All language subtitles for Tracks.1976.1080p.WEBRip.x265-RARBG

DO YOU THINK ABOUT
YOUR CHILDHOOD OFTEN?

I THINK
ABOUT MINE

WHEN THE
GOING GETS ROUGH.

I THINK ABOUT
MY CHILDHOOD

AT THE
STRANGEST TIMES.

DO YOU, UH, THINK
ABOUT YOUR CHILDHOOD?

DO YOU?

*

* PRAISE THE LORD AND
PASS THE AMMUNITION *

* PRAISE THE LORD AND PASS
THE AMMUNITION *

* PRAISE THE LORD AND
PASS THE AMMUNITION *

* AND WE'LL
ALL STAY FREE *

* PRAISE THE LORD AND
SWING INTO POSITION *

* CAN'T AFFORD TO
BE A POLITICIAN *

* PRAISE THE LORD WE'RE
ALL BETWEEN PERDITION *

* AND THE DEEP
BLUE SEA *

* YES, THE SKY
PILOT SAID IT *

* YOU GOTTA
GIVE HIM CREDIT *

* FOR A SON OF A GUN
OF A GUNNER WAS HE *

* SHOUTING
PRAISE THE LORD *

* WE'RE ON A
MIGHTY MISSION *

* ALL ABOARD, WE
AIN'T A-GOING FISHIN' *

* PRAISE THE LORD AND
PASS THE AMMUNITION *

* AND WE'LL ALL
STAY FREE *

*

*

*

*

* PRAISE THE LORD
*

* AND PASS
THE AMMUNITION *

* PRAISE THE LORD
*

* AND PASS
THE AMMUNITION *

* PRAISE THE LORD
*

* AND PASS
THE AMMUNITION *

* AND WE'LL
ALL STAY FREE *

* PRAISE THE LORD AND
PASS THE AMMUNITION *

* PRAISE THE LORD AND PASS
THE AMMUNITION *

* PRAISE THE LORD AND
PASS THE AMMUNITION *

* AND WE'LL ALL
STAY FREE-EE *

WE GO NOW TO
THE WHITE HOUSE

AND THE PRESIDENT OF
THE UNITED STATES.

NIXON:
GOOD EVENING.

I HAVE ASKED FOR THIS
RADIO AND TELEVISION TIME

TONIGHT FOR THE
PURPOSE OF ANNOUNCING

THAT WE TODAY HAVE
CONCLUDED AN AGREEMENT

TO END THE WAR AND
BRING PEACE WITH HONOR

IN VIETNAM AND IN
SOUTHEAST ASIA.

THE FOLLOWING
STATEMENT IS BEING

ISSUED AT THIS MOMENT IN
WASHINGTON AND HANOI.

AT 12:30 PARIS TIME
TODAY, JANUARY 23, 1973,

THE AGREEMENT
ON ENDING THE WAR

AND RESTORING
PEACE IN VIETNAM

WAS INITIALED BY
DR. HENRY KISSINGER

ON BEHALF OF THE
UNITED STATES

AND SPECIAL ADVISOR
LE DUC THO ON BEHALF

OF THE DEMOCRATIC
REPUBLIC OF VIETNAM.

THE AGREEMENT WILL BE
FORMALLY SIGNED BY THE

PARTIES PARTICIPATING IN
THE PARIS CONFERENCE

ON VIETNAM ON
JANUARY 27, 1973

AT THE INTERNATIONAL
CONFERENCE CENTER IN PARIS.

YOU'RE
COLLECTING ME?

THAT'S FOUR TIMES!

ADD TEN DOLLARS
TO YOUR SALARY!

HEY! 1938,
CINCINNATI REDS.

BACK TO BACK
NO-HITTERS IN '38.

PITCHES A
SECOND NO-HITTER.

FIRST NIGHT GAME,
THERE'S A LAUNDRY

BEHIND LEFT
FIELD-

WHAT'S THE
MATTER WITH HIM?

OKAY, YOUR TURN.

NO, I DON'T
WANT TO ANSWER.

THEN WE HAVE A
RIGHT-HANDED PITCHER

NAMED MURRY
DICKSON, RIGHT?

SECOND BASEMAN.

RIGHT, OKAY,
SHORTSTOP?

SLATS
MARTY MARION.

RIGHT. AND
THIRD BASEMAN,

I MENTIONED
HIM BEFORE.

WHITEY KUROWSKI -
HAD A BAD LEFT ELBOW.

RIGHT.

DO YOU MIND?

NO.

WHAT DO YOU
GOT IN THE BAG?

WHAT YOU GOT
IN THE BAG?

A SURPRISE.

1947. WE'RE AT
YANKEE STADIUM.

THE KIND OF WOMAN I COULD
NEVER GET MY HANDS ON,

YOU KNOW
WHAT I MEAN?

YOU KNOW
WHY THAT IS?

BIG BROADCASTER
NOW...

BALD-HEADED
MAN.

HA HA! JOE
GARAGIOLA!

AT FIRST BASE WE
HAVE STAN MUSIAL.

ON AND
OFF, NOT...

AND IN LEFT FIELD
WE HAVE STAN MUSIAL.

MAN WITH A
GOOD ARM.

ARE YOU RICH?

DID SHE SAY
YES, SHE WAS RICH?

SHE'S RICH?

WHAT ARE YOU
DOING LATER?

YOU GOT A RICH
FRIEND

ARE THOSE
REAL DIAMONDS?

ARE THEY?

TELL ME
THE TRUTH.

THOSE REMIND ME OF
WHEN I WAS A KID.

IN RIGHT FIELD
WE HAVE ENOS WHO?

SLAUGHTER!

I GOTTA CHECK
OUT SOMETHING.

CENTERFIELD THERE'S A
MAN NAMED AL GIONFRIDDO.

NO, IN LEFT FIELD
IS AL GIONFRIDDO!

HE'S IN CENTERFIELD
'CAUSE HE MADE THE-

HE MADE THE CATCH
AGAINST THE 402.

DO YOU KNOW ANYTHING
ABOUT BASEBALL?

OH, YOU GOT
THE FUR, TOO.

WHAT KIND OF
FUR IS IT

FOXY LADY.

SWEETIE?

BYE, SWEETIE.

WHO HIT THE BALL
GIONFRIDDO CAUGHT?

JOE DIMAGGIO,
IT'S THE FIRST TIME

WE EVER SAW HIM
SHOW ANY EMOTION.

BETWEEN FIRST
AND SECOND BASE

HE'S SUCH A GENTLEMAN,
ALL HE DID WAS

KICK HIS RIGHT FOOT -
BOOM - THAT WAS IT.

THAT WAS THE
WHOLE THING.

GO.

PRETTY, HUH?

WHAT?

THE GIRL,
SHE'S PRETTY.

OH, THAT'S A SEMI YOGA
POSITION THAT SHE'S IN.

ONE LEG IS CROSSED ON TOP
OF THE OTHER, IT'S A MORE

RELAXED POSITION FOR
LONG TERM MEDITATION.

SHE'S NOT
ASLEEP NOW,

SHE'S ACTUALLY
MEDITATING.

SHE'S MEDITATING?

SURE, THAT'S AN IDEAL
POSITION FOR MEDITATING.

IT REDUCES TENSION ON
THE BODY AND THERE'S

A RELAXATION AND
IT'S VERY GOOD FOR

SUPPLENESS OF THE
BODY AND SO FORTH.

SHE CAN STAY IN THAT
POSITION INDEFINITELY

PERFECTLY
COMFORTABLE.

HOW FAR
YOU GOING?

NEW YORK.

IS THAT WHERE
YOU'RE FROM?

YEAH.

WOULD YOU
LIKE SOME?

NO.

I DON'T LIKE
COTTAGE CHEESE.

ME EITHER.

YOU DON'T
EITHER?

WHAT ARE YOU
EATING IT FOR?

WHAT? YOU
DON'T KNOW.

IT'S GOOD
FOR ME.

I TRIED TO EAT A
CHICKEN LAST NIGHT.

COULDN'T
DO IT.

COULDN'T
DO WHAT?

EAT THE CHICKEN.

I JUST KEPT THINKING
WHAT IT WAS, YOU KNOW?

REAL LIVE
CHICKEN AND THEN

IT'S SITTING IN
FRONT OF YOU.

EXCUSE ME.

I COULDN'T HELP
OVERHEARING, BUT...

THE CHICKEN
IS DEAD.

I'M SERIOUS.

IF YOU START EATING
JUST VEGETABLES

YOU'RE NOT GONNA
GET ANY PROTEIN.

I'M NOT A
VEGETARIAN

I JUST FEEL SORRY
FOR THE CHICKEN.

WELL,
REGARDLESS,

YOU SEEM LIKE A
VEGETARIAN BECAUSE-

JACK.

GENE.

NICE MEETING
YOU.

SEE, IF YOU DON'T EAT
REAL MEAT THEN YOU'RE

GONNA GET A LOT OF
TROUBLE LATER ON.

I SAW AN EDUCATIONAL
FILM OVER IN 'NAM

ABOUT CHICKENS AND
IF YOU EAT THE SKIN

IT'S PRETTY
BAD FOR YOU.

I HAPPEN TO
LIKE THE SKIN.

IT'S BAD FOR YOU,
IT'S DOESN'T DIGEST.

IT'S TRUE.

BUT IT'S THE
BEST MEAT FOR YOU

IF YOU DON'T
EAT THE SKIN.

SO YOU SKIN THE
CHICKEN AND EAT IT.

IT'S NOT A MATTER
OF EATING THE SKIN.

IF THEY GIVE YOU A PLATE
OF IT YOU SHOULD EAT IT.

I HAPPEN TO LIKE
THE SKIN BECAUSE

THE SKIN IS THE
PART OF THE CHICKEN

THAT'S CLOSEST
TO THE DIRT.

THAT'S
SICKENING.

AND THE DIRT IS
PART OF THE LAND.

AND THAT'S THE NATURAL
KIND OF THING TO EAT.

I LIKE TO EAT
NATURAL THINGS.

BECAUSE...

WHAT?

IT'S CLOSE
TO THE EARTH.

WHEN YOU GET THE
INSIDE OF THE CHICKEN,

THE INSIDE OF
THE CHICKEN...

IT DOESN'T GET EXPOSURE
TO THE REALITY OF

THE LAND AND THAT'S WHAT
I SELL, I SELL LAND.

I LOVE LAND, I
BELIEVE IN LAND.

THAT'S WHY I SELL
IT AND I EAT IT.

I HAVE TO
GO, I'M...

AH, SOLDIER, DO
YOU MIND IF I

SIT HERE FOR
A MINUTE?

LUIS.

ARE YOU
ON LEAVE?

NO, I'M
ON DUTY.

ON DUTY?
WHERE AT?

I'M ESCORTING A
BODY CROSS COUNTRY.

FROM WHERE?

'NAM.

COME IN.

HI, YOU
RANG, MA'AM?

YES, COME
IN, STEWARD.

SIT DOWN.

WHAT CAN I
DO FOR YOU?

WHAT IS THERE TO
DO AFTER DINNER

AND STUFF
LIKE THAT?

YOU MEAN OUTSIDE
OF THE CLUB CAR?

YEAH, OR
WHATEVER.

DO YOU HAVE
A CIGARETTE?

I'M NOT SUPPOSED
TO SMOKE, BUT...

THANK YOU.

NOW TELL ME
THE TRUTH.

EXACTLY WHAT WERE
YOU LOOKING FOR?

WELL, I WAS LOOKING
FOR SOMEONE TO,

UH, TO TALK TO.

TO SPEND SOME
TIME WITH.

YEAH.

WHEN I WAS IN THE CAR
BEFORE I SAW A SOLDIER.

EMIL? YOU PLAY
BOTH SIDES,

IS THAT HOW
YOU NEVER LOSE?

I DON'T THINK YOU
COULD UNDERSTAND

THE NATURE OF
WHAT I'M DOING.

YOU CAN READ ABOUT THE
PSYCHOLOGY OF CHESS

BUT LET ME
PLAY MY GAME.

I JUST WANT TO KNOW HOW
YOU EVER LOSE, EMIL?

I'M ANALYZING
STUDY POSITIONS.

HI JACK.

HI.

TAKE CARE OF
YOUR BUSINESS?

TCB.

I SAW A COUPLE OF
GREAT LOOKING GIRLS

BOARDING
THE TRAIN.

I LOVE GIRLS.

SO DO I.

WHAT ARE WE
GONNA DO ABOUT IT?

WAIT FOR THEM.

WAIT FOR THEM?

GREAT STRATEGY.

HI GENE.

EMIL, HOW
YOU DOING?

I'VE GOTTA
REALLY LEAVE, OKAY?

JUST GOTTA TAKE
CARE OF A THING.

WHICH SIDE ARE
YOU PLAYING?

IT'S POINTLESS
TO EXPLAIN IT.

IF YOU WANT TO LEARN
ABOUT THE PSYCHOLOGY

OF CHESS I SUGGEST
YOU READ THIS BOOK.

I'VE GOTTA GET
THIS POSITION,

I'VE GOTTA
FIGURE IT OUT.

YOU'RE GONNA
LOSE THIS TIME.

*

* A CIGARETTE THAT BEARS
A LIPSTICK'S TRACES *

* AN AIRLINE TICKET
TO ROMANTIC PLACES *

* AND STILL MY
HEART HAS WINGS *

* THESE FOOLISH THINGS
REMIND ME OF YOU *

* A TINKLING PIANO IN
THE NEXT APARTMENT *

* THOSE STUMBLING
WORDS THAT TOLD YOU *

* WHAT MY
HEART MEANT *

* A FAIRGROUND'S
PAINTED SWINGS *

* THESE FOOLISH THINGS
REMIND ME OF YOU *

* YOU CAME, YOU SAW,
YOU CONQUERED ME *

* WHEN YOU DID
THAT TO ME *

* I KNEW SOMEHOW-

JACK, WE'RE IN-

MARK...

GOOD NEWS.

DON'T EVER COME INTO MY
ROOM WITHOUT KNOCKING.

THE TWO GIRLS
ARE AT THE BAR.

I'LL KEEP MUM BECAUSE
LOOSE LIPS SINK SHIPS.

WHAT'S THE
MYSTERY, JACK?

THERE'S
NO MYSTERY.

I GOT A FRIEND BACK
THERE IN A COFFIN.

I'M ESCORTING
HIM BACK HOME.

BACK WHERE?

BACK HOME.

I MEAN WHERE
IS YOUR FRIEND?

HE'S IN THE
BAGGAGE CAR.

WE USED TO SIT IN
THE FOXHOLE AT NIGHT,

WE USED TO GET
HIGH FROM THAI WEED

AND WATCH THE TRACER
BULLETS FLASH OVER US.

I SAW HIM DO THE
MOST INCREDIBLE THINGS.

THIS MAN WAS A
CONGRESSIONAL

MEDAL OF
HONOR WINNER.

BUT THE WAY
HE BOUGHT IT...

A TRACER BULLET WENT
RIGHT INTO THE FOXHOLE.

IT WAS LIKE A FLARE
COMING OUT OF HIM.

HE WAS RUNNING
AROUND CRAZED.

THAT'S THE WAY
HE BOUGHT IT

AND I'M TAKING
HIM HOME.

HE'S GONNA HAVE A BAND,
HE'S GONNA HAVE A PARADE-

WHY DON'T WE
GO INTO THE BAR

AND SEE THE
BEAUTIFUL GIRLS?

ABSOLUTELY.

THINK ABOUT IT.

I WANT TO CHANGE
MY CLOTHES FIRST.

I'LL MEET YOU
AT THE BAR.

OKAY.

LOOSE BRAINS
CRASH TRAINS.

HURRY UP.

(VARIOUS
CONVERSATIONS)

(VARIOUS
CONVERSATIONS)

INTRODUCTIONS...

CLEO

STEPHANIE...
THIS IS JACK.

HI.

THEY HAVE A MEATLESS
MEAL, THAT'S NICE.

ANYTHING GOOD
ON THE MENU?

THE SOLE HAS
BEEN RECOMMENDED

BY THE MAN IN
THE RED JACKET.

DO YOU SEE
ANYTHING THAT YOU LIKE?

HMM...

WHAT ABOUT THIS
TORNADOS MEXICANA?

UM, IT'S
TORONADO.

WHAT ARE
YOU, 5'8"?

5'10".

THAT'S A LOT OF
LITTLE RED RIDING HOOD.

YOU'RE WEIRD.

YOU'RE
BLUSHING.

DON'T BLOW
IT, STEFFY.

STEPHANIE.

I'M SORRY.
STEPHANIE.

ARE YOU GONNA KISS
A FOOL, STEPHANIE?

EXCUSE ME
FOR A SECOND.

HE'S WEIRD.

NO, HE'S NOT.

HE DOESN'T SEEM
LIKE HE'S CONNECTED.

IS HE JUST SHY?

A SHY
GUY, YEAH.

CAN I GET YOU
SOMETHING?

YEAH, A SCOTCH
ON THE ROCKS.

COMING
RIGHT UP.

YOU LOOK LIKE
YOU'RE DOING OKAY.

YOU PICKED UP ON
THOSE TWO PRETTY GIRLS.

IT'S MORE LIKE
ONE OF US DID.

I SEE, NO
ACTION, HUH?

IT'S NOT
EXACTLY THAT.

IF YOU DON'T FEEL LIKE
DEALING WITH THESE PEOPLE

YOU CAN COME DEAL
WITH ME ANYTIME.

DEAL WITH YOU?

WHATEVER YOU NEED,
YOU KNOW. I GOT IT.

EXCUSE ME.

WHERE ARE
YOU GOING?

I'LL BE
RIGHT BACK.

DO YOU HAVE
SOME OLIVES?

YES, MA'AM.
HELP YOURSELF.

THANK YOU.

DO YOU WANT
AN OLIVE?

UM... NO, I DON'T
WANT AN OLIVE.

WANT SOME
SCOTCH?

NO, THANKS.

DO YOU TRAVEL
OFTEN ON TRAINS?

WELL...
SOMETIMES.

YOU'RE SORT
OF NERVOUS.

NERVOUS?

YOU KNOW, LIKE,
YOU'RE SCARED OF-

I'M SCARED OF
FLYING IN PLANES

SO I TAKE
TRAINS ALWAYS

SO I THOUGHT MAYBE YOU
WERE SCARED OF TRAINS.

NAH.

I'M NOT THAT SCARED
ANYMORE, YOU KNOW?

NO?

NO. I'M VERY
SELDOM AFRAID.

SO WHAT DO
YOU DO?

I'M ON EASTER
HOLIDAY FROM COLLEGE.

I'M GOING UP TO THE
CAPE WITH MY FRIEND.

HER PARENTS HAVE
A HOUSE THERE.

YOU KNOW WHAT YOU
LOOK LIKE TO ME?

YOU LOOK LIKE A
POSTER I SAW ONCE

IN A WHEAT FIELD WITH
A HAMMER AND A SICKLE.

I WAS OVERSEAS AND I
WENT TO EAST BERLIN,

I SAW THIS GIRL
WITH THIS HAMMER

AND SICKLE STANDING
IN A WHEAT FIELD.

THERE'S A
GUY WITH HER

BUT I HAVEN'T SEEN
HIM YET ON THE TRAIN.

MAY I.. MAY I
SAY SOMETHING?

I DON'T
KNOW YOU

BUT I'D LIKE TO
TELL YOU SOMETHING.

I THINK
YOU'RE BEAUTIFUL.

I KNOW THAT'S VERY
CORNY THESE DAYS

TO THINK SOMEBODY'S
BEAUTIFUL, BUT YOU ARE.

GOD, I WANT TO HOLD
YOU AND TALK TO YOU

AND FEEL YOU, BUT
I DON'T KNOW HOW.

I'M REALLY SHY AND
THIS IS HARD FOR ME.

I THINK I'D LIKE TO
SEE YOU IN MY ROOM.

DO YOU KNOW
WHAT I MEAN?

OKAY, SO I SUGGEST
THAT YOU JUST FOLLOW ME.

LOOK AT ME.

I DON'T HAVE MUCH
TIME, LOOK AT ME.

LOOK AT ME,
LOOK AT ME.

LOOK AT
ME, PLEASE.

YOU MAKE
ME NERVOUS.

MEET ME
IN MY ROOM.

YOU KNOW WHICH ROOM
I'M IN, DON'T YOU?

NO, I DON'T.

YES, YOU DO.
LOOK AT ME.

COME ON, I DON'T
HAVE ALL THIS TIME.

YOU KNOW WHICH ROOM
I'M IN, DON'T YOU?

NO.

UH, I THINK YOUR TORNADO
JUST HIT THE TABLE.

JUST ONCE.
JUST... ONCE.

OKAY,
I'M SORRY.

HEY, MAN,
IT'S COOL.

(VARIOUS
CONVERSATIONS)

(VARIOUS
CONVERSATIONS)

(VARIOUS
CONVERSATIONS)

(VARIOUS
CONVERSATIONS)

(VARIOUS
CONVERSATIONS)

*

COME IN.

I JUST WENT TO THE
WRONG COMPARTMENT.

CAN I COME IN?

PLEASE.

SIT DOWN.

THANKS.

ARE YOU PLAYING
YOUR MUSIC?

CAN I
HEAR IT?

* WITH ANYONE ELSE BUT ME
UNDER THE APPLE TREE *

I DIDN'T KNOW IF
YOU'D COME OR NOT.

WHAT'S IT LIKE TO
HAVE MEN TELL YOU

THAT YOU'RE
BEAUTIFUL?

IT MUST LOSE
ITS MEANING.

DEPENDS
WHAT MAN.

DO YOU KNOW WHAT
AN HONOR IT IS TO ME

THAT YOU CAME HERE?
YOU REALLY DON'T.

YOU'LL NEVER
REALLY KNOW.

IT MAKES ME
FEEL SO GREAT.

I MEAN, SEE?

THAT DOESN'T...
YOU KNOW?

LET'S JUST SIT
FOR A WHILE.

WHEW.

I HAVEN'T SEEN ANYTHING
LIKE YOU SINCE I WAS 16.

I'M NOT EVEN SURE
THAT I SAW IT THEN.

I'D ALWAYS FANTASIZE
ABOUT GETTING ON A TRAIN

AND SOME MAN SAYING
THESE REALLY NICE THINGS.

CAN I SHOW YOU HOW
I WANT TO BE KISSED?

HOW LONG WERE
YOU AWAY?

A LONG TIME.

* DON'T SIT UNDER
THE APPLE TREE *

* WITH ANYONE
ELSE BUT ME *

* ANYONE ELSE BUT ME
ANYONE ELSE BUT ME *

* NO, NO, NO DON'T SIT
UNDER THE APPLE TREE *

* WITH ANYONE
ELSE BUT ME *

* TIL I COME
MARCHING HOME *

* DON'T GO WALKING
DOWN LOVER'S LANE *

* WITH ANYONE
ELSE BUT ME *

* ANYONE ELSE BUT ME
ANYONE ELSE BUT ME *

* NO NO NO

* DON'T GO WALKING
DOWN LOVER'S LANE *

* WITH ANYONE
ELSE BUT ME *

* TIL I COME
MARCHING HOME *

* I JUST GOT WORD
FROM A GUY WHO HEARD *

* FROM THE GUY
NEXT DOOR TO ME *

* THE GIRL HE MET
JUST LOVES TO PET *

* AND IT FITS
YOU TO A "T" *

* NO, DON'T SIT
UNDER THE APPLE TREE *

* WITH ANYONE
ELSE BUT ME *

* TIL I COME
MARCHING HOME *

*

* DON'T GIVE OUT WITH
THOSE LIPS OF YOURS *

* TO ANYONE
ELSE BUT ME *

* ANYONE ELSE BUT ME
ANYONE ELSE BUT ME *

* NO NO NO

* WATCH THE GIRLS ON
THE FOREIGN SHORES *

* YOU'LL HAVE TO
REPORT TO ME *

* WHEN YOU COME
MARCHING HOME *

* DON'T HOLD ANYONE
ON YOUR KNEE *

* YOU BETTER BE
TRUE TO ME *

'MORNING.

'MORNING.

I WANT TO APOLOGIZE FOR
WHAT HAPPENED LAST NIGHT.

I, UH...

WELL... HI.

SLEEP WELL?

NO?

I WAKE UP EVERY
ONCE IN A WHILE.

I LIKE THE
MOVEMENT, THOUGH.

I LIKE THE
MOVEMENT.

IT ROCKS
YOU TO SLEEP.

LIKE WHEN
YOU'RE A BABY.

YEAH...

LIKE A BABY.

YOU ARE A BABY.
A SWEET BABY.

SEE YOU IN
A WHILE.

HI.

HI.

WHAT ARE
YOU DOING?

I'M DOING MY
EXERCISES.

YOU'RE DOING
YOUR EXERCISES?

YUP.

LISTEN, COULD I TALK
TO YOU FOR A SECOND?

ABOUT WHAT?

EXCUSE ME.

IS THIS YOUR
COMPARTMENT HERE?

YEAH.

MAY I?

I SAW YOU IN
THE CLUB CAR AND

I WANTED TO ASK YOU
SOME QUESTIONS.

I JUST GOT BACK FROM
VIETNAM AND I'D LIKE TO

ASK YOU - WELL, DO
YOU HAVE ANY SHAMPOO?

SHAMPOO?

YEAH. IS THAT CRAZY
ENOUGH FOR YOU?

DO YOU HAVE
ANY SHAMPOO?

EVERY TIME I WEAR THESE
BOOTS I HAVE GOOD LUCK.

THEY'RE MY
MAGIC BOOTS.

WHAT ARE YOU
GONNA WEAR?

I DON'T KNOW,
WHAT DO YOU SUGGEST?

I HAVE, LET'S
SEE, THE...

OH! UM, THE RED
AND POLKA DOT THING.

THIS THING?

YEAH.

I'M SAVING THAT
FOR A BIG EVENT.

WHY SAVE IT?

IT MIGHT BE A BIG
EVENT, WHO KNOWS?

VERY FUNNY.

WELL, WHO KNOWS
WHAT WE'LL FIND

IN THE
DINING CAR.

THINK HE'LL BE IN
THE DINING CAR?

THAT'S WHY I LIKE
TRAINS, YOU KNOW?

WHY?

YOU JUST NEVER KNOW
WHAT'S GOING TO HAPPEN.

I TAKE TRAINS
ALL THE TIME.

JUST TRAVEL
AND SEE PLACES.

I NEVER KNOW WHAT'S
GOING TO HAPPEN.

NO RESPONSIBILITY,
IT'S JUST AN EASY LIFE.

THERE'S NO PASTS,
NO RECRIMINATIONS.

THERE'S NO FUTURE,
THERE'S JUST NOW.

THAT'S WHAT I
LIKE. JUST NOW.

HOW ABOUT
YOU, SOLDIER?

OH, BOY.

I, UH...

I THINK YOU'RE
WONDERFUL.

YOU DO?

DID YOU GUYS GET
TO KNOW EACH OTHER?

DID YOU,
UH, DO IT?

DID WE
DO WHAT?

YOU KNOW WHAT!

DID YOU DO IT WITH
JACK LAST NIGHT?

I AM GETTING
READY.

COME ON, I'M
YOUR BEST FRIEND.

YOU'RE NOT EVEN TELLING
ME WHAT'S GOING ON,

IF YOU'RE
DOING IT.

YOU'RE GETTING ALL
WEIRD AND EMBARRASSED

AND I DON'T
UNDERSTAND IT.

I DON'T UNDERSTAND
A LOT OF IT.

DO YOU KNOW HOW
LONG IT'S BEEN SINCE

I'VE SEEN A WOMAN
WEAR A GARTER BELT?

I HATE PANTYHOSE.

MY MOTHER...
MY MOTHER...

I USED TO LAY ON
THE KITCHEN FLOOR

DOING MY HOMEWORK,
PRETENDING TO,

MAKE HER
STEP OVER ME

SO I COULD LOOK
UP HER DRESS.

I LOVED THAT,

WHERE THE GARTER
COMES TO THE STOCKING.

YOU SEE THE
FLESH THERE AND, UH...

I THINK IF MARK'S
IN THE DINING ROOM

THAT I'LL SPEND
THE DAY WITH HIM.

I MEAN, IF HE WANTS ME
TO, I'M NOT FORCING HIM.

HE'S SORT OF
INTERESTING.

HOW ABOUT YOU?

YOU GOING TO SPEND
THE DAY WITH JACK?

WHAT'S WITH
YOU

WHAT'S GOTTEN
INTO YOU?

* LET THEM SEE THE
BEAUTY THAT IS ME *

GOD, YOU'RE REALLY
BEING A PISSER.

JUST TELL ME WHAT'S
GOING ON, DID YOU DO IT?

LISTEN, BAKED POTATO, I
DON'T- I HAVE NO DESIRE

TO GET INVOLVED WITH
YOUR CONVERSATIONS

AT THIS LATE HOUR
IN THE MORNING.

I THINK I'LL
GO FOR A WALK.

GEE, GENE, I'M NOT
SURE I UNDERSTAND

EXACTLY WHAT
YOU'RE GETTING AT.

YOU WANT TO SELL ME
SOMETHING, IS THAT IT?

I WANT TO GIVE
YOU SOMETHING.

OKAY.

IN ORDER FOR ME TO GIVE
YOU SOMETHING I HAVE TO

KNOW ABOUT YOU, I HAVE
TO KNOW WHAT YOU WANT.

YOU'RE GETTING THE
BETTER OUT OF THE BARGAIN

BECAUSE IT'S BETTER TO
GIVE THAN TO RECEIVE.

YOU KNOW, PAL, I HAVE
TROUBLE UNDERSTANDING

SO MANY THINGS.

PUT YOUR CARDS
ON THE TABLE.

IF YOU GOT A DEAL
TELL ME WHAT IT IS

AND MAYBE WE
CAN MAKE A DEAL.

I DO HAVE SOMETHING
THAT MIGHT BE

INTERESTING
TO YOU.

IT'S RIGHT HERE. A
PLACE IN NEW MEXICO.

IT'S A VERY
BEAUTIFUL PLACE,

YOU CAN WALK
RIGHT INTO IT.

I HAVEN'T GOT
A PASSPORT.

TO GO TO
NEW MEXICO?

I'M VERY SERIOUS
ABOUT THIS.

I AM TOO. I DON'T
HAVE A PASSPORT.

OKAY, THIS IS
THE WAY OF CUPS,

THE WAY
OF EMOTIONS.

YOU THINK YOU'RE IN
LOVE, IT'S ALL WONDERFUL.

HUSBAND, WIFE,
COUPLE OF KIDS

HAVING A GREAT
OL' TIME.

AND THAT'S
WHAT LOVE IS.

THEN YOU SEE
THAT BREAKS DOWN

AND YOU CAN'T BELIEVE
IN THAT ANYMORE

SO YOU GO TO RICHES,
BAUBLES AND RUBIES

AND YOU THINK THAT'S
WHERE LOVE IS, RIGHT?

BUT REALLY YOU'RE
ALL DARK INSIDE,

YOU'RE ASLEEP, AND
FINALLY YOU UNDERSTAND

THAT'S NOT GOING TO
DO IT FOR YOU EITHER.

SO WHERE DO YOU
GO FROM THERE?

YOU GO BACK UP
INTO THE MOUNTAINS,

YOU'RE A LITTLE GIRL, YOU
KNOW, A FEW FARM HOUSES.

I'M THE
LITTLE GIRL?

YOU'RE THE
LITTLE GIRL AND YOU

FIND YOURSELF
ON THE LAND.

LITTLE RUSTIC
SETTING TO ACT LIKE

CHILDREN TOGETHER
AND IT'S THE PERFECT

KIND OF COUNTER-
CULTURAL LOVE STORY.

YOU THINK
THIS IS IT

AND YOU'VE GOT
IT ALL TOGETHER

BUT THAT FALLS APART
AFTER A FEW YEARS.

WHERE DO YOU
GO FROM THERE?

ALONE.

YOU FIND OUT IT
DOESN'T WORK, DOES IT?

YOU'RE BACK ASLEEP,
YOU'RE BY THE RIVER,

IT'S FLOWING PAST,
YOU CAN'T EVEN LOOK.

I'VE GOT TO SPEAK TO YOU,
PLEASE COME WITH ME.

WHAT'S
THE MATTER?

PLEASE
COME WITH ME.

HOW LONG IS THIS
GOING TO TAKE STILL?

YOU KEEP CIRCLING,
IT'S THE OUROBOROS,

IT'S A SNAKE THAT
EATS ITS OWN TAIL.

PLEASE, PLEASE!

ALRIGHT...

OH. THAT'S
A BIGGIE.

SEE THAT?

YOU GOT ALL THE FLUIDS
GOING ON INSIDE OF YOU.

IT'S NOT REALLY
FLUIDS, IT'S ENERGY.

YOU GOTTA PUT THAT ENERGY
RIGHT IN THE PERINEUM.

YOU KNOW WHAT
THE PERINEUM IS?

THE PERINEUM IS
RIGHT BETWEEN

THE ANUS AND
THE VAGINA.

NOW IF YOU CAN GET
THAT ENERGY INTO YOUR

PERINEUM, SEE, AND THEN
YOU BRING IT UP YOUR BACK

INTO YOUR HEAD, THEN DROP
IT THROUGH YOUR HEAD

BACK DOWN TO YOUR SOLAR
PLEXUS, THEN LET IT DROP

BACK DOWN TO THE
PERINEUM, YOU'D NEVER

HAVE TO MAKE LOVE AGAIN
'CAUSE YOU COULD JUST

CIRCULATE YOUR
ENERGY RIGHT AROUND.

YOU'LL NEVER HAVE
TO MAKE LOVE AGAIN.

WELL, AREN'T YOU
GOING TO SAY ANYTHING?

OH, I'M GOING TO
SAY SOMETHING.

AREN'T YOU GOING TO
SAY SOMETHING TO ME?

YOU'RE THE ONE WHO
BROUGHT ME HERE.

NO, NO, YOU
BROUGHT ME HERE.

YOU'RE NOT KIDDING
ME, YOU KNOW.

ABOUT WHAT?

ANYTHING.

WHAT'S THE
MATTER WITH YOU?

THE WAY YOU DEAL WITH
PEOPLE BESIDES ME?

IS THAT FUNNY?

IS THAT FUNNY
TO YOU?

IT'S NOT
FUNNY TO ME.

SERGEANT, CAN I
SEE YOU A MINUTE?

YOU STAY HERE.

YES, SIR.

WERE YOU
OVER THERE?

I WAS OVER
THERE.

WELL, IT'S ABOUT
DONE NOW, I GUESS.

IT'S ALL FINISHED
UP, EVERYBODY'S HOME.

I WANTED
TO BE THERE.

I WANTED TO BE
THERE BADLY.

SO I COULD
BE THE-

I'M ON OFFICIAL
DUTY HERE.

THE GUY IN
THE COFFIN,

THEY TELL ME
HE'S A WAR HERO.

I GET FIVE DAYS
OFF OVER THERE.

GET HIM TO
THE EAST COAST

AND THEN I GET
FIVE DAYS OFF.

IT'S TOUGH OVER
THERE, MISTER.

PRETTY TOUGH
OVER THERE?

AAH! KNOW
WHAT I MEAN?

YOU WOULDN'T WANT
TO HAVE BEEN THERE.

YOU KNOW,
YOU'RE RIGHT.

A MAN LIKE YOU
WHO SMELLS THE LAND,

WHO FEELS
THE LAND,

REALLY BELIEVES THAT
THE LAND IS WHAT IT IS,

YOU'LL BE GETTING
OUT OF THE SERVICE,

YOU'LL WANT
TO RETIRE,

YOU WANT TO FIND
A PIECE OF LAND.

BELIEVE ME, I'M
NOT SELLING YOU,

I'M NOT TELLING YOU TO
HAVE A PIECE OF LAND.

NOT AT ALL.

I'M JUST SAYING I KNOW
YOU'RE THINKING ABOUT IT.

I KNOW YOU'RE
THINKING ABOUT IT.

THAT DOESN'T MEAN
I'M LOOKING TO DO

ANYTHING WITH
YOU BUT TELL YOU

WHAT I BELIEVE MORE
THAN ANYTHING ELSE, MAN.

AND THAT'S THE LAND
BECAUSE THAT'S THE SOIL,

THAT'S THE EARTH,
THAT'S THE GREEN BEANS

POPPING OUT -
THAT'S WHAT IT IS.

AND WITHOUT THAT
YOU GOT NOTHING.

YOU'LL LOVE
THE CAPE.

IT'S SO
BEAUTIFUL THERE.

WE CAN GO RIDING
AROUND THE WHOLE CAPE.

THEY'VE MADE
BICYCLE PATHS.

GET SOME
EXERCISE FINALLY.

YEAH, MY BROTHER HAS
A BIKE HE'S LEFT THERE

SO THERE WILL
BE TWO OF THEM.

AND MY COUSIN
WILL BE THERE.

YOU'LL LIKE HIM.

I WAS FREEZING.

I COULDN'T FIND
THE SWITCH

AND I WAS SHAKING
ALL NIGHT LONG.

I'M GETTING
CONGESTED,

MY HEAD HURTS, MY
INSIDES ARE IN PAIN.

YOU'RE SUGGESTING YOU CAN
GET A COLD FROM THE COLD?

HOW CAN YOU BELIEVE A
SUPERSTITION LIKE THAT?

THERE ARE AREAS IN
THE ANTARCTIC WHERE THE

EXPLORERS GO WHERE THERE
ARE NO COLD VIRUSES

AND PEOPLE DON'T
GET COLDS THERE.

YOU DON'T GET A
COLD FROM THE COLD.

I GET HOT
FROM HEAT.

THE WORD "COLD" IS A
MISNOMER TO BEGIN WITH.

THE CORRECT WORD IS
CORYZA. C-O-R-Y-Z-A.

IT'S NOT A
COLD AT ALL.

YOU DON'T GET
COLDS FROM COLD.

YOU KNOW WHAT?
I GOT CORYZA.

I WAS CORYZING
ALL NIGHT LONG.

AND THE CORYZING'S
GONNA GIVE ME A COLD.

NOT BECAUSE OF
THE COLD WEATHER.

LOOK AT THE
JUNK FOOD YOU ATE.

IF YOU ATE PROTEIN
AND VITAMINS,

CUT YOUR
CALORIES IN HALF,

RAT STUDIES SHOW
YOU'LL LIVE 35% LONGER.

WHAT HAVE I GOT
TO DO WITH RATS?

IT'S DIFFICULT TO
EXTRAPOLATE FROM

RAT STUDIES BUT AS FAR
AS YOU'RE CONCERNED

THERE'S A DEFINITE
RELATIONSHIP.

YOU DRINK, YOU
SMOKE, YOU HARM ME

BY RAISING THE
CARBON MONOXIDE LEVEL.

LET ME ASK YOU
ONE QUESTION.

I DON'T MIND WHAT
YOU DO TO YOURSELF.

WILL YOU GIVE
ME ONE QUESTION?

ARE YOU TRAVELING
ALONE ON THIS TRAIN?

MAYBE LATER WE'LL
HAVE A DRINK TOGETHER

AND GET
CORYZMA.

CORYZA, CORYZA!

DON'T WORRY
ABOUT HIM.

I'VE GOTTA
GO NOW.

I DON'T
BLAME YOU.

TAKE YOUR
CIGARETTE WITH YOU.

HI.

I'M STILL STRONGER
THAN YOU WITH THE

DRINKING AND SMOKING
AND I'LL PROVE IT.

I'LL ARM
WRESTLE WITH YOU.

ARE YOU
KIDDING?

YOU WANT TO ARM
WRESTLE WITH ME?

YOU THINK YOU
HAVE A CHANCE?

DO I THINK I
HAVE A CHANCE?

I THINK I'LL
BEAT YOU.

COME ON,
COME ON!

COME ON!

WHY DON'T YOU TRY
A LITTLE HARDER?

UNGH....

I WANT YOU
SO BAD...

AAAAAGH!

GAH!

I LOST MY
STRENGTH.

WE'RE COMING
INTO THE STATION.

I'LL BE BACK IN
FIVE MINUTES.

WHERE ARE
YOU GOING?

I'LL BE BACK IN
FIVE MINUTES.

I WISH WE COULD
TRAVEL LONGER.

YOU GUYS GOING TO
SEE EACH OTHER AFTER?

IS IT SERIOUS,
STEPH?

(ALL TALKING
AT ONCE)

HE'S OUT, MAN,
HE'S OUT.

THAT'S MY ACE.

THAT'S YOUR FIVE
AND HIS DEUCE.

WAIT A MINUTE.

YOU TWO GUYS
ARE OUT.

WHAT'S GOING
ON HERE?

DID YOU FOLD
YOUR CARDS?

WHAT'S GOING ON?

WHAT ARE YOU
DOING ON THIS TRAIN?

I'M ESCORTING A COFFIN
ACROSS THE COUNTRY.

IT'S A BLACK MAN
IN THAT COFFIN.

IT'S A GREAT
BLACK MAN.

HE SAVED MY LIFE AND
I'M TAKING HIM HOME.

I'M TAKING HIM
HOME A HERO.

HE'S GONNA BE
JACKIE ROBINSON

WHEN HE
GETS HOME.

UNDERSTAND
WHAT I'M SAYING?

I LOST 21
GUYS IN KOREA.

THEY'RE BURIED
OVER THERE.

THIS ISN'T MY
KIND OF GAME.

WHY THE HELL YOU THINK
YOU HAVE A MONOPOLY

ON FEELING SORRY
FOR YOURSELF?

YOU ONLY HAVE ONE.
I HAD 21.

SERGEANT, GET OFF MY
BACK WITH THIS BULL.

I LIVED A
LIFETIME,

A LIFETIME WITH
21 DEAD MEN.

YOU'RE WALKING
AROUND WITH A CHIP

ON YOUR
SHOULDER.

BIG SARGE, "HEY, I'M
SORRY MY BUDDY'S DEAD".

HELL, I LOST 21!

WHO THE HELL
ARE YOU?

GET OUTTA
MY FACE.

A HERO.

JACKIE ROBINSON.

JACKIE ROBINSON 1946,
1957 BROOKLYN DODGERS,

SECOND BASEMAN,
STARTED OFF

IN '46 AS A
FIRST BASEMAN.

CAME UP IN '45
WITH MONTREAL ROYALS.

JACKIE ROBINSON'S
NOT THE FIRST.

LEROY
"SATCHEL" PAIGE.

SATCHEL PAIGE, UH, 1952,
ROBINSON WAS THE FIRST.

CLEVELAND INDIANS,
HESITATION PITCH,

DON'T EAT FRIED FOODS,
DON'T LOOK BEHIND YOU,

SOMEBODY MAY
BE GAINING.

RUN FAST,
LIVE LONG,

ONE OF THE FINEST
HITTERS IN BASEBALL.

WHO'S THE FIRST HERO,
ROBINSON OR PAIGE?

OKAY, YOU
WANT TO GO BACK?

THEY WERE
ALL GREAT.

* THIS LOVE OF MINE
GOES ON AND ON *

* THOUGH LIFE IS EMPTY
SINCE YOU HAVE GONE *

* YOU'RE ALWAYS
ON MY MIND *

* THOUGH OUT
OF SIGHT *

* IT'S LONESOME
THROUGH THE DAY *

* AND ALL
THE NIGHT *

(VARIOUS
CONVERSATIONS)

COULD YOU PLEASE
KEEP YOUR CIGARETTE

OUT OF MY NOSE?

YOU HAVE A
LITTLE IN HERE.

COULD YOU PLEASE
KEEP YOUR NOSE

OUT OF OUR
CIGARETTES?

CHLOE!

(SPEAKING
FRENCH)

CHEERS...

TO PROSPERITY AND A
WONDERFUL TRAIN RIDE.

NOW AS GOOD AS
MASTURBATION IS FOR MEN,

LOOK HOW GOOD
MASTURBATION IS

FOR WOMEN.

THOSE WOMEN WHO GREW UP
IN A REPRESSED SOCIETY,

NO MATTER WHAT PROBLEMS
THEY HAD SEXUALLY,

IF THEY HAD THE HABIT
OF ALWAYS MASTURBATING

THEN THEY KNEW IN THEIR
BODY THEY HAD A SEXUALITY

THAT NOTHING COULD
REPRESS AND AS SOON AS

THEY GOT A GOOD ENOUGH
PARTNER IT CAME OUT,

OR IT CAME OUT IN
THEIR OWN SATISFACTION.

THIS MAN HERE
THINKS THAT I'M SICK.

THIS IS A DIFFERENT LEVEL
THAN HE CAN DEAL WITH.

HE LIKES TO HAVE A FEW
DRINKS AND HAVE A FUCK.

YOU'RE GODDAMN
RIGHT I DO.

WOULD YOU LIKE TO
COME TO MY ROOM?

I SAID WOULD YOU LIKE
TO COME TO MY ROOM?

I'D LIKE TO COME
TO YOUR ROOM.

THAT'S A SHAME.

WHAT ARE
YOU DOING?

YOU'RE THE KIND OF
GUY, AFTER YOU'RE

FINISHED HAVING SEX,
YOU SMOKE A CIGARETTE

'CAUSE THAT'S YOUR
FAVORITE ACTIVITY.

AND THAT'S THE
DESSERT AFTER THE SEX.

IS THAT TRUE,
YES OR NO?

NO. I NEVER SMOKE
AFTER I HAVE SEX.

I COLLAPSE.

'CAUSE WHEN I GIVE
I GIVE COMPLETELY.

I LAY IT
ALL DOWN.

EXCUSE ME, I'LL
BE RIGHT BACK.

THERE'S SOMETHING ODDLY
ENDEARING ABOUT THE MAN.

* I CRY MY HEART OUT,
IT'S BOUND TO BREAK *

* SINCE NOTHING
MATTERS LET IT BREAK *

* I ASK THE SUN
AND THE MOON *

* THE STARS
THAT SHINE *

* WHAT'S TO
BECOME OF THIS *

* THIS LOVE
OF MINE? *

WHAT'S THAT?

IT'S THE
COMBAT AREAS.

WHAT'S
IT LIKE?

YOU KNOW WHAT
I'M DOING HERE?

I GOT A COFFIN IN
THE BAGGAGE CAR.

HE'S A GOOD
FRIEND OF MINE.

DO YOU BELIEVE SEX
IS DIRECTLY RELATED

WITH CHESS?

DIDN'T YOU SAY YOU WERE
GOING TO LET ME STUDY

THE POSITION IF YOU
SAT HERE WITH ME?

I'VE GOT TO GET
THIS POSITION DOWN.

OF COURSE SEX IS
RELATED WITH CHESS.

THE MERE FACT
YOU SAY "POSITION"

"POSITION" TO ME HAS
A SEXUAL CONNOTATION.

YOU USE IT IN THE
SAME CONTEXT AS CHESS.

WELL, THERE'S A
THEORY THAT THERE'S

A DISTINCT
RELATIONSHIP.

WHEN YOU PLAY CHESS
IT'S AN AGGRESSIVE THING

IN THE WAY THAT THERE'S
A SEXUAL DISPLACEMENT.

IT'S RELATED TO ALL
KINDS OF THINGS

LIKE ANAL SADISM,
FATHER MURDER.

WHEN YOU TOUCH A PIECE
YOU HAVE TO MOVE IT.

THE WHOLE POINT
ABOUT THAT IT'S LIKE

YOU'RE RESTRAINING THE
URGE TO MASTURBATE.

WHERE DID YOU
GET YOUR WATCH?

WALT DISNEY
GAVE ME THIS.

IT'S
MICKEY MOUSE.

WHAT FOR?

WELL, BECAUSE...

YOU
INSPIRED HIM?

YEAH, I GAVE HIM
DONALD DUCK

AND HE GAVE ME
MICKEY MOUSE.

YOU'RE SO
BEAUTIFUL.

YOU'RE SO
BEAUTIFUL.

DO YOU ENJOY
PLAYING CHESS

AS MUCH AS YOU
DO HAVING SEX?

UM, IT'S DIFFICULT
TO EQUATE IT.

IF I HAD TO GIVE UP ONE
OR THE OTHER FOR THE

REST OF MY LIFE WHICH
WOULD I CHOOSE?

WELL, I THINK YOU
KNOW THE ANSWER TO THAT.

I WANT YOU TO THINK
BEFORE YOU ANSWER

BECAUSE I HAVE
GREAT POWERS.

IT'S THE ANSWER
YOU SUSPECT.

IF YOU SUSPECT THE ONE I
DON'T THINK YOU SUSPECT

THEN YOU
DESERVE THAT ANSWER.

SO IT WOULD
BE CHESS THEN?

ALRIGHT, IT
WOULD BE CHESS.

* ALTHOUGH SOME
PEOPLE SAY *

* HE'S JUST
A CRAZY GUY *

* TO ME HE MEANS A
MILLION OTHER THINGS *

* FOR HE'S THE ONE
WHO TAUGHT THIS *

* HAPPY HEART
OF MINE TO FLY *

* HE WEARS A PAIR
OF SILVER WINGS *

* AND THOUGH IT'S
PRETTY TOUGH *

* THE JOB HE
DOES ABOVE *

* I WOULDN'T HAVE HIM
CHANGE IT FOR A KING *

* AN ORDINARY FELLOW
IN THE UNIFORM I LOVE *

* HE WEARS A PAIR
OF SILVER WINGS *

* I'M SO FULL OF PRIDE
WHEN WE GO WALKING *

* EVERY TIME HE'S
HOME ON LEAVE *

* HE WITH THOSE
WINGS ON HIS TUNIC *

* ME WITH MY
HEART ON MY SLEEVE *

* BUT WHEN I'M LEFT ALONE
AND WE ARE FAR APART *

* I SOMETIMES WONDER
WHAT TOMORROW BRINGS *

* FOR I ADORE
THAT CRAZY GUY *

* WHO TAUGHT MY
HAPPY HEART *

* TO WEAR A PAIR
OF SILVER WINGS *

THE GOING GOT
ROUGH OUT THERE.

YOU THINK OF THE
STRANGEST THINGS.

LIKE WHAT?

CHILD THINGS.
YOU EVER DO THAT?

BE A CHILD? THINK
OF STRANGE THINGS?

BETTER
BELIEVE IT.

YOU CAME FROM A SMALL
TOWN, DIDN'T YOU?

YEAH.

I CAME FROM A
BIG ONE. BIG CITY.

I RAN AWAY FROM
HOME WHEN I WAS SEVEN.

IT WAS A WHOLE
DIFFERENT TYPE OF TRIP

BUT DEFINITELY
STRANGE.

YOU RAN AWAY WHEN
YOU WERE SEVEN?

I RAN AWAY
WHEN I WAS 14.

TOOK ME
TWICE AS LONG.

I SPENT...
OH, GOD...

YEARS, IF YOU
PUT 'EM TOGETHER,

ON TRAINS GOING
ACROSS COUNTRY,

BACK AND FORTH,
BACK AND FORTH.

ONE THING THAT
STICKS OUT IN MY MIND,

OR MAYBE IT'S MY SOUL,
WAS ALBUQUERQUE.

IT WAS SANTA FE
RAILROAD, SUPER CHEAP,

WE'D STOP IN
ALBUQUERQUE AND

I NEVER GOT OFF THE
TRAIN, I DON'T KNOW WHY.

THE INDIAN WOMAN WOULD
BE ON THE PLATFORM

WITH THE RUGS
AND THE JEWELRY,

WHICH I WENT
BACK TO LATER ON.

YEAH, AND THE
QUALITY OF LIGHT

THERE IN
NEW MEXICO.

I'VE NEVER GOTTEN OVER
THAT, THAT'S FOR SURE.

THEN BACK ON THE
TRAIN. CH-CH-CH-CH.

EVERY ONCE IN A WHILE,
ON CERTAIN TRAINS,

THE UPPER BERTH
IF YOU WERE LUCKY

YOU GOT THE
LITTLE WINDOW

THEN WHEN IT WAS
ALL DARK YOU COULD

PEEK OUT THE WINDOW AND
WATCH THE LIGHTS GO BY.

I'D HAVE STRANGE
DREAMS THEN.

I ALWAYS THOUGHT
I WAS ON A SHIP.

I ALWAYS THOUGHT
ABOUT THE WAKE

I WAS LEAVING BEHIND;
PHOSPHORUS AND WHITE.

IT WAS JUST MOON ON
THE RAILS, I GUESS.

YEAH, I'D SEE THAT HIT
THE WIRES SOMETIMES

WHEN WE WERE
ON A TRAIN.

IT HITS THE WIRES,
IT HITS THE TRACKS.

I'D WANT TO KNOW
WHERE THEY WERE GOING.

WHERE WHAT
WERE GOING?

THE TRAINS.

OH, YOU WANTED TO KNOW
WHERE THEY WERE GOING?

YEAH. 'CAUSE I
COULDN'T GO ANYWHERE.

WE WERE REAL POOR. I
COULDN'T GO ANYWHERE

AND I WONDERED WHERE
THEY WERE GOING.

AND SO I JOINED
THE ARMY.

I KNEW THERE WAS A
REASON I LIKED YOU.

COUPLA
RUNAWAYS.

YUP.

I WISH I COULD REMEMBER
WHAT THAT SIGN SAID.

IT WAS SOMETHING
ABOUT POVERTY.

CAN'T REMEMBER...

WHAT SIGN?

* WHAT MY
HEART MEANT *

* THESE FOOLISH THINGS
REMIND ME OF YOU *

* YOU CAME, YOU SAW,
YOU CONQUERED ME *

* WHEN YOU DID
THAT TO ME *

* I KNEW SOMEHOW
THIS WAS MEANT TO BE *

* THE WINDS OF MARCH THAT
MAKE MY HEART A DANCER *

* A TELEPHONE THAT RINGS
AND WHO'S TO ANSWER? *

* OH, HOW THE GHOST
OF YOU CLINGS *

* THESE FOOLISH THINGS
REMIND ME OF YOU *

* FIRST DAFFODIL AND
LONG EXCITED CABLES *

* AND CANDLELIGHTS ON
LITTLE CORNER TABLES *

* AND STILL MY
HEART HAS WINGS *

* THESE FOOLISH THINGS
REMIND ME OF YOU *

* THE PARK AT EVENING WHEN
THE BELL HAS SOUNDED *

* THE ILE-DE-FRANCE WITH
ALL THE GULLS AROUND IT *

* THE BEAUTY
THAT IS SPRING *

* THESE FOOLISH THINGS
REMIND ME OF YOU *

YOU KNOW, I JUST WISH
I HADN'T BEEN IN 'NAM.

THEY BROUGHT BACK MY
COUSIN ON THE TRAIN.

MY COUSIN
ARTURO.

HE CAME BACK
ON A TRAIN.

ALL THE FAMILY WAS AT
THE STATION WAITING,

YOU KNOW, HEREFORD,
TEXAS, THE PANHANDLE

WHERE WHEN IT RAINS
IT RAINS VERY DARKLY.

IT WAS RAINING
THAT DAY

AND THEY BROUGHT
HIM OFF THE...

YOU KNOW,
THAT CAR.

THEY BROUGHT
HIM OFF IN A BOX.

ARTURO WAS
VERY YOUNG.

WHY ARE YOU IN
THE SERVICE?

I THINK IT'S ONE OF
THE MOST PROFOUND

OBSESSIONS A MAN OR
A WOMAN SHOULD HAVE:

DEATH.

AND WE ALL HAVE
OUR FANTASIES.

*

* WE'RE GONNA
HAVE TO SLAP *

* THE DIRTY
LITTLE JAP *

* AND UNCLE SAM'S THE
GUY WHO CAN DO IT *

* WE'LL SKIN THAT
STREAK OF YELLA *

* FROM THE SNEAKY
LITTLE FELLA AND *

* HE'LL THINK A CYCLONE
STRUCK HIM WHEN WE DO IT *

* WE'LL TAKE THAT
DOUBLE CROSSER *

* TO THE OLD
WOODSHED *

* WE'LL START RIGHT
ON HIS BOTTOM *

* AND WE'LL GO
TO HIS HEAD *

* WHEN WE GET
DONE WITH HIM *

* HE'LL WISH THAT
HE WAS DEAD *

* WE'VE GOTTA SLAP
THE DIRTY LITTLE JAP *

*

* UNCLE SAM'S A MAN WHO'S
GIVEN A HELPING HAND *

* TO MANY A FOREIGN
LAND DON'T FORGET IT *

* BUT WHEN SOMEBODY GOES
TO TROMPIN' ON HIS TOES *

* THEY BETTER
GUARD THEIR NOSE *

* OR THEY'LL
REGRET IT *

* WE'RE GONNA
HAVE TO SLAP *

* THE DIRTY
LITTLE JAP *

* AND UNCLE SAM'S THE
GUY WHO CAN DO IT *

* THE JAPS AND
ALL THEIR HOOEY *

* WILL BE CHANGED
INTO CHOP SUEY *

* AND THE RISING
SUN WILL SET *

* WHEN WE GET
THROUGH IT *

* THEIR ALIBI FOR FIGHTING
IS TO SAVE THEIR FACE *

* FOR ANCESTORS WAITING
IN CELESTIAL SPACE *

* WE'LL KICK THEIR
PRECIOUS FACE *

* DOWN TO THE
OTHER PLACE *

* WE GOTTA SLAP THE
DIRTY LITTLE JAP *

*

* WE'RE GONNA
HAVE TO SLAP *

* THE DIRTY
LITTLE JAP *

* AND UNCLE SAM'S THE
GUY WHO CAN DO IT *

* I WOULDN'T
FOOL YA, MISTER *

* HE CAN RAISE AN
AWFUL BLISTER *

* AND SOMEBODY'S
PANTS WILL BURN *

* BEFORE WE'RE
THROUGH IT *

* WE'LL REACH
ACROSS THE OCEAN *

* AND GRAB THAT
YELLA JAP *

* AND TURN HIM
UPSIDE DOWN *

* RIGHT ON
DEMOCRACY'S LAP *

* WE'LL BLISTER HIS AXIS
AND DO IT WITH A SNAP *

* WE GOTTA SLAP THE
DIRTY LITTLE JAP *

* UNCLE SAM IS MILD, AS
PEACEFUL AS A CHILD *

* BUT NEVER GET HIM
RILED OR YOU WILL RUE IT *

* SO NOW THEY
WANNA FIGHT *

* WELL, THEY BIT
OFF QUITE A BITE *

* AND UNCLE SAM IS
GONNA MAKE 'EM CHEW IT *

* WE'RE GONNA
HAVE TO SLAP *

* THE DIRTY
LITTLE JAP *

* AND UNCLE SAM'S THE
GUY WHO CAN DO IT *

* 'CAUSE IT REALLY
IS A PEACHER *

* WHEN HE STARTS
TO BE A TEACHER *

* WE CAN SHOW YOU
SEVERAL PUPILS WHO- *

LISTEN TO ME, YOU
GOTTA HELP ME, OKAY?

UM, I'M NOT
WHAT I SEEM.

I'M NOT THE GUY
YOU EVEN MET.

I'M POLITICAL,
VERY POLITICAL.

RADICAL, AND ALL MY
JOY IS JUST A COVER.

'CAUSE I'M UNDERGROUND.
VERY UNDERGROUND.

AND THERE'S SOMEONE
ON THIS FUCKIN' TRAIN

THAT'S A FAKE!

SO ALL YOU GOTTA
DO IS HIDE ME,

WILL YOU DO
THAT FOR ME?

I'LL HIDE IN
THE BATHROOM.

JUST TALK
TO HIM.

ARE YOU GOING TO
PUT YOUR UNIFORM ON?

YOU'RE A SOLDIER,
THEY'LL BELIEVE YOU.

WILL YOU DO
IT, BUDDY?

FALEN,
HELP ME!

WILL YOU
HELP ME?

HELP ME,
FALEN!

CAN'T DO IT.

KNOW WHY I
CAN'T DO IT?

DO YOU KNOW
WHY I CAN'T-

NO, I DON'T!

'CAUSE I DON'T
HAVE MY UNIFORM!

I WANT TO BRING
YOU BACK ALIVE, MAN.

SO I FAILED WITH
YOUR BUDDY, OKAY?

BUT I'VE BEEN
WORKING MY ASS OFF.

MY BUDDY DIED BECAUSE
OF GUYS LIKE YOU!

YOU'RE THE GUYS
THAT KILLED HIM!

YOU'RE THE GUYS
THAT KILLED HIM!

I WANT YOU OUT
IN THE HALL.

I WANT YOU OUT IN
THE HALLWAY RIGHT NOW!

YOU GOTTA GET
OUT OF HERE!

GET OUT!

GET AWAY FROM
MY DOOR, MAN!

* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

* WHEN THE YANKS
GO MARCHIN' IN *

* I WANT TO BE THERE,
BOY, SPREAD SOME JOY *

* WHEN THEY
TAKE OLD BERLIN *

* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

* WHEN THE BROOKLYN
BOYS BEGIN *

* TO TAKE THE JOINT
APART AND TEAR IT DOWN *

* WHEN THEY
TAKE OLD BERLIN *

* THEY'RE GONNA START A
ROW AND SHOW 'EM HOW *

* WE PAINT THE TOWN
BACK IN KOKOMO *

* THEY'RE GONNA TAKE A HIKE
THROUGH HITLER'S REICH *

* AND CHANGE THE "HEIL"
TO "WHAT YA KNOW, JOE?" *

* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

* WHEN THE YANKS
GO MARCHIN' IN *

* YOU COULD NEVER
KEEP 'EM HAPPY *

* DOWN ON
THE FARM *

* AFTER THEY
TAKE BERLIN *

*

* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

* WHEN THE YANKS
GO MARCHING IN *

* I WANT TO BE THERE,
BOY, SPREAD SOME JOY *

* WHEN THEY
TAKE OLD BERLIN *

* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

* WHEN THE
BROOKLYN BOYS BEGIN *

* TO TAKE THE JOINT
APART AND TEAR IT DOWN *

* WHEN THEY
TAKE OLD BERLIN *

* THEY'RE GONNA START A
ROW AND SHOW 'EM HOW *

* WE PAINT THE TOWN
BACK IN MICHIGAN *

* THEY'RE GONNA TAKE A HIKE
THROUGH HITLER'S REICH *

* AND CHANGE THE "HEIL"
TO "GIMME SOME SKIN" *

* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

* WHEN THE YANKS
GO MARCHIN' IN *

* YOU'RE NEVER GONNA
KEEP 'EM HAPPY *

* DOWN ON
THE FARM *

* AFTER THEY
TAKE BERLIN *

*

* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

* WHEN THE YANKS
GO MARCHIN' IN *

* I WANT TO BE THERE,
BOY, SPREAD SOME JOY *

* WHEN THEY
TAKE OLD BERLIN *

* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

* WHEN THE BROOKLYN
BOYS BEGIN *

* TO TAKE THE JOINT
APART AND TEAR IT DOWN *

* WHEN THEY
TAKE BERLIN *

* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

* WHEN THE YANKS
GO MARCHING IN *

* YOU COULD NEVER
KEEP 'EM HAPPY *

* DOWN ON
THE FARM *

* A LIFE OF EASE
WOULD NEVER PLEASE *

* THEY SHUDDER
WITH ALARM *

* YOU KNOW YOU COULDN'T
KEEP 'EM HAPPY *

* DOWN ON
THE FARM *

* AFTER THEY TAKE
BERLI-I-I-I-N. *

HE'S ALL
YOURS NOW.

OH, GOOD. WE'RE
FINALLY MOVING.

WHERE ARE
WE, ANYWAY?

(VARIOUS
CONVERSATIONS)

(VARIOUS
CONVERSATIONS)

(VARIOUS
CONVERSATIONS)

DON'T THINK YOU'VE
AFFECTED THE SUBJECT

OR SOMETHING LIKE
THAT BUT, YOU SEE,

I HAVE THIS THING
ABOUT SNEEZING.

YOU KNOW WHAT I
DO FOR A LIVING?

WHAT?

I WORK FOR
THE GOVERNMENT.

THERE'S A TREMENDOUS
SEXUAL RELATIONSHIP

BETWEEN SNEEZING AND
ORGASMS ALTOGETHER.

DON'T YOU
KNOW THAT?

WHY DON'T YOU LOOK AT
ME WHEN I TALK TO YOU?

I'M LOOKING
AROUND...

SURE, YOU'RE LOOKING
AROUND THERE,

BUT THAT'S WHAT I DO.
I'M THE GOVERNMENT MAN.

BUT THAT'S NOT
WHAT I LOVE TO DO,

I LOVE TO SELL
THE LAND.

ALL THE REST IS BULLSHIT
BUT IT MAKES ME A LIVING.

YOU CAN'T PUT
THAT DOWN, CAN YOU?

I'D RATHER HAVE AN
ORGASM THAN SNEEZE.

BUT I'M QUESTIONING
HOW GOOD YOUR ORGASMS

CAN BE UNDER THOSE
CIRCUMSTANCES.

I'M THE
GOVERNMENT MAN!

LISTEN TO 'EM
LAUGHING.

YOU LIKE TO
LAUGH

GENE, YOU'RE
MY FRIEND...

BULLSHIT!

YOU'RE NOT
MY FRIEND.

I AM YOUR
FRIEND.

MORNING.

MORNING.

WE'RE ARRIVING
IN 15 MINUTES,

WE'LL HAVE A THREE AND
A HALF HOUR LAYOVER.

HAVE A
BEAUTIFUL DAY.

CHLOE?

WHAT?

WE'RE CHANGING
TRAINS NOW.

I'M STAYING ON
THE TRAIN WITH HIM.

I'M NOT GOING TO YOUR
PARENTS' HOUSE ANYMORE.

WHAT?

I'M STAYING ON
THE TRAIN WITH HIM.

AFTER WHAT HAPPENED
WITH MARK AND EVERYTHING?

YOU CAN'T
DO THAT.

DON'T YOU JUST WANT
TO GET OUT OF HERE?

I'M REALLY
SCARED.

COME ON, PLEASE?

PLEASE DON'T STAY
WITH HIM, PLEASE?

I DON'T WANT
YOU TO GO.

PLEASE DON'T GO.

PLEASE

I CAN'T, CHLOE.

I JUST WANT TO GIVE HIM
SOMETHING NICE JUST ONCE.

HE'S HAD NOTHING NICE
IN HIS WHOLE LIFE,

DON'T YOU
UNDERSTAND?

NO! NO...

NOW WHAT ARE YOU
WORRIED ABOUT?

DON'T YOU KNOW
THAT EVERYTHING'S

GOING TO BE
JUST FINE?

YOU'RE GOING TO FORGET
THIS IN NO TIME FLAT.

MY GOOD HEAVENS.

I'VE SEEN THIS HAPPEN
TO SO MANY PEOPLE AND

SOME OF THEM CAN'T TAKE
IT BUT YOU CAN TAKE IT.

I CAN SEE IT
RIGHT IN YOUR EYES.

YOU'RE A COURAGEOUS
LITTLE BOY

AND YOU'VE NOTHING TO
WORRY ABOUT, BELIEVE ME.

THEY'RE GONNA
FUCKIN' GET YOU AND

THEY'RE GONNA BEAT THE
FUCKIN' SHIT OUTTA YOU

FOR WHAT
YOU'VE DONE!

'CAUSE THEY KNOW
WHAT YOU'VE DONE!

YOU WANT
SOMETHING TO EAT?

CAN I GET YOU
SOMETHING?

WATCH
YOURSELF.

NO, REALLY.
WATCH YOURSELF.

THERE ARE DANGERS - MANY,
MANY, MANY, MANY DANGERS

AND YOU HAVE
BEEN BAD.

YES, YOU
HAVE BEEN BAD.

YOU MUST NOT BE BAD OR
THERE WILL BE TROUBLE -

TERRIBLE, TERRIBLE,
TERRIBLE TROUBLE.

YOU CAN BE HURT
BADLY, BADLY, BADLY HURT!

YOU CAN REALLY BE
MANGLED IN THIS LIFE.

THERE ARE THINGS
THAT HAPPEN TO PEOPLE

THAT YOU
DON'T YET KNOW

BECAUSE YOU ARE TOO
YOUNG TO UNDERSTAND

HOW PEOPLE KICK
YOU AND SUCK YOU

AND BLEED YOU AND
WANT TO KILL YOU!

LET ME STUDY THE
POSITION, THEN.

YOU KEEP GOING
BACK TO "POSITION".

I'LL PLAY CHECKERS IF YOU
WANT TO PLAY FOR MONEY.

HI GENE.

SERGEANT,
HOW ARE YA?

IT WILL BE
ALRIGHT.

WHY DON'T YOU SIT DOWN,
HAVE A DRINK WITH ME?

SIT DOWN,
WILL YA?

YOU KNOW, I SIT HERE
AND I LOOK AT THIS LAND

AND NOBODY IN
THEIR RIGHT MIND

SHOULD BE
WITHOUT THEIR OWN-

WASN'T SOMEBODY
SITTING HERE?

JUST NOW,
YOU MEAN?

THE CHESS
PLAYER, EMIL.

EMIL? I DON'T
KNOW ANY EMIL.

YOUR
FRIEND, EMIL.

I DON'T KNOW
ANY EMIL,

I DON'T KNOW ANY
CHESS PLAYER.

I KNEW A GUY ONCE, I
SOLD HIM SOME LAND.

HIS NAME WAS EMIL BUT
HE'S NOT ON THIS TRAIN.

YOU ALRIGHT?

(WATCH OUT,
SERGEANT)

CAN I GET YOU
GUYS A DRINK?

A COUPLE
OF BEERS.

ANY PARTICULAR
KIND?

I DON'T CARE, I
JUST WANT SOME BEER.

ARE YOU
ALRIGHT NOW?

CAN WE TALK SERIOUSLY
FOR A MINUTE?

TAKE A LOOK
OUT THE WINDOW.

YEAH, I
PLAY CHESS.

I DON'T
PLAY CHESS.

NOW WOULD YOU LOOK
OUT THE WINDOW

AND SEE WHAT'S
GOING BY?

AT THE TOP OF THE
HILL YOU SEE HOMES,

YOU SEE LAND,
YOU SEE BEAUTY-

THAT WAS HIS
LAST NAME, CHARLOT.

EMIL CHARLOT.

A GUY I KNEW
BACK HOME.

(THAT'S YOUR
LIFE, JACK)

(THAT'S YOUR
LIFE OUT THERE)

(I'MA MAKE IT
HAPPEN FOR YOU)

(I'M GONNA GET YOU
YOUR OWN HOME)

* DON'T GIVE OUT WITH
THOSE LIPS OF YOURS *

* TO ANYONE
ELSE BUT ME *

* ANYONE ELSE BUT ME
ANYONE ELSE BUT ME *

* NO, NO, NO

* WATCH THE GIRLS
ON FOREIGN SHORES *

* YOU HAVE TO
REPORT TO ME *

* WHEN YOU COME
MARCHING HOME *

* DON'T HOLD ANYONE
ON YOUR KNEE *

* YOU BETTER BE
TRUE TO ME *

* BETTER BE TRUE TO ME
BETTER BE TRUE TO ME *

I'D LIKE TO
BE SOME PLACE

REALLY BEAUTIFUL
WITH YOU.

I'D LIKE...

THERE'S A PLACE A COUPLE
OF HOURS AWAY FROM HERE

THAT I WENT TO WHEN
I WAS A LITTLE GIRL

WITH MY FAMILY.

IT'S THIS
BEAUTIFUL PARK

WITH LOTS OF
TREES, BIRDS...

I THINK I CAN REMEMBER,
IT WAS A LONG TIME AGO.

ARE YOU ASKING ME IF
I'D GET OFF THE TRAIN?

(LISTEN TO ME,
JACK. WATCH OUT)

I JUST HAVE TO BE
THERE BY MONDAY.

I COULD TAKE
A DAY OFF.

YOU WANT TO TAKE A
DAY OFF WITH ME?

SURE.

OH...YEAH.

(DO YOURSELF
A FAVOR, JACK)

MARK CAME TO
ME FOR HELP.

I COULDN'T
HELP HIM.

WHAT ARE YOU
TALKING ABOUT?

GUYS LIKE THAT, IN WAR,
HAVE TO BE SACRIFICED.

MARK CAME TO ME FOR
HELP AND I COULDN'T...

I COULDN'T
HELP HIM.

I'M ON A VERY
IMPORTANT MISSION.

GUYS LIKE THAT HAVE
TO BE SACRIFICED.

NO MATTER HOW
MUCH YOU LIKE 'EM.

I'M ON A VERY
IMPORTANT MISSION!

YOU'RE CRAZY!

GET AWAY
FROM ME!

YOU'RE CRAZY!
YOU'RE CRAZY!

IT'S GUYS LIKE THAT,
EVEN IF YOU LIKE 'EM,

IT'S GUYS LIKE
THAT, IN A WAR...

THEY HAVE TO
BE SACRIFICED.

* THE WARM AND
LOVELY WORLD WE KNEW *

* HAS BEEN STRUCK
BY A BITTER FROST *

* BUT MY SISTER AND I
RECALL WITH A SIGH *

* THE WORLD WE KNEW
AND LOVED AND LOST *

* MY SISTER AND I
REMEMBER STILL *

* A TULIP GARDEN BY
AN OLD DUTCH MILL *

* AND THE HOME THAT
WAS ALL OUR OWN UNTIL *

* BUT WE DON'T
TALK ABOUT THAT *

* MY SISTER AND I
RECALL ONCE MORE *

* THE FISHING SCHOONERS
PULLING INTO SHORE *

* AND THE DOG-CART WE
DROVE IN DAYS BEFORE *

* BUT WE DON'T
TALK ABOUT THAT *

* WE'RE LEARNING
TO FORGET THE FEAR *

* THAT CAME FROM
A TROUBLED SKY *

* WE'RE ALMOST
HAPPY OVER HERE *

* BUT SOMETIMES WE
WAKE AT NIGHT AND CRY *

* MY SISTER AND I
RECALL THE DAY *

* WE SAID GOODBYE
AND THEN SAILED AWAY *

* AND WE THINK OF OUR
FRIENDS WHO HAD TO STAY *

* BUT WE DON'T
TALK ABOUT THAT *

I THOUGHT THERE'D
BE A PARADE HERE -

NOT A PARADE, I
THOUGHT THERE'D BE

A BAND, OR
PEOPLE HERE.

DIDN'T YOU GET
THE TELEGRAM?

THIS MAN'S
A WAR HERO.

NO, SIR,
I DIDN'T.

WHAT TIME IS
THE FUNERAL?

THE FUNERAL'S
AT 4:00, SIR.

YOU TOLD ME TO
ARRANGE IT AT 4:00.

I'D LIKE TO SYNCHRONIZE
OUR WATCHES, PLEASE.

I DON'T
HAVE ONE.

WHAT TIME DO
YOU HAVE?

I KEEP MINE FIVE
MINUTES AHEAD

BUT I'VE
GOT 10:05.

FOUR O'CLOCK...

THE OTHER
SIDE OF TOWN,

HALF A MILE
DOWN THIS ROAD-

LISTEN, WHEN YOU
MOVE THIS COFFIN

YOU KEEP THE
STARS IN FRONT.

YES, SIR.

THIS MAN'S
A HERO,

I WANT HIM
TREATED LIKE ONE.

YES, SIR.

I'LL TAKE A WALK AND
SEE YOU AT THE CEMETERY.

*

* SOME DAY WHEN
I'M AWFULLY LOW *

* WHEN THE
WORLD IS COLD *

* I WILL FEEL A GLOW
JUST THINKING OF YOU *

* AND THE WAY
YOU LOOK TONIGHT *

* OH, BUT
YOU'RE LOVELY *

* WITH YOUR
SMILE SO WARM *

* AND YOUR
CHEEK SO SOFT *

* THERE IS NOTHING FOR
ME BUT TO LOVE YOU *

* JUST THE WAY
YOU LOOK TONIGHT *

* WITH EACH WORD YOUR
TENDERNESS GROWS *

* TEARING MY
FEAR APART *

* AND THAT LAUGH THAT
WRINKLES YOUR NOSE *

* TOUCHES MY
FOOLISH HEART *

* LOVELY, NEVER,
NEVER CHANGE *

* KEEP THAT
BREATHLESS CHARM *

* WON'T YOU PLEASE
ARRANGE IT *

* 'CAUSE I
LOVE YOU *

* JUST THE WAY
YOU LOOK TONIGHT *

*

*

*

*

*

* 'CAUSE I
LOVE YOU *

* JUST THE WAY YOU
LOOK TONIGHT *

* JUST THE WAY
YOU LOOK TONIGHT *

HE'S THE BIGGEST HERO
THAT'S EVER BEEN HERE.

NO ONE
SHOWED UP.

NO ONE.

LET'S JUST
LOWER IT, OKAY?

LET'S
LOWER IT.

NO ONE
SHOWED UP.

DO YOU MIND IF
I HAVE A MOMENT

ALONE WITH
MY FRIEND?

IT'S NOT
PROCEDURE-

I WANT TO BE
ALONE WITH MY FRIEND.

I HAVE SOME THINGS I
HAVE TO TAKE CARE OF.

JUST BETWEEN MY
FRIEND AND ME.

I WANT YOU
TO LEAVE.

PLEASE!

GIVE ME AN HOUR!
GIVE ME AN HOUR!

I HAVE THINGS
I HAVE TO DO.

A LOT OF THINGS
I HAVE TO DO.

A LOT
OF THINGS...

A LOT OF
THINGS I LOVE...

I LOVE...

I LOVE...

I REALLY LOVE...

I REALLY DO LOVE
I REALLY DO LOVE..

I LOVE... I
LOVE... I LOVE...

AND I HATE AND
I HATE AND I HATE

AND THE GUYS I LOVE
'CAUSE I LOVE I HATE!

'CAUSE I
LOVE I HATE!

'CAUSE I LOVE!
'CAUSE I LOVE!

YOU MOTHERFUCKERS!

YOU MOTHERFUCKERS!

YOU
MOTHERFUCKERS!

YOU MOTHERFUCKERS!

TCB, TAKE CARE
OF BUSINESS, TCB.

OKAY, WE KNOW
YOU'RE STONED ON WEED.

WE KNOW
WHERE WE ARE.

OKAY, OKAY.

ALRIGHT...

LET'S COOL
DOWN HERE.

YOU DIDN'T JUST BE IN THE
ARMY FOR NOTHIN', MISTER.

THEY SEND YOU TO
'NAM, DON'T THEY?

THEY SEND
YOU THERE.

YOU WANT TO
GO TO 'NAM.

YOU WANT TO
GO TO 'NAM?

I'LL TAKE YOU TO 'NAM!
I'LL TAKE YOU TO 'NAM!

YOU WANT TO
GO TO 'NAM?!

YOU WANT TO GO
TO 'NAM?!

YOU WANT TO
GO THERE?!

I'LL TAKE
YA THERE!

YOU WANNA GO TO 'NAM?
YOU WANNA GO TO 'NAM?

I'LL TAKE YOU TO 'NAM!
I'LL TAKE YOU TO 'NAM!

YOU WANNA GO TO 'NAM?!
YOU WANNA GO TO 'NAM?!

*

* THERE'S A STAR SPANGLED
BANNER WAVING SOMEWHERE *

* IN A DISTANT LAND
SO MANY MILES AWAY *

* ONLY UNCLE SAM'S GREAT
HEROES GET TO GO THERE *

* WHERE I WISH THAT I
COULD ALSO LIVE SOME DAY *

* I'D SEE LINCOLN, CUSTER,
WASHINGTON AND PERRY *

* NATHAN HALE AND
COLIN KELLY TOO *

* THERE'S A SPANGLED
BANNER WAVING SOMEWHERE *

* WAVING O'ER THE LAND OF
HEROES BRAVE AND TRUE *

*

* IN THIS WAR WITH ITS MAD
SCHEMES OF DESTRUCTION *

* OF A COUNTRY FAIR
AND OUR SWEET LIBERTY *

* BY THE MAD DICTATOR
LEADERS OF CORRUPTION *

* CAN'T THE US USE A
MOUNTAIN BOY LIKE ME? *

* GOD GAVE ME THE RIGHT
TO BE A FREE AMERICAN *

* FOR THAT PRECIOUS
RIGHT I'D GLADLY DIE *

* THERE'S A STAR SPANGLED
BANNER WAVING SOMEWHERE *

* THAT IS WHERE I WANT
TO LIVE WHEN I DIE *

*

* IF I DO SOME GREAT
DEED I WILL BE A HERO *

* AND A HERO BRAVE IS
WHAT I WANT TO BE *

* THERE'S A STAR SPANGLED
BANNER WAVING SOMEWHERE *

* IN THAT HEAVEN THERE
SHOULD BE A PLACE FOR ME *