Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:16,367 --> 00:01:19,397
( horns honking )
2
00:01:22,200 --> 00:01:24,630
( chattering )
3
00:01:47,633 --> 00:01:49,833
( whistles )
4
00:02:14,800 --> 00:02:17,230
( phone ringing )
5
00:02:17,233 --> 00:02:20,433
Recording:
This is Precious Ramotswe.
6
00:02:20,433 --> 00:02:23,973
Please leave a message
after the tone.
7
00:02:23,967 --> 00:02:25,297
( beeps )
8
00:02:25,300 --> 00:02:29,170
( trumpet
playing jazz )
9
00:02:39,867 --> 00:02:42,167
( jazz continues )
10
00:02:47,033 --> 00:02:49,103
KEEP TOMORROW FREE.
11
00:02:49,100 --> 00:02:52,230
AN OLD FRIEND WILL
BE COMING TO SEE YOU.
12
00:02:53,900 --> 00:02:56,730
( theme music playing )
13
00:03:14,700 --> 00:03:16,870
Rose:
AH, YOU ARE
UP AT LAST.
14
00:03:16,867 --> 00:03:19,227
IF THERE IS ONE THING
A MAN CANNOT STAND,
15
00:03:19,233 --> 00:03:20,773
IT IS CHANGE.
16
00:03:20,767 --> 00:03:23,567
AND RRA MATEKONI
IS NO DIFFERENT.
17
00:03:23,567 --> 00:03:25,327
( door closes )
18
00:03:25,333 --> 00:03:28,033
( water running )
19
00:03:28,033 --> 00:03:29,933
( water stops )
20
00:03:29,934 --> 00:03:33,234
YOU ARE LOOKING ROUND
HIS HOUSE FIRST.
21
00:03:33,233 --> 00:03:35,333
MAKE NO PROMISES.
22
00:03:35,333 --> 00:03:37,603
MAKE NO CONCESSIONS.
23
00:03:37,600 --> 00:03:39,630
AND WHEN HE COMES HERE,
24
00:03:39,633 --> 00:03:42,133
WE WILL BOWL HIM OVER
WITH DELIGHT.
25
00:03:42,133 --> 00:03:43,233
BOWL HIM OVER?
26
00:03:43,233 --> 00:03:45,433
ALL HIS FAVORITE FOODS
IN ONE HUGE SPREAD.
27
00:03:45,433 --> 00:03:48,733
HE WILL NOT BE ABLE
TO SAY NO.
28
00:03:53,333 --> 00:03:55,533
THERE WILL BE ONLY
ONE ANSWER TO THE QUESTION
29
00:03:55,533 --> 00:03:58,103
OF WHERE THE TWO OF YOU
SHOULD LIVE--
30
00:03:58,100 --> 00:04:00,630
#5 ZEBRA DRIVE!
31
00:04:01,900 --> 00:04:04,400
NOW LET ME GET ON.
32
00:04:17,767 --> 00:04:20,567
- SHE IS LATE.
- I AM NOT LATE!
33
00:04:20,567 --> 00:04:22,397
I AM NEVER LATE.
34
00:04:22,400 --> 00:04:24,500
I HAVE NEVER BEEN LATE
AND I NEVER WILL BE.
35
00:04:24,500 --> 00:04:26,000
I MEANT YOUR BOSS.
36
00:04:26,000 --> 00:04:29,070
SHE IS NOT LATE.
37
00:04:30,467 --> 00:04:34,327
SHE IS
OTHERWISE ENGAGED.
38
00:04:40,900 --> 00:04:43,070
( Mma Makutsi screams )
39
00:04:47,066 --> 00:04:50,866
Man on radio:
...top trumpet player,
Note Mokoti...
40
00:04:50,867 --> 00:04:53,567
FLORENCE, YOU'RE SUPPOSED
TO BE TIDYING THE HOUSE.
41
00:04:53,567 --> 00:04:55,667
MMA RAMOTSWE WILL
BE HERE ANY MINUTE!
42
00:04:55,667 --> 00:04:58,127
WHY ALL THE FUSS?
SHE HAS BEEN HERE BEFORE.
43
00:04:58,133 --> 00:04:59,933
THAT WAS DIFFERENT.
44
00:04:59,934 --> 00:05:01,304
HOW?
45
00:05:01,300 --> 00:05:04,370
BECAUSE...
46
00:05:07,000 --> 00:05:11,430
JUST GET THIS PLACE TIDY,
AND QUICK!
47
00:05:12,567 --> 00:05:14,467
SURE.
48
00:05:21,000 --> 00:05:23,000
SO THE CHALK,
THE CAKE TIN--
49
00:05:23,000 --> 00:05:25,100
THE COLORED CHALK;
NOT THE WHITE.
50
00:05:25,100 --> 00:05:27,230
THE CAKE TIN
AND THE CAKE!
51
00:05:27,233 --> 00:05:31,003
SO THE COLORED CHALK,
THE CAKE TIN AND THE CAKE.
52
00:05:31,000 --> 00:05:33,000
PETTY CASH?
53
00:05:38,433 --> 00:05:40,233
( key rattles )
54
00:05:43,166 --> 00:05:44,966
STILL THERE.
55
00:05:44,967 --> 00:05:47,767
SO THE THIRD BREAK-IN
AND THERE'S NO CASH STOLEN?
56
00:05:49,934 --> 00:05:52,174
MY BANANA STAPLER!
57
00:05:52,166 --> 00:05:53,866
SORRY--
YOUR BANANA WHAT?
58
00:05:53,867 --> 00:05:57,167
MY STAPLER,
SHAPED LIKE A--
59
00:05:57,166 --> 00:05:59,496
MY DIPLOMA.
60
00:06:01,633 --> 00:06:04,433
MY 97%...
61
00:06:05,400 --> 00:06:07,900
VANDALS! ANIMALS!
62
00:06:07,900 --> 00:06:11,330
WHO WOULD DO
A THING LIKE THIS?
63
00:06:11,333 --> 00:06:13,133
( glass rattles )
64
00:06:15,767 --> 00:06:18,197
YOU'D BETTER TELL
MMA RAMOTSWE.
65
00:06:18,200 --> 00:06:20,230
SHE IS NOT TO
BE DISTURBED.
66
00:06:20,233 --> 00:06:22,033
EVEN FOR THIS?
67
00:06:22,033 --> 00:06:25,533
SHE HAS A BIG
DECISION TO MAKE.
68
00:06:31,200 --> 00:06:32,800
- DUMELA.
- DUMELA, RRA.
69
00:06:32,800 --> 00:06:34,230
( laughs )
70
00:06:38,133 --> 00:06:41,933
WHAT DOES SHE DO
FOR HER MONEY,
THIS MAID OF YOURS?
71
00:06:43,133 --> 00:06:45,273
( flies buzzing )
72
00:06:50,233 --> 00:06:51,903
MMA.
73
00:06:51,900 --> 00:06:54,000
THAT MOP IS DRY.
74
00:07:07,600 --> 00:07:09,470
( laughs )
75
00:07:18,166 --> 00:07:20,596
THIS IS A VERY FINE ROOM.
76
00:07:20,600 --> 00:07:23,570
IT'S IMPORTANT TO HAVE
A SPECIAL ROOM
77
00:07:23,567 --> 00:07:24,897
FOR IMPORTANT VISITORS.
78
00:07:24,900 --> 00:07:28,930
DO YOU HAVE MANY
IMPORTANT VISITORS, RRA?
79
00:07:28,934 --> 00:07:30,874
I HAVE ONE TODAY.
80
00:07:33,834 --> 00:07:35,334
PLEASE LEAD ON.
81
00:07:37,967 --> 00:07:41,567
- THAT WAY?
- THAT IS THE NOT-SO-TIDY
PART OF THE HOUSE.
82
00:07:41,567 --> 00:07:43,497
OH!
83
00:07:56,533 --> 00:07:59,433
AHH, IT'S--
84
00:08:17,166 --> 00:08:18,896
MMA?
85
00:08:18,900 --> 00:08:20,530
AHEM,
FLORENCE?
86
00:08:20,533 --> 00:08:22,373
AHH SORRY, RRA.
87
00:08:22,367 --> 00:08:24,797
I DIDN'T HEAR YOU.
I WAS JUST TOO BUSY.
88
00:08:24,800 --> 00:08:26,570
THERE IS CERTAINLY
MUCH TO DO.
89
00:08:26,567 --> 00:08:28,367
THERE CERTAINLY IS.
YES.
90
00:08:28,367 --> 00:08:30,667
A HOUSE THIS DIRTY
NEEDS A LOT OF WORK.
91
00:08:30,667 --> 00:08:32,667
AND WHO ARE YOU TO SAY
THAT THIS HOUSE IS DIRTY?
92
00:08:32,667 --> 00:08:34,967
I HAVE SEEN FOR MYSELF
WHAT GOES ON HERE.
93
00:08:34,967 --> 00:08:36,567
LISTEN, MMA,
94
00:08:36,567 --> 00:08:39,227
NOW I HAVE WORKED FOR
THIS MAN FOR MANY YEARS.
95
00:08:39,233 --> 00:08:41,373
I HAVE COOKED FOR HIM,
I HAVE CLEANED
96
00:08:41,367 --> 00:08:43,397
AND I HAVE FED HIM
GOOD FOOD.
97
00:08:43,400 --> 00:08:44,730
HA!
98
00:08:45,667 --> 00:08:46,997
GOOD FOOD?
99
00:08:47,000 --> 00:08:49,030
WHO DOES SHE THINK
SHE IS,
100
00:08:49,033 --> 00:08:51,173
COMING INTO MY KITCHEN
AND SAYING ALL THESE THINGS?
101
00:08:51,166 --> 00:08:53,726
I AM HIS FIANCEE.
102
00:08:57,200 --> 00:09:00,330
FIANCEE?
103
00:09:00,333 --> 00:09:02,233
WITHOUT A WORD
TO ME?
104
00:09:02,233 --> 00:09:05,573
YOU CANNOT MARRY HER!
SHE WILL KILL YOU.
105
00:09:05,567 --> 00:09:07,767
SHE'S A GOOD WOMAN,
FLORENCE.
106
00:09:07,767 --> 00:09:09,927
AND IF YOU LIKE,
107
00:09:09,934 --> 00:09:11,404
WE CAN FIND YOU
ANOTHER JOB.
108
00:09:11,400 --> 00:09:14,130
- WHAT?
- MY COUSIN RUNS A HOTEL
NEAR THE BUS STATION.
109
00:09:14,133 --> 00:09:15,773
I AM NOT
A BUS-STATION MAID!
110
00:09:15,767 --> 00:09:18,797
- I'M A HIGH-CLASS MAID!
- YOU ARE A HIGH-CLASS CHEAT--
111
00:09:18,800 --> 00:09:21,570
ALL TALK
AND NO WORK.
112
00:09:21,567 --> 00:09:23,727
SHE WILL BREAK YOUR BED.
113
00:09:23,734 --> 00:09:26,574
YOU WILL DIE. THIS IS
GOING TO BE THE END FOR YOU.
114
00:09:26,567 --> 00:09:29,327
NO, MMA, THIS IS
THE END FOR YOU.
115
00:09:31,233 --> 00:09:34,273
I WILL NOT GET PUSHED OUT
116
00:09:34,266 --> 00:09:37,026
BY THIS BED-BREAKER.
117
00:09:37,900 --> 00:09:40,230
FINE.
I WILL GO HOME.
118
00:09:40,233 --> 00:09:43,073
'MORROW
I WILL BE BACK.
119
00:09:43,066 --> 00:09:46,496
NNYAA!
I AM FLORENCE--
FLORENCE PEKO.
120
00:09:46,500 --> 00:09:49,700
I WILL SHOW YOU!
( shouts in Setswana )
WHERE'S MY BAG?
121
00:09:49,700 --> 00:09:51,100
WHERE ARE MY CIGARETTES?
122
00:09:51,100 --> 00:09:53,770
( speaks Setswana )
123
00:09:53,767 --> 00:09:55,467
HA!
124
00:09:56,367 --> 00:09:57,927
( door opens, slams )
125
00:09:57,934 --> 00:10:00,074
( phone ringing )
126
00:10:04,433 --> 00:10:07,333
I APOLOGIZE ON BEHALF
OF MY BAD-TEMPERED MAID.
127
00:10:07,333 --> 00:10:10,303
( ringing continues )
128
00:10:11,700 --> 00:10:13,670
ANSWER YOUR PHONE.
129
00:10:13,667 --> 00:10:16,227
THEN YOU WILL VISIT
MY HOUSE.
130
00:10:22,300 --> 00:10:24,070
HELLO?
131
00:10:24,066 --> 00:10:26,326
EE, MMA,
MMA POTOKWANE.
132
00:10:26,333 --> 00:10:28,633
EE, MMA,
THE PUMP.
133
00:10:28,633 --> 00:10:30,973
I SEE.
134
00:10:30,967 --> 00:10:33,897
- AGAIN?
- ( sighs )
135
00:10:33,900 --> 00:10:37,430
I'LL FIX THE PUMP AND
COME STRAIGHT TO YOUR HOUSE.
136
00:10:46,033 --> 00:10:47,973
PLEASE BE AS QUICK
AS YOU CAN.
137
00:10:47,967 --> 00:10:49,427
OKAY.
138
00:10:51,100 --> 00:10:54,070
INTRUDER ENTERS
PREMISES
139
00:10:54,066 --> 00:10:56,766
BY BREAKING WINDOW--
140
00:10:56,767 --> 00:11:00,697
INTRUDER OR INTRUDERS.
141
00:11:00,700 --> 00:11:04,400
HE/SHE-- THEY--
142
00:11:04,400 --> 00:11:08,300
THEN MAKE ASSESSMENT
OF VALUABLES
143
00:11:08,300 --> 00:11:11,530
AND MAKE OFF WITH
COLORED CHALK,
144
00:11:11,533 --> 00:11:14,203
CAKE TIN, CAKE...
145
00:11:15,433 --> 00:11:17,603
AND BANANA STAPLER...
146
00:11:21,400 --> 00:11:25,600
LEAVING MMA RAMOTSWE'S
DESK UNTOUCHED.
147
00:11:27,000 --> 00:11:29,870
( china clattering )
148
00:11:29,867 --> 00:11:31,867
SMASHING TEACUP
149
00:11:31,867 --> 00:11:34,097
IN FRUSTRATION...
150
00:11:34,100 --> 00:11:38,300
AND DIPLOMA IN ENVY.
151
00:11:44,900 --> 00:11:47,100
( all screaming )
152
00:11:47,100 --> 00:11:49,630
I TOLD YOU
HE WOULD COME.
153
00:12:00,066 --> 00:12:02,826
( all calling out )
154
00:12:03,800 --> 00:12:05,870
SHARE THEM WITH
EVERYONE, EH?
155
00:12:05,867 --> 00:12:08,167
IT IS MAKING
A VERY STRANGE NOISE--
156
00:12:08,166 --> 00:12:10,826
NOT LIKE THE STRANGE NOISES
IT HAS MADE BEFORE--
157
00:12:10,834 --> 00:12:13,404
LIKE AN ELEPHANT
WHEN IT TRUMPETS
158
00:12:13,400 --> 00:12:15,030
AND SHAKING LIKE A DOG.
159
00:12:15,033 --> 00:12:17,173
THE PUMP IS GETTING
VERY OLD NOW, MMA.
160
00:12:17,166 --> 00:12:19,066
MACHINERY DOESN'T
LAST FOREVER.
161
00:12:19,066 --> 00:12:21,566
THE CHILDREN NEEDS SHOES;
THEY NEED CLOTHES.
162
00:12:21,567 --> 00:12:25,427
I HAVE TO PAY FOR THE STUFF.
THERE'S NO MONEY FOR
A NEW PUMP.
163
00:12:25,433 --> 00:12:27,773
YOU AND THIS PUMP
ARE VERY OLD FRIENDS.
164
00:12:27,767 --> 00:12:30,297
BUT ONE DAY YOU'LL HAVE TO
WRITE A LETTER TO THE BRITISH:
165
00:12:30,300 --> 00:12:33,600
"DEAR BRITISH, HERE IS YOUR
PUMP WHICH YOU LEFT IN AFRICA.
166
00:12:33,600 --> 00:12:36,170
IT'S FINISHED NOW.
PLEASE COME AND PICK IT UP.
167
00:12:36,166 --> 00:12:37,396
THANK YOU."
168
00:12:37,400 --> 00:12:39,600
ONE DAY, RRA,
BUT NOT TODAY.
169
00:12:41,266 --> 00:12:43,096
AY, AHH.
170
00:12:44,600 --> 00:12:46,770
( sighs )
171
00:12:46,767 --> 00:12:49,767
- YOU KNOW, MMA--
- I HEAR YOU ARE ENGAGED
TO BE MARRIED.
172
00:12:49,767 --> 00:12:52,667
ONE OF OUR HOUSE MOTHERS
LIVES ACROSS THE ROAD
173
00:12:52,667 --> 00:12:54,927
FROM THE COUSIN OF
MMA RAMOTSWE'S BUTCHER.
174
00:12:56,233 --> 00:12:59,373
- YES.
- OH, CONGRATULATIONS, RRA.
175
00:12:59,367 --> 00:13:01,597
( chuckling )
176
00:13:01,600 --> 00:13:03,000
THANK YOU, MMA.
177
00:13:03,000 --> 00:13:05,800
- SHE'S A BEAUTIFUL LADY.
- SHE IS.
178
00:13:05,800 --> 00:13:10,030
AND YOU'LL BE NEEDING
A BEAUTIFUL BIG DIAMOND RING.
179
00:13:10,033 --> 00:13:11,603
MMM!
180
00:13:15,967 --> 00:13:19,267
( car approaching )
181
00:13:21,300 --> 00:13:23,300
( door closing )
182
00:13:23,300 --> 00:13:26,900
MMA, WHERE IS RRA MATEKONI?
IS HE NOT COMING?
183
00:13:26,900 --> 00:13:29,500
HE IS FIXING THE PUMP
AT THE ORPHANAGE.
184
00:13:29,500 --> 00:13:32,070
HE WILL BE HERE
VERY SOON.
185
00:13:32,066 --> 00:13:34,026
WHEW.
186
00:13:34,033 --> 00:13:37,033
JUST TIME FOR YOU
TO SMARTEN UP.
187
00:13:37,033 --> 00:13:40,073
ROSE, I AM
SMART ALREADY.
188
00:13:40,066 --> 00:13:42,426
NOW PLEASE GO BACK
TO WHAT YOU WERE DOING.
189
00:13:44,967 --> 00:13:46,167
( beeps )
190
00:13:46,166 --> 00:13:49,296
( jazz playing )
191
00:13:55,800 --> 00:13:57,900
Rra Buthelezi:
Leave tomorrow free.
192
00:13:57,900 --> 00:14:00,100
An old friend will
be coming to see you.
193
00:14:01,567 --> 00:14:03,467
ROSE?
194
00:14:03,467 --> 00:14:05,267
I AM NOT FEELING WELL.
YOU MUST GO.
195
00:14:05,266 --> 00:14:07,696
- BUT THE FOOD?
- I WILL DEAL WITH IT.
196
00:14:07,700 --> 00:14:09,500
THERE ARE STILL PANS
ON THE STOVE.
197
00:14:09,500 --> 00:14:10,970
I WILL TURN THEM OFF.
198
00:14:10,967 --> 00:14:13,697
WHAT IS IT?
WHAT HAPPENED?
199
00:14:13,700 --> 00:14:15,430
WE MUST BOWL HIM OVER.
200
00:14:15,433 --> 00:14:17,973
WE WILL BOWL HIM OVER
ANOTHER DAY.
201
00:14:23,000 --> 00:14:24,570
OH!
202
00:14:31,667 --> 00:14:33,727
NOTE! NOTE?
203
00:14:33,734 --> 00:14:35,704
Woman:
THERE WAS A CALL
FOR YOU, BOSS--
204
00:14:35,700 --> 00:14:38,530
A MR. PATEL
FROM KGALE HILL.
205
00:14:38,533 --> 00:14:40,603
THERE'S BEEN
ANOTHER BREAK-IN.
206
00:14:42,467 --> 00:14:44,267
- NOTE?
- ( grumbles )
207
00:14:44,266 --> 00:14:46,766
HE IS NOT
A MORNING PERSON.
208
00:14:50,600 --> 00:14:52,900
WHERE'S THE PHONE?
209
00:14:55,533 --> 00:14:57,633
( whirring )
210
00:15:05,433 --> 00:15:06,933
( wheels stop )
211
00:15:06,934 --> 00:15:08,904
( tires squeaking )
212
00:15:16,000 --> 00:15:18,030
MY NAME IS
MOTHOLELI, RRA.
213
00:15:18,033 --> 00:15:20,103
I HAVE BROUGHT YOU
SOME WATER.
214
00:15:20,100 --> 00:15:21,300
THANK YOU.
215
00:15:21,300 --> 00:15:23,400
FIXING THIS THING
IS HARD WORK.
216
00:15:23,400 --> 00:15:25,500
WERE THE CYLINDERS
CHOKED?
217
00:15:25,500 --> 00:15:28,300
YES, THEY WERE.
218
00:15:28,300 --> 00:15:31,630
WE HAVE A BOOK IN THE LIBRARY--
HOW THINGS WORK.
219
00:15:31,633 --> 00:15:33,733
YOU LIKE
MECHANICAL THINGS?
220
00:15:33,734 --> 00:15:35,174
I RELY ON THEM.
221
00:15:35,166 --> 00:15:36,826
( laughs )
222
00:15:36,834 --> 00:15:39,134
AND THE WHEEL
ON YOUR CHAIR,
223
00:15:39,133 --> 00:15:41,173
CAN YOU IDENTIFY
THE PROBLEM THERE?
224
00:15:41,166 --> 00:15:42,996
LACK OF OIL?
225
00:15:48,233 --> 00:15:50,473
LET'S SEE...
226
00:15:58,066 --> 00:16:00,626
YOU'RE A MODERN GIRL,
MOTHOLELI.
227
00:16:00,633 --> 00:16:05,173
DOES A MODERN LADY
REQUIRE A DIAMOND RING
IF SHE IS TO BE ENGAGED?
228
00:16:05,166 --> 00:16:06,566
SHE DOES.
229
00:16:06,567 --> 00:16:10,297
A DIAMOND RING FOR...
50,000 PULA.
230
00:16:10,300 --> 00:16:13,900
IT IS THE ONE THING ON WHICH
ALL LADIES AGREE.
231
00:16:16,300 --> 00:16:18,600
( car approaches )
232
00:16:22,467 --> 00:16:24,667
( car passes )
233
00:16:24,667 --> 00:16:27,427
( sighing )
234
00:16:39,467 --> 00:16:41,567
( pan sizzling )
235
00:16:47,734 --> 00:16:49,834
( loud knock
at door )
236
00:16:49,834 --> 00:16:52,134
( water running )
237
00:16:55,467 --> 00:16:57,497
EE, MMA.
238
00:16:57,500 --> 00:17:01,730
UH, WORKING ON THE PUMP
HAS LEFT ME A LITTLE UNKEMPT.
239
00:17:01,734 --> 00:17:06,304
AM I STILL ACCEPTABLE FOR
THE TOUR OF #5 ZEBRA DRIVE?
240
00:17:06,300 --> 00:17:08,200
RRA, I AM NOT WELL.
241
00:17:08,200 --> 00:17:10,500
I THINK I'VE COME DOWN
WITH A VIRUS.
242
00:17:10,500 --> 00:17:12,930
I-- I NEED TO BE
IN ON MY OWN TODAY.
243
00:17:16,333 --> 00:17:18,873
- THAT'S NOT WHAT YOU NEED.
- NO?
244
00:17:18,867 --> 00:17:22,427
YOU NEED A BEAUTIFUL DIAMOND
ENGAGEMENT RING.
245
00:17:25,667 --> 00:17:26,767
OH!
246
00:17:28,133 --> 00:17:29,603
WHAT'S THE MATTER?
247
00:17:29,600 --> 00:17:31,730
( crying )
248
00:17:31,734 --> 00:17:35,504
YOU ARE SUCH A GOOD
GOOD MAN, J.L.B.
249
00:17:35,500 --> 00:17:37,900
AND YOU'RE A GOOD
GOOD LADY.
250
00:17:37,900 --> 00:17:40,370
DO YOU REALLY
THINK SO?
251
00:17:40,367 --> 00:17:42,527
I KNOW SO.
252
00:17:42,533 --> 00:17:46,273
I MADE SOME MISTAKES
IN MY PAST.
253
00:17:46,266 --> 00:17:48,296
WHO HAS NOT?
254
00:17:48,300 --> 00:17:51,800
TODAY ALL MISTAKES
ARE WASHED AWAY.
255
00:17:51,800 --> 00:17:54,400
WE'LL BUY THE RING
TO PROVE IT.
256
00:18:01,000 --> 00:18:02,370
HA.
257
00:18:04,033 --> 00:18:07,233
AND THEN I MUST COME
STRAIGHT HOME.
258
00:18:20,800 --> 00:18:22,670
AHH!
259
00:18:25,767 --> 00:18:28,467
'MORNING.
260
00:18:28,467 --> 00:18:31,827
( coughing )
OH, GOD.
261
00:18:31,834 --> 00:18:34,174
THERE IS SOMEONE
I THINK YOU SHOULD MEET.
262
00:18:34,166 --> 00:18:37,696
FIRST I HAVE TO EAT.
AND I HAVE TO EAT A LOT.
263
00:18:39,800 --> 00:18:43,670
AND THERE IS SOMETHING ELSE
I AM GOING TO NEED TOO.
264
00:18:49,633 --> 00:18:52,733
GET SOME BREAKFAST FOR
RRA MOKOTI.
265
00:18:52,734 --> 00:18:55,474
I'LL PICK HIM UP
IN HALF AN HOUR.
266
00:19:00,233 --> 00:19:03,133
NOTE MOKOTI,
HERE IN GABORONE?
267
00:19:03,133 --> 00:19:04,273
( enging dies )
268
00:19:04,266 --> 00:19:06,866
NO NEED TO WORRY
ABOUT HIM.
269
00:19:06,867 --> 00:19:08,627
HE IS HISTORY NOW.
270
00:19:14,734 --> 00:19:16,404
Rra Matekoni:
THIS LADY IS MMA RAMOTSWE
271
00:19:16,400 --> 00:19:17,930
AND SHE IS ENGAGED TO ME.
272
00:19:17,934 --> 00:19:20,874
I WISH TO BUY HER A RING
FOR THIS ENGAGEMENT--
273
00:19:20,867 --> 00:19:22,427
A DIAMOND RING--
274
00:19:22,433 --> 00:19:24,703
WITH A BOTSWANA DIAMOND
FROM OUR OWN MINES.
275
00:19:24,700 --> 00:19:27,670
AHA! I SAW YOU ARRIVE
LOOKING VERY HAPPY.
276
00:19:27,667 --> 00:19:31,427
YOU PARKED BESIDE MY CAR--
BUT NOT TOO CLOSE, I HOPE!
277
00:19:32,367 --> 00:19:33,927
YOU ARE A FORTUNATE MAN.
278
00:19:33,934 --> 00:19:37,834
NOT EVERY MAN CAN FIND SUCH
A CHEERFUL FAT WOMAN TO MARRY.
279
00:19:37,834 --> 00:19:41,004
THERE ARE MANY THIN HECTORING
WOMEN AROUND TODAY, HUH?
280
00:19:41,000 --> 00:19:42,530
I AM A VERY
LUCKY MAN.
281
00:19:42,533 --> 00:19:46,203
AND NOW YOU MUST BUY HER
A VERY BIG RING.
282
00:19:46,200 --> 00:19:48,570
A FAT WOMAN CANNOT WEAR
A TINY RING, HUH?
283
00:19:48,567 --> 00:19:51,227
WHAT DO YOU THINK
OF THOSE, MMA?
284
00:19:54,066 --> 00:19:55,396
THEY ARE BEAUTIFUL.
285
00:19:55,400 --> 00:19:57,400
- AHA.
- ARE THEY FROM BOTSWANA?
286
00:19:57,400 --> 00:20:00,200
ABSOLUTELY--
THE FINEST IN THE WORLD.
287
00:20:00,200 --> 00:20:02,530
- 90-- 90,000 PULA?
- MMM.
288
00:20:02,533 --> 00:20:04,833
I-- I AM NOT A LADY
TO WEAR A BIG RING.
289
00:20:04,834 --> 00:20:08,504
I-- I WAS HOPING FOR
A SMALL RING.
290
00:20:08,500 --> 00:20:12,000
I CAN DO DISCOUNTS--
10%.
291
00:20:12,000 --> 00:20:13,670
- UM...
- MAYBE 12%.
292
00:20:13,667 --> 00:20:16,667
THIS IS A BEAUTIFUL RING
FOR A BEAUTIFUL WOMAN.
293
00:20:16,667 --> 00:20:19,067
MMA, I DIDN'T MEAN--
294
00:20:19,066 --> 00:20:21,126
YOU MUST HAVE WHICHEVER
RING YOU CHOOSE--
295
00:20:21,133 --> 00:20:22,533
HOW MUCH ARE THOSE?
296
00:20:22,533 --> 00:20:26,273
15%-- ESH! YOU DRIVE
A HARD BARGAIN, MMA.
297
00:20:26,266 --> 00:20:28,996
I DON'T WANT THIS
OSTENTATIOUS RING.
298
00:20:30,567 --> 00:20:33,327
I WOULD LIKE...
299
00:20:34,266 --> 00:20:36,166
ONE OF THESE.
300
00:20:36,166 --> 00:20:39,426
UH, DIAMONDS LIKE THOSE
MAY BE EASILY MISSED.
301
00:20:39,433 --> 00:20:41,833
PEOPLE MAY NOT NOTICE
SUCH A DIAMOND AT ALL.
302
00:20:41,834 --> 00:20:44,604
I WILL NOTICE IT.
RRA MATEKONI WILL NOTICE IT,
303
00:20:44,600 --> 00:20:46,630
AND THAT IS ALL
THAT MATTERS.
304
00:20:47,567 --> 00:20:49,667
BRING THE RINGS.
305
00:20:57,266 --> 00:20:58,896
ARE THEY FROM BOTSWANA?
306
00:20:58,900 --> 00:21:02,200
AS BOTSWANA AS YOU OR ME.
307
00:21:05,000 --> 00:21:07,370
THE BREAK-INS ARE
MY CASE, MMA,
308
00:21:07,367 --> 00:21:09,867
BUT YOU SAID NOTHING
ABOUT THIS.
309
00:21:09,867 --> 00:21:12,027
YOU'RE NOT
PLAYING FAIR.
310
00:21:12,033 --> 00:21:16,073
LUCKILY I HAVE MY OWN
SOURCES OF INFORMATION.
311
00:21:16,066 --> 00:21:19,196
WE ARE PERFECTLY CAPABLE
OF HANDLING THIS OURSELVES.
312
00:21:19,200 --> 00:21:20,530
"WE"?
313
00:21:20,533 --> 00:21:23,473
WHERE IS
YOUR BOSS TODAY?
314
00:21:23,467 --> 00:21:26,127
THAT IS NONE
OF YOUR BUSINESS!
315
00:21:26,133 --> 00:21:30,173
IT'S STRANGE THAT
SHE'S NOT HERE IN A CRISIS.
316
00:21:30,166 --> 00:21:32,626
PUT THAT RIGHT BACK!
317
00:21:32,633 --> 00:21:34,073
GIVE IT TO ME.
318
00:21:35,367 --> 00:21:37,497
AHH!
319
00:21:37,500 --> 00:21:42,170
SO YOU CAN HANDLE THIS
YOURSELVES? ANY LEADS?
320
00:21:42,166 --> 00:21:44,266
FOR ALL I KNOW,
IT WAS YOU THAT BROKE IN HERE.
321
00:21:44,266 --> 00:21:46,126
TO STEAL YOUR
COLORED CHALKS?
322
00:21:46,133 --> 00:21:48,503
HOW DO YOU KNOW ABOUT
THE COLORED CHALKS?
323
00:21:48,500 --> 00:21:50,430
IT'S HERE IN
YOUR REPORT.
324
00:21:56,967 --> 00:21:59,367
I WOULD HAVE
BOUGHT YOU THE OTHER ONE.
325
00:21:59,367 --> 00:22:02,067
I'M VERY HAPPY
WITH THIS ONE.
326
00:22:02,066 --> 00:22:03,796
MMA?
327
00:22:05,200 --> 00:22:06,530
WHAT IS IT?
328
00:22:06,533 --> 00:22:09,573
I LOVE YOU.
329
00:22:10,834 --> 00:22:13,734
I AM VERY GLAD.
330
00:22:16,934 --> 00:22:19,834
I STILL HAVE A POCKETFUL
OF PULA.
331
00:22:19,834 --> 00:22:21,504
LET'S GO TO
THE PRESIDENT HOTEL
332
00:22:21,500 --> 00:22:23,870
- FOR A CELEBRATION LUNCH.
- ANOTHER TIME.
333
00:22:23,867 --> 00:22:27,127
OR ANOTHER TIME.
YES.
334
00:22:30,367 --> 00:22:32,597
IS EVERYTHING OKAY, MMA?
335
00:22:32,600 --> 00:22:35,000
EVERYTHING'S FINE.
336
00:22:35,000 --> 00:22:37,200
BUT I MUST
GO HOME NOW.
337
00:22:37,200 --> 00:22:40,430
THEN WE WILL VISIT
YOUR HOUSE NOW, AS WE PLANNED.
338
00:22:40,433 --> 00:22:43,003
ANOTHER TIME.
339
00:22:43,000 --> 00:22:45,300
OR ANOTHER TIME.
340
00:22:46,500 --> 00:22:48,330
YES.
341
00:23:09,867 --> 00:23:11,867
( beeps )
342
00:23:11,867 --> 00:23:13,827
Mma makutsi:
Mma, it's me.
343
00:23:13,834 --> 00:23:16,434
First of all,
do not panic.
344
00:23:16,433 --> 00:23:17,933
I am--
345
00:23:27,166 --> 00:23:29,126
COME ON IF YOU'RE COMING!
346
00:23:37,800 --> 00:23:40,770
( pounding on door )
347
00:23:40,767 --> 00:23:42,567
( pounding )
348
00:23:47,967 --> 00:23:50,797
( pounding continues )
349
00:23:53,100 --> 00:23:55,570
Rra Buthelezi:
WHEN I WAS A POLICEMAN
IN JOBURG,
350
00:23:55,567 --> 00:23:57,867
THERE WAS A MAN
CALLED JOHNNY DOLLARS.
351
00:23:57,867 --> 00:24:00,227
HE WAS A ONE-MAN
CRIME WAVE.
352
00:24:00,233 --> 00:24:02,073
EVERYBODY WAS
AFRAID OF HIM.
353
00:24:02,066 --> 00:24:03,826
WE KNEW WHAT
HE WAS UP TO,
354
00:24:03,834 --> 00:24:05,804
BUT WE COULD NEVER
MAKE IT STICK.
355
00:24:05,800 --> 00:24:08,700
- YOU REMEMBER
JOHNNY DOLLARS, NOTE?
- MM-HMM.
356
00:24:08,700 --> 00:24:11,900
EH, HE WOULD NEVER
ADMIT TO ANYTHING.
357
00:24:11,900 --> 00:24:14,430
AND THEN ONE DAY
SOMEONE TOLD ME
358
00:24:14,433 --> 00:24:17,873
THAT JOHNNY DOLLARS WAS
TERRIFIED OF HIS GRANDMOTHER.
359
00:24:17,867 --> 00:24:21,697
SHE DIDN'T LIKE THE WAY
HE HAD TURNED OUT.
360
00:24:21,700 --> 00:24:24,730
SO I ARRESTED HIM
361
00:24:24,734 --> 00:24:27,104
AND BROUGHT HIS
GRANDMOTHER TO HIS CELL.
362
00:24:27,100 --> 00:24:29,530
AND NOW HE'S DOING
25 YEARS.
363
00:24:29,533 --> 00:24:31,533
- GOOD FOR YOU.
- ( laughs )
364
00:24:31,533 --> 00:24:34,503
AND THE LOOK ON
JOHNNY DOLLARS' FACE
365
00:24:34,500 --> 00:24:36,330
WHEN I OPENED
THE CELL DOOR
366
00:24:36,333 --> 00:24:39,073
AND SHOWED HIM
HIS GRANDMOTHER--
367
00:24:39,066 --> 00:24:41,666
I SAW THAT SAME LOOK
ON YOUR FACE, MMA,
368
00:24:41,667 --> 00:24:45,027
WHEN I SAID THE NAME
NOTE MOKOTI TO YOU.
369
00:24:47,800 --> 00:24:49,900
WHAT DO YOU WANT?
370
00:24:51,066 --> 00:24:53,366
I HAVE A TALENT
FOR INTRODUCTIONS.
371
00:24:56,133 --> 00:24:58,273
PRECIOUS.
372
00:24:58,266 --> 00:25:00,066
NOTE.
373
00:25:00,066 --> 00:25:03,326
SO... YOU HAVE BECOME
SOMEONE AT LAST.
374
00:25:03,333 --> 00:25:04,833
NO THANKS TO YOU.
375
00:25:04,834 --> 00:25:07,174
DON'T BE SO SURE.
376
00:25:07,166 --> 00:25:09,066
YOU ARE NOT WELCOME HERE.
377
00:25:09,066 --> 00:25:12,896
AND WHAT WILL IT TAKE
TO MAKE ME GO AWAY?
378
00:25:12,900 --> 00:25:15,030
HMM?
379
00:25:24,200 --> 00:25:25,500
( drawer opening )
380
00:25:27,266 --> 00:25:29,466
YOU DIDN'T NEED TO GO
TO SO MUCH TROUBLE.
381
00:25:29,467 --> 00:25:31,227
LEAVE THAT ALONE.
382
00:25:33,400 --> 00:25:35,200
MMM.
383
00:25:40,800 --> 00:25:43,430
- ( jazz playing )
- SHE STILL HAS
YOUR RECORDS, NOTE.
384
00:25:43,433 --> 00:25:45,073
LEAVE MY THINGS ALONE!
385
00:25:45,066 --> 00:25:48,096
MR. BUTHELEZI TELLS ME
THAT YOU ARE ENGAGED
TO BE MARRIED.
386
00:25:48,100 --> 00:25:50,130
SEE HOW SHE TRIES
TO HIDE THE RING.
387
00:25:50,133 --> 00:25:53,733
BUT THERE IS ONE BIG
PROBLEM WITH THIS NEWFOUND
FREEDOM OF YOURS.
388
00:25:53,734 --> 00:25:56,274
I DO NOT RECALL US
389
00:25:56,266 --> 00:25:58,196
EVER GETTING A DIVORCE.
390
00:25:59,800 --> 00:26:02,170
MAYBE YOU HOPED
I WAS DEAD...
391
00:26:02,166 --> 00:26:05,326
OR THAT I HAD FORGOTTEN
I EVER MARRIED YOU.
392
00:26:05,333 --> 00:26:09,233
THERE HAVE BEEN SO MANY
OTHER GIRLS, AFTER ALL.
393
00:26:09,233 --> 00:26:11,503
HMM! WHAT CAN A MAN DO
394
00:26:11,500 --> 00:26:13,600
BUT SAY YES?
395
00:26:17,500 --> 00:26:20,630
OR DID YOU THINK THAT NOW
YOU ARE SO HIGH AND MIGHTY
396
00:26:20,633 --> 00:26:22,603
SOMEONE LIKE ME
DOES NOT COUNT--
397
00:26:22,600 --> 00:26:24,470
SOMEONE FROM
YOUR PAST,
398
00:26:24,467 --> 00:26:26,527
FROM THE BAD OLD DAYS?
399
00:26:26,533 --> 00:26:28,773
I AM NOT
THE SAME PERSON NOW.
400
00:26:28,767 --> 00:26:32,967
THAT GIRL YOU USED TO
SHOUT AT AND PUNCH,
401
00:26:32,967 --> 00:26:35,297
SHE IS GONE!
402
00:26:35,300 --> 00:26:37,230
THAT IS WHAT YOU
LIKE TO THINK.
403
00:26:37,233 --> 00:26:38,903
( glass shatters )
404
00:26:38,900 --> 00:26:41,430
THAT IS WHAT
YOU LIKE TO THINK.
405
00:26:41,433 --> 00:26:43,933
Rra Buthelezi:
ARE THE LOVEBIRDS
FIGHTING ALREADY?
406
00:26:43,934 --> 00:26:46,174
I WILL SEE YOU
AT THE GIG.
407
00:26:46,166 --> 00:26:48,966
HA. MOST TIMES PEOPLE
PAY TO HEAR ME,
408
00:26:48,967 --> 00:26:51,327
BUT WITH YOU,
IT WILL BE DIFFERENT.
409
00:26:51,333 --> 00:26:54,103
YOU WILL PAY TO
KEEP ME QUIET.
410
00:26:54,100 --> 00:26:56,530
AND THEN YOU WILL
GIVE ME THE DIVORCE?
411
00:26:56,533 --> 00:26:59,373
IN INSTALLMENTS.
412
00:27:01,533 --> 00:27:03,533
I CANNOT KEEP
PAYING YOU.
413
00:27:03,533 --> 00:27:04,933
I AM NOT
MADE OF MONEY.
414
00:27:04,934 --> 00:27:08,304
THE AGENCY
ACCOUNTS ARE IMPROVING.
I SAW THEM FOR MYSELF.
415
00:27:08,300 --> 00:27:10,630
NOTE.
416
00:27:10,633 --> 00:27:12,873
FOR OLD TIME'S SAKE,
417
00:27:12,867 --> 00:27:15,267
HAVE PITY.
418
00:27:20,033 --> 00:27:22,333
YOU BROUGHT HIM HERE
JUST FOR THIS.
419
00:27:22,333 --> 00:27:24,973
IT'S ALWAYS BEST TO DO
A LITTLE BACKGROUND RESEARCH.
420
00:27:24,967 --> 00:27:29,227
WHATEVER WOULD HE
THINK OF YOU, THIS
SIMPLE MECHANIC MAN,
421
00:27:29,233 --> 00:27:32,233
ACCEPTING HIS RING
UNDER FALSE PRETENSES,
422
00:27:32,233 --> 00:27:34,273
EVEN IF IT IS
A COUNTERFEIT?
423
00:27:34,266 --> 00:27:36,226
WHAT?
424
00:27:36,233 --> 00:27:38,973
CUBIC ZIRCONIUM--
425
00:27:38,967 --> 00:27:42,927
A FAKE DIAMOND
FOR A FAKE ENGAGEMENT.
426
00:28:01,266 --> 00:28:02,866
DUMELA, MMA.
427
00:28:02,867 --> 00:28:04,197
DUMELA, RRA.
428
00:28:04,200 --> 00:28:06,200
DID YOU DECIDE
WHOSE HOME TO LIVE IN?
429
00:28:06,200 --> 00:28:09,100
I THINK MMA RAMOTSWE HAS
A PRETTY GOOD IDEA.
430
00:28:09,100 --> 00:28:11,370
AND DID YOU
CELEBRATE AFTER?
431
00:28:11,367 --> 00:28:13,397
MMA RAMOTSWE
WAS UNWELL.
432
00:28:13,400 --> 00:28:15,200
UNWELL?
433
00:28:15,200 --> 00:28:16,800
WHAT HAPPENED HERE?
434
00:28:16,800 --> 00:28:21,100
WE ARE THE LATEST VICTIMS
IN THE KGALE HILL BREAK-INS.
435
00:28:23,567 --> 00:28:24,867
DOES SHE KNOW?
436
00:28:24,867 --> 00:28:26,767
I PHONED HER
AND LEFT A MESSAGE.
437
00:28:26,767 --> 00:28:28,667
AND NO REPLY?
438
00:28:32,900 --> 00:28:35,400
IT IS NOT AT ALL
LIKE MMA RAMOTSWE.
439
00:28:35,400 --> 00:28:38,100
SOMETHING IS NOT RIGHT.
440
00:28:38,100 --> 00:28:40,470
DO YOU THINK...
441
00:28:40,467 --> 00:28:41,827
WE WILL GO NOW.
442
00:28:41,834 --> 00:28:44,134
WE'LL BE VERY DIRECT
443
00:28:44,133 --> 00:28:46,433
AND GET TO THE BOTTOM
OF THIS.
444
00:28:49,100 --> 00:28:50,730
SHE IS NOT HERE.
445
00:28:50,734 --> 00:28:52,734
AND HER VAN IS GONE.
446
00:28:56,100 --> 00:29:00,600
Rose:
I KNEW SHE WAS NOT ILL,
BUT I MADE SOUP JUST IN CASE.
447
00:29:00,600 --> 00:29:03,470
SHE CANNOT LIE TO ME.
448
00:29:03,467 --> 00:29:04,797
NOT TO ME.
449
00:29:04,800 --> 00:29:07,100
SHE IS NOT HERSELF.
DO YOU AGREE?
450
00:29:07,100 --> 00:29:10,030
SHE'S A VERY
TROUBLED LADY.
451
00:29:10,033 --> 00:29:13,833
I COULD READ IT IN HER
FACE IN CAPITAL LETTERS.
452
00:29:13,834 --> 00:29:15,804
SOMETHING IS WRONG.
453
00:29:15,800 --> 00:29:17,270
WE THINK THE SAME.
454
00:29:17,266 --> 00:29:20,796
IT'S EVER SINCE SHE BECAME
ENGAGED TO YOU, RRA MATEKONI.
455
00:29:24,133 --> 00:29:26,933
DO YOU THINK SHE
HAS COLD FEET?
456
00:29:26,934 --> 00:29:29,004
MMA RAMOTSWE
IS VERY DEEP.
457
00:29:29,000 --> 00:29:31,370
THAT'S WHY SHE'S
A GOOD DETECTIVE.
458
00:29:31,367 --> 00:29:33,227
WHO KNOWS WHAT
SHE'S THINKING?
459
00:29:33,233 --> 00:29:35,173
( thunder rumbling )
460
00:29:35,166 --> 00:29:38,766
HAVE YOU GOT ANY IDEA
WHERE SHE COULD BE?
461
00:29:38,767 --> 00:29:40,427
I HAVE.
462
00:29:57,934 --> 00:29:59,534
DADDY?
463
00:30:01,500 --> 00:30:03,400
IT'S ME, PRECIOUS.
464
00:30:10,200 --> 00:30:13,530
I HAVE DONE
A FOOLISH THING, DAD.
465
00:30:13,533 --> 00:30:17,173
I HAVE AGREED TO MARRY
A GOOD MAN...
466
00:30:19,233 --> 00:30:23,403
WHEN I AM STILL
MARRIED TO A BAD ONE.
467
00:30:28,834 --> 00:30:31,104
WHY WOULD I DO THAT?
468
00:30:46,867 --> 00:30:48,897
Rra Matekoni:
I WILL STAY HERE.
469
00:30:50,033 --> 00:30:53,373
IT'S AS I THOUGHT:
SHE'S UNSURE ABOUT ME.
470
00:30:54,533 --> 00:30:56,973
SHE HAS NOTHING BUT
GOOD TO SAY ABOUT YOU.
471
00:30:56,967 --> 00:30:59,167
AND ABOUT NOTE MOKOTI,
NOTHING BUT BAD.
472
00:30:59,166 --> 00:31:02,066
- YES.
- SO WHY IS SHE STILL
PLAYING HIS RECORDS?
473
00:31:03,433 --> 00:31:06,973
PERHAPS SHE'S PUTTING
SOMETHING BEHIND HER
474
00:31:06,967 --> 00:31:08,467
ONCE AND FOR ALL.
475
00:31:08,467 --> 00:31:11,067
IT'S BECAUSE SHE HAS
SUCH STRONG FEELINGS FOR HIM.
476
00:31:11,066 --> 00:31:15,626
- STRONG FEELINGS OF HATRED.
- STRONG FEELINGS ARE
STRONG FEELINGS.
477
00:31:15,633 --> 00:31:19,233
- BUT FOR ME?
- STRONG FEELINGS OF LOVE.
478
00:31:19,233 --> 00:31:21,533
YOU HAVE HEARD HER
SAY THAT?
479
00:31:22,633 --> 00:31:24,073
WE ARE WASTING
TIME HERE, RRA.
480
00:31:24,066 --> 00:31:26,296
DID YOU HEAR HER SAY IT?
481
00:31:27,800 --> 00:31:31,630
IT IS NOT THE SORT
OF THING SHE WOULD
COME RIGHT OUT AND SAY.
482
00:31:56,934 --> 00:31:58,874
- MMA.
- MMA!
483
00:31:58,867 --> 00:32:00,567
THANK GOD
I HAVE FOUND YOU.
484
00:32:00,567 --> 00:32:02,997
EVERYONE IS VERY
WORRIED ABOUT YOU.
485
00:32:03,000 --> 00:32:04,600
WHO IS WORRIED?
486
00:32:04,600 --> 00:32:05,930
I AM WORRIED.
487
00:32:05,934 --> 00:32:08,074
AND-- AND B.K.
488
00:32:08,066 --> 00:32:10,126
AND RRA MATEKONI
AND YOUR MAID--
489
00:32:10,133 --> 00:32:11,633
WE ARE ALL WORRIED.
490
00:32:11,633 --> 00:32:13,673
WHERE IS
RRA MATEKONI NOW?
491
00:32:13,667 --> 00:32:16,297
HE WAS...
492
00:32:16,300 --> 00:32:18,300
VERY BUSY.
493
00:32:18,300 --> 00:32:20,530
THEN I CAN TELL YOU
WHAT IS THE MATTER.
494
00:32:24,300 --> 00:32:26,630
CEPHAS BUTHELEZI
TOLD ME
495
00:32:26,633 --> 00:32:29,373
MY DIAMOND RING
WAS A FAKE.
496
00:32:29,367 --> 00:32:31,727
HE WAS AT THE AGENCY
497
00:32:31,734 --> 00:32:34,734
STRUTTING ABOUT AND
TALKING RUBBISH.
498
00:32:34,734 --> 00:32:38,534
THAT MAN KNOWS NOTHING
ABOUT DIAMONDS OR DETECTION!
499
00:32:38,533 --> 00:32:40,903
YOU SHOULD HAVE COME
TO ME STRAIGHTAWAY, MMA.
500
00:32:40,900 --> 00:32:42,600
I CAN SEE THAT NOW.
501
00:32:42,600 --> 00:32:46,270
THIS--
THIS IS A LOVELY...
502
00:32:46,266 --> 00:32:48,466
LITTLE RING.
503
00:32:51,166 --> 00:32:54,166
NOT A WORD TO
RRA MATEKONI.
504
00:32:54,166 --> 00:32:57,226
MY LIPS
ARE SEALED.
505
00:33:17,533 --> 00:33:19,503
GOOD?
506
00:33:19,500 --> 00:33:22,270
MMM.
VERY GOOD.
507
00:33:22,266 --> 00:33:24,626
HEEE!
508
00:33:29,700 --> 00:33:32,030
YOU WORK HARD, RRA.
509
00:33:32,033 --> 00:33:34,903
YOU DESERVE A HEARTY MEAL.
510
00:33:34,900 --> 00:33:36,900
MMM.
511
00:33:36,900 --> 00:33:40,100
YOU DESERVE MANY THINGS
FOR ALL OF THE HARD WORK
512
00:33:40,100 --> 00:33:42,370
YOU'VE PUT IN
THROUGH ALL THE YEARS.
513
00:33:42,367 --> 00:33:45,197
AND YOU DON'T WANT TO
JUST THROW IT ALL AWAY
514
00:33:45,200 --> 00:33:48,470
JUST BECAUSE FOR
ONE LITTLE MOMENT
515
00:33:48,467 --> 00:33:50,127
YOU LET DOWN YOUR GUARD.
516
00:33:56,467 --> 00:34:00,227
THAT IS WHAT HAPPENS WITH
A WOMAN LIKE THAT, RRA.
517
00:34:00,233 --> 00:34:02,973
SHE GETS IN UNDER
YOUR GUARD
518
00:34:02,967 --> 00:34:05,527
AND BEFORE YOU KNOW IT,
BOOM!
519
00:34:06,867 --> 00:34:08,927
IT'S A VERY
GOOD DINNER, FLORENCE.
520
00:34:08,934 --> 00:34:10,574
- OH.
- BUT...
521
00:34:10,567 --> 00:34:12,627
CLEARLY YOU THINK
THAT I'M A PUSHOVER.
522
00:34:12,633 --> 00:34:13,803
YOU, RRA!
NO!
523
00:34:13,800 --> 00:34:15,430
LOOK AT ME YESTERDAY:
524
00:34:15,433 --> 00:34:17,503
AF-AFRAID TO TELL YOU
I WAS GETTING MARRIED,
525
00:34:17,500 --> 00:34:19,500
HIDING BEHIND MY
FIANCEE'S PETTICOATS.
526
00:34:19,500 --> 00:34:22,500
- OH, PLENTY OF ROOM THERE!
- THAT'S ENOUGH, FLORENCE.
527
00:34:24,033 --> 00:34:26,173
IT IS MY HOUSE
528
00:34:26,166 --> 00:34:28,096
AND I WILL
SET THE AGENDA.
529
00:34:30,100 --> 00:34:32,330
WHATEVER YOU SAY, RRA.
530
00:35:06,667 --> 00:35:08,427
( brakes squeal )
531
00:35:14,734 --> 00:35:17,204
( baboon screeching )
532
00:35:23,934 --> 00:35:27,574
Note:
MR. BUTHELEZI TELLS ME THAT
YOU ARE ENGAGED TO BE MARRIED.
533
00:35:31,767 --> 00:35:35,697
I DO NOT RECALL US
EVER GETTING A DIVORCE.
534
00:35:38,000 --> 00:35:41,100
YOU WILL PAY TO
KEEP ME QUIET.
535
00:35:48,633 --> 00:35:52,073
THERE HAVE BEEN SO MANY
OTHER GIRLS, AFTER ALL.
536
00:35:53,900 --> 00:35:56,100
SO MANY OTHER GIRLS.
537
00:36:01,133 --> 00:36:03,773
( recapping pen )
538
00:36:13,567 --> 00:36:16,197
( baboons screeching )
539
00:36:19,367 --> 00:36:22,627
( dog barking )
540
00:36:25,100 --> 00:36:27,000
( screeching,
glass shattering )
541
00:36:27,000 --> 00:36:30,430
- OH!
- ( alarm sounding )
542
00:36:32,200 --> 00:36:35,970
( bucket rattling )
543
00:36:39,934 --> 00:36:42,634
GO! GO!
544
00:36:50,900 --> 00:36:53,700
- ( screeching )
- ( banging )
545
00:37:01,066 --> 00:37:03,496
( laughs )
546
00:37:04,633 --> 00:37:06,503
( gasps )
547
00:37:12,633 --> 00:37:15,233
YOU THINK YOU SCARE ME?
548
00:37:15,233 --> 00:37:16,473
DO YOU?
549
00:37:16,467 --> 00:37:18,727
( screeches )
550
00:37:20,367 --> 00:37:22,097
I AM NOT AFRAID OF YOU.
551
00:37:22,100 --> 00:37:24,570
( squealing )
552
00:37:24,567 --> 00:37:27,667
MAYBE YOU SHOULD
BE AFRAID OF ME!
553
00:37:32,934 --> 00:37:34,604
EH!
554
00:37:36,734 --> 00:37:38,774
( phone ringing )
555
00:37:38,767 --> 00:37:41,527
( muttering )
556
00:37:42,867 --> 00:37:45,667
WHO IS THAT CALLING AT
THIS RIDICULOUS HOUR?
557
00:37:45,667 --> 00:37:47,197
Mma Ramotswe:
Mr. Patel?
558
00:37:47,200 --> 00:37:50,230
- MMA RAMOTSWE.
- I am sorry to call late,
559
00:37:50,233 --> 00:37:54,503
but I have solved the mystery
of the kgale hill break-ins.
560
00:37:54,500 --> 00:37:56,000
AHH.
561
00:38:08,300 --> 00:38:10,230
( buzzing )
562
00:38:15,700 --> 00:38:17,730
BIRTHS, MARRIAGES,
DEATHS?
563
00:38:17,734 --> 00:38:19,574
YES, PLEASE COME IN.
564
00:38:21,100 --> 00:38:24,030
THIS IS A CHECK
FOR HER WORK ON
THE CASE OF JACK,
565
00:38:24,033 --> 00:38:27,273
MY DAUGHTER'S
IMAGINARY BOYFRIEND--
566
00:38:27,266 --> 00:38:30,726
A FAT CHECK
AS PROMISED.
567
00:38:30,734 --> 00:38:34,934
AND THIS IS FOR
SOLVING THE MYSTERY OF
THE KGALE HILL BREAK-INS.
568
00:38:34,934 --> 00:38:39,004
SOMETHING WHICH THAT MAN,
BUTHELEZI, FAILED TO DO.
569
00:38:39,000 --> 00:38:42,630
QUIET RIGHT.
THAT IS TWICE HE HAS
LET ME DOWN.
570
00:38:42,633 --> 00:38:45,333
I'M A GREAT BELIEVER
IN SECOND CHANCES,
571
00:38:45,333 --> 00:38:47,903
BUT THIRD ONES ARE NOT
IN MY LEXICON.
572
00:38:47,900 --> 00:38:50,570
SO YOU WILL STICK
WITH THE LADIES?
573
00:38:53,300 --> 00:38:55,930
- I AM A LADIES' MAN.
- ( bead curtain rattles )
574
00:38:55,934 --> 00:38:57,734
- Rra Matekoni: DUMELA, MMA.
- DUMELA, RRA.
575
00:38:57,734 --> 00:39:00,574
- DUMELA, RRA.
- DUMELA, RRA.
576
00:39:00,567 --> 00:39:02,997
SHE IS NOT AT HOME
AND SHE'S NOT HERE.
577
00:39:03,000 --> 00:39:04,970
SHE IS FOLLOWING A LINE
OF INQUIRY.
578
00:39:04,967 --> 00:39:07,027
I WAS JUST SAYING, RRA,
579
00:39:07,033 --> 00:39:10,773
WHAT A GREAT JOB
THESE LADIES HAVE MADE
OF THIS PLACE.
580
00:39:10,767 --> 00:39:13,167
IT PUTS US MERE MEN
TO SHAME.
581
00:39:13,166 --> 00:39:15,726
VERY TRUE.
582
00:39:15,734 --> 00:39:19,004
YOU ARE IN A GOOD MOOD
THIS MORNING, RRA MATEKONI.
583
00:39:19,000 --> 00:39:21,570
I'M A MAN
ON A MISSION.
584
00:39:21,567 --> 00:39:24,627
YOU ARE CAN-DO LADIES.
585
00:39:24,633 --> 00:39:27,603
I'VE TAKEN THE DECISION
TO BE A CAN-DO MAN.
586
00:39:27,600 --> 00:39:31,230
I MUST PROVE
THAT I'M WORTHY OF
MMA RAMOTSWE'S LOVE.
587
00:39:31,233 --> 00:39:33,073
I KNOW HOW YOU
CAN DO THAT!
588
00:39:33,066 --> 00:39:35,326
I ALREADY HAVE A PLAN:
I'VE GOT TWO TICKETS--
589
00:39:35,333 --> 00:39:39,433
IT WILL GO
STRAIGHT TO THE HEART OF
MMA RAMOTSWE'S PROBLEMS.
590
00:39:49,166 --> 00:39:51,366
DID YOU FIND WHAT
YOU WERE LOOKING FOR?
591
00:39:51,367 --> 00:39:53,567
I FOUND WHAT I
HAD HOPED TO FIND
592
00:39:53,567 --> 00:39:56,567
AND I DID NOT FIND WHAT
I HAD HOPED NOT TO FIND.
593
00:39:58,166 --> 00:39:59,666
CRIMINAL RECORDS?
594
00:39:59,667 --> 00:40:01,167
YES YES.
595
00:40:09,500 --> 00:40:12,770
GOOD MORNING, RRA.
DID YOU SLEEP WELL?
596
00:40:12,767 --> 00:40:14,597
VERY WELL, MMA.
AND YOU?
597
00:40:14,600 --> 00:40:16,870
NO SLEEP FOR ME.
DO YOU KNOW WHY?
598
00:40:16,867 --> 00:40:19,067
WAS YOUR TINY RING
TOO SMALL FOR YOUR FINGER?
599
00:40:19,066 --> 00:40:21,126
MY RING WAS JUST
THE RIGHT SIZE.
600
00:40:21,133 --> 00:40:23,703
IT WAS NOT THAT THAT
KEPT ME AWAKE.
601
00:40:24,967 --> 00:40:26,827
I AM GLAD TO HEAR IT.
602
00:40:26,834 --> 00:40:30,404
I AM A DETECTIVE, RRA.
DID YOU KNOW THAT?
603
00:40:30,400 --> 00:40:31,930
NO.
604
00:40:31,934 --> 00:40:34,474
I MAKE IT MY BUSINESS
TO FIND THINGS OUT.
605
00:40:34,467 --> 00:40:36,527
SO I STAYED UP
VERY LATE
606
00:40:36,533 --> 00:40:40,033
AND FOUND OUT ALL ABOUT
CUBIC ZIRCONIUM.
607
00:40:41,500 --> 00:40:45,030
IN CASE YOU
DIDN'T KNOW, IT IS USED
AS A DIAMOND SIMULANT.
608
00:40:45,033 --> 00:40:47,133
AND WHAT IS THAT TO ME?
609
00:40:47,133 --> 00:40:48,603
I WILL TELL YOU:
610
00:40:48,600 --> 00:40:52,570
I CONTINUED MY RESEARCH
IN A VERY DIFFERENT
DIRECTION THIS MORNING
611
00:40:52,567 --> 00:40:57,267
AND I FOUND OUT ALL
ABOUT YOU, RRA.
612
00:40:57,266 --> 00:40:59,826
YOUR LIFE HAS BEEN
VERY EVENTFUL
613
00:40:59,834 --> 00:41:02,504
AND VERY WELL DOCUMENTED.
614
00:41:02,500 --> 00:41:04,670
GOOD DAY, MMA.
615
00:41:04,667 --> 00:41:07,767
SO I THOUGHT I WOULD
SIT HERE TODAY
616
00:41:07,767 --> 00:41:10,597
AND TELL ANYONE WHO
COMES ALONG
617
00:41:10,600 --> 00:41:13,700
THE STORY OF
KEBONE LEGODIMO,
618
00:41:13,700 --> 00:41:16,470
JEWELER AND JAILBIRD!
619
00:41:16,467 --> 00:41:18,927
- ONCE UPON A TIME--
- AHEM.
620
00:41:18,934 --> 00:41:21,904
--THERE WAS A--
621
00:41:34,400 --> 00:41:38,630
( sighs )
I WILL BE KEEPING A KEEN EYE
622
00:41:38,633 --> 00:41:41,503
ON YOUR BUSINESS PRACTICE.
623
00:41:51,166 --> 00:41:53,326
I'M HERE TO ASK YOU
OUT ON A DATE--
624
00:41:53,333 --> 00:41:56,473
- RRA, I--
- --TO THE NOTE MOKOTI
GIG THIS EVENING.
625
00:41:56,467 --> 00:41:59,367
I HAVE TWO TICKETS.
HE'S A FAMOUS JAZZ MUSICIAN,
626
00:41:59,367 --> 00:42:01,267
IN CASE YOU DIDN'T KNOW.
627
00:42:01,266 --> 00:42:04,696
ALSO, MMA, I WOULD LIKE TO
GET YOUR RING ENGRAVED.
628
00:42:04,700 --> 00:42:07,430
COULD YOU LET ME HAVE IT
UNTIL THIS EVENING?
629
00:42:07,433 --> 00:42:09,573
OH.
630
00:42:10,667 --> 00:42:12,327
OF COURSE.
631
00:42:14,600 --> 00:42:17,300
I CANNOT STOP.
632
00:42:17,300 --> 00:42:19,070
HEY.
633
00:42:47,667 --> 00:42:51,097
- NOW WHAT?
- THIS RING, THAT'S WHAT.
634
00:42:51,100 --> 00:42:53,170
RRA, I AM NOT DOING
ANYTHING THAT--
635
00:42:53,166 --> 00:42:57,096
YOU WILL DO AS YOU'RE TOLD
OR THERE'LL BE TROUBLE.
636
00:42:57,100 --> 00:42:59,470
REPLACE IT.
637
00:43:07,233 --> 00:43:10,873
( jazz playing )
638
00:43:23,166 --> 00:43:24,826
( music dies down )
639
00:43:24,834 --> 00:43:27,574
I THINK I'M PAYING
OVER THE ODDS HERE.
640
00:43:27,567 --> 00:43:29,397
HE'S MISSED HIS CUE.
641
00:43:29,400 --> 00:43:31,170
NOTE!
642
00:43:31,166 --> 00:43:32,366
NOTE!
643
00:43:34,834 --> 00:43:37,504
WHERE ARE YOU, MAN?
WE'RE ALL WAITING.
644
00:43:45,934 --> 00:43:49,034
( women chattering )
645
00:43:54,066 --> 00:43:58,466
RRA MATEKONI...
( speaks Setswana )
646
00:43:58,467 --> 00:44:00,567
AHH!
647
00:44:08,533 --> 00:44:11,203
- YOU CAME.
- OF COURSE.
648
00:44:11,200 --> 00:44:14,400
SOMETIMES IT'S BEST TO
FACE UP TO YOUR FEARS.
649
00:44:14,400 --> 00:44:16,300
THAT IS TRUE.
650
00:44:16,300 --> 00:44:18,670
I'M TALKING ABOUT
BOTH OF US.
651
00:44:23,700 --> 00:44:26,730
- YOU LOOK BEAUTIFUL.
- ( laughing ) THANK YOU.
652
00:44:26,734 --> 00:44:29,634
- YOU LOOK VERY HANDSOME.
- THANK YOU.
653
00:44:34,667 --> 00:44:36,827
- DUMELA, RRA.
- DUMELA, RRA.
654
00:44:36,834 --> 00:44:40,674
AHH, TWO TICKETS FOR
NEAR THE FRONT, PLEASE.
655
00:44:40,667 --> 00:44:43,627
NO NEED FOR A TICKET, MMA.
YOU'RE ON THE GUEST LIST.
656
00:44:43,633 --> 00:44:45,273
YOU WERE COMING ALREADY?
657
00:44:45,266 --> 00:44:47,266
NOT OUT OF CHOICE.
658
00:44:47,266 --> 00:44:49,526
AND MAY I ASK WHAT YOU
WERE COMING TO DO?
659
00:44:49,533 --> 00:44:53,133
IT IS A BUSINESS MATTER
WITH CEPHAS BUTHELEZI.
660
00:44:53,133 --> 00:44:54,933
NOT WITH NOTE?
661
00:44:54,934 --> 00:44:57,134
WITH HIM TOO.
662
00:44:58,333 --> 00:44:59,903
DUMELA, RRA.
663
00:45:01,500 --> 00:45:05,000
( man muttering )
664
00:45:19,734 --> 00:45:21,774
WERE YOU LOOKING
FOR ME, FLORENCE?
665
00:45:21,767 --> 00:45:23,727
OF COURSE I WAS.
666
00:45:30,200 --> 00:45:32,770
SO ARE YOU BUYING ME
A DRINK?
667
00:45:46,633 --> 00:45:49,003
IT'S GOOD TO DO THINGS
YOU DON'T NORMALLY DO.
668
00:45:49,000 --> 00:45:52,700
I WILL GO NOW AND
SPEAK TO NOTE.
669
00:45:52,700 --> 00:45:55,100
THEN I WILL COME
WITH YOU.
670
00:45:55,100 --> 00:45:56,770
THERE IS NO NEED
FOR THAT.
671
00:45:56,767 --> 00:46:00,367
MMA, I'M DETERMINED TO
BE MORE COURAGEOUS.
672
00:46:00,367 --> 00:46:04,997
IT WAS COURAGEOUS OF YOU
TO ASK ME TO MARRY YOU AGAIN
673
00:46:05,000 --> 00:46:06,870
AFTER I TURNED YOU DOWN.
674
00:46:06,867 --> 00:46:10,597
THEN I WILL BUILD
FROM THAT BASE.
675
00:46:18,600 --> 00:46:22,430
IT'S TIME TO SHOUT
YOUR LOVE FROM THE ROOFTOPS.
676
00:46:28,367 --> 00:46:29,997
NOTE?
677
00:46:31,700 --> 00:46:33,500
NOTE!
678
00:46:37,233 --> 00:46:40,003
YOU'VE COME TO MAKE GOOD
ON YOUR PROMISE.
679
00:46:40,000 --> 00:46:42,400
- WHERE IS HE?
- NEVER MIND ABOUT NOTE
FOR A MOMENT.
680
00:46:42,400 --> 00:46:44,670
I DON'T WANT TO
BE HERE A MOMENT
LONGER THAN NECESSARY.
681
00:46:44,667 --> 00:46:46,497
I HEARD YOU CRACKED
THE BREAK-INS CASE.
682
00:46:46,500 --> 00:46:48,000
MORE THAN I CAN
SAY FOR YOU.
683
00:46:48,000 --> 00:46:50,070
YOU ARE GOOD
AT YOUR JOB, MMA,
684
00:46:50,066 --> 00:46:52,326
BUT THE PREDATORS WILL
ALWAYS BE CIRCLING.
685
00:46:52,333 --> 00:46:55,173
MEN LIKE NOTE WILL ALWAYS
SEE YOU AS VULNERABLE.
686
00:46:55,166 --> 00:46:56,996
IT WAS YOU WHO
BROUGHT HIM HERE.
687
00:46:57,000 --> 00:46:59,830
TO PROVE THAT
LADY DETECTIVES NEED MEN.
688
00:46:59,834 --> 00:47:02,704
NOTE WILL BE BACK AGAIN
AND AGAIN.
689
00:47:02,700 --> 00:47:04,870
AND IN THE END,
HE WILL TAKE ALL YOU HAVE.
690
00:47:04,867 --> 00:47:07,627
AND YOU WILL STOP HIM?
691
00:47:07,633 --> 00:47:11,103
FOR A CONTROLLING INTEREST
IN YOUR AGENCY, YES, I WILL.
692
00:47:12,500 --> 00:47:15,400
WHEN YOU CAN'T EVEN GET IN
TO OPEN THE DOOR!
693
00:47:20,667 --> 00:47:24,127
NOTE, OPEN THE DOOR,
PLEASE.
694
00:47:24,133 --> 00:47:26,673
HE'S AN ARTIST, YOU KNOW?
HE HAS MOODS.
695
00:47:26,667 --> 00:47:28,597
NOTE?
696
00:47:28,600 --> 00:47:31,200
IT IS PRECIOUS RAMOTSWE.
697
00:47:33,834 --> 00:47:36,834
( door unlocking )
698
00:47:36,834 --> 00:47:39,934
( singing )
699
00:47:47,266 --> 00:47:48,826
LOCK IT AGAIN.
700
00:47:48,834 --> 00:47:52,174
NOTE. RRA,
MY REPUTATION--
YOU'VE GOT TO--
701
00:47:52,166 --> 00:47:53,996
NOTE!
702
00:47:54,000 --> 00:47:56,100
I SAID LOCK IT AGAIN.
703
00:47:59,000 --> 00:48:00,930
DID YOU BRING
THE MONEY?
704
00:48:00,934 --> 00:48:02,804
I BROUGHT A CHECK.
705
00:48:02,800 --> 00:48:04,230
HOW MUCH?
706
00:48:04,233 --> 00:48:06,203
IT IS BLANK.
707
00:48:06,200 --> 00:48:08,270
THEN START
WRITING ZEROS.
708
00:48:08,266 --> 00:48:10,266
HMM?
709
00:48:12,133 --> 00:48:15,533
I NEED TO KNOW YOU WILL NOT
COME BACK TO ME AGAIN.
710
00:48:15,533 --> 00:48:17,373
IS THAT SO?
711
00:48:19,667 --> 00:48:23,167
OR DO YOU SOMETIMES WISH
THAT I HADN'T GONE AWAY?
712
00:48:25,700 --> 00:48:28,030
TAKE YOUR HAND OFF ME.
713
00:48:28,033 --> 00:48:29,933
WHEN YOUR NIGHTS ARE
LONG AND DARK...
714
00:48:29,934 --> 00:48:32,834
WHEN THE NIGHTS WERE LONG
AND DARK, YOU WERE NEVER THERE.
715
00:48:32,834 --> 00:48:35,474
WITH ME YOU TAKE THE ROUGH
WITH THE SMOOTH.
716
00:48:36,767 --> 00:48:39,897
I LOST MY BABY.
717
00:48:39,900 --> 00:48:41,970
THERE WOULD HAVE
BEEN OTHERS.
718
00:48:41,967 --> 00:48:44,967
THERE WOULD HAVE BEEN
OTHER BRUISES TOO.
719
00:48:44,967 --> 00:48:47,367
AND BROKEN BONES.
720
00:48:48,367 --> 00:48:51,897
I WAS GLAD WHEN
YOU WENT AWAY.
721
00:48:51,900 --> 00:48:53,730
NOW I'M HERE AGAIN.
722
00:48:53,734 --> 00:48:56,534
WANTING MONEY.
723
00:48:58,467 --> 00:49:00,327
JUST WRITE THE CHECK
724
00:49:00,333 --> 00:49:03,303
OR YOU WILL NEVER
MARRY YOUR CAR MECHANIC.
725
00:49:03,300 --> 00:49:05,970
THAT IS WHAT YOU'D
LIKE TO THINK.
726
00:49:10,667 --> 00:49:14,397
SO I WON'T HURT YOU NOW,
IS THAT WHAT YOU THINK?
727
00:49:14,400 --> 00:49:18,570
I'VE BEEN AFRAID OF YOU
FOR SO LONG, NOTE.
728
00:49:19,734 --> 00:49:22,534
FIRST IT WAS YOUR FISTS,
729
00:49:22,533 --> 00:49:25,773
AND THEN THAT
YOU MIGHT COME BACK.
730
00:49:27,333 --> 00:49:28,973
AND NOW YOU HAVE.
731
00:49:28,967 --> 00:49:31,567
I STILL HAVE
THOSE FISTS.
732
00:49:31,567 --> 00:49:34,227
BUT NOTHING ELSE.
733
00:49:36,533 --> 00:49:38,633
I DID SOME RESEARCH.
734
00:49:46,633 --> 00:49:51,203
NOTE, I DO NOT NEED
A DIVORCE FROM YOU.
735
00:49:54,600 --> 00:49:57,430
YOU WERE MARRIED
WHEN WE MET.
736
00:49:58,467 --> 00:50:00,867
YOU JUST FORGOT
TO TELL ME.
737
00:50:06,066 --> 00:50:08,126
YOU HAD NO RIGHT
TO MARRY ME,
738
00:50:08,133 --> 00:50:11,373
NO RIGHT TO
DO ANY OF IT!
739
00:50:11,367 --> 00:50:13,127
GET OUT.
740
00:50:23,166 --> 00:50:25,066
THIS IS WHY
YOU NEED MONEY?
741
00:50:26,967 --> 00:50:29,067
FOR THAT STUFF?
742
00:50:30,367 --> 00:50:32,427
HOW LONG HAVE YOU
BEEN TAKING IT?
743
00:50:32,433 --> 00:50:34,673
GET OUT!
744
00:50:34,667 --> 00:50:38,367
WHY WOULD YOU TAKE THAT WHEN
YOU HAVE WHAT YOU HAVE?
745
00:50:38,367 --> 00:50:40,827
WHAT DO I HAVE, HUH?
746
00:50:40,834 --> 00:50:42,874
NOTHING.
YOU JUST TOLD ME.
747
00:50:43,767 --> 00:50:46,267
YOU HAVE THIS--
748
00:50:46,266 --> 00:50:48,926
YOUR MUSIC,
749
00:50:48,934 --> 00:50:53,234
THE REASON WHY ALL THOSE
PEOPLE ARE HERE TONIGHT.
750
00:50:53,233 --> 00:50:55,933
AND WHAT ELSE?
751
00:50:57,867 --> 00:51:00,027
JUST THAT
752
00:51:01,300 --> 00:51:03,870
IS MORE THAN MOST.
753
00:51:28,633 --> 00:51:31,403
FOR THIS,
754
00:51:31,400 --> 00:51:33,500
NOT FOR THAT.
755
00:51:40,266 --> 00:51:42,696
EVERYBODY IS WAITING, NOTE.
756
00:52:17,200 --> 00:52:19,370
I DO NOT REMEMBER.
757
00:52:19,367 --> 00:52:21,327
I THINK YOU DO.
758
00:52:21,333 --> 00:52:24,873
I TOLD THEM YOU WERE
WITH ME ALL NIGHT LONG,
759
00:52:24,867 --> 00:52:27,367
AND THE CASE COLLAPSED.
760
00:52:27,367 --> 00:52:29,027
ALL NIGHT LONG?
761
00:52:29,033 --> 00:52:33,533
THAT I WOULD
HAVE REMEMBERED.
762
00:52:33,533 --> 00:52:35,833
SO NOW YOU OWE ME
A FAVOR.
763
00:52:35,834 --> 00:52:39,934
THERE'S THIS BIG WOMAN
WHO IS CAUSING ME A BIG PROBLEM.
764
00:52:39,934 --> 00:52:42,274
ME AND RRA MATEKONI HAVE
A GOOD THING GOING,
765
00:52:42,266 --> 00:52:44,796
AND SHE'S GOING TO
RUIN IT ALL.
766
00:52:44,800 --> 00:52:46,930
( jazz continues )
767
00:53:02,300 --> 00:53:06,670
YOU KNOW, WHEN I WAS
GROWING UP ON THE ORPHAN FARM,
768
00:53:06,667 --> 00:53:09,797
THIS MAN WAS ALWAYS THERE
TO HELP US OUT,
769
00:53:09,800 --> 00:53:12,770
AND HE NEVER CHARGED
A THEBE FOR HIS SERVICES.
770
00:53:12,767 --> 00:53:15,227
AND TODAY I CAN
RETURN THE FAVOR.
771
00:53:15,233 --> 00:53:17,173
WILL YOU PLEASE WELCOME
TO THE STAGE
772
00:53:17,166 --> 00:53:19,526
GABORONE'S
GREATEST MECHANIC,
773
00:53:19,533 --> 00:53:22,633
MR. J.L.B. MATEKONI?
774
00:53:22,633 --> 00:53:24,773
( all cheer )
775
00:53:28,133 --> 00:53:30,273
UH, LADIES AND GENTLEMEN,
776
00:53:30,266 --> 00:53:32,966
I WOULD LIKE TO
DEDICATE THIS GIG
777
00:53:32,967 --> 00:53:34,967
TO A VERY SPECIAL LADY
778
00:53:34,967 --> 00:53:38,667
AND AN OLD FRIEND OF THE MAN
YOU HAVE COME TO SEE
779
00:53:38,667 --> 00:53:41,127
PLAY HIS TRUMPET TONIGHT,
780
00:53:41,133 --> 00:53:43,703
MY FIANCEE,
781
00:53:43,700 --> 00:53:45,630
PRECIOUS RAMOTSWE...
782
00:53:47,066 --> 00:53:51,426
THE BEST DETECTIVE AND
THE FINEST LADY IN ALL BOTSWANA.
783
00:53:59,600 --> 00:54:03,000
( all cheering )
784
00:54:10,900 --> 00:54:14,270
LADIES AND GENTLEMEN,
ONE LUCKY MAN.
785
00:54:18,800 --> 00:54:22,530
ONE, TWO--
ONE TWO THREE FOUR.
786
00:54:46,967 --> 00:54:51,397
COME, WE HAVE FACED ENOUGH
DEMONS FOR ONE NIGHT.
787
00:55:14,834 --> 00:55:18,074
- WOW.
- NANDIRA?
788
00:55:18,066 --> 00:55:19,466
DUMELA, MMA.
789
00:55:19,467 --> 00:55:20,967
WE CANNOT STOP.
WE ARE LATE.
790
00:55:20,967 --> 00:55:24,127
DON'T BE LATE HOME
OR YOUR FATHER WILL
BE CALLING ME AGAIN.
791
00:55:24,133 --> 00:55:25,373
I WON'T.
792
00:55:25,367 --> 00:55:27,897
OH, AND MMA,
THIS IS JACK.
793
00:55:27,900 --> 00:55:29,770
HELLO.
794
00:55:55,767 --> 00:55:57,767
WHOO!
795
00:56:08,367 --> 00:56:10,667
( knock at door )
796
00:56:19,000 --> 00:56:22,300
( dogs barking )
797
00:56:22,300 --> 00:56:25,070
- HANDS UP!
- AHHH! HEY.
798
00:56:25,066 --> 00:56:28,226
LEANNYE! WHERE HAVE YOU BEEN?
I'VE BEEN WAITING SO LONG.
799
00:56:28,233 --> 00:56:30,173
COME HERE.
800
00:56:33,800 --> 00:56:36,430
OH, BABY.
801
00:57:05,867 --> 00:57:09,367
YOU REMEMBER, MMA,
I SAID I WAS GOING TO
BE MORE COURAGEOUS?
802
00:57:09,367 --> 00:57:11,597
I REMEMBER VERY WELL.
803
00:57:12,967 --> 00:57:17,097
I TOOK THE RING BACK
AND MADE HIM CHANGE IT
FOR A REAL ONE.
804
00:57:17,100 --> 00:57:19,500
MMA MAKUTSI TOLD YOU?
805
00:57:19,500 --> 00:57:22,900
AND I MADE HIM ENGRAVE IT,
FREE OF CHARGE.
806
00:57:37,133 --> 00:57:41,703
"FOR A REAL
BOTSWANA DIAMOND."
807
00:57:45,767 --> 00:57:47,667
IT'S BEAUTIFUL.
808
00:57:48,567 --> 00:57:50,327
THANK YOU.
809
00:58:06,367 --> 00:58:08,827
I LOVE YOU, J.L.B. MATEKONI.
810
00:58:12,700 --> 00:58:14,700
I AM VERY GLAD.
811
00:58:26,834 --> 00:58:28,974
( theme music playing )
52217
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.