:31,300 % Baby, where can you be% 556 00:34:31,300 --> 00:34:35,000 % There's only one kind of heaven% 557 00:34:35,100 --> 00:34:37,900 % Breakfast at 7:00% 558 00:34:38,000 --> 00:34:40,800 % The right kind% 559 00:34:40,800 --> 00:34:43,000 % The right kind% 560 00:34:43,100 --> 00:34:46,600 % There's only one kind of livin'% 561 00:34:46,700 --> 00:34:49,200 % Worth all the givin'% 562 00:34:49,300 --> 00:34:52,900 % The right kind% 563 00:34:53,000 --> 00:34:57,900 % I got the word from my heart% 564 00:34:58,000 --> 00:35:01,100 % I heard from my heart% 565 00:35:01,200 --> 00:35:06,000 % And we both agree% 566 00:35:06,100 --> 00:35:09,700 % There's only one kind of lovin'% 567 00:35:09,800 --> 00:35:12,500 % The right kind of lovin'% 568 00:35:12,500 --> 00:35:19,600 % Your kind of lovin' for me% 569 00:35:22,200 --> 00:35:25,200 % Ooh% 570 00:35:25,300 --> 00:35:28,700 % The right kind% 571 00:35:28,800 --> 00:35:31,800 % Ooh% 572 00:35:31,900 --> 00:35:35,400 % The right kind% 573 00:35:35,500 --> 00:35:38,000 % I want a man% 574 00:35:38,100 --> 00:35:42,200 % Who is no also-ran% 575 00:35:42,200 --> 00:35:43,900 % Baby% 576 00:35:43,900 --> 00:35:47,900 % Where can you be% 577 00:35:49,400 --> 00:35:52,400 % Ooh% 578 00:35:52,500 --> 00:35:55,500 % Baby% 579 00:35:55,600 --> 00:35:59,400 % Ooh-ooh-ooh-ooh% 580 00:35:59,400 --> 00:36:02,400 % Love me% 581 00:36:02,500 --> 00:36:05,300 % I'll find him somehow% 582 00:36:05,400 --> 00:36:07,600 % But, baby% 583 00:36:07,600 --> 00:36:10,100 % As of now% 584 00:36:10,200 --> 00:36:13,300 % There's only one kind of lovin'% 585 00:36:13,400 --> 00:36:16,200 % The right kind of lovin'% 586 00:36:16,300 --> 00:36:20,900 % No other lovin' I can see% 587 00:36:20,900 --> 00:36:25,900 % 'Cause your kind of lovin'% 588 00:36:26,000 --> 00:36:38,800 % That's for me% % 589 00:36:48,400 --> 00:36:52,200 - See, what did I tell you? - You didn't tell me a thing I didn't already know. 590 00:36:52,200 --> 00:36:55,200 - I told you it wasn't any good. - But I thought it went wonderfully. 591 00:36:55,300 --> 00:36:59,400 - You heard the applause. - Sure, they applauded. But not my song... you. 592 00:36:59,400 --> 00:37:02,100 Oh, for heaven sakes. Of course they applauded your song. 593 00:37:02,200 --> 00:37:05,200 You could sing a nursery rhyme and they'd applaud. Now I'm really cooked. 594 00:37:05,300 --> 00:37:07,400 - But, Don... - I can just hear 'em now. 595 00:37:07,500 --> 00:37:09,800 "What's Froman trying to do, make a songwriter out of her husband? 596 00:37:09,800 --> 00:37:13,500 Can't he find anybody else to sing his tripe?" 597 00:37:13,600 --> 00:37:15,800 I'm sorry. I was only trying to help. 598 00:37:15,800 --> 00:37:19,600 Sure, you were trying to help, but don't you see what you're really doing is killing me. 599 00:37:19,700 --> 00:37:21,700 [Knocking] 600 00:37:21,800 --> 00:37:23,700 - Yes? Thank you. - Thank you, Joe. 601 00:37:23,800 --> 00:37:25,800 Yes, Miss Froman. 602 00:37:27,100 --> 00:37:29,800 Look, Don. If you really feel that way about it... 603 00:37:29,800 --> 00:37:32,400 why don't you stop trying to write songs? 604 00:37:32,400 --> 00:37:34,400 Try something else for a while. 605 00:37:34,500 --> 00:37:37,100 Nobody could write anything good feeling the way you do. 606 00:37:37,200 --> 00:37:40,600 I thought it would get around to that. Maybe I should get out of show business. 607 00:37:40,600 --> 00:37:44,500 - I didn't mean that. You know I didn't. - Okay, what did you mean? 608 00:37:44,600 --> 00:37:49,300 You should stop worrying about me and what I do for a while and think about your own career. 609 00:37:49,400 --> 00:37:51,800 What career... vaudeville that doesn't exist anymore? 610 00:37:51,900 --> 00:37:55,200 There are plenty of jobs a man with your experience can do. 611 00:37:55,300 --> 00:37:57,300 I suppose you call managing you nothing. 612 00:37:57,300 --> 00:37:59,500 Of course it's something. It's terribly important. 613 00:37:59,500 --> 00:38:03,700 - But if it's going to make you unhappy and jealous... - Jealous? 614 00:38:03,800 --> 00:38:06,800 Well, that's a new one. You seem to have forgotten... 615 00:38:06,900 --> 00:38:09,800 that the first time I saw you you didn't even know how to take a bow. 616 00:38:09,900 --> 00:38:13,300 But, brother, you learned that one fast enough. 617 00:38:13,400 --> 00:38:16,400 What's the use? It always ends up in the same old argument. 618 00:38:16,500 --> 00:38:19,100 As you say, what's the use? 619 00:38:19,200 --> 00:38:21,300 Don. 620 00:38:24,900 --> 00:38:27,100 I know it isn't easy for you. 621 00:38:27,200 --> 00:38:30,900 It isn't easy for any man being married to a woman in the spotlight. 622 00:38:31,000 --> 00:38:33,300 - Why don't I give it up? - [Closes Door] 623 00:38:33,400 --> 00:38:36,300 - Are you crazy? - If it's going to spoil our marriage, it isn't worth it. 624 00:38:36,400 --> 00:38:38,500 Not to me anyhow. 625 00:38:38,600 --> 00:38:41,600 We don't need a lot of money and a big house. 626 00:38:41,700 --> 00:38:44,600 Let's start all over again. Concentrate on you for a change. 627 00:38:44,700 --> 00:38:48,400 No, thanks. Nobody's gonna make that kind of a sacrifice for me. Good night. 628 00:38:48,400 --> 00:38:50,400 - Where are you going? - Out. 629 00:38:50,400 --> 00:38:53,700 - Aren't you gonna take me home? - Maybe, maybe not. Who can tell? 630 00:39:03,100 --> 00:39:08,900 % % [Jane Singing Over Radio] 631 00:39:21,300 --> 00:39:23,300 - Double bourbon. - Yes, sir. 632 00:39:23,300 --> 00:39:25,800 [Laughing] Well, well. 633 00:39:25,800 --> 00:39:27,600 - Hello, Harry. - How are ya, boy? 634 00:39:27,500 --> 00:39:29,800 - Sit down. You need a drink. - You said it. 635 00:39:29,900 --> 00:39:32,000 - Fill her up, Clarence. - Yes, sir. 636 00:39:32,100 --> 00:39:34,400 - Some voice, huh? - The best. 637 00:39:34,500 --> 00:39:37,500 Listen. Answer me just one question, will ya? 638 00:39:37,600 --> 00:39:39,800 But first, I wanna get this outta the way. 639 00:39:39,800 --> 00:39:41,800 I don't mind taking a sock on the nose... 640 00:39:41,900 --> 00:39:44,700 but I don't want anybody crowning me with one of these. 641 00:39:44,800 --> 00:39:46,700 What I wanna know is... 642 00:39:46,800 --> 00:39:50,900 Now I'm not saying you're not a good Joe and an eager beaver... 643 00:39:51,000 --> 00:39:54,100 but honestly now, romantically speaking... 644 00:39:54,200 --> 00:39:57,300 what did a dame like Jane Froman ever see in you? 645 00:39:57,400 --> 00:39:58,900 Lay off, will you? You're drunk. 646 00:39:58,900 --> 00:40:02,000 Sure I'm drunk. Tomorrow I'm gonna hate myself. 647 00:40:02,100 --> 00:40:04,600 But tonight I still want to know why a dame... 648 00:40:04,600 --> 00:40:07,800 that's on top of the world ever married a guy like you. 649 00:40:07,900 --> 00:40:12,500 - Answer me that. - Did it ever occur to you that she might be in love with me? 650 00:40:12,600 --> 00:40:16,100 Well, now that you ask me, frankly, no. 651 00:40:16,100 --> 00:40:17,900 - Beat it, will you? - Oh, now... 652 00:40:18,000 --> 00:40:21,200 - Beat it! - No hard feelings, pal. 653 00:40:21,300 --> 00:40:24,300 I just like to know these things. 654 00:40:24,400 --> 00:40:27,000 Well, see ya around. 655 00:40:31,500 --> 00:40:35,200 % % [Singing Continues] 656 00:40:35,300 --> 00:40:37,700 - Fill it up. - Okay, sir. 657 00:40:45,000 --> 00:40:48,800 [Don Narrating]Jane and I patched that one up, of course. We always did. 658 00:40:48,800 --> 00:40:52,000 But something had happened to us... to our marriage. 659 00:40:52,100 --> 00:40:55,500 Things had been said that neither of us would ever forget. 660 00:40:55,600 --> 00:40:59,300 And now it was Sunday. I'd had to go out of town for the weekend. 661 00:40:59,400 --> 00:41:02,700 It was the maid's day off, and Jane was in the house alone. 662 00:41:02,800 --> 00:41:04,800 With the temperature hovering just above zero... 663 00:41:04,800 --> 00:41:08,900 naturally, the furnace wasn't going to let an opportunity like that slip by. 664 00:41:09,000 --> 00:41:11,500 It didn't. 665 00:41:11,500 --> 00:41:15,600 [Man]... the Associated Press reports the attack began shortly after dawn, Honolulu time... 666 00:41:15,600 --> 00:41:18,200 and continued for approximately two hours. 667 00:41:18,200 --> 00:41:20,500 A bulletin just handed to me says the president has called... 668 00:41:20,500 --> 00:41:22,700 a special cabinet meeting for 8:30 this evening... 669 00:41:22,800 --> 00:41:24,700 and is preparing a message to Congress... 670 00:41:24,800 --> 00:41:27,200 presumably asking for a formal declaration of war. 671 00:41:27,300 --> 00:41:30,800 I should think so. But to get back to the A.P. Dispatch... 672 00:41:30,900 --> 00:41:33,400 indications are that more than 40 Japanese bombers... 673 00:41:33,500 --> 00:41:36,700 with the red circle of the rising sun clearly visible on their wings... 674 00:41:36,700 --> 00:41:39,500 suddenly appeared escorted by swarms of fighters. 675 00:41:39,600 --> 00:41:43,600 Flying high, they suddenly dive-bombed seeking to destroy our entire Pacific Fleet... 676 00:41:43,700 --> 00:41:46,400 including aircraft carriers anchored in Pearl Harbor. 677 00:41:46,500 --> 00:41:48,700 [Man #2] Although no actual figures have been released... 678 00:41:48,800 --> 00:41:51,800 it is believed that the damage to the Fleet has been very great... 679 00:41:51,900 --> 00:41:53,900 and that the loss of life is staggering. 680 00:41:58,700 --> 00:42:01,200 Say, Don, where the devil is Froman? She's on in 12 minutes. 681 00:42:01,300 --> 00:42:04,600 - Relax, relax. She'll be here. - Something must have happened. She's never been late. 682 00:42:04,600 --> 00:42:07,200 Nothing's happened. She had to play a camp show over in Jersey. 683 00:42:07,300 --> 00:42:12,900 Probably had trouble getting away. I had a motorcycle escort waiting for her. She'll be here. 684 00:42:12,800 --> 00:42:15,300 - See, what'd I tell you? - How much time have I got? 685 00:42:15,400 --> 00:42:18,900 - If you hurry, you've got... - I'll make it. I'm all ready except for my dress. 686 00:42:18,900 --> 00:42:20,900 - The makeup's still good. - Oh, what a life. 687 00:42:20,900 --> 00:42:22,400 - How'd it go? - Wonderful. 688 00:42:22,500 --> 00:42:25,300 Only I made the mistake of doing that Claudette Colbert routine. 689 00:42:25,400 --> 00:42:29,000 It Happened One Night. Where I lift my skirt and pretend I'm thumbing a ride. 690 00:42:29,100 --> 00:42:31,200 Pretty low trick, but those gobs ate it up. 691 00:42:31,200 --> 00:42:33,600 Art lovers to the last man, no doubt. 692 00:42:33,700 --> 00:42:36,600 By the way, I got a present for you. Two of' em, in fact. 693 00:42:36,700 --> 00:42:39,100 - What? - From a fan of yours in Syracuse. 694 00:42:39,200 --> 00:42:42,200 She brought it herself. All breathless and dewy-eyed. 695 00:42:42,200 --> 00:42:44,000 Oh, pretty. 696 00:42:44,000 --> 00:42:46,100 She said to be sure to wear it for luck. 697 00:42:46,200 --> 00:42:47,700 That was very sweet of her. Did you thank her? 698 00:42:47,800 --> 00:42:50,200 With accompanying gestures all the way to the door. 699 00:42:50,300 --> 00:42:53,200 Put it there for me by my bag, will you? What's the other present? 700 00:42:53,200 --> 00:42:55,800 - Here you are. - Seasick pills? 701 00:42:55,900 --> 00:42:58,000 Uh-huh. They called from U.S.O. Headquarters. 702 00:42:58,100 --> 00:43:01,200 They want you to be ready to leave for London on 24-hours' notice. 703 00:43:01,300 --> 00:43:04,800 They do? Lucky for me I got my shots today. 704 00:43:04,900 --> 00:43:07,800 [Man Narrating] It was at this precise moment that I entered the story. 705 00:43:07,900 --> 00:43:11,100 Together with an old friend, I'd fought my way into the Roxy. 706 00:43:11,200 --> 00:43:13,500 No small feat of arms in those days. 707 00:43:13,600 --> 00:43:17,500 To see and hear a girl who had long been my favorite singer. 708 00:43:17,600 --> 00:43:21,000 It's still my contention that in no single engagement of the war... 709 00:43:21,100 --> 00:43:23,100 were there so many high-ranking stomachs... 710 00:43:23,200 --> 00:43:26,600 so many high-ranking toes directly in the line of fire. 711 00:43:26,700 --> 00:43:29,000 - [Moans] - Sorry, sir. 712 00:43:35,000 --> 00:43:39,200 % % [Orchestra] 713 00:43:53,700 --> 00:43:56,700 % % [Backup Singers Harmonizing] 714 00:44:14,100 --> 00:44:18,600 [Jane] % Where are you% 715 00:44:20,100 --> 00:44:25,100 % Where are you% 716 00:44:29,600 --> 00:44:32,900 % Night% 717 00:44:32,900 --> 00:44:36,000 % And a million stars% 718 00:44:36,100 --> 00:44:39,800 % Are falling% 719 00:44:39,800 --> 00:44:45,000 % From another world% 720 00:44:45,100 --> 00:44:49,100 % I hear you calling% 721 00:44:51,100 --> 00:44:54,800 [Jane] % Calling% 722 00:44:54,900 --> 00:44:59,000 % Oh, I know that we meet every night% 723 00:44:59,100 --> 00:45:04,000 % And we couldn't have changed since the last time% 724 00:45:04,100 --> 00:45:07,200 % To my joy and delight% 725 00:45:07,200 --> 00:45:10,300 % It's a new kind of love% 726 00:45:10,400 --> 00:45:14,900 % At first sight% 727 00:45:18,500 --> 00:45:23,200 % Though it's you and it's I all the time% 728 00:45:23,300 --> 00:45:28,700 % Every meeting's a marvelous pastime% 729 00:45:28,800 --> 00:45:32,100 [Both] % You're increasingly sweet% 730 00:45:32,200 --> 00:45:36,200 % So whenever we happen% 731 00:45:36,300 --> 00:45:40,000 % To meet% 732 00:45:41,800 --> 00:45:47,100 % I greet you% 733 00:45:47,200 --> 00:45:52,500 % With a song in my heart% 734 00:45:52,600 --> 00:45:58,100 % I behold your adorable face% 735 00:45:58,200 --> 00:46:03,700 % Just a song at the start% 736 00:46:03,800 --> 00:46:08,900 % But it soon is a hymn to your grace% 737 00:46:09,000 --> 00:46:14,000 % When the music swells% 738 00:46:14,100 --> 00:46:20,000 % I'm touching your hand% 739 00:46:20,000 --> 00:46:21,700 % It tells me% 740 00:46:21,800 --> 00:46:28,500 % You're standing near% 741 00:46:28,600 --> 00:46:32,900 % And% 742 00:46:33,000 --> 00:46:39,100 % At the sound of your voice% 743 00:46:39,200 --> 00:46:44,800 % Heaven opens its portals to me% 744 00:46:44,900 --> 00:46:50,000 % Can I help but rejoice% 745 00:46:50,100 --> 00:46:55,900 % That a song such as ours came to be% 746 00:46:56,000 --> 00:47:01,600 % But I always knew% 747 00:47:01,700 --> 00:47:08,500 % I would live life through% 748 00:47:08,500 --> 00:47:14,000 [Both] % With a song in my heart% 749 00:47:14,100 --> 00:47:17,000 % For% 750 00:47:17,100 --> 00:47:20,900 % You% 751 00:48:24,900 --> 00:48:27,200 % At the sound of your voice% 752 00:48:27,300 --> 00:48:29,500 % At the sound of your voice% 753 00:48:29,600 --> 00:48:33,600 % Heaven opens its portals to me% 754 00:48:33,700 --> 00:48:36,000 % Can I help but rejoice% 755 00:48:36,100 --> 00:48:38,400 % Can I help but rejoice% 756 00:48:38,500 --> 00:48:43,100 % That a song such as ours came to be% 757 00:48:44,100 --> 00:48:49,400 % But I always knew% 758 00:48:49,500 --> 00:48:56,200 % I would live life through% 759 00:48:56,300 --> 00:49:01,700 [Both] % With a song in my heart% 760 00:49:01,800 --> 00:49:05,000 % For% 761 00:49:05,000 --> 00:49:13,500 % You% % 762 00:49:36,600 --> 00:49:41,300 [Don Narrating] Twenty-four hours later, shots and aching muscles notwithstanding... 763 00:49:41,400 --> 00:49:46,200 Jane was on a plane bound for London by way of Bermuda and Lisbon. 764 00:49:46,300 --> 00:49:49,000 In addition to the 12 members of the crew... 765 00:49:49,100 --> 00:49:51,400 there were 27 passengers aboard. 766 00:49:51,500 --> 00:49:54,800 Among them, seven entertainers from the U.S. O... 767 00:49:54,900 --> 00:49:57,500 a few businessmen, several diplomats who... 768 00:49:57,500 --> 00:49:59,800 believe it or not, looked like diplomats... 769 00:49:59,900 --> 00:50:02,500 and a brigadier general of the air force... 770 00:50:02,600 --> 00:50:05,800 an elderly flyer of at least 34. 771 00:50:05,900 --> 00:50:10,500 Ladies and gentlemen, may I have your attention for a moment, please? 772 00:50:10,600 --> 00:50:14,100 On behalf of Captain Donovan and the crew, I want to welcome you aboard. 773 00:50:14,000 --> 00:50:18,500 It's all right to unfasten your seat belts now. If anyone's dying for a cigarette, go ahead. 774 00:50:18,500 --> 00:50:21,400 - I say, what's the weather ahead? - Very good, sir. 775 00:50:21,500 --> 00:50:24,800 It's a little on the chilly side, but indications are it'll be good all the way. 776 00:50:24,900 --> 00:50:28,800 Now, for the benefit of those of you who may be making your first transatlantic flight... 777 00:50:28,900 --> 00:50:31,200 or who may be worrying about the war... 778 00:50:31,300 --> 00:50:36,100 all I can say is this ship has made 240 crossings without being shot at once. 779 00:50:36,200 --> 00:50:38,800 Captain Donovan has flown at least a hundred crossings himself. 780 00:50:38,900 --> 00:50:41,400 By the way, my name is John Burn. 781 00:50:41,500 --> 00:50:44,700 I'm fourth officer aboard, which means I'm third copilot. 782 00:50:44,700 --> 00:50:47,800 If there's anything that I or the stewards can do to make your flight more comfortable... 783 00:50:47,800 --> 00:50:49,800 please sing out. 784 00:50:49,800 --> 00:50:51,800 Incidentally, each of you has been assigned a seat. 785 00:50:51,900 --> 00:50:55,700 We'll appreciate it if you occupy the same seat on all takeoffs and landings. 786 00:50:55,800 --> 00:50:59,200 I've forgotten why, but the company prefers it that way. 787 00:50:59,300 --> 00:51:01,300 Which leads me to this. 788 00:51:01,400 --> 00:51:05,200 This is called a Mae West. Delicacy prevents my saying why. 789 00:51:05,300 --> 00:51:06,900 [Passengers Chuckling] 790 00:51:06,900 --> 00:51:08,900 While an emergency is very unlikely... 791 00:51:08,900 --> 00:51:12,100 it's still my duty to acquaint you with our landing procedure just in case. 792 00:51:12,200 --> 00:51:14,100 But to get back to Miss West. 793 00:51:14,200 --> 00:51:17,200 I wonder if you'd mind assisting me in demonstrating it, Miss Froman? 794 00:51:17,200 --> 00:51:21,500 - Will it be becoming? - On ladies of your coloring, it's practically irresistible. 795 00:51:21,600 --> 00:51:24,000 Now we just slip it on like grandpa's vest. 796 00:51:24,100 --> 00:51:26,100 That's right. 797 00:51:26,100 --> 00:51:29,900 Now for the straps. See, we cross the bottom straps in front. 798 00:51:30,000 --> 00:51:33,200 Here we are. You circle the waist. 799 00:51:33,300 --> 00:51:35,100 Bring 'em back around. 800 00:51:35,200 --> 00:51:37,200 - Then we tie them, snuggly. - [Gasps] 801 00:51:37,300 --> 00:51:39,300 - Too tight? - Just a little. 802 00:51:39,300 --> 00:51:41,800 I'll loosen it. There you are. 803 00:51:41,800 --> 00:51:45,800 Now for the top straps. Uh, maybe you'd better do that. 804 00:51:45,900 --> 00:51:48,400 - Can you get 'em out? - I think so. Here we are. 805 00:51:48,400 --> 00:51:51,000 That's right. Now, just a simple knot. 806 00:51:51,100 --> 00:51:54,500 - Or if you have strong feelings about such things, a bow. - I like a bow. 807 00:51:54,600 --> 00:51:56,600 There you are. Isn't that attractive? 808 00:51:56,700 --> 00:51:59,600 They tell me at Bergdorf and Goodman they're chewing their nails off with envy. 809 00:52:00,900 --> 00:52:03,000 It's very simple to inflate too. 810 00:52:03,100 --> 00:52:05,600 You pull these small knobs at the base of the jacket. 811 00:52:05,700 --> 00:52:07,800 - [Air Releasing] - [Gasps] 812 00:52:07,900 --> 00:52:10,600 - [Laughter] - Now you see why the navy calls 'em Mae Wests. 813 00:52:10,600 --> 00:52:12,800 Thank you, Miss Froman. May I help you get out of it? 814 00:52:12,900 --> 00:52:15,400 - I think I can manage. - Thank you again. 815 00:52:15,400 --> 00:52:17,400 And thank you, ladies and gentlemen. 816 00:52:17,400 --> 00:52:19,900 The stewards will now pass among you with playing cards and coffee. 817 00:52:19,900 --> 00:52:22,300 The coffee's excellent. The cards are probably marked. 818 00:52:22,400 --> 00:52:24,600 Thank you, and have a nice trip. 819 00:52:27,600 --> 00:52:30,900 He makes it sound so exciting, I can hardly wait to be shot down. 820 00:52:30,900 --> 00:52:34,900 Don't even mention such a thing. I've just had a new permanent. 821 00:52:39,200 --> 00:52:42,300 % And the skies are not cloudy% 822 00:52:42,400 --> 00:52:46,300 % All day% 823 00:52:46,400 --> 00:52:48,100 % Home% 824 00:52:48,200 --> 00:52:52,500 % Home on the range% 825 00:52:52,600 --> 00:52:55,500 % Where the deer and... % 826 00:52:55,500 --> 00:52:58,200 Excuse me, ladies and gentlemen. I hate to break this up, General... 827 00:52:58,200 --> 00:53:00,900 but the next time I'm at the Met, I'll be glad to put in a word for you. 828 00:53:00,900 --> 00:53:04,000 - I'll settle for Minsky's. - That I can arrange. 829 00:53:04,000 --> 00:53:07,400 We're now approaching Lisbon. We'll land on the Tagus River in exactly three minutes. 830 00:53:07,400 --> 00:53:10,900 So take your seats, please, fasten your seat belts, and no smoking. Thank you. 831 00:53:10,900 --> 00:53:13,400 - Three minutes. Step on it. - It'll take me that long to get my face on. 832 00:53:13,400 --> 00:53:16,300 I hope we get a chance to see some of Lisbon. I heard it's a beautiful city. 833 00:53:16,400 --> 00:53:19,200 Me too. I've never been here. We're right on schedule. 834 00:53:19,300 --> 00:53:21,800 - What time is it? - 6:44, Lisbon time. 835 00:53:23,600 --> 00:53:26,100 Oh, my goodness. I'm in the wrong seat. 836 00:53:26,200 --> 00:53:27,700 It doesn't matter. I'll take yours. 837 00:53:27,800 --> 00:53:32,300 But that nice young man, Mr. Burn, told us to occupy the same seat. 838 00:53:32,300 --> 00:53:36,300 What possible difference can it make whether Jane Froman sits there or Jennifer March? 839 00:53:36,300 --> 00:53:39,800 - To them, we're just seat numbers anyhow. - Yes, I guess you're right. 840 00:53:39,900 --> 00:53:43,100 But I can't imagine what I was thinking of. 841 00:53:49,100 --> 00:53:53,000 [No Audible Dialogue] 842 00:53:59,300 --> 00:54:02,300 [No Audible Dialogue] 843 00:54:21,500 --> 00:54:24,200 - [Explosion] - [Screaming] 844 00:54:25,400 --> 00:54:28,400 [Air Raid Siren Wailing] 845 00:54:28,500 --> 00:54:33,300 [Speaking Portuguese] 846 00:54:33,300 --> 00:54:37,700 [Sirens Wailing] 847 00:54:57,800 --> 00:55:00,800 [Chattering] 848 00:55:06,600 --> 00:55:08,900 [Man] Nurse? Nurse? 849 00:55:10,300 --> 00:55:12,400 [Latin] 850 00:55:19,100 --> 00:55:21,000 Hey, nurse. 851 00:55:21,100 --> 00:55:25,000 Will somebody stop this babble long enough to tell me what shape I'm in? 852 00:55:25,000 --> 00:55:27,700 Do I need an aspirin or an operation? 853 00:55:35,800 --> 00:55:38,800 Nurse? Nurse? 854 00:55:38,900 --> 00:55:42,100 - How many have been brought in? - [Portuguese] 855 00:55:42,200 --> 00:55:44,500 I thought I heard somebody say 15. 856 00:55:44,600 --> 00:55:48,100 Fifteen out of 39. I want to know how many. 857 00:55:48,200 --> 00:55:50,500 [Portuguese] 858 00:55:56,200 --> 00:55:59,200 [People Chattering In Portuguese] 859 00:56:13,700 --> 00:56:16,000 Could I have some water? 860 00:56:17,500 --> 00:56:19,500 Water, somebody? 861 00:56:20,800 --> 00:56:24,800 How do you say... Water? Agua? 862 00:56:24,900 --> 00:56:27,300 Doesn't anybody around here speak English? 863 00:56:27,300 --> 00:56:32,000 Take it easy, kid. You'll get water when the doctor says so and not before. 864 00:56:32,100 --> 00:56:35,400 - You're an American. - And what's wrong with that? 865 00:56:35,400 --> 00:56:38,400 You keep still till the doctor gets finished. 866 00:56:38,500 --> 00:56:41,300 - Is it bad? - You'll be all right. 867 00:56:41,400 --> 00:56:44,600 I'm supposed to be in London. Will I be able to sing? 868 00:56:44,600 --> 00:56:46,800 Like a nightingale in Berkeley Square. 869 00:56:46,900 --> 00:56:49,400 Put this under your tongue. 870 00:56:51,800 --> 00:56:57,000 Nurse, can you find out if a girl by the name of Jennifer March has been brought in? 871 00:56:57,000 --> 00:57:00,200 Listen. Will you stop worrying about who's here and who isn't. 872 00:57:00,200 --> 00:57:04,400 Leave that to St. Christopher or whose-ever business it is to take care of those things. 873 00:57:04,500 --> 00:57:08,900 And you keep this thermometer under your tongue. 874 00:57:09,000 --> 00:57:11,800 [Man Speaking Portuguese] 875 00:57:11,800 --> 00:57:14,800 [Portuguese] 876 00:57:34,100 --> 00:57:36,900 Senora, do you wish the truth? 877 00:57:38,800 --> 00:57:41,300 Your right leg is almost severed below the knee. 878 00:57:41,400 --> 00:57:43,700 It's a compound fracture. 879 00:57:43,800 --> 00:57:48,000 There are also three broken ribs and a crushed left ankle. 880 00:57:48,100 --> 00:57:52,000 It may be necessary to amputate your right leg. 881 00:58:00,300 --> 00:58:04,200 If you do decide to amputate, would you please tell me first? 882 00:58:07,800 --> 00:58:09,800 I will tell you. 883 00:58:09,800 --> 00:58:12,800 - Get her ready for surgery immediately. - Yes, Doctor. 884 00:58:22,200 --> 00:58:24,400 What were they saying about him? 885 00:58:24,500 --> 00:58:29,000 Nothing. Nothing at all. 886 00:58:29,000 --> 00:58:32,300 Just a lot of Portuguese double-talk. 887 00:58:32,400 --> 00:58:36,200 They don't think he has much chance, do they? 888 00:58:36,200 --> 00:58:39,100 Where'd you get that idea? He's fine. 889 00:58:39,200 --> 00:58:44,700 The doctor was saying it would be just a waste of time to operate, wasn't he? 890 00:58:44,800 --> 00:58:46,800 Wasn't he? 891 00:58:46,800 --> 00:58:50,100 Look. They'll operate, and they'll save him. I don't care what they say. 892 00:58:50,200 --> 00:58:53,400 Or I'll burn this joint down. 893 00:59:01,000 --> 00:59:03,900 All right, boys, she's all yours. Take it easy. 894 00:59:19,600 --> 00:59:21,900 Watch her leg now. 895 00:59:35,100 --> 00:59:37,000 Good luck. 896 00:59:39,900 --> 00:59:44,200 [Nurse Narrating] Now, don't ask me how we did it, but we pulled them through. 897 00:59:44,300 --> 00:59:48,000 All 15 survivors, including John Burn. 898 00:59:48,100 --> 00:59:50,900 Of course it was touch and go for some of them these past weeks... 899 00:59:51,000 --> 00:59:53,200 but we did it. 900 00:59:53,300 --> 00:59:58,200 Unfortunately, Jennifer March, who had changed seats with Jane for that one landing... 901 00:59:58,300 --> 01:00:00,300 wasn't one of them. 902 01:00:00,300 --> 01:00:03,900 Don't ask me how or why things like that happen either. 903 01:00:04,000 --> 01:00:06,700 Any more than why, when they raised the plane... 904 01:00:06,800 --> 01:00:09,600 the only thing of Jane�s they recovered... 905 01:00:09,700 --> 01:00:12,500 was this little gold cross which had been given to her... 906 01:00:12,500 --> 01:00:16,500 by a kid from Syracuse she'd never even seen. 907 01:00:16,500 --> 01:00:21,500 On the other hand, if you're interested in such things as courage and morale... 908 01:00:21,500 --> 01:00:24,800 drop around with a bottle of scotch some afternoon when I'm off duty... 909 01:00:24,900 --> 01:00:27,400 and I'll be glad to grant you an interview. 910 01:00:27,500 --> 01:00:30,600 Because on that subject, I am now an authority. 911 01:00:31,700 --> 01:00:36,500 [John] Mmm. Oh, boy. 912 01:00:36,500 --> 01:00:41,300 Oh, if I could just get a little lower. 913 01:00:41,300 --> 01:00:43,300 - Feel good? - Oh, words fail me. 914 01:00:43,300 --> 01:00:45,300 Nothing in the world like it. 915 01:00:45,300 --> 01:00:48,900 I know. I can stand pain... anything. 916 01:00:49,000 --> 01:00:51,500 But to itch and not be able to scratch it... 917 01:00:51,600 --> 01:00:54,100 that I can't stand. 918 01:00:54,100 --> 01:00:57,000 The man who thought of making these knitting needles out of plastic... 919 01:00:57,100 --> 01:00:59,400 so he can go around corners ought to get a D.S.C. 920 01:00:59,400 --> 01:01:02,400 D.S.C., my eye. He oughta be canonized. 921 01:01:02,500 --> 01:01:05,900 - Ah, Miss Stomach Bump of 1943. - All right. 922 01:01:06,000 --> 01:01:09,000 - Open your traps and swallow these down. - Not again. 923 01:01:09,100 --> 01:01:12,800 You oughta be grateful I'm not still stickin' you in the caboose with a needle. 924 01:01:12,800 --> 01:01:15,700 - Here you are. - [John] Thank you. 925 01:01:17,100 --> 01:01:21,400 [Gasps] Mercy me! If it isn't a reptile! 926 01:01:21,400 --> 01:01:24,200 - How'd this get in here? - Why, I haven't the slightest idea. 927 01:01:24,300 --> 01:01:27,200 - Go on. Drink it. - Me? Drink that? 928 01:01:27,300 --> 01:01:29,500 - Down the hatch. - What are you trying to do, poison me? 929 01:01:29,600 --> 01:01:33,100 - It's a tempting idea. - General, you ought to be ashamed of yourself... 930 01:01:33,200 --> 01:01:35,900 scaring a poor angel of mercy like Clancy. 931 01:01:36,000 --> 01:01:39,000 Listen. You couldn't scare this Flatbush Florence Nightingale... 932 01:01:39,100 --> 01:01:41,600 - with Rommel's whole Africa Corps. - Is that so? 933 01:01:41,700 --> 01:01:45,500 Well, for that crack you're going to eat intravenously from now on. 934 01:01:45,600 --> 01:01:48,100 Wait a minute, Clancy. There's something I've been wanting to ask you. 935 01:01:48,100 --> 01:01:50,600 First of all, how did you ever get to be a nurse? 936 01:01:50,600 --> 01:01:52,600 Second, what are you doing over here? 937 01:01:52,600 --> 01:01:55,000 Question one: I was hit over the head... 938 01:01:55,100 --> 01:01:57,000 with a pair of forceps at birth... 939 01:01:57,100 --> 01:01:59,500 and when I came to, I was in uniform. 940 01:01:59,600 --> 01:02:01,500 Question two: When the war broke out... 941 01:02:01,600 --> 01:02:05,600 I joined an ambulance corps from Flatbush to get away from my relatives. 942 01:02:05,700 --> 01:02:08,500 - Does that answer you? - Right on the nose. 943 01:02:08,600 --> 01:02:11,800 Okay. Here we go, General Pershing. 944 01:02:11,900 --> 01:02:13,800 Hey! Give us back our frog. 945 01:02:13,900 --> 01:02:16,200 Ask the mother superior for it. 946 01:02:16,300 --> 01:02:19,700 - She's gonna find it in her bed tomorrow morning. - [Jane Laughing] 947 01:02:21,600 --> 01:02:24,700 - Don't you just love her? - I'm crazy about her. 948 01:02:24,800 --> 01:02:27,400 I'd probably elope with her if I weren't already in love with you. 949 01:02:27,500 --> 01:02:30,200 Oh, stop it. 950 01:02:30,300 --> 01:02:32,200 I mean it, Jane. 951 01:02:35,700 --> 01:02:37,700 I had no right to say that, did I? 952 01:02:39,400 --> 01:02:41,700 No. 953 01:02:41,800 --> 01:02:45,000 Even though it's true? 954 01:02:48,000 --> 01:02:51,000 I know you're not happy the way things have been. 955 01:02:52,800 --> 01:02:55,600 - [Door Opens] - Good morning. 956 01:02:55,600 --> 01:02:57,600 Oh, good morning, Father. 957 01:02:57,600 --> 01:03:00,800 - How are you feeling today? - Very well, thank you. 958 01:03:00,900 --> 01:03:02,800 Good. 959 01:03:02,900 --> 01:03:05,700 [Door Closes] 960 01:03:07,300 --> 01:03:09,300 Shall I go on? 961 01:03:09,400 --> 01:03:11,500 Or have I already said too much? 962 01:03:12,800 --> 01:03:16,800 I admit there's a bond between us. 963 01:03:16,900 --> 01:03:19,900 That's only natural after all we've been through. 964 01:03:20,000 --> 01:03:23,600 And then being here together every day since the accident... 965 01:03:23,700 --> 01:03:25,600 It's more than that. 966 01:03:25,700 --> 01:03:27,900 You know it. 967 01:03:27,900 --> 01:03:30,800 Ever since that first night, we've clung to each other. 968 01:03:30,800 --> 01:03:32,800 We've depended on each other. 969 01:03:32,800 --> 01:03:36,900 Maybe that's because we like the same things... 970 01:03:37,000 --> 01:03:39,300 the same books, the same music. 971 01:03:39,300 --> 01:03:43,100 Jane, people can't go through what we've been through... 972 01:03:43,100 --> 01:03:45,800 and then go right on acting as if nothing had happened. 973 01:03:45,900 --> 01:03:48,200 [Door Opens] 974 01:03:48,300 --> 01:03:50,900 - Pardon me, but somebody's got company. - Hi. 975 01:03:51,000 --> 01:03:52,500 - Don! - Remember me? 976 01:03:52,600 --> 01:03:55,700 - Where in the world... - Flew over. How else? F.D.R. Gave us a priority. 977 01:03:55,700 --> 01:03:58,400 Wants me to bring you on home. 978 01:03:58,500 --> 01:04:02,000 Let me look at you. I didn't know what to expect, a crack-up like that... 979 01:04:02,100 --> 01:04:04,100 - but you look swell. - Well, I'm all right. 980 01:04:04,100 --> 01:04:07,400 They tell me you're gonna be fine. Maybe a little operation or two on the leg... 981 01:04:07,400 --> 01:04:09,400 but at least everything's under control. 982 01:04:09,400 --> 01:04:12,100 That's what they tell me too. I hope they're right. 983 01:04:12,200 --> 01:04:15,300 Don, this is Mr. Burn. John, my husband, Don Ross. 984 01:04:15,400 --> 01:04:18,600 - Oh, so you�re John Burn, one of the pilots. How are you? - Very well, thank you. 985 01:04:18,700 --> 01:04:20,900 And this is Clancy. Miss Clancy. 986 01:04:21,000 --> 01:04:22,400 - We met. - Yes, in the room. 987 01:04:22,500 --> 01:04:24,900 Look. I've got passage for us... 988 01:04:24,900 --> 01:04:26,800 on a Portuguese steamer sailing next Tuesday. 989 01:04:26,900 --> 01:04:31,200 It may be a little rugged, but I want to get you home where we can really take care of you. 990 01:04:31,200 --> 01:04:33,500 - Think you can make it? - We'll make it. 991 01:04:34,600 --> 01:04:36,500 Clancy! You'll go with us? 992 01:04:36,600 --> 01:04:39,400 Remember those relatives I was telling you about? 993 01:04:39,500 --> 01:04:41,700 I just got a wire. Two of them have been drafted. 994 01:04:41,700 --> 01:04:44,200 They're just as likely to show up even here. 995 01:04:44,300 --> 01:04:47,300 So it's back to Flatbush for me. 996 01:04:47,400 --> 01:04:50,400 - You ready to go to your room? - Uh, yes, please. 997 01:04:50,400 --> 01:04:52,400 Why don't you come with us, Mr. Burn? 998 01:04:52,400 --> 01:04:55,200 - I think I can fix it. - Thanks. I'll wait and fly back. 999 01:04:55,300 --> 01:04:57,500 But, John, I thought you said we'd... 1000 01:04:57,600 --> 01:04:59,900 Sorry, l... 1001 01:05:00,000 --> 01:05:01,900 It's nice to have met you, Mr. Ross. 1002 01:05:02,000 --> 01:05:04,500 Yeah, sure. Glad to have met you. 1003 01:05:04,600 --> 01:05:08,000 - See you later. - You bet. 1004 01:05:08,100 --> 01:05:10,400 - Seems like a nice guy. - He is. 1005 01:05:10,500 --> 01:05:15,400 - Hurt bad? - His back... a couple of fractured vertebrae. 1006 01:05:15,400 --> 01:05:17,400 Tell me, did you have a nice flight over? 1007 01:05:17,500 --> 01:05:21,200 Yeah. Yeah, sure. Just a breeze. Not a bump all the way. 1008 01:05:22,500 --> 01:05:24,900 [Don Narrating] And then home sweet home... 1009 01:05:24,900 --> 01:05:29,200 through submarine infested waters and straight into another hospital. 1010 01:05:29,300 --> 01:05:31,500 They'd done their best for her in Lisbon. 1011 01:05:31,600 --> 01:05:34,100 But now she needed more than the best. 1012 01:05:34,100 --> 01:05:37,100 She needed a miracle. 1013 01:05:40,200 --> 01:05:42,700 Oh, excuse me, Doctor. I didn't know you were here. 1014 01:05:42,800 --> 01:05:45,200 - That's all right, Sister. - I can come back later. 1015 01:05:45,300 --> 01:05:47,200 No, no. Come in. 1016 01:05:50,600 --> 01:05:53,300 - Aren't they lovely? - [Jane] Beautiful. 1017 01:05:53,300 --> 01:05:56,100 Wouldn't you like one for your lapel, Doctor? 1018 01:05:56,200 --> 01:06:00,300 - May I? - All doctors should wear roses in their lapels. 1019 01:06:00,400 --> 01:06:04,000 Then maybe they wouldn't look so serious and so infallible. 1020 01:06:04,100 --> 01:06:06,500 Also prettier. 1021 01:06:06,600 --> 01:06:08,900 I'll take those, Sister. Thank you. 1022 01:06:11,100 --> 01:06:14,100 You must have a rich admirer. Anybody I know? 1023 01:06:14,100 --> 01:06:17,600 - John Burn. - Burn? He sent those all the way from Lisbon? 1024 01:06:17,700 --> 01:06:19,800 Well, he arrived in New York this morning. 1025 01:06:22,300 --> 01:06:24,200 Pretty quick work. 1026 01:06:27,400 --> 01:06:30,000 Well, Doctor? 1027 01:06:31,700 --> 01:06:35,000 Am I still photogenic? 1028 01:06:35,000 --> 01:06:38,900 It's a beautiful picture, but I'm afraid it's not such a pretty break. 1029 01:06:39,000 --> 01:06:42,200 That bone's not knitting the way it should. 1030 01:06:42,300 --> 01:06:44,500 What are we gonna do about it? 1031 01:06:44,600 --> 01:06:47,200 I know. Let's send it out to Max Factor in Hollywood. 1032 01:06:47,200 --> 01:06:50,300 He makes over old faces. Maybe he can make over an old leg. 1033 01:06:50,300 --> 01:06:53,900 [Chuckling] Well, that's a possibility. 1034 01:06:53,900 --> 01:06:56,600 In the meanwhile, I would say a bone graft is indicated. 1035 01:06:56,700 --> 01:07:00,200 And that's a very delicate operation. I can't guarantee success. 1036 01:07:00,300 --> 01:07:03,600 What percentage of such operations are successful, Doctor? 1037 01:07:03,700 --> 01:07:06,500 Oh, between 50% and 60%. 1038 01:07:06,600 --> 01:07:08,500 A great deal depends on the patient. 1039 01:07:08,600 --> 01:07:10,900 A good patient, one with a lot of desire to get well... 1040 01:07:11,000 --> 01:07:13,200 can make a bad doctor look awfully good. 1041 01:07:13,300 --> 01:07:17,700 - Are you a good patient? - Terrible. I'll probably kick and howl. 1042 01:07:17,800 --> 01:07:21,200 - When will you operate? - Personally, I would say the sooner the better. 1043 01:07:21,300 --> 01:07:23,200 What would you say about tomorrow? 1044 01:07:23,300 --> 01:07:26,200 Well, I was booked to ride in the fourth at Belmont tomorrow. 1045 01:07:26,300 --> 01:07:29,000 - You can always be scratched. - Then see that I am, Clancy. 1046 01:07:29,000 --> 01:07:34,400 No use our keeping the doctor on pins and needles any longer than we have to. 1047 01:07:34,500 --> 01:07:38,100 Will you come with me, Mr. Ross? I want to show these to Dr. Jameson, my associate. 1048 01:07:38,200 --> 01:07:40,400 - I'd like you to be present. - Of course. 1049 01:07:40,500 --> 01:07:42,400 Take it easy. I'll be right back. 1050 01:07:50,700 --> 01:07:53,100 They're gonna take my leg off, Clancy. 1051 01:07:53,100 --> 01:07:55,900 Who said so? 1052 01:07:56,000 --> 01:07:59,300 He didn't have to say so. I know. 1053 01:07:59,400 --> 01:08:02,200 Ah, you don't want to pay any attention to doctors. 1054 01:08:02,300 --> 01:08:06,300 They gotta view with alarm, so that later they can point with pride. 1055 01:08:06,400 --> 01:08:08,600 You know? Like... Like politicians. 1056 01:08:18,300 --> 01:08:21,500 [Phone Ringing] 1057 01:08:21,600 --> 01:08:23,500 I'll get it. 1058 01:08:27,400 --> 01:08:29,600 Hello? 1059 01:08:29,700 --> 01:08:32,200 Well, welcome home. 1060 01:08:32,200 --> 01:08:35,800 [Chuckling] Sure, I'm true to you. Wait a minute. 1061 01:08:35,900 --> 01:08:38,600 - Who is it? - Don't be so nosy. Here. 1062 01:08:38,700 --> 01:08:41,100 - Hello? - Hi. 1063 01:08:41,200 --> 01:08:44,700 John! Where are you? 1064 01:08:44,800 --> 01:08:46,700 Doctor's Hospital. 1065 01:08:46,800 --> 01:08:50,200 I'm in the X-ray room trying to find out when they're gonna take this crate off me... 1066 01:08:50,300 --> 01:08:52,200 after which, in case you didn't suspect it... 1067 01:08:52,300 --> 01:08:54,500 I'm gonna beat a path right straight to your door. 1068 01:08:54,600 --> 01:08:57,100 What do you know about that? 1069 01:08:57,200 --> 01:09:02,500 Well, l... I'm not gonna be able to see anybody for a while. 1070 01:09:02,600 --> 01:09:05,400 Well, how are you? How was everything in Lisbon when you left? 1071 01:09:05,400 --> 01:09:08,700 Don't change the subject. You have missed me, haven't you? 1072 01:09:08,800 --> 01:09:12,100 Never mind. Don't answer that. I just wanted to hear your voice. 1073 01:09:12,200 --> 01:09:14,400 - All ready, Mr. Burn. - Okay. 1074 01:09:14,500 --> 01:09:18,100 Sorry. I gotta run now. They want me to pose again. But I'll be seeing you. 1075 01:09:18,200 --> 01:09:22,000 Oh! Tell Clancy I love her too. Good-bye. 1076 01:09:22,100 --> 01:09:24,000 Here you are. Thank you. 1077 01:09:28,700 --> 01:09:32,800 - You gonna see him? - If he wants to come. 1078 01:09:32,900 --> 01:09:35,400 Is that wise? 1079 01:09:35,400 --> 01:09:38,100 No, I suppose it isn't, but... 1080 01:09:39,300 --> 01:09:41,300 [Crying] 1081 01:09:42,700 --> 01:09:44,900 Oh, Clancy, what am I going to do? 1082 01:09:45,000 --> 01:09:47,900 There, there. None of that now. 1083 01:09:47,900 --> 01:09:50,800 I've never known anyone like him. 1084 01:09:50,900 --> 01:09:54,300 When he's with me, I don't even hurt as much. 1085 01:09:54,400 --> 01:09:56,400 I've learned to lean on him so. 1086 01:09:56,500 --> 01:09:58,300 I know. I know. 1087 01:09:58,400 --> 01:10:02,100 I don't want to hurt Don. 1088 01:10:02,200 --> 01:10:04,700 But, Clancy, I'm in love. 1089 01:10:04,800 --> 01:10:07,500 For the first time in my life, I'm really in love. 1090 01:10:08,700 --> 01:10:11,000 I've tried not to think about him. 1091 01:10:11,000 --> 01:10:13,800 I keep telling myself that nothing can come of it. 1092 01:10:13,900 --> 01:10:18,000 But I need him... 1093 01:10:18,000 --> 01:10:21,200 and I want to see him. 1094 01:10:21,200 --> 01:10:24,900 [Crying] What should I do? 1095 01:10:26,800 --> 01:10:28,700 Well... 1096 01:10:28,800 --> 01:10:31,400 The first thing you should do is blow your nose and powder it... 1097 01:10:31,500 --> 01:10:33,400 before somebody comes back in here. 1098 01:10:33,500 --> 01:10:35,800 Here. Use this. 1099 01:10:37,400 --> 01:10:40,300 Now this is no time to get yourself all worked up emotionally... 1100 01:10:40,400 --> 01:10:42,800 and start acting like a female. 1101 01:10:42,900 --> 01:10:46,200 When you're through with all this, you'll have plenty of time to decide. 1102 01:10:46,300 --> 01:10:49,000 But right now, let's do what the doctor said. 1103 01:10:49,100 --> 01:10:51,600 Give him a break. Right? 1104 01:10:54,800 --> 01:10:56,700 That's my girl. 1105 01:11:27,800 --> 01:11:29,700 [Groans] 1106 01:11:31,200 --> 01:11:33,100 [Slurring] Clancy. 1107 01:11:35,300 --> 01:11:37,200 I'm here, honey. 1108 01:11:37,300 --> 01:11:40,600 Now you go back to sleep. Rest is what you need. 1109 01:11:42,100 --> 01:11:45,300 - Clancy? - How you feel? 1110 01:11:45,300 --> 01:11:48,000 Still a little woozy? 1111 01:11:48,000 --> 01:11:50,200 [Slurring, Indistinct] 1112 01:11:55,100 --> 01:11:58,300 Don't worry, kid. It's still there. 1113 01:12:08,500 --> 01:12:10,800 Sister Marie! A piano? 1114 01:12:10,900 --> 01:12:12,800 Yes, Sister. It's for Miss Froman. 1115 01:12:12,900 --> 01:12:14,800 She's going to rehearse for a new show. 1116 01:12:14,900 --> 01:12:18,000 Rehearse? In her condition? Why, she can't even walk. 1117 01:12:18,100 --> 01:12:21,400 Dr. Taylor considers work a very good therapy, Sister. 1118 01:12:21,400 --> 01:12:23,800 Also, Miss Clancy says she can use... 1119 01:12:23,900 --> 01:12:25,800 I hope you'll pardon the expression, Sister... 1120 01:12:25,900 --> 01:12:29,800 but Miss Clancy says she can also use a few "bucks." 1121 01:12:29,800 --> 01:12:32,500 Excuse me, Sister, they're waiting for us now. 1122 01:12:36,800 --> 01:12:39,400 - [Knocking] - [Clancy] Come in. 1123 01:12:39,500 --> 01:12:42,800 Well, here we are. Where would you like it? 1124 01:12:42,900 --> 01:12:45,200 Uh, right over here I think. 1125 01:12:46,500 --> 01:12:50,200 That oughta do right there. Thank you very much. 1126 01:12:50,300 --> 01:12:52,700 I'll take care of that. 1127 01:12:52,800 --> 01:12:54,700 Thank you, fellas. Thank you, Sister. 1128 01:12:54,800 --> 01:12:56,600 We'll try to be as quiet as we can. 1129 01:12:56,600 --> 01:12:59,400 Don't worry about the noise. That heart case next door has gone home. 1130 01:12:59,400 --> 01:13:02,200 - You won't disturb a soul. - Good. 1131 01:13:02,300 --> 01:13:07,600 Oh, I don't suppose you'd want any outsiders to hear you rehearse? 1132 01:13:07,600 --> 01:13:10,600 Well, I guess our secret will be safe with you, Sister. Stick around if you want. 1133 01:13:10,700 --> 01:13:14,500 May I? Oh, thank you. I'm so crazy about music. 1134 01:13:14,500 --> 01:13:16,500 I promise to be as still as a mouse. 1135 01:13:16,600 --> 01:13:18,500 It's all right. Glad to have you. 1136 01:13:18,600 --> 01:13:20,500 First I'm gonna play your theme song. 1137 01:13:20,600 --> 01:13:23,000 This comes right after the opening number when the artists come on. 1138 01:13:23,100 --> 01:13:25,000 As the curtains part, you're sitting there... 1139 01:13:25,100 --> 01:13:28,100 better still, standing... if we can figure some way to prop you up. 1140 01:13:28,200 --> 01:13:31,000 You're posing for this artist, the tenor... That's you, Clancy. 1141 01:13:31,000 --> 01:13:33,000 Well, that's typecasting, all right. 1142 01:13:33,000 --> 01:13:35,600 [Don] As it happens, you're nuts about Jane... 1143 01:13:35,700 --> 01:13:37,900 but there are reasons why you can't tell her so yet. 1144 01:13:38,000 --> 01:13:40,700 I know one good reason. I ain't a boy. 1145 01:13:40,700 --> 01:13:43,500 Well, he walks over to you, and you have a few lines of dialogue. 1146 01:13:43,600 --> 01:13:46,600 You know, love stuff. You say, uh, "Blah, blah, blah, blah, blah, blah, blah." 1147 01:13:46,700 --> 01:13:48,700 And then, Clancy, you say, "Blah, blah, blah, blah..." 1148 01:13:48,800 --> 01:13:50,700 Who wrote this, Eugene O'Neill? 1149 01:13:50,800 --> 01:13:53,100 [Don] After which, you go into your song. 1150 01:13:53,200 --> 01:13:55,500 I'll play it for you. But before I play that... 1151 01:13:55,600 --> 01:13:58,700 I want to do the opening for you so you can picture the whole scene. 1152 01:13:58,800 --> 01:14:00,800 First we bring the artists on like this. 1153 01:14:03,300 --> 01:14:05,300 % Montparnasse% 1154 01:14:05,400 --> 01:14:09,200 % We are the artists of the Montparnasse% 1155 01:14:09,200 --> 01:14:12,300 % And though our paintings are comme ci comme ca% 1156 01:14:12,300 --> 01:14:14,300 % What do we care% 1157 01:14:14,300 --> 01:14:16,100 % Ooh, la, la% 1158 01:14:16,200 --> 01:14:19,700 % We love to share our savoir-faire in Montparnasse% 1159 01:14:19,800 --> 01:14:21,700 Right here we bring the chorus on, the models. 1160 01:14:21,800 --> 01:14:25,100 That's you, Sister. Step back by the door. I'll tell you when to come on. 1161 01:14:25,200 --> 01:14:27,900 We're gonna have about 20 of the best looking dames we can find. 1162 01:14:27,900 --> 01:14:31,200 Typical artist models, which means they'll have on as little as the law allows. 1163 01:14:31,200 --> 01:14:34,200 This is their music. 1164 01:14:34,300 --> 01:14:36,400 % Montparnasse% 1165 01:14:36,400 --> 01:14:40,100 % We are the models and we pose for those we love% 1166 01:14:40,100 --> 01:14:42,100 That's you, Sister. Come on. 1167 01:14:42,100 --> 01:14:45,400 And be sure and keep in step with the music. 1168 01:14:45,500 --> 01:14:48,200 - % Montparnasse We are the mo... % - Don. 1169 01:14:48,200 --> 01:14:50,600 - Just a minute, if you don't mind. - Yes? 1170 01:14:50,700 --> 01:14:53,100 Maybe Sister Marie doesn't want to be a model. 1171 01:14:53,100 --> 01:14:57,400 What? Oh, I'm sorry, Sister. I didn't mean to offend you. L... 1172 01:14:57,400 --> 01:14:59,400 Oh, I'm not offended in the least. 1173 01:14:59,400 --> 01:15:02,000 Yeah, but l... You see, I sort of got carried away in it. 1174 01:15:02,100 --> 01:15:04,900 - Let me get you a chair. - You mean you're not gonna use me anymore? 1175 01:15:04,900 --> 01:15:07,500 Well, after all, Sister, this is a bunch of chorus girls. 1176 01:15:07,600 --> 01:15:10,100 But it's the first time I've ever been in a chorus. 1177 01:15:10,200 --> 01:15:14,800 And if I have to go back and tell the other sisters I was fired, they'd never forgive me. 1178 01:15:14,800 --> 01:15:18,500 - But I couldn't ask you... - Let me do it, Sister. I'm more the type. 1179 01:15:18,500 --> 01:15:21,600 - You can be the tenor. - Oh, thank you. 1180 01:15:21,700 --> 01:15:24,400 Okay, professor. Let's go. Swing it. 1181 01:15:26,700 --> 01:15:28,700 % Montparnasse% 1182 01:15:28,800 --> 01:15:31,000 % We are the models and we pose... % % 1183 01:15:31,100 --> 01:15:34,900 % % [Orchestral "Montparnasse'"] 1184 01:15:35,000 --> 01:15:36,900 [Clancy Narrating] I'm here to tell the cockeyed world... 1185 01:15:37,000 --> 01:15:39,200 stage history was made that night. 1186 01:15:39,300 --> 01:15:42,300 To be perfectly frank, none of us knew what to expect. 1187 01:15:42,400 --> 01:15:45,900 Here was a girl with a 35-pound cast on her leg... 1188 01:15:45,900 --> 01:15:50,100 who'd have to be carried on and off the stage 22 times a performance... 1189 01:15:50,200 --> 01:15:53,100 making her first public appearance since the accident. 1190 01:15:53,100 --> 01:15:55,400 The big question in all our minds was... 1191 01:15:55,500 --> 01:15:57,700 would the audience take her this way? 1192 01:15:57,800 --> 01:16:01,200 More important still, could she stand the gaff? 1193 01:16:01,300 --> 01:16:03,300 There you are, honey. 1194 01:16:08,900 --> 01:16:11,700 - [Grunts] - [Gasps] 1195 01:16:11,800 --> 01:16:14,000 - [Clancy] What'd you do? Are you hurt? - No, I'm all right. 1196 01:16:14,100 --> 01:16:16,000 - What happened? - I just dropped my handkerchief. 1197 01:16:16,100 --> 01:16:18,300 Watch your leg. You know better than to lean over like that. 1198 01:16:18,400 --> 01:16:22,100 I wouldn't have caused this much excitement if I'd ridden in on a horse like Lady Godiva. 1199 01:16:22,200 --> 01:16:25,000 - That's a good act too, but your hair ain't long enough. - Are you all right? 1200 01:16:25,100 --> 01:16:28,100 - Yes, of course. - All right. Then clear. Clear the stage. 1201 01:16:28,200 --> 01:16:30,400 % % [Finale] 1202 01:16:30,500 --> 01:16:34,600 - Gee, I hope she's... - Don't worry. She'll be fine. 1203 01:16:34,700 --> 01:16:36,900 % % [Orchestra Swells] 1204 01:17:38,100 --> 01:17:40,200 [Clancy Narrating] Well, we had our answer. 1205 01:17:40,300 --> 01:17:42,300 They still wanted Froman. 1206 01:17:42,400 --> 01:17:47,000 But even while they were still cheering in Boston, we had to close. 1207 01:17:47,100 --> 01:17:50,400 That leg had begun to act up again. 1208 01:17:50,400 --> 01:17:53,000 Now the really rugged days were beginning. 1209 01:17:53,000 --> 01:17:56,000 Ahead lay long dreary weeks and months... 1210 01:17:56,100 --> 01:18:00,200 of suffering, of uncertainty, bitterness, despair... 1211 01:18:00,300 --> 01:18:06,000 more doctors, more consultations, more X-rays, more bone grafts. 1212 01:18:06,000 --> 01:18:10,300 Seldom if ever out of pain... excruciating pain. 1213 01:18:10,400 --> 01:18:13,400 Once or twice, near death itself. 1214 01:18:13,500 --> 01:18:18,400 In and out of a dozen hospitals, always facing another operation. 1215 01:18:18,400 --> 01:18:23,300 Ten, 20... So many in fact that even I began to lose track of them. 1216 01:18:23,300 --> 01:18:25,300 Twenty-one, 22... 1217 01:18:25,400 --> 01:18:28,400 Tumors, abscesses, nervous exhaustion... 1218 01:18:28,500 --> 01:18:30,800 endless hours with psychiatrists... 1219 01:18:30,900 --> 01:18:33,400 sometimes not caring whether she lived or died. 1220 01:18:33,500 --> 01:18:35,700 And always with the threat hanging over her head... 1221 01:18:35,800 --> 01:18:39,700 that next time that leg would have to come off. 1222 01:18:40,700 --> 01:18:42,700 Here we are. 1223 01:18:44,000 --> 01:18:46,500 Mmm. That looks good. [Sniffs] 1224 01:18:46,600 --> 01:18:50,200 - Smells good too. - Hmm. 1225 01:18:50,300 --> 01:18:53,500 - What's the matter with you? - I'm not hungry. 1226 01:18:53,600 --> 01:18:55,500 None of that now. You've got to eat. 1227 01:18:57,100 --> 01:19:01,600 Why? Why do I have to eat? I'm sick of it. I'm sick of all of it. 1228 01:19:01,700 --> 01:19:04,400 Why don't they just go ahead and cut it off and be done with it? 1229 01:19:04,500 --> 01:19:06,800 They know I'll never walk again. Why don't they admit it? 1230 01:19:06,900 --> 01:19:10,500 - Who says you'll never walk again? - I do. 1231 01:19:10,500 --> 01:19:15,000 And I'm fed up with hearing you and everybody else say that I will. 1232 01:19:15,100 --> 01:19:18,200 I know I'll never be a normal woman again. 1233 01:19:18,300 --> 01:19:20,200 I'll never dance. I'll never go shopping. 1234 01:19:20,300 --> 01:19:23,500 I'll never do any of the things other women do. 1235 01:19:23,600 --> 01:19:28,100 I can't even remember what it was like to wear a decent pair of shoes. 1236 01:19:28,100 --> 01:19:31,200 So why go on fighting it and kidding myself? 1237 01:19:31,200 --> 01:19:33,900 I hope they do take it off. I'll be glad to get it over with. 1238 01:19:34,000 --> 01:19:37,300 Now wait a minute. That's just about enough of that kind of talk. 1239 01:19:37,400 --> 01:19:39,300 Sure, you've had your share of it. 1240 01:19:39,400 --> 01:19:42,400 Do you think I've sat around here day after day watching you suffer... 1241 01:19:42,500 --> 01:19:44,500 without knowing what you've been going through? 1242 01:19:44,500 --> 01:19:46,500 Why do you think I stayed with you? 1243 01:19:46,500 --> 01:19:50,300 'Cause I thought you had it in you to keep on punching without feeling sorry for yourself. 1244 01:19:50,300 --> 01:19:52,300 But don't you see? I'm tired of punching. 1245 01:19:52,400 --> 01:19:54,800 I'm tired of fighting. I've had enough. I'm sick of it! 1246 01:19:54,900 --> 01:19:58,600 You're sick of it? Well, I've got news for you. 1247 01:19:58,700 --> 01:20:01,200 This has been no picnic for me either. 1248 01:20:01,200 --> 01:20:05,800 But I said to myself, "This baby's got what it takes. Nothing's gonna get her down." 1249 01:20:05,800 --> 01:20:08,700 And now all of a sudden you start bellyaching. 1250 01:20:08,700 --> 01:20:12,400 Well, that's your business. But let's get one thing straight right now! 1251 01:20:12,400 --> 01:20:15,300 Nobody feels sorry for themselves around me. 1252 01:20:15,400 --> 01:20:17,600 Nobody cries on my shoulder. 1253 01:20:17,700 --> 01:20:20,600 And the minute they start it, they can get themselves another girl. 1254 01:20:20,700 --> 01:20:23,600 Because I've got more important things to do with my life. 1255 01:20:23,700 --> 01:20:26,800 And if you've got your heart set on being a freak or an invalid... 1256 01:20:26,900 --> 01:20:28,800 that's okay with me. 1257 01:20:28,900 --> 01:20:31,400 Of course you've still got your face and your voice. 1258 01:20:31,500 --> 01:20:34,700 That'd be enough for most women. But not you. 1259 01:20:34,800 --> 01:20:38,000 Because you haven't got what it takes... 1260 01:20:38,100 --> 01:20:40,800 guts! 1261 01:20:47,600 --> 01:20:49,600 [Crying] 1262 01:20:56,800 --> 01:20:59,900 [Clancy Narrating] Whether that bit of ham acting did it or not, I don't know. 1263 01:21:00,000 --> 01:21:03,100 All I do know is that we didn't have any more of that kind of talk. 1264 01:21:03,200 --> 01:21:05,500 In fact, as soon as the doctors gave the word... 1265 01:21:05,600 --> 01:21:07,700 she was right in there pitching again. 1266 01:21:07,800 --> 01:21:10,300 With debts mounting daily, with doctors to be paid... 1267 01:21:10,400 --> 01:21:14,000 nurses, hospital bills... it was work or else. 1268 01:21:14,000 --> 01:21:18,600 Under the circumstances, New York's La Riviera was the answer. 1269 01:21:18,700 --> 01:21:20,900 - Good evening, Miss Froman. - Hello, Joan. 1270 01:21:20,900 --> 01:21:22,900 % % [Orchestra] 1271 01:21:23,000 --> 01:21:25,200 Thank you. 1272 01:21:25,300 --> 01:21:30,000 Don, it's beginning to fill up. You know I never like to be out front before a show. 1273 01:21:30,000 --> 01:21:32,000 What's the matter? Superstitious? 1274 01:21:32,100 --> 01:21:34,100 Like a bride about being seen on her wedding day? 1275 01:21:34,200 --> 01:21:38,300 I'm afraid it might spoil the illusion if they see me in a wheelchair or on crutches. 1276 01:21:38,400 --> 01:21:41,200 Sorry, but I thought this would be a good chance to talk... 1277 01:21:41,300 --> 01:21:44,000 frankly and in public... where we couldn't go emotional. 1278 01:21:44,000 --> 01:21:46,100 What is there to talk about? 1279 01:21:46,200 --> 01:21:47,800 % % [Continues] 1280 01:21:47,900 --> 01:21:51,700 I happen to know how often you've been seeing John Burn. 1281 01:21:51,700 --> 01:21:54,400 Well, I've never tried to hide the fact that I've been seeing him. 1282 01:21:54,400 --> 01:21:56,400 It's... It's all been open and aboveboard. 1283 01:21:56,500 --> 01:22:00,800 That's beside the point. All I want is a simple answer. Yes or no. 1284 01:22:00,800 --> 01:22:03,700 Me or him? 1285 01:22:03,800 --> 01:22:06,800 Do we have to decide that tonight? I've got two shows to do. 1286 01:22:06,900 --> 01:22:09,000 You can't keep putting these things off forever. 1287 01:22:09,100 --> 01:22:12,900 Well, can't we wait just a few days until I can think more rationally? 1288 01:22:12,900 --> 01:22:14,900 - % % [Continues] - You wouldn't have to think... 1289 01:22:14,900 --> 01:22:17,800 if you'd just make up your mind not to see him again. 1290 01:22:17,900 --> 01:22:21,700 Would that solve anything? Please, Don. 1291 01:22:22,900 --> 01:22:25,000 All right. But what am I supposed to do? 1292 01:22:25,100 --> 01:22:27,800 Exit laughing? Don't my feelings count? 1293 01:22:30,800 --> 01:22:34,900 I know it's a tragic thing that's happening to us, to our marriage... 1294 01:22:36,400 --> 01:22:39,600 Don't talk as if we'd done something wrong, because we haven't. 1295 01:22:39,700 --> 01:22:43,700 Okay. But there has to be a showdown sometime, and it might as well be now. 1296 01:22:45,900 --> 01:22:47,800 - [Jane]John. - Hello. 1297 01:22:47,900 --> 01:22:51,400 - Hello, Burn. Glad you could make it. How are you? - Fine, thanks. 1298 01:22:51,400 --> 01:22:54,800 I forgot to tell you. I asked Mr. Burn to have dinner with us tonight. 1299 01:22:54,900 --> 01:22:57,600 Slide in next to Jane for a minute while I make a phone call. 1300 01:22:57,700 --> 01:23:00,600 - What'll you have... scotch, cocktail? - Uh, martini, thanks. 1301 01:23:00,700 --> 01:23:03,400 I'll send the waiter right over with it. Excuse me. 1302 01:23:07,100 --> 01:23:10,500 - He didn't have to make a phone call. - I know. 1303 01:23:10,600 --> 01:23:12,600 - He thinks it's time for a showdown. - % % [Ends] 1304 01:23:12,600 --> 01:23:15,100 [Applause] 1305 01:23:15,200 --> 01:23:17,200 So do I. 1306 01:23:17,200 --> 01:23:19,200 - % % [Orchestra Resumes] - What's the answer? 1307 01:23:22,800 --> 01:23:24,800 I'm not going to see you again. 1308 01:23:27,600 --> 01:23:29,700 Is... Is that what you want? 1309 01:23:30,900 --> 01:23:33,200 I don't know. Maybe not. 1310 01:23:33,200 --> 01:23:35,400 But that's the way it has to be. He's still my... 1311 01:23:35,500 --> 01:23:37,900 Responsibility? 1312 01:23:38,000 --> 01:23:40,900 My husband... for better or for worse. 1313 01:23:42,400 --> 01:23:44,500 I'll still write. I'll still phone. 1314 01:23:44,600 --> 01:23:46,400 I won't answer. 1315 01:23:46,500 --> 01:23:50,100 % % [Continues] 1316 01:23:50,200 --> 01:23:53,500 It's really because you're not sure about your leg, isn't it? 1317 01:23:53,500 --> 01:23:56,100 As if that mattered... could affect the way I feel about you. 1318 01:23:59,000 --> 01:24:02,100 Max, would you help me back to my dressing room? 1319 01:24:02,100 --> 01:24:04,100 Certainly, Miss Froman. 1320 01:24:04,100 --> 01:24:06,600 - Jane. - Please don't make it harder for me... 1321 01:24:06,700 --> 01:24:09,400 by saying anything more now. 1322 01:24:16,700 --> 01:24:18,700 - Shall I go with you? - No, thanks. 1323 01:24:18,800 --> 01:24:21,400 Max and I can manage. Good night. 1324 01:24:23,400 --> 01:24:25,400 Good night. 1325 01:24:26,800 --> 01:24:30,200 % % [Continues] 1326 01:24:30,200 --> 01:24:32,300 - What? All alone? - Yes. 1327 01:24:32,400 --> 01:24:35,600 - Now if you'll excuse me... - What's your hurry? Stick around and watch the show with me. 1328 01:24:35,700 --> 01:24:37,600 - No, thanks. Not tonight. - Oh, come on. Sit down. 1329 01:24:37,700 --> 01:24:39,800 You can't walk out just before Jane�s number. 1330 01:24:39,900 --> 01:24:43,000 You're gonna see one of the greatest entertainers in the business tonight. 1331 01:24:43,100 --> 01:24:45,500 - % % [Ends] - Thank you. 1332 01:24:49,400 --> 01:24:51,900 - % % [Orchestra] - [Applause] 1333 01:25:03,800 --> 01:25:06,600 % Embrace me% 1334 01:25:06,700 --> 01:25:12,600 % My sweet embraceable you% 1335 01:25:13,700 --> 01:25:16,300 % Embrace me% 1336 01:25:16,400 --> 01:25:22,700 % You irreplaceable you% 1337 01:25:22,800 --> 01:25:26,000 % Just one look at you% 1338 01:25:26,100 --> 01:25:32,000 % My heart grew tipsy in me% 1339 01:25:32,100 --> 01:25:35,500 % You and you alone% 1340 01:25:35,500 --> 01:25:41,600 % Bring out the gypsy in me% 1341 01:25:42,900 --> 01:25:46,000 % I love all% 1342 01:25:46,100 --> 01:25:51,400 % The many charms about you% 1343 01:25:52,800 --> 01:25:55,600 % Above all% 1344 01:25:55,700 --> 01:26:02,000 % I want my arms about you% 1345 01:26:02,100 --> 01:26:06,300 % Don't be a naughty baby% 1346 01:26:06,400 --> 01:26:10,300 % Come to mama Come to mama, do% 1347 01:26:10,300 --> 01:26:11,700 [Laughing] 1348 01:26:11,800 --> 01:26:15,300 Well, I see we have the army with us tonight. 1349 01:26:15,400 --> 01:26:17,800 How would you like to come up here with me? 1350 01:26:18,900 --> 01:26:20,600 - Oh, come on. - Go on. Go on up. 1351 01:26:20,700 --> 01:26:22,200 - Go! - What's the matter? 1352 01:26:22,300 --> 01:26:24,400 - [Audience Murmuring] - How do you do? 1353 01:26:24,500 --> 01:26:27,000 - Hello. - My, you're attractive. 1354 01:26:27,000 --> 01:26:29,000 You goin' steady? 1355 01:26:29,000 --> 01:26:31,700 - Well, you are from now on. - [Audience Laughing] 1356 01:26:31,800 --> 01:26:34,000 - You're a paratrooper, aren't you? - Yes, ma'am. 1357 01:26:34,100 --> 01:26:37,700 Also, if I may say so, you're a very brave man to come up here. 1358 01:26:37,800 --> 01:26:41,200 - Tell that to my sergeant there. - [Audience Laughing] 1359 01:26:41,200 --> 01:26:44,800 Whoop! Haven't you ever been taken for a ride before? 1360 01:26:44,900 --> 01:26:48,900 - Sure, but not like this. - [Audience Laughing] 1361 01:26:50,800 --> 01:26:54,800 % I love all% 1362 01:26:54,900 --> 01:27:00,800 % The many charms about you% 1363 01:27:00,900 --> 01:27:03,800 % Above all% 1364 01:27:03,900 --> 01:27:08,300 % I want my arms about you% 1365 01:27:08,400 --> 01:27:12,100 Having trouble? Put it here. Then I'll know where it is. 1366 01:27:12,200 --> 01:27:14,700 % Naughty baby% 1367 01:27:14,800 --> 01:27:18,300 % Come to mama Come to mama% 1368 01:27:18,300 --> 01:27:22,800 % Do% 1369 01:27:22,800 --> 01:27:29,700 % My sweet embraceable% 1370 01:27:29,800 --> 01:27:35,700 % You% % 1371 01:27:35,700 --> 01:27:38,300 [Applauding, Cheering] 1372 01:27:42,600 --> 01:27:45,100 She always did go for a guy in uniform. 1373 01:27:48,700 --> 01:27:51,300 Oh, wait a minute. You're not through yet. 1374 01:27:51,400 --> 01:27:54,800 - This field maneuver's just getting started. - [Laughing] 1375 01:27:54,900 --> 01:27:57,000 Wouldn't you be more comfortable up here? 1376 01:27:57,000 --> 01:28:00,200 Oh, come on. It's not much of a jump for a paratrooper. 1377 01:28:03,200 --> 01:28:06,300 Now, isn't there some special song you'd like? 1378 01:28:06,400 --> 01:28:08,800 - I like 'em all. - I know one. 1379 01:28:08,900 --> 01:28:11,600 - Oh, tell me, do you sing too? - Not me. 1380 01:28:11,700 --> 01:28:14,200 - Can't you even hum a little? - I'm afraid not. 1381 01:28:14,300 --> 01:28:17,600 All right. But if you change your mind, you just join right in. 1382 01:28:17,700 --> 01:28:21,100 - Okay? - % % [Piano] 1383 01:28:21,100 --> 01:28:26,200 Joe, may we have a soft, soulful light, please? 1384 01:28:26,300 --> 01:28:28,200 That's it. 1385 01:28:31,600 --> 01:28:36,100 % Picture you upon my knee% 1386 01:28:36,200 --> 01:28:39,900 % Tea for two and two for tea% 1387 01:28:40,000 --> 01:28:41,900 % Me for you% 1388 01:28:42,000 --> 01:28:48,100 % And you for me alone% 1389 01:28:48,200 --> 01:28:52,200 % Nobody near us to see us or hear us% 1390 01:28:52,300 --> 01:28:56,300 % No friends or relations on weekend vacations% 1391 01:28:56,400 --> 01:28:58,400 % We won't have it known% 1392 01:28:58,500 --> 01:29:02,700 % That we own a telephone% 1393 01:29:02,800 --> 01:29:05,300 % Dear% 1394 01:29:05,300 --> 01:29:08,700 % Day will break and I'll awake% 1395 01:29:08,800 --> 01:29:12,900 % And start to bake a sugar cake% 1396 01:29:13,000 --> 01:29:15,000 % For you to take% 1397 01:29:15,100 --> 01:29:21,500 % For all the boys to see% 1398 01:29:21,500 --> 01:29:25,400 % We will raise a family% 1399 01:29:25,500 --> 01:29:29,100 - % A boy for you% - % A girl for me% 1400 01:29:29,100 --> 01:29:31,300 % Can't you see% 1401 01:29:31,400 --> 01:29:41,600 % How happy we will be% % 1402 01:29:41,700 --> 01:29:44,300 [Applause] 1403 01:29:44,400 --> 01:29:47,000 % % [Orchestra] 1404 01:29:57,300 --> 01:30:01,200 Can't blame a guy for trying to hold on to a gal like that, can you? 1405 01:30:01,200 --> 01:30:04,000 I'd say any man who'd give her up is a fool. 1406 01:30:10,000 --> 01:30:13,200 % % ["Over There'"] 1407 01:30:20,400 --> 01:30:22,900 Clancy, how would you like to go overseas? 1408 01:30:23,000 --> 01:30:26,200 About as much as I'd like to get kicked in the head by a mule. 1409 01:30:26,300 --> 01:30:28,900 - Why? - I was just thinking. 1410 01:30:29,000 --> 01:30:32,700 Why shouldn't I go over and finish what I started three years ago? 1411 01:30:32,700 --> 01:30:35,900 If I only had a jack to put on that queen. 1412 01:30:36,000 --> 01:30:39,500 Of course, I suppose the doctors will throw up their hands in holy horror. 1413 01:30:39,500 --> 01:30:42,100 Ah, phooey to doctors. 1414 01:30:42,200 --> 01:30:44,100 This deck has been stacked. 1415 01:30:46,300 --> 01:30:49,400 The army might think it's too great a nuisance carting me around. 1416 01:30:49,500 --> 01:30:54,500 They manage to cart around a lot of tanks and bazookas. 1417 01:30:54,600 --> 01:30:57,000 I know a couple of top sergeants that could handle it. 1418 01:30:57,000 --> 01:31:01,300 Well, certainly I'm no good to myself or anybody here. 1419 01:31:01,400 --> 01:31:03,300 Maybe I could do a little good over there. 1420 01:31:05,000 --> 01:31:07,500 What about, uh, "Buster"? 1421 01:31:09,500 --> 01:31:11,500 It should be a relief to him. 1422 01:31:13,000 --> 01:31:16,500 And the "Wild Blue Yonder"? 1423 01:31:16,500 --> 01:31:20,700 You know as well as I do that as long as there's a chance I might lose this leg. L... 1424 01:31:20,700 --> 01:31:23,700 That's where you're different from me. 1425 01:31:23,700 --> 01:31:27,800 If I had a bad leg and a guy was crazy about me, I'd figure I was lucky. 1426 01:31:30,300 --> 01:31:33,800 - Why? - My love life might not be so vulnerable. 1427 01:31:35,200 --> 01:31:37,200 Vulnerable? 1428 01:31:39,500 --> 01:31:42,600 Look, this has nothing to do with you, you understand. 1429 01:31:42,600 --> 01:31:45,100 I'm talking about another couple of dames. 1430 01:31:45,200 --> 01:31:47,100 Pure hypothetical. See? 1431 01:31:47,200 --> 01:31:49,700 But just for the sake of argument... 1432 01:31:49,700 --> 01:31:53,100 let's say one of them had the prettiest pair of legs in the world. 1433 01:31:53,200 --> 01:31:54,900 Regular pinup girl. 1434 01:31:54,900 --> 01:31:58,300 All the men beatin' their brains out tryin' to marry her... 1435 01:31:58,300 --> 01:32:01,200 millionaires, dopes, playboys. 1436 01:32:01,300 --> 01:32:07,200 So she gets married, and three columnists swoon just writing about it. 1437 01:32:07,300 --> 01:32:09,700 But before you know it... 1438 01:32:09,800 --> 01:32:12,000 she starts worrying about what's gonna happen... 1439 01:32:12,100 --> 01:32:15,600 when maybe she hasn't got the prettiest legs in the world... 1440 01:32:15,700 --> 01:32:21,000 and how nice it would be if she could sit back and relax and say to herself... 1441 01:32:21,100 --> 01:32:23,700 there was something else he married her for. 1442 01:32:23,800 --> 01:32:26,100 Like maybe he was in love with her. 1443 01:32:26,200 --> 01:32:29,800 Or maybe he admired her spirit or her stamina or something. 1444 01:32:29,900 --> 01:32:34,800 - Clancy, you're wonderful. - That's why the lovelorn all come to me for advice. 1445 01:32:34,900 --> 01:32:36,900 "Cuddles Clancy" they call me. 1446 01:32:37,000 --> 01:32:39,400 Okay, Beatrice Fairfax, my pogo sticks. 1447 01:32:39,500 --> 01:32:42,500 - Where you goin'? - To tell Don. 1448 01:32:42,600 --> 01:32:44,800 - You need any help? - Nope. 1449 01:32:44,900 --> 01:32:47,900 Call Mr. Stone at the U.S.O. And ask him to come right over, will you? 1450 01:32:48,000 --> 01:32:51,000 - And tell him to bring my passport with him. - On the double. 1451 01:32:52,400 --> 01:32:55,800 [Engine Revving] 1452 01:33:04,500 --> 01:33:06,600 [Revving Continues] 1453 01:33:14,200 --> 01:33:18,000 - What gives? - Sure is stuck. 1454 01:33:18,100 --> 01:33:20,800 - Where you from, soldier? - Kansas. 1455 01:33:20,800 --> 01:33:25,500 Kansas, huh? Well, this car belongs to another boy from Kansas, name of Eisenhower. 1456 01:33:25,500 --> 01:33:29,600 - Ya ever hear of him? - No, ma'am. He must belong to another outfit. 1457 01:33:29,700 --> 01:33:33,300 Oh, yeah? Well, he's the toughest top sergeant you ever heard of... 1458 01:33:33,400 --> 01:33:36,000 and you'll hear from him if you don't get your shoulders to that wheel. 1459 01:33:36,100 --> 01:33:38,500 Now come on. Let's get goin'. 1460 01:33:38,500 --> 01:33:40,500 Yes, ma'am. 1461 01:33:40,500 --> 01:33:43,900 [Chattering] 1462 01:33:44,000 --> 01:33:47,000 Thanks, Captain. All right. Settle down, men. 1463 01:33:47,100 --> 01:33:49,600 Settle down. 1464 01:33:49,700 --> 01:33:52,000 We have a special guest this afternoon... 1465 01:33:52,100 --> 01:33:55,400 a young lady who's come all the way from New York to sing for you. 1466 01:33:55,400 --> 01:33:58,700 She tried to come over a couple of years ago, but things didn't work out. 1467 01:33:58,800 --> 01:34:03,600 This time she made it. I know you're going to like her. Miss Jane Froman. 1468 01:34:03,800 --> 01:34:05,600 [Whistling] 1469 01:34:06,900 --> 01:34:09,700 [Wolf Whistle] 1470 01:34:15,900 --> 01:34:17,900 How long do I have, Colonel? 1471 01:34:17,900 --> 01:34:19,900 As long as you wish, Miss Froman. 1472 01:34:20,000 --> 01:34:23,500 Well, we may be here from now on. 1473 01:34:23,600 --> 01:34:25,500 I'm sure the men would love it. 1474 01:34:25,600 --> 01:34:27,700 I'm going to start with a favorite of mine. 1475 01:34:27,800 --> 01:34:30,800 After that, if there's something you'd like to hear, just sing out. 1476 01:34:30,800 --> 01:34:35,300 As Jimmy Durante would say, "I got a million of� em." 1477 01:34:37,000 --> 01:34:40,000 % % [Band Plays] 1478 01:34:40,000 --> 01:34:43,900 % Yes, it's a good day for singin' a song% 1479 01:34:44,000 --> 01:34:47,800 % And it's a good day for movin' along% 1480 01:34:47,800 --> 01:34:52,000 % Yes, it's a good day How could anything go wrong% 1481 01:34:52,100 --> 01:34:55,300 % A good day from morning till night% 1482 01:34:55,400 --> 01:34:59,300 % Yes, it's a good day for shining your shoes% 1483 01:34:59,300 --> 01:35:03,900 % And it's a good day for losin' the blues% 1484 01:35:03,900 --> 01:35:06,900 % Everything to gain and nothin' to lose% 1485 01:35:07,000 --> 01:35:11,300 % 'Cause it's a good day from morning till night% 1486 01:35:11,400 --> 01:35:15,900 % I said to the sun Good morning, Sun% 1487 01:35:16,000 --> 01:35:18,600 % Rise and shine today% 1488 01:35:18,600 --> 01:35:23,200 % You know you gotta get going if you're gonna make a showing% 1489 01:35:23,300 --> 01:35:26,400 % And you know you've got the right-of-way% 1490 01:35:26,500 --> 01:35:30,300 % 'Cause it's a good day for payin' your bills% 1491 01:35:30,400 --> 01:35:34,200 % And it's a good day for curing your ills% 1492 01:35:34,200 --> 01:35:37,000 % So take a deep breath% 1493 01:35:38,400 --> 01:35:45,600 % And throw away your pills% 1494 01:35:45,600 --> 01:35:49,400 % 'Cause it's a good day% 1495 01:35:49,400 --> 01:35:59,000 % From morning till night% % 1496 01:36:09,800 --> 01:36:11,700 [Clancy Narrating] That was just the beginning... 1497 01:36:11,800 --> 01:36:15,800 the beginning of a tour that was to take us over 30,000 miles... 1498 01:36:15,900 --> 01:36:17,800 to seven countries. 1499 01:36:19,300 --> 01:36:22,900 % They're either too young or too old% 1500 01:36:22,900 --> 01:36:26,900 % They're either too gray or too grassy green% 1501 01:36:27,000 --> 01:36:30,700 % The pickings are poor and the crop is lean% 1502 01:36:30,700 --> 01:36:32,700 % What's good is in the army% 1503 01:36:32,800 --> 01:36:34,700 % What's left will never harm me% 1504 01:36:34,800 --> 01:36:38,400 % They're either too old or too young% 1505 01:36:38,500 --> 01:36:42,400 % So, darling you'll never get stung% 1506 01:36:42,400 --> 01:36:46,400 % Tomorrow I'll go hiking with that Eagle Scout unless% 1507 01:36:46,500 --> 01:36:50,400 % I get a call from Grandpa for a snappy game of chess% 1508 01:36:50,500 --> 01:36:54,300 % I'm finding it easy to stay good as gold% 1509 01:36:54,400 --> 01:36:58,000 % They're either too young or too old% 1510 01:37:00,100 --> 01:37:05,100 % They're either too warm or too cold% 1511 01:37:05,100 --> 01:37:09,500 % They're either too fast or too fast asleep% 1512 01:37:09,600 --> 01:37:13,800 % So, darling, believe me I'm yours to keep% 1513 01:37:13,800 --> 01:37:15,800 % There isn't any gravy% 1514 01:37:15,800 --> 01:37:18,300 % The gravy's in the navy% 1515 01:37:18,400 --> 01:37:22,300 % They're either too fresh or too stale% 1516 01:37:22,400 --> 01:37:27,200 % There is no available male% 1517 01:37:27,300 --> 01:37:31,300 % I will confess to one romance I'm sure you will allow% 1518 01:37:31,400 --> 01:37:35,100 % He tries to serenade me but his voice is changing now% 1519 01:37:35,200 --> 01:37:39,700 % I'm finding it easy to keep things controlled% 1520 01:37:39,800 --> 01:37:43,800 % They're either too young or too old% 1521 01:37:43,900 --> 01:37:47,800 % I'm either their first breath of spring% 1522 01:37:47,800 --> 01:37:51,700 % Or else I'm the last little fling% 1523 01:37:51,800 --> 01:37:55,700 % I either get a fossil or an adolescent pup% 1524 01:37:55,800 --> 01:37:59,300 % I either have to hold him off or have to hold him up% 1525 01:37:59,400 --> 01:38:03,400 % The battle is on but the fortress will hold% 1526 01:38:03,400 --> 01:38:05,400 % I'll never, never fail ya% 1527 01:38:05,400 --> 01:38:07,600 % While you are in Australia% 1528 01:38:07,600 --> 01:38:11,500 % And when you get to India I'll still be what I've been to ya% 1529 01:38:11,600 --> 01:38:15,600 % I've looked the field over and lo and behold% 1530 01:38:15,700 --> 01:38:18,300 % They're either too young% 1531 01:38:18,400 --> 01:38:24,100 % Or too darn old% % 1532 01:38:28,100 --> 01:38:31,200 [Clancy Narrating] Boy, did those birds eat it up. 1533 01:38:31,300 --> 01:38:34,600 This bunch even went A-W-O-L for two weeks... 1534 01:38:34,700 --> 01:38:37,800 hitchhiking over half of Europe to follow her around. 1535 01:38:42,300 --> 01:38:44,200 Anybody here from Missouri? 1536 01:38:45,900 --> 01:38:49,400 Oh, come on. Now there must be somebody here from Missouri. 1537 01:38:49,500 --> 01:38:52,400 - That state's still in the union, isn't it? - [Soldiers Laughing] 1538 01:38:52,500 --> 01:38:54,400 Well, come on. Stand up. 1539 01:38:54,500 --> 01:38:57,100 Don't be bashful. Let's see you. 1540 01:39:10,700 --> 01:39:14,400 - Oh, no. Not him. - Why not? What's wrong with him? 1541 01:39:14,400 --> 01:39:16,800 - Shell shock. I'd better stop him. - Leave him alone. 1542 01:39:16,900 --> 01:39:18,800 She can handle him. 1543 01:39:22,000 --> 01:39:25,600 Hi there. What part of Missouri are you from? 1544 01:39:25,700 --> 01:39:28,800 Don't tell me you're from my own hometown. Not from Clinton. 1545 01:39:30,600 --> 01:39:33,100 Let me guess. Saint Louis. 1546 01:39:35,200 --> 01:39:38,200 Independence? 1547 01:39:38,200 --> 01:39:42,000 [Chuckles] All right. I give up. You tell me. 1548 01:39:43,200 --> 01:39:46,800 Ch... Char... Charlottesville. 1549 01:39:48,300 --> 01:39:51,200 Charlottesville, Missouri? 1550 01:39:51,300 --> 01:39:53,200 Vir... Virginia. 1551 01:39:53,300 --> 01:39:57,400 - Oh, Charlottesville, Virginia. - [Soldiers Laughing] 1552 01:39:57,500 --> 01:40:01,700 Well, that's close enough to Missouri for me. 1553 01:40:01,700 --> 01:40:05,000 I suppose all the girls say this, but... 1554 01:40:05,000 --> 01:40:07,200 haven't I seen you someplace before? 1555 01:40:09,100 --> 01:40:12,200 - Where? - La... 1556 01:40:12,200 --> 01:40:14,400 La Riviera Club, New York. 1557 01:40:16,400 --> 01:40:19,900 Of course! The piano. "Embraceable You." 1558 01:40:20,000 --> 01:40:21,900 Why, we did a whole act together. 1559 01:40:23,400 --> 01:40:27,000 How would you like me to sing something now just for you? 1560 01:40:27,100 --> 01:40:30,200 You name it. If I know it, I'll sing it. 1561 01:40:31,900 --> 01:40:34,200 "I'll Walk Alone." 1562 01:40:34,200 --> 01:40:37,100 I love that song. It's one of my favorites. 1563 01:40:39,000 --> 01:40:44,400 I can't believe it. That boy hasn't spoken 10 words since he came here. 1564 01:40:44,500 --> 01:40:48,400 % I'll walk alone% 1565 01:40:48,500 --> 01:40:51,800 % Because to tell you the truth% 1566 01:40:51,900 --> 01:40:56,900 % I'll be lonely% 1567 01:40:57,000 --> 01:41:03,600 % I don't mind being lonely% 1568 01:41:03,700 --> 01:41:06,200 % When my heart tells me% 1569 01:41:06,300 --> 01:41:12,100 % You are lonely too% 1570 01:41:12,200 --> 01:41:15,500 % I'll walk alone% 1571 01:41:15,500 --> 01:41:17,600 % They'll ask me why% 1572 01:41:17,700 --> 01:41:23,600 % And I'll tell them I'd rather% 1573 01:41:23,600 --> 01:41:29,900 % There are dreams I must gather% 1574 01:41:30,000 --> 01:41:35,200 % Dreams we fashioned that night% 1575 01:41:35,300 --> 01:41:38,500 % You held me tight% 1576 01:41:40,100 --> 01:41:43,200 % I'll always be near you% 1577 01:41:43,300 --> 01:41:48,700 % Wherever you are each night% 1578 01:41:48,800 --> 01:41:53,000 % In every prayer% 1579 01:41:53,100 --> 01:41:56,500 % If you call I'll hear you% 1580 01:41:56,600 --> 01:42:02,100 % No matter how far Just close your eyes% 1581 01:42:02,200 --> 01:42:08,100 % And I'll be there% 1582 01:42:09,500 --> 01:42:14,400 % Please walk alone% 1583 01:42:14,500 --> 01:42:18,500 % And send your love and your kisses% 1584 01:42:18,500 --> 01:42:23,000 % To guide me% 1585 01:42:23,100 --> 01:42:29,000 % Till you're walking beside me% 1586 01:42:30,100 --> 01:42:36,800 % I'll walk alone% 1587 01:42:36,900 --> 01:42:39,300 % Till you're walking% 1588 01:42:39,400 --> 01:42:44,300 % Beside me% 1589 01:42:45,400 --> 01:42:48,900 % I'll walk% 1590 01:42:49,900 --> 01:42:59,100 % Alone% % 1591 01:43:08,800 --> 01:43:11,700 Mr. Ross. Ready with your long-distance call to Miami. 1592 01:43:11,800 --> 01:43:13,700 Thank you. 1593 01:43:21,800 --> 01:43:24,600 Hello? Hello, Burn? 1594 01:43:24,600 --> 01:43:27,000 This is Don Ross in New York. How are ya? 1595 01:43:27,100 --> 01:43:31,300 Don Ross? I'm fine. How are you? How's Jane? 1596 01:43:31,300 --> 01:43:35,600 Well, she's fine. Still overseas, but about ready to head back home. 1597 01:43:35,700 --> 01:43:37,600 That's what I called you about. 1598 01:43:37,700 --> 01:43:41,800 I thought you might like to know I won't be around when she lands. 1599 01:43:41,900 --> 01:43:45,900 Yeah, that's right. About time I started lookin' after myself for a change, isn't it? 1600 01:43:46,000 --> 01:43:48,100 When's she arriving? 1601 01:43:48,200 --> 01:43:51,700 How should I know? You can check if you're interested. 1602 01:43:51,800 --> 01:43:55,200 What's that? Why am I telling you all this? 1603 01:43:55,200 --> 01:43:58,300 Well, I'll tell ya, Burn. I'm a great guy, see? 1604 01:43:58,400 --> 01:44:00,800 A little tight today maybe, but great. 1605 01:44:00,800 --> 01:44:03,600 I don't think you ever appreciated me. 1606 01:44:03,700 --> 01:44:06,500 Jane and I were washed up long ago. 1607 01:44:06,500 --> 01:44:09,200 I didn't want to walk out on her while she was still having trouble. 1608 01:44:09,300 --> 01:44:13,300 But now that she's doing okay again, why stick around and pretend? 1609 01:44:14,500 --> 01:44:16,400 Oh, by the way... 1610 01:44:16,500 --> 01:44:20,900 next time you see her, will you tell her I said this might make a great plot. 1611 01:44:21,000 --> 01:44:25,500 Girl meets boy. Girl gets boy. Girl loses boy. 1612 01:44:25,600 --> 01:44:29,500 Where you gonna find a twist like that every day? Huh? 1613 01:44:29,600 --> 01:44:32,000 Okay. Good-bye. See you around. 1614 01:44:45,800 --> 01:44:48,300 - [Chattering] - Attaboy, mule-face. 1615 01:44:48,400 --> 01:44:50,300 [Man] Hold it up so we can see it. 1616 01:44:52,000 --> 01:44:54,400 [Man] Hey, mule-face, where'd you get them candles? 1617 01:44:54,500 --> 01:44:57,400 Reims Cathedral, you dope. Where do you think we got 'em? 1618 01:44:57,500 --> 01:45:00,900 - What'd they cost you? - Nothing. We stole 'em. 1619 01:45:01,000 --> 01:45:04,300 - % % [Drumroll] - [Whooping] 1620 01:45:22,200 --> 01:45:25,000 Go on, you stupe! Give it to her! 1621 01:45:25,000 --> 01:45:27,000 Yeah, while the candles are still burning. 1622 01:45:27,100 --> 01:45:29,600 What's the matter? You got stage fright? 1623 01:45:29,700 --> 01:45:34,700 Hey, you guys! Pipe down, will ya? Let's take it easy. 1624 01:45:34,800 --> 01:45:38,000 Miss Froman, I ain't gonna make no speech. 1625 01:45:38,100 --> 01:45:40,300 - [Cheering] - Ah, cut it out! 1626 01:45:40,400 --> 01:45:44,500 Well, maybe it ain't your birthday exactly... 1627 01:45:44,500 --> 01:45:48,000 but you're going home tomorrow, and, before you go... 1628 01:45:48,100 --> 01:45:51,100 us guys want to tell you just one thing. 1629 01:45:51,200 --> 01:45:54,400 Well, we want to thank you for comin'. 1630 01:45:54,500 --> 01:45:57,100 It sure meant a lot to us over here. 1631 01:45:59,000 --> 01:46:01,500 Mmm. Anyhow, this is for you. 1632 01:46:04,200 --> 01:46:06,500 Thank you. 1633 01:46:06,500 --> 01:46:09,200 - Thanks, fellas. - Read the card. 1634 01:46:16,900 --> 01:46:18,800 You read it, Clancy. 1635 01:46:18,900 --> 01:46:22,200 "To Jane Froman, a great soldier... 1636 01:46:22,300 --> 01:46:26,600 "who, though wounded herself, didn't forget us wounded. 1637 01:46:26,700 --> 01:46:28,900 Bon voyage. The Gang." 1638 01:46:29,000 --> 01:46:30,900 [Applauding] 1639 01:46:32,000 --> 01:46:34,300 Speech! Speech! 1640 01:46:36,600 --> 01:46:38,500 [Man] Speech.! 1641 01:46:43,000 --> 01:46:46,700 - What can I say? - Don't say. Use your breath and blow these out. 1642 01:46:56,400 --> 01:46:58,800 As you all know, Clancy and l... 1643 01:46:58,800 --> 01:47:00,900 we're going home tomorrow. 1644 01:47:00,900 --> 01:47:03,400 For the past three months, we've had the wonderful privilege... 1645 01:47:03,500 --> 01:47:07,500 of doing over a hundred different shows for you men. 1646 01:47:08,800 --> 01:47:11,200 But there'll never be another night like this. 1647 01:47:12,600 --> 01:47:15,100 For that reason, the boys and the girls and myself... 1648 01:47:15,200 --> 01:47:18,700 have worked out a special farewell number. 1649 01:47:18,800 --> 01:47:22,900 - Would you like to hear it? - [Cheering] 1650 01:47:23,000 --> 01:47:25,300 Okay, let's go. 1651 01:47:25,400 --> 01:47:27,800 Clancy, catch. 1652 01:47:27,900 --> 01:47:30,500 - Sign her up! - The Dodgers need you, Clancy. 1653 01:47:35,500 --> 01:47:39,800 [Chorus] % The sweetest place in all the world% 1654 01:47:39,900 --> 01:47:44,000 % Is home% 1655 01:47:44,100 --> 01:47:46,500 [Jane] % O beautiful% 1656 01:47:46,600 --> 01:47:49,700 % For spacious skies% 1657 01:47:49,800 --> 01:47:55,600 % For amber waves of grain% 1658 01:47:55,700 --> 01:48:02,200 % For purple mountain majesties% 1659 01:48:02,300 --> 01:48:08,400 % Above the fruited plain% 1660 01:48:08,500 --> 01:48:11,900 % America% 1661 01:48:11,900 --> 01:48:15,500 % America% 1662 01:48:15,600 --> 01:48:21,100 % God shed his grace on thee% 1663 01:48:21,200 --> 01:48:25,900 % And crown thy good% 1664 01:48:25,900 --> 01:48:31,600 % With brotherhood% 1665 01:48:31,600 --> 01:48:37,900 % From sea to shining% 1666 01:48:37,900 --> 01:48:41,000 - % Sea% % - % % [Up-tempo] 1667 01:48:41,000 --> 01:48:44,500 % It's a great big wonderful home, sweet home% 1668 01:48:44,600 --> 01:48:48,200 % From the Hudson to San Francisco Bay% 1669 01:48:48,300 --> 01:48:51,700 % No matter where you're from or where you happen to roam% 1670 01:48:51,700 --> 01:48:54,100 - % It's heaven% - % Yes, it's heaven% 1671 01:48:54,100 --> 01:48:57,100 % In the U.S.A. % 1672 01:48:57,200 --> 01:49:00,500 % Whoo-whoo% 1673 01:49:00,600 --> 01:49:03,800 % Give my regards to Broadway% 1674 01:49:03,800 --> 01:49:08,000 % Remember me to Herald Square% 1675 01:49:08,100 --> 01:49:11,500 % Tell all the gang at 42nd Street% 1676 01:49:11,600 --> 01:49:15,500 % That I will soon be there% 1677 01:49:15,600 --> 01:49:18,900 % Whisper of how I'm yearning% 1678 01:49:19,000 --> 01:49:22,900 % To mingle with the old-time throng% 1679 01:49:23,000 --> 01:49:26,200 % Give my regards to old Broadway% 1680 01:49:26,200 --> 01:49:29,100 % And tell them I'll be there ere long% 1681 01:49:29,000 --> 01:49:30,900 % Grand Central Station% 1682 01:49:30,900 --> 01:49:33,800 % Ride around the nation% 1683 01:49:33,900 --> 01:49:36,900 % Chicago, Chicago% 1684 01:49:37,000 --> 01:49:39,600 - % That toddlin' town% - % What a town What a town% 1685 01:49:39,600 --> 01:49:42,600 % Chicago, Chicago% 1686 01:49:42,700 --> 01:49:45,700 - % I'll see you around% - % Do, do, do I love it% 1687 01:49:45,800 --> 01:49:51,200 - % Bet your bottom dollar you'll lose your blues in Chicago% - % % [Chorus Scatting] 1688 01:49:51,300 --> 01:49:56,900 - % The town that Billy Sunday could not shut down% - % That toddlin' town% 1689 01:49:57,000 --> 01:49:59,900 % On State Street That great street% 1690 01:50:00,000 --> 01:50:02,700 - % I just want to say% - % Hooray, hooray, hooray% 1691 01:50:02,700 --> 01:50:06,200 % They do things they don't do on Broadway% 1692 01:50:06,200 --> 01:50:08,800 % They never had it better on Broadway% 1693 01:50:08,800 --> 01:50:11,700 % They have the time the time of their life% 1694 01:50:11,800 --> 01:50:15,700 - % I saw a man he danced with his wife% - % In Chicago% 1695 01:50:15,700 --> 01:50:20,800 - % Chicago, U.S.A. % - % Wow-wow, wee-wee% 1696 01:50:20,900 --> 01:50:24,200 - % California, here I come% - [Cheering] 1697 01:50:24,300 --> 01:50:27,700 % Right back where I started from% 1698 01:50:27,800 --> 01:50:31,000 % Where bowers of flowers bloom in the sun% 1699 01:50:31,100 --> 01:50:34,100 % Each morning at dawning birdies sing and everything% 1700 01:50:34,100 --> 01:50:37,700 % A sun-kissed miss said Don't be late% 1701 01:50:37,800 --> 01:50:41,100 % That's why I can hardly wait... Nah% 1702 01:50:41,200 --> 01:50:44,000 % Open up that golden gate% 1703 01:50:44,000 --> 01:50:47,400 % California, here I come% 1704 01:50:48,500 --> 01:50:51,400 - How about Texas? - Ohio! 1705 01:50:51,500 --> 01:50:53,400 - I'm from Missouri! - Oklahoma! 1706 01:50:53,500 --> 01:50:55,400 How about Texas? 1707 01:50:55,500 --> 01:50:59,500 Well, how about Texas? 1708 01:50:59,600 --> 01:51:04,900 % Carry me back to old Virginny% 1709 01:51:05,000 --> 01:51:10,600 % There's where the cotton and the corn and taters grow% 1710 01:51:10,700 --> 01:51:13,600 % There's where the birds warble sweet% 1711 01:51:13,700 --> 01:51:15,600 % In the springtime% 1712 01:51:15,700 --> 01:51:20,400 % There's where this old homesick heart% 1713 01:51:20,500 --> 01:51:23,000 % Am long% 1714 01:51:23,100 --> 01:51:27,900 % To go% 1715 01:51:28,900 --> 01:51:31,700 - Montana! - Utah! 1716 01:51:31,800 --> 01:51:35,900 - Alabama! - How 'bout Texas? 1717 01:51:36,000 --> 01:51:40,200 % Oh, fill the steins for dear old Maine% 1718 01:51:40,300 --> 01:51:44,100 % Shout till the rafters ring% 1719 01:51:44,200 --> 01:51:47,800 % Drink to Maine our alma mater% 1720 01:51:47,900 --> 01:51:51,800 % Let every loyal Maine man sing% 1721 01:51:55,300 --> 01:51:57,800 Miss Froman? Miss Froman? 1722 01:51:57,900 --> 01:52:01,100 Shh. Yes? 1723 01:52:02,400 --> 01:52:05,200 I just wanted to, uh... 1724 01:52:05,300 --> 01:52:08,500 - Oh, nothing. - Well, come on. What is it? What do you want to say? 1725 01:52:10,000 --> 01:52:13,800 Well, I just wanted to remind you that me, uh... 1726 01:52:13,800 --> 01:52:15,700 l... I'm from Indiana. 1727 01:52:15,800 --> 01:52:18,200 For you, anything. 1728 01:52:21,700 --> 01:52:25,700 % Back home again% 1729 01:52:25,800 --> 01:52:29,100 % In Indiana% 1730 01:52:29,100 --> 01:52:31,400 % Through the fields% 1731 01:52:31,400 --> 01:52:35,600 % I used to roam% 1732 01:52:35,700 --> 01:52:39,100 % When I dream about the moonlight% 1733 01:52:39,200 --> 01:52:43,500 % On the Wabash% 1734 01:52:43,600 --> 01:52:45,600 % Then I long% 1735 01:52:45,600 --> 01:52:51,900 % For my Indiana home% 1736 01:52:52,000 --> 01:52:53,900 How about Texas? 1737 01:52:54,000 --> 01:52:57,400 - Texas? Never heard of it. - % Whoo-whoo% 1738 01:52:57,500 --> 01:52:59,900 % I'm Alabamy bound% 1739 01:53:00,000 --> 01:53:03,100 % There'll be no heebie-jeebies hangin' round% 1740 01:53:03,200 --> 01:53:06,300 % Just gave the meanest ticket man on earth% 1741 01:53:06,300 --> 01:53:08,300 % All I'm worth% 1742 01:53:08,300 --> 01:53:10,700 % To put my tootsies in an upper berth% 1743 01:53:10,700 --> 01:53:12,700 % Just hear the choo-choo sound% 1744 01:53:12,700 --> 01:53:16,200 % I know that soon I'm gonna cover ground% 1745 01:53:16,300 --> 01:53:19,800 % And then I'll holler so the world will know% 1746 01:53:19,900 --> 01:53:23,500 % Here I go I'm Alabamy bound% 1747 01:53:23,500 --> 01:53:26,600 Texas! We want Texas! 1748 01:53:26,700 --> 01:53:29,500 [Chanting Together] We want Texas! We want Texas! 1749 01:53:29,600 --> 01:53:33,500 % The stars at night are big and bright% 1750 01:53:33,500 --> 01:53:36,000 % Deep in the heart of Texas% 1751 01:53:36,100 --> 01:53:40,200 % The prairie sky is wide and high% 1752 01:53:40,200 --> 01:53:42,500 % Deep in the heart of Texas% 1753 01:53:42,600 --> 01:53:47,100 % The sage in bloom is like perfume% 1754 01:53:47,200 --> 01:53:50,200 % Deep in the heart of Texas% 1755 01:53:50,300 --> 01:53:53,700 % Reminds me of the one I love% 1756 01:53:53,800 --> 01:53:56,500 % Deep in the heart of Texas% 1757 01:53:57,800 --> 01:54:00,300 % I wish I was in the land of cotton% 1758 01:54:00,400 --> 01:54:01,900 % Old times there are not forgotten% 1759 01:54:01,900 --> 01:54:05,400 % Look away, look away look away Dixieland% 1760 01:54:05,500 --> 01:54:08,700 % I wish I was in Dixie Hooray, hooray% 1761 01:54:08,800 --> 01:54:11,700 % In Dixieland I'll take my stand to live and die in Dixie% 1762 01:54:11,800 --> 01:54:15,400 % Away, away away down south in Dixie% 1763 01:54:15,400 --> 01:54:19,800 % Away, away away down south% 1764 01:54:19,900 --> 01:54:24,100 % In Dixie% 1765 01:54:24,200 --> 01:54:27,300 [Screaming] 1766 01:54:27,400 --> 01:54:29,700 % % [Slow] 1767 01:54:34,600 --> 01:54:37,300 % Though we must part% 1768 01:54:37,400 --> 01:54:41,600 % We'll meet again someday% 1769 01:54:41,600 --> 01:54:47,200 % Somewhere in the U.S.A. % 1770 01:54:47,300 --> 01:54:53,000 % America, America% 1771 01:54:53,000 --> 01:54:58,400 % God shed his grace on thee% 1772 01:54:58,500 --> 01:55:01,600 % And crown thy good% 1773 01:55:01,700 --> 01:55:05,200 % With brotherhood% 1774 01:55:05,200 --> 01:55:18,300 % From sea to shining sea% % 1775 01:55:20,900 --> 01:55:23,400 [Blowing] 1776 01:55:25,900 --> 01:55:34,000 [Jane] % It tells that you're standing near% 1777 01:55:34,100 --> 01:55:36,700 % And% 1778 01:55:36,800 --> 01:55:42,600 % At the sound of your voice% 1779 01:55:42,700 --> 01:55:47,800 % Heaven opens its portals to me% 1780 01:55:47,900 --> 01:55:53,200 % Can I help but rejoice% 1781 01:55:53,300 --> 01:55:58,500 % That a song such as ours came to be% 1782 01:55:58,600 --> 01:56:04,900 % But I always knew% 1783 01:56:05,000 --> 01:56:13,200 % I would live life through% 1784 01:56:13,200 --> 01:56:18,500 % With a song in my heart% 1785 01:56:18,600 --> 01:56:22,100 % For% 1786 01:56:22,200 --> 01:56:24,100 % You% 1787 01:56:24,200 --> 01:56:29,200 [Chorus] % With a song in my heart% % 1788 01:56:32,200 --> 01:56:33,200 {{{ the end }}} 144756